Dr Karina Aveyard

BA, MLitt (ANU), PhD (Griffith)
University of Sydney Postdoctoral Research Fellow

A20 - John Woolley Building
The University of Sydney

Telephone 9351 3284

Biographical details

Karina Aveyard joined MECO in 2015 as a University of Sydney Postdoctoral Research Fellow. She was previously a Lecturer in the School of Art, Media and American Studies at the University of East Anglia, UK. Karina completed her PhD at Griffith University in 2012. Her thesis titled 'Rural Cinema: Film Exhibition and Consumption in Australia and the United Kingdom' was funded by an ARC Linkage Grant in collaboration with the National Film and Sound Archive and Screen Australia. Prior to undertaking her PhD studies Karina was a senior researcher at the Australian Film Commission.

Research interests

  • Film exhibition and distribution
  • Media audience practices
  • Digital cinema
  • Rural & community cinema

Current projects

  • New Patterns in Global Television Formats, Intellect Books: Bristol and Chicago, (2016 forthcoming). Co-editors Pia Majbrit Jensen and Albert Moran
  • Historical Dictionary of Australian and New Zealand Cinema, updated 3rd edition to be co-authored with Albert Moran for Scarecrow Press. (Contracted to Scarecrow Press for publication in 2016)
  • ‘Film Education, Technology and Popular Culture: Community Cinema in rural areas of the United Kingdom since the 1950s’, in Thissen, J. and Zimmerman, C. (eds), The Lure of the City, University of Amsterdam Press (2016 forthcoming)
  • ‘The Ranown Cycle: Budd Boetticher’s ‘New Look’ Western Programmers in 1950s Hollywood' in Singer, R. and Rhodes, G. (eds) ReFocus:The Films of Budd Boetticher, Edinburgh University Press (2016 forthcoming). Co-author Zoe Wallin
  • 'Film Consumption in the 21st Century: Engaging with Non-Theatrical Viewing’, accepted for Media International Australia (2016, forthcoming)

Selected grants

2015

  • Cinema in the 21st Century: Multiplexes, Home Viewing and Digital Media; Aveyard K, Goggin G; DVC Research/Postdoctoral Research Fellowship Scheme.

Selected publications

Download citations: PDF RTF Endnote

Books

  • Aveyard, K. (2015). Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom. Bristol: Intellect. [More Information]

Edited Books

  • Aveyard, K., Moran, A., Jensen, P. (2016). New Patterns in Global Television Formats. Bristol and Chicago: Intellect. [More Information]
  • Aveyard, K., Moran, A. (2013). Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Bristol: Intellect Ltd. [More Information]

Book Chapters

  • Aveyard, K. (2015). 'Our Place': Women at the Cinema in Rural Australia. In Christine Gledhill and Julia Knight (Eds.), Doing Women's Film History: Reframing Cinemas, Past and Future, (pp. 232-243). Urbana: University of Illinois Press.
  • Aveyard, K. (2015). Marketing Mix: The UK Road Trip of Charlie and Boots. In Ben Goldsmith, Mark David Ryan, Geoff Lealand (Eds.), Directory of World Cinema: Australian & New Zealand Cinema 2, (pp. 26-29). Bristol: Intellect.

Journals

  • Aveyard, K. (2016). Film consumption in the 21st century: Engaging with non-theatrical viewing. Media International Australia, 160(1), 140-149. [More Information]
  • Moran, A., Aveyard, K. (2014). The Place of Television Program Formats. Continuum, 28(1), 18-27. [More Information]
  • Moran, A., Aveyard, K. (2013). Vocal Hierarchies in Early Australian Quiz Shows, 1948-1971: Two Case Studies. Media International Australia, 148, 107-117.
  • Aveyard, K. (2012). Big Screen to Small Screen: Australasian Film and its New Formats. Studies in Australasian Cinema, 6(2), 189-202. [More Information]
  • Aveyard, K. (2012). Cinema on the edge: Improvised film exhibition and digital projection in rural Australia. Studies in Australasian Cinema, 6(2), 189-201. [More Information]
  • Aveyard, K. (2012). Observation, Mediation and Intervention: An Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: journal of audience and reception studies, 9(2), 648-663.
  • Aveyard, K. (2011). Australian Films at the Cinema: Rethinking the Role of Distribution and Exhibition. Media International Australia, 138, 36-45.
  • Aveyard, K., Moran, A. (2011). Cinema-going, Audiences and Exhibition. Media International Australia, 139, 73-79.
  • Aveyard, K. (2011). More Than Making Do: Rethinking Cinema Attendance in Regional and Rural Australia. Studies in Australasian Cinema, 5(1), 7-18. [More Information]
  • Shiau, H., Aveyard, K. (2011). Private Sponsorships and Independent Film Exhibition in Taiwan. Media International Australia, 139, 133-139.
  • Aveyard, K. (2011). The Place of Cinema and Film in Contemporary Rural Australia. Participations: journal of audience and reception studies, 8(2), 294-307.
  • Aveyard, K. (2011). What the Country Tells Us - the Place of the 'Rural' in Contemporary Studies of Cinema. Media International Australia, 139, 124-132.
  • Aveyard, K. (2009). 'Coming to a cinema near you?': Digitized Exhibition and Independent Cinemas in Australia. Studies in Australasian Cinema, 3(2), 191-203. [More Information]

Edited Journals

  • Aveyard, K., Moran, A. (2014). Screen, Space and Spectator: The Geographies of Contemporary Media. Continuum, 28(1).
  • Aveyard, K., Moran, A. (2013). Sound Media, Sound Cultures. Media International Australia, 148.
  • Aveyard, K. (2012). Big Screen to Small Screen: Australasian Film and its New Formats. Studies in Australasian Cinema, 6(2 & 3).
  • Aveyard, K., Moran, A. (2011). Cinema-Going, Audiences and Exhibition. Media International Australia, 139.
  • Aveyard, K. (2009). Going Digital: Implications and Opportunities for Cinema in Australia and New Zealand. Studies in Australasian Cinema, 3(2).

Conferences

  • Aveyard, K., Moran, A. (2009). Researching Australian Film Exhibition and Distribution. Researching Australian Film Exhibition and Distribution, Brisbane: Griffith University.

2016

  • Aveyard, K. (2016). Film consumption in the 21st century: Engaging with non-theatrical viewing. Media International Australia, 160(1), 140-149. [More Information]
  • Aveyard, K., Moran, A., Jensen, P. (2016). New Patterns in Global Television Formats. Bristol and Chicago: Intellect. [More Information]

2015

  • Aveyard, K. (2015). 'Our Place': Women at the Cinema in Rural Australia. In Christine Gledhill and Julia Knight (Eds.), Doing Women's Film History: Reframing Cinemas, Past and Future, (pp. 232-243). Urbana: University of Illinois Press.
  • Aveyard, K. (2015). Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom. Bristol: Intellect. [More Information]
  • Aveyard, K. (2015). Marketing Mix: The UK Road Trip of Charlie and Boots. In Ben Goldsmith, Mark David Ryan, Geoff Lealand (Eds.), Directory of World Cinema: Australian & New Zealand Cinema 2, (pp. 26-29). Bristol: Intellect.

2014

  • Aveyard, K., Moran, A. (2014). Screen, Space and Spectator: The Geographies of Contemporary Media. Continuum, 28(1).
  • Moran, A., Aveyard, K. (2014). The Place of Television Program Formats. Continuum, 28(1), 18-27. [More Information]

2013

  • Aveyard, K., Moran, A. (2013). Sound Media, Sound Cultures. Media International Australia, 148.
  • Moran, A., Aveyard, K. (2013). Vocal Hierarchies in Early Australian Quiz Shows, 1948-1971: Two Case Studies. Media International Australia, 148, 107-117.
  • Aveyard, K., Moran, A. (2013). Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Bristol: Intellect Ltd. [More Information]

2012

  • Aveyard, K. (2012). Big Screen to Small Screen: Australasian Film and its New Formats. Studies in Australasian Cinema, 6(2), 189-202. [More Information]
  • Aveyard, K. (2012). Big Screen to Small Screen: Australasian Film and its New Formats. Studies in Australasian Cinema, 6(2 & 3).
  • Aveyard, K. (2012). Cinema on the edge: Improvised film exhibition and digital projection in rural Australia. Studies in Australasian Cinema, 6(2), 189-201. [More Information]
  • Aveyard, K. (2012). Observation, Mediation and Intervention: An Account of Methodological Fusion in the Study of Rural Cinema Audiences in Australia. Participations: journal of audience and reception studies, 9(2), 648-663.

2011

  • Aveyard, K. (2011). Australian Films at the Cinema: Rethinking the Role of Distribution and Exhibition. Media International Australia, 138, 36-45.
  • Aveyard, K., Moran, A. (2011). Cinema-going, Audiences and Exhibition. Media International Australia, 139, 73-79.
  • Aveyard, K., Moran, A. (2011). Cinema-Going, Audiences and Exhibition. Media International Australia, 139.
  • Aveyard, K. (2011). More Than Making Do: Rethinking Cinema Attendance in Regional and Rural Australia. Studies in Australasian Cinema, 5(1), 7-18. [More Information]
  • Shiau, H., Aveyard, K. (2011). Private Sponsorships and Independent Film Exhibition in Taiwan. Media International Australia, 139, 133-139.
  • Aveyard, K. (2011). The Place of Cinema and Film in Contemporary Rural Australia. Participations: journal of audience and reception studies, 8(2), 294-307.
  • Aveyard, K. (2011). What the Country Tells Us - the Place of the 'Rural' in Contemporary Studies of Cinema. Media International Australia, 139, 124-132.

2009

  • Aveyard, K. (2009). 'Coming to a cinema near you?': Digitized Exhibition and Independent Cinemas in Australia. Studies in Australasian Cinema, 3(2), 191-203. [More Information]
  • Aveyard, K. (2009). Going Digital: Implications and Opportunities for Cinema in Australia and New Zealand. Studies in Australasian Cinema, 3(2).
  • Aveyard, K., Moran, A. (2009). Researching Australian Film Exhibition and Distribution. Researching Australian Film Exhibition and Distribution, Brisbane: Griffith University.

For support on your academic profile contact .