Books

• Csapo, E., Wilson, P. (2020). A Social and Economic History of the Theatre to 300 BC Volume II: Theatre Beyond Athens: Documents with Translation and Commentary. Cambridge: Cambridge University Press. [More Information]
• Csapo, E. (2010). Actors and Icons of the Ancient Theater. United Kingdom: Wiley-Blackwell Publishing.
• Csapo, E. (2005). Theories of Mythology. Oxford: Blackwell Publishers.
• Csapo, E., Slater, W. (1995). The Context of Ancient Drama. Ann Arbor: University of Michigan Press.

Edited Books

• Csapo, E., Green, J., Le Guen, B., Paillard, E., Stoop, J., Wilson, P. (2022). Theatre and Autocracy in the Ancient World. Berlin: De Gruyter. [More Information]
• Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014). Greek Theatre in the Fourth Century B.C.. Berlin: Walter de Gruyter. [More Information]
• Csapo, E., Miller, M. (2007). The Origins of Theater. Cambridge: Cambridge University Press.
• Csapo, E., Miller, M. (2003). Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece. Oxford: Oxbow Books.
• Porter, J., Csapo, E., Marshall, C., Ketterer, C. (1999). Crossing the Stages: The Production, Performance and Reception of Ancient Theatre. Iowa: University of Iowa Press.

Book Chapters

• Csapo, E., Wilson, P. (2022). Greek Theatre and Autocracy in the Fifth and Fourth Centuries. In E. Csapo, J.R. Green, B. Le Guen, E. Paillard, J. Stoop., P. Wilson. (Eds.), Theatre and Autocracy in the Ancient World (forthcoming), (pp. 15-36). Paris: De Boccard. [More Information]
• Csapo, E., Paillard, E., Wilson, P. (2022). Theatre and Autocracy: A Paradox for Theatre History. In E. Csapo, J.R. Green, B. Le Guen, E. Paillard, J. Stoop., P. Wilson. (Eds.), Theatre and Autocracy in the Ancient World (forthcoming), (pp. 1-14). Paris: De Boccard. [More Information]
• Csapo, E. (2021). Lachares and Menander: a Theatre-Historical Look at POxy 1235, col iii, 103-112. In V. Mastellari (Eds.), Frammenti e dintorni: Fragmente im Kontext, Studia Comica 11, (pp. 49-68). Gottingen: Vandenhoek & Ruprecht.
• Csapo, E. (2020). How Cratinus fr. 372 Made Theatre History. In A. Lamari, F. Montanari and A. Novokhatko (Eds.), Fragmentation in Ancient Greek Drama, (pp. 573-602). Berlin: Walter de Gruyter.
• Csapo, E., Wilson, P. (2020). The Politics of Greece's Theatrical Revolution, c. 500-c. 300 BCE. In H. M and C. W. Marshall (Eds.), Greek Drama V: Studies in the Theatre of the Fifth and Fourth Centuries BCE, (pp. 1-22). London: Bloomsbury. [More Information]
• Csapo, E., Wilson, P. (2020). The Politics of Theater Music in Fifth- and Fourth-Century Greece. In T. Lynch and E. Rocconi (Eds.), A Companion to Ancient Greek and Roman Music, (pp. 421-433). Hoboken: Wiley-Blackwell Publishing. [More Information]
• Csapo, E. (2017). Imagining the shape of choral dance and inventing the cultic in Euripides' later tragedies. In Laura Gianvittorio (Eds.), Choreutika: Performing and Theorising Dance in Ancient Greece, (pp. 119-156). Pisa: Fabrizio Serra Editore.
• Csapo, E. (2016). The 'theology' of the Dionysia and Old Comedy. In Esther Eidinow, Julia Kindt, Robin Osborne (Eds.), Theologies of Ancient Greek Religion, (pp. 117-152). Cambridge: Cambridge University Press. [More Information]
• Csapo, E. (2015). The Earliest Phase of Comic Choral Entertainments in Athens: The Dionysian Pompe and the Birth of Comedy. In Stylianos Chronopoulos, Christian Orth (Eds.), Fragmente einer Geschichte der griechischen Komodie Fragmentary History of Greek Comedy, (pp. 66-108). Heidelberg: Verlag Antike.
• Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292-299). Chichester, UK: Wiley-Blackwell Publishing. [More Information]
• Wilson, P., Csapo, E. (2014). Economic History of the Greek Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 307-314). Chichester, UK: Wiley-Blackwell Publishing. [More Information]
• Csapo, E., Wilson, P. (2014). Origins and History of Greek Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 926-937). Chichester, UK: Wiley-Blackwell Publishing. [More Information]
• Csapo, E. (2014). Performing Comedy in the Fifth through Early Third Centuries. In Michael Fontaine, Adele C Scafuro (Eds.), The Oxford Handbook of Greek and Roman Comedy, (pp. 50-69). Oxford: Oxford University Press. [More Information]
• Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142). Chichester, UK: Wiley-Blackwell Publishing.
• Csapo, E., Wilson, P. (2014). The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus. In Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson (Eds.), Greek Theatre in the Fourth Century B.C., (pp. 393-424). Berlin: Walter de Gruyter. [More Information]
• Csapo, E. (2014). The iconography of comedy. In Martin Revermann (Eds.), The Cambridge Companion to Greek Comedy, (pp. 95-127). Cambridge: Cambridge University Press. [More Information]
• Csapo, E. (2013). Comedy and the Pompe: Dionysian genre-crossing. In Emmanuela Bakola, Lucia Prauscello, Mario Telo (Eds.), Greek Comedy and the Discourse of Genres, (pp. 40-80). Cambridge, UK: Cambridge University Press. [More Information]
• Csapo, E. (2012). 'Parade Abuse', 'From the Wagons'. In C.W. Marshall and George Kovacs (Eds.), No Laughing Matter: Studies in Athenian Comedy, (pp. 19-33). London, UK: Bristol Classical Press. [More Information]
• Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia: Evidence for the Administration and Finance of the Athenian Theatre in the Late Fourth Century BC. In D Rosenbloom and J Davidson (Eds.), Greek Drama IV: Texts, Contexts, Performance, (pp. 300-321). Oxford, United Kingdom: Aris and Phillips.
• Csapo, E. (2012). The Economics, Poetics, Politics, Metaphysics, and Ethics of the "New Music". In D Yatromanolakis (Eds.), Music and Cultural Politics in Greek and Chinese Societies: Volume 1: Greek Antiquity. Cambridge: Harvard University Department of the Classics.
• Csapo, E., Wilson, P. (2010). Le passage de la chorégie à l'agonothésie à Athènes à la fin du IVe siècle. In Brigitte Le Guen (Eds.), Largent dans les concours du monde grec, (pp. 83-105). Saint-Denis: Presses Universitaires de Vincennes.
• Csapo, E. (2010). The Context of Choregic Dedications. In Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and its Context, (pp. 79-130). Oxford: Oxford University Press.
• Csapo, E. (2010). The Production and Performance of Comedy in Antiquity. In Gregory W Dobrov (Eds.), Brills Companion to the Study of Greek Comedy, (pp. 103-142). Leiden: Brill.
• Csapo, E. (2009). New Music's Gallery of Images: the "Dithyrambic" First Stasimon of Euripides'' Electra. In J.R.C. Cousland and J.R. Hume (Eds.), The Play of Texts and Fragments: Essays in Honour of Martin Cropp, (pp. 95-109). Leiden, The Netherlands: Brill.
• Wilson, P., Csapo, E. (2009). The End of the Khoregia in Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La Musa dimenticata: aspetti dell esperienza musicale greca in et ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.
• Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In Felix Budelmann (Eds.), The Cambridge Companion to Greek Lyric, (pp. 277-294). Cambridge: Cambridge University Press.
• Csapo, E. (2008). Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance. In Martin Revermann and Peter Wilson (Eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, (pp. 262-290). Oxford, NY, USA: Oxford University Press.
• Csapo, E., Miller, M. (2007). General Introduction. In Eric Csapo & Margaret Miller (Eds.), The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama, (pp. 1-40). New York: Cambridge University Press.
• Csapo, E. (2007). The Men who Built the Theatres: Theatropolai, Theatronai, and Arkhitektones. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 87-121). Oxford: Oxford University Press.
• Csapo, E. (2004). Some Social and Economic Conditions behind the Rise of the Acting Profession in the Fifth and Fourth Centuries B.C. In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.), Le Statut de l'acteur dans l'antiquité grecque et romaine, (pp. 53-76). Presses Universitaires François-Rabelais.
• Csapo, E. (2004). The Politics of the New Music. In Penelope Murray, Peter Wilson (Eds.), Music and the Muses: the Culture of Mousike in the Classical Athenian City, (pp. 207-248). United Kingdom: Oxford University Press.
• Csapo, E. (2003). Preface. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. vii-viii). Oxford: Oxbow Books.
• Csapo, E. (2003). The Dolphins of Dionysus. In Eric Csapo and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth, Word and Image in Ancient Greece, (pp. 69-98). Oxford: Oxbow Books.
• Csapo, E. (2002). Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles. In Pat Easterling & Edith Hall (Eds.), Greek and Roman Actors: Aspects of an Ancient Profession, (pp. 127-147). Cambridge, UK: Cambridge University Press.
• Csapo, E. (2001). The First Artistic Representations of Theatre: Dramatic Illusion and Dramatic Performance in Attic and South Italian Art. In G. Katz, V.F. Golini, and D. Pietropaolo (Eds.), Theatre and the Visual Arts, (pp. 17-38). Ottawa, Canada: Legas.

Journals

• Csapo, E. (2020). Crowns, Garands and Ribbons for Tony Podlecki: Official and Unofficial Victory Rituals at the Athenian Dionysian Festivals. Mouseion: journal of the Classical Association of Canada, 17(Supplement 1), 151-174.
• Csapo, E. (2020). Crowns, garlands, and ribbons for tony podlecki: Official and unofficial victory rituals at the athenian dionysian festivals. Mouseion: journal of the Classical Association of Canada, 17, 151-174. [More Information]
• Csapo, E. (2016). Choregic dedications and what they tell us about comic performance in the fourth century BC. Logeion: A Journal of Ancient Theatre, 6, 252-284.
• Csapo, E. (2016). CHOREGIC DEDICATIONS AND WHAT THEY TELL US ABOUT COMIC PERFORMANCE IN THE FOURTH CENTURY BC. Logeion: A Journal of Ancient Theatre, 6, 252-284.
• Csapo, E., Wilson, P. (2015). Drama Outside Athens in the Fifth and Fourth Centuries BC. Trends in Classics, 7(2), 316-395. [More Information]
• Csapo, E. (2008). The Iconography of the Exarchos. Mediterranean Archaeology, 19/20(2007), 55-65.
• Csapo, E. (2007). Satyr drama. Tragedy at play. Bryn Mawr Classical Review, 57(2), 293-295.
• Csapo, E. (2006). Cockfights, Contradictions, and the Mythopoetics of Ancient Greek Culture. Arts: the Proceedings of the Sydney University Arts Association, 28, 9-41.
• Csapo, E. (2002). Review of B. Le Guen, Les Associations de Technites dionysiaques à l’époque hellénistique. Bryn Mawr Classical Review, 2002.07.16.
• Csapo, E. (2002). Review of P.J. Wilson, The Athenian Institution of the Khoregia. Phoenix, 56(1), 150-153.

Magazine / Newspaper Articles

• Csapo, E. (2007). The Cultural Poetics of the Greek Cockfight. Australian Archaeological Institute at Athens Newsletter.

Reference Works

• Csapo, E. (2009). Actors and Acting. The Oxford Encyclopedia of Ancient Greece and Rome. Oxford University Press.
• Csapo, E. (2009). Theatrical Production, Greek. In M. Gagarin (Eds.), The Oxford Encyclopedia of Ancient Greece and Rome. UK: Oxford University Press.
• Csapo, E., Slater, W. (2003). Anthesteria. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 64). Oxford: Oxford University Press.
• Csapo, E. (2003). Cothornus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 327). Oxford: Oxford University Press.
• Csapo, E. (2003). Dionysia. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 374-375). Oxford: Oxford University Press.
• Csapo, E. (2003). Dionysus. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
• Csapo, E. (2003). Dionysus, Theatre of. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 375). Oxford: Oxford University Press.
• Csapo, E. (2003). Ekkyklema. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 418). Oxford: Oxford University Press.
• Csapo, E. (2003). Greek Theatre, Ancient. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 536-545). Oxford: Oxford University Press.
• Csapo, E. (2003). Lenaea. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 728). Oxford: Oxford University Press.
• Csapo, E. (2003). Mechane. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 823). Oxford: Oxford University Press.
• Csapo, E. (2003). Orchestra. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 974). Oxford: Oxford University Press.
• Csapo, E. (2003). Satyr-play. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1190). Oxford: Oxford University Press.
• Csapo, E. (2003). Vitruvius. In Dennis Kennedy (Eds.), Oxford Encyclopedia of Theatre and Performance. (pp. 1417). Oxford University Press.

Other

• Csapo, E. (2013), The Dionysian Parade and the Poetics of Plenitude (UCL Houseman Lecture, UCL Department of Greek and Latin, 20 February 2013).