Queer cinema, feminism, affect and film, art-house, trash and political cinema.
High concept blockbusters, Hollywood industrial history, cultural industries, cultural and political economy, media sociology, myth and religion.
French cinema; heritage film; adaptations; auteur cinema; stardom; digital cinema; historical film; costume drama; corporeal effect and embodiment theory; filmic memory.
Australian cinema; cinematic representations of colonial society; television documentary; historical film studies; cinema and national identity.
National cinema; auteurship in film and theatre; Sri Lankan cinema since 1983; South Asian cinema and theatre.
Adaptation; banned and controversial film; gothic; horror; literature and film; the US South.
Visual literacy; costume design on screen; film and design styles; creative partnerships between directors and designers.
Australian cinema; cinema and national identity.
Virtual instruments, screen- and film-music composition, electronically sampled sound.
Humanist cinema, ensemble dramedies, suburbia and family in film, American independent filmmaking, social realism, political romcoms, folksong and experimental songwriting, media studies, story ethics
History and the historical film; cinema as an archive; cinephilia; ‘the death of cinema’; Jean-Luc Godard; Histoire(s) du cinema; historical montage; Nietzsche’s “untimely”; Gilles Deleuze.
American cinema; New Hollywood; American eccentrics.
American cinema; Art house cinema; David Lynch; Independent cinema; Literature and cinema.