Books

• Clark, J. (2025). Contemporary Asian Art at Biennials (forthcoming). Singapore: NUS Press Pte Ltd. [More Information]
• Clark, J. (2021). The Asian Modern. Singapore: National Gallery Singapore. [More Information]
• Clark, J. (2013). Modernities of Japanese Art. Leiden: Brill. [More Information]
• Clark, J. (2010). Asian Modernities: Chinese and Thai Art Compared, 1980 to 1999. Sydney, Australia: Power Publications. [More Information]
• Clark, J. (2010). Modernities of Chinese Art. Leiden: Brill. [More Information]
• Clark, J. (2001). Japanese Exchanges in Art 1850s To 1930s: With Britain, Continental Europe, and the USA. Australia: Power Publications.

Edited Books

• Clark, J., Peleggi, M., Sabapathy, T. (2006). Eye of the beholder: reception, audience, and practice of modern Asian art. Sydney: Wild Peony.

Book Chapters

• Clark, J. (2022). Taking pleasure and consolation in a community of disparate but linked souls. In Kon Gouriotis, Erin McFadyen and Melissa Pesa (Eds.), Khaled Sabsabi, (pp. 82-97). Alexandria, NSW, Australia: Bandicoot Publishing Pty Ltd.
• Clark, J. (2021). Las Bienales Asiaticas Contemporaneas: Algunas Conclusiones. In Danne Ojeda and Ruben de la Nuez (Eds.), Trazos discontinuos. Antologia critica sobre las bienales de arte en Asia Pacifico, (pp. 197-223). Leiden: Almenara.
• Clark, J. (2021). New approaches to Asian modernity. In Helen Westgeest and Kitty Zijlmans (Eds.), Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives, (pp. 165-171). Amsterdam: Valiz.
• Clark, J. (2020). Behind the Painting: Xu Bing's Hybrid Landscapes. In Sarah E. Fraser and Yu-Chieh Li (Eds.), Xu Bing: Beyond the Book from the Sky, (pp. 109-114). Singapore: Springer. [More Information]
• Clark, J. (2019). Zhang Peili: Negotiating a space for contemporary art in China with video. In Olivier Krischer (Eds.), Zhang Peili: From Painting to Video, (pp. 95-126). Canberra: ANU Press. [More Information]
• Clark, J. (2018). A Personal Poetics: Latiff Mohidin and his Pago Pago series. In Shabbir Hussain Mustafa and Catherine David (Eds.), Latiff Mohidin: Pago Pago (1960-1969), (pp. 198-210). Singapore: National Gallery Singapore.
• Clark, J. (2018). Time Processes in the History of the Asian Modern. In Dan Karlholm, Keith Moxey (Eds.), Time in the History of Art: Temporality, Chronology and Anachrony, (pp. 45-61). New York: Routledge. [More Information]
• Clark, J. (2017). Colonial Art as a Space of the Asian Modern. In Low Sze Wee, Patrick D Flores (Eds.), Charting Thoughts: Essays on Art in Southeast Asia, (pp. 44-59). Singapore: National Gallery Singapore.
• Clark, J. (2017). Modern Art in Southeast Asia [reprint]. In Furuich Yasuko (Eds.), The Japan Foundation Asia Center Art Studies. Volume 3: Shaping the History of Art in Southeast Asia, (pp. 20-23). Tokyo: The Japan Foundation.
• Clark, J. (2016). Building a Collection: Chinese Prints at the University of Sydney. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Prints, 1954-2002, (pp. 25-35). Sydney: Power Publications.
• Clark, J. (2016). John Young: Painting Simulacra and a Re-envisaged History. In Wu Hung (Eds.), Zhang Dali: Permanence and Impermanence, (pp. 134-151). Beijing: China Nationality Art Photograph Publishing House.
• Clark, J. (2016). Parallel Modernities: Approaching Modernity in Asia Outside Europe and America. In Sarah Lee, Sara Siew (Eds.), Reframing Modernism, (pp. 239-245). Singapore: National Gallery Singapore.
• Clark, J. (2016). Su Xinping. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Prints, 1954-2002, (pp. 99-117). Sydney: Power Publications.
• Clark, J. (2016). The Endogenous and the Exogenous Interface in Globalism: The Case of China and Thailand. In Hiroki Azuma (Eds.), Genron 3: Escape from Postwar Japanese Art, (pp. 212-232). Japan: Genron.
• Clark, J. (2016). The life and the work: Australian art biography. In Jaynie Anderson, Christopher R. Marshall, Andrew Yip (Eds.), The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics, (pp. 178-189). Sydney: Power Publications.
• Clark, J. (2015). Moral Tales, Now with Humor and Maybe Redemption. In A. Bergmann, S-L Hertel, J. Noth, A. Papist-Matsuo, W. Schrape (Eds.), Elegant Gathering in a Scholar's Garden: Studies in East Asian Art in Honor of Jeong-hee Lee-Kalisch, (pp. 287-291). Wiemar: Verlag und Datenbank für Geisteswissenschaften.
• Clark, J. (2014). The Worlding of the Asian Modern. In Michelle Antoinette, Caroline Turner (Eds.), Contemporary Asian Art and Exhibitions: Connectivities and World-making, (pp. 67-88). Canberra: ANU Press. [More Information]
• Clark, J. (2014). Trajectories of the National: Xu Beihong and Arthur Kampf in Inter-Asian Comparison. In Wang Wenjuan (Eds.), Globalisation and Ethnicisation: Xu Beihong Art Research and Development in 21st Century China, (pp. 405-424). Beijing: Chinese Peoples University Press.
• Clark, J. (2013). Asian Artists as Long-Distance Cultural Specialists in the Formation of Modernities. In Fuyubi Nakamura, Morgan Perkins, Olivier Krischer (Eds.), Asia through Art and Anthropology: Cultural Translation Across Borders, (pp. 19-32). London: Bloomsbury Academic, imprint of Bloomsbury. [More Information]
• Clark, J. (2013). The Elephant and The Ant: Chinese and Thai Art in the 1980s and 1990s. In Parul D Mukherji, Naman P Ahuja, Kavita Singh (Eds.), InFlux: Contemporary Art in Asia, (pp. 20-35). New Delhi: Sage Publications India Pvt. Ltd.
• Clark, J. (2013). The Endogenous-Exogenous Interface in Globalism: The Case of China and Thailand. In Hans Belting, Andrea Buddensieg, Peter Weibel (Eds.), The Global Contemporary and the Rise of New Art Worlds, (pp. 193-201). Karlsruhe, Germany: ZKM Publications.
• Clark, J. (2012). Modern and Contemporary Chinese Art: Main Issues. In Birgit Hopfener, Franziska Koch, Jeong-hee Lee-Kalisch, Juliane Noth (Eds.), Negotiating Difference: Contemporary Chinese Art in the Global Context, (pp. 33-47). Weimar: VDG Weimar.
• Clark, J. (2012). Okakura Tenshin and Aesthetic Nationalism. In Rimer, J. Thomas (Eds.), Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, (pp. 212-256). Honolulu: University of Hawaii Press.
• Clark, J. (2012). The Southeast Asian Modern: Three Artists. In Nora A. Taylor, Boreth Ly (Eds.), Modern and Contemporary Southeast Asian Art: An Anthology, (pp. 15-32). New York, United States: Cornell University Press.
• Clark, J. (2011). 'Asian Art' and Australia. In Anderson, Jaynie (Eds.), The Cambridge Companion to Australian Art, (pp. 217-230). Cambridge: Cambridge University Press.
• Clark, J. (2011). Open and closed discourses of Modernity in Asian Art. In Melissa Chiu, Benjamin Genocchio (Eds.), Contemporary Art in Asia: A Critical Reader, (pp. 27-45). United States of America: The MIT Press.
• Clark, J. (2010). A distant view. In James Elkins, Zhivka Valiavicharska and Alice Kim (Eds.), Art and globalization, (pp. 181-182). University Park, PA: Pennsylvania State University Press.
• Clark, J. (2010). Art in Beijing 1981 & 1990. In John A Clark (Eds.), Modernities of Chinese Art, (pp. 19-27). Leiden: Brill.
• Clark, J. (2010). Asia's invisible [?] modernism. In Peking University Research Centre for Aesthetics and Aesthetic Education (Eds.), What is Chinese Contemporary Art?, (pp. 438-459). Chengdu: Sichuan Meishu Chubanshe.
• Clark, J. (2010). Biennials as structures for the writing of art history: the Asian perspective. In Elena Filipovic, Marieke van Hal, Solveig Ovstebo (Eds.), The Biennial Reader, (pp. 164-183). Ostfildern, Germany: Hatje Cantz Verlag.
• Clark, J. (2010). Chinese modern artists in postwar France, 1980s and 1990s. In John A Clark (Eds.), Modernities of Chinese Art, (pp. 187-209). Leiden: Brill.
• Clark, J. (2008). Modernities in art: how are they "other"? In Kitty Zijlmans and Wilfried van Damme (Eds.), World art studies: exploring concepts and approaches, (pp. 401-418). Amsterdam: Valiz.
• Jones, C., Clark, J. (2008). Nationalism and Internationalism in Modern Art. In Sarvepalli Gopal, Sergei L.Tikhvinsky (Eds.), History of Humanity: Scientific and Cultural Developement: Volume VII The Twentieth Century, (pp. 408-446). Paris, France: UNESCO Publishing.
• Clark, J. (2007). Beyond Euramerica. In Peter Weibel/Andrea Buddensieg (Eds.), Contemporary art and the museum: a global perspective, (pp. 66-78). Ostfildern: Hatje Cantz Verlag.
• Clark, J. (2007). Histories of the Asian "New": Biennales and Contemporary Asian Art. In Vishakha N Desai (Eds.), Asian Art History in the 21st Century, (pp. 229-249). United States: Yale University Press.
• Clark, J. (2006). An Australian Creative Space: Where is Australian-Asian art now? In Charles Green (Eds.), 2006 /contemporary commonwealth/, (pp. 26-35). Melbourne: National Gallery of Victoria.
• Clark, J. (2006). Luis Chan: A Hong Kong Modernist. In Jack Lee (Eds.), From Reality to Fantasy: the Art of Luis Chan, (pp. 112-116). Hong Kong: Asian Art Archive.
• Clark, J. (2006). What Modern and Contemporary Asian Art is [or is not]: the view from MoMA and the view from Asia. In John Clark, Maurizio Peleggi, and T.K. Sabapathy (Eds.), Eye of the beholder : reception, audience, and practice of modern Asian Art, (pp. 297-317). Sydney: Wild Peony Pty Ltd.
• Clark, J. (2004). Chinese Artists In France. In Francis Alys, Gerardo Mosquera, Jean Fisher (Eds.), Over Here: International Perspectives on Art and Culture, (pp. 210-233). Cambridge, Massachusetts: The MIT Press.

Journals

• Clark, J. (2025). Defan doesn't recall: an interpretive essay (forthcoming). Journal of The Siam Society, 113.
• Clark, J. (2024). Caroline Ha Thuc, Research-Based Art Practices in Southeast Asia: The Artist as Producer of Knowledge. Journal of The Siam Society, 112(2), 222-227. [More Information]
• Clark, J. (2022). Review: 'Memories of the Memories of the Black Rose Cat' by Veeraporn Nitiprapha. Journal of The Siam Society, 110(2), 121-127.
• Clark, J., Suwannakudt, P. (2021). A History of Phaiboon Suwannakudt (1925-1982). Journal of The Siam Society, 109(1), 1-36.
• Clark, J. (2020). 'Tradition' in Thai Modern Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(2), 39-89. [More Information]
• Clark, J. (2020). A Thai Novel: From the Inside? On Veeraporn Nitiprapha, 'The Blind Earthworm in the Labyrinth', 2013, translation 2018. Journal of The Siam Society, 108(1), 25-38. [More Information]
• Clark, J. (2020). Book review: 'Very Bangkok: In the City of the Senses' by Philip Cornwel-Smith, Bangkok: River Books, 2020. Journal of The Siam Society, 108(2), 237-241.
• Clark, J. (2020). Multiple Modernities: An Art History of 'The Asian Modern'. Humanities Australia, 11, 38-46. [More Information]
• Ker, Y., Chotpradit, T., O'Connor, S., Soon, S., Abdullah, S., Nelson, R., Campos, P., Taylor, N., Mahamood, M., Chua, L., Clark, J., et al (2020). Teaching the History of Modern and Contemporary Art of Southeast Asia. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(1), 101-203. [More Information]
• Clark, J. (2018). Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale. Yishu: A journal of Chinese Contemporary Art, 17(1), 8-29.
• Clark, J. (2018). Japanese Modern and Contemporary Art: An Art-Historical Field. Art History, 41(4), 596-791. [More Information]
• Clark, J. (2018). Negotiating Change in Recent Southeast Asian Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 2(1), 43-92. [More Information]
• Clark, J. (2017). Review of A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography, by Luke Gartlan. Australian and New Zealand Journal of Art, 17(2), 261-264. [More Information]
• Clark, J. (2016). Asian Art History in Australia: Its Functions and Audience. Australian and New Zealand Journal of Art, 16(2), 202-217. [More Information]
• Clark, J. (2016). Review of Contemporary Chinese Art, A History 1970s–2000s, by Wu Hung. Australian and New Zealand Journal of Art, 16(1), 106-108. [More Information]
• Clark, J. (2015). Canon-Making and Curating in Recent Asian Art. Journal of Fine Arts, 2(2), 33-93.
• Clark, J., Chen, W. (2015). Questions of Contemporary Discourse and Its Development in the Work of Araya Rasdjarmrearnsook. Xiandai Meishu, 176, 35-47. [More Information]
• Clark, J. (2014). [Book Review] '"Avant-Garde" Art Groups in China, 1979–1989: The Stars - The Northern Art Group - The Pond Association - Xiamen Dada: A Critical Polylogue' by Paul Gladston. The China Journal, 72, 223-225.
• Clark, J. (2014). Alms to Stray Dogs and Other Stories: Araya Rasdjarmrearnsook in Conversation with John Clark. Art Monthly Australia, 268, 34-41.
• Clark, J. (2014). Is the Modernity of Chinese Art Comparable?: An Opening of a Theoretical Space. Journal of Art Historiography, 10. [More Information]
• Clark, J. (2014). Japan and Modern Asian Art. Journal of Fine Arts, 1(2), 49-80.
• Clark, J. (2013). [Book review] Hans Belting, 'Florence and Baghdad: Renaissance Art and Arab Science'. Australian and New Zealand Journal of Art, 13, 185-189.
• Clark, J. (2013). Presenting the Self: Pictorial and Photographic Discourses in Nineteenth-century Dutch Indies and Siam. Ars Orientalis, 43, 66-81.
• Clark, J. (2011). An "Australian" creative space: where is Australian-Asian Art now? Contemporary Visual Art + Culture: Broadsheet, 40(2), 90-95.
• Clark, J. (2011). Charusu Waaguman, saikô. Kindai Gasetsu, 20(4), 12-35.
• Clark, J. (2011). Icon and Image in Modern Thai Art: A Preliminary Exploration. Contemporary Aesthetics, 3(Special), 1-31.
• Clark, J. (2010). [Book review] Art in China 2/e, Oxford University Press, edited by C. Clunas. Asian Art News, 20(2), 100-100.
• Clark, J. (2009). Margo Machida, Unsettled Visions: Contemporary Asian American artists and the social imaginary. Asian Art News, 19(6), 120.
• Clark, J. (2009). Political expression and the recent Chinese landscape painting of Ding Fang. emaj: electronic Melbourne art journal, 4, 1-23.
• Clark, J. (2007). Hybridity in Asian art now. Journal of Korean Modern and Contemporary Art History, 18, 192-208.
• Clark, J. (2007). Review: Kalighat Painting: Images from a Changing World. Asian Art News, (March).
• Clark, J. (2007). Review: When was Modernism: Essays on Contemporary Cultural Practice in India. Australian and New Zealand Journal of Art.
• Clark, J. (2007). Unashamedly Eurocentric. World Sculpture News, 13(3), 40-41.
• Clark, J. (2007). Uncertain Identity. Asian Art News, 17(5), 86-91.
• Clark, J. (2006). La modernite a l'horizon: La culture populaire dans le Japon des annees vingt. Edited by Jean-Jacques Tschudin and Claude Hamon. Editions Philippe Picquier, Arles, 2004. 244 pages. $18.00. Journal of Japanese Studies, 32(1), 165-169. [More Information]
• Clark, J. (2006). Okakura Tenshin and Aesthetic Nationalism. East Asian History, 29(June), 1-38.
• Clark, J. (2005). A Short review of a Very, Very Long Book. Yishu: A journal of Chinese Contemporary Art, 4(4), 107-107.
• Clark, J. (2005). Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. Journal of Design History, 18(3), 309-311.
• Clark, J. (2005). Yao Souchou, Confucian Capitalism: Discourse, practice and the myth of Chinese enterprise, London and New York, Routledge/Curzon, 2002, 192 pages, ISBN 0-7007-1583-5. Journal of Asian Pacific Communication, 15(2), 317-320.
• Clark, J. (2004). Food Stories. Gastronomica, 4 Spring(2), 43-50.
• Clark, J. (2004). Review: Mavo: Japanese Artists and the Avant-Garde, 1905-1931. Australian and New Zealand Journal of Art, 5(1), 237-242.
• Clark, J. (2003). Making merit, making art: A Thai temple in Wimbledon by Sandra Cate (review). Journal of Southeast Asian Studies, 34(3), 578-580.
• Clark, J. (2003). Okakura Tenshin [Kakuzo] and Aesthetic Nationalism. Arts: the Proceedings of the Sydney University Arts Association, 25, 64-89.
• Clark, J. (2002). Asian Modernisms. Marg, , 102-111.
• Clark, J. (2002). Review: Contemporary Korean Cinema. International Journal of Cultural Studies, 5(2), 242-243.
• Clark, J. (2002). System and Style in the practice of Chinese contemporary art : the disappearing exterior? Yishu: A journal of Chinese Contemporary Art, , 13-33.
• Clark, J. (2002). What in the context of contemporary art, is your vision of a future art? Www.Anthology-Of-Art.Net.
• Clark, J. (2002). Xiandai Dashi: Riben xiandai yishu de zhuliu (Modern Masters: the makers of Modernity. Lishi Wenwu (Journal of National History Museum Taiwan), , 70-84.
• Clark, J. (2001). Review: Asian Artists at the 2001 Venice Biennale. IIAS Newsletter, 26(November).

Conferences

• Clark, J. (2018). The archive in time, temporal processes in the history of the Asian modern. Archival Turn: East Asian Contemporary Art and Taiwan (1960-1989), Taipei, Taiwan: Taipei Fine Arts Museum.
• Clark, J. (2010). Japanese Contemporary Art and Globalization: Largely Seen from Participation in the Venice Biennale. International Symposium: Globalization, localization, and Japanese studies in the Asia-Pacific region, Kyoto, Japan: International Research Center for Japanese Studies.
• Clark, J. (2009). Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century. 32nd International Congress in the History of Art 2008, Australia: The Miegunyah Press.
• Clark, J., McCallum, P., Maxwell, I. (2007). Australian Arts: Where the Bloody Hell Are You? Australian Arts in an International Context: Proceedings of a Symposium held at University of Sydney on 8 December 2006. Australian Arts in an International Context: Symposium held at University of Sydney, Sydney: Sydney University Press.
• Clark, J. (2007). Concluding Remarks 2. 27th International Symposium. Traditional Japanese Arts and Crafts in the 21st Century, Fukui Japan: International Research Center for Japanese Studies.
• Clark, J. (2006). The discursive space of Asian Cubism. The Japan Foundation International Symposium 2005, Tokyo: The Japan Foundation.
• Clark, J. (2004). Chinese And Thai Art Of The 1980S And 1990S. Beijing Forum. University of Melbourne.
• Clark, J. (2004). Japanese Contemporary Art And Globalization, Largely Seen From Participation In The Venice Biennale. Gobalization, Localization, and Japanese Studies in the Asia-Pacific Region. University of Melbourne.

Textual Creative Works

• Clark, J. (2019). Around the sides of the modern. Life Pilgrimages, (pp. 198 - 202). Hong Kong, Hong Kong (SAR of China): brownie publishing.
• Clark, J. (2019). Meanwhile, snapshots across the river. 1st Bangkok Art Biennale 'Beyond Bliss' 2018, (pp. 412 - 417). Bangkok, Thailand: Bangkok Art Biennale.
• Clark, J. (2019). Park Seo-Bo in Historical and Comparative Perspective. Park Seo-Bo: The Untiring Endeavorer, (pp. 91 - 112). Seoul, Korea, Republic of (South): National Museum of Modern and Contemporary Art (Seoul, South Korea).
• Clark, J. (2017). Jun T. Lai in the 1980s and 1990s. Jun T. Lai: Wonderland, (pp. 36 - 39). Taichung, Taiwan: National Taiwan Museum of Fine Arts.
• Clark, J. (2013). Here we go Asian again. ORIENTing: Ian Fairweather in Western Australian Collections and With or Without You, (pp. 45 - 48). Perth, Australia: Lawrence Wilson Art Gallery.
• Clark, J. (2013). Jumaadi's Artwork. The Figural Poetry of Jumaadi, (pp. 40 - 43). Jakarta, Indonesia: Art:1.
• Clark, J. (2011). Un Paris changeant: la capitale mondiale de l'art vue par les artistes venus de Chine (et de quelques autres pays d'Asie). Artistes chinois a Paris, (pp. 10 - 19). Paris, France: Paris Musees.
• Clark, J. (2010). Beauty of Distance: postmortems John Clark. Contemporary Visual Art + Culture: Broadsheet 39(3), volume 39 issue 3, (pp. 207 - 207). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
• Clark, J. (2010). Fiona Tan: coming home. Art and Australia 47(4), volume 47 issue 4, (pp. 685 - 685). Sydney (Paddington), Australia: Art and Australia Pty Ltd.
• Clark, J. (2010). Setouchi art matters. Asian Art News 20(5), Volume 20 Issue 5, (pp. 50 - 54). Hong Kong, China (excludes SARs and Taiwan Province): Asian Art News.
• Clark, J. (2010). Taiwan in Venice. Taiwan Pavilion at the Venice Biennale: A Retrospective 1995-2007, (pp. 117 - 121). Taipei, Taiwan: Taipei Fine Arts Museum.
• Clark, J. (2010). The intractable wall and Asia. Contemporary Visual Art + Culture: Broadsheet 39(2), volume 39 Issue 2, (pp. 102 - 105). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
• Berghuis, T., Clark, J., Butler, R., Cruickshank, A. (2009). The Asia Pacific Triennial: an interview. Broadsheet, 38.4, (pp. 235 - 239). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
• Clark, J. (2009). Zhi Jiang Dahai [For Jiang Dahai]. Jiang Dahai: Xuanchang / StringField, (pp. 109 - 110). Beijing, China (excludes SARs and Taiwan Province): Jinri Meishuguan.
• Clark, J. (2007). Art In The Present Tense. Asian Art News 17(6), (pp. 110 - 117). Hong Kong, Afghanistan: Asian Art Press.
• Clark, J. (2007). Global Intentions. Asian Art News, 17, (pp. 77 - 81). Hong Kong, Hong Kong (SAR of China): Asian Art News.
• Clark, J. (2007). Münster Skulptur Projekte. World Sculpture News, Hong Kong, Hong Kong (SAR of China): Asian Art News.
• Clark, J. (2007). The Taipei Biennial 2006. Asian Art News, (pp. 77 - 81). Hong Kong, Hong Kong (SAR of China): Asian Art News.
• Clark, J. (2007). Uncertain Identity: Documenta 12. Asian Art News, (pp. 86 - 91). Hong Kong, Hong Kong (SAR of China): Asian Art News.
• Clark, J. (2006). A narrowing of horizons: The Shanghai and Gwangju Biennales 2006. Art Monthly Australia, 196, (pp. 50 - 55). Acton, ACT, Australia: Art Monthly Australia.
• Clark, J. (2006). A spectacle of questions. Asian Art News, 16, (pp. 68 - 72). Hong Kong, Hong Kong (SAR of China): Asian Art News.
• Clark, J. (2006). Contemporary Asian Art at Biennales and Triennales: The 2005 Venice Biennale and Fukuoka Asian Triennale, the Sigg Collection, and the Yokohama and Guangzhou Triennales. CAA Reviews, (pp. 1 - 20). New York, United States of America: College Art Association.
• Clark, J. (2005). Between the worlds: Chinese Art at Biennials since 1993. Yishu, (pp. 40 - 55). Taipei, Taiwan: Art & Collection Group.
• Clark, J. (2005). Foreword. Past peripheral: curation in Southeast Asia, (pp. 1 - 3). Singapore, Singapore: NUS Museum.
• Clark, J. (2005). Foreword - Past Peripheral: Curation in Southeast Asia. Past Peripheral: Curation In Southeast Asia, (pp. 1 - 2). Singapore, Singapore: National University of Singapore Museum.
• Clark, J. (2005). Montien Boonma AND Modern Thai Sculpture. Death Before Dying: The Art of Montien Boonma, (pp. 256 - 258). Bangkok, Thailand: Ministry of Culture, Thailand.
• Clark, J. (2005). Shomei Tomatsu: Skin of the Nation. History of Photography 29(4), (pp. 387 - 388). London, United Kingdom: Taylor and Francis.
• Clark, J. (2005). Three recent Biennales in Asia: Gwangju, Busan and Shanghai. Art and Australia, 42, (pp. 388 - 391). Sydney (Paddington), Australia: Art and Australia Pty Ltd.
• Clark, J. (2003). Ajia Bijutsui no Gendaisei ni tsuite (On the Modernity of Asian Art). Gengo Bunka, No.20, Japan: Doshisha Daigaku Gengo Bunka Gakkai.
• Clark, J. (2003). alors, la chine? Artlink, 23, (pp. 68 - 71). Adelaide, Australia: Artlink Australia.
• Clark, J. (2003). Art Basel. Art Asia Pacific: today's art from tomorrow's world, 38, (pp. 48 - 49). United States of America: Art Asia Pacific Publishing, Llc..
• Clark, J. (2003). Painting in Taiwan after 1945: A Political and Economic Background. Yishu, A journal of Chinese Contemporary Art, Vo.2 No.1, (pp. 62 - 76). Taipei, Taiwan (Province of China): Art & Collection Group.
• Clark, J. (2003). Style et systeme dans la pratique de l'art contemorain chinois: la disparition de l'exterieur. Paris, France, (pp. 90 - 103). France: Centre Pompidou.
• Clark, J. (2003). Venice In Full Flow. Asian Art News, 13, (pp. 46 - 50). Hong Kong, Hong Kong: Asian Art News.

Exhibitions / Events

• Clark, J., Veal, C. (2014). Araya Rasdjarmrearnsook: Storytellers of the Town. 4A Centre for Contemporary Asian Art; ANU Drill Hall Gallery, Sydney, Australia: 4A Centre for Contemporary Asian Art.

Magazine / Newspaper Articles

• Clark, J. (2003). The charm of Foreign parts. Asian Art Archive Newsletter.

Reference Works

• Clark, J. (2010). Wirgman, Charles. The Oxford Dictionary of National Biography. Oxford: Oxford University Press.
• Clark, J. (2005). Asian Modern and Contemporary Art. Oxford Art Online; Groove Art Online. (pp. http://www.oxfordartonline.com/subscriber/article/). online search engine: Oxford University Press.

Other

• Clark, J., Sabapathy, T. (2021), The Asian Modern: John Clark in Conversation with T.K. Sabapathy. Conversation. [More Information]
• Clark, J. (2011), Modern and Contemporary Asian Art: A Working Bibliography. [More Information]
• Clark, J. (2008), Modern Asian art: the contemporary as a site in the absence of history.