Professor Eric Csapo

BA BrCol MA PhD Toronto
Professor of Classics

A18 - Brennan MacCallum Building
The University of Sydney

Telephone +61 2 9351 7078
Fax +61 2 9351 3918

Website Phonebook Entry
Curriculum vitae Curriculum vitae

Biographical details

Eric Csapo has published widely on all aspects of ancient theatre: festivals, theatre administration and finance, music, staging, actors and acting, iconography, epigraphy, theatre buildings and dramatic literature. Other interests range from cockfighting and kottabos to myth and philosophy.

Research interests

  • Ancient Theatre
  • Greek and Latin Literature
  • Mythology
  • Greek and Roman Social History

Teaching and supervision

Eric Csapo usually teaches Greek and Roman Myth and various units in Greek language and literature. He is available to supervise thesis on a broad range of topics in ancient mythology, literature and social history.

Current projects

In conjunction with his project on The Theatrical Revolution: The Expansion of Theatre Outside Athens (see Selected Grants), Csapo is collaborating with Peter Wilson on a multi-volume social and economic history of the Classical theatre.

Awards and honours

2012- Korrespondierendes Mitglied, Deutsches Archäologisches Institut
2012 Visiting Professor, Deutsches Archäologisches Institut, Berlin
2008 Visiting Professor, Ecole Normale Supérieure, Paris
2005- Member of Council, Australian Archaeological Institute at Athens
2004 Visiting Fellow, Trinity Term, New College, Oxford
1998 Leverhulme Fellow, Institute for Advanced Studies, University of Bristol.
1993-94 Junior Fellow, Center for Hellenic Studies, Washington, D.C.

PhD and master's project opportunities

Selected grants

2011

  • Death of Drama or Birth of an industry? : the Greek Theatre in the Fourth Century BC; Csapo E, Wilson P; Ian Potter Foundation/Travel Support.

2010

  • The Theatrical Revolution: The Expansion of Theatre Outside Athens; Csapo E, Wilson P, Green J, Robinson E, Nervegna S; Australian Research Council (ARC)/Discovery Projects (DP).

2005

  • Accounting for the ancient theatre: a new social and economic history of classical greek drama; Wilson P, Csapo E; Australian Research Council (ARC)/Discovery Projects (DP).

2002

  • Social Sciences and Humanities Research Council of Canada; Csapo E; Social Science & Humanities Research Council of Canada/Research Grant.

Selected publications

Download citations: PDF RTF Endnote

Books

  • Csapo, E. (2010). Actors and Icons of the Ancient Theater. United Kingdom: Wiley-Blackwell Publishing.
  • Csapo, E. (2005). Theories of Mythology. Oxford: Blackwell Publishers.
  • Csapo, E., Slater, W. (1995). The Context of Ancient Drama. Ann Arbor: University of Michigan Press.

Edited Books

  • Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014). The Greek Theatre in the Fourth Century BC. Berlin: Walter de Gruyter.
  • Csapo, E., Miller, M. (2007). The Origins of Theater. Cambridge: Cambridge University Press.
  • Csapo, E., Miller, M. (2003). Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece. Oxford: Oxbow Books.
  • Porter, J., Csapo, E., Marshall, C., Ketterer, C. (1999). Crossing the Stages: The Production, Performance and Reception of Ancient Theatre. Iowa: University of Iowa Press.

Book Chapters

  • Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292-299). Chichester, UK: Wiley-Blackwell Publishing.
  • Wilson, P., Csapo, E. (2014). Economic History of the Greek Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 307-314). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E., Wilson, P. (2014). Origins and History of Greek Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 926-937). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E. (2014). Performing Comedy in the Fifth through Early Third Centuries. In Michael Fontaine, Adele C Scafuro (Eds.), The Oxford Handbook of Greek and Roman Comedy, (pp. 50-69). Oxford: Oxford University Press.
  • Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E., Wilson, P. (2014). The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus. In Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp. 393-424). Berlin: Walter de Gruyter.
  • Csapo, E. (2014). The iconography of comedy. In Martin Revermann (Eds.), The Cambridge Companion to Greek Comedy, (pp. 95-127). Cambridge: Cambridge University Press.
  • Csapo, E. (2013). Comedy and the Pompe: Dionysian genre-crossing. In Emmanuela Bakola, Lucia Prauscello, Mario Telo (Eds.), Greek Comedy and the Discourse of Genres, (pp. 40-80). Cambridge, UK: Cambridge University Press.
  • Csapo, E. (2012). 'Parade Abuse', 'From the Wagons'. In C.W. Marshall & George Kovacs (Eds.), No Laughing Matter: Studies in Athenian Comedy, (pp. 19-33). London, UK: Bristol Classical Press.
  • Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia: Evidence for the Administration and Finance of the Athenian Theatre in the Late Fourth Century BC. In D Rosenbloom & J Davidson (Eds.), Greek Drama IV: Texts, Contexts, Performance, (pp. 300-321). Oxford, United Kingdom: Aris and Phillips.
  • Csapo, E. (2012). The Economics, Poetics, Politics, Metaphysics, and Ethics of the "New Music". In D Yatromanolakis (Eds.), Music and Cultural Politics in Greek and Chinese Societies: Volume 1: Greek Antiquity. Cambridge: Harvard University Department of the Classics.
  • Csapo, E., Wilson, P. (2010). Le passage de la chorégie à l'agonothésie à Athènes à la fin du IVe siècle. In Brigitte Le Guen (Eds.), L'argent dans les concours du monde grec, (pp. 83-105). Saint-Denis: Presses Universitaires de Vincennes.
  • Csapo, E. (2010). The Context of Choregic Dedications. In Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and its Context, (pp. 79-130). Oxford: Oxford University Press.
  • Csapo, E. (2010). The Production and Performance of Comedy in Antiquity. In Gregory W Dobrov (Eds.), Brill's Companion to the Study of Greek Comedy, (pp. 103-142). Leiden: Brill.
  • Csapo, E. (2009). New Music's Gallery of Images: the "Dithyrambic" First Stasimon of Euripides'' Electra. In J.R.C. Cousland & J.R. Hume (Eds.), The Play of Texts and Fragments: Essays in Honour of Martin Cropp, (pp. 95-109). Leiden, The Netherlands: Brill.
  • Wilson, P., Csapo, E. (2009). The End of the Khoregia in Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La Musa dimenticata: aspetti dell' esperienza musicale greca in et ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.
  • Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In Felix Budelmann (Eds.), The Cambridge Companion to Greek Lyric, (pp. 277-294). Cambridge: Cambridge University Press.
  • Csapo, E. (2008). Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance. In Martin Revermann and Peter Wilson (Eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, (pp. 262-290). Oxford, NY, USA: Oxford University Press.
  • Csapo, E., Miller, M. (2007). General Introduction. In Eric Csapo & Margaret Miller (Eds.), The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama, (pp. 1-40). New York: Cambridge University Press.
  • Csapo, E. (2007). The Men who Built the Theatres: Theatropolai, Theatronai, and Arkhitektones. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 87-121). Oxford: Oxford University Press.
  • Csapo, E. (2004). Some Social and Economic Conditions behind the Rise of the Acting Profession in the Fifth and Fourth Centuries B.C. In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.), Le Statut de l'acteur dans l'antiquité grecque et romaine, (pp. 53-76). Presses Universitaires François-Rabelais.
  • Csapo, E. (2004). The Politics of the New Music. In Penelope Murray, Peter Wilson (Eds.), Music and the Muses: the Culture of Mousike in the Classical Athenian City, (pp. 207-248). United Kingdom: Oxford University Press.
  • Csapo, E. (2003). Preface. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. vii-viii). Oxford: Oxbow Books.
  • Csapo, E. (2003). The Dolphins of Dionysus. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. 69-98). Oxford: Oxbow Books.
  • Csapo, E. (2002). Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles. In Pat Easterling & Edith Hall (Eds.), Greek and Roman Actors: Aspects of an Ancient Profession, (pp. 127-147). Cambridge, UK: Cambridge University Press.
  • Csapo, E. (2001). The First Artistic Representations of Theatre: Dramatic Illusion and Dramatic Performance in Attic and South Italian Art. In G. Katz, V.F. Golini, and D. Pietropaolo (Eds.), Theatre and the Visual Arts, (pp. 17-38). Ottawa, Canada: Legas.

Journals

  • Csapo, E. (2008). The Iconography of the Exarchos. Mediterranean Archaeology, 19/20(2007), 55-65.
  • Csapo, E. (2007). Satyr drama. Tragedy at play. Bryn Mawr Classical Review, 57(2), 293-295.
  • Csapo, E. (2006). Cockfights, Contradictions, and the Mythopoetics of Ancient Greek Culture. Arts: the Proceedings of the Sydney University Arts Association, 28, 9-41.
  • Csapo, E. (2002). Review of B. Le Guen, Les Associations de Technites dionysiaques à l’époque hellénistique. Bryn Mawr Classical Review (Print Edition), 2002.07.16.
  • Csapo, E. (2002). Review of P.J. Wilson, The Athenian Institution of the Khoregia. Phoenix, 56(1), 150-153.

Magazine / Newspaper Articles

  • Csapo, E. (2007). The Cultural Poetics of the Greek Cockfight. Australian Archaeological Institute at Athens Newsletter.

Reference Works

  • Csapo, E. (2009). Actors and Acting. The Oxford Encyclopedia of Ancient Greece and Rome. Oxford University Press.
  • Csapo, E. (2009). Theatrical Production, Greek. In M. Gagarin (Eds.), The Oxford Encyclopedia of Ancient Greece and Rome. UK: Oxford University Press.
  • Csapo, E., Slater, W. (2003). Anthesteria. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 64). Oxford: Oxford University Press.
  • Csapo, E. (2003). Cothornus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 327). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysia. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 374-375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysus, Theatre of. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Ekkyklema. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 418). Oxford: Oxford University Press.
  • Csapo, E. (2003). Greek Theatre, Ancient. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 536-545). Oxford: Oxford University Press.
  • Csapo, E. (2003). Lenaea. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 728). Oxford: Oxford University Press.
  • Csapo, E. (2003). Mechane. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 823). Oxford: Oxford University Press.
  • Csapo, E. (2003). Orchestra. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 974). Oxford: Oxford University Press.
  • Csapo, E. (2003). Satyr-play. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1190). Oxford: Oxford University Press.
  • Csapo, E. (2003). Vitruvius. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1417). Oxford University Press.

Other

  • Csapo, E. (2013), The Dionysian Parade and the Poetics of Plenitude (UCL Houseman Lecture, UCL Department of Greek and Latin, 20 February 2013).

2014

  • Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292-299). Chichester, UK: Wiley-Blackwell Publishing.
  • Wilson, P., Csapo, E. (2014). Economic History of the Greek Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 307-314). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E., Wilson, P. (2014). Origins and History of Greek Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 926-937). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E. (2014). Performing Comedy in the Fifth through Early Third Centuries. In Michael Fontaine, Adele C Scafuro (Eds.), The Oxford Handbook of Greek and Roman Comedy, (pp. 50-69). Oxford: Oxford University Press.
  • Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142). Chichester, UK: Wiley-Blackwell Publishing.
  • Csapo, E., Wilson, P. (2014). The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus. In Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp. 393-424). Berlin: Walter de Gruyter.
  • Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014). The Greek Theatre in the Fourth Century BC. Berlin: Walter de Gruyter.
  • Csapo, E. (2014). The iconography of comedy. In Martin Revermann (Eds.), The Cambridge Companion to Greek Comedy, (pp. 95-127). Cambridge: Cambridge University Press.

2013

  • Csapo, E. (2013). Comedy and the Pompe: Dionysian genre-crossing. In Emmanuela Bakola, Lucia Prauscello, Mario Telo (Eds.), Greek Comedy and the Discourse of Genres, (pp. 40-80). Cambridge, UK: Cambridge University Press.
  • Csapo, E. (2013), The Dionysian Parade and the Poetics of Plenitude (UCL Houseman Lecture, UCL Department of Greek and Latin, 20 February 2013).

2012

  • Csapo, E. (2012). 'Parade Abuse', 'From the Wagons'. In C.W. Marshall & George Kovacs (Eds.), No Laughing Matter: Studies in Athenian Comedy, (pp. 19-33). London, UK: Bristol Classical Press.
  • Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia: Evidence for the Administration and Finance of the Athenian Theatre in the Late Fourth Century BC. In D Rosenbloom & J Davidson (Eds.), Greek Drama IV: Texts, Contexts, Performance, (pp. 300-321). Oxford, United Kingdom: Aris and Phillips.
  • Csapo, E. (2012). The Economics, Poetics, Politics, Metaphysics, and Ethics of the "New Music". In D Yatromanolakis (Eds.), Music and Cultural Politics in Greek and Chinese Societies: Volume 1: Greek Antiquity. Cambridge: Harvard University Department of the Classics.

2010

  • Csapo, E. (2010). Actors and Icons of the Ancient Theater. United Kingdom: Wiley-Blackwell Publishing.
  • Csapo, E., Wilson, P. (2010). Le passage de la chorégie à l'agonothésie à Athènes à la fin du IVe siècle. In Brigitte Le Guen (Eds.), L'argent dans les concours du monde grec, (pp. 83-105). Saint-Denis: Presses Universitaires de Vincennes.
  • Csapo, E. (2010). The Context of Choregic Dedications. In Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and its Context, (pp. 79-130). Oxford: Oxford University Press.
  • Csapo, E. (2010). The Production and Performance of Comedy in Antiquity. In Gregory W Dobrov (Eds.), Brill's Companion to the Study of Greek Comedy, (pp. 103-142). Leiden: Brill.

2009

  • Csapo, E. (2009). Actors and Acting. The Oxford Encyclopedia of Ancient Greece and Rome. Oxford University Press.
  • Csapo, E. (2009). New Music's Gallery of Images: the "Dithyrambic" First Stasimon of Euripides'' Electra. In J.R.C. Cousland & J.R. Hume (Eds.), The Play of Texts and Fragments: Essays in Honour of Martin Cropp, (pp. 95-109). Leiden, The Netherlands: Brill.
  • Wilson, P., Csapo, E. (2009). The End of the Khoregia in Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La Musa dimenticata: aspetti dell' esperienza musicale greca in et ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.
  • Csapo, E. (2009). Theatrical Production, Greek. In M. Gagarin (Eds.), The Oxford Encyclopedia of Ancient Greece and Rome. UK: Oxford University Press.
  • Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In Felix Budelmann (Eds.), The Cambridge Companion to Greek Lyric, (pp. 277-294). Cambridge: Cambridge University Press.

2008

  • Csapo, E. (2008). Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance. In Martin Revermann and Peter Wilson (Eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, (pp. 262-290). Oxford, NY, USA: Oxford University Press.
  • Csapo, E. (2008). The Iconography of the Exarchos. Mediterranean Archaeology, 19/20(2007), 55-65.

2007

  • Csapo, E., Miller, M. (2007). General Introduction. In Eric Csapo & Margaret Miller (Eds.), The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama, (pp. 1-40). New York: Cambridge University Press.
  • Csapo, E. (2007). Satyr drama. Tragedy at play. Bryn Mawr Classical Review, 57(2), 293-295.
  • Csapo, E. (2007). The Cultural Poetics of the Greek Cockfight. Australian Archaeological Institute at Athens Newsletter.
  • Csapo, E. (2007). The Men who Built the Theatres: Theatropolai, Theatronai, and Arkhitektones. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 87-121). Oxford: Oxford University Press.
  • Csapo, E., Miller, M. (2007). The Origins of Theater. Cambridge: Cambridge University Press.

2006

  • Csapo, E. (2006). Cockfights, Contradictions, and the Mythopoetics of Ancient Greek Culture. Arts: the Proceedings of the Sydney University Arts Association, 28, 9-41.

2005

  • Csapo, E. (2005). Theories of Mythology. Oxford: Blackwell Publishers.

2004

  • Csapo, E. (2004). Some Social and Economic Conditions behind the Rise of the Acting Profession in the Fifth and Fourth Centuries B.C. In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.), Le Statut de l'acteur dans l'antiquité grecque et romaine, (pp. 53-76). Presses Universitaires François-Rabelais.
  • Csapo, E. (2004). The Politics of the New Music. In Penelope Murray, Peter Wilson (Eds.), Music and the Muses: the Culture of Mousike in the Classical Athenian City, (pp. 207-248). United Kingdom: Oxford University Press.

2003

  • Csapo, E., Slater, W. (2003). Anthesteria. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 64). Oxford: Oxford University Press.
  • Csapo, E. (2003). Cothornus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 327). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysia. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 374-375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Dionysus, Theatre of. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
  • Csapo, E. (2003). Ekkyklema. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 418). Oxford: Oxford University Press.
  • Csapo, E. (2003). Greek Theatre, Ancient. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 536-545). Oxford: Oxford University Press.
  • Csapo, E. (2003). Lenaea. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 728). Oxford: Oxford University Press.
  • Csapo, E. (2003). Mechane. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 823). Oxford: Oxford University Press.
  • Csapo, E. (2003). Orchestra. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 974). Oxford: Oxford University Press.
  • Csapo, E., Miller, M. (2003). Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece. Oxford: Oxbow Books.
  • Csapo, E. (2003). Preface. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. vii-viii). Oxford: Oxbow Books.
  • Csapo, E. (2003). Satyr-play. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1190). Oxford: Oxford University Press.
  • Csapo, E. (2003). The Dolphins of Dionysus. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. 69-98). Oxford: Oxbow Books.
  • Csapo, E. (2003). Vitruvius. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1417). Oxford University Press.

2002

  • Csapo, E. (2002). Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles. In Pat Easterling & Edith Hall (Eds.), Greek and Roman Actors: Aspects of an Ancient Profession, (pp. 127-147). Cambridge, UK: Cambridge University Press.
  • Csapo, E. (2002). Review of B. Le Guen, Les Associations de Technites dionysiaques à l’époque hellénistique. Bryn Mawr Classical Review (Print Edition), 2002.07.16.
  • Csapo, E. (2002). Review of P.J. Wilson, The Athenian Institution of the Khoregia. Phoenix, 56(1), 150-153.

2001

  • Csapo, E. (2001). The First Artistic Representations of Theatre: Dramatic Illusion and Dramatic Performance in Attic and South Italian Art. In G. Katz, V.F. Golini, and D. Pietropaolo (Eds.), Theatre and the Visual Arts, (pp. 17-38). Ottawa, Canada: Legas.

1999

  • Porter, J., Csapo, E., Marshall, C., Ketterer, C. (1999). Crossing the Stages: The Production, Performance and Reception of Ancient Theatre. Iowa: University of Iowa Press.

1995

  • Csapo, E., Slater, W. (1995). The Context of Ancient Drama. Ann Arbor: University of Michigan Press.

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