The University of Sydney - Australharmony

THIS PAGE FIRST POSTED 1 FEBRUARY 2017

LAST MODIFIED Tuesday 17 December 2024 10:41

Anne Remens Clarke

Dr GRAEME SKINNER (University of Sydney)

THIS PAGE IS CURRENTLY UNDER CONSTRUCTION

To cite this:

Graeme Skinner (University of Sydney), "Anne Remens Clarke", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/clarke-anne.php; accessed 22 December 2024

CLARKE, Anne Theresa (Anne Theresa REMENS; Annie; Miss RUMENS; Miss REMENS; Miss REMANS; REMMANS; REMONS; RUMON; REMAINS; Mrs. Michael CLARKE; also CLARK)

Musician, vocalist, pianist, guitarist, actor, dancer, theatre proprietor and manager

Born ? England, c. 1810
Arrived (1) Hobart Town, VDL (TAS), 13 August 1834 (immigrant per Strathfieldsay, from London, 1 May)
Married Michael CLARKE, Trinity Church, Hobart Town, VDL (TAS), 25 October 1834
Departed Hobart Town, VDL (TAS), 11 February 1841 (per Sir George Arthur, for England)
Arrived (2) Hobart Town, VDL (TAS), 28 January 1842 (per Sydney, from London, and the Downs, 3 October 1841)
Died Albury, NSW, 21 October 1872 (BDM NSW 2836/1872 "Ann Clark")

https://trove.nla.gov.au/search?l-publictag=Anne+Remens+Clarke (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1715233 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Anne_Clarke_(theatre_manager) (Wikipedia)

CLARKE, Michael (Michael CLARKE; M. CLARKE; Mr. CLARKE; CLARK)

Theatrical proprietor and manager, farmer, wine and spirits merchant

Born England, 17 May 1780; son of Michael CLARKE
Married (1) Harriet FRANKLIN (1791-c. 1831), St. Mary the Virgin, Leyton, Essex, England, 7 May 1813
Arrived (1) Hobart Town, VDL (TAS), not earlier than 1830-31 and by 1834
Married (2) Anne Theresa REMENS, Trinity Church, Hobart Town, VDL (TAS), 25 October 1834
Departed Hobart Town, VDL (TAS), 11 February 1841 (per Sir George Arthur, for England)
Arrived (2) Hobart Town, VDL (TAS), 28 January 1842 (per Sydney, from London, and the Downs, 3 October 1841)
Died Bontharambo, near Wangaratta, VIC, 31 October 1863, aged "83 years 23 weeks 6 days"

https://trove.nla.gov.au/search?l-publictag=Michael+Clarke+1780-1863 (TROVE tagged by Australharmony)

CLARKE, Anne Theresa (Anne Theresa CLARKE; Annie; Mrs. Thomas Charles FARMER)

Theatrical dancer, danseuse

Born Hobart Town, VDL (TAS), 22 September 1835; daughter of Michael CLARKE and Anne Theresa REMENS
Departed Hobart Town, VDL (TAS), 11 February 1841 (per Sir George Arthur, for England)
Arrived Hobart Town, VDL (TAS), 28 January 1842 (per Sydney, from London, and the Downs, 3 October 1841)
Active professionally c. 1845-47
Married Thomas Charles FARMER (1821-1891), Albury, NSW, 1853
Died Albury, NSW, 9 November 1914, aged "79"

https://trove.nla.gov.au/search?l-publictag=Anne+Theresa+Clarke+Farmer+1835-1914 (TROVE tagged by Australharmony)

Summary:

No record of Anne's birth has been found under any of the several renditions of her surname. Notably, she was definitely not the Anne Rumens, daughter of William and Sarah, born at Hackney on 14 January 1812, who married Abraham Simmons there in 1835. However, given that she began being billed professionally in 1829, she was probably born around 1810.

In billings at the Surrey Theatre, London, from c. 1829-32, she appeared consistently as "Miss Rumens"; however, she was last billed in England at the Royal Adelphi Theatre during 1833 as "Miss Remens", and that spelling is preferred here, despite "Miss Remans" being slightly more usual in the early Hobart bills.

Because of huge number of press and other references to "Mrs. Clarke" over the 14 years she was active as a theatre professional in Australia (1834-47), it is impractical to do more than sketch a bare outline of her career here, concentrating mainly on documenting her arrival and marriage in 1834; thereafter tracing her movements between the Hobart, Launceston, Melbourne, and Sydney theatres, 1835-41; her brief return to London in 1841 to collect the new theatrical company she brought back to Hobart in 1842; her further movements between Hobart, Launceston, Melbourne, and Geelong theatres, up to her final farewell performances in Melbourne in December 1847.

Michael Clarke was not, as often stated, a former military bandsman, nor is there any evidence that he was active musically even as an amateur. He had been a wine merchant in England, where his last recorded child, Emily, by his first wife Harriet Franklin, was baptised in Essex on 29 December 1830. He thus cannot have arrived in Australia any earlier than c. 1830-31.

At St. James's church, Melbourne, on 5 May 1849, Michael's second son by his first marriage, Thomas Clarke (b. 1816; died by 1860), married Mary Jane Docker (1828-1923), eldest daughter of Joseph Docker (1794-1865). At the time of his only surviving daughter Emily's marriage in England in 1856, Michael was variously described, in the marriage register as "farmer", and in a Launceston newspaper notice of the event, as a resident "of Melbourne". His son Thomas having died, and his Docker daughter-in-law having remarried in 1860, Michael was nevertheless resident at the Docker family property, Bontharambo, near Wangaratta, VIC, when he died on 31 October 1863.

Michael and Anne's only child, Anne Theresa, married Thomas Charles Farmer in NSW in 1853, and settled with him in the Albury district.

As frequently repeated thereafter, Elizabeth Webby supposed that Michael and Anne had separated by the late 1840s, though no evidence has been found that atcually suggests this. Rather, while the much older Michael retired to live within the Docker family orbit near Wangaratta, VIC, Anne, considerably younger and still professionally active, followed her daughter to nearby Albury.

A little less than a year before Michael's death at Bontharambo in October 1863, in December 1862, Anne opened a girls' school in Albury. As well as offering instruction in singing and pianoforte, she also appeared occasionally as a public singer. She took up residence in David Street, where she also built several cottages, rents from which she bequeathed in her will to her daughter, along with a small sum for the trustees the Albury Catholic church of St. Patrick. She died in Albury on 21 October 1872, probably aged in her early 60s.

Her Albury properties, most of them probably in the block bordered by David and Macauley Streets (west and east) and Smollett and Clarke Streets (south and north), the latter evidently named after her, were sold off by her executors in 1874.

Documentation:

Michael, in England (to c. 1830-31):

Marriage bond, 28 April 1813; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/2056/images/32515_1831101881_0060-01452?pId=135926 (PAYWALL)

. . . Michael Clarke of the parish of St. Olave Hart Street London Wine Merchant . . . [28 April 1813] . . . a bachelor & Harriet Franklin a spinster . . .

Marriages, St. Mary the Virgin, Leyton, Essex, 1813; Essex Record Office, D/P45/1/14

https://www.ancestry.com.au/discoveryui-content/view/3294612:61700 (PAYWALL)

https://www.findmypast.com.au/transcript?id=GBPRS%2FESSEX-MAR%2F0381072%2F1 (PAYWALL)

7 May 1813 [or 1 May 1813] / Michael Clarke, bachelor / Harriet Franklin, spinster

Baptisms solemnized in the parish of St. George Bloomsbury in the county of Middlesex in the year 1815; register 1813-19, page 109; London Metropolitan Archives, P82/Geo1/004

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_199042-00533?pId=155418764 (PAYWALL)

No. 865 / 1815 Oct'r 7 / Born April 6 1814 / John Michael Son of / Michael and Harriot / Clarke / Coram St. St. George's Bloomsbury / Merchant . . .

Baptisms solemnized in the parish of Rodmarton in the county of Gloucester in the year 1819; Gloucestershire Archives, Gdr/V1/307

https://www.ancestry.com.au/imageviewer/collections/5066/images/43138_633870_4586-00544?pId=12752935 (PAYWALL)

No. 61 / [1819] May 16th / Born Dec'r 16 1816 at Leyton in Essex / Thomas [son of] / Michael & Harriet / Clarke / Some time resident at Leyton in Essex now inmate in the family of Dr. Day at Tarlton / Fine Merchant . . .
No. 62 / [1819] May 16th / Born Feb'y 27 1818 at Leyton in Essex / Harriet [daughter of] / Michael & Harriet / Clarke / . . . [as above]

ASSOCIATIONS: Thomas Clarke married Mary Jane Docker (1828-1923), daughter of Joseph Docker, at St. James's church, Melbourne, NSW (VIC), on 5 May 1849; Thomas had died by 1860, when the widowed Mary married James Charles Read (1834-1905)

Bankruptcy, James Cuthbert and Michael Clarke, the younger, 16 November 1816; UK National Archives, B 3/927

https://discovery.nationalarchives.gov.uk/details/r/C477044 

In the matter of James Cuthbert and Michael Clarke, the younger of Colchester Street, Savage Gardens, London, wine merchants (dealers and chapmen), bankrupts . . .

See also [Notice], The London gazette (10 December 1816), 2348

https://books.google.com.au/books?id=aiZKAQAAMAAJ&pg=PA2348 (DIGITISED)

Baptisms, St. Mary and St. Hugh, Harlow, Essex, 1830; Essex Record Office

https://www.ancestry.com.au/discoveryui-content/view/2538087:61699 (PAYWALL)

29 December 1830 / Emily daughter of / Michael and Harriet / Clarke

Anne, England (to 1834):

Surrey Theatre (c. 1829-31):

[Advertisement], Public Ledger and Daily Advertiser [London, England] (29 August 1829), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001255/18290829/009/0002 (PAYWALL)

SURREY THEATRE. THIS EVENING, SATURDAY, August 29, will be presented (72d time)
the Nautical and Domestic Melo-Drama, entitled BLACK-EYED SUSAN; or, All in the Downs!
. . . Black-eyed Susan, Miss Scott; Dolly Mayflower, Mrs. Vale.
After which (for the fifth time) entirely new Drama, entitled THE SHADE; or Blood for Blood.
Albert Blondel, Mr. T. P. Cooke; Dessein, Mr. Dibdin Pitt; Fleur, Mr. Vale; Meurice, Mr. Buckingham; Jacques, Mr. Buckstone; The Shade, Mr. Osbaldiston; Eugenia Rousseau, Miss Vincent; Therese, Mrs. Vale; Coulisse, Miss Horton; Madame Rouge, Miss Rumens . . .

ASSOCIATIONS: David Webster Osbaldiston (actor, manager); Surrey Theatre (London venue)

[Advertisements], The tatler [London, England] (27 December 1830), 392

https://books.google.com.au/books?id=YioTAAAAQAAJ&pg=PA392 (DIGITISED)

SURREY THEATRE. This Evening,
a new Nautico-Domestic Drama, entitled THE ROVER'S BRIDE (by Mr. G. ALMAR)
. . . The characters by . . . Miss RUMENS . . .

[Advertisements], The tatler (1 January to 30 June 1831), passim

https://books.google.com.au/books?id=H6A0AQAAMAAJ&pg=PA424&dq=Rumens (DIGITISED)

Multiple billings at the Surrey Theatre during first half of 1831

[Advertisement], The tatler (1 July 1831), 4

https://books.google.com.au/books?id=WaA0AQAAMAAJ&pg=PA4 (DIGITISED)

SURREY THEATRE . . . MASSINGER'S PLAY,
entitled A NEW WAY TO PAY OLD DEBTS . . . Tabitha, Miss Rumens . . .
To conclude with . . . GIOVANNI IN LONDON . . .
Mrs. English, Miss Rumens . . . Don Giovanni, Miss Somerville . . .

[Advertisement], The tatler (8 August 1831), 132

https://books.google.com.au/books?id=WaA0AQAAMAAJ&pg=PA132 (DIGITISED)

SURREY THEATRE . . . KING LEAR . . . Aranthe, Miss Rumens. King Lear, Mr. Osbaldiston . . .

See also, referring a Shakespeare festival held at the Surrey Theatre in 1830 in which the company appeared in "all the principal characters in our immortal bard's plays", including a performance of "God save the king", in which the actor and manager Robert Elliston sang the first verse, followed by other members of the company;
see "ELLISTON'S LOYALTY", New monthly magazine [London, England] (1843), 404

https://books.google.com.au/books?id=gnZPAQAAMAAJ&pg=PA404 (DIGITISED)

In the year 1830 [? 1832] . . . Elliston was lessee, for the second time, of the Surrey Theatre . . .
. . . now commenced the third verse, chanting with might and main when their forces were augmented by the services of Miss Rumens, as Juliet's Nurse, - for Elliston had insisted on every one bearing a bob on this great occasion. "Thy choicest gifts in store!" screamed the lady . . .

Adelphi Theatre (1833):

Anne Remens in the company for the summer season at the Adelphi Theatre, London; for full register of her performances see in bibliography below

"Royal Adelphi Theatre", The theatrical observer and daily bills of play [London, England] (8 July 1833), 3

https://archive.org/stream/theatricalobserv183302lond#page/n39/mode/2up/search/remens (DIGITISED)

Royal Adelphi Theatre, ENGLISH OPERA COMPANY. This Evening,
(first time) a Comic Opera, called The Convent Belle . . . The Overture, by Winter . . .
Clara of Lieberstein - Mrs. WAYLETT . . . Mona - Miss REMENS . . .
After which, the Operetta, called The Four Sisters . . .
Mrs. WAYLETT, Who will introduce "Away, away, to the Mountain's Brow," and "Kate Kearney" . . .
Landlady - Miss REMENS . . .

ASSOCIATIONS: Harriet Waylett (actor, vocalist); Adelphi Theatre (London venue); therafter Remens was billed again in The four sisters on 9 and 12 July, in The convent belle and The four sisters on 13 and 16 July, in The convent belle on 18 and 20 July, and The four sisters on 23 and 27 July

"Royal Adelphi Theatre", The theatrical observer and daily bills of play (21 August 1833), 3

https://archive.org/stream/theatricalobserv183302lond#page/n203/mode/2up/search/remens (DIGITISED)

. . . To which will be added, the Burletta of MIDAS.
IMMORTALS - . . . Apollo, Mrs. WAYLETT . . .
Juno, Mrs. EMDEN; Minerva, Miss REMENS . . .

"Royal Adelphi Theatre", The theatrical observer and daily bills of play (22 August 1833), 3

https://archive.org/stream/theatricalobserv183302lond#page/n207/mode/2up/search/remens (DIGITISED)

. . . The Four Sisters . . . [as above]

Hobart Town, VDL (TAS) (13 August 1834 to 25 August 1837):

Arrived at the port of Hobart Town the barque Strathfieldsay, 13 August 1834; Tasmanian names index; NAME_INDEXES:402310; MB2/39/1/2 P109

https://stors.tas.gov.au/NI/402310 

https://stors.tas.gov.au/MB2-39-1-2P064 (DIGITISED)

. . . [with] 286 Female Emigrants . . . 38. Dinah Rudelhoff . . .

https://stors.tas.gov.au/MB2-39-1-2P063 (DIGITISED)

. . . 216. Ann T. Rumon . . .

ASSOCIATIONS: Dinah Rudelhoff (actor, vocalist);
see also "FEMALE EMIGRATION (FROM A CORRESPONDENT)", Morning Advertiser [London, England] (3 May 1834), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18340503/014/0003 (PAYWALL)

On Thursday morning [1 May] upwards of 270 unmarried female emigrants left the river in the Strathfieldsay, bound to Hobart town. The vessel is 500 tons burden, and has been fitted up with every care and attention to the comforts and convenience of the fair adventurers. The sleeping places or shelves are six feet wide, destined to hold four persons, and extend in two tiers round the whole of the middle deck, which is exclusively assigned to the use of the females. An experienced surgeon, and a superintendent and his wife form the board of controul over this petticoat community, as well to prevent a revolt of the emigrants as to contribute to their comfort and amusements.
The party went off in high spirits, waving their handkerchiefs to the spectators. In appearance far the greater majority were respectable, and all were orderly. They seemed to be impressed with the importance of the step they had taken, but hope for the future and the excitement of the moment gave them confidence in the trial of departure.
It appears that Government pays the expenses of the voyage, provides bedding, &c., and moreover gives to each a grant of 12l. on arriving at the destination, where a committee of ladies will take charge of them, and aid them in procuring employment, or otherwise using their industry and talents. The agent to the Emigration Committee, Mr. Marshall, was kind, and most attentive to them individually while he superintended the general embarkation.

[News], The True Colonist Van Diemen's Land Political Despatch [Hobart Town, VDL (TAS)] (19 August 1834), 3

http://nla.gov.au/nla.news-article200327551 

Mr. DEANE has made a valuable addition to his corps dramatique, having engaged a Mrs. Hemans [sic], formerly of the English Opera House, and a Miss Corrie [sic], of the Royal Theatre, who arrived by the Strathfieldsay. These ladies make their debut on Saturday next. We have to congratulate our fellow Colonists on the improved aspect of emigration to this Colony.

ASSOCIATIONS: John Philip Deane (theatre proprietor, musician); Theatre Argyle Rooms (Hobart venue)

"Domestic Intelligence", Colonial Times [Hobart Town, VDL (TAS)] (19 August 1834), 6

http://nla.gov.au/nla.news-article8647758

On Saturday next a grand entertainment may be expected at Mr. Deane's Theatre. We believe it to be Miss Deane's benefit. The two ladies just arrived by the Strathfieldsay, will then make their first appearance before a Van Diemen's Land audience, and if report speaks correctly, we may anticipate no trifling pleasure. The price of entrance will be doubled, and two pieces will be performed, particulars of which will be duly advertised.

ASSOCIATIONS: Rosalie Deane (musician)

[Advertisement], Colonial Times (19 August 1834), 3

http://nla.gov.au/nla.news-article8647767

Theatre, Argyle Rooms. MR. DEANE
begs to acquaint the Public, that, on Saturday Evening next,
will be performed, two popular Plays, and a variety of Entertainments,
when Miss Remens and Miss Rudelhoff (from the Theatres Roval, London),
will have the honor of making their first appearance on this Stage.
Tickets, (not transferable) 4s. each. Children, under 12 years of age, half-price. Aug. 19, 1834.

[Advertisement], The Tasmanian (22 August 1834), 3

http://nla.gov.au/nla.news-article233614956 

Theatre, Argyle Rooms. TO-MORROW EVENING (Saturday)
will be performed (1st time) the LORD OF THE MANOR.
Rashly - Mr. Hodges
Contrast - By an Amateur
Sir John Contrast - Mr. Russell
La Nippe - Mr. Campbell
Rental - Mr. Lee
Annette - Miss Remans
Peggy - Miss Rudelhoff
Both from, the Theatre Royal English Opera House, being their first appearance on this Stage.
Sophia - Mrs. Mackay.
Moll Flaggon - Mr. Mackay . . .
In the course of the Evening, a Flute and Piano-forte Solo . . .
Tickets, (not transferable) 4s. each. Children, under 12 years of age, half-price. Aug. 22, 1834.

ASSOCIATIONS: Mr. Hodges (actor, dancer); William Wilkins Russell (actor, musician); Mr. Campbell (actor); John Herman Selwyn Lee (actor); Angus and Frances Mackay (actors)

PIECES: The lord of the manor (Burgoyne); music by William Jackson

[News], The Hobart Town Courier (22 August 1834), 2

http://nla.gov.au/nla.news-article4183612

Two of the female emigrants, we observe, namely, Miss Remans, from the English opera, and Miss Rudilhoff, from the Royalty theatre, have formed engagements with Mr. Deane, and are to make their debut in the Lord of the Manor, to-morrow evening.

[News], The True Colonist Van Diemen's Land Political Despatch (26 August 1834), 2

http://nla.gov.au/nla.news-article200328006 

Miss Remans and Miss Rudelhoff made their debut on Saturday, at Deane's Theatre, the former in the character of Annette, and the latter in that of Peggy, in the "Lord of the Manor." These ladies are decidedly an acquisition to the Stage, especially Miss Remans, whose voice is of the first order, combining force, compass, and sweetness. She accompanied herself on the guitar in one of her songs, and was repeatedly encored. Miss Rudelhoff is a pleasing little actress, and appears to be au fait at stage business - perfect in her part, and promises fair to become a favourite with the Public.

"Domestic Intelligence", Colonial Times (26 August 1834), 7

http://nla.gov.au/nla.news-article8647779

We attended Mr. Deane's theatre last evening, principally to witness the performance of the two lately-arrived actresses - the Misses Remans and Rudelhoff. The play was "The Lord of the Manor." With the whole performance, we were not satisfied - the characters were not well cast, and the effect was spoiled by several of the actors not being perfect in their parts. The scenic effect receives little or no attention at the theatre - the side scenes are seldom changed, so that for a cottage scene, we have the three first side scenes of a marble hall, and the next a forest side; and when the performers present themselves on the stage, it is not unusual for them to seat themselves bang down on the fire. Last evening, too, the finale of the "Lord in the Manor" took place in jail, instead of a commodious room in a mansion. It is these trifling things which will ever spoil the best pieces, let the acting be ever so good. At home, the performance, coupled with the scenic effect, imposes on the mind, and enchains the thought of the spectator to what is being represented; the whole may be considered, for the moment, as reality; and, indeed, would be thought so, were it not for the conviction that the spectator is merely witnessing a play, in a theatre; but so widely different are the performances at our theatre, that instead of the mind of the auditor being carried with, and enjoying the author's and the actor's talent, the public seem to care as little as possible about what is going on, and it is no uncommon thing to be asked by the spectators whether, after the first or second act of a three act piece, it is all over or not; and as often do we hear people assert the piece is finished, when perhaps one act has only just terminated. We offer these observations, with a wish to have these trifles remedied, for we repeat that all the best acting in the world would be spoiled at Drury Lane or Covent Garden, and the house would be overwhelmed with laughter, at the sight of a lady sitting quietly down on a huge fire. As to the manner in which the pieces are got up, we shall hereafter say a few words, but so imperfectly do the different actors learn their parts, that it is no uncommon thing for some of them to come to a dead stand still, and wait till such time as memory comes to their aid; for as to prompter, we think from the manner that department is carried on, there either is none, or he cannot read.

After this prelude, we come to the performance of last evening: the performance of Messrs. Russell, Campbell, and Mackay, would be creditable on any stage; but the amateur was no more adapted to his character, than we should be to be made Pope of; and as to Rashly and Rental, the persons performing these parts have no more idea of acting, than blue beetles; - automatons would do their parts as well. Why does Mr. Deane not get up pieces where a smaller number of actors are required, and let us have something really well got up? There have been many pleasing little things attempted at his place, and at the Freemason's, and which might now be repeated with success, especially as the addition to the corps dramatique, would enable him to get up the pieces as the authors intended, but which were so murdered on former representations, that no man would have known his own production. If Mr. Deane has entered into agreements with the performers of Rashly and Rental, for goodness sake let them be kept as prompters and candle-snuffers, and let us have a respectable drama, which may instruct and entertain at the same time - this is what the respectable inhabitants require, and what alone will be ultimately supported, as it ought to be, by the public.

The female performers were Mrs. Mackay, and the Misses Remans and Rudelhoff. Mrs. Mackay is an old favourite with the people, and would become even more so, did not the public so frequently hear of the differences and squabbles which are carried on behind the scenes. With respect to her, last evening, Sophia was not at all adapted for her, and her song, "Oh say not," would have been better omitted altogether. Miss Remans performed Annette - it is evident that this lady has trod the boards before; she has a good deal of tact and stage attitude, which cannot be obtained but by continued appearances before the public, but although her Annette pleased us, we shall say nothing of her acting, being fully convinced that other characters would suit her much better, and we shall, therefore, criticise her performance the first time she really does perform. As a vocalist, she is perhaps unequalled in the Island; there is a masterly air in every note she brings forth, and she can, doubtlessly, execute with brilliancy, the most difficult pieces. In one song, last evening, she accompanied herself on the guitar, but the accompaniment was scarcely loud enough. Most of our readers recollect "The Dashing White Serjeant," as sung by Mrs. Davis and Mrs. Taylor, and as if it were a masterpiece by which the talent of the respective singers should be decided, it was sung last evening by Miss Remans. Mrs. Taylor's voice is unquestionably much sweeter than that of Miss Remans, whose voice is occasionally a little harsh, and a little wiry, but to make up for this defect, she has m her upper notes a fullness which is not often met with. For ballad singing, give us Mrs. Taylor. The soft plaintive voice of that lady will be long remembered, but in the ballad alone would Mrs. Taylor in any way equal Miss Remans; and it is perhaps unfair of us to say that Mrs. Taylor would even equal her, inasmuch as Miss Remans has not yet had a fair chance. We should therefore like to hear her in a common ballad, and in some difficult piece of modern production the same evening, but we should like to hear her as a singer, not as a performer-by the bye, before leaving this lady, we must not omit that her performance, as well as the song of the "Dashing White Serjeant," was excellent.

Miss Rudelhoff performed the part of "Peggy." This actress looked Peggy, and we are satisfied her name must be Peggy. As to her acting, it was capital, but she was not supported as she ought to be: she was not acted up to, and the sharpness of her witty sallies were frequently spoiled by the imperfect manner the parts were learnt. Miss Rudelhoff is a very little body, and jumps about, and is all life - she is just the actress for light comedy, and in her way is not to be equalled in the Colony.

MUSIC: The dashing white sergeant (Bishop)

ASSOCIATIONS: Mr. Campbell (actor); Sophia Letitia Davis (vocalist); Maria Taylor (vocalist, actor);
see also the later London reports, "Theatrical Emigrants", The athenaeum [London, England] (21 February 1835), 156

https://books.google.com.au/books?id=qrhHAQAAIAAJ&pg=PA156 (DIGITISED)

We observe by the Hobart Town Courier, that among the 286 Female Emigrants who went out in the Strathfieldsay were Miss Remans from the English Opera House, and Miss Rudelhoff from the Royalty; both were, it appears, instantly engaged by the manager of the Hobart Town Theatre, and made their first appearance in "The Lord of the Manor," the former as Annette, and the latter as Peggy, and, we are happy to add, were received with approbation. Theatricals, indeed, seem prospering in the colony. The Launceston Independant announces, among forthcoming novelties, an entire new drama to be called, "The Bandit of the Rhine," written by E. H. Thomas, Esq.

And [Review], The London quarterly review (September 1835), 221

https://books.google.com.au/books?id=dOMRAAAAYAAJ&pg=PA221 (DIGITISED)

. . . Two actresses are engaged at the theatre at &75 - Mesdlles. "Thirza Rumens and Delizia Rumenhoff." (Surely the Hobart Town Laporte ought to import his "stars" at his own expense.) . . .

ASSOCIATIONS: John Francis Laporte (London actor and theatrical manager);
and reproduced in "More Deception", Colonial Times (15 March 1836), 5

http://nla.gov.au/nla.news-article8648965

[Advertisement], The People's Horn Boy [Hobart Town, VDL (TAS)] (29 August 1834), 1

http://nla.gov.au/nla.news-article232499705 

Theatre, Argyle Rooms. MRS. MACKAY begs most respectfully to inform her Friends and the Public, that Mr. Deane has declined permitting the Misses Remens and Rudelhoff to perform for her Benefit.
Mrs. Mackay is desirous also, in order that her Friends may acquit her of any intention to disappoint them, to state, that Mr. Deane, prior to the Bills for her Benefit being issued, intimated to her, that the services of those Ladies would not be conceded on the occasion; but so confident was Mrs. Mackay that the universal rule, adhered to in England, would not be departed from upon this occasion, viz. of allowing every Performer, engaged in the Establishment, to play for the benefits, that she felt fully justified in announcing them in her bills.
Mrs. Mackay, has, however provided such assistance, that she feels confident will compensate for the deficiency. August 27, 1834.

[Advertisement], The True Colonist Van Diemen's Land Political Despatch (9 September 1834), 1

http://nla.gov.au/nla.news-article200327752 

Theatre, Argyle Rooms. ON THURSDAY Next, September 11, 1834 . . .
being for the benefit of Mr. Campbell . . .
MISS REMANS WILL SING, The Dashing White Sergeant . . .

[Advertisement], The True Colonist Van Diemen's Land Political Despatch (9 September 1834), 4

http://nla.gov.au/nla.news-article200327747 

By particular desire of several families, Miss Remans will make her appearance at Mr. Deane's Theatre on Thursday, being for Mr. Campbell's Benefit.

[Advertisement], The Hobart Town Courier (10 October 1834), 3

http://nla.gov.au/nla.news-article4183042

THEATRE ARGYLE ROOMS.
FOR THE BENEFIT OF MISS REMENS,
ON Monday evening, 13th Oct. 1831, will be represented, the comedy of,
THREE WEEKS AFTER MARRIAGE.
CHARACTERS: Sir Charles Racket, Mr. Spencer, from the theatre Launceston, (his first appearance on this stage) -
Druggett, Mr. Capper - Woodley, Mr. Hodges - Lovelace, Mr. Hulkes - Lady Racket,
Miss Remens - Mrs. Druggett, Mrs. Henson - Nancy, Miss Watson - Dimity, Miss Rudelhoff.
In the course of the evening the following songs:
- Meet me by Moonlight - Miss Remens.
Bavarian Broom Girl (in character) - Miss Rudelhoff.
A Comic Song, by Mr. Spencer.
The Soldier tired of War's Alarms - Miss Remens.
Why did I Love - Mrs. Henson.
AFTER WHICH, Miss Remens will sing the favourite Cavatina, Fra tante angoscie e paepiti.
The whole to conclude with THE RENDEZVOUS.
CHARACTERS: Quake, Mr. Russell - Holding, Mr. Capper - Charles, Mr. Hulks - Simon, Mr. Lee - Smart, Mr. Campbell -
Sophia, Miss Remens - Lucretia, Mrs. Henson - Rose, Miss Rudelhoff . . .

ASSOCIATIONS: Albert Spencer (actor, vocalist); Richard Capper (actor); Henry Stephen Hulkes (actor); Mrs. Henson (actor)

MUSIC: The soldier tired of war's alarms (Arne, from Artaxerxes); Fra tante angoscie e palpiti (Carafa; introduced in Rossini's La cenerentola)

"THEATRE", Trumpeter General (17 October 1834), 3

http://nla.gov.au/nla.news-article172896129 

We find Mr. Deane has received an addition to his dramatic corps, in the person of Mr. Spencer, pompously announced "from the Theatre, Launceston." He appeared in the character of Sir Charles Racket, on Monday night, for the benefit of Miss Remens, who very deservedly received a bumper of a house. Her exertions merited the reward . . . Mesdames Remens and Rudelhoff daily improve in their profession, and deserve estimation . . .

"THEATRE", Trumpeter General (24 October 1834), 2

http://nla.gov.au/nla.news-article172896134 

. . . On Wednesday night [22 October] the "Lady of the Lake," (with the exception of one whole act) was represented again to a very poor audience . . . Miss Remens' song of "Kate Kearney" was sung with great emphathis, and deservedly encored . . .

MUSIC: Kate Kearney (Alexander Lee)

Marriages solemnized in the parish of Trinity in the county of Buckingham in the year 1834; register, page 22; Tasmanian names index; NAME_INDEXES:821067; RGD36/1/2 no 2523

https://stors.tas.gov.au/NI/821068 

https://stors.tas.gov.au/RGD36-1-2p139j2k (DIGITISED)

No. 88 [2523] / Michael Clarke of this Parish Widower and
Ann Theresa Remains of this Parish Spinster were married in this Church by License . . . this [25 October 1834] . . .
[witnesses] . . . J. H. Smales of Hobart Town

NOTE: This is a transcript by a single scribe only, and there is no original signature with the spelling "Remains"; witness John Holbert Smales was the parish clerk

"MR. DEANE'S THEATRE", Trumpeter General (7 November 1834), 3

http://nla.gov.au/nla.news-article172896168 

. . . On Wednesday night [5 November], "The Stranger" at last appeared, with "The Contrivances," for the benefit of Mr. Spencer. There was a very poor house, notwithstanding the glaring bill of fare - and those that attended laughed more at the serious drama than at the farce - well they might, for a more miserable and presumptious attempt never was, and we hope never will be made, unless by some stranger to the histrionic art. As it was for Mr. Spencer's benefit, no doubt he did his best, but we pity him for his folly, and extreme ignorance of his incapacity to depict one of the most intricate and difficult characters that was ever introduced to the English stage . . . We pitied Mrs. Clark, who evidently laboured under great embarrassment at her very awkward situation, and seemed sensible that Mrs. Haller was not her character. She did every thing she could for the character, and made ample amends afterwards, by her delightful and scientific singing, which was superior to all she has ever attempted here at present. The alteration in her situation seems to have improved her voice, and we hope she will remain with us, although report says that she and her little friend, are about leaving us for a warmer climate. Miss Rudelhoff was as usual all life and amusement . . .

"THE THEATRE . . .", Launceston Advertiser [VDL (TAS)] (13 November 1834), 3

http://nla.gov.au/nla.news-article84776704 

. . . here re-opened on Friday night last; and will be open, as will be seen by advertisement, on Saturday Evening [15 November], when Mrs. CLARK, (late Miss Remans,) will make her first appearance here in the Countess Wintersen, in The Stranger; Mrs. CAMERON taking the part of Mrs. Haller.

ASSOCIATIONS: Samson and Cordelia Cameron (actors, managers); Theatre British Hotel (Launceston venue)

"THE THEATRE", The Independent [Launceston, VDL (TAS)] (29 November 1834), 3

http://nla.gov.au/nla.news-article233688071 

Those who attended the Theatre last Tuesday evening seemed greatly delighted with the whole of the performances. Mr. Cameron and his Company deserve much praise for their successful exertions on this occasion, which cannot fail to draw full houses during the remainder of their short stay here. The pieces selected were "Jane Shore," with "Incle and Yarrico," in the latter of which Mrs. Clarke sang delightfully . . .

MUSIC: Inkle and Yarico (play by George Coleman; music by Samuel Arnold)

[Advertisement], The Tasmanian [Hobart Town, VDL (TAS)] (15 May 1835), 3

http://nla.gov.au/nla.news-article232800710 

Theatre, Hobart Town. MRS. CLARKE'S BENEFIT
WILL take place, in the course of a few days, when will be represented the Opera of the LORD OF THE MANOR.
IN THE COURSE OF THE EVENING, THE FOLLOWING SONGS, BY MRS. CLARKE,
"The Dashing White Serjeant" - in character.
"When the day, with rosy light" - accompanied by herself on the Guitar.
"Oh! what a joyous day" - in which she will introduce the Castanets.
"The Old Maid" - in character, for the first time.
After which, for the first time in this Colony, the Nautical Burlesque Burletta of
BILLY TAYLOR; OR, THE GAY YOUNG FELLOW.
May 12, 1835.

MUSIC: When the day with rosy light (Stockhausen)

Baptisms solemnized in the parish of Trinity in the county of Buckingham, in the year 1835; Tasmanian names index; NAME_INDEXES:1083880; RGD32/1/2/ no 6213

https://stors.tas.gov.au/NI/1083880 

https://stors.tas.gov.au/RGD32-1-2-p329j2k (DIGITISED)

No. 185 [8213] / 11th October [1835] / [born] 22 September [1835] / Anne Theresa daughter of / Michael and Anne Theresa / Clarke / Hobart Town / Gentleman . . .

[Advertisement], The Tasmanian (26 February 1836), 2

http://nla.gov.au/nla.news-article232801331 

In the Matter of the Insolvency of Michael Clarke, of Hobart Town, Licensed Victualler . . .

"Van Diemen's Land . . . THEATRICAL RUMOURS", The Sydney Monitor [NSW] (17 July 1837), 3

http://nla.gov.au/nla.news-article32156644 

So soon as the Theatre closes, it is said, that Mr. and Mrs. Cameron, Mrs. Clarke, and Mr. Arabin intend to proceed to Sydney, to appear on the Stage there . . . Bent's News, July 1.

ASSOCIATIONS: Gustavus Arabin (actor)

"Hobart Town Police Report. July 10, 1837", Colonial Times (18 July 1837), 8

http://nla.gov.au/nla.news-article8650168 

Prisoner Constable William Morrow, complained in due form, under the provision of the Police Act, of Michael Clark for assaulting constable Chamberlain in the execution of his duty. It appeared that Mr. Clarke's female servant was found in a public house, in company, and drinking with a call boy of the Theatre, and as a matter of course taken in charge, when Mr. Clark interfered with the constables, and resisted one of them in the discharge of his duty. The defence set up was, the servant had gone to the public-house for some refreshment for her mistress who was at her duty at the Theatre. The person who was with her at the public-house was called on for the defence, and underwent a very severe cross-examination - he could not recollect particulars of what occurred, only that such might have been the case without his seeing that probably such might have happened. Mr. Clarke was fined £2 and costs.

"SHIP NEWS", Colonial Times (29 August 1837), 3

http://nla.gov.au/nla.news-article8650259 

AUGUST 25. - Sailed the Marian Watson, 144 tons; for Sydney, B. Shaw, Master, Cargo, sundries; Passengers - . . . Mr. M. Clarke, Mrs. Clarke, Mr. S. Cameron, Mrs. Cameron . . .

Sydney, NSW (1 September 1837 to 25 November 1839):

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Gazette and New South Wales Advertiser [NSW] (2 September 1837), 2

http://nla.gov.au/nla.news-article2212763 

From Hobart Town, same day [yesterday], whence she sailed the 25th ultimo, the schooner Marian Watson, Captain Shaw, with sundries. Passengers . . . Mr. and Mrs. Clarke, Mr. and Mrs. Cameron . . .

[News], The Sydney Gazette and New South Wales Advertiser (2 September 1837), 2

http://nla.gov.au/nla.news-article2212760 

Mr. and Mrs. Cameron, accompanied by Mrs. Clarke of the Hobart Town Theatre, we understand, arrived by the Marian Watson, yesterday; their appearance will doubtless cause some stir in the theatrical world, and probably do something towards relieving the Theatre from its present unprofitable and "beggarly account of empty boxes."

ASSOCIATIONS: Theatre Royal (Sydney venue)

[Advertisement], The Sydney Monitor (13 September 1837), 3

http://nla.gov.au/nla.news-article32157342 

THEATRE ROYAL, Sydney.
THE Public is most respectfully informed that
MRS. CLARKE, from the Hobart Town Theatre is engaged, and will make
her FIRST APPEARANCE here this Evening, WEDNESDAY,
and Sing the admired Ballad: "Norah the Pride of Kildare," AND "The Mocking Bird."
UNDER THE DISTINGUISHED PATRONAGE SIR JOHN JAMISON, KNT., M.C.,
Wednesday Evening, Sept. 13, 1837.
The Performance will commence with Shakespear's admired Tragedy, entitled OTHELLO.
Othello - Mr. LAZAR. Iago - Mr. SPENCER . . .
Desdemona - Mrs. CAMERON. Emilia - Mrs. TAYLOR.
AFTER WHICH MRS. CLARKE, will Sing the admired Ballad, "NORA THE PRIDE OF KILDARE."
A Favorite Dance - by Miss Lazar.
The Mocking Bird, with Flute Obligato, BY MRS. CLARKE . . .
T. SIMES, MANAGER.

ASSOCIATIONS: John Jamison (patron); John and Rachel Lazar (actor and dancer; father and daughter); Thomas Simes (actor, manager)

MUSIC: Norah the pride of Kildare (Horn); The celebrated mocking bird song [Living Echo! Bird of eve!] (Bishop, in The slave)

"Theatre", The Australian [Sydney, NSW] (15 September 1837), 2

http://nla.gov.au/nla.news-article36855607 

. . . On Wednesday evening the Tragedy of Othello was performed, after which Mrs. Clarke of the Hobert Town Theatre made her debut as a vocalist, and sang the ballad of Bride of Kildare, and the song of the Mocking Bird; her reception was flattering in the extreme, and ample applause rewarded her talents; this lady will be a great acquisition to the stage, her voice is clear and in tune, her shake rapid and distinct, which she commands well; she also sings with precision and energy, and displays flexibility of execution and taste, which qualities must make her a favorite. Independent of these acquirements she possesses a good figure and deportment; her ballad singing, requires a greater display of animation and feeling. We cannot conclude our remarks without recommending to the orchestra to strike the penultimate chord sooner, it should be gently breathed by the instruments about the middle of the shake, for it would be a great relief to the singer and is a most exquisite preparation to the close . . .

"THE THEATRE", Commercial Journal and Advertiser [Sydney, NSW] (20 September 1837), 2

http://nla.gov.au/nla.news-article226459408 

The only thing worthy of particular notice since our last is the debut at the Sydney Theatre of a Mrs. Clarke, late Miss Remans, from Hobart Town. This lady, as far as we have had an opportunity of judging, will prove a great acquisition to the boards, having a very powerful though melodious voice, of which she appears to have a perfect command. We were much pleased with her shake, which is clear and distinct, and reminded us of Mrs. Chester. This lady appears, according to the announcement, in character, as the Countess Winterstein, in Kotzebue's celebrated (though in a moral sense rather equivocal) play of The Stranger, in which Mr. and Mrs. Cameron will take the leading characters. If we were inclined to be critical we should recommend Mrs. Clarke to display more animation, which on the stage covers many defects - particularly an ungraceful manner; but confidence and practice may enable her to conquer these minor points, and enable her to become a favourite . . . - Correspondent.

ASSOCIATIONS: Marian Maria Chester (vocalist)

"The Drama", The Sydney Gazette and New South Wales Advertiser (17 October 1837), 2

http://nla.gov.au/nla.news-article2213487 

. . . on Saturday [14 October] . . . During the course of the evening Mrs. Clarke, the Hobart Town vocalist, sang several pleasing little ballads. Mrs. Clarke's singing leaves a more pleasing impression on the mind of the auditory, than any other of the vocalists that ever appeared on the Sydney stage. We liked Mrs. Chester's ballad-singing very well; but her enunciation was much less distinct and her singing less natural and more laboured than that of Mrs. Clarke. Mrs. Taylor could once sing a pleasing song, but her voice and her modesty fled together. Mrs. Clarke as a vocalist (for her acting is very tame), and Miss Lazar as a dancer, are at present the principal attractions at the Theatre and we have little doubt will continue almost the only ones, while Simes continues to hold the office of manager and Mrs. Taylor rules the roost . . .

"THEATRE", The Sydney Herald (30 October 1837), 2

http://nla.gov.au/nla.news-article28653248 

The performances on Thursday evening last [26 October], were for the benefit of Mr. Deane, the leader of the orchestra, and of his sons . . . The house was very full . . . Mr. Wallace played a solo on the violin in beautiful style - Miss Deane was clever and tasteful on the pianoforte - Mrs. Clarke (decidedly the most accomplished singer that has yet appeared upon the Sydney stage), sang an English and an Italian song, besides assisting in other performances with Mr. and the Masters Deane . . .

ASSOCIATIONS: William Vincent Wallace (violin)

"THE THEATRE", The Australian (31 October 1837), 2

http://nla.gov.au/nla.news-article36855310 

Mr. Deane took his benefit on Thursday evening last [26 October], and judging from the very full attendance with which he was favored, Mr. Deane must have derived at much profit, as his audience derived pleasure from the evening's entertainment . . . His Excellency the Governor and several families of distinction had engaged boxes for the evening, but were of course prevented attending by the intelligence of the death of the King. Mr. Deane however was in a pecuniary point of view a gainer by this disappointment, as he received the amount for the boxes which had been engaged, and left them available for the casual visitors; though we are quite sure that this did not at all reconcile Mr. Deane to the disappointment he must have felt at the absence of such distinguished patronage. The opening piece was an interesting little Drama, called the "Misletoe Bough" . . . In the course of the piece Miss Lazar performed a dance from "La Sylphide" most gracefully. The choice part however of the evening's entertainment was the Musical Melange that followed. Mrs. Clarke sang "Bid me discourse," but we cannot speak of it with unqualified praise - she is manifestly a good musician, sings in tune, has some very fine notes, and an excellent shake, but there is a lifelessness, and a want of general expression in her songs which we think she might easily correct. Her triplets in the above song instead of flowing as they ought, "as Wave into Wave," were labored and too strongly marked. This lady also sung "Batti, batti" which we really think with a little study she could sing well - always bearing in mind that it is the "Soul of Song" which distinguishes the performer and delights the hearer. The duet "My pretty Page" by Mrs. Clarke and and Master Deane was loudly encored . . .

ASSOCIATIONS: Richard Bourke (governor); Edward Smith Deane (vocalist)

MUSIC: Bid me discourse (Bishop); My pretty page (Bishop)

[News], The Sydney Gazette and New South Wales Advertiser (21 November 1837), 2

http://nla.gov.au/nla.news-article2214062 

Mrs. Clarke, the most talented, and decidedly the most pleasing vocalist that ever trod the Sydney stage, takes her benefit at the theatre on Thursday evening. The bill of fare Mrs. C. has provided promises a rich treat, as well to the connoiseur in music as to him who loves best the simple ballad. It is not often that the inhabitants of Sydney have it in their power to shew their respect to virtue by patronising the Sydney stage; Mrs. Clarke is a woman of irreproachable character, and we trust that the result of her benefit will shew that the inhabitants of Sydney respect and appreciate virtue wheresoever they meet with it.

{Advertisement], The Sydney Gazette and New South Wales Advertiser (23 November 1837), 1

http://nla.gov.au/nla.news-article2214113 

THEATRE ROYAL, SYDNEY.
MRS. CLARKE'S BENEFIT, On THURSDAY, 23rd November.
MRS. CLARKE most, respectfully announces to her friends and the ladies and Gentlemen of Sydney and its vicinity,
that her Benefit will take place on the above evening, on which occasion she begs to solicit their kind patronage and support.
The Evening's performances will commence with (for the first time in this Colony,) the Nautical Burlesque Burletta, from the pen of J. B. Buckstone, Esq., entitled
BILLY TAYLOR; OR, The Gay Young Fellow.
Mary Wagstaff, with Songs - Mrs. CLARKE.
AFTER WHICH, THE FOLLY DANCE, from Gustavus, MISS LAZAR.
MRS. CLARKE will sing the favorite Air, with variations, "Now with grief no longer bending," from the Opera of Cinderella, or the Glass Slipper, as sung by Miss Paton.
After which, (also for the first time in this Colony) the Interlude, in one Act, called
WINNING A HUSBAND; OR, SEVEN'S THE MAIN.
In which Mrs. Taylor will sustain seven different characters.
TO CONCLUDE WITH Giovanni in London, With the whole of the Original Music and Songs.
Don Giovanni (first time here) - Mrs. CLARKE.
[manicule] Tickets and Boxes to be had of Mrs. Clarke, at her residence, No. 3, Phillip-street, opposite the Church, King-street;
of Mr. Ellard, Musical Saloon, George-street; and of Mr. Simes, at the Box Office of the Theatre, from 10 to 4 daily.
20th Nov. 1837.

MUSIC: Giovanni in London (Moncrieff)

"THEATRICALS", The Sydney Herald (14 December 1837), 2

http://nla.gov.au/nla.news-article12861081 

. . . Mrs. Clarke and Mr. and Mrs. Cameron have obtained leave to open a Theatre at Parramatta for a few nights; they played on Monday evening, and will play again this evening, when the performances are O'Keefe's Poor Soldier, and the farce of the Rendezvous . . .

[News], The Australian (6 February 1838), 2

http://nla.gov.au/nla.news-article36856632 

At the Musical Festival, last Wednesday evening [31 January], which took place at St. Mary's Church, which we briefly noticed in our last . . . Mozart's sublime "O Jesu potentissime," was sung in a style that its immortal composer would have pronounced unexceptionable . . . "Let the bright Seraphim," was then sung by Mrs. Clarke; this lady's shake is very fine - we trust the next time this lady sings with a trumpet obligato, she may have a more efficient performer on that instrument to accompany her; but yet, with all these disadvantages she was much applauded . . . The overtures to "Joseph" and "Zara" were led by Mr. William Wallace, to the magic of whose bow we must attribute the very credible manner the band of the 50th performed their part . . .

"The Theatre", The Sydney Gazette and New South Wales Advertiser (8 February 1838), 2

http://nla.gov.au/nla.news-article2536263 

The Operatic Burlesque Burletta (as the bills call it), entitled Othello Travestie, has been reproduced at the Theatre lately with several alterations and improvements upon its former representation . . . Mrs. Clarke's Desdemona was immeasurably the best performance the Sydney audience have yet seen from her, it was, in fact, the only well-sustained character in the piece . . .

PIECE: Othello travestie (Dowling)

"The Theatre", The Sydney Gazette and New South Wales Advertiser (28 April 1838), 2

http://nla.gov.au/nla.news-article2550636 

. . . THE SPIRIT OF THE RHINE was the first attempt in the Colony to produce a really musical drama, and all things considered we cannot congratulate the manager on its success. We are aware that none of the blame rests with Lazar, who, we understand, has been unwearying in his exertions to produce it with effect, but there is a want of musical talent in the company that would defy even greater tact than Lazar can boast of, to accomplish so desirable a consummation. We attribute the failure of the attempt to causes beyond the power of the manager to control, but we blame him for attempting an effort, the issue of which he must have foreseen. The entire interest of the piece depends on the performance of the heroine, a character which only Mrs. Taylor in the company could perform with any chance of success. Mrs. Taylor's voice has failed her too effectually to permit of her attempting to play Irma, and till she regains it, it were useless to re-attempt the execution of the piece. We have no fault to find with Mrs. Clarke's singing, it was executed in her usual superior manner, but the character of Irma is entirely out of her line - her utter failure to excite anything like an interest in the breasts of the audience towards the progress of the piece did not therefore cause us the least surprise. It may be that the state of the company rendered it necessary to place, the character of Irma in the hands of Mrs. Clarke, but it is doing her grievous injustice to require such a performance from her. We could not but feel annoyed at seeing the beautiful grotto scene so utterly so mercilessly murdered . . .

PIECE: The spirit of the Rhine (a musical drama, by Morris Barnett); and see also My beautiful Rhine (Helstig, arr. Reeve)

"VICTORIA THEATRE", The Sydney Herald (21 June 1838), 2

http://nla.gov.au/nla.news-article12855935 

. . . Spencer was not at all amiss in Pickwick - he dressed the part well, and only required somewhat more simplicity of manner to play it well. Lazar was not Mr. Samuel Weller; but he was a very amusing person, nevertheless. There is no female character of any prominence in this piece; but it would be unjust were we to omit, in this necessarily brief notice, to mention the very excellent singing of Mrs. Clarke - who treated the audience with two Irish songs in a style very superior indeed. Savourneen Delish only required a little more pathos in the last verse to render it deserving of the most unqualified approbation. We think that Mr. Pickwick and his friends are likely to improve upon acquaintanship [sic].

MUSIC: Savourneen deelish (song)

"THE VICTORIA THEATRE", The Sydney Gazette and New South Wales Advertiser (6 September 1838), 2

http://nla.gov.au/nla.news-article2550969

Mrs. Clarke's benefit comes off at the Victoria Theatre this evening, under the patronage of Colonel Wodehouse and the officers of the 50th Regt. The pieces Mrs. Clarke has selected are the favourite comic opera of THE CABINET and DON GIOVANNI IN LONDON, in which Mrs. C sustains the character of Giovanni, and Simmons, for the first time for several years, appears in the character of Leporello. An immense variety of singing and dancing is interspersed throughout the evening's entertainments. Mrs. Clarke's claims on the generosity of the Sydney public are based more upon her abilities as a songstress than as an actress. On the Sydney stage, in the former, she has no rival, nor, indeed, with the exception of Mrs. Chester, have we ever had an actress of equal musical abilities. Independent, altogether, of her claims as a musician and an actress, Mrs. Clarke has still higher claims on the consideration of her own sex; she is in public, and, we are informed, in private life a woman of the most irreproachable character, and purity of character on the stage, we are sorry to say, is so much of a rarity in these days, that we hold it to be the imperative duty of the virtuous portion of the community to encourage and reward it, whenever, as now, it is within the compass of their power.

ASSOCIATIONS: Joseph Simmons (actor, vocalist); Royal Victoria Theatre (Sydney venue)

MUSIC: The cabinet (Thomas Dibdin); with music by John Braham and others; see also The cabinet (comic opera)

[Advertisement], Commercial Journal and Advertiser (8 September 1838), 2

http://nla.gov.au/nla.news-article226459381 

THE DOG BRUIN FOR THIS NIGHT ONLY. Royal Victoria Theatre, PITT-STREET . . .
BENEFIT OF MR. LEE, Tuesday, September 11th, 1838 . . .
The Evening's Entertainments will commence, with, for the first time in this Colony, with New Dresses, Decorations, Scenery, &c.,
a Drama, founded on Sir Walter Scott's celebrated Novel of the "Talisman," called
RICHARD COEUR DE LION; OR, THE Crusader and His DOG.
Richard Coeur de Lion (King of England) - Mr. Spencer.
Sir Kenneth, (of Scotland) - Mr. Grove.
Conrade, (Marquis of Montserrat) - MR. LEE.
Saladin, (Sultan of Jerusalem) - Mr. Arabin.
Blonde, (Page to Richard) - Mrs. Clarke,
with the Song of "When the day with Rosy Light,"
Accompanied by herself on the GUITAR, AND "Tell me my Heart."
The Favorite Catchourka Dance, by MISS LAZAR.
Song, "Why did I Love," by Mrs. Clark . . .

ASSOCIATIONS: Daniel Parsons Grove (actor)

[Advertisement], The Sydney Herald (21 September 1838), 2

http://nla.gov.au/nla.news-article12863559 

For the Benefit of Mr. J. P. Deane, Leader of the Orchestra, and his four Sons.
Royal Victoria Theatre, PITT-STREET . . . TO-MORROW (Saturday), the 22d instant.
The Performance will commence with the celebrated grand Operatic Legendary Drama,
with the original Music by Carl Maria Von Weber, in three Acts, entitled
DER FREISCHUTZ; OR, THE SEVENTH CHARMED BULLET.
Caspar - Mr. Lazar
Rodolph - Mr. Peck
Zamiel (demon huntsman) - Mr. Lee
Agnes, daughter of Kuno - Mrs. Clarke
Ann, her Cousin - Mrs. Taylor . . .

ASSOCIATIONS: George Peck (vocalist, actor, musician)

MUSIC: Der Freischutz; or, The seventh charmed bullet (Weber; English version)

"DEPARTURES", The Sydney Monitor and Commercial Advertiser (27 November 1839), 3

http://nla.gov.au/nla.news-article32166410 

AUSTRALASIAN PACKET, Nicholls master for Port Phillip, General Cargo.
PASSENGERS . . . Mrs. Clarke . . . and 23 in the steerage.

Melbourne, Port Phillip district, and Sydney, NSW (11 December 1839 to 24 February 1840):

"SHIP NEWS", Port Phillip Patriot and Melbourne Advertiser [NSW (VIC)] (9 December 1839), 5 supplement

http://nla.gov.au/nla.news-article228129649 

Dec. 11. - Australasian Packet, I. D. Nichols, master, from Sydney.
Passengers . . . Mrs. Clarke . . . and 22 in the steerage.

[News], Port Phillip Gazette (14 December 1839), 3

http://nla.gov.au/nla.news-article225005502 

Mrs. Clarke who is well known as one of the lights of the Sydney stage, and whose private and public actions have gained for her an enviable estimation, is at present on a visit to our Provincial Capital. It is, we believe, her intention to enliven Melbourne, with the charms of a concert, to aid which purpose the services of several gentlemen have been gallantly offered and accepted.

[Advertisement], Port Phillip Gazette (28 December 1839 [sic]), 5

http://nla.gov.au/nla.news-article225005653 

MRS. CLARKE BEGS to announce to the Ladies and Gentlemen of Melbourne, that during her short stay,
and at the desire of many of her Friends, she is induced to give a
"Soiree" on MONDAY Evening next, December 23d at the British Hotel,
on which occasion she respectfully solicits their kind patronage and support.
PART THE FIRST.
Instrumental - Nathan
Song - "Meet me in the Willow Glen" - Lee
Song - "There's no home like my own" - Malibran
Song - "When the day with rosy light" accompanied by herself on the Spanish Guitar - Sola
Song - "The Banks of the Dee" - Lee
Between the Parts, and by particular desire Mrs. Clarke will sing "The Old Maid," in character.
PART THE SECOND.
Instrumental - Henly.
Song - "The Mountain Echoes" - Chombly
Song - "Savourneen Deelish" - Janson
Song - "Kate Kearney" accompanied on the Spanish Guitar - Eularin [sic]
Song - By desire, "Rory O'More" - Lover
Song - "Norah the pride of Kildare" - Parry
Tickets Half-a-Guinea each, to be had at the Gazette Office, or at Mr. Harpur's, British Hotel.
To commence at Eight o'Clock.

[News], Port Phillip Patriot and Melbourne Advertiser (23 December 1839 [sic]), 3 supplement

http://nla.gov.au/nla.news-article228130027 

On Monday last Mrs. Clarke had a Concert at the British Hotel, the tickets were 10s. 6d. each. The pleasure that the public might have enjoyed at this soiree was completely spoiled by the noisy, drunken, blackguard language and outrageous conduct of a fellow professing to be a gentleman - report says it was the Editor of the Gazette. What were the constables about that they did not lodge him in the watch-house?

ASSOCIATIONS: George Arden (editor)

"Domestic Intelligence", Port Phillip Gazette (28 December 1839), 3

http://nla.gov.au/nla.news-article225005652 

Mrs. Clarke, in pursuance of her spirited design, delighted the fashionable world of Melbourne, on Monday evening last, with a brilliant Soiree, at the British Hotel. The songs chosen by her for the occasion required taste, feeling, and execution; every justice was rendered, and the audience were loud and continued in their applause. Mrs. Clarke's personation of the Old Maid, attired in an antique dress of green silk, with spectacles of the same spinster-spirited hue, was admirable and elicited deserved commendation. The room itself was not well adapted to the purpose, being low and badly lighted; but, for the short notice which had been given, "mine host" of the British provided capital accommodation for the numerous and respectable audience which graced the arena of "music and of song." Mr. Jamieson accompanied Mrs. Clarke throughout the evening on a grand piano. It is to be regretted that this lady could not be induced to remain for a season in our little capital, as the support she experienced on even this first and hurried occasion, is a guarantee for a gratifying and remunerating patronage hereafter. Upon the close of the present Sydney Theatre, the inhabitants of Melbourne may expect a dramatic corps, (whose strength we have no doubt will be recruited by some talented amateurs) to assist them in dispelling the eternal monotony of the province, "happy" only in name.

ASSOCIATIONS: Mr. Jameson [sic] (pianist)

Sydney, NSW (from 8 January to 24 February 1840):

"Shipping Intelligence. ARRIVED", The Australian [Sydney, NSW] (9 January 1840), 2

http://nla.gov.au/nla.news-article36859173 

Jan. 8 - The barque Australasian Packet, Nichols, master, from Port Phillip the 26th ultimo.
Passengers - Mr. and Mrs. Clark . . . and two in the steerage.

[News], Commercial Journal and Advertiser [Sydney, NSW] (8 February 1840), 2

http://nla.gov.au/nla.news-article226456820 

Mrs. Clarke, late of the Victoria, we understand shortly proceeds with her husband, to Van Diemen's Land. This we regret, and we are sure the public will, for decidedly this vocalist and actress was one of the best of the Sydney corps dramatique, and decidedly an ornament to it in point of respectability. Mr. Wyatt, we have no hesitation in saying will do himself and the public an injustice by allowing her to leave these shores through any pecuniary considerations.

ASSOCIATIONS: Joseph Wyatt (manager)

"VESSELS AND PASSENGERS CLEARED OUT AT THE CUSTOMS", The Sydney Monitor and Commercial Advertiser (24 February 1840), 3

http://nla.gov.au/nla.news-article32167298 

FRIDAY. The AUSTRALASIAN PACKET, barque McPherson master, for Hobart Town. PASSENENGERS - cabin, Mr. and Mrs. Clarke, and Captain Wright.

Hobart Town, VDL (TAS) (1 March 1840 to 11 February 1841):

"SHIP NEWS. ARRIVALS", The Austral-Asiatic Review, Tasmanian and Australian Advertiser [Hobart, VDL (TAS)] (3 March 1840), 2

http://nla.gov.au/nla.news-article232477908 

March. 1. - Barque Australasian Packet, 205 tons, McPherson, master, from Sydney, Feb. 24, with a general cargo.
Passengers . . . Mr. and Mrs. Clark, Miss Clarke . . .

"THEATRE, CAMPBELL-STREET", The True Colonist Van Diemen's Land Political Despatch [Hobart, VDL (TAS)] (13 March 1840), 7

http://nla.gov.au/nla.news-article202419670 

We understand that Mr. Capper and Mrs. Clarke have taken the Theatre from Mr. De Graves for the race week; and that Mrs. Clarke is to have it for three months after that. Mrs. Clarke has always been a very great and deserved favourite with the Hobart Town people, and we hope she may succeed.

ASSOCIATIONS: Richard Capper (actor, manager); Peter Degraves (theatre owner); Theatre Royal = Royal Victoria Theatre (Hobart) as above

[Advertisement], The Hobart Town Courier and Van Diemen's Land Gazette (13 March 1840), 1

http://nla.gov.au/nla.news-article8747460 

THEATRE ROYAL, CAMPBELL STREET.
THE public of Hobart Town and ita vicinity are most respectfully informed, that the above Theatre will
re-open on Monday evening next, the 16th March, when will be presented the admired Scottish legendary drama of
THE VAMPIRE; OR THE BRIDE OF THE ISLES.
Lady Margaret - MRS. CLARKE, (From the Royal Victoria Theatre, Sydney, her first appearance here these Three Years.)
AFTER WHICH, The celebrated Irish Song of RORY O'MORE, by MRS. CLARKE.
Dancing, &c.
The whole to conclude with the highly favourite musical Farce of
NO SONG NO SUPPER; OR, THE LAWYER IN A SACK.
Margaretta (with the original songs) - MRS. CLARKE.
The Orchestra will comprise the first-rate musical talent of the colony.
[Manicule] Further particulars in band bills.
VIVAT REGINA.

"AMUSEMENTS OF THE WEEK", Colonial Times (17 March 1840), 7

http://nla.gov.au/nla.news-article8750588 

Mr. Capper opened the Victoria Theatre last night, to a pretty fair audience. He has taken the house for the Race Week, and has engaged a numerous company, being determined to entertain the public, as much as he can. The house has been very neatly decorated, and, we understand, that the new Manager intends to confine the performances chiefly to Melo-dramas and Farces, - a very judicious course, in our opinion. Our old favourite, Mrs. Clarke, has returned, after an absence of nearly three years, and made her appearance, last night, in her favourite character of Lady Margaret, in the Vampire. After this week, she will join Mr. Capper, in partnership, for a limited period; and, as every pains have been taken, and no expense spared, both as to performers, and an efficient orchestra, we sincerely hope, that they will meet with the success, which they deserve . . .

"THE THEATRE", Tasmanian Weekly Dispatch (5 June 1840), 7

http://nla.gov.au/nla.news-article233619443 

On Monday evening, we had another opportunity of observing the manner in which Mrs. Clarke's company are exerting themselves at the Victoria Theatre, to keep up the spirit of the drama. The play was The Brigand; the afterpiece, the old amusing farce of The Waterman, in which Incledon, in his former never-to-be-forgotten days, performed his first and most attractive character of Tom Tug. Since his time, until Monday last it has never been our lot again to see "The Waterman" performed, or to hear on the stage, "Now, farewell, my trim built wherry," and "Did you not hear of a jolly young waterman." Mrs. Clarke, in her usual excellent and spirited manner, performed the part of "Tom Tug," and gave these songs in capital style - a style worthy of a better return, and a better audience. It was one, however, which, on this occasion, had sufficient good sense and feeling, not to press an encore. We here beg to impress upon the play-going public, the consideration which at all times ought to be shown toward the performers at a theatre like Hobart Town; where although on several occasions there has not been enough cash taken to pay for the rent and lights, several unthinking (to say the least of it) persons have insisted on every song being repeated. If this "encore" had originated in a gallery, or a pit, under such circumstances, it would be put down immediately in any other colony; but here, where it emanates generally from the boxes, it is in no way creditable. We wish to use mild terms. Some persons, however, cannot help taking liberties in every place, because they happen to be somewhat above the world in money matters; whilst others, again, are sent to the watch-house, for merely speaking above their breath. We have already recorded our opinion of Mrs. Clarke's "Tom Tug." Her "Bay of Biscay" was excellent. She evidently has a mind to understand the music of her songs. Her singing is not purely mechanical, it is an effort of genius, well deserving a higher ground for display. She is the only person we have heard since Incledon, give effect to the "a sail - a sail in sight appears, we hail her with three cheers." Captain Sir John Franklin, of the Royal Navy, and every man in the Colony, who has ever broke a biscuit within the wooden walls of Old England, ought to hear Mrs. Clarke sing this old song, and if they cannot do so, in consequence of the cant of propriety, then they are indeed to be pitied. However, we are a very nice people, and therefore the Drama cannot be supported. There might be the shadow of a shade of some improper person in the boxes, and the contagion might be irresistible, that would be bad - indeed !!! What a blessing it is to live in a country where the least shadow of impropriety can be taken into custody at once, by a 1s. 9d. per day constabulary - and where cant and hypocricv, with all their consequences, are altogether unknown . . .

ASSOCIATIONS: John Morgan (editor, d. 1866, former Royal Marine); John Franklin (governor)

PIECE: The waterman (Dibdin)

"THEATRE", The Courier (8 January 1841), 2

http://nla.gov.au/nla.news-article2957340 

We call the attention of our readers to Mrs. Clarke's announcement of the performances for her Benefit on Monday next. We think it but an act of justice to render this indefatigable caterer for the public amusement all the support in our power, especially on this occasion, the last either ourselves or the public will have of bearing any serviceable testimony of her praiseworthy and toilsome career - she being about to leave for England. We have no doubt, from the peculiarly adverse circumstances which prevail here, with reference to theatrical amusements, that Mrs. Clarke has little to congratulate herself upon since coming amongst us - but she appears to have encountered the endless difficulties around her with a zeal and perseverance which of themselves recommend her strongly to our own, and we hope to the public's best sympathies; we do therefore sincerely hope that the good-will which her exertions cannot but have commanded will be evinced by giving her on this occasion a crowded house. A most varied and novel bill of fare, it will be observed, has been provided and the occasion being one of interest, from the circumstance we have mentioned, will no doubt call forth all the energies of our corps dramatique.
We augur most unfavourably of the decided absence of anything like success which Mrs. Clarke has experienced here, as to the encouragement of dramatic amusements amongst us, for at least many years to come; she appears to have left no means or exertions untried, but with the same unsatisfactory result which has marked all other previous attempts. Our really beautiful little theatre is thus likely either to change its object, or to become a crumbling desolate building, before we shall be prepared to give effective support to projects of the kind. The numbers are too few here, evidently, to maintain that continuous support which would be necessary for really efficient actors even to subsist upon; a respectable and well-organized theatre would require, in this small community, almost everybody to visit it at least once a week, to keep up sufficiently numerous audiences to enable them to pay their expenses. An average of this kind is not likely to be obtained here at present, even by a decidedly clever company - we believe one from London would not obtain full houses for twenty nights consecutively; consequently, only such actors who will receive the lowest rate of pay, can be engaged, - all the other arrangements, from the necessity of economy, are inefficient, and to the natural indifference to the theatre, then becomes added, its wholly uninteresting and wretched attempts at performance, - which eventually renders it only the resort of the boisterous and most careless of the people. To avoid these consequences, it appears to us Mrs. Clarke has striven with great industry; but as the causes were beyond her reach, her battling with the effects, as a matter of course, has met with only partial success - but for her exertions and the little she has been able to do in helping our theatricals thus far on their career, we say again, she merits every countenance and support, and we trust that both families and single folk will unite on Monday next in giving her literally a bumper.
Every arrangement will, we have no doubt, be made to insure to all parties the most perfect comfort and convenience.

"CONCERT", The Courier (29 January 1841), 2

http://nla.gov.au/nla.news-article2957172 

We perceive by announcement that Mrs. Clarke, previous to her departure for England, is making one more effort to gratify and amuse her numerous friends, by giving a farewell concert, which will take place at the Theatre, in Campbell-street, on Monday next. In addition to the auxiliary services of the fine band of the 51st regiment, which has been placed at Mrs. Clarke's disposal by the permission of Colonel Elliott, we are happy to observe in the bill of particulars a considerable amount of private professional talent, likewise rallying round our indefatigable managress, to second her efforts on the present occasion. We heartily wish Mrs. Clarke the success to which her industry and exertions entitle her.

ASSOCIATIONS: Band of the 51st Regiment (military)

"MRS. CLARKE'S CONCERT", Tasmanian Weekly Dispatch (5 February 1841), 3

http://nla.gov.au/nla.news-article233620098 

This last attempt of the indefatigable actress to amuse the public of Hobart Town and its vicinity, on Monday last, was as successful as could, under every circumstance, be expected. Mrs. Clark, we hear, now closes her engagement as lessee of the theatre, previous to her departure for England, from whence she will proceed to some other of the British Colonies - perhaps to Sydney, with a well arranged dramatic corps and equipment. In taking leave of her as a public character, we join with many others, who very sincerely wish her every success.

"SHIPPING INTELLIGENCE . . . DEPARTURES", The True Colonist Van Diemen's Land Political Despatch (12 February 1841), 2

http://nla.gov.au/nla.news-article202420081 

Cleared out - Barque Sir George Arthur, McKellar, for London, with oil; &c.; passengers, Mr. Petchy, Mr. and Mrs. Clarke and child . . .

London, England (July to October 1841):

NO DOCUMENTATION IDENTIFIED

Hobart Town, and VDL (8 January 1842 to 8 September 1845):

"SHIPPING INTELLIGENCE", The Courier [Hobart Town, VDL (TAS)] (28 January 1842), 2

http://nla.gov.au/nla.news-article2954943

28 - the Sydney, from London, last from the Downs on the 3rd October -
Passengers . . . Mr. and Mrs. Clark and child . . . J. Carandini, F. Howser, wife, and child, Henry and John Howser, S. Macintosh and child, Emma Young.

ASSOCIATIONS: Gerome Carandini (dancer); Frank Howson (actor, vocalist); Emma Howson (dancer); Henry Howson (musician); John Howson (actor, vocalist); Theodosia Macintosh ("Mrs. Stirling", actor, vocalist, later Mrs. Guerin); Emma Young (dancer, later Mrs. Rogers)

Application by M. Clarke for a theatre licence, 20 July 1842; Tasmanian names index; NAME_INDEXES:1781421; CSO22/1/29 file number 1037

https://stors.tas.gov.au/NI/1781421 

Clarke, Applications by various persons for entertainment licences; Tasmanian names index; NAME_INDEXES:1781422; CSO22/1/37 file number 1182

https://stors.tas.gov.au/NI/1781422 

Application by M. Clarke for a public entertainment licence, 24 September 1842, and legal opinion on the granting of such a licence; Tasmanian names index; NAME_INDEXES:1781419; CSO22/1/38 file number 1223

https://stors.tas.gov.au/NI/1781419 

Petition, Michael Clarke, Melbourne, NSW (VIC), [undated, probably late 1842], to Charles La Trobe; Public Record Office Victoria

https://prov.vic.gov.au/archive/ECE138FC-BD36-11ED-8BFF-FD3AEC96A889?image=1 (DIGITISED)

To his Excellency C. J. La Trobe, Esq're, Lieutenant Governor of Port Phillip &c. &c.
The Petition of Michael Clarke of Hobart Town Van Diemen's Land Lessee of the Theatre there.
Humble sheweth that your Petitioner having in view the cultivation of the fine Arts in these Colonies and the moral improvement resulting therefrom has been to England, at a very considerable expence, and has recently returned from thence with some respectable and talented individuals as vocal, instrumental, and dramatic Performers, and having been solicited to visit Port Phillip humbly entreats that your excellency will be graciously pleased to grant him a Licence for opening the Theatre at Melbourne for so long a time as he may remain there.
And your Petitioner as in duty bound will ever pray &c.
Michael Clarke

ASSOCIATIONS: Charles La Trobe (governor)

[Advertisement], The Courier (13 January 1843), 1

http://nla.gov.au/nla.news-article2953298

[ADVERTISEMENT.]
TO THE EDITOR OF THE COURIER.
Victoria Theatre, Jan. 12, 1843.
SIR,- Signor Dalle Case having, in a parenthesis to his programme of performances on Monday next, ventured to state, as a reason for giving his Farewell Benefit at the Albert Theatre, "the impossibility of satisfying the insatiable cupidity of the Victoria lessee," I, in justification of myself, deem it necessary to submit to you a plain statement of the facts.
One of the Masonic fraternity applied to me, on behalf of Dalle Case, for the use of the Victoria Theatre for his Farewell Benefit, on Friday, 13th inst.
As this was one of the nights of Mrs. Clarke's own dramatic performances, I agreed to forego the same upon payment of £30; to which not only was no objection made, but the terms were deemed fair and reasonable.
As, however, no agreement or arrangement as to the payment of the said sum had been entered into by Dalle Case, I, as a matter of business, merely desired that he would give me his own guarantee for the payment of the said £30.
He has declined doing so, stating that "he would rather have his head cut off first, as be thought his own word was quite sufficient for such an amount." No further communication having taken place upon the subject, he has advertised his Farewell Benefit at the Albert Theatre.
After the perusal of this plain statement of facts, I trust you will exonerate me from the imputation of either duplicity or cupidity, which are terms best applicable to the conduct of Dalle Case himself.
- I am, Sir, very truly your's, MICHAEL CLARKE.
[We willingly give publicity to this statement of Mr. Clarke's, as whatever may have been the feelings of Signor Dalle Case upon the subject, we consider him to blame in making a public allusion to the lessee of the Victoria Theatre, calculated to injure him in public estimation. - ED.]

"MRS. CLARKE'S BENEFIT", The Courier (16 June 1843), 3

http://nla.gov.au/nla.news-article2952564 

After a protracted season, during which hopes and fears, touching the state of the financial department, must have succeeded one another in the mind of the lessee, with the rapidity inseparable from an undertaking involving so great an expense, whilst the return flows from a quarter so precarious as the public purse, a series of benefits will he entered upon on Monday evening next by Mrs. Clarke's appeal to the good-will of the community. Before entering upon the merits of the bill now lying before us, it may be well briefly to comment upon what the claims of the appellant to the support therein solicited; and which will, we may venture to predict, be contributed with the same good feeling as was evidenced on every former occasion of a like nature. To Mrs. Clarke may be traced a complete renovation in the type of our colonial performances, and also those well-judged alterations which now establish the Victoria a place of amusement, to which any one (save, perhaps, those whose calamity it is to suffer under aguish fastidiousness) may resort with but little fear of disagreeables. Both these features cannot but have struck any one who may draw the parallel between what our theatre is at present, and what it was only two years since, before Mrs. Clarke's arrival from England, bringing with her the nucleus of a fresh company, little or nothing was aimed at beyond the exhibition of such farces as, by their broad points and vulgar witticisms, might for the moment call forth a laugh, but one which, with the reflective mind, soon melted into regret, that the most degrading foibles of human nature, conjured up with usury, should thus incessantly be offered to the mirth of crowded pits, whose ecstatic gesticulations would, at times, almost lead to the belief that vice habited in the garb of the ridiculous, might, with the lower orders, assume the virtue of amiability. Such a state of things has fast disappeared under the influence of able discrimination on the part of the manageress, backed by the effective exertions of a company, some of whom have imbibed from histrionic schools of a higher order a more refined perception of their parts than was usually to be met with on the Victoria boards. Several genteel comedies have, during the campaign now closing, been got up at much trouble and expense, and, in several instances which we can call to memory, received that share of public praise to which they were unquestionably entitled; others, it is true, have proved less successful, but it should ever be remembered, when pronouncing on such occasions, that we are sixteen thousand miles distant from the precincts of Drury-lane and Covent Garden, and that, consequently, all in our comparatively pigmy community must be glanced at through a glass diminishing by sixteen thousand times. Besides, mishaps will happen in the best regulated family; and, if we be not misinformed, the task of regulating for a scenic family party is not always a bed of roses. Again, to the enterprise of Mrs. Clarke must be ascribed the enjoyment of a new talent, as felt in the dancing of Mrs. Howson, Miss Young, and Signor Carandini; and lastly, though not least, the intermixture of those vocal performances which constitute a happy relief to the monotony of common-place acting. Coupled with these several recommendations to public favour, on the part of one who has long and indefatigably laboured for the general entertainment, must stand prominent the but too certain fact, that the past season has in its pecuniary fruits proved far less than might have been expected, and than would, in all probability, have been reaped had it not been for the emptiness of our colonial pockets. The benefit is to take place under the patronage of Colonel Elliot and the officers of the garrison; and a promise has been made of the services of the regimental band, for the execution of several pieces during the course of the evening. A comic opera, entitled "Love in a Village," has been selected for the first division of the entertainment. With a knowledge of its merits, we may state that to those whose imaginative powers will allow of Cupid being habited in a smock-frock, this composition will be productive of amusement, whilst the musical portion is both humourous and in unison with the spirit of the piece. The remainder of the bill, though good, is not new; it must, therefore, speak for itself.

E. H. Malcolm, "THEATRES IN THE BRITISH COLONIES", Fisher's colonial magazine (May to August 1843), 203

https://books.google.com.au/books?id=SxtEAQAAMAAJ&pg=PA203 

Both at Launceston and Hobart Town, Van Diemen's Land, there are small theatres, possessing humble professional companies. That at Launceston is under the management of a lady, Mrs. Clarke. The admission-price is one dollar each person. Mrs. Wilkinson (once a popular actress in London) has, we believe, performed in this company since her arrival in Van Diemen's Land. The Hobart Town theatre is called the "Royal Victoria." A Miss Young is the prima donna. The company need be strong, since the opera of "Fra Diavolo" is announced, in one of the play-bills, to be performed with the whole of the music. The prices here are, boxes, 4s. 4d.; pit, 2s.; -no halfprice.

Application by G. Carandini for a public entertainment licence for the Argyle Rooms [Michael Clarke]; Tasmanian names index; NAME_INDEXES:1781423; CSO22/1/85 file number 1817

https://stors.tas.gov.au/NI/1781423 

[Advertisement], The Courier (21 September 1844), 3

http://nla.gov.au/nla.news-article2950534 

Under Distraint for Rent.
Peter Degraves against Michael Clarke.
UPON MONDAY next, the 23rd instant, at 12 o'clock, there will be SOLD by AUCTION,
at the Victoria Theatre, situate in Campbell street, in the occupation of the above Michael Clarke -
House-hold furniture, including a grand horizontal pianoforte,
stage furniture, theatrical scenery, lamps, &c., with other usual apparatus for a theatre.
Terms-cash. ROBERT MANN, Auctioneer.

ASSOCIATIONS: Peter Degraves (theatre owner)

"Domestic Intelligence", The Melbourne Weekly Courier (30 November 1844), 2

http://nla.gov.au/nla.news-article228063459 

We observe in the Van Diemen's Land newspapers, a report of an examination in the insolvency of Michael Clarke, the lessee of the Theatre Royal at Hobart Town and Launceston, in which there is about as clean a sweep as we have yet seen. The debts as set forth in the schedule, were £284 7s. 7d., the assets - real estate, none; personal estate, none; debts due to the insolvent, none!!!

Deane [Michael Clarke], applications from various persons for Public Entertainment Licences' Tasmanian names index; NAME_INDEXES:1781420; CSO22/1/104 file number 2196

https://stors.tas.gov.au/NI/1781420 

"THEATRICALS", Colonial Times (15 August 1845), 3

http://nla.gov.au/nla.news-article8757044 

Mrs. Clarke and Mrs. Thomson have their joint benefit on Monday night. These Ladies are especially deserving the support of the public, and we rejoice to find their benefit is under the patronage of "the Ladies of Hobart Town" - the elite of whom will honor it with their protection. Mrs. Clarke is so well known here - her conduct in private life has been so correct and free from even the breath of calumny, that it is unnecessary to say more. Mrs. Thomson possesses an equally high reputation in private life. She is a near relative of that celebrated author and performer, Mr. Leman Reid, and possessing first-rate professional talents, the performances of Monday evening will afford a high theatrical treat, as the programme shows. We believe both these deserving ladies proceed forthwith to Port Phillip, where they will no doubt receive that public and private support, to which their correct deportment so fully entitles them.

"Shipping Intelligence . . . DEPARTURES", Launceston Examiner (10 September 1845), 4

http://nla.gov.au/nla.news-article36241326 

September 8. - Brig Swan, 140 tons, Bell, master, for Port Phillip ; James Raven, agent. Cabin passengers - Mr. H. Lynes, Mr. J. Austin, Mrs. Clarke and daughter, Mrs. Thompson and daughter . . .

Melbourne and Geelong (12 September to 11 October 1845):

"Shipping Intelligence", The Melbourne Courier (15 September 1845), 2

http://nla.gov.au/nla.news-article226363895 

. . . September 12. - Swan, from Launceston . . . Passengers per Swan . . . Mrs. Thomson and daughter, Mrs. Clark and daughter . . .

"THEATRICALS", Port Phillip Patriot and Melbourne Advertiser (16 September 1845), 2

http://nla.gov.au/nla.news-article226347353 

We are informed that it is the intention of Mrs. Clarke, who arrived per Swan, to commence her first theatrical campaign in the province, at Geelong . . .

"MRS. CLARKE", The Port Phillip Patriot and Morning Advertiser (10 October 1845), 2

http://nla.gov.au/nla.news-article226315115 

This lady, who has been so long at the head of the corps dramatique on the southern side of the neighbouring island of Van Diemen's Land, having lately visited Melbourne for the purpose it was affirmed of establishing a second company of comedians, takes her departure for Launceston on the Shamrock, to-morrow, not having succeeded it is said in carrying her purpose into effect.

"THINGS THEATRICAL", Port Phillip Gazette and Settler's Journal (25 October 1845), 2

http://nla.gov.au/nla.news-article225063688 

The Colonial Secretary has forwarded to Melbourne, a license for the old Theatre, Bourke-street, on the application of Mrs. Clarke, who dispensed with the custom of applying through the Melbourne bench. We believe the license has been sent - subject to the approval of His Honor the Superintendent.

"Shipping Intelligence. CLEARED OUT", The Melbourne Courier (13 October 1845), 2

http://nla.gov.au/nla.news-article226362629 

October 10. - Shamrock, steamer, 200 tons, Gilmore, master, for Launceston and Sydney. Passengers - (cabin) for Launceston, Miss Barclay, Mrs. and Miss Clarke, Mr. and Mrs. Young . . .

Hobart Town and Launceston, VDL (TAS) (13 October 1845 to 20 August 1847):

"Shipping Intelligence. LAUNCESTON. ARRIVALS", Launceston Examiner (15 October 1845), 4

http://nla.gov.au/nla.news-article36241920 

October 13. - Steam ship Shamrock, 200 tons, Gilmore, master, from Sydney and Port Phillip . . . Passengers for Launceston - . . . Mrs. and Miss Clarke . . . Mr. and Mrs. Young, Mr. Cameron . . .

Applications for licenses to conduct places of public entertainment [Michael Clarke]; Tasmanian names index; NAME_INDEXES:1786064; CSO20/1/12 file number 207

https://stors.tas.gov.au/NI/1786064 

[Playbill], ROYAL VICTORIA THEATRE [Hobart Town], MONDAY, FEBRUARY 23, 1846. MRS. CLARKE'S BENEFIT . .

https://stors.tas.gov.au/AUTAS001126074814w800 

[Advertisement], The Cornwall Chronicle (6 to 29 March 1847), 189

http://nla.gov.au/nla.news-article65943603 

"THE THEATRE", Colonial Times (30 July 1847), 3

http://nla.gov.au/nla.news-article8761031 

It will be seen that Mr. Clarke, the Lessee of the Victoria Theatre, takes a benefit on Monday night, with a selection of pieces which are highly attractive, and with some very beautiful scenery painted expressly by Mr. Duke, illustrative of one of the roost poetical and imaginative of our Great Dramatist's productions - The Tempest. We beg to refer our readers to Mr. Clarke's announcement heading his advertisement, and sincerely hope that the appeal thereby made will be must "cheerfully and liberally responded to."

ASSOCIATIONS: William Charles Duke (scene painter)

[Advertisement], The Courier (31 July 1847), 3

http://nla.gov.au/nla.news-article2971278 

ROYAL VICTORIA THEATRE, CAMPBELL-STBEET. MR. CLARKE'S BENEFIT. MONDAY EVENING, AUGUST 2. MR. CLARKE, in announcing that HIS BENEFIT will take place on the above evening, is induced to hope, from the strenuous endeavours he has always made to entertain the public during the many years he bas been lessee of the Victoria Theatre, and from the great outlay incurred in producing a succession of novelties for their entertainment, that in this his first appeal for their support and favour, it will be cheerfully and liberally responded to. The entertainments selected for the occasion will commence with (for the first time here) Shakspeare's well-known comedy entitled THE TEMPEST . . .

[Advertisement], The Cornwall Chronicle (4 August 1847), 3

http://nla.gov.au/nla.news-article65943294 

"LOCAL . . . THE THEATRE", The Cornwall Chronicle (7 August 1847), 3

http://nla.gov.au/nla.news-article65981909 

Mr. and Mrs. Clarke having relinquished the lesseeship of the Hobart Town Theatre are now in Launceston on their way to Port Phillip. On Monday evening they ask the patrons of the Drama for a Benefit, on which occasion the entertainments will consist of the comedy of "the Loan of a Lover," an interlude called "the Intrigue," and the Ballet of the "Royal Standard," together with a variety of singing and dancing as announced in the bills for the night.

[Advertisement], The Cornwall Chronicle (7 August 1847), 1

http://nla.gov.au/nla.news-article65981902 

[Advertisement], The Cornwall Chronicle (14 August 1847), 1

http://nla.gov.au/nla.news-article65981453 

"Shipping Intelligence . . . PORT OF LAUNCESTON", Colonial Times (24 August 1847), 2

http://nla.gov.au/nla.news-article8761188 

August 20 - Sailed the brig Raven, Bell, master, for Melbourne. Passengers . . . Mr. Mrs. and Miss Clarke . . . Mr. Rolfe . . .

ASSOCIATIONS: Thomas Rolfe (musician, musicseller)

Melbourne, NSW (VIC) (27 August to December 1847 or later):

"Shipping Intelligence . . . MELBOURNE. ARRIVED", Geelong Advertiser and Squatters' Advocate [NSW (VIC)] (31 August 1847), 2

http://nla.gov.au/nla.news-article94447073 

August 27. - Raven, brig, from Launceston. Passengers . . . Mr., Mrs., and Miss Clark . . . - Rolf . . .

"THE DRAMA", Port Phillip Gazette and Settler's Journal [Melbourne, NSW (VIC)] (28 August 1847), 2

http://nla.gov.au/nla.news-article223153432 

Some important additions to the strength of the corps dramatique of the Queen Theatre, are daily expected from Hobart Town, the proprietor having concluded engagements with some well-known to histrionic fame. Among others we are given to understand that he has secured the services of Mrs. and Miss Clarke. Mr. Duke, a very superior scene painter, has also been engaged. Other old favourites will shortly follow, and in a very little space of time, the "Queen's" will yield to no theatre in the colonies, with the exception of Sydney, of which it will be a worthy rival. Mrs. Clarke is well known and much esteemed for her dramatic talent in the neighbouring colony of Van Deimen's Land. Her daughter - Miss Clarke - is highly appreciated as a danseuse, and we nave no doubt but the two - mother and daughter - will quickly establish themselves as decided favourites. The Hobart Town press mentions them very favourably.

ASSOCIATIONS: William Charles Duke (scenic artist); Queen's Theatre (Melbourne venue)

[Advertisement], Port Phillip Gazette and Settler's Journal (1 September 1847), 3

http://nla.gov.au/nla.news-article223151396 

QUEEN'S THEATRE ROYAL.
First appearance of MRS. CLARKE, from the Hobart Town and Sydney Theatres.
ON WEDNESDAY EVENING, SEP. 1,
The Performances will commence with a Grand Musical Romance, in two acts, with all the original songs and chorusses, entitled -
KATE KEARNEY; OR, FILADAUNE THE FAIRY OF THE LAKE.
Kate Kearney - MRS. CLARKE.
Programme of Scenery and Incidents: -
Act 1. - Scene 1. - Kate Kearney's dream on the Fairy Banks of Killarney, (painted expressly for the piece) - The Queen of the Fairies - Chorus, "Come hither, come hither, Kate Kearney" - Kate descends through the waters of the Lake - Song, "I would not be a Fairy light" - Filadaune grants the wish of Kate, and sinks through the waters.
Scene 2. - Kate Kearney's cottage. Scene 3. - The Lakes at sun-rise - Song, (Kate) "There's not in this wide world" - The interview of the lovers - Despair of Lanty - Song, "And now that you know this, Kate Kearney" - Corney Lynch - The quarrel - The crowning of the May Queen - Chorus, "Hail Kate Kearney" Irish jig - Chorus, "Whack, fa lo, the Irish whiskey."
Act 2. - Scene 1. - The village alehouse - Determination of Lanty to meet the Fairy.
Scene 2. - Kate's cottage - Song, "Love not."
Scene 3. - A Mountain Pass - Fairy Chorus, "Forward then."
Scene 4. - The Lakes by moonlight - Interview of Lanty and the Fairy Queen - Song, Ned Ryan - Fairy's charm - Ned Ryan sinks through the Lake - Filadaune protects Rose and Kate - The wish granted - Lanty and Ned ascend - Joyous denomncnt and chorus, "The Young May Queen."
Song - Mr. Clarke.
The Dashing White Serjeant - MRS. CLARKE.
The Evening's Entertainments will conclude with an Historical Drama, in three acts, entitled -
THE RICH MAN OF FRANKFORT; OR, THE POISONED CROWN.
Nights of Performance for the present - Monday, "Wednesday, and Friday.
For particulars see small bills.
Doors open at seven; the performances to commence at half-past seven o'clock; Half-price at half-past nine.
Prompter - Mr. Howard.
Leader of Orchestra - Mr. Megson.
J. T. SMITH,
Proprietor.

ASSOCIATIONS: John Thomas Smith (theatre proprietor); Joseph Megson (leader of the orchestra); William Clarke (vocalist)

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (4 September 1847), 2

http://nla.gov.au/nla.news-article223149790 

On Wednesday evening last Mrs. Clarke made her first appearance at this Theatre with great and deserved approbation. As we intend in our next to publish a lengthened report of the evening's proceedings, we can only advise our play-going readers not to miss the opportunity this lady's visit affords of hearing some really good singing. Mrs. Clarke will make her second appearance on the boards of the Queen's, on Monday evening next in the character of "Maria Darlington" in "A Roland for an Oliver," in which farce she will sing "Love Not," and "When Harmony Awakens." She will also perform the character of "Tom Tug" in the beautiful ballad opera of "The Waterman," and in the course of the piece will sing the following songs - "Did you ever hear of a jolly young Waterman?" "Then farewell my trim built Wherry," and "When the sails are furled." We expect to see a goodly muster at the theatre on Monday evening. There is a generous bill of fare provided, for in addition to the pieces we have mentioned, the celebrated farce of "Sayings and Doings" is also promised. We venture to predict that the lovers of mirth and music will not be disappointed.

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (6 September 1847), 2

http://nla.gov.au/nla.news-article223151940 

We now proceed, as we promised in our last publication to notice at length, the singing of Mrs. Clarke, as Kate Kearney. Many of our readers are aware that the Musical Romance of Kate Kearney was written more particularly to display the powers of Mrs. Waylett, (then in the zenith of her fame) as a ballad singer, for which purpose many of the celebrated Irish Melodies were introduced into the piece. But to our present subject. Knowing as we did the celebrity which Mrs. Clarke has, for some years, had in these colonies, as a vocalist, we proceeded to the Theatre, with raised expectations, and we are glad to be able to say that those expectations were not altogether disappointed. Mrs. Clarke's voice, though not first rate, is admirably managed, and gives evident proof of careful culture. There is, however, an occasional harshness which we doubt not perseverance will eventually overcome. Under these circumstances the more credit is due, when we find music not merely correctly executed, but the parts received with enthusiastic applause. This, too, notwithstanding all the nervousness consequent on a first appearance - several of the ballads were beautifully sung. We allude particularly to 'I would not be a Fairy,' and the enchanting ballad 'The Meeting of the Waters,' and last though not least, 'Norah the pride of Kildare.' We were not so pleased with 'Kate Kearney,' (Mrs. Waylett's chef d'oeuvre,) but we are always disposed to be lenient to a first appearance, and certainly await the next with some impatience. One great addition to the gratification we felt on this occasion, was the way in which Mrs. Clarke was supported by the ladies and gentlemen of the company, who evidently did their best to render Mrs. Clarke's debut successful. This is as it should be . . .

[Advertisement], The Melbourne Argus (7 September 1847), 2

http://nla.gov.au/nla.news-article4762216 

Queen's Theatre Royal. The Nights of Performance for the present will be Monday, Wednesday, and Friday.
WEDNESDAY EVENING, September 8, the performances will commence with (for the first time) a favourite comedy, in two acts, entitled
PERFECTION, or THE LADY OF MUNSTER. In the course of the piece, the following songs by Mrs. Clarke: -
"Meet me in the Willow glen," "When harmony awakens."
To be followed by a celebrated Farce, entitled LOVE AND CHARITY.
The evening's entertainments will conclude with (by particular desire) a grand Musical Romance, entitled
KATE KEARNEY, or FILADAUNE THE FAIRY OF THE LAKE.
J. T. SMITH, Proprietor.

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (15 September 1847), 2

http://nla.gov.au/nla.news-article223150052 

On Monday evening a numerous audience assembled to witness the celebrated operatic extravaganza, entitled Don Giovanni in London. Mrs. Clarke was the soul of the piece, she impersonating the Libertine Hero. Some of the song were exceedingly well executed. The lady (albeit she was a gentleman), appeared to great advantage in this character, and was in excellent voice. We particularly admired I've kissed and I've prattled, which was sung with great effect, and was warmly applauded. We must say that we greatly admire Mrs. Clarke's style of singing; although sometimes a little harsh she has an exemplary distinctness of articulation which is extremely pleasing. She appears to use none of those adventitious aids which many do to give eclat to their performances; but is simple, easy, unaffected, and natural. Some of her shakes and embellishments were exceedingly good, resembling
"A lengthened sweetness long drawn out."
Mrs. Clarke was well played up to by the ladies and gentlemen of the company who appeared all to do their best to render the piece effective. Nor can we refrain from mentioning the brilliant and felicitous accompaniments afforded by the orchestra, to the leader of which, Mr. Megson, the greatest, praise is due. The opening overture before the rising of the curtain was executed in splendid style. The performance passed off with great spirit, and appeared to give general satisfaction. Miss Clarke, a young, though very excellent danseuse, made her debut this evening, in a medley Pas seul, and danced with great agility, lightness, and grace: she was most deservedly encored. The amusements of the evening concluded with the comedy of PERFECTION, which passed off very well; and the audience retired to their homes well pleased with the entertainments of the evening.

"MULTUM IN PARVO", Port Phillip Gazette and Settler's Journal (2 October 1847), 2

http://nla.gov.au/nla.news-article223149740 

A grand mass de requiem was on Tuesday last performed at the Catholic Chapel for the late Daniel O'Connell. Mr. Megson, the well known leader at the Queen's Theatre, conducted the music and Mrs. Clarke, the talented cantatrice, gave the aid of her powerful vocal abilities on the occasion.

[Advertisement], Port Phillip Gazette and Settler's Journal (2 October 1847), 3

http://nla.gov.au/nla.news-article223149737 

QUEEN'S THEATRE ROYAL. GREAT ATTRACTION!! . . .
ON MONDAY EVENING, OCT03ER 4, The performances will commence with a celebrated Drama in two acts, entitled
THE PAROLE OF HONOUR. RUTH (with a song) - MRS. CLARKE . . .
The evening's entertainments will conclude with celebrated Ballad Opera in two acts, entitled
THE WATERMAN; OR, THE FIRST OF AUGUST. TOM TUG, MRS. CLARKE.
In the course of the piece, the following songs by Mrs. Clarke: -
Did you not hear of a jolly young Waterman.
Then farewell my trim built wherry.
When the sails are furled.
GRAND FINALE - Rule Britannia . . .

"MRS. CLARKE'S BENEFIT", The Port Phillip Patriot and Morning Advertiser (12 October 1847), 2

http://nla.gov.au/nla.news-article226514911 

We observe the Saint Patrick's Society, purpose patronising this lady's benefit, in acknowledgment of her services at the O'Connell Requiem. Her voice improves on acquaintance, and if she could only believe that loudness is not the best quality of her organ, she would be much more successful in her efforts to please.

"THEATRE", Port Phillip Gazette and Settler's Journal (16 October 1847), 2

http://nla.gov.au/nla.news-article223151126 

The attendance at the Queen's Theatre has very much improved during the last week, Mrs. Clarke having attracted numbers by her musical acquirements. As her engagement is drawing to a close we advise those who have not heard her, to embrace the only opportunity of doing so.

[Advertisement], Port Phillip Gazette and Settler's Journal (18 October 1847), 3

http://nla.gov.au/nla.news-article223152597 

MRS. CLARKE'S BENEFIT. Under the immediate patronage of the SAINT PATRICK'S SOCIETY,
Who have in the kindest manner, come forward to patronise her on this occasion,
and she trusts the pieces selected for this evening's entertainments, will meet with that support it has ever been her study to deserve.
Last appearance or MRS. CLARKE AND MISS CLARKE.
ON MONDAY EVENING, OCTOBER 18, The performances will commence with the celebrated Musical Play, entitled
GUY MANNERING; OR, THE GIPSY'S PROPHECY.
DANDIE DINMONT - BY THE BAILIE. LUCY BERTRAM - MRS. CLARKE.
In the course of the piece, Mrs. Clarke will sing the the favourite songs of
The Mocking Bird.
The Fox jumped over the Parson's Gate.
Oh slumber my darling.
Glee - The Chough and Crow.
The Four-leaved Shamrock.
FINALE - The Heir of Ellangowan's Fate.
Dance, Cachoucha - MISS CLARKE.
Grand Scena from Der Freischutz - MRS. CLARKE.
Dance, Cracovienne - MISS CLARKE.
The whole to conclude with the favourite Farce, entitled NO SONG, NO SUPPER.
MARGERETTA, (with songs) - MRS. CLARKE . . .

"THINGS THEATRICAL", Port Phillip Gazette and Settler's Journal (18 October 1847), 2

http://nla.gov.au/nla.news-article223152603 

On Monday evening last, the performances at the Queen's Theatre commenced with the much admired Scottish Drama of ROB ROY MACGREGOR. A numerous audience assembled to witness the proceedings of the evening . . . Mrs. Clarke undertook the character of Frank, and sung some Scottish melodies, in such a delightful manner as called forth the applause of not a few Scotch hearts present. Her voice is of great compass - the notes, smoothly and agreeably formed, well developed, and powerful enough to absolve her from any necessity of strain; she dressed the character very appropriately. Mrs. Cameron's Helen Macgregor was a fine piece of acting, and did her great credit . . .

"MRS. CLARKE'S BENEFIT", The Port Phillip Patriot and Morning Advertiser (20 October 1847), 2

http://nla.gov.au/nla.news-article226514279 

Despite the down pour up to a late hour on Monday evening [18 October], the severest damper a benefit can receive, Mrs. Clarke's appeal to the patronage of the public, was well responded to, and if we may judge from the repeated applauses lavished upon her efforts to please should say - that her Melbourne popularity would shortly rival the public favor she enjoyed in Van Diemen's Land. The house was well filled, saving the boxes - the performances were intrinsically good, but the Opera, or its it was played, Operetta, of "Guy Mannering" was rather too heavy (with an Opera afterpiece) for the audience, and particularly a colonial one. We were not present during this part of the entertainment, but learn that Mrs. Clarke acquitted herself most creditably, and that an amateur who played "Dandie Dinmont," personated the character with the most graphic effect. - The musical part of the evening was a scena from "Der Freischutz," the score of which is well calculated to test the capabilities of any singer - Mrs. Clarke executed the task remarkably well, displaying a power and flexibility which surprised her audience, the main drawback was the want of dramatic effect, of which the performance is so susceptible, and obviously requires. In the afterpiece of "No Song no Supper," (in which much of the score was omitted) Mrs. Cameron's "Dorothy" deserved the applause the impersonation so liberally received, Mrs. Avins' "Nelly" was certainly the most successful character in the piece, and excited peals of laughter throughout; it was (as usual with this actress) admirably dressed. Douglass' "Lawyer Endless" did him credit. There is a quiet, quaint, bye-play humour about some of this actor's performance which invariably tells - he is always "well up," and has ability enough to lake the lead in the "old men" line. Miss Clark's Polish dance (Cracovienne) was all that could be expected from the youthful danseuse, but required a physical vigour and precision which long practice and study alone can impart. She danced wide, and was evidently exhausted by the effort. The orchestra performed the overture to to the Bohemian Girl with considerable effect.

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (23 October 1847), 2

http://nla.gov.au/nla.news-article223151547 

According to promise we proceed to give an account of the performances at the Queen's Theatre, on Monday evening last, on which occasion Mrs. Clarke took her benefit. The first piece was the musical play of "Guy Mannering" . . . The part of Lucy Bertram was well and effectively played by Mrs. Clarke, and the songs beautifully warbled . . . The Overture to the "Bohemian Girl" was played during the evening, and in a style that reflected the greatest credit upon Mr. Megson. We never remember hearing this beautiful piece of music played in such good style before. Great intelligence and tact was displayed by the conductor, and clever execution on the part of the band, which fatly brought out its meaning and effect, and made it a complete novelty. A "Scena" from "Der Freischutz" was sung by Mrs, Clarke, between the first and second pieces. The music in this is of such a nature as to develope the full power and compass of Mrs. Clarke's voice. Her touch and expression were admirable, and she received, as she well deserved, the warmest applause. We are bound to say that in this as in everything else she sung that night she received the most ample justice at the hands of Mr. Megson. The entertainments of the evening concluded with the splendid farce of "No Song, No Supper" . . .

"QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (10 November 1847), 2

http://nla.gov.au/nla.news-article223152431 

Monday evening the performances commenced with the "Dumb Savoyard," in which Chambers personated Pepino, and Master Chambers the Monkey. Both acquitted themselves very well, but the piece did not seem to go off so well as it should have done. Mrs. Clarke sung "There is no home like my own," in a remarkably pleasing style, and received deserved applause. Miss Clarke followed in a Swiss Pas Seul, for which the was meritedly encored . . . The concluding piece of the evening, was the charming Vaudeville, of the "Loan of a Lover" . . . Mrs. Clarke was a very good Gertrude, and sang two songs incidental to the piece in good style, but we thought she dressed rather too fine for a poor servant girl. However, this is a delicate subject, and may possibly get us into disgrace with our fair friends, we shall say no more, but let well alone . . .

"MR. ELLARD'S CONCERT", The Port Phillip Patriot and Morning Advertiser (19 November 1847), 2

http://nla.gov.au/nla.news-article226516278 

A fine evening, the well-known liberal spirit of a Port Phillip public, and the high professional reputation which accompanied Mr. Frederick Ellard from the capital of New South Wales, attracted one of the most crowded and respectable audiences yesterday evening, it has ever been our lot to see congregated on such occasions . . . Considering the difficulties in the shape of professional assistance, and otherwise, under which Mr. Ellard laboured, we must pronounce his essai to have been tolerably successful . . . A very charmly Recit-aria, half ballad, "the heart that once hath fondly teemed," from Balfe's Bondman, was very fairly sung by Mrs. Clarke, the score suited this lady's voice and style, and was embued with an expression not very prominent in her general performances - it was decidedly her best effort throughout the evening . . . A pretty Duet - "I've wandered in dreams," by Wade, was indifferently managed by Mesdames Clarke and Wallace, - it must however have been apparent to all that their voices did not, and will not blend - both are soprano's, but of different texture, timbre, and compass. The Duet was encored . . . A scene from Der Freyschutz (Agnes' expectation of the arrival of her lover, Act II), fell to Mrs. Clarke's performance. This gorgeous composition, rich to overflowing in every character of music, would have received more justice from the singer under a longer study - her voice in power is equal to the task, and if more under command in alt, (which could be accomplished by practice) would enable her to get through any passage. The score of the music was too extensive for the singer, and situations too dramatic: - this is strongly apparent in the bar commencing "Is it fancy." She got through the finale very creditably. We beg to make a suggestion to this lady - it is this - not to force her voice beyond its capacity, which is extensive enough : when she does, the notes are invariably sharp . . .

[Advertisement], The Port Phillip Patriot and Morning Advertiser (29 November 1847), 3

http://nla.gov.au/nla.news-article226516427 

QUEEN'S THEATRE ROYAL. MRS. AVINS' BENEFIT, THIS EVENING. NOVEMBER 20, 1847, (First Benefit of the Season) . . .
INCLE AND YARICO . . . Yarico - Mrs. Clarke (with songs) . . .
Song, by MRS. CLARKE. "The merry Girl of Portici" . . .
. . . to conclude with the laughable farce of MR. & MRS. PETER WHITE . . .
Widow White, (Song) - Mrs. Clarke . . . Mrs. Peter White - Mrs. Avins . . .

[Advertisement], The Port Phillip Patriot and Morning Advertiser (20 December 1847), 3

http://nla.gov.au/nla.news-article226513098 

MR. J. AND MASTER CHAMBERS' BENEFIT . . . This Evening, December 20, 1847 . . .
To conclude with THE WATERMAN. Tom Tug - Mrs. Clarke . . .

[Advertisement], Port Phillip Gazette and Settler's Journal (27 December 1847), 3

http://nla.gov.au/nla.news-article223150737 

QUEEN'S THEATRE ROYAL. BOXING NIGHT . . .
A celebrated Dance by Miss Clarke and Mr. Chambers. Song - Mrs. Clarke . . .

[Advertisement], The Port Phillip Patriot and Morning Advertiser (30 December 1847), 3

http://nla.gov.au/nla.news-article226514756 

QUEEN'S THEATRE ROYAL. LAST NIGHT OF THE SEASON . . .
THIS (Thursday) EVENING, December 30, 1847 . . . ROMEO AND JULIET . . .
In the course of the piece, A GRAND WALTZ, by Miss Clarke and Mr. J. Chambers.
Dance by Miss Clarke and Mr. J. Chambers. Son - Mrs. Clarke . . .

"DOMESTIC GAZETTE", Port Phillip Gazette and Settler's Journal (15 January 1848), 2

http://nla.gov.au/nla.news-article223151890 

Mrs. Clarke from Hobart Town, has retired from the Theatre.

"MARRIAGE", Launceston Examiner [TAS] (30 December 1856), 2

http://nla.gov.au/nla.news-article36300048 

On the 16th October, at St. Pancras Church, Richard Stokes, Esq., of Kentish-town, to Emily, eldest surviving daughter of Michael Clarke, Esq., of Melbourne, Australia.

ASSOCIATIONS: Emily, born 1830 (see above); see also 1856, marriage solemnized at St. Pancras church in the parish of St. Pancras in the county of Middlesex; register 1856-57, page 225; London Metropolitan Archives, P90/PAN1/115

https://www.ancestry.com.au/discoveryui-content/view/2324349:1623 (PAYWALL)

No. 449 / [1856] Oct'r 16 / Richard Stokes / full [age] / Bachelor / Gentleman / St. Pancras / [son of] Richard George Stokes / Dead
Emily Clarke / full [age] / Spinster / - / Hunsdon Herts. / [daughter of] Michael Clarke / Farmer . . .

Death of Michael Clarke, Bontharambo, VIC, 31 October 1863:

1863, deaths in the district of Wangaratta in the colony of Victoria; Registry of Births, Deaths, and Marriages Victoria

1863 31 October at Bontharambo House near Wangaratta / Michael Clark [sic] / Male / 83 years 23 weeks 6 days / Old Age /
[Born] England / [years in Australian colonies] not known / [marriages] First unknown / Second Anne Theresa Rimmens Tasmania / [children] Richard, George, Annie Theresa / dead Thomas, John, Emily, Harriet

Albury, NSW (c. 1862-72):

[Advertisement], The Albury Banner and Wodonga Express [NSW] (27 December 1862), 3

http://nla.gov.au/nla.news-article264151949 

MRS. CLARKE'S Day School for Young Ladies, DAVID STREET, ALBURY.
Reading, Writing, Arithmetic, Needle Work, Etc - £1 Is. per quarter; or at the same rate weekly.
Piano-forte - £1 5s. per quarter.
Mrs. C. begs to acquaint the parents of those young ladies entrusted to her care that nothing shall be wanting on her part to forward them in the respective branches of their education.

[Advertisement], The Albury Banner and Wodonga Express (24 January 1863), 3

http://nla.gov.au/nla.news-article264152006 

Pianoforte & Singing.
MRS. CLARKE respectfully intimates to the Ladies and Gentlemen of Albury that she purposes opening a CLASS for the cultivation of Singing, in addition to that already formed for instruction in the Pianoforte.
Terms - £1 10s. per Quarter.
Application to be made to Mrs. Clarke, at the School, David-street.

"SMALL DEBTS' COURT. TUESDAY, MAY 12", The Albury Banner and Wodonga Express (16 May 1863), 2

http://nla.gov.au/nla.news-article264152399 

George Adams v. Lewis Jones. Goods and work and labor, £7 10s.
Mr. Blackmore for plaintiff, Mr. Miller for defendant.
Plaintiff deposed that this claim was for printing, &c., done for the defendant for the Albury Dramatic Club, the order for the work having been given by the defendant, and the goods delivered to him. A previous account for goods, partly ordered by Dr. Burnett and partly by defendant, had been paid by Dr. Barnett . . .
Dr. J. K. Barnett deposed that defendant is stage manager of the Club and one of the Committee, and it was his duty to give orders for the printing, &c.
To Mr. Miller: He (witness) is Treasurer and Secretary of the Dramatic Club, and considered him self personally liable for the payment of the account.
Re-examined: One portion of the account was in connection with a benefit for Mrs. Clarke, and the amount of the printing was deducted from the proceeds of her benefit, and the balance was handed to Mrs. Clarke. The printing account, however, had not been paid.
Lewis Jones deposed, in defence, that he had ordered the goods and work on account of the Club, and not for himself . . .
To Mr. Blackmore: Had received an application by letter for the amount . . . Had never furnished an account or made out an account for Mrs. Clarke showing deductions from the amount taken for her benefit. Did not receive the money taken on the occasion of her benefit. It was received at the doors and he paid the amount into the Bank the next morning. It was given to him after the performance was over. Had very little pecuniary interest in the club . . .

ASSOCIATIONS: Lewis Jones (musical amateur)

[Advertisement], The Albury Banner and Wodonga Express (31 October 1863), 1

http://nla.gov.au/nla.news-article264153048 

MRS. CLARKE'S Day School for Young ladies, DAVID STREET, ALBURY.

NOTE: This, the last advertisement for Clarke's school, appeared on the day of Michael Clarke's death

[Advertisement], The Albury Banner and Wodonga Express (1 October 1864), 3

http://nla.gov.au/nla.news-article264154289 

LIST OF UNCLAIMED LETTERS . . . now lying in the Post Office, Albury: . . . Clark, Ann . . .

"BURNED TO DEATH", The Albury Banner and Wodonga Express (25 February 1865), 2

http://nla.gov.au/nla.news-article264154873 

A sad calamity occurred in Albury on Wednesday evening last, resulting in the death of Kate Farmer, aged about ten or eleven years, the eldest daughter of Mr. T. C. Farmer, of Albury, and formerly of Mount Prior. Mr. Farmer, who had come from Wodonga, went to bed about nine o'clock, and Mrs. Farmer went out to visit her mother, who resides a few hundred yards off, leaving the children, four in number, in the house, and telling the eldest to go to bed. Instead of doing so, it appears that she laid down on a sofa to learn her school lessons for next day, and began studying them with a candle in her hand. It is supposed that the child fell asleep and let the candle fall upon her clothes, for a lady, residing in the next house to where Mrs. Farmer then was, observed from the verandah some one run out of Mr. Farmer's cottage into the darkness of the night enveloped in flames. It proved to be the unfortunate child, who shortly began to scream and run wildly about. Mrs. Farmer and several neighbors hastened to the cottage, and found the poor little thing with every vestige of clothing burned off her, and her father in a state of bewilderment, and his hands much burned in his endeavors to put out the flames. Medical assistance, was got, but before Dr. Wilkinson could return with remedies, several present poured flasks of oil over the little sufferer, and got her to bed, covering her with flour. She was perfectly conscious and sensible, speaking freely and clearly, but before daylight next morning re-action set in, and death ensued. The poor child presented a fearful sight, the whole of the body from the ankles to the shoulders being burned. The Police Magistrate held an enquiry on Thursday afternoon, and a verdict was recorded of "Accidental death." Thus another and a fearful instance is given of the dangers children are are exposed to from fire.

"SOMETHING NEW", The Albury Banner and Wodonga Express (23 December 1865), 2

http://nla.gov.au/nla.news-article264156666 

On New Year's night, Mr. Isaac Davis proposes to present a new feature to the notice of Albury, in the shape of a promenade concert at the Exchange Hotel. This will consist of some instrumental music, a selection of songs and duets by Mrs. Clarke and some amateurs, with polkas, schottisches, quadrilles, &c., between . . .

ASSOCIATIONS: Isaac Henry Davis (musician, publican)

"ALBURY SMALL DEBTS' COURT. TUESDAY, APRIL 10", The Albury Banner and Wodonga Express (14 April 1866), 2

http://nla.gov.au/nla.news-article264157365 

Mrs. Clarke v. Isaac Davis, £2 2s. Professional services. This was brought by Mrs. Clarke as having been engaged to sing professionally at a promenade concert and ball announced some few months since to take place at the Exchange Theatre. The speculation was a thorough failure, but plaintiff was in attendance to sing, and went through her part as a matter of form to the few who were there to listen, and, without regard to whether the matter was a success or a failure, now stood upon her legal rights for payment. The amount was paid into Court.

[Advertisement], The Albury Banner and Wodonga Express (16 November 1867), 5

http://nla.gov.au/nla.news-article264161050 

BOARD & RESIDENCE at Mrs. Clarke's, David Street.

[Advertisement], The Albury Banner and Wodonga Express (30 November 1867), 5

http://nla.gov.au/nla.news-article264161161 

Benefit Concert. MR. HUGO ALPEN
DEGS to announce to his friends and the public that his Annual benefit Concert will be held at the
EXCHANGE THEATRE, ON MONDAY, 2ND DECEMBER, On which occasion he has obtained the valuable and kind assistance of the
GERMAN SINGING CLUB, Of over 20 members, And also of several Lady and Gentlemen Amateurs, and several of his Pupils.
PROGRAMME . . . Duet - Mighty Jove - (Barber of Seville) - Mrs. Clarke and Mr. Alpen . . .
Song - Come, let us be happy together - (Lucrezia Borgia) - Mrs. Clarke . . .

ASSOCIATIONS: Hugo Alpen (musician)

"CONCERT", The Albury Banner and Wodonga Express (7 December 1867), 2

http://nla.gov.au/nla.news-article264161213 

The popularity of the beneficiaire and the attractive programme set forth, brought a full house to the Exchange Theatre on Monday night last, upon the occasion of Mr. Alpen's annual benefit. The audience was not only an appreciative but also a fashionable one, and every one seemed well pleased with the intellectual and musical treat tendered them . . . The song, "Come, let us be happy together," sung by Mrs. Clarke, the only lady singer present, was encored . . . A concert almost exclusively of male singers, must be more or less monotonous; and, although Mrs. Clarke is a host in herself and her singing is always highly appreciated, yet there are many young ladies amongst us who would receive a warm welcome were they to aid in such entertainments.

[Advertisement], The Albury Banner and Wodonga Express (21 December 1867), 3

http://nla.gov.au/nla.news-article264161301 

Boxing Day. EXCHANGE THEATRE. THURSDAY, 26TH DECEMBER, 1867.
THE ALBURY AMATEURS purpose giving an Entertainment on the above Evening, in aid of the Funds of the
ALBURY HOSPITAL, When they trust their numerous patrons will attend en masse to assist in so laudable an undertaking.
The performance to commence with the old Adelphi Farce THE QUEER SUBJECT. Characters by the Company.
After which A MUSICAL MELANGE, In which Mrs. Clarke and the German Glee Club have very kindly volunteered their valuable services . .

"POPULAR READINGS", The Albury Banner and Wodonga Express (29 August 1868), 2

http://nla.gov.au/nla.news-article264155410 

The "Readings" were more than usually successful last Tuesday, and attracted an audience of about 140 persons, all of whom seemed to be thoroughly well pleased with the amusements of the evening. Overtures were performed by Mr. Alpen, and there were one or two songs by Mrs. Clarke, which gained for that lady a most unequivocal acknowledgment from the audience. A duet, by Messrs. Elliott and Alpen was also capitally sung and so was a duet by Mrs. Clarke and Mr. Alpen . . . while Mr. Lewis Jones essayed a reading out of the comic vein, in which he has been so successful . . . "God save the Queen," at the end of the entertainment was sung in regular concert style by the Popular Readings Company, led off by Mrs. Clarke and Mr. Alpen.

"POPULAR READINGS", The Albury Banner and Wodonga Express (12 September 1868), 3

http://nla.gov.au/nla.news-article264155564 

Mr. Alpen's benefit brought together a larger audience than usual last Tuesday, and some very passable amusement was provided on the occasion, The entertainment had more of the nature of a concert than usual, and the vocalists may be said to have left only a secondary place for the readers to fill up. Mrs. Clarke kindly gave her services, as she has often done before, in so attractive and amusing a manner as to evoke repeated encores, and on one occasion (a comic song about a matrimonial offer from a "nice little man") the house was fairly "brought down," as the saying goes. Mrs. Bush took part in several duets, and also sang a solo, which fully justified the prolonged applause which followed. Both ladies are decided acquisitions to the Readings Company, and many thanks are due to them for coming forward . . .

[Advertisement], The Albury Banner and Wodonga Express (9 April 1870), 3

http://nla.gov.au/nla.news-article264160234 

A COTTAGE TO LET, containing Three Rooms, with good water, in Smollett Street. Enquire Mrs. CLARKE, David Street.
A FOUR-ROOMED COTTAGE TO LET, with a good well of water. Apply to Mrs. CLARKE, David Street.

[News], The Albury Banner and Wodonga Express (3 June 1871), 2

http://nla.gov.au/nla.news-article264162977 

THE CONCERT in aid of the Hospital drew a very crowded house on Wednesday evening . . . Among the performances of which we made a mental note for their excellence were the following: - The overture from "Fra Diavola," by Messrs. Alpen and Edmondson, and much of the Macbeth music of Locke. The general course of this composition went very creditably, the principal part of Hecate being sung by Mrs. Clarke with her usual judgment and precision . . .

ASSOCIATIONS:

"MECHANICS' INSTITUTE SOIREE", The Albury Banner and Wodonga Express (22 July 1871), 2

http://nla.gov.au/nla.news-article264163164 

A hopeful revival of this Institution was commenced on Thursday evening, when a musical soiree was held in the Lecture Hall . . . The proceedings were varied with music and songs, and in the latter, Mrs. Clarke, took a prominent and popular part. We hear that a dance was extemporised after the other proceedings concluded.

[News], The Albury Banner and Wodonga Express (23 December 1871), 2

http://nla.gov.au/nla.news-article257938249 

MR. ALPEN'S BENEFIT on Tuesday and Wednesday was very fairly attended on each of those evenings, and in addition a large number of tickets were sold that were not represented in the audiences. The concerts were well supported by lady amateurs and others, and many of the songs and instrumental performances were excellent. In particular (according to our pro tem musical critic) the following pieces were admirably rendered - The duet end trio "Home to our mountains"; duet (piano and violin) by Messrs. Gladow and Alpen; some character songs by Mr. L. Jones; song "The Forsaken"; the duet of "The Flower Gatherer"; and the grand scene from Der Freischutz. In this scena Mrs. Clark excelled herself and was deservedly encored twice. The song "Bide a wee" was also similarly honored. The company of amateur players gave the farces of "The Artful Dodge" and "Cool as a Cucumber" with much apparent enjoyment to the audience. The success of these performances wee greatly due to the services of Mr. J. W. Jones, who sustained the principal characters.

ASSOCIATIONS: Charles Gladow (violin); Lewis Jones (vocalist)

Last will and probate, Annie Therese Clarke, died 21 October 1872; State Records Authority of NSW, Will book, fols. 91-93

https://search.findmypast.com.au/record?id=anz/bmd/nswwills/4053/00674&parentid=anz/nswwills/7347 (PAYWALL)

9737 / This is the last will and testament of me - Annie Therese Clarke of Albury in the Colony of New South Wales widow / I give devise and bequeath unto my trustees and executors hereinafter named all the real and personal estate of what nature and kind soever or wheresoever situate of which I may be possessed or to which I shall be entitles at the time of my decease . . . and that the residue (if any) of my said personal estates be paid into the proper hands of my daughter Annie Therese Farmer wife of Thomas Charles Farmer of Albury aforesaid Boundary Rider for her own sole use and benefit absolutely free from the debts or control of her present or any future husband . . . I appoint George Day of Albury aforesaid Esquire and Patrick Edwin Fallon of the same place Merchant to be the trustees and Executors of this my will . . .

during the fourth year after my decease as to my trustees may seem expedient the sum of one hundred pounds to the trustee or trustees for the time being of the Roman Catholic Church of St Patrick's in Albury aforesaid to be expended by the said trustee or trustees as he or they shall think fit for the purposes of the said church . . .

3rd December 1872. This day by act of Court Probate of the last will and testament of Annie Therese Clarke widow deceased was granted to George Day and Patrick Edwin Fallon the executors in the said will named testator died the 21st day of October 1872. Goods sworn at £100.
Probate dated the same day as granted.

[Notice], New South Wales Government Gazette (8 November 1872), 2923

http://nla.gov.au/nla.news-article230134325 

In the Supreme Court of New South Wales. ECCLESIASTICAL JURISDICTION.
In the will of Annie Therese Clarke, late of Albury, in the Colony of New South Wales, widow, deceased.
NOTICE is hereby given, that after the expiration of fourteen days from the publication hereof, application will be made to this Honorable Court in its Ecclesiastical Jurisdiction, that probate of the last will and testament of the above-named Annie Therese Clarke, deceased, may be granted to George Day, of Albury, Esquire, and Patrick Edwin Fallon, of the same place, merchant, the executors named in the will.-
Dated this 7th day of November, A.D. 1872.
FLEMING & BRADLEY,
Proctors for Executors.
By Bradley & Son, Agents.

[Advertisement], The Albury Banner and Wodonga Express (11 July 1874), 2

http://nla.gov.au/nla.news-article257942977 

W. C. STEEL HAS been favored with instructions from the mortgagee to sell by public auction, on
SATURDAY, 23th INSTANT, At the Globe Hotel,
The whole of those most valuable ALLOTMENTS and TOWN RESIDENCES,
Property of the late Mrs. A. S. Clarke [sic], situate in David, Smollett and Macaulay streets . . .

"OBITUARY", The Albury Banner and Wodonga Express (8 February 1895), 23

http://nla.gov.au/nla.news-article254504888 

We regret to record the death of a pioneer colonist, and old resident of the Border, in the person of Mr. T. C. Farmer, of Wodonga, who had been ailing for some time past and who passed over to the majority on Friday morning, at the age of 74 years. Mr. Farmer was a native of Leicester, England, belonging to a good family, two of his brothers having taken order in the Church of England, and still holding cures in their native county. Shortly after reaching Tasmania, he left for Port Phillip and for two years remained with Mr. Parramore, on the Campaspe, in order to gain colonial experience. His reminiscences of the early days were always interesting, and he had many strange stories to tell of his adventures in taking stock to Melbourne, his favorite camping place being a block of land in Collins-street, now forming the site of the Union Bank. A severe financial crisis occurred, and property of all kinds for the time being had hardly any marketable value, bullocks selling at 5s. per head; and is this crash Mr. Farmer suffered severely. After various vicissitudes he finally settled down at a pleasant little home - "Riverview" - on the bank of the Murray near Wodonga. Some three years ago he met with an accident resulting in a fracture of the leg, from the effects of which he never entirely recovered. After a few weeks of severe illness he passed away peacefully on Friday surrounded by his sorrowing family. He had undergone a full share of most of the hardships common to the Australian pioneer, and the exposure suffered in younger days told upon him in advanced life. He was a well informed man, of genial disposition, always ready to lend a helping hand to those who needed it, and enjoyed the warm friendship of many old identities of Port Phillip. He leaves a widow and three sons, one of whom - Mr. T. P. Farmer - has for years been head of the typographical department in connection with this journal. The funeral took place on Saturday at Albury cemetery.

"DEATH", The Albury Banner and Wodonga Express (13 November 1914), 48

http://nla.gov.au/nla.news-article101418167 

FARMER. - On 9th November, at the residence of her son, Thomas P. Farmer, "Eastbourne Wyse-street, Albury, Annie Theresa Farmer, relict of the late Thomas Charles Farmer.

ASSOCIATIONS: Thomas Prior Farmer (son, born, VIC, 1858; died NSW, 1939; named after Mount Prior, near Rutherglen, where they lived until 1864)

"LATE NEWS", The Albury Banner and Wodonga Express (13 November 1914), 24

http://nla.gov.au/nla.news-article101418003 

On Monday night there passed away at her residence, "Eastbourne," Albury, a well-known resident, Mrs. Annie Theresa Farmer, relict of the late Mr. Thomas C. Farmer. The deceased lady had for some years been residing in retirement with her son, Mr. Thomas Prior Farmer. Death was due to a trouble of long standing, but deceased took to her bed only a week before the end. The late Mrs. Farmer's husband predeceased her about 20 years. She leaves three sons: Thomas P. (of Albury), A. and Charles F. Two sons and a daughter are dead. Great sympathy will be felt, especially for Mr. T. P. Farmer, who was a devoted son, and had been the constant companion of his aged mother for many years past. The remains were privately interred in the Anglican cemetery at Albury early on Wednesday morning. The service was conducted by Canon Bevan.

"OBITUARY", Australian Town and Country Journal [Sydney, NSW] (18 November 1914), 46

http://nla.gov.au/nla.news-article263742313 

The death occurred on the night of November 9 of a very old resident of Albury in the person of Mrs. Annie Theresa Farmer, relict of the late Mr. Thomas Charles Farmer. The deceased lady had for some years been residing in retirement with her son, Mr. Thomas Prior Farmer, at "Eastbourne," Wyse-street, where she passed away as stated. She had been a resident of Albury for the past sixty years.

Bibliography and resources

[James Smith], "THE MELBOURNE STAGE IN THE FORTIES. By J. S. No. IV.", The Argus (7 June 1890), 4

http://nla.gov.au/nla.news-article8610398

. . . On the 1st September [1847], a Mr. and Mrs. Clarke arrived from Tasmania. Both of them were vocalists, and the lady added dancing to her other accomplishments. There was a succession of musical pieces, and "Kate Kearney", "Giovanni in London", "Love in a Village", and "The Waterman" figured on the bills. But the influenza must have seriously interfered with the theatre, disabling the company and diminishing the audiences . . . The Clarkes made their last appearance and took a benefit in "Guy Mannering" and "No Song No Supper" on the 18th of October . . .

Elizabeth Webby, "Anne Clarke", in Philip Parsons (ed.), Companion to theatre in Australia (Sydney, 1995)

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 22-45, 247, 248

Alison Alexander, "Anne Clarke", The companion to tasmanian history (Hobart: Centre for Tasmanian Historical Studies, 2006)

http://www.utas.edu.au/library/companion_to_tasmanian_history/C/Anne%20Clarke.htm

Nicole Anae, "A crowned and selected band of women": Tasmanian actress/celebrities of the nineteenth century and "home-grown" identity (Ph.D thesis, University of Tasmania, 2005)

https://trove.nla.gov.au/work/37776659 

http://eprints.utas.edu.au/19207 (DIGITISED)

Maree-Rose Jones, "Musical activities at the Royal Victoria Theatre, Hobart, Van Diemen's Land", Tasmanian Historical Research Association Papers and Proceedings 54/3 (December 2007), 144-53

https://trove.nla.gov.au/work/158896523 

https://search.informit.org/doi/abs/10.3316/informit.574239150440218 (PAYWALL)

Maree-Rose Jones, Musical activities at the Royal Victoria Theatre, Van Diemen's Land: a study of cultural practice 1827-1857 (Ph.D thesis, University of Sydney, 2009)

https://trove.nla.gov.au/version/51573788 

Graeme Skinner, First national music (2011), 46, 154, 275-80 passim

http://hdl.handle.net/2123/7264 (DIGITISED)

The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: an index to authors, titles, performers (1988), and The Adelphi Theatre 1850-1900: an index to authors, titles, performers and management (1992); The Adelphi Theatre calendar revised (reconstructed and amplified by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue; copyright 1988, 1992, 2013 and 2016; Creative Commons 3.0)

https://www.umass.edu/AdelphiTheatreCalendar/m33eohd.htm#SEASINDEX014 

[Summary] Remens, Miss
chorus of vintagers (14) in Phillip of Anjou; or, A Forest Adventure (8 Apr 1833-4 May 1833)
chorus of Zingari, peasantry (22) in Zingaro, Lo (3 Aug 1833-20 Sep 1833)
contraltos (6) in Nero, a Roman-tick Fiddler (19 Aug 1833-24 Aug 1833)
Ghost of Messalina (7) in Nero, a Roman-tick Fiddler (26 Aug 1833-2 Sep 1833)
ladies of Earl's Court (3) in Cellar Spectre, The (11 May 1833-16 May 1833)
landlady (15) in Four Sisters, The (8 Jul 1833-21 Sep 1833)
Minerva (5) in Midas (24 Jul 1833-21 Aug 1833)
Mona (5) in Convent Belle, The (8 Jul 1833-20 Jul 1833)
The Three Miss Graces (6) in Cupid (8 Apr 1833-9 May 1833)
the two Misses Starchblossom (30) in Climbing Boy, The; or, The Little Sweep (15 Apr 1833-6 Sep 1833)
villagers (6) in Jessie, the Flower of Dumblane; or, Weel May the Keel Row (30 Aug 1833-7 Sep 1833)
villagers, masquers (12) in Court Masque, The; or, Richmond in the Olden Time (9 Sep 1833-21 Sep 1833)

Michael Clarke, WikiTree

https://www.wikitree.com/wiki/Clarke-3808 

Michael Clarke, Find a grave

https://www.ancestry.com.au/discoveryui-content/view/211561875:60528 

Annie Theresa Farmer, Find a grave

https://www.findagrave.com/memorial/203477253/annie-theresa-farmer