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Tonality and Process emphasises the study of important and innovative composition techniques that apply to various alternative processes using tonality emerging throughout the 20th century. The focus is on key works of various Russian composers, American minimalist composers, Louis Andriessen and other influential composers of the 20th century. The studied techniques will enable students to strengthen and expand their compositional repertoire and provide an understanding of how their work appears in a clear historical context.
Study level | Undergraduate |
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Academic unit | Composition and Music Technology |
Credit points | 6 |
Prerequisites:
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CMPN1612 |
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Corequisites:
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None |
Prohibitions:
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None |
Assumed knowledge:
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None |
At the completion of this unit, you should be able to:
This section lists the session, attendance modes and locations the unit is available in. There is a unit outline for each of the unit availabilities, which gives you information about the unit including assessment details and a schedule of weekly activities.
The outline is published 2 weeks before the first day of teaching. You can look at previous outlines for a guide to the details of a unit.
Session | MoA ? | Location | Outline ? |
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Semester 1 2024
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Normal day | Sydney |
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This refers to the Mode of attendance (MoA) for the unit as it appears when you’re selecting your units in Sydney Student. Find more information about modes of attendance on our website.
Strong music theory and notation skills are essential in this unit of study