Queer cinema, feminism, affect and film, art-house, trash and political cinema.
High concept blockbusters, Hollywood industrial history, cultural industries, cultural and political economy, media sociology, myth and religion.
French cinema; heritage film; adaptations; auteur cinema; stardom; digital cinema; historical film; costume drama; corporeal effect and embodiment theory; filmic memory.
Australian cinema; cinematic representations of colonial society; television documentary; historical film studies; cinema and national identity.
National cinema; auteurship in film and theatre; Sri Lankan cinema since 1983; South Asian cinema and theatre.
Adaptation; banned and controversial film; gothic; horror; literature and film; the US South.
Visual literacy; costume design on screen; film and design styles; creative partnerships between directors and designers.
Australian cinema; cinema and national identity.
Virtual instruments, screen- and film-music composition, electronically sampled sound.
History and the historical film; cinema as an archive; cinephilia; ‘the death of cinema’; Jean-Luc Godard; Histoire(s) du cinema; historical montage; Nietzsche’s “untimely”; Gilles Deleuze.
American cinema; New Hollywood; American eccentrics.
American cinema; Art house cinema; David Lynch; Independent cinema; Literature and cinema.