Musicology - Research and Publications

Some publications by Musicology Unit staff and postgraduates include:

2012

Maddox, Alan. 'The performance of affect in recitativo semplice.' Music Performance Research 5 (2012): 49–58. http://mpr-online.net/Issues/Volume%205%20%5B2012%5D/Vol5_Contents.html

2011

Campbell, Rachel. "Hindson, Matthew." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/2213847

Campbell, Rachel. "Ricketson, Damien." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/2213859

Coady, Christopher. ‘From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey.’ PORTAL Journal of Multidisciplinary International Studies 8, no. 1 (2011). http://epress.lib.uts.edu.au/ojs/index.php/portal/article/view/1887/0

Drimatis, Joanna. ‘Editing Symphony No. 1 by Robert Hughes: Problems to Solve.’ Journal of Music Research Online 2 (2011). http://www.jmro.org.au/index.php?journal=mca2

Jones, Anthony Linden. "Ancient Archetypes: The ‘Greek Chorus’ in The Tracker's Songs." Screen Sound: The Australasian Journal of Soundtrack Studies 2(2011): 118–131.

Nelson, Kathleen. “Percy Grainger and the Musical Confucius.’ Musicology Australia 33 (2011): 15–27.

Nelson, Kathleen (editor). Cathedral, City and Cloister: Essays on Manuscripts, Music and Art in Old and New Worlds. Ottawa: Institute of Mediaeval Music, 2011.

Nelson, Kathleen. ‘University of Sydney, Fisher Rare Book Additional Manuscript 357: A Product of Many Changes.’ In Cathedral, City and Cloister: Essays on Manuscripts, Music and Art in Old and New Worlds, 113–133.

Pinner, Mark. ‘Racial stereotypes as comedic mechanism: Luscombe Searelle and Walter Parke.’ Grainger Studies 1 (2011): 35–54.

Toltz, Joseph. “‘Dragged into the Dance’: The Role of Kraftwerk in the Development of Electro-Funk.” In Kraftwerk: Music Non-Stop, edited by S. Albiez and D. Pattie. London: Continuum, 2011.

2010

Larkin, David. ‘The First Cycle of Tone Poems.’ In The Cambridge Companion to Richard Strauss, edited by Charles Youmans, 59–77. Cambridge: Cambridge UP, 2010.

Nelson, Kathleen. ‘Semitone Indication in a Twelfth-Century Source of Aquitanian Notation in Zamora.’ Revista de Musicologia Portuguesa 14–15 (publ. 2010): 7–24.

Toop, Richard. ‘Schoenberg: dead or allive? His Reception among the postwar European avant-garde.’ In The Cambridge Companion to Schoenberg, edited by Jennifer Shaw and Joseph Auner, 258–. Cambridge: Cambridge UP, 2010.

Toop, Richard. ‘Against a Theory of Musical (New) Complexity.’ In Contemporary Music: Theoretical and Philosophical Perspectives, edited by Irène Deliège and Max Paddison, 89–98. Farnham, England: Ashgate, 2010.

Toop, Richard. ‘I Open and Close’? In Contemporary Music: Theoretical and Philosophical Perspectives, edited by Irène Deliège and Max Paddison, 133-42. Farnham, England: Ashgate, 2010.

2009

Coady, Christopher. ‘Ellington in the Third Stream: A New Perspective on the Fugal Works of the Modern Jazz Quartet.’ Jazzforschung 41 (2009): 65–82.

Larkin, David. ‘Aus ‘Italien: Retracing Strauss’s Journeys.’ The Musical Quarterly 92/1–2 (Spring/Summer 2009): 70–117. [doi: 10.1093/musqtl/gdp008]

Maddox, Alan. ‘Rhetoric as a Guide to Vocal Timbre and Sonority in Italian Recitative.’ In Musical Islands: Exploring Connections between Music, Place and Research, edited by E. Mackinlay, B. Bartleet and K. Barney. Cambridge: Cambridge Scholars, 2009.

Nelson, Kathleen. “Seeking Early Exultet Practice in Iberia”. In Identity and Locality in Early European Music, ed. Jason Stoessel. Farnham: Ashgate, 2009. pp. 27-36.