The aims of this unit are to develop skills in the methods and practices of conservation at an accepted professional level, and to interpret and apply the theory taught in the mandatory core of the course in practical, on-site projects. The unit focuses on culturally significant structures and cultural landscapes and includes: methods of survey and documentation (locating, describing and recording components with possible heritage value; identifying and reading historic fabric; historic and archival research methods; thematic history methods; pattern recognition; natural systems; settlements; cultural mapping; aesthetic analysis; material and stylistic analysis); evaluation methodology (assigning heritage significance); assessment methodology (establishing conservation priorities); and appropriate conservation actions (conservation and management plans, policies and strategies). At the end of the unit the student will successfully demonstrate: an understanding of the Australia ICOMOS Burra Charter and the ability to prepare, in accordance with current accepted professional practice, a conservation plan of a place or places of cultural significance; skill in methods and techniques of analysis, assessment and documentation of cultural significance; and the ability to develop relevant policies and strategies for the conservation of a variety places of cultural significance. The intended outcomes are achieved through inquiry, individual study and research and are demonstrated by each student upon the successful completion of set assignments. The assignments are constructed to allow each student to demonstrate his or her level of understanding of the accepted professional methodology and practice in the preparation and presentation of a conservation plan. Assessment criteria based on unit outcomes are used for the examination of the assignments.

The report is a substantial piece of research conducted over one semester. It takes the form of report (between 10000 and 15000 words) on an approved subject of your choice. The report is an opportunity to advance your knowledge and skills in a particular area. The objective of the report is to allow you to develop research and analytic skills by undertaking an in depth study of your own selection. The expected learning outcomes of the report include the ability to think critically about a problem and develop an appropriate research methodology or analytical approach to address it; identify and access appropriate sources of information, research and literature relevant to the issues; undertake relevant primary and secondary research; and present your findings in a way that demonstrates academic and professional competence. A report generally includes a literature review to delineate a problem; a statement of research aims or objectives, as well as research questions; an explanation of research methods; presentation and analysis of data; and discussion of conclusions. Permission to continue the Report may be subject to a satisfactory research proposal being approved by your supervisor by week 3 of semester. Reports are due at the end of the first week of exams for the semester in which you are enrolled. The assessment is based solely on the submission of your report. The report is generally marked by two examiners, neither of whom is your supervisor.

ARCH9045 and ARCH9046 Dissertation 1 and 2 are only available to candidates with permission from an appropriate supervisor. Planning students should take PLAN9010 and PLAN9011 Planning Dissertations 1 and 2. Students enrol either full time over one semester (ARCH9045 and ARCH9046) or part time over two semesters (ARCH9045 then ARCH9046). The units are not assessed separately - a single dissertation is required. The appointment of a supervisor will depend on the topic chosen for the dissertation by the student. Students and their supervisors should complete an Independent Study Approval form and return it to the Student Administration Centre to effect enrolment. The aim of the dissertation is to train the student in how to undertake advanced study. The student should learn how to examine published and unpublished data, survey and experimental results, set objectives, organise a program of work, analyse information, evaluate this in relation to existing knowledge and document the work; and to allow the student to pursue an area of interest in greater depth than is possible in coursework or to investigate an area of interest which is not covered in coursework. The dissertation will normally involve a critical review of published material in a specified subject area, but it may also be an experimental or theoretical investigation, a feasibility study, a case study, a computer program, or other work demonstrating the student's analytical ability. The dissertation should be 15,000 to 25,000 words in length. The dissertation should contain a literature review, a research methodology, analysis of data, a discussion of results and conclusions. The dissertation will be judged on the extent and quality of the student's work, and in particular on how critical, perceptive and constructive the student has been in assessing his or her own work and that of others. Three typed A4 sized copies of the dissertation are required to be presented for examination. These may be in either temporary or permanent binding. If in temporary binding they must be able to withstand ordinary handling and postage. The preferred method is "perfect binding"; spring back, ring back or spiral binding is not permitted. Students are required to submit one copy in permanent binding on acid free paper for the library, including any emendations recommended by the examiners. For more details see the requirements for the PhD thesis in the Postgraduate Research Studies Handbook. Dissertations are due at the end of the first week of exams for the semester in which you are enrolled for Dissertation 2. The assessment is based solely on the submission of your dissertation. The dissertation is generally marked by two examiners.

ARCH9045 and ARCH9046 Dissertation 1 and 2 are only available to candidates with permission from an appropriate supervisor. Planning students should take PLAN9010 and PLAN9011 Planning Dissertations 1 and 2. Students enrol either full time over one semester (ARCH9045 and ARCH9046) or part time over two semesters (ARCH9045 then ARCH9046). The units are not assessed separately - a single dissertation is required. The appointment of a supervisor will depend on the topic chosen for the dissertation by the student. Students and their supervisors should complete an Independent Study Approval form and return it to the Student Administration Centre to effect enrolment. The aim of the dissertation is to train the student in how to undertake advanced study. The student should learn how to examine published and unpublished data, survey and experimental results, set objectives, organise a program of work, analyse information, evaluate this in relation to existing knowledge and document the work; and to allow the student to pursue an area of interest in greater depth than is possible in coursework or to investigate an area of interest which is not covered in coursework. The dissertation will normally involve a critical review of published material in a specified subject area, but it may also be an experimental or theoretical investigation, a feasibility study, a case study, a computer program, or other work demonstrating the student's analytical ability. The dissertation should be 15,000 to 25,000 words in length. The dissertation should contain a literature review, a research methodology, analysis of data, a discussion of results and conclusions. The dissertation will be judged on the extent and quality of the student's work, and in particular on how critical, perceptive and constructive the student has been in assessing his or her own work and that of others. Three typed A4 sized copies of the dissertation are required to be presented for examination. These may be in either temporary or permanent binding. If in temporary binding they must be able to withstand ordinary handling and postage. The preferred method is "perfect binding"; spring back, ring back or spiral binding is not permitted. Students are required to submit one copy in permanent binding on acid free paper for the library, including any emendations recommended by the examiners. For more details see the requirements for the PhD thesis in the Postgraduate Research Studies Handbook. Dissertations are due at the end of the first week of exams for the semester in which you are enrolled for Dissertation 2. The assessment is based solely on the submission of your dissertation. The dissertation is generally marked by two examiners.

The unit outlines the nature of urban morphology, and its rise as an area of study, and explores the evolution of city forms with an emphasis upon urban structure and typology. Most designed components of our cities conform in their general characteristics to identifiable types; they reflect the functions of cities, cultural values and the technological, economic and social circumstances of their times. These have been laid down over particular landforms and previous built forms and landscapes to result in usually complex, and often distinct, local characteristics.
The ability to recognize, investigate and respond to these forms and relationships lies at the heart of good urban design. The development of an historical knowledge, and of sensibilities and skills in the recording and interpretation of urban pattern and form for design purposes is the unit's primary aim. It will develop abilities to make more informed 'readings' of the urban landscape, and judgements about structure and form in contemporary urban design: retention, modification, replacement, etc. On completion, a student will be better able to: recognize structures and patterns, and key building and spatial typologies that contribute to overall city morphology; record and describe these, investigate and explain their origins, and discuss informatively their place in urban change and contemporary design.
It complements History and Theory Planning and Design (PLAN9068) which emphasises the theories and models underpinning the forms that are covered in this unit. It is a core unit that supports the Urban Design Studios in the Urban Design program and the Integrated Urbanism Studio in the Urbanism program and an informative elective for students enrolled in or intending to enrol in the Urban Architecture Research Studio.

This unit will introduce students to key controversies, theoretical propositions and practical innovations that have driven the historical development of heritage conservation. The unit covers ideas and examples from the ancient world until the present, with the main focus being on the period from 1850 until today.
The aim of the unit is to help students to arrive at a clear understanding of the concepts and practices that define heritage conservation and to promote a strong historical perspective on the field. Students will consider, for example, the meaning of, and differences between, conservation, restoration and reconstruction; the different forms of historical value that inform our place protection efforts; the function of conservation protocols such as The Venice Charter, Burra Charter and Hoi Ann Protocols; the importance of advocacy and activism; the growth of world heritage and its relationship to human rights and cultural rights; and the ideas of cultural landscape and historic urban landscape. The unit will also challenge you to think about areas of practice and theory that challenge traditional approaches and knowledge such as indigenous heritage and the conservation of modernism.

New Design in Old Settings explores the architectural approaches, conservation methodologies and planning issues relevant to situations when new meets old in the built environment. The unit highlights architecturally innovative reuse projects, exemplary additions and alterations to historic places, and architecturally distinguished new buildings in historic precincts and landscapes. We also examine historic theming, façadism and some of the design ideas and planning compromises that have blighted historic places.
The aims of the unit are to develop an understanding of the history of designing and building new buildings in old settings; to develop an understanding of the major theoretical and practical issues of designing new buildings in old settings; to develop an ability to assess critically the appropriateness of new development in culturally significant places. Students will develop analytical skills in assessing design strategies and develop confidence in making critical judgements about design propositions in historically significant settings.

This unit will introduce the conceptual bases for sustainable development and explore how principles of sustainability can be introduced into land use planning and urban design, including environmental management and multi-criteria evaluation methodologies in three modules:
Module 1 will examine the evolution of urban areas in relation to their biophysical setting using the Sydney metropolitan area as a case study. This will lead to an understanding and appreciation of the urban ecology of the city in terms of the flows of materials, resources and energy, and the challenges presented by climate change and peak oil.
Module 2 will introduce principles of sustainability and the history and development of concepts of urban sustainability.
Module 3 will introduce methods and frameworks for evaluating and measuring sustainability.

In this unit students will become familiar with the system of legal protections and policy instruments that underpin heritage conservation activity. They will explore the idea of cultural property and of shared environmental resources and the ways in which these are balanced with private property rights in heritage policy and law. Classes will address the varying levels at which heritage protections operate, from international protocols down to local planning schemes. Students will become familiar with legislation, regulations, planning instruments and policies as well as the use of registers, inventories and other records of significant items. The unit will also address the roles of various government agencies involved in heritage conservation and develop an understanding of how such agencies utilize heritage studies and assessments, and how they develop heritage law and policy. Students in this unit will consider how different instruments and heritage protections relate to different scales and types of place including landscapes, streetscapes, archaeological resources, gardens and individual buildings. They will also consider how different sanctions and incentives achieve policy aims and support statutory obligations. Finally, together, staff and students will explore innovative legal and policy mechanisms for preventing or redressing the destruction of historically significant places and encouraging the meaningful protection of culturally significant places.

The aims of the course are to introduce students to broad range of specialists from the related fields of architectural conservation and related disciplines who specialize in the conservation of traditional building fabric; to introduce students to the appropriate and accepted methods traditional construction and of the conservation traditional architectural materials; and to familiarise students with the relevant literature pertaining to the domain. The objectives of the course are to allow the student to develop a broad understanding of excellent contemporary conservation practice in the conservation of traditional materials; to develop a broad understanding of traditional building methods; to develop an understanding of good and bad practice in the conservation of traditional materials. Students will be expected to demonstrate the ability to research and prepare academic paper related to the domain.
Class preparation: 1hour/week, assessment preparation: 15-20 hours/semester

This intensive unit is a practically focused introduction to the techniques and bodies of knowledge essential to conserving modern buildings and their materials. Expert conservation architects and tradespeople will describe and lead practical demonstrations of techniques in conservation. Students will be challenged to assess and understand forms of decay and to prescribe appropriate interventions to mitigate and prevent such decay. They will have the opportunity to work with materials and inspect work underway on real conservation projects at culturally significant buildings.
This unit provides an overview of key issues in building conservation as well as close up of the conservation of modern building materials such as reinforced concrete, fibro cement, bituminous roofs and decks and modern building systems such as glazed curtain walls and stone cladding systems. The unit will assist students to recognise different uses of these materials, understand the basic tools and techniques required to assess their condition as well as the best practice approaches to their conservation.
Upon successful completion of the unit of study, students will be able to:
Understand the behavior of a range of modern building materials;
Recognise threats to building materials from moisture, wind, biological and chemical attack and other forces that lead to deterioration;
Record a building in drawings and photographs;
Document and assess the condition of the fabric of a building;
Develop an approach to conserving the fabric of a building.

The aim of the unit is to engage in an interdisciplinary collaboration to realise an innovative and culturally senstive new design project in a way that mirrors professional teamwork and meets best practice heritage and conservation standards. Students from the Heritage Conservation program will work together in teams with students from the Master of Architecture degree to realise the project. Each group will develop a sustainable strategy for the place that protects and enhances its heritage value. Heritage conservation students will then act as advisors on the design project considering possible impacts to significant buildings and historic landscapes. At the end of the semester heritage students will complete a Statement of Heritage Impact at professional level that accords with the guidelines established by the NSW Office of Environment and Heritage.
The unit objective is to analyse a given site with an existing building of identified heritage value and for the design-based students to prepare, with a given brief, a contemporary addition that is both a credible work of contemporary architecture whilst at the same time a sensitive and appropriate addition that respects the cultural significance of the existing building. The non-design based students will act as heritage consultants, in accordance with best professional practice and concurrently prepare for the proposed design a Heritage Impact Statement that conforms with the NSW Heritage Branch guidelines and standards of practice.
Class preparation: 2 hours/week

This introductory unit of study will provide students with the necessary skills to participate effectively in the urban design studios and will include site, spatial and public domain analysis, map and plan reading, visual, verbal and written communication techniques, and basic computer-based 3-dimensional modelling and numerical analysis. This unit will introduce students to the objectives and principles of urban design by analysing a number of public spaces, the spaces between buildings and the public domain and urban conditions in Sydney.

The unit will introduce students to a range of architectural styles and aspirations in Australia. Lectures and seminars will cover key buildings representative of their period. At the conclusion, students will be familiar with a range of styles and their characteristics. They will undertake individual self-directed research and learn how to record and present the results of this research. Students will also acquire an appreciation of the ideals and aspirations that support the architectural styles examined, and how these are related to wider social and cultural movements. On successful completion of this unit, students will be able to demonstrate: a familiarity with a range of Australian buildings and styles. Site tours will examine specific buildings, and these will be recorded in a site visit log; the ability to research, record and present a specific building in Sydney; the ability to link a specific building to other works of a similar style and period. This will be assessed in the seminar presentation and in the submitted essay.á

This unit presents foundational knowledge concerning modern architecture in global context. It commences briefly with fundamental principles of the European Enlightenment as a means of discussing modern architecture's relationship to a number of external disciplinary fields including archaeology, biology, economics, history, landscape studies, and philosophy. Vital Enlightenment inquiries not only set the stage for historical debates about architecture but have also influenced contemporary questions about what constitutes architectural practice. Attitudes towards classical antiquity, art collections in museums, craft and industrialization, and building materials exemplified how architects have actively participated in creating intellectual discourse. Some principal qualities of modernism evident within the arts and sciences heralded historical contingencies, self-conscious agency, and the rise of technical developments. Architecture's enduring involvement with the modern sciences, in particular, has been conditioned by the shifting tensions existing between many polarizing pairings: empiricism and subjectivity, art and techne, representations and their models.
Instead of employing a chronological structure, course readings are grouped into core areas of exposition. We will survey a range of topics on autonomy, class, construction, drawing, gender, nationalism, ornament, primitivism, science, technocracy, urbanism, and utopia to understand how the complexities of these issues have created frameworks for architectural historiography, theory, and design in a variety of cultural contexts. The Enlightenment influence over these issues engendered lasting modes of resistance against these canonical formations, which remain highly evident in colonial and post-colonial dialogues as well as post-industrial interventions. The intersection of architecture with external disciplines set the agenda for a global modernity spanning from the eighteenth century into the present moment.

The historical, cultural and social roles of museums, heritage places and collections are the focus of contemporary debate. This unit examines the relationships between the production of cultural material, its management and display, and audience to understand museum and heritage sites as places of knowledge, politics and power. Current critical and theoretical perspectives incorporate ideas about the production, consumption, contestation and conservation of intangible values, identities, memories, cultural practices and different knowledge systems.

Presenting collections, objects and places to the public is a major focus for museums, galleries and heritage organisations. The development of interpretation strategies and public programs to engage, educate and entertain audiences are regarded as key to the long-term viability of cultural institutions. This unit examines the theories and practices of museum education, heritage interpretation, audience research, communication and learning. The development and delivery of education, interpretation and visitor programs are examined in case studies and through practical work.

Objects and heritage places (such as indigenous sites, historical buildings, parks, gardens, ruins, archaeological sites, memorials, cultural landscapes) can be studied from a range of multi-disciplinary approaches. In this unit students are introduced to different theoretical and methodological frameworks used in object and place analysis. Changing ideas about the roles and meanings of objects and places from historical, contemporary and cross-cultural perspectives will be introduced. Practical work and case studies will used to examine these issues.

Globally, Indigenous peoples have challenged museums, heritage agencies and professional practitioners over issues of ownership, control, management, display and interpretation of Indigenous culture, history and cultural property. We will examine how Indigenous communities, scholars and practitioners are decolonising museum and heritage practices and spaces.

Understanding display practices in museums is central to the functions of these cultural institutions. This unit of study examines the way in which exhibitions may function by exploring current issues and debates associated with the practice of exhibiting. We will consider how different spaces inform the interpretation of the cultural material and information displayed. In particular, we will examine the issue of representation as it relates to the museum context. This unit of study will provide students with an overview of the intellectual discourses and practical knowledge used to analyse, conceptualise, propose and develop exhibitions.

This unit tracks the ethical and political disputes surrounding the ownership, control and care of cultural property. While giving historical background on religious iconoclasm, the focus will be on notable modern cases, from the Elgin Marbles or the Benin Bronzes in the colonial era to recent acts like the destruction of the Bamiyan Buddhas or the ransack of the Iraq Museum. Australian museum practice in relation to Indigenous cultural property and issues of repatriation will be considered, as will the art market, in both legal and philosophical dimensions.

This unit is in two overlapping modules, each of which is assessed.
Module one enables students to understand how the main concepts and practices of urban planning and development have evolved; appreciate different perspectives about the roles and purposes of planning; undertake basic historical research about Australian urban planning and development issues, and prepare basic stories and arguments about practical planning issues and current theories. There is a strong emphasis on enriching the ability of students to better appreciate urban form, structure and planning practice generally by analysing such form, structure and process through the lens of history (as 'snapshots' in time), and the understanding planning drivers that shape and express such urban change. Interpreting planning practice and what this means and reflects (such as underlying values, norms attitudes, public interest, etc) is a key element of this module.
Concurrent with module one, module two familiarises students with the main ideas and methods that have influenced urban design practice from the late nineteenth century to the present. It covers the dominant urban design theories, principles, conceptual and physical models, analytical methods and drawings from key contributing authors over the period, and explores critically how and why these arose, their interrelationships, spheres of influence, and continuing validity. In this module, key urban design 'classics' are discussed critically as history, design sources and tools.
Students will be able to: critically review and interpret key planning and urban design texts, construct and present basic arguments, orally and in documents; access and engage with key literature and other sources of knowledge; and use basic conceptual frameworks about planning arguments and stories for both the overlapping fields of urban planning and urban design.
This is an introductory core unit for both the Urban Planning and Urban Design degrees.

This unit is concerned with using GIS to analyse planning problems and undertake policy analyses. The unit will include a comprehensive introduction to mapping and the use of GIS: data structures, topology, projections, spatial and non-spatial queries. Australian census products will be described and students will be expected to analyse census statistics using GIS maps. The role of GIS in coordinating various forms of information for policy analyses, preparing master plans, in presenting information for development control, impact analyses and wider management purposes will also be covered. The use of GIS to support visualisation will be covered, using examples about designing development projects and planning instruments. Finally, the various forms of distributing maps to the public and policy-makers will be discussed. The unit integrates the hands-on learning of GIS software with a `research-based` approach. Teaching will involve short lectures, studios and workshops. Assessment will be on a series of smaller assignments and a larger report prepared by each student that integrates GIS-based (and other) graphics into a coherent policy analysis. In addition, each student will make oral presentations on their work in studio sessions.