Edited Books

• Anderson, R., Sternberg, M. (2020). Modern Architecture and the Sacred: Religious Legacies and Spiritual Renewal. London: Bloomsbury.

Book Chapters

• Anderson, R. (2020). Revelatory Earth: Adolphe Appia and the Prospect of a Modern Sacred. In Ross Anderson and Maximilian Sternberg (Eds.), Modern Architecture and the Sacred: Religious Legacies and Spiritual Renewal, (pp. 181-195). London: Bloomsbury. [More Information]
• Anderson, R. (2019). Minimal Ritual: Mies van der Rohe's Chapel of St. Savior, 1952. In Anat Geva (Eds.), Modernism and American Mid-20th Century Sacred Architecture, (pp. 15-30). Abingdon: Routledge. [More Information]
• Anderson, R. (2017). Adolphe Appia: Der Taucher [The Diver]. In Dieter Jaenicke and Ralph Lindner (Eds.), Rekonstruktion der Zukunft, (pp. 82-85). Leipzig: Spector Books.
• Anderson, R. (2016). Adolphe Appia and the Eurhythmic Promise of Hellerau. In Claudia Perren, Bauhaus Dessau Foundation (Eds.), Bauhaus No8: Movement, (pp. 94-99). Leipzig: Spector Books.
• Anderson, R. (2014). Settings Forth. In Ross Anderson (Eds.), Architecture Annual 2014: Propositions, (pp. 18-23). Sydney: Freerange Press.
• Anderson, R. (2013). A Room An Eye: Situated. In Claudia Perren, Sarah Breen Lovett (Eds.), Reverse Projections: Expanded Architecture At The Rocks, (pp. 90-94). Berlin, Germany: Broken Dimanche Press.
• Anderson, R. (2013). Analogue Architecture: Between Imagination and Memory. In Ross Anderson (Eds.), Analogue, (pp. 3-8). Christchurch: Freerange Press.
• Anderson, R. (2012). The Talismanic Presence of Architecture and Ornament in Heidegger's Hutte. In Benoit Jacquet and Vincent Giraud (Eds.), From the Things Themselves: Architecture and Phenomenology, (pp. 127-154). Kyoto: Kyoto University Press.

Journals

• Anderson, R. (2023). Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia and the Matter of Perspective. DMJournal – Architecture and Representation, 2, Online (17 pages).
• Anderson, R. (2021). Down to Earth: Martin Heidegger, Le Corbusier, and the Question of Dwelling, Essentially. Architectural Histories, 9, 1-15. [More Information]
• Anderson, R. (2017). Raised on the Dark Grounds of Tradition: Albert Speer's Atelierhaus at Berchtesgaden, 1938. Scroope: Cambridge architecture journal, 26(July 2017), 21-27.
• Anderson, R. (2017). The Appian Way. AA Files, 75(2017), 163-182.
• Anderson, R., Arndell, M., Christensen, S. (2009). Architecture Studio Archive: A case study in the comprehensive digital capture and repository of student design work as an aid to teaching, research, and accreditation. Australian Academic and Research Libraries, 40(4), 286-304. [More Information]
• Anderson, R. (2008). The Medieval Masons' Lodge as Paradigm for Peter Behren's 'Dombauhutte' in Munich, 1922. Art Bulletin, XC(3), 441-465. [More Information]

Conferences

• Anderson, R. (2015). All of Paris, Darkly: Le Corbusier's Beistegui Apartment, 1929-1931. Le Corbusier, 50 years later: International Congress, Valencia: Universitat Politecnica de Valencia. [More Information]
• Anderson, R. (2015). Making the Cathedral Immanent: German Architecture and the Question of Institutional Order. 32nd Annual Conference of the Society of Architectural Historians, Australia and New Zealand, Sydney: Society Architectural Historians Australia and New Zealand (SAHANZ).
• Anderson, R. (2014). Figures of Mediation: Late Gothic Chapel Vaults Between Primordial Stone and Medieval Theology. SAHANZ Unitec Auckland 2014: Translation, 31st Conference of the Society of Architectural Historians, Australia and New Zealand, Auckland, New Zealand and Gold Coast, Queensland.: Auckland, New Zealand SAHANZ and Unitec ePress, and Gold Coast, Queensland: SAHANZ.
• Anderson, R. (2013). Cadenced Horizons: Adolphe Appia's Scenic Architecture. 2013 Interstices Under Construction Symposium, Auckland: School of Art and Design, AUT University of Architecture and Planning, The University of Auckland.
• Anderson, R., Dircks, A. (2010). Future Ruins: Arata Isozaki, J.G. Ballard and Late Modernist Disillusionment. imagining.. The 27th Annual Sahanz Conference (Sahanz 2010), Newcastle: Society Architectural Historians Australia and New Zealand (SAHANZ).
• Anderson, R. (2009). The Star and the Vessel: Situating the Architecture and Ornament of Heidegger's Hutte at Todtnauberg. Architecture and Phenomenology, Kyoto, Japan: Kyoto Seika University.
• Anderson, R. (2007). Anything but Silent: Daniel Libeskind's Architecture as Events of Representation. 24th International Conference of the Society of Architectural Historians, Australia and New Zealand (SAHANZ 2007), Adelaide: Society of Architectural Historians, Australia and New Zealand.
• Anderson, R. (2007). Fabricating the Late Gothic German Chapel: Theology, Geometry, Materials and the Practical Imagination. Spaces and Places: VII Annual Conference of the Centre for Medieval and Early Modern European Studies.
• Anderson, R. (2007). Stones Against Forgetting: German-Jewish territories of remembrance in contemporary Berlin architecture. Errinerungskrisen – Memory Crises: German Studies Association of Australia Conference.

Visual Art

• Anderson, R., Liu, K., Weir, S. (2013). A Room An Eye. In: Expanded Architecture At The Rocks. Sydney Architecture Festival. 136-138 Cumberland Street The Rocks, Sydney, Australia.

Textual Creative Works

• Anderson, R. (2011). After Images: A Collection of Sketches. After Images, (pp. 2 - 7). Sydney, Australia: Creative ReSearch Cluster.
• Anderson, R. (2011). Measured Reciprocity. aMaze 2011, (pp. 90 - 93). Sydney, Australia: Faculty of Architecture Design and Planning, The University of Sydney.
• Anderson, R. (2011). The Site, Canberra: Topo-Graphic. Urban AU. Street/ Art/ Architecture, (pp. 6 - 9). Canberra, Australia: Gallery of Australian Design.
• Anderson, R. (2010). The Chaosmos of Ovid. Metamorphoses, (pp. 8 - 16). Sydney, Australia: Faculty of Architecture Design and Planning, The University of Sydney.
• Anderson, R. (2009). A First Year Architecture Studio Project. Curriculum Development in Studio Teaching: Volume 4 - STP Case Studies of Effective Practice, Volume 4, October 2009, (pp. 117 - 122). Sydney, Australia: Australian Learning and Teaching Council.
• Anderson, R. (2009). Architecture Studio Archive. Archetype, September 2009, (pp. 11 - 11). Sydney, Australia: Faculty of Architecture Design and Planning.

Design or Architectural Works

• Anderson, R., Libeskind, D. (2010). Creative Media Centre, City University of Hong Kong. City University of Hong Kong, Hong Kong (SAR of China): City University of Hong Kong. public.
• Anderson, R., Architekt Daniel Libeskind, N. (2008). WESTside Bruennen Garden Centre. Bern, Switzerland: NBAG Nueue Brunnen AG with Developer MIGROS AARE. public/commercial.
• Anderson, R., Libeskind, D. (2008). WESTside Bruennen Recreational Swimming Complex. Berne, Switzerland: NBAG Nueue Brunnen AG with Developer MIGROS AARE. Commercial.
• Anderson, R., Libeskind, D. (2008). WESTside Bruennen Senior Housing. Bern, Switzerland: NBAG Nueue Brunnen AG with Developer MIGROS AARE. residential.
• Anderson, R. (2005). Progress. ADC Theatre, Cambridge, United Kingdom: Cambridge Footlights Theatre Company. Commercial.
• Anderson, R., Magma Architecture, N. (2004). Kulturforum Munster. Munster, Germany: public/commercial. Unrealized.
• Anderson, R., Zvi Hecker Architekt, N. (2004). The Royal Dutch Military Police Complex, Schiphol. Amsterdam, Netherlands: Koninklijke Marechausse District Schiphol. corporate. Unrealized.
• Anderson, R., Zvi Hecker Architekt, N. (2004). Visitor Information Centre, Ravensbruck Concentration Camp Memorial Site. Ravensbruck Concentration Camp, Germany: Brandenburg Memorials Foundation. public. Unrealized.
• Anderson, R., Studio Daniel Libeskind, N. (2003). World Trade Centre New York, Design Study. Site of former World Trade Centre, New York, United States of America: Lower Manhattan Development Corporation. public/commercial. Unrealized.

Exhibitions / Events

• Anderson, R. (2011). After Images. Sydney, Australia: Boutwell Draper Gallery.
• Benton, S., Anderson, R., Smith, C., Niemela, M. (2010). Metamorphoses. Sydney, Australia: Tin Sheds Gallery.