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Unit outline_

CMPN2604: Composition 4

Semester 2, 2024 [Normal day] - Sydney

Principal Study Composition supports the sustained development of compositional craft and creative voice through the preparation of composition(s) to be submitted at the end of each semester. Via one to one (individual) lessons, attendance at the weekly Composition Seminar and Supplementary Classes, students are expected to progressively advance through Composition 3 to 8. By the conclusion of this degree, students will have demonstrated a very high level of compositional ability, research capacity and notation/production skills. Weekly Composition Seminars provide a forum for expert guests to present specialised knowledge. In Composition 4, weekly Supplementary Classes cover a range of topics relevant to craft, creativity, repertoire and aesthetic decision making. Small homework tasks are set to consolidate the topics covered. One semester of individual lessons will be focussed on instrumental composition and the other on electroacoustic composition.

Unit details and rules

Academic unit Composition and Music Technology
Credit points 6
Prerequisites
? 
CMPN2603
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

No

Teaching staff

Coordinator Daniel Rojas, daniel.rojas@sydney.edu.au
The census date for this unit availability is 2 September 2024
Type Description Weight Due Length
Assignment hurdle task Composition portfolio
7 x 1hr one-to-one lessons focused on creativity, craft, and presentation
60% Formal exam period
Due date: 12 Nov 2024 at 23:59
Portfolio of 6-12 min. of original music
Outcomes assessed: LO7 LO1 LO2 LO3 LO4 LO5 LO6
Presentation group assignment Student Presentations
Presentation and peer/teacher feedback on of current composition portfolio
20% Multiple weeks In group and individual - full class
Outcomes assessed: LO1 LO2 LO3 LO4 LO5 LO6 LO7
Participation Application and engagement
Active engagement and contribution including in-class activities.
20% Ongoing Ongoing
Outcomes assessed: LO3 LO6 LO5 LO4
hurdle task = hurdle task ?
group assignment = group assignment ?

Assessment summary

Detailed for each assessment can be found on Canvas.

Assessment criteria

Composition Portfolio 60%

Criteria/Rubric

A portfolio of 6-12 minutes of original music with regular individual supervision by an allocated tutor. All notated compositions must include a score with front matter, including a program note. Students include electro-acoustic submissions are required to include supporting documentation, the scope and contents of which are subject to discussions with the tutor.

Composition portfolios are assessed according to three criteria and account for 60% of Composition 4:

  • Creativity: 40% ( /24)
  • Craft: 40% ( /24)
  • Presentation: 20% ( /12)

The following guide provides a reference with regards marking expectations. However, it should be noted that staff may interpret the criteria as deemed appropriate to the creative form and media of the portfolio. Portfolios will be marked by individual tutors.

Creativity (24)

  • Unacceptable (F): Generic, hackneyed, pastiche.
  • Acceptable (12-15): Engaged with contemporary music culture and ideas but may parrot rather than seek to extend the ideas of other composers.
  • Competent (15-18): Influences of other composers are evident, and display steps towards taking such influences into a new, personal direction.
  • Superior (18-21): Convincing musical logic and direction. Engagement with repertory goes beyond imitation.
  • Exceptional (21-24): An original contribution to musical thinking. Convincing, confident, imaginative, personal, bold, risk-taking, engaging.

Craft (24)

  • Unacceptable (F): Fundamental technical errors evident in notation, digital production, understanding of instruments, musical form, etc.
  • Acceptable (12-15): Capacity to express musical ideas with appropriate instrumental and/or digital media.
  • Competent (15-18): Displays coherent structure and convincing clarity in orchestration/standard of production.
  • Superior (18-21): Musical structure is fluent and lucid throughout. Displays sophisticated ability to develop and manipulate material. Advanced use of colour.
  • Exceptional (21-24): Obvious and unequivocal command of resources. Technique is matched to creative intentions.

Presentation (12)

  • Unacceptable (F): Illegible scores. Audio format errors.
  • Acceptable (6-7.5): Notation legible but may still include unnecessary ambiguity. Electroacoustic and non score-based work supported with appropriate documentation. Front matter is sketchy or excluded.
  • Competent (7.5-9): Attractive scores presented with clarity and supported with recordings and adequate front matter. Non score-based work informed by concise and compelling supporting documentation.
  • Superior (9-10.5): Presentation of work demonstrates awareness of user-friendliness and attention to consistent and individual visual style. Front matter is compelling and detailed.
  • Exceptional (10.5-12): The standard of a professional commercial publication or recording with coherent visual identity. Front matter or supporting documentation is of professional quality.

Application, Contribution and Engagement (20)

The mark of 20% will include a 10% component from individual tutors and a 10% component reflecting attendance and engagement with in-class activities and also at student composition concert events and projects.

For the Application, Contribution and Engagement, the following criteria serves as a guide:

  • Unacceptable (F): Unmotivated, fails to work in a consistent fashion.
  • Acceptable (5-6): Attends lessons, seminars, workshop opportunities and demonstrates openness to learn from tutors although somewhat inconsistently. Only somewhat engaged with the composition community.
  • Competent (6-7): Demonstrates independent motivation and works consistently throughout the semester. Engaged in generating opportunities for public dissemination of work.
  • Superior (7-8): Is highly committed to composition as evidenced via engagement with the repertory, attendance at concerts, etc. Generally seizes opportunities to extend learning as they arise.
  • Exceptional (8-10): Is consumed by his or her artform and actively contributes to the music community at large.


Student Presentations 20%

Please note that Student Presentations (20%) will take place during tutorial hours.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

A penalty of 5% per day applies to assignments submitted late without prior written permission or agreement with the UoS Coordinator or Tutor. Please see the Conservatorium Handbook for further information on the late penalties.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the AI in Education Canvas site.

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the Learning Hub’s Canvas page.

Outside assessment tasks, generative AI tools may be used to support your learning. The AI in Education Canvas site contains a number of productive ways that students are using AI to improve their learning.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy 2023 reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy 2023. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Multiple weeks Individual composition lesson 7 x 1 hour sessions One-to-one tuition (7 hr) LO1 LO2 LO3 LO4 LO5 LO6
Weekly as specified on Canvas site Lecture and tutorial (24 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Week 14 (STUVAC) End of Semester composer concert Presentation (2 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7

Attendance and class requirements

  • Attendance: Students are expected to attend a minimum of 90 per cent of timetabled activities for a unit of study, unless granted exemption by the Associate Dean (Education) or relevent delegated authority. The Associate Dean (Education) may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90 per cent.

    In addition to the rule above, full (100 per cent) and punctual attendance is a requirement in all activities where students have a role as active participants in the class or activity. Active participation includes situations where the student's contribution is to perform, rehearse or direct rehearsals in a small or large ensemble, or to give seminar and tutorial papers or presentations or undertake assessment tasks. Active participation also includes all one-to-one studio teaching and supervision. Except in cases of specal consideration, failure to attend activities or classes where a student is an active participant will be seen as failure to meet the requirements of the unit of study.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. demonstrate a very high level of compositional craft, research capacity, and notation and production skills
  • LO2. demonstrate good discernment in compositional decisions
  • LO3. demonstrate an appreciation of, and engagement with, a broad range of compositional traditions, genres, perspectives and practices
  • LO4. demonstrate confidence and independence in your creative practice
  • LO5. develop strategies to compose regularly and proactively
  • LO6. liaise with the performers of your compositions, emphasising clear communication and meet submission deadlines
  • LO7. develop supportive and proactive aptitudes applicable to collaborative work.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

In response to feedback we are endeavouring to teach group sessions in a 2 hour block and to build more group feedback and discussion time into the student presentations.

Extensive information can be found on the Canvas Hubsite for Composition, Digital Music and Creative Industries. This includes information regarding subsequent principal study units and their assessment criteria, broader degree details, and other content, such as composition/career opportunities. 

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.