Having acquired basic skills in voice leading and an understanding of diatonic chord functions, students are introduced to more advanced concepts that are encountered frequently in the tonal repertoire. These include modulation, diatonic sequences and techniques for working with instrumental textures. Counterpoint studies are continued, both in practice and in analysis, where some aspects of Baroque musical forms are considered.
1 lecture,1 tutorial/wk
Assignments (40%), examination (60%)
Gauldin Robert. Harmonic practice in tonal music. 2nd ed NY: Norton, 2004 Gauldin Robert. Workbook for harmonic practice in tonal music. 2nd ed NY: Norton, 2004