Select Bibliography

• Barrie, S. 2002, Australians Behind the Camera, Directory of Early Australian Photographers, 1841 to 1945. Sandy Barrie, Queensland.
• Bermingham, A. 1986, Landscape and Ideology, The English Rustic Tradition 1740-1860. University of California Press, London.
• Bicknell, P. 1981, Beauty, Horror, and Immensity, Picturesque Landscape in Britain, 1750-1850. Cambridge University Press, Cambridge New York Melbourne.
• Bonyhady, T. 1985, Images in Opposition, Australian Landscape Painting 1801-1890. Oxford University Press, Melbourne.
• Brewster, D. 1971 (1856), The Stereoscope, its History, Theory and Construction. Morgan & Morgan Inc., New York.
• Cato, J. 1977, The Story of the Camera in Australia. Institute of Australian Photography, Melbourne.
• Darrah, W. C. 1997, The World of Stereographs. Land Yacht Press, Nashville.
• Davies, A. & Stanbury, P. 1985, The Mechanical Eye in Australia, Photography 1841-1900. Oxford University Press, Melbourne.
• Gernsheim, H. 1955, The History of Photography, From the Earliest Use of the Camera Obscura in the 11th Century up to 1914. Oxford University Press, London, 1955.
• Gilpin, W. 1973 (1786), Observations on the Mountains and Lakes of Cumberland and Westmoreland. The Richmond Publishing Co. LTD., London.
• Groom, B. and Wickman, W. 1982, Sydney - The 1850s, The Lost Collections. Southwood Press, Sydney.
• Hannavy, J. 1988, ‘Roger Fenton and the British Museum’, History of Photography. vol. 12, no. 3, pp.193-204.
• Hannavy, J. 1975, Roger Fenton of Crimble Hall. Gordon Fraser, London.
• Holmes, O. W. 1864, Soundings from the Atlantic. Tickner & Fields, Boston.
• Kerr, J. (ed) 1992, The Dictionary of Australian Artists : Painters, Sketchers, Photographers and Engravers to 1870. Oxford University Press, Melbourne.
• Kubovy, M. 1986, The Psychology of Perspective and Renaissance Art. Cambridge University Press, Melbourne.
• Lebovic, J. 1989, Masterpieces of Australian Photography. Joseph Lebovic Gallery, Sydney.
• Lovell Reeve and Co. 1863, Lovell Reeve & Co.’s Catalogue of Stereographs. London.
• MacLeod, R. (ed) 1988, University and Community in Nineteenth Century Sydney. Sydney University Monographs, no.3.
• Naef W. J. & Wood J. N. 1975, Era of Exploration, the Rise of Landscape Photography in the American West. 1860- 1885’. New York Graphic Society, Boston.
• Newton G. 1988, Shades of Light, Photography and Australia 1839-1988. William Collins, Sydney.
• Pike, D. Nairn, B. Serle, G. (eds) 1993 (1966), The Australian Dictionary of Biography, Melbourne University Press, Melbourne.
• Reeder, W. 1999, ‘The Stereograph and the Album Portrait in Colonial Sydney’. History of Photography, vol. 23, no. 2, pp. 181-186.
• Reilly, J. M. 1980, The Albumen & Salted Paper Book, ‘the History and Practice of Photographic Printing, 1840-1895’. http://albumen.stanford.edu/library/monographs/reilly/index.html.
• Seiberling, G. 1986, Amateurs Photography and the Mid-Victorian Imagination. The University of Chicago Press, London.
• Smith, B. 1989, European Vision and the South Pacific. Oxford University Press, Melbourne.
• Sobieszek, R. 1976, British Masters of the Albumen Print: a Selection of Mid-Nineteenth-Century Victorian Photography. http://albumen.stanford.edu/library/monographs/masters/index.html.
• Spencer, S. 1987, ‘Francis Bedford’s Photographs of North Wales: Selection and Interpretation’, History of Photography. vol. 11, no. 3, pp. 237-245.
• Stark, A. 1981, ‘Lovell Augustus Reeve (1814-1865), Publisher and Patron of the Stereograph’, History of Photography. vol. 5, no. 1, pp. 3-15.
• Sykes, C. 1980, Country House Camera. Wedenfield and Nicolson, London.
• Towler, J. 1974 (1864), The Silver Sunbeam, Chapter 28, http://albumen.stanford.edu.au/library/monographs/sunbeam/chapt28.html
• Treadwell, T. 2001., Stolen Stereo Views, the Pirating of Images. The Institute for Photographic Research, monograph series no. 11
• Treadwell, T. 2002, List of Australian Stereo-photographers, The Institute for Photographic Research, monograph.
• Treadwell, T. Darrah. W. (eds) 1994, Stereographers of the World, Vol. 1. The National Stereoscopic Association
• Weaver, M. (ed) 1989, British Photography in the Nineteenth Century, the Fine Art Tradition. Cambridge University Press, Melbourne.