2022

• Broadfoot, K. (2022). Anamorphosis as colonial encounter: the case of Augustus Earle. Postcolonial Studies, 25(2), 270-291. [More Information]

2020

• Broadfoot, K. (2020). Earle's Lithography and the Force of Law. Index Journal, 2, 127-144. [More Information]

2019

• Broadfoot, K. (2019). Augustus Earle's Waterfall in Australia and the Logic of Fantasy. Art History, 42(5), 914-935. [More Information]

2016

• Broadfoot, K. (2016). Velazquez's Dwarfs and the Modern Uncanny. Angelaki, 21(2), 33-50. [More Information]

2014

• Broadfoot, K. (2014). Australian Art on the Move: Christo and Jeanne-Claude's 'Wrapped Coast'. Australian and New Zealand Journal of Art, 14(1), 58-75. [More Information]
• Broadfoot, K. (2014). The Blot on the Landscape: Fred Williams and Australian Art History. Journal of Art Historiography, 11, 1-32. [More Information]

2012

• Broadfoot, K. (2012). Banishing the Thing: Abstraction and Australian Sculpture. Australian and New Zealand Journal of Art, 12, 107-125. [More Information]
• Broadfoot, K. (2012). Barthes's Religious Substance: Photography and Acheiropoietos. Image and Narrative: online magazine of the visual narrative, 13(3), 141-154.
• Broadfoot, K. (2012). Seeing Scale: Richard Dunn's Structuralism. emaj: electronic Melbourne art journal, 2011-2012(6), 1-17.

2011

• Broadfoot, K. (2011). Decades Past and Present. Richard Dunn, 2, (pp. 4 - 17). Sydney, Australia: Factory 49.
• Broadfoot, K. (2011). Drawing as outside art history: a response to drawing now. TRACEY, November, 1-7.
• Broadfoot, K., Butler, R. (2011). Rosemary Laing : leak. Rosemary Laing Leak, (pp. 2 - 3). Melbourne, Australia: Tolarno Galleries.
• Broadfoot, K. (2011). The Australian Tableau. Eyeline, 75, 42-47. [More Information]

2010

• Broadfoot, K. (2010). Optronic Kinetics. Into the Light : 150 Years of Cultural Treasures at the University of Sydney, (pp. 40 - 41). Australia: Melbourne University Press.

2009

• Broadfoot, K. (2009). Looking at Mirrors. mirror mirror : then and now, (pp. 17 - 22). Brisbane, Australia: Institute of Modern Art.

2006

• Broadfoot, K., Butler, R. (2006). Baudrillard, Perspective and the Void of Architecture. In Francesco Proto (Eds.), Mass. Identity. Architecture. Architectural Writings of Jean Baudrillard, (pp. 181-187). Chichester UK: Wiley-Academy.
• Broadfoot, K. (2006). Lost in Transit: the Non-Place of Installation. Australian and New Zealand Journal of Art, 7(1), 167-178.
• Broadfoot, K. (2006). The Light of the Literal: Richard Dunn's Shadowzone. In Reuben Keehan (Eds.), Artspace Projects, (pp. 44-49). Sydney: Artspace.

2005

• Broadfoot, K. (2005). After The Field. In Rex Butler (Eds.), Radical revisionism : an anthology of writings on Australian art, (pp. 251-258). Brisbane: Institute of Modern Art.

2002

• Broadfoot, K., Butler, R. (2002). A Fold in Time: Anne MacDonald and the Origin of Photography. In Stuart Koop (Eds.), Value Added Goods: Essays on Contemporary Photography, Art and Ideas, (pp. 35-46). Australia: Centre For Contemporary Photography.
• Broadfoot, K. (2002). Abstraction and Aura. S A Q: The South Atlantic Quarterly, , 459-478.
• Broadfoot, K. (2002). Perspective Yet Again:Damisch with Lacan. Oxford Art Journal, 25(1), 71-94.

2001

• Broadfoot, K. (2001). Las Meninas and the King's Two Bodies. Word and Image: a journal of verbal/visual enquiry, 17(3), 219-232.
• Broadfoot, K. (2001). The End of the Line: Installation Art Today. In Adam Geczy & Benjamin Genocchio (Eds.), What Is Installation?: An Anthology of Writings on Australian Installation Art. Australia: Power Publications.