University of Sydney Handbooks - 2018 Archive

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Film Studies

Film Studies

Major

A major in Film Studies requires 48 credit points from this table including:
(i) 12 credit points of 1000-level core units
(ii) 6 credit points of 2000-level core units
(iii) 6 credit points of 2000-level selective units
(iv) 6 credit points of 3000-level core units
(v) 12 credit points of 3000-level selective units
(vi) 6 credit points of 3000-level Interdisciplinary Project units

Minor

A minor in Film Studies requires 36 credit points from this table including:
(i) 12 credit points of 1000-level core units
(ii) 6 credit points of 2000-level core units
(iii) 6 credit points of 2000-level selective units
(iv) 6 credit points of 3000-level core units
(iv) 6 credit points of 3000-level selective units

1000 units of study

ENGL1011 Introduction to Film Studies

Credit points: 6 Session: Semester 1,Summer Main Classes: 1x2hr lecture/week, 1x1hr tutorial/week Assessment: 1x800wd exercise (20%), 1x800wd exercise (20%), 1x800wd exercise (20%), 1x2000wd Take-home exercise (30%), Tutorial participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
How do form and style structure our experience of film? This unit provides a critical introduction to elements of film making and viewing, moving through an exploration of formal components of film to consider film aesthetics in relation to the history of film scholarship. We will consider films in a variety of cultural and historical contexts, from early cinema to youtube, and introduce a series of "case studies" to explore historical, cultural and material contexts of film production and consumption.
ARHT1003 Hollywood: Art, Industry, Entertainment

Credit points: 6 Session: Semester 2 Classes: 1x2hr lecture/week, 1x1hr tutorial/week, 1x2hr screening Assessment: 1x 500wd Film annotation (20%), 1x 1500wd Blog (30%), 1x 2500wd Take-home exercise (40%), 1x NA Participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Since the early 20th century, Hollywood has dominated film screens around the world. This unit considers America's 'dream factory' as profit-oriented industry, mass entertainment, and cinematic art form. It covers key historical developments including the star system, Production Code censorship, New Hollywood, and the franchise film.

2000 units of study

Core
ARHT2652 From Silent to Sound Cinema

This unit of study is not available in 2018

Credit points: 6 Session: Semester 2 Classes: 1x2hr lecture/week, 1x1hr tutorial/week Prerequisites: (ARHT1001 and ARHT1002) or (18 Junior credit points including ENGL1011) Prohibitions: ARHT2052 Assessment: 1x1000wd group presentation (20%), 1x1000wd journal (20%), 1x2500wd essay (50%), participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Examining cinema as a manifestation of modernity, this unit of study contextualizes early film as art, commodity, industry, institution and mass production of the senses. It introduces students to the study of the history and aesthetics of silent cinema, including major genres such as melodrama and slapstick, and the impacts of the transition to sound.
Selective
ARBC2210 Screening the Arab World

Credit points: 6 Session: Semester 2 Classes: 1x1hr lecture/week, 1x1hr tutorial/week Prerequisites: 12 credit points at 1000 level in Arabic Languages and Culture or 12 credit points at 1000 level in Film Studies Assessment: 2x500wd film reviews (35%), 2x250wd cultural portfolios (10%), 1x2000wd research assignment (35%), 1x1000wd researh oresentation (10%), participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit focuses on the history of cinema in the Arab world. The chefs-oeuvre of Arab cinema, the contemporary independent productions, and the poetic of their authors are studied in relation to the cultural, social and political history of the Arab world.
ARHT2653 Memory of the World: Key Films

Credit points: 6 Session: Semester 1 Classes: 1x2hr lecture/week, 1x1hr tutorial/week Prerequisites: (ARHT1001 and ARHT1002) or 18 Junior credit points including ENGL1011 or 6 Senior credit points from ICLS Prohibitions: ARHT2053 Assessment: 1x1500wd film analysis (30%), 1x2500wd Essay (70%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
1. A historical study of independent cinema, or New Wave movements in post-World War II Europe, including Italian Neo- Realism, the French New Wave and New German Cinema among others. 2. The study of Gilles Deleuze's thesis about these cinematic movements and concepts. 3. A study of the idea of Epic cinema cross-culturally so as to understand how memory is erased, sustained and created anew by film.
ARHT2656 Film Genres and National Cinemas

Credit points: 6 Session: Semester 1 Classes: 1x2hr lecture/week, 1x1hr tutorial/week Prerequisites: (ARHT1001 and ARHT1002) or 18 Junior credit points including ENGL1011 Prohibitions: ARHT2056 Assessment: 1x1000wd classification exercise (20%), 1x1000wd discussion paper (20%), 1x2500wd Essay (50%), Tutorial participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Nations are like movies: they are the result of complex imaginings. To what extent have nations been imagined through movies, and have movies been affected by national imaginings? This unit of study takes Hollywood as a starting point to examine the evolving relation of national cinemas and film genres. A national case study - for instance, Australian cinema - will be studied to identify and analyse some of the complexities of the relation of film genres and national audiences.
CAEL2039 Screen Arts: an Introduction

Credit points: 6 Session: Semester 1 Classes: 1x3-hour studio class/week Prerequisites: CASF1001, or 18 junior credit points from Undergraduate Table A for Arts and Social Sciences including ENGL1011 Assessment: individual presentation and project proposal (15%) and assessment 1 (video project) (20%) and major self-directed project (65%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit of study introduces you to the conceptual frameworks and technologies that shape the making of screen-based media and contemporary art practices. Through a series of lectures, seminars, tutorials and screenings you will explore the evolution of experimental film, video art and independent filmmaking from the 1960s to the present. You will engage in the production of a self-directed digital film that may be realized in any style or genre. The unit is supported by a technical program that provides you with the applied skills and competencies needed for the use of studio facilities and equipment.
ENGL2617 Postmodernism

Credit points: 6 Session: Semester 2 Classes: 2x1-hour lectures Prerequisites: 12 Junior credit points in English or 6 Junior credit points in English and AMST1001 or (AMST1001 and (HSTY1076 or HSTY1023)) or 18 Junior credit points including ENGL1011 Prohibitions: ENGL2017 Assessment: 1x1500wd Essay (40%), 1x2000wd Take-home exercise (40%), 1x500wd equivalent Tutorial presentation (10%), Tutorial participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
What was postmodernism? This unit will explore the most interesting and innovative theoretical, literary and multimedia texts of the last half century to think about what aesthetic texts brought to arguments about politics, identity, truth and knowledge. We will examine the relationship between modernism and postmodernism, movements, communities and subcultures, experimentalism and activism, popular and high culture, and the rise of identity politics, the 'culture wars,' and queer theory.
ENGL2638 Literature and Cinema

Credit points: 6 Session: Intensive June,Semester 2 Classes: 1x1hr lecture/week, 1x2hr seminar/week Prerequisites: 12 Junior credit points in English or (6 Junior credit points from English and AMST1001) or 18 Junior credit points including ENGL1011 Prohibitions: ENGL2038 Assessment: 1x500wd Oral Presentation (10%), 1x2000wd Essay (50%), 1x1500wd Take-home exercise (40%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit will examine issues arising from a comparative study of literature and cinema, including: the continuities and discontinuities between the two mediums; the cultural and historical contexts of literary and cinematic texts; authorship, auteurism and aesthetic authority; adaptation and intertextuality; the figurative styles of literature and cinema; narrative and narration in literature and cinema; genre study.
ENGL2669 Australian Stage and Screen

Credit points: 6 Session: Semester 1 Classes: 2x1hr lecture/week, 1x1hr tutorial/week Prerequisites: 12 credit points at 1000 level in Australian Literature or 12 credit points at 1000 level in English Studies Prohibitions: ASLT2616 Australian Stage & Screen Assessment: 1x 5-10 minutes/500wd (based on textual analysis of selected text/passage) oral presentation/summary (20%), 1x 2000wd essay (40%), 1x 2000wd take-home exercise (40%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Australian theatre and cinema have lively, at times intersecting, histories, and have played significant roles at both national and international levels, from the depiction of various local 'types' on stage and screen, to the work of Australian actors, directors and cinematographers overseas. This unit examines selected plays and films over the last century or so through a number of thematic focuses, including: race, gender and national identity; comic traditions; Australia and the world; modernity and innovation.
EUST2020 Screening Europe: After 1989

This unit of study is not available in 2018

Credit points: 6 Session: Semester 2 Classes: 1x2hr lecture-seminar/week, 1x1hr tutorial/week Prerequisites: 12 Junior credit points from Table A Assessment: 1x1000wd Assignment (30%), 1x1000wd Class presentation (20%), 1x2500wd Essay (50%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Cinema was born on the eve of a century of conflict in Europe. Celebrated as an avant-garde art form, it was also used for political propaganda and popular entertainment during the 20th century. Most recently European cinema has taken on another function, contributing to the creation of modern European identities through critical self-representation. This unit focuses on a range of recent films in order to study social and cultural change in the new Europe of the past two decades.
ICLS2635 Science Fiction: The Future is Now

This unit of study is not available in 2018

Credit points: 6 Teacher/Coordinator: Assoc Prof Vrasidas Karalis Session: Semester 1 Classes: 1x1-hr lecture/week, 1x1-hr tutorial/week Prerequisites: At least 12 Junior credit points from any of the following: Arabic Studies, Chinese Studies, English, European Studies, French Studies, Germanic Studies, Modern Hebrew, Indonesian Studies, Italian Studies, Japanese Studies, Korean Studies, Modern Greek & Byzantine Studies, Spanish & Latin American Studies, History. Assessment: 1x5 minute oral presentation with written one page plan equivalent to 1000 words (10%), 2x2500wd essays (2x45%). Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Science Fiction is one of the most interesting explorations of human future. Yet it addresses a number of social, political and existential issues that refer to the present: dilemmas, phobias and hopes of a world traumatised by war, disease and internal contradictions. Through the comparative study of novels and movies, this unit explores how the future, from a promised land of a great utopia, has become the dreadful exile into a dark dystopia.
ICLS2637 Watching Stars: Film and the Star System

This unit of study is not available in 2018

Credit points: 6 Session: Semester 2 Classes: 1x1hr lecture/week, 1x1hr tutorial/week Prerequisites: 12 Junior credit points from any of the following (Arabic Studies, Chinese Studies, English, European Studies, French Studies, Germanic Studies, Modern Hebrew, Indonesian Studies, Italian Studies, Japanese Studies, Korean Studies, Modern Greek & Byzantine Studies, Spanish & Latin American Studies, or History) Assessment: 1x1000wds equivalent Oral Presentation (20%), 2x 2500wd Essay (80%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit will investigate how film stars reflect national preoccupations and how they achieve national and transnational fame. It will examine and compare several major film stars from several cultures and will analyse their star image through, for example, their on-screen performance in film adaptations, their celebrity bodies and faces and their representations in the popular media. Students will be introduced to film star theories. Students will have to attend at least 4 film screenings.
MUSC2663 Survey of Film Music

Credit points: 6 Teacher/Coordinator: Dr James Wierzbicki Session: Semester 1 Classes: 2 hour lecture and 1 hour tut/week Prerequisites: 18 junior credit points Assessment: Review assignments 2,000 words (30%), final paper 2,500 words (50%), participation (20%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Sydney Conservatorium of Music
This unit is an introductory survey of the history and aesthetics of film music from the late 1890s to the present day. Topics for discussion will include the dramatic function of music as an element of cinematic narrative, the codification of musical iconography in cinematic genres, the symbolic use of pre-existing music, and the evolving musical styles of film composers.
PHIL2658 Philosophy in Film

This unit of study is not available in 2018

Credit points: 6 Session: Semester 2 Classes: 1x2hr lecture/week, 1x1hr tutorial/week, 1x film screening/week Prerequisites: (12 Junior credit points of Philosophy) or (18 Junior credit points, including ENGL1011) Assessment: 1x500wd Tutorial presentation (10%), 1x1500wd Take-home assignment (30%), 1x2500wd Essay (50%) and Tutorial participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit will use the screening and criticism of carefully chosen classical and contemporary films to raise important philosophical questions and to contribute to our response to them. Each film screening will be paired with a key philosophical question that is explored in the film and further investigated in class: problems of freedom, human action, democracy, crime, love, otherness, marriage, conversation, selfhood, and being human. The class will also explore some central questions in the philosophy of film.
SPAN2641 Filmmaking in the Latin American Context

Credit points: 6 Session: Semester 1 Classes: 1x2hr seminar/week Prerequisites: 12 credit points at 1000 level in Spanish and Latin American Studies or Film Studies Assessment: 1x1500wd research journal (30%), 1x10 minute Oral Presentation (15%), 1x2500wd Essay (40%), 1xacademic article review (10%), class participation (5%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit, taught in English, will introduce you to Latin American film studies, comprising history, theory and criticism through the exploration of 'national' cinema industries. We will examine the history of film production of Mexico, Argentina, Chile and Brazil, looking at the cultural and socio-political context in which filmmaking should be placed. Apart from tracing the history of film production in such countries, we will be focusing on recent developments in this field from the 1990's to the present day.

3000 level units

Core
ARHT3601 Cinematic Transformations

Credit points: 6 Session: Semester 2 Classes: 1x2-hr lecture/week, 1x1hr tutorial/week Prerequisites: 12 Senior credit points in ARHT and ARHT2656 or (ARHT2656 and 12 senior credit points in ARHT2652, ARHT2653, ARHT2655, ARHT2657, ENGL2627, ENGL2638, ENGL3604, FILM2601, HSTY2608, ICLS2637, JPNS3675, MUSC2663) or (ARIN2630 and 12 senior credit points in ARIN) Assessment: 1x1000wd montage analysis (20%), 1x750wd online group assessment task (15%), 1x2000wd research essay (35%), 1x750wd blog (20%), tutorial participation (10%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
What is the cinematic object of the twenty-first century? Where do we locate the essence of a medium that has undergone such a radical transformation? This course examines the intersection of film, digital cinema, and new media experiences such as YouTube, machinima and mobile cinema. Where many have spoken of the death of cinema in a digital era, we will conceptualise the complexity of cinema's evolution from its earliest celluloid incarnation to the technologies of digital simulation.
Selective
ASNS3616 Japanese Cinema and Society

Credit points: 6 Session: Semester 1 Classes: 1x2hr lecture/week, 1 film screening/week (film viewing is mandatory but can be organised by students independently) Prerequisites: 6 Senior credit points in Asian Studies or 18 Junior credit points including ENGL1011 Prohibitions: JPNS3675 Assessment: 3x1200wd total film blog (20%), 1x900wd film review (15%), 1x2400wd film essay (40%), 1x1.5hr semester exam (25%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
This unit introduces you to the history of Japanese film production with a focus on theory, criticism, and reception. Films will be discussed according to themes and genres and read in their socio-political contexts. It provides an initiated understanding of one of the most important film traditions in an international perspective.
ITLN3679 Filming Fiction: The Italian Experience

This unit of study is not available in 2018

Credit points: 6 Session: Semester 2 Classes: 1x1hr lecture/week, 1x1hr tutorial/week Prerequisites: ITLN1612, or HSC Italian Beginners, HSC Italian Continuers Prohibitions: ITLN3706 Assessment: Tutorial participation (10%), 1xOral Presentation (equivalent to 1500wds) (20%), Written assignments (equivalent to 2000wds) (30%), 1x2500wd final Essay (40%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
An examination of the relationship between Italian cinema and fiction. Do they speak a common language? Do they employ comparable techniques? Who copies whom? This unit investigates these and other questions by analysing the adaptation of selected contemporary Italian novels into film.

Interdisciplinary project

FASS3999 Interdisciplinary Impact

Credit points: 6 Session: Semester 1,Semester 2 Classes: 1hr lecture/performance event week for 5 weeks 2hr workshop per week for 10 weeks 2hr online learning modules for 5 weeks Prerequisites: 18 credit points at 2000 level Assessment: 1x 2000 wds equivalent Mapping knowledge exercise (30%), 1x 10 minutes Collaborative Presentation (30%), 1x 2000 wds equivalent Critical reflection essay (40%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Note: Department permission required for enrolment
Interdisciplinarity is a key skill in fostering agility in life and work. This unit provides learning experiences that build students' skills, knowledge and understanding of the application of their disciplinary background to interdisciplinary contexts. In this unit, students will work in teams and develop interdisciplinarity skills through problem-based learning projects responding to 'real world problems'.

Honours

Honours in Film Studies requires 48 credit points from this table including:
(i) 12 credit points of 4000-level Honours Seminar units
(ii) 36 credit points of 4000-level Honours Thesis units

Honours seminar units

FILM4113 What is Cinema Studies?

Credit points: 6 Session: Semester 1 Classes: 1x2hr seminar/week Assessment: 2x 1000wd Film Analysis (40%), 1x 4000wd Research Essay (60%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
Many scholars take Andre Bazin's four-volume work--Qu'est-ce que le cinema?--as the moment of inauguration for the critical project of film studies. Echoing Bazin's famous question, this seminar investigates what it means to take cinema as a scholarly object. Covering materials from early cinema to post-cinema, this seminar is organised around a series of mutually informing concepts that have structured film studies scholarship: disciplinarity, temporality, realism, indexicality, sound, spectatorship and digitality.
FILM4114 The Cinematic Experience

Credit points: 6 Session: Semester 2 Classes: 1x2hr seminar/week Assessment: 2x 1000wd Presentations (40%), 1x 4000wd Research Essay (60%) Mode of delivery: Normal (lecture/lab/tutorial) day Faculty: Arts and Social Sciences
What is the cinematic experience today, in an age of fragmented audiences and multiple platform delivery? Taking the film festival as its central case study, this unit examines the festival as a cultural institution, as a site for the making of film history, and as a scene of the curious mixture of the festive and the cerebral, the sensual and the serious.

Honours thesis units

FILM4111 Film Studies Honours Thesis 1

Credit points: 18 Session: Semester 1,Semester 2 Classes: 7 x 0.5hr supervision meetings/semester on average Mode of delivery: Supervision Faculty: Arts and Social Sciences
This unit involves research towards and preliminary writing of an Honours thesis of 18000-20000 words, in collaboration with a supervisor approved by the Film Studies Program Honours Coordinator.
FILM4112 Film Studies Honours Thesis 2

Credit points: 18 Session: Semester 1,Semester 2 Classes: 7 x 0.5hr supervision meetings/semester on average Assessment: 1x 18000-20000wd Honours Thesis (100%) Mode of delivery: Supervision Faculty: Arts and Social Sciences
This unit involves completion and submission of an Honours thesis of 18000 - 20000 words in collaboration with a supervisor approved by the Honours coordinator.

Advanced coursework

The requirements for advanced coursework in Film Studies are described in the degree resolutions for the Bachelor of Arts/Bachelor of Advanced Studies.
24-36 credit points of advanced study will be included in the table for 2019.