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Unit outline_

CMPN2631: Electroacoustic Music

Semester 1, 2021 [Normal day] - Remote

This unit will explore past and concurrent techniques in electroacoustic composition through the completion of various tasks in sound transformation and by composing new electroacoustic works. Whilst analysing manifold aesthetics and attendant compositional techniques implicit in the creation of electroacoustic music, emphasis will be placed on students developing a working knowledge of existent and emergent trends within the electroacoustic repertoire, and will gain insights into numerous aesthetic, recording and composing processes leading to the creation of new musical compositions in the field of electroacoustics.

Unit details and rules

Academic unit Composition and Music Technology
Credit points 6
Prerequisites
? 
MUED1002 or CMPN1013 or MUSC2653
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

Proficiency in the usage of any industry standard DAW and attendant sound transformation and diffusion software.

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Daniel Blinkhorn, daniel.blinkhorn@sydney.edu.au
Type Description Weight Due Length
Assignment Electroacoustic composition assignment 1
Composition
40% Week 06 To be added by the unit coordinator
Outcomes assessed: LO1 LO2 LO3
Assignment Electroacoustic music assignment 2
Composition
60% Week 13 To be added by the unit coordinator
Outcomes assessed: LO1 LO2 LO3

Assessment summary

  • Electroacoustic composition assignment 1: Compose a work 2 minutes in length that responds to various elements of  lectroacoustic compositional techniques and concepts discussed in class. This piece can be in any style, and may take the form of a study.
  • Electroacoustic composition assignment 2: Compose either a multichannel acousmatic/ fixed-media piece, or a piece for instrument and fixed-media. The work should be 4-5 minutes in duration, and should reflect the subject matter addressed throughout the unit. Once complete, the composition should be encoded/ compressed in one of the formats discussed in-class.

Detailed information for each assessment can be found on Canvas.

Assessment criteria

The following assessment criteria are used for performance work in this unit of study:

Result name

Mark range

Description

High distinction

85 - 100

Comprehensive and outstanding technical control and musical integrity in relation to developmental expectations. Musical individuality consistently projected to create a persuasive personal representation of the work. Performance flair indicative of soloist standard. A mark of 95 or above indicates extraordinary technical virtuosity and musical artistry.

Distinction

75 - 84

Excellent technical, musical and stylistic achievement. Consistently coherent and expressive performance. Some personal interpretation of the work suggesting soloist potential. 

Credit

65 - 74

Confident technique with evidence of solid musicality and some stylistic achievement. Occasional lapses indicative of unresolved technical, artistic and/or stylistic issues. Projects potential for further development.

Pass

50 - 64

Satisfactory level of preparation and musical engagement. Some inconsistencies in musicianship, style and/or technique. Musical imagination and overall performance sense developing though some insecurity in this area.

Fail

0 - 49

Unsatisfactory technical achievement and/or unsatisfactory level of musical and artistic engagement. Limitations may be of such a scale and consistency as to call into question the student’s future direction in the programme.

The following assessment criteria are used for written work in this unit of study:

Result name

Mark range

Description

High distinction

85 - 100

Demonstrates high level of initiative in research and reading; sophisticated critical analysis of evidence; high level engagement with theoretical issues, innovative use of reading/research material and impressive command of underlying debates and assumptions; properly documented and written with style, originality and precision.

Distinction

75 - 84

Demonstrates initiative in research and wide, appropriate reading; complex understanding of question and ability to critically review material in relation to underlying assumptions and values; analyses material in relation to empirical and theoretical contexts; properly documented; clear, well-developed structure and argument with some signs of literary style.

Credit

65 - 74

Evidence of broader understanding than pass level; offers synthesis with some critical evaluation of material; coherent argument using a range of relevant evidence; some evidence of independent thought, good referencing. A high credit (70-74) shows some evidence of ability to problematise and think conceptually.

Pass

50 - 64

Written work meets basic requirements in terms of reading/research; relevant material; tendency to descriptive summary rather than critical argument; makes a reasonable attempt to avoid paraphrasing; reasonably coherent structure; often has weaknesses in particular areas, especially in terms of narrow or underdeveloped treatment of question; acceptable documentation.

Fail

0 - 49

Work may fail for any or all of the following reasons: Unacceptable paraphrasing; irrelevance of content; poor spelling; poor presentation; grammar or structure so sloppy it cannot be understood; failure to demonstrate understanding of content; insufficient or overlong word length.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the AI in Education Canvas site.

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the Learning Hub’s Canvas page.

Outside assessment tasks, generative AI tools may be used to support your learning. The AI in Education Canvas site contains a number of productive ways that students are using AI to improve their learning.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 Electro-acoustic and acousmatic music Studio (2 hr) LO1 LO2 LO3
Week 02 Concurrent trends in electroacoustic music Studio (2 hr) LO1 LO2 LO3
Week 03 Composing with environmental sound Studio (2 hr) LO1 LO2 LO3
Week 04 Basic electroacoustic home studio setup Studio (2 hr) LO1 LO2 LO3
Week 05 Sculpting sound with ixiquarks and an introduction to similar creative design tools Online class (2 hr) LO1 LO2 LO3
Week 06 Spatiomorphology: composing Space in electroacoustic music Online class (2 hr) LO1 LO2 LO3
Week 07 Spectromorphology Online class (2 hr) LO1 LO2 LO3
Week 08 Composing for acoustic instrumentation and fixed media Online class (2 hr) LO1 LO2 LO3
Week 09 Working within encoding media Online class (2 hr) LO1 LO2 LO3
Week 11 An introduction to multichannel sound Online class (2 hr) LO1 LO2 LO3
Week 12 Preparation of unit completion Online class (2 hr) LO1 LO2 LO3

Attendance and class requirements

  • Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School or professor most concerned. The Dean, Head of School or professor most concerned may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. understand the technical concepts fundamental to electroacoustic composition, and implement the skills needed to be able to composer a work in this genre
  • LO2. demonstrate and execute the skills necessary for composing in multichannel sound formats, discussing attendant considerations and various technical aspects, and consider composing for instrument and electronics and/or fixed media within the medium
  • LO3. implement sector-ready technical proficiency and independent creative thinking and problem solving.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

Since last offered, certain changes have been made in an effort to continuously evolve this unit. Some of these relate to the use of visual aids, and in situ demonstrations of techniques and concepts.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.