2024

• Karalis, V., Byron, M. (2024), Sydney celebrates life and work of philhellene Lord Byron. [More Information]

2023

• Karalis, V. (2023). Farewell to Robert. Blackheath: Brandl & Schlesinger. [More Information]

2022

• Karalis, V. (2022). The Anti-Foundationalist Cinema of Yorgos Lanthimos: The Case of Kinetta. In Eddie Falvey (Eds.), The Cinema of Yorgos Lanthimos: Films, Form, Philosophy, (pp. 35-52). New York: Bloomsbury. [More Information]
• Karalis, V. (2022). Theo Angelopoulos: Filmmaker and Philosopher. London: Bloomsbury Publishing. [More Information]
• Karalis, V. (2022). There Will Be Ogres: The Interstitial Aesthetics of Film Noir in the Early Films of Nikos Koundouros. In Anna Poupou, Nikitas Fessas, Maria Chalkou (Eds.), Greek Film Noir, (pp. 27-45). Edinburgh: Edinburgh University Press. [More Information]

2021

• Karalis, V. (2021). Decentred Heterologies in the Poetic Journeys of Antigone Kefala. In Elizabeth McMahon and Brigitta Olubas (Eds.), Antigone Kefala: New Australian Modernities, (pp. 89-110). Crawley: UWA Publishing.
• Karalis, V. (2021). The Cinematic Language of Theo Angelopoulos. New York and Oxford: Berghahn Books. [More Information]

2020

• Karalis, V. (2020). The Glebe Point Road Blues: In Prose and Verse, (pp. 1 - 188). Blackheath, Australia: Brandl & Schlesinger.
• Karalis, V. (2020). Gurdjieff and C. G. Jung: Life Is Real Only Then, When 'I Am' and the Question of Individuation. Correspondences, 8(2), 255-280. [More Information]

2019

• Karalis, V. (2019). The Glebe Point Road Blues In Prose and Verse. Blackheath: Brandl & Schlesinger.

2018

• Karalis, V. (2018). Greek Cinema as A Modern Historical Project (Some Methodological Questions). Modern Greek Studies (Australia and New Zealand), 19, 35-68.

2017

• Karalis, V., Nazou, P. (2017). A Journal for Greek letters - From Stories to Narratives: the enigmas of transition. Modern Greek Studies (Australia and New Zealand), 18(2016-2017).
• Karalis, V. (2017). Gurdjieff beyond the Personality Cult: Reading the Work and Its Re-Workings Notes on Rene Zuber's 'Who are You Monsieur Gurdjieff?'. Religion and the Arts, 21(2017), 176-188. [More Information]
• Karalis, V. (2017). Nikos Karouzos (1926-1990): a Christian poet between nihilism and tragedy. Modern Greek Studies (Australia and New Zealand), 18(2016-2017), 322-327.
• Karalis, V. (2017). Realism in Greek Cinema: From the Post-War Period to the Present. London: I.B. Tauris.
• Karalis, V. (2017). Translation - Ode Nocturnal and Neolithic Kronstadt (1987). Modern Greek Studies (Australia and New Zealand), 18(2016-2017), 309-321.

2016

• Karalis, V. (2016). Reflections on Presence in Five Days, (pp. 13 - 127). Melbourne, Australia: re.press.
• Karalis, V. (2016). Translingualism, Home, Ambivalence: The Poet Dimitris Tsaloumas. Cordite Poetry Review, 1 August 2016, 1-4.

2015

• Karalis, V. (2015). Theo Angelopoulos' Early Films and the Demystification of Power. In Not known (Eds.), The Cinema of Theo Angelopoulos, (pp. 114-128). TBC. [More Information]
• Karalis, V. (2015). Traumatised Masculinity and Male Stardom in Greek Cinema. In Andrea Bandhauer, Michelle Royer (Eds.), Stars in World Cinema: Screen Icons and Star Systems Across Cultures, (pp. 184-198). London: I.B. Tauris. [More Information]

2014

• Karalis, V. (2014). The Demons of Athens: Reports from the Great Devastation, (pp. 1 - 229). Blackheath, NSW, Australia: Brandl & Schlesinger.
• Karalis, V. (2014). Cornelius Castoriadis and Radical Democracy. Leiden: Brill. [More Information]
• Karalis, V. (2014). From the archives of Oblivion: the first female Greek director Maria Plyta (1915-2006). Modern Greek Studies (Australia and New Zealand), 16-17 A(2013-2014), 45-67.
• Karalis, V. (2014). Introduction to Cornelius Castoriadis Early Essays. In Vrasidas Karalis (Eds.), Cornelius Castoriadis and Radical Democracy, (pp. 1-19). Leiden: Brill. [More Information]
• Karalis, V. (2014). Situating G.I. Gurdjieff's Meetings with Remarkable Men. Journal for the Academic Study of Religion, 27(3), 303-324. [More Information]
• Karalis, V. (2014). The Artefacts of Capitalism and the Objecthood of their Aesthetics. In Peter Murphy, Eduardo de la Fuente (Eds.), Aesthetic Capitalism, (pp. 27-46). Leiden: Brill. [More Information]

2013

• Karalis, V., Nickas, H. (2013). Antigone Kefala: a writer's journey. Melbourne: Owl Publishing.
• Karalis, V., Nickas, H. (2013). Introduction. In Vrasidas Karalis, Helen Nickas (Eds.), Antigone Kefala: a writers journey, (pp. 9-20). Melbourne: Owl Publishing.
• Karalis, V. (2013). The Poetics of Ellipsis in Antigone Kefala's Poetry. In Vrasidas Karalis, Helen Nickas (Eds.), Antigone Kefala: a writers journey, (pp. 254-271). Melbourne: Owl Publishing.

2012

• Karalis, V. (2012). A History of Greek Cinema. New York: Continuum.
• Karalis, V. (2012). Breaking the Image, Celebrating the Word: Byzantine Iconoclasm and the Tendency to Abstraction. Literature and Aesthetics, 22(2), 13-32.
• Karalis, V. (2012). In search of Neo-Hellenic culture: Confronting the ambiguities of modernity in an ancient land. Interactions: Studies in Communication & Culture, 3(2), 129-145. [More Information]
• Karalis, V. (2012). The Psychodynamics of Cultural Encounters. In Antonis Kontis, Nikolaos Tatsis (Eds.), The Greek Diaspora in Australia, (pp. 428-449). Athens, Greece: Papazisis Publications.

2011

• Karalis, V. (2011). The construction of cinematic realism in Mihalis Cacoyannis' early films (1954-1959). Modern Greek Studies (Australia and New Zealand), 15, 161-173.

2010

• Karalis, V. (2010). Confronting Violence and Power: Notes on Hannah Arendt's Humanism (An investigation into Discursive Sources). In A. Schaap, D. Celermajer, V. Karalis (Eds.), Power, Judgement and Political Evil: In Conversation with Hannah Arendt, (pp. 171-189). Surry: Ashgate. [More Information]
• Karalis, V. (2010). Consequences of bilingualism in Paul's letters. In Carole M. Cusack, Christopher Hartney (Eds.), Religion and Retributive Logic: Essays in Honour of Professor Garry W. Trompf, (pp. 187-205). Leiden: Brill.
• Karalis, V. (2010). Disambiguating the Sublime and the Historicity of the Concept. CLC Web: Comparative Literature and Culture, 12(4), 1-11. [More Information]
• Celermajer, D., Schaap, A., Karalis, V. (2010). Introduction: in conversation with Hannah Arendt. In A. Schaap, D. Celermajer, V. Karalis (Eds.), Power, Judgement and Political Evil: In Conversation with Hannah Arendt, (pp. 1-9). Surry: Ashgate.
• Schaap, A., Celermajer, D., Karalis, V. (2010). Power, Judgement and Political Evil: In Conversation with Hannah Arendt. Surry: Ashgate. [More Information]
• Karalis, V. (2010). Reflections on the project of a renewed Polis: After Athens and Jerusalem. Thesis Eleven, 102(1), 6-23. [More Information]
• Karalis, V. (2010). The Cinematic Gaze in Early Greek Cinema (1905-1945). Journal of the Hellenic Diaspora: critical thoughts on Greek and world issues, 36(1-2), 7-44.
• Karalis, V. (2010). The Socialist Era in Greece (1981-1989) or the Irrational in Power. Modern Greek Studies (Australia and New Zealand), 14(2010), 254-270.

2009

• Karalis, V. (2009). Psychodynamics of inter-cultural encounters (Greek presence in Australian society and the emergence of Greek/Australian subjectivity). Seventh Biennial International Conference of Greek Studies 2007, Australia: Department of Languages, Modern Greek, Flinders University.
• Karalis, V. (2009). The mythopoetics of space in the Timaeus. Literature and Aesthetics, 19(1), 138-152.

2008

• Karalis, V. (2008). Aristotle and us: some observations on his philosophical language. Thesis Eleven, 93(May 2008), 36-51. [More Information]
• Karalis, V. (2008). Martin Heidegger and the Aletheia of his Greeks. In Karalis, Vrasidas (Eds.), Heidegger and the Aesthetics of Living, (pp. 208-227). Newcastle, UK: Cambridge Scholars Publishing.
• Karalis, V. (2008). Recollections of Mr Manoly Lascaris. Blackheath, NSW: Brandl & Schlesinger.

2007

• Karalis, V. (2007). Greek Christianity after 1453. In Parry, Ken (Eds.), The Blackwell Companion to Eastern Christianity, (pp. 156-185). USA: Blackwell Publishers. [More Information]
• Karalis, V. (2007). On Transference and Transposition in Translation. Literature and Aesthetics, 17(2), 227-239.
• Karalis, V. (2007). The Disjunctive Aesthetics of Myth and Empathy in Theo Angelopoulos' Ulysses' Gaze. Literature and Aesthetics, 29, 65-80.
• Karalis, V. (2007). The Poetics of the Sacred Name in the Work of William Butler Yeats. Nea Hestia, September 2007(1803), 414-431.
• Karalis, V. (2007). William Butler Yeats, "A General Introduction For My Work". Nea Hestia, September 2007(1803), 293-315.

2006

• Karalis, V. (2006). Notes on the Utopian and Chthonic Semiotics of the Jindyworobaks. International Yearbook of Aesthetics, 10(2006), 115-125.
• Karalis, V. (2006). On Nikos Kazantzakis' statement that "We do not fight our dark passions with a sober, bloodless, neutral virtue which rises above passion, but with other, more violent passion". Modern Greek Studies (Australia and New Zealand), (Special Issue on Culture and Memory), 129-141.
• Karalis, V. (2006). Patrick White and the Great Code of Hellenism. Literature and Aesthetics, 16(1), 173-192.
• Karalis, V. (2006). The Disjunctive Aesthetics of Myth and Empathy in Theo Angelopoulos' Ulysses Gaze. Literature and Aesthetics, 16(2), 201-214.

2005

• Karalis, V. (2005). Mr Gurdjieff's Legacy: The poetics and aesthetics of reality in the thought of a new age guru. Literature and Aesthetics, 15(1), 252-266.
• Karalis, V. (2005). Special issue on Australian Society (p. 320). JOURNAL OF MODERN GREEK STUDIES.
• Karalis, V. (2005). The City as the Topos and the Habitus of Modernity in the poetry of Michael Dransfield. Literature and Aesthetics, 15(2), 217-226.
• Karalis, V. (2005). The poetics of Deep Image and the language of kenosis in Athos Dimoulas? Poetry. Greek Research in Australia: 5th Biennial Conference of Greek Studies, Adelaide, South Australia: Flinders University.
• Karalis, V. (2005). The Unreality of Repressed Desires in The Last Temptation of Christ. In Darren J. Middleton (Eds.), Scandalizing Jesus? Kazantzakis's The Last Temptation of Christ Fifty Years On, (pp. 73-83). New York and London: Continuum.
• Karalis, V. (2005). Yorgos Chronas; 99 Poems - Book Review. Modern Greek Studies (Australia and New Zealand).

2004

• Karalis, V. (2004). Erotocritos' Double Language. Diavazo, 454, 104-113.
• Karalis, V. (2004). George Ioannou And The Poetry Of Conscious Sinfulness. Diavazo, 452, 75-80.
• Karalis, V. (2004), Interview with Margaret Thronsby, on National ABC Radio, March 2004.
• Karalis, V. (2004). Introduction To Asaleuti Zoi. In Not known (Eds.), H Asaleuti Zoi. Athens: Ideogramma.
• Karalis, V. (2004). Introduction to the critical publication of Kostes Palamas, Life Immovable. Ideogramma, , 9-53.
• Karalis, V. (2004). Neopagan Modernity In Hamlet'S Symbols. Diavazo, 449, 97-100.
• Karalis, V. (2004). Psycho-readings And Psycho-narratives Of Critical Discourse. Diavazo, 453, 119-124.
• Karalis, V. (2004). Special Issue on C.P. Cavafy (p. 380). JOURNAL OF MODERN GREEK STUDIES.
• Karalis, V. (2004). The Body Beautiful: Representations Of The Body From Classsical Antiquity To The 2004 Athens Olympic Games. In Steve Georgakis (Eds.), Back to Olympia: The Olympic Games Across Four Millennia 2000-2004, (pp. 130-146). Croydon: Joba Press Pty Ltd.

2003

• Karalis, V. (2003). C.P Cavafy and the Poetics of the Innocent Form. Modern Greek Studies (Australia and New Zealand), 11, 152-164.
• Karalis, V. (2003). Essay on Andreas Aggelakis. Athens: Odos Panos Publications.
• Karalis, V. (2003). History and nihilism in "Gyftopoula" (his novel: the gypsy girl). In Zoumboulakis, Triantafyllopoulos (Eds.), Ho Mythistoriographos Papadiamantes; Synagoge Kritikon Keimenon, (pp. 255-267). Athens: Estia Publications.
• Karalis, V. (2003). In memory of Kimon Friar. Diavazo, 439, 36-43.
• Karalis, V. (2003). Special Issue on Dionysios Solomos. JOURNAL OF MODERN GREEK STUDIES.
• Karalis, V. (2003). The tragedy of the low middle class. Diavazo, 440, 87-95.
• Karalis, V. (2003). Thoughts on the concept of individualisation in the works of Stelios Ramfos. Diavazo, 439, 83-92.

2002

• Karalis, V. (2002). Imagination is always metaphysical. Diavazo, 432(September), 108-113.
• Karalis, V. (2002). Reading Dionysios Solomos. Athens: Ideogramma Publications.
• Karalis, V. (2002). Special Issue on Nikos Kazantzakis. JOURNAL OF MODERN GREEK STUDIES.
• Karalis, V. (2002). The Fear of Nothingness in K. Dimoula's Poetry. Diavazo, 435(December), 95-101.
• Karalis, V. (2002). The Occluding Alphabets of a National Poet: the case of Dionysios Solomos' 'Reflections'. Modern Greek Studies (Australia and New Zealand), 10, 19-40.
• Karalis, V. (2002), TRANSLATION: S.S. Charkianakis, Australian Passport, introduction & notes by V.K., Brandl & Schlesinger, Sydney, 2002.

2001

• Karalis, V. (2001). An appreciation of Greek literary criticism. Diavazo, 419, 122-128.
• Karalis, V. (2001). History and Nihilism in Papadiamantis' The Gypsy Girl. Diavazo, 422, 105-110.
• Karalis, V. (2001). Leo the Deacon, Histories, Introduction-translation-notes, by V. K. Athens: Athens Kanakis Publications.
• Karalis, V. (2001). Leo Tolstoy and Nikos Kazantzakis: Evangelists of a Terrified God. JOURNAL OF MODERN GREEK STUDIES, 38938, 177-194.
• Karalis, V. (2001). The Dramatic work of Angelos Sikelianos. Diavazo, No 424, 130-139.
• Karalis, V. (2001). The Virture of Quality. Diavazo, 424, 151-154.
• Karalis, V. (2001). Under the Eyes of the Dead: the Metaphysics of Mortality in Rhapsody 24 of Kazantzakis' Odyssey. 1 International Conference on Crete and Europe, : UNSW Australian Defence Force Academy.