Professor Colin Rhodes

BA(Hons) (London) MA PhD (Essex), GAICD
Dean, Sydney College of Arts

N01P - Sydney College Of The Arts - Rozelle - (Kirkbride)
The University of Sydney

Telephone +61 2 9351 1002

Website Self-Taught and Outsider Art Research Collection

Biographical details

Rhodes’ research is primarily in the areas of 20th century and contemporary art history and theory. He has written and lectured widely on Modernism, especially Expressionism in its many forms, and Self-Taught and Outsider Art. His books include the influential Outsider Art: Spontaneous Alternatives (2000), which has also been published in Spanish, French and Finnish editions, and Primitivism and Modern Art (1994), which is also in French translation. He has a particular interest in the ways in which Western art and culture have interacted with that of their perceived others, and in those cultures of production that exist in the margins of the dominant art world. He is a regular contributor to Raw Vision, Création Franche and The Burlington Magazine. He has a keen commitment to drawing and exhibits his own art occasionally.

Rhodes is Director of STOARC (the Self-Taught and Outsider Art Research Collection), which is based at the University of Sydney. STOARC consists of a growing study collection of Australian and international Self-Taught and Outsider Art, the International Journal of Self-taught and Outsider Art, and Callan Park Gallery, which has a rich public program of exhibitions of established and emerging figures within the field.

Teaching and supervision

James Conroy, MFA

Gary Sangster, PhD

Roger Shelley, PhD

Tianli Zu, PhD

Current projects

Rhodes is currently completing an Encyclopedia of Outsider Art for Chicago University Press and an edited volume on erotic outsider art for Raw Vision.

Also, he is engaged in various curatorial and writing projects for exhibitions in Australia and the US.

Associations

College Art Association, USA

Art Association of Australia and New Zealand

Australian Institute of Company Directors

Awards and honours

2005 Arts and Humanities Research Council Research Grant

2003 British Academy Research Grant

2002 British Academy Research Grant

2002 Arts and Humanities Research Council Research Grant

2002 Hohenberg Grant, University of Memphis

Selected grants

2010

  • Design and Art of Australia Online, a transformation of the Dictionary of Australian Artists Online; Johnson V, Johnson V, Benjamin R, Rhodes C, Callaway A; Australian Research Council (ARC)/Linkage Infrastructure, Equipment and Facilities (LIEF).

2004

  • 40000 years of Modern Art - Back in Context; Rhodes C; Arts and Humanities Research Council (UK)/Research Grant.

2003

  • Dread of Threads: Willem van Genk's Journey; Rhodes C; British Academy/Grant.

2002

  • Ian Breakwell, Vocals: a critical collection of the creative use of the spoken voice; Rhodes C; Arts and Humanities Research Council (UK)/Small Grant.
  • Vocals: a critical collection of the creative use of the spoken voice; Rhodes C; British Academy/Grant.

Selected publications & creative works

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Books

  • Rhodes, C. (2001). Private Worlds: Outsider and Visionary Art. United Kingdom: Loughborough University School of Art & Design.

Edited Books

  • Rhodes, C., Maizels, J. (2012). Raw Erotica: Sex, Lust and Desire in Outsider Art. Watford, UK: Raw Vision Limited.

Book Chapters

  • Herman, B., Rhodes, C. (2013). Canons, Collections, and the Contemporary Turn in Outsider Art: A Conversation. In Ann Percy with Cara Zimmerman (Eds.), Great and Mighty Things: Outsider Art from the Jill and Sheldon Bonovitz Collection, (pp. 242-261). New Haven, United States: Yale University Press.
  • Rhodes, C. (2012). Cobra: Myth, Materialism and Primitive Renewal. In Jan van Adrichem and Adi Martis (Eds.), Stedelijk Collection Reflections: Reflections on the Collection of the Stedelijk Museum Amsterdam, (pp. 265-276). Rotterdam: Stedelijk Museum Amsterdam / nai010 publishers.
  • Rhodes, C. (2012). Expressionist Dial: Or, Thinking around Canonicity. In Bernard L. Herman (Eds.), Thornton Dial: Thoughts on Paper, (pp. 48-90). North Carolina: University of North Carolina Press.
  • Rhodes, C. (2012). From Compulsion to Repulsion. In John Maizels, Colin Rhodes (Eds.), Raw Erotica: Sex, Lust and Desire in Outsider Art, (pp. 21-94). Watford, UK: Raw Vision Limited.
  • Rhodes, C. (2012). Rawerotics. In John Maizels, Colin Rhodes (Eds.), Raw Erotica: Sex, Lust and Desire in Outsider Art, (pp. 1-19). Watford, UK: Raw Vision Limited.
  • Rhodes, C. (2008). Primitivism: The Primordium Lost and Found and Reinvented. In Kitty Zijlmans and Wilfried van Damme (Eds.), World art studies: exploring concepts and approaches, (pp. 385-399). Amsterdam: Valiz.
  • Rhodes, C. (2006). Primitivismi, ekspressionismi ja outsider-taide. In Oino, Lauri (Eds.), ITE Lakeuksilla, (pp. 6-11). Helsinki: MAAHENKI OY.
  • Rhodes, C. (2005). Protester contre la realite (Laying claim to reality). In Carine Fol (Eds.), Visions singulieres: Zonderlinge denk-beelden: Singular visions, (pp. 14-39). Brussels, Belgium: Bozar Books & Palais des Beaux-Arts.
  • Rhodes, C. (2005). Vicios y virtudes del imperativo autodidacta. In Aya Soika (Eds.), Expresionismo Brucke, (pp. 51-71). Madrid, Spain: Fundacion Coleccion Thyssen-Bornemisza.
  • Rhodes, C. (2004). Aborder le travail d'Anny Servais' (Attending to the work of Anny Servais). In NA (Eds.), Anny Servais, (pp. 21-27). Liege & Brussels, Belgium: Mad Musée.
  • Rhodes, C. (2004). Donald Mitchell: The Center and the Outsider. In Cheryl Rivers (Eds.), Donald Mitchell: Right Here Right Now, (pp. 25-30). Oakland, CA, USA: Creative Growth Art Center.
  • Rhodes, C. (2001). The Impossibility of Duality: the Vision of Jackson Pollock. In Marquardt Smith & Gerhard Richter (Eds.), Benjamin's Blindspot: Walter Benjamin and the Premature Death of the Aura, (pp. 109-120). Topanga, CA, USA: The Institute of Cultural Inquiry.

Journals

  • Rhodes, C. (2012). Who's Afraid of Outsider Art? Raw Vision, 75(Spring/ Summer 2012), 54-57.
  • Rhodes, C. (2008). An Other Academy: Creative Workshops for Artists with Intellectual Disabilities. International Journal of the Arts in Society, 3(1), 129-134.
  • Rhodes, C. (2008). Ordinary Everyday Extraordinary. Raw Vision, N°65(Winter 2008/09), 42-43.
  • Rhodes, C. (2008). Raw Classics: Purvis Young. Raw Vision, No.65(Winter 2008/09), 53-53.
  • Rhodes, C. (2006). Inner Worlds Outside. Burlington Magazine, 148(1243), 703-705.
  • Rhodes, C. (2005). Anny Servais, a Painter of Modern Life. Raw Vision, (51), 52-57.
  • Rhodes, C. (2004). Burlington primitive: non-European art in The Burlington Magazine before 1930. Burlington Magazine, 146(1211), 98-104.
  • Rhodes, C. (2004). Les Fantomes Qui Nous Hantent: En Ecrivant Art Brut Et Outsider Art. Ligeia: Dossiers sur l'art, (53, 54, 55, 56), 183-195.
  • Rhodes, C. (2004). Paul Gauguin at the Grand Palais. Burlington Magazine, February 2004(Volume: CXLVI Number: 1211), 125-127.
  • Rhodes, C. (2004). Raw Classics: Joseph E. Yoakum. Raw Vision, 47, 53.
  • Rhodes, C. (2003). Max Beckmann at the Centre Pompidou. Burlington Magazine, 145(1200), 240-241.
  • Rhodes, C. (2002). Fulfilments of Desire in the Work of a Self-Taught Artist: the intimate existence of Malcolm McKesson. Art History: journal of the Association of Art Historians, 25(5), 649-675.
  • Rhodes, C. (2001). Repossessions: Postcolonial Perspectives on the Politics of Culture. Art History: journal of the Association of Art Historians, 24(1), 146-150.

Conferences

  • Rhodes, C. (2008). Orphans, Urchins and Safe Bets: Canonicity and Outsider Art. College Art Association 96th Annual Conference (CAA 2008), New York, USA: College Art Association (CAA).
  • Rhodes, C. (2006). Poor Materials, Rich Ideas: the Aesthetics of Necessity in Outsider and Self-taught Art. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.

Original Creative Work

  • Rhodes, C. (2013). Shibboleth. Fisher Library, the University of Sydney, Sydney, Australia.
  • Rhodes, C. (2013). Sketch for a Renegade History of Art. Renegades: Outsider Art, (pp. 13 - 23). Cairns, Australia: KickArts Contemporary Arts.
  • Rhodes, C. (2012). Introduction. The Restless Line: Images of Exile by Mehrdad Rashidi, 2012, (pp. 5 - 7). London, United Kingdom: Henry Boxer Gallery.
  • Rhodes, C. (2012). Peter "Jungle" Phillips. Visions et Creations Dissidentes, 2012, (pp. 20 - 20). Begles, France: Musee de la Creation Franche.
  • Rhodes, C., Brett, J. (2011). Conversation with Colin Rhodes. The Appendix of Everything, (pp. xxiii - xxv). London, United Kingdom: The Museum of Everything.
  • Rhodes, C. (2010). a much maligned monster: why outsider art doesn't lock horns with the artworld. Broadsheet, (pp. 70 - 72). adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Rhodes, C. (2010). Dragers van plastiche betekenis (Sculptural Vehicles for Meaning). Out of Art, (pp. 4 - 10). Heemskerk, Netherlands: Abonnementenland.
  • Rhodes, C. (2010). Unseen to seen: some thoughts on the specialised studio. Unseen Ways: Eight Sydney Artists, (pp. 3 - 7). Sydney, Australia: Macquarie University.
  • Rhodes, C. (2009). Gérard Sendrey: explorations dans le territoire de l’infini. Gérard Sendrey. Il a dit: ‘Création Franche, 1982-2009, (pp. 5 - 6). Bègles, France: Musée de la Création Franche, Bègles, France.
  • Rhodes, C. (2009). KCAT and Outsider Art. Art & inclusion: the story of KCAT, illustrated, (pp. 86 - 89). Kilkenny, Ireland: Kilkenny Collective for Arts Talent.
  • Rhodes, C. (2009). Life Pulsating, Troubled, Exalting: work by Anne Marie Grgich. Trunk. Volume One: Hair, (pp. 253 - 254). Sydney, Australia: Boccalatte Pty Ltd.
  • Rhodes, C. (2009). L’Univers d’Albert Louden. Création Franche, 30, (pp. 33 - 36). Begles, France: Création Franche.
  • Rhodes, C. (2008). Visions et Creations dissidentes. Musee de la Creation Franche, Begles, France.
  • Rhodes, C. (2008). Outsider Art and the outsiderish. Without Borders: Outsider Art in an Antipodean Context, (pp. 12 - 14). Australia: Monash University.
  • Rhodes, C. (2007). Franz Marc. The retrospective. The Burlington Magazine, v. 149 #1254, (pp. 632 - 632). United Kingdom: Burlington Magazine Publications Ltd..
  • Rhodes, C. (2006). Where we are coming from - Outsider and Visionary Art. Inner Landscapes: Outsider and Visionary Art, Plymouth, United Kingdom: Plymouth Arts Centre.
  • Rhodes, C. (2005). 'Une vie trouble, exaltante, vibrante - l'oeuvre de Anne Marie Grgich'. Creation Franche, 24, (pp. 24 - 26). France: Création Franche.
  • Rhodes, C. (2005). [RECLASS C4] Review of 'Paul Klee and the Decorative in Modern Art' by J. Anger. The Burlington Magazine, Volume CXLVII No. 1223, London, United Kingdom: Burlington Magazine Publications Ltd..
  • Rhodes, C. (2005). Anne Grgich. Visions et Créations Dissidentes, Begles, France: Création Franche.
  • Rhodes, C. (2005). Delaine LeBas. Room – Delaine LeBas, (pp. 5 - 7). London, United Kingdom: Transition Editions.
  • Rhodes, C. (2005). Jon Buck. Odd Birds and Other Selves: Jon Buck, (pp. 3 - 17). Chalford Glos, United Kingdom: Gallery Pangolin.
  • Rhodes, C. (2004). Equal Rights to Creativity. Raw Vision, Equal Rights to Creativity. A Celebration of Outsider A, (pp. 7 - 9). United Kingdom: Raw Vision.
  • Rhodes, C. (2003). 'Les revelations intuitives d'Eileen Schaer'. Création Franche, No. 23, (pp. 36 - 38). France: Création Franche.
  • Rhodes, C. (2003). Ian Breakwell - Vocals. Ian Breakwell – Vocals, (pp. 2 - 18). Loughborough, United Kingdom: Loughborough University School of Art & Design.
  • Rhodes, C. (2003). Lynn Chadwick. Loughborough, United Kingdom: Loughborough University School of Art & Design.

Curated / Produced Exhibition / Event

  • Rhodes, C. (2013). Anthony Mannix and the Loop Orchestra. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C., Gerber, M. (2013). Cabinet of Curiosities. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2013). Michael F. Brien. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2013). Shibboleth. Sydney, Australia: Fisher Library, the University of Sydney.
  • Rhodes, C. (2013). Works from the Self Taught and Outsider Art Research Collection (Part 1). Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2013). Works from the Self Taught and Outsider Art Research Collection (Part 2). Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2010). APA People. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2010). Graeme Doyle. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2010). Michael F Brien - Dream Reality. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Anne Marie Grgich. University Art Gallery, University of Sydney, Sydney, Australia: University of Sydney Museums.
  • Rhodes, C., Mannix, A. (2009). Anthony Mannix. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Fresh Creation: Gerard Sendrey. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Jose dos Santos. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Revealing the Human. Northcote, Victoria, Australia: Arts Project Australia.
  • Rhodes, C. (2009). Rosemarie Koczy. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). The Enigma of Albert Louden. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2008). American and European Outsiders. Orange Regional Gallery, Orange, Australia.
  • Rhodes, C. (2003). Lynn Chadwick. Loughborough, United Kingdom: Loughborough University.

Magazine / Newspaper Articles

  • Rhodes, C. (2002). 'L'humble Bic'. Creation Franche, 21(21), 30-32.
  • Rhodes, C. (2002). 'Une visite à Joe Light'. Creation Franche, 22(22), 28-30.

ERA Specific Journals

  • Rhodes, C. (2009), Inside Sydney's New Outsider Centre. Artlink: Australian contemporary art quarterly, 29(3), 77-78.

2013

  • Rhodes, C. (2013). Shibboleth. Fisher Library, the University of Sydney, Sydney, Australia.
  • Rhodes, C. (2013). Anthony Mannix and the Loop Orchestra. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C., Gerber, M. (2013). Cabinet of Curiosities. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Herman, B., Rhodes, C. (2013). Canons, Collections, and the Contemporary Turn in Outsider Art: A Conversation. In Ann Percy with Cara Zimmerman (Eds.), Great and Mighty Things: Outsider Art from the Jill and Sheldon Bonovitz Collection, (pp. 242-261). New Haven, United States: Yale University Press.
  • Rhodes, C. (2013). Michael F. Brien. Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2013). Shibboleth. Sydney, Australia: Fisher Library, the University of Sydney.
  • Rhodes, C. (2013). Sketch for a Renegade History of Art. Renegades: Outsider Art, (pp. 13 - 23). Cairns, Australia: KickArts Contemporary Arts.
  • Rhodes, C. (2013). Works from the Self Taught and Outsider Art Research Collection (Part 1). Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.
  • Rhodes, C. (2013). Works from the Self Taught and Outsider Art Research Collection (Part 2). Sydney, Australia: Callan Park Gallery, Sydney College of the Arts.

2012

  • Rhodes, C. (2012). Cobra: Myth, Materialism and Primitive Renewal. In Jan van Adrichem and Adi Martis (Eds.), Stedelijk Collection Reflections: Reflections on the Collection of the Stedelijk Museum Amsterdam, (pp. 265-276). Rotterdam: Stedelijk Museum Amsterdam / nai010 publishers.
  • Rhodes, C. (2012). Expressionist Dial: Or, Thinking around Canonicity. In Bernard L. Herman (Eds.), Thornton Dial: Thoughts on Paper, (pp. 48-90). North Carolina: University of North Carolina Press.
  • Rhodes, C. (2012). From Compulsion to Repulsion. In John Maizels, Colin Rhodes (Eds.), Raw Erotica: Sex, Lust and Desire in Outsider Art, (pp. 21-94). Watford, UK: Raw Vision Limited.
  • Rhodes, C. (2012). Introduction. The Restless Line: Images of Exile by Mehrdad Rashidi, 2012, (pp. 5 - 7). London, United Kingdom: Henry Boxer Gallery.
  • Rhodes, C. (2012). Peter "Jungle" Phillips. Visions et Creations Dissidentes, 2012, (pp. 20 - 20). Begles, France: Musee de la Creation Franche.
  • Rhodes, C., Maizels, J. (2012). Raw Erotica: Sex, Lust and Desire in Outsider Art. Watford, UK: Raw Vision Limited.
  • Rhodes, C. (2012). Rawerotics. In John Maizels, Colin Rhodes (Eds.), Raw Erotica: Sex, Lust and Desire in Outsider Art, (pp. 1-19). Watford, UK: Raw Vision Limited.
  • Rhodes, C. (2012). Who's Afraid of Outsider Art? Raw Vision, 75(Spring/ Summer 2012), 54-57.

2011

  • Rhodes, C., Brett, J. (2011). Conversation with Colin Rhodes. The Appendix of Everything, (pp. xxiii - xxv). London, United Kingdom: The Museum of Everything.

2010

  • Rhodes, C. (2010). a much maligned monster: why outsider art doesn't lock horns with the artworld. Broadsheet, (pp. 70 - 72). adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
  • Rhodes, C. (2010). APA People. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2010). Dragers van plastiche betekenis (Sculptural Vehicles for Meaning). Out of Art, (pp. 4 - 10). Heemskerk, Netherlands: Abonnementenland.
  • Rhodes, C. (2010). Graeme Doyle. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2010). Michael F Brien - Dream Reality. Callan Park Gallery, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2010). Unseen to seen: some thoughts on the specialised studio. Unseen Ways: Eight Sydney Artists, (pp. 3 - 7). Sydney, Australia: Macquarie University.

2009

  • Rhodes, C. (2009). Anne Marie Grgich. University Art Gallery, University of Sydney, Sydney, Australia: University of Sydney Museums.
  • Rhodes, C., Mannix, A. (2009). Anthony Mannix. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Fresh Creation: Gerard Sendrey. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). Gérard Sendrey: explorations dans le territoire de l’infini. Gérard Sendrey. Il a dit: ‘Création Franche, 1982-2009, (pp. 5 - 6). Bègles, France: Musée de la Création Franche, Bègles, France.
  • Rhodes, C. (2009), Inside Sydney's New Outsider Centre. Artlink: Australian contemporary art quarterly, 29(3), 77-78.
  • Rhodes, C. (2009). Jose dos Santos. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). KCAT and Outsider Art. Art & inclusion: the story of KCAT, illustrated, (pp. 86 - 89). Kilkenny, Ireland: Kilkenny Collective for Arts Talent.
  • Rhodes, C. (2009). Life Pulsating, Troubled, Exalting: work by Anne Marie Grgich. Trunk. Volume One: Hair, (pp. 253 - 254). Sydney, Australia: Boccalatte Pty Ltd.
  • Rhodes, C. (2009). L’Univers d’Albert Louden. Création Franche, 30, (pp. 33 - 36). Begles, France: Création Franche.
  • Rhodes, C. (2009). Revealing the Human. Northcote, Victoria, Australia: Arts Project Australia.
  • Rhodes, C. (2009). Rosemarie Koczy. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.
  • Rhodes, C. (2009). The Enigma of Albert Louden. Callan Park Gallery, The University of Sydney, Sydney, Australia: The University of Sydney.

2008

  • Rhodes, C. (2008). Visions et Creations dissidentes. Musee de la Creation Franche, Begles, France.
  • Rhodes, C. (2008). American and European Outsiders. Orange Regional Gallery, Orange, Australia.
  • Rhodes, C. (2008). An Other Academy: Creative Workshops for Artists with Intellectual Disabilities. International Journal of the Arts in Society, 3(1), 129-134.
  • Rhodes, C. (2008). Ordinary Everyday Extraordinary. Raw Vision, N°65(Winter 2008/09), 42-43.
  • Rhodes, C. (2008). Orphans, Urchins and Safe Bets: Canonicity and Outsider Art. College Art Association 96th Annual Conference (CAA 2008), New York, USA: College Art Association (CAA).
  • Rhodes, C. (2008). Outsider Art and the outsiderish. Without Borders: Outsider Art in an Antipodean Context, (pp. 12 - 14). Australia: Monash University.
  • Rhodes, C. (2008). Primitivism: The Primordium Lost and Found and Reinvented. In Kitty Zijlmans and Wilfried van Damme (Eds.), World art studies: exploring concepts and approaches, (pp. 385-399). Amsterdam: Valiz.
  • Rhodes, C. (2008). Raw Classics: Purvis Young. Raw Vision, No.65(Winter 2008/09), 53-53.

2007

  • Rhodes, C. (2007). Franz Marc. The retrospective. The Burlington Magazine, v. 149 #1254, (pp. 632 - 632). United Kingdom: Burlington Magazine Publications Ltd..

2006

  • Rhodes, C. (2006). Inner Worlds Outside. Burlington Magazine, 148(1243), 703-705.
  • Rhodes, C. (2006). Poor Materials, Rich Ideas: the Aesthetics of Necessity in Outsider and Self-taught Art. Art Association of Australia and New Zealand, Caufield East, Melbourne: Art Association of Australia and New Zealand.
  • Rhodes, C. (2006). Primitivismi, ekspressionismi ja outsider-taide. In Oino, Lauri (Eds.), ITE Lakeuksilla, (pp. 6-11). Helsinki: MAAHENKI OY.
  • Rhodes, C. (2006). Where we are coming from - Outsider and Visionary Art. Inner Landscapes: Outsider and Visionary Art, Plymouth, United Kingdom: Plymouth Arts Centre.

2005

  • Rhodes, C. (2005). 'Une vie trouble, exaltante, vibrante - l'oeuvre de Anne Marie Grgich'. Creation Franche, 24, (pp. 24 - 26). France: Création Franche.
  • Rhodes, C. (2005). [RECLASS C4] Review of 'Paul Klee and the Decorative in Modern Art' by J. Anger. The Burlington Magazine, Volume CXLVII No. 1223, London, United Kingdom: Burlington Magazine Publications Ltd..
  • Rhodes, C. (2005). Anne Grgich. Visions et Créations Dissidentes, Begles, France: Création Franche.
  • Rhodes, C. (2005). Anny Servais, a Painter of Modern Life. Raw Vision, (51), 52-57.
  • Rhodes, C. (2005). Delaine LeBas. Room – Delaine LeBas, (pp. 5 - 7). London, United Kingdom: Transition Editions.
  • Rhodes, C. (2005). Jon Buck. Odd Birds and Other Selves: Jon Buck, (pp. 3 - 17). Chalford Glos, United Kingdom: Gallery Pangolin.
  • Rhodes, C. (2005). Protester contre la realite (Laying claim to reality). In Carine Fol (Eds.), Visions singulieres: Zonderlinge denk-beelden: Singular visions, (pp. 14-39). Brussels, Belgium: Bozar Books & Palais des Beaux-Arts.
  • Rhodes, C. (2005). Vicios y virtudes del imperativo autodidacta. In Aya Soika (Eds.), Expresionismo Brucke, (pp. 51-71). Madrid, Spain: Fundacion Coleccion Thyssen-Bornemisza.

2004

  • Rhodes, C. (2004). Aborder le travail d'Anny Servais' (Attending to the work of Anny Servais). In NA (Eds.), Anny Servais, (pp. 21-27). Liege & Brussels, Belgium: Mad Musée.
  • Rhodes, C. (2004). Burlington primitive: non-European art in The Burlington Magazine before 1930. Burlington Magazine, 146(1211), 98-104.
  • Rhodes, C. (2004). Donald Mitchell: The Center and the Outsider. In Cheryl Rivers (Eds.), Donald Mitchell: Right Here Right Now, (pp. 25-30). Oakland, CA, USA: Creative Growth Art Center.
  • Rhodes, C. (2004). Equal Rights to Creativity. Raw Vision, Equal Rights to Creativity. A Celebration of Outsider A, (pp. 7 - 9). United Kingdom: Raw Vision.
  • Rhodes, C. (2004). Les Fantomes Qui Nous Hantent: En Ecrivant Art Brut Et Outsider Art. Ligeia: Dossiers sur l'art, (53, 54, 55, 56), 183-195.
  • Rhodes, C. (2004). Paul Gauguin at the Grand Palais. Burlington Magazine, February 2004(Volume: CXLVI Number: 1211), 125-127.
  • Rhodes, C. (2004). Raw Classics: Joseph E. Yoakum. Raw Vision, 47, 53.

2003

  • Rhodes, C. (2003). 'Les revelations intuitives d'Eileen Schaer'. Création Franche, No. 23, (pp. 36 - 38). France: Création Franche.
  • Rhodes, C. (2003). Ian Breakwell - Vocals. Ian Breakwell – Vocals, (pp. 2 - 18). Loughborough, United Kingdom: Loughborough University School of Art & Design.
  • Rhodes, C. (2003). Lynn Chadwick. Loughborough, United Kingdom: Loughborough University School of Art & Design.
  • Rhodes, C. (2003). Lynn Chadwick. Loughborough, United Kingdom: Loughborough University.
  • Rhodes, C. (2003). Max Beckmann at the Centre Pompidou. Burlington Magazine, 145(1200), 240-241.

2002

  • Rhodes, C. (2002). 'L'humble Bic'. Creation Franche, 21(21), 30-32.
  • Rhodes, C. (2002). 'Une visite à Joe Light'. Creation Franche, 22(22), 28-30.
  • Rhodes, C. (2002). Fulfilments of Desire in the Work of a Self-Taught Artist: the intimate existence of Malcolm McKesson. Art History: journal of the Association of Art Historians, 25(5), 649-675.

2001

  • Rhodes, C. (2001). Private Worlds: Outsider and Visionary Art. United Kingdom: Loughborough University School of Art & Design.
  • Rhodes, C. (2001). Repossessions: Postcolonial Perspectives on the Politics of Culture. Art History: journal of the Association of Art Historians, 24(1), 146-150.
  • Rhodes, C. (2001). The Impossibility of Duality: the Vision of Jackson Pollock. In Marquardt Smith & Gerhard Richter (Eds.), Benjamin's Blindspot: Walter Benjamin and the Premature Death of the Aura, (pp. 109-120). Topanga, CA, USA: The Institute of Cultural Inquiry.

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