Thesis abstract:

«p»«p»My project «em»“To Feed Such Hunger”: A Case for the Female Food Memoir«/em» is a close reading of texts that examines the existing body of twentieth-century American narrative non-fiction female food writing.«/p» «p»Feminist scholarship has established the importance of women’s life writing as historical, political and productive, but food writing, particularly by women, has often been categorised as a separate generic entity. Similarly, «span style="color:black"»the relationship between women and food is rife with existing presuppositions about gender and class dynamics: wherein women cook in a domestic rather than a professional sphere; wherein the way that they eat is always mediated by body-consciousness; where women cook in service of and to provide nourishment for others.«/span» If we understand both foodways and life writing as gendered spaces, it follows that food writing is a gendered domain. Historically, women’s food writing has been the domestic cookbook; by comparison, men are gastronomes whose writing showcases their knowledge and taste. My project refocuses narrative food writing as a kind of life writing that should not, and cannot, be ignored. I argue that the work of M.F.K. Fisher, Julia Child, and later Nora Ephron and Laurie Colwin can and should be understood within the context of the gastronomic tradition: each writer brings her own unique contributions to the category. By opening up this space to include women, we can better understand the ways that gender has impacted the aesthetics of pleasure, taste, hospitality and eating.«/p»«/p»