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A biographical register of Australian colonial musical personnel–S (Se-Si)

Dr GRAEME SKINNER (University of Sydney)


THIS PAGE IS ALWAYS UNDER CONSTRUCTION


To cite this:

Graeme Skinner (University of Sydney), "A biographical register of Australian colonial musical personnel–S (Se-Si)", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/register-S-2.php; accessed 19 March 2024






- S - (Se - Si)


Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt as yet to deal with musical personnel first active after 1860, and so far the coverage is selective.

A major upgrade of the contents of this page was completed in October 2021, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.


Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.




SEA, James (James SEA)

Amateur vocalist, member and secretary of the Australian Philharmonic Society, bank manager

Born Milton-next-Sittingbourne, Kent, England, 21 December 1806; son of Henry SEA (1777-1854) and Margaret PEPPERCORNE (1770-1846)
Arrived Sydney, NSW, 22 January 1829 (per Surry, from London, 23 August 1828, via Cape of Good Hope, 4 December 1828)
Died Sydney, NSW, 6 March 1851, aged 46

https://trove.nla.gov.au/search?l-publictag=James+Sea+1806-1851 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEA-James (shareable link to this entry)

SEA, Henry (Henry SEA)

Amateur musician, lecturer (School of Arts), member and secretary of the Cecilian Society

Born Milton-next-Sittingbourne, Kent, England, 17 November 1811; son of Henry SEA (1777-1854) and Margaret PEPPERCORNE (1770-1846)
Arrived Sydney, NSW, 21 July 1837 (per Achilles, from London, 22 March)
Departed Sydney, NSW, after May 1842
Married Maria SUMNER, Maui, Hawaii (USA), 5 March 1846
Died Honolulu, Hawaii (USA), 7 September 1859

https://trove.nla.gov.au/search?l-publictag=Henry+Sea+1811-1859 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEA-Henry (shareable link to this entry)


Summary:

James and Henry Sea were the two surviving sons of Henry Sea (1777-1854) and Margaret Peppercorne (1770-1846), of Milton-next-Sittingbourne, Kent, who had married at St. Mary's, Lambeth, on 10 April 1804.

James and his sister Margaret (1809-1883) arrived in Sydney on 22 January 1829, on the Surry, commanded by Ranulph Dacre, who, two years later, at Maitland, NSW, in September 1831, Margaret married.


Documentation:

[Advertisement], The Sydney Monitor (16 August 1834), 1

http://nla.gov.au/nla.news-article32146965

PHILHARMONIC CONCERTS.
THE SECOND SOIREE of this SOCIETY, under the Patronage of His EXCELLENCY THE GOVERNOR, is fixed for Tuesday, the 26th Instant, at the Pulteney Hotel.
Tickets 7s, 6d. each, not transferable.
JAMES SEA, Honorary Secretary.

ASSOCIATIONS: Australian Philharmonic Society (Sydney, 1833-37)

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Gazette and New South Wales Advertiser (22 July 1837), 2

http://nla.gov.au/nla.news-article2212058

From London, yesterday, whence she sailed the 22nd March, the barque Achilles 354 tons, Captain Veale, with merchandise. Passengers, Messrs. Edward Adams, Henry Sea . . .

"MUSICAL CLASS", The Sydney Gazette and New South Wales Advertiser (20 October 1838), 2

http://nla.gov.au/nla.news-article2547876

A meeting of gentlemen interested in the formation of a musical class was held at the School of Arts, Pitt-street, on Thursday evening. About thirty gentlemen were present, Mr. R. Windeyer in the chair. It was resolved that a class for the encouragement of vocal and instrumental music should be formed, and about a dozen gentlemen immediately signed their names and became members. A committee, consisting of the following gentlemen was appointed: - Messrs. R. Windeyer, Sea, Worgan and Spyers, to draw up rules and regulations and to report the progress at a general meeting, to be called on the subject on Thursday next.

ASSOCIATIONS: Richard Windeyer (member); George William Worgan (member); Lawrence Spyer (member); Sydney Mechanics' School of Arts (organisation)

"THE SCHOOL OF ARTS", The Sydney Herald (12 April 1839), 2

http://nla.gov.au/nla.news-article12863211

It is just six years since a few persons who were interested in the subject with the Reverend Mr. Carmichael at their head, commenced holding meetings for the purpose of establishing a Mechanics' Institute, and the success of their arrangements will be seen from the fact of there being now upwards of six hundred and twenty members belonging to the Institution . . . The report of the Committee for the past year is now before us . . . the Committee are justly proud of the following list of Lectures delivered last year; viz. . . . One Lecture on Mechanics - by Mr. Sea . . .

ASSOCIATIONS: Henry Carmichael (c. 1796-1862)

"CECILIAN CONCERT", The Colonist (8 June 1839), 3

http://nla.gov.au/nla.news-article31723201

On Wednesday night we accepted of the polite invitation of the Committee of the Cecilian Society, and attended their Concert in the Old Court House. We were both pleased with the performances and arrangements of the evening, and astonished at the number of respectable persons who attended notwithstanding the very disagreeable and boisterous nature of the night. The whole range of the hall was occupied on this occasion; a crimson cord drawn across the room at the first range of pillars from the south end of the room, separated the orchestra from the audience. The hall was well lighted, and the southern wall was ornamented with a portrait of the founder of the Society, the late Mr. Cavendish. The instrumental performers formed a semi-circle round the open space reserved for the orchestra. In the centre stood the players of the first and second violins, and of the grand piano forte. There were altogether some five or six violins, two flutes, two clarionets, one bass violin, and a french horn. The instrumental music consisted of a series of splendid overtures by the first masters, and were admirably performed. There was a deficiency, however, in the bass department, but we are glad to hear that this was not owing to want either of funds, instruments, or performers, but to the difficulty of procuring the appropriate sets of music for each instrument. That deficiency, it is expected will soon be remedied, and then the Band will be perfect. The vocal performances were also pleasing and chaste. The gentlemen of this department do themselves injustice, by their diffidence and want of energy. This we expect to see rubbed off in the course of an exhibition or two, as the amateurs will be gaining that confidence, which their powers and talents entitle them to assume. The Society and all who attend its concerts are indebted to Mr. Sea, whose polite and courteous attention to visitors, and general exertions for the interests of the Society and the arrangement of its concerts, are particularly appreciated. Our hopes of this interesting Society are still confident and sanguine; and we shall rejoice to see it prosper, beneath the fostering encouragement of the ladies and gentlemen of the higher circles in the metropolis.

ASSOCIATIONS: William Joseph Cavendish (musician, founder); Cecilian Society (organisation)

"CECILIAN SOCIETY", The Colonist (31 July 1839), 2

http://nla.gov.au/nla.news-article31723489 

This evening the Ceciliian Society will give a musical soiree, at which we expect a treat. Mrs. Curtis is to perform on the harp. There will be several new pieces performed both in the vocal and instrumental department; and we understand that considerable study and practice has been bestowed on the different parts of the performances. We are exceedingly sorry to hear that Mr. Sea is going to resign his office of Secretary to this Society. The Society is much indebted to Mr. S. for his indefatigable and zealous services in promoting its interests; and the visitors of the Cecilian Concerts will no doubt regret his secession from office, as his good taste and politeness to all who had the privilege to attend these entertainments, were justly and generally admired.

ASSOCIATIONS: Emma Curtis (harp)

[Advertisement], The Sydney Gazette and New South Wales Advertiser (26 November 1839), 1

http://nla.gov.au/nla.news-article2545929

CECILIAN SOCIETY.
THE Members and Subscribers are hereby informed that the next CONCERT will take place on WEDNESDAY, the 11th DECEMBER, being the Anniversary of the formation of the Society; and that from thenceforth the Society's Concerts will be held on the first instead of the last Wednesday in each Month.
By Order of the Committee, HENRY SEA, Secretary.

"CECILIAN SOCIETY'S ANNIVERSAY CONCERT", The Colonist (14 December 1839), 2

http://nla.gov.au/nla.news-article31724206

The first anniversary of the Society was celebrated on Wednesday evening last, by a Concert, which in every way surpassed those given on former occasions. We cannot but congratulate the members on the progress they have made. The room, on the evening of the concert, was crowded to excess, and full one hundred persons had to go away disappointed; about five hundred managed to get into the room. The instrumental department is much more efficient than the vocal, but the latter is very respectable. The overtures were magnificently performed. Mrs. Clancy sang well, and her last song, "Love's poisoned shaft," was rapturously encored. Mr. Solomon's performance on the violin, as usual, gave universal satisfaction and was encored. Mr. Wallace's flute was listened to with the same pleasure it always is. The "Maid of Judah," was very well sung by Mr. Sea (Secretary to the Society), although Mr. S. was labouring under a severe cold. Miss Fernandez astonished the audience on her piano-forte. The whole of the performances gave more than satisfaction; and every thing was well managed. The only thing that gave any damp to the evening's entertainment, was the falling of a lamp, by which some gentleman's coat was spoiled and several parties bespattered with oil. If the company make as much progress in the course of the next year as it has during the past, Sydney will be fully entitled to boast of her amateurs.

ASSOCIATIONS: Elizabeth Clancy (vocalist); Mr. Solomon (violin); Spencer Wellington Wallace (flute); Lucy Fernandez (piano)

"THE CECILIAN SOCIETY", The Colonist (13 May 1840), 2

http://nla.gov.au/nla.news-article31725022 

A public meeting of the members and friends of this society was held on Friday evening last. It was expected that some differences would arise which might be detrimental to the interests of the society. Such, however, we are happy to say, was not the case. A report, very ably drawn up, was read by Mr. Josephson, and received by the meeting. The principal circumstance to notice, in this report, was the fact that the society would be obliged to purchase a pianoforte, or do without one in future, as the person who had lent the instrument to the society hitherto, could do so no longer. The society's funds were not in a state to admit of the purchase of an instrument, and it must therefore be done by subscription. The report expressed some disinclination to ask for such subscription. Mr. Sea said that, on behalf of Mr. M. M. Cohen, of George-street, who, although not a member of the society, felt considerable interest in its welfare, he was authorised to put down that gentleman's name as a subscriber towards a pianoforte, or any other requisite, the sum of 5l. A subscription was then entered into, Mr. Smart putting down his name also for 5l., and several others present contributing various sums. The subscription now raised, we have been informed, amounts to between 30l. to 40l. A resolution was also passed at the meeting which will prevent members from introducing male friends to the Concerts. The society had no objection to give music gratis to the ladies, but the members think that 5s. per month is not too much for gentlemen to pay for admittance, as that payment will further enable them to introduce their fair friends or relations to these evenings.

ASSOCIATIONS: Joshua Frey Josephson (member); Mosely Moss Cohen (jeweller, watchmaker)

[Advertisement], The Sydney Gazette and New South Wales Advertiser (17 April 1841), 3

http://nla.gov.au/nla.news-article2553068 

CERTAIN articles having appeared in the Sydney Gazette, reflecting on some of the inhabitants of Bathurst and its neighbourhood, signed "Rigdum Funnidos," and "Scotticus," the authorship of which having by some been attributed to me, I beg most unequivocally to declare that I neither wrote them, nor am I in any way connected with these productions.
HENRY SEA. Bathurst, April 12th, 1841.

"SCHOOL OF ARTS", The Sydney Herald (15 July 1841), 2

http://nla.gov.au/nla.news-article12870012

We have been requested to state that the gentleman named Sea who is alluded to in our yesterday's number as having spoken at the discussion at the School of Arts on Monday is Mr. Henry Sea.

[Shipping news], The Sydney Morning Herald (27 September 1844), 2

http://nla.gov.au/nla.news-article28650757 

The Countess of Wilton reports the following vessels at Tahiti when she left; H.M.S. Thalia, from the Sandwich Islands, with General Miller, Consul-General, and Mr. Sea as Acting Consul for Tahiti . . .

"MARRIED", The Sydney Morning Herald (10 September 1847), 3

http://nla.gov.au/nla.news-article12891152

Yesterday, by special license, at St. James's Church, by the Lord Bishop of Australia, James Sea, Esq., Manager of the Union Bank of Australia, Sydney, to Elizabeth Catherine, eldest daughter of Stephen Greenhill, Esq., of Richmond Terrace, Sydney.

[Sic] "DEATH", Empire (23 January 1851), 3

http://nla.gov.au/nla.news-article60032135 [sic]

At his residence, Hunter-street, on the 22nd instant, James Sea, Esq., Manager of the Union Bank of Australia.

[News], Empire (24 January 1851), 2

http://nla.gov.au/nla.news-article60032172 

We regret that we were yesterday the means of circulating a rumour, which in one portion of the city appears to have been very general, that Mr. Sea, the respected Manager of the Union Bank, was deceased. Mr. Sea is dangerously ill, but we are happy to state that the announcement of his death which we were led into by relying on the information of respectable parties, was untrue.

ASSOCIATIONS: Henry Parkes (editor, proprietor)

[News], Empire (6 March 1851), 4

http://nla.gov.au/nla.news-article60033123 

JAMES SEA, Esq., the highly respected Manager of the Union Bank of Australia, expired last evening, at his residence, in Hunter-street after a painful and protracted illness. Few members of this community have lived more generally esteemed, and perhaps none will be more sincerely lamented in death than Mr. SEA, whose affable deportment, charitable disposition, and sterling integrity, will receive the heart-felt testimony of all who knew him.

"DEATHS", The Sydney Morning Herald (7 March 1851), 3

http://nla.gov.au/nla.news-article12925342

At his residence, Hunter-street, on the 6th instant, Mr. James Sea, aged 46 years, Manager of the Union Bank of Australia, Sydney.

[Advertisement], Empire (20 March 1851), 4

http://nla.gov.au/nla.news-article60033456 

ELEGANT AND MODERN HOUSEHOLD FURNITURE.
Brilliant-toned semi-grand Pianoforte, by Collard; Choice Paintings and Engravings, China, Glassware, Plated Articles, Library of Popular and Standard Works, and various other Effects.
MR. EDWARD SALAMON has received instructions from the executors of the late JAMES SEA, Esq., to sell by auction, (by kind permission of the Directors,) at the late Manager's residence, Union Bank, On TUESDAY, March 25, at ll o'clock . . .
Writing table, music stand, fire screens . . .

"Death of Henry Sea, Esq.", The Polynesian (10 September 1859), 2

http://chroniclingamerica.loc.gov/lccn/sn82015408/1859-09-10/ed-1/seq-2 

On Wednesday morning last, Sept. 7, after an illness of a few days, preceded by an epileptic stroke, died in this city, Mr. Henry Sea, an old fellow resident of 17 year's standing. Known to all through that singularly busy and boisterous period, he had the rare fortune to leave no enemies to scowl over his coffin. Gentle, obliging, affable, while in prosperous circumstances he never "let his right hand know what his left was doing;" patient, persevering, contented, when fortune frowned upon him he earned a competence, retained his friends, and asked no more.

Mr. Sea was born on the 5th Sept, 1806 [sic], in Milton, Kent, England, where his father, H. Sea, Esq., was Collector and Comptroller of Her Britannic Majesty's Customs. Having received a liberal education, he was apprenticed and served his time to the typographical art in the city of London. From there he went to Australia, where he had relatives residing, and from there to Tahiti, where he acted as Secretary to the English Consulate. In 1842 he arrived here and served as Secretary to Sir Geo. Simpson, to the British Commission under Lord George Paulet, and afterward to Gen. Miller, H. B. M. Consul General. On the 6th of Oct., 1845, he was appointed Marshal of the Hawaiian Islands, or, as it was then called, High Sheriff of Oahu, and on the 5th of March, 1846, he was married to Miss Maria Sumner, only Daughter of Captain Wm. Sumner, one of the Hawaiian pioneers of the Kamehameha I. period, and residing in Honolulu. Having resigned his Marshal's baton, Mr. Sea started in the auction business and continued as a popular and prosperous auctioneer for several years. Having met with reverses in business some three years ago, he fell back upon his profession of a printer, at which occupation he continued until he was taken down with his last illness. Almost the last public act of Mr. Sea was a lecture, which he delivered before the Dashaway Association of Honolulu, of which he was a member, about three weeks ago, and which was listened to with uninterrupted interest and marked approbation. While his own last proof-sheet has been struck off and sent up to the author of all being for inspection, his many and warm friends will often miss the bland smile, the genuine kindliness and the unobtrusive presence of Henry Sea. His wife and an adopted son survive him. His funeral will take place to-morrow afternoon at his late residence on Richard St., at 4 o'clock.




SEABROOK, George (George SEABROOK; G. SEABROOK; Mr. SEABROOKE)

Musician, harp player, harpist

Active Melbourne, VIC, 1859

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEABROOK-G (shareable link to this entry)


Documentation:

[Advertisement], The Age (1 June 1859), 1

http://nla.gov.au/nla.news-article154840273 

THEATRE ROYAL, Sole Proprietor - Mr. G. V. Brooke.
The Public is respectfully informed this this establishment will re-open for the
NEW SEASON, and under NEW MANAGEMENT, On Thursday next, June 2nd . . .
THE ORCHESTRA Carefully selected, will comprise the following members: -
Leader - Herr Strebinger; Clarionet - Mr. Lundborg
1st Violin - Mr. F. Coppin; Cornet - Mr. Richardson
2nd Violin - Mr. Levy; Trombone - Mr. Bury [Berg]
Contra Basso - Mr. Chapman; Harp - Mr. Seabrooke
Flute - Mr. Julius Siede; Drums - Mr. Hillsey
Conductor - MR. JOHN WINTERBOTTOM. (His first appearance these four years) . . .

ASSOCIATIONS: Theatre Royal (Melbourne); Gustavus Vaughan Brooke (actor, manager); John Winterbottom (conductor); Frederick Strebinger (leader); Fred Coppin (violin); Barnett Levy (violin); Samuel Chapman (bass); John William Lundborg (clarinet); James William Richardson (cornet); Charles Berg (trombone); Robert Ilsey (drums); Julius Siede (flute)

[Advertisement], The Argus (28 June 1859), 8

http://nla.gov.au/nla.news-article5683519 

ELLEN MORTYN.
To Gustavus Vaughan Brooke, Esq.
Dear Sir, - We, the undersigned members of the dramatic company and orchestra of the Theatre Royal, anxious to mark our respect for the memory of the late Mrs. Charles George Mortyn (professionally known as Miss Ellen Mortyn) TENDER our gratuitous SERVICES for one night, the receipts of such night to be appropriated for the BENEFIT of the late Mrs. MORTYN'S ORPHAN CHILDREN. May we respectfully solicit your cooperation and assistance by granting us for the occasion the use of the Theatre Royal and the aid of your own professional services.
We are, dear Sir, Your obedient servants . . .
. . . J. Winterbottom, J. Strebinger [sic], S. Chapman, G. Seabrook, J. W. Lundburg, J. Field, B. Levy, J. Richardson, Robert Ilsey, C. R. Burg [sic] . . .

[Advertisement], The Argus (30 June 1864), 8

http://nla.gov.au/nla.news-article5750256 

SEABROOK'S BENEFIT. The band will be greatly augmented on this occasion. Dancing from 6 until 4.
TRADES-HALL Grand QUADRILLE ASSEMBLY, for the benefit of Mr. George Seabrook, Tuesday evening, July 5.




SEAL, August (August SIEGEL; August William SIEGEL; August SEAL)

Musician, bandsman, bandmaster, double bass player

Born Wiesbaden, Nassau, Germany, c. 1822
? Arrived Melbourne, VIC, 23 February 1855 (per Pacific, from London, 25 November 1854, with G. V. Brooke's company)
Married (1) Harriet WILES, Sydney, NSW, 1855
Active Sydney, NSW, by May 1856
Arrived Brisbane, NSW (QLD), by September 1857
? Married (2) Catherine HILLS, QLD, ?
Died Brisbane, QLD, 10 June 1901

https://trove.nla.gov.au/search?l-publictag=August+William+Seal+Siegel+d1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEAL-August (shareable link to this entry)

SEAL, Andrew (Andreas SIEGEL; Andrew SEAL; Professor SEAL)

Musician, bandmaster (Volunteer Band), cornet and euphonium player, composer

Born Wiesbaden, Nassau, Germany, c. 1833; younger brother of the above
? Arrived Melbourne, VIC, 23 February 1855 (per Pacific, from London, 25 November 1854, with G. V. Brooke's company)
Active Sydney, NSW, by May 1856 (or earlier)
Arrived Brisbane, NSW (QLD), by September 1857
Married Margaret Victoria WALKER (1840-1924), QLD, 31 July 1862
Died Brisbane, QLD, 10 September 1904

https://trove.nla.gov.au/search?l-publictag=Andrew+Seal+Andreas+Siegel+d1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEAL-Andrew (shareable link to this entry)


Andrew Seal, c. 1890; Royal Queensland Historical Society

Andrew Seal, c. 1890; Royal Queensland Historical Society


Summary:

According to later reports the Siegel / Seal brothers were in party of theatrical musicians who embarked from London for Australia in November 1854, in the company of the actor and manager Gustavus Vaughan Brooke. Although their names do not appear among the passengers on the Pacific, on which Brooke and his company arrived, it is possible that they were hired as ships' musicians forming part of the crew.

Arriving in Melbourne, in late February 1855, they presumably played for Brooke's Melbourne season in March and April with the local musicians of the Queen's Theatre orchestra, under its leader Bream Thom. They then followed Brooke to Sydney, where initially they probably formed the nucleus of the band for his season at the Royal Victoria Theatre, while most of the local regular theatrical band was engaged in playing for operas at the Prince of Wales Theatre.

During their two full years in Sydney, the brothers appeared only once in their own right in the playbills, as volunteering their services, in May 1856, as "August Siegel" and "Andrew Siegel", for a charity benefit in aid of one of the city's two volunteer fire brigades.

With two of the Cramer brothers, Ferdinand and Ernest, they then sailed for Brisbane in the second half of 1857, having been informally engaged to perform as a town band by the local businessman and music lover Robert Ramsey Mackenzie.

Almost all of the subsequent references to "Mr. Seal" in the Queensland press are to Andrew, or "Professor Seal" as he was later regularly identified.

August married Harriet Wiles in Sydney in 1855, and their first son, William Andrew Seal (Siegel), later mayor of Brisbane, was born in Sydney in 1857. A second son, Charles, was born in Brisbane in 1859. In 1861, Harriet left her husband and two children and returned to her family in Sydney. August followed her to Sydney, and was briefly billed as playing in the orchestra of the Lyceum Theatre. Harriet was living in Sydney, either still or again, at the time of her father's death in 1879. Meanwhile, August claimed to have married a second time, though there is no record of either a divorce or a second marriage.

August was working as a theatre musician in the mid 1880s, while suffering severely from alcoholism. Evidently lacking any ongoing support from either of his sons, however, August was an inmate of the Benevolent Asylum from 1887 until a few days before his death, in Brisbane, on 10 June 1901. Harriet died in Brisbane, on 6 August 1904, just a month before the death of her elder son, William Andrew Seal, who, adding to later confusion, died only a week before his musical uncle Andrew Seal.


Documentation:

England, alien arrivals, Dover, 12 February 1849 (per Ville de Bruge); UK National Archives

https://www.ancestry.com.au/interactive/1587/31160_A002177-00344?pid=92011 (PAYWALL)

No. 404 & 404 PORT OF DOVER CERTIFICATE OF ARRIVAL.
12th Feb'y '49 / Johannes Becker / Musician / [Native of] Germany
Conrad Schernady / [Musician] / Belge
Andreas Siegel / [Musician] / -

England, alien arrivals, London, December 1851 (per Soho); UK National Archives

https://www.ancestry.com.au/interactive/1587/31161_A003063-00700?pid=386186 (PAYWALL)

A list of aliens . . . [per] Soho bound from Antwerp to the port of London . . .
John Baker / Musician / [native of] Nassau
Florenz Becker / Musician / [Nassau]
August Siegel / [Musician] / [Nassau]
Carl Schneider / [Musician] / [Nassau]
Andreas Siegel / [Musician] / [Nassau]

[Advertisement], Empire [Sydney, NSW] (31 May 1856), 1

http://nla.gov.au/nla.news-article60248613 

ROYAL VICTORIA. THEATRE. - THIS (Saturday) EVENING, May 31. -
Benefit to the Victoria Volunteer Fire Company, No. 1.
Mr. and Mrs. JAMES STARK, and the undermentioned Ladies and Gentlemen of the company, have, in the kindest manner,
offered their gratuitous services on the above evening: - Messrs. J. C. Lambert, C. H. Twight, W. Dind, W. Thompson,
August Siegel, Andrew Siegel, Fritz Cramer, W. Davies, Henry Cramer, Ferdinand Cramer,
F. Friedlander, M. Vaughan, A. Grebet, J. Winning, W. Moulden, W. Hinchey, Edward Sadler, W. Ganden, S. H. Brown, J. Purcell, R. Bruce, Mrs. Lambert, Mrs. Guerin, Mrs. Hart, Mrs. Mortimer, Miss Ward, Miss Douglas, Miss Hart.
The Australian Gas Company have kindly granted the free use of the Gas. Messrs, Paisey and Pryor have very liberally contributed the Printing.

. . . The Orchestra will play Jullien's celebrated Fireman's Quadrille, arranged by Mr. J. Gibbs, introducing various effects, - the alarm - the fire bell - men at the breaks - the whistle - the signal of return to the engine station . . .

ASSOCIATIONS: John Gibbs (violinist, leader); Henry and Ferdinand Cramer (musicians); William Friedlander (musician); M. Vaughan (musician)

MUSIC: The fireman's quadrille (Jullien)

[Advertisement], The Moreton Bay Courier (5 September 1857), 3

http://nla.gov.au/nla.news-article3724936

BRISBANE BAND. THE Public are respectfully informed that (the Directors of the Brisbane Botanical Gardens having kindly granted their permission), the undersigned intend playing musical selections twice a week in the Gardens, should sufficient encouragement be given by the inhabitants of Brisbane and its vicinity.
The instruments consist of a Clarionet, Cornet, Saxtuba, and Trombone.
Subscriptions will be invited by personal application during the ensuing week.
ANDREWS SEAL,
AUGUSTE SEAL,
F. CRAMER,
G. CRAMER [sic].
September 5, 1857.

ASSOCIATIONS: Henry and Ernest Cramer (musicians)

[Advertisement], The Moreton Bay Courier (19 September 1857), 3

http://nla.gov.au/nla.news-article3719448 

BRISBANE BAND.
THE public are respectfully informed that the arrangements for giving regular performances have now been completed, and that the
FIRST PERFORMANCE OF THE BRISBANE BAND
will take place in the Botanic Gardens, on MONDAY AFTERNOON, at four o'clock, and terminate at six.
The second performance will take place on SATURDAY AFTERNOON, at the same hour.
The performances will be repeated every
MONDAY and SATURDAY, from 4 to 6 o'clock.
In announcing their programme they hope to have the attendance of all who can make it convenient to attend.
The Instruments consist of a Clarinet, Cornet, Sextuba [sax tuba] and Trombone.
PROGRAMME:
1. Grand March - Annie Laurie - BOSSINI.
2. Aria from Romeo and Juliet - BELLINI.
3. Carlslust Polka - KESSLER.
4. Cavitina from Anna Pollena [sic, Bolena] - DONIZETTIE.
5. Faust Waltz - D'ALBERT.
6. Cavitina from Attilla - VERDY [Verdi].
7. Como Quadrille - D'ALBERT.
8. Cavitina from Robert Diavolo - MEYERBEER.
9. Victory Galop - TINNY.
10. French and English Alliance National Air - H. RUSSEL.
11. God Save the Queen.
ADMISSION FREE.
ANDREW SEAL.
AUGUSTE SEAL.
F. CRAMER.
G. CRAMER.
September 19, 1857.

[Advertisement], The Moreton Bay Courier (26 September 1857), 3

http://nla.gov.au/nla.news-article3717551 

BRISBANE BAND.
THE public are respectfully informed that the
SECOND PERFORMANCE
of the BRISBANE BAND will take place THIS AFTERNOON, at four o'clock, and will he continued on every MONDAY and SATURDAY AFTERNOON, at four o'clock, terminating at six o'clock.
PROGRAMME:
1. Glasgow March - by BORK.
2. Duett Lucrezia Borgia - by DONIZETTI.
8. Essex Waltz - by LABITZKY.
4. Grand Selection of Scotch Airs - by LAUBACH.
5. Frances Polka - by KESSLER.
6. Duett from Norma - by BELLINI.
7. Edinburgh Quadrille - by D'ALBERT.
8. Grand Selection from Willam Tell - by ROSSINI.
9. Overland Mail Gallop.
God Save the Queen.
ADMISSION FREE.
ANDREW SEAL.
AUGUSTE SEAL
F. CRAMER
G. CRAMER
September 26th, 1857.

"BRISBANE BAND", The Moreton Bay Courier (26 September 1857), 2

http://nla.gov.au/nla.news-article3717548 

On Monday last the Band performed several selections and popular waltzes in the Botanic Gardens. A considerable number of persons assembled, and we believe they were all gratified by the entertainment. The programme was well chosen and the playing displayed both good taste and skill. The Band will doubtless grow in favor and become essential in promoting public enjoyment. We trust to see them bringing all classes to the spot and creating that harmony and elevated feeling which we fear is not general. There will be another performance this afternoon. We were sorry to observe some urchins running recklessly among the shrubs and flower plots. Precautions will be taken to prevent a recurrence of this by placing policemen in the garden.

[3 advertisements], The Moreton Bay Courier (3 October 1857), 3

http://nla.gov.au/nla.news-article3717614 

ASSIZE WEEK.
FOR TWO NIGHTS ONLY.
MUSICAL AND SCENIC ENTERTAINMENTS AT THE
SCHOOL OF ARTS, BRISBANE.
ON MONDAY AND TUESDAY EVENINGS, October 5th and 6th, 1857.
SELECTIONS from the most popular Operas by the BRISBANE BAND.
Views of Edinburgh Castle, Stirling Castle, Temple Bar, Admiralty, Walmer Castle, Andermatt, Rialto Venice, Padua, Ezion Geber, Moonlight Views. Winter and Summer Scenes, Arctic Regions, &c.
31 Views including Comic Scenes, will be exhibited each evening. An entire change on TUESDAY.
The proprietor of the Dissolving Views beg most respectfully to inform his friends and the public that he has received a large number of NEW VIEWS; and powerful reflectors which will greatly increase their brilliancy.
To commence each evening at half-past seven o'clock.
Admission - Hall 2s., Gallery 1s.; children half-price.

BRISBANE BAND.
THE public are respectfully informed that the performance of the BRISBANE BAND will take place in the Botanic Gardens, THIS AFTERNOON, commencing at four o'clock and terminating at six.
PROGRAMME:
1. French and English Alliance National Airs - by H. RUSSELL
2. Aria from Tancredi - by ROSSINI.
3. Carazener Waltz - by LANITHEY. [Labitzky]
4. Grand Selection from Der Freyschutz - by WEBER
5. Emerald Polka.
6. Grand Selection of Scotch Airs - by LAUBACH.
7. England Quadrille - by D'ALBERT.
8. Grand Selection from Fra Diavolo - by AUBER.
9. Pleasure of Matrimony Gallop - by GUNGL.
10. God Save the Queen.
ADMISSION FREE.
ANDREW SEAL.
AUGUSTE SEAL.
F. CRAMER
G. CRAMER.
October 2,1857.

NORTH AUSTRALIAN SUBSCRIPTION BAND.
THE Members of this Band, who have of late been performing twice a week in the Brisbane Botanic Garden, intend giving two performances at IPSWICH during the ensuing week, on
WEDNESDAY and THURSDAY, at 4 o'clock in the afternoon, in the old Police Yard.
Should they meet with sufficient encouragement, the performances will be continued weekly, during the summer.
ANDREW SEAL
AUGUSTE SEAL
F. CRAMER
G. CRAMER

"MORETON BAY [FROM OUR CORRESPONDENT] BRISBANE, September 30th", The Sydney Morning Herald (5 October 1857), 3

http://nla.gov.au/nla.news-article28633244 

The musical performances of the Brisbane band attract large crowds of visitors to the Botanic Gardens on the afternoons on which the entertainments are given. The place selected is under the shade of a wild olive, on the elevated terrace which runs along the river bank. The spot is attractive in many respects, and is fully exposed to the influence of the sea breeze, which blows up the river with delicious freshness, and imparts that universal sense of coolness to the frame which the inhabitants of a hot latitude can only fully appreciate . . .

"POLICE COURT. SATURDAY", The Moreton Bay Courier (31 March 1858), 2

http://nla.gov.au/nla.news-article3717415 

Andreas and Auguste Seal were admonished and discharged for using threatening language.

Certificate of naturalisation, Andreas Siegel, 5 July 1859; State Records Authority of New South Wales

https://www.ancestry.com.au/interactive/1549/41713_330461-00119?pid=8739 

. . . Andreas Siegel is a native of Nassau, Germany, is twenty six years of age, and that having arrived by the ship Pacific in the year 1855 he is now residing in Warwick and being desirous of purchasing land in the said colony and of settling therein . . . given . . . [5 July 1859]

[Advertisement], The Moreton Bay Courier (26 November 1859), 3

http://nla.gov.au/nla.news-article3717288 

The Brisbane Band.
MR. ANDREW SEAL has much pleasure in informing the inhabitants of Brisbane and Queensland in general, that he has succeeded in forming a Band of five musicians, far superior to that formerly conducted by him.
By the addition of the three Messrs. SMITH, a first-rate String Band is formed, suitable for Balls and indoor amusements, and the " Harmonie," or Brass Band, is now much more powerful than before.
Persons wishing to give balls and other parties through these merry months, will please to make speedy arrangements with Mr. SEAL, as the services of his Band will be in great requisition.

ASSOCIATIONS: Smith brothers (Schmidt) (musicians)

[Advertisement], The Moreton Bay Courier (22 May 1860), 3

http://nla.gov.au/nla.news-article3726573 

Special Notice.
THE BAND, under the superintendance of Mr. Seal, will be on board the BREADALBANE on Her Majesty's Birth Day, proceeding to the Bay on a Pleasure Trip as advertised.
R. TOWNS & CO. Forester's Hall, Fortitude Valley.

"PUBLIC AMUSEMENTS", The Darling Downs Gazette and General Advertiser [Toowoomba, QLD] (24 May 1860), 3

http://nla.gov.au/nla.news-article75527013

Mr. Seal and his band have paid Toowoomba another visit, and two well arranged and pleasant balls have come off with great eclat at the Sovereign Hotel. Being engaged at Government House on the 24th [queen's birthday], Mr. Seal's sojourn here was necessarily short, but we understand that his return may be looked for ere long. And a word in favor of innocent recreations, a plea for the ball room, the concert hall, and the theatre may not be out of place. There must be amusements for young and old, and to those whose "dancing days" are gone by, there cannot be a prettier sight that a well lighted ball room and a crowd of bright young faces . . . The encouragement of innocent amusements tends more to lessen profligacy and intemperance than all the Bible and temperance societies is the world. Not that we undervalue those valuable institutions, but so long as human nature is only frail human natures, more permanent good will be effected by appeals to the heart and senses, than appeals to the understanding . . . Who has not in the concert room felt the hallowing and softening influence of the music of the old masters? or thrilled when the grand chorale that opens Les Huguenots came rolling on the ear? Too little encouragement is given in this colony to the extension of humanising arts and sciences. We would rather see the rising generation in Australia given even overmuch to concerts, glee clubs, respectably conducted balls, and out of doors athletic games, than to cutty pipes and nobblers. These remarks have been called forth by the testimony borne by many of our subscribers to the pleasant nights at Toowoomba, when the hours tripped themselves away to the inspiriting strains of Seal's band, and we wish that most respectable and talented fraternity of musicians, a speedy return and liberal patronage.

[Advertisement], The Darling Downs Gazette (7 June 1860), 2

http://nla.gov.au/nla.news-article75526581

£10 Reward. STOLEN from Dalby on the night of 3rd of May, a Grey Horse, aged, branded VE near shoulder, and branded on neck; formerly the property of Mr. Seal of the German Band . . .
GEO. HOLMES, Dalby. May 25th, 1860.

[Advertisement], The Moreton Bay Courier (30 June 1860), 4

http://nla.gov.au/nla.news-article3726016 

Public Notice.
ON account of a general wish of the inhabitants of Brisbane, I have been successful in collecting nearly all the members of my former Band, and in addition several new members, I have been requested to enter into an engagement to play twice a-week in the Government Gardens, on MONDAYS and FRIDAYS, from 3 p.m. till 5 p.m., commencing on MONDAY next, the 2nd JULY.
I therefore beg of all persons who are anxious for an afternoon's amusement to come forward with their liberal subscriptions, in order that I may not have a great difficulty in keeping my Band this time together.
However, I do not think that it will be a difficult matter now, if I consider the great increase in our population to what it was two years ago.
I therefore trust and beg once more of all interested parties to subscribe liberally on this occasion, that I may be enabled to keep my Band in future among you, and which will also enable me to play for private parties and balls at a very moderate price to what I have hitherto been compelled to charge, so that persons intending to give such private parties may easily avail themselves of our services without incurring great expense.
I remain your humble servant,
ANDREW SEAL,
Conductor of the Brisbane Band.

[Advertisement], The Moreton Bay Courier (30 June 1860), 3

http://nla.gov.au/nla.news-article3726017 

MR. SEIGLE begs to inform the public that the Brisbane Band will play for the first time in the Government Gardens on
MONDAY next, from three o'clock till five (weather permitting.) The following is the
PROGRAMME:
1. The Standard Bearer, March - A. Seigle.
2. Overture Italiani Algieri - Rossini.
3. Carazener Waltz - Labitzky.
4. Duett, from Norma - Bellini.
5. Pauline Polka. - Haffer.
6. Aria, from Rosenberg - Harold.
7. Ibrahim Pacha Quadrille - D'Albert.
8. Selection from Freischutz - Weber.
9. Pleasure of Matrimony, Galop - Gunge. [Gungl]
10. God Save the Queen.

[Advertisement], The Moreton Bay Courier (5 July 1860), 3

http://nla.gov.au/nla.news-article3722615 

MR. SEAL begs to inform subscribers and the public generally, that the Brisbane Band will play in the Government Gardens,
on FRIDAY next (To-morrow), from half-past 3 to half past 5, the following
PROGRAMME:
1. Glasgow March - Borck
2. Overture Masaniello - Auber
3. The Peri Waltz - D'Albert
4. Aria from Romeo and Juliet - Bellini
5 The Palermo Quadrille - D'Albert
6. Cavatina from Sonnambula - Bellini
7. The Wedding Polka - Farmer
8. Cavatina from Robert Diavolo - Meyerbeer
9. The Spirit of the Ball - Lord Fitzgerald
10. God Save the Queen.
N.B.-Private dinners, parties, attended £2 2s per evening; private balls, £5 5s.

[Advertisement], The Moreton Bay Courier (14 July 1860), 3

http://nla.gov.au/nla.news-article3721991 

MR. SEAL begs to inform subscribers and the public generally, that the Brisbane Band will play in the Government Gardens on
MONDAY next, from half-past 3 to half-past 5, the following
PROGRAMME:
1. Bruger's Last March - Mayer
2. Potpourrie from Opera Favorita - Donizetti
3. Nymph of the Wave Waltz - D. Albert
4. Grand Selection from Puritane - Bellini
5. The Rose of the Walle Polka - Farmer
6. Cavatina from Ernani - Verdi
7. Agnes Sorel Quadrille - Ledus
8. Aria from Tancredi - Rossini
9. The 77th Galop - Cavallini
GOD SAVE THE QUEEN.
N.B.- Private dinners, parties, attended by the Band at £2 2s per evening (till 12 o'clock); private balls, £5 5s.

MUSIC: The 77th galop (by Pompeo Cavallini)

[Advertisement], The Moreton Bay Courier (16 August 1860), 3

http://nla.gov.au/nla.news-article3721674

Public Notice. - Brisbane Band.
MR. A. SEAL begs respectfully to inform the public that, owing to the recent wet weather, the members of the Band were unable to attend, in the Botanical Gardens, on two or three occasions latterly; and that they will, therefore, play in the Gardens on the three following Saturdays, from this date, in addition to their usual days.
Th'e following is the programme for to-morrow (Friday.)
PROGRAMME.
1. The Standard Bearer, March - Seal
2. Grand Potpourrie, from Elisire D'Amore - Donizetti
3. The Elfen Waltzes - Labitzky
4. Grand Selection of Scotch Airs - Laubach
5. The Palermo Quadrille - D'Albert
6. Grand Potpourrie, from Norma - Bellini
7. Venus Polka - Eisen
8. Cavatina, from Attilla - Verdi
9. The Annen Galop - Strause [sic]
God Save the Queen.

"THE HARVEST HOME AT ETON VALE [From the Darling Downs Gazette, December 20], The Sydney Morning Herald (1 January 1861), 2

http://nla.gov.au/nla.news-article28625584 

"ETON VALE," the property of Messrs. Hodgson and Watts, and the seat of Mr. James Watts, M.L.A., is about seven miles east by south of Drayton, and is delightfully situated on the margin of the Downs. As a type of the homestead of an Australian squatter, it is particularly unique; and if it had been viewed and sketched as such, in its holiday guise, on the gala-day of Tuesday last, the picture was one that might well have adorned the columns of the Illustrated London News. The tableau might have served to dissipate the rather foggy idea of a squatter's home, that some of the pictures in back numbers of that journal were calculated to raise. In those pictures, the squatters are represented as dwelling in domiciles something between a "bandycoot gunyah" and an otter's cave, and their barbarous habits are pourtrayed in their being occupied in riding, with impossible stock-whips, on infuriated horses, in one eternal chase after mad cattle that run "head and tail up," as if infested with evil spirits. At all events, the rustic fete given by the hospitable proprietor of Eton Yale to his employés on Tuesday last, speaks highly favourable for the spread of civilisation in the bush . . . about half-past six o'clock . . . they all assembled in the shearing shed. The shed had been cleared out and prepared for the occasion. It was tastefully fitted up, adorned with various evergreens, and flowers, and arid was lighted by candlebras, temporarily suspended from the roof, and the radiance of "ladies' eyes around." Mr. Seale's excellent band was in attendance, and the dancing commenced and was carried out in the real old English style, Mr. and Mrs. Watts, their family and guests, mingling in the dances with the shearers, and shepherds, and their sons and daughters. About nine o'clock the amusements were diversified by the performance of Ethiopean Serenaders, who sang, "Commence ye darkies," and "My skiff is on the shore," and several [REDACTED] melodies con amore, and in really excellent style. The company consisted entirely of employés upon the establishment, and performed in a manner that would have elicited applause from a metropolitan audience. After the departure of Mr. and Mrs. Watts and family, the dancing was continued up to a late hour. We cannot conclude our account of this eminently successful fete . . . and it is also a matter of gratification to us to be able to bear willing testimony to the orderly and admirable conduct of the men throughout the whole affair, which affords such encouraging contrast to the "Bacchanalian Orgies" with which the shearers in the olden times of young Australia used to celebrate the termination of the shearing.

"THE BIRTHDAY BALL (From the Ipswich Herald)", The Courier (5 July 1861), 4

http://nla.gov.au/nla.news-article4599768 

THE Annual Ball, given by His Excellency the Governor in honor of the Queen's Birthday, was postponed on account of the death of the Duchess of Kent, from the 24th May until Friday last, the 28th June, the anniversary of her Majesty's Coronation . . . The Ball was held in the long, room in the Immigration Barracks, which is about 35 feet long and 25 feet in width. It was very nicely decorated with flags, and stars formed of bayonets, and was tastefully and profusely hung with a great variety of ornamental leaves and flowers, under the skilful superintendence of Mr. Hill, of the Botanical Garden. Mr. Seal's band performed throughout the evening in their usual satisfactory manner . . .

[Advertisement], The Sydney Morning Herald (10 July 1861), 6

http://nla.gov.au/nla.news-article13066928 

NOTICE. - I will not be responsible for any DEBTS contracted by my wife, HARRIET SIEGEL (daughter of Mr. Wills [sic]), Surry Hills, she having left her home, and two children, at Brisbane, without any provocation, and come to Sydney.
AUGUST SIEGEL, Sydney, July 9.

[Advertisement], The Sydney Morning Herald (5 August 1861), 1

http://nla.gov.au/nla.news-article28624605

ROYAL LYCEUM THEATRE.
Lessee, Mr. R. Tolano. Stage manager, Mr. G. H. Rogers. Treasurer, Mr. C. Jones.
FIRST NIGHT OF THE DRAMATIC SEASON. MONDAY EVENING. August 5th . . .
A full and efficient orchestra of first-class artistes.
Leader and Director - Mr. G. Peck; Principal 2nd violin - Mr. Charles Bowen
Flute - Mr. Palmer; Clarionet - Mr. McCoy
Double bass - Mr. Seal; Bassoon - Mr. Wright
Cornet - Mr. McHarnith; Drums and triangle - Mr. Johnson . . .

ASSOCIATIONS: Raphael Tolano (lessee); George Peck (violin, leader); William Henry Palmer (flute)

"VOLUNTEER BAND", The Courier (18 September 1861), 2

http://nla.gov.au/nla.news-article4601106

We have been given to understand that a meeting of gentlemen interested in the formation of a military band in Brisbane, was held on Saturday morning last, the hon. R. R. Mackenzie in the chair. The object of the meeting was to raise subscriptions by way of supplement to the £100 voted by the parliament for the formation of a volunteer band, and it had been convened at the suggestion of Mr. Mackenzie. Resolutions in favor of the movement were unanimously passed, and a committee was appointed consisting of Colonel O'Connell, Hon. R. R. Mackenzie, Captain Drury, Captain Dudgeon, Captain Bramston, Rev. J. Moseley, Dr. Cannan, and Messrs. A. Raff, Tiffin, and Fairfax. Messrs. Mackenzie, Bramston, and Fairfax were appointed a committee of management, and Mr. Mackenzie was also appointed honorary secretary, and Captain Drury honorary treasurer. Some discussion took place as to the probable cost of uniform, instruments, music, &c., and the payment of a teacher or bandmaster. It was thought that at least 15 or 16 members should be enrolled, if possible; and it was determined that Colonel O'Connell, who is at present in Sydney, should he requested to procure the instruments during his stay in that city. The sub-committee were instructed to make arrangements with Mr. Seal, as to the terms upon which be would undertake the leadership; and a plan was decided upon for the canvass of the city for subscriptions. If successful, it is proposed, we believe, that the band should play frequently in the Botanic Gardens and elsewhere on Saturday afternoons, and also assist at concerts, and perform on various public occasions. Persons desirous of joining are requested to attend at the Exchange Rooms, on Friday evening next, at seven o'clock.

"VOLUNTEER BAND", The Courier (21 September 1861), 2

http://nla.gov.au/nla.news-article4601165 

At the meeting of the committee appointed for the purpose of organizing a volunteer band held last night at the Exchange Rooms, the leader, Mr. Seal, was present and the following individuals volunteered their services: -
W. Smith (cornopean). W. H. Robins (cornet), G. E. Stewart (side drum), F. Burley (clarionet), Parker (bass tuba), J. Dignam (cornopean), P. Hartley (clarionet), W. Lacey (cornopean), W. H. Sneyd (cornet), Jas. Dignam (French horn), Thomas Riddle (ditto), Geo. Price (piccolo), J. Dolan (clarionet), T. Skyring (brass tuba), F. Guerin (trombone), G. Mitchell (drum), J. Eaton (flute), D. Palmer (clarionet), and Albert Brown, J. Gee, T. Dickens, A. Trueman, W. Watson, Stacy, Barton, Greenway, Aspinall, Andrews and others who had not declared their choice of instruments. It was arranged that those who had promised to join should attend at the barracks on Wednesday evening at 7 o'clock in order that they may be made acquainted with the rules by which the band will be governed. Mr. Seal expresses himself, we believe, pretty well satisfied that he can form a good band out of the number who have enlisted if his pupils pay proper attention to his instructions. The instruments, it is said, will probably arrive from Sydney by the next trip of the Waratah.

[Advertisement], The Courier (15 March 1862), 3

http://nla.gov.au/nla.news-article4604433 

BOTANIC GARDENS.
THE BAND of the VOLUNTEER RIFLES, under the direction of Mr. SEAL, will perform a Selection of Music THIS AFTERNOON, weather permitting, at half-past 4 pm.
PROGRAMME:
Parade March - Haffer.
Overture, "Nabuco" - Verdi.
Waltz, "Prophète" - Lanner.
Galop, "Volunteer" - Goodfellow.
Selection, "Guillaume Tell" - Rossini.
Polka, "The Bride's" - Labitzky.
GOD SAVE THE QUEEN!
* Days for Playing in March: - Saturday, the 15th, and Saturday, the 29th.

"THE VOLUNTEER BAND", The Courier (12 April 1862), 2

http://nla.gov.au/nla.news-article4605004 

The usual fortnightly performance of the above-named band will take place in the Botanic Gardens this (Saturday) afternoon at half-past 4, weather permitting, under the direction of Mr. Seal. The programme is as follows:
March, "Die Deutschen Sanger" - Becker.
Overture, "Norma," - Bellini.
Waltz, Masonic - Peck.
Selection, "La Figlia del Reggimento" - Donizetti.
Quadrille, "Bonnie Dundee," - D'Albert.
Galop, Matrimony - Gungl.

MUSIC: The Australian masonic waltzes (by George Peck)

"THE VOLUNTEER BAND CONCERT", The Courier (21 June 1862), 2

http://nla.gov.au/nla.news-article4606381

THE concert given on Thursday evening by the Philharmonic Society and the Volunteer Band, in aid of the funds of the latter, was certainly the most successful affair of the kind that has hitherto taken place in Queensland. The fine hall of the Normal School, which affords a much greater amount of space than any other building in Brisbane, the area of the floor being eighty-five by thirty-eight feet, was crowded, and many persons were unable to obtain a seat. There must have been between five and six hundred persons present . . . Precisely at eight o'clock his Excellency the Governor and Lady Bowen, attended by their suite entered the building, the band playing the National Anthem, and the whole of the company rising in honor of her Majesty's representative. Immediately afterwards, the Volunteer Band played the Overture to Norma in a style which gave gratifying evidence of the great proficiency to which they have attained . . . The selection from Verdi's great opera of Attila was perhaps the best instrumental performance of the Volunteer Band, and was played with a vigor and precision that reflects high credit on them and their leader, the energetic Bandmaster, Mr. Seal . . .

ASSOCIATIONS: George and Diamantina Bowen (governor and wife)

[Advertisement], The Brisbane Courier (13 February 1865), 5

http://nla.gov.au/nla.news-article1268233 

MASON'S CONCERT HALL.
Proprietor - Mr. G. B. MASON. Stage Manager - Mr. J. H. VISSON.
Scenic Artist - Mr. J. WATSON. Leader of Orchestra - Herr SIEGEL . . .

ASSOCIATIONS: George Birkbeck Mason (proprietor)

[Advertisement], The Brisbane Courier (26 May 1867), 1

http://nla.gov.au/nla.news-article1281995

ROYAL VICTORIA HALL.
Engagement of the American Tragedian, Mr. J. L. BYERS.
The Greatest Triumph witnessed in Queensland.
The Orchestra is improved by the engagement of Mr. SEAL, the double bass artist.
THIS (Tuesday) EVENING, March 26, will be performed, for the LAST TIME, the Spectacular Play, in three acts, entitled
THE FLYING DUTCHMAN! Or, the Phantom Ship!! . . .

[Advertisement], The Brisbane Courier (30 May 1868), 1

http://nla.gov.au/nla.news-article1304660

ROYAL VICTORIA HALL, MONDAY, JUNE 8, 1868,
A GRAND VOCAL, DRAMATIC, AND INSTRUMENTAL ENTERTAINMENT
will be given by the VOLUNTEER BRIGADE BAND,
in conjunction with THE WILSON JUVENILE TROUPE . . .
PROGRAMME . . . PART II. - MUSICAL INTERLUDE . . .
. . . Euphonium Solo "I Lombardi" - Rossini - Mr. Seal . . .

August Seal, 1872; Queensland State Archives, Naturalisations 1851 to 1904

https://www.data.qld.gov.au/dataset/naturalisations-1851-to-1904/resource/7b5ddae5-78ef-4d8e-b800-56e6f30d26d5 

21958 / SEAL / August / 1212 / 1872 . . .

[News], The Brisbane Courier (15 December 1877), 5

http://nla.gov.au/nla.news-article1368566 

THE moonlight excursion announced for Wednesday, the 19th instant, is a novelty in the way of public entertainment in Brisbane, and, granted a fine evening, should prove attractive to a large number of the younger members of the community. The steamer Settler affords special accommodation for lovers of the dance, and as it is purposed to land the excursionists at Pinkenbar Flats for an hour or more, ample opportunity will be found for such amusement. The full band of No. 1 Battery Q. V. Artillery accompanies the excursion, and with late valuable additions to its strength, and under the direction of Mr. August Seal, music of the first quality may be relied upon.

? "DEATH IN THE BUSH", The Western Champion [Blackall/Barcaldine, QLD] (31 December 1880), 2

http://nla.gov.au/nla.news-article77210859 

News was brought into town this week that the body of an old man had been found in the bush dead, probably from thirst. His name was August Seal.

Andreas Siegel, 1882 Queensland State Archives, Naturalisations 1851 to 1904

https://www.data.qld.gov.au/dataset/naturalisations-1851-to-1904/resource/7b5ddae5-78ef-4d8e-b800-56e6f30d26d5 

22264 / SIEGEL / Andreas / 5834 / 1882 . . .

[Advertisement], The Telegraph (27 September 1886), 5

http://nla.gov.au/nla.news-article174068117 

LICENSING ACT OF 1885 (SECTION 70).
QUEENSLAND, TO WIT, BRISBANE. TO ALL WHOM IT MAY CONCERN.
Police Office, Brisbane, 23rd September, 1886.
Whereas proof has been made to me, being a Police Magistrate for the Licensing District of Brisbane, acting under the Licensing Act of 1885, that AUGUST SEAL, of Brisbane, Musician, in consequence of the excessive use of Liquor, misspends and wastes his estate, I do, by this my Order, forbid all Licensees and Dealers in Liquor, under the said Act or any other Act, and all other persons within the said District, to GIVE, SELL, or SUPPLY LIQUOR to the said August Seal, for the term of 12 months.
Given under my hand this 23rd day of September, 1886.
PHILIP PINNOCK, Police Magistrate.
Note. - Any person who knowingly gives, sells, or supplies any liquor to or for the use of the person named in this order becomes liable to a fine not exceeding £20, and not less than £5, and becomes farther liable to make good any damage done by him while he is in a state of intoxication consequent upon being so supplied with liquor.

Admission form, Benevolent Asylum, Dunwich, 20 September 1887 to 4 June 1901; Queensland State Archives

https://www.findagrave.com/memorial/186754651#view-photo=165410690 

August William Seal, age: 66 . . . admitted September 20th 1887, Brisbane;
Cause of Admission: Rupture; [born] Nassau, Germany . . . Lutheran . . . Musician . . . Mother's name: Elizabeth unknown . . .
Married 1st at Sydney, 55, Harriet Wiles, 2nd Catherine Hills, ? Brisbane; Children: by the first wife William Andrew, '57, Charles Sael, '59.
History: Arrived in Sydney 1855 in the ship "Pacific"
I remained three years in New South Wales and then came to Queensland.
I have supported myself in my profession since my arrival
employed during the last two years at the Brisbane Theatres,
no property, no cash,
my eldest son is living at Brunswick Street Valley my second son is at sea I do not know where . . .
[Comments] . . . discharged 4 June 1901

"Bandmaster Seal Dead", Truth (11 September 1904), 8

http://nla.gov.au/nla.news-article199302673 

At 10.15 last evening there passed away at St. Helen's Hospital one of Brisbane's best known identities in the world of music, in the person of Bandmaster Seal, of the Police Band. The deceased has been an acute sufferer from cancer, and the fell disease has at last claimed its victim. The funeral is to take place to-morrow, and will, no doubt, be carried out with the honors due to so distinguished a musician.

"FUNERAL NOTICE", The Telegraph (12 September 1904), 6

http://nla.gov.au/nla.news-article175215936 

The Friends of Mr. ANDREAS SEAL, deceased (late Bandmaster Police Band), are respectfully invited to attend his Funeral, to move from the residence of his Daughter (Mrs. H. E. Pizey), Villa Maria, Quay street, North Quay, THIS (Monday) AFTERNOON, at 4 o'clock, for the Toowong Cemetery. SILLETT & BARRETT, Undertakers.

"PERSONAL", The Brisbane Courier (12 September 1904), 4

http://nla.gov.au/nla.news-article19308752

Mr. A. Seal, bandmaster of the Police Band, who has been an inmate of St. Helen's Private Hospital, died at that Institution on Saturday evening. That the late bandmaster's end was near at hand his relations and friends have known for some days. Of Mr. Seal, it might have been truly said that he was the father of Queensland brass bands, for most of the local bandsmen have either received some of their training at his hands, or from pupils whom he had tutored. The late musician was a native of Wiesbaden, on the Rhine. When but a lad he went to London, and was there engaged for the orchestra of the Princess Theatre. In 1854 [arrived 1855] he came to Australia with the late Mr. G. V. Brooke, the eminent tragedian. In 1857 he was engaged by the late Sir Robert Mackenzie to play for a season in the Brisbane Botanical Gardens. He was for many years in the service of the Queensland Defence Force as a bandmaster, and since the formation of the Queensland Police Band he has been its head. A man of much talent and activity, the late bandmaster found time, besides performing his duties as conductor, to compose several pieces of music. He was of a generous nature, and he had been a favourite with those with whom he has been associated during his forty-five years in Queensland. His wife and three daughters have survived him. The funeral takes place to-day at 1 o'clock, and all bandsmen are invited by advertisement elsewhere to attend.

"FUNERAL OF THE LATE BANDMASTER SEAL", The Brisbane Courier (13 September 1904), 4

http://nla.gov.au/nla.news-article19306671

The funeral of the late Bandmaster Seal took place yesterday afternoon, and was largely attended. The cortege moved from his late residence, Quay-street, North Quay, shortly after 4 o'clock. It was headed by the Police Band playing the "Dead March" in "Saul." During the procession to the Toowong Cemetery a massed band of musicians from the various civil and military bands played Beethoven's "Funeral March." The service at the graveside was conducted by the Rev. J. B. Armstrong, of the Anglican Church. Among those who attended were the Commissioner of Police (Mr. Parry-Okeden) and Inspector White, and many prominent musicians of the city. A wreath was sent by the Commissioner of Police, immortelles by the police of Brisbane districts and Mrs. W. A. Seal. The 9th A.I.R. Band forwarded a beautiful lyre, while other floral memorial tributes were sent by W. H. Paling and Co., Mrs. Byrnes, Mrs. Graham, Mrs. John Wilson and family, Mr. and Mrs. Kaser, Mr. and Mrs. Franshaw, Mr. and Mrs. Cheaney, Mrs. Boland, Mrs. Dickson, Mrs. Bayham, Misses Lovelock, Mrs. McIntosh, Miss Wright, Mrs. McPherson, Mrs. Bartley and family, Mrs. McNamara, and the Foresters' Band.

"Early Musicians on the Wallaby. Interesting Experiences (By PAULINE SEAL), The Brisbane Courier (1 December 1923), 19

http://nla.gov.au/nla.news-article20660562 

It was between 1857 and 1858 that one of the small steamers plying between Brisbane and Ipswich landed a party of visiting musicians at Ipswich, en route for Warwick. There were many problems to be solved as to ways and means of getting to their destination. The musicians were strangers, and they did not know how to face the wilds of the Australian bush. One may picture them. There were no railways, or even stage coaches. There were only bridle tracks, which led to the various farms and stations, and horses were very scarce. The whole district was crowded with wild blacks, and it was found there were bushrangers in the ranges. Prior to the Seal Brothers leaving London in 1854 they had been warned of the dangers of the Australian blacks, and they each purchased a deadly weapon in the shape of a crooked handle walking stick, in which was a long sharp sword, which could be withdrawn at a moment's notice. With this and an odd pistol they were prepared for the fray. One of these old relics is still in my possession. Fred and Ernest Cramer, members of the party were fine specimens of manhood, standing 6ft high. They were from Germany. Fred, with his stately carriage and long Roman nose, was generally called the "Duke of Wellington." He married in the 60's, and was a well known resident of Ipswich for many years, working on the railway service. A busy day was spent at Ipswich. Posters were forwarded on to the various station holders announcing the coming concerts and asking for a reply.

"WE ALL WELCOME YOU." The reply came, "We all welcome you with open doors, and expect success. Provide yourself with good horses and we will keep a lookout for you on the way." With great difficulty Mr. Seal purchased four horses. It was not a matter of choosing in those days; it was take what you could get. There were two go-slows, an old moke, and a buckjumper, which fell to the choice of the conductor. The moke went to his brother, who was 12 years his senior, and a very timid man. With their instruments they proceeded on their journey, and were nearing the Downs when they discovered that the moke and its rider were missing. After waiting for a time they were rewarded by viewing the gentleman in the distance, hanging on for all he was worth to the horse's neck. It was a question whether the horse was frightened of him, or he of the horse. The party then decided to rest by the wayside with the intention of partaking of [illegible]. The conductor sat on a log preparing a programme for their first concert, to be given on the Downs. An alarm arose - "Blacks!" In an instant they were surrounded by a wild tribe, who demanded tucker, tobacco, and money, which were given to them. Then they wanted the party's coats.

SWORDS BROUGHT INTO PLAY. At this stage things looked serious, and the glittering blades were brought into action. The pistol failed to work, but a few gentle stabs with the swords had a marvellous effect on four of the blacks, who fled. Three of the more daring remained, bent on getting the horses. Fearing a reinforcement, an alarm was sounded on the trumpet, and was answered by some of the riders who had been on the lookout for the party. Great hospitality was shown by the station owners, who gave the musicians a glorious welcome. Their doors were thrown open to them for their concerts, and the horses were taken away and well groomed.

SUCCESSFUL CONCERTS. The concerts proved most successful. High prices ruled, and people came in from all corners of the district and enjoyed the musical treat. It was during these concerts that Mr. Bramston, who was a guest on one of the stations, was present. He was so delighted with the music that when they had finished he congratulated them and stated that he would pay £5/5/ for three extras. During the concert season, which lasted over six months, the party crossed much country, taking in the district of Gayndah. I have heard the names of Wienholt, Kent, Elliott, Campbell, Long Bob Lawson, and others mentioned. It was the custom all along the route for the farmers to put the musicians up for the night, and on one occasion outbuildings were brought into use. A comfortable mattress was given to the conductor, whose dreams were troubled, and in a nightmare he leapt out of bed. On striking a light he was surprised to see within a short space from where he lay a snake peacefully sleeping. Close at hand there was a large basket, in which a hen had been sitting on eggs. All hands were called up and they soon despatched the snake, which turned out to be a death adder. The hen was found to be dead and the eggs missing.

THEIR OWN BANKERS. In those days they were their own bankers. Each wore a number of pouches wherein he carried all his worldly wealth. One of the boldest actions in Mr. Seal's life was when he had to swim the Condamine with £300 strapped around his body in order to capture his horse. Prior to leaving the settlement they had consulted Professor Brown, known as the "bump reader," who had a shop in Queen street in 1857, below the present site of the Australian Hotel, and were told that they would meet with thrilling adventures. The handsome young James Bartley, Nehemiah's brother, was a frequent visitor there, and in his witty stories frequently recounted what had been told him. Brother "Nim" was his opposite. Incidentally I may mention that one of the two squat buildings below the North Brisbane was occupied in 1857 by Mr. Arnst, a German hairdresser, who had the shop next to the hotel. Miss Arnst did dressmaking. I believe she married a Mr. Wigenstien. The occupants of the second, I understand, were a family named Tregurther, and it is said that at an earlier period the family, who had adopted the Petties, whose parents were murdered by the blacks in the early days, lived there. I am informed by a lady that early in the 60's Arnst's shop was taken over by a man whose name was something like Witty or Whitney. He opened a pork and small goods shop, and after the big fire in Queen-street he went to live at Beenleigh.

"SIXTY YEARS OF MUSIC IN BRISBANE", The Telegraph (26 November 1945), 4

http://nla.gov.au/nla.news-article188759294 

The first prominent settler in the Moreton Bay district entitled to the credit of having brought professional musicians to what shortly afterwards became the State of Queensland was Mr. R. R. Mackenzie, who, when Separation was actually granted, became Sir Robert Mackenzie, and the first Colonial Treasurer in the Herbert Ministry. This point was made by Mr. C. G. Austin, in a paper read to members of the Historical Society of Queensland. "R. R. Mac," as he was familiarly termed, who had settled on sheep country in the Brisbane River Valley in 1846, paid a visit to Sydney early in 1857 and attended some concerts which had been organised there by Mr. W. H. Paling, an accomplished violinist, of Dutch nationality, whose name afterwards became familiar through out Australia. Another musician who came to Australia with the same party was Professor W. A. Seal [sic], who eventually settled in Brisbane and whose family became particularly well known. Through the enterprise of Mr. Mackenzie a concert party consisting of Professor Seal and his brother, with two performers named Cramer, were brought to Brisbane to play a season of high-class music in the Botanic Gardens. All of these were induced to settle in Brisbane. Professor Seal was best remembered for his work with the bands of Brisbane, and particularly the City Police Band . . .


Musical sources:

Andrew Seal, MS band partbooks, State Library of Queensland

Papers of Andrew Seal [papers and music of bandmaster, composer and musician Professor Andrew Seal], OM77-46 (Box 8993 O/S), John Oxley Library, State Library of Queensland

https://trove.nla.gov.au/version/261288843 

http://onesearch.slq.qld.gov.au/permalink/f/1oppkg1/slq_alma21148589190002061 

The papers include a set of manuscript band partbooks (pictured above) with original compositions and arrangements by Seal

Digitised photocopies of selected scores from the State Library of Queensland, National Library of Australia

https://trove.nla.gov.au/search/category/music?l-usertag=Andrew+Seal+Andreas+Siegel+d1904

Quick Step - A. Seal; based on the melody of Pop goes the weazle; image from Austin 1962

Quick Step - A. Seal; based on the melody of Pop goes the weazle; image from Austin 1962

"A GREAT MUSICIAN", The Brisbane Courier (21 March 1929), 3

http://nla.gov.au/nla.news-article21387854 

Sir, - The thanks and gratitude of the musical people of Brisbane are due to Miss Pauline Seal for her kindness in donating her father's valuable musical library to the city. As one who was intimately and affectionately associated with the late Professor Seal, he as teacher and I as pupil, I can speak from personal experience of his brilliant qualities as composer and bandmaster. In the mid '70's he formed and directed the Hibernian Benefit Society's Band, of which I was a member for several years, during which period he proved himself a musician of the highest quality. Besides his own compositions, and they were many, he arranged full band parts from the classic operas of "La Traviata," "Lucia," "Norma," "La Gioconda," and others; also from the "Stabat Mater" (Rossini), the "12th Mass" (Mozart), &c. His selections (arranged by himself) of "Irish, Scottish, and American Melodies" are amongst my happiest recollections. He excelled in his arrangement of quick-steps or street marches, each melody being preceded by an introduction of about 16 bars, and embellished with a finale, or as he called it a "tail." His "Jubilee" and "Pauline" waltzes will, I predict, be all the rage in Brisbane ballrooms. The whole of these manuscript scores are now presented to the Brisbane people, who have a musical treat in store. Our local bands will also greatly benefit.-
I am, sir, &c.,
WTLLIAM STONE.
Corinda, March 19.


Bibliography and resources:

C. G. Austin, "Early history of music in Queensland", Journal of the Royal Historical Society of Queensland 6/4 (1962), 1052-67

https://trove.nla.gov.au/work/38259269 

http://www.textqueensland.com.au/item/article/20dade7ac887889069c9547fdf190912 (DIGITISED)

http://www.textqueensland.com.au/item/article/20dade7ac887889069c9547fdf190912

Clem Llewellyn Lack, "Early musicians on the wallaby: the Seal brothers and some Australian contemporaries", Journal of the Royal Historical Society of Queensland 8/1 (1966), 155-161

http://www.textqueensland.com.au/item/article/178dbf188e22bb6f4b13f4835479308f (DIGITISED)

Frederick J. Erickson, The bands and orchestras of colonial Brisbane (Ph.D Thesis, School of Music, The University of Queensland, 1987)

http://espace.library.uq.edu.au/view/UQ:190026 (DIGITISED)

http://www.textqueensland.com.au/item/thesis/bb2785707ae08c920df5797cee3ea4e0 (DIGITISED)

Simon Miller, "Recreating the Brisbane Band of 1857", State Library of Queensland, blog, posted 12 March 2013

http://blogs.slq.qld.gov.au/jol/2013/03/12/recreating-the-brisbane-band-of-1857 

Helen Penridge, "Echoes of home: park music culture in colonial Brisbane", Queensland history journal 22/6 (August 2014), 468-79

https://trove.nla.gov.au/version/208924185 

"August William Siegel (1822-1901)", Find a grave

https://www.findagrave.com/memorial/186754651




SEAMORE, Mr. (MR. SEAMORE) = Richard SEYMOUR

Musician, trombone player, trombonist




SEARLE, Mr. (MR. SEARLE) ? = alias of Josiah Morris HOLLOWAY (c. 1814-1874)

Actor, theatrical manager, boot and shoe maker

Active Hobart Town and Launceston, VDL (TAS), by 1841
Arrived Melbourne, NSW (VIC), by 1844

https://trove.nla.gov.au/search?l-publictag=Mr+Searle+actor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEARLE-Mr (shareable link to this entry)

? see also:

https://trove.nla.gov.au/search?l-publictag=Josiah+Morris+Holloway+c1814-1874 (TROVE tagged by Australharmony)

SEARLE, Miss ("Miss SEARLE")

Vocalist

https://trove.nla.gov.au/search?l-publictag=Miss+Searle+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEARLE-Miss (shareable link to this entry)


Documentation:

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (6 May 1843), 1

http://nla.gov.au/nla.news-article66021616 

THEATRE ROYAL OLYMPIC. MR. SEARLE'S BENEFIT.
MR. SEARLE begs respectfully to inform his friends and the inhabitants of Launceston and its vicinty,
that his Benefit will take [place] at the above Theatre on next MONDAY, May 8TH, 1843,
When will be produced (for the first time in this colony) the serio-comic Burletta entitled - OLIVER TWIST.
AFTER WHICH, Napoleon Buonaparte, in seven different attitudes, by Master SEARLE, aged SIX Years.
A SONG "Swiss Toy Girl," Miss SEARLE, aged Three and a-half Years! . . .

"MR. SEARLE", The Cornwall Chronicle (13 April 1844), 3

http://nla.gov.au/nla.news-article66018253 

We notice that Mr. Searle, whose endeavours at all times to give satisfaction on the boards at the Olympic, solicits the kind support of the public at a benefit which he takes on Thursday night next, on which occasion we believe, the Officers of the 96th have promised the valuable assistance of the Band. It will he seen by Searle's stiaightforward appeal to the public, that his family are seriously suffering from illness. Most earnestly do we wish that his appeal may be liberally responded to.

[Advertisement], The Cornwall Chronicle (13 April 1844), 3

http://nla.gov.au/nla.news-article66018238 

OLYMPIC THEATRE. ON THURSDAY EVENING NEXT, APRIL 18, 1844.
MR. SEARLE'S BEXEFIT AND LAST APPEARANCE ON THE STAGE.
MR. SEARLE, having been connected with Theatricals four years, is anxious to bid a last and honourable farewell to that line of life.
J. S. most respectfully solicits the support of his Friends and Patrons on the above Evening - the favour will be so much the more acceptable on the present occasion, as it will assist him in his future exertions for a young and heavy family.
The sudden breaking up of the Theatre, at a time when nearly the whole of his family lie sick of the fever, is the occasion of the present appeal to recover from so severe a shock.
*** For particulars, see Hand Bills. April 13.

"Shipping Intelligence. LAUNCESTON . . . DEPARTURES", Launceston Examiner (27 July 1844), 4

http://nla.gov.au/nla.news-article36237420 

July 25. - Brig Henry, 197 tons, Tregurtha, master, for Port Phillip: Tregurtha, agent. Passengers - Mrs: Searle and three children . . .

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal [Melbourne, NSW (VIC)] (15 May 1847), 2

http://nla.gov.au/nla.news-article223153946 

A crowded house rewarded the exertions of Mr. Searle, on Monday last, patronised by the Odd Fellows of the Duke or York Lodge; he was received with a burst of applause, which must have been highly gratifying to him. Upwards of eighty of his brother members of the above Lodge attended no this occasion. The house was decorated with the splendid new banner of the Lodge which was hung over the stage, with their dispensation, and a fine oil paioling hung on either side. The pieces selected were Frederick the Great, and a Race for a Wife, with a few scenes of a Pantomime, denominated Harlequin in Melbourne. The first piece passed off very well, the second with rapturous applause, but the pantomime was a failure, owing to its having been put upon the stage without any rehearsal, indeed, it was a wonder that it was got through so well as it was. Mr. Searle'a little daughter, a child apparently of ten years old, sung two songs in a very creditable style for so young an artiste. The audienoe testified their delight with the Infant Sappho, by showering upon her, not wreaths, garlands, or bouquets, but a considerable number of half-crowns, shillings, and sixpences. There was upwards of £70 in the house . . .

[Advertisement], Geelong Advertiser [VIC] (2 June 1851), 3

http://nla.gov.au/nla.news-article91916566 




SECONDE, Henry (Henry SECONDE; Mr. SECONDE)

Dancing master, professor of dancing, fencing, drill, and deportment

Born Ireland, c. 1804
Arrived Melbourne, VIC, by August 1853

https://trove.nla.gov.au/search?l-publictag=Henry+Seconde+dancing+master (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SECONDE-Henry (shareable link to this entry)


Documentation:

England census, 30 March 1851, Milbrook, Hampshire; UK National Archives, HO107/1670/438/14

https://www.ancestry.com.au/discoveryui-content/view/3416896:8860 (PAYWALL)

[? Rediger] Cottage / Henry Seconde / Head / Widower / 47 / Professor of Dancing / [born] Ireland

[Advertisement], Hampshire Chronicle [England] (31 July 1852), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000231/18520731/035/0004 (PAYWALL)

DANCING, FENCING, & DEPORTMENT. MR. SECONDE (formerly of her Majesty's Theatre)
has the honour of announcing that his Class will recommence at his Residence on Saturday, August 12, 1852.
Mr. S. can produce testimonials from Schools & Families where has given instruction with the greatest satisfaction.
Schools and Families attended at any distance. St. James's Terrace, Winchester.

[Advertisement], The Argus [Melbourne, VIC] (19 August 1853), 8

http://nla.gov.au/nla.news-article4795870 

DANCING, Department and Drilling - Mr. Crowther has great pleasure in making known to his patrons and friends that he has at considerable expense made arrangements with the celebrated Mr. Henry Seconde, lately arrived from England and Paris, and many years at her Majesty's Theatre and instructor to the principal nobility in London, &c.
Mr. Seconde brings with him every novelty, and will attend daily at the Terpsichorean Rooms to give instruction to adults of both sexes.
Mr. Seconde will hold weekly a Juvenile academy for the higher classes.
Private families and schools attended at their own houses, if required, at any hour.
Terms and all particulars known at the Terpsichorean Rooms, Collins-street, east, between Russell and Stephen-streets.
Stage pupils will find every advantage from Mr. Seconde's long experience at her Majesty's Theatre . . .
TERPSICHOREAN HALL. -The respectable community or Melbourne wishing to spend a pleasant evening, can do so by patronising their old friend and caterer for their amusement, at his unequalled Saloon, Great Collins-street, east. FRED. CROWTHER.

ASSOCIATIONS: Frederick Crowther (dance hall proprietor); Terpsichorean Hall (Melbourne venue)

[Advertisement], Northampton Mercury [England] (19 January 1856), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000317/18560119/034/0003 (PAYWALL)

DANCING, FENCING, DRILL AND DEPORTMENT.
MR. and MRS. SECONDE, successors to Mr. A. Dorrell, beg to announce their ACADEMY will OPEN on Wednesday the 23RD INSTANT, at their RESIDENCE, NEWLAND, for
INSTRUCTION in the NEW DANCES, including LA VARSOVIANNA.
Mr. Seconde attends the following towns: Stamford, Market Harborough, Daventry, Guilsborough, Welton, Clipstone, Newland, Northampton.




SEDDON, John Sumner (John Sumner SEDDON; Mr. Sumner SEDDON; J. S. SEDDON)

Musician, organist (Christ Church, St. Kilda), pupil of Charles Edward Horsley

Born Cheshire, England, 1843; baptised Mottram-in-Longdendale, 22 April 1843; son of David SEDDON (c. 1813-1893) and Hannah PAUL (1812-1861)
Arrived (into quarantine) Melbourne, VIC, 16 December 1852 (per Bombay, from London)
Died Canterbury, England, 28 September 1880

https://trove.nla.gov.au/search?l-publictag=John+Sumner+Seddon+1843-1880 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEDDON-John-Sumner (shareable link to this entry)

SEDDON, Frederic Paul (Frederic Paul SEDDON; F. P. SEDDON)

Musician, pianist, composer

Born Cheshire, England, 1844; baptised Mottram-in-Longdendale, 23 July 1844; son of David SEDDON (c. 1813-1893) and Hannah PAUL (1812-1861)
Arrived (into quarantine) Melbourne, VIC, 16 December 1852 (per Bombay)
Died Canterbury, England, 26 February 1882, aged 37

https://trove.nla.gov.au/search?l-publictag=Frederic+Paul+Seddon+1844-1882 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEDDON-Frederic-Paul (shareable link to this entry)


Associations: Their father, David Seddon, was first reported in the Australian press in 1848, see "SERIOUS CHARGE AGAINST THE VICAR OF MOTTRAM", The Cornwall Chronicle [Launceston, TAS] (26 July 1848), 2

http://nla.gov.au/nla.news-article65978043 

their younger brother David St. John Seddon (1850-1932), who remained in Australia, was also a church organist; the brothers were great uncles of Summer Locke Elliott


Documentation:

England census, 30 March 1851, Mottram, Cheshire; UK National Archives, HO 107 / 2239

https://www.ancestry.com.au/imageviewer/collections/8860/images/LANHO107_2239_2239-0132 (PAYWALL)

David Seddon / Head / Mar. / 38 / Vicar of Mottram . . .
Hannah [Seddon] / Wife / [Mar.] / 38 / Clergyman's Wife . . .
Annie / 9 // John Sumner / 8 // Frederic Paul / 6 // Emily / 2 // David St. John / 1 . . .

"EMIGRATION", The Shipping Gazette and Sydney General Trade List (8 January 1853), 14

http://nla.gov.au/nla.news-article161107021 

. . . The Bombay registers 1270, and carries 1800 tons, is commanded by Captain Thomas Flamank, and started on Saturday for Melbourne . . . Two medical officers, Mr. Evans, superintendent, and Mr. O'Brien, assistant-surgeon, have been appointed to attend to the sanitary condition of the passengers, who form almost a colony in themselves; and their spiritual wants are under the guidance of the Rev. David Seddon, who, with his family, has left the vicarage of Mottram, in Shropshire, in the expectation of taking duty in the new cathedral at Melbourne . . .

[News], The Argus (23 October 1866), 4

http://nla.gov.au/nla.news-article5776655

The first of a series of concerts in aid of the funds of the Deaf and Dumb Asylum took place at the Prahran Town-hall last evening. The attendance was large, and included some members of the Vice-regal family and the Chief Secretary. Most of the performers were amateurs and members of the choir of Christ Church, St. Kilda, the honorary organist, Mr. J. S. Seddon, presiding as conductor. A series of part songs, madrigals, and other concerted pieces were sung with tolerable effect, and some solo singing was of an excellent quality. One young lady sang, "The Voice of the Wind," composed by Mr. F. P. Seddon, in good style, and another a "lullaby" song, with fine execution and a splendid mellow voice. Both were encored, and for the latter a scena from the opera of "Maritana" was given, which was well-sustained. A gentleman who possesses a cultivated baritone voice also successfully performed "Ange Adoré," by Benedict. There wore some piano solos of great merit, the performers being known to fame. Mr. C. E. Horsley played an impromptu and his Exhibition March, and Mr. L. L. Lewis, who has not played in public for some years, showed that he had by no means lost his power. He performed the overture to the "Bohemian Girl" and a galop. Mr. G. O. Rutter's "The Wish" was sung as a quartett, and gave much satisfaction. The next concert in the same behalf will take place to night at the St. Kilda Town-hall.

ASSOCIATIONS: Charles Edward Horsley (pianist, composer); Louis Lucas Lewis (pianist); George Oswald Rutter (composer)

[Advertisement], The Telegraph (8 December 1866), 2

http://nla.gov.au/nla.news-article108124038

CHRIST CHURCH SCHOOLS, ST. KILDA.
A THIRD CONCERT will be given by the PUPILS of the above Schools an behalf of the School Building Fund, on THURSDAY EVENING, DECEMBER 13, 1866.
J. S. SEDDON, Esq., Hon. Organist of Christ Church St. Kilda, has kindly consented to preside at the piano.
To commence at half-past Seven o'Clock. Tickets - 1s. 6d. Each.

[News], The Argus (12 December 1866), 5

http://nla.gov.au/nla.news-article5780881 

We have received from the author, Mr. F. P. Seddon, a song "The Voice of the Wind." The music is well adapted to words which are plaintive and sweet. The composition is very creditable, especially to an amateur.

"CHRIST CHURCH SCHOOLS, ST. KILDA", The Telegraph (15 December 1866), 2

http://nla.gov.au/nla.news-article108123696

A concert in aid of the building fund of the above schools was given last Thursday evening by some of the children, in the school-house, Acland-street . . . About 70 children took part in the various performances . . . Several pieces, amongst which we would particularly mention "Oh! Listen to the Cuckoo's Song" and "Hail Smiling Morn," elicited encores. A very pretty hymn, composed by F. P. Seddon, Esq., was, also given with very good effect. Miss Fanny Hamilton, who possesses a very sweet voice, sung several solos in a superior manner. In "The Exile" she was very good, and in "What is Home without a Mother?" she received an encore. J. S. Seddon, Esq., the honorary organist of the church, presided at the piano, and played with his usual taste and skill. Mr. Hadfield, the schoolmaster conducted; and we must pay him a compliment upon the splendid time which the children kept in all the pieces they performed. Mr. Hadfield, has, we understand, been connected with the school for upwards of 14 years, having been appointed by the Rev. D. Seddon shortly after that gentleman became incumbent of Christ Church, and during that time he has been most successful in perceiving and eliciting the musical talents of his pupils . . .

[News], The Argus (15 December 1866), 5

http://nla.gov.au/nla.news-article5781229 

. . . The performance concluded by a hymn, composed by Mr. F. P. Seddon, sung by the members of the rev. incumbent's family.

ASSOCIATIONS: John Hadfield (school master, singing master)

[News], The Argus (22 March 1867), 5

http://nla.gov.au/nla.news-article5789079 

At a meeting of the Exhibition Chorus, held at Hockin's Hotel last night, Mr. J. S. Seddon in the chair, the following resolution, moved by Mr. Thorpe, and seconded by Mr. Wilkinson, was passed: - "That this meeting having heard Mr. Horsley's explanation in reference to the withdrawal of 'Elijah' from the festival programme, and the refusal of the committee of the Melbourne Philharmonic Society to lend the vocal parts of the 'Hymn of Praise' and the instrumental music scored gratuitously by Mr. Horsley for the society, it be resolved that the members of the Exhibition Chorus regard this act of the committee of the Melbourne Philharmonic Society as discourteous to the chorus, unjust to their conductor (Mr. C. E. Horsley), who has done so much for the Philharmonic Society, and is deserving of the severest censure; and that the chairman be requested to convey this resolution to the committee of the Melbourne Philharmonic Society."

ASSOCIATIONS: Melbourne Philharmonic Society (organisation)

"CHORAL SINGING. To the Editor of . . .", The Herald (13 November 1868), 4

http://nla.gov.au/nla.news-article244913592 

Sir,- I was not a little surprised at reading in your issue of yesterday, a letter signed by "A Churchman," commenting on church music at Chirst Church, St. Kilda . . . He went to witness the opening of an organ; our organ has been in use for nine years. He heard choral service, while we have never had such a service in Christ Church; so that I think he must have made an egregious mistake about his locale . . . As a pupil of Mr. C. E. Horsley, our great musical purist, I quite agree with your correspondent's views as to the impropriety of introducing opera music, or even adaptations from oratorio, into the church service . . .
I am, Sir, yenr obedient servant,
J. S. SEDDON, Organist and Choirmaster, Christ Church, St. Kilda.
St. Kilda, 12th November.

NOTE: The letter to which Seddon was responding, "CHURCH MUSIC AT CHRIST CHURCH, ST. KILDA", The Herald (11 November 1868), 3

http://nla.gov.au/nla.news-article244915301 

"MEMORANDA", The Telegraph, St Kilda, Prahran and South Yarra Guardian (4 September 1869), 7

http://nla.gov.au/nla.news-article108125756 

There was a large attendance at the St. Kilda Popular Entertainment on Thursday evening, when B. C. Aspinall, Esq., M.L.A., presided. The most noticable part of the programme was the beautiful singing of a lady amateur, who was encored after every song. The performances of Messrs. Fisher and Lewis on the violin and piano, and of Mr. Sumner Seddon on the latter instrument, were much admired . . .

ASSOCIATIONS: Wilhelm Carl Fischer (violinist)

"CHURCH MUSIC IN VICTORIA", Weekly Times (4 March 1871), 11

http://nla.gov.au/nla.news-article219368004 

. . . Perhaps it is not too much to say that since the Church of England has taken root in this colony, such strenuous efforts have never been made to complete a place of worship of that denomination in so short a time, as that of Trinity Church, Balaclava, and with such happy results. Only a few weeks have elapsed since the building was opened by his Lordship the Bishop. The instrumental part of the music was represented by a cabinet organ, and the vocal part by an extemporaneous choir; but, effective as these combined forces were, the instrument did not suffice for the obvious requirements of the body of parishioners, so an organ was determined to be obtained, and Mr. George Fincham (organ builder of Richmond) was entrusted with the work. And here appears a singular instance of what energy may do. The organ was ordered on 12th January, and was completed in every respect, and erected in the church by 21st February, that is to say in about five weeks. The organ is a capital little instrument, and fulfils the requirements of the church admirably . . .

The opening service took place on Tuesday. Mr. Sumner Seddon (organist of Christ Church, St. Kilda), presided at the instrument, and in every respect ably carried out the work entrusted, to him. His opening voluntary was characterised by refinement and good taste, and in it he developed the sweet tones of the instrument in a marked manner. After the first hymn and the Psalms had been sung, the "Magnificat" and "Nunc Dimittis" services composed by Mr. F. P. Seddon were performed, which evidenced a great deal of careful thought in the rendering, as well as in the details of the composition. Mr. Seddon should continue to write; if all his works reflect so much credit on himself as the services. The anthem, "O come let us worship," was really very fairly done, and it was clear great trouble had been paid at the rehearsals . . . The choir numbered twenty-two voices.

ASSOCIATIONS: George Fincham (organ builder)

[Advertisement], The Argus (19 March 1872), 8

http://nla.gov.au/nla.news-article5860783 

ASSEMBLY HALL, ST. KILDA.
BAZAAR In aid of the funds for the liquidation of the debt on Christchurch.
OPENING DAY, TUESDAY, MARCH 10.
An Instrumental and vocal concert in the evening.
Concerts will kindly be given every evening and in the afternoons during the week, by well known professional and amateur vocalists and pianists.
Including Miss Madeline Schiller, Mr. Buddee, Miss I. Carandini, Miss Lizzie Carandini, and others.
J. S. SEDDON.

ASSOCIATIONS: Madeline Schiller (pianist); Julius Buddee (pianist); Isabella Carandini (vocalist); Lizzie Carandini (vocalist)

"MUSIC IN MELBOURNE", The Benalla Ensign (30 March 1872), 2

http://nla.gov.au/nla.news-article66840727

There has been a, bazaar held in the new assembly rooms, St. Kilda, for the liquidation of the debt on Christ Church, and which has realised the handsome sum of £700 more or less - in fact, the church is free from debt. So far so good. At these gatherings the assistance of professional musical talent is generally sought, and in many cases expected gratuitously - "conscientious scruples" on the part of the church committee preventing them offering payment to the professional, and generally speaking the musical management is placed in the hands of some undistinguished amateur who happens to hold the position of organist. In the above instance, however, the musical management was placed in excellent hands - Mr. J. S. Seddon, a pupil of C. E. Horsley, who brought together a fine array of talent, vocal and instrumental, consisting of some of the most distinguished soloists in and about Melbourne; yet shall it be said of the St. Kilda elite to their shame that during the evening concerts the din and noise caused by a few insignificant persons was so great that scarcely a note of the music could be heard. Some persons have a peculiar way of annoying their neighbours, and this intolerable practice has become so great a nuisance latterly that it is high time steps were taken to put it down. Benalla folk will remember Mr. C. E Horsley. They will no doubt be glad to hear that he is beginning to do very well in the old country, but complains bitterly of the climate; the latest cable is that he has been appointed conductor of a Liverpool Madrigal society.

"THE ORGANIST FOR THE GREAT ORGAN. TO THE EDITOR OF . . .", The Argus (12 August 1872), 6

http://nla.gov.au/nla.news-article5836790

Sir, without detriment to their corporate or individual sagacity, I venture to submit that the mayor, aldermen, and councillors of Melbourne have a most difficult task before them in the selection of a city organist, to be the custodian of one of the grandest instruments the world can boast of. Could they consult the leading musicians of England and other parts of Europe, they might be relieved of a part of their responsibility; but, isolated as we are from advanced civilisation, it is difficult to find a good and true jury before which to try the merits of candidates for the post of city organist. I would, therefore (not being an aspirant for honours), suggest that the city council should call to their aid a musical board, to assist them in their selection of a permanent controller of the organ, and that, subject to conditions to be specified by the corporation, this board should elect a permanent organist. The elective board should consist of the leading musical professors and organists of Melbourne and its suburbs, and the votes should be recorded by ballot, after the various candidates have played more than once, in public, before the judges.
I am, &c.,
J. S. SEDDON,
Organist of Christchurch, St. Kilda.
August 10.

[News], The Argus (11 October 1872), 5

http://nla.gov.au/nla.news-article5840375 

Mr. J. Summers, the organist at St. Peter's Church, has a benefit concert on Saturday night the Town-hall. The programme for this event introduces the names (so far as the Town-hall organ is concerned) of four new organists, Messrs. Dumerque, J. S. Seddon, Towers, and G. Peake. The vocalists will be Madame Miranda Hirst, Miss Amelia Bailey, Mrs. Cutter, and Miss Christian. Besides the organists above named, there will be Mr. Plaisted and the beneficiaire himself. This is the first concert Mr. Summers has given on his own account in six years, Mr. Siede and Mr. Schott will appear as solo instrumentalists. Messrs. Schott and Summers will act as conductors. The programme contains a varied selection of sacred and secular, classical and popular music, in which each of the ladies and gentlemen above-named will find something in which to appear to advantage.

ASSOCIATIONS: Joseph Summers (organist); Charles Dumerque (organist); Frederick Wilson Towers (organist); George Peake (organist); Philip Plaisted (organist); Amelia Bailey (vocalist); Mary Ellen Christian (vocalist); Cassie Cutter (vocalist); James Arthur Schott (pianist, oboist); Julius Siede (flautist)

"HOSPITAL SUNDAY . . . CHRIST CHURCH", The Telegraph (4 October 1873), 5

http://nla.gov.au/nla.news-article108981086

. . . The hymns at both services were appropriate to the occasion, and the services were Clarke Whitfield's. The anthem was Dr. Nare's ,"Blessed is he that considereth the poor and needy," and was introduced by a choral recitative for male voices written for the occasion by Mr. F. P. Seddon to the words "He that hath pity on the poor lendeth unto the Lord: and look, whatsoever he layeth out, it shall be paid to him  again."

[News], The Argus (23 November 1880), 5

http://nla.gov.au/nla.news-article5972903 

Our obituary to day contains the name of Mr. John Sumner Seddon, who died at Bridge, near Canterbury, on September 27, after two years' illness. Mr. Seddon, who was a son of the Rev. D. Seddon, formerly of Christ Church, St Kilda, was to have been ordained by the Bishop of Worcester, when he met with an accident which laid him up for a long time. He seemed to be at last recovering but dropsy set in, and carried him off. Mr. Seddon was amongst the first of the Melbourne University students to take the B.A. degree. He was for a number of years a master in the Church of England Grammar School under Dr. Bromby, and was for 11 years organist at Christ Church, St. Kilda.

"DEATHS", The Mercury [Hobart, TAS] (24 November 1880), 4

http://nla.gov.au/nla.news-article8990516

SEDDON. - On September 28 last, at Bridge, near Canterbury, England, John Sumner Seddon, B.A., eldest son of Rev. D. Seddon, M.A., late incumbent of Christ Church, St. Kilda, Victoria, and brother of D. S. J. Seddon, of this town.

"DEATHS", The Argus (26 April 1882), 1

http://nla.gov.au/nla.news-article11538870

SEDDON. - On the 26th February, at Bridge, Canterbury, England, of hemorrhage of the lungs, Frederic Paul, second son of the Rev. David Seddon, M.A., late of St. Kilda, and brother of D. S. J. Seddon, Fingal, Tasmania, aged 37 years.


Musical works:

The voice of the wind composed by F. P. Seddon, 1866; MS, State Library of New South Wales

https://trove.nla.gov.au/work/190130807 

Sunset, a reverie, words by T. Moore; F. P. Seddon; "9/2/67; MS, State Library of New South Wales

https://trove.nla.gov.au/work/190130837 


Bibliography and resources:

John Butler Cooper, The history of St. Kilda, from its first settlement to a city and after, 1840 to 1930 . . . volume 1 (Melbourne: Printers Proprietary Limited, 1931)

https://www.stkildahistory.org.au/publications/ebooks (DIGITISED)

E. N. Matthews, Colonial organs and organbuilders (Melbourne: Melbourne University Press, 1969), 149

ST. KILDA . . . CHRIST CHURCH . . . Organists: C. H. E. Childers [sic]; David Lee; 1866, F. P. Seddon; 1872, J. S. Seddon . . .

ASSOCIATIONS: Hugh Culling Eardley Childers (amateur musician); David Lee (musician)

"Seddon, Frederic Paul", People Australia

http://peopleaustralia.anu.edu.au/biography/seddon-frederic-paul-15364




SEEGER, Henry (Heinrich SEEGER; Henry SEEGER)

Musician

Born Salzgitter, Hanover (Germany), 17 September 1833; son of Henry (Heinrich) SEEGER
Arrived Melbourne, VIC, August 1854 (per Sophie, from Hamburg, aged "20")
Married Johanna Augusta MARHEINE (d. 1915), VIC, 1855
Died Melbourne, VIC, 23 February 1857, aged "27" [sic, ? "24"]

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEEGER-Henry (shareable link to this entry)


Summary:

Heinrich Seeger and Johanna Marheine arrived in Melbourne together on the Sophie in August 1854, and resistered their marriage in 1855 (881/1855), having previosuly registered the birth of an unnamed son, at Castlemaine, in 1854 (6059/1854). A son, Henry, was born in Melbourne in 1857 (4643/1857) probably after Seeger's death. Johanna re-married, to Johann Jacob Hen. Schmidt, in 1857 (2305/1857). She died in Port Melbourne in 1915, reportedly aged "86".


Documentation:

List of emigrants, per Sophie, from Hamburg, arrived Melbourne, August 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF59D6E-F96C-11E9-AE98-F7100529A261?image=46 (DIGITISED)

Heinrich Kersten / Salzgitter / Hannover / Musiker / 28 / Johanna [Kersten] / 23
Georg Kienemann / Goslar / Hannover / Musiker / 17
Ferdinand Pape / Salzgitter / Hannover / Musiker / 26 / Christiane [Pape] / 24
Heinrich Schmidt / Salzgitter/ Hannover / Musiker / 21
Wilhelm Schmidt / Salzgitter / Hannover / Musiker / 19
Wilhelm Winckler / Liebenburg / Hannover / Musiker / 17
Carl Billig / Lindau / Hannover / Musiker / 29
Anton Blume / Salzgitter / Hannover / Musiker / 31 / Francisca [Blume] / 33
Friedrich Vespermann / Gross Rieden / Hannover / Musiker / 21
Heinrich Schrader / Salzgitter / Hannover / Musiker / 20
Heinrich Vespermann / Gross Rieden / Hannover / Musiker / 18
Christian Ragebrand / Steinlade / Hannover / Musiker / 17
Heinrich Struss / Gross Rieden / Hannover / Musiker / 16
August Marguard / Salzgitter / Hannover / Musiker / 40 / Marguard Wme. / 41
Heinrich Seeger / Salzgitter / Hannover / Musiker / 20 // Johanna Marheim / Salzgitter / Hannover / 22
August Heine / Clausthal / Hannover / Musiker / 22 . . .
Andrews Wetter / Salzgitter / Hannover / Musiker / 30 . . .
August Wagener / Salzgitter / Hannover / Musiker / 14

DISAMBIGUATIONS: Heinrich Schrader in this list not to be confused with Heinrich Schrader (1832-1880, active SA), originally from Braunschweig; see also Henry Schmidt (musician); Jacob Schmidt (musician)

Burial, Heinrich Seeger, died 23 Feb 1857, Melbourne Cemetery (Roman Catholic); Victoria, Cemetery Records and Headstone Transcriptions,

https://www.ancestry.com.au/discoveryui-content/view/120654:61309 (PAYWALL)

Er Ruhet in Goti Heinrich SEEGER geb yu salzgitter der 17 Sep 1833 gert in Melbourne den 23 Feb 1857 sansft ruhe seine asche.

NOTE: Seeger's death also appears to have been registered in his home parish, Salzgitter, Hannover

https://www.ancestry.com.au/discoveryui-content/view/370814:61243 (PAYWALL)

Probate and administration, Henry Seeger, 1857; Public Record Office Victoria

https://prov.vic.gov.au/archive/FE88566C-F1D0-11E9-AE98-776804F89EFF?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/CC703C92-F1DB-11E9-AE98-15E50522DC88?image=1 (DIGITISED)


Bibliography and resources:

G. Heinrich "Henry" Seeger, Find a grave

https://www.findagrave.com/memorial/190994962/g.-heinrich-seeger 




SEFTON, Lionel John (Lionel John SEFTON; alias of John Lionel LEMON)

Actor

Born London, England, c. 1823
Arrived Melbourne, VIC, by July 1855
Married (1) Elizabeth Ann McGREGOR ("Miss HERBERT") (d. 1860), St. Peter's church, Melbourne, VIC, 6 March 1858 Departed VIC, c. 1860-61 (for England)
Married (2) Clara Howarth WESTON, St. Pancras Old Church, London, England, 5 November 1861
Died York, England, 9 July 1876, aged "45"

https://trove.nla.gov.au/search?l-publictag=John+Lionel+Lemon+d1876 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Lional+John+Sefton+d1876 (TROVE tagged by Australharmony)


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (30 July 1855), 8

http://nla.gov.au/nla.news-article481362

"MARRIAGES", The Argus (13 March 1858), 4

http://nla.gov.au/nla.news-article7147988 

On the 6th inst., at St. Peter's Church, by licence, J. L. Lemon, to Elizabeth Ann MacGregor.

"DIED", Bendigo Advertiser [VIC] (11 June 1860), 2

http://nla.gov.au/nla.news-article87944335 

On 9th June, at Inglewood, of exhaustion, consequent on a severe illness, Elizabeth Ann, the beloved wife of J. L. Lemon, of the Theatre Royal, Inglewood.

"MUMMER MEMOIRS", Truth [Perth, WA] (16 January 1909), 3

http://nla.gov.au/nla.news-article207399816 




SELBY, J. (J. SELBY)

Musician, member of Radford's band

Active Alexandra, VIC, c. 1868

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SELBY-J (shareable link to this entry)


Documentation:

[News], Alexandra Times (24 November 1868), 2

http://nla.gov.au/nla.news-article59794971 

It will be seen by reference to our advertising columns that an entertainment will be given at the Eldorado Hotel, next Tuesday evening, the proceeds of which are to be handed over to Mr. J. Selby, a member of Radford's well-known band. This gentleman has been laid on a bed of sickness for the last three or four months, and the expenses incurred for medicines and medical attendance have necessarily reduced his circumstances. We are sorry to say there is but little hope of his ultimate recovery. The entertainment will consist of a vocal and instrumental concert, and a sparkling little trifle entitled "The Black Prince or a lover in difficulties." Most of our local amateurs have promised their assistance on this occasion, and doubtless the general public will respond to the call upon their generosity as every care is being taken to render the affair worthy of the occasion.

ASSOCIATIONS: Sidney Radford (musician, band leader)

[Advertisement], Alexandra Times (27 November 1868), 3

http://nla.gov.au/nla.news-article59794983 

GRAND ENTERTAINMENT.
AN ENTERTAINMENT will be given at the Eldorado Hotel, on
TUESDAY EVENING, DECEMBER 1,
The proceeds to be handed over to Mr. J. Selby, (member of Radford's Band)
The programme will comprise vocal and instrumental music, consisting of Songs, Duets, Trios, Glees, Instrumental Solos, &c., &c., and a sparkling burletta, entitled
THE BLACK PRINCE; Or, A LOVER IN DIFFICULTIES.
Mr. T. Wickins - Mr. J. P. McEwen.
Prince Burro-goh-gola - Mr. R. Thornton.
Mr. Sambo Bones - Mr. H. Booth.
Mr. Orlando Smith - Mr. L. Kay.
Mrs. Wickins - MISS BESSIE COHEN.
Miss Wickins - MISS KATE KEELEY.
The performance will commence at Eight o'clock precisely. For full particulars see programme.
Admission: Front Seats, 2s; Back do: 1s.

"CONCERT AT THE ELDORADO", Alexandra Times (3 December 1868), 2

http://nla.gov.au/nla.news-article59795003 

Seldom has a larger audience congregated in Alexandra than that which assembled at the Eldorado theatre, on Tuesday evening last, the occasion being a grand concert for the benefit of Mr. J. Selby, a member of Radford's band. As is well known this gentleman has been laid upon a bed of sickness for some months past, and there is hardly the shadow of a hope that he will ultimately recover. It speaks well for the inhabitants of Alexandra when they turned out in such numbers to assist in a good cause. The hall was literally crammed with smiling faces, and no doubt many a heart was lost and won by the merry glances or coquettish smiles of the better half of humanity.

[illegible] . . . opening overture by Miss Keeley and Messrs. Radford and Thornton. It is almost superfluous to say that it was gone through in good style as the musical ability of the lady and gentlemen performing is known to the community at large. "Far o'er the deep blue sea," given by Mr. Thornton, was loudly applauded and well received. A trio, "The Red Cross Knight," was then given by Messrs. E. and J. Ripper and Mr. Kay, and sung with that precision which has always been the distinguishing feature of their performances. Miss Bessie Cohen followed with "Love's request," and received a well merited encore, when "Barney O'Hea" was substituted, and sung with all the piquancy and style so necessary to this class of music. "Joe Bowers," by Mr. J. P. McEwen, was re-demanded and responded to in a style which brought back reminiscences of the good old days on the Point. "All's Well," given by Messrs. E. and J. Ripper, was very nicely sung and received due acknowledgment. Mr. H. Booth followed and sang "Some lady's lost her chignon," in such a manner as called forth the hearty plaudits of the assemblage, and an encore was insisted on when "Fashionable Fred," was substituted, and given in first-rate style. Mr. Campbell, of Jamieson, kindly consented to fill up the vacuum caused by the non-production of "Pal o' mine," and sang an Irish comic song which was loudly applauded. "The Bridge, by Mr. J. Ripper, was given in that gentleman's best manner, and well deserved the applause with which it was greeted. A comic song by Mr. H. Taylor and a selection from Shakespere, by Mr. H. Franks, brought the for first part of the entertainment to a close.

After a short interval the curtain rose, and a compact little farce entitled "The Black Prince, or a lover in difficulties," was presented. The piece, despite the many imperfections almost inseparable from an amateur performance, went right merrily, and the honors were fairly divided between Miss Kate Keeley, Miss Bessie Cohen, and day Mr. Harry Booth. "In Happy Moments," sung by Master Walter, was re-demanded, and "Let us be happy together," was given to the evident satisfaction of the audience. The trio, "Fair Flora Decks," was, if possible, given with better effect than on its first production at the concert given by the Musical Union. The deference paid to the composer, in attending to the several "marks," explains at once the proficiency attained by the performers, and this hint might well be taken by some of our local amateur musicians. "Life is a river," was sung with great expression by Mr. Thornton, and Mr. Booth received a unanimous encore in his negro comic song. A duet, "List! to the Convent Bells," was nicely rendered. Miss Kate Keeley followed with variations on the pianoforte, and too much credit cannot be awarded to that lady for the able manner in which she not only performed her solos, but accompanied the performers throughout the evening. A ballad, "Hilda," was well sung by Miss Bessie Cohen, and was loudly re-demanded, when that lady gave "Thou art so near and yet so far." This was the best effort of the evening, and called forth a considerable amount of applause. A comic song, "Hamlet," by Mr. McEwen, and the "National Anthem" sung by the company, closed the best entertainment that has ever been given in Alexandra by our local amateurs.

At the close of the entertainment Mr. Perkins invited his friends to a quadrille party, and dancing was kept up with great spirit till almost "broad daylight." Viewing the performance as a whole, we are of opinion that the ladies and gentlemen engaged therein have good reason to be proud of the triumph achieved, and there is not the slightest doubt but that their re-appearance will be hailed with delight. A statement of the receipts will appear in our next issue.

"(To the Editor of the . . .)", Alexandra Times (10 December 1868), 3

http://nla.gov.au/nla.news-article59795013 

SIR, - Allow me through the columns of your valuable journal to thank those ladies and gentlemen who so kindly came forward to assist in the entertainment lately given at the Eldorado Theatre. I can assure you it affords me much gratification to know that each and all endeavored to do their best, and were successful in carrying out the entertainment to the general satisfaction of the public. I also desire to express my sense of gratitude to the inhabitants of the district for the generous manner in which they responded to the appeal on my behalf, and beg to inform them that the handsome sum of £12 has been handed over to me, clear of all expenses, the room also being given free of charge by Mr. Perkins.
I remain, Sir,
yours respectfully,
J. SELBY.




SELWYN, Clara (Clara SELWYN; Miss C. SELWYN)
SELWYN, Fanny (Fanny SELWYN; Miss F. SELWYN)

Vocalists (Lyceum Theatre, Sydney)

Active Sydney, NSW, March 1855

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SELWYN-Clara (shareable link to this entry)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SELWYN-Fanny (shareable link to this entry)


Summary:

The sudden appearance of the Misses Selwyn as theatrical vocalists at the beginning of March 1855 and their disappearance three weeks later, coincides more or less precisely with the short term of Augustus Leopoldt as lessee of the Lyceum Theatre, Sydney. Previously of Sandridge in Melbourne, where in February 1854 he was tried for sly grog selling, he had arrived in Sydney by April 1854, when he applied for a license to take over the Rose of Australia, in Lower George-street, but was refused because he was "a stranger in the colony, and further that the parties signing his certificate were totally unacquainted with him". After several more unsuccessful attempts, Leopoldt was instead transferred the license of the Adelphi Hotel, in York-street.

Leopoldt's name next appeared in press advertisements through the first three weeks of March 1855 as "sole lessee" of the Lyceum Theatre, with Francis Belfield as acting manager. Having also engaged as vocalists Miss Lorette and the Misses Selwyn, as well as Robert and Fanny McGowan, and the musician Philip Barnett Boam as "leader of the orchestra", on 31 March 1855 Leopoldt was declared insolvent.


Documentation:

[Advertisement], Empire (1 March 1855), 4

http://nla.gov.au/nla.news-article60179931

ROYAL LYCEUM THEATRE.
THIS EVENING, Thursday, March 1st, will be presented here, for the second time for many years, the celebrated and highly popular Drama, entitled LUKE, THE LABOURER.
"Wapping Old Stairs," Miss Lorette.
Eva and Topsy, from Uncle Tom, Miss Fanny Selwyn.
Duett, "I know a Bank," Miss Lorette and Miss Clara Selwyn.
To conclude with the laughable Farce of HIS LAST LEGS.

ASSOCIATIONS: Miss Lorette (vocalist)

MUSIC: Eva and Topsy (music by Stephen Glover); I know a bank whereon the wild thyme blows (C. E. Horn)

[Advertisement], Empire (2 March 1855), 4

http://nla.gov.au/nla.news-article60180270 

ROYAL LYCEUM THEATRE. Cheapest place of amusement in the colony.
Observe - Dress Circle, 3s.; Side Boxes 2s.; Pit, 1s.
THIS EVENING, Friday, will be presented for the first time, a Petite Comedy, in two Acts, entitled A NABOB FOR AN HOUR.
Song - To the West, Miss Fanny Selwyn.
To be followed by the successful interlude of HIS LAST LEGS.
Song - "As you a Nutting go," Miss C. Selwyn.
To conclude with, for the last time, Buckstone's Domestic Drama, entitled LUKE THE LABOURER.

MUSIC: As you a nutting go (Lovell Phillips)

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (3 March 1855), 2

http://nla.gov.au/nla.news-article59759882 

Royal Lyceum Theatre.
First Appearance of Mr. and Mrs. McGOWAN, late of the Royal Victoria Theatre.
This Saturday Evening, March 3, 1855 . . .
Song - "Irish Immigrant," Miss Lorette.
Pas Seul - Mrs. R. McGowan . . .
Song - "The grasp of Friendship's hand," Miss H. Selwyn.
Medley Dance, Mrs. R. McGowan . . .
F. BELFIELD, Manager.
A. LEOPOLDT, Sole Lessee.

ASSOCIATIONS: Francis Belfield (actor, manager); Robert McGowan (actor); Fanny McGowan (dancer)

MUSIC: The grasp of friendship's hand (William Wilson); "Sung by . . . Mr. Farquharson Smith" = Robert Farquharson (vocalist)

[Advertisement], Empire (7 March 1855), 6

http://nla.gov.au/nla.news-article60175794 

ROYAL LYCEUM THEATRE.
For the Benefit of the Patriotic Fund.
THIS EVENING, March 7th, will be for the benefit of the above Fund . . .
The evening's entertainments will commence with, for the first time, a Dramatic Melodrama, in three acts, entitled, MELMOTH THE WANDERER. Walburg the victim, Mr. Belfield; Pope, Mr. R. McGowan; Slutt, Mrs. R. McGowan.
"Hot Codlins," by an Amateur. Song, Miss Lorette. Dance, Mrs. McGowan. Song, Miss Fanny Selwyn . . .
A. LEOPOLDT, Lessee.
F. BELFIELD, Manager.

[Advertisement], Empire (17 March 1855), 4

http://nla.gov.au/nla.news-article60177053 

ROYAL LYCEUM THEATRE.
ST. PATRICK'S DAY, 17th March, 1855, will be produced, for the first time at this theatre the admired farce of THE TIPPERARY LEGACY.
Song - "The Irish Immigrant." - Miss Lorette; Irish Jig, Mrs. R. McGowan.
To be followed by the admired drama of LUKE THE LABOURER.
Song - "Gentle Zitella," Miss F. Selwyn; Hornpipe, Master Horatio; Song, Miss C. Selwyn.
To conclude with AN AFFAIR OF HONOUR.
Mr. BOAM, Leader of the Orchestra.
A. LEOPOLDT, Sole Lessee.
F. BELFIELD, Manager.

ASSOCIATIONS: Philip Barnett Boam (musician, leader)




SENTIS, Louis (Louis François SENTIS; M. SENTIS)

Musical amateur, musical patron, French consul to NSW

Died France, 21 December 1884

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SENTIS-Louis (shareable link to this entry)

SENTIS, Marie Caroline (Marie Caroline SENTIS)

Musical amateur, ? pianist, dedicatee

Born Paris, France, 15 February 1841; daughter of Louis François SENTIS and Adélaïde Florine DUPRÉ
Active Sydney, NSW, c. 1856 (daughter of French consul)
Died Paris, France, 19 July 1920

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SENTIS-Marie (shareable link to this entry)


Documentation:

Actes de naissance, de mariage et de décès, Paris, July 1920; Archives de Paris

https://www.ancestry.com.au/discoveryui-content/view/2339694:62058 (PAYWALL)

[Notice], Government Gazette of the State of New South Wales [Sydney, NSW] (19 August 1921), 4906

http://nla.gov.au/nla.news-article224620931 


Dedication:

Boulanger keepsake no 6 page 1

Souvenir d'Amerique, polka pour piano, composed on American & original airs, respectfully dedicated to Mademoiselle Marie Sentis by E. D. Boulanger in Boulanger's musical keepsake for 1856 (Sydney: F. Mader, 1856)

5 pages of music (1-5); page 1 pictured above

ONSITE PDF (FREELY DOWNLOADABLE)

ASSOCIATIONS: Edward Boulanger (composer); Frederick Mader (publisher); Abraham Western Chapman (engraver)




SEWELL, Richard Clarke (Richard Clarke SEWELL; Dr. SEWELL)

Amateur musician, lawyer

Baptised Newport, Isle of Wight, 6 February 1803; son of Thomas SEWELL
Arrived Melbourne, VIC, 1856
Died St. Kilda, VIC, 9 November 1864

http://nla.gov.au/nla.party-525913 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEWELL-Richard-Clarke (shareable link to this entry)


Documentation:

"DEATH OF DR. SEWELL", The Age (8 November 1864), 5

http://nla.gov.au/nla.news-article155018946 

The demise of Dr. Richard Clarke Sewell, which event took place at the residence of Dr. Arnold, High street, St. Kilda, at a quarter to three o'clock yesterday morning, has created a vacancy in the colonial bar which will not be easily filled . . . A biographical sketch of one who occupied a not unimportant position in colonial society would be a matter of interest; but, partly from the fact of there being few here who know him before his debut at the Australian bar, and also from the quiet unostentatious life of the deceased, the materials for this are very scanty. It is, however, known that the deceased was a native of the Isle of Wight, where his father was an eminent solicitor . . . After studying at several preparatory academies, Dr. Sewell became a student of Magdalen College, Oxford, where he became distinguished for his thorough scholarship . . . Having chosen the legal profession, he enrolled himself a student of the Middle Temple, London; and, after passing through the prescribed course, was called to the bar in 1830. The Western circuit was selected by him as the field of his future operations . . . He, however, abandoned the slow, but sure, rewards of legal eminence in England; and in 1856 arrived in this colony comparatively unknown . . . The labors of the deceased were not confined to the bar, he was also the writer of several professional works of merit, "Sewell's Coroner's Law" being still a standard work. He was also the author of several works of fiction, and in this labor shared the honors with a talented sister, who survives to mourn his loss. As an artist and a musician his merits were known and appreciated by those who were intimate with him . . .

NOTE: See Sewell's coroner's law (London: Owen Richards, 1843)


Bibliography and resources:

"Sewell, Richard Clarke", Dictionary of national biography 51 (1897)

http://en.wikisource.org/wiki/Sewell,_Richard_Clarke_(DNB00)




SEYLER, Albert (Albert SEYLER)

Musician, professor of music, pianist, merchant

Born Silesia, Prussia (Poland), ?
Arrived Adelaide, SA, 6 December 1848 (per Alfred, from Hamburg, 20 August, via Rio de Janeiro, 17 October)
Active Adelaide, SA, 1848-49

https://trove.nla.gov.au/search?l-publictag=Albert+Seyler (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEYLER-Albert (shareable link to this entry)

SEYLER, Frederick (Friedrich SEYLER; Frederick SEYLER)

Musician, professor of music, pianist, merchant, accountant

Born Silesia, Prussia (Poland), c. 1824
Arrived Adelaide, SA, 6 December 1848 (per Alfred, from Hamburg, 20 August, via Rio de Janeiro, 17 October)
Active Adelaide, SA, 1848-49
Married Harriet MARRIS (1835-1911), Melbourne, VIC, 13 May 1856
Died Melbourne, VIC, 18 June 1866, aged 42

https://trove.nla.gov.au/search?l-publictag=Frederick+Seyler+d1866 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEYLER-Frederick (shareable link to this entry)


Summary:

Though listed as merchants on the manifest of their ship Alfred (they indeed later set up as general retailers), Frederick and Albert Seyler, from Hamburg, also advertised that "studied under the best German masters" they would both give "instructions on the Pianoforte". With fellow Alfred arrival George Fischer, they both appeared in a quarterly conversazione with Georgiana Murray in January 1849.

One or other of the brothers appeared at Joseph Griffiths's concert in March 1849, and one in a musical melange at the Queen's Theatre for the benefit of the actor Morton King in December, with Spencer Wellington Wallace and Frederick Ellard, as well as Fischer, George Coppin, and the John and Rachel Lazar. Frederick Seyler sailed out on a ship bound for California in January 1850, though, since he was evidently back in Adelaide in March, probably only went as far as Melbourne. He eventually left Adelaide permanently sometime around 1853 and settled in Melbourne, where he married in 1856, worked as an accountant, and died in 1866.

Nothing further is known of Albert after 1850.


Documentation:

"SHIPPING INTELLIGENCE", South Australian Register (6 December 1848), 3

http://nla.gov.au/nla.news-article48726506

Wednesday, December 6.— The ship Alfred, 635 tons, H. E. Decker, from Hamburg 20th August, and Rio de Janeiro 17th October. Passengers - Rev. Pastor Kranewiter, and Klinkowstrom, Roman Catholic Priests; Doctor Sokolowsky, Surgeon; Frederick and Albert Seyler, merchants . . . and G. F. G. Fisher, merchant; in the cabin . . .

ASSOCIATIONS: George Fischer (merchant, vocalist)

[2 advertisements], South Australian Register (23 December 1848), 2

http://nla.gov.au/nla.news-article48726196

MUSICAL.
MESSRS. FRED. & ALBERT SEYLER have the honour to announce their arrival from Hamburg, and to inform the public that they purpose giving in instructions on the Piano Forte. Messrs. Seyler have studied under the first German professors, and are enabled to offer satisfactory references in Adelaide.
Cards of address may be had at Platts's Library.

SINGING.
MR. G. FISHER, lately arrived from Hamburg, has the honour to inform the public that he intends giving instructions in singing.
Mr. Fischer would be happy to sing at private parties. Satisfactory references in Adelaide can be furnished.
Cards of address may be had at Platts's Library. Pianos Tuned.

ASSOCIATIONS: Charles Platts (bookseller)

[Advertisement], South Australian Register (27 January 1849), 2

http://nla.gov.au/nla.news-article50245611

SOUTH AUSTRALIAN LIBRARY AND MECHANICS' INSTITUTE.
THE Conversazione for the present quarter will be held at the New Exchange Room, on Tuesday evening next, the 30th instant.
Mrs. Murray, the Messrs. Fischer, Fredk. and Albert Seyler, and other gentlemen have kindly promised their assistance.
JAMES RAWLINGS, Secretary.
N.B. Non-Subscribers admitted upon payment of one shilling.
January 25th, 1849.

ASSOCIATIONS: Georgiana Murray (vocalist, pianist)

"MECHANICS' INSTITUTE", South Australian Gazette and Mining Journal (1 February 1849), 3

http://nla.gov.au/nla.news-article195937038 

The quarterly Conversatione of this Institution was held in the new Exchange on Wednesday evening last, of which Mr. Neales, the proprietor, kindly gave the gratuitous use . . . On his occasion, altho' more than 400 persons were accommodated with seats, not the slightest inconvenience was experienced by any one. Sketches of Australian scenery from the pencils of our colonial artists, and numerous engravings of singular beauty lent to the Committee for the occasion by several gentlemen, decorated the walls. His Excellency Sir Henry Young and Lady honoured the party with their presence, as well as Dr. Short the Bishop of Adelaide, the Hon. Capt. Bagot, M.L.C., and Lady, and several of our leading colonists. The evenings' entertainment commenced with the band, led by our talented musician, Mr. Bennett, performing the ouverture to Tancredi, which, owing to the want of flutes and basses, was not so efficiently executed as usual. Mr. Hanson, who was in the chair, delivered a short address on the financial state of the institute and its future prospects; after which he introduced Mr. John Stephens to the meeting to lecture upon Sanatory Reform . . . In the course Of the evening Mr. Tolmer favored the assembly by performing the Queen's March and the Stop Waltz upon the violin with piano-forte accompaniment by Mr. Bennett . . . Mrs. Murray was, as usual, deservedly applauded. A new song, sung by her called "Summer Time," set to a sweet and simple air, was justly appreciated. Two songs in the German language were sung by Mr. Fischer, accompanied on the piano-forte by Mr. Seyler. The style was not such as we are accustomed to, and the extreme length of the songs must have been as distressing to the singer as they were to the audience. The assembly broke up shortly before 11 o'clock, after chanting the National Anthem . . .

"LOCAL NEWS", South Australian (2 February 1849), 2

http://nla.gov.au/nla.news-article71623036

. . . The gentlemen of the Choral Society gave their valuable assistance, and acquitted themselves well in the overture to Taneredi - it was most effective. The next song was by Mr. Fischer, accompanied by Mr. Sayler on the pianoforte. Perhaps the words being in German occasioned a want of interest; it was also so long as to be absolutely tedious. The abrupt transitions, too, from pianissiomo [sic] to fortissimo were displeasing to an English ear. But a second song by the same gentleman was a piece of language in itself; it needed no knowledge of the words for a lover of music to appreciate it . . .

"MECHANICS' INSTITUTE", Adelaide Times (5 February 1849), 4

http://nla.gov.au/nla.news-article206980280 

. . . Mr. Fischer sang two German songs, with piano-forte accompaniment by Mr. Seyler. Although the bass modulations of the former were characterised by much sweetness and taste, his tenor was too harsh to produce a pleasing effect, and the injudicious length to which he extended his misunderstood and plaintive melody, produced more of ennui than of any thing else. It strongly reminded us of an enthusiast whom we heard once or twice droning out the "Sorrows of Werter," in a most doleful and nasal tone . . .

ASSOCIATIONS: Henry and Augusta Young (governor and wife); Augustus Short (bishop); John Stephens (journalist, lecturer); George Bennett (musician); Alexander Tolmer (violinist); Adelaide Choral Society (organisation)

[Advertisement], South Australian (13 March 1849), 1

http://nla.gov.au/nla.news-article71623281 

EVENING CONCERT. NEW QUEEN'S THEATRE.
MR. J. GRIFFITHS most respectfully informs the Gentry and Inhabitants of Adelaide and its vicinity that, at the request of several friends, he has postponed his departure for Melbourne for the purpose of giving a Grand Evening Concert, upon which occasion he hopes to receive the patronage and support of the public generally.
On Wednesday Evening, March 14th, 1849.
PROGRAMME. - PART 1. Overture Pianoforte - Mr. Seyler, from the Opera "Lucrezia Borgia" - Donizzetti . . .

"LOCAL NEWS", South Australian (16 March 1849), 3

http://nla.gov.au/nla.news-article71623303

MR. GRIFFITH'S Concert, at the Queen's Theatre, on Wednesday evening, was well attended as regards the boxes, but there were very few in the pit . . . We regret that we cannot speak in as high terms as we could wish of the evening's entertainment. Where the performers are few, with little of instrumental aid to vary the treat, the merit of the performers requires to be of a very high order to ensure success. We scarcely know what to say of Mr. Seyler on the pianoforte; he must be either out of practice, or exceedingly nervous. In his solo playing there was a painful indecision and hesitancy, that many might be apt to attribute to a want of knowledge of time. To his accompaniments we are inclined to be indulgent. It requires very great tact in the musician to humour the peculiar style and taste of the various vocalists he accompanies through the evening; and in this department even the best musicians may fail if not accustomed to it . . . A gentleman, whose name we could not ascertain, played an air on the Cornet a piston, accompanied by Mr. Seyler on the pianoforte.

ASSOCIATIONS: Joseph Griffiths (vocalist, violinist)

[Advertisement], South Australian Register (21 March 1849), 2

http://nla.gov.au/nla.news-article50247248

To Mechanics and Others. THE undersigned beg to offer at their premises, adjoining the Adelaide Baths, Rundle-street, the following stock of ironmongery, which will be sold either wholesale or retail, at unprecedentedly low prices . . .
SEYLER BROTHERS.

"NATURALIZATION OF ALIENS", South Australian Register (18 August 1849), 3

http://nla.gov.au/nla.news-article50245992

Colonial Secretary's Office, August 14, 1849.
The undermentioned Aliens having memorialised the Government for admission to the rights and privileges of British subjects, his Excellency the Lieutenant-Governor has approved the several memorials, and has signed Certificates of Naturalization accordingly . . .
83. Albert Seyler . . .

[Advertisement], Adelaide Times (20 December 1849), 2

http://nla.gov.au/nla.news-article206981679 

New Queen's Theatre.
MR. MORTON KING'S FAREWELL BENEFIT . . . upon which occasion, he will be assisted by the gratuitous services of
Mr. Coppin; Mr. Opie; Mr. Wallace; Mr. Ellard;
Herr G. Fischer; Herr Seyler; Mr. Lee; A Gentleman Amateur.
ON Thursday (This Evening), December 20th, 1849 the entertainments will commence with the celebrated comedy of SWEETHEARTS & WIVES; in which Miss Lazar, Messrs. Morton King, Coppin, Opie, Lazar, and the whole strength of the company will appear.
To be followed by a MUSICAL MELANGE, consisting of the most popular songs and instrumental performances of the present day, by Messrs. Wallace, Ellard, Fischer, Seyler, Coppin, Lazar, and Miss Lazar . . .

ASSOCIATIONS: Morton King (actor); Spencer Wellington Wallace (musician); Frederick Ellard (musician, vocalist); George Coppin (actor, vocalist); John and Rachel Lazar (actors, vocalists); Philip Lee (violinist, leader)

"SHIPPING INTELLIGENCE", South Australian Register (12 January 1850), 2

http://nla.gov.au/nla.news-article38446299

The ship Pauline, 441 tons. Stelljes, master, for California. Passengers . . . Frederick Seyler . . .

"DECLARATION OF CONFIDENCE IN MR. JOHN STEPHENS", South Australian Register (7 March 1850), 1-2 supplement

http://nla.gov.au/nla.news-article38447147 

We, the undersigned, having seen a Declaration, in the form of an advertisement, signed by a considerable number of individuals, and containing an implied pledge, which, if carried out, would appear calculated to effect the ruin of Mr. John Stephens, as a Journalist and a tradesman, desire publicly to avow our sympathy with that gentleman under such circumstances, and to express our sincere regret at the adoption, on the single alleged ground of offence, of a determination so exceedingly severe and injurious . . .
[2] . . . Frederick Seyler, storekeeper, North Adelaide . . .

ASSOCIATIONS: John Stephens (newspaper editor and proprietor, died Adelaide, SA, 28 November 1850)

"SHIPPING INTELLIGENCE . . . CLEARED OUT", South Australian Register (3 June 1850), 2

http://nla.gov.au/nla.news-article38446194

Saturday, June 1 - The barque Cadet, 347 tons, Aitcheson, master, for Sydney. Passengers - . . . From Adelaide: Mr. Douglas, Herman Ries, and A. Seyler.

"Shipping Intelligence. ARRIVALS", The People's Advocate and New South Wales Vindicator (15 June 1850), 14

http://nla.gov.au/nla.news-article251537336 

June 14. - Cadet, barque, 347 tons, Atchison, from Adelaide 1st instant. Passengers . . . F. Seyler [sic] . . .

"SHIPPING INTELLIGENCE", Adelaide Times (4 September 1850), 2

http://nla.gov.au/nla.news-article207118676 

Sept. 3 . . . The barque Cadet, 347 tons, Oliphant, master, from Sydney and Newcastle, N. S. Wales, 15th August . . . Passengers per Cadet . . . Seyler.

"ST. GEORGE'S SOCIETY - ANNUAL DINNER", South Australian Register (24 April 1851), 3

http://nla.gov.au/nla.news-article38437054 

The first Annual Dinner of this newly-formed Society took place last evening in the theatre . . . Mr. Dicker sung a song written specially for the occasion, and on being encored, gave another equally original. Both were highly applauded. Mr. Frederick Seyler returned thanks for Mr. Kronk and his countrymen . . .

ASSOCIATIONS: Frederick Dicker (vocalist, songwriter)

[Advertisement], The Argus (20 June 1854), 8

http://nla.gov.au/nla.news-article4794060 

LODGE of St. Kilda. - St John's Festival . . .
F. SEYLER, Hon. Secretary, Royal Hotel, St. Kilda.

"DEATHS", The Argus (19 June 1866), 4

http://nla.gov.au/nla.news-article5765571

SEYLER. - On the 18th inst., at his residence, Hotham-street, St. Kilda, Frederick Seyler, aged forty-two years.

Probate papers, Frederick Seyler, d. 1866; Public Record Office Victoria

https://prov.vic.gov.au/archive/2CFCA184-F1D6-11E9-AE98-AD628C1BFB24?image=1 (DIGITISED)




SEYLER, Hermann (Hermann SEYLER; Herman SEYLER)

Musician, violinist, teacher of piano and violin

Active Bendigo, VIC, by June 1858; Ballarat, VIC, until December 1859

https://trove.nla.gov.au/search?l-publictag=Hermann+Seyler (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEYLER-Hermann (shareable link to this entry)


Documentation:

"McIVOR (FROM AN OCCASIONAL CORRESPONDENT) January 1st, 1858", Bendigo Advertiser (7 January 1858), 2

http://nla.gov.au/nla.news-article87977974 

. . . Another improvement and sign of progress, is the establishment of nightly concerts, a la Shamrock, by the spirited and enterprising Mr. James Hay, who has engaged some of the old Shamrock Company, viz., Miss Swannell and Messrs. Pearce and Leeman, together with Mons. Zeyler, a violinist of some merit, who last night gave us some beautiful music after the style and manner of his countryman Miska Hauser . . .

ASSOCIATIONS: Louisa Swannell (vocalist); Frederick Leeman (vocalist); John Ottis Pierce (vocalist); Miska Hauser (violinist, had performed with the Shamrock company as recently as September 1857); Shamrock Concert Hall (Bendigo)

"MR. WHITE'S BENEFIT", Bendigo Advertiser (11 June 1858), 3

http://nla.gov.au/nla.news-article87981052

We would call attention of all who are fond of Ethiopian minstrelsy to the fact that Mr. White, the well known delineator of darkie character in song, at the Shamrock Concert Hall, this evening strikes the banjo for his own benefit . . . Several old favorites will appear, among whom we notice the names of Miss L. Swannell, Mr. Leeman, and Mr. Small. Herr Seyler, a gentleman who has gained for himself some reputation as a violinist in the neighboring colonies, will make his debut before a Sandhurst audience . . .

ASSOCIATIONS: M. W. White (minstrel serenader); Joe Small (vocalist)

[Advertisement], Bendigo Advertiser (3 July 1858), 1

http://nla.gov.au/nla.news-article87981568

HAYMARKET THEATRE. Fifth Night of the NEW SEASON. SATURDAY NIGHT.
The Performances will commence with the Comic Drama, in two acts, entitled,
THE WONDERFUL WOMAN, OR THE COBBLER AND THE MARQUIS.
Wonderful Woman - Miss Fanny Young.
Cobbler - Mr. G. W. Daniels.
Violin Solo - "Carnival de Venice." Herman Seyler (first appearance) . . .
An efficient Orchestra, under the direction of MR. MOORE.
Pianist - MR. LINDEN . . .

MUSIC: Il carnevale di Venezia (Paganini, and/or later arrangements)

"HAYMARKET THEATRE", Bendigo Advertiser (5 July 1858), 3

http://nla.gov.au/nla.news-article87981610

It is with much pleasure we remarked that a far better house was assembled at this Theatre than has been in attendance since Miss Fanny Young took the responsibility of management. That pleasing actress has done her utmost to secure a good evening's theatrical entertainment to the people of Bendigo, and it would be a pity that her efforts should not be rewarded. The performances on Saturday evening opened with the two-act drama of "the Wonderful Woman" . . . The well known and highly popular solo of the Carnival of Venice was well performed by M. Hermann Seyler, who made his first appearance on these boards on this occasion . . .

ASSOCIATIONS: Fanny Young (actor); George Washington Daniels (actor); Andrew Moore (leader, violin); Otto Linden (pianist)

"CONCERT AT EPSOM", Bendigo Advertiser (5 July 1858), 3

http://nla.gov.au/nla.news-article87981613 

We see by advertisement that a concert will be held this evening at the Shamrock Concert Hall, Epsom, at which a host of talent is to appear. Not the least prominent feature in the programme of the evening's entertainment is the appearance of M. Seyler, the eminent violinist, who was so enthusiastically received at the Haymarket on Saturday night last. As Mr. Heffernan has with his usual liberality determined upon opening the doors free of charge, there will no doubt be a bumper house.

ASSOCIATIONS: William Heffernan (proprietor)

"HAYMARKET THEATRE", Bendigo Advertiser (12 July 1858), 3

http://nla.gov.au/nla.news-article87981772 

Spite of the deluge of rain which continued almost without intermission during the evening, a bumper house assembled at the Theatre on Saturday evening. No effort had clearly been spared by the fair directress to ensure a successful debut to her new company. Mr. Mungall, Mr. J. Warden, and Miss Florence Clifford, made their first appearance this season before a Bendigo audience. The first piece of the evening was the Operatic Drama of Rob Roy . . . Miss Fanny Young acted the part of "Francis," and sang several popular songs, which were applauded . . . The high-minded and courageous "Diana Vernon," was well personated by Miss Minnie Clifford, who, likewise, sang several well-known songs . . . As an interlude, Mons. Seyler gave a solo on the violin, in which he was encored . . .

ASSOCIATIONS: John Mungall (actor); Minnie and Florence Clifford (actors, vocalists)

[Advertisement], Bendigo Advertiser (16 September 1858), 1

http://nla.gov.au/nla.news-article87983439 

ABBOTT'S LYCEUM, TO-NIGHT, Will be presented
PERFECTION; OR, THE LADY OF MUNSTER, In which THE CLIFFORD FAMILY Will Appear.
To be followed by a GRAND CONCERT, In which MR. SMALL, the celebrated Comic Singer, will sing "THE UNFORTUNATE MAN," And other Favorite Songs.
To conclude with THE WANDERING MINSTREL JEM BAGGS (with the song of "The Ship's Carpencheerup" - Mr. Furrian.
Pianist - Mr. Linden.
Violinist - Herr Seyler.
NOTICE Admission by Refreshment Ticket: ONE SHILLING. To Commence at Eight o'clock.

"ABBOTT'S LYCEUM", Bendigo Advertiser (17 September 1858), 3

http://nla.gov.au/nla.news-article87983461 

Though it might have been supposed, that the attractions of the theatre would have lessened the attendance at the other places of amusement, such was not the case at Abbott's, the audience being rather more numerous than usual. We may prophesy that this will become a very popular place of entertainment, indeed, the proprietor seems determined to give the public a good reason for supporting him. He has engaged the services, in addition to the usual company, of Messrs. Linden and Seyler, whose performances on the piano and violin add considerable eclat to the already attractive programme.

ASSOCIATIONS: Joseph Henry Abbott (proprietor); Henry Furrian (vocalist)

[Advertisement], The Star (24 November 1859), 3

http://nla.gov.au/nla.news-article72463363

MR. HERMANN SEYLER begs to inform the public of Ballarat and suburbs that he is prepared to provide String or Brass Bands for balls, private parties, pic-nics, &c., on the shortest notice and at moderate prices.
Lessons given on the piano and violin, as well as in the French and German languages.
Prince Albert Hotel, Melbourne Road, Ballarat.




SEYMOUR, Mr. (Mr. SEYMOUR)

Musician, violinist, minstrel serenader

Active Melbourne, VIC, by 1852
Active Melbourne and Portland, VIC, 1855

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEYMOUR-Mr (shareable link to this entry)


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (4 September 1852), 5

http://nla.gov.au/nla.news-article255611987 

QUEEN'S THEATRE. Saturday Evening Concerts.
MR. MEGSON has the honor to announce . . .
The Sixth Concert will take place this Evening, September, 4 . . .
Principal Instrumental Performers:
Violins: - Mr. Megson, Mr. Seymour
Viola: - Mr. Jenkins; Violoncello: - Mr. Thomson . . .
Leader and Conductor: - Mr. Megson; Pianiste: Mrs. Wheeler . . .
Programme: Part I. 1. Overture - Bohemian Girl, Band - Balfe . . .

ASSOCIATIONS:

[Advertisement], Portland Guardian and Normanby General Advertiser (14 December 1855), 2 supplement

http://nla.gov.au/nla.news-article71573312 

VIRGINIAN SERENADERS, Will make their appearance in Portland in a FEW DAYS,
Consisting of the following professional gentlemen:
MR. SEYMOUR, The much admired Violinist, from the Theatre Royal, Melbourne.
MR. LEE, The celebrated Banjoist, from Wood Minstrels, New York.
MR. HARRINGTON, The much admired Concertinist.
MR. CARDORA, The eccentric and never tired Bone Player, from New York.
MR. WEST, The celebrated Tambourinist and Juba Dancer . . .

ASSOCIATIONS: Virginian Serenaders (troupe); Theatre Royal (Melbourne venue)




SEYMOUR, Richard (Richard SEYMOUR; MR. SEAMORE [sic])

Musician, drummer/fifer, trombone player, trombonist, bandsman Band of the 11th Regiment

Born Devon, England or Ireland, 11 December 1828; son of William SEYMOUR
Arrived (with 11th Regiment), Hobart Town, VDL (TAS), 25 October 1845 (per Castle Eden, from England, 19 July)
Married Alice HOPLEY (1836-1879), St. James, Sydney, NSW, 6 July 1852 (residence Victoria Barracks)
Discharged 11th Regiment, Sydney, NSW, 31 December 1853
Died Moore Park, NSW, 30 January 1898

https://trove.nla.gov.au/search?l-publictag=Richard+Seymour+1828-1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SEYMOUR-Richard (shareable link to this entry)


Documentation:

England census, 6 June 1841, George's Square Barracks, Devonport, Stoke Damerel, Devon, England; UK National Archives, HO107/272/10/3/3

https://search.findmypast.co.uk/record?id=GBC%2F1841%2F0272%2F0255 (PAYWALL)

Richard Seymour / 15 [sic] / Private Soldier 11th Regt / [born Ireland] [sic]

Paylist, 11th regiment, 1 July to 31 August 1845 (embarkation);

https://nla.gov.au/nla.obj-1642734458 (DIGITISED)

DRUMMERS AND FIFERS . . . 1504 / Seymour Richard / 18 July to 23 November / Embarked 18 July

Marriages solemnized in the parish of St. James, Sydney, 1852; register 1832-56; Anglican Diocese of Sydney

https://www.bda-online.org.au/mybda/search/biographical-report/30381153102 (PAYWALL)

6 July 1852 / Richard Seymour / Bachelor / Victoria Barracks / Alice Hopley / Spinster / . . .

Paylist, 11th regiment, 1 October to 31 December 1853

https://nla.gov.au/nla.obj-1690171887 (DIGITISED)

PRIVATES . . . 1504 / Seymour Rich'd / . . . Band / . . . Discharged 31 December [1853]

[Advertisement], Empire (25 August 1854), 1

http://nla.gov.au/nla.news-article60196081

ROYAL VICTORIA THEATRE. Andrew Torning, Sole Lessee and Manager.
THE LESSEE feels great pleasure in announcing to his friends and the public, that the above popular place of amusement, with extensive improvements, will open for dramatic and operatic performances (on a scale superior to any yet attempted in the colonies) on MONDAY, August 2d. with the following company: -
Mr. Frank Howson, Operatic Manager.
Mr. Lavenu, Musical Director.
Mr. John Gibbs, Leader of the Orchestra . . .
ORCHESTRA. Messrs. Lavenu, John Gibbs, C. Riffel, G. Strong, J. Guerin, Davis, R. Vaughan, M. Vaughan, Wright, Wheeler, Turner, Seymour, McLauglin, Bing, Theobald, Earle, and Master Hudson . . .

ASSOCIATIONS: Andrew Torning (manager); Frank Howson (operatic manager); Lewis Henry Lavenu (musical director); John Gibbs (leader, violin); Carlo Ryffel (musician); George Strong (violin); James Guerin (violin); Robert Vaughan (flute); Stephen Wheeler (cornet); John Turner (musician); Robert Bishop Theobald (musician); George Hudson junior (musician); Royal Victoria Theatre (Sydney)

[Advertisement], Empire (12 July 1856), 1

http://nla.gov.au/nla.news-article60250541 

OUR LYCEUM THEATRE. Under the management of Messrs. CRAVEN AND STEPHENS,
will open positively on MONDAY NEXT, JULY 14TH 1856, on which occasion the eminent Tragedian,
Mr. G. V. BROOKE, assisted by Mr. ROBERT HEIR, Mrs. ROBERT HEIR (Late Miss Fanny Cathcart), And the following Ladies and Gentlemen:-
. . . Mesdames . . . Winterbottom, Amy Howard, Miss Fanny Hughes, Ada Hart, Morgan, Franks, and Mrs. H. T. Craven.
THE BAND, under the able direction of Mr. WINTERBOTTOM, will be found the most efficient in the colonies, and will include the following gentlemen:
M. CHARLES EIGENSCHENCK (Leader.) Messrs. W. Tranter, Boans, Wilkinson, Strong, Seymour, Volpi, Sharpe, Richardson, &c., &c. . . .

ASSOCIATIONS: John Winterbottom (conductor); Henry Thornton Craven and William Henry Stephens (managers); Gustavus Vaughan Brooke (actor); Robert and Fanny Heir (actors); Eliza Craven (actor, vocalist); Charles Eigenschenck (leader, violin); Francesco Volpi (musician); Frederick Sharpe (drums); John James Mallcott Richardson (musician)

"MR. WINTERBOTTOM", Empire (14 August 1861), 5

http://nla.gov.au/nla.news-article60486950 

A very gratifying testimonial was presented to Mr. Winterbottom, the eminent bassoonist and conductor, previous to his departure from Sydney, yesterday, for Melbourne, en route for England, by several of the artistes who have been members of the corps d'orchestre, under Mr. Winterbottom, since he arrived in these colonies. The testimonial consisted of a handsome frame, containing photographic portraits, very beautifully executed by Mr. Glaister, of Pitt-street, of Mr. Winterbottom himself (in the centre), surrounded by those of the following artistes: Mr. Eigenschenck (leader), Mr. J. Hall (second violin), Mr. Rice (viola), Mr. Vaughan (flute), Mr. Chate (basso), Mr. Prince (cornet), Mr. Seamore (trombone), and Mr. Sharp (drums); all of whom, we understand, have, with slight intermission, been connected with Mr. Winterbottom during the last nine years in his professional career in Australia. The manner in which they have thus testified their regard and sympathy for their late talented conductor, is at once appropriate and suggestive, and we doubt not, will be long cherished by the accomplished artiste to whom it has been offered, and whose departure from these colonies will create a vacuum in the musical world which it will be extremely difficult to supply.

ASSOCIATIONS: Thomas Glaister (photographer); John Thomson Hall (violin); Walter Rice (violin); Robert Vaughan (flute); Henry Prince (cornet) Alfred Chate (double bass)

"Death of Mr. R. Seymour", Evening News (31 January 1898), 4

http://nla.gov.au/nla.news-article108770324 

A Sydney identity in the person of Mr. Richard Seymour, late Sanitary Inspector under the City Council, passed away at his residence, 33 Nobbs street, Moore Park, yesterday afternoon . . . Mr. Seymour was a native of Devonshire (Eng.), where he was born on December 11, 1828. When quite young he came to New South Wales with the 11th Regiment, with which he remained until he was married at St. James's Church about 46 years ago . . .

"DEATHS", The Daily Telegraph (1 February 1898), 1

http://nla.gov.au/nla.news-article238377890 

SEYMOUR. - January 30, 1898, at his residence, 33 Nobbs-St., Moore Park, Richard Seymour, late sanitary inspector, aged 68 years [sic]. R.I.P.

"OLD SYDNEY . . . (BY 'OLD CHUM'), Truth [Brisbane, QLD] (16 January 1910), 11

http://nla.gov.au/nla.news-article201754835 

Mr. M. J. Conlon writes, under date December 25: . . . The late Richard Seymour was then, I think, Inspector of nuisances of the City Council . . . (Mem. by 'O. C.' - Mr. Charles Drake was Inspector, and Mr. William Thompson assistant, early in 1858. Mr. Richard Seymour, who had been in the band of the 11th Regiment, and in 1858 was living on South Head-road, Paddington, may have had a subordinate office . . .

ASSOCIATIONS: Joseph Michael Forde (columnist, "Old Chum"); Michael Joseph Conlon (correspondent, former bandsman); Band of the 11th Regiment (military)

"OLD SYDNEY . . . (BY 'OLD CHUM'), Truth (30 January 1910), 11

http://nla.gov.au/nla.news-article201761081 

N.S. kindly writes: - . . . "You refer to Mr. Richard Seymour, who, though not inspector of nuisances, was afterwards in that office; it reminds me that dear old Dick, like several of his comrades of the 11th Regiment, was a member of the staff of the Volunteer Band, and played the tenor trombone, Jim Lahy was the bass trombone, and -- Wright the bassoon. No history of the music of Sydney 40 or 50 years ago should omit the great work accomplished by Douglas Callan, who not only organised and conducted the Volunteer Band, but also, conducted the Philharmonic Society's work and the Vocal Harmonic Society's concerts, with which the late Mr. Cordner was also associated . . .

ASSOCIATIONS: George Wright (bassoon); George Douglas Callen (bandmaster); Sydney Volunteer Rifles Band (volunteer forces)




SHAKESPEARE FAMILY OF ADELAIDE
SHAKESPEARE, Joseph (Joseph SHAKESPEARE)

Amateur musician, organist, organ builder

Born Preston Bagot, Warwickshire, England, 1808; baptised Preston Bagot church, 19 May 1808; son of John and Hannah SHAKESPEAR [sic]
Married (1) Elizabeth EDWARDS (d. 1834), St. Bartholomew, Edgbaston, 9 September 1833
Married (2) Hannah EDWARDS (d. 1837), St. Bartholomew, Edgbaston, 10 October 1836
Married (3) Sophia LEWIS (d. 1875), ? Birmingham, c. 1838
Arrived Adelaide, SA, 22 October 1849 (per Abberton, from London, 22 June)
Married (4) Emma GERMAIN (SUTHERLAND), Baptist Church, Semaphore, SA, 17 May 1882
Died Henly Beach, SA, 18 March 1888, aged 79 years

https://trove.nla.gov.au/search?l-publictag=Joseph+Shakespeare+d1888 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAKESPEARE-Joseph (shareable link to this entry)

SHAKESPEARE, James (James SHAKESPEARE; Mr. J. SHAKESPEARE)

Musician, pianist, organist, organ builder, choirmaster, conductor

Born Birmingham, England, 7 July 1839; baptised St. Philip, Birmingham, 26 September 1839; son of Joseph SHAKESPEARE and Sophia LEWIS
Arrived Adelaide, SA, 22 October 1849 (per Abberton, from London, 22 June)
Died SA, 4 October 1912, aged 72 years

https://trove.nla.gov.au/search?l-publictag=James+Shakespeare+1839-1912 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/James_Shakespeare (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAKESPEARE-James (shareable link to this entry)

SHAKESPEARE, William (William SHAKESPEARE)

Amateur musician, pianist, vocalist, choir singer

Born Birmingham, England, June 1843; baptised St. Stephen, Birmingham, 20 July 1845; son of Joseph SHAKESPEARE and Sophia LEWIS
Arrived Adelaide, SA, 22 October 1849 (per Abberton, from London, 22 June)
Married Julia Ann MARTIN (1842-1915), Adelaide, SA, 22 December 1864
Died Unley, SA, 4 February 1830

https://trove.nla.gov.au/search?l-publictag=William+Shakespeare+1845-1930 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAKESPEARE-William (shareable link to this entry)

SHAKESPEARE, Priscilla (Priscilla SHAKESPEARE; Mrs. Henry Thomas DAVIS; Mrs. H. T. DAVIS)

Vocalist

Born Birmingham, England, 1846; baptised St. Stephen, Birmingham, 10 May 1846; daughter of Joseph SHAKESPEARE and Sophia LEWIS
Arrived Adelaide, SA, 22 October 1849 (per Abberton, from London, 22 June)
Married Henry Thomas DAVIS (d. 1878), Adelaide, SA, 25 December 1868
Died Fullarton, SA, 23 February 1926

https://trove.nla.gov.au/search?l-publictag=Priscilla+Shakespeare+Davis+1846-1926 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAKESPEARE-Priscilla (shareable link to this entry)


Documentation:

[Baptisms solemnized in Preston Bagot church, in the year 1808]; register 1750-1812; Warwickshire County Council

https://www.ancestry.com.au/imageviewer/collections/2416/images/4290947_00376 (PAYWALL)

Joseph son of John & Hannah Shakespear was . . . Christened May 19 1808 . . .

Baptisms solemnized in the parish of St. Philip Birmingham in the county of Warwick in the year 1839; register 1835-40, page 583; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316899-00607 

No. 4664 / [September] 26th / James / born 7th July 1839 / son of Joseph & Sophia / Shakespear / Hanley Street / Tool Maker . . .

Baptisms solemnized in the parish of St. Stephen's in the county of Warwick in the year 1845; register 1844-65, page 5; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316954-00004 (PAYWALL)

Nos. 39, 40 / July 20 / Mary Ann [daughter of] // William [son of] / Joseph & Sophia / Shakespere / Hanly Street / Tool Maker . . .

Baptisms solemnized in the parish of St. Stephen's in the county of Warwick in the year 1845; register 1844-65, page 12; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316954-00008 (PAYWALL)

No. 96 / May 10 / Priscilla [daughter of] / Joseph & Sophia / Shakespere / Handly Street / Tool Maker . . .

"NEW ORGAN", South Australian Register (16 October 1855), 3

http://nla.gov.au/nla.news-article49300820 

The Trustees of the Pirie-street Chapel have just received from England a new organ for that place of worship. It has been made expressly to order by Eagles, No. 4, John's-terrace, Hackney-road, London. The front is of polished mahogany in the Gothic style, with ornamental rows of gilded pipes, and is of superior workmanship. The compass and power of the instrument may to some extent be inferred from the following particulars: -
There are two keyboards, the lower belonging to the great organ, and the upper to the swell.
The compass of the great organ is from CC to F in alt, and contains the following stops: -
1. Open Diapason. 2. Stopt Diapason Bass. 3. Clarabella Treble. 4. Dulciana to tenor C. 6. Wald Flute to tenor C. 6. Principal. 7. Twelfth. 8. Fifteenth. 8. Sexquialtre, and cornet. 10. Cornopean Bass. 11. Cremona to fiddle G.
The compass of the swell organ is from tenor C, and contains the following stops: -
1. Bourbon [sic]. 3. Open. Diapason. 3. Stopt Diapason. 4 Principal. 5. Fifteenth. 6. Mixture, two ranks. 7. Cornopean. 8. Hautboy.
Besides these the swell-keys are continued downwards to CC, and act upon the following stops. -
1. Bourbon Bass, from CCC to B. 2. Open Diapason, CC to B.
There is also a pedal organ, ranging from CCC to B. The total number of pipes is 1,019. The tones of such an instrument, when heard in the capacious chapel for which it is designed, will doubtless add very much to the solemnity of divine worship. We understand that Mr. Shakespeare, of North Adelaide, has the contract for its erection.

"ORGANIST AT PIRIE-STREET CHAPEL", South Australian Register (5 November 1855), 3

http://nla.gov.au/nla.news-article49299345 

Tenders for the appointment of organist at the Pirie-street Chapel, have, we understand, been sent in by Messrs. Linger, Allen, and Dawes. The choice is at present in abeyance. The new organ, recently imported from England, is in course of erection by Mr. Shakespeare.

ASSOCIATIONS: Carl Linger (musician); Robert Daws (musician, successful candidate)

"CHRIST CHURCH", Adelaide Times (25 March 1856), 3

http://nla.gov.au/nla.news-article207090547 

We are informed that, notwithstanding the fears entertained relative to the amount of damage sustained by the organ, by the late storm, it has been repaired by Mr. Shakespeare, at a trifling cost, and was played as usual on Easter day.

"CHRIST CHURCH", Adelaide Times (27 March 1856), 3

http://nla.gov.au/nla.news-article207090624 

In reference to the organ at Christ Church, North Adelaide, which, it was stated, had been repaired, we are requested to insert the following note: - "Sir - Would you be kind enough to allow me to correct the statement of your informant concerning the organ in Christ Church. It has not been 'repaired at a trifling expense by Mr. Shakespeare;' it has only been partially repaired from a want of funds. Nevertheless, we shall be most happy if your informant will come forward and defray the 'trifling expense' necessary to render the working and quality of the instrument as it was before. - I am, &c., The Organist of Christ Church, March 26, 1856."

ASSOCIATIONS: Samuel Greenwood (organist, Christ Church)

"CONGREGATIONAL CHAPEL, GLENELG", The South Australian Advertiser (20 March 1862), 3

http://nla.gov.au/nla.news-article31808701 

On Sunday last, the 16th inst, anniversary sermons were preached in the above place of worship . . . On Tuesday, the 18th, a public tea was held . . . After the tea a public meeting was held in the chapel . . . The choir, conducted by Mr. Shakespeare, then sang an anthem, which was warmly applauded . . . The choir again sang a piece of music . . .

[News], The South Australian Advertiser (25 April 1863), 7

http://nla.gov.au/nla.news-article31822821 

The anniversary tea meeting in connection with the Glenelg Congregational Church took place on Tuesday evening, the 7th of April . . . Mr. Shakespeare kindly presided at the harmonium, and several friends sang various selections of music. The meeting was interesting and successful.

"FREEMAN-STREET YOUNG MEN'S SOCIETY", The South Australian Advertiser (20 May 1863), 3

http://nla.gov.au/nla.news-article31823741 

On Tuesday evening, May 19, the first soiree of the Freeman-street Young Men's Society was held in the school-room adjoining the chapel . . . Miss Randell then sang the well-known song "Mary of Argyle" very nicely, Mr. W. Shakespeare presiding at the pianoforte in this as well as all the succeeding pieces. Mr. H. Dean next recited Tennyson's sweet poem, entitled "The May Queen" . . . This was followed by a duet, "List to the Convent Bells," well rendered by Miss Shakespeare and Miss Wheatley . . .

"STOW MEMORIAL CHURCH", South Australian Register (26 September 1863), 7

http://nla.gov.au/nla.news-article50170083 

The members of the Freeman-street Young Men's Association, assisted by those of other similar Societies, presented an exceedingly interesting, instructive, and varied entertainment to a very numerous attendance, at White's Rooms, on Tuesday evening, in aid of the Stow Memorial Church Fund . . . Instrumental and vocal music and recitations from eminent writers formed the remaining features of the entertainment. Mr. L. Norman's skilful and masterly performances on the pianoforte are too widely known and thoroughly appreciated to need notice. His "Auld Lang Syne," with variations, exacted a most enthusiastic encore. Mr. J. Shakespeare played with him in the duet, "Airs from Lucrezia Borgia." The vocalists of. the evening, Mrs. Wishart and Mr. J. W. Daniel, were both in good . . .

ASSOCIATIONS: Linly Norman (pianist); Susannah Wishart (vocalist); Josiah Wyke Daniel (vocalist)

"TOPICS OF THE DAY", The South Australian Advertiser (13 May 1868), 2

http://nla.gov.au/nla.news-article31978134 

The Concert at White's Rooms, on Tuesday evening, was in all respects a decided success. It was intended to be complimentary to Mr. Jas. Shakespeare, a gentleman who has done something to foster a musical taste in Adelaide, and whose gratuitous services for every good cause have never been withheld when asked for, and deserved some recognition. The attendance was large, and the entertainment pro vided was an interesting and ambitious one. The first part of the programme consisted of the first four scenes from Bellini's grand opera, "Norma," and they were performed with very considerable ability for amateurs. The second and third parts consisted of choruses, songs, and duets selected from the operas of "Satanella," the "Bohemian Girl," "Maritana," "Norma," and "Lurline," and they were all capitally given. In fact, where all was so well done, it is almost invidious to particularise, but we may mention the names of Miss Shakespeare, Mrs. Grayson, Mrs. Proctor, and Miss Vaughan amongst the ladies, and those of Mr. L. Jagee, and Mr. W. S. Dyer amongst the gentlemen, as being the most prominent in the evening's entertainment. Mrs. Arthur Payne presided at the pianoforte, and played a fantasia on Bohemian Airs with much ability during the evening. Mr. George Loder acted as conductor, Mr. W. Chapman as leader of the band, and Mr. J. Shakespeare also assisted in presiding at the piano and conducting. The entertainment, which was a brilliant success, passed off amidst frequent demonstrations of applause. Several encores were demanded by persons in the back seats during the evening, but the performers, with commendable good sense, declined to comply with the calls. The National Anthem brought the whole to a close about 10.30 o'clock. It is to be hoped that Mr. Shakespeare will afford the Adelaide public some further opportunities of hearing classical music.

ASSOCIATIONS: George Loder (conductor); Mrs. Proctor = Susannah Wishart (above)

"BELLINI'S NORMA", Evening Journal (11 April 1871), 3

http://nla.gov.au/nla.news-article197655768 

The performance of this opera in White's Room on Monday evening was witnessed by a very large audience, although the night was dark and the weather anything but propitious. Had the fine warm weather of the previous fortnight continued there would no doubt have been a crowded attendance. The following is the cast of the characters: - Norma, Mrs. H. T. Davis; Adalgisa, Mrs. F. Perryman; Clotilda, Mrs. L. Grayson; Pollio, Mr. W. Dyer; Oroveso, Mr. G. C. Smith. Mr. J. S. Brooks had engaged to take the part of Flavius, but from some unexplained cause he left Mr. Dyer to perform the difficult task, even for a Roman, of carrying on the dialogue with himself. The band and chorus comprised over twenty performers. Mr. J. Hall acted as conductor, and Mr. W. Chapman as leader. The whole were under the general direction of Mr. James Shakespeare, who presided also at the grand pianoforte. The music for the band was arranged by Mr. Hall, and was admirably performed. The scenery was painted by Mr. C. Leicester, and was both appropriate and effective.

An evening with Bellini, with Shakespeare doing the amiable, and introducing his antipodean guests of the nineteenth century to the ancient temples of the Druids during the time of the invasion of Britain by the Romans, was a novelty calculated to awaken "sensations strange and new." The audience must have been equally surprised and delighted with what they saw and heard. Some of them had no doubt witnessed the performance of this sublime opera as recently brought out in the neighbouring colonies, with Baratti for the heroine. Others might still have retained reminiscences of Malibran, Pasta, Parodi, Piccolomini, or the unapproachable Grisi, in their impersonations of the High Priestess of the Druids: and the recollection of the production of the opera with all the brilliant surroundings of the lyric stage of London, Paris, or Vienna may have led them to regard its representation on Monday night as a comparative failure. And so it was. Everything is great or small, successful or unsuccessful, only by comparison.

Remembering, however, that the performances on Monday evening were by amateurs, it must be conceded that they deserve very great praise. Mrs. Davis's Noma was a carefully studied impersonation. Her voice is a pure soprano, and though somewhat weak and thin in the lower notes, it has an extensive range, reaching to something like C in alt. It is also very flexible, and has evidently been subjected to a careful training. There are very many passages in "Norma" which, to an ordinary vocalist, are of impossible execution; yet even the most elaborate phrases were rendered with almost faultless exactitude. In the first two or three scenes she was apparently nervous, and to the same extent feeble; but she gained confidence as the drama progressed, and towards its conclusion rose to something like tragic grandeur. Mrs. Perryman also was very much admired. This lady has greatly improved since her former residence in Adelaide . . . The opera will be repeated this evening.

ASSOCIATIONS: Caroline Peryman (vocalist); John Thomson Hall (conductor, violinist); William Chapman (leader, violinist)

"DEATHS", South Australian Register (19 March 1888), 4

http://nla.gov.au/nla.news-article46864885 

SHAKESPEARE.- On the 18th March, at his residence, Henley Beach, Joseph Shakespeare, aged 79 years.

"EARLY CHURCH MUSIC. CHAT WITH MR. JAMES SHAKESPEARE", The Register (30 August 1906), 6

http://nla.gov.au/nla.news-article55620620 

Mr. James Shakespeare, the organist of Stow Memorial Congregational Church, is one of the oldest professors of the divine art in Adelaide. Born in one of the musical centres of England - Birmingham - in 1839, he was brought to South Australia by his parents when nine years of age. In the subsequent years he has seen practically the whole development of musical culture in the State, and has many interesting reminiscences to recount, especially in relation to the service of praise in connection with the churches. He was the son of Mr. Joseph Shakespeare, the first engineer to drive a train on the Adelaide to Port Adelaide Railway, and his love for music was partly inherited, for the father was an organist, and constructed a cottage pipe organ for his own use. Mr. James Shakespeare, in the first years of his colonial life, was taken to the Castlemaine, Bendigo, and Echunga goldfields successively, and afterwards settled, down to study in the late Mr. James Bath's school, where he was appointed head assistant. During these schooldays he received his first musical engagement as organist of St. Margaret's Anglican Church, Woodville. The instrument there was the seraphine, a concern similar to a harmonium, but possessing only one pedal. Mr. Shakespeare was next made assistant master in the late Mr. J. L. Young's school in Stephens place; and on leaving that institution took up music as a profession, and achieved much success in the enterprise.

- The First Pipe Organ. -
"The first pipe organ I heard in South Australia," said Mr. Shakespeare, "was in St. John's Church. That was in 1848 [sic, 1849] It charmed me, and revived sweet memories of the homeland. There was also a little pipe organ with three or four stops in All Saints' Church, Hindmarsh, where I was a Sunday scholar in the same class with the present Commissioner of Public Works (Hon. J. Vardon). At that time I happened to be introduced by chance by Mr. (now Sir Jenkin) Coles, who was a Christ Church chorister, to Mr. Greenwood, organist at that church. Having an excellent voice I became a solo choir boy there, and remained in that capacity until my voice broke. The instrument they had there was purchased from the residence known as 'Graham's Castle' at Prospect. My father enlarged the instrument, and introduced pedals and pedal pipes into it. When it was afterwards sold I bought it, and the organ was subsequently used in the Norwood Baptist Church until the present one was built there, when it went into the possession of Mr. Dodd, the organ builder.

- Early Church Music -
"Something about the early church music? Well, originally the Adelaide church music was unpretentious. At Christ Church we had the 'Te Deum,' 'Jubilate,' and ordinary hymns, with Jackson's morning service and King's evening service rendered fairly regularly. While I was chorister boy there we never went beyond that.

- Stow Church. -
"I was first appointed organist - or harmoniumist - at the Congregational Church in Freeman street (now used as Simpson's tinware factory), 43 1/2 years ago - about six months before the death of the Rev. T. Q. Stow. So primitive were the ideas of the people in regard to the musical service that they would not tolerate the introduction of chants and psalms. The present Stow Memorial Church was built during the pastorate of the Rev. C. W. Evans, who succeeded Mr. Stow, and he was again succeeded by the Rev. Colmer B. Symes, B.A. In the time of the last-mentioned the pipe organ was purchased. I was entrust ed with the specifications, and it was ordered in England, by Mr. Graves from Speechley & Ingram. It cost £600, and when it arrived in Adelaide was one of the most imposing instruments in the city, and the Governor was present at the opening. The 'fathers' of the church were very hostile to the organ, and considered it uncalled-for and 'popish.'

- Early Difficulties. -
"When I introduced the chanting of a hymn, during the ministry of the Rev. C. W. Evans, many of the congregation would immediately sit down. One gentleman who was since known as among the greatest benefactors of the church, would always wait outside whilst the voluntary was being played before the service; and, with others, would rush out quickly when anything like a voluntary concluded the devotions, or was put in as an interlude during the offertory. In fact, a meeting was held deprecating voluntary playing or music after the service. At this gathering a prominent member told the assembly that when I was playing - the selection was 'Comfort ye, my people,' from 'The Messiah' - his child began to move her feet. He said to her, 'What are you doing?' and she asked. 'Oh, papa, is that not a dance tune? The anecdote had its effect on the people, and the minister asked if I would simply play 'I will arise and go to my Father,' and no concluding voluntary. I did this for a time, but afterwards said I would go rather than submit to be so hampered. I determined to play a simple melody before and after the service, but it had to be of a hymnal character, lest it should shock the good folk. An anthem was never heard except on festive occasions, and then the very people who objected most strongly to its employment in the regular service were delighted with it, and we were asked to sing it at tea and public meetings. Mr. Symes, when pastor, determined that he would not only have chanting, but the 'Te Deum;' but this was fatal to his popularity. Some of the church members reduced their subscriptions by 50 per cent., but I little knew how much the pastor had suffered in trying to improve the music until Mr. Symes told me himself afterwards. When the late Rev. W. Roby Fletcher took the pulpit there was an accumulated debt of £200, caused by the reduced subscriptions. A committee was formed to decide how this should be wiped off. It was suggested that the organ should be closed, the organ blower dismissed, and the harmonium reinstated; and that I should be asked to play for £30 per annum. I replied that if the church was in difficulties I would play for nothing; but that I would not disgrace my profession by playing for £30 per year. As I had offered to play for nothing they could not well send me away, and I remained. They had somehow the idea that the Moody and Sankey style of hymn and the old tunes out of the Union Tunebook were quite good enough for any church worship. But those days are gone by, and Stow Church now is, perhaps, not so far behind the other churches in its musical service.

- Music and Painting. -
Mr. Shakespeare was among the early musicians of the city to cater for the higher education of the public in the divine art. He produced the operas "Norma" and "Maritana" in the presence of Sir James Fergusson, a former Governor; and gave the first concert in the Town Hall after the corporation concert at the opening. At that time Mr. Shakespeare was organist to the Philharmonic Society. Not alone to this fascinating branch of art has he devoted his energies; however. The visitor to his residence finds himself in a gallery of excellent pictures. Many of these are from Mr. Shakespeare's own brush; for he has during the past 16 years acquired an expertness in the use of oil paints, and two large canvases just finished are highly creditable copies of famous pictures in the National Gallery.

ASSOCIATIONS: Joseph Vardon (chorister); Jenkin Coles (chorister); Josiah Eustace Dodd (organ builder)

"A VETERAN ORGANIST", The Register (27 January 1906), 7

http://nla.gov.au/nla.news-article55649642 

After 45 years of service in Stow Memorial Church as organist and choirmaster Mr. James Shakespeare has sent in his resignation. It falls to the lot of few musicians to enjoy such, a varied experience as Mr. Shakespeare has done. His record is unique, whilst his experiences of church music in the early days of the State enables him to recall many incidents of public interest. He is one of the oldest professors of the divine art in Adelaide. Born in one of the musical centres on England - Birmingham - in 1839, he was brought to South Australia by his parents when nine years of age. In the subsequent years he has seen practically the whole development of musical culture in the State, and has many interesting reminiscences to recount, especially in relation to the service of praise in connection with the churches. He was the son of Mr. Joseph Shakespeare, the first engineer to drive a train on the Adelaide to Port Adelaide Railway, and his love for music was partly inherited, for the father was an organist, and constructed a cottage pipe organ for his own use. Mr. James Shakespeare, in the first years of his colonial life, was taken to the Castlemaine, Bendigo, and Echunga goldfields successively, and afterwards settled down to study in the late Mr. James Bath's school, where, he was appointed head assistant. During these school days he received his first musical engagement as organist of St. Margaret's Anglican Church, Woodville. The instrument there was the seraphine, a concern similar to the harmonium, but possessing only one pedal. Mr. Shakespeare was next made assistant master in the late Mr. J. L. Young's school, in Stephens place and on leaving that institution took up music as a profession, and achieved much success in the enterprise.

- The First Pipe Organ. - "The first pipe organ I heard in South Australia," said Mr. Shakespeare, "was in St. John's Church. That was in 1848 [sic, ? 1849]. It charmed me, and revived sweet memories of the homeland. There was also a little pipe organ with three or four stops in All Saints' Church, Hindmarsh, where I was a Sunday scholar in the same class with the Hon. J. Vardon. At that time I happened to be introduced by chance by Mr. (now Sir Jenkin) Coles, who was a Christ Church chorister, to Mr. Greenwood, organist at that church. Having an excellent voice I became a solo choir boy there, and remained in that capacity until my voice broke. The instrument they had there was purchased from the residence known as 'Graham's Castle,' at Prospect. My father enlarged the instrument, and introduced pedals and pedal pipes into it. When it was afterwards sold I bought it, and the organ was subsequently used in the Norwood Baptist Church until the present one was built there, when it went into the possession of Mr. Dodd, the organ builder.

- Early Church Music - 'Something about the early church music? Well, originally the Adelaide church music was unpretentious. At Christ Church we had the 'Te Deum,' Jubilate,' and ordinary hymns, with Jackson's morning service and King's evening service rendered fairly regularly. While I was chorister boy there they never went beyond that.

- Stow Church. - . . . [as above and below]

"DEATH OF MR. JAMES SHAKESPEARE", The Register (5 October 1912), 17

http://nla.gov.au/nla.news-article58597225 

After nine months' illness the death occurred from paralysis on Friday morning, at Miss Hills Private Hospital, of Mr. James Shakespeare. For many years he had resided in Stratford Villa in Pulteney street. The house was named after the birthplace of the great bard, from whom Mr. Shakespeare claimed descent. Here he conducted a bachelors' home, and many of his old associates, who still live in Adelaide, will share in the regret at his death. The relatives include Mr. William Shakespeare (City Inspector, the only brother), and five sisters - Mesdames L. Grayson, Davis, W. H. Newbold, C. Holder, and R. J. Leicester. The deceased was born in Birmingham, England, 72 years ago. He arrived in South Australia with his parents in 1849, and received his education at Christ Church School, North Adelaide. The head master was the late James Bath, who afterwards was Secretary to the Minister of Education. Mr. Shakespeare was for several years assistant teacher to Mr. Bath. Afterwards he received an appointment as one of the teachers at the late J. L. Young's Academy in Adelaide, where he continued for several years. Having adopted the profession of music, he devoted the whole of his time to that calling, and was highly successful, he was appointed organist at the Freeman Street Congregational Church, and afterwards at Stow Church Flinders street, where he continued as organist for 45 years. On retiring, nearly seven years ago, he was presented with an address and a purse of sovereigns. In 1871 Mr. Shakespeare produced the opera "Norma" at White's Assembly Rooms (now the Tivoli Theatre), and also the opera "Maritana," in the following year. For several years he was the organist of the first Philharmonic Society. On becoming a Freemason he was appointed the organist of his lodge, and acted in the same capacity for several other lodges. Afterwards he was elected as organist to the Grand Lodge, which appointments he retained until stricken with paralysis. In addition to passing through the various chairs, Mr. Shakespeare's services as a lecturer upon Freemasonry were often sought by the various lodges. It was when going to deliver one of his lectures to the Snowtown Lodge that owing to the excessive heat he received a stroke and became an inmate of the private hospital in that town for several weeks. Mr. Shakespeare composed a musical service of Masonic Ritual, which is now being printed in book form in London. This has been highly praised by lodge members. The late Mr. Shakespeare was also an artist in oil-painting. For many years he conducted the young men's Bible class at Stow Church, and was made the recipient of a beautiful present on relinquishing that office. On the occasion of Mr. Shakespeare's retirement from the position of organist and choirmaster of Stow Church he gave an interview to a representative of The Register, who stated:

"It falls to the lot of few musicians to enjoy such a varied experience as Mr. Shakespeare has done. His record is unique, and his experiences of church music in the early days of the State enable him to recall many incidents of public interest. He is one of the oldest professors of the divine art in Adelaide. He has seen practically the whole development of musical culture in the State, and has many interesting reminiscences to recount, especially in relation to the service of praise in connection with the churches. He was the son of Mr. Joseph Shakespeare, the first engineer to drive a train on the Adelaide to Port Adelaide Railway, and his love for music was partly inherited, for the father was an organist, and constructed a cottage pipe organ for his own use.

"I was first appointed organist, or harmoniumist, at the Congregational Church in Freeman street (now used as Simpson's tinware factory) 45 years ago" (stated Mr. Shakespeare), "about six months before the death of the Rev. T. Q. Stow. So primitive were the ideas of the people in regard to the musical service that they would not tolerate the introduction of chants and psalms. The 'fathers' of the church were very hostile to the pipe organ, and considered it uncalled for and 'Popish.' When [I] introduced the chanting of a hymn many of the congregation would immediately sit down. In fact, a meeting was held deprecating voluntary playing or music after the service. The minister asked if I would simply play 'I will arise and go to my father,' and no concluding voluntary. I did this for a time, but afterwards said I would rather go than submit to be so hampered. I determined to play a simple melody before and after the service. but it had to be of a hymnal character lest it should shock the good folk. An anthem was never heard except on festive occasions, and then the very people who objected most strongly to its employment in the regular service were delighted with it, and we were asked to sing it at tea and public meetings. Mr. C. B. Symes, when pastor, determined that he would not only have chanting but the 'Te Deum,' but this was fatal to his popularity. Some of the church members reduced their subscriptions by 50 per cent., but I little knew how much the pastor had suffered in trying to improve the music until Mr. Symes told me himself afterwards. When the late Rev. W. Roby Fletcher took the pulpit there was an accumulated debt of £200, caused by the reduced subscriptions. A committee was formed to decide how this should be wiped off. It was suggested that the organ should be closed the organist dismissed, and the harmonium reinstated; and that I should be asked to play, for £30 per annum. I replied that if the church was in difficulties I would play for nothing but that I would not disgrace my profession by playing for £30 a year. As I had offered to play for nothing, they could not very well send me away and I remained."

"PIONEER'S REMINISCENCES. Adelaide in the Fifties", The Mail (19 September 1925), 18

http://nla.gov.au/nla.news-article59962621 

To have seen Adelaide develop across a span of 76 years, from the time when the city was a veritable "sea" of gum trees, is the record of Mr. W. Shakespeare, a genial, white-haired pioneer. Despite his 83 years, he is still hale and hearty, with a fund of reminiscences and a lingering taste for the simple pleasures of his youth.

"I was born at Henley street, Birmingham, in June, 1843," he said, "and six years later left for Australia with my parents by the Lady Abington. We embarked on June 22, and arrived at Port Adelaide on October 22, a wide difference from the few weeks in which ocean greyhounds now make the voyage.

"The next seven years I spent at Christ Church day school, North Adelaide, and became a chorister at the church. In 1856 my father, Joseph Shakespeare, assisted with the assembling of the first locomotive engine brought to South Australia. He was the first driver of the train, travelling between Adelaide and Port Adelaide, and I was the first apprentice in the Locomotive Department of the South Australian Railways.

"Like most people, the 'boards' appealed to me in my youth, and I later developed a love for theatricals, which has not yet left me. I was a member of the Adelaide Garrick Club, and took a part in 'The Lady of Lyons,' a drama which was performed for charity in the old Victoria Theatre in Currie street. Afterwards I was made president of the club.

"For a long time I was connected with the Trinity Church Young Mens' Society . . . FIRST MAGIC LANTERN "My temporal activities included being secretary and treasurer of the South Australian Railways Sick and Accident Society. I was the first person in South Australia to give limelight lantern exhibitions of dissolving views to illustrate a lecture . . .

"Though not a first-class singer by any means," said Mr. Shakespeare modestly, "I was always connected with church choirs and musical societies, and assisted in the performance of two operas, "Norma" and "Maritana," both of which were produced by my late brother, James, in White's Rooms . . .

"DEATHS", The Advertiser (27 February 1926), 12

http://nla.gov.au/nla.news-article43912350 

DAVIS. - On the 23 February, Priscilla Shakespeare Davis, aged 79 years, privately interred at West-terrace Cemetery.


Musical work:

Town Hall polka, dedicated to W. Townsend, Esq., M.P., (Late mayor of Adelaide) by James Shakespeare ([Adelaide]: Sims & Elliott, music printers, [1867])

https://trove.nla.gov.au/work/21665004 

https://nla.gov.au/nla.obj-168337254 (DIGITISED)

"TOWN HALL POLKA", South Australian Register (21 August 1867), 2

http://nla.gov.au/nla.news-article39181837 

We have to acknowledge the receipt of a copy of the Town Hall Polka, composed by Mr. James Shakespeare, and published by Simms & Elliott [sic], music printers, Gawler-place. The title-page contains a pictorial representation of the Town Hall in chromo-lithography by Penman and Galbraith. The work is dedicated to Mr. W. Townsend, M.P., late Mayor of Adelaide. The music, though not entirely faultless, indicates considerable skill on the part of the composer both as regards the counterpoint and the melody. The former is even more original than the latter. The printing is clear and distinct, and in every other respect the publication is a credit to the artists concerned in its production. Every pianist should obtain a copy.

ASSOCIATIONS: William Townsend (politician); Walter Cousins Sims and Joseph Elliott (music printers, publishers)


Bibliography and resources:

David Shield, "The elusive Miss Blown: organists of South Australia", OHTA Journal (April 1998), 16-18, 23-29

http://members.ozemail.com.au/~mquarmby/doc/articles/shield1.html 




SHALL, William (William SHALL)

Musician, pianist, professor of music

Active Eaglehawk, VIC, 1867

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHALL-William (shareable link to this entry)


Documentation:

"EAGLEHAWK POLICE COURT. Monday, 10th June . . . PROTECTION FROM THE COLD", Bendigo Advertiser (11 June 1867), 3

http://nla.gov.au/nla.news-article87952773 

William Shall was charged with stealing a blanket from Adolphe Norman, a resident of Maiden Gully, on the 7th instant. The prisoner pleaded guilty. The complainant stated that about six weeks ago he found the prisoner knocking about Maiden Gully, almost starving, and procured him a situation. About a week ago the prisoner returned to Maiden Gully and said his master had given him two or three days' holiday. The prisoner never went away again to his work, and complainant missed a blanket and several other articles. Prisoner, who is a German, told the Bench that he was a teacher by profession; he could speak French, Italian, Spanish, English, and German, and could also play the piano. The Police Magistrate read the defendant a severe lecture and sentenced him to one month's imprisonment with hard labor.

"WHAT MAY HAPPEN TO A MAN IN VICTORIA", Bendigo Advertiser (11 June 1867), 2

http://nla.gov.au/nla.news-article87952782 

Yesterday at the Eaglehawk Police Court, a young man named William Shall, about twenty five years of age, was sentenced to one month's imprisonment for stealing a blanket from a fellow countryman named Norman residing in Maiden Gully. Norman had found Shall about four weeks ago in a destitute state sleeping amongst the bushes in the gully, and took him to his house. Afterwards Norman got him a situation at Huntly, but Shall not being allowed his liberty on Sundays left and returned to Maiden Gully, rewarding his benefactor for his kindness by breaking into his house and stealing the blanket. Shall is a teacher by profession and can speak five different lauguages fluently, viz, French, Italian, Spanish, German, and English. He is also a professor of music and is a very accomplished pianist.

"AN EDUCATED THIEF", Launceston Examiner (20 June 1867), 2

http://nla.gov.au/nla.news-article36644328

William Shall, a teacher by profession, an accomplished linguist, speaking no less than five modern languages fluently, and an experienced musician, was sent to gaol for a month by the magistrates of Eaglehawk for stealing a blanket. A man named Norman, who found Shall about four weeks ago in a destitute condition, took him home with him, and afterwards got him a situation. The ungrateful scamp rewarded his benefactor by breaking into his house and stealing the blanket.




SHALLARD, Joseph Thomas (Joseph Thomas SHALLARD; J. T. SHALLARD)

Music and general compositor, printer, and publisher

Born England, 1828; baptised Moseley St. Mary, King's Norton, Worcestershire, 22 June 1828; son of Joseph SHALLARD (d. VIC, 1881) and Elizabeth HOLLADAY (d. VIC, 1861)
Active Melbourne, VIC, by 1856
Married Jane HATTERLY (d. 1871), Melbourne, VIC, 1860
Died Leichhardt, NSW, 21 June 1893, aged 65 years

https://trove.nla.gov.au/search?l-publictag=Joseph+Thomas+Shallard+1828-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHALLARD-Joseph-Thomas (shareable link to this entry)


Documentation:

Baptisms solemnized in Moseley Chapel in the Parish of King's Norton in the County of Worcester in the year 1828; register 1813-41, page 49; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316572-00379 (PAYWALL)

No. 387 / 1828 June 22 / Joseph Thomas son of / Joseph & Elizabeth / Shallard / Highgate in the Parish of Aston / Tailor . . .

"VICTORIA INDUSTRIAL SOCIETY", The Age (15 April 1859), 5

http://nla.gov.au/nla.news-article154839001 

The exhibition of products of Victorian industry, at Cremorne Gardens, has now assumed a completeness which justifies us in bestowing more than passing notice on its varied contents . . . typography by Messrs. Clarson, Shallard, and Co.; and lithography by Messrs. De Gruchy and Leigh, and Mr. Wallace, of 14 Queensberry street east . . .

[Advertisement], The Argus (7 October 1859), 1

http://nla.gov.au/nla.news-article5689515

STRONG ROLLER-BOY WANTED, at Clarson, Shallard, and Co's, 94 Bourke street east.

[News], The Argus (21 May 1861), 5

http://nla.gov.au/nla.news-article5700377 

We have received two pieces of music, composed by F. A. Packer, R.A.M., and published by Messrs. Clarson, Shallard, and Co., Melbourne - a "Mazurka," and "Nearer to Thee, Hymn 109." They are decidedly as original and talented as any colonial musical productions we have heard. The hymn is beautifully simple and pure in style, and the mazurka eminently spirited and varied. Each manifests a power of which any composer might well be proud; and we congratulate ourselves on having in Australia so talented a composer as Mr. Packer.

ASSOCIATIONS: Frederick Alexander Packer (composer)

[Advertisement], The Herald (15 December 1863), 1

http://nla.gov.au/nla.news-article247592475 

NOTICE.- The PARTNERSHIP previously existing between JOSEPH T. GIBBS, ALFRED MASSINA, JOSEPH T. SHALLARD, and WILLIAM CLARSON, under the style or firm of CLARSON, SHALLARD, and CO., PRINTERS, Melbourne and Sydney, was DISSOLVED on the 23rd day of November, 1863, so far as regards the said Joseph T. Shallard and William Clarson.
Signed
JOSEPH T. GIBBS.
ALFRED MASSINA.
JOSEPH, T. SHALLARD.
WILLIAM CLARSON.
Witness - James Mckean.
The business will be CARRIED ON as before, by consent, under the style and firm of CLARSON, SHALLARD, and CO. by the undersigned, by whom also all DEBTS will be RECEIVED, and all ACCOUNTS PAID.
ALFRED MASSINA.
JOSEPH T. GIBBS.
85 Bourke street east, Melbourne.
207 Pitt Street, Sydney.

ASSOCIATIONS: Alfred Henry Massina (printer, d. 1917)

[Advertisement], The Argus (5 April 1864), 3

http://nla.gov.au/nla.news-article5747030 

THURSDAY, APRIL 7. In the Supreme Court of the Colony of Victoria. Fi. Fa.
Between Courtney and Another, Plaintiffs, and Joseph Thomas Shallard, Defendant.
NOTICE is hereby given, that the sheriff for the colony of Victoria will cause to be SOLD by PUBLIC AUCTION (unless the execution be previously satisfied), on Thursday, the 7th day of April, 1864, at the hour of twelve o'clock noon, at the Supreme Court Hotel, La Trobe street, Melbourne,
The right, title, and interest (if any) of the abovenamed defendant in and to the machinery, type, printing materials, &c., now used by Clarson, Shallard, and Co , at 85 Bourke street east, in the city of Melbourne, as general printers.
Together with the defendant s household furniture and effects.
Terms - Cash.
GEORGE BURNS, Sheriff s Officer.

"NEW INSOLVENTS", The Herald (7 April 1864), 4

http://nla.gov.au/nla.news-article247591869 

Joseph Thomas Shallard, of Fitzroy, compositor. Causes of insolvency: Depreciation in property, unascertained liabilities in connection with the Provident Institute, and costs in an action of ejectment. Liabilities, L61; assets, L33; deficiency, L28. Mr. Moore, official assignee.

[Advertisement], The Illustrated Sydney News (16 February 1866), 16

http://nla.gov.au/nla.news-article63512800

THE PARTNERSHIP existing during the last seven years between the undersigned, under the style of CLARSON, SHALLARD, & Co., as Printers and Publishers, has this day been renewed, and will henceforth be conducted in Sydney and Melbourne in the names of the resident Partners, as under:
GIBBS, SHALLARD, & Co., SYDNEY. CLARSON, MASSINA, & Co., MELBOURNE.
(Signed) JOSEPH T. B. GIBBS, JOSEPH T. SHALLARD, ALFRED MASSINA, WILLIAM CLARSON. January 1st. 1866

[Advertisement], The Argus (2 March 1869), 7

http://nla.gov.au/nla.news-article5813268 

NOTICE of DISSOLUTION -The PARTNERSHIP hitherto existing between the undersigned, carrying on business, as printers and publishers in Melbourne, has this day been DISSOLVED, by mutual consent.
WILLIAM CLARSON, ALFRED MASSINA (Clarson, Massina, and Co., Melbourne).
JOSEPH T. B. GIBBS, JOSEPH SHALLARD (Gibbs, Shallard, and Co., Sydney).
The business in Melbourne will be conducted as here before by the said William Clarson and Alfred Massina under the old style of "Clarson, Massina, and Co.," who will pay accounts owing and receive moneys due.
The business in Sydney will be conducted as heretofore by the said Joseph Gibbs and Joseph Shallard, under the old style of "Gibbs Shallard, and Co.," who will pay accounts owing and receive moneys due.
February 24, 1869.

"INTERCOLONIAL TELEGRAMS. SYDNEY, THURSDAY", The Argus (23 June 1893), 6

http://nla.gov.au/nla.news-article8568090 

Mr. Joseph Thomas Shallard, formerly of the, firm of Messrs. Gibbs, Shallard, and Company, the well-known printers, died last night from a paralytic stroke.

"DEATHS", The Sydney Morning Herald (26 June 1893), 10

http://nla.gov.au/nla.news-article13936334

SHALLARD. - June 21, at Prospect-street, Leichhardt, Joseph Thomas Shallard, formerly of Gibbs, Shallard, and Co , aged 65 years.


Musical editions (Clarson, Shallard and Co.) (1859-66)

https://trove.nla.gov.au/search/category/music?l-publictag=Clarson+Shallard+and+Co (TROVE tagged by Australharmony)

ASSOCIATIONS: William Clarson (partner)


Musical editions (Gibbs, Shallard and Co.) (from 1866)

https://trove.nla.gov.au/search/category/music?l-publictag=Gibbs+Shallard+and+Co (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-558529 (NLA persistent identifier)

ASSOCIATIONS: Joseph Gibbs (partner)


Other publications (Gibbs, Shallard and Co.)

F. S. Wilson, Australian songs and poems (Sydney: Gibbs, Shallard, & Co., 1870)

http://archive.org/details/australiansongsp00wils

ASSOCIATIONS: Frederick Sydney Wilson (author)


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 149 (Clarson, Shallard and Co.), 172-73 (Gibbs, Shallard and Co.)

http://ro.uow.edu.au/theses/2926 (DIGITISED)

"Gibbs, Shallard and Co.", AustLit

https://www.austlit.edu.au/austlit/page/A53324 




SHANAGHAN, James (James SHANAGHAN; SHANNAGHAN)

Musician, bandmaster, master of the band of the 58th Regiment

Born c. 1817
Arrived Sydney, NSW, 28 September 1844 (with regiment, per Pestonjee Bomanjee, from Chatham, 14 May, via Hobart Town)
Active Parramatta, NSW, 1844-45, 1846-47
Died New Zealand, 2 January 1849, aged 32

https://trove.nla.gov.au/search?l-publictag=James+Shanaghan+d1849 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHANAGHAN-James (shareable link to this entry)

SHANAGHAN, John (John Patrick SHANAGHAN; SHANNAGHAN)

Musician, bandsman, keyed bugle player, drum major, 58th Regiment

Born Weedon, Northamptonshire, England, 1823
Enlisted 58th Regiment, England, 10 May 1836
Arrived Sydney, NSW, 28 September 1844 (with regiment, per Pestonjee Bomanjee, from Chatham, 14 May, via Hobart Town)
Active Parramatta, NSW, 1844-45, 1846-47
Discharged, New Zealand, 28 February 1853
Died Auckland, NZ, 22 June 1895, aged 72

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHANAGHAN-John (shareable link to this entry)


ASSOCIATIONS: Band of the 58th Regiment (military band)


Keyed bugle, presented to Acting Corporal John Shanaghan, 58th Regiment [in New Zealand], with one coil and 8 silver keys, brass/silver, made by Thomas Key, 20 Charing Cross Road, London, England, c. 1830; Museum of Applied Arts & Sciences, NSW

https://ma.as/1209 

Inscription engraved on bell:

Presented by an officer of his Corps to Act'g Corp. Shanaghan of the 58th Reg't for his industry & talent as a Musician.


Summary:

James and John Shanaghan, respectively sergeant and corporal of the band, arrived in Sydney with their regiment, the 58th, in September 1844. Before the regiment was deployed in the war in New Zealand, the band was stationed at Parramatta for about six months, from October 1844 to March 1845. They then had a second lay-over in New South Wales, from December 1846 to June 1847, before returning again to New Zealand.

No record of James's birth has yet been found, but he and John were brothers. John was born in Weedon, Northamptonshire, in 1823, and on enlisting in the 58th Regiment, on 10 May 1836, his occupation was given as labourer. John's keyed bugle, presented to him by an officer for musical aptitude, probably sometime before 1840, is now in the Museum of Applied Arts and Sciences, Sydney.

The regiment was in Dublin in 1841 and 1842, when the band played for several public events, one of them reportedly under its then leader, a Mr. Wallace. On arriving back in England in 1843, the brass band (as it was described) reportedly consisted of 50 men.

In Sydney in February 1845, James Shanaghan, as band sergeant, was called to give evidence in a court case concerning the illegal resale of a "cornopean" belonging to the band that had been sent for repair.

The only record of the band's repertoire under James's direction was this program played for the Homebush Races, during their second Sydney sojourn, in May 1847 (see below).

James died suddenly in New Zealand in 1849, and, on suspicion of suicide, was refused burial as a Catholic. John left the regiment in 1853, settled in New Zealand, and died in Auckland in 1895.


Documentation:

"CHARGE OF FELONY", The Sydney Morning Herald (12 February 1845), 3

http://nla.gov.au/nla.news-article12877361

Mr. Edward Daniel Cohen, Jeweller, of George-street, Sydney, was on Monday morning brought before the Police Bench, charged with having unlawfully in his possession a cornupeion [sic, cornopean], he knowing the same to have been unlawfully converted by one James Henry Fullard. George Macarthur, Esq., deposed to having purchased the cornupeion produced, of Cohen, for six pounds ten shillings. Mr. Gore was in witness's company, and called his attention to the maker's name, which was the same as that of the maker of an instrument stolen from Lieutenant Mayne, of the 50th. Witness asked Cohen if the instrument was the same, or could by any possibility be the same, when he said it was not, and seemed very anxious to remove a dinge in the instrument. Mr. S. John Gore, corroborated the above evidence. James Shanaghan, bandmaster, of the 58th Regt., had given the instrument produced to Fullard to repair, about the middle of October last; he could not get it back from him, and at last, Fullard told him he had sold it for thirty shillings to Mr. Cohen. Witness then went to Sydney, and took a constable of the police with him to Cohen's shop, on the 19th of December, when prisoner acknowledged to having purchased the instrument for fifty shillings; but said, he could not give it up as he had sold it to a person who was a stranger to him, and that he could not be at the trouble of looking after persons who bought goods of him. Witness told Fullard that the instrument was for sale; that the price was six guineas; and if any body wanted to purchase it, to refer their, to him; but he never in the most distant manner authorised Fullard to soil the instrument. Lieutenant Mayne, of the 58th Regiment, deposed to having given the instrument to the bandmaster to get it repaired. James Henry Fullard deposed to having received the instrument from the Band Master to repair, and to having sold it shortly afterwards to the prisoner for 50s. Cohen asked no questions about it when he purchased it; he had known me for some years previously. This closed the evidence, and the prisoner was fully committed to take his trial; but allowed bail, himself in £100, and two sureties in £50 each.

ASSOCIATIONS: James Henry Fullard (musical instrument repairer)

"LAW INTELLIGENCE", The Sydney Morning Herald (10 April 1845), 2

http://nla.gov.au/nla.news-article12878667

58th Regiment muster roll (1 April to 30 June 1846); Archives NZ Microfilm Micro-Z 1699; Australasian Joint Copying Project Film 3838; National Archives (UK) Reference WO12/6747 Folios 1-57

760 / Sergeant / James Shanaghan / 1 Apr - 30 Jun
860 / Corporal / John Shanaghan / 01 Apr - 30 Jun . . .

"HOMEBUSH RACES, MAY 1847", Bell's Life in Sydney and Sporting Reviewer (22 May 1847), 3

http://nla.gov.au/nla.news-article59768080 

. . . The admirable Band of the 58th, under the direction of its experienced leader, added considerably to the gaiety of the TOUT ENSEMBLE. The following programme will convey an idea of the "soft melodious sounds" which were borne upon the breeze:

Overture - Massaniello; Waltz - Le Bon Gout; Song - Fairy Boy; Song - Land of the West; Song - She wore a wreath of roses; Song - My beautiful Rhine; Song - I'll speak of thee; Court Polka; Hallelujah Chorus; Lucia Lanermoor Quadrille [sic]; Rochester Ruadrille [sic]; Worongow Waltz; Irish Quadrille; Song - Kate Kearney; Prince of Wales Quadrille; Trio - Bohemian Girl, Let not the heart for sorrow; Papal Guards' March; Annen Polka; The Dream; Through the World let us fly Love; Quadrille "La Peri"; English Quadrille: "Here's a health to all good Lasses" . . .

"PROGRAMME", New Zealander (27 December 1848), 2

https://paperspast.natlib.govt.nz/newspapers/NZ18481227.2.4 

On Thursday, 28th December, the Band of the 58th Regiment will perform the following pieces of music, within the enclosure of the government grounds, from half-past three to half-past five o'clock: -
Overture - Op. "Masanielle" - Auber
Cav. - Op. "I Capuletti e Montecchi" - Bellini
Waltz - "Ball Racketen" - Strauss
Cav. - Op. "Roberto Devereux" - Donizetti
Quadrille - "The Standard Bearer" - Jullien
Polka - "The Carriole" - Jullien.

[News], New Zealander (3 January 1849), 2

https://paperspast.natlib.govt.nz/newspapers/NZ18490103.2.5 

Yesterday afternoon an inquest was convened at the Masonic Hotel, Princes-street, by Dr. Davies, coroner, to inquire into the death of James Shanaghan, late Band-master of the 58th Regiment. The jury having proceeded to the Albert Barracks to view the body of the deceased, the following evidence was adduced: -

William Clifton, Colour Sergeant, 58th Regiment, sworn, saith - "Last night I saw James Shanaghan, apparently asleep, sitting in the Sergeants' mess room. I called upon his brother, John Shanaghan, to assist in taking him out of the room. We helped deceased out of the room to the bed where he is now lying. I did not see deceased afterwards until this morning, when he was dead. Last night when we took him out of the room he was intoxicated. When I left him on the bed I left his brother with him. He was alive when I left him. He had then a silk handkerchief on him. He was placed as near as possible on his left side, his head lying on the pillow. He had no military coat, but merely a slight jacket on him. It was between the hours of 12 and 1 this morning. He appeared to be insensible when taken to bed. His position is slightly altered since I left him. I think he was previously in a good state of health - I mean yesterday.

John Shanaghan, sworn, saith - I am Drum Major of the 58th Regiment. Deceased was my brother. About half-past twelve this morning Colour-Sergeant Clifton asked me to assist him to carry deceased to his room. I went, and he appeared to be sitting sleeping, and with Sergeant Clifton's assistance, I conveyed and laid him on the bed in the band room. We placed him almost on his back, but a little on his left side. He was insensible. The room was in a state of darkness at the time. I left him, in the charge of no one, immediately after raising his head on the pillow. When I took him from the mess room, I considered he was under the influence of liquor. I am aware that he has latterly been very fond of drink.

Arthur S. Thomson; M. D., sworn, saith - I am surgeon 58th Regt. Deceased has been in hospital twice during the course of the last year, labouring under delirium tremens, the effect of drink. I have made a post mortem examination of the body, and found about four ounces of blood and water effused on the base of the brain, which was the immediate cause of death - and therefore I am certain that he died from apoplexy. There are no external marks of injury about the body.

Daniel Davis sworn, saith - I am Corporal of the Band of 58th Regt. I saw deceased last alive last night about twelve o'clock. He was then in a state of intoxication. I went into the band room this morning about four o'clock. I then thought deceased was asleep, when Private Kearns told me that he was stiff. I got out of bed, and finding he was dead, I gave the alarm. Dr. Thomson was sent for, and came immediately. He was turned partly on his right side. His handkerchief was quite tight round his neck, and we removed it; his face and head were on the pillow. He was more on his face than on his back. Deceased was Band Sergeant of the 58th Regt.

Verdict - Died of Apoplexy.

"SUDDEN DEATH", The Southern Cross (6 January 1849), 2

https://paperspast.natlib.govt.nz/newspapers/DSC18490106.2.6 

On Tuesday afternoon an inquest was held at the Masonic Hotel, Princes-street, on the body of James Shanaghan, late band-master of the 58th regt., who was found dead on his bed early that morning. Several witnesses were called, by whose evidence it appeared that deceased had been lately addicted to drinking, and that he had been conveyed the previous evening, overpowered by liquor, from the Serjeants' Mess Room, where a ball given by the non-commissioned officers was going forward. His brother, the Drum-major, who assisted in conveying him from the festive scene to his chamber, left him, as he thought, in circumstances of safety, - but in the morning he was found a corpse! From the evidence of Dr. Thompson it appeared that he had been seized with apoplexy.

[News], Colonial Times (13 February 1849), 2

http://nla.gov.au/nla.news-article8764413

Band-Sergeant James Shanaghan, 58th Regt., who died suddenly, and upon whom a coroner's inquest was held, returning a verdict of "Died of Apoplexy," was not only refused the rights of Christian burial by the Roman Catholic church, of which he was a member, but his remains were sternly forbid to repose by those of his departed child, his coffin being consigned to the dishonored mould reserved for suicides. The funeral ceremony may be characterised as an almost unparalleled one, seeing that a regimental officer, Captain Thompson, in a Roman Catholic graveyard, read the ritual of the Protestant Church of England over the corpse of a member of the Church of Rome. He was buried with military honours.

"NEW ZEALAND", The Courier (14 February 1849), 4

http://nla.gov.au/nla.news-article2966766

James Shanaghan, late band-sergeant of the 58th Regiment, had died under circumstances which led to a coroner's investigation ; the jury returned a verdict of "died from apoplexy," thus removing the remotest suspicion of felo de se. He was interred with the accustomed military honours. The funeral of this man was marked by an incident not easily forgotten. His body was denied the rights of Christian sepulture by the Roman Catholic Church, of which he was a member; his remains being sternly forbid to repose by those of his departed child, and his coffin consigned to the dishonoured mould reserved for the suicide. The ritual of the Protestant Church of England was read over a member of the Church of Rome by a regimental officer in a Roman Catholic graveyard.

"PROVINCIAL COUNCIL. TUESDAY, MARCH 3rd, 1863. PETITION", New Zealander (4 March 1863), 3

https://paperspast.natlib.govt.nz/newspapers/NZ18630304.2.11 

Mr. King presented a petition from John Shanaghan, formerly a Serjeant in the 58th regiment, praying for land on account of his services in the northern war. Petition received.

"DEATHS", New Zealand Herald (24 June 1895), 1

https://paperspast.natlib.govt.nz/newspapers/NZH18950624.2.5.1 

SHANAGHAN. - June 32, at his residence, Randolph street, Newton, Patrick, the beloved husband of Margaret Shanaghan, formerly Drum-Major of the 58th Regiment, and Bandmaster of the late Naval Drum and Fife Band, aged 72 years. R. I. P. The funeral will leave deceased's late residence for Symonds-street tomorrow (Tuesday), at 3 p.m. Friends please accept this intimation.

[News], New Zealand Herald (24 June 1895), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18950624.2.38 

A very old identity died somewhat suddenly at his residence, Randolph-street, Newton, namely Drum-major Shanaghan, late of the 58th Regiment. Deceased had been suffering from bronchitis, and was 72 at the time of his death. He took his discharge from the regiment on its departure for Home. He was for many years bandmaster of the late Naval Drum and Fife Band, which he founded. There are very few of the Old Black Cuffs now left.

[News], Auckland Star (24 June 1895), 2

https://paperspast.natlib.govt.nz/newspapers/AS18950624.2.9 

The death is announced of Mr. John Patrick Shanaghan, an old soldier and colonist. He was born in Northampton, England, in 1823, and joined H.M. 58th Regiment in 1836, coming out to New South Wales in 1844, and to New Zealand in April, 1845, under the command of Major Bridge. He served all through the Northern War of 1845-6, at the engagements with Hone Heke at Okaihau, Oheawal and Ruapekapeka. In 1850 he retired from the 58th, for the purpose of settling in the colony. In 1863, when the Waikato War broke out, he was appointed Quartermaster of the 4th Waikato Regiment, and served throughout the war. Subsequently he settled in Waikato, but the climate being too severe, he came back to Auckland, and joined the volunteers during his residence here. He was bandmaster of the old Naval Drum and Fife Band, until he was unable to perform the duties through ill health. He leaves a widow and nine children.

"SUPREME COURT . . . PROBATE", New Zealand Herald (10 July 1895), 3

https://paperspast.natlib.govt.nz/newspapers/NZH18950710.2.6 

Probate was granted on the motion of Mr. Nicholson to the executor in the will of John Patrick Shanaghan, deceased.


Bibliography and resources:

On John's son, James Shanaghan (1847-1923):

Thomas Wayth Gudgeon, The defenders of New Zealand; being a short biography of colonists who distinguished themselves in upholding Her Majesty's supremacy in these islands (Auckland: H. Brett, 1887), 439-40

https://archive.org/details/defendersofnewze00gudguoft/page/438 (DIGITISED)

"DEPARTMENT OF LABOUR", The cyclopedia of New Zealand (Wellington: The Cyclopedia Company, Limited, 1897) [Wellington Provincial District]

http://nzetc.victoria.ac.nz/tm/scholarly/tei-Cyc01Cycl-t1-body-d3-d15-d8.html 

Mr. James Shanaghan, Inspector of Factories for the North and Middle Islands of the Colony of New Zealand, is a son of the late J. P. Shanaghan, who came to the Colony in the early forties as Drum Major in the 58th Regiment, and served in Hone Heke's war at the Bay of Islands, and afterwards throughout the Waikato campaign. Born in the Northern City in 1847, Mr. James Shanaghan went with his parents to Australia when but five years old, and there he was educated, returning to New Zealand in 1864 to settle in the Waikato. On the Thames being declared a goldfield, he was on the field within four days of its opening, and took part in the labour of the pioneer prospectors . . .




SHAPTER, Edward (Edward SHAPTER; Mr. E. SHAPTER)

Musician, violinist, dancing master, vocalist, banjo player, tailor

Born Buckfastleigh, Devon, England, 21 November 1818; baptised 20 December 1818; son of John SHAPTER and Elizabeth TUCKER
Married Mary Ann FRY (c. 1819-1890), Plymouth, Devon, 1840 (first quarter)
Arrived Sydney, NSW, 23 December 1841 (? quarantine to 30 December, per William Jardine, from Plymouth, 13 August)
Died Waterloo, NSW, 13 June 1878, aged "59"

https://trove.nla.gov.au/search?l-publictag=Edward+Shapter+1818-1878 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAPTER-Edward (shareable link to this entry)

SHAPTER, William (William SHAPTER; William Joseph SHAPTER; Mr. W. SHAPTER)

Musician, bandmaster

Born Buckfastleigh, Devon, England, April/May 1841; son of Edward SHAPTER and Mary Ann FRY
Married Annie HICKEY, Sydney, NSW, 1863
Died Surry Hills, NSW, 26 May 1910, aged 69

https://trove.nla.gov.au/search?l-publictag=William+Shapter+1841-1910 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAPTER-William (shareable link to this entry)

SHAPTER, Lizzie (Elizabeth SHAPTER; Mrs. Edward McLEAN; Miss Lizzie SHAPTER)

Theatrical dancer

Born (? Maitland), NSW, 1844; daughter of Edward SHAPTER and Mary Ann FRY
Married Edward McLEAN (Teddy McLEAN) (1840-1915), NSW, 1863
Died Died Point Piper, NSW, 2 August 1886

https://trove.nla.gov.au/search?l-publictag=Lizzie+Shapter+McLean+1844-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAPTER-Lizzie (shareable link to this entry)


SHAPTER, Edward Thomas (Edward Thomas SHAPTER; ? Thomas SHAPTER)

? Musician, piccolo player, ? dancer

Born (? Maitland), NSW, 1845; son of Edward SHAPTER and Mary Ann FRY
Married Bridget KINE, Sydney, NSW, 6 July 1868


Documentation:

Methodist register of baptisms, London registry, 1818; 21, fol. 47; UK National Archives, RG 4 / 4677

https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0151992-00049 (PAYWALL)

No. 369 / Edward the Son of John Shapter of Scobles Culm in the Parish of Buckfastleigh in the County of Devon, Cordwainer, and of Elizabeth his wife, who was the daughter of John and Mary Tucker was born at Buckfastleigh on [21 November 1818] . . . [and baptised] on the [20 Decembember 1818] at Buckfastleigh . . .

England census, 6 June 1841, Buckfastleigh, Devon; UK National Archives, HO / 107 / 246 / 12

https://www.ancestry.com.au/imageviewer/collections/8978/images/DEVHO107_246_249-0182 (PAYWALL)

Higher Town / John Shapter / 45 / Grocer / [not born in county]
Elizabeth [Shapter] / 50 / - / [born in county]
Mary Ann [Shapter] / 20 / - / [born in county]
Edward [Shapter] / 20 / Tailor / [born in county]
William [Shapter] / 15 / Chandler / [born in county]
Robert [Shapter] / 8 / - / [born in county]
Mary [Shapter] / 10 / - / [born in county]
William [Shapter] / 5 weeks / - / [born in county]

List of passengers, families, per William Jardine, arrived Sydney, NSW, 30 December 1841; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1204/images/IMAUS1787_081405-0076 (PAYWALL)

Shapter Edward / 23 / Farm Servant / [Protestant] / [Reads and writes] / [born] Devonshire
[Shapter] Marianne / 22 / [Farm Servant] / [Protestant] / [Reads and writes] / [born] [Devonshire]
[Shapter] William / 7 months / Son / [Protestant] / - / [born] [Devonshire]

"NEW INSOLVENT", The Maitland Mercury (13 September 1848), 2

http://nla.gov.au/nla.news-article709151

Sept. 9 Edward Shapter, of West Maitland, tailor. Debts, £61 3s. Assets personal property, £8. Balance deficiency, £53 13s. Mr. Clark Irving, official assignee.

"INSOLVENCY PROCEEDINGS . . . MONDAY, SEPTEMBER 25", The Australian (28 September 1848), 3

http://nla.gov.au/nla.news-article37131294 

In the estate of Edward Shapter, a single meeting was held, but no claim proved. The insolvent was allowed his furniture and wearing apparel by the Chief Commissioner, conditionally.

[Advertisement], Bathurst Free Press (7 September 1850), 5

http://nla.gov.au/nla.news-article62215232

FIRST MONTHLY CONCERT AT MR. MINEHAN'S LARGE ROOM, CROOKED BILLET, DURHAM-STREET.
THE Musicians and Singers of the above Establishment beg to inform the gentry of Bathurst and its vicinity, that by the kind permission of Mr. Minehan, they intend giving a MONTHLY CONCERT, the first of which will take place on MONDAY NEXT, SEPTEMBER 9, 1850. when they hope their endeavours to please, will give satisfaction to their patrons.
The Evening's Entertainments will comprise the following Programme: -
PART I.
1. Overture - By the Band.
2. Comic Song - Sir Andrew Agnew - Mr. T. Turner [sic]
3. ST. CLOUD QUADRILLES.
4. Song - When Time hath bereft thee - Mr. E. Smith.
5. THE ELFIN WALTZES.
6. Song - The blighted flower - Mr. E. Shapter.
7. Quick Step - Love Not.
8. Song - The spell is broken - Mr. J. Brown.
9. Polka - Composed by J. Brown.
10. Comic Song - Paddy Malone - Mr. T. Turner.
An interval of ten minutes will elapse.
11. Life Guards Quadrilles.
12. Song - Nine Cheers for the Girls we love - Mr. E. Smith.
13. Waltz - Composed by Mr. W. Marsden.
14. Comic Song - Ben Battle - Mr. E. Shapter.
15. Violin Solo - (accompanied) Savourneen Dheelish - Mr. J. Brown.
16. Comic Song - The Charity Boy - Mr. T. Turner.
17. ROYAL IRISH QUADRILLES.
18. Recitative and Air - The Death of Nelson - Mr. E. Smith.
19. Finale to the 1st Part.
PART II.
Will comprise a [REDACTED] Entertainment, after the style of The Ethiopian Serenaders ! ! !
1. Refrain and Chorus - Night by de Galley Fire (by Bones) - Mr. Turner.
2. Song - De Boatmen Dance (Banjo) - Mr. Shapter.
3. Song - Ole Bull and Ole Dan Tucker - Mr. Brown.
4. Song - Going obe de Mountain (Tambo) - Mr. E. Smith.
5. Song - Ole Grey Goose - Mr. Shapter.
6. Song - Ginger Blue - Mr. Turner.
7. Song - Knocking at de Door - Mr. Brown.
8. Song - Rosa Lee - Mr. E. Smith.
9. Song - Oh, Susannah! - Mr. Shapter.
10. Lament - Carry me back - Mr. Turner.
11 . Song - Dandy Jem from Caroline' - Mr. Brown.
12. Song - My Skiff am on de Shore - Mr. E. Smith.
God Save the Queen - By the Company.
Tickets, 1s. 6d. each; reserved seats, 2s 6d. . . .

ASSOCIATIONS: William Marsden (pianist, composer); James Brown (violinist); John Turner (vocalist); John Minehan (proprietor, d. 1872)

[Advertisement], Bathurst Free Press (21 September 1850), 5

http://nla.gov.au/nla.news-article62215022

BY PERMISSION. FIRST MONTHLY CONCERT.
AT Mr. MINEHAN'S LARGE ROOM, CROOKED BILLET, DURHAM-STREET.
THE Musicians and Singers, of the above establishment beg to inform the gentry of Bathurst and its vicinity, that having obtained the Sanction of the Honourable the Colonial Secretary, and the approval of the Magistrates of Bathurst, they intend giving a Monthly Concert, the first of which will take place on
MONDAY SEPTEMBER 30TH, When they hope their endeavours to please, will give satisfaction to their patrons.
PIANO FORTE - Mr. Marsden.
1st VIOLIN - Mr. Brown.
2nd DITTO - Mr. Shapter.
Tickets - 2s.; Reserve Seats, 3s. . . .

"BATHURST SERENADERS", Bathurst Free Press (12 October 1850), 4

http://nla.gov.au/nla.news-article62215100

A miscellaneous concert, composed of sentimental and [REDACTED] songs, took place at Mr. Minehan's music room, on Monday, night week. Several of the sentimental songs were very creditably gone through, and the solos on the violin, by Mr. Brown, were exquisitely performed. In the [REDACTED] department there was an evident want of practice, and the conundrums were rather flat. The attendance was thin owing in part to the high rate of charges.

[Advertisement], The Sydney Morning Herald (27 July 1857), 1

http://nla.gov.au/nla.news-article12998494

DANCING. - Australian Assembly Room, 65, Sussex-street, opposite the Patent Slip. - Open every Monday, Tuesday, Thursday, Friday, and Saturday evenings.
Admission, 1s.; ladies gratis. E. SHAPTER, proprietor.

[Advertisement], The Sydney Morning Herald (7 August 1857), 1

http://nla.gov.au/nla.news-article12999024 

DANCING. - SHAPTER'S Monthly Ball, on TUESDAY EVENING NEXT.
Admission: Gentlemen, 2s.; ladies, 1s. N.B.- Dancing saloon open every evening.

[Advertisement], The Sydney Morning Herald (8 September 1857), 1

http://nla.gov.au/nla.news-article13000382 

DANCING. - SHAPTER'S Monthly Ball, THIS EVENING, 65, Sussex-street, next door to Murray's Family Hotel . . .

? "QUARTERLY LICENSING MEETING. TUESDAY . . . TRANSFERS", The Sydney Morning Herald (7 September 1859), 5

http://nla.gov.au/nla.news-article13030437 

King's Arms, George-street, M. Stone to E. Shapter.

[Advertisement], The Sydney Morning Herald (28 November 1861), 1

http://nla.gov.au/nla.news-article13069052 

MR. E. SHAPTER'S Quadrille Saloon, opposite the Patent Slip, open for public dancing THIS EVENING.

[Advertisement], The Sydney Morning Herald (30 May 1863), 1

http://nla.gov.au/nla.news-article13079267 

SELECT BALL, Saturday and Monday Evenings, Shaksperian Hall, Sussex-street. 1s. Mr. Shapter is engaged.

[Advertisement], The Sydney Morning Herald (9 January 1864), 1

http://nla.gov.au/nla.news-article13088898 

SELECT BALL, Saturdays and Mondays, Shakaperian Hall, Sussex-street. 1s. Conductor, Mr. Shapter.

[Advertisement], The Sydney Morning Herald (23 June 1866), 16

http://nla.gov.au/nla.news-article13133207 

DANCING. - Vauxhall Saloon, Sussex-street, opposite the Patent Slip, open TO-NIGHT, E. SHAPTER, Proprietor.

"DEATHS", Empire (4 December 1868), 1

http://nla.gov.au/nla.news-article60829824 

On the 1st and 2nd December, at their parents' residence, Steel-street, Surry Hills, the beloved daughters of William and Anne Shapter; Louisa, aged 4 years and 6 months; Anne Maria, 12 months.

"MARRIAGES", Sydney Mail (30 January 1869), 13

http://nla.gov.au/nla.news-article166810007 

SHAPTER - KINE - July 6th, 1868, by the Rev. Dr. Bailey, of the Free Church of England, Mr. Edward Thomas Shapter to Bridget, daughter of Mr. Michael Kine, formerly of Galway, county of Clare, Ireland, both of Botany Road, Waterloo.

[Advertisement], Evening News (29 January 1870), 3

http://nla.gov.au/nla.news-article107131339 

VAUXHALL HALL ASSEMBLY ROOMS, Sussex-street. MONDAY EVENING, January 31st, BENEFIT of Messrs. SHAPTER.

[Advertisement], The Sydney Morning Herald (5 February 1870), 4

http://nla.gov.au/nla.news-article13200096 

ALBERT GROUND SPORTS, THIS DAY.
DANCING in the ALBERT PAVILION, close to the Gate.
Messrs. SHAPTER'S Musicians. Open at 2p.m. Admission, 1s. Open every Saturday.

Sands' directory, Sydney, 1871, alphabetical, 476

Shapter, E., tailor, Wyndham-st., Alexandria

"THE LATE FATAL FIRE . . . THE PRINCE OF WALES THEATRE", Empire (9 January 1872), 3

http://nla.gov.au/nla.news-article60879904 

The late Prince of Wales Opera House, which has just been destroyed by fire, was re-built and completed on the 21st of May, 1863, upon the ruins of the old one, which had experienced a similar fate about two years and a half before . . . In regard to the losses sustained by "the poor players" . . . the losses of Mr. Charles Young only amounts to £10 or £12, but the materials can only be replaced by purchase from some of the London houses. So also with the members of the orchestra. The Ford sisters who have long since established themselves favourites with the play-going public of Sydney, are very considerable sufferers . . . Mr. Edward McLean, the ballet master, lost all his music and splendid wardrobe of pantomimic dresses . . .

[Advertisement], The Sydney Morning Herald (31 January 1872), 10

http://nla.gov.au/nla.news-article13251678 

BOROUGH OF ALEXANDRIA. NOTICE is hereby given, that the under mentioned have been duly nominated for election to the offices of ALDERMEN and AUDITORS: AS ALDERMEN . . . GEORGE EDWARD WOOD, Hay and Corn Merchant, of Botany Road. Nominated by Edward Shapter, tailor, of Wyndham-street; and Thomas Brown, wheelwright, of Wyndham-street . . .

[Advertisement], The Sydney Morning Herald (21 October 1872), 8

http://nla.gov.au/nla.news-article13265110 

VICTORIA THEATRE. ROYAL ITALIAN AND ENGLISH OPERA. SEASON for 1872.
DIRECTORS, Messrs. LYSTER and CAGLI . . . Conductor - Signor ALBERTO ZELMAN . . .
MONDAY and TUESDAY EVENINGS, October 21st and 22nd,
will be produced, with now and magnificent scenery, and a powerful cast, Meyerbeer's great work,
ROBERTO IL DIAVOLO.
Roberto, Duke of Normandy - Mr. Armes Beaumont
Rambaldo, betrothed to Alice - Signor Leandro Coy
Bortramo - Signor Enrico Dondi
Alberto - Signor Pietro Favas
Alfredo - Mr. G. W. Johnson
Master of the ceremonies - Signor Benso
The Demon - Mr. E. McLean
Helena, the Spectre Abbess - Miss E. Shapter
Isabella, in love with Roberto - Signore Tamburini Coy
Alice, Roberto's foster sister - Signora Margherita Zenoni . . .
Chorus and Corps de Ballet . . .

[Advertisement], The Brisbane Courier (5 February 1874), 1

http://nla.gov.au/nla.news-article1378737

SCHOOL OF ARTS. SATURDAY, FEBRUARY 7 . . .
GRAND OPENING NIGHT OF THE WONDROUS LOYALS!
The Ethereal Sisters ZUILA and NYRA, The Most Graceful and Daring Lady Gymnasts of the Day.
Miss LIZZIE SHAPTER, The accomplished Danseuse from Lyster and Cagli's Opera Company.
LOYAL, the MIRACULOUS, Champion Gymnast and Bicycle Rider of the World.
E. McLEAN, The Celebrated Pantomimist, Ballet, and Comic Dancer.
FRANK LLOYD, Star Comique and Buffo Vocalist.
The Orchestra under the Leadership of Mr. Charles Smith . . .

[Advertisements], Evening News (22 December 1875), 8

http://nla.gov.au/nla.news-article130496985 

SIR JOSEPH BANKS' HOTEL, BOTANY . . . BOXING DAY . . .
For which the City Brass Band has been engaged,
comprising the following well-known instrumentalists:
Mr. W. Thompson; Mr. W. Shapter; E. Mills; S. Morcombe;
C. Yates; W. Northcoth; G. Jones; Master Thompson; G. Wright; Mons. Geare;
Mr. W. Thompson, Conductor.
Dancing in the Pavilion, For which Shapter's Favourite String Band will perform -
Mr. E. Shapter, Mr. Gus. Sauerbier, and Mr. Chas. Sweetman . . .

[Advertisement], The Sydney Morning Herald (1 January 1876), 4

http://nla.gov.au/nla.news-article28401120

SIR JOSEPH RANKS HOTEL, BOTANY.
The New Year Festival. NEW YEAR'S DAY. FREE! FREE! and Sydney Prices at Bars . . .
DANCING IN THE PAVILION. SHAPTER'S FAVOURITE STRING BAND,
Mr. E. Shapter, Mr. Gus. Soubier, and Mr. Chas. Sweetman . . .

"COMPLIMENTARY BALL", The Sydney Morning Herald (24 August 1876), 5

http://nla.gov.au/nla.news-article13378867 

Yesterday evening a ball took place at the Oddfellows' Hall, Elizabeth-street, tendered as a compliment to Mr. W. King, the well known professor of dancing, by his pupils and friends. There were about a hundred ladies and gentlemen present, and dancing commenced at 9 o'clock, the music being supplied by Shapter's band.

ASSOCIATIONS: William King (professor of dancing)

[Advertisement], The Sydney Morning Herald (10 September 1877), 2

http://nla.gov.au/nla.news-article13399704

QUADRILLE PARTY, Guild Hall, Castlereagh-street, September 12. Benefit of Mr. E. Shapter.

[Advertisement], Evening News (15 September 1877), 1

http://nla.gov.au/nla.news-article108191006 

NOTICE. The undersigned feels great pleasure in thanking the ladies and gentlemen for their kind patronage at his benefit; also to Mrs. Spencer, Mr. Smith, Mr. Saurbier, and Mr. Shapter, jun., for their trouble and liberality in defraying all the expenses for the same; and to those gentleman who so kindly volunteered in the musical profession; and to Mr. Moss for his kindness in sending a piano for the occasion.
E. SHAPTER, Waterloo.

ASSOCIATIONS: Sydney Moss (music seller)

[Advertisement], The Sydney Morning Herald (4 May 1878), 2

http://nla.gov.au/nla.news-article13418927 

A SELECT QUADRILLE ASSEMBLY will be hold at the New Oddfellows' Hall, Elizabeth-street, WEDNESDAY EVENING next. Benefit for Mr. SHAPTER.

"FUNERALS", The Sydney Morning Herald (15 June 1878), 16

http://nla.gov.au/nla.news-article13423242

THE FRIENDS of Mr. WILLIAM SHAPTER are invited to attend the Funeral of his late decased FATHER, Edward Shapter, musician; to move from his late residence, Glendoe Cottage, Wyndham-street, Waterloo, TO-MORROW (Sunday) AFTERNOON, at 1 o'clock, for Necropolis. J. and G. SHYING and CO., Undertakers.

THE FRIENDS of Mrs. E. McLEAN are respectfully invited to attend the Funeral of her beloved FATHER, Mr. E. Shapter; to move from his late residence, Wyndham-street, Waterloo, at 2 o'clock, on SUNDAY.

"NEWS OF THE DAY", The Sydney Morning Herald (10 October 1878), 5

http://nla.gov.au/nla.news-article13415801

The annual picnic of the licensed victuallers of Sydney took place yesterday at Smith's pavilion, Botany, and proved a very successful affair as far as attendance was concerned. The weather this time unfortunately was not all that could be desired . . . The City Union Band, decidedly one of the best in the colony, was present under the direction of Mr. W. Shapter, and carried into effect an attractive list of inspiriting music . . .

"Funerals", The Sydney Morning Herald (3 August 1886), 12

http://nla.gov.au/nla.news-article13641459 

THE FRIENDS of Mr. W. SHAPTER are respectfully invited to attend the Funeral of his late beloved SISTER, Mrs. McLean; to move from her residence, 130, Point Piper-road, THIS MORNING, at 9 o'clock, and proceed to the Waverley Cemetery.
THE FRIENDS of Mr. EDWARD McLEAN are informed that the Funeral of his deceased beloved Wife, Elizabeth, will move from his residence . . .

"Deaths", The Daily Telegraph (8 January 1891), 1

http://nla.gov.au/nla.news-article235881604 

SHAPTER. - December 21, at her son's residence, 43 Cleveland-st., Redfern, Moore Park, Mary Ann, the beloved wile of the late Edward Shapter, musician, of Sydney.

"AMUSEMENTS", The Advertiser (12 January 1893), 6

http://nla.gov.au/nla.news-article25346807

There was another good house at the Theatre Royal on Wednesday evening when the beauties and humorisities of the pantomime were much appreciated both by adults and children . . . The Eastern Suburban Band contributed several selections during the evening in an admirable manner; the instrument music including the piccolo solo "Danse de Satyrs," by Mr. E. Shapter and the band [sic] and a cornet duet from the scoring of "Bonnisseau" . . .

"LONG SERVICE MEDALS", Evening News (1 October 1902), 7

http://nla.gov.au/nla.news-article114509444

The Colonial Auxiliary Long Service Medal has been awarded to the following members of the N.S.W. forces:
. . . No. 87, Bandsman William Shapter (senior), Second Infantry Regiment . . .

"DEATHS", The Sydney Morning Herald (27 May 1910), 6

http://nla.gov.au/nla.news-article15124108

SHAPTER. - May 26, at his residence, No. 11 Steel-street, Surry Hills, William Shapter, aged 69 years. R.I.P.

"WILLIAM SHAPTER", Freeman's Journal (16 June 1910), 23

http://nla.gov.au/nla.news-article108024805

The death of Mr. William Shapter, a well-known resident of Surry Hills, took place on Friday, May 28th last, at the age of 69 years, after a somewhat long and painful illness. Deceased was a native of Devonshire, England, and came to Australia when he was a boy, and settled in Sydney. For the past 44 years Mr. Shapter resided in Surry Hills, where he was held in the highest esteem. For fifty years he was connected with the volunteer force of this State, and was also a prominent figure in musical circles. Being a musician of much ability, his services were much in request, and he was from his youth connected with a number of military and other bands, and for years Shapter's String Band was a household term among the dancing portion of the community. During his illness he was attended by the Rev. Fathers Collender and Vaughan, and the nuns of St. Peter's, Surry Hills. For many years he was a very active member of the H.A.C.B. Society. He left a family of eight children and his wife to mourn their loss. The funeral was a large one, and the interment took place at Waverley, where the last rites of Holy Church, were performed by Rev. P. B. Kennedy, O.F.M. Amongst those present were: Mrs. Shapter (wife), the sons of the deceased, Mrs. Folkard (daughter), E. A. Shapter (daughter), Mrs. Bailey (sister), Mrs. Shapter (sister-in-law), Mrs. Dudley, Mrs. Abbott (nieces), W. J. Hickey (brother-in-law), A. Hickey (nephew), F. Scott (brother-in-law), Mrs. Scott and Mrs. McQuade (sisters-in-law), R. F. and M. Quinn (nephews), Mr. and Mrs. Ryan (President H.A.C.B. Society, Surry Hills branch), Mr. Symons, Secretary; J. B. Molloy, Past President; Mrs. Walsh, Mrs. Kelly, Mrs. Morris, Mrs. Foley, Mr. Clancy, Mr. Holland (Ryde), and a large number of others. - R.I.P.




SHARP, Mr. (Mr. SHARP; ? = John SHARPE)

Musician, clarinettist, clarionet player (Theatre Royal, Sydney)

Active Sydney, NSW, 1835

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Mr-1835 (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Herald (4 May 1835), 3

http://nla.gov.au/nla.news-article12852073 

Theatre Royal, SYDNEY.
The Public are respectfully informed, that the Theatre will Open
THIS EVENING, MONDAY, MAY 4, 1835, and the Performance will commence with
MEHUL'S Celebrated Overture to "JOSEPH," BY THE FULL ORCHESTRA. . . .
The Lessees have succeeded in engaging all the first-rate Musical Talent in Sydney to form their Orchestra, which consists of the following gentlemen -
Leader of the Band, Mr. Clarke; Violins, Messrs. Spyers, Johnson, Dyer, and Scott;
principal Flute, Mr. Stubbs; Violincello and Grand Piano Forte, Mr. Cavendish;
Clarionets, Messrs. Turner and Sharp; Bassoons, Messrs. Hoare and Ball; Bugle, Mr. Pappin; Drums, Mr. Vaughan . . .
The Musical Department will be considerably improved, and under the direction of Mr. Cavendish . . .
The Acting and Stage Management under the sole direction of
JOSEPH SIMMONS.

ASSOCIATIONS: Joseph Simmons (actor, manager); Mr. Clarke (violin, leader); Lawrence Spyer (violin); Mr. Johnson (violin); Benjamin Bissell Dyer (violin); Mr. Scott (violin); Thomas Stubbs (flute); William Joseph Cavendish (cello and piano); Stephen Turner (clarinet); Mr. Hoare (bassoon); Mr. Ball (bassoon); Stephen Pappin (keyed bugle); Mr. Vaughan (drums); Theatre Royal (Sydney venue)

MUSIC: Overture to Joseph (Mehul)




SHARP, Cecil James (Cecil James SHARP; Cecil SHARP)

Musician, folk-music collector, composer

Born Camberwell, England, 22 November 1859
Arrived Adelaide, 27 November 1882 (per Potosi, from London and Plymouth via Melbourne)
Departed Adelaide, SA, early 1892 (for London)
Died London, England, 23 June 1924

http://nla.gov.au/nla.party-1287659 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Cecil (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"ARRIVAL OF THE POTOSI IN MELBOURNE", South Australian Weekly Chronicle (25 November 1882), 10

http://nla.gov.au/nla.news-article93131715

"TO THE EDITOR", South Australian Register (22 December 1882), 6

http://nla.gov.au/nla.news-article43335077

Sir - As a new comer and a lover of music, will you permit me to endorse the opinions expressed in your leader of the 12th inst. Although I am a resident of only a few weeks' standing, and therefore feel much diffidence in expressing any decided opinion, I have already noticed that whilst what you have said as regards the want of a first-class master may be perfectly true, there is nevertheless no lack of that class of musician which I may term the "professional amateur" - a class who only require a competent man at their head to render them a very serviceable body of performers . . . I see no reason why, with the material at present to hand, and with that which a thoroughly able man would speedily manufacture, South Australia should not be able to present to the colony at the time of the approaching Exhibition a programme which would compare favourably with the one recently published for performance next week at Melbourne. Apologising for thus encroaching on your space - I am, Sir, &c., CECIL J. SHARP. St. Barnabas College, North Adelaide.

"MENDELSSOHN'S ST. PAUL", South Australian Register (28 July 1884), 6

http://nla.gov.au/nla.news-article43815745

"ADELAIDE PHILHARMONIC SOCIETY'S CONCERT", South Australian Register (23 July 1886), 6

http://nla.gov.au/nla.news-article44570318

. . . The Chickering piano, which has been purchased by the City Council, was utilized in one or two numbers at the hands of Mr. Cecil Sharpe, a musician whose return to the colony will be welcomed by all who appreciate a true musicianly spirit, such as characterized that gentleman's connection with the Cathedral Choral Society . . .

"MISS CARANDINI'S MATINEE CONCERT", South Australian Register (28 July 1886), 7

http://nla.gov.au/nla.news-article44571619

. . . Mr. Everard was hardly in such good voice as he has been heard previously, yet he gave a creditable rendering of a song, "Bright Fedalma," composed expressly for him by Mr. Cecil Sharp. The song is one requiring not only a good voice but considerable skill for its execution.

"GOVERNMENT HOUSE AT HOME", The Advertiser (13 August 1890), 5

http://nla.gov.au/nla.news-article26759131

. . . After a brief interval a light operatto [sic], "Dimple's Lovers," was staged, the music for which was written by Mr. Cecil Sharp, and the libretto by Mr. Guy Boothby. The piece consists of one act, and is humorous and almost farcical in character. It is worked out in the easiest style of Gilbert & Sullivan, bearing some resemblance to the well-known "Box and Cox." There are four characters, with no chorus . . .

"ALBERT HALL. DIMPLE'S LOVERS", South Australian Register (10 September 1890), 7

http://nla.gov.au/nla.news-article47282312

"THEATRE ROYAL. SYLVIA", South Australian Register (4 December 1890), 3

http://nla.gov.au/nla.news-article47263824

To-night will witness a special event in the annals of South Australian music, namely, the first production of "Sylvia," a new comic opera written by Mr. Guy Boothby, and music composed by Mr. Cecil Sharp, both of this city. The cast comprises some well-known local musical talent of Adelaide, ably supported by a powerful chorus of trained voices and an efficient orchestra of thirty performers . . .

"The Week", South Australian Chronicle (28 March 1891), 12

http://nla.gov.au/nla.news-article91542726

"OUR ANGLO-COLONIAL LETTER", The Advertiser (22 March 1892), 6

http://nla.gov.au/nla.news-article24816557


Bibliography and resources:

Sue Tronser, "Sharp, Cecil James (1859-1924)", Australian dictionary of biography 11 (1988)

http://adb.anu.edu.au/biography/sharp-cecil-james-8400

Maud Karpeles, Cecil Sharp: his life and work (1967; Faber reprint, 2012)

http://books.google.com.au/books?id=1nGdYfaxp90C (PREVIEW)




SHARP, Frederick (Frederick SHARP; Frederick James SHARP; F. SHARP; F. J. SHARP; SHARPE)

Musician, orchestral drummer, drum player, flautist, flute player, ? violinist, minstrel-serenader, actor, manager

Born ? England, c. 1833/40
Arrived ? Melbourne, VIC, 21 January 1853 (per Catharine Mitchell, from Liverpool, aged "20")
Married (1) Fanny Elizabeth MORGAN, Bathurst, NSW, 31 March 1856
Married (2) Susan ? (d. 1895), c. 1864
Died Sydney, NSW, 18 September 1895, aged "55"

https://trove.nla.gov.au/search?l-publictag=Frederick+Sharp+d1895 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Frederick (shareable link to this entry)


Summary:

Evidently with Sharp's tragic death four years earlier still in mind, actor Lachlan McGowan recalled in 1899 that "poor Fred Sharp" and Walter Rice were members of John Winterbottom's band on its appearance at Bendigo, on the Victorian goldfields, early in 1854. In 1861, both Sharp and Rice were indeed signatories to a testimonial to Winterbottom from a select group of musicians, "all of whom, we understand, have, with slight intermission, been connected with Mr. Winterbottom during the last nine years in his professional career in Australia."

Winterbottom having first arrived in Melbourne in December 1852, Sharp was perhaps, therefore, the Frederick Sharp, aged 20, who arrived on the Catherine Mitchell, on 21 January 1853, and accordingly may have been engaged in Winterbottom's first Melbourne concerts in March 1853.

On sure ground, in November and December 1853, Sharp was billed as playing "Tambour and Triangle" in the band for Alfred Oakey's promenade concerts at Rowe's Circus, and the drums in a benefit for the Radford brothers and Richard Owen's band at Melbourne Casino on 19 October 1854.

If not earlier, Sharp arrived in Sydney with Winterbottom, Rice, and Alfred Chate in January 1855. In the first half of 1856 he was with Winterbottom and a small theatrical company in Bathurst and later in Maitland. While in Bathurst, Sharp and the young Sydney-born actor and vocalist, Fanny Morgan, were married, although, during the ensuing winter season at the Lyceum Theatre in Sydney, Morgan continued to appear under her own name.

Morgan having left on a tour for California a year earlier, in May 1864 Sharp advertised that if he had not received word from his wife, Fanny, in two months, he intended to remarry. There is no record of a legal second marriage; however, his second "wife" Susan Sharp predeceased him by only a fortnight.

At his tragic death in September 1895, the recently widowed Sharp was reported to be 55 years of age, though since no identifying family or other information is attached to his death record, it is possible that this was merely a guess on the part of the theatre management who organised and paid for his funeral. And since he was certainly active professionally in Melbourne in 1853, his minimum age at the time is more likely to have been closer to 20, and thus closer to 60 at the time of his death.


Documentation:

[Advertisement], The Argus (12 November 1853), 8

http://nla.gov.au/nla.news-article4799383 

ROWE'S AMERICAN CIRCUS. Grand Promenade Concert. Saturday Evening, 12th November, 1853.
Under the direction of Mr. Alfred Oakey.
In announcing he the inhabitants of Melbourne the first of a Series of Saturday Evening Promenade Concerts, Mr. Rowe begs to state that he feels great confidence in submitting the Evening's Entertainments to his patrons . . .
The Monster Band
Will embrace all the available talent in Melbourne, assisted by several members of the band of the 99th regiment.
Vocalists,
Miss Hartland, her first appearances.
Mr. Walsh
Mr. Foster, (his first appearance)
Herr Rahm and Herr Gross . . .
INSTRUMENTAL ARTISTS: -
Grand Pianoforte - Mr. Alfred Oakey.
Violin Primo - M. Tucker and Mr. Peck.
Violin Secondo - Mr. Howson and Mr. Mathers.
Viola - Mr. Boullimeir.
Violoncello - Mr. J. Chapman [recte S. Chapman].
Contra Bass - Mr. Tranter and Mr. Chate.
Flute - Mr. Hill and Mr. Thatcher.
Cornet Primo and Saxe Clavicore - Mr. P. C. Burke.
Saxe Horn - Mr. Hore and Sons.
Clarionet Primo - Mr. R. Martin.
Clarionet Secondo - Mr. J. Bull.
Ophecleide - Mr. Wigney.
Trombone - Mr. Freeman.
Tambour and Triangle - Mr. Sharp.
Gran Cassa Cymbals - Mr. Shottan.
Leader, Mr. Edward Tucker.
Conductor - Mr. Alfred Oakey.
- Madame Sara Flower is hourly expected . . .

ASSOCIATIONS: Joseph Andrew Rowe (proprietor); Alfred Oakey (conductor); Charles Walsh (vocalist); Veit Rahm (zither); Edward Tucker (leader, violin) George Peck (violin); Henry Howson (violin); Samuel Chapman (cello); William Tranter (double bass); Alfred Henry Chate (double bass); Charles Thatcher (flute); Robert Martin (clarinet, master of the Band of the 99th Regiment); Arthur Silvester Hill (flute, 99th band)
Peter Constantine Burke (cornet player); Hore family (saxhorns)

[Advertisement], The Argus (19 October 1854), 8

http://nla.gov.au/nla.news-article4799178 

TO-NIGHT! Melbourne Casino to-night.
The great night of the season. For the Benefit of the Band.
On this occasion the following eminent Artists, Among many other professional friends, have kindly volunteered their services: -
First violins - W. and S. Radford.
Second violins - Chate, Edwards, and Griffiths.
Tenor - J. Baker. Double basses - W. Tranter and Herr Plock.
Cornet-a-Pistons - P. C. Burke and W. Carey.
French Horn - Herr Khoeler. Clarionette - G. Wilson.
Harp - T. King. Principle [sic] Clavicore - C. Roe.
Trombone - J. Hawkes. Oboe - H. Sorge.
Drums - Fred. Sharpe. Piano - R. Owen.
To commence with a Grand Concert in which Messrs. William and Sydney Radford will play a duet on one violin, first time in Australia; and the celebrated duet from Les Huguenots, for the cornet and violin, by P. Burke, and W. Radford.
To conclude with a Fancy Dress Ball. Admission, 5s.

ASSOCIATIONS: William and Sidney Radford (violins); G. Edwards (violin); Joseph Griffiths (violin); Adam Plock (double bass); Franz Kohler (horn); Thomas King (harp); Richard Owen (piano)

"SHIPPING. ARRIVALS", The Sydney Morning Herald (8 January 1855), 4

http://nla.gov.au/nla.news-article12964046 

January 6.- City of Sydney (s ), 750 tons, Captain R. T. Moodie, from Melbourne the 3rd instant. Passengers - Mr. Winterbottom . . . Messrs. . . . Chat [Chate], Rice, Sharp . . .

ASSOCIATIONS: John Winterbottom (conductor, bassoon); Walter John Rice (violin, viola)

"BATHURST THEATRICALS", The People's Advocate and New South Wales Vindicator (9 February 1856), 3

http://nla.gov.au/nla.news-article251546494 

Our attention has been called to some strictures passed upon the company of Thespians at Bathurst, under the management of Mr. Cull, by the Free Press. We are quite willing to give our contemporary credit for his general good intentions, but, upon this occasion, he certainly has been unnecessarily severe upon Mr. Cull, whose exertions to secure dramatic and musical talent for Bathurst are unceasing. This difference of opinion, however, we trust has terminated. "Shake hands and be friends"- it is far better than chucking lapstones at each other. Mr. Cull, in addition to his former company, engaged Mrs. Howard, Miss Morgan, and Messrs. Milne, Wright, Strong, Sharp, and George. The abilities of the sestette are too well known to require our eulogy . . .

ASSOCIATIONS: William Cull (actor, manager); George Strong (musician)

Marriage, Frederick Sharp and Fanny Morgan, Bathurst, 31 March 1856

Marriages in the district of Bathurst, 1856; Registry of marriages NSW, 1027/1856

No. 7 / Thirty First March 1856 / St. Stephen's Manse Bathurst / Frederick James Sharp / Bachelor / Musician / . . .
Fanny Elizabeth Morgan / Spinster / Actress / . . . according to the forms of the Church of Scotland . . . by James B. Laughton . . . / In the presence of James Milne, Amy Howard

ASSOCIATIONS: James Brotherston Laughton (cleric); James Milne (actor); Amy Howard (actor)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (24 May 1856), 3

http://nla.gov.au/nla.news-article18655254 

Queen's Theatre, West Maitland. OPENING NIGHT OF THE SEASON. THE LESSEE of the recently erected Theatre has much pleasure in announcing to the Public of East and West Maitland and its vicinity, that he has, at considerable expense, engaged the following talented artistes, as leading members of the Company, viz.
MR. WINTERBOTTOM.
MR. MILNE (Theatre Royal, Melbourne; Victoria, and Prince of Wales, Sydney.)
Mr. Wright, Theatre Royal, Melbourne.
Mr. Sharp, Victoria Theatre, Sydney.
Mr. Howard, Ditto.
Mr. Follerd.
Mr. Belford.
MRS. WINTERBOTTOM, Victoria Theatre.
MRS. HOWARD, Prince of Wales ditto.
Miss Morgan, Victoria Theatre.
Miss Murray, Victoria Theatre.
Full particulars will be announced in Tuesday's issue.
Sole Lessee and Proprietor - H. MURIEL.

ASSOCIATIONS: Maria Margaret Winterbottom (actor)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (14 June 1856), 3

http://nla.gov.au/nla.news-article18649749 

To the Editor of the "Maitland Mercury."
SIR - We the undersigned corps dramatique of the late Queen's Theatre, beg you will be kind enough to insert the following:
Feeling it a duty we owe to the inhabitants of Maitland, after the great kindness and support received from them, we beg respectfully to return our most sincere THANKS; also to Messrs. Fullford and Levien, for the kindness and generous feeling shewn by those gentlemen; and should we again have the honor of appearing before the inhabitants of Maitland, no exertion shall be wanting on our part to prove ourselves worthy of their kindness.
We are, Sir, Your obedient servants,
M. WINTERBOTTOM, JAMES MILNE, EDWARD WRIGHT, FREDERICK SHARP.
MARIA WINTERBOTTOM, AMY HOWARD, F. MORGAN.
Sir William Denison Hotel, West Maitland, June 13, 1856.

ASSOCIATIONS: Alfred Levien (local)

[Advertisement], Empire (12 July 1856), 1

http://nla.gov.au/nla.news-article60250541 

OUR LYCEUM THEATRE. Under the management of Messrs. CRAVEN AND STEPHENS,
will open positively on MONDAY NEXT, JULY 14TH 1856, on which occasion the eminent Tragedian,
Mr. G. V. BROOKE, assisted by Mr. ROBERT HEIR, Mrs. ROBERT HEIR (Late Miss Funny Cathcart), And the following Ladies and Gentlemen:-
. . . Mesdames . . . Winterbottom, Amy Howard, Miss Fanny Hughes, Ada Hart, Morgan, Franks, and Mrs. H. T. Craven.
THE BAND, under the able direction of Mr. WINTERBOTTOM, will be found the most efficient in the colonies, and will include the following gentlemen:
M. CHARLES EIGENSCHENCK (Leader.) Messrs. W. Tranter, Boans [sic], Wilkinson, Strong, Seymour [sic], Volpi, Sharpe, Richardson, &c., &c. . . .

ASSOCIATIONS: Henry Thornton Craven and William Henry Stephens (managers); Gustavus Vaughan Brooke (actor); Robert and Fanny Heir (actors); Eliza Craven (actor, vocalist); Charles Eigenschenck (leader, violin); Philip Barnett Boam (violin); George Strong (violin); Francesco Volpi (musician); Richard Seymour [sic] (trombone); James William Richardson (cornet)

"NEW SOUTH WALES GENERAL THEATRICAL FUND", Empire (16 May 1857), 4

http://nla.gov.au/nla.news-article60278439 

On Wednesday evening a grand entertainment was given at the Prince of Wales Theatre, in aid of the Hebrew Philanthropic Society, on which occasion the leading members of the theatrical profession voluntarily tendered their services in the cause of a noble charity. The following day the committee of the society invited those gentlemen to a luncheon at the Commercial Hotel in King-street. At this re-union, whilst Mr. J. G. Raphael proposed the formation of a society for the relief of distressed members of the theatrical profession; the idea was at first disapproved of, but as Mr. McKean Buchanan fully entered into the views of Mr. Raphael and some other gentlemen were prepared to subscribe to establish such a society, it was resolved by those present at once to inaugurate it. Officers were nominated, and committees suggested, and finally they decided to meet the following day to shape their first resolve into effective action. Accordingly yesterday afternoon at half-past three o'clock, there was a meeting at the Commercial Hotel when the following gentlemen were present: - Messrs. McKean Buchanan, M. Marks, F. Howson, J. G. Raphael, J. Crosby, W. G. Henfrey, W. H. Stephens, J. Simmonds, Winterbottom, Bruton, Ede, Sharp, Gibbs, Lipman, S. Davis, H. Palmer, A. Levy, and three or four others . . .

ASSOCIATIONS: Joseph George Raphael (citizen); James Simmonds (theatrical manager); Frank Howson (actor, vocalist, manager); John Gibbs (musician);

"SYDNEY (FROM OUR OWN CORRESPONDENT) 21st May", Bell's Life in Victoria and Sporting Chronicle (28 May 1859), 2

http://nla.gov.au/nla.news-article201378002 

In the theatrical world great changes are taking place. By the steamer which conveys this letter I believe we lose, Messrs. Winterbottom, Wigan, and Sharp, of the Prince of Wales, the Leopold Family, M. and Mad. Strebinger and the corps de ballet, who have fulfilled a successful engagement of four months' duration at the Victoria . . .

ASSOCIATIONS: Frederick and Therese Strebinger (musician, dancer)

[Advertisement], The Sydney Morning Herald (25 June 1859), 1

http://nla.gov.au/nla.news-article13026790 

ROYAL VICTORIA THEATRE. - Sole Manager and Lessee, Mr. Samuel Colville.
Unequalled combination of attraction for the BENEFIT of the great artiste, Miss MARY PROVOST, tendered by the members and attaches of the Theatre . . .
We beg to subscribe ourselves, your obedient servants . . .
[members of company, including orchestra] . . . Alfred Usher, A. Grebbet, W. Rice, A. Chate, E. Holloway, F. Howson, F. Sharp, F. Prince [sic] . . .

ASSOCIATIONS: Samuel Colville (manager); Mary Provost (actor); Edmund Holloway (actor, vocalist); Alfred Usher (violin, leader); Adolphe Grebet (violin); Henry Prince (cornet)

[Advertisement], Empire (2 July 1859), 3

http://nla.gov.au/nla.news-article60403136 

SYDNEY UNIVERSITY MUSICAL FESTIVAL.
On TUESDAY, July 19th, and THREE FOLLOWING DAYS, a series of GRAND MUSICAL PERFORMANCES Will be held to celebrate the opening of the HALL of the Sydney University in which the performances will take place . . .
CONDUCTOR - Mr. L. H. LAVENU . . .
The ORCHESTRA will be more numerous and efficient than any thal has ever before been heard in these Colonies.
The following Instrumental Performers have already been engaged:-
FIRST VIOLINS. Mr. John Deane, Conductor of the Philharmonic Society;
Mr. Eigenschenk, leader of Orchestra at the Prince of Wales Theatre;
Mr. Alfred Usher, leader of Orchestra at the Victoria Theatre . . .
KETTLE DRUMS - Mr. F. Sharp
SIDE DRUMS - Mr. W. Sullivan . . .

ASSOCIATIONS: Lewis Henry Lavenu (conductor); John Deane (leader, violin)

[Advertisement], The Sydney Morning Herald (25 July 1859), 1

http://nla.gov.au/nla.news-article13028239 

PRELIMINARY ANNOUNCEMENT.
The AUSTRALIAN DRAMATIC and MUSICAL ASSOCIATION.
President, - Mr. Henry Edwards.
Treasurer, - Mr. Charles Jones.
Secretary, - Mr. Frank Varley.
COMMITTEE. Mr. H. Burford; Mr. H. Twight; R. Stewart; F. Sharp; A. Usher; C. Jones; G. Morton; F. Varley.
OBJECTS OF THE ABOVE SOCIETY.
Firstly, - The advancement of the Dramatic and Musical Professions, especially with regard to their position as branches of the liberal arts.
Secondly, - The maintenance of a system of correspondence as far as practicable, with the theatres of the Australian Colonies, so as to enable the society to gain every information affecting the interests of members of the profession.
Thirdly, - The provision of funds for the relief of members of the Association when out of employment, together with an ulterior view to the establishment of a benefit fund based on the principles of similar institutions existing in England.
Fourthly. - For the promotion of a better feeling of brotherhood among the members of the profession, and the free and unbiassed discussion of all interests affecting the same.
FRANK VARLEY, honorary secretary.
All inquiries and communications to be addressed to the Secretary, Prince of Wales Theatre.
N.B. A special MEETING of the Committee, on TUESDAY, the 26th instant, at three o'clock precisely.

ASSOCIATIONS: Charles Edward Jones (manager, member); Frank Varley (member); Richard Stewart (actor, vocalist); Australian Musical and Dramatic Association (1859-60)

[Advertisement], The Sydney Morning Herald (21 November 1859), 1

http://nla.gov.au/nla.news-article13033509 

AT A GENERAL MEETING of the THEATRICAL PROFESSION, held November 19th, it was resolved:
"That none of the following members of the profession shall receive any engagement from Mr. Charles Poole, or any deputed manager of his, until the present pecuniary claims of the whole professional body shall have been indemnified in full."
In guarantee whereof the following signatures were affixed :
F. Ede; A. Usher; C. H. Burford; M. Flynn; W. J. Rice; W. Lenthall Frank Howson, Jun.; Frank Howson; S. Gallagher; H. Clifford; M. Josephson; C. Jones R. P. Weston; A. H. Chute [Chate]; G. Wright; B. B. Jessup; H. Maynard; - Collis; W. Burbury; T. Wicklings; W. Dwyer; B. Murray; J. Walsh; W. Dalton; R. H. Cox; J. Hasker; H. Flynn; F. J. Sharp [sic]; Samuel Howard; R. W. Kohler; E. Holloway; H. H. Twight; H. Lusby; W. H. Newton; W. Poole; Charles Eigenschenck; W. Stafford; W. Ford; J. B. Cooper; F. Moore; A. Wallace; J. C. Winning; J. Holland; G. R. Morton; D. Croke; W. J. Brown; H. Blizard; J. Davis; Robert Vaughan; J. Hull; J. Rayner; W. H. Walker.
R. STEWART, Chairman.
FRANK VARLEY, Secretary.

ASSOCIATIONS: Charles Poole (manager); Frank Howson jun (musician); Walter John Rice (musician); Sam Howard (actor); Richard Wildblood Kohler (musician); Isaac Davis (violin); Robert Vaughan (flute)

[Advertisement], Empire (23 November 1859), 1

http://nla.gov.au/nla.news-article64093404 

GRAND ORCHESTRAL UNION AND VOCAL CONCERT.
The first of a series of Monster CONCERTS, for the benefit of the Dramatic and Musical Artists, late of the Victoria and Prince of Wales Theatres, will take place
THIS EVENING, the 23rd instant, At the School of Arts . . .
Pianist - Mr. C. Packer
Leaders - Messrs. Usher and Eigenschenck . . .
Tympani and Side Drum - Messrs. Sharpe and Dalton . . .
PROGRAMME. PART I. Overture, Guillaume Tell - (Rossini), - by double orchestra . . .
Quadrille, L'Indienne, with brilliant variations, and new effects, 1st time in Sydney . . .
Waltz, Lucia di Lammermoor, Violoncello Obligato, Mr. F. Howson, junr. . . .
Polka, with obligato movement, first time in Sydney R. W. Kohler . . .
PART II. Overture, La Bayadere, 1st time in Sydney (Auber) . . .
Finale - Galop, Champagne, with original effects, by R. W. Kohler . . .

ASSOCIATIONS: Charles Sandys Packer (piano)

[Advertisement], Empire (24 November 1859), 1

http://nla.gov.au/nla.news-article64093456 

GRAND ORCHESTRAL UNION AND VOCAL CONCERT.
The Second MONSTER CONCERT, for the benefit of the Dramatic and Musical Artists, late of the Victoria and Prince of Wales Theatres, will take place THIS EVENING, November 24, At the School of Arts . . .
Pianist - Mr. C. Packer
Leaders - Messrs. Usher and Eigenschenck . . .
Tympani and Side Drum - Messrs. Sharpe and Dalton . . .
PROGRAMME. PART I. Overture, Auber, Masssniello . . .
Quadrille, The Caledonians, with brilliant variations for Flute, Cornet, and Flageolet, Messrs. Vaughan and Kohler . . .
Polka, The Young Couple (first time in Sydney,) Cornet Obligato by Mr. R. W. Kohler . . .
Waltz, The Bird of Paradise, Koenig, with original effects, Flageolet obligato, Mr. Kohler.
Galop, The Review Galop, Koenig, first time in Sydney . . .
PART 3. Overture, Don Giovanni, Mozart . . .
Finale, Post Horn Polka, Lumbie . . .

[Advertisement], The Sydney Morning Herald (25 November 1859), 1

http://nla.gov.au/nla.news-article13033666 

TEMPERANCE HALL. - GRAND ORCHESTRAL UNION AND VOCAL CONCERT.
The Third MONSTER CONCERT, for the Benefit of the Dramatic and Musical Artists, late of the Victoria and Prince of Wales Theatres, will take place THIS EVENING, Friday, November 25th.
Last appearance of Mr. R. W. KOHLER, previous to his departure for Melbourne.
Pianist - Mr. C. Packer
Leaders - Messrs. Usher and Eigenschenck . . .
Tympani and Side Drum - Messrs. Sharpe and Dalton . . .
PROGRAMME. PART I. Overture - "La Dame Blanche" (Boildeau) . . .
Quadrille (first time in the colonies) - "The Fourth Hour," with brilliant variations for flageolet - Mr. R. Kohler . . .
Polka - "Zouave" - Cornet Obligato - (Laurent) - Mr. R. W. Kohler . . .
Waltz - "Ravenswood" (Jullien) . . .
Galop - "Champagne," (Lumley) . . .
Part II. Overture - "The Brewer of Preston" (Adolphe Adam) first time in Sydney . . .
Quadrille - "British Navy " (Jullien) . . .
Grand finale - Instrumental, with solos, &c, &c. . . .

[Advertisement], The Sydney Morning Herald (26 November 1859), 8

http://nla.gov.au/nla.news-article13033741 

THEATRICAL UNION. - To the Public -
We, the undersigned members of the theatrical Profession, who have fixed our names to a resolution purporting that we should not perform for Mr. Poole, or any sub manager of his, hereby beg to express our regret, and disapprobation at the line of conduct pursued by Messrs. Burford, Rayner, Hasker, and Newton, in taking engagements at the Prince of Wales under Mr. Colville's management, and in dircct violation of their words and signatures . . .
E. Holloway, R. H. Cox, Alfred Usher, A. C. Chate, W. J. Rice, F. Sharpe, E. Gallagher, M. Dwyer, H. Maynard, W. Burbury, W. J. Brown, M. Josephson, Henry Prince, F. B. Cooper, G. R. Morton, Frank Howson, sen., F. Howson, Jun., Robert Vaughan, Edward Wright, C. Fredericks, R. Murray, J. Davis, J. Hall, R. W. Kohler, C. Eigenschenck, S. Howard, W. Dind, W. Walter, and eighteen others.
R. STEWART, Treasurer.
FRANK VARLEY, Secretary.

ASSOCIATIONS: Christian Fredericks (musician); John Thomson Hall (musician)

"MAITLAND [FROM OUR CORRESPONDENT] . . . December 18th", Empire (21 December 1859), 8

http://nla.gov.au/nla.news-article64094777 

To the astonishment of our townspeople, an unprecedented array of talent has arrived for the Olympic Theatre, viz, Mrs. Guerin, Mrs. Cox, Mrs. Holloway, and Miss Emma St. Clair, Messrs. Frank Howson, Holloway, Stewart, Cox, Walsh, Maynard, Rice, Frank Howson, jun., Sharp, Frank Varley, scene painter, and H. Twight, property man and costumier. In fact the company includes the leading members of the Victoria and Prince of Wales Theatres, Sydney. To-night will be their first performance. Buckstone's celebrated drama of "The Flowers of the Forest," and the laughable farce of "Slasher and Crasher" are announced as the entertainment.

ASSOCIATIONS: Theodosia Guerin (actor, vocalist)

"CENTRAL CRIMINAL COURT. MONDAY, 13TH FEBRUARY . . . FORCIBLE ENTRY . . . FORCIBLE ENTRY", The Sydney Morning Herald (14 February 1860), 2

http://nla.gov.au/nla.news-article13036584 

Emanuel Josephson, Edward Sadler, and John Thomas Baker, were indicted of having, at Sydney, on the 22nd November, 1859, by force of arms, unlawfully entered the Victoria Theatre, then in possession of Samuel Colville, and the said Samuel Colville, by force of arms, unlawfully expelled therefrom . . .

James Neale, John Cooper, Richard Hunt, Samuel Colville, John Saunders, James Edwards, Henry Milford, Frederick Ernest George Croft, and Benjamin Jones, were indicted for having, on the 26th November, 1859, at Sydney, made forcible entry into the Victoria Theatre, and dispossessed Emanuel Francis Josephson . . . The Attorney. General having stated the case, called the following witnesses, James Winning, Emanuel Francis Josephson, Thomas Barrett, Frederick Sharpe, Edward Suller, Richard Stewart, and Charles Jones . . . By Mr. Darvall: Mr. Stewart was one of a party of gentlemen to whom Josephson had consented to let the theatre . . . Mr. Sharpe, a bandsman, was there; Colville offered him employment . . . Frederick Sharpe, a musician, went to the theatre to play on the 26th November; heard a noise at the back entrance, and Samuel Colville, Neale, and Croft come from that direction . . . Richard Stewart, comedian, was about to play on the 26th November, by permission of Mr. Josephson, but when he went to the theatre he found it closed . . .

"MR. WINTERBOTTOM", Empire (14 August 1861), 5

http://nla.gov.au/nla.news-article60486950 

A very gratifying testimonial was presented to Mr. Winterbottom, the eminent bassoonist and conductor, previous to his departure from Sydney, yesterday, for Melbourne, en route for England, by several of the artistes who have been members of the corps d'orchestre, under Mr. Winterbottom, since he arrived in these colonies. The testimonial consisted of a handsome frame, containing photographic portraits, very beautifully executed by Mr. Glaister, of Pitt-street, of Mr. Winterbottom himself (in the centre), surrounded by those of the following artistes: Mr. Eigenschenck (leader), Mr. J. Hall (second violin), Mr. Rice (viola), Mr. Vaughan (flute), Mr. Chate (basso), Mr. Prince (cornet), Mr. Seamore (trombone), and Mr. Sharp (drums); all of whom, we understand, have, with slight intermission, been connected with Mr. Winterbottom during the last nine years in his professional career in Australia. The manner in which they have thus testified their regard and sympathy for their late talented conductor, is at once appropriate and suggestive, and we doubt not, will be long cherished by the accomplished artiste to whom it has been offered, and whose departure from these colonies will create a vacuum in the musical world which it will be extremely difficult to supply.

ASSOCIATIONS: Thomas Glaister (photographer)

[Advertisement], Goulburn Herald (20 June 1860), 3

http://nla.gov.au/nla.news-article103400291 

COMMERCIAL HOTEL. Last appearance but one of
FOANS'S ETHIOPIAN SERENADERS, Thursday Evening, June 21st . . .
Programme . . . PART II . . . Flute Solos (Fantasia) - F. J. Sharp . . .
PART III. New Farce, entitled, WANTED A DANCING MASTER.
Mark Anthony Squash (a rich barber, more money than brains) - W. W. Fisher.
Dinah, his daughter (a young coloured lady of decidedly Hibernian taste) - J. M. Foans.
Rupert (a sentimental singing master) - R. Stevenson.
Dennis McCarthy (an Irish dancing master) - F. G. Silvain.
Von Smash (a Dutch traveller) - W. A. Porter.
Tim (an itinerant musician) - J. J. Browne.
Tony (servant to Mr. Squash, and with a taste for music, especially the flute) - F. Sharp . . .

ASSOCIATIONS: James M. Foans (minstrel serenader); William A. Porter (minstrel serenader); Frederick George Silvain (minstrel serenader)

[Advertisement], The Sydney Morning Herald (13 December 1860), 1

http://nla.gov.au/nla.news-article13050133 

DRAMATIC - WANTED, a COMPANY for the Prince of Wales Theatre, Bathurst. Apply to F. J. SHARP, Shakspere Hotel, Pitt-street.

[Advertisement], Bathurst Free Press and Mining Journal (19 December 1860), 3

http://nla.gov.au/nla.news-article63594391 

Prince of Wales Theatre. WEDNESDAY, DEC. 26th, 1860. LESSEES: Messrs. Sharp and Wilkinson.
THE public of Bathurst are respectfully informed, that the above favourite place of amusement will open on BOXING NIGHT, with the following talented company: -
MR. and MRS. J. B. RUSSELL; MR. and MRS. MURRAY; MR. BARRY; MR. TWIGHT; MR. GATLAND; MR. FLYNN; MR. W. RICE; MR. and MRS. WILKINSON . . .
F. J. SHARP, Acting Manager.

"OLYMPIC THEATRE - WEST MAITLAND", Bell's Life in Sydney and Sporting Reviewer (21 January 1861), 3

http://nla.gov.au/nla.news-article59872016 

The dramatic company have returned from Singleton, and re-opened the theatre. The nautical drama of "Black eyed Susan," and the "Eton Boy," were rather ineffectively brought out on Saturday, probably from the hurry of preparation in so limited time. On Monday evening "Time Tries All," and the whimsical pieces of "The Waterman" were represented, before an approving audience . . . [in Time tries all] Mr. Holloway was a tolerable Matthew Bates . . . Tom Tact, with his French travels and consequence, was respectably pourtrayed by Mr. Samuel Howard. The Honorable Augustus Collander Yaws (Mr. Cox) and his friend Charles Clinton (Mr. F. Sharpe) were not exquisites of the first water . . . Northern Times, Jan. 18.

[Advertisement], The Sydney Morning Herald (28 December 1861), 1

http://nla.gov.au/nla.news-article13066362 

MR. NATHAN'S CONCERT, Masonic Hall, MONDAY, 30th December, 1861 . . .
Leader. - That highly accomplished professor, Mr. King . . .
In addition to this powerful auxiliary, the following list of Professional Gentlemen have handsomely tendered their gratuitous services:
Violins - Mr. King, Mr. Ernest King, Mr. F. Howson [jun.], Mr. Strong, Mr. Freelander.
Viola - Mr. Davis. Violoncello - Mr. W. Howson . . .
Flauto - Mr. Palmer. Drum - Mr. Sharp . . .
Cornet - Mr. Thompson. Organist - Mr. Cordner.
Conductor - Mr. Nathan, who will preside at the pianoforte . . .

ASSOCIATIONS: Isaac Nathan (conductor); Edward King (leader, violin); Ernest King (violin); William Friedlander (violin); William Alexander Thompson (cornet); William John Cordner (organ)

"THE BUCKLEY'S MINSTRELS", Bell's Life in Sydney and Sporting Chronicle (4 January 1862), 3

http://nla.gov.au/nla.news-article59790396 

These talented artistes continue to draw capital houses at the Temperance Hall, and we wish their representations had the assistance of scenery and stage effects, for taking them as a company altogether, the singing, choruses, &c., are as good as any we have had the pleasure of hearing. The imitation of a popular Opera Singer, by Charley Walsh, the comic Irish vocalism of Tom Wilson, the dancing of Diamond, and the peculiarities of Collins, together with the instrumentation of Burton, Sharpe, and Buckley tend to render this performance one of the most pleasureable in Sydney, and we strongly advise all lovers of good music not to lose the opportunity of hearing them! We must not omit to mention Weller Heywood, whose clever performance on the champagne glasses is inimitable. We beg to call attention to Tuesday evening next when Sharpe and Burton take their benefit.

ASSOCIATIONS: Charles Walsh (vocalist, manager; Sharp had first appeared with Walsh in Melbourne in 1854); Buckley Minstrels (troupe)

[Advertisement], The Sydney Morning Herald (7 January 1862), 1

http://nla.gov.au/nla.news-article13068563 

TEMPERANCE HALL-The Buckley Minstrels perform THIS EVENING (Tuesday).
TEMPERANCE HALL - Ce Soir Benefice de Mons. Grebet et Sharpe.
TEMPERANCE HALL - TO-NIGHT, FRED. SHARPE and BURTON'S Benefit.
NOTICE. - In consequence of the Buckley Minstrels being engaged by Signor Bianchi in the Grand Opera, no performance by this celebrated troupe will take place on WEDNESDAY or THURSDAY.

ASSOCIATIONS: Adolphe Grebet (musician)

[Advertisement], Empire (18 January 1862), 1

http://nla.gov.au/nla.news-article60508518 

TEMPERANCE HALL. - BUCKLEY MINSTRELS. Don't forget TO-NIGHT. Hall, 1s.; stalls, 2s. FRED SHARP, Manager.

[Advertisement], Bathurst Free Press and Mining Journal (12 March 1862), 3

http://nla.gov.au/nla.news-article62719918 

Prince of Wales Theatre.
RETURN OF THE FAR-FAMED BUCKLEY MINSTRELS AND BURLESQUE OPERA TROUPE.
OPEN EVERY EVENING DURING THE WEEK, and change of Programme each night.
NEW SONGS, GLEES, CHORUSES, AND BURLESQUES.
Grand Pantomime for Race Week.
Admission : BOXES, 4s. ; PIT, 2s.
Doors open at half-past seven; to commence at eight precisely.
F. J. SHARP, Manager.

[Advertisement], The Sydney Morning Herald (5 May 1864), 1

http://nla.gov.au/nla.news-article13091875 

NOTICE. - If I do not hear from my wife, FANNY SHARP, within two months from this date, May 5th, 1864, I shall get married again. F. J. SHARP.

"HOME RULE (From our Correspondent) . . . ST. PATRICK'S DAY", Freeman's Journal (22 March 1873), 10

http://nla.gov.au/nla.news-article128806908 

The sons and daughters of Erin celebrated the natal day of the Patron Saint in good style. In Gulgong, at midnight, a band of music, followed by a large crowd, marched the streets playing St. Patrick's Day and other national airs till the morning dawned. Though there were many attractions such as horse racing, &c., at the Home Rule, and other places, the only sports that were patronised was the excursion to Homer's Paddock, under the patronage of the Foot Ball Club . . . . There must have been between 2000 and 3000 people on the ground during the day . . . A grand Ball in connection with the above took place at Bender's Hall in the night, which was a grand success, the only drawback being the overcrowding of the hall. The Prince of Wales Opera House band, under the able management of Mr. Fred Sharp, was in attendance . . .

"GULGONG. August 7 . . . THEATRICAL", Australian Town and Country Journal (16 August 1873), 7

http://nla.gov.au/nla.news-article70480372 

At the Theatre Royal, Mr. and Mrs. Byers have been favoured with middling good houses, but nothing equal to their deserts. On Friday evening a complimentary benefit was given to Mr. F. Sharpe, leader of the orchestra. Everything passed off admirably . . . There are several rumours relative to the future. One is that the lessees of the Royal intend getting a capital company from Sydney, and another that the Prince of Wales Opera house is soon again to be opened under the management of a veteran of the stage.

"GULGONG. February 10 . . . DAUGHTERS OF TEMPERANCE", Australian Town and Country Journal (14 February 1874), 34

http://nla.gov.au/nla.news-article70472462 

The Rose of the West division of the Daughters of Temperance, No. 67, celebrated their second anniversary by a social tea meeting, soiree, and ball, at the Temperance Hall . . . There were fully eighty couples present. The band was under the leadership of Mr. Frederick Sharpe.

"GULGONG. September 4 . . AMUSEMENTS", Australian Town and Country Journal (11 September 1875), 10

http://nla.gov.au/nla.news-article70585269 

On Saturday at the Home Rule, and Monday at Gulgong, a benefit was given to Mr. W. H. Sawbridge, Mr. and Mrs. McDonald. The attendance at each place was small. On Wednesday, the 15th, a benefit is to be given to Mr. F. Sharp, upon which occasion a number of gentlemen amateurs from Mudgee will appear.

"Funerals", The Sydney Morning Herald (5 September 1895), 8

http://nla.gov.au/nla.news-article14015501 

THE FRIENDS of FRED. SHARP, Musician, are kindly invited to attend the Funeral of his beloved WIFE; to move from his residence, 27 Waterloo-street Surry Hills, on FRIDAY MORNING, at 8.30. to Necropolis.

"SERIOUS ACCIDENT AT A THEATRE", The Daily Telegraph (18 September 1895), 6

http://nla.gov.au/nla.news-article238536433 

A man named Frederick Sharpe, engaged in the orchestra at the Criterion Theatre, met with a serious accident yesterday afternoon. Sharpe was walking toward the musicroom, when he took what he thought to be a short cut along a passage, at the end of which was a well about 20 or 25 feet deep. He fell down the well, and sustained a fracture of several ribs. Dr. Hodgson was sent for as soon as the man was discovered, and he at once saw that his condition was serious, and recommended his removal to the hospital. On arrival there he was admitted for treatment, and at a late hour last night he was reported to be still in a very critical condition.

ASSOCIATIONS: David Cope senior (1848-1934, musical director)

"The Criterion Accident. THE INQUEST", Evening News (18 September 1895), 5

http://nla.gov.au/nla.news-article109880238

Mr. Pinhey held an inquest at the Coroner's Court this morning into the death of Frederick Sharpe, a drummer, who died through injuries received from his having fallen down a cellar in the Criterion Theatre. Mr. M. Montague watched the proceedings in the interests of the proprietors of the theatre. The facts have already been published in the "Evening News." The electrician, Joseph Baker, in answer to his Worship as to whether there was any protection at the cellar in question, said the place was principally traps. Some way down the stairs there was an awkward entrance leading under the stage. It was awkwardly constructed. The deceased was upset lately through his wife dropping dead, and was evidently under the impression that he was going the right way. In his opinion the deceased's mind was unhinged, but he was perfectly sober. In reply to Mr. Montague, witness said gas was always burning, and electric light at night. Deceased knew he had no necessity to go that way to get his bag. To the jury: No notices were put up cautioning strangers of wells, &c, as no strangers were allowed in that part of the place. In reply to his Worship, witness said that the proprietor of the theatre had made arrangements to bury the deceased. Charles J. Crimmer, employed at the place, said that deceased, in reply to him, admitted having mistaken his way. Deceased knew the run of the place well. Dr. Binnie gave evidence that he was senior medical officer at the hospital in his opinion death was caused by shock, the result of the injuries received, and also internal injuries. The jury returned a verdict of purely accidental death.

"DEATH OF A MUSICIAN", Newcastle Morning Herald and Miners' Advocate (19 September 1895), 5

http://nla.gov.au/nla.news-article132512547 

Frederick Sharpe, drummer belonging to the Criterion Theatre orchestra, who was injured by falling down the theatre cellar yesterday afternoon, died in Sydney Hospital this morning. He had gone to the theatre to get his drum in order to play at the funeral of a fellow-member of the orchestra.

ASSOCIATIONS: Jeremiah Mahoney (born NSW, 1856); see "Funerals", The Sydney Morning Herald (17 September 1895), 8

http://nla.gov.au/nla.news-article14017194 

THE FRIENDS of the late JEREMIAH MAHONEY (late Drummer of the Orchestra, Criterion Theatre) are kindly invited to attend his Funeral, THIS (Tuesday) AFTERNOON; to leave his late residence, 97 Wells-street, Redfern, at quarter to 2 o'clock, to R.C., Necropolis.

"Funerals", The Daily Telegraph (19 September 1895), 8

http://nla.gov.au/nla.news-article238535598 

THE Friends of the late Mr. FREDERICK SHARP (late of Orchestra of Criterion Theatre) are kindly Invited to attend his Funeral, which will move from his late residence, 27 Waterloo-st., Surry-hills, THIS (THURSDAY) AFTERNOON, at half-past 1 o'clock, for Rookwood Cemetery. Funeral Train leaves Mortuary Station at 2.25 p.m. Members of the musical profession will kindly accept this intimation . . .

"Funerals", The Sydney Morning Herald (19 September 1895), 8

http://nla.gov.au/nla.news-article14017444 

THE MEMBERS of the musical profession of Sydney are kindly requested to attend the Funeral of Mr. FRED SHARP. Those who would care to play, kindly bring instruments. The Funeral will leave his residence, No 27 Waterloo-street, Surry Hills.

"PROBATE JURISDICTION", New South Wales Government Gazette (15 October 1895), 6711

http://nla.gov.au/nla.news-article224302579 

In the Supreme Court of New South Wales. PROBATE JURISDICTION.
In the matter of the Intestate Estate of Frederick Sharp, late of 27, Waterloo-street, Sydney, musician, deceased. NOTICE is hereby given that a Rule of Court to administer the estate of the abovenamed deceased was, on the 26th day of September, 1895, granted to the Curator of Intestate Estates. THEO. POWELL, Curator . . .

"FIRST GOLDFIELDS DRAMATIC COMPANY IN AUSTRALIA (By the Veteran Australian Actor, Lachlan McGowan) No. III", Bendigo Advertiser (14 January 1899), 6

http://nla.gov.au/nla.news-article89456330 

. . . Also early in 1854 John Winterbottom, the celebrated bassoon player, instrumentalist and conductor, visited Bendigo with his band of 12 performers, of which that well-known leader of Sydney orchestra, Mr. Walter Rice, ("Daddy" Rice) was first violinist, and the late poor Fred Sharp was drummer. They gave promenade concerts a la Julien in a large marquee facing the camp, now called the Mill. But the venture turned out unprofitable, and was soon brought to a close . . .

ASSOCIATIONS: Lachlan McGowan (actor, memorist)




SHARP, Henry (Henry SHARP; H. SHARP; Mr. SHARP; H. SHARPE; Harry SHARPE)

Musician, banjo player, banjoist

Active Castlemaine, VIC; 1856; Bendigo, VIC, 1859

https://trove.nla.gov.au/search?l-publictag=Henry+Sharp+banjoist (TROVE tagged by Australharmony)


Documentation:

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (3 June 1856), 1

http://nla.gov.au/nla.news-article202631478 

ALBERT HOTEL. Wonders will never Cease!!
"TREMONT MINSTRELS." UNEQUALLED ATTRACTION.
MR. JONES, ever anxious to do all in his power to procure amusement for his friends and public, has, at considerable expense, succeeded in effecting an engagement with the above celebrated troupe of Minstrels, consisting of -
Mr. C. Reeves,- Sambo; Mr. H. Sharpe - Banjo; Mr. P. J. Stanley - Concertina; Mr. A. Seymore - Bones,
who will appear nightly in their inimitable Entertainment, characteristic of Negro life in the Southern States.
Re-engagement of MR. SMALL, The celebrated Comic Singer.
Admission, One Shilling.

ASSOCIATIONS: Joe Small (comic vocalist)

[Advertisement], Bendigo Advertiser (5 November 1857), 3

http://nla.gov.au/nla.news-article87976682 

A FREE and EASY will be held at the Bird-in-Hand Hotel, Epsom, every Saturday night, conducted by Mr. Henry Sharpe.

[Advertisement], Bendigo Advertiser (19 May 1858), 3

http://nla.gov.au/nla.news-article87980489 

OH! WHAT A TREAT FOR THE ELYSIANITES.
MR. HENRY SHARP has much pleasure in announcing that he intends having a Select Ball at the Sir Henry Barkly Hotel, Elysian Flat, on Whit-Monday night.
Tickets, to admit a lady and gentleman, 5s. M.C., Harry Sharp.

"VICTORIA THEATRE", Bendigo Advertiser (24 March 1859), 3

http://nla.gov.au/nla.news-article87987865 

Last night the already numerous and varied attractions of this place of amusement were considerably increased by the first appearance on Bendigo of two impersonators of negro character - Messrs. John Burgess and Henry Sharp, from Melbourne, who in this species of performance will certainly bear comparison with any we have yet seen. Indeed, the first mentioned performer in the "break down" dance will cause even the celebrated Burbank to put a little extra "life and mettle in his heels" if he would retain his laurels.

ASSOCIATIONS: Johnny Burgess (delineator, dancer); Otto Burbank (delineator, dancer)

[Advertisement], Bendigo Advertiser (29 March 1859), 1

http://nla.gov.au/nla.news-article87987992 

TERPSICHORE'S JUBILEE. APOLLO'S FETE.
SHAKESPEARE'S TRIUMPH. AT THE VICTORIA MUSIC HALL.
EVERYBODY MUST COME TO ENJOY THEMSELVES, AS THEY HAVE ALWAYS DONE, FOR NOTHING!
TO SEE JOHNNY BURGESS, Dance, acknowledged, without doubt, the Greatest Dancer in the World.
MR. SHARP, Stands Unrivalled as a Banjoist.
ME. J. A. PICCO, The Australian Paganini, and Soloist on various Instruments.
MASTER BURGESS, Still gains Laurels as a Juvenile Vocalist.
Pianist - MR. BUSH.
Leader - Mr. J. A. Picco.
Admission Free.

ASSOCIATIONS: J. A. Picco (musician); James Bush (pianist)

"VICTORIA CONCERT HALL", Bendigo Advertiser (30 March 1859), 3

http://nla.gov.au/nla.news-article87988006 

Despite the attractions at the Haymarket Theatre, the Victoria Concert Hall is numerously patronised. Joe Miller's comicalities are always amusing, Master Burgess's vocalism is well appreciated, and the [REDACTED] delineators, Mr. Sharp and Mr. John Burgess, are applauded to the echo, "which doth applaud, again." The latter, by his wonderful "step dancing," seems to have securely established a footing on Bendigo as one of the cleverest of Ethiopian dancers.

[Advertisement], Bendigo Advertiser (6 April 1859), 1

http://nla.gov.au/nla.news-article87988176 

VICTORIA MUSIC HALL.
THE ROYAL ITALIAN MARIONETTES, Representing England, Ireland, and Scotland, will Appear Every Evening, in conjunction with
MR. JOHN BURGESS, The Best Boot, Clog, and Pump Dancer in the colony.
MR. H. SHARP, The only acknowledged Master of the Banjo in Australia.
MR. JOE MILLER "Will be Free and Easy," and "Wait for the Waggon" Eyery Evening.
MASTER BURGESS The Youthful Tenor and Irish Vocalist.
Mr. BUSH, Pianist and Musical Director.
Manager, Mr. J. MILLER.
ADMISSION - FREE.

ASSOCIATIONS: Joe Miller (comic vocalist, manager)

"THE VICTORIA CONCERT HALL", Bendigo Advertiser (25 April 1859), 3

http://nla.gov.au/nla.news-article87988591 

Although the proprietor of the Victoria has been dispoiled of a portion of his attractions by the secession of the two Ethiopian delineators, Burgess, and Sharp, who have "gone over" to the Shamrock, the entertainments on Saturday night were not at all below their usual standard of excellence . . .

ASSOCIATIONS: Shamrock Concert Hall (Bendigo)

[Advertisement], Bendigo Advertiser (18 May 1859), 1

http://nla.gov.au/nla.news-article87989187 

SHAMROCK THEATRE. GRAND FASHIONABLE NIGHT. MONDAY EVENING, MAY 23rd.
FOR THE BENEFIT OF O. N. BURBANK, The Champion Reel and Jig Dancer, and Ethiopian Delineator.
GREAT COMBINATION OF TALENT.
MDLLE. THERESE, The fascinating and accomplished Danceuse will appear in a number of Artistic Dances . . .
THE CELEBRATED WORRELL FAMILY . . .
Also, THE INIMITABLE BALLET COMPANY, Under the direction of
MONS. SCHMIDT Will, on this occasion, introduce an Entire New Entertainment.
Mr. J. CHAMBERS, JUN., (Late of the Chambers' Family.) This Unrivalled Comic Dancer will lend his valuable aid to the Evening's Amusement.
MR. J. BURGESS, The Unequalled Clog and Boot Dancer, Will, on this evening, put his best foot forward to assist O.N. Burbank, his Brother Shoe-Shaker.
MR. H. SHARP, The Prince of Banjo Players,
And THE SAN FRANCISCO MINSTRELS, With a New Selection of Songs, Dances, Burlesques, Recitations, and Lectures.
N.B. A number of Volunteers have promised to lend their valuable services on this occasion, making together a Performance, without question, the most unique that bus ever taken place in Sandhurst.
Admission - Half-a-Crown. For Particulars see Bills of the Day.

ASSOCIATIONS: Mons. and Therese Schmidt (dancers); Worrell family (dancers); Joseph Chambers junior (dancer); San Francisco Minstrels (serenader troupe)

[Advertisement], The Star [Ballarat, VIC] (13 June 1859), 3

http://nla.gov.au/nla.news-article66053585 

CHARLIE NAPIER THEATRE.
Engagement of the SAN FRANCISCO MINSTRELS, Who will make their first appearance
THIS (MONDAY) EVENING, 13th JUNE . . .
Observe the Programme.
PART FIRST, Grand Medley Overture - San Francisco Minstrels.
Opening Chorus - Boley and Carson
Kiss me quick and go - J. Burgess
Wasn't that a pull back? - Dave Carson
Etty May - D. F. Boley
Molly, put the kettle on - J. Burgess
She's gone to Alabama State - D. Carson
Old King Crow - H. Sharpe
Masquerade Waltz - Boley and Company . . .
PART SECOND.
Grand Clog Dance - J. Burgess
Woman's rights - Dave Carson
Banjo Solo - Harry Sharp
Root hog or die - J. Burgess
Comic Duet - Boley and Carson . . .

ASSOCIATIONS: Dave Carson (serenader); Dorrel Fair Boley (serenader); Charlie Napier Theatre (Ballarat)




SHARP FAMILY OF LAUNCESTON
SHARP, William (William SHARP; Mr. W. SHARP; Mr. SHARP, senior)

Musician, music retailer

Born Kent, England, 1810; baptised Wingham, Kent, 6 May 1810; son of Thomas SHARP (1769-1834) and Ann FRIESBY (1772-1857)
Married (1) Sarah Philpot CULL (c. 1809-1866), St. George, Ramsgate, Kent, 15 April 1833
Arrived Launceston, TAS, by c. 1853
Married (2) Ada PERKINS, Launceston, TAS, 30 April 1869
Died Launceston, TAS, 27 January 1875, aged 65

https://trove.nla.gov.au/search?l-publictag=William+Sharp+1810-1875 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-William (shareable link to this entry)

SHARP, Thomas (Thomas SHARP; Mr. T. SHARP; Tom SHARP; Mr. SHARP, junior)

Musician, professor of music, pianist, organist, violinist, conductor

Born Kent, England, 1834; baptised St. Lawrence, Kent, 16 March 1834; son of William SHARP and Sarah Philpot CULL
Arrived Launceston, TAS, c. 1853
Married Louisa LACEY (c. 1836-1902), St. John's, Launceston, TAS, 15 May 1862
Died at sea, 2 January 1912, in his 78th year

https://trove.nla.gov.au/search?l-publictag=Thomas+Sharp+1834-1912 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Thomas (shareable link to this entry)

SHARP, Louisa (Louisa LACEY; Mrs. Thomas SHARP)

Amateur vocalist

Born England, c. 1836; daughter of William LACEY (1810-1854) and Martha INGLESANT (1813-1887)
Arrived Sydney, NSW, 1851 (per Garland
Married Thomas SHARP, St. John's, Launceston, TAS, 15 May 1862
Died Petersham, NSW, 7 July 1902

https://trove.nla.gov.au/search?l-publictag=Louisa+Lacey+Sharp+c1836-1902 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Louisa (shareable link to this entry)

SHARP, Caroline (Caroline SHARP; Miss SHARP)

Musician, pianist, harmonium player

Born Ramsgate, Kent, 1840; baptised St. George, Ramsgate, 8 March 1840; daughter of William SHARP and Sarah Philpot CULL
Died Sydney, NSW, 13 October 1924

https://trove.nla.gov.au/search?l-publictag=Caroline+Sharp+1840-1924 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARP-Caroline (shareable link to this entry)


SHARP, William Thomas (William Thomas SHARP; W. T. SHARP)

Musician, organist

Born Launceston, TAS, 1864


Thomas Sharp (1834-1912)

Thomas Sharp


Summary:

William Sharp was born in Kent, England, in 1810, and baptised at Wingham on 6 May 1810, a son of Thomas Sharp (1769-1834) and Ann Friesby (1772-1857). At St. George, Ramsgate, on 15 April 1833, he married Sarah Philpot Cull, and their two eldest surviving children were Thomas, or Tom, born 1834, and Caroline, born 1840. In the 1841 census, William, a shoemaker, was living with his family in High-street, Ramsgate.

There is no record of any of the family in the 1851 English census, and, from a couple of later references in Launceston, it appears that the Sharp spent some years in the Cape Colony (see 12 January 1858, and 22 May 1860 below).

On their first arrival in Launceston, however, Thomas advertised in June 1855 that he had "just arrived from England", and that he and William would teach music, tune and repair instruments, and attend balls and parties on violin and double bass. Thereafter, Thomas was usually the "Mr. Sharp" referred to, though William was almost certainly also involved in most of his musical ventures, and Caroline too in at least some of them.

Thomas first formed a band to present a series of promenade concerts at the Cornwall Hotel Assembly Rooms in September and October 1855, and for an amateur theatrical performance at the Clarence Theatre.

At St. John's, Launceston, on 15 May 1862, Thomas married Louisa Lacey, second daughter of the later William Lacey and his wife Martha Inglesant. Louisa's father, a bootmaker, originally from Keyworth, Nottinghamshire, was one of the Chartists agitators convicted in London in September 1848 and transported to Van Diemen's Land on the Adelaide in 1849. Granted a ticket of leave on arrival, William's family followed him to Tasmania (via Sydney) in 1851. William had died in 1854, and Louisa's elder sister, Eliza Ann, had married William Stokes in Launceston in 1855.


Caroline Sharp (1840-1924)

Caroline Sharp


Documentation:

England census, 6 June 1841, Preston by Wingham, Ramsgate, Kent; UK National Archives, HO 107 / 469/ 1

https://www.ancestry.com.au/imageviewer/collections/8978/images/KENHO107_468_469-0139 (PAYWALL)

[High Street] / William Sharp / 30 / Shoe. M. / [born in county]
Sarah [Sharp] / 30 / - / [born in county]
Tom [Sharp] / 7 / - / [born in county]
Caroline / 1 / - / [born in county]

List of immigrants per ship Garland, Sydney, NSW, 1851; State Records Auhtority of NSW

https://www.ancestry.com.au/imageviewer/collections/1204/images/IMAUS1787_081421-0090 (PAYWALL)

Lacey Martha / 38 / [native place] Leicester / [parents] Thomas and Ann Incleson [sic] / Baptist / [relations in Colony] William Lacey . . .
Eliza Ann [Lacey] / 17 / [native place Leicester]
Louisa [Lacey] / 15 / [native place Leicester]
Samuel / 13 // Elizabeth / 10

[Advertisement], Launceston Examiner (30 June 1855), 3

http://nla.gov.au/nla.news-article36293197 

MUSIC. - Mr. T. SHARP, Teacher of Music, who has just arrived from England, begs most respectfully to acquaint the Gentry and Inhabitants of Launceston and its vicinity, that he is now prepared to give Instruction on the Violin, Pianoforte, and Organ.
Organs, Seraphines, Pianofortes, and other instruments tuned and repaired.
Balls and Evening Parties attended with Violin and Double Bass.
Instructions given on the Flute, Clarionette, Violoncello, and Double Bass, &c., by Mr. Wm. Sharp.
Orders will be received at this office.

"PROMENADE CONCERT", The Cornwall Chronicle [Launceston, TAS] (15 September 1855), 5

http://nla.gov.au/nla.news-article65716536 

The public are respectfully informed that an Instrumental Promenade Concert will be given at the Cornwall Assembly Rooms on Thursday evening, September 20th, supported by all the available talent of Launceston.
Leader - Mr. T. Sharp.
To commence at half-past 7 o'clock precisely.
Tickets, 3s. each; to be obtained at the Cornwall Hotel; at Mr. Hudson's, Bookseller, Brisbane-street; and of Mr. Sharp, Brisbane street.
September 15.

"PROMENADE CONCERT", The Cornwall Chronicle (15 September 1855), 5

http://nla.gov.au/nla.news-article65716537 

The talent and ability of Mr. Sharp, are becoming so well known here, that the public will not require much inducement, to attend at any musical entertainment presided over by him. The Promenade Concert on Thursday evening next, coming at a time, when we are totally destitute of any other public amusement, we have no doubt will be properly appreciated, and we trust that Mr. Sharp's exertions will be rewarded, by the patronage of the elite of Launceston and its vicinity.

"PROMENADE CONCERT", The Cornwall Chronicle (22 September 1855), 5

http://nla.gov.au/nla.news-article65719116 

On Thursday evening at the Cornwall Assembly Rooms, an instrumental promenade concert was given, under the direction of Mr. T. Sharp. The attendance, though select, we regret to say, was not so good as was desirable. Of the performance, we have only space now to say, that it was highly creditable as a whole, and was well received, and towards the latter part it was very effective indeed, and on repetition would be much more so. It is a matter of regret that the band had not been stronger, and the Messrs. Sharp will be most happy to receive any accession to their strength for future occasions. It is their intention, if sufficiently encouraged, to give similar concerts monthly, or oftener if possible, and we doubt not, as also we hope, they will be successful.

"TO THE EDITOR OF THE . . . THE CONCERT", Launceston Examiner (25 September 1855), 3

http://nla.gov.au/nla.news-article36294333 

SIR, - Thursday evening I was at a promenade concert given by Mr. Sharp, lately arrived here, with assistance of several other parties belonging to the different town bands, and I was gratified with the creditable manner it was got up, as everyone present was master of his instrument. I was also pleased to see one of our leading professional gentlemen present on the occasion, and giving his assistance by presiding at the piano - I mean Mr. Imberg. If all the others in the profession would follow his example and come to aid and assist, we would then be able to accomplish what is really so much wanted, that of spending a few shillings weekly, and receiving full value for it, instead of sitting night after night in the different licensed houses and imbibe that which will lead to destruction. Therefore one and all come forward, professional and amateurs let them unite and help Mr. Sharp, and all the rest to form a large society; I am convinced he will be glad to undertake the task and give his time for rehearsing, if the public at large will support him. The Assembly Rooms were well filled, and it was announced that Mr. S. will give a series of these concerts, the next of them to take place shortly, when he will combine vocal and instrumental, if possible. One remark I wish to make, that the solo pieces, as Haydn's Quintett and Mayseder's Trio were the pieces that delighted all present; and I heard it mentioned that pianoforte and violin duetts, &c., would be an improvement in the programme.
A SPECTATOR.
September 21.

ASSOCIATIONS: Julius Imberg (piano)

"AMATEUR DRAMATIC PERFORMANCE", The Cornwall Chronicle (29 September 1855), 6

http://nla.gov.au/nla.news-article65718687 

[Launceston Amateur Dramatic Club, Clarence Theatre, 26 September] . . . The Orchestra, under the leadership of Mr. Sharp, assisted by his sons [sic], Mr. Walker, &c. performed some beautiful overtures, medleys and other pieces of music, between the acts. The Dramatic Club might without egotism head their bills - "Tremendous Success."

"LAUNCESTON (From our own Correspondent), September 27, 1855", The Tasmanian Daily News (29 September 1855), 4

http://nla.gov.au/nla.news-article203387790 

. . . The performance took place in the Clarence Theatre . . . More especially must we notice here the style and character of the music. Instead of having our ears cracked with the harsh and discordant tones we heard when was last visited the Clarence Theatre, issuing from sundry brazen instruments, with a couple of squeaking clarionets to complete the din, we were agreeably surprised to see Mr. Sharp, the leader of the late Promenade Concert, which was given here, take his place at the violincello, as we felt assured that under any circumstance our ticket would not have been obtained for nothing. Nor were we disappointed. The band played admirably, and treated the audience to one of two choice pieces of music . . .

"PROMENADE CONCERT", The People's Advocate or True Friend of Tasmania (4 October 1855), 3

http://nla.gov.au/nla.news-article232750567 

The second promenade concert took place on Thursday evening last, at the Cornwall Assembly Rooms, but the audience, although highly respectable, were not so numerous as we could have wished. The pieces of music performed were very loudly applauded and Haydn's quartett, "Selection" and the quintett, "Annante," were encored. The people of Launceston complain of the want of rational amusement, and yet, strange to say, that support is not rendered to Mr. Sharp and his able assistants, as their talents merit.

"AMATEUR DRAMATIC CLUB", The Cornwall Chronicle (17 October 1855), 5

http://nla.gov.au/nla.news-article65719168 

The second performance of this club was very well attended on Monday evening [15 October] . . . Mr. Sharpe, leader of the orchestra, has added three more performers to his corps . . .

[Advertisement], Launceston Examiner (20 October 1855), 5

http://nla.gov.au/nla.news-article36294720 

CORNWALL ASSEMBLY ROOMS.
MISKA HAUSER, The celebrated Hungarian Violinist, has the honor to announce that by general request
HIS SECOND GRAND CONCERT, Will take place on Monday Evening, October 22 . . . assisted by
MR. BIAL, AND MR. SHARP'S STRING BAND . . .

ASSOCIATIONS: Miska Hauser (violin); Charles Bial (piano)

"MISKA HAUSER", Launceston Examiner (23 October 1855), 3

http://nla.gov.au/nla.news-article36294735 

. . . Mr. Sharp's band also creditably sustained the parts allotted them. The overtures were well chosen and given with effect, and the Quintett Andane [Andante], by Haydn, in which Miss Sharp presided at the piano, was well received. At the conclusion, Mr. Sharp announced that Miska Hauser, at particular request, would remain a few days longer at Launceston, and give one more concert . . .

MUSIC: Probably one of John Peter Salomon's quintet arrangements of the London symphonies, perhaps the "surprise" Andante of Symphony no. 94

"M. HAUSER'S CONCERTS", The Cornwall Chronicle (24 October 1855), 4

http://nla.gov.au/nla.news-article65716942 

On Friday evening last [19 October], this gifted violinist performed for the first time before a Launceston audience . . . The addition of a band on the above occasion was a most judicious arrangement, and the execution of some of the pieces was commended very highly, as it deserved to be . . . M. Hauser's second concert took place on Monday evening . . . This evening (Wednesday), the third and final concert . . . takes place, under the same arrangements as before. Mr. Sharp's string band, whose services on the two previous occasions have been so warmly acknowledged, perform in conjunction . . .

[Advertisement], The People's Advocate or True Friend of Tasmania (1 November 1855), 3

http://nla.gov.au/nla.news-article232750686 

ROYAL CLARENCE THEATRE . . . Last Night but Two!! . . .
Revival of the favourite ballad opera of the WATERMAN. This Evening, Thursday, November 1 . . .
Tom Tug, Mr. C. Miran (with the songs of the "Jolly Young Waterman," "Farewell my Trim built Wherry," and the "Bay of Biscay"); Wilhelmina, Mrs. E. Montague, (with the songs of "I'll be no submissive wife" and Co Forget Me" . . .
Leader of the Orchestra - Mr. Sharp . . .

ASSOCIATIONS: Charles Miran (actor, vocalist); Emeline Montague (actor, vocalist)

[Advertisement], The Cornwall Chronicle (3 November 1855), 1

http://nla.gov.au/nla.news-article65717549 

MUSIC - W. T. SHARP [sic].
Teacher of the Vioiin, Piano Forte, and Organ.
Organs, Harmoniums, and Piano Fortes, tuned by the year or single tuning.
A Quadrille Band (for town or country) on the shortest notice.
Patterson-street, near the Post-office. 31 Oct.

M. HAUSER'S CONCERT", The Cornwall Chronicle (17 November 1855), 5

http://nla.gov.au/nla.news-article65718084 

Another of these delightful entertainments was given on Tuesday evening [13 November], at the Cornwall Assembly Room . . . Mr. Sharp's band added much to the evening's amusement. The waltzes especially merit notice, as being very pretty in themselves, and performed with more certainty and vigor than were the overtures. The subject of the first overture struck us as being rather dry and imperfectly expressed, its treatment is by no means happy, but it was unfairly handled in the performance, which was, for the most part, very loose and unsteady. The second went somewhat better, but the band evidently were not "up," as a whole, in their parts. We have no intention in these remarks to disparage any one, and hope, as we believe, a little more application will obviate these defects another time . . .

[News], The Cornwall Chronicle (21 November 1855), 5

http://nla.gov.au/nla.news-article65716686 

The band, under the superintendence of Mr. Sharp, will play in the Horticultural Gardens on Thursday evening.

"ST. ANDREW'S DINNER", The Tasmanian Daily News (4 December 1855), 2

http://nla.gov.au/nla.news-article203386188 

The annual festival of the St. Andrew's Society was celebrated last evening at the Cornwall Hotel, and about sixty gentlemen sat down to dinner . . . The music was supplied by Mr. Sharp's band, and we never heard better. . . . the following toasts were given from the chair: -
"The Queen," . . . the company standing whilst the band performed the Anthem.
"Prince Albert and the Royal Family." Air: "Prince Albert's March."
"The Governor, Sir H. E. F. Young." . . . Air: "Old English Gentleman."
"The Armies and Navies of the Allied Powers." . . . Air: "British Grenadiers." . . .
The next toast was the "Memory of St. Andrew." Drank in silence, the band playing a dirge.
The Vice-Chairman now gave "Lady Young and the Ladies of Tasmania." Drank enthusiastically. Air - "Green grow the Rushes, O." . . .
The Vice-Chairman gave next "The Commercial and Agricultural Interests of Tasmania." Drank with loud cheering. Air - "Speed, the Plough," and "The Boatie Rows." . . .
"The Health of the Guests." . . . Air - "John Anderson, my Joe John" . . .
Song - "Friendship,", Mr. McEacharn and Mr. Duthie.
Mr. John Thompson gave the "Memory of Burns." Drank in silence, the band playing the Dead March in Saul.
Song - "Oh, my Home, my Happy Home," Mr. Webster.
Captain Greig gave the "Land we Left." Drank enthusiastically. " Air - "Auld land syne."
Song - "The Brier Bush," Mr. Bain.
Mr. Webster, in a few appropriate observations, proposed "The land we live in." Drank with loud cheeers. Air - "Every Land my Home."
Mr. Robert Glendow, as a Tasmanian, returned thanks.
Song - "Life is not all a desert waste," Mr. H. Allison.
Mr. Corbett gave "Kindred Institutions." Air - "Here's to him that's awa'."
Song - "The Trumpet Sounds," Mr. Learmonth . . .
"the health of the President." . . . Air - "There's nae luck about the house" . . .
Song - "Tak your old cloak about yo," Mr. Buchanan . . .
the health of the Vice-President . . . Air, "He's a hearty good fellow" . . .
Song - "Cheer, boys, cheer," Captain Greig . . .

"FLOWER SHOW", Launceston Examiner (13 December 1855), 2

http://nla.gov.au/nla.news-article36295469 

The Show of the Gardeners' and Amateurs' Society takes place this day. The following selection of music will be played by Mr. Sharp's band at the evening show, commencing at seven o'clock:
1. Bomarsund Quadrilles.
2. Konigsberg Polka.
3. Ednburgh Quadrilles.
4. Lily of the Valley - waltz.
5. Lucia di Lammermore Quadrilles.
6. Review - polka.
7. Les Huguenots Quadrilles.
8. Queen of Roses - waltz.
9. Lillian - polka.
10. Palermo Quadrilles.
11. Summer Flowers - waltz.
12. Spirit of the Ball - galop.
13. Sebastopol Quadrilles.
Finale - God Save the Queen.

"To the Editor of . . .", The People's Advocate or True Friend of Tasmania (3 January 1856), 2

http://nla.gov.au/nla.news-article232751074 

SIR, It has been suggested to me that a Concert of vocal and instrumental music might be given in aid of the funds of the Cornwall Hospital. Believing myself that a concert economically conducted would realise a sum worth presenting to the Hospital, I beg to say, that if a few ladies and gentlemen will come forward to assist, I shall willingly give my services in conducting and arranging it. There are I am aware, many ladies and gentlemen who are possessed of sufficient musical talent to enable them to take part in such a concert, it they will only unite heartily in it.
The pressing wants of the Cornwall Hospital are, I believe, so well known to the public generally, that it would be superfluous to say anything more in furtherance of this object; I would only suggest if it should be deemed worthy of notice, that a few gentlemen form themselves into a committee for carrying it into effect.
I remain, Sir, Yours, &c.
T. SHARP, Professor of Music. January 2.

"HORTICULTURAL GARDENS", Launceston Examiner (19 January 1856), 3

http://nla.gov.au/nla.news-article36295985 

Mr. Sharp's band performed in the Pavilion on Thursday evening, a capital selection of music, and in excellent style. We understand that this performance concluded the period of Mr. Sharp's engagement with the committee, but we hope it will be continued to the end of the summer. A large number of the inhabitants, both subscribers and others, have greatly enjoyed the promenade in the gardens on Thursday evenings, listening to Mr. Sharp's music, and its cessation whilst the evenings are still favorable, would be a great disappointment to many persons.

"HORTICULTURAL GARDENS", Launceston Examiner (24 January 1856), 3

http://nla.gov.au/nla.news-article36296054 

The committee have re-engaged Mr. Sharp, and tomorrow (Friday) evening, the band will play the following selection:
1. Marrionette's Quadrilles.
2. Fair Star Waltz.
3. Koningsburgh Polka.
4. Cherbourg Quadrilles.
5. Review Polka.
6. Should he upbraid (song without words).
7. Constantinople Quadrilles.
8. Rosa Schottishe.
9. Spirit of the Ball Galop.
10. Como Quadrilles.
Finale - God Save the Queen.

"CATHERINE HAYES' CONCERT", Launceston Examiner (16 February 1856), 2

http://nla.gov.au/nla.news-article36296367 

. . . The concert commenced with the overture "Lodoiska," by Mr. Sharp's band . . .

ASSOCIATIONS: Catherine Hayes (vocalist);

MUSIC: Overture to Lodoiska (Kreutzer)

"CATHERINE HAYES' LAST CONCERT", Launceston Examiner (23 February 1856), 2

http://nla.gov.au/nla.news-article36296471 

. . . The concert was opened by the overture "Sophonisbe" by Mr. Sharp's band, which, as well as the second overture, was performed with a skill and accuracy which do credit to all concerned; and we may add, that to the Messrs. Sharp belongs the credit of having united some of the instrumental talent of Launceston with a success which has insured popularity . . .

MUSIC: Overture to Sophonisbe (Paer)

"CATHERINE HAYES' CONCERT FOR THE BENEVOLENT SOCIETY AND CORNWALL HOSPITAL", Launceston Examiner (8 March 1856), 2

http://nla.gov.au/nla.news-article36296661 

It was not Miss Hayes' intention to have sung again here after her second concert; but notwithstanding indisposition and her other engagements, she kindly consented to appear once more for a benevolent object. The Assembly Room on Thursday night was crowded by an enthusiastic audience, and Miss Hayes had a most hearty reception. She was accompanied on the pianoforte by a lady whose musical reputation is in private circles, only inferior to her own. Messrs. Gregg and Lyall sustained the other vocal parts; the pianoforte accompaniment by Mr. Sharp, Jun. Mr. Sharp's band performed the overtures "Figaro" and "Lodoiska" in the first and second parts, extremely well; and it is creditable to all concerned that on this occasion they gave their services gratuitously . . .

ASSOCIATIONS: Lucy Chambers (pianist, accompanyist)

"LAUNCESTON (From our own Correspondent) 7th March, 1856", The Tasmanian Daily News (10 March 1856), 3

http://nla.gov.au/nla.news-article202384916 

Last evening Miss Hayes added another wreath to her laurels . . . Mr. Sharp, jun., accompanied Messrs. Lyall and Gregg.

ASSOCIATIONS: Charles Lyall (vocalist); John Gregg (vocalist)

"LONGFORD CHURCH", Launceston Examiner (8 May 1856), 3

http://nla.gov.au/nla.news-article36297413 

The organ by Eagles has been put up at Longford Church by Messrs. Sharp and Son; it is a most splendid toned instrument. Mr. Sharp, jun., will perform on Sunday morning next. Sacred music will be heard with delight by the congregation. - Communicated.

"ST. ANDREW'S CHURCH - CONGREGATIONAL SOIREE", Launceston Examiner (9 August 1856), 3

http://nla.gov.au/nla.news-article36298618 

A soiree took place at the Cornwall Assembly Rooms last evening, at which the congregation of St. Andrew's Church entertained their minister, the Rev. R. K. Ewing, and their friends . . . Some members of the Philharmonic Society had kindly volunteered their services to supply the musical part of the entertainment, and during the evening, under the able management of Mr. Marriott, they performed the following pieces, which very much added to the pleasures of the occasion: -
A German Chorale - "Sleep no more," Farrant's Anthem, and Mendelssohn's "Deep repose of night," in four parts. Mr. Sharp jun. presided at the harmonium . . .

ASSOCIATIONS: Robert Kirkwood Ewing (clergyman, musical amateur); Arthur John Marriott (vocal conductor, leader); Launceston Philharmonic Society (organisation)

"NEW LAUNCESTON THEATRE", Launceston Examiner (21 August 1856), 2

http://nla.gov.au/nla.news-article36298780 

A meeting of the shareholders in the new theatre was held at the Cornwall Hotel last night . . . The plan assimilated in several respects to that of the Haymarket Theatre, in London . . . In the new plan the theatre was made to hold 700 . . . Mr. William Henry Clayton explained the new plans . . . In reply to Mr. Sharp sen., Mr. Clayton said there were six private boxes provided for. In reply to Mr. Sharp, jun., Mr. Clayton said the orchestra was the same size as the Haymarket . . .

ASSOCIATIONS: William Henry Clayton (architect); Theatre Royal (Launceston)

[Advertisement], The Cornwall Chronicle (18 October 1856), 5

http://nla.gov.au/nla.news-article65722421 

LYCEUM THEATRE. MR. F. B. WATSON, LESSEE.
First Night of the Season!! . . . Mr. & Mrs. STARK . . .
MR. G. W. DANIELS AND MISS FANNY YOUNG . . . under the superintendence of Mr. J. E. Kitts . . .
Bulwer's beautiful Play of the Lady of Lyons . . .
Overture - Figaro . . .
Leader of the Orchestra - Mr. T. Sharp . . .

ASSOCIATIONS: James and Sarah Stark (actors); George Washington Daniels and Fanny Young (actors); Feltham Bold Watson (manager, actor); James Edward Kitts (manager); Lyceum Theatre (Cameron-street)

[Advertisement], Launceston Examiner (4 December 1856), 3

http://nla.gov.au/nla.news-article36299793 

REMOVAL - MR. T. SHARP, Professor of Music, &c., has removed from Patterson-street to the house adjoining Mr. Akers', opposite the Post-office, George-street. December 4.

"HORTICULTURAL GARDENS", Launceston Examiner (15 January 1857), 3

http://nla.gov.au/nla.news-article36300173 

Programme for this evening by Mr. Sharp's band -
1. Como Quadrilles.
2. Fair Star - Waltzes.
3. Sultan's Polka.
4. Somnambula - Quadrilles.
5. Mountain Daisy - Waltzes.
6. Circasian - Polka.
7. Topsy - Quadrilles.
8. Regatta - Waltzes.
9. Scotch - Polka.
10. Edinburgh - Quadrilles.
11. God save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (22 January 1857), 3

http://nla.gov.au/nla.news-article36300236 

Programme for this evening by Mr. Sharp's band -
1. L'Elisire D'Amore Quadrilles
2. Albina Waltzes
3. Parisenne Schottische
4. Palermo Quadrilles
5. Autumn Flower Waltzes
6. L'Innocence Polka
7. Geneva Quadrilles
8. Haunt of the Fairies Waltzes
9. Malakoff Galop
10. Paris Quadrilles
11. God Save the Queen.
Should the weather be unfavorable this evening, the above programme will be performed to-morrow evening (Friday).

"HORTICULTURAL GARDENS", Launceston Examiner (12 February 1857), 3

http://nla.gov.au/nla.news-article36300447 

Programme for this evening by Mr. Sharp's band:
1. Norma Quadrilles.
2. Coquette Waltzes.
3. Eugenle Schottische.
4. Puritani Quadrilles.
5. Haunt of the Fairies Waltzes.
6. Bacchante Polka.
7. Somnambula Quadrilles.
8. Mountain Daisy Waltzes.
9. Atherstone Schottische.
10. Geneva Quadrilles.
11. God Save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (19 February 1857), 3

http://nla.gov.au/nla.news-article36300546 

The following is the programme for this evening by Mr. Sharp's band:
1. Sebastopol Quadrilles.
2. Spring Flowers - waltzes.
3. Konigsburgh Polka.
4. Il Lago Maggiore Quadrilles.
5. Fair Star Waltzes.
6. Leonora Schottische.
7. Edinburgh Quadrilles.
8. King Pippin Polka.
9. Laura Keene - galop.
10. England Quadrilles.
11. God Save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (26 February 1857), 3

http://nla.gov.au/nla.news-article36300605 

Programme for this evening by Mr. Sharp's band:
1. I Puritani Quadrilles.
2. Albina Waltzes.
3. Scotch Polka.
4. Geneva Quadrilles.
5. Autumn Flower Waltzes.
6. Mayflower Schottische.
7. Palermo Quadrilles.
8. Lily of the Valley Waltzes.
9. Schomberg Galop.
10. Paris Quadrilles.
11. God save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (5 March 1857), 3

http://nla.gov.au/nla.news-article36300679 

Programme for this evening by Mr. Sharp's band:
1. Les Huguenots quadrilles
2. Autumn Flower waltzes
3. Eugenie schottische
4. Geneva quadrilles
5. Mountain Daisy waltzes
6. L'Innocence polka
7. Palermo quadrilles
8. Regatta waltzes
9. Mayflower schottische
10. Bonne Dundee quadrilles
11. God save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (12 March 1857), 3

http://nla.gov.au/nla.news-article36300777 

Programme for this evening by Mr. Sharp's band.
1. Constantinople Quadrilles.
2. Spring Flowers Waltzes.
3. Rosa Schottische.
4. Cherbony Quadrilles.
5. Fair Star Waltzes.
6. Sultan's Polka.
7. Amina Quadrilles.
8. Bride's Polka.
9. Laura Keene Galop.
10. Grand Exposition Quadrilles.
11. God Save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (26 March 1857), 3

http://nla.gov.au/nla.news-article36300915 

Programme for this evening by Mr. Sharp's band:
1. Cameronians Quadrilles.
2. Peri Waltzes.
3. Emperor Polka.
4. Il Lago Maggiore Quadrilles.
5. Lily of the Valley Waltzes.
6. Leonora Schottische.
7. Ireland Quadrilles.
8. Regatta Waltzes.
9. Spirit of the Ball Galop.
10. England Quadrilles.
11. God Save the Queen.

"HORTICULTURAL GARDENS", Launceston Examiner (2 April 1857), 3

http://nla.gov.au/nla.news-article36300970 

Programme for this evening by Mr. Sharp's band:
1. Les Huguenots Quadrilles.
2. Serenade Waltzes.
3. Lillian Polka.
4. Topsy Quadrilles.
5. Queen of Roses Waltzes.
6. Rosa Shottische.
7. Edinburgh Quadrilles.
8. Coquette Waltzes.
9. Schomberg Galop.
10. Palermo Quadrilles.
11. God Save the Queen.
This evening's performance will terminate the season.

"CONCERT OF THE LAUNCESTON SACRED HARMONIC SOCIETY", Launceston Examiner (18 April 1857), 2

http://nla.gov.au/nla.news-article36301123 

According to announcement the members of this society gave a concert in the Assembly Room on Thursday evening, in aid of the funds of the Town Mission. We were glad to notice that the audience was a very large one, both hall and gallery being crowded by respectable inhabitants. In fact we do not recollect a larger audience at any previous concert; over four hundred tickets were taken at the door. The members of the society made an imposing display on the platform, thirty eight voices taking part, under the leadership of Mr. Pullen, the conductor of the society. Miss Sharp presided at the harmonium. Messrs. Sharp and McIvor played the violin accompaniments, Mr. Sharp, sen., basso; that gentleman having also we understand assisted in the arrangements for the concert. Messrs. Legg and Lewis performed a flauto obligato.

The following was the programme:
FIRST PART.
Anthem - "O praise God in his holiness" - John Weldon.
Avon - C. W. Bannister.
Zion - W. Matthews.
Swiss Morning Hymn - Franz Abt.
Anthem - "Lord of all power and might" - Rev. W. Mason.
Anthem - "Blessed be thou" - Kent.
SECOND PART.
Holy Lord - arranged from - Mozart.
Second Advent - J. Shoubridge.
Anthem - "Although the Fig Tree" - J. Beaumont.
Litany - "By thy birth and early years" - C. Rider, Esq.
Wake the song of Jubilee - Hadyn.
Italian Chorale - Holiest breathe an evening blessing"

The whole of the pieces were fairly executed, some of them, especially the anthems, very creditably indeed, one "Although the Fig Tree" - was encored. We were certainly surprised at the progress manifested since the rehearsal we had the pleasure of attending a short time back. In some of the pieces a want of confidence, - perhaps of power - was apparent; but that is a defect which time can remedy. Without intending to be critical (for we consider such a society appearing in public for a disinterested object, must deprecate, certainly does not court criticism), we may perhaps be allowed to say that some of the voices - we noticed one tenor in particular - require severe discipline. In another society with similar objects this matter is we believe regarded as of primary importance; but with time, study, and practice, the Sacred Harmonic Society will we venture to think establish a high character. We do not forget that its conductor and members are non-professional, and they are entitled to high praise. We need hardly say that the concert gave general satisfaction. Everybody we should think was pleased. It is obvious from the largeness of the audience that such entertainments are extremely popular. We cannot help admiring the spirit (some people would perhaps call it boldness in so young a society) manifested by the members in appearing thus publicly, not, however from vanity, but for the advantage of a useful institution; and both societies (we include the Philharmonic) having thus made a successful beginning, we trust they will often afford the community the gratification to be derived from similar concerts. If they were not given for charitable objects a charge sufficient to cover expenses would be paid with pleasure.

ASSOCIATIONS: George Pullen (conductor); Mr. McIver (violin); Alfred Legg (flute); Launceston Sacred Harmonic Society (organisation)

[Advertisement], Launceston Examiner (20 June 1857), 1 supplement

http://nla.gov.au/nla.news-article36301627 

NEW MUSIC.
JUST UNPACKED, by the undersigned, a large and well-selected stock of Music and Musical Instruments, comprising:
instructions and studies for pianoforte, organ, flute, cornopean, concertina, flutina, violoncello, &c., &c.; D'Abert's latest and most popular dance music, for pianoforte solos and duetts; pianoforte pieces by the best authors of the day; and a very choice selection of songs, duetts, &c.
Also, D'Albert's, B. Richards', and other Albums, suitable for presents.
Among the instruments will be found several first-rate pianofortes, violins, clarionetts, sax horns, cornopean, sax trumpets, trombones, accordeon orgues, melodiums, Concertinas, flutinas, &c.
All kinds of musical instruments repaired and sold on commission.
Violin, violoncello, harp, and guitar strings.
W. SHARP.
Music Warehouse, opposite the Post Office.

"LAUNCESTON SACRED HARMONIC SOCIETY", Launceston Examiner (4 July 1857), 2

http://nla.gov.au/nla.news-article36301752

The half-yearly meeting of the above Society was held on Thursday evening, 2nd July, 1857 . . .
special thanks were due to Mr. Pullen, the conductor . . .
Special thanks were also due to Mr. Thomas Sharp, who had rendered professional assistance, and also to Mr. Kenworthy, who had labored hard since the formation of the society . . .
The following officers were then chosen: Mr. Thomas Sharp, President. Mr. George Pullen, Conductor. Mr. Wm. Gurr, Treasurer. Mr. R. Cowl, Secretary.
Committee: Mr. Kenworthy, Mr. Stokes, Mr. Stephens, Mr. Caseley, Mr. A. Hart.
The meeting closed by practising compositions from Handel, Mozart, and others.

ASSOCIATIONS: William Gurr (member); Robert Kenworthy (member); William Stokes (member, from 1862 brother-in-law of Louisa and Thomas); Anthony Hart (member)

"Shipping Intelligence . . . IMPORTS", Launceston Examiner (10 September 1857), 2

http://nla.gov.au/nla.news-article36302281 

Ship - Star of Tasmania, London . . . 1 case musical instruments, T. Sharp . . .

"Sacred Harmonic Society's Concert", The Cornwall Chronicle (19 December 1857), 5

http://nla.gov.au/nla.news-article65727836 

We regret to say that the concert given by this society, on Thursday evening, for the benefit of the Cornwall Hospital, was not quite so well attended as on former occasions . . . The pieces were delightfully sung, and the instrumental pastoral symphony was deserving of all the applause it elicited. Mr. Legge's accompaniment upon the flute was exquisitely performed. The choicest pieces were the "Ode on the Nativity;" and "Now pray we for our country;" both were rapturously encored. Several very fine voices were conspicuous amongst the others . . . Previous to the National Anthem being sung, the Mayor rose, and on behalf of the Trustees of the Cornwall Hospital thanked the society for their services, and for the pleasure they had thus afforded to all present. The President Mr. Sharp made a suitable reply . . .

"GARDENERS' AND AMATEURS HORTICULTURAL SOCIETY", Launceston Examiner (12 January 1858), 4

http://nla.gov.au/nla.news-article38990282 

. . . Mr. Sharp, sen., said when he was at the Cape the same blight caused by the same insect had attacked his garden, and he had found that pouring a strong decoction of chillies on the plants was a cure . . .

[Advertisement], Launceston Examiner (6 July 1858), 1

http://nla.gov.au/nla.news-article38992266 

MISS SHARP'S pupils will re-assemble on Thursday, the 15th of July.
Terms on application. George street, Launceston.

"SACRED HARMONIC SOCIETY", Launceston Examiner (6 July 1858), 3

http://nla.gov.au/nla.news-article38992264 

The half yearly meeting of this society was held on Thursday evening, July 1, when a report of its proceedings for the last twelve months was read and adopted . . . The following gentlemen were elected as officers for the ensuing six months:
Mr. R. S. Casely, president; Mr. T. Sharp, conductor; Mr. W. Gurr, treasurer; Mr. W. Stokes, secretary.
Committee - Messrs. Kenworthy, Hart, Johnson, Stephens, and Cowl.
Several new members were admitted, and a vote of thanks to the retiring officers and to Miss Sharp, who has kindly presided at the harmonium, concluded the business of the evening.

"SACRED HARMONIC SOCIETY", Launceston Examiner (22 July 1858), 3

http://nla.gov.au/nla.news-article38992483

This Society held a tea meeting at the Temperance Hall on Tuesday evening . . . Addresses were delivered during the evening by the Rev. C. Price, Rev. H. Dowling, Mr. Stephens, Mr. Sinclair, and the President of the Society, Mr. Casely; and also several selections of music performed by the Society, conducted by Mr. T. Sharp, amongst which were "Let their Celestial Concerts," Handel; "March and Chorus," Jackson; "And the Glory of the Lord," Handel; quartette and chorus "Now pray we for our country;" concluding with "Holiest, breathe an evening blessing" . . . Mr. Stephens, for the Society, presented Miss Sharpe [sic] with a testimonial as a memento of their esteem for her services in presiding at the harmonium.

ASSOCIATIONS: Charles Price (clergyman); Henry Dowling (clergyman)

"SACRED HARMONIC SOCIETY", Launceston Examiner (2 October 1858), 5

http://nla.gov.au/nla.news-article38993437 

This society gave a concert in the Cornwall Assembly Room, on Thursday evening, in aid of the Town Mission Fund. The attendance was very good, consisting of most of the principal families in town; and judging from the applause given at the conclusion of every piece on the programme the concert gave great satisfaction to all present. We must congratulate the society and especially the conductor Mr. T. Sharp, on the progress and improvement they are making both in their style of execution and tie selection of such a high class of music from our most admired composers. The singing of the choruses being executed in a much smoother manner and with better effect than we have heard on former occasions, and several pieces which we had not heard the society perform before were sung most creditably. The orchestral accompaniments had evidently been well drilled by the conductor and are making great improvement, playing well together and in much better time. Several of the pieces were encored. The programme was as follows:

Harmonium Solo - T. Sharpe.
Chorus, "O thou that Tellest." -Handel's Messiah.
Kyrie Eleison - Mozart's 12th mass.
Chorus, "Let their Celestial Concert" - Handel's Samson.
Recitative, "And the Heavenly Host" - Haydn's Creation.
Chorus, "Awake the Harp" - Ditto.
Chorus, "Swell the Full Chorus" - Handel's Solomon.
Chorus, "The Heavens are telling" - Haydn's Creation.
Interval.
Benedictus, "He is blessed that cometh" - Mozart's 12th Mass.
Quartette and Chorus-Flute obligato.
Chorus, "All we like sheep" - Handel's Messiah.
Solo, "I know, that my Redeemer liveth" - Handel's Messiah.
Chorus. "Fix'd in his everlasting seat" - Handel's Samson.
Solo and Chorus, "His marvellous works" - Haydn's Creation.
Chorus, "Hallelujah" - Handel's Messiah.
Solo and Chorus, National Anthem - Dr. Bull.

At the conclusion of the Hallelujah Chorus the Mayor rose and on behalf of the Town Mission thanked the society for their valuable assistance, and expressing his gratification at the improvement they had made.

[Advertisement], The Launceston Examiner (4 January 1859), 1

http://nla.gov.au/nla.news-article38994580

MUSICAL. - MR. T. SHARP, Professor of Music, begs to notify to his pupils and their friends, that he will resume his duties on Thursday, January 6th.
Terms for teaching and tuning as usual. George-street, December 31.

"SACRED HARMONIC SOCIETY", Launceston Examiner (11 January 1859), 3

http://nla.gov.au/nla.news-article38994650 

The half-yearly meeting of this Society was held in the Wycliffe Chapel, on Thursday evening last . . . After the business transactions were concluded, a proposal was laid before the members by the Conductor, Mr. Sharp, for a concert upon a large scale, which he suggested might be given at the opening of the new Mechanics' Institute, the performance to consist of the entire Oratorio of Handel's Messiah, should a sufficient number of volunteers be forthcoming to assist; and in order to obtain the necessary assistance, it was proposed that all the musical talent of Tasmania be invited to join . . .

"TO THE EDITOR OF THE . . . MR. ADAMS AND THE SACRED HARMONIC SOCIETY", Launceston Examiner (29 March 1859), 3

http://nla.gov.au/nla.news-article38995536 

Sir, - I have been informed that a large amount of indignation was manifested on the occasion of Mr. Adams' meeting, against the Sacred Harmonic Society of this town. Mr. Adams, I am told (I was not present myself at the time), informed his audience in a most malicious and sneering manner that the Society had refused their assistance. This announcement, it appears, was received by a portion of the audience by sundry marks of disapprobation, in the shape of hissing, groaning, and cries of shame. I wish, sir, with your permission, to explain the whole affair, and submit it to the judgment of an unprejudiced public.

On the 16th of the present month a letter was received from Mr. Adams, requesting the assistance of the Sacred Harmonic Society at a meeting he proposed holding on an early day in the ensuing week. We were at the time the letter was produced engaged in our final rehearsal for the concert given the next evening, and therefore could not spare time for discussing the matter, and a reply was forwarded to Mr. Adams to that effect. No further communication was received from Mr. Adams, but from the newspapers and placards we learned that instead of the meeting being fixed for an early day in the week it was to take place on Friday evening. Under these circumstances, the Committee of the Sacred Harmonic Society resolved to bring the matter forward for discussion on the next practice night (Thursday), and a letter was sent Mr. Adams on Tuesday morning, informing him of their resolution, and promising a final answer on Friday morning. Now mark the courtesy displayed by Mr. Adams towards the Society. No reply was made by him to the Secretary's letter, and without waiting for the decision of the Society be published, or caused to be published, in the Examiner of Thursday, his programme, making no mention of the Sacred Harmonic Society, and thus leaving the members of it quite uncertain as to whether, if they did feel willing to assist, they would be allowed to take any part in the proceedings, or be plainly told that they were not wanted. This proceeding on the part of Mr. Adams caused many of the members of the Society to vote against assisting him upon the occasion. Added to this, the majority looked upon Mr. Adams' scheme as being intended merely to benefit himself; and this indeed appears to be a pretty generally received opinion throughout the town; and as the Sacred Harmonie Society is in no way connected with Mr. Adams, or any other individual who may take it into his head to speculate for his own immediate benefit, of course they declined going. Another reason for refusing was that several members had their scruples as to the propriety of a Sacred [3] Harmonic Society singing in a theatre. For my own part, I am glad to say I took no share in the discussion, but simply informed the members that I was quite prepared to accompany and conduct them if they decided to go; but I gave no opinion upon the matter, lest it should be said I had influenced any of them. However, out of the 50 or 60 members belonging to the Society, only five hands were held up in favor of Mr. Adams.

And now, sir, permit me to ask what claims Mr. Adams can have upon the assistance of the Sacred Harmonic Society, that he should endeavor to draw public censure upon it because its members thought fit to refuse their assistance to him in carrying out his scheme? What has he ever done to benefit that Society? The Sacred Harmonic Society is a working man's society, and is composed principally of persons who are engaged in laborious occupations - working men in every sense of the word; it is also a benevolent society; its objects are not the providing an exorbitant salary for its conductor, or any other person connected with it; but first to provide the means of recreation and amusement to its members, and then to assist the various institutions existing in the town for the relief of poverty and distress. Of this Society, I am proud to say, I am the unpaid conductor, and therefore have no interests of my own to serve in defending it from the malicious and cowardly assaults of those who, being unable to make use of it to forward their own mercenary ends, endeavor to revenge themselves by casting odium upon it. Now, sir, I ask, has Mr. Adams, or those of his friends who were foremost in crying shame of the Sacred Harmonic Society on Friday evening, have they, I say, in any way forwarded the interests of this Society? Have they used their influence in inducing the working classes to avail themselves of its advantages? Have they countenanced it by becoming honorary members of it themselves? I answer they have not; but on the contrary the majority of them have secretly opposed its progress, and ridiculed its performances. I will just add that when Mr. Adams issued his invitations for his preliminary meeting at the Franklin Lodge, not a single member of the Sacred Harmonic Society received one. This, too, shows the estimation in which he held the Society, and the persons of whom it is composed.

I have now, I think, said quite sufficient to justify the course taken by the Sacred Harmonic Society. I am actuated by no personal motives, but simply a desire for fair play; neither do I intend entering upon a newspaper controversy upon the subject: I intend this letter to be the first and last. As to Mr. Adams' scheme, I shall say nothing; I have no doubt the working classes will appreciate it to its utmost value when they fully understand for whose benefit it has been brought forward. I fear, Sir, that I have trespassed too far upon your space, I will therefore conclude with a word of friendly advice to Mr. Adams, and it is this: if you wish to succeed in your plans for the formation of singing classes among working men you must not commence by insulting a working man's society already established, but by courtesy and affability seek to win the esteem and respect not of the working classes alone, but of the public generally.
I am, Sir, yours, &c.,
T. SHARP.
March 28.

ASSOCIATIONS: John Adams, conductor of the Launceston Philharmonic Society (organisation)

Ebony baton, presented to Thomas Sharp, March 1859

Ebony baton, presented to Thomas Sharp, by the Launceston Sacred Harmonic Society, 31 March 1859; Sharp family


"SACRED HARMONIC SOCIETY", Launceston Examiner (2 April 1859), 2

http://nla.gov.au/nla.news-article38995588 

A soiree was given by this society on Thursday evening, in the Temperance Hall. A full attendance of members, and a number of friends partook of tea provided and served with the most excellent taste by the ladies of the society. During the evening the Rev. C. Price delivered a pleasing address, taking as his theme "music." The members of the society presented a baton to their conductor, Mr. T. Sharp, who acknowledged the token of esteem in an appropriate manner, and impressed upon the members the necessity of using individual effort in bringing additional voices, which would result in the compositions of the best masters being performed more effectively. The baton, which was of ebony, and silver-mounted, was inscribed as follows -

"Presented to T. Sharp, Esq., by the members of the Sacred Harmonic Society, Launceston, Tasmania, March, 1859."

The soiree was equally successful with any former one of the society, and all who were present passed an evening of the greatest pleasure. The selections performed at intervals during the evening indicate improvement in the vocal powers of the chorus; and from addresses delivered by several members of the society we gather the gratifying information that the increase in the prosperity of the society is a guarantee that its valuable efforts in aid of public institutions will be more effective than ever. The following pieces were performed during the evening:

"O Thou that tellest" - Messiah.
"O Father whose Almighty power" - Judas.
"Fixed in His Everlasting Seat" - Samson.
"The marvellous works" - Creation.
"Swell the full chorus" - Solomon.
"Dona Nobis" - Mozart's 12th Mass.

"LAUNCESTON SACRED HARMONIC SOCIETY", Launceston Examiner (9 July 1859), 2

http://nla.gov.au/nla.news-article38996583 

The half-yearly meeting of this Society was held in the Wyclyffe Chapel on Thursday evening last, when a report of its progress was read by the Secretary, from which it appears that the Society is in a most flourishing condition, the number of working members being 62, and honorary members 25, making a total of 87. The Treasurer's account showed the Society to be free from debt, and a balance in hand, besides a quantity of music for the supply of the members. The report also stated that the oratorio proposed to be given in the new Mechanics' Institute was abandoned, in consequence of obstacles raised by parties concerned in the new organ, which is to be placed in the large hall of the building. A concert, however, is to be given shortly by the Society, in aid of the building fund of the Institute. The following gentlemen were elected as office-bearers for the ensuing half-year: President, Mr. H. Stephens; Conductor, Mr. T. Sharp; Treasurer, Mr. W. Gurr; Secretary, Mr. W. Stokes; Librarian, Mr. W. F. Wathen. Committee - Messrs. Harvey, Wathen, Long, Kenworthy, Lewis. The thanks of the Society were given to the retiring officers and Committee, and a special vote of thanks was also passed to Mr. T. Sharp, the Conductor, and Mr. W. Stokes, Secretary, for their untiring exertions for the advancement of the Society. The proceedings of the evening were brought to a close by singing two or three selections from Haydn's Imperial Mass, which were well rendered. There is, however, an evident want of a few more instrumental performers, in order to give effect to the high class of music which the Society is at present practising . . .

"SACRED HARMONIC SOCIETY", Launceston Examiner (12 November 1859), 2

http://nla.gov.au/nla.news-article38998096 

The members of the Sacred Harmonic Society gave a concert on Thursday evening in the Cornwall Rooms, to commemorate the centenary of the death of Handel. It being the wish of the members of the Society that the working classes as well as others should have an opportunity of listening to the works of the great composer, the price of the tickets was fixed at one shilling each, and in order that the comfort of those who did attend should be secured, the number of tickets issued was limited to the number of persons the rooms would hold, it being also determined that no money for admission should be taken at the doors. The whole of the tickets were bought up some two or three days before the concert, and when the doors opened at seven o'clock the rooms were speedily filled, upwards of 500 persons being present, whilst some 300 or 400 who had neglected to purchase tickets went away being unable to gain admission. During the evening, however, the President of the Society, Mr. Stephens, announced that the committee had decided to give another concert on Thursday evening next, the proceeds of which would be handed over to the various Sunday schools in the town, the money to be distributed without reference to sect or creed, proportionately to the number of scholars attending the school . . . The concert, taken as a whole, was a decided success, and the execution of the various compositions, some of them of a very elaborate character, although not in every respect faultless, yet nevertheless entitles the members of the Society, and the conductor, Mr. T. Sharp, to very considerable praise. Indeed the success which has attended the Sacred Harmonic Society is worthy of remark as an example of what may be accomplished by earnest perseverance and self-dependence. This Society was first established in March, 1856, by twenty-four persons, who agreed to meet together for the study and practice of sacred music. They met and resolutely carried out their intention - others joined them, and in July, 1857, their numbers had increased to 62. In January, 1858, the books showed the number of members to be 74, and in the same month of the present year 76 members belonged to that society, since then it has rapidly increased, for now 103 members are enrolled. The subscription for each member is one shilling per month, and all the offices, even that of the conductor are honorary. Since the formation of the Society its members have given seven concerts in aid of the various benevolent societies of Launceston, and have added to the funds of those institutions the sum of £205 2s. Seeking no reward but the enjoyment derived from the cultivation of a delightful art, the members of the Sacred Harmonic Society have gone on, and we trust that looking to no extraneous aid for support, but entirely relying on themselves, their motto ever will be
"Strenus et Prospere."

[Advertisement], Launceston Examiner (7 January 1860), 1

http://nla.gov.au/nla.news-article38998722 

MUSICAL. - MR. T. SHARP (Organist of St. John's Church, &c.),
Professor of the Violin, Pianoforte, Harmonium, and Organ, will resume his tuition on January 9th.
Pianofortes, harmoniums, &c., tuned, as usual.
George-street, opposite the Post-office.

"OPENING OF CHALMERS' FREE CHURCH, LAUNCESTON", Launceston Examiner (19 January 1860), 2

http://nla.gov.au/nla.news-article38998908 

On Tuesday evening a soiree to commemorate the opening of the church on the previous Sabbath, was held in the school-room . . . During the evening Mr. T. Sharp, with several musical friends entertained the company with the following choice selections of vocal music, Mr. Sharp presiding at the piano forte: -
Sanctus and Hosanna
Chorus - Praise ye the Lord - PERGOLESI.
Duet - Ruth and Naomi - GLOVER.
Duet and Chorus - The Nativity - DR. CHARD.
Chorale - Holiest, breathe an evening blessing - SHORE . . .

[Advertisement], Launceston Examiner (1 March 1860), 3

http://nla.gov.au/nla.news-article38999421 

REMOVAL. - MR. T. SHARP (Organist of St. John's Church), Professor of the Violin, Pianoforte, Organ, &c., has removed from George to Cameron-street.
All communications relative to teaching, pianoforte tuning, &c., left at the Music Warehouse, Cameron-street, will be promptly attended to.
Cameron-street, March 1.

OPENING OF THE MECHANICS' SCHOOL OF ARTS . . . THE EVENING", Launceston Examiner (10 April 1860), 3

http://nla.gov.au/nla.news-article38999998 

At seven o'clock the Bazaar was again opened . . . The platform in the hall had been converted into a temporary orchestra, from which a band consisting of professionals and amateurs performed several pieces of instrumental music. Mr. T. Sharp acted as leader and conductor, and Mr. R. Sharpe presided at the pianoforte. The following is the programme: -
First Part.
Overture, Tancredi - Rossini.
Quadrille, Marino Faliero.
Set of Waltzes, La Traviata.
Polka, Persian.
Quadrilles, Court of St. James.
Set of Waltzes, Queen's.
Second Part.
Overture, Caliph of Bagdad - Boildeau
Quadrille, La Sonnambula.
Set of Waltzes, Violante.
Polka, French.
Quadrilles, Giuramento.
Galop, Leviathan.
Finale, National Anthem.
The dance music is the composition of M. C. D'Albert.
The music was well executed, and added much to the pleasure of the evening. Thanks are due to those gentlemen, who all gratuitously rendered their services for the recreation of their fellow citizens . . .

"SACRED HARMONIC SOCIETY [TO THE] EDITOR OF THE . . .", Launceston Examiner (12 May 1860), 3

http://nla.gov.au/nla.news-article39000465 

SIR, - This Society, lately so flourishing, was dissolved on Wednesday evening at a special meeting called by circular and held in St. John's School-room. Some weeks ago Mr. Thomas Sharp, the conductor, informed the members that he should at some future time call a meeting to dissolve the Society. His reasons he gave as follows:

"As a Sacred Harmonic Society we are not allowed to perform secular music, and it is quite necessary that secular music be made use of, as there is not sufficient scope for me to select from sacred music only. I am at a loss to find sufficient for our next concert, unless we walk over the same ground we have gone over before, and this I do not wish to do. Therefore I shall bring forward a motion that the Society be dissolved and re-formed, so as to admit of secular as well as sacred music being performed" . . .

Proposed and seconded that this meeting form Itself into a society to be called the Launceston Harmonic Society, and that the officers of the late Sacred H. S. be requested to act in the present society. Carried . . .

Another reason why Mr. Sharp wished to make the alteration before referred to was, "that a great many useful singers would not join the Society simply because it was confined to sacred music." I, can assure him he is mistaken if he thinks (by this step) to get any "useful" singers of the late lamented Philharmonic Society. I have conversed with many on the subject and heard their reasons why they would not join the Sacred Harmonic Society, but I will not wound Mr. Sharp's feelings by giving them publicity. There is ample room for a Sacred Harmonic Society and a Philharmonic Society in Launceston; but to be united under any one conductor, would be most improper - even absurd. Now that the Harmonic Society is established, I wish them every success, and hope they will not show a jealous disposition if at any future time the fragments of the late philharmonic be gathered together and formed again into a society.
APOLLO.

ASSOCIATIONS: Launceston Harmonic Society (newly former organisation)

"SACRED HARMONIC SOCIETY. [TO THE] EDITOR OF THE . . .", Launceston Examiner (15 May 1860), 3

http://nla.gov.au/nla.news-article39000509 

SIR.- An individual signing himself "Apollo" has favored you with a communication relative to the dissolution of the Sacred Harmonic Society, in which he indulges in the grossest falsehoods and misrepresentations respecting the part taken by me in the proceedings . . . I announced at a practice meeting some five or six weeks ago that I should endeavor to procure a special meeting of the members to consider a proposal for altering the constitution of the Society so as to enable us to practise secular as well as sacred music, and that possibly such a course would involve the necessity of formally dissolving the Society. The reasons I gave and which I reiterated at the meeting last Wednesday were as follows - First, that I believed such an alteration would render the Society more popular with the public. Secondly, that we should probably secure the assistance of some persons who had an objection to sacred music only; and thirdly, that in my capacity as conductor I should have a wider and more extended field from which to select the pieces. You will observe, Sir, that is a very different thing to saying that "sacred music did not afford scope enough to select from" . . .

In conclusion I would state that whatever may be said to the contrary by "Apollo," the Rev. Mr. Price, or any other individuals, the course I have taken has been dictated only by a desire to promote the best interests of the Society and to extend its usefulness. I have no intention of noticing any further communications from "Apollo" or any other anonymous writer. I have given a fair and truthful statement of the matter, and if any person is disposed to dispute with me any further upon the subject he must throw aside the cowardly mask of a fictitious signature, and come openly and fairly into the field when he will find me prepared to reply. Apologising for trespassing so largely upon your space,
I remain, Sir, yours obediently,
T. SHARP,
Conductor Launceston Harmonic Society.

"TO MR. THOMAS SHARP, CONDUCTOR OF THE LAUNCESTON HARMONIC SOCIETY (Per favor of the Launceston Examiner)", Launceston Examiner (22 May 1860), 3

http://nla.gov.au/nla.news-article39000576 

SIR, - My attention has been called to a letter in the Launceston Examiner, purporting to be an answer to some previous article in that paper, signed "Apollo," commenting upon certain proceedings of the Sacred Harmonic Society, and your conduct as Conductor of the same. It would appear that you assign to me the authorship of that letter, and under that impression think fit to use expressions and to impute motives that, I think, call for some notice from me . . . And now for a word of advice from one who has seen more of the world than yourself: do not fall into that common error with young men who are suddenly raised to an unexpected height, of thinking that it resulted entirely from their own transcendent merits; because it generally happens that force of circumstances has had much more to do with such elevation. A few certainly achieve greatness, but the far larger majority have it thrust upon them; and it is greatness even to be conductor of a Harmonic Society to one who might have played polkas and quadrilles for a long time either in Launceston or Cape Town before he got written about in the newspapers; and do not wantonly attack a person with gross expressions, and try to render him ridiculous in the eyes of the public upon a mere supposition.
I remain, Sir, Yours obediently,
ARTHUR HORNE.
Elphin Road, May 21.

ASSOCIATIONS: Arthur Horne (musical amateur)

[2 advertisements], The Cornwall Chronicle (23 June 1860), 5

http://nla.gov.au/nla.news-article65990412 

Launceston Harmonic SOCIETY. CONCERT FOR THE PEOPLE.
IN consequence of the unfavorable state of the weather on Thursday last, so that many persons were unable to attend the Concert, the members of the above Society, will give a SECOND CONCERT, On Thursday Evening next, the 28th inst., in the People's Hall, when the Programme will be repeated, and the proceeds given to the Benevolent Society.
Conductor - Mr. T. Sharp . . .
Wm. Stokes, Hon. Sec. June 23.

Mechanics' Institute Music Classes.
Preliminary Meeting for the formation of Classes for Vocal and Instrumental Music, under the direction of Mr. T. Sharp, will be held at the Institute on Monday evening next, the 25th instant, at half-past seven o'clock. June 23.

"FRACAS AT THE MECHANICS' INSTITUTE", Launceston Examiner (20 September 1860), 2

http://nla.gov.au/nla.news-article39002150 

A fracas between the Rev. R. K. Ewing and Mr. Thomas Sharp, of Cameron-street, took place yesterday evening in one of the class rooms of the Mechanics' Institute. It is said that Mr. Sharp used some very insulting language to Mr. Ewing, who then quietly laid Mr. Sharp on the floor. Upon regaining his foot some further altercation took place, and Mr. Sharp was compelled to leave the room.

ASSOCIATIONS: Robert Kirkwood Ewing (instructor of the elocution class)

"MEETING AT THE MECHANICS INSTITUTE", The Cornwall Chronicle (3 November 1860), 2

http://nla.gov.au/nla.news-article65993412 

On Tuesday evening, a general meeting of the members of the Institute, and a number of the inhabitants who had especially qualified themselves for the purpose of being present on the occasion, was held in the large room over the Hall. Ostensibly, the meeting owed its origin to the late disgraceful fracas between the Rev. R. K. Ewing, and Mr. Thomas Sharpe, Professor of Music, which, it will be remembered, took place recently, and eventuated in the Rev. Divine's committing an assault on the follower of Orpheus . . .

"SUPREME COURT, LAUNCESTON. CIVIL SITTINGS. Tuesday, Jan. 1, 1861 . . . Assault. Sharp v. Ewing", The Cornwall Chronicle (2 January 1861), 5

http://nla.gov.au/nla.news-article65567841

. . . The plaintiff in this case, was Mr. Thomas Sharp, Professor of Music, and the Rev. Robert Kirkwood Ewing was defendant . . . Damages were laid at £100 . . . The jury then retired for about half an hour and returned a verdict for plaintiff with 40s damages.

William Sharp's Music Warehouse, Cameron-street, Launceston

William Sharp's Music Warehouse, "Sharp's Buildings", Cameron-street, Launceston


[Advertisement], Launceston Examiner (14 March 1861), 6

http://nla.gov.au/nla.news-article38758353 

TO BE RAFFLED. - A splendid self-acting ORGAN, containing 12 barrels, playing the following musical compositions: - Quadrilles, Polkas, Overtures, Operatic and Sacred Pieces, selected from some of the best masters; by 25 members, at £2 each. The Raffle to take place at Mr. W. Sharp's, Cameron-street, when the list is completed, and where the instrument can be seen. March 14.

"CONGREGATIONAL CHURCH MUSIC", Launceston Examiner (30 April 1861), 4

http://nla.gov.au/nla.news-article38759271 

"MR. SHARPS LECTURE ON CONGREGATIONAL CHURCH MUSIC", The Cornwall Chronicle (1 May 1861), 3

http://nla.gov.au/nla.news-article65573016 

We briefly referred in our last issue to this Lecture which was delivered in St. John's School Room, on Friday evening, by Mr. T. Sharp, Organist of St. John's Church, who was assisted by a choir, in illustrating the subject of his lecture, Miss Sharp presiding at the Harmonium. The lecture was highly appreciated by an audience very competent to judge of its merits, and we therefore subjoin it in full, as we are convinced the subject will be found interesting to hundreds of our readers, who could not be present at the delivery of the lecture. Mr. Sharp said: -
The subject I propose to consider is Congregational Church Music, particularly in connection with Church of England services . . .

NOTE: Both above articles print the complete text of Sharp's lecture

"CONCERT IN AID OF THE BENEVOLENT SOCIETY", Launceston Examiner (19 September 1861), 5

http://nla.gov.au/nla.news-article38762026 

A vocal and instrumental concert, in aid of the funds of the Benevolent Society, was given at the Cornwall Assembly Rooms on Tuesday, under the leadership of Mr. T. Sharp. The audience, we are glad to say, was worthy of the occasion. The programme contained some very choice pieces, which were admirably rendered, and many of which were encored. A flute solo, by Nicholson, was exquisitely played by an amateur; a piano forte solo by Miss Sharp, and a grand duo concertante (violin and pianoforte) by Mr. T. Sharp and Miss Sharp, were especially deserving of notice. The vocal portion of the concert was quite equal to the instrumental.

"POLICE OFFICE. Saturday, Nov. 2 . . . Stealing a Concertina", The Cornwall Chronicle (6 November 1861), 5

http://nla.gov.au/nla.news-article65569566 

Joseph Taylor was charged with stealing on or about the 8th of September last, a Concertina, of the value of 4l, the property of Mr. W. Sharp, of Cameron street.
Mr. Sharp deposed that between the 1st and 12th of September, he lost out of his shop a Concertina; he had only one of the description lost; there was no lock on the case in which the Concertina was, he had taken it off; he had not sold the instrument; the concertina and case produced were the same which were stolen; there had been a lock placed on the case since it was stolen; the lock now on does not fit; the original lock produced fits the case exactly.
John Hughes of Maitland street, deposed that on the 22nd of October, the prisoner brought him some pieces of flutinas to repair; witness bought them from him; Taylor said he had a Concertina which cost him £4; he said he had given a man 5l to purchase one with as many keys as he could; the man gave 4l for the one he purchased and which he (Taylor) wished to exchange for a German one with as many keys; the exchange was made a few days afterwards. The Concertina identified by Mr. Sharp was the same the prisoner had exchanged.
James Walden and D. C. Lanham were examined, and the whole evidence against the prisoner being very conclusive, the bench sentenced him to be imprisoned and kept to hard labor for six months.

"HARMONIC SOCIETY. [TO THE] EDITOR OF THE . . .", Launceston Examiner (16 October 1860), 2 supplement

http://nla.gov.au/nla.news-article39002547 

SIR, - It has been widely circulated that Mr. Thomas Sharp intended to resign the conductorship of the above popular Society. His resignation has now been tendered, to take place immediately after the concert . . . I, for one, sir, regret that Mr. Sharp has reasons for resigning; but I think that at the present juncture his resignation is very opportune, as he will be far better employed as an instrumentalist than as conductor. At the same time his unfitness for a conductor does not arise from a want of ability . . . I should like to see a large society formed, and let something be done to raise the musical talent of Launceston.
I am, Sir,
A LOVER OF MUSIC.
[We have suppressed a portion of the above letter, which was needlessly offensive. Unless Mr. Sharp chooses to assign a reason for resigning, the public will not care to seek for. one. - ED. L. E.]

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (14 December 1861), 4

http://nla.gov.au/nla.news-article65570112 

The first grand concert of the Cecilian Harmonic Society will be given in the Cornwall Assembly Rooms on Tuesday evening. Amongst a variety of beautiful pieces in the programme are Chorus Glee - 'Christmas Fairies;' Duet - 'I've wandered in dreams;' Soprano Solo - 'The Mocking Bird;' Part Song - 'All among the Barley,' a flute solo, violin solo, and pianoforte solo, with overtures from 'Fra Diavolo,' 'Masaniello,' and 'Sargino.'

"CECILIAN CONCERT", Launceston Examiner (21 December 1861), 5

http://nla.gov.au/nla.news-article38763955 

The first concert of the Cecilian Harmonic Society took place yesterday evening, in the Cornwall Assembly Rooms. There was only a limited attendance. Mr. Thos. Sharp acted as leader and conductor, and Miss Sharp presided at the piano. A flute solo by Mr. Maxey was much admired; and in the first part of the programme, the pretty duett "I've wandered in dreams" was loudly encored. The rest of the pieces were more or less applauded, and the concert passed off very well.

ASSOCIATIONS: Edwin Maxey (flute)

"MARRIAGES", The Mercury (23 May 1862), 2

http://nla.gov.au/nla.news-article8807174

SHARP - LACEY. - May 15, at St. John's Church, Launceston, by the Rev. W. H. Browne, L.L.D., Mr. Thomas Sharpe, professor of music, to Louisa, second daughter of the late Mr. Wm. Lacey, Leicester, England.

"AMALGAMATION OF THE MUSICAL UNION AND THE CECILIAN HARMONIC SOCIETY", Launceston Examiner (3 June 1862), 5

http://nla.gov.au/nla.news-article41453627 

A meeting, consisting of between fifty and sixty members of both these societies, was held at the Mechanics' Institute last Tuesday evening, for the purpose of carrying out the amalgamation which has been under consideration for some time past. It was unanimously resolved that the two soceities should combine under the name of "The Launceston Musical Society." Mr. A. J. Marriott was chosen President, Mr. Thomas Sharp, Conductor, Mr. Robert Sharp [sic], Organist, Mr. George Pullen, Secretary, Mr. G. Hubbard, Treasurer; and the following members were appointed a Committee of Management: - Messrs. Harvey, Wm. Sharp, Kenworthy, G. Castley, S. Joscelyne, and Fitzgerald. On the termination of the formal business, Mr. Thomas Sharp took the baton and led the Now Society through the beautiful chorus, "The Heavens are telling." We understand that the members are to meet for practice on one evening in every week.

ASSOCIATIONS: Samuel Joscelyne (member)

"RELIGIOUS INTELLIGENCE: CHURCH OF ENGLAND. Opening of the New Organ at St. John's Church", Launceston Examiner (23 September 1862), 4

http://nla.gov.au/nla.news-article41455897

The opening of the new organ recently erected in St. John's Church, Launceston, took place on Sunday, 24th August, the event being celebrated by the performance of two full choral services. The Ven. Archdeacon Reiby preached in the morning and the Rev. Dr. Brown, L.L.D.. In the evening. Mr. Thos. Sharp, Organist of the Church, presided at the instrument, and was well supported by an efficient choir stationed at either side of the organ. The programme included some of the first-class music used in Canterbury, Durham, and St. Paul's Cathedrals, as well as some fine chants composed by Mr. Sharp, whose execution was very creditable and praiseworthy. A portion of the service was repeated on the following Thursday evening, when the Rev. F. W. Quilter preached. The organ is of great power, in fact is adapted for an edifice two or three times the size of St. John's. The tone is full, rich, and musical, as was fully illustrated in several of the voluntaries; and we must congratulate the congregation in having possession of such a fine instrument. Its cost in England was about £350; but the freight, cost of erection, and other necessary expenses, swell it to nearly £500 . . .

ASSOCIATIONS: Thomas Reibey (archdeacon);

[Advertisement], The Cornwall Chronicle (6 May 1863), 6

http://nla.gov.au/nla.news-article72193518 

MECHANICS' INSTITUTION. MR. FARQUHARSON . . . WEDNESDAY, MAY 6th 1863 . . .
In which Miss Sharp, and Mr. T. Sharp will perform a Grand Duo Concertante, for Pianoforte and Violin.
On this occasion Mr. Sharp's magnificent Grand Pianoforte, of Collard and Collard's Manufacture, will be used . . .

ASSOCIATIONS: Robert Farquharson (vocalist)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (9 May 1863), 5

http://nla.gov.au/nla.news-article72194561 

MR. FARQUHARSON'S farewell entertainment in the Mechanics' Institute, on Wednesday evening, was attended by a respectable audience, numbering about five hundred. The first part consisted of four selections from the Oratorios of Handel and Haydn, with the air "The Last Man," words by Campbell and music by Calcott, and the aria "Lord have mercy upon me," by Pergolesi . . . The [secular] second part was most in favor with the majority of the audience . . . Mr. and Miss Sharp's Fantasia "Les pre aux clercs," on the violin and grand piano, was exquisitely rendered, but a very large portion of the audience were incapable of properly appreciating its sterling beauties. Mr. Farquharson left Launceston to return to Melbourne, by the Havilah yesterday . . .

"LAUNCESTON HARMONIC SOCIETY", The Cornwall Chronicle (4 July 1863), 4

http://nla.gov.au/nla.news-article72193021

Under this title, a new Musical Society is now in existence, numbering about 30 members, who will commence their practising next Thursday evening in the Hall, over Mr. Weetman's office, nearly opposite the Theatre. Mr. Thomas Sharp, is the musical conductor; Mr. Fred. Hart, Secretary; Mr. Anthony Hart, Treasurer, and Messrs. Gurr, Baker, H. Chick, & W. Sharp, form the committee. A set of rules are adopted similar to those used in former societies of the kind, and all that is now required to render this society efficient, is the assistance of all our Musical talent.

"MUSIC. To the Editor of the . . .", Launceston Examiner (29 September 1863), 3

http://nla.gov.au/nla.news-article41463207 

SIR, - It was with extreme surprise that I heard the Rev. Mr. Hales assert at the Church Union meeting on Friday evening last; that next to the late Mr. Adams, we owe to Mr. Marriott the great advancement made in music during the last few years. In making this assertion Mr. Hales has, in my opinion, offered a gratuitous insult to the whole of the musical profession of Launceston. As one who has labored much for the advancement of the art which is my profession, I should like to ask the rev. gentleman to point out the achievements of Mr. Marriott in matters musical, because, sir, it is my impression (and one which is shared by many others) that music has never had a greater enemy to deal with than Mr. Marriott, to whom Mr. Hales now thinks so much is due.

Many of your readers will remember the striking letter of the late Mr. Adams (Mr. Marriott's personal friend), wherein he pointed out Mr. Marriott's incompetency for the post he was just assuming, viz, the conductorship of the Musical Union. And sadly has experience proved that Mr. Adams's fears were not groundless. I am willing, sir, to accord Mr. Marriott all the praise to which he is legitimately entitled in other matters; but when I hear a public assertion like that of Mr. Hales, I feel bound, to protest against it. I affirm, sir, that Mr. Marriott has stood in the way of musical progress, and has prevented those who might have rendered music a service from doing so. If Mr. Hales will take the trouble to make enquiries into the work of others during the last few years, and compare the results, he will perhaps find that his flattering encomiums were greatly misplaced. And here I may just remark the different treatment received by Mr. Robert Sharpe who has played at all the Union meetings from the commencement. It was well known that this would be the last meeting he would be present at, but not one word of acknowledgment for his services, yet Mr. Hales could not but be conscious of his presence, and the value of his services. In conclusion I would add that it is much to be regretted that persons ignorant of music, and altogether unqualified to judge of it, should take upon themselves to pronounce such authorative opinions.
I remain, sir, yours obediently,
T. SHARP,
Professor of Music.

"CONCERT", Launceston Examiner (3 October 1863), 5

http://nla.gov.au/nla.news-article41463255 

On Thursday evening an invitation concert was given at the Mechanics' Institute by the Launceston Harmonic Society, under the conductorship of Mr. T. Sharp, the large hall being crowded. The programme comprised several well-known and favorite pieces, among others the "Pastoral Symphony," from Handel, and the Overture to the Opera of Figaro, which were produced by an orchestra numbering some fourteen performers. Among the selections rendered in a creditable manner were the solo "Let the bright Seraphim," sung by a lady who has on several occasions made her appearance before a Launceston audience; "God, my King," a chorale by Sebastian Bach; an anthem, "The Lord is my strength," by Vincent Novello; "Bid me discourse," a well-known song by Bishop; and a pianoforte duett - "Il Barbiere de Seville," executed by Mr. and Miss Sharp. The overture to Figaro, which introduced the second part of the programme; and a song "A Health to the Outward Bound," were encored. Immediately before the concluding piece - tenor solo and chorus, "God bless the Prince of Wales" - was sung, Mr. Sharp addressed a few words to the audience, thanking them for their attendance, apologising for any imperfections in the performances, as that was the first concert given by the Society, after an existence of only three months, and comprising among its members several who had never before been connected with a musical body. The Society therefore labored under some disadvantages, and he bespoke a kindly criticism. He hoped those who were able would join the Society, and thus give it a helping hand. The entertainment was brought to a close shortly after ten o'clock.

"COMPLIMENTARY CONCERT TO MR. R. SHARPE", Launceston Examiner (22 October 1863), 6

http://nla.gov.au/nla.news-article41463653

This concert took place at the Mechanics' Hall on Tuesday evening. The attendance was good, but yet not quite so numerous as was anticipated. Mr. T. Sharp acted as Conductor, and Mr. R. Sharpe as Organist. Of the concert itself we can only say it was one of the most pleasing that has been given in Launceston for some time past . . . This will be the last occasion on which Mr. Robert Sharpe will appear before a Launceston audience prior to his departure for England.

[Advertisement], The Cornwall Chronicle (9 January 1864), 5

http://nla.gov.au/nla.news-article66460365 

MISS SHARPE'S pupils will re-assemble on Thursday, January 14th. Cameron-street, Jan 9
Mr. T. SHARPE, professor of music, resumes his duties on Thursday, January 14th. Jan 9

"CONCERT", Launceston Examiner (30 April 1864), 5

http://nla.gov.au/nla.news-article38652344 

The Launceston Harmonic Society gave an entertainment in the Cornwall Assembly Rooms on Thursday evening. There was no charge for admission, invitation tickets having been issued, under which circumstances the hall was, of course, crowded. The programme was composed of secular music, chiefly of a light character, each part being opened with an overture produced by an orchestra of some ten performers. Some of the part-songs were fairly rendered, but among the best pieces of the evening were a pianoforte duett, "Il Barbiere di Seviglia," by Mr. T. Sharp and Miss Sharp, and a violin solo "Rondino," by Mr. Sharp - the latter being encored. "Down among the dead me," song by Mr. Biggs, and "I love the merry sunshine," song by a young lady who made her debut, we believe, on the occasion, were encored; as was also a bassoon solo by Mr. Biggs. Towards the conclusion of the entertainment, Mr. Sharp, conductor and leader, briefly addressed the audience, in explanation of the reasons which has induced the conductors of the Society to give the present concert. By the paucity of its numbers the Society was, he said, prevented from presenting to the audience a higher class of music than had been produced that evening, or of rendering the pieces in a more perfect manner. It was, therefore, desired to bring the Society more prominently before the public of Launceston, to show that it was still in existence, and to request from the musical portion of the community that assistance - in the shape of an effective accession to its numbers - which was necessary to enable it to entertain a Launceston audience in a worthy manner. On the motion of the Rev. C. Price a vote of thanks to the Society for their gratuitous entertainment was passed by acclamation.

ASSOCIATIONS: Jesse Biggs (bassoon)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (19 November 1864), 4

http://nla.gov.au/nla.news-article66457895 

The Concert given by the Launceston Harmonic Society in the large hall of the Mechanic's Institute, on Thursday evening, in aid of the Hargraves Exploration Fund was successful in every sense of the word. It attracted a very large audience, and each piece seemed more pleasing than the previous one. The five chorus glees were each beautifully sung and in true time, but the Soprano songs, and the bass song "The Holy Friar" by Mr. Biggs, were the gems of the concert. The Soprano song "Come where the Moonbeams Linger" by Mrs. Thos. Sharp was the first which drew down rapturous applause. It was rendered in a most artistic manner and with great brilliancy. The Soprano duet "Sister elves, it is the Hour," by Mrs. Sharp and Miss Saddler deserved and received equal applause . . . The trio - "The Erl King" was finely rendered by Mr. Biggs, Mrs. Sharp, and Miss Saddler . . . The overtures and accompaniments were well performed by the instrumental portion of the members and the concert as a whole was conducted by Mr. T. Sharp with his usual acknowledged ability. Mr. Hargraves having returned from Hobart Town at 8 o'clock, was present at the concert . . .

ASSOCIATIONS: Edward Hammond Hargraves (gold publicist);

"STREET MUSIC. To the Editor", Launceston Examiner (10 December 1864), 3

http://nla.gov.au/nla.news-article38656834

SIR, - Will you kindly allow me to state that those members of the Artillery Band, who paraded the streets on Thursday night, to the annoyance of many of the citizens, did so without my knowledge or, consent.
I am, Sir, Yours, &c.,
T. SHARP, Bandmaster.

ASSOCIATIONS: Launceston Volunteer Artillery Band (volunteer band)

Deaths in the district of Launceston, 1866; Tasmanian names index; NAME_INDEXES:1206537; RGD35/1/35 no 90

https://stors.tas.gov.au/NI/1206537 

https://stors.tas.gov.au/RGD35-1-35$init=RGD35-1-35P15 (DIGITISED)

No. 90 / 18 June / Sarah Philpott Sharp / Female / 57 years / Musician's Wife / Apoplexy . . .

"DEATHS", Launceston Examiner (18 June 1866), 2

http://nla.gov.au/nla.news-article36635662 

SHARP. - On the 16th instant, Sarah Philpot, the beloved wife of W. Sharp, of Cameron-street, aged 57 years. The funeral will leave her late residence on Tuesday, June 19, at 3 o'clock. Friends are respectfully invited to attend. RICHARDS & SONS, Undertakers.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (1 August 1866), 4

http://nla.gov.au/nla.news-article72361107 

The St. Joseph's Young Men's Society, aided by several young lady amateurs, gave a musical entertainment in St. Joseph's school room in aid of the funds of the library of the society. The room was crowded before the performance commenced. Mr. T. Sharp presided at the pianoforte. The concert opened with the beautiful glee - "See our oars." It was pretty well rendered and in good time, by the Misses Doyle, Doolan, Green and Higgs, and Messrs. Doolan, Frost, J. Galvin, Orpwood and Roper. The song, "O Lady Come Over the Sea," was the next piece and Mr. Green did fair justice to it. The duet - "Tell me where is fancy bred" was capitally rendered by Messrs. Roper and Doolan, Mr. Sharp playing a splendid accompaniment. The song, "Let Erin Remember," was rendered so ably by Mr. J. Galvin that it was heartily encored . . .

ASSOCIATIONS: Thomas Joseph Doolan (amateur); John Frost (amateur); Joseph Galvin (amateur); George Orpwood (amateur); Alban Roper (amateur)

"DISSOLUTION OF MECHANICS' INSTITUTE MUSICAL UNION", Launceston Examiner (12 May 1868), 5

http://nla.gov.au/nla.news-article36697572 

. . . . In dissolving the Musical Union, the members had determined to present to Mr. Sharp a memento expressive of their appreciation of his services. They had decided upon presenting to him a time-piece, and an address . . . [signed]:
Thos. Brain, hon. sec.; Frederick Lakin, Frederick Richards, Thomas J. Doolan, John Frost, John Chick, A. M. Wadham, A. McArthur, Wm. Sharp, J. J. Hanchett, Anthony Hart, S. Smith, Caroline Richards, Agnes Doolan, Alban Roper, Miss Wadham, Esther Green, Geo. Orpwood . . .

ASSOCIATIONS: Thomas Brain (amateur); John Chick (amateur); John Justinian Hanchette (member)

"Shipping News . . . LAUNCESTON SHIPPING. ARRIVED", The Cornwall Chronicle (9 January 1869), 4

http://nla.gov.au/nla.news-article66461711 

[Jan.] 8. Barque Fugitive . . Passengers per Barque Fugitive, from London. - Miss Sharp, Miss Brown, and Miss Reading.

[Advertisement], Launceston Examiner (4 March 1869), 1

http://nla.gov.au/nla.news-article36702565 

MISS SHARP, having returned from England, will be prepared, at the commencement of the ensuing quarter, to receive a limited number of young ladies for tuition in English, French, and music. Cameron-street.

"GRAND CONCERT AT THE MECHANICS' INSTITUTE", The Cornwall Chronicle (4 September 1872), 2

http://nla.gov.au/nla.news-article66025540 

On Monday evening a grand vocal and instrumental concert was given in the hall of the Mechanics' Institute in aid of the widow of the late Mr. Jesse Biggs . . . The concert commenced with Auber's overture to "Masaniello," by ten performers - Mr. Thos. Sharp, Mr. Abbott, and Mr. Chick (violins), Mr. Wm. Sharp (double bass), Mr. Joscelyne and Mr. A. Hart (violoncellos), Mr. C. Galvin (clarionet), Mr. J. M. Davies (flute), Mr. A. Day and Mr. R. D. Harris (cornets), and Mrs. H. B. Nicholls presided at the pianoforte. The overture was excellently performed, in perfect time, and with fine effect. It gave entire satisfaction, and elicited universal applause . . .

ASSOCIATIONS: W. Abbott (violin); Charles Galvin (clarinet); John Morris Davies (flute); Caroline Nicholls (piano)

"SACRED AND SECULAR CONCERT", Launceston Examiner (3 July 1873), 2

http://nla.gov.au/nla.news-article52887368

The members of St. John's Church Choir, assisted by a few friends, on Tuesday evening last gave a concert in the large hall of the Mechanics' Institute, in aid of a fund for providing an organ for St. John's Church Sunday School . . . . The effort was attended with great success . . . as gratifying to the conductor, Mr. T. Sharp, as it was satisfactory to those present. The first piece was a sacred overture "Samson," by the orchestra, composed as follows:- Messrs. W. Abbott (piano), Thomas Sharp, John Chick, Jas. Tevelein (violins), W. Sharp (bass viol), A. Hart (violincello), J. Galvin and T. J. Doolan (clarionets), A. Day and Douglas-Harris (cornopeans), J. M. Davies (flute). This is, perhaps, the best orchestra that can be formed in Launceston, and this grand overture was performed in fine style, as was also the sublime, soft, and silvery pastoral symphony subsequently. The full choir, seventeen voices strong, then gave the anthem "Arise, shine, for -thy light is come" - Mr. Sharp presiding at an harmonium - which was deservedly applauded . . .

ASSOCIATIONS: James Tevelein (violin); Andrew John Day and Robert Douglas Harris (cornopeans)

"LAUNCESTON (From our own Correspondent) May 21", The Tasmanian Tribune (22 May 1874), 2

http://nla.gov.au/nla.news-article201165329 

The opening of the Church of the Holy Trinity at Westbury, was the grand event of Wednesday . . . At eleven o'clock the ceremony commenced, by the procession of Bishop and Clergy round the outside of the Church, when the external walls were blessed by the Bishop, who sprink led them with holy water. During that time the orchestra played the beautiful chorus from Handel's Messiah "Lift up your Heads," which was given with excellent effect . . . When the Bishop and clergy again reached the sanctuary the choir sang the hymn "O come Jet us adore Him," &c. High Mass, Coram Pontifice, was then celebrated . . . Mozart's 12th Mass was performed, by the choir and orchestra in masterly style . . . During the collection Mr. Thomas Sharp played a voluntary on the organ. Mr. Ferguson sang "Veni Sancte Spiritus" in capital style . . . Miss Dowling accompanied Mr. Ferguson on the organ, and Mr. Sharp playing a violin obligato accompaniment. The remaining movements of the Mass were very solemnly and effectively rendered. The whole service concluded with the "Hallelujah Chorus," from the Messiah, admirably played by the orchestra.

Deaths in the district of Launceston, 1875; Tasmanian names index; NAME_INDEXES:1206873; RGD35/1/44 no 2597

https://stors.tas.gov.au/NI/1206873 

https://stors.tas.gov.au/RGD35-1-44$init=RGD35-1-44P3 (DIGITISED)

No. 2597 / 27 January / William Sharp / Male / 65 years / Musician / Apoplexy / Thomas J. Doolan, Undertaker . . .

"SUDDEN DEATH OF MR. WILLIAM SHARP", Launceston Examiner (28 January 1875), 2

http://nla.gov.au/nla.news-article52897412 

Another old colonist has departed from our midst, Mr. William Sharp, and he will be greatly missed. He died suddenly yesterday morning between three and four o'clock. Mrs. Sharp was awoke by hearing a gurgling in her husband's throat, when he turned round and rolled out of bed on to the floor. Mrs. Sharp gave an alarm, placed pillows under the head, and sent for Dr. Mason and Mr. Thos. Sharp. Dr. Mason not being available, Dr. Wigan was sent for, and arrived at the same time as Mr. Thos. Sharp, when they found Mr. Wm. Sharp had died in a fit of apoplexy. Deceased has left a widow and four children, two of them quite young, and two by a former wife, namely, Mr. Thos. Sharp, the professor of music, and organist to St. John's Church, and Miss Sharp, a lady who resides in Sydney, but was lately here on a holiday visit, and only returned on Tuesday week. Mr. Sharp was much esteemed as a kind husband and father, and the event has plunged the widow and children in great grief.

Deceased was a native of Kent, and emigrated to this country upwards of twenty years ago. He was well known in musical circles, and his Musical Instrument Emporium in Cameron-street was a well-known rendezvous for professionals and others requiring supplies. Being an excellent musician himself, he was enthusiastic where musical matters were concerned, and was ever ready to give his services where orchestral arrangements were to be made. We are told, as is likely to be the case with such a man, that he with true paternal feeling years gone by, stinted himself in order the more easily to secure a good musical education to his son and daughter, the fruits of which he lived to see in the successful musical career of both.

Deceased was also one of our most successful amateur florists; few professional gardeners being able to compete with him in lines to which he particularly devoted his attention. He was always a most successful exhibitor at the local flower shows whilst his name extended to the neighboring colonies, the nurserymen of which were in the habit of procuring new varieties of dahlias, piccotees, carnations, and others. The flower-garden was one of his hobbies, and he attended to it as a recreation, which he thoroughly enjoyed.

Up to the night previous to his death, Mr. Sharp was in his usual state of health; his son Thomas left him at midday on Tuesday, cheerful and active - having been assisting him in sending off by the mail large orders for goods from home, and when Mr. Thomas Sharp left him he was tuning a piano. Deceased, who had been for eighteen years a member of the choir, attended St. John's Church twice, as usual, last Sunday. He was 65 years old. The funeral will take place to-morrow at half-past 3 o'clock, when a very numerous attendance of the people of the town may be expected to pay the last tribute of respect to his memory.

"MISCELLANEA", The Cornwall Chronicle (22 February 1875), 4

http://nla.gov.au/nla.news-article66073552

We sincerely regret to record the death of Mr. William Sharp, the well-known and respected musician of Cameron-street. Mr. Sharp appeared to be in his ordinary robust state of health on the 27th January, and industriously at work during the day tuning instruments and attending to his garden, but during the night he was attacked with apoplexy, and expired in a very short time. Mr. Sharp was a native of Kent, who emigrated to this colony about 20 years ago, with the late Mrs. Sharp, their son Mr. T. Sharp, and Miss Sharp, who, for the benefit of her health, resides at Sydney - the climate there suiting her constitution best - and she recently paid her annual visit to her father. Being a shrewd, intelligent man, a good musician, of active industrious habits, a skilled gardener and florist, he soon acquired a competency and built the fine block of houses known as Sharp's Buildings in Cameron-street, where he resided and had his musical emporium. His first wife died about six or seven years ago, and be married again the present Mrs. Sharp, whom he leaves with two fine children. Mr. Sharp was an enthusiastic florist and importer of some of the finest species of flowers exhibited at the shows of the Northern Horticultural Society, of which he was a leading member. For eighteen years he had been a member of the choir of St. John's Church (Mr. T. Sharp being the organist), and he attended morning and evening service, as usual, on the 24th January. He was a hale, healthy-looking man of robust appearance; apparently full of life and vigor when thus suddenly cut down by a stroke of apoplexy at the age of 65 years. His funeral, which took place on the 29th January, was very largely attended.

[News], Launceston Examiner (30 January 1875), 2

http://nla.gov.au/nla.news-article52897448 

THE FUNERAL of the late Mr. William Sharp took place yesterday afternoon from St. John's Church. The Rev. M. B. Brownrigg officiated. Mr. F. Ferguson presided at the organ and played a dirge when the cortege entered the church. The Psalms 39th and 90th were chanted by the choir; and after the reading of the usual lesson, a funeral hymn was sung by the choir and congregation. When the service at the church was concluded, the "Dead March in Saul" was ably performed by Mr. F. Ferguson. Four well known musical amateurs, Messrs. C. Galvin, A. Hart, J. M. Davies and J. S. Harvey (who with Mr. T. J. Doolan, the conductor of the funeral obsequies, and who was formerly a pupil of the deceased Mr. Sharp) officiated as pall-bearers. Mr. Thos. Sharp and his two sons walked as chief mourners, and fifty or sixty gentlemen connected with St. John's and other churches in the town, followed to the Church of England cemetery. We understand the Rev. M. B. Brownrigg intends to improve the sudden and mournful event at the evening service, St. John's, to-morrow. Mr. F. Ferguson has kindly consented to take the organ service in the place of Mr. Thomas Sharp tomorrow.

ASSOCIATIONS: Charles Galvin (amateur); Thomas Joseph Doolan (amateur); Anthony Hart (amateur); John Smithen Harvey (amateur); Frederick Ferguson (amateur)

"MUSIC WAREHOUSE", The Cornwall Chronicle (1 February 1875), 2

http://nla.gov.au/nla.news-article66070326 

In another column an advertisement appears notifying that the Music Warehouse in Cameron-street so long occupied by the late Mr. William Sharp will be re-opened on Wednesday next by Mr. Thomas Sharp, who trusts that the liberal patronage accorded to his late father will be continued to himself.

"COMPLIMENTARY CONCERT AND PRESENTATION TO MR. THOMAS SHARP", Launceston Examiner (17 April 1875), 2

http://nla.gov.au/nla.news-article52898758 

Last evening, a grand complimentary concert was given to Mr. Thomas Sharp, when the St. Joseph's Band and a number of vocal and instrumental performers contributed to an excellent entertainment. The St. Joseph's Band played as the opening piece, a waltz, "Belles of Launceston (Wallace), a piece from Maritana, "Princess Maria Galop," and the finale "God Save the Queen," under the leadership of Mr. Wallace. The orchestra, led by Mr. G. Collins, consisted of the following: - Mr. T. Sharp, principal first violin; Mr. Chick, principal second violin; Mr. Melvyn, principal tenor violin; Mr. J. Tevelein, second violin; Messrs. A. Hart and S. Joscelyne, violoncellos; Mr. Wallace, double bass; Messrs. Davies and Spicer, flutes; Messrs. Galvin and Doolan, clarionets; Messrs. Day and Harris, trumpets; Mr. Day, trombone; Mr. Doolan, drum. The orchestra performed during the evening overtures from "Fra Diavolo" and "Masanielo" . . . In the course of the second part of the entertainment, Mr. Sharp's pupils and others went on to the platform to assist in the presentation of addresses and testimonials . . . Mr. Sharp gave a verbal acknowledgment, and said it grieved him to leave; he had no wish to leave Launceston. The address stated the true reason for leaving, on account of his wife's health; he had no reason to be dissatisfied with Tasmania, or the patronage he had received from the people of Launceston. He could not but feel grateful for the kindness shown him on that occasion and he should ever remember that concert. He remembered the first concert in which he took part in Launceston nearly twenty years ago, at the old Cornwall Hotel; and he should remember the present concert as long as he lived . . . Mr. James, an old pupil of Mr. Sharp's, then presented an address signed by twenty-two of the pupils expressive of esteem and good wishes, and Miss Maud Smith, the youngest of the pupils, handed to Mr. Sharp a handsome case . . . Mr. and Mrs. Sharp and family will leave to-morrow in the s.s. Tamar, for Melbourne, en route to Sydney.

[Advertisement], The Sydney Morning Herald (1 May 1875), 12

http://nla.gov.au/nla.news-article28403747 

MR. T. SHARP, Professor of Music, Violin, Pianoforte, Organ, &c., 31, Lower Fort-street.

[Advertisement], The Sydney Morning Herald (14 May 1875), 1

http://nla.gov.au/nla.news-article13355144 

MR. T. SHARP. Professor of the Organ, Harmonium, Pianoforte, Violin, &c. Terms for Pupils, at ELVY and CO.'S, and 31, Lower Fort-street.

ASSOCIATIONS: Robert Hammond Elvy and Co. (music retailers)

"REPETITION OF THE MESSIAH", Launceston Examiner (4 January 1877), 2

http://nla.gov.au/nla.news-article37145887

This oratorio was repeated by the Musical Union on Tuesday evening, in the Mechanics' Hall . . . We must not omit to say that our old friend Mr. T. Sharp lent very effective aid to Mr. Collins's small orchestra . . .

[Advertisement], The Sydney Morning Herald (7 July 1877), 9

http://nla.gov.au/nla.news-article28398220

"DEATHS", Launceston Examiner (25 August 1883), 2s

http://nla.gov.au/nla.news-article38288518

SHARP. - At her father's residence, 315 Cleveland-street, Redfern, Sydney, after a painful illness, Annie Louisa, second daughter of Mr. T. Sharp, Professor of Music, formerly of Launceston, aged 14 years and 11 months.

[News], Morning Bulletin [Rockhampton, QLD] (20 July 1883), 2

http://nla.gov.au/nla.news-article52073780 

Miss Caroline Sharp hag been appointed to the vacant place of second Lady Assistant in the Grammar School. Miss Sharp hats had considerable experience in teaching in Schools of good standing in the southern colonies, and is well certified as to her abilities aa a teacher of music and drawing, for which branches, owing to recent changes on the teaching staff, assistance is specially required.

"Marriages", The Sydney Morning Herald (8 August 1885), 1

http://nla.gov.au/nla.news-article13594829

SHARP - WILKINSON HARBRON. - August 4, 1885, at St. John the Baptist's Church, Ashfield, by the Rev. J. C. Corlette, D.D., William Thomas, eldest son of Thomas Sharp, professor of music, Stanmore (late of Launceston, Tasmania), to Charlotte, second daughter of Edwin Wilkinson Harbron, Sydney.

"REMINISCENCES [By B.]", Launceston Examiner (12 November 1892), 2

http://nla.gov.au/nla.news-article39477627

. . . I believe Miss Henry, now Mrs. H. B. Nicholls, was at one time organist at St. John's, then Mr. William Snelling, afterwards Mr. Tom Sharp, who held the post for many years. He added an octave of pedals to the organ, which, though an instrument of exceptional sweetness and mellowness of tone, was without those necessary aids to modern playing. After some years, through Mr. Sharp's exertions, the present organ was procured, the old one being sold . . .

ASSOCIATIONS: Caroline Margaret Henry (organist); William Snelling (organist)

"DEATHS", Daily Telegraph [Launceston, TAS] (12 July 1902), 1

http://nla.gov.au/nla.news-article153815394 

SHARP. - On the 7th July, at her residence, Andreas-street, Petersham, N.S.W., after a long and painful illness, Louisa, wife of Thomas Sharp, Professor of Music (formerly Organist of St. John's Church, Launceston).

"MUSIC IN OLD LAUNCESTON", Daily Telegraph (22 January 1903), 4

http://nla.gov.au/nla.news-article153899846

The fame of a city depends ultimately in large measure upon its progress with the fine arts. Commerce made Athens, art immortalised it. Happy therefore that place where from the commencement art has held its rightful position as the handmaid of commercial progress. What claims Launceston may have to this distinction were reviewed yesterday in a pleasant chat which a representative of this journal had with a visitor who could talk of Launceston fifty years or so ago. He naturally judges and speaks of a place as seen through the spectacles invisibly but surely fitted before his eyes by the long practice of a given avocation. Mr. Thomas Sharp, peering into the past through this irremovable medium, talked very interestingly of "music in Launceston half a century ago." He came out to Tasmania from the old country in 1855, and spent over twenty years in Launceston as a professor of music, afterwards going to Sydney, whence he has come, after a tour through New Zealand, and to see his eldest son, Mr. W. T. Sharp, a native of Launceston. He is accompanied by his sister in revisiting former scenes and old associations. Mr. Sharp was organist of St. John's from 1857 to 1875, and looking back he enjoys guessing at what the worshippers of those old fashioned times would have thought of the present mode of church services. "Their church music then," he said, "would be regarded now as at least severely simple. I had a great deal of difficulty in combating the conservative tendencies of the people. The first choral service ever held in St. John's Church was at the dedication of the "new" chancel by Bishop Bromby; he and his son, Rev. H. B., afterwards Dean Bromby, coming up from Hobart for the occasion. Dean Bromby intoned the service, and having had no previous experience in that line I had to coach him for the effort. The Rev. W. H. Browne, afterwards Archdeacon of Launceston, was then incumbent. The next "full choral" service took place at the opening of the present organ, and from that time choral responses throughout the services, with occasional anthems at evensong, became permanent features of the services. The original St. John's organ is now in St. Andrew's Church, but has been slightly enlarged and improved. After Dr. Browne's retirement, the Rev. Canon Brownrigg became incumbent, the musical services remained the same with the exception of the Sunday evening anthem, which at his request was discontinued.

"When I came to Launceston," said Mr. Sharp retrospectively, "music did not appear to be in a very advanced state. There were no efficient musical societies, no string orchestra; I think there was one brass band. I determined to give orchestral music a start, and managed to get a very creditable band together, most, if not all, of its original members having passed over to the great majority. My first venture was giving a couple of promenade concerts in the Assembly Room of the old Cornwall Hotel, in Cameron-street, opposite Trinity Church. That was the only public hall Launceston could boast of at that time. Since then the Mechanics' Institute was built, and the old place fell into disuse for concerts of that kind. From that time we kept the orchestra together through various difficulties. One disadvantage we had always to contend with then would no doubt severely try the patience of the most enthusiastic now-a-days, that was the impossibility to get any printed orchestral music. I had to score, all our pieces before I could get to work on them. As regards vocal music, there was a little society formed just previously to my arrival; its members, I think, were principally drawn from the choirs of the Tamar-street Congregational and Patterson-street Methodist Churches, and were banded together under the name of the "Sacred Harmonic Society." Mr. George Pollen was the conductor originally, but eventually the work devolved upon me, and continued for several years. All our performances were given for charitable purposes; several were for the hospital, the Town Mission, and the Benevolent Society; nobody was paid, and the printing, advertising, and other outside matters were nominally free. By our first concert we secured about £50 for the funds of the Benevolent Society and the proceeds of a subsequent concert in aid of the Town Mission and other charities realised about the same amount." "Those were excellent results, Mr. Sharp." "Yes; and it must be remembered that the population of Launceston was very much smaller then than now. Still we had our ups and downs, and ultimately that society went the way of many worse and many better, but in its day it did a great amount of useful work, both in the interests of music and for the charities.

"Just about the same time Mr. John Adams, a recent arrival in the town, and the organist of Trinity Church, a gentleman of considerable musical attainments, also contributed by his enthusiasm and general work a good deal of help in musical matters. He started the first Philharmonic Society, with the object of promoting the study of vocal music; his health, however, unfortunately failed, but the work he had started was taken up with varying success by Mr. A. J. Marriott. The entertainments given by these and other subsequently formed societies were well appreciated, and the music given was mostly high-class oratorio choruses, cantatas, etc., the principal drawback being a lack of efficient solo singers, which prevented the entire production of many large works. Advancing with the times, we broadened our field of operations, and decided to study secular as well as sacred music, a change which gave us scope for holding popular concerts. In this departure we added greatly to our prestige, and increased our membership to about 120, which was very good in those days. We had in addition a full orchestra. The erection of the Mechanics' Institute provided us with a fine hall, and in it, subsequently, was placed the organ which now stands in the Albert Hall. The instrument was hardly a success at first, but it has since been altered and greatly improved. Mr. Robert Sharpe, a namesake of mine, and organist at Trinity Church when I was at St. John's, was organist of the Mechanics', but, he leaving for England, I subsequently occupied the position until my removal from Launceston to Sydney in 1875.

"I could go on with these reminiscences for a long time, but I must recollect that the associations they call up are not likely to strike many responsive chords in the memories of people living in Launceston to-day. There is sadness as well as pleasure in noting the many improvements and changes time has wrought here. Last Sunday I accepted an invitation to sit in my old place in the organ loft during service at St. John's, but I did not, as in my former visits, venture to take any part at the organ. In my mind's eye I could see in the old pews, not the congregation of St. John's as it is to-day, but as that of forty years ago. The old building and its appointments were familiar enough, but in the pews was a gathering of faces strange to me. For eighteen years I had been organist at the old church, and even in that period had seen many changes in the personnel of the congregation. I had played at a great number of services, had played the wedding march more often than I can remember as the happily united couples left the church, and I have taken part in and deeply felt the solemnity of the funeral service, both at St. John's and at Holy Trinity Churches, among those at the latter church being the funerals of Sir Richard Dry, Mr. John Adams, and Mr. A. J. Marriott. On my last visit here, ten years ago, I played the funeral service at St. John's for Mr. Alfred Harrap, many years a Warden, and a warm friend of mine. One of my former ministers, Rev. Canon Brownrigg, died in Sydney, and I played at the funeral service held at St. Paul's, Redfern.

"My taste for music, I am happy to say, has been perpetuated in my son, Mr. W. T. Sharp, who gave several recitals on the Albert Hall organ during a visit here some years ago, and who is now organist at the Anglican Cathedral in Napier, New Zealand. My sister formerly took an active part in musical matters here, for a short time being organist at St. Paul's, and afterwards at the Wesleyan Church."

England census, 1911, St. Pancras, London; UK National Archives

https://www.ancestry.com.au/imageviewer/collections/2352/images/rg14_00768_0313_03 (PAYWALL)

83 Dartmouth Park Road, London, N.W. / Agnes Dearth / Head / 55 / Single / Private means / [born] London
Thomas Sharp / Visitor / 77 / Widower / Professor of Music (retired) / [born] Kent Ramsgate
Caroline Sharp / Visitor / 59 / Single / Private Means / [born] Kent Ramsgate . . .

"DEATH AT SEA", The Sydney Morning Herald (8 January 1912), 11

http://nla.gov.au/nla.news-article15300573

News has been received from Melbourne of the death at sea on Tuesday last of Mr. Thomas Sharp, professor of music, of Stanmore, on board the steamer Suevic, between Adelaide and Melbourne. Mr. Sharp, who was in his 78th year, was with his sister returning from a trip to England. Of late years he had lived a retired life, but in former days was among Sydney's leading organists and musicians. His decease removes the last but one of the members or the Committee of Organists appointed by the City Council to draw up the specification and supervise the erection of the grand organ in the Sydney Town Hall. Mr. Sharp has left five sons, three of whom are organists, and one daughter. The remains of the deceased gentleman are being brought on to Sydney by the Suevic for interment at the Necropolis.

"OBITUARY", Goulburn Evening Penny Post (9 January 1912), 2

http://nla.gov.au/nla.news-article102115996

Mr. Thomas Sharp, of Stanmore, and formerly of Goulburn, died at sea in the steamer Suevic, between Adelaide and Melbourne, on Tuesday. Mr. Sharp, who was in his seventy-eighth year, was returning with his sister from a trip to England. Mr. Sharp was formerly organist at the Goldsmith-street Methodist Church, and carried on a stationery and news agency business in Goulburn. He was an authority on music, and was the last but one of the committee of organists appointed by the Sydney City Council to draw up the specifications and supervise the erection of the grand organ in the Sydney Town Hall. He leaves five sons and one daughter.

"A DEPARTED ORGANIST", Evening News (13 January 1912), 13

http://nla.gov.au/nla.news-article113818132

A paragraph appeared in the "Evening News" during the week intimating the receipt of news from Melbourne of the death at sea of Mr. Thomas Sharp, professor of music, on board the steamer Suevic, between Adelaide and Melbourne. The veteran Sydney organist (he was in his 78th year) was returning from a voyage to England. He practised his profession in this State for over 30 years, and during that time he occupied positions at the Anglican Churches at St. James', King-street, Sydney, St. Phillip's, Church Hill, St. Matthias', Paddington, and St. John's, Glebe. His last post, which he resigned some few years ago, was at the Methodist Church, Goulburn. He left a family of five sons and one daughter. One of the former is organist al St. Anne's Church, Strathfield, and another occupies a position in New Zealand.

"DEATHS", Examiner (20 January 1912), 1

http://nla.gov.au/nla.news-article50634004

SHARP. - On the 2nd January, at sea, on board the steamer Suevic, between Adelaide and Melbourne, on voyage to Sydney, Thomas Sharp, Professor of Music, of Stanmore, Sydney, formerly Organist and Choirmaster of St. John's Church, Launceston (1857 to 1875), in the 78th year of his age. Interred at the Necropolis, Sydney.

"DEATHS", The Sydney Morning Herald (14 October 1924), 8

http://nla.gov.au/nla.news-article28070317 

SHARP. - October 13, at Bexley, Miss Caroline Sharp, (sister of late T'homas Sharp, Professor of Music), in her 85th year.

"DISTRICT DEATHS", The Propeller [Hurstville, NSW] (17 October 1924), 2

http://nla.gov.au/nla.news-article236993731 

The death took place at Bexley on Monday last of Miss Caroline Sharp, at the advanced age of 85 years. The interment took place in the Presbyterian portion of Woronora Cemetery on Tuesday. The deceased lady was the teacher and superintendent of the blind at the Deaf and Dumb and Blind Institution, Sydney, for many years. She was employed in the same capacity later at the Brisbane institution for the blind. Miss Sharp was an accomplished musician and expert Braille writer. Of late years she led a very retired life.

"MUSIC & MUSICIANS. Mr. Frank Bowden. Hobart's Music in Earlier Days . . . FIRST PERFORMANCE OF THE MESSIAH", The Mercury [Hobart, TAS] (29 August 1928), 8

http://nla.gov.au/nla.news-article29774597

. . . In 1862 Mr. S. Tapfield's Glee Club invited musicians from all parts of the colony to help in the production of "The Messiah," for the benefit of the Benevolent Society, which had just been started. The enterprise was warmly taken up on all sides, the performers being conveyed to and fro free of charge by Mr. Page, coach owner. The ballroom at Government House, which stood on the ground now known as Franklin Square, was specially fitted up, Sir Henry and Lady Young showing great interest. Mr. S. Tapfield conducted, Herr Julius Buddee was at the piano - and Mr. W. Russell led the orchestra, which included: Violins, Thomas Sharpe, jun., F. H. Henslowe, A. J. Dentith, J. Briant, J. R. Fryer; violas, J. J. Salier, Major Hood; cello, H. Vautin [sic, J.]; double bass, R. Shields and Thomas Sharpe, sen. [sic]; flute, J. Marshall; clarinet, W. Simpson; bassoon, Jesse Briggs, who was reputed to be able to "blaw a bit," and was much sought after; cornet, W. Campion; kettledrums, H. Elliott . . .


Bibliography and resources:

"Thomas Sharp and his son, William Thomas Sharp", in Graeme D. Rushworth, Historic organs of New South Wales: the instruments, their makers and players, 1791-1940 (Sydney: Hale & Iremonger, 1988), 382-84




SHARPE, John (John SHARPE; ? = Mr. SHARP above)

Musician, teacher of music, bandmaster (former band sergeant, 31st Regiment)

Born York, England, 1798
Active Bathurst, NSW, by 1843
Died Bathurst, NSW, 1 September 1846, aged 48

https://trove.nla.gov.au/search?l-publictag=John+Sharpe+1798-1846 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARPE-John (shareable link to this entry)


Documentation:

"BATHURST", The Sydney Herald (2 June 1842), 3

http://nla.gov.au/nla.news-article12875512 

A ball was given last evening, by our respected townsman Mr. R. Cousins, and attended by a select number of friends. Dancing was kept up until a late hour. Webb and Sharpe's band was in attendance.

"DIED", The Sydney Morning Herald (8 September 1846), 2

http://nla.gov.au/nla.news-article28649292

At the residence of Mr. William Gray, Howick-street, Bathurst, on the 1st instant, aged 48 years, Mr. John Sharpe, formerly Band Sergeant to the 31st Regiment of Foot. He was one of the survivors of a detachment of that regiment who were embarked for the East Indies in that ill-fated vessel the Kent, East Indiaman, which was accidentally burnt in the Bay of Biscay, in March, 1825; a great number of the crew and military were fortunately saved by the praiseworthy exertions of the captain and crew of the brig Cambria, bound to South America with a body of miners, and returned to Falmouth, landed all safe, and then proceeded on her voyage. Mr. Sharpe joined the army very young, and served in the Peninsular campaigns, in the East and West Indies, and several other parts of the world, until he was sent home to be invalided; he was entitled to a pension, which he had commuted under the then existing regulations, and emigrated to this colony, where he adopted the profession of a teacher of music, which occupation he carried on in the town of Bathurst and its neighbourhood for several years, with advantage to his pupils and credit to himself. He was a man of strict integrity, and unassuming in his manner, and possessed a fund of anecdote which was both instructive and amusing. He was born in the 58th regiment, at York, in 1798; and died much regretted by a very numerous and respectable class of residents in this township.

ASSOCIATIONS: 31st Regiment of Foot (military)


Other references:

A narrative of the loss of the Kent East Indiaman, by fire in the Bay of Biscay, on the 1st March, 1825, in a letter to a friend (Edinburgh: Waugh & Innes, 1825)

https://books.google.com.au/books?id=dEgOAAAAQAAJ (DIGITISED)




SHARPE, Robert (Robert SHARPE; Mr. R. SHARPE; SHARP)

Musician, professor of music, organist, pianist, composer, music seller

Born Denby, Derbyshire, England; baptised Denby, 14 May 1841; son of John Hawley SHARPE (1807-1868) and Hannah GODDARD (1806-1868)
Arrived Melbourne, VIC, 24 July 1859 (per Red Jacket, from Liverpool, 2 May)
Arrived Launceston, TAS, 1 August 1859 (per Black Swan, from Melbourne)
Departed Launceston, TAS, 24 October 1863 (per City of Launceston, for Melbourne, then for England)
Died Southampton, England, 4 December 1921, aged 80

https://trove.nla.gov.au/search?l-publictag=Robert+Sharpe+d1921 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHARPE-Robert (shareable link to this entry)


Summary:

Robert Sharp was born in Denby, Derbyshire, and baptised there on 14 May 1841, the younger of only two surviving children of John Hawley Sharpe, a book-keeper, and his wife Hannah Goddard. Sharp was thus only 18 years old on arrival in Launceston in 1859.

Many decades later, Thomas Sharp referred to his young musical colleague Robert Sharpe as a "namesake", although (even overlooking the difference in spelling their surname) there is no evidence that they were related. Coming to Launceston about 4 years later than the Sharp family, Robert was "just arrived from England" when he advertised that he would teach the "Organ, Harmonium and Pianoforte" in Launceston in August 1859.

At his second concert of the year 1860, in August, he included two works of his own, a ballad Fare thee well, and a Volunteer song, "a stirring composition with a cornet obligato; the words by Carpenter". One listener thought that the air of the latter bore too striking a resemblance to that of Oh give me but my Arab steed to rate as entirely original, and wrote accordingly to the Examiner, which in turn produced further letters in Sharpe's defence.

Sharpe's Volunteer song is one of the very rare Australian compositions of the entire early colonial period on record as having been performed in Britain, at a concert by the band of the 1st Battalion of Derbyshire Volunteers, at Belper in February 1862, when it was considered an "attractive feature in the programme". Sharpe himself would soon follow his music "home"; having been in the insolvent court in July 1862, he left to return to England late the following year.


Documentation:

Names and descriptions of passengers, per Red Jacket, 2 May 1859, for Melbourne, 24 July 1859; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B0F4000-F96C-11E9-AE98-C1C98744D980?image=146 (DIGITISED)

[No.] 1168 / Robert Sharpe / 18 / Farmer . . .

"Shipping Intelligence: ENTERED INWARDS", Launceston Examiner (2 August 1859), 2

http://nla.gov.au/nla.news-article38996815

Aug. 1. - Steamer Black Swan, 300 tons, A. T. Woods, from Melbourne: George Fisher, agent. Passengers . . . Mr. Robert Sharpe, Mr. Henry Cartwright, 18 steerage.

"Ship News . . . IMPORTS", The Cornwall Chronicle (3 August 1859), 4

http://nla.gov.au/nla.news-article65992285 

August 1 - Per Steamer Black Swan . . . 1 case musical Instruments, 7 cases music, Mr. Robert Sharpe . . .
Passengers per Black Swan, from Melbourne - Mr. R Sharpe, Professor of music . . .

"MUSICAL", Launceston Examiner (2 August 1859), 3

http://nla.gov.au/nla.news-article38996802 

The lovers of music will be glad to hear of the arrival of another professor of this delightful art. Mr. Robert Sharpe, who lately arrived from England in the Red Jacket, came over in the Black Swan and we hear intends to reside amongst us.

[Advertisement], The Cornwall Chronicle (3 August 1859), 5

http://nla.gov.au/nla.news-article65992295

MUSIC LESSONS, &c.
MR. ROBERT SHARPE, Organist &c., has just arrived from England, and respectfully announces that he will be happy to receive pupils for instruction on the Organ, Harmonium, and Piano Forte.
Terms. Organ per quarter 12 lessons - 6 6 0
Harmonium per quarter - 4 4 0
Piano Forte per quarter - 3 3 0
Mr. S. solicits an inspection of his large assortment of classical music, containing the most admired works of the great masters, Oratorio, Psalmody, and a varied selection of dance and other music.
Music Repository, Brisbane-street, Opposite the Quadrant. Aug 3

[Advertisement], The Launceston Examiner (16 August 1859), 1

http://nla.gov.au/nla.news-article38997022

"MUSICAL", Launceston Examiner (18 August 1859), 3

http://nla.gov.au/nla.news-article38997027

Mr. Robert Sharpe, who arrived lately from England, has opened a music repository in Brisbane-street, opposite the Quadrant. We have had the pleasure of hearing Mr. Sharpe perform on the harmonium and piano forte, and consider that he will prove a valuable addition to the musical talent of the colony. Combined with a brilliant execution, Mr. Sharpe has that correct taste and theoretical knowledge, without which no person can fully give effect to or appreciate the works of the great masters of harmony.

"Ship News. IMPORTS", The Cornwall Chronicle (10 September 1859), 4

http://nla.gov.au/nla.news-article65990076 

Sept. 7. - Per Royal Shepherd . . . from Melbourne . . . 1 case of music, Robert Sharp . . .

"Ship News. IMPORTS", The Cornwall Chronicle (1 October 1859), 4

http://nla.gov.au/nla.news-article65989545 

Sept. 21. - Per Steamer Royal Shepherd . . . from Melbourne . . . 1 pkge music, Robert Sharpe . . .

[Advertisement], Launceston Examiner (24 September 1859), 1

http://nla.gov.au/nla.news-article38997526 

SELF-ACTING ORGAN.- A splendid new instrument, plays 48 new and popular dance and other tunes.
NEW PIANOFORTES, 6 7-8th octaves (full compass), by the best makers, warranted.
HARMONIUMS, other instruments, and new music at low prices.
R. SHARPE, Music Repository, Brisbane-street, opposite and Quadrant.
Pianoforte wire, sconces, insulators, and other articles useful to the trade.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (21 December 1859), 4

http://nla.gov.au/nla.news-article65988232 

Mr. Hudson, the distinguished Irish Vocalist, and Comedian, late of Theatre Royal Haymarket, Drury Lane, Dublin, Melbourne and Sydney Theatres, having been very successful at Hobart Town, will make his first appearance here at the Cornwall Assembly Rooms, on Monday evening next, when he will open his inexhaustible portfolio in the humourous characters of Dr. Polyphemus O'Gander, Mr. Felix Fitzgerald O'Flan, Ned Murphy, Paddy O'Rafferty, Mrs. Gardener, &c., &c., &c. Mr. Robert Sharpe of the Music Bazaar, Brisbane-street, having proceeded to Hobart Town to assist Mr. Hudson as an instrumental accompaniest, will, we believe, preside at the piano on the above occasion.

ASSOCIATIONS: James Hudson (actor, vocalist, delineator)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (28 December 1859), 4

http://nla.gov.au/nla.news-article65991708

The non-return of the pleasure party to unwillingly detained on board the Dalhousie Baths, and the effect of the thunder storm generally, prevented the majority of those who spent a portion of the holiday out of town, from being present at Mr. Hudson's first appearance at the Cornwall Assembly Room, on Monday evening [26 December] . . . "Molly Macree," "The Low Back'd Car," Mrs. Gardener, and several other gems were universally encored. Mr. Robert Sharpe presided at the piano in a most efficient manner, playing the accompaniments to the songs in a manner which added new beauties to them. Mr. Hudson ranks with Mr. Farquharson and Miss Emma Stanley, in his successful mode of performing that herculean task for any individual actor or vocalist, to undertake, to enchain, entrance, and delight a mixed audience for hours, and win their united applause throughout an entire evening . . .

ASSOCIATIONS: Robert Farquharson (vocalist); Emma Stanley (actor, vocalist)

[Advertisement], Launceston Examiner (31 December 1859), 1

http://nla.gov.au/nla.news-article38998630 

PIANOFORTE TUNING. &c. -
MR. ROBERT SHARPE will visit as follows :-
Carrick, on Tuesday, January 3rd, 1860. Orders to be left at Mr. Pascoe's.
Westbury, on Wednesday, January 4th, 1860. Orders to he left at Mr. R. Lyall's.
Deloraine, on Thursday, January 5th, 1860. Orders to he left at Mr. John Poole's.
Brisbane-street, Launceston, Dec. 28.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (11 January 1860), 4

http://nla.gov.au/nla.news-article65993274 

The annual Meeting of the Sacred Harmonic Society was held in the Trinity School Room on Thursday evening, January 5, 1860 . . . The following officers were elected for the ensuing six months, - President, Mr. J. S. Harvey; Conductor, Mr. T. Sharp; Secretary, Mr. W. Stokes; Treasurer, Mr. W. Gurr; Librarian, Mr. W. F. Wathen. Committee, Messrs. R. Sharpe, A. Legg, R. Kenworthy, W. F. Wathen, and H. Stephens . . .

ASSOCIATIONS: John Smithen Harvey (president); Thomas Sharp (conductor); William Stokes (member); William Gurr (member); William Fowler Wathen (member); Alfred Legg (member); Robert Kenworthy (member); Launceston Sacred Harmonic Society (organisation)

"LAUNCESTON CHORAL SOCIETY", Launceston Examiner (31 January 1860), 3

http://nla.gov.au/nla.news-article38999013 

The first meeting of members took place last evening in Trinity School-room; the President, Charles Thomson, Esq., Manager of the Bank of Van Diemen's Land, was in the chair, and opened the business by an address, stating the object of the society, which numbers at present upwards of sixty members. The conductor, Mr. T. Brain, then gave the members their first lesson, Mr. Robert Sharpe presiding at the piano-forte.

ASSOCIATIONS: Thomas Brain (conductor); Charles Thomson (president)

"THE CONCERT AT THE CORNWALL ROOMS", Launceston Examiner (15 March 1860), 2

http://nla.gov.au/nla.news-article38999677 

It has not been often of late that the musical public of Launceston has had the pleasure of listening to music of a high character, rendered by artists capable of giving full expression to the beautiful imaginings of some of the great masters of the art, yet such a pleasure was realized by those (and they were a goodly number) who attended the Cornwall Rooms on Thursday evening at a concert given by Mr. T. H. Brooks (harpist), and Herr Carl Schmitt (violinist), assisted by our fellow townsman, Mr. Robert Sharpe, who presided at the pianoforte . . .

We should be wanting in justice, did we not notice very favorably the accompaniments of Mr. Robert Sharpe on the pianoforte. When this gentleman some time since arrived front England, we gave an opinion that he would be a valuable acquisition to the musical talent of Launceston. The concert of Tuesday has confirmed us in the correctness of that opinion. His accompaniments showed not only a correct knowledge of time, but much delicacy of touch and a brilliant execution. The solos on the harmonium were also rendered with skill and taste . . .

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (17 March 1860), 4

http://nla.gov.au/nla.news-article65989246 

The Concert at the Cornwall Assembly Rooms on Wednesday evening last, if not numerously, was most fashionably attended, many of the families of our leading fellow citizens being present . . . The Concert, which was wholly of instrumental music, that of the harp, piano, and violin, commenced with Rossini's overture to Tancredi . . . Mr. R. Sharp then played with good execution a solo on the Harmonium, the composition of Lefebure Wely, which was followed by a duo concertante on the harp and piano, Mr. Sharpe playing the piano part. The second part consisted of a violin and piano duo by Messrs. Schmitt and Sharp. The overture to Zampa on the harmonium by Mr. Sharpe; the Souvenirs de Bellini beautifully executed by Herr Schmitt on the violin, and a duo concertante by harp and piano. Of the performances of the artists who gave forth the delightful sounds on Tuesday we cannot speak too highly . . . Mr. Robert Sharpe gave the greatest satisfaction to the audience. Mr. Sharpe is a great addition to the musical ability of Launceston, and upon occasions of concerts is a brilliant assistant in connection with his own particular instrument, the piano . . .

"OPENING OF THE MECHANICS' INSTITUTE AND SCHOOL OF ARTS . . . THE EVENING", Launceston Examiner (12 April 1860), 4

http://nla.gov.au/nla.news-article39000073 

At seven o'clock the Bazaar was again opened . . . The platform in the hall had been converted into a temporary orchestra, from which a band consisting of professionals and amateurs performed several pieces of instrumental music. Mr. T. Sharp acted as leader and conductor, and Mr. R. Sharpe presided at the pianoforte. The following is the programme.
First Part.
Overture, Tancredi - Rossini.
Quadrille, Marino Faliero.
Set of Waltzes, La Traviata.
Polka, Persian.
Quadrilles, Court of St. James.
Set of Waltzes, Queen's.
Second Part.
Overture, Caliph of Bagdad - Boildeau.
Quadrille, La Sonnambula.
Set of Waltzes, Violante.
Polka, French.
Quadrilles, Giuramento.
Galop, Leviathan.
Finale, National Anthem.
The dance music is the composition of M. C. D'Albert.
The music was well executed, and added much to the pleasure of the evening.
Thanks are due to those gentlemen, who all gratuitously rendered their services for the recreation of their fellow citizens. At ten o'clock the National Anthem was the signal for closing the Hall; and taking the hint, the crowd slowly dispersed.

"Moore's Irish Melodies", The Cornwall Chronicle (25 April 1860), 5

http://nla.gov.au/nla.news-article65990853 

These melodies so widely known, and much loved, have been issued in a new edition, arranged and harmonized by Mr. W. Balfe [sic], instead of the symphonies and accompaniments of Sir John Stevenson . . . The selection as arranged by Mr. Balfe comprises seventy-three of the most popular of the melodies . . . These requisites to every musical collection may be had at Mr. R Sharpe's, Brisbane-street, as also most of the melodies, as songs and duets separately.

MUSIC: Moore's Irish melodies (with new symphonies and accompaniments by Michael Balfe, first edition, 1859)

[Advertisement], The Cornwall Chronicle (7 July 1860), 2

http://nla.gov.au/nla.news-article65993345

"THE CONCERT", Launceston Examiner (31 July 1860), 3

http://nla.gov.au/nla.news-article39001425

The grand concert in aid of the Organ Fund of the Mechanics' Institute took place last evening in the People's Hall, and we were pleased to observe notwithstanding the dampness of the weather a large and fashionable audience filled the spacious room. The grand concert in aid of the Organ Fund of the Mechanics' Institute took place last evening in the People's Hall, and we were pleased to observe notwithstanding the dampness of the weather a large and fashionable audience filled the spacious room. The musical arrangements had been confided to Mr. Robert Sharpe, who acted as conductor, and he with the ladies and gentlemen who assisted at the concert deserve the thanks of the public of Launceston for having afforded to them an opportunity of listening to classical music rendered in a happy style of art. Two gentleman from a distance also gave their valuable services, viz., Mr. Fryer, of the Hobart Town Philharmonic Society, and Mr. Laws, of the Longford Philharmonic Society.

The concert opened with Rossini's overture "Italiana in Algeria," which was well executed by a small but very efficient band of instrumentalists. The introduction and chorus from Van Bree's "St. Cecilia's Day," and was succeeded by Callcott's song "Friend of the Brave," rendered with considerable musical taste by Mr. Fryer. A quartetto for violin, flute, viola and pianoforte was next in succession, and then came Spohr's beautiful composition, "As pants the Hart," arranged as soprano solo and chorus. This was decidedly the gem of the night, the solo, and though containing some very difficult modulation, was exquisitely sung, and in the chorus the rich and powerful voice of the fair soprano rose like the tones of a well attuned instrument above the mass of harmony. It is needless almost to say that the piece was encored. A violin solo executed by Herr Kowartzic with great skill and taste, followed and was encored. Answering to the call the accomplished violinist played De Beriot solo No. 7, which was loudly applauded. Whittaker's song "Oh say not Woman's Heart is bought," was well sung by Mr. Laws, and a chorale (No. 10) from Van Bree's "St. Cecilia's Day," closed the first part of the programme.

The second part commenced with Schmitt's "Overture de Concert," a very pleasing composition, the execution of which was a fine piece of instrumentation. To this succeeded a march, solo, and chorus from Mozart's opera of "Zauberflote." The basso solo was well rendered and the chorus of men had a good effect. Glover's "For our Hearths and for our Altars," sung by Mr. Laws, met with an encore and was succeeded by a glee by Horsley, "By Celia's Arbour." Then came Calcott's telling song "The Last Man," which was effectively given by Mr. Fryer, and elicited a loud encore. Mr. Fryer then sung "The Slave Chase," which was much applauded. Müller's glee "May Day" was loudly encored, and was succeeded by "Hail, Smiling Morn." The performance of Novello's arrangement of the National Anthem closed the concert. Before concluding this notice, we wish in all friendliness to offer a suggestion to the Conductor. At any future concert where a solo is immediately followed by a chorus, the effect would be much finer if the solo singer stood at a little distance from the chorus. Let this be tried, and the conductor will be perfectly satisfied with the result.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (1 August 1860), 4

http://nla.gov.au/nla.news-article65993478 

The grand vocal and instrumental concert in aid of the organ fund, so long and anxiously looked forward to was given in the Mechanic's Institute on Monday evening. The large hall was well filled, there being between four and five hundred persons present, and in spite of the damaging effects of the influenza the concert was a decided success. The idea of giving a concert for this purpose originated with Mr. Robert Sharpe, the conductor, who ascertaining that the cost of the organ had not been fully subscribed, at once entered energetically into this method of adding to the fund, and having invited the assistance of a number of singers and instrumentalists, he commenced rehearsing the selections he had chosen for the concert. And although the performers had but few rehearsals, the music, both choral and instrumental, was performed in a manner creditable alike to them and their conductor, who on this occasion appeared in that capacity for the first time before a Launceston audience. Judging from evident ability we may expect to hear the highest musical productions given under Mr. Sharpe's baton . . . "Friend of the Brave" by Calcott, which was sung by Mr. Fryer with very good taste, [was] followed by Mozart's Quartette in G minor for pianoforte, Violin, Viola and Violoncello, to which was added the flute accompaniment. This gem of the great composer was exquisitely performed by four members of the orchestra, the violoncello being omitted . . .

ASSOCIATIONS: James Fryer (vocalist); Horace Laws (vocalist); Francis Kowarzik (violin); Hobart Town Philharmonic Society (organisation); Longford Philharmonic Society (organisation)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (29 August 1860), 4

http://nla.gov.au/nla.news-article65991820 

Mr. Robert Sharpe's next Concert in aid of the Organ Fund will be given on Friday evening. It is likely to prove most attractive, and be more successful even than the last one. The programme is only slightly varied from that on the last occasion. In this however there is something original as well as new - "the Volunteers' Song" - a song and chorus specially composed by Mr. R. Sharpe, and dedicated to the Launceston Volunteer Artillery Corps, introducing bugle call, &c.. &c.. The words by J. E. Carpenter are as follow: -

VOLUNTEER, BOYS, VOLUNTEER.

From the main and to the border,
Hark ! the watch word has gone forth:
In the south they cry, "To order!"
Forms the squadron in the north.
'Tis the spirit of our fathers,
That has slept but re-appears;
Round the standard now it gathers
To the cry of - Volunteers!
    Volunteers, be firm and steady!
No invader may appear;
But should be come be ready!
Volunteer, boys, Volunteer!

They were stout old English yeomen
Who once plied the strong yew bows;
And they second were to no man,
As many a fight can show.
Well, that weapon was no trifle,
And it taught the foe to fear,
Now, be ready with the rifle -
Volunteer, boys, Volunteer!
    Come by thousands, firm and steady,
And in rank and file appear;
Keep your rifles clean and ready!
Volunteer, boys, Volunteer!

Mr. Sharpe has set the above song to an air so appropriate as is certain to demand general applause. The concerts is looked forward to with much interest, and there will be so large an attendance that persons desirous of a good place ought to lose no time in securing tickets for reserved seats, a plan of which can be seen at Mr. R. Sharpe's Music Emporium, Brisbane-street.

ASSOCIATIONS: Joseph Edwards Carpenter (English songwriter)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (5 September 1860), 4-5

http://nla.gov.au/nla.news-article65991837 

The second Concert, in aid of the Organ Fund, and conducted by Mr. Robert Sharpe, was given in the Hall of the Mechanics' Institute on Friday evening, in the presence of an audience more numerous, even, than on the previous occasion, and with a success surpassing it . . . We cannot conclude our notice of this Concert without a few remarks on Mr. Robert Sharpe's compositions. The ballad "Fare thee Well" pleased us much. It is a touchingly plaintive melody, requiring delicate yet forcible expression. Although the arrangement of simple ballads does not necessarily imply any great amount of musical knowledge, there are points in this composition which evince educated and deeply studied knowledge of harmony. It contains some delicate and striking modulations, but to our taste the changes in harmony are too many for the [5] length of the song, though perhaps not for due expression of the poetry. The Volunteer song is a simple and pleasing melody with a suitable accompaniment. It would no doubt become highly popular if printed. We trust that the success of Mr. Sharpe's first efforts in brining music before a Launceston audience will induce him to continue his exertions in that way.

"NEW VOLUNTEER'S SONG. [TO THE] EDITOR OF THE . . .", Launceston Examiner (6 September 1860), 3

http://nla.gov.au/nla.news-article39001930

SIR, - I have heard it said very often that musical men never agree, and I always like to take an opportunity when I can of disproving this assertion, and I think I can now bring under your notice a fact which will go far to do so. Of course you heard the new Volunteer Song last Friday evening, composed (so the programme stated) by Mr. R. Sharpe. Now, Sir, if you or any of your musical readers will take the trouble to compare this composition with an air known as "Oh give me back my Arab Steed," I think a most striking resemblance will be found between them; and I think this fact will go a long way to prove that Mr. R. Sharpe and the composer of that air are exceptions to the general rule, and that their views completely coincide.
I am, Sir, your's truly,
LISTENER.

MUSIC: O give me but my Arab steed (music by G. A. Hodson)

"THE NEW VOLUNTEER SONG. [TO THE] EDITOR", Launceston Examiner (8 September 1860), 3

http://nla.gov.au/nla.news-article39002002

SIR, - Is every person who happens to strike up on an idea, which proves similar to or even identical with that of some writer of bygone days, guilty of literary piracy or plagiarism? I think not; and, if not, I think that the writer signing himself "Listener," in your last issue, has not made out the complete coincidence of views between the composer of "Oh, give me but (not back) my Arab steed," and Mr. Robert Sharpe's Volunteer Song; as, although the leading phrases of the two songs are similar, yet the after treatment of the subject is as diverse as possible; and, in fact, the similarity is no greater than is to be found between works of the greatest musical composers.
I am, Sir, your's, &c.,
HARMONY.

"THE NEW VOLUNTEER SONG. [TO THE] EDITOR OF THE . . .", Launceston Examiner (8 September 1860), 3

http://nla.gov.au/nla.news-article39002002 

SIR, - I have- observed in your issue of yesterday, a letter signed "Listener" on the subject of the "New Volunteer Song" composed by Mr. Robert Sharpe, in which he finds a great similarity between that song and one styled "Oh, give me back my Arab steed," and inviting your musical readers to compare the two. I, as a listener, not having been struck with the similarity, have taken the trouble to borrow a manuscript copy of the Volunteer Song, and am amazed at the extraordinary fecundity of "Listener's" musical ideas. I find just as much similarity between the composition of the two songs as exists between "'Yankee Doodle" and Locke's music to Macbeth, which, by the bye, "Listener" is particularly enamoured of just now. I would advise "Listener," in all friendliness, to cultivate a better knowledge of music before he ventures another comparison of songs.
I am, Sir, yours, &c.,
APOLLO.

"THE VOLUNTEER SONG. [TO THE] EDITOR OF THE . . .", Launceston Examiner (11 September 1860), 3

http://nla.gov.au/nla.news-article39002017 

Sir, - I think Mr. R. Sharpe has not much to thank his friends "Harmony" and "Apollo" for. One says there is a similarity in the leading phrases of the "Volunteer Song" and "Arab Seed," the other says there is not; so their testimony is not worth much. But, sir, I should like to correct one or two errors these worthies have made. First, I said nothing about "piracy" or "plagiarism," therefore conscience must have suggested that to the writer. Secondly, in the remarks upon the similarity of" Yankee Doodle" and the "Music to Macbeth," the writer has missed his mark, as the gentleman to whom that is evidently directed was neither at the concert nor has heard the "Volunteer Song."
I am, sir, yours, &c.,
LISTENER.

"ITALIAN OPERA", Launceston Examiner (16 October 1860), 3

http://nla.gov.au/nla.news-article39002519 

A brilliant assemblage filled the Theatre Royal last evening, when Signor and Signora Bianchi made their first appearance in Tasmania in Verdi's opera of Il Trovatore, which was most effectively put upon the stage . . . Mrs. Hancock as Agucena, Mr. John Gregg as Count de Luna, and Mr. E. Hancock as Ferando, went through their several parts in a very creditable manner. A small but effective chorus and an orchestra led by M. Paltzer, with Mr. R. Sharpe at the pianoforte, completed the arrangements, and we may venture to assert that never has Il Trovatore been put upon the stage in Tasmania, in a more creditable manner. This evening will be performed Donizetti's Opera of Lucrezia Borgia.

[Advertisement], Launceston Examiner (3 November 1860), 3

http://nla.gov.au/nla.news-article39002817 

THEATRE ROYAL. SATURDAY. Positively the Farewell Night of Mrs. Hancock, Mr. Hancock, Mr. John Gregg, M. Paltzer, Mr. Megson, Mr. Sharpe, Mr. Winterbottom. PIT-ONE SHILLING.

ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists); Mary and Edward Hancock (vocalist); John Gregg (vocalist); Jacques Paltzer (violin, leader); Joseph Megson (violin); John Winterbottom (bassoon, manager)

"MONTHLY SUMMARY OF NEWS", Launceston Examiner (22 December 1860), 4

http://nla.gov.au/nla.news-article39003549 

A meeting to inaugurate the Launceston Musical Union was held on 28th November in the Mechanics' Institute. About 80 persons were present. The proposed rules were revised and passed. Mr. Charles Thomson was elected President; Mr. A. J. Marriott, Conductor; Mr. J. J. Hudson, Treasurer; Mr. W. Stokes, Secretary; and the following gentlemen were appointed a committee for the ensuing year - Messrs. G. Pullen, R. Sharpe, H. Stephens, Kenworthy, and George Hudson. It was resolved that the Society should meet for practice on each Tuesday evening.

ASSOCIATIONS: Arthur John Marriott (conductor); George Pullen (member)

[Advertisement], The Cornwall Chronicle (3 April 1861), 5

http://nla.gov.au/nla.news-article65567606 

Organ, Pianoforte, &c.
MR. ROBERT SHARPE will meet his pupils for the ensuing quarter on MONDAY, April 8th.
Brisbane-street, April 3.

"THE GRAND ORGAN IN THE MECHANICS' INSTITUTE, LAUNCESTON (FROM OUR OWN REPORTER)", The Mercury (26 June 1861), 2

http://nla.gov.au/nla.news-article8799282 

It was about three years since that the project of placing a first-class Organ in the large Hall of the Mechanics' Institute, Launceston, then in the course of building, was first started . . . The Organ which arrived at Launceston by the Alfred Hawley, in March last was built by Brindley of Sheffield, from plans furnished by and under the superintendence of Mr. Hopkins, the well-known Organist of the Temple Church, London, and author of the standard work . . . The task of erecting this noble organ in (the Mechanics' Institute) was confided to Mr. Biggs, organ builder, Hobart Town, and he has finished his work in a superior style and to the satisfaction of his employers. It is but justice to add that Mr. Robert Sharpe, of Brisbane-street, Launceston, rendered great assistance to Mr. Biggs during the progress of the work. The Committee with a view of rendering the opening of the organ worthy of the occasion engaged the services of Mr. G. R. G. Pringle, organist of St. Peter's, Melbourne, a gentleman whose musical knowledge and brilliant execution were well calculated to exhibit the beauty and power of the instrument . . . The instrumental performance came off on Monday afternoon at two o'clock, according to the following programme . . . The second part commenced with the Allegretto movement in Beethoven's [recte, Mendelssohn's] Hymn of Praise, arranged as a duet, and which was played with great skill and taste by Messrs. Pringle and Robert Sharpe . . .

ASSOCIATIONS: Edward John Hopkins (English organist); Jesse Biggs (organ builder); George R. G. Pringle (organist);

"MECHANICS' INSTITUTE. GRAND CONCERT IN AID OF THE ORGAN FUND", Launceston Examiner (1 August 1861), 4

http://nla.gov.au/nla.news-article38761012 

The long talked-of concert to celebrate the erection and assist in defraying the cost of the splendid organ, now the property of the Institute, came off in the large Hall on Tuesday evening. Several circumstances combined to invest this event with more than ordinary interest; the attendance was therefore very large - so much so, indeed, that many gentlemen had to resign their seats in favor of the fair sex. At the most moderate computation, there could not have been less than six hundred persons present. On the platform there were about seventy ladies and gentlemen, amongst whom were several from Longford, who had kindly volunteered their services upon the occasion. Mr. J. R. Black was also present, and gave his valuable services gratuitously. A. J. Marriott, Esq. acted as conductor. Mr. Robert Sharpe, who has been recently appointed the organist of the Institute, presided at the organ. The concert commenced with an organ solo by Mozart, in which Mr. Sharpe acquitted himself very creditably; some regret was manifested at the absence of silence on the part of those who seemed to have attended for the purpose of being edified vocally, and not instrumentally; therefore their inattention considerably militated against the solo; nevertheless, it was indisputably well played, and deserves especial mention . . .

ASSOCIATIONS: John Reddie Black (bass vocalist)

"VOLUNTEER SONG", Launceston Examiner (29 April 1862), 5

http://nla.gov.au/nla.news-article41452954

It will be remembered that at a concert given some time ago on behalf of the organ fund of the Mechanics' Institute, a volunteer song, composed by Mr. R. Sharpe, was sung, and some controversy as to its originality took place. We take the following from the Ilkeston Pioneer of the 6th of February last:
"The band of the 1st Battalion of Derbyshire Volunteers, gave a concert at Belper on Thursday evening last, in the Court-room. Among those who took tickets were the leading gentry of the town. The whole of the programme was well executed. A volunteer song composed by Mr. Sharpe, late of Denby, but now of Launceston, was an attractive feature in the programme, and was well sung by Mr. Lovatt."

"THE LAUNCESTON MUSICAL UNION", The Cornwall Chronicle (4 June 1862), 4

http://nla.gov.au/nla.news-article65572144

The Launceston Musical Union and the Cecilian Harmonic Society met in the Mechanics' Institute on Tuesday evening for the purpose of carrying out the amalgamation which had been contemplated for some time. It was unanimously resolved that the two societies should combine under the title of "The Launceston Musical Society." Mr. A. J. Marriott was chosen President; Mr. Thomas Sharp, Conductor; Mr. Robert Sharpe, Organist; Mr. George Pullen, Secretary; Mr. G. Hubbard, Treasurer; - and the following members were appointed a Committee of management: - Messrs. Wm. Sharp, Harvey, Kenworthy, G. Castley, S. Joscelyne, and Fitzgerald. The members of the Launceston Musical Union are to meet weekly for practice.

"INSOLVENT COURT", Launceston Examiner (10 July 1862), 5

http://nla.gov.au/nla.news-article41454335

The following cases are set down for hearing to-day: - First meetings . . . Robert Sharpe, of Launceston, music-seller . . .

"RELIGIOUS INTELLIGENCE . . . CHURCH OF SCOTLAND", Launceston Examiner (23 July 1862), 3

http://nla.gov.au/nla.news-article41454612 

Mr. Robert Sharpe has been appointed organist at St. Andrew's Church, Launceston, vice Mr. F. Packer who has removed to Hobart Town.

ASSOCIATIONS: Frederick Augustus Packer (organist)

"ELOCUTIONARY ENTERTAINMENT", Launceston Examiner (21 August 1862), 5

http://nla.gov.au/nla.news-article41455183 

. . . During the evening Mr. Robert Sharpe performed at intervals on the organ with much taste and skill. An overture from Fra Diavolo, which showed the beauty of the softer stops, was more especially admired, and elicited considerable applause . . .

"ELOCUTIONARY ENTERTAINMENT", Launceston Examiner (2 October 1862), 5

http://nla.gov.au/nla.news-article41456135 

The Elocution Classes, conducted by the Rev. R. K. Ewing, gave their last entertainment of the season at the Mechanics' Institute on Tuesday evening, on behalf of the Launceston Benevolent Society. As on former occasions there was a full attendance, about 600 persons being present. The proceedings were commenced by Mr. Robert Sharpe performing on the organ "The Tasmanian Anthem," a piece composed by the late John Adams, Esq. . . .

ASSOCIATIONS: Robert Kirkwood Ewing (clergyman); John Adams (musician, composer)

"OUR SUMMARY", Launceston Examiner (23 October 1862), 6

http://nla.gov.au/nla.news-article41456573 

A PROMENADE CONCERT took place at the Mechanics' Institute on Tuesday evening, in aid of the Organ Fund, but was thinly attended. Mr. Robert Sharpe performed some fine pieces on the organ, and the band of the Volunteer Rifle Corps played at intervals.

ASSOCIATIONS: Launceston Volunteer Artillery Band (volunteer band)

"HORTICULTURAL GARDENS", Launceston Examiner (17 January 1863), 5

http://nla.gov.au/nla.news-article41458382 

The farewell concert given by Miss Bailey and Mr. Marquis Chisholm, in the Horticultural Gardens, yesterday evening, was pretty fairly attended, about four hundred persons being present . . . Mr. Chisholm and Mr. Robert Sharpe played several duets on the pianoforte and harmonium and were well received, A solo on the bassoon by Mr. Biggs was encored, and Mr. J. S. Harvey's singing elicited considerable applause. The Artillery band performed at intervals, and the entertainment concluded as usual, with a display of fireworks . . .

ASSOCIATIONS: Amelia Bailey (vocalist); Marquis Chisholm (pianist)

INSOLVENT COURT. Thursday, April 16", The Cornwall Chronicle (18 April 1863), 5

http://nla.gov.au/nla.news-article72191868 

In re Robert Sharpe, of Launceston, Music Seller. Meeting for declaration of dividend. first and final of six shillings and five pence in the pound, amounting to £46 13s. 9d., on £145 10s. 5d., was declared by the assignee, Mr. Hobkirk.

"CONCERT", Launceston Examiner (25 April 1863), 5

http://nla.gov.au/nla.news-article41460343 

On Tuesday evening, according to announcement, Mr. Robert Sharpe, assisted by a few amateurs, gave a concert comprising miscellaneous selections of vocal and instrumental music. There was a fair attendance, from 200 to 250 persons being present, and the entertainment, as a whole, passed of very well. The pieces most appreciated by the audience were, a song, "Playful she turned," sung by a lady amateur, - overture from "Fra Diavolo," finely rendered on the organ by Mr. Sharpe, - "The days that are no more," by another lady amateur, - a beautiful adagio movement (German National Hymn) by Haydn, - and a pretty song "The Cottage by the Sea," by a lady amateur; the first three and the last named being encored. In answer to the encore of the overture from "Fra Diavolo," Mr. Sharpe gave, nicely executed, "With Verdure Clad," from Haydn's Creation. The other performances, viz., the singing by a gentleman amateur of a ballad entitled "Shadows on the wall," and the performance by Mr. Sharp on the organ of an overture from "Semiramide," an andante movement by Beethoven, Auber's "Grand Triumphal March" (composed for the opening of the International Exhibition, 1862), and the "European March," were also well received. Mr. R. Sharpe, presided at the piano, as well as at the organ.

"CONCERT", Launceston Examiner (27 June 1863), 5

http://nla.gov.au/nla.news-article41461603 

On Tuesday evening Mr. Robert Sharpe and several amateurs gave a miscellaneous concert at the Mechanics' Institute. The attendance was very good, considering the state of the streets, and the attractions presented by the rival performances of the Christy Minstrels. There were some fourteen singers, and Mr. A. J. Marriott acted as conductor. The first part of the programme consisted of sacred selections, and opened with an overture from Handel's "Saul," executed with his usual skill by Mr. Robert Sharpe on the fine organ of the Institute . . . an overture from Auber's "Massaniello," beautifully rendered by Mr. Sharpe, opened the second part, and was encored, the performer responding with a selection from "Semiramide." This was followed by a part song "Italy," and then came what was decidedly the gem of the evening, "Invitation a la Valse," a pianoforte duet by Mr. Sharpe and the Rev. W. A. Brooke. This was a beautiful piece of instrumentation, and was rapturously applauded . . .

ASSOCIATIONS: Warren Auber Brooke (pianist); Christy Minstrels (Nish's company)

"CONCERT", Launceston Examiner (26 September 1863), 5

http://nla.gov.au/nla.news-article41463152 

Mr. Robert Sharpe, assisted by a number of amateurs, gave his last concert, prior to his departure for England, at the Mechanics' Hall, on Thursday evening. Fortunately the weather was fine on this occasion, but it did not induce such a large attendance as was anticipated. With the exception of three choruses - "The Wreath," "The Carnovale," and "The Canadian Boat Song," which were even better vocalised than at the last concert the programme was entirely new. Mr. Sharpe's delightful performances on the organ were received with genuine manifestations of approval. The pieces he played were the overtures in "Massaniello" and "Tancredi," operatic selections from "Il Trovatore," "Norma," and "La Sonnambula," and the "Andante Sym. No 1" by Haydn . . .

"COMPLIMENTARY CONCERT TO MR. R. SHARPE", Launceston Examiner (22 October 1863), 6

http://nla.gov.au/nla.news-article41463653

This concert took place at the Mechanics' Hall on Tuesday evening. The attendance was good, but yet not quite so numerous as was anticipated. Mr. T. Sharp acted as Conductor, and Mr. R. Sharpe as Organist. Of the concert itself we can only say it was one of the most pleasing that has been given in Launceston for some time past. Both vocalists and instrumentalists acquitted themselves with great credit, more especially when the short period they have been allowed for practice is taken into consideration. The first portion of the programme consisted of sacred music from the works of Handel, Haydn, and Mozart. A pastoral symphony (Handel) was exquisitely performed on the organ by Mr. Robert Sharpe, and received a well merited encore. However, the secular music in the second part appeared to give the greatest satisfaction to the audience, who encored most of the pieces. The overture to "Guy Mannering" was given with remarkably good effect by the orchestra. A song, "The Brook," was very tastefully sung by a lady amateur, an admirable accompaniment being played by Mr. R. Sharpe. Then followed a flute and bassoon duet, and a beautiful solo on the violin, both of which were loudly encored. Mr. Robert Sharpe again displayed his skill on the organ by playing a selection from Beethoven's works, "Larghetto Sym. in D." The concert concluded by a patriotic part song, "Hurrah for merry England." It was announced by the conductor that the concert would be repeated next Friday (to-morrow) evening, when the admission fee would be reduced to one shilling. This will be the last occasion on which Mr. Robert Sharpe will appear before a Launceston audience prior to his departure for England.

"MISCELLANEOUS SHIPPING", The Cornwall Chronicle (24 October 1863), 4

http://nla.gov.au/nla.news-article72195150 

Passengers per Steamer City of Launceston, for Melbourne . . . R. Sharpe . . .

"VOLUNTEER SONG. To the Editor of the . . . ", Launceston Examiner (26 May 1864), 5

http://nla.gov.au/nla.news-article38652806

"VOLUNTEER SONG. To the Editor of the . . .", Launceston Examiner (28 May 1864), 4

http://nla.gov.au/nla.news-article38652848

"CHORAL SERVICE AT ALL SAINTS CHURCH" [from Hampshire Independent, May 12], Launceston Examiner (20 July 1866), 2

http://nla.gov.au/nla.news-article36636512 

"ST. PAUL's CHURCH", Launceston Examiner (26 October 1867), 4

http://nla.gov.au/nla.news-article36646885 

A very essential addition to this church has just been made in the erection of a small but handsome and full toned organ. The congregation having some few months ago resolved upon procuring an organ, communicated with Mr. Robert Sharpe, in January last, who had the instrument built according to his own specification, and forwarded by the bark Westbury, which arrived here last month. The makers are Messrs. Bevington and Sons, of Greek-street, Soho, London, and the instrument is spoken of in very high terms, not only by Mr. Sharpe, but all who have seen it here and are able to form a reliable opinion. It is built in a Gothic case of pine - which is stained and varnished - with an open screen. The pipes are illuminated in blue and gold. For its dimensions few instruments are so compact, as the following list of its contents will show: - One Manual, CC to F, 54 notes. 1 - Open Diapason to G, stop bass, 47 pipes; 2 - Stop Diapason, mid. C, 24 pipes; 3 - Clarabella, treble, 30 pipes; 4 - Dulciana, tenor C, stop'd bass, 42 pipes; 5 - Principal, 54 pipes; 6 - Flute, tenor C, 42 pipes; 7 - Bourdon, CCC to CC, 13 pipes; total, 252 pipes; 2 octaves pedals. The cost of the organ was £98 with an addition of £2 10s for decorating the pipes. It has been erected on the floor at the southern end of the Church, by Mr. J. Biggs. The total cost including packing, freight, and erection is £158, and we are informed that a cheaper instrument has not been brought to the colony. For a similar class of organ the Messrs. Bevington obtained the prize medal at the 1862 exhibition, at Dublin in 1866, and also at the Paris exhibition. The organ will be opened tomorrow on the occasion of the collection in aid of the General Church Fund, when the Rev. W. A. Brooke will preside, although we may mention that Miss Walker has been appointed organist. The Ven. Archdeacon Reibey will preach in the morning, and the Lord Bishop of Tasmania in the evening.

[Advertisement], Launceston Examiner (13 February 1869), 5

http://nla.gov.au/nla.news-article36702267 

NEW MUSIC. A monthly supply of the above received by each Overland Mail, consisting of the best and latest music published in London.
Agents - London: Mr. Robert Sharpe, late of Launceston. Melbourne: Messrs. Wilkie, Webster, and Allan.
HUDSON & HOPWOOD.

ASSOCIATIONS: George Pridden Hudson (music seller)

"NEW MUSIC", Launceston Examiner (2 December 1869), 2

http://nla.gov.au/nla.news-article36707434 

We have to acknowledge the receipt from Messrs. Hudson and Hopwood of a new piece of sacred music, entitled "Per Pacem ad Lucem," a prayer; the words by Adelaide A. Procter, and the music composed by Mr. Robert Sharpe, formerly of Launceston, and dedicated to Miss Grant, the eldest daughter of the late Dr. Grant, also formerly of this town. The melody is sweet, flowing, and harmonious, and the piece will doubtless become a favorite amongst lovers of music here.

"NEW MUSIC", The Cornwall Chronicle (4 December 1869), 2

http://nla.gov.au/nla.news-article65983810 

Messrs. Hudson and Hopwood forwarded to us a copy of a new serenade entitled "Violets," the words written by J. E. Carpenter, the music composed by Mr. Robert Sharpe. late of Launceston. The song is very pretty and we should think likely to become a favorite.

[News], The Argus (21 October 1872), 5

http://nla.gov.au/nla.news-article5840909 

An ordinary meeting of the City Council will be held this afternoon . . . The Public Works Committee submits applications from Messrs. G. Dumergue, John Hill, David Lee, P. C. Plaisted, F. A. Parker, J. Summers, R. Sharp, and A. J. Towsey, for the office of organist; also a communication from Signor Giorza on the subject, and recommends that the council elect a person to fill the office from amongst the candidates . . .

ASSOCIATIONS: Charles Dumergue [sic] (organist); John Hill (organist); David Lee (organist); Philip Plaisted (organist); Frederick Augustus Packer (organist); Joseph Summers (organist); Arthur John Towsey (organist); Paolo Giorza (musician)

"A CORRESPONDENT writing to us from Hobart Town . . .", The musical times and singing class circular (1 January 1873), 724

https://books.google.com.au/books?id=rUtGAQAAMAAJ&pg=PA724 (DIGITISED)

. . . The quartering of troops in the Colony has had the effect of leaving us many excellent instrumentalists, who formerly belonged to the regimental bands; and their assistance to our musical societies, and in bringing on pupils to supply their places, is of great service. Then, again, we have had professors of very great experience resident in the Colony. In the northern part of the island, Mr. John Adams (a pupil of Sir George Elvey), Mr. Robert Sharpe, now at Southampton; and in the south (Hobart Town) Mr. C. S. Packer, the late Mr. F. A. Packer, both Royal Academicians, Mr. Buddee, a very fine pianist, several excellent violinists, &c.

ASSOCIATIONS: Charles Sandys Packer (musician); Frederick Alexander Packer (musician); Julius Buddee (musician)

"MR. ROBERT SHARPE", Launceston Examiner (2 August 1880), 3

http://nla.gov.au/nla.news-article38260997

Many of our readers will remember Mr. Robert Sharpe, who was once a resident of this town, and whose skill as an organist and whose genial manners secured for him many admirers and attached friends. On returning to his native country Mr. Sharpe was appointed organist of All Saints Church, Southampton, which post he filled for upwards of fifteen years. In May last he resigned the office . . .

"MUSIC AND THE DRAMA", The Mercury (10 January 1883), 3

http://nla.gov.au/nla.news-article9019951 

Robert Sharpe, formerly of Launceston, Tasmania, recently gave a most successful concert at Southampton, where he has been settled for many years.

England census, 1891, Southampton, All Saints, Hampshire; UK National Archives, RG 12 / 915

https://www.ancestry.com.au/imageviewer/collections/6598/images/HAMRG12_914_916-0289 (PAYWALL)

3 Carlton Road / Robert Sharpe / 49 / Professor of Music / [where born] Derby near Derby / . . .. Sarah Jessie Sharpe / Wife . . .

"MUSIC IN OLD LAUNCESTON", Daily Telegraph (22 January 1903), 4

http://nla.gov.au/nla.news-article153899846 

. . . Mr. Thomas Sharp, peering into the past through this irremovable medium, talked very interestingly of "music in Launceston half a century ago" . . . "The erection of the Mechanics' Institute provided us with a fine hall, and in it, subsequently, was placed the organ which now stands in the Albert Hall. The instrument was hardly a success at first, but it has since been altered and greatly improved. Mr. Robert Sharpe, a namesake of mine, and organist at Trinity Church when I was at St. John's, was organist of the Mechanics', but, he leaving for England, I subsequently occupied the position until my removal from Launceston to Sydney in 1875 . . .

"GOLDEN WEDDING AT SOUTHAMPTON. MR. R. SHARPE'S REMINISCENCES", Hampshire Advertiser [England] (10 November 1917), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000495/19171110/067/0003 (PAYWALL)

. . . Sixty-one years organist, fifty of those years spent as a choirmaster in Southampton, Mr. Sharpe has naturally built a rich store of memories. A native of Derby, his debut as an organist was made far back 1856 in the little village church of Denby, just outside the county town. Then followed several eventful years spent in Tasmania, where he held a similar position in various churches, subsequently returning to England, and in 1864 he came to Southampton, when was appointed organist of St. James', Shirley, a post he held for twelve months. Easter, 1865, saw him installed as organist of All Saints' Church, a position he held for fifteen years under the late Rev. Arthur Bradley (a brother the late Dean Westminster). For a year after this he was organist of St. Laurence, under the Rectorship of the Rev. H. Pereira, now Bishop of Croydon . . . In 1880 Mr. Sharpe became organist and choirmaster at St. Mary's, and then began a long association with the parish church which was destined to last for thirty-five years, until his retirement in July, 1915 . . .

"DEATH OF MR. R. SHARPE, OF SOUTHAMPTON. HIS MASONIC RECORD", Hampshire Independent [England] (9 December 1921), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002941/19211209/112/0004 (PAYWALL)

The late organist of St. Mary's Church, Southampton, Mr. Robert Sharpe, F.C.O., died at his residence in Carlson-road, Southampton, on Sunday afternoon . . . Mr. Sharpe, who was in his eighty-first year, hailed originally from Derbyshire. In his early career he went to Australia, carrying on his profession at Melbourne [sic]. On his return to England he obtained the appointment of organist at Shirley Church, afterwards going to All Saints, Southampton . . .

"DEATHS", Hampshire Advertiser [England] (10 December 1921), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000495/19211210/144/0006 (PAYWALL)

SHARPE. - On December 4th, 1921. Robert Sharpe, for 54 years the devoted husband of Jessie Sharpe, passed to his rest at 3, Carlton-road, Southampton, in his 81st year.


Bibliography and resources:

Graeme Skinner, Toward a general history of Australian musical composition: first national music, 1788-c. 1860 (Ph.D thesis, Sydney Conservatorium of Music, University of Sydney, 2011), 306-07

http://hdl.handle.net/2123/7264 (DIGITISED)




SHAW, Mrs. (Mrs. SHAW; ? Mrs. James SHAW)

Musician, pianist, vocalist

Active Sydney, NSW, 1854

https://trove.nla.gov.au/search?l-publictag=Mrs+Shaw+pianist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAW-Mrs-1854 (shareable link to this entry)


SHAW, Mr. (Mr. SHAW; ? James SHAW)

Vocalist, watch maker

Active Sydney, NSW, 1854


Summary:

Mrs. Shaw probably first appeared in public as the un-named pianist for Joseph Paxton's "Scottish entertainment" at the School of Arts in January 1854, and on his subsequent appearances into February. It can probably be safely assumed that she was wife of (? James) Shaw, watchmaker, residing at the junction of the race-course (on Liverpool-street at the south end of Hyde Park) and South Head road.

When Paxton returned to Sydney in late July, she was properly billed as pianist for his entertainment on 2 August, while her husband also relieved Paxton as vocalist by singing two comic songs. However, for Paxton's next entertainment on 9 August, a Mr. Byrne provided the comic relief, while Mrs. Shaw herself contributed two songs, presumably while accompanying herself on the piano.

Paxton having departed Sydney, in November John McFarlane announced his own series of Scottish entertainments, following a similar format, and again with Mrs. Shaw as pianist and supporting vocalist. After McFarlane's sixth and last concert, she took her benefit on 20 December, and thereafter disappeared from musical record.

A J. Shaw, watchmaker, was later active in Maitland (1856), Tamworth (1857-58), Port Macquarie and Tamworth, and Port Macquarie (1860).


Documentation:

[Advertisement], Illustrated Sydney News (21 January 1854), 6

http://nla.gov.au/nla.news-article63613918 

SONGS OF SCOTLAND. PAXTON'S SCOTTISH ENTERTAINMENTS, AT THE SCHOOL OF ARTS.
- Mr. Paxton, from Scotland, respectfully announces, that he will have the honour of presenting the second of his series of highly
POPULAR SCOTTISH ENTERTAINMENTS, with Pianoforte accompaniment, in the above hall on Tuesday Evening next, Jan. 24, at eight o'clock . . .
tickets, may be had of Messrs. Marsh, Johnson, King, Buist, Harford [Hurford], Woolcott and Clarke, Waugh and Cox, Sands and Kenny, Moffitt, Piddington,
Shaw, watchmaker, South Head Road . . .

ASSOCIATIONS: Joseph Paxton (Scottish vocalist)

[Advertisement], The Sydney Morning Herald (9 February 1854), 1

http://nla.gov.au/nla.news-article12954539 

BOARD and RESIDENCE, for Lady and Gentleman, or two Gentlemen. Terms, £2 10s. Apply to Mr. SHAW, Watchmaker, corner of the Race-course, South Head Road.

[Notice], New South Wales Government Gazette (5 May 1854), 931

http://nla.gov.au/nla.news-article230696038 

General Post Office, Sydney, May 1st, 1854. LIST of Letters lying unclaimed . . . Shaw James, watchmaker . . .

[Advertisement], Empire (2 August 1854), 1

http://nla.gov.au/nla.news-article60195428 

SCHOOL OF ARTS.
THIS (Wednesday) EVENING, at Eight o'clock.
MR. PAXTON will give a grand Entertainment on
THE SONGS OF SCOTLAND. Tickets, 2s.; Reserved Seats, 3s.
PROGRAMME:
Song - "Corn Rigs are Bonnie."
Scottish wooing. The disappointed Lover.
Song - "The Laird o' Cockpen."
Comic Song - "Out John" - Sung by Mr. Shaw . . .
Part Second . . . Rossini's overture to Tancredi, for piano - Mrs. Shaw . . .
Comic Song - "Bill Bounce" - Sung by Mr. Shaw.
Song and Chorus - Auld Lang Syne.
Tickets, together with Programmes, may be obtained of Messrs. Marsh, King, Woolcott and Clarke, Moffitt,
Shaw, South Head Road, and Mr. Mansfield, Secretary of the Institution.

MUSIC: Out John (Thomas Haynes Bayly; arr. Godbe); Overture to Tancredi (by Rossini); Bill Bounce (popular comic song, written by J. Bruton; tune - The Irish washerwoman)

[Advertisement], The Sydney Morning Herald (9 August 1854), 2

http://nla.gov.au/nla.news-article12954500 

SCHOOL OF ARTS. - THIS (Wednesday) EVENING, 9th August, at 8 o'clock,
Mr. PAXTON will give another Grand Entertainment, on the Songs of Scotland . . .
PROGRAMME. PART I.
Song - "The Nameless Lassie"
Descriptive Song - "Man the Life Boat," sung by Mr. Byrne . . .
Song - "Midsummer Night," sung by Mrs. Shaw . . .
PART II . . . Song - "Annie Laurie," sung by Mrs. Shaw . . .
Henry Bishop's Overture to Guy Mannering, for Piano, performed by Mrs. Shaw . . .

MUSIC: Annie Laurie (ballad); Overture to Guy Mannering (by Henry Bishop)

"SCOTTISH ENTERTAINMENT", Empire (11 August 1854), 5

http://nla.gov.au/nla.news-article60197797 

. . . Mrs. Shaw sang Annie Laurie, and also performed Bishop's Overture to Guy Mannering. This lady sings very sweetly, but her voice wants power: this deficiency, however, was not so very marked, as the audience accorded her a most silent attention. We commend all lovers of song, and those who can appreciate humour, pathos, and delicate rendering of a poet's meaning, to pay a visit to Mr. Paxton's Scottish Entertainments.

[Advertisement], The Sydney Morning Herald (16 August 1854), 2

http://nla.gov.au/nla.news-article12955416 

SCHOOL OF ARTS - THIS EVENING, Wednesday, 16th August. -
Mr. PAXTON'S GRAND ENTERTAINMENT on the SONGS of SCOTLAND.
On this occasion Mr. Brenni will appear, and sing several of the most popular Ethiopian melodies . . .
PROGRAMME. PART FIRST. Overture, "Caliph of Bagdad," for piano, performed by Mrs. Shaw
Song, "My Ain Fireside"
"Girl with the Blue Dress on," sung by Mr. Brenni, with banjo accompaniment . . .
Song, "I'll think of thee dearest," sung by Mrs. Shaw . . .
PART SECOND . . . Ballad, "Home, Sweet Home," sung by Mrs. Shaw . . .

ASSOCIATIONS: J. W. Brenni (minstrel entertainer)

MUSIC: Overture to The caliph of Bagdad (by Boieldieu); Home sweet home (by Henry R. Bishop)

"SCHOOL OF ARTS", The Sydney Morning Herald (17 August 1854), 5

http://nla.gov.au/nla.news-article1295217 

A grand musical entertainment was given on the evening of yesterday, at the School of Arts, by Mr. Paxton, on the Songs of Scotland. The programme contained many popular Scottish songs, which were sung with much effect. The vocal efforts of Mr. Brenni, in his Ethiopean melodies and inimitable performance on the banjo, were crowned with immense success. He was repeatedly encored during the evening. The performance of Mrs. Shaw on the pianoforte, is also deserving of praise. The expectations of the very numerous and highly respectable assembly were undoubtedly fully realized, if not surpassed.

[Advertisement], The Sydney Morning Herald (23 August 1854), 1

http://nla.gov.au/nla.news-article12956992 

SCHOOL of ARTS -THIS EVENING,
23rd August, - Mr. PAXTON'S Last Entertainment (but one) . . .
PROGRAMME. PART FIRST . . . Song - The Star Spirit, sung by Mrs. Shaw . . .
PART SECOND . . . Ballad - Love Not, sung by Mrs. Shaw . . .

MUSIC: The star spirit (music by Sidney Nelson); Love not (music by John Blockley)

[Advertisement], Empire (8 November 1854), 1

http://nla.gov.au/nla.news-article60199744 

GRAND SCOTTISH ENTERTAINMENT. SCHOOL OF ARTS.
MR. McFARLANE has the honour to announce to the people of Sydney and its vicinity, that he will give a series of Weekly Concerts at the above place.
He will be assisted by Mr. Horn, lately from Edinburgh, and W. B. Dingwall, of this city.
THIS EVENING, Wednesday, 8th NOVEMBER.
PROGRAMME:
PART FIRST.
Solo and Chorus - "Scots wha' ha'e (Burns). Messrs. McFarlane, Dingwall, and Horn.
Song - "Gloomy winter" (Tanahill). Mr. McFarlane.
Song - "Jock o' Hazeldean" (Sir Walter Scott). Mr. Dingwall.
Song - "Wha's for Scotland and Charlie" (Jacobite). Mr. Horn.
Song - "My boy Tammy" (H. Macneill). Mr. Dingwall.
Song - "My heather hills." Mr. Horn.
Interval of ten minutes.
PART SECOND.
Solo and Chorus - "The Boatie rows" (unknown). Messrs. McFarlane, Horn, and Dingwall.
Song - "I'm thinking now of thee, Jamie" (unknown). Mr. Dingwall.
Comic Song - "The Widow's Apology" (Alexander Rodgers). Mr. McFarlane.
Duet - "Albion, oh thy fertile plains" (Braham). Messrs. Horn and McFarlane.
Humorous Song - "Rantin', Roving Robin" (unknown). Mr. Horn.
Duet - "My Patie is a lover gay" (A. Ramsay). Messrs. Dingwall and McFarlane.
Glee - "Fair Flora decks" (Danby). Messrs. Dingwall, McFarlane, and Horn.
Finale, Song and Chorus - "There is nae luck about the house." By the Company.
Mrs. Shaw, Pianist.
Admission: Reserved seats, 3s.; back ditto, 2s. Doors open at half-past 7; commence precisely at 8.
Tickets may be had from Mr. Mansfield, at the School of Arts; Mr. Shaw, Watchmaker, South Head Road; Mr. A. Fleming, Grocer, opposite the New Military Barracks; and Mr. McFarlane, corner of Pitt and Goulburn Streets.

ASSOCIATIONS: John McFarlane (Scottish vocalist); Mr. Horn (vocalist); William Boyd Dingwall (vocalist)

[Advertisement], Empire (15 November 1854), 1

http://nla.gov.au/nla.news-article60200003 

GRAND SCOTTISH ENTERTAINMENT. SCHOOL OF ARTS . . .
Mr. McFARLANE'S Concert, THIS EVENING, November 15 . . .
Mrs. Shaw, Pianiste . . .

[Advertisement], The Sydney Morning Herald (22 November 1854), 1

http://nla.gov.au/nla.news-article12962577 

SONGS OF SCOTLAND. - SCHOOL OF ARTS.
Programme of Mr. McFARLANE'S Third Concert for WEDNESDAY, November 22.
Overture - Guy Mannering - Mrs. Shaw . . .
Song - The Star Spirit - Mrs. Shaw . . .
Song - I'm thinking now of thee, Jamie - Mrs. Shaw . . .
Song - Afton Water - Mrs. Shaw . . .

MUSIC: I'm thinking now of thee, Jamie (by Stephen Glover); Afton water (Flow gently seet Afton)

[Advertisement], Empire (29 November 1854), 1

http://nla.gov.au/nla.news-article60200608 

SCHOOL OF ARTS. PROGRAMME of Mr. McFARLANE'S Concert THIS EVENING.
PAKT 1ST. Overture - Tancredi, Mrs. Shaw . . .
Song, by desire - "Jock o' Hazeldeen," Mrs. Shaw . . .
Interval - PART 2ND. Instrumental - Edinburgh Quadrilles, Mrs. Shaw . . .
Song - "Annie Laurie," Mrs. Shaw . . .

MUSIC: Edinburgh quadrilles ("on Scotch airs")

[Advertisement], The Sydney Morning Herald (6 December 1854), 1

http://nla.gov.au/nla.news-article12963124 

GRAND ENTERTAINMENT, SCHOOL OF ARTS - Songs of Scotland and Ireland -
Mr. McFARLANE begs respectfully to announce that he will give his fifth Concert at the above place, THIS EVENING, December 6th.
He will be assisted by Mr. George Wilkinson, who will sing some of his favourite Irish melodies.
PROGRAMME. PART FIRST. Overture - Fra Diavolo - Mrs. Shaw . . .
PART SECOND. Instrumental - Mrs. Shaw . . .
Mrs. Shaw, Pianist . . .

"SCHOOL OF ARTS. SCOTCH AND IRISH BALLADS", The Sydney Morning Herald (7 December 1854), 5

http://nla.gov.au/nla.news-article12963199 

Mr. McFarlane gave a very interesting and agreeable entertainment at the School of Arts last night, in which, aided by Mrs. Shaw and Mr. Wilkinson, a number of Scotch and Irish melodies were sung to the evident delight of a numerous and respectable audience. Mrs. Shaw presided at the pianoforte, and was warmly applauded for her performance of the overture to "Fra Diavolo." She also warbled "The glow worm and star" in a very agreeable style . . .

ASSOCIATIONS: George Wilkinson (vocalist)

MUSIC: Overture to Fra Diavolo (Auber)

[Advertisement], Empire (13 December 1854), 1

http://nla.gov.au/nla.news-article60201221 

GRAND SCOTTISH ENTERTAINMENT. SCHOOL OF ARTS.
MR. McFARLANE . . . the Sixth and Last Concert of his weekly series . . . on WEDNESDAY EVENING, December 13 . . .
PART FIRST. Instrumental - Miss C. Hayes' "Singing Polka" - Mrs. Shaw.
Duett - "What are the wild waves saving," Mrs. Shaw and Wilkinson . . .
PART SECOND. Instrumental - Valse Prima Donna - Mrs. Shaw . . .

MUSIC: Singing polka (Alary, as sung by Catherine Hayes); What are the wild waves saying (by Stephen Glover); Prima donna valse (by Jullien)

"SCOTTISH ENTERTAINMENT", Empire (14 December 1854), 4

http://nla.gov.au/nla.news-article60201290 

Mr. McFarlane gave the concluding concert of his weekly series last night, when a large audience assembled in the Theatre of the School of Arts. Scottish songs seem to find favour with the Sydney public, if we may judge from the success that has attended the efforts of Mr. McFarlane, and his predecessor, Mr. Paxton . . . A duet by Mrs. Shaw and Mr. Wilkinson was well received, though the lady's voice is not sufficiently strong to fill the room . . .

[Advertisement], Empire (20 December 1854), 1

http://nla.gov.au/nla.news-article60201547 

SCOTTISH ENTERTAINMENT. MRS. SHAW'S CONCERT. AN EVENING IN SCOTLAND.
MRS. SHAW begs to inform her Friends and the Public, that her Benefit will take place on
WEDNESDAY EVENING, December 20, 1854, at the School of Arts.
A gentleman Amateur will oblige upon the occasion.
PROGRAMME.
PART FIRST.
Overture - Guy Mannering (Bishop), Mrs. Shaw.
Song - "Heather Jock," McFarlane.
Song - "White Squall," Wilkinson.
Song - "Scotland yet" (Burns), McFarlane.
Song - "Jock o' Hazeldean," by desire (Burns), Mrs. Shaw.
Comic Song - "Useful Knowledge," Gentleman Amateur.
Song - "Phoebe Morell," Wilkinson.
Comic Song (in character) - "The humours of Glasgow fair," McFarlane.
Interval of ten minutes.
PART SECOND.
Duett - "I know a bank," McFarlane and Wilkinson.
Song - "Wha wadna fecht for Charlie" (Burns), McFarlane.
Song - "Thou bonny wood o' Craigie Lea" (Burns) Mrs. Shaw.
Song - "Norah, the pride of Kildare," Wilkinson.
Comic Song - "The humours of a country fair," Gentleman Amateur.
Song - "Kate Dalrymple," McFarlane.
Song - "In this old chair my father sat," Wilkinson.
Song, in Highland costume - "Sergeant McSwain," McFarlane.
"There's nae luck about the house," in chorus, McFarlane and Wilkinson.
Admission - Back Seats, 3s. Reserved Seats, 4s.
Tickets may be had of Mr. Mansfield, at the School of Arts; Mr. Shaw, watchmaker, South Head-road; Mr. A. Fleming, grocer, opposite the New Barracks, South Head-road; Mr. McFarlane, corner of Pitt and Goulburn Streets.
Doors open at half-past seven; performance to commence at eight precisely.

MUSIC: Jock o' Hazeldean (arr. Hummel); Thou bonnie wood of Craigie-lea (arr. Surenne)




SHAW, James (James SHAW)

Comic vocalist

Active Melbourne, VIC, December 1854 to January 1855

https://trove.nla.gov.au/search?l-publictag=James+Shaw+comic+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAW-James (shareable link to this entry)


Cremorne Gardens, 1854 (detail); State Library of Victoria

Cremorne Gardens, 1854 (detail); on the Yarra River at Richmond/Burnley; the rotunda, where the musical entertainments and dances were held; Campbell & Fergusson, lithographers, 1855; State Library of Victoria

http://handle.slv.vic.gov.au/10381/217822 (DIGITISED)


Documentation:

[Advertisement], The Argus [Melbourne, VIC], (9 December 1854), 8

http://nla.gov.au/nla.news-article4801552 

CREMORNE GARDENS. - Grand Gala and Nocturnal Fete. To-night, Saturday, entire change of Entertainments.
Engagement of the Celebrated Herr Veit Rahm, the Tyrolese Singer and performer on the New Instrument, the Zither, in his national costume, as performed before Her Majesty.
Mr. J. O. Pierce, the Renowned soloist on the Concertino and Flutina, will also have the honor of appearing.
Mr. James Shaw, the admired Comic Vocalist, from the Theatre Royal, Liverpool, is also engaged, and will appear on Monday, and every evening during next week, together with Mr. Barsham, the popular Vocalist . . .
Admission, One Shilling.
Cremorne can now to reached by road and river. Illuminated Gondola to Melbourne, after the entertainments have concluded . . .
James Ellis, proprietor.

ASSOCIATIONS: Veit Rahm (zither); John Ottis Pierce (musician); James Ellis (proprietor); Albert George Barsham (vocalist); Cremorne Gardens (Richmond, Melbourne)

[Advertisement], The Argus (1 January 1855), 8

http://nla.gov.au/nla.news-article4802519 

CHRISTMAS HOLIDAYS - Cremorne Gardens, - Great Gala and Nocturnal Fete. - To night.
Entire change of Entertainments. Engagement of the celebrated Herr Veit Rahm . . .
Mr. J. O. Pierce, the renowned soloist on the Concertina and Flutina . . .
Mr. James Shaw, the admired Comic vocalist, from the Theatre Royal, Liverpool, will appear every evening, together with Mr. Barsham, the popular Vocalist. Grand Bal d'Eté, on the Monster Platform. Brilliant Illuminations, &c. Admission - One Shilling.
JAMES ELLIS, Proprietor.




SHAYLE, Thomas (Thomas SHAYLE; T. SHAYLE; Mr. SHAYLE)

Amateur vocalist, ? songwriter, gentleman, sportsman

? Born Birmingham, England, 18 December 1810; baptised St. John the Baptist, Deritend, 28 June 2011; son of Thomas SHAYLE and Ann ?
? Arrived Adelaide, SA, 13 October 1842 (per Taglioni, from London, 20 June)
Died ? at sea (per Favorite), May 1852

https://trove.nla.gov.au/search?l-publictag=Thomas+Shayle+d1852 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHAYLE-Thomas (shareable link to this entry)

ASSOCIATIONS: Adelaide Hunt Club (secretary, 1847- ); South Australian Jockey Club (secretary, 1850-52)


Documentation:

? Baptisms, St. John the Baptist, Deritend, Warwickshire, June 1811; register 1797-1812; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4961/images/40458_316878-00210 (PAYWALL)

[1811 June] 28th D. [Deritend] Thomas S. of Thomas & Ann Shayle, Born Dec'r 18th 1810 privately baptized Jan'y 20th 1811.

? "SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (15 October 1842), 1

http://nla.gov.au/nla.news-article27443696 

Thursday, October 13, The barque Taglioni, 350 tons. Captain Black from London having left on the 20th June, out 116 days. Passengers . . . Mr. Shayle . . .

"DINNER TO J. B. MONTEFIORE, ESQ.", The Southern Australian (2 June 1843), 2-3

http://nla.gov.au/nla.news-article71617067 

YESTERDAY a dinner was given to this gentleman, at the Shakespeare Tavern, as a testimony of gratitude and respect for his eminent services to the Colony since its first institution . . .
SONG. - Happy Land, by Mr. Shayle . . . [3] . . . SONG. - Old English Gentleman, by Mr. Shayle . . .

ASSOCIATIONS: Joseph Barrow Montefiore (banker, merchant)

"PORT ADELAIDE", Adelaide Observer (25 November 1843), 2

http://nla.gov.au/nla.news-article158917866 

A party of gentlemen comprising Messrs. Matthew Smith, W. H. Newenham, Skipper, Hayward, Williams, Thomson, Shayle, and others interested in the settlement of Port Lincoln, set sail for Boston Bay on Wednesday, in the cutters Governor Gawler and Albatross . . .

"TO THE EDITOR OF THE . . .", Southern Australian (29 December 1843), 2

http://nla.gov.au/nla.news-article71618863 

Port Lincoln, December 20, 1843.
SIR - The late Samuel Foote, like your correspondent Peter Perigrinator, was such a determined wit that he could never let a chance escape without displaying it, even at the risk of his gratitude . . . Those who have seen his [Peter's] song of "Jolly Bushman! fal-lal-the-ral-la-ra!" most regret that he did not display his poetical genius on our sweet briar fences, rose-scented gardens, and honeysuckled porches, which he would have done judging from his fal-lal-the-ral-la-ra, with the pastoral simplicity of Shenstone. Peter forgets to give you a song composed and sung by Mr. Shayle, lampooning and shampooning one of the party who got in the Tod:

You all must have heard of the unfordable Tod,
Which many have forded, they being dry shod:
It runs past Pooninda [sic], as southward you travel
You don't cross it on water, but on shingle and gravel!
But you should consider, as through it you wade,
That a shower can make it, as a shower has made.
It happen'd a party, just taking a stroll,
The last man that pass'd put his feet in a hole,
When out gashed the water two hundred feet high,
This is what I've been told, but I think it a lie;
Then out flew the legs, and, with them, the body,
Which swam like a fish down unfordable Toddy;
Short were the legs, and short was the body,
Or he might have forded unfordable Toddy.
To those on the bank, oh! this was fine sport,
To see swim, like a tadpole, little Timothy Short.

Yours, &c. BOSTONIAN.

ASSOCIATIONS: Samuel Foote (18th-century British actor, dramatist); Tod River (Eyre peninsula, SA); Poonindie (town, Eyre peninsula, SA); Boston (town, Eyre peninsula, SA)

"THE SOUTH AUSTRALIAN AGRICULTURAL AND HORTICULTURAL SOCIETY . . . THE DINNER", Southern Australian (6 September 1844), 3

http://nla.gov.au/nla.news-article71629937 

After the business of the show was concluded, upwards of fifty members of the Society sat down to a sumptuous dinner, provided for them by Mr. F. Allen, in the great Billiard Room, adjoining the Shakspeare Tavern . . .
After the usual loyal toasts . . . Mr. Shayle sung, with great feeling and effect, "My old house at home" [sic] . . .

"THE SOUTH AUSTRALIAN AGRICULTURAL AND HORTICULTURAL SOCIETY'S CATTLE SHOW . . . THE DINNER", Adelaide Observer (7 September 1844), 7-8

http://nla.gov.au/nla.news-article158919057 

After the bustle of the Show, the members of the Society to the number of seventy adjourned to the Shakspere Tavern . . . Upon the removal of the dishes . . . Mr. Shayle sang "The old House at Home" . . . [8] . . . Mr. Shayle sang "Happy Land" . . .

MUSIC: The old house at home (E. J. Loder, in Francis the First); see also on The old house at home (Wikipedia); Happy land (Rimbault)

"ST. ANDREWS DAY", South Australian Register (4 December 1844), 3

http://nla.gov.au/nla.news-article27448622 

This Annual Festival was celebrated at Payne's Auction Mart Tavern, on Monday evening last . . . The cloth being removed . . . Song - "Happy Land," by Mr. Shayle, with great effect . . .

"AGRICULTURAL AND HORTICULTURAL SOCIETY'S SHOW OF LIVESTOCK . . . THE DINNER", South Australian (12 September 1845), 3

http://nla.gov.au/nla.news-article71602670 

IN the evening, about eighty members and friends of the society dined at Mr. Payne's Hotel, Hindley-street . . . After the customary loyal toasts . . . Song - Mr. Shayle, "Here's a health bonnie Scotland to thee" . . .
Mr. Shayle sang "The old house at home" . . .

"HOPE LODGE (ODDFELLOWS') ANNIVERSARY", Adelaide Observer (8 November 1845), 3-4

http://nla.gov.au/nla.news-article158921104 

. . . [4] . . . Mr. Shayle having been called upon, kindly sang "The Old House at Home" . . .

"MR. BENNETT'S CONCERT", South Australian Gazette and Colonial Register (3 January 1846), 2

http://nla.gov.au/nla.news-article195933452 

We were not able to be present on the occasion of Mr. Bennett's concert; but the following from a contemporary, we are informed gives a fair account of it: -
"On Tuesday evening, Mr. Bennett, assisted by the best musical talent in the colony, gave a concert in the large room behind the Free Masons' Tavern. The concert was attended by considerably more than two hundred persons, including a large number of country gentlemen, with their families, and of the haut ton and respectability of the city. His Excellency the Governor, who was kind enough to patronge the concert, arrived shortly after eight, and the performances immediately afterwards commenced. The principal performers besides Mr. Bennett, were Mrs. A. J. Murray, Messrs. Ewens, Harward, Mitchel, Yems, and Hornabrook. Mr. Lee also gave his able assistance with the violin . . . We were sorry to understand that one of the gentlemen amateurs was prevented from attending, but Mr. Shayle fully made up for his absence, by kindly consenting to sing. He favoured the company with two beautiful songs - "Happy Land" and the "Old House at Home," which were sung with very great taste, and were much applauded . . .

ASSOCIATIONS: George Bennett (musician); Frederick Holt Robe (governor); Georgiana Murray (pianist, vocalist); William Ewens (vocalist); Thomas Harward (vocalist); James Yems (vocalist); John Hornabrook (vocalist); Philip Lee (violinist)

"LOCAL INTELLIGENCE", South Australian Register (8 September 1847), 2

http://nla.gov.au/nla.news-article48543137 

The Grand Steeple Chase came off yesterday at 3 o'clock, p.m., Stewards, A. M. Munday, Esq., and C. J. F. Campbell, Esq. Judge, Thomas Shayle, Esq.
Sweepstakes of Five Guineas each, with £100 added, over three miles of a fair hunting country. The winner to pay the expences of the course. Gentlemen riders.
Mr Shayle's c. m. Lucy Long, (Mr. T. F. Bailey) - 1 . . .
Mr. Coppin's b. m. Mary Blane, (Mr. H. J. Harrison) - 5 . . .

ASSOCIATIONS: George Coppin (race horse owner, actor, theatre manager, publican)

"LICENSED VICTUALLERS' SOCIETY . . . THE DINNER", South Australian Register (12 March 1849), 3

http://nla.gov.au/nla.news-article38449478 

The first annual festival of the Licensed Victuallers' Society was held last evening, at the Freemasons' Tavern, and a very splendid fete it was. One hundred and thirty gentlemen sat down to dinner . . .
"God save the Queen!" was splendidly sung by some gentlemen amateurs, accompanied on the grand pianoforte by Mr. Bennett . . .
Mr. George Stevenson . . . proposed Lady Young and the ladies of South Australia.
Song, "Violets," by Mr. Yems.
Mr. Thomas Shayle returned thanks for the ladies, and sang the "Days gone by" . . .

"SAINT PATRICK'S SOCIETY. ANNUAL DINNER", South Australian Register (3 May 1850), 2

http://nla.gov.au/nla.news-article38434629 

The first annual dinner of the Saint Patrick's Society took place on Wednesday evening, the 1st May, at the newly-erected Saint Patrick's Hall, Leigh-street . . . Mr. Shayle sang with great sweetness and expression Lover's beautiful melody, "The four-leaved shamrock" . . .

Names and descriptions of passengers, per Queen of Sheba, from Adelaide, 20 March 1852, for Port Phillip; Public Record Office Victoria

https://prov.vic.gov.au/archive/63F0885E-FA01-11E9-AE98-93B1B7666A7A?image=48 (DIGITISED)

Cabin Passengers . . . Thomas Shayle . . .

"DINNER TO W. VANSITTART", South Australian Register (21 April 1852), 3

http://nla.gov.au/nla.news-article38454362 

. . . At a later part of the evening Mr. Vansittart returned thanks for his friend Mr. Thomas Shayle, now absent in Port Phillip, to whose excellent management the turf of South Australia was indebted for the order and excellence of its arrangements . . .

"SHIPPING INTELLIGENCE", The Argus [Melbourne, VIC] (11 May 1852), 2

http://nla.gov.au/nla.news-article4784985 

Additional clearance of passengers per Favorite for Sydney . . . Mr. Shayle.

"THE FAVORITE", Empire [Sydney, NSW] (17 June 1852), 2

http://nla.gov.au/nla.news-article60135592 

Application has been made to the Government to send one of the vessels of war now in harbour along the coast, to searoh for traces of this missing schooner. There is no room to hope, now, that the Favorite has not been wrecked on the coast; and as the crew and passengers of the unfortunate vessel may have roached land, some measures should be immediately taken to afford them, if living, the means of rescue.

See also, "SHIPPING INTELLIGENCE . . . THE SCHOONER 'FAVORITE'", South Australian Register (24 June 1852), 2

http://nla.gov.au/nla.news-article38460425 

"ADELAIDE RACES", South Australian Register (29 December 1852), 3

http://nla.gov.au/nla.news-article38460032 

. . . Harmony was the characteristic of the day, and every body seemed pleased with the arrangements; but many of our old sporting friends were mising, and upon recalling them to mind, with feelings of regret, it was impossible to forget the late Thomas Shayle, Esq., amongst those who formerly coatributed so freely to the sportive enjoyments of their fellow colonists.




SHEA, Sally (Sally SHEA; ? pseudonym)

Amateur vocalist, Irish singer

Active Sydney, NSW, 1827

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHEA-Sally (shareable link to this entry)


Documentation:

"Police Reports . . . THURSDAY", The Sydney Gazette and New South Wales Advertiser (13 August 1827), 3

http://nla.gov.au/nla.news-article2188748

Sally Shea, free, a sprightly looking damsel, was brought before his Worship, at the instance of her mistress, for leaving her without giving previous notice. It appeared, in evidence, that the offence had its origin in a love affair. William Trueknot, a prisoner, had been an assigned servant in the same house in which Sally resided, and had contrived to make an impress on upon the fair one's heart. Meantime, however, he managed to purloin and sell sundry articles of value, the property of his master, but he was eventually detected, and sentenced, by a Bench of Magistrates, to be worked six months in an iron-gang. Sally, poor soul, was inconsolable for the fate of her sweet-heart, and finally absconded. By a letter, however, which had been found among some of her things which she had left behind, addressed to William, it was supposed that she had made some attempt upon her life. Part of this letter was read in Court, and was as follows:
"My derest der,
"Mi hart his brok in too for yur fat hand mi lif his a burdin for mee to stop her
"i wil di mi peticot rid for the lad i love ill beg mi bred an then mi parints wil think me ded
swet wm, mornin a mung the rush."
Sally seemed much affected during the reading of this singular composition.
One of the constables deposed, that he had apprehended the prisoner about seven miles from Sydney, upon the Parramatta-road, when she refused to give any account of herself.
His Worship, when about to pass sentence on the prisoner, was respectfully requested, by Sally's mistress, to look over this offence, and stated that she was willing to take her back to her service again. His Worship acceded to this request, and the parties went away seemingly well pleased.

"Police Reports", The Sydney Gazette and New South Wales Advertiser (7 September 1827), 3

http://nla.gov.au/nla.news-article2188927

Patrick Carey and Miss Sally Shea, made their debut at the bar, the one for making too free with Sally, the assigned servant of his master, whose property, too, Patrick was charged with having appropriated to his own and the said Sally's use. It appeared in evidence that the parties, on the morning of Sunday last, on the pretence of going to Church, had dropped anchor in a house of ill fame on the Rocks, where gin and jolity, of rather a base description, however, were retailed in exact proportion to the quantity of dumps that could be produced. There the parties had taken up their abode for that and the following day, to the great uneasiness and disappointment of their master and mistress, who had sent to every watch-house in town, in expectation of discovering the fugitives, but to no purpose. Little Barney, however, the son of the complainant, happening to pass the domicile which contained the parties, heard Sally ejaculating a well-known Hibernian song with great fervour, which sustained no interruption, excepting that of an occasional hiccup from the singer. The boy, instantly on recognizing Sally's voice, bolted off to give the information to his father, who procured two constables for the purpose of accompanying him to the temple in which the slut Sally, and another of her stamp, were amusing their Adonises with several delectable specimens of choral harmony. The party had no sooner approached the dwelling than they heard Sally warbling the following lines:-

"All the sweet faces at Limerick races,
From Mullinarat to Maghera-fell,
At Paddy's beautiful name would melt."

But the fair songstress was immediately interrupted by the unwelcome appearance of her master and the constable. The prisoners were respectively searched, and a   large crooked brass pin was found on the person of Sally, which was produced in Court, and sworn to by her master as being his property. The prisoner Carey declared that he had picked it up on the floor, and gave it to Sally, thinking there was no gr at harm in so doing, but their Worships thought otherwise, and sentenced the said Patrick 6 months to a road-gang, and Sally for the same period to the 3d class in the Factory.

MUSIC: Paddy Carey's fortune (music by J. Whitaker)

? NSW census, 2 March 1828, "Shea"; State Records Authority of NSW

https://www.paperturn-view.com/?pid=NDM43344&p=247&v=1.1 (DIGITISED)

https://www.paperturn-view.com/?pid=NDM43344&p=248&v=1.1 (DIGITISED)




SHEAFFE, Percy Hale (Percy Hale SHEAFFE)

Indigenous culture and song reporter and recorder

Born Galway, Ireland, 1832; son of William SHEAFFE (1798-1860) and Rosalie Danvers EARLE (c. 1806-1883)
Arrived Sydney, NSW, 17 August 1834 (per Surrey, from London, 11 April)
Married Hannah Maria ASHMORE (1834-1889), Sydney, NSW, 25 April 1859
Died Milton, NSW, 1 June 1913

https://trove.nla.gov.au/search?l-publictag=Percy+Hale+Sheaffe+1832-1913 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHEAFFE-Percy-Hale (shareable link to this entry)

ASSOCIATIONS: Jimmy Woodbury (Indigenous singer, songman)


Documentation:

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Herald (18 August 1834), 2

http://nla.gov.au/nla.news-article12850194 

. . . Same day [yesterday], the ship Surry, 401 tons, Captain Charles Kemp, from London, whence she sailed the 11th April, with 260 male prisoners; the guard consists of Lieut. Sheaffe, Ensign Knowles, 50th regt., surgeon superintendent, Mr. John Smith, R. N., 30 rank and file, of the 50th regt. Passengers, Mrs. and Miss Sheaffe, 7 women, and 10 children.

"MARRIAGES", The Sydney Morning Herald (28 April 1859), 1

http://nla.gov.au/nla.news-article13024238 

On the 25th of April, at Trinity Church, by the Rev. E. Rogers, Percy Hale, second son of Captain Sheaffe, of Stream Hill, Illawarra, formerly of her Majesty's 50th Regiment, to Hannah Maria, only daughter of the late Captain Ashmore.

"ULLADULLA", Examiner (17 December 1859), 3

http://nla.gov.au/nla.news-article102523025 

. . . A Court of Petty Sessions was held on the 9th, before Messrs. P. Sheaffe, James Warden, Robert Ritchie, and R. Seccombe, J.P.s . . .

[? Everard Digby] (ed.), Australian men of mark (1888), [? unpublished draft]

Percy Sheaffe, Esquire . . . Mr. Sheaffe was born in Ireland in 1832, and was the son of Captain Sheaffe, of the 50th Regiment of Foot (the "Queen's Own"), better known in military circles as "the dirty half-hundred." He came to the colony with his parents while still very young, and received his education here. For some time in his youth he showed a distinct taste for the profession of arms, and for some time underwent a course of military training with the view of serving his country. But in New South Wales there were no opportunities offering for military distinction, the duties of the soldiers then in garrison in the colony being chiefly of the nature of police. Had it been otherwise it is possible that Mr. Sheaffe would have left the colony, and would never have come to be known as one of our best and most representative colonists. After getting over his desire for a military life he devoted himself to surveying, which profession he practised for some years, finding it a most lucrative calling. But, like many others who came within its influence, the gold fever attacked him, and for some years he worked at the diggings. Unlike some of his fellow-adventurers who were successful in winning fortune, Mr. Sheaffe did not find his luck to be of the best upon the diggings. Nevertheless, he managed to save some money, and while still a young man he was able, in the year 1857, to enter upon farming operations, which he has ever since continued to conduct with great success. Beginning in a small way, he has, little by little, increased the sphere of his operations, until at present he owns 810 acres of excellent land. This he holds as a freehold, and so may be considered as being a man of substance in the country. The principal business he conducts is dairy-farming, which he has made a most successful one, and which promises to be among the most lucrative pursuits to which a man can devote himself in the colonies. The fertility of the soil, with the favourable and sunny climate which makes New South Wales such a paradise, must by degrees give the colony a large urban population, deriving their sustenance directly from the soil, and at the same time developing in the proper manner the best resources of the country. Mr. Sheaffe married in 1859, and has a family of five sons and four daughters. He has been closely identified with the Volunteer movement since its inception in the colony, and has held a commission in it for several years, during which time he has shown himself well qualified for his position. His early training has helped him to prepare some of his fellow-colonists to defend their country in case it may ever be attacked.

"Yatteyattah Recreation Ground", The Ulladulla and Milton Times (13 November 1897), 5

http://nla.gov.au/nla.news-article161103461 

. . . [The speaker] very much regretted the absence of his most esteemed friend Captain Sheaffe, as it was he who preserved the name of Yatte yattah, which he got from the oldest aboriginals when he (Mr. Sheaffe) first came to the district a half century ago. The aboriginal interpretation for Yatteyattah was, "Water tumble down."

"SOUTH COAST ITEMS", Northern Star (17 June 1913), 8

http://nla.gov.au/nla.news-article72413723 

Captain Percy Hale Sheaffe, who was a big personality on the South Coast before the infirmities of age set him aside, died last week at Yatta Yattah, Milton district. The "Milton Times" states: - "The deceased had been in failing health for some time, and his end was not unexpected. He had reached the ripe old age of 81. He was a native of Wollongong, and a grandson of Sir Roger Sheaffe, England. Captain Sheaffe inherited the military instincts from his grandfather, and was in the early days in command of the local company of infantry. He was a keen enthusiast in military matters, and under his command the infantry attained to very high distinction in the forces of the State. He was also a great Imperialist. In the early life of the district he bought land at Yatta Yattah, where he had lived ever since. He was a man of wonderful energy and of sterling qualities, and by industry got together that comfortable home which he occupied at Yatta Yattah. His wife predeceased him by some years. He was buried in the private cemetery on the Yattah farm, and with military honors, a section of the local squadron under Captain Connolly performing this office. Some members of the family of the deceased reside on the Richmond.


Song sources:

Percy Sheaffe, 2 songs of Jimmy Woodbury, MS, National Museum of Australia

P. H. S. [Percy Hale Sheaffe], Tshemer burrâbun, and "Other songs", two manuscripts, [1] undated; [2] 1906; both in Sheaffe's handwriting; pasted into scrapbook and photograph album compiled by Edmund Milne (1861-1917); National Museum of Australia, Canberra, 1985.0059.0426

https://www.nma.gov.au/exhibitions/glorious-days/first-peoples/edmund-milne 

https://collectionsearch.nma.gov.au/piction/ump.di?e=202C90C0387DED78A1375693C0980B788886BC796BCEC33024AB07D630DD8CE0&s=21&se=73184121&v=1&f=nma.img-ci20122896-066-wm-vs1_o4.jpg (DIGITISED)

Sung by Jemmy Woodbury in 1857; and written down then, by P.H.S.

Tshemer burrâbun âny toonâunâ pârn wale.

This â is pronounced, ah. and all marked ˆ.
this is like the music notes, the same length, at the end of above, the singer made a sound like a cough and repeated, using the higher c for g and g for e, finishing with g. c.

Tshemer burrabun, 1

Other songs
(Note J. W's knowledge of English, was limited, I could not translate, all I could gather was "all about Whale Ship": the other songs were:

Jarrajambeâny nunâ
Watamboka boonam tokâ gentleman tokâ
Wâthâ com_â âtha gnâ.

Excuse pencil, an injury to my right shoulder 3 yrs since renders the use offen difficult.
Yours very truly
P. H. Sheaffe
Yatteyâtah, near Milton. 22 Aug. 06

Percy Hale Sheaffe, letter to Robert Waddell (District Registrar, Milton, NSW), 30 October 1899; in correspondence attached to Waddell's completed return of a questionnaire sent out by W. Wentworth-Bucknell, on behalf of the Anthropological Society of Australasia, "Collection of native names of places with their meanings"; Royal Anthropological Society of Australasia - Records, 1885-1914, with additional material, 1921-1926, ca. 1991, and papers of Alan Carroll, 1886-1892, State Library of New South Wales, MLMSS 7603/Box 4/Folder 3, 209a [a9821010]

https://collection.sl.nsw.gov.au/record/1wN2jDjn (COLLECTION RECORD)

https://collection.sl.nsw.gov.au/record/9NaA7d7Y (IMAGE SET)

https://collection.sl.nsw.gov.au/record/9NaA7d7Y/rwojvaOd58LWN (IMAGE 10)

31.1 (Sheaffe MS)

. . . When I began to work in this [?], some [?] 42 years since, the place was known by the natives as Yatteyâtah. The first a, like the a in Parramatta . . .

also two native songs, the instrumental accompaniment being two sticks, struck one against the other, the [?] I took by my flute.

Tshemer burra buna ny toonaoo na : repeat ad lib.
g g g g g g g e e e e :
parn wate.
d c .
the notes in C.; after many repetitions, a Da Capo on the higher C and changing
to the a. I believe this was "all about whale ship"

No 2 . . . .
. . . I did not take (or learn) the notes of the second song, I am afraid it was "all about two gallows [?]" . . .

Tshemer burrabun, 2

Captain Sheafe [Percy Sheaffe], "Two native songs", Science of man and journal of the Royal Anthropological Society of Australasia 2/12 (January 1900), 227

https://nla.gov.au/nla.obj-522116146/view?partId=nla.obj-522165700#page/n11/mode/1up (DIGITISED)

Printed from the MS above, with some errors

31.1 (Sheaffe 1900)

See also in checklist of Indigenous music Tshemer burra (djinaburra)


Bibliography and resources:

Percy Hale Sheaffe, WikiTree

https://www.wikitree.com/wiki/Sheaffe-26 




SHEARCROFT, Edwin (Edwin SHEARCROFT; E. W. SHEARCROFT)

Actor, vocalist

Born Kent, England, c. 1830
Active Melbourne, VIC, by February 1851
Died Pleasant Creek, VIC, 25 July 1858, aged "28/29"

https://trove.nla.gov.au/search?l-publictag=Edwin+Shearcroft+d1858 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHEARCROFT-Edwin (shareable link to this entry)


Summary:

Shearcroft first appeared in public in Melbourne, on 27 Februery 1851, as a (probably bass) glee singer at a benefit concert and ball presented by the playwright E. G. Gordon (alias of Edward Geoghegan ), recently arrived from Sydney, and a Mr. Hooper, who himself contributed two songs to the program, and who also appeared several times at the Queen's Theatre in the weeks that followed. The main musical contributors to the concert were Henry Frederick Hemy and Stephen Wheeler, who went on in April to advertise the availability of their "Melbourne Glee Club" for concerts and parties, a combination of four singers that again may have included Shearcroft.

Shearcroft appeared twice again in March, as a glee singer at Joseph Wilkie's concert in aid of sufferers by the Black Thursday bushfires, and in a concert of sacred music.

In June and July 1851 he was one of the acting company at the Theatre Royal, Geelong, as well as billed to sing in the interludes.

By 1852, however, Shearcroft was almost solely engaged as a serious actor, and there is no further reference to him singing up to the time of his early and accidental death.


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (25 February 1851), 3

http://nla.gov.au/nla.news-article4776367 

GRAND CONCERT AND BALL. MESSRS. GORDON & HOOPER,
BEG leave most respectfully to announce to their Friends and the Public in general that their
GRAND CONCERT AND BALL, will take place on THURSDAY EVENING, February 27, at the Protestant Hall . . .
MESSRS. GORDON AND HOOPER . . . have secured the valuable services of the following distinguished Artistes:
MR. H. F. HEMY, Under whose able direction the concerted pieces will be produced.
MRS. WHEELER, The eminent pianist . . .
MR. WHEELER Will make his second appearance, and will sing two of Russell's most celebrated compositions.
HORE'S ADMIRABLE SAXE HORN BAND Will also be in attendance . . .
PROGRAMME OF CONCERT. PART I . . . Boat Glee - "Ply the Oar" - Messrs. White, Hemy, and Shearcroft - Stevenson . . .
Glee - "The Witches" - Messrs. White, Hemy, and Shearcroft - King . . .
PART II. Solo and Chorus - "The Gypsies' Tent" Messrs. White, Hemy, and Shearcroft, (first time in Australia) - Cooke . . .
Comic Glee - "Crows in a Cornfield," Messrs. White, Hemy, and Shearcroft. - (First time in Australia.)
Grand Finale - God save the Queen, Full Band and Chorus . . .

ASSOCIATIONS: E. G. Gordon, alias of Edward Geoghegan (actor, playwright); Mr. Hooper (actor, vocalist); Henry Frederick Hemy (pianist, vocalist); Stephen and Mary Wheeler (vocalist and musician, pianist); Mr. White (vocalist)

MUSIC: Ply the oar brother (words by M. G. Lewis; ? music by Michael Kelly); The witches (music by M. P. King); The gypsies' tent (music by Benjamin Cooke); Crows in a cornfield (music by Thomas Philipps)

"CONCERT AND BALL", Port Phillip Gazette (1 March 1851), 2

http://nla.gov.au/nla.news-article224813225 

In briefly noticing the concert held at the Protestant Hall on Thursday evening last, for the benefit of Messrs. Gordon and Hooper, we may remark that this, the second appearance of Mr. and Mrs. Wheeler, fully confirmed the opinion we offered in our Tuesday's issue . . . Mr. Hemy we speak much when we say he was as usual . . . The duetts and glees were also well gone through, and every one appearing well pleased with the entertainment. The hall having been cleared, dancing commenced, and was continued with much spirit until four o'clock on Friday morning.

[Advertisement], The Melbourne Daily News (14 March 1851), 4

http://nla.gov.au/nla.news-article226521729 

MR. WILKIE Begs to announce that the GRAND CONCERT
In aid of the funds for the Relief of the Sufferers by the late Bush Fires, will take place in the
QUEEN'S THEATRE, THIS DAY, the 14th MARCH, 1851.
Leader of the Band - Mr. REED.
PROGRAMME. PART I.
Overture. - "L' Italiana in Algeri," - Band - Rossini.
Solo and Chorus. - "The Gypsies Tent," - Messrs. Kawerau, Hemy, Wheeler, White, &c. - Cooke.
Song - "Tubal Cain," - Mr. Hemy - Russell
Violin Solo. - Mons. Hue, - with Pianoforte accompaniment - Mr. Hemy - De Beriot
Solos and Choruses. - Lock's celebrated Music in Macbeth, - (got up expressly for this occasion under the direction of Mr. Hemy) . . .
PART II.
Band, "Birthday Quadrilles" - H. F. Hemy
Quartette. - "A te O Cara" (Il Puritana) - Mrs. Tester, Messrs. Kawerau, Hemy and Wheeler
Scena - "Man the Life Boat," - Mr. Hemy - Russell
Scena - "Ah, Non Giunge," (La Somnambula) - Mrs. Testar - Bellini
Pianoforte Solo, - "Norma," Mr. Hemy - Bellini
Song - "The Flying Dutchnan," - Mr. Wheeler - Parry
Ballad, - "I dreamt that I dwelt," (by desire) - Mrs. Testar - Balfe
Solo and Chorus - "Roderick Vich Alpine," - Messrs. Kawerau, Hemy, Wheeler, Gouge, Shearcroft, White, Nicholas, &c. . . .

ASSOCIATIONS: Black Thursday bushfires (VIC, 6 February 1851); Joseph Wilkie (concert organiser); Thomas Reed (conductor); Theodore Kawerau (vocalist); Elizabeth Testar (vocalist); George Gouge (vocalist)

MUSIC: "Roderick Vich Alpine" = The boat song (from the Lady of the Lake, Walter Scott; music by John Stevenson)

[Advertisement], The Argus (17 March 1851), 3

http://nla.gov.au/nla.news-article255610568 

Under Distinguished Patronage.
IT is most respectfully announced that there will be a grand
MUSICAL MELANGE OF SACRED MUSIC, &c.
From the works of Handel, Haydn, Mozart, Bellini, &c. in
St. FRANCIS' TEMPERANCE HALL, on MONDAY EVENING, 17 TH MARCH,
On which occasion the following members of the Musical Profession will have the honor of appearing: -
Mrs. Testar, Mrs. Wheeler, (who have kindly offered their services);
Mr. White, Mr. Wheeler, Mr. Shearcroft; Mr. Henry F Hemy,
who will preside at the Grand Piano Forte and Seraphine . . .

[Advertisement], The Melbourne Daily News (5 April 1851), 4

http://nla.gov.au/nla.news-article226518984 

The Melbourne Glee Club.
IT is respectfully announced that the above Club, consisting of four of the Principal Vocalists in Melbourne, are now open for engagement at Concerts, Soirees, &c., &c., either public or private.
Conductor and Pianist, - MR. HENRY F. HEMY.
The Melbourne Vocal and Instrumental (Amateur) Music class in connection with the above is under the sole management of Messrs. Hemy and Wheeler.
C/- Address personally or by letter to Mr. Henry F. Hemy, 113 Stephen Street, (Porter's Cottage) or to Mr. Wheeler, Royal Exchange Hotel, Collins Street, West.

"THEATRE ROYAL, GEELONG", Geelong Advertiser (5 June 1851), 2

http://nla.gov.au/nla.news-article91918673 

THEATRE ROYAL GEELONG, FRIDAY EVENING, JUNE 6. THE performances will commence with the celebrated serious Pantomimic Drama of OBI! OR THREE FINGERED JACK . . . The Grand Overseer, Mr. Shearcroft . . . Three Fingered Jack, Mr. Holloway . . .
Dance, Miss Howard; Song, Mrs. Gardiner; Song, Mr. Shearcroft . . .

ASSOCIATIONS: Edmund Holloway (actor, vocalist); Ann Gardiner (vocalist); Henry Deering (actor, manager); Theatre Royal (Geelong)

PIECE: Obi; or, Three fingered Jack (by John Fawcett)

"THE THEATRE", Geelong Advertiser (3 July 1851), 2

http://nla.gov.au/nla.news-article91916708 

The "Lady of Lyons" is perhaps the most popular play ever written . . . Pauline Deschapelles is the heroine, to depict whose character, was the task of Mrs. Evans, in her farewell "benefit" last night . . . Mr. Shearcroft achieved a triumph - his performance was masterly, manly, and true to nature. He formed a true conception of what the author drew, and the constant applause which greeted his endeavours, was a response richly merited by the actor. Colonel Danvers was finely played by Deering, in a rough, hearty, yet polished manner of a good old soldier . . .

ASSOCIATIONS: Mrs. W. Evadne Evans (actor)

"THEATRE ROYAL, GEELONG", Geelong Advertiser (17 July 1851), 2

http://nla.gov.au/nla.news-article91915793 

FRIDAY EVENING, July 18 . . .
Song, Mr. Holloway; Pas de Deux, Mrs. Stubbs and Miss Howard; Song, Mr. Gardiner . . .
Dance, Miss Howard; Song, Mr. Holloway; Song, Mr. Shearcroft . . .

ASSOCIATIONS: Joseph Gardiner (actor, vocalist); Hannah Stubbs (dancer); Louisa Howard (dancer)

"MOUNT BLACKWOOD (FROM OUR OWN CORRESPONDENT) Tuesday, September 11, 1855", The Age [Melbourne, VIC] (20 September 1855), 6

http://nla.gov.au/nla.news-article154896139 

. . . Messrs. Reynolds, Shearcroft and company are about giving an entertainment here . . . Mr. Thatcher is announced to appear on Thursday.

ASSOCIATIONS: Charles Thatcher (vocalist)

"MADAME BISHOP'S BENEFIT", The Star [Ballarat, VIC] (11 October 1856), 2

http://nla.gov.au/nla.news-article66039759 

Never since the opening of the Montezuma has it been filled with so numerous an audience as assembled on the occasion of Madame Anna Bishop's benefit on Thursday night . . . the entertainment opening with the amusing comedietta of the "Irish Lion," in which Mr. Murray managed to keep the house roaring with laughter . . . supplemented by the dem foine of Shearcroft . . .

ASSOCIATIONS: Anna Bishop (vocalist); Montezuma Theatre (Ballarat)

[Advertisement], The Star (23 October 1857), 3

http://nla.gov.au/nla.news-article66044847 

MONTEZUMA THEATRE. Under the direction of Mr. J. P. HYDES.
FRIDAY EVENING. For the BENEFIT of MR. E. W. SHEARCROFT . . .
The Performances will conclude with RICHELIEU; or, THE CONSPIRACY.
Cardinal Richelieu - Mr. E. W. Shearcroft. Acting Manager, Mr. CHARLES WALSH.

ASSOCIATIONS: John Proctor Hydes (actor, manager); Charles Walsh (actor, manager)

"DIED", The Star (29 July 1858), 2

http://nla.gov.au/nla.news-article66049431 

On Sunday last, 25th July, 1858, at Pleasant Creek, Mr. E. W. Shearcroft, Tragedian, late member of the Queen's Theatre, Melbourne, Ballarat and Geelong, aged 28 years.

"DEATH OF MR. SHEARCROFT", The Star (5 August 1858), 2

http://nla.gov.au/nla.news-article66051465 

Your readers will regret to learn that their old favorite, Mr. Shearcroft, has departed this life. It appears that one night, about a fortnight since, he was returning home on a dray from the Olympic Theatre, Deep Lead, Pleasant Creek, where he had been playing, and being, it is said, slightly inebriated, he fell asleep and tumbled out of the dray, one of the wheels passing over him. He however did not seem much hurt, and played at the theatre on the following evening; three or four days afterwards he was taken seriously ill and expired on Sunday last. It is thought that he had received some severe internal injuries.




SHEEN, Mr. (Mr. SHEEN)

Amateur musician, flute player, carpenter

Active Launceston, VDL (TAS), 1838

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHEEN-Mr (shareable link to this entry)


Documentation:

"LAUNCESTON POLICE. Saturday, March 31, 1838", The Cornwall Chronicle (7 April 1838), 2 supplement

http://nla.gov.au/nla.news-article65952959 

A carpenter named Sheen was charged with stealing a flute and a music book, the property of James Wainwright. A charge more malicious or unfounded could not possibly be imagined, Sheen producing a regular receipt for the articles, under the hand of the person from whom he purchased them. The bench severely reprobated the conduct of Wainwright in this affair, and the flute was ordered to be given up to the rightful owner, together with the book.




SHELLEY, J. D. (J. D. SHELLEY; Mr. SHELLY)

Amateur musician

Arrived Sydney, NSW, 22 April 1828 (free per Boddington, from London, 4 October, via the Cape and Hobart Town)

https://trove.nla.gov.au/search?l-publictag=J+D+Shelley+arrived+1828 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHELLEY-J-D (shareable link to this entry)


Documentation:

[Editorial] "MR. SHELLY", The Sydney Monitor (26 December 1829), 2

http://nla.gov.au/nla.news-article32072974

We have had occasion in this Journal heretofore, to describe the disappointments of this gentleman as a free Emigrant Settler of the first class. He came out about two years ago with a moderate property and equally moderate expectations . . .

[Editorial], The Sydney Monitor (9 January 1830), 2

http://nla.gov.au/nla.news-article32073059

[Preparing to emigrate] . . . Mr. Shelly found he had about £1,400 in cash. He immediately expended about half this sum in purchasing personal necessaries, conveniences, and comforts, suitable to his habits as a Gentleman; such as a two-years' stock of clothes, a liberal supply of linen, together with plate, books, mathematical instruments, expensive fowling pieces &c., drawing materials &c., music and musical instruments &c. The guns alone cost £40. And the music cost him £35. After paying his passage to the Colony and the incidental expenses of the voyage, Mr. Shelly found on his arrival here, that he had property which he considered valuable as capital, if necessity required . . .




SHELLEY, William (William James SHELLEY; William SHELLEY)

Singing leader (Parramatta church), missionary

Born Hanley, Staffordshire, England, 29 May 1774
Arrived Sydney, NSW, 1799 (per Betsy, from Tonga)
Active Parramatta and Toongabbie, NSW, 1799-1800
Died Parramatta, NSW, 6 July 1815

https://nla.gov.au/nla.party-1469347 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHELLEY-William (shareable link to this entry)


Documentation:

Letter, William Henry to London Missionary Society, 29 August 1799; State Library of New South Wales, BT Box 49, pages 117-18 (transcr. Jordan)

We had excellent singing and there were about a dozen of Soldiers (including Corporal & Sergeant) from Parramatta Barracks to hear, among whom were five or six who Sung every other Sabbath at Parramatta Church. They say they will attend our Worship every other Sabbath at Toongabbie to Sing.

Jordan notes that, at Parramatta in April 1800, two nights a week were set-aside for choir practice, William Shelley taking on the responsibility of leading the singers (Letter, Rowland Hassall to London Missionary Society, 22 April 1800, BT Box 49, page 137)

ASSOCIATIONS: William Henry (missionary); Rowland Hassall (missionary)


Bibliography:

Niel Gunson, "Shelley, William James (1774-1815)", Australian dictionary of biography 2 (1967)

https://adb.anu.edu.au/biography/shelley-william-james-2653 

Robert Jordan, "Music and civil society in New South Wales, 1788-1809", Journal of the Royal Australian Historical Society 98/2 (December 2012), (193-210), 194-95

http://search.informit.com.au/documentSummary;dn=060857840144157;res=IELHSS (PAYWALL)




SHERAR, George (George SHEARER; George SHERAR)

Musician, bagpipes player, musical instrument maker, carpenter

Born Scotland, c. 1810; son of Francis SHEARER [sic] and Janette [?]
Arrived Sydney, NSW, 30 May 1833 (per Betsy, from Leith, Scotland)
Married Eliza BARRETT (1814-1885), Scots Church, Sydney, NSW, 25 November 1833
Died Sydney, NSW, 4 May 1887, aged "77"

https://trove.nla.gov.au/search?l-publictag=George+Sherar+c1810-1887 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERAR-George (shareable link to this entry)

SHERAR, George John (George John SHERAR; G. J. SHERAR)

Amateur musician, bagpipes player, music retailer

Born Sydney, NSW, 1845; baptised Scots Church, Sydney, 13 April 1845; son of George SHERAR and Eliza BARRETT
Married Mary Jane BROWN, Sydney, NSW, 2 March 1867
Died Redfern, NSW, 22 March 1900, "aged 60"

https://trove.nla.gov.au/search?l-publictag=George+John+Sherar+1845-1900 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERAR-George-John (shareable link to this entry)


Documentation:

"SCOTTISH SOCIETY", The Australian (21 May 1840), 2

http://nla.gov.au/nla.news-article36862877 

On Friday evening last, a meeting of Scotsmen was held in the Theatre of the Mechanics' School of Arts for the purpose of uniting in a Society having for its object the erection of a Benevolent Fund for the relief of its members (being either Scotsmen themselves, or of Scottish descent), in time of sickness, age, infirmity, or death; in the latter case, for the disbursement of their funeral expenses, and support their widows and their orphans, if left unprovided for. Owing to the inclement state of the weather, the meeting was rather thinly attended, their members not exceeding sixty at any one time, but the paucity of numbers was counterbalanced by the zeal evinced by those present in the promotion of the desired object . . . Mr. Cunningham . . . forthwith called upon Mr. Shearer for a tune upon the bagpipes, and the chanter resounded through the Theatre of the School of Arts, we believe, for the first time, to the tune of "Over the water to Charlie" while the meeting was breaking up.

Certificate of freedom, Eliza Barrett, 21 March 1842; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1689/images/31801_216714-00793 (PAYWALL)

No. 42/442 / 21 March 1842 / Prisoner's No. 33/77 / Name: Eliza Barrett /
Ship: Fanny 2 / . . . Year: 1833 / Native Place: Peckham, Surry / Trade or Calling: Servant/
Offence: [?] Robbery / Place of Trial: Surry Sessions / Date of Trial: 9 April 1832 / Sentence: Seven yrs /
Year of Birth: 1814 / . . . / Wife of Mr. George Shearer arrived free in the Colony

"LIST OF CITIZENS", The Sydney Morning Herald (14 September 1842), 4

http://nla.gov.au/nla.news-article12425839

. . . Sherar George, house, Cumberland street . . .

"DISORDERLY CONDUCT", The Sydney Morning Herald (19 December 1844), 3

http://nla.gov.au/nla.news-article12413113 

About half-past eight o'clock on Saturday evening, as George Shearer, blockmaker, popularly known as the Sydney Piper, was going his rounds with his pipes, and dressed in the Highland costume, he and several acquaintances went to Dind's public house, the Star and Garter, Pitt street, whither they were followed about by three soldiers, two of whom remained outside, while the third went inside the door, flung a large brickbat at Shearer, which struck him full in the face, severely wounding him on the nose and lacerating his mouth . . .

"COWARDLY ASSAULT BY A SOLDIER OF THE 99TH REGIMENT", The Australian (19 December 1844), 3

http://nla.gov.au/nla.news-article37119306 

Joseph Cavenagh, a soldier of the 99th Regiment, was charged by George Shearer, before the Mayor and Alderman Broughton, yesterday, at the Police Office, with a cowardly and brutal assault under the following circumstances; - On Saturday night, a soldier and some civilians had a disturbance in George-street, when the soldier was beaten and ill-used by the civilians. Subsequently to this, the complainant, who is a Scotch piper, entered Dind's public house, Pitt-street, in a highland costume, with his pipes, and, after having amused the company by playing several times, he laid down the instrument and was in the act of lighting his pipe, when the prisoner ran into the house with a brick bat in his hand, with which he struck the complainant a blow on the mouth, which felled him to the ground, and ran away. The prisoner was pursued, and surrounded by a crowd of persons, when Sergeant Sowness, of the Police, came up, soon after which, the picquet, which had been sent for, arrived, under the command of a corporal of the band belonging to the same regiment named McCoyle . . .

"THE BOYNE WATER", Morning Chronicle (21 December 1844), 3

http://nla.gov.au/nla.news-article31744261 

On Saturday evening last as George Shearer, commonly known as the "Highland Piper" was parading the streets, playing his pipes, he called in at Dind's public house The Star and Garter, Pitt street, and while there, he struck up the above offensive air; three soldiers were passing by one of whom picked up a brickbat and flung it at him, striking him full in the face, lacerating him severely and staving in two of his teeth. No other cause can be assigned for the act than the above air, sounding unpleasantly in the ears of the soldier, he was shortly after apprehended by a sergeant of the Sydney Police, and while in the act of conveying him to the watch-house, he was met by a picquet of the 99th regiment, on which the soldier called out "comrades, draw bayonets, they are going to kill me," upon whith the constable gave up the prisoner immediately. On Wednesday a private of the grenadier company of the 99th regiment, named Joseph Cavenagh, was brought before the Mayor, and charged as the man who had thrown the brickbat, the prisoner in answer to the charge, stated that he had already been punished by the military authorities. The Mayor ordered him, and a copy of the proceedings to be forwarded to the military barracks. Mr. Shearer will no doubt be more circumspect in future when he plays the "Boyne Water," or he may learn, when too late, that it will be at the lose of all his grinders.

"To the Editor of the . . .", Morning Chronicle (25 December 1844), 2

http://nla.gov.au/nla.news-article31744289 

I beg you will give insertion to the following letter, relative to a paragraph headed "The Boyne Water," in Tuesday's Herald, and which I caused to be inserted in the Chronicle of Saturday last.
I am, Sir, your obedient servant,
M. D'ARCY.

To the Editors of the Sydney Herald.
Gentlemen, I have read in your paper of Tuesday, a paragraph under the above heading, taken from the Chronicle of Saturday last, to which is added a commentary of your own, reprobating "the brutal feeling evinced therein," as you are pleased to term it. This I should have treated with contempt, as far as I am individually concerned; but when you have the unblushing effrontery to impose upon your, readers, the most barefaced lies for positive facts, I think it right to unmask your malice in penning such a paragraph, in which you exhibit a little of the fell spirits, by which you are actuated towards Ireland and Irishmen. Had you given a true report of the affair between "Shearer and Cavenagh," it would have placed it in a better light; but this would not answer your purpose, and consequently, in your innocence you forgot to state that Shearer was struck by Cavenagh, while playing the above melodious air; and though you may not see any impropriety in parading the streets and playing party tunes, which can have no other object than to excite a spirit of hatred and animosity between parties who should live in peace, others can. This to you appears harmless, although you reprobate the act which followed; and what other result could you expect, unless you can prove that Irishmen are possessed of some physical inferiority to other men, and that they must tamely submit to, pocket every insult offered them by their more favoured neighbours from the other side of the channel. If indeed you are such inanimate clods, as to tolerate an Irish man to wantonly insult you to your face, without retaliating upon him, then adieu to that nobleness of character which "John Bull" so exclusively claims as his own, and if you retaliate, do you expect that Irishmen, who are remarkably sensitive to any insult offered their country, are possessed of such stoicism that they also will not retaliate, especially upon so touchy a point as the "Boyne Water," which entailed upon the empire the beggarly house of Brunswick, with its train of concomitant evils. As to the bugbear of the party which the Chronicle represents obtaining power, it is to the usual style of the old women of the Herald.
Bunkem! . . . I am Gentlemen, Your obedient Servant,
MICHAEL D'ARCY. Chronicle Office, December 24th, 1844.

"To the Editors", The Sydney Morning Herald (27 December 1844), 2

http://nla.gov.au/nla.news-article12421168

Gentlemen, In the Morning Chronicle of the 25th instant, appeared a letter signed M. D'Arcy, in which language of the foulest description is made use of towards you for giving a true account of an assault made upon me on the 14th. In that letter you are stated to "have the unblushing effrontery to impose upon your readers the most barefaced lies for positive facts." I therefore consider it my duty to endeavour to exonerate you from so gross a charge, by simply stating the facts as they really occurred, the public will then judge whether your statement or the letter of Mr. D'Arcy deserves to be treated with the greatest contempt.

On the evening in question, I left home at the request of a few friends, with the intention of proceeding to the theatre, and, on our way thither, we call in at Sims's, the "Currency Lass." Whilst there, I was desired by an Irishman and a Catholic, who happened to be in company with us, to play the tune of the "Boyne Water," to which I objected, saying that I had once had my head broken for so doing. He replied "Oh, nonsense, there is no such party feeling at present," and in consequence of his repeated solicitations I was induced eventually to play this tune, which appears to have nothing but discordant sounds to the sensitive Mr. D'Arcy. Now, I solemnly aver that this was the only time I played the same tune that evening. But the assault was not committed then. We went afterwards to the "Star and Garter," where I played the well-known tune of "Sich a getting up stairs," which, I trust, could not be offensive even to Mr. D'Arcy himself. But I was not struck whilst playing any tune whatever. At the time the brick was hurled at me in so cowardly a manner, I was lighting my pipe, and I had not the most remote idea of having given offence to any one. As to the tune itself, I would beg to say that it is an old favourite Scottish air, known as "The bonny House of Airlie," composed, I believe, during the reign of James the Fourth of Scotland, consequently long before the battle of the Boyne took place.

I distinctly state, that I am not aware ever to have been actuated by that "fell spirit" of party, which would prompt me to insult any man whatever, let his principles be what they might; on the contrary, I have endeavoured to live so as to gain the esteem of all who know me, and I am proud to say that hitherto may labour has not been in vain.
I am, Gentlemen, Your most obedient servant
GEORGE SHERAR
Cumberland-street, Dec. 26.

MUSIC: Sich a getting up stairs (Tune archive); Sich a getting up stairs (Wikipedia)

Official catalogue of the Great Exhibition of the Works of Industry of all Nations 1851 (London: Spicer Brothers, 1851), 176

https://books.google.com.au/books?id=8FdS4CscCG8C&pg=PA178 (DIGITISED)

"ENGLISH NEWS. THE GREAT EXHIBITION. NEW SOUTH WALES", Empire (6 September 1851), 3

http://nla.gov.au/nla.news-article60123275

CLINCH, J., 31 Abchurch Lane, Imp. - A set of bag-pipes, made by George Sherrar, Sydney.

ASSOCIATIONS: Great Exhibition (London, 1851)

"MARRIAGES", Empire (25 March 1867), 1

http://nla.gov.au/nla.news-article60837996 

SHERAR - BROWN. - On the 2nd instant, by special license, by the Rev. N. Pidgeon, George John, only son of Mr. George Sherar, of Burwood, to Mary Jane, eldest daughter of Mr. William Brown, of Sydney.

"Intercolonial Industrial Exhibition . . . SECTION II. - APPARATUS AND APPLICATION OF LIBERAL ARTS", Sydney Mail (10 September 1870), 7

http://nla.gov.au/nla.news-article166813577 

A set of Highland bagpipes is exhibited by Mr. George Sherar, Burwood. The pipe of tulip-wood; mountings, whale teeth; bag, goatskin; cover of bag, tweed - all the produce and manufacture of New South Wales. The manufacture appears to be highly creditable. The sound also is no doubt in accordance with the taste of people who love bagpipes; but the public have not yet had an opportunity of judging its quality, and perhaps most persons would prefer to hear the organ.

"Funerals", The Sydney Morning Herald (6 May 1887), 12

http://nla.gov.au/nla.news-article13655874 

THE FRIENDS of Mr. GEORGE SHERAR, Sen., are respectfully invited to attend his Funeral; to move from his late residence, Ivy-street, off Abercrombie-street, THIS DAY, Friday, at 2 o'clock, to Necropolis . . .

"DEATH ON THE RAILWAY", The Sydney Morning Herald (7 May 1887), 8

http://nla.gov.au/nla.news-article28347998

At the South Sydney Morgue yesterday the City Coroner held an inquest touching the death of a man named George Sherar, who was found upon the rails at the end of the up-line platform of the Eveleigh Railway Station on Wednesday night last.
George John Sherar, an employee of the Locomotive Department of the Government Railways, residing in Ivy street, Redfern, identified the body of the deceased as that of his father, who was 77 years of age, a carpenter by trade, and a widower; he last saw his father alive at 8.45 a.m. on Wednesday last; at that time his father was about to leave his (witness's) house; his father, who said at the time that he was not very well, was then about to proceed to Burwood to collect some rent.
David Moore, engine-driver, in the employ of the Railway Department, and residing at No. 34, Bucknell-street, gave evidence that he was employed in that capacity on Wednesday night; he was then on an engine plying between Homebush and Sydney; the Eveleigh station was arrived at at 10.30 p.m.; while he was at the station, he saw the body of the deceased lying on the rails at the end of the up-line platform nearest to Sydney . . .
Emma Jones, residing at Wynnie-street, Newtown, deposed that on Wednesday night last she was a passenger by the train which left Burwood at 6.00 p.m., and which reached Eveleigh at about 7. 15 p.m.; while she was sitting in one of the carriages of the train she saw the man George Sherar rise from his seat in the next car and attempt to step on to the station platform; when he put out his foot to step from the carriage on to the station platform the train was in motion; the man fell, and she then saw nothing more of him; she exclaimed at the time "that man will be killed;" she had seen him on the Burwood station that evening, and he was then perfectly sober; she had known him for 20 years; when he left the railway carriage he was alone; he did not rise to leave the smoking compartment in which he had been sitting till the guard's whistle sounded for the train to move forward.
Dr. F. Milford gave evidence that he had examined the body of the deceased; he found that the first and second cervical vertebrae had, together with the spinal cord, been fractured; these injuries resulted in shock to the system and caused the man's death. The jury found that the man died from the effects of injuries accidentally received while endeavouring to alight from a train which was in motion at the time.

[Advertisement], The Sydney Morning Herald (30 August 1887), 10

http://nla.gov.au/nla.news-article13652814 

FOR SALE, by Tender (open till September 1, 1887),
the ESTATE of the late George Sherar, of Burwood, frontages to Driver's road and Strathfield Boulevard.
Particulars at G. J. SHERAR'S MUSIC DEPOT, Ivy-street, Golden Grove, Redfern.

"HIGHLAND SPORTS", Evening News (1 January 1900), 5

http://nla.gov.au/nla.news-article117035868 

. . . judge of dancing, Mr. D. Houston; judge of piping, Captain K. McKenzie; master of ceremonies, dancing - Mr. A. McKie, piping - Mr. G. J. Sherar . . .

"In Memoriam", The Sydney Morning Herald (22 March 1901), 1

http://nla.gov.au/nla.news-article14337764 

SHERAR. - In loving memory of our dear father, George John Sherar, who departed this life 22nd March, 1900.

"RE OLD SYDNEY AND THE ROCKS", Truth (22 June 1902), 6

http://nla.gov.au/nla.news-article167901812 

"Old Chum" writes a deal about the old pubs in Cumberland-street. Can't he give us the names of some of the old identities. Does he recollect George Sherar, the Scotch piper, who lived in Cumberland-street from '38 to '50 . . . ? . . .
Yours, etc.,
GEEBUNG.

ASSOCIATIONS: "Old Chum" = Joseph Michael Forde (memorist)

"OUR LETTER-BOX . . . OLD SYDNEY", Truth (6 July 1902), 6

http://nla.gov.au/nla.news-article167899380 

Sir, - As I was born in the early forties in Princess-street, I know a little about the Rocks, "Old Shearer," who G.B. mentions, and "Old Chum" does not answer, was a prize winner at the Exhibition of '51, viz., a pair of bagpipes, and lived in Cumberland-street, north of Essex-street . . .
Yours, etc.,
J. FARNELL.
Stanmore, June 29.


Extant instruments:

Bagpipes, George Sherar, Sydney, 1840; MAAS

Bagpipes, goatskin, tulip wood, whale teeth, made by George Sherar, Sydney, 1840; chanter, blowpipe connected to bag, bass drone and 2 tenor drones in parts; Museum of Applied Arts and Sciences, Sydney, 15072-1

https://collection.maas.museum/object/4399 

https://ma.as/4399 

Bagpipes, George Sherar, Sydney, 1850; MAAS

Bagpipes, goat skin, tulip wood, whale teeth, made by George Sherar, Sydney, NSW, 1850; exhibited in the Great Exhibition, London, 1851, and Intercolonial Exhibition, 1870; Museum of Applied Arts and Sciences, Sydney, 15072-2

https://collection.maas.museum/object/4411 

https://ma.as/4411 


Bibliography and resources:

Belina Nemec, "Highlights from the Powerhouse Museum: some early Australian bagpipes", Journal of the Australian Association of Musical Instrument Makers (March 1995), 7-11

Chris J. Wattle, Descendants of Francis Sherar (Mona Vale: Author, 2007)

https://trove.nla.gov.au/work/38387651 

"George Sherar", Bagpipe Musuem

http://www.thebagpipemuseum.com/Sherar_George.html 

George Sherar was born about 1814. His parents are listed as Francis Sherar, Wine & Spirit Dealer, Leith, Scotland; his mother was Jeanette Dingwall . . . his tombstone it states that George was native of Caithness. In October 1828, George Sherar was indentured to the firm George Aitchison & Co and discharged in Leith on the 27th October 1832.

He arrived in Sydney, NSW, on the 30th May 1833 aboard The Betsy from Leith, Scotland . . . under the command of Captain Peter Petrie and was said to be the first Scottish Whaler to arrive in the colony . . . Sherar married Eliza Barrett on the 25th November 1833 at the Scots church in Sydney. His marriage certificates states he was a Mariner.

In 1840 and 1850 George Sherar made two sets of Highland bagpipes the first set was made of Lignum-Vitae mounted with whale teeth ivory. The second set was made of tulip wood mounted with whale teeth ivory. The pipe bags on both sets were made of tanned goat skin. After the 1840 set was made, the Scottish chieftain who was in Sydney around 1841 wished to purchase them to take them to Scotland as the first bagpipes made in Australia. George declined the offer. The 1850 set of bagpipes which were made of colonial material were sent to England to be exhibited at the Crystal Palace, Hyde Park, London at the Great Exhibition of 1851, where they were displayed and received an honorable mention. His bagpipes were played by the queen's piper, William Ross. They were later returned to Australia with a bronze medal, certificate of Honorable mention and a copy of the Jurors report.

George Sherar, Find a grave

https://www.findagrave.com/memorial/153028197/george-sherar 




SHERWIN FAMILY OF TASMANIA

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Family (shareable link to this entry)

SHERWIN, Sarah (Sarah Elizabeth SHERWIN; Miss SHERWIN; Miss S. SHERWIN; Mrs. James BARCLAY)

Amateur soprano vocalist, pianist, music teacher

Born Bothwell, VDL (TAS), 22 June 1844
Married James BARCLAY, Launceston, TAS, 9 April 1874
Died Launceston, TAS, 6 October 1921, aged 77

https://trove.nla.gov.au/search?l-publictag=Sarah+Elizabeth+Sherwin+Barclay+1844-1921 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Sarah (shareable link to this entry)

SHERWIN, Minnie (Marianne Amelia SHERWIN; Minnie SHERWIN; Mrs. HURST)

Amateur vocalist

Born Orielton, VDL (TAS), 27 July 1846
Married Henry Chipman HURST, Hobart, TAS, 10 March 1870
Died Launceston, TAS, 25 July 1903

https://trove.nla.gov.au/search?l-publictag=Minnie+Sherwin+Hurst+1846-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Minnie (shareable link to this entry)

SHERWIN, Lucy (Lucy Emma SHERWIN; Miss L. SHERWIN; Mrs. Nathaniel Henry PROPSTING)

Amateur vocalist

Born Spring Bay, VDL (TAS), 18 December 1848
Married Nathaniel Henry PROPSTING, Hobart, TAS, 31 August 1871
Died Huon, TAS, 4 October 1926

https://trove.nla.gov.au/search?l-publictag=Lucy+Emma+Sherwin+Propsting+1848-1926 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Lucy (shareable link to this entry)

SHERWIN, Amy (Frances Amy Lillian SHERWIN; Miss A. SHERWIN; from April 1874 Miss SHERWIN; Mrs. Hugo GORLITZ; Madame Amy SHERWIN)

Musician, soprano / mezzo-soprano vocalist

Born Huonville, TAS, 23 March 1855
Married Hugo GORLITZ, Dunedin, NZ, 12 December 1878
Died Bromley, Kent, England, 20 September 1935

https://trove.nla.gov.au/search?l-publictag=Amy+Sherwin (TROVE tagged)

http://nla.gov.au/nla.party-1462576 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Amy_Sherwin (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Amy (shareable link to this entry)

SHERWIN, Arthur (George Albert Arthur SHERWIN; George Arthur SHERWIN; G. A. SHERWIN; Arthur SHERWIN)

Musician, baritone / bass vocalist, pianist

Born Huon, TAS, 23 February 1858
Married Susannah Elizabeth MANN (COPPING) (c. 1835-1904), 6 November 1894 (legal separation on grounds of extreme cruelty 1897)
Died Melbourne, VIC, 13 October 1901

https://trove.nla.gov.au/search?l-publictag=George+Arthur+Sherwin+1858-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHERWIN-Arthur (shareable link to this entry)


Summary:

At St. Matthew's, New Norfolk, on 8 April 1843, George Green Sherwin (1815-1888), farmer, married Elizabeth Dean (c. 1821-1895). Their eldest daughter Sarah (Miss Sherwin) was a leading amateur vocalist in the mid and later 1860s, a pupil of pianist Albert Alexander, and later herself a teacher of piano and singing. Her younger sister Lucy (Miss L. Sherwin) was also an amateur concert singer, until her marriage in 1871.

In 1872, another younger sister, Amy, appeared with Sarah as a soloist in Costa's oratorio Naaman in Hobart, and in her concert in Launceston.

Sarah married in April 1874, and next appeared in concert in as Mrs. Barclay in Launceston in July, with Amy duly graduated to become "Miss Sherwin", and Mr. Sherwin, probably their 16-year-old younger brother, Arthur (George Arthur, 1858-1901).


Documentation:

Births in the district of Bothwell, 1844; Tasmanian names index; NAME_INDEXES:989167; RGD33/1/26/ no 12

https://stors.tas.gov.au/NI/989167 

https://stors.tas.gov.au/RGD33-1-26$init=RGD33-1-26-P210 (DIGITISED)

June 22nd / Sarah Elizabeth / Female / [daughter of] George Green Sherwin / Elizabeth Dean / Farmer . . . Sherwood

Births in the district of Richmond, 1846; Tasmanian names index; NAME_INDEXES:992813; RGD33/1/28/ no 935

https://stors.tas.gov.au/NI/992813 

https://stors.tas.gov.au/RGD33-1-28$init=RGD33-1-28-P677 (PAYWALL)

No. 14 / 27th July 1846 / [no name recorded] / Female / [daughter of] George Green Sherwin / Elizabeth Sherwin formerly Dean / Farmer . . . Orielton

Births in the district of Prosser's Plains and Sorrell, 1848; Tasmanian names index; NAME_INDEXES:992697; RGD33/1/28/ no 819

https://stors.tas.gov.au/NI/992697 

https://stors.tas.gov.au/RGD33-1-28$init=RGD33-1-28-P666 (DIGITISED)

No. 20 / December 18th / [no name recorded] / Female / [daughter of] George Green Sherwin / Elizabeth Sherwin or Dean / Farmer . . . Pittwater

Births in the district of Hobart, 1855; Tasmanian names index; NAME_INDEXES:960139; RGD33/1/5/ no 1928

https://stors.tas.gov.au/NI/960139 

https://stors.tas.gov.au/RGD33-1-5$init=RGD33-1-5-P155 (DIGITISED)

No. 1928 / March 23rd / [no name recorded] / Female / [daughter of] George G. Sherwin / Elizabeth Sherwin formerly Dean / Farmer . . . Huon

Births in the district of Victoria - Huon, 1858; Tasmanian names index; NAME_INDEXES:1004729; RGD33/1/36 no 2021

https://stors.tas.gov.au/NI/1004729 

https://stors.tas.gov.au/RGD33-1-36$init=RGD33-1-36P359 (DIGITISED)

No. 13 / 2021 / 23rd Feb'y 1858 / George Albert Arthur / Boy / [son of] George Green Sherwin / Elizabeth Sherwin formerly Dean / Farmer . . .

"ORGAN FUND CONCERT", The Mercury (21 August 1866), 2

http://nla.gov.au/nla.news-article8841162 

The first of the third series of concerts in aid of the Town Hall Organ Fund came off last evening, at Webb's Assembly Rooms, under the conduct of Mr. F. A. Packer . . . The first part embraced selections from Wallace's grand opera, Matilda, all of which were rendered with care and taste . . . We scarcely like to depart from our usual practice of avoiding to name amateurs, but Miss Sherwin and Mr. H. Hunter will, we are sure, pardon us if we accord them special praise for the beautiful duett "What do I hear?" . . .

ASSOCIATIONS: Frederick Augustus Packer (conductor); Henry Hunter (amateur vocalist)

"TOWN HALL OPENING MUSICAL FESTIVAL", Tasmanian Morning Herald (1 October 1866), 4

http://nla.gov.au/nla.news-article161079384 

The repetition of Haydn's "Creation" on Saturday night, affords us an opportunity we gladly seize to express our grateful applause of the meritorious performance of the interesting band of musical amateurs, of whom Mr. F. A. Packer is the worthy Chorypheus . . . Miss Sherwin sang very clearly and sweetly in the duet, "By thee with bliss," and her bold execution of the solo passages in "The Lord is great," and in the last chorus fully sustain that young lady's previous reputation and promise of future excellence . . .

"VICTORIA, HUON (from a Correspondent)", The Mercury (29 November 1866), 2

http://nla.gov.au/nla.news-article8842997 

On the 23rd inst a tea meeting and musical entertainment was held in Mr. Frankcombe's large barn. Upwards of 200 persons attended; of those 63 came from Franklin, and included some of the principal inhabitants . . . The musical arrangements were ably carried out by Mr. S. A. Hammett, and among the singers were the Misses Sherwin, the Misses Stansfield, Miss. E. Parsons, and Miss Laing, also Messrs. S. A. Hammett, C. Parsons, and D. Hawkes. The Misses Sherwin and the Misses Stansfield presided at the piano, and Mr. S. A. Hammett at the harmonium. An interesting feature in the singing was a class of six children, who sang very sweetly and in excellent time, and reflected the greatest credit on their instructor, Mr. Hammett . . .

"ENTERTAINMENT AT THE BRICKFIELDS DEPOT", The Mercury (8 June 1867), 2

http://nla.gov.au/nla.news-article8846253 

Last evening an entertainment was given at the Brickfields Depot in the presence of the inmates . . . An excellent band of instrumentalists, including Messrs. Russell, Vautin, Gagliardi, &c., commenced by selections from "Norma," which elicited much applause. After an interval of ten minutes a concert of vocal and instrumental music was given, comprising songs by Messrs. Heathorn, Allen, Smith, and Misses Sherwin, a duett by the Misses Sherwin, and another by Miss Sherwin and Mr. Smith . . .

"ISRAEL IN EGYPT", The Tasmanian Times (20 August 1867), 3

http://nla.gov.au/nla.news-article232855265 

. . . The duet for two sopranos, "The Lord is my strength" was rendered by the Misses Sherwin with extraordinary accuracy, and with great sweetness. Their time and harmony were all that could be desired. We wish those young ladies could only be induced to take the same pains with the dramatic elocution, as they most conscientiously bestow upon the scientific vocalisation, of the parts they undertake on these occasions. But their admirable singing too often fails of its full and proper effect from the want of animation which pervades their enunciation of the words . . .

"MADAME SIMONSEN'S CONCERT", The Mercury (15 November 1867), 2

http://nla.gov.au/nla.news-article8848994 

M. and Madame Simonsen gave their fourth concert last evening in presence of a very numerous and highly fashionable audience. They were ably assisted, as on previous occasions, by Mr. Frederick Buck, and a novel feature was introduced by the introduction of a duett between Madame Simonsen and Miss Sherwin, a young lady amateur previously well known as a favorite concert and drawing room vocalist . . . Miss Sherwin acquitted herself creditably, considering the manifest disadvantage she labored under in being placed in juxtaposition with an experienced professional lady of such rare gifts and culture as Madame Simonsen.

ASSOCIATIONS: Martin and Fanny Simonsen (musician, vocalist); Frederick Buck (musician)

"MECHANICS' INSTITUTE", The Tasmanian Times (20 November 1868), 2

http://nla.gov.au/nla.news-article232864569 

. . . Several solo songs by the Misses Sherwin were very exquisitely given, and encored. Two chorusses from Maritana were very well performed . . .

[Advertisement], The Mercury (1 July 1869), 1

http://nla.gov.au/nla.news-article8859903

MUSICAL. MISS SHERWIN is desirous of obtaining a limited number of Pupils for instruction in the Pianoforte. Terms upon application. 21, Williamson-street, Hobart Town.

"THE TOWN HALL ORGAN. GRAND OPENING CONCERT", The Mercury (18 March 1870), 3

http://nla.gov.au/nla.news-article8867894 

. . . A song by Miss Lucy Sherwin, "The Maid of Judah," followed, and, but for a little tremulousness in the voice caused by timidity would have been faultlessly executed. A solo on the organ, "Offertoire in F," played by Mr. J. E. Packer, was succeeded by a solo regarded by many as the gem of the evening. We refer to the song with a semi-chorus of one voice to each part, "Et Inflammatus," rendered by Miss S. Sherwin. This young lady's beautiful contralto voice rang out clear and distinct, and she received a perfect ovation when the piece was finished. Miss Oldham next sang "O rest in the Lord," an air selected from the oratorio Elijah, after which the quartette "Honor and Glory," from Naaman, in which the Misses S. and L. Sherwin, Mr. Henry Hunter, and Mr. F. Packer took part, was rendered. A quintette, "Blessed be the Lord God of Israel," came next, and the Misses S. and L. Sherwin, and Messrs. Hunter, Cox, and W. H. Smith may be congratulated upon the success which attended their efforts, for although the piece was an exceedingly difficult one, not a single hitch occurred to mar the rendering . . . Next followed the duet, "Quis est homo," by the Misses Sherwin, who gave it with great sweetness and expression . . . Miss S. Sherwin when called upon for the song next set down on the programme for her, was accorded an enthusiastic reception, her former efforts having installed her in the good graces of the audience. "The Legend of the Crossbill," composed by Mr. F. Packer, is a very simple, but exceedingly pretty piece of music, and received full justice at the hands of Miss S. Sherwin. Mr. Packer played an accompaniment on the flute and piccolo stops of the organ . . .

ASSOCIATIONS: John Edward Packer (organist)

"MECHANICS' INSTITUTE", The Mercury (1 July 1870), 2

http://nla.gov.au/nla.news-article8864264 

In accordance with previous announcement, Balfe's pleasing operetta "The Sleeping Queen" was produced at the Institute yesterday evening. There was, we are pleased to say, a very fair attendance, and it is gratifying to be able to notice also that the whole entertainment was a marked success. The part of "Irene, Queen of Leon" (soprano) was taken by Miss Sherwin, that of "Donna Agnes" (mezzo soprano) by Miss Lucy Sherwin, the part of "Phillipe D'Aguilar" (tenor) by Mr. H. Hunter, and that of "His Excellency the Regent of Leon" (basso), by Mr. F. A. Packer. Mr. A. Alexander admirably accompanied the several characters in their respective parts, on the pianoforte, and great praise was also awarded to Mr. Packer for the very happy and correct manner in which the operetta was placed before the audience.

ASSOCIATIONS: Albert Alexander (pianist)

"CONCERT AT HAMILTON", The Mercury (12 July 1870), 2

http://nla.gov.au/nla.news-article8869582 

Thursday night was quite a sensational one in the social history of Hamilton township, and was most satisfactory indeed, as to the pleasure it afforded those who had the good fortune to be present at the opening concert. The Misses Sherwin being on a visit to some friends at Hamilton, kindly consented to assist upon the occasion; the Misses Hooke, and Mrs. Hurst, also taking a part in the performance. The Rev. Mr. Wright occupied the chair, and opened the proceedings with an appropriate address. Messrs. Walter Langdon, R. Smith, W. Bellette, H. Hurst and A. Sharland took part in the readings . . .

"MARRIAGE", The Mercury (4 September 1871), 1

http://nla.gov.au/nla.news-article8870539 

PROPSTING - SHERWIN. - On the 30th August, 1871, at the residence of the bride's father, by R. E. Dear, Nathaniel Henry, son of Henry Propsting, to Lucy Emma, daughter of George Green Sherwin.

"THE PHILHARMONIC SOCIETY", The Mercury (20 August 1872), 2

http://nla.gov.au/nla.news-article8919813 

The production of Naaman, Michael Costa's last, and one of his grandest works, by the members of the Philharmonic Society last night, was a complete success . . . Mr. F. A. Packer, of course, acted as conductor . . . Mr. J. Packer was the organist . . . There was a full orchestra and chorus . . . The cast last night was "Adah," Miss Sherwin, "Amur," Miss Amy Sherwin . . . "Naaman," Mr. Hunter, "Gehazi," Mr. A. Packer . . .

ASSOCIATIONS: Arthur Howard Packer (vocalist)

"NAAMAN. TO THE EDITOR OF . . .", The Mercury (23 August 1872), 3

http://nla.gov.au/nla.news-article8920773 

. . . Of the principal soprano, Miss Sherwin, I cannot speak too highly; as a careful, correct, and effective singer, her reputation is established, and her performance on this occasion maintained it. She certainly ranks in that galaxy that places Tasmania among the colonies as foremost in the Art . . .

"MISS SHERWIN'S CONCERT", Launceston Examiner (5 October 1872), 5

http://nla.gov.au/nla.news-article39689557

. . . This is the first appearance of these ladies in Launceston, though their reputation as singers of the first order had preceded their arrival. Miss Sherwin is possessed of a deep, rich, clear soprano voice, with a considerable range, and is under excellent control - the highest and lowest notes being executed with ease and grace, without the slightest apparent straining. Perhaps, to give honor to whom honor is due, we may state that Miss Sherwin has been for some time a pupil of Mr. A. Alexander. Miss Amy Sherwin has a very sweet voice, of contralto order, which, properly speaking, may be termed a mezzo soprano . . .

"MISS SHERWIN'S CONCERT AT THE MECHANICS' INSTITUTE", Cornwall Chronicle (7 October 1872), 2

http://nla.gov.au/nla.news-article66029444

A concert was given in the Mechanics' Institute on Friday evening by Miss Sherwin, Miss Amy Sherwin, a lady amateur, Mr. F. Ferguson, and Mr. Albert Alexander. The large hall was quite filled by a fashionable and general audience. The concert was opened with a pianoforte duet, Le jet d'eau, by Miss Sherwin and a lady amateur. The quartette "Lullaby," without pianoforte accompaniment, by the Misses Sherwin, Mr. Ferguson, and Mr. Alexander followed; it was far from being the best effort of the evening and was rather coldly received by the audience. The scena Ernani Involami was cleverly rendered by Miss Sherwin and was enthusiastically encored, when Miss Sherwin substituted for the elaborate scena "The Harp in the Air." Mr. Alexander performed a pianoforte solo, La Dame des Fees, and then Mr. Ferguson, who was in excellent voice, sang the recitative and air "Let me love thee." Miss Amy Sherwin sand Lazarillo's aria from Maritana "Alas! these chimes, so sweetly pealing" very sweetly, and elicited much applause. The duet which followed, "Soft fell the dews," by Miss Sherwin and Miss Amy Sherwin, was exquisitely rendered und encored . . .

"MARRIAGES", The Mercury (13 April 1874), 1

http://nla.gov.au/nla.news-article8929309

BARCLAY - SHERWIN. - On the 9th April, at the residence of the bride's father, by the Rev. R. E. Dear, Mr. Jas. Barclay, of Launceston, to Sarah Elizabeth, eldest daughter of Mr. G. G. Sherwin, Forest Home, Huon.

"THE CONCERT AT THE MECHANICS INSTITUTE", The Tasmanian [Launceston, TAS] (4 July 1874), 10

http://nla.gov.au/nla.news-article198925170 

The complimentary concert to Mr. Frederick Ferguson, honorary organist of the Mechanics' Institute, was given by the committee on Thursday evening . . . Mr. Ferguson opened the concert by performing selections from "The Grand Duchess." This was followed by the trio "The Magic Wove Scarf," by Mrs. Barclay, Mr. Ferguson, and Miss Sherwin . . . The duet "The Prison Scene," from "Trovatore by Miss Sherwin and Mr. Sherwin was the first piece encored. Mr. Sherwin was remarkably, successful in this, as a firm tenor. The duet was sung in a brilliant, impassioned manner, very effective. Mr. Alexander's pianoforte solo - Gottschalk's "The last hope, or the story of the broken heart" was highly applauded. Miss Sherwin sang the ballad "Within a mile o' Edinbro' toon" so sweetly and quaintly, that it was rapturously encored, and she then sang "Comin' thro' the rye." The violin and pianoforte duet by Mr. George Collins and Mr. Alexander, on airs from Lucia di Lammermoor was an exquisitely finished piece of instrumentation . . .

ASSOCIATIONS: Frederick Ferguson (musician); George Thomas Collins (violinist)

"COMPLIMENTARY CONCERT TO MISS AMY SHERWIN", Launceston Examiner (26 October 1876), 2

http://nla.gov.au/nla.news-article37144580 

The approaching departure from Launceston of Miss Amy Sherwin, whose talented services as a vocalist have been so frequently and so cheerfully rendered to our local institutions, during her residence in the North, suggested the propriety of offering that lady a complimentary concert, and making a presentation as a slight mark of the esteem and appreciation of her professional usefulness in this community. Tuesday evening, at the Mechanics' Institute, was fixed for the purpose, when a numerous and respectable assemblage thronged the hall . . . The last piece in the first part introduced the beneficiare and idol of the evening, Miss Amy Sherwin, who was to sing with her sister Mrs. Lucy Propsting of Hobart Town, Bellini's duet "Hear me, Norma." The appearance of these ladies was the signal for a furore of applause; Mr. Ferguson took his seat as accompanyist. The duet was given in charming style, the clearness and sweetness of the two voices causing sympathetic approbation, and a determined encore, accompanied with a profusion of bouquets flung on the platform from all accessible parts of the house. The ladies responded to this encore by singing another duet "O'er the hill, o'er the dale" in finished style, which was rewarded with unanimous plaudits and more bouquets . . .

"THEATRE ROYAL. ITALIAN OPERA COMPANY", The Mercury (2 May 1878), 3

http://nla.gov.au/nla.news-article8962799

The present season of Opera will always be a marked one in the memories of the musical world of Hobart Town, as having witnessed the débuts of two colonial ladies upon the operatic stage. Of the appearance of Miss Bessie Pitts as "Rosina" we have already written, and we have now to record the unqualified success of Miss Amy Sherwin, who appeared last night, for the first time, as "Norina" in Don Pasquale . . .

[Advertisement], The Mercury (3 October 1879), 3

http://nla.gov.au/nla.news-article8981916

TOWN HALL. MONDAY, OCTOBER 6.
MR. F. A. PACKER'S (Honorary City Organist) FIRST GRAND ANNUAL CONCERT.
PROGRAMME . . . 11. Song "Auld Robin Gray" - SCOTCH - MRS. BARCLAY (Miss Sarah Sherwin) . . .

"IN MEMORIAM", The Mercury (13 October 1902), 1

http://nla.gov.au/nla.news-article9589442 

SHERWIN. - In memory of George Arthur Sherwin, only son of George Sherwin, late of Forest Home, Huon, and husband of Elizabeth Sherwin, Rochford Hall, Kellevie, died October 13, 1901, at the General Hospital, Melbourne, Victoria.

"DEATHS", Daily Telegraph (27 July 1903), 1

http://nla.gov.au/nla.news-article153949914 

HURST. - On the 25th July, at Homoeopathic Hospital, Launceston, Minnie the beloved wife of H. C. Hurst, of St. Leonards, aged 58 years. Asleep in Jesus; How calm her slumbers are.

"DEATHS", Examiner (7 October 1921), 1

http://nla.gov.au/nla.news-article146541847

BARCLAY. - On the 6th October, at "Gartmore," Frederick-street, Sarah Elizabeth, beloved wife of James Barclay, aged 77 years. (Private interment.)

"OBITUARY", Examiner (22 June 1926), 4

http://nla.gov.au/nla.news-article91615305

. . . Mr. Barclay in 1814 married Miss Sarah Elizabeth Sherwin, of "Forest Home," Huon, which is one of the original homesteads still standing on the River Huon. Mrs. Barclay, who died in 1921, was a sister of Madame Amy Sherwin, with whom she sang at many amateur concerts in Launceston and elsewhere.

"DEATHS", The Mercury (6 October 1926), 1

http://nla.gov.au/nla.news-article29461157 

PROPSTING. - On October 4, 1926, at her late residence, Devonshire House, Hobart, Lucy Emma, relict of the late N. H. Propsting, and daughter of the late George and Elizabeth Sherwin, Forest Home, Huon.

"Amy Sherwin Dies At 81, Penniless", Rochester Journal [USA] (21 September 1935), 3

https://news.google.com/newspapers?id=olhgAAAAIBAJ&sjid=c3ENAAAAIBAJ&pg=3518%2C9977

BROMLEY, Kent, Eng. Sept. 21. - (AP) - Amy Sherwin, noted operatic soprano, died here today. She was eighty-one. The singer, who once filled the concert halls of America with her golden voice and earned as much as 3,000 pounds sterling yearly, died almost forgotten, lonely and penniless. Living in a fine style had depleted her resources and charges of the nursing home where she died had to be paid by charity.

"TASMANIAN SINGER. Madame Amy Sherwin. Death in London. Noted Prima Donna. LONDON, September 22", The Mercury (23 September 1935), 7

http://nla.gov.au/nla.news-article30106909

Madame Amy Sherwin, aged 80 years, the former world-famous singer, who was known as "The Tasmanian Nightingale," died in London on Saturday. She was born at Forest Home, Huonville, now the property of Mr. W. H. Calvert, M.L.C. She made her first appearance on a stage in Hobart in what was then Delsarte's Rooms, afterwards the Tasmanian Hall, and now the Royal Yacht Club of Tasmania, at the corner of Davey and Harrington Streets. The work in which she appeared was a small operetta, "Zillah," and her promise then as a girl in her 'teens heralded a career that was to embrace the world. The operetta was conducted and produced by W. Russell . . .


Bibliography and resources:

Deirdre Morris, "Sherwin, Frances Amy Lillian (1855-1935)", Australian dictionary of biography 6 (1976)

http://adb.anu.edu.au/biography/sherwin-frances-amy-lillian-4574


DISAMBIGUATION:

SHERWIN, Eliza (Tasma SHERWIN; Elsa Tasma SHERWIN = Madame Leon CARON)

Soprano vocalist

Born Hobart, TAS, 22 July 1859; daughter of William SHERWIN and Eliza HILL

https://trove.nla.gov.au/search?l-publictag=Eliza+Tasma+Sherwin+Caron+1859-1932 (TROVE tagged by Australharmony)

SHERWIN, Herbert Henry (alias Herbert Sydney LEICHARDT)

Tenor vocalist, photographer

Born Hobart, TAS, 22 April 1865; son of William SHERWIN and Eliza HILL

https://trove.nla.gov.au/search?l-publictag=Herbert+Henry+Sherwin+1865-1925 (TROVE tagged by Australharmony)




SHERWIN, Walter (Walter SHERWIN; alias of John SHICKLE)

Tenor vocalist

Born Norwich, Norfolk, England, 17 April 1828; baptised Norwich, 30 April 1838; son of James SHICKLE and Mary ?
Married Sarah AMOS (1829-1911), St. John's, Lambeth, 27 May 1852
Arrived Melbourne, VIC, 27 June 1856 (per James Baines, from Liverpool, England, 6 April)
Arrived Sydney, NSW, 30 June 1856 (per London, from Melbourne, 28 June)
Died Darlinghurst, Sydney, NSW (en route from China to Melbourne), 22 September 1881, aged 53

https://trove.nla.gov.au/search?l-publictag=Walter+Sherwin (TROVE tagged by Australharmony)

SHERWIN, Frederick John (Frederick John SHICKLE SHERWIN)

Musician, music retailer

Born London, England, 6 November 1856; baptised St. John's, Lambeth, 21 December 1856, son of John SHICKLE and Sarah AMOS
Died Bondi, NSW, 27 March 1917


Walter Sherwin, ? c. 1870 (photo: Townsend Duryea); State Library of Victoria

http://handle.slv.vic.gov.au/10381/273238 (DIGITISED)

ASSOCIATIONS: Townsend Duryea (photographer)


Summary:

Very little is known of John Shickle's musical activities before he arrived in Australia. Describing himself as a "musician", he was living with his mother and sisters, dressmakers, in Soho Square on the night of the 1851 census. At the time of his marriage, the following year, he was a "professor of music" living in Bloomsbury. he appears to have formed an ongoing professional relationship with John Wade Thirlwall and his violinist son William Thirlwall, appearing with them in lecture-concert at Greenwich in 1854, and with Thirlwall senior again in Deptford in 1855.

The first and only time he appears to have gone by the name Walter Sherwin in England was in April 1856 in reports of his embarkation for Australia.

The Mr. Shickle, of Norwich, who was a tenor singer at the Norwich Festival in 1824, was perhaps related. Another John Shickle, - John Blythe Shickle, musician, and also originally of Norwich, was recorded in the 1851 census in lodgings at Hulme, Manchester, aged 25; in 1852, he became leader of the band at the Theatre Royal, Manchester, under Edward Loder.

Sherwin duly arrived in Australia in June 1856 as tenor of a touring operatic party including Julia Harland (soprano), Robert Farquharson (bass), Linly Norman (pianist and musical director), and Harland's husband, William Hoskins (manager, light comedian).

He was returning to Melbourne from Hong Kong with the Carandinis when he fell ill in Brisbane, and died in Sydney in September 1881.


Documentation:

Register of baptisms, Countess of Huntingdon's Connexion, Norwich, 1828; UK National Arcgives

https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0150432-00026 (PAYWALL)

John, son of James Shickle and Mary his wife of the Parish of St. Peter at Hangate in the City of Norwich was Born April 17, 1828, and was Baptized April 30, 1828, By me John Owen.

ASSOCIATIONS: Countess of Huntingdon's Connexion (religious sect)

England census, 30 March 1851, Middlesex, St. Anne, Soho; UK National Archives, HO 107 / 1510

https://www.ancestry.com.au/interactive/8860/MDXHO107_1509_1510-0413 (PAYWALL)

18 Soho Square / Mary Shickle / Head / 56 / Dressmaker / [born] Norfolk Norwich
Charlotte [Shickle] / Dau. / 23 / [Dressmaker] / [born Norfolk Norwich]
John [Shickle] / Son / 22 / Musician / [born Norfolk Norwich]
Adelaide [Shickle] / Dau. / 20 / Dressmaker / [born Norfolk Norwich]
Frederic [Shickle] / [Son] / 19 / Coachmakers ap. / [born Norfolk Norwich]

1852, marriages solemnized at St. John's Church in the district and parish of St. John Waterloo in the County of Surry; register 1852-54; London Metropolitan Archives

https://www.ancestry.com.au/interactive/1623/31280_198069-00049 (PAYWALL)

[No.] 165 / May 27 1852 / John Shickle bachelor Professor of Music [of] Upper Stamford Street / [son of] James Shickle builder /
Sarah Amos Spinster [daughter of] Edward Amos painter / Married in the Parish Church . . .

[Advertisement], Kentish Mercury (30 September 1854), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000937/18540930/052/0004 (PAYWALL)

LECTURE HALL, GREENWICH. MUSIC AT HOME; HOW TO SING WHAT TO SING.
Mr. J. W. THIRLWALL BEGS respectfully to announce to the inhabitants of Greenwich and its vicinity that he will give his
ENTERTAINMENT at the above Hall, on THURSDAY EVENING, 12th October, 1854,
when he will be assisted by the following EMINENT ARTISTES:
MTSS THIRLWALL, THE MISSES F. and E. WADE, MR. SHICKLE, MR. SUCHET CHAMPION,
Mr. WILLIAM THIRLWALL, (Solo Violin to the London Orchestra) . . .

ASSOCIATIONS: John Wade Thirlwall (violinist); William Thirlwall (violinist)

"MUSICAL ENTERTAINMENT", Kentish Mercury (13 October 1855), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000937/18551013/059/0005 (PAYWALL)

The Committee of the Deptford Literary Institution have commenced their Autumn session with considerable spirit. Mr. Thirlwell, and the ladies and gentlemen who vocally illustrate his lectures, gave two entertainments on Wednesday and Wednesday week. The first on "The Vocal Music of the present day," and the second "On the Italian Opera," with the music from Bellini's Sonnambula. We have said, in our previous notice of the entertainments given by this gentleman, that they are superior any others have heard at Literary Institutions. We do not mean that Miss Thirlwall is quite equal to Jenny Lind, or that Mr. Shickle is quite so accomplished an artist as Mario or Sims Reeves; but the funds our Literary Institutions will not allow them to make engagements with Swedish Nightingales, or the pets of the Italian Opera Houses in all the cities of Europe. This being the state of the case, it is a great advantage to the members of such Institutions that they can have the pleasure hearing such singers Miss Thirlwall, Mr. Shickle, and Mr. Nelgrove . . . Mr. Shickle's clear and sweet tenor voice enabled him to do ample justice to the scena "All is lost now" . . .

"THEATRICAL ARTISTES FOR AUSTRALIA", The morning chronicle (7 April 1856), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18560407/012/0003 (PAYWALL)

Mr. J. H. Wilton has engaged a corps of theatrical artistes, who will take their departure for Australia in the ship James Baines, which was expected to sail from Liverpool for Melbourne on Sunday morning. They have been engaged for the Theatre Royal, Melbourne, and will be accompanied by Mr. Black, the lessee and builder of that establishment, and by Mr. W. N. Lyons, Mr. Wilton's locum tenens. The artistes already engaged by Mr. Wilton are Miss Fitzpatrick, Miss Julia Harland, Mr. Hoskins, Mr. Farquharson, Mr. Sherwin, and Mr. Linley Norman, Mddle. d'Antoine, and Mons. Martin. Mr. Wilton is also in treaty for an Australian trip, with Mr. Anderson, Mr. and Mrs. J. W. Wallack, Mr. and Mrs. Charles Dillon, and Miss Cushman, Mr. Charles Matthews having for the present declined Mr. Wilton's offer, on the score of the ill-health of his wife (Madame Vestris.)

ASSOCIATIONS: John Hall Wilton (agent); Julia Harland (vocalist, Mrs. Hoskins); William Hoskins (actor, manager); Linly Norman (pianist, musical director); Robert Farquharson (vocalist)

Australia (from 27 June 1856):

Names and descriptions of passengers per James Baines, from Liverpool, 5 April 1856, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AFF8885-F96C-11E9-AE98-4994E0429BCA?image=136 (DIGITISED)

Chief Cabin Passengers . . .
Mr. Norman / Mr. Sherwin / Mr. [&] Mrs. Hopkins [sic] / Mr. [&] Mrs. Farquharson / [all for] Melbourne

"THEATRICAL", The Argus (27 June 1856), 5

http://nla.gov.au/nla.news-article7132148 

By the James Baines the following members of the musical and theatrical professions have arrived: - Miss Julia Harland, soprano; Mr. Walter Sherwin, tenor; and Mr. Robert Farquharson, bass. Mr. Linley Inman has accompanied these artistes as musical director and conductor, and they bring with them a repertory of thirty operas, with dresses and personal appointments complete. Mr. Hoskins, a light comedian of ability, formerly attached to the Sadler's Wells Theatre, also forms part of the troupe, and will proceed forthwith to Sydney, where they are under engagement for the present.

"SHIPPING INTELLIGENCE. ARRIVED" and "THE R.M.S. JAMES BAINES", The Age (28 June 1856), 2

http://nla.gov.au/nla.news-article154866486 

June 27 - James Baines, R.M, ship, 2315 tons, C. McDonald, from Liverpool 6th April . . .

"THEATRICAL AND MUSICAL", The Age (28 June 1856), 3

http://nla.gov.au/nla.news-article154866485 

"SHIPPING INTELLIGENCE", The Age (28 June 1856), 2

http://nla.gov.au/nla.news-article154866486 

JUNE 30. - London (s.), 700 tons, Captain Watts, from Melbourne 28th instant. Passengers . . . Miss Harland, Mrs. Farquharson . . . Messrs. . . . Norman, Hoskins, Sherwin, Farquharson . . .

"ENGLISH OPERA HOUSE", The Sydney Morning Herald (12 July 1856), 5

http://nla.gov.au/nla.news-article12984711 

The opera season commenced on the evening of Tuesday last, with Bellini's never-tiring "La Sonnambula." The occasion introduced to the Sydney public the new company who arrived in this colony, per the James Baines. The opera was supported in a manner worthy the patronage of "the lovers of the divine art." The performance being indebted for its success to a combination of talent, rather than to individual display. The musical firmament resembled a galaxy of lesser luminaries, unattended with any "bright particular star." The result of this union caused an evenness and compactness that perhaps has not been so complete and finished on any former representation. The prima donna, Miss Julia Harland, is a lady possessing considerable musical qualifications, and the impression she made as Amina was attended with success, both decided and enthusiastic. She was well supported by Mr. Walter Sherwin, as Elvino; his voice is a rich tenor, of good compass, flexibility, and sweetness. Although in those scenes where he doubts the fidelity of Amina, she sang with expression and feeling, and gave evidence of much study and careful training, he nevertheless lacked somewhat the skill of the dramatic artiste, and would tender the role more effectively by using a greater amount of earnestness and energy in his impersonation. Mr. Farquharson, as the "Count Rodolpho," enlisted the audience entirely in his favour. His voice is a fine basso, and his style artistic and descriptive . . .

"THEATRE ROYAL. OUR LYCEUM. ENGLISH OPERA", The Argus (1 September 1856), 5

http://nla.gov.au/nla.news-article7135802 

The Queen's Theatre, re-baptized under the title of "Our Lyceum," opens this evening with an English operatic troupe, under the management of Mr. John Black. The opera selected for the occasion is the "Bride of Lammermoor," and it will be the first time Donizetti's celebrated work has been presented in an English dress to a Victorian audience. Having had the advantage of witnessing a rehearsal we are enabled to give as an opinion that success will be found to be merited by the new arrivals, and we therefore look to see it achieved. Miss Julia Harland, the prima donna, is a daughter of Mr. Henry Wallack, well known to the British and American boards. From the slight opportunity we have had of judging of her professional qualities we are inclined to augur for her a flattering success. We have also a good opinion of the qualifications possessed by Mr. W. Sherwin, the tenor, and hope to see him ere many nights have elapsed a favorite with our Melbourne play-goers. Mr. Farquharson is decidedly an immense acquisition to our corps d'opera, and although Ashton is not a telling part for him, we anticipate a grand treat for the patrons of Our Lyceum this evening from the thoroughly established reputation which this excellent singer has acquired in the mother country, and which has been fully endorsed by our Sydney neighbors. Mr. Gregg and Mrs. Fiddes will, we believe, also appear. The orchestra and chorus have been judiciously selected. The former is under the direction of Mr. Linley Norman, with Strebinger for leader, and numbers several of our most popular instrumental performers, including Messrs. King (first violin), Johnson (clarionet), Hartigan (ophecleide), and in addition a Mr. Siche [recte, Siede], a flautist of high reputation in England and Germany, and who has only very recently arrived in the colony. Mr. Hosking, an admirable light comedian, who will be well remembered by the ci-divant patrons of Messrs. Phelps and Greenwood, also makes his debut this evening as Colonel Jack Delaware, a Yankee "patter" part, in the farce of "A Fast Train."

ASSOCIATIONS: John Melton Black (proprietor); Edward King (first violin); Henry Johnson (clarinet); Joseph Hartigan (ophicleide); Julius Siede (flute)

Baptisms solemnized in the Parish of St. John Waterloo [Lambeth], in the year 1856

https://www.ancestry.com.au/interactive/1558/31280_198058-00231 

[Born] Nov. 6 1856 / [Baptised] Dec'r 21 / Frederick John / [Son of] John & Sarah / Shickle / Gt. Russell Street Bloomsbury / Professor of Music

"THE CARANDINI CONCERT", Daily Southern Cross [Auckland, NZ] (16 January 1868), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18680116.2.13 

Madame and the Misses Carandini, together with Mr. Walter Sherwin, made their first appearance last evening in a series of popular entertainments to be given at the Brunswick Hall. There was a large attendance; and a very attractive programme, comprising selections from the most popular composers, was provided for the occasion . . . The concert opened with an operatic selection from "The Enchantress," composed by W. Balfe, which was given by the company with good effect, and formed an appropriate introduction to the choice selection of music which followed . . . Mr. Walter Sherwin then gave the operatic selection from "Lurline," "Home of my Heart," which served to exhibit a fine tenor voice, well cultivated, and easy of command . . .

ASSOCIATIONS: Maria Carandini and daughters (vocalists)

"METROPOLITAN THEATER", Sacramento Daily Union [California, USA] (14 February 1871), 3

https://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SDU18710214.2.18 

The Carandini troupe made their first appearance before a Sacramento public last evening at the Metropolitan, rendering a fine operatic and ballad entertainment to a small but appreciative audience. Owing to the indisposition of Madame Carandini she was unable to appear, but a very attractive programme was given nevertheless. The sisters Rosina and Fanny have excellent voices, well cultivated, and sing with taste and expression. Walter Sherwin, the tenor, has a pleasing voice, and renders the ladies effective support. Last, but not least in the matter of furnishing pleasure and amusement to an audience, is the comic genius of the troupe, J. Small, who sings well and has unbounded control of his facial muscles, which he exercises with irresistible effect. The audience last evening expressed their gratification with the entertainment by most liberal applause and several encores. To-night a change of programme will be given, and lovers of music who attend may be assured of receiving quite a treat.

ASSOCIATIONS: Joe Small (comic vocalist)

"Figaro", The Lorgnette (12 February 1881), 2

http://nla.gov.au/nla.news-article208567898 

Madame Carandini has formed another concert party for a lengthened tour in foreign parts. Early in the ensuing week the above lady with her daughter, Marie, Miss Marion Linden, (pianiste), Mr. Otter Fischer (baritone), and Mr. Walter Sherwin will leave Melbourne per steamer Meath for China, via Newcastle, Cookstown, and Port Darwin, giving concerts in each of those places if opportunity offers.

"Deaths", The Sydney Morning Herald (23 September 1881), 1

http://nla.gov.au/nla.news-article13495339 

SHERWIN. - September 22, at St. Vincent's Hospital, Walter Sherwin (John Shickle), after a long illness.

"DEATHS", The Argus (23 September 1881), 1

http://nla.gov.au/nla.news-article5974203

SHERWIN. - On the 22nd inst., at Sydney, en route from China to Melbourne, Walter Sherwin, aged 53.

[News], The Sydney Morning Herald (23 September 1881), 5

http://nla.gov.au/nla.news-article13495324

THERE are probably few people in the colony who have not attended a concert given by the Carandini Company, and all will be sorry to hear that a gentleman who was for very many years the tenor singer of the company died at 2 a.m, yesterday in St. Vincent's Hospital. Mr. John Shickle, better known under his professional name of Walter Sherwin, accompanied Madame Carandini and her daughters on many a tour, and visited with them all the British dependencies; but his life journey has now come to an end, its close being marked by much suffering. After a successful concert season in China and Japan, Madame Carandini, with Miss Marie Carandini and Mr. Sherwin, left Hongkong for Australia, and before the voyage had lasted many days Mr. Sherwin was taken ill. His complaint, which was enlargement of the liver, became so serious that he had to remain for some days in Brisbane before he could gather sufficient strength to come on to Sydney, and for days before his death it was evident that there was no hope of his recovery.

"PERSONAL", The Sydney Morning Herald (28 March 1917), 10

http://nla.gov.au/nla.news-article15721936 

Widespread regret in musical circles will be felt at the death from heart failure of Frederick John Sherwin, who passed away at his home in Penkerville-street, Bondi, yesterday afternoon, at 66 years of age. In his earlier days he was employed at Allan's music warehouse, Melbourne, but for over 30 years he has been identified with W. H. Paling and Co., Ltd., of which he was a director as well as a departmental manager. The late Mr. Sherwin, who was a man of genial manners, was especially attached to his home, where he leaves a widow, a son, and two daughters.


Musical resources:

An English version of The favourite composed by Donizetti: written and adapted by E. Fitzball, Esq., performed for the first time, at the Princess Theatre, Melbourne . . . (Melbourne: R. M. Abbott & Company, 1858)

https://books.google.com.au/books?id=_9hZAAAAcAAJ (DIGITISED)


Bibliography and references:

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Opera-Opera/Pellinor, 1999), 90, 97-100, 103-06, 110, 115, 120, 129

Kurt Ganzl, "From England to Australia: from Shickle to Sherwin", Theatre Heritage Australia

https://theatreheritage.org.au/on-stage-magazine/general-articles/item/712 




SHICKLE, John = Walter SHERWIN



SHIELD, William (William SHIELD; Mr. SHIEL)

Violin maker

Active Hobart, TAS, 1858

https://trove.nla.gov.au/search?l-publictag=William+Shield+violin+maker (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHIELD-William (shareable link to this entry)


Documentation:

"ROYAL SOCIETY OF TASMANIA", The Courier (28 April 1858), 2

http://nla.gov.au/nla.news-article2462346

THE MONTHLY MEETING for April was held at the Museum, Harrington-street, on the evening of Tuesday, the 20th instant . . .
A note was read from Mr. Nutt, M.H.A., presenting a stuffed specimen of Australian Egret Herodias Syrmatophorus - from Victoria, and introducing to the favourable consideration of the Society Mr. William Shield, the maker of a violin (exhibited) which is constructed of colonial woods, namely Musk-wood and Huon Pine. The instrument is artistically executed, and its tone was pronounced by some members present to be full, fine, and mellow in a degree beyond what could have been anticipated from timbers so imperfectly seasoned. The following resolution was passed upon a motion made by the Ven. Archdeacon Davies, seconded by Dr. Agnew:
"That the Secretary will be good enough to procure the attendance of Shield, the maker of the violin now exhibited, at the next monthly meeting of the Society, in order to have the benefit of his observations on the fitness and adaptability of Tasmanian timber to such purposes" . . .

"ROYAL SOCIETY OF TASMANIA", The Courier (17 May 1858), 2-3

http://nla.gov.au/nla.news-article2462484 

The monthly meeting for May was held on the evening of Tuesday last, 12th instant, at the Museum, Harrington-street . . . [3] . . . In the course of the evening Mr. Vautin was introduced, together with Mr. Shiel, the maker of the violin which was exhibited at the last monthly meeting as having been constructed of colonial woods-namely, Musk Wood and Huon Pine, and the opinions of the latter stated upon the value and adaptability of various Tasmanian timbers to such purposes. The Ven. Archdeacon Davies said that the organ pipes at St. David's had been found faulty from expansion and contraction, according to the hygrometric condition of the atmosphere, and wished to know what colonial wood would be most suitable for replacing them. Dr. Bedford reminded the meeting that Huon pine organ pipes sent to the London Exhibition of 1851, by Dr. Vallentine, of Campbell Town, had been spoken of in the highest terms. Mr. Abbott made some suggestions for obviating the alternate expansion and contraction complained of, which were considered by other members as likely to deaden or destroy the resonancy of the wood, and render it useless for musical purposes. Mr. Sprent and other members spoke on the subject, when the conversation dropped; Mr. Shiel having promised to bring under notice of the society everything worth reporting which might present itself in the course of trials about to be made by him to test the value of several Tasmanian woods for the construction of musical instruments . . .

ASSOCIATIONS: James Vautin (amateur musician, cellist); Robert Rowland Davies (clergyman); William Bedford (clergyman); William Valentine (amateur organ builder)




SHIELDS, Patrick (Patrick SHIELDS)

Musician, bandsman (51st Regiment)

Born ?; son of Patrick SHIELDS (d. 1870) Departed Hobart Town, VDL (TAS), 8 August 1846 (per Agincourt, for India)
Died Lahore, India, 1861

ASSOCIATIONS: Band of the 51st Regiment (military band)


Documentation:

Paylist of the 51st Regiment, 1 April to 30 June 1846 (Australian Joint Copying Project, from Records of the UK War Office)

https://nla.gov.au/nla.obj-1651873636 (DIGITISED)

1528 / Shields Patrick . . . [not indicated that he was yet a member of the band]

NOTE: Shields was not listed with the regiment on its first arrival in Australia in 1838

"FINAL EMBARKATION OF THE 51ST", The Courier (12 August 1846), 3

http://nla.gov.au/nla.news-article2945104

At an early hour on Saturday great numbers of our citizens of all ranks and conditions repaired to the garrison to witness the departure of the two first detachments of the 51st regiment for India . . . The bugle sounded, and the troops formed in line before eight o'clock . . . The band played a lively air, as stragglers who had been out in the city, arrived and took their places in the ranks. The veteran and gallant Colonel, accompanied by Lieut.-Colonel Cumberland, of the 96th, and Major Ainsworth, attended by several other officers and friends, made a careful inspection of the men. The bugle again sounded, the troops were formed in double line, and after some other manouvres, the order to "march!" was given. The troops set un a loud shout, which thrilled through every nerve of that vast assemblage; and the font of feeling burst forth in the breast of even the most careless who, having no friends or relations on the ground, had gone merely to look upon the scene as a spectacle. There was an echo given in reply to the shout of the soldiery; the band struck up the air of "Auld lang syne," and the march from the Barrack square commenced. Thus the troops and populace proceeded down Davey-street into Macquarie-street. Here the band ceased, and the buglers struck up the appropriate air of "The lass I left behind me" . . . The buglers went off with the last boat, repeating the air, "the girl I left behind me;" Colonel Elliott, and the Officers for the Agincourt, followed in Captain Moriarty's barge, the band playing "God save the Queen;" the spectators on shore cheering. On arrival on board, the band and buglers played once more "Should auld acquaintance be forgot," and thus terminated the embarkation. The China was cast off from her moorings, warped into the stream, and sailed the same afternoon. The Agincourt followed in a few hours afterwards. Of the partings from dear and near connexions we may mention one instance. There is a veteran now in town of the name of Patrick Shields, 21 years in the regiment, and now a Chelsea pensioner on a shilling a-day. He had four sons and two daughters born in the regiment. Two of the sons are privates and two non-commissioned officers. The two daughters are married to privates, and thus the parent was separated, in one hour, from four sons, two daughters, and two sons-in-law. Such scenes as these are seldom witnessed . . .

"THE 51st REGIMENT K. O. L. I.", The Cornwall Chronicle (22 January 1862), 2

http://nla.gov.au/nla.news-article65570758 

Many of the colonists of Tasmania will remember the brave soldiers of this fine Regiment, who were for so many years quartered in Tasmania. They will regret to see that during the last few months the regiment has almost been decimated by that fell disease, cholera. The following letter from a Sergeant gives an account thereof: -

Lahore, 15 October, 18 Oct 1861
My dear sister, I wrote to you a few days since, a short letter, as I had only come out of hospital that morning, after recovering from a very severe attack of fever, and the mail was about to close so I could not describe to you anything about the late cholera disease, and its fearful effects . . .

The disease broke out first in our Regiment on the 7th August, and from that date up to about the 20th Sep., or little more than a month we lost our Colonel, 17 Sergeants, 16 corporals, and 247 privates, besides 17 women and 22 children . . .

I forgot to tell you I was promoted to the rank of sergeant in March last, I was only six months corporal. I am now doing the duties of Bugle Major. I cannot express to you how grateful I am to the Almighty for all His mercies to me since I have been a soldier, and above all for my escape from that dreadful disease. I am the only Hobart Town person now in the regiment. Poor Patrick Shields of the Band, and Billy Ring the Bugler have both died lately . . .

Shields told me if ever I returned to Tasmania to acquaint his friends of the manner of his death. He was quite sensible a few hours before his death. His loss is deeply regretted in the Band, we are very near done up for a Band, as we lost 16 men out of it. All the tunes we can manage to play are marches, as we unfortunately lost the best performers. The 94th Band is entirely done up as they lost one half their Band. I expect our regiment will be going home some time next year - at least that is rumoured - and generally believed in the Corps.
Sergeant J-- W--
H.M. 51st K.O.L.I., Lahore, Punjab.




SHOLL, William Horatio (William Horatio SHOLL; W. H. SHOLL)

Amateur actor, ? vocalist, surgeon

Born London, England, 21 December 1808; baptised St. George, Southwark, 21 December 1809; son of Robert SHOLL and Betsy Elizabeth MUTTON
? Arrived Perth, WA, 2 May 1839 (per Montreal, from London)
Married Jane CROCKER, Fremantle, WA, 17 March 1841
Died Wallaroo, SA, 29 November 1876

https://trove.nla.gov.au/search?l-publictag=William+Horatio+Sholl+1808-1876 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHOLL-William-Horatio (shareable link to this entry)


Documentation:

"SHIPPING INTELLIGENCE. ARRIVALS", The Perth Gazette and Western Australian Journal (4 May 1839), 70

http://nla.gov.au/nla.news-article639124 

On the 2d instant, the Montreal, Captain Tessier, from London. - Passengers . . . Mr. Sholl . . .

[Playbill] Perth Amateur Theatricals, 9 July 1839, Perth, WA; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/93QVXBW1/pmgLmDMW2wD4o (DIGITISED)

On TUESDAY, 9th July, will be performed, the Petite Comedy, in two Acts, ENTITLED
LOVE A LA MILITAIRE
Capt. Seaford [Officer of the Imperial Lancers] - Mr. Collinson
Cornet Vesey [Officer of the Imperial Lancers] - Mr. Webb
Punker (an East Indian, father to Mary) - Mr. Durlacher
Samuel Grummett, Esq. - Mr. Sholl
Landlord - Mr. E. Souper
Mary (Punker's Daughter) - Mrs. Turner
Dorothea (Punker's Sister) - Mrs. Watson
Fanny (Lady's Maid to Mary) Miss E. Purkis.

The overtures of the "Lady of the Manor" and "Lodoiska" will be performed in the course of the evening;
in addition to which the following songs will be introduced: -
"Come Fill a Mighty Measure" - Opening Glee.
"Oh, say not Woman's Heart is Bought" - Mrs. Turner
"Norah, the Pride of Kildare" - Mr. Webb
"Humours of a Playhouse," - Mr. Sholl.

A Prologue will be spoken by Mr. Collinson.

No person will be admitted whose name does not appear on the ticket.
Performance to commence at half-past eight precisely.
Printed by C. McFaull, at the Gazette Office, Perth, Western Australia. 1839.

See also "AMATEUR THEATRICALS", The Perth Gazette and Western Australian Journal (13 July 1839), 111

http://nla.gov.au/nla.news-article639035 

ASSOCIATIONS: Mrs. Turner (amateur vocalist, actor); George Joseph Webb (amateur vocalist, atcor); Perth Amateur Theatricals (company)

[Advertisement], The Perth Gazette and Western Australian Journal (20 July 1839), 113

http://nla.gov.au/nla.news-article639023 

AMATEUR THEATRICALS.
A SECOND Performance will take place at Perth on Wednesday, the 4th September, at 7 o'clock P. M.
Ladies or gentlemen desirous of obtaining tickets are requested to apply to the undersigned.
WM. H. SHOLL, Honorary Secretary.
As the number of admissions will this time be limited, an early application is desirable.

[Advertisement], The Perth Gazette and Western Australian Journal (13 June 1840), 2

http://nla.gov.au/nla.news-article638659 

PERTH ASSEMBLY. THE THIRD ASSEMBLY BALL will be held at Hodges' Hotel, on Wednesday, the 1st July next. W. H. Sholl, Hon. Secretary. Perth, June 12, 1840.

"MARRIED", The Perth Gazette and Western Australian Journal (27 March 1841), 2

http://nla.gov.au/nla.news-article642786 

On Wednesday, 17th inst., at the Government Resident's, Fremantle, by the Rev. the Colonial Chaplain, W. H. SHOLL, Esq., to JANE, daughter of BENJAMIN CROCKER, Esq., R.N.

"OBITUARY . . . THE LATE DR. SHOLL", South Australian Register (30 December 1876), 8 supplement

http://nla.gov.au/nla.news-article43014963 

In its obituary notice of this gentleman, the Wallaroo Times of December 2 says: - "It is with feelings of deep and sincere regret that we record the death of our much esteemed and universally-liked fellow-townsman, Dr. William Horatio Sholl, which took place at his residence in Wallaroo after a painful illness of nearly three months' duration, on Wednesday, the 29th November. He was suffering from what is commonly known, as Bright's disease, and all hopes of his recovery had been given up previous to his decease. Dr. Sholl came to this colony in 1849, from Western Australia, where we understand he was proprietor of a newspaper, and practised for some time in North and South Adelaide, after which he came to Wallaroo, in 1860, where he has remained ever since. He had been for some time in the earlier days a surgeon in the Spanish army. His private practice was large, and for the last three years he was Resident Surgeon of the Wallaroo General Hospitil. His great skill and capability was universallyy acknowledged, and his amiable and generous disposition had endeared him to every one who came in contact with him. His deeds of energy and kindness to the poor have been too vast to enumerate and his efforts to better their condition were unceasing . . .




SHOOBERT, Wild Abercormbie (Wild Abercrombie SHOOBERT; W. A. SHOOBERT)

Amateur musician, composer, surveyor

Born Mount Keira, NSW, 28 December 1845; baptised, St. Michael, Wollongong, 1 February 1846; son of James SHOOBERT (1804-1876) and Matilda Anne WALDRON (MORRIS) (d. 1874)
Married Ann Frances DAY, Sydney, NSW, 7 August 1869
Died Neutral Bay, NSW, 10 November 1901, aged 55

https://trove.nla.gov.au/search?l-publictag=Wild+Abercrombie+Shoobert+1845-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHOOBERT-Wild-Abercormbie (shareable link to this entry)


Summary:

Son of captain James Shoobert, shipowner and maritime identity, Wild Schoobert composed The Bombay galop ("dedicated to Captain Burne and the officers of the R.M.S.S. Bombay"), published by James Reading & Co. of Sydney in November 1867.

An unidentified "waltz, composed by Mr. Shoobert, an amateur musician", appeared in 1864.

Wild Shoobert was later a surveyor-draftsman; see, for instance, his plans of the property of the Wallerawang Coal and Iron mining Co. (1875) and of the Salisbury Estate, Strathfield (1890).


Documentation:

"BIRTH", The Sydney Morning Herald (31 December 1845), 3

http://nla.gov.au/nla.news-article12884438

At her residence, Mount Keera, on the 28th instant, Mrs. James Shoobert, of a son.

"WATER POLICE COURT. WEDNESDAY", The Sydney Morning Herald (10 May 1860), 5

http://nla.gov.au/nla.news-article13040396

BEFORE Captain McLean, Mr. Kemp, Mr. Garrard, Mr. J. Shoobert [sic] and Mr. B. Burdekin . . .
Thomas J. Acton, a licensed waterman, Balmain Stairs, was fined 20s., with costs for overcharging W. A. Shoobert, for conveying him and another passenger in his boat, from Balmain to the Erskine Street Ferry, on Sunday last. In default of paying fine, to be imprisoned for two days . . .

"MUSIC AND DRAMA", The Sydney Morning Herald (21 October 1864), 8

http://nla.gov.au/nla.news-article13109287

. . . In musical publications there is little to notice beyond some morceaux, by Signor Cutolo, published by Elvy and Co., and a waltz by Mr. Shoobert, an amateur musician. It is also rumourod that Mr. F. Ellard is about to publish a song of his composition . . .

"THE MONA VALSE", The Sydney Morning Herald (24 October 1864), 4

http://nla.gov.au/nla.news-article13102817 

The Mona Valse, by Mr. Shoobert, is a creditable production for a youthful musician, and is pretty without being pretentious, except in the word brillante. The valse is in E flat, and the subject tolerably well dealt with.

"NEW MUSIC", The Sydney Morning Herald (15 November 1867), 4

http://nla.gov.au/nla.news-article13158710

"The Bombay Galop," dedicated to captain Burne and the officers of the H.M.S. Bombay, and composed by Mr. W. A. Shoobert, is a really sparkling bit of dance music, and worthy the patronage of performers on the pianoforte, to whom we commend it. The printing is good, and the title-page bears a good drawing of the steamer outward-bound.

"NEW MUSIC", Empire (18 November 1867), 4

http://nla.gov.au/nla.news-article60847204 

"The Bombay Galop," by W. A. Shoobert, dedicated to Captain Burns and the officers of the P. and O. Company's steamship Bombay - a sparkling composition for the dance. These trifles are not open to criticism. The publication is doubtless in remembrance of pleasant hours spent on board the good ship Bombay, which the galop will recall.

[Advertisement], The Sydney Morning Herald (22 November 1867), 1

http://nla.gov.au/nla.news-article28608028

THE BOMBAY GALOP, by W. A Shoobert, may be had at all the principal music-sellers.

[Advertisement], The Sydney Morning Herald (16 December 1867), 1

http://nla.gov.au/nla.news-article13162083 

MUSIC . . . Bombay Galop, 3s . . .
READING and WELLBANK, Music Sellers, George- street.

[Advertisement], The Sydney Morning Herald (5 July 1870), 6

http://nla.gov.au/nla.news-article13207750 

"BOMBAY GALOP," 2nd edition, just published, 3s.
J. READING and CO , Musicsellers, 356, George-st.

[Advertisement], The Sydney Morning Herald (15 May 1871), 8

http://nla.gov.au/nla.news-article13238772 

POPULAR COLONIAL MUSIC . . . Bombay galop, 3s. . . .
J. READING and CO., Musicsellers.

"CONCERT", Cootamundra Herald (3 April 1877), 2

http://nla.gov.au/nla.news-article143909393 

In connexion with the other celebrations of the day, Easter Monday, as above reported, a concert of a musical and literary character was given in the evening in the Roman Catholic school room . . . and on the whole the concert would do credit to much more pretensious towns than Cootamundra. We have frequently known professional entertainments to be below that of last evening, so far as vocal musical talent is concerned. The singing of Messrs. Chapman, Shoobert, Barnes, and Sullivan was quite a treat to all lovers of good music . . . There must have been over two hundred persons present. The following were the selections of the evening: . . . trio, "The Wreath," Messrs. E. Barnes, Chapman, and Shoobert, which was encored . . . quartette, "Come where my Love Lies Dreaming," Messrs. Chapman, McCarthy, Barnes, and Shoobert . . . song, "The Vagabond," Mr. W. A. Shoobert, encored . . . quartette, "Eileen Alannah," Messrs. Barnes, Chapman, McCarthy, and Shoobert . . . The whole concluded with the National Anthem.

"ENTERTAINMENT", Cootamundra Herald (31 July 1877), 3

http://nla.gov.au/nla.news-article143909021 

Pursuant to announcement the musical and literary entertainment, instituted with the object of augmenting the Church of England building fund, came off with great eclat on Tuesday evening last . . . Mr. W. A. Shoobert (basso) sang "The Memories of the past;" and Mr. R. E. Chapman, "Consider the Lilies," both of which were duly appreciated . . .

"INSOLVENCY COURT . . . SCHEDULE FILED", The Sydney Morning Herald (7 June 1879), 3

http://nla.gov.au/nla.news-article13436193

Wild Abercrombie Shoobert, of Cootamundra. Liabilities £517 5s. 8d. Assets, £670 5s.

[Advertisement], The Sydney Morning Herald (31 January 1885), 8

http://nla.gov.au/nla.news-article13574812 

HAVING PURCHASED the Sole Copyright of the celebrated BOMBAY GALLOP, and registered the same, I have reduced the price to 2s net from this day.
WILLIAM BULLARD, 342, George-street.

ASSOCIATIONS: William Bullard (music seller, publisher)

"Music", The Sydney Mail and New South Wales Advertiser (17 December 1898), 1459

http://nla.gov.au/nla.news-article163808977 

. . . To satisfy those who are desirous of knowing what among locally-published compositions have been most successful, and which have the biggest sale at the present moment, I am giving a list kindly prepared by Mr. Alfred Usher, of Messrs. Paling and Co. . . . The first local compositions to have success were the Hon. George Thornton's "Cornstalk Polka" and W. A. Shoobert's "Bombay Gallop," both of which are still saleable . . .

ASSOCIATIONS: Alfred Usher (music seller); W. H. Paling and Co. (retailer)

"Deaths", The Sydney Mail and New South Wales Advertiser (16 November 1901), 1277

http://nla.gov.au/nla.news-article165235159 

SHOOBERT. - November 10, at 10 Undercliff-street, Neutral Bay, Wyld Abercrombie Shoobert, aged 55 years.

[Advertisement], The Brisbane Courier (19 December 1914), 2

http://nla.gov.au/nla.news-article20003136 

NOW READY . . . PALING'S XMAS ANNUAL, No. 43.
CONTAINS . . . BOMBAY GALOP (Old Favourite) - A. Schuberth . . .


Musical works:

The Mona valse brillante (1864)

NO COPY IDENTIFIED

The Bombay galop (1867)

https://trove.nla.gov.au/work/32646303 

NO COPY OF THE 1867 FIRST EDITION IDENTIFIED; probably published by Reading and Wellbank; however, the later editions will have used the same plates, and only the covers differ

The Bombay galop, dedicated to Captain Burne and officers of the R.M.S.S. Bombay, composed by W. A. Shoobert, second edition (Sydney: James Reading & Co., [1870])

https://collections.sea.museum/objects/21804 (COVER ONLY DIGITISED)

https://collection.sl.nsw.gov.au/record/74VKqyVyrBdl (NOT DIGITISED)

. . . third edition [Galop brillante] (Sydney: James Reading & Co., [? 1871])

https://trove.nla.gov.au/work/32646303/version/39772836 (NOT DIGITISED)

Later edition by William Bullard (from 1885)

Later edition in Paling's annual, no. 43 (Sydney: W. H. Paling & Co.. [1914])

https://trove.nla.gov.au/work/35628175 




SHORN, Edward (Edward SHORN; ? spelling)

Itinerant musician, piper, bagpipes player, convict

Arrived NSW, c. 1840/41
Active Sydney, NSW, by January 1852

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHORN-Edward (shareable link to this entry)


Documentation:

"WATER POLICE OFFICE", The Sydney Morning Herald (7 January 1852), 2

http://nla.gov.au/nla.news-article12933373

Edward Shorn, an aged itinerant musician, was charged with being illegally at large in Sydney, he holding a ticket-of-leave for Maitland. He pleaded that he had served eleven out of his fourteen years' sentence; that he was an honest harmless man, and being very old and nearly blind, he was only able to get his living by playing his pipes, for which he was well paid in Sydney, but could not gain a livelihood thereby in Maitland. According to the regulations he ought now to be in possession of a conditional pardon, but unfortunately he had not applied for that boon. Mr. Brenan said, that he should recommend that his ticket-of-leave be cancelled, and ordered that he be returned to Government.

"WATER POLICE OFFICE", Freeman's Journal (8 January 1852), 10

http://nla.gov.au/nla.news-article114832941 

Edward Shorn charged with being illegally at large in Sydney, he holding a ticket of leave for Maitland. He pleaded as an excuse, that he had served 11 years out of 14, to which he was sentenced, and that in Sydney he was well paid for playing his pipes, while at Maitland he could not gain a livelihood. Mr. Brennan said he should recommend that his ticket of leave be cancelled, and that he would cause him to be returned to the Government.




SHORT, Frank (Frank SHORT, alias of William HARRISON)

Vocalist, comic vocalist

Died Rockhampton, QLD, 23 November 1866

https://trove.nla.gov.au/search?l-publictag=Frank+Short+d1866+William+Harrison (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHORT-Frank (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald (15 October 1859), 1

http://nla.gov.au/nla.news-article28629630 

TOOGOOD'S CONCERT SALOON.
To-night if you'll pay us a visit,
We'll promise you all a rare treat,
If you take our advice, you won't miss it,
Frank Short with his famous "Bow-street,"
Tom Webb with his songs ''quite colonial" -
At the piano, Pat Ford takes his seat.
So come if you will, and of fun take your fill,
At the corner of Pitt and King streets.
J. SIMPSON, proprietor; J. MOORE, manager.

ASSOCIATIONS: Toogood's Saloon (Sydney venue)

[Advertisement], The Sydney Morning Herald (29 October 1859), 1

http://nla.gov.au/nla.news-article13032421 

CONCERT HALL, BULL and MOUTH, TO-NIGHT.
The only efficient company in Sydney. Engagement of the celebrated Comic and Characteristic Vocalist, FRANK SHORT, who will appear every evening in conjunction with Messrs. Ben Baker, Campbell, Hayward, Hammersly, Barton, and Flintoff. Refreshments, bar prices.

ASSOCIATIONS: Ben Baker (minstrel, dancer); Bull and Mouth (saloon, corner Pitt and Market Streets); Joseph Wakely (proprietor); see Women of Pitt Street 1858 (Dictionary of Sydney)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (24 January 1860), 1

http://nla.gov.au/nla.news-article18645255 

PRINCESS' THEATRE, NEWCASTLE.
ANNIVERSARY NIGHT. SCREAMS OF LAUGHTER EVERY NIGHT.
MR. FRANK SHORT, the inimitable Irish dialogue, and descriptive Comic Songster.
Mr. EASTWICK in his popular and amusing Songs and Sketches.
Instrumental and Vocal Entertainment by Mrs. EASTWICK and Mr. FANING.
N.B. - Refreshments at bar prices.

ASSOCIATIONS: Henry and Wilhelmina Eastwick (vocalist and pianist); Edward Faning (musician, vocalist)

[Advertisement], The Sydney Morning Herald (10 March 1860), 1

http://nla.gov.au/nla.news-article28628834 

BULL AND MOUTH. - STAR CONCERT HALL. No puffing and not to be done. -
Engagement of a Star, the celebrated dialogue comic singer, W. Smith, just arrived by the ship Fitzjames, from Liverpool.
First appearance THIS EVENING, assisted by Frank Short, the renowned Irish comic singer,
and T. Marriott, the celebrated sentimental singer,
accompanied by full orchestra, pianoforte, violin, piccolo, cornet-a-piston, &c., &c.
Admission free. Bar prices. Strictest order kept. Secure seats early.
J. WAKLEY, proprietor.

"To the Editor of the . . .", Bathurst Free Press and Mining Journal (6 June 1860), 2

http://nla.gov.au/nla.news-article63596089 

DEAR SIR, - We, the undersigned who were engaged by Mr. Charles Miran at the Bathurst Lyceum Theatre, beg to express our gratification at the manner in which you have exposed the unprofessional and disgraceful conduct of the above named individual. We have noticed his contradiction of the facts in the Empire, and in justice to you and to ourselves, we do hereby declare that your charges against Mr. Miran were strictly true, but much too lenient for his deserts. It is true that we were engaged on shares according to the salaries we were in the habit of receiving, (the expenses for lighting and printing first to be paid), but it is also true that during the whole of the time the Theatre was open he pocketed the receipts, and forgot to pay for lighting the Theatre; leaving a poor boy, (who took upon himself to let Mr. Miran have the candles night after night without being paid for) answerable to his master for the amount. Mr. Miran says that he did not "bolt," and that most of his company gave him a benefit for the purpose of enabling him to leave Bathurst for Sydney: This statement, like most others of Mr. Miran's, is utterly false. Those who played for Mr. Miran's benefit, did it with the express understanding that he should do the same for each of them. It was at his own request and suggestion, and those ladies and gentlemen who played for him on the night of his benefit had not the slightest notion that he was going to leave Bathurst, as they knew he was under an engagement with Mr. Sam Howard, from whom he had received money, and who was "diddled" by this precious individual like the rest of us.
We remain, dear Sir,
Your obedient servants,
B. JULLIEN COLEMAN.
EMMA St. CLAIR.
MARIAN WILKINSON.
ADOLPHE GREBET.
THEODORE S. WILKINSON.
FRANK SHORT.
J. C. LAWRENCE.
MARGARET GREBET.
Bathurst, May 5th, 1860.

ASSOCIATIONS: Charles Miran (actor, manager); Sam Howard (actor, manager); Barned Jullian Coleman (actor); Emma St. Clair (actor); Adolphe Grebet (musician); Marian and Theodore Wilkinson (actor and pianist)

[Advertisement], Bathurst Free Press and Mining Journal (20 June 1860), 3

http://nla.gov.au/nla.news-article63595422 

Victoria Theatre, DRUHAM STREET.
WEDNESDAY, JUNE 21st, COMPLIMENTARY BENEFIT TO FRANK SHORT.
ON which occasion there will be a most attractive Programme.
MADAME SARA FLOWER AND GENTLEMEN AMATEURS IN A NEW COMEDY.
MISS EMMA ST. CLAIR; MRS. WILKINSON;
MB. B. J. COLEMAN; MR. BONFIELD; MR. C. TURNER;
MR. T. S. WILKINSON; MONS. GREBET, and FRANK SHORT . . .
Comic Song - FRANK SHORT.
SCENA FROM NORMA - MADAME SARA FLOWER.
To conclude with the Musical Afterpiece, entitled THE LOAN OF A LOVER! . . .
Ernestine - Mrs. Wilkinson.
Gertrude (with songs) Miss Emma St. Clair . . .

ASSOCIATIONS: Sara Flower (vocalist, actor, wife of Sam Howard)

"AMUSEMENTS IN CARCOAR", Bathurst Free Press and Mining Journal (14 July 1860), 2

http://nla.gov.au/nla.news-article63593437 

Madame Sara Flower and Company were announced here to give an evening's entertainment last Monday week, but in consequence of severe cold and hoarseness, the talented vocalist was unable to appear, the Concert being judiciously postponed until last Monday, when a very large and fashionnble audience assembled, but Madame Flower's cold, which had not during the day been so violent, took a turn for the worse, and although, we believe, the lady was all in readiness to sing, we were doomed to a second disappointment; but nevertheless we spent a very agreeable evening, for the company, consisting of B. J. Coleman, Monsieur Grebet, Frank Short and Wilkinson, gave the entertainment among themselves, and performed one very pretty little versatile piece for Mr. Coleman. The humourous singing of Mr. Short, together with the melodious strains from the violin and piano of Messrs. Wilkinson and Grebet, was a treat that the Carcorites relished very much. Last evening, Wednesday, the second performance of this talented troupe took place, and again the Court House was comfortably filled, but Madame Flower unfortunately still suffered to such an extent from the malady, that we could not participate in the pleasure of listening to her magnificent organ . . . Another per- formance is announced for to-morrow, Friday, when we hope the lady will be so far restored to her former health as to favor us with some glorious melodies - "Better late than never." We believe that after Friday Madame Flower and troupe leave here to enliven the good folks of Orange on Monday evening next. - (Communicated.)

[Advertisement], The Sydney Morning Herald (9 October 1860), 1

http://nla.gov.au/nla.news-article13046879 

TOLANO'S CONCERT SALOON; engagement of Mr. FRANK SHORT, the celebrated comic and characteristic vocalist, dialogist, and mimic; all the old favourites nightly. Admission, Free.

[Advertisement], The Sydney Morning Herald (20 April 1861), 1

http://nla.gov.au/nla.news-article13056259 

CAMPBELL'S SALOON. - Books of Frank Short's popular Songs can be had; price sixpence.

[Advertisement], The Sydney Morning Herald (16 August 1864), 1

http://nla.gov.au/nla.news-article13106972 

ALHAMBRA CONCERT HALL, Pitt-street - Open every Evening under the management of Mr. James Watt, the favourite Scottish vocalist, assisted by Frank Short and Pat Welsh. Admission, free.

"ROCKHAMPTON POLICE COURT. SATURDAY, FEBRUARY 3RD . . . A FALSE NOTE", Northern Argus [Rockhampton, QLD] (5 February 1866), 4

http://nla.gov.au/nla.news-article214407622 

William Harrison, vocalist, was charged with giving false information to the police. The prisoner pleaded guilty, but said he did it in a joke. The charge was not pressed, and the prisoner was discharged with a caution.

[Advertisement], Northern Argus (11 April 1866), 3

http://nla.gov.au/nla.news-article214408970 

CHAPPLE'S CONCERT HALL!
TO-NIGHT! AND EVERY NIGHT DURING THE WEEK.
W. S. CHAPPLE HAS much pleasure in informing his numerous Friends and Patrons that he has succeeded in engaging the following Popular Artistes, whose names are a sufficient guarantee for the excellence of the Entertainment he offers to the public: -
MR. JAMES WATT, THE SCOTTISH AND ENGLISH BALLAD SINGER,
MR. FRANK SHORT, THE MOST HUMOUROUS IRISH VOCALIST NOW TO BE HEARD IN THE COLONIES,
FUNNY COLLINS, THE UNRIVALLED DELINEATOR OF NEGRO ECCENTRICITIES AND MELODIES,
BILLY MORRIS, LOCAL COMIC SINGER, HARRY ARKER, TENOR SINGER, GEORGE LEON, THE CELEBRATED TRAPEZE.
The whole under the direction of MR. WILLIAM HAMILTON, PIANIST AND MANAGER.

"MAGISTERIAL INQUIRY", Northern Argus (28 November 1866), 2

http://nla.gov.au/nla.news-article214408236 

A MAGISTERIAL inquiry into the cause of death of William Harrison alias Frank Short, vocalist, who died in the lock-up on the 23 instant, was held on Monday, before the Police Magistrate.

Constable White, sworn, deposed to arresting deceased about two o'clock a.m. on the 23rd instant. He was running round Mr. Sharp's corner in East-street, shouting wildly that there was a man running after him with a sword. Conveyed him to the lock-up where he went quietly. Did not use any violence or knock him about.

Acting-sergeant Mathers, sworn, deposed: Recollects the morning of the 23rd instant. William Harrison alias Frank Short was brought there about a quarter to three a.m. by constables White and Riley, and charged with being of unsound mind. Deceased seemed greatly excited and appeared to be suffering under delirium tremens. He was attended by Dr. McNeely, who prescribed some medicine for him. Every attention was paid to him. About seven p.m. deceased became very violent and he put the straight jacket on him, assisted by Mr. Waller Chapple and acting-sergeant Swords. Placed a constable in the cell with him, and kept a candle burning. Was seen by the police magistrate and four times by Dr. McNeely. Deceased died about twenty minutes to eleven p.m.

Dr. McNeely, sworn, deposed: Early on the morning of the 23rd instant was requested to go and see a lunatic in the lock-up. Went and saw deceased. He was then suffering under violent excitement. Prescribed some medicine for him, and saw him again a few hours later. He was then calmer. Was called to see him about 8.15 p.m. He was then very violent and had the straight jacket on. His features were very much swelled, and he was blue about the mouth. Saw that he was dying. Stayed with him until ten minutes to nine o'clock p.m. On Saturday morning, at the request of the Police Magistrate, went to the dead-house adjoining the gaol, accompanied by Dr. Thon, to hold a post-mortem examination. On opening the chest found the lungs very much collapsed, and the heart shrivelled up and quite empty. Examined the liver and found what is called a nutmeg or gin drinker's liver. It was very large and expanding upwards upon the lower lobes of lungs. Did not open the skull as quite sufficient had been already found to cause death at any time. Know from attendance on the deceased, and from the delirium under which he suffered, that there was sufficient to cause congestion of the brain. Believes that decessed died from degeneration of the heart, and delirium might have been secondary.

Dr. Thon agreed with Dr. McNeely in his evidence. He said the heart was quite fatty and not larger than a duck's egg. The liver was very large, filling almost all the abdomen, pressing down on the pelvis and expanding upwards and pressing on the lower lobes of the lungs. There was a great suffusion of blood underneath the skin on the throat and neck. The liver was hard and of a waxy colour. Did not see any marks of violence on the body.

Walter John Chapple, butcher, sworn, deposed: Knew William Harrison, alias Frank Short. He had been stopping at his brother's place. He was a man that always drank heavily. Saw him in the lock-up about seven p.m. on Saturday. He was very excited. Assisted the constables to put the strait jacket on him. Was passing the lock-up and heard him shouting. He appeared to have every attention paid him. Deceased had been singing at his [Chapple's] brother's place.

Sergeant Doyle, sworn, deposed: Recollected the night of the 23rd instant. Saw deceased, about nine o'clock p.m. He was then pretty quiet, lying on his back and singing. He appeared to be in his senses, but did not speak to him. When he saw him the second time about half-past ten he was speechless. A constable was attending him. Saw him die about twenty minutes to eleven p.m.

The depositions were ordered to be forwarded to the Attorney-General.




SHORT, Robert (Robert SHORT)

Bellman, bell-ringer, cryer, crier, sawyer, boarding-house proprietor

Active Hobart Town, VDL (TAS), 1842-45

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHORT-Robert (shareable link to this entry)

ASSOCIATIONS: Bellmen (generic)


Documentation:

"SUPREME COURT . . . Tuesday, October 14 [sic, 18]", The Hobart Town Advertiser (21 October 1842), 2

http://nla.gov.au/nla.news-article264590792 

David Clark, William Bates, and John McKenzie were indicted for a burglary . . . The prisoner McKensie called Robert Short, the bellman (whose bell gingling in the court created a laugh, which disturbed the decorum of the auditory) who stated that the prisoner McKenzie slept at his house regularly. John Davis said, that on the Monday of the robbery the prisoner McKenzie slept in a room at Short's house, and that he was in bed before 11 o'clock. Mr. Macdowell called Captain Addison, Mr. Hugh Addison, Mr. John Jackson, Mr. Tilley (one of the Jury), Mr. Jeffries, and Mr. Hutton, who gave his client an excellent character. The charge for burglary was abandoned . . .

"SUPREME COURT . . . Wednesday, October 19, 1842", The Hobart Town Advertiser (25 October 1842), 2

http://nla.gov.au/nla.news-article264590817 

Thomas Terry was charged with stealing, on the 1st of October last, 90 lbs. of sugar, the property of Philip Levi . . . Robert Short, is a sawyer by trade, and bellman or cryer by occupation; he saw the prisoner on Monday evening, between the hour of 7 and 8 o'clock. Verdict - Not guilty; the Jury considering that the witness Rogers was mistaken in the identity.

[Advertisement], Colonial Times (11 March 1845), 2

http://nla.gov.au/nla.news-article8756316 

LODGINGS. ROBERT SHORT, Bellman, 36, Bathurst-street, Hobart Town,
begs to give notice to Free and Ticket-of-Leave Men, that they can he accommodated with good Lodgings on moderate terms.
March 11, 1845.




SHRIBBS, Edward (Edward SHRIBBS; Mr. SHRIBBS)

Actor, stage painter, mechanist

Born England, c. 1799
Convicted Old Bailey, London, 26 May 1819 (sentenced to death, aged "20", commuted to life transporation)
Arrived Hobart Town, VDL (TAS), 12 March 1820 (convict per Coromandel, from Spithead, 27 October 1819)
Married Mary Ann GRIFFITHS, Hobart Town, VDL (TAS), 25 March 1822
Died Sydney, NSW, 26 July 1841, aged "40"

https://trove.nla.gov.au/search?l-publictag=Edward+Shribbs+c1799-1841 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1485735 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SHRIBBS-Edward (shareable link to this entry)

ASSOCIATIONS: William Shribbs (brother)


Documentation:

Trial of Edward Shribbs, 26 May 1819; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?div=t18190526-61 

https://www.digitalpanopticon.org/life?id=obpt18190526-61-defend583 

Convict record, Edward Shribbs, per Coromandel, 1819/20; Tasmanian names index; NAME_INDEXES:1433783; CON31/1/38

https://stors.tas.gov.au/NI/1433783 

https://stors.tas.gov.au/CON31-1-38$init=CON31-1-38P80 (DIGITISED)

"DIED", The Courier [Hobart, TAS] (27 August 1841), 2

http://nla.gov.au/nla.news-article2955738 

At Sydney, on the 26th ultimo, Mr. Edward Shribbs, many years a resident in this colony, and who only two months since left for Sydney.


Bibliography and resources:

Edward Shribbs, Design & art Australia online (DAAO)

https://www.daao.org.au/bio/edward-shribbs 




SIBTHORPE, Luke Homan (Luke Homan SIBRTHORPE)

Amateur vocalist, public servant, crown lands and gold commissioner

Born Dublin, Ireland, c. 1814; son of Luke SIBTHORPE (d. 1824) and Emily HOMAN (m. St. Peter, Dublin, 1812)
Arrived Sydney, NSW, 16 July 1835 (per John Dennison, from Liverpool, via Hobart Town)
Married Jane HUDSON (d. 1897), Maitland district, NSW, 8 February 1855
Died 28 December 1885, aged "51/52"

https://trove.nla.gov.au/search?l-publictag=Luke+Homan+Sibthorpe+c1814-1865 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIBTHORPE-Luke-Homan (shareable link to this entry)


Documentation:

"Married", The Maitland Mercury and Hunter River General Advertiser (14 February 1855), 3

http://nla.gov.au/nla.news-article698006 

On the 8th instant, by the Rev. J. S. White, Mr. L. H. Sibthorpe, to Miss Jane Hudson.

"DEATHS", The Sydney Morning Herald (2 January 1866), 1

http://nla.gov.au/nla.news-article13124031 

On the 28th December, 1865, at Stoney Creek, LUKE HAMMOND SIBTHORPE, Esq., gold commissioner, aged 52 years, leaving a widow and six young children to lament their loss.

See also, corrected to "Homan", "DEATHS", The Sydney Morning Herald (20 January 1866), 7

http://nla.gov.au/nla.news-article13125073 

"DAN MAYNE. HIS REMINISCENCES (DICTATED) . . . OLD WINDSOR", National Advocate [Bathurst, NSW] (18 July 1911), 1

http://nla.gov.au/nla.news-article157775428 

. . . Did! I tell you about Sibthorp? Luke Norman Sibthorp was his name - a celebrated Irishman. I first met him at one of the cricketers' dinners at Freeman's. He was a guest, and was great company, for he could sing a good Irish song, with a brogue as broad as anyone could wish. A splendid style of a man, highly educated, he was at first overseer up on one of Mr. Fitzgerald's stations, and his visits to Windsor were always very popular. Later on he became a Commissioner of Crown Land's . . . But to return to the cricketers' dinner. The popular young Irishman was all there that day, and made a great hit with a song called! "Donnybrook Fair." I have never seen the words in print, but think I can recall them: -

My blessings on Dermot McFigg,
Who can, properly handle a twig;
He wint to the fair,
And kicked up a dust there,
By dancing a nate Irish jig.
With his twig!
My blessings on Dermot McFigg!

Now the souls came crowdin' in fast,
To dance while the leather did last,
For the Thomas-street brogue,
Was there much in vogue,
And round with the brogue the jug passed,
Quite fast,
While the cash and the whisky did last.

But Dermot, his mind on love bint,
In search of his sweetheart he wint;
He peeped in here and there,
As he wint through the fair,
And took a shmall dhrop in each tint,
As he wint,
On love and murder bein' bint.

But who did he shpy in a jig
With a mailman so tall and so big?
But his own darlin' Kate,
So gay and so nate,
Faith! her partner he hit him a dig -
The pig!
And he bate him out of his wig!

Now, Dermot, with conquest elate,
Drew a shtool for his beautiful Kate,
"Arra, Kitty!" says he,
"My own acushla machree,
Shurc, the world for beauty you bate -
Complate!
And we'll just have a dance while we wait!"

So the piper, to keep them in tune,
Struck up a gay lilt very soon,
Until an' arch wag
Cut a hole in the bag,
And at once put an end to the tune -
Too soon -
And the music flew up to the moon!

ASSOCIATIONS: Daniel Mayne (memoirist);
see "THE HUMOURS OF DONNYBROOK FAIR", The Australian [Sydney, NSW] (10 August 1827), 4

http://nla.gov.au/nla.news-article37073204 

Oh! 'twas Dermot O'Rowland McFigg
That could properly handle the twig!
He went to the fair,
And kick'd up a dust there,
In dancing the Dononybrook jig,
With his twig -
Oh my blessing on Dermott McFigg! . . . [11 more verses]

From "Noctes Ambrosianae XXVIII", Blackwood's magazine (October 1826), 631-33

https://books.google.com.au/books?id=jLECAAAAIAAJ&pg=PA631 (DIGITISED)

. . . AIR - The Athlone Landlady . . .

MUSIC: ? Donnybrook fair (1) (jig, earliest printed sources early 20th century)




SIDONIA, pseudonym of SALWAY, William



SIEDE, Julius (John Julius Augustus SIEDE; Julius SIEDE; Herr SIEDE)

Musician, flautist, flute player, bandmaster, conductor, composer

Born Dresden, Saxony (Germany), 1825; son of Friedrich August Dietrich SIEDE and Agnes Amalia FIEBIGER
Arrived Melbourne, VIC, 19 August 1856 (per Sportsman, from New York, 4 May, age "27" [sic])
Married Anna Maria HOLZER (1835-1876), VIC, 1858
Died Auburn, VIC, 23 April 1903, aged "75"/"78"

https://trove.nla.gov.au/search?l-publictag=Julius+Siede (TROVE tagged by Australharmony and others)

http://nla.gov.au/nla.party-1462540 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIEDE-Julius (shareable link to this entry)


SIEDE, August (Wilhelm Theodor August SIEDE; August SIEDE)

Musician, pianist, conductor, composer, music journalist (The Argus)

Born Richmond, VIC, 1869
Died London, England, 16 September 1925

https://trove.nla.gov.au/search?l-publictag=August+Siede (TROVE tagged)


Julius Siede, 1890 (engraving by F. A. Sleap); State Library of Victoria

Julius Siede, 1890 (engraving by F. A. Sleap); State Library of Victoria

http://handle.slv.vic.gov.au/10381/254967 (DIGITISED)

ASSOCIATIONS: F. A. Sleap (engraver)


Summary:

Julius Siede was born in Dresden in 1825, the first child of Friedrich August Dietrich Siede and Agnes Amalia Fiebiger, who had married on 17 October 1824.

According to synopsis of his career given in the 1890 published tribute to Siede, he began studies of his principal instrument, the flute, under Anton Bernhard Fürstenau, and of harmony and composition with Julius Otto and later with the Kapellmeister of the Dresden opera, Carl Gottlieb Reissiger, and made his first public appearance as a performer at the age of 12.

United States (November 1848 to May 1856):

He can only have been a little over 23 years old when he sailed from Bremen, to arrive in New York in November 1848, as a flautist in Joseph Gungl's touring band of 32 musicians. Often billed as solo flautist in their concerts, Siede was one of some 13 members who decided to remain in New York when Gungl took the rest of the band back to Europe in May 1849. Over the summer, he and the remnant of the band appeared in the "Summer Fêtes" promenades and balls at the Castle Garden pleasure grounds, although, according to Vera Brodsky Lawrence (1988, 604-05) they were led not by Siede, but by the clarinettist Herwig (Siede later claimed to have been "musical director" at Castle Gardens that year, and although that is very unlikely, George Loder was in charge for some of the season).

In March 1850 Siede gave a farewell concert before sailing for England, and thence to Germany. Probably only ever intended to be a very short visit home, he sailed again from Hamburg, on the Nord America on 29 June 1850, are arrived back in New York on 16 August, in time to take his place, probably pre-arranged, in the orchestra for Jenny Lind's touring company, under the musical direction of Julius Benedict. Although he also appeared at least once as solo flautist for Anna Bishop in November 1850, he probably remained with the Lind company through much of it touring, until her departure again for England in May 1852. As he later recalled (1890) the company was nearly wrecked on the coast of South Carolina and nearly blown up on a Mississippi steamer.

Siede also recalled (1890) that in and around 1851 he had accompanied Anna Bishop on a tour through the States, West Indies, and Mexico.

Siede also joined the vocalist Emma Gillingham Bostwick on a tour of the eastern and southern states, after performing in a complimentary concert in New York in October 1852.

According to Vera Brodsky Lawrence, Siede was also an active member of the Philharmonic Society orchestra when, in 1853-54, he joined Louis Jullien's band for his American concerts.

Thereafter, however, it was his later recollection that he remained mainly in New York for the rest of his American stay.

While in America he also published two works for flute and piano with the German house of J. Schubarth and Co., which also had a New York office. His Grand polka de concert, op. 2, appeared in 1853, and a Souvenir à Donizetti, on themes from Lucia and Lucrezia, op. 3, in 1854. However, no record of an op. 1 has yet been found.

Having applied for naturalisation as a US citizen on 23 August 1853, he was finally granted it on 13 December 1855, when he was living at 115 Grand Street, Lower Manhattan. However, on 4 May 1856, he farewelled New York (as it turned out, for ever), and sailed for Melbourne, following his former New York colleague George Loder, who had sailed from San Francisco in April, both of them to join Anna Bishop's touring company in Australia.

Australia (from August 1856):

Siede arrived in Melbourne on 19 August 1856, and finding Loder and Bishop's company were not due to return from Sydney until the end of the month, he meanwhile accepted an engagement to play in the orchestra for the also newly arrived English Opera Company on its first night on 1 September, under the young English conductor Linly Norman. He was evidently still engaged with the opera on 4 September, when Bishop's company having returned, they gave their first concert in aid of Melbourne's Benevolent Asylum, with Loder billed to play the flute obligato to Bishop's soprano in Guglielmi's Gratias agimus. By 8 September, however, Siede had joined Bishop's company for its short season at the Theatre Royal, Geelong, before moving on to Ballarat, and further afield to Adelaide in November and December, and Tasmania in January and February 1857.

Siede continued to tour with Bishop's company until she left Australia for South America in September 1857. However, already by the middle of that year, he was becoming increasingly settled in Melbourne, appearing there, for instance, in May in a concert by the German Liedertafel.

Most of Siede's Australian compositions are not known to survive. Among these lost works, was a "Grand Overture" for "a complete orchestra", performed under his direction at the Theatre Royal, Melbourne, on 13 April 1859, the first of at least three and possibly four overtures he introduced in Victoria, variously performed by orchestra or military band, and also including those entitled Faust and Margarethe, Festival, and Anthony and Cleopatra. His Vestibule polka was also composed for the Theatre Royal in 1859, for performance in a series of foyer concerts he presented there "a la Jullien".

Siede also later wrote choral works for the Melbourne Liedertafel, including Hymn to the nightand The occultation of Orion (Longfellow), as well as a great deal of military band music.

A sole survival is The Petrella galop, composed for the Head-quarters Band and published in the 1875 Christmas number of the Colonial musical cabinet.


Documentation:

United States [New York, NY] (November 1848 to May 1856):

[News], The evening post (16 November 1848), 2

https://nyshistoricnewspapers.org/lccn/sn83030384/1848-11-16/ed-1/seq-2 

REMEMBER that Joseph Gung'l's first concert takes place this evening at the Tabernacle. The programme is very tempting. M. Siede repeats his famous variations of airs from "Norma," on the flute - a wonderous performance.

ASSOCIATIONS: Joseph Gungl (conductor); on Gungl and his band, see, "Joseph Gung'l", New-York semi-weekly tribune (11 November 1848), 4

https://nyshistoricnewspapers.org/lccn/sn83030279/1848-11-11/ed-1/seq-4 

And, "GUNG'L HAS ARRIVED", New-York semi-weekly tribune (15 November 1848), 4

https://nyshistoricnewspapers.org/lccn/sn83030279/1848-11-15/ed-1/seq-4 

[Advertisement], The evening post (30 November 1848), 3

https://nyshistoricnewspapers.org/lccn/sn83030384/1848-11-30/ed-1/seq-3 

TABERNACLE. SOLEMNITE MUSICALE to be given by HENRI HERZ,
(his first appearance this season in New York,) on THURSDAY EVENING, November 30th, for which occasion he has secured the assistance of the ITALIAN OPERA COMPANY,
The full Orchestra under the direction of Mr. MAX MARATZEK, and JOSEPH GUNG'L with his celebrated Band.
HERR SIEDE performing a Solo on the Flute.
PROGRAMME . . . Between the two parts . . . HERR SIEDE will perform a Grand Solo on the Flute composed by Furstenau . . .

ASSOCIATIONS: Henri Herz (pianist);

MUSIC: Unidentified work by Anton Bernard Furstenau, but perhaps the Fantasie aus Norma (as below)

List of passengers, per Nord America, from Hamburg to New York, 1850; Hamburg departures; New York arrivals

https://www.ancestry.com.au/imageviewer/collections/1068/images/K_1701_080460-0151 (PAYWALL)

Siede Julius / Musiker / . . .

https://www.ancestry.com.au/imageviewer/collections/7488/images/NYM237_91-0424 (PAYWALL)

163 / Julius Siede / 25 / Hamburg / intend to inhabit United States . . .

[Advertisement], Evening post (7 September 1850), 3

https://nyshistoricnewspapers.org/lccn/sn83030390/1850-09-07/ed-1/seq-3 

CASTLE GARDEN. First Appearance of M'LLE JENNY LIND ON WEDNESDAY EVENING, SEPTEMBER 11, 1850.
PROGRAMME . . . PART II . . . TRIO CONCERTANTE for voice and 2 Flutes, (Camp of Silesia) Meyerbeer.
Composed expressly for M'lle JENNY LIND. Flutes - Messrs. Kyle and Siede . . .
Conductor - Mr. Benedict . . .

ASSOCIATIONS: Jenny Lind (vocalist); Julius Benedict (conductor); John Archibald Kyle (d. 1871, flautist)

MUSIC: Trio for voice and two flutes (as in Meyerbeer's slightly later revision of Ein Feldlager in Schlesien as L'étoile du nord)

"JENNY LIND'S REHEARSAL", Penn-Yan Democrat [NY] (17 September 1850), 2

https://nyshistoricnewspapers.org/lccn/sn83031517/1850-09-17/ed-1/seq-2 

The Tribune says the orchestra were so carried away by the enthusiasm at the rehearsal, that "at the close of the first part of the Trio Concertante for the two flutes and voice (in which Mr. Siede, one of the finest flutists of the age, plays second flute), the orchestra came to a dead stop. They had been listening to the vocalist and had forgot their parts and all else. There they stood with open mouths, until Mr. Benedict told them that they "must not listen, if they wanted to play their parts." And the orchestra contained Geo. Loder, who played the double bass, and Theodore Eisfeldt, both well known conducters [sic] and not easily carried away by enthusiasm.

ASSOCIATIONS: George Loder (conductor, double bass player)

"THE JENNY LIND EXCITEMENT", Freeman's Journal [Dublin, Ireland] (24 September 1850), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18500924/010/0003 (PAYWALL)

. . . The following is the account given by the Herald of her first rehearsal on Monday . . . .
But the greatest wonder of all was the flute song, a trio concertante for a voice and two flutes, written expressly for Jenny Lind by Meyerbeer, to be inserted in the Camp of Silesia, when she performed that opera - a song which none but the Nightingale car sing, and it is therefore left out of the opera when performed by others. The first flute player was Mr. Kyle, and the second Mr. Sweede [sic]. This song consisted of three movements, first, an allegro in which the first flute lead off, and then the voice catches up the strain; the second an andante sung by the voice alone, and the third a brilliant movement, between the voice and flute, the one echoing the other, as if in a trial of skill, it being almost impossible to distinguish the nightingale's peculiar and inimitable voice from the flute. This utterly amazed everybody. In this the music goes as high as a C; but in the cadenza, at the glorious close, she ran eup to F in alto, where no voice but her's can reach. This was truly wonderful. The flute-players did their parts admirably. And here we must take the opportunity of expressing our satisfaction that our fellow-citizen, Mr. Kyle, should be selected as the first flutist in this great master-piece of the Nightingale, a gentleman who is self-taught, and reflects great credit upon New York. He performed first flute in the Italian opera, and for many years in the Philharmonic Society. He is engaged for one year to accompany her through the states; and as for - Mr. Siede, everybody who has ever heard Gungl's band, knows his excellence as a flute performer. It was very fortunate for the success of this song, to meet with two such artists, It is a palpable hit" . . .

[Advertisement], Evening Post (15 November 1850), 3

https://nyshistoricnewspapers.org/lccn/sn83030390/1850-11-15/ed-1/seq-3 

MADAME ANNA BISHOP'S FIFTH SACRED CONCERT at TRIPLER HALL, on SUNDAY EVENING NEXT, Nov. 17 . . .
PROGRAMME . . . PART III . . . 2. Handel's celebrated Bird Song.
Recit. First and Chief on Golden Wing. Recit. Sweet Bird.
Sung by Madame Anna Bishop. Flute Obligato, Mr. Siede . . .
Grand Chorus under the superintendence of Mr. Lyster.
The whole performance under the sole direction of MR. BOCHSA . . .

ASSOCIATIONS: Anna Bishop (vocalist); Nicholas Charles Bochsa (conductor); Frederick Lyster (chorus director)

MUSIC: First and chief . . . Sweet bird (Handel, from L'Allegro, il Penseroso ed il Moderato)

[Advertisement], The Evening Post [New York, NY] (25 October 1852), 3

https://nyshistoricnewspapers.org/lccn/sn83030384/1852-10-25/ed-1/seq-3 

GRAND COMPLIMENTARY CONCERT. Mrs. Emma G. Bostwick . . . previous to her departure for the South . . .
AT METROPOLITAN HALL, ON TUESDAY EVENING, OCTOBER 26, Assisted by the following eminent talent:
SIG. VIETTI, Primo Tenors, from the principle [sic] Theatres of Italy, Havana, &c.;
MR. HENRY APPY, Solo Violinist to the King of Holland;
MR. JULIUS SIEDE, The eminent Solo Flutist . . .
AND A GRAND ORCHESTRA . . . Conductor - Sig. L. Arditi; Leader - Mr. G. Bristow . . .

ASSOCIATIONS: Emma Gillingham Bostwick (vocalist); Luigi Arditi (conductor); George Frederick Bristow (violinist, leader)

"MRS. EMMA G. BOSTWICK", The Brooklyn Daily Eagle (6 November 1852), 2

https://nyshistoricnewspapers.org/lccn/sn83031151/1852-11-06/ed-1/seq-2 

It is the intention of this estimable artiste to make a professional tour through the South and West during the ensuing season, giving concerts on her way. Mr. Henry Appy, the violinist, and Mr. Julius Siede, the flutist, are to accompany her. She takes the route through Albany to Buffalo, thence via the great cities of the West to New Orleans, and by Savannah, Charleston, Baltimore, Washington, and Philadelphia, home.

[Advertisement], Buffalo Evening Post [Buffalo, NY] (22 November 1852), 2

https://nyshistoricnewspapers.org/lccn/sn83030927/1852-11-22/ed-1/seq-2 

TOWNSEND HALL. Mrs. Emma G. Bostwick . . . GRAND CONCERT On WEDNESDAY EVENING, November 24th. Assisted by . . . The celebrated Solo Flutist, Mr. JULIUS SIEDE, First Flute Professor of the Royal Conservatoire of Leipsic . . . PROGRAMME . . . PART I . . .
6 - Solo - Flute - Variations brilliantes, introducing a Ballad from the Bohemian Girl - Composed and Executed by Mr. Julius Siede.
PART II . . .
8 - The Celebrated Sacred Bravura, "Gratias Agimus Tibi," arranged for voice and Flute by Julius Siede - Sung by Mrs. Emma G. Bostwick - Flute Obligato by Mr. Julius Siede . . .
10 - Grand Fantasie and Variations from Themes del l'Opera Norma, Furstenau, Executed by Mr. Julius Siede . . .

MUSIC: Gratias agimus tibi (Guglielmi); Fantasie aus Norma (Furstenau)

"MRS. BOSTWICK'S CONCERT on Wednesday . . .", and [Advertisement], Buffalo evening post (26 November 1852), 2

https://nyshistoricnewspapers.org/lccn/sn83030927/1852-11-26/ed-1/seq-2 

. . . Mr. SIEDE completely won the hearts of all, by the masterly execution of his pieces upon the flute, and placed himself in the estimation of all who heard him among the first of flutists . . .

TOWNSEND HALL. Mrs. Emma G. Bostwick . . . GRAND CONCERT . . . On FRIDAY EVENING, November 26th . . . PROGRAMME . . . PART I . . .
4 - The Warbling of the two Nightingales, Duetto Fantastito, for voice and Flute, introducing the admired ballad, "The Last Rose of Summer," arranged by Julius Siede -
Sung by Mrs. Emma G. Bostwick, Flute Obligato by Mr. Julius Siede . . .

New York, Court of Common Pleas, Julius Siede, 23 August 1853

State of New York, Court of Common Pleas, Julius Siede, 23 August 1853; US National Archives and Records Administration, Washington, DC

https://www.ancestry.com.au/imageviewer/collections/2280/images/32955_2421406261_0102-00170 (PAYWALL)

. . . I, Julius Siede, do declare on oath, that it is my bona fide Intention to become a Citizen of the United States, and to renounce forever all allegiance to . . . the King of Saxony, of whom I am a subject. Sworn this [23 August 1853] . . .

[Advertisement], Neue Zeitschrift für Musik [Leipzig] (23 November 1853), 236

https://books.google.com.au/books?id=twtDAAAAcAAJ&pg=PA236 (DIGITISED)

Neuigkeiten im Verlage von Schuberth & Co in Hamburg, Leipzig und New York . . .
Siede, Jul., Op. 2. Grand Polka de Concert p. Flute avec Piano . . .

Kurzes Verzeichnis sämmtlicher im Jahre 1853 in Deutschland und den angrenzenden Ländern gedruckter Musikalien . . . (Leipzig: Hoffmeister, 1853), 23

https://books.google.com.au/books?id=O7H3GibBCQYC&pg=RA5-PA23 (DIGITISED)

[38. Duetten für Pianoforte und Flöte] . . . Siede, J., Op. 2. Gr. Polka di Concert, av. Pfte. Hamburg, Schuberth u. Co. 1 Thlr.

[Advertisement], Evening Post (10 June 1854), 3

https://nyshistoricnewspapers.org/lccn/sn83030390/1854-06-10/ed-1/seq-3 

CRYSTAL PALACE. GRAND MUSICAL CONGRESS, ON THURSDAY NEXT, JUNE 15 . . .
PRINCIPAL ARTISTS Already engaged:
The celebrated M. DROUET, Kapelmeister of the Prince of Saxe-Coburg Gotha.
PAUL JULLIEN.
MADAME WALLACE.
MADAME WALLACE BOUCHELLE . . .
HERR KOENIG . . .
MR. JOHN A. KYLE.
M. SIEDE . . .
CHEF D'ORCHESTRE and DIRECTOR OF THE MUSIC, M. JULLIEN . . .

ASSOCIATIONS: Louis Jullien (conductor); Eliza Wallace Bushelle (vocalist); Hermann Koenig (cornet player)

[Advertisement], The musical world [New York, NY] (11 November 1854), 136

https://books.google.com.au/books?id=pN0qAAAAYAAJ&pg=PA136 (DIGITISED)

MUSIC ESTABLISHMENT OF J. SCHUBERTH & Co. 539 Broadway, New York.
Foreign and American Music and Piano Depot. Old Established Publishing House, founded thirty years ago in Hamburgh and Leipsic . . .
Recently we have published . . .
G. SIEDE [sic] - Polka de Concert, $1 13.
G. SIEDE - Fantazia from Lucrezia, $1 13c . . .

Kurzes Verzeichnis sämmtlicher im Jahre 1854 in Deutschland und den angrenzenden Ländern gedruckter Musikalien . . . (Leipzig: Hoffmeister, 1854), 21

https://books.google.com.au/books?id=O7H3GibBCQYC&pg=RA6-PA21 (DIGITISED)

[33. Duetten für das Pianoforte und Flöte] . . . Siede, J., Op. 3. Souvenir à Donizetti. Fantaisie brill. sur des Thèmes de Lucia at Lucrezia, av. Pfte. Hamburg, Schuberth u. Co. 1 Thlr.

[Advertisement], The Brooklyn Daily Eagle (26 April 1855), 4

https://nyshistoricnewspapers.org/lccn/sn83031151/1855-04-26/ed-1/seq-4 

The "Associate Ladies of the Church Charity Foundation," beg publicly to express their acknowledgments to Mrs. Bostwick, Messrs. Wiebe, Siede, Vierveg, and Master Mallatratt, for their voluntary and gratuitous services, in behalf of the Orphan House and Home for the Aged, at the Concert of Music in the Atheneum, Brooklyn, on the night of the 24th of April . . .

New York Common Pleas, Julius Siede, naturalization, 13 December 1855; US National Archives and Records Administration, Washington, DC

https://www.ancestry.com.au/imageviewer/collections/2280/images/32955_2421406261_0102-00171 (PAYWALL)

In the matter of Julius Siede, on his Naturalization, residing in the City and County of New-York, 115 Grand [Street] . . . Sworn in open Court, this [13 December 1855] . . .

Australia (from 19 August 1856):

List of the passengers who have arrived at the port of Melbourne on 19 August 1856 from New York on board the Sportsman; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AFF8885-F96C-11E9-AE98-4994E0429BCA?image=91 (DIGITISED)

. . . Julius Siede / 27 [sic] . . .

"MUSIC AND THE DRAMA", The Age (1 September 1856), 2 supplement

http://nla.gov.au/nla.news-article154868947 

The English opera company open their campaign this evening, with "Lucia di Lammermoor," at Our Lyceum, in Queen street . . . Mr. John Black, to whom Melbourne is indebted for its Theatre Royal, is the manager . . . The orchestra is exceedingly effective both in number and ability, having been formed entirely of artistes who, besides being skilled in orchestra performance, have achieved repute as solo performers. Of these we may mention Herr Strebinger and Mr. King on the violin, Mr. Johnson of the Fortieth band on the clarionet, Mr. Hartigan on the ophicleide, Mr. Siede on the flute, and Mr. Simes on the cornet. The orchestra will be under the direction of Mr. Linly Norman . . .

"OUR LYCEUYM. ENGLISH OPERA", The Argus (1 September 1856), 5

http://nla.gov.au/nla.news-article7135802 

The Queen's Theatre, re-baptized under the title of "Our Lyceum," opens this evening with an English operatic troupe . . . The orchestra and chorus have been judiciously selected. The former is under the direction of Mr. Linley Norman, with Strebinger for leader . . . and in addition a Mr. Siche [sic], a flautist of high reputation in England and Germany, and who has only very recently arrived in the colony . . .

ASSOCIATIONS: English Opera Company (group); John Melton Black (manager); Linly Norman (conductor); Frederick Strebinger (violin, leader); Edward King (violin); Henry Johnson (clarinet), master of the Band of the 40th Regiment (military); Mr. Simes (cornet)

"GEELONG (FROM OUR OWN CORRESPONDENT) Tuesday, 9th September, 1856", The Argus (10 September 1856), 6

http://nla.gov.au/nla.news-article7136316

The enterprise of Mr. Simmons [sic], the manager of the Theatre Royal, in engaging Madame Anna Bishop was rewarded last night with one of the most respectable and numerous audiences I have seen since the time when Mr. Brooke drew such crowds to the theatre. Madame's singing excited the most rapturous applause, Mons. Laglaise was also warmly applauded, as likewise Mr. Siede, the able flautist. Mr. and Mrs. Clarance Holt contributed to the evening's amusement materially, by playing in "The Morning Call" . . .

ASSOCIATIONS: Anna Bishop (vocalist); Jean-Baptiste Laglaise (vocalist); James Simmonds (manager); Clarance and Marie Holt (actors); Theatre Royal (Geelong)

[Advertisement], The Star [Ballarat, VIC] (2 October 1856), 3

http://nla.gov.au/nla.news-article66041534 

MONTEZUMA THEATRE. On THURSDAY Evening, October 2 . . .
First Night on Ballarat of the celebrated Cantatrice MADAME ANNA BISHOP, Supported by . . .
HERR SIEDE, Flautist from the Opera, Berlin . . .
PART I . . . 3. Solo, Flute, "You'll Remember Me," with variations - Herr Siede . . .
PART II. Grand Comic Opera, in three Acts of THE ELIXIR OF LOVE . . .

ASSOCIATIONS: Montezuma Theatre (Ballarat)

"MADAME ANNA BISHOP", The Star (4 October 1856), 2

http://nla.gov.au/nla.news-article66039671 

. . . Madame Bishop is accompanied by Messrs. Coulon, Laglaise, Siede, and Loder; and the public have welcomed them on each night of their appearance with a house crowded to the ceiling . . . The fine execution of Herr Seide [sic] on the flute we may safely say has never been equalled on Ballarat, if in Australia; and that gentleman was greeted on every occasion with a most expressive encore . . .

ASSOCIATIONS: Emile Coulon (vocalist); George Loder (musical director)

"MONTEZUMA THEATRE", The Star (21 October 1856), 2

http://nla.gov.au/nla.news-article66039814

The entertainments at this house on Saturday night were exceedingly varied and interesting . . . The performances commenced with the farce entitled "Advice to Husbands" . . . Then followed the overture; after which Mr. Laglaise sang "Ben Bolt" with his usual accuracy and feeling . . . The aria Wie nahte mir der Schlummer from Der Frieschutz, afforded Madame Bishop an opportunity for displaying her powers of ornamentation . . . Herr Siede gave another of his delightful executions upon the flute, over which instrument he seems to have a perfect mastery; the expression, with which his countenance is by no means largely endowed, appearing to have accumulated with unwonted power in his nimbly moving digits, giving to them the faculty of rapid and faultless manipulation . . .

[Advertisement], The Age (27 October 1856), 1

http://nla.gov.au/nla.news-article154870471 

EXHIBITION BUILDING.
MADAME ANNA BISHOP'S GRAND CONCERT, Monday evening, October 27th, 1856.
PROGRAMME. Part I.
Grand overture (first time in this colony), "Le Rot d'Yvetot," composed by Adolphe Adam - Orchestra . . .
Fantasia for the Flute, upon airs from "The Child of the Regiment" - Mr. Julius Siede . . .
The First Part will conclude with a singular and beautiful composition by Bochsa, expressly for Mdme. Anna Bishop, entitled the
MORNING CHAUNT OF THE ALBINOS. A Quartette for Four Flutes.
First Flute - Mdme. Anna Bishop.
Second Flute -Mr. Julius Siede.
Third Flute - Mr. -
Fourth Flute - Mr. George Loder.
With accompaniment of Two Clarionettes.
Part II.
New Overture (first time in this colony), "La part du Diable," Auber - Orchestra.
The Celebrated Nightingale Song, from the Opera of "Jeannette's Wedding," with Obligato Flute Accompaniment, arranged by Bochsa, performed by Mdme. Anna Bishop and Mr. Siede . . .

"MADAME BISHOP'S CONCERT", The Argus (28 October 1856), 5

http://nla.gov.au/nla.news-article7139086 

Last night's concert at the Exhibition Building may be characterised as
"A feast of nectar'd sweets,
Where no crude surfeit reigned."
There were choice selections from the Italian composers for the dilettanti, and ballads for those who love "the simple plaining of a minstrel's song." There were a couple of overtures, remarkable for their quaint and striking instrumentation, fantastic and very French withal and an admirably executed fantasia on the flute by Mr. Siede, which was deservedly encored. This gentleman combines, in his style of playing, the utmost sweetness and purity of tone with extreme delicacy of expression; so that, under his facile touch and inspiration, the instrument becomes as capable of depicting every variety of emotion, and every shade of feeling, as the human voice itself . . . With regard to Madame Bishop . . . In "The Morning Chant of the Albinos" she sustained a successful rivalry with the three flutes which took part in the quartette; and whether in the sustained notes, the trills and cadences, or the piano passages, there was a party of sweetness, expression, and effect. In "The Nightingale Song" she was no less successful in emulating the liquid notes of that "brown, busy, blameless bird" . . .

"THE 'LIEDERTAFEL'", The Argus (11 May 1857), 5

http://nla.gov.au/nla.news-article7131446 

The members of the Liedertafel Harmonia commemorated the anniversary of the death of Schiller by a musical soiree at the Criterion on Friday evening, at which nearly three hundred persons were present. The performance of some compositions of the best masters, well executed by the members of the club, assisted by Messrs. Siede, Schleuter, and Elsasser, and the delivery of an address . . . occupied the first part of the evening . . .

ASSOCIATIONS: Adolph Schluter (vocalist); Charles Elsasser (pianist)

[News], The Age (3 October 1857), 5

http://nla.gov.au/nla.news-article154835423 

M. Julius Siede's Concert will be held this evening, at the Criterion Hall, when we trust to find a large attendance of the musical community. M. Siede is well known to the public as an able flautist, and formed while Madame Anna Bishop was in these colonies one of the most reliable members of her instrumental corps. Since her departure for Callao, M. Siede has returned to Melbourne, where he intends establishing himself as a teacher of the flute, the piano, and singing.

[Advertisement], The Argus (13 April 1859), 8

http://nla.gov.au/nla.news-article5679449 

GRAND OPERA. - THIS EVENING, first time in Australia, Verdi's Opera LA TRAVIATA, at the Theatre Royal . . .
THEATRE ROYAL. - This evening a GRAND OVERTURE, composed by Herr Julius Siede, by a complete orchestra . . .

ASSOCIATIONS: Theatre Royal (Melbourne)

[News], The Argus (19 May 1859), 5

http://nla.gov.au/nla.news-article5681375 

The Scottish ballad concert of the Misses Macarthy last night, at the Mechanics' Institute was very agreeably varied with some excellent instrumental music. This was selected with so much good judgment, that it fairly claimed a moiety of the general applause . . . Herr Siede's flute-playing took the audience somewhat by surprise. Though known to be an accomplished performer upon this instrument, he was hardly believed to be so perfect a master of it, as his delicious execution last night proved him to be. His variations upon some well-known airs were clear and pronounced in their character, and some of them were of a pleasingly novel description. His operatic selections were marked by much meaning and truthfulness, and those who might be familiar with the "Casta Diva," "Il Segreto," and "Vieni la mia Vendetta" only through imperfect vocalisation must, doubtless, have derived a new pleasure from hearing these charming compositions under such favorable circumstances. The public will suffer loss if Herr Siede do not oftener come before it. Herr Bial's clever performances upon the pianoforte merit very high commendation . . . In conjunction with Herr Siede, he executed a scena from Herold's "Zampa," replete with the most perfect dramatic coloring. The audience was very numerous, and the satisfaction at the arrangements of this very enjoyable entertainment appeared to be pretty unanimous. Mr. S. Nelson played the accompaniments with his accustomed ability.

ASSOCIATIONS: Georgina and Maria McCarthy (vocalists); Charles Bial (pianist); Sidney Nelson (pianist, accompanist)

[Advertisement], The Argus (24 December 1859), 8

http://nla.gov.au/nla.news-article5694206

THEATRE ROYAL Will be CLOSED On THURSDAY, FRIDAY, and SATURDAY, 22nd, 23rd, and 21th inst.,
During whcih period A SERIES of PEOPLE'S CONCERTS, a la JULLIEN, Will be held each evening in The VESTIBULE.
Artistes engaged: Mr. FREDERICK YOUNGE, Miss MARIA CHALKER, Mr. JOHN GREGG, Mr. MARMADUKE WILSON, (The inimitable comic vocalist,)
The OPERATIC BAND Of the Theatre Royal WILL PLAY EACH EVENING
The VESTIBULE POLKA, Composed expressly for the occasion, by JULIUS SIEDE.
Musical arrangements by Mr. JOHN GREGG. Conductor - HERR SIEDE . . .

ASSOCIATIONS: John Gregg (vocalist, director); Frederick Younge (actor, vocalist); Marie Chalker (vocalist); Marmaduke Wilson (vocalist)

"THE NEWS OF THE DAY", The Age (13 November 1860), 5

http://nla.gov.au/nla.news-article154885623 

Shakspere's splendid play "Measure for Measure" was produced at the Theatre Royal yesterday evening with the most commendable attention to stage effect, scenery, and costume. As for the acting . . . with the exception of Miss Avonia Jones, not one of the artistes rose above mediocrity . . . Even Mr. Brooke as the Duke seemed to perform his part in a mechanical manner . . . but for the powerful and highly dramatic coloring which Miss Avonia Jones threw into her conception of the character of Isabella, the manner in which the piece generally was produced would not have justified us in pronouncing it a success . . . She had an unanimous call before the curtain at the end of the second act. Between the fourth and fifth, while the curtain was still down, and behind it, the band played a magnificent and most original march, composed by Herr Siede. The march is first played pianissimo, and gradually increases to fortissimo, at which moment the curtain rises and displays the arrival of the duke, whose progress the music is supposed to have accompanied. The opening overture was also composed by Herr Siede, and is a most admirable composition . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor, manager); Avonia Jones (actor)

"THE NEWS OF THE DAY", The Age (31 December 1863), 5

http://nla.gov.au/nla.news-article155021828 

A practice of the newly organised volunteer band, for inspection by Colonel Anderson, took place in the Exhibition Building, yesterday afternoon. There were about 30 of the head-quarters band present, under Mr. Siede, bandmaster, and Mr. Johnson, leader; and about 40 of the drum and life corps, composed of the boys of the Immigrants' Home, under drum-major Canna. The men looked very smart in their new uniform, and the character of the instrumental music was such that the volunteer band cannot fail to become a highly popular institution, so soon as they have commenced their promenade performances for the benefit of the public . . . The want of a really good military band has long been felt, and the amalgamation of volunteer performers and professionals, which has been brought about in the present instance, seems likely to meet every requirement in this respect. The band will, no doubt, be liberally supported by the public.

ASSOCIATIONS: Henry Johnson (musician, clarinettist); Pietro Canna (drum-major); Head-Quarters Band (Melbourne)

"MR. JULIUS SIEDE", The Argus (30 September 1887), 7

http://nla.gov.au/nla.news-article7921618

The musical public of Melbourne were informed some few weeks since, in the columns of The Argus, that the gentleman whose name is seen above had fallen into ill health, and was compelled to retire for a time from the activities of his profession. To enable him to carry the necessary rest prescribed for him a benefit concert has been organised by a thoroughly influential committee. This will be given tomorrow night in the Melbourne Town hall, and the musical entertainment will be supplied by the voluntary services of a full orchestra the two Liedertafel Societies, the Zerbini Quartet Party, Mrs. Palmer, Miss Frederica Mitchell, Mr. Armes Beaumont, Mr. C. M. Edwards, Mr. Gordon Gooch and Miss Allison, the last named being the solo pianist. Messrs. Herz, Peake, and Julius Siede will be the conductors and Messrs. G. B. Allen, A. Zelman, and P. Plaisted the accompanists. The full programme has been published in other columns and a musical event of the highest kind may be anticipated. The public attendance should be very great because Mr. Siede has earned a place in public esteem which fairly warrants it.

The best part in busy life has been passed in Melbourne during the last 22 years. Previous to Mr. Siede's arrival here, in 1855 [1856], he had as a young man made an artist tour through Germany and Russia, extending to Western Siberia, and in doing so he acquire a high European fame as a solo flautist. In 1848 he went to America, and in the following year was musical director of the Castle gardens Concerts in New York, at that time the great musical resort in that city. In 1850 he was one of a chosen few who travel with Jenny Lind in her tour throughout the United States and Cuba. After this he accompanied Madame Anna Bishop throughout the United States, the West Indies and Mexico. Shortly after Mr. Siede arrived in Melbourne the lady last named came here on a tour and again the two were associated in concert giving throughout Australian colonies. Since that time he has been closely associated with the progress music in Melbourne. He was conductor of the first attempts at opera here. At the Theatre Royal he was conductor under the management of G. V. Brooke, and in 1862 his scoring of "The Huguenots" for Mr. W. S. Lyster then newly arrived met with general commendation, and was largely conducive to the extraordinary success of that memorable production. In 1863 Mr. Siede was requested to organise the Headquarters Band, which for 15 years was an established institution. From 1865 to 1871 he was operatic contractor, under the popular impresario, Mr. W. S. Lyster, and during that time "William Tell" was produced, with an orchestra of 50 players and a chorus of 80 voices, including many amateur volunteers. At the opening of the Town hall in August, 1870 there was an orchestra of 76 players and a chorus of 100 voices, the conductors on that occasion being Messrs. C. E. Horsley, J. Siede, and D. Lee. From 1872 down to the present time the subject of this notice has been conductor of the Melbourne Liedertafel, for which he has composed some original works and arranged many others, and during this he under his baton the following great works have been produced, viz. : - "The Desert," the "Hymn to the Night," "The Apotheosis of Hercules," "The occultation of Orion," the "Ninth Symphony" of Beethoven, and the "Spectre's Bride," by Dvorak. This is so far a good record, but side by side with this has been a useful career as a skilful teacher, a reputation for benevolence acquired by constant devotion of professional talents for church purposes, and spotless repute as a private citizen. The opportunity presents itself now for the recognition of such good qualities in a time of need.

ASSOCIATIONS: Charles Edward Horsley (conductor); David Lee (conductor); Lyster Opera Company (troupe); John Baptist Zerbini (musician); Rosina Palmer (vocalist); Armes Beaumont (vocalist); George B. Allen (accompanist); George Peake (accompanist); Alberto Zelman (accompanist); Philip Plaisted (accompanist)

"HERR JULIUS SIEDE", Illustrated Australian News and Musical Times (1 April 1890), 9, and portrait above

http://nla.gov.au/nla.news-article60621425

The excellent and much respected musician whose portrait is here given, was born at Dresden in the year 1825. He has had a long, varied and honorable public career, and has distinguished himself in the several capacities of flautist, conductor and composer. Mr. Siede displayed his musical talent at an early age, and studied the flute under the tuition of the celebrated German performer, Furstenau, while in composition and other branches of music he received instruction from Otto and Reissiger, the latter a composer of some celebrity. At the age of 12 the young student was sufficiently advanced to make a successful public appearance, and in a few years advanced so much in proficiency on the flute as to be ranked among the best solo performers in his native country. In the year 1846 he undertook a tour through Germany, and subsequently visited Russia, where in conjunction with other artists he made an extended and successful professional tour, visiting also the wealthy mining towns of Western Siberia. On his return from Russia, he resided in Berlin for some time, but early in 1848 went to America, where he was received with great enthusiasm. In 1849 he was appointed musical director of the Castle Gardens concerts, New York, then the most fashionable and attractive place of amusement in that city. He was one of the artists who travelled with Jenny Lind, in 1850, through the United States and Cuba. The success of this tour was un paralleled in the history of music in America. The company had also a taste of the dangers of travelling by being nearly wrecked on the coast of South Carolina and blown up on one of the great Mississippi steamers. In 1851-52 he accompanied Madame Anna Bishop on a tour through the United States, the West Indies and Mexico; and from 1852 to 1855 he resided principally in New York.

In the latter year he arrived in Australia [recte, 1856], and afterwards accompanied Madame Bishop in her musical tour through the Australian colonies. In 1857 Mr. Siede decided to reside permanently in Melbourne, and has since then taken a prominent part in the principal musical events, and contributed in no small degree to the cultivation of the art of music and the advancement of musical culture. He was associated as conductor with the earliest operatic performances given in Melbourne, which commenced in 1858, and from 1865 to 1871 conducted the late Mr. W. S. Lyster's Opera Company. At the opening of the Town Hall in 1871 Mr. Siede Was associated with the late Mr. C. E. Horsley in conducting the musical performances given on that occasion. In 1872 he accepted the position of conductor of the Melbourne Liedertafel. In this capacity he has done good work in the cause of music by the excellent rendering of good compositions given at the periodical concerts under his baton, and by the influence he has exercised upon the taste and culture of those who came into contact with him either as members of the choir or as orchestral players, and through them upon the community at large.

Mr. Siede is also known as the composer of numerous choral and orchestral works, as well as of a large number for his special instrument, the flute. Among these may be mentioned two cantatas composed for the members of the Melbourne Liedertafel, Hymn to the Night and the Occultation of Orion, and three concert overtures, while many of his part songs and arrangements are favorite numbers in the repertoire of the Liedertafel. Mr. Siede has also written a considerable amount of music for military bands, and has done much to popularise open air performances by them, having in 1863 organised the Headquarters' Band, which remained in existence for 13 years, playing in the public gardens of Melbourne; and more recently, he attempted to revive public interest in this class of entertainment by establishing the continental concerts that were given for several seasons under his conductorship.

Mr. Siede has lately been obliged through continued ill health to sever his connection with the Melbourne Liedertafel, and to retire from the active exercise of his profession. As one of the oldest established and most accomplished among resident professors it is fitting that this closing of an honorable career should be recognised by those musicians, both professional and amateur, with whom he has for so long been associated; and that they should combine to present him with a testimonial expressive of their appreciation of his services in the cause of musical art. A meeting with this purpose in view has already been held, and the movement has met with general support. Mr. Julius Siede is a member of the Society of Musicians of Australasia, and also one of its board of directors.

Memorial for naturalization, John Julius Augustus Siede, 25 January 1894; Public Record Office Victoria

Memorial for letters of naturalization, John Julius Augustus Siede, 25 January 1894; Public Record Office Victoria

The Memorial of John Julius Augustus Siede, of Hawthorn Grove, Hawthorn in the colony of Victoria . . .
2. That he is 68 years of age; 3. That he was born in Dresden, Germany; 4. That he is by occupation a Professor of Music; 5. That on the 3d day of August in the year 1856 he arrived in the Colony of Victoria by the ship Sportsman from the port of New York in the United States and that he has ever since his arrival, being a period of 38 years, been a resident in said colony of Victoria . . . . dated [25 January 1894].

"DEATHS", The Age (24 April 1903), 1

http://nla.gov.au/nla.news-article197897189 

SIEDE. - On the 23rd April, at "Clydesdale," Henry-street, Auburn, Herr Julius Siede, in his 78th year.

"PERSONAL", The Argus (24 April 1903), 13

http://nla.gov.au/nla.news-article9800584

Herr Julius Siede, the well known musician, died at his residence in Auburn on Thursday night, at the age of 78. Herr Siede was one of Melbourne's oldest musicians, having been a resident of the city since 1855. He had previously travelled through America as solo flautist with the celebrated singer, Jenny Lind, and, after arriving in Australia, made a two-years' tour with Madame Anna Bishop. Subsequently he was conductor of Lyster's famous opera company, and in 1872 became conductor of the Melbourne Liedertafel, in which position he continued until 1890. Herr Siede's wife pre-deceased him. He leaves two daughters and five sons, one of whom is Mr. August Siede, also well known in the musical world, who is now on a trip to Europe. The funeral will be held this afternoon at half-past 2, and will be attended by past and present members of the Melbourne Liedertafel, who will sing a requiem over the grave.

"Music and Musicians", The Arena-Sun (30 April 1903), 23

http://nla.gov.au/nla.news-article255910062 

The death of Herr Julius Siede cuts off another link with early days. Herr Siede was conductor of the Melbourne Liedertafel for many years and like Herr Linden and Mr. C. W. Russell did manful work in holding aloft the banner of music at a time when reward for so doing was scantily and toilsomely earned. We had an exciting musical - or poetical - case here a few years ago when hypnotised by a powerful personality all sorts and conditions of people, chiefly young, hastened with evidence that until Mr. ____ _____ came here we had no music, no art, no literature, perhaps. Arts and appreciation both had grown a la Jonah's gourd. Meeting Mr. August Siede afterwards a well-known Italian musician here many years said to him - with much emphatic gesticulation and torrents of fiery imperfect English,
"I no care for myself; I no care for So and So. I no care for Blank, I no care a dash dash for Dash, but why you insult your fater?"

ASSOCIATIONS: Otto Linden (musician); Charles William Henry Russell (d. 1910); referring to the arrival of George Marshall Hall

THE LATE JULIUS SIEDE, 2 May 1903

"THE LATE JULIUS SIEDE", Leader (2 May 1903), 36 (picture above)

http://nla.gov.au/nla.news-article197942416 

The death was announced last week of Mr. Julius Siede, who in his day was one of the best known and most accomplished musicians in Victoria. He was born in Dresden, in 1825, and at an early age developed a passion for the flute, which as he grew older he played with wonderful skill. After playing in many centres in Europe, he toured America with a company which had the famous Jenny Lind at its head. Arriving in Australia in 1885 [sic, 1856], he became associated with Madame Anna Bishop, and visited all the most important cities. In 1887 [sic, 1857] he settled permanently in Melbourne, and remained in the practice of his profession for nearly 40 years, until increasing infirmities necessitated his retirement. During all this time he was a prominent figure in the musical world, and was conductor of several combinations, notably the late Mr. W. S. Lyster's Opera Company, the head Quarters Band and the Melbourne Liedertafel. For the last-mentioned body he wielded the baton from 1872 to 1890. When he retired from active work his services to the musical world as a solo flautist, leader and composer were suitably recognised by his friends and admirers. His wife predeceased him many years ago, but two daughters and five sons survive him. The best known of the sons is Mr. August Siede, who is following in his father's footsteps as a musician, and is now on a visit to Europe.

"A MELBOURNE COMPOSER. SUCCESS IN EUROPE", The Mercury (29 December 1903), 5

http://nla.gov.au/nla.news-article12267489

"AN AUSTRALIAN COMPOSER. MR. AUGUST SIEDE AT DRESDEN", The West Australian (29 December 1903), 5

http://nla.gov.au/nla.news-article24840979

Mr. August Siede, of Melbourne, an Australian composer, produced last night at Dresden his lyric symphony, "The Australian Walpurgisnight." The performance was well received. Mr. August Siede is the son of the late Mr. Julius Siede. He left Melbourne two years ago for a course of study in Europe. He was known in Melbourne as the conductor of the Melbourne Liedertafel, and as a composer and excellent organist. His chief compositions are a setting of the last three stanzas of Shelley's "Adonais", which was performed by the Melbourne Liedertafel, and a symphonic overture, performed by Mr. Marshall Hall's orchestra, under the composer's direction, at its 49th concert in the Melbourne Town Hall.

"PERSONAL", The Argus (27 October 1925), 10

http://nla.gov.au/nla.news-article2158287

Private messages received in Melbourne yesterday announced the death in London on September 16, of Mr. August Siede, well known in musical circles in Melbourne as a pianist, organist, conductor, and critic. A cultured and accomplished musician and a scholarly writer on musical subjects, Mr. Siede was for some years musical critic of The Argus . . . He was aged about 55 years.


Extant musical works:

Grand polka de concert, pour flute avec piano par Jul. Sided, op. 2, a Monsieur Ruperti a Hambourg (Hamburg: Scubreth & Co., [1853])

https://imslp.org/wiki/Special:ReverseLookup/103370 (DIGITISED - FLUTE PART ONLY)

"Petrella galop [by] Julius Siede", Glen's Christmas number of the Colonial musical cabinet (Melbourne: W. H. Glen, 1875), 34-36

https://nla.gov.au/nla.obj-178052828/view?partId=nla.obj-178056579#page/n34/mode/1up (DIGITISED)


Bibliography and resources:

H. Morin Humphreys (comp.), Men of the time in Australia, Victorian series, second edition (Melbourne: McCarron, Bird & Co. 1882), [cxxxiv]-[cxxxv]

https://nla.gov.au/nla.obj-13818998/view?partId=nla.obj-13960298#page/n147/mode/1up (DIGITISED)

Thérèse Radic, "Siede, Julius (1825-1903)", Australian dictionary of biography 6 (1976)

http://adb.anu.edu.au/biography/siede-julius-4579

Vera Brodsky Lawrence, Strong on music: the New York music scene in the days of George Templeton Strong, volume 1: Resonances, 1836-1849 ([New York; Oxford University Press, 1988]; Chicago: Chicago University Press, 1995), 542 (note), 598, 602

https://books.google.com.au/books?id=zuCOQY-RN1wC&pg=PA598 (PREVIEW)

[598] . . . But not all of Gungl's musicians returned with him. Some thirteen, among them Julius Siede, his star flutist, elected to remain in the United States . . .

Vera Brodsky Lawrence, Strong on music: the New York music scene in the days of George Templeton Strong, volume 2: Reverberations, 1850-1856 (Chicago: University of Chicago Press, 1995), 76, 109, 110, 114, 115, 149, 197, 303, 361, 425, 503, 647

https://books.google.com.au/books?id=gMxQrkQTLHYC&pg=PA109 (PREVIEW)

[109] . . . The flute virtuoso Julius Siede announced a farewell concert at the Apollo on March 23 [1850], before departing for London. Of his assisting artists, Mesdames Stephani and Laura Jones defaulted, but Timm and Scharfenberg and Siede's fellow flutists Eben, Busch, and Kyle were present. Siede's "flute soirée was, alas, performed to any empty house," wrote Watson . . .




SIEVERT, Heinrich (Heinrich SIEVERT; Herr von SIEVERT)

Musician, professor of music, pianist, piano tuner

Active Deniliquin, NSW, by 1863

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIEVERT-Heinrich (shareable link to this entry)


Documentation:

"CONCERT FOR THE BENEFIT OF THE HOSPITAL", Pastoral Times and Echuca and Moama Chronicle [Deniliquin, NSW] (22 August 1863), 2

http://nla.gov.au/nla.news-article267857243 

[Advertisement], Pastoral Times and Echuca and Moama Chronicle (5 September 1863), 4

http://nla.gov.au/nla.news-article267857317 




SIGMONT, William Abercrombie (William Abercrombie Dignum SIGMONT; William Abercrombie SIGMONT; W. A. SIGMONT)

Musician, professor of music, pianist, bass vocalist, guitarist, organist, composer

Born Yorkshire, England, c. 1797 / ? 1801; son of William Dignum SIGMONT
Married Lucy Batt MARCH, Christ Church, Sculcoates, Yorkshire, 16 April 1842
Arrived Sydney, NSW, 13 August 1849 (per Madawaska, from Plymouth, 26 March, via Adelaide and Melbourne)
Died Goulburn, NSW, 6 October 1867, aged "70"

https://trove.nla.gov.au/search?l-publictag=William+Abercrombie+Sigmont (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIGMONT-William-Abercrombie (shareable link to this entry)

SIGMONT, Lucy (Lucy Batt MARCH; Mrs. William Abercrombie SIGMONT)

Musician, teacher of singing, the piano, and the French language

Born Leicestershire, England, 1809; baptised Narborough, 10 September 1809; daughter of Richard and Ann MARCH
Married William Abercrombie SIGMONT, Christ Church, Sculcoates, Yorkshire, 16 April 1842
Died Sydney, NSW, 1893

https://trove.nla.gov.au/search?l-publictag=Lucy+Batt+March+Sigmont+1809-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIGMONT-Lucy (shareable link to this entry)


Summary:

There is no accessible record of Sigmont's birth, however, in the 1841 England census, he gave his age as 40 and his place of birth as Yorkshire. His marriage record identifies his father as William Dignum Sigmont, a professor of music. In 1841, William himself was still single, a musician, living at Kingston upon Hull.

On 16 April 1842, at Christ Church, Sculcoates, he married Lucy Batt March. In the next four years they had three sons, Charles (1843-1877) and Andrew (1844-1877), and Frederick (1846-1908). Andrew was baptised at Holy Trinity, Kingston on Hull, on 22 July 1844.

William and Lucy Sigmont and family arrived in New South Wales on 13 August 1849, and for the next almost four years lived at a variety of addresses in Sydney.

In July 1853, they settled in the southern highlands town of Goulburn.


Documentation:

"MELODISTS' CLUB [London, England]", Freeman's Journal [Dublin, Ireland] (1 February 1830), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18300201/006/0002 (PAYWALL)

The first dinner of this season took place on Thursday, at the Freemason's Tavern, London. It was well attended by the members. After a sumptuous dinner, Non Nobis was sung in excellent style by Messrs. Sinclair, Cooke, Parry, Stansbury, Bedford, Blewett, Forster, and numerous professional gentlemen. Mr. Sigmont, who has lately arrived from Germany, performed a fantasia (extempore) upon the pianoforte, with wonderful power; and an almost endless variety of beautiful melodies and comic songs closed the evening's entertainment.

ASSOCIATIONS: John Parry (? junior) (member); Thomas Cooke (member); Jonathan Blewitt (member); Melodists' Club (London)

"NEW MUSICAL WORKS PUBLISHED DURING THE LAST MONTH", The harmonicon 8 (October 1830), 442

http://books.google.com.au/books?id=zj6EIrMmKtsC&pg=PA442 (DIGITISED)

PIANOFORTE. "Die Verliebte," Six German Waltzes. - Sigmont . . .

[Advertisement], The Age [London] (31 October 1830), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002413/18301031/005/0001 (PAYWALL)

WILLIS and Co., Royal Musical Repository, 55, St. James's-street . . .
The favouirte Airs, Marches, &c., performed by the Prague Minstrels, arranged for the Piano-forte by J. Moscheles, No. 1-7 . . .
Just Published . . . Die Verliebten; Six German Waltzes, No. 9, composed by W. A. Sigmont 3s. 6d . . .

MUSIC [reviews], The national standard of literature, science, music (13 April 1833), 239

http://books.google.com.au/books?id=TnUPAAAAQAAJ&pg=PA239

Restless Love. Translated from the German of Goethe's Rastlose Liebe. [translation] By Mons. W. A. Sigmont. Composed by Leopoldine Blabetka. Wessel and Co.
A very beautiful song, the music of which is exceedingly scientific and tasteful. We can conscientiously recommend it to good singers - but to good singers only.

ASSOCIATIONS: Leopoldine Blahetka (composer)

[Advertisement], Newcastle Journal (20 February 1836), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000243/18360220/026/0001 (PAYWALL)

H. A. SIGMONT [sic] respectfully acquaints the Nobility, Gentry, and Public of Newcastle, that he has commenced giving LESSONS the PIANO FORTE and SINGING.
Address Mrs. Jobson's Boarding House, 79, Pilgrim- Street.

[Advertisement], Newcastle Journal [England] (16 July 1836), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000243/18360716/047/0002 (PAYWALL)

MR. W. A. SIGMONT, PROFESSOR OF MUSIC, (From the Continent),
respectfully informs the Nobility, Gentry, and the Public, that he will
RE-COMMENCE giving INSTRUCTIONS on the PIANO-FORTE and SINGING, the 29th Instant.
The most respectable References will be given. George Inn, Pilgrim-Street, July 13th.

"1837 (Oct. 29)", The local historian's table book of remarkable occurrences 4 (Newcastle: M. A. Richardson, 1844), 398

http://books.google.com.au/books?id=CpjhAAAAMAAJ&pg=PA398 (DIGITISED)

The sacrament of confirmation was administered at the Roman catholic chapel, Newcastle, by the right rev. Dr. Briggs, vicar apostolic of the northern district, to 309 young persons and adults. The service commenced with a grand high mass, chaunted by the rev. William Riddell, the choir performing the sublime and beautiful mass, No. 1, by Hadyn, in a manner highly creditable to the organist, Mr. Sigmont, and all concerned . . .

MUSIC: Mass in B flat (Novello no. 1, Hob. XXII:10) (Haydn)

[Advertisement], Newcastle Journal [England] (25 November 1837), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000243/18371125/032/0001 (PAYWALL)

NEWCASTLE & GATESHEAD PHILHARMONIC SOCIETY. THIRD SEASON . . .
their FIRST DRESS CONCERT for the Season will take Place in the MUSIC HALL, BLACKETT-STREET, on Tuesday, November 28, 1837.
PRINCIPAL VOCAL PERFORMERS, MISS C. A. BIRCH, (From the "Philharmonic Concerts," . . .) Mrs. CORRIE, Miss E. M. A. ATKINSON, (of the Theatre Royal, Newcastle,) Mr. W. WATSON, Mr. SMITH, Mr. STODHART.
The Orchestra will full and efficient, comprising nearly all the Professional Talent of the Town, assisted several Amateurs.
Leader Mr. BAGNALL. Conductor Mr. W. WATSON. Solo Pianiste Mr. SIGMONT . . .
PROGRAMME . . . SOLO - Piano Forte - Mr. Sigmont, Thalberg . . .

[Advertisement], Newcastle Journal (28 July 1838), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000243/18380728/025/0001 (PAYWALL)

PIANOFORTE AND SINGING.
H. A. SIGMONT [sic] respectfully announces to his PUPILS and the Public that he has recommenced giving Instructions in the above Line.
No. 7, New Bridge-Street.

[Advertisement], Bath Chronicle and Weekly Gazette [England] (11 October 1838), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000187/18381011/046/0003 (PAYWALL)

PIANO-FORTE, HARP, and SINGING.
MR. W. A. SIGMONT, from Vienna (late Instructor in the family of his Serene Highness Prince Metternich) respectfully announced to the Nobility and Gentry of Bath that he has commenced giving INSTRUCTIONS IN MUSIC.
Address No. 10, DUKE STREET, NORTH PARADE.

ASSOCIATIONS: Klemens von Metternich (statesman)

[Advertisement], Bath Chronicle and Weekly Gazette (22 November 1838), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000187/18381122/049/0003 (PAYWALL)

ITALIAN SINGING.
MADAME DE LABORDE BUSSONI has the honour to announce to the Nobility and the Gentry of Bath, that she intends giving THREE SOIREES MUSICALES, on which occasion she will sing some favourite Italian Pieces by the most celebrated Composers.
The first Soiree will take place on THURSDAY Evening, Nov. 29th, at Eight o'clocl, at her Residence, No. 10, DUKE-STREET, North-Parade . . .
CONDUCTOR - MR. SIGMONT, who will preside the PIANO-FORTE, and will perform a New Manuscript Composition his own.

ASSOCIATIONS: Giussepina Laborde Bussoni (vocalist, composer); and see her Mariquita (the favorite Spanish song. c. 1835)

"THE RUSSIAN FAMILY", Hull Packet [Yorkshire] (24 April 1840), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000064/18400424/033/0004 (PAYWALL)

A concert was given by this talented family at our Music Hall last evening, and was respectably, but, are sorry to say, not numerously attended. In our opinion the gems of their performance were the concerted pieces, some of which were particularly effective. We must not, however, omit to notice Beethoven's "Adelaide," extremely well sung by Signor Fedor, and "Come Dolce" and "My Beautiful Rhine," which were given with great taste by Mademoiselle Maria. The comic terzetto by the three Signors Matweitch was also exceedingly clever, and elicited a well-merited encore. Mr. Sigmont, who has recently been appointed organist to the Roman Catholic Chapel in this town, presided at the piano-forte.

ASSOCIATIONS: Matweitch family (troupe)

[Advertisement], Hull Advertiser and Exchange Gazette [England] (26 June 1840), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18400626/047/0004 (PAYWALL)

SCHOLASTIC ESTABLISHMENT, LAIR-GATE, BEVERLEY . . .
French Language - Mons. BOULLAND, German Language - Professor W. A. SIGMONT, Dancing Master - Professor JACKSON . . .

"HULL CATHOLIC CHAPEL", Hull Advertiser and Exchange Gazette (18 September 1840), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18400918/014/0002 (PAYWALL)

On Sunday last . . . the music was Mozart's Mass, No. 12 . . . Mr. Sigmont presided at the organ . . . In the evening, Vespers were sung, which opened with a beautiful Motett by Sigmont. The Magnificat in C, by Sigmont, is a splendid piece, and was given with great effect by this very able choir . . .

"HULL HOLY CATHOLIC GUILD", Bengal Catholic Herald (17 April 1841), 84

http://books.google.com.au/books?id=ghSKsL7nLp8C&pg=PA84 (DIGITISED)

The anniversary of this flourishing, and benevolent association was held on Wednesday evening last [13 January], in the spacious music hall of the Jaratt-street Public Rooms . . . After the repast was concluded, "God save the Queen" was sung by a very efficient choir, accompanied by Mr. Sigmont on the organ, the whole company joining in the chorus . . . Hull Advertiser [15 January 1841]

England census, 6 June 1841, Kingston upon Hull, parish of Holy Trinity, Yorkshire; UK National Archives, HO 107 / 1231 / 3

https://www.ancestry.com.au/imageviewer/collections/8978/images/ERYHO107_1230_1231-0276 (PAYWALL)

Logan St. . . . / William Sigmont / 40 / Musician / [Born in county] Yes

1842, marriage solemnized in Christ Church in the Parish of Sculcoates in the county York; Yorkshire Archives (East Riding Archives)

https://search.findmypast.co.uk/record?id=S2%2FGBPRS%2FYORKSHIRE%2F007567686%2F00020 (PAYWALL)

No. 20 / April 16 1842 / William Abercrombie Dignum Sigmont / Of full age / bachelor / Professor of Music / 50 George Street / [son of] William Dignum Sigmont / Professor of Music
Lucy Batt March / Of full age / Spinster / - / 20 Strong Street / [daughter of] Rich'd March / -

"MARRIAGES", Hull Advertiser and Exchange Gazette [England] (22 April 1842), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18420422/056/0005 (PAYWALL)

On Saturday, the 16th inst., at Christ Church, Mr. William Sigmont, to Miss Lucy March, both of this town.

[Advertisement], Hull Advertiser and Exchange Gazette (28 October 1842), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18421028/043/0004 (PAYWALL)

GRAND EXHIBITION. MECHANICS' INSTITUTION, GEORGE-STREET . . .
THE SOIREE MUSICALE, Of Vocal and Instrumental Music, every MONDAY and THURSDAY Evenings,
commencing at Eight, at which Messrs. Sigmont, Crouch, Peck, Coverdale, and others, will give their gratuitous assistance . . .

ASSOCIATIONS: George Peck (violinist, musician, previously and later active in Australia)

"Births", Hull Packet (3 February 1843), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18430203/014/0003 (PAYWALL)

On Tuesday [31 January], Mrs. Sigmont, 50, George-street, of a son.

"THE PROMENADE CONCERTS", Hull Packet (14 April 1843), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18430414/007/0002 (PAYWALL)

On Friday last the sixth of these delightful concerts was given in the saloon of the Mechanics' Institution. Mrs. Giles and Miss Saunders were effective in several songs and duets, and the instrumental music, by Messrs. Sigmont, Giles, and Leng must have given satisfaction to the most fastidious . . . The performances of the evening were wound up with a capital comic song from Mr. Sigmont.

[News], Hull Packet (31 May 1844), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000064/18440531/105/0008 (PAYWALL)

The organ in Hope-Street Chapel having undergone considerable alterations, including a new hautboy and couplet, was re-opened in very admirable manner on Sunday last, by Mr. Sigmont, and we understand that the improvements which have been effected by Mr. J. A. Forster, have given general satisfaction. It is be expected now that have a resident organ builder in the town that the splendid instruments which Hull can boast will be kept in better order. - Correspondent.

ASSOCIATIONS: James Alderson Forster (organ builder, of the firm Forster and Andrews)

"Births", Hull Packet (28 June 1844), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000064/18440628/115/0008 (PAYWALL)

June 21, Mrs. Sigmont, 43, George-street, of a son.

[Advertisement], Hull Advertiser and Exchange Gazette (25 April 1845), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18450425/005/0001 (PAYWALL)

MR. SIGMONT respectfully informs his Friends and the Public that
"THE RED CROSS BANNER" will be Performed for the Second Time on TUESDAY Evening, the 29th instant, at Eight o'clock, at the Mechanics' Institute.
On this occasion Mr. S. will have the honour of adding the following new Compositions:
"THE SMILE," the Words by E. V. Rippingille, Esq.;
a SERENADE for the Piccolo Organo, Violin, Viola, and Violoncello, in which are introduced a favourite Air by Gluck;
and a Fantasia for the Flute, partly composed and entirely arranged by him for the full Orchestra.
Leader - Mr. GILES.
Tickets, One Shilling etch, to be had at Mr. SIGMONT'S Residence, 43. George-Street, and of Mr. FAGG, Whitefriargate. Members of the Institute at Half-price.

ASSOCIATIONS: Edward Villiers Rippingille (artist, author)

"YORKSHIRE AMATEUR MUSICAL SOCIETY", Hull Packet (20 June 1845), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18450620/015/0005 (PAYWALL)

This delightful re-union of the musical amateurs of Yorkshire took place in this town on Wednesday and yesterday. This is the thirty-seventh anniversary of this society, which holds its annual meetings in rotation at Leeds, Sheffield, York, and Hull . . . [first concert] . . . Mr. Sigmont's overture to the "Red Cross Banner" came next, and served admirably as a contrast to Kalliwoda's symphony [no. 2] with which the concert commenced . . .

MUSIC: Symphony no. 2 (Kalliwoda)

[Advertisement], Hull Advertiser and Exchange Gazette (24 July 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18460724/007/0001 (PAYWALL)

HARP, SINGING, PIANO, AND THE FRENCH LANGUAGE.
MRS. SIGMONT has recommenced giving Instruction in the above Accomplishments, and is derirous to receive Pupils at Home or, if preferred, she will be happy to wait upon them.
11, North-Street, Charlotte-Street.

[Advertisement], Hull Packet (25 August 1848), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18480825/001/0001 (PAYWALL)

HULL HARMONIC SOCIETY.
THE SECOND PUBLIC PERFORMANCE of SECULAR MUSIC will take place on the Evening of FRIDAY, Sept. 1st, 1848, at half past Seven o'Clock precisely, in the MUSIC-HALL, Jarratt-street, when will be performed, (for the Second time in Hull),
The Grand National Ode, entitled the RED CROSS BANNER, Composed by Mr. SIGMONT, and conducted by the Author;
to be followed by MATTHEW LOCKE'S celebrated MUSIC IN MACBETH, and a Miscellaneous SELECTION of MUSIC.
ADMISSION ONE SHILLING. ROBERT BOWSER, Treasurer.

"HULL HARMONIC SOCIETY", Hull Advertiser and Exchange Gazette [England] (8 September 1848), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18480908/066/0005 (PAYWALL)

The second secular concert of this society took place in the Public-rooms, Jarratt-street, on Friday evening last. As compliment to local talent, no less than three new overtures by members of this society, each of them possessing great merit, were performed, and received a deserving applause from a numerous audience. The first overture was introductory to a somewhat incongruous pasticcio (or, as it was termed in the programme, "ode"), called "The Red Cross Banner," compiled Mr. Sigmont, the present leader of the Hull Harmonic Society. The title of this piece is infelicitous as regarding both poetry (?) and music. It commences with a tenor solo, followed with an "azure-main" or "Rule-Britannia" chorus. Then we have a snatch of Bishop Heber's song, "When eyes are beaming," originally written as a duet, but on the present occasion attempted as a solo. This was followed by a mutilated version of Calcott's glee, "The Red Cross Knight" (which, by the way, seemed to the most relished in the piece, and only escaped an encore from the veto against repetitions being printed at the commencement of the book of words). "The Smile" followed - and, if we might judge from the risible countenances of the audience, it appeared to be reciprocated in its true sense. Chorus, "Napoleon's Burial" (the most artistic composition, perhaps, in the whole compilation); recit., "Arise to heaven," and air, "O say, sweet captive warbler," with an (attempted) accompaniment on Messrs. Forster and Andrew's newly-invented instrument, the "Piccolo Organette." Why Mr. Sigmont should be so careless in his fingering of this instrument we are at a loss to conjecture. It left an indefinite impression as to the merits of the invention. An accomplished pianiste (as Mr. S. undoubtedly is) should have shown more interest in bringing out the capabilities of an instrument invented his brother-townsmen. Another "Rule-Britannia" chorus (in which the "Hip, hip, hurrah! hurrah!" was disagreeably predominant); a solo, "The Red Cross Banner;" and a "Triumphal March and Chorus," concluded this most singular pout-pourri. Mr. Sigmont was the primo tenore in the whole of the solos (with one exception) in "The Red Cross Banner," therefore those of our readers who were absent need not regret the treat they lost in not hearing this gentleman's vocal display. The second part opened with a MS. overture, the composition of Mr. H. Deval, and conducted by the composer in person . . .

ASSOCIATIONS: Harry Deval (composer)

MUSIC: The red cross knight (Callcott)

[Advertisement], Hull Packet [England] (5 January 1849), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18490105/009/0004 (PAYWALL)

MR. SIGMONT, Professor of Music, and of the German and French Languages at the Grammar Schools of Hull and Beverley, begs to inform the Public that after having filled the situation of Organist at St. John's Church for three years, he has been called upon the deliver up the Keys, owing to the deficiency of Funds. He feels himself, therefore, at liberty and is desirous to obtain another Situation as Organist.
Address, No. 16, North Street, Charlotte Street.

New South Wales, Australia (from August 1849):

"ADELAIDE", The Shipping Gazette and Sydney General Trade List (11 August 1849), 205

http://nla.gov.au/nla.news-article161036084 

Arrivals. - July 17. - Madawaska, ship, 561 tons, McKinmell, from Plymouth the 26th March, with 71 passengers for Adelaide, 40 for Port Phillip, and the following for Sydney: . . . Wm. Sigmont, wife, and three children . . .

"SHIPPING INTELLIGENCE", The Sydney Morning Herald (14 August 1849), 2

http://nla.gov.au/nla.news-article12911909

August 13.- Madawaska, ship, 561 tons, Captain McKinnell, from London via Adelaide and Port Phillip, having left the latter port on the 10th instant.

[Advertisement], The Sydney Morning Herald (18 August 1849), 1

http://nla.gov.au/nla.news-article12904316

[ADVERTISEMENT.]
MR. SIGMONT, late professor of Music at Vienna, in the family of Prince Metternich, begs to inform the public of Sydney that he has just arrived from England, and is desirous of giving instruction in Singing and the Guitar, Pianoforte, Violin and the Organ.
Mr. S., whilst in England, having been appointed Professor of the German and French Languages at two of the head grammar schools, is desirous of teaching the above languages either in private or at schools.
For further particulars, apply at Mr. S.'s residence, Mrs. Wilmington's Boarding-house, 164, King-street.

[Advertisement], The Sydney Morning Herald (22 September 1849), 1

http://nla.gov.au/nla.news-article12913300

MR. SIGMONT, Professor of Music and Singing, and of the German and French languages, informs his friends and the public that his terms for teaching, and other particulars, may be had at his residence, Woolloomooloo-street, the last house on the right hand.

[Advertisement], The Sydney Morning Herald (30 January 1850), 1

http://nla.gov.au/nla.news-article12915337 

PROGRAMME OF MR. SIGMONT'S MUSICAL ENTERTAINMENT,
AT THE SCHOOL OF ARTS, THIS EVENING, WEDNESDAY, January 30, at Eight o'clock.
PART THE FIRST.
Fantasia on an Hungarian Air - SIGMONT
Song - The Maniac - RUSSELL
Buona Notte, accompanied by Mr. Sigmont on the Guitar - VENETIAN AIR
A German Air, with brilliant variations for the Pianoforte - SIGMONT
The Erl King - SCHUBERT
The Agnes Polka
Fayre Rosamond - JOHN PARRY
PART THE SECOND.
Overture to the Red Cross Banner - SIGMONT
Song - The Red Cross Banner - SIGMONT
Non Giovar il sospirar, accompanied on the Guitar.
Brilliant Waltzes - SIGMONT
The Ship on Fire - RUSSELL
Fantasia on God Save the Queen and Rule Britannia - THALBERG
Comic Song - The little Fat Grey Man - BLEWITT
TICKETS, ONE SHILLING EACH.
To be had at Mr. Grocott's, George-street, and on the evening of the Concert, at the School of Arts.

MUSIC: The maniac (Henry Russell); The ship on fire (Russell); The Erl king (Schubert); The merry little fat man (Jonathan Blewitt); Grand Fantasia on God save the queen and Rule Britannia (Thalberg)

"MR. SIGMONT'S CONCERT", Bell's Life in Sydney (2 February 1850), 2

http://nla.gov.au/nla.news-article59770151

Notwithstanding the unfavourable state of Wednesday evening, the rain falling heavily throughout, a very respectable auditory assembled at the School of Arts, in anticipation of enjoying the musical entertainment provided for them by Mr. Sigmont, a pianist but recently arrived in the Colony. The performance of the professor was extremely pleasing; his powers of execution clear and brilliant; but we conceive that it would be in better taste were he in future to omit the vocal portion of his entertainments. His voice is weak and dissonant, and though we question not its correctness and accuracy of modulation, its tones grate with a distressing harshness on the ear. This appeared to be the general opinion of the audience, and we recommend it as worthy of Mr. Sigmont's consideration.

"CONCERT", The People's Advocate and New South Wales Vindicator (2 February 1850), 3

http://nla.gov.au/nla.news-article251537830 

Mr. Sigmont's concert at the School of Arts on Wednesday evening, considering the state of the weather, was very respectably attended by an audience which seemed to enjoy the vocal and instrumental music furnished by Mr. Sigmont, whose reception was decidedly flattering, and whose brilliant pianoforte performances were deservedly applauded. His execution of the Erl King, both vocally and instrumentally, was calculated to encourage its repetition, and we shall be glad to find that Mr. S. has succeeded in contributing materially to the establishment of vocal and instrumental entertainments amongst us.

[Advertisement], The Sydney Morning Herald (19 March 1850), 1

http://nla.gov.au/nla.news-article12916534

PROGRAMME OF MR. SIGMONT'S MUSICAL ENTERTAINMENT,
This Evening, at the School of Arts, to commence at eight o'clock.
PART THE FIRST.
Overture. - "The Red Cross Banner." - Sigmont
Song. - "Oh! The Merry Maids of England." - Perring
Song. - "All to astonish the Browns." - Beuler
Fantasia on God Save the Queen and Rule Britannia - Thalberg
Song. - "The Monkey and the Cat." - Blewitt
PART THE SECOND.
Song. - "The Erl King." - Schubert
Hungarian Music - National
Song. - "De Man wid de leg." - French Air
German Air, with variations by - Sigmont
Song - "Faire Rosamonde." - John Parry
Ziguenner Waltzes [sic, Zigeuner waltzes] - Sigmont
Comic Song. - "The Little Fat Grey Man." - Blewitt
ADMITTANCE - ONE SHILLING.

MUSIC: It's all to astonish the Browns (Beuler)

"MR. SIGMONT'S CONCERT AT THE SCHOOL OF ARTS", The People's Advocate and New South Wales Vindicator (23 March 1850), 3

http://nla.gov.au/nla.news-article251536979 

Mr. Sigmont gave another Concert at the School of Arts, on Tuesday night, which, if not as numerously attended as his first, was at least as respectable, and upon the whole must have been productive of much real musical gratification. Mr. Sigmont, who is not only a distinguished composer and brilliant artist on the pianoforte, is possessed of an excellent flow of good humoured animal spirit, of the most pleasing kind, and stands confessedly a lover of the humorous. He has a strong perception of drollery, and pourtrays in first-rate style in some of his songs, whatever points of ludicrous fun that will admit of their effect being heightened by good representation. His admirable execution of "Gentleman Brown," and the no less masterly accompaniment on the instrument, which seemed to partake of the singer's merriment, and vie with the spirit of the piece, commanded rapturous applause. A long continental residence has effectually brushed away the cobwebs of our English reserve from him; and, barring some up-hill work in enlisting his audience to the sympathy of the foreign familiarity of continental society, he did much to bring the company, as it were, closer together, and ingraft a feeling of social enjoyment in his Concert which public assemblages of mixed English society does not often present to us. Like every musician, Mr. S. is susceptible of applause, and does not forget to put in a good word now and again for himself, which might not in every instance be considered delicate, but for the happy tactics with which he contrives to neutralize its effects, by indulging his hearers with a hearty laugh, which he enjoys along with them at his own expense. His "Buchen Hain" was full of effective performance, and the specimens of Thalberg's music were executed with a rapidity and truthfulness that commanded applause. If we mistake not from his public appearance, Mr. Sigmont's qualifications, as a private instructor of youth, are of the first order, his powers of communicating agreeably being distinguished by the minuteness of detail which alone can ground on the student, a thorough acquaintance with the principles of music. We trust that, in this respect, he may succeed according to his merits, and that he will, from time to time, endeavour to make his Concerts, as they have hitherto been, more like a family party than a formal exhibition.

"MR. SIGMONT'S MUSICAL ENTERTAINMENT", Bell's Life in Sydney (23 March 1850), 2

http://nla.gov.au/nla.news-article59770361

Mr. Sigmont gave his second musical entertainment at the School of Arts on Tuesday evening. This gentleman improves on acquaintance, and, during the interval that has elapsed since his first entertainment, has progressed far in gaining that confidence which is so essentially necessary to a public performer. The difference in the execution of the vocal portion of the selection, on Tuesday evening, from that of the previous one, was most striking. Their was boldness and full tone in the performer's singing. Among the pieces executed was a delightful little ballad, "The Maids of Merry England." It is a sweet bit of plaintive melody, and was most effectively sung. Schiller's "Erle King," with Schubert's most characteristic melody - the wild and fitful alternating, with the plaintive and sorrowing, deserves to be better known here than it hitherto has been. None can make it become so, better than Mr. S. With respect to the comic songs, it is sufficient to say that they elicited roars of laughter. Of Mr. Sigmont's performances as a piano-forte player, it is impossible to speak too highly. The execution of one of the most difficult of that most difficult of composer's, Thalberg's works - a fantasia on "God save the Queen and Rule Britannia," was most masterly; it evidences consummate talent. Another improvement, by the way, in the entertainment was the throwing in some travelling "notes" upon foreign music and a few anecdotes: and in closing our notice by stating the evening went off admirably, we have to add the hope that Mr. Sigmont will give us many more such.

[Advertisement], The Sydney Morning Herald (20 April 1850), 1

http://nla.gov.au/nla.news-article12917293

MR. SIGMONT respectfully informs the public that his terms for teaching the Pianoforte, Singing, and the Guitar, are four guineas per quarter for each. Half hour lessons are two guineas per quarter.
The Red Cross Banner, a patriotic Ode, the music by Mr. Sigmont, consisting of an Overture, a triumphal march, a double chorus, and four other chorusses; three solos and a duet, is being put in rehearsal, and will be shortly produced in public under distinguished patronage.
Woolloomooloo-street, three doors beyond Mr. Scott's house - name upon the door, and at Mrs. Trood's Printing Office, King street.
German and French in classes, at one guinea per quarter; single lessons, two guineas per quarter.

"MR. SIGMONT'S MUSICAL ENTERTAINMENT", The Goulburn Herald and County of Argyle Advertiser (18 May 1850), 3

http://nla.gov.au/nla.news-article101728840 

ON Tuesday last, Mr. Sigmont gave one of his musical entertainments at Mandelson's Hotel. Mr. S. is well known in Sydney as a brilliant piano forte player and successful vocalist, and we were in hopes that his visit to Goulburn would have been welcomed by the towns-people and the residents of the neighbourhood, in a more signal manner than it was on Tuesday night. It is surprising to find that every attempt that has been made in this town to introduce a high mental class of amusement has signally failed, and were we to speculate as to the cause of this failure, we should most decidedly attribute it to the want of refined education of the mind amongst the mass of the population. For our own part, although having had the opportunity of hearing all the best musicians and vocalists that have graced the theatres and the concert rooms of the "Great Metropolis," and some of the continental cities during a space of many years, we were delighted at the entertainment on Tuesday night, and regret that a larger audience was not collected to enjoy, with us the "joys of that hour," and afford by its presence a substantial encouragement to the gentleman who laboured so hard to please.

There breathed the language known and felt
Far as the pure air spreads its living zone;
Wherever rage can rouse or pity melt
That language of the heart is felt and known.
O music! thy celestial strain
Is still resistless, still the same;
And faithful as the mighty sea
To the pale star which o'er its realm presides,
The spell-bound tides
Of human passion rise and fall by thee.

The entertainment of Tuesday was sufliciently varied in its nature to meet the tastes of every one. "The Maidens of Merry England" was very sweetly sung to the piano accompaniment. The execution was exceedingly correct without being laborious; and the absence of those ornaments by which many of the best singers disfigure the simple style of the true English melody, satisfied us that Mr. Sigmont entered thoroughly into the spirit of our native style of music. During the evening Russell's celebrated song of "the Maniac" was given with considerable effect. In all imaginable friendliness we would ask, how was it that the words "Indeed, indeed I am not mad!" were substituted for "By Heavens I am not mad!" Surely Mr. Sigmont does not think that the original words were calculated to offend our Goulburn ladies? The original expression has more force and is in better keeping with the subject, than that substituted; it was evidently intended to form a "telling" climax. The Erle King was also very effectively given, and Mr. Sigmont did all that was possible to make the piano keep pace with the spirit of the expressive music. Mr. S's forte appears to be in a certain class of humorous songs, e. g. The Little Grey Fat Man, Fair Rosamond, both of which he executed with happy effect. We were much pleased with the manner in which these songs were sung: there was none of that vulgarity which usually marks the execution of this kind of composition. Between the vocal pieces Mr. Sigmont delighted his audience with a varied selection of instrumental performances. There can be no two opinions as to his capabilities as a pianist: the thorough master was shown in every piece he performed; although none of them were scientifically speaking difficult, yet they required a rapidity of fingering and a clear enunciation of sound which could be effected only by considerable application and practice. The Piano Forte is but a poor instrument for the performance of concert music; it is incapable of imitating the sound of any other instrument, and that was made apparent in the performance of the Drum Polka on Tuesday night. However the player did wonders, and drew from the audience a signal expression of approbation. A few airs and variations, some specimens of the national music of Hungary, &c., diversified the entertainment, and as most of the pieces have long formed the standard music of the drawing room, they no doubt recalled to many either pleasant or painful recollections of bygone days when "time seemed a cloudless holiday."

Although the audience were limited in number, they were highly respectable and appeared to enjoy the entertainment afforded them by Mr. Sigmont. At the termination of every performance the accomplished musician received the marked applause of the room, and was evidently gratified to find that his labours to please were duly appreciated. It is to be hoped that Mr. Sigmont will pay our town another visit, and by giving an entertainment in the morning afford those who were unable, from the distance at which they live from Goulburn, to attend his evening melange, an opportunity of enjoying the same pleasure as we did on Tuesday last.

ASSOCIATIONS: Selected lines from Melologue (Thomas Moore)

MUSIC: Drum polka (Jullien)

"THE PATENT HARMONIUM", Bell's Life in Sydney (27 July 1850), 2

http://nla.gov.au/nla.news-article59770959

The attraction which novelty so generally and deservedly possesses was exemplified by the very fashionable assemblage in the saloon of the Royal Hotel, on Wednesday evenings on the occasion of the introduction of the above extraordinary instrument to the Australian public. The performance of Mr. Sigmont fully exhibited the singularly effective and harmonious powers of this wonderfully constructed piece of mechanism, and was rapturously greeted throughout. It must be heard to be appreciated. All attempt at description would signally fail in conveying anything approaching to a just conception of the reality. Messrs. Emanuel and Sigmont announce a repetition of their concert (see advertisement) on Friday evening next.

ASSOCIATIONS: Abraham Emanuel (pianist)

"CONCERT", The Maitland Mercury and Hunter River General Advertiser (7 September 1850), 2

http://nla.gov.au/nla.news-article690297

On Thursday evening Miss Flower and Madame Carandini gave another concert at the Northumberland Hotel, Mr. Sigmont conductor. The attendance was not very large, but highly respectable. Miss Flower sang with her usual sweetness and power, and received from the audience every mark of approbation . . . We regret to state that between the first and second part of the concert Madame Carandini was taken suddenly ill, and could not appear again that evening. Mr. Sigmont had consequently more songs to sing, to fill up the intervals. His "Monkey and the Cat" was sung with great humour, and received a well merited encore, the catalani accompaniment being considered first-rate. Mr. Sigmont's performance upon the piano was much admired, particularly his Hungarian music. In fact the whole of the performance went off very well. On Saturday (this) evening these skilful artistes will give a concert at the Court-house, East Maitland, for the benefit of the Maitland Hospital, when we trust there will be a good attendance.

ASSOCIATIONS: Sara Flower (vocalist); Maria Carandini (vocalist)

[Advertisement], The Sydney Morning Herald (28 February 1851), 1

http://nla.gov.au/nla.news-article12925163 

MR. SIGMONT, Professor of Music, informs his friends and the public that he has removed to No. 14, Phillip-street, opposite to St. James' Grammar School, where his terms far teaching and tuning the Pianoforte may be had.

[Advertisement], The Sydney Morning Herald (14 May 1851), 1

http://nla.gov.au/nla.news-article12927068 

MR. SIGMONT, Professor of Music, and the German and French Languages, respectfully informs his friends and the public that he has removed to Toxteth Park, Glebe.
Place of reference in town, at the Sydney Pianoforte and Music Rooms of Mr. H. Marsh, Hunter-street.

ASSOCIATIONS: Henry Marsh (pianist, music seller)

[Advertisement], The Sydney Morning Herald (2 September 1851), 1

http://nla.gov.au/nla.news-article12929987 

MR. SIGMONT, Organist of St, St. Patrick's Church, Professor of Singing and the Guitar, the Pianoforte, Violin, and Accordeon.
221, Castlereagh-street South, near Market-street. Mr. S. adopt the new method of tuning the pianoforte.

[Advertisement], The Sydney Morning Herald (13 September 1851), 1

http://nla.gov.au/nla.news-article12930293

SYDNEY PIANOFORTE AND MUSIC WAREROOMS, 490 1/2 George-street . . .
ON SALE, Picolo-Harmoniums (French and English.) Price, from £12 to 30 guineas each.
Arrangements have been made with Mr. Sigmont to develop their various effects and capabilities.
Gratuitous admission, every afternoon from 4 to 5 o'clock . . .
H. MARSH, Late of Jamison-street.

"SCOTTISH MELODIES", The Sydney Morning Herald (25 September 1851), 3

http://nla.gov.au/nla.news-article12930662 

Mr. Sigmont, last evening, gave an entertainment at the Music Warerooms of Messrs. Marsh, George-street, presenting a historical review of the airs of Caledonia, with illustrations. The illustrations (accompanying himself on the Pianoforte), consisted of the following airs: "Of all the Airts," "Come under my Plaidie," "Maxwelton Braes are Bonny," "Lizzy Lindsay," "The Laird of Cockpen" "Flora's Lament," "Charlie is my Darling," "Wha wad na fight for Charlie," "Tak your auld Cloak about ye," and, "O Allister McAllister." Mr. Sigmont was evidently labouring under a severe cold, but was well received, and in the air, "Wha wad na fight for Charlie," was rapturously encored.

"MR. SIGMONT'S MUSICAL LECTURE", Empire (5 November 1851), 3

http://nla.gov.au/nla.news-article60124989

Mr. Sigmont delivered a lecture last night, in the theatre of the School of Arts, on Scottish music. Mr. Sigmont's selections were remarkably judicious, exemplifying the music of Scotland, both in its pathetic moods and under that phase of humour - of jocund breadth and hilarious abandon, in some degree peculiar to it. Mr. Sigmont drew largely on the Jacobite reliques, those fine lyrics that have shed somewhat of the sad starlight beauty of unfortunate heroism on individuals, whose common sense was by no means their distinguishing qualification. Mr. Sigmont's execution of "The Laird o' Cockpen" and "Cam' ye by Athol" was very superior; but we should like to have heard more of the "old favourites" he seemed so diffident of introducing; Mr. Sigmont may depend upon it, that none of these songs are so old or so widely known as not, when properly sung to find loving welcome from the general heart. Mr. Sigmont's lecture was, however, rather a musical entertainment than the prelection on the history and differential qualities of Scottish music we expected. A fault of this kind pervaded the arrangements for Mr. Waller's recent lecture, - one we hope to see on a future occasion corrected.

ASSOCIATIONS: James Waller (vocalist, lecturer)

"MR. A. MOORE'S SOIREE MUSICALE", Bell's Life in Sydney (29 November 1851), 3

http://nla.gov.au/nla.news-article59773610

This select treat came off at the Royal Hotel on Wednesday evening, in the presence of His Excellency the Governor-General, the Hon. Mrs. Keith Stewart and party, and a fashionable, though far from numerous, audience . . . Mr. Moore's debut was signally successful . . . Mrs. Pyne and Mr. Waller, whose vocal accomplishments have on many previous occasions been acknowledged by the metropolitans, were warmly received . . . Mr. H. Marsh (piano), and Mons. Lonchamp (flute), acquitted themselves admirably; while Mr. Sigmont conducted the concert with his wonted ability.

ASSOCIATIONS: Andrew Moore (violinist); Caroline Pyne (vocalist); Jean Francois Lonchamp (flute); Charles Fitzroy (governor) and daughter

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (6 December 1851), 3

http://nla.gov.au/nla.news-article59773623 

MESSRS. HOWSONS AND HYDES' ENTERTAINMENT. ROYAL HOTEL.
MESSRS. F. Howson, J. Howson, H. Howson, W. Howson, and J. P. Hydes . . .
purpose giving a series of Musical Entertainments . . .
on Monday evening, December 8; Wednesday evening, December 10 ; and Friday evening, December 12.
The first part to consist of selections from the most recent and favorite operas. To conclude with
THE TURON MINSTRELS, who will for the first time in Sydney introduce their hitherto unrivalled
ETHIOPIAN BAND. - Leader - Mr. H. Howson; Pianist - Mr. Sigmont. Further particulars see small bills.

ASSOCIATIONS: Frank Howson (vocalist); John Howson (vocalist); Henry Howson (violinist); Walter Howson (vocalist); John Proctor Hydes (vocalist); appearing as the Turon Minstrels (troupe)

[Advertisement], The Sydney Morning Herald (18 December 1851), 1

http://nla.gov.au/nla.news-article12932953 

MR. HENRY MARCH'S GRAND ANNUAL CONCERT, under the immediate patronage of His Excellency the GOVERNOR-GENERAL, and the Honorable Mrs. KEITH STEWART, will take place at the Royal Victoria Theatre, THIS EVENING, THURSDAY, the 18th December . . . During the evening a Grand Galope, expressly arranged for this occasion, will be performed on Twelve Pianofortes. PROGRAMME OF THE CONCERT. Part 1 . . . 9. Grand Gallop, 12 pianofortes arranged for this occasion by Mr. Andrew Moore. Performers: Miss Sara Flower, Mrs. St. John Adcock, and Messrs. Stanley, Frank Howson, John Howson, Sigmont, Emanuel, W. Johnson, Weber, Bök, A. Moore, and H. Marsh . . .

ASSOCIATIONS: Marianne Adcock (pianist); William Stanley (pianist); William Johnson (pianist); Emil Weber (pianist)

"MR. ALFRED CANE'S DISSOLVING VIEWS", The Sydney Morning Herald (30 January 1852), 2

http://nla.gov.au/nla.news-article12933981 

A VERY pleasing exhibition of dissolving views and chromatropes took place on Wednesday evening, at the Royal Hotel . . . Mr. Sigmont officiated on the piano . . .

ASSOCIATIONS: Alfred Mason Cane (proprietor)

"ST. MARY'S CHORAL SOCIETY'S CONCERT", The People's Advocate and New South Wales Vindicator (28 February 1852), 4

http://nla.gov.au/nla.news-article251532968 

The first concert for this year was given on Monday evening last, in the large room of St. Mary's Seminary, which was filled by a highly respectable audience, his Grace, the Archbishop of Sydney and the Right Reverend Dr. Davis, Bishop of Maitland, being present . . . The chorusses were accomplished in style . . . particularly in those beautiful pieces of the celebrated Handel . . . In the secular part of the programme, some very excellent singing was displayed . . . We must not omit to mention the efficient manner in which Mr. Sigmont presided at the organ, nor the attention which has been bestowed by the conductor, Mr. Wilkins, the director of the National School, in Fort-street, to whose services we believe the Society is eminently indebted for the splendid manner in which this performance went off, and for a good deal of the improvements which have taken place.

ASSOCIATIONS: John Bede Polding (archbishop); Charles Henry Davis (bishop); William Wilkins (conductor); St. Mary's Choral Society (group)

"MUSIC IN THE METROPOLIS", Empire (19 April 1852), 2

http://nla.gov.au/nla.news-article60129549

. . . Mr. W. A. Sigmont has been appointed Director of the Vocal Section of the Music Class, at the School of Arts, lately under the care of Mr. Stanley, who has resigned . . .

"CONCERT AT THE MECHANICS SCHOOL OF ARTS", Freeman's Journal (22 July 1852), 10

http://nla.gov.au/nla.news-article114834897 

This concert, one of a series now about to be produced monthly at the School of Arts, under the direction of Mr. Sigmont, took place last Friday evening. The performances, on the whole, were very creditable, but in all cases where harmony is intended to be produced in instrumental performance, it is requisite to have the first and second violin in tune. What we were most pleased with was the performance of a new tenor (Mr. Wilkinson we believe) who sung Braham's song, the "Anchor's Weighed," in excellent and tasteful style. His voice is decidedly the best we have yet heard in the colony. If a little more art was generally introduced in these concerts it would be a great improvement. This was, however, carried out, in a great measure, by Mr. Waller, during the execution of his song of the "Stormy Petrel." He has a fine bass voice, and what is still better, knows how to make effective use of it. The glees were very indifferent. Spofforth's old glee, "Hail Smiling Morn," was a complete failure - the alto is the leading part and not the bass. We would wish to see a good alto introduced into this society, for such a voice is very much wanted. Fine glee singing is the greatest display of vocal harmony we have ever heard, and we shall be delighted when it is brought a little nearer perfection than at the present time, and nothing but a little more spirit introduced into the souls of some of our amateurs, and perseverance in practice, will produce it. We hope to have the pleasure of noticing some first rate productions at an early period. We are, however pleased to see that this institution perseveres in the practice and encouragement of music, as in the end it will be productive of much good - and add a little more graceful attraction to our colonial society.

"ST. MARY'S CHORAL SOCIETY", The Sydney Morning Herald (15 September 1852), 2

http://nla.gov.au/nla.news-article12940017 

On Monday evening this Society performed Haydn's celebrated Oratorio, The Creation. The beautiful but difficult music was executed with very great precision, the chorusses especially being given with considerable effect. The solo parts had been assigned to professional vocalists, whose exertions went very far to preserve the ensemble of the whole. Mrs. Guerin and Madame Carandini executed the soprano parts, Mr. John Howson the tenor; and recitations fell to the lot of Mr. Waller and Mr. F. Howson . . . Mr. Wilkins discharged with judgment and ability the duties of conductor, and Mr. Sigmont worthily presided at the organ. The oratorio will be repeated to-morrow evening.

ASSOCIATIONS: Theodosia Guerin (vocalist)

[2 advertisements], The Sydney Morning Herald (1 January 1853), 1

http://nla.gov.au/nla.news-article28644362 

CIRCULAR. MRS. SIGMONT'S SCHOOL, for a limited number of young ladies, commences on Monday, the 10th of January.
221, Castlereagh-street.

MR. SIGMONT, Professor of the Pianoforte, Singing, and the Guitar, will resume giving leesons on the above on Monday next, the 10th of January.
The Singing Class for Ladles alone will commence on Thursday, the 13th, and will be continued from 7 to 9 on Monday and Thursday evenings.
Terms and further particulars to be had at Mr. Sigmont's residence, 221, Castlereagh-street.

"CANE'S DISSOLVING VIEWS", Bell's Life in Sydney and Sporting Reviewer (15 January 1853), 2

http://nla.gov.au/nla.news-article59756577 

The new view's imported by this gentleman are infinitely superior to those which he formerly exhibited in this colony, though they were universally acknowledged to be extremely beautiful. The management of the Oxy-Hydrogen Lime Light is excellent, and gives due effect to the paintings, which are most artistically executed. Numerous audiences have attested the attraction of this exhibition, which is highly creditable to the taste and enterprise of Mr. Cane. The musical accompaniments of Mr. Sigmont give an extra charm to the Dissolving Views and Chromatropes, which are alike interesting to the adult and younger branches of colonial society.

"CONCERTINA SOIREE", The Sydney Morning Herald (20 January 1853), 2

http://nla.gov.au/nla.news-article12943031 

A crowded and fashionable audience gave Mr. Richardson a cordial welcome on Tuesday evening, in the theatre of the School of Arts, upon the occasion of his presenting illustrations of the capabilities of the Messrs. Wheatstone's far-famed instrument, the Concertina . . . Mr. Richardson was assisted by Mrs. St. John Adcock, Mr. Waller, and Mr. Sigmont . . .

ASSOCIATIONS: Henry Richardson (concertina)

"IMPROMPTU", Bell's Life in Sydney (5 February 1853), 2

http://nla.gov.au/nla.news-article59756683

("With reference to the classes, a new arrangement had been made with a view to make them self-supporting. Mr. Sigmont, the musical teacher, had declined to enter into such arrangements."- Vide Report at the Sydney Mechanics' School of Arts.)

He must regret; he who on music doats,
That those Mechanics have cheeked Sigmont's notes;
But this is clear (and to them trifling thanks,)
That Sigmont's notes are self-supporting Banks.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (14 May 1853), 5

http://nla.gov.au/nla.news-article101735462 

Music and Singing.
MR. SIGMONT, Professor of Music, the Piano-forte, and Singing, respectfully announces to the Public of Goulburn and the Vicinity, that it is his intention, should he meet with sufficient Patronage, to settle with his family in Goulburn.
Mr. D. Davis of the Old Commercial Store, has kindly offered to answer any enquiries that may be made as to Terms, Enrol Pupils, names, &c., &c. . . .

"THE PIANO", The Goulburn Herald and County of Argyle Advertiser (14 May 1853), 3

http://nla.gov.au/nla.news-article101735469 

We observe by advertisement in another column, that Mr. Sigmont, the pianist, so favourably kown to the inhabitants of this town, as well as Sydney, by his brilliant execution on the piano-forte, purposes, should sufficient encouragement be offered, to settle in Goulburn, as an instructor on that popular instrument. We cannot conceive anything more agreeable or more refined than a perfect mastery of music. This science is at once enchanting and mind-exalting, and its cultivation should be fostered by all those who desire to enjoy the refinements of which our nature is capable. We hope that Mr. Sigmont, and indeed all who follow his profession, will meet with encouragement.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (18 June 1853), 5

http://nla.gov.au/nla.news-article101736659 

Notice. TO THE PUBLIC OF GOULBURN, AND THE SURROUNDING DISTRICT.
MR. SIGMONT, Professor of Music, Singing, &c.
begs to inform the Public of Goulburn, and its vicinity, that he intends arriving at Goulburn the beginning of July, for the purpose of giving Lessons in the above accomplishments.
As Mr. S., will only take a limited number of Pupils, early application is necessary to Mr. D. Davis, Goulburn.

[Advertisement], The Sydney Morning Herald (28 June 1853), 1

http://nla.gov.au/nla.news-article12946930 

. . . on WEDNESDAY Morning next, June 29th, at 11 o'clock, on the premises, at the residence of Mr. Sigmont . . . the whole of his substantial household furniture . . . Also, A square rosewood pianoforte, much approved of by the profession . . .

"MUSICAL", The Goulburn Herald and County of Argyle Advertiser (16 July 1853), 2

http://nla.gov.au/nla.news-article101732177 

We are happy to find that our old friend Mr. Sigmont has come to reside amongst us. We need scarcely say that he is a first-rate professor of that popular instrument the Piano-forte: there are so many in town that are cognizant of his world-wide reputation in that respect that any eulogy on our part appears unnecessary. We believe that Mr. S. is an instructor of a still more poplar instrument the violin, and that he is perfectly conversant with it. There are other accomplishments that this gentleman is capable of teaching, in conjunction with Mrs. Sigmont, such as the languages, but we forbear alluding to this until all his arrangements are completed.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (20 August 1853), 3

http://nla.gov.au/nla.news-article101736567

SINGING, THE PIANO, AND THE FRENCH LANGUAGE.
MRS. SIGMONT is prepared to give Private Lessons in the above accomplishments.
Address - Mrs. Sigmont, at Mrs. McKellar's, Montague-street.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (8 October 1853), 3

http://nla.gov.au/nla.news-article101733021 

Notice. MR. SIGMONT, Professor of Music, respectfully informs his friends and the public that he has changed his residence to Mr. Dawson's Cottages, Clifford-street. Mr. S. will commence on Tuesday next to teach a French class, and a class for the Violin, at Mr. Patterson's Academy, Old Township, and he begs to receive notice as soon as possible of those who wish to join them.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (17 December 1853), 3

http://nla.gov.au/nla.news-article101736979 

MR. SIGMONT, Professor of Music, will be enabled to give lessons at his own residence, Clifford-street, two doors from Mr. Marsden's, having succeeded in procuring a Pianoforte.
[manicule] Pianofortes tuned on the last and best system.
Mr. SIGMONT respectfully informs the public that having been engaged during eight years in England at two Grammar Schools, as Professor of the German and French languages, he will be glad to give instructions in both, or in either, at Schools or in private families.
Mr. SIGMONT takes this opportunity of returning his grateful thanks to Mr. D. Davis, for the trouble and kindness he has shown him both before and since Mr. S's arrival; and Mr. S. wishes to express his thanks to the Public for the kind support he has already met with, and will exert himself to the utmost to obtain their future approbation.

"GOULBURN. AUGUST 22, 1854", The Sydney Morning Herald (25 August 1854), 5

http://nla.gov.au/nla.news-article12958737 

On Thursday last, Mr. Sigmont, at the request of the Committee of the Mechanics' Institute, gave a lecture in the Court House, on "Music as a Science." The attendance was numerous and respectable. The lecturer had a pianoforte placed at his service, which he occasionally used for the purpose of illustrating and confirming his views. He sung a few popular songs to the music of the piano, which elicited great applause.

"MR. SIGMONT'S CONCERT", The Goulburn Herald and County of Argyle Advertiser (16 September 1854), 2

http://nla.gov.au/nla.news-article101733882 

We are happy to say that this gentleman had, in theatrical phrase, a full house on Thursday evening. The large room at Mr. Cohen's Inn was crowded to excess, and the whole of the performance was gone through in a manner that convinced us great taste and sound judgment had been exercised in getting up the evening's amusement. Praise to any particular person who took a part in this delightful entertainment would be invidious, as on the whole we do not recollect having seen anything got up in a superior style, to the same extent, in the metropolis of the colony.

"SHOCKING CHARGE AGAINST A SCHOOLMASTER", The Sydney Morning Herald (23 October 1854), 4

http://nla.gov.au/nla.news-article12953040

A warrant has been issued by the Goulburn Bench of Magistrates for the apprehension of Mr. T. H. Hart, Roman Catholic schoolmaster, for a felonious assault with intent to violate the person of Lucy Sigmont, at Goulburn, on the 11th of the present month. The accused is about 26 years of age, and is supposed to have gone cither to Sydney or to the southern diggings.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (25 November 1854), 2

http://nla.gov.au/nla.news-article101734824 

Education for Young Ladies.
MRS. SIGMONT respectfully informs the Public of Goulburn and its vicinity, that it is her intention to OPEN a SCHOOL for the Education of Young Ladies.
An early application is requested as the number of pupils will be limited.
Further particulars to be had at the Residence of Mrs. SIGMONT, in Clifford Street.

MR. SIGMONT respectfully informs the Public, that Wednesday and Saturday in each week are the days which he has set apart for tuning Piano Fortes.
November 1.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (6 January 1855), 1

http://nla.gov.au/nla.news-article118311407 

Education for Young Ladies.
MRS. SIGMONT politely informs her friends and the public of Goulburn, that she purposes opening her School, in Clifford-street, on the 15th of January. The Pianoforte, Singing, and the French language, will be taught by herself, with Mr. Sigmont's services, if required.
Mrs. S. intends forming a Drawing class, exclusively for her pupils, which, together with the above accomplishments, will be charged for extra.
Goulburn, Dec. 29, 1854.

"MATTERS MUSICAL. THE HUNGARIAN AND THE TURK", The Goulburn Herald and County of Argyle Advertiser (27 January 1855), 4

http://nla.gov.au/nla.news-article118308719

ALI-BEN-SOU-ALLE gave his second concert on Monday evening last, at Roberts' Rooms. The audience was much larger than on the former occasion, and expressed their gratification in terms of decided enthusiasm. The instrumental section of the programme consisted of performances by Ali-Ben-Sou-Alle, not only on his really marvellous turkophone, but also on the turkophonini, and the large and small clarionets, Mr. Sigmont executing piano-forte accompaniments. The entertainments were opened by M. Valere with "Vieni la mia Vendetta," from Lucretia Borzia [sic] . . .

MISKA HAUSER, the celebrated Hungarian violinist, gave his first concert on Tuesday evening and his second on Thursday. He was assisted by Miss Flora Harris and Mr. Frederick Hamilton, Mr. Sigmont conducting at the pianoforte . . . Since the above was in type, Miska Hauser has given a third concert . . .

ASSOCIATIONS: Ali-Ben Sou-Alle (musician); Mons. Valere (vocalist); Miska Hauser (violinist); Flora Harris (vocalist); Frederick Hamilton (Dicker) (vocalist)

"BRAIDWOOD. FEBRUARY 5TH. MISKA HAUSER'S CONCERTS", The Sydney Morning Herald (10 February 1855), 3

http://nla.gov.au/nla.news-article12965453 

This accomplished violinist gave three concerts in the town of Braidwood, on the evenings of the days upon which the races were held, and considering the smallness of our community, and the fact that this was the first concert ever held in the district, the attendance was both large and highly respectable . . . Nor must we omit to confer our warmest praise to Signior Sigmont, who presided at the pianoforte, and delighted the audience by singing the amusing comic song, "The Little Old Grey Man" . . .

"Small Debts' Court. MONDAY, APRIL 2 . . . RYFFEL v. SIGMONT", The Goulburn Herald and County of Argyle Advertiser (7 April 1855), 2

http://nla.gov.au/nla.news-article118313152 

This was a claim by the plaintiff on the defendant for an alleged engagement for two nights as a musical performer at certain concerts projected by Mr. Sigmont. The defence was that, the terms of agreement were that Ryffel was to be paid on condition that the defendant had good concerts, which statement was borne out by Mr. Greig, who was called as a witness for the plaintiff. The Court dismissed the case with a strong recommendation to Mr. Sigmont to assist the plaintiff, as although the promise of payment was not direct, it was implied.

ASSOCIATIONS: Carlo Ryffel (violinist)

"COMPLIMENTARY DINNER TO DR. GERARD", The Goulburn Herald and County of Argyle Advertiser (6 October 1855), 2

http://nla.gov.au/nla.news-article118312755 

ON the evening of the 10th of September, a meeting of the Strangers' Friend Lodge of Odd Fellows, was convened, and a resolution passed unanimously that Dr. Gerard, a member of the fraternity, and a highly esteemed gentleman and medical practitioner in Goulburn, should be invited to a public banquet. Dr. Gerard having accepted the invitation . . . at half past seven o'clock, last Tuesday evening, about seventy gentlemen assembled in the brilliantly illuminated and adorned saloon of the Commercial Hotel and took their seats at the well furnished festive board . . . Mr. Sigmont presided at the pianoforte. After the clatter of the knives and forks had subsided, the Chairman rose amidst general applause to propose the first toast . . . AIR : God Save the Queen . . .
the health of Prince Albert and the Royal Family . . . AIR: Prince Albert's March . . .
the Army and Navy . . . AIRS: The British Grenadiers and Rule Britannia . . .
the health of His Excellency the Governor-General . . . AIR: The Railway Galop . . .
three cheers were given for the Railway. AIR: The Goulburn Polka . . .
Our French Allies . . . AIR: The Marsiellaise [sic] . . .
the health of Dr. Gerard . . . AIR: Should auld acquaintance be forgot . . .
The Independent Order of Odd Fellows . . . AIR: Odd Fellows' March, arranged for the occasion . . .
The Chairman next proposed "Prosperity to the Town of Goulburn." (Drank with all the honours.)
Mr. Sigmont sang the ballad entitled "Long parted have we been" . . .
The Chairman then gave "The Pastoral and Agricultural interests of the County, and a cheap loaf." (Cheers.) AIR: Speed the Plough . . .

"Court of Requests. MONDAY, JUNE 2ND . . . SIGMONT versus NATTHEY", The Goulburn Herald and County of Argyle Advertiser (7 June 1856), 4

http://nla.gov.au/nla.news-article118310664 

The plaintiff is well known in Goulburn as a musical professional of considerable celebrity. The defendant is also a professor of the musical art. But haplessly, in lieu of their chords striking harmoniously and in unison, they appear to have clashed rather discordantly of late. At the last Court of Request in Goulburn, the defendant recovered damages from his brother professional, for the hire of a horse and gig. Mr. Sigmont, on the old established tale of "tit for tat," sued the captain for the amount of £8, for storing half a dozen casks, (whether full or empty did not appear,) for the term of ten months: Mr. Walsh conducted the plaintiff's case, Mr. Deniehy appeared for the defendant. The captain had filed a plea to the effect that he had been put to the expense of purchasing a suit of clothes to appear in propria persona at a concert given by Mr. Sigmont. Mr. Sigmont gave the court to understand that he stored the six casks in question at the request of the captain, who was proceeding to Sydney, leaving him, plaintiff, under the impression that he should not be away from Goulburn longer than two or three weeks. The casks were put in a place used for the storing of wood and roosting of the plaintiff's fowls. After the lapse of more than three weeks, the plaintiff several times wrote to the defendant to remove the casks, alleging that they were an inconvenience to him, and that they prevented his using the room in which they were stored. About ten months after that, defendant returned to Goulburn, and removed the casks. In the cross examination it was elicited that on taking them away, defendant expressed his thanks for the accommodation, and proffered the use of a horse, gig, and cart to plaintiff whenever he might require them; that they were used by plaintiff, and that a demand, leading to a suit for the recovery of the same, was made on plaintiff to the amount of £10; that plaintiff had, previous to the suit, given defendant £2 on account of the claim, with the intention of increasing the sum to £3, asserting that he would not accept the loan of the horse and gig gratuitously as he charged for professional visits to the country; that the plaintiff gave a concert, at which defendant played, and that there were some rehearsals previous to the public performance.

Captain Natthey deposed that the store-room was lent him on the part of plaintiff, and that nothing had ever been said about rent; that defendant had never stipulated to remove the casks in three weeks, as his business in Sydney was such as to render it impossible for him to know when he should return to Goulburn; that at the request of Mr. S. Davis, he played at a concert given by plaintiff, previous to which there were ten or twelve rehearsals in which he took part, and that in order to make a suitable appearance at the public performance, he was compelled to purchase certain articles of wearing apparel, his own costume being left in Sydney; that while in Sydney he received several letters from plaintiff, with whom he was then on terms of friendship, but in none of them was mention made of any inconvenience caused by the casks. - The bench dismissed the case.

ASSOCIATIONS: Octave Natthey (musician, cellist); Daniel Henry Deniehy (lawyer)

"GOULBURN. PUBLIC DINNER TO THE HONORABLE T. A. MURRAY (From the Goulburn Chronicle, May 27), Empire (30 May 1857), 3

http://nla.gov.au/nla.news-article64984936 

On Monday evening, shortly after seven o'clock, a body of some hundred gentlemen assembled in the lower rooms of Woodward's Hotel . . . Mr. Sigmont presided at a pianoforte, and after each toast played a popular and significant air . . .

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (25 July 1857), 4

http://nla.gov.au/nla.news-article118309271 

Musical Entertainment.
MR. SIGMONT WILL hold a VOCAL Entertainment, every THURSDAY EVENING, At Mr. Gillard's, Horse & Jockey Inn, to which he invites all those who are fond of such enjoyments.
To commence at 8 precisely.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser (29 May 1858), 3

http://nla.gov.au/nla.news-article118243634 

SINGING CLASS . . .
IT IS PROPOSED to form, in connection with the Goulburn School of Arts and Mechanic's Institute, a Singing Class, to be conducted by Mr. Sigmont. The Class to meet twice a week. Terms six shillings per quarter . . .

[Advertisement], Goulburn Herald (14 June 1862), 3

http://nla.gov.au/nla.news-article102586835 

Goulburn Academy . . .
Boarders - £ 50 0 0 per year. Day scholars - 2 2 0 per quarter.
French, German, and music, by Mr. Sigmont, One Guinea each . . .
D. PATTERSON

"THE GOULBURN SCHOOL", Goulburn Herald (17 December 1862), 2

http://nla.gov.au/nla.news-article102585408 

The third annual distribution of prizes to pupils in this school took place yesterday morning in the hall of the mechanics' institute . . . Previous to the distribution of prizes, the singing class, accompanied on the piano by Mr. Sigmont, sang several pieces very nicely, and with good spirit; amongst them we recognized the old catches, "A southerly wind and a cloudy sky" and "Hark! the merry christ church bells" . . .

"MR. CATTON'S LECTURE ON MUSIC", Goulburn Herald (31 January 1863), 2

http://nla.gov.au/nla.news-article102851993 

On Thursday evening Mr. Charles Catton delivered a lecture on Music, to perhaps the largest and most fashionable audience that has assembled to hear any previous lecture in Goulburn . . . Mr. Catton has a very fine voice, and the various ballads and songs were rendered with much taste and expression. Mr. Sigmont presided at the piano, and in addition to playing the accompaniments admirably, performed several pleasing solos on the harmonium. The lecture was given its aid of the school of arts, and the proceeds amounted to £15 7s. 6d.

ASSOCIATIONS: Charles Catton (lecturer)

"A MISTAKEN CHARGE", Goulburn Herald (25 April 1863), 2

http://nla.gov.au/nla.news-article102852842 

On Tuesday Elizabeth Briggs was charged with stealing a watch the property of Mr. W. A. Sigmont. It appears from the statement of the prosecutor, who is organist at St. Saviour's church, that on Sunday morning he had left his watch under the music-stand in the gallery. In the afternoon it was not there. Suspicion attached to the prisoner, and her mother's house was searched without effect. Prisoner denied having been at church for several Sundays, but a witness declared that she had been sitting not far from the music-stand on the day in question. She was remanded till Friday. When brought up again, Mr. Sigmont was not in attendance, and it was stated that he had since found his watch at his own residence. The prisoner, who had been three or four days in the lock-up, was thereupon discharged.

"MR. SIGMONT'S CONCERT", Goulburn Herald (22 August 1863), 2

http://nla.gov.au/nla.news-article102850734 

On Wednesday evening, the Philharmonic Society gave a concert for the benefit of Mr. W. A. Sigmont. The claims of this thorough musician are so well known that it is no wonder the house was well filled, there being probably about two hundred persons present. The programme contained nearly the same pieces as at the previous concert, the alterations that were made imparting great variety and spirit to the entertainment and being decided improvements. Mr. Sigmont played two overtures on the piano, the latter of which was encored. The song, the Beacon Light was sung by the same gentleman with great taste and expression, and was encored, as was also his Little Fat Gray Man, at the conclusion of which he appropriately thanked the audience for their support. The violin solo, the songs Dearest then I'll love thee more and Cushla Machree, and the Holiday Duet, were encored. Altogether the concert was a great improvement on that of Monday week, and a very pleasant evening was spent, and the success of these cheap concerts in Goulburn may now be said to be established. Several persons have suggested that it will be both more effective and in better taste for the singers to appear in full evening costume. There certainly seems no little incongruity in the fair singers at a concert appearing wrapped up in heavy shawls and wearing pork-pie hats - in fact, appearing in a walking dress. The suggestion is worthy of the attention of the committee.

[Advertisement], Goulburn Herald (12 March 1864), 4

http://nla.gov.au/nla.news-article102851001 

[A CARD.] W. A. SIGMONT, PROFESSOR OF MUSIC, AND THE German and French Languages, CLARE COTTAGE, CHURCH HILL.

"SOIREE IN AID OF THE NATIONAL SCHOOL, NORWOOD", The Goulburn Herald and Chronicle (30 April 1864), 5

http://nla.gov.au/nla.news-article104609168 

On Thursday evening a well attended soiree was held in the hall of the mechanics' institute, the proceeds to be devoted to the liquidation of a debt due on the Norwood national school buildings . . . Mr. Sigmont, who presided at the piano, and that very excellent amateur Captain Natthey, favored the company with some very pleasing music. The members of the Philharmonic Society had been expected to sing; but for some reason which was not explained did not do so. Dancing was therefore substituted, and was kept up till shortly before ten o'clock, when the meeting separated.

[Advertisement], The Goulburn Herald and Chronicle (8 October 1864), 5

http://nla.gov.au/nla.news-article104608925 

MR. W. SIGMONT'S CONCERT WILL shortly take place, on which occasion he requests the assistance of all his musical friends. Manuscript music will be performed, never heard before in the colony. Further particulars will be duly announced.

"MR. SIGMONT'S CONCERT", The Goulburn Herald and Chronicle (29 October 1864), 4

http://nla.gov.au/nla.news-article104609718 

On Wednesday evening Mr. Sigmont gave a concert in the hall of the mechanics' institute. He had hoped to have had the assistance of the members of the Philharmonic Society; but being disappointed he at first resolved to allow the concert to lapse. On re-consideration however he secured the assistance of Mr. Arnold, a violinist, and of Master White, son of Mr. F. White, who though stated to be only seven years of age performs on the concertina. The attendance was numerous; Mr. Justice Wise, under whose patronage the concert was held, and the clerk of arraigns being present. The want of more numerous performers was much felt, but Mr. Sigmont did his best to infuse variety into the evening's entertainment. The best pieces were some Hungarian waltzes, the peculiar nature of which was explained by Mr. Sigmont, and the overture and opening chorus of The Red Cross Banner, a piece of Mr. Sigmont's own composition which was performed at the York Festival and was much admired. Several of the songs and pieces were encored.

ASSOCIATIONS: George Arnold (violin)

"PHILHARMONIC SOCIETY'S CONCERT", The Goulburn Herald and Chronicle (24 February 1866), 3

http://nla.gov.au/nla.news-article100871994 

On Wednesday evening the members of the Goulburn Philharmonic Society gave a concert in the hall of the Mechanics' Institution . . . The following were encored:- Unfurl the Flag, Moonlight and Melody, My Own, my Guiding Star, Breathe Soft ye Winds, Sweet Home, and Shells of Ocean. Mr. Russell acted as conductor and Mr. Sigmont as accompanyist.

[Advertisement], The Goulburn Herald and Chronicle (22 December 1866), 5

http://nla.gov.au/nla.news-article100874081 

MR. SIGMONT'S MUSICAL AND DRAMATIC ENTERTAINMENT Will take place on THURSSAY EVENING, January the 3rd . . .
Mr. Sigmont will have the kind assistance of AMATEUR FRIENDS, and will introduce his composition for four equal voices, entitled Napoleon's Burial . . .

[News], The Goulburn Herald and Chronicle (26 January 1867), 4

http://nla.gov.au/nla.news-article100871392 

MR. SIGMONT'S CONCERT took place last evening in the hall of the mechanics' institute . . . Mr. Sigmont's comic songs were, as usual, mirth-provoking in the extreme. The entertainment concluded with the farce Ici on Parle Francais, the characters in which were sustained by members of the Goulburn Literary Society . . .

[Advertisement], The Sydney Morning Herald (15 April 1867), 1

http://nla.gov.au/nla.news-article13141500

SINGING, Pianoforte, German, and French Taught by Mr. W. A. SIGMONT, late Teacher in the family of Prince Metternich, at Vienna.
Terms - Six lessons for one guinea, six lessons schools two guineas per quarter.
Address at Mr. KING'S, Pianoforte Warehouse, Mort's buildings, Pitt-street.

ASSOCIATIONS: William King (pianoforte maker and seller)

"DEATHS", The Sydney Morning Herald (23 October 1867), 1

http://nla.gov.au/nla.news-article28607826

On the 6th instant, at Goulburn, Mr. WILLIAM ABERCROMBIE SIGMONT, aged 70 years.

[Advertisement], The Sydney Morning Herald (27 April 1868), 8

http://nla.gov.au/nla.news-article13165207 

REQUIRED, an ENGAGEMENT as Visiting Governess. Mrs. Sigmont, 389, Macquarie-st. South.


Extant musical works:

Hünten's celebrated variations on "Ecco ridente il cielo," arranged for one performer on the piano forte, by W. A. Sigmont (London: Monro and May, [1830])

Copy at the British Library

https://books.google.com.au/books?id=lLQLjyZN83cC (DIGITISED)

ASSOCIATIONS: François Hünten (composer); variations, originally for piano duet, on cavatina from The barber of Seville (Rossini)

La fête du village, a favorite duet, for two performers on the piano forte . . . by W. A. Sigmont (London: J. Duff & Co, [1834?])

Copy at the British Library

http://www.worldcat.org/oclc/1061772736 

The mariner's knell, ballad [begins: "The wind raged"], the words by Miss Yates, the music composed by Mr. Sigmont (London: [n.p.], [? 1840])

Copy at the British Library

Copy at the National Library of Scotland

http://www.worldcat.org/oclc/1253942566 

Also:

Restless love, translated by W. A. Sigmont . . . [music] by Leopoldine Blahetka, op. 32 (London: Wessel & Co., [1833])

Copy at the British Library

http://www.worldcat.org/oclc/1197745638 

Oh! breathe not a word of our love, song, the poetry written by E. V. Rippingille, the music composed & dedicated to his friend Mr. Sigmont by M. André Schulz; sung by Mr. Wood, Mr. Phillips, Mr. Huckel, Mr. Wilson & Mr. Sigmont (London: G. Walker & Son, [1840?])

Copy at the Royal Academy of Music, London




SILVAIN, Frederick George (Frederick George SILVAIN; F. G. SILVAIN; alias of George READ)

Vocalist, minstrel, serenader, dancer, manager, agent

Active Sydney, NSW, by April 1859
Departed Launceston, TAS, 17 April 1863 (per Sea Breeze, for Dunedin, NZ)

https://trove.nla.gov.au/search?l-publictag=F+G+Silvain (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SILVAIN-Frederick-George (shareable link to this entry)

ASSOCIATIONS: Probably chose alias as namesake of James Silvain (Sullivan), sometime dancing partner of Marie Taglioni; on Silvain/Sullivan, see "LECTURE ON THE DANCES OF ALL NATIONS", Freeman's Journal (20 December 1856), 4

http://nla.gov.au/nla.news-article115563217 


Documentation:

[Advertisement], The Sydney Morning Herald (30 April 1859), 1

http://nla.gov.au/nla.news-article13024290 

NEW CONCERT HALL, adjoining Bull and Mouth Pitt-street, will open on
SATURDAY EVENING, April 30th, on which occasion the following talented artistes from the Melbourne Concerts will appear, viz.:
Miss Julia Mortimer, the eminent soprano, late of Tilke's Concert Hall, will sing her choicest operatic MORCEAUX.
Mr. G. J. Newman, the celebrated Irish comic humorist and delineator of Sam Couch's Shaksperian burlesque.
Mr. W. Walters, the pleasing tenor singer.
Mr. F. Silvain, the great characteristic dances.
Admission Free. The strictest decorum rigidly enforced. The only Select Concert Room in Sydney,
Mr. SILVAIN, Manager.

ASSOCIATIONS: George Newman and wife ("Miss Mortimer") (vocalist)

[Advertisement], The Sydney Morning Herald (3 May 1859), 1

http://nla.gov.au/nla.news-article13024415 

TRIUMPHANT SUCCESS at the New Concert Hall, Bull and Mouth Hotel, Pitt-street . . .
MR. F. SILVAIN will give his unrivalled entertainment of "Lucy-Long" . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (28 July 1859), 1

http://nla.gov.au/nla.news-article18654122 

RACE WEEK. THE AUSTRALIAN TOM THUMB.
The Smallest and most Extraordinary PERFORMING BOY In the World! . . .
will appear at The race course, During the Three Days; and in the Evenings at the COMMERCIAL HOTEL, WEST MAITLAND,
On Monday, Tuesday, Wednesday, and Thursday, August 1st, 2nd, 3rd, and 4th.
He has been visited by upwards of three thousand four hundred persons in Sydney in five days . . .
F. G. SILVAIN, Agent.

[Advertisement], Empire (22 August 1859), 1

http://nla.gov.au/nla.news-article60405421 

THE AUSTRALIAN TOM THUMB. A NATIVE OF SHOALHAVEN, HAS arrived and will hold his Levee, THIS DAY . . . and five following days, at large-room, Daly's Hotel . . . for one weel only, previous to his departure for Victoria . . .
F. G. SILVAIN, Agent.

[Advertisement], Goulburn Herald (16 May 1860), 3

http://nla.gov.au/nla.news-article103400318 

THE SILVAIN MINSTRELS HAVE kindly placed their services at the disposal of the Loyal Strangers' Friend Lodge, Goulburn, on behalf, and for the benefit of the WIDOW and FAMILY of the late brother HOLLAND . . .

"THE SILVAIN MINSTRELS", Goulburn Herald (19 May 1860), 2

http://nla.gov.au/nla.news-article103400217 

These performers gave an entertainment, on Thursday evening, at the Commercial Hotel, for the benefit of the widow and family of the late Mr. Holland, of this town. The entertainment was under the auspices of the Odd Fellows, of which body Mr. Holland was a member, and was highly successful, the room being crowded. The total amount realized was £24 . . . The conduct of the minstrels is the more praiseworthy, when it is remembered that they had no personal acquaintance with Mr. or Mrs. Holland.

[Advertisement], Goulburn Herald (19 May 1860), 3

http://nla.gov.au/nla.news-article103400202 

THE SILVAIN MINSTRELS,
NOW performing, EVERY EVENING, at Mr. COHEN'S COMMERCIAL HOTEL, will take a
COMPLIMENTARY BENEFIT under the patronage of the Loyal Strangers' Friend Lodge, on WEDNESDAY NEXT, MAY 28.
The Entertainment to consist of a choice selection of Negro Melodies, Choruses, Ballads, Dances, and Burlesques.
Unrivalled Nautical Hornpipe, by Mr. F. G. SILVAIN, for the first time in Goulburn.
Mr. F. G. SILVAIN, as LUCY LONG.
Mr. T. WEBSTER, in his laughable descriptive Song of PADDY'S WEDDING.
BOB RIDLEY'S FESTIVAL, in which Mr. F. G. SILVAIN will introduce his inimitable CLOG DANCE.
A BALL will be given after the performance . . .

[Advertisement], Goulburn Herald (6 June 1860), 3

http://nla.gov.au/nla.news-article103399548 

COMMERCIAL HOTEL. FOANS'S ETHIOPIAN SERENADERS.
SECOND CONCERT, This Evening, June 6th, 1860 . . .
The whole to conclude with the Burlesque Opera of
COAL BLACK ROSE; OR THE Sable Knights of Day and Martin.
Rose, a coquettish Yellow Gal - J. M. Foans.
Sam Johnston (Dandy Darkie and Boss Boot Black) - F. Silvain . . .
Dancing after Concert. F. G. SILVAIN, Agent.

[Advertisement], Goulburn Herald (20 June 1860), 3

http://nla.gov.au/nla.news-article103400291 

COMMERCIAL HOTEL. Last appearance but one of
FOANS'S ETHIOPIAN SERENADERS, Thursday Evening, June 21st . . .
Programme . . . PART II . . . Flute Solos (Fantasia) - F. J. Sharp . . .
PART III. New Farce, entitled, WANTED A DANCING MASTER.
Mark Anthony Squash (a rich barber, more money than brains) - W. W. Fisher.
Dinah, his daughter (a young coloured lady of decidedly Hibernian taste) - J. M. Foans.
Rupert (a sentimental singing master) - R. Stevenson.
Dennis McCarthy (an Irish dancing master) - F. G. Silvain.
Von Smash (a Dutch traveller) - W. A. Porter.
Tim (an itinerant musician) - J. J. Browne.
Tony (servant to Mr. Squash, and with a taste for music, especially the flute) - F. Sharp . . .

ASSOCIATIONS: James M. Foans (performer); William A. Porter (performer); Frederick Sharp (performer)

"FOANS'S SERENADERS", Goulburn Herald (20 June 1860), 2

http://nla.gov.au/nla.news-article103400292 

Mr. Foans took his benefit on Monday evening, and was greeted with a very good attendance. Mr. Silvain's benefit is advertised for Thursday evening. The beneficiare's abilities as a dancer are of the highest order, and it is to be hoped he will have a good audience. On Friday, the company will perform at Mr. McAleer's, at Mummel, when the inhabitants of that neighborhood will be enabled to enjoy a treat, which otherwise nothing short of a journey to Goulburn would give them.

[2 advertisements], Goulburn Herald (4 July 1860), 3

http://nla.gov.au/nla.news-article103400007 

COMMERCIAL HOTEL. THIS EVENING (Wednesday),
IS POSITIVELY THE LAST OF MR. HARRY HOUDIN'S Grand Polynational Entertainments . . .
n the course of the evening A CHAMPION DANCE, between, MR. F. G. SILVAIN, the most celebrated dancer of the Australian colonies,
and MR. HOUDIN, will take place for the sum of Forty-five Pounds, the winner to be regarded as
THE CHAMPION of the Terpsichorean Art in New South Wales.
The piece selected for the occasion is a NAUTICAL HORNPIPE,
and the award will be given by competent parties selected on both sides . . .

OUR OWN MINSTRELS,
Messrs. PORTER, SILVAIN, STEVENSON, and GERMONE,
WILL shortly visit Collector, Bungendore, Queanbeyan, Cooma, Bombala, Nimitybelle, &c., &c.,
en route to the Snowy River, at which place they are about to erect a theatre, and manage the professional department of the same for Mr. Sanders.

ASSOCIATIONS: Felix Germone (minstrel)

"OUR OWN MINSTRELS", Twofold Bay and Maneroo Telegraph (7 September 1860), 3

http://nla.gov.au/nla.news-article106755201

This company have been giving a series of Ethiopean Entertainments during the week in the Court-house. On Monday evening the house was not so good as we expected, but on Wednesday night it was filled to excess, rendering the temperature of the room anything but pleasant. The performance commenced with "Dinah's Wedding" by the company, followed by "Massa's in the Cold Ground," by Mr. Porter. The plaintive little melody, never fails to enlist the sympathies of an audience, and on this occasion it had the usual effect. The two songs that most affected the audience in the first part, were "The Lost Child," by Porter, and "Kiss me quick and go," by Germone. The concerted part of the former is beautifully arranged, and with the accompaniment of the Piano Melodian, is decidedly affecting, and at its conclusion called forth a burst of well-merited applause. "Kiss me quick and go," was well sung by Germone, and is, in our opinion, decidedly the best comic song in their programme. In the second part the entertainment was kept up by numerous variations. The ballads "Ever of Thee," by Germone; "Do they miss me at Home," by Porter, and the duet of "Starboard Watch," by Porter and Germone, being amongst the best introduced. The Clog Hornpipe, by Silvain is undoubtedly an extraordinary performance, and the truthfulness with which he adheres to time is astonishing. It was loudly encored. The rustic piano is certainly a novel kind of instrument, being simply constructed out of a few pieces of pine stick. Mr. Porter performed several admirable tunes on this rude instrument with a perfection of execution that called forth an encore. An amusing comic duet took place between Messrs. Porter and Germone, and then, "Miss Lucy Long" (Silvain) was introduced. The make-up was excellent, the dressing good, in fact, Silvain's rendering of the negro coquette is perfection. Her flirtation with the stranger (Porter) to the evident annoyance of the accepted lover, (Germone) and the humiliation of the latter when she makes her exit with the other, was admirable. It was loudly encored, and Mr. Stint in on coming forward danced the Highland Fling. The great feature in the performance of Our Own Minstrels is, their untiring efforts to please; and as they play again on this and to-morrow night, we hope they will meet that patronage they merit. On Wednesday night some evil disposed, cowardly, and dastardly person, maliciously cut the flag belonging to these minstrels in several places. It is a pity the scoundrel was not caught in the act.

"OUR OWN MINSTRELS", Twofold Bay Telegraph [NSW] (30 October 1860), 2

http://nla.gov.au/nla.news-article106755431 

Messrs. Porter, Silvain, and Fisher, popularly known in this district as "Our own Minstrels" are about to leave this port for Launceston, on a tour through Tasmania, and probably will not be able to return before January next . . . A number of gentlemen residing in Eden gave them a complimentary entertainment last Evening.

"Shipping Intelligence . . . DEPARTURES", Twofold Bay Telegraph (2 November 1860), 2

http://nla.gov.au/nla.news-article106755448 

November 1 - Lady Denison, brig, McKinlay, for Launceston. Passengers cabin - Messrs. Porter, Silvain and Germone.

[Advertisement], Launceston Examiner [TAS] (8 November 1860), 1

http://nla.gov.au/nla.news-article39002869 

OUR OWN MINSTRELS. MESSRS. W. A. PORTER, F. G. SILVAIN, AND F. GERMONE
Have arrived, and will give a SERIES OF CONCERTS AT THE CORNWALL ROOMS,
Commencing on MONDAY EVENING, NOV. 12TH, 1860,
Consisting of Songs, Duetts, Chorusses, Burlesques, Dances, Instrumental Solos, &c., &c. . . .

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle [Launceston, TAS] (14 November 1860), 5

http://nla.gov.au/nla.news-article65990716 

"Our Own Minstrels" met with a most enthusiastic reception on their first appearance in Launceston at the Cornwall Assembly Rooms on Monday evening last. There was a very numerous attendance on the occasion, and the Minstrels acquitted themselves to the entire satisfaction of their auditory. The comicalities of "Brodder Bones" produced roars of laughter, which were only checked by the grave and solemn airs assumed by Messieurs "Flutina" and "Banjo." "Miss Lucy Long" did in reality, "dance to the music," and her (or his) terpsichorean feats elicited unbounded applause. The Shakesperian readings were a novelty in their way - and the rendering of "Woman's Rights" by the old dame, with the tin coal scuttle bonnet on, approximated to perfection. Altogether the performance was decidedly successful. The "Minstrels" hold a second entertainment this evening, with an entire change of programme, when, doubtless, they will receive the extensive patronage their ability entitles them to. The Company is really worthy of encouragement. The good folks of Deloraine will have an opportunity of hearing these really clever artistes on Saturday evening next, and we heartily commend them to their patronage.

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (1 December 1860), 6

http://nla.gov.au/nla.news-article65990812 

PRINCESS THEATRE, LONGFORD. OUR OWN MINSTRELS. MESSRS. W. A. PORTER, F. G. SILVAIN, V. F. GERMONE
. . . MONDAY EVENING, DEC. 3, 1860 . . .

"Shipping news", The Cornwall Chronicle [Launceston, TAS] (18 April 1863), 4

http://nla.gov.au/nla.news-article72191860 

April 17 - Barque Sea Breeze, 341 tons, George Calder, master, for Dunedin . . . Passengers per barque Sea Breeze, for Dunedin . . . Fred. Silvain . . .

"SUPREME COURT. CRIMINAL SITTINGS . . . FRIDAY, 4TH DECEMBER . . . ATTEMPTING TO SHOOT", Otago Witness [Otago, NZ] (12 December 1863), 3

https://paperspast.natlib.govt.nz/newspapers/OW18631212.2.5 

Joseph Hanley was charged with attempting to shoot Olive Dormer, with intent to do bodily harm . . . The evidence of the prosecutrix was corroborated by that of Frederick George Silvain . . .

"Missing Friend", New South Wales Police Gazette and Weekly Record of Crime (3 February 1864), 36

http://nla.gov.au/nla.news-article252040187 

Information is requested respecting George Read alias Fred George alias George Silvain, a joiner, 40 years of age, 5 feet 8 inches high, thin face, sallow complexion, dark eyes and hair, the latter inclined to curl, no whiskers, small dark moustache; last heard of about three years ago, he was he was then living with a widow, who kept the Charles Hotham hotel, Bellarine-street, Geelong. It is supposed that he lived at an hotel in George-street, Sydney, under the name of George Silvain. Information to Inspector General of Police, or Mrs. Read, care of John Scott, Reid's Creek Diggings, Victoria.

"MAGISTRATE'S COURT. WEDNESDAY", New Zealand Herald [Auckland, NZ] (8 September 1864), 6

https://paperspast.natlib.govt.nz/newspapers/NZH18640908.2.19 

Olive Dormer appeared to charge one Frederick George Silvain, with having threatened her life on Tuesday last. Defendant pleaded not guilty. Olive Dormer, sworn, said: I know the prisoner. He is lodging in my house. Yesterday morning we had a few words, and he threatened to complete for me . . .




SILVERLOCK, Amelia (Amelia FULHAM; Mrs. William SILVERLOCK) = Miss GRAHAM



SILVESTER, Edward Kennedy (Edward Kennedy SILVESTER; Mr. E. K. SILVESTER; "E. K. S.")

Amateur poet, songwriter, lyricist, journalist, newspaper reporter

Born Birmingham, England, 27 May 1817; baptised Birmingham, 26 November 1819 [sic]; son of Homer SILVESTER (1773-1842) and Elizabeth HORTIN (m. 1800)
Arrived Sydney, NSW, by March 1841
Died Sydney, NSW, 9 December 1863, aged "47"

https://trove.nla.gov.au/search?l-publictag=Edward+Kennedy+Silvester+1817-1863 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-636318 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SILVESTER-Edward-Kennedy (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of St. Martin Chapel by St. Paul Birmingham in the county of Warwick in the year 1819; register, 1813-74, page 15; Library of Birmingham

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316616-00178 (PAYWALL)

No. 113 / 1819 Nov'r 26 Public / Edward Kennedy Born May 27 1817 / [son of] Homer & Elizabeth / Silvester / St. Paul's Square / Factor . . .
No. 114 / 1819 Nov'r 26 Public / Frances Born oct'r 28 1818 / [daughter of] Homer & Elizabeth / Silvester / . . .

"STANZAS", The Sydney Morning Herald (27 March 1846), 3

http://nla.gov.au/nla.news-article12886171

Written on the return of L. LEICHARDT, Esq., from an Expedition through the unexplored regions of Australia between Moreton Bay and Port Essington.

THY footsteps have return'd again, thou wanderer of, the wild,
Where Nature from her lonely throne, in giant beauty smiled.
Pilgrim of mighty wastes, untrod by human foot before,
Triumphant o'er the wilderness, thy weary journey's o'er! . . . [10 more verses]

ASSOCIATIONS: Ludwig Leichhardt (subject); Leichhardt, believed by most in Sydney to be dead, arrived back in Sydney on 25 March 1846; by Leichhardt's own account, William Henry Aldis (musical amateur) was one of the first to recognise him on his return

[Advertisement], The Sydney Morning Herald (3 April 1846), 3

http://nla.gov.au/nla.news-article12886313 

MR. E. K. SYLVESTER has been appointed a Reporter to the Sydney Morning Herald.
George-street, March 25, 1846.

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (25 May 1846), 2

http://nla.gov.au/nla.news-article12887427

QUEEN'S BIRTHDAY . . .THIS EVENING . . .The management has much pleasure in announcing that the beautiful verses of E. K. S., upon Leichhardt's return, set to music, (by a gentleman amateur) expressly for this theatre, will be sung upon the occasion, the solo parts by Mesdames Stirling and Wallace, and Messrs. F. and J. Howson, assisted by a full chorus.

[Advertisement], The Sydney Morning Herald (2 May 1846), 3

http://nla.gov.au/nla.news-article12886935

LEICHHARDTS RETURN.
ARRANGEMENTS having been entered into for the immediate publication of the Music set by Mr. Nathan to those beautiful Stanzas which appeared in the Sydney Morning Herald on Dr. Leichhardt's return from Port Essington.
Mr. Ford has the honour to make known to the public that the Song is preparing for the press, and may shortly be obtained.
554, George-street.

"LINES TO DR. LEICHHARDT ON HIS RETURN, BY E. K. S.", The atlas (20 June 1846), 294

http://www.nla.gov.au/ferguson/1440365x/18460620/00020082/5-6.pdf 

This beautiful effusion has been set to music by Mr. Nathan, and we have much pleasure in bearing testimony to its excellence. The sentiments of the poet are faithfully and touchingly represented by the musician. The composition is, as it were, a perfect landscape - all the objects, in their appropriate light and shadow, are duly reflected. For ourselves, we view this effort of Mr. Nathan to be the most successful he has made since his sojourn among us. In England this composition would meet a cordial reception. We trust the Australian community will not show less taste of the beautiful, nor less desire to encourage it. It is, we believe, ready for publication, or will shortly be so.

[Advertisement], The Australian (21 May 1846), 1

http://nla.gov.au/nla.news-article37158671

LEICHHARDT'S RETURN.
ARRANGEMENTS having been entered into for the immediate publication of the Music set by Mr. Nathan to those beautiful Stanzas by E. K. S., on Dr. Leichhardt's return from Port Essington, Mr. Ford has the honour to make known to the public that the song is preparing for the press, and may shortly be obtained.
554, George-street.

"NEW MUSIC", The Sydney Morning Herald (27 June 1846), 2

http://nla.gov.au/nla.news-article12888122

"THY GREETING HOME AGAIN." A paean on Leichhardt's return from Port Essington.
Poet, E. K. Silvester; composer, J. Nathan. Publisher, William Ford, Georgee-street.

THE beautiful poem by E. K. S., which appeared in our columns some time since, is the subject of Mr. Nathan's music - and we do not know how in few words to convey to our readers a more correct idea of the composition than by expressing our feeling, that never were poetry and music more worthy of each other. The composition is by no means fertile or striking in melody; but the harmonies, and their adaptation, are rich and masterly. The composer has likewise displayed much management and skill in the effects produced by changes of key and time. The music, to be appreciated, should be studied. We strongly recommend it to the notice of our fair readers.

"Music", The Spectator (27 June 1846), 273

http://nla.gov.au/nla.news-article250085262 

Thy Greeting Home Again. A Poem on Leichhardt's Return from Port Essington. Composed by I. Nathan, Esq. Ford, Sydney; Cramer, Addison and Beale, London. 1846.

We have just received a copy of this composition which has been got up by Mr. T. Strode in a manner that reflects the highest credit on his imprimerie. We shall not attempt, at present, to enter into the merits of the music, which, from a first hearing, strikes us to be of a high character; but shall reserve for a less pressed moment any comments we may deem it necessary to offer on a production which forms (in its theme) so agreeable a contrast to the melancholy though beautiful dirge so lately sung memory of the supposed death of the daring explorer.

MUSIC: "beautiful dirge" = Leichhardt's grave (music by Nathan; words by Robert Lynd)

"MR. NATHAN'S NEW SONG", The Australian (30 June 1846), 3

http://nla.gov.au/nla.news-article37156522 

We are happy to see Mr. Sylvester's beautiful lyric poem on the return of the Austral-German traveller, aided in its fame by the musical powers of such a man as Mr. Nathan, a gentleman who acquired a solid reputation as a votary of Apollo, in the great metropolis of the world. The ideas of Sylvester required no aid, necessarily, from sound; yet they are enriched by the sentimental melody of the kind-hearted veteran of music, who ornaments the society of Sydney as a first-rate man in the science of music. It is true we enjoy only his autumnal labours, which are not plentiful, like blossoms; but the fruit is delicious and wholesome. The words of Sylyester glowed with right feeling - the notes of Nathan are in delightful unison as the two sons of the Muses march together, conversing on the incidents of the voyage. As long as poetry and music shall sway, the sons and daughters of Australia, the glories of Leichhardt, as sung by Sylvester and Nathan, will be exultation and delight.

See also [Advertisement], Nathan, Lectures (1846), reproducing 3 reviews above

http://nla.gov.au/nla.obj-165990583/view?partId=nla.obj-165996533#page/n55/mode/1up 

[Advertisement], The Sydney Morning Herald (30 June 1846), 1

http://nla.gov.au/nla.news-article12888158

NEW MUSIC. JUST PUBLISHED,
"Thy Greeting Home Again." A POEM ON LEICHHARDTS RETURN From Port Essington.
The words by E. K. Silvester; music by L. Nathan [sic], Esq.
W. FORD. 554, George-street.

[Advertisement], The Sydney Morning Herald (10 August 1846), 3

http://nla.gov.au/nla.news-article12889028

. . . 4. Ode to Leichhardt, the poetry by Mr. E. K. Silvester, composed by Mr. Marsh . . .

Ludwig Leichhardt, Sydney, 19 August 1846, letter to C. Shlmalfuss; in M. Aurousseau (ed.), The letters of F. W. Ludwig Leichhardt (Cambridge: Cambridge University Press, 1968), vol. 3, 895-96 (translation 899)

Two more pieces have been composed [for me], and one of them, for the harp, by Mr. Marsh, is very good . . .

[Advertisement], The Sydney Morning Herald (31 August 1846), 2

http://nla.gov.au/nla.news-article12895665

. . . 3. March and Ode to Dr. Leichhardt (by particular desire), for the Harp, composed by Mr. Marsh . . .

[Advertisement], The Australian (27 October 1846), 2

http://nla.gov.au/nla.news-article37132894

ROYAL CITY THEATRE. UNDER DISTINGUISHED PATRONAGE.
MISS HINCKESMANN'S SOIREE MUSICALE WILL TAKE PLACE TOMORROW EVENING OCTOBER 23, 1846, At the City Theatre, Market-street.
LEADER - Mr. S. W. Wallace. CONDUCTOR. - Mr. Walton.
Programme: PART I . . . 8. Paean, composed on the return of Dr. Leichhardt, from his perilous journey to Port Essington, by I. Nathan, Esq., Poetry by E. K. Sylyester, Esq., Mrs. Bushelle . . .

"MUSIC", John Bull (4 November 1848), 12

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001945/18481106/076/0012 (PAYWALL)

Hail to Victoria Queen of the Ocean. The Australian National Anthem; Composed by S. H. Marsh, Esq. The words by John Rae, Esq., Town Clerk of Sydney.

The Australian Waltz. Composed for the opening of Government House, Sidney; by. S. H. Marsh.

The Traveller's Return. A Song, composed on the occasion of Dr. Leichhardt's return to Sidney, and dedicated to Members of the Royal Geographical Society. By the same.

T. Boosey, and Co.

Here is music from the Antipodes! The above compositions are interesting in more than a musical point of view: they are proofs of the cultivation, in one of the remotest settlements of the British Empire, of the arts which indicate advanced civilization and refinement of manners. They are, moreover, possessed of great intrinsic merit, and evidently proceed from the pen of a skilful and accomplished musician . . . "The Traveller's Return" is in celebration of the return of Dr. Leichhardt from his journey of discovery in the interior of Australia; one of the most wonderful and important achievements of modern times; an achievement which, in the words of a recent writer on Australia, "has virtually added a vast and valuable province to the British empire, and has greatly extended the domain of civilized man." The song before us is an elegant poetical and musical tribute to the merits of this accomplished traveller.

"DEATHS", The Sydney Morning Herald (11 December 1863), 1

http://nla.gov.au/nla.news-article13086185 

On the 10th instant, at his residence, 186, Prince-street, Mr. Edward Kennedy Silvester, aged 48 years.

"THE LATE MR. E. K. SILVESTER", The Sydney Morning Herald (11 December 1863), 4

http://nla.gov.au/nla.news-article13086183

On the night of Tuesday, the 9th instant, at about half-past 1 a.m., Mr. Edward Kennedy Silvester - a literateur of well-known talent, for many years connected with the newspaper press of this colony - expired, after a severe and lingering illness, at his residence, 186, Prince-street, in this city. For some time past it was apparent to his medical attendant (Dr. Moffitt) and his numerous personal friends that he could not long survive, but he was not confined to his room until within a few days of his decease. The immediate cause of his death was dysentery and decay of nature, and it will be satisfactory to his friends, both here and in England, to know that everything that medical skill and considerate womanly kindness could do for the invalid was not wanting at his last moments. He was buried yesterday evening at six o'clock.

Mr. Silvester was an occasional contributor to the old Monitor as long ago as the year 1840, having been previously engaged in commercial pursuits. These he gradually relinquished, to follow the bent of his tastes as literary man; and as a poet of no mean excellence, a quick careful reporter, and a ready writer upon the extended range of subjects embraced by colonial journalism, he deserves to be honourably remembered in this community. Subsequent to the commencement of his career as a contributor to the Monitor, Mr. Silvester was employed by Mr. O'Brien on the Examiner (a small newspaper which rose on the ruins of the Monitor), and was more and more appreciated in the calling he had chosen for himself until he joined the staff of the Australian, which was for a long time one of the leading papers of Sydney. He left the Australian and joined the Sydney Morning Herald as a reporter about seventeen or eighteen years ago, and was for many years the leader of the Parliamentary staff of this journal. It was whilst he was connected with this paper and in the full enjoyment of all his intellectual power and poetical genius that he wrote those beautiful verses on the "Death of Leichhardt," which few can read without being deeply moved. He wrote many other similar poems, and several short satirical pieces - vers de societe, which were not less remarkable for the easy and musical flow of their language than for their pungent wit. As an original prose writer he was also very successful, and for industry and care as a reporter he stood for many years unrivalled. Even so late as eight or ten days since, the pain stricken well-known face of the Old Reporter was to be seen in the gallery of the Assembly - still toiling where he had once been so brilliantly successful - in the place which will know him no more.

Mr. Silvester was a man of hasty temper and conscientious prejudices, but his instincts were noble and generous - a man whose undoubted talents, rectitude, and principle, would have earned him a high place in society if they had been tempered with more prudence - more consideration for the ordinary affairs of life. Those who knew him but slightly, disliked him, but, like many other men of letters, he improved greatly upon acquaintance, for it was then only the childlike good nature of his character became evident. If he could "do anybody a good turn" - to use a simple but expressive provincialism which it is impossible to misunderstand - Edward Kennedy Silvester would do so gladly and cheerfully; he took a pleasure in it, from the time that he was looked up to as the head reporter of a daily journal to the time that, in a somewhat less important status, but still in his vocation, he went feebly along our streets. De mortuis nil nisi bonum.

Mr. Silvester was a native of Birmingham, and has not, we believe, any relatives in the colony. He was firmly attached to the communion of the Church of England, but had not the slightest particle of bigotry in his religious views. He was visited during his last illness by the Rev. A. H. Stephen, the incumbent of St. Paul's, Redfern, who was summoned, at his request, by his kind-hearted friends - to administer to him the consolations of religion. He suffered greatly towards the last, but endured everything firmly and patiently up to the time that he expired. He lies buried at the eastern end of the Newtown Cemetery, on the northern side of the central path. By the advice of the medical attendant it was deemed inexpedient to defer the interment, and owing to the short notice which it was possible to give of the funeral not many were present at the mournful ceremony, but some long associated with him in his useful career, followed him to the grave.

"DEATH OF MR. E. K. SILVESTER", Bell's Life in Sydney and Sporting Chronicle (12 December 1863), 2

http://nla.gov.au/nla.news-article59794245 

It is with sincere regret that we have to announce the demise of Mr. Edward Kennedy Silvester, who expired at his residence, Prince-street, on Thursday morning, after a protracted illness. The deceased gentleman had been connected with the Sydney Press for upwards of twenty years; and was a brother reporter of ours in the first Legislative Council of the colony. Mr. Silvester's literary abilities have for years been recognized, and his writings must be familiar to most of our readers. His poetical composition, the inspiration of his leisure hours, periodically published in the Herald and other journals, were remarkable for their depth of thought and felicity of expression, and some of his fugitive pieces will bear favorable comparison with any Australian poesy. In the earlier part of his career he was the leader of the Herald's Parliamentary staff, from which he only seceded about three years ago, since which he was connected with the Empire. Of late, he had suffered from a severe dispensation, which gradually afflicted both mind and body to an extent most painful to witness; and it had long been apparent to his friends that he was fast approaching "that bourne from whence no traveller returns." The funeral took place at 6 p.m. on Thursday, his remains being followed to the cemetery by a few of his most intimate private friends. It is almost unnecessary to say that the deceased died in impoverished circumstances; but it is gratifying to add that, although his last employers refused assistance towards the necessary expences, an application to the Messrs. Fairfax was promptly and generously met by Mr. Charles Fairfax, who, also, in testimony to the fidelity of an old and esteemed employee, followed the remains to the tomb.


Musical publications:

Thy greeting home again (Nathan, 1846)

Thy greeting home again; a paean on Leichhardt's return from Port Essington; poet: A. K. Silvester, esq. [sic]; composer: I. Nathan. esq. (Sydney: Wm. Ford, [1846]); "T. Strode, printer, Sydney"

https://trove.nla.gov.au/work/16497347 

https://nla.gov.au/nla.obj-181790689 (DIGITISED)

ASSOCIATIONS: Isaac Nathan (composer); William Ford (publisher); Thomas Strode (printer)

[Later facsimile edition of original 1846 print]: "THY GREETING HOME AGAIN", Australian Town and Country Journal (21 January 1888), 33

http://nla.gov.au/nla.news-article71093560


The traveller's return (Marsh, Ode, Sydney, 1846; published London, 1848)

The traveller's return, song, with an accompaniment for the harp or piano-forte, composed on the occasion of Dr. Leichhardt's return to Sydney, and dedicated to the members of the Royal Geographical Society, by S. H. Marsh ["Written by A. K. Sylvester [sic]"] (London: T. Boosey & Co., [1848]

https://trove.nla.gov.au/work/17037467 

https://nla.gov.au/nla.obj-166240164 (DIGITISED)

ASSOCIATIONS: Stephen Hale Marsh (composer)




SIM, Mr. (Mr. SIM; MR. SIMS; ? = Mr. SIMES)

Musician, bandmaster, cornet player, double bass player (1 or 2 musicians)

Active Ballarat, VIC, by 1860

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIM-Mr (shareable link to this entry)


Documentation:

"BALLARAT WEST FIRE BRIGADE", The Star [Ballarat, VIC] (20 October 1860), 1 supplement

http://nla.gov.au/nla.news-article66058938 

The committee held its fortnightly meeting in the engine house on Wednesday, 17th inst. . . . CORRESPONDENCE - Letter from Mr. Sims, musician. Received, and referred to the Brigade band committee. ACCOUNTS - . . . T. King, music, £1 1s. Passed and ordered to fee paid . . .

ASSOCIATIONS: Thomas King (musician)

"AMUSEMENTS . . . CHARLIE NAPIER CONCERT HALL", The Star (25 February 1861), 3

http://nla.gov.au/nla.news-article66337593 

There was a very good attendance at this place of amusement on Saturday night, caused no doubt by the appearance of Mr. E. F. Morris, the humorous comic singer. Mr. R. A. Owen, was musical director and pianist, and with Mr. Creed Royal, Mr. Sims, Herr Zegler, Mons. Faver, and some others, a very respectable instrumentation programme was gone through, which comprised several operatic selections &c. . . .

ASSOCIATIONS: Edgar Morris (comic vocalist); Richard Owen (pianist); Creed Royal (flute); Charles Ziegler (double bass); Charlie Napier Theatre (Ballarat)

"THE EASTER HOLIDAYS . . . SACRED CONCERT AT THE CHARLIE NAPIER", The Star (1 April 1861), 2-3

http://nla.gov.au/nla.news-article66338291

Whether it was the novelty of the thing, or the low charge for admission, or both combined, we cannot say, but there was a really crowded house in the Charlie Napier Concert Hall on Friday night, to listen to selections from various oratorios . . . The trio, "On Thee each living soul awaits," [3] was very effectively rendered by Madame Carandini and Messrs. Sherwin and De Courcy . . . The Hallelujah chorus by the whole company was very creditably rendered, and drew forth an encore which was acceded to. The instrumental part of the performance was under the conductorship of Mr. Owen, and in justice we are bound to say that the whole company acquitted themselves remarkably well. After the performance was over the band of the Western Fire Brigade played Mr. Sim, their band master home. On arriving at Bath's Hotel they halted, and favored a considerable crowd of admirers with some well-executed airs. They subsequently serenaded Mr. Claxton, and some of the members of the Western Fire Brigade, at their respective residences . . .

ASSOCIATIONS: Maria Carandini (vocalist); Walter Sherwin (vocalist); David De Courcy (vocalist)

"BALLARAT WEST FIRE BRIGADE", The Star (4 October 1861), 1 supplement

http://nla.gov.au/nla.news-article66342494 

Wednesday, 2nd October. The committee met at 8 p.m. . . .
ACCOUNTS - . . . Sims, bandmaster - [£] 19 6 6 . . .

"BALLARAT AND LEARMONTH REGATTA", The Star (1 December 1863), 2

http://nla.gov.au/nla.news-article72511838 

The third annual regatta was held this year on Lake Learmouth, under the auspices of the Ballarat and Learmouth Regatta Clubs, and was completely successful . . . A brass band, under the leadership of Mr. Sim, was on the ground during the day, the members of which were attired in white trousers, scarlet jackets, and blue caps. Right well did they cater for the amusement of the public by adding the charms of music to the other pleasures and enjoyments of the day . . .

[2 advertisements], The Star (16 September 1864), 3

http://nla.gov.au/nla.news-article66348101 

CHARLIE NAPIER THEATRE. Proprietor - Mr. S. MORWITCH.
GRAND REOPENING. ARRIVAL OF THE NEW COMPANY. SATURDAY EVENING NEXT . . .
Leader, Mr. Brock; cornet, Mr. Sims; flageolette, Mr. Quinn; pianist and conductor, F. W. Cullamore [sic] . . .

A GRAND CONCERT Will be given in aid of the Funds of the
BALLARAT EAST PUBLIC LIBRARY . . . AT THE EASTERN TOWN HALL, ON MONDAY, 19th SEPTEMBER . . .
The Orchestra will consist of Messrs. THOMAS KING, LABALESTRIER, and BELLAIR - 1st Violins;
Messrs. MATHER and WHEATLEY - 2nd Violins; Mr. FIFORD - Flute; Mr. WILLIAMS. - Clarionet; Messrs. STOWER and RUSHTON - Violoncello;
Mr. SIMS - Basso; Mr. ELLIS - Trombone; Messrs. WHEELER and EVANS - Cornets; Messrs. COX and TOWL - Saxhorns;
Drums. Messrs. TURNER and WEBER - Pianists . . .

ASSOCIATIONS: Frederick William Cullimore (musician); Alfred Labalestrier (violin); Stephen Thomas Wheeler (cornet); Austin Theodore Turner (pianist)

"THEATRE ROYAL", The Star (24 October 1864), 2 supplement

http://nla.gov.au/nla.news-article66349116 

The Theatre Royal was opened on Saturday night for the benefit of Mr. Thomas King, a gentleman whose career as a musician in Ballarat bas been a long one, and one in which he has won respect on all sides. On this occasion Mr. King is understood to have taken his first benefit, although he was one of the very first band of musicians who played in the theatre, and although he has for several years had the direction of ordinary musical affairs there . . . The instrumentalists were-Cornets, Messrs. Labalestrier and Evans; violins, Messrs. T. King, Brock, Montgomery, Peters, and Mather; violoncello, Mr. Stower; contra bass, Mr. Sim; flutes, Messrs. Towl and Quin; Saxhorns, Messrs. Wheeler and Moss; bass sax, Mr. Cox; drums, Messrs. Rose and George. Mr. E. R. Weber and Mr. Wheeler were pianists . . .

"POLICE. Friday, 30th June . . . CAUSE LIST", The Ballarat Star (1 July 1865), 4

http://nla.gov.au/nla.news-article112876926 

Haysom v Sims, £4 work, &c.; Mr. Lewis for the plaintiff, and Mr. Finn for the defendant. The plaintiff and other members of the band of the Ballarat Fire Brigade agreed with the defendant, for some time bandmaster and music instructor to the brigade, to play in procession at the Easter Fair for £1 each. They were asked to play on the stage of the theatre at the fair, but the plaintiff and the others refused to do so as they alleged they had especially stipulated not to play on the stage, but only on the ground, which they were quite willing to do. The plaintiff said he agreed with Sims and not with the Easter Fair Committee. Mr. Watson, manager of the fair, stated that Sims agreed to provide the band, and as the members refused to play on the stage, they were of no service whatever. The plaintiff having made his agreement with defendant and not with the committee, the defendant was liable, and an order was made for the amount and 25s costs.

"THEATRE ROYAL. AMATEUR PERFORMANCE", The Ballarat Star (1 June 1870), 3

http://nla.gov.au/nla.news-article219308999 

The first of the two performances by the Garrick Club, for the benefit of the funds of the Benevolent Asylum, drew a capital house on Tuesday night . . . The band of the B.V.R. played the overture, and also performed at intervals during the evening, the Messrs. King and Mr. Sims also acting as an intermittent orchestra. Indeed, the musical contributions to the entertainment were more attractive than usual, and the audience on more than one occasion showed its sense of the excellence of that portion of the bill of fare . . .

"HARMONIC SOCIETY'S CONCERT", The Ballarat Star (10 April 1871), 3

http://nla.gov.au/nla.news-article197561801 

The Good Friday concert this year was held in the Theatre Royal, and the work selected was "Messiah" . . . Mr. A. T. Turner, the society's able and assiduous conductor. The band under Mr. T. King . . . Mr. Sims' cornet accompaniment to "The Trumpet Shall Sound" was very well given . . .

ASSOCIATIONS: Ballarat Harmonic Society (group)

"BALLARAT HARMONIC SOCIETY", The Ballarat Star (3 August 1872), 2

http://nla.gov.au/nla.news-article219156860 

For the secular concert given as an interim performance between the Good Friday and Christmas Day celebrations, the Harmonic Society, on Friday evening, gave, for the first time in its entirely in Ballarat, Haydn's "Seasons" . . . The band was as follows: - . . . horns, Mr. Sims, Mr. Nicholls . . . Leader, Mr. T. King . . . Mr. R. Wrigley was conductor.

? "BROWNS AND SCARSDALE BOROUGH COUNCIL", The Ballarat Star (17 June 1875), 4

http://nla.gov.au/nla.news-article208329516 

. . . From Mr. James Sims, secretary to the Scarsdale Harmonic Society, requesting the use of the Town-hall, free of charge, for the purpose of rehearsals, as it was intended to devote the proceeds of the performances to charitable objects. - After some discussion it was resolved that the use of the hall be granted on the payment of 2s 6d a night . . .

"NEWS AND NOTES", The Ballarat Star (12 October 1875), 2

http://nla.gov.au/nla.news-article200184918 

The repetition of "The Corsican Brothers" and the burlesque, "Ill-Treated Il Trovatore," drew the best dress circle and boxes of the season, and the other parts of the house were fairly patronised . . . There is a strong orchestra, and Mr. King and Mr. Sims occasionally treat to welcome solos on the clarionette and cornet respectively. This evening the same bill will be repeated.

"NEWS AND NOTES", The Ballarat Star (10 January 1876), 2

http://nla.gov.au/nla.news-article200186839 

The season at the Academy of Music closed on Saturday night, when "The Ticket-of-Leave Man" was performed . . . The orchestra . . . did its best, and Mr. King with the clarionet, and Mr. Sim with the cornet, gave with accompaniments some of the gems from "Maritana." The company leave this morning, and will perform in Geelong on Tuesday; Mr. T. King and Mr. Sim accompanying the company to reinforce the orchestra . . .




SIMEON, Michael (Michael SIMEON)

Vocalist, singer, choir leader (Hobart Synagogue)

Born ? London, England, 1824; son of Peter SIMEON (b. c. 1790) and Sarah REES (c. 1793-1866)
Arrived Hobart Town, VDL (TAS), 21/22 October 1843 (free per Flying Squirrel)
Died Regent's Park, London, England, 5 April 1867, aged "43"; "in his 44th year"

https://trove.nla.gov.au/search?l-publictag=Michael+Simeon+d1867 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMEON-Michael (shareable link to this entry)


Summary:

Michael Simeon was a son of Peter Simeon (c. 1790-c. 1861), and Sarah Rees (c. 1793-1866), who were married at the Great Synagogue, London, on 12 October 1814. He was a younger brother of the colonists James Simeon (1815-1874), of Melbourne, and David Simeon (b. c. 1820) of Sydney, and, according to Levi, a nephew of David Moses (of Hobart).

Michael and his mother, Sarah Simeon, arrived in Hobart as cabin passengers in the Flying Squirrel on 21/22 October 1843.

Having reportedly previously assisted at a consecration ceremony in England, he was a singer at the consecration of Hobart Synagogue on 4 July 1845. According to the Hobart Town Courier he possessed "a falsetto voice of good quality rarely met with". He assisted Isaac Solomon in arranging the music for the ceremony, and sang from memory the melodies of the proper chants to Joseph Reichenberg, who then wrote them down and arranged them, as later published as Ancient Hebrew melodies (1847).

Having returned to London permanently by c. 1860, he died there in 1867.

REFERENCES: Angela Shire (ed.), Great Synagogue marriage registers 1791-1850 (Crediton: Frank J. Gent, 2001)


Documentation:

England census, 6 June 1841, St. Pancras, Tottenham, Middlesex; UK National Archives, HO 107/686/3

https://www.ancestry.com.au/interactive/8978/MDXHO107_686_686-0126/7462859 (PAYWALL)

Windmill Street / Sarah Simeon / 34 / Draper / [born Middlesex] Y
David [Simeon] / 23 / General Dealer / Y
Michael [Simeon] / 17 / Tailor / Y

Report of the arrival at the port of Hobart Town of the schooner "Flying Squirrel, 22nd Oct. 1843; Tasmanian names index; NAME_INDEXES:1534791; CSO92/1/11 p105

https://stors.tas.gov.au/NI/1534791

https://stors.tas.gov.au/CSO92-1-11$init=CSO92-1-11p108jpg 

"SHIPPING INTELLIGENCE", The Courier (27 October 1843), 2

http://nla.gov.au/nla.news-article2951951 

October 21 - Arrived the schooner Flying Squirrel, 86 tons, Young, from Port Phillip 12th instant, with sheep - cabin passengers, Mrs. Simeon, Master Simeon . . .

"OPENING OF THE SYNAGOGUE IN ARGYLE STREET", The Observer (8 July 1845), 3

http://nla.gov.au/nla.news-article62134999

THE beautiful little building in Argyle-street devoted to religious service by the scattered remnant of Israel in this town, was opened according to announcement, on Friday last . . . We would have given much to be familiar with the venerable language of the Hebrews, when the officers came in procession, demanding " Open to us the gates of righteousness" . . . The doors being opened to them, they took their stand beneath a temporary canopy - while the choir stationed round the reading desk chaunted appropriate sentences. The procession then advanced slowly towards the ark - the reader saying, or rather chaunting other sentences. Arrived within the rails which surround the curtained ark, the choir burst forth in the very language of the sweet Psalmist of Israel a song of melodious praise. Then followed a seven times circuit of the synagogue, the rolls of the law still being borne as before. At each circuit a psalm was slowly chaunted by the render, and at the end of each, as the procession approached the ark, the monotony was broken by the cheerful notes of a lively chorus, vocal and instrumental . . . The rest of the ceremony consisted in the reader bearing a roll of the law and chaunting, the congregation at times murmuring a responsive cadence; the choir in melodious strains [illegible] . . . succeeded by a chaunt and chorus. Then the 29th psalm, during the singing of which the roll of the law was deposited in the ark, and the curtain drawn over it. And, finally, after a concluding prayer, the Hallelujahs of the 100th psalm were sung in masterly style with almost overpowering effect . . .

The afternoon and evening services then proceeded, in which latter the choir sang two pieces without the aid of the instrumental band. The reader was Mr. H. Jones, the leader of the choir. Mr. M. Simeon; the band was led most ably by Mr. Reichenberg, and included Messrs. Duly, Curtis, Gautrot, Singer, &c. The consecration service was arranged chiefly by Mr. P. Moss, by whom the original prayers, we understand, were composed . . .

"OPENING AND DEDICATION OF THE JEWS' SYNAGOGUE", The Courier (9 July 1845), 3

http://nla.gov.au/nla.news-article2947988 

. . . Mr. H. Jones officiated as reader; his chaunts were given with admirable intonation. The orchestral department combined the talent of Messrs. Gautrot, Curtis, Duly, and Singer, ably led by Mr. Reichenberg. The choir was exceedingly effective, the principal parts being admirably given by Mr. M. Simeon, who possesses a falsetto voice of good quality and rarely met with . . .

ASSOCIATIONS: Henry Jones (reader); Joseph Reichenberg (musician); Abraham Philip Duly (musician); Richard Gill Curtis (musician); Joseph Gautrot (violinist); John Macdonald Singer (violinist)

"THE SYNAGOGUE", Colonial Times (11 July 1845), 3

http://nla.gov.au/nla.news-article8756924

In answer to numerous enquiries as to whether the gentlemen composing the choir at the opening of the Jewish Synagogue last Friday were professionals, we can inform our readers that the whole of them (consisting of Messrs. M. S. Simeon, treble; D. Allen, tenor; E. Isaacs, counter tenor; Isaac Solomon and H. Nathan, bass;) were young men of the Hebrew religion, one of whom (Mr. Simeon) had assisted in a similar ceremony at home, and remembering the melodies, sung them to Mr. Reichenberg, who most felicitously melodized them. Mr. R. attempted, and it must be admitted, accomplished the teaching five persons to sing in parts, and acquiring himself sufficient Hebrew to comprehend what he had to teach, in a manner which must increase the already high opinion entertained by the Tasmanian public of his professional superiority.

ASSOCIATIONS: David Allen (singer); Edward Isaacs (singer); Isaac Solomon (singer); Henry Nathan (singer)

"THE SYNAGOGUE", The Observer (15 July 1845), 3

http://nla.gov.au/nla.news-article62135058 

In our last a paragraph was omitted in which we sought to do justice to some whose names were not mentioned with that praise which was due to them for the part they performed in the opening service at the Synagogue. The music we learn was brought to this colony by Mr. Simeon, whose melodious voice was so much admired in company with the voice of Messrs. Edward Isaacs, Henry Nathan, David Allen, and Isaac Solomons. The vocal attraction at the Synagogue is likely to draw many visitors from time to time, whose interest is not likely to stop with that gratification, or benefit be confined to the hearing of the ear.

"DEATHS", The Argus (12 June 1867), 4

http://nla.gov.au/nla.news-article5769453 

SIMEON. - On the 5th April, at his residence, 6 Okley-square, Regent's-park, London, Michael Simeon (late of Hobart Town), brother to James Simeon, of Clifton-villa, St. Kilda, in his forty-fourth year. Sydney and Tasmanian papers please copy.

Gravestone reads:

Michael SIMEON son of Peter & Sarah SIMEON who departed this life 5th April 1867, 5627 aged 43 years. [From the Hebrew inscription:] Mr. Meir bar Mr. Phin*** . . . Friday 28 Adar II buried Sunday 2 Nisan 5627 age


Other documentation:

Order of service at the dedication of the synagogue, Argyle Street, Hobart Town, Van Diemen's Land, on Friday, the 4th July, A.M., 5605-1845 ([Hobart Town]: Printed by E. & M. Wolfe, [1845])

https://trove.nla.gov.au/work/9801095 

http://handle.slv.vic.gov.au/10381/200619 (DIGITISED)


Musical sources:

Ancient Hebrew melodies sung at the consecration of the Synagogue, Argyle Street, Hobart-Town V.D.L. dedicated to Mrs Louis Nathan, harmonized and arranged for the pianoforte by J. Reichenberg (Hobart-Town: Thomas Browne, lithographic printer, n.d. [1847])

(1 How goodly are thy tents; 2 Come let us sing unto the Lord; 3 Blessed be he who cometh in the name of the Lord; 4 Thanks to thee O Lord; 5 Thine, O Lord is the greatness; 6 His glory is above all the earth; 7 Ascribe unto the Lord; 8 Praise God in His sanctuary)

Copy at the State Library of Tasmania

https://trove.nla.gov.au/work/37015413 

https://stors.tas.gov.au/AUTAS001131821845$init=AUTAS001131821845P269 (DIGITISED)


Bibliography and resources:

John Levi, These are the names: Jewish lives in Australia, 1788-1850 (Melbourne: Melbourne University Publishing, 2013)

https://books.google.com.au/books?id=QyJLDwAAQBAJ&pg=RA4-PA1900 (PREVIEW)




SIMES, Mr. (Mr. SIMES; ? = Mr. SIM)

Musician, cornet player

Active Melbourne, VIC, September 1856


Documentation:

"MUSIC AND THE DRAMA", The Age (1 September 1856), 2 supplement

http://nla.gov.au/nla.news-article154868947 

The English opera company open their campaign this evening, with "Lucia di Lammermoor," at Our Lyceum, in Queen street . . . Mr. John Black, to whom Melbourne is indebted for its Theatre Royal, is the manager . . . The orchestra is exceedingly effective both in number and ability, having been formed entirely of artistes who, besides being skilled in orchestra performance, have achieved repute as solo performers. Of these we may mention Herr Strebinger and Mr. King on the violin, Mr. Johnson of the Fortieth band on the clarionet, Mr. Hartigan on the ophicleide, Mr. Siede on the flute, and Mr. Simes on the cornet. The orchestra will be under the direction of Mr. Linly Norman . . .

ASSOCIATIONS: English Opera Company (group); John Melton Black (manager); Linly Norman (conductor); Frederick Strebinger (violin); Edward King (violin); Henry Johnson (clarinet), master of the Band of the 40th Regiment (military); Julius Siede (flute)




SIMES, Thomas (Thomas SIMES; T. SIMES; Mr. SIMES)

Actor, manager, comedian, convict

Born Islington, London, England, 3 August 1804; baptised St. Luke's, Finsbury, 26 August 1804, son of James SIMES and Peggy ?
Convicted Devon Lent Assizes, Exeter, 22 March 1824
Arrived Sydney, NSW, 4 May 1825 (convict per Hercules, from England, 24 December 1824)
Married Honoria HINTON (d. 1875), Port Stephens, NSW, 1831
Active Sydney, NSW, by February 1834
Died Sydney, NSW, 19 October 1846

https://trove.nla.gov.au/search?l-publictag=Thomas+Simes+1804-1846 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-574343 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMES-Thomas (shareable link to this entry)


Documentation:

Christenings in August 1804; register, St. Luke, Finsbury, Islington, 1776-1812, page 133; London Metropolitan Archives

https://www.ancestry.com.au/interactive/1624/31280_194896-00548 (PAYWALL)

Thomas S. of James Simes, & Peggy - [born] August 3d [baptised] 26th

List of Convicts with Particulars, Hercules, 1825; State Records Authority of NSW

https://www.ancestry.com.au/interactive/1251/RHAUS1788_125683-00594/5865 (PAYWALL)

No. 8 / Thomas Simes / [tried] Exeter / 25 Mar. 1824 [sic] / 7 yrs / [born] Islington / Attorney's Clerk / . . . [Assigned] Bathurst

Butts of Certificates of Freedom, 1831, March, (NRS 12210); State Records Authority of NSW

https://www.ancestry.com.au/interactive/1689/31801_216691-00253 (PAYWALL)

CERTIFICATE OF FREEDOM / No. 31/186 / 23d March 1831 / Thomas Simes / Hercules / 1835 / [Native place] Islington / Solicitor's Clerk / Devon Assizes / 22nd March 1824 / Seven Years / [year of birth] 1804 / . . .

"THE DRAMA", The Australian (10 February 1834), 2

http://nla.gov.au/nla.news-article42004661 

The bills of fare for Saturday evening was the Castle Spectre, Dancing on the Tight Rope, and a Farce called No. The former has been often before the Public, but with the present cast of character, more than half the beauty of the piece is lost. Knowles played with his usual nerve. Mr. Simes' Earl Percy was a mull, that gentleman should suck eggs to clear his wizen. Mr. Grove played Hassan in character . . .

ASSOCIATIONS: Conrad Knowles (actor); Daniel Parsons Grove (actor); Theatre Royal (Sydney)

[News], The Sydney Gazette and New South Wales Advertiser (1 April 1837), 2

http://nla.gov.au/nla.news-article2210198 

Mr. Simes, on the resignation of Mr. Knowles, has been appointed Stage Manager for this season, and will, we hear, act as Manager next season, provided Mr. Meredith who may yet come from Hobart Town, does not arrive. In the absence of Knowles, we do not think a better substitute could be found in the present company. Mr. Simes is an actor who is deservedly popular; he strives to please, and has a vast fund of comic humour; but he must be kept strictly out of the "sentimental," he cannot shine in that.
Mr. Levy, in last night's Monitor, states that he is not going to lease the Theatre next season. We have our doubts as to the point Mr. Levy notwithstanding; we are glad to find that Mr. Deane and his talented family are engaged to lead the Orchestra. This shows symptoms of amendment much needed in that department.

ASSOCIATIONS: John Meredith (actor); Barnett Levey (proprietor); John Philip Deane (violinist) and sons

"DRAMA", The Sydney Gazette and New South Wales Advertiser (2 May 1837), 2

http://nla.gov.au/nla.news-article2210678 

THE Sydney Theatre re-opened for the season on Saturday night, under the acting management of Mr. Simes, and the stage management of Mr. Buckingham, Mr. Levey being manager and director . . .

ASSOCIATIONS: George Buckingham (stage manager)

[News], The Sydney Times (19 August 1837), 2

http://nla.gov.au/nla.news-article252652941 

Mr. Simes, who has given such very general satisfaction to the public as stage manager during the past season, takes his benefit on Monday evening; which independently of the highly amusing character of the pieces selected for the occasion (see advertisement) will, we hope and have no doubt, insure him a bumper house.

[Advertisement], The Sydney Morning Herald (9 October 1846), 1

http://nla.gov.au/nla.news-article12891362 

ROYAL VICTORIA THEATRE.
MR. SIMES'S FAREWELL BENEFIT, IS FIXED FOR MONDAY EVENING, OCTOBER THE 12TH, 1846.
THE COMMITTEE, who have kindly undertaken to conduct the exterior arrangements for the Benefit of the above named Gentleman, in making this announcement, beg most earnestly and particularly to appeal to the feelings of a kind Public, in consequence of the melancholy and distressed circumstances under which Mr. Simes at present labours, having been for the last four months confined to his bed, the victim of a severe complaint, from which, it is the opinion of his Medical Attendants, that there is scarce a chance of his recovery.
The Committee beg to remind the public of the long and faithful services of Mr. SIMES for the last twelve years, both as Actor and Manager, and also to remind them of his exertions to please a generous Public. Too close an application to his arduous duties has assisted, no doubt, in undermining his constitution; thrown out of employment, with a wife and young family to support, pecuniary embarassments became inevitable. It is, therefore, more to the remembrance of his past services and present difficulties, than to the attraction of the bill of fare that the Committee trusts for the support of the Public, whose generosity, in cases of this kind, has never been appealed to in vain.

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (12 October 1846), 2

http://nla.gov.au/nla.news-article12896704 

MR. SIMES'S FAREWELL BENEFIT. THIS EVENING, OCTOBER 12.
The entertainments will commence with Balfe's splendid Opera entitled, THE BOHEMIAN GIRL.
Count Arnheim, Mr. Lazar; Florestein, Mrs. Ximenes; Thaddeus, Mr. J. Howson; Devilshoof, Mr. F. Howson; Captain of the Guard, Mr. Arabin; Arline, Mrs. Guerin; Queen of the Gipsies, Mrs. Gibbs.
A Pas Seul, by Miss Kelk. Comic Song, "The Unfortunate Man," by Mr. Hambleton.
The whole to conclude with the popular farce, entitled LA POLKA!
Hector Petty pas, Mr. F. Howson; Jerimia Lamps, Mr. Hambleton; Aventurine, Mrs. ; Patty Lightfoot, Madame Torning.

ASSOCIATIONS: John Lazar (actor, vocalist); Ann Ximenes (actor, vocalist); John Howson (actor, vocalist); Frank Howson (actor, vocalist); Gustavus Arabin (actor); Theodosia Guerin (actor, vocalist); Eliza Gibbs (actor, vocalist); Miss Kelk (dancer); John Hambelton (actor, vocalist); Eliza Torning (actor)

"DIED", The Sydney Morning Herald (20 October 1846), 3

http://nla.gov.au/nla.news-article12901998 

At his residence, Pitt-street, on the 19th instant, much regretted by all who knew him, Mr. Thomas Simes, comedian, in the 43rd year of his age.

"DEATH", The Sentinel (22 October 1846), 3

http://nla.gov.au/nla.news-article226462566 

On the morning of the 19th instant, in Pitt-street, aged 43 years, after a protracted illness, Mr. Thomas Simes, many years a favourite commedian on the Sydney boards, universally regretted, and whose loss will be deeply felt by the admirers of the Drama.


Bibliography and resources:

Eric Irvin, Dictionary of the Australian theatre 1788-1914 (Sydney: Hale & Iremonger, 1985), 77, 260

"Thomas Simes (Hercules), Convict records

https://convictrecords.com.au/convicts/simes/thomas/81552 




SIMMONDS, James (James SIMMONDS; Mr. J. SIMMONDS; ? SIMMONS)

Actor, vocalist, comedian, manager, playwright, songwriter

Born England, c. 1828; son of ? SIMMONDS (? SIMMONS) and Hannah DAVIS
Arrived (1) Sydney, NSW, 16 August 1855 (per Fanny Major, from San Francisco)
Departed (1) Sydney, NSW, 9 May 1859 (per Achilles, for San Francisco)
Arrived (2) Sydney, NSW, 7 January 1862 (per Nimroud, from San Francisco, 10 November 1861)
Departed (2) Melbourne, VIC, 8 October 1868 (per Otago, for Dunedin, NZ)
Died Auckland, NZ, 17 October 1870

https://trove.nla.gov.au/search?l-publictag=James+Simmonds+d1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONDS-James (shareable link to this entry)


Summary:

James Simmonds (perhaps originally Simmons) was probably born in England around 1828, the second son of Hannah Davis and an unidentified father. His brother, Alexander, was reportedly 34 at his death in Bendigo in 1860 (born c. 1826), and his mother reportedly 60 at her death in Melbourne in 1870 (born c. 1810, and therefore no more than 16 at the time of her marriage).

In 1846 Simmonds's earliest identifiable lyric, Let us speak of a man as we find him, was set to music and sung by the tenor vocalist and song composer Nathan James Sporle (1812-1853), and published that year by Joseph Williams, of Cheapside, in London, though apparently at first without crediting the author, an omission rectified in later editions.

In late 1848 and early 1849 Simmonds was in Devon, in Teignmouth and Exeter, where he wrote several more lyrics published in Exeter press, and in 1850 The dear old times, as also set by Sporle, still in manuscript, was sung in London.

In 1850, Simmonds wrote original song lyrics for tenor vocalist Henry Phillips's entertainment Our village, loosely based around Mary Russell Mitford's work of the same name.

Sporle's setting of Simmonds's Think ere you speak was the earliest of his many songs published in the United States. He himself probably arrived on the east coast by 1851 or early 1852 at the latest. A set of "Six songs and ballads" by him, set to music by Robert Meyer, were published in St. Louis, Missouri, in 1852-53, including A welcome guest, and Cupid's advice. Several more songs set by various composers were published in New York in 1853 and 1854, notably including Nelly, I'll be true to thee, the surprisingly original and characterful melody of which is also attributed to him.

By late 1854, Simmonds was in San Francisco, where, for Anna Bishop, he produced a new English version of the operetta Les noces de Jeanette (by Halévy's pupil Victor Massé, not, as reported, by Halévy himself), as well as writing an original burlesque, The black swan, featuring Bishop in black-face singing introduced "negro melodies".

In June 1855, with fellow Bishop company member, the veteran London vocalist and actor Harriet Fiddes and her daughters, Simmonds joined the actor and dancer Lola Montez, actor Frank Folland, and musical director Charles Eigenschenck, sailing from San Francisco for Australia.

Australia (1855-59 and 1862-68):

Simmonds made his Sydney debut at the Royal Victoria Theatre on 27 August, as John Duck in the comic afterpiece, Planche's The Jacobite, with Josephine Fiddes as Patty Pottle. Between the pieces, he also sang, not one of his own lyrics, but a London medley, The life of a cadger, popularised in the late 1840s, and published in one of John Labern's songsters:

Tune: The Knife Grinder

I am a knowing cadger as ever tramp'd the town,
As ever cadg'd a penny, or yarnt a honest brown.
Vhile I'm travelling the Est, Sal's travelling in the Vest,
And out and out ve manages to father hour nest . . .

Shortly afterwards, Simmonds left Montez and Sydney, and in early December joined Clarance and Marie Holt's company for the summer season at the Theatre Royal, Geelong. There, from providing comic and vocal relief, by mid 1855 he had taken over as manager and lessee, roles he would similarly fill at many other theatres during his two Australian sojourns.

In Sydney, at the Royal Victoria in August 1857, he introduced his extravaganza The lady killer; or, The devil in Sydney, with music arranged by Anna Bishop's musical director, George Loder.

In Sydney in February 1858, Simmonds published his retrospective Lyrics: a collection of songs, ballads, and poems, a book that was reportedly already in the press 10 months earlier.

Meanwhile, he had evidently continued circulating his lyrics among contacts in America, for even before he himself returned to the United States in 1859, new musical settings of several of the lyrics had been published there, notably a second setting of the song Let us speak of a man as we find him by with music by John Rogers Thomas, and, as early as 1857, of the duet Not a ripple on the stream by that most notable musical former Sydneysider, William Vincent Wallace.

Another lyric, The world within and the world without was set in Australia in 1857 by Sidney Nelson, and reportedly sung by Anna Bishop. It was first published in Sydney by Jacob Richard Clarke in July 1857, and although no copy of that edition is known to survive, it survives as later reissued in an American edition.

In Sydney in October 1861, while Simmonds was still in America, the vocalist Henry Squires introduced, and Clarke again published, a local (and almost certainly pirate) edition of Thomas's setting of his lyric Some one to love.

The following month, Simmonds himself sailed from San Francisco for Sydney, arriving in January 1862 in company with the young American actor Joseph Jefferson.

Simmonds's last documented new song was Viva l'Australia, written for the minstrel vocalist Raffaele Abecco in April 1865, but neither the words nor the music were published.

Having left Australia finally in October 1868 for New Zealand, he died suddenly of apoplexy in Auckland in 1870, reportedly (and plausibly) aged 42.


Documentation:

"MR. SPORLE'S CONCERT", Morning Post [London] (11 March 1846), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18460311/020/0005 (PAYWALL)

The annual concert of Mr. Sporle took place last night, and, as usual, was fully attended. Mr. Sporle's claims on public notice are bifold. He is a vocalist of some pretension, and a composer of songs of that popular kind which "When we went a gipseying," his most widely appreciated performance, excellently specifies. Mr. Sporle introduced two new specimens of his talent for composition - "Marie's advice," and "Let us speak of a man as we find him." The former is illustrative of the old saw, "Look before you leap," the latter is instinct with sentiment that time has rendered somewhat musty, and Mr. Sporle's music does not altogether act as a renovator. The composer interpreted both his effusions, which were received with high favour . . .

ASSOCIATIONS: Nathan James Sporle (composer)

"New Music", Blackwood's lady's magazine and gazette (April 1846), 191

https://books.google.com.au/books?id=dD4FAAAAQAAJ&pg=PA191 (DIGITSED)

Let us Speak of a Man as we find Him. Williams, 123, Cheapside. -
A highly spirited song, which, from its character, can be sung with much effect by either male or female; particularly easy of execution, and lively in the air. M. Sporle has been very successful in the composition; and we trust it will meet with the extensive patronage it deserves.
Marie's Advice. Williams, 123, Cheapside . . .

ASSOCIATIONS: Joseph Williams (music publisher)

"HONEST PRIDE", Exeter Flying Post (19 October 1848), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000103/18481019/014/0006 (PAYWALL)

Listen ye tillers of the soil that gave our forefathers birth,
And I will tell you what I deem a poor man's pride on earth . . .
JAMES SIMMONDS. Teignmouth, October 17th, 1848.

"DO AS YOU'D BE DONE BY", Exeter Flying Post (15 February 1849), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000103/18490215/018/0006 (PAYWALL)

Let the cynic and scholar prate as long as they will,
About what may be right or wrong
When the contest is over they'll both differ still,
Regardless of all their ding dong.
Oh, what matter the creed, if the heart has its sway,
Tho' life's sign posts we heedless run by,
The great goal we shall reach, take what road we may,
If we but do - as we would be done by . . . [one more verse]
JAMES SIMMONDS. Exeter, Feb. 12, 1849.

[FOR THE FLYING POST] THE WANDERER'S LAMENT", Exeter Flying Post (1 March 1849), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000103/18490301/014/0006 (PAYWALL)

Oh where is my home I desponding I cry
As I roam from the east to the west . . .
- JAMES SIMMONDS. Exeter, February 19th, 1849.

"HEREFORD SOCIETY. ANNUAL DINNER IN LONDON", Hereford Times (1 June 1850), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000396/18500601/034/0008 (PAYWALL)

The annual dinner of the Herefordshire Society, for apprenticing children born in Herefordshire, or of Herefordshire parents, was held at the Freemason's Tavern, Great Queen-street, London, on Tuesday last . . . Several excellent glees and songs were given during the evening by the professional gentlemen, among the most admired of which were the glees "Brother Soldiers" from the opera of "Robin Good Fellow," Loder; and "The Dear Old Times," a MS. piece, the words by Mr. James Simmonds, music by Mr. N. J. Sporle, who presided at the piano-forte with great ability.

[Advertisement], Durham County Advertiser (18 October 1850), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000613/18501018/004/0001 (PAYWALL)

THEATRE, DURHAM. THURSDAY EVENING, OCTOBER 24.
MR. HENRY PHILLIPS will have the honour of producing his NEW MUSICAL ENTERTAINMENT or POEM,
entitled OUR VILLAGE; respectfully dedicated to his esteemed friend, Miss Mitford, on whose work of the above title it is founded.
The Poetry by James Simmonds . . .

ASSOCIATIONS: Henry Phillips (vocalist); Mary Russell Mitford (author); see also letter, from Mitford, 9 November 1850, to Mrs. Jennings; in The life of Mary Russell Mitford . . . related in a selection from her letters to her friends, volume 3 (London: R. Bentley, 1870), 222

https://books.google.com.au/books?id=T6MzAQAAMAAJ&pg=PA222 (DIGITISED)

. . . I hear it has pleased Henry Phillips, the bass singer, to make one of his pleasant musical entertainments out of my book - for the libretto is as much his as the music - and accordingly he is coming to sing and recite "Our Village," and I am going to hear him . . .

"THE PEN AND THE SWORD", Portsmouth Times and Naval Gazette (22 March 1851), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001365/18510322/055/0007 (PAYWALL)

The Pen and the Sword a council held,
O'er which old Time presided . . .
JAMES SIMMONDS.

United States (first stay, ? c. 1851-55):

"METROPOLITAN THEATRE", Daily Alta California [San Francisco] (27 October 1854), 2

https://cdnc.ucr.edu/?a=d&d=DAC18541027.2.14 

On account of the illness of Mrs. Judah, the comedy of the Handsome Husband was substituted for Queensbury Fete. After this Halevy's comic opera of Jeanette's Wedding, the words translated and adapted from the French by Mr. James Simmonds, a young actor and poet of this city, was presented for the first time in the United States, Madame Bishop and Mr. Leach singing the principal roles. It will be presented again this evening, with other entertainments.

ASSOCIATIONS: Anna Bishop (soprano vocalist); Stephen Leach (bass vocalist)

"METROPOLITAN THEATRE", Daily Alta California (26 November 1854), 2

https://cdnc.ucr.edu/?a=d&d=DAC18541126.2.10 

There was a perfectly jammed house for the benefit of Madame Anna Bishop last evening. Fra Diavalo was presented for the first time here, and more singularly and unfortunately cast than any opera we ever witnessed before. Madame Bishop herself appeared as Fra Diavolo - all well enough as a novelty, but very inappropriate and unnatural . . . Mr. Leach played Lord Allcash in most excellent style, Mrs. Fiddes Lady Allcash very well, and Laglaise Lorenzo. On the whole the opera passed off very dully, and will not bear repetition. The afterpiece, The Black Swan, a musical extravaganza, written by Mr. James Simmonds, possessed one novelty, Madame Anna Bishop appeared in negro character, and sang in very pleasing style several negro melodies. The main point in the piece was to show the prevailing penchant for performances of this description, in preference to the legitimate operatic music. Casta Diva, introduced in the piece, was excellently rendered by Madame Bishop, and loudly encored.

ASSOCIATIONS: Harriet Fiddes (vocalist); Jean-Baptiste Laglaise (vocalist)

"CALIFORNIA [FROM A CORRESPONDENT] San Francisco, June 6th, 1855", Empire [Sydney, NSW] (17 August 1855), 4

http://nla.gov.au/nla.news-article60168578 

The famous Lola Montez, and a tribe of theatricals will arrive in your city by the Fanny Major. They have done little or nothing in California. Lola has made some money by purchasing a share in a quartz claim at Grass Valley. She visits Australia in opposition to the advice of many of her best friends who have pointed out to her the difference in sentiment and feeling which exists between an English and American audience. It is an unwise step. Mr. Simmonds is a good comic and will please.

ASSOCIATIONS: Lola Montez (actor, dancer)

Australia (first stay, 1855-59):

"SHIPPING INTELLIGENCE. ARRIVALS", Empire (17 August 1855), 7

http://nla.gov.au/nla.news-article60168500 

August 16. - Fanny Major, American barque, 285 tons, Captain W. L. Hays, from San Franscisco June 6. Passengers - Madame Lola Montes, Mrs. H. Fiddes, Miss Fiddes (2) . . .
Messrs. J. Simmonds, Daniels, Napthali, Jones, Folland, Eigensshench . . .

ASSOCIATIONS: Frank Folland (actor); born Augustus Noel Follin, born 1827, died at sea, near Honolulu, 8 July 1856); Charles Eigenschenck (violinist, musical director)

[Advertisement], The Sydney Morning Herald (27 August 1855), 4

http://nla.gov.au/nla.news-article12973387 

ROYAL VICTORIA THEATRE. - THIS EVENING, Mr. JAMES SIMMONDS will make his first appearance in the Comic Drama of THE JACOBITE, and sing the mirth-moving song entitled The Life of a Cadger.

ASSOCIATIONS: Royal Victoria Theatre (Sydney)

[Advertisement], Geelong Advertiser and Intelligencer (21 December 1855), 3

http://nla.gov.au/nla.news-article91865068 

THEATRE ROYAL. BENEFIT OF MR. CLARANCE HOLT. On FRIDAY, Dec. 21,
The performances will commence with the celebrated French drama, in three nets, entitled,
DON CAESAR DE BAZAN, Or the Lone House of Aranguez.
After which Mr. Simmonds will sing the doleful, tearful, sorrowful, tragical, comical, allegorical, pastoral, serious, comic song, entitled
"The Love of Lord Lovell and Lady Nancy Bell;"
To be followed by Mr. Dale's pathetic legend, entitled "Villikins and his Dinah."
Concluding with Mr. Gordon's comic song (first time in the colonies), entitled "The Broken Down Coachman."
The performances to conclude with the Nautical Drama, entitled BLACK EYED SUSAN . . .

ASSOCIATIONS: Clarance and Marie Holt (actors, manager); Theatre Royal (Geelong)

"THEATRE", Geelong Advertiser and Intelligencer (2 January 1856), 2

http://nla.gov.au/nla.news-article91865597 

Last evening there was a grand programme for the Theatre Royal, and the crowded house augured well for Mr. Holt's happy "New Year" . . . Between the first and after pieces Mr. Simmonds sang, according to announcement, the "Humours and Miseries of a Pic-nic Party." We have often taken occasion to notice that comic singing would form an agreeable element in our theatrical amusements: and last night the house amply bore as out in this assertion, for not content with obliging Mr. Simmonds to sing another comic song after the "pic-nic," they kept up a continued roar and howl of encores and "Coo-e e-e-ys" until he was obliged to give them Lord Lovell as well; and then whilst Mr. Simmonds retired to dress for the farce, Mr. Holt introduced a gentleman with a guitar (whose name nobody appears to have caught, but which we shall be happy to publish approvingly when we know it) who sang three more songs, the last of them being a humorous description of the advantages to be derived from a residence in this delightful colony, which songs were also loudly applauded . . .

"THEATRE", Geelong Advertiser and Intelligencer (6 February 1856), 2

http://nla.gov.au/nla.news-article91864348 

The nature of the play of Jack Sheppard, and the manner of its performance the last two evenings, at the Theatre Royal, did not appear to justify any notice thereof in this paper. This evening, however, the programme is more legitimate, and promises a very attractive entertainment. Moreover, it is to be the benefit of Mrs. Clarance Holt, and is announced as her last appearance on the Geelong boards. The comedy of the "Honeymoon," and the nautical drama "Black Eyed Susan," are the pieces for representation . . . A musical entertainment is promised between the two plays, being songs by Mr. Troy Knight and Mr. Simmonds, and a solo on the violin by Mr. Peck.

ASSOCIATIONS: Troy Knight (vocalist, see also anonymous singer above); George Peck (violin, musical director)

"New Music", California Farmer and Journal of Useful Sciences [USA] (23 January 1857), 12

https://cdnc.ucr.edu/?a=d&d=CF18570123.2.26 

The following new pieces of Music have just been published by William Hall & Son, Broadway, New York . . .
Some one to Love - ballad, sung by Mr. Percival, at Buckley's Opera House; words by James Simmonds, music by J. R. Thomas . . .

ASSOCIATIONS: John Rogers Thomas (composer)

[Advertisement], The Sydney Morning Herald (26 May 1857), 1

http://nla.gov.au/nla.news-article12996139

IN THE PRESS, and will shortly be Published -
A Volume of Songs and Ballads - by James Simmonds, Comedian, author of "Let us Speak of a Man as we Find Him, &c., &c., &c.
NEW SONG.- Will be ready in a few days, entitled "The World Within and the World Without."
Poetry by James Simmonds, music by S. Nelson, sung by Madame Anna Bishop.

ASSOCIATIONS: Sidney Nelson (composer)

[Advertisement], The Sydney Morning Herald (13 June 1857), 8

http://nla.gov.au/nla.news-article12996978 

NOW PUBLISHING. Mr. Lavenu's beautiful ballad, "I cannot sing to-night," as sung by Madame Carandini;
also Mr. Simmons' popular song, "The World within and the World without" . . .
J. R. CLARKE, musicseller, printseller, bookseller, and publisher, 235, George-street, Sydney.

ASSOCIATIONS: Lewis Henry Lavenu (composer, theatre musician); Jacob Richard Clarke (music publisher)

[Advertisement], Empire (24 July 1857), 5

http://nla.gov.au/nla.news-article64983861 

NEW SONG. - Now Ready, and may be had of the Publisher, -
J. R. CLARKE, George-street, a new Song, entitled,
"THE WORLD WITHIN, AND THE WORLD WITHOUT," as sung by Madame ANNA BISHOP.
The Poetry by JAMES SIMMONDS, ESQ.; Music by S. NELSON. ESQ.

[Advertisement], The Sydney Morning Herald (8 August 1857), 1

http://nla.gov.au/nla.news-article12999075

ROYAL VICTORIA THEATRE. - MONTHLY SUBSCRIPTION TICKETS. -
JAMES SIMMONDS returns his sincere thanks to those friends and admirers of the Drama who are collecting subscribers to aid the above excellent plan . . . The tickets will commence on the 17th instant . . . this being the first night of the Dramatic Season . . . A first-rate company is engaged, which cannot be excelled in any Theatre in the colonies.
The first on the list is anew local Extravaganza, entitled
THE LADY KILLER, or THE DEVIL IN SYDNEY,
written by James Simmonds; music arranged by Mr. George Loder . . .
JAMES SIMMONDS. Lessee and Manager.

ASSOCIATIONS: George Loder (musical director)

"THE DRAMA. THE ROYAL VICTORIA", Bell's Life in Sydney (29 August 1857), 2

http://nla.gov.au/nla.news-article59867212

. . . A new Extravaganza from the pen of Mr. Simmonds, the lessee, was produced on Tuesday night, entitled, "The Lady Killer, or the Devil in Sydney," the music arranged by Mr. G. Loder. The principal characters are sustained by Madame Sara Flower, and Mr. Simmonds. The scenes in the piece are of course presumed to be in Sydney; the incidents in which are consequently localized, and the performance, such as it is, suited to the events of the day. Madame Sara Flower though not quite in her element, acted well her part, Simmonds being very amusing, exciting the risibility of the audience, by his grotesqueness and attitudes; when brought on the stage, dressed as a baby, his appearance was exceedingly droll . . .

ASSOCIATIONS: Sara Flower (actor, vocalist)

"ROYAL VICTORIA", The Sydney Morning Herald (29 August 1857), 8

http://nla.gov.au/nla.news-article12999952 

Long announcements of a new local production, heralded by a loud flourish of trumpets, drew a tolerably numerous house to witness the first representation of The Lady Killer, or The Devil in Sydney. The piece, minus its dialogue and regarded as a pantomime, would not be an absolute failure, insomuch as it is not devoid of business or action. It has several good scenic effects, and also has introduced the Grand Chorus from the 3rd act of Ernani, and the Il Segretto of Lucrezia Borgia. The pyrotechnic display at the end of the piece is likewise an important adjunct to modern pantomime. Tested as an extravaganza it is thoroughly meritless and void of interest and the class of stage composition to which this piece professes to belong is usually replete with satire, clever in puns - brilliant in humour and local in incident. Unlike any extravaganza we ever saw or read, it is written in the most commonplace prose. Its dialogue (barring the lack of wit) is such as London cabmen are wont to indulge in. In construction the Lady Killer is a jumble of malapropos scenes, situations, and characters. Mr. Simmonds, as a London Cockney, walked and talked as no London Cockney ever yet walked and talked and not contented with decently partaking of the viands of a hospitable board, he turns thief, and makes his hat the receptacle of his pilferings. Anon, we find this cockney dressed as a great baby, in which character the artiste performed to perfection. Should the Lady Killer be repeated, an avoidance of some of its coarse expressions would be an improvement. The majority of playgoers take no delight in foul language, nor do they find such in the sparkling productions of Planche, Talfourd, and Brough.

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (13 February 1858), 3

http://nla.gov.au/nla.news-article59868160 

Published this day, a Volume of Lyrics, by James Simmonds, Comedian, handsomely bound in cloth, price 3s.
To be had of the publisher, James Fryer, George-street, and all other Booksellers.

SYDNEY (FROM OUR OWN CORRESPONDENT)", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (20 February 1858), 2

http://nla.gov.au/nla.news-article201376132 

Both the Prince of Wales and Lyceum theatres are closed, and as a natural consequence the Victoria has been drawing good houses to witness "The Hibernian Father," a drama of more than ordinary merit, written in this colony for Nesbitt, and which has been well put upon the stage, and respectably acted. Simmonds's lyrical effusions are announced as published this day, but I have not yet seen them. Whether he is a poet or not, he certainly has got his head screwed on the right way, and has managed to make a theatre pay, which had been losing money for years past for his predecessors. The Sydney theatre-going public are neither sufficiently numerous nor sufficiently liberal to make the "star"-ing system pay; they want a vast deal of amusement for a very little money - in fact, "a pound of pickled pork and a barn-door fowl for a bob."

"Review", Bell's Life in Sydney (20 February 1858), 3

http://nla.gov.au/nla.news-article59868210

LYRICS (A COLLECTION OF SONGS, BALLADS, AND POEMS). BY JAMES SIMMONDS, Comedian.

The modest title of this unpretending little volume favorably disposed us to a perusal of its pages, nor was the task unpalatable or devoid of gratification. It contains not a few poetical gems; though amongst a miscellaneous collection of fugitive pieces, penned by the author during the leisure hours of several years, doubtless some imperfections are discoverable, which a more careful revision might have corrected. Taking them as a whole, and not being of a hypercritical disposition, we can honestly record a verdict of approval upon the "Lyrics", from which as a fair sample we have selected two, as giving an idea of the vein which pervades the whole. The heart has evidently prompted the brain in the composition of many very beautiful ballads, breathing sentiments which cannot but be admired; and, as we remarked in the brief notice in our last issue, the contents of the volume corresponding with its prepossessing exterior, it will form an elegant acquisition to the drawing-room or boudoir. We can only express a hope that the author's tribute to his friends in the colonies may be adequately appreciated, and thereby encouragement be afforded to the dormant genius of Young Australia to lay similar offerings upon the altar of the Muses.

Although Mr. SIMMONDS does not aspire to take rank amongst Australia's poets, being neither by birth, nor from any lengthened sojourn amongst us, eligible for such distinction, yet his selection of this colony for the re-publication of his literary offspring well entitles him to our acknowledgments for the compliment . . .

"ACROSTIC", Bell's Life in Sydney and Sporting Reviewer (27 February 1857), 3

http://nla.gov.au/nla.news-article59868252 

The following lines were suggested on hearing some individuals unfairly criticising Mr. James Simmonds' Lyrics:--

S ilence, ye fools, who would dispraise,
I n words and gestures grim,
M uch of the truth and sense of phrase
M odestly penned by him *
O n all occasions seek to laud
N oble traits of spirit;
D enounce all those who will not give
S ound truth its rightful merit.

J. C. R. February 20, 1858.
* Mr. J. Simmonds.

ASSOCIATIONS: The author perhaps the actor Joseph Rayner; probably not, in this instance, John Cragin Rainer, who was at the time in Victoria

"LYRICS, &c.", Northern Times [Newcastle, NSW] (3 March 1858), 2

http://nla.gov.au/nla.news-article128755915 

We have received a volume of Lyrics, by Mr. James Simmonds, comedian, lessee of the Victoria Theatre, Sydney. The volume contains many pieces of poetry which have been set to music in England and the United States, and we may mention as favourable specimens of Mr. Simmond's poetry "Be true to me when far away," "Let us speak of a man as we find him," and a pretty duet called "Day and Night." The book, which is dedicated to the author's brother, has received favourable notice, since its publication, and is not unworthy of commendation.

See also a much later "REVIEW", The Ballarat Star (11 January 1867), 2-3

http://nla.gov.au/nla.news-article112860661

[Advertisement], The Sydney Morning Herald (21 April 1859), 1

http://nla.gov.au/nla.news-article13024038 

ROYAL VICTORIA THEATRE - THIS EVENING, Thursday,
COMPLIMENTARY BENEFIT and LAST APPEARANCE of MR. JAMES SIMMONDS,
previous to his departure for the United States, being his first and only benefit during his two years management.
The performances will commence with the admired comedy by Meston, entitled ALL THAT GLITTERS IS NOT GOLD.
Toby Twinkle - Mr. James Simmonds . . .

United States (second stay, 1859-61):

"METROPOLITAN THEATER", Sacramento Daily Union [California, USA] (4 October 1859), 3

https://cdnc.ucr.edu/?a=d&d=CF18570123.2.25 

The extravaganza of "The Fair One with the Golden Locks" was presented last night, and was witnessed by a fair house. The Misses Nelson sung with more freedom and expression than on Saturday night, and were much applauded. Occasionally there were notes that would not detract from the reputation of the best singers who have been among us. We think they will gain on better acquaintance. James Simmonds, as an English low comedian, acts his part well. To-night the performance will be the fairy extravaganza of "The Invisible Prince," to be followed by the farce of the "Illustrious Stranger," and our citizens will do well to give a full attendance.

ASSOCIATIONS: Carry Nelson (actor, vocalist) and Sara Nelson (actor, vocalist), daughters of Sidney Nelson (composer)

"THEATRICALS", The Sydney Morning Herald (5 November 1859), 5

http://nla.gov.au/nla.news-article13032779 

By the California papers, received yesterday per the Carrie Lelland, we observe that Mr. James Simmonds, formerly lessee of the Victoria Theatre in this city, had become lessee and manager of Maguire's Opera House, San Francisco. He has produced, with very great success, a series of spectacular extravaganzas, in which two talented sisters Cary and Sara Nelson had made a most decided hit, being "nightly complimented by plaudits and bouquets." The Lyceum Theatre there was to be opened on the 15th of September, the directorship of the stage being solely entrusted to Mr. Andrew Torning.

ASSOCIATIONS: Andrew Torning (actor, manager)

"VESSELS IN HARBOUR", The Shipping Gazette and Sydney General Trade List (14 November 1859), 181

http://nla.gov.au/nla.news-article161170271 

The Achilles, Captain Hart, entered the Heads at 3.m. on Saturday, having been sixty days on the passage, including her detention at Honolulu. She sailed from Sail Francisco on the 12th September . . . Captain Hart had an excellent passage down to San Francisco, and on his arrival was presented with the following address by his passengers to that port: . . . Sir, - We, the undersigned cabin passengers from Sydney . . .
James Simmonds, Alfred Nelson, Andrew Torning . . . Mrs. Nelson, Mrs. Torning, Miss Carry Nelson, Miss Sarah Nelson, Miss Eliza Torning.

[Advertisement], Daily Alta California [San Francisco] (12 December 1859), 2

https://cdnc.ucr.edu/?a=d&d=DAC18591212.2.19.2 

MAGUIRE'S OPERA HOUSE . . . PROF. ANDERSON, THE Great Wizard of the North . . .
TUESDAY - DECEMBER 13th, FOR James Simmonds' Benefit . . .
PROFESSOR ANDERSON . . . will be supported by Miss Sarah Nelson, and a talented company . . .

"NEW MUSIC", Empire [Sydney, NSW] (17 October 1861), 5

http://nla.gov.au/nla.news-article60484828 

. . . A very graceful ballad, "Some one to love," by an American composer, and sung by the favourite tenor, Mr. Henry Squires, has been published by Mr. J. R. Clarke, of George-street, and is also deserving of especial notice. The words are pleasing, with some really poetical touches of thought, and are by Mr. James Simmonds, late of the Victoria Theatre. The melody (in G), which is extremely simple, prettily treated, and by no means extensive in range, is already known to many of our readers as having been sung by "Little Selina," of the Marsh Troupe, during their late visit to this city. This publication, is, as usual, in every way creditable to the establishment from which it emanates . . .

ASSOCIATIONS: Henry Squires (vocalist); Marsh Troupe (juvenile entertainers)

Australia (second stay, 1862-68):

"SHIPPING. ARRIVALS. JANUARY 7", The Sydney Morning Herald (8 January 1862), 4

http://nla.gov.au/nla.news-article13065150 

Nimroud, ship, 1200 tons, Captain Peterkin, from San Francisco 10th November. Passengers - Mr. J. Simmonds, Mrs. H Simmonds, Mr. J. Jefferson and son . . . G. A. Lloyd and Co., agents.

"THEATRICALS, &c. ROYAL VICTORIA", Bell's Life in Sydney and Sporting Chronicle (25 January 1862), 3

http://nla.gov.au/nla.news-article59790517 

. . . On Monday next the first appearance of the celebrated eccentric comedian, Mr. Joseph Jefferson (introduced by our old friend Mr. James Simmonds), is announced . . .

ASSOCIATIONS: Joseph Jefferson (American comedian)

[Advertisement], The Argus (18 April 1865), 8

http://nla.gov.au/nla.news-article5745643

ROYAL HAYMARKET THEATRE. SPECIAL NOTICE.
CHRISTY'S MINSTRELS. SIGNOR ABECCO Will sing on THURSDAY NEXT,
A NEW PATRIOTIC SONG, Entitled "VIVA AUSTRALIA."
Written by James Simmonds, Esq., Author of "Let us speak of a man as we find him," and other popular ballads . . .
Sole Lessee, Mr. Hoskins . . .

ASSOCIATIONS: Raffaele Abecco (vocalist); William Hoskins (manager)

"NEWS AND NOTES", The Ballarat Star (30 September 1865), 2

http://nla.gov.au/nla.news-article112879278

Lady Don's benefit, at the Theatre Royal, on Friday evening, was one in reality as well as in name, for the house was filled with one of the most brilliant audiences of the season. Lady Don achieved as on former occasions vocal triumphs in passages from Auber's "Le Domino Noir," and she was succeeded by Signor Abecco, who gave "Vive l'Australia," a new song composed by Mr. James Simmonds, of Melbourne, the author of the popular ballad "Let us Speak of a Man as we find him."

ASSOCIATIONS: Emily Don (actor, vocalist)

G. B. Barton, Literature in New South Wales (Sydney, 1866), 103

http://books.google.com.au/books?id=3KclAAAAMAAJ&pg=PA103

1858. - LYRICS: a Collection of Songs, Ballads, and Poems. By James Simmonds, Comedian. Sydney. 8vo., 114 pages.
The comic powers which characterised the actor do not appear to have influenced the poet, for there is no effort of a humourous character in his book. The lyrics are devoted to the expression of sentiment, and the expression is frequently good. Mr. Simmonds is also the author of an extravaganza entitled The Devil in Sydney, produced in 1859 [sic, 1857].

[Advertisement], The Ballarat Star (25 December 1866), 3

http://nla.gov.au/nla.news-article112860320

THEATRE ROYAL. Lessee and Manager - Mr. JAMES SIMMONDS.
BOXING NIGHT . . . SIGNOR ABECCO . . . will sing a new patriotic song (written by Mr. James Simmonds), entitled
VIVA AUSTRALIA; And a favorite Harp Solo . . .

"SHIPPING INTELLIGENCE . . . CLEARED OUT. - OCT. 8", The Argus [Melbourne, VIC] (10 October 1868), 4

http://nla.gov.au/nla.news-article5829469 

Otago, s.S., 457 tons, W. J. O. Symons, R.N.R., for Bluff Harbour, Dunedin, and other New Zealand ports. Passengers - cabin . . . Mr. James Simmonds . . .

New Zealand (1868-70):

[News], Otago Daily Times [Dunedin, NZ] (19 December 1868), 2

https://paperspast.natlib.govt.nz/newspapers/ODT18681219.2.11 

To-night Mr. John Black, the Scotch comedian and vocalist, and Mr. James Simmonds, the comedian, will make their first appearance at the Princess Theatre . . .

ASSOCIATIONS: John Reddie Black (vocalist)

"DEATHS", The Argus (18 March 1870), 4

http://nla.gov.au/nla.news-article5815357 

SIMMNODS [sic]. - On the 16th inst., at her residence, Fitzroy-street, St. Kilda, of heart disease, Mrs. Hannah Simmonds, the beloved mother of Mr. James Simmonds, of New Zealand, late of Melbourne, aged 60 years.

"DISASTROUS STATE OF THEATRICALS IN NEW ZEALAND", The Herald [Melbourne, VIC] (24 September 1870), 2

http://nla.gov.au/nla.news-article244722934 

The following letter, dated Auckland, 11th September last, is from a gentleman at present in that city, and one whose veracity can be strictly relied on: -
. . . Mrs. Harry Jackson is here, and also James Simmonds, flat broke and miserable. Joe Rayner sailed a short time back for Honolulu . . .

"THEATRICAL EXODUS FROM NEW ZEALAND TO CALIFORNIA", The Herald [Melbourne, VIC] (24 March 1870), 2

http://nla.gov.au/nla.news-article244909037 

Mr. James Simmonds, accompanied by Mr. Joseph Rayner, Mr. and Mrs. J. C. Joyce, Mr. and Mrs. Sam. Howard, and Mrs. Harry Jackson have lately closed a satisfactory season at Nelson, and on Monday last, the 21st inst., were to open at the Duke of Edinburgh Theatre, Hokitika, thence back to Nelson for six nights, then to proceed to Auckland for a short season, at the conclusion of which they will depart by the new line of steamers for San Francisco.

ASSOCIATIONS: Emma Jackson (actor); Sam Howard (actor)

"SUDDEN DEATH", Daily Southern Cross [Auckland, NZ] (18 October 1870), 2

https://paperspast.natlib.govt.nz/newspapers/DSC18701018.2.11 

Mr. James Simmonds, the comedian, died very suddenly yesterday under the following circumstances: - He had been on the wharf in the forenoon, but returned to the Temperance Hotel, Hobson-street, to his dinner about half-past one o'clock. He partook of dinner rather heartily, and afterwards lay down on the sofa. When he had lain there about a quarter of an hour he tumbled off, and one of the lodgers lifted him up, and observed that his left side was quite powerless. Mr. Simmonds attributed the cause of his illness to the sun while on the wharf. This was about 3 o'clock. Dr. Marshall was sent for, and at once saw there was no likelihood of a recovery. About half-past eight he expired of apoplexy, having been apparently unconscious for some time before his death. He was well known at the Prince of Wales Theatre for his inimitable mimicry on the stage. He has followed the theatrical profession for many years, being we understand at one time the lessee of theatres in Ballarat, in Melbourne, and also in Sydney. He was well known in San Francisco, where he was intending to return with the next steamer to Honolulu. An inquest will be held on his remains to-day.

"TELEGRAPHIC DESPATCHES", The Argus (24 October 1870), 6

http://nla.gov.au/nla.news-article5836706

James Simmonds, comedian, late lessee of the Prince of Wales Opera-house, Sydney, died at Auckland suddenly from apoplexy on the evening of the 17th September.

[News], The Ballarat Star (25 October 1870), 4

http://nla.gov.au/nla.news-article218799499 

James Simmonds, manager, actor, and poet, we learn by telegraph, died at Auckland, aged 38, on the 18th instant.
"Whatever may have been his faults (writes the Age), his death will be keenly felt by many who knew his natural kindness of heart and geniality of disposition. This last quality indeed was the rock on which, like many more of his calling, he wrecked a life which at one time was full of promise. The deceased for years was engaged as writer by some of the leading London firms, and the poems published by him were, in many instances, set to music, and had immense sales. The most successful, perhaps, was his song, "Speak of a Man as You Find Him." Mr. Simmonds took to the stage at a very early age, and after a season at a first-class London theatre as second low comedian, emigrated to the States. There he took a leading position at the Bowery. His speciality was farce acting, and when he could quell a tendency to exaggeration in this class of piece he was really amusing. It will be remembered that he introduced Mr. Jefferson to Melbourne, having previously acted as his agent in the States and California. In San Francisco and New York he edited musical journals of standing, and at one time was in receipt of as much as £5OO a year for the American copyright of his songs. His disasters in Victoria are common to the public, and his career in New Zealand was not followed by more success. The credit must be given him of having been instrumental in raising the tone of the drama in this city, the company engaged by him at the Princess' having been one of the best ever seen in the colony."

"THE DRAMA", Leader [Melbourne, VIC] (29 October 1870), 18

http://nla.gov.au/nla.news-article196690534 

Unexpected news comes from New Zealand. Mr. James Simmonds, who in his turn has been manager of all the theatres in Australasia, and almost all of those in New Zealand, died at Auckland on the 18th inst. Of the particulars of his death we have none to hand; except that it was caused by apoplexy. As in these columns I have had occasion to write very bitterly about Mr. Simmonds aforetime, what I have now to say will be taken as no fulsome outburst of the admirer of a dead man. Indeed, of his managerial capacity, except when he was in the very flush of success at the Princess Theatre, I never had a high opinion. I know that he fought bravely against difficulties (often with other people's money it is true), and that when fairly beaten from the field, he retired to another colony, there to win for himself, as he thought, a new position and a new start in life. His great idea was to revisit the States, and there to engage a star that he always said would be a better draw here than Jefferson was.

He was at the time of his death about thirty-eight years of age, and his career was one of a most remarkable character. At one time he was in possession of thousands, at another he hardly knew where to find a cover for his head. He commenced at seventeen as a contributor to the London Journal, when his literary ability soon acquired for him what he thought the munificent salary of £2 a week. Some songs he published, with his name attached, in that journal, drew the attention of the London music publishers, and he was engaged by the largest firm in the city at a salary of £350 per annum solely to write for them. In this capacity he remained for some three years, and during this time, having many leisure hours on his hands, he became enamored of theatrical pursuits, appearing first as an amateur in, strange to say, the farce of The Thumping Legacy. In this very farce he appeared before H.R.H. the Duke of Edinburgh in Dunedin, and with so much success that he ordered the farce to be repeated twice on his command nights. It was not as a general actor, however, that Mr. Simmonds excelled. His speciality was poetry, but his misfortune was that he was not aware of it. He has, to my own certain knowledge, left behind him volumes of unpublished poetry, any poem of which is worthy of a better fate than to be lost in the wilds of New Zealand.

The worst trait in his character was, that as his poetic faculties became more developed, he gradually sank into the lethargy of despair. He had buffeted with the world so long that when I last saw him, and that was within the year, he had come to look on the world as a mere bagatelle in which every man played a more or less unworthy part. He had no Faith and but one Hope. That Hope was his mother. She died, as we know, a few months ago at St. Kilda, and her death to him must have been the draining of a bitter cup. With high ambitions, noble impulses, and pure promptings, he had come, by the indulgence of a naturally luxurious temperament, to regard his own life with some degree of indifference before the news of his mother's death reached him. What effect the news of that death may have had on him I cannot imagine. I know only that he was fondly - almost madly - devotedly, attached to her, and that when struggling with the most bitter adversity, his first thought was of her and of how how he should supply her wants. Let this be said in his favor, and let none judge harshly of his memory. A man of many faults, he was also a man of many virtues. Witness his open-hearted generosity and his ever-ready response to the call of charity. That he was foolishly and easily led was not so much his fault as his misfortune. And, whatever may be written against him in their debtor and creditor accounts by the members of the theatrical profession, I can answer that there is not one of them who will fail to have a kindly memory of James Simmonds. -
AUTOLYCUS.

"STAGE RECOLLECTIONS . . . By C. W.", Evening News (1 August 1908), 4

http://nla.gov.au/nla.news-article114749325

. . . It was then my fortune to be introduced to Mr. James Simmonds, of East Melbourne, virtual proprietor of the new Princess Theatre, who was bringing Joseph Jefferson to Australia. He lived with his mother in a charming villa in that exclusive quarter, where I remember two delightful evenings. He was known amongst his friends as a poet. Some poems he had composed attracted favorable notice in the Press, and subsequently a small volume was published . . .

"MUMMER MEMOIRS", Sydney Sportsman (23 March 1910), 3

http://nla.gov.au/nla.news-article166757692 

Thus Mr. M. J. Conlon: - "Dear Hayseed . . .
I am afraid "Jimmy" Simmonds could not be classed amongst pecuniarily successful managers of his time. I knew him intimately when he was lessee of the Haymarket Melbourne, a most unlucky house, not merely for the builder, Coppin, but for every lessee who was venturesome enough to take a lease . . .

ASSOCIATIONS: Michael Joseph Conlon (memorist); Joseph Michael Forde ("Hayseed")


Published works (selected):

Nelly, I'll be true to thee, words & melody by James Simmonds, arranged by S. Ehrlich; to Miss Mary Foster, of Athens, N.Y. (New York: Horace Waters, [1853])

https://catalog.hathitrust.org/Record/101781966 (DIGITISED)

Lyrics, a collection of songs, ballads, and poems, by James Simmonds (Comedian) (Sydney: James Fryer, 1858)

http://books.google.com.au/books?id=rpA6AQAAMAAJ (DIGITISED)

The world within and the would without [original edition] ([Sydney: J. R. Clarke, 1857])

NO COPY IDENTIFIED, but see US edition below

The world within and the world without . . . written by James Simmonds, composed by S. Nelson (New York: Wm. Hall & Son, [1860])

https://catalog.hathitrust.org/Record/101768282 (DIGITISED)

Not a ripple on the stream, duet written by James Simmonds, composed by Wm. Vincent Wallace (Boston: Oliver Ditson, [1858])

https://catalog.hathitrust.org/Record/101760904 (DIGITISED)

Some one to love, ballad, words by James Simmonds; music by J. R. Thomas; sung by Mr. Henry Squires (Sydney: J. R. Clarke, [1861])

https://trove.nla.gov.au/work/6238515

https://nla.gov.au/nla.obj-164960694 (DIGITISED)

At Hathi Trust are digitised 24 US editions of sheet music titles with lyrics by Simmonds, and a copy of the Sydney collection Lyrics:

https://catalog.hathitrust.org/Search/Home?lookfor=James+Simmonds 

At the Library of Congress are digitised 27 US editions of sheet music titles with lyrics by Simmonds:

https://www.loc.gov/search/?fa=contributor:simmonds,+james&sp=1


Other sources:

William Henry Stephens, MS journal, "My diary from Sydney" (1 May 1858 to 6 June 1859); University of California Library, Los Angeles, Special Collections, MSS 170/11)

https://oac.cdlib.org/findaid/ark:/13030/kt738nc9r4/dsc 

https://oac.cdlib.org/findaid/ark:/13030/kt738nc9r4/entire_text/ 

Fellow actor and manager William Henry Stephens here gave an account of the decline of drama in Sydney, which he blamed on Simmonds.


Bibliography and resources:

William Winter, Life and art of Joseph Jefferson (New York: Macmillan, 1894), 172

https://archive.org/stream/lifeartofjosephj00win#page/172/mode/2up

. . . Mr. James Simmonds was well known as an actor and a manager. At one time he managed the Eagle theatre, in Sudbury street, Boston, Mass.. He was the author of several songs, one of which, entitled Speak of a Man as You find Him, has enjoyed much popularity . . .

Mimi Colligan, "Theatre in the Neild Scrapbooks", La Trobe Library Journal 83 (May 2009)

http://latrobejournal.slv.vic.gov.au/latrobejournal/issue/latrobe-83/t1-g-t12.html (DIGITISED)

. . . Neild describes James Simmonds, who at the time, February 1863, was manager of the Haymarket Theatre as a "low Jew who was for a time a theatrical man in Melbourne. He died poor and miserably in New Zealand" . . .




SIMMONS, Isaac (Isaac SIMMONS)

Merchant, auctioneer, importer and sellers of pianos

Born London, England, c. 1805; son of Nathan SIMMONS (SIMONS) and Sarah FRANKIL
Married Matilda BARNET (d. 1867), England, by c. 1830
Arrived (1) Sydney, NSW, by November 1831
Departed (1) Sydney, NSW, 6 September 1846 (per Slains Castle, for London)
Arrived (2) Sydney, NSW, 7 October 1851 (per Resolute, from the Downs and Plymouth, 21 and 27 June)
Died at sea, 16 April 1872, aged "67"

https://trove.nla.gov.au/search?l-publictag=Isaac+Simmons+c1805-1872 (TROVE tagged by Australharmony)

https://peopleaustralia.anu.edu.au/biography/simmons-isaac-20269 (People Australia)

http://oa.anu.edu.au/obituary/simmons-isaac-20269 (Obituaries Australia)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONS-Isaac (shareable link to this entry)

ASSOCIATIONS: James Simmons (elder brother); Joseph Simmons (younger brother)

SIMMONS, Julia (Julia SIMMONS; in England Julia SYDNEY; Mrs. William Morgan ORR)

Musician, soprano vocalist, pianist, teacher of singing, composer

Born Sydney, NSW, 1839; daughter of Isaac SIMMONS and Matilda BARNET
Departed Sydney, NSW, 6 September 1846 (per Slains Castle, for London)
Arrived Sydney, NSW, 1861
Departed Sydney, NSW, April 1868 (for England)
Arrived Sydney, NSW, by April 1882
Married William Morgan ORR (1842-1911), Sydney, NSW, 24 January 1884
Died Paddington, NSW, 16 October 1909

https://trove.nla.gov.au/search?l-publictag=Julia+Simmons+Orr+1839-1909 (TROVE tagged by Australharmony)

https://peopleaustralia.anu.edu.au/biography/orr-julia-23006 (People Australia)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONS-Julia (shareable link to this entry)


SIMMONS, Laurence (Laurence SIMMONS)

Vocalist

Born London, England, 1851; son of Isaac SIMMONS and Matilda BARNET
Active Sydney, NSW, by 1870

https://trove.nla.gov.au/search?l-publictag=Laurence+Simmons+b1851 (TROVE tagged by Australharmony)


Summary:

Julia Simmons was born in Sydney in 1839, the daughter of the merchant and auctioneer Isaac Simmons (d. 1872) and his wife Matilda Barnet (d. 1867), and niece of the actor Joseph Simmons.

She first went to London with her family in 1846, and probably returned with them to Sydney in 1851. If so, however, she was back in London in the late 1850s, as a pupil of Luigi Arditi.

In February 1861, having only recently returned to Sydney, she first appeared as a "lady amateur" for the Sydney Philharmonic Society. She gave her own first concert on 16 August 1861.

In November 1861, Lewis Moss published her composition The ladies polka, and in 1863 J. R. Clarke published her ballad Lily Lee.

She spent the 1870s in London, appearing there as "Julia Sydney".


Documentation:

[Advertisement], The Sydney Gazette and New South Wales Advertiser (12 November 1831), 4

http://nla.gov.au/nla.news-article2203506 

SALE OF GOODS. Unprecedented Low Prices. NOW SELLING at Isaac Simmons', No. 60, George-street, next to Polack's London Tavern . . .

[News], The Sydney Gazette and New South Wales Advertiser (22 April 1837), 2

http://nla.gov.au/nla.news-article2210551 

Pianofortes are becoming very plentiful in Sydney, so that the old complaint of not being able to obtain one of these instruments is completely obviated. There is an extensive assortment both at Messrs. Isaac Simmons and Co.'s, Mr. Ellard's, and Mr. Tyrer's.

ASSOCIATIONS: Francis Ellard (musical instrument seller); William Henry Tyrer (musical instrument seller)

"DEPARTURES", The Shipping Gazette and Sydney General Trade List (12 September 1846), 258

http://nla.gov.au/nla.news-article161165756 

September 6. - Slains Castle , barque, 504 tons, Captain Dawson, for London: Passengers - Mr. and Mrs. Isaac Simmons, six sons and two daughters [sic] . . .

England census, 30 March 1851, St. Marylebone, Middlesex; UK National Archives, HO 107 / 1481

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1491_1491-0957 (PAYWALL)

32 St. John's Wood Road / Isaac Simmons / Head / Mar. / 46 / Gold Merchant / [born] Midd'x Marylebone
Matilda [Simmons] / Wife / Mar. / 40 / - / [born] Midd'x Marylebone
Sarah / 20 / Daur. / - [born] Midd'x Marylebone
Barnett / 16 / Son / - [born] Sydney N. S. Wales
Fanny / 14 / Daur. / - [born] [Sydney N. S. Wales]
Julia / 11 / Daur. / - [born] [Sydney N. S. Wales]
Joseph / 6 // Samuel / 4 / - [both born Sydney N. S. Wales]
Nathan / 3 // Henry / 1 // Laurence / 2 months / [both born] Middlesex Marylebone

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald (8 October 1851), 2

http://nla.gov.au/nla.news-article12931055 

OCTOBER 7. - Resolute, ship, 639 tons, Captain Lewis, from the Downs the 21st and Plymouth the 27th June. Passengers Mr. and Mrs. Isaac Simmons, family and servant . . .

"MUSICAL", Empire (4 February 1861), 5

http://nla.gov.au/nla.news-article60493443 

. . . The Philharmonic Society will give its next concert on the 13th current, and we hear that an attraction greater than usual will be afforded to the subscribers. Madame Carandini was to have sung, but bas been prevented by the postponement of the concert, and her departure from the colony; but we believe that a lady amateur vocalist will appear at this concert for the first time in public, of whose brilliant vocal powers report speaks in terms that sound like hero-worship . . .

ASSOCIATIONS: Maria Carandini (vocalist); Sydney Philharmonic Society (organisation)

"MUSICAL", Empire (11 February 1861), 5

http://nla.gov.au/nla.news-article60490418 

The programme of the Philharmonic Society for their concert to-morrow evening, the fourth of the season, presents many features of interest . . . But that portion that will most attract attention, is the first appearance in Sydney of a young lady amateur, lately from England, a pupil of Signor Arditi, conductor at her Majesty's Theatre. Report, with trumpet tongue, proclaims this lady to be a cantatrice far above the general race of artists, whilst amateurs are said to be cast by her completely in the shade. We are to expect a rich soprano voice, with much expression, and great powers of execution. The pieces she has chosen for her debut are a cavatina, by Signor Arditi, "Reminiscences in homage of Angiolina Bosio" (the renowned soprano, lately deceased); and Meyerbeer's aria - a trial for all vocalists - "Robert toi que j'aime" . . .

ASSOCIATIONS: Luigi Arditi (vocalist, teacher, composer); Angiolina Bosio (vocalist)

"MUSICAL", Empire (13 February 1861), 5

http://nla.gov.au/nla.news-article60495750 

NOTWITHSTANDING every desire to do fall justice to the Concert of the Philharmonic Society, held at the Exchange last evening, the press of matter for to-day's publication prevents us entering minutely into the analysis of the performance of each piece; a passing remark, therefore, must not, by its brevity, be considered as indicating severity, there being but little space for mingling qualifying with general remarks. The concert room was crowded in every available space, many, no doubt, attracted hither to listen to the young Australian debutante . . . With regard to the vocal attraction of the evening, there can be but one opinion, and we may best express it by saying that if an operatic manager could procure such a vocalist here, he might thank fortune. If Signor Arditi is to be the credited for having schooled this lady amateur, the greatest praise is due to him. It is the school of the vocalist that we admire more than the voice itself; and it includes the very excellent feature (though apparently harsh at first) of attacking the distances [sic] at once, without the use of the legato or portamento. There is a delicacy of execution that shows talent as well as tuition, and the ornamentation is not too elaborate, though from an occasional slur, we do not think the young lady equal to the execution of rapid ornamental passages. The voice itself is not powerful, and is even occasionally impure; but it must be considered a true soprano, B flat being taken with ease; and indeed the register seems to be entirely in the upper notes. In each of her pieces the lady was encored; the first time accepting, the second time bowing her acknowledgments. Her reception was most flattering, and certainly it is a matter of congratulation to possess in our midst a vocalist so skilled, though only an amateur. Having exceeded our limits, we shall recur at a future opportunity to the execution of the three pieces executed. It is due to the committee to state, in conclusion, that they exhibited courtesy to our cricketing guests, by according them the entree; several were present. - ORPHEUS.

"MUSIC AND DRAMA", Sydney Mail (23 February 1861), 4

http://nla.gov.au/nla.news-article166693467 

. . . But the chief feature of the evening's entertainment was the debut in Sydney of a young lady amateur, a native, we believe, of this colony, who has recently returned from Europe, where she has enjoyed, and undoubtedly profited, by the tuition of some of the best masters. The fair debutante's voice is pure soprano, of very fine quality, and brought into a high state of cultivation; her modulation is excellent, and her higher notes are sustained brilliantly and with confident strength. The first of the cavatinas with which she favoured the audience was a very florid composition by Signor Arditi, an extremely difficult and trying piece for mediocre vocalists; it was, however, performed with a fluency and ease, which imparted additional attraction to the exquisite "Reminiscenze Melodichi." The young lady's second performance was the well known and ever, admired cavatina, "Roberto, Oh tu che Adoro!" and, it is no flattery to say that full justice was done to it. Indeed, competent judges of music were heard to remark that the piece could not have been better sung by any lady in Sydney. The audience testified in an unmistakeable manner their high opinion of the young lady's performance, demanding an encore, which was obligingly granted. The concert was altogether one of the most successful that the society has given.

"MUSICAL", Empire (25 February 1861), 4

http://nla.gov.au/nla.news-article60492710 

BREVITY having necessarily characterised our notice of the last Philharmonic concert, we are desirous of adding a few remarks in accordance with the then expressed intention. And first, with regard to the young lady amateur - a native, with European cultivation, who has for some weeks since been the theme for conversation in musical circles. We certainly hope to hear her again in public, in order that many may have the opportunity of adding their plaudits to the great enthusiasm of her reception in private circles. Two distinct opinions must be given with regard to the effect produced - one respecting the voice, the other in reference to the school and style of vocalisation: the one decidedly good, the other as decidedly indifferent. To begin with the latter as the most disagreeable duty; and in the first place the young debutante laboured under a great and self-imposed disadvantage, that of playing her own accompaniments. Independent of the accompaniment itself, which was as erroneous as possible (especially in the "Roberto" cavatina), keys being changed, and other faults ad libitum, the measure was ill-judged, and admits of only three constructions - an attempt to display musical ability in playing not warranted by the result - a desire to conceal defects in vocalisation evidently not necessary - or want of faith in the powers of the accompanyist, without, perhaps, a rehearsal; this, in the case of Charles Packer, who occupied the post, would be simply ridiculous. The position of the head in having to sing sideways from the instrument was alone sufficient materially to check the free egress of the sound, and no doubt to this alone may be attributed the occasional decided impurity of intonation. It is a thing that should never be done in public, except, perhaps, by a gentleman singing comic songs. The voice of the lady is neither powerful nor of good quality; it fails in timbre or metallic resonance; there is an unpleasant striking of the tone against the palate, causing an occasional nasal sound in the upper notes, and the execution of ornamented passages exhibits a slur, instead of touching each note separately with the voice.

Audi alteram partem. In respect to school and style, no fault is to be noted: everything is comme il faut, - the entire performance shows the finished and skilled vocalist; evident natural talent aided by the best tuition in the best modern school. The numbers of first-class masters in London (amongst whom signor Arditi, conductor at her Majesty's Theatre, may undoubtedly take the highest rank), has greatly improved the executive powers of English amateurs; hence, in many drawing-rooms, amateurs are now to be found whose powers many professionals may envy. The rarity of this species of talent in Australia, causes any possessor thereof to appear as a star of the greatest magnitude, and of this species the young lady in question is one. The first piece she sang was a very meaningless potpourri arranged by Arditi, - a number of airs from various operas in which Signora Bosio was celebrated; the principal were from "La Traviata" (the "Dell Universo," and "Gran Dio! Morir si Giovane,") and others of Verdi, terminating with the "Last Rose of Summer," as sung in Flotow's "Martha." Being encored, she gave a Waltz-song, also, we believe, composed by Arditi. In the second part the debutante sang Meyerbeer's grand Cavatina, "Robert toi que j'aime," the trial-aria for all vocalists. Without great (and we may even say sufficient) power in the crescendo movements, - especially in the concluding grand burst of song, - the aria was sung with the greatest taste and expression, the high notes being taken with decision and purity; we may, therefore, finally decide the voice to be a true soprano, lacking the intensity and power, natural to that quality of organ. As an improvement in modern vocalisation we may mention the attacking the intervals directly, without that gliding that has become nauseous . . . - ORPHEUS.

ASSOCIATIONS: Charles Sandys Packer (accompanist)

"THE SYDNEY PHILHARMONIC SOCIETY", Empire (27 July 1861), 4

http://nla.gov.au/nla.news-article60485724 

THE seventh annual meeting of this society was held at Mr. Aldis's, 376, George-street, last evening. Mr. Ebsworth occupied the chair. Mr. McDonnell read the following report: . . . "The committee consider the thanks of the society are due to Mrs. Bentley, Miss Simmons, Miss Brady, Madame Sara Flower, Mrs. Cordner, Mrs. Bridson . . . for the kind assistance severally rendered by them to the society . . .

ASSOCIATIONS: William Henry Aldis (member); William Macdonnell (member); Julia Bentley (pianist); Mary Anne Brady (vocalist); Sara Flower (vocalist); Ellen Cordner (vcalist); Sarah Bridson (vocalist)

[Advertisement], The Sydney Morning Herald (5 August 1861), 1

http://nla.gov.au/nla.news-article28624605

PRELIMINARY ANNOUNCEMENT. - GRAND EVENING CONCERT,
under the patronage of the Officers of H. M. 12th Regiment. -
Miss JULIA SIMMONS has the honour to announce that she intends giving her first Concert on THURSDAY EVENING, the 16th August, at the Masonic Hall, York-street. Full particulars and programme will appear in a few days.

"MASONIC HALL", Freeman's Journal (14 August 1861), 3

http://nla.gov.au/nla.news-article115762341 

A grand concert will be given by Miss Julia Simmons, at the Masonic Hall, on Thursday evening, assisted by Madame Sara Flower, Mr. F. Ellard, Mr. T. H. Brooks, Master Anderson, and the band of the 12th Regiment. The concert will be under the able directorship of Mr. Douglas Callen, who will also accompany on the occasion. Miss Simmons, although she has only appeared once in public (at the Philharmonic some months ago) since her return to the colony, at once established her fame as a soprano of excellent quality. During her residence in England, she had the benefit of the able instruction of Signor Arditi, the conductor of the opera at her Majesty's Theatre, one of the most celebrated masters in Europe; and the skill she has attained in vocalization shows how well she has profited by his lessons . . . We have no doubt that the public will show their appreciation of native talent of a high order by patronising Miss Simmons' very excellent concert to-morrow evening.

ASSOCIATIONS: Frederick Ellard (vocalist, pianist); Thomas H. Brooks (harpist); Alfred Anderson (pianist); Douglas Callen (accompanist), master of the Band of the 12th Regiment (military)

[Advertisement], The Sydney Morning Herald (15 August 1861), 1

http://nla.gov.au/nla.news-article13065554 

MASONIC HALL.- The magnificent BAND of H.M. 12th Regiment will appear, and perform several admired selections,
THIS EVENING, at Miss Julia Simmons' Concert.
PROGRAMME:
PART I.
Overture - "Zampa," (Herold) - Band 12th Regiment
Cavatine - Se m'abbondoni (Mercadante) - Madam Sara Flower
Solo, harp - Irish airs, varied, (T. H. Brooks) - Mr. T. H. Brooks.
Scena - Anch' io dischiuso un giorno, from "Nino" (Verdi) - Miss Julia Simmons
Grand fantasia - "Maritana" (Wallace), by particular desire - Master Alfred Anderson
Grand duett - Che veggio, "Lucrezia Borgia" (Donizetti) Miss Julia Simmons and Mr. F. Ellard.
PART II.
Selections - "Semiramide" (Rossini) - Band 12th Regiment
Grand duett - Trema, O vil (Arditi) - Miss Julia Simmons and Madam Sara Flower
Barcarola - La Reve de Loredan "Haydn" [sic, Haidee] (Auber) - Mr. F. Ellard
Grand duett for two pianofortes - L'Etoile du Nord (Osborne) - Master Alfred Anderson and Mr. F. Ellard
Cavatina - Egli amore mi chiedea (Campana) - Miss Julia Simmonds
Solo, harp - "Polonaise" (T. H. Brooks) - Mr. T. H. Brooks
Song - The Bellringer, by desire (Wallace) - Madam Sara Flower
Finale - God save the Queen.
Conductor - Mr. Douglas Callen.
Tickets, 5s. each. No reserved seats. To be had at the principal musicsellers.
Doors open at half-past 7 o'clock, commence at 8 o'clock.
Entrance from York-street.

MUSIC: Egli amore mi chiedea (Fabio Campana, from Almina)

"MISS SIMMONS' CONCERT AT THE MASONIC HALL", The Sydney Morning Herald (16 August 1861), 5

http://nla.gov.au/nla.news-article13063461 

Yesterday evening, Miss Julia Simmons' concert came off at the Masonic Hall, under the patronage of the Officers of her Majesty's XII. Regiment, with much eclat. There was a numerous and highly respectable audience in attendance, amongst whom were a large proportion of ladies. Besides the fair cantatrice who gave the concert, Mr. F. Ellard, Mr. T. H. Brooks, and Master A. Anderson assisted on the occasion, the conductor being Mr. G. D. Callen. It was a matter of deep regret to many to find that Madame Sara Flower was unable to take any part in the programme - that lady being seriously indisposed. The effect of this disappointment was to throw the main burden of the concert upon Miss Simmons, and well did she acquit herself of the additional labour thus imposed upon her. She was, on her first appearance, very enthusiastically applauded, and whatever she sung was repeatedly encored . . . After a splendid reception Miss Simmons delivered, with great success, Verdi's well-known scena, "Anch'io dischiuso il giorno," from Nino, in place of a song by Madame Sara Flower . . . "Il bacio," by Arditi, was the fourth item of the programme . . . Donizetti's grand duet, sung by Miss Simmons and Mr. F. Ellard, forming the termination of the First part. In the second part the "Robert toi que j'aime" of Miss Simmons was exquisitely rendered, and so rapturously applauded that the lady was compelled to a repetition before the programme could be proceeded with . . . Campana's cavatina, "Egli mi chidea," [sic] was given with much skill, grace, and feeling by Miss Simmons, who was again unanimously called upon . . . Miss Simmons afterwards singing a pretty Italian air, which brought the concert to a conclusion, There was but one opinion as to the cultivated vocal talent of Miss Simmons. Owing to the constant practice of calling for repetitions, the concert was protracted until a very late hour.

"CONCERT", Empire (16 August 1861), 5

http://nla.gov.au/nla.news-article60484297

The entertainment announced for yesterday evening by Miss Julia Simmons, at the Masonic Hall, came off with considerable eclat. The attendance, if not quite so numerous as might have been expected from the attractive character of the programme, was very select and enthusiastic, and with the exception of the hiatus caused by the absence of Madame Sara Flower, - who for some days past has, we regret to say, been suffering from severe indisposition, - the various items seemed to afford the most unqualified gratification. Miss Julia Simmons, our readers hardly need to be informed, is a very finished vocalist, possessing a voice of considerable compass, and generally remarkably sweet in its tones. Her execution is singularly brilliant and finished, and she takes distant intervals and executes staccato scales with surprising force and firmness. Her rendering of the "Robert, toi que j'aime" (accompanied with much taste and brilliancy by Mr. Callen,) was especially admirable, and procured a very enthusiastic encore. Not less pleasing, though hardly so elaborate, was her singing of Arditi's "Il baccio," and of one of Gordigiani's charming "Canti populari Toscani." We trust we shall hear Miss Simmons in our concert rooms more frequently, for the presence of so accomplished a vocalist amongst us is a fact which we cannot but regard with very considerable satisfaction. The vocal portion of the programme was agreeably varied by the introduction of the duet "Che veggio" from the Lucrezia, cleverly sung by the fair beneficiare and Mr. F. Ellard, the latter of whom was encored in the pretty barcarolle from Haidee . . . We trust that the success which has attended Miss Simmons' first concert will induce her, at no distant period, to repeat the experiment, if such it can be termed.

[Advertisement], The Sydney Morning Herald (13 September 1861), 1

http://nla.gov.au/nla.news-article13060725

SYDNEY PHILHARMONIC SOCIETY . . .
The First CONCERT of the season . . . at the Freemasons' Hall on TUESDAY EVENING, 17th September.
PART I . . . 4. Cavatina - "Ah, fors e lui" - Traviata - Verdi - Miss Julia Simmons.
PART II . . . 5. Grand duet - "Trema o vil" - Arditi - Miss Julia Simmons and Madame Sara Flower . . .

"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (19 September 1861), 5

http://nla.gov.au/nla.news-article13069396

The popular society gave its first concert of the season, at the Masonic Hall, on Tuesday last . . . Madame Sarah Flower, ever ready to assist, gave her valuable services, and received her well-earned applause; and our new Australian debutante, Miss Julia Simmons more particularly in Arditi's duo exhibited his scientific training . . .

"MUSIC AND THE THEATRES", Empire (21 September 1861), 3

http://nla.gov.au/nla.news-article60486137

. . . Madame Sira Flower sang the cavatina, Ah quel giorno, from "Semiramide," with much taste and finish; and a recent addition to our list of gifted performers in this department of art, Miss Julia Simmons, fully justified the opinions that had been entertained of her powers. Her voice is a soprano, of powerful compass. In the performance of some selections from La Traviata, Miss Simmons produced a marked effect upon her audience, who seemed completely taken by surprise at the exquisite sweetness with which all parts were rendered.

[Advertisement], The Sydney Morning Herald (19 November 1861), 8

http://nla.gov.au/nla.news-article13067304

THE LADIES' POLKA, by Miss Julia Simmons, just published. L. MOSS, Hunter-street.

ASSOCIATIONS: Lewis Moss (music publisher)

"NEW POLKA", The Sydney Morning Herald (3 December 1861), 5

http://nla.gov.au/nla.news-article13063135

In the generality of modem music for the festivities of Terpsichore, the utmost that can be said of it is that it is dansante. How easily, however, in the ungrammatical construction, may be traced the laboured efforts of the tyro. Quite contrary to this is it in the case of "The Ladies' Polka," by Miss Julia Simmons, a young lady well known in the private circles of Sydney, and who made her debut some time since as a soprano vocalist of a very high order. The "Ladies' Polka," just issued by Mr. L. Moss, is a composition that will hear comparison with any of the day. Our music-engraving is now so superior, that none but of the first quality in appearance will receive patronage. The "Ladies' Polka" may vie with any of its competitors, and will find its way into every drawing-room.

"MUSIC", Empire (11 December 1861), 5

http://nla.gov.au/nla.news-article60485440 

Mr. Moss, of Hunter-street, has just issued from his repository, a very choice production for the piano, entitled "The Ladies' Polka," dedicated to the ladies of Sydney. It is the composition of Miss Julia Simmons, and certainly contributes considerably to the fame this lady has acquired in Sydney since her return from Europe. The piece is likely to be a favourite in the colony. Miss Simmons, it may be remembered, about four months since, gava a concert at the Exchange, and also appeared at two of the Philharmonic concerts, on each of which occasion she displayed evidence of the superior tuition of her distinguished master, Arditi, under whom she studied in England.

"LANCASHIRE DISTRESS FUND: ORPHEONIST CONCERT", The Sydney Morning Herald (1 August 1862), 5

http://nla.gov.au/nla.news-article13232150

A concert was given last night, in the Masonic Hall, by the Orpheonist Society, in aid of the Distressed Lancashire Operatives . . . and the fact that the Hall was last night only half filled is attributable solely to the high prices charged for admission . . . The next piece was an aria, by Arditi, "Reminiscences in memory of Angelina Bosio," in which airs from different operas were brought in, the finale scene being from Traviata, and "The last rose of summer," from Martha. In the execution of this music, Miss Julia Simmons displayed the strength and immense compass of her voice, going up to B flat with perfect ease. As an encore, Miss Simmons gave the popular waltz, "Il Bacio," which she was the first to introduce in Sydney; the staccato passages were given with splendid effect . . . Miss Simmons then sang the aria from Meyerbeer, "Robert toi que j'aime," a magnificent effort of vocalisation, as an encore to which she gave "Lily Lee," a ballad of her own composition. Mr. Ellard accompanied Miss Simmons on the pianoforte, his aim being rather to do justice to the vocalist than to exhibit his powers as a pianist . . .

ASSOCIATIONS: Orpheonist Society (group)

"RELIGIOUS CEREMONIES IN THE JEWISH SYNAGOGUE, YORK STREET", Empire (15 September 1862), 5

http://nla.gov.au/nla.news-article60480981

THE arrival of a new minister from England, the Rev. Mr. Davis, to preside over the Hebrew community in this city, and the completion of extensive repairs and alterations which have been in operation to the York-street Synagogue, for some time past, gave occasion for a double ceremonial of a very impressing character, - the installation of the minister, and the re-consecration of the building, which took place yesterday . . . In the centre is the spacious reading desk, the minister being surrounded by the boys forming the usual chorus, and having in front the dignitaries of the synagogue. From here a platform and gallery had been expressly erected for the musical performances, the extra chorus under the lead of Mr. Callen, being composed of numerous amateurs, and professional ladies and gentlemen of the Jewish persuasion, amongst whom Miss Julia Simmons and the daughter of a well known musician of Sydney were prominent. Mr. L. Moss officiated at the harmonium, and commenced the service with a short symphony from Costa's oratorio of "Eli." The minister, commencing his duties with this important consecration ceremony, arrives at the door of the Synagogue (previously closed), followed by the wardens and honorary officers, each bearing one of the sacred scrolls, with their beautiful and emblematic ornaments a canopy being held over him by the junior officers. He demands admission in the words, "Open unto me the gates of righteousness; I will enter them, and praise the Lord." The procession then enters. Arrived at the ark, the choir (amateurs) sung a very beautiful chorus - "Blessed be he who cometh in the name of the Lord." In this the young lady already referred to sang a solo with great power and effect . . . A very exalted hymn of praise followed, and was succeeded by the usual evening service which was concluded by a most brilliant "Hallelujah," chorus (150th Psalm,) with a florid solo sung with great taste by Miss Simmons. The music was composed by Mr. Moss, brother of Mr. L. Moss of this city. The latter played as a voluntary on the harmonium - the march of the Israelites from Costa's "Eli," which, at half-past five, terminated the proceeding.

ASSOCIATIONS: Matthew Moss (composer), brother of Lewis Moss (see above)

[Advertisement], The Sydney Morning Herald (20 December 1862), 2

http://nla.gov.au/nla.news-article13071277 

In preparation, The AUSTRALIAN MUSICAL ALBUM for 1863.
CONTENTS . . . 13 Ballad - Lily Lee, engraved title page . . .
J. R. CLARKE, music publisher, 356, George street, Sydney.

ASSOCIATIONS: Jacob Richard Clarke (music publisher)

[Advertisement], The Sydney Morning Herald (20 January 1863), 6

http://nla.gov.au/nla.news-article13072892 

JUST PUBLISHED. Price 30s . . . THE AUSTRALIAN MUSICAL ALBUM FOR 1863.
CONTENTS: . . . 13. Ballad - Lily Lee, engraved title-page . . .
J. R. CLARKE, music publisher, 356, George-street, Sydney.

"BOTANIC GARDENS" and NEW MUSIC", Empire (17 March 1863), 4

http://nla.gov.au/nla.news-article63129082 

BOTANIC GARDENS. - The Band of the Volunteer Rifles will perform at 4 p.m. this day (weather permitting).
Programme: - Grand march, Volunteer Parade, Callen . . .
polka, The Ladies, Miss J. Simmons. God Save the Queen. Director, Mr. D. Callen.

NEW MUSIC - The arrival, by each successive mail, of large quantities of new and pleating music of every description, vocal and instrumental, for every grade of musical talent and proficiency, renders the business of original musical publication an extremely hazardous and precarious undertaking - except it be the reissue of some piece for which there is an extraordinary demand; and then it becomes a question whether the success attending the publication will justify the expense, or the risk of infringing the especially onerous prohibitive of copyright law. Mr. J. R. Clarke, of George-street is, however, sufficiently enterprising to purchase the copyright and risk the expensive publication of original music written by resident artists. The latest issue from his establishment is "Lily Lee," a lovely little ballad written by our young talented artiste, the vocalist, Miss Julia Simmons, undoubtedly possessing the most powerful soprano voice, and the purest style. Unfortunately, there is but seldom the opportunity afforded of hearing her vocal powers, which, thus neglected and unfostered, may yield to the rust of inactivity. Under the ears of her zealous master in England, Signor Arditi, Miss Simmons not only became a first-class songstress, but prosecuted her studies in composition, and these have resulted in many excellent musical ideas. "Lily Lee" is a very clever specimen. The words were taken, we believe, from an old journal - a lover is gazing on the grave of his lost bride. The melody follows the tale in very expressive tones; it is one that once heard will be warbled by everybody; and since it was sung by the fair composer in public for the first and only time at one of the concerts of the Orpheonist Society (to whom the song is dedicated), "Lily Lee" has been frequently asked for, and its publication will be welcomed, as it cannot fail to become a favourite. The arrangements, symphonies, and accompaniments are by Mr. Callen [sic, recte Packer]; and musicians will at once perceive that these are not only in strict accordance with the intention of the melody, but are elegant and purely artistic. As Miss Simmons is known to possess a remarkably high organ, the song was originally beyond the voice of most amateurs; the present edition is transposed to the key of D, and does not roach beyond F, so that it is now within the compass of amateurs possessing voice of moderate range.

"PUBLIC AMUSEMENTS", Empire (21 April 1863), 3

http://nla.gov.au/nla.news-article63130678

. . . Several new original musical publications have been issued, some of them of great merit, proving that our resident artists have originative as well as executive talent. "Lily Lee" is an exceedingly pretty ballad, by Miss Julia Simmons, the brilliant cantatrice . . .

"CONCERT IN AID OF THE RANDWICK ASYLUM", The Sydney Morning Herald (10 June 1863), 4

http://nla.gov.au/nla.news-article13079799

A grand concert in aid of the Randwick Asylum for Destitute Children took place last night at the Prince of Wales Theatre, under very distinguished patronage, and was numerously attended by the inhabitants of this city and its vicinity . . . the popular air of "Robert toi que j'aime," by Miss Julia Simmons . . .

[Advertisement], The Sydney Morning Herald (24 October 1863), 1

http://nla.gov.au/nla.news-article30936780

ANNOUNCEMENT - Miss JULIA SIMMONS,
pupil of Signor LUIGI ARDITI, will give instruction in SINGING, at her residence, 1, Dynevor-terrace, College-street, Hyde Park.
Memorandum of terms may be obtained at the music repository of Mr. J. R. Clarke, 356, George-street, or at the above address.

"PHILHARMONIC SOCIETY'S CONCERT. WEDNESDAY, 11TH MARCH", The Sydney Morning Herald (27 March 1868), 6

http://nla.gov.au/nla.news-article13154121 

On Wednesday evening, the Philharmonic Society, under the patronage and in presence of his Royal Highness the Duke of Edinburgh and his Excellency the Earl of Belmore, gave a very well attended and most excellent concert in the hall of the Sydney Exchange . . . The great success of the evening, Arditi's Reminiscences Melodiche in Omaggio ad Bossio - a beautiful and most elaborate composition, gave full scope for the highly-cultivated voice and artistic ability of Miss Julia Simmons, an Australian cantatrice of great artistic skill.

ASSOCIATIONS: Alfred (duke of Edinburgh)

[Advertisement], Empire (23 April 1868), 1

http://nla.gov.au/nla.news-article60852566 

COMPLIMENTARY FAREWELL TO MISS AITKEN . . . MASONIC HALL, THIS (Thursday) EVENING . . .
assisted by Miss JULIA SIMMONS the eminent Vocalist - her last appearance prior to her departure for Europe . . .

"MISS JULIA SYDNEY", The Musical World 48 (28 May 1870), 368

http://books.google.com.au/books?id=VJMPAAAAYAAJ&pg=PA368 (DIGITISED)

Miss Julia SYDNEY, from New South Wales, gave an evening concert on Wednesday, at the Hanover Square Rooms, which was well attended. She possesses a mezzo-soprano voice, which she displayed to advantage in Arditi's "Reminiscences in omagio del Bosio" (accompanied by the composer), "Voi che sapete," "The birds were telling one another" (Smart), and "La Dove Prende" (with Signor Raguer). She was assisted by Mesdames Florence Lancia, Osborne, Williams, Drasdil, Montserrat, Patti Laverne, and Miss Marie Arthur (who possesses a charming voice), Messrs. J. H. Sutcliffe, F. Elmore, Harley, Vinning, and Castelli. Miss Marie Strindberg played Pfeiffer's "Quatrième Mazurka" in a brilliant manner on the pianoforte. Signor Arditti, Messrs. Frank Mori and Van Noorden were the accompanists.

"Dramatic and Musical Review", Australian Town and Country Journal (8 October 1870), 21

http://nla.gov.au/nla.news-article70462473

We are all pleased to hear of the well-doing of our old friends, especially of those in the world of art to whom this country has been their childhood's home. Miss Julia Simmons, under the name of Miss Julia Sydney, is making a very successful career in England. After a concert given by her on the 25th of July, at the Hanover Square Rooms, in which she was assisted by the following artists, - Mr. F. Elmore, Mdme. Monserratt, Mdme. Patti Laverne, Mrs. J. H. Sutcliffe, Mdme. Osborne Williams, Miss Marie Arthur, Miss Kate Gordon, Signor Castelli, Mdlle. Drasdil, Signor Raguer, Mdme. Florence Lancia, Miss Marie Stringberg, and Mr. Harley Vinning, - conductors, Signor Arditi, Messrs. Frank Mori, and Van Noorden, - the London press eulogised her singing in the very warmest terms, the audience having by encores also signified their approval of "the richness of her voice, and the faultlessness of her execution." She has since sung at most of the London concerts, and was about to appear in conjunction with Sims Reeves at the Philharmonic Concerts, Liverpool, from which place she proceeds to fulfil an engagement in Scotland.

"Dramatic and Musical Review", Australian Town and Country Journal (20 May 1871), 9

http://nla.gov.au/nla.news-article70466703 

. . . Mr. Lawrence Simmons (a brother of Miss Julia Simmons, the talented vocalist), a very young singer, who has lately come before the public, sang a cavatina by Verdi, and (as an encore) an air from Bellini's "Beatrice di Tenda." He has a rich, full, and very high baritone voice (from which he would do well to exclude the intervention of the teeth), and some degree of cultivated style and taste (learned from Devoti). With animation and sound study from an extensive repertoire, he may make note in the musical world . . .

"DEATHS", The Sydney Morning Herald (30 July 1872), 1

http://nla.gov.au/nla.news-article13261276 

On the 16th April, on board the ship Strathdon, Mr. ISAAC SIMMONS, aged 67 years, late of 149, Forbes-street, Woolloomooloo, Sydney.

"Dramatic and Musical Review", Australian Town and Country Journal (3 August 1872), 17

http://nla.gov.au/nla.news-article70496256 

Mr. Isaac Simmons, the father of the well-known Miss Julia Simmons, the vocalist, whose name is now connected with most London concerts, and of Mr. Laurence Simmons, a young Sydney singer (who was proceeding with his father to Europe for the purpose of cultivating his fine voice, and pursuing his musical studies), died on the voyage home in the Strathdon, on the 16th of April. The deceased gentleman was for a great part of his life a citizen of Sydney, and was highly esteemed for his uprightness, urbanity, hospitality, and kindliness of disposition.

"Marriages", The Sydney Morning Herald (31 January 1884), 1

http://nla.gov.au/nla.news-article13554424 

ORR - SIMMONS. - January 24, by the Registrar-General, William Morgan Orr, eldest son of the late Alexander Orr, Esq., of Melbourne, Victoria, to Julie, youngest daughter of the late Isaac Simmons, Esq., of Sydney, N. S. Wales.

"Music and the Drama", Australian Town and Country Journal (15 April 1882), 13

http://nla.gov.au/nla.news-article70967950

Miss Julia Sydney, a former well-known Sydney resident, has, I learn, returned to this city, after having spent some years in London, studying singing under such masters as Arditi, Garcia, and Joseph Barnby. Miss Sydney (who will no doubt be better remembered as Miss Julia Simmons, daughter of the late Mr. Isaac Simmons, intends practising here her profession of teacher of singing. Miss Sydney produces a letter from Barnby, bearing strong testimony as to her abilities.

ASSOCIATIONS: Joseph Barnby (teacher)

"THEATRE ROYAL", Table Talk (21 October 1887), 12

http://nla.gov.au/nla.news-article146710696 

The revival of Faust has been very successful . . . Miss Julia Simmons made her first appearance in Italian opera as Siebel. Her voice is rather too light for this part, which is generally allotted to the contralto or mezzo-soprano, but she took such evident pains to please that she had to repeat the last part of the "Flower" song by way of an encore. Miss Graupner made a very juvenile old dame, but that wasn't her fault, moreover she sang the recitative correctly and carefully. Madame Simonsen must be congratulated on bringing out two such clever pupils . . .

ASSOCIATIONS: Fanny Simonsen (vocalist, teacher)

"Death of Mme. Simonsen", The Sydney Mail and New South Wales Advertiser (26 September 1896), 673

http://nla.gov.au/nla.news-article163785319 

. . . Upon her retirement from the stage, Mme. Simonsen settled down as a teacher, and soon achieved eminence by bringing forward several clever vocalists . . . Miss Flora Graupner, Miss Juliet Wray, and Miss Julia Simmons (the Ariel of Mr. Rignold's production of "The Tempest") were also numbered amongst her pupils . . .

"DEATHS", The Sydney Morning Herald (19 October 1909), 6

http://nla.gov.au/nla.news-article15093481 

ORR. - October 16, at her late residence, 24 Elizabeth-street, Paddington, Mrs. W. Morgan Orr, youngest daughter of the late Isaac Simmons, of Sydney, and sister of S. E. Simmons, of Noumea, and N. J. Simmons, of Lismore.


Musical works:

The ladies polka, composed & inscribed to the ladies of N.S.W. by Miss Julia Simmons (Sydney: L. Moss, [1861]); engraved and printed at J. Degotardi's "Sydney Printing House"

https://trove.nla.gov.au/work/17981822 

https://collection.sl.nsw.gov.au/record/74VKDN8QOWVO (DIGITISED)

ASSOCIATIONS: John Degotardi (engraver)

Lily Lee, ballad, music by Miss Julia Simmons, dedicated to the Orpheonist Society of Sydney ["Arranged by C. Packer"] (Sydney: J. R. Clarke, 1863); first published in Australian musical album for 1863

https://trove.nla.gov.au/work/16497703 

https://nla.gov.au/nla.obj-164694695/view?partId=nla.obj-164701522#page/n62/mode/1up (DIGITISED)


Bibliography and resources:

John Levi, These are the names: Jewish lives in Australia, 1788-1850 [second edition] (Melbourne: Melbourne University Press, 2013)




SIMMONS, Joseph (Joseph SIMMONS; alias RAY; Mr. RAY; Mr. SIMMONS)

Vocalist, falsettist, improvisatore, songwriter, comedian, actor, teacher of drama, theatre manager

Born London, England, c. 1810; son of Nathan SIMMONS (SIMONS) and Sarah FRANKIL
Arrived (1) Hobart Town, VDL (TAS), 11 May 1830 (passenger per Arab, from London, 23 January, for Sydney)
Departed (1) Hobart Town, VDL (TAS), November 1832 (per Arethusa, for London)
Married Nancy COHEN (c. 1812-1860), London, England, 1833
Arrived (2) Sydney, NSW, 21 December 1833 (per Brothers, from Land's End, 3 September)
Died Sydney, NSW, 9 August 1893, aged 84

https://trove.nla.gov.au/search?l-publictag=Joseph+Simmons+d1893 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Joseph+Simmons+(alias+Ray) (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1133616 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONS-Joseph (shareable link to this entry)

ASSOCIATIONS: James Simmons (elder brother); Isaac Simmons (elder brother); Julia Simmons (niece)

SIMMONS, Sophie (Sophia SIMMONS; Miss Sophie SIMMONS)

Soprano vocalist, pianist, pupil of Eliza Wallace Bushelle, teacher of music

Born Sydney, NSW, 27 May 1845; daughter of Joseph SIMMONS and Nancy COHEN
Died Melbourne, VIC, 11 May 1909, aged "64"

https://trove.nla.gov.au/search?l-publictag=Sophie+Simmons+1845-1909 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONS-Sophie (shareable link to this entry)

SIMMONS, Sara (Sarah SIMMONS; Miss Sara SIMMONS)

Contralto vocalist

Born Bathurst, NSW, 1847; daughter of Joseph SIMMONS and Nancy COHEN

https://trove.nla.gov.au/search?l-publictag=Sara+Simmons+b1847 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMMONS-Sara (shareable link to this entry)


Joseph Simmons, "the country storekeeper", Heads of the people (6 November 1847), frontspiece

https://trove.nla.gov.au/work/20350698 (DIGITISED)

https://nla.gov.au/nla.obj-765410334/view?sectionId=nla.obj-765418933&partId=nla.obj-765418933 (DIGITISED)


Summary:

Joseph Simmons (or Simons) was born in London, in or about 1810, a son of Nathan Simmons, a dealer of Crown Street, Soho, and his wife Sarah Frankil. At the Old Bailey on 2 June 1813, Joseph's 16-year-old brother James Simmons was found guilty of theft from the house of Mary Hill, the dowager marchioness of Downshire, and their father Nathan guilty of receiving stolen goods (their mother Sarah and her brother James Frankil were found not guilty of the same charge). James and his accomplice were sentenced to death, commuted to transportation for life, and was sent to NSW. Nathan was sentenced to 14 years transportation, although probably never left London.

In Sydney in 1828 James was granted a conditional pardon (coverted to a free pardon in 1833), and in 1828 went into business as an auctioneer. Joseph came free to joined him in Sydney in 1830, followed by their brother Isaac in 1831.

As Joseph Simmons, he passed through Hobart in 1830 en route to Sydney. As Joseph Ray, he returned to spend two months in Launceston and Hobart in late 1832, where he gave several entertainments. In December 1832, he sailed from Hobart for England.

After his return from England, in February 1834 Simmons went into a partnership with Barnett Levey, taking "the entire management of the stage" of the Theatre Royal.

He announced his retirement from the stage in April 1845, however, returned to the Royal Victoria several times in the mid 1850s.

Simmons was given a benefit at the Theatre Royal, Sydney, as late as June 1879, and was still advertising as a dramatic instructor right up to his death in 1893 ("the pioneer of the drama in Australia; every branch of the art taught").


Documentation:

Sydney, NSW (from 11 May 1830 to 17 July 1832):

"SHIP NEWS", Colonial Times (14 May 1830), 2

http://nla.gov.au/nla.news-article8645117 

May 11. - Arrived the ship Arab, Captain Ferrier, from London on the 23d January . . . Passengers for Sydney . . . Joseph Simmons . . .

? [Advertisement], The Sydney Gazette and New South Wales Advertiser (31 August 1830), 1

http://nla.gov.au/nla.news-article2195923 

ROYAL ASSEMBLY ROOMS. FOR ONE NIGHT ONLY . . .
A Concert WILL TAKE PLACE THIS EVENING.
PART I . . . "The life and death of Corporal Casey." (Amateur.) . . .
"Mornings in Bow-street." (Amateur.) . . .
Duet. - "Hark! the goddess Diana."
PART II . . . "London at six in the morning." (Amateur.) . . .
New Song. - "Shakespeare's seven ages." (Amateur.)
Duet. - "The tailor of Leicester."
PART III . . . "Jack Robinson." (Amateur.) . . .
MASTER JOSEPHSON WILL PRESIDE AT THE PIANOFORTE . . .

MUSIC: Corporal Casey (comic song); Shakespeare's seven ages (comic song)

[news], The Sydney Gazette and New South Wales Advertiser (2 September 1830), 2

http://nla.gov.au/nla.news-article2195936 

The Concert of Tuesday evening, was well attended, the house being crowded in every part, and we doubt not Mr. Levy is well satisfied with the encouragement so liberally afforded on this occasion. The Amateur who was advertised to sing several pieces, having disappointed the Proprietor, Mr. L. gave several comic and other songs by way of substitute . . .

ASSOCIATIONS: Barnett Levey (promoter, vocalist); Joshua Frey Josephson (pianist, Levey's step-brother-in-law)

[Advertisement], The Sydney Gazette and New South Wales Advertiser (30 June 1831), 1

http://nla.gov.au/nla.news-article2201312

NOTICE. JOSEPH SIMMONS begs respectfully to acquaint the inhabitants, dealers, and others, of Sydney, that he has just taken out a License, and is about commencing the business of an AUCTIONEER; a profession, he trusts, he shall be found competent to undertake; far different from the greater part of the auctioneers at present in Sydney, who exercise their calling in such a confused manner that it seldom renders anything beneficial to either the disposer, purchaser, or auctioneer himself.
J. S. wishes to impress upon the minds of the Public, that having devoted a considerable period to a series of studies in respect to mercantile affairs, in one of the first wholesale and retail houses in the colony, he can now assert with confidence, that few will be found in Sydney who more fully understand that profession which he is about to embark in.
Persons entrusting him with property for sale, will find him ready and punctual in respect to money-matters, and likewise by every other means in his power, J. S. will be studious to render himself well worthy the support of a liberal minded public. JOSEPH SIMMONS, York-street, Sydney. June 28, 1831.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (10 April 1832), 3

http://nla.gov.au/nla.news-article2205962

LEAVING THE COLONY. MR. JOSEPH SIMMONS, of No. 61, George-street, (who is about to leave the Colony) requests all persons to whom he is indebted, to send in their accounts immediately . . .

[Advertisement], The Sydney Monitor (11 April 1832), 3

http://nla.gov.au/nla.news-article32077357 

Household Furniture, &c., &c.
BY MR. JOSEPH SIMMONS, Without the least Reserve.
On the Premises, No. 61, George-street, ON FRIDAY NEXT; the 13th inst.
ALL THE HOUSEHOLD FURNITURE . . . handsome fine-toned square piano-forte . . .

Launceston and Hobart, VDL (TAS) (10 August to 12 December 1832):

"SHIP NEWS. LAUNCESTON", The Independent [Launceston, TAS] (11 August 1832), 3

http://nla.gov.au/nla.news-article233685454 

AUG. 10. - Arrived the schooner Harlequin, Lancey, from Sydney, with sundries. Passengers . . . Mr. J. Simmons . . .

[Advertisement], The Independent (11 August 1832), 3

http://nla.gov.au/nla.news-article233685463 

To Dealers, Consumers, & Others. JUST arrived from Sydney, per Harlequin, and SALE by the Undersigned, for Cash 500 lbs. of excellent CHEESE, 6 Casks of Salt Butter, 20 Boxes of Plums, excellent salt Salmon, Mould Candles, in Boxes, Foolscap Paper, a quantity of Jeweelery, &c. &c. The above GOODS will be Sold cheap (in any quantity.) J. SIMMONS, At Mr. Dodery's, the King's Arms, Charles Street . . .

[News], The Independent (29 September 1832), 2

http://nla.gov.au/nla.news-article233685618 

The Comic Entertainment given by Mr. RAY, on Tuesday evening, at the British Hotel, is, we are glad to hear, spoken of in the most select circles as having proved highly creditable to all parties concerned. The performance itself was so far more than tolerable here, that many gentlemen well qualified to judge on such a subject, have assured us, it would have met the enthusiastic approbation of a London audience; and the arrangements made by Mr. Rose, the liberal and respectable Host, not only to prepare his assembly room for the occasion, but to cater for such ladies and gentlemen as might be inclined to take supper - which was prepared in an adjoining apartment on a scale of elegance and hospitality, are, we know very generally spoken of as having been in the highest degree praiseworthy.

[News], The Hobart Town Courier (19 October 1832), 3

http://nla.gov.au/nla.news-article4196558

We congratulate our townsmen on the arrival of Mr. Ray, his imitative talents, are described to be inimitable.

"Reform Dinner [OMITTED THROUGH OVERSIGHT IN OUR LAST]", The Colonist and Van Diemen's Land Commercial and Agricultural Advertiser (26 October 1832), 3

http://nla.gov.au/nla.news-article201159065 

The greatest cordiality and good humour prevailed during the whole evening, which was scarcely interrupted for a moment by the rejection of the toast before referred to. We were truly sorry to witness the manifestation of such unanimously marked disapprobation of the King's Representative, but we were very certain that this arose principally from the feeling of disrespect, which the People consider His Excellency and his Retainers to have evinced towards the reforming Ministers of the King, and the People of England. Several excellent and appropriate songs were sung by different private gentlemen, and the mirth and enjoyment of the evening were much heightened by the songs of Mr. Ray, a professional singer and actor, who certainly astonished the audience, both by his comic and extempore singing. We understand that he intends to give a public performance in the Court-house. From what we have seen of his powers, we expect that the people of Hobart Town, who relish such amusements, have before them a treat of no ordinary description . . . The want of a room of sufficient size, to accommodate such a party as met at the Ship Inn, on Wednesday, is much felt in Hobart Town . . . we are informed that most of the country districts intend celebrating the glorious event by public rejoicings . . .

ASSOCIATIONS: News from London of the passing of the Reform Act of 1832 reached Launceston that month; the unpopular lieutenant governor of Van Diemen's Land, George Arthur, was known to be a political opponent of the government of prime minister Charles Grey in London

[News], Colonial Times (30 October 1832), 2

http://nla.gov.au/nla.news-article8646726 

Yesterday evening, Mr. Ray had his benefit at the Macquarie Hotel; of the performance we cannot speak favourably. Mr. Ray in some parts evinced a good deal of tact and stage effect, but he is no Matthews, and ought not to pretend by his exertions only, to amuse an assembly for a whole evening; the room was crowded to excess, and we noticed some of the highest ranks of our society - not, indeed, the aristocracy as they are termed, but the really respectable inhabitants of Hobart Town. We must, however, observe that the company was very mixed, and the few ladies that attended were rather awkwardly situated. We are not inclined to speak unfavourably of any attempt at providing amusement in such a dull monotonous place as this, but it is a pity that Mr. Ray had not divided his company; there were many present who would have been in their places in the shilling gallery, and indeed there were one or two persons present that we fancy it would have been following their own interests had they absented themselves altogether; we hate personality, but the hint will no doubt be taken. Mr. Ray we hear intends to have another benefit, but we recommend caution; the attempt has succeeded once, but from the opinion we ourselves formed of his performance, coupled with the remarks we have heard, of many who were present, prompts us to consider that a second night would only be a "strutting to empty benches."

ASSOCIATIONS: Henry Melville (editor, of the Colonial Times, and of The Tasmanian, below); Charles Matthews (English actor)

"Domestic Intelligence", The Tasmanian (2 November 1832), 6

http://nla.gov.au/nla.news-article233613143 

Mr. Ray. styling himself from the Theatres Royal, London, had an entertainment in the "At Home" manner of Matthews, on Monday evening, at the Macquarie Hotel, which was much more numerously attended than it deserved, or than is likely to again occur, should he, as we have understood is the case, venture to make trial of a second experiment. Mr. Ray must learn, however, that the respectable inhabitants even of a distant Colony, are not to have the ears of the female part of their families insulted, by the low, disgusting balderdash, which he seems to consider his chief merit. We venture to say, that if he had dared to introduce before a London audience, even at Bagnigge Wells, the allusions that formed the cream of his exhibition on Monday, he would have been hissed and hooted off the stage. We are surprised indeed he was endured so long as he was by our own townspeople; and can only attribute it to its having been the first attempt of the sort, towards interrupting the usual monotony of the place, in regard to amusements, and which rendered them less particular than they otherwise would have been.

[News], The Hobart Town Courier (2 November 1832), 2

http://nla.gov.au/nla.news-article4196196 

We had not the pleasure to be present at Mr. Ray's theatrical exhibition at the Macquarie hotel on Monday evening, but we learn that it was highly diverting.

"Domestic Intelligence", The Tasmanian (9 November 1832), 5

http://nla.gov.au/nla.news-article233613157 

We are glad to learn that Mr. Ray has so far profited by the hints we offered in our last, as to have made arrangements with Mr. Deane and Mrs. Davis for assisting in a Concert and other entertainments for the evening, upon an early occasion, in which all that low style which we then reprehended, will be carefully excluded. It affords us also pleasure to add, that it is likely to meet with very liberal encouragement.

ASSOCIATIONS: John Philip Deane (musician); Sophia Letitia Davis (vocalist)

[Advertisement], The Hobart Town Courier (16 November 1832), 3

http://nla.gov.au/nla.news-article4196012

Mr. Deane and Mrs. Davis beg to announce to the Inhabitants of Hobart town and its vicinity, that they intend giving a Concert of vocal and instrumental music, with the assistance of Mr. Ray, (previous to his departure for England by the Arethusa) on Monday evening next, at the Court House . . . Nov. 12

[News], Colonial Times (20 November 1832), 2

http://nla.gov.au/nla.news-article8646774

Yesterday evening the entertainment of Mrs. Davis and Messrs. Deane and Ray went off in grand style. The first part, consisting of a Concert, and the latter, with Mr. Ray "at Home". The band of the 63d regiment assisted, and the variety was sufficient to attract a full house, even in these hard times . . . Mr. Ray does not shine as a musician, his voice is rather powerful in the lower notes, and the falsetto decent, especially the upper tones, but he has little idea of cleverly passing from his natural voice to the falsetto - there is a degree of difficulty when he arrives at passages requiring the blending of the two - beside one very serious drawback to Mr. Ray, being considered a good musician, is that, his ear is by no means perfect, and he frequently gives whole passages far from being in tune . . . After the Concert, Mr. Ray was "at Home" and highly entertained the audience for some time, but there was too much of the farce, which, unless it is performed in the first style, cannot interest very long. A motion was made by one party of ladies, when Mr. Ray, very judiciously taking the hint, rapidly finished the song he was singing and making an appropriate termination of his "at Home" - concluded the entertainment; Mr. Ray, we hear, is about leaving the Colony by the Arethusa, it is said, he intends bringing to these Colonies, a regular corps dramatique, should he do so, we fear his expectations will not meet with the success anticipated.

"The Concert", The Colonist and Van Diemen's Land Commercial and Agricultural Advertiser (23 November 1832), 2

http://nla.gov.au/nla.news-article201158915 

On Monday evening last, the Public were entertained at the Court House, with a Melange of Vocal and Instrumental Music, combined with a Theatrical exhibition of Mr. RAY's "At Home" -: the Vocal Performance by Mrs. DAVIS and Mr. RAY, &c. Having no regular reporter present, we are indebted to a friend for our account of this festival, which, although not quite so well attended as some others has been, surpassed in the interest and pleasure it afforded. Mrs. Davis was in excellent voice, and astonished those who had never before listened to her powers and brilliancies of tone. Mr. Ray was no less successful in delighting the audience, par-[3]-ticularly in the song of the "Spider and Fly," which he gave with considerable comic effect; both were highly applauded and encored . . . Part of Mr. Ray's "At Home" excited the visible faculties of those present in no trifling degree . . .

MUSIC: The spider and the fly (words by Thomas Hudson); to the music of Will you come to the bower (Thomas Moore); and see also this US edition (attributed: "O. H. Normino")

"TRADE AND SHIPPING", The Hobart Town Courier (14 December 1832), 2

http://nla.gov.au/nla.news-article4195185 

Sailed on Wednesday the 12th inst., the brig Arethusa, 210 tons, J. S. Boulton, for London . . . Passengers,-Mr, Joseph Ray, Actor, Mr. Wm. McKenzie.

Sydney, NSW (from December 1833):

"Shipping Intelligence. ARRIVALS", The Sydney Gazette and New South Wales Advertiser (24 December 1833), 2

http://nla.gov.au/nla.news-article2215058

From London, on Saturday last, having left that place on the 25th August, and the Land's End on the 3d September, the barque Brothers (250 tons), Captain Towns, with a cargo of merchandise. Passengers . . . Mr. Joseph Simmons, Mrs. Simmons, Miss Elizabeth Simmons, Mrs. Cohen, Misses Sophia, Ann, and Caroline Cohen, Masters Edward, Samuel, Philip, Joseph, Lewis, and William Cohen; Air. Levine, merchant . . .

[News], The Sydney Gazette and New South Wales Advertiser (21 January 1834), 2

http://nla.gov.au/nla.news-article2215239

Mr. Joseph Simmons, who lately returned to the colony from England, has opened a new warehouse, which he has designated "the Paddington House," in Underwood's Buildings, George-street. Mr. Simmons's stock of fancy and other goods, is unequalled in Sydney for variety, quality, and cheapness.

"Miscellaneous News", The Australian (10 February 1834), 2

http://nla.gov.au/nla.news-article42004661 

Mr. Simmons, late from London, commences his duties as assistant manager at the Sydney Theatre, on Monday next, on which occasion 20 years of a Gambler's Life will be played. It is almost time, for if some competent person did not step forward, Levy had better shut up.

[News], The Sydney Monitor (14 February 1834), 3

http://nla.gov.au/nla.news-article32145641

Mr. Joseph Simmons of George-street, shop-keeper, has completed his arrangements with Mr. Levey for a share in the theatre. Mr. Simmons is to have the entire management of the stage and promises a great improvement in that department. It is to be hoped, that a complete revision wlll take place in the house, which will be sure of meeting with a corresponding support from the public.

ASSOCIATIONS: Theatre Royal (Sydney)

[Advertisement], The Sydney Gazette and New South Wales Advertiser (20 February 1834), 2

http://nla.gov.au/nla.news-article2215449 

THEATRE ROYAL SYDNEY.
In consequence of the approbation THE GAMBLERS FATE Met with, it will be repeated THIS EVENING, for the last time, for a certain period, owing to the new Performances.
The After-piece will be, for the 2d time, THE RENDEZVOUS.
On Saturday next, for the first time, the Comedy of KATHARINE & PETRUCHIO.
SONG - "Corporal Casey," by Mr. SIMMONS.
With the Drama of A TALE OF MYSTERY.
Acting Manager - Mr. SIMMONS.
Proprietor and Director - Mr. LEVEY . . .
The Nights of Performance during the Season on Mondays, Thursdays, and Saturdays . . .

"The Drama", The Australian (21 February 1834), 2

http://nla.gov.au/nla.news-article42009017

Mr. Joseph Simmons, late from London, made his debut on the boards of the Sydney Theatre on Monday night, in the character of Albert Germanini in Twenty Years of a Gambler's Life, also as part proprietor and acting manager. We congratulate Mr. S. on his first appearance, it might not have been a highly finished performance but it was a creditable one, and with a little study and less action, he will become the finest in his line on that stage . . .

"A PARODY ON THAT CELEBRATED SONG SUNG BY MR. SIMMONS AT THE THEATRE ROYAL, SYDNEY, CALLED THE SPIDER AND THE FLY", The Australian (14 April 1834), 4

http://nla.gov.au/nla.news-article42007502

Will you walk into my parlour says the Vulture to the Lark,
'Tis furnished with all comforts, and as airy as a Park,
Will you, will you, will you, come pretty Lark,
And your own sweet lively notes, shall chase the gloom when dark.
Will you, will you, &c. &c. . . . [8 more verses]

"THEATRICALS", The Australian (3 June 1834), 2

http://nla.gov.au/nla.news-article42006402

Saturday night the house opened with Coleman's Review . . . The next piece was the Waterman, Mr. Simmons' Song, Farewell my Trim-built Wherry, on an improved scale, was highly applauded. Mrs. Taylor sang the usual songs with her usual vivacity. Mr. Meredith's Robin is as rapid a piece of acting as can well be imagined . . .

ASSOCIATIONS: Maria Taylor (actor, vocalist); John Meredith (actor)

MUSIC: Then farewell, my trim-built wherry (song)

"THEATRICALS", The Australian (26 September 1834), 2

http://nla.gov.au/nla.news-article42004487

On Monday Evening last Mr. Knowles took his benefit . . . Mr. K. afterwards sung an extemporaneous song (after the manner of Mr. Simmons) which it had been perhaps more judicious to omit . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (19 November 1835), 2

http://nla.gov.au/nla.news-article2201264 

Theatre Royal SYDNEY . . . MRS. TAYLOR . . .
will appear on This Evening, November 19, 1835,
FOR THE SECOND TIME IN THEATRICAL REMINISCENCES . . .
DUETS WITH MR. SIMMONS:
"When a Little Farm We Keep."
"Matrimonial Duet."
"Stay a moment if you please Miss" . . .
TO CONCLUDE WITH Guardy Outwitted.
Harry Dashaway - Mr. Simmons !
Sir Oldham - Mr. Simmons !!
Finishall - Mr. Simmons !!!
Sam - Mr. Simmons !!!!
Phelim O'Slash - Mr. Simmons !!!!!
Songs:
"Tom Moody"
"The Spider and the Fly"
"Ri Fum, Ti Fum."
"Corporal Casey" . . .

MUSIC: When a little farm we keep (Joseph Mazzinghi); Tom Moody (William Shield); Ri fum ti fum (song)

[Advertisement], The Sydney Gazette and New South Wales Advertiser (16 January 1836), 3

http://nla.gov.au/nla.news-article2202266

Theatre Royal SYDNEY . . . THIS EVENING, SATURDAY, JAN. 16, 1836 . . .
To conclude with (for the first time this Season), the much admired and favourite Farce, called HIGH LIFE BELOW STAIRS . . .
IN THE COURSE OF THE PIECE -
A Mock Italian Bravura" BY MR. SIMMONS.
"A Mock Minuet de la Cour" BY MRS. JONES AND MR. SIMMONS . . .

"SYDNEY THEATRICALS", The Sydney Gazette and New South Wales Advertiser (19 January 1836), 2

http://nla.gov.au/nla.news-article2202297

. . . On Saturday night last . . . The farce was well sustained and elicited great applause . . . The Gavotte by Simmons and Mrs. Jones was danced with a comic aping of ton, highly amusing, and Simmons's mock Bervura [sic, Mock bravura], which was executed with foppish extravagance, together with his tremor and nervous agitation at the close of the song, relieved by the application of "O'Collon" by Lady Charlotte, and the put on exquisite solicitude of the rest of the party, was highly comic and entertaining . . .

ASSOCIATIONS: Harriet Jones (actor, vocalist, dancer)

PIECES: Minuet (in High life below stairs, by James Townley); Simmons's Mock Italian bravura, perhaps introduced instead of Kitty's song

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (23 July 1836), 3

http://nla.gov.au/nla.news-article65952481 

DAVIS'S Assembly Rooms, BRISBANE STREET.
MR. J. R. SIMMONS, Begs to acquaint the Public in general, that in compliance with the desire of many Friends, he is induced to give a
NEW Entertainment On Tuesday Evening, July 28,
CALLED Domestic Sketches. New series of characters represented in costume . . .
DURING THE EVENING WILL BE INTRODUCED IN CHARACTER THE FOLLOWING SONGS,
I was a boy for bewitching 'em
An entire new medley parody
I'm poor Humphrey Clinker
Oh I grieve for the hour
If I was in London Town
It was Murphy and Delaney
An Extemporaneous Song, ON THE COMPANY PRESENT, AFTER THE MANNER OF SIGNOR PISTRUCCIO . . .
Tickets - 5s. each . . .

MUSIC: I was the boy for bewitching 'em (Matthew Peter King); O poor Humphrey Clinker (Didbin);

"LAW INTELLIGENCE . . . MONDAY, OCT. 10 . . . Simmons v. Levey - 'The Rival Chieftains'", The Sydney Monitor (12 October 1836), 2

http://nla.gov.au/nla.news-article32152450 

This was an action brought by the plaintiff, a late manager of the Sydney Theatre, to recover from the defendant, proprietor of that establishment, a compensation in damages for an injury done to his character by the publication of a libel. Damages were laid at £500 . . .
To the Inhabitants of Hobart Town and Launceston.
BEWARE OF A MAD DOG . . . Mr. Simmons alias Ray, having taken leave of the Sydney stage, and I verily believe of his senses also, through the medium of the public journals in a spiteful blackguard advertisement . . . (Signed) BARNET LEVEY . . .

"THE THEATRE", Commercial Journal and Advertiser (28 July 1838), 2

http://nla.gov.au/nla.news-article226460870 

On Thursday evening the play of Katherine and Petrttchio was produced at the Victoria, in which Mr. Simmons, one of the favorites of the old Theatre Royal, made his first appearance as Petruchio. We have seen Simmons act much better than he did on Thursday night in this particular character, which might be attributed to two causes - first his long absence from the stage, and second the badly supported character of Katherine by Mrs. Cameron, and not Mrs. Taylor as was advertised . . .

ASSOCIATIONS: Cordelia Cameron (actor); Royal Victoria Theatre (Sydney)

[Advertisement], The Sydney Morning Herald (27 May 1843), 2

http://nla.gov.au/nla.news-article12412302

ROYAL CITY THEATRE. OPEN EVERY NIGHT. Proprietors, Messrs. Simmons and Belmore.
First night of an extemporaneous Song, by Mr. J. Simmons, in the character of "Billy Barlow," after the manner of Mr. Conquest, the original.
THIS EVENING, Saturday, the 27th May . . .
In the course of the evening, the Orchestra will perform Haydn's fourth grand Symphony, and Mozart's Overture to L'Irato . . .
MR. J. SIMMONS, Managing Director.
MR. C. KNOWLES, Stage Manager.

ASSOCIATIONS: James Belmore (proprietor); Conrad Knowles (actor, stage manager); Benjamin Oliver Conquest (British actor, vocalist); Royal City Theatre (Sydney)

MUSIC: Billy Barlow (song); see also 1843 Sydney edition by George Coppin

[Advertisement], The Sydney Morning Herald (13 June 1843), 2

http://nla.gov.au/nla.news-article12424264

ROYAL CITY THEATRE. OPEN EVERY EVENING . . .
Entire Change of Performances! - An Extemporaneous Comic Song, upon various local subjects, Electioneering, &c., by Mr. Simmons . . .
THIS EVENING, Tuesday, the 13th June, 1843 . . . Shakspeare's Comedy, in three Acts, entitled
TAMING OF THE SHREW; OR, KATHERINE AND PETRUCHIO
After which will be performed, a Grand Concertante by Mr. Leggatt and Monsieur Gautrot . . .

ASSOCIATIONS: Thomas Leggatt (oboe or clarinet); Joseph Gautrot (violin)

[Advertisement], The Sydney Morning Herald (15 June 1843), 2

http://nla.gov.au/nla.news-article12420194

ROYAL CITY THEATRE . . . THIS EVENING . . .
At the end of the Drama, the curtain will rise for a Melange of Vocal and Instrumental Music, Dancing, &c.,
commencing with a Violin Solo (Meyseder), arranged with full Orchestral Accompaniments, by Mr. S. W. Wallace.
Song, "Love among the Roses," by Mrs. Wallace.
After which, an Extemporaneous Song, upon various subjects, "Sydney Electioneering, &c.," by Mr. Simmons . . .
"Rule Britannia," by the whole vocal strength of the company . . .

ASSOCIATIONS: Spencer Wellington Wallace (violin, leader); Caroline Wallace (vocalist)

[Advertisement], The Sydney Morning Herald (29 March 1845), 3

http://nla.gov.au/nla.news-article12878352 

ROYAL VICTORIA THEATRE. FOR THE BENEFIT OF MR. JOSEPH SIMMONS.
ON MONDAY EVENING NEXT, 31st instant, the Grand Melodramatic Romance entitled
ALI BABA; OR, THE FORTY THIEVES. Mustapha, the Cobbler - MR. J. SIMMONS,
In which he will sing the original song "Last Week I took a Wife" . . .
At the end of the drama Mr. Simmons will sing an extemporaneous Budget of Colonial News ! ! ! To be followed by a THEATRICAL CONCERT, of Vocal and Instrumental Music, Dancing, &c., &c. . . .

SIMMONS'S SALOON, NOTICE !
This place of Entertainment will be closed on Monday night, (it being Mr. Simmons's Benefit at the Theatre),
and re-open on Wednesday evening, as usual. A rich fund of amusement, and "A Budget" to-night.

MUSIC: Last week I took a wife (music by Michael Kelly, in The forty thieves)

[Advertisement], The Sydney Morning Herald (1 April 1845), 2

http://nla.gov.au/nla.news-article12878420 

LAST NIGHT BUT ONE OF THE SEASON. THIS EVENING, APRIL 1,
WILL be presented, for the second time, the grand melo-dramatic romance, entitled ALI BABA; or, THE FORTY THIEVES.
Ali Baba, Mr. Fenton; Mustapha, the Cobbler, Mr. Simmons, in which he will sing the original song, "Last week I took a wife."
Zelie, Mrs. O'Flaherty . . .

ASSOCIATIONS: Eliza Winstanley (Mrs. O'Flaherty) (actor)

[Advertisement], The Sydney Morning Herald (3 April 1845), 1

http://nla.gov.au/nla.news-article12878474

DISTURBANCE AT THE THEATRE. SIMMONS'S BENEFIT.
LADIES AND GENTLEMEN,- Permit me in the first place to express my regret at the disgraceful scene that occurred in the Theatre on the occasion of my Benefit. That such conduct should be permitted within the walls of the Theatre, by those whose interest alone in the success of the establishment ought to have induced them to use every means to quell it, is doubtless a matter of surprise to many. I can only offer my sincere thanks to those ladies and gentlemen who (owing to the length of time the disturbance occupied) did not quit the Theatre in disgust; and more particularly to the gentlemen who I am informed took the trouble of ejecting the drunken blackguard who made himself conspicuous by his gross language in the dress-boxes - he is well known, and may rest assured of having his conduct properly exposed . . .
In conclusion, I beg to offer my most heartfelt thanks to those my play-going friends and supporters, who, for a period of eleven years, have patronised my humble efforts to please. My theatrical career in New South Wales is ended, at least for so long as the Theatre shall remain under its present proprietorship. I have the honour to subscribe myself, Ladies and Gentlemen,
Your very obedient humble servant,
JOSEPH SIMMONS.
Tavistock Hotel, April 2.

[Advertisement], The Sydney Morning Herald (5 April 1845), 1

http://nla.gov.au/nla.news-article12878536 

SIMMONS'S SALOON, TAVISTOCK HOTEL.
MR. SIMMONS feels happy in announcing to his friends that his engagement at the Theatre has terminated, and he will always in future be found
AT HOME, at the Saloon of the Tavistock Hotel, on every MONDAY, WEDNESDAY, THURSDAY, and SATURDAY EVENING,
assisted by Messrs. Walton, Fisher, Jim Brown, Lyall, and several other professionals and amateurs.
No charge for admission, and a change of entertainments every evening.
The late disturbance at the Theatre will be a leading feature in the Budget to-night.
Commence at seven o'clock.

"BIRTHS", The Sydney Morning Herald (28 May 1845), 4

http://nla.gov.au/nla.news-article12879830 

Mrs. Joseph Simmons, of a daughter, at the Tavistock Hotel, on the 27th instant.

"THE COUNTRY STOREKEEPER", Heads of the people, an illustrated journal of literature, whims, and oddities (6 November 1847), 25-26

https://nla.gov.au/nla.obj-765410334/view?sectionId=nla.obj-765418933&partId=nla.obj-765419250#page/n2/mode/1up 

. . . "All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances,
And one man in his time plays many parts."
So wrote the immortal bard, and perhaps no person in the colony more decidedly illustrates the truth of the quotation than the gentleman whose likeness accompanies this brief article - Mr. Joseph Simmons. For a considerable period he was connected with the drama of New South Wales, and was probably as great a favorite as ever "donn'd the sock and buskin." He has also exercised his talent as a "knight of the hammer", in which capacity he was never at a loss for a "knock down argument." During the short-lived career of the Australian Auction Company, he was their principal auctioneer; and many have candidly confessed they have often been led, by the persuasive drollery of Friend Simmons, to bid for articles they had no possible use for, nor any intention of purchasing. For the last few years he has been a [26] Country Storekeeper, and successfully employed his energies in catering for the wants of his country customers; and, to use his own expression, "he extracts as much fun from the serving out of sixpennyworth of bodkins," as he formerly did from the personification of a Shaksperian clown, or the eulogising at a sale, a bed of sand in a desert as if it were a facsimile of the garden of Eden. It must, however, be gratifying to him to know, as it is to us to relate, that in every capacity he has enjoyed the good wishes of his fellow-colonists, and in every circle where his name is mentioned, it carries with it an idea of fun and good humour. Let it not be supposed that in a country store, situated some hundred and fifty miles from the metropolis, a man becomes altogether isolated: far different; the diversity of characters with which his business brings him in contact must, as he has a decided turn of mind for the study of human character, afford him a vast deal of amusement; and we know of no person more capable of profiting by such a study than our friend Simmons, who possesses the "happy knack" of making himself perfectly "at home" either with a bullock-driver or an aristocrat of the first water.

[News], Heads of the people, an illustrated journal of literature, whims, and oddities (20 November 1847), 44

https://nla.gov.au/nla.obj-765410425/view?sectionId=nla.obj-765422544&partId=nla.obj-765422544#page/n3/mode/1up 

. . . That go-a-head "Head" of the people Mr. Joseph Simmons, is now supplying the neighbourhood of Bathurst with goods at such reasonable prices, that to use this gentleman's own words, "he bids defiance to all competition"!! We suspect it is more Mr. Simmons' arrangement and business habits, than any fear of competition, which brings this go-a-head merchant success . . .

[Advertisement], Bathurst Free Press (8 December 1849), 1

http://nla.gov.au/nla.news-article61794462 

Cheese. A BEAUTIFUL parcel just arrived from the Lachlan, and selling by the Single One Hundred weight, or Ton, at Fourpence halfpenny per pound.
JOSEPH SIMMONS', General Stores, Bathurst.

[Advertisement], The Sydney Morning Herald (23 May 1850), 1

http://nla.gov.au/nla.news-article12918142 

BATHURST AND CARCOAR. MR. JOSEPH SIMMONS, SEN., proprietor of the Bathurst and Carcoar "Bee Hives," being now resident in Sydney, volunteers his services to transact any little commission for persons in the habit of doing business at his country stores, without any charge . . .

"ELECTIONEERING CONTRASTS", The Moreton Bay Courier [Brisbane, QLD] (20 September 1851), 2

http://nla.gov.au/nla.news-article3714372 

The two [NSW] counties formerly associated with that of Stanley, namely, Gloucester and Macquarie, now form a separate electoral district, and two widely different candidates are in the field for its representation. One of these is Captain P. P. King, R.N., lately colonial manager for the Australian Agricultural Company; and the other no less a person than Mr. Joseph Simmons, formerly a comedian, performing at the Sydney Theatre, and chiefly famous for his manner of singing "St. Patrick was a gentleman."

MUSIC: St. Patrick was a gentleman (song)

"ROYAL VICTORIA THEATRE", Freeman's Journal [Sydney, NSW] (29 November 1856), 2

http://nla.gov.au/nla.news-article115563307 

SIMMONS - the clever, the witty, laughter-provoking SIMMONS - has been delighting the theatre loving public of Sydney with several sterling delineations of Irish characters. We use the word sterling, because since our acquaintance with the Sydney stage we have seen several actors who have essayed the difficult task of impersonating the heroes of the Irish drama; but, in our opinion, to none can that word be so truthfully applied as to SIMMONS . . . Mr. Simmons has also appeared during the week in a sparkling little comedy called "Benjamin Bowbell." His personation of the Cockney was admirable; the dialect, the dress, the innocence of the London youth, were all that could be desired. The reception of the distinguished actor of whom we write continues to be of the most flattering kind. To-night (Saturday) is for Mr. Simmons' benefit. He will represent the chief character in the capital drama called "Don Giovani," which is announced as his last appearance . . .

[Advertisement], The Tasmanian Times [Hobart Town, TAS] (12 October 1868), 3

http://nla.gov.au/nla.news-article232863785 

ENTERTAINMENTS. PRIOR to the Series of Operatic and Ballad Concerts about to be given,
MR. JOSEPH SIMMONS, SENR., WILL FOR THREE NIGHTS ONLY! viz., on WEDNESDAY, FRIDAY, and SATURDAY
Evenings next, deliver his Original and Comic ENTERTAINMENT, Entitled
SIMMONS AT HOME ! ! ! OR, THIRTY YEARS' RECOLLECTIONS OF THE COLONY!
With all the descriptive and laughable Imitations, and Delineations of well-known Characters, Original, and laughable; Comic Songs, &c. . . .
Concluding with the EXTEMPORANEOUS BUDGET upon local Subjects . . .

GRAND OPERATIC AND BALLAD CONCERT COMPANY. (Consisting of the following Artistes), WILL SHORTLY AFPEAR !!!
MISS SOPHIA SIMMONS, SOPRANO.
MISS SARA SIMMONS, CONTRALTO.
SIGNOR UGO DEVOTI, Late of the Royal Italian Opera, London, and Lyster's Opera Company.
MR. ALFRED WILKIE, TENOR, Late of Lyster's' Opera Company.
MR. JOSEPH SIMMONS, SEN. COMIC VOCALIST, DELINEATOR OF CHARACTER, AND IMPROVISATORE.

ASSOCIATIONS: Alfred Wilkie (vocalist); Ugo Devoti (vocalist)

"QUEEN'S BIRTHDAY", The Sydney Morning Herald (24 May 1879), 3

http://nla.gov.au/nla.news-article13435280 

. . . At the Masonic Hall, Mr. Simmons will give an entertainment. In 1833, Mr. Simmons arrived in Sydney, and assumed the management of the first theatre erected in Australia, - the Theatre Royal, in George-street - where he continued as actor and manager for many years. On the destruction of that building by fire he joined the present Victoria Theatre, where he continued until he built the City Theatre in Market-street, on the boards of which old colonists will remember Nesbit, Knowles, and other public favourites were wont to delight the old Sydney playgoers. The address delivered on the opening night was written by the late Judge a'Becket. Mr. Simmons may fairly claim to be classed among the pioneers of the drama in this colony. The entertainment he has announced for this evening at the Masonic Hall - "Life in Sydney forty years ago" - may be expected to afford a treat, and Mr. Simmons will be assisted by his daughter, Miss Sophie Simmons, a native of Sydney, of whom, as a vocalist, the Melbourne and Tasmanian Press speak very highly.

"Life in Sydney Forty Years Ago", Evening News (27 May 1879), 3

http://nla.gov.au/nla.news-article107150514 

At the Masonic Hall on Saturday evening Mr. Simmons gave a novel and most amusing entertainment, before a select and appreciative audience. It was of a kind somewhat similar to that formerly given by the elder Charles Matthews. He first described Sydney as it was 40 years ago, when the Theatre Royal was just finished in George-street, and the license was refused by Sir Ralph Darling, in consequence of the proprietor having erected a flour-mill on the upper story. Performances took place in those days at the prisoners' barracks, and Mr. Simmons fairly convulsed his audience with laughter by his wonderful powers of mimicry. Actors, judges, barristers, police magistrates, and other well-known characters, passed in review before them, all of whom were easily recognised by many of the old colonists present. Mr. Simmons was not only "the old man eloquent," but sang some curious old comic songs with wonderful effect. At intervals Miss Sophie Simmons sang several songs, in which she was accompanied by Mr. Packer on the piano. Her exquisite rendering of "A dream within a dream," of Edgar A. Poe, music by Pontal, fairly electrified the audience, who expressed their pleasure and gratification in rapturous applause. This highly-gifted young lady will yet confer an honour on her native city. A number of influential gentlemen have taken the initiative in making such arrangements as will give Mr. Simmons the opportunity of once more exhibiting his wonderful powers in one of the theatres.

ASSOCIATIONS: Charles Sandys Packer (piano)

"AMUSEMENTS", The Sydney Morning Herald (6 June 1879), 5

http://nla.gov.au/nla.news-article13436079

The Theatre Royal was very extensively patronised last night, on the occasion of a benefit given to Mr. Joseph Simmons, sen., an old favourite actor and manager in Sydney . . . The performance concluded with the farce of " The Illustrious Stranger," in which Mr. Simmons appeared as Benjamin Bowbell, and notwithstanding that he is not so young as he once was made it a very amusing portraiture.

"STAGE REMINISCENCES. To the Editor", Evening News (19 November 1892), 7

http://nla.gov.au/nla.news-article113321066 

Sir, - A short time since an article appeared in a Sydney paper bearing the signature of Alderman J. H. Rainford, to whom much credit is due for the list of those bright particular stars who "within his recollection," shed their light upon the colonial stage. You, sir, will perhaps permit me, an old actor and manager, resident in this colony for a period extending over 60 years, and one of the first pioneers of the drama in Australia, to invite the memory back to that period in Sydney when the stage possessed actors and actresses all now departed to the "undiscovered country," and whose talents in the histrionic art were equal, if not superior, to the majority of the professionals imported from time to time from England and America for the delectation of the Sydney playgoers. I am in hopes there are some of the old patrons of the drama still living who will experience pleasure in having their memory recalled to the performances they witnessed in the olden time, when the population of Sydney was a mere tithe compared with the present number of its inhabitants . . . It is a remarkable fact that of 42 persons comprising the company of the Theatre Royal, which was the first theatre erected in Sydney, and occupied the site of the present Royal Hotel, in George-street, not one is now alive, except their manager.
- Yours, &c, L.S. [sic, J. S.]

ASSOCIATIONS: James Henry Rainford (former actor)

[Advertisement], The Sydney Morning Herald (21 January 1893), 2

http://nla.gov.au/nla.news-article13894185 

DRAMATIC Art and Elocution taught by
JOSEPH SIMMONS, the Pioneer of the Drama in NSW , over 40 years successful actor and manager.
All lessons priv. Academy, Stratherne, Upper William-st., S.

"Deaths", The Sydney Morning Herald (10 August 1893), 1

http://nla.gov.au/nla.news-article13925229

SIMMONS - August 9, at his residence, Strathearne, 33 Upper William-street South, Joseph Simmons, sen., aged 84.

"SYDNEY", Jewish Herald [VIC] (25 August 1893), 4

http://nla.gov.au/nla.news-article149756192 

Mr. Joseph Simmons, who died the week before last at the ripe age of 84, was the oldest member of the theatrical profession in the colonies. He retired from the stage many years ago, having attained a high reputation as a comedian and especially for his remarkably humorous impersonations of Irish character. Of late he has been engaged in training aspirants for Thespic honours, and many colonials now on the boards are indebted to his instruction. Up to the last Mr. Simmons was in full possession of all his faculities and was a conversationalist of rare power.

[Advertisement], The Sydney Morning Herald (26 August 1893), 14

http://nla.gov.au/nla.news-article28263373 

TUESDAY, 29th AUGUST, at 11 a.m. By order of the Executrix of the late
Mr. JOSEPH SIMMONS, 33 UPPER WILLIAM-STREET.
SUPERIOR FURNITURE and HOUSEHOLD Effects, including . . .
Ebony REISNER PIANOFORTE, oblique and trichord throughout . . .

"MUMMER MEMOIRS", Sydney Sportsman (12 July 1905), 3

http://nla.gov.au/nla.news-article167200719 

. . . At the Masonic Hall, in York-street, Mr. Simmons gave a novel and amusing entertainment, before a select and appreciative audience. To be precise, it was on Saturday evening, January 7, 1879 . . . An addition to Mr. Simmons' entertainment was Miss Sophie Simmons, who sang several songs, in which she was accompanied by Mr. Packer on the piano. Her exquisite rendering of a "Dream Within a Dream," of Edgar Allen Poe, the music by Pontal, fairly took the audience by storm, and great things were predicted for the young lady, who was a Sydney native. Mr. Simmons lived to a great age, and has left a number of his name in Sydney. I am not aware how Miss Sophie Simmons succeeded in after life, but shall be glad to know . . .

"MUMMER MEMOIRS", Sydney Sportsman (2 August 1905), 3

http://nla.gov.au/nla.news-article167205637 

I made mention of an old time manager and actor, Mr. Joseph Simmons, in "Sportsman," July 19, and expressed a wish to hear something of his daughter, a young lady, pupil of Madame Wallace Bushelle (a sister of Vincent Wallace, the composer of "Maritana" and other operas), who in the late seventies made a very successful appearance in the Masonic Hall, then the fashionable concert hall of Sydney. I have had the pleasure of an interview with Miss Sophie Simmons at her residence, Macleay-street, Potts Point, and am pleased to have added to my list of intelligent acquaintances a lady whose knowledge of musical matters and musical lore in Sydney is of the widest. I have been placed in possession of many highly interesting reminiscences of Mr. Joseph Summons, which I am privileged to publish in the near future.

"MUMMER MEMOIRS. REMINISCENT OF JOSEPH SIMMONS . . .", Sydney Sportsman (25 October 1905), 3

http://nla.gov.au/nla.news-article167205386

I am indebted to Miss Sophie Simmons (see "Sportsman," July 12, '05) for some interesting matter in connection with her father's managerial career, and from which I am permitted to make some extracts . . . [as 1892 above]

"MUMMER MEMOIRS. MORE ABOUT MR. JOSEPH SIMMONS", Sydney Sportsman (8 November 1905), 3

http://nla.gov.au/nla.news-article167204300 

I am told that Mr. Joseph Simmons commenced his theatrical career at the age of 17 years, under a veteran actor and manager, Roxby Beverley, but I find that Mr. Simmons in his time played many parts on and off the stage, in commercial life and out of it. In his young days on the boards he appears to have achieved success in singing parts, such as Francis Osboldiston, in "Rob Roy;" Henry Bertram, in Guy Mannering," and the like. In the year 1830, he received a pressing invitation from his brother, who was then in Sydney and settled in business, to visit the colony. On the advice of his friends he left England, where he had good prospects on the stage, and came to Sydney in the ship Arab (Captain Ferrier) in the year indicated. He had fully made up his mind to follow his brother's advice and devote his attention to trade, but family jars prevented this, and after little more than two years' residence, Mr. Simmons returned to England. His stay in the Old Country was of short duration. In three months he was on shipboard again, en route to Port Jackson. In his first visit, Mr. Simmons made the acquaintance of Mr. Barnett Levy, afterwards of the Theatre Royal. George-street, which building was opened in 1833, Mr. Meredith being the first manager. On his return to Sydney Mr. Simmons assumed the management. His first colonial appearance was as Albert Germain, in "The Gambler's Fate" . . . Mr. Simmons became part proprietor of the Royal, and continued as such for a period of two years. For reasons not disclosed, he severed his connection with Mr. Levy, and determined on a trip to Launceston . . . On his return to Sydney Mr. Simmons appeared at intervals at the Royal, until the theatre and hotel were burned down. He then became connected with the Victoria Theatre until a disagreement with the proprietors induced him to set about the erection of a second theatre in the town. Mr. Simmons entered into arrangements with Mr. Belmore to erect the City Theatre, in Market-street . . . The little theatre was crowded nightly, more money was turned away at the doors than reached the treasury; the expenses were too heavy for the money the house held, and its doors had to close, not for want of patronage, but from the fact that it did not bold enough money to pay its way. After this, in the large saloon of the re-built Royal Hotel - fitted with a stage, Mr. Simmons gave nightly, his character entertainments, in which he sometimes changed his dress a dozen times in an evening. His success at the Royal so affected the attendances at the Victoria Theatre, then under the management of Mr. Joseph Wyatt, that this gentleman made overtures to Mr. Simmons for his return to the Pitt-street house. Mr. Simmons did return and played on and off, in and out of management, for some years after. (To be Continued.)

ASSOCIATIONS: William Roxby alias Beverley (1765-1842), actor and manager, father of William Roxby Beverley (theatrical scene painter); if these recollections of Simmons's English career are correct, he must have joined Beverley's company at the Theatre Royal in Manchester in 1828 and 1829; see, for instance, "THEATRE ROYAL", Manchester Courier and Lancashire General Advertiser (29 August 1829), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000206/18290829/004/0002 (PAYWALL)

. . . Miss Byfield, from Covent-Garden theatre, made her appearance, on Tuesday evening, as Julia, in "Guy Mannering," and an amateur singer took the same opportunity of making his debut Henry Bertram. Both were very warmly received. Miss Byfield an elegant and accomplished actress and the amateur, whose voice is of considerable compass and not unmusical, executed several of his songs with good deal of success. On Thursday evening, young Kean went over with a detachment of the company to the Stockport theatre, which also has lately come in the occupation of Mr. Beverley, and opened once or twice a-week . . .

"MUMMER MEMOIRS. MORE ABOUT MR. JOSEPH SIMMONS AND THE CITY THEATRE . . .", Sydney Sportsman (15 November 1905), 3

http://nla.gov.au/nla.news-article167212324 

https://trove.nla.gov.au/newspaper/article/167212318 

. . . In his later years Mr. Joseph Simmons became the proprietor of a dramatic academy, which he managed for some time. He seems to have turned out some professionals who did credit to his tuition. I have his prospectus before me. He describes himself "one of the first pioneers of the drama in New South Wales," and apart from the Sideway-Sparrow combination of the 1790's, he is undoubtedly entitled to describe himself as such. Many letters of interest are given in the prospectus, some recalling long-gone artists, and others living to-day. There is one from George Coppin, and another from Sam Lazar; one from Julia Esmond, and another from Dan Barry. But the most interesting is one from "Eliza Winstanley," who appears to have been a pupil away in the thirties: -
"Dear Mr. Simmons, - I cannot express to you what pleasurable and grateful feelings I experienced when my eyes fell upon your advertisement in the 'Herald' this morning. All recollections of the time when I was your youthful pupil came back to me with a sudden rush, and surely I did you credit for all your teaching, for did I not hold a high position for years in London, besides being selected by the Queen each Christmas for the Windsor Castle performances? Believe me, I have treasured all through my successful professional career a grateful remembrance of all your valuable teaching, and beg to remain, yours ever, Eliza Winstanley" . . .

ASSOCIATIONS: Eliza Winstanley (actor)

"DEATHS", The Sydney Morning Herald (13 March 1909), 12

http://nla.gov.au/nla.news-article15042533 

SIMMONS. - March 11, at Sydney, Sophie Simmons, aged 64, eldest daughter of the late Joseph Simmons.

"Theatrical Gossip", The Newsletter: an Australian Paper for Australian People (17 April 1909), 11

http://nla.gov.au/nla.news-article102794646

Miss Sophie Simmons died the other day, aged 65. She was the daughter of Joseph Simmons, who ran the Theatre Royal, now Dymock's book-shop, in the thirties. When Miss Simmons was born, in 1843, her father was one of the stock company at the old Victoria. He was, however, auctioneer and general merchant as well. Miss Simmons was known in all the capitals of the Commonwealth as a teacher of music.


Bibliography and resources:

Francis Campbell Brewer, The drama and music in New South Wales (Sydney: Charles Potter, 1892), 8, 14, 55, 57

https://archive.org/details/dramamusicinnews00brew/page/8/mode/2up (DIGITISED)

[8] Mr. Joseph Simmons was a great acquisition to the Sydney stage. He performed in tragedy, and his acting in this line was creditable; but his forte was in the representation of sailors of the T. P. Cooke style, Irish comedy, and farce. As the typical stage sailor he has had no equal in Australia since his day; and so great was his popularity in this line of the profession, that the announcement of his appearing as Jack Tar was sure to till the house. His favourite Hibernian character was Dr. O'Toole in the "Irish Tutor," and he was racy in the extreme; he had a rival later on in Mr. Falchon, whose role of Irish characters was more extensive, but in those with which Simmons' name was more prominently associated he still held the boards. Mr. Simmons became lessee of the Theatre Royal, and as manager, both at the Royal and afterwards at the Victoria, proved himself quite equal to the onerous duties of the position . . .

https://archive.org/details/dramamusicinnews00brew/page/57/mode/2up (DIGITISED)

[57] . . . The production of opera in Australia commenced on February 12, 18414 when Rossini's "Cenerentola" was performed at the Victoria Theatre, with a cast that at the present day would be considered ludicrous - if the principal character is excepted. There was then but one copy of the score of the opera in the Colony, and that was in the possession of Mr. Nathan. No English version of the libretto could be found, and a translation had to be made by Mr. Richard Thompson, then on the Press, who took great interest in the matter. All the performers in the opera, with one exception, were members of the dramatic company of the Victoria - the exception being Mrs. Wallace-Bushelle, who sustained the part of Cinderella, and sang the music splendidly. The rest of the cast was as follows: - Mr. J. Lazar, Baron Pomposo; Mr. J. Simmons, Dandini; Mrs. Gribbes, the Prince; Mrs. Wallace, the Page; and Mesdames Louise and Torning, Thisbe and Clorinde. Lazar and Simmons acted well, and made as much of the buffo duet as actors could. The opera was highly relished by the public, and was frequently performed . . .

ASSOCIATIONS: Francis Campbell Brewer (author); Arthur Falchon (comedian, vocalist); Richard Thompson (translator); Eliza Wallace Bushelle (vocalist); John Lazar (actor, vocalist)

"Osric", The romance of the Sydney stage, by "Osric" [Alfred J. Cripps and Humphrey Hall] MS, National Library of Australia, c. 1911; ed. as The romance of the Sydney stage by Osric (Sydney: Currency Press in association with National Library of Australia, 1996), 30-97, passim

https://trove.nla.gov.au/work/22007847

ASSOCIATIONS: Alfred Cripps and Humphrey Hall (authors)

H. L. Oppenheim, "Simmons, Joseph (1810-1893)", Australian dictionary of biography 2 (1967)

http://adb.anu.edu.au/biography/simmons-joseph-2663

John Levi, These are the names: Jewish lives in Australia, 1788-1850 [second edition] (Melbourne: Melbourne University Press, 2013)

Henry Cohen, Archive of Australian Judaica, University of Sydney Library

https://judaica.library.sydney.edu.au/catalog/Henry%20Cohen.pdf 




SIMONSEN, Martin (Martin SIMONSEN)

Musician, violinist, conductor, operatic manager ("Solo Violinist to His Majesty the King of Denmark")

Born c. 1830
Married Fanny DEHAES, c. 1857/58
Arrived Melbourne, VIC, 12 August 1865 (per Northam, from from Galle, 21 July, via Adelaide)
Died (suicide), Melbourne, VIC, 28 November 1899, aged 69

https://trove.nla.gov.au/search?l-publictag=Martin+Simonsen+c1830-1899 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-641257 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMONSEN-Martin (shareable link to this entry)

SIMONSEN, Fanny (Françoise DAHAES; Fanny DEHAES; Mrs. Martin SIMONSEN; Madame Fanny SIMONSEN)

Musician, soprano vocalist ("Prima Donna from the Opera Comique, of Paris")

Born c. 1835
Married Martin SIMONSEN, c. 1857/58
Arrived Melbourne, VIC, 12 August 1865 (per Northam, from from Galle, 21 July, via Adelaide)
Died St. Kilda, VIC, 19 September 1896, aged 61

https://trove.nla.gov.au/search?l-publictag=Fanny+Simonsen+c1835-1896 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/Fanny_Simonsen (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMONSEN-Fanny (shareable link to this entry)


THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"MAURITIUS", Empire [Sydney, NSW] (6 May 1857), 2

http://nla.gov.au/nla.news-article60277925

BY way of Melbourne we have files of Part Louis Commercial Gazette to the 6th of Marah . . . The same journal notices the arrival at Mauritius of M. Martin Simonsen - "a celebrated violinist, who has made the tour of the globe, has at length, visited our island, and from all we can learn from the press of the different countries he has visited his talent is remarkable on the first of musical instruments. To-morrow evening he gives his first concert at the Lodge where we expect he will attract all the dilletantti."

"ARRIVAL OF THE NORTHAM WITH THE JUNE MAILS FROM EUROPE", The Argus [Melbourne, VIC] (12 August 1865), 5

http://nla.gov.au/nla.news-article5768315 

. . . The Northam, Captain Skottowe, arrived at the Sound at half-past two p.m. on the 6th of August. She left Galle at five p.m. on the 21st of July . . . Passengers . . . For Melbourne . . . Mrs. and Mrs. Simonsen and two children . . .

[Advertisement], The Argus (14 August 1865), 8

http://nla.gov.au/nla.news-article5785293

CONCERTS.
MARTIN SIMONSEN (Solo Violinist to His Majesty the King of Denmark)
And Madame FANNY SIMONSEN (Prima Donna from the Opera Comique, of Paris)
Have Arrived, By the Overland Mail, And will give some Vocal and Instrumental
CONCERTS As soon as their arrangements are complete.

[Advertisement], The Argus (16 August 1865), 1

http://nla.gov.au/nla.news-article5764483 

NORTHAM - PIERRE SIMONSENS, native de Boulogne sur Mer arrivé dans la colonie de Hamburg en 1854, entendra quelque chose tres avantageux et aussi d'une relative en s'addressant a M. Simonsens, a l'office de l'Argus.

"DEATHS", The Argus (21 September 1896), 1

http://nla.gov.au/nla.news-article9169316

SIMONSEN. - On the 19th September, at her residence, Cambo, Carlisle-street, St. Kilda, Madame Fanny Simonsen, aged 61, beloved wife of Martin Simonsen. R.I.P. Home papers please copy.

"DEATH OF MADAME FANNY SIMONSEN", The Argus (21 September 1896), 5

http://nla.gov.au/nla.news-article9169300 

We regret to announce the death of Madame Fanny Simonsen, which took place with startling suddenness early on Saturday morning at her residence, Carlisle-street, St. Kilda. On Friday Madame Simonsen, who has of late years devoted herself to teaching, received her pupils as usual, and at supper she appeared to be in her customary health. Shortly before midnight, however, she was seized with an apoplectic fit, and though medical aid was promptly summoned she never rallied, and died a little time afterwards. The deceased lady, who was 61 years of age, had suffered from a similar seizure 11 years ago, but had enjoyed good health up to the time of this fatal attack.

By the death of Madame Simonsen the operatic stage of Australia loses its most striking personality. Her first introduction to Melbourne took place so far back as August 19, 1865, when she appeared in conjunction with her husband, Mr. Martin Simonsen, violinist, at a concert in the St. George's Hall. After travelling for a year, under the management of the late Mr. W. S. Lyster, Madame Simonsen and Mr. Armes Beaumont alternated with Madame Lucy Escott and Mr. Henry Squires in Meyerbeer's "L'Africane," and in the course of the next few years she appeared in a large repertory, including "Lucia di Lammermoor," "La Sonnambula," "Les Huguenots," and "Faust." In 1871 she attempted the lighter paths of opera bouffe, and her creation of the Grand Duchess in Offenbach's most successful conception is still counted by theatre-goers as the greatest triumph ever scored upon the Melbourne boards. In 1873 she went to Italy, returning with the renowned Simonsen Opera Company in 1877 to inaugurate a season at the St. George's Hall with the "Hermits's Bell," which was succeeded by nearly 70 different productions, covering the whole gamut of operatic art from the lightest of opera bouffe to grand opera, and including "La Fille de Madame Angot," "Norma," "Trovatore," "Lucia di Lammermoor," and Meyerbeer's "Prophete." Her career continued with unabated success till September 22, 1884, on which date she made her farewell to the operatic stage.

From that date she devoted herself to teaching, in which she achieved a marked success, but in 1891 she decided to once more join her husband in management, and the result of a visit to Italy was the appearance of the Simonsen Grand Operatic Company at the Alexandra Theatre in August, the opening piece being "Il Trovatore." The season was, however, rather an artistic than a financial success. Madame Simonsen leaves a family of 11 children who include the celebrated prima-donna Madamoiselle Frances Saville, Madame Schreiber, Mrs. Turrall (Miss Florrie Simonsen), and Mr. Jules Simonsen. Of her qualities as wife and mother and artist it is impossible to speak in too high terms, and her loss will be felt by all playgoers as a personal loss. It is an affecting circumstance that in her last moments she desired that the score of her favourite opera, "Faust," should be buried with her, and this wish was carried out at the funeral, which took place in the St. Kilda Cemetery yesterday.

"DEATH OF A WELL-KNOWN MUSICIAN. MR. MARTIN SIMONSEN SHOOTS HIMSELF", The Argus (29 November 1899), 8

http://nla.gov.au/nla.news-article9039942

Mr. Martin Simonsen, the head of the well-known musical family of that name committed suicide yesterday afternoon by shooting himself. Since the death of Madame Simonsen, three years ago, Mr. Simonsen had resided with Mr. and Mrs. Goulding at 588 Elizabeth-street, a two-story house, standing between Victoria and Queensberry streets. For some time past he has been very unsettled, but had never shown any suicidal tendencies. On Monday night he was visited by his youngest son, Martin, and the evening was spent pleasantly in a game of cards, the father appearing cheerful and contented . . . Many years ago Mr. Simonsen was one of the most prominent figures in the musical circles of Australia. A German by birth, he arrived in Melbourne about 25 years ago, with his wife, Madame Fanny Simonsen. He was a violinist, and Madame Simonsen a vocalist, and both were considered by competent critics to be possessed of rare ability. Opening at St. George's Hall with a concert company, they achieved such success that Mr. William Saurin Lyster, the leading operatic manager of the day, prevailed upon them to join his company, Mr. Simonsen as conductor and his wife as prima donna. The first opera with which they were associated was "L'Africaine", and in this, as in the succeeding operas of the season, the Simonsens were warmly received. After a time they severed their connection with Mr. Lyster, and started an operatic company of their own, playing throughout Australia with varied success. Mr. Simonsen's skill as a manager was, however, unequal to his ability as a musician, and few of his ventures were successful in the end. Madame Simonsen in later years applied herself to teaching, and was the means of bringing into prominence such world-renowned vocalists as her daughter, Madame Frances Saville, and Miss Ada Crossley. About 12 years ago, Mr. Simonsen brought to Australia an Italian opera company, which had a very successful season at the Alexandra Theatre, and two members of which, Signorina Rebottaro and Signor De Alba, remain with us still. Tempted by the success of this company, Mr. Simonsen repeated the experiment with the Italian Opera Company of about eight years ago, but failed to make the enterprise a financial success. He followed this failure with one even more disastrous - the importation of the Spanish Students - and was so crippled by the ventures that he never afterwards recovered his financial position. Mr. Simonsen was about 70 years of age, and leaves a large family, nearly all of whom are prominently known in the musical world.


Extant musical works (Australia):

Hobart Town redowa, for the piano, dedicated to the Ladies of Tasmania (Hobart Town: [n.p.], [1865]) ["Redowa, von Martin Simonsen, op. 22"]

https://trove.nla.gov.au/work/9854291 

https://stors.tas.gov.au/ILS/SD_ILS-538332 

https://stors.tas.gov.au/SMU128053436$init=SMU128053436_0 (DIGITISED)

[Advertisement], The Mercury (13 November 1865), 3

http://nla.gov.au/nla.news-article8835975 

WEBB'S ASSEMBLY ROOMS. THIS EVENING, MONDAY, Nov. 13. FOR THE BENEFIT OF MADAME FANNY SIMONSEN, LAST AND FAREWELL APPEARANCE OF THE SIMONSENS . . . All ladies present this evening will be presented with a finely engraved copy of the "Hobart Town Redowa" for piano, expressly composed by Martin Simonsen, and dedicated by him to the Ladies of Tasmania . . .

For other digitised works and editions, see:

https://imslp.org/wiki/Category:Simonsen,_Martin 


Bibliography and resources:

Harold Love, The golden age of Australian opera: W. S. Lyster and his companies 1861-1880 (Sydney: Currency Press, 1981), passim

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Opera-Opera/Pellinor, 1999), passim

Nicole Anae, "'Operatic performances two hundred miles in the Australian bush': staging rural identity, the case of Madame Fannie Simonsen in Wagga Wagga, 1866", Rural Society (October 2010)

https://www.researchgate.net/publication/274776874 




SIMONSON, Mr. (Mr. SIMONSON; ? L. SIMONSEN)

Vocalist (a German)

Active Melbourne, VIC, 1853

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMONSON-Mr (shareable link to this entry)


Documentation:

Report of a barque Alster, from Hamburg, 1 April, arrived at Melbourne this 17 July 1853;

https://prov.vic.gov.au/archive/3403A91B-F96C-11E9-AE98-1F36C9268AB1?image=92 (DIGITISED)

. . . L. Simonsen / 31 . . .

"ALI-BEN-SOU-ALLE", The Argus (26 July 1853), 5

http://nla.gov.au/nla.news-article4794952 

This gentleman's concert last evening was again very well attended, although it was not as crowded as on former occasions. The illness of M. Valere deprived us or the pleasure of hearing the duet . . . M. Valere's place was filled by Mr. Simonson, a German, whose efforts were not very successful . . .

ASSOCIATIONS: Ali-Ben Sou-Alle (musician); Mons. Valere (vocalist)




SIMPSON, Mr. (Mr. SIMPSON)

Musician, bugler (51st Regiment)

Departed Hobart Town, VDL (TAS), August 1846
Died India, 1846/47

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMPSON-51st (shareable link to this entry)

ASSOCIATIONS: Band of the 51st Regiment (military)


Documentation:

Paylist of the 51st Regiment, 1 April to 30 June 1846 (Australian Joint Copying Project, from Records of the UK War Office)

https://nla.gov.au/nla.obj-1651873636 (DIGITISED)

551 / Simpson James / . . .
961 / Simpson Mark / . . .
851 / Simpson Thomas / . . . Garrison duty
508 / Simpson William / . . .

NOTE: There is no Simpson listed among the drummers and fifers, or among the band

"FINAL EMBARKATION OF THE 51ST", The Courier (12 August 1846), 3

http://nla.gov.au/nla.news-article2945104

At an early hour on Saturday great numbers of our citizens of all ranks and conditions repaired to the garrison to witness the departure of the two first detachments of the 51st regiment for India. The morning was propitious, and the scene one of deep interest. As the men issued from their quarters in heavy marching order, equipped for the voyage, hasty, earnest - and in the common order of events - final adieus and farewells were exchanged. The bugle sounded, and the troops formed in line before eight o'clock. There was waiving of hands, amongst the spectators, as the men repaired to their stations. The sun shone resplendently on the snow-capped mountain in the distance, the bright green foliage of the forest trees on its sides contrasted singularly, mingling winter with summer scenery; and the white mist which bung over the valley that separates the city from the hilly ground, was floating away in light vapour as the sunbeams played upon it. There stood the troops fronting for the last time that lovely scene, but the picturesque had no attractions either for the soldiery or the citizens, - every other emotion was absorbed in the one common feeling of universal regret and separation. The band played a lively air, as stragglers who had been out in the city, arrived and took their places in the ranks. The veteran and gallant Colonel, accompanied by Lieut.-Colonel Cumberland, of the 96th, and Major Ainsworth, attended by several other officers and friends, made a careful inspection of the men. The bugle again sounded, the troops were formed in double line, and after some other manouvres, the order to "march!" was given. The troops set un a loud shout, which thrilled through every nerve of that vast assemblage; and the font of feeling burst forth in the breast of even the most careless who, having no friends or relations on the ground, had gone merely to look upon the scene as a spectacle. There was an echo given in reply to the shout of the soldiery; the band struck up the air of "Auld lang syne," and the march from the Barrack square commenced. Thus the troops and populace proceeded down Davey-street into Macquarie-street. Here the band ceased, and the buglers struck up the appropriate air of "The lass I left behind me." Again heartfelt cheers were given by the military and responded to by the populace. These manifestations of reciprocal good feeling between the soldiery and the civilians were occasionally repeated until the arrival of the troops at the Commissariat jetty. The China was moored close alongside, and the embarkation commenced immediately. The Agincourt lay off at a short distance, and her complement of men were conveyed alongside in the river craft (engaged for the purpose,) under the directions of Captain Moriarty. In an hour the embarkation was completed, without the slightest accident or confusion. The buglers went off with the last boat, repeating the air, "the girl I left behind me;" Colonel Elliott, and the Officers for the Agincourt, followed in Captain Moriarty's barge, the band playing "God save the Queen;" the spectators on shore cheering. On arrival on board, the band and buglers played once more "Should auld acquaintance be forgot," and thus terminated the embarkation. The China was cast off from her moorings, warped into the stream, and sailed the same afternoon. The Agincourt followed in a few hours afterwards. Of the partings from dear and near connexions we may mention one instance. There is a veteran now in town of the name of Patrick Shields, 21 years in the regiment, and now a Chelsea pensioner on a shilling a-day. He had four sons and two daughters born in the regiment. Two of the sons are privates and two non-commissioned officers. The two daughters are married to privates, and thus the parent was separated, in one hour, from four sons, two daughters, and two sons-in-law. Such scenes as these are seldom witnessed . . .

"THE 51ST REGIMENT IN INDIA", The Courier (15 May 1847), 2

http://nla.gov.au/nla.news-article2971904:

We regret to record that, since the arrival of the head-quarters of this fine regiment in the China and Agincourt, at Bangalore, there have been many deaths, among whom we may mention . . . sergeant Jones (of the band,) . . . Kelly (of the band,) Simpson (of the buglers.)




SIMPSON, Moses Henry (Moses Henry SIMPSON; Moses SIMPSON)

Musician, professor of music, bandmaster, violinist, publican, grazier

Born Derbyshire, England, 1841; baptised Newhall, 1 October 1841; son of Andrew SIMPSON and Mary ?
Arrived Melbourne, VIC, 1861 (per British Trident, from London, 3 September 1861)
Married Catherine CONNELLY (d. 1934), Tumut, NSW, 1864
Died Belmont, NSW, 25 July 1925

https://trove.nla.gov.au/search?l-publictag=Moses+Henry+Simpson+1841-1925 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMPSON-Moses-Henry (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

Baptisms solemnized in the parish of Stapenhill at St. John's chapel, Newhall, in the County of Derby in the year [1841]; register 1833-1916, page 57; Derbyshire Record Office

https://www.ancestry.com.au/imageviewer/collections/61408/images/RS00013361_4452628-00476 (PAYWALL)

No. 445 / 1841 October 31 / Moses Son of / Andrew & Mary / Simpson / Newhall / Tailor . . .

England census, 7 April 1861, Newhall, Derbyshire; UK National Archives, RG 9 / 1963

https://www.ancestry.com.au/imageviewer/collections/8767/images/STSRG9_1963_1965-0162 (PAYWALL)

111 Albert Place / Moses Simpson / Head / Un. / 19 / Professor of Music / [born] Derbysh. Newhall

Names and descriptions of passengers, per British Trident, from London, 3 September 1861, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B1D49CA-F96C-11E9-AE98-BB631F4E00E4?image=188 (DIGITISED)

. . . Moses H. Simpson / 20 / [Agriculturalist] / [English] / [for] Sydney . . .

"CELEBRATION OF THE ODD-FELLOWS' THIRD ANNIVERSARY", The Tumut and Adelong Times (6 November 1865), 2

http://nla.gov.au/nla.news-article144774305 

The third anniversary of the Adelong Lodge of Odd-Fellows was celebrated on Friday last as on former occasions. The day was most propitious, and the number of brethren who assembled to take part in the procession was highly creditable. At half-past twelve, they formed themselves in marching order, headed by an impromptu brass band, composed of local talent, under the directorship of Mr. Simpson . . . THE DINNER - The banquet provided did honour to the host, hostess, and all who were concerned in the production of it, especially Mr. Lyons, the chef de cuisine . . .
[toasts and airs] . . . Band - "Auld Lang Syne" . . . Band - "Jolly Good Fellows" . . . Band - "We won't go home till morning" . . . Band - "Here's a health to all good lasses" . . . Band - "Tubal Cain" . . . Band - "Red, White, and Blue" . . . Band - "For he's a jolly good fellow" . . . THE BALL in the evening was a great success, at one time a hundred and ninety being present. Dancing was kept up with untiring energy till six o'clock the following morning . . .

[Advertisement], The Tumut and Adelong Times (7 March 1867), 3

http://nla.gov.au/nla.news-article144777799 

ADELONG ASSEMBLY ROOM, FRIDAY, MARCH 15.
AMATEUR PERFORMANCE FOR THE BENEFIT OF Mr. James Chappie, and the Widow and Family of the late Mr. John Bruce . . .
PART I. Overture - Brass Band . . .
To be followed by the Laughable Farce, entitled
"SYLVESTER DAGGERWOOD, OR, ACTING MAD.
Mr. Puffy (an author) Mr. Simpson . . .
The Whole to Conclude with "The Plantation Jubilee" . . .
Solo - Japanese Fiddle, Mr, Simpson . . .
Musical director, Mr. Simpson . . .

"THE AMATEUR CONCERT", The Tumut and Adelong Times (2 May 1867), 2

http://nla.gov.au/nla.news-article144774909 

It will be seen by advertisement in our first page, that the Adelong amateurs have united to give an entertainment to defray certain little expenses connected with the late benefit concerts, the overplus to be presented to Mr. Simpson for his kindness in devoting his services to the preparations so necessary for the success which has attended these entertainments . . .

"ADELONG (FROM OUR CORRESPONDENT) August 11th", The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (14 August 1869), 3

http://nla.gov.au/nla.news-article123549718 

On Saturday . . . Miss Aitken again favored us with another of the intellectual treats she provides for her auditors . . . an amateur Mr. Holland acquitted himself very creditably in the forest scene from "As you Like It," as did also Mr. Sinclair, who presided at the piano, assisted by Mr. Simpson on the violin . . .

"MONSTER CONCERT", Wagga Wagga Advertiser (30 October 1869), 2

http://nla.gov.au/nla.news-article104085468

The Tradesmen's Band made their first public appearance on Wednesday evening, and may be congratulated on their decided success. The concert which was given under the patronage of the Oddfellows, was announced to commence at 8 o'clock; and about half-past seven the Band marched from their practice-room, at Mr. Robins's, through the principal streets to the Australian. They were arrayed in their new uniform, blue trousers with a red stripe, and white coat trimmed with scarlet, and were accompanied by several torch-bearers whose flaming flambeaux displayed the snowy coats and bright instruments of the bandsmen to great advantage. The march up Fitzmaurice-street to the inspiring strains of "Work Boys, Work," was a sight to be remembered. A great crowd had assembled at the Australian. The Hall, long before the concert commenced, was crowded, the front seats being occupied chiefly by members of the brotherhood in the regalia of their order. The gay sashes and caps of the Oddfellows added to the dashing uniform of the Band, and the many-coloured dresses of the ladies, made the scene one of unusual brilliance for this dull "city of the crows." After an opening address had been read by Mr. J. Thompson, the concert commenced with Major's grand march by the full band, Mr. Simpson, the bandmaster, conducting. Any curiosity that existed an to how the band would acquit themselves in the first public effort, was soon agreeably satisfied. Notwithstanding the short time they have been in practice, their playing is really excellent, and does infinite credit both to themselves and their skilful preceptor. The favourite glee "The Chough and Crow" followed, capitally sung by six or seven of the band; then an instrumental duett, by Messrs. Robins and Heydon, the "Tommy Dodd" galop by the band, a song, "Il Balen," by Mr. Heydon, enthusiastically encored - and several other pieces instrumental, and vocal, all excellently performed and eliciting the loud and well-merited applause of the audience. The gem of the concert, however, decidedly was the violin solo of the bandmaster, Mr. Simpson. This gentleman, who promises to be a great musical acquisition to Wagga Wagga, first gave the well-known Cuckoo solo with such effect as to secure a most vigorous encore, when he substituted an admirable imitation of chime bells, and fairly rung the house into ecstasies. The second part of the programme consisted of a "negro entertainment," in which most of the company distinguished themselves, Bones especially, albeit as black as his own boots, being by no means [REDACTED]-dly in the amusing matter of jokes, good, bad, and indifferent. "God save the Queen," performed by the full band terminated one of the most successful entertainments ever given in Wagga Wagga. We hear another entertainment will be given on Wednesday week for the benefit of the Oddfellows, and that it is the intention of the band during the summer months to give moonlight concerts on the racecourse. This is a capital idea, and if well caried out will no doubt prove as profitable to the band as attractive to the townspeople.

MUSIC: Tommy Dodd galop (by H. W. Loveday); The chough and crow (Bishop, from Guy Mannering); The cuckoo solo (violin)

"THE LOCAL BAND'S CONCERT", Wagga Wagga Advertiser (29 January 1870), 2

http://nla.gov.au/nla.news-article104086057

According to announcement, the Wagga Wagga Brass Band gave a vocal and instrumental concert at the Australian Assembly Room on Wednesday evening, the entertainment being in aid of the Band fund. The attendance was good, though not so great as at the first concert, a fact which the inclemency of the weather, sufficiently accounts for. The selections were judicious, and the programme was faithfully carried out. The Band played with much more taste and precision than might have been expected, considering the short period of their organisation, and manifested considerable improvement since their last performance, the result of careful training and patient perseverance in practice. There was much more harmony in the performance than on former occasions, the melody not being often overpowered by the accompanying instruments - a defect so common to amateur bands. In the first part, Mr. Heydon, who was in excellent voice sang, "Long parted have we been" admirably, and substituted for the encore, with good effect, "The tempest of the heart." Mr. Simpson's solo on the violin - overture to "Il Tancredi" - was a skilful performance, and displayed much taste in the piano and flowing passages, but it struck us as wanting generally in vigour and expression, or dramatic effect. It was, however, deservedly applauded, and an encore being, demanded, the performer gave his happy imitation of the bells instead, to the great delight of the audience. The second part of the entertainment consisted of negro minstrelsy . . . "Eulalie," sang in Joe Robbins's best style, brought the entertainment to a close - the National Anthem, that most difficult though apparently simple composition, being then played correctly and in a very effective manner by the full band. It will be seen that the Band intend to give another concert on Wednesday next . . . The Band deserves encouragement, and we trust will receive it. It is not, it should be understood, to "put money in their purses," that these entertainments are given by the Band, but to replenish a fund which the purchase of instruments, music, and uniforms, and the payment of a conductor, have pretty nearly exhausted, and, moreover, to provide for current expenses. There was but lately much need of a Band in Wagga; now that one is organised and become a very creditable institution, it would not be right in the townspeople to allow it to suffer for want of sympathy and support . . .

"WAGGA WAGGA BAND CONCERT", Wagga Wagga Advertiser (11 May 1870), 2

http://nla.gov.au/nla.news-article104086814

A very excellent concert was given on Monday night at the Court House in aid of the Flood Relief Fund by the Wagga Band, assisted by the Eastwick family and several amateurs. The Band performed several of their best pieces with great success, and certainly do great credit to their skilful band-master, Mr. Simpson, who must have taken no small pains to bring his band in so short a time up to such comparative perfection . . . At the conclusion of the performance, Mr. George Forsyth rose and said that, as Chairman of the local flood Relief Committee, he had much pleasure in tendering the thanks of that body and of the community generally to the band-master and the Band for their kindness in coming forward spontaneously in aid of the sufferers by the flood . . . He was glad after an absence of twelvemonths to find so excellent an institution as a good band in Wagga. The perfection at which the Band had already arrived, reflected the greatest credit upon the band-master and all concerned. During his stay in Sydney he had, of course, heard many bands, and he could conscientiously say that the Wagga Band was second to none. (Loud Cheers.) The Band-master (Mr. Simpson) returned thanks on behalf of the Band, adding that if at any time their small help could be of service, they would be most happy to give it with a good heart. (Cheers.) The Band then performed the National Anthem, and a very successful evening's entertainment came to a close.

ASSOCIATIONS: Henry and Wilhelmina Eastwick and family (musicians, vocalists)

"MUSIC IN WAGGA WAGGA. To the Editor", Wagga Wagga Advertiser (7 June 1871), 2

http://nla.gov.au/nla.news-article103919251

Sir, - Among the many evidences of progress in the lively little town of Wagga, during the last year or two, the study of music has been conspicuous. The town band (consisting of about a dozen tradesmen) led the van by engaging an instructor for twelve months, and resolutely practising under him till they hid attained a tolerably degree of proficiency. After a short interval, the late bandmaster (Mr. Simpson) having left the town, the band has just been reorganised, and has effected an engagement, for another twelve months' tuition, with Mr. Schlue, a German professor of music, under whose zealous conduct hard practice for two or three hours is enforced three times a week . . .
Yours truly, PHILHARMONICUS.

ASSOCIATIONS: Carl Schlue (musician)

"BOXING DAY RACES", The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (3 January 1879), 2

http://nla.gov.au/nla.news-article127641019 

The grand concert, as the posters designated it, in aid of the funds of the Tumut Town Band, came off on Boxing night in Tuohy's Assembly Hall. The place was comfortably full, though not crowded. The members of the band were warmly applauded, as indeed they certainly deserved to be, for they performed with spirit, and their time was excellent, the progress they have made under their painstaking tutor Mr. M. H. Simpson is quite astonishing. If they only go on as they have commenced, Tumut will ere long possess a band equal to any out of Sydney. The instrumental pieces rendered were Auld Lang Syne, Charlestown Quadrilles, Snowdrift Galop, and several duets and solos, all of which were effectively given. Mr. Simpson's performance on the violin was simply perfect, eliciting prolonged applause . . .

"VETERANS' RECORDS", The Newcastle Sun (13 December 1921), 5

http://nla.gov.au/nla.news-article162800263 

The ages of the old people who were entertained in Hamilton by the Ladies' Jubilee committee yesterday totalled 6531 years . . . Among the veterans present was Mr. Moses Henry Simpson, who stated that he was not sure of his age, but he believed he was over 90 - perhaps 94. He was born in Derbyshire, England, and has been a resident of Australia since 1861. He has not been living in Hamilton for many years, but for a considerable time he took an interest in the progress association at Belmont. Mr. Simpson's experiences outback in the early days have been varied, and, at times, exciting. For many years he was droving cattle from stations in New South Wales and Queensland to the Melbourne markets, during which he encountered bush fires, was in the throes of droughts, and was subjected to the dangers of crossing swollen rivers, such as the Murray and the Murrumbidgee. He was too modest to tell much about himself, and, while not rich in worldly possessions, has the joy of knowing that he has wealth in the number of his bairns, who, with his wife, are still alive. Conversing with Mr. Simpson, no one would regard him as more than a nonagenarian. He is a non-smoker, eschews strong drink, and has no time for gambling . . .

"DEATHS", The Sydney Morning Herald (1 August 1925), 14

http://nla.gov.au/nla.news-article16219390 

SIMPSON. - July 25, at the residence of his daughter, Mrs. F. H. Evans, Blackall-street, Hamilton, Moses Henry Simpson, late of Belmont, in his 84th year.

"LOOKING BACKWARD. The Adelong Goldfield. PART 34 By WILL CARTER . . . AN OLD-TIME ORCHESTRA . . . ", Daily Advertiser [Wagga Wagga, NSW] (27 March 1939), 2

http://nla.gov.au/nla.news-article143635134 

. . . Did time and space permit, one might go on quoting from the many public entertainers of Adelong - until the programme had run into a marathon . . . and, mention of visiting artists recalls the late Moses H. Simpson and his sons, John and Arthur, instrumentalists . . .




SIMPSON, Walter (Walter SIMPSON)

Musician, naval bandsman (H.M.S. Carysfort)

Visiting Sydney, NSW, August 1846

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMPSON-Walter (shareable link to this entry)


Documentation:

"FLEECING NEPTUNE'S MUSICIANS", The Sydney Morning Herald (15 August 1846), 2

http://nla.gov.au/nla.news-article12895869

Yesterday morning, about two o'clock, Walter Simpson, a bandsman on board H. M. S. Carysfort, gave a female named Mary Ann Smith in charge to Constable Grogan, for stealing 2s. from his pocket. The same woman was also charged by Henry Locket, another bandsman of the same ship, with stealing 10s. 6d from his pocket. It appeared in evidence that they were riding in a cab with prisoner, and when they alighted in George-street their money was gone, there was 9s. found on the prisoner, one half-crown of which Simpson claimed as his. The prisoner was brought before the Bench yesterday forenoon, and discharged, as the proof was defective.

ASSOCIATIONS: Henry Locket (musician); H. M. S. Carysfort (Royal Navy ship)




SIMPSON, William (William SIMPSON; W. SIMPSON; Mr. SIMPSON)

Musician, clarinettist, clarinet / clarionet player, bandsman (99th Regiment), bandsman (12th Regiment), bandmaster, museum keeper

Born England, c. 1815
Arrived Sydney, NSW (with headquarters of 99th Regiment), 19 February 1843 (per Earl Grey, from Deptford, 16 September 1842, via Hobart Town)
Arrived Hobart Town, VDL (TAS), 11 July 1848 (per Sir Edward Paget, from Sydney)
Transferred to 12th Regiment, Hobart, TAS, 31 October 1855
? Discharged (12th Regiment), Sydney, NSW, October 1858 (to Hobart Town)
Died Hobart, TAS, 19 April 1890, "in the 76th year of his age"

https://trove.nla.gov.au/search?l-publictag=William+Simpson+c1815-1890 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMPSON-William (shareable link to this entry)

ASSOCIATIONS: Band of the 99th Regiment (to October 1855); Band of the 12th Regiment (October 1855 to October 1858)


Documentation:

Paylist of the 99th Regiment, 1 April to 30 June 1843; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1687795407 (DIGITISED)

. . . 922 / Simpson W'm / . . . Band . . .

[Advertisement], The Australian (29 November 1845), 1

http://nla.gov.au/nla.news-article37154101

UNDER VERY DISTINGUISHED PATRONAGE.
GRAND CONCERT. Mr. MARSH begs to announce that his Concert, will take place on
WEDNESDAY EVENING, DECEMBER 3RD, AT THE ROYAL VICTORIA THEATRE.
. . . Orchestra, which will be full and complete, consisting of the following instruments in two New Overtures: -
. . . Flutes - . . . A. Hill.
Oboes - Messrs. R. Martin, W. Cleary.
Principal Clarinets - Messrs. W. Martin, A. Cleary.
Clarinets - Messrs. Lillingston, Bromley, Hepperon, and Simpson . . .

Paylist of the 99th Regiment, 1 October to 31 December 1855; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1682309297 (DIGITISED)

922 / Simpson (1) William / 1 Oct. [to] 31 Oct. / . . . Transferred to 12th Rg't 31 Oct.

Paylist of the 12th Regiment, 1 April to 30 June 1857; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1592490105 (DIGITISED)

922 / 3711 / Simpson William / . . . Band

Paylist of the 12th Regiment, 1 January to 31 March 1858; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1592584061 (DIGITISED)

922 / 3711 / Simpson William / . . . Band

Paylist of the 12th Regiment, 1 October to 31 December 1858; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1592949331 (DIGITISED)

922 / 3711 / Simpson William / [to] Oct. 27 . . . To Hobart Town

"PLEASURE TRIP" and "ALL SAINTS CHURCH BAZAAR", The Hobart Town Daily Mercury (17 December 1859), 2

http://nla.gov.au/nla.news-article3259833 

The Culloden is advertised to go to Barnes's Bay, on a pleasure trip to-day leaving the wharf at 2 o'clock. . . Mr. Simpson's (late of the 99th regiment) band has been engaged for this occasion, and will be an improvement upon the music previously engaged.

The bazaar in aid of the building fund of this church, was notwithstanding the fearfully hot and dusty nature of the weather continued throughout yesterday . . . A great attraction, Mr. Simpson's band, gave its gratuitous services on both Thursday and last evening . . .

"THE HUON REGATTA", The Cornwall Chronicle [Launceston, TAS] (14 March 1860), 3

http://nla.gov.au/nla.news-article65988520 

After tea, for which an excellent cold collation had been provided by the stewards, dancing became the order of the day, to the inspiring strains of Simpson's band, who, we forgot to mention, also performed on the regatta ground . . .

"THE HUON REGATTA", The Mercury [Hobart, TAS] (6 February 1862), 3

http://nla.gov.au/nla.news-article8804176 

This Aquatic Festival was held yesterday at Shipwright's Point, Huon River, and the proceedings came off with great eclat. At seven in the morning the Culloden Steamer, full of passengers, left the Franklin Wharf, and was followed at eight o'clock by the steamer Monarch, which was also crowded with pleasure-seekers. His Excellency the Governor, with his aide de camp Captain Steward, arrived on board the Monarch, and was received with great respect, the Band playing the National Anthen. The weather was most delightful, a cool sea breeze tempering the heat the sun's rays. A band was on board each of the steamers, the decks furnished extempore ball-rooms, and, animated by the strains of music, many of the passengers joined in the mazy dance . . . Not the least attractive feature of the day was the Battalion Band, a portion of which was on board each of the steamers, that on the Monarch being led by Mr. Simpson, the master of the Band, whilst in the Culloden the leadership was taken by Herr Wackeldine, of the City Guards' band. Arrived on the ground the band united, and performed several overtures and concerted pieces, adding greatly to the hilarity and amusemsnt of the proceedings . . . Shortly after 5 o'clock the Culloden left for Hobart Town, and was followed by the Monarch about half an hour afterwards. At Three Hut Point, the Monarch came up with the Culloden and passed her, the Band on board the Monarch playing, "The girl I left behind me," - the band of the Cullodon played "See the conquering hero comes" to which she was answered by "Rule Britannia" - the passengers onboard both steamers cheering lustily . . .

ASSOCIATIONS: Conrad Wackeldine (band leader)

"CURIOUS FISH", The Mercury (21 February 1865), 3

http://nla.gov.au/nla.news-article8831240 

Yesterday morning a large and curious fish was brought to the Museum by a man from Brown's River, who found it stranded on the beach near the township. It is 7 ft. 6 in. in length, and 5 ft. 2 in. in circumference at the broadest part, and is apparently a stranger to these waters, none similar having hitherto been seen here . . . Mr. Simpson, of the Museum, and Mr. Hissey, of Macquarie-street, will proceed to-day to skin the animal with a view to stuff it. When brought to town yesterday, it was quite fresh and had not been long dead.

"THE HUON REGATTA", The Mercury (2 January 1866), 2

http://nla.gov.au/nla.news-article8836872 

. . . The City of Hobart belonging to the T.S.N. Company, which was placed at the disposal of Captain Gourlay for the day, but was commanded by Commodore Clinch, left the wharf precisely at 8 o'clock, having between seven hundred and eight hundred persons on board . . . The fine paddle steamer Monarch, Captain Hanson, left her moorings at half-past 7 o'clock, with a living freight of from 200 to 250 persons . . . And inasmuch as this steamer was not so crowded as the other, those who patronized the Monarch had more moving room, and the votaries of Terpsichore had better opportunities for indulging in their favorite amusement. There was a highly respectable company on board. The Second Rifles Band furnished the musical talent, arranged by the master, Mr. W. Thomas, who led the portion of the band on board the Monarch, while on Mr. Simpson devolved the conductorship of the music in the City of Hobart. The band on the regatta ground was led by Mr. Thomas. The superior speed of the City of Hobart enabled her to overhaul the Monarch at Three Hut Point, where reciprocal cheering took place to any extent, the band in the former striking up "The girl I left behind me" as she passed the latter . . .

ASSOCIATIONS: William Thomas (bandmaster)

[Advertisement], The Mercury (31 August 1866), 1

http://nla.gov.au/nla.news-article8841347 

SHAGS AND CORMORANTS. To prevent the utter destruction of fish in our creeks, rivers, and bays, caused by the Black Shag and Cormorant, 3d. each will be given for the heads of these birds on applying to MR. SIMPSON, at the Museum, Macquarie-street, until further notice. The heads must be fresh ones. August 18th, 1866.

"BAZAAR", The Mercury (20 December 1867), 3

http://nla.gov.au/nla.news-article8849569 

A bazaar in aid of the funds of St. John's Church, Macquarie-street, was opened . . . yesterday afternoon . . . and an appropriate supply of music was provided by Simpson's band . . .

"BAZAAR IN AID OF THE FUNDS OF THE PRESENTATION SCHOOLS, HOBART TOWN", The Mercury (13 February 1868), 2

http://nla.gov.au/nla.news-article8850527 

. . . Simpson's band occupied the orchestra during the evening, and enlivened the proceedings by playing a number of choice pieces . . .

"WORKING MEN'S CLUB", The Tasmanian Times (17 June 1868), 2

http://nla.gov.au/nla.news-article232861051 

. . . Too much cannot be said in commendation of the services rendered to the Club, on this, as on former occasions, by Mr. Simpson and the members of his excellent band. To say that they discoursed sweet music, appears too hackneyed. We would say, they played delightfully yesterday evening. Messrs. Chick, Harris, Quinlan, and Simpson, sung very well, and were loudly encored . . .

"MECHANICS' INSTITUTE. MESSES. GAGLIARDI AND SIMPSON'S BENEFIT", The Tasmanian Times (31 March 1869), 2

http://nla.gov.au/nla.news-article232867166

Notwithstanding the unpromising state of the weather, a crowded audience filled the Hall of the Institute last night, on the occasion of a complimentary benefit to Messrs. Gagliardi and Simpson, under the patronage of Major Maycock and the officers of the garrison. The programme was exceedingly well selected: several lady and gentlemen amateurs lent assistance in solo and part songs, and an excellent orchestra, led by Mr. Russell, performed overtures and selections from the works of Rossini, Auber and Donizetti. The whole concert was conducted by Mr. A. Alexander, R.A.M., who accompanied the vocalists on the piano . . . Mr. Simpson, in the first-part, performed a solo on the clarionet ("Tyrolese") with finished accuracy and in excellent tone. He was loudly and deservedly applauded . . . Signor Gagliardi, on behalf of himself and Mr. Simpson, tendered his thanks to the ladies and gentlemen who had on the present occasion so kindly assisted them, and to the audience for their patronage. "I have not the English tongue" (he said, with a simple naivete worth a thousand studied phrases) but I have the English heart, and with that heart I thank you!" . . . The orchestra deserve special praise. Under Mr. Russell's practised bow, they performed the overtures to "Italiana in Algieri," and to "Masaniello," with admirable effect. Their accompaniment to the clarionet solo was also noticeably good. The whole concert was a great success as a musical performance; and we trust it may prove so as a benefit to Messrs. Simpson and Gagliardi . . .

ASSOCIATIONS: Giacinto Gagliardi (flute); William Wilkins Russell (leader, violin); Albert Alexander (piano)

"COMPLIMENTARY BENEFIT", The Mercury (31 March 1869), 2

http://nla.gov.au/nla.news-article8858057

The concert at the Mechanics' Institute last evening for the benefit of Messrs. Simpson and Gagliardi, under the patronage of Major Maycock and offices of the garrison, attracted it more numerous audience than might have been expected, from the unfavorable state of the weather . . . The gem of the first part was the solo clarionet "Tyrolese" by Mr. Simpson, which was much applauded . . . The band which was very efficient was strengthened by several professionals.

"TOWN HALL PROMENADE CONCERTS", The Mercury (8 June 1869), 2

http://nla.gov.au/nla.news-article8859461

The last of the first series of promenade concerts at the Town Hall was attended last evening by the largest assemblage which has yet honored Messrs. Dentith and Gagliardi, and the concert was successful in every respect. Mr. Dentith conducted, with Mr. Russell for coadjutor, and Mr. Albert Alexander, R.A.M., presided skillfully at the piano. The programme was all that could be desired, both as regarded instrumental and vocal selections. It opened with the grand overture to Fra Diavolo, which was given in excellent style. Then came a waltz by the orchestra, "The Woman in White," which was very successful . . . Mr. Simpson's clarionet obligato "Recollections of Mont Blanc" was the gem of the second part, and was much applauded . . .

ASSOCIATIONS: Alfred Jackson Dentith (conductor)

MUSIC: Recollections of Mont Blanc (S. Turtle); this work was originally published in London in 1831 by "J. Simpson, at his Patent Flute & Flageolet Manufactory, 260, Regent St.", London; might this John Simpson have been a family relation?; see a Double flageolet by him, c. 1826-30, in the collection of the Museum of Applied Arts and Sciences, Sydney.

"COMPLIMENTARY BENEFIT TO MR. BIGGS", The Mercury (30 June 1869), 2

http://nla.gov.au/nla.news-article8859876

Last evening at the Mechanics' Institute, a complimentary benefit was given to Mr. Biggs, the bassoonist, who is prevented by continued ill health from following his avocation. An effective orchestra conducted by Mr. A. Alexander, and a number of amateur vocalists sustained a well arranged programme of solos, songs, part-songs, &c., which were tastefully given and unanimously applauded. Mr. Biggs himself performed a solo (Mazourka, varied) and gave evidence of peculiar skill on his favourite instrument. Mr. Simpson's clarionet solo was a masterly effort, and in both cases the numerous audience heartily applauded . . .

ASSOCIATIONS: Jesse Biggs (bassoon)

[Advertisement], The Mercury (12 July 1869), 1

http://nla.gov.au/nla.news-article8860093

THIS (MONDAY) EVENING, 12TH JUNE,
MESSRS. DENTITH AND GAGLIARDI'S FIFTH OF SECOND SERIES OF SELECT PROMENADE CONCERTS.
SIGNOR GAGLIARDI'S BENEFIT.
PROGRAMME. PART I. Overture - L'ltaliana in Algeri - ROSSINI
Grand March - Left, Right - D'ALBERT . . .
Grand Duett - Fagotto and Clarionet, Polacca, Tausch - MESSRS. BIGGS AND SIMPSON.
Galop - Cataract - FAUST . . .
Galop - Express Train, with effects illustrating the motion of the Train - KALKBRENNER . . .
PART II. Overture - La Gazza Ladra - ROSSINI . . .
Waltz - La Murska - GODFREY . . .
Polka - Circassian - D'ALBERT . . .
Waltz - Marion - COOTE . . .
Galop - Eclipse - COOTE . . .

"PROMENADE CONCERT", The Mercury (13 July 1869), 2

http://nla.gov.au/nla.news-article8860104

The last but one of Messrs. Dentith and Gaghardi's promenade concerts, was largely patronised last evening at the Town Hall, when an admirable instrumental and vocal selection was presented. An overture was performed by the full band at the commencement of each part of the programme, and the other instrumental pieces comprised Grand March (D'Albert,) galops, and waltzes . . . A grand duett, fagotto and clarionet, by Messrs. Biggs and Simpson, a bassoon solo on popular airs by Mr. Biggs, and the express train galop were among the most noticeable pieces . . .

[Advertisement], The Mercury (21 September 1869), 1

http://nla.gov.au/nla.news-article8861375

TOWN HALL. PROMENADE CONCERTS. SUMMER SEASON, SIGNOR GAGLIARDI . . . has just completed the engagement of the following Orchestra - Mr. A. Alexander, R.A.M., pianist . . . Leader of the Orchestra, Mr. W. Russell; Second Violins, Mr. L. Thomas and a Gentleman Amateur; Viola, Mr. Brown; Violoncello, Mr. H. Roberts; Flutes, Signor Gagliardi and his pupil Amateur, Mr. G. Smith; Clarionet, Mr. W. Simpson; Cornet, Mr. G. Thomas; Oboe, Signor Gagliardi; Contrabasso, Mr. Fowler; Ophicleide, Mr. Pattison; Batterie; Mr. Gabbott.

ASSOCIATIONS: Henry Roberts (cello); George Fowler (contrabasso ophicleide)

"THE CITY BAND. TO THE EDITOR OF . . .", The Tasmanian Tribune (18 April 1876), 3

http://nla.gov.au/nla.news-article200371116 

SIR, - I was present for the first time at the performance of the city band in Franklin Square on Saturday afternoon, and was very agreeably surprised at its proficiency. Considering the short time it has been established, I think great credit is due to its conductor, Mons. Del Sarte, as also to the members, for its having attained that proficiency . . . I was much pleased with the rendering of the overture to "Les Sirenes," by Marie, and of the lively, although short gallop, "Le pere douchet," both characteristically French, and decidedly national. I see that our old friend Simpson is there with the clarionet, and Fowler, with the ophecleide, is great in more respects than one . . .
Yours, &c., A LOVER OF MUSIC . . .

ASSOCIATIONS: Camille Del Sarte (bandmaster)

"MUSIC AT THE BOTANICAL GARDENS", The Mercury (30 January 1873), 2

http://nla.gov.au/nla.news-article8926531

On Saturday next the Botanical Gardens, eminently attractive as they now are, ought to be still more so, for we learn that arrangements have been made by Mr. Simpson, solo clarionet performer, to have music in the gardens. The volunteer band under the conductorship of Mr. Thomas will play there from 3.30 to 5.30 in the afternoon. This is juat the very thing we want in Hobart Town. Saturday afternoon is a half-holiday for a great many of the citizens, and visitors are very often at a loss how to spend their time. The gardens alone are worthy of a visit at this time; and with the additional attraction of a band a great many people will aeize the opportunity of going there. Mr. Simpson is to be commended for this praiseworthy endeavour to initiate al fresco concerts, and he ought to be encouraged. But whether Franklin Square would not be the more frequented locality may be worth a trial.

[Advertisement], The Mercury (10 May 1878), 3

http://nla.gov.au/nla.news-article8963023

NOTICE. - TO VOLUNTEER BANDS AND OTHERS. - The undersigned is prepared to take in Pupils, for the CLARIONET.
Private Tuition, two guineas per quarter; Classes not less than. Four, one guinea each, per quarter.
Instrument found on easy terms. WILLIAM SIMPSON, Liverpool-street.

[Advertisement], The Mercury (6 January 1881), 1

http://nla.gov.au/nla.news-article8992037

MUSICAL.
The undersigned is prepared to receive pupils in classes or individually.
Classes of three, One Guinea; or under that Two Guineas per quarter.
If necessary, instruments provided on easy terms.
WILLIAM SIMPSON, Clarionet Soloist.
Barrack-street, between Macquarie and Davey streets.

[Advertisement], The Mercury (12 April 1889), 3

http://nla.gov.au/nla.news-article9210190

SUNDAY CONCERT. The GARRISON BAND (by permission of the Commandant) will give a CONCERT in the Barrack reserve NEXT SUNDAY AFTERNOON, commencing at 3 o'clock.
The proceeds will be for the benefit of MR. WILLIAM SIMPSON (an old musician) and family who are in very reduced circumstances.
The public, doubtless, are aware that no charge can be made for these afternoon concerts, but all who enter the gates are expected to put a Coin in the Boxes.
W. T. BATES, Garrison Bandmaster.

ASSOCIATIONS: Walter Tennyson Bates (bandmaster)

1890, deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1235578; RGD35/1/12 no 1218

https://stors.tas.gov.au/NI/1235578 

https://stors.tas.gov.au/RGD35-1-12$init=RGD35-1-12P156 (DIGITISED)

[No.] 1218 / 19 April 1890 / William Simpson (Died 28 Frederick Street Hobart) (Born England) / Male / 76 years / Musician / Gangrene of lung . . .

"DEATHS", Tasmanian News (19 April 1890), 1

http://nla.gov.au/nla.news-article163572198 

SIMPSON. - On April 19th, at his residence, No. 28 Frederick street, William Simpson, late of Her Majesty's 99th Regiment of Foot, in the 76th year of his age. The funeral will leave his late residence on Monday, 21st instant, at 2.30 p.m., when friends are invited to attend.

"THE LAST OF HIS RACE. Death of King Billy Recalled. Mysterious Disappearance of Remains", World [Hobart, TAS] (10 September 1919), 8

http://nla.gov.au/nla.news-article193339449 

The struggle which occurred to secure the bones of William Lanne, the last Tasmanian aboriginal, has resulted in considerably complicating the records of the end of this rather interesting historical personage. Two newspaper versions of his burial and the subsequent desecration of his grave, and the disappearance of his skeleton have recently appeared, the one purporting to correct the other . . .
Concerning the subject, the "Zeehan Herald" states as follows: -

Anent the "Bulletin's" version of the removal of the skull from the body of the last Tasmanian male aborigine, William Lanne, re-published in yesterday's issue, Mrs. Simpson, of Counsel-street, Zeehan, who is conversant with early Tasmanian history, and particularly so with the subject under review, informs us that the facts as published are incomplete and inaccurate in some respects. The skull was removed, as stated, by a well-known Hobart doctor, and sent to England. The feet were also removed from the body, and placed in spirits of wine in a jar, on behalf of the Royal Society. Her late husband (Mr. William Simpson) was entrusted with the jar for safe keeping, but as he knew that others were most anxious to secure that portion of the last of the race, and being afraid that his trust might be taken from him, he handed the jar to Mrs. Simpson (who was at the moment ignorant of its contents), to carry home. On arriving at her residence, Hill-street, Lansdowne-crescent, Hobart, Mrs. Simpson buried the jar in the garden, where it remained for some considerable time, subsequently being handed over to a member of the Royal Society. Mrs. Simpson states the date quoted is correct, but the body was not dug up. Mr. Simpson was attached to the military, member of the 99th band, and subsequently connected with the Hobart Museum staff. The skeleton, as a matter of fact, is not in the possession of the Hobart Royal Society according to the secretary, Mr. Clive Lord. Neither is there any record, he says, of either the hands or feet having been officials preserved. As far as Tasmanian scientific circles were concerned, the question was, "Where is King Billy?"

ASSOCIATIONS: William Lanne (Tasmanian Aboriginal)

"DEATHS", Advocate [Burnie, TAS] (24 April 1924), 2

http://nla.gov.au/nla.news-article67136475 

SIMPSON. - On April 22, 1924, at 74 Counsel street, Zeehan, Mary, widow of William Simpson, bandmaster of Queen Victoria's 99th Regiment.




SIMS, Mr. see Mr. SIM

Musician, contra bass player, band master

Active Ballarat, VIC, 1860-64




SIMS, Walter Cousins (Walter Cousins SIMS; W. C. SIMS)

Music and general printer, compositor

Born Nailsworth, Avening, Gloucestershire, England, 1841 (3rd quarter); son of Anthony SIMS (1807-1894) and Ann SHIPTON (1815-1885)
Arrived Adelaide, SA, 29 June 1859 (per James Jardine, from Liverpool, 19 February, aged "17")
Married Mary Ann RAWSON [ROWSON] (d. 1914), Baptist Chapel, Adelaide, 26 September 1865
Died North Unley, SA, 30 June 1923

https://trove.nla.gov.au/search?l-publictag=Walter+Cousins+Sims+1841-1923 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIMS-Walter-Cousins (shareable link to this entry)

Trading as Sims and Elliott:

https://trove.nla.gov.au/search?l-publictag=Sims+and+Elliott (TROVE tagged by Australharmony)

ASSOCIATIONS: Joseph Elliott (business partner)


Documentation:

England census, 30 March 1851, Nailsworth, Avening, Stroud, Gloucestershire; UK National Archives, HO 107 / 1966

https://www.ancestry.com.au/imageviewer/collections/8860/images/GLSHO107_1966_1967-0032 (PAYWALL)

19 Tanner's Piece / Anthony Sims / Head / Mar. / 43 / Printer and Bookseller / [born] [Glo'shire] Wotton Under Edge
Ann [Sims] / Wife / Mar. / 38 / Dress Maker / [born] [Glo'shire] Hornsby
Emily [Sims] / Daur. / 11 / Scholar / [born] [Glo'shire] Avening
Walter [Sims] / Son / 9 / [Scholar] / [born] [Glo'shire] [Avening] . . .

"SHIPPING NEWS . . . ARRIVED", The South Australian Advertiser (30 June 1859), 2

http://nla.gov.au/nla.news-article794770 

Wednesday, June 29 . . . James Jardine, ship, 810 tons, George Jenkins, master, from Liverpool February 19. Elder, Stirling, and Co., agents. Passengers . . . Walter C. Sims . . .

"MARRIED", The Adelaide Express (26 September 1865), 2

http://nla.gov.au/nla.news-article207604222 

SIMS - ROWSON. - On the 26th September, at the Baptist Chapel, Flinders-street, by licence, by the Rev. Silas Mead, Walter Cousins, eldest son of Mr. Anthony Sims, of Nailsworth, Gloucestershire, to Mary Ann, eldest daughter of Mr. Thomas Rowson, of Hindley-street, Adelaide.

"TOWN HALL POLKA", South Australian Register (21 August 1867), 2

http://nla.gov.au/nla.news-article39181837 

We have to acknowledge the receipt of a copy of the Town Hall Polka, composed by Mr. James Shakespeare, and published by Simms & Elliott, music printers, Gawler-place. The title-page contains a pictorial representation of the Town Hall in chromo-lithography by Penman and Galbraith . . .

ASSOCIATIONS: James Shakespeare (composer); John Penman and William Galbraith (lithographers, printers)

"NEW MUSIC", South Australian Register (21 October 1867), 2

http://nla.gov.au/nla.news-article39179905 

Sims & Elliott have just issued another piece of music, entitled "The Song of the Kooyanna." Our readers may not know who or what is the Kooyanna, and we may therefore as well inform them at once that it is the Dacelogigantea. The words of the song are by "Ellie," a lady whose poetic effusions are well known and much admired, and they are a favourable specimen of her productions. The music is by Mrs. W. P. A., who is an accomplished pianist . . .

ASSOCIATIONS: Ellie (Ellen Turner Debney) (lyricist); Eliza Auld (composer)

[News], Kapunda Herald and Northern Intelligencer (31 July 1868), 2

http://nla.gov.au/nla.news-article108264426 

WE have received the first number of The Adelaide Miscellany, a new fortnightly magazine, published by Messrs. Sims & Elliott, of Adelaide. It is intended to supply a want felt in musical circles, and we have no doubt that it will answer the desired end. We hope it may prove a successful venture, and doubt not that it will do so, especially as from time to time musical supplements will be issued. The first number is distributed gratis, and a few copies having been sent to our office we shall be happy to supply intending subscribers.

"TOPICS OF THE DAY", The South Australian Advertiser (31 July 1868), 2

http://nla.gov.au/nla.news-article31980798 

The Adelaide Miscellany, "a journal of news, literature, music, &c.," made its debut in Adelaide on Thursday, July 30. It contains short tales, poems by local and other authors, a brief digest of news particularly interesting to musical readers, a chess problem, and several anagrams and other puzzles for "family pastime," and an elementary lesson in singing. It is, in appearance, very much like the defunct Adelaide Musical Herald, and is very neatly printed by the publishers - Messrs. Sims and Elliott, of Gawler-place.

ASSOCIATIONS: Adelaide Musical Herald (periodical, 1862-63)

"NEW MUSIC", Adelaide Observer (30 October 1869), 7

http://nla.gov.au/nla.news-article159464622 

We have just received a copy of a new piece of music, composed by Mr. C. E. Howson and published by Sims & Elliott. It is entitled "The Hunt Club Galop," and is dedicated, by permission, to the members of the Adelaide Hunt Club . . .

ASSOCIATIONS: Charles Edwin Howson (composer)

"ASSIGNMENTS", Evening Journal (29 July 1870), 2

http://nla.gov.au/nla.news-article196732935 

Walter Cousins Sims and Joseph Elliott, trading under the style or firm of "Sims and Elliott," of Gawler-place, Adelaide, printers.

[Obituary], Chronicle (7 July 1923), 19

http://nla.gov.au/nla.news-article89246232 

The death of Mr. Walter Cousins Sims, of Miller-street, North Unley, has removed an old identity in the printing business, and a highly esteemed citizen. Mr. Sims, who was 81 years of age, was a native of Nailsworth, Gloucestershire, and came to this State when he was 17 years of age. For many years he was well known as a printer carrying on business in Gawler-place. Later he took the position of head machinist in "The Advertiser" office, a post which he held for 20 years. He relinquished the position in 1900. About 10 years later he retired. He was amongst the first scholars to enrol as a member of the Flinders-street Baptist Sunday-school, and was a member of the church for over 50 years. Mr. Sims was associated with the Sons of Temperance in the Light of the East Lodge. He was of an unassuming disposition, and was greatly respected by those who knew him. His wife died about nine years ago. He leaves three daughters - Mrs. H. G. Sedgley, of Unley; Mrs. W. J. Gilbert, of Wayville; and Miss Sims, of Miller street, North Unley. There are five grandchildren and four great-grandchildren.


Extant musical publications:

Town Hall polka, dedicated to W. Townsend, esq., (late mayor of Adelaide,) by James Shakespeare ([Adelaide]: Sims & Elliott, music printers, [1867])

https://trove.nla.gov.au/work/21665004 

http://nla.gov.au/nla.obj-168337254 

Song for the banquet, Here's a health to Prince Alfred! God bless him! (Adelaide: Sims & Elliott, Steam Printers, [1867])

https://trove.nla.gov.au/work/20124963 

http://handle.slv.vic.gov.au/10381/187733 (DIGITISED)

Song of the kooyanna, a native bird of Australia, words by "Ellie", music by Mrs. W. P. A. (Adelaide: S. Marshall; Sims and Elliott, music printers, [1867])

https://trove.nla.gov.au/work/6435272 

https://trove.nla.gov.au/work/237360504 

https://nla.gov.au/nla.obj-175572106 (DIGITISED)

https://www.samemory.sa.gov.au/site/page.cfm?c=2656 (DIGITISED)

ASSOCIATIONS: Samuel Marshall ("publisher", music seller)

The Adelaide miscellany and journal of news, literature, music [1/1 (30 July 1868) to 1/31 (23 September 1869)]

https://trove.nla.gov.au/work/5525032 

You'll remember me!, song, from the burlesque opera Faust, or The magic cup, written by A. J. Diamond, the music composed by H. Pounsett (Adelaide: Printed by Sims & Elliott, music and general printers, 1869)

https://trove.nla.gov.au/work/23917429 

https://nla.gov.au/nla.obj-169716015 (DIGITISED)

ASSOCIATIONS: Arthur James Diamond (lyricist); Henry Pounsett (composer)

Bygone days, ballad, music and words by Joseph Elliott (Adelaide: Sims & Elliott, printers, [c. 1867-69])

https://trove.nla.gov.au/work/5778602/version/44349904 

The Kapunda rifle schottische, by W. C. Oldham (Adelaide: Sims & Elliott, [c. 1867-69]

https://trove.nla.gov.au/work/6440418/version/44349872 

ASSOCIATIONS: William Carmichael Oldham (composer)




SINCLAIR, Mr. (Mr. SINCLAIR)

Vocalist (From the London and Provincial Theatres)

Active Sydney, NSW, by September 1853

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SINCLAIR-Mr (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald (2 September 1853), 5

http://nla.gov.au/nla.news-article12948579 

ROYAL HOTEL. MR. SINCLAIR has the honor to announce that he intends giving a Vocal and Instrumental Concert, at the above Hotel, on THURSDAY, September 8th, when he will be assisted by the following artistes:
Mrs. St. John Adcock, Miss Flora Harris, Mr. Roby, Mr. Ford, and Herr Hoffman.
A. F. FORD, Agent.

ASSOCIATIONS: Flora Harris (vocalist); Mr. Roby (vocalist); Mr. A. F. Ford (vocalist, agent); Marianne Adcock (vocalist); the concert was postponed to 12 September, and Adcock and Hoffman (otherwise unidentified) did not appear in the final advertisement

[Advertisement], The Sydney Morning Herald (12 September 1853), 1

http://nla.gov.au/nla.news-article12948790 

ROYAL HOTEL. GRAND CONCERT. THIS EVENING, Monday, September 12th, 1853.
Miss Flora Harris, Mr. Sinclair (from the London and Provincial Theatres, his first appearance in this colony.) Mr. John Howson, Mr. Roby, Mr. A. Ford, and Mr. Ferdinand Rosenstein, the celebrated Pianist. MR. SINCLAIR begs to inform the public that his concert, which was postponed on Thursday Evening, in consequence of an accident in the family of Mrs. St. John Adcock, will positively take place THIS EVENING, when he hopes to meet with the same support so generously afforded him on that occasion.
Programme: - PART I:
Overture - Mr. Ferdinand Rosenstein
Ballad - The Voice that bids us Welcome Home - Wrighton, - Mr. John Howson.
Ballad - In Happy Moments - Wallace, - Mr. Roby
Ballad - There is a Flower that Bloometh - Wallace - Mr. Sinclair.
Ballad - Phoebe Morel - Miss Flora Harris.
Grand Scena - All is Lost Now - Bellini - Mr. John Howson.
Duet - Gently Sighs the Breeze - Miss Flora Harris and Mr. John Howson.
PART II.
Overture - Mr. Ferdinand Rosenstein.
Ballad - I Must Depart from Thee - Glover - Mr. Sinclair, first time in this colony.
Pestal - Mr. Roby.
Ballad - When we Recall the Happy Scenes - Balfe - Mr. John Howson.
Ballad - When I left my Norman Valleys - Meyerbeer - Miss Flora Harris.
Comic Song - Mr. Ford.
Recitative and Air - Death of Nelson - Braham - Mr. Sinclair.
Duet - What are the Wild Waves Saying - Miss Flora Harris and Mr. John Howson.
Tickets for front seats only, to be had at the Royal Hotel, and all principal music sellers. Admission - Front seats, 4s.; back seats, 3s. Commence at Eight o'clock precisely.

ASSOCIATIONS: Ferdinand Rosenstein (pianist); John Howson (vocalist)

MUSIC: There is a flower that bloometh (Wallace, from Maritana); I must depart from thee ["The emigrant's farewell"] (Stephen Glover); The death of Nelson (Braham)




SINCLAIR, Fanny (alias of Amelia LOOSEMORE) = Miss Fanny SINCLAIR (Mrs. Lachlan McGOWAN)

Actor, vocalist




SINCLAIR, Frederick (Frederick SINCLAIR; F. SINCLAIR; ? from 1870 under the pen-name "BIRON")

Musician, teacher of music, music critic (Australian Town and Country Journal), poet, journalist, editor, lecturer, composer

Born (Dublin, Ireland, or Norwich, England), c. 1812; son of Thomas SINCLAIR
Married Marian Matilda NIGHTINGALE, England, by c. 1847
Arrived Sydney, NSW, 30 December 1848 (per Walmer Castle, from Plymouth, 12 September)
Died Marrickville, NSW, 31 December 1903, "65 years a journalist . . . in his 92nd year"

https://trove.nla.gov.au/search?l-publictag=Frederick+Sinclair+c1812-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SINCLAIR-Frederick (shareable link to this entry)


Summary:

Sinclair was perhaps responsible for some of the music reporting and criticism in the Empire in the late 1840s and early 1850s. By early 1854, however, he was in Maitland, and was thereafter active in various country centres as a popular lecturer on a wide range of subjects. In an 1858 lecture on music Sinclair discussed Wagner's The flying Dutchman, one of the very earliest documented Australian references to a composition by Richard Wagner. Sinclair is unlikely to have had firsthand knowledge of any of the music, however, and was probably speaking from reports he had read in imported British press. He was associated with The Australian Town and County Journal from its inception in 1870, and was its music critic and reporter, writing under the pen-name "Biron". There is no bibliographic record of the first and probably only issue of his 1874 journal publication, Mind and matter, having survived.


Documentation:

List of immigrants per ship Walmer Castle, arrived [Sydney, NSW] 30 December 1848; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1204/images/IMAUS1787_081405-0608 (PAYWALL)

Sinclair / Frederick / 36 / Schoolmaster / [native place] Norwich Norfolk / Church of Eng. . . .
[Sinclair] Marian / 28 / Wife / London Middlesex / [Church of Eng.] . . .
[Sinclair] Henry / 1 . . .

"MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (23 April 1857), 2

http://nla.gov.au/nla.news-article18648681 

A meeting of this society was held in the hall of the School of Arts, on Monday evening, to take into consideration the future management of the society, and also for the purpose of enrolling members. Dr. McCartney, the president of the institution, took the chair, and briefly explained the objects of the society. At the suggestion or Mr. Sinclair, it was moved by Mr. Briggs, and seconded by Mr. Goldman, "That Messrs. Kellermann and Sinclair be authorised to negotiate for a suitable piano." This resolution was passed. Mr. Goldman kindly consented to lend an instrument to the institution until one could be provided. Mr. Dean offered to lend a valuable collection of music to the institution, which offer was accepted with thanks. It was then proposed by Mr. Dean, seconded by Mr. Goldman, and carried: "That the Secretary and Mr. Kellermann be authorised to make a suitable collection of music for the use of the Institution" . . . Mr. Sinclair offered to deliver four lectures on "The literature of music," the admission to which would be charged for . . .

ASSOCIATIONS: William Kellerman (conductor); James Dean (member); Maitland Philharmonic Institute (group)

"THE MUSICAL LECTURE OF THE PHILHARMONIC SOCIETY", The Maitland Mercury and Hunter River General Advertiser (29 September 1857), 3

http://nla.gov.au/nla.news-article18641281 

Last evening (Monday) the first public performance of the Maitland Philharmonic Society was given, at the School of Arts, Mr. F. Sinclair delivering a lecture on "Music," and other members of the Society illustrating it by vocal and instrumental performances. The lecture was a kind of narrative of the progress of the art, in various ages and countries, and afforded good opportunities for illustration. We have not time for a full report, but may mention that of the several songs sung, many were very much admired, the most marked favorites apparently being "I love the merry sunshine," which was encored; and the "Canadian boat song." A solo on the guitar was also much admired. The ladies who took part in the performance were Mrs. Kellermann, the two Misses Cunningham, and Miss Riley; and the gentlemen were Mr. Kellermann, who presided at the piano, Mr. Dean, Dr. Wilkinson, and Mr. Briggs, who took part in the vocal pieces, and Mr. Hitchins, who played the solo on the guitar. The performances closed with the "National Anthem," which was sung by the whole company, the audience standing. The evening was a highly successful one, the large room being crowded, many gentlemen having to stand; and the most cordial feeling of appreciation being expressed throughout for the great treat afforded. Mr. Sinclair very appropriately closed the leoture by inviting the audience to secure a succession of such pleasant entertainments by joining and supporting the society.

ASSOCIATIONS: Fortescue Hitchins (guitar); Henry Wilkinson (vocalist)

MUSIC: I love the merry sunshine (Stephen Glover); Canadian boat song (Thomas Moore)

"NEWCASTLE. SCHOOL OF ARTS", Northern Times [Newcastle, NSW] (26 December 1857), 2

http://nla.gov.au/nla.news-article128757948 

On Wednesday evening last a lecture on music was delivered at the School of Arts by Mr. F. Sinclair. The lecture was well attended. The Philharmonic Society of Newcastle illustrated the lecture by performing several pieces of music. At the conclusion of the lecture Mr. Robinson, of East Maitland, made a very humorous speech, which he ended by saying "well done, canny Newcastle." The performances of the band gave great satisfaction, and were much applauded . . .

ASSOCIATIONS: Thomas Wilkie Robinson (Speaker)

"LECTURE ON MUSIC", Illawarra Mercury (15 July 1858), 2

http://nla.gov.au/nla.news-article136440558

On last Tuesday evening Mr. F. Sinclair delivered a lecture on music to a large and highly respectable auditory in the Mercury Reading Room. On the motion of Mr. Garrett, junr., seconded by Mr. Clarke, Mr. Hewlett was called to the chair, and having made a few appropriate observations introduced the lecturer. Mr. Sinclair stated that at various periods of his life he had taken an active part in the establishment of Schools of Arts and other literary associations, and that now, having settled at Wollongong, he felt desirous of playing the old game over again. With a view of bringing the matter under the notice of the public he had determined on delivering five or six lectures on various subjects and he hoped that by the time the course was finished other gentlemen more talented than himself would be induced to give the public the benefit of their abilities and that soon a flourishing literary institution would be established in the town and become a benefit to the population of the neighborhood.

The subject on which he intended to address them on that evening was the very interesting and highly popular one of music. He would not weary his audience by entering into dry technical details, but would seek to amuse and instruct by presenting to their notice some of the more salient and attractive points in musical literature. Music he regarded as a highly intellectual and very pleasing art, capable of exerting a very remarkable influence on the nervous system of men and even of some animals. The lecturer then traced the progress of music amongst the nations of Europe and showed that the heavenly art was held in high repute by the Saxons, Danes, Norwegians, Scotch, Celts, and other tribes; and that the veneration in which music was held caused the life of a minstrel to be held as sacred in remote times as would be the life of an ambassador at the present day. Mr. Sinclair then described the national music of the Chinese, that of the North American Indians, the New Zealanders, the negroes of Western Africa, the aborigines of Australia, and the Jews of ancient days. On the subject of Jewish music he observed that the Jewish people of our own times had not lost all trace of their original greatness in song. Braham, Pasta, Grisi, and many other priests and priestesses in the temple of Apollo belong to the seed of Abraham, and the same thing might be said of Rossini, Meyerbeer, and Mendlesohn [sic], three of the greatest composers of modern times. It is not true, as Disraeli insinuates in the novel of Coningsby, that the Jewish race alone are capable of producing eminent composers and great musicians, for genius is not limited to any people and has no connection with peculiarities of faith and doctrine, but, like the blessed sunshine of Heaven, is free to all communities.

The ancient music of Scotland was divided into three kinds, the martial, the pastoral, and the festive. The martial consisted of marches, pibrochs, and other compositions intended to represent the clangour and strife of arms, or to excite warlike ideas in the breasts of a soldiery marching to battle, or to depict the devastation occasioned by war. Many of these ancient pieces were as excellent representations of the noise of a battle-field as could be produced by music; and by their abrupt transitions from grave to acute sounds, and their frequent modulations from one key into another, they were designed to represent the night attack, the gathering of the clans, the fierceness of the combat with dirk and claymore, the noise, furious revelry, and precipitate courage of excited hosts, and the melancholy moan and sobs of the wounded and the dying. The lecturer then related several anecdotes, illustrative of the effect produced by Scotch music, and endeavored to show that much of these effects resulted from the law of association rather than from any superior merit in the strains themselves. A long metaphysical disquisition followed on the law of association, and the reason why particular musical passages produce particular emotions in the minds of a listener. After which the lecturer traced the history of the modern opera, and then gave a description of the scenery, incidents, passions, and abstract ideas which Wagner has sought to depict, by means of music, in the opera of the Flying Dutchman. There were two classes of operas, in one of which the sensuous style predominated, while in the other an attempt was made by means of varied and novel combinations of harmony to compensate for the absence of melody, and also to make the music expound the sense of the libretto. Such compositions might be interesting to highly-cultivated musicians, but to the majority of men they would always be wearisome and disagreeable. Several other matters embraced in the wide domain of musical literature were then adverted to; after which the lecturer announced his intention of again addressing them on that night fortnight, July 27, on the subject of Wit and Humor.

Mr. Garrett, sen., moved a vote of thanks, and in doing so stated that it would, perhaps, be advisable for the Wollongong Literary and Debating Society to change its name, and assume the title, and begin to discharge the duties, of a School of Arts. Many causes had prevented that Society from holding its usual meetings latterly; but there was little doubt but that it would now, under altered circumstances, begin its career anew and with redoubled vigor. The vote of thanks was seconded by Mr. Biggar, and, having been carried, the meeting separated.

[Notice], New South Wales Government Gazette (18 April 1867), 1031

http://nla.gov.au/nla.news-article225471625 

In the Supreme Court of New South Wales. IN INSOLVENCY.
In the Insolvent Estate of Frederick Sinclair, of Wollongong, teacher of music, late editor and publisher of the Illawarra Express and Illawarra Times newspapers . . .

"INSOLVENCY COURT . . . SURRENDERS", The Sydney Morning Herald (9 April 1867), 2

http://nla.gov.au/nla.news-article13149609

Frederick Sinclair, of Wollongong, teacher of music, late editor and publisher of the Illawarra Mercury and the Illawarra Times. Liabilities £302 13s 0 1/2 d, of which £40 is secured. Assets, £137 15s 11d. Mr. Humphery, official assignee.

[Advertisement], Evening News (14 May 1874), 3

http://nla.gov.au/nla.news-article107139713 

THE STOLEN BRIDE. Read libretto of new ballad opera in No. 1 of Mind and Matter, Musical Journal, at Kirby's, Pitt-street. Price, 3d.

"Mind and matter . . . ", Empire (1 June 1874), 2

http://nla.gov.au/nla.news-article60988442

"Mind and Matter" is the very comprehensive title of a now literary philosophical and musical journal published for this month of June. The author, with a candour that is not often displayed, acknowledges that he has published his little work to please himself. He courts the confidence of a discerning public by blunt independence; and he has a right to enjoy an independent style, since he can say of "Mind and Matter," what can be said of few, if any, other publications, - "It is written and edited, printed and published, by one brain and one pair of hands." In twenty pages a great variety of matter is presented: introductory remarks ; a disquisition on the letters A and H by a Laughing Philosopher; Does the congelation of water manifest design? The Wedding Hymn composed and set to music by the same "one brain;" the Bushman's Child, an Australian legend, in verse; Lines to a fossil shell; Essay on the pleasures of music; and a ballad opera, "The Stolen Bride," in which a wedding party is stormed by bushrangers and the bride carried off, but afterwards recovered by her husband and her father, aided by the Sydney volunteers, who give the robbers their deserts. Poet, musical composer, philosopher, playwright, critic, editor, printer, and publisher, all in one. Mr. Frederick Sinclair issues the first number of "Mind and Matter" this day, at 334, Crown-street, Surry Hills, Sydney. As a specimen of his thought and style, here are some of the lines addressed to a fossil shell: - . . .

"DEATHS", The Sydney Morning Herald (1 January 1904), 4

http://nla.gov.au/nla.news-article28241753

SINCLAIR. - December 31, 1903, at his residence, Renwick-street, Marrickville, Frederick Sinclair, 65 years a journalist, and for many years on the staff of the "Town and Country Journal," in his 92nd year. Beloved father of Dr. Henry Sinclair, of Elizabeth-street, Sydney. By request, no flowers.

"OBITUARY", Australian Town and Country Journal (6 January 1904), 55

http://nla.gov.au/nla.news-article71504311

Mr. Frederick Sinclair, one of the oldest journalists in New South Wales, died at his residence, Renwick-street, Marrickville, on December 31, at the advanced age of 92. The deceased gentle man was a native of Dublin, Ireland, and, after having been connected with journalistic work in England for some years, he came to Sydney in 1848, being accompanied by his wife and son. Shortly after his arrival in New South Wales he became connected with "The Empire" newspaper, which subsequently became incorporated with the "Evening News." During the fifties, he was associated with the "Northern Times" in the Hunter River district, and was one of the founders of the Maitland School of Arts. Subsequently, he became the editor of the "Braidwood Dispatch," and a few years later purchased the "Illawarra Express." He then threw up newspaper work, and for some time was engaged as a teacher under the old Council of Education. Later on, he joined the staff of the "Town and Country Journal," and an article of his appeared in its first number. He remained on the "T. and C." for many years, during which time he was the musical critic for that paper. Although he had been ailing for the past 18 months, death was practically due to senile decay. The demise of his wife, six months ago, was a great shock to him, and since that time he gradually failed. He leaves two children, Mrs. M. Eagar, and Dr. Henry Sinclair, of 213 Elizabeth-street, Sydney. The funeral took place on January 2.


Extant musical works:

"My own New England home; poetry by John Watherspoon, music by Frederick Sinclair", Australian Town and Country Journal (15 October 1881), 27

http://nla.gov.au/nla.news-article70961125

"An evening song; words and music by F. Sinclair", Australian Town and Country Journal (18 February 1882), 27

http://nla.gov.au/nla.news-article70965839 




SINCOCK, Joyce Flamank (Joyce Flamank SINCOCK; J. F. SINCOCK; Miss SINCOCK)

Amateur musician, composer

Born Andover, Hampshire, England, 11 July 1844; baptised Andover, 11 August 1844; daughter of William SINCOCK (1818-1891) and Mary Louisa EDWARDS (1817-1892)
Arrived Melbourne, VIC, ? mid 1860s
Died Melbourne, VIC, 2 October 1904, aged 60

https://trove.nla.gov.au/search?l-publictag=Joyce+Flamank+Sincock+1844-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SINCOCK-Joyce-Flamank (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

List of passengers who have arrived at the port of Melbourne on the 12th day of August 1861, from Liverpool, on board the Maxwell ship; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B1B7509-F96C-11E9-AE98-E52B5CE4A20D?image=190 (DIGITISED)

Sincock William / 42 // Mary and infant / 43 / 1 // Joyce / 17 // . . .

[News], The Herald (5 August 1868), 2

http://nla.gov.au/nla.news-article244958511 

We have received from the printers and publishers, Messrs. Gill and Turner, of Flinders lane, a very handsomely got-up piece of new music, styled "The Abyssinian Quadrille." The music, which is by Mr. J. F. Sincock, of Melbourne, possesses a very pleasant strain of melody; and the piece will, doubtless, become a general favourite. We cannot help noticing the frontispiece as an excellent specimen of colonial art. It is a lithograph representing a bold, craggy view of Abyssinian scenery, from the pencil of Mr. Charles Turner, and is admirably printed in colours.

[News], The Argus (6 August 1868), 5

http://nla.gov.au/nla.news-article5823589

We have received a copy of a set of quadrilles, entitled the "Abyssinian Quadrilles", composed by J. F. Sincock, and published by Messrs. Turner and Gill, of Flinders lane. The title-page, which hears the name of Charles Turner, is an exceedingly good and creditable specimen of chromo-lithography, and the musical notation is lithographed in a style certainly better than that of any similar colonial publication we remember to have met with. We cannot say anything in praise of the music. Notwithstanding the circumstance that the proofs have been corrected without due care, and that, in consequence, notes evidently not intended by the composer appear here and there in the course of the composition, in many instances the harmonies obviously intended are altogether wrong, the progressions are sometimes grammatically incorrect, the chords are occasionally badly arranged, and generally the melodies (the melodies of dance music should always be striking) are of the most common-place character. After a dozen or so more attempts, under the supervision of some well-skilled tutor, the composer, who has undoubtedly a turn for musical composition, may possibly produce a set of quadrilles worthy of publication. However, our present author is not singular in "rushing into print" without having first submitted his or her manuscript to the judgment of an experienced connoisseur.

"THE NEWS OF THE DAY", The Age (7 August 1868), 2

http://nla.gov.au/nla.news-article177002520 

"ABYSSINIAN QUADRILLES" is the title of a ballroom piece of music by a local composer, Miss J. F. Sincock. It is, we believe, the authoress's first publication, and, as might be expected, there are throughout the piece some evidences of inexperience in construction. With a little revision, however, the "Abyssinian Quadrilles" might become ball room favorites. The title contains a bit of characteristic Abyssinian scenery, very beautifully executed in tinted lithography by Messrs. Turner and Gill, of Flinders-lane.

"DEATHS", The Argus (8 October 1904), 9

http://nla.gov.au/nla.news-article10344287

SINCOCK. - On the 2nd October, at Melbourne, Joyce Flamank, eldest daughter of the late William and Mary Louisa Sincock, and sister of William Flamank and Francis Jenkyns Sincock, aged 60 years. Deeply regretted.


Musical works:

The Abyssinian quadrilles, by J. F. Sincock (Melbourne: For the composer, by Turner & Gill, [1868]); cover lithography: Charles Turner

1 Zulla, 2 Senafe, 3 Adigerat, 4 Dalanta, 5 Magdala

https://trove.nla.gov.au/work/13533762 

https://nla.gov.au/nla.obj-164989876 (DIGITISED)

ASSOCIATIONS: Caleb Turner and Edwin Gill (publishers); Charles Turner (cover lithographer), son of Caleb


Bibliography and resources:

Diary of Mary Louisa Sincock, 10 February to 3 March 1869; National Library of Australia, MS 488

https://trove.nla.gov.au/work/21119963

ASSOCIATIONS: Mary Louisa Sincock (1846-1918) Joyce's sister; describes family life in Melbourne; also contains dates of births, marriages and other biographical details of the Sincock family




SINGER, John Macdonald (John Macdonald SINGER; John McDonald SINGER; J. M. SINGER; Mr. SINGER)

Musician, violinist, clerk

Born Portsea, Hampshire, England, 7 July 1812; baptised (1) St. Mary's, 15 November 1812, and (2) St. John's (RC), 24 November 1812; son of Lydia SINGER
Arrived Hobart Town, VDL (TAS), by 1838
Married Mary Ann Amelia CRUMB, Trinity church, Hobart, VDL (TAS), 15 February 1838
Died Hobart, TAS, 18 May 1866, aged 52

https://trove.nla.gov.au/search?l-publictag=John+Macdonald+Singer+1812-1866 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SINGER-John-Macdonald (shareable link to this entry)


Documentation:

? [Advertisement], The True Colonist Van Diemen's Land Political Despatch . . . (9 June 1837), 593

http://nla.gov.au/nla.news-article203147730 

ST. JOHN THE BAPTIST . . . THE Brethren of the ancient and honorable fraternity of Free-masons
Composing the Union Lodge, No. 326, and the Tasmanian Operative Lodee, No, 345 will join in celebrating the Festival of St. John the Baptist according to immemorial custom at the house of brother Mezger, the Bird-in-hand Inn, Argyle street . . .
Tickets - £l each - to be had of the Stewards . . . Brs. Morrill, Champion, F. Bryant, Browne, Kramer, Hopkins, and Singer . . .

Marriages solemnized in the parish of Trinity, in the county of Buckingham in the year 1838; Tasmanian names index;

https://stors.tas.gov.au/NI/824267 

https://stors.tas.gov.au/RGD36-1-3$init=RGD36-1-3P144 (DIGITISED)

No. 422 [4123] / John MacDonald Singer of this Parish Bachelor and
Mary Ann Amelia Crumb of this Parish Spinster / were married in this Church by License . . . this [15 February 1838]
in the presence of Sophia Peck, Geo. H. Peck . . .

ASSOCIATIONS: George and Sophia Peck (violinist and wife), legal guardians of Mary Crumb

[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (26 February 1839), 1

http://nla.gov.au/nla.news-article232477018 

CONCERT.
MR. PECK begs leave respectfully to announce to the Ladies and Gentlemen of Hobart Town, and its vicinity, that it is his intention to give a
GRAND MISCELLANEOUS CONCERT
Of Vocal and Instrumental Music, to take place on the Evening of
TUESDAY, FEBRUARY THE 26th 1839 . . .
PROGRAMME . . .
Duett Concertante - Two Violins, Messrs. Peck and Singer - Bruni . . .
. . . The Orchestra will consist of the following performers:-
1st Violins, Messrs. Peck and Russell. - 2nd Violins, Messrs. Singer and Dyer. - Viola and Clarionett, Mr. Reichenberg. - Violoncello, Gentleman Amateur, from the Liverpool Concerts - Flute, Mr. Duly, Bandmaster, 2 French Horns, 2 Bassoons, Serpent and Ophecleide, 2 Oboes, 2 Clarionets, Trumpet and Drum, 51st regiment.
Piano Forte by a Lady amateur from the Liverpool Concerts.
Mr. Russell will preside at the Piano Forte . . .

ASSOCIATIONS: George Peck (violin); William Wilkins Russell (violin, piano); Benjamin Bissell Dyer (violin); Joseph Reichenberg (viola, clarinet); Abraham Philip Duly (flute), master of the Band of the 51st Regiment (military)

MUSIC: A violin duo by Antonio Bartolomeo Bruni, perhaps one of Six duos, op. 12

[Advertisement], The Courier (17 February 1843), 1

http://nla.gov.au/nla.news-article2953141

GRAND CONCERT, at the ROYAL VICTORIA THEATRE, Campbell-street, THIS EVENING, February 17.
Mr. and Mrs. BUSHELLE respectfully solicit, on this occasion, the patronage and support of the gentry and inhabitants of Hobart Town and its vicinity . . .
INSTRUMENTAL PERFORMERS: Mr. John Deane, Leader; Mr. J. Howson, Conductor;
Mr. Russell, sen., Mr. H. Howson, Mr. Duly, sen., Mr. Duly, jun., Mr. Curtis, Mr. Singer,
Mr. Russell jun.; the remainder of the Theatrical Orchestra augmented (by the kind permission of Colonel ELLIOTT)
by a large portion of the excellent band of the 51st Regiment . . .

ASSOCIATIONS: John and Eliza Bushelle (vocalists); John Deane (jun.) (violin); John Howson (conductor); Henry Howson (violin); George Frederick Duly (jun.) (flute); John Russell (jun.) (musician); Richard Gill Curtis (musician)

[Advertisement], Colonial Times (30 April 1844), 1

http://nla.gov.au/nla.news-article8754820

GRAND CONCERT. Under Distinguished Patronage.
MR. DEANE . . . will give a CONCERT of VOCAL and INSTRUMENTAL MUSIC, on a very extensive scale,
THIS EVENING, AT THE HALL OF THE MECHANICS' INSTITUTE, MELVILLE STREET . . .
INSTRUMENTAL PERFORMERS. - Violins, Monsieur Gautrot, Mr. Leffler, Mr. Deane, Mr. John Deane, Mr. Singer, Mr. Charles Deane, and Master H. Deane.
Tenors, Mr. Reichenberg, Mr. Duly, Mr. Piecroft, and Mr. W. Deane.
Violoncellos, Mr. Curtis and Mr. E. Deane. Double Bass, Mr. Russell.
By Permission, Part of the Band of the 51st Regiment will assist.
PROGRAMME. PART I. Overture - La Gazza Ladra - Rosini . . .
PART II. Overture - Barbier de Seville - Rosini . . .

ASSOCIATIONS: John Philip Deane (sen.) (violin) and sons; Joseph Gautrot (violin); Edmund Leffler (violin); Joseph Pycroft (viola)

"MR. GATTEY HOPKINS'S BALL", Colonial Times (30 April 1844), 3

http://nla.gov.au/nla.news-article8754827

On Tuesday evening last, Mr. Hopkins gave his usual quarterly Ball to his pupils and their friends, at Mr. Mezger's large room, in Argyle-street: it was extremely well attended, being if anything, rather too much crowded, but the utmost harmony and hilarity prevailed, the dancing beginning exactly at nine o'clock, and being continued till very nearly daybreak - even in these dark coming mornings . . . Mr. Hopkins is an excellent teacher, and, if we may judge by the dancing of his pupils on Tuesday last, we should say, that his system of tuition comprises all that is required in the pleasing art, of which he is so well qualified a professor. The music was very superior, the orchestra consisting of Messrs. Duly, Gautrot, Curtis, and Singer.

ASSOCIATIONS: Gattey Hopkins (dancing master)

[Advertisement], The Tasmanian and Austral-Asiatic Review (21 November 1844), 3

http://nla.gov.au/nla.news-article233611641 

GRAND CONCERT, (BY THE KIND PERMISSION OF THE COMMITTEE,)
AT THE MECHANICS' INSTITUTE, MELVILLE STREET, ON THURSDAY, NOVEMBER 21st, 1844.
MONSIEUR AND MADAME GAUTROT . . . propose giving a GRAND CONCERT on the above Evening,
when they will be kindly favoured with the valuable assistance of all the principal Professional Talent of Hobart Town, as well as that of two Amateurs . . .
The following Ladies and Gentlemen have kindly tendered their valuable assistance: -
Mrs. Stirling, Mrs. Rogers, Mrs. Curtis, Mr. Reichenberg, Mr. J. Howson, Mr. F. Howson,
Mr. H. Howson, W. Howson, A. Howson, Mr. Russell, Mr. Curtis, Mr. Duly,
Mr. Singer, Mr. Pyecroft, Mr. G. F. Duly, Mr. Allen, Master Allen, and several Amateurs . . .

ASSOCIATIONS: Theodosia Stirling (vocalist); Emma Rogers (vocalist); Frank Howson (vocalist) and brothers; Edward Allen (vocalist) and son

[Advertisement], The Courier (15 April 1845), 3

http://nla.gov.au/nla.news-article2948912 

Mr. F. Howson's Grand Farewell Concert . . .
Mechanics' Institute, Melville-street, THURSDAY, April 17th, 1845 . . .
PROGRAMME: PART FIRST. Overture, "Don Giovanni," Mozart . . .
PART SECOND. Overture, "Don Pasquale" (2nd time in this colony), Donizetti . . .
Violins- Mr. Gautrot, Mr. Leffler, Mr. H. Howson, Mr. Russell, Mr. Singer.
Tenors - Mr. Reichenberg, Mr. Duly, sen.
Violoncellos - Mr. F. Howson, Mr. ----. Contra Basso - Mr. Pyecroft.
Flute - Mr. G. F. Duly. Clarinette - Mr. Rablin . . .
Leaders - M. Gautrot, Mr. H. Howson, and Mr. Leffler.
Conductor and Pianist - Mr. J. Howson . . .

ASSOCIATIONS: John Rablin (clarinet)

[Advertisement], The Observer (1 July 1845), 1

http://nla.gov.au/nla.news-article62134924

AT THE MECHANIC'S INSTITUTE On TUESDAY, 1st JULY, 1845.
MONSIEUR GAUTROT . . . intends to give a GRAND CONCERT . . .
The following Ladies and Gentlemen have kindly tendered their valuable assistance: -
Mrs. Clarke, Mrs. Stirling, Mrs. Curtis, Mr. Reichenberg, Mr. K-, (Amateur), Mr. A-, (Amateur), Mr. H. Howson, Mr. Duly, Mr. Singer, Mr. G. Duly, Mr. Pyecroft, Mr. Rablin.
PROGRAMME. PART I. OVERTURE - Rossini . . .

ASSOCIATIONS: Anne Clarke (vocalist); Emma Curtis (harpist)

"OPENING OF THE SYNAGOGUE IN ARGYLE STREET", The Observer (8 July 1845), 3

http://nla.gov.au/nla.news-article62134999 

THE beautiful little building in Argyle-street devoted to religious service by the scattered remnant of Israel in this town, was opened according to announcement, on Friday last . . . The reader was Mr. H. Jones, the leader of the choir. Mr. M. Simeon; the band was led most ably by Mr. Reichenberg, and included Messrs. Duly, Curtis, Gautrot, Singer, &c. . . .

"OPENING AND DEDICATION OF THE JEWS' SYNAGOGUE", The Courier (9 July 1845), 3

http://nla.gov.au/nla.news-article2947988 

. . . Mr. H. Jones officiated as reader; his chaunts were given with admirable intonation. The orchestral department combined the talent of Messrs. Gautrot, Curtis, Duly, and Singer, ably led by Mr. Reichenberg. The choir was exceedingly effective, the principal parts being admirably given by Mr. M. Simeon, who possesses a falsetto voice of good quality and rarely met with . . .

ASSOCIATIONS: Henry Jones (reader); Michael Simeon (singer)

"CONCERT", Colonial Times (6 February 1846), 3

http://nla.gov.au/nla.news-article8758084

A miscellaneous concert, "in aid of the funds of the Choral Society," was given last evening in the hall of the Mechanics' Institute; but, owing to the shortness of the notice, the hall was not so crowded as we should have liked to have seen it; nevertheless, there was a very genteel audience, the fair sex sweetly predominating. In the orchestra were the "old familiar faces," both vocal and instrumental. Monsieur Gautrot - considerably recovered from his late severe indisposition - presided, and played with great spirit and effect. We had also Messrs. Curtis - an enthusiast of the highest note - Duly, Leffler, Reichenberg, Marshall - a flue flutist - Singer, and others, whose names we do not know, but who in the aggregate constituted, we should rather say composed, a very effective and tasteful orchestra, Mrs. Elliott presiding at the piano, and playing and singing in the most delightful manner possible . . .

ASSOCIATIONS: Caroline Elliott (pianist, vocalist); John Marshall (flute); Hobart Town Choral Society (group)

"GAUTROT'S FIDDLE", The Courier (14 March 1846), 2

http://nla.gov.au/nla.news-article2946142

On Wednesday evening last a raffle came off at Mr. Mezger's, for Monsieur Gautrot's violin. We understand that it is a real Cremona, and it was won by Mr. Singer.

"MR. CHARLES S. PACKER'S CONCERT", Hobarton Guardian, or, True Friend of Tasmania (10 January 1849), 2

http://nla.gov.au/nla.news-article163503652 

The first of Mr. Packer's Concerts for the Season, was given on Monday evening last, at the Music Hall, Collins street, before a crowded and highly respectable audience, comprising the elite of the place . . . The first part of the concert consisted of an admirable collection, and the overture was given by Mr. P., and the Orchestra, with remarkable spirit, and effect . . . A duet on two violins by Singer and an amateur, created much interest among the Juveniles . . . The second part opened with the overture (Sandak and Kalasrade,) "Packer," and was beautifully executed . . .

ASSOCIATIONS: Charles Sandys Packer (pianist, vocalist, composer)

[Advertisement], The Courier (31 October 1853), 3

http://nla.gov.au/nla.news-article2247770

MECHANICS' INSTITUTE. LECTURE, SEASON.
THURSDAY, NOVEMBER 3, 1853, A MUSICAL ENTERTAINMENT Will be given under the conduct of MR. SALIER.
PROGRAMME. - PART I. Overture - "Caliph of Bagdad" - Pianoforte, violin, 2nd ditto, viola, violincello, ophecleide, and clarionette. - BOILDIEU . . .
Galop - "Gustavus" - AUBER.
PART II. Overture - "Loidoiska" - KREUTZER . . .

"MECHANICS' INSTITUTE . . . GRAND MUSICAL ENTERTAINMENT", Colonial Times (5 November 1853), 2

http://nla.gov.au/nla.news-article8774796

The annual lecture season, which is always looked forward to with no ordinary degree of interest, came to a close last Thursday night. The idea of having a grand instrumental and vocal entertainment to close the session was most appropriate, and as the sequel will show, has been most successfully carried out . . . Mr. Vautin played the violiocello. Mr. Russell was the leader, aided by Mr. Harris, who had kindly volunteered his services on the occasion, Mr. Singer performed on the second violin. Mr. Salier conducted and had the management of the whole, as well as performed on the viola . . .

ASSOCIATIONS: John Jabez Salier (conductor); James Vautin (cello)

"TASMANIAN AMATEUR MINSTRELS", The Mercury (20 October 1860), 2

http://nla.gov.au/nla.news-article8793793 

The Ethiopian entertainment last night, at the Town Hall, in aid of the Benevolent Society, was attended by a most respectable audience, although not so numerous as we should have liked to have seen it. The Minstrels acquitted themselves remarkably well, singing very harmoniously, and performing generally with considerable spirit and vivacity. We regret, however, that the attendance was not more numerous.

"HOBART TOWN BENEVOLENT SOCIETY", The Mercury (11 March 1861), 2

http://nla.gov.au/nla.news-article8796836 

The annual meeting of the above-named Society took place on Friday evening at the Hall of the Mechanics' Institute . . .
The Report having acknowledged obligations to Mr. Tapfield and the Glee Club, to Mr. Singer and the Tasmanian Minstrels, to Mr. John Davies and a Company of Amateur Dramatists, and to Mr. Atkins the Amateur Southern Minstrels for performances in aid . . .

ASSOCIATIONS: Samuel Tapfield (musician)

"BENEVOLENT SOCIETY OF HOBART TOWN", The Mercury (23 April 1862), 4

http://nla.gov.au/nla.news-article8806300 

. . . The sums derived . . . during the two years were: . . . from public entertainments:
Amateur Performance, Oratorio "Messiah," per Mr. Tapfield - 108 13 0
Ditto, Tasmanian Minstrels, per Mr. Singer - 13 1 0 . . .

1866, Deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1147012; RGD35/1/7 no 6226

https://stors.tas.gov.au/NI/1147012 

https://stors.tas.gov.au/RGD35-1-7p157j2k (DIGITISED)

No. 6226 / 18th May / John McDonald Singer (Died New Town Road) (Born England) / Male / 52 years / Clerk / Pulmonary Consumption . . .

"DEATHS", The Mercury (21 May 1866), 1

http://nla.gov.au/nla.news-article8839423

SINGER. - Died, at his residence, No. 4 Queen-street, Mr. J. M. Singer (late of the Sheriff's department) aged 53 years. Friends are respectfully invited to attend his funeral, which will move from his late residence, on Tuesday next, 22nd inst., at half-past 2 p.m.

"Tasmanian International Exhibition", The Mercury (4 March 1895), 3

http://nla.gov.au/nla.news-article9325810

. . . In the interesting collection of violins exhibited by Messrs. Walch & Sons is a very old instrument, the maker being the celebrated German violin-maker, Jacob Stainer, who was born in 1616 and died in 1683. The instrument is the property of Mr. [Alfred] Singer, dentist, Macquarie-street, in whose family it had been for 160 years previous to his father's death in 1845 [sic]. His father used to lend it to Professor Toms when playing obbligato to Jenny Lind's songs. It is in an excellent state of preservation, and has an exquisite tone. Jacob Stainer, it is said, worked at Cremona under Antonius or Nicholas Amati, and made violins of special excellence. He was the first to introduce into Germany the Italian principles of construction, and which are the principles of sonority. Some trace his models to the early Tyrolean viol-makers, but in the opinion of other authorities the peculiarities of the Stainer violins are strictly original. They are now very rare and valuable . . .

ASSOCIATIONS: Jacob Stainer (Austrian violin maker); some details of the above are evidently somewhat garbled as relayed by Walch and Sons; Singer senior was already in Tasmania long before Jenny Lind toured England in the mid 1840s; perhaps it is a reference to Bream Thom playing for Catherine Hayes in Victoria in 1854, in which case perhaps Singer travelled to Melbourne or Geelong to hear her.




SIPP, Rudolf (Rudolf SIPP; Rudolph SIPP; Rodolfo SIPP; Signor SIPP; Herr SIPP)

Musician, pianist, violinist, composer

Born Leipzig (Germany), 16 February 1836; son of Friedrich Robert SIPP (1806-1899)
Arrived Sydney, NSW, 10 March 1865 (per Helvoetsluis, from Batavia, 28 January)
Departed Sydney, NSW, September 1866
Died Pass Christian, Mississippi, USA, 13 September 1872, aged "36"

https://trove.nla.gov.au/search?l-publictag=Rudolf+Sipp+1836-1872 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-S-2.php#SIPP-Rudolf (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Summary:

Sipp was born in Leipzig on 16 February 1836, a son of Freidrich Robert Sipp, who had been Richard Wagner's violin teacher.

He himself studied at the Leipzig Conservatorium with Ignaz Moscheles.

An account of Sipp's world travels through America, the Pacific, Asia, and anticipating his Australian tour, appeared in the Neue Zeitschrift für Musik on 10 March 1865, coincidentally the very day he arrived in Sydney, from Batavia.

Rather than make himself widely known in Sydney on arrival, Sipp appears to have set out immediately on the overland route to Melbourne. Before the end of March he was performing at Tumut and Adelong, followed by Gundagai, and stays of several weeks each performing in Wagga Wagga, Albury, and Beechworth. By way of concerts in Rutherglen, Wagunyah, and Wangaratta in August, he probably arrived in Melbourne in early September, where, however, there is no record of him having performed in public.

Having returned to Sydney on the coastal steamer in September 1865, c he commenced his metropolitan campaign with private appearances, before giving his first public concert, with vice-regal patronage.

In December 1865 he advertised for sale copies of over a dozen compositions, many of them souvenirs of his travels to date.

In addition, his piano solo arrangements of the American civil war ballads Dear mother I've come home to die and Just before the battle, mother were published in Sydney in 1866.

At Sipp's July 1866 concert he and Alfred Anderson performed his Souvenir de North Shore, for two pianos, on themes from Linda di Chamounix.

On 17 September 1866, he failed to appear at the first of a proposed series of promenade concerts, evidently having taken ship, never to return.

Nevertheless, in 1870, Elvy and Co. advertised publication of a local edition of his The firemen's march (presumably Les bomberos de Valparaiso); no copy, however, is known to survive.

He died at Pass Christian, Mississippi, on 13 September 1872.


Documentation:

"Nachrichten", Neue berliner Musikzeitung (12 March 1862), 85

http://books.google.com.au/books?id=MeIsAAAAYAAJ&pg=PA85 (DIGITISED)

Herr Rudolph Sipp aus Leipzig, ein Pianist ersten Ranges, dessen Saloncompositionen mit Beifall aufgenommen worden sind . . .

[News], Revue et gazette musicale de Paris (16 March 1862), 90

https://books.google.com.au/books?id=W3ZxISB4HAwC&pg=PA90 (DIGITISED)

M. Rodolphe Sipp, pianiste-compositeur de beaucoup de talent, et dont les succès ont été nombreux, notamment dans l'Amérique du Sud, vient d'arriver à Paris.

"Tagesgeschichte", Neue Zeitschrift für Musik (21 March 1862), 99

http://books.google.com.au/books?id=XBtDAAAAcAAJ&pg=PA99 (DIGITISED)

In Berlin ist der aus Leipzig gebürtige Pianist Rudolf Sipp von einer grösseren Concertreise in Centralamerita, Californien und Westindien angelangt.

"METROPOLITAN THEATRE", Daily Alta California [San Francisco. USA] (29 November 1862), 2

https://cdnc.ucr.edu/?a=d&d=DAC18621129.2.18 (DIGITISED)

Mr. Rod. Sipp, pianist, made his debut last evening to a full and fashionable audience, being assisted in the concert portion of the entertainment by Miss Parker, Mr. S. W. Leach, and Professor Charles Schultz. Mr. Sipp is a fair artiste - plays with considerable skill - with light and graceful fingering. We should judge that he will become a very popular professor of the instrument . . .

"Een nieuw pianist te Batavia", Java-bode: nieuws, handels- en advertentieblad voor Nederlandsch-Indie (18 June 1864),

https://resolver.kb.nl/resolve?urn=ddd:010484359:mpeg21:a0023 (DIGITISED)

Sedert eenige dagen bevindt zich hier de heer RUDOLPH SIPP, pianist en Componist, talentvol leerling van den genialen Franz Liszt . . .

"Vermischtes", Neue Zeitschrift für Musik (10 March 1865), 95

http://books.google.com.au/books?id=yUJTAAAAcAAJ&pg=PA95 (DIGITISED)

Einem im vorigen Sommer von einem weltumsegelung Klaviervirtuosen, Rudolf Sipp, uns von Batavia aus übersandten Reises-briefe entnehmen wir folgende Stellen . . .

"SHIPPING. ARRIVALS", Empire (11 March 1865), 4

http://nla.gov.au/nla.news-article60567393 

MARCH 10 . . . HELVOETSLUIS, Dutch barge, 547 tons, Steffens, from Batavia, 28th January. Passengers - Messrs. E. C. Surmondt, and R. Sipp. Colonial Sugar Company, agents.

"SENOR SIPP'S CONCERT", The Tumut and Adelong Times [NSW] (27 March 1865), 3

http://nla.gov.au/nla.news-article144774719 

We reserve our report of this talented gentleman's concert until next issue.

"SENOR SIPP'S ENTERTAINMENT", The Tumut and Adelong Times (30 March 1865), 2

http://nla.gov.au/nla.news-article144776802 

In this age of dull monotony the musical treat afforded cn Saturday evening last by Senor Sipp, was highly appreciated, and considering the short notice that had been given, the attendance was large, and comprised the majority of the resident families of Tumut. Senor Sipp, who is taking a tour for the benefit of his health, is a pianist of the first class, as his manipulations gave both auricular and ocular demonstration. The pianoforte used on the occasion was furnished by Mr. L. Mandelson, and on which the artiste was "quite at home." The style of performance was altogether different to what we had been accustomed in Tumut, and the Senor's fame in no way diminished by his entertainment here. The feeling displayed by him in the performance of difficult pieces, whereby the pedals are made to execute their functions, is charming; and the listener becomes transported in a theme of delight. His variations are inimitable, and the aria throughout can be distinctly followed. His selections from Trovatore and Lucia commanded rapturous applause, and his variations on Dixie and other familiar airs were such as only a finished player could execute. During the evening several songs were pleasingly rendered by some of the ladies and gentlemen from the audience, and the entertainment, which resembled a soire musicale more than a professional concert, terminated about ten o'clock. Senor Sipp, for some years past, has travelled through Japan, China, Java, America, in fact nearly all over the world, and his volumes of credentials are most flattering. In pronouncing him an accomplished performer we fall short in our expression of the satisfaction we experienced, and we strongly recommend connoiseurs of music to judge for themselves. The Senor will give a concert at Adelong on Tuesday next.

"SENOR SIPP'S CONCERTS", The Tumut and Adelong Times (27 April 1865), 2

http://nla.gov.au/nla.news-article144775183 

This talented musician, since his departure from Tumut has given entertainments at Gundagai and Wagga Wagga, but at neither place was he so successful as at Tumut. Like most foreigners they imagine because a little extra latitude is extended to them, that they are real objects of sympathy, and consequently presume on the kindness shown by those who interest themselves in their behalf. Such was Senor Sipp; but whatever his failing may have been, he is without doubt an accomplished musician. At Gundagai he was looked upon as an adventurer, and at Wagga Wagga he was put down as an egotist, and recommended to play more and preach less. It is a fact that Tumut ranks foremost amongst interior towns for assisting those who assist themselves, and whether it be Senor Sipp, or any other person, if they shew that they are deserving of support, Tumut is ready to aid them. This has long been an indisputable fact, and the interest taken in behalf of Sipp only tended to confirm previous impression.

"MUSICAL", The Albury Banner and Wodonga Express (27 May 1865), 2

http://nla.gov.au/nla.news-article264155379 

We find that Mr. Sipp, a gentleman of whom repute speaks most highly in the musical profession, and who has earned much praise for his great ability as an instrumentalist of first-class order upon the piano-forte, has arrived in Albury, on his way to Melbourne . . .

"MR. SIPP'S CONCERT", The Albury Banner and Wodonga Express [NSW] (10 June 1865), 3

http://nla.gov.au/nla.news-article264155471 

If Albury ever heard real music it did so last Monday evening at Mr. Sipp's concert at the Institute. We read favorable notices of that gentleman's great ability, and having heard him privately, we predicted a treat for all those who had music in their soul, but the realisation was beyond the expectation. Mr. Sipp possesses the most delicate touch combined with the most astonishing amount of brilliancy and execution. We might write a good deal, but we could not pay him a higher compliment than to say that he is a perfect musician, and possesses genius and talent rarely met with. The opening piece, the fantasia on airs from Il Trovatore at once proved what he could do. The next being Carl Maria Von Weber's Last Waltz, with variations by Liszt, was a masterpiece of tenderness and delicacy, and was received with the greatest applause. Mr. Sipp then gave one of Mendelssohn's Songs without Words in E major, played deliciously. Afterwards there was a spirited and most difficult fantasia on national airs, introducing Home, sweet home, and Yankee Doodle with every possible and almost impossible variation, and the Carnival di Venise, made famous by Paganini, brought the entertainment, which was a perfect feast of music, to a close.

"WAGGA WAGGA", The Yass Courier [NSW] (3 June 1865), 2

http://nla.gov.au/nla.news-article263926526 

Last week, Senor Sipp, who has both in public and private been delighting the music lovers of Wagga Wagga with his masterly performances on the pianoforte, left for Albury. The night before his departure a few of his admirers got up a musical re-union, and presented him with a substantial token of their appreciation of his abilities and admiration of his conduct.

"THE AMATEUR BAND", The Albury Banner and Wodonga Express (10 June 1865), 2

http://nla.gov.au/nla.news-article264155463 

The anniversary entertainment of the Albury Amateur Band, got together, taught and superintended by Mr. I. Davis, took place at the Exchange Theatre on Wednesday evening, when they and the local Serenaders, with some assistance of friends, gave a capital performance, which afforded great amusement. The Band, which entirely filled the stage, played a few pieces and selections, and the remainder of the concert consisted of songs, both sentimental and comic, instrumental solos, and interludes of every variety, both black and white, and causing great mirth. The attendance was good, and the result satisfactory so far as money is concerned. We must not omit to add that Mr. Sipp volunteered his services, and came out with great force, and perfectly astonished both audience and brother performers.

[Advertisement], The Albury Banner and Wodonga Express (17 June 1865), 3

http://nla.gov.au/nla.news-article264155523 

Mr. Sipp's Concerts. MR. R. SIPP desired to express his acknowledgments and best thanks for the kind and valuable assistance afforded to him by Mr. H. Alpen, Mr. I Davis, the Volunteer Band, and the numerous Amateurs at the Concerts at the Mechanics Institute and Exchange Theatre.

ASSOCIATIONS: Isaac Henry Davis (violinist, band instructor); Hugo Alpen (vocalist, pianist)

"MR. SIPP", Ovens and Murray Advertiser [Beechworth, VIC] (8 July 1865), 3

http://nla.gov.au/nla.news-article112912558 

The concert given at the Star Theatre, last night, by Mr. R. Sipp was a great success, and we feel very much satisfaction in stating that Mr. Sipp is not only a proficient in music, but also a gentleman who knows how to unite other talents with his own, and arrange a concert comme il faut. The "Fantasia Religiosa" on the Huegenots, by Thalberg, was a real master piece, and was rendered with due expression. Mr. Sipp rendered this in a manner that no person, who had not heard Thalberg, the great master himself, could have conceived. The second piece of Mr. Sipp's performance was Souvenir D'Italie, and the brilliant execution called for a unanimous encore, which Mr. Sipp replied to by playing the celebrated adaptation, by Thalberg of "The Last Rose of Summer." The third piece he played was a fantasia on popular airs, including "The Blue Bells of Scotland," and "Home Sweet Home." It was encored, but on account, of indisposition, Mr. Sipp made an apology, as he was not able to give an extra performance. The last piece was a splendid performance of American airs, rendered in a very characteristic style. Mr. Sipp is the best player we ever heard in Beechworth. Herr Schmidt played better than we have ever before heard him, and Herr Schluter contributed a great deal to render the concert a treat in the real acceptation of the word.

"RUTHERGLEN (From our own Correspondent) August 4th", Ovens and Murray Advertiser (5 August 1865), 3

http://nla.gov.au/nla.news-article112912928 

The concert which took place at the Victoria Hotel, last evening, for the benefit of Br. Geo. Cooper, was well attended . . . Where all was good it is almost invidious to particularise, but, amongst other gems . . . Herr Schluter's "Lucrecia Borgia," and Herr Schmidt's violin solo, seemed to give the audience unqualified delight . . . Of M. Sipp, it can only be said that his execution, was, as usual brilliant . . .

ASSOCIATIONS: Adolph Schluter (vocalist); Herr Schmidt (violinist)

"WAHGUNYAH [FROM OUR OWN CORRESPONDENT] August 7th", Ovens and Murray Advertiser (8 August 1865), 3

http://nla.gov.au/nla.news-article112912943 

Last Friday evening we enjoyed a rare musical treat at a concert given by Herr Sipp, at Mr. Reau's Empire Hotel. The performance of this talented artist is certainly perfection itself and invariably meets with the applause it deserves. Several gentlemen assisted at the concert and added greatly to the attractions of the evening. Mr. Lay of Rutherglen, sung his local song, which created great amusement, and which certainly is exceedingly well written. On Saturday evening several gentlemen admirers of Herr Sipp, invited that gentleman to a complimentary amateur concert at the Empire Hotel. A very pleasant evening was spent and the entertainment wound up with a dance.

[Advertisement], Ovens and Murray Advertiser (10 August 1865), 4

http://nla.gov.au/nla.news-article112912992 

AMATEUR CONCERT. WANGARATTA.
Will be held on FRIDAY, the 11th AUGUST, At the ROYAL VICTORIA HOTEL, WANGARATTA . . .
the proceeds to Mrs. CUSACK, as a Testimonial of Respect to the memory of the late Mr. Michael Cusack.
The Concert will be directed by HERR SIPP, The Eminent Pianist, who has kindly volunteered his services . . .

Inward, a list of the crew and passengers, arrived in the steam ship Blackbird . . . from Melbourne to Sydney, NSW, 14 September 1865; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1210/images/imaus1787_081047-0525 (PAYWALL)

. . . Rudolph Sipp / Cabin . . .

"MR. SIPP, THE PIANIST", The Sydney Morning Herald (19 September 1865), 4

http://nla.gov.au/nla.news-article13119234 

This gentleman, who has recently arrived in Sydney from Melbourne, where he is spoken a pianist of very superior attainments, will give a concert shortly. We are informed by those who have heard Mr. Sipp, that his playing is very fine indeed.

"HERR SIPP, THE PIANIST", The Sydney Morning Herald (27 September 1865), 4

http://nla.gov.au/nla.news-article13119550 

It is somewhat hazardous to give a hasty opinion on the merits of a musician - for music is one of those delicious but subtle arts whose influence often deprives the mere listener, however well his ear may be educated, of the power of forming on the instant a just appreciation of the abilities of one artist as compared with those of another. For this reason we have refrained from noticing a performance of Herr Sipp, given privately before several musical connoisseurs of this city, until further acquaintance with his style either confirmed first impressions or led to some modification of them. There can be no doubt that Herr Sipp ranks among the first pianists that have visited Australia, - and in some respects he is superior to all his predecessors. His great forte is expression, and in this he has certainly no rival here. His susceptibility of delicate modulation is indeed extraordinary, and his reading of passages where this power is called forth is remarkable for effectiveness and originality, as evidenced in the scherzo in the Sonata of Beethoven in C minor, and also in Mendelssohn's "Songs without words;" the latter being indeed an exquisite performance. An impromptu by Herr Sipp "Las Campanas de Chorillas" will, perhaps when heard by the public, give a better idea of his delicacy of execution than any description which could possibly be written, the sound of bells seems as it were to float from a distance beautifully interwoven with a trill resembling of water; the trill is difficult, and performed with the second and third fingers, while the effect of las campanas is produced with the thumb, first, and fourth fingers, with a delicate colouring in the bass. Other points in which we think Herr Sipp excels are the chromatic scale in octaves, and chordal runs, both in major and minor at all the distances; the rapidity with which the latter movement is performed marks a deep study of the difficulties of the instrument. Though educated in the German school, and as a matter of course deeply imbued with the massive and methodical instincts of the great masters of Germany, Herr Sipp is not insensible to the lighter ideas of the Italian composers, and his playing of two fantasias - one on airs from "Il Trovatore," and the other from "La Fille du Regiment" (both his own arrangement), exhibited extreme brilliancy oftouch and breadth of hand; and also proves him to be something more than a pianist - a composer of ability and taste. Herr Sipp is a pupil of Moschelles, and a member of the Conservatory of Leipsic - he has travelled much, and performed before critical audiences - and on his arrival in this city has adopted the wise course of submitting his talent to criticism in the first instance, rather than having recourse to that nauseating practice too frequently indulged in of doing the preliminary puff business. We believe it is the intention of Herr Sipp to give a concert in a few days, and we feel assured he will be heard with delight.

"Sydney Gossip [FROM OUR SPECIAL CORRESPONDENT] . . . October 10", The Burrangong Argus (14 October 1865), 2

http://nla.gov.au/nla.news-article247263830 

Herr Sipp, from the Conservatoire of Leipsic, has arrived, and will shortly make his first public appearance. He has played at several private houses, and delighted everyone with the most brilliant execution and exquisite expression. I had the pleasure the other night of having a sipp of this mental nectar, and consider him quite equal to that most charming and most unhappy of all musicians - the unfortunate Boulanger.

ASSOCIATIONS: Edward Boulanger (pianist)

[Advertisement], The Sydney Morning Herald (26 October 1865), 1

http://nla.gov.au/nla.news-article13120904 

HERR SIPP, Professor of Music, having resolved to reside in Sydney, gives NOTICE that he has REMOVED to No. 1, Richmond-terrace, in the Domain. Can be consulted personally, as to terms, daily, from 2 to 5 o'clock p.m., or by letter addressed as above.

[Advertisement], The Sydney Morning Herald (12 December 1865), 10

http://nla.gov.au/nla.news-article13123054

NEW MUSIC. NEW MUSIC. The following compositions by R. SIPP, can be obtained from next SATURDAY, at the different Music Warehouses:
Fantasia on Linda di Chamounix
Les bomberos de Valparaiso
Julia mazurka de concert
Fantasia brillante on Traviata
Traversée de l'isthme of Panama
March brillante
Samacueca milena de salon
Rosa valse brillante
Jena mazurka de concert
Adios notturno
El carnival de Huacho
1st fantasia on Trovatore
Las canpanas de Chorillos
Le rêve caprice etude
Deutche Lieder
Romance variée
Polonaise brillante.

"NEW MUSIC", The Sydney Morning Herald (23 June 1866), 4

http://nla.gov.au/nla.news-article13133229

We have received a copy of a pianoforte arrangement of the popular ballad "Dear mother, I've come home to die," by Herr Sipp. This morceau, judging by the music before us, is effectively and delicately harmonised in the first instance, followed by a treatment of the air in flowing arpeggios, with chromatic cadences. One of its chief attractions will be found in the fact that it is not very difficult of execution, though requiring considerable expression to give due effect to the primary air. It is published by Anderson, and very well printed by Degotardi.

ASSOCIATIONS: James Henri Anderson (publisher); John Degotardi (engraver, printer)

[Advertisement], The Sydney Morning Herald (19 July 1866), 8

http://nla.gov.au/nla.news-article13134016

GRAND CONCERT, INSTRUMENTAL AND VOCAL, given by
HERR SIPP, Under the patronage and in the presence of the
RIGHT HONORABLE SIR JOHN YOUNG, Bart, K.C.B., &c., and LADY YOUNG,
and the Most distinguished families of Sydney.
MASONIC HALL, THIS (Thursday) EVENING, July 19th, 1866, at 8 p.m.
PROGRAMME.
PART I.
1. Quartet - for two Violins, Viola, and Cello in G major, first part - J. Haydn. - Messrs. DEANE.
2. Song - "When we are parted" - Blumenthal. - Mrs. CORDNER.
3. Solo, Pianoforte - "Paraphase de concert," sur "la derniere pensée de Weber" - F. Liszt. - Herr SIPP. (By request.)
4. Song - "When the moon is brightly beaming" - Molique. - Mr. G F. JACKSON.
5. Chorus - "Lob des Kriegerstandes" - Fisher. - BY THE GERMAN SOCIETY, "CONCORDIA."
6. Solo, Pianoforte - "Hommage à Meyerbeer," Fantaisie de concert, sur l'Africaine - R. Sipp. - Herr SIPP.
PART II.
1. Trio - for Piano, Violin, Violoncello - Dussek. - Herr SIPP and Messrs. DEANE.
2. Song - " Through the Wood" - Horn. - Mrs. CORDNER.
3. "Souvenir de North Shore," Grand Duo, composed and arranged for two Pianos, on "Linda di Chamounix" - R. Sipp. - Mr. A. ANDERSON and Herr SIPP.
4/ Quartet - for two Violins, Viola, and Cello, in G major, second part - J. Haydn. - Messrs. DEANE.
5. Solo, Pianoforte - "Las Campanas de Chorillos," Tremolo Exercise for the second and third finger, with new variations - R. Sipp. - Herr SIPP.
6. Song - "Pale from my Lady's Lattice"- Victor Masse. - Mr. JACKSON.
7. Chorus - "Walhalla Lied" - Stanz. Sung at the Inauguration of the Prince Albert Statue, by the different German Singing Societies. - FIFTY PERFORMERS.
Duo for two Pianos has been composed in North Shore, and especially arranged for Mr. A. Anderson.
Admission, 5s . . .

ASSOCIATIONS: Alfred Anderson (pianist); John Deane (violin), Edward Smith Deane (cello), and brothers; Ellen Cordner (vocalist); George Forbes Jackson (vocalist); John and Adelaide Young (governor and wife)

[Advertisement], The Sydney Morning Herald (28 July 1866), 7

http://nla.gov.au/nla.news-article13134542 

HERR SIPP'S new Composition "Paraphrase de Concert," can be had at all the Music Saloons.

Rudolf Sipp (1836-1872), Illustrated Sydney News (16 August 1866)

"HERR SIPP THE PIANIST . . .", Illustrated Sydney News (16 August 1866), 4 (with portrait above)

http://nla.gov.au/nla.news-article63513079

HERR SIPP, THE PIANIST, WAS born at Leipzig, on the 16th of February, 1836, where his father is still an active member of the musical profession. Amongst many eminent pupils of Herr Sipp's father, we may mention the name of Richard Wagner, the celebrated composer. After Herr Sipp left school, he went to Berlin and studied under Marks Stern and Cullak [Kullak]; and in 1855 he composed an opera, entitled "Le Deserteur", which has never been performed, and perished five years later in the celebrated fire of Valparaiso, hence the so popular composition of Herr Sipp, "Los Bomberos (the Firemen) de Valparaiso", which has gained immense popularity in South America, and which was played at Herr Sipp's last concert, as an encore, with Mr. Anderson. Before Herr Sipp left Europe, he played in Berlin and Leipzig with great success; and on his arrival in Valparaiso in the month of September, 1857, and at many towns along the west coast, he gave the first concerts ever heard in that remote region. There he had to play for amber, instead of the usual recompense, gold and silver. After two years travelling, he went to Lima, where he conducted the opera; in his journeyings he visited nearly all the South American republics, went to Panama and the West Indies, and from thence to Europe after an absence of nearly five years. From that time to the present he has seen nearly all parts of the globe, including Paris, London, Berlin, Leipzig, Rome, the United States, as well as Lima and California, the Sandwich Islands, China, Japan, the Phillipine islands, Java, Sumatra, and finally Sydney. As a pianist, Herr Sipp belongs more to the saloon than to the concert room. There is no doubt the piano, when it is properly played, belongs more to the drawing room than to the large concert room; for the latter it is necessary to play for effect, while the saloon is more suitable to listen to the fine pianissimos in which Herr Sipp excels. In San Francisco Herr Sipp gave a great concert, where his "Fireman's March" was performed on ten pianos, with two performers at each. He conducted choral societies in several places, including the "Qintra" in San Francisco, and the Musical Society in Honolulu, where he had the honour to have the patronage of Queen Emma as a pupil. Herr Sipp has for the present settled in Sydney, and practises his profession. He gave his first concert during the past month [sic]. There was a crowded house, and we understand he intends giving another concert shortly.

"PROMENADE CONCERT AT THE PRINCE OF WALES THEATRE", Empire (18 September 1866), 5

http://nla.gov.au/nla.news-article60599884

. . . the audience, which was not very numerous, were doomed to complete disappointment, so far as Mr. Sipp was concerned, who neither appeared, apologised, or proved an alibi. Whatever may have been the cause of his absence, an apology was due . . . and one can scarcely conceive a cooler insult (in the absence of further information) being offered to the public than that of last night . . . However, that clever young pianist, Mr. Alfred Anderson, was asked at a moment's notice to supply Herr Sipp's place, and he, after some little and not unnatural hesitation, consented to do so, and played some of the music from Gounod's "Faust" in such a brilliant style as to obtain an irresistible encore.

"NEWS OF THE WEEK", The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser [NSW] (22 February 1868), 3

http://nla.gov.au/nla.news-article123553266 

Fery H. Kletzer, who has written a short account of his "travelling impressions," while on a professional tour, thus alludes to Herr Sipp, whom he met in Java. -
Yesterday, the 2nd June [sic], I played for the Aurora Society, with Herr Sipp, Beethoven's G minor Sonata, and alone, two short solos. Sipp is one of those whose hobby is to perform only their own compositions, and his, Heaven knows, are as had as bad can be. Sipp drinks, by the way, a glass of brandy before every piece he plays; he acquired the practice in the Brazils. He is a tolerable pianist, but, do what he may, he will never be an artist, because he drinks to excess. Sometimes he can scarcely stand, and proudly asserts that the great Liszt himself was not averse to drink, and Sipp, being as he says one of his best scholars would fain imitate him even in this respect.

ASSOCIATIONS: Fery Kletzer (cellist); the date Kletzer gave is probably incorrect; he and Sipp appeared together later in June for the Aurora society, see "Rodolpho Sipp", Bataviaasch handelsblad (25 June 1864), 4

https://resolver.kb.nl/resolve?urn=ddd:110532439:mpeg21:a0026 

"THE FIREMEN'S MARCH", The Sydney Morning Herald (17 June 1870), 5

http://nla.gov.au/nla.news-article13206946 

Under this title, a brilliant march, by Herr Rudolphe Sipp has just boen printed and published by Messrs. Elvy and Co.

[News], Neue Zeitschrift für Musik (20 September 1872), 387

http://opacplus.bsb-muenchen.de/title/2937139/ft/bsb11034610?page=395 (DIGITISED)

Pianist Rudolf Sipp, gebürtig aus Leipzig, welcher sozusagen die ganze Welt mit seinem Instrumente durchreiste, ist soeben eingegangenen Nachrichten zufolge am 13. v. M. in Pas Christian, wohin er sich von New-Orleans aus zur Kräftigung seiner Gesundheit begeben hatte, in einem Alter von erst 36 Jahren gestorben. Grade an seinem Sterbetage vor einem Jahre war er in seiner Baterstadt Leipzig zum legten Male anwesend. Eine Biographie dieses musikalischen Reisehelden dürste interessante Erlebnisse an das Tages licht fördern.


Extant musical works (Australian editions):

Dear mother I've come home to die by R. Sipp [op. 41] (Sydney: J. H. Anderson, [1866]); "Typ., J. Degotardi"

https://trove.nla.gov.au/work/16894516 

https://nla.gov.au/nla.obj-166195034 (DIGITISED)

Paraphrase de concert sur un theme favorite par Rod. Sipp, op. 42, dedicated to Mrs. S. A. Joseph [Just before the battle, mother] (Sydney: [author] Typ. J. Degotardi, [1866])

https://trove.nla.gov.au/work/193401414 

https://nla.gov.au/nla.obj-120635433 (DIGITISED)

See also US edition:

The college bells, Les cloches du college, morceau caracteristique . . . by Rod. Sipp (New Orleans: Louis Grunewald, [1869])

http://www.worldcat.org/oclc/24473423 

https://repository.duke.edu/dc/hasm/a2269 (DIGITISED)




SIPPE, George - see mainpage George SIPPE

Musician, band master

Arrived Sydney, NSW, 1826; died 1842








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