Book Chapters

• Weir, S., Tiliopoulos, N. (2024). Liking like Likely: Applying Personality Traits Theory to the Design of Public Architecture. In Nikolina Bobic, Farzaneh Haghighi (Eds.), The Routledge Handbook of Architecture, Urban Space and Politics, Volume II, (pp. 186-199). London: Routledge London. [More Information]
• Weir, S. (2018). Salvador Dali's Interiors with Heraclitus's Concealment. In Gregory Marinic (Eds.), The Interior Architecture Theory Reader, (pp. 195-201). Oxon: Routledge. [More Information]
• Weir, S. (2018). The Arts of Architecture. In Andrew Leach, Lee Stickells (Eds.), Sydney School: Formative Moments in Architecture, Design and Planning at the University of Sydney, (pp. 59-70). Melbourne: Uro.
• Weir, S., Moult, D., Fernando, S. (2016). Stereotomy of Wave Jointed Blocks: Toward a Wave-Jointed Stone Construction Using Wire Cutter Toolpath Generation. In Dagmar Reinhardt, Rob Saunders, Jane Burry (Eds.), Robotic Fabrication in Architecture, Art and Design 2016, (pp. 285-293). Cham: Springer. [More Information]
• Weir, S. (2012). On the Edibility of Theatres. In Dagmar Reinhardt (Eds.), Youtopia. A Passion for the Dark: Architecture at the Intersection of Digital Processes and Theatrical Performance, (pp. 35-42). Melbourne, Australia: Freerange Press.

Journals

• Weir, S., Rich, S. (2024). Shipwreck Architecture: A Speculative Hauntography. Footprint, 18(2), 51-66. [More Information]
• Weir, S. (2023). Domestic Hybrids: Vitruvius' Xenia, the Surrealist's Minotaure, and Shrigley's Octopus. Open Philosophy, 6(1). [More Information]
• Santamaria de Mingo, V., Weir, S. (2023). What Dali Owes La nature. Dada/Surrealism, 24(1), 1-21. [More Information]
• Weir, S., Harman, G. (2022). Object-Oriented Ontology in the Design Studio: A Dialogue Between Simon Weir and Graham Harman Across Architecture and Philosophy. Architecture and Culture, 10(2), 226-242. [More Information]
• Weir, S. (2022). Salvador Dali in Rem Koolhaas' Delirious New York. The Journal of Architecture, 27(2-3), 398-419. [More Information]
• Weir, S. (2022). Surrealist architecture: Dali's 1958 Crisalida, San Francisco. Journal of Surrealism and the Americas, 13(1), 112-131. [More Information]
• Weir, S., Harman, G. (2021). Architecture and object-oriented ontology. Architecture and Philosophy (Ap), (5), 2-56.
• Weir, S., Hill, G. (2021). Making space for degenerate thinking: revaluing architecture with Friedrich Nietzsche. ARQ: Architectural Research Quarterly, 25(2), 125-132. [More Information]
• Weir, S. (2020). Art and Ontography. Open Philosophy, 3(1, Object-Oriented Ontology and its Critics), 400-412. [More Information]
• Weir, S. (2020). Living and Nonliving Occasionalism. Open Philosophy, 3(1 Object-Oriented Ontology and its Critics), 147-160. [More Information]
• Weir, S., Dibbs, J. (2019). The Ontographic Turn: From Cubism to the Surrealist Object. Open Philosophy, 2(1), 384-398. [More Information]
• Fernando, S., Weir, S., Reinhardt, D., Hannouch, A. (2019). Towards a multi-criteria framework for stereotomy - Workflows for subtractive fabrication in complex geometries. Journal of Computational Design and Engineering, 6(3), 468-478. [More Information]
• Weir, S., Wozniak-O'Connor, D., Watt, R., Reinhardt, D., Fernando, S., Dibbs, J. (2018). Design and Fabrication of a ruled surface vault with the Exquisite Corpse. Nexus Network Journal, 20(3), 723-740. [More Information]
• Weir, S. (2017). On the origin of the architect: Architects and xenia in the ancient Greek theatre. Interstices: Journal of Architecture & Related Arts, 17, 9-15. [More Information]
• Weir, S. (2015). Xenia in Vitruvius' Greek house: andron, eivia and xenia from Homer to Augustus. The Journal of Architecture, 20(5), 868-883. [More Information]
• Weir, S. (2012). Paranoiac Critical Interiorisations | Odysseus in Mies van der Rohe's Seagram Building and Buckminster Fuller's domes. IDEA Journal, 2012, 60-71.

Conferences

• Weir, S. (2022). Surrealist Ontographies; On Soft Watches as Ontographic Objects. ISSS SURREALISMS 2022 International Society for the Study of Surrealism Virtual Conference, Virtual: ISSS.
• Weir, S. (2021). Crisalida - Surreal, Therapeutic, Anti-constructionalist Paranoiac-Critical Architecture. Surrealisms: ISSS Surrealisms 2021, online: International Society for the Study of Surrealism.
• Weir, S. (2019). Masochistic Ensemble: Salvador Dali against Le Corbusier. Surrealisms: 2nd Conference of the International Society for the Study of Surrealism, England: University of Exeter.
• Weir, S. (2018). Dali's Surrealist Architectural Predictions. Cathedral Thinking Symposium, Sydney: SADP University of Sydney.
• Weir, S., Wozniak-O'Connor, D., Watt, R., Masuda, R. (2018). Exquisite Corpse Vault. ADR18: Annual Design Research Conference, Sydney: Sydney University Press.
• Fernando, S., Reinhardt, D., Weir, S. (2017). Simulating Self Supporting Structures: A Comparison study of Interlocking Wave Jointed Geometry using Finite Element and Physical Modelling Methods. ShoCK! - Sharing of Computable Knowledge - Proceedings of the 35th International Con ference on Education and Research in Computer Aided Architectural Design in Europe, Rome: eCAADe (Education and Research in Computer Aided Architectural Design in Europe.
• Fernando, S., Reinhardt, D., Weir, S. (2017). Waterjet and Wire-Cutting Workflows in Stereotomic Practice. 22nd International Conference for Computer-Aided Architectural Design Research in Asia (CAADRIA 2017), Hong-Kong: Association for Computer-Aided Architectural Design Research in Asia (CAADRIA).
• Fernando, S., Saunders, R., Weir, S. (2015). Digital stereotomy - The rejuvenation of stone masonry. 16th International Conference, CAAD Futures 2015: The Next City: New technologies and the future of the build environment, Sao Paulo, Brazil: Ficha Catalografica Elaborara Pela Biblioteca Da Area De Engenharia e Arquitetura - Bae - Unicamp.
• Fernando, S., Saunders, R., Weir, S. (2015). Surveying stereotomy: Investigations in arches, vaults and digital stone masonry. Future of Architectural Research: ARCC 2015 Conference, Chicago: Perkins+Will.
• Weir, S. (2013). On the Ability to Disable - Provocations Advocating the Necessity of Philosophy in Design Studios. 7th International Conference of the Association of Architecture Schools of Australasia, Melbourne, Australia: National Library of Australia.
• Weir, S. (2012). Dali­, Le Corbusier and the Presence of Technology. 38th Annual ICOHTEC Conference, Warsaw, Poland: International Commitee for the History of Technology.
• Weir, S. (2009). Being Preseen: Marion, Academicism and Architecture. Architecture and Phenomenology, Japan: Kyoto Seika University.
• Weir, S. (2009). The Nearness of Texture: Apparent Depth in the Oil Paintings of Velazaquez & Raphael. AIC 2009 11th Congress of the International Colour Association, Sydney, Australia: The Colour Society of Australia, Inc.
• Weir, S. (2007). "To Look is to Invent": Speculations on the Influence of Salvador Dalí in the Work of Rem Koolhaas. 24th International Conference of the Society of Architectural Historians, Australia and New Zealand (SAHANZ 2007), Adelaide: Society of Architectural Historians, Australia and New Zealand.

Visual Art

• Anderson, R., Liu, K., Weir, S. (2013). A Room An Eye. In: Expanded Architecture At The Rocks. Sydney Architecture Festival. 136-138 Cumberland Street The Rocks, Sydney, Australia.
• Weir, S. (2011). Untitled 1-5. In: After Images. Sydney Architecture Festival 2011. Boutwell Draper Gallery, Sydney, Australia.
• Weir, S. (2005). 1 (degrees) C Spring - Hartz Mountains National Park. In: Glover Prize. The John Glover Society. Falls Park Pavilion, Evandale, Tasmania, Australia.
• Weir, S. (2004). 1. Body 2. Summer Horizons 3. Everytime i close my eyes. In: Body and Soul. Global Gallery, Sydney, Australia.
• Weir, S. (2004). 1. Michelangelo & Muse. In: Body & Soul. Global Gallery, Paddington, NSW, Australia.
• Weir, S. (2004). Untitled 1-10. In: Summer Horizons: new works by Simon Weir. Global Gallery. Global Gallery, 5 Comber St, Paddington, 2021, Sydney, Australia.
• Weir, S. (2003). 1. Everytime I Close My Eyes 1 2. Everytime I Close My Eyes 2 3. Apparition of Lovers 4. Myth Free 1 5. Myth Free 2 5. Nude 6. Walking Meditation 7. Wishing Well 8. Untitled Landscape 1 9. Untitled Landscape 2 10. Untitled Landscape 3 11. The Bard 1 12. The Bard 2 13. The Bard 3 14. Otis with the Fishing Hook 15. Leon by the Road. In: Everytime I close My Eyes. Global Gallery, Paddington, NSW, Australia.

Textual Creative Works

• Weir, S. (2012). Delirious Catalysis. Horizonte | Zeitschrift fur Architekturdiskurs (Journal of Architectural Discourse), Ausgabe 05 Fruhjahr 2012, (pp. 123 - 128). Weimar, Germany: Bauhaus-Universitat Weimar.

Design or Architectural Works

• Heneghan, T., Weir, S., Dzonlagic, H., Seyama, S. (2008). Elevation. Phillip Cox Australian Pavilion S. Marco, 1364/ A 30124 Venezia, Italy: Australian Institute of Architects. Public international exhibition. Unrealized.

Magazine / Newspaper Articles

• Weir, S. (2020). Ontological Withdrawal and the Symbols of Symbolism. Senzacornice, Rivista online di arte contemporanea e critica, 23, Simbolo. [More Information]
• Weir, S. (2019). Approaching Arata Isozaki. ARCSpace. [More Information]
• Weir, S. (2014). Enduring beauties: when buildings look good for their age. The Conversation.

Other

• Weir, S. (2020), "Object Oriented Ontology and the Challenge of the Corinthian Capital",
Make Sense 2020,,Harvest, Sydney, p.114-116.. [More Information]