The Artistic Research Lab is made up of composers and performers who actively engage with these questions. Our research is embodied: it emerges during the acts of performance, composition, improvisation and interpretation. Our research is realised in live performance and recordings of all types. We cover the following genres and practices:
- Historically informed performance (HIP) – interpreting and performing works through rigorous academic examination of texts, sources and early recordings connected to the composers through strands of pedagogical lineage
- Jazz: creation and performance of world premiere new works, research of innovative experimental practice design, and the application of ecological frameworks of expertise, skill acquisition and creative discovery
- Creative applications of emerging theory from 4E cognitive science (embedded, enactive, extended and embodied)
- Contemporary music practice: Song-writing methods and practices, collaboration and creation, record production and the studio as a creative space, performance modes and styles, persona and identity, community music, and interactions with new technology
- Social-inclusivity through music making; responses to place through songwriting, and making old songs live in a new world
- Applying innovative and new pedagogical methods in performance and composition
- Electronic and electro-acoustic composition
- Composition for every format of performer for the modern concert hall and theatre
- World premieres by Australia’s most celebrated and renowned living composers
Our Composing Women’s program is committed to fostering and empowering a new generation of women composers, and creations by this postgraduate cohort are performed by some of Australia’s leading performers and arts organisations.