Alexis Weaver is an electroacoustic composer and Associate Lecturer in music technology at the Sydney Conservatorium of Music, University of Sydney. In her personal creative practice, Alexis draws on field recordings and close recordings of man-made objects to create adventurous radiophonic and acousmatic works. She has also composed soundtracks for animation, short film, theatre, dance, and most notably a series of podcasts for Australian companies ARN, Amplify, Spotify, Sunny Studios and Shameless Media. Alexis’ work has been broadcast in Australia, the US, France, Scotland and Scandinavia, as well as featured on New Weird Australia’s Collapse Theories (2022), Solitary Wave (2019) and RMN Classical’s Electroacoustic and Beyond II (2017). In 2018, Alexis was awarded the National Council of Women’s Australia Day Prize for her research undertaken during her Honours year on the visibility and practice of female electroacoustic composers. Alexis then completed a Master of Music at the Sydney Conservatorium in 2018, using her thesis to investigate the use of "small diffusion" and composing for "non-ideal" listening environments. In 2023, Alexis was invited to participate in La Biennale di Venezia College Musica, which culminated in a world premiere in Venice in October, 2023. In the same year, Alexis began collaborating with Sydney-based design studio Kopi Su to develop a new generative AI tool for artists, leading to performances at the Sydney Opera House and at multiple South by Southwest Sydney Festival events. In 2024, Alexis continues her PhD candidature with the School of Chemistry at the University of Sydney, investigating how music and sound-based learning tools can assist in scientific communication.