Dr Keith Broadfoot

BA Syd, PhD Syd
Lecturer

A26 - R.C. Mills Building
The University of Sydney

Telephone +61 2 9351 6906
Fax +61 2 9351 4212

Website Image database

Research interests

  • Modernism
  • Australian art/film
  • Theories of spectatorship

PhD and master's project opportunities

Selected publications & creative works

Download citations: PDF RTF Endnote

Book Chapters

  • Broadfoot, K., Butler, R. (2006). Baudrillard, Perspective and the Void of Architecture. In Francesco Proto (Eds.), Mass. Identity. Architecture. Architectural Writings of Jean Baudrillard, (pp. 181-187). Chichester UK: Wiley-Academy.
  • Broadfoot, K. (2006). The Light of the Literal: Richard Dunn's Shadowzone. In Reuben Keehan (Eds.), Artspace Projects, (pp. 44-49). Sydney: Artspace.
  • Broadfoot, K. (2005). After The Field. In Rex Butler (Eds.), Radical revisionism : an anthology of writings on Australian art, (pp. 251-258). Brisbane: Institute of Modern Art.
  • Broadfoot, K., Butler, R. (2002). A Fold in Time: Anne MacDonald and the Origin of Photography. In Stuart Koop (Eds.), Value Added Goods: Essays on Contemporary Photography, Art and Ideas, (pp. 35-46). Australia: Centre For Contemporary Photography.
  • Broadfoot, K. (2001). The End of the Line: Installation Art Today. In Adam Geczy & Benjamin Genocchio (Eds.), What Is Installation?: An Anthology of Writings on Australian Installation Art. Australia: Power Publications.

Journals

  • Broadfoot, K. (2012). Banishing the Thing: Abstraction and Australian Sculpture. Australian and New Zealand Journal of Art, 12, 107-125.
  • Broadfoot, K. (2012). Barthes's Religious Substance: Photography and Acheiropoietos. Image and Narrative: online magazine of the visual narrative, 13(3), 141-154.
  • Broadfoot, K. (2012). Seeing Scale: Richard Dunn's Structuralism. emaj: electronic Melbourne art journal, 2011-2012(6), 1-17.
  • Broadfoot, K. (2011). Drawing as outside art history: a response to drawing now. TRACEY, November, 1-7.
  • Broadfoot, K. (2011). The Australian Tableau. Eyeline, 75, 42-47.
  • Broadfoot, K. (2006). Lost in Transit: the Non-Place of Installation. Australian and New Zealand Journal of Art, 7(1), 167-178.
  • Broadfoot, K. (2002). Abstraction and Aura. S A Q: The South Atlantic Quarterly, , 459-478.
  • Broadfoot, K. (2002). Perspective Yet Again:Damisch with Lacan. Oxford Art Journal, 25(1), 71-94.
  • Broadfoot, K. (2001). Las Meninas and the King's Two Bodies. Word and Image: a journal of verbal/visual enquiry, 17(3), 219-232.

Textual Creative Works

  • Broadfoot, K. (2011). Decades Past and Present. Richard Dunn, 2, (pp. 4 - 17). Sydney, Australia: Factory 49.
  • Broadfoot, K., Butler, R. (2011). Rosemary Laing : leak. Rosemary Laing Leak, (pp. 2 - 3). Melbourne, Australia: Tolarno Galleries.
  • Broadfoot, K. (2010). Optronic Kinetics. Into the Light : 150 Years of Cultural Treasures at the University of Sydney, (pp. 40 - 41). Australia: Melbourne University Press.
  • Broadfoot, K. (2009). Looking at Mirrors. mirror mirror : then and now, (pp. 17 - 22). Brisbane, Australia: Institute of Modern Art.

2012

  • Broadfoot, K. (2012). Banishing the Thing: Abstraction and Australian Sculpture. Australian and New Zealand Journal of Art, 12, 107-125.
  • Broadfoot, K. (2012). Barthes's Religious Substance: Photography and Acheiropoietos. Image and Narrative: online magazine of the visual narrative, 13(3), 141-154.
  • Broadfoot, K. (2012). Seeing Scale: Richard Dunn's Structuralism. emaj: electronic Melbourne art journal, 2011-2012(6), 1-17.

2011

  • Broadfoot, K. (2011). Decades Past and Present. Richard Dunn, 2, (pp. 4 - 17). Sydney, Australia: Factory 49.
  • Broadfoot, K. (2011). Drawing as outside art history: a response to drawing now. TRACEY, November, 1-7.
  • Broadfoot, K., Butler, R. (2011). Rosemary Laing : leak. Rosemary Laing Leak, (pp. 2 - 3). Melbourne, Australia: Tolarno Galleries.
  • Broadfoot, K. (2011). The Australian Tableau. Eyeline, 75, 42-47.

2010

  • Broadfoot, K. (2010). Optronic Kinetics. Into the Light : 150 Years of Cultural Treasures at the University of Sydney, (pp. 40 - 41). Australia: Melbourne University Press.

2009

  • Broadfoot, K. (2009). Looking at Mirrors. mirror mirror : then and now, (pp. 17 - 22). Brisbane, Australia: Institute of Modern Art.

2006

  • Broadfoot, K., Butler, R. (2006). Baudrillard, Perspective and the Void of Architecture. In Francesco Proto (Eds.), Mass. Identity. Architecture. Architectural Writings of Jean Baudrillard, (pp. 181-187). Chichester UK: Wiley-Academy.
  • Broadfoot, K. (2006). Lost in Transit: the Non-Place of Installation. Australian and New Zealand Journal of Art, 7(1), 167-178.
  • Broadfoot, K. (2006). The Light of the Literal: Richard Dunn's Shadowzone. In Reuben Keehan (Eds.), Artspace Projects, (pp. 44-49). Sydney: Artspace.

2005

  • Broadfoot, K. (2005). After The Field. In Rex Butler (Eds.), Radical revisionism : an anthology of writings on Australian art, (pp. 251-258). Brisbane: Institute of Modern Art.

2002

  • Broadfoot, K., Butler, R. (2002). A Fold in Time: Anne MacDonald and the Origin of Photography. In Stuart Koop (Eds.), Value Added Goods: Essays on Contemporary Photography, Art and Ideas, (pp. 35-46). Australia: Centre For Contemporary Photography.
  • Broadfoot, K. (2002). Abstraction and Aura. S A Q: The South Atlantic Quarterly, , 459-478.
  • Broadfoot, K. (2002). Perspective Yet Again:Damisch with Lacan. Oxford Art Journal, 25(1), 71-94.

2001

  • Broadfoot, K. (2001). Las Meninas and the King's Two Bodies. Word and Image: a journal of verbal/visual enquiry, 17(3), 219-232.
  • Broadfoot, K. (2001). The End of the Line: Installation Art Today. In Adam Geczy & Benjamin Genocchio (Eds.), What Is Installation?: An Anthology of Writings on Australian Installation Art. Australia: Power Publications.

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