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Building on the fundamentals of counterpoint and chord function established in previous semesters, the emphasis here is placed upon developing an understanding of the larger-scale compositional strategies and structures of tonal music. Alongside the study of specific harmonic vocabulary, including leading-tone seventh chords, secondary dominants and modulation, two 18th-century genres are examined which epitomise the integration of contrapuntal and harmonic thinking: the chorale settings and fugues of J.S. Bach.
Study level | Undergraduate |
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Academic unit | Analysis, History and Cultural Studies |
Credit points | 3 |
Prerequisites:
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MCGY1009 |
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Corequisites:
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None |
Prohibitions:
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None |
Assumed knowledge:
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None |
At the completion of this unit, you should be able to:
This section lists the session, attendance modes and locations the unit is available in. There is a unit outline for each of the unit availabilities, which gives you information about the unit including assessment details and a schedule of weekly activities.
The outline is published 2 weeks before the first day of teaching. You can look at previous outlines for a guide to the details of a unit.
Session | MoA ? | Location | Outline ? |
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Semester 1 2024
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Normal day | Sydney |
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Session | MoA ? | Location | Outline ? |
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Semester 1 2025
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Normal day | Sydney |
Outline unavailable
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Session | MoA ? | Location | Outline ? |
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Semester 1 2020
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Normal day | Sydney |
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Semester 1 2021
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Normal day | Remote |
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Semester 1 2021
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Normal day | Sydney |
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Semester 1 2022
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Normal day | Remote |
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Semester 1 2022
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Normal day | Sydney |
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Semester 1 2023
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Normal day | Remote |
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Semester 1 2023
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Normal day | Sydney |
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This refers to the Mode of attendance (MoA) for the unit as it appears when you’re selecting your units in Sydney Student. Find more information about modes of attendance on our website.