Books

• Marks, P. (2018). Literature of the 1990s: Endings and Beginnings. Edinburgh: Edinburgh University Press. [More Information]
• Marks, P. (2015). Imagining Surveillance: Eutopian and Dystopian Literature and Film. Edinburgh: Edinburgh University Press. [More Information]
• Marks, P. (2011). George Orwell the Essayist: Literature, Politics and the Periodical Culture. London, UK: Continuum.
• Marks, P. (2009). Terry Gilliam. United Kingdom: Manchester University Press.

Edited Books

• Marks, P., Wagner-Lawlor, J., Vieira, F. (2022). The Palgrave Handbook of Utopian and Dystopian Literatures. Cham: Palgrave Macmillan. [More Information]
• Marks, P. (2012). Literature and Politics: Pushing the World in Certain Directions. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.

Book Chapters

• Marks, P. (2024). The Essay and the Public Intellectual. In Denise Gigante and Jason Childs (Eds.), The Cambridge History of the British Essay, (pp. 650-664). Cambridge: Cambridge University Press. [More Information]
• Marks, P. (2022). Cinema. In Peter Marks, Jennifer A. Wagner-Lawlor, Fatima Vieira (Eds.), The Palgrave Handbook of Utopian and Dystopian Literatures, (pp. 231-242). Cham: Palgrave Macmillan. [More Information]
• Marks, P., Vieira, F., Wagner-Lawlor, J. (2022). Introduction. In Peter Marks, Jennifer A. Wagner-Lawlor, Fatima Vieira (Eds.), The Palgrave Handbook of Utopian and Dystopian Literatures, (pp. 1-21). Cham: Palgrave Macmillan. [More Information]
• Marks, P. (2022). The Pacific and Australasia. In Peter Marks, Jennifer A. Wagner-Lawlor, Fatima Vieira (Eds.), The Palgrave Handbook of Utopian and Dystopian Literatures, (pp. 603-615). Cham: Palgrave Macmillan. [More Information]
• Marks, P. (2019). "Are these feelings even real?" Intimacy and Authenticity in Spike Jonze's Her. In Kim Wilkins, Wyatt Moss-Wellington (Eds.), ReFocus: The Films of Spike Jonze, (pp. 139-157). Edinburgh: Edinburgh University Press. [More Information]
• Marks, P. (2019). Debatable Ground: Journalism, Pamphlets and Social Critique. In Benjamin Kohlmann, Matthew Taunton (Eds.), A History of 1930s British Literature, (pp. 147-162). Cambridge: Cambridge University Press. [More Information]
• Marks, P. (2019). Publishing and Periodicals. In James Smith (Eds.), The Cambridge Companion to British Literature of the 1930s, (pp. 63-80). Cambridge, United Kingdom: Cambridge University Press. [More Information]
• Marks, P. (2015). Don't You See?: Surveillance and Utopian Tranquillity in The Good Soldier. In Max Saunders, Sara Haslam (Eds.), Ford Madox Ford's The Good Soldier: Centenary Essays, (pp. 283-298). Leiden: Koninklijke Brill. [More Information]
• Marks, P. (2015). George Orwell and the History of Surveillance Studies. In Richard Lance Keeble (Eds.), George Orwell Now!, (pp. 13-29). New York: Peter Lang Publishing. [More Information]
• Marks, P. (2014). Illusion and reality: The spectre of socialist realism in thirties literature. In Keith Williams, Steven Matthews (Eds.), Rewriting the Thirties: Modernism and After, (pp. 23-36). London, UK: Routledge.
• Marks, P. (2014). Wolvogs, Pigoons and Crakers: Invasion of the bodysplices in Margaret Atwood's Oryx and Crake. In Jodi Frawley and Iain McCalman (Eds.), Rethinking Invasion Ecologies from the Environmental Humanities, (pp. 166-177). Oxon: Routledge. [More Information]
• Marks, P. (2013). England: 1933-1936. In Anthony Uhlmann (Eds.), Samuel Beckett in Context, (pp. 87-98). New York: Cambridge University Press.
• Marks, P. (2012). Introduction: Pushing the World in Certain Directions. In Peter Marks (Eds.), Literature and Politics: Pushing the World in Certain Directions, (pp. 1-10). Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.
• Marks, P. (2012). Pleeblands, Compounds and Paradice: Utopian and Dystopian Spaces in Oryx and Crake. In Peter Marks (Eds.), Literature and Politics: Pushing the World in Certain Directions, (pp. 214-224). Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.
• Marks, P. (2012). The Left in the 1920s: Good Morning (1919-22); The Freeman (1920-4); and The Modern Quarterly (1923-9). In Peter Brooker and Andrew Thacker (Eds.), The Oxford Critical and Cultural History of Modernist Magazines Volume II: North America 1894-1960, (pp. 857-880). Oxford: Oxford University Press. [More Information]
• Marks, P. (2012). The Left in the 1930s: The Modern Quarterly (1929-33, became The Modern Monthly, 1933-40); Blast: A Magazine of Proletarian Short Stories (1933-4); and The Windsor Quarterly (1933-5). In Peter Brooker and Andrew Thacker (Eds.), The Oxford Critical and Cultural History of Modernist Magazines Volume II: North America 1894-1960, (pp. 881-902). Oxford: Oxford University Press. [More Information]
• Marks, P. (2009). Art and politics in the 1930s: the European Quarterly (1934-5), Left Review (1934-8), and Poetry and the People (1938-40). In Thacker, Andrew; Brooker, Peter (Eds.), The Oxford critical and cultural history of Modernist magazines, (pp. 623-646). Oxford: Oxford University Press.

Journals

• Marks, P. (2022). 'Big Other Is Watching You' Shoshana Zuboff's 'The Age of Surveillance Capitalism' and Dave Eggers' 'The Circle'. Revue d'etudes benthamiennes, 22. [More Information]
• Marks, P. (2021). Are some more equal than others? Animated and animatronic adaptations of 'Animal Farm'. Textual Practice, 35(10), 1667-1683. [More Information]
• Marks, P. (2013). Monitoring the Unvisible: Seeing and unseeing in China Mieville's The City & The City. Surveillance and Society, 11(3), 222-236.
• Smith, G., Westcott, H., San Roque, M., Marks, P. (2013). Surveillance texts and textualism: Truthtelling and trustmaking in an uncertain world. Surveillance and Society, 11(3), 215-221.
• Marks, P. (2011). Money, 'Money', Money: Cultural Transactions Between Philip Larkin and Martin Amis. Sydney Studies in English, 37, 71-91.
• Marks, P. (2008). Adaptation from Charles Darwin to Charlie Kaufman. Sydney Studies in English, 34, 19-40.
• Marks, P. (2008). Surveillance screens and screening in "Code 46". Scan (Sydney): journal of media arts culture, 5(1), 1-15.
• Marks, P. (2005). "And God Saw Everything": Paradise, Utopia and Surveillance. Script and Print: bulletin of the Bibliographical Society of Australia and New Zealand., 29(1-4), 178-191.
• Marks, P. (2005). Imagining surveillance: utopian visions and surveillance studies. Surveillance and Society, 3(2-3), 222-239.
• Marks, P. (2004). Making The New: Literary Periodical And The Construction Of Modernism. Precursors and Aftermaths, 0.084027778, 24-39.
• Marks, P. (2001). Thinking on Paper:Incompleteness and the Essay. Sydney Studies in English, 27, 42-57.

Edited Journals

• Chesher, C., Marks, P., Cleland, K. (2008). Screenscapes. Scan (Sydney): journal of media arts culture.

Textual Creative Works

• Marks, P. (2024). Nineteen Eighty-Four is news that has stayed news. The Orwell Foundation, United Kingdom: The Orwell Foundation. [More Information]

Magazine / Newspaper Articles

• Marks, P. (2023). Book review: The self-fashioning of George Orwell. Inside Story. [More Information]
• Potter, S., Marks, P. (2023). Julia by Sandra Newman: a vibrant retelling of George Orwell's Nineteen Eighty-Four. The Conversation. [More Information]

Other

• Marks, P. (2005), Australia Talks Books: Down and Out in Paris and London.