| Time |
Activity |
| Thursday 8 April, 2010 |
|
| 2.00pm |
- Welcome Address
- Caligraphy Exhibition Opens: Lineal Rhythm, a solo exhibition by LIANG Xiao Ping
|
| 2.15pm - 3.45pm |
- Papers: Intangible Cultural Heritage in East Asia (1)
Jane Alaszewska: Promoting and preserving the Chichibu Night Festival: The impact of the Japanese Cultural Properties Protection Law on festival music transmission
Hwee San Tan: Intangible Cultural Heritage with Chinese Characteristics: a model for the preservation of intangible cultural heritage in the Asia Pacific region
Keith Howard: Authority and Authenticity: Conflicting Agendas in the Preservation of Korea's Intangible Cultural Heritage
- Workshop Balinese Gamelan, led by Peter Dunbar-Hall
|
| 4.15pm - 5.45pm |
- Papers: Intangible Cultural Heritage in East Asia (2)
Hyunseok Kwon: A case study of the perception of the wonhyong (original form) of local music in Korea
Tsai Tsanhuang: We're all applied ethnomusicologists now? The case of the Chinese musical instrument collection at the Chinese University of Hong Kong (CUHK) and its recent database project
Wang Yingfen: Nanguan/nanjin and the preservation of intangible cultural heritage
- Film: Music of the Sidis, An African Bridge to India, by Salil Sachdev
|
| 6.00pm - 7.00pm |
- Concert: Chinese Music - Ying Liu (erhu); Lu Liping (pipa)
|
7.15pm
|
|
| |
|
| Friday 9 April, 2010 |
|
| 9.00am - 10.30am |
- Papers: The Music of China's Minorities (1)
Catherine Ingram: Eer, mang hay dor ga ey (Hey, why don't you sing)? Imagining the future for Kam big song
Yang Mu: Reconstruction of a tradition - the case of jitai ritual
Zhang Boyu: Who is the audience? Local religious popular music in Yunnan Province
|
| 11.00am - 12.00pm |
- Keynote: Helen Rees: Preserving Tradition, Facing the Future: Ritual and Ethnic Minority Music in China Today
|
| 1.00pm - 1.45pm |
- Recital: Guzheng, Hang
Vicki Zheng (Guzheng) and Salil Sachdev (Hang)
|
| 2.00pm - 3.30pm |
- Papers: The Music of China's Minorities (2)
Yang Minkang: Mainstreaming, Popularizing and Packaging: New Trends in the Christian music of the minorities in Yunnan
Olivia Kraef: Strumming the 'Lost Mouth Chord' - Questions and Discourses of Maintaining and Preserving the Nuosu-Yi Mouth Harp
Lancini Jen-Hao Cheng: Puyuma Bells: The Markers of Honour, Passage, and Social Status
- Papers: Music and Ritual
Li Limin: The Power of Magic Music: Study on Shaman Ritual Music in Northeast China
Ching-Wah Lam: Latest Trends in Huangmei Opera: realism based on Chinese dramas as reflected in Leiyi (Thunderstorm) and others
Xue Yebing: Singing Myth: The Narrative Singing Houtu Bao-juan in Rituals of North China
|
| 4.00pm - 6.00pm |
|
4.00pm - 5.00pm
|
- Film: Siberia at the Centre of the World, by Misha Matlsev and Keith Howard
|
5.00pm - 6.00pm
|
- Film/Presentation: Di depan dan di belakang kelir (in front of and behind the screen), by Peter Dunbar-Hall and Hideki Isoda
|
| 6.30pm - 8.00pm |
- Concert: Korean Music and Dance: Tradition and Modernity
Kim Hyelim (taegum), Kim Hee-sun (kayagum), Lee Chul-jin (dance), and Keith Howard (changgo)
|
| |
|
| Saturday 10 April, 2010 |
|
| 9.30am - 5.00pm |
- Workshop: Music Networks and Colonial Modernity in Metropolitan East Asia
(Organised by Hugh de Ferranti, presented with the support of the Australian Research Council and the School of Arts, University of New England)
Joys Cheung: Musical Networks of Interwar Shanghai and Postwar Hong Kong: Comparing Colonial Experiences and Local Conditions
Hugh de Ferranti: Osaka and beyond: colonial era music networks of the Hanshin region
Philip Flavin: Colonial Japan and Modern Music for the Koto: Miyagi Michio in Korea
Shuhei Hosokawa: The East Asian Recording Industry during the Era of Japanese Colonialism
Changkwan Jung: The Korean Recording Industry and its Documentation of Traditional Music in the Colonial Era
Roald Maliangkay: Key Figures Operning Doors: The Realm of the Big Band Entertainment in Colonial Korea
Tang Yating: Japanese Presence in the Shanghai Municipal Orchestra (1942-1945)
Alison Tokita: Musical modernity in cosmopolitan 1930s Osaka-Kobe as reflected in intercultural composition
Wang Yingfen: Zhang Zaixung's Musical Negotiation of Tradition and Modernity in Colonial Taiwan
Yamauchi Fumitaka: (Dis)Connecting the Empire: The Recording Industry and the Mediation of Japan-Korea Musical Junctures
|
| 10.00am - 1.00pm |
- Calligraphy Presentations and Workshop presented by the Committee of Academy of Chinese Calligraphy
Liang Xiao Ping: Art: an Expression of Life
Keith Howard: Introduction
Peter Lai: Art-Dao-Universe
Calligraphy workshop conducted by Yue-yan Chan
Calligraphy demonstration by Liang Xiao Ping Liang
|
| 11.0oam - 1.00pm |
- Papers: Tradition and its Future (1)
Chai Chang-Ning: Repertoire of the Dizi (Chinese Bamboo Flutes) - A Critical Analysis and Commentary
Lauren Gorfinkel: The role of contemporary PRC TV music programmes in preserving Chinese multi-ethnic traditional folk music
Kim Hee-sun: Between local and global: 21st-century Korean traditional music making
|
| 2.30pm - 3.30pm |
- Recital: Vietnamese Gong Culture, by Le-Tuyen Nguyen (guitar)
|
2.30pm - 3.30pm
|
- Papers: Tradition and its Future (2)
Ying Liu: The erhu's involvement with Australian music
Simon Barker: 'Scattering Rhythms' - The Koreanisation of the Western Drumset
|
3.30pm - 4.30pm
|
- Film: Intangible Asset No. 82
Produced and Directed by Emma Franz, presented in association with Screen Australia and In the Sprocket Productions
|
| 6.00pm - 7.00pm |
- Concert: Sounds of Bamboo
Tony Wheeler (guqin, ruan), Chen Hong Yu (voice)
|
