Outline

Overview

The Composer Performer Workshop provides both composers and performers with the opportunity to work together in the performance of new and experimental works.

Unit details and rules

Academic unit	Composition and Music Technology
Credit points	3
Prerequisites ?	None
Corequisites ?	None
Prohibitions ?	None
Assumed knowledge ?	None
Available to study abroad and exchange students	Yes

Teaching staff

Coordinator	Ivan Zavada, ivan.zavada@sydney.edu.au

Type	Description	Weight	Due	Length
Online task	PERFORMERS ONLY: Instrument presentation COMPOSERS: Composition for solo instrument Perf: Video presentation. Composers: new work for solo instrument.	20%	Week 04	Performers: 8-10 mins Composers: 2 mins
Outcomes assessed:
Creative assessment / demonstration	PERFORMERS: Solo piece performance and workshop participation COMPOSERS: Draft #1 + Set Exercises Perf: Solo recording + participation Comp: Draft #1 + exercises	20%	Week 07	Perf: 2 minutes, Comp: 4 minutes max
Outcomes assessed:
Participation	Week 8 preparation, participation Preparation for, and participation in, Week 08 Workshop class.	10%	Week 08	2 hour seminar
Outcomes assessed:
Participation	Week 09 Preparation and Presentation Preparation of material for the week, and active involvement in workshop.	10%	Week 09	In class.
Outcomes assessed:
Creative assessment / demonstration	Recording of final work(s) Recording of compositions, taking place in Weeks 10-12.	40%	Week 12	Each composition will be around 4 mins.
Outcomes assessed:

In this assessment task, performers will create a video presentation which will be uploaded to Studio on the Canvas website, prior to the tutorial in Week 03. In this presentation, they will choose two idiomatic playing techniques relevant to their instrument. They will:

explain how each particular technique works,
give tips to composers on how to utilize these techniques effectively, and
play an example of how this technique works in repertoire for their instrument.

The content and the manner of presentation will be clear, relevant, knowledgeable and effectively communicated.

Performers will then be available during class time during Week 03 to answer questions from composers (and/or other performers) on material given in their presentation.

SOLO PIECE PERFORMANCE AND WORKSHOP PARTICIPATION

Performers will rehearse and then record (video) themselves playing the solo piece written by their matched composer. They will upload this to the Studio function in Canvas by Monday 9am Week 05, then discuss the piece and its performance – including what worked well and what was challenging – with the group in class in Week 05.

DRAFT #1 AND EXERCISES WORKSHOP PREPARATION AND PARTICIPATION

Performers will rehearse Set Exercises and Draft #1 of the composers’ pieces in class in Week 07. They will have had their parts available previously through Canvas, and will come to their rehearsal with the parts prepared. They will also contribute in an effective and useful manner to the workshop with the composers and with their fellow performers, including giving useful and pertinent feedback to the composers in order for the composition to be improved.

DRAFT #2 WORKSHOP PREPARATION AND PARTICIPATION

Performers will rehearse the second draft of the composition in Week 08. They will come with their part prepared, and will contribute in a useful and effective manner with both their composers and other members of their ensemble, demonstrating a knowledge of how their part works in relation to others in the group. They will give composers relevant feedback in the knowledge that the composers will have just one day to make changes.

FINAL DRAFT WORKSHOP PREPARATION AND PARTICIPATION

Performers will rehearse the final draft of the composition in Week 09. The focus of this rehearsal will largely be based around ensemble work and increasing the standard of the performance as relevant to a chamber music context.

RECORDING

Students will record their pieces in either Week 10, 11 or 12. The mark given for this will go to the entire group – performers and composers will receive the same mark.

COMPOSERS:

SOLO PIECE

Composers will learn from the presentation given by the performers as uploaded prior to Week 03, and as per the performer’s comments in class in Week 03.

Composers will then write a short solo piece (maximum 2 minutes, and learnable by the performer within a week) for their allocated performer, which will incorporate at least one of the techniques outlined in the performer’s presentation.

Composers will complete this piece and upload to Canvas by the beginning of allocated class time, Week 04.

They will then interact with the performer during the workshop in Week 05.

DRAFT 1 + SET EXERCISES

Composers will create a set of short works based on a given arrangement, plus the first draft of their final piece. These will be discussed with their composer tutor in Week 06, then uploaded to the Canvas site by 9am Wednesday Week 06, for workshopping in Week 07 with their group.

DRAFT 2, WORKSHOP PARTICIPATION AND PRESENTATION

Composers will upload their Draft #2 to the Canvas site by Friday 9am, Week 07 for their performers to learn and then participate in the workshop in Week 08.

FINAL DRAFT PARTICIPATION AND PRESENTATION

Composers will upload their Final Draft to the Canvas site by 9am, Wednesday Week 08 for their performers to learn and then participate in the workshop in Week 09.

RECORDING

Students will record their pieces in either Week 10, 11 or 12. The mark given for this will go to the entire group – performers and composers will receive the same mark.

Assessment criteria

The following assessment criteria are used for performance work in this unit of study:

Result name	Mark range	Description
High distinction	85 - 100	Comprehensive and outstanding technical control and musical integrity in relation to developmental expectations. Musical individuality consistently projected to create a persuasive personal representation of the work. Performance flair indicative of soloist standard. A mark of 95 or above indicates extraordinary technical virtuosity and musical artistry.
Distinction	75 - 84	Excellent technical, musical and stylistic achievement. Consistently coherent and expressive performance. Some personal interpretation of the work suggesting soloist potential.
Credit	65 - 74	Confident technique with evidence of solid musicality and some stylistic achievement. Occasional lapses indicative of unresolved technical, artistic and/or stylistic issues. Projects potential for further development.
Pass	50 - 64	Satisfactory level of preparation and musical engagement. Some inconsistencies in musicianship, style and/or technique. Musical imagination and overall performance sense developing though some insecurity in this area.
Fail	0 - 49	Unsatisfactory technical achievement and/or unsatisfactory level of musical and artistic engagement. Limitations may be of such a scale and consistency as to call into question the student’s future direction in the programme.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

Deduction of 5% of the maximum mark for each calendar day after the due date.
After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

Not completing tasks on-time will severely impact the ability of composers in your group to complete their next task, and the ability of performers to learn your music in time.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the AI in Education Canvas site.

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the Learning Hub’s Canvas page.

Outside assessment tasks, generative AI tools may be used to support your learning. The AI in Education Canvas site contains a number of productive ways that students are using AI to improve their learning.

Learning support

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Weekly schedule

WK	Topic	Learning activity
Week 01	ONLINE: Introduction to this unit of study. Introduction to effective collaboration - guidance from professional performers and composers.	Seminar (2 hr)
Week 03	ONLINE: Performer presentations - How to write effectively for your instrument - focus on two techniques + play explanatory examples from the literature.	Seminar (2 hr)
Week 05	ONLINE: Performers pre-record and upload solo pieces to Studio in Canvas by 5pm previous day. Play then discuss with composer students.	Presentation (2 hr)
Week 06	ONLINE. COMPOSERS ONLY. Composer students work through pieces with composition staff, then upload any changes by 10am following day to Canvas.	Tutorial (1 hr)
Week 07	IN PERSON: Set Exercises + Composition Draft #1 workshopped	Workshop (2 hr)
Week 08	IN PERSON: Composition Draft #2 workshop and rehearsal.	Workshop (2 hr)
Week 09	IN PERSON: Rehearsal and workshopping of final draft.	Rehearsal (2 hr)
Week 10	IN PERSON: Recording session of the compositions. Each group does either Week 10, 11 or 12.	Presentation (2 hr)
Week 11	IN PERSON: Recording session of the compositions. Each group does either Week 10, 11 or 12.	Presentation (2 hr)
Week 12	IN PERSON: Recording session of the compositions. Each group does either Week 10, 11 or 12.	Presentation (2 hr)

Attendance and class requirements

Attendance: Full (100 per cent) and punctual attendance is a requirement in all activities where students have a role as active participants in the class or activity. Active participation includes
situations where the student’s contribution is to perform, rehearse or direct rehearsals in a small or large ensemble, or to give seminar and tutorial papers or presentations or undertake assessment tasks. Active participation also includes all one-to-one studio teaching and supervision. Except in cases of illness or misadventure, failure to attend activities or classes where a student is an active participant will be seen as failure to meet the requirements of the unit of study.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 3 credit point unit, this equates to roughly 60-75 hours of student effort in total.

Learning outcomes

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

Outcomes
Graduate qualities

At the completion of this unit, you should be able to:

LO1. understand how to work in a live workshopping process
LO2. Apply knowledge of instrumental techniques and collaborative ensemble performance practice to compositions as they are developed.
LO3. Work in a collaborative way with other musicians, and with composers
LO4. communicate effectively about aspects of instrumental technique to composers and performers.
LO5. demonstrate skills relating to the recording of new compositions.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1	Depth of disciplinary expertise Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.
GQ2	Critical thinking and problem solving Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.
GQ3	Oral and written communication Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.
GQ4	Information and digital literacy Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.
GQ5	Inventiveness Generating novel ideas and solutions.
GQ6	Cultural competence Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.
GQ7	Interdisciplinary effectiveness Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.
GQ8	Integrated professional, ethical, and personal identity An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.
GQ9	Influence Engaging others in a process, idea or vision.

Outcome map

Learning outcomes	Graduate qualities
Learning outcomes

Responding to student feedback

This section outlines changes made to this unit following staff and student reviews.

This UoS has been substantially reworked in structure since it ran previously.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.

Current students

Overview

Overview

Unit details and rules

Teaching staff

Assessment

Assessment

Assessment summary

Assessment criteria

Late submission

Academic integrity

Learning support

Learning support

Simple extensions

Special consideration

Using AI responsibly

Weekly schedule

Weekly schedule

Attendance and class requirements

Study commitment

Learning outcomes

Learning outcomes

Graduate qualities

Outcome map

Responding to student feedback

Responding to student feedback

Disclaimer

On this page

Useful links

Media

Student links

About us

Connect

Current students

CMPN3000: Composer Performer Workshop 1

Semester 2, 2020 [Normal day] - Sydney

Overview

Overview

Unit details and rules

Teaching staff

Assessment

Assessment

Assessment summary

Assessment criteria

Late submission

Academic integrity

Learning support

Learning support

Simple extensions

Special consideration

Using AI responsibly

Weekly schedule

Weekly schedule

Attendance and class requirements

Study commitment

Learning outcomes

Learning outcomes

Graduate qualities

Outcome map

Responding to student feedback

Responding to student feedback

Disclaimer

On this page

Useful links

Media

Student links

About us

Connect