Symposium Submissions
Submissions for the symposium are now closed.
Successful submissions are as follows:
PAPERS
Jane Alaszewska (Japan): Preserving Aogashima’s Kamisama ogami tradition: a case study of an island community’s grassroots approach
Lancini Jen-Hao Cheng (New Zealand): Puyuma Bells: The Markers of Honour, Passage, and Social Status
Lauren Gorfinkel (Australia): The role of contemporary PRC TV music programmes in preserving Chinese multi-ethnic traditional folk music
Monia Grauso (Italy): Liu Sola and her new Chinese jazz music
Catherine Ingram (Australia): Eer, mang gay dor ga ey (Hey, why don’t your sing)? Imagining the future for Kam big song
Xing Jin (Australia): How Chinese music can preserve tradition but also develop a broader appeal in the 21st century
Kim Hee-sun (South Korea): Between local and global: 21st-century Korean traditional music making
Olivia Kraef (Germany): Strumming the “Lost Mouth Chord” – Questions and Discourses of Maintaining and Preserving the Nuosu-Yi Mouth Harp
Hyunseok Kwon (Australia): A case study of the perception of the wonhyong (original form) of local music in Korea
Jin-yun Kyong (South Korea): Korean ‘pi-li’ and Armenian ‘duduki’
Ching-Wah Lam (Hong Kong): Latest trends in Huangmei Opera: realism based on Chinese dramas as reflected in Leiyu (Thunderstorm) and others
Eve Leung (United Kingdom): Glocalisation in Cantopop: the use of cover music
Li Liming (P R China): The Power of Magic Music: Study on Shaman Ritual Music in Northeast China
Ying Liu (Australia): The erhu’s involvement with Australian music
Helen Rees (USA): Preserving Tradition, Facing the Future: Ritual and Ethnic Minority Music in China Today
Hwee San Tan (United Kingdom): Intangible Cultural Heritage with Chinese characteristics: a model for the preservation of intangible cultural heritage in the Asia Pacific regions
Tsai Tsanhuang (Hong Kong): We’re all ethnomusicologists now? The case of the Chinese musical instrument collection at the Chinese University of Hong Kong (CUHK) and its recent database project
Wang Yingfen (Taiwan): Nanguan/nanjin and the preservation of intangible cultural heritage
Wu Fan (P R China): Fragment and Integration: Interpretation of Hongyao People’s Half-Year Ceremony of Southwest China, in the Nation-State System
Xue Yebing (P R China): Singing Myth: The Narrative Singing Houtu Bao-juan in Rituals of North China
Xiao Wenli (P R China): Imagination of the Official and Folk Sides: Da shen hui Ritual Music at the Present Time
Yang Minkang (P R China): Maintaining, Popularizing and Packaging: New trends in the Christian music of the minorities in Yunnan
Yang Mu (Australia): Reconstruction of a tradition – the case of jitai ritual
Yang Yandi (P R China): Looking for the future in the past: the significances and functional changes of traditional music elements in modern and contemporary Chinese music
Zhang Boyu (P R China): Who is the audience? Local religious popular music in Yunnan Province
Zhang Zhentao (P R China): Ceremony Festival: Coupling of State and Folk
The following papers will be presented under Music Networks and Colonial Modernity in Metropolitan East Asia
Wang Yingfen (Taiwan): Colonial modernity and music in Taiwan
Hosokawa Shuhei (Japan): Japanese colonialism and the history of East Asian popular music
CK Jung (South Korea): The recording of Korean music under Japanese colonialism
Tang Yating (P R China): The Japanese musical presence in Shanghai
Hugh De Ferranti (Australia): Osaka-Kobe as a prism for colonial era musical networks
Philip Flavin (Australia): Miyagi Michio's modern koto compositions and Korea
Joys Cheung (Hong Kong): Music and forms of colonial experience in Hong Kong and Shanghai
Roald Maliangkay (Australia): Key figures in colonial era Korean popular music
Alison Tokita (Australia): tbc
PERFORMANCES
Kim Hyelim, Kim Hee-sun, Yi Chul-jin, Keith Howard (Korea and Australia): Korean music and dance
Yang Liu (Australia) : erhu performance: The Moon Reflection of Er-Quan, The Butterfly Lovers (trad., arr. Julie Simonds)
Le-Tuyen Nguyen (Australia): Vietnamese Gong Culture in Contemporary Guitar Music
Salil Sachev (USA): Hang, ‘Celebration’
Gary Watson (Australia): Sekaa Gong Tirta Sinar, Balinese gamelan workshop
Tony Wheeler and Chen Hong Yu (Australia): Sichuan folksongs
Vicki Zheng (Australia): guqin
Ying Liu (Australia): erhu
Taiwanese nanguan performance
FILMS
Simon Barker (Australia): Intangible Asset Number 82
Peter Dunbar-Hall and Hideki Isoda (Australia): Di depan dan di belakang kelir (in front of and behind the screen)
Keith Howard (Australia): Siberia at the Centre of the World: Music, Dance and Ritual
Salil Sachev (USA): Music of the Sidis: An African Bridge to India (excerpts)
NOTE: The Sydney Conservatorium of Music reserves the right to vary or change the advertised program as necessary.
‘Preserving Tradition, Facing the Future in Asian Musical and Visual Cultures’ is supported by the Commonwealth through the Australia-China Council of the Department of Foreign Affairs and Trade.
