Outline

Overview

This unit examines theories of consumption in regards to cultural and media products and practices, with a specific focus on gender. Drawing upon a wide range of feminist media and cultural theories, we will critically analyse different forms of belonging and identity that are created through these practices. We will also pay close attention to the critiques of globalisation and consumption, theories of the 'citizen consumer' and the realities of geo-political and economic inequalities that underpin many forms of consumption.

Unit details and rules

Academic unit	Gender and Cultural Studies
Credit points	6
Prerequisites ?	None
Corequisites ?	None
Prohibitions ?	None
Assumed knowledge ?	None
Available to study abroad and exchange students	Yes

Teaching staff

Coordinator	Anthea Taylor, anthea.taylor@sydney.edu.au
Tutor(s)	Alexa Appel, alexa.appel@sydney.edu.au
Tutor(s)	Jan Filmer, jan.filmer@sydney.edu.au

Type	Description	Weight	Due	Length
Assignment	Research essay Essay	40%	Formal exam period Due date: 08 Jun 2020 at 23:00	2500 words
Outcomes assessed:
Participation	Participation n/a	10%	Ongoing	n/a
Outcomes assessed:
Assignment	Critical reflection Short answer	15%	Ongoing	500 words
Outcomes assessed:
Assignment	Advertising analysis Written task	25%	Week 06 Due date: 30 Mar 2020 at 23:00	1000 words
Outcomes assessed:
Assignment	Research essay proposal Proposal	10%	Week 11 Due date: 11 May 2020 at 23:00	500 words
Outcomes assessed:

Assessment summary

Particpation: participation is based on preparation and active engagement with ideas from the readings, lectures and class discussions. Your mark will depend on how much you bring to the course in terms of questions, examples and ideas. It will also be based on the ways and degree to which you support your fellow students, through listening, workshopping and building on others' ideas.
Critcal reflection: Students will chose a week/topic and submit a 500 word précis of one of the recommended readings that clearly defines the author’s argument, methodological approach and evidence provided to support their argument.
Advertisement analysis: This essay requires students to analyze the relationship between ideological message and aesthetic strategies in any advertisement of your choice, drawing on ideas from 2 readings in Weeks 2-6. The ad can be from visual print media (newspaper, magazine, billboard, internet) or audiovisual media (commercial). More details TBA.
Research essay proposal: This 500 word proposal gives a plan for the final essay and provides students with an opportunity to test their ideas and get feedback. The proposal states the working thesis (central argument) of the paper as well as theoretical approach(es) and methodology to be used. It also gives summaries of three external academic sources, and discusses how they will be used to support and develop the argument. More details TBA.
Research essay: This paper involves building a complex understanding of a particular aspect of gender and the media covered in the unit. You will apply concepts from the course to case studies of media products/texts/experiences and the practices through which they are consumed. This essay should use relevant scholarly material to examine the ideological dimensions of how a particular brand, product, star or media text is produced and consumed. More details TBA.

Detailed information for each assessment can be found on Canvas.

Assessment criteria

The University awards common result grades, set out in the Coursework Policy 2014 (Schedule 1).

As a general guide, a High distinction indicates work of an exceptional standard, a Distinction a very high standard, a credit a good standard, and a pass an acceptable standard.

Result name	Mark range	Description
High distinction	85 - 100	Awarded when you demonstrate the learning outcomes for the unit at an exceptional standard, as defined by grade descriptors or exemplars outlined by your faculty or school.
Distinction	75 - 84	Awarded when you demonstrate the learning outcomes for the unit at a very high standard, as defined by grade descriptors or exemplars outlined by your faculty or school.
Credit	65 - 74	Awarded when you demonstrate the learning outcomes for the unit at a good standard, as defined by grade descriptors or exemplars outlined by your faculty or school.
Pass	50 - 64	Awarded when you demonstrate the learning outcomes for the unit at an acceptable standard, as defined by grade descriptors or exemplars outlined by your faculty or school.
Fail	0 - 49	When you don’t meet the learning outcomes of the unit to a satisfactory standard.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

Deduction of 5% of the maximum mark for each calendar day after the due date.
After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Use of generative artificial intelligence (AI) and automated writing tools

You may only use generative AI and automated writing tools in assessment tasks if you are permitted to by your unit coordinator. If you do use these tools, you must acknowledge this in your work, either in a footnote or an acknowledgement section. The assessment instructions or unit outline will give guidance of the types of tools that are permitted and how the tools should be used.

Your final submitted work must be your own, original work. You must acknowledge any use of generative AI tools that have been used in the assessment, and any material that forms part of your submission must be appropriately referenced. For guidance on how to acknowledge the use of AI, please refer to the AI in Education Canvas site.

The unapproved use of these tools or unacknowledged use will be considered a breach of the Academic Integrity Policy and penalties may apply.

Studiosity is permitted unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission as detailed on the Learning Hub’s Canvas page.

Outside assessment tasks, generative AI tools may be used to support your learning. The AI in Education Canvas site contains a number of productive ways that students are using AI to improve their learning.

Learning support

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Weekly schedule

WK	Topic	Learning activity
Week 01	Introduction	Lecture and tutorial (3 hr)
Week 02	Postfeminism, femininities and media culture	Lecture and tutorial (3 hr)
Week 03	Masculinities and advertising	Lecture and tutorial (3 hr)
Week 04	Queer culture and television	Lecture and tutorial (3 hr)
Week 05	Conceptualising and consuming pornography Guest lecture: Dr Grace Sharkey	Lecture and tutorial (3 hr)
Week 06	Gendering reality tv	Lecture and tutorial (3 hr)
Week 07	Intersectionality and feminist media studies Guest lecturer: Claudia Sirdah	Lecture and tutorial (3 hr)
Week 08	Digital media and self-branding	Lecture and tutorial (3 hr)
Week 09	Audiences: fandom and ‘produsage’	Lecture and tutorial (3 hr)
Week 11	Celebrity and commodity feminism	Lecture and tutorial (3 hr)
Week 12	#MeToo and hashtag activism	Lecture and tutorial (3 hr)
Week 13	Conclusion	Lecture and tutorial (3 hr)

Attendance and class requirements

Attendance: According to Faculty Board Resolutions, students in the Faculty of Arts and Social Sciences are expected to attend 90% of their classes. If you attend less than 50% of classes, regardless of the reasons, you may be referred to the Examiner’s Board. The Examiner’s Board will decide whether you should pass or fail the unit of study if your attendance falls below this threshold.
Lecture recording: Most lectures (in recording-equipped venues) will be recorded and may be made available to students on the LMS. However, you should not rely on lecture recording to substitute your classroom learning experience.
Preparation: Students should commit to spend approximately three hours’ preparation time (reading, studying, homework, essays, etc.) for every hour of scheduled instruction.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

Week 1 (24 February): Introduction

No required readings, however these are recommended:

Harvey, A. (2019) Feminist media studies, London: Polity

Carter, C. et al (2013) The Routledge Companion to Media and Gender, London: Routledge.

Week 2 (2 March): Postfeminism, femininities, and media culture

Required readings

Gill. R. (2007) ‘Elements of a Sensibility’, European Journal of Cultural Studies, 10:2, 147- 166.

Simidele Dosekun (2015) ‘For Western Girls Only: Post-feminism as transnational culture?’, Feminist Media Studies, 15:6, 960-975.

Recommended readings

Butler, J. (2013) ‘For White Girls Only?: Postfeminism and the Politics of Inclusion’, Feminist Formations, 25:1, 35-58.

Gill, R. (2016) ‘Post-postfeminism?: new feminist visibilities in postfeminist times’, Feminist Media Studies, 16:4, 610-630.

Week 3 (9 March): Masculinities and Advertising

Recommended readings

Feasey, R. (2009) ‘Spray More, Get More: Masculinity, Television advertising and the Lynx effect’, Journal of Gender Studies, 18:4, 357-368.

Patterson, M. & Elliott, R. (2010) ‘Negotiating Masculinities: Advertising and the Inversion of the Male Gaze’, Consumption Markets and Culture, 5:3, 231-249.

Recommended readings

Desi Dwi Prianti (2018) ‘Towards the westernized body: a popular narrative reinforced by men's lifestyle magazines in Indonesia’, Inter-Asia Cultural Studies, 19:1, 103-116.

Siripai, J. & Haywood, C. (2017) ‘“Branding Men”: Exploring Men, Masculinity and Thai Alcohol Brands in East Asian Markets’, in X. Lin et al eds. East Asian Men, Basingstoke: Palgrave Macmillan.

Week 4 (16 March): Queer culture and television

Required readings

Ng, E. (2013) A “Post-Gay” Era? Media Gaystreaming, Homonormativity, and the Politics of LGBT Integration’, Communication, Culture and Critique, 6.2, 258–283.

Goddard, M & Hogg, C. (2019) ‘Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation’, Critical Studies in Television, 14. 4: 429-434.

Recommended readings
Campbell, J. ed. (2013) Queer Media Images: LGBT perspectives, NY: Lexington.

Brennan, N. (2017) 'Contradictions between the subversive and the mainstream: Drag Cultures and RuPaul's Drag Race', in Brennan, N. ed. RuPaul's Drag Race and the Shifting Visibility of Drag Culture, NY: Palgrave Macmillan, 29-43.

Week 5 (23 March): Rethinking pornography

Guest lecturer: Dr Grace Sharkey

Required readings

Albury, K. (2009) ‘Reading porn reparatively’, Sexualities, 12.5: 647-653.

McKee, A. (2006) ‘The aesthetics of pornography: the insights of consumers’, Continuum: Journal of Media and Cultural Studies, 20.4: 523-539.

Recommended readings

Liberman, R. (2015) ‘“It’s a really great tool”: feminist pornography and the promotion of sexual subjectivity’, Porn Studies, 2:2-3, 174-191.

Smith, C. & Attwood, F. (2014) ‘Anti/pro/critical porn studies’, Porn Studies, 1:1-2, 7-23.

Week 6 (30 March): Gendering reality TV

Required readings

Ouellette, L. & Hay, J. (2008) ‘Makeover television, governmentality and the good citizen’, Continuum, 22:4, 471-484.

Wei L. & Sun, Z. (2015) ‘Are You the One? China's TV Dating Shows and the Sheng Nü's Predicament’, Feminist Media Studies, 15:2, 239-256.

Recommended readings

Zhao, J. (2018) ‘Queer, yet never lesbian: a ten-year look back at the reality TV singing competition show Super Voice Girl’, Celebrity Studies, 9:4, 470-486.

Weber, B. ed. (2014) Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television, Durham: Duke University Press.

Week 7 (6 April): Intersectionality and feminist media studies

Guest lecturer: Claudia Sirdah

Required readings

Molina-Guzmán, I. and Cacho, L. (2013) ‘Historically mapping contemporary intersectional feminist media studies’, in Carter, C. et al, The Routledge Companion to Media and Gender, London: Routledge, pp. 71-80.

Ahmed, A. (2019) ‘The Clothes of My Faith’, in M. Khan ed. It's Not About the Burqa, London, Picador, pp. 65-77.

Morsi, Y. (2017) ‘(The 'Fabulous' Mask of) Waleed Aly’, in Radical Skin, Moderate Masks: De-Radicalising the Muslim and Racism in Post-Racial Societies, London: Rowman & Littlefield International, pp. 47-54.

Recommended readings

Sumi Cho, S., Williams Crenshaw, K. and McCall, L. (2013) ‘Toward a Field of Intersectionality Studies: Theory, Applications, and Praxis’, Signs: Journal of Women in Culture and Society, vol. 38, no. 4: 785-810.

Bakkar, N. (2019) ‘On the Representation of Muslims – Terms and Conditions Apply’, In It's Not About the Burqa, edited by M. Khan, London: Picador, 45-63.

Week 8 (20 April): Digital media and self-branding

Required readings

Berryman, R. & Kavka, M. (2017) ‘“I Guess A Lot of People See Me as a Big Sister or a Friend”: the role of intimacy in the celebrification of beauty vloggers’, Journal of Gender Studies, 26:3, 307-320.

Zhang, G. & Hjorth, L. (2019) ‘Live-streaming, games and politics of gender performance: The case of Nu ̈zhubo in China’, Convergence, 25: 5-6, 807–825.

Recommended readings

Henderson, M. & Taylor, A. (2019), ‘YouTube beauty vlogs: intimate publics and postfeminist confidence and care’, in M. Henderson & A. Taylor, Postfeminism in Context, London: Routledge, pp. 123-154.

Beta, A. R. (2014). ‘Hijabers: How young urban muslim women redefine themselves in Indonesia’, International Communication Gazette, 76(4-5), 377-389.

Week 9 (27 April) – Audiences: Fandom and produsage

Hautakangas, M. (2015) ‘“It’s Ok to be joyful”? My Little Pony and Brony masculinity’, Journal of Popular Television, 3:1, 111-118.

Chunyu Zhang (2016) ‘Loving Boys Twice as Much: Chinese Women’s Paradoxical Fandom of “Boys’ Love” Fiction’, Women's Studies in Communication, 39:3, 249-267.

Recommended readings

Pinkowitz, J.M. (2011) ‘“The rabid fans that take Twilight much too seriously”: The construction and rejection of excess in Twilight antifandom’, Transformative Works and Culture, No. 7.

Jensen, J. (1992) ‘Fandom as Pathology: The Consequences of Characterization’, in L. Lewis ed. The Adoring Audience: Fan Cultures and Popular Media, London: Routledge, pp. 9-29.

Week 10 (4 May) – Reading Week (prep for Proposal, due next week)

No set readings for this week.

Week 11 (11 May) – Celebrity and commodity feminism

Hobson, J. (2017) ‘Celebrity Feminism: More than a Gateway’, Signs: Journal of Women in Culture and Society, 42:4, 999-1007.

Brady, A. (2016) ‘Taking time between g-string changes to educate ourselves: Sinead O’Connor, Miley Cyrus, and celebrity feminism’, Feminist Media Studies, 16.1: 429-444.

Recommended readings

Taylor, A. (2016) Celebrity and the Feminist Blockbuster, Basingstoke: Palgrave Macmillan.

Wang, B. (2019) ‘In Search of Celebrity Feminists in Contemporary China’, in S. Cai (ed.), Female Celebrities in Contemporary Chinese Society, Basingstoke: Palgrave Macmillan, pp. 185-208.

Week 12 (18 May) – #MeToo and Hashtag Activism

Required readings

Clark-Parsons, R. (2019) “I SEE YOU, I BELIEVE YOU, I STAND WITH YOU”: #MeToo and the performance of networked feminist visibility’, Feminist Media Studies, DOI: 10.1080/14680777.2019.1628797.

Zang, J. (2019) ‘You Say #MeToo, I Say #MiTu: China’s Online Campaigns Against Sexual Abuse’, in B. Fileborn, R. Loney-Howes (eds.), #MeToo and the Politics of Social Change, Basingstoke: Palgrave Macmillan, pp. 71-83.

Recommended readings

Brown, M., Ray, R., Summers, E. & Fraistat, N. (2017) ‘#SayHerName: a case study of intersectional social media activism’, Ethnic and Racial Studies, 40:11, 1831-1846.

Mendes, K et al (2019) Digital Feminist Activism, Oxford: Oxford University Press.

Week 13 (25 May) – Conclusion / Essay Discussion

No readings for this week.

Learning outcomes

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

Outcomes
Graduate qualities

At the completion of this unit, you should be able to:

LO1. Encourage students to develop critical and creative approaches for understanding consumption both as a theoretical concept and as lived practice
LO2. Increase familiarity with some of the main ways that media and cultural theories have understood consumption
LO3. Develop critical writing and discussion skills for analysing academic and popular texts with respect to gender, media and consumption
LO4. Articulate the key ways that cultural theorists have understood consumption, particularly with regard to media and gender
LO5. Draw on cultural theories about consumption to analyse and critique various modes of consumption in media and popular culture
LO6. Relate these theories to those of transnationalism, identity and difference

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1	Depth of disciplinary expertise Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.
GQ2	Critical thinking and problem solving Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.
GQ3	Oral and written communication Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.
GQ4	Information and digital literacy Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.
GQ5	Inventiveness Generating novel ideas and solutions.
GQ6	Cultural competence Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.
GQ7	Interdisciplinary effectiveness Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.
GQ8	Integrated professional, ethical, and personal identity An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.
GQ9	Influence Engaging others in a process, idea or vision.

Outcome map

Learning outcomes	Graduate qualities
Learning outcomes

Responding to student feedback

This section outlines changes made to this unit following staff and student reviews.

No changes have been made since this unit was last offered

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.

Current students

Overview

Overview

Unit details and rules

Teaching staff

Assessment

Assessment

Assessment summary

Assessment criteria

Late submission

Academic integrity

Learning support

Learning support

Simple extensions

Special consideration

Using AI responsibly

Weekly schedule

Weekly schedule

Attendance and class requirements

Study commitment

Required readings

Learning outcomes

Learning outcomes

Graduate qualities

Outcome map

Responding to student feedback

Responding to student feedback

Disclaimer

On this page

Useful links

Media

Student links

About us

Connect

Current students

WMST6903: Gender, Media and Consumer Societies

Semester 1, 2020 [Normal day] - Camperdown/Darlington, Sydney

Overview

Overview

Unit details and rules

Teaching staff

Assessment

Assessment

Assessment summary

Assessment criteria

Late submission

Academic integrity

Learning support

Learning support

Simple extensions

Special consideration

Using AI responsibly

Weekly schedule

Weekly schedule

Attendance and class requirements

Study commitment

Required readings

Learning outcomes

Learning outcomes

Graduate qualities

Outcome map

Responding to student feedback

Responding to student feedback

Disclaimer

On this page

Useful links

Media

Student links

About us

Connect