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Duly family

Dr GRAEME SKINNER (University of Sydney)

THIS PAGE IS ALWAYS UNDER CONSTRUCTION

To cite this:

Graeme Skinner (University of Sydney), "Duly family", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/duly-family.php; accessed 22 December 2024

DULY, Abraham Philip (Abraham Philip DULY; Mr. A. P. DULY; Mr. DULY; Mr. DULY, sen.)

Musician, master of the band of the 51st Regiment, player of the clarinet (clarionet), flute, violin, viola, piano, professor of music, teacher, vocalist

Born ? Ireland or England, ? c. 1790-95
Married Mary WINTER (c. 1793-1847), St. Margaret's church, Rochester, Kent, England, 30 April 1818
Enlisted (private 51st Regiment), Chatham, Kent, England, 12 July 1838
Appointed band sergeant and master of the band (51st Regiment), 31 July 1838
Arrived Sydney, NSW, 21 November 1838 (per Earl Grey, from Plymouth and Portsmouth, 8th and 13th August)
Arrived Hobart Town, VDL (TAS), 15 January 1839 (from Sydney)
Discharged (51st Regiment), Hobart, VDL (TAS), 31 May 1845
Departed Hobart, TAS, 6 April 1852 (per Huntsville "for the South Seas", and ? USA)
Died ? at sea, ? USA, ?

https://trove.nla.gov.au/search?l-publictag=Abraham+Philip-Duly (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/duly-family.php#DULY-Abraham-Philip (shareable link to this entry)

DULY, George Frederick (George Frederick DULY; Master Duly; Mr. G. F. DULY)

Musician, flautist, pianist, conductor, composer, arranger, dancer

Born Maidstone, Kent, England, 1824; baptised All Saints', Maidstone, 1 December 1824; son of Abraham Philip DULY and Mary WINTER
Arrived (with father and band) Sydney, NSW, 21 November 1838 (per Earl Grey, from Plymouth and Portsmouth, 8th and 13th August)
Arrived Hobart Town, VDL (TAS), January 1839 (from Sydney)
Died Hobart, 6 September 1847, aged 22

https://trove.nla.gov.au/search?l-publictag=George+Frederick+Duly (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/duly-family.php#DULY-George-Frederick (shareable link to this entry)

DULY, Agnes (Agnes DULY; Miss DULY; Mrs. Freeman Higgins SMITH)

Soprano vocalist

Born Leeds, Yorkshire, England, 1829; baptised, St. Peter's, Leeds, 1 April 1829; daughter of Abraham Philip DULY and Mary WINTER
Arrived Hobart Town, VDL (TAS), ? 22 January 1842 (passenger per Harbinger, from London, 19 September 1841, with mother)
Married Freeman Higgings SMITH, Hobart Town, TAS, 1850
Departed Hobart, 6 April 1852 (per Huntsville for the South Seas)

https://trove.nla.gov.au/search?l-publictag=Agnes+Duly+Smith (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/duly-family.php#DULY-Agnes (shareable link to this entry)

See also on her husband:

https://trove.nla.gov.au/search?l-publictag=Captain+Freeman+Smith (TROVE tagged by Australharmony)

Summary:

Abraham Philip Duly

Abraham Philip Duly served was master of the band of the 9th Lancers, from 1829 or earlier, until probably until as late as summer 1838 (pending confirmation from payrolls), serving with the regiment in Scotland, England, and Ireland.

He was appointed master of the Band of the 51st Regiment in England on 31 July 1838, by the commander William Henry Elliott, and, having been enlisted as a private, his promotion to sergeant was confirmed in Sydney in January 1839, the regiment having arrived in NSW in November 1838.

He arrived in Hobart with the headquarters of the regiment, late in January 1839, probably accompanied by his two sons, Peter and George Frederick. His wife Mary and daughter Agnes, remained in army accommodation in England, before also arriving in Hobart from London a full three years later, on the Harbinger, on 22 January 1842.

Though Duly enlisted with the regiment as a serving soldier (band sergeant), probably by prior agreement he was also evidently treated with some of the professional latitude usually enjoyed by civilian bandmasters. It is perhaps indicative that he was typically referrred to in public as "Mr." rather than "Sergeant". In addition to his military duties, he advertised in Hobart as a piano tuner as early as March 1839.

In May 1839 the band played in the Gautrots' concert. Duly appeared as a soloist in Angus McLeod's concert in August 1840 playing an unattributed Fantasia for "solo clarionette". Duly also played tenor (viola), along with Joseph Reichenberg and Joseph Pycroft, in the 15-strong string orchestra John Philip Deane convened for his concert in April 1844, and accompanied Anne Clarke on the flute in the obligato aria The pretty mocking bird at the Royal Victoria Theatre in September.

One interesting repertoire item played by the band at a military funeral, also in September 1844, was a "beautiful dead march by Kuffner", probably Joseph Kuffner. Previously, in Leeds in 1829, Duly had also performed a clarinet fantasie by Kuffner.

Duly appears to have performed regularly as member of the Hobart theatre orchestra. He took a benefit at the theatre in June 1845, on the occasion of his resigning from the regiment. In the band's final year in the colony, before it left for India, John Rablin replaced him as serjeant master.

In civilian life, Duly was for a time conductor of the Hobart Town Choral Society, and he and Caroline Elliot advertised as teachers at what was styled the choral society's "music school".

Duly and his son, George Frederick, gave a joint concert in March 1847, at which his daughter, Agnes, a soprano vocalist, also made her first public appearance.

Duly suffered a series of severe setbacks in Hobart. His eldest son Peter died in March 1840, his wife in January 1847, and six months later his musical son George Frederick also died. In 1850, his daughter Agnes married the American mariner, Freeman Higgings Smith, captain of the Cold Spring, Long Island, whaling ship Huntsville, and a few days later the new couple sailed away.

Agnes and her husband and two infant children returned to Hobart, on 26 March 1852, and when they left again two weeks later, Duly sailed with them "for the South Seas", and probably ultimately for Smith's home port in the United States.

Duly's clarinet (c. 1828) survived in the United States, where it is now in a private collection (see below).

George Frederick Duly

Both George and his older brother Peter probably first arrived in Hobart with their father and the 51st Regiment, early in 1839. George, then only 15 years old, first appeared before the Hobart public playing a flute solo at Anne Clarke's concert in Hobart in June 1840, appearing again in concerts in August and January 1841.

In July 1841, aged 16, he advertised as a teacher of piano and flute.

By 1844, if not earlier, he was probably a regular orchestral player at Royal Victoria Theatre, where he also arranged and orchestrated for the theatre band. In February 1844, he was responsible for contributing to a production of The maid of Perth; or, The rival lovers, "an entirely new Comic Scotch Ballet, the music selected and arranged for the orchestra by Mr. G. F. Duly".

In May 1845, under orchestra leaders Joseph Gautrot and Henry Howson, the music for Kate Kearney; or, The fairy of the lakes of Killarney, probably partly or largely based around songs by Alexander Lee, "was arranged with great care and skill by Mr. G. F. Duly", and in which Maria Carandini also made her local debut. He also begun to compose, and at the Gautrots' concert in November 1844, Madame Gautrot sang a ballad What care I, tho' fortune frowns, "the Music composed by Mr. [G]. F. Duly".

His Conrad the corsair of 1846 was the first opera produced with music newly and wholly composed in Tasmania. and also (ten months before the Sydney production of Isaac Nathan's Don John of Austria) the first locally-composed opera staged in Australia. It was, however, his last documented new composition. He died in Hobart on 6 September 1847, aged 22, suddenly, of typhoid fever.

Agnes Duly

Agnes Duly made a promising public debut in a concert co-presented by her father and brother on 5 March 1847, singing a duet with Emma Rogers and the solo songs "In other days" and "Why should we sigh". The Colonial Times noted:

the novelty of Miss Duly's debut as a vocalist before a Tasmanian audience; this young lady, making all due allowance for the natural timidity of a first appearance in public, acquitted herself very charmingly; the songs allotted to her were well adapted to her voice, which is a soft and sweet soprano, and she sang them with great taste and feeling; with due cultivation and study Miss Duly will rise in her profession, and add to the musical honors of her talented family.

She then appeared as principal attraction in a concert in Launceston in May 1847, and for the Hobart Town Choral Society in June, and again in February and April 1848. She also appeared in concerts with Marian Maria Chester and Julius Imberg in 1848, and Maria Carandini in 1849.

Her musical career was cut short, however. In 1850 she married the American widower and mariner, Freeman Higgings Smith, captain of the Cold Spring, Long Island, whaling ship Huntsville, and a few days later the new couple sailed away.

Agnes and her husband and two infant children returned to Hobart, on 26 March 1852, and when they left again two weeks later, her father sailed with them, probably ultimately for Smith's home port in the United States.

Abraham Duly's clarinet:

14-key clarinet (clarionet) in C, made c. 1828, by Thomas Key (d. 1853); original rosewood hard case with brass name plate on the top: "A. P. Duly / Queen's Royal Lancers" (label date probably no earlier than c. early 1830s); in the collection of Nophachai Cholthitchanta, University of Arkansas, J. William Fulbright College of Arts & Sciences (photographs reproduced here with the kind permission of Nophachai Cholthitchanta)

Documentation (England, Ireland, and Scotland, to 1838)

Marriages, St. Margaret, Rochester, Kent, 1818; register 1813-51; Kent marriages and banns

https://www.findmypast.com.au/transcript?id=GBPRS/M/964019073/1 (PAYWALL)

30 April 1818 / Abraham Duly / Mary Winter

Baptisms, Maidstone, Kent, 1822; England births and baptisms

https://www.findmypast.com.au/transcript?id=R_884512038 (PAYWALL)

1 May 1822 / Diana Maria daughter of / Abraham and Mary / Duly

Baptisms, All Saints, Maidstone, Kent, 1824; Kent Baptisms

https://www.findmypast.com.au/transcript?id=GBPRS/B/82290670/1 (PAYWALL)

1 December 1824 / George Frederick son of / Abraham and Mary / Duly / Music master

"CEREMONY AT LEITH OF DRIVING THE FIRST PILE OF THE EXTENSION PIERS", Edinburgh annual register for 1826 [Scotland], part 3, 195-96

https://books.google.com.au/books?id=A9ALAAAAYAAJ&pg=RA3-PA195 (DIGITISED)

. . . About a quarter to twelve, the procession reached the extremity of the pier, where the platform for the ceremony of driving the pile of the extension pier was erected. The platform was occupied by the Lord Provost and Magistrates of Edinburgh, the Bailies of Leith and Canongate, Commissioners of the Docks, &c. After the parties had taken their stations, a prayer was offered up by Mr. Grant, one of the ministers of Leith. After which, a very fine anthem was played by the band of the 7th hussars . . .

[Advertisement], Leeds patriot and Yorkshire advertiser [England] (31 January 1829), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000371/18290131/032/0002 (PAYWALL)

MUSIC-HALL, LEEDS. THE THIRD SUBSCRIPTION CONCERT,
comprising a grand Miscellaneous Selection of Ancient and Modern CHORAL MUSIC, never performed here, will take place on MONDAY EVENING NEXT, the Second of February.
PRINCIPAL PERFORMERS. MRS. W. KNYVETT, MR. W. KNYVETT, MR. VAUGHAN, and MR. BELLAMY. LEADER . . . Mr. WHITE.
By Permission of Lieutenant Colonel Lord Loughborough, and the Officers, the Band of the Ninth Lancers will attend.
PART FIRST. Grand Symphony Beethoven . . .
PART SECOND. The celebrated Battle Symphony, with full chorus - Winter
FANTAISIE CLARIONET - Mr. Duly - Kuffner . . .
Finale. Hallelujah . . . From the Mount of Olives - Beethoven . . .

ASSOCIATIONS: William Knyvett (alto vocalist); Deborah Kynvett (soprano vocalist); Thomas Vaughan (tenor vocalist); Thomas Bellany (bass vocalist)

MUSIC: Unidentified fantasia by Joseph Küffner

Baptisms solemnized in the parish church of Leeds in the county of York in the year 1829; register , page 265;

https://search.findmypast.com.au/record/browse?id=GBPRS/YORKSHIRE/004109827/00086 (PAYWALL)

No. 478 / [1829] 1st April / Agnes Da'r of / Phillip & Mary / Duly / Buslingthorp / Musician 9th Lancers . . .

"LA BAGATELLE! ON DITS OF FASHION . . .", The world of fashion [London, England] (1 January 1831), 4

https://books.google.com.au/books?id=m89eAAAAcAAJ&pg=PA294 (DIGITISED)

A would-be fashionable weekly paper has considerately informed us, that the band of the 9th Lancers (stationed at Hounslow) are allowed by his Majesty to perform two evenings every week in Bushy Park! all respectable persons being admitted to promenade therein upon those occasions. New music has certainly very delightful attractions, and, no doubt, the band of the 9th Lancers play in exquisite style. His Majesty's gracious permission for his loyal subjects to "promenade" in his beautiful park, is also extremely kind, but we think that no very great number of those loyal subjects will avail themselves of the liberty. It is no trifling affair to "promenade" in a December "evening," even though it be in Bushy Park, and we cannot make up our minds to travel so far in this nose-biting weather, to learn the truth of the report. Perhaps our "knowing" contemporary will kindly inform us whether his Majesty allows torches for those occasions, and, also, whether stoves are placed at convenient distances for the benefit of the "promenaders."

ASSOCIATIONS: Bushy Park (Richmond)

"INAUGURATION OF THE LORD MAYOR OF DUBLIN. (Abridged from Saunders's News-Letter [2 October])", Belfast commercial chronicle (8 October 1832), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001287/18321008/019/0004 (PAYWALL)

Monday [1 October] was fixed on for the inauguration of our respected fellow-citizen, Alderman Charles Palmer Archer, to the responsible office of Chief Magistrate for this city.
Monday evening, at seven o'clock, a numerous and respectable company sat down to dinner, in the King's banquetting-room . . .
After the cloth was removed, the Lord Mayor gave the health of
"William the Fourth, and may he never forget the principles which placed the house of Hanover on the throne these realms." Drank with three times three. Air, "God save the King."
The Lord Mayor next gave "The health of our Protestant Queen Adelaide," which announcement was followed by extraordinary applause, and "One cheer more for the Protestant Queen," Air, "Queen Adelaide's March."
"The health of the Princess Victoria, and may she follow the example of Queen Elizabeth." Drank with three times tree, Air, Overture to Kenilworth Castle.
His Lordship then gave, "The Duke of Cumberland, and the rest of the Royal Family." Immense cheering. He expected that when this toast had been drank, the band would play a suitable tune.
His Lordship continued - Gentlemen, an attempt was made to impose restrictions on my conduct this night, but which I firmly resisted. When a list of toasts was required from me, I replied that I should give such as I conceived were suitable to the occasion that calls together. When I was asked what tunes would be required to be played tonight, I said the band would called on for those most appropriate to the toasts given - (cheers). When the toast is drank this night, I expect the band of the 9th Lancers will play a tune suitable to the toast now given.
"The health of the Duke of Cumberland, and the rest of the Royal Family." - (cheers).
Master of the Band, it is the opinion of the gentlemen around me, that you should play the most suitable tune, which they think is the "Protestant Boys."
After little time, his Lordship added, Gentlemen of the Band, if you feel yourselves under any restriction, you will play what you think is a suitable tune." The toast was then drank amidst enthusiastic applause, and the band struck up Non piu andrai, which was soon drowned by the disapprobation of the majority of the company.
His Lordship was heard, amidst the confusion, to declare that did not wish to compel the band to play any particular tune, it was at their option to play any suitable tune or not. He did not desire to place them in a position that might be in violation of any private orders they had received.
Colonel Wildman arose, and (as well as could distinguish amidst the noise that prevailed in the room) said that he felt called to explain, and stated, that as soon as had been made acquainted with the wishes of the Lord Mayor to have the band in attendance, on this civic festival, he had acquainted his senior officer with the request. The answer he received from that senior officer was, that he had no objection whatever to gratify the Lord Mayor, but he felt a strong objection, at any time, to allow his band to play political or party tunes. That officer had uniformly endeavoured to prevent occasions arising by which any of the troops under his command might be placed in a situation to hurt the feelings of any class of the people, whose protection was their business and their duty. He felt that the playing of particular political tunes in a crowded assembly could not but give offence to many of the company, and therefore he was naturally anxious to avoid it. However, any restrictions that had been imposed on the band by his superior officer had last night been withdrawn, and it had been placed completely at the Lord Mayor's disposal, as conveyed in a letter addressed to his Lordship.
Lord Mayor - Colonel Wildman is quite right to certain extent, but he forgets the latter part the note, in which the writer limits the free agency of the band, "by such further instructions as he may find necessary, and which shall be communicated to the band of the Carbineers, through their commanding officer, Colonel Wildman." Under such a limitation, gentlemen, I felt necessary to decline the offer, of that band. I have a copy that note, though not to hand just now.
Colonel Wildman - Some officer's instructions and command are necessary when any band or party of soldiers appear on duty, but the explanation in the last note was intended to give the power you wished for over the band, and clearly into your own hands.
The Lord Mayor - The band is now under the command of Colonel Wildman, and it could not be under the command of a better officer. I did not mean to call him on his legs by any observations I made, but I felt it necessary to state, that the letter conveyed a restriction as if the band were not to be allowed to play such favourite tunes, as "The Protestant Boys," "Croppies lie down, and "the Boyne Water." (Papers were handed to his Lordship.) - I now hold the notes in my hand.
Colonel Wildman - That note was not meant for the public. It was private one to your Lordship.
The Lord Mayor - Very well! It was meant to be private, and shall be so.
A comparatively private conversation now ensued, between the Lord Mayer and the officers that sat on his left, among whom was Colonel Wildroan, and several other gentlemen at the head of the table. Alderman Beresford's voice was heard over all, settling the matter, by declaring, "There was now not particle of difference between the Lord Mayer, and Colonel D'Aguilar," - During this period several voices exclaimed, "send away the band."
When silence was in some degree restored, The Lord Mayor proposed "The Lord Lieutenant and prosperity to Ireland." (Hisses) - Air, "Patrick's Day."
His Lordship then gave a toast, for which he did not think any apology unnecessary [sic]. He had heard it frequently given with qualifications, which he should not think proper to adopt - it was an old Charter Toast of this loyal Corporation, and the company would receive it they thought proper.
"The Glorious Memory of the great and good King William the IV." (Tremendous cheering.)
He gave the memory of a Sovereign, the friend of civil and religious liberty, whose exertions had enabled them meet in this room and express their opinions in freedom and safety. The toast was then drank with the usual deafening acclamations.
The band then commenced "God save the King," but were Interrupted by hisses, groans, cries of "out," "home," "send away the band."
The Lord Mayor requested, as a favour, that the band should not be called on during their stay to play any tune. He then gave "Lord Hill and the Army." No accompaniment was played to this toast, and it appeared that the band bad actually taken its departure. All the subsequent toasts were consequently drank without any "appropriate airs," excepting the rounds of applause, oral, manual, and tabular, which generally accompanied each, not forgetting "the gingling of glasses," which, as the old song I sets forth, "all music surpasses" . . .

"THE LORD MAYOR'S DINNER", Dublin Evening Post (4 October 1832), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000435/18321004/012/0003 (PAYWALL)

Colonel D'Aguilar has addressed the following letter to the Editor of the Dublin Times, in explanation of the circumstances relating to the orders given to the Band which attended the Civic feast.
Sir - There seems some strange misapprehensions respecting the part I felt it my duty to take, in the absence of the Lieutenant-General commanding, the subject of the Band which attended yesterday at the Mansion-house; permit me to explain it.
I made no conditions, I can assure you, but those which arose naturally out of the necessity of the case; and even those I withdrew when I found them likely to be misunderstood, and confined myself simply to giving such private instructions to the Band as I considered desirable. As to having applied to the Lord Mayor elect for a list of toasts or airs I totally disclaim it. The idea never occurred for moment; and when I heard such an impression had gone forth, I lost no time in removing it.
My sole desire was to prevent the military being involved in political discussions (to which they are happily strangers), being called upon to play tunes that might give offence to any one and I considered I was doing this most effectually, forbidding them to play party airs of any description, and by ordering the Band to retire (as they very properly did) in case an assurance given by Alderman Archer, that he should not direct any tune whatever, to be played the Band, but such as the Commanding Officer might order, should be insufficient to protect them from a demand of this nature from any other quarter. I have endeavoured on this occasion, Mr. Editor, as I always shall endeavour, to combine the accommodation of individuals with duty the public; but if I am called upon to choose between these considerations, I trust I shall always know which to prefer.
I remain, Sir, your most obedient servant,
GEORGE D'AGUILAR, D.A.G.
To prevent misunderstanding, it might be necessary, to add, that the Band of the 9th Lancers was acting precisely under the same instructions those given to that of the Carbineers, and which last was in the first instance - applied for.

"EXTRACTS FROM THE DIARY OF A DILETTANTE", The harmonicon [London, England] 10 (1832), 282

https://books.google.com.au/books?id=zOcqAAAAYAAJ&pg=PA282 (DIGITISED)

At a grand dinner, given by the Lord Mayor of Dublin, on the 1st of October, at the Mansion House, where nearly four hundred of the Orange party assembled, the band of the 9th Lancers attended, by permission of their commanding officer, but under orders not to play any party tunes. The king's health was drunk, with three times three, and "God save the King" was played, without any notice. "Our Protestant queen - Queen Adelaide," was next proposed. It was received with enthusiastic cheers, and nine times nine. Queen Adelaide's March followed. But when the Duke of Cumberland was given, the Lord Mayor expressed a hope that the band would play an appropriate tune: he wished it to be "Protestant Boys." Colonel Wildman then explained to the Mayor, that he had not consented that they should play any party tunes: upon which there was a loud cry of "Send the band away!" but comparative silence being restored, his Lordship proposed "The memory of the great and good King William III." The band then played "God save the King," amid the most frightful shouts, hisses, and cries to the performers, of "Go home." Therefore the next toast was given, the band had closed their books, and left the place. A horrid dulness, a stupifying silence then followed; and it was almost unanimously agreed, by sighs, by lilting up of the eyes, and other significant signs, that toasts are nothing without tunes, and that the best eloquence owes its birth to tubes of wood and of brass.

MUSIC: Non piu andrai (Mozart, from The marriage of Figaro)

"DUBLIN, MARCH 26", Limerick chronicle [Ireland] (27 March 1833), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000899/18330327/009/0002 (PAYWALL)

Thursday night [21 March] the Ball for the encouragement of Irish manufactures, and the benefit of the Sick and Indigent Roomkeepers look place at the Rotunda. The room was splendidly lighted, and ornamented around, with banners, trophies and escutcheons. The band of the 9th Lancers, with a quadrille band, were in attendance, and a large spare was railed off for the dancers, who either in character or in their proper persons, joined in the revelry and kept the band unremittingly engaged till an early hour next morning.

"SPORTING INTELLIGENCE. CURRAGH ROYAL SEPTEMBER MEETING. FOURTH DAY - THURSDAY [4 September]", Dublin morning register (6 September 1834), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000819/18340906/014/0004 (PAYWALL)

The Marchioness Wellesley left the course about half-past four, before the race of the officers of the 9th Lancers had been run, the band of the 9th, which was in the grand stand, playing at the same time "God save the King."

[Advertisement], The Northampton mercury [England] (22 August 1835), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000317/18350822/032/0003 (PAYWALL)

MORNING CONCERT. THE SECOND DAY OF THE RACES, 28th of August, 1835, AT THE COUNTY HALL NORTHAMPTON . . .
Under the Direction of Mr. Charles McKORKELL (Late Member of the Royal Academy of Music) . . .
SOLO PERFORMERS.
PIANO FORTE - Mr. C. McKORKELL; HARP - Mr. C. McKORKELL;
CLARINET . . . Mr. DULY; TRUMPET . . . Mr. HARPER.
LEADER - MR. W. MARSHALL, of OXFORD.
The Orchestra will include the eminent Performers (comprising Mr. WEIPPERT's Band), from the Philharmonic Concerts, &c.
Violins - Messrs. W. Marshall, J. McKorkell, W. McKorkell, Gibson, Warde, Durdin, Reeve, &c.
Violas - Messrs. Giles, &c. &c.
Violoncellos - Messrs. Hutton and Gardiner, &c.
Basses - Messrs. Humble, Elliston, & Roberts
Clarionet - Messrs. Duly and Males
Trumpet - Mr. Harper
Flauto - Messrs. Maguire, &c.
Oboe - Mr. Haydon
Corni - Messrs. A. King and Egan
Serpent - Mr. Goodrich
Trombone - Mr. Cannavella.
Bass Horn - Mr. Vintin
Tympany - Mr. Whitly.
Triangle - Master Hindes.
The Chorus will be numerous and effective; consisting of the Members of the Northampton Choral Society, who have handsomely promised their gratuitous services for the occasion.
In the course of the Concert will be introduced,
Haydn's Grand Symphony in C - Canzonet, Haydn, "My Mother bid me bind my hair" - Fantasia for the Harp, "The Reminiscences of England" - "Come hither all who wish to buy," the Chorus from Auber's Opera, Masaniello - Solo, Trumpet - Fantasia for the Piano Forte, on the air "My lodging is on the gold ground" - The Grand Chorus from the Opera of "Gustave." "Hail! all hail to our Monarch" - With a variety of Vocal Pieces, &c. . . .

ASSOCIATIONS: Charles McKorkell (pianist); named musicians included bandsmen of the 7th, as compare masonic membership list of 1836 below

[News], Northampton Mercury (5 September 1835), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000317/18350905/013/0003 (PAYWALL)

Aa meeting of the Governors of the Infirmary held at the George Hotel, on Saturday last, a statement drawn up by Mr. Harday, Secretary to the Lunatic Asylum, of the receipts and expenditure at the late concert on behalf of that Institution, was presented by Mr. Chas. McKorkell. Jhe total cash produced by the sale of tickets, &c. was £107, and a net balance of £80. 1s. 9d. was paid into the hands of the Treasurers . . . We wrote in so much hurry last week, that we altogether forgot to allude to the admirable and most effective assistance afforded by the leader, Mr. W. Marshall, of Oxford; and to the services of Mr. Duly, master of the band at our Barracks . . .

[Advertisement], The Northampton mercury (5 December 1835), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000317/18351205/033/0003 (PAYWALL)

EVENING CONCERT. FOR THE BENEFIT OF MR. T. GARDNER . . .
TUESDAY, Dec. 8th, 1835, at the THEATRE . . . Violin, and Leader of the Band - Mr. T. GARDNER . . .
Clarionet - Mr. Duly . . .

[News], The Northampton mercury (5 December 1835), 3

. . . We wrote in so much hurry last week, that we altogether forgot to allude to the admirable and most effective assistance afforded by the leader Mr. W. Marshall, of Oxford; and to the services of Mr. Duly, master of the band at our Barracks . . .

Extracts from minutes, 28 November 1836, Celtic Lodge, Edinburgh & Leith No. 291 (ed. Bill Boland)

http://www.thecelticlodge.org/extract-of-minutes 

28th November 1836. This evening the lodge was duly constituted by RWM Brother Leon when the following belonging to the 9th Queens Royal lancers presently at Piers Hill Barracks.
1 Abraham Philip Duly Master of the Band,
2 Thomas Males, 2 Charles King, 4 Richard Friskey, 5 George Vintin, 6 John Egen, 7 James English, 8 William McDonald, 9 George Woodward, 10 Edward Harper, 11 Alexander King, 12 John McGuire, 13 Richard Church, 14 John Shaiver, 15 John Tinsley, 16 James Addison, 17 Fredrick Huiges, 18 Thomas Jones, 19 Joseph Vantreight.
All 19 members of the Band were properly recommended and consequence of the Centenary of Grand Lodge of Scotland they were all duly made Entered Apprentices the lodge was closed in due form.

See also, member list index:

Abraham Philip Duly, Brother, master of the band of the 9th Royal Lancers, 28 November 1836, Piershill Barracks, Edinburgh
A. P. Duly, brother, elected 20 March 1837

"GRAND MASONIC FESTIVAL", Caledonian Mercury [Edinburgh, Scotland] (1 December 1836), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000045/18361201/011/0003 (PAYWALL)

Yesterday being the anniversary of St. Andrew, and also the centenary of the Grand Lodge of Scotland, it was celebrated more than ordinary pomp and festivity . . . The procession, which extended from the top to the foot of the North Bridge, was preceded by a strong body of the day police. The fine bands of the 9th Lancers and 42d Royal Highlanders, whose services were most handsomely tendered their respective officers, played the usual air - the Mason's Anthem. Several private bands were also in attendance, so the whole, viewed by torch-light, had a fine effect . . .

"MISS CLARA NOVELLO'S CONCERT", The Caledonian mercury (5 April 1837), 3

. . . The band of the 9th Lancers also attended, and played two beautiful overtures . . .

"MISS CLARA NOVELLO'S CONCERT", The Caledonian mercury [Edinburgh, Scotland] (6 April 1837), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000045/18370406/009/0003 (PAYWALL)

On Monday evening [3 April] this distinguished vocalist gave a concert in the Assembly Rooms, which was fashionably, though, from the unpropitious state of the weather, not numerously attended . . . Before closing our remarks, we must not omit to compliment the gentleman belonging to the band of the 9th lancers, who performed the obligato accompaniment to the "Gratias agimus tibi". His subdued tone and style of playing evinced great taste and a complete mastery over the difficulties of the instrument . . .

ASSOCIATIONS: Clara Novello (vocalist)

MUSIC: Gratias agimus tibi (Guglielmi); this work was also later widely performed in Australia by Anna Bishop

Chatham, Kent, England, 12 July 1838, enlistment of Abraham Duly as a private of the 51st Regiment, pending his appointment as master of the band

Pay-list of the 51st or King's Own Regiment of Light Infantry, 1 July to 30 September 1838; Australian Joint Copying Project, from UK National Archives, WO12/6203

https://nla.gov.au/nla.obj-1649446958 (DIGITISED)

RECRUITS . . . 1234 / Duly, Abraham Philip / Enlisted by special Autho'y / No bounty / Enlisted by special Authority Embarked / 12 July / Chatham / Head. 2nd

Documentation (Hobart and Launceston, VDL/TAS, 1838-52):

Sydney, NSW, 21 November 1838, arrival, per Earl Grey, with the Band of the 51st Regiment:

Hobart, VDL (TAS), by 15 January 1839, arrival, with Band of the 51st Regiment:

Pay-list of the 51st or King's Own Regiment of Light Infantry, 1 January to 31 March 1839; Australian Joint Copying Project, from UK National Archives, WO12/6203

https://nla.gov.au/nla.obj-1649467496 (DIGITISED)

Serjeants . . . 1234 / Duly, Abraham Philip / Band / From private at the date of appointment 31st July 1838 / Joined from Sydney 15th January

ASSOCIATIONS: James Wilkinson had been band sergeant of the 51st prior to Duly's appointment; he took his discharge in England early in 1838

[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (26 February 1839), 1

http://nla.gov.au/nla.news-article232477018 

CONCERT. MR. PECK begs leave respectfully to announce to the Ladies and Gentlemen of Hobart Town, and its vicinity, that it is his intention to give a
GRAND MISCELLANEOUS CONCERT Of Vocal and Instrumental Music, to take place on the Evening of
TUESDAY, FEBRUARY THE 26th 1839, In the Theatre, Campbell-street, Hobart Town, the use of the same having been kindly offered by Mr. John Moses . . .
Principal Instrumental Performers. - Mr. Duly, Mr. Peck, Mr. Reichenberg, and a Lady and Gentleman Amateurs from the Liverpool Concert . . .
PROGRAMME. PART I. Overture - Il Barbiere de Seviglia - Rossini . . .
Solo Flute. - Favorite Air with variations, Mr. Duly, Band-master 51st Regiment - Nicholson.
Trio Concertante - Flute, Violincello, and Piu Forte, Piu Leta, Pia Bella, Mr. Duly, and a Lady and Gentleman Amateurs - Forde . . .
Overture - The Maniac - Bishop.
PART II. Overture - Il Turco in Italia - Rossini . . .
Trio Concertante - Flute, Violoncello, and Piano Forte, Mr. Duly, and a Lady and Gentleman Amateurs - Blangini arranged by Forde . . .
The Orchestra will consist of the following performers: - 1st Violins, Messrs. Peck and Russell. -
2nd Violins, Messrs. Singer and Dyer; - Viola and Clarionett, Mr. Reichenberg; -
Violoncello, Gentleman Amateur, from the Liverpool Concerts -
Flute, Mr. Duly, Bandmaster,
2 French Horns, 2 Bassoons, Serpent and Ophecleide, 2 Oboes, 2 Clarionets, Trumpet and Drum, 51st regiment . . .

ASSOCIATIONS: George Peck (musician); Joseph Reichenberg (clarinet); William Russell (violin); John Singer (violin); Benjamin Dyer (violin); Royal Victoria Theatre (Hobart venue, also as "Theatre Royal");
the concert, in the event, did not take place, see "The Intended Concert", Colonial Times (5 March 1839), 4

http://nla.gov.au/nla.news-article8749473 

MUSIC: Unidentified air with variations (by Charles Nicholson); Unidentified trios (one by Joseph Blangini, both arranged by William Forde)

"SUPREME COURT . . . WEDNESDAY, JUNE 19 [recte 18] . . . DEGRAVES v. MOSES", Colonial Times [Hobart, VDL (TAS)] (25 June 1839), 5

http://nla.gov.au/nla.news-article8749790 

Mr. Allport stated that this was an action for a breach of contract, in consequence of defendant not completing his purchase of the Hobart Town Theatre and an allotment of ground behind it . . .
THURSDAY, JUNE 19. The Defence continued . . .
A. Duly - I am band-master to the 51st Regiment; the band was to have played at Peck's concert; I was present at the whole of the rehearsal; we were rehearsing some songs on the afternoon of the day the concert was to have taken place, when Mr. Degraves came in, and said we must all leave the theatre; he said, he was going to lock up the theatre; I asked Degraves if the concert was to be stopped: he said, no, he should give the keys to Moses . . .

ASSOCIATIONS: Peter Degraves (theatre proprietor); John Moses (theatre proprietor)

[Advertisement], Colonial Times (26 March 1839), 1

http://nla.gov.au/nla.news-article8749540

Mr. A. P. DULY, Band-Master of the 51st Regiment, Pianoforte Tuner.
Terms, &c. can be known at S. A. Tegg's Circulating library, opposite the Post-office March 22, 1839 . . .

ASSOCIATIONS: Samuel Tegg (bookseller)

[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (11 June 1839), 2

http://nla.gov.au/nla.news-article232477293 

GRAND CONCERT. Monsieur and Madame Gautrot Have the honor to announce that their
SECOND AND LAST CONCERT WILL TAKE PLACE At the Theatre Royal, Campbell-street,
ON THURSDAY EVENING NEXT, 13th Instant, at 8 o'clock.
Bv the kind permission of Lieut-Colonel Elliott, the Band of the 51st. Regiment will attend.
PART I. Overture - Militaire . . . 2. - Solo, Flute, Mr. Duly . . .
PART II. Overture - Militaire . . . 2. - Solo, Clarionet - Mr. Reichenberg . . .

ASSOCIATIONS: Joseph and Madame Gautrot (violinist and vocalist)

"THE COURT (!) JOURNAL [from the Advertiser]", Colonial Times (8 October 1839), 5

http://nla.gov.au/nla.news-article8750126

The Levee at the Government-house on Friday last [20 September, Queen's Birthday], was well and numerously attended by persons anxious to pay their respects to his Excellency Sir John Franklin, whose kind deportment and conciliating carriage has ensured im the esteem and good wishes of all classes of the community.
The Guard of Honor under the command of Captain Parker, 51st regiment, marched down with the band and regimental colours, and during the levee the visitors and spectators, of which a considerable number were collected, were gratified by the exquisite performance of several beautiful pieces of music by the regimental band, so well practised by Mr. Duly. The precision with which the band of the 51st performs the most difficult pieces, has been frequently admired by the lovers of harmony.
At the ball, which took place in the evening, between 500 and 600 persons were present, Lady Franklin having made the invitations as general has possible . . .

ASSOCIATIONS: John and Jane Franklin (lieutenant governor and wife)

"The Regatta", Colonial Times (10 December 1839), 4

http://nla.gov.au/nla.news-article8750324 

Well, the Regatta has passed off With an eclat exceeding, if possible, that of last year . . . About ten o'clock [3 December] the Flotilla started from the New Wharf in the following order: Twenty-two whale boats in a line, towing the barge containing the band of the 51st Regiment, the said band playing lively airs, under the direction of the worthy Band Master, Mr. Duly. Next came the wherries of the watermen . . .

"HOBART TOWN NEWS. THE REGATTA . . . THE PROCESSION", Port Phillip Patriot and Melbourne Advertiser [Melbourne, NSW (VIC)] (16 December 1839), 5 supplement

http://nla.gov.au/nla.news-article228130552 

A few minutes before ten o'clock, the flotilla started from the steamboat wharf in the following order.
Twenty-two Whale Boats in line, each carrying a waif, the leading boat with the whaler's flag.
The Chamber Band and the Brass Band of the 51st regiment, under the direction of Mr. Duly, playing appropriate airs, towed by the whale boats.
The Licensed Waterman, steered by Mr. Hefford, in the full costume of Thames watermen . . .
In the course of the day, his Excellency gave an excellent entertainment in the pavilion to a large body of respectable persons . . .
The splendid bands of the 51st regiment were in attendance the whole day, and enlivened the scene by playing a great variety of beautiful pieces, one amongst which was Auber's Overture to Masaniello, given by the full band with a degree of style, precision, and effect, almost unequalled by any performance we have heard in the colony.

"Died", The Hobart Town Advertiser (13 March 1840), 3

http://nla.gov.au/nla.news-article264584701 

Yesterday morning, Mr. Peter Duly, eldest son of Mr. Duly, Band Master of the 51st K.O.L.I., aged 18. This young man had been long afflicted. - Hobart Town Advertiser.

[Advertisement], The True Colonist Van Diemen's Land Political Despatch (12 June 1840), 1

http://nla.gov.au/nla.news-article202419211 

ROYAL VICTORIA THEATRE, CAMPBELL-STREET. Grand Concert. FRIDAY, 12th JUNE.
MRS. CLARKE begs most respectfully to announce . . . that her
CONCERT of Vocal and Instrumental Music will take place on the above Evening, in which, by the kind permission of Colonel Elliott, she will be assisted by the valuable services of THE BAND OF THE 51st REGIMENT.
PROGRAMME. PART 1. OVERTURE. - Military Band - Margarette d'Anjou - Mayerbeer [Meyerbeer] . . .
FLUTE CONCERTO, with Orchestral accompaniments - Otto - MR. McLEOD . . .
VARIATIONS BRILLANTES - Op. 40 en E Major, dedicate a Paganini, - Mayseder - Flute - MR. McLEOD . . .
MILITARY BAND. - Aria, Lascia omai chi nel mio core.
PART 2. OVERTURE - From the National Drama of The Fair Maid of Corinth [sic, recte Perth] - Waddell . . .
CLARIONET SOLO - Sergt. Ravelin, 51st Regiment . . .
FLUTE SOLO - MASTER DULY . . .
MILITARY BAND - Aria tutto, from the Opera of Somnambula - Bellini . . .
Mr. LEFFLER will preside at the Pianoforte . . .

ASSOCIATIONS: Anne Remens Clarke (actor, vocalist, theatre manager); Angus McLeod (flute); John Rablin (clarinet, 51st band); Edmund Leffler (piano)

MUSIC: Overture to Margherita d'Anjou (Meyerbeer); Lascia omai chi nel mio core (Pacini, from Il contestabile di Chester); Overture to The fair maid of Perth [sic] (by James Waddell)

"The Concert", Colonial Times (16 June 1840), 6

http://nla.gov.au/nla.news-article8750814

We scarcely ever recollect a Concert, which, to use a technical phraze, "went off" so pleasantly, as did that of Mrs. Clarke, last Friday evening. The company in the boxes, consisted of some of the most distinguished personages in the Colony; and we were highly pleased to observe Colonel Elliott and his amiable lady, occupying a conspicuous place and, both evidently enjoying a very intellectual treat: the boxes, we may add, were crowded, and presented an appearance of beauty and gaiety, equal to anything, we have witnessed at the minor houses in England; a general feeling of delight, and a determined desire to be pleased, was obviously manifested throughout the audience generally. Come we now to the Music: its selection was tasteful, and, generally speaking, its performance was excellent: the "flute solo," by Master Duly elicited great applause; and really this young gentleman, if he applies his best energies to his profession, will rise to be a very superior performer . . .

[Advertisement], The True Colonist Van Diemen's Land Political Despatch (28 August 1840), 1

http://nla.gov.au/nla.news-article202420117 

GRAND CONCERT. ROTAL VICTORIA THEATRE . . .
MR. McLEOD, late of the 21st R. N. B. F. . . . Monday, the 31st of August,
give at the Theatre, a grand Miscellaneous Concert of Vocal and instrumental Music,
on which occasion he will be assisted by the chief musical talent of the Colony - professional and amateur.
In addition to which, Lieutenant-Colonel Elliott has kindly permitted the Band of the 51st K. O. L. I., to attend for this evening.
The Orchestra will be complete in all its parts, Mr. Russell having politely supplied the only deficiency, by volunteering his valuable services on the double bass.
PART FIRST. Overture - "Rob Roy," (for the first time in the Colony.) - Davy . . .
Solo Clarionette - "Fantasia," by Mr. Duly . . .
Finale - 1st Act, Military Band, "Overture from the Opera Marquiese de Brievilliers." - Carafa.
PART SECOND. Overture - Military Band, from the opera of "Zampa" . . .
Solo Flute - Master Duly . . .
Quintette - Two violins, flute, viola, and bass, by Messrs. Leffler, McLeod, Duly, Gordon, and Russell. - Haydn . . .
Military Band - "Come per me Serena," from the Opera "Somnambula." - Bellini . . .
Mr. Leffler will preside at the Piano-forte . . .

MUSIC: Overture to Rob Roy Macgregor (John Davy); Overture to La marquise de Brinvilliers (Michele Carafa)

"BALL AND CONCERT", The Courier (6 November 1840), 4

http://nla.gov.au/nla.news-article2957770 

A rich treat is anticipated by all the lovers of music at the forthcoming Ball and Concert at Campbell Town, such a one as is seldom to be enjoyed in this colony. We understand the music to be performed is selected from the works of the most eminent composers; the orchestra will be numerous and complete in all its parts, and the very best musicians in the colony have been engaged for the occasion. The principal instrumental performers are Mr. Kowarsik, Mr. Russell, Mr. A. McLeod, late bandmaster of the 21st regiment, Mr. J. Russell from Sydney, Mr. Duly, Mr. McDonald, and a portion of the band of the 51st regiment, assisted by several amateurs. From the number of tickets already disposed of, a very full attendance is anticipated.- Launceston Courier, Nov. 2.

ASSOCIATIONS: Francis Kowarsik (pianist); William Wilkins Russell and brother (musician); Alexander McDonald (musician)

[Advertisement], The Courier (29 January 1841), 3

http://nla.gov.au/nla.news-article2957171

ROYAL VICTORIA THEATRE, Campbell-street.
Mrs. CLARKE'S FAREWELL CONCERT, Monday, February 1, 1841 . . . previous to her departure for England . . .
in which, by the kind permission of Colonel Elliott, she will be assisted with the valuable services of the excellent
BAND OF THE 51ST REGIMENT, and also by the principal Professional Talent in the Colony.
PROGRAMME - PART FIRST. 1. Overture - "Cheval de Bronze," Military Band - Auber.
2. Glee - "Witches Glee," Mrs. Clarke, Mr. Duly, and Amateur . . .
5. Solo Flute - "Air, with variations," Master Duly - Nicholson . . .
PART SECOND. 1. Overture - From the Opera "Guillaume Tell," Military Band - Rossini . . .
3. Glee - "See our Bark," Mrs. Clarke, Messrs. Duly, Falchon, and Amateur.
4. Duet Concertante - Pianoforte and Flute, Variations "Sur une Melodie Nationale Autrichienne," Mr. W. Russell and Master Duly - Lafont . . .
6. Aria - From the Opera "Barbiere de Seviglia," Military Band - Rossini . . .
The Vocal Department will be under the direction of Messrs. William Russell and Leffler, Professors of Music . . .

ASSOCIATIONS: Arthur Falchon (vocalist)

"ROYAL VICTORIA THEATRE", The Courier (16 April 1841), 2

http://nla.gov.au/nla.news-article2956566 

On Wednesday [14 April] the very interesting and affecting melo-drama of "Mabel's Curse" was well performed to an extremely poor house. The performers, one and all, much to their praise and credit, exerted themselves to the utmost, and played with an esprit du corps which evinced a good feeling on their part. Mrs. Thomson's Mabel was an excellent piece of acting. This lady's enunciation is most distinct, her attitudes appropriate, and her acting always natural and spirited. Mr. Searle performed the comic part of Jabez Flint with considerable drollery. We must not forget to notice in terms of commendation the small but select orchestra, led by Mr. Leffler, and ably supported by Messrs. Duly, senr. and junr., Reichenberg, &c. Mr. Leffler's selection of music is extremely tasteful-comprising the compositions of the best masters . . .

ASSOCIATIONS: Martha Thomson (actor); Mr. Searle (actor)

[Advertisement], Launceston Advertiser (22 April 1841), 2

http://nla.gov.au/nla.news-article84752174 

Campbell Town Assembly Rooms.
ON WEDNESDAY, the 28th inst., a Concert of Vocal and Instrumental Music will take place at the Assembly Rooms, Campbell Town,
when a grand concerto and air with variations by Monsieur Kowarzik, a flute concerto by Mr. A. McLeod,
and a selection from the works of Harold, De Beryot, Tulou, Auber, Bishop, Rossini, &c., &c., will be performed.
Leader, Monsieur Kowartik. Principal Professional Performers - Messrs. McLeod, Russel, J. Russel, Duly, Clark, &c., assisted by several amateurs,
and by the band of the 51st regiment, through the kind permission of Colonel Elliott . . .

England census, 6 June 1841, Martillo Tower, Harwich, Essex; UK National Archives

https://www.ancestry.com.au/interactive/8978/ESSCHO107_344_346-0191 

Mary Duly / 45 / [Army] / [born Ireland] // Agnes Duly / 10 / [Army] / [born not in Essex]

ASSOCIATIONS: On census night, 6 June 1841, Mary and Agnes Duly were still in England, living in army family accommodation at Harwich Fort, Essex, England

Pay-list of the 51st or King's Own Regiment of Light Infantry, 1 April to 30 June 1841; Australian Joint Copying Project, from UK National Archives, WO12/6203

https://nla.gov.au/nla.obj-1650052650 (DIGITISED)

Serjeants . . . 1234 / Duly, Abraham Philip / Band Master

[Advertisement], The Courier (9 July 1841), 3

http://nla.gov.au/nla.news-article2956003 

A CARD.- MR. G. F. DULY, TEACHER of the PIANO and FLUTE.
Terms, &c. can be known at Mr. Tegg's Stationery Warehouse, 39 1/2, Elizabeth street. July 8.

ASSOCIATIONS: Samuel Tegg (stationer, bookseller)

[Advertisement], Colonial Times (5 October 1841), 1

http://nla.gov.au/nla.news-article8752091 

GRAND CONCERT. MRS. ELLIOT and MR. REICHENBERG . . .
will give a Concert of Vocal and Instrumental Music at the Theatre,
THIS EVENING, October 5th, 1841, assisted by all the available Professional talent and several Amateurs.
The Orchestra of string'd and wind instruments will comprise upwards of twenty performers - the whole under the superintendence of Mr. Reichenberg.
PROGRAMME. PART I. Overture to Zampa, by full Orchestra - HEROLD . . .
Solo (Flute) - Durante and Belerma [sic], Mr. G. Duly - KUHLAN [Kuhlau] . . .
Concerto Clarionett (Orchestral accompaniment) - Mr. Reichenberg - BOCHSA.
PART II. Overture - L'ltaliana in Algeri, by full Orchestra - ROSSINI . . .
*** At the particular request of Colonel Elliott and the Officers of the 51st Regiment the Band of that distinguished corps will perform the two Overtures.

ASSOCIATIONS: Caroline Elliot (musician)

MUSIC: Variations on Durandarte and Belerma (Kuhlau)

"THE CONCERT", The Courier (8 October 1841), 3

http://nla.gov.au/nla.news-article2955460 

On Tuesday evening Mrs. Elliot and Mr. Reichenberg's Concert took place before one of the most respectable audiences we have ever seen in the Theatre . . . There is great want of support in the concerted pieces, although we should be unjust to say that Mr. Duly did not acquit himself creditably, although, as he must know, singing is not one of the many talents he possesses . . .

"THE CONCERT", Van Diemen's Land Chronicle (8 October 1841), 3

http://nla.gov.au/nla.news-article163593991 

The Concert of Mrs. Elliott was very respectably attended, and the performances extremely good. The band of the 51st assisted, and proved a great attraction. Mr. Duly, the band-master, contributed his vocal and instrumental talents . . .

"The Concert", The Austral-Asiatic Review, Tasmanian and Australian Advertiser (8 October 1841), 3

http://nla.gov.au/nla.news-article232479615 

. . . The noble Band of the 51st Regt. performed two Overtures, and accompanied the Finale "God save the Queen" in their usual splendid manner. The Overtures were rather too powerful for the compass of the house . . .

"THE BLESSING OF THE FIRST STONE OF THE ROMAN CATHOLIC CHURCH IN HARRINGTON-STREET", The Courier (16 November 1841), 3

http://nla.gov.au/nla.news-article2955238 

The blessing of the foundation stone of the Roman Catholic Church took place at about two o'clock on Sunday last [14 November]. A procession, headed by the 51st band, left the present Roman Catholic Chapel and proceeded to the spot selected as the site of the new building . . . Some beautiful pieces of sacred music were admirably performed during the ceremony by the band of the 51st regiment, under the able leading of Mr. Duly, the band-master.

ASSOCIATIONS: John Joseph Therry (cleric)

[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (3 December 1841), 2

http://nla.gov.au/nla.news-article232479777 

TO THE PUBLIC. HAVING received a notice stating that "at a meeting of the Chaplain and Churchwardens, held on the 1st of November, at St. David's Church, it was unanimously resolved that my services as Organist would not be required beyond the end of the month," and having been previously charged by the Rev. Mr. Bedford with taking no interest in the organ, singing, &c., beyond mere attending on the Sundays, I feel duty bound to offer some explanation, and therefore beg most respectfully to submit the following statement of facts, as connected with the above.
In January, 1838, I accepted the situation of Organist at St. David's Church, with a salary of £50 per annum, agreeing to tune the organ and instruct the singers. After going on for several months, the boys and girls who formed the choir found great difficulty in getting their pay, in consequence of which they nearly all left off attending. I then suggested to Mr. Bedford that a choir might be formed from the band of the 51st Regt.; permission was accordingly given by the commanding officer, and a certain number of men selected, who attended regularly, and assisted in the singing at church; however, at the expiration of the third quarter, their pay was not forthcoming, I then advanced them the sum due (£5) in order to keep on the singing. On the following quarter's pay becoming due, the same delay was experienced by the men, who, having been several times put off with excuses and promises by Mr. Bedford, stated their determination of not singing again until they were paid. As this determination was rather premature, it was deemed advisable to take them at their word, and dispense with their further assistance.
It was then arranged by myself and Mr. Bedford that some of the boys who used to sing at church should be engaged again - of course with an understanding that some remuneration should be promised. The boys alluded to returned accordingly, and assisted in the singing; but quarter after quarter passed away, and the boys (with the exception of one) could get nothing but promises of books, &c., from Mr. Bedford. I was therefore compelled to write to the Rev. Gentleman, stating that in consequence of the boys not being paid, it was impossible for me to have them under proper control, also that I was afraid they would leave at a moment's notice, and further, begging that he would allow me to call upon, and endeavour to collect a small sum from the congregation, to pay the boys with. In reply to which, Mr. Bedford stated that the boys were not engaged again with his approbation, and that he did not approve of my endeavouring to collect anything from the congregation, adding also, that my letter should be laid before the Churchwardens at their next meeting.
The boys, of course, in the meantime were getting very impatient. I then purchased a new silver watch of Mr. Heekscher, for which I paid £5, and made a present of the same to "W. Hamilton," a lad who had been extremely regular in his attendance for a very long period; another of the singers, "D. Panton," I gave £1, likewise half-a-dozen of wine to his parents; to another boy, "W. Erle" I gave instruction on the pianoforte; Mr. Duly's son also received instruction on the pianoforte, for which I refused to be paid, in consequence of his father having assisted in the choir; my brother assisted nearly the whole of the time I held the situation; our nurse-girl, too, was spared to assist in the singing, to the great inconvenience of my home, for eighteen months. These, and many other exertions have been made, both in the choir and in tuning the organ. And yet the Rev. Chaplain has stated, that I have taken no interest in the situation beyond the mere attending on the Sundays.
Bad as the singing has been, it has required considerable exertion on my part, to keep up any singing at all - and nothing but the circumstance of my having stood much in need of the salary, towards the support of myself and family, induced me to continue in a situation so connected with unpleasantness, as it was grievous to be obliged to sit and hear, which I have often done, both the men and boys in the choir express their rude though honest indignation, by sneering when the Rev. Mr. Bedford has been lecturing on that part of the Scripture which relates to the necessity of a strict adherence to the truth, the more grievous because I have known that such sneers were caused in consequence of the repeated promises of the Rev. Gentleman remaining unfulfilled.
I have been unwillingly compelled to make the foregoing statement - as were I to submit to so sudden a dismissal without giving an explanation, I should not be considered eligible to apply elsewhere for a similar appointment.
W. RUSSELL. Dec. 3, 1841.

ASSOCIATIONS: Public letter by William Russell, on his dismissal as organist of St. David's church (Hobart); William Bedford (colonial chaplain); David Panton (singer)

Arrivals in the port of Hobart, 22 January 1842; Tasmanian names index; NAME_INDEXES:1468696; CSO92/1/8 p24; CB7/10/1/1 p7

https://stors.tas.gov.au/NI/1468696 

https://stors.tas.gov.au/CB7-10-1-1$init=CB7-10-1-1p006 

Harbinger / [January] 22nd / [from] London / . . . Mrs. Duly & daughter

"SHIP NEWS", Colonial Times (25 January 1842), 2

http://nla.gov.au/nla.news-article8752370 

JAN. 22 - Arrived the barque Harbinger, 297 tons, Candlish master, from London 19th Sept., with a general cargo. Passengers - Mr. and Mrs. Dawson, Mrs. Duly and daughter, Mrs. Ims and three children, Mrs. Good.

[Advertisement], The Courier (11 February 1842), 1

http://nla.gov.au/nla.news-article2954864 

GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC, At the Argyle Rooms, THIS EVENING, February 11, 1842.
Mrs. CLARKE . . . intends to give a Concert . . .
in which she purposes to introduce some of the most popular Music, as now performed at the London Concerts;
and aided as she now is by Performers of acknowledged talent . . .
and, by the kind permission of COLONEL ELLIOTT, she will be assisted by the valuable services of the excellent Band of the 51st Regiment.
PROGRAMME. PART I. Overture to Guillaume Tell - Military Band. - ROSSINI . . .
Concertante - Mrs. Curtis, harp; and Mr. Duly, flute - BOCHSA . . .
Quartetto - Mrs. Clarke, Mrs. Stirling, Mr. J. Howson, and Mr. F. Howson, "Mild as the Moonbeams." - BRAHAM.
Divertimento - Military Band.- A. HAENSEL.
PART II. Overture to Fra Diavolo - Military Band - AUBER.
Song - Mrs. Clarke, "The Mocking Bird;" flute obligato, Mr. Duly. - BISHOP.
Duetto - Signor Carandini and Mr. F. Howson, "Chi mi Frena" "Lucia di Lammermoor." - DONIZETTI.
Quartetto - Mrs. Curtis, harp; Mr. Duly, flute; Mr. Curtis, violoncello; and Mr. John Howson, pianoforte. - BOCHSA . . .
The whole under the direction of Messrs. Leffler and Russell . . .

ASSOCIATIONS: Emma Curtis (harp); Richard Curtis (cello); this was the first Hobart concert appearance of several new members of Clarke's theatrical company, newly arrived with her on her return from London, Frank Howson (vocalist), John Howson (vocalist and pianist), Theodosia Stirling (vocalist); and Gerome Carandini (vocalist, dancer); Argyle Rooms (Hobart venue)

MUSIC: The mocking bird (Bishop, from The slave); unidentified divertimento (by "A. Hänsel"; ? Peter Hänsel)

"THE CONCERT", Colonial Times (15 February 1842), 3

http://nla.gov.au/nla.news-article8752423 

On Friday evening last Mrs. Clarke's Concert took place in the Argyle Rooms, to a numerous and highly-respectable audience, which would have been still more numerous but for the wetness of the evening. It is admitted on all hands that it was one of the very best entertainments ever bestowed upon the inhabitants of Van Diemen's Land; and if such was continued monthly (we think weekly by far too often under the present circumstances of the Colony) would, we doubt not, be liberally and deservedly supported. Mrs. Clarke was loudly applauded in "the Mocking Bird," accompanied on the flute by Mr. Duly, jun.; the Messrs. Howson shewed themselves complete masters of music both vocal and instrumental; Mr. J. Howson's solo on the trombone, "the Light of Other Days" particularly, was indeed a rich treat, and well worth paying for a ticket to hear. In fact all seemed to exert themselves to the utmost to give satisfaction, and all succeeded, although some little diffidence was perceptible in some of them, which is quite natural to strangers for the first time before a strange audience, but this will soon wear off. The next Concert takes place on Friday evening next. We omitted to mention that the fine band of the 51st Regiment added their valuable services on the occasion.

"MRS. CLARKE'S CONCERT", The Courier (18 February 1842), 2

http://nla.gov.au/nla.news-article2954836 

On Friday evening last a first opportunity was afforded to the inhabitants of this town of judging of the selection which Mrs. Clarke had made of the assistance for which she returned to England, and we feel assured that no one can hesitate to say that much credit is due to her for the judgment exercised in the matter . . . Bochsa's Concertante, arranged for harp and flute, was played with effect, on the former instrument by Mrs. Curtis, and oh the latter by Mr. Duly, junior. There is a grace in the mere attitude required for the harp (we mean when properly handled,) which cannot fail to predispose; and assisted, as was Mrs. Curtis, by the efficiency of Mr. Duly's flute, the performance, though not eliciting any remarkable degree of fingering, afforded pleasure . . .

[Advertisement], Colonial Times (15 March 1842), 1

http://nla.gov.au/nla.news-article8752493 

ALBERT THEATRE, LIVERPOOL STREET.
MRS. CLARKE BEGS most respectfully to acquaint her Friends and the Public that the above Theatre will be opened on every TUESDAY and FRIDAY, for the performance of a
THEATRICAL OLIO AND MUSICAL MELANGE. THIS EVENING, 15th MARCH.
PART I. Overture - "Barbiere di Siviglia" - Rossini . . .
SONG - The Mocking Bird - Mrs. Clarke; Flute Obligato, Mr. Duly - BISHOP . . .
QUADRILLES - Kracoviak - MUSARD . . .
QUADRILLES - MUSARD.
PART II. OVERTURE - Masaniello. - AUBER . . .
WALTZES - STRAUSS . . .
Leader, Mr. LEFFLER; Musical Director, Mr. J. HOWSON; Director and Composer of the Ballet, SIGNOR CARANDINI . . .

ASSOCIATIONS: Albert Theatre (Hobart venue)

"THE THEATRES", Launceston Courier [VDL (TAS) (23 May 1842), 2

http://nla.gov.au/nla.news-article84674145 

Mr. Watson has reduced the price of admission to the Olympic theatre. Admission to the dress circle is now 5s. and to the lower circle, 3s.
The favorite song of "Nix my dolly pals" has been repeated several times, and always received a rapturous encore. On Friday night, Mr. G. F. Duly, who we believe intends to establish himself in Launceston, as a professor of music, played a solo upon the flute, which as well received by the audience, but not better than it deserved. Mr. Duly showed himself to be perfectly master of his instrument . . .

ASSOCIATIONS: Feltham Bold Watson (actor, manager); Olympic Theatre (Launceston venue)

"THE THEATRES", Launceston Advertiser (26 May 1842), 3

http://nla.gov.au/nla.news-article84771906 

Tuesday Evening being the Anniversary of the Birth-day of her Majesty Queen Victoria, both theatres opened with "God Save the Queen." We are pleased to hear that the houses were well attended. At the Olympic (Mr. Watson's) the performances were excellent . . . Mr. Duly's Solo on the flute, excited much admiration amongst the descriminating portion of the audience, and was frequently applauded. The "extravaganza" of Bombastes Furioso, was never played better . . .

PIECES: Bombastes furioso (Rhodes), with the songs set to pre-existing tunes

"The Theatre", The Austral-Asiatic Review, Tasmanian and Australian Advertiser (10 June 1842), 3

http://nla.gov.au/nla.news-article232480388 

"The Beggar's Opera" has been twice performed to crowded and respectable houses. Mrs. Clarke's "Mackheath" is an admirable performance; we need not say that she sings all the songs capitally. So also the charming music in that favorite opera, which whatever may be said of its immorality, is one of the highest pieces of theatrical satire ever written; it is so entirely a "stock piece" at all the theatres in London that it is performed every season for several nights with untiring gratification. It is as well got up at Mrs. Clarke's little theatre, that few, if any, provincial theatres in England could produce singers at all comparable with Mrs. Stirling, Miss Young, and the Howsons, by whom the chief characters in the opera are represented. In the "ballets" which follow, Carandini, who exhibits talents as a dancer superior to any ever produced in any colony, is admirably accompanied by Mrs. F. Howson and Miss Young. The orchestral ability we have so repeatedly noticed, that it is only necessary to mention that veteran favorite of the public, and accomplished musician Mr. Reichenberg (who has to boast of having been master of two most celebrated bands in the British Army, the Chasseurs Britanniques, and the 40th Regiment), Messrs. Russel, Lefler, and Duly, with other excellent performers. Upon the whole, Mrs. Clarke's Corps de Theatre is infinitely superior in every way to any which the public ever possessed the advantage of availing itself of for a rational evening's entertainment.

ASSOCIATIONS: Emma Howson (dancer); Emma Young (dancer)

MUSIC: The beggar's opera (Arne's edition)

[Advertisement], Launceston Courier (5 September 1842), 3

http://nla.gov.au/nla.news-article84673942

GRAND CONCERT!!
MR. G. F. DULY, begs most respectfully to inform the inhabitants of Launceston and its vicinity, that his Musical Melange will take place on Tuesday, the 6th September, when he trusts he may meet with their kind patronage and support.
Programme. PART I. Overture - Tancredi.
Duet, ("We have lived and loved together,") Mrs. ARABIN and Mr. DULY.
Song, ("Flying Dutchman,") Mr. BOYD.
Glee, ("Fairy Elves,") Messrs. CLARAGH, DULY, and ROGERS.
Song, ("On Wi the Tartan,") Mrs. ARABIN.
Song, ("They have given thee to another,") Mr. DULY.
Song, ("The Gipsying Party,") Mr. ROGERS.
Song, ("Gay Young Irish Gentleman,") Mr. WATSON.
Trio, ("Woodman Spare that Tree,") Messrs. THOMPSON, ROGERS, and DULY; arranged by Mr. Duly.
Waltzes - Aurora.
PART II. Waltzes - La Rose.
Song, ("Lake of Como,")- Mrs. ARABIN.
Solo - (Flute,) - Mr. DULY.
Song, ("Jolly Nose,") - Mr. BOYD.
Song, ("the Unfortunate Man,") Mr. ROGERS.
Song, ("The Pirate,") - Mr. DULY.
Duet, (Violin and Piano-forte,) Messrs. CLARAGH and DULY.
Song, ("Softly blow ye breezes,") Mrs. ARABIN.
Glee, ("Here's a Health to all Good Lasses,") by Mrs. ARABIN; Messrs. DULY & ROGERS.
Overture, (L'ltaliana in Algeri.)
The whole to conclude with the Musical Farce of JENNY JONES.
Boxes, 6s. Pit, 4s. 6d.
Doors open at half-past seven; to commence at eight precisely.
Tickets to be obtained of Mr. Watson, Olympic Theatre, London Inn; and of Mr. Cozens, Chemist.

ASSOCIATIONS: Frances Arabin (vocalist); George Herbert Rogers (vocalist); Felthan Bold Watson (vocalist); Henry George O'Claragh (vocalist, violinist)

MUSIC: We have lived and loved together (Herz); They have given thee to another (Bishop); Woodman, spare that tree (Russell); Here's a health to all good lasses (Felice Giardini, originally "Viva tutte le vezzose"; Recording)

"THE THEATRE", Colonial Times [Hobart, VDL (TAS)] (11 October 1842), 3

http://nla.gov.au/nla.news-article8752961 

Mr. John Howson's benefit took place yesterday evening, and was, as expected, a bumper. The performance of Bellini's beautiful opera of "La Somnambula" was a rich musical treat . . . In the "Melange" which followed the opera, Mrs. Clarke sung with much feeling and a brilliancy of execution we have never heard surpassed Bishop's beautiful song of "The Mocking Bird." The exertions of this lady have always delighted us when in the same style of keeping. The flute accompaniment was exquisitely played by Mr. Duly, junior . . .

Van Diemen's Land census of the year 1843; Hobart, 87 Davy Street, Mr. Duly; Tasmanian names index; NAME_INDEXES:474984; CEN1/1/52

https://stors.tas.gov.au/NI/474984 

https://stors.tas.gov.au/CEN1-1-52-41 (DIGITISED)

[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (17 February 1843), 1

http://nla.gov.au/nla.news-article232481136 

GRAND CONCERT! THIS EVENING, 17th Instant.
MR. & MRS. BUSHELLE RESPECTFULLY solicit, on this occasion, the patronage and support of the Gentry and Inhabitants of Hobart Town and its vicinity.
Vocal Performers: Mrs. Stirling and Mrs. Bushelle; Mr. F. Howson, Mr. J. Howson, Signor Carandini, and Mr. Bushelle.
Instrumental Performers: Mr. John Deane, leader; Mr. J. Howson, conductor; Mr. Russell, sen., Mr. H. Howson, Mr. Duly, sen., Mr. Duly, jun., Mr. Curtis, Mr. Russell, jun.;
the remainder of the Theatrical Orchestra augmented (by the kind permission of Colonel Elliott) by a large portion of the excellent band of the 51st regiment.
The Orchestra will be erected on the stage.
PROGRAMME. PART I. Overture - "La Gazza Ladra" - Rossini - by the Military and Theatrical Bands . . .
PART II. Overture to Zampa - Herold - by the Military and Theatrical Bands . . .

ASSOCIATIONS: John Deane junior (leader, theatrical band); Henry Howson (violinist, theatrical band)

"MR. BUSHELLE'S CONCERT", The Courier (24 February 1843), 2

http://nla.gov.au/nla.news-article2953122 

At an early hour on Friday evening last, the continued rolling of carriages towards the Victoria Theatre bespoke that the enticing programme - the merits of which had been so liberally discussed during the day - had produced the wanted effect, and at about eight o'clock the interior of the building presented a scene of profitable animation, beyond what could have been anticipated even by Mr. Bushelle's most sanguine well-wishers. So crowded were the boxes, that many of the gentlemen were under the necessity of taking seats in the pit, which was more select on this than on most other occasions. With the overture to "La Gazza Ladra" began the first division of the entertainment. The addition to the theatrical orchestra of several musicians from the 51st band had, it appeared to us, an effect rather prejudicial than otherwise, for though each performer undoubtedly possessed his individual merits, yet, as the augmentation lay principally in the wind instruments, the sounds from which are the most penetrating, it was at times somewhat difficult to trace the leading violin through its various themes. Mr. Deane certainly exerted himself to the utmost, but it is too much to expect a single performer, however great his talent, to resist the drowning of some fifteen others. An equipoise of instruments is one of the main desiderata in this kind of music, though but too often lost sight of when reduced to practice : for instance, in those numerous passages in which the clarionet is made to follow the flute in lower thirds, Serjeant Ravelyn completely overpowers the latter instrument by his unblended strength of tone, whilst Mr. Duly, junior, in each flute solo which falls to his share, exhibits his impression that the more the speed the greater the effect, at times almost transforming an intended andante into an allegro, notwithstanding the numerous checks which we have observed him to receive at the hands of the leader . . .

ASSOCIATIONS: Serjeant Ravelyn = John Rablin (musician, 51st band); John Deane junior (leader of the theatrical band); Henry Howson (violinist)

[Advertisement], The Courier (4 August 1843), 1

http://nla.gov.au/nla.news-article2952362 

ROYAL VICTORIA THEATRE, Campbell-street.
LAST BENEFIT, AND LAST NIGHT OF THE SEASON,
THIS EVENING, AUGUST 4, 1843. Mr. J. DEANE (Leader of the Orchestra) respectfully begs to inform his friends and the Ladies and Gentlemen of Hobart Town and its vicinity, that his BENEFIT takes place THIS EVENING . . .
Grand Entertainment of VOCAL and INSTRUMENTAL MUSIC, consisting of the following Songs, Duets, Solos, &c. . . . .
Air, with variations - Mr. G. F. Duly . . .
Solo, Clarionet (with full orchestral accompaniments) - Mr. Rablin . . .

[Advertisement], The Courier (18 August 1843), 1

http://nla.gov.au/nla.news-article2952290 

ROYAL VICTORIA THEATRE, Campbell Street. MRS. BUSHELLE'S BENEFIT, MONDAY, AUGUST 21.
The Evening's Entertainments will commence with the Comic Opera of JOHN OF PARIS . . .
To be followed by a MUSICAL MELANGE . . .
Song - "The mocking bird" - (Flute Obligato, Mr. Duly, junr.) - Mrs. Clarke . . .
Clarionet Solo - Mr. Rablin . . .

MUSIC: John of Paris (Bishop, arr. from Boeildieu)

"THE GOVERNMENT BALL (From a Hobart Town Correspondent)", Launceston Advertiser (7 December 1843), 2

http://nla.gov.au/nla.news-article84767882 

The Regatta, or rather the Lieutenant Governor's fancy Dress Ball was one of the grandest spectacles ever witnessed in Van Diemen's Land. Nothing of the kind ever came off with such eclat in this colony before. You will recollect that some of the inhabitants of this city gave a Ball to Sir Eardly Wilmot, on which occasion his Excellency gave a general invitation to his inviters to appear in fancy costume at Government House on the evening of the Regatta. The company consisted of nearly 6OO persons . . . The musical department was entrusted to the Messrs. Howson and Duly, who acquitted themselves in their usual good style. - Henry Howson is an improving violinist, and shines in a ball-room . . .

ASSOCIATIONS: Henry Howson (violinist)

Rules and regulations of the Hobart Town Choral Society, established at Hobart Town, January 1843 ([Hobart: The Society, 1844])

https://trove.nla.gov.au/work/18140431 

https://nla.gov.au/nla.obj-18726175/view?partId=nla.obj-18729622#page/n16/mode/1up (DIGITISED)

LIST OF MEMBERS FOR 1844 . . . [Mr.] DULY . . .

"THE THEATRE", The Courier (5 January 1844), 2

http://nla.gov.au/nla.news-article2951625 

On Wednesday evening [3 January], agreeably to announcement, Captain Blackwood and the Officers of H.M.S. Fly patronised the Theatre. The boxes were generally taken, and by the most respectable of our community; Sir John and Lady Pedder and party attended. The pit was rather more than ordinarily full, there being an addition to its numbers by several of the tars . . . In the Musical Melange appeared first, Mrs. Stirling, that established favourite with the Hobart Town audience . . . Mrs. Clarke was very excellent in the song of "Lo! hear the gentle lark;" [sic] it was adapted to her voice, and she did justice to the song; nor was the flute obligato by Mr. Duly, jun., unappreciated . . .

MUSIC: Lo! here the gentle lark (Bishop)

[Advertisement], Colonial Times (13 February 1844), 1

http://nla.gov.au/nla.news-article8754537

GRAND CONCERT. Under Distinguished Patronage.
MR. DEANE begs to inform his Friends and the Public of Hobart Town and its Vicinity, that previous to his departure for Sydney, he will give a CONCERT of VOCAL and INSTRUMENTAL MUSIC, on a very extensive scale,
THIS EVENING, AT THE HALL OF THE MECHANICS' INSTITUTE, MELVILLE STREET.
VOCAL PERFORMERS. Madame Gautrot, Miss Deane, Gentleman Amateur, Mr. Deane, Mr. John Deane, Mr. E. Deane, and Master A. Deane.
INSTRUMENTAL PERFORMERS. Violins, Monsieur Gautrot, Mr. Leffler, Mr. Deane, Mr. John Deane, Mr. Singer, Mr. Charles Deane, and Master H. Deane.
Tenors, Mr. Reichenberg, Mr. Duly, Mr. Piecroft, and Mr. W. Deane.
Violoncellos, Mr. Curtis and Mr. E. Deane. Double Bass, Mr. Russell.
By Permission, Part of the Band of the 51st Regiment will assist.
PORGRAMME. PART I. Overture - La Gazza Ladra - Rosini . . .
PART II. Overture - Barbier de Seville - Rosini . . .

ASSOCIATIONS: John Philip Deane and family (musicians); Joseph Pycroft (viola player); Edward Deane (cello player)

"THEATRE", The Courier (16 February 1844), 2

http://nla.gov.au/nla.news-article2951445 

Mrs. Stirling and Miss Young's benefit took place last evening, and though not a very remunerative house, still a very select and respectable one. The entertainments throughout elicited much applause. The principal feature, however, in the night's performances was a favourite ballet entitled The Maid of Perth, or the Rival Lovers, which is replete with comic humour - and in which Mr. Young, as the Rival Lover, shone forth in pantomimic action to our great astonishment and delight. Miss Young and Mr. G. Duly, the happy pair, were also extremely good, and danced very gracefully . . .

NOTE: Emma Young married the actor George Herbert Rogers (formerly of the 51st Regiment) in Hobart a fortnight later, on 2 March 1844

[Advertisement], Colonial Times (12 March 1844), 1

http://nla.gov.au/nla.news-article8754667 

ORATORIO AT ST. JOSEPH'S CHURCH, MACQUARIE STREET,
ON WEDNESDAY, THE 13TH INSTANT, At Seven O'Clock in the Evening,
WITH THE KIND PERMISSION OF THE VERY REV. J. J. THERRY, V.G.,
FOR THE BENEFIT OF Mons. and Madame Gautrot.
Assisted by the principal musical talent of Hobart Town, who have charitably come forward on the present occasion gratuitously.
COL. ELLIOTT, Commander of the Garrison, has kindly patronised this charitable undertaking by affording the assistance of the excellent BAND OF THE 51st REGIMENT.
Monsieur Gautrot has been lately labouring under severe indisposition, and is in very reduced circumstances.
PROGRAMME . . . PART II . . . Portuguese Air, with variations for the flute, with harp accompaniments by Mrs. Curtis - Mr. G. F. Duly . . .
Leader - Mr. LEFFLER . . .

MUSIC: Perhaps Charles Nicholson's Portuguese air with variations

[Advertisement], The Courier (15 March 1844), 1

http://nla.gov.au/nla.news-article2951315 

ROYAL VICTORIA THEATRE, Campbell Street.
LAST NIGHT OF THE SEASON. SIGNOR CARANDINI'S BENEFIT. FRIDAY, 15 MARCH . . .
The Evening's Entertainments will commence with (for the first time in this Colony) the very beautiful Opera, with New Scenery, Dresses, and Decorations, entitled
KATE KEARNEY; Or, THE FAIRY LAKES OF KILLARNEY,
The whole of the Music arranged by Mr. Francis Howson, Senior.
To be followed by (for the first time) an Entirely NEW MYTHOLOGICAL BALLET . . .
During the Ballet there will be introduced an
Entirely New PAS DE TROIS, MRS. ROGERS, MR. YOUNG, & SIGNOR CARANDINI.
The Music arranged by Mr. G. F. Duly . . .

ASSOCIATIONS: Francis Howson senior (violinist)

MUSIC: Kate Kearney; or, The fairy of the lakes; music probably largely consisting of songs by Alexander Lee; Georg Duly also "arranged" the music for later revivals of the opera by Anne Clarke's company

[Advertisement], Colonial Times (16 April 1844), 1

http://nla.gov.au/nla.news-article8754801 

GRAND CONCERT, AT THE ROYAL VICTORIA THEATRE, THIS EVENING, APRIL 16 . . .
MR. JOHN HOWSON . . . intends giving a GRAND CONCERT upon a scale of magnitude never before attempted in this colony . . .
The Orchestra will be complete in every department. The greater part of the music is entirely new, and just imported by Mr. F. Howson, sen., amongst which will be found a selection from Rossini's celebrated "Stabat Mater," which has created a great sensation throughout Europe; as also several pieces from Bellini's beautiful Opera of "Norma," now playing at the Theatre Royal, Drury Lane, London, with the greatest possible success.
PROGRAMME. PART I. Overture - "Nozze de Figaro" - Mozart . . .
Solo - Flute - "Non piu mesta" (with variations, as played by Nicholson) - Mr. G. F. Duly . . .
Instrumental - Selection from Bellini's Opera of "La Somnambula," arranged by Bochsa; Flute, Mr. G. F. Duly; Pianoforte, Mr. J. Howson; Harp, Mrs. Curtis; Violoncello, Mr. F. Howson, sen.
PART II. Overture - "Zampa" - Herold . . .
Song - "Welcome, rosy May" - Mrs. Stirling - Flute obligato, Mr. G. F. Duly . . .
Finale - "God save the Queen" - By the whole of the performers.
LEADERS - Messrs. H. Howson and Gautrot. CONDUCTOR - Mr. J. Howson . . .

MUSIC: Non piu mesta (Rossini, from La cenerentola)

[Advertisement], Colonial Times (30 April 1844), 1

http://nla.gov.au/nla.news-article8754820 

GRAND CONCERT . . . Mr. DEANE . . . previous to his departure for Sydney, he will give a
CONCERT of VOCAL and INSTRUMENTAL MUSIC . . . THIS EVENING, AT THE HALL OF THE MECHANICS' INSTITUTE . . .
VOCAL PERFORMERS. Madame Gautrot, Miss Deane, Gentleman Amateur, Mr. John Deane, Mr. E. Deane, Mr. Deane, and Master Alfred Deane.
INSTRUMENTAL PERFORMERS. Miss Deane, Pianoforte.
Violins - Mr. Gautrot, Mr. Leffler, Mr. J. Deane, Mr. Deane, Mr. Singer, Mr. Charles Deane, and Mr. Henry Deane.
Tenors - Mr. Reichenberg, Mr. Duly, Mr. Pyecroft, and Mr. W. Deane.
Violoncellos - Mr. Curtis, Mr. E. Deane, and Master A. Deane. Double Bass - Mr. Russell.
Leader of the Orchestra - Mr. J. Deane. Conductor - Mr. Deane.
By permission part of the Band of the 51st Regt, will assist.
PROGRAMME: PART I. Overture - "La Gazza Ladra" - Rossini . . .
PART II. Overture - "Barbier de Seville" - Rossini . . .

ASSOCIATIONS: Concert originally advertised for 25 April, but postponed; see [Advertisement], The Courier (19 April 1844), 1

http://nla.gov.au/nla.news-article2951181 

"THE MASONIC FESTIVAL", The Austral-Asiatic Review, Tasmanian and Australian Advertiser (29 June 1844), 6

http://nla.gov.au/nla.news-article232482802 

The Grand Festival of St. John the Baptist [24 June], was celebrated by the Hobart Town Masonic Body with unusual splendour. The Tasmanian Operative Lodge No. 345, assembled at their Lodge Room, Mezger's Hotel, with several visitors . . . The celebrated Band of the 51st K.O.L.I., by the kind permission of Colonel Elliott, under the immediate superintendence of their talented master Br. Duly, (formerly master of the Band of that distinguished corps the Earl of Roslyn's 9th Lancers,) performed in their well-known capital style the airs usually consequent upon the toasts, and at intervals several of the most favourite concerted compositions . . . The usual Masonic toasts followed, and the musical Brethren enlivened the evening by several excellent songs . . .

[Advertisement], Launceston Advertiser (5 July 1844), 3

http://nla.gov.au/nla.news-article84772847 

ROYAL OLYMPIC THEATRE. MONDAY, JULY 8th, 1844. MRS. CLARKE'S BENEFIT . . .
The Evening's Entertainments will commence with (for the first time in this Town) the very beautiful Opera . . . entitled
KATE KEARNEY; OR, THE FAIRY OF THE LAKES OF KILLARNEY.
The whole of the Music arranged by Mr. F. Howson, Sen. . . .
To be followed by an entirely New SCOTCH PAS DE DEUX, Mrs. F. Howson and Mr. G. F. Duly . . .

"THE THEATRE", Launceston Advertiser (19 July 1844), 2

http://nla.gov.au/nla.news-article84767930 

The Benefits at this place continue, we are pleased to observe to be well supported, and we must say that the exertions of the performers fully merit the favour of the public. The Opera of "Gustavus" was produced last evening, for the benefit of that industrious and talented actress and vocalist, Mrs. Stirling. The performances on Monday [22 June], are for the benefit of Mr. Duly, who, in addition to an attractive bill of fare, has been favored with the services of the fine band of the 96th. Mr. Duly is well known as a very respectable man, and certainly talented musician. His services are not so prominent as those of any other, but nevertheless, not the less useful . . .

[Advertisement], Launceston Advertiser (19 July 1844), 1

http://nla.gov.au/nla.news-article84767934 

THEATRE ROYAL OLYMPIC. MONDAY, JULY 22, 1844.
MR. G. F. DULY'S BENEFIT. UNDER DISTINGUISHED PATRONAGE.
The excellent Band of the 96th Regiment will be in attendance by the kind permission of Colonel Cumberland.
GREAT ATTRACTION. THE MOUNTAIN SYLPH. FOR THE FIRST TIME IN THE COLONIES.
MR. G. F. DULY begs most respectfully to inform the Public that his BENEFIT takes place on the above Evening, on which occasion he has selected such a variety of Entertainments as will, he trusts, give the greatest satisfaction to those who may kindly honour him with their patronage and support.
The Evening's Entertainments will commence with (for the first time in this Town) Dibdin's celebrated Opera, entitled
THE QUAKER. Steady, (the Quaker) Mr. F. Howson. Lubin, Mr. Young. Solomon, Mr. Rogers. Farmer Easy, Mr. Wilks. James, Mr. Atkins. William, Mr. Stubbs. Gillian, Mrs. Stirling. Floretta, Mrs. Clarke. Cicely, Mrs. Howson. Peasants, Villagers, &c, &c.
Programme of the Music.
Duet - "Mids't thrushes, blackbirds," - Mr. Young and Mrs. Stirling.
Song - "I've locked up all my treasures," - Mr. Young.
Song - "Women are Will O' the Wisps," - Mr. Young.
Song - "A kernel from an apple core," - Mrs. Stirling.
Song - "While the lads of the village," - Mr. F. Howson.
Song - "The nice little man," - Mrs. Clarke.
Quintette - "Regard the instructions," - Mr. F. Howson, Mr. Young, Mr. Rogers, Mrs. Stirling, and Mrs. Clarke.
Duet - "How, Lubin sad," - Mrs. Clarke and Mr. Young.
Song - "With respect sir," - Mr. Young.
Song - "In verity damsel,' - Mr. F. Howson.
Song - "Again I feel my cares are o'er," - Mrs. Stirling.
Finale - "Let nimble dancers beat the ground," by the whole of the Characters.
In the course of the Opera will be introduced the favourite MORRIS DANCE, By the Characters.
FLUTE SOLO, MR. G. F. DULY.
To be followed by (for the first time in the Colonies) the very beautiful Ballet, in two Acts, entitled
THE MOUNTAIN SYLPH.
Donald, Mr. G. F. Duly. Christie, Mr. Young. Hela, (The Wizard) Mr. F. Howson. Baillie, Mr. Rogers. Hobbie, Mr. Wilks.
Jamie, Mr. Stubbs. Eola, (the Sylph) Mrs. F. Howson. Jessie, (betrothed to Donald) Mrs. Stirling. Dame Gourlie, Mrs. Clarke.
Etheria, (the Sylphide Queen) Miss Watson.
The Music arranged and selected by MR. MEGSON.
In the course of the Ballet, the following Dances will be danced -
COMIC DANCE - MR. YOUNG.
NEW HIGHLAND REEL, By the Characters.
PAS SYLPHIDE, MRS. F. HOWSON. as danced by Madam Taglioni, at the Italian Opera, Haymarket, London.
SCARF PAS DE DEUX, MRS. F. HOWSON AND MR. G. F. DULY.
Dance and Finale by the whole of Characters.
Scena - "Do not mingle" - from "La Somnambula" - Mrs. Stirling.
Song - "The Land of my birth" - Mr. F. Howson.
The whole to conclude with the very laughable Farce, entitled
SAYINGS AND DOINGS.
Sir Toby Titmouse, Mr. Rogers. Charles Nightingale, Mr. G. F. Duly.
Doctor Merrypegs, Mr. F. Howson. Barny, Mr. Young. Attorney, Mr. Wilks.
Mrs. Major Wilful, Mrs. Stirling. Miss Lucy, Mrs. Clarke. Phoebe, Mrs. F. Howson.
Tickets and places to be had of Mr. G. F. Duly, at the Theatre, and at the usual places.
F. HOWSON, Stage Manager.

ASSOCIATIONS: Charles Young (comedian, dancer); John Wilks (actor); Mr. Atkins (actor); Gibson Stubbs (actor); Joseph Megson (musician); Band of the 96th Regiment (military);

MUSIC: The quaker (Charles Dibdin)

"THE THEATRE - MASONIC BESPEAK", Colonial Times [Hobart, VDL (TAS)] (17 September 1844), 2

http://nla.gov.au/nla.news-article8755295

We are quite sure that our kind-hearted and liberal fellow-townsmen who enhanced the value of the "Bespeak" on Wednesday evening last, must have derived a very large amount of gratification from the beautiful entertainments which were provided for their amusement, and for that of their families and friends. Although we have seen the house more numerously attended, we never saw a more genteel or gayer audience, nor have we often encountered so dazzling a blaze of bright eyes as shone upon us on Wednesday night. The whole front of the box tier was in truth a brilliant constellation of brightness and beauty, for every one appeared pleased and happy, infecting even the performers with a spirit and gaiety which rendered their acting the more effective and impressive.
The first piece was Morton's opera, The Slave, which was originally produced at Covent Garden with a very strong cast Macready, Liston, Jones, Emery, and Miss Stephens, Miss M. A. Tree, &c. &c, the music, if we recollect rightly, by Bishop. Years have passed since the period we allude to; and although we had a vivid recollection of certain portions of the opera, our excellent company suffered nothing by comparison, and especially as regards the music, which both vocally and instrumentally was admirably performed. The beautiful aria, "Pretty Mocking Bird," was beautifully given by Mrs. Clarke, and admirably accompanied by Mr. Duly, sen., in the obligato flute accompaniment. Both Mr. Duly's flute and clarionet playing are remarkable for great delicacy and expression - two qualities greatly to be admired, we think, in all musical performers; and now that we have so excellent a musical company, possessing a knowledge and taste for good music, we should like this veteran in the melodious art to come rather more prominently before the public . . .

"MILITARY FUNERAL", Colonial Times (1 October 1844), 3

http://nla.gov.au/nla.news-article8755342

On Friday afternoon, the remains of Lieutenant and Adjutant Birch were carried to the grave with all military honors, all the troops in garrison, to the number of nearly 560, preceding the corpse, which was followed by the naval officers from the Observatory, several of the Commissariat and Ordnance officers and a few civilians. The fine band of the 51st Regiment, under Mr. Duly's able direction, played the beautiful Dead March by Kuffner, so familiar to us when the 21st Regiment was here, from the Barracks to St. David's Church, and thence to the Burial Ground. Handel's Dead March in Saul, arranged by Mr. Duly for the excellent band of which he is so admirable a master. A very large concourse of persons were congregated in the Barrack-square, and in the adjoining streets, reminding us of the assemblage which had collected to witness the departure of Sir John Franklin, save that more gravity marked their conduct; for the deceased although amongst us only for so short a period, was much esteemed, and indeed beloved.

MUSIC: ? Dead march [Funeral march; Trauermarsch] by Joseph Kuffner; Dead march in Saul (Handel)

"HOBART TOWN CHORAL SOCIETY", The Courier (22 October 1844), 3

http://nla.gov.au/nla.news-article2950383 

The second public performance of this highly useful society took place on Tuesday evening last [15 October], in the Hall of the Mechanics' Institute, which had been obligingly lent for the occasion. The platform was fitted up as an orchestra, and the number of the performers, vocal and instrumental, were about forty. With the exception of Madame Gautrot (who lent her powerful assistance) the whole of the vocalists were amateurs, as were also many of the instrumental performers; this branch received considerable aid from the exquisite playing of Mrs. Elliott on the piano, Mr. Duly, Monsieur Gautrot, and Mr. Russell on violins, and Mr. W. H. Howson at the double bass, together with several of the excellent band of the 51st regiment, which, by the kindness of Colonel Elliott, were placed at the disposal of the Committee. The first part was Romberg's delightful ode, "The Transient and the Eternal," which was played and sung in a manner that called forth the repeated plaudits of a crowded audience. The second part was of a mixed character, comprising detached pieces from the works of Mozart, Handel, Haydn, and other esteemed composers, forming a selection well calculated to enable the admirers of those celebrated men to compare their relative styles.

ASSOCIATIONS: Mechanics' Institute (Hobart venue)

MUSIC: The transient and the eternal (Romberg)

[Advertisement], Colonial Times (29 October 1844), 4

http://nla.gov.au/nla.news-article8755537 

Royal Albert Theatre, ARGYLE STREET. WEDNESDAY OCTOBER 30.
MESSRS. WATSON and FALCHON [lessees] . . . STAGE MANAGER - Mr. F. B. WATSON.
Conductor - Mr. G. F. DULY. Leader of the Orchestra - M. GAUTROT . . .
The Evenings of performance during the Season, will in future be Mondays, Wednesdays, and Fridays . . .

ASSOCIATIONS: Feltham Watson (lessee, manager); Arthur Falchon (lessee, manager)

[Advertisement], The Tasmanian and Austral-Asiatic Review (21 November 1844), 3

http://nla.gov.au/nla.news-article233611641 

GRAND CONCERT, (BY THE KIND PERMISSION OF THE COMMITTEE,) AT THE MECHANICS' INSTITUTE, MELVILLE STREET, ON THURSDAY, NOVEMBER 21st, 1844. MONSIEUR AND MADAME GAUTROT . . . The following Ladies and Gentlemen have kindly tendered their valuable assistance: - Mrs. Stirling, Mrs. Rogers, Mrs. Curtis, Mr. Reichenberg, Mr. J. Howson, Mr. F. Howson, Mr. H. Howson, W. Howson, A. Howson, Mr. Russell, Mr. Curtis, Mr. Duly, Mr. Singer, Mr. Pyecroft, Mr. G. F. Duly, Mr. Allen, Master Allen, and several Amateurs.
PROGRAMME. PART 1. Overture - Rossini . . .
Solo - Clarionette - Mr. G. F. Duly . . .
PART II . . . Ballad - "What care I tho' Fortune frowns," the Music composed by Mr. F. Duly [sic] - Mrs. Rogers . . .
1st Violin - Mr. Russell; Mr. H. Howson. 2nd Violin - Mr. Singer; Master A. Howson.
Tenor - Mr. Reichenberg; Mr. Duly. Violincello - Mr. Curtis; Amateur. Contra Bass - Mr. Pyecroft; Amateur.
Flute - Mr. G. F. Duly. Clarionette - Mr. Rablin; Mr. W. Howson. Horns - Mr. --; Mr.--
LEADER - Monsieur Gautrot . . .

[Advertisement], Colonial Times (22 February 1845), 1

http://nla.gov.au/nla.news-article8756218 

ROYAL VICTORIA THEATRE . . . MONDAY FEBRUARY 24. Last Night but One . . .
Mr. & Mrs. Rogers' FAREWELL BENEFIT . . .
(for the first time this season), and by the desire of many friends, the Comic Scotch Ballet, entitled
THE FAIR MAID OF PERTH; OR, The Rival Lovers.
Duncan McDougall (a Miller) - Mr. Rogers.
The Rival lovers, Ronald - Mr. G. F. Duly [and] Sandie McNoodle - Mr. Young.
Miller's Men - Messrs. Screen'm and Sack'em, Villagers, &c.
Jessie (the Fair Maid of Perth) - Miss Thomson
The Dame - Mrs. Stirling.
Lasses, &c.
Dances incidental to the Ballet.
Scotch Pas de Deux, Miss Thomson & Mr. Duly.
Comic Dance, Mr. Young.
Highland Fling, Miss Thomson & Mr. Duly.
Highland Reel, by the Characters.
The Music selected and arranged by Mr. Duly, Jun., who has kindly offered his services on the occasion . . .
By the kind permission of COLONEL ELLIOTT, the Orchestra will, on this occasion, be furnished by the excellent Chamber Band of the 51st Light Infantry, which will perform during the evening several popular airs and admired pieces of music . . .

[Advertisement], The Courier (6 March 1845), 1

http://nla.gov.au/nla.news-article2949371 

John Howson's Farewell Concert. This Evening . . .
PROGRAMME: PART FIRST . . . Overture, "Der Freischutz," Weber . . .
Solo, Flute, Mr. G. F. Duly, Nicholson . . .
Overture, "Don Pasquale," (first time in this colony) - Donizetti.
PART SECOND. Overture, "Guy Mannering," Bishop . . .
Solo, Clarinette, (Pot pourri), Mr. G. F. Duly . . .
Overture, "Zampa," Herold . . .
The Orchestra will be full and complete.
Leaders, Monsieur Gautrot, Mr. Leffler.
Conductor, Mr. John Howson.

"THE CONCERT", The Courier (8 March 1845), 2

http://nla.gov.au/nla.news-article2949349 

Mr. John Howson's musical melange of Thursday evening will linger, long after his departure, in the pleasant recollections of the lovers of "sweet sounds" . . . Mr. G. F. Duly's Flute solo was no desecration to the memory of the distinguished performer whom he appears to have taken for his model. The whole band put forth, in the overtures, a degree of skill and power that were most creditable to the musical talent of Tasmania, and that exhibited a combination of excellence of which few communities, so limited, can boast. Bishop's charming overture to "Guy Mannering," replete with interesting recollections and delightful associations, was given in admirable style, and seemed to find its way to every heart and to kindle undefinable sympathies in every bosom . . .

ASSOCIATIONS: "his model" = ? Charles Nicholson (English flute player, d. 1837)

[Advertisement], Colonial Times (15 March 1845), 2

http://nla.gov.au/nla.news-article8756346 

SUPPLEMENTARY REPORT OF THE CHORAL SOCIETY . . .
LIST OF OFFICE-BEARERS. President - The Right Rev. Francis Russell Nixon, D.D., Lord Bishop of Tasmania.
Vice-Presidents - Rev. W. Bedford, D.D., and J. Hone, Esq.
Treasurer - Mr. John Marshall.
Secretary - Mr. John C. Hall.
Director - Mr. Richard Curtis.
Conductor - Mr. A. P. Duly.
Leader - Mons. Gautrot.
Librarian - Mr. Henry Elliott.
Collector - Mr. William Holdship.
Auditors - Messrs. J. Hall & J. A. Thomson.
Trustees W. Watchorn & W. Carter, Esqrs.
COMMITTEE: Messrs. Creswell, Dyne, Degraves, Harbottle,
Messrs. Milward, McGregor, Reichenberg, Vautin . . .
March 15, 1845.

ASSOCIATIONS: Francis Russell Nixon (president); Joseph Hone (member); John Marshall (member); John McGregor (member); Henry Elliot (member); Benjamin Humphries Cresswell (member); Thomas Harbottle (member); James Vautin (member)

[Advertisement], The Cornwall Chronicle (15 March 1845), 3

http://nla.gov.au/nla.news-article66267948 

GRAND FAREWELL CONCERT.
THE WHOLE OF THE PRINCIPAL MUSIC OF "LA SONNAMBULA!!!"
ON TUESDAY, MARCH 18, AT "THE PRINCE OF WALES" ASSEMBLY ROOMS, Opposite the Court-House.
MR. F. HOWSON, jun., MRS. STIRLING, Mr. J. HOWSON, and Mr. G. F. Duly, beg leave most respectfully to inform the Ladies and Gentlemen of Launceston and its vicinity, that it is their intention to give a GRAND FAREWELL CONCERT, on the above evening, previous to their departure from this Colony, when they solicit their kind patronage and support.
Programme - Part I . . . SOLO, FLUTE - (Nicholson) - Mr. G. F. DULY . . .
Part II . . . SOLO, CLARINETTE - Pot Pourri - Mr. G. F. DULY . . .

MUSIC: La sonnambula (Bellini)

"THEATRE", Colonial Times (29 March 1845), 3

http://nla.gov.au/nla.news-article8756447 

On Wednesday Evening [26 March], Mr. Green, the Tight Rope Dancer, performed some clever feats in his line of business; he was much applauded. The performances, necessarily at present, confined to Vaudevilles and Farces, went off well, but to a very poor house. We cannot but notice the great improvement in the Orchestra; it was good before, it is now excellent. The admirable leading of Mons. Gautrot, and his excellent performance, greatly enhance the force and beauty of the music, which is selected with much taste, and arranged withe great skill and judgment. In addition to Mons. Gautrot, we have got back Mr. Duly, Junior, whose Flute-performances are so excellent; we have also Sergeant Rablin, with his beautiful clarionet, a serpent player, and one on the Cornet-à-Piston, an instrument which claims especial favouritism at our hands. The extract from Mozart's splendid Overture to Don Giovanni, with which we were favoured on Wednesday, was given in a style and spirit which plainly proved that every player was a proficient . . .

[Advertisement], The Tasmanian and Austral-Asiatic Review (17 April 1845), 3

http://nla.gov.au/nla.news-article233612068 

Mr. F. Howson's Grand Farewell Concert, Thursday, April 17.
MR. F. HOWSON'S GRAND FAREWELL CONCERT, Mechanics' Institute, Melville-street, THURSDAY, April 17th, 1845 . . .
previous to his positive departure for Sydney by the "Waterlily" . . .
PROGRAMME: PART FIRST. Overture, "Don Giovanni," Mozart . . .
Ballad, "Welcome, rosy May," Mrs. Stirling (with Flute Obligato) Mr. G. F. Duly - G. Linley . . .
Solo, Flute, Mr. G. F. Duly . . .
PART SECOND. Overture, "Don Pasquale" (2nd time in this colony) - Donizetti . . .
Violins- Mr. Gautrot, Mr. Leffler, Mr. H. Howson, Mr. Russell, Mr. Singer.
Tenors - Mr. Reichenberg, Mr. Duly, sen.
Violoncellos - Mr. F. Howson, Mr. --
Contra Basso - Mr. Pyecroft.
Flute - Mr. G. F. Duly.
Clarinette- Mr. Rablin.
Horns - Mr. -- Mr. --
Basse - Mr. -- Mr. --
Leaders - M. Gautrot, Mr. H. Howson, and Mr. Leffler.
Conductor and Pianist - Mr. J. Howson . . .

See also review, "MR. F. HOWSON'S CONCERT", Colonial Times (19 April 1845), 3

http://nla.gov.au/nla.news-article8756562 

We regret to state that the attendance at this Concert was not numerous; and more than one contra temps took place. There was no "Violin Solo," as Mons. Gautrot did not perform, and the Trio set down for the Finale of Part 1st, was omitted, being replaced by "Mighty Jove." The performances were excellent, both vocal and instrumental, and Mesdames Stirling and Gautrot were never in finer voice . . .

MUSIC: Welcome rosy May (Linley)

[Advertisement], Colonial Times (13 May 1845), 1

http://nla.gov.au/nla.news-article8756757

ROYAL VICTORIA THEATRE . . . UNDER THE PATRONAGE OF THE MERCHANTS OF HOBART TOWN . . .
WEDNESDAY, MAY 14 . . . The whole to conclude with the admired Musical Romance, in Two Acts, entitled
KATE KEARNEY; OR, THE FAIRY OF THE LAKES.
Mr. Cornelius Lynch (a rich magistrate), Mr. Jordan.
Lanty O'Loughlin (a farmer) - Mr. Arabin.
Ned Ryan (a forester) - Mr. Falchon.
McDermot (landlord of the Punchbowl), Mr. Stubbs.
Peasant - Mr. Hill.
Filadanne (Fairy of the Lakes) - Mrs. Stirling.
Kate Kearney - Mrs. Clarke.
Rose Kearney - Miss Paget.
In the course of the Piece, the Original Songs and Choruses, as follows.
The Fairies Chorus - Mrs. Stirling and Fairies.
"Fairy sprites and elves of glee" - Mrs. Clarke.
Chorus - "While streamlets flow," &c. - Mrs. Stirling, &c.
Song - "In my own sweet native vale" - Mrs. Clarke.
Song - "Meeting of the waters" - Mrs. Clarke.
Song - "Kate Kearney" - Mrs. Clarke.
Chorus - "Oh! what joyous sounds."
Finale and Irish Jig to Act I.
"Oh! let persuasion reach thy heart" - Mrs. Clarke.
Chorus - "Fly not yet"
"Paddy O'Rafferty" - Mr. Falchon.
Finale - "The young May moon is beaming" - Mrs. Clarke and Company.
LEADERS OF THE ORCHESTRA - M. GAUTROT, and Mr. H. Howson, assisted by the first musical talent in the colony.
Stage Manager - Mr. G. Arabin . . .

ASSOCIATIONS: Gustavus Arabin (actor, manager); Richard Jordan (actor); Miss Paget (actor)

MUSIC: Kate Kearney; or, The fairy of the lakes (music by Alexander Lee); including In my own sweet native vale (Lee); Kate Kearney (Lee)

"The Theatre", Colonial Times (17 May 1845), 3

http://nla.gov.au/nla.news-article8756787

. . . The musical afterpiece of Kate Kearney, went off with much melody and eclat. We may mention that the music was arranged with great care and skill by Mr. G. F. Duly, and was well sang and performed . . .

[Advertisement], Colonial Times (20 May 1845), 1

http://nla.gov.au/nla.news-article8756812 

Notice. IF MR. G. F. DULY, Jun., does not fetch away the Flute left in my possession about twelve months ago, and pay the amount due to me, it will be sold by public auction in fourteen days after this date.
J. ROBE. May 16, 1845.

PAY-LIST of the 51st or King's Own Regiment of Light Infantry, from the 1st of April to the 30th of June 1845 (Australian Joint Copying Project, from Records of the UK War Office)

https://nla.gov.au/nla.obj-1651357758 

1234 / Duly, Abraham Philip / [Sergeant] / Band Master / Discharged free 31 May . . .
337 / Rablin, John / [Sergeant] / Band Master

"THE THEATRE", Colonial Times (21 June 1845), 3

http://nla.gov.au/nla.news-article8756868

It will be seen by our advertising columns, that the late Veteran Band Master of the 51st Regiment, Mr. Duly, sen., takes a Benefit on Monday evening next, with a variety of attractive entertainments. Having resigned his appointment of Band Master, Mr. Duly now very properly comes forward to obtain, what he so highly merits, the patronage of a public whom he has so delighted with his musical performances. Mr. Duly, too, we understand, has afforded no inconsiderable assistance towards the erection of St. Mary's Church, and, sure we are, that a community such as ours, always ready to reward merit, will promptly patronise what we may almost designate an old, and, certainly, a most worthy public servant. We wish him success with all our hearts . . .

[Advertisement], Colonial Times (21 June 1845), 2 (image above)

http://nla.gov.au/nla.news-article8756870 

ROYAL VICTORIA THEATRE, CAMPBELL-STREET. Under Distinguished Patronage.
MR. A. P. DULY'S FIRST BENEFIT. Late Band Master of the 51st K. O. L. I.
MRS. THOMSON, Miss E. THOMSOM, and MRS. STIRLING'S last appearance previous to their departure.
MR. DULY begs most respectfully to inform his Friends, the Inhabitants of Hobart Town and its vicinity, that, owing to the advice of several respectable parties, he has been induced to take a BENEFIT at the above Theatre, and trusts that he is sufficiently known to ensure him a share of their kind patronage and support.
In addition to other attractions, by consent of Colonel Elliott,
the BAND of the 51st will be present and perform favourite airs during the Evening of
MONDAY, June 23,1845, when will he produced, for the first time in this colony, a Drama of great interest, written by T. J. Searle, Esq., entitled The Parole of Honour . . .
After which, Song - Mrs. Clarke
Solo (Clarionette) - Mr. G. F. Duly.
Song - "Happy Land" (by desire) - Mrs. Stirling
Dance - Irish Jig - Miss E. Thomson.
Solo (Violin) - Monsieur Gautrot.
The whole to conclude with the amusing Farce, called LAW AND LIONS . . .

ASSOCIATIONS: Martha and Eliza Thomson (mother and duaghter; actor and dancer);

[Advertisement], The Observer (1 July 1845), 1

http://nla.gov.au/nla.news-article62134924 

GRAND CONCERT, (By the kind Permission of the Committee)
AT THE MECHANIC'S INSTITUTE On TUESDAY, 1st JULY, 1845.
MONSIEUR GAUTROT . . . The following Ladies and Gentlemen have kindly tendered their valuable assistance: -
Mrs. Clarke, Mrs. Stirling, Mrs. Curtis, Mr. Reichenberg, Mr. K--, (Amateur), Mr. A-- (Amateur), Mr. H. Howson, Mr. Duly, Mr. Singer, Mr. G. Duly, Mr. Pyecroft, Mr. Rablin.
PROGRAMME. PART I. OVERTURE - Rossini . . .
AIR FRANCAIS - Grande Scene, imitation d'un Oiseau, Concertant avec la Flute - MADAME GAUTROT & G. DULY . . .
ORCHESTRA. 1st Violin, Mr. H. Howson . . . Tenor - Mr. Reichenberg, Mr. Duly . . .
Flute, Mr. G. Duly. Clarinet, Mr. Rablin . . . Mrs. Curtis will preside at the Piano.
LEADER - MONSIEUR GAUTROT . . .

ASSOCIATIONS: Concert postponed from 24 June

"TO THE EDITOR OF THE COURIER", The Courier (12 July 1845), 3

http://nla.gov.au/nla.news-article2947968 

SIR, - I beg the favour of your inserting this article in your widely circulated journal. I feel bound to explain the failure of my last concert . . . six weeks before the concert took place I had engaged the assistance of those who waited the last moment to disappoint me. I depended upon them, having, as well as Madame Gautrot, made it a rule to assist a brother artist without receiving any emolument. We have both performed solos at the concerts and benefits given by Messrs. F. and J. Howson, Mrs. Clarke, Mrs. Stirling, Mr. Duly, sen., gratis. The evening preceding the concert one performer tells me he cannot play without pay; another tells me he is too poor (meaning he must be paid;) one of the amateurs had a sudden cold; another was suddenly obliged to leave town; and another had devoted himself to Bacchus . . . I beg to return my grateful thanks to the company who so kindly honoured me with their patronage . . . I also have to thank Mrs. Clarke for her complaisance in singing so many of her best songs . . . I am beholden to Messrs. Reichenberg, Rablin, Duly, sen., and the performer of the solo on the Piston, also to Mr. -, the amateur player on the Bass; last, but not least, I offer my best thanks to Mrs. Curtis for her excellent accompaniment . . .
M. GAUTROT.

"OPENING OF THE SYNAGOGUE IN ARGYLE STREET", The Observer (8 July 1845), 3

http://nla.gov.au/nla.news-article62134999 

THE beautiful little building in Argyle-street devoted to religious service by the scattered remnant of Israel in this town, was opened according to announcement, on Friday last [4 July] . . .
The afternoon and evening services then proceeded, in which latter the choir sang two pieces without the aid of the instrumental band. The reader was Mr. H. Jones, the leader of the choir, Mr. M. Simeon; the band was led most ably by Mr. Reichenberg, and included Messrs. Duly, Curtis, Gautrot, Singer, &c. The consecration service was arranged chiefly by Mr. P. Moss, by whom the original prayers, we understand, were composed; their translation into Hebrew being done with the assistance of two Members of the Committee . . .

ASSOCIATIONS: Michael Simeon (choir leader); Henry Jones (reader); John Singer (violinist)

"SOIREE MUSICALE", The Courier (2 August 1845), 3

http://nla.gov.au/nla.news-article2947804 

"This is the only Concert I have attended in the colony" - such was the almost general exclamation during and after this entertainment on Thursday evening last [31 July]. For ourselves we must echo the same words, and join in the general feeling of gratification that they are intended to convey. The greatest care and attention in both departments, vocal and instrumental, pervaded the whole performance. The vocal department embraced only four performers, Madame Gautrot, Mrs. Hill, Mr. Packer and Mr. Duly; but the selections were so chaste and pleasing, so nell arranged, and withal so extremely well executed, that the ear as well as the mind were kept in one constant source of delight. And here it is our duty to notice the debut of Mr. Packer, of whom we were led to expect something of a high order, and which was amply verified . . . We have not further space at present to enlarge on the performances, but trust the success of his first attempt will induce Mr. Russell to repeat these soiree musicales.

ASSOCIATIONS: Charles Sandys Packer (musician)

"SOIREE MUSICALE AT NEW NORFOLK", The Courier (17 September 1845), 2

http://nla.gov.au/nla.news-article2947383 

Monsieur and Madame Gautrot, assisted by Mr. Duly, intend giving an entertainment of the above description at New Norfolk, on Friday evening next. For particulars we refer to programme.

[Advertisement], The Courier (17 September 1845), 3

http://nla.gov.au/nla.news-article2947376 

Soiree Musicale, New Norfolk.
MONSIEUR, MADAME GAUTROT, & MR. DULY have the honour to announce that a
SOIREE MUSICALE will take place at the POLICE OFFICE, NEW NORFOLK, (by permission,) on
FRIDAY next, the 19th day of September, at Half-past Seven in the Evening precisely.
PROGRAMME. First Part.
Duetto, Piano and Violin - Meyerbeer.
Italian Aria - Rossini.
Song - Laver.
Grand Solo, Violin - Gautrot.
"Love on," Ballad - Jn. Blockley.
Solo, Flute - Duly.
Duetto Comique - Boildieu.
Second Part.
Duetto, Norma - Bellini.
Solo, Violin for one string - Gautrot.
La Biondina in Gondoletta - F. Paer.
Solo, Flute - Mr. Duly.
"My fondest, my fairest" - Bishop.
Trio Comique - Cherubini.
Tickets price 5s. each, and half-price for Children, 2s. 6d.
Tickets to be had of Mr. Baker, "Bush Hotel;" Mr. Martin, "Star & Garter" and of Mr. Barton, "Union Inn."

"THE 51ST REGIMENT", Colonial Times (23 September 1845), 3

http://nla.gov.au/nla.news-article8757371 

This fine corps is mustering strongly at head quarters, preparatory to its embarkation for India in January next, and frequent parades will take place in the Domain in the meantime. On Friday last the soldiers in garrison, amounting to eight companies, were exercised under the surveillance of Major St. Maur, a clever officer, who appears to take, as a good officer should, great pains with his men. After executing a variety of manoeuvres, the regiment marched to the barracks, preceded by its fine band, now under the able mastership of Mr. Rablin, the talented successor of Mr. Duly. We were in error when we formerly mentioned that Mr. Rablin was a pupil of Mr. Duly: his preceptor was Mr. Williams, well known amongst military men as a very talented musician, and truly his pupil does him infinite credit. Many persons, especially with children, are deterred from walking in the Domain for fear of molestation by wild cattle. Their fears, however, may be allayed, as arrangements have been made to prevent a continuance of that dangerous nuisance; and we can assure them much gratification from a visit while the soldiers are exercising, no loss from the beautiful performances of the band, than the manoeuvring of the regiment.

[Advertisement], Colonial Times (21 October 1845), 1

http://nla.gov.au/nla.news-article8757522 

ROYAL VICTORIA THEATRE, CAMPBELL-STREET.
THURSDAY, OCTOBER 23, 1845: Second Night of the New Season . . .
To be followed by the COMIC SCOTCH BALLET (produced under the direction of Mr. YOUNG -
the Music selected and arranged for the orchestra by Mr. G. F. DULY,) entitled
THE MAID OF PERTH; Or, THE RIVAL LOVERS . . .

[Advertisement], Colonial Times (7 July 1846), 1

http://nla.gov.au/nla.news-article8758917 

ROYAL VICTORIA THEATRE, CAMPBELL-STREET. WEDNESDAY, JULY 8, 1846.
BY DESIRE, AND UNDER THE DISTINGUISHED PATRONAGE OF THE Merchants of Hobart Town.
MRS. CLARKE begs most respectfully to announce to her Friends and the Public generally, that the Evening's Entertainments will commence with the favorite Historical Drama, entitled
CHARLES XII; OR, THE SIEGE OF STRALSUND . . .
The Interlude will consist of . . . SONG, "The Mocking Bird" (Flute Obligato, Mr. G. F. Duly), MRS. CLARKE . . .

"ODD FELLOWS", The Observer (27 January 1846), 3

http://nla.gov.au/nla.news-article62136847 

On Thursday last [22 January] the brothers of the Tasmanian Primitive Independent Order of Odd Fellows invited Captain Brooks, of the American whaler Harvest, to partake of a Farewell Supper at Mr. Levy's (the "Caledonian") . . . On the cloth being removed the usual toasts were given, and the health of Captain Brooks being given with the usual honours, that gentleman returned thanks . . . if any brother from this land should by chance visit America, he would be received with open arms and a warm heart. Messrs. Leffler and Duly presided at the Piano Forte during the evening, and several glees and chorusses were performed with skill and taste by the company . . . The evening passed over with great harmony.

"CONCERT", Colonial Times (6 February 1846), 3

http://nla.gov.au/nla.news-article8758084 

A miscellaneous concert, "in aid of the funds of the Choral Society," was given last evening in the hall of the Mechanics' Institute; but, owing to the shortness of the notice, the hall was not so crowded as we should have liked to have seen it; nevertheless, there was a very genteel audience, the fair sex sweetly predominating. In the orchestra were the "old familiar faces," both vocal and instrumental. Monsieur Gautrot - considerably recovered from his late severe indisposition - presided, and played with great spirit and effect. We had also Messrs. Curtis - an enthusiast of the highest note - Duly, Leffler, Reichenberg, Marshall - a flue flutist - Singer, and others, whose names we do not know, but who in the aggregate constituted, we should rather say composed, a very effective and tasteful orchestra, Mrs. Elliott presiding at the piano, and playing and singing in the most delightful manner possible . . . We have no room further to particularise, but we must award our most unqualified praise to both the intention and the performance of these soirees musicale. We are pleased also to find that the Choral Society - a Society which has our warmest wishes for its success - entertains a partiality for good old English music, not omitting those charming compositions, glees. In their future announcements, we would recommend the Committee to notify the names of the several composers, a matter of some moment to the uninitiated. In conclusion, we must say that the concert, although short, was a great treat, and that as far as we could observe, it was eminently successful.

[2 advertisements], Colonial Times (19 June 1846), 1

http://nla.gov.au/nla.news-article8758860

HOBART TOWN CHORAL SOCIETY'S MUSIC SCHOOL.
MR. DULY will be prepared to receive Pupils for instruction in the various branches of Music, at No. 8, Macquarie-street, corner of Argyle-street, between the hours of 1 and 3 o'clock, on Mondays and Thursdays. In consequence of having been under the necessity of renting a room for the purpose of Tuition, the Terms for each pupil will be increased to 15s. per quarter.
J. L LIVINGSTON, Secretary. June 19, 1846.

HOBART TOWN CHORAL SOCIETY.
THE Hobart Town Choral Society's Ninth Oratorio will take place on Tuesday Evening, the 7th July next, in the Hall of the Mechanics' Institute, Melville-street.
J. L. LIVINGSTON, Secretary. June 2, 1846.

[Advertisement], Colonial Times (7 July 1846), 1

http://nla.gov.au/nla.news-article8758917 

ROYAL VICTORIA THEATRE. CAMPBELL-STREET. WEDNESDAY, JULY 8, 1846 . . .
The Interlude will consist of . . . SONG "The Mocking Bird" (Flute Obligato, Mr. G. F. Duly), MRS. CLARKE . . .

[Advertisement], Colonial Times (14 July 1846), 1

http://nla.gov.au/nla.news-article8758942 

ROYAL VICTORIA THEATRE. CAMPBELL-STREET. WEDNESDAY, JULY 15, 1846.
MRS. CLARKE begs respectfully to inform the Public, that the Evening's Entertainments will commence with
(positively for the last time this season) the Drama of OBI; OR, THREE-FINGERED JACK . . .
[in Act I, Scene 2] New Song, "Love a child", Kitty [Mrs. CLARKE], composed and arranged by Mr. G. F. Duly . . .
Stage Manager, MR. ROGERS. Acting Manager, MR. LEE. Scene Painter, MR. DURR. Leader, MR. H. HOWSON . . .

ASSOCIATIONS: John Herman Selwyn Lee (actor, manager)

27 July 1846, Royal Victoria Theatre, Hobart, first performance of Conrad the corsair, with new music by George Frederick Duly

"THE THEATRE", Colonial Times (24 July 1846), 3

http://nla.gov.au/nla.news-article8758987 

. . . On Monday, it will be seen, Mrs. Clarke takes her Benefit, with a novel attraction here, namely, a new Opera, founded on the Corsair of Lord Byron, the music of which is entirely composed by Mr. G. F. Duly; he has grappled with an arduous task, and we shall see how he has performed it; as far as report goes, we hear a most promising account of the music. The Band of the 51st Regiment will attend, "for the last time previous to their departure for India." Mournful words, these, applied to old acquaintances, but there must be an end to all things, and this "end," as regards the stay of the 51st amongst us, is now quickly approaching. The entertainments selected by Mrs. Clarke promise well, Miss Clarke having two dances allotted to her, one in the Opera, the other in the Interlude. Sincerely is it to be wished that the enterprising lessee will meet with that patronage which her exertions and her abilities, to say nothing of her unwearied perseverance, so deservedly merit.

[Advertisement], Colonial Times (24 July 1846), 1 (detail image above)

http://nla.gov.au/nla.news-article8758992

ROYAL VICTORIA THEATRE. MONDAY, JULY 27, 1846.
FIRST NIGHT OF A NEW OPERA, ENTITLED Conrad the Corsair. Mrs. Clarke's BENEFIT
MRS. CLARKE has the honor to announce to her Friends and the Public, that her
BENEFIT will take place on the above Evening, on which occasion she respectfully solicits their support and patronage;
and on which occasion, by the kind permission of COLONEL ELLIOTT, the excellent BAND OF THE 51st K.O.L.I. will be present (for the last time at this Theatre) previous to their departure for India.
The Evening's Entertainments will commence with (for the first time in the Colony) the celebrated Opera, entitled
CONRAD THE CORSAIR; OR, THE PACHA'S BRIDAL (The whole of the Music composed by Mr. G. F. Duly.)

GREEKS.
Conrad (the Corsair) - MRS. CLARKE
Giuseppe (second Lieutenant) - MR. TURNER
Epaminondas (a Captive) - MR. ROGERS.
Anselmo (the Corsair's Lieutenant) - MR. KENNY
Medora (Conrad's Wife) - MRS. THOMSON
ZOE (her Attendant) - MRS. WATSON.
TURKS.
The Pacha Seyd - MR. STUBBS.
Gulnare (a favorite Slave of the Pacha's) - MRS. ROGERS.
Ismael. - MR. AUSTIN.
Omrod (Chief Eunuch) - MR. LEE.
Zelica - MISS CLARKE.
Dudu - MISS E. THOMSON.

In the course of the Opera, the following Songs, &c., &c.:

ACT I.
Opening Solo and Chorus - "Come drain the bowl" - EPAMINONDAS and PIRATES
Song and Chorus - "Up, up my sturdy men" - CONRAD, &c.
Air - "Oh! Greece, beloved Greece!" - CONRAD.
Song - "There's a spell that doth bind thee" - CONRAD.
Finale and Chorus to the First Act.

ACT II.
Song - "My childhood's happy home" - GULNARE.
Air - "I've watch'd with thee" - GULNARE.
Duet - GULNARE and CONRAD.
Finale and Chorus to the Second Act.

ACT III.
Barcarole - - CONRAD.
Song - "Come hither my young Gazelle" - CONRAD.
Finale - GULNARE.

The Chorusses will be supported by several Amateurs, who have kindly proffered their assistance.
During the Piece, a new Greek Dance - Miss Clarke (Arranged from Julien's Bohemian Polka) . . .

ASSOCIATIONS: Mr. Austin (actor); James Richard Kenney (actor); Anne Clarke junior (dancer);
and see also, [Advertisement], The Courier (25 July 1846), 3

http://nla.gov.au/nla.news-article2945166

"THE THEATRE", Colonial Times (28 July 1846), 3

http://nla.gov.au/nla.news-article8759010

As we hoped and anticipated, the public liberally responded to Mrs. Clarke's announcement, and favoured her with a bumper house last night; we have not, for a considerable period, witnessed so genteel an audience, comprising, as it did, the most respectable of our citizens and their families. Of Benefit performances it is not customary, nor perhaps is it meet to speak critically; but with all reasonable allowances for the first performance of a new Opera, with original Music, the Corsair was successful. Of this music, the composition, and a very short notice, of Mr. Duly, jun., it can only for the present be said, that it exhibits considerable talent, taste, and elaboration, highly creditable to so young an author, and giving promise of better things to come; Mr. Duly, very judiciously, has not at tempted an Overture, perhaps, because he had not time to compose one; be this as it may, he has acted wisely in the omission. As the Corsair will doubtless be again produced, we shall reserve any detailed remarks upon both the music and the acting until the next representation. On the present occasion, aided by splendid dresses and beautiful scenery, the performance was highly attractive, the actors, male and female, exerting themselves most success, fully, Mrs. Clarke as Conrad more especially, and the amount of "business" which fell to her share was most extensive. In the Interlude Miss Clarke danced a Polish Dance, arranged from the Polka, which has been frequently performed of late; she danced it gracefully, but a little more bustle, vivacity, and rompishness would add to the peculiar character of the performance. Miss Thomson danced a very pretty Medley Pas Seul, the first part consisting of a wreath dance, the latter of a variety of quick movements; both the young ladies were respectively loudly applauded. On Thursday Stubbs takes a Benefit, under the Patronage of the Licensed Victuallers of the city . . .

[Advertisement], Colonial Times (31 July 1846), 1

http://nla.gov.au/nla.news-article8759035

MR. LEE'S BENEFIT, ON WHICH OCCASION HIS WONDERFUL DOGS "BRUIN" AND "SCHWARTZ" WILL APPEAR (Positively for this Night only) MONDAY, AUGUST 3, 1840 . . .
SONG - "My childhood's happy home" (From the opera of Conrad the Corsair, composed by Mr. G. F. Duly.) - Mrs. ROGERS . . .

[Advertisement], Colonial Times (11 August 1846), 1

http://nla.gov.au/nla.news-article8759074 

[ADVERISEMENT] To the Editor of . . . Mr. Duly is bona fide a member of Mrs. Clarke's Company, and she infringes no rule in bringing him upon the Stage . . .

ASSOCIATIONS: This was a public letter from the stage-manager, George Herbert Rogers, in response to a complaint from Martha Thomson (actor); he is here certifying that George Duly was a salaried member of Clarke's company and not an amateur

"JUVENILE FETE", The Courier (15 August 1846), 3

http://nla.gov.au/nla.news-article2945094 

On Wednesday evening last, the Music Hall, Collins-street, was tolerably well filled with a host of juvenile parties, to witness a medley entertainment, commencing with instrumental and vocal performances. The overture comprised several well-known and popular airs, and was succeeded by "The London Cries," a glee performed by Messrs. Duly, Allen, and Pyecroft, in which Mr. Allen came nearest in character to the peripatetic venders of "milk" and other commodities. A medley solo for the flute, by Mr. G. F. Duly, was well played. The ballad of "May Queen" was a failure on the part of Allen, who took a part in the "Cats in the Cupboard" glee with better effect, but Duly and the amateur cat were ineffective in their "squalls;" however, the youthful portion of the audience were much delighted. The quartette of "Little Jack Horner" was sung in a corner, thereby losing much of its effect . . .

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (22 August 1846), 646

http://nla.gov.au/nla.news-article65943793 

THEATRE ROYAL OLYMPIC. MONDAY, 24th August, 1846.
MRS. CLARKE IN re-opening the above Theatre, begs respectfully to inform the Ladies and Gentlemen of Launceston, and its Vicinity, that she has spared no expense to render it worthy of their patronage and support.
The house has been RE-DECORATED AND THE STAGE SUPPLIED WITH ENTIRELY NEW SCENERY, By Mr. Duke, whose valuable services have been engaged for the purpose.
The present Company will consist of Mrs. Clarke, Mr. and Mrs. Rogers, Mr. Lee, Mr. and Mrs. Stubbs, Mr. Austin, Mr. Kenny, and Mr. Duly; and engagements have been made with professionals in the neighbouring colonies, whose arrival may be expected in the course of the season - with a good and efficient Orchestra . . .

ASSOCIATIONS: William Charles Duke (scenic artist)

"THE THEATRE", The Cornwall Chronicle (5 September 1846), 681

http://nla.gov.au/nla.news-article65943091 

We have already stated that Mrs. Clarke had excellent houses on Monday and Tuesday. The notice for Wednesday was too sudden and insufficient; and the company last night was rather select than numerous. The performances went off well, however - the music unexceptionable, and the newly-painted scenery displayed to great advantage. The excellence of the orchestra is now almost the first thing that strikes one at the Olympic, and the new fine-toned piano-forte (at which Mr. Duly presides with so much ability) in addition to Mr. Leffler's talented violin playing, render the musical arrangements highly satisfactory . . .

See also [Advertisement], The Cornwall Chronicle (5 September 1846), 684

http://nla.gov.au/nla.news-article65943092 

[Advertisement], The Cornwall Chronicle (23 September 1846), 734

http://nla.gov.au/nla.news-article65942584 

OLYMPIC THEATRE . . . UNDER THE DISTINGUISHED PATRONAGE OF THE BACHELORS OF LAUNCESTON,
FRIDAY, SEPTEMBER 25. MRS. CLARKE begs respectfully to announce to the ladies and gentlemen of Launceston and its vicinity,
that on the above evening, will be produced the admired Comedy of a ROLAND FOR AN OLIVER . . . To be immediately followed by . . .
SONG, "MY CHILDHOOD'S HAPPY HOME" (from Mr. G. F. Duly's Opera of the Corsair) Mrs. ROGERS . . .

26 October 1846, second performance of Conrad the Corsair, Launceston:

"THE THEATRE", The Cornwall Chronicle (24 October 1846), 821

http://nla.gov.au/nla.news-article65941895 

. . . The respectable lessee herself takes the first benefit, an attractive programme of performances for which will be found in our advertising columns. Among other novelties will be presented a new Opera, by Mr. George Duly, called "Conrad the Corsair," which was received with much applause at Hobart Town. The lovers of good music, and those who are disposed to encourage "Colonial" talent, will endeavour to attend on this occasion, and mark by their patronage their sense of Mrs. Clark's excellent arrangements during the season.

[Advertisement], The Cornwall Chronicle (24 October 1846), 826

http://nla.gov.au/nla.news-article65941900 

OLYMPIC THEATRE. During the remainder of the Season, the NIGHTS of PERFORMANCE will be MONDAY AND THURSDAY, In each Week
Monday, Oct. 26th, 1846. FIRST NIGHT OF A NEW OPERA, ENTITLED CONRAD THE CORSAIR. MRS. CLARKE'S BENEFIT.
Mrs. Clarke has the honor to announce to her Friends and the Public, that her Benefit will take place on the above Evening, on which occasion the respectfully solicits their support and patronage:
The Evening's entertainments will commence with (for the first time here), a New Opera, which was so successful on its first representation in Hobart town, entitled
CONRAD THE CORSAIR; OR, THE PACHA'S BRIDAL. (The whole of the Music composed by Mr. G. F. Duly.)

GREEKS.
Conrad (the Corsair) - Mrs. CLARKE
Epaminondas (a Captive) - Mr. ROGERS
Anselmo (the Corsair's Lieutenant - MR. KENNY.
Giuseppe (second Lieutenant) - MR. GOOCH
Medora (Conrad's Wife) - Mrs. OLIFFE
Zoe (her Attendant) - Mrs. STUBBS
TURKS.
The Pacha Seyd - Mr. STUBBS
Ishmael - Mr. AUSTIN
Omrad (Chief Eunuch) - Mr. LEE
Gulnare (a favorite Slave of the Pacha's) - Mrs. ROGERS
Zelica - Miss CLARKE.

In the course of the Opera, the following Songs, &c., &c.

ACT I.
Opening Solo and Chorus "Come drain the bowl" - EPAMINONDAS & PIRATES.
Song and Chorus - "Up, up my sturdy men!" Conrad &c.
Air - "Oh ! Greece, beloved Greece!" CONRAD.
Song, "There's a spell that doth bind thee" Conrad
Finale and Chorus to the First Act.

ACT II.
Song, "My childhood's happy home" . . Gulnare.
Air - "I've watch'd with thee" . . Gulnare.
DUET - GULNARE and CONRAD.
Finale and Chorus to the Second Act.,

ACT III.
Barcarole - Conrad.
Song, "Come hither my young Gazelle", CONRAD.
FlNALE - GULNARE.

The Chorusses will be supported by several Amateurs, who have kindly proffered their assistance.
DURING THE PIECE, A NEW GREEK DANCE, MISS CLARKE . . .

ASSOCIATIONS: George Gooch (actor); Harriet Oliffe (actor, vocalist)

"OLYMPIC THEATRE. COMMENCEMENT OF THE BENEFITS", The Cornwall Chronicle (28 October 1846), 831

http://nla.gov.au/nla.news-article65943897

Mrs. Clarke took her Benefit on Monday - her patrons on the occasion were by no means scarce. The evening's entertainments commenced with the new Opera, entitled "Conrad the Corsair, or the Pacha's Bridal," the music composed by Mr. G. F. Duly. We understand the piece was produced at the Hobart Town Theatre with much éclat, and the Launceston lovers of the "divine art" were on Monday, "favored" with a musical variety, which would bear the test of criticism. The young author presided at the piano, and the felicitous invention displayed, was as creditable as that Artiste's dashing and brilliant execution. Making allowance for the want of stage-room, and other disadvantages, we should say the Opera was entirely successful. Mrs. Clarke played the part of "Conrad" (the Corsair) with a good deal of vigour, and Mrs. Oliffe as "Medora" (the wife) justified the good opinion already entertained of that accomplished actress's talents. The character of "Omrad" (chief Eunuch) gave Mr. Lee the opportunity of making a hit in his usually humourous style. The observant well-wishers of Lee cannot but be gratified at his steady and effective discharge of theatrical duty, and forming (we may be permitted to say) a pleasing contrast to the almost forgotten "days of yore." We wish him all the success and distinction which the "altered times" shew him to be fully entitled to. Some of the songs were sung with more than ordinary ability and elicited much deserved applause. Of these we may mention Mrs. Clarke's "Greece, beloved Greece!" and Mrs. Rogers's "My Childhood's Happy Home," both of which were executed in a pathetic and creditable style. In the course of the piece, Miss Clarke danced in a masterly way, a very difficult new "Greek Dance." The other entertainments were exceedingly good, and we hope the night proved a good "benefit" to Mrs. Clarke, who deserves, as we hope she will at all times receive, the sympathy and patronage of a Launceston audience.

[Advertisement], The Cornwall Chronicle (7 November 1846), 865

http://nla.gov.au/nla.news-article65942815 

OLYMPIC THEATRE . . . FOR THE BENEFIT OF MRS. ROGERS. Monday, 9th November.
First Night of an entirely New Balled, called LA SONNAMBULA . . . Music selected and adapted by Mr. G. F. DULY
From Bellini's celebrated Opera of LA SONNAMBULA . . .
In the course of the Ballet,
PAS DE DEUX - TAKE NOW THIS RING - AMINA & ELVINO.
PAS SEUL - NINETTA.
PAS DE TROIS - AMINA, NINETTA, & ELVINO.
Finale - "Do not Mingle" - By the Characters . . .

"MRS. ROGERS' BENEFIT", The Cornwall Chronicle (7 November 1846), 861

http://nla.gov.au/nla.news-article65942808 

This talented actress solicits the suffrages of the Launceston public on Monday evening, when the many who have delightedly listened to her "Sweet warblings" will have an opportunity of testifying their sense of her merits. Mrs. Rogers' abilities as an actress and a songstress, require no encomiums from us . . . Besides the interesting Melo-drama and laughable after-piece, we observe in the programme an entirely "New Ballet," the music adapted from "La Somnambula," by Mr. Duly. A "Pas de Deux" - "Pas de Trois," and appropriate scenery, painted expressly for the occasion.

"MR. DULY'S BENEFIT", The Cornwall Chronicle (11 November 1846), 871

http://nla.gov.au/nla.news-article65943725 

We have the pleasure to call attention to the musical director's benefit fixed for tomorrow evening, when an attempt will be made to afford an unusual treat to the patrons of the Drama. "Fra Diavolo" was played in London with great success for many nights, and will, we expect, merit a crowded house to-morrow to witness its production, for the first time at the "Olympic." Two new actors are to make their first appearance on "this stage" - Mr. J. Chambers from the Royal Victoria Theatre, Sydney, and Master Chambers (eight years of age), who are said to be accomplished dancers. Those who appreciate the distinguished talent of Mr. Duly as a musician, will be anxious to patronise his benefit: the merchants of the town have, already, kindly promised their support.

[Advertisement], The Cornwall Chronicle (11 November 1846), 874 (image above)

http://nla.gov.au/nla.news-article65943718 

OLYPMIC THEATRE. UNDER THE DISTINGUISHED PATRONAGE OF THE MERCHANTS OF LAUNCESTON.
FOR THE BENEFIT OF MR. G. F. DULY, MUSICAL DIRECTOR, Thursday, 12th November.
FIRST APPEARANCE OF MR. J. CHAMBERS, FROM THE ROYAL VICTORIA THEATRE, SYDNEY, AND MASTER CHAMBERS, Eight Years of Age.
MR. DULY has the honor to announce to the ladies and gentlemen of Launceston and its vicinity, that his Benefit is fixed for the above Evening, on which occasion he solicits their patronage.
The Evening's Entertainments will commence with, for the first time at this Theatre, a Romantic Opera, played at the Theatre Royal, Covent-Garden, with great great success, 100 nights, entitled
FRA DIAVOLO; OR, THE INN OF TERRACINA.
Fra Diavolo, disguised at the Marquis de San Carlo - Mr. ROGERS
Lord Allcash - Mr. AUSTIN
Lorenzo - Mrs. CLARKE
Matteo - Mr. GOOCH
Beppo - Mr. LEE
Giacomo - Mr. STUBBS
1st Carbineer - Mr. KENNY
2nd Carbineer - Mr. BRAGG
Lady Allcash - Mrs. OLIFFE
Zerlina - Mrs. ROGERS
Carbineers, Villagers, &c., &c.
IN THE COURSE Of THE PIECE, THE FOLLOWING MUSIC: -
SONG - LORENZO
SONG - LADY ALLCASH.
Song, "On Yonder Rock Reclining," ZERLINA.
SONG, "O Hour of Joy," ZERLINA.
CAVATINA, "Tis To-morrow," - ZERLINA.
CONCERTED PIECE - ZERLINA, MARQUIS, AND BEPPO.
"PROUDLY AND WIDE" - FRA DIAVOLO.
CHORUS - "O HOLY VIRGIN."
SONG, "I'm Thine, I'm Thine" - LORENZO.
Finale, "with Gratitude."
TO BE IMMEDIATELY FOLLOWED BY MASTER CHAMBERS.
FLUTE SOLO, MR. G. F. DULY.
PAS SEUL, FROM THE CORSAIR, MISS CLARKE.
After which, by particular desire, the highly successful Scotch Ballet of the
MAID OF PERTH; OR, THE RIVAL LOVERS . . .
The whole to conclude with (first time at this Theatre), a laughable Farce, called IS SHE A WOMAN?
Sir George Seymour - Mr. ROGERS
Captain Charles Cleveland, his Nephew - Mr. G. F. DULY.
Honourable Hector Butler - Mrs. OLIFFE . . .

ASSOCIATIONS: Joseph Chambers senior and junior (dancers); Philip George Bragg (actor)

31 December 1846, Thomas Lowes' new year's eve ball and supper, new exchange rooms, Collins Street, Hobart

"GRAND BALL AND BANQUET. Opening of the New Exchange Rooms", The Courier (2 January 1847), 3

http://nla.gov.au/nla.news-article2972973 

Mr. T. Y. Lowes, on Thursday evening, invited his numerous friends and patrons, and their families, to a ball and supper, on the occasion of opening his new auction mart and stores, in Collins-street, the property of Louis Nathan, Esq., of Commercial House. Nearly 400 guests were present . . . Of this we may mention, en passant, Mr. G. F. Duly [sic] was conductor at the pianoforte; Mr. Howson leader, with Mr. Curtis, Mr. Piecroft, Mr. Duly, jun., and two of the band of the 96th - the one playing the cornopean, and the other the clarionet. Of the large rooms that we have noticed, two were appropriated to the votaries of Terpsichore, viz., the auction mart and the upper store. This was an admirable arrangement, for the music (the orchestra being in the gallery) served for quadrilles, gallopades, and waltzes in both rooms . . . The company began to arrive at nine, and at ten dancing commenced. It was a brilliant party, including nearly the whole of the gentlemen (with their families,) who on this side of the island have, by their commercial enterprise and public spirit, largely contributed to its prosperity. There was a gay assemblage of colonial youth and beauty. At about 12 o'clock, the band struck up the air of "Should auld acquaintance be forgot," when the party (or rather as many of them as could be accommodated at one time,) repaired to the supper room . . . The enjoyments were kept up until an early hour of the morning, and thus joyously a numerous assemblage spent the period intervening between the termination of the old year and the commencement of the new.

1847, deaths in the district of Hobart; Tasmanian Names Index; NAME_INDEXES:1187107; RGD35/1/2 no 1322

https://stors.tas.gov.au/NI/1187107 

https://stors.tas.gov.au/RGD35-1-2p130j2k (DIGITISED)

[No.] 1322 / January 27th [1847] / Mary Jane Duly / fifty four / married woman / Chronic Rheumatism . . .

"DIED", Colonial Times (5 February 1847), 3

http://nla.gov.au/nla.news-article8760017

On Wednesday, the 27th January, at her residence, Campbell-street, Mrs. Duly, wife of Mr. A. P. Duly, late Bandmaster of the 51st Regiment, aged 54.

"THE THEATRE", The Britannia and Trades' Advocate (11 February 1847), 3

http://nla.gov.au/nla.news-article226536841 

On Monday night we attended the Benefit of that enterprising lessee, Mrs. Clarke, who has, over and over again, exerted herself so much for the amusement of the public . . . By permission of Colonel Cumberland, the band of the 96th was present, and played many very beautiful airs, amongst others, "The Rose of Allandale," in a chaste and excellent style . . . The Interlude consisted of the "La Lituana" Mazourka, by Miss Clarke and Mr. Chambers, the accompaniment, arranged by Mr. G. F. Duly, being played by the Military Band. This is a very pretty dance, and its performance did great credit to the dancers . . . The amusements of the evening concluded with a Musical Fairy Burletta, in one act, by Charles Selby, entitled "The Guardian Sylph; or the Magic Rose." Rogers, as the Gamekeeper, excellent; Moonbeam, by Mrs. Clarke, beautiful; Sophia, by Mrs. Mereton, pretty; Toinette, by Mrs. Rogers, very tasteful . . .

NOTE: "La Lituana" [the Lithuanian] = the theatrical dancer Fanny Cerrito, who made her London debut in 1840; see The spectator on her own Lituana

"CONCERT", Colonial Times (2 March 1847), 3

http://nla.gov.au/nla.news-article8760158 

From our advertising columns it will be seen that the Messrs. Duly, father and son, give a grand vocal and instrumental Concert on Friday, at the Mechanics' Institute, under the distinguished patronage of his Excellency Sir W. T. Denison. We congratulate Messrs. Duly upon this high distinction, and the public also, who will thereby be gratified with a musical treat of the very finest description. The well-known taste and talent of our fellow-townsmen, their worth, with other circumstances, will no doubt attract not only a fashionable but a genteel audience, who, we feel assured will be highly gratified with the performances of the evening.

[Advertisement], The Britannia and Trades' Advocate (4 March 1847), 3 (image above)

http://nla.gov.au/nla.news-article226531374 

UNDER THE DISTINGUISHED PATRONAGE OF HIS EXCELLENCY SIR W. T. DENISON, THE LIEUTENANT-GOYERNOR.
GRAND Vocal and Instrumental CONCERT, FRIDAY, MARCH 5, 1847.
MESSRS. A. P. DULY & SON have the honor of acquainting the Ladies, Gentlemen, and Families of Hobart Town, that a "Grand Vocal and Instrumental Concert" will take place, under the distinguished patronage of His Excellency the Lieutenant-Governor, Sir W. T. Denison, on the above Evening, at the MECHANICS' INSTITUTE, upon which occasion they respectfully solicit their kind support.
PROGRAMME. PART I.
Overture - Preciosa (arranged for the orchestra by Mr. G. F. Duly) - Weber.
Glee -
Song - The Fairy - Mrs. Rogers.
Song, Comic - Wanted a Governess - Mr. Rogers.
Fantasia - Flute - Mr. G. F. Duly.
Song - The Minstrel Dream - Mr. Young.
Duetto - Mrs. Rogers and Miss Duly.
Song - The Dream of Home - Mrs. Clarke.
Song, Comic - We won't go Home till Morning; by Blockley - Mr. Rogers.
Duetto - Well, if I must speak my mind - Mrs. Clarke and Mr. Young.
Song - Why should we sigh - Miss Duly.
Duetto, Comic - Mr. and Mrs. Rogers.
Song - The Battle's over, with piston (arranged by Mr. A. P. Duly) - Mrs. Clarke.
Quadrilles - La villa real - Orchestra.
PART II.
Overture - Rossini.
Glee - Farewell to the mountain - Barnett.
Song - Some love one day; from the opera of Der Freischutz - Mrs. Rogers.
Song - The Temptations of good Saint Anthony - Mr. Young.
Trio - Instrumental - Pianoforte, Flute, Violoncello.
Song - In other days - Miss Duly.
Song, Comic - XYZ married - Mr. Rogers.
Duetto - Like Sunbeams gaily dancing - Mrs. Clarke and Mr. Young.
Polacca - With Flute obligato - Mrs. Rogers and Mr. G. F. Duly.
Song - I'm so very shy - Mrs. Clarke.
Ballad - I've watched with thee (the music composed by Mr. G. F. Duly) - Mrs. Rogers.
Quadrilles - La fille de regiment - Orchestra.
The Orchestra will consist of the following instruments:
Two first violins, two seconds, two tenors, two violoncellos, double bass;
flute, clarionette, two horns, piston, ophicleide, bassoon, and drums.
Conductor - Mr. G. F. Duly. Leaders - Messrs. Russell and Howson. Director - Mr. A. P. Duly.
Tickets Four Shillings each.
To be procured of Mr. Walch, Stationer; Mr. Lester, Ship Inn; Mr. Haines, Confectioner; Mr. Barfoot, Stationer; Mr. Thompson, Club' House; Mr. Curtis, Cumberland Arms; and of Mr. Duly.
Doors open at half-past Seven. Commence at Eight, precisely.

"MESSRS. DULY'S CONCERT", Colonial Times (9 March 1847), 3

http://nla.gov.au/nla.news-article8760205 

On Friday evening this Concert was given in the Hall of the Mechanics' Institute, to a genteel and tolerably numerous audience, which would have been increased but for the uncertain state of the weather. His Excellency was prevented from attending, but Lady Denison with a small party honored the Concert with her presence. The performances, both vocal and instrumental, were excellent, and the evening's entertainment afforded the highest satisfaction to all who were present.
We must first notice the novelty of Miss Duly's debut as a vocalist before a Tasmanian audience; this young lady, making all due allowance for the natural timidity of a first appearance in public, acquitted herself very charmingly; the songs allotted to her were well adapted to her voice, which is a soft and sweet soprano, and she sang them with great taste and feeling; with due cultivation and study Miss Duly will rise in her profession, and add to the musical honors of her talented family.
Mrs. Clarke sang with more than usual effect in "The Battle's over," with piston obligato, she was energetic and spirited, but by no means well supported by the piston, albeit the performer on that favourite instrument can play well if he pleases. The song "I am so very shy," was given with considerable archness, but it would have told better had Mrs. Clarke acted her part more archly. Messrs. Rogers and Young greatly amused the audience, the latter especially, in "The Temptations of Good St. Anthony," which was encored. Mrs. Rogers was also in good voice, and exerted herself very effectively.
Mr. G. F. Duly's flute performance was never better executed; his Fantasia, in Part I, was beautifully performed, as was also his Obligato accompaniment to Mrs. Rogers' Polacca; a pretty ballad, I've watched with thee, sang by Mrs. Rogers, and composed by Mr. G. Duly, gives good promise of excellence in that department of the musical art.
The orchestral performances were admirable, particularly the Finale, Fille du Regiment, and, taken as a whole, the Concert was every way worthy of the distinguished patronage bestowed upon it. An unlucky contre temps occurred in the abstraction, or rather the purloining, of the manuscript of the Comic Song awarded to Mr. Rogers, and entitled XYZ married. The gentleman who committed this very gentlemanly act ought never to enter a concert room again "during the term of his natural life!" So excellent was the entertainment provided by Messrs. Duly, that we hope soon to have another concert under the superintendence of these accomplished musicians.

"THE CONCERT", The Courier (10 March 1847), 2

http://nla.gov.au/nla.news-article2972471

On Friday evening last a vocal (?) and instrumental concert was given in the Hall of the Mechanics Institute, by the Messrs. Duly. A fair and respectable audience, attracted by the circumstance of His Excellency having patronised the affair, were in attendance. The Lieutenant Governor did not, however, attend. Lady Denison, accompanied by Mr. and Ms. Stanley and suite, graced the Hall by their presence during a part of the evening. Mr. G. F. Duly was the conductor; Messrs. Russell and Howson leaders; and Mr. A. P. Duly the director.
The opening overture, "La Preciosa," Weber, arranged for the occasion by Mr. G. F. Duly, was performed in a masterly manner; but the preponderance of "brazen instruments" somewhat deteriorated from the effect the overture might have produced had another clarionet been added to the strength, or another flute usurped the place of a horn. "Weel may the bootie row," was sung in a pleasing style by Mrs. Rogers and Messrs. Curtis and Duly, sen. Miss Duly made her debut upon this occasion, but in the duetto with Mrs. Rogers did not shine to advantage. The slight deficiency she exhibited, which may be in a great measure attributed to the bewilderment of her feelings upon a first appearance in public, was amply compensated by the grace, feeling, and simplicity with which she executed the sweet little song "Why should we sigh." Her voice does not possess an extensive range, nor did she sing with power and energy; yet the sweetness of her tones seemed to interest and enlist the sympathies of her hearers, who bestowed the most unequivocal tokens of the pleasure which they derived from this, her first unsupported effort; and which she may confidently reckon upon as an earnest of her future success.
Mrs. Clarke acquitted herself well, using her best exertions upon the occasion; how far successful, it would be unnecessary for us to dilate, as the extent of her musical capabilities have heretofore favourably stood the test of public opinion. In the song "I am so very shy," she exercised more than her usual "witchery," and convulsed her audience with delight. To give an extended and minute notice of the entertainment is not our present object; but we deem it incumbent to remark on the great want of propriety with which so many comic songs were interspersed in the programme. That it might be desirable to conduce to the exhilaration of the evening by the introduction of a pleasing variety, we readily grant; but that such compositions as "When a little farm we keep," and the "Temptations of Good St. Anthony," should be included in the programme of a concert, shows an utter want of consideration, and was not likely to prove satisfactory to Lady Denison, or to His Excellency, had he been present. We hope in future requisite attention will improve the selection of pieces, the performance of which may merit the name of a concert; and not, with an antipodean disregard to the higher class of musical compositions, solicit the public patronage in favour of a series of Cat-and-Fiddle Alley extravaganzas.

"The Concert", The Britannia and Trades' Advocate (18 March 1847), 3

http://nla.gov.au/nla.news-article226532932 

We unintentionally omitted to notice the Concert of Messrs. Duly and Son, and therefore must now say that with one or two exceptions, the vocal and instrumental performance passed off in a very creditable manner. Miss Duly's voice is mellow and agreeable, promising excellence in future years. Mrs. Clarke and Mrs. Rodgers were in good voice, and sang with their usual taste and well directed talent. We agree entirely with the Courier, that although clever productions of the kind, the songs of "the good Saint Anthony," and "we wont go home till morning," are not of the kind suited to a Concert. The encoring of the former was a great mistake, but some people will have all they can for their money, without the least consideration for the performers, or others. Lady Denison and Mrs. Stanley were present the quarter part of the evening, and apparently were gratified with the musical and vocal efforts to amuse. The Mechanic's Institute was nearly filled, and the returns therefore remunerative.

[Advertisement], The Cornwall Chronicle (10 April 1847), 287

http://nla.gov.au/nla.news-article65944152 

ROYAL OLYMPIC THEATRE UNDER THE DISTINGUISHED PATRONAGE OF COL. BLOOMFIELD AND THE OFFICERS OF THE 11th,
On which occasion THE ORCHESTRA Will be strengthened by the assistance of the MILITARY BAND.
MONDAY EVENING, APRIL 11 . . . THE MAZOURKA - MASTER CHAMBERS.
After which, by Desire, the successful Scotch Ballet called the
MAID OF PERTH; OR, THE RIVAL LOVERS. (The Music adapted by Mr. G. F. DULY) . . .
DANCES DURING THE BALLET: - SCOTCH PAS DE DEUX, MISS CLARKE AND MR. J. CHAMBERS.
HIGHLAND FLING - MR. J. CHAMBERS. HIGHLAND REEL, BY THE WHOLE OF THE CHARACTERS.
MILITARY DANCE, (With the Military and Platoon Exercise) BY MASTER CHAMBERS . . .

ASSOCIATIONS: Band of the 11th Regiment (military)

[Advertisement], The Cornwall Chronicle (24 April 1847), 325

http://nla.gov.au/nla.news-article65944104 

ROYAL OLYMPIC THEATRE, UNDER THE Immediate Patronage OF THE BACHELORS OF LAUNCESTON . . .
MONDAY, APRIL 26th, 1847 . . . THE NEW PAS DE DEUX, called JACK AND THE JOLLY - BY MASTER CHAMBERS AND HIS DOUBLE.
The whole to conclude with the successful Ballet of the MAID OF PERTH; Or, THE RIVAL LOVERS. (The Music adapted by Mr. G. F. Duly.) . . .

[Advertisement], The Cornwall Chronicle (15 May 1847), 3

http://nla.gov.au/nla.news-article65943125

GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC,
WILL TAKE PLACE ON THURSDAY EVENING NEXT, THE 20th INSTANT,
To commence at 8 o'clock precisely, AT THE NEW CONCERT ROOM, CORNWALL HOTEL,
ON WHICH OCCASION MISS DULY (who made so successful a debut in the last Concert given in Hobarton under the patronage of his Excellency Sir T. W. Dennison), will make her appearance, and
A CELEBRATED AMATEUR, From Hobarton, who has kindly proferred his assistance,
AS ALSO LEADING VOCAL & INSTRUMENTAL PERFORMERS of Launceston;
and with the kind permission of Colonel Bloomfield, the excellent
BAND OF THE 11th REGIMENT, Will be in attendance. Programme of which will appear in the circulars . . .

"CONCERT", Launceston Examiner (19 May 1847), 3

http://nla.gov.au/nla.news-article36252077 

Mr. G. F. Duly gives a concert tomorrow evening at the Cornwall Assembly Rooms. The military band will be in attendance, and the vocal performers are Mrs. Clarke, Miss Duly, and a celebrated amateur from Hobart Town.

"CONCERT", Launceston Examiner (22 May 1847), 3

http://nla.gov.au/nla.news-article36252107 

Punch detected a connection between the opening of Vauxhall Gardens, and a rise in the price of umbrellas. A fatality always attended that unfortunate place of popular entertainment. A performance was seldom announced, but what the rain came down in torrents. There is facetiousness in the fact, but it is not less true that upon the enunciation of a musical entertainment in Launceston, the clouds immediately look lowering down upon us, and farmers may safely take the issue of a programme, as a certain indication of approaching rain. Of course it rained on Thursday evening, because Mr. Duly's concert was fixed for that occasion, and consequently there were but few attendants, who, however, were agreeably entertained. The military band played several pieces in their usual style of excellence, but in the opinion of unprofessionals the preponderance of brass instruments gives at thrilling harshness, when there is but limited room for the expansion of sound. Mrs. Clarke was applauded in some very well executed songs; Mr. Duly played a flute solo which was also appreciated, whilst Miss Duly, who made her debut upon this occasion really sung with creditable taste, and peculiar sweetness and modesty. The gentleman amateur came before the public with a predetermined claim to celebrity. We might, therefore, be justified in resorting to the severity of criticism. We shall only remark, however, that whatever excellence he may possess, there is a broad line between the convivial entertainer and the public performer, and much has to be acquired before the applause conceded by admiring friends will be echoed by a public assembly. Mr. Duly contemplates giving another concert shortly, in the hope that the weather may for once prove propitious.

"THE CHORAL SOCIETY", Colonial Times (25 June 1847), 3

http://nla.gov.au/nla.news-article8760850

This admirable institution is progressing moat rapidly to that excellence which its managers and supporters are so anxious to attain. On Tuesday evening the Twelfth Oratorio was given at the hall of the Mechanics' Institute, and with a vocal and an instrumental corps of considerable power and effect: the audience was very numerous, genteel, and respectable. The pieces selected for performance were of the most judicious character, but in our humble opinion they were too numerous, for the audience even before ten o'clock became wearied, and several persons left the hall before that hour: nevertheless the Oratorio was greatly admired, and the performances, generally, went off with eclat. We have always awarded our praise to the exertions of the gentlemen and ladies connected with this Society, and we are pleased to find that those exertions have been so successful. It would be invidious, perhaps, to criticise the performances of Amateurs, and particularly when so much effort is made to please. The Overture was carefully played, the Solos (both vocal and instrumental) were very well sung and played, and the Chorusses were given with an effect which has not yet been surpassed by the society. Although we have avoided any particular criticism, we cannot refrain from especially noticing the second appearance in public of Miss Duly, daughter of the late veteran bandmaster of the 51st regiment. All that the young lady requires to become a very excellent concert singer is confidence in herself, and less alarm at her audience; her voice is a very sweet soprano, and she sang the songs allotted to her with much pathos and feeling. Miss Duly will please to bear in mind that the musical public are greatly pleased with her, and to feel assured that a Hobart Town audience is by no means so fearful an affair as even a retiring young lady need apprehend; constant study and practice under the able tuition of her father, and becoming confidence in herself, will lead Miss Duly to a distinguished position as a vocalist, and enable the public, we hope, to derive gratification from her exertions to please them. We conclude, as we commenced, by awarding all praise to the managers of the society, and by congratulating them upon the success which has so justly crowned their exertions. Let them then "Go on, and prosper," with our best wishes for increased and increasing celebrity.

1847, deaths in the district of Hobart; Tasmanian Names Index; NAME_INDEXES:1187387; RGD35/1/2 no 1602

https://stors.tas.gov.au/NI/1187387 

https://stors.tas.gov.au/RGD35-1-2p158j2k (DIGITISED)

[No.] 1601 / September 6th [1847] / George Frederick Duly / 22 years / musician / Typhus fever . . .

"DIED", Colonial Times (7 September 1847), 2

http://nla.gov.au/nla.news-article8761298

Yesterday evening, at his father's residence, in Campbell-street, Mr. George Frederick Duly, aged 22 years, only son of Mr. A. P. Duly, late Band-Master of H.M. 51st Regiment, much regretted by all who knew him.
The funeral will take place on Thursday next, at 2 o'clock P.M., from his father's residence, in Campbell-street.

"MASONIC BENEVOLENT FUND", Colonial Times (10 September 1847), 3

http://nla.gov.au/nla.news-article8761334 

We are gratified to state that the proceeds of the performances at the Victoria Theatre on Monday night amounted to about seventy-five pounds, and as the expenses were trifling the performers very handsomely acting gratuitously - a considerable sum was handed over to the Fund. As one striking instance of its benevolent utility we may mention that, on Tuesday evening last, the committee voted three pounds towards the expenses of Mr. G. Duly's funeral, although he was not a Mason, but the son of one.

[Advertisement], The Courier (12 February 1848), 2

http://nla.gov.au/nla.news-article2969875 

"ORATORIO", The Courier (19 February 1848), 2

http://nla.gov.au/nla.news-article2969831

The Fourteenth Oratorio of the Hobart Town Choral Society, given in the Hall of the Mechanics' Institute on Tuesday evening, was thinly attended, owing to the moisture of the evening. His Excellency the Lieutenant-Governor, Lady Denison, and suite honoured the society with their presence. Selections from Handel's "Messiah," and G. A. Hulson's [Hodson's] song of "This world is but a wilderness," comprised the programme. This song was effectively given by Miss Duly, who was accompanied on the pianoforte (lent the society upon this occasion by the hall-keeper) by Mrs. Curtis. It was gratifying to observe an addition to the lady amateurs; we hope that by the next oratorio many more will join. The voice of Miss Duly is evidently improving. The chorus, "For unto us a child is born," was repeated at the request of His Excellency.

8 to 20 March 1848, visit to Hobart of the Huntsville and captain Freeman Smith

"Hobart Town Shipping", The Britannia and Trades' Advocate (16 March 1848), 2

http://nla.gov.au/nla.news-article226535710 

March 8 - Arrived the American ship Huntsville, Smith, from Goldspring 15th October, 1847, with 200 barrets sperm and 400 barrels black oil.

"Hobart Town Shipping", The Britannia and Trades' Advocate (23 March 1848), 2

http://nla.gov.au/nla.news-article226533819 

20 - Sailed the American ship Huntsville, Smith, for the South Seas.

See also: fragment of a note from Freeman H. Smith to John H. Jones regarding Daniel Halsy, mate of the Huntsville, 3 September 1847; Whaling Museum and Education Center, Cold Spring Harbor, NY 11724

https://cdm16694.contentdm.oclc.org/digital/collection/p16694coll115/id/2337 (DIGITISED)

"HOBART TOWN CHORAL SOCIETY'S CONCERT", The Britannia and Trades' Advocate (20 April 1848), 2

http://nla.gov.au/nla.news-article226532101 

On Tuesday evening this Society gave its fourteenth Concert, it being on this occasion, an Oratorio. The Bible Society Meeting prevented many persons attending, but after attending Trinity Church, the Lieutenant-Governor, with Joseph Hone, Esq. and others, joined the lovers of music in the Mechanics Hall. Lady Denison, (with Mrs. Stanley and the Private Secretary, Captain Stanley) had previously honoured the Society with her presence. Criticism on the performance of Handel's music here would be bad taste, all that could reasonably be expected was realised, and of this all persons present appeared to be fully satisfied.
O LOVELY PEACE.
O lovely Peace with plenty crown'd,
Come, spread thy blessings all around,
Let fleecy flocks the hills adorn,
And vallies smile with waving corn,
(one of Handel's) was sung with great taste and good feeling by Mrs. Elliot and Miss Duly. We were much delighted by observing His Excellency call for Mr. Curtis and ask him for an encore. We had not heard it, having just arrived, and it was at Lady Denison's and Mrs. Stanley's request he did so. It was in our opinion an evidence of their good taste for good music, a taste most admirable in women, and we all know, or ought to know, the influence of women. A heart which is dead to heavenly sounds, rely upon it, is a heart not worth owning.
It is not fair to publicly mention the names of amateurs, and therefore we merely add, that a young lady amateur accompanied Miss Duly in one or two duets, giving promise of future excellence. The three flutes were very good, and the song of "Hope," by Glover, was sung with considerable effect.
We are pleased in being able to add that the evening's entertainment afforded great gratification to all present.

"THE CHORAL SOCIETY", Colonial Times (21 April 1848), 3

http://nla.gov.au/nla.news-article8762712 

As announced in our last number, the fifteenth Oratorio of this Society was given on Tuesday evening last. The attendance was highly respectable, and considering the meeting of the Bible Society, numerous. His Excellency having presided at the meeting, drove to the Oratorio, and in time to witness the second part of the performance. As before, Sir W. Denison was highly pleased, and personally requested the repetition of more than one of the pieces. It is quite evident His Excellency is not only a sound judge of music, but that he partakes largely in the delight accruing from its correct performance; and on the present occasion it was highly gratifying to witness what may be truly termed the enthusiasm of the Governor, in the unalloyed pleasure he evinced. We entirely concur with our judicious contemporary of the Britannia, that to criticize Handel's music here would be in bad taste; all that could reasonably be expected was realized, and the Oratorio went of width general satisfaction. Amongst the lady amateurs were Mrs. Elliott, Miss Duly; and young lady whose name we do not feel justified on making public; we believe this was her first appearance, and can justly, say that she gives promise of considerable ability as a very pleasing vocalist.

"LOCAL", The Courier (22 April 1848), 2

http://nla.gov.au/nla.news-article2969305 

THE HOBART TOWN CHORAL SOCIETY gave their fifteenth oratorio in the hall of the Mechanics' Institute, Melville-street, on Tuesday evening last. It may be considered one of the most effective entertainments which has yet been offered to the public at Tasmania, and admirably accomplished one great and important object - that of giving our greatest "composer" an opportunity of being heard through his works, having their effect ascertained and their merits estimated, by an intelligent and critical colonial audience. The eminent originality, boldness, and power of the selections from "Judas Maccabeus" afforded ample scope for the development of amateur talent. The success of that display on Tuesday evening will afford a motive and an encouragement to the members to labour still more towards perfection. The programme consisted of selections from "Judas Maccabeus," "Israel in Egypt," Glovers "Song of Hope," and a splendid ode, "The transient and the Eternal," of Andreas Romberg. Of these selections the most difficult was sung by Messrs. Allen and Belbin, Mrs. Elliott and Miss Duly. The conductor of the orchestra was Mr. Curtis, and the leader Mr. Russell. An efficient staff of amateur vocal and instrumental performers took their places, and gave the chorus "Mourn ye afflicted children," in appropriate style. The recitative "To Heavens Almighty King," was well given by Mr. Allen, and in the air "O Liberty, thou choicest treasure," he gave proof of excellent genius, he was ably accompanied by Mr. Curtis on the violoncello. Miss Duly, young as she is, is beginning to afford evidence of the depth and solidity of her studies. She gave " Come, ever smiling Liberty," in a correct and pleasing manner. We do not forget to express our approbation Mr. Allen in the air, "Sound an alarm;" and we may observe, that the chorus which next followed was repeated at the request of Lady Denison
The audience expressed their satisfaction at the performance of the duet "O Lovely Peace, with Plenty crowned" by Miss Duly and Mrs. Elliottt, as well as the chorus "Sing unto God," given with great effect, and visible improvement, by the member amateurs. The duet and chorus last mentioned were repeated at the desire of His Excellency Sir Wm. Denison, who joined the vice-regal party before the termination of the first part of the performance.
In the second part, Glover's song of Hope was sung by Miss Duly in her usual style, the soothing tenderness of the words of this little air, and the deep pathos of Miss Duly's singing, rendered this song one of the choicest gems of the evening. The duet "The Lord is a man of war," from Handel's "Israel," was given with tolerable effect Romberg's ode was well received. Both vocal and instrumental performers appear to have bestowed ever care upon the study of this laborious and highly wrought composition, and when the last chorus was given, the audience took an opportunity of testifying their warmest approbation. The efforts of Mrs. Elliott, Miss Duly, and Miss Carroll were not lost in the general effect; the various solos, trios, quartettes, and choruses were exceedingly well sung. As may be gleaned from our previous remarks, His Excellency the Lieutenant-Governor, Lady Denison, the Private Secretary, Mrs. Stanley, and suite were present, in addition to a numerous and respectable audience. The subsidial arrangements were carried out with much credit to the society, and we venture to express a confident hope that the society will yet become the nursery of colonial music.

[Advertisement], Colonial Times (28 April 1848), 2

http://nla.gov.au/nla.news-article8762754 

CONCERT OF VOCAL AND INSTRUMENTAL MUSIC,
At the Hall of the Mechanics' Institute, THIS EVENING, 28th instant.
UNDER THE IMMEDIATE PATRONAGE OF LADY DENISON.
By permission, the Band of the 96th Regiment will attend.
Mrs. Chester will also be assisted by Mr. Imberg, Miss Duly, Mr. Curtis, and Amateur.
PROGRAMME. PART I . . . 4. Song - "The Reconciliation" - Miss Duly - Glover . . .
7. Duet - "I know a bank" - Mrs. Chester and Miss Duly - Horn.
PART II . . . 2. Song - "Gone is the calmness" - Miss Duly - Wallace . . .

ASSOCIATIONS: Marian Maria Chester (vocalist)

MUSIC: The reconciliation = Forgive as I forgive thee (C. W. Glover); I know a bank (Horn); Gone is the calmness (Wallace)

"THE CONCERTS", Colonial Times (2 May 1848), 3

http://nla.gov.au/nla.news-article8762761 

Mrs. Chester's concert on Friday evening, at the Mechanics' Institute, was very genteely, and indeed numerously attended. Lady Denison and a large party of the elite being present. Mrs. Chester in the selection of her songs evinced her admiration of the sweetest vocalist we ever heard - Miss Stephens . . . The other singers exerted themselves well, Miss Duly particularly, who however wants more confidence. Her reception has always been favourable; and we must impress upon her the actual necessity of avoiding that nervousness which, while we cannot but in a measure admire, we feel is a drawback on the display of her talents. We need scarcely add that the concert went off with eclat . . . Mr. Packer's concert, which was given last evening at the Music Hall, was not so well attended as we expected . . .

[Advertisement], The Courier (29 April 1848), 1

http://nla.gov.au/nla.news-article2969250 

CHARLES S. PACKER'S MAY-DAY CONCERT.
VOCALISTS. Madame Callegari, Mr. Allen, Mr. Duly, Charles S. Packer.
INSTRUMENTALISTS. Violin, Mr. Howson. Pianoforte, C. S. Packer.
On this occasion will be presented some curious Madrigals, composed during the 14th, 15th, and 16th centuries. To give effect to which several amateurs have kindly proffered their assistance . . .

ASSOCIATIONS: Madame Callegari (vocalist)

[Advertisement], The Britannia and Trades' Advocate (25 May 1848), 3

http://nla.gov.au/nla.news-article226535299 

GRAND CONCERT. MRS. CHESTER
BEGS to acquaint the Ladies and Gentlemen of Hobart Town and vicinity;
that (by request of her friends) she intends giving another
CONCERT, on Friday next, (To-morrow,) at the Hall of the Mechanics' institute, when she will be kindly assisted by Miss Duly, Herr Imberg, Mr. Young, Mr. H. Howson, and by several Amateurs.
Also, by the kind permission of Colonel Cumberland, Her Majesty's Band of the 96th Regiment will be in attendance.
PROGRAMME. PART I . . . 4. Song - Miss Duly . . .
8. Grand Quintette by H. Bishop, "The fox jumped over the parson's gate," - by Mrs. Chester, Miss Duly, Mr. Young, and Amateurs.
PART II . . . 4. Song - Miss Duly . . .

MUSIC: The fox jumped over the parson's gate (Bishop, from Guy Mannering)

"CHORAL SOCIETY", Colonial Times (17 November 1848), 2

http://nla.gov.au/nla.news-article8763868 

The seventeenth oratorio of this most useful Society took place on Tuesday evening last [14 November], and it afforded a rich musical treat to a crowded and highly respectable audience, among whom we noticed most of the fashionable and leading members of our community, plentifully sprinkled with "bright eyes and sunny smiles." The music selected for the performance was from Haydn's Oratorio, many parts of which were given with much taste and feeling, and with exquisite effect. The air "With verdure clad," by Miss Duly and "On mighty pens," by Miss Callow, elicited much and well deserved applause; and the solo parts in the terzetto, "Most beautiful appear," were exceedingly well given by Miss Duly and Messrs. Allen and Belbin. The air "Now Heaven in fullest glory," by Mr. Belbin - "In native worth," by Mr. Allen - and the singing of Miss Edwards in the trio "On thee each living soul awaits," afforded much pleasure. The duett and chorus, "By thee with bliss," was perhaps the gem of the evening, and gave unqualified satisfaction. As many of the passages in this oratorio are more than usually difficult, especially to young musicians, too much praise cannot be awarded to the performers. The orchestra was managed by the instrumentalists with their accustomed skill, and was most effectively augmented by some of the fine Band of the 99th Regiment. Upon the whole we have rarely passed a more delightful evening.

[Advertisement], The Courier (18 April 1849), 1

http://nla.gov.au/nla.news-article2966198 

GRAND EVENING CONCERT.
MADAME CARANDINI HAS the honour to inform her friends and the public generally that her CONCERT will take, place on TO-MORROW EVENING, 19TH APRIL, At the HALL of the MECHANICS' INSTITUTE, when their kind patronage is most respectfully solicited.
MADAME CARANDINI will be assisted on the above evening by all the available Musical talent in Hobart Town, and by the kind permission of COLONEL DESPARD The Excellent Band of the 99th Regiment.
INSTRUMENTAL PERFORMERS - Principal first violin leader, Mr. H. Howson; second violin, Mr. A. Howson;
tenor, Mr. Duly; violoncello, Mr. Curtis;
flutes, clarionets, oboes, horns, trumpets, ophocleides, drums, &c. &c, including the full strength of the Military Band;
the whole comprising a grand and effective orchestra.
Herr Imberg has kindly offered to preside at the Pianoforte . . .

ASSOCIATIONS: Maria Carandini (vocalist); Julius Imberg (pianist); Alfred Howson (violinist); Band of the 99th Regiment (military)

[Advertisement], The Courier (9 May 1849), 1

http://nla.gov.au/nla.news-article2966032

MADAME CARANDINI'S SECOND EVENING CONCERT, MUSIC HALL, COLLINS-STREET . . . TO-MORROW EVENING, 10TH MAY . . .
MADAME CARANDINI will be assisted on the above evening by the following Vocal and Instrumental Performers: -
Miss DULY, MR. HOWARD, and MR. RUSSELL. And, by the kind permission of COLONEL DESPARD,
the excellent BAND OF THE 99TH REGIMENT . . .
PROGRAMME. PART I . . . Song, "The Reconcilliation," Linley - Miss Duly . . .
Song, "Sing not of the past," - Miss Duly . . .
PART II . . . Cavatina, "The Star Spirit," Nelson - Miss Duly . . .
Duet, "As it fell," Bishop - Madame Carandini and Miss Duly . . .

MUSIC: The star spirit (by Sidney Nelson); As it fell upon a day (Bishop)

"CONCERT", The Courier (12 May 1849), 2

http://nla.gov.au/nla.news-article2966008 

Madame Carandini's second concert took place at the Music Hall, Collins street, on Thursday evening last, and was quite full. Like her first, it was not destitute of attraction, the band of the 99th Regiment were in attendance; Packer presided at the piano; Russell on the violin; and Miss Duly and Mr. Howard, besides Madame Carandini, were the vocal performers . . . The studied quietness of the music allotted to Miss Duly necessarily precluded any attempt at artistic excellence; but it is now almost time she lost her coldness, and become a more earnest performer. She sang with her usual merit, but did not exhibit any decided improvement. Of Mr. Howard much cannot be said. It only follows, then, that the brunt of the performances devolved upon Madame Carandini . . .

21 February 1850, return to Hobart of Freeman Smith, on the Huntsville:

Report of the arrival at the port of Hobart Town of the ship Huntsville, 24/2/50; Tasmanian Archives

https://stors.tas.gov.au/AI/CUS36-1-278 

https://stors.tas.gov.au/CUS36-1-278$init=CUS36-1-278P1JPG (DIGITISED)

"SHIPPING LIST. HOBART. ARRIVALS", Hobarton Guardian, or, True Friend of Tasmania (23 February 1850), 2

http://nla.gov.au/nla.news-article173056944 

February 21 - U.N.S. "Huntsville," 523 tons, Smith, master from New York, 1st November, 1849, with 100 barrels of oil, and 800 whale bone. Cabin passenger, Mr. Masterson.

1850, marriages in the district of Buckingham in Van Diemen's land [Trinity Church, Hobart]; Tasmanian names index; NAME_INDEXES:841628; RGD37/1/9 no 345o

https://stors.tas.gov.au/NI/841628 

https://stors.tas.gov.au/RGD37-1-9p140j2k (DIGITISED)

[No.] 345/O / [No.] 60 / March 1850 / Freeman Higgings Smith / full age / Commander merchant ship / Widower
Agnes Duly / Under age / Spinster / Married in the Parish Church . . .

"MARRIED", The Cornwall Chronicle (23 March 1850), 189

http://nla.gov.au/nla.news-article65976903

MARRIED. - At Hobart Town, March 10, by special licence, at Trinity Church, by the Rev. P. Palmer, Captain Freeman Higgins Smith, to Miss Duly, youngest daughter of Mr. Duly, late bandmaster to the 51st Regiment.

"SHIPPING NEWS", The Courier (13 March 1850), 2

http://nla.gov.au/nla.news-article2963441 

12 - Sailed the U.S. ship Huntsville, 523 tons, Smith, for the South Seas.

"ROYAL VICTORIA THEATRE", The Courier (27 July 1850), 2

http://nla.gov.au/nla.news-article2962400 

It will be seen by Monday evening's bill that Messrs. King and Young have concluded a treaty for this house, with a company competent to perform light pieces, being only awaiting strength to produce the higher class dramas. Mrs. Young is, of course, with the corps . . . From the decided tone adopted at the outset, we are led to believe none but respectable audiences will assemble at the Victoria. Herr Imberg presides at the pianoforte, and Mr. Duly on the flute, in addition to an effective orchestra.

ASSOCIATIONS: Morton King (actor); Jane Young (actor)

"ROBBERY", Colonial Times (2 May 1851), 2

http://nla.gov.au/nla.news-article8769171 

Last night a daring robbery was committed in the house of Mr. Duly, situated at the corner of Argyle and Liverpool Streets. As Mr. Duly arrived at his residence, he perceived the shadows of two men in one of the rooms, upon which he proceeded to the house of a neighbour for assistance; upon reaching the spot the neighbour entered the premises and found two persons, with whom he immediately grappled, but from the superior strength of the villains he was overpowered and knocked down, and they succeeded in making their escape. Unfortunately for Mr. Duly they managed to possess themselves of six sovereigns which they abstracted from a box which was broken open. Had it not been for Mr. Duly's return at that critical moment, there is no doubt but that the place would have been completely ransacked, as nearly all the clothing and portable property were secured in various bundles for the purpose of removal . . .

"Police . . . MR. DULY'S ROBBERY", The Britannia and Trades' Advocate (26 May 1851), 2

http://nla.gov.au/nla.news-article225557454 

Joseph Terrence, t.l., for the robbery at Mr. Duley's, on the night of the 12th inst. [sic], was brought up at the police office on Wednesday, and tried under the Summary Jurisdiction Clause of the Quarter Sessions Act, before Messrs. Wilmot and Hiddlestone, for that offence. On the occasion in question, it will be recollected that Mr. Duly on returning to his home, discovered a light in his house, and on obtaining the assistance of a neighbour, Mr. Mitchell, a butcher, they opened the door, when two men rushed out, one of whom collered Mitchell, and both for the time escaped. Terrence, however, was recognized by Mitchell, and afterwards apprehended by constable Withers. The thieves had packed up a quantity of articles ready for removal when they wore disturbed, but they succeeded in taking away six sovereigns, some fancy keys, and a number of testimonials and certificates belonging to Mr. Duly. The prisoner Terrence had been originally committed for trial, but being a convict for life, the Attorney-General remanded him to the police office, to be tried summarily; he was sentenced to five years imprisonment, in chains, at Norfolk Island.

"THE MUSICAL LECTURE", Colonial Times (13 February 1852), 3

http://nla.gov.au/nla.news-article8770858 

The musical performances of Mr. John Salier, professional, and his friends, at the Mechanics' Hall, for the benefit of the Institute, on the 10th instant, gave unqualified satisfaction to a numerous and highly respectable audience. The excellent lecture, previously composed by Mr. Salier, suitably introduced the different pieces, and was read by the Curator. The subjects embraced were treated with much ability, and comprehended a general review of the music of the 18th century. Copious illustrations wore supplied from the works of those renowned masters of the science, Handel, Kent, Vanhall, Calcott, Cherubini, and others of equal celebrity. The programme comprised the follow ing choice selections:
The Overture, by Handel, anthem, "Blessed be thou," by Kent.
Motet, "Go not far," by Zingarelli; Chorale, "Since on the Cross," by Luther; the Russian Melody "Give us peace in our time, O Lord," concluded the first part, followed by protracted applause from the audience.
The second part opened with a sweet symphony, by Vanhall; and succeeded by a favorite piece of Calcott's, "Forgive blest shade," and two part songs by Cherubini and Gluck. The next piece, "Mad Tom," by Purcell, brought into requisition the highly cultivated powers of Mr. Salier, who sang it with admirable taste, accompanied by the piano, Mrs. James Salier presiding, to whose valuable services on this and a previous occasion, the Institute is much indebted. A Glee, "Here in cool Grot," by Lord Mornington, was sung amid bursts of applause; next came "May-day," a holiday song, by Neithart; the performance of the evening closing with that famous national song, "Rule Britannia," the words to which were expressly written and have already appeared in this journal. This piece throughout was received with the warmest enthusiasm.
After thanks had been accorded by the Rev. W. R. Wade to the choir for their performance, the meeting dispersed. It is but proper to record that Mr. Salier was ably assisted by Mr. Vautin, (violincello) Mr. Elliott, (flute) Mr. Duly, (first violin) and other friends. From the attendance, we should think that the Institute derived ample funds for the purpose for which the evening's entertainment was so liberally given.

ASSOCIATIONS: John Jabez Salier (lecturer)

26 March 1852, arrival of the Smiths in the Huntsville

"SHIPPING INTELLIGENCE. ARRIVALS", Hobarton Guardian, or, True Friend of Tasmania (31 March 1852), 2

http://nla.gov.au/nla.news-article173061571 

March 26 - Ship "Huntsville," 525 tons, F. H. Smith, from Cold Springs, 10 Dec., 1851, with 140 barrels sperm oil; passengers Ms. Smith and 2 children.

6 April 1852, departure of Abraham Duly with the Smiths in the Huntsville:

"SHIPPING INTELLIGENCE . . . DEPARTURES", Colonial Times (9 April 1852), 2

http://nla.gov.au/nla.news-article8771190

April 6 - Huntsville, ship, 523 tons. Smith, for South Seas. Passengers - A. P. Duly, Esq., Mrs. Smith and two children.

"MUSICAL DAY: HISTORY OF THE HOBART BANDS: SOME INTERESTING NOTES", The Mercury (30 August 1917), 2

http://nla.gov.au/nla.news-article1085868

. . . The 21st was relieved by the 51st King's Own Light Infantry (now the King's Own Yorkshire Light Infantry). The instrumental character of this band was somewhat superior to its predecessors. There were more clarionets and flutes, and the Turkish Crescent (bells on pole attached to straps) was for the first time in Hobart. It was about this period the cornopean was introduced. T. Duly, the bandmaster, often rendered great service at concerts. The 51st left per ship Agincourt and China on August 8, 1846. On Wednesday, December 3, 1845 (Regatta Day) they played on the ground alternately with the band of the 11th (Devonshire Regiment), the playing of the latter being much superior, having just within a few weeks landed from England with the latest music and modern instruments. It was reckoned one of the best in the United Kingdom. Lieutenant Steer (an Italian) was its bandmaster . . .

ASSOCIATIONS: Turkish crescent (percussion instrument; "jingling johnny"); Charles William Ferdinand Stier (master, 11th band); Band of the 11th Regiment (military)

Musical works by George Frederick Duly (all lost):

Conrad the corsair (songs and ensembles for opera in 3 acts; Hobart and Launceston, 1847)

https://trove.nla.gov.au/search?l-publictag=Conrad+the+corsair+(Duly) (TROVE tagged by Australharmony)

Unpublished MS; NO COPY IDENTIFIED; based on Mark Lemon and Frank Romer's The pacha's bridal (London, 1836); the music for the sung numbers as originally composed by Frank Romer being unavailable, Duly composed his own settings

See the complete spoken and sung text:

The pacha's bridal! an opera in three acts, the only edition correctly marked, by permission, from the prompter's book . . . by Mark Lemon . . . (London: J. Duncombe, [1836])

http://www.worldcat.org/oclc/813718359 

http://www.worldcat.org/oclc/41328460 

See words of musical numbers only:

The pacha's bridal, founded on Byron's "Corsair", a grand opera in three acts, the music by Francis Romer, the words by M. Lemon, first performed at the Theatre Royal English Opera House, Thursday, September 8, 1836 (London: Miller, [1836])

https://books.google.com.au/books?id=V_m9Gs1e2VIC (DIGITISED)

This substantial imported play with original music by George Frederick Duly, was first staged at the Royal Victoria Theatre, Hobart, for Anne Clarke's benefit, on Monday, 27 July 1846, with the assistance of young Duly's old friends, the Band of the 51st Regiment, about to leave for India, making the occasion a farewell, marking the final parting of the band and the Duly family. There was a second performance by the same company, again for Clarke's benefit, though of course without the band, at the Olympic Theatre, Launceston, on 26 October 1846. There were repeat performances of two of the songs, as documented above.

From the advertisements, it seems likely that production followed closely the published wordbook of Mark Lemon's 1836 London "romance", The pacha's bridal, in turn loosely based on Byron's The corsair, for both the spoken parts and the lyrics of the songs, duets, and choruses. In the normal course of events, Clarke and her musicians would have made at least some efforts to obtain the published sheet music of Frank Romer's London score, and the fact that Duly merely re-set a selection of the original lyrics might suggest that the music, ordered from London, never arrived. Duly's music was indeed reportedly composed at "very short notice", and it was noted that:

Mr. Duly, very judiciously, has not at tempted an Overture, perhaps, because he had not time to compose one.

If that was the situation in Hobart, it was repeated exactly in Sydney two years later when John Howson composed new songs for performances of the same play there, and again did not compose an overture, instead borrowing that to Herold's Zampa. Howson's The corsair; or, Conrad and Medora, was first performed there in December 1848; thus, extraordinarily, two lost Australian operas on the same libretto, both occasioned by the non-availability of the original music, were composed and produced at short notice in the space of thirty months.

The plan of Duly's lost score nevertheless was quite different in major details from either Lemon and Romer's original. Lemon and Romer included well over 20 separate vocal items, including several songs and a love duet for Conrad and Medora (her "There is a lone ratama tree" was a favorite in the 1836 production), another duet for Medora and her attendant Zoe, as well as songs for the Pacha Seyd, the role in which the later highly popular bass-baritone Adam Leffler made his debut (Leffler's Tasmanian colonist brother, Edmund Leffler, almost certainly played violin for Duly, perhaps even as leader, in the two 1846 Hobart and Launceston performances). Duly, by contrast, appears to have had at his disposal only two main singers, the soprano Anne Clarke, as a transvestite Conrad, and Emma Rogers as the Pacha's favourite slave, Gulnare. The only other named character to sing a solo was the Greek captive, Epaminondas, played by Emma Rogers's husband, George Herbert Rogers, though Duly evidently also had a quite serviceable chorus at his disposal, including amateurs probably from the ranks of the Hobart Town Choral Society. The published list of musical numbers was as follows:

List of musical numbers (with links to lyrics in 1836 song book):

ACT I

Opening Solo and Chorus - Come drain the bowl (EPAMINONDAY and PIRATES)

Song and Chorus - Up, up my sturdy men (CONRAD, &c.)

Air - Oh! Greece, beloved Greece! (CONRAD)

Song - There's a spell that doth bind thee (CONRAD)

Finale and Chorus to the First Act - ? Finale

ACT II

Song - My childhood's happy home (GULNARE); not in original libretto, probably a setting of the popular lyric I've wandered through each mazy scene

Air - I've watch'd with thee (GULNARE)

Duet - (GULNARE and CONRAD), not identifiable in original libretto

Finale and Chorus to the Second Act - ? Finale

ACT III

Barcarole (CONRAD) - Barcarole

Song - Come hither my young Gazelle (CONRAD)

Finale (GULNARE) = ? Chorus

Bibliography and resources:

Graeme Skinner, Toward a general history of Australian musical composition: first national music, 1788-c. 1860 (Ph.D thesis, Sydney Conservatorium of Music, University of Sydney, 2011), 50, 273-77, 282, 459, 460, 461, 463, 470, 471

http://hdl.handle.net/2123/7264 (DIGITISED)

Luke Agati, "George Frederick Duly and his opera Conrad: the first Australian production", Papers and proceedings: Tasmanian Historical Research Association 62/1 (March 2015), 39-51

http://search.informit.com.au/documentSummary;dn=248003291672239;res=IELHSS (PAYWALL)

On the 9th Lancers:

Richard Cannon, Historical record of the Ninth, or the Queen's Royal Regiment of Light Dragoons, Lancers: containing an account of the formation of the regiment in 1715, and of its subsequent services to 1841 (London: John W. Parker, 1841), 49 and following

https://books.google.co.uk/books?id=evAQAAAAYAAJ&pg=PA49 (DIGITISED)

NOTE: The "9th Lancers", reformed as such in 1816, were stationed in Ireland 1823-26, Scotland 1826-27; England 1827-33; from July 1830 it was designated as the "Queen's Royal Lancers", as appears on the label of Duly's clarinet box. The regiment was in Dublin from c. 1832-35; Edinburgh and Glasgow, 1836-37; and in May 1838 marched to England where it was stationed at Leeds in the summer.

On Freeman Smith and the Huntsville:

Letter from Freeman H. Smith to John H. Jones, 24 July 1844; Whaling Museum, Cold Spring Harbor, NY 11724

https://cdm16694.contentdm.oclc.org/digital/collection/p16694coll115/id/1008 (DIGITISED)

List of bills for the ship Huntsville crew, Dec. 1851; Whaling Museum, Cold Spring Harbor, NY 11724

https://cdm16694.contentdm.oclc.org/digital/collection/p16694coll115/id/2758 (DIGITISED)

J. Arthur Harris, "GRAPHICS OF THE AMERICAN WHALING INDUSTRY", Popular science monthly (July-December 1914), (83-86), 83-84

https://books.google.com.au/books?id=DH8TAAAAYAAJ&pg=PA308 

https://en.wikisource.org/wiki/Popular_Science_Monthly/Volume_85/July_1914/Graphics_of_the_American_Whaling_Industry 

[83]. . . the depression of 1850 and '51 is a real one; the revival of the industry resulting in the second mode [84] on 1854 is probably due to the opening up of the bowhead whaling of the Okhotsk Sea, possibly by Captain Freeman Smith, of the ship Huntsville of the Cold Spring Harbor fleet . . .

On the original September 1836 London production of The pacha's bridal:

"ENGLISH OPERA HOUSE", The athenaeum [London, England] (17 September 1836), 677

https://books.google.com.au/books?id=gPQDw_KG1_MC&pg=PA677 (DIGITISED)

The opera lately produced here, called "The Pacha's Bridal," founded on Lord Byron's "Corsair," has been successful, and, upon the whole, deservedly so. As a drama, it bears about the same proportion to its original, as Lord Byron dead does to Lord Byron when living. The skeleton is there, but the soul and fire which animated it are gone. The words of the songs, &c. are, however, rather above average; and the author brings enough cleverness to this portion of his work, to earn an admission that he is fairly qualified to perform it. We should add, in justice, that although there is nothing whatever attractive, either in the construction of the opera, or the developement of the characters, there is yet nothing so repulsive as to make the audience uneasy while they sit and listen to Mr. F. Romer's very pleasing music. As a first production, it is highly creditable to his talent as a composer; and it holds out a promise of future excellence, of which we shall be amongst the foremost to hail the realization. It is agreeable throughout, and there are several pieces in it which would do credit to almost any composer of the present day. We could not perceive that it was at all dressed in the borrowed plumage of plagiarism, and we have, therefore, the more pleasure in bearing testimony to its merits. It would be absurd to expect that a young man (which we suppose Mr. Romer to be) is to begin where others, after years of study and practice, leave off: we are, therefore, neither astonished nor disappointed to find that Mr. Romer's work is not equal to those of the great foreign composers; but we think, as we said before, that it shows much promise, and we see no particular necessity for attempting to crush talent in the bud, merely because it happens to be English.

And see also "ENGLISH OPERA", The New Monthly belle assemblée: a magazine of literature and fashion 5 (October 1836), 213-14

http://books.google.com.au/books?id=y90PAAAAMAAJ&pg=PA213