Event type: Panel
Date: Tuesday 28 August 2018
Time: 6:30 - 8pm
Venue: Charles Perkins Centre Auditorium (D17), John Hopkins Drive (off Missenden Rd, next to the Ovals, Ross St Entrance)
Cost: Free and open to all with online registrations required
Register for this event
Please note: while there is some parking available within the University next to the building, at New Law Building carpark, behind RPA, at Broadway and some street parking, spaces are limited so we suggest using public transport whenever possible.
Two decades ago Associate Professor Tim Fitzpatrick and Technical Director Russell Emerson began trying to work out what Shakespeare’s second Globe playhouse, built in 1614 on the burnt-out foundations of the first Globe, was really like. Professor Fitzpatrick, who is a researcher in the University’s Department of Theatre and Performance Studies had seen the London reconstruction. He was convinced that actors building a theatre for actors wouldn’t have created such an unforgiving and difficult performance space, so he went back to the original sources to find an alternative interpretation. In the process he found that previous scholars had failed to notice certain key details, in particular in a sketch done in the 1630s by prominent artist Wenceslaus Hollar.
Many geometrical calculations and computer-aided designs later, Fitzpatrick and Emerson came up with a model for the playhouse that was significantly smaller than the London Globe. Their smaller playhouse has since been validated by the archaeology, which it fits perfectly.
They then paused the project but received a phone call in 2015 from Miles Gregory, a theatre director and producer in Auckland: “We want to build your theatre”. Miles is the creative force behind what has become a remarkably successful enterprise. The Popup Globe uses Fitzpatrick’s calculations and Emerson’s CAD designs to create a theatre space that is intimate and inclusive.
The Popup Globe has already had three groundbreaking seasons in Auckland, a very successful season in Melbourne last spring – and now a season in Sydney that will bring four top-flight productions playing in repertory from 5 September – A Midsummer Night’s Dream, The Merchant of Venice, Macbeth and The Comedy of Errors.
For this panel discussion Professor Fitzpatrick will summarise the University team’s research, Miles Gregory will give an overview of the Popup Globe enterprise so far, and prominent NZ actress Amanda Billing will offer first-hand insights into acting in this unique space. To bring the Popup Globe project to life, the speakers will present extensive visuals.
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