Books

• Roberts, M. (2016). Istanbul Karsılasmaları. Osmanlılar, Oryantalistler ve 19. Yuzyıl Gorsel Kulturu. Istanbul: Türkiye İş Bankası Kültür Yayınları. [More Information]
• Roberts, M. (2015). Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth-Century Visual Culture. Oakland, California: University of California Press. [More Information]
• Roberts, M. (2007). Intimate Outsiders: The Harem in Ottoman and Orientalist Art and Travel Literature. Durham (USA) and London: Duke University Press.

Edited Books

• Roberts, M., Williams, S., McAuley, G. (2023). Ottoman Architecture: A Study Published for the 1873 Vienna World's Fair. United States: Gorgias Press. [More Information]
• Roberts, M., Beaulieu, J., Ross, T. (2012). Refracting Vision: Essays on the Writings of Michael Fried (Reprint). Sydney: Power Publications.
• Inankur, Z., Lewis, R., Roberts, M. (2011). Mekânın Poetikası, Mekânın Politikası: Osmanlı Ä°stanbulu ve Britanya Oryantalizmi. Istanbul: Pera Museum.
• Inankur, Z., Lewis, R., Roberts, M. (2011). The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism. USA: Pera Museum.
• Roberts, M., Hackforth-Jones, J. (2005). Edges of Empire: Orientalism and Visual Culture. Malden, Massachusetts: Blackwell Publishers. [More Information]
• Roberts, M., Beaulieu, J. (2002). Orientalism's interlocutors : painting, architecture, photography. Durham, United States: Duke University Press.
• Roberts, M., Beaulieu, J., Ross, T. (2000). Refracting Vision: Essays on the Writings of Michael Fried. 1st Edition. Sydney: Power Publications.

Book Chapters

• Roberts, M. (2023). Afterword: Peripheral horizons: Russian Orientalism in a global context. In Maria Taroutina and Allison Leigh (Eds.), Russian Orientalism in a global context: Hybridity, encounter, and representation, 1740-1940, (pp. 253-260). Manchester, UK: Manchester University Press. [More Information]
• Roberts, M., Williams, S. (2023). Introduction. An Historical Ethnography of Ottoman Architecture: Translating and Visualizing Empire in 1873. In Mary Roberts, Samuel Williams and Gay McAuley (Eds.), Ottoman Architecture: A Study Published for the 1873 Vienna World's Fair, (pp. ix-xliv). United States: Gorgias Press. [More Information]
• Roberts, M. (2023). The Cross-Cultural Artist-Collector: Orientalist Painting and Collecting in the Late Nineteenth Century/Der Kultur-Ubergreifende Kinstler-Sammler: Malerei und Sammlertum im Orientalismus des Spaten 19. Jahrhunderts. In Zurcher Kunstgesellschaft (Eds.), Re-orientation. Europe and Islamic Art from 1851 to today, (pp. 46-53, 292). Switzerland: Hirmer Publishers. [More Information]
• Roberts, M. (2021). Constantin Guys and the Painters of Global Modernity. In Yasmine Nachabe Taan (Eds.), Fashioning the Modern Middle East: Gender, Body, and Nation, (pp. 91-112). London: Bloomsbury. [More Information]
• Roberts, M. (2021). The Heterochronic Poetics of an Istanbul Interior. In Banu Mahir et al. (Eds.), Zeynep İnankur Armağanı: Modernizmin Başkentleri, (pp. 90-100). Istanbul: MSGSÜ.
• Roberts, M. (2018). Artists, Amateurs, and the Pleated Time of Ottoman Modernity. In Dan Karlholm, Keith Moxey (Eds.), Time in the History of Art: Temporality, Chronology and Anachrony, (pp. 79-100). New York: Routledge. [More Information]
• Roberts, M. (2016). Osman Hamdi Bey and Ottoman Aestheticism. In Hollis Clayson, André Dombrowski (Eds.), Is Paris Still the Capital of the Nineteenth Century?, (pp. 131-152). Oxford and New York: Routledge. [More Information]
• Roberts, M. (2016). Other Desires and the Desire of Others. In Joan DelPlato, Julie Codell (Eds.), Orientalism, Eroticism and Modern Visuality in Global Cultures, (pp. 141-160). London: Routledge. [More Information]
• Roberts, M. (2014). Ottoman Art, Empire and the Orientalism Debate. In Robert Aldrich, Kirsten McKenzie (Eds.), The Routledge History of Western Empires, (pp. 364-381). London: Routledge. [More Information]
• Roberts, M. (2013). En route: 1001 Nights cast. Atelier Paris: The Power Studio. Sydney: University Art Gallery, The University of Sydney.
• Roberts, M. (2013). The Limits of Circumscription. In Ali Behdad and Luke Gartlan (Eds.), Photographys Orientalism: new essays on colonial representation, (pp. 53-74). Los Angeles, USA: Getty Publications.
• Roberts, M. (2012). Divided Objects of Empires: Ottoman Imperial Portraiture and Transcultural Aesthetics. In Julie F Codell (Eds.), Transculturation in British Art, 1770-1930, (pp. 159-175). Surrey: Ashgate.
• Roberts, M. (2011). Genealogies of Display: Cross-Cultural Networks at the 1880s Istanbul Exhibitions. In Zeynep Inankur, Reina Lewis, Mary Roberts (Eds.), The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism, (pp. 127-142). USA: Pera Museum.
• Roberts, M., Lewis, R., Inankur, Z. (2011). Introduction: Disruptive Geographies. In Zeynep Inankur, Reina Lewis, Mary Roberts (Eds.), The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism, (pp. 19-29). USA: Pera Museum.
• Roberts, M. (2010). Gérôme in Istanbul. In Scott Allan and Mary Morton (Eds.), Reconsidering Gérôme, (pp. 119-134). Los Angeles, CA: Getty Publications.
• Roberts, M. (2009). Visual Elaborations: Fausto Zonaro's 'Ottoman' Self-Portraits. In Jaynie Anderson (Eds.), Crossing Cultures: Conflict, Migration and Convergence: the proceedings of the 32nd International Congress of the History of Art. Melbourne: The Miegunyah Press.
• Roberts, M. (2007). KarÅŸit Noktalar: Said, Sanat Tarihi ve 19. yy'da Osmanlı KimliÄŸinin Yeniden Ä°cadı [Counterpoints: Said, Art History and the Reinvention of Ottoman Identity in Nineteenth-century Istanbul. Oryantalizm: Edward Said Anısına [Orientalism: In Memory of Edward Said]. Istanbul: Ä°stanbul BüyükÅŸehir.
• Roberts, M. (2007). The Politics of Portraiture Behind the Veil. In Tim Barringer, Geoff Quilley and Douglas Fordham (Eds.), Art and the British Empire, (pp. 223-236). Manchester UK & New York: Manchester University Press.
• Roberts, M. (2006). Harem portraiture: Elisabeth Jerichau-Baumann and the Egyptian Princess Nazli Hanim. In Deborah Cherry, Janice Helland (Eds.), Local/Global: Women Artists in the Nineteenth Century, (pp. 77-98). Aldershot UK: Ashgate.
• Roberts, M. (2005). Cultural Crossings: Sartorial Adventures, Satiric Narratives, and the Question of Indigenous Agency in Nineteenth Century Europe and the Near East. In Jocelyn Hackforth-Jones; Mary Roberts (Eds.), Edges of Empire: Orientalism and Visual Culture, (pp. 70-94). Malden, Massachusetts: Blackwell Publishers.
• Roberts, M., Hackforth-Jones, J. (2005). Introduction: Visualizing Culture across the edges of empires. In Jocelyn Hackforth-Jones; Mary Roberts (Eds.), Edges of Empire: Orientalism and Visual Culture, (pp. 1-19). Malden, Massachusetts: Blackwell Publishers.
• Roberts, M. (2002). Contested Terrains: Women Orientalists and the Colonial Harem. In Mary Roberts and Jill Beaulieu (Eds.), Orientalism's interlocutors : painting, architecture, photography, (pp. 179-203). Durham, United States: Duke University Press.
• Roberts, M. (2002). Inhabiting Tradition: Barbara Campbell's 'Inflorescent'. In Barbara Campbell and Laura Ginters (Eds.), Flesh Winnow. Sydney Australia: Power Publications.
• Roberts, M., Beaulieu, J. (2002). Orientalism's interlocutors. In Mary Roberts and Jill Beaulieu (Eds.), Orientalism's interlocutors : painting, architecture, photography, (pp. 1-18). Durham, United States: Duke University Press.
• Roberts, M., Beaulieu, J., Ross, T. (2000). An Interview with Michael Fried. In Mary Roberts, Jill Beaulieu and Toni Ross (Eds.), Refracting Vision: Essays on the Writings of Michael Fried. 1st Edition. Sydney: Power Publications.
• Roberts, M. (2000). Difference and Deferral: The Sexual Economy of Courbet's 'Femininity'. In Mary Roberts, Jill Beaulieu and Toni Ross (Eds.), Refracting Vision: Essays on the Writings of Michael Fried. 1st Edition. Sydney: Power Publications.
• Roberts, M., Beaulieu, J. (1997). Courbet's Corporeal Realism: The Phenomenological Body and the Anti-theatrical Tradition. In Anthony Bond (Eds.), Body, (pp. 109-118). Melbourne: Bookman Press.
• Roberts, M. (1997). Twelve Catalogue Entries on British and French Orientalist Paintings. In Roger Benjamin (Eds.), The Oriental Mirage: Visions of the East From Delacroix to Klee. Sydney: Art Gallery of New South Wales.

Journals

• Ledbury, A., Smith, T., Laurence, J., Roberts, M., O'Reilly, C. (2023). Personal Tributes delivered at 'Celebrating Emeritus Professor Virginia Spate AC FAHA, 1937–2002', University of Sydney, 10 November 2022. Australian and New Zealand Journal of Art, 23(1), 125-131. [More Information]
• Roberts, M. (2022). Worlding on the Hudson: Frederic Church and Global Histories of Art. Art History, 45(3), 518-544. [More Information]
• Roberts, M., Williams, S. (2021). A Monumental Book: "Ottoman Architecture" at the 1873 Vienna World's Fair. Art in Translation, 13(1-3), 2-33. [More Information]
• Roberts, M. (2021). Saidean Time: Orientalism at the Fulcrum of Global Histories of Art. JOSAH: Journal of the Society of Asian Humanities, 52, 154-161. [More Information]
• Law, J., Roberts, M. (2018). The Atmospherics of Leighton House: A series of short films. British Art Studies, 9. [More Information]
• Roberts, M. (2018). The Resistant Materiality of Frederic Leighton's Arab Hall. British Art Studies, 9, 1-70. [More Information]
• Roberts, M. (2014). Nazli's photographic games: Said and art history in a contrapuntal mode. Patterns of Prejudice, 48(5), 460-478. [More Information]
• Roberts, M. (2013). Networked Objects. International Journal of Middle East Studies, 45(3), 570-573. [More Information]
• Roberts, M. (2013). Ottoman Statecraft and the "Pencil of Nature": Photography, Painting, and Drawing at the Court of Sultan Abdulaziz. Ars Orientalis, 43, 10-30.
• Roberts, M. (2011). Mary Roberts ile söyleÅŸi. Toplumsal Tarih, Issue 216.
• Roberts, M. (2010). Walls of Algiers: narratives of the city. Journal of the Society of Architectural Historians, 69(4), 610-612. [More Information]
• Roberts, M. (2002). Pasts Present: Recent Developments in the Study of Nineteenth-century British Art. Art Monthly Australia, , 15-18.
• Roberts, M. (2000). Being Drawn: Barbara Campbell's 'Inflorescent'. Eyeline, Autumn/Winter.
• Roberts, M. (2000). Strategic Inversions: Women's Harem Literature and the Politics of Looking. Australian and New Zealand Journal of Art, 1(2), 31-41.
• Roberts, M. (1997). 'Decorum' by Helen Nicholson. Art and Australia, 34(3).

Edited Journals

• Roberts, M., Williams, S. (2021). Fundamentals of Ottoman Architecture (1873). Art in Translation, 13(1-3). [More Information]

Conferences

• Roberts, M. (2009). Visual Elaborations: Fausto Zonaro's 'Ottoman' Self-Portraits. 32nd International Congress in the History of Art 2008, Australia: The Miegunyah Press.

Textual Creative Works

• Roberts, M. (2013). Barbara Campbell: En Route. Atelier Paris: The Power Studio, (pp. 4 - 4). Sydney, Australia: University Art Gallery, The University of Sydney.

Magazine / Newspaper Articles

• Roberts, M. (2024). The Epistolary Interior. Society and Space. [More Information]

Other

• Roberts, M. (2017), Cover Interview: 'On her book Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth-Century Visual Culture', Rorotoko, 1 February 2017. [More Information]
• Roberts, M. (2011), "Mary Roberts ile Soylesi", Toplumsal Tarih, December 2011, Issue 216.