Professor Emeritus Robert Dixon
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Professor Emeritus Robert Dixon

BA (Hons), PhD Syd, FAHA
Emeritus Professor of Australian Literature
Discipline of English and Writing

Robert Dixon is a Fellow of the Australian Academy of the Humanities, a past-President of the Association for the Study of Australian Literature (1995-7), a member of the Australian Research Council College of Experts (2008-10), judge of the Miles Franklin Literary Award (2004-9), chair of the Nita B Kibble Literary Award, and a consultant to ACARA on the Australian Curriculum: English. He has held an ARC Australian Professorial Fellowship (2003-7) and an ARC Discovery Outstanding Research Award (2013-16). He is general editor of the Sydney University Press Studies in Australian Literature series.

  • Australian literature and literary criticism
  • colonialism and its culture
  • Australian cultural studies
  • postcolonial studies
  • Australian art history, photography and early cinema.

Research group


Nineteenth-Century Studies

  • Scenes of Reading: Australian Literature and the World Republics of Letters (ARC DORA, 2013-15).

Publications

Books

  • Dixon, R. (2014). Alex Miller: The Ruin of Time. Sydney: Sydney University Press. [More Information]
  • Dixon, R. (2013). Photography, Early Cinema and Colonial Modernity: Frank Hurleys Synchronized Lecture Entertainments (Paperback). London: Anthem Press. [More Information]
  • Dixon, R. (2012). Photography, Early Cinema and Colonial Modernity: Frank Hurleys Synchronized Lecture Entertainments (Paperback). London: Anthem Press. [More Information]

Edited Books

  • Dixon, R. (2018). Richard Flanagan: Critical Essays. Sydney: Sydney University Press.
  • Dixon, R., Rooney, B. (2013). Scenes of Reading: Is Australian Literature a World Literature. North Melbourne: Australian Scholarly Publishing. [More Information]
  • Kirkpatrick, P., Dixon, R. (2012). Republics of Letters: Literary Communities in Australia. Sydney: Sydney University Press. [More Information]

Book Chapters

  • Dixon, R. (2023). Transnational Optics: The Late Colonial Fiction of Ada Cambridge and Catherine Martin. In David Carter (Eds.), The Cambridge History of the Australian Novel, (pp. 63-80). Cambridge: Cambridge University Press. [More Information]
  • Dixon, R. (2018). Circles of Violence: Historical Constellations in 'Death of a River Guide' and 'The Sound of One Hand Clapping'. In Robert Dixon (Eds.), Richard Flanagan: Critical Essays, (pp. 21-41). Sydney: Sydney University Press. [More Information]
  • Dixon, R., Zavaglia, L. (2018). The Novels of Richard Flanagan: An Introduction. In Robert Dixon (Eds.), Richard Flanagan: Critical Essays, (pp. 1-19). Sydney: Sydney University Press. [More Information]

Journals

  • Dixon, R. (2018). Figures in Geometry: The Death of Noah Glass by Gail Jones. Sydney Review of Books, 7 September 2018. [More Information]
  • Dixon, R. (2017). "Communications from Below": Scalar Transformations in Richard Flanagan's The Narrow Road to the Deep North (2013) and Steven Carroll's A World of Other People (2013). Antipodes: a North American journal of Australian literature, 31(1), 184-205. [More Information]
  • Dixon, R. (2015). Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures. Australian Literary Studies, 30(3), 6-27.

Other

  • Dixon, R. (2016), Dame Leonie Kramer AC DBE, 1924-2016. In Australian Academy of the Humanities Annual Report, 2015-16.

2023

  • Dixon, R. (2023). Transnational Optics: The Late Colonial Fiction of Ada Cambridge and Catherine Martin. In David Carter (Eds.), The Cambridge History of the Australian Novel, (pp. 63-80). Cambridge: Cambridge University Press. [More Information]

2018

  • Dixon, R. (2018). Circles of Violence: Historical Constellations in 'Death of a River Guide' and 'The Sound of One Hand Clapping'. In Robert Dixon (Eds.), Richard Flanagan: Critical Essays, (pp. 21-41). Sydney: Sydney University Press. [More Information]
  • Dixon, R. (2018). Figures in Geometry: The Death of Noah Glass by Gail Jones. Sydney Review of Books, 7 September 2018. [More Information]
  • Dixon, R. (2018). Richard Flanagan: Critical Essays. Sydney: Sydney University Press.

2017

  • Dixon, R. (2017). "Communications from Below": Scalar Transformations in Richard Flanagan's The Narrow Road to the Deep North (2013) and Steven Carroll's A World of Other People (2013). Antipodes: a North American journal of Australian literature, 31(1), 184-205. [More Information]
  • Dixon, R. (2017). "The wind from Siberia": Metageography and Ironic Nationality in the Novels of Elizabeth Harrower. In Elizabeth McMahon, Brigitta Olubas (Eds.), Elizabeth Harrower: Critical Essays, (pp. 49-64). Sydney: Sydney University Press.

2016

  • Dixon, R. (2016). Australian Literature, Scale, and the Problem of the World. In Peter Morgan (Eds.), Text, Translation, Transnationalism: World Literature in 21st Century Australia, (pp. 173-195). Melbourne: Australian Scholarly Publishing.
  • Dixon, R. (2016), Dame Leonie Kramer AC DBE, 1924-2016. In Australian Academy of the Humanities Annual Report, 2015-16.
  • Dixon, R. (2016). Ghosts in the Machine: Modernity and the Unmodern in Gail Jones's Dreams of Speaking [reprint]. In Lawrence J. Trudeau (Eds.), Contemporary Literary Criticism: Excerpts from Criticism of the Works of Today's Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers, (pp. 43-50). Farmington Hills, MI: Cengage Learning.

2015

  • Dixon, R. (2015). Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures. Australian Literary Studies, 30(3), 6-27.
  • Dixon, R. (2015). Frank Hurley, 'Mirror Room in the Golestan, Tehran, 16 April 1944'. In Anne Maxwell, Josephine Croci (Eds.), Shifting Focus: Colonial Australian Photography 1850-1920, (pp. 265-289). North Melbourne: Australian Scholarly Publishing.
  • Dixon, R. (2015). National Literatures, Scale and the Problem of the World. JASAL, 15(3), 1-10. [More Information]

2014

  • Dixon, R. (2014). "A Nation for a Continent": Australian Literature and the Cartographic Imaginary of the Federation Era. Antipodes: a North American journal of Australian literature, 28(1), 141-154.
  • Dixon, R. (2014). 'The Great Australian Emptiness' Revisited: Murray Bail's 'Holden's Performance' [Reprint]. In Lawrence J Trudeau (Eds.), Contemporary Literary Criticism, Volume353, (pp. 3-9). Farmington Hills, MI: Cengage Learning.
  • Dixon, R. (2014). Alex Miller: The Ruin of Time. Sydney: Sydney University Press. [More Information]

2013

  • Dixon, R., Hoorn, J. (2013). Art and literature: a cosmopolitan culture. In Alison Bashford, Stuart Macintyre (Eds.), The Cambridge History of Australia: Volume 1: Indigenous and Colonial Australia, (pp. 487-510). New York: Cambridge University Press. [More Information]
  • Dixon, R. (2013). Australian Literature and the World Republic of Letters. Metaphor, 1 (2013), 3-11.
  • Dixon, R., Rooney, B. (2013). Introduction: Australian Literature, Globalisation and the Literary Province. In Robert Dixon, Brigid Rooney (Eds.), Scenes of Reading: Is Australian Literature a World Literature, (pp. ix-xxxvi). North Melbourne: Australian Scholarly Publishing.

2012

  • Dixon, R. (2012). 'English' in the Australian Curriculum: English. Australian Journal of English Education, 47(1), 19-25. [More Information]
  • Dixon, R. (2012). Alternative conceptual geographies. In Ian Donaldson and Mark Finnane (Eds.), Taking Stock: The Humanities in Australian Life Since 1968, (pp. 166-172). Crawley, WA, Australia: UWA Publishing.
  • Dixon, R. (2012). Disestablished Worlds: An Introduction to the Novels of Alex Miller. In Robert Dixon (Eds.), The Novels of Alex Miller: An Introduction, (pp. 1-28). Sydney, Australia: Allen and Unwin.

2011

  • Dixon, R. (2011). Ground zero: Nicholas Rothwell's natural history of destruction. Studies in Travel Writing, 15(2), 177-188. [More Information]
  • Dixon, R., Lee, C. (2011). Introduction. In Robert Dixon and Christopher Lee (Eds.), The Diaries of Frank Hurley 1912-1941, (pp. xi-xxxviii). London: Anthem Press.
  • Dixon, R., Lee, C. (2011). The Diaries of Frank Hurley 1912-1941. London: Anthem Press.

2010

  • Dixon, R. (2010). 'Turning a Place into a Field': Shirley Hazzard's 'The Great Fire' and Cold War Area Studies. In Robert Dixon and Nicholas Birns (Eds.), Reading Across the Pacific: Australia-United States Intellectual Histories, (pp. 265-279). Sydney: Sydney University Press.
  • Dixon, R. (2010). Australian Literature and the Cultural Dimensions of Globalisation. In David Carter and Wang Guanglin (Eds.), Modern Australian Criticism and Theory, (pp. 115-126). Qingdao: China Ocean University Press.
  • Dixon, R., Birns, N. (2010). Introduction. In Robert Dixon and Nicholas Birns (Eds.), Reading Across the Pacific: Australia-United States Intellectual Histories, (pp. XIII-XXI). Sydney: Sydney University Press.

2009

  • Dixon, R. (2009). Australian Fiction and the world republic of letters, 1890-1950. In Peter Pierce (Eds.), The Cambridge History of Australian Literature, (pp. 223-254). Australia: Cambridge University Press.
  • Dixon, R. (2009). Australian literature in the translation zone: Robert Dessaix and David Malouf. In Bode, Katherine; Dixon, Robert (Eds.), Resourceful Reading: A New Empiricism in the Digital Age, (pp. 87-104). Sydney: Sydney University Press.
  • Dixon, R. (2009). Home or away? The trope of place in Australian literary criticism and literary history. Westerly, 54(1), 12-17.

2008

  • Dixon, R. (2008). Australian literature and the new empiricism: a response to Paul Eggert, "Australian classics and the price of books". JASAL, 2008 (Special Issue: The Colonial Present), 158-162.
  • Dixon, R., Kelly, V. (2008). Australian vernacular modernities: people, sites and practices. In Robert Dixon and Veronica Kelly (Eds.), Impact of the modern: vernacular modernities in Australia 1870s to 1960s, (pp. xiii-xxiv). Sydney: Sydney University Press.
  • Dixon, R. (2008). Ghosts in the Machine: Modernity and the Unmodern in Gail Jones's Dreams of Speaking. JASAL, 8, 121-137.

2007

  • Dixon, R. (2007). Australian Literature-International Contexts. Southerly, 67(1-2), 15-27.
  • Dixon, R. (2007). Cosmopolitanism and Australian Studies. Australian Studies, 19(2), 66-77.
  • Dixon, R. (2007). Spotting the fake: C. E. W. Bean, Frank Hurley and the making of the 1923 photographic record of the war. History of Photography, 31(2), 165-179. [More Information]

2006

  • Dixon, R. (2006). Review of Legacies of White Australia: Race, Culture and Nation. Studies in Western Australian History, 24, 133-135.
  • Dixon, R. (2006). Travelling Mass-Media Circus: Frank Hurley’s Synchronized Lecture Entertainments. Nineteenth Century Theatre and Film, 33(1), 60-87.

2005

  • Dixon, R. (2005). Internationalizing Australian Studies: The Year's Work in Non-Fiction 2004-2005. Westerly, 50, 128-143.
  • Dixon, R. (2005). Tim Winton, Cloudstreet and the field of Australian literature. Westerly, 50, 245-260.

2004

  • Dixon, R. (2004). 'Where are the dead?' Spiritualism, photography and the Great War. History of Photography, 28(3), 247-260.
  • Dixon, R. (2004). Boundary Work: Australian Literary Studies in the Field of Knowledge Production. JASAL, 3, 27-43.
  • Dixon, R. (2004). Cosmopolitan Australians and Colonial Modernity: Alex Miller’s Conditions of Faith, Gail Jones's Black Mirror and A. L. McCann's The White Body of Evening. Westerly, 49, 122-137.

2003

  • Dixon, R. (2003). Australian Literary Studies and Post-Colonialism. AUMLA, 100, 108-121. [More Information]
  • Dixon, R. (2003). Making Oz Lit (LITERARY CRITICISM - Richard Nile: The Making of the Australian Literary Imagination). Australian Book Review, 248(February 2003), 45-46.
  • Dixon, R. (2003). Review of A History of the Book in Australia, 1891-1945: A National Culture in a Colonised Market. Papers of the Bibliographical Society of America, 97(3), 400-401.

2002

  • Dixon, R. (2002). citizens and asylum seekers: Emotional Literacy, Rhetorical Leadership and Human Rights. Cultural Studies Review, 8(2), 11-26.
  • Dixon, R. (2002). Frank Hurley's Pearls and Savages: Travel, representation and colonial governance. In Helen Gilbert and Anna Johnston (Eds.), In Transit: Travel, Text, Empire, (pp. 191-216). New York: Peter Lang Publishing.
  • Dixon, R. (2002). Review of Andrew Hassam, Through Australian Eyes: Colonial Perceptions of Imperial Britain. Journal of Australian Colonial History, 4(1), 110-113.

2001

  • Dixon, R., Bird, D., Lee, K. (2001). Authority and Influence: Australian Literary Criticism 1950-2000. Australia: University of Queensland Press.
  • Dixon, R. (2001). Cannibalising indigenous texts: headhunting and fantasy. In Barbara Creed and Jeanette Hoorn (Eds.), Body Trade: Captivity, Cannibalism and Colonialism in the Pacific, (pp. 112-125). United Kingdom: Taylor and Francis.
  • Dixon, R. (2001). Introduction. In Delys Bird (Eds.), Authority and Influence: Australian Literary Criticism 1950-2000. Australia: University of Queensland Press.

2000

  • Dixon, R. (2000). Review of Paul de Serville, Rolf Boldrewood: A Life. Historical Studies, 32(116), 176-178.

1999

  • Dixon, R. (1999). Review of Patricia Clarke, Rosa! Rosa!: A Life of Rosa Praed, novelist and spiritualist. Coppertales: a journal of rural arts, 7, 111-114.

1996

  • Dixon, R. (1996). Travelling in the West: The Writing of Amitav Ghosh. Journal of Commonwealth Literature, 31(1), 3-24.

1990

  • Dixon, R. (1990). Kingsley's Geoffry Hamlyn and the Art of Landscape. , 239-250.

Selected Grants

2013

  • Scenes of Reading: Australian Literature and the world republic of letters, Dixon R, Australian Research Council (ARC)/Discovery Projects (DP)

2011

  • Writing the World - Transnationalism in Literary Studies, Bandhauer A, Borghesi F, Christie W, Cowan R, Dixon R, Giles P, Karalis V, Kirkpatrick P, Lu Y, Minter P, Morgan P, Parsons N, Rooney B, Suter R, Walsh A, Faculty of Arts and Social Sciences/FASS Collaborative Research Scheme