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Unit outline_

ENGL3655: The Literary in Theory

Semester 1, 2020 [Normal day] - Camperdown/Darlington, Sydney

This unit will introduce students to significant movements in modern and contemporary literary theory to think about what it means to speak of the literary. The unit of study begins by examining the question of "literariness" through its exposition and defence by a number of scholars. We will pursue the applications of their arguments through a selection of theoretical models, including queer and gender theory, psychoanalysis, and race theory, to consider the cultural and ideological work imaginative literature undertakes.

Unit details and rules

Academic unit
Credit points 6
Prerequisites
? 
12 credit points at 2000 level in English or 12 credit points at 2000 level in Australian Literature
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Bruce Gardiner, bruce.gardiner@sydney.edu.au
Type Description Weight Due Length
Assignment Final essay or research paper
Essay
70% Formal exam period
Due date: 12 Jun 2020 at 23:59
4000 words
Outcomes assessed: LO3 LO4
Assignment First essay or research proposal or seminar presentation
Essay, or class presentation plus write-up
30% Week 08
Due date: 20 Apr 2020 at 23:59
2000 words
Outcomes assessed: LO1 LO2

Assessment summary

Detailed information for each assessment can be found on Canvas.

Assessment criteria

The University awards common result grades, set out in the Coursework Policy 2014 (Schedule 1).

As a general guide, a High distinction indicates work of an exceptional standard, a Distinction a very high standard, a credit a good standard, and a pass an acceptable standard.

Result name

Mark range

Description

High distinction

85 - 100

(1) The work demonstrates a deep and intelligent understanding of, and individual engagement with material;

(2) presents a very close analysis of focal texts or issues;

(3) addresses a specific issue and develops an independent critical or theoretical argument successfully;

(4) indicates awareness of complexities and qualifications in argumentation;

(5) demonstrates careful thought about the critical, historical and/or theoretical context of the texts or issues;

(6) provides evidence of wide-ranging reading;

(7) is properly referenced and well-presented.

The writing is characterized by creativity, clarity, and independent insight. A High Distinction is distinguished from a Distinction by the work’s demonstration of awareness of subtleties, nuances, qualifications and a possible other case. Work which is awarded a mark of over 90% in Senior level units of study will often contain some publishable or potentially publishable elements.

Distinction

75 - 84

(1) The work demonstrates an intelligent understanding of, and individual engagement with material;

(2) analyzes focal texts or issues appositely;

(3) addresses an issue and presents a well-argued, coherent case;

(4) demonstrates careful thought about the critical, historical and/or theoretical context of the texts or issues;

(5) provides evidence of reading beyond what is strictly required for the task;

(6) is properly referenced and well presented.

The writing is characterized by individuality, clarity, and independent insight. A Distinction is distinguished from a High Credit chiefly by the quality of theoretical understanding and the range of intellectual enquiry it demonstrates.

Credit

65 - 74

70-74% (High Credit)

(1) The work provides evidence of independent reading and thinking about focal texts or issues and their contexts;

(2) shows some clear understanding of relevant critical and theoretical considerations and of the conceptual issues raised by a unit of study;

(3) uses close critical analysis;

(4) avoids summary;

(5) indicates an intelligent attempt at a critical or theoretical argument;

(6) is clearly and effectively written;

(7) is well-referenced.

A High Credit is distinguished from a Low Credit chiefly by the extent of independent discussion of focal texts or issues, and by some obvious attempt to interpret the outcome of close analysis.

65-69% (Low Credit)

(1) The work shows some understanding of relevant critical and theoretical considerations and of the conceptual issues raised by a unit of study;

(2) demonstrates some independent reading and thinking about focal texts or issues and their contexts;

(3) uses close critical analysis;

(4) avoids summary;

(5) attempts a critical or theoretical argument;

(6) is clearly and effectively written;

(7) is adequately referenced.

A Low Credit is distinguished from a High Pass by the extent of independent discussion of focal texts or issues, the clarity of the writing and the extent to which it attempts a more general critical and/or theoretical argument.

Pass

50 - 64

58-64% (High Pass)

(1) The work gives some evidence of ability to attempt an independent argument and to structure material coherently;

(2) demonstrates a genuine attempt at independent reading and thinking about focal texts or issues though the essay may contain some oversimplification or superficiality;

(3) generally avoids summary, paraphrase or unsubstantiated assertion;

(4) may sometimes present quotation for illustrative purposes merely, but does also present the outcome of some critical analysis;

(5) is adequately expressed;

(6) is adequately referenced.

50-57% (Pass)

(1) The work provides clear evidence of having read and thought about focal texts or issues;

(2) attempts a coherent argument though there may be ellipses in argumentation;

(3) uses some close critical analysis;

(4) may paraphrase fairly extensively;

(5) tends to use quotation for illustrative purposes only;

(6) may tend towards generality in answering a question;

(7) may present simplistic comment or unsubstantiated assertions;

(8) is adequately expressed though there may be some weaknesses in this area;

(9) may contain some referencing errors.

Fail

0 - 49

When you don’t meet the learning outcomes of the unit to a satisfactory standard.

Work may fail for any of the following reasons:

(1) no evidence of having read the prescribed material closely;

(2) sloppy, inconsistent presentation;

(3) preponderance of paraphrase, mere plot summary or listing of superficial characteristics;

(4) excessive use of quotation for illustrative purposes only, without any attempt at analysis;

(5) excessive level of generality in answering a question;

(6) inappropriate or obscure expression;

(7) incoherent general structure;

(8) inadequate referencing;

(9) late submission of work without extension.    

 

.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the AI in Education Canvas site.

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the Learning Hub’s Canvas page.

Outside assessment tasks, generative AI tools may be used to support your learning. The AI in Education Canvas site contains a number of productive ways that students are using AI to improve their learning.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 The reading of theory, and the theory of reading: Georges Poulet, “Criticism and the Experience of Interiority” (1972); Michel de Certeau, “Reading as Poaching” from The Practice of Everyday Life (1980) Seminar (2 hr)  
Week 02 Martin Heidegger, “Language” and “The Thing” (both 1950), from Poetry, Language Thought (1971) Seminar (2 hr)  
Week 03 Heidegger, “The Origin of the Work of Art” (1935), from Poetry, Language, Thought Seminar (2 hr)  
Week 04 Luce Irigaray, The Forgetting of Air in Martin Heidegger (1983; trans. 1999), chapters 2, 5, and 6 Seminar (2 hr)  
Week 05 Irigaray, The Forgetting of Air in Martin Heidegger, chapters 7, 9, and 10 Seminar (2 hr)  
Week 06 Jacques Lacan, “The Freudian Thing, or the Meaning of the Return to Freud in Psychoanalysis” (1955), from Écrits: A Selection (1966; trans. 1977; re-trans. 2004) Seminar (2 hr)  
Week 07 Lacan, “The Agency of the Letter in the Unconscious of Reason since Freud” (1957), from Écrits: A Selection Seminar (2 hr)  
Week 08 Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (1993), chapters 1 and 5 Seminar (2 hr)  
Week 09 Butler, Bodies That Matter: On the Discursive Limits of Sex, chapters 2 and 8 Seminar (2 hr)  
Week 10 Theodor Adorno, “Art Beauty: Apparition, Spiritualisation, Intuitability” and “Toward a Theory of the Artwork,” from Aesthetic Theory (1970; trans. 1997) Seminar (2 hr)  
Week 11 Adorno, “Subject-Object” and “Society,” from Aesthetic Theory Seminar (2 hr)  
Week 12 Gayatri Spivak, A Critique of Postcolonial Reason (1999), chapter 2: parts 1 and 2 Seminar (2 hr)  
Week 13 Spivak, A Critique of Postcolonial Reason, chapter 3: pages 227-247 and 281-311 Seminar (2 hr)  

Attendance and class requirements

  • Attendance: According to Faculty Board Resolutions, students in the Faculty of Arts and Social Sciences are expected to attend 90% of their classes. If you attend less than 50% of classes, regardless of the reasons, you may be referred to the Examiner’s Board. The Examiner’s Board will decide whether you should pass or fail the unit of study if your attendance falls below this threshold.
  • Lecture recording: Most lectures (in recording-equipped venues) will be recorded and may be made available to students on the LMS. However, you should not rely on lecture recording to substitute your classroom learning experience.
  • Preparation: Students should commit to spend approximately three hours’ preparation time (reading, studying, homework, essays, etc.) for every hour of scheduled instruction.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

Textbooks

All texts and excerpts of texts assigned for seminars are taken from the following six textbooks, and you will need to have with you in each seminar a copy of each text or excerpt assigned for that seminar. 

Theodor Adorno, Aesthetic Theory (1970), trans. Robert Hullot-Kentor (1997; London: Bloomsbury, 2013), ISBN 9780816618002.

Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (London: Routledge, 1993), ISBN 9780415610155. [And as an e-book, Taylor and Francis, 2011.]

Martin Heidegger, Poetry, Language, Thought, trans. Albert Hofstadter (New York: Harper & Row [now HarperCollins], 1971), ISBN 9780060937287.

Luce Irigaray, The Forgetting of Air in Martin Heidegger (1983), trans. Mary Mader (Austin: Univ. of Texas Press, 1999), ISBN 9780292738720.

Jacques Lacan, Ecrits: A Selection (1966), either trans. Bruce Fink (New York: Norton, 2004); or trans. Alan Sheridan (1977; London: Routledge, 2001), ISBN 9780415253925 (Sheridan translation), ISBN 9780393325287 (Fink translation).

Gayatri Spivak, A Critique of Postcolonial Reason (Cambridge MA: Harvard Univ. Press, 1999), ISBN 9780674177642.

 

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Study closely a small number of theorists whose work addresses crucial issues that have animated literary theory and criticism over the last century, to gauge not only the ambit and evolution of the field in general but also the place that your own theoretical and literary interests occupy in it. (Addresses graduate qualities A and F.)
  • LO2. Isolate and investigate the theoretical and critical assumptions that you already bring to literature, so your reading of it may become more exactingly theoretical and critical. (Addresses graduate qualities B and E.)
  • LO3. Render your understanding of literature more culturally and historically circumspect and thus also more radically self-critical. (Addresses graduate qualities C and F.)
  • LO4. Apply the analytical acumen you develop in understanding literary theory and criticism to other fields and kinds of intellectual enquiry. (Addresses graduate qualities B and D.)

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

In light of students’ responses to the most recently taught version of the unit, particular sections of each week’s readings will be set for especially detailed scrutiny.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.