Associate Professor Goetz Richter
People_

Associate Professor Goetz Richter

Kuenstl Staatsdiplom Munich BA
Associate Professor in Violin
Phone
+61 2 9351 1293
Address
C41 - Sydney Conservatorium of Music
The University of Sydney
Associate Professor Goetz Richter

Goetz Richter is a violinist, teacher and thinker with a dual background in music and philosophy. He is currently Associate Professor at the University of Sydney’s Conservatorium of Music where he co-ordinates performance studies for violinists. Previous positions include a fifteen-year tenure as Associate Concertmaster with the Sydney Symphony Orchestra (1987-2002) and early career positions as Associate Principal Violin II with the Melbourne Symphony Orchestra (1986-87) and Concertmaster of the Queensland Theatre Orchestra (1985-1986). As a violinist Richter has appeared as a soloist, recitalist and chamber musician in Australia, New Zealand, Asia and Europe. He has given concerto performances with Australian Orchestras and has been a leader and guest leader of a number of Australian Orchestras. Chamber music collaborations include performances with Herrmann Baumann, Gerard Fauth, Bernhard Greenhouse and others. With pianist Jeanell Carrigan he has a long standing duo partnership that has included recital performances throughout Australia and in Europe, appearance for Musica Viva and broadcasts for the ABC. As an orchestral musician, principal and leader Richter has worked with eminent conductors including Leonard Bernstein, Lorin Maazel, Charles Dutoit, Neeme Jaervi, Yuri Temirkanov, Edo de Waart, David Zinman, Mariss Jansons, Vladimir Ashkenazy and many others.

Born in Hamburg, Goetz Richter completed his performance studies at the Munich “Hochschule für Musik” following studies with Gerhart Hetzel. He also benefited from further intensive studies with Max Rostal and advanced solo-performance studies with Arthur Grumiaux and Riccardo Odnopossoff. Following his appointment to the Sydney Symphony Orchestra, Richter studied philosophy, psychology and philosophy of science at Sydney University completing a PhD in philosophy in 2007. In 2012 Richter initiated a cross-disciplinary research and performance project at the University of Sydney (“Elective Affinities”) which explores the connections between music and philosophy through performance and theoretical research. His research in philosophy includes the philosophy of music, the philosophy of musical performance and the philosophy of music education.

In 1997 Richter was appointed to the Sydney Conservatorium as the Chair of Strings where he teaches performance students and supervises higher degree students in a number of research areas. His students achieve success as prize-winners of national and international competitions, are appointed to positions in orchestras throughout Europe, Asia and Australia and are active as teachers in Australia and abroad. His leadership of the Sydney Conservatorium String department was prominently featured in a special 2004 edition of “The Strad” magazine. In 2005 and 2006 Richter was invited to the faculty of the Euro Arts Music Festival in Leipzig. He frequently gives masterclasses and pedagogical seminars in Shanghai (2015, Shanghai International Masterclasses), Guangzhou, Wuhan and Fuzhou (2017), Singapore and New Zealand (NZ Music Teachers’ Association 2015) and throughout Australia. He convenes the Australian Violin Pedagogy Conference (most recently in 2015 in Launceston) and he is an editor of the on-line string pedagogy journal String Praxis. He was founding Artistic Director of the Camden Haven Music Festival, Artistic Director of the Riverina Summer School for Strings (2012-2017) and he is the founding Artistic Director of the Kendall National Violin Competition. In 2013 he was appointed visiting professor at the Wuhan Conservatorium in China.

During his tenure with the Sydney Symphony Orchestra, Richter served as Vice-President and President of the Sydney Musicians’ Association and as President of the Sydney Symphony Orchestra’s Benevolent Fund. He was a principal architect and negotiator of the 1995 Musicians’ Enterprise Agreement that introduced major industrial reform to Australian Symphony Orchestras following their divestment from the ABC. He was a member of the Board of Directors of the Sydney Symphony Orchestra from 2007 until 2016 and continues to contribute to research topics related to the working life of musicians, the long-term sustainability of orchestras and orchestral careers, challenges of artists’ performance management and effective communication and internal leadership in orchestras.

Richter has published articles on philosophy, the philosophy of Plato and Nietzsche, the philosophy of music and topics related to the philosophy of musical performance, pedagogy, violin pedagogy and the philosophy of performance teaching and learning. His translation of Eugen Fink’s book on Nietzsche’s philosophy is published by Continuum and a study of the relationship between music and philosophy (The Congruence of Music and Philosophy) by VDM Saarbruecken.

Project titleResearch student
The Inner Consciousness of a Woman: Manifestations in Poetry, Philosophy, Depth Psychology and MusicAnna HUENEKE

Selected publications

Publications

Books

  • Richter, G. (2008). The Congruence of Philosophy and Music: Silent Harmony and Hidden Contemplation. Saarbruecken, Germany: VDM Verlag Dr Muller.
  • Richter, G. (2003). Nietzche's Philosophy - by Eugen Fink. New York: Continuum.

Book Chapters

  • Richter, G. (2024). Music and Ontological Experience. In Stakland, Steve (Eds.), The Phenomenology of Play, (pp. 103-113). London: Bloomsbury Academic. [More Information]
  • Richter, G. (2024). Notes on a Translation. In Stakland, Steve (Eds.), The Phenomenology of Play, (pp. 92). London: Bloomsbury Academic. [More Information]
  • Richter, G. (2023). Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performance. In McAuliffe, Sam (Eds.), Gadamer, Music, and Philosophical Hermeneutics, (pp. 17-30). Cham, Switzerland: Springer. [More Information]

Journals

  • Richter, G. (2013). Clear versus Correct: On the Re-Conceptualisation of Judgements about Intonation. String Praxis, 2(1), 31-46.
  • Richter, G. (2011). Shifting the Paradigm of Violin Playing: The Significance of Friedrich Adolph Steinhausen. String Praxis, 1(1), 33-43.
  • Richter, G. (2009). Silence as the Greatest Music: the Harmony of philosophy and Mousike in Plato's Phaedo. Literature and Aesthetics, 19(1), 88-113.

Conferences

  • Richter, G. (2010). Forgery, fakery and truth: It's time to face the music. Australasian Association of Philosophy Conference 2010, Sydney, Australia: University of NSW (UNSW).
  • Richter, G. (2009). Hegel's Philosophy of Music: Towards a consciousness of the inner self. Australasian Society for Continental Philosophy Annual Conference 2009, Australia: Australasian Society for Continental Philosophy.
  • Richter, G. (2006). Round table discussion - What more is there to say about intonation? Are we examining too much. Australian National Violin Pedagogy Conference 2006, Sydney, Australia: Sydney Conservatorium Open Academy.

Textual Creative Works

  • Richter, G. (2014). Opening the Space between Sound and Silence: Liminal Reflections on Music. Hermes, 2014, (pp. 37 - 42). Sydney, Australia: University of Sydney Union.

Music

  • Carrigan, J., Richter, G. (2018). Concerto for piano, violin and string orchestra by Felix Mendelssohn. Kendall National Violin Competition Celebration of Youth Concert. Kendall School of Arts, Kendall, Australia: Kendall National Violin Competition.
  • Carrigan, J., Richter, G. (2017). Sonata for flute and piano by B. Rubinstein, Trio for flute, violin and piano H254 by Bohuslav Martinu, Sonata for violin and piano Op. 21 by Ernst Toch and Sonata for flute and piano Op. 120 by Y. Bowen. Global Roaming. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.
  • Carrigan, J., Richter, G. (2017). Winterreise D911 by Franz Schubert, Trio No. 1 in Bb major D898 by Franz Schubert. Winterreise in Concert. Independent Theatre, North Sydney, Australia: Sydney Schubert Society.

Recorded / Rendered Performance

  • Carrigan, J., Richter, G., Kortum, J., Barber, J., Barber, L. (2022). What Secret Hath the Rose? A Linda Phillips' Anthology, CD, Wollongong, Australia: Wirripang.
  • Carrigan, J., Richter, G., Choe, M. (2021). 1-4. Piano Trio in A minor 5-8. Trio for Pianoforte, Violin and cello (1916) 9. Trio for Piano, Violin and cello. On Music for the Salon Trio, Online streaming, hardcopy, Wollongong, Australia: Wirripang.
  • Richter, G., Carrigan, J., Choe, M. (2020). [4] Ballad for clarinet and piano [9] In Tribute [13] Fantasy Trio. On In Tribute: Music by Dulcie Holland, CD, Wollongong, Australia: Wirripang Media Pty Ltd.

Festivals

  • Richter, G. (2012). 1. Schubertiade 349 Helmina von Chezy, the Traveller and Writer 2. Schubertiade 350 Journey to Upper Austria 3. Schubertiade 351 Voyage of Transcendence 4. Schubertiade 352 Music as Exile 5. Schubertiade 353 A Journey's End. St Peters Presbyterian Church & Goethe Institute, Sydney, Australia: Sydney Schubert Society Inc.
  • Richter, G. (2011). 1. The Viennese Salon 2. Schubert & Beethoven 3. Schubert's Songs: Novalis & Schlegel 4. Schubert's Songs: The Poets of the 'Hainbund' 5. Schubert's Legacy of Expressionism. 1. St Peters Presbyterian Church 2. Goethe Institute, Sydney, Australia: Sydney Schubert Society.

Other

  • Richter, G. (2003), Translation: Eugen Fink (transl. Goetz Richter), Nietzsche's Philosophy, London: Athlone, 2003.

2024

  • Richter, G. (2024). Music and Ontological Experience. In Stakland, Steve (Eds.), The Phenomenology of Play, (pp. 103-113). London: Bloomsbury Academic. [More Information]
  • Richter, G. (2024). Notes on a Translation. In Stakland, Steve (Eds.), The Phenomenology of Play, (pp. 92). London: Bloomsbury Academic. [More Information]

2023

  • Richter, G. (2023). Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performance. In McAuliffe, Sam (Eds.), Gadamer, Music, and Philosophical Hermeneutics, (pp. 17-30). Cham, Switzerland: Springer. [More Information]

2022

  • Carrigan, J., Richter, G., Kortum, J., Barber, J., Barber, L. (2022). What Secret Hath the Rose? A Linda Phillips' Anthology, CD, Wollongong, Australia: Wirripang.
  • Richter, G. (2022). Musical Performance as Poetic Thinking. In Casey Rentmeester, Jeff R. Warren (Eds.), Heidegger and Music, (pp. 195-211). Lanham: Rowman & Littlefield. [More Information]

2021

  • Carrigan, J., Richter, G., Choe, M. (2021). 1-4. Piano Trio in A minor 5-8. Trio for Pianoforte, Violin and cello (1916) 9. Trio for Piano, Violin and cello. On Music for the Salon Trio, Online streaming, hardcopy, Wollongong, Australia: Wirripang.
  • Richter, G. (2021). On the Higher Values of Artistic Personality: Alma Moodie's Path in Response to Carl Flesch. In Kay Dreyfus (Eds.), The Fractured Self: Selected German Letters of the Australian-born Violinist Alma Moodie, 1918-1943, (pp. 469-475). Oxford: Peter Lang.
  • Richter, G. (2021). Towards a Philosophical Understanding of Interpretative Artistic Performance: Musical Thinking, Innovation and Pedagogy. In Anna Reid, Neal Peres Da Costa, Jeanell Carrigan (Eds.), Creative Research in Music: Informed Practice, Innovation and Transcendence, (pp. 122-131). New York: Routledge. [More Information]

2020

  • Richter, G., Carrigan, J., Choe, M. (2020). [4] Ballad for clarinet and piano [9] In Tribute [13] Fantasy Trio. On In Tribute: Music by Dulcie Holland, CD, Wollongong, Australia: Wirripang Media Pty Ltd.

2019

  • Carrigan, J., Richter, G., Choe, M. (2019). 2. Pavane, 4. La Danse a Bouvigal, 8-11. Piano Trio, 13. Woven by Midnight. On Phillip Wilcher: Spellbound, CD, iTunes, Wollongong, Australia: Wirripang.
  • Carrigan, J., Richter, G. (2019). 6. Spellbound. On Phillip Wilcher: Spellbound, CD, iTunes, Wollongong, Australia: Wirripang.
  • Yeo, N., Newsome, S., Carrigan, J., Lemoh, T., Richter, G. (2019). Grotesque and other chamber works by Meta Overman: 1. Grotesque. On Grotesque and other chamber works by Meta Overman, CD, iTunes, Wollongong, Australia: Wirripang Media.

2018

  • Carrigan, J., Richter, G. (2018). Concerto for piano, violin and string orchestra by Felix Mendelssohn. Kendall National Violin Competition Celebration of Youth Concert. Kendall School of Arts, Kendall, Australia: Kendall National Violin Competition.

2017

  • Carrigan, J., Richter, G. (2017). Sonata for flute and piano by B. Rubinstein, Trio for flute, violin and piano H254 by Bohuslav Martinu, Sonata for violin and piano Op. 21 by Ernst Toch and Sonata for flute and piano Op. 120 by Y. Bowen. Global Roaming. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.
  • Carrigan, J., Richter, G. (2017). Winterreise D911 by Franz Schubert, Trio No. 1 in Bb major D898 by Franz Schubert. Winterreise in Concert. Independent Theatre, North Sydney, Australia: Sydney Schubert Society.

2016

  • Richter, G. (2016). 1. S. Prokofiev, Sonata for two violins, 2. A. Paert, Fratres, 4. A. Dvorak, Terzetto C. Poetry & Music Salon. Kendall School of Arts, Kendall, Australia: Pentimento.
  • Carrigan, J., Richter, G. (2016). 1. Sonatina in A minor D385 2. Introduction and Variations D 802 on a theme from the "Mullerlieder" (Trockne Blumen) 3. Fantasy in C major D 934. Elective Affinities: Transcendence of Poetry. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.
  • Carrigan, J., Richter, G. (2016). Elective Affinities - Philosopher and Musician Ernest Toch. Elective Affinities - Philosopher and Musician Ernest Toch. Recital Hall West, Sydney Conservatorium of Musuic, Sydney, Australia: Sydney Conservatorium of Music.

2014

  • Richter, G. (2014). Opening the Space between Sound and Silence: Liminal Reflections on Music. Hermes, 2014, (pp. 37 - 42). Sydney, Australia: University of Sydney Union.
  • Richter, G., Choe, M., Carrigan, J. (2014). Trio No. 1 for Piano, Violin and Violoncello in three movements. Piano Trios Australis. Recital Hall West, SCM, Sydney, Australia: Sydney Conservatorium of Music.

2013

  • Richter, G. (2013). Clear versus Correct: On the Re-Conceptualisation of Judgements about Intonation. String Praxis, 2(1), 31-46.

2012

  • Richter, G. (2012). 1. Schubertiade 349 Helmina von Chezy, the Traveller and Writer 2. Schubertiade 350 Journey to Upper Austria 3. Schubertiade 351 Voyage of Transcendence 4. Schubertiade 352 Music as Exile 5. Schubertiade 353 A Journey's End. St Peters Presbyterian Church & Goethe Institute, Sydney, Australia: Sydney Schubert Society Inc.
  • Richter, G. (2012). Horn Trio Continued (Violinist). Cocktail Hour Recital Series - Horn Trio Continued. Sydney Conservatorium of Music, Recital Hall, Sydney, Australia: Sydney Conservatorium.

2011

  • Richter, G. (2011). 1. Piano Quintet in A Major, Op. 81. Ensemble Consonant. Seoul Performing Arts Center, Seoul, Korea, Republic of (South): Seoul Performing Arts Center.
  • Richter, G. (2011). 1. String Quartet No. 11 'Jabiru Dreaming (1990)'. Ensemble Consonant. Seoul Performing Arts Center, Seoul, Korea, Republic of (South): Seoul Performing Arts Center.
  • Richter, G. (2011). 1. The Viennese Salon 2. Schubert & Beethoven 3. Schubert's Songs: Novalis & Schlegel 4. Schubert's Songs: The Poets of the 'Hainbund' 5. Schubert's Legacy of Expressionism. 1. St Peters Presbyterian Church 2. Goethe Institute, Sydney, Australia: Sydney Schubert Society.

2010

  • Carrigan, J., Richter, G., Lojewski, M. (2010). "Grand Trio" E Major op.10. Schubertiade 339. St. Peters Presbyterian Church, North Sydney, Australia: Sydney Schubert Society.
  • Richter, G., Carrigan, J., Blake, S., Constantino, S. (2010). 1. Piano quartet in a minor: Nicht zu schnell - mit Liedenschaft - Entschlossen 2. Adagio and Rondo Concertante in F. St Peters Uniting Church, Sydney, Australia: Schubert Society.
  • Blake, S., Carrigan, J., Richter, G., Costantino, S. (2010). 1.Adagio & Rondo Concertante in F (12") 2.Piano Quartet in A minor (10"). Shubertiade 341 Mahler & Schubert. St Peters Presbyterian Church, North Sydney, Australia: Schubert Society.

2009

  • Richter, G., Morris, C., Constantino, S., Cho, M. (2009). 1. Quintet for strings C minor. Schubertiade 338 - Schubert and Friends. Goethe Institute, Sydney, Australia: Schubert Society.
  • Pedersen, G., Richter, G., Bohn, O., Schmidt, R., Benedict, R., Szabo, Z. (2009). 1. Sextet for Strings No. 1 in B flat Major, Op. 18 'Spring' Sextet. Sensational Sundays - A Brahms Feast. Verbrugghen Hall, SCM, Sydney, Australia: Sydney Conservatorium of Music.
  • Richter, G., Yan, L. (2009). 1. Violin Sonata No. 3, Op. 108. School of the Arts Guest Artist Series - Violin Recital. School of the Arts Singapore, Singapore, Singapore: School of the Arts Singapore.

2008

  • Richter, G., Carrigan, J., Easthope, S. (2008). Schubertiade 329 - Schubert and the Demons of Romanticism, St Peters Presbyterian Church, North Sydney, Sydney, Australia: Sydney Schubert Society Inc.
  • Carrigan, J., Richter, G. (2008). 1. Violin Sonata No 1 in F minor, Op 80 2. Violin Sonata No 2 in A, Op 100. Sunday Live with Marian Arnold. Verbrugghen Hall, SCM, Sydney, Australia: ABC FM.
  • Nightingale, J., Carrigan, J., McCorkill, C., Richter, G. (2008). 1.Sonate for alto saxophone and piano (1943): I ruhig bewegt II Lebhaft III Sehr langsam IV Lebhaft 2.Adagio aus dem Kammerkonzert for violin, clarinet and piano (1935) 3.Quartet Op.22 for violin, clarinet, tenor saxophone and piano (1930): I Sehr mäßig II Sehr schwungvoll 4.Hot Sonate for alto saxophone and piano (1930). Cocktail Hour Recital Series: Hot Sonate-German Music of the 1930s-40s. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.

2007

  • Richter, G., Talmacs, T., Cho, M., Henery, A., Carrigan, J. (2007). 1.Adagio from Sonata G major Op.78 2.Quartet Eflat major Op.16 3.Quintet A major, D667/Op.114. Schubertiade 328. Goethe Institute, Woollahra, NSW, Sydney, Australia: Sydney Scubert Society Inc.
  • Richter, G., Costantino, S., Blake, S., Carrigan, J. (2007). 1.Quartet op 16, Eflat major 2.Quartet Eflat major op 47. Kendall National Violin Competition proudly presents the Novalis Ensemble in a Celebration Concert. Kendall Community Hall, Kendall, NSW, Australia: Kendall National Violin Competition.
  • Richter, G., Carrigan, J. (2007). Brahms, Sonata A major op 78 (22'); Ravel, 'Tzigane' (9'). Gosford Regional Conservatorium, Gosford, Australia: Gosford, Australia.

2006

  • Richter, G., Carrigan, J., Blake, S. (2006). 1.Trio E major no.5 K542, 2.Trio B major Op.8 - program tracks and history. Trio Novalis. Lismore City Hall, Lismore, Australia: Musica Viva.
  • Richter, G., Carrigan, J., Blake, S. (2006). 1.Trio in E major no.5, K542 2.Trio in E minor Op.90 (Dumky) 3.Trio in B major, Op.8. Noosa Music Society Trio Novalis presented in association with Musica Viva Countrywide. Good Shepherd Lutheran Centre, 115 Eumundi Rd Noosaville, Noosa, Qld, Australia: Musica Viva Countrywide, Noosa Arts Council, Noosa.
  • Richter, G., Blake, S., Carrigan, J. (2006). 1.Trio no.5 E major K542 2.Trio no.2 E minor Op.67 3.Trio no.1 B major Op.8. Tamworth Regional Conservatorium of Music: Trio Novalis Recital. Chapel Theatre, Tamworth Regional Conservatorium of Music, Tamworth, NSW, Australia: Tamworth Regional Conservatorium of Music.

2005

  • Richter, G., Hoy, J., Benedict, R., Blake, S., Pedersen, G. (2005). 1. Duo op 13 (10') 2. Nonet in F major, op 31 (20'), 3. String Quintet C major (50'). UNSPECIFIED.
  • Richter, G., Carrigan, J. (2005). 1. Sonata f minor op 80 2. Tzigane. Enterprise House, Adelaide, Australia: 2005 Music Teachers' Conference.
  • Richter, G., Carrigan, J. (2005). 1.Sonata in A major 2.Sonata in G minor 3.Sonata in Eflat major 4.Tzigane. The Wagga Mutual Credit Union Concert Series 2005: Violin and Piano Recital. Wagga Wagga Regional Conservatorium, Wagga Wagga, Australia: Riverina Conservatorim.

2004

  • Blake, S., Agostino, R., Richter, G., Gallery, D., Jamison, S., Scott, C., Bailey, J. (2004). 1. Two Night Movements; 2. Suite Buenos Aires. Masterpiece, Staff Series. Recital Hall West; SCM, Sydney, Australia: SCM.
  • Richter, G., Carrigan, J. (2004). 1. Violin Sonata 2. Preludes, Book 2: La puerta del vino 3. Violin Sonata in A 26'. Sunday Live with Marian Arnold. Eugene Goosens Hall, Sydney, Australia: ABC.
  • Richter, G., Carrigan, J., Blake, S. (2004). 1.Trio in Eflat major Op.1 no.1 2.Trio G minor Op.15 3. Trio Eflat major, Op.100 D929. Tamworth Regional Conservatorium in association with Musica Viva Australia presents Trio Novalis. Tamworth Regional Conservatorium, Tamworth, NSW, Australia: Tamworth Regional Conservatorium in association with Musica Viva Australia.

2003

  • Pedersen, G., Richter, G. (2003). 1. Passacaglia 2. Duo Opus 7. NSW Art Gallery, Sydney, Australia: NSW Art Gallery.
  • Richter, G., Carrigan, J., Pedersen, G. (2003). 1. Trio G major 2. Trio C major op 87 3. Trio Bflat major op 99 D 898. St. Peters Presbyterian Church, North Sydney, Sydney, Australia: North Sydney, Australia.
  • Pedersen, G., Richter, G., Carrigan, J. (2003). 1.Trio in G Major Hob.XV25 2.Trio in C Major, Op.87 3.Trio in Bflat Major Op.99 D898. 307th Schubertiade: Viennese Classics - Schubert, Haydn, Brahms. St Peters Presbyterian Church, North Sydney, Sydney, Australia: Sydney Schubert Society Inc.

2002

  • Richter, G., Blake, S., Carrigan, J. (2002). 1.Piano Trio in E flat major, D.929 2.Piano Trio in G minor, Op.15. Newington College Association of the Arts 2002 Concert Series: Trio Novalis. Prescott Hall, Newington College, Sydney, Australia: Newington College Association of the Arts.
  • Mitchell, A., Richter, G., Carrigan, J. (2002). 1.Suite for flute & piano Op.34 2.Le Merle Noir for flute & piano 3.Sonatine for flute & piano 4.Madrigal Sonata for flute, violin & piano. Masterpiece Staff Series. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.
  • Richter, G., Blake, S., Carrigan, J., Dobell, L. (2002). 1.Theme and Variations for violin and piano 2.Quartet for the End of Time. Masterpiece Staff Series. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: Sydney Conservatorium of Music.

2001

  • Richter, G., Hoy, J., Costantino, S., Blake, S., Carrigan, J. (2001). 1.Trio in a minor for Piano, Violin, Cello Op.50 2.Quintet for Piano, 2 Violins, Viola, Cello Op.57. 15th Camden Haven Music Festival - Twilight Finale: Novalis Ensemble. Kendall Community Hall, Kendall, NSW, Australia: Camden Haven Music Festival.

2000

  • Carrigan, J., Richter, G., Blake, S. (2000). 1.Trio in B flat major K502 2.Trio in C minor, Op.66 3.Trio in E minor, Op.90 'Dumky'. Trio Novalis: Vibrant, fresh interpretations. St Mary's Anglican Church, Norton St, Ballina, NSW, Ballina, Australia: Musica Viva Lismore and Ballina Arts Council Inc.

Professional Performances, 2014-2015

March 13 2014 - 4 pm Reading Room, St Andrew’s College, University of Sydney. “Music as Philosophy: Beethoven’s Rhetoric of Romanticism” Presented as part of the Conference: Nature and Culture in German Romanticism and Idealism. Goetz Richter (violin) and Jeanell Carrigan (piano) (Sydney Conservatorium of Music), (http://sydney.edu.au/arts/philosophy/about/ncgri_conference.shtml)

June 14 2014. Sonatas for Piano and violin by Mozart, Schumann, Brahms, Ravel. Duo concert (violin and piano) New England Conservatorium of Music, Armidale (Heritage Houses Concert Series).

May 25 2014 The Twilight of Music. Works by Schumann, Mahler, Wagner and Friedrich Nietzsche. Kendall School of the Arts (Philomusica series).

September 25 2014 - 6.30 pm Sydney Conservatorium of Music. Elective Affinity: Sounding, moving forms- Hanslick and the Consequences for Philosophy
W. A. Mozart, Sonata Bflat major K 454; O. Schoeck, Sonata in D major op 16; J. Brahms, Sonata A major op 78; Jeanell Carrigan, piano; Goetz Richter, violin

November 16 2014. Beethoven and the Demands of the Absolute. Sonatas for Piano and violin by Beethoven. Kendall School of the Arts (Philomusica series).

December 12- 14 2014. Kendall Schubertiade: “Who needs Music?” A festival of Schubert and composers of his time. Kendall School of the Arts (Philomusica series).

January 14 2015. Riverina Summer School for Strings. Chamber music recital. Works by Elgar, Goossens, Mozart. Charles Sturt University, Joyes Hall.

January 16 2015 Riverina Summer School for Strings. Chamber music recital. Works by Schrecker, Castelnuovo-Tedesco, Verdi. 16th January, 2015. Charles Sturt University, Joyes Hall.

March 31 2015 - 6.30 pm Sydney Conservatorium of Music, Recital Hall West. Elective Affinity: Schubertiade- Schubert's Meditatio Mortis. Schubert, Sonatina g minor, D 408 Schubert, Introduction and Variations D 802 on a theme from the “Müllerlieder” op 25 for violin (flute) and piano; Schubert, Trio in Bflat major op 99 for Piano, Violin and ‘Cello D 898

April 10th -28th, 2015. Recitals in NZ in Auckland, Hamilton, Wellington, Christchurch and Dunedin. Sonatas for Piano and Violin by Mozart, Schubert (Variations on “Trockene Blumen”), Franck, Lilburn and Ravel. Goetz Richter, violin and Jeanell Carrigan, Piano.

April 10th -28th, 2015 Lectures given in Auckland, Hamilton, Wellington, Christchurch and Dunedin on violin methodology and instrumental learning.

Tuesday 18 August 2015. Recital Hall West, Sydney Conservatorium Bluebeard’s Bride. Max Reger, Suite im alten Stil, op 93, Eduard Erdmann, Solo Sonata op 12, Hans Pfitzner, Sonata for violin & piano e minor, op 21 (Goetz Richter, Violin; Jeanell Carrigan, piano)

Thursday, September 17 2015. Recital Hall West, Sydney Conservatorium: Forbidden Voices. Hans Gal, Sonata in Bflat major op 17; Ernst Krenek Sonata for Solo Violin No 1, op 33.