Art and the document

Art and the Document is a Sydney College of the Arts research cluster actively exploring the dynamic relationship between documentary and aesthetic practices across the spectrum of contemporary art forms. The research also aims to serve as a catalyst in the production of knowledge that emerges from new kinds of dialogue between art and documentary practices.

The veracity and validity of traditionally accepted documentary forms (analogue photography, film and video) have been subject to sustained critique by artists and critics since the late 1960s. In the following decades, as their authority appeared to wane, documentary-based photography, film and video appeared with increasing frequency and prominence across the sphere of contemporary art practice. The need to verify, understand and evaluate knowledge, situated within the visual and visceral everyday and aesthetic realities of experience remains increasingly urgent. This compelling drive has been either accelerated or exacerbated by the escalating role of digital technologies in the hyper-proliferation, production and dissemination of increasingly sophisticated, manipulated, and re-contextualized images and forms. This more recent and unprecedented internet-based proliferation of photo-based images and data has raised pressing new questions for both ‘art’ and ‘the document’.

While the old theoretical and creative parameters and debates can feel exhausted, the intellectual frameworks and evolving practices most applicable to and productive for our present situation are not yet clear. They include participatory, fictive, subjective, performative, allegorical, interdisciplinary documentary approaches; fresh forms continue to be invented. Exploring and mapping this fertile domain of contemporary art practice is the focus of our group’s research.



Richard Tuohy Chromaflex Workshop

Art & the Document, in partnership with Workshop for Potential Cinema and Sydney Underground Film Festival, presents a unique hands on workshop with visiting filmmaker Richard Tuohy. This all-day workshop on 18 September 2016 will be a crash course in working with 16mm film and experimental dark room techniques to explore a new photo-chemical approach called Chromaflex, which allows unedited colour and black and white images on the same strip of film or indeed within the one frame. Read more...

Register here



Photography Ontology Symposium

'Magnesium-Blitz mit Schüttungseinrichtung 1928', glass plate negative, 9 x 12 cm, ETH-Bibliothek Zürich, Bildarchiv / Fotograf: Photographisches Institut der ETH Zürich

Delivered in partnership with Sydney Ideas and the University of Sydney's Faculty of Arts and Social Sciences, Photography.Ontology.Symposium, held from 2-3 June 2016, engaged international scholars and specialists on the photographic medium to explore the relationship between photography's ontology, the camera as a human perceptual apparatus and the unconscious through themes of evidence, the archive, photographic practice and theory. Read more...


The Alchemists

Joyce Campbell, Flight Dream, 2015, production still. Courtesy the artist and Two Rooms Gallery Auckland.


The Image in Question

Merilyn Fairsyke/Cherine Fahd, 'Untitled', 2014

"More to an image than meets the eye" (News item)


John Di Stefano (research cluster leader)
Ryszard Dabek
Cherine Fahd
David Haines
Margaret Seymour
Justin Trendall
Tanya Peterson
Janelle Evans

Other links

SCA Moving Image and Screen (Tumblr)