Global sensibilities group
The global sensibilities group brings together an interdisciplinary team to develop a 'new' history of ideas. This approach replaces the emphasis upon texts as a source of ideas, insisting on the importance of the social, cultural, visual, economic and political contexts in which ideas develop, on who is speaking, when and where.
Funded by a Faculty Collaborative Research Grant for 2013-2014, our interests are in themes that raise new questions about the history of ideas in respect of the boundaries between thought and feeling, and the universality or cultural specificity of particular beliefs and ideas.
For more information of the Global Sensibilities Group, contact
Tuesday 4 November 2014
Enlightenment Cosmopolitanisms and Sensibilities & Cosmopolitan Moments: Instances of Exchange in the Long Eighteenth Century: Emerging Scholar Workshop
Wednesday 11-Thursday 12 June 2014
Lower Common Room
Sancta Sophia College
8 Missenden Road
Camperdown NSW 2050
The character of practiced cosmopolitanism during the Enlightenment often appears to amount to little more than an extension of early modern courtly internationalism infused with a new language of ideas. Further investigation reveals the desire on the part of Enlightenment cosmopolites to open borders in the name of economic, political, intellectual and artistic progress. This workshop explores cosmopolitanism in practice during the long eighteenth century in Europe and, through circulation, beyond its borders. It seeks out lived experiences of cosmopolitanism in the evidence of visual, social and textual expressions, and then asks how to interrogate this evidence. What were the opportunities through which border crossings became fixed in the minds of participants and observers? How was Enlightenment cosmopolitanism in practice inflected with different forms of sensibility?
Emerging scholars explore discrete instances of cultural interaction in the long eighteenth century (visual, textual, political, philosophical, social). How do we define the nature of the exchange? Is it cosmopolitan? Areas of analysis include roles of actors and agents, bi-lateral or unilateral action, acceptance, rejection and the medium of transmission.
- Simon Burrows (University of Western Sydney)
- Ian Coller (La Trobe University)
- Alexandra Cook (University of Hong Kong)
- David Garrioch (Monash University)
- Melissa Hyde (University of Florida)
- David Marshall (University of Melbourne)
- Peter McNeil (University of Technology, Sydney)
- Peter McPhee (University of Melbourne)
- Richard Taws (University College London)
Finding form for historical lives: a workshop with Tony Birch and Ross Gibson
Thursday 27 March 2014
How do we find a form for representing historical lives, especially those lives that have left only traces in the archive? Or does the form find us? In this workshop, novelist, poet and academic Tony Birch (The University of Melbourne) and author, film-maker and academic Ross Gibson (The University of Sydney) talk about how they have found form for historical lives forgotten and remembered in writing projects, collaborative image-based works, and interactive installation pieces. Tony and Ross will address in particular how to use different media to translate our ideas for public audiences beyond academia.
The workshop is aimed mainly at postgraduate students interested in thinking experimentally about the archives you are working with (broadly conceived) and the imaginative experiences that encountering your archive has inspired. What will you do next with what you have discovered? And how will you go about it?
CLOSED to new applications. Please contact Miranda Johnson for further information.
This workshop is generously supported by Global Sensibilities Group, a Faculty of Arts and Social Sciences Collaborative Research Group; and Race and Ethnicity in the Global South, a project supported by an ARC Laureate Fellowship at The University of Sydney.
Visual Manipulation and Auto/Biography
Tuesday 25 February 2014
Kevin Lee Room
Level 6, Lobby H
the University of Sydney
This seminar will combine the work of two art historians researching the visual self-representation of royal woman at the French court during the seventeenth century.
Dr Gaehtgens (an independent scholar based at the Getty Research Institute in Los Angeles) explores how Anne of Austria used multiplied images as visual propaganda to change her image from a widowed queen to a self-assured regent. In turn, Dr De Vitis (National Art School) considers the theatrical performances of Elizabeth Charlotte as substantive acts of socio-political critique, calculated and incisive.
Discussion will focus on how the visual - in prints and performance - can be conceived as a form of writing biography.
Hero and Villain: Lafayette's Legacies
12 November 2013
Public lecture presented by Professor Laura Auricchio on the subject of her forthcoming book, The Marquis, a visually informed biography. Co-presented with Sydney Ideas.
Genealogies of Internationalism
- Foundations of Modern International Thought (Cambridge Univ Press)
- Internationalism in the Age of Nationalism (Univ of Pennsylvania Press)