Featuring celebrated art works, newly commissioned pieces and incredible scientific models, our free exhibitions bring fresh perspectives to one of Australia’s most extensive museum collections.
With a practice focusing on perception and our experience of space, Consuelo Cavaniglia is the first artist invited to respond directly to the Chau Chak Wing Museum’s architecture. In seeing through you, Cavaniglia invites viewers to experience an intensified sense of colour, reflections, shadows, apertures and perceptual shifts in the museum’s internal architecture – from the ‘lantern’ skylight through to its galleries. In the museum’s Penelope Gallery, Cavaniglia will present objects from the museum’s collections, including optical instruments and glass from the ancient world, alongside some of her own recent works.
She has also selected to display artworks from the collection by Lily Greenham (1924–2001), and Martha Boto (1925–2004).
Through altering scale, teaching models make the miniature visible and the massive understandable. Single cells can be expanded by a magnitude of thousands and a whole suburb shrunk to the size of a tabletop.
Micro:Macro presents models which have been an inherent part of the University of Sydney’s teaching since the late 19th century in disciplines including architecture, medicine, veterinary science and engineering. Early models of wax, papier-mâché, glass, iron and brass are artworks in themselves while later models employ methods such as 3D-printing. All contribute to our understanding of the world, giving visibility to the unknown.
Considered by many to be Australia’s most famous modernist photographer, Max Dupain (1911-1992) spent a period in the early 1950s documenting student life at the University of Sydney. The resulting body of work represents Dupain’s foray into modernism, combining architectural backdrops with candid studies of student life at work and play. Student Life is a brilliant and hilarious series of formal and surprisingly informal photographs which astutely observe Sydney's cultural shift in the immediate post war years.
Following a week-long residency at the museum in February, seven leading Australian ceramics artists produced new works based on the museum’s extensive collections.
The commissioned works draw on objects ranging from ancient Cypriot motherhood figurines to nineteenth century trade beads. Kerameikos provides a fresh perspective on one of Australia’s oldest museum collections. They have been created by: Vipoo Srivilasa, Glenn Barkley, Juz Kitson, Idil Abdullahi, Kirsten Coelho, Janet Fieldhouse and Monica Rani Rudhar.
The latest show in the museum’s China Gallery brings together the work of five contemporary Australian artists from Chinese diasporic communities.
The exciting works in The trace is not a presence ... include paintings, sculptures, installations, videos and prints connecting artists’ material histories with the present. The works often draw on iconography and materials familiar to many, but reconfigured and adapted to tell personal stories from artists’ personal stories. Featured artists include Cyrus Tang, Jenna Lee and Louise Zhang.
This show reveals major artworks from the largest collection amassed by an Australian student union. The union was prescient in acquiring important works by Indigenous artists as Robert Campbell Jr and Emily Kame Kngwarreye. The collection includes major Australian modernists such as John Coburn, Sandra Leveson and Richard Larter, and European masters including Albrecht Dürer and Maurice de Vlaminck. Celebrating the University of Sydney Union’s (USU) 150th anniversary, this enlightening exhibition recognises the power of art to shape thinking and enrich the student experience. Union Made is a collaboration between the Chau Chak Wing Museum and USU.
The next iteration of of our ongoing exhibition, Instrumental includes a range of tools that have been used to teach physiology.
Physiology has been taught at the University since 1884, with instruments a key part of the curriculum from the outset.