Ms Joyce Hinterding

GradDipVisArts (SCA)
Lecturer, Sculpture, Performance and InstallationLecturer, Jewellery and Object

N01P - Sydney College Of The Arts - Rozelle - (Kirkbride)
The University of Sydney

Telephone +61 2 9351 1091
Fax +61 2 9351 1199

Website Haines and Hinterding
Antiopic
Sigma Editions

Biographical details

Joyce Hinterding is an artist who exhibits both nationally and internationally and is recognised for her work across a range of discipline areas, including sculpture, object arts, sound art and digital arts. Originally trained in gold and silver smithing, she worked professionally in the industry while developing an expanded and experimental relationship to the field of object arts. Her postgraduate research into acoustics and musical instrument design led her to do further study in electronics, alchemy and web design, and develop an ongoing learning relationship with the digital and analogue arts, including 3D computer graphics, sound and video. Her work is currently included on the NSW HSC Art Curricula and she often collaborates with artist David Haines to produce large-scale immersive video and sound works. She is represented by Breenspace, Sydney, and her recorded audio work has been released by Antiopic NYC and Sigma Editions.

Hinterding has taught in varying capacities at the three major university art schools in NSW since 1990: UNSW COFA (College of Fine Arts), UWS (School of Contemporary Arts) and currently at USyd SCA. During this time she has designed and taught a range of undergraduate Visual Arts, Object Arts and Media Arts units pitched at varying levels within different discipline areas, and supervised postgraduate research students.

Research interests

Hinterding’s practice and research opens up the world of objects and materials through physical and virtual dynamics. Her interest in energy and resonance has been a platform for investigating and extending notions of form and function to explore both analogue and digital modes of expression. Working specifically with custom-built field recording and monitoring technologies, her explorations into acoustic and electromagnetic phenomena have produced large sculptural antenna works, video and sound-producing installations and experimental audio works for performance. Her interest in the VLF (Very Low Frequency) part of the radio spectrum is ongoing, and has continued to open up new relationships as spectrum politics and concern for the environment have changed. Her recent investigations into drawings and stencilling have opened up an expanded investigation into graphic antenna, fractal mathematics, and energy scavenging. The art and science axis in her work has placed her in productive dialogue with various scientists and communities from disciplines such as solar research, antenna design and high-energy physics. Her collaborations with artist and SCA Photomedia Lecturer David Haines have produced large-scale immersive video and sound works that explore the tension between the fictive and the phenomenal. These collaborative works have gained international recognition and are continuing to explore the possibilities for 3D visualisation, animation and real-time technologies in the art context.

Teaching and supervision

Donald Brierley, MFA

Julian Callaghan, MFA

Kenneth Mitchell, MFA

Michael Petchkovsky, MFA

Awards and honours

2009 Prix Ars Electronica: Award of Distinction in the Hybrid Art category, EARTH STAR

2008 Australia Council for the Arts, Presentation and Presentation Grant: Telepathy, Performance Space, Sydney

2007 Australia Council for the Arts, Presentation and Promotion Grant: Participation in (in)visible sounds, Purple Rain, Dutch Institute for Time-based Art, the Netherlands, 2007

2006 ANAT (Australian Network for Art and Technology): Professional Development Travel Grant, Purple rain, Waves: The 8th International Festival for New Media Culture ART+COMMUNICATION, Riga, Latvia

2005 Australia Council for the Arts, Fellowship

2004 Australia Council for the Arts, Participation in Sao Paulo Bienal

2004 NSW Ministry for the Arts, Participation in Sao Paulo Bienal

2001, Australia Council for the Arts, New Media Arts Board: New Work, The Blinds and the Shutters (for AGNSW)

1998 Australia Council for the Arts, New Media Fund: Project Grant, Nervous objects internet project

PhD and master's project opportunities

Selected publications & creative works

Download citations: PDF RTF Endnote

Original Creative Work

  • Hinterding, J. (2013). Negative Resonance. In: Redlands Konica Minolta Art Prize. National Art School Gallery, Sydney, Australia.
  • Hinterding, J. (2013). Simple Forces. In: Joyce Hinterding | Simple Forces. Breenspace, Sydney, Australia.
  • Haines, D., Hinterding, J. (2012). 1. Electrostatic composition for Carbon Black 2. Electrostatic composition for Carbon Black and Alizarine Yellow 3-8. Pulses 1-6 9. Escaping Gas. In: Orgasm. Breenspace, Sydney. Breenspace, Sydney, Australia.
  • Hinterding, J. (2012). 1. SoundWave: Induction drawing 1 Capacitor Wave 2012 2. SoundWave: Induction drawing 2 Resonator Wave 2012 3. SoundWave: Induction drawing 3 Spiral Wave 2012 4. SoundWave: Induction drawing 4 Wave Core 2012. In: Artists' Proof #1. Monash University Museum of Art, Melbourne, Australia.
  • Hinterding, J. (2012). Glass Spiral Network V001. In: The Drawing Room. Breenspace, Sydney, Australia.
  • Hinterding, J., Haines, D. (2012). Monocline: Black Boxes. In: Sound Full. Dunedin Public Art Gallery, Dunedin, New Zealand.
  • Haines, D., Hinterding, J. (2012). The Kalimna Auras, Block 3, Block 42, Block 31. In: The Blocks. Penfolds. Pier 3 and 4, Walsh Bay, Sydney, Australia.
  • Hinterding, J. (2012). Wave form: Induction drawings 2012. In: Graphite. Indianapolis Museum of Art, Indianapolis, United States of America.
  • Haines, D., Hinterding, J. (2011). 1. Anyplace Where Ever - North East and North by North East. In: Breenspace group. Breenspace. Breenspace, 289 Young Street, Waterloo, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). 1. Cloudbuster Number Three: Orgone Energy Cloud Engineering Device (The Black Ray) 2. Cloudbuster Number Four: Orgone Energy Cloud Engineering Device (Starlight Driver 3.1). In: Awfully Wonderful, Science Fiction in Contemporary Art. Performance Space, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). 1. The outlands. In: Unguided tours: Anne Lander Award 2011. Art Gallery of New South Wales, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). Monocline: white cube. In: Monocline: white cube. Breenspace, Sydney, Australia.
  • Hinterding, J. (2011). Release Agent. In: Out Hear Festival. Footscray Community Centre and Out Hear Festival. Footscray Community Arts Centre, Melbourne, Australia.
  • Hinterding, J., Haines, D. (2010). Beta Decay. In: Group show 2010. Breenspace, Sydney, Australia.
  • Haines, D., Hinterding, J. (2010). Broadcast from the Ionosphere: Sunvalleyradio (Spherics and Fields 2010, Live Broadcast from the Ionosphere). In: Light from Light. Multimedia Art Asia Pacific, Queensland/ Shanghai, Australia.
  • Hinterding, J. (2010). Loops and fields : Induction Drawings Series 3. In: Trust. 16th International Symposium on Electronic Art, Dortmund, Germany.
  • Hinterding, J. (2010). Loops and Fields: Induction Drawings Series 4. In: Freehand: Recent Australian Drawing. Heide III: Central Galleries, victoria, Australia.
  • Hinterding, J., Haines, D. (2010). Ozinol. In: 7th Aotera Digital Arts Network Symposium. 7th Aotera Digital Arts Network Symposium, Whanganui, New Zealand.
  • Hinterding, J. (2009). 1. Ulam VLF array (graphite) 2. Cesaro array 3. Peano-Gosper Curve 4. Koch Loop. In: Aura. Breenspace, Sydney. Breenspace, Sydney, Australia.
  • Hinterding, J., Haines, D. (2009). ADD to history of Black Canyon Earth Field. In: Art + Communication 2009: Energy. XI International festival for new media culture. RIXC Gallery at Spikeri, Riga, Latvia.
  • Haines, D., Hinterding, J. (2009). Electromagnetic composition for building, plants and stars – AdelaideArray. In: Royal Institution of Australia (RiAus). Royal Institution of Australia (RiAus). Future Space at the Science Exchange, Adelaide, Australia.
  • Hinterding, J. (2008). 512K to Blacktown. In: Headland. ICAN (Institute for Contemporary Art Newtown). Institute for Contemporary Art Newtown, Sydney, Australia.
  • Hinterding, J. (2008). Aeriology. In: AV Festival 08: Broadcast. AV Festival 08: Broadcast. Reg Vardy Gallery, Sunderland, United Kingdom.
  • Hinterding, J., Haines, D. (2008). Black Canyon and Earth Field. In: Superlight: The 2nd Biennial 01SJ Art on the edge. San Jose Museum of Art, California, USA. San Jose Museum Art, California, USA, United States of America.
  • Hinterding, J., Haines, D. (2008). Cloudbusting. In: ISKA. Australia.
  • Haines, D., Hinterding, J. (2008). EarthStar. In: Premier of Queensland's National New Media Art Award. Queensland Art Gallery. Gallery of Modern Art, Queensland, Brisbane, Australia.
  • Hinterding, J. (2008). Spectral. In: 21:100:100 One Hundred Sound Works by One Hundred Artists from the 21st Century. Melbourne International Arts Festival. Gertrude St Contemporary Art Space, Melbourne, Australia.
  • Haines, D., Hinterding, J. (2008). Telepathy. In: Telepathy. performance space at Carriageworks. Carriageworks, Eveleigh NSW, Australia.
  • Haines, D., Hinterding, J. (2008). The immaterials: language molecules and vibration 2008. In: Riverbeats 2008. Parramatta Council. Parramatta Artists Studios, Parramatta, Australia.
  • Haines, D., Hinterding, J. (2007). 1. Hydrogen Alpha 002 2. Plan for Cloudbuster. In: The Trouble with the Weather: a southern response. UTS Gallery, Sydney, Australia.
  • Haines, D., Hinterding, J. (2006). Electromagnetique Composition for Building Plants and Stars 2006. In: ReSearch. sendai mediatheque / EXPERIMENTA. sendai mediatheque, 6f Gallery 4200, Sendai, Japan.
  • Hinterding, J. (2006). Radiation_3: The evil dead. In: What Survives: Sonic Residues in Breathing Buildings. Performance Space, Sydney, Australia.
  • Haines, D., Hinterding, J. (2006). Two Works for Wilhelm Reich. In: Two works for Wilhelm Reich. PICA - Perth Institute of Contemporary Arts. At PICA in the Westend Gallery, Perth, Australia.
  • Haines, D., Hinterding, J. (2005). Hollow Earth Theory (Revived). In: The Butterfly Effect: contemporary artists transform the Australian Museum. Australian Museum, Sydney. Australian Museum, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_2 NZ. In: impermanent.audio. Pelt, Sydney, Australia.
  • Haines, D., Hinterding, J. (2004). Born to be wild (Silver Hill). In: 2004 Adelaide Biennial of Australian Art: Contemporary Photo-Media. Art Gallery of South Australia, Adelaide, Australia.
  • Hinterding, J. (2004). Harmonic 33. In: Pegging Out. Hazelhurst Regional Gallery & Arts Centre, Gymea, Australia.
  • Haines, D., Hinterding, J. (2004). Purple Rain. In: 26th Sao Paulo Biennial: Território Livre. Sao Paulo Biennial. Pavilhao Ciccillo Matarazzo, Sao Paulo, Brazil.
  • Hinterding, J. (2004). Radiation_1. In: I.AUDIO. Performance Space. Carriage Works, Sydney, Australia.
  • Haines, D., Hinterding, J. (2003). House II, The Great Artesian Basin, Pennsylvania USA. In: The Liquid Sea. Museum of Contemporary Art (MCA). Museum of Contemporary Art, Sydney, Australia, Australia.
  • Hinterding, J. (2003). Ono Soul. In: Shangri-La Collective. Artspace, Sydney, Australia.
  • Haines, D., Hinterding, J. (2003). Undertow. In: remembrance + the moving image: persistence of vision. Australian Centre for the Moving Image, Melbourne, Australia.
  • Haines, D., Hinterding, J. (2002). The Levitation Grounds (2000-2002). In: Multimedia Art Asia Pacific (MAAP), Beijing: Moist. MAAP, Multimedia Art Asia Pacific. The Art Museum of China Millennium Monument, Beijing, Afghanistan.
  • Hinterding, J. (2002). The Plasma Wave Instrument. In: Converge: Where art and science meet. 2002 Adelaide Biennial of Australian Art. Art Gallery of South Australia, Adelaide, Australia.
  • Haines, D., Hinterding, J. (2001). The Blinds and the Shutters. In: Space Odysseys: Sensation & Immersion. The Art Gallery of New South Wales, Sydney, Australia.

Live Performances

  • Hinterding, J. (2013). Radio Graph: Fields Found. Found Sound: Event for Reinventing the Wheel: The Readymade Century. Monash University Museum of Art (MUMA), Melbourne, Australia.
  • Hinterding, J. (2013). RadioGraph:EarthSignal. Book launch: Douglas Kahn's. Galleries UNSW at College of Fine Arts (COFA), Sydney, Australia.
  • Hinterding, J., Haines, D. (2013). The Falls of Darkness. Bundanon Trust, Bundanon, Australia.
  • Haines, D., Hinterding, J. (2011). Cosmic Vapour #2 (station to station). Awfully Wonderful. Performance Space @ Carriageworks, Sydney, Australia: Performance Space.
  • Hinterding, J. (2009). Plasma Wave Lab: Transmission. Sound Vision 2009. Washington University Bellingham, Washington, United States of America: Bellingham Electronic Arts festival Western BEAF.
  • Hinterding, J., Haines, D. (2009). Untitled. Difficult Music Festival. Sedition, Darlinghurst Sydney, Australia: Difficult Music Festival.
  • Hinterding, J. (2008). Radiation_55. The Now Now festival. Wentworth Falls School of Arts, Wentworth Falls, Australia: Arts NSW.
  • Hinterding, J. (2006). Radiation_22. SOUND + ELECTRICITY. CarriageWorks: Performance Space, Sydney, Australia: Performance Space.
  • Hinterding, J. (2005). Force Field. ABC Radio National, Sydney, Australia: The Night Air & The Media Department at Macquarie University.
  • Hinterding, J. (2005). Live Test Transmission. Mori Gallery, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_33. Lanfranchi's Memorial Discotheque, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_44. Artspace, Sydney, Australia: Artspace.
  • Hinterding, J. (2004). Orlovka. Tonic, New York City, United States of America.
  • Hinterding, J. (2004). Oshca. Scarpa, Auckland, New Zealand.
  • Hinterding, J. (2004). Untitled. What is Music Festival. Brisbane Powerhouse, Brisbane, Australia: What is Music Festival.
  • Hinterding, J. (2003). Electric Fence. Unsound Festival 2003. Glenesk, Wagga Wagga, Australia: Space Program - Unsound Festival.
  • Hinterding, J. (2003). Untitled. Impermanent.audio. Frequency Lab, Sydney, Australia: Frequency Lab.
  • Hinterding, J. (2002). Electromagnetic. The Studio - Sydney Opera House, Sydney, Australia: Opera House,Studio.
  • Hinterding, J. (2002). Untitled. Frequency Lab Sydney, Sydney, Australia.

Recorded / Rendered

  • Haines, D., Hinterding, J. (2009). Encounter with the Halo Field. Magazine and DVD, Acton, ACT, Australia: Art Monthly Australia.

2013

  • Hinterding, J. (2013). Negative Resonance. In: Redlands Konica Minolta Art Prize. National Art School Gallery, Sydney, Australia.
  • Hinterding, J. (2013). Radio Graph: Fields Found. Found Sound: Event for Reinventing the Wheel: The Readymade Century. Monash University Museum of Art (MUMA), Melbourne, Australia.
  • Hinterding, J. (2013). RadioGraph:EarthSignal. Book launch: Douglas Kahn's. Galleries UNSW at College of Fine Arts (COFA), Sydney, Australia.
  • Hinterding, J. (2013). Simple Forces. In: Joyce Hinterding | Simple Forces. Breenspace, Sydney, Australia.
  • Hinterding, J., Haines, D. (2013). The Falls of Darkness. Bundanon Trust, Bundanon, Australia.

2012

  • Haines, D., Hinterding, J. (2012). 1. Electrostatic composition for Carbon Black 2. Electrostatic composition for Carbon Black and Alizarine Yellow 3-8. Pulses 1-6 9. Escaping Gas. In: Orgasm. Breenspace, Sydney. Breenspace, Sydney, Australia.
  • Hinterding, J. (2012). 1. SoundWave: Induction drawing 1 Capacitor Wave 2012 2. SoundWave: Induction drawing 2 Resonator Wave 2012 3. SoundWave: Induction drawing 3 Spiral Wave 2012 4. SoundWave: Induction drawing 4 Wave Core 2012. In: Artists' Proof #1. Monash University Museum of Art, Melbourne, Australia.
  • Hinterding, J. (2012). Glass Spiral Network V001. In: The Drawing Room. Breenspace, Sydney, Australia.
  • Hinterding, J., Haines, D. (2012). Monocline: Black Boxes. In: Sound Full. Dunedin Public Art Gallery, Dunedin, New Zealand.
  • Haines, D., Hinterding, J. (2012). The Kalimna Auras, Block 3, Block 42, Block 31. In: The Blocks. Penfolds. Pier 3 and 4, Walsh Bay, Sydney, Australia.
  • Hinterding, J. (2012). Wave form: Induction drawings 2012. In: Graphite. Indianapolis Museum of Art, Indianapolis, United States of America.

2011

  • Haines, D., Hinterding, J. (2011). 1. Anyplace Where Ever - North East and North by North East. In: Breenspace group. Breenspace. Breenspace, 289 Young Street, Waterloo, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). 1. Cloudbuster Number Three: Orgone Energy Cloud Engineering Device (The Black Ray) 2. Cloudbuster Number Four: Orgone Energy Cloud Engineering Device (Starlight Driver 3.1). In: Awfully Wonderful, Science Fiction in Contemporary Art. Performance Space, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). 1. The outlands. In: Unguided tours: Anne Lander Award 2011. Art Gallery of New South Wales, Sydney, Australia.
  • Haines, D., Hinterding, J. (2011). Cosmic Vapour #2 (station to station). Awfully Wonderful. Performance Space @ Carriageworks, Sydney, Australia: Performance Space.
  • Haines, D., Hinterding, J. (2011). Monocline: white cube. In: Monocline: white cube. Breenspace, Sydney, Australia.
  • Hinterding, J. (2011). Release Agent. In: Out Hear Festival. Footscray Community Centre and Out Hear Festival. Footscray Community Arts Centre, Melbourne, Australia.

2010

  • Hinterding, J., Haines, D. (2010). Beta Decay. In: Group show 2010. Breenspace, Sydney, Australia.
  • Haines, D., Hinterding, J. (2010). Broadcast from the Ionosphere: Sunvalleyradio (Spherics and Fields 2010, Live Broadcast from the Ionosphere). In: Light from Light. Multimedia Art Asia Pacific, Queensland/ Shanghai, Australia.
  • Hinterding, J. (2010). Loops and fields : Induction Drawings Series 3. In: Trust. 16th International Symposium on Electronic Art, Dortmund, Germany.
  • Hinterding, J. (2010). Loops and Fields: Induction Drawings Series 4. In: Freehand: Recent Australian Drawing. Heide III: Central Galleries, victoria, Australia.
  • Hinterding, J., Haines, D. (2010). Ozinol. In: 7th Aotera Digital Arts Network Symposium. 7th Aotera Digital Arts Network Symposium, Whanganui, New Zealand.

2009

  • Hinterding, J. (2009). 1. Ulam VLF array (graphite) 2. Cesaro array 3. Peano-Gosper Curve 4. Koch Loop. In: Aura. Breenspace, Sydney. Breenspace, Sydney, Australia.
  • Hinterding, J., Haines, D. (2009). ADD to history of Black Canyon Earth Field. In: Art + Communication 2009: Energy. XI International festival for new media culture. RIXC Gallery at Spikeri, Riga, Latvia.
  • Haines, D., Hinterding, J. (2009). Electromagnetic composition for building, plants and stars – AdelaideArray. In: Royal Institution of Australia (RiAus). Royal Institution of Australia (RiAus). Future Space at the Science Exchange, Adelaide, Australia.
  • Haines, D., Hinterding, J. (2009). Encounter with the Halo Field. Magazine and DVD, Acton, ACT, Australia: Art Monthly Australia.
  • Hinterding, J. (2009). Plasma Wave Lab: Transmission. Sound Vision 2009. Washington University Bellingham, Washington, United States of America: Bellingham Electronic Arts festival Western BEAF.
  • Hinterding, J., Haines, D. (2009). Untitled. Difficult Music Festival. Sedition, Darlinghurst Sydney, Australia: Difficult Music Festival.

2008

  • Hinterding, J. (2008). 512K to Blacktown. In: Headland. ICAN (Institute for Contemporary Art Newtown). Institute for Contemporary Art Newtown, Sydney, Australia.
  • Hinterding, J. (2008). Aeriology. In: AV Festival 08: Broadcast. AV Festival 08: Broadcast. Reg Vardy Gallery, Sunderland, United Kingdom.
  • Hinterding, J., Haines, D. (2008). Black Canyon and Earth Field. In: Superlight: The 2nd Biennial 01SJ Art on the edge. San Jose Museum of Art, California, USA. San Jose Museum Art, California, USA, United States of America.
  • Hinterding, J., Haines, D. (2008). Cloudbusting. In: ISKA. Australia.
  • Haines, D., Hinterding, J. (2008). EarthStar. In: Premier of Queensland's National New Media Art Award. Queensland Art Gallery. Gallery of Modern Art, Queensland, Brisbane, Australia.
  • Hinterding, J. (2008). Radiation_55. The Now Now festival. Wentworth Falls School of Arts, Wentworth Falls, Australia: Arts NSW.
  • Hinterding, J. (2008). Spectral. In: 21:100:100 One Hundred Sound Works by One Hundred Artists from the 21st Century. Melbourne International Arts Festival. Gertrude St Contemporary Art Space, Melbourne, Australia.
  • Haines, D., Hinterding, J. (2008). Telepathy. In: Telepathy. performance space at Carriageworks. Carriageworks, Eveleigh NSW, Australia.
  • Haines, D., Hinterding, J. (2008). The immaterials: language molecules and vibration 2008. In: Riverbeats 2008. Parramatta Council. Parramatta Artists Studios, Parramatta, Australia.

2007

  • Haines, D., Hinterding, J. (2007). 1. Hydrogen Alpha 002 2. Plan for Cloudbuster. In: The Trouble with the Weather: a southern response. UTS Gallery, Sydney, Australia.

2006

  • Haines, D., Hinterding, J. (2006). Electromagnetique Composition for Building Plants and Stars 2006. In: ReSearch. sendai mediatheque / EXPERIMENTA. sendai mediatheque, 6f Gallery 4200, Sendai, Japan.
  • Hinterding, J. (2006). Radiation_22. SOUND + ELECTRICITY. CarriageWorks: Performance Space, Sydney, Australia: Performance Space.
  • Hinterding, J. (2006). Radiation_3: The evil dead. In: What Survives: Sonic Residues in Breathing Buildings. Performance Space, Sydney, Australia.
  • Haines, D., Hinterding, J. (2006). Two Works for Wilhelm Reich. In: Two works for Wilhelm Reich. PICA - Perth Institute of Contemporary Arts. At PICA in the Westend Gallery, Perth, Australia.

2005

  • Hinterding, J. (2005). Force Field. ABC Radio National, Sydney, Australia: The Night Air & The Media Department at Macquarie University.
  • Haines, D., Hinterding, J. (2005). Hollow Earth Theory (Revived). In: The Butterfly Effect: contemporary artists transform the Australian Museum. Australian Museum, Sydney. Australian Museum, Sydney, Australia.
  • Hinterding, J. (2005). Live Test Transmission. Mori Gallery, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_2 NZ. In: impermanent.audio. Pelt, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_33. Lanfranchi's Memorial Discotheque, Sydney, Australia.
  • Hinterding, J. (2005). Radiation_44. Artspace, Sydney, Australia: Artspace.

2004

  • Haines, D., Hinterding, J. (2004). Born to be wild (Silver Hill). In: 2004 Adelaide Biennial of Australian Art: Contemporary Photo-Media. Art Gallery of South Australia, Adelaide, Australia.
  • Hinterding, J. (2004). Harmonic 33. In: Pegging Out. Hazelhurst Regional Gallery & Arts Centre, Gymea, Australia.
  • Hinterding, J. (2004). Orlovka. Tonic, New York City, United States of America.
  • Hinterding, J. (2004). Oshca. Scarpa, Auckland, New Zealand.
  • Haines, D., Hinterding, J. (2004). Purple Rain. In: 26th Sao Paulo Biennial: Território Livre. Sao Paulo Biennial. Pavilhao Ciccillo Matarazzo, Sao Paulo, Brazil.
  • Hinterding, J. (2004). Radiation_1. In: I.AUDIO. Performance Space. Carriage Works, Sydney, Australia.
  • Hinterding, J. (2004). Untitled. What is Music Festival. Brisbane Powerhouse, Brisbane, Australia: What is Music Festival.

2003

  • Hinterding, J. (2003). Electric Fence. Unsound Festival 2003. Glenesk, Wagga Wagga, Australia: Space Program - Unsound Festival.
  • Haines, D., Hinterding, J. (2003). House II, The Great Artesian Basin, Pennsylvania USA. In: The Liquid Sea. Museum of Contemporary Art (MCA). Museum of Contemporary Art, Sydney, Australia, Australia.
  • Hinterding, J. (2003). Ono Soul. In: Shangri-La Collective. Artspace, Sydney, Australia.
  • Haines, D., Hinterding, J. (2003). Undertow. In: remembrance + the moving image: persistence of vision. Australian Centre for the Moving Image, Melbourne, Australia.
  • Hinterding, J. (2003). Untitled. Impermanent.audio. Frequency Lab, Sydney, Australia: Frequency Lab.

2002

  • Hinterding, J. (2002). Electromagnetic. The Studio - Sydney Opera House, Sydney, Australia: Opera House,Studio.
  • Haines, D., Hinterding, J. (2002). The Levitation Grounds (2000-2002). In: Multimedia Art Asia Pacific (MAAP), Beijing: Moist. MAAP, Multimedia Art Asia Pacific. The Art Museum of China Millennium Monument, Beijing, Afghanistan.
  • Hinterding, J. (2002). The Plasma Wave Instrument. In: Converge: Where art and science meet. 2002 Adelaide Biennial of Australian Art. Art Gallery of South Australia, Adelaide, Australia.
  • Hinterding, J. (2002). Untitled. Frequency Lab Sydney, Sydney, Australia.

2001

  • Haines, D., Hinterding, J. (2001). The Blinds and the Shutters. In: Space Odysseys: Sensation & Immersion. The Art Gallery of New South Wales, Sydney, Australia.

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