Dr Catriona Moore

Lecturer

A26 - R.C. Mills Building
The University of Sydney

Telephone +61 2 9351 6905
Fax +61 2 9351 4212

Website Image database

Research interests

  • Comparative study of women modernist artists in the pre- and inter-war years from selected British Dominions and new republics (primarily New Zealand, Australia, Canada, South Africa, and tangentially India)
  • Contemporary feminist art and writing
  • Contemporary Australian art
  • Contemporary international art, with particular focus on post-colonial and feminist issues
  • Electronic media

Associations

  • Eyeline, 2000
  • Photofile, 1997 - 1998

Recent refereed conference papers

  • ‘Are we there yet? Inter-generational Feminism’, AAANZ Annual Conference, Sydney University December 2012
  • ‘Feminist Art: the 1980s and 1990s’, in ‘Look. Look Again’ Cruthers Collection and Conference, University of Western Australia, October 2012
  • ‘You’re a great way to fly…”, Cultural Studies Conference, Sorbonne, Paris July 2012

Guest lectures and invited symposia papers

  • ‘Modernism and Australian Women’, Art Gallery of New South Wales, August 2013
  • ‘Bill Henson’, Art Gallery of New South Wales, June 2013
  • ‘Australian Modernism’, Art Gallery of New South Wales, June 2013
  • ‘What’s So Funny? Humour in Feminist Art’, Margaret Lawrence Gallery (VCA), Melbourne, May 2013
  • ‘If Not, Why Not?’ Forum on Contemporary Art, Artspace, Sydney, March 2013
  • ‘Equality and Difference: Feminism’s Two-pronged strategy in the art world’, Cross Art Projects, Sydney, September 2012
  • ‘Feminism and Art: Looking to the Future’, Queensland University of Technology, Brisbane, March 2012
  • ‘The Dinner party’, Next Wave Festival, Melbourne, Footscray Cultural Centre, May 2012

PhD and master's project opportunities

Selected grants

2013

  • Australian Contemporary Art and Feminism; Moore C; School of Letters, Art and Media, University of Sydney/Research Incubator Scheme.

2007

  • Dictionary of Australian Artists online, DAAO: public release version; Moore C, Benjamin R, et a, Johnson V; Australian Research Council (ARC)/Linkage Infrastructure, Equipment and Facilities (LIEF).

2006

  • University of Sydney - Near Miss Scheme; Moore C; University of Sydney (CHASS)/Bridging Support.

2005

  • DAAO The Dictionary of Australian Artists Online; Johnson V, Mendelssohn J, Bennett J, Brauer F, Losche D, Wells A, Benjamin R, Moore C, Kleinert S, Burn M, Gay A, Butler R, Bond A, Ryan A, Schmocker S, Ellis E, Neville R; Australian Research Council (ARC)/Linkage Infrastructure, Equipment and Facilities (LIEF).

2003

  • Women artists and western primitivism: a comparative study of Margaret Preston and Emily Carr; Moore C; DVC Research/Research and Development Scheme: Research and Development (R&D).

2000

  • The big picture: A planning matrix for the visual arts; Smith T, Pefanis J, Moore C, Patrick J; Australian Research Council (ARC)/Strategic Partnerships with Industry - Research and Training (SPIRT).

Selected publications & creative works

Download citations: PDF RTF Endnote

Book Chapters

  • Moore, C. (2007). Not Just a Pretty Picture: Art as Ecological Communication. In Gavin Birch (Eds.), Water Wind Art and Debate - How environmental concerns impact on disciplinary research, (pp. 345-392). Sydney: Sydney University Press.
  • Moore, C. (2005). Margaret Preston At Home. In Rex Butler (Eds.), Radical revisionism : an anthology of writings on Australian art, (pp. 200-212). Brisbane: Institute of Modern Art.
  • Moore, C., Holder, J. (2004). Hearts and Minds (will win the war). In Blair French, Adam Geczy and Nicholas Tsoutas (Eds.), Criticism + Engagement + Thought: 2004 Biennale of Sydney, (pp. 9-17). Sydney: Artspace.
  • Moore, C. (2002). Photo-Documentary's Fluctuating Fortune. In Stuart Koop (Eds.), Value Added Goods: Essays on Contemporary Photography, Art and Ideas, (pp. 27-34). Australia: Centre For Contemporary Photography.
  • Moore, C., Holder, J. (2002). Waltz in Matilda. In Rachel Kent, Russell Storer, Vivienne Webb (Eds.), Meridian: Focus on Contemporary Australian Art, (pp. 24-27). Sydney: Museum of Contemporary Art.
  • Moore, C. (2001). Artists in the Agora. In Brad Buckley and John Conomos (Eds.), Republics of Ideas: Republicanism Culture Visual Arts, (pp. 182-197). Australia: Pluto Press.

Journals

  • Moore, C. (2014). 'Backflip': Feminism and Humour in Contemporary Art. Eyeline, 80, 106-107.
  • Moore, C. (2013). The More Things Change: Feminist Aesthetics, Then and Now. Artlink: Australian contemporary art quarterly, 33(3), 22-24.
  • Moore, C. (2010). Notes from the front line. n.paradoxa (print), 26(9), 19-19.
  • Moore, C. (2009). Book Review: WACK!: Art and the Feminist Revolution, by Maura Reilly and Linda Nochlin, eds. Australian and New Zealand Journal of Art, 9(1/2), 247-250.
  • Moore, C. (2006). Round-tables and Square Holes. Artlink: Australian contemporary art quarterly, 26(1).
  • Moore, C., Holder, J. (2005). Beauty and the Beast: Grace Cossington Smith at the National Gallery of Australia. Eyeline, 58(Spring).
  • Moore, C. (2005). Decoration, aspiration, nostalgia: Recent Australian photography. Art and Australia, 42(3), 424-433.
  • Moore, C. (2005). Welcome Stranger!. Photofile, 76, 42-45.

Conferences

  • Moore, C. (2013). Caring for Country: Art as a Platform for Indigenous and Western Land Stewardship - Australian perspectives. Sharing Cultures 2013 - 3rd International Conference on Intangible Heritage, Barcelos Portugal: Green Lines Institute for Sustainable Development.
  • Moore, C. (2005). Margaret Preston in an international frame. Margaret Preston Symposium, Sydney: Art Gallery of New South Wales.
  • Moore, C. (2004). Joan Kerr’s Third Way. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.
  • Moore, C. (2002). Modern Women Artists at the Colonial Periphery. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.

Textual Creative Works

  • Moore, C. (2013). Modern Women: Full Throttle. Sydney Moderns: Art for a New World, (pp. 86 - 91). Sydney, Australia: Art Gallery of New South Wales.
  • Moore, C. (2013). Susan Norrie: 1. Grand Luxe 1987 2. Untitled 1988-89 (Peripherique). Important Australian Art from the Collection of Reg Grundy AC OBE and Joy Chambers-Grundy, Paddington, Australia: Bonhams.
  • Moore, C., Doley, K. (2012). Contemporary Australia: Feminism (A conversation between Catriona Moore and Kelly Doley). Sexes, Sydney, (pp. 12 - 17). Sydney, Australia: Performance Space.
  • Moore, C., Holder, J. (2010). Beauty of distance: postmortems Catriona Moore. Contemporary Visual Art + Culture: Broadsheet 39(3), volume 39 issue 3, (pp. 204 - 207). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Moore, C., Holder, J. (2010). Do biennales do it better? Contemporary Visual Art + Culture: Broadsheet 39 (2), (pp. 100 - 101). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Moore, C. (2010). Local Internationals or International Locals? Edge of Elsewhere, (pp. 57 - 60). Sydney, Australia: Campbelltown Arts Centre.
  • Moore, C. (2005). Reviews - Caroline Jordan - Picturesque pursuits: Colonial Women Artists and the Amateur Tradition. Australian and New Zealand Journal of Art: Masculinities, volume 6, number 1, (pp. 134 - 138). Sydney, Australia: Allen Lane.

Report

  • Moore, C. (2004). The Big Picture: A Planning Matrix For The Visual Arts (3 Chapters: "Economic Environment", "Globalisation", "Community Attitudes").

Reference Works

  • Moore, C. (2014). [In Press]. Expressionism in Australia. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Grace Cossington Smith. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Margaret Preston. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Social Realism. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. The Antipodeans. Routledge Encyclopedia of Australian Art. Routledge.

Other

  • Moore, C. (2005), Margaret Preston: Self Portrait, 1932.
  • Moore, C. (2002), Guest Lecture: "Modern Australian Women".
  • Moore, C. (2001), Public Lecture: Recent Australian Photography.
  • Moore, C. (2001), Telling Tales.

2014

  • Moore, C. (2014). 'Backflip': Feminism and Humour in Contemporary Art. Eyeline, 80, 106-107.
  • Moore, C. (2014). [In Press]. Expressionism in Australia. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Grace Cossington Smith. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Margaret Preston. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. Social Realism. Routledge Encyclopedia of Australian Art. Routledge.
  • Moore, C. (2014). [In Press]. The Antipodeans. Routledge Encyclopedia of Australian Art. Routledge.

2013

  • Moore, C. (2013). Caring for Country: Art as a Platform for Indigenous and Western Land Stewardship - Australian perspectives. Sharing Cultures 2013 - 3rd International Conference on Intangible Heritage, Barcelos Portugal: Green Lines Institute for Sustainable Development.
  • Moore, C. (2013). Modern Women: Full Throttle. Sydney Moderns: Art for a New World, (pp. 86 - 91). Sydney, Australia: Art Gallery of New South Wales.
  • Moore, C. (2013). Susan Norrie: 1. Grand Luxe 1987 2. Untitled 1988-89 (Peripherique). Important Australian Art from the Collection of Reg Grundy AC OBE and Joy Chambers-Grundy, Paddington, Australia: Bonhams.
  • Moore, C. (2013). The More Things Change: Feminist Aesthetics, Then and Now. Artlink: Australian contemporary art quarterly, 33(3), 22-24.

2012

  • Moore, C., Doley, K. (2012). Contemporary Australia: Feminism (A conversation between Catriona Moore and Kelly Doley). Sexes, Sydney, (pp. 12 - 17). Sydney, Australia: Performance Space.

2010

  • Moore, C., Holder, J. (2010). Beauty of distance: postmortems Catriona Moore. Contemporary Visual Art + Culture: Broadsheet 39(3), volume 39 issue 3, (pp. 204 - 207). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Moore, C., Holder, J. (2010). Do biennales do it better? Contemporary Visual Art + Culture: Broadsheet 39 (2), (pp. 100 - 101). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Moore, C. (2010). Local Internationals or International Locals? Edge of Elsewhere, (pp. 57 - 60). Sydney, Australia: Campbelltown Arts Centre.
  • Moore, C. (2010). Notes from the front line. n.paradoxa (print), 26(9), 19-19.

2009

  • Moore, C. (2009). Book Review: WACK!: Art and the Feminist Revolution, by Maura Reilly and Linda Nochlin, eds. Australian and New Zealand Journal of Art, 9(1/2), 247-250.

2007

  • Moore, C. (2007). Not Just a Pretty Picture: Art as Ecological Communication. In Gavin Birch (Eds.), Water Wind Art and Debate - How environmental concerns impact on disciplinary research, (pp. 345-392). Sydney: Sydney University Press.

2006

  • Moore, C. (2006). Round-tables and Square Holes. Artlink: Australian contemporary art quarterly, 26(1).

2005

  • Moore, C., Holder, J. (2005). Beauty and the Beast: Grace Cossington Smith at the National Gallery of Australia. Eyeline, 58(Spring).
  • Moore, C. (2005). Decoration, aspiration, nostalgia: Recent Australian photography. Art and Australia, 42(3), 424-433.
  • Moore, C. (2005). Margaret Preston At Home. In Rex Butler (Eds.), Radical revisionism : an anthology of writings on Australian art, (pp. 200-212). Brisbane: Institute of Modern Art.
  • Moore, C. (2005). Margaret Preston in an international frame. Margaret Preston Symposium, Sydney: Art Gallery of New South Wales.
  • Moore, C. (2005), Margaret Preston: Self Portrait, 1932.
  • Moore, C. (2005). Reviews - Caroline Jordan - Picturesque pursuits: Colonial Women Artists and the Amateur Tradition. Australian and New Zealand Journal of Art: Masculinities, volume 6, number 1, (pp. 134 - 138). Sydney, Australia: Allen Lane.
  • Moore, C. (2005). Welcome Stranger!. Photofile, 76, 42-45.

2004

  • Moore, C., Holder, J. (2004). Hearts and Minds (will win the war). In Blair French, Adam Geczy and Nicholas Tsoutas (Eds.), Criticism + Engagement + Thought: 2004 Biennale of Sydney, (pp. 9-17). Sydney: Artspace.
  • Moore, C. (2004). Joan Kerr’s Third Way. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.
  • Moore, C. (2004). The Big Picture: A Planning Matrix For The Visual Arts (3 Chapters: "Economic Environment", "Globalisation", "Community Attitudes").

2002

  • Moore, C. (2002), Guest Lecture: "Modern Australian Women".
  • Moore, C. (2002). Modern Women Artists at the Colonial Periphery. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.
  • Moore, C. (2002). Photo-Documentary's Fluctuating Fortune. In Stuart Koop (Eds.), Value Added Goods: Essays on Contemporary Photography, Art and Ideas, (pp. 27-34). Australia: Centre For Contemporary Photography.
  • Moore, C., Holder, J. (2002). Waltz in Matilda. In Rachel Kent, Russell Storer, Vivienne Webb (Eds.), Meridian: Focus on Contemporary Australian Art, (pp. 24-27). Sydney: Museum of Contemporary Art.

2001

  • Moore, C. (2001). Artists in the Agora. In Brad Buckley and John Conomos (Eds.), Republics of Ideas: Republicanism Culture Visual Arts, (pp. 182-197). Australia: Pluto Press.
  • Moore, C. (2001), Public Lecture: Recent Australian Photography.
  • Moore, C. (2001), Telling Tales.

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