Dr David Kim-Boyle

BMus (ANU), MA(Hon) (UoW), PhD (SUNY Buffalo)
Casual Lecturer in Composition

C41 - Sydney Conservatorium of Music
The University of Sydney

Biographical details

David Kim-Boyle is an Australian composer and new media artist whose music has received widespread recognition for its delicately nuanced sonic qualities and innovative use of technology. His work has been performed and presented throughout North America and Europe at various festivals and contemporary music events and he has been a guest artist at some of the world's leading computer music research facilities including the Zentrum für Kunst und Medientechnologie (Karlsruhe), the Sonic Arts Research Centre (Belfast), and STEIM (Amsterdam). His creative practice is focused on the development of real-time graphic scores that explore the musical possibilities of extended open-forms and his research has been regularly presented at many of the world's leading forums for new music research including the International Computer Music Conference, the Digital Audio FX Conference, the New Interfaces for Musical Expression Conference and published in journals such as Contemporary Music Review and Organised Sound amongst others. Current projects include a new work for the ELISION ensemble featuring a real-time reactive score, and a collection of piano etudes the score for which is based on the use of k-d trees for parametric mapping.

Conferences

Kim-Boyle, D. (2008). Spectral Spatialization - An Overview. Proceedings of the 2008 International Computer Music Conference, Belfast: International Computer Music Association.

Journals

Kim-Boyle, D. (2014). Visual Design of Real-Time Scores. Organised Sound 19(3). in-press.

Kim-Boyle, D. (2010). Real-time Score Generation for Extensible Open-Form Environments. Contemporary Music Review, 29(10), 3-15.

Kim-Boyle, D. (2009). Network Musics - Play, Engagement and the Democritization of Performance. Contemporary Music Review, 28(4), 363-375.

Music Compositions

Kim-Boyle, D. (2014). point studies no. 5. Ithaca, U.S.A.: Self-Published.

Kim-Boyle, D. (2012). point studies no. 1. Perth, Australia: Self-Published.

Kim-Boyle, D. (2009). alphabet games. Minneapolis, U.S.A.: Self-Published.

Kim-Boyle, D. (2008). Two Interludes. Canberra, Australia: Self-Published.

Kim-Boyle, D. (2008). [ga]:[ge]:[go]:[gu]. Baltimore, U.S.A.: Self-Published.

Residencies

2008 Zentrum für Kunst und Medientechnologie. Karlsruhe, Germany.

Grants

Kim-Boyle, D. (2010). Australian Arts Council Skills Development Grant.

Selected grants

2017

  • Digital Skills for the 21st Century Student (Open Learning Environment - Undergraduate); Humberstone J, Nestel S, Kim-Boyle D; DVC Education/Small Educational Innovation Grant.

Selected publications & creative works

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Journals

  • Kim-Boyle, D. (2018). Reframing the Listening Experience Through the Projected Score. Tempo (London, 1939): a quarterly review of modern music, 72(284), 37-50.
  • Kim-Boyle, D. (2017). Phonological and Musical Loops in Live Coding Performance Practice. Leonardo Music Journal, 27, 40-44. [More Information]
  • Kim-Boyle, D. (2014). Visual Design of Real-Time Screen Scores. Organised Sound, 19(3), 286-294. [More Information]

Conferences

  • Kim-Boyle, D. (2016). Frequency Domain Spatial Mapping with the LEAP Motion Controller. 42nd International Computer Music Conference (ICMC 2016), Utrecht: HKU University of the Arts Utrecht.
  • Kim-Boyle, D. (2016). The Ontology of Live Notations through Assemblage Theory. Second International Conference on Technologies for Music Notation and Representation (TENOR 2016), Cambridge: Anglia Ruskin University, Cambridge UK.
  • Kim-Boyle, D. (2013). Extended Non-Linear Applications and the Visual Aesthetics of Real-Time Scores. 2013 ICMC: Idea International Computer Music Conference, San Francisco, California: International Computer Music Association.

Musical Compositions

  • Kim-Boyle, D. (2016). point studies no. 6. Hamburg, Germany: Self Published.
  • Kim-Boyle, D. (2015). point::line::plane. Sydney, Australia: Self Published.
  • Kim-Boyle, D. (2014). Point Studies no. 5. Potsdam, United States of America: Self Published.
  • Kim-Boyle, D. (2013). Line Studies no. 1. Sydney, Australia: Self Published.
  • Kim-Boyle, D. (2013). Point Studies no.2. Perth, Australia: self-published.

2018

  • Kim-Boyle, D. (2018). Reframing the Listening Experience Through the Projected Score. Tempo (London, 1939): a quarterly review of modern music, 72(284), 37-50.

2017

  • Kim-Boyle, D. (2017). Phonological and Musical Loops in Live Coding Performance Practice. Leonardo Music Journal, 27, 40-44. [More Information]

2016

  • Kim-Boyle, D. (2016). Frequency Domain Spatial Mapping with the LEAP Motion Controller. 42nd International Computer Music Conference (ICMC 2016), Utrecht: HKU University of the Arts Utrecht.
  • Kim-Boyle, D. (2016). point studies no. 6. Hamburg, Germany: Self Published.
  • Kim-Boyle, D. (2016). The Ontology of Live Notations through Assemblage Theory. Second International Conference on Technologies for Music Notation and Representation (TENOR 2016), Cambridge: Anglia Ruskin University, Cambridge UK.

2015

  • Kim-Boyle, D. (2015). point::line::plane. Sydney, Australia: Self Published.

2014

  • Kim-Boyle, D. (2014). Point Studies no. 5. Potsdam, United States of America: Self Published.
  • Kim-Boyle, D. (2014). Visual Design of Real-Time Screen Scores. Organised Sound, 19(3), 286-294. [More Information]

2013

  • Kim-Boyle, D. (2013). Extended Non-Linear Applications and the Visual Aesthetics of Real-Time Scores. 2013 ICMC: Idea International Computer Music Conference, San Francisco, California: International Computer Music Association.
  • Kim-Boyle, D. (2013). Line Studies no. 1. Sydney, Australia: Self Published.
  • Kim-Boyle, D. (2013). Point Studies no.2. Perth, Australia: self-published.

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