People_

Associate Professor Adam Geczy

BVA(Hons) PhD (Sydney)

Sydney College of the Arts
Associate Dean Research Education, FASS

Phone

+61 2 9351 1083

Email

adam.geczy@sydney.edu.au

Address

A22 - Old Teachers' College

The University of Sydney

Websites

full contact details

ORCiD

Biographical details

Adam Geczy is an artist and writer. As an artist, he has exhibited across Australia and in Europe and Asia. As well as being in numerous national collections such as the Australian National Gallery and Queensland Art Gallery, he has been awarded numerous grants and competitive international residencies, including in Paris, Berlin, Buenos Aires and Reykjavik. As a writer, Geczy has published some 25 books and in 2009 he won the Choice (US Librarians) award for best academic title in art. As one of the world’s leading theorists in art-fashion crossover, recent titles include Critical Fashion Practice (with Vicki Karaminas, Bloomsbury, 2017), The Artificial Body in Fashion and Art (Bloomsbury, 2017), Transorientalism in Art, Fashion and Film (Bloomsbury, 2019), and Litcomix: Literary Theory and the Graphic Novel (with Jonathan McBurnie, Rutgers University Press, 2023). He is also the founding editor of the journals The Journal of Asia-Pacific Pop Culture, and ab-Original (both Penn State University Press). He has recently updated (with Vicki Karaminas) the 2013 book Queer Style. Current and recent projects are in philosophical aesthetics including his present study on the phenomenology of paint. In 2025 will be published (ed. Alan Cruickshank) Contemporary Art and Other Obstructions (Bloomsbury), a collection of essays and crticism since 2008, the first of such anthologies from an Australian-based critic with an international publisher.

Research interests

Installation
Performance Art
Video Art
Painting and Drawing
Fashion Theory
The Fashion-Art Crossover
Comix Studies and Literature
Gender and Identity
Studies in Popular Culture
Orientalism and Transnationalism
Philosophical Aesthetics
Contemporary Art and Crticism

Current projects

The Phenomenology of Paint: From Material to Illusion (Bloomsbury 2025)

Flixcomix: Comix Aesthetics in Film (with Jonathan McBurnie)

Glasses, Object Lessons (Atlantic/Bloomsbury, forthcoming 2025/6)

Antiquarium, At Home Gallery, Slovakia (2025)

Associations

Editor, Journal of Asia-Pacific Pop Culture (Penn State University Press)
Book Series Editor, Style Discourse: Art, Fashion and Culture (Rutgers University Press)
Book Series Editor, Fashion and Visual Cultures (Anthem Press)
Book Series Editor, Fashion Auteurs (Anthem Press)

Awards and honours

2009 CHOICE Award for BestAcademic Title (USA Librarians); Best Art Book (Art: Histories, Theories and Exceptions, Oxford and New York: Berg, see below)
1997Harri Jones Memorial Award for Poetry, The University of Newcastle
2016 Visual Arts Visual Arts Board of the Australia Council Grant for New Work
2012 Visual Arts Board of the Australia Council Grant for New Work
2010 Skills and Arts Development Grant, Australia Council
2007 Visual Arts Board of the Australia Council Grant for New Work
2005 Visual Arts Board of the Australia Council Grant for New Work
2003 New Media Board of the Australia Council Grant for New Work
2000 Visual Arts Board of the Australia Council Grant: Artist’s Studio Fellowship at the Künstlerhaus Bethanien, Berlin (see also below ‘residencies’)
2000 Research Fellow, Institute for the Advancement of Research, Australian Catholic University
1998 Goethe-Institut Fellowship for Key Positions in the Arts

PhD and master's project opportunities

Contemporary Art, Fashion and Philosophical Aesthetics

Selected publications

The Phenomenology of Paint: Between Materiality and Illusion (forthcoming)

(Bloomsbury Academic, 2025)

Queer Style: Revised and Updated Edition

(Bloomsbury Visual Arts, 2024)

Litcomix: Literary Theory and the Graphic Novel

(Rutgers University Press, 2023)

Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals

(Rutgers University Press, 2022)

Gaga Aesthetics: Art, Fashion, Popular Culture, and the Up-Ending of Tradition

(Bloomsbury Academic, 2022)

Gastrofashion: from Haute Cuisine to Haute Couture

(Bloomsbury Visual Arts, 2022)

Where is Art?: Space, Time, and Location in Contemporary Art

(Routledge, 2022)

Fashion Installation: Body, Space, and Performance (Chinese edition)

(Economic Management Press, 2021)

Libertine Fashion: Sexual Freedom, Rebellion, and Style

(Bloomsbury Visual Arts, 2020)

The End of Fashion: Clothing and Dress in the Age of Globalization (Russian edition)

(New literary review, 2020)

Critical Fashion Practice: From Westwood to Van Beirendonck (Chinese edition)

(Chongqing University Press, 2019)

Fashion Installation: Body, Space, and Performance

(Bloomsbury, 2019)

Transorientalism in Art, Fashion, and Film: Inventions of Identity

(Bloomsbury, 2019)

Planet Cosplay: Costume Play, Identity and Global Fandom

(Intellect Ltd., 2018)

What is Performance Art? Australian Perspectives

(Power Publications, 2018)

Critical Fashion Practice: From Westwood to Van Beirendonck

(Bloomsbury Academic, 2017)

Fashion and Masculinities in Popular Culture

(Routledge, 2017)

The Artificial Body in Fashion and Art: Marionettes, Models and Mannequins

(Bloomsbury, 2017)

Fashion's Double: Representations of fashion in painting, photography and film

(Bloomsbury, 2016)

Fashion and Art (Russian edition)

(New literary review, 2015)

Fashionable Art

(Bloomsbury Academic, 2015)

Fashion and Orientalism: Dress, Textiles and Culture from the 17th to the 21st Century

(Bloomsbury Academic, 2013)

Queer Style

(Bloomsbury Academic, 2013)

Fashion and Art

(Berg Publishers, 2012)

Art: Histories, Theories and Exceptions

(Berg Publishers, 2008)

Thingness of light: the work of William Seeto

(Artspace, 2007)

Reframing Art

(University of New South Wales (UNSW) Press, 2006)

Reframing Art

(University of New South Wales (UNSW) Press, 2006)

Criticism + Engagement + Thought: 2004 Biennale of Sydney

(Artspace, 2004)

What Is Installation?: An Anthology of Writings on Australian Installation Art

(Power Publications, 2001)

Publications

By Type

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Books

Geczy, A. (2025). The Phenomenology of Paint: Between Materiality and Illusion (forthcoming). London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2024). Gastrofashion: from Haute Cuisine to Haute Couture (Italian edition, forthcoming). Rome, Italy: Mimesis.
Geczy, A., Karaminas, V. (2024). Queer Style: Revised and Updated Edition. London: Bloomsbury Visual Arts. [More Information]
Geczy, A., McBurnie, J. (2023). Litcomix: Literary Theory and the Graphic Novel. New Brunswick NJ, United States: Rutgers University Press. [More Information]
Geczy, A., Karaminas, V. (2022). Gaga Aesthetics: Art, Fashion, Popular Culture, and the Up-Ending of Tradition. London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2022). Gastrofashion: from Haute Cuisine to Haute Couture. London, United Kingdom: Bloomsbury Visual Arts. [More Information]
Geczy, A., Karaminas, V. (2021). Fashion Installation: Body, Space, and Performance (Chinese edition). Beijing, China: Economic Management Press. [More Information]
Geczy, A., Karaminas, V. (2020). Libertine Fashion: Sexual Freedom, Rebellion, and Style. London: Bloomsbury Visual Arts. [More Information]
Geczy, A., Karaminas, V. (2019). Critical Fashion Practice: From Westwood to Van Beirendonck (Chinese edition). Chongqing: Chongqing University Press. [More Information]
Geczy, A., Karaminas, V. (2019). Fashion Installation: Body, Space, and Performance. London: Bloomsbury. [More Information]
Geczy, A. (2019). Transorientalism in Art, Fashion, and Film: Inventions of Identity. London: Bloomsbury. [More Information]
Mountfort, P., Peirson-Smith, A., Geczy, A. (2018). Planet Cosplay: Costume Play, Identity and Global Fandom. Bristol: Intellect Ltd. [More Information]
Geczy, A., Karaminas, V. (2017). Critical Fashion Practice: From Westwood to Van Beirendonck. London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2017). Fashion and Masculinities in Popular Culture. New York: Routledge. [More Information]
Geczy, A. (2017). The Artificial Body in Fashion and Art: Marionettes, Models and Mannequins. London: Bloomsbury. [More Information]
Geczy, A., Karaminas, V. (2016). Fashion's Double: Representations of fashion in painting, photography and film. London: Bloomsbury. [More Information]
Geczy, A., Millner, J. (2015). Fashionable Art. London: Bloomsbury Academic. [More Information]
Geczy, A. (2013). Fashion and Orientalism: Dress, Textiles and Culture from the 17th to the 21st Century. London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2013). Queer Style. London: Bloomsbury Academic. [More Information]
Geczy, A. (2008). Art: Histories, Theories and Exceptions. Oxford, UK: Berg Publishers.
Geczy, A. (2007). Thingness of light: the work of William Seeto. Sydney: Artspace.
Carter, M., Geczy, A. (2006). Reframing Art. Sydney: University of New South Wales (UNSW) Press.

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Edited Books

Karaminas, V., Geczy, A., Church Gibson, P. (2022). Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals. New Brunswick NJ, United States: Rutgers University Press. [More Information]
Douglas, S., Geczy, A., Lowry, S. (2022). Where is Art?: Space, Time, and Location in Contemporary Art. New York; Abingdon: Routledge. [More Information]
Geczy, A., Karaminas, V. (2020). The End of Fashion: Clothing and Dress in the Age of Globalization (Russian edition). Moscow, Russia: New literary review. [More Information]
Geczy, A., Karaminas, V. (2019). The End of Fashion: Clothing and Dress in the Age of Globalization. London: Bloomsbury. [More Information]
Geczy, A., Kelly, A. (2018). What is Performance Art? Australian Perspectives. Sydney: Power Publications. [More Information]
Geczy, A., Karaminas, V. (2015). Fashion and Art (Russian edition). Moscow, Russia: New literary review. [More Information]
Geczy, A., Karaminas, V. (2012). Fashion and Art. London: Berg Publishers. [More Information]
French, B., Geczy, A., Tsoutas, N. (2004). Criticism + Engagement + Thought: 2004 Biennale of Sydney. Sydney: Artspace.
Geczy, A., Genocchio, B. (2001). What Is Installation?: An Anthology of Writings on Australian Installation Art. Australia: Power Publications.

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Book Chapters

Geczy, A., Karaminas, V. (2023). Between Clothing and Flesh: Kawakubo at the Met. In Rex Butler (Eds.), Rei Kawakubo: For and Against Fashion, (pp. 177-192). London: Bloomsbury. [More Information]
Geczy, A., Karaminas, V. (2023). Queer Style. In Veronique Pouillard and Vincent Dube-Senecal (Eds.), The Routledge History of Fashion and Dress, 1800 to the Present, (pp. 472-490). London: Routledge. [More Information]
Geczy, A. (2022). Bland Matter: New Materialism, and Barking Up the Wrong Tree. In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 90-100). New York; Abingdon: Routledge. [More Information]
Karaminas, V., Geczy, A., Church Gibson, P. (2022). Introduction. In Vicki Karaminas, Adam Geczy and Pamela Church Gibson (Eds.), Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals, (pp. 1-8). New Brunswick NJ, United States: Rutgers University Press. [More Information]
Douglas, S., Geczy, A., Lowry, S. (2022). Introduction. In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 1-3). New York; Abingdon: Routledge. [More Information]
Geczy, A. (2022). The Bodyclad Cinematic Hero: Aging, Masculinity, and Technological Mediation. In Vicki Karaminas, Adam Geczy and Pamela Church Gibson (Eds.), Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals, (pp. 96-111). New Brunswick NJ, United States: Rutgers University Press. [More Information]
Lowry, S., Geczy, A. (2022). Where is Art? In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 4-34). New York; Abingdon: Routledge. [More Information]
Geczy, A., Karaminas, V. (2021). The Fashion Chamber and the Posthuman Dissolution of Gender. In Tiziana Ferrero-Regis and Marissa Lindquist (Eds.), Staging fashion: the fashion show and its spaces, (pp. 58-70). London, UK: Bloomsbury Visual Arts. [More Information]
Geczy, A. (2020). Curating Curiosity: Imperialism, Materialism, Humanism, and the Wunderkammer. In Brad Buckley, John Conomos (Eds.), A Companion to Curation, (pp. 23-42). Hoboken: Wiley. [More Information]
Geczy, A., Karaminas, V. (2020). Lesbian Style: From Mannish Women to Lipstick Dykes. In Malcolm Barnard (Eds.), Fashion Theory: A Reader, (pp. 307-327). London, United Kingdom: Routledge. [More Information]
Geczy, A., Karaminas, V. (2020). Walter Benjamin: Fashion, Modernity and the City Street. In Malcolm Barnard (Eds.), Fashion Theory: A Reader, (pp. 594-605). London, United Kingdom: Routledge. [More Information]
Geczy, A., Karaminas, V. (2019). Time and Memory. In Adam Geczy, Vicki Karaminas (Eds.), The End of Fashion: Clothing and Dress in the Age of Globalization, (pp. 19-30). London: Bloomsbury. [More Information]
Geczy, A. (2018). Introduction: What is Performance Art? In Adam Geczy, Mimi Kelly (Eds.), What is Performance Art? Australian Perspectives, (pp. 1-12). Sydney: Power Publications. [More Information]
Geczy, A. (2018). Performance Art and Performing Gender. In Adam Geczy, Mimi Kelly (Eds.), What is Performance Art? Australian Perspectives, (pp. 167-182). Sydney: Power Publications. [More Information]
Geczy, A., Karaminas, V. (2017). The Body. In Alexandra Palmer (Eds.), A Cultural History of Dress and Fashion in the Modern Age, (pp. 63-84). London: Bloomsbury Academic. [More Information]
Geczy, A. (2017). The Task of the Curator. In Brad Buckley, John Conomos (Eds.), Who Runs the Artworld: Money, Power and Ethics, (pp. 125-140). Faringdon: Libri Publishing.
Geczy, A. (2016). Collaboration. In Elspeth Pitt, Roger Butler (Eds.), Mike Parr: Language and Chaos, (pp. 85-92). Canberra: National Gallery of Australia. [More Information]
Geczy, A., Karaminas, V. (2016). Walter Benjamin: Fashion, Modernity and the City Street. In Anges Rocamora, Anneke Smelik (Eds.), Thinking Through Fashion: A Guide To Key Theorists, (pp. 81-96). London: IB Tauris. [More Information]
Geczy, A. (2015). A Chamber of Whispers. In Mark Polizzotti (Eds.), China Through The Looking Glass, (pp. 22-29). New York: The Metropolitan Museum of Art.
Geczy, A. (2015). The Art-Fashion Crossover. In Tamya Zoe Robinson (Eds.), The Art of Wool, (pp. 16-18). Armidale: New England Regional Art Museum.
Geczy, A., Karaminas, V. (2012). Fashion and Art: Critical Crossovers. In Adam Geczy, Vicki Karaminas (Eds.), Fashion and Art, (pp. 1-12). London: Berg Publishers. [More Information]
Geczy, A. (2012). Modernity: Three Defining Moments in the Crossover of Art and Fashion. In Adam Geczy, Vicki Karaminas (Eds.), Fashion and Art, (pp. 55-66). London: Berg Publishers.
Geczy, A. (2007). The Theatre of Innocence: Sadie Chandler's Nirvana Office. In Reuben Keehan (Eds.), Artspace Projects 2005, (pp. 8-15). sydney: Artspace.
Geczy, A. (2006). Dilapidated Realism | article? +Plus Factors, (pp. 40-11). Melbourne: Australian Centre for Contemporary Art.
Geczy, A. (2006). Fatwhitestraightbaldguy. In Blair French (Eds.), Who's Afraid of Avant-garde?, (pp. 1-11). Sydney: Performance Space.
Geczy, A. (2006). Here, There, Nowhere, Dead: Performance Art and the Cybernetic Involution. In Nicholas Tsoutas, Adam Geczy, Edward Scheer (Eds.), Mike Parr: Blood Box, (pp. 8-30). Sydney: Artspace Visual Arts Centre Ltd.
Carter, R., Geczy, A. (2006). Where is it? Art in the Digital Age. In Michael Carter, Adam Geczy (Eds.), Reframing Art, (pp. 210-234). Sydney: University of New South Wales (UNSW) Press.
Geczy, A. (2004). Collecting, Coating, Covering: Lauren Berkowitz. In Sally Breen and Reuben Keehan (Eds.), Tide, (pp. 7-10). Sydney: Artspace.
Geczy, A. (2004). Reason, emotion etc. In Blair French, Adam Geczy and Nicholas Tsoutas (Eds.), Criticism + Engagement + Thought: 2004 Biennale of Sydney, (pp. 73-78). Sydney: Artspace.
Geczy, A. (2003). The Partial Architecture of Ruins. In Germaine Koh (Eds.), Germaine Koh : homemaking : 8 May-31 May 2003., (pp. 1-3). Sydney: Artspace.

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Journals

Geczy, A., Karaminas, V. (2024). Power + Fashion. Foucault Studies, (36), 201-226. [More Information]
Geczy, A. (2023). Book review: 'British Dandies: Engendering Scandal and 'Fashioning a Nation' by Dominic Janes. Journal of the History of Sexuality, 32(2), 234-237. [More Information]
Geczy, A. (2022). Race to at Venice. di'van | A Journal of Accounts. [More Information]
Geczy, A. (2021). What is a "National" Exhibition? Understanding Australia's 'The National'. di'van | A Journal of Accounts, (10), 56-83. [More Information]
Geczy, A., Karaminas, V. (2020). Millennial masculinities: Queers, pimp daddies and lumbersexuals: Special conference issue. Critical Studies in Men's Fashion, 7(1-2), 131-133. [More Information]
Geczy, A., Karaminas, V. (2020). Time, Cruelty and Destruction in Deconstructivist Fashion: Kawakubo, Margiela and Vetements. ZoneModa Journal, 10(1), 65-87. [More Information]
Geczy, A., Karaminas, V. (2019). 'Daddy's Lil Monster': Suicide Squad, third-wave feminism and the pornification and queering of Harley Quinn. Film, Fashion and Consumption, 8(2), 171-188. [More Information]
Geczy, A. (2019). Markel Panegyres: A Living Doll. Eyeline, 91, 95-95.
Geczy, A. (2018). China Through the Looking Glass: Looking Back. TAASA Review, 27(1), 15-17. [More Information]
Geczy, A. (2018). Hilarie Mais. Eyeline, 88, 85-85. [More Information]
Geczy, A. (2018). Superpositioned: Regionality and Identity, Meaning and Critical Experience. di'van | A Journal of Accounts, 1(4), 90-101.
Geczy, A., Karaminas, V. (2017). Lady Gaga: American Horror Story, Fashion, Monstrosity and the Grotesque. Fashion Theory: The Journal of Dress Body and Culture, 21(6), 709-731. [More Information]
Geczy, A., Karaminas, V., Taylor, J. (2016). Sailor Style: Representations of the Mariner Style in Popular Culture and Contemporary Fashion. Journal of Asia-Pacific Pop Culture, 1(2), 141-164. [More Information]
Geczy, A. (2016). The Psychology of Cosplay. Journal of Asia-Pacific Pop Culture, 1(1), 18-36. [More Information]
Geczy, A. (2015). Fifty Ways to Kill Renny Kodgers. Eyeline, 82, 78-79.
Geczy, A. (2015). from participatory art to participatory criticism: the big noise. Contemporary Visual Art + Culture: Broadsheet, 44(1), 10-19.
Geczy, A. (2015). Good Art. Contemporary Visual Art + Culture: Broadsheet, 44(3), 45-46.
Geczy, A. (2015). Kate Mitchell: future fallout. Eyeline, 82, 84-84.
Geczy, A. (2015). Robot Girl in a World without Death. Justene Williams. Eyeline, 83, 14-19. [More Information]
Geczy, A. (2015). True Fairytales of Violence: Art and the Holocaust in Hungary. Artlink, 35(1), 68-71. [More Information]
Geczy, A. (2014). A queer history of fashion: From the closet to the catwalk, Valerie Steele (ED.)(2013). The Australasian Journal of Popular Culture, 3(2), 239-242.
Geczy, A. (2014). Be careful what you wish for. Contemporary Visual Art + Culture: Broadsheet, 43(2), 26-29.
Geczy, A. (2014). drained and confused. Contemporary Visual Art + Culture: Broadsheet, 43(4), 6-11.
Geczy, A. (2014). From 'Australia' to 'America': Painting a nation. Art Monthly Australia, 268(April 2014), 42-45.
Geczy, A. (2014). Science Fiction and the Antinomy of Images: Peter Alwast. Eyeline, 80(1), 22-27. [More Information]
Geczy, A. (2014). Straight internet porn and the Natrificial: Body and dress. Fashion Theory: The Journal of Dress Body and Culture, 18(2), 169-188. [More Information]
Geczy, A. (2014). The new textuality for the visual arts: entrenchment in the academy. Contemporary Visual Art + Culture: Broadsheet, 43(3), 68-71.
Geczy, A. (2014). Uncertainty is certain. Eyeline, 81, 18-22. [More Information]
Geczy, A., McLean, I., Mellor, D., Hill, A. (2013). Appropriation: no longer appropriate? Contemporary Visual Art + Culture: Broadsheet, 42(1), 23-25.
Geczy, A. (2013). Art Monthly Australia Editorial. Art Monthly Australia, 257(March 2013), 3-3.
Geczy, A. (2013). Contemporary Visual Art + Culture Broadsheet | In whose house? Craig Walsh embedded. Contemporary Visual Art + Culture: Broadsheet, 42(4), 250-253.
Geczy, A. (2013). Everything Falls Apart. Art and Australia, 50(3), 474-474.
Geczy, A., Cope, M., Bell, R., McFarlane, J., Albert, T. (2013). Insurgence at the Museum of Democracy: An Interview. Art Monthly Australia, 266(Summer 2013), 13-15.
Geczy, A. (2013). The ACP Files. Photofile, 93(Spring/Summer 2013-14), 123-125.
Geczy, A. (2013). They don't make art like they used to: Late last year in the Wall Street Journal, Camille Paglia mounted a frontal onslaught on contemporary art. Contemporary Visual Art + Culture: Broadsheet, 42(1), 26-29.
Geczy, A. (2013). Touching reality. Contemporary Visual Art + Culture: Broadsheet, 42(3), 193-195.
Geczy, A. (2013). Who own dots? or, spirituality for the highest bidder, or, can you buy aura? Contemporary Visual Art + Culture: Broadsheet, 42(3), 163-165.
Geczy, A. (2012). A Dish Served Lukewarm. Contemporary Visual Art + Culture: Broadsheet, 41(3), 175-177.
Geczy, A. (2012). C'mon Let's Stick Together: On Collaboration, Inclusion and Consonance in the 18th Biennale of Sydney. Contemporary Visual Art + Culture: Broadsheet, 41(2), 94-97.
Geczy, A. (2012). Digging Deep: 'Excavation', The Armory Exhibition 2012. Art Monthly Australia, (254), 30-32.
Geczy, A. (2012). Is There Such a Thing as Global Curating? Contemporary Visual Art + Culture: Broadsheet, 41(1), 40-45.
Geczy, A. (2012). Nasim Nasr: Symbols of rebirth. Eyeline, Summer 2012/2013(77), 52-57. [More Information]
Geczy, A. (2012). Party Time: 18th Biennale of Sydney. Art Monthly Australia, (252), 5-9.
Geczy, A. (2012). Syntax of fetish and fashion: Love Lace, Powerhouse Museum, Sydney. Art Monthly Australia, (248), 20-23.
Geczy, A. (2012). The Air-Conditioned Desert: curating Aboriginal art. Art Monthly Australia, (250), 44-46.
Hill, A., Geczy, A. (2011). Aboriginal art diagnostic. Contemporary Visual Art + Culture: Broadsheet, 40.2 (June), 132-135.
Geczy, A. (2011). Art Apartheid in the South Pacific. Contemporary Visual Art + Culture: Broadsheet, 40(1), 70-72.
Geczy, A. (2011). Contested Pleasures. Oxford Art Journal, 34(02), 295-297.
Geczy, A. (2011). Cultural Juxtaposition: Tell me, tell me: Australian and Korean Art 1976 - 2011. Art Monthly Australia, September(243), 11-13.
Geczy, A., Karaminas, V. (2011). Fashion and Art: Critical Crossovers. Art Monthly Australia, August(242), 5-10. [More Information]
Geczy, A. (2011). I think therefore I Mash: Soda_Jerk. Eyeline, 74, 26-32. [More Information]
Geczy, A. (2011). Photography and Place - Australian landscape photography: 1970s until now. Art Monthly Australia, June (240), 18-20.
Geczy, A. (2011). Staying mumme. Eyeline, 73, 23-27. [More Information]
Geczy, A. (2011). Transorientalism and the pavilion attitude to race and idenity. Contemporary Visual Art + Culture: Broadsheet, 40.3 (September), 210-211.
Geczy, A. (2010). Art, Fashion and Performance: The Ballets Russes. Art Monthly Australia, 236(Summer 2010), 24-27.
Geczy, A. (2010). Beginning the present in the past. Column, 6(1), 50-54.
Geczy, A. (2009). Better than a hole in the head. Eyeline, (70), 34-37.
Geczy, A. (2005). Neo-Medievalism. Art Monthly Australia, Aug. 2005(no. 182), 34-36.
Geczy, A. (2005). Powerlessness. Monograph.
Geczy, A. (2003). Recent political art exhibitions in Australia. Art Monthly Australia, , 7-8.
Geczy, A. (2002). Self-Portrait - Dead Flow: a collaborative project. Art and Australia, 40(1), 74-75.
Geczy, A. (2001). Essay: Simone Mangos' Anti-monuments and quiet memorials. Art and Australia, 39(2).
Geczy, A. (2001). Review: Australian Art by Andrew Sayers. Art and Australia.
Geczy, A. (2001). Review: Space Odyssesys: light visions. RealTime: +onscreen, 45.
Geczy, A. (2001). World Without End. Postwest, 18.

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Edited Journals

Geczy, A., Troy, J., Judd, B. (2019). ab-Original: Journal of Indigenous Studies and First Nations and First Peoples Cultures. ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures, 3(1). [More Information]

Conferences

Geczy, A., Karaminas, V. (2023). The Hauntology of Fashion: "Fashion Is Dead. Long Live Fashion". The End of Fashion: An International Conference, Dunedin: University of Otago.
Geczy, A. (2011). Adam Geczy: Kleist-Coppelia-Kuball: the doll, the double and the shadow. Mirrors, Doubles, Shadows, Caves: Plato and Contemporary Art, Sydney: Artspace.
Geczy, A. (2011). The Great Debate. We are here, Sydney: Firstdraft Gallery.
Geczy, A. (2011). Transorientalism and the Pavilion Attitude to Race and Identity. Broadsheet @ 40: The Australian Contemporary one day symposium, South Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2007). Proust and Fashion. Fashion and Fiction Conference, Not published: Not Published.
Geczy, A. (2006). Future Forecast 06. Future Forecast 06, Not published: Not Published.
Geczy, A. (2006). Reframing Art: the Future of Theory. Symposium, Artspace, Not Published: Not Published.

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Visual Art

Geczy, A. (2023). From series: "Requiem to a Forest". In: Vibrations of Australian Drawing. Macquarie University Art Gallery, Sydney, Australia. [More Information]
Geczy, A. (2019). 1. Harlequin Suite (1) 2. Clown Suite (1) 3. Clown Suite (2) 4. Clown Suite (3) 4. Harlequin Suite (2). In: Just Clownin' Around. Kronenberg Wright Artist Projects, East Sydney, Australia.
Geczy, A. (2019). 1. Clown Minimalism 2. Clown Creativity 3. Clown and Roses 4. Mad Clown 5. Spaz Clown. In: Sad Clown, Mad Clown, Bad Clown. Umbrella Studio Contemporary Arts (Umbrella), Townsville, Australia. [More Information]
Geczy, A., Douglas, B. (2019). Struck Out. In: Legacy: Reflections on Mabo. Umbrella Studio Contemporary Arts, Townsville, Australia. [More Information]
Geczy, A., Sculthorpe, P. (2017). 1. Fitness Painting 1 (Your Body Does Not Count) 2. Fitness Painting 2 (Your Body Does Not Count) 3. Portrait-Self-Portrait. In: Skin Thing. Bundoora Homestead Art Centre, Australia.
Geczy, A., Hill, A. (2015). 1. Blakward Pawn, 2015 2. Look Left, Look Right, Look Left Again, 2015 3. Another Way of Thinking About 26 January 2015, or, Five Live Sentences, 2015 4. Soul Train, 2015 5. Racial Opportunism, 2015 6. Ausfailure, 2015 7. Dedfern, 2015 8. The Most Gaoled Race on Earth, 2015. In: Blakattak. Sydney College of the Arts. SCA Galleries, Sydney, Australia.
Geczy, A. (2014). S/M Wonderland. Australian Centre for Photography (ACP), Sydney, Australia.
Geczy, A. (2014). Big Arms. In: Enduring Parallels. The Lock-Up Cultural Centre. The Lock-Up, Newcastle, Australia.
Geczy, A. (2014). Eisenstein/Jugendstil. In: The illusion of remembering | Eisenstein/Jugendstil. Poimena Gallery. Poimena Gallery Launceston, Launceston, Australia.
Geczy, A. (2014). EssenEssen. In: 11th International Sound Art Festival Berlin 2014 (listening, watching, smelling, tasting, feeling). 11th International Sound Art Festival Berlin 2014. Mitte Museum, Berlin, Germany.
Hill, A., Geczy, A. (2013). Bomb. Museum of Contemporary Aboriginal Art. AAMU Museum of contemporary Aboriginal art, Utrecht, Netherlands.
Geczy, A. (2013). 1000 Churches (Dedicated to the bishop of Bruges). In: 2013 projectcluster 1. Croxhapox Contemporary Art House, Ghent, Belgium.
Hill, A., Geczy, A. (2013). Blackward pawn. In: Treaty, Yeah? Chan Contemporary Art Space, Darwin, Australia.
Geczy, A. (2012). Beautiful Cities. Artspace. Artspace Contemporary Art Centre, Sydney, Australia.
Geczy, A., Garstang, L. (2012). With eyelids cut off. In: With eyelids cut off. Wagga Wagga Art Gallery, Wagga Wagga, Australia.
Geczy, A., Guy, J. (2011). 1. Bird Paraphenalia 2. Bird Remains: Museological Paragon 3. Swarm 4. Nature-Re-Nature I 5. Nature-Re-Nature II. In: An Unnatural History of Nature. Hazelhurst Regional Gallery & Arts Centre, Sydney, Australia.
Geczy, A. (2011). 1. Drakula 1-18 2. Transylvania 1-6. In: Beheaded - Tracing Dracula Vampire Myths. Esterhazy Palace. Municipal Museum of Art, Gyor Art Museum, Gyor, Hungary.
Geczy, A. (2011). Breed of the Dead. In: Breed of the Dead. Chalk horse. Chalk horse, Surry hills, Sydney, Australia: Chalk horse.
Geczy, A., Guy, J. (2010). 1. Scaly-breasted Lorikeet (Trichoglossus cholorolepidotus) (chicken) 2. Eastern yellow robin (Eopsaltria australis) (turkey) 3. Untitled (fired chicken bones) 4. Untitled (fired turkey bones)5. Forest kingfisher (Todiramphus macleayii) (quail). In: Ceramic Surgery - Adam Geczy & Jan Guy. Criterion Gallery, Hobart, Tasmania, Australia.
Geczy, A. (2010). Remember to Forget the Congo. In: Remember to Forget the Congo. Croxhapox Gallery, Ghent, Belgium.
Geczy, A. (2009). 1. Eyes close 2. Clothes carpets. In: Diaspora gathered. Nexus Multicultural Art Center. Nexus Gallery, Adelaide, South Australia, Australia.
Geczy, A. (2009). 1989. In: 1989. HarmÃ³nia MÅ±vÃ©szeti KÃ¶zpont Kht, GyÅ‘r, Hungary. HarmÃ³nia MÅ±vÃ©szeti KÃ¶zpont Kht, GyÅ‘r, Hungary.
Geczy, A., Hill, A. (2009). Australia - the trailer. In: Australia - the trailer. 24HRArt Northern Territory Center for Contemporary Art. Northern Territory Center for Contemporary Art, Darwin, Northern Territory, Australia.
Geczy, A. (2009). Grumpy Old Men of Paris #1-8. In: Remembering Paris. Macquarie University. Macquarie University Art Gallery, North Ryde, NSW, Australia.
Geczy, A. (2009). Portrait of my great aunt Rosemary may she rest in peace. In: Print Matters: Salon for Independent Book Art and Artistâ€™s Booksâ€™. Chauvel Cinema, Sydney, NSW, Australia.
Geczy, A. (2009). Transylvania II. In: Langue Froide… Cold Language/Tongue. Connie Dietzschold Gallery, Sydney, NSW, Australia.
Geczy, A. (2008). 1. Concert for Mike Parr (2005) 2. Concert to Myself (2008). In: Concerts. Lake Macquarie City Art Gallery, Lake Macquarie, Australia.
Geczy, A. (2008). Buried Alive (Again). In: Buried Alive (Again). Croxhapox Experimental Art House, Ghent, Belgium.
Geczy, A. (2008). Eisenstein/Jugendstil. In: Video Sculptures. National Library. NOASS centre for art and culture, Riga, Latvia.
Geczy, A. (2007). 1. Abuse of Power 2. Long Ago 3. Buried Alive 4. Girls La-la-la. In: Buried Alive. Contemporary Art Centre of South Australia, Adelaide, Australia.
Geczy, A. (2007). catalogue?. In: The Night Before the Son. Convento de Sao Francisco, Montemor-o-Novo, Portugal.
Geczy, A. (2006). 1. Grumpy Old Men of Paris 2. Paris Requiem. In: Paris Requiem. Cite Internationale des Arts, Paris, France.
Geczy, A. (2006). Abuse of Power 2006. In: Experimental Intermedia. Ghent, Belgium.
Geczy, A. (2006). catalogue?. In: Domestic Violence. Rawspace, Brisbane, Australia.
Geczy, A. (2006). catalogue?. In: The House of the Man Whose Children Hanged Themselves. Queensland Centre of Photography, Brisbane, Australia.
Geczy, A. (2006). catalogue?. In: The Man Who Died. Gallery Tyko, Nurmes, Finland.
Geczy, A. (2006). Ensemble(s). In: Ensemble(s). CitÃ© Internationale des Arts, Paris, France.
Geczy, A. (2006). Group Action 2. In: Group Action 2. Criterion Gallery, Hobart, Australia.
Geczy, A. (2006). Klanglabor:zeit. In: Klanglabor:zeit. Galerie Nord, Berlin, Germany.
Geczy, A. (2006). Obituary to a Forest. In: Obituary to a Forest. Mori Gallery, Sydney, Australia.
Geczy, A. (2006). Single Currency. In: Single Currency. Victorian College of Arts Gallery, Melbourne, Australia.
Geczy, A., Gerwin, T. (2006). Son + feu d'arti+fice |DOC?. Projections, Cite Internationale des Arts.
Geczy, A. (2006). Who cares?. In: Who cares? Agder Regional Art Centre, Kristiansand, Norway.
Geczy, A. (2005). Colour(less). In: Colour(less). Lake Macquarie City Art Gallery, Lake Macquarie, Australia.
Geczy, A. (2005). I hate australia. In: I HATE AUSTRALIA. Canberra Contemporary Art Space, Canberra, Australia.
Geczy, A. (2005). Klak!05. In: Klak!05. Kulturbahnhof, Kassel, Germany.
Geczy, A. (2005). Koli Cantata Nurmes, Finland. In: Koli Cantata. Nurmes Museum, Nurmes, Finland.
Geczy, A. (2005). The Language of Suicide Part I. In: Cultural Illumination. The University of Adelaide. Barr Smith Library, Adelaide, Australia.
Geczy, A. (2005). The Language of Suicide Part II. In: The Language of Suicide Part II. Nexus Multicultural Arts Centre, Adelaide, Australia.
Geczy, A. (2005). The Placard Project. In: The Placard Project. Mori Gallery, Sydney, Australia.
Geczy, A. (2005). The Secret of the Trick. Criterion Gallery, Afghanistan.
Geczy, A., Sculthorpe, P. (2004). 1. From a Remote, Lonely Place (Port Arthur Elegy) 2003 2. Light on dark (Point Puer) 3. Zip-a-dee-doo-dah, zip-a-dee-ay. In: 2004 Adelaide Biennial of Australian Art: Contemporary Photo-Media. Art Gallery of South Australia, Adelaide Bank 04 Festival of Arts. Art Gallery of South Australia, Adelaide, Australia.
Geczy, A. (2004). Blood, Severance. In: Blood, Severance, Magic. Mars Lounge, Sydney, Australia.
Geczy, A. (2004). Grotesk II. In: Grotesk II. Gallery Tyko, Finland.
Geczy, A. (2004). Groteskin Taiteen. In: Groteskin Taiteen Museo/The Museum of Grotesque Art. Art Ahjo Art Centre, Joensuu, Finland.
Geczy, A. (2004). Klak!04. In: Klak!04. Kulturbarnhof, Kassel, Germany.
Geczy, A. (2004). Landscape Heartbeat. Kolin RyynÃ¤nen, Finland.
Geczy, A. (2004). The Anthology. In: The Anthology of Art (Atelier Jochen Gerz). Martin-Gropius-Bau, Berlin, Germany.
Geczy, A., Parr, M. (2004). The Mass Psychology of Fascism, Zip-a-dee-doo-dah, Zip-a-dee-ay. In: The Mass Psychology of Fascism, Zip-a-dee-doo-dah, Zip-a-dee-ay. Art Gallery of New South Wales, Sydney, Australia.
Geczy, A., Parr, M. (2004). Transborder Languages. In: Transborder Languages. First Dashanzi International Arts Festival, Beijing, China.
Geczy, A. (2003). Barking Up the Wrong Tree. In: Barking Up the Wrong Tree. Mori Gallery, Sydney, Australia.
Geczy, A. (2003). Carcinoma. In: Carcinoma. Three Foot Square Gallery , COFA, Sydney, Australia.
Geczy, A., Parr, M. (2003). Film noir, politique blanche. In: Film noir, politique blanche. Queensland College of Art Gallery. Queensland Contemporary Art Gallery, Griffith Artworks, Brisbane, Australia.
Geczy, A. (2003). Get Back. In: Get Back. Mori Gallery, Australia.
Geczy, A. (2003). Origami: World Without Elements. In: Origami: World Without Elements. Asian-Australian Arts Centre, Gallery 4A, Sydney, Australia.

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Textual Creative Works

Geczy, A. (2021). The Relevance of Fashion. Look! Revelations on Art and Fashion, (pp. 86 - 94). Bielefeld, Germany: Marta Herford Museum.
Geczy, A. (2020). Between Paradise and Apocalypse. Artist Profile, 50, (pp. 140 - 143). Australia: Artist Profile.
Geczy, A. (2019). The Dawn of Translation. ab-Original: Journal of Indigenous Studies and First Nations and First Peoples’ Cultures, Vol 3, No. 1, (pp. 109 - 123). University Park, PA, United States of America: Pennsylvania State University. [More Information]
Geczy, A. (2019). Unwelcome to Country. Legacy: Reflections on Mabo, (pp. 76 - 79). Townsville, Australia: Umbrella Studio Arts.
Geczy, A. (2017). What if? Dread Sovereign, (pp. 6 - 8). Townsville, Australia: Pinnacles Gallery.
Geczy, A. (2016). William Seeto. MCA Collection Handbook, (pp. 316 - 317). Sydney, Australia: Museum of Contemporary Art.
Geczy, A. (2014). Special Moves. Eyeline, 80, (pp. 101 - 101). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2013). The Room of Mirrors Phase. To Kill the Saudade, (pp. 2 - 4). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2012). With eyelids cut off. Eyeline, (pp. 28 - 28). Melbourne, Australia: Print Council of Australia.
Geczy, A. (2011). Michael Snape, (pp. 3 - 3). Sydney, Australia: Australian Galleries.
Geczy, A. (2011). Events in the suburbs. Once was a field, (pp. 5 - 6). Sydney, Australia: Parramatta Artist Studios.
Geczy, A. (2010). beauty of distance:postmortems, Adam Geczy. Broadsheet, (pp. 205 - 205). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). biennale baroque: unveiling the 17th biennale of sydney. Broadsheet, (pp. 90 - 95). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). Conversations to infinity: on arts schools and art education, Adam Geczy. Broadsheet, (pp. 208 - 213). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). critical or congratulatory? Broadsheet, (pp. 20 - 20). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). Review of The Infinity Machine: Mike Parr's Performance Art 1971-2005, Edward Scheer (Melbourne: Schwartz City Press 2009) Mike Parr: Performances 1971-2008, Mike Parr (Melbourne: Schwartz City Press 2008). Performance Paradigm, June, (pp. 96 - 99). Sydney, Australia: Performance Paradigm Publications.
Geczy, A. (2010). the australia effect. Broadsheet, (pp. 239 - 241). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). the solid fraud of outsider art. broadsheet, (pp. 66 - 69). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2009). Art is not research. Broadsheet, (pp. 207 - 209). Sydney, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2009). Debra Phillips. Eyeline, 70, Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2009). Mutant Media. Art & Australia, 46:4, (pp. 336 - 336). Sydney, NSW, Australia: Art and Australia Pty Ltd.
Geczy, A. (2009). Sail away: Ian North. Artlink, 29:3, (pp. 92 - 92). Adelaide, Australia: Artlink Australia.
Geczy, A. (2009). The Artist Resident: Holidaymaker and Cultural Performer. BE magazine, 16, (pp. 106 - 115). Berlin, Germany: Kunstlerhaus Bethanien.
Geczy, A. (2009). The Asia Pacific Triennial: A dialogue. Contemporary Visual Art & Culture Broadsheet, 38.4, (pp. 241 - 249). Parkside, South Australia, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2008). Music+Video = I See Music. Video Logic, (pp. 67 - 74). Sydney, Australia: Museum of Contemporary Art.
Geczy, A. (2008). Spectres of video: the ends of video art. Contemporary Art and Visual Culture: Broadsheet, 37/4, (pp. 283 - 285). Adelaide, Australia: broadsheet.
Geczy, A. (2008). World wide web: the twilight girls. Eyeline, 67, (pp. 58 - 58). Brisbane, Queensland, Australia: Eyeline Publishing Limited.
Geczy, A. (2007). CHECK. Every Great Idea Begins as a Heresy - Dissent into Hell, Canada.
Geczy, A. (2007). For this defect, and for no other guilt, we here are lost. The Glittering City, (pp. 6 - 9). Campbelltown, Australia: Campbelltown Arts Centre.
Geczy, A. (2007). Revelation of the Brand. Contemporary Visual Arts + Culture Braodsheet, 36.1, (pp. 44 - 45). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2007). The King of Quirk (Stephen Birch) : Looking out my back door in Sydney. Art Monthly Australia, July, Issue 201, (pp. 37 - 38). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2007). The New Academicism. Realtime, Australia.
Geczy, A. (2006). Air Born, (pp. 1 - 9). Devonport, Australia: Devonport Regional Gallery.
Geczy, A. (2006). Art and the Loss of Vision. Broadsheet, (pp. 94 - 97). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2006). Blind Ned Leading the Blind. (pp. 1 - 3). Australia: broadsheet.
Geczy, A. (2006). I Hate Australia. Southerly, 66, (pp. 97 - 103). Sydney, Australia.
Geczy, A. (2006). Juan Davila. Art Monthly Australia, Summer, Issue 196, (pp. 3 - 4). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). Justene Williams: Blue Foto, Red Foto, Green Foto. eyeline, Summer : Issue 59, (pp. 1 - 3). Queensland, Australia: Eyeline Publishing Limited.
Geczy, A. (2006). Phillip George: Night Vision and the Post-Oriental. ArtAsia Pacific, Winter, Issue 47, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Geczy, A. (2006). The artist, the thief, the flag and sedition. Art Monthly Australia, (pp. 6 - 8). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). The Ecstasy of St. Juan. (pp. 228 - 231). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2005). 'Crossing Country: the alchemy of western arnhem land art' and 'Binocular: looking closely at country'. Eyeline, (pp. 47 - 47). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2005). At the Limit: William Seeto. ArtAsia Pacific, Issue 46, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Geczy, A. (2005). Destiny Deacon. Art AsiaPacific, Spring, Issue 44, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Geczy, A. (2005). Hard-core, Soft-core. (pp. 1 - 4). Australia.
Geczy, A. (2005). Metaresistance. Visual Arts + Culture Broadsheet, 34.4, (pp. 220 - 223). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2005). Nothing sits outside of the gaze of contemporary art. Art Monthly Australia, Canberra, Australia: Art Monthly Australia.
Geczy, A. (2005). Tony Schwensen: Fatwhitestraightbaldguy. Eyeline, (pp. 19 - 21). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2005). Who's Afraid of the Avant-Garde 3? Broadsheet, Vol 34 no 4, (pp. 251 - 251). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2004). Art, craft and ecology meet at the Styx Forest. Art Monthly Australia, (pp. 14 - 16). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2004). Conversations with Absent Others. Alex Kershaw, (pp. 1 - 2). Sydney, Australia: Grantpirrie Gallery.
Geczy, A. (2004). Juste milieu. Michael Zavros, Main Beach, QLD, Australia: Schubert Gallery.
Geczy, A. (2004). No Big Picture III. Australia: broadsheet.
Geczy, A. (2004). Review - Brad Buckley: etiquette. Eyeline, 53, Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2004). Video Magic at the Performance Space, Sydney. Art Monthly Australia, (pp. 3 - 6). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2004). When art is no object. Contemporary Visual Art + Culture: Broadsheet, (pp. 178 - 180). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2004). Who's That Girl? The Work of Fiona Clark. Eye Line, 54, (pp. 35 - 37). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2003). Adam Geczy on Picasso: The Last Decades. Art and Australia 40(4), (pp. 680 - 680). Sydney, Australia: Eleonora Triguboff.
Geczy, A. (2003). Adam Geczy on Zhong Chen. Art and Australia 41(2), (pp. 315 - 315). Sydney, Australia: Eleonora Triguboff.
Geczy, A. (2003). Art Training. Art Monthly Australia (161) July, (pp. 10 - 11). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2003). Commentary: Yang Jiechang. Contemporary Visual Arts and Culture: Broadsheet, (pp. 33 - 33). Adelaide, Australia.
Geczy, A. (2003). Mike Parr: Close the Concentration Camps. Artlink: Australian contemporary art quarterly, (pp. 45 - 47). Australia: Artlink Australia.
Geczy, A. (2003). Natural Disasters in Sao Paulo. Art Monthly Australia (177) March, (pp. 43 - 44). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2003). Review - Dennis Del Favero: Sottovoce. Australia: Eyeline Publishing Limited.
Geczy, A. (2003). Review: Liquid Sea. ART AsiaPacific, New York, United States of America.

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Live Performance - Interarts

Geczy, A. (2006). 4th Dadao Live Art Festival Beijing 01/01/2006. Party Lines. Beijing, China, Beijing, China, China (excludes SARs and Taiwan Province).
Geczy, A., Gerwin, T. (2006). Intermix @ Areal28 Berlin, Germany. Areal28, Berlin, Germany, Germany.

Digital Creative Works

Geczy, A., Sculthorpe, P. (2008). Thoughts of Home. Hobart, Australia: Criterion Gallery.
Geczy, A., Sculthorpe, P. (2006). Long Ago. Hobart, Australia: Criterion Gallery.

Film / Video

Geczy, A. (2018). Bored Clown. Digital video, Sydney, Australia: Sydney Underground Film Festival.
Geczy, A. (2013). S/M Wonderland. Screen, Sydney, Australia: Sydney Underground Film Festival.
Geczy, A., Gerwin, T. (2010). Sydney Underground Film Festival. Sydney, Australia: Sydney Underground Film Festival.

Recorded / Rendered Interarts

Geczy, A., Gerwin, T. (2011). Area Contra Punctus 7. video, galleriBOX. Akureyri, Iceland: galleriBox.
Geczy, A., Gerwin, T. (2008). AreaContraPunctus IV 2006 - 2008. video/installation and electroacoustic composition, Museum of Contemporary Art. Sydney, Australia: Museum of Contemporary Art. Curated by Russell Storer.

Exhibitions / Events

Geczy, A., Prescott, S. (2016). The End of Fashion. College of Creative Arts, Massey University, Wellington, New Zealand: Massey University.
Geczy, A., Preston, J. (2015). Virtually POP. College of Creative Arts, Massey University, Wellington, New Zealand: Popular Culture Association of Australia and New Zealand (popCAANZ).
Geczy, A. (2005). FATWHITESTRAIGHTBALDGUY: Tony Schwensen. Performance Space, Redfern, Australia: Blair French, Associate Director.

Magazine / Newspaper Articles

Geczy, A. (2021). What is transorientalism. Artlink, 41:1. [More Information]
Geczy, A. (2020). In remembering Christo, we remember what art once was. The Conversation. [More Information]
Geczy, A. (2020). Preview: 'Flesh for Thought' Paul Trefry. Artist Profile, 53. [More Information]
Geczy, A. (2004). Gateway to the Sublime | article? State of the Arts.
Geczy, A. (2002). Art is a rigorous practice. RealTime, 50.
Geczy, A. (2002). Essay: The Jewel is Any Event. The Installations of Lindy Lee. Art Asia Pacific.
Geczy, A. (2002). Mike Parr: Internet Performance. RealTime, 52.
Geczy, A. (2002). New Media: New Megalomania? Eyeline, 48.
Geczy, A. (2002). Review: Alex Gawronski: testing ground. Eyeline, 50.
Geczy, A. (2002). Review: Buddha. Art Asia Pacific, 34.
Geczy, A. (2002). Review: Crypto-realism. Art Monthly.
Geczy, A. (2002). Symbolism, Not Symbols: The Art of Eugenia Raskopoulos. Postwest, 20.
Geczy, A. (2002). What's the point of painting these days? Art Monthly.
Geczy, A. (2002). ZKM, Sydney and the Art and New Media Detente. RealTime, 47.
Geczy, A. (2001). The Same Old Song? Art Monthly, August.
Geczy, A. (2001). What's New in New Media, And what do we see in video? Art Monthly.

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ERA Specific Journals

Geczy, A. (2010), Doin' Stuff: Marley Dawson's Machine-Sites. Eyeline, 72, 21-25.
Geczy, A. (2010), Ian North and the Anti-Picturesque. Eyeline, 71, 36-39.
Geczy, A. (2010), Making it New. Art Monthly Australia, 227(March), 13-15.
Geczy, A. (2010), Remember to Forget the Congo. Art Monthly Australia, 231(July), 28-29.
Geczy, A. (2010), Review: The 17th Biennale of Sydney. Art and Australia, 48(1 Spring 2010), 147-149.
Geczy, A. (2009), Korean dreams. Art Monthly Australia, (222), 32-32.
Geczy, A. (2009), Monet and the Impressionists. Art Monthly Australia, (217), 40-43.
Geczy, A. (2008), Humbert or Humbug? Art Monthly Australia, 211(July), 9-13.

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Reference Works

Geczy, A., Karaminas, V. (2025). Fashion. In Rob Cover and Christy E. Newman (Eds.), Elgar Encyclopedia of Queer Studies. (pp. 142-146). Cheltenham and Northampton MA: Edward Elgar. [More Information]
Geczy, A. (2014). Beret. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 27-28). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Bolero Jacket. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 39-41). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Chador. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 66-67). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Hanbok. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 133-135). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Hijab. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 148-150). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Lederhosen. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 185-186). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Sarong. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 258-259). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Shawl. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 264-266). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Ugg Footwear. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 297-298). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.

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Other

Geczy, A., Karaminas, V. (2023), What is 'queer fashion'?.
Geczy, A. (2005), Forum: Artists' Fees: From Obstacle to Opportunity.
Geczy, A. (2005), Panel discussion: Interesting Times.
Geczy, A. (2002), Translation (German): Konstanze ThÃ¼mmel, 'You can't set up a camera here!': Artspace.
Geczy, A. (2001), Der Knabentanz (Little Boy Dancing).

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By Year

Expand all

2025

Geczy, A., Karaminas, V. (2025). Fashion. In Rob Cover and Christy E. Newman (Eds.), Elgar Encyclopedia of Queer Studies. (pp. 142-146). Cheltenham and Northampton MA: Edward Elgar. [More Information]
Geczy, A. (2025). The Phenomenology of Paint: Between Materiality and Illusion (forthcoming). London: Bloomsbury Academic. [More Information]

2024

Geczy, A., Karaminas, V. (2024). Gastrofashion: from Haute Cuisine to Haute Couture (Italian edition, forthcoming). Rome, Italy: Mimesis.
Geczy, A., Karaminas, V. (2024). Power + Fashion. Foucault Studies, (36), 201-226. [More Information]
Geczy, A., Karaminas, V. (2024). Queer Style: Revised and Updated Edition. London: Bloomsbury Visual Arts. [More Information]

2023

Geczy, A., Karaminas, V. (2023). Between Clothing and Flesh: Kawakubo at the Met. In Rex Butler (Eds.), Rei Kawakubo: For and Against Fashion, (pp. 177-192). London: Bloomsbury. [More Information]
Geczy, A. (2023). Book review: 'British Dandies: Engendering Scandal and 'Fashioning a Nation' by Dominic Janes. Journal of the History of Sexuality, 32(2), 234-237. [More Information]
Geczy, A. (2023). From series: "Requiem to a Forest". In: Vibrations of Australian Drawing. Macquarie University Art Gallery, Sydney, Australia. [More Information]
Geczy, A., McBurnie, J. (2023). Litcomix: Literary Theory and the Graphic Novel. New Brunswick NJ, United States: Rutgers University Press. [More Information]
Geczy, A., Karaminas, V. (2023). Queer Style. In Veronique Pouillard and Vincent Dube-Senecal (Eds.), The Routledge History of Fashion and Dress, 1800 to the Present, (pp. 472-490). London: Routledge. [More Information]
Geczy, A., Karaminas, V. (2023). The Hauntology of Fashion: "Fashion Is Dead. Long Live Fashion". The End of Fashion: An International Conference, Dunedin: University of Otago.
Geczy, A., Karaminas, V. (2023), What is 'queer fashion'?.

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2022

Geczy, A. (2022). Bland Matter: New Materialism, and Barking Up the Wrong Tree. In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 90-100). New York; Abingdon: Routledge. [More Information]
Karaminas, V., Geczy, A., Church Gibson, P. (2022). Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals. New Brunswick NJ, United States: Rutgers University Press. [More Information]
Geczy, A., Karaminas, V. (2022). Gaga Aesthetics: Art, Fashion, Popular Culture, and the Up-Ending of Tradition. London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2022). Gastrofashion: from Haute Cuisine to Haute Couture. London, United Kingdom: Bloomsbury Visual Arts. [More Information]
Karaminas, V., Geczy, A., Church Gibson, P. (2022). Introduction. In Vicki Karaminas, Adam Geczy and Pamela Church Gibson (Eds.), Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals, (pp. 1-8). New Brunswick NJ, United States: Rutgers University Press. [More Information]
Douglas, S., Geczy, A., Lowry, S. (2022). Introduction. In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 1-3). New York; Abingdon: Routledge. [More Information]
Geczy, A. (2022). Race to at Venice. di'van | A Journal of Accounts. [More Information]
Geczy, A. (2022). The Bodyclad Cinematic Hero: Aging, Masculinity, and Technological Mediation. In Vicki Karaminas, Adam Geczy and Pamela Church Gibson (Eds.), Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals, (pp. 96-111). New Brunswick NJ, United States: Rutgers University Press. [More Information]
Lowry, S., Geczy, A. (2022). Where is Art? In Simone Douglas, Adam Geczy, Sean Lowry (Eds.), Where is Art?: Space, Time, and Location in Contemporary Art, (pp. 4-34). New York; Abingdon: Routledge. [More Information]
Douglas, S., Geczy, A., Lowry, S. (2022). Where is Art?: Space, Time, and Location in Contemporary Art. New York; Abingdon: Routledge. [More Information]

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2021

Geczy, A., Karaminas, V. (2021). Fashion Installation: Body, Space, and Performance (Chinese edition). Beijing, China: Economic Management Press. [More Information]
Geczy, A., Karaminas, V. (2021). The Fashion Chamber and the Posthuman Dissolution of Gender. In Tiziana Ferrero-Regis and Marissa Lindquist (Eds.), Staging fashion: the fashion show and its spaces, (pp. 58-70). London, UK: Bloomsbury Visual Arts. [More Information]
Geczy, A. (2021). The Relevance of Fashion. Look! Revelations on Art and Fashion, (pp. 86 - 94). Bielefeld, Germany: Marta Herford Museum.
Geczy, A. (2021). What is a "National" Exhibition? Understanding Australia's 'The National'. di'van | A Journal of Accounts, (10), 56-83. [More Information]
Geczy, A. (2021). What is transorientalism. Artlink, 41:1. [More Information]

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2020

Geczy, A. (2020). Between Paradise and Apocalypse. Artist Profile, 50, (pp. 140 - 143). Australia: Artist Profile.
Geczy, A. (2020). Curating Curiosity: Imperialism, Materialism, Humanism, and the Wunderkammer. In Brad Buckley, John Conomos (Eds.), A Companion to Curation, (pp. 23-42). Hoboken: Wiley. [More Information]
Geczy, A. (2020). In remembering Christo, we remember what art once was. The Conversation. [More Information]
Geczy, A., Karaminas, V. (2020). Lesbian Style: From Mannish Women to Lipstick Dykes. In Malcolm Barnard (Eds.), Fashion Theory: A Reader, (pp. 307-327). London, United Kingdom: Routledge. [More Information]
Geczy, A., Karaminas, V. (2020). Libertine Fashion: Sexual Freedom, Rebellion, and Style. London: Bloomsbury Visual Arts. [More Information]
Geczy, A., Karaminas, V. (2020). Millennial masculinities: Queers, pimp daddies and lumbersexuals: Special conference issue. Critical Studies in Men's Fashion, 7(1-2), 131-133. [More Information]
Geczy, A. (2020). Preview: 'Flesh for Thought' Paul Trefry. Artist Profile, 53. [More Information]
Geczy, A., Karaminas, V. (2020). The End of Fashion: Clothing and Dress in the Age of Globalization (Russian edition). Moscow, Russia: New literary review. [More Information]
Geczy, A., Karaminas, V. (2020). Time, Cruelty and Destruction in Deconstructivist Fashion: Kawakubo, Margiela and Vetements. ZoneModa Journal, 10(1), 65-87. [More Information]
Geczy, A., Karaminas, V. (2020). Walter Benjamin: Fashion, Modernity and the City Street. In Malcolm Barnard (Eds.), Fashion Theory: A Reader, (pp. 594-605). London, United Kingdom: Routledge. [More Information]

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2019

Geczy, A., Karaminas, V. (2019). 'Daddy's Lil Monster': Suicide Squad, third-wave feminism and the pornification and queering of Harley Quinn. Film, Fashion and Consumption, 8(2), 171-188. [More Information]
Geczy, A. (2019). 1. Harlequin Suite (1) 2. Clown Suite (1) 3. Clown Suite (2) 4. Clown Suite (3) 4. Harlequin Suite (2). In: Just Clownin' Around. Kronenberg Wright Artist Projects, East Sydney, Australia.
Geczy, A. (2019). 1. Clown Minimalism 2. Clown Creativity 3. Clown and Roses 4. Mad Clown 5. Spaz Clown. In: Sad Clown, Mad Clown, Bad Clown. Umbrella Studio Contemporary Arts (Umbrella), Townsville, Australia. [More Information]
Geczy, A., Troy, J., Judd, B. (2019). ab-Original: Journal of Indigenous Studies and First Nations and First Peoples Cultures. ab-Original: Journal of Indigenous Studies and First Nations and First Peoples' Cultures, 3(1). [More Information]
Geczy, A., Karaminas, V. (2019). Critical Fashion Practice: From Westwood to Van Beirendonck (Chinese edition). Chongqing: Chongqing University Press. [More Information]
Geczy, A., Karaminas, V. (2019). Fashion Installation: Body, Space, and Performance. London: Bloomsbury. [More Information]
Geczy, A. (2019). Markel Panegyres: A Living Doll. Eyeline, 91, 95-95.
Geczy, A., Douglas, B. (2019). Struck Out. In: Legacy: Reflections on Mabo. Umbrella Studio Contemporary Arts, Townsville, Australia. [More Information]
Geczy, A. (2019). The Dawn of Translation. ab-Original: Journal of Indigenous Studies and First Nations and First Peoples’ Cultures, Vol 3, No. 1, (pp. 109 - 123). University Park, PA, United States of America: Pennsylvania State University. [More Information]
Geczy, A., Karaminas, V. (2019). The End of Fashion: Clothing and Dress in the Age of Globalization. London: Bloomsbury. [More Information]
Geczy, A., Karaminas, V. (2019). Time and Memory. In Adam Geczy, Vicki Karaminas (Eds.), The End of Fashion: Clothing and Dress in the Age of Globalization, (pp. 19-30). London: Bloomsbury. [More Information]
Geczy, A. (2019). Transorientalism in Art, Fashion, and Film: Inventions of Identity. London: Bloomsbury. [More Information]
Geczy, A. (2019). Unwelcome to Country. Legacy: Reflections on Mabo, (pp. 76 - 79). Townsville, Australia: Umbrella Studio Arts.

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2018

Geczy, A. (2018). Bored Clown. Digital video, Sydney, Australia: Sydney Underground Film Festival.
Geczy, A. (2018). China Through the Looking Glass: Looking Back. TAASA Review, 27(1), 15-17. [More Information]
Geczy, A. (2018). Hilarie Mais. Eyeline, 88, 85-85. [More Information]
Geczy, A. (2018). Introduction: What is Performance Art? In Adam Geczy, Mimi Kelly (Eds.), What is Performance Art? Australian Perspectives, (pp. 1-12). Sydney: Power Publications. [More Information]
Geczy, A. (2018). Performance Art and Performing Gender. In Adam Geczy, Mimi Kelly (Eds.), What is Performance Art? Australian Perspectives, (pp. 167-182). Sydney: Power Publications. [More Information]
Mountfort, P., Peirson-Smith, A., Geczy, A. (2018). Planet Cosplay: Costume Play, Identity and Global Fandom. Bristol: Intellect Ltd. [More Information]
Geczy, A. (2018). Superpositioned: Regionality and Identity, Meaning and Critical Experience. di'van | A Journal of Accounts, 1(4), 90-101.
Geczy, A., Kelly, A. (2018). What is Performance Art? Australian Perspectives. Sydney: Power Publications. [More Information]

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2017

Geczy, A., Sculthorpe, P. (2017). 1. Fitness Painting 1 (Your Body Does Not Count) 2. Fitness Painting 2 (Your Body Does Not Count) 3. Portrait-Self-Portrait. In: Skin Thing. Bundoora Homestead Art Centre, Australia.
Geczy, A., Karaminas, V. (2017). Critical Fashion Practice: From Westwood to Van Beirendonck. London: Bloomsbury Academic. [More Information]
Geczy, A., Karaminas, V. (2017). Fashion and Masculinities in Popular Culture. New York: Routledge. [More Information]
Geczy, A., Karaminas, V. (2017). Lady Gaga: American Horror Story, Fashion, Monstrosity and the Grotesque. Fashion Theory: The Journal of Dress Body and Culture, 21(6), 709-731. [More Information]
Geczy, A. (2017). The Artificial Body in Fashion and Art: Marionettes, Models and Mannequins. London: Bloomsbury. [More Information]
Geczy, A., Karaminas, V. (2017). The Body. In Alexandra Palmer (Eds.), A Cultural History of Dress and Fashion in the Modern Age, (pp. 63-84). London: Bloomsbury Academic. [More Information]
Geczy, A. (2017). The Task of the Curator. In Brad Buckley, John Conomos (Eds.), Who Runs the Artworld: Money, Power and Ethics, (pp. 125-140). Faringdon: Libri Publishing.
Geczy, A. (2017). What if? Dread Sovereign, (pp. 6 - 8). Townsville, Australia: Pinnacles Gallery.

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2016

Geczy, A. (2016). Collaboration. In Elspeth Pitt, Roger Butler (Eds.), Mike Parr: Language and Chaos, (pp. 85-92). Canberra: National Gallery of Australia. [More Information]
Geczy, A., Karaminas, V. (2016). Fashion's Double: Representations of fashion in painting, photography and film. London: Bloomsbury. [More Information]
Geczy, A., Karaminas, V., Taylor, J. (2016). Sailor Style: Representations of the Mariner Style in Popular Culture and Contemporary Fashion. Journal of Asia-Pacific Pop Culture, 1(2), 141-164. [More Information]
Geczy, A., Prescott, S. (2016). The End of Fashion. College of Creative Arts, Massey University, Wellington, New Zealand: Massey University.
Geczy, A. (2016). The Psychology of Cosplay. Journal of Asia-Pacific Pop Culture, 1(1), 18-36. [More Information]
Geczy, A., Karaminas, V. (2016). Walter Benjamin: Fashion, Modernity and the City Street. In Anges Rocamora, Anneke Smelik (Eds.), Thinking Through Fashion: A Guide To Key Theorists, (pp. 81-96). London: IB Tauris. [More Information]
Geczy, A. (2016). William Seeto. MCA Collection Handbook, (pp. 316 - 317). Sydney, Australia: Museum of Contemporary Art.

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2015

Geczy, A., Hill, A. (2015). 1. Blakward Pawn, 2015 2. Look Left, Look Right, Look Left Again, 2015 3. Another Way of Thinking About 26 January 2015, or, Five Live Sentences, 2015 4. Soul Train, 2015 5. Racial Opportunism, 2015 6. Ausfailure, 2015 7. Dedfern, 2015 8. The Most Gaoled Race on Earth, 2015. In: Blakattak. Sydney College of the Arts. SCA Galleries, Sydney, Australia.
Geczy, A. (2015). A Chamber of Whispers. In Mark Polizzotti (Eds.), China Through The Looking Glass, (pp. 22-29). New York: The Metropolitan Museum of Art.
Geczy, A., Karaminas, V. (2015). Fashion and Art (Russian edition). Moscow, Russia: New literary review. [More Information]
Geczy, A., Millner, J. (2015). Fashionable Art. London: Bloomsbury Academic. [More Information]
Geczy, A. (2015). Fifty Ways to Kill Renny Kodgers. Eyeline, 82, 78-79.
Geczy, A. (2015). from participatory art to participatory criticism: the big noise. Contemporary Visual Art + Culture: Broadsheet, 44(1), 10-19.
Geczy, A. (2015). Good Art. Contemporary Visual Art + Culture: Broadsheet, 44(3), 45-46.
Geczy, A. (2015). Kate Mitchell: future fallout. Eyeline, 82, 84-84.
Geczy, A. (2015). Robot Girl in a World without Death. Justene Williams. Eyeline, 83, 14-19. [More Information]
Geczy, A. (2015). The Art-Fashion Crossover. In Tamya Zoe Robinson (Eds.), The Art of Wool, (pp. 16-18). Armidale: New England Regional Art Museum.
Geczy, A. (2015). True Fairytales of Violence: Art and the Holocaust in Hungary. Artlink, 35(1), 68-71. [More Information]
Geczy, A., Preston, J. (2015). Virtually POP. College of Creative Arts, Massey University, Wellington, New Zealand: Popular Culture Association of Australia and New Zealand (popCAANZ).

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2014

Geczy, A. (2014). S/M Wonderland. Australian Centre for Photography (ACP), Sydney, Australia.
Geczy, A. (2014). A queer history of fashion: From the closet to the catwalk, Valerie Steele (ED.)(2013). The Australasian Journal of Popular Culture, 3(2), 239-242.
Geczy, A. (2014). Be careful what you wish for. Contemporary Visual Art + Culture: Broadsheet, 43(2), 26-29.
Geczy, A. (2014). Beret. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 27-28). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Big Arms. In: Enduring Parallels. The Lock-Up Cultural Centre. The Lock-Up, Newcastle, Australia.
Geczy, A. (2014). Bolero Jacket. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 39-41). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Chador. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 66-67). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). drained and confused. Contemporary Visual Art + Culture: Broadsheet, 43(4), 6-11.
Geczy, A. (2014). Eisenstein/Jugendstil. In: The illusion of remembering | Eisenstein/Jugendstil. Poimena Gallery. Poimena Gallery Launceston, Launceston, Australia.
Geczy, A. (2014). EssenEssen. In: 11th International Sound Art Festival Berlin 2014 (listening, watching, smelling, tasting, feeling). 11th International Sound Art Festival Berlin 2014. Mitte Museum, Berlin, Germany.
Geczy, A. (2014). From 'Australia' to 'America': Painting a nation. Art Monthly Australia, 268(April 2014), 42-45.
Geczy, A. (2014). Hanbok. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 133-135). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Hijab. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 148-150). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Lederhosen. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 185-186). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Sarong. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 258-259). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Science Fiction and the Antinomy of Images: Peter Alwast. Eyeline, 80(1), 22-27. [More Information]
Geczy, A. (2014). Shawl. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 264-266). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Special Moves. Eyeline, 80, (pp. 101 - 101). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2014). Straight internet porn and the Natrificial: Body and dress. Fashion Theory: The Journal of Dress Body and Culture, 18(2), 169-188. [More Information]
Geczy, A. (2014). The new textuality for the visual arts: entrenchment in the academy. Contemporary Visual Art + Culture: Broadsheet, 43(3), 68-71.
Geczy, A. (2014). Ugg Footwear. In Annette Lynch, Mitchell D. Strauss (Eds.), Ethnic Dress in the United States | A Cultural Encyclopedia. (pp. 297-298). Maryland, U.S.A: Rowman & Littlefield Publishers Inc.
Geczy, A. (2014). Uncertainty is certain. Eyeline, 81, 18-22. [More Information]

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2013

Hill, A., Geczy, A. (2013). Bomb. Museum of Contemporary Aboriginal Art. AAMU Museum of contemporary Aboriginal art, Utrecht, Netherlands.
Geczy, A. (2013). 1000 Churches (Dedicated to the bishop of Bruges). In: 2013 projectcluster 1. Croxhapox Contemporary Art House, Ghent, Belgium.
Geczy, A., McLean, I., Mellor, D., Hill, A. (2013). Appropriation: no longer appropriate? Contemporary Visual Art + Culture: Broadsheet, 42(1), 23-25.
Geczy, A. (2013). Art Monthly Australia Editorial. Art Monthly Australia, 257(March 2013), 3-3.
Hill, A., Geczy, A. (2013). Blackward pawn. In: Treaty, Yeah? Chan Contemporary Art Space, Darwin, Australia.
Geczy, A. (2013). Contemporary Visual Art + Culture Broadsheet | In whose house? Craig Walsh embedded. Contemporary Visual Art + Culture: Broadsheet, 42(4), 250-253.
Geczy, A. (2013). Everything Falls Apart. Art and Australia, 50(3), 474-474.
Geczy, A. (2013). Fashion and Orientalism: Dress, Textiles and Culture from the 17th to the 21st Century. London: Bloomsbury Academic. [More Information]
Geczy, A., Cope, M., Bell, R., McFarlane, J., Albert, T. (2013). Insurgence at the Museum of Democracy: An Interview. Art Monthly Australia, 266(Summer 2013), 13-15.
Geczy, A., Karaminas, V. (2013). Queer Style. London: Bloomsbury Academic. [More Information]
Geczy, A. (2013). S/M Wonderland. Screen, Sydney, Australia: Sydney Underground Film Festival.
Geczy, A. (2013). The ACP Files. Photofile, 93(Spring/Summer 2013-14), 123-125.
Geczy, A. (2013). The Room of Mirrors Phase. To Kill the Saudade, (pp. 2 - 4). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2013). They don't make art like they used to: Late last year in the Wall Street Journal, Camille Paglia mounted a frontal onslaught on contemporary art. Contemporary Visual Art + Culture: Broadsheet, 42(1), 26-29.
Geczy, A. (2013). Touching reality. Contemporary Visual Art + Culture: Broadsheet, 42(3), 193-195.
Geczy, A. (2013). Who own dots? or, spirituality for the highest bidder, or, can you buy aura? Contemporary Visual Art + Culture: Broadsheet, 42(3), 163-165.

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2012

Geczy, A. (2012). Beautiful Cities. Artspace. Artspace Contemporary Art Centre, Sydney, Australia.
Geczy, A. (2012). A Dish Served Lukewarm. Contemporary Visual Art + Culture: Broadsheet, 41(3), 175-177.
Geczy, A. (2012). C'mon Let's Stick Together: On Collaboration, Inclusion and Consonance in the 18th Biennale of Sydney. Contemporary Visual Art + Culture: Broadsheet, 41(2), 94-97.
Geczy, A. (2012). Digging Deep: 'Excavation', The Armory Exhibition 2012. Art Monthly Australia, (254), 30-32.
Geczy, A., Karaminas, V. (2012). Fashion and Art. London: Berg Publishers. [More Information]
Geczy, A., Karaminas, V. (2012). Fashion and Art: Critical Crossovers. In Adam Geczy, Vicki Karaminas (Eds.), Fashion and Art, (pp. 1-12). London: Berg Publishers. [More Information]
Geczy, A. (2012). Is There Such a Thing as Global Curating? Contemporary Visual Art + Culture: Broadsheet, 41(1), 40-45.
Geczy, A. (2012). Modernity: Three Defining Moments in the Crossover of Art and Fashion. In Adam Geczy, Vicki Karaminas (Eds.), Fashion and Art, (pp. 55-66). London: Berg Publishers.
Geczy, A. (2012). Nasim Nasr: Symbols of rebirth. Eyeline, Summer 2012/2013(77), 52-57. [More Information]
Geczy, A. (2012). Party Time: 18th Biennale of Sydney. Art Monthly Australia, (252), 5-9.
Geczy, A. (2012). Syntax of fetish and fashion: Love Lace, Powerhouse Museum, Sydney. Art Monthly Australia, (248), 20-23.
Geczy, A. (2012). The Air-Conditioned Desert: curating Aboriginal art. Art Monthly Australia, (250), 44-46.
Geczy, A., Garstang, L. (2012). With eyelids cut off. In: With eyelids cut off. Wagga Wagga Art Gallery, Wagga Wagga, Australia.
Geczy, A. (2012). With eyelids cut off. Eyeline, (pp. 28 - 28). Melbourne, Australia: Print Council of Australia.

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2011

Geczy, A. (2011). Michael Snape, (pp. 3 - 3). Sydney, Australia: Australian Galleries.
Geczy, A., Guy, J. (2011). 1. Bird Paraphenalia 2. Bird Remains: Museological Paragon 3. Swarm 4. Nature-Re-Nature I 5. Nature-Re-Nature II. In: An Unnatural History of Nature. Hazelhurst Regional Gallery & Arts Centre, Sydney, Australia.
Geczy, A. (2011). 1. Drakula 1-18 2. Transylvania 1-6. In: Beheaded - Tracing Dracula Vampire Myths. Esterhazy Palace. Municipal Museum of Art, Gyor Art Museum, Gyor, Hungary.
Hill, A., Geczy, A. (2011). Aboriginal art diagnostic. Contemporary Visual Art + Culture: Broadsheet, 40.2 (June), 132-135.
Geczy, A. (2011). Adam Geczy: Kleist-Coppelia-Kuball: the doll, the double and the shadow. Mirrors, Doubles, Shadows, Caves: Plato and Contemporary Art, Sydney: Artspace.
Geczy, A., Gerwin, T. (2011). Area Contra Punctus 7. video, galleriBOX. Akureyri, Iceland: galleriBox.
Geczy, A. (2011). Art Apartheid in the South Pacific. Contemporary Visual Art + Culture: Broadsheet, 40(1), 70-72.
Geczy, A. (2011). Breed of the Dead. In: Breed of the Dead. Chalk horse. Chalk horse, Surry hills, Sydney, Australia: Chalk horse.
Geczy, A. (2011). Contested Pleasures. Oxford Art Journal, 34(02), 295-297.
Geczy, A. (2011). Cultural Juxtaposition: Tell me, tell me: Australian and Korean Art 1976 - 2011. Art Monthly Australia, September(243), 11-13.
Geczy, A. (2011). Events in the suburbs. Once was a field, (pp. 5 - 6). Sydney, Australia: Parramatta Artist Studios.
Geczy, A., Karaminas, V. (2011). Fashion and Art: Critical Crossovers. Art Monthly Australia, August(242), 5-10. [More Information]
Geczy, A. (2011). I think therefore I Mash: Soda_Jerk. Eyeline, 74, 26-32. [More Information]
Geczy, A. (2011). Photography and Place - Australian landscape photography: 1970s until now. Art Monthly Australia, June (240), 18-20.
Geczy, A. (2011). Staying mumme. Eyeline, 73, 23-27. [More Information]
Geczy, A. (2011). The Great Debate. We are here, Sydney: Firstdraft Gallery.
Geczy, A. (2011). Transorientalism and the pavilion attitude to race and idenity. Contemporary Visual Art + Culture: Broadsheet, 40.3 (September), 210-211.
Geczy, A. (2011). Transorientalism and the Pavilion Attitude to Race and Identity. Broadsheet @ 40: The Australian Contemporary one day symposium, South Australia: Contemporary Art Centre of South Australia (CACSA).

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2010

Geczy, A., Guy, J. (2010). 1. Scaly-breasted Lorikeet (Trichoglossus cholorolepidotus) (chicken) 2. Eastern yellow robin (Eopsaltria australis) (turkey) 3. Untitled (fired chicken bones) 4. Untitled (fired turkey bones)5. Forest kingfisher (Todiramphus macleayii) (quail). In: Ceramic Surgery - Adam Geczy & Jan Guy. Criterion Gallery, Hobart, Tasmania, Australia.
Geczy, A. (2010). Art, Fashion and Performance: The Ballets Russes. Art Monthly Australia, 236(Summer 2010), 24-27.
Geczy, A. (2010). beauty of distance:postmortems, Adam Geczy. Broadsheet, (pp. 205 - 205). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). Beginning the present in the past. Column, 6(1), 50-54.
Geczy, A. (2010). biennale baroque: unveiling the 17th biennale of sydney. Broadsheet, (pp. 90 - 95). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). Conversations to infinity: on arts schools and art education, Adam Geczy. Broadsheet, (pp. 208 - 213). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). critical or congratulatory? Broadsheet, (pp. 20 - 20). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010), Doin' Stuff: Marley Dawson's Machine-Sites. Eyeline, 72, 21-25.
Geczy, A. (2010), Ian North and the Anti-Picturesque. Eyeline, 71, 36-39.
Geczy, A. (2010), Making it New. Art Monthly Australia, 227(March), 13-15.
Geczy, A. (2010), Remember to Forget the Congo. Art Monthly Australia, 231(July), 28-29.
Geczy, A. (2010). Remember to Forget the Congo. In: Remember to Forget the Congo. Croxhapox Gallery, Ghent, Belgium.
Geczy, A. (2010). Review of The Infinity Machine: Mike Parr's Performance Art 1971-2005, Edward Scheer (Melbourne: Schwartz City Press 2009) Mike Parr: Performances 1971-2008, Mike Parr (Melbourne: Schwartz City Press 2008). Performance Paradigm, June, (pp. 96 - 99). Sydney, Australia: Performance Paradigm Publications.
Geczy, A. (2010), Review: The 17th Biennale of Sydney. Art and Australia, 48(1 Spring 2010), 147-149.
Geczy, A., Gerwin, T. (2010). Sydney Underground Film Festival. Sydney, Australia: Sydney Underground Film Festival.
Geczy, A. (2010). the australia effect. Broadsheet, (pp. 239 - 241). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2010). the solid fraud of outsider art. broadsheet, (pp. 66 - 69). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).

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2009

Geczy, A. (2009). 1. Eyes close 2. Clothes carpets. In: Diaspora gathered. Nexus Multicultural Art Center. Nexus Gallery, Adelaide, South Australia, Australia.
Geczy, A. (2009). 1989. In: 1989. HarmÃ³nia MÅ±vÃ©szeti KÃ¶zpont Kht, GyÅ‘r, Hungary. HarmÃ³nia MÅ±vÃ©szeti KÃ¶zpont Kht, GyÅ‘r, Hungary.
Geczy, A. (2009). Art is not research. Broadsheet, (pp. 207 - 209). Sydney, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A., Hill, A. (2009). Australia - the trailer. In: Australia - the trailer. 24HRArt Northern Territory Center for Contemporary Art. Northern Territory Center for Contemporary Art, Darwin, Northern Territory, Australia.
Geczy, A. (2009). Better than a hole in the head. Eyeline, (70), 34-37.
Geczy, A. (2009). Debra Phillips. Eyeline, 70, Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2009). Grumpy Old Men of Paris #1-8. In: Remembering Paris. Macquarie University. Macquarie University Art Gallery, North Ryde, NSW, Australia.
Geczy, A. (2009), Korean dreams. Art Monthly Australia, (222), 32-32.
Geczy, A. (2009), Monet and the Impressionists. Art Monthly Australia, (217), 40-43.
Geczy, A. (2009). Mutant Media. Art & Australia, 46:4, (pp. 336 - 336). Sydney, NSW, Australia: Art and Australia Pty Ltd.
Geczy, A. (2009). Portrait of my great aunt Rosemary may she rest in peace. In: Print Matters: Salon for Independent Book Art and Artistâ€™s Booksâ€™. Chauvel Cinema, Sydney, NSW, Australia.
Geczy, A. (2009). Sail away: Ian North. Artlink, 29:3, (pp. 92 - 92). Adelaide, Australia: Artlink Australia.
Geczy, A. (2009). The Artist Resident: Holidaymaker and Cultural Performer. BE magazine, 16, (pp. 106 - 115). Berlin, Germany: Kunstlerhaus Bethanien.
Geczy, A. (2009). The Asia Pacific Triennial: A dialogue. Contemporary Visual Art & Culture Broadsheet, 38.4, (pp. 241 - 249). Parkside, South Australia, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2009). Transylvania II. In: Langue Froide… Cold Language/Tongue. Connie Dietzschold Gallery, Sydney, NSW, Australia.

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2008

Geczy, A. (2008). 1. Concert for Mike Parr (2005) 2. Concert to Myself (2008). In: Concerts. Lake Macquarie City Art Gallery, Lake Macquarie, Australia.
Geczy, A., Gerwin, T. (2008). AreaContraPunctus IV 2006 - 2008. video/installation and electroacoustic composition, Museum of Contemporary Art. Sydney, Australia: Museum of Contemporary Art. Curated by Russell Storer.
Geczy, A. (2008). Art: Histories, Theories and Exceptions. Oxford, UK: Berg Publishers.
Geczy, A. (2008). Buried Alive (Again). In: Buried Alive (Again). Croxhapox Experimental Art House, Ghent, Belgium.
Geczy, A. (2008). Eisenstein/Jugendstil. In: Video Sculptures. National Library. NOASS centre for art and culture, Riga, Latvia.
Geczy, A. (2008), Humbert or Humbug? Art Monthly Australia, 211(July), 9-13.
Geczy, A. (2008). Music+Video = I See Music. Video Logic, (pp. 67 - 74). Sydney, Australia: Museum of Contemporary Art.
Geczy, A. (2008). Spectres of video: the ends of video art. Contemporary Art and Visual Culture: Broadsheet, 37/4, (pp. 283 - 285). Adelaide, Australia: broadsheet.
Geczy, A., Sculthorpe, P. (2008). Thoughts of Home. Hobart, Australia: Criterion Gallery.
Geczy, A. (2008). World wide web: the twilight girls. Eyeline, 67, (pp. 58 - 58). Brisbane, Queensland, Australia: Eyeline Publishing Limited.

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2007

Geczy, A. (2007). 1. Abuse of Power 2. Long Ago 3. Buried Alive 4. Girls La-la-la. In: Buried Alive. Contemporary Art Centre of South Australia, Adelaide, Australia.
Geczy, A. (2007). catalogue?. In: The Night Before the Son. Convento de Sao Francisco, Montemor-o-Novo, Portugal.
Geczy, A. (2007). CHECK. Every Great Idea Begins as a Heresy - Dissent into Hell, Canada.
Geczy, A. (2007). For this defect, and for no other guilt, we here are lost. The Glittering City, (pp. 6 - 9). Campbelltown, Australia: Campbelltown Arts Centre.
Geczy, A. (2007). Proust and Fashion. Fashion and Fiction Conference, Not published: Not Published.
Geczy, A. (2007). Revelation of the Brand. Contemporary Visual Arts + Culture Braodsheet, 36.1, (pp. 44 - 45). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2007). The King of Quirk (Stephen Birch) : Looking out my back door in Sydney. Art Monthly Australia, July, Issue 201, (pp. 37 - 38). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2007). The New Academicism. Realtime, Australia.
Geczy, A. (2007). The Theatre of Innocence: Sadie Chandler's Nirvana Office. In Reuben Keehan (Eds.), Artspace Projects 2005, (pp. 8-15). sydney: Artspace.
Geczy, A. (2007). Thingness of light: the work of William Seeto. Sydney: Artspace.

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2006

Geczy, A. (2006). Air Born, (pp. 1 - 9). Devonport, Australia: Devonport Regional Gallery.
Geczy, A. (2006). 1. Grumpy Old Men of Paris 2. Paris Requiem. In: Paris Requiem. Cite Internationale des Arts, Paris, France.
Geczy, A. (2006). 4th Dadao Live Art Festival Beijing 01/01/2006. Party Lines. Beijing, China, Beijing, China, China (excludes SARs and Taiwan Province).
Geczy, A. (2006). Abuse of Power 2006. In: Experimental Intermedia. Ghent, Belgium.
Geczy, A. (2006). Art and the Loss of Vision. Broadsheet, (pp. 94 - 97). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2006). Blind Ned Leading the Blind. (pp. 1 - 3). Australia: broadsheet.
Geczy, A. (2006). catalogue?. In: Domestic Violence. Rawspace, Brisbane, Australia.
Geczy, A. (2006). catalogue?. In: The House of the Man Whose Children Hanged Themselves. Queensland Centre of Photography, Brisbane, Australia.
Geczy, A. (2006). catalogue?. In: The Man Who Died. Gallery Tyko, Nurmes, Finland.
Geczy, A. (2006). Dilapidated Realism | article? +Plus Factors, (pp. 40-11). Melbourne: Australian Centre for Contemporary Art.
Geczy, A. (2006). Fatwhitestraightbaldguy. In Blair French (Eds.), Who's Afraid of Avant-garde?, (pp. 1-11). Sydney: Performance Space.
Geczy, A. (2006). Future Forecast 06. Future Forecast 06, Not published: Not Published.
Geczy, A. (2006). Group Action 2. In: Group Action 2. Criterion Gallery, Hobart, Australia.
Geczy, A. (2006). Here, There, Nowhere, Dead: Performance Art and the Cybernetic Involution. In Nicholas Tsoutas, Adam Geczy, Edward Scheer (Eds.), Mike Parr: Blood Box, (pp. 8-30). Sydney: Artspace Visual Arts Centre Ltd.
Geczy, A. (2006). I Hate Australia. Southerly, 66, (pp. 97 - 103). Sydney, Australia.
Geczy, A., Gerwin, T. (2006). Intermix @ Areal28 Berlin, Germany. Areal28, Berlin, Germany, Germany.
Geczy, A. (2006). Juan Davila. Art Monthly Australia, Summer, Issue 196, (pp. 3 - 4). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). Justene Williams: Blue Foto, Red Foto, Green Foto. eyeline, Summer : Issue 59, (pp. 1 - 3). Queensland, Australia: Eyeline Publishing Limited.
Geczy, A. (2006). Klanglabor:zeit. In: Klanglabor:zeit. Galerie Nord, Berlin, Germany.
Geczy, A., Sculthorpe, P. (2006). Long Ago. Hobart, Australia: Criterion Gallery.
Geczy, A. (2006). Obituary to a Forest. In: Obituary to a Forest. Mori Gallery, Sydney, Australia.
Geczy, A. (2006). Phillip George: Night Vision and the Post-Oriental. ArtAsia Pacific, Winter, Issue 47, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Carter, M., Geczy, A. (2006). Reframing Art. Sydney: University of New South Wales (UNSW) Press.
Geczy, A. (2006). Reframing Art: the Future of Theory. Symposium, Artspace, Not Published: Not Published.
Geczy, A. (2006). Single Currency. In: Single Currency. Victorian College of Arts Gallery, Melbourne, Australia.
Geczy, A., Gerwin, T. (2006). Son + feu d'arti+fice |DOC?. Projections, Cite Internationale des Arts.
Geczy, A. (2006). The artist, the thief, the flag and sedition. Art Monthly Australia, (pp. 6 - 8). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2006). The Ecstasy of St. Juan. (pp. 228 - 231). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Carter, R., Geczy, A. (2006). Where is it? Art in the Digital Age. In Michael Carter, Adam Geczy (Eds.), Reframing Art, (pp. 210-234). Sydney: University of New South Wales (UNSW) Press.
Geczy, A. (2006). Who cares?. In: Who cares? Agder Regional Art Centre, Kristiansand, Norway.

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2005

Geczy, A. (2005). 'Crossing Country: the alchemy of western arnhem land art' and 'Binocular: looking closely at country'. Eyeline, (pp. 47 - 47). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2005). At the Limit: William Seeto. ArtAsia Pacific, Issue 46, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Geczy, A. (2005). Colour(less). In: Colour(less). Lake Macquarie City Art Gallery, Lake Macquarie, Australia.
Geczy, A. (2005). Destiny Deacon. Art AsiaPacific, Spring, Issue 44, (pp. 1 - 2). Hong Kong, Hong Kong (SAR of China): Art Asia Pacific Publishing, Llc..
Geczy, A. (2005). FATWHITESTRAIGHTBALDGUY: Tony Schwensen. Performance Space, Redfern, Australia: Blair French, Associate Director.
Geczy, A. (2005), Forum: Artists' Fees: From Obstacle to Opportunity.
Geczy, A. (2005). Hard-core, Soft-core. (pp. 1 - 4). Australia.
Geczy, A. (2005). I hate australia. In: I HATE AUSTRALIA. Canberra Contemporary Art Space, Canberra, Australia.
Geczy, A. (2005). Klak!05. In: Klak!05. Kulturbahnhof, Kassel, Germany.
Geczy, A. (2005). Koli Cantata Nurmes, Finland. In: Koli Cantata. Nurmes Museum, Nurmes, Finland.
Geczy, A. (2005). Metaresistance. Visual Arts + Culture Broadsheet, 34.4, (pp. 220 - 223). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2005). Neo-Medievalism. Art Monthly Australia, Aug. 2005(no. 182), 34-36.
Geczy, A. (2005). Nothing sits outside of the gaze of contemporary art. Art Monthly Australia, Canberra, Australia: Art Monthly Australia.
Geczy, A. (2005), Panel discussion: Interesting Times.
Geczy, A. (2005). Powerlessness. Monograph.
Geczy, A. (2005). The Language of Suicide Part I. In: Cultural Illumination. The University of Adelaide. Barr Smith Library, Adelaide, Australia.
Geczy, A. (2005). The Language of Suicide Part II. In: The Language of Suicide Part II. Nexus Multicultural Arts Centre, Adelaide, Australia.
Geczy, A. (2005). The Placard Project. In: The Placard Project. Mori Gallery, Sydney, Australia.
Geczy, A. (2005). The Secret of the Trick. Criterion Gallery, Afghanistan.
Geczy, A. (2005). Tony Schwensen: Fatwhitestraightbaldguy. Eyeline, (pp. 19 - 21). Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2005). Who's Afraid of the Avant-Garde 3? Broadsheet, Vol 34 no 4, (pp. 251 - 251). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).

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2004

Geczy, A., Sculthorpe, P. (2004). 1. From a Remote, Lonely Place (Port Arthur Elegy) 2003 2. Light on dark (Point Puer) 3. Zip-a-dee-doo-dah, zip-a-dee-ay. In: 2004 Adelaide Biennial of Australian Art: Contemporary Photo-Media. Art Gallery of South Australia, Adelaide Bank 04 Festival of Arts. Art Gallery of South Australia, Adelaide, Australia.
Geczy, A. (2004). Art, craft and ecology meet at the Styx Forest. Art Monthly Australia, (pp. 14 - 16). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2004). Blood, Severance. In: Blood, Severance, Magic. Mars Lounge, Sydney, Australia.
Geczy, A. (2004). Collecting, Coating, Covering: Lauren Berkowitz. In Sally Breen and Reuben Keehan (Eds.), Tide, (pp. 7-10). Sydney: Artspace.
Geczy, A. (2004). Conversations with Absent Others. Alex Kershaw, (pp. 1 - 2). Sydney, Australia: Grantpirrie Gallery.
French, B., Geczy, A., Tsoutas, N. (2004). Criticism + Engagement + Thought: 2004 Biennale of Sydney. Sydney: Artspace.
Geczy, A. (2004). Gateway to the Sublime | article? State of the Arts.
Geczy, A. (2004). Grotesk II. In: Grotesk II. Gallery Tyko, Finland.
Geczy, A. (2004). Groteskin Taiteen. In: Groteskin Taiteen Museo/The Museum of Grotesque Art. Art Ahjo Art Centre, Joensuu, Finland.
Geczy, A. (2004). Juste milieu. Michael Zavros, Main Beach, QLD, Australia: Schubert Gallery.
Geczy, A. (2004). Klak!04. In: Klak!04. Kulturbarnhof, Kassel, Germany.
Geczy, A. (2004). Landscape Heartbeat. Kolin RyynÃ¤nen, Finland.
Geczy, A. (2004). No Big Picture III. Australia: broadsheet.
Geczy, A. (2004). Reason, emotion etc. In Blair French, Adam Geczy and Nicholas Tsoutas (Eds.), Criticism + Engagement + Thought: 2004 Biennale of Sydney, (pp. 73-78). Sydney: Artspace.
Geczy, A. (2004). Review - Brad Buckley: etiquette. Eyeline, 53, Brisbane, Australia: Eyeline Publishing Limited.
Geczy, A. (2004). The Anthology. In: The Anthology of Art (Atelier Jochen Gerz). Martin-Gropius-Bau, Berlin, Germany.
Geczy, A., Parr, M. (2004). The Mass Psychology of Fascism, Zip-a-dee-doo-dah, Zip-a-dee-ay. In: The Mass Psychology of Fascism, Zip-a-dee-doo-dah, Zip-a-dee-ay. Art Gallery of New South Wales, Sydney, Australia.
Geczy, A., Parr, M. (2004). Transborder Languages. In: Transborder Languages. First Dashanzi International Arts Festival, Beijing, China.
Geczy, A. (2004). Video Magic at the Performance Space, Sydney. Art Monthly Australia, (pp. 3 - 6). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2004). When art is no object. Contemporary Visual Art + Culture: Broadsheet, (pp. 178 - 180). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Geczy, A. (2004). Who's That Girl? The Work of Fiona Clark. Eye Line, 54, (pp. 35 - 37). Brisbane, Australia: Eyeline Publishing Limited.

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2003

Geczy, A. (2003). Adam Geczy on Picasso: The Last Decades. Art and Australia 40(4), (pp. 680 - 680). Sydney, Australia: Eleonora Triguboff.
Geczy, A. (2003). Adam Geczy on Zhong Chen. Art and Australia 41(2), (pp. 315 - 315). Sydney, Australia: Eleonora Triguboff.
Geczy, A. (2003). Art Training. Art Monthly Australia (161) July, (pp. 10 - 11). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2003). Barking Up the Wrong Tree. In: Barking Up the Wrong Tree. Mori Gallery, Sydney, Australia.
Geczy, A. (2003). Carcinoma. In: Carcinoma. Three Foot Square Gallery , COFA, Sydney, Australia.
Geczy, A. (2003). Commentary: Yang Jiechang. Contemporary Visual Arts and Culture: Broadsheet, (pp. 33 - 33). Adelaide, Australia.
Geczy, A., Parr, M. (2003). Film noir, politique blanche. In: Film noir, politique blanche. Queensland College of Art Gallery. Queensland Contemporary Art Gallery, Griffith Artworks, Brisbane, Australia.
Geczy, A. (2003). Get Back. In: Get Back. Mori Gallery, Australia.
Geczy, A. (2003). Mike Parr: Close the Concentration Camps. Artlink: Australian contemporary art quarterly, (pp. 45 - 47). Australia: Artlink Australia.
Geczy, A. (2003). Natural Disasters in Sao Paulo. Art Monthly Australia (177) March, (pp. 43 - 44). Canberra, Australia: Art Monthly Australia.
Geczy, A. (2003). Origami: World Without Elements. In: Origami: World Without Elements. Asian-Australian Arts Centre, Gallery 4A, Sydney, Australia.
Geczy, A. (2003). Recent political art exhibitions in Australia. Art Monthly Australia, , 7-8.
Geczy, A. (2003). Review - Dennis Del Favero: Sottovoce. Australia: Eyeline Publishing Limited.
Geczy, A. (2003). Review: Liquid Sea. ART AsiaPacific, New York, United States of America.
Geczy, A. (2003). The Partial Architecture of Ruins. In Germaine Koh (Eds.), Germaine Koh : homemaking : 8 May-31 May 2003., (pp. 1-3). Sydney: Artspace.

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2002

Geczy, A. (2002). Art is a rigorous practice. RealTime, 50.
Geczy, A. (2002). Essay: The Jewel is Any Event. The Installations of Lindy Lee. Art Asia Pacific.
Geczy, A. (2002). Mike Parr: Internet Performance. RealTime, 52.
Geczy, A. (2002). New Media: New Megalomania? Eyeline, 48.
Geczy, A. (2002). Review: Alex Gawronski: testing ground. Eyeline, 50.
Geczy, A. (2002). Review: Buddha. Art Asia Pacific, 34.
Geczy, A. (2002). Review: Crypto-realism. Art Monthly.
Geczy, A. (2002). Self-Portrait - Dead Flow: a collaborative project. Art and Australia, 40(1), 74-75.
Geczy, A. (2002). Symbolism, Not Symbols: The Art of Eugenia Raskopoulos. Postwest, 20.
Geczy, A. (2002), Translation (German): Konstanze ThÃ¼mmel, 'You can't set up a camera here!': Artspace.
Geczy, A. (2002). What's the point of painting these days? Art Monthly.
Geczy, A. (2002). ZKM, Sydney and the Art and New Media Detente. RealTime, 47.

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2001

Geczy, A. (2001), Der Knabentanz (Little Boy Dancing).
Geczy, A. (2001). Essay: Simone Mangos' Anti-monuments and quiet memorials. Art and Australia, 39(2).
Geczy, A. (2001). Review: Australian Art by Andrew Sayers. Art and Australia.
Geczy, A. (2001). Review: Space Odyssesys: light visions. RealTime: +onscreen, 45.
Geczy, A. (2001). The Same Old Song? Art Monthly, August.
Geczy, A., Genocchio, B. (2001). What Is Installation?: An Anthology of Writings on Australian Installation Art. Australia: Power Publications.
Geczy, A. (2001). What's New in New Media, And what do we see in video? Art Monthly.
Geczy, A. (2001). World Without End. Postwest, 18.

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Selected Grants

2004

Grant for New Work, Geczy A, Australia Council/Visual Arts Board Grant

2002

Grant for New Work, Geczy A, Australia Council/New Media Board: Grant for new work

2000

Presentation and Promotion, Geczy A, Australia Council/Visual Arts Board Grant

1999

Artist's Studio Fellowship at the KÃ¼nstlerhaus Bethanien, Berlin, Geczy A, Australia Council/Visual Arts Board Grant

In the media

05/09/2024 - interviewed on 702 ABC Sydney about the ways societies 'signal' messages to each other
01/02/2024 - quoted in The Monthly: Call to arms: Jordan Wolfson’s ‘Body Sculpture’
07/04/2023 - featured on the New Books Network podcast: Gastrofashion from Haute Cuisine to Haute Couture
28/03/2023 - featured on podcast: Tip of the Tongue 166: 'Gastrofashion'
25/02/2023 - mentioned in The Australian: The silver age: is the cult of youth in decline?

Faculty of Arts and Social Sciences

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Associate Professor Adam Geczy

Selected publications

Publications

By Type

By Year

Selected Grants

2004

2002

2000

1999

In the media