Audio Production (DESC9011)
UNIT OF STUDY
The practice of audio production is a form of constructing discourse, with its own poetics i.e. its own grammar, its own conceptual shorthand, its own languages, and a multiplicity of genre, structures and forms that it sources and references albeit often tacitly or transparently.This unit will look at the current tools and techniques, as well as the underlying strategies, processes and inherent philosophies involved in the various audio production modes. It will compare and contrast broadcast and other media production methods and ideologies including music recording, radio production, sound for picture, and new media, with reference to location recording practices. The unit will examine various sound design philosophies, conventional and 'non-conventional' production models, different definitions by and of producers and provide by way of context a brief history of the impact on production practice by technological change. The producer's role in the process of the creation of meaning will be examined in cultural as well as technical contexts of compositional practices. The unit will encourage debate about and a demystification of current production processes and will aim at developing and extending production techniques towards an individual aesthetic. Students will achieve proficiency with mixing consoles, the fundamentals of multi-track recording and digital editing; demonstrate an ability to communicate their ideas, and articulate the reasons for their choices of production methods; and work successfully within a group dynamic. Students are expected to work in groups to produce an audio project in one or more of the following areas: drama, feature, documentary, sound composition, or music recording. Students are expected to: participate in the workshops; complete class exercises/constructions; read additional materials to discuss in classes; submit a script, composition or otherwise detailed proposal for recording and postproduction with detailed raison d'etre of production values; produce and present on Audio CD a completed project, including documentation, evidence of background research, a commentary on the production and production outcomes, track sheets, mixing notes. It may be an adaptation or original work. Themes will be discussed in class.
Our courses that offer this unit of study
- Graduate Certificate in Architectural Science (Audio and Acoustics)
- Graduate Certificate in Urban Design
- Graduate Diploma in Architectural Science (Audio and Acoustics)
- Graduate Diploma in Heritage Conservation
- Graduate Diploma in Urban Design
- Master of Architectural Science (Audio and Acoustics)
- Master of Architectural Science (Audio and Acoustics) (High Performance Buildings)
- Master of Architectural Science (Audio and Acoustics) (Illumination Design)
- Master of Architectural Science (Audio and Acoustics) (Sustainable Design)
- Master of Architectural Science (High Performance Buildings) (Audio and Acoustics)
- Master of Architectural Science (Illumination Design) (Audio and Acoustics)
- Master of Architectural Science (Sustainable Design) (Audio and Acoustics)
- Master of Heritage Conservation
- Master of Urban Design
- Master of Urban Design (Architectural and Urban Design)
- Master of Urban Design (Urban Design and Planning)
Further unit of study information
Lecture 3 hrs/wk
Project development (40%); final project (40%); presentation (20%)
Faculty/department permission required?
Study this unit outside a degree
If you wish to undertake one or more units of study (subjects) for your own interest but not towards a degree, you may enrol in single units as a non-award student.
If you are from another Australian tertiary institution you may be permitted to underake cross-institutional study in one or more units of study at the University of Sydney.