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A biographical register of Australian colonial musical personnel–K

Dr GRAEME SKINNER (University of Sydney)

THIS PAGE IS ALWAYS UNDER CONSTRUCTION

To cite this:

Graeme Skinner (University of Sydney), "A biographical register of Australian colonial musical personnel–K", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/register-K.php; accessed 10 April 2026

- K -

Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

Major upgrades of the contents of this page were completed in 2020 and 2026, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.

Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.

KADLITPINNA ("Captain Jack"; Minno Gadnaitya Kadlitpinna; also Kadlitpina)

Kaurna indigenous leader, singer, songmaker

http://nla.gov.au/nla.party-1610209 (NLA persistent identifier)

http://nla.gov.au/nla.party-1710153 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Rundle_Park_/_Kadlitpina (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KADLITPINNA (shareable link to this entry)

ASSOCIATIONS: Mullawirraburka (leader, singer); Christian Teichelmann (Lutheran clergyman); Clamor Schürmann (Lutheran clergyman); Kaurna (Indigenous people of the Adelaide plains); Rundle Park / Kadlitpina (place)

Kadlitpinna; George French Angas; State Library of South Australia

ASSOCIATIONS: George French Angas (artist)

Summary:

Kadlitpinna (or Kadlitpina) was also known by the colonists as Captain Jack, a leader of "the Adelaide tribe". His full name was Minno Gadnaitya Kadlitpinna, meaning wattle tree, third-born male child, father of (child called) dingo. Diarist William Cawthorne noted his intelligence and kind heart. A prominent figure in the early colonial period, Kadlitpinna was appointed an honorary constable in 1838 and attended official meetings in that capacity. Later that year he attended governor George Gawler's feast, recorded by artist Martha Berkeley. Kadlitpinna was painted "full dressed as a warrior" by George French Angas, sporting a black cockatoo tail feather in his hair.

Christian Teichelmann and Clamor Schürmann recorded language information given to them by three Kaurna elders, Mullawirraburka ("King John"), Kadlitpinna ("Captain Jack"), and Ityamaiitpinna ("King Rodney"), and published a vocabulary and grammar, and phrase and sentences translated into English. They also recorded Kaurna songs and short texts illustrative of dialect differences, and translated six German hymns and the Ten Commandments into Kaurna.

Detail, The first dinner given to the Aborigines, 1838, by Martha Berkeley (Art Gallery of South Australia)

"King John . . . tallest one", "Little Captain Jack . . . in the foreground", "Rodney . . . on the further side" (notes on reverse); detail from "The first dinner given to the Aborigines, 1838", by Martha Berkeley (Art Gallery of South Australia); see Gara 1998, 103, and Kirchauff 2021, 344, Figure 2

https://www.agsa.sa.gov.au/collection-publications/collection/works/the-first-dinner-given-to-the-aborigines-1838/24063 (DIGITISED)

ASSOCIATIONS: Martha Berkeley (artist)

Documentation:

"THE NATIVES", South Australian Gazette and Colonial Register [Adelaide, SA] (3 November 1838), 4

http://nla.gov.au/nla.news-article31750215

A SCENE, which we venture to assert has not yet had its parallel on this continent, was witnessed by the assembled inhabitants of Adelaide on Thursday last. In consequence of a desire expressed by his Excellency Colonel Gawler, the whole natives of the district of Adelaide were assembled; and public intimation of the Governor's intention to meet and entertain them having been given . . . In a short time, a band of about of 200 of our friendly natives were seen approaching, accompanied by their lubras and wak-waks, (wives and children) headed by Onkaparinga Jack, Captain Jack, both native constables, and numerous other natives well known to the people; Mr. Wyatt, the Protector, also attended, and was assisted on the occasion by James Cronk, the interpreter, and William Williams, the deputy storekeeper, both great favorites of the natives, and tolerably versed in their language and customs . . .

ASSOCIATIONS: William Wyatt ("Protector of Aborigines", SA)

C. G. Teichelmann and C. W. Schürmann, Outlines of a grammar, vocabulary, and phraseology, of the aboriginal language of South Australia: spoken by the natives in and for some distance around Adelaide (Adelaide: Published by the authors at the native location, 1840), 73

http://books.google.com.au/books?id=ru8UAAAAYAAJ&pg=PA73 (DIGITISED)

https://archive.org/stream/outlinesagramma00unkngoog#page/n117/mode/2up (DIGITISED)

KADLITPIKO PALTI.
Pindi mai birkibirki parrato, parrato. (Da capo bis.)
CAPTAIN JACK'S SONG.
The European food, the pease, I wished to eat, I wished to eat.

MULLAWIRRABURKARNA PALTI.
Natta ngai padlo ngaityarni-appi; watteyernaurlo tappandi ngaityo parni tatti. (Da capo.)
KING JOHN'S SONG.
Now it (viz. the road or track) has tired me; throughout Yerna there is here unto me a continuous road.

ASSOCIATIONS: Mullawirraburka (leader, singer); Christian Teichelmann (Lutheran clergyman); Clamor Schürmann (Lutheran clergyman)

Teichelmann and Schürmann 1840, 34

http://books.google.com.au/books?id=ru8UAAAAYAAJ&pg=PA34 (DIGITISED)

https://archive.org/stream/outlinesagramma00unkngoog#page/n78/mode/2up (DIGITISED)

Ngunyawaieti, s. play; dance; corrobberee . . .

Nguya, s. pustule; the disease of small-pox, from which the aborigines suffered before the Colony [SA] was founded. They universally assert that it came from the east, or the Murray tribes, so that is not at all improbable that the disease was at first brought among the natives by European settlers on the eastern coast [NSW]. They have not suffered from it for some years, but about a decennium ago it was, according to their statement, universal; when it diminished their numbers considerably, and on many left the marks of its ravages, to be seen at this day. They have no remedy against it, except the nguyapalti.

Nguyapalti, small-pox song, which they learnt from the eastern tribes, by the singing of which the disease is believed to be prevented or stopped in its progress.

See also as reproduced in Edward John Eyre, Journals of expeditions of discovery into central Australia, and overland from Adelaide to King George's Sound, in the years 1840-1 . . . including an account of the manners and customs of the aborigines and the state of their relations with Europeans . . . vol. 2 (London : T. and W. Boone, 1845), 240-41

http://books.google.com.au/books?id=b_soAAAAYAAJ&pg=PA240 (DIGITISED)

https://archive.org/stream/journalsofexpedi02eyre#page/240/mode/2up (DIGITISED)

A. Russell, A tour through the Australian colonies in 1839, with notes and incidents of a voyage round the globe calling at New Zealand and South America (Glasgow: David Robertson, Duncan Campbell, 1840), 82-83

https://books.google.com.au/books?id=9fQNAAAAYAAJ&pg=PA83 (DIGITISED)

https://archive.org/stream/atourthroughaus00russgoog#page/n98/mode/2up (DIGITISED)

As there are no military in this province, the constabulary force musters strong, and some natives are employed at times as such. Amongst them [83] are three called by the Europeans king John, Captain Jack, and Rodney, who were instrumental in bringing to justice those two natives who were recently executed in front of the government stores for murder; the natives generally acknowledging the justice of their punishment, attended the execution of the two unfortunates, till their bodies were interred within the precincts of the jail, a small building on the south side. It is said that the criminals themselves made some rather singular dying requests, two of which being so very opposite may be instanced. The first was, that they might have plenty of bread and cheese before execution. The other was, that they might be buried on their own hunting ground.

King John appears to be as proud of his office as a constable, as in the dignity of his kingship. Captain Jack is a very active looking fellow, and crossed lately with an exploring party to Port Lincoln, in the hope of his being able to negotiate with the natives there, but found the language of that tribe quite different from that of the Adelaide one.

Bibliography and resources:

Rob Amery, Warraparna Kaurna! Reclaiming an Australian language (Adelaide: University of Adelaide Press, 2016), especially chapter 5, "Kaurna sources", 88, 91, 110, 118-21, 121-23, 123-25 (notes)

https://doi.org/10.20851/kaurna (FREE DOWNLOAD)

https://www.jstor.org/stable/10.20851/j.ctt1sq5wgq (FREE DOWNLOAD)

Skye Krichauff, "Mullawirraburka and Kadlitpinna: how and why influential individuals facilitated amicable cross-cultural relations in the Adelaide district, 1836-1840", History Australia 18/2 (2021), 342-69

https://doi.org/10.1080/14490854.2021.1916966 (PAYWALL)

Kadlitpinna (Captain Jack), The Centre of Democracy, SA

https://explore.centreofdemocracy.sa.gov.au/item/kadlitpinna-captain-jack

Rob Amery, "Kaurna language (Kaurna warra)", SA History Hub, History Trust of South Australia

https://sahistoryhub.history.sa.gov.au/subjects/kaurna-language-kaurna-warra

KAEBET, Mr. (Mr. KAEBET) probably correctly KEIDEL (as see below)

Musician, flute player (New Queen's Theatre), master of the German Band

Active Adelaide, SA, 1848

KAIBER

Indigenous singer, Whadjuk Noongar man

https://incubator.wikimedia.org/wiki/Wp/nys/Kaiber (Wikimedia incubator)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KAIBER (shareable link to this entry)

ASSOCIATIONS: Whadjuk (Noongar); George Grey (explorer, reporter)

Documentation:

George Grey, Journals of two expeditions of discovery in north-west and western Australia, during the years 1837, 38, and 39, under the authority of Her Majesty's government: describing many newly discovered, important, and fertile districts, with observations on the moral and physical condition of the aboriginal inhabitants, &c. &c. (London: T. and W. Boone, 1841), volume 2, 25

https://archive.org/details/b29331547_0002/page/25/mode/2up (DIGITISED)

https://books.google.com.au/books?id=JUNCAAAAcAAJ&pg=PA25 (DIGITISED)

[6 April 1839] . . . Although we had walked very slowly many of the party were completely exhausted, and one or two of the discontented ones pretended to be dreadfully in want of water, notwithstanding they carried canteens and had only walked eight miles since leaving the bank of a river; I was therefore obliged to halt, and could not get them to move for three hours . . . Mr. Smith, with his usual spirit, was for pushing on, although his strength was inadequate to the task. I laid under the shade of a bush lost in gloomy reveries and temporary unpopularity; Kaiber by my side lulled me with native songs composed for the occasion, and in prospective I saw all the dread sufferings which were to befall the doomed men who sat around me, confident of their success under the new plan; but like all prophets I was without honour amongst my own acquaintance; and after considering the matter under every point of view I thought it better for the moment to succumb to the general feeling, yet to lose no opportunity on every subsequent occasion of endeavouring to rouse the party into a degree of energy suited to our desperate circumstances.

Grey 1841, volume 2, 70

https://archive.org/details/b29331547_0002/page/70/mode/2up (DIGITISED)

https://books.google.com.au/books?id=JUNCAAAAcAAJ&pg=PA70 (DIGITISED)

[16 April 1839] . . . Poor Kaiber alone lay crouching by my fire, occasionally feeding it with fresh fuel and chanting to himself these two songs, in his own language:

Thither, mother oh, I return again,
Thither oh, I return again.

The other had been sung by the mother of Miago, a native who had accompanied Captain Wickham in the Beagle from the Swan River, and it had made a great impression on the natives.

Whither does that lone ship wander,
My young son I shall never see again.
Whither does that lone ship wander.

Grey 1841, volume 2, (83-85), 86

https://archive.org/details/b29331547_0002/page/86/mode/2up (DIGITISED)

https://books.google.com.au/books?id=JUNCAAAAcAAJ&pg=PA86 (DIGITISED)

(83) [18 April 1839] . . . We now entered upon a more hilly country than we had traversed yesterday; the hills were steep, being composed of sand and recent limestone, whilst the valleys were thickly wooded with grass trees and stunted Banksias. The general line of route I followed was S. by E., and we had not travelled more than nine miles when we came suddenly upon a valley, with a river running rapidly through it. The sight of this cheered us up; and when on tasting the water we found it excellent, and saw adhering to the banks a species of freshwater muscle [mussel], (Unio,) called by the natives Ma-rayl-ya, our joy was complete. I proceeded therefore to collect wood for my fire, and ordered Kaiber to make haste and gather some of these muscles, an order which, considering the hungry state he was in, I imagined he would gladly have obeyed; but to my astonishment he refused positively to touch one of them, and evidently regarded them with a superstitious dread and abhorrence. My arguments to induce him to move were all thrown away; he constantly affirmed that if he touched these shell-fish, through their agency the "Boyl-yas" [native sorcerers] would acquire some mysterious influence over him, which would end in his death. He could not state a recent instance of any ill effects having happened from handling or catching the muscle; but when I taunted him with this, he very shrewdly replied, that his inability to do so only arose from the fact of nobody being "wooden-headed enough" to meddle with them, and that he intended to have nothing whatever to do with them. This much he assured me was certain: that a very very long time ago, some natives had eaten them, and that bad spirits had immediately killed them for so doing. Kaiber was a great deal too sensible a fellow to (85) be allowed to remain a prey to so ridiculous a superstition as this was; I therefore ordered him instantly to go and bring some of these muscles to me; that I intended to eat them, but that he could in this respect please himself. He hereupon, after thinking for a moment or two, got up to obey me, and walked away for this purpose; but I heard him, whilst occupied in the task, lamenting his fate most bitterly. It was true, he said, that he had not died either of hunger or thirst, but this was all owing to his courage and strong sinews, yet what would these avail against the supernatural powers of the boyl-yas. "They will eat me at night, whilst, worn out by fatigue, I must sleep." Amidst these and sundry other similar exclamations, he brought the muscles to me: by this time my fire was prepared, and in a few minutes I was making such a meal as the weak state of my stomach would admit of. No inducement of mine could, however, prevail upon Kaiber to share with me, and I therefore handed him the remains of the cockatoo . . . In the afternoon we travelled about three miles in a S. by E. direction, and then came to the bed of a small stream, which ran from east to west, but as now merely a chain of pools. Across the bed, where we passed it, was a native weir. Our route (86) during the whole evening lay over hills of a nature similar to those we passed yesterday. We did not halt until it was so dark that we could not see to walk, and then just dropped at the spot where we ceased to move. The men made their fire, and I lighted mine from theirs; but scarcely was this done ere the rain fell in torrents. I had no blankets or protection of any kind against this, and Kaiber was in the same predicament; so that when the fire was extinguished, our position became pitiable in the extreme, for I know not if I ever before suffered so much from cold; and to add to my annoyance, I every now and then heard Kaiber chattering to himself, under its effects, rather than singing, -

"Oh wherefore did he eat the muscles?
Now the boyl-yas storms and thunder make;
Oh wherefore would he eat the muscles?"

At last I so completely lost my temper, that I roared out, "You stone-headed fellow, Kaiber, if you talk of muscles again, I'll beat you." "What spoke I this morning?" replied Kaiber; "you are stone-headed. We shall be dead directly; wherefore eat you the muscles?" This was beyond what my patience in my present starved state could endure, so I got up and began to grope about for a stick or something to throw in the direction of the chattering blockhead; but he begged me to remain quiet, promising faithfully to make no more mention of the muscles. I therefore squatted down, in a state of the most abject wretchedness.

See also Songs on Miago's departure and return (1838)

ASSOCIATIONS: Miago (singer)

KAIBEL or KAIBLE, Charles (? Charles G. KAIBEL [sic]; Charles KAIBLE; C. KAIBLE; Mr. KAIBLE; Herr KAIBLE; KEIBEL; KIEBEL)

Musician, bass vocalist, member of Lyster Opera Company, pianoforte teacher, school teacher, teacher of languages

Active Sydney, NSW, by 1861
Active Sydney, NSW, until December 1866

https://trove.nla.gov.au/search?l-publictag=Charles+Kaible+vocalist (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Charles+Kaibel (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KAIBLE-Charles (shareable link to this entry)

Documentation:

? "SECOND EXAMINATION AND DISCHARGE OF KAIBEL", The Goulburn Herald and County of Argyle Advertiser [NSW] (16 December 1857), 2

http://nla.gov.au/nla.news-article118248530

Charles Kaibel was brought before the Police Court, yesterday, for the second time, charged on suspicion of being concerned as principal in the murder of Mr. Richter . . . In reporting the proceedings of the last examination, we stated that Kaibel had, immediately on his arrival at Goulburn, in custody, on the Saturday evening, prepared a written statement, accounting for his movements from his departure from Arthursleigh to his arrival in Sydney, and that supposing his allegations to be true, a clear alibi was established . . . Their Worships discharged the prisoner.

See also Kaibel's letter to the paper, "THE ARTHURSLEIGH MYSTERY. To the Editor of . . .", The Goulburn Herald and County of Argyle Advertiser (23 December 1857), 3

http://nla.gov.au/nla.news-article118244981

See also, "A True Story of Old Times", The Scrutineer and Berrima District Press (14 October 1892), 3

http://nla.gov.au/nla.news-article131016561

? [Advertisement], Empire [Sydney, NSW] (6 October 1860), 2

http://nla.gov.au/nla.news-article60499476

THE AUSTRALASIAN STEAM NAVIGATION COMPANY. -
UNCLAIMED PACKAGES . . . 1 box, Charles Kaibel, Jaques' Wharf . . .

[Advertisement], The Sydney Morning Herald [NSW] (8 October 1861), 1

http://nla.gov.au/nla.news-article13058490

MR. KAIBEL. - PIANOFORTE LESSONS, at 1s. for beginners.
Apply at Mr. HINZ, carpenter, 168, Castlereagh-street.

[Advertisement], The Age [Melbourne, VIC] (29 April 1864), 1

http://nla.gov.au/nla.news-article155014215

LYSTER'S ROYAL ITALIAN and ENGLISH OPERA COMPANY. ROYAL HAYMARKET THEATRE . . .
a Farewell Season of Forty-eight Nights . . . Musical Director and Conductor, Mr. G. Loder.
THE CHORUS . . . Second Bassos - Mr. H. Benham, Signor Roncoveri [sic], Mr. Kaible, Mr. Leveson . . .

ASSOCIATIONS: George Loder (conductor); Henry Benham (vocalist); Alfred Roncovieri (vocalist); John Leveson (vocalist); Lyster's Opera Company (troupe); Haymarket Theatre (Melbourne venue)

Names and descriptions of passengers per Alhambra, from Melbourne, 15 August 1864, for Otago and Canterbury; Public Record Office Victoria

https://prov.vic.gov.au/archive/239F133F-F7F0-11E9-AE98-25DBB68808EF?image=436 (DIGITISED)

. . . J. Sprinkhorn / 19 / [Actor]
R. Kaible / 32 / [Actor]
N. Nathanson / 18 / [Actor] . . .

ASSOCIATIONS: Johann Sprinckhorn (vocalist, Lyster troupe); Gottfried Nathanson (vocalist, Lyster troupe)

"SHIPPING. PORT CHALMERS - AUGUST 22", Otago Daily Times [Dunedin, NZ] (23 August 1864), 4

https://paperspast.natlib.govt.nz/newspapers/ODT18640823.2.5

Alhambra, s.s., McLean. from Melbourne, August 15 . . .
PASSENGER LIST . . . Messrs. W. Lyster . . . Loader . . . Spikehorn, Kaible, Nathenson . . .

See also advance advertisement for the Lyster troupe's tour,
[Advertisement], Otago Daily Times (30 July 1864), 6

https://paperspast.natlib.govt.nz/newspapers/ODT18640730.2.26.2

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY . . .
Conductor - Mr. George Loder . . .
A FULL AND EFFICIENT CHORUS: . . . Mr. Sprinkhorn, Mr. Nathanson, Mr. Kaible . . .

[Advertisement], Empire [Sydney, NSW] (17 April 1865), 1

http://nla.gov.au/nla.news-article60569541

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY.
PRINCE OF WALES OPERA HOUSE. SUBSCRIPTION SEASON FOR 1865 OF TWENTY-FOUR NIGHTS . . .
Commencing MONDAY, May 1st, 1865 . . .
Conductor and Composer - Mr. G. LODER . . .
CHORUS . . . Second Basses - Mr. Levison, Herr Kaible, Mr. De Haja . . .

ASSOCIATIONS: John De Haga (vocalist); Prince of Wales Theatre (Sydney venue)

[Advertisement], Empire (28 March 1866), 1

http://nla.gov.au/nla.news-article60594066

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY.
PRINCE OF WALES OPERA HOUSE. SUBSCRIPTION SEASON FOR 1866 OF TWENTY-FOUR NIGHTS . . .
Conductor and Composer - Mr. George Loder . . .
CHORUS . . . 1st Basses: Mr. Nathanson, Mr. Stockmeyer, Mr. Levison, Herr Kiable . . .

ASSOCIATIONS: Adolphus Stockmeyer (vocalist)

Names and descriptions of passengers per City of Melbourne, from Sydney, 29 May 1866, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/8FFCC733-FA01-11E9-AE98-7DA550931F26?image=14 (DIGITISED)

. . . Mr. Bachrach, Mr. Benham, Mr. Ramsden, Mr. Levison, Mr. Kaible . . .

ASSOCIATIONS: Martin Bachrach (vocalist, Lyster troupe); Richard Ramsden (vocalist, Lyster troupe)

"SHIPPING", The Australasian [Melbourne, VIC] (2 June 1866), 13

http://nla.gov.au/nla.news-article138047099

City of Melbourne, A.S.N. CO.'s s.S., 1,000 tons, D. Walker, from Sydney 29th ult. Passengers - saloon: . . . Stockmeyer, Buchroch [sic], Ramsden, Levison, Kaible . . .

[News], The Argus [Melbourne, VIC] (28 July 1866), 5

http://nla.gov.au/nla.news-article5769100

In the County Court yesterday, in Bachrach v. Lyster, the plaintiff, a chorus singer in the Opera company, sued the director thereof for damages for assault and for wages. It appeared that at a rehearsal plaintiff was charged by another member of the chorus with "doing an imitation of him," and that a quarrel ensued, which led to blows in the middle of which defendant interfered, and struck the plaintiff, who was also told to quit the theatre. On a subsequent occasion he presented himself, and having written asking for an apology, was answered by having his note thrown at his head, and, so he alleged, by a further assault being committed on him. Defendant paid a small sum into court to cover the salary claimed, with costs, and also 40s. or 50s. for the assault, which, it was put on the part of defendant, was merely a constructive assault, called for by the necessity of preserving subordination in a theatrical company. The judge, after reviewing all the circumstances of the case, gave a verdict for the defendant.

ASSOCIATIONS: Martin Bachrach (as above); William Saurin Lyster (manager)

"THE NEWS OF THE DAY", The Age (28 July 1866), 5

http://nla.gov.au/nla.news-article160219070

A little fracas at one of the rehearsals of the opera company gave rise to an action in the county court, yesterday, the defendant in the case being Mr. W. S. Lyster, and the plaintiff a member of the chorus, named Bachrach, who charged Mr. Lyster with an assault, laying his damages at £50. Bachrach's statement was that, while the company were rehearsing an opera, on the 27th of Jane last, he happened to make some little observation to another member of the chorus, named Thomson, which Kiebel, a third of their number remarking, took to be some reflection upon himself and assaulted plaintiff, who, while defending himself, was set upon by Mr. Lyster, and severely chastised with a stick, which was broken about his head and back. He immediately left the theatre, and an apology being refused, he brought the present action.
He then called two members of the company, J. H. Sutcliffe and Benjamin Levison, who testified to having witnessed the assault. Mr. Lyster then stated that on the day in question, while Madame Simonsen and others were rehearsing with the chorus, he observed a scuffle among the latter, and saw Bachrach and Kiebel fighting. Conceiving the former to be the aggressor, he, as he admitted, hit him with a stick he had in his hand, and broke it over him. As a compensation for this, £5 had been paid into court. Bachrach then threw off his coat by the footlights, and seemed about to fight, but, after using some abusive language, he left the theatre.
Witness met him next day outside the dress circle entrance, in Bourke-street, and, as he appeared to be sorry for what he had done, he (witness) promised that Kiebel should be dismissed if he had been the offender. On the day after, he was surprised to find a letter sent to him from Bachrach requiring an apology, which he, of course, refuses to give.
Henry Thompson said that he was standing between Bachrach and Kiebel, at the rehearsal, and that Bachrach was the first to commence the fight, taking Kiebel by the throat. The latter then hit Bachrach with a stick, and Mr. Lyster interfered.
Charles Kiebel, who is a much older and smaller man than Bachrach, then stated that he saw Bachrach imitating him, and on his remonstrating was seized by the throat. He then struck Bachrach with a stick, but was too much excited to remember who parted them.
His Honor Judge Pohlman found a verdict far the defendant, with costs. Mr. F. L. Smyth appeared for the plaintiff, and Mr. Aspinall for the defendant.

ASSOCIATIONS: Henry Osborn Thompson (vocalist); Fanny Simonsen (vocalist); John H. Sutcliffe (vocalist); Benjamin Leveson (vocalist)

[Advertisement], The Sydney Morning Herald (4 December 1866), 8

http://nla.gov.au/nla.news-article13137814

PRINCE OF WALES OPERA HOUSE.
FAREWELL SEASON OF LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY . . .
Conductor - Mr. Martin Simonsen . . .
POWERFUL CHORUS . . . First Basses: Mr. Stokmeyer, Mr. Kaible, Mr. Griffiths, Mr. Evans . . .

ASSOCIATIONS: Martin Simonsen (conductor)

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (20 February 1869), 3

http://nla.gov.au/nla.news-article197569317

ST. GEORGE'S HALL, BEECHWORTH.
TUESDAY EVENING, FEB. 23RD.
SPECIAL COMPLIMENTARY BENEFIT TO THE DRAEGER FAMILY OF Infant Australian Musicians.
Under Distinguished Patronage.
PROGRAMME. PART I. Overture - Beechworth Amateur Brass Band . . .
Baritone Song - Herr Kaibel . . . Bass Song - Herr Schluter . . .
PART II . . . Baritone Song - Herr Kaibel . . . Bass Song - Herr Schluter . . .

ASSOCIATIONS: Draeger family (musicians); Adolph Schluter (vocalist)

? "NEW SOUTH WALES . . . EDUCATIONAL ESTABLISHMENTS", The Australian almanac for the year 1875 (Sydney: John L. Sherriff, 1875), 163

https://nla.gov.au/nla.obj-2907808862/view?partId=nla.obj-2907844508#page/n172/mode/1up/search/Kaibel (DIGITISED)

MUDGEE DISTRICT . . . PROVISIONAL SCHOOLS . . . Limestone Flat - C. Kaibel . . .

? "Notes and Queries . . . To the Editor", Australian Town and Country Journal [Sydney, NSW] (22 June 1878), 17

http://nla.gov.au/nla.news-article70612711

DEAR SIR, - I read in the introduction to "Birds of Australia" by Mr. Gould, the following incident, and wish you to mention it in your "Notes and Queries." -
"Scorched to Death. - . . .
This must have happened some thirty years ago if true, and I wonder if there are some alive yet who can remember this dreadful event. -
Yours most respectfully,
CHAS. G. KAIBEL.
Newhaven, near Dubbo.

ASSOCIATIONS: John Gould (ornithologist)

? [Advertisement], Goulburn Evening Penny Post [NSW] (20 May 1890), 3

http://nla.gov.au/nla.news-article102828675

Evening School! WILL be RE-OPENED THIS EVENING at half-past 7 p.m.,
French and German classes also forming.
PROF. CHARLES G. KAIBEL, Academie de Danse, Grafton-street.

KASTEN, August (August KASTEN; August KASTON)

Musician, clarinet / clarionet player

Born c. 1820
Arrived Adelaide, SA, 7 August 1854 (per Wandrahm, from Hamburg, 12 April)
Departed Melbourne, VIC, 2 April 1865 (per Royal Standard, for London)

https://trove.nla.gov.au/search?l-publictag=August+Kasten+musician (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KASTEN-August (shareable link to this entry)

KASTEN, Christian (Christian KASTEN)

Musician

Born Hanover (Germany), ? c. 1840
Arrived Adelaide, SA, 7 August 1854 (per Wandrahm, from Hamburg, 12 April)
? Died Beechworth, VIC, 10 September 1866, aged "26"

https://trove.nla.gov.au/search?l-publictag=Christian+Kasten+c1840-1866 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KASTEN-Christian (shareable link to this entry)

Documentation:

Passengers per Wandrahm, from Hamburg, 12 April 1854, for Adelaide, 7 August 1854; Passenger history SA

https://passengers.history.sa.gov.au/node/661505

https://passengers.history.sa.gov.au/node/661506

. . . August Kasten / Musician // Christian Kasten / Musician . . .

Names and descriptions of passengers per Havilah, from Adelaide, 25 January 1856, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/6D4154C8-FA01-11E9-AE98-A93AD055614D?image=35 (DIGITISED)

Auguste Kasten / 36 . . .

Names and descriptions of passengers per Beemah, from Melbourne, 31 January 1856, for Liverpool; Public Record Office Victoria

https://prov.vic.gov.au/archive/2368C0D6-F7F0-11E9-AE98-1FD9457028B4?image=179 (DIGITISED)

. . . Auguste Kasten / 36 / Foreigner . . .

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (8 February 1861), 5

http://nla.gov.au/nla.news-article199601197

DANCING. Dancing for the Million
FIRST NIGHT, SATURDAY , FEB. 9, OF THE CASINO.
HENRY MASON of the Princess Alice Hotel, opposite the Gas Works,
wishes to inform those ladies, and gentlemen that are fond of indulging in the light fantastic,
that he has at great expense secured the services of one of the finest bands in Victoria, and that he intends
OPENING EVERY NIGHT His large Ball Room as a Casino. Admission Free.
Dancing Every Night to Commence at 8 o'clock, sharp,
MUSIC: -
August Kaston [sic] - Clarionette.
William Hegar - Saxbert [sic]
Henry Geslar - Saxhorn.
Miss Hildesprat - Violin.
Miss Hildespratt - Accordian.
ADMISSION FREE, Every Night.

ASSOCIATIONS: None of the other musicians independently identifiable

Supplement to the Victoria Government gazette of Tuesday, April 1, 1862 (2 April 1862), 581

https://www.ancestry.com.au/search/collections/62730/records/994782 (PAYWALL)

LIST OF UNCLAIMED SHIP LETTERS . . . Kasten, August . . .

"SHIPPING INTELLIGENCE . . . CLEARED OUT . . . TUESDAY, FEBRUARY 21", Adelaide Observer [SA] (25 February 1865), 4

http://nla.gov.au/nla.news-article159493648

SOUTH AUSTRALIAN, steamer, 436 tons, J. Pain, master, for Melbourne. Passengers . . . A. Poole, August Kasten, P. Trenor, and J. Nail, in the steerage.

Names and descriptions of passengers per South Australian, from Adelaide, 21 February 1865, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/879B3E34-FA01-11E9-AE98-3B8C93869F87?image=5 (DIGITISED)

. . . August Kasten / 45 // P. Trenor [? Trevor] / 38 // John Nail / 55 // Alex. Poole / 20 // James Poynter / 28

Names and descriptions of passengers per Royal Standard, from Melbourne, 2 April 1865, for London; Public Record Office Victoria

https://prov.vic.gov.au/archive/23A18441-F7F0-11E9-AE98-8F8E2EC52AEF?image=605 (DIGITISED)

. . . Andrew Kasten / 40 / Miner / [Foreigner] . . .

? "DEATH", Ovens and Murray Advertiser [Beechworth, VIC] (11 September 1866), 2

http://nla.gov.au/nla.news-article198658313

KASTEN. - At the Ovens District Hospital, Beechworth, on the 10th September, Christian Kasten, late of Hanover, aged 26 years.

Bibliography and resources:

? Christian Kasten, Find a grave

https://www.findagrave.com/memorial/228039740/christian-kasten

KAVANAGH, Thomas (KAVENAGH, KAVANNAH, KAVANNAGH, CAVANAGH, CAVENAGH) see main page Thomas KAVANAGH

Musician, soldier, sergeant and master of the Band of the 3rd Regiment (Buffs) (active NSW, 1823-27)

KAVANAGH, William see main page William KAVANAGH

Musician, soldier, bandsman, Band of the 3rd Regiment (Buffs) (active NSW, 1823-27)

KAWERAU BROTHERS

KAWERAU, Frederick (Friedrich Ferdinand KAWERAU; Frederick Ferdinand KAWERAU; Frederick KAWERAU; Fritz KAWERAU; KAVERAU)

Musical amateur, amateur vocalist, bass vocalist, architect, surveyor, hotel keeper

Born Bunzlau (Boleslawiec), Prussia (Poland), 1 October 1817; son of Peter Friedrich Theodor KAWERAU and Maria Juliane JEZLER
Married Marie HUNTEMANN (d. 1875), by c. 1849
Arrived Melbourne, VIC, 21 April 1849 (per Dockenhuden, from Hamburg, 4 December 1848, via Rio de Janeiro, 16 February)
Departed Melbourne, VIC, 7 January 1869 (per Holmsdale, for London)
Died Berlin, Germany, 18 April 1876, aged "58"

https://trove.nla.gov.au/search?l-publictag=Friedrich+Ferdinand+Kawerau+1817-1876 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/Frederick_Kawerau (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KAWERAU-Frederick (shareable link to this entry)

KAWERAU, Theodore (Carl Theodor KAWERAU; Charles Theodore KAWERAU; Charles KAWERAU; Theodore KAWERAU; T. KAWERAU; KAWERAW; KAWERAU; KAVERAU)

Musician, tenor vocalist, teacher of singing, piano tuner, accountant

Born Wonneberg (Ujescisko), near Danzig (Gdansk), Prussia (Poland), 6 March 1822; baptised Wonneberg, 27 March 1822; son of Peter Friedrich Theodor KAWERAU and Maria Juliane JEZLER
Arrived Melbourne, VIC, 21 April 1849 (per Dockenhuden, from Hamburg, 4 December 1848, via Rio de Janeiro, 16 February)
Died Ballarat East, VIC, 15 September 1904, aged "82/83"

https://trove.nla.gov.au/search?l-publictag=Carl+Theodor+Kawerau+1822-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KAWERAU-Theodore (shareable link to this entry)

Summary:

Friedrich Ferdinand Kawerau (in Australia usually Frederick Kawerau, or "Kaverau", as reported "pronounced Carvero") arrived at Melbourne, on the Dockenhuden from Hamburg, on 21 April 1849, with his wife Marie Huntemann (d. 1875), and younger brother Carl Theodor (usually Theodore Kawerau).

Frederick first advertised as an architect and surveyor in Melbourne in July 1849, and Theodore as a singing teacher in April 1850, using pianist Julius Buddee's address. However, from as early as August 1849, they were both probably partly responsible for the spate of German vocal quartets programmed in the Mechanics' Institute music class concerts. One or other of them, perhaps Theodore, was the probably the German singer who assisted Joseph Griffiths in his December concert.

In 1850, "Mr. S. Kawerau" (correctly Frederick), and Theodore were first billed by name to appear in the music class performance on 30 May for Thomas Reed.

Theodore sang in three concerts during the Separation celebrations in December 1850, the first two in Melbourne for Joseph Wilkie, and appearing in solo songs and a duet with Elizabeth Testar. In the third, in Geelong for Julius Buddee, Theodore again appeared in duet with Testar, and in the comic duet from Cimarosa's The secret marriage with "F. K.", his brother. Both brothers also probably sang in the four German quartets on the program.

Both brothers were in Geelong in the early 1850s, where Frederick settled and, as a bass soloist, participated in performances by, among others, the Geelong Sacred Harmonic Society.

Both brothers continued to appear occasionally in concerts; for instance, having long since moved to Melbourne, Frederick appeared with Octavia Hamilton in July 1863. Theodore had settled in Ballarat by 1858 or earlier; in June 1863 he was honorary secretary of the newly formed Ballarat Vocal Union, under the leadership of Austin Turner, and a member of the German Liederkranz, and later president of the Deutsche Verein.

Documentation:

Baptisms, Wonneberg (Lutheran), Danzig (Poland), 1822; Staatliche Archivverwaltung (DDR); film: 245745; page: 211-12

https://www.ancestry.com.au/search/collections/61250/records/4880191 (PAYWALL)

27 March 1822 / born 6 March 1822 / Carl Theodor Kawerau son of / Peter Friedrich Theodor Kawerau and Maria Juliane Kawerau [Jetzler]

ASSOCIATIONS: Peter Friedrich Theodor Kawerau (1789-1844) and Maria Juliane Jezler (1792-1853) married on 8 March 1814

List of German immigrants on the Dockenhuden, from Hamburg, 1849; Public Record Office Victoria

https://prov.vic.gov.au/archive/7FDBD055-F843-11E9-AE98-D5A93864ECA2?image=5 (DIGITISED)

No. 91 / Fritz Kawerau / Architect & Carpenter / [Age] 31 / [native place] Hamburg . . .
92 / Marie Kawerau / Wife / 25 / Hamburg . . .
93 / Theodor Kawerau / Soldier / 27 / Prussia . . .

See also, "MELBOURNE NEWS", Geelong Advertiser [NSW (VIC)] (24 April 1849), 2

http://nla.gov.au/nla.news-article93133310

The Dockendhuden, with 100 German immigrants, came into the harbor about midday on Saturday, having left Hamburg on the 4th November. She has made a some what lengthy passage. The immigrants, the greater portion of whom were selected by Mr. Westgarth, who was at Hamburg when the Dockenhuden sailed, are described as being highly respectable, and of a description urgently needed in the colony. The vessel, after discharging a small portion of her cargo here, proceeds to Adelaide.

[Advertisement], The Argus [Melbourne, NSW (VIC)] (31 July 1849), 3

http://nla.gov.au/nla.news-article4770695

A CARD. MR. F. KAWERAU, ARCHITECT AND SURVEYOR, (from the Royal Academy, Berlin,)
BEGS to announce that he is prepared to draw plans, and undertake the erection of buildings of every size and description, or to undertake surveying in all its branches.
Specimens of drawings, plans, &c. may be seen at the Argus office; and application to be made to Mr. Germain Nicholson's, Collins-street. July 31, 1849.

[2 adjacent news items], The Argus (3 August 1849), 2

http://nla.gov.au/nla.news-article4773669

CONCERT. We are glad to find that the music class of the Mechanics' Institute is all alive, and intend presenting another of their admirable concerts this evening. The programme is unusually rich, containing solos on three distinct instruments, two of the German quartettes which formed so striking a feature of the last concert . . .

ASSOCIATIONS: Mechanics' Institution music class (Melbourne association)

ARCHITECTURE. A German gentleman of the name of Kawerau (pronounced Carvero by any body wishing to be successful in finding him,) has left at our office some plans and drawings of buildings erected by him in Hamburg and elsewhere. We wish to call public attention to them as indicative of very considerable taste and ability. Having lately arrived in one of the German vessels, he is anxious to practice his profession in this district, and as his talents appear equally to embrace the simplicity of a Pyramid, and the elaboration of an Alhambra, and he speaks of being perfectly capable of undertaking any building from a dog-kennel to a tower of Babel, we wish to draw the attention of intending builders to his claims for support, and feel convinced that he ought to procure as much employment as he could possibly stagger along under, in a place in which buildings are progressing with such rapidity as in Melbourne.

[Advertisement], The Argus (11 April 1850), 3

http://nla.gov.au/nla.news-article255610941

SINGING. MR. T. KAWERAU, from Koenigsberg (Prussia)
at the request of numerous friends, intends to commence
Tuition in the Art of Singing, in Melbourne and its vicinity,
for terms, apply to Mr. J. Buddee, Russell-street.

ASSOCIATIONS: Julius Buddee (musician)

"SINGING", The Argus (26 April 1850), 2

http://nla.gov.au/nla.news-article4771901

We perceive from our advertising columns that Mr. T. Kawerau has commenced tuition in the art of Singing. This is the gentleman whose beautiful counter-tenor voice produced so fine an effect in many of the German quartettes which have lately been presented to the public. As we hear that his aptitude in instruction is fully equal to the effectiveness of his own performance, we commend the offer of his services to those who are inclined to attempt the acquisition of one of the most pleasing of the Arts - regretting that an unkind Fate has awarded us an organ of so unmusical a character that we have never been able to coax out of it anything better than an abominable hybrid between the croak of a frog and the creak of a door, and thus finding ourselves utterly beyond the pale of Mr. Kawerau's assistance.

Letter, Colonial Secretary, Sydney, NSW, to Charles La Trobe, Melbourne, NSW (VIC), 21 May 1850; Public Record Office Victoria

https://prov.vic.gov.au/archive/88C262E4-C20C-11ED-8BFF-A14689E37F5B?image=1 (DIGITISED)

The Colonial Secretary enclosing a Certificate of Naturalisation in favor of Mr. Frederick Ferdinand Kawerau.
Colonial Secretary's Office, Sydney, 21st May 1850.
Sir, With reference to your Honor's Letter of the 3rd Instant, No. 50/201, respecting the Naturalization of Mr. Frederick Ferdinand Kawerau, I now do myself the honor to forward herewith the necessary certificate which has been prepared in his favor, and to request that you will have the goodness to deliver the same, upon payment of the usual fee of one guinea.
I have the honor to be, Sir, your Honor's most obedient servant,
For the Colonial Secretary . . .
[To] His Honor The Superintendent of Port Phillip.

ASSOCIATIONS: Charles La Trobe (superintendent); and see also:

https://prov.vic.gov.au/archive/0BDAC5F5-C45E-11ED-8BFF-B75001E44B1E?image=1 (DIGITISED)

[Advertisement], The Argus (28 May 1850), 2

http://nla.gov.au/nla.news-article4773493

Mechanics' School of Arts Music Class.
THE Members of the class beg to announce that they will give
a public concert in the Room of Mechanics' Institute
on Thursday evening, 30th instant, under the direction of Mr. Reed.
VOCAL PERFORMERS - Mr. Young, Mr. Troy Knight, Mr. Walter,
Mr. S. Kawerau [sic], Mr. T. Kawerau . . .

ASSOCIATIONS: Thomas Reed (director); Charles Young (vocalist); Troy Knight (vocalist)

[Advertisement], The Argus (5 December 1850), 3

http://nla.gov.au/nla.news-article4764862

MR. WILKIE'S GRAND VOCAL CONCERT . . .
THURSDAY, THE 5th DECEMBER, in the MECHANICS' HALL, Melbourne.
Principal Vocalists - MRS. TESTAR, (late Miss E. Turner,) MRS. RIVIERES, From the London Concerts.
Pianoforte Accompanyist, MR. WILKIE . . .
PROGRAMME. PART I . . . Song - The Last Adieu - Mr. Kaverau . . .
PART II . . . Duet, I've Wandered in Dreams, Mrs. Testar and Mr. Kaverau - Wade . . .

ASSOCIATIONS: Joseph Wilkie (musician, musicseller); Elizabeth Testar (vocalist)

MUSIC: The last adieu (Edward Perry); I've wandered in dreams (J. A. Wade)

"LAST NIGHT'S CONCERT", The Melbourne Daily News (6 December 1850), 2

http://nla.gov.au/nla.news-article226520315

The expectations formed of this event were more than realised. The concert was most successful, and the attendance inconveniently large - in fact the lobby was fully occupied throughout the evening . . . We have no hesitation in saying, (and we are not the most easily pleased in such matters) that Mrs. Testar is the Prima Donna of the Colonies, and it is to be regretted that such an artiste must be buried in private tuition . . . Wade's sweet duet, "I've Wandered in Dreams," was very pleasingly performed by Mrs. Testar and Mr. Kaverau, but was beneath her powers. One of the most charming, touching ballads ever written, "The last Adieu," better known as "Farewell, Dearest," in F minor (Perry, composer) was entrusted to Mr. Kaverau, who acquitted himself pleasingly, but from his imperfect pronunciation of our mother tongue, and want of breadth and power in his voice, could not do all the beautiful composition deserved . . .

[Advertisement], The Melbourne Daily News (17 December 1850), 3

http://nla.gov.au/nla.news-article226519184

UNDER THE PATRONAGE OF HIS HONOR C. J. LA TROBE, Esq.
MR. WILKIE' S CONCERT, In the Mechanics' Hall, THIS EVENING DECEMBER 17, 1850.
PART 1. Overture, "Norma."
Trio, "The Wreath," Mrs. TESTAR, Messrs. Kawerau and Lord . . .
Duette, "I've wandered in Dreams," Mrs. TESTAR, and Mr. Kawerau.
"Instrumental, "Railway Galop," Full Band
PART II. Instrumental, "Wilkie's Separation Polka" - Full Band
Trio, "Magic Wove Scarf" - Mrs. TESTAR, Messrs. Kawerau and Lord . . .
Duett - Messrs. Kawerau and Lord . . .
Mr. Wilkie will preside at the Pianoforte . . .

ASSOCIATIONS: ? Ebenezer Lord (vocalist)

ASSOCIATIONS: The wreath (Mazzinghi); The magic wove scarf (Barnett, from The mountain sylph)

[Advertisement], Geelong Advertiser [VIC] (19 December 1850), 3

http://nla.gov.au/nla.news-article91917324

THIS EVENING. Grand Concert,
IN THE LARGE ROOM, AT MACK'S HOTEL . . .
MR. BUDDEE has the honor of informing the inhabitants of Geelong, and its vicinity, that his
GRAND CONCERT will take place, on the evening of Thursday, December 19 . . .
PROGRAMME. PART I.
1. German Quartett (Die Capelle) (Blauer Montag) a comic song
2. GLEE (MRS. TESTAR, T. KAWERAU, J. K. [sic]) . . .
4. A Quartet (German) Trinklied . . .
6. Duet (I've wandered in dreams) - MRS. TESTAR, T. KAWERAU
7. Quartett (Where would I be?) Die Kaferknaben, the "Three Beetles," comic song
PART II.
8. Quartett (A. B. C.) . . .
11. Comic Duett (from the "Secret Marriage," by Cimarosa) - T. KAWERAU, F. K.
12. Quartett (Walzer ohne Worte) . . .
15. Quartett, by Mendelsohn Bartholdi
16. Separation song, by MR. REED . . .

MUSIC: Se fiato in corpo avete (comic duet from Il matrimonio segreto, Cimarosa)

[Advertisement], Geelong Advertiser (21 December 1850), 2

http://nla.gov.au/nla.news-article91914978

Pianoforte Tuning.
T. KAWERAU respectfully intimates that he intends to stay one weeks in Geelong, during which time he will be happy to tune Pianofortes.
Orders to be left at Dr. Bailey's, Yarra street.

[Advertisement], The Melbourne Daily News (14 March 1851), 4

http://nla.gov.au/nla.news-article226521729

MR. WILKIE Begs to announce that the
GRAND CONCERT In aid of the funds for the Relief of the Sufferers by the late Bush Fires,
will take place in the QUEEN'S THEATRE, THIS DAY, the 14th MARCH, 1851.
Leader of the Band - Mr. REED.
PROGRAMME. PART I. Overture. - "L' Italiana in Algeri," - Band - Rossini.
Solo and Chorus. - "The Gypsies Tent," - Messrs. Kawerau, Hemy, Wheeler, White, &c. - Cooke . . .
Solos and Choruses. - Lock's celebrated Music in Macbeth, - (got up expressly for this occasion under the direction of Mr. Hemy), -
"Speak Sister, Speak," - "He will, he will," - "We should rejoice," - "When cattle die," - "Let's have a dance," - "At the night Raven's dismal Voice," - "Echo Chorus," - "My little Spirit," - "Come away," - "Now I go," - "We fly by night," - "Black Spirits and White," "Round, around about," &c..
PART II. Band, "Birthday Quadrilles" - H. F. Hemy
Quartette. - "A te O Cara" (Il Puritana) - Mrs. Testar, Messrs. Kawerau, Hemy and Wheeler . . .
Solo and Chorus - "Roderick Vich Alpine," - Messrs. Kawerau, Hemy, Wheeler, Gouge, Shearcroft, White, Nicholas, &c. . . .

ASSOCIATIONS: Black Thursday bushfires (1851 event); Henry Frederick Hemy (vocalist, pianist, composer); Stephen Thomas Wheeler (vocalist); George Gouge (vocalist); Edwin Shearcroft (vocalist)

MUSIC: Locke's music in Macbeth (correctly, mostly by Richard Leveridge); The gipsies' tent (Cooke); Boat song ["Hail to the chief . . . Roderick Vich Alpine Dhu"] (Scott, from The lady of the lake)

"LAST NIGHT'S CONCERT . . .", The Melbourne Daily News (15 March 1851), 2

http://nla.gov.au/nla.news-article226521545

. . . was eminently satisfactory, and we cannot bestow too much praise upon the services and performances of Mr. Hemy, who (assisted by Mr. Wilkie) was the prominent promoter of this charitable affair. The boxes were crowded. The programme was admirably rendered. The solo and chorus, "The Gypsies' Tent," was beautifully executed; the assistance of about fifty voices gave it a strength, most effective, and, in this part of the globe, novel . . . A gem from Puritani, (Rubini's celebrated song) A te O Cara, was very fairly rendered by Mr. Kaverau, and the quartette portions of it most effective. In the whole range of Bellini's compositions there is scarcely an extract so exquisite in melody as the one here named . . .

[Advertisement], Geelong Advertiser (23 April 1851), 3

http://nla.gov.au/nla.news-article91914087

Pianoforte Tuning and Repairing.
A CARD. TH. KAWERAU, (From Melbourne.)
BEGS leave to inform the Public, that he is now going to reside in Geelong; and that he will be most happy to receive Orders for Tuning and Repairing Pianofortes, in town and its vicinity; he is fully convinced he can give satisfaction to all those parties who may favour him with their patronage.
Orders to be left at the Office of Mr. Charles Laing, Architect, Bellerine street.

ASSOCIATIONS: Charles Laing (architect)

"IDLINGS IN THE BUSH (FROM OUR TRAVELLING CORRESPONDENT) Mount Emu, March 22nd, 1853", The Argus (31 March 1853), 4

http://nla.gov.au/nla.news-article4791167

. . . There is nothing at all pretty or interesting about the appearance of Buninyong. There is a Presbyterian Church and School house - Minister, Mr. Hastie, - also used for a court-house, and sundry other purposes. There is a handsome stone house in course of erection for an hotel, under the direction of Mr. Kawerau, of German quartet-singing notoriety, who is now more profitably employed in his original professional as an architect at Geelong . . .

[Advertisement], Geelong Advertiser and Intelligencer (5 July 1854), 7

http://nla.gov.au/nla.news-article91931290

Thursday, June 6, At 1 o'clock.
Important Sale of elegant and valuable Household Furniture, Without reserve.
O'FARRELL & SON Have been favored with instructions
from F. Kawerau, Esq., who is about returning to Europe,
to sell by auction, at his residence, Skene-street, New-town, on Thursday 6th of June, at 1 o'clock,
THE whole of his truly valuable Household FURNITURE, cooking utensils, &c.,
consisting of One fine toned piano forte . . .

[Advertisement], Geelong Advertiser and Intelligencer (3 October 1854), 3

http://nla.gov.au/nla.news-article91860603

HOTEL GARNI. MR. F. KAWERAU
begs respectfully to call public attention to his large and commodious house,
pleasantly situated in Skene-street, on La Trobe Terrace, overlooking the town and harbor of Geelong,
which he has fitted up for the reception of Ladies, Gentlemen and Families,
who may require permanent or temporary accommodation in Town . . .

"SOUIREES MUSICALES", Geelong Advertiser and Intelligencer (10 May 1855), 2

http://nla.gov.au/nla.news-article91867998

Another of these select entertainments given by Mons. and Madame Herwyn takes place this evening at Mr. Kawerau's Hotel, Skene street. For the information of those of our readers who have not had the pleasure of attending previous soirees, we may explain that the programme usually comprises a varied selection of vocal and instrumental music. The names of Mons. and Madame Herwyn are a sufficient guarantee of excellence.

ASSOCIATIONS: Henry and Celestine Herwyn (violinist and pianist)

"GEELONG (FROM OUR OWN CORRESPONDENT) Saturday, 29th September, 1855", The Argus (1 October 1855), 5

http://nla.gov.au/nla.news-article4819702

The Oratorio (the "Creation)" given by the Geelong Sacred Harmonic Society came off in the Independent Chapel, on Thursday evening last . . . Mr. Kaweraw, who also gave his services, sang remarkably well; his is a fine deep bass voice . . .

ASSOCIATIONS: Geelong Sacred Harmonic Society (association)

"THE SACRED CONCERT IN AID OF THE MECHANICS' INSTITUTION", Geelong Advertiser and Intelligencer (20 February 1856), 2

http://nla.gov.au/nla.news-article91863856

The Oratorio given by the Geelong Sacred Harmonic Society last evening, was in every respect successful. The large chapel in McKillop-street was crowded, most of the elite of Geelong being present . . . Mrs. Testar was in capital voice . . . Mr. Kawerau's singing the air "Thou art gone up on high," was very effective and pleasing. Mr. I'erson, the Conductor, sung the air in the second part "Why do the nations," and was much applauded . . .

ASSOCIATIONS: Thomas William I'Erson (conductor, vocalist); Geelong Mechanics' Institute (association)

"SACRED CONCERT. To the Editor of the . . .", Geelong Advertiser and Intelligencer (22 February 1856), 2

http://nla.gov.au/nla.news-article91865450

SIR, - Seeing so short an account of last evenings concert in your impression of this morning and conceiving that the entertainment deserves a longer notice, I beg the insertion of the following lines: . . .
Mr. Kawerau rendered the recitative "Thus saith the Lord of Hosts" and the air "But who may abide the day of His coming," in his careful manner . . .

[Advertisement], Geelong Advertiser and Intelligencer (7 March 1856), 3

http://nla.gov.au/nla.news-article91865048

WEDNESDAY, 11th instant. On the premises near the Hotel Garni, Skene-street.
Elegant Household furniture, Superb Pianoforte, &c.
DAVISON, MACDONALD, and CO., are instructed by Mr. Kawerau, who is removing to Melbourne,
to sell by auction, on the above premises, at 12 o'clock, Without the slightest reserve -
The remaining and choicest portion of his VALUABLE HOUSEHOLD FURNITURE,
Consisting of Superb rosewood pianoforte (the instrument on which Madame Herwyn played at her Concerts at the "Hotel Garni") . . .

"COUNTY COURT. Saturday, 17th July", The Star [Ballarat, VIC] (19 July 1858), 2

http://nla.gov.au/nla.news-article66049252

INTERPLEADER ACTION - Sandall v. Kalensee . . .
The next witness, Chales Kawerau, remembered the horse being bought to carry out beef for the yards . . .

"BALLARAT PHILHARMONIC SOCIETY", The Star (25 March 1859), 3

http://nla.gov.au/nla.news-article66334771

The first annual meeting of this society took place yesterday (Thursday) evening, at the Church of England School-room, Lydiard-street. There were present about thirty members, and at half-past eight o'clock business commenced, Mr. A. T. Turner being voted to the chair . . . On the close of this business the meeting proceeded to elect the Committee and office-bearers for the ensuing year, having resolved there should be only seven on committee, instead of nine as previously. The following were then elected on committee: - . . . Kawerell . . .

ASSOCIATIONS: Austin Theodore Turner (conductor); Ballarat Philharmonic Society (association)

MECHANICS' INSTITUTE SOIREE", The Star (2 May 1860), 3

http://nla.gov.au/nla.news-article72466523

Pursuant to announcements made, the anniversary of the inauguration of the Ballarat Mechanics' Institute was celebrated on Tuesday by a public soiree in the large hall of the newly-erected Police Court-house, Ballarat East . . . On the platform were several ladies and gentlemen from the Philharmonic Society, who under the leadership of Mr. Turner had obligingly consented to lend their services during the evening, while about an equal number of gentlemen from the German Liederkranz, led by Mr. Kawerau, also gave an additional charm to the varied proceedings of the occasion . . . members of the Liederkranz sang the "Vanderlied," a finely rendered concerted piece . . . The members of the German Liederkranz then sang a "March" . . .

ASSOCIATIONS: Ballarat German Liederkranz (association); Ballarat Mechanics' Institute (association and venue)

"THE TURNVEREIN AT CREMORNE", The Herald [Melbourne, VIC] (25 November 1862), 5

http://nla.gov.au/nla.news-article244404946

The German Gymnastic and Musical Festival for which preparations have been making for some months past, commenced at noon, yesterday, at Cremorne Gardens, and was kept throughout the day with immense spirit . . . The competition for prizes in quartette singing by members of the various German musical associations took place during the second part, and seemed to attract great interest. Messrs. Siede, Strebinger, Elsaesser, were the judges, and they awarded the prizes to the following gentlemen for singing the "Die Kapelle" of Kreutzer, a double quartette of considerable difficulty, - Messrs. Theodore Kawerau, Fred. Kawerau, Huenerbein, Karsteiner, Sprinckhorn, Gebendinger, Brinckmann, and Pagenstecker. The single quartette prize was carried away by Messrs. Kawerau, Huenerbein, Sprinckhorn, and - Kawerau. The name of the piece was the "Guten Morgen" . . . We left the gardens just as the dim light of the young moon was beginning to throw over them the tinge of romance, and just as they were becoming quite thronged by hundreds who had waited till evening to share in the celebration of the first "Turnverein" ever celebrated in the Australian colonies.

ASSOCIATIONS: Julius Siede (judge); Frederick Strebinger (judge); Charles Elsasser (judge); August Christian Huenerbein (vocalist); Alfred Frederick Kursteiner (vocalist); Johann Sprinckhorn (vocalist); Deutscher Turnverein (Melbourne association and event, correctly first held in 1860); Cremorne Gardens (Melbourne venue)

"SOCIAL", The Star [Ballarat, VIC] (24 June 1863), 1

http://nla.gov.au/nla.news-article72515235

A choral society has been formed on Ballarat. This newly organised society has taken the name of the Ballarat Vocal Union, and is under the leadership of Mr. A. Turner, late conductor of the defunct Philharmonic Society - Mr. Kawerau being the hon. secretary, and Mr. Lake the hon. treasurer . . .

ASSOCIATIONS: John Lake (member); Ballarat Vocal Union (association)

[Advertisement], The Argus [Melbourne, VIC] (13 July 1863), 8

http://nla.gov.au/nla.news-article6487277

UNDER DISTINGUISHED PATRONAGE.
GRAND VOCAL and INSTRUMENTAL CONCERT,
At the ARTILLERY ORDERLY-ROOM, Bridge-road, Richmond,
In aid of the Building Fund. THIS EVENING, JULY 13, 1803.
Vocalists - Miss Octavia Hamilton, Miss Liddle,
Messrs. Driver, Strettle, Lang, Kawerau, and Kursteiner, (Gentlemen Amateurs.) . . .
JUVENILE VOLUNTEER FIFE and DRUM BAND, In their picturesque uniform.
Conductor and Pianist - Herr Elsasser . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Maggie Liddell (vocalist); Alfred Frederick Kursteiner (vocalist); Charles Elsasser (conductor and pianist)

"NEWS AND NOTES", The Ballarat Star (29 August 1865), 2

http://nla.gov.au/nla.news-article112878393

Monday evening's concert in the hall of the Mechanics' institute, in aid of the organ-fund of St. Patrick's Roman Catholic Church, Ballarat, was well attended, considering the unfavorable state of the weather, and dramatic attractions elsewhere. The concert was one of unusual excellence . . . the first portion of the programme was wholly devoted to sacred compositions from the works of Haydn, Handel, Mendelssohn, and Mozart. The second division was of a more miscellaneous and secular character, yet still exclusive of the flimsier class of compositions; or if not very severe, yet artistically rendered. It must be understood that Madame Carandini, Mr. Farquharson, and Mr. Sherwin had tendered their valuable services for the chief solo parts, and so it will not be surprising that a performance of no ordinary character was contemplated, aided as it was to be by other soloists and the full choir of the church. Mr. A. T. Turner acted as conductor, and Mr. Miller as harmoniumist. At the outset it was announced that, owing to the fact of Mr. Sherwin having been attacked with hoarseness, he would not be able to sustain his appointed part in the concert, but that in most of the sacred passages Mr. Kawerau would fulfil the tenor obligation. This arranged, the concert was proceeded with most successfully. The well-trained church choir delivered the "Gloria" from Haydn's 16th Mass, the "Credo" from his 3rd, and the "Agnus Dei" from one by Mozart, with all the compactness, finish, and force that was to be expected from the band of ladies and gentlemen which every Sunday meets for the interpretation of these sublime compositions in their most proper place . . . Several rich passages-solo, duet, and trio - from Haydn's ever-charming Creation, were given by Madame Carandini, Mr. Kawerau, and Mr. Farquharson . . .

ASSOCIATIONS: Maria Carandini (vocalist); Walter Sherwin (vocalist); Robert Farquharson (vocalist)

Names of descriptions of passengers per Holmsdale, from Melbourne, 14 March 1867, for London; Public Record Office Victoria

https://prov.vic.gov.au/archive/23A79EC6-F7F0-11E9-AE98-1DD7F00F30EB?image=217 (DIGITISED)

Saloon . . . F. F. Kawerau / 49 // Mary / 43 // Mary / 10 // Louisa Hunterman / 34 . . .

"SHIPPING INTELLIGENCE . . . THE SHIP HOLMSDALE", The Argus (28 March 1867), 4

http://nla.gov.au/nla.news-article5789538

The following is the passenger list of the ship Holmsdale, for London, which cleared out on the 15th inst., - Saloon - . . . Mr. and Mrs. Kawerau, Miss Kawerau . . .

"PRINCE ALFRED IN VICTORIA. THE PRINCE"S RECEPTION IN BALLARAT [BY OUR SPECIAL REPORTER] Monday [9 December] . . . THE TORCHLIGHT PROCESSION", Leader [Melbourne, VIC] (14 December 1867), 24

http://nla.gov.au/nla.news-article196633914

The torchlight procession of the German residents of Ballarat and the surrounding districts, says the Ballarat Star, was very successful, and added considerably to the general illumination which so loyally and effectively characterised the welcome of the Prince in every part of the town. The procession was formed at the Eastern Town Hall, about half past ten o'clock, Mr. Louis Seiffert officiating as marshal, and Mr. Theodor Kawerau acting as musical conductor . . .

"ARRIVAL OF THE PRINCE IN BALLARAT . . . THE BANQUET . . .", The Ballarat Star (24 December 1867), 1 supplement

http://nla.gov.au/nla.news-article112873014

. . . was held in the Alfred Hall, which was brilliantly lighted and tastefully decorated on the occasion . . . the band of the Ballarat Rifles occupying the orchestra . . . Certain members of the German Liederkrantz being present at the dinner sang at intervals the "Frosch Cantate" and the "Wein Galopp."
The names and voices of the singers were as follow: -
1st tenor, Messrs. Carl Franz and Schmidt; 2nd tenor, Messrs. L. E. Bruun and Thiemeyer; 1st bass, Messrs. De Hugard and Theodor Kawerau; 2nd bass, Messrs. Seiffert and Caesar Kieser, M.D.
Mr. Coleman Jacobs undertook general direction in musical matters . . .

ASSOCIATIONS: Alfred (royal visitor); Coleman Jacobs (pianist, director); Ballarat German Liederkranz (association)

Names and descriptions of passengers per Highflyer, from Gravesend, 7 December 1867, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B35179B-F96C-11E9-AE98-A3F59CAC46D0?image=185 (DIGITISED)

. . . Fred'k Kawerau / 50 / [Gent.] // Mary / 43 / Wife // Mary / 11 / Child . . .

"SHIPPING INTELLIGENCE . . . ARRIVED. MARCH 11", The Argus [Melbourne, VIC] (12 March 1868), 4

http://nla.gov.au/nla.news-article5810824

Highflyer, ship (Green's Blackwall line), 1,011 tons, W. Harrison, from London via Plymouth 19th December. Passengers - cabin: Mr. and Mrs. Kawerau and Miss Kawerau . . .

"SHIPPING FOR THE MONTH", Illustrated Australian News (1 February 1869), 35

http://nla.gov.au/nla.news-article60450880

January 7. - Holmsdale, ship, for London: His Excellency Colonel Gore Browne, C.B.; Mrs. Gore Browne . . . Mr. and Mrs. F. Kawerau, Miss Kawerau . . .

Index to certificates of naturalisation, 1873; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/10174 (PAYWALL)

Carl Theodor Kawerau / Accountant / Ballarat /
Age (on date of naturalization) 50 / Native place - Dantzic, Prussia / Date of certificate - [20 January 1873]

"NEWS AND NOTES", The Ballarat Star (14 April 1874), 2

http://nla.gov.au/nla.news-article201972824

Mr. Frederick Kaverau, the designer and architect of the Kew Lunatic Asylum, left Victoria about eight years ago for Germany. Mr. Kaverau since then has occupied the position of City Architect of Dantzig, and last December he was appointed by the municipality of Berlin as chief inspector of the underground sewerage, which latter work is to be one of the most extensive sewerages in Europe. It is with great pleasure we note this piece of good news to our readers, especially as Mr. Kaverau has been one of the first pioneers in Victoria, is well known to the profession, and has a large circle of friends in this country. We may add that the gentleman who has thus obtained professional position in Europe is brother of Mr. Kaverau, of Messrs. Hepburn and Leonard's office, Ballarat.

"DEATHS", The Australasian [Melbourne, VIC] (25 September 1875), 25

http://nla.gov.au/nla.news-article142154064

KAWERAU. - On the 4th ult., at Berlin, Marie, the wife of F. Kawerau, Esq., formerly of Public Works department, Melbourne.

Deaths, Berlin, 1876; Landesarchiv Berlin

https://www.ancestry.com.au/search/collections/2958/records/46236722 (PAYWALL)

18 April 1876 / Friedrich Ferdinand Kawerau / 58 / born Bunzlau / son of Peter Friedrich Theodor Kawerau and Marie Julie [Jetzler] / spouse of Sophie Huntemann

"Deaths", The Argus (24 July 1876), 1

http://nla.gov.au/nla.news-article5896188

KAWERAU. - In May last, at Berlin, Prussia, Frederick Kawerau, formerly of the Public Works Department, Melbourne.

"Deaths", The Ballarat Star (15 September 1904), 2

http://nla.gov.au/nla.news-article208509191

KAWERAU. - On the 14th September at No. 16 Eastwood street, Ballarat East, Carl Theodore Kawerau, aged 83 years. Funeral private.

"PERSONAL ITEMS", The Balla rat Star (15 September 1904), 6

http://nla.gov.au/nla.news-article208509171

The death took place yesterday of a very old identity of Ballarat, in the person of Mr. Carl T. Kawerau. at the ripe age of 83 years. The deceased gentleman was for a very long time connected with the old firm of Hepburn and Leonard, and was a prominent member of the Deutscher Verein, of which he was at one time president. He was a colonist of over half a century, and was very well known and highly respected amongst the older colonists.

Probate, Carl T. Kawerau, died 14 September 1904; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AA23594-F53D-11E9-AE98-6DC9C960D521?image=6 (DIGITISED - WILL)

https://prov.vic.gov.au/archive/EFB9A01D-F1CD-11E9-AE98-559D4D978478?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/FF5C5B2F-F1E8-11E9-AE98-AD125709AA20?image=1 (DIGITISED)

Bibliography and resources:

Siegfried Kawerau, Familie Kawerau durch 333 Jahre: Dem Familienältesten Peter Gustav Kawerau zum 70. Geburtstag (Landsberg: R. Bartel, [1917]), 12, 22

https://dlibra.bibliotekaelblaska.pl/dlibra/docmetadata?id=18581 (DIGITISED)

[12] Peter Friedrich Theodor / geboren 1789, am 13 (?) September in Elbing / gestorben 1844, am 20. Juli in Rölin / heiratet Maris Juliane Jezler . . . am 8. März 1814 . . .

[22] Friedrich Ferdinand / geboren 1817, am 1. October / gestorben 1876, am 18. April / heiratet Marie Huntemann . . .

Karl Theodor / geboren 1822, am 6 März . . .

Friedrich Ferdinand Kawerau, Geneanet

https://gw.geneanet.org/viktorh?n=kawerau&oc=&p=friedrich+ferdinand

Diskussion: Friedrich Ferdinand Kawerau; Wikisource

https://de.wikisource.org/wiki/Diskussion:Friedrich_Ferdinand_Kawerau

https://de.wikisource.org/wiki/Friedrich_Ferdinand_Kawerau

KAYE, Samuel (Samuel KAYE; Mr. S. KAYE; Mr. KAYE)

Musician, professor of music, singing master, conductor, pianist, organist, choirmaster, musicseller, organbuilder, arranger, music publisher, music and musical instrument importer and seller

Born Lockwood, Huddersfield, Yorkshire, England, 11 June 1829; baptised Queen's-street chapel (Wesleyan), Huddersfield, 5 November 1829; son of John KAYE and Elizabeth EARNSHAW
Arrived Melbourne, VIC, 17 March 1855 (per Hastings, from Liverpool, 10 December 1854)
Married Sarah Constance CHAMNEY (c. 1840-1904), VIC, Prahran church, VIC, 10 January 1860
Departed Melbourne, VIC, after July 1876 (for Queensland)
Died Toowong, QLD, 17 November 1895, aged "66"

https://trove.nla.gov.au/search?l-publictag=Samuel+Kaye+1829-1895 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KAYE-Samuel (shareable link to this entry)

ASSOCIATIONS: Lee and Kaye (musicsellers, firm)

Summary:

Samuel Kaye arrived from England in March 1855 and first appeared in public as a bass soloist, in Israel in Egypt, for the Melbourne Philharmonic Society in August. By 1858, if not earlier, he was a singing master with the Denomination Schools board.

In January 1865, prior to his departure on a visit to Europe, the St. Kilda Glee and Madrigal Society, of which he was the conductor, gave a concert in his honour. Back in Collins-Street east, Melbourne in September 1866, with David Lee, he opened a "Pianoforte and Harmonium Warehouse". They continued to run the business, as "Lee and Kaye", for ten years. In 1876, Kaye sold up his personal effects and left the colony, and Allan and Co. took over the premises.

Lee and Kaye published at least two local compositions, George Benjamin Allen's song A wild night (poetry by Henry Kendall) in July 1870; and So far away (written by Emery Gould; composed by Sidonia; dedicated to to Miss Lennon, Geelong").

Kaye was also responsible for another publication, Music for the masonic order ("being Ritual No. 1 selected and arranged by Bro. Samuel Kaye").

Documentation:

Register of baptisms, Queens-street chapel (Wesleyan), Huddersfield, 1829; register 1817-37, folio 58 verso; UK National Archives, RG4/3037

https://www.ancestry.com.au/search/collections/2972/records/1746641 (PAYWALL)

No. 378 / Samuel the son of John Kaye of Lockwood in the parish of Almonsbury in the County of York, Carpenter,
and of Ann his wife, who was the daughter of William and Nancy Earnshaw
was born on the [11 June 1829] and baptised [5 November 1829] . . .

ASSOCIATIONS: John Kaye (c. 1784-1856) and Elizabeth (Ann) Earnshaw (1790-1861) married at All Hallows, Almondbury, on 26 April 1812

England census, 6 June 1841, Lockwood, Almondbury, Yorkshire; UK National Archives, HO107/1274/8/1/8/10

https://www.ancestry.com.au/search/collections/8978/records/12090891 (PAYWALL)

Providence Row / John Kaye / 55 / Wheelwright // Elizbeth / 50 // [both born in county]
Charles / 20 / [Wheelwright] // Joseph / 20 / Tailor // Sarah / 15 // Henry / 15 // Sam'l / 11 // [all born in county]

Names and descriptions of passengers per Hastings, from Liverpool, 10 December 1854, for Melbourne, 17 March 1855; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF80E70-F96C-11E9-AE98-C724C30A4245?image=383 (DIGITISED0

. . . Sam'l Kaye . . .

See, "SHIPPING INTELLIGENCE. ARRIVED", The Argus [Melbourne, VIC] (19 March 1855), 4

http://nla.gov.au/nla.news-article4805641

March 17.- Hastings, ship, 1080 tons, A. Y. Marshall, from Liverpool 10th December. Passengers . . . two hundred and thirty in the intermediate and steerage. Meyers and Co., agents.

[Advertisement], The Argus [Melbourne, VIC] (27 August 1855), 8

http://nla.gov.au/nla.news-article4816469

PHILHARMONIC SOCIETY. Mechanics' Institution.
FOURTH SUBSCRIPTION CONCERT . . .
Tomorrow (Tuesday) Evening, 28th inst . . .
PART II. From Handel's "Israel in Egypt."
Chorus - He gave them hailstones.
Air - Thou shalt bring them in - Mrs. Testar . . .
Duet - The Lord is a man of war . . . Mr. Kaye and Mr. Bancroft . . .
The Band and Chorus will number about 80 Performers.
Leader, Mr. Griffiths; conductor, Mr. Russell . . .

ASSOCIATIONS: Elizabeth Testar (vocalist); Richard Bancroft (vocalist); Joseph Griffiths (leader, violin); John Russell (conductor); Melbourne Philharmonic Society (association); Mechanics' Institution (Melbourne venue)

"MELBOURNE PHILHARMONIC SOCIETY", The Age [Melbourne, VIC] (29 August 1855), 5

http://nla.gov.au/nla.news-article154895282

The fourth subscription concert of this society held, last night, received the patronage of Sir Charles and Lady Hotham, who attended in company with the Colonial Secretary, the Judges, and the various little luminaries which revolve round the vice regal sun. The selection of music performed was exclusively sacred in its character, being chosen from the oratorios of Judas Maccabaeus, Elijah, St. Paul, and Israel in Egypt. We never heard the choral portions of this society's concerts given so carefully and effectively as they were last night . . . But the gem of the selection was Mendelssohn's exquisite "Jerusalem! thou that killest the prophets" . . . This divine melody was admirably given by Mrs. Testar, and made a great impression on the audience. The duet, "The Lord is a man of war," by Messrs. Kaye and Bancroft, is likewise deserving of commendation, and these gentlemen are likely to prove an acquisition to the society, which is weak in male solo-singers. The society appears to be rapidly outgrowing the dimensions of the room in which it holds its meetings . . .

ASSOCIATIONS: Charles and Jane Hotham (governor and wife)

"THE PHILHARMONIC SOCIETY'S CONCERT", The Age (14 February 1856), 3

http://nla.gov.au/nla.news-article154860722

. . . We do not remember to have heard the instrumentation of the "Creation" better performed on any occasion. The solos were given by Mesdames Testar and Goodliffe, and Messrs. Ewart, Kaye, and Blanchard, in such a manner as to elicit the most marked approbation. Mrs. Testar took her part with her accustomed taste and ability, and Mrs. Goodliffe was not behind hand in a careful rendering of the solos allotted to her. Messrs. Kaye and Blanchard were commendably up in their parts . . .

ASSOCIATIONS: Anne Goodliffe (vocalist); Thomas Ewart (vocalist); John Blanchard (vocalist); Exhibition Building (Melbourne venue)

"THE ORATORIO", The Argus (14 February 1856), 5

http://nla.gov.au/nla.news-article4830702

. . . The performance of Haydn's oratorio last evening at the Exhibition Building by the Philharmonic Society, afforded another satisfactory proof of the advance which in thus colony we are making in musical matters. With many faults as might be expected, there was, on the other hand, much to be commended . . . Some of the solos were most creditably rendered by the principals, Mesdames Testar and Goodliffe, and Messrs. Ewart, Blanchard, and Kaye, - the last a very efficient substitute for Signor Borsotti, who was unable from serious illness to attend . . . With respect to the gentlemen, we must especially refer to Mr. Ewart's rendering of "In Native Worth," and Mr. Kaye's delivery of the fine bass solo "Now Heaven in fullest glory shone," and the introductory recitative . . . Mr. Kaye has a fine voice, but is troubled with the besetting vice peculiar to English singers - a propensity to muffle it by singing through his teeth, with all but closed lips. This is a kind of voluntary lock jaw which has marred many an able singer in the estimation of the public, and as it appears, is likely to be the cause of much future injury, as it was also apparent in the case of Mr. Blanchard, a gentleman who possesses a fine baritone voice, but which was deprived of all resonant quality by the deteriorating practice referred to. The concerted music in which these gentlemen took part was most effectively given, the faults of which we complain being less apparent than in the solos . . .

ASSOCIATIONS: Paolo Borsotti (vocalist)

"THE ORATORIO", The Argus (17 April 1856), 5

http://nla.gov.au/nla.news-article4835672

. . . The Exhibition Building was exceedingly well attended last evening, the ladies in particular mustering in large numbers. The principal vocalists were Mesdames Testar and Goodliffe, and Messrs. Ewart and Kaye . . . Mendelssohn's fine cantata "As the Hart Pants" . . . thoroughly redeemed the concert . . . Mrs. Testar sang the lovely solo "For my soul trusteth" with that delicacy of taste which characterises this favorite vocalist's execution of this kind of music . . . Mr. Ewart was likewise far more successful in this division of the concert, and, with Mr. Kaye merited the applause bestowed upon these gentlemen's exertions in the concerted music . . .

"PHILHARMONIC SOCIETY'S CONCERT", The Age (18 April 1856), 4

http://nla.gov.au/nla.news-article154867546

On Wednesday evening [16 April] the Philharmonic Society held their second subscription Concert for the year to a brilliant audience of about six hundred. The Exhibition building never presented a more animated appearance, and the Philharmonic Society may congratulate themselves upon having been the means of bringing together such an assembly of beauty, fashion, and we must add, of appreciation. His Excellency the Governor and suite, the judges, and the elite of the colony occupied the floor beneath the gallery . . . The principal soloists were our old favorite Mrs. Testar, Mrs. Goodliffe, Mr. Ewart, and Mr. Kaye, who have all secured for themselves a solid reputation in sacred music. In the "Last Judgment" [Spohr] Mrs. Testar shone especially in the solo, "O, thou art God alone" . . . The quartett, "Blessed for ever," was a perfect gem of vocalisation, in which this accomplished vocalist divided approbation with Mrs. Goodliffe, and Messrs. Ewart and Kaye. The quartett, "Yea, come, Lord Jesus," and the quartett, leading with the chorus, "Sing praises," were equally meritorious . . . Mr. Kaye was as usual scrupulously correct in his reading, and reliable to the fullest extent for a strict rendering of the passages entrusted to him . . . The opening chorus of Mendelssohn's "As the hart pants" was given with immense effect . . . The quartette . . . "The Lord hath commanded," was delightfully sung by Mrs. Testar, and Messrs. Ewart, Kaye, Allen, and Davis . . .

ASSOCIATIONS: Thomas Holme Davis (vocalist)

[Advertisement], The Age (17 June 1856), 1

http://nla.gov.au/nla.news-article154861730

THEATRE ROYAL.
Second Week of the Operatic Season.
First Appearance of MADAME ANNA BISHOP As AMINA.
Musical Director, Mr. Lavenu.
On Tuesday Evening, June 17th, The performances will consist of Bellini's Opera of LA SONNAMBULA.
Count Rodolph - Mr. F . Howson. Elvino - Mons. Laglaise.
Alessio, Mr. Hill. Notary, Mr. Kaye.
Postillion, Mr. Wright. Amina - MADAME ANNA BISHOP.
Lisa - Mrs. Guerin. (From the Victoria Theatre, Sydney - her first appearance here.)
Teresa, mother to Amina - Mrs. Fiddes. The Opera will be strengthened by A Full and Powerful Chorus.

ASSOCIATIONS: Anna Bishop (vocalist); Lewis Henry Lavenu (conductor); Frank Howson (vocalist); Jean-Baptiste Laglaise (vocalist); Theodosia Guerin (vocalist); Harriet Fiddes (vocalist); Theatre Royal (Melbourne venue)

"GEELONG (FROM OUR OWN CORRESPONDENT) Friday, 22nd August, 1856", The Argus (23 August 1856), 7

http://nla.gov.au/nla.news-article7135351

The sacred concert given on Wednesday evening by the Geelong Sacred Harmonic Society was very well attended, considering the very inclement weather, bad roads, and also that the same night had been most injudiciously chosen for the theatrical benefit in aid of the hospital. Mrs. Testar and Mr. Kaye, who executed the different solos, as well as Mr. Gabb, the conductor of the band, deserve the highest praise for their exertions.

ASSOCIATIONS: John Gough Gabb (leader, conductor); Geelong Sacred Harmonic Society (association)

"GEELONG (FROM OUR OWN CORRESPONDENT) Wednesday, October 15, 1856", The Argus (17 October 1856), 5

http://nla.gov.au/nla.news-article7138505

. . . The Geelong Sacred Harmonic Society have announced a grand sacred concert to be given on Wednesday next, 22nd inst., in the Town Hall, the music selected being "The Creation," and the chief performers being the following first-class artistes: - Madame Anna Bishop, M. Laglaise, M. Kaye, M. Siede, and M. Loder.

ASSOCIATIONS: Julius Siede (flute); George Loder (conductor)

[Advertisement], The Argus (17 October 1856), 8

http://nla.gov.au/nla.news-article7138503

MELBOURNE PHILHARMONIC SOCIETY . . .
On FRIDAY, 17th OCTOBER, Will be held the Fourth Subscription Concert for the Year,
when Handel's Serenata "ACIS AND GALATEA," And a Miscellaneous Selection,
Will be performed in the EXHIBITION BUILDING . . .
Principal Vocalists: - Mrs. Testar, Mrs. Macdougal (late Miss Rose Joseph, of the Liverpool Concerts),
Mr. Ewart, and Mr. Kaye.
Band and Chorus of one hundred performers.
Conductor, Mr. Russell; Leader, Mr. Griffiths.
Part I . . . Duet - "Flow gently Deva," Mr. Ewart, Mr. Kaye - Parry . . .
Part II. ACIS AND GALATEA . . .
Recit - "I rage, I melt, I burn," Mr. Kaye.
Air - O, ruddier than the cherry," Mr. Kaye . . .
Trio - "The flocks shall leave the mountains," Mrs. Testar, Mr. Ewart, Mr. Kaye . . .
G. BOUCHIER RICHARDSON, Hon. Secretary.

ASSOCIATIONS: Rose McDougal (vocalist); George Bouchier Richardson (secretary)

"THE PHILHARMONIC SOCIETY'S CONCERT", The Age (18 October 1856), 6

http://nla.gov.au/nla.news-article154871363

The fourth subscription concert of the Philharmonic Society took place on Friday evening, at the Exhibition Building. The attendance was not very numerous, but brilliant and highly distinguished; his Excellency the Acting-Governor, and several members of the Executive being present. The entertainment, which consisted of a miscellaneous selection, and Handel's serenata "Acis and Galatea," was of the most satisfactory character, and gave evident gratification to the audience. The principal vocalists consisted of Mrs. Testar, Mrs. McDougal, Mr. Ewart, and Mr. Kaye . . .

ASSOCIATIONS: Silvanus Angus (vocalist)

"PHILHARMONIC SOCIETY", The Age (23 September 1856), 4

http://nla.gov.au/nla.news-article154833248

This energetic body intend repeating Mendelssohn's "Elijah" on Tuesday next, with the aid of Mr. Farquharson, Miss Octavia Hamilton, Mrs. Goodliffe, Mrs. McDougal, and Messrs. Ewart, Kaye, and Angus. We had the pleasure of being present at yesterday evening's rehearsal, and found the chorus to be perfectly up to their work. The repetition of this splendid work is a good move on the part of the society, who added greatly to their laurels by its first performance.

ASSOCIATIONS: Octavia Hamilton (vocalist)

Teacher record, Samuel Kaye, 1857-72; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD7DCA7-F7E4-11E9-AE98-D5CA090CDFF9?image=190 (DIGITISED)

Samuel Kaye / Certified Teacher of Music (D. S. B.)
D.S.B. - Singing Master - 24 Sep. 1857 to 31 Aug. '62
B. of E. - Singing Master - 1 Sep. 62 to 31 Dec. 62
[B. of E. - Singing Master] - 4 Apr. 64 to 24 Dec. 64
[B. of E. - Singing Master] - 30 Sep. 66 to Dec. 72

"CONCERT AT MOONEE", The Age (30 October 1857), 4

http://nla.gov.au/nla.news-article154834516

Mrs. McDougall, late Miss Rose Josephs, of the Liverpool Concerts, and who has taken contralto soli at the performances of the Melbourne Philharmonic Society, proposes to give a concert of vocal music at Mr. Hinkins's schoolroom, near the Moonee Ponds Hotel, on Friday, the 6th proximo, when she will have the assistance of Mrs. Goodliffe, and Messrs. Kaye, Compton, and H. J. King. The programme is well arranged, and promises to be a great treat to the residents of this locality, who we feel assured will not be behindhand in assisting this able and deserving artiste.

ASSOCIATIONS: George Spencer Compton (vocalist); Henry John King (pianist)

"CONCERT AT MOONEE PONDS", The Age (5 November 1857), 6

http://nla.gov.au/nla.news-article154832477

To-morrow evening, Mrs. McDougall (late Miss Rose Josephs, of the Liverpool Concerts) is to give a concert of vocal and instrumental music at Mr. Hinckises's school-room, Moonee Ponds. She is to be assisted by Mrs. Goodliffe, Mr. Kaye, Mr. Compton, and Mr. H. J. King . . .

"DENOMINATIONAL SCHOOLS. ANNUAL MUSICAL FESTIVAL", The Age (12 December 1857), 5

http://nla.gov.au/nla.news-article154835514

Yesterday afternoon, at two p.m., was held in the Mechanics' Institution, the Annual Musical Festival and Exhibition of Drawings of the Children from Denominational Schools in and near Melbourne. Last year nearly 1500 children were assembled in the Exhibition building; but owing to that edifice being pre-engaged, the Mechanics' Institution was chosen instead, though it was found necessary to curtail the number of children engaged to 450. These were closely packed in the body of the Hall and upon the music stage belonging to the Philharmonic Society . . . His Excellency arrived punctually at two o'clock, when Mr. G. L. Allan ascended the rostrum, and gave the signal for commencement. The programme, which was divided into two parts, included a capital selection of part songs, glees, and choruses, from the works of Crampton, Bennett, Calcott, Mozart, Stevenson, Arne, Hullah, and others, all of which were most creditably executed by the numerous and shrill-voiced choir . . . Those assembled were under the musical tuition of Messrs. G. L. Allan, B. Hadfield, and J. H. Allen, singing-masters to the Denominational Board. The schools under the charge of. Mr. Kaye having only just commenced a course of instruction, and not sufficiently advanced, were not present at the festival. All the masters we have mentioned were present, and assisted the children with the bass parts, when they were required.

ASSOCIATIONS: George Leavis Allan (singing master); Benjamin Hadfield (singing master); John Harward Allen (singing master)

[Advertisement], The Argus (4 March 1858), 8

http://nla.gov.au/nla.news-article7147480

UNDER the PATRONAGE of HIS EXCELLENCY SIR HENRY BARKLY,
Handel's Grand Oratorio THE MESSIAH
Will be performed by the Members of the
Prahran and St. Kilda Choral Society (assisted as undermentioned)
at the Church of England School-Room, Chapel-street, Prahran,
On the EVENING of THURSDAY, 4th INST.
In Aid of the INDIAN RELIEF FUND.
The Band and Chorus will consist of 100 performers
including many of the leading members of the Melbourne Philharmonic Society.
Principals: Miss Octavia Hamilton, Mrs. Batten, Mrs. Fox,
Mr. Ewart, Master C. Cooke, Mr. Hopkins, Mr. Blanchard, Mr. Kay [sic]
Conductor - Mr. Russell.
Organist - Mr. W. B. Wray (late organist at the Blind Asylum, Liverpool)
Leader - Mr. Leslie.
All of whom have given their gratuitous services . . .
H. WILKINSON, Hon. Sec.

ASSOCIATIONS: Henry Barkly (governor); Mrs. Batten (vocalist); Sarah Hannah Fox (vocalist); Charles Cook (vocalist); Charles Blanchard (vocalist); John Russell (conductor, as above); William Beresford Wray (organist); Alexander John Leslie (leader, violin); Henry Wilkinson (secretary); Prahran and St. Kilda Choral Society (association)

[Advertisement], The Age (27 April 1858), 1

http://nla.gov.au/nla.news-article154858530

THIS EVENING A GRAND SELECTION OF SACRED MUSIC, Will be performed in the
UNITED METHODIST FREE CHURCH, GEORGE-STREET, COLLINGWOOD.
In connexion with THE OPENING OF THE ORGAN.
Principal Vocalists, Mrs. Goodliffe, Mrs. Andrews, Mrs. Fox, Miss Parsons, Mr. Williams, and others selected from the Collingwood Harmonic Society.
Conductor, Mr. Kaye. Leader of the Band, Mr. Leslie. Organist, Mr. Boswell.
Band and Chorus will number nearly 100 Performers.
PART I. - "CREATION" . . . PART II. - "Creation" . . .
PART III. Song, "O Jerusalem," - St. Paul.
Duett, "Now are we ambassadors," - St. Paul.
Chorus, "How lovely are the messengers," - St. Paul.
Duett, by desire, "Ruth and Naomi."
Terzetto, "Lift thine eyes," - Elijah.
Air, "O rest in the Lord," - Elijah.
Song, "Jeptha's Vow," - Jeptha.
Chorus, "Hallelujah to the Father," - Mount of Olives . . .

ASSOCIATIONS: Theresa Shirley Andrew (vocalist); Emma Parsons (vocalist); William Henry Williams (vocalist); Mr. Boswell (organist); Collingwood Harmonic Society (association)

"UNITED METHODIST FREE CHURCH, COLLINGWOOD", The Argus (28 April 1858), 4

http://nla.gov.au/nla.news-article7293583

A selection of sacred music was performed at this church last evening in honor of the inauguration of the organ - a beautifully-toned instrument - manufactured by Mr. Biggs, of this city, the constructor of the fine organ at the Brighton church. The performance was divided into three parts, the first and second comprising some of the most popular airs and recitatives in the "Creation," and the third miscellaneous selections from the works of Mendelssohn, Handel, and Beethoven. To give effect to the music of the masters, about 90 performers were engaged in the band and chorus. The latter consisted of members of the Collingwood Harmonic Society, and but little fault could be found with the manner in which they executed their duties. The principal vocalists were Mrs. Goodliffe, Mrs. Andrews, Mrs. Fox, Miss Parsons, Mr. Williams, and advanced members of the society. The beauties of the organ were well displayed by Mr. Boswell, to fact the concert throughout was one of would be satisfactory anywhere, and must have been particularly pleasing to the night's audience, the majority of whom belonged to the congregation of the church. A word of praise is due to Mr. Kaye, the conductor, and to Mr. Leslie, the leader of the band, both of whom exerted themselves to the utmost to render the entertainment successful.

ASSOCIATIONS: Jesse Biggs (organbuilder)

[Advertisement], The Argus (6 July 1858), 8

http://nla.gov.au/nla.news-article7297103

THE FIRST SUBSCRIPTION CONCERT of the COLLINGWOOD HARMONIC SOCIETY
THIS EVENING, At the Collingwood Assembly Hall, Gertrude-street,
when will be performed Handel's sublime Oratorio SAMSON.
One Hundred Performers. Principal Vocalists:
MISS OCTAVIA HAMILTON, Messrs. Williams, Mitchell, Moxon, &c.
Conductor - Mr. Kaye.
Leader - Mr. Leslie. Pianist - Mr. Pringle.
Tickets - 5 shilling each . . .

ASSOCIATIONS: Septimus Moxon (vocalist); George Robert Grant Pringle (pianist)

"COLLINGWOOD HARMONIC SOCIETY", The Argus (7 July 1858), 5

http://nla.gov.au/nla.news-article7297179

Our suburban population is now almost as well supplied with musical pabulum as the metropolis itself. At St. Kilda, Prahran, Collingwood, and North Melbourne are concerts frequently given equal to the majority of entertainments of the kind produced in the provincial towns of the mother-country. The first subscription concert of the season given by the Collingwood Harmonic Society, at the Assembly Hall, last night, was such as to secure them greater measure of support from the public on future occasions. As it was, the Assembly Hall was tolerably well filled, and evidently by a highly satisfied audience. The entertainment consisted of selections from Handel's oratorio "Samson," which were well rendered by Miss Octavia Hamilton, Mr. Williams, Mr. Mitchell, and Mr. Moxon, with the Collingwood Society and some members of the Melbourne Philharmonic.

"THE NEWS OF THE DAY", The Age (4 November 1858), 5

http://nla.gov.au/nla.news-article154878571

Mrs. Andrew, one of the most valued and oldest members of the Melbourne Philharmonic Society, gave a concert yesterday evening at the Collingwood Assembly Hall, Gertrude street. She was assisted by Miss Parsons, Master Johnson, Madame Leon Naej, and Messrs. Hopkins, Hornidge, Williams, and Kaye. Mr. Pringle presided at the pianoforte. The programme chiefly consisted of glees and part songs, which were generally well performed. The beneficiaire was well received, and sang with unusual spirit and effect.

ASSOCIATIONS: Theresa Shirley Andrew (vocalist, as above); George Augustus Johnson (vocalist); Madame Leon Naej (vocalist); John Pryce Hornidge (vocalist)

"DENOMINATIONAL SCHOOL FESTIVAL", The Age (23 December 1858), 5

http://nla.gov.au/nla.news-article154878445

The annual singing festival of the children attending the schools, under the management of the Denominational School Board, came off yesterday. It commenced at the Exhibition Building, William-street, at half-past eleven in the morning. About six hundred children of both sexes, and a much larger number of visitors were gathered in the building . . . A number of pieces were, for the most part, very tamely executed, and that most beautiful piece, "The death of the just," was altogether a failure. The following pieces - "Now, Speed my Gallant Vessel," "When the Swallows Homeward go," were tolerably executed; and "The Crocus" was applauded. The "Bonny Christchurch Bells," a very difficult piece, was fairly executed; although Mr. Allan expressed some dissatisfaction with it, "Annie Laurie" was sung in excellent time, and with good feeling. And, "Gather ye Rosebuds," well delivered, completed the first part. The singing masters are G. L. Allan, B. Hadfield, J. Allen, and S. Kaye . . . The children then executed the second part of the programme. The singing was in most cases superior to the first part, and would have done honor to an adult assemblage. The "Cottager's Evening Song," was given excellently; "Youth and May," "Delight Spring," "The Evening Hymn," "Farewell to Winter," followed in succession. "Come Fairies Trip it on the Grass" was sung particularly well; "Home, Sweet Home," not so well; but "Rule Britannia" wound up the programme with an accuracy of time and hearty vigor that must have satisfied the most fastidious . . .

[Advertisement], The Age (22 January 1859), 1

http://nla.gov.au/nla.news-article154838246

MR. LISSIGNOL (pupil of Thalberg and Lefebure-Wely),
assisted by Mrs. Andrews, Miss Pilkington, Messrs. Leslie and Kaye, will give his
CONCERT To-Night, at the Mechanics' Institute.
PROGRAMME . . . Song, "Who treads the Path of Duty" (Mozart) - Mr. Kaye . . .
Song, "The Exile" (Keller) - Mr. Kaye . . .
Duet, "The Syren and Friar" (Emmanuel) - Mrs. Andrews and Mr. Kaye . . .

ASSOCIATIONS: Eugene Lissignol (musician); Anna Alicia Pilkington (musician)

MUSIC: Who treads the path of duty [In diesen heil'gen Hallen] (Mozart, from Die Zauberflöte); The exile (C. Keller); The syren and friar (Louis Emanuel)

"MR. LISSIGNOL'S CONCERT", The Argus (24 January 1859), 5

http://nla.gov.au/nla.news-article7308536

This gentleman, who made his first appearance in the colony at the Mechanics' Institution on Saturday night, is a pianist of no common merit . . . Mr. Lissignol was assisted by Messrs. Leslie and Kaye, and by Mrs. Andrews and Miss Pilkington . . . Mr. Kaye has but to divest himself of an over amount of diffidence to place him in a prominent position as a very good basso . . . The vocal portion of the concert, though not brilliant, was pleasing. Mrs. Andrews sang Kucken's "Thy same I gently whisper," in an agreeable and unaffected manner, and Mr. Kaye's lower notes in "The Exile" were surprisingly pure and distinct, and reached well nigh to the furthest extent of the bass compass. The duet of "The Syren and the Friar," given by the last named lady and gentleman, was, however, wanting in dramatic expression, without which such compositions lose half their effect . . .

"MR. LISSIGNOL'S CONCERT", The Age (24 January 1859), 5

http://nla.gov.au/nla.news-article154840033

Mr. Lissingol, another candidate for public favor as a performer on the pianoforte, made his debut at the Mechanic's Institution on Saturday last . . . Mrs. Andrew and Mr. Kaye sang very prettily a duett by Emmanuel, and the fine voice of the latter vocalist had an excellent opportunity for display in an air "Die Zauberflote," with the English words, "Who treads the path of duty" . . .

"MUSICAL FESTIVAL AND EXHIBITION OF DRAWINGS", The Age (22 December 1859), 5

http://nla.gov.au/nla.news-article154882464

The annual musical festival and exhibition of drawings by children from the Denominational Schools in and near Melbourne, came off at the Exhibition Building yesterday shortly after noon. The children, about 1000 in number, had been selected from the different schools. The building was crowded at all points . . . Mr. George L. Allan acted as leader of the singing, and was assisted by Messrs. Benjamin Hadfield, Mr. John H. Allen, and Mr. S. Kaye, who presided at the piano . . . The musical, festival opened with the national anthem, sung in parts by the full strength of the singing class. This was followed by Hullah's pretty song, "The Sunbeam," which was succeeded by "The Ploughboy," also the production of Hullah. After this came a "round" for three voices, which was well sung and deservedly applauded. Miss Margaret Liddle, of St. Paul's School, Swanston street, sung "Bonny Eloise," prettily, and was assisted in the chorus by the whole class. The trio "When the Sweet Night" was sung by the class, divided into three parts, and was by no means undeserving of the approbation it elicited. After "Harvest Field Flowers," Miss Sarah Lawrence, of the Presbyterian school, Brunswick, sung "The Beautiful Star," with chorus. Allowance being made for the young lady's timidity, she acquitted herself creditably, and showed herself possessed of a sweet voice of considerable compass. The song "Sing for the Oak Tree" was rendered by the class in an effective manner. "Onward," a trio by Mrs. Bartholomew, was disposed of next, and was followed by Glover's duet, "Brightly Smile and Sweetly Sing." It was rendered by Miss Margaret Liddle, of St. Paul's School, Swanston-street, and Miss Mary Ann Mortimer, of the Wesleyan School, North Melbourne. A sweeter little song we have not in our memory. It lost nothing of its gaiety and youthful sunshine in the hands of the two young ladies mentioned. "The Poor Laborer," and "The Apple Tree," concluded the first part of the entertainment . . .

ASSOCIATIONS: Maggie Liddell (vocalist)

[News], The Argus (22 December 1859), 4

http://nla.gov.au/nla.news-article5694073

The Exhibition Building yesterday presented a very gay and animated appearance. About one thousand children, from the different schools in and near Melbourne under the Denominational Board of Education, were assembled in holiday trim, the occasion being their annual musical festival and exhibition of drawings . . . "Willie, we have missed you," and other melodies of a like character, formed a portion of the morning's entertainment, which reflected no little credit upon the perseverance of Mr. George L. Allan, Mr. B. Hadfield, Mr. J. H. Allen, and Mr. S. Kaye, by whose instruction the children have profited . . .

"MARRIAGES", The Argus (11 January 1860), 4

http://nla.gov.au/nla.news-article5695268

On the 10th inst., at the Church of England, Prahran, by the Rev. J. H. Gregory, Mr. Samuel Kaye, singing-master, Denominational Schools, Melbourne, to Sarah Constance, eldest daughter of Mr. James Chamney, builder, Prahran.

"ANNUAL MUSICAL FESTIVAL OF THE DENOMINATIONAL SCHOOL CHILDREN", The Argus (21 December 1860), 5

http://nla.gov.au/nla.news-article5695381

The annual musical festival of the children, attending the various Denominational schools about Melbourne was held yesterday, in the Exhibition Building, and, in addition to some 900 children, there must have been considerably over that number of spectators, the greater portion being ladies . . . On a stage alongside Mr. Justice Pohlman stood Mr. George L. Allan, under whose superintendence, assisted by Messrs. B. Hadfield, John Allen and S. Kaye, the children have been taught . . .

"ANNUAL MUSICAL FESTIVAL AND EXHIBITION OF DRAWINGS OF THE CHILDREN OF THE DENOMINATIONAL SCHOOLS", The Age (21 December 1860), 5

http://nla.gov.au/nla.news-article154884821

. . . The singing masters are Mr. Geo. L. Allan, Mr. B. Hadfield, Mr. John H. Allen, and Mr. S. Kaye . . .

"THE PHILHARMONIC SOCIETY. To the Editor of . . .", The Herald (22 January 1861), 6

http://nla.gov.au/nla.news-article244310095

SIR, - My attention has been drawn to a paragraph in your Town Talk of to-day relative to the conductorship of the above society. As it makes several erroneous statements, I think it my duty to correct them.
1st. Mr. Russell does not retire. The office of conductor becomes vacant every year. He is not a candidate for the office this year.
2nd. Mr. Elsasser is not his successor, at least so far as is at present known, as he is but one of two candidates nominated to the office.
It is as the nominator of Mr. Samuel Kaye, late conductor of the Prahran Harmonic Society, and formerly conductor of the Collingwood Harmonic Society, that I feel myself called upon more particularly to notice the paragraph in question . . .
I am Sir, yours truly,
W. H. WILLIAMS.
21st January, 1861.

ASSOCIATIONS: Charles Elsasser (nominee); William Henry Williams (as above, nominator); Prahran Harmonic Society (association)

"THE NEWS OF THE DAY", The Age (31 January 1861), 5

http://nla.gov.au/nla.news-article154889117

After several adjournments, the annual meeting of the Melbourne Philharmonic Society was held yesterday evening, at the Mechanics' Institute . . . Mr. Elsasser was elected the leader of the society by a large majority over Mr. S. Kaye, who was the other candidate; and Mr. L. Lewis was elected organist, the other candidate being Mr. Plaisted . . .

ASSOCIATIONS: Louis Lucas Lewis (organist); Philip Charles Plaisted (organist)

[News], The Argus (28 February 1861), 5

http://nla.gov.au/nla.news-article5698031

A concert was given at the Mechanics' Institute last evening, by Mr. G. R. G. Pringle, at which Madame Stuttaford, a lady recently arrived from England, made her first appearance before a Melbourne audience. His Excellency the Governor and party, and a large and fashionable audience, were present . . . An excellent feature of the concert was the assistance rendered to it by the ladies and gentlemen of "The Orpheus Union," who, on this their first appearance, have made a very favourable impression. They were well led by Mr. S. Kay [sic], and it is highly probable they will command a flattering share of public attention whenever they may please to announce themselves. Messrs. Reed (violoncello), Leslie, and Pringle, contributed some instrumental music.

ASSOCIATIONS: George Robert Grant Pringle (as above); Charlotte Stuttaford (vocalist, Pringle's sister); Thomas Reed (cello); Alexander Leslie (as above, violin); Orpheus Union (association)

"THE NEWS OF THE DAY", The Age (23 May 1861), 5

http://nla.gov.au/nla.news-article154888486

The grand concert given by the Musical Union yesterday evening, in the Exhibition Building, in aid of the fund for the relief of the widows and orphans [of those] who have fallen in the New Zealand war, passed off with unqualified success . . . The programme consisted of the overture "Ruy Bas, Mendelssohn's "First Walpurgis Night," and "Judith." The principal vocalists were Madame Stuttaford, Mrs. Hancock, Mr. Beaumont, and Mr. S. Kaye; Mr. A. J. Leslie taking the principal violin, and Mr. Pringle, as usual, leaving nothing to be desired in his capacity as conductor.

ASSOCIATIONS: Mary Ellen Hancock (vocalist); Armes Beaumont (vocalist); Musical Union (association)

[News], The Argus (23 May 1861), 4

http://nla.gov.au/nla.news-article5700439

. . . The solos were not good, as far as the male singers were concerned. Mr. Beaumont's voice appeared to be a little broken down from too much work; and Mr. Kaye's voice was anything but pleasing . . .

[Advertisement], The Argus (11 June 1861), 8

http://nla.gov.au/nla.news-article5700965

FIRST SEASON, 1861. ORPHEUS UNION.
Programme of The FIRST CONCERT of the SEASON.
To be given in the Mechanics' Institute On WEDNESDAY EVENING, JUNE 12.
Part I.
Part Song - "On the Sea" - Mendelssohn
Part Song (Male Voices) - "The Mariner's Return" - Hoesler
Part Song - "Autumn Song" - Mendelssohn
Quartett and and Chorus - "The Vesper Hymn" - Beethoven.
Grand Trio (Violin, Pianoforte, and Harmonium) - "Trovatore" - Verdi
Part Song - "Claribel" - G. O. Rutter
Part Song - "The Image of the Rose" - Reichardt
Two-Part Song - "The Maybells and the Flowers" - Mendelssohn
Part Song - "The Woods" - Mendelssohn
Part Song - "Volkslied" - Swabian
Part II.
Part Song - "Ave Maria" - Henry Smart
Part Song - "O world, thou art wondrous fair" - Hiller
Part Song - "Farewell" - Swabian
Canzonetta (from the Spanish) - "Tears of Anguish - Reichardt
Grand Trio (Violin, Pianoforte, and Harmonium) - "Le Prophete" - Meyerbeer
Part Song - "The Swallows" - Pohlenz
Trio - "Rest thee on this mossy pillow" - Henry Smart
Hunting Chorus (from "Euryanthe") - Weber
Part Song - "How can a bird help singing?" - Abt
Part Song - "The Lark's Song" - Mendelssohn
Conductor, Mr. S. Kaye . . .
clock. THOMAS FORD, Hon. Sec.

ASSOCIATIONS: George Oswald Rutter (composer); Thomas Ford (secretary)

"THE NEWS OF THE DAY", The Age (13 June 1861), 5

http://nla.gov.au/nla.news-article154887029

The Orpheus Union Society gave its first concert of the season, at the Mechanics' Institute, yesterday evening. The hall was crowded, and the various performances, instrumental and vocal, were received with liberal applause. The beautiful quartett and chorus, "The Vesper Hymn," was done full justice to by Miss Griffiths, and Messrs, Ford, Beaumont, and Angus. In the instrumental portion of the performance, we may cite, as being worthy of particular notice, the fantasia from "Trovatore," arranged for violin, pianoforte, and harmonium, and performed respectively by Messrs. Leslie, Pringle, and Lissignol. The conductorship by Mr. S. Kaye left nothing to be desired, and we have much pleasure in congratulating him upon the success which has attended his efforts.

ASSOCIATIONS: Mary Ann Griffiths (vocalist); Silvanus Angus (vocalist)

"DENOMINATIONAL SCHOOLS FESTIVAL", The Argus (12 April 1861), 6

http://nla.gov.au/nla.news-article5713231

Yesterday, the annual musical festival and exhibition of drawings in connexion with the Denominational schools in and around Melbourne, was held in the Exhibition Building. This event has usually occurred at Christmas time; but in consequence of the Exhibition Building being then occupied . . . it was postponed. The delay, however, did not diminish the success of the festival. The musical portion of the programme was sustained by about 700 children of both sexes . . . It would be out of place to criticise a performance of this character, but it is only an act of justice to say that it reflected great credit upon the youthful vocalists, and also upon their preceptors, Messrs. G. L. Allan, J. H. Allen, and S. Kaye; and it also afforded much pleasure to the audience. Mr. Kaye presided at the pianoforte, except during the singing of one or two pieces, the accompaniments to which were played by Mr. Horsley, professor of music . . .

ASSOCIATIONS: Charles Edward Horsley (pianist)

[News], The Argus (18 September 1862), 5

http://nla.gov.au/nla.news-article5722260

The members of the Orpheus Union gave the first concert of their second season at the Mechanics' Institution, Melbourne, last night, and it passed off with great eclat. The society was established for the purpose of cultivating a taste for part-singing, and the programme comprised a selection of part songs and madrigals by Mendelssohn, Hiller, Kücken, Hartel, and other composers. Though the strength of the performers was not numerically large, there being only about twenty, the voices were evenly balanced, and were quite sufficient for the dimensions of the room. The able manner in which the whole of the pieces were executed testified to the care and pains with which the vocalists had been trained. They sang both with a just appreciation of harmony and of the spirit of the songs with which they were entrusted; and the audience complimented them with repeated expressions of approbation. Some of the selections were encored, including "The Wreath," a madrigal by Jules Benedict, and "Tears of Anguish," a canzonetta by Reichardt, which was one of the gems of the evening. The solo part in the canzonetta was taken by Mr. S. Angus, and in some of the other pieces solos were sustained by Miss Mortley, Mr. E. A. Beaumont, Mr. Ford, Mr. Amery, Mr. Adams, Mr. Davis, and Master Cook. The madrigals and part songs were agreeably interspersed with the singing of "Sweet Spirit, Hear my Prayer," from the opera of "Lurline," and the touching ballad of "Little Nell." Both of these were rendered by Miss Octavia Hamilton with her accustomed power, and received encores. Mr. G. R. G. Pringle played a solo on the pianoforte, "L'Invitation a la Valse," in which he displayed much taste as well as skilful manipulation, and it was rapturously redemanded. There was a very respectable audience, though not so large a one as at some of the previous concerts of the Orpheus Union. The entertainment, in a musical point of view, deserved to have been honoured with a full room. The society has evidently done some service in the good cause which it is intended to foster, and its efforts deserve every encouragement from the lovers of music. We must not omit to mention that Mr. S. Kaye, to whom a large portion of the credit for the successful manner in which the vocalists acquitted themselves belongs, officiated as the conductor of the concert, and performed his onerous duties very satisfactorily.

ASSOCIATIONS: Octavia Hamilton (vocalist); Silvanus Angus (vocalist); Sarah Mortley (vocalist); Armes Beaumont (vocalist, as above); Thomas Ford (vocalist, as above); Edwin Amery (vocalist); Thomas Holme Davis (vocalist); John Cook (vocalist)

"THE ORPHEUS UNION. SECOND CONCERT", The Herald (6 November 1862), 5

http://nla.gov.au/nla.news-article244406131

The members of the Orpheus Union gave their second concert of the season, last night, at the Town Hall, Prahran. The audience was numerous and fashionable, and but few seats in the large room were unoccupied. The programme was well selected, and comprised a variety of madrigals, part songs, etc., the performance of which, reflected much credit upon the vocalists and was a legitimate success. Beethoven's vesper hymn was meritoriously rendered by Miss Mortley, the Messrs. Ford and Mr. Angus, assisted by the choir, who sang with praiseworthy evenness. A madrigal of the old school of music, written by Dr. Lewis upwards of a century and a half ago, elicited warm applause; and a serenade, "Rest, Dearest, Rest," given by the gentlemen members of the company, appeared to be highly appreciated by the audience. Mr. G. R. G. Pringle, who acted as acccompanyist on the occasion, executed in a masterly style "L'Invitation a la Valse" on the pianoforte, and being encored gave one of Goria's beautiful studies. "Tears of Anguish," a canzonetta by Reichardt, received full justice at the hands of Mr. S. Angus, and the humming accompaniment rendered it particularly effective; the composition, it must be said, however, is rather monotonous; but, notwithstanding this, its beauties are eminently apparent, and a repetition was unanimously demanded by the audience. Miss Mortley sang, "Alas those chimes so sweetly stealing," creditably, but the success of her execution was to an extent marred by her extreme nervousness. With a due regard to gallantry we may be allowed to express an opinion that, to place Miss Mortley in the position she occupied last night is an injustice to that young lady and a disadvantage to the society. Her claims upon the public as a careful and painstaking vocalist are undeniable, and it is probable that when her voice is developed, and she has acquired physique and finish in her execution, her talent will ensure for her an elevated position in the musical world; but at present her deficiency of those requirements, and consequent inability to sustain the lead, deprives her of that success which is due to her efforts, and which she would, no doubt, meet with, if she fulfilled another part in the concert. Kucken's famous port song, "The Young Musicians," was excellently rendered, Mr. Ford, whose voice has much improved since we last beard him, especially distinguishing himself in the tenor solo. Mr. Angus sang "Revenge" with an ability that justly called forth the most cordial manifestations of approval on the part of the audience, and, being encored, he gave "Kit the Cobbler," which appeared to be much relished, and was about the only mirth-exciting portion of the entertainment. A part song, "How can the birds help singing," and "A Soldier's Love," in which Mr. Ford was assisted by the chorus with a correctness, evidently the result of careful rehearsals and careful study. "The Shepherd's Song," and three other pieces added to the enjoyment of the audience, and concluded the programme. It is due to the conductor, Mr. S. Kaye, and the members of the Musical Union to add in conclusions, that there is a marked improvement observable in their performance last night compared with previous concerts given by that body. Possibly the presence of a brilliant assemblage had a favourable effect, but certainly, the energy displayed by the society, and the efforts of the members to provide a rational and healthy amusement both for themselves and the public, is justly deserving of success. The proceeds of the concert will be devoted to the purchase of a harmonium for All Saints Church, Prahran.

ASSOCIATIONS: Prahran Town Hall (venue)

[News], The Argus (6 November 1862), 5

http://nla.gov.au/nla.news-article6480974

The congregation of All Saints' Church, Prahran, and the leader of their choir, Mr. S. Kaye, have ample reason to congratulate themselves on the unmistakable success of the concert given at the Town-hall, Prahran, yesterday evening. A carefully arranged programme, consisting of choice choral selections, pleasingly varied with songs and ballads, and the uniform excellence of the vocalization, contributed in no small degree to the delight of the audience, who thronged the large hall in every part. Appreciation of this thorough musical treat was evinced by liberal and yet discriminative applause. The principal performers were Miss Mortley, who sang with ease and sweetness; and Messrs. Angus, Ford, A. Ford, and Davis, assisted by the members of the Orpheus Union. Mr. G. Pringle presided at the piano, and Mr. S. Kaye officiated as conductor. Beethoven's "Vesper Hymn," and the Spanish canzonetta "Tears of anguish, cease from flowing," were sung with great taste and feeling; the choral accompaniment in the latter piece imparting an exquisite effect to the solo sung by Mr. Angus. The encore song of "Kit the Cobbler," humorously rendered by the same artist, seemed to be highly enjoyed by the audience; and the part song, "How can a bird help singing," was listened to with rapt attention, and greeted, at its conclusion, with most extravagant applause. The proceeds of the concert are to be given towards the purchase of an harmonium for All Saints' Church; and the pecuniary result of the entertainment must have tended materially to the furtherance of this object.

"MUSICAL FESTIVAL", The Herald (19 December 1862), 6

http://nla.gov.au/nla.news-article244405618

Yesterday afternoon the final musical festival and exhibition of drawings of children in schools under the Board of Education, in and near Melbourne, was given in St. George's Hall, Bourke street . . . The music was performed by about 500 boys and girls, selected from various denominational schools, and mostly between the ages of ten and fourteen. These had all been taught in the public schools by Messrs. G. L. Allan, J. H. Allen, B. Handfield, and S. Kaye, singing masters under the Educational Board. The whole were under the superintendence of Mr. G. L. Allan, who discharge the onerous duties of conductor, Mr. Pringle, presiding at the piano, and leading with considerable ability . . .

ASSOCIATIONS: St. George's Hall (Melbourne venue)

"CONCERT AT PRAHRAN", The Herald (3 December 1863), 2

http://nla.gov.au/nla.news-article247588403

The Town-hall, Prahran, was last night crowded to overflowing, on the occasion of a concert given by the members of the St. Kilda Glee and Madrigal Society, in aid of the funds of the Prahran and South Yarra Benevolent Society. While much disposed to praise the efforts of the singers, who were exclusively amateurs, we must conscientiously admit that a programme rather less severe in its adherence to the routine style of music patronised by such societies would have been an improvement. Still there was abundance of enjoyable material what was provided, and judging by the demeanour of the audience, the amateurs might fairly congratulate themselves upon a very successful experiment upon the public taste. The part songs were all very satisfactorily rendered, and, with the vocal solos of Mrs. Young and the pianoforte performances of Mrs. Lucas, constituted the most satisfactory features of the entertainment. The encores were numerous, and in every case the expression of a genuine gratification. Of the harmonised vocal pieces, "The Sabbath Call," "Love and Wine" in the first part, and "Rest, dearest rest," and Abt's Thuringian volkslied in the second, attracted most attention, and the clever manner of their treatment evidenced careful training and musician-like judgment. The alto and tenor divisions of the corps require strengthening, but, nevertheless, there was really little to cavil at and very much to commend. None of the male soloists pleased us greatly. The gentleman who sang the "Village Blacksmith" showed the possession of a correct taste, but nature has been unkind to him. On the other hand, the interpreter of "Tell me Mary," with a tenor voice of what might be termed a parlour quality, could not or would not - at all events he did not - sing in tune. A third gentleman, the owner of a powerful and not unmusical base voice, fell into similar difficulties as the tenor experienced, and a fourth who attempted the fine old song "The Jolly Miller," succeeded in establishing the impression that however jovial that legendary corn grinder originally was, something had turned up in the course of his career which had left him a sadder, certainly, if not a wiser man. Mrs. Young, who is evidently an accomplished musician, sang "Una voce" and a pretty Spanish song, "El Jaque," in a manner to convince her audience that a real artist was before them. Her voice is of moderate power, but flexible and well intoned, and we are acquainted with few singers in this country who could compete with her as an executant of fioriture passages. The other lady performer, Mrs. Lucas, is a brilliant pianist, and obtained a well-merited re-demand for a very spirited rendering of a portion of one of Beethoven's sonatas. Mr. Kaye, who deserves the congratulations of the musical public upon the high state of efficiency which the members of the society have attained under his supervision, officiated as conductor.

ASSOCIATIONS: St. Kilda Glee and Madrigal Society (association)

"THE NEWS OF THE DAY", The Age (28 October 1864), 5

http://nla.gov.au/nla.news-article155015356

A case of considerable importance to musical associations was decided by his Honor Judge Pohlman, in the county court, yesterday. Mr. C. H. Compton, the well-known musician, and lately conductor of the Melbourne Orpheus Union, sued Mr. T. H. Davis, the secretary of that association for the sum of £150, damages for wrongful dismissal from its service . . . Mr. Kaye, the original conductor of the Orpheus Union, and who now holds a similar position in the St. Kilda Glee and Madrigal Society, stated that when connected with the former association he had almost the entire control of the programme . . .

ASSOCIATIONS: Charles Henry Compton (musician); Thomas Holme Davis (as above, secretary)

"Memoranda", The Telegraph, St Kilda, Prahran and South Yarra Guardian (7 January 1865), 2

http://nla.gov.au/nla.news-article255914542

We wish to call the attention of our readers to a concert to be given by the St. Kilda Glee and Madrigal Society, at the Town Hall, Prahran, on Wednesday evening next the 11th inst. Mr. Kaye, the conductor of the society and so long choir-master of All Saints' Church, is about to sail for England in a few days, and this is a complimentary concert to him on the occasion. Mr. Kaye has been for so many years known and respected in this district that we hope to see a very large attendance to bid him a hearty farewell and assure him of the good wishes of the many friends he leaves behind.

[News], The Argus (12 January 1865), 4

http://nla.gov.au/nla.news-article5746169

The St. Kilda Glee and Madrigal Society gave a concert last evening, in the Town hall, Prahran, to the conductor of the society, Mr. Samuel Kaye, prior to his departure for Europe. The compliment was a well deserved one, by a good musician and conductor, as will be admitted by all who have noted the musical precision and proficiency acquired by this local society. The programme of the evening for the most part consisted of part songs, including such favourite pieces as "The Young Musicians," "O world, thou art wondrous fair," the beautiful volkslied, "How can it be?", Härtel's "Miller's daughter," beautifully sung and deservedly encored; "The happiest land," &c. Mendelsohn's quartette, "The primrose," was also well rendered, and encored. The gentlemen amateurs were assisted by several lady amateurs, who gave a cavatina or two, a canzonet, and some ballads, in a style far above the average of amateur art. Meyerbeer's "Robert toi que j'aime" was given with wonderful voice and taste, and an encore produced "Home, sweet home," very sweetly executed. Rossini's "Una voce poco fa" was likewise well sung. The large hall was well filled, and the audience gave hearty expression of their approval of the entertainment.

"SHIPPING INTELLIGENCE . . . PASSENGERS BY AND SINCE THE DEPARTURE OF THE JANUARY MAIL, JAN. 26", The Argus (23 February 1865), 4

http://nla.gov.au/nla.news-article5747353

JAN. 27. Wave of Life, for London. - Mr. and Mrs. S. Kaye, three children, and servant . . .

Names and descriptions of passengers per Lincolnshire, from London, 20 January 1866, for Melbourne, 30 April 1866; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B2F7247-F96C-11E9-AE98-B31157B3D9B4?image=214 (DIGITISED)

. . . Kaye Samuel / 40 / Merchant // Sarah / 30 // Ellen / 4 // Harold / 3 // Walter / 1 . . . [separate list of servants]

"SHIPPING . . . ARRIVED. - April 30", The Age [Melbourne, VIC] (1 May 1866), 4

http://nla.gov.au/nla.news-article155042677

Lincolnshire, ship, 1025 tons, E. Charlton, commander, from London, via Plymouth. Passengers - cabin: . . . Mr. and Mrs. Kaye, family (3) and servant . . .

[Advertisement], The Argus [Melbourne, VIC] (11 September 1866), 8

http://nla.gov.au/nla.news-article5772986

PIANOFORTE and HARMONIUM WAREHOUSE, 84 Collins-street East, opposite Mechanics' Institute. -
Mr. David Lee and Mr. Samuel Kaye (professors of music) have commenced the above business in partnership, and solicit the patronage of their friends and the musical public.

ASSOCIATIONS: David Lee (business partner); Lee and Kaye (partnership, 1866-76)

[News], The Argus (16 January 1867), 5

http://nla.gov.au/nla.news-article5783702

"Elijah" has been selected for performance at the next concert of the Melbourne Philharmonic Society. It has been successfully rehearsed at the Mechanics' Institute, Mr. S. Kaye officiating as conductor, in the absence of Mr. Lee.

[Advertisement], The Argus (16 December 1868), 8

http://nla.gov.au/nla.news-article5834837

CHRISTMAS MUSICAL FESTIVAL,
Handel's sublime oratorio, THE MESSIAH,
Will (by the kind permission of the deacons of the church) be given in
The INDEPENDENT CHURCH, Collins-street east, On CHRISTMAS NIGHT, By the
MELBOURNE PHILHARMONIC SOCIETY.
Principal Vocalists, MISS STAFF, Miss LAMBERT, Mr. E. EXON, Mr. C. BLANCHARD.
On this occasion the conductor of the society (Mr. DAVID LEE) will preside at the organ,
and Mr. SAMUEL KAYE will act as conductor . . .
S. MOXON, Secretary.

[Advertisement], The Argus (27 December 1875), 8

http://nla.gov.au/nla.news-article11512858

THE PARTNERSHIP hitherto subsisting between the undersigned,
trading as R. Mackenzie and Co., organ builders, has been this day DISSOLVED by mutual consent.
All debts and liabilities will be received and paid by the undersigned,
David Lee and Samuel Kaye, and the business will be carried on by them in future,
under the style of Lee and Kaye, late R. Mackenzie and Co.
R. MACKENZIE, DAVID LEE (by his attorney Thos. White), SAML. KAYE.
The services of Mr. R Mackenzie have been retained.
Melbourne 16th February, 1875.

ASSOCIATIONS: Robert Mackenzie (organbuilder, business partner)

[Advertisement], The Argus (22 July 1876), 10

http://nla.gov.au/nla.news-article5896011

LEE and KAYE, having disposed of their business to Messrs. Allan and Company (Wilkie's), give notice that the PARTNERSHIP hitherto subsisting between them, under the style of Lee and Kaye, has been DISSOLVED, as from this date. All assets and liabilities will be received and paid by Mr. David Lee, whose address will be at Messrs. Allan and Co's, for whom the late firm solicit the patronage of their customers.
Dated this 21st day of July, 1876.
DAVID LEE, SAMUEL KAYE. Witness to both signatures - Robert E. Lewis, solicitor, Melbourne.

[Advertisement], The Argus (22 July 1876), 3

http://nla.gov.au/nla.news-article5895967

. . . 12 Anderson-street, Close to the Albert park Station, Emerald-hill . . .
W. P. BUCKHURST has received instructions from Mr. Samuel Kaye, of Lee and Kaye, who is leaving the colony,
to SELL by AUCTION, as above, the whole of his household furniture,
comprising brilliant toned cottage piano, music stool, several parcels of choice music . . .

"THE SCOT'S CHURCH", The Argus (25 July 1876), 7

http://nla.gov.au/nla.news-article5896347

. . . The musical performance was full of interest, both on account of the organist, who is comparatively new to Melbourne, and of the instrument he played upon, which is one of local manufacture and the next best to, although a long way after, the magnificent organ in the Town-hall. The instrument at the Scots Church was built by Messrs. Lee and Kaye, associated with Mr. Mackenzie, who came here from the house of Hill and Sons in London. We have described this organ before in the terms of the general specification. In its finished condition it presents a very handsome appearance, although it is hidden away from at least one-half of the congregation . . .

[Advertisement], The Brisbane Courier [QLD] (13 September 1876), 1

http://nla.gov.au/nla.news-article1390191

NOTICE. THE PARTNERSHIP hitherto existing and the business lately carried on
under the firm of R. T. JEFFERIES & CO. is hereby DISSOLVED by mutual consent.
All Accounts due to and by the late firm will be received and paid by Mr. R. T. Jefferies.
R. T. JEFFERIES & CO. Dated this 12th September, 1876.

NOTICE is hereby given that the undersigned William Henry Paling, Samuel Kaye, and Richard Thomas Jefferies,
have this day entered into PARTNERSHIP as Importers of Pianos, Music, and Musical Instruments,
under the style and firm of PALING, KAYE, & JEFFERIES.
The business will be carried on at the Warehouse in Queen-street, Brisbane, lately occupied by Messrs. R. T. Jefferies & Co.
WILLIAM HENRY PALING, SAMUEL KAYE, RICHARD THOMAS JEFFERIES. Signed this 12th September, 1876.

WITH reference to the above, we beg to inform the public that the business will be largely extended by the new firm.
And in soliciting the patronage and support of the inhabitants of Brisbane and the surrounding districts, may state that the long and practical experience of Mr. W. H. PALING, of the celebrated Continental and Sydney houses of Paling & Co.; Mr. SAMUEL KAYE, of the well-known firm of Messrs. LEE & KAYE, Melbourne; and of Mr. R. T. JEFFERIES, who has worked so energetically and with such great success for the propagation of the musical taste in this city, will, we trust, ensure to our customers all the advantages necessary to secure for them first-class Musical Instruments, as well as the very newest Selections of Music and Songs in publication, while this is the only legitimate Music Establishment in the Colony of Queensland.
All kind favors will receive the most liberal and prompt attention.
(Signed) PALING, KAYE, & JEFFERIES, Queen-street, Opposite School of Arts.

ASSOCIATIONS: William Henry Paling (musicseller); Richard Thomas Jefferies (musicseller)

"ALLAN AND CO.'S NEW MUSIC WAREHOUSE", The Argus [Melbourne, VIC] (5 October 1876), 10

http://nla.gov.au/nla.news-article5904872

The vacant space in Collins street east, until lately occupied by the stores of Lee and Kaye and Mr. McGuigan, Nos. 17 and 19, will in a few months be filled up by the erection of a new music warehouse for the firm of Messrs. Allan and Co. . . .

ASSOCIATIONS: Allan and Co. (musicsellers)

[Advertisement], The Brisbane Courier (9 July 1891), 1

http://nla.gov.au/nla.news-article3528413

I, SAMUEL KAYE, hereby give notice that
I have This Day taken my son, WALTER CHAMNEY KAYE, into Partnership with me
in the business of a Musical Instrument Importer, heretofore carried on by me at 94 Queen-street, Brisbane,
and that the said business will hereafter be carried on under the style of S. Kaye & Son.
Dated at Brisbane this First day of July, 1891. (Signed) SAMUEL KAYE. Witness: H. B. Hemming, Solicitor, Brisbane.

ASSOCIATIONS: Walter Chamney Kaye (1864-1942)

"Current News", The Brisbane Courier (18 November 1895), 4

http://nla.gov.au/nla.news-article3613179

The many friends in Brisbane and throughout Queensland of Mr. Samuel Kaye will receive with regret the announcement of his death, which took place at his residence, Toowong, on Sunday. Mr. Kaye, who was 67 years of age had been ill for fourteen weeks. The deceased gentleman arrived in Melbourne in 1854 [sic], and held a leading position in musical circles there till 1876, when he came to Queensland, and engaged in business in Brisbane, his music warehouse being one of the leading establishments of that kind in Queen street. Mr. Kaye was widely and favourably known in the colony. He leaves a widow and a family of three sons.

[News], Western Star and Roma Advertiser [QLD] (26 August 1896), 2

http://nla.gov.au/nla.news-article97475847

Probates have been granted in the following matters . . . Samuel Kaye, Brisbane, musical instrument maker, realty and personalty £3 [sic] . . .

Publications:

Music for the masonic order, being ritual no. 1 selected and arranged by Bro. Samuel Kaye (St. Kilda: Masonic Musical Union, [? c. 1860s]); "Hamel & Co., Lith."

https://trove.nla.gov.au/work/260780499

Bibliography and resources:

W. A. Carne, A century of harmony: the official centenary history of the Royal Melbourne Philharmonic Society (Melbourne: Royal Melbourne Philharmonic Society, 1954), passim

https://trove.nla.gov.au/work/18579139

https://webarchive.nla.gov.au/awa/20140215050353/http://www.rmp.org.au/downloads/files/Carne.pdf (DOWNLOAD PDF TRANSCRIPT FROM PANDORA)

Enid N. Matthews, Colonial organs and organbuilders (Melbourne: Melbourne University Press, 1969), 27, 79, 126, 134, 148

https://trove.nla.gov.au/work/32617107

[134] [Fitzroy] . . . ST. MARK'S CHURCH . . . Organists: 1854, H. J. King; 1855, J. R. Vincent; 1856, S. Kaye, H. R. Ruxton; 1858, Thomas Oates . . .

ASSOCIATIONS: Henry John King (organist); John Rimmer Vincent (organist); Henri Ruxton (organist); Thomas Oates (organist); St. Mark's church (Collingwood [Fitzroy])

[148] St. Kilda. ALL SAINTS' CHURCH . . . Organists: 1861, S. Kaye; 1866, Mr. Gould [sic] . . .

ASSOCIATIONS: Thomas Green Goold (organist)

KEANE, Michael (Michael KAIN; Michael KEANE)

Musician, drummer and fifer, bandsman, drum major (25th Regiment), soldier (59th Regiment), deserter, convict

Born Tipperary, Ireland, c. 1795
Enlisted (25th Regiment), Limerick, Ireland, 5 June 1805
Convicted Fort William, Calcutta, India, 9 January 1819 (transportation for life)
Arrived Sydney, NSW, 2 May 1820 (convict per Seaflower, from Calcutta)
Active Sydney, NSW, until 1826 or later

https://trove.nla.gov.au/search?l-publictag=Michael+Keane+1826 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEANE-Michael (shareable link to this entry)

Documentation:

"AUTOBIOGRAPHY (Of a Botany Bay Hero)", The Australian [Sydney, NSW] (11 November 1826), 4

http://nla.gov.au/nla.news-article37073845

A memmorandom of the corproal punshment and solitary confinment that I underwent sence the 5th June, 1805, untill the 26th September, the yeare 1826: -

The 5th June, the yeare 1805, I listed in the 25th Regiment, lying at that time in the Castle Barrack's in Limrick, in Iriland; I very soon fell in with compaions that lead me into all kind mischeiff, which brought me sooner to feill the affecttes of punshment then I should have dun if I had kep my owne companey; I was indused by two of then to stop out of Barrack's day and a night, and losing a fife, I recavid seventy-five lashess on the britche; the Regiment went to Formoy; and on my routh there 1806, for losing a bealt and drum, which was stoel from nie at Broff,, I recavid one hundered lashess on the britch, and this I got through a yeoman drummer takeen them from the house I was billited at . . . I often thought to desart, but I did not, this hapenned in the yeare 1807. The Regiment came to Formoy the second time, and I was fifer of the main-guard . . .

On the 2d January 1809, there was orders came from the Cammander-in-Chieff, that the 25th Regiment was to go to assiste in taken Martinquaeso from the Freinch . . . the Island . . . was taken from the Franch after three months, and seventeen days, at the loss of nine thousand fourne hundered and six men killed. I went to the Island of St. Kitts, wheare I was transferred from the band to the ranks . . .

I landed in Sydney the 2d May, 1820, wheare the mother of misfortuane kep close to me, and still remains a compaione of mine . . .

. . . I still remain, the same Michael Keane . . .

[Editorial], The Australian (11 November 1826), 3

http://nla.gov.au/nla.news-article37073846

. . . Autobiography is quite the rage in England in the present age. Splendid achievements and wonderful performances, and oddities and the like, are no longer allowed to be recorded by authors by profession, but by amateur writers of their own feats; the great actions of great men are not now reserved for posterity, but are blazoned forth by self historians. The custom of leaving legacies to survivors has suffered an encroachment, and the hero of the day has the supreme felicity of having his own life read in his own life-time. As a piece of autobiography has fallen in our way, we have resolved not to reject the opportunity of putting it in print. We have therefore published Mr. Michael Keane's lucubrations, purely out of respect for English Readers. For we know that it will prove a choice morsel in the hands of the London Editors, who like any thing out of the common way, as we clearly shewed some few months ago by an extract from a letter of one of the fraternity entreating his Correspondent to keep a diary of every event that partook of the frightful, and carefully tacking to the end of his letter a list of such things as he considered entitled to historic detail, and likely to prove suitable to the pure tastes of his subscribers. Michael Keane does, nevertheless, joking apart, cram us with a comical story, of which not the least comical part is his easy capacity of taking lashes "by whole-sale."

Bibliography and resources:

Michael Keane, Free settler or felon

https://www.freesettlerorfelon.com/botany_bay_hero.html

KEARNEY, Patrick (Patrick KEARNEY)

Harp owner, ? harpist

Active Campbell Town, TAS, 1865
? Died Campbell Town, TAS, 27 May 1873

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEARNEY-Patrick (shareable link to this entry)

ASSOCIATIONS: James Joseph Pollard (pianoforte maker); Albert Francis Weippert (musical instrument seller)

Documentation:

"INSOLVENT COURT", Launceston Examiner (16 December 1865), 3

http://nla.gov.au/nla.news-article38664095

In re JAMES JOSEPH POLLARD, of Launceston, pianoforte maker. Second meeting and on application for discharge. Mr. Butler appeared for insolvent. Insolvent, examined by Mr. Campion - I know Mr. Patrick Kearney of Campbell Town. I received from him about 14th or 15th Nov., 1864, a harp to repair; I was to receive £7 for the repairs; it was to be repaired within any time convenient to myself; there was a written agreement that the harp should be repaired within four months, but that was only given to show his right to the harp in case of my death, &c. . . .

. . . I think I told you the harp was worth £15; on the following Saturday it was taken to Mr. Tucker's auction rooms and sold; it was not advertised; a man named Weippert, a brother-in-law of mine, took away the harp for sale; I attended the sale; my brother-in-law bought the harp for Mr. Wadham for 30s. Mr. Wadham paid for it in my presence. The ordinary price of a modern harp is from [200] to £500. This harp is about a hundred years old. That would not make it more valuable than a modern harp, for it is only single action. Modern harps are double action . . .

1873, deaths in the district of Campbell Town; Tasmanian names index; NAME_INDEXES:1158839; RGD35/1/42 no 33

https://libraries.tas.gov.au/Record/NamesIndex/1158839

https://libraries.tas.gov.au/Digital/RGD35-1-42/RGD35-1-42P46 (DIGITISED)

No. 33 / 1920 / May 27th 1873 / Patrick Kearney / Male / 62 / Butcher / Delirium Tremens . . .

KEARNS, Edward (Edward KEARNS; also Edward KEARNES; also Edwin KEARNS)

Musician, soldier, clarinet / clarionet player, flute player, bandsman, Band of the 12th Regiment, bandmaster, composer

Born Ireland, 1840
Arrived (with 12th Regiment) Melbourne, VIC, 18 October 1854 (per Camperdown, from Cork, 8 July)
Arrived (with regiment) Hobart, TAS, January 1856
Arrived (with regiment) Sydney, NSW, April 1858
Married [1] Bridget DEEGAN (d. NSW, 1867), St. Mary's cathedral, Sydney, NSW, 21 February 1860
Departed (with regiment) Sydney, NSW, 22 September 1863 (per Curacoa, for New Zealand)
Discharged and arrived Sydney, NSW, by late 1867
Married [2] Eliza Sophia MEARS (? d. 1895), Maitland, 1871
Active Maitland, NSW, by 1875; Sydney, NSW, until 1895; Port Macquarie, NSW, 1896
Died Liverpool Asylum, NSW, 16 March 1897, aged "56"

https://trove.nla.gov.au/search?l-publictag=Edward+Kearns+musician (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEARNS-Edward (shareable link to this entry)

ASSOCIATIONS: Band of the 12th Regiment (military)

Documentation:

Paylist of the 12th Regiment, 1 to 18 October 1854; Australian Joint Copying Project, from UK National Archives, WO12/2971

https://nla.gov.au/nla.obj-1591384506 (DIGITISED)

PRIVATES . . . 2869 / Kearne Edward / . . . Disembarked 18 Oct'r
3135 / Kearns Edward / . . . [Disembarked] 18 [Oct'r]

Paylist of the 12th Regiment, 1 April to 30 June 1855; Australian Joint Copying Project, from UK National Archives, WO12/2972

https://nla.gov.au/nla.obj-1591737994 (DIGITISED)

PRIVATES . . . 3135 / Kearnes Edward / . . . [Band not indicated]

[Advertisement], Empire [Sydney, NSW] (4 July 1859), 6

http://nla.gov.au/nla.news-article60402011

SYDNEY UNIVERSITY MUSICAL FESTIVAL
On TUESDAY, July 19th, and THREE FOLLOWING DAYS, a series of
GRAND MUSICAL PERFORMANCES Will be held to celebrate the opening of the
HALL of the Sydney University in which the performances will take place . . .
CONDUCTOR - Mr. L. H. LAVENU . . . The ORCHESTRA will, be more numerous and efficient than any that has over before been heard in these Colonies. By the kind permission of the Colonel and Officers of the 12th Foot part of the band of that Regiment will assist in the orchestra. The following Instrumental Performers have already been engaged: . . .
1st CLARINETTE - Mr. A. Fowle [sic], 12th Regiment
2nd DITTO - Mr. E. Karn [sic], 12th Regiment . . .

ASSOCIATIONS: Lewis Henry Lavenu (conductor); Andrew Fawl (clarinet, 12th band); Sydney University Musical Festival (event)

Paylist of the 12th Regiment, 1 April to 30 June 1861; Australian Joint Copying Project, from UK National Archives, WO12/2982

https://nla.gov.au/nla.obj-1594332395 (DIGITISED)

PRIVATES . . . 3135 / 2296 / Kearnes Edward / . . . Band

"CORONER'S INQUEST", Empire (19 September 1861), 5

http://nla.gov.au/nla.news-article60486264

An inquest was held yesterday morning, by the City Coroner, at the Lord High Admiral Inn, Surry Hills, touching the death of a male infant, named Frederick Michael Kearns, aged two months. It appears from evidence received, that deceased was the only child of Edward Kearns, a bandsman, of the 12th Regiment. During the last six weeks, deceased had been suffering from thrush, which prevented it suckling sufficiently for its support. It received no neglect, and medicine was administered, but without effect, and deceased expired in convulsions about a quarter past seven on Tuesday evening last. Verdict - Died suddenly from natural causes.

"CORONER'S INQUEST", The Sydney Morning Herald (19 September 1861), 5

http://nla.gov.au/nla.news-article13069396

Mr. J. S. Parker, Coroner for the city, held an inquest at the Lord High Admiral Inn, Botany-street, yesterday, on the body of an infant, named Frederick Michael Kearnes, aged two months, the child of one of the bandsmen of the 12th Regiment. The child was taken ill with a sore mouth when about a fortnight old, and the mother took it to a chemist, who prescribed for it, but as the infant did not recover the mother then took it to Dr. Dick, the medical officer attached to the regiment, who also prescribed. The infant continued to get a horse, and expired on Tuesday morning. As the medical gentleman referred to had seen the child but once, and that a considerable time previous to its death he could not give a certificate of the cause of death, and hence the necessity for an inquest. Verdict, "died from natural causes."

Paylist of the 1st Battalion 12th Regiment, 1 October to 31 December 1863; Australian Joint Copying Project, from UK National Archives, WO12/2986

https://nla.gov.au/nla.obj-1579800107 (DIGITISED)

PRIVATES . . . 3135 / Kearnes Edward / [New Zealand] . . . Band

"CENTRAL POLICE COURT. FRIDAY [12 June]", The Sydney Morning Herald (13 June 1868), 5

http://nla.gov.au/nla.news-article28423955

Edward Kearns was charged with stealing, in a dwelling. William Bennett, of Macquarie-street South, deposed that prisoner lately lodged in the some house with him; on last Tuesday night he missed a watch from the mantel-shelf of his bedroom, and next morning gave information at the detective office; the watch produced is the same, and is worth £2 10s.
Detective Howard deposed that when he charged prisoner with this offence he admitted it, and said that he pawned it at Hillard's.
Thomas Hillard, pawnbroker, produced a watch which Bennett identified as his, and deposed that on Tuesday evening he lent the prisoner 18s. upon it; prisoner said that the watch was his own property, and wanted to borrow 40s. upon it.
Committed for trial.

"CENTRAL POLICE. SATURDAY", Empire (15 June 1868), 3

http://nla.gov.au/nla.news-article60854194

Edward Kearns was charged with obtaining a clarionet from Henry Pacey, by false pretences.
Detective Howard deposed to charging the prisoner with the offence; when said "Yes, I got the clarionet, and pawned it at James', for 10s.
Sydney Pacey, son of the prosecutor, deposed to prisoner obtaining the instrument by misrepresentation.
Charles Pacey, brother of the last witness, gave similar evidence.
Henry Devine James, pawnbroker, proved that the prisoner pawned the clarionet at his shop.
Committed for trial.

"METROPOLITAN QUARTER SESSIONS. MONDAY [5 October]", Empire [Sydney, NSW] (6 October 1868), 2

http://nla.gov.au/nla.news-article60827955

Edward Kearns, charged with obtaining a concertina by means of false pretences, pleaded guilty. Prisoner also pleaded guilty to a charge of stealing.

"METROPOLITAN QUARTER SESSIONS. TUESDAY . . . SENTENCES", Empire (7 October 1868), 2

http://nla.gov.au/nla.news-article60827987

Edward Kearns pleaded guilty to two charges of stealing. Sis months' hard labour for each sentence, to be accumulative.

"RETURN OF PRISONERS DISCHARGED FREE since last publication", New South Wales Police Gazette and Weekly Record of Crime (20 October 1869), 333

http://nla.gov.au/nla.news-article252048741

Darlinghrust [Gaol] / Edward Kearns / Larceny / 12 months labor / 5 Oct. 1868, Sydney Q.S. / [Native place] Ireland / [Year of birth] 1840 / [arrived per ship] "Camperdown"

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (29 February 1872), 1

http://nla.gov.au/nla.news-article18761584

OLYMPIC THEATRE. SIMONSEN'S ROYAL ENGLISH OPERA COMPANY.
Subscription Season, for Six Nights Only, COMMENCING ON MONDAY, 4th MARCH . . .
Prima Donna Absoluta - Mdme. Fanny Simonsen . . .
Conductor, Mr. Martin Simonsen . . .
ORCHESTRA. First Violin - Mr. Simonsen . . .
Basso - Mr. Thorne, Piano - Mr. Delany . . .
Clarionett - Mr. Kearns . . .

ASSOCIATIONS: Fanny and Martin Simonsen (musicians, proprietors); James Thorne (bass); John Albert Delany (piano); Olympic Theatre (Maitland venue)

"LOCAL NEWS . . . AUTUMNAL CONCERTS", The Maitland Mercury and Hunter River General Advertiser [NSW] (24 February 1870), 3

http://nla.gov.au/nla.news-article18743644

The first of the series of six concerts, to be given in compliance with an arrangement indicated in our last issue, took place in the hall of the School of Arts, on Tuesday evening. There was a very fair attendance . . . We were very much pleased with the instrumental music, more particularly with the opening overture "Zampa," by the orchestra, with the overture to the second part "L'ltaliani in Algieri" . . . A trio of flutes, played by Messrs. Prince, McGuinness, and Kearns, was admired by the connoisseurs . . . Mr. Marmaduke Wilson presided at the pianoforte, and Mr. Henry Prince was leader of the orchestra.

ASSOCIATIONS: Henry Prince (musician, also formerly of the 12th band); Marmaduke Henry Wilson (pianist)

"WEST MAITLAND VOLUNTEER RIFLES. ANNUAL MEETING", The Maitland Mercury and Hunter River General Advertiser (18 January 1873), 2

http://nla.gov.au/nla.news-article18770259

The annual meeting of the members of this Company was held on Thursday evening, after parade. The muster roll showed an attendance of 104 men of all ranks including four officers and six sergeants . . . Captain WILKINSON having read the advertisement calling the meeting, remarked . . . With regard to the band since their last meeting their esteemed bandmaster Mr. Henry Prince had been suddenly called away. The members had showed their regard for his memory by subscribing towards a fund for his widow and orphans, and the band were about erecting a tombstone to his memory. They had engaged Mr. Edward Kearns as bandmaster for the last few months, and he was sure there had been no falling-off in the band (cheers). New instruments to the value of £45 had been purchased, and a band-room had been engaged for the members to practise in. The members of the band were now more attentive to practice than ever, and it was gratifying to all to find them so . . .

ASSOCIATIONS: West Maitland Volunteer Band (volunteer forces)

"EAST MAITLAND VOLUNTEER RIFLES. ANNUAL MEETING", The Maitland Mercury and Hunter River General Advertiser (30 January 1873), 4

http://nla.gov.au/nla.news-article18770618

The annual meeting of this company of Volunteer Rifles was held in the hall of the Mechanics' Institute, on Monday evening . . . The CHAIRMAN . . . called upon the Secretary to read the annual report: - . . .
Band. - In the latter part of the year Captain Cobcroft, at the request of a number of members of the company, called a general meeting for the purpose of considering the advisability of forming a brass band in connection with the company. At this meeting it was unanimously agreed that such a band should be formed, and initiatory measures were at once taken to carry out that object . . . The following instruments were purchased, namely, 3 cornets, 3 horns, 2 clarionets 1 piccolo, 1 drum, 1 euphonium, 1 baritone, 1 bass, and triangles, at a total cost of £70, including cases for some of the instruments, and music rests for 13 performers. These instruments have been tested by competent judges, and pronounced to be of first-class quality. The services of Mr. Kearns having been procured as bandmaster, at a salary of £5 per month, the requisite number of performers was chosen from the ranks of the Company, and band practice was at once commenced, under Mr. Kearns, who attends two evenings in the week to instruct his pupils in a room at the back of the Public School, which has been temporarily allowed for that purpose. In addition to the instruments now in use it is intended, as soon as the funds will allow, to purchase a pair of cymbals, a side-drum, and probably a second piccolo. Your committee would also suggest the advisability of purchasing band-room furniture as soon as practicable, as the members of the band are seriously inconvenienced by this want. In concluding their report, jour committee are much pleased to notice the very creditable progress the band performers have made with their musical instruments, and are assured that ere long East Maitland will be able to boast of a Volunteer Band, a credit alike to its instructor and to its members - a band that may be justly considered the first in the district, and second to none in the colony . . .

"NORTHERN JOCKEY CLUB. THE FIRST SPRING MEETING. FIRST DAY, TUESDAY, SEPTEMBER 22", The Maitland Mercury and Hunter River General Advertiser (24 September 1874), 4

http://nla.gov.au/nla.news-article18787981

. . . The fine band of the West Maitland Volunteer Rifles, under Mr. Kearns, mustered in strong force in front of the grand-stand, and played selections of music during the day . . .

"VOLUNTEER PARADE", The Maitland Mercury and Hunter River General Advertiser (14 December 1875), 2

http://nla.gov.au/nla.news-article18801267

On Wednesday evening last, the commanding officer of No. 2 Company (East Maitland), 4th Battalion V. E., held his usual monthly parade of the corps . . . we are sure many of the towns-people will appreciate the treat of having this splendid band performing in their midst during some of the pleasant summer evenings. The first of these performances is to take place this (Tuesday) evening, weather permitting, under the able conductorship of Mr. Edward Kearns, the bandmaster, who deserves great credit for the efficient state of the performers.

"THE YASS ODDFELLOW'S BAND", The Yass Courier [NSW] (14 July 1876), 2

http://nla.gov.au/nla.news-article263897952

We learn that, after considerable difficulty, the committee of the above band have secured the services of an efficient master - those of Mr. Grubel, previously announced, not being deemed suitable. The gentleman definitely selected is Mr. Edward Kearns, bandmaster of the West Maitland Volunteers, and formerly (for many years) a member of the band of H.M. 12th Regiment.

"PRESENTATION TO MR. J. SHAW", The Yass Courier (8 September 1876), 2

http://nla.gov.au/nla.news-article263901861

A very numerous meeting of members of the Yass Loyal Prince of Wales Friend Lodge was held on Monday evening last at Comins's Salutation Inn, for the purpose of presenting Mr. Shaw, the honorary secretary of the Odd-follows' Band, with a testimonial expressive of their appreciation of his services in their behalf during the past five years . . . The band, which was present, under the charge of the new master, Mr. Edward Kearns (late bandmaster of the Maitland Volunteer Rifles), played several airs before the commencement of the proceedings . . .

"YASS COURT OF PETTY SESSIONS. Tuesday, February 12 . . . LARCENY", The Yass Courier (15 February 1878), 2

http://nla.gov.au/nla.news-article263981811

Stephen Smithers was charged with stealing a razor, the property of Mr. Kearns, of Cooma-street . . .
Edward Kearns deposed: I am a bandmaster, and proprietor of a barber's shop in Yass; I was in the shop yesterday; I had occasion to leave the shop for five minutes at about twelve o'clock; after my return I missed a razor and case; those produced are my property; I afterwards saw a razor and case taken out of prisoner's swag by a constable . . .

"NEWS OF THE DAY", The Sydney Morning Herald (27 November 1880), 5

http://nla.gov.au/nla.news-article13477144

THE Coldstream Brass Band will perform on Cox's Estate this afternoon, weather permitting, at 3.30 p.m. sharp, under the conductorship of Mr. Edward Kearns, the following programme: -
March, "Little Jessie;" schottische, "Victoria;" waltz, "Concordia;"
quadrille, "Edinburgh;" mazurka, "Emily;" march, "Meet me at the fountain;"
waltz, "The hunter;" schottische, "Annie;" polka, "Gracieux;"
march, "Don't forget to write me;" quadrille, "Autumn;"
galop, "Bachelors;" finale, "God Save the Queen."

[News], The Sydney Daily Telegraph (10 September 1883), 2

http://nla.gov.au/nla.news-article239271704

In addition to the many attractions at the Zoological Gardens on Saturday afternoon, the Balmain Coldstream Brass Band, under Mr. Edward Kearns, performed a choice selection of music from 3 till 5 o'clock.

"Funerals", The Sydney Morning Herald (25 October 1887), 14

http://nla.gov.au/nla.news-article13678278

THE MEMBERS of the New South Wales Naval Volunteer Artillery Band are requested to meet at King-street, Newtown,
THIS (Tuesday) AFTERNOON, at 2.30 p.m., to attend the Funeral of their late respected member, EDWARD HUNT.
WM. MACKINNON, Secretary. EDWARD KEARNS, Bandmaster.

"NEWS OF THE DAY", The Sydney Morning Herald (23 November 1888), 7

http://nla.gov.au/nla.news-article28340070

The band of the New South Wales Naval P. Artillery, will perform on Saturday afternoon (weather permitting) at the Zoological Gardens, Moore Park, under the conductorship of their bandmaster, Mr. Edward Kearns, a select and choice programme of music.

"The Courts. CENTRAL", Evening News (11 March 1891), 2

http://nla.gov.au/nla.news-article114309185

Edward Kearn, 52, musician, was charged with having been the bailee of a clarionet, the property of Peter Richards, he did fraudulently appropriate the same to his own use. Prosecutor lent accused the instrument. When prosecutor asked for it accused said he did not know where it was. Two months' hard labor.

"REDFERN", Evening News (6 June 1891), 3

http://nla.gov.au/nla.news-article113881531

Edward Kearns, 51, a musician, declared himself unable to contribute to the support of his insane wife, and was ordered to be imprisoned till the order was complied with.

Surgeon superintendent's weekly report, Liverpool Asylum for the Infirm and Destitute, 1895; State Records Authority of NSW, 4951/1399

https://www.ancestry.com.au/search/collections/8812/records/43069 (PAYWALL)

Kearns Edward / 55 / [Native place] [Ireland] / Wesley[an] / [admitted] [19 June 1895] [sic] / [arrived] Camperdown 1854 / Musician

ASSOCIATIONS: This was Kearns's first, perhaps only very short, admission to Liverpool Asylum, probably already suffering from consumption

"BENEFIT CONCERT AT BALMAIN", The Sydney Morning Herald (25 June 1895), 6

http://nla.gov.au/nla.news-article14013633

The Balmain Town Hall was attended last night by about 1000 persons on the occasion of a benefit concert to assist the widow and orphans of the late Thomas Hannah, who was accidentally drowned in Rozelle Bay, Balmain . . . In addition to numerous vocal contributions, the Balmain Coldstream Brass Band, under Mr. Edward Kearns, rendered selections . . .

"ARRIVAL OF THE NEW BANDMASTER", The Port Macquarie News and Hastings River Advocate (25 January 1896), 2

http://nla.gov.au/nla.news-article120148185

Mr. Kearns, from Sydney, has been engaged as Bandmaster for the P. M. Band, and arrived by the Rosedale on Wednesday to take up his new duties. From the references as to Mr. Kearns' competency in instructing a band and as a Clarionette player, we feel sure that the local band is in good hands, and will go on improving as it has done since it started.

"Local Items . . . THE TOWN BAND", The Port Macquarie News and Hastings River Advocate (15 February 1896), 2

http://nla.gov.au/nla.news-article120148635

We are pleased to note the very marked improvement the Band has shown since Mr. E. Kearns was appointed Bandmaster. Several new members have recently joined and taken up the vacant instruments, others are waiting the arrival of more instruments, the purchase of which the Committee are negotiating for. We feel sure that the Portites will have just cause to feel proud of their Band ere long. To-night (Saturday) in Horton-street at 7.45 p.m. they will render the following programme -
March, "Ajax;" Valse, "Nellie's Blue Eyes;"
March, "Killarney" (by request); Valse, "Umbria;"
March, "Good Company;" Selection Scottish Songs;
Polka Mazurka, "Belle of the Evening;" March, "Rockingham;"
"God save the Queen."

Surgeon superintendent's weekly report, Liverpool Asylum for the Infirm and Destitute, 1897; State Records Authority of NSW, 4951/1399

https://www.ancestry.com.au/search/collections/8812/records/46834 (PAYWALL)

Kearns Edward / 55 / Wesleyan / [Admitted] [28 March 1896] / Phthisis / {discharged] [17 March 1897] / 55 [sic] / Died

ASSOCIATIONS: NSW BDM records his parent's forenames and Michael and Annie

https://www.ancestry.com.au/search/collections/63096/records/13505 (PAYWALL)

Edward Kearns / 56 / 16 March 1897 / Musician

"OLD SYDNEY DAYS. MR. M. J. CONLON'S RECOLLECTIONS", Freeman's Journal (25 July 1907), 15

http://nla.gov.au/nla.news-article108040137

. . . In 1858 Father Corish started at St. Benedict's a Young Men's Society . . . Large meetings were held every Sunday in the old school-hall after Vespers . . . The number of members was at the least 600 . . . Father Corish then started a band in connection with the society, and very soon twenty instrumentalists were enrolled under the tuition of Mr. Steer, who was connected with the Royal Artillery stationed at Dawes Point. The band, however, was afterwards taken in hand by the late Sergeant Prince, of the 12th Regiment, stationed at the Victoria Barracks. He was assisted by Edwin Kearns, a clarionet player. The musical ability of the band was quickly recognised on all sides, and their services were requisitioned for all movements connected with parish affairs. This was not the first band started by Father Corish, as there was one previously which had not a successful career. The second St. Benedict's, had the honour of participating in the ceremony of the laying of the foundation stone of St. John's College in 1858 by Archbishop Polding. They formed a guard of honour on the arrival of Dr. Polding, and struck up, "See the Conquering Hero Comes." Of that band I believe I am the only one living . . .

ASSOCIATIONS: Michael Joseph Conlon (bandsman, musical amateur, memoirist); Michael Andrew Corish (cleric); Charles Stier (master, Band of the 11th regiment, military); Henry Prince (band sergeant, 12th band); St. Benedict's church (Sydney);
note, correctly, that the foundation stone of St. John's College, Sydney, was laid on 3 January 1860; and see also, "THE HOME OF OUR COADJUTOR-ARCHBISHOP: ST. BENEDICT'S STORY", Freeman's Journal (12 October 1922), 12

http://nla.gov.au/nla.news-article116747243

"OLD SYDNEY . . . Some Interesting Letters . . . (BY 'OLD CHUM')", Truth (13 February 1910), 11

http://nla.gov.au/nla.news-article201759651

. . . I am favored with two interesting letters from Mr. Conlon, one under date January 24, 1910, as follows: -
". . . And this brings me down to another of your correspondents of Sunday last. He speaks of the Brothers Taylor, musicians who played in the old Victoria Theatre, especially the cornet player. I think it was Sergeant Prince who took his place in the old Victoria Theatre orchestra, as he used to meet us on Tuesday and Friday evenings at 6.30, and leave us for the theatre at 7 o'clock; but he always left a clarionet player from the barracks band with us until 8 o'clock. His name was Edward Kearns, and he was afterwards and for years bandmaster, to the Balmain Brass Band, where I often met him in years afterwards . . ."

ASSOCIATIONS: Joseph Michael Forde ("Old Chum" above; and "Hayseed" below); Michael Joseph Conlon (amateur bandsman, as above)

"MUMMER MEMOIRS. HENRY PRINCE - BANDMASTER - A REMINISCENCE BY MR. CHARLIE WALDON. No. 161 (By 'Hayseed')", Sydney Sportsman (5 April 1911), 3

http://nla.gov.au/nla.news-article168589823

Mr. Charles Waldon writes: - "Dear Hayseed, - As promised, I forward a reminiscence of the late Henry Prince . . . During Prince's term at Maitland we took part in 56 charitable performances . . . He was the originator of what were called 'Autumn Concerts.' They were a series of six concerts yearly. I have before me one of the programmes: - Overture, 'Zampa,' string band, 14 performers. In the second part: Overture from l'Italiani in Algeri' . . . a trio of flutes, Messrs. Prince, McGuinness, and Kearns; a trio on clarionettes by the same gentlemen . . . These autumnal concerts were a great success. It is seldom you could, or will find four artists together as Henry Prince, Marmaduke Wilson, McGuinness, and Kearns.

ASSOCIATIONS: Charles Waldron (actor); as see above "LOCAL NEWS . . . AUTUMNAL CONCERTS", The Maitland Mercury and Hunter River General Advertiser [NSW] (24 February 1870), 3

http://nla.gov.au/nla.news-article18743644

Musical works:

Don't go, Mollie darling, song, as sung by Mr. Beaumont Read [words by F. Mears; music by Edward Kearns] (Melbourne: W. H. Glen & Co., [1875])

https://trove.nla.gov.au/work/11297352

https://handle.slv.vic.gov.au/10381/152539 (DIGITISED)

ASSOCIATIONS: William Henderson Glen (musicseller, publisher); Beaumont Read (vocalist); Frederick Mears (fellmonger, of Maitland), was, by Kearn's 1871 marriage to Eliza Sophia Mears, his father-in-law; on Kearns's second wife, see "Eliza Sophia Mears Kearns", Find a grave

https://www.findagrave.com/memorial/189008533/eliza-sophia-kearns

[News], The Argus [Melbourne, VIC] (6 February 1875), 7

http://nla.gov.au/nla.news-article11511744

Messrs. W. H. Glen and Co. have sent us copies of a ballad, "Don't go, Molly Darling," specially composed for Mr. Beaumont Read, and bearing a portrait of that gentleman on the cover . . . The ballad is pretty and well arranged . . .

See also, "LOCAL INTELLIGENCE", Wagga Wagga Express and Murrumbidgee District Advertiser [NSW] (5 May 1875), 2

http://nla.gov.au/nla.news-article271091820

Bibliography and resources:

Edward Kearns, Find a grave

https://www.findagrave.com/memorial/274935173/edward-kearns

KECK, Henry (Henry KECK; Mr. KECK)

Prison governor

Born Dublin, Ireland, 6 May 1800; baptised Balbriggan, 18 August 1800; son of Thomas KECK (d. 1816) and Sarah LOWE
Married Teresa FITZGERALD (d. 1879), Dublin, 1820
Arrived Sydney, NSW, 29 October 1832 (per Sarah, from Liverpool, 10 June, via Hobart, 21 October)
Died Sydney, NSW, 25 December 1863, aged "63"

https://trove.nla.gov.au/search?l-publictag=Henry+Keck+1800-1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KECK-Henry (shareable link to this entry)

Summary:

Henry Keck was not, so far as we know, a practising amateur musician - though he may well have been. He was, however, an agent and purveyor of music in a particular situation. At Darlinghurst Gaol, of which he was governor in 1849, he oversaw performances of music by prisoners at functions held by his family and staff within the prison walls, and was noted, as well as being scapegoated, for doing so. The prisoner musicians being harder to identify with certainty, Keck is profiled here in their stead.

Documentation:

"SHIP NEWS", The Colonist and Van Diemen's Land Commercial and Agricultural Advertiser [Hobart, TAS] (19 October 1832), 2

http://nla.gov.au/nla.news-article201158884

OCTOBER 14. - Arrived the brig Sarah, Capt. Isaac Smith, from Liverpool, which she left the 10th of June, with merchandize and 107 passengers; viz. . . . Mr. Henry Keck, six children, and servant . . .

"Shipping Intelligence", Hill's Life in New South Wales [Sydney, NSW] (2 November 1832), 3

http://nla.gov.au/nla.news-article252650043

Arrivals - On the 29th instant . . . the Sarah, Smith, from Liverpool via Hobart Town, having left the former place on the 18th of June, and the latter on the 21st instant. Lading, merchandize. Passengers - Mr. Keck and four children . . .

[Editorial], Heads of the people [vol. 1. no. 1] (17 April 1847), [frontispiece, portrait], 3-4

https://nla.gov.au/nla.obj-761363351/view?partId=nla.obj-761364764#page/n7/mode/1up (DIGITISED)

. . . We have fearlessly chosen Darlinghurst Gaol as the opening theme for a journal professedly dealing with whims and oddities, because we feel satisfied that, even in well-abused Sydney, there exists among its citizens a manly and a sound tone of moral feeling, which fears not to hear spoken the thoughts that are in the general mind - a healthfulness of conscience that can afford to joke, when joking is but a better way of speaking home-truths - that there is every disposition to deal with the higher order of moral ideas, and to make acquaintance with enlarged views of human nature and society. And with this feeling we have no hesitation in introducing to our friends and subscribers, the highly intelligent officer to whom we have alluded above, Mr. H. Keck, the Governor of the establishment in question . . .

ASSOCIATIONS: William Baker (editor); William Nicholas (artists)

"COUNCIL PAPER. DARLINGHURST GAOL. REPORT from the Select Committee on the Darlinghurst Gaol", The Sydney Morning Herald (24 August 1849), 2

http://nla.gov.au/nla.news-article12911438

The Select Committee of the Legislative Council appointed on the 6th June, 1849, "to inquire into the discipline and security of the Darlinghurst Gaol," have agreed to the following Report:

. . . To these startling proofs of the existence of corruption, your Committee have to add the still more glaring cases of prisoners under sentence to solitary confinement having been released and employed by Mr. Keck to take part as musical performers in entertainments given by him, from which they returned to their cells in a state of drunkenness. Others under sentence to hard labour, even for serious offences, have been employed in horsebreaking, and attending picnics and fishing parties, by which facilities for escaping were afforded them, of which they availed themselves . . .

"THE GAOL DISCLOSURES", The Sydney Morning Herald (31 August 1849), 2

http://nla.gov.au/nla.news-article12902984

Surprising, monstrous, and disgraceful, as are the facts which have been elicited by the Gaol Committee, and proper as are the recommendations contained in the Report, there is we suspect a sympathetic clinging together amongst officials, which will seek to save the visiting magistrate, if appearances can possibly be kept up, whilst dealing with the unparalleled difficulties of the case . . . It has been proved that all the week round, Sundays included, the prisoners of Darlinghurst Gaol were encouraged in the manufacture of cabbage-tree hats for sale, with the proceeds of which sales the prisoners were in the habit of purchasing meat, bread, tobacco, butter, &c, from the shop of Mr. Keck, much to the advancement of that eccentric Hermit's income. It has been proved that convict musicians were taken out of their cells, and dressed in a little brief respectability (if wearing young Mr. Keck's clothes may be so described) whilst contributing the music to the Hermit's ball. It has been also proved that the same musicians got excessively drunk, and at the close of that gay and festive scene, naturally revolted at the idea of returning to the solitude of their cells . . .

"THE DARLINGHURST GAOL", The People's Advocate and New South Wales Vindicator (1 September 1849), 5

http://nla.gov.au/nla.news-article251536510

The following is a summary of the evidence given before the Select Committee of the Legislative Council relative to the Darlinghurst Gaol:-

Henry Keck, Esq.. the principal gaoler, stated that he had held that office about thirteen years, and performed his duties under the directions of the Visiting Magistrate, who usually visited the gaol every day - sometimes twice a day, sometimes twice a week, when he walked over the gaol and inquired of the prisoners if they had anything to say to him . . .

James Alexander - Had been employed in Darlinghurst Gaol as a turnkey for seven months, but resigned . . . There was a regular public ball held shortly after young Mr. Hughes's marriage to Miss Keck; a good many were there; the band consisted of two prisoners out of the cells, one a drummer in the 11th regiment, who was dressed in Hibbs's clothes, the other was a prisoner named Jones, who afterwards escaped at the back gate. The ball did not break up till four o'clock in the morning, and the two prisoners were not returned to their cells till that hour, when they were brought to me by Dr. Fitzsimmons and Miss Keck, the former was quite drunk, and so were both the prisoners; believed the prisoners might easily have gone out of the gaol with the guests. The music could be heard all over the gaol. The place was properly fitted up for the ball; one of the prisoners, a carpenter, was employed for a long time to hang up lamps and arrange everything for a dance. There was another ball after this, at which so many persons did not attend. The family and visitors used to be very jovial over playing the piano forte. When Richardson was in the condemned cells, he used to ask who was singing with the pianoforte; could not say that the music could be heard in the condemned cells . . .

"DEATH", The Sydney Morning Herald (26 December 1863), 1

http://nla.gov.au/nla.news-article13090032

On Christmas day, at his residence, Verona-place, Surry Hills in his 64th year, Henry Keck, for thirteen years Governor of her Majesty's Gaol at Sydney, and for the last eleven years clerk of the Markets, last surviving son of the late Captain Keck, of Fethard, county Tipperary, Ireland.

Bibliography and resources:

Ronald Rose, "SUNDAY EXTRA. DARLINGHURST JAIL. Prison 'reformer' was eventually found out; Henry Keck: rich rogue", The Canberra Times (29 March 1987), 7

http://nla.gov.au/nla.news-article136297594

Henry Keck, Dictionary of Sydney

https://dictionaryofsydney.org/person/keck_henry

KEDDIE, Robert (Robert KEDDIE: also KIDDIE; KIDDY)

Owner of a violin, publican, builder

Born Canongate, Edinburgh, Scotland, 21 March 1811; son of John KEDDIE and Beatrice MUNDEL
Married Margaret WALKINSHAW, Falkirk, Stirlingshire, Scotland, 4 October 1839
Arrived Sydney, NSW, 11 October 1831 (immigrant per Stirling Castle)
Died Belfast (Port Fairy), VIC, 24 April 1851

https://trove.nla.gov.au/search?l-publictag=Robert+Keddie+1811-1851 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEENE-Miss (shareable link to this entry)

Documentation:

Births and baptisms, Canongate, Edinburgh, Scotland, 1811; Scotland, select births and baptisms

https://www.ancestry.com.au/search/collections/60143/records/1758382 (PAYWALL)

Born 21 March 1811 / Robert son of John Keddie and Beatrice Mundel

Marriages, Falkirk, Stirlingshire, Scotland, 1839; West Dunbartonshire Parish Records

https://www.ancestry.com.au/search/collections/62986/records/91833817 (PAYWALL)

4 October 1839 / Robert Keddie / Margaret Walkinshaw

Immigrants per Stirling Castle, arrived Sydney, NSW, 11 October 1831; State Records Authority of NSW, 5310/1286

https://www.ancestry.com.au/search/collections/1204/records/22658 (PAYWALL)

. . . Kiddie Robert / Kiddie Mrs. / [from] Scotland . . .

ASSOCIATIONS: His wife Margaret; their first Child, Beatrice, was born in Sydney in 1834

"ALLEGED BREACH OF THE LICENSING ACT", The Maitland Mercury and Hunter River General Advertiser [NSW] (30 June 1847), 2

http://nla.gov.au/nla.news-article691142

Yesterday Robert Keddie, of the Trades' Arms, East Maitland, appeared to answer the charge of having kept his house open after nine o'clock on the evening of the 23rd June. Mr. Keddie pleaded not guilty to the charge, but admitted that he had served liquor after that hour, although his door was shut. The bench appeared to feel considerable doubt whether, under the Act, they could convict him if this were found to be the case, and at length deferred their decision till Tuesday next. As no evidence had been gone into, Mr. Keddie begged permission to state how the matter occurred. It appeared from Mr. Keddie's statement, and the deposition of Mr. John Wilson, that on that evening two lodgers at the Trades' Arms had invited Mr. Wilson to join them, and Cornish, a violin-player, calling in to borrow Mr. K.'s violin, had also been invited in, with two companions, to play a tune. Cornish had commenced tuning the instrument, neither himself nor his companions having had any liquor after the house had been closed at nine o'clock, when three constables, Murray, Hood, and Walker, tapped at the door, and were admitted. At this time the two lodgers and Mr. Wilson had each a glass of whiskey toddy. Constable Hood insisted on tasting the liquor, and pronouncing it gin, gave some to Murray, who also tasted. This was about half-past nine. They then left, and some time afterwards the party broke up, and Mr. Keddie was serving Cornish in the bar with a glass of rum, which had been given him by one of the lodgers, when the constables again entered. Mr. Keddie complained much of Hood's manner in the affair, which he stated was very insolent, and said also that Hood had repeatedly told him he would have him some day. The bench remarked that these complaints were always made when an information was laid, and that they could not listen to them when a charge of a breach of the Act was being heard; but if complaint had been made at the time, and the fact proved, no constable should remain in the force who had uttered such threats, or performed his duty in an improper manner. The case was then adjourned till Tuesday next.

ASSOCIATIONS: Henry Cornish (violinist); Music on licensed premises (general)

Inquest, Robert Keddie, Belfast, VIC, 11 April 1851; Public Record Office Victoria

https://prov.vic.gov.au/archive/D7F13757-F1C2-11E9-AE98-2D8C141847AA?image=1 (DIGITISED)

"SUICIDE", The Maitland Mercury and Hunter River General Advertiser (26 April 1851), 2

http://nla.gov.au/nla.news-article684270

On Thursday afternoon, about half past three o'clock, a man named Robert Keddie shot himself through the head in a small bed-room off the kitchen of Dublin House, in consequence of which he expired about twelve o'clock on the same night. He must have placed the muzzle of the gun in his mouth, as the whole front of the face from the month upwards was entirely blown away. Such a spectacle we never beheld, and it is certainly most wonderful that he lived so long after the deed was committed. He was a builder, and at one time carried on a very extensive trade in Maitland, and was considered wealthy. He has left a widow and five children, and we believe family annoyances induced a great depression of spirits, under which he has been labouring for a considerable time, and which eventually led to the rash act now recorded. The remains were interred yesterday evening in the Presbyterian division of the new burial ground. - Belfast Gazette.
- [This is a melancholy termination of the career of one whose many good personal qualities had secured for him the general good-will of the community among whom he so long resided, and whose public usefulness in many ways will not soon be forgotten. - Ed. M. M.]

See also "SUICIDE", The Argus [Melbourne, VIC] (15 April 1851), 1 supplement

http://nla.gov.au/nla.news-article4777300

KEENE, Miss (Miss KEENE)

Musician, teacher of pianoforte and singing

Active Hobart, TAS, 1862

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEENE-Miss (shareable link to this entry)

Documentation:

[Advertisement], The Hobart Town Daily Mercury [TAS] (2 November 1859), 3

http://nla.gov.au/nla.news-article3258805

MONTAGUE SEMINARY, (Near the Risdon Road, New Town), TASMANIA.
MISS KEENE, encouraged by some of the most respectable families in the Colony, with whom she has resided, and other kind friends,
has taken a House in the above delightful locality, well suited for the reception of Young Ladies as Parlor or Pupil Boarders,
whose present well-being and future happiness engage her best attention.
Terms per Quarter For Board, with Tuition in English, Writing and Arithmetic £14 14s;
French, £1 1s ; Drawing, £1 10s;
Music, £3 3s; Singing, £3 3s.
Four sheets, six towels, and a "silver" fork required.

[Advertisement], The Mercury (27 September 1861), 3

http://nla.gov.au/nla.news-article8801314

Educational Home. MISS KEENE RECEIVES a few young ladies to educate at No. 36, Portsea Place, Montpelier-street.
Musical tuition as usual on Wednesdays and Saturday.

[Advertisement], The Mercury (7 October 1862), 1

http://nla.gov.au/nla.news-article8811384

PIANOFORTE AND SINGING -
MISS KEENE continues her Musical Tuitions at No. 36, Montpelier street,
and can now give morning lessons in private families.
Terms - Three guineas a quarter for each accomplishment.
No vacations given.

[Advertisement], The Mercury (6 January 1865), 3

http://nla.gov.au/nla.news-article8830390

PIANOFORTE AND SINGING.
MISS KEENE Continues to give lessons at her own or the Pupil's residence.
Terms, Three Guineas per Quarter for each accomplishment.
No. 36, Portsea-place, Montpelier-street.

KEENE, Laura (Laura KEENE; Miss KEENE)

Actor, manager

Arrived Sydney, NSW, 11 October 1854 (per M. A. Jones, from San Francisco, 1 August)
Departed Melbourne, VIC, 1 December 1854 (per City of Norfolk, for San Francisco, via Honolulu)

https://trove.nla.gov.au/search?l-publictag=Laura+Keene+1826-1873 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/Laura_Keene (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEENE-Laura (shareable link to this entry)

Documentation:

[News], Sacramento Daily Union [CA, USA] (4 April 1854), 2

https://cdnc.ucr.edu/?a=d&d=SDU18540404.2.19.1

Among the passengers by the John L. Stephens, were a complete galaxy of theatrical talent, consisting of Kate Hayes, Laura Keene, the Misses Denin, the Batemans and Mrs. Thoman, the gifted lady of the Stage Manager of the Sacramento Theater. Also, Madam Cailly, a singer of reputation, from the opera at Lima . . .

ASSOCIATIONS: Catherine Hayes (vocalist, in Australia, from September 1854); Clarisse Cailly (vocalist, in Australia from December 1855)

"SHIPPING INTELLIGENCE. ARRIVAL", Empire [Sydney, NSW] (12 October 1854), 4

http://nla.gov.au/nla.news-article60198679

October 11. - M. A. Jones, American brig, 225 tons, Captain E. T. Barnes, from San Francisco August 1. Passengers - Mrs. Barnes, Miss Laura Keene, Mr. and Mrs. Evans . . .
Messrs. Joseph A. Rowe, E. Booth, D. C. Anderson, C. Devier, J. Milne . . .

ASSOCIATIONS: William and Mrs. W. Evadne Evans (actors); Joseph Andrew Rowe (circus proprietor, equestrian); Edwin Booth (actor); James Milne (actor)

"THEATRICALS", Empire (12 October 1854), 5

http://nla.gov.au/nla.news-article60198646

Our reputation as a gold country, and the hearty recognition we have bestowed upon worthy members of the theatrical profession, as evidenced by the reception of the Starks, the Wallers, and the present company from California now playing at the Royal Victoria seem to attract to Sydney all the "bright particular stars," who have lately shone in our sister "El Dorado" of the North Pacific. By the the arrival yesterday, of the M. A. Jones, we have received a considerable accesssion to the histrionic talent heretofore available. Amongst the passengers is Miss Laura Keene, a lady distinguished in comedy, and who formerly played with great success at the Lyceum, and Sadler's Wells, London. Miss Keene has been for many months in San Francisco, and prior to her departure hence, was the lessee of the Union Theatre, we gather from our contemporaries there, that she was very successful in catering for the public amusement, and was held in high estimation as an actress of ability. She will, doubtless, reap substantial honours here. Another lady who is not a stranger to the Sydney public, has also arrived - Mrs. W. Evans, who two years ago, was accustomed to perform with the celebrated Nesbitt. She was at that time most favourably known, and her travels and practice since cannot but have enlarged her capabilities to portray the deep emotions of the soul. As a personator of the great Shakesperian characters, Mr. Edwin Booth (who has arrived to make a professional tour through Australia), is spoken of in high terms by our contemporaries. Every one must have heard of the great tragedian, Booth, who reaped honours in London not second to those accorded to Macready or Phelps . . . Mr. Booth is accompanied by Messrs. George Milne [sic] and D. C. Anderson, both comedians, but who, we learn, peculiarly excel in their delineations of old men. Mr. Rowe, the well known Circus proprietor (who has an establishment at Melbourne), is also aboard the M. A. Jones, and brings with him Mr. Charles Devere, an extraordinary equestrian and vaulter, and well known throughout California as a famous clown . . .

Names and descriptions of passengers per City of Norfolk, from Melbourne, 1 December 1854, for San Francisco via Honolulu; Public Record Office Victoria

https://prov.vic.gov.au/archive/23608370-F7F0-11E9-AE98-C92A93D9AD27?image=23 (DIGITISED)

Cabin - Miss L. Keen / 27 . . . D. C. Anderson / 27 // Edwin Booth / 32 . . .

KEEP, Edward (Edward KEEP; E. KEEP)

Musical amateur, member of Melbourne Philharmonic Society, ironmonger

Born Newport Pagnell, Buckinghamshire, England, 14 January 1828; baptised Great Meeting House (Indepenent), Newport Pagnell, 10 February 1830; son of John KEEP (c. 1790-1857) and Caroline SCRIVENER (1792-1853)
Arrived Melbourne, VIC, 22 April 1853 (per Harbinger, from Southampton, 20 February)
Married Janet RONALD (1837-1891), Geelong, VIC, 25 June 1859
Died St. Kilda, VIC, 11 May 1901, aged "73"

https://trove.nla.gov.au/search?l-publictag=Edward+Keep+1828-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEEP-Edward (shareable link to this entry)

Documentation:

Baptisms, Great Meeting (Independent), Newport Pagnell, 1830; UK National Archives, Non-parochial registers, RG4/254

https://www.ancestry.com.au/search/collections/2972/records/928334 (PAYWALL)

Keep / Edward Son of John and Caroline Keep of Newport born Jan'y 14 1828 baptized Feb'y 10 1830 . . .

ASSOCIATIONS: His sister, Elizabeth Keep (b. 9 December 1829) baptised in the same 1830 ceremony; John Keep (c. 1790-1857) and Caroline Scrivener (1792-1853)

England census, 30 March 1851, Edgbaston, Birmingham, Warwickshire; UK National Archives, HO107/2049/315/46

https://www.ancestry.com.au/search/collections/8860/records/9061403 (PAYWALL)

Hagly Road / John Keep / Head / Mar. / 60 / Hardware Merchant / [born] Bucks Newport Pagnell
Caroline [Keep] / Wife / Mar. / 58 / - / [born] Northampton Blacksby
Edward [Keep] / Son / Unm. / 22 / Hardware Merchant's Clerk / [born] Bucks Newport Pagnell . . .

"BIRMINGHAM", Aris's Birmingham Gazette [England] (28 February 1853), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000196/18530228/009/0003 (PAYWALL)

Among the passengers who sailed the Harbinger steamer, which left Southampton for Australia a few days ago, was Mr. Edward Keep, son of our respected townsman Mr. John Keep. Previously to his leaving Birmingham for Australia, a numerous party of Mr. Keep's friends assembled at the Hen and Chickens Hotel, and presented to him a very handsome testimonial, expressive of their regard for his private worth, and of their sincere wishes for his success in the mercantile career he has entered upon.

List of the passengers arrived at Melbourne, 22 April 1853, from Southampton on board the Harbinger; Public Record Office Victoria

https://prov.vic.gov.au/archive/3402227A-F96C-11E9-AE98-FF6251ADC8F4?image=164 (DIGITISED)

. . . [Mr.] Keep / 31 [sic] . . .

Names and descriptions of passengers per Great Britain from Melbourne, 22nd Oc. 1853 for Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/2357D0D9-F7F0-11E9-AE98-116214964BC1?image=570 (DIGITISED)

. . . Edward Keepe / 25 / Gent. . . .

"THE PHILHARMONIC SOCIETY", The Age [Melbourne, VIC] (12 January 1855), 5

http://nla.gov.au/nla.news-article154851329

The Annual Meeting of this Society took place at the Mechanics' Institute, on Tuesday evening, and was well attended. The Rev. W. Jarrett on being called to the chair made a few prefatory observations and called upon Mr. Patterson, the secretary, who read the following -
"Report of the Committee of the Melbourne Philharmonic Society, for the year 1854 . . ."
On the motion of Mr. Keep, seconded by Mr. Tumner [sic], the report was, after some discussion, adopted . . .

ASSOCIATIONS: William Jarrett (chair); James Paterson (secretary); Theodotus John Sumner (member); Melbourne Philharmonic Society (association); Mechanics' Institution (Melbourne venue)

"MELBOURNE PHILHARMONIC SOCIETY", The Argus (4 January 1856), 5

http://nla.gov.au/nla.news-article4827385

The second annual meeting of this society was held yesterday evening in the hall of the Mechanics' Institution . . . Mr. Russell was voted to the chair, and called upon the Hon. Secretary, Mr. G. B. Richardson, to read the report, which he did as follows -
MELBOURNE PHILHARMONIC SOCIETY. Report for 1855 . . .
Your committee has withing the twelve months undergone considerable change . . . vacancies which have been filled up by the election of Messrs. G. L. Allan, T. H. Davis, R. Bradford, and W. G. Dredge . . .
The following gentlemen were elected members of committee for the ensuing year:-
W. G. Dredge, Thomas Ewart, Richard Bradford, Thomas Holme Davis, Benjamin Horton, W. H. Williams, E. Keep, Joseph Edwards . . .

ASSOCIATIONS: John Russell (chair, conductor); George Bouchier Richardson (secretary); George Leavis Allan (member); Thomas Holme Davis (member); William Gilpin Dredge (member); Thomas Ewart (member); William Henry Williams (member)

"MARRIAGES", The Argus (27 June 1859), 4

http://nla.gov.au/nla.news-article5683410

On the 25th inst., at Geelong, by the Rev. Dr. Brough, Edward Keep, Esq., to Janet, third daughter of R. W. Ronald, Esq., Liverpool.

"PERSONAL", The Argus (13 May 1901), 5

http://nla.gov.au/nla.news-article10550127

A very old colonist and city merchant, Mr. Edward Keep died at St. Kilda on Saturday, aged 73. Born in Buckinghamshire, England, Mr. Keep, after a business experience in the hardware trade acquired in Birmingham, came to Victoria in the year 1853. For a period of upwards of 40 years from that date, at first in partnership with Mr. Bishop, subsequently with the late Mr. Richard Anderson and Mr. Harcourt, and lately with his nephew, Mr. John Francis Keep, and his son, Mr. Ronald Keep, he established and carried on a successful hardware merchant's business. Early in 1873 Mr. Keep retired from active business in the firm, and went to live in England, always maintaining his connection with the colony by frequent visits. In 1882 he decided again to return to Melbourne, and was resident here at the time of the fire in October, 1899, which destroyed the stock and premises of the old firm of Edward Keep and Co. Mr. Keep then decided not to re-engage in active business as a hardware merchant, but devote his attention to his other interests here. The deceased was a director of the London Bank of Australia Limited, a member of the Melbourne board of the British and Foreign Insurance Company, and was interested as a shareholder in other industrial and commercial businesses in Victoria. He took no active part in public life, but was for some years past the chairman of the Victorian Hardware Association, and was well and widely known among the mercantile community in Melbourne. Mr. Keep was a widower, but leaves five children surviving him - Mr. Ernest E. Keep solicitor, Elizabeth-street; Mr. Ronald Keep; Miss Keep, resident in London; Mrs. Whitney, Nebea, Coonamble, New South Wales; and Miss Agnes Keep.

See also "OLD COLONISTS' HOMES", The Age (20 March 1911), 11

http://nla.gov.au/nla.news-article196185081

KEIDEL, August (August KEIDEL; Augustus KEIDEL; August KEITEL; KIEDEL; KHIDLE; ? also KAEBET)

Musician, flute player, flautist, viola player, bandmaster (Adelaide Amateur Brass and Reed Band), miner

Born (? Clausthal), Hannover (Germany), c. 1815
Active Adelaide, SA, 1849-51
Active Ballarat, VIC, by 1857
Died Ballarat, VIC, 30 July 1860, aged "45"

https://trove.nla.gov.au/search?l-publictag=August+Keidel+c1815-1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEIDEL-August (shareable link to this entry)

Documentation:

? "ADELAIDE SHIPPING. ARRIVED", Adelaide Observer (31 October 1846), 6

http://nla.gov.au/nla.news-article158923374

. . . Wednesday, October 28 . . . Same day. - The ship Herjeebhoy Rustomjee Patel, 560 tons, Laun, master, from Bremen. Passengers . . . Ungar, Schlinker, and Kiedel, miners . . .

[Advertisement], South Australian [Adelaide, SA] (18 February 1848), 2

http://nla.gov.au/nla.news-article71610541

NEW QUEEN'S THEATRE . . .
will be closed on Saturday evening next, and re-opened on the following
Monday, Feb. 21st, 1848, under the management of MR. LAZAR . . .
The Orchestral Department will be considerably augmented, and consist of -
Mr. Lee (leader), Mr. Richards (second violin), Mr. Thomson (violincello),
Mr. Poltridge (cornet-a-piston), Mr. Hewitt (trombone), Mr. Swift (tenor),
Mr. Kaebet (master of the German Band, flute).

ASSOCIATIONS: John Lazar (actor, manager); Philip Lee (leader); Henry Augustus Richards (violin); John Charles Thompson (cello); Thomas Paltidge (cornet); Joseph Hewitt (trombone); Thomas Swift (viola); New Queen's Theatre (Adelaide venue)

[Advertisement], Adelaide Times (9 October 1848), 1

http://nla.gov.au/nla.news-article206981787

NEW QUEEN'S THEATRE . . . OCTOBER 9th
. . . A Choice Selection of the most admired pieces from the
Operas of Cinderella, Bohemian Girl, Fairy Lake, Crusaders, La Somnambula, etc., etc. . . .
Instrumental Performers: Leader, Mr. Lee, Mr. Richards (second violin), Mr. Thompson (violoncello),
Mr. Kaebet (flute), Mr. Hewitt (trombone), Mr. Hertz (double bass), Mr. Hauffman (tenor) . . .

[Advertisement], South Australian (13 March 1849), 3

http://nla.gov.au/nla.news-article71623261

New Queen's Theatre . . .
FOR THE BENEFIT OF MR. W. G. LAMBERT, ON THURSDAY, March 15th . . .
The "Adelaide Amateur Brass and Reed Band," leader Mr. Keidel, have also volunteered their services in the Orchestra, and will play some admired Polkas and Waltzes . . .

"AGRICULTURAL AND HORTICULTURAL EXHIBITION", South Australian (22 February 1850), 2

http://nla.gov.au/nla.news-article71625720

Yesterday the Society's annual exhibition was held on the usual spot in the Park Lands; It was in every respect an improvement upon those of former rears, as regards not only the show of produce but the arrangements generally, and the number of persons present . . . The attendance of ladies and gentlemen from Adelaide and the country was very large, and the day was enlivened by the performances of Mr. Keidel's amateur band . . .

"LOCAL INTELLIGENCE", Adelaide Observer (23 February 1850), 2

http://nla.gov.au/nla.news-article159531483

Our readers, who were so much pleased with the musical entertainment at the Agricultural Show on Thursday, will be interested to learn that the leader of the very efficient band, Mr. August Keitel, was presented in the evening by his fellow-musicians with a handsome silver snuff-box, on which a suitable inscription was engraved, as a token of regard and esteem they bear him.

"AGRICULTURAL AND HORTICULTURAL EXHIBITION . . . THE DINNER", South Australian Gazette and Mining Journal (23 February 1850), 3

http://nla.gov.au/nla.news-article195939448

At seven o'clock, about one hundred members and friends of the Society sat down to an excellent dinner provided by Host Dyke, in the long room of the Freemasons' Tavern . . . The amateur band, led by Mr. Keitel, was in attendance, and executed at intervals marches, waltzes, and more difficult music, in a style which did them great credit . . .

"DECLARATION OF CONFIDENCE IN MR. JOHN STEPHENS", South Australian Register (7 March 1850), 2s

http://nla.gov.au/nla.news-article38447147

. . . A. Keidel, musician, Rundle street . . .

ASSOCIATIONS: John Stephens (newspaper editor and proprietor, died Adelaide, SA, 28 November 1850)

[Advertisement], South Australian Gazette and Mining Journal (16 March 1850), 2

http://nla.gov.au/nla.news-article195939595

SIX GRAND PROMENADE CONCERTS A LA JULIEN [sic, JULLIEN] -
At the Exchange, King William-street.
Under the Direction of MR. W. WALLACE.
The first Concert will take place on Tuesday evening, 19th March.
The Chorus and Orchestra will consist of upwards of thirty-five performers,
and the programme will be selected from the works of Julien, Mozart, Labitzky, Rossini, Lanner, Weber, Strauss.
The evenings amusements will embrace Waltzes, Quadrilles, Gallopades, Polkas, and Overtures;
also Solos both Vocal and Instrumental.
LIST OF SOME OF THE PRINCIPAL PERFORMERS.
Miss Lazar, Mr. Lee, Her Cranz, Mr. Cobbin, Her Fisher, Mr. Cobbin, jun.
Her Kidel, Master Cobbin, Her Zeigler, Mr. Richards, Her Matter, Mr. Harwood, Her Huenerbiers, Mr. Bennett, Mr. Chapman, Mr. Hewett . . .

ASSOCIATIONS: Spencer Wellington Wallace (musician); Rachel Lazar (vocalist); August Friedrich Cranz (musician); William Cobbin and sons (musicians); George Fischer (vocalist); Charles Ziegler (musician); Charles Albert Frederic Mater (musician); William Harward (musician); August Christian Huenerbein (musician); George Bennett (musician); William Chapman (musician); Exchange Rooms (Adelaide venue)

"MOUNT BARKER AGRICULTURAL ASSOCIATION", South Australian (29 March 1850), 2

http://nla.gov.au/nla.news-article71625945

. . . The proceedings of the day were enlivened by the performances of the Adelaide Amateur Band, led by Mr. Kiedel [sic], both during the forenoon and after dinner . . .

"MOUNT BARKER AGRICULTURAL ASSOCIATION", South Australian Gazette and Mining Journal (30 March 1850), 3

http://nla.gov.au/nla.news-article195939679

On Wednesday the 27th instant, the annual exhibition of this Association was held at Balhannah. A suitable pavilion and stock-pens were erected on a section of land the property of Osmond Gilles [sic], Esq., on the banks of the now celebrated Onkaparinga . . . His Excellency Sir Henry Young and the Hon. Capt Sturt were present . . . while the picturesque and happy scene was enlivened by the spirited performances of Mr. Keitel's amateur band . . .

ASSOCIATIONS: Osmond Gilles (landowner); Henry Young (governor); Charles Sturt (surveyor)

[Advertisement], Adelaide Times (20 May 1850), 1

http://nla.gov.au/nla.news-article207116143

. . . MR. S. W. WALLACE
has the honour to inform the residents of Adelaide and its vicinity that he intends giving a
Grand Concert, on the evening of Wednesday, the 22nd inst. . . .
assisted by Mrs. Murray, Messrs. Ellard, Gale, Tilly, Fischer, Mater, Hunerbein, Chapman, Keidel, Osborne, Lee, Frederick Coppin, &c., &c. . . .

ASSOCIATIONS: Georgiana Murray (musician); Frederick Ellard (musician); Thomas Theodore Gale (musician); George Tilly (musician); Ferdinand Osborne (musician); Frederick Coppin (musician)

[Advertisement], Adelaide Times (19 July 1850), 1

http://nla.gov.au/nla.news-article207117472

. . . MONSTER CONCERT.
GRAND COMBINATION OF TALENT, In aid of the Funds of the GERMAN AND BRITISH HOSPITAL . . .
INSTRUMENTAL. Conductor - Mr. Wallace.
Principal 1st Violins - Messrs. Wallace, Osborne, Lee, and F. Coppin . . .
Flutes - Messrs. Addison, Keidel, and Clisby . . .
On Friday Evening, July 19th, 1850 . . .

ASSOCIATIONS: Redford Clisby (flute)

[Advertisement], South Australian Register (7 April 1851), 2

http://nla.gov.au/nla.news-article38450697

. . . GRAND EVENING CONCERT . . .
MRS. EDWARD JUPP . . . April 9th, in the Commercial Exchange . . .
assisted by . . . Mr. S. Wallace, Mr. F. Ellard . . .
Herr Linger, Mr. Bennett, Herr Mater, Herr Huenerbein,
Herr Keidle, Herr Ziegler, Mons. Paris, Mr. Osborne, Mr. Lee, Mr. Chapman, Mr. Harwood, Mr. McCullagh, the Messrs. Cobbin, &c. &c. . . .

ASSOCIATIONS: Catherine Jupp (musician); Eugene Paris (musician); Robert McCullagh (musician)

[Advertisement], Adelaide Times (17 September 1851), 1

http://nla.gov.au/nla.news-article207069312

THIS EVENING.
CONCERT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL.
ON Wednesday, the 17th of September, a Grand Vocal and Instrumental Concert will be given at the Exchange,
King William-street . . . by the DEUTSCHE LIEDERTAFEL,
assisted by a Grand Orchestra, and the principal musical talent of this colony, who have most liberally volunteered their services . . .
PROGRAMME. PART I . . . 9. Grand chorus, from the Opera "Euryanthe," C. M. v. Weber,
with Bass Accompaniment by Messrs. Chapman, F. Coppin, Herren Huenerbein, Keidel, and Ziegler . . .

ASSOCIATIONS: Deutsche Liedertafel (association)

[Advertisement], The Star [Ballarat, VIC] (17 August 1857), 3

http://nla.gov.au/nla.news-article66043788

CHARLIE NAPIER THEATRE. PROPRIETOR - MR. JOHN GIBBS.
THIS EVENING - MONDAY, And every evening during the week,
GRAND PROMENADE CONCERTS, VOCAL AND INSTRUMENTAL.
Engagement of the celebrated local Comic Singer, MR. COXON . . .
A MONSTER BAND, The solo performers consisting of
Herr Richty, Monsieur Fleury, and Herr Weideman, 1st Violins.
Monsieur Feon, and Herr Rodi, 2nd Violins.
Herr Keitel and - Navaiski, Tenor.
Herr Elliott, Contra Bass.
Herr Bohler, Flute.
Herr Bouleke, 1st Clarionet.
Herr Holzapfell, 2nd Clarionet.
Herr Vohr, Oboe.
Herr Ide, 1st Cornet.
Herr Busse, 2nd Cornet.
Herr Schulze, Trombone.
Mr. Parker, Pianist.
Monsieur PIETRO CANNA, on the Drums.
Leader of the Band, HERR RICHTY.

ASSOCIATIONS: John Gibbs (proprietor); John Coxon (comic vocalist); Fanny and Emily Wiseman (dancers); Carl Richty (leader, violin); Achille Fleury (violin); Traugott Wiedemann (violin); Henry Boehler (flute); Herr Elze [sic] (double bass); Frederick Busse (cornet); Pietro Canna (drums); Joseph Parker (pianist); none of the other musicians named have as yet been reliably identified; Charlie Napier Theatre (Ballarat venue)

[Advertisement], The Star (22 October 1859), 3

http://nla.gov.au/nla.news-article66050755

MONTEZUMA THEATRE. FRIDAY, 22ND OCTOBER. BENEFIT OF MONS. FLEURY. Under the Patronage of the Philharmonic Society . . .
The Band will comprise the following unrivalled instrumentalists: -
Messrs. Fleury, Palin, King, Labalestrier, Ellis, Herndoff,
Miell, Minton, Fillion, Whetter, Wild,
Khidle [sic], Hort, Gunn, and Signor Pietro Canna . . .

ASSOCIATIONS: Lawrence Frederick Palin (musician); Thomas King (musician); Alfred Labalestrier (musician); Thomas Ellis (musician); Hermann Harndorff (musician); Augustus Miell (musician); Thomas Minton (musician); Auguste Filhon (musician); Montezuma Theatre (Ballarat venue); Ballarat Philharmonic Society (association)

"DEATHS", The Star [Ballarat, VIC] (6 August 1860), 2

http://nla.gov.au/nla.news-article66057484

On the 30th ult., Augustus Keidel, aged 45 years, late of Klausdhal, Hanover, of jaundice.

ASSOCIATION: Clausthal (Hannover); perhaps related to George Henry William Keidel (originally from nearby Sankt Andreasberg, Hannover, blacksmith, Welshamn's Reef, Maldon, VIC; born c. 1833; died 4 December 1911)

KEILEY, Henry (Patrick Henry KEILEY; Henry KEILEY; H. KEILEY; Mr. KEILEY)

Musician, vocalist, music reviewer (The Argus, 1869-89)

Born London, England, 17 September 1832; baptised Moorfields chapel, 17 September 1834; son of Robert KEILEY and Henrietta SPANTON
Arrived Melbourne, VIC, 1852
Married Eliza Jane PORTER, Ararat, VIC, 14 November 1861
Died Richmond, Melbourne, VIC, 7 March 1889, aged "56/57"

https://trove.nla.gov.au/search?l-publictag=Henry+Keiley+1832-1889 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Henry+Keiley (TROVE public tag)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEILEY-Henry (shareable link to this entry)

Documentation:

Baptisms, St. Mary Moorfields (RC), London, 1834; Westminster Archdiocesan Archives

https://www.findmypast.com.au/transcript?id=PRS/ROMCATH/BAP/WESTM/PH2/068093 (PAYWALL)

Keiley / Die 17 Septembris 1832 natus est et die 17 Septembris 1834 baptizatus est / Pat's Henricus Keiley filius Roberti et Henriettae Keiley (olim Spanton) . . . Matrina fuit Eleanora Keiley

England census, 30 March 1851, St. Olave Hart Street, London; UK National Archives, HO107/1531/213/33

https://www.ancestry.com.au/search/collections/8860/records/2978944 (PAYWALL)

16 Colchester St. / Henrietta Keiley / Head / Widow / 45 / Milliner & Lace dealer / [born] London Middlesex
Henry [Keiley] / Son / [Unm.] / 18 / Cl[erk] to Wine & Spirit dealer / [born] [London Middlesex] / . . . [and servant, 26]

[Advertisement], The Argus [Melbourne, VIC] (24 November 1854), 8

http://nla.gov.au/nla.news-article4800779

SPORTSMEN'S ARMS HOTEL, Thursday, 23rd November, 1854.
I hereby beg to apologise for the assault committed on you in my house on the evening of Wednesday, the 22nd inst.,
and also, at your request, to pay into the poor-box of the police court, the sum of £2 2s to stay further proceedings.
DANIEL O'REILY. To Mr. Henry Keiley.

[Advertisement], The Argus (20 February 1855), 7

http://nla.gov.au/nla.news-article4804674

DAGUERREOTYPE Apparatus Wanted; complete. Address Henry Keiley, 123 Flinders-lane east.

[Advertisement], The Mount Ararat Advertiser and Chronicle for the District of the Wimmera [VIC] (25 October 1859), 1

http://nla.gov.au/nla.news-article280107799

QUARTZ REEFS, PLEASANT CREEK.
The First Anniversary of the REEF BACHELORS' BALL
WILL BE HELD AT BURNSIDE'S HOTEL, ON FRIDAY, November 4th, 1859.
COMMITTEE - R. Codd, Esq., J.P., . . . H. Keiley . . .

[Advertisement], The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (16 October 1860), 2

http://nla.gov.au/nla.news-article280108377

ARARAT HOSPITAL, A GRAND ENTERTAINMENT
In aid of the FUNDS OF THE ARARAT HOSPITAL, Will take place on
MONDAY, the 29th INST., (Being the day upon which the Circuit Court will be opened by Sir Redmond Barry.)
The Committee are happy to announce that the services of Mrs. Young (late Miss Urie) [sic],
Mr. Hackett, Mr. Keiley, and several other highly talented ladies and gentlemen have been secured.
Full particulars will be shortly published.
JAMES CAMPBELL, Secretary.

ASSOCIATIONS: Louisa Urie (vocalist; correctly); Edward Hackett (vocalist)

"MARRIED", The Ararat and Pleasant Creek Advertiser and Chronicle for the District of the Wimmera (22 November 1861), 2

http://nla.gov.au/nla.news-article280062462

At the Parsonage, Ararat, on the 14th inst., by the Rev. P. Homan, Mr. Henry Keiley to Miss Eliza Jane Porter.

"BALLARAT AGRICULTURAL SOCIETY . . . CORRESPONDENCE", The Star [Ballarat, VIC] (5 May 1864), 2

http://nla.gov.au/nla.news-article66344681

. . . 1. From Mr. Henry Keily, Quartz Reef, Pleasant Creek, stating that a society had been formed in that part of Victoria, under the title of the Wimmera Union Ploughing Society, and requesting to be furnished with a copy of the rules observed by the society at ploughing matches . . .

"REEFS, PLEASANT CREEK. CONCERT IN AID OF THE SCHOOL FUND", The Ararat and Pleasant Creek Advertiser and Chronicle for the District of the Wimmera (6 June 1865), 2

http://nla.gov.au/nla.news-article280094615

An amateur concert was given at Blackburn's Assembly Room, Reefs, Pleasant Creek, on Thursday night, in aid of the School Fund. A full house rewarded the exertions of the amateurs. The entertainment was under the patronage of the various Orders and public bodies who had attended the ceremony of laying the foundation stone on the same day. The brethren of the Loyal Pleasant Creek Lodge M.U.I.O.O.F. attended in considerable numbers in their regalia. The performance was a complete success, and great thanks are due to the amateurs, and to Mr. Keiley their head, for the entertainment of the evening. Although the prices of admission were lower than on any previous occasion of the kind, the sum of £28 15s was realised for the school fund from the concert alone. The programme included a performances from the Band, which was deservedly encored, and glees, solos, duets, &c. by the various amateurs. A reading from Dickens' Bleak House, entitled "Tom All Alone," was also well rendered, and well appreciated by the audience.

"PRESENTATION TO MR. KEILEY AT PLEASANT CREEK", The Ararat and Pleasant Creek Advertiser and Chronicle for the District of the Wimmera (25 February 1868), 3

http://nla.gov.au/nla.news-article280017718

On Thursday evening last, Mr. Henry Keiley, of Pleasant Creek, met several of his friends, at Sauerbrey's Commercial Hotel, Reefs, for the purpose of receiving a testimonial at their hands, on the eve of his departure from amongst them, as a slight acknowledgment for the many valuable services which he had rendered that place in his capacity as a public man, during a sojourn extending aver a period of ten years . . .

Melbourne, VIC (by mid 1868 to 1889):

[News], The Argus [Melbourne, VIC] (12 November 1868), 4

http://nla.gov.au/nla.news-article5832168

A soiree musicale, the fourth and last of the season, in connexion with the German Liedertafel was given last evening in Hockin's Assembly-rooms. Artistically, and as regards attendance, it proved a most decided success. The programme, winch embraced selections, vocal and instrumental, from the most distinguished and classical composers, was carried out in its entirety. At a rough estimate there could not have been fewer than 400 persons present. The overtures, the fiist from "Der Freischutz," and the second from "Don Giovanni," were rendered by the band of fourteen instrumentalists with great power and precision, particularly the first-named. They received their due meed of appreciation at the hands of what was evidently a critical and fastidious audience. The fine duet from Mendelssohn's "Zuleika and Hassan," was well sung by Miss Nordt and Mr. Keiley . . .

ASSOCIATIONS: Rebecca Nordt (vocalist); Melbourne Liedertafel (association); Hockin's Rooms (Melbourne venue)

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (25 May 1869), 2

http://nla.gov.au/nla.news-article188569397

The Melbourne Deutsche Liedertafel give a second performance this evening in aid of the objects of the Fine Arts Exhibition. The following is their programme: . . . trio, Opus 66 - 1st movement, "Allegro," Reissiger - Messrs. Hart, King and Pringle . . . "Festival Chorus to the Artists," Mendelssohn . . . "The Slave Song," Keyser - Herr Keiley . . .

ASSOCIATIONS: Sidney Herbert Hart (cello); Edward King (violin); George Robert Grant Pringle (piano)

MUSIC: The slave [Der Sclave] (Franz Keiser)

[News], The Argus (29 June 1869), 4

http://nla.gov.au/nla.news-article5824855

The complimentary concert given last evening to Herr Plock by his friends and pupils at the Prahran Town-hall, proved most successful. The attendance was numerous, and the music, both vocal and instrumental, eminently praiseworthy. Amongst those who aided in the performance were Herr Staab, Herr Seide, Mr. Keily, Mr. Whiteman, and the members of the Charitable Minstrels' troupe. An excellent and varied programme was provided, embracing some of the most admired operatic and popular selections . . . Herr Plock presided at the piano. On the whole, the concert was one of the most enjoyable of the kind given for some time.

ASSOCIATIONS: Adam Plock (musician); Franz August Staab (musician); Julius Siede (musician); Prahran Town Hall (venue)

"THEATRICAL GOSSIP. BY THE LOUNGER", The Herald [Melbourne, VIC] (24 July 1869), 2

http://nla.gov.au/nla.news-article244919769

Madame Fanny Simonsen and M. Martin Simonsen having quite recovered from the effects of an uncomfortable sea voyage from Liverpool, announce their intention to give a series of "Grand operatic and ballad concerts," at the Princess Theatre (I hate the new-fangled name of "Academy of Music"), commencing next Thursday evening . . . They will be assisted Rebecca North [sic], Mr. Henry Keiley, Mr. F. C. Cope, Herr Staab, and Mr. Schott . . .

ASSOCIATIONS: Fanny and Martin Simonsen (vocalist and violinist, conductor); Frederick Charles Cope (vocalist); James Artrhur Schott (musician); Princess Theatre (Melbourne venue);
see also [Advertisement], The Argus (29 July 1869), 8

http://nla.gov.au/nla.news-article5815407

[News], The Argus (30 July 1869), 5

http://nla.gov.au/nla.news-article5817500

M. and Mdme. Simonson reappeared last night at the Princess' Theatre, before an enthusiastic but unfortunately not very numerous audience . . . The less said about Messrs. Keiley and Cope's duet from "I Puritani," perhaps, the better. Mr. Keiley has a good voice, sadly deficient, however, in cultivation. He suffers, too, from the customary fault of amateurs - a disinclination to open his mouth . . . The programme is to be repeated to-night, when we hope to witness the attendance of a larger and an equally appreciative audience.

"THE NEWS OF THE DAY", The Age (5 August 1869), 2

http://nla.gov.au/nla.news-article188572091

Tha support given by the Melbourne public to the entertainments of M. and Madame Simonsen, at the Academy of Music, has been of such a meagre character, that M. Simonsen announces that he will conclude the series of concerts on Saturday next . . . Last evening . . . The concert was brought to a conclusion with the grand scena from "La Traviata," the tenor part by Mr. Keiley.

"THE NEWS OF THE DAY", The Age (28 September 1871), 2

http://nla.gov.au/nla.news-article203010505

The Melbourne Deutsche Liedertafel held one of their social meetings on Monday evening at Weber's Hotel. These gatherings take place every second month, gentlemen only being admitted . . . The Kindersimphonie or Children's Chorus, was performed in a most perfect manner, and created an immense amount of amusement. The excellent manner in which Mr. Keiley sung The Slave is also deserving of special mention . . .

"Deaths", The Argus (19 April 1881), 1

http://nla.gov.au/nla.news-article5989036

KEILEY - On the 13th January, at Waldegrave road, Upper Norwood, London, Henrietta, relict of the late Robert Keiley, mother of Henry Keiley, Richmond terrace, aged 81

"Deaths", The Argus (8 March 1889), 1

http://nla.gov.au/nla.news-article6228388

KEILEY. - On the 7th inst., at his residence, 141 Church-street, Richmond, Henry Keiley, musical critic of "The Argus," aged 57 years.

"DEATH OF MR. H. KEILEY", The Argus (8 March 1889), 7

http://nla.gov.au/nla.news-article6228366

The death of Mr. Henry Keiley, which we regret to have to announce this morning, removes from journalistic and musical circles of this colony a very prominent figure. Mr. Keiley, who was best known as the musical critic of The Argus, occupied that position for upwards of 20 years, enjoying during that time the entire confidence of the office, the close fellowship and goodwill of his colleagues, and the friendship of all the members of the musical profession with whom he was brought into contact. His genial and gentle personality will be much missed - it is no empty compliment to his memory to say that he was always upright in giving judgment and while he had to deal with performances and appearances of all kinds of artistes, from the greatest who have visited these shores to the aspirants among our native born population, he was always careful that he criticised with dignity, praised when praise was deserved, encouraged when encouragement was necessary, and condemned when the interests of the public demanded it. He never fell into the common error of regarding criticism as an opportunity for fault-finding but, on the contrary, he placed before his readers a bright picture of the occurrence, conjoined with solid information, which rendered his notices a musical education in themselves.
He was born in London in 1831 [sic], and nurtured among musical surroundings. At a very early age he was made familiar with the efforts of performers of the first rank, and during his youth, though his avocation lay in business in the city, he was always moving among musical people. He came to Victoria in 1852, and sought his fortune at Pleasant Creek (now Stawell). Afterwards, when the gold fields waned, he, in 1869, joined the staff of The Argus as musical critic. As has been said, he retained that position until his death, and the value of the work he did is appreciated by all who have studied it. Mr. Cowen before his departure publicly expressed surprise at the high standard of musical criticism in Melbourne. It was Mr. Keiley who was entitled to the credit of having established that standard. In late years Mr. Keiley suffered much from visitations of gout, and during the currency of the Exhibition, when his labours were most arduous, he was compelled to take a rest. He did not regain strength, not ever, and died last night at 1 o'clock, after eight weeks' illness, from congestion of the brain and gout. He was attended by Dr. Moloney and Dr. Elaner. His funeral will leave his residence, 141 Church street, Richmond, at half past 2 o clock on Saturday afternoon.

"DEATH OF MR. HENRY KEILEY", The Age (8 March 1889), 5

http://nla.gov.au/nla.news-article196986858

It is with feelings of regret that we record the death of Mr. Henry Keiley, musical critic of a morning contemporary, which took place at his residence, 141 Church-street, Richmond, last evening. Mr. Keiley has been subject for some years to periodical attacks of gout, and has occasionally had very severe recurrences of the malady, incapacitating him from the exercise of his profession, and it is to a seizure of this kind that his death is due. Mr. Keiley's fatal illness commenced about the last week in January, shortly prior to the closing of the Exhibition, but it is only about three weeks ago that he found himself so much worse as to necessitate complete relinquishment of his duties, and the malady at length reaching the brain, his sufferings were alleviated by complete unconsciousness.
Mr. Keiley was born in London in 1832, his age at the time of decease being 57. He has been for many years one of the central figures of the musical and literary world of Melbourne, and obtained universal respect and friendship for his sterling and genial qualities of heart and mind, as well as for his fine literary abilities. Although not possessed of more than ordinary technical knowledge of music, Mr. Keiley had the artistic temperament strongly developed, and his taste had become highly cultivated by his constant association with the many fine artists who have from time to time visited Australia, and by familiarity with the compositions of the great masters as interpreted by them.
He has been associated with all the most notable musical events of the past 20 years, and it was his ambition to be considered "the musical historian of Victoria," to use his own words.
He possessed a splendid memory, a great command of language, and a peculiar felicity of expression, which, together with variety of research, made his articles extremely readable and highly interesting, and his susceptibility to artistic influence was so great as to lead him instinctively to the appreciation of the best and highest in musical art.
He leaves a wife and two sons to mourn his loss, and numerous friends to whom his kindly generous nature endeared him.

"DEATH OF MR. H. KEILEY", The Australasian (9 March 1889), 37

http://nla.gov.au/nla.news-article139697560

The death of Mr. Henry Keiley, which we regret to have to announce this week, removes from journalistic and musical circles of this colony a very prominent figure. Mr. Keiley, who was best known as the musical critic of The Argus, occupied that position for upwards of 20 years, enjoying during that time the entire confidence of the office, the close fellowship and goodwill of his colleagues, and the friendship of all the members of the musical profession with whom he was brought into contact. His genial and gentle personality will be much missed. It is no empty compliment to his memory to say that he was always upright in giving judgment; and while he had to deal with performances and appearances of all kinds of artistes, from the greatest who have visited these shores to the aspirants among our native-born population, he was always careful that he criticised with dignity, praised when praise was deserved, encouraged when encouragement was necessary, and condemned when the interests of the public demanded it. He never fell into the common error of regarding criticism as an opportunity for fault-finding, but, on the contrary, he placed before his readers a bright picture of the occurrence, conjoined with solid information, which rendered his notices a musical education in themselves.
In The Australasian his nom de plume was "Andante."
He was born in London in 1831 [sic], and nurtured among musical surroundings. At a very early age he was made familiar with the efforts of performers of the first rank, and during his youth, though his avocation lay in business in the city, he was always moving among musical people. He came to Victoria in 1852, and sought his fortune at Pleasant Creek (now Stawell). Afterwards, when the gold-fields waned, he, in 1869, joined the staff of The Argus as musical critic. As has been said, he retained that position until his death, and the value of the work he did is appreciated by all who have studied it. Mr. Cowen before his departure publicly expressed surprise at the high standard of musical criticism in Melbourne. It was Mr. Keiley who was entitled to the credit of having established that standard.
In late years Mr. Keiley suffered much from visitations of gout, and during the currency of the Exhibition, when his labours were most arduous, he was compelled to take a rest. He did not regain strength, however, and died on Thursday, the 7th inst., at 9 o'clock, after eight weeks' illness, from congestion of the brain and gout. He was attended by Dr. Moloney and Dr. Elaner.

ASSOCIATIONS: Frederic Hymen Cowen (conductor)

"A SERVICE OF SORROW", The Argus (11 March 1889), 8

http://nla.gov.au/nla.news-article6229358

It was but a week ago that we were required to form a lodge of sorrow for Dr. Bromby, and Saturday last brought a call to a similar function in connection with the burial of Henry Keiley, beloved wherever known. Henry Keiley was musical critic on this journal for 20 years, and through those years it had been his duty to deal with all matters musical which have been introduced to Melbourne. With all people musical also - a matter much more difficult. On Thursday evening last his long day closed. On Saturday afternoon it was announced that he would be buried, and no sooner was this known than all those who had been performers when he was critic, said - "There is a duty before us - we must take a last farewell of our friend." And how should musicians say farewell but with tuneful mourning, even as friends with silent tears?

Therefore, while the town was comparatively quiet on Saturday afternoon, while Flemington was roaring and holiday sport was making noise in every suburb, a somewhat peculiar congregation filled the sombre little pro-Cathedral, made more mournful for the occasion with heavy hangings and draperies of black. Men and women not often seen in ordinary congregations sat there. Men of the world, the town, the theatres, the concert-halls, singers, actors, prime donne of the present and the past decade, theatrical managers, and all those who work in the service of making life sweeter by song. Most of them sat in the body of the church, but a selected few had places within the choir. They were deputed to say farewell in that fashion which the "old man" loved. Picked players from Mr. Cowen's orchestra were there, leaders of the musical societies in the city, and, conducting, those who had been contemporary and competitive with him in his own work.

It was very mournful in the little church even before the bell began its tanging toll and the surpliced choristers their procession. Then, like a troubled spirit, the organ began to moan, the clear melodious voice of the officiating clergyman was heard, and "Old Man Keiley" came in. Not, alas! in the old style; not as we had so often seen him, warped and wrung with gout, maybe - for he had for many years suffered much physical agony - but upright, open faced, true hearted, with voice to which all listened, for it never uttered aught which should give a good man pain. We should never know Keiley in that way any more. He was carried in now. They laid him down there by the music, and around him for a while the sweet voices and the cunningly bandied instruments mourned their best. The beautiful choral burial service of the church was well performed, and that great true poem be loved so well, Beethoven's "March Funebre" was solemnly played. Then out of the church again, and through the half deserted streets to the cemetery, where, when the clergyman had consigned "ashes to ashes, and dust to dust," a choir from the Liedertafels rendered a farewell tribute.

Then all was over. And why had we gathered such a strange congregation? The answer is very simple. It was "Old Man Keiley" who had died and was buried. The term will be only comprehensible to those who know Australia very well. Yet it does not need much interpretation. It is the "old man squatter" who feeds all who come to his door, an "old man rain" that makes the grass grow everywhere. "Old Man Keiley" had known much of Australia, though he brought to us a matured and cultured manhood. He lived his youth in London, and knew London, and loved to talk, as only one who has poetic insight and power of expression can talk, of its present greatness and marvelous history. But, entering into Victoria, he joined the general march to the diggings, and only those who knew him can understand aright how strange a mind went along the bush tracks then, not disguised by the fleas - for the old man's face was very expressive - but concealed from the ignorant by the mole-skin and flannel of the digger's dress.

"I went to a Squatter's house once," he said, "to buy a little flour, everything about the place was very magnificent, but the man a churl. I had to wait a little, and, waiting, I observed. On arrival, said my squatter to me, 'I will not sell you flour, I will give you work ' I replied, 'I could not work here'. He said, 'Why not? and, being constrained to speak truth, I answered, 'Your house here is very fine, but in ill taste, somebody within essays to play the piano, but is ill taught. I could not endure these things.' And then he refused me flour."

That incident is indicative of his character, which never changed. He came down to Melbourne with intent to sing; but his literary gift was quickly recognised, and in 1869 he accepted that position which he held till his death. His method of criticism was not of that niggling and pedantic sort which seeks to make note of any slightest slip or error in the performance of the most complex matters, but rather to deal in just and generous fashion with whatever came before him, to make a fair record, and to do a little in the way of additional interpretation. And his best knowledge was not that in which the commonplace critic delights. Music to him was essential - almost a first essential - to the complete being of man, and he loved to trace its history in connection with human and with national development. He knew the music of England from the beginning, and would often reply with magnificent scorn to those very cultured, but also superficial, folk who talk of Germany, or even Italy, as the birthplace of good music.

"I tell you, sir, that when Germans were croaking tuneless gutturals, and Italians whining but the songs of slaves, English cathedrals rang with glorious sound, and English homes knew melodies which have never been surpassed."

How full was his knowledge of the whole history and literature of music was well shown in the lecture he delivered in the Town hall a year ago on the "History of Music in All Nations." It was said at the time that the lecture was cut too short by reason of the multitude of examples, for the old man had but to beckon, and "the profession" marched en masse to his aid.

We who knew him well, however, were not bound to him by any knowledge or admiration of his powers, but by a true love of his truly gentle and lovable nature. In five and thirty years of labour in Australia he had never lost a friend worthy to be so called, because he never did aught that justice did not demand and a just but generous humanity approve. And so the long day closeth, and another Ave atque vale is spoken, and we get about the everyday work again, though with a consciousness of a bigger gap and more constant want than one man's departure usually makes.

ASSOCIATIONS: John Edward Bromby (cleric)

[News], The bulletin [Sydney, NSW] (23 March 1889), 7

https://nla.gov.au/nla.obj-442506202/view?partId=nla.obj-442606684#page/n6/mode/1up (DIGITISED)

Henry Keiley, who wrote musical criticisms for The Argus during the last twenty years of his life, has gone to that land where they play allegro movements without ceasing, and the orchestra consists mainly of first cornets cast in gold. The "leading journal" gave poor Keiley a splendid notice, mentioning that "he was always upright in giving judgment and was always careful that he criticised with dignity." The Argus's notion of dignity is characteristic of that solemn print, Keiley's notices usually consisted of long, dreary extracts from the inevitable book of reference strung together by a number of antique adjectives of blame or praise, according to whether he was "well in" or otherwise with the parties pulling the strings. Truth to tell, he was an apostle of tommyrot. The Argus states that "Mr. Cowen, before his departure, publicly expressed surprise at the high standard of musical criticism in Melbourne. It was Mr. Keiley who was entitled to the credit of having established that standard." Beautiful! The Bulletin begs to assert that Mr. Cowen was so disgusted at a certain notice of a certain baritone-singer, that he besought the artist in question to bring an action against the Argus, promising that he (Cowen) would go into the witness-box and swear that the said notice was a scandalous perversion of the truth. We don't know if Keiley wrote it, and it is too late to ask him. Probably the best success of Keiley's life was an effort he made as a composer [sic] in 1879, when he supplied the music for Marcus Clarke's burlesque, "Alfred the Great." This monarch was produced at the Melbourne Bijou, and Clarke's share of him, at all events, was a great boom. Anyone who wanted Keiley when he was alive could always find him at 4.30 pm. at a certain tobacco and snuff shop on the Melbourne block, and that shop looks woefully blank now that the old musical critic, who, out of the paper, was a genial soul, has fled to a higher sphere of operatic art.

Signed reviews:

Signed "Andante", weekly on Saturdays in The Australasian, from 15 March 1873, to 26 January 1889

"THE OPERA", The Australasian [Melbourne, VIC] (15 March 1873), 19

http://nla.gov.au/nla.news-article137578376

"MUSIC AT THE EXHIBITION", The Australasian (26 January 1889), 30-31

http://nla.gov.au/nla.news-article139696103

Stage works:

Alfred the great, a dramatic & musical fancy written and arranged by Marcus Clarke and Henry Keiley [with some music composed by Fred Lyster and Alfred Plumpton] (Melbourne: Nicholson & Ascherberg, [1879])

https://trove.nla.gov.au/work/16463051

https://nla.gov.au/nla.obj-165960451 (DIGITISED - Wordbook)

ASSOCIATIONS: Fred Lyster (composer); Alfred Plumpton (composer); Marcus Clarke (words)

"Our Melbourne Letter", The Queenslander [Brisbane, QLD] (11 January 1879), 54

http://nla.gov.au/nla.news-article19778417

Two of the theatres brought out their Christmas pieces on the evening before the festival. At the Academy of Music was presented a musical burlesque entitled "King Alfred the Great," the libretto of which is from the facile pen of Mr. Marcus Clarke, and the music, partly original, by Mr. Plumpton, and partly selected by Mr. Henry Keily, musical critic to the Argus. I was not present, but I found on Christmas morning a nipping review of the piece in the Argus. The critic reviews it as a keen, frosty wind reviews a line of apple trees in full blossom. The criticism is a model of keen, caustic, depreciatory writing. I shall see the piece, however, and judge for myself . . .

Bibliography and resources:

Henry Keiley, Find a grave

https://www.findagrave.com/memorial/175277385/henry-keiley

KEITEL, August (August KEITEL; Herr KEITEL; Mr. KEITEL) = August KEIDEL

KELK, Miss (Miss KELK)

Theatrical dancer, actor

Active Sydney, NSW, 1843-1846

https://trove.nla.gov.au/search?l-publictag=Miss+Kelk+dancer (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELK-Miss (shareable link to this entry)

IDENTIFICATION: The Sydney theatrical dancer Miss Kelk was certainly a daughter of Francis Kelk, shoe-maker (and later publican), of Pitt-street, Sydney; and almost certainly his fourth daughter, Mary Ann Sarah Kelk, aged 12 on her first stage appearance at the Royal Victoria Theatre in November 1843; a pupil of the dancer Gerome Carandini; a regular performing partner of another juvenile dancer, Thomas William Simes, eldest son of the actor and manager Thomas Simes, the boy probably about 2-3 years younger than she was; aged 15 at the time of her last advertised appearance on 14 November 1843; however, she may not have performed on this final occasion, as three days earlier she married her first husband: -

KELK, Mary Ann Sarah (Mary Ann Sarah KELK; [1] Mrs. Frederick George LEWIS; [2] Mrs. James DAVISON)

Born London, England, 30 August 1831; baptised St. Giles in the Fields, 5 October 1831; daughter of Francis KELK and Maria BECKWITH
Arrived Sydney, NSW, by c. 1833-34 (with parents)
Married [1] Frederick George LEWIS (1823-1853), Sydney, NSW, 11 November 1846 (aged "15")
Married [2] James DAVISON (1826-1887), Sydney, NSW, 1857
Died Sydney, NSW, 20 September 1874, aged "43"

https://trove.nla.gov.au/search?l-publictag=Mary+Ann+Sarah+Kelk+Lewis+Davison+1831-1874 (TROVE tagged by Australharmony)

Documentation (Mary Ann Sarah KELK):

Baptisms solemnized in the parish of St. Giles in the Fields, in the county of Middlesex, in the year 1832; register 1827-42, page 213; London Metropolitan Archives, P82/GIS/A/02

https://www.ancestry.com.au/search/collections/1558/records/14290443 (PAYWALL)

No. 2550 / [1831] Oct'r 5 / Mary Ann Sarah [daughter of] / Francis & Maria / Kelk / [born] 30 Aug't 1831 / 16 Moore Street / Shoe-maker . . .

ASSOCIATIONS: Francis Kelk (d. 1850) and Maria Beckwith (d. 1867) married at St. George, Hanover Square, London, on 19 July 1819

Marriages, Sydney, NSW, 1846; Australia, marriage index; and BDM NSW

https://www.findmypast.com.au/transcript?id=B/R_547025771 (PAYWALL)

https://www.findmypast.com.au/transcript?id=ANZ/BMD/NSW/M/0004879859 (PAYWALL)

11 November 1846 / Frederick George Lewis / Mary Ann Sarah Kelk

ASSOCIATIONS: The marriage was registered (BDM NSW) at Scots Church, Sydney, but, as was then usual with Presbyterian weddings, probably performed in the house of the bride's father

"DEATHS", Empire [Sydney, NSW] (22 September 1874), 1

http://nla.gov.au/nla.news-article60992656

On September 20, at her residence, 239, Castlereagh-street, Mary Ann Sarah, the beloved wife of James Davison.

Documentation (Miss KELK, dancer):

"THEATRICALS", The Australian [Sydney, NSW] (4 November 1843), 3

http://nla.gov.au/nla.news-article37116397

. . . The gorgeous operatic spectacle of THE BRONZE HORSE continues to draw crowded audiences, and too much praise can scarcely be awarded to Mr. Lazar for the minute attention he has paid to the costume, scenery and all the "means and appliances to which pieces of this description owe their success. The arch and lively acting of Madame Torning, whose sprightly and espiegle style is rapidly gaining for her "golden opinions" - the excellent singing of Mrs. Gibbs - the buoyant spirit and winning smilingness of Madame Louise - and the pretty trio, Misses M. Jones, Thomson, and Kelk - furnish the materials of a very pleasant entertainment, in which the fun is very agreeably interwoven by Mr. Simes and Mrs. Thomson.

ASSOCIATIONS: John Lazar (actor, manager); Eliza Torning (actor, dancer); Eliza Gibbs (vocalist, actor); Madame Louise (actor, dancer); Matilda Jones (dancer); Jane Eliza Thomson (dancer); Thomas Simes (actor); Martha Thomson (actor); Royal Victoria Theatre (Sydney venue)

MUSIC: The bronze horse; or, The spell of the cloud king (London, 14 December 1835; music arranged by George Herbert Rodwell, after Auber; book by Fitzball, after Scribe)

[Advertisement], The Sydney Morning Herald (23 February 1844), 3

http://nla.gov.au/nla.news-article12412310

ROYAL VICTORIA THEATRE. MR. J. LAZAR, Manager,
begs most respectfully to acquaint his friends, and the public generally, that his
BENEFIT is fixed for Monday, February 26th, 1844.
The Performances will commence with (for the first time in this colony),
a Nautical Drama, in three acts, (acted in London upwards of two hundred nights,) and entitled
CAPTAIN ROSS; OR, A VOYAGE TO THE ARCTIC REGIONS.
With new Scenery, Machinery, &c., Got up expressly for this occasion . . .
Act II. Grand Ballet, or WAR DANCE (arranged by Mr. Torning),
by Madame Torning, Miss Thomson, Miss Kelk, Mr. Chambers, Mr. Torning, Mr. Douglass, and Master Simes . . .

ASSOCIATIONS: Andrew Torning (dancer, actor); Joseph Chambers (dancer); James Augustus Douglass (actor, dancer); Thomas William Simes (dancer)

[Advertisement], The Australian (5 March 1844), 2

http://nla.gov.au/nla.news-article37121425

ROYAL VICTORIA THEATRE.
MADAME LOUISE respectfully informs her friends and the public in general, that her
BENEFIT is fixed for WEDNESDAY EVENING, MARCH 6 . . .
FIRST NIGHT OF THE LAW OF THE LAND . . .
After which, a New Pas de Trois, by Misses Thomson and Kelk, and Master Simes . . .
A NEW PAS SEUL BY MISS KELK.
The whole to conclude with a laughable Ballet of Action, produced under the direction of A. Torning, called
THE ROYAL STANDARD; OR, BRITISH TARS TRIUMPHANT . . .

[Advertisement], The Sydney Morning Herald (8 March 1844), 3

http://nla.gov.au/nla.news-article12416041

FOR THE BENEFIT OF MR. SIMES. MONDAY, MARCH 11, 1844 . . .
THE WOODMAN'S HUT; OR, THE BURNING FOREST OF BOHEMIA.
With New Scenery, Dresses, Decorations, and Original Music.
After which the curtain will rise for A Melange of Singing and Dancing . . .
3. A Caledonian Pas de Deux, by Miss Kelk and Master Simes . . .

[Advertisement], The Sydney Morning Herald (11 July 1844), 2

http://nla.gov.au/nla.news-article12417276

ROYAL VICTORIA THEATRE . . .
THIS EVENING, THURSDAY, 11TH JULY, 1844 . . .
Sheridan's admired Comedy of THE RIVALS.
After which . . . Master Simes and Miss Kelk Will dance the Highland Fling . . .

"ROYAL VICTORIA THEATRE. - SECOND JUVENILE NIGHT", The Australian (25 July 1844), 2

http://nla.gov.au/nla.news-article37124456

We have already adverted to the unfavourable result of the management's endeavour, on Monday evening last, to cater for the tastes of the juvenile patrons of the Theatre, in consequence of the unpropitious state of the weather. Agreeably to the hint we threw out, a second juvenile night has been determined upon, and TO-MORROW has been fixed upon for the occasion, when the excellent and appropriate bill of fare which was prepared for Monday will again be issued. The little ladies and gentleman who so ably distinguished themselves on the first juvenile night will again appear, and will doubtlessly receive the same mood of applause which then attended them. Misses Kelk and Thomson, Masters Simes and Chambers - juvenile proteges of Terpsichore - will execute several favourite dances . . .

ASSOCIATIONS: Joseph Chambers (junior) (dancer)

"ROYAL VICTORIA THEATRE", The Colonial Observer (19 September 1844), 197

http://nla.gov.au/nla.news-article226466542

The summer season of this Theatre, commenced last Monday evening [16 September], and a numerous and highly respectable audience attended on the occasion . . . We must not omit, also, to mention the flattering applause which attended a very neatly executed dance by Miss Kelk, who is rapidly improving, and promises to be a favourite. Altogether, the Theatre has commenced the season under very favourable auspices. - Herald.

[Advertisement], The Sydney Morning Herald (26 December 1844), 2

http://nla.gov.au/nla.news-article12411747

ROYAL VICTORIA THEATRE, BOXING NIGHT!
First night of the new CHRISTMAS PANTOMIME, THE MISTLETOE BOUGH, and other novelties . . .
A Pas de Deux, by Miss Kelk and Signor Carandini . . .

ASSOCIATIONS: Gerome Carandini (dancer)

[Advertisement], The Sydney Morning Herald (26 February 1845), 3

http://nla.gov.au/nla.news-article12877681

ROYAL VICTORIA THEATRE.
SIGNOR CARANDINI'S FIRST BENEFIT AT THE SYDNEY THEATRE . . .
THURSDAY EVENING, FEBRUARY 27 . . .
GRAND MELANGE, of Singing and Dancing . . .
DANCE, "The Mazurka," (first time,) Miss Kelk, pupil of Signor Carandini . . .

[Advertisement], The Sydney Morning Herald (12 April 1845), 2

http://nla.gov.au/nla.news-article12878704

ROYAL VICTORIA THEATRE.
FIRST NIGHT OF THE WINTER SEASON . . . MONDAY EVENING, April 14, 1845 . . .
The Dramatic Company - Mr. Simes, Manager . . .
Signor Carandini, Mr. Chambers, Master Chambers . . .
Madame Louise . . . Madame Veilburn, and Miss Kelk . . .
A Dance, by Master J. Chambers;
A Song, by Madame Carandini;
Dance (the Mazourka), by Miss Kelk . . .

ASSOCIATIONS: Madame Veilburn (dancer); Maria Carandini (vocalist, actor)

[Advertisement], The Sydney Morning Herald (9 June 1845), 2

http://nla.gov.au/nla.news-article12880134

ROYAL VICTORIA THEATRE.
THIS EVENING. JUNE 9. WILL be presented, for the first time at this Theatre,
the admired Musical Romance . . . entitled BLANCHE OF JERSEY . . .
After which, Miss Kelk will make her first appearance this season, and perform the admired dance called the Mazourka . . .

[Advertisement], The Sydney Morning Herald (28 July 1845), 2

http://nla.gov.au/nla.news-article12881155

ROYAL VICTORIA THEATRE . . . THIS EVENING, JULY 28, 1845 . . . The Mazurka, by Miss Kelk . . .

[Advertisement], The Sydney Morning Herald (13 October 1845), 1

http://nla.gov.au/nla.news-article12882801

ROYAL VICTORIA THEATRE.
T. SIMES, STAGE MANAGER . . . his BENEFIT . . .
THIS EVENING, OCTOBER 13, 1845 . . .
The Evening's Entertainments will commence with, for the first time in this colony,
the celebrated comic opera, in three acts, with new scenery, magnificent dresses,
gorgeous properties, and original music,
interspersed with grand processions, combats, ballets, dances, &c., entitled
THE SIEGE OF BELGRADE! OR, A NATION'S RIGHTS . . .
SYNOPSIS OF MUSIC. ACT I . . .
ACT. I. - Chorus - "Wave our Prophet's famed Standard" - By the Characters.
Grand Turkish Ballet - By Madame Louise, Madame Veilburn, Miss Kelk, and the Misses Griffiths, and Turkish Soldiers, arranged for the Opera by Madame Louise and Signor Carandini . . .
After the Opera, the curtain will rise for the following Entertainments: . . .
Caledonian Pas de Deux, by Madame Veilburn and Miss Kelk . . .

ASSOCIATIONS: Fanny and Emily Griffiths (dancers)

MUSIC: Chorus and Turkish ballet, from The siege of Belgrade (arranged by Stephen Storace, from Mozart's piano sonata (K331))

[Advertisement], The Australian (11 November 1845), 2

http://nla.gov.au/nla.news-article37155413

ROYAL VICTORIA THEATRE . . .
UNDER THE PATRONAGE OF THE FREEMASONS OF SYDNEY.
MISS KELK'S BENEFIT, THURSDAY EVENING, NOVEMBER 13 . . .
THE Evening's Entertainments will commence with, for the first time in the Colonies,
a very celebrated domestic Drama, in 3 Acts, entitled
HOME AGAIN; OR, THE LIEUTENANT'S DAUGHTER . . .
After which, an entirely new SHAWL DANCE, BY MISS KELK, Arranged by Madame Torning.
A Duet, by Madame Carandini & Mrs. Stirling.
A Pas de Deux, by Madame Louise and Signor Carandini.
To be followed by (particular desire) the whole of the Incantation Scene from the admired
Opera of DER FREISCHUTZ. Caspar - Mr. F. Howson; Adolph - Mr. J. Howson.
After which, Miss Kelk will have the honor to Dance A NEW SCOTCH PAS SEUL, Arranged by Madame Torning.
The whole to conclude with the laughable Farce, called
CROSSING THE LINE; OR, CROWDED HOUSES . . .
[manicule] TICKETS and BOXES may be obtained at Mr. Wyatt's, Victoria Hotel;"
of Miss Kelk, at her residence, Pitt-street; and at the Theatre.

ASSOCIATIONS: Theodosia Stirling (vocalist, actor); Frank Howson (vocalist, actor); John Howson (vocalist, actor); Joseph Wyatt (theatre proprietor)

[Advertisement], The Sydney Morning Herald (16 April 1846), 2

http://nla.gov.au/nla.news-article12886592

ROYAL VICTORIA THEATRE.
THIS EVENING, APRIL 16, Will be presented, for the third time, a Grand Comic Pantomime, entitled
ST. GEORGE AND THE DRAGON; or, HARLEQUIN AND THE SEVEN CHAMPIONS OF CHRISTENDOM . . .
Harlequin, Mr. Fitzgerald; Clown, Mr. Torning; Pantaloon, Mr. Riley; Columbine, Miss Kelk . . .

ASSOCIATIONS: Dennis Fitzgerald (dancer, actor); John Riley (dancer, actor)

[Advertisement], The Australian (21 May 1846), 2

http://nla.gov.au/nla.news-article37158673

ROYAL VICTORIA THEATRE . . .
THIS EVENING, MAY 21, 1846,
Will be presented, for the first time in this colony, a Drama, in 2 Acts, entitled THE SEALED SENTENCE . . .
A Characteristic Village Dance by Messrs. Torning, Fitzgerald, Madame Torning, Misses Kelk, and F. & E. Griffiths . . .
To conclude, with, the favourite Drama of DON CESAR DE BAZAN; Or, Maritana the Gipsey,
In the course of the Piece, the Bolero, by Madame Torning and Miss Kelk . . .

[Advertisement], The Australian (10 October 1846), 1

http://nla.gov.au/nla.news-article37159233

ROYAL VICTORIA THEATRE.
MR. SIMES' FAREWELL BENEFIT, IS FIXED FOR MONDAY EVENING NEXT, Oct. 12.
THE Entertainments on the above Evening will commence with Balfe's splendid Opera,
performed at this Theatre with most decided success for upwards of twenty nights, entitled
THE BOHEMIAN GIRL . . . IN THE COURSE OF THE PIECE . . .
Waltz, by Madame Torning, Mrs. Ximenes, and Misses Kelk and E. and F. Griffiths . . .

ASSOCIATIONS: Ann Ximenes (actor)

[Advertisement], The Australian (14 November 1846), 2

http://nla.gov.au/nla.news-article37127830

ROYAL VICTORIA THEATRE. Monday Evening, Nov. 16.
MR. J. HOWSON'S BENEFIT. AUBER'S CELEBRATED OPERA, OF LES LAC DES FEES, or THE FAIRY LAKE . . .
(Fairies) - Mrs. Ximenes, Mad. Torning, Miss Kelk, Miss F. Griffiths and Miss E. Griffiths . . .

KELLERMAN FAMILY

KELLERMANN, William (Wilhelm Maximilian KELLERMANN; William KELLERMANN, W. KELLERMANN; also KELLERMAN)

Musician, professor of music, pianist, vocalist, teacher of pianoforte and singing, merchant

Born Germany, 23 November 1820; baptised Frankfurt, 24 December 1820; son of Carl Wilhelm KELLERMANN and Judith Maria Catharina EMDEN
Arrived Sydney, NSW, 8 May 1853 (per Panthea, from the Downs, 26 January)
Married [1] Ann Willis SIMPSON, St. Mary's Church, West Maitland, NSW, 14 July 1857
Married [2] Patience Charlotte WHITEMAN (1844-1921), NSW, St. Mary the Virgin's church, Denham Court, NSW, 24 December 1862
Died Darlinghurst, Sydney, NSW, 15 June 1891, aged "70/71"

https://trove.nla.gov.au/search?l-publictag=William+Kellermann+1820-1891 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-William (shareable link to this entry)

KELLERMANN, Frederick (senior) (Jacob Friedrich Ludwig KELLERMANN; Frederick KELLERMANN, senior; F. KELLERMANN; also KELLERMAN)

Musical amateur, amateur musician, pianist, vocalist, foundation committee member of Sydney Philharmonic Society, merchant

Born Frankfurt, Germany, 24 June 1822; baptised Frankfurt, 14 July 1822; son of Carl Wilhelm KELLERMANN and Judith Maria Catharina EMDEN
Arrived Sydney, NSW, 8 May 1853 (per Panthea, from the Downs, 26 January)
Married Sarah Baxendine HUMPHREYS (1831-1887), Woolloomooloo, NSW, 30 April 1859
Died St. Leonards, NSW, 10 February 1898, aged "75"

https://trove.nla.gov.au/search?l-publictag=Frederick+Kellermann+1822-1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-Frederick (shareable link to this entry)

KELLERMANN, Ann Willis (Ann Willis SIMPSON; Mrs. William KELLERMANN; Mrs. KELLERMANN)

Musician, vocalist

Born Presqueville, near Maitland, NSW, 5 March 1838; daughter of Wakefield SIMPSON and Jessie WINDER
Married William KELLERMANN, St. Mary's Church, West Maitland, NSW, 14 July 1857
Died Maitland, NSW, 30 April 1858, aged "20"

https://trove.nla.gov.au/search?l-publictag=Ann+Willis+Simpson+Kellermann+1838-1858 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-Ann-Willis-Simpson (shareable link to this entry)

KELLERMANN, Annie Willis (Annie Willis KELLERMANN; Miss KELLERMANN; Mrs. Charles ADEY)

Musician, pianist

Born Maitland, NSW, 30 April 1858; daughter of William KELLERMANN and Ann Willis SIMPSON
Departed [1] Sydney, NSW, 9 February 1882 (per La Hogue, for London)
Departed [2] Sydney, NSW, 5 June 1886 (per Orient, for Suez, and London, arrived 20 July)
Married Charles ADEY, St. Paul's, Covent Garden, London, England, 26 July 1886
Died Taunton, Somerset, England, 11 January 1888

https://trove.nla.gov.au/search?l-publictag=Annie+Willis+Kellermann+Adey+1858-1888 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-Annie-Willis-Adey (shareable link to this entry)

KELLERMANN, Frederick William (junior) (Frederick William KELLERMANN; F. W. KELLERMAN)

Musician, professor of piano and theory, pianist, violinist

Born Sydney, NSW, 23 May 1860; son of Frederick KELLERMANN (above) and Sarah HUMPHREYS
Married Alice CHARBONNET, Sacred Heart and St. John's churches, Ashfield, NSW, 18 December 1882
Departed Melbourne, VIC, 18 July 1907 (for London and Paris)
Died Paris, France, 8 October 1907, aged "47"

https://trove.nla.gov.au/search?l-publictag=Frederick+Kellermann+1860-1907 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-Frederick-William (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST MUSICALLY ACTIVE IN AUSTRALIA AFTER 1860

KELLERMANN, Alice (Alice Ellen Laurentine CHARBONNET; Mrs. Frederick William KELLERMAN; Alice CHARBONNET-KELLERMANN; Madame CHARBONNET-KELLERMANN; Madame KELLERMANN)

Musician, pianist, composer

Born Cincinnati, Ohio, USA, 12 December 1862 (date on gravestone, 12 December 1859); daughter of Benjamin Amable CHARBONNET and Ellen JACKSON
Arrived Sydney, NSW, by April 1878
Married Frederick William KELLERMANN, Sacred Heart and St. John's churches, Ashfield, NSW, 18 December 1882
Departed Melbourne, VIC, 18 July 1907 (for London and Paris)
Died Paris, France, 2 July 1914, aged "51"

https://trove.nla.gov.au/search?l-publictag=Alice+Charbonnet-Kellermann (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-679082 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLERMANN-Alice-Charbonnet (shareable link to this entry)

ASSOCIATIONS: Benjamin Amable Charbonnet (1833-1875) and Ann Ellen Josephine Jackson (1837-1882) married in Paris on 20 December 1854

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Summary:

The brothers William and Frederick Kellermann arrived in Sydney, from England, on the Panthea, on 8 May 1853, their fellow passengers including the printer and engraver John Degotardi and his wife.

"A pupil of the celebrated Staudigl of Vienna" (Joseph Staudigl), William was in partnership with his brother Frederick as merchant traders in Sydney and Maitland by late 1853.

Frederick, based principally in Sydney, was a founding committee member of the Sydney Philharmonic Society in 1854.

Having withdrawn from the business partnership with his brother, William Kellerman appeared in Maitland in concerts in June 1855 and advertised as a music teacher in December. He was a founding member and conductor of the Maitland Philharmonic Institute, which gave him a benefit concert in November 1858. Together with Dr. Charles Horn and Marmaduke Wilson, he organised a concert in "aid of the distressed in Lancashire" in August 1862. By December 1863, having meanwhile arranged his piano, harmonium, music, books and furniture to creditors to be actioned in January 1864, he had relocated and was teaching again in Sydney.

Frederick's son, Frederick William Kellermann, born in 1860, was, like his uncle, also a professional musician; he married the pianist Alice Charbonnet in 1882. A daughter of the late Chief Justice of New Caledonia, Alice Charbonnet "of the Conservatoire of Paris" (1876-77), made her Sydney debut as a pianist in April 1878. Though usually billing herself in Australia as Madame Charbonnet-Kellermann, later in life in Paris she reportedly preferred to be known as Madame Kellermann. Her daughter was the Australian swimmer Annette Kellermann, and a son Maurice (b. Sydney, 1885), a violinist, settled in the USA in 1912.

Documentation:

Baptisms, Evangelische Kirche Frankfurt (Main), 1820; Evangelisches Kirchenbuchamt Hannover, 341744, page 601

https://www.ancestry.com.au/search/collections/61131/records/1550312 (PAYWALL)

[24 December 1820] / [born 23 November 1820] / Wilhelm Maximilian [son of] Carl Wilhelm Kellermann [and] Maria Catharina Kellermann

ASSOCIATIONS: Carl Wilhelm Kellermann (1780-1851) and Judith Maria Catharina Emden (1785-1841) married at Frankfurt (Main) on 2 July 1818

Baptisms, Evangelische Kirche Frankfurt (Main), 1822; Evangelisches Kirchenbuchamt Hannover, 341746, page 390;391

https://www.ancestry.com.au/search/collections/61131/records/1551836 (PAYWALL)

[14 July 1822] / [born 24 June 1822] / Jacob Friedrich Ludwig [son of] / Carl Wilhelm Kellermann [and] Maria Catharina Kellermann

"Births", The Sydney Monitor [NSW] (9 March 1838), 3

http://nla.gov.au/nla.news-article32159300

At Presqueville, near Maitland, on the 5th inst. Mrs. Wakefield Simpson, of a daughter.

"SHIPPING INTELLIGENCE. ARRIVALS", Empire [Sydney, NSW] (9 May 1853), 2

http://nla.gov.au/nla.news-article61324054

May 8. - Panthea, 511 tons, Captain Hannant, from the Downs January 26th., Passengers - Mr. and Mrs. Decotardi [sic], Messrs. Tindall, H. Bateman, K. Keightley, King, Gothemanas [sic], two Kellermans, Foulk, Hogg, and two in the intermediate. Montefiore, Graham, and Co , agents.

ASSOCIATIONS: John Degotardi (printer, engraver, lithographer)

[Advertisement], The People's Advocate and New South Wales Vindicator [Sydney, NSW] (1 October 1853), 15

http://nla.gov.au/nla.news-article251544248

HEALTH FOR THE MILLION. EDWARD BACH'S MAGNETIC UNIVERSAL PILL, LONDON . . .
Sold at 7s. 6d. per box at MESSRS. KELLERMANN BROTHERS, & Co., Wholesale Depot, 30, Hunter-street, Sydney . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW} (21 December 1853), 1 supplement

http://nla.gov.au/nla.news-article677026

Wholesale Warehouse OF MESSRS. KELLERMANN, BROTHERS, & CO., High-street, West Maitland . . .
Direct Importers of, and Wholesale Dealers in German, French, and English Goods . . .
The Goods lately landed comprise chiefly Musical Boxes, Accordeons, Flutinas, Concertinas, Violins, Looking Glasses . . .
KELLERMANN, BROTHERS, & CO.
No. 30, Hunter-street, Sydney, and High-street, West Maitland.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (28 December 1853), 3

http://nla.gov.au/nla.news-article677484

CONCERT, To be held at the Rose Inn, West Maitland,
on Wednesday (This Evening), the 23th December, 1853.
PROFESSOR STRERTNGER and MR. CHAS. S. PACKER have the honor to announce that they will give a
SELECT CONCERT of VOCAL and INSTRUMENTAL MUSIC . . .
Tickets to be had at the Northumberland Hotel,
at Messrs. Kellermann Brothers, of High-street, West Maitland, and at the Concert Room.

ASSOCIATIONS: Frederick Strebinger (violinist); Charles Sandys Packer (pianist, composer); Rose Inn (Maitland venue)

[Advertisement], Empire [Sydney, NSW] (8 March 1854), 1

http://nla.gov.au/nla.news-article60149951

SYDNEY PHILHARMONIC SOCIETY.
THIS Society has been established by a number of musical gentlemen, for the cultivation and performance of the most approved vocal and instrumental music.
The proceeds after paying the necessary expenses to go towards a fund for the encouragement of musical talent in this colony.
The Society to be supported by annual subscriptions, and by voluntary contributions, and to consist of members, subscribers, and associates.
Members to take an active part in the Society, and subscribers to be admitted to the concerts; the former to pay and annual subscription of £2, and the latter, £1 1s.
Associates are elected by the Committee, and admitted gratuitously.
Parties desirous of joining the Society, will please send their names and the amount of their subscriptions, either to the
Treasurer, Mr. B. Mountcastle, George-street, the gentlemen of the Committee -
Mr. Gilbert Wright, King-street
Mr. Frederick Kellerman, Church-hill
Mr. Charles Younger, Pitt-street
Mr. Francis Clarke, Woolloomooloo
Mr. William MacDonnell, George-street,
Or to MONS. EUGENE PARIS, Hon. Secretary, 231, Elizabeth-street.

ASSOCIATIONS: Benjamin Such Mountcastle (member); Gilbert Wright (member); Charles Younger (member); Francis Clarke (member); William MacDonnell (member); Eugene Paris (member); Sydney Philharmonic Society (association)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (11 March 1854), 3

http://nla.gov.au/nla.news-article686658

Grand Amateur Concert, IN AID OF THE FUNDS OF THE MAITLAND HOSPITAL.
THE Gentlemen Amateurs of Maitland have again the honor to announce, that they will give a
GRAND CONCERT!!! at the "Rose Inn," West Maitland, on TUESDAY NEXT, the 14th March.
The first part will consist of Foreign, Vocal, and Instrumental Music.
The second and third parts wholly of the newest Ethiopian Melodies.
PROGRAMME. - PART I.
Overture - "Fra Diavolo" - Auber - HERR KELLERMANN.
Song, "Will you love me then as now" - Mr. SOLOMON COHEN.
Song, "The Standard Bearer" - Lindpaintner - HERR KELLERMANN.
Song, "John's Party unknown to his Wife" - Mr. HASTINGS.
Song, "Largo al Factotum" (from Il Barbiere de Seviglia) - Rossini - HERR KELLERMANN.
Song, "The Irish Serenade" - Mr. SOLOMON COHEN.
Song, "The man who could never get warm" - Mr. HASTINGS.
Grand Fantasia Pianoforte - HERR KELLERMANN.
Interval of 15 minutes.
ETHIOPIAN - PART II . . .

ASSOCIATIONS: Solomon Cohen (c. 1823-1903; amateur vocalist); James Robinson Hastings (c. 1830-1908; amateur comic vocalist); Rose Inn (Maitland venue);
the concert was repeated on 18 March; see [Advertisement], The Maitland Mercury and Hunter River General Advertiser (18 March 1854), 3

http://nla.gov.au/nla.news-article686884

MUSIC: The standard bearer (Lindpaintner)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (26 August 1854), 3

http://nla.gov.au/nla.news-article692997

THE undersigned have For Sale PIANOS of the best makers.
Terms liberal. KELLERMANN, BRS., & FALCK, High-street, West Maitland.

ASSOCIATIONS: Theodor Falck (business partner)

"GRAND EVENING CONCERT", The Maitland Mercury and Hunter River General Advertiser (4 October 1854), 2

http://nla.gov.au/nla.news-article694529

Mr. Lees's second concert came off on Friday evening last, at the Rose Inn, with decided success. Mr. Lees's powers, as a pianist of rapid and facile execution, were very marked. Miss Flora Harris was again the great attraction of the concert, her song "Shells of Ocean," and the song, "The Wishing Gate," being beautifully given, and with great expression. Mr. Sullivan's comic song of Paddy Croaker was much applauded. The performance of Mr. Kellermann, an amateur, on the pianoforte, was generally considered one of the gems of the evening. The attendance was good, both in number and respectability, and repeated plaudits testified.

ASSOCIATIONS: Francis Edward Lees (pianist); Flora Harris (vocalist); Henry Philip Sullivan (vocalist)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (1 November 1854), 3

http://nla.gov.au/nla.news-article694998

Grand Concert of Vocal and Instrumental Music.
THE inhabitants of West and East Maitland and of the surrounding districts, are respectfully informed that a
Grand Vocal and Instrumental CONCERT will be given in the
Court House, East Maitland, on the evening of TUESDAY, November the 7th,
by a number of Amateurs, assisted by several Professional Musicians.
The proceeds of this concert, after payment of necessary expenses, will be given to the building fund of the Maitland School of Arts.
PROGRAMME.- PART I. Duet for Pianoforte - Overture to La Dame Blanche - Boildieu - Messrs. Kellerman and Sullivan.
Song - I love the dewy twilight - Glover - Miss Flora Harris.
Solo for Cornet a Piston - Bellini - Mr. Sullivan.
Song - Air from Lucrezia Borgia - Donizetti - M. Valere.
Duet for Pianoforte and Violin, Norma - Bellini - Messrs. Kellerman and Faning . . .
Battle song from the "Huguenots" - Meyerbeer - Mr. Kellerman . . .
PART II. Duet for Pianoforte - Overture to Il Tancredi - Rossini - Messrs. Kellerman and Sullivan . . .
Duet for Pianoforte and Violin, from Der Freyschutz - Weber - Messrs. Kellerman and Faning.
Song - Suabian song - Mr. Kellerman . . .
Tickets can be had at . . . Mr. Kellerman's, late Mercury office . . .

ASSOCIATIONS: Edward Faning (violin); Theodore Valere (vocalist); Maitland School of Arts (association and venue)

"CONCERT ON BEHALF OF THE FUNDS OF THE MAITLAND SCHOOL OF ARTS", The Maitland Mercury and Hunter River General Advertiser (11 November 1854), 2

http://nla.gov.au/nla.news-article695118

This concert took place on Tuesday evening, in the court-house, East Maitland, which was crowded to excess. Where all the performers gave so much satisfaction it is difficult to draw distinctions. Miss Flora Harris was in excellent voice . . . The duets on the pianoforte by Messrs. Kellermann and Sullivan, and on the pianoforte and violin by Messrs. Kellermann and Faning, were highly applauded, manifesting great taste in execution, and a remarkable accuracy as to time . . . and Mr. Kellermann's song of Largo al factotum, which he substituted when encored in the War song of the Huguenots, was concluded amidst a universal burst of applause. The labours of Mr. Kellermann throughout the evening, as conductor, were indefatigable, and we are certain were fully appreciated . . .

"MISKA HAUSER'S CONCERTS", The Maitland Mercury and Hunter River General Advertiser (6 January 1855), 2

http://nla.gov.au/nla.news-article696671

On Wednesday evening this celebrated violinist gave a grand concert in the Court-house, East Maitland. The attendance was respectable. The other performers were Mrs. Adcock and Mr. Charles Packer . . . Miska Hauser gave a second and last concert on Thursday evening. The attendance was not so numerous, but the audience were enthusiastic in their approbation of the performances . . . On both evenings a splendid square grand pianoforte, belonging to Messrs. Kellerman Brothers, and Falck was used for conducting the performances - the tone of which was remarkably fine.

ASSOCIATIONS: Miska Hauser (violin); Marianne Adcock (vocalist); Charles Sandys Packer (as above)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (10 January 1855), 3

http://nla.gov.au/nla.news-article696822

PIANOS! KELLERMANN, BROS., & FALCK have just received a fresh supply of
Splendid INSTRUMENTS, which they can recommend the more confidently as they were
most carefully selected from their numerous importations by Mr. W. Kellermann,
who has been to Sydney on purpose, and just returned.
Their instruments having by their excellence already worked their way into public favor,
they flatter themselves that parties desirous of having a piano combining beauty of tone and appearance with a moderate price and a guarantee for its durability,
will take an early opportunity of inspecting their stock of Pianofortes.
Country orders attended to.
KELLERMANN, BROS., & FALCK. High-street, West Maitland.

"To the Editors of . . .", The Maitland Mercury and Hunter River General Advertiser (26 May 1855), 1 supplement

http://nla.gov.au/nla.news-article701761

GENTLEMEN - As "R. W." has chosen to vent his spleen against me in a harmless tirade of vulgar and petty abuse, perhaps you will kindly give place to a few remarks of mine in reply thereto. As to his attack upon my musical abilities, I would merely say . . . When Mr. Kellermann - decidedly the most accomplished musician in Maitland does not think that he takes away from his talent by playing piano duets with me in public, I really think that I can afford to treat with contempt the insane ravings of "R. W." on that subject . . .
I remain, gentlemen, your obedient servant,
HENRY PHILIP SULLIVAN. Abbott-street, West Maitland.

ASSOCIATIONS: "R. W." had written, "Original Correspondence", The Maitland Mercury and Hunter River General Advertiser (21 May 1855), 2 extra

http://nla.gov.au/nla.news-article701599

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (13 June 1855), 3

http://nla.gov.au/nla.news-article702223

Concerts in Aid of the Patriotic Fund.
THE First, will take place This Evening (WEDNESDAY), June 13th, at the Rose Inn, West Maitland.
To commence precisely at Eight o'clock.
1ST PART. 1. Glee - Glorious Apollo (Webbe) - The Maitland Glee Club.
2. Song - The Maid of Cashmere (Pacini) - Mrs. Bridson.
3. Duett for the pianoforte (Diabelli) - Messrs. Kellermann and Sullivan.
4. Song - Kathleen Mavourneen (Crouch) - Mr. Kellermann.
5. Solo cornet-a-piston (Balfe) - Mr. Sullivan.
6. Song - I'll follow thee (Farmer) - Mrs. Bridson.
7. Duett - piano and violin, De Beriot and Osborne), Messrs. Kellermann and Ellis.
2ND PART.
1. Boat Glee (West) - The Maitland Glee Club.
2. Song - Down among the dead men - Mr. Kellerman.
3. Solo-cornet-a-piston - air varied - Mr. Sullivan.
4. Song - Oh give me but my Arab steed (G. A. Hodson), Mrs. Bridson.
5. Duett - pianoforte - from Zampa (Herold) Messrs. Kellermann and Sullivan.
6. Solo-violin - De Beriot - Mr. Ellis.
7. Glee - Here's a health to all good lasses - The Maitland Glee Club.
N.B. - The SECOND CONCERT will be given at the Court-house, East Maitland, on Friday, the 15th instant . . .

ASSOCIATIONS: Sarah Bridson (vocalist); Mr. Ellis (violin)

MUSIC: Kathleen Mavourneen (Crouch); Down among the dead men (song)

"CONCERTS IN AID OF THE PATRIOTIC FUND", The Maitland Mercury and Hunter River General Advertiser (16 June 1855), 2

http://nla.gov.au/nla.news-article702333

Two amateur concerts have this week been given in Maitland in aid of this fund, the one on Wednesday evening, in the Rose Inn, West Maitland, and the other last evening, at the Court House, East Maitland. On Wednesday evening the large room of the Rose Inn was crowded to excess. All who took part in the performances exerted themselves to the utmost in their efforts to please the audience. The piano and violin duet of Messrs. Kellermann and Ellis was executed with a skill which brought down a rapturous encore; and the violin solo of Mr. Ellis, in which he introduced "The Last Rose of Summer," was most tastefully performed, shoving the greatest delicacy in the fingering. Mr. Kellermann's song of "Down among the Dead Men" was loudly encored, when he substituted the well known air from "Figaro." Mrs. Bridson's songs were received with deserved applause; and the performances of the Maitland Glee Club, although of but recent formation, were fully enjoyed, particularly the last glee, "Here's a Health to all Good Lasses," which was joined in by a large number of the audience. Mr. Sullivan's solos on the cornet-a-piston were most tastefully executed, but the smallness of the room detracted much from a true appreciation of their excellence. The piano forte accompaniments and conducting of Mr. Kellermann were in his usual first-rate style. Altogether, the concert was of a very superior description. The second concert was given last evening, at the Court House.

"SECOND AMATEUR CONCERT ON BEHALF OF THE PATRIOTIC FUND", The Maitland Mercury and Hunter River General Advertiser (20 June 1855), 2

http://nla.gov.au/nla.news-article702472

The second concert for this benevolent purpose took place at the Court-house, East Maitland, on Friday evening last, but there was not so large an attendance as at the Rose Inn. The performances were, however, in every respect much superior, arising principally we think from the capacity of the room. The glees were the same as in the first concert, but the Glee Club had evidently much improved. Mrs. Bridson gave an Italian and French song and the song "Oh give me but my Arab steed" was sung with great taste and feeling. Mr. Kellermann's song of "Down among the dead men" was again encored, which he answered by a song from "La Sonnambula." Messrs. Sullivan and Ellis were loudly applauded, and three new amateurs in solo singing in Maitland made their debut, namely, Messrs. Briggs, Ravenscroft, and Poesen. Mr. Briggs sung with great eclat; Mr. Ravenscroft was encored in his two songs, "Hurrah for the road," and "Sally in our alley;" and Mr. Poesen delighted the audience with a German and Tyrolese air. The gem of the evening however was we believe admitted to be the comic duet, between Mrs. Bridson and Mr. Kellermann, of A.B.C., in which an English lady undertakes to teach a foreigner the English language. These performances have been highly successful, and say much for the musical talent existing in and around Maitland.

ASSOCIATIONS: William Briggs (amateur vocalist)

[Notice] New South Wales Government Gazette [Sydney, NSW] (16 November 1855), 3050

http://nla.gov.au/nla.news-article230682475

NOTICE is hereby given that, by Indenture of Assignment, bearing date the fourteenth day of November, one thousand eight hundred and fifty-five,
made between Frederick Kellermann, William Kellermann, and Theodore Falck, of Sydney, in the Colony of New South Wales,
merchants and co-partners, trading under the style and firm of "Kellermann Brothers, and Falck," and thereinafter designated "Assignors" . . .
the said "Assignors" did assign unto the said "Trustees" all their property whatsoever . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (5 December 1855), 3

http://nla.gov.au/nla.news-article709463

Music and Singing.
MR. WILLIAM KELLERMANN has the honor to announce to his friends and the public that he purposes giving instructions in
VOCAL and INSTRUMENTAL MUSIC, and will be happy to attend schools and pupils at home, or at his own residence.
Should sufficient inducement offer, classes, separate for ladies and gentlemen, conducted on the most approved principles of continental masters, will be formed, to join which early application is solicited.
For terms, &c., address -
MR. W. KELLERMANN, West Maitland.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (5 January 1856), 3

http://nla.gov.au/nla.news-article18649212

Mrs. Sinclair's School, Church-street, West Maitland.
TUITION will be RESUMED on MONDAY, the 14th instant.
Mr. Kellermann will give instruction in French, German, Pianoforte, and Singing.

"CONCERT IN AID OF THE MAITLAND SCHOOL OF ARTS LIBRARY", The Maitland Mercury and Hunter River General Advertiser (26 January 1856), 2

http://nla.gov.au/nla.news-article18638746

On Tuesday evening an amateur concert, in aid of the library fund of the Maitland School of Arts, was held in the large room of the Sir William Denison Inn, West Maitland. The room was well filled, although not crowded. The performers were Messrs. Kellermann, Ellis, and Peers, and the first piece was the overture to Zampa, which was played in a very brilliant manner. Mr. Sinclair then gave a lecture on the violin, and pointed out in an able manner the difference of intonation and expression requisite in Scotch and Irish airs. Mr. Peers played some airs on the flutina, and was most deservedly encored. Mr. Kellermann sung the Standard Bearer, and the Marseillaise, with great gusto and judgment; and the selection of Irish melodies, the duett from William Tell, and a fantasia by Messrs. Kellermann and Ellis, were loudly applauded. The performances closed with the National Anthem, and Mr. Sinclair stated that they would shortly have another concert for the same object, as they had been promised further assistance, and would be able to furnish a greater variety of entertainments.

ASSOCIATIONS: Frederick Sinclair (lecturer)

"CONCERT ON BEHALF OF THE SCHOOL OF ARTS", The Maitland Mercury and Hunter River General Advertiser (NSW : 1843 - 1893), 9 February 1856), 2

http://nla.gov.au/nla.news-article18640117

On Tuesday evening another concert was given on behalf of the library of the School of Arts, by Messrs. Kellerman, Ellis, and Sinclair, in the large room of the Sir William Denison Hotel, West Maitland (Mr. Fulford's). The attendance was good, but not so numerous as on the previous occasion. The opening overture was played with great taste, and the fingering was admirable. Mr. Sinclair then gave an amusing address on the eccentricities of composers. Mr. Kellermann's songs, particularly that of "Figaro," were highly applauded, and deservedly encored. Mr. Ellis's readings from the "Merchant of Venice," were very good. We were sorry we did not hear "The man who could not keep himself warm." The audience throughout appeared to be highly satisfied.

"HUNTER RIVER DISTRICT (From the Maitland Mercury of Saturday) MAITLAND SÇHOOL OF ARTS", Empire [Sydney, NSW] (17 March 1856), 3

http://nla.gov.au/nla.news-article60175150

. . . We have omitted to report before the fact that a small but valuable collection of books has been added to the library by Messrs. Kellermann and Sinclair, being the proceeds of the amateur concerts recently given for that purpose.

"M. BOULANGER'S CONCERT", The Maitland Mercury and Hunter River General Advertiser (24 June 1856), 2

http://nla.gov.au/nla.news-article18655368

On Saturday evening M. Boulanger, assisted by Messrs. Kellermann and Ellis, entertained at the Court House, East Maitland, an audience, which in point of numbers, was certainty unworthy of the occasion. Whether the small attendance was owing to the unsuitableness of the evening for a concert in Maitland, or whether it was attributable to any indifference to music of the high character offered, may be proved by the numbers present at any future entertainment of the kind. The overture to Zampa was the first place played, and was received with great applause, as was also Mr. Kellermann's singing of an aria from La Sonnambula, which followed . . . Mr. Kellermann sang the song "Down among the dead men," with great effect, M. Boulanger accompanying him on the piano. This was loudly encored. He song the Marseillaise with his usual spirit, and being called on again, gave the "Standard bearer" - a song equally well adapted for his voice and style of singing . . . To-morrow (Wednesday) evening, as will be seen, M. Boulanger gives another concert at the Court-house, West Maitland; which we hope will be thoroughly filled.

ASSOCIATIONS: Edward Boulanger (pianist)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (20 December 1856), 3

http://nla.gov.au/nla.news-article18642221

MR. W. KELLERMANN, Teacher of Music and Singing,
will RESUME the DUTIES of his Profession on the 1st of January next.

"THE MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (5 March 1857), 2

http://nla.gov.au/nla.news-article18644837

The first preliminary steps towards the formation of an institution bearing the above designation were taken at a meeting held on Tuesday evening last, at the Sir William Denison Inn, Mr. Hitchins in the chair. Mr. Sinclair after briefly adverting to the advantage which an institute of this nature would confer on the town, and expressing his conviction that it would be nobly supported, moved the following resolution - "That in the opinion of this meeting it is desirable that a society answering the purpose of a Philharmonic Society, and styling itself 'The Maitland Philharmonic Institute' should be formed in Maitland." Mr. Dean seconded the resolution, which was carried unanimously. Mr. Kellermann moved, and Mr. Steele seconded, "That the following gentlemen be appointed a committee to organise the society, and carry out the objects of this meeting - Dr. McCartney, Messrs. Maitland, Brown, Kellermann, Steele, Dean, Sinclair, Hitchins, Smith, Vindin, and Ellis with power to add to their number." This resolution was also carried. The meeting closed with the usual vote of thanks to the chairman. The Society intends, we believe, to apply for the use of the hall of the School of Arts, one night in each week, for practice, and it is also contemplated to give concerts there.

ASSOCIATIONS: Fortescue Hitchins (member); Frederick Sinclair (member, as above); Michael McCartney (member); James Dean (member); Maitland Philharmonic Institute (association)

"MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (23 April 1857), 2

http://nla.gov.au/nla.news-article18648681

A meeting of this society was held in the hall of the School of Arts, on Monday eventing, to take into consideration the future management of the society, and also for the purpose of enrolling members. Dr. McCartney, the president of the institution, took the chair, and briefly explained the objects of the society. At the suggestion or Mr. Sinclair, it was moved by Mr. Briggs, and seconded by Mr. Goldman, "That Messrs. Kellermann and Sinclair be authorised to negotiate for a suitable piano." This resolution was passed. Mr. Goldman kindly consented to lend an instrument to the institution until one could be provided. Mr. Dean offered to lend a valuable collection of music to the institution, which offer was accepted with thanks. It was then proposed by Mr. Dean, seconded by Mr. Goldman, and carried: "That the Secretary and Mr. Kellermann be authorised to make a suitable collection of music for the use of the Institution" . . .

ASSOCIATIONS: William Briggs (member)

"MAITLAND PHILHARMONIC SOCIETY", The Maitland Mercury and Hunter River General Advertiser (7 July 1857), 2

http://nla.gov.au/nla.news-article18645008

A meeting of the members of this society was held on Saturday evening, at Mr. E. Hart's. Dr. McCartney presided. In consequence of sundry irregularities, connected with the clerical duties, it was resolved to commence operations de novo . . . A committee meeting was afterwards held, when Mr. Kellermann was appointed musical conductor.

ASSOCIATIONS: Elijah Hart (member)

"Married", The Maitland Mercury and Hunter River General Advertiser (21 July 1857), 3

http://nla.gov.au/nla.news-article18641120

On the 14th instant, by the Rev. Robert Chapman, at St. Mary's Church, West Maitland, Wm. Kellermann, Esq. to Ann Willis Simpson, only daughter, of Wakefield Simpson, Esq., of Presqueville.

"THE MUSICAL LECTURE OF THE PHILHARMONIC SOCIETY", The Maitland Mercury and Hunter River General Advertiser (29 September 1857), 3

http://nla.gov.au/nla.news-article18641281

Last evening (Monday) the first public performance of the Maitland Philharmonic Society was given, at the School of Arts, Mr. F. Sinclair delivering a lecture on "Music," and other members of the Society illustrating it by vocal and instrumental performances . . . The ladies who took part in the performance were Mrs. Kellermann, the two Misses Cunningham, and Miss Riley; and the gentlemen were Mr. Kellermann, who presided at the piano, Mr. Dean, Dr. Wilkinson, and Mr. Briggs, who took part in the vocal pieces, and Mr. Hitchins, who played the solo on the guitar . . .

ASSOCIATIONS: Henry Wilkinson (vocalist)

"MAITLAND PHILHARMONIC INSTITUTE", Northern Times [Maitland, NSW] (30 September 1857), 2

http://nla.gov.au/nla.news-article128751964

On Monday last the members of the Maitland Philharmonic Institute gave a musical entertainment in the hall of the School of Arts . . . At the conclusion of the lecture the musical part of the entertainment began. A number of ladies and gentlemen connected with the institute cheerfully lent their valuable services on the occasion. Webbe's glee "Glorious Apollo" was sung by the company, after which the "Merry Sunshine" was given with great taste and suitable brilliancy by Miss Elizabeth Cunningham. The lady was rapturously encored. The Fuschia Valse (cornet and piano) followed, the cornet being played by Mr. Brown and the piano by Mr. Kellermann. The performance was loudly applauded. The glee "See our oars," by Sir John Stevenson, was given with great effect, and drew a rapturous encore. A piece, comprising two beautiful airs from Norma, with modern words, "Sun of Freedom," was sung by Mr. Briggs with great skill and effect, the music being extremely suitable to his fine deep voice. It were unpardonable to omit mentioning the beautiful arias "All is lost" and "Still so gently," beautifully sung by Mrs. Kellermann. This lady displays great promise of future musical excellence should she be disposed to cultivate the gifts of nature . . . A solo on the guitar was performed by Mr. Hitchins . . . "Thou art gone from my gaze," sung by Miss A. Riley with much sweetness and expression, elicited a hearty burst of applause. A glee was then sung, and then a duet (Friendship) was sweetly rendered by Miss Elizabeth and Miss Theresa Cunningham, after which Mr. James Dean sang a sacred solo, "Lord, remember David," with great precision and effect, his voice being very suitable to the rendering of that beautiful air. He was greatly and deservedly applauded. In the course of the evening, Dr, Wilkinson sang in true Scherzando style, "O the merry days when we were young," and being rapturously encored, substituted for the preceding a pretty German air. "Where the bee sucks." was rendered very effectively by the company, and was encored. Mr. Kellerman presided at the pianoforte with his usual taste and ability. The whole affair was extremely well conducted, and passed off without anything occurring to mar the pleasures of the evening. The singing, though not first-class, was respectable, and such as cultivated ears might listen to with delight; and a better conducted audience never before assembled in Maitland, nor in any other place. There could not have been less than 400 persons present, and many had to go away, not being able to obtain admittance. We congratulate the Philharmonic Institute on this its first concert and first success, and hope that it will continue to extend its influence proudly and wide, until it reaches maturity and becomes an ornament to the town and neighbourhood.

"MAITLAND PHILHARMONIC INSTITUTE", Northern Times (25 November 1857), 2

http://nla.gov.au/nla.news-article128755722

On Monday evening the second concert was given by this young but steadily advancing society. We congratulate the members on the evident progress they have made, and also compliment the public on the warm interest they have evinced in the success of the Institute . . . We forbear . . . any particular notice of the selection, but can frankly say that since it comprised some of the most pleasing and popular airs, it was well calculated to display the musical powers of the society to the best advantage. Mr. Kellermann, as conductor of the Institute, can have spared no pains in accomplishing so much in so short a time . . .

ASSOCIATIONS: For the advertised program, see [Advertisement], The Maitland Mercury and Hunter River General Advertiser (21 November 1857), 3

http://nla.gov.au/nla.news-article18639905

"CONCERT ON CHRISTMAS EVE", The Maitland Mercury and Hunter River General Advertiser (26 December 1857), 2

http://nla.gov.au/nla.news-article18651918

On Christmas Eve a concert was given at the School of Arts, West Maitland, by M. Miska Hauser and Boulanger, when, we are sorry to say, the attendance was miserably small . . . The instrumental music the evening was relieved by three songs. "As I view those scenes so charming," "Piff paff," by Meyerbeer, and "The Standard-bearer," which were sung by Mr. Kellermann, with deserved applause . . .

"CONCERT ON BOXING NIGHT", The Maitland Mercury and Hunter River General Advertiser (29 December 1857), 2

http://nla.gov.au/nla.news-article18645039

On Saturday night a second concert was given at the School of Arts by Miska Hauser and Boulanger . . . Mr. W. Kellermann sang several songs, including "Kathleen Mavourneen," and was accompanied on the pianoforte by Mr. F. Kellermann - those gentlemen contributing much to the gratification of the assembly.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (28 January 1858), 3

http://nla.gov.au/nla.news-article18647784

MAITLAND PHILHARMONIC INSTITUTE.
Third Concert of the Season. MONDAT NEXT, FEB. 2, 1858 . . .
in the Hall of the School of Arts . . .
PROGRAMME. FIRST PART.
1. GLEE - "Hail, Smiling Morn!" - Spofforth.
2. SONG - "Meet Me in the Willow Glen." - Starr.
3. SONG - "The Maids of Merry England." - Perring.
4. GLEE - "Huntsman's Chorus!" - Weber.
5. SONG - "How Gentle was my Slumber." - Weber.
6. SONG - "Simon the Cellarer." - Blakley [sic, words by Bellamy, music by Hatton]
7. SONG - "John Anderson my Jo." - Old.
8. GLEE - "See our Oars." - Calcott.
INTERVAL. SECOND PART.
9. GLEE - " Where the Bee Sucks." - King.
10. SONG - "Steer my Bark to Erin's Isle." - Linley.
11. SONG - "Philip the Falconer." - Loder.
12. GLEE - "When the Rosy Morn appearing." - Kay.
13. SONG - "Shells of Ocean." - Loder [sic, Cherry].
14. SONG - "Blushing Spring Time." - Linley.
15. GLEE - "Erl King." - Arne.
16. SONG - "The Flying Dutchman." - Skerall.
17. SONG - "Coming through the Rye." - Old.
"GOD SAVE THE QUEEN."
Conductor - WM. KELLERMANN, ESQ. . . .
EDWARD P. CAPPER, JUN., Secretary.

ASSOCIATIONS: Edward Peter Capper (secretary)

"MAITLAND PHILHARMONIC INSTITUTE", Northern Times (7 April 1858), 2

http://nla.gov.au/nla.news-article128759081

The first annual general meeting of the members of the Maitland Philharmonic Institute was held on Monday evening, in the Hall of the School of Arts . . . That the thanks of the Institute be given to Mr. Kellermann for his care and attention as musical conductor during the past year, Mr. Tyter, as a pupil of Mr. Kellermann, had great pleasure in seconding the resolution, which was carried . . .

ASSOCIATIONS: John Francis Tyter (pupil);
see also "MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (8 April 1858), 1

http://nla.gov.au/nla.news-article18650325

"WEST MAITLAND PHILHARMONIC INSTITUTE", Northern Times (21 April 1858), 2

http://nla.gov.au/nla.news-article128751351

The first concert of the season was given by the West Maitland Philharmonic Institute on Monday evening in the Hall of the School of Arts. Despite the showery weather and the muddy state of the streets, the hall was well filled, and the ladies mustered in strong force, proof that they could not resist the attractions of sweet sound. The programme issued for the occasion was a very good one, and contained selections from the works of some of the best composers, Bellini, Beethoven, Rossini, and Mendelsohn, besides some lighter pieces from our English musicians, Mackay, Russell, King, Blockley and others. We are bound to confess that the Institute is more successful in the rendering of sacred music than in other compositions which require force, vivacity, and brilliant execution. The solos and songs generally, although given in perfect time, lacked animated delivery . . . The progress of the institute is most satisfactory, and whilst we consider the conductor, Herr Kellermann, deserving of all thanks, the members themselves ought to receive their meed of approbation for the care, attention, and patience they have devoted to the perfecting of themselves in the beautiful science of music . . .

"DEATH", Northern Times [Maitland and Newcastle, NSW] (5 May 1858), 3

http://nla.gov.au/nla.news-article128761602

On Friday, 30th April, Anne Willis, wife of W. Kellermann, Esq., after giving birth to a daughter; also, on 9th April, by accident, Edmund Simpson; both children of Wakefield Simpson, Esq., of Presqueville, near West Maitland.

"MAITLAND . . . THE LATE MRS. W. KELLERMANN", Northern Times (5 May 1858), 2

http://nla.gov.au/nla.news-article128761613

In our obituary will be found the distressing notification of the deaths of two members of one family in the bloom of youth. Mr. Wakefield Simpson sustained a dreadful loss when his son recently met with a fatal accident, and that sad occurrence has been quickly followed by another severe and unexpected blow. Mrs. W. Kellermann, his eldest daughter, whose many social virtues and musical acquirements had gained for her the esteem and affection of a large circle of friends, died on Friday last, shortly after giving birth to her first child. We forbear to dwell at any length upon a subject to painful to those who are left behind to mourn. The respect, paid by the townspeople, many of whom partially closed their shops, and the sympathy so widely expressed, may, we trust, have some effect in alieviating the burden of sorrow which has fallen so heavily upon a disconsolate father and an affectionate husband.

ASSOCAITIONS: Kellerman almost immediately sold up his household furniture, perhaps intending to leave Maitland; however, in the event he did not permanently do so yet;
see [Advertisement], The Maitland Mercury and Hunter River General Advertiser (15 May 1858), 2

http://nla.gov.au/nla.news-article18655058

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (21 October 1858), 3

http://nla.gov.au/nla.news-article18651679

ON SALE, by the undersigned,
ONE NEW PIANO, with all the latest improvements, at a low price.
On view at Mr. E. Hart's Photographic Rooms, High street, West Maitland.
W. KELLERMANN.

"MR. KELLERMANN'S CONCERT", The Maitland Mercury and Hunter River General Advertiser (25 November 1858), 2

http://nla.gov.au/nla.news-article18638109

On Monday evening the members or the Maitland Philharmonic Institute gave Mr. Kellermann, their efficient conductor, a benefit concert at the School of Arts, West Maitland. Considering the increase of the price of admission, the attendance was good. The programme which appeared to have been carefully selected was gone through in a manner highly creditable to the pupils and their teacher. Criticism we conceive should not be made and therefore refrain from making those pointed allusions which we hold to be objectionable in notices of amateur performances. We would remark however that the finish was much superior to the commencement. Confidence, or which at first there appeared a want, was then felt, and the contrast was gratifying. The duetts by the Messrs. Kellermann were very favourably received and the song of "Piff Paff," by Meyerbeer sung by Mr. W. Kellerman, was loudly applauded. The reception he met with shows in what estimation he is held by the public as a conductor and teacher of music. And to his assiduous attention and perseverance may be attributed the marked progress made by the members of the Institute, whose concerts are looked forward to with much interest, and which give general satisfaction. We heartily commend the Institute to the support of every inhabitant of the town.

See program, [Advertisement], The Maitland Mercury and Hunter River General Advertiser (18 November 1858), 3

http://nla.gov.au/nla.news-article18654886

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (14 December 1858), 1

http://nla.gov.au/nla.news-article18650150

MR. W. KELLERMANN will RESUME his PROFESSIONAL DUTIES, on MONDAY, January 3rd, 1859.
West Maitland, December 14, 1858.

"MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (5 April 1859), 2

http://nla.gov.au/nla.news-article18640713

The adjourned annual meeting of the members of the Maitland Philharmonic Institute was held on Saturday evening, at the residence of Mr. E. Hart, for the election of officers, und the transaction of other business. The Rev. J. R. Thackeray, President of the Institute, occupied the chair. The proceedings having been commenced by the Chairman, the Secretary read: - "The Annual Report . . . Your Committee regret having occasion to report that in consequence of some of the performing members discontinuing their practice, Mr. Kellerman, our late conductor, stated his inability to give the two public concerts required by your Committee, and he resigned for that reason. Your Committee have much pleasure in reporting that, since Mr. Kellerman's resignation, Mr. Hitchins has kindly supplied his place gratuitously until another conductor be appointed . . ."

ASSOCIATIONS: James Robert Thackeray (president);
but see also, on the circumstances of Kellermann's resignation, "THE PHILHARMONIC INSTITUTE. To the Editor of the . . .", Northern Times (9 April 1859), 2

http://nla.gov.au/nla.news-article128752386

"MARRIAGES", The Sydney Morning Herald (5 May 1859), 1

http://nla.gov.au/nla.news-article13024505

On Saturday, the 30th of April, by the Rev. Dr. Lang, at the residence of Mr. M. Castle, 45, Bourke street, Woolloomooloo, the bride's brother-in-law, Mr. Frederick Kellermann, merchant, Sydney, to Miss Sarah Baxindine Humphreys, daughter of the late Mr. Thomas Humphreys, of Greenwich, England.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (7 January 1860), 1

http://nla.gov.au/nla.news-article18656659

MR. W. KELLERMANN will resume Tuition, on MONDAY, the 16th instant.

"BIRTHS", Empire [Sydney, NSW] (26 May 1860), 8

http://nla.gov.au/nla.news-article60410763

KELLERMANN. - On Wednesday, the 23rd May, at her residence, 106, Harrington-street, Mrs. F. Kellermann, of a son.

"ST. MARY'S CHURCH", The Maitland Mercury and Hunter River General Advertiser (15 December 1860), 2

http://nla.gov.au/nla.news-article18679260

On Thursday evening a social meeting was held at the St. Mary's schoolroom, in aid of the building fund of the new church . . . The intervals between the speeches were filled up with vocal and instrumental music executed with great taste and skill by ladies of the choir and congregation, and by Mr. Kellermann, organist of the church; and these performances were received with continued applause, and rewarded by a unanimous vote of thanks, at the close. After the national anthem, a doxology was sung, and the proceedings were terminated with the benediction . . .

"DISTRICT NEWS [FROM OUR OWN CORRESPONDENTS] NEWCASTLE. THE NEWCASTLE SINGING ACADEMY CONCERT", The Maitland Mercury and Hunter River General Advertiser (25 December 1860), 2

http://nla.gov.au/nla.news-article18679383

On Friday night a small portion of the Newcastle public attended at the Court house to witness the progress of a singing class conducted upon Hullah's system by Dr. C. H. Horn of Maitland . . . The programme contained several songs and rounds from Hullah's selection, which showed in progressive style the training of the class . . . The programme was further enriched by two concerted pieces for the violin and piano played by Dr. Horn and Mr. Kellermann, and a German duet sung by the same gentlemen. The Irish song, "Kathleen Mavourneen," was sung by Mr. Kellermann with great feeling, contrasting strongly with the rapid music of the aria buffa "Largo al factotum," which he executed with equal effect . . .

ASSOCIATIONS: Charles Hermann Horn (musician)

"MAITLAND PHILHARMONIC INSTITUTE (From the Ensign of yesterday)", The Maitland Mercury and Hunter River General Advertiser (9 May 1861), 2

http://nla.gov.au/nla.news-article18681775

The half-yearly general meeting of this institute was held in the Hall of the School of Arts on Monday evening . . . The attendance was very small, there being only nine members present . . . The CHAIRMAN . . . called open the Secretary to read the report. ". . . Mr. Hitchens, the musical conductor, recently resigned, in consequence of the indisposition of some, and the absence of others, of the performing members . . . The conductorship has been offered to Mr. Kellermann, but has not yet been finally accepted. It is to be hoped that the next committee will succeed in securing Mr. Kellermann's services for this important office . . ."

"MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (16 May 1861), 2

http://nla.gov.au/nla.news-article18681891

On Monday evening a public meeting of inhabitants of West Maitland, convened by advertisement, was held at the School of Arts, for the purpose of reorganizing the Philharmonic Institute. The attendance was very scanty . . . There had been three conductors - Mr. Kellermann, Mr. Bateman, and Mr. Hitchins . . . Mr. Hitchins had conducted the institute gratuitously after Mr. Kellermann left, and only resigned when it was resolved to pay a conductor. The ladies had left, or were leaving before Mr. Kellermann left . . .

ASSOCIATIONS: Mr. Bateman (conductor)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (29 June 1861), 4

http://nla.gov.au/nla.news-article18682711

MR. W. KELLERMANN will RESUME his PROFESSIONAL DUTIES on MONDAY, July 8th, 1861.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (15 August 1861), 1

http://nla.gov.au/nla.news-article18683519

PIANOFORTE. FOR SALE,
a Rosewood Cabinet PIANOFORTE, made by Townsend & Son, from Erard's, London,
in Kood order; price £30. Apply to the undersigned.
W. KELLERMANN, West Maitland.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (3 September 1861), 1

http://nla.gov.au/nla.news-article18683879

FOR SALE, one of Aucher's celebrated PIANOS,
rosewood, oblique, seven octaves, trichord, patent double action, with its much-admired folding keyboard.
W. KELLERMANN, Next the School of Arts.

"THE CONCERT ON WEDNESDAY EVENING", The Maitland Mercury and Hunter River General Advertiser (21 September 1861), 2

http://nla.gov.au/nla.news-article18684219

We are happy to be able to state that the concert on Wednesday evening [18 September], at the School of Arts, in aid of the organ fund of St. Paul's Church, was an entire success . . . The first part of the concert consisted of sacred music . . . The second part, which consisted of secular music, was well varied by solos and concerted pieces, vocal and instrumental . . . The accompanyments were played by Mr. Bridson, by Mr. Kellermann, the conductor, and by a lady amateur, and contributed materially to the effect of the singing . . .

ASSOCIATIONS: Thomas Vicary Bridson (musician)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (23 January 1862), 1

http://nla.gov.au/nla.news-article18686270

MR. KELLERMANN will RESUME TUITION on MONDAY, the 27th instant.

"CONCERT IN AID OF THE LANCASHIRE FUND", The Maitland Mercury and Hunter River General Advertiser (11 September 1862), 3

http://nla.gov.au/nla.news-article18690570

A musical entertainment was given in the School of Arts, on Tuesday evening, by a number of ladies and gentlemen in behalf of the fund for the relief of the distressed in Lancashire. The hall was filled in every part, and contained perhaps the largest assemblage ever gathered within its walls. There must have been over 400 people present, and, as the tickets cost 3s. each, a very handsome donation was realised towards the benevolent object contemplated. The arrangements devolved upon Mr. W. Kellermann and Dr. C. H. Horn, and those gentlemen evidently spared no pains to make the concert thoroughly successful . . . Everything passed off well. Mr. Kellermann presided at the pianoforte throughout the evening, and Dr. Horn superintended the arrangement of the pieces, and we would congratulate them and the ladies and gentlemen who so ably assisted them, on the very happy issue of their kind efforts in behalf of a good cause.

"MESSRS. POUSSARD AND DOUAY", The Maitland Mercury and Hunter River General Advertiser (5 November 1863), 2

http://nla.gov.au/nla.news-article18709990

. . . are about to visit this district, and give concerts at Maitland, Newcastle, and Singleton during the ensuing week. Messrs. Kellermann and Lachaume, to whom we owe the anticipated pleasure of hearing these artistes, deserve the thanks of the public . . .

ASSOCIATIONS: Horace Poussard (violin); Rene Douay (cello); Joseph Jules Lachaume (d. 1911)

[Advertisement], The Sydney Morning Herald (29 December 1863), 1

http://nla.gov.au/nla.news-article13096918

SINGING and MUSIC - Mr. WILLIAM KELLERMANN,
pupil of the celebrated Mr. Staudigl, of Vienna,
begs to inform the ladies and gentlemen of Sydney that he is prepared to teach the above accomplishments.
For terms apply to Messrs. WILKIE, ELVY, and CO., 221, George-street.

ASSOCIATIONS: Wilkie, Elvy, and Co. (musicseller)

"MR. R. N. SADLEAR'S SALES", The Maitland Mercury and Hunter River General Advertiser (9 January 1864), 2

http://nla.gov.au/nla.news-article18701802

We have been requested to direct attention to Mr. R. N. Sadlear's . . . sale on Monday, at Mrs. McCartney's residence, comprising pianoforte, harmonium, superior furniture, books, music, &c., the property of Mr. William Kellermann . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (9 January 1864), 4

http://nla.gov.au/nla.news-article18701780

IMPORTANT SALE OF PIANOFORTE, HARMONIUM, FURNITURE, BOOKS, MUSIC, &c. . . .
MR. R. N. SADLEAR has received instructions from W. Kellermann, Esq., to sell by auction, at the residence of Mrs. McCartney, Free Church-street, West Maitland, on MONDAY, the 11th day of January, at Twelve o'clock,
One very superior ROSEWOOD PIANOFORTE, nearly new, by Aucher, Paris, 7 octaves, 3 stringed oblique folding keyboard - as powerful and sweet in tone as a grand piano.
One HARMONIUM, quite new, by Alexandre, Paris, 13 stops; suitable either for a church, school, or the drawing-room.
Also, A quantity of HOUSEHOLD FURNITURE, consisting of chairs, sofas, chest of drawers, washstands, &c.;
and a lot of Books, Music, &c., &c., &c.
The Auctioneer deems it scarcely necessary to remark that Mr. Kellermann's possession of the above superb instruments is a sufficient guarantee of excellence.
He desires to state, however, that they were imported direct from Paris for his own use, and are now disposed of only in consequence of his departure from the district . . .

"MASONIC CONCERT", Empire [Sydney, NSW] (27 June 1864), 4

http://nla.gov.au/nla.news-article60557334

The festival of St. John is one held in big honour by the brethren of the mystic tie . . . It has been deemed expedient, however, to celebrate the day, by a concert . . . The concert will be remarkable for . . . the singing of a new candidate for public favour, Mr. Kellerman, a musician of high standing, will we believe be also much admired . . .

[Advertisement], The Sydney Morning Herald (1 April 1869), 1

http://nla.gov.au/nla.news-article13182814

W. KELLERMANN, Teacher of Music and Singing. Terms at EIvy and Co.'s, George-street.

Certificate of naturalisation, William Kellermann, 29 October 1875; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1549/records/7712 (PAYWALL)

. . . William Kellermann . . . a native of Frankfort on the Maine, Germany, is 53 years of age, and is a Professor of Music . . . having arrived by the ship "Panthea" in the year 1853 . . . is now residing at Woollahra . . . and wishing to hold land . . .
GIVEN . . . this [29 October 1875]

"Mrs. Rosenberg's Concert", Evening News [Sydney, NSW] (28 March 1877), 2

http://nla.gov.au/nla.news-article108193045

At the Masonic Hall last evening a very large audience was present by invitation to an "introductory" concert, given by Mrs. Rosenberg . . . Miss Kellerman exhibited considerable skill and ability as a pianist, but the piece selected was rather too long for the occasion; but the young lady has given proof of her probably becoming a most excellent solo performer . . . The piano was one of splendid tone and power, known as Kaps's triple oblique short iron grand.

"MUSIC AND DRAMA", The Sydney Mail and New South Wales Advertiser (31 March 1877), 406

http://nla.gov.au/nla.news-article162683341

. . . In musical circles the chief event to note is Mrs. Rosenberg's introductory concert . . . The rest of the programme was worthy of notice, if only for Miss Kellerman's pianoforte playing, which gives evidence of considerable ability . . .

[Advertisement], The Sydney Morning Herald (13 April 1878), 2

http://nla.gov.au/nla.news-article13415151

MDLLE. ALICE CHARBONNET (of the Conservatoire of Paris) has much pleasure to announce that her
first CONCERT, under the patronage and in presence of his Excellency the Governor and Lady Robinson, will take place on
TUESDAY, APRIL 30th, at the MASONIC HALL.
Further particulars in future issue.

[Advertisement], The Sydney Morning Herald (25 April 1878), 2

http://nla.gov.au/nla.news-article13415873

UNDER THE DISTINGUISHED PATRONAGE of HIS EXCELLENCY THE GOVERNOR and LADY ROBINSON.
MASONIC HALL, TUESDAY, April 30. FIRST GRAND CONCERT given by
Mdlle. ALICE CHARBONNET (of the Conservatoire of Paris) . . .
PROGRAMME . . . Duets for two pianos 8 hands - "Polonaise" - Kücken.
Mdle. CHARBONNET, Miss ANNIE K***, Monsieur JULES MEILHAN, and Mr. E. ASCHERBERG.
PART II . . .
Duet, for two pianos - "Danse Macabre" Saint Saens.
Mdlle. CHARBONNET, and Miss ANNIE K*** . . .

ASSOCIATIONS: Jules Meilhan (piano); Eugene Ascherberg (piano);
see also review, "MDLLE. CHARBONNET'S CONCERT", The Sydney Morning Herald (1 May 1878), 5

http://nla.gov.au/nla.news-article13418665

"SYDNEY INTERNATIONAL EXHIBITION", The Sydney Morning Herald (29 September 1879), 3

http://nla.gov.au/nla.news-article13441239

. . . The many thousands who were in the Garden Palace on Saturday will desire to go again and again . . . In the afternoon . . . The pianoforte music was played by Signora Giorza and seven young lady amateurs - Miss Maud Fitz-Stubbs, Miss M. Ickerson, Miss K. Hyam, Miss F. Farrell, Miss A. Laure, Miss A. Kellerman, and Miss A. Wilton, all pupils of Signor Giorza, save Miss Laure, who received her training from Mons. Meilhan . . .

ASSOCIATIONS: Paolo Giorza and wife (musicians); Maud Fitz-Stubbs (piano)

"CLEARANCES. - FEBRUARY 9", The Sydney Morning Herald (10 February 1882), 4

http://nla.gov.au/nla.news-article13504859

La Hogue, ship, 1331 tons, Captain J. F. Wagstaff, for London. Passengers - Mr. and Miss Kellerman . . .

"Marriages", The Sydney Morning Herald (20 December 1882), 1

http://nla.gov.au/nla.news-article13521738

KELLERMANN - CHARBONNET. - December 18, at the Sacred Heart Church, by the Rev. Father Garvey, and at St. John's, Ashfield, by the Rev. Dr. Corlette, Frederick William Kellermann, eldest son of F. W. Kellermann, Esq., Ashfield, to Alice, daughter of the late A. Charbonnet, Chief Justice, New Caledonia, and of the late Madame Charbonnet.

Certificate of naturalisation, Frederick Kellermann, 26 February 1884; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1549/records/1880 (PAYWALL)

. . . Frederick Kellermann . . . a native of Frankfort on the Main, Germany, aged 60 years [sic], who is a Merchant, and arrived in the Colony of New South Wales by the ship Panthea in the year 1853 and who has resided in the said Colony for 30 years . . .
GIVEN . . . this [26 February 1884] . . .

"CLEARANCES", The Sydney Mail and New South Wales Advertiser (12 June 1886), 1244

http://nla.gov.au/nla.news-article162812645

June 5. R.M.S. Orient; 53S6 tons, Captain W. S. Hewison, for London, via ports. Passengers - For London: From Sydney . . . Miss Kellerman . . .

"Marriages", The Sydney Morning Herald (8 September 1886), 1

http://nla.gov.au/nla.news-article13637157

ADEY - KELLERMANN. - At London, on July 26, by the Rev. William Adey, brother of the bridegroom, Charles Adey, commander of the R.M.S. Potosi, to Annie Willis Kellermann, only daughter of Mr. W. Kellermann, of Sydney.

"Deaths', The Sydney Morning Herald (23 January 1888), 1

http://nla.gov.au/nla.news-article13673185

ADEY. - January 11, 1888, at Taunton, England, Annie Willis Adey, wife of Charles Adey, and only daughter of William Kellermann, of Sydney, aged 29 years.

[Advertisement], The Sydney Morning Herald (12 July 1890), 12

http://nla.gov.au/nla.news-article13777017

MR. FRED KELLERMANN, PROFESSOR of PIANO and THEORY,
at the above Conservatoire de Musique, at St. Vincent's Convent College, Darlinghurst,
and Balmain Convent College. Studies Resumed July 15th.

[Advertisement], The Sydney Morning Herald (8 October 1890), 1

http://nla.gov.au/nla.news-article13769478

MUSIC and Singing. - Herr W. Kellermann, 66 Alberto-terrace, Darlinghurst-road and EIvy and Co.

[Advertisement], The Sydney Morning Herald (16 January 1891), 1

http://nla.gov.au/nla.news-article13778572

PIANO and Singing.- Herr W. KELLERMANN, Alberto-terrace, Darlinghurst.

"Deaths", The Sydney Morning Herald (16 June 1891), 1

http://nla.gov.au/nla.news-article13828251

KELLERMAN - June 15, at 66 Albert-terrace, Darlinghurst, William, beloved brother of Frederick Kellermann, in his 71st year.

[Notice], New South Wales Government Gazette (23 June 1891), 4633

http://nla.gov.au/nla.news-article222097336

In the Supreme Court of New South Wales. PROBATE JURISDICTION. In the will of William Kellermann, late of Sydney, in the Colony of New South Wales, professor of music, deceased. APPLICATION will be made, after fourteen days from the publication hereof, that probate of the last will of the above named deceased, may be granted to Frederick Kellermann, of Sydney, in the said Colony, merchant, and Albert Whitby Simpson, of Armidale, in the said Colony, solicitor, the executors named in the said will. SLY & HAMILTON, Proctors, George-street, Sydney.

[Advertisement], The Methodist (11 August 1900), 6

http://nla.gov.au/nla.news-article155374489

. . . Little Frederick Kellerman (8 years old, son of . . . Madame C. Kellermann), the Wonderful Child Violinist . . .

"MUSIC AND DRAMA", The Sydney Morning Herald (27 June 1914), 6

http://nla.gov.au/nla.news-article28117070

Mme. Alice Charbonnet-Kellermann, who figured as a leading pianist, and as head of a musical school here, in the 'Nineties, has been living for many years in Paris, where on April 23 last she gave a concert in the Salle Gaveau . . .

Deaths, 14e Arrondissement, Paris, France, 1914; Archives de Paris

https://www.ancestry.com.au/search/collections/62058/records/2785692 (PAYWALL)

[2 July 1914] / Kellermann / Alice Ellen Laurentine Charbonnet / [born 12 December 1862, Cincinnati, USA] / [daughter of] Amable Charbonnett [and] Ellen Jackson / [spouse] Frederick William Kellermann

ASSOCIATIONS: Her gravestone gives her birth date as 12 December 1859, see "Alice Ellen Kellermann", Find a grave

https://www.findagrave.com/memorial/224037815/alice-ellen-kellermann

"PERSONAL", The West Australian (26 August 1914), 6

http://nla.gov.au/nla.news-article28565634

The death is reported from Paris of Mme. Alice Charbonnet Kellermann, the pianist, formerly of Sydney. She was born in America, and after studying in the Paris Conservatoire she went with her father to New Caledonia, where he was procureur-general. Mme. Kellermann's musical school in Sydney flourished for years with a staff of teachers for voice, violin, 'cello, etc. Of her children born in Sydney her son Maurice is a violinist in America, and her daughter Annette is a swimmer whose aquatic feats have been popular for a number of years.

See also, "MENTONE", Brighton Southern Cross [VIC] (5 September 1914), 4

http://nla.gov.au/nla.news-article75015974

KELLOW, Miss (Miss KELLOW)

Musician, vocalist

Active Hobart Town, VDL (TAS), 1848

https://trove.nla.gov.au/search?l-publictag=Miss+Kellow+vocalist+1848 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLOW-Miss (shareable link to this entry)

IDENTIFICATION: Kellow, described as a "native", was perhaps Fanny Kellow, born Hobart, 14 November 1825, a daughter of William Kellow (d. 1844) and Elizabeth Stacey (d. 1865), who had married in Sydney in 1814

Documentation:

"THE CHORAL SOCIETY", The Britannia and Trades' Advocate [Hobart, VDL (TAS)] (24 August 1848), 3

http://nla.gov.au/nla.news-article226532775

On Tuesday evening last, this most excellent Institution was honored at its Sixteenth Oratoria, with the presence of the Lieutenant Governor, Lady Denison, Mrs. Stanley, Bishop Nixon, and Mrs. Nixon, and a full audience of most respectable persons. Mrs. Elliot presided at the organ, with her usual musical talent. The amateurs performed, and sang admirably, and a Miss Kellow (a native, as we understand) gave proofs of very great innate, and acquired ability. Her tone of voice is clear and melodious, and her great attention to time deserves praise. Her intention to the musical reading before her, as respects tune, and the admirable manner in which the accompaniments to her singing were performed, were excellent. In our opinion, Miss Kellow will prove one of our best vocalists, by care and attention. As a very young person at a first appearance as a singer, she displayed that quietude of nerve, upon which very materially depends success. A few more years will give her an increased knowledge of the world, with all its pains and pleasures. This practical knowledge influences the heart and feelings, and cannot but assist in giving that expression to music, without which singing by score is mere mechanical sound . . .

ASSOCIATIONS: Caroline Elliot (organ); William and Caroline Denison (governor and wife); Francis and Anna Maria Nixon (bishop and wife); Hobart Town Choral Society (association)

KELLY FAMILY (WALLACE, MEURANT, MULLIGAN)

KELLY, Isabella (Mrs. William Vincent WALLACE), and her sisters and their descendents - see main entry KELLY FAMILY

KELLY, Mr. (Mr. KELLY)

Musician, vocalist

Active Sydney, NSW, 1842

https://trove.nla.gov.au/search?l-publictag=Mr+Kelly+vocalist+1842 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-1842 (shareable link to this entry)

Documentation:

[Advertisement], The Sydney Gazette and New South Wales Advertiser [NSW] (24 May 1842), 3

http://nla.gov.au/nla.news-article2556557

The Spacious Hall, Sydney College,
A GRAND SELECTION OF VOCAL & INSTRUMENTAL MUSIC,
WILL be performed THIS EVENING, the 27th May, 1842.
The Overtures and the whole of the Music, expressly arranged for full orchestra
(which, by the politeness of Colonel French, will include the Band of the 28th Regiment) by Mr. Nathan . . .
TENORS - Monsieur Gautrot, Mr. Worgan, Mr. Whitfield, Mr. Allen, Mr. Richards, Mr. Kelly, and Mr. Nathan . . .

ASSOCIATIONS: Isaac Nathan (conductor); Joseph Gautrot (musician); George William Worgan (vocalist); Edward Allen (vocalist); Band of the 28th Regiment (military)

KELLY, Edward (Edward KELLY)

Musician

Born c. 1821
Arrived Melbourne, VIC, April 1856 (per City of Hobart, from Hobart Town, 24 April, aged "35")

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-Edward (shareable link to this entry)

Documentation:

Names and descriptions of passengers per City of Hobart, from Hobart Town, 24 April 1856, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/6D4D89D0-FA01-11E9-AE98-8B0C6495C425?image=9 (DIGITISED)

. . . Edw'd Kelly / 35 / Musician . . .

KELLY, Charles (Charles KELLY; Charley KELLY)

Vocalist, choir singer (St. Joseph's Catholic chapel), congregational singer (St. Mary's cathedral), convict ("old hand")

Active Sydney, NSW, c. 1830s
Died Sydney, NSW, March 1857

https://trove.nla.gov.au/search?l-publictag=Charley+Kelly+d1857 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-Charles (shareable link to this entry)

IDENTIFICATION ? Charles Kelly, born Dublin, 1790, arrived 1822, convict per Countess of Harcourt (7 years)

Documentation:

"FUNERAL", The Sydney Morning Herald [NSW] (6 March 1857), 8

http://nla.gov.au/nla.news-article12992902

The Friends of the deceased Mr. CHARLES KELLY,
commonly known as OLD CHARLEY KELLY, are invited to attend his funeral;
to move from St. Mary's Cathedral THIS (Friday) AFTERNOON, at 3 o'clock.
JAMES CURTIS, undertaker. Hunter-street. March 5th, 1857.

"DEATH OF AN OLD SYDNEY CHARACTER", Bell's Life in Sydney and Sporting Reviewer (7 March 1857), 2

http://nla.gov.au/nla.news-article59866111

During the past week we observe that an old hand, well known in Sydney as a small bill collector, and who bore the cognomen of "Charley Kelly", has passed away from this earthly scene, and thus paid off his great liability. Charley was a truly eccentric character, but honest withall. We do not think that "Charley" would ever act a dishonest part when trust was reposed in him. He may have had his faults - these we are all of us heir to; but his heart was ever found in the right place. Since the period of his leaving Dublin, many years ago, numerous acts of benevolence have been recorded of "Old Charley", in alleviating the distresses of his countrymen. He has left behind him, we believe, some means which will be disposed of in charity.

J. H. B. Curtis, "SOME QUEER OLD FOLKS OF OLD SYDNEY", Freeman's Journal (4 July 1907), 2

http://nla.gov.au/nla.news-article108037347

. . . One of the most frequent attendants at St. Mary's was Charley Kelly. He used frequently go thrice a day, and never less than twice, and went to Communion three or four times a week. No character was better known in the city. He earned his living by collecting debts. He was a member of the choir of St. Joseph's Chapel, before the Cathedral was built. Some of the music sung there was taken down from Charley's voice, and when they had a good choir in the Cathedral, Charley would always turn up on Christmas Day to take the counter-tenor part in the "Cantet Nunc Io" of the "Adeste Fideles." If poor old Charley has not gone to heaven, few of us will have a chance . . .

ASSOCIATIONS: John Henry Benedict Curtis (memoirist, son of James Curtis, undertaker, above); St. Mary's cathedral (Sydney)

MUSIC: Adeste fidelis (US edition, c. 1810)

KELLY, James (James DEVERAUX; James KELLY; Captain KELLY)

Musical amateur, amateur musician, accordion player, fiddler, violin player, songwriter, sealer, mariner

Born Parramatta, NSW, 29 November 1791; baptised Parramatta, 18 December 1791; son of James KELLY and Catherine DEVERAUX
Married Elizabeth GRIFFITHS (1796-1831), St. Philip's church, Sydney, NSW, 20 November 1812
Died Hobart Town, TAS, 20 April 1859, aged "66" [sic]

https://trove.nla.gov.au/search?l-publictag=James+Kelly+1791-1859 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-519388 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-James (shareable link to this entry)

Documentation:

Baptisms, Parramatta, 1791; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/searchAdv/biographical-report/30011003101 (PAYWALL)

18 December 1791 / born 29 November 1791 / John son of / Catherine Deveraux

Marriages, St. Philip's, Sydney, 1812; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/searchAdv/biographical-report/30003074801 (PAYWALL)

20 November 1812 / James Kelly / bachelor / mariner / Sydney [and] Elizabeth Griffiths / spinster / - / Sydney

"POLICE REPORT . . . Thursday, November 21st", The Tasmanian [Hobart Town, VDL (TAS)] (22 November 1833), 7

http://nla.gov.au/nla.news-article233614169

James Kelly, Colin Coburn, James Woolf, William Booth, Joseph Dunn, and James Coates, were charged with very disorderly conduct in the streets of Hobart Town late last night. The defendants were whalers, enjoying their lay, with Mr. Kelly the fiddler, at their head, chaunting along Liverpool-street, and all hands joining chorus. They might have passed, but on very quiet remonstrance, they shewed fight, and in consequence they were favoured with a lodging, and ordered to find sureties for their future good behaviour.

"HOBART TOWN POLICE REPORT", Trumpeter General (3 October 1834), 2

http://nla.gov.au/nla.news-article172896101

John Kelly [sic], fiddler to a whaling company, and for a long time master musician to "King William the Fourth," at Hobart Town, at whose residence he so played upon constable Clarke's service (who went to execute a warrant upon him) as to overpower him; and he escaped, but was afterwards heard of playing his tender ditties in the bush, and was brought from his Arcadean retirement to Hobart Town, to attend a concert at the Police Office, when the most noxious instrument, the base viol, played him a tune to the amount of 10l. and costs and spoilt his fiddle.

"Hobart Town Police Report . . . Wednesday, Nov. 18, 1835", Colonial Times (24 November 1835), 8

http://nla.gov.au/nla.news-article8648720

Francis Heany or Gilheany, prayed for redress under the following circumstances. He stated, that having been upon intimate terms with Mr. Fiddler Kelly, who a long time since had retained his fiddle, stick and all. This was about eighteen months back. That he had brought the case repeatedly before Mr. Mason who had dismissed it; notwithstanding which, he was determined to keep the fiddle in tune, and had applied to Mr. Holland, the information clerk, who had d-d him and his fiddle too, and all the Irishmen! in the country. Mr. Holland explained, that the fiddling story had been repeatedly before Mr. Mason, but as no felony had been proved, the case had been discharged, and that probably knowing so much pen, ink, paper, and time had been Wasted on such a fiddling case, he might have d-d the fiddle, and that he had refused to waste any more time about it, until he had first referred the complainant to the magistrate. This explanation unstrung the fiddle, and destroyed the case. Mr. Gilheany then complained of Mr. Holland having reported in the newspapers a case of felony he had preferred against a female, which had been dismissed as groundless. The Magistrate informed him that was a case, although no fiddle, in which he could not interfere, and Mr. Gilheany left the office, quite out of tune, growling like a "base viol."

1859, deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1222545; RGD35/1/5 no 1517

https://libraries.tas.gov.au/Record/NamesIndex/1222545

https://libraries.tas.gov.au/Digital/RGD35-1-5/RGD35-1-5P306 (DIGITISED)

Mo. 1517 / [1859] April 20th / James Kelly / Male / 66 years / Mariner / Serious Apoplexy . . .

"SUDDEN DEATH OF A VERY OLD COLONIST", The Hobart Town Daily Mercury (21 April 1859), 2

http://nla.gov.au/nla.news-article3254540

Yesterday morning the city was shocked by a report of the sudden death of Mr. James Kelly, better known as Captain Kelly, who it was stated had dropped down dead in the street. The report was true to some extent, for although he did not instantly die, he expired on the way to the Colonial Hospital . . .

Will Lawson, "OUR LITTLE-KNOWN EXPLORERS. 2. INTREPID CAPTAIN KELLY", The Sydney Morning Herald [NSW] (8 April 1939), 11

http://nla.gov.au/nla.news-article17580352

. . . It was Lady Franklin who said of Kelly, and a song he composed called The Blue Song, when writing to a friend in England: "I am sending you a song entitled The Blue Song. It was written by Kelly the Whaler, a curious and rich old fellow. He sports a carriage on which he has for a crest a hand grasping a harpoon with the motto, "Olium."

ASSOCIATIONS: Jane Franklin (governor's wife)

Will Lawson, "How old are sea chanties?", The World's News (20 June 1953), 12

http://nla.gov.au/nla.news-article131643876

. . . Today no relics remain of Captain Kelly's songs, but the melodion on which he played them lies in an historical museum in Launceston . . .

Bibliography and resources:

Will Lawson, Blue gum clippers and whale ships of Tasmania (Melbourne: Georgian House, 1949), 17, 73

https://trove.nla.gov.au/work/12425115

K. M. Bowden, Captain James Kelly of Hobart Town (Melbourne: Melbourne University Press, 1964), 122 note 9

https://trove.nla.gov.au/work/13307662

. . . "The Blue Song" cannot be traced. Evidently Kelly was musical - his accordion is in the Launceston Museum . . .

E. R. Pretyman, "Kelly, James (1791-1859)", Australian dictionary of biography 2 (1967)

http://adb.anu.edu.au/biography/kelly-james-2291

KELLY, John (John KELLY)

Musician, bandsman, Band of the 51st Regiment

Born c. 1819
Arrived Sydney, NSW, 21 November 1838 (per Earl Grey, from Plymouth and Portsmouth, 8th and 13th August)
Arrived Hobart Town, VDL (TAS), January-February 1839 (from Sydney)
Departed Hobart Town, VDL (TAS), 8 August 1846 (per Agincourt, for India)
Died Madras, India, 17 January 1847, aged "27"

https://trove.nla.gov.au/search?l-publictag=John+Kelly+51st+died+17+January+1847 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-John-51st (shareable link to this entry)

KELLY, Robert (Robert KELLY)

Musician, bandsman, Band of the 51st Regiment

Arrived Sydney, NSW, 21 November 1838 (per Earl Grey, from Plymouth and Portsmouth, 8th and 13th August)
Arrived Hobart Town, VDL (TAS), January-February 1839 (from Sydney)
Departed Hobart Town, VDL (TAS), 8 August 1846 (per Agincourt, for India)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-Robert-51st (shareable link to this entry)

Documentation:

Pay-list of the 51st or King's Own Regiment of Light Infantry, 1 January to 31 March 1839; Australian Joint Copying Project, from UK National Archives, WO12/6203

https://nla.gov.au/nla.obj-1649474931 (DIGITISED)

PRIVATES . . . 847 / Kelly, John 2 [of 2] / Band
792 / Kelly, Robert / Band . . .

ASSOCIATIONS: Band of the 51st Regiment (military)

Burials, Secunderbad, Madras, India, 1847; India, select deaths and burials

https://www.ancestry.com.au/search/collections/9898/records/163501 (PAYWALL)

John Kelly / Male / 27 / died 17 January 1847 / buried 18 January 1847

"THE 51ST REGIMENT IN INDIA", The Courier [Hobart, VDL (TAS)] (15 May 1847), 2

http://nla.gov.au/nla.news-article2971904

We regret to record that, since the arrival of the head-quarters of this fine regiment in the China and Agincourt, at Bangalore, there have been many deaths, among whom we may mention . . . sergeant Jones (of the band,) . . . Kelly (of the band,) Simpson (of the buglers) . . .

"THE 51st REGIMENT IN INDIA", The Courier (22 May 1847), 2

http://nla.gov.au/nla.news-article2971853

Under this head we published in a recent Courier several interesting particulars of the arrival of the main body of the regiment In India, including a notice of the mortality which occurred, from cholera, in the fatiguing march from Poonamalee to Bangalore, between the dates of 9th and 23rd January. We are now enabled to publish a more full and detailed list of the men, women, and children who perished from the disease, numbered in the order in which the deaths occurred - . . .
10. John Kelly, of the band . . .
To the above may be added Sergeant Jones of the band, and Mrs. Cameron.

KELLY, Ned (Edward KELLY; Ned KELLY)

Bushranger, amateur singer

Born Beveridge, VIC, late 1854 or early 1855
Died (executed) Melbourne, VIC, 11 November 1880

http://nla.gov.au/nla.party-635784 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Ned_Kelly (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KELLY-Ned (shareable link to this entry)

Documentation:

"DESTRUCTION OF THE KELLY GANG", The Argus [Melbourne, VIC] (30 June 1880), 6

http://nla.gov.au/nla.news-article5952870

. . . Between 12 and 1 o'clock on Sunday morning one of Mrs. Jones's sons sang the Kelly song for the amusement of the gang, and his mother occasionally asked him to sing out louder. Most of the prisoners were then cleared from the front parlour, and the gang had a dance. They danced a set of quadrilles, and Mr. David Mortimer, brother-in-law of the school-master, furnished the music with a concertina. Ned Kelly had the girl Jones for a partner, Dan had Mrs. Jones, and Byrne and Hart, danced with male prisoners.

MUSIC: The "Kelly song" has been whimsically identified as "Farewell to my home in Greta"; however, whatever song the report was actually referring to remains a mystery

"INTERCOLONIAL SUMMARY", South Australian Register [Adelaide, SA] (7 August 1880), 2 Supplement

http://nla.gov.au/nla.news-article43151977

Ned Kelly has been removed from Melbourne to Beechworth. On the journey he was some times rather noisy, as if wishing to direct attention to himself. He sang two bushranging songs, conversed freely stout his exploits, and pointed out different objects of interest on the way, especially in the neighbourhood of the Strathbogie Ranges.

[News], The Argus (1 December 1881), 7

http://nla.gov.au/nla.news-article11525467

The Glenrowan Board has recommended the payment of a sum of £305 to Mrs. ANN JONES as compensation for the destruction of her hotel in the final fight with the Kelly gang . . . The claim was opposed on behalf of the Crown, on the plea that Mrs. JONES brought what happened upon herself, and the case established will seem to most people tolerably conclusive . . . It is in evidence that immediately before the outrage she expressed admiration for the outlaws to Constable BRACKEN, saying to him that if Sergeant KENNEDY had been her son, she "could not help but like them," i.e., the KELLYS . . . That she entertained them, and danced with them, and allowed her son to sing the "Kelly song," counts for little, because coercion is a reasonable plea in excuse. As a matter of course, the woman would not dare to offend the gang. But it is sworn that she sat with her arm round NED KELLY'S neck, and that she boasted of kissing the ruffian; and behaviour of this kind was certainly unforced, and it cuts the offender off from sympathy . . .

"THE KELLY GANG OF BUSHRANGERS", The Advertiser [Adelaide, SA] (19 August 1911), 23

http://nla.gov.au/nla.news-article5303264

. . . Ned Kelly and Steve Hart, being well under the influence of drink, now carried things with a high hand, terrifying the townsfolk with their threats and daring gestures. Late in the afternoon, after singing a bushrangers' song and giving the sergeant's wife strict injunctions that she was not to liberate her husband till 7 o'clock, the four members of the gang joined and rode away to Wunnamurra station, five miles from the town . . .

"The Real Story of NED KELLY", Mirror (25 July 1953), 8

http://nla.gov.au/nla.news-article75732450

. . . As the police hurriedly equipped armies to catch him and kill him, the children were singing this doggerel:

Farewell to my home in Greta,
My sister fare thee well;
It grieves my heart to leave you.
But here I cannot dwell . . .

They placed a price upon my head,
My hands are stained with gore;
And I must roam the forest wild,
Within the Australian shore.

Associated song publications:

Songs of the Kelly gang (Hobart Town: T. W. Allen, [? 1880; 1881])

https://trove.nla.gov.au/work/35601208

https://nla.gov.au/nla.obj-2632502839 (DIGITISED)

A folded sheet containing four songs:

[1] OH, Paddy dear, and did you hear the news that's going round,
On the head of bold Ned Kelly they've placed two thousand pounds
For Dan, Steve Hart, and Byrne, two thousand each they'll give,
But if the sum was double, sure the Kelly boys will live . . .

[2] Tune - "Going to Ballarat."
A sergeant and three constables set out from Mansfield town,
Near the end of last October, for to hunt the Kelly's down;
So they travelled to the Wombat, and they thought it quite a lark,
And they camped upon the borders of a creek called "Stringy Bark" . . .

[3] Tune "Bold Sojer Boy."
There's not a dodge worth knowing
Or showing, that's going,
But you'll learn (this isn't blowing)
From the bold Kelly Gang . . .

[4] "Sticking Up of the Euroa Bank."
So Kelly marched into the Bank,
A cheque all in his hand,
For to have it changed for money
Of Scott he did demand . . .

"THE KELLY GANG. TO THE EDITOR OF . . .", The Mercury [Hobart, TAS] (26 July 1880), 3

http://nla.gov.au/nla.news-article8985904

SIR, - At a certain shop in Elizabeth-street there are to-day exposed for sale copies of a Victorian publication entitled "The Kelly Songs." It consists of two pages of doggerel, founded on the various episodes of the criminal career of that gang of scoundrels who have lately had their prolonged defiance of justice suddenly and terribly ended by the avenging hand of an ever-watching Providence. The shameless creature, whoever he may be, that strung together the low, blackguardly expressions that form the chief characteristics of these compositions, has attempted to exalt the subjects of the "songs" by applying to them attributes of courage, bravery - the most misplaced qualifications regarding them that the most scrutinising lexicographical search could supply. Of all the qualities possible to man, courage is the last to which those ruffians could lay claim. There is nothing ever courageous in a man armed with half-a-dozen revolvers seizing and robbing one who has no weapons of defence. Bushrangers are not in the habit of being accredited with bravery. At the best, they only become desperate, never brave . . . It is much to be regretted that some of those foolish, bad principled individuals who sympathise with the crimes of those Kelly outlaws could not be exposed for a while to a life in the neighbourhood of some such desperadoes to cure them of their folly. If they could see, as I have seen, the state of terror which has day and night afflicted the wives and families of the men who were employed in searching for those outlaws, or know of the feelings of the widows and orphans of the unfortunate victims of their murderous brutality, they would cease to waste pity on such scoundrels, and thank Heaven that their career had been so ignominiously ended . . . The harm that such publications do is really incalculable, and the authorities should be alive to the danger. It may be said that as the printed sheets contain nothing obscene, there is a difficulty in preventing their circulation. But there is an easy means to do so. Those bills bear no imprint, and therefore any person distributing them - having even one about, is liable to a fine. If the police make a few examples - and the vendor would be a suitable commencement - they will put a stop to the circulation of the garbage, and save the youth of this city from a mental pollution, whose effects cannot be too severely estimated. -
Yours, etc., MORALITY.
[Our correspondent encloses one of these infamous leaflets, which we shall be happy to hand over to the police. - ED., M.]

[Advertisement], The Hobart Herald (20 July 1881), 1

http://nla.gov.au/nla.news-article264796866

LIFE OF THE KELLY GANG, Price 9d.
SONGS OF THE KELLY GANG, Price 2d.
At ALLEN'S 17 Elizabeth-street.

Bibliography and resources:

Douglas Stewart and Nancy Keesing (eds.), Old bush songs and rhymes of colonial times . . . (Sydney: Angus and Robertson, 1957)

https://trove.nla.gov.au/work/8489277

[48] "Farewell to my home in Greta"

KEMPTON, Mr. and Mrs. Samuel (Mr. and Mrs. Samuel KEMPTON; Mr. and Mrs. KEMPTON)

Musicians, vocalists, violinist, guitarist

Arrived Adelaide, SA, October 1856

https://trove.nla.gov.au/search?l-publictag=Samuel+Kempton+c1856-58 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEMPTON-Mr-Mrs (shareable link to this entry)

Documentation:

[Advertisement], Adelaide Times [SA] (28 October 1856), 1

http://nla.gov.au/nla.news-article207096662

A CAPITAL EVENING'S AMUSEMENT. AT THE CITY BRIDGE HOTEL.
ADMISSION FREE EVERY EVENING. MR. and MRS. KEMPTON, who have just arrived from England,
will make their first appearance in these colonies, as Musicians and Vocalists, at the City Bridge Hotel.
Performances will be given on the Guitar, Violin,
and some racy COMIC and fine old SENTIMENTAL SONGS will be introduced by these Artistes.
The DANCING will be accompanied as usual, by the well-known musician, Mr. O. Blake, on the Violin.

ASSOCIATIONS: Mr. O. or J. Blake (violin, otherwise unknown)

[Advertisement], South Australian Register [Adelaide, SA] (2 December 1856), 1

http://nla.gov.au/nla.news-article49761498

SINGING and DANCING every Tuesday, Thursday, and Saturday evening, at the ROSE OF AUSTRALIA;
to commence at half-past 7. Room conducted by Mr. and Mrs. Kempton.

[Advertisement], South Australian Register (3 July 1857), 1

http://nla.gov.au/nla.news-article49208884

AMUSEMENT EVERY EVENING, at the CITY BRIDGE HOTEL.- Admission Free.
- More Songs and More Fun. -
Mr. J. HEED, having engaged the services of Mr. and Mrs. Kempton
(who have lately made their appearance in these colonies as musicians and vocalists),
they will give their performances on the Guitar and Violin,
and some racy Comic and fine old Sentimental Songs will be introduced, by them.
Mr. Newson, the well-known vocalist, will also sing some of his good old Irish and English Comic Songs, for which he has been so much applauded in these colonies.
Mrs. Martin will, as usual, perform on the Pianoforte, whose musical talent needs no comment.
The worthy Host will always be willing to oblige with one of his good humoured Comic Songs.
The Dancing as usual. Remember - Admission free.

ASSOCIATIONS: Frederick Newson (vocalist); Mrs. Martin (pianist, otherwise unknown)

"LAW AND CRIMINAL COURTS", South Australian Register (17 August 1858), 3

http://nla.gov.au/nla.news-article49779953

. . . Samuel Kempton, harness-maker and player on the violin - Bought the duplicate or the watch from the prisoner, who was washing for him at the latter end of June . . .

KENDALL, Henry (Henry KENDALL)

Poet, librettist, lyricist, songwriter

Born Ulladulla, NSW, 18 April 1839
Died Surry Hills, NSW, 1 August 1882

http://nla.gov.au/nla.party-493789 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Henry_Kendall_(poet) (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENDALL-Henry (shareable link to this entry)

Summary:

In addition to his major collaborations with Charles Edward Horsley (Euterpe, 1870), and Paolo Giorza (Exhibition cantata, 1879), Kendall wrote many poems he designated as "songs". Notably, his 1862 collection, Poems and songs (published in Sydney by Jacob Richard Clarke) included the "Squatter's song" and "Song of the cattle hunters". Later collection were Leaves from Australian forests (1869) and Songs from the mountains (1880).

Published musical settings of Kendall's songs were composed by George Peck (1859), George Benjamin Allen, and Charles Sandys Packer.

Documentation:

"HENRY KENDALL", The Sydney Morning Herald (10 December 1863), 8

http://nla.gov.au/nla.news-article13085899

Many of our readers will remember with hope and interest the name of Henry Kendall, as that of a young Australian poet, some of whose unpublished verses we printed nearly a year ago, together with a note which he had sent to us, explaining his position in New South Wales as a native who had seen very few books. We take from the parcel of verses now sent to us a little poem, entitled "By the Sea," - a fair example of the dramatic force and stern realism of Mr. Kendall's style:

The caves of the sea have been troubled to-day
With the water which whitens, and widens, and fills;
And a boat with our brother was driven away
By a wind that came down from the top of the hills.
Behold I have seen on the threshold again
A face in a dazzle of hair!
Do you know that she watches the rain and the main,
And the waves which are moaning there!
Ah! moaning and moaning there!

Now turn from your casements, and fasten your door,
And cover your faces, and pray, if you can;
There are wails in the wind, there are signs on the shores,
And alas for the fate of a storm-beaten man!
Oh, dark falls the night on the rain-rutted verge,
So sad with the sound of the foam!
Oh, wild is the sweep and the swirl of the surge;
And his boat may never come home.
Ah, never and never come home!

The other short writings which accompany this note and poem, are called "A Squatter's Song," "Mountain Moss," "The Waterfall," "The Rock and the Sea" - titles which indicate a common property in the poetical aspects of nature on both sides of the globe. Another day, we may quote a further example from this list.

Published songs and verse on musical themes (selection):

"POEMS BY HENRY KENDALL . . . LINES ADDRESSED TO MADAME ESCOTT ON THE EVE OF HER DEPARTURE, AND AFTER HEARING HER IN 'LURLINE'", Empire [Sydney, NSW] (2 November 1861), 8

http://nla.gov.au/nla.news-article60485155

As you glided, and glided, before us that time,
A mystical, magical maiden,
We fancied we looked on a face from the clime
Where the poets have builded their Aidenn!
And O the sweet shadows! and O the warm gleams!
Which lay on the land of our beautiful dreams,
While we walked by the margins of musical streams,
And heard your wild warbling around us! . . . [2 more verses]

ASSOCIATIONS: Lucy Escott (vocalist); Lyster Opera Company (troupe)

MUSIC: Lurline (by William Vincent Wallace)

"KERRASSU. AN ABORIGINAL SONG", Bell's Life in Sydney and Sporting Chronicle [NSW] (30 November 1861), 4

http://nla.gov.au/nla.news-article59790246

The gums in the gully stand gloomy and stark -
A torrent beneath them is leaping;
And the wind goes about, like a ghost in the dark,
Where a Chief of Wahibbi lies sleeping!
He dreams of a battle - of foes of the Past,
But he hears not the whooping abroad on the blast,
Nor the fall of the feet that are travelling fast.
Oh! why dost thou slumber, Kerrassu? . . .
- HENRY KENDALL.

"ABORIGINAL DEATH SONGS. BY HENRY KENDALL", Clarence and Richmond Examiner [NSW] (15 April 1862), 4

http://nla.gov.au/nla.news-article61891863

[1] URARA.

EUROKA,* go over the tops of the hill,
For the DEATH CLOUDS + have passed us to-day,
And we'll cry in the dark for the footfalls still,
And the tracks which are fading away!
Let them yell to their lubras, the Bulginbah dogs,
And say how our brothers were slain,
We shall wipe out our grief in the blood of their chief,
And twenty more dead on the plain -
On the blood-spattered spurs of the plain!
But the low winds sigh,
And the dead leaves fly,
Where our Warriors lie,
In the dingo's den - in the white cedar glen,
On the banks of the gloomy Urara!
Urara, Urara!
On the banks of the gloomy Urara! . . .

http://nla.gov.au/nla.news-article61891862

[2] ULMARRA.

Alone - Alone!
With as heart like a stone,
She maketh her moan,
At the feet of the trees,
With her face on her knees,
And her hair streaming over;
Wildly, and wildly, and wildly;
For she misses the tracks of her lover!
Do you hear her, Ulmarra? -
Oh, where are the tracks of her lover? . . .

Poems and songs by Henry Kendall (Sydney: J. R. Clarke, 1862)

https://trove.nla.gov.au/work/11318937

https://collection.sl.nsw.gov.au/record/74VvG37KQW23 (DIGITISED)

ASSOCIATIONS: Jacob Richard Clarke (publisher)

"REVIEW", The Sydney Morning Herald (24 October 1862), 8

http://nla.gov.au/nla.news-article13236048

"REVIEW", Freeman's Journal [Sydney, NSW] (1 November 1862), 2

http://nla.gov.au/nla.news-article115427279

"LITERATURE. Poems and Songs by Henry Kendall", Australian Town and Country Journal (29 March 1873), 18

http://nla.gov.au/nla.news-article70477549

IT is now ten years since the little Volume containing these poems and songs was published in Sydney . . .

Works with music by colonial composers (extant in red bold; non-extant in black bold):

Silent tears (Peck, 1859)

Silent tears, a song of affection, the words by H. Kendall (a native poet), the music composed by George Peck, leader and musical director to the Prince of Wales Theatre &c. , dedicated with permission to Lady Stephen (Sydney: Peck's Music Repository, [1859])

https://trove.nla.gov.au/work/32058911

https://collection.sl.nsw.gov.au/record/74VKO5xW7ZrO (DIGITISED)

ASSOCIATIONS: George Peck (composer, musicseller, publisher); Eleanor Stephen (dedicatee); Prince of Wales Theatre (Sydney venue)

1859 'BUSINESS FOR THIS DAY.', Empire [Sydney, NSW] (8 December 1859), 8

http://nla.gov.au/nla.news-article64094102

In private musical circles, a new song has, within the last few days, been favourably spoken of. It is entitled "Silent Tears," composed by Mr. George Peck, a musician of considerable merit, whose "Australian Masonic Waltzes" we took a recent opportunity of noticing. The melody is pleasing and appropriate to the text, modulations being effectively thrown in: it is in the key of F, and, commencing in C, ranges from the lower C to E, ending on the key note. The song, which is dedicated by permission to Lady Stephen, is written by a young native poet, Mr. H. Kendall, N.A.P., (we are puzzled as to the signification of the mystic letters - if we read them correctly, it would be more unassuming to omit them!); in the first edition, numerous typographical errors perverted the sense of the text; as these have now been corrected, and the lines really possess merit, we copy them for the benefit of our poetical readers: -

SILENT TEARS.

What bitter sorrow courses down,
Yon mourner's faded cheek?
Those scalding drops betray a grief
Within, too full to speak.
Outspoken words cannot express
The pangs, the pains of years;
They're ne'er so deep nor eloquent
As are those silent Tears.

Here is a wound that in the breast
Must canker, hid'n from sight:
Though all without seem sunny day,
Within 'tis ever night.
Yet sometimes from this secret source
The gloomy truth appears:
The wind's dark dungeon must have vent,
If but in Silent Tears.

The world may deem from outward looks
That heart is hard and cold:
But, oh ! could they the mantle lift,
What sorrows would be told!
Then, only then, the truth would shew
Which most the bosom sears:
The pain pourtrayed by burning words,
Or that by - Silent Tears!

If Young Australia continue to write sentiments of this character, so touchingly expressed, we need not fear seeing this colony take a position in the paths of poetry and literature.

[Advertisement], The Sydney Morning Herald (28 January 1860), 9

http://nla.gov.au/nla.news-article13036006

GEORGE PECK, Music Repository, 13, Park-street,
Professor and Teacher of Music, dealer in music and all kinds of musical instruments . . .
N.B. - Will be ready in a few days, the second edition of SILENT TEARS,
a new song, words by H. Kendall, music by G. Peck, dedicated to Lady Stephen;
price, 2s. 6d. - a few copies still to be had.

The song of the cattle hunters (Christy's Minstrels, 1863)

The song of the cattle hunters, song with chorus, words by Henry Kendall, as sung by J. H. Melvyn, Christy's Minstrels, dedicated to the squatters of New South Wales ([Sydney: J. R. Clarke, 1863])

NO COPY OF THIS EDITION IDENTIFIED

ASSOCIATIONS: James Hadock Melvyn (vocalist); Christy's Minstrels (Nish's troupe); Jacob Richard Clarke (musicseller, publisher)

"POEMS BY HENRY KENDALL. THE SONG OF THE CATTLE HUNTERS", The Sydney Morning Herald (5 November 1861), 8

http://nla.gov.au/nla.news-article13056784

While the morning light beams on the fern-matted str[e]ams,
And the waterpools flash in its glow,
Down the ridges we fly, with a loud-ringing cry -
Down the ridges and gullies below;
And the cattle we hunt, they go racing in front,
With a roar in the distance like waves;
As the beat, and the beat, of our swift horses' feet,
Starts the echoes away from their caves!
As the beat, and the beat,
Of our swift horses' feet,
Starts the echoes away from their caves! . . .

[Advertisement], The Sydney Morning Herald (4 May 1863), 1

http://nla.gov.au/nla.news-article13078015

CHRISTY'S MINSTRELS. - The song of The Cattle Hunters,
song with chorus, words by Henry Kendall, as sung by Mr. J. H. Melvyn,
(dedicated to the squatters of New South Wales,) with portrait, price 3s.
- J. R. CLARKE, 356, George-street.

"CONCERT AND LAST APPEARANCE OF THE CHRISTY'S MINSTRELS", Empire (26 May 1863), 2

http://nla.gov.au/nla.news-article63132220

We again call attention to the entertainment to be given at the Masonic Hall this evening, being positively the last appearance in Sydney of the justly celebrated company of musicians, the Christy's Minstrels, who leave on Wednesday for Tasmania . . . A new song, too, that was to have been sung at some of their recent entertainments, will be given this evening for the first time: "The Cattle Hunters," (sung by Mr. J. H. Melvyn and chorus), has been written expressly for the Minstrels, by a well-known highly talented composer of this city; it is said to be a very brilliant song . . .

ASSOCIATIONS: Masonic Hall (Sydney venue)

"THE CHRISTY'S MINSTRELS' FAREWELL ENTERTAINMENT FOR THE BENEFIT OF THE RANDWICK ASYLUM", Empire (30 May 1863), 5

http://nla.gov.au/nla.news-article63132432

. . . Mr. Melvyn sang, for the first time, a new song, "The Cattle Hunters," composed by a resident artist expressly for the Minstrels. It is a brilliant and animated composition, with choral intermezzo and echo passages, rendering it very effective, and Mr. Melvyn and the rest did it ample justice . . .

A wild night (Allen, 1870)

A wild night, poetry by Henry Kendall, music composed expressly for and sung by Mrs. Cutter, by G. B. Allen (Melbourne: Lee & Kaye, [1870])

https://trove.nla.gov.au/work/19313238

https://nla.gov.au/nla.obj-165731586 (DIGITISED)

ASSOCIATIONS: George Benjamin Allen (composer); Cassie Cutter (vocalist); Lee and Kaye (musicsellers, publishers)

Euterpe (Horsley, 1870)

Euterpe, an ode to music, written by Henry Kendall, composed expressly for the opening of the new Town Hall . . . by Charles Edward Horsley, op. 76 (Melbourne: For the composer by W. H. Glen, [1870])

[Extract]: "Ah! and when that meek eyed maiden . . ."

https://trove.nla.gov.au/work/156931464

https://viewer.slv.vic.gov.au/?entity=IE4253673 (DIGITISED)

ASSOCIATIONS: Charles Edward Horsley (composer); William Henderson Glen (musicseller and publisher); Melbourne Town Hall (venue)

Honour the hero (Packer, 1872)

Honour the hero, song in memory of our lamented patriot, the late W. C. Wentworth

Music probably unpublished; NO COPY IDENTIFIED

ASSOCIATIONS: Charles Sandys Packer (composer); William Charles Wentworth (subject)

[Advertisement], The Sydney Morning Herald (30 August 1872), 8

http://nla.gov.au/nla.news-article13262778

MASONIC HALL. THE PERFORMANCE PAR EXCELLENCE OF THE SEASON.
Mr. GARNET WALCH'S BENEFIT. TO-NIGHT (Friday), 30th AUGUST . . .
Mr. HENRY KENDALL has written a song in memory of our lamented patriot, the late W. C. WENTWORTH,
for which Mr. C. S. PACKER has composed new and appropriate music.
This song, copies of which are now being distributed throughout the city, will be sung by Mr. ANDREW FAIRFAX.
Mr. C. S. PACKER has kindly consented to act as accompanist . . .
HONOUR THE HERO!
Honour the Hero! the laurelled Australian
He who stood out in the dark elder days,
Fighting our battles, when Freedom, an alien,
Paled in false splendour, in Tyranny's blaze.
Honour the Hero! the fine, fearless spirit,
Liberty's grandest hierophant here,
He through whose sacrifice, lo, we inherit,
All that the sons of old England hold dear . . . [2 more verses]

"ENTERTAINMENT AT THE MASONIC HALL", The Sydney Morning Herald (31 August 1872), 7

http://nla.gov.au/nla.news-article13262864

The complimentary benefit given last evening to Mr. Garnet Walch was, so far as the entertainment itself was concerned, a complete success. The attendance, however, was not at all commensurate with the efforts that had evidently been made to afford amusement . . . The song "Honour the Hero," written in memory of the lamented patriot, the late Mr. W. C. Wentworth, by Mr. Henry Kendall, and set to music by Mr. C. S. Packer, was sung in a very excellent manner by Mr. Andrew Fairfax. The applause with which the song was greeted was so long continued that Mr. Fairfax had to reappear before the curtain. Mr. Packer played the pianoforte accompaniments. The music is very appropriate to the words, and the piece will no doubt become a favourite with colonists of this country . . .

Cantata (Giorza, 1879)

Cantata, written expressly for the opening ceremony of the Sydney International Exhibition, words by Henry Kendall, music by P. Giorza (Sydney: The composer, [1879])

https://trove.nla.gov.au/work/16392873

ASSOCIATIONS: Paolo Giorza (composer)

KENNARD, Isaac Debock (Isaac Debock KENNARD; De Bock KENNARD; I. KENNARD; J. KENNARD)

Musician, pianist, harmonium player, organist, musical instrument maker and repairer, organbuilder, pianoforte tuner

Born Margate, Kent, England, 1834; baptised St. John the Baptist, Margate, 1 June 1834; son of Isaac Debock KENNARD and Charlotte BENTLEY
Arrived Melbourne, VIC, 25 April 1855 (per Gipsey Queen, from London, 1 January and Plymouth, 13 January)
Departed Melbourne, VIC, 26 January 1859 (per Maidstone, for London)
Married Elizabeth PIERCE (1834-1888), Zion Chapel (Lady Huntingdon's Connexion), Margate, 1859 (4th quarter)
Died Margate, Kent, England, 31 October 1902, aged "68"

https://trove.nla.gov.au/search?l-publictag=Isaac+Debock+Kennard+1834-1902 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNARD-Isaac-Debock (shareable link to this entry)

Documentation:

Baptisms, St. John the Baptist, Margate, Kent, 1834; England, select births and baptisms

https://www.ancestry.com.au/search/collections/9841/records/144946275 (PAYWALL)

1 June 1834 / Isaac Debock son of / Isaac Debock and Charlotte / Kennard

ASSOCIATIONS: Isaac Debock Kennard (senior) (1804-1866) and Charlotte Bentley (1804-1890) married at St. John the Baptist, Margate, on 15 October 1826

England census, 30 March 1851, Trinity, St. John Baptist, Margate; UK National Archives, HO107/1629/312/5

https://www.ancestry.com.au/search/collections/8860/records/3106975 (PAYWALL)

2 High St. / Isaac D. Kennard / Head / Mar. / 46 / Hatter / Master employing 2 sons / [all born] Kent Margate
Charlotte [Kennard] / Wife / Mar. / 45
Henry [Kennard] / Son / U. / 20 / Hatter's Son
Eliza / Daur. / U. / 21
Isaac D. [Kennard] / Son / U. / 17 / Hatter's Son
James H. / 15 // Sarah A. / 14 // Matilda / 13 // Vincent / 10 // Charles / 7 // Daniel / 5

Names and descriptions of passengers, per Gipsey Queen, from London, 1 January 1855, for Port Phillip; State Record Office Victoria

https://prov.vic.gov.au/archive/3AF96E01-F96C-11E9-AE98-A782DBE7F3B5?image=347 (DIGITISED)

. . . Kennard Isaac / 21 / Tailor / [English] . . .

[Advertisement], The Argus [Melbourne, VIC] (26 June 1855), 8

http://nla.gov.au/nla.news-article4809889

PIANOFORTES Tuned 7s. 6d., by J. Kennard, from Broadwood's, at Phillpott's, outfitter, 46 Swanston-street.

ASSOCIATIONS: John Broadwood and Sons (London pianoforte makers)

[Advertisement], The Argus (10 August 1855), 8

http://nla.gov.au/nla.news-article4814812

PIANOFORTES, Tuned, 7s. 6d.; out of town, 10s. 6d.
Kept in order, 15s. per quarter.
Repairing in all its branches. Terms reasonable.
By J. Kennard, from Broadwood's.
Apply G. Phillpotts, outfitter, 46 Swanston-street.

[Advertisement], The Argus (3 November 1855), 7

http://nla.gov.au/nla.news-article4822468

MUSICAL INSTRUMENTS Repaired by Kennard and Davis can be warranted to stand.
The nobility's cards sufficient guarantee as to competency.
All orders received at Mr. Prebble's, watchmaker, opposite Theatre Royal.
ORGANS, Finger and Barrell, Seraphines, Harps, Guitars, Violins, Tuned and Repaired by Kennard and Davis.

ASSOCIATIONS: Mr. Davis (musician, pianoforte tuner)

[Advertisement], The Argus (5 November 1855), 3

http://nla.gov.au/nla.news-article4822546

PIANOFORTES Tuned, 7s. 6d.; Repaired Cleaned, Regulated, Resilked.
Kennard and Davis, from Broadwood's and Ball's, London.

[Advertisement], The Argus (6 March 1856), 7

http://nla.gov.au/nla.news-article4832516

ORGAN BARREL for £7. Plays 21 tunes.
Kennard and Davis, organ builders, Wellington-street, Collingwood.

[Advertisement], The Argus (16 March 1856), 3

http://nla.gov.au/nla.news-article4833287

PIANOFORTES and Organs, no matter, how much out of repair, tuned and repaired equal to new.
Pianofortes tuned, 7s. 6d. Highest recommendations.
Kennard and Davis, from Broadwood and Ball's, 32 Wellington-street, Collingwood, and at C. Prebble's, jeweller, opposite Theatre Royal.

[Advertisement], The Argus (8 May 1856), 3

http://nla.gov.au/nla.news-article4837357

PIANOFORTES Tuned, 7s. 6d.; Repaired &c. J. Kennard, from Broadwood's, at C. Prebble's, jeweller, opposite Theatre Royal.

[Advertisement], Bendigo Advertiser [VIC] (5 March 1857), 3

http://nla.gov.au/nla.news-article87997721

BIRD IN HAND HOTEL, EPSOM.
A QUADRILLE Assembly will be held at the above-named Hotel every Friday evening. Dancing to commence at 8 o'clock.
N.B. -The proprietor wishes to state that no one will be admitted unless introduced by a member.
A first-rate Quadrille Band will be in attendance.
M. J. De B. Kennard, Pianist.

[Advertisement], Bendigo Advertiser (6 March 1857), 3

http://nla.gov.au/nla.news-article87997748

TUNING. TUNING! TUNING!!
DE BOCK KENNARD, Tuner, Regulator, and Repairer of Pianos, Harmoniums, &c.,
from Broadwood's, London, begs to notify to the musical fraternity of Sandhurst and surrounding neighborhood,
that having just arrived, and hearing there are certain persons professing to be tuners in Sandhurst,
wishes to put them on their guard against any such pretending imposters.
Pianos, Harmoniums, &c., Tuned, &c., on the shortest notice.
Address De B. Kennard, office of this paper; and Withers', Bird-in-Hand Hotel, Epsom.

[Advertisement], Portland Guardian and Normanby General Advertiser (12 August 1857), 3

http://nla.gov.au/nla.news-article64569104

PIANO-FORTE TUNING. DE BOCK KENNARD, (FROM BROADWOOD'S,)
BEGS to inform the inhabitants of Portland and its Vicinity that he will be prepared to
TUNE, REGULATE AND REPAIR PIANO-FORTES, HARMONIUMS, &c., &c.,
For the coming week only. All commands to be forwarded immediately to the Office of this paper.

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register [Adelaide, SA] (24 August 1857), 2

http://nla.gov.au/nla.news-article49210574

Sunday, August 23 . . . The steamer White Swan, 330 tons., Blacker, master, from Melbourne August 20, Portland August 21 . . . Passengers . . . J. and B. Kennard [sic] . . . in the steerage . . .

[Advertisement], Adelaide Times [SA] (2 September 1857), 3

http://nla.gov.au/nla.news-article207123725

ROYAL VICTORIA THEATRE.
POSITIVELY THE LAST NIGHT BUT THREE.
FARRAR'S UNRIVALLED ENTERTAINMENT of MECHANICAL WONDERS will open THIS EVENING.
This beautiful Entertainment differs from all others known as Panoramas, Dioramas, &c.,
the figures being so constructed by concealed Mechanism as to have the appearance of life.
In a word it is unique, and may justly be termed the Microcosm, or the World in Miniature . . .
Mr. De Bock Kennard will preside at the Pianoforte and Harmonium, and perform several popular airs, &c., during the performance . . .

ASSOCIATIONS: D. Farrar (entertainer, active VIC and SA, 1857, and with whom Kennard was perhaps associated earlier in VIC); Royal Victoria Theatre (Adelaide venue);
and see also, "FARRAR'S TEMPLE OF THE ARTS", South Australian Register (28 August 1857), 3

http://nla.gov.au/nla.news-article49210096

The exhibition of Farrar's temple of arts took place at the Port Theatre on Wednesday evening. Lilliputian figures . . . and an almost endless number of other mechanical figures were successively exhibited, and charmed the eye by their life-like movements and their admirable similarity to their prototypes . . . Some really good performances on the piano and harmonium enlivened the evening's amusement. A performance is announced for to-night.

ASSOCIATIONS: Port Theatre (Adelaide venue)

[Advertisement], The Star [Ballarat, VIC] (10 August 1858), 3

http://nla.gov.au/nla.news-article66049598

Pianoforte Tuning. PIANOFORTES TUNED, repaired, &c.,
by J. Kennard, from Broadwood's. Apply at Mr. Emery's Washington Hotel.

Names and descriptions of passengers, per Maidstone, for London, from Port Phillip, 26 January 1859; Public Record Office Victoria

https://prov.vic.gov.au/archive/238A048E-F7F0-11E9-AE98-ED1FDFBB6846?image=4 (DIGITISED)

. . . I. Kennard / 45 [sic, 25] . . .

"MARGATE . . . CONCERT", South Eastern Gazette [Kent, England] (19 February 1861), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001098/18610219/075/0005 (PAYWALL)

On Wednesday last the choir belonging to Zion chapel (Countess of Huntingdon's connexion) gave a tea and concert of sacred music the large school-room adjoining the chapel, on behalf of the organ fund. The school-room was decorated with evergreens and variegated lamps and banners, with suitable inscriptions on them. At 6 o'clock between 300 and 400 sat down to tea, but the school-room not being large enough to hold them all, many had to take tea in the chapel. At 7 o'clock the concert commenced under the direction of Mr. J. D. Kennard, who presided at the harmonium, when several pieces were admirably sung the choir . . .

England census, 7 April 1861, Trinity, St. John Baptist, Margate; UK National Archives, RG9/534/110/32

https://www.ancestry.com.au/search/collections/8767/records/7391798 (PAYWALL)

11 Market St. / Isaac D. Kennard / Head / Mar. / 26 / Piano Forte Tuner / [all born] [Kent] Margate
Eliz'th [Kennard] / Wife / Mar. / 26 // Isaac D. / Son / 6 mo.

"THE CONCERT FOR THE BENEFIT OF THE WORKMEN'S CLUB", Thanet Advertiser (27 February 1864), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001697/18640227/046/0002 (PAYWALL)

In accordance with previous announcements, on Tuesday evening last a sacred concert was given in St. James's Hall with the view of augmenting the funds of the recently re-established Workmen's Club . . . For the talent we were entirely indebted to the Margate Harmonic Society, by the members of which the programme was sustained . . . The programme was well selected one, comprising compositions by some of the most renowned musicians. It opened with "God bless the Prince of Wales," the solo of which was sung by Miss Nicolls. This young lady possesses a soprano voice of excellent quality . . . In the course of the evening she also sang the recitative and air entitled "Ye sacred Priests" and "Farewell ye limpid streams," by Handel, together with another short solo, all of which were charmingly rendered, the air being deservedly encored. Mr. Lewis, with his sweet tenor voice, sung Haydn's air "In native worth," and Handel's solo "I know that my Redeemer liveth," in a style that elicited well merited applause; while Mr. Poat, junr., in Haydn's recitative and air "Straight opening her fertile womb," and "Now Heaven in fullest glory shone," displayed a bass voice of good quality and sang with surprising correctness . . . The choruses, some of which were extremely difficult, were performed with amount of precision and correctness that could hardly be expected of a body of amateur vocalists. The orchestra was under the conductorship of Mr. J. D. Kennard, who with much ability presided at the pianoforte . . .

"TESTIMONIAL", Thanet Advertiser (17 March 1866), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001697/18660317/038/0002 (PAYWALL)

Mr. J. D. Kennard, late conductor of the Margate Sacred Harmonic Society, was, on Tuesday evening last, presented with a handsome time piece and silver plate, as an acknowledgment of his past services as conductor of the above society. Mr. Clarke, in presenting the testimonial, referred to the various charities which had been assisted by the concerts of the society, fourteen of which had been given within the last six years, ten having been conducted gratuitously by Mr. Kennard the whole producing nett profits amounting to the handsome sum of £229 9s. which had been handed to various charities. He regretted that so few of the members of the society had contributed towards this acknowledgment of the uniform urbanity and kindness of Mr. Kennard, but was glad to find that comparative strangers had come forward liberally and acknowledged their approval of his conductorahip. Mr. Kennard replied in terms expressive of the deepest feeling, and assured the deputation that all he had done had been done for the welfare of the society and the public. We are sorry to hear that the society is now broken up. We have often listened with pleasure to the concerts given by it, and trust that shall yet hear of it springing up once more to delight the public with good performances of sacred music.

"DEATHS", Thanet Advertiser (1 November 1902), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001697/19021101/069/0005 (PAYWALL)

Margate - Oct. 31. at Ballarat House, Cliftonville, Isaac de Bock Kennard, late organist of Holy Trinity Church, aged 68.

KENNEDY, Arthur (Arthur KENNEDY)

Governor of Western Australia

Active WA, 1855-62

http://nla.gov.au/nla.party-1478701 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Arthur_Kennedy_(colonial_administrator) (DIGITISED)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEDY-Arthur-governor (shareable link to this entry)

KENNEDY, Georgina (Georgina MacCARTNEY, Mrs. Arthur KENNEDY)

Governor's wide, musical amateur

Active WA, 1855-62

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEDY-Georgina (shareable link to this entry)

Documentation:

"General Intelligence", The Perth Gazette and Independent Journal of Politics and News [WA] (27 December 1861), 3

http://nla.gov.au/nla.news-article2933611

A concert will be given next Monday evening at the Museum of the Mechanics' Institute, we believe in honor of Mrs. and the Misses Kennedy on the eve of their departure, the funds accruing to be appropriated to the formation of a Harmonic Society, in purchasing books and a Harmonium for the use of the Society, Concerts, &c.

KENNEDY FAMILY

KENNEDY, David (David KENNEDY, senior; Mr. KENNEDY) (and son, David KENNEDY, junior)

Scottish vocalist

Born Perth, Scotland, 15 April 1825
Toured Australia, 1872-75
Died Stratford, Ontario, Canada, 12 October 1886

https://trove.nla.gov.au/search?l-publictag=David+Kennedy+1825-1886 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/David_Kennedy_(singer) (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEDY-David (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Documentation:

Kennedy's colonial travel: a narrative of a four years' tour through Australia, New Zealand, Canada, &c., by David Kennedy, junior (Edinburgh: Edinburgh Publishing Company, [1876])

https://archive.org/details/kennedyscolonial00kenniala (DIGITISED)

KENNEDY, Pat (Pat KENNEDY)

Comic vocalist, Irish comedian

Active Sydney, NSW, 1861

https://trove.nla.gov.au/search?l-publictag=Pat+Kennedy+comic+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEDY-Pat (shareable link to this entry)

Documentation:

[Advertisement], The Sydney Morning Herald [NSW] (23 March 1861), 1

http://nla.gov.au/nla.news-article13054605

TOLANO'S SALOON, Pitt-street, extraordinary success of PAT KENNEDY, the Great Irish Comic Singer.
TOLANO'S SALOON, crowded nightly to hear PAT KENNEDY sing "Will you ever go home," &c.
TOLANO'S SALOON. - Mr. F. MORGAN, Serio-comic and Descriptive Vocalist, late of Melbourne, nightly.
TOLANO'S SALOON. - Mr. S. FLORENCE [sic], the popular Tenor, late of the San Francisco Minstrels, nightly.

ASSOCIATIONS: Raphael Tolano (venue proprietor); J. Florence (vocalist)

[Advertisement], The Sydney Morning Herald (8 April 1861), 1

http://nla.gov.au/nla.news-article13063243

TOLANO'S SALOON. - TO-NIGHT, Pat Kennedy will sing, first time, "My Johnny was Cobbler.
TOLANO'S SALOON. - TO-NIGHT, "Limerick Races," and "Rattling Boys," by Pat Kennedy. Come early.
TOLANO'S SALOON, Pitt-street, next the Theatre. Crowded nightly - first-class entertainment - free.

ASSOCIATIONS: Concurrently, at the Royal Victoria Theatre, the actor and vocalist Lady Don was drawing crowds with the song My Johnny was a shoemaker

[Advertisement], The Sydney Morning Herald (13 April 1861), 1

http://nla.gov.au/nla.news-article13069552

TOLANO'S SALOON. - Unabated success of Pat Kennedy's famous song, "Will you ever go Home."
TOLANO'S SALOON. - Pat Kennedy's new burlesque song, "My Johnny was a Cobbler," every Evening.

[Advertisement], The Sydney Morning Herald (20 April 1861), 1

http://nla.gov.au/nla.news-article13056259

TOLANO'S SALOON. - Extraordinary hit of PAT KENNEDY in humorous Irish delineations.
TOLANO'S SALOON.-TO-NIGHT, "Will you ever go home," "Doran's Ass," "Stage-struck Hero," &c.
TOLANO'S SALOON. - Books of Pat Kennedy's popular songs can be had, price sixpence.

[Advertisement], The Sydney Morning Herald (27 April 1861), 1

http://nla.gov.au/nla.news-article28625297

TOLANO'S SALOON. - Roars of laughter at Kennedy's burlesque song, My Johnny was a cobbler.
TOLANO'S SALOON. - To-Night, Irish Haymaker and Widow Malone, in character, by Pat Kennedy.
TOLANO'S SALOON. - Hammersley will do his clog Hornpipe.

[Advertisement], The Sydney Morning Herald (11 May 1861), 1

http://nla.gov.au/nla.news-article13066985

TOOGOOD'S GRAND CONCERT HALL. - Engagement of the renowned Pat Kennedy to the present talented company.
PAT KENNEDY in character, "My Johnny was a cobbler," This and following evenings.
TOOGOOD'S GRAND CONCERT HALL, Crowded nightly, to hear the Sacramento Minstrels; roars of laughter.
TOOGOOD'S GRAND CONCERT HALL. - Mr. Williams as Lucy Long in character. Admission free.
TOOGOOD'S GRAND CONCERT HALL. - The largest and most talented company in Sydney for an evening's amusement, viz.,
Mr. Gibbs, violinist - leader. Mrs. Eastwick, pianist; Mr. Sutherland, cornet;
Pat Kennedy and Billy Smith, comic; Master Boland in his various dances;
Messrs. Williams, Bent, and Merrett, in Bob Ridley, and the [REDACTED] Barber. Admission free.

ASSOCIATIONS: John Gibbs (violin, leader); Wilhelmina Eastwick (pianist); Sacramento Minstrels (troupe); Toogood's Saloon (Sydney venue)

[Advertisement], The Sydney Morning Herald (1 June 1861), 1

http://nla.gov.au/nla.news-article13056939

TOOGOOD'S SALOON. - New songs, new choruses, by the Campbell Minstrels, TO-NIGHT . . .
TOOGOOD'S SALOON. - The Stir-about Pot, Black Turf, and Whistling Thief, by Pat Kennedy, TO-NIGHT.
TOOGOOD'S SALOON. - The Orchestra consists of Violin, Cornet, and Pianoforte; leader, Mr. J. Gibbs.

ASSOCIATIONS: Campbell Minstrels (troupe)

[Advertisement], The Newcastle Chronicle and Hunter River District News [NSW] (15 June 1861), 1

http://nla.gov.au/nla.news-article111166110

PRINCESS THEATRE . . .
TUESDAY EVENING. Mr. PAT KENNEDY, the renowned Irish comic singer,
will appear in the much-admired song - "My Johnny was a Cobbler," lately sung by Lady Don, at the Victoria Theatre, Sydney,
and the original Irish comic Song - "Boys, will ye haver go home?"
Boys of Green Erin, be early on the spot, and see our countryman, as he is engaged for a few nights only.
- M. MAGNEY, Proprietor.

[Advertisement], The Sydney Morning Herald (6 July 1861), 4

http://nla.gov.au/nla.news-article13063911

TOOGOOD'S Saloon.- To-night, change of programme by the Campbell Minstrels. Funny Collins as Hamlet.
TOOGOOD'S Saloon. - To-night, Pat Kennedy will sing Fishing for Arms, Roony Flynn, &c.

[Advertisement], The Sydney Morning Herald (3 August 1861), 1

http://nla.gov.au/nla.news-article13056102

TOOGOOD'S. - Phantom Chorus (Sonnambula), and Hither we come (Enchantress), Campbell Minstrels.
TOOGOOD'S. - Pat Kennedy the Irish Humourist, will sing Stage Struck Hero, Stirabout Pot, &c.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW] (31 August 1861), 3

http://nla.gov.au/nla.news-article18683860

ROYAL OLYMPIC THEATRE. SATURDAY, AUGUST 31ST, 1861.
THE CAMPBELL MINSTRELS TO-NIGHT! New Songs, Duets, Choruses, &c.
SOLO on CHAMPAGNE GLASSES by MR. HAYWARD.
MR. PAT KENNEDY, the Irish Comedian, in several new Songs.
For full particulars, see small bills.
J. THYNNE, Agent.

ASSOCIATIONS: William Hayward (musician); Olympic Theatre (Maitland venue)

KENNEY, James Richard (James Richard KENNEY; J. R. KENNEY; Mr. KENNEY; also J. R. KENNY)

Actor, comedian, vocalist, theatrical manager, scenic artist, machinist, stonemason, stone carver

Born Whetstone, Leicestershire, England, 1815; baptised Whetstone, 30 April 1815; son of John KENNEY and Mary ?
Convicted Leicester, England, 4 January 1836 (transportation 7 years)
Arrived Hobart Town, VDL (TAS), 12 November 1836 (convict per Lady Nugent, from England, 12 July, aged "22")
Married [1] Jane WILSON, Launceston, VDL (TAS), 3 May 1843
Married [2] (? common law) Caroline MERCHANT, ? Launceston, VDL (TAS), by 1849 (? separated by 1854)
Died Launceston, TAS, 11 August 1890, aged "77 (Born Ireland)" [sic]

https://trove.nla.gov.au/search?l-publictag=James+Richard+Kenney+actor+stonemason (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEY-James-Richard (shareable link to this entry)

DISAMBIGUATION: James Kenney (London playwright)

KENNEY, Caroline (Caroline MERCHANT; "Mrs. KENNEY")

Actor

Active Launceston, VDL (TAS), by 1849, to 1854

https://trove.nla.gov.au/search?l-publictag=Caroline+Merchant+Mrs+Kenney (TROVE tagged by Australharmony)

ASSOCIATIONS: Mary Ann Merchant (dancer, actor; relative, perhaps her sister)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNEY-Caroline-Merchant (shareable link to this entry)

Summary:

Launceston settler James Richard Kenney alternated between occasional stints as a theatrical professional, and other periods as an amateur, while he also carried on his trade as a stone mason and carver. As Richard Kenney, he had been sentenced at Leicester, on 4 January 1836, to transportation for 7 years, and arrived in Hobart as a convict on the Lady Nugent on 12 November 1836. He was conditionally pardoned on 4 August 1842, and received his certificate of freedom in January 1843.

He was almost certainly the "Mr. Kenny" who received his first stage try out in Samson Cameron's company at Launceston in May 1842. Kenney married Jane Wilson in the Baptist chapel, Launceston, on 3 May 1843. His name also appeared several times, with that of his wife Jane, in court reports in 1843, remanded for a suspected theft of jewellery, but ultimately discharged.

He next appeared in Hobart in 1844, at the Albert Theatre, and with Anne Clarke's company at the Royal Victoria. He was at the Olympic Theatre in Launceston by 1848, and in 1849 was probably also author of a song printed in the Launceston press, the local "hit", Billy Barlow, a clerk of a market, which "in which character he elicited very general applause."

He was manager of Radford's Royal Amphitheatre, Launceston, from August 1849, and was still there in November 1851, when he played Benjamin Bowbell in his namesake, James Kenney's The illustrious stranger, "with all the songs" (by Isaac Nathan).

His second, probably common-law wife, Caroline Merchant, gave birth to their child James in Launceston on 31 October 1849; another son, Herbert Richard, born in 1851, died in Launceston on 8 March 1854.

Documentation:

Baptisms, Whetstone, Leicestershire, 1815; England, births and baptisms

https://www.findmypast.com.au/transcript?id=R_951023936 (PAYWALL)

30 April 1815 / James Richard son of / John and Mary / Kenney

"LEICESTERSHIRE QUARTER SESSIONS . . . Tuesday, January 5", Leicester Journal [England] (8 January 1836), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000205/18360108/008/0001 (PAYWALL)

Thomas Copson, 24, charged, on the oaths of John Berridge and Thomas Johnson, with having broken open a mill, in occupation of Thomas Berridge, and stolen therefrom quantity flour, in bag, some fishing lines, ten shillings in silver, and other articles, the property of the said Thomas Berridge and John Berridge. - Guilty - twelve months' hard labour.
Richard Kenney, 24, charged with being accomplice in above felony with Thomas Copson. - Guilty - seven years' transportation.

Convict record, Richard Kenney, per Lady Nugent, 1836; Tasmanian names index; NAME_INDEXES:1408897

https://libraries.tas.gov.au/Record/NamesIndex/1408897

https://libraries.tas.gov.au/Digital/CON31-1-26/CON31-1-26P147 (DIGITISED)

No. 533 / Kenney Richard / [arrived] Lady Nugent 12th Nov'r 1836 / [Tried] Leicester Q.S. 4th Jan'y 1836 / 7 [years]
Transported for breaking into a Mill and stealing flour . . .
T. [of] L. [3 March 1841] / Conditional Pardon No. 713 - 4 August 1842 / Free Certificate . . . 1843

https://libraries.tas.gov.au/Digital/CON18-1-14/CON18-1-14P116 (DIGITISED)

No. 533 / Kenney Richard / Brickmaker's Lab[oure]r / [born] Whetstone Leicester[shire]
Age [at 1836] 22 / 5ft 3in . . .

"GOVERNMENT NOTICE. No. 57", The Courier [Hobart, VDL (TAS)] (9 March 1841), 2

http://nla.gov.au/nla.news-article2956872

Colonial Secretary's Office, 3rd March, 1841. Tickets-of-Leave have been granted to the following convicts; viz. . . . Richard Kenny, Lady Nugent . . .

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (14 May 1842), 3

http://nla.gov.au/nla.news-article66015530

ROYAL VICTORIA THEATRE, (CAMERON'S) PATERSON STREET,
Open for the Season on the Evening of Monday, Wednesday, and Saturday.
Several Novelties are in preparation, and will follow each other in rapid succession.
MONDAY, MAY 16, 1842, Will be produced, for the liret time these few years, Kotzebue's celebrated Play of THE STRANGER . . .
To conclude with the favorite Farce of The Little Pickle . . .
Thomas - Mr. Kenny . . .

ASSOCIATIONS: Samson Cameron (actor, manager); Royal Victoria Theatre (Launceston venue)

[Advertisement], Launceston Examiner [VDL (TAS)] (9 July 1842), 3

http://nla.gov.au/nla.news-article36249201

NOTICE. To the patrons of the Victoria Theatre.
WE, the undersigned members of Mr. Cameron's company of comedians, conjointly with the members of the orchestra of his theatre, having read an article in the Advertiser newspaper of Thursday last, stating that "the Victoria Theatre was on the eve of dissolution," &c., hereby beg to express our abhorence at such a calumnious statement . . .
[signed] John Hambleton . . . J. Elmar . . . J. L. Jacobs . . .
G. L. Gooch . . . James Kenny . . . Thomas Flowers . . .

ASSOCIATIONS: John Hambleton (actor); John Adam Elmer (actor); John Lewis Jacobs (actor); George Lonsdale Gooch (actor); Thomas Flowers (actor)

"The Gazette", Colonial Times [Hobart, VDL (TAS)] (9 August 1842), 4

http://nla.gov.au/nla.news-article8752880

Memoranda of Conditional Pardon have been ordered for the following persons, until Her Majesty's pleasure be known: - . . .
Richard Kenney, Lady Nugent . . .

"The Gazette", Colonial Times [Hobart, VDL (TAS)] (3 January 1843), 4

http://nla.gov.au/nla.news-article8753234

. . . The periods for which the under-mentioned persons were transported expiring at the date placed after their respective names, Certificates of their Freedom maybe obtained then, or at any subsequent period, upon application at the Muster Master's Office, Hobart Town, or at that of a Police Magistrate in the interior: -
. . . Lady Nugent . . . Richard Kenny, 4th [January] . . .

1843, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:825341; RGD37/1/3 no 22

https://libraries.tas.gov.au/Record/NamesIndex/825341

https://libraries.tas.gov.au/Digital/RGD37-1-3/RGD37-1-3P6

No. 22 / York St. Chapel / 3d May 1843 / James Kenney / 22 / Stonemason bachelor / Jane Wilson / 21 / spinster . . .

"SUPREME COURT - CRIMINAL SIDE, Monday, October 2", The Cornwall Chronicle (7 October 1843), 3

http://nla.gov.au/nla.news-article66018002

Timothy Deaking was indicted for receiving one necklace and a pair of earrings, well knowing the same to be stolen . . . The statement of the prisoner was here: it stated that the prisoner obtained the necklace and a watch, &c. from a man named Oliver for the purpose of selling; that he gave the said articles to a man of the name of Kenney soon after to sell; that Kenney subsequently gave him £4; that he did not know Kenney further than seeing him at the theatre . . .

And see also, "POLICE REPORT . . . Thursday, August 31", Launceston Examiner (6 September 1843), 4

http://nla.gov.au/nla.news-article36234613

Thomas Flowers, free, and James Kenny, ticket-of-leave [sic], were brought up on a charge of felony. It appears that upwards of twelve months since a quantity of jewellery and watchmaking implements left at one of the banks to be forwarded to Hobart Town, was abstracted from the box without exciting suspicion, until the arrival of the latter at its place of destination. Suspicion had latterly attached to the two prisoners, some of the property being found in the possession of Flowers: he now stated that he had bought it of Kenny, whose receipt he produced; he had no suspicion at the time of its having been surreptitiously obtained. He was in consequence discharged, but Kenny, who denied all knowledge of the transaction, was remanded for further examination.

ASSOCIATIONS: Thomas Flowers (actor, as above)

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (8 October 1844), 1

http://nla.gov.au/nla.news-article8755416

ROYAL VICTORIA THEATRE, CAMPBELL STREET.
WEDNESDAY, OCTOBER 9. IMMENSE ATTRACTION.
LAST NIGHT THIS SEASON OF LA SONNAMBULA.
THE EVENING'S ENTERTAINMENTS will commence with (by particular desire)
Bellini's beautiful Opera, with the whole of the original Music, entitled LA SONNAMBULA.
Count Rodolphe - Mr. F. Howson.
Elvino (his Fourth Appearance this Season) - Mr. J. Howson.
Alessio - Mr. Young.
Notary - Mr. Rogers.
Postilion - Mr. Kenney.
Amina - Mrs. Stirling.
Lisa - Mrs. Rogers.
Dame Therese - Mrs. Howson.
Villagers, &c. &c. . . .

ASSOCIATIONS: Frank and Emma Howson (actors, vocalist); John Howson (actor, vocalist); Charles Young (actor, vocalist); George Herbert and Emma Rogers (actors, vocalists); Theodosia Stirling (actor, vocalist); Royal Victoria Theatre (Hobart venue)

"ROYAL ALBERT THEATRE", Colonial Times (22 October 1844), 3

http://nla.gov.au/nla.news-article8755505

We visited this place of public amusement, which opened last night for the season, under the management of Messrs. Watson and Falchon . . . The first piece, Tom Cringle, was rapturously received. Falchon in Gipsey Jack was inimitable . . . Watson's Tom Cringle was played in a style which reflects the greatest credit upon him as an actor . . . Mr. Kenney as Walter, was perfect; be must avoid preaching, or it will prove fatal to him as an actor; he appears, however, a young stager, and his ability, coupled with time and study, will enable him to become not only a useful actor to our colonial Theatre, but we think a clever one also . . . Lo Studio, by Kenney, was a treat; we prefer, however, the curtain falling in changing attitudes . . .

ASSOCIATIONS: Feltham Bold Watson (actor, manager); Arthur Falchon (actor); Royal Albert Theatre (Hobart venue)

[Advertisement], Colonial Times (2 November 1844), 2

http://nla.gov.au/nla.news-article8755569

Royal Albert Theatre, ARGYLE STREET.
MONDAY, NOVEMBER 4 . . . will be produced the celebrated Melodrama entitled
THE CHAIN OF GUILT; or, THE MURDER ON THE HEATH . . .
To be followed by a new Series of TABLEAUX VIVANTS, Arranged by MR. KENNY . . .

[Advertisement], Colonial Times (27 March 1846), 1

http://nla.gov.au/nla.news-article8758357

ROYAL VICTORIA THEATRE, Campbell-street.
MONDAY, MARCH 30, 1846. MR. KENNYS BENEFIT. LAST BENEFIT THIS SEASON BUT ONE . . .
The Evening's Entertainments will commence with the celebrated and highly popular Melodrama, entitled
THE KNIGHT OF ST. JOHN; Or, THE FIRE BANNER . . .
The Interlude will consist of . . .
A Scene from the Maid of Genoa, introducing a celebrated DRUNKEN COMBAT.
Strapado (the Drunken Corporal) - Mr. Young.
Desperado (one of the Banditti) - Mr. Kenny.
A favorite TAMBOURINE DANCE, MRS. YOUNG.
COMIC DUET, MESSRS. YOUNG & KENNY . . .
Comic Irish Song - "Biddy the Basket Woman" - MR. KENNY . . .

ASSOCIATIONS: Charles and Jane Young (vocalist and actor, dancer)

MUSIC: Biddy the basket woman ["If ever you go to London town . . . "] (song); see also Biddy the basket woman (song)

"MR. KENNEY'S BENEFIT", The Cornwall Chronicle [Launceston, VDL (TAS)] (29 May 1847), 3

http://nla.gov.au/nla.news-article65943429

This deserving performer's exertions to please and amuse will on Monday night afford a claim to patronage and reward. Without pretending to the merits of a "star" of the first magnitude, Mr. Kenney is distinguished for assiduity and perseverance in his profession, and for "dressing" his parts with care and judgment . . .

ASSOCIATIONS: Olympic Theatre (Launceston venue)

"THE THEATRE", The Cornwall Chronicle (9 June 1847), 2

http://nla.gov.au/nla.news-article65942460

The amusements at the Olympic tomorrow night, promise to be of more than ordinary attraction. The Drama of the "Snow-storm" in which Mr. Lee's favorite Dogs are to sustain an important part, will of itself be highly interesting, and not the least so, to the youthful portion of the community. The dances and after-piece are also well selected, and will no doubt be ably sustained. On this occasion, the receipts will be for the second benefit of Mr. Kenny, whose merits as a pains-taking performer are well-known. The first "benefit" on last Monday week, turned out to be no benefit at all, as instead of putting anything in his pocket, Kenney had to make a heavy sacrifice, owing to the unfortunate inclemency of the weather . . .

ASSOCIATIONS: John Herman Selwyn Lee (actor)

[Advertisement], The Cornwall Chronicle (26 June 1847), 4

http://nla.gov.au/nla.news-article65942879

THEATRE ROYAL OLYMPIC. POSITIVELY THE LAST NIGHT OF THE SEASON . . .
MONDAY Evening, June 28th . . .
COMIC IRISH SONG, BIDDY'S OPINION OF THE TRANSPORTATION QUESTION - MR. KENNEY . . .

"THE THEATRE", The Cornwall Chronicle (26 February 1848), 3

http://nla.gov.au/nla.news-article65980142

As we predicted, the audience nightly augments at the Olympic . . . We were agreeably entertained with the performances on Wednesday evening . . . the comic song of Mr. Kenny pleased the pittites . . .

"LOCAL", The Cornwall Chronicle (1 July 1848), 3

http://nla.gov.au/nla.news-article65979285

The Amateur Theatricals are not behind hand in spirit and perseverance, as witness the programme for next Monday night, the items in which would be worthy of a regular professional company . . . the drama of the "Miller and his Men," and the comedy of "Charles II" . . . With regard to the scenery in the "Miller and his Men," we believe Mr. Kenney has taken a good deal of trouble to render it suitable to the piece, and creditable to his reputation as an "artiste" . . .

[Advertisement], The Cornwall Chronicle (9 September 1848), 11

http://nla.gov.au/nla.news-article65981418

Launceston Amateur Dramatic Society . . .
beg to state that their Eighteenth performance will take place on
MONDAY, the 11th September, at the Royal Olympic Theatre . . .
Song, "Statty Fair," Mr. Kenney . . .

MUSIC: Statty Fair [The statute fair] ["When we're young we should be gay"] (song, in Catching an heiress)

"BILLY BARLOW CLERK OF THE MARKET", The Cornwall Chronicle (31 March 1849), 477

http://nla.gov.au/nla.news-article65978086

Now listen ye Farmers and Graziers to me,
Attend while I read you the Council's decree;
And likewise ye Hawkers, ye Gardeners al-so,
I'm clerk of the Market, says Billy Barlow.
whiff, woff, puff when I blow,
I'll strut! and I'll bounce! says Billy Barlow . . .

ASSOCIATIONS: ? William Webb (clerk of the market, appointed January 1849); Billy Barlow (song)

MUSIC: Billy Barlow (song)

[Advertisement], Launceston Examiner (14 April 1849), 3

http://nla.gov.au/nla.news-article36257176

Royal Olympic Theatre . . . Monday Evening April 23, 1849 . . .
. . . MR. KENNEY will appear as that eccentric cosmopolic BILLY BARLOW,
in an entirely new character, as CLERK OF A MARKET.
To be followed by two favorite Scenes from the celebrated romance of the CASTLE SPECTRE!
COMIC SONG, My Brogue and my Blarney, BY MR. KENNEY . . .

MUSIC: With my brogue and my blarney and bothering ways (song; tune: Black Jake)

"LOCAL", The Cornwall Chronicle (28 April 1849), 542

http://nla.gov.au/nla.news-article65978096

The Theatre is to be opened once more on Monday night, when Kenney takes a benefit; and as we understand, his losses by recent theatrical speculations are heavy, he seems to have a claim to patronage and support on the occasion, particularly as the pieces selected for that night, promise to afford more than the average quantum of amusement. In addition to the other entertainments (for which we refer to the bills of the night), Mr. Kenney is once more to appear as Billy Barlow, a Clerk of a Market, in which character he elicited very general applause on the last play-night, and it is expected that the hit then made, will attract a numerous audience on Monday.

[Advertisement], The Cornwall Chronicle (4 August 1849), 773

http://nla.gov.au/nla.news-article65976973

RADFORD'S ROYAL AMPHITHEATRE . . .
MONDAY next . . . The entertainments will commence with the melo-drama of JACK SHEPPARD . . .
J. R. KENNEY Manager.

ASSOCIATIONS: Robert Avis Radford (equestrian, circus proprietor)

[Advertisement], The Cornwall Chronicle (29 September 1849), 897

http://nla.gov.au/nla.news-article65974948

RADFORD'S ROYAL AMPHITHEATRE, YORK STREET.
SELECT NIGHT! TUESDAY EVENING, 2nd OCTOBER, 1849.
The entertainments to commence with the drama of JOAN OF ARC; OR THE MAID OF ORLEANS.
In course of the piece, a grand Sword and Shield Combat, by Mr. Kenney and Mrs. Moore . . .
Comic Irish Song, Mr. Kenney . . .
To conclude with the laughable Farce of THE HOLE IN THE WALL . . .
J. R. KENNEY, Manager.

ASSOCIATIONS: Mrs. Moore (Actor)

1849, births in the district of Launceston; Tasmanian names index; NAME_INDEXES:1108308; RGD33/1/23/ no 2518

https://libraries.tas.gov.au/Record/NamesIndex/1108308

https://libraries.tas.gov.au/Digital/RGD33-1-23/RGD33-1-23-P923 (DIGITISED)

No. 2518 / [born] 31 October / James / [son of] James Richard Kenney / Caroline Kenney, formerly Merchant / Stonemason / [signed] Jas. R. Kenney, Elizabeth St. Father / [reg'd] 16 November . . .

[Advertisement], The Cornwall Chronicle (16 January 1850), 38

http://nla.gov.au/nla.news-article65975339

ROYAL OLYMPIC THEATRE. Wednesday, January 16, 1850.
The performance will commence with a Melo-drama, entitled, AMBROSE GWINETT . . .
J. R. Kenney, Manager.

"OLYMPIC THEATRE", The Cornwall Chronicle (1 May 1850), 276

http://nla.gov.au/nla.news-article65975166

Mr. D. Golding's benefit on Monday night was acknowledged by a crowded house. The first piece, Mr. Midshipman Easy was performed throughout with great spirit and fidelity of character, and Mr. Golding's song "Old Dan Tucker" was vociferously called for a second time and when given, loudly applauded. It would be invidious and perhaps difficult, to particularize where all acquitted themselves with merit, but the performance of Mr. Kenny was highly commended . . .

ASSOCIATIONS: Daniel Golding (vocalist)

"THE THEATRE", The Cornwall Chronicle (5 February 1851), 76

http://nla.gov.au/nla.news-article65575250

Mr. Godfrey having taken the Olympic Theatre, has had it completely cleaned and renovated, and engaged a company of theatricals, as we are informed, of considerable talent, amongst which are several old favorites. We trust Mr. Godfrey will be well patronized, as he is determined to maintain a character of respectability for his house. Mr. Kenny is the manager of the theatre . . .

ASSOCIATIONS: Henry Godfrey (1813-1862; publican, proprietor)

[News], The Cornwall Chronicle (3 May 1851), 276

http://nla.gov.au/nla.news-article65574214

The Olympic opened on Thursday evening last with the drama of "Ambrose Gwinnett." Towns, for whose benefit the performance was given, sustained the character of Ambrose in a very able manner, and deserves praise for the exertion he used throughout the piece, considering the limited attendance. It would be injustice to a promising beginner not to notice the very creditable manner to which Mrs. Kenney performed the part of "Lucretia," in the farce; a little more confidence, and a little more instruction, which Kenney is quite capable of imparting, and her ability as an actress will develop itself, and her character as a talented performer become established.

Baptisms solemnized in the parish of St. John's, Launceston, in the county of Cornwall, in the year 1851; Tasmanian names index; NAME_INDEXES:1090765; RGD32/1/3/ no 3919

https://libraries.tas.gov.au/Record/NamesIndex/1090765

https://libraries.tas.gov.au/Digital/RGD32-1-3/RGD32-1-3-P661 (DIGITISED)

No. 1385 / [baptised] 23rd July 1851 / [born] 9th June 1851 / Herbert Richard / James Richard and Caroline / Kenny / Launceston / Stone mason . . .

"Royal Amphitheatre.- New Company", The Cornwall Chronicle (13 September 1851), 580

http://nla.gov.au/nla.news-article65574853

Now that there are rival theatrical corps in the town, the split of emulation will certainly secure for the play-goers entertainments of the most attractive character. A new company make their "bow" at the Amphitheatre on Monday evening next, in the drama of "Myn heer Von Tuffle," and an interlude consisting of horsemanship, posturing, &c., &c. Mr. Kenney's knowledge of stage matters will doubtless be used to advantage in preventing the exertions of the company from corresponding with the title of the farce - which is "A Day too Late."

ASSOCIATIONS: Royal Amphitheatre (Launceston venue)

[Advertisement], The Cornwall Chronicle (15 November 1851), 732

http://nla.gov.au/nla.news-article65573900

ROYAL AMPHITHEATRE. FOR THE BENEFIT OF MRS. FALCHON . . .
Monday Evening, November 17th, 1851 . . .
The whole to conclude with a laughable farce, entitled The Illustrious Stranger! . . .
Benjamin Bowbell - Mr. Kenney, (with all the songs.) . . .
A BALL will take place after the performance.
J. R. Kenney, Manager.

ASSOCIATIONS: Ann Falchon (actor)

PLAY: The illustrious stranger (by James Kenney; music and songs by Isaac Nathan)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (3 December 1851), 2

http://nla.gov.au/nla.news-article173060714

ROYAL AMPHITHEATRE, MURRAY STREET.
Great Attraction and combination-of Talent.
THIS EVENING, DECEMBER 3rd, 1851 . . .
J. R . KENNY, Manager.
VIVAT REGINA.
N.B. - Nights of Performance will be Monday's, Wednesday's, and Friday's.

ASSOCIATIONS: Royal Amphitheatre (Hobart venue)

"AMPHITHEATRE", Hobarton Guardian, or, True Friend of Tasmania (6 December 1851), 3

http://nla.gov.au/nla.news-article173060730

This place of amusement having been recently opened, by persons who have arrived but lately from the neighbouring colonies and Launceston, who are, without a doubt, possessed of TALENT and ABILITY, such has not been seen since the day of Mrs. Clarke and her talented Company . . . The Equestrian company, together with the beautiful stud of horses, are without exception the best that the colonies can afford. On Wednesday Evening a Drama was produced, in such a style that most fastidious persons could not fail in attending, however their inclination should direct them against it. We cannot praise one member of the company above another, for they are well deserving the laurels they labour for, together with the able exertions of Mr. Kenney, who appears to be at the head of the Company.

ASSOCIATIONS: Anne Remens Clarke (theatrical manager, actor)

[Advertisement], The Cornwall Chronicle (28 July 1852), 476

http://nla.gov.au/nla.news-article65578706

ROYAL OLYMPIC THEATRE . . . MONDAY EVENING, 2nd August . . .
The interlude will consist of - Comic Duet, "The Chandler's Shop," Mr. Kenney and Mrs. Moore,
Wreath Dauce, Mrs. Moore.
Comic Irish Song, "Dermot McFig," Mr. Kenney . . .

MUSIC: The chandler's shop ["They call me smirking Bobby"] (song); "Dermott McFigg" = The humors of Donnybrook Fair ["Oh! 'twas Dermot O'Nowlan McFigg"] (song)

[Advertisement], The Cornwall Chronicle (31 July 1852), 483

http://nla.gov.au/nla.news-article65580949

ROYAL OLYMPIC THEATRE . . . MONDAY EVENING, 2nd August . . .
The whole to conclude with the SONG & CHORUS OF RETURNED GOLD DIGGERS.
on which occasion the stage will represent the GOLDEN FIELD.
The song by Mr. Kenney, assisted in chorus by the company . . .

[Advertisement], The Cornwall Chronicle (14 August 1852), 515

http://nla.gov.au/nla.news-article65578407

ROYAL OLYMPIC THEATRE. - MONDAY, August 16th . . .
The interlude will consist of Singing and Dancing -
Comic Duet, Town and Country Life, by Mr. Kenney and Mrs. Moore.
By desire, comic duet, Chandler's Shop, (new verses) by Mr. Kenney and Mrs. Moore.
Comic Dance, Amateur. Dance, Miss Merchant.
The Evening's of Performance will in future be Monday and Wednesday. Several new pieces will speedily be produced.
A grand Masquerade on Friday. A Ball after the performance.
- J. R. KENNEY.

ASSOCIATIONS: Mary Ann Merchant (dancer)

[Advertisement], The Cornwall Chronicle (18 December 1852), 850

http://nla.gov.au/nla.news-article65581217

ROYAL OLYMPIC THEATRE. For the joint Benefit of Mrs. Kenney and Miss Merchant.
OF MONDAY Evening next, the entertainments commence with OBI; OR, THREE-FINGERED JACK.
The Interlude will comprise a variety of Singing and Dancing.
To conclude with a laughable Farce.

[Advertisement], The Cornwall Chronicle (25 February 1854), 7

http://nla.gov.au/nla.news-article65714080

J. R. KENNEY, ORNAMENTAL CARVER & LETTER CUTTER,
ESPLANADE WHARF, (Next to Mr. Ackerman's,)
BEGS most respectfully to acquaint his friends and the public, that he still continues to erect
TOMBS, MONUMENTS, HEADSTONES, &c., &c., on the shortest notice.
N. B.- HEADSTONES, TABLETS, &c., carefully packed and forwarded to any part of this or the neighbouring colonies.
Launceston, Feb. 11.

1854, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1196348; RGD35/1/23 no 1259

https://libraries.tas.gov.au/Record/NamesIndex/1196348

https://libraries.tas.gov.au/Digital/RGD35-1-23/RGD35-1-23P43 (DIGITISED)

No. 1259 / [1854] 8 March / Herbert Richard Kenney / 2 years 9 months / Stonemason's son / Scarlatina / . . .

ASSOCIATIONS: As Caroline Merchant, the boy's mother, sailed from Launceston for Melbourne on 15 April 1854

"THE THEATRE", The People's Advocate or True Friend of Tasmania [Launceston, TAS] (1 November 1855), 3

http://nla.gov.au/nla.news-article232750688

. . . The selection was the first act of "Hamlet" . . . Mr. Kenney, an old and well known stager, appeared the first time for 18 months, as Claudius, the King, and was well received . . .

ASSOCIATIONS: Royal Clarence Theatre (Launceston venue)

"THEATRICALS", The People's Advocate or True Friend of Tasmania (21 July 1856), 3

http://nla.gov.au/nla.news-article232752227

We hear that Mr. J. R. Kenney is about to get up a theatrical entertainment assisted by some able amateurs in Launceston . . .

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (1 October 1859), 5

http://nla.gov.au/nla.news-article65989523

The Theatre Royal is to be opened by Mr. Kenney, on Monday evening, under the patronage of the Independent United Fire Brigade, when a new and very splendid romantic drama, in five acts, entitled "The Sea of Ice, or the Prayer of the Wrecked, and the Gold Seekers of Mexico," will be performed. The scenery and decorations required for the proper production of this splendid drama, are of a peculiarly beautiful description, and have been in preparation by Mr. Kenney for a considerable time past . . .

ASSOCIATIONS: Theatre Royal (Launceston venue)

[Advertisement], The Cornwall Chronicle (28 January 1863), 1

http://nla.gov.au/nla.news-article72193210

J. R. KENNEY, Marble and Stone Mason, York-street, Launceston, (opposite the Temperance Hall.) -
Vaults built, Monuments, Tombs, Head Stones, Tablets, Fonts, Vases,
Pedestals for Busts and Statues, Chimney Pieces, Sills.
Hearths, Steps, and every description of Stone for buildings, on the most reasonable terms,
and in a superior style of workmanship. Every description of building work done.
N.B. - Stone carefully packed for this and the neighbouring colonies.
January 24.

[Advertisement], The Cornwall Chronicle (23 December 1868), 5

http://nla.gov.au/nla.news-article66462747

THE WESTBURY GARRICK CLUB Will open
The Prince of Wales Theatre On MONDAY, January 4th, 1869,
When will be produced the comedy of FATAL CURIOSITY!!
The interlude will consist of Comic Song, Statty Fair - Mr. J. R. Kenny . . .

"THEATRICALS", The Cornwall Chronicle (3 December 1870), 6

http://nla.gov.au/nla.news-article67110279

. . . The Theatre Royal, though the "season" was announced to be over, has continued to "drag its slow length along," the principal business, in the absence of Messrs. Edwards, Reeves, and James, being undertaken by Mr. J. R. Kenny, who displayed a remarkable adaptability to melodramatic performances. It is almost remarkable that his talents should not have received an earlier recognition . . .

"THEATRICAL REMINISCENCES [BY TOUCHSTONE]", The Tasmanian (10 June 1882), 622

http://nla.gov.au/nla.news-article201182261

. . . On Monday, 3rd October, 1859, the Theatre Royal was leased by Mr. Kenny, a local tradesman, who had a strong taste for theatricals (William in "Black-eyed Susan" was one of his favourite characters, but his impersonation was a long way after that of the late T. P. Cooke's) and a strong dramatic company was engaged . . .

1890, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1215863; RGD35/1/59 no 269

https://libraries.tas.gov.au/Record/NamesIndex/1215863

https://libraries.tas.gov.au/Digital/RGD35-1-59/RGD35-1-59P26

No. 269 / 1236 / James Kenny [sic] / 11 August 1890 (died S. Depot) (born Ireland) [sic] / 77 years / Laborer / Senility . . .

KENNY, Mr. (Mr. KENNY) = James Richard KENNEY (above)

Actor, vocalist, theatrical manager, stonemason

Active Launceston and Hobart Town, VDL (TAS), by 1842

KENNY, Francis (Francis KENNY; KENNEY [sic])

Musical amateur, vocalist, church singer

Born Sydney, NSW, c. 1801
Married Mary BYRNE (1805-1848), Airds, NSW, 19 January 1826
Died Brickfield Hill, Sydney, NSW, 14 March 1839

https://trove.nla.gov.au/search?l-publictag=Francis+Kenny+c1801-1839 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENNY-Francis (shareable link to this entry)

Documentation:

Marriages, Catholic, Sydney, 1826; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/32023015401 (PAYWALL)

19 January 1826 / at Airds, NSW / Francis Kenny and Mary Byrne

NSW census, November 1828; State Record Authority of NSW

https://sydlivmus.flowpaper.com/1828CensusGortoLen3of6NRS1272SZ980/#page=457 (DIGITISED)

Kenny Francis / 27 / [Born in the Colony] / Cat. / Farmer, Lake George
Mary / 25 / [Born in the Colony] // James / 25 / [Born in the Colony] // Mary / 2 / [Born in the Colony] //
James / 57 / [Free by Servitude] / [per] Boddington / 7 [years]

[News], The Sydney Herald [NSW] (18 March 1839), 3

http://nla.gov.au/nla.news-article12862672

On Friday, Mr. Francis Kenny, of Appin, a native of the Colony, died suddenly. Mr. Kenny was what is generally called a hard drinker, and a short time before his death, had effected a transfer of the whole of his property, and signed the necessary deeds only the day before his death.

See also "SUPREME COURT - CIVIL SIDE . . . Exparte J. T. Hughes", The Colonist [Sydney, NSW] (19 June 1839), 2

http://nla.gov.au/nla.news-article31723273

[News], The Sydney Monitor and Commercial Advertiser [NSW] (20 March 1839), 2

http://nla.gov.au/nla.news-article32163299

On Saturday last [15 March] . . . an inquest was held on Francis Kenny, at the Shamrock, Campbell street, Brickfield Hill.
Mary Anne Callaghan, landlady of the above Inn, deposed, that the deceased had been staying at her house for three weeks. On Thursday last he went up to the town, and on his return stated to her, he conceive the sun had struck his head. Witness asked the deceased if she should send for a doctor? He said no, but finding him worse in the evening, she sent for Dr. Gillespie. Deceased told her he had had an attack of apoplexy, and said it would take him off some day or other. He continued getting worse, and she sent for Dr. Wallace and a clergyman, but before they arrived, he expired. It was about half-past 10 o'clock yesterday. -
Dr. Gillespie stated, he found deceased labouring under the deceased some time previously under similar symptoms.
Verdict - died from apoplexy.

"THE EARLY STATE OF CATHOLICITY IN THE COLONY . . . ST. MARY'S CATHEDRAL", Freeman's Journal [Sydney, NSW] (2 September 1865), 555

http://nla.gov.au/nla.news-article115451493

Some months since we published a letter from the Goulburn Argus written by Mr. Fitzpatrick, on the early state of Catholicity of the colony, and we have now much pleasure in reprinting a further communication from the same gentleman . . .

SIR, I promised you when concluding my last letter . . . to give you as my leisure served some further of my recollections on the progress of Catholicity in this country, as exemplified by the unremitting efforts made by Father Therry . . . . . . I am led to this train of thought by reading a little work, published in Sydney, bearing the title of "St. Mary's," the writer of which . . . makes several mistakes . . . the writer says that Father O'Flynn left the Blessed Eucharist in the house of a devoted Catholic near the present site of St. Patrick's church. This is another mistake. Father O'Flynn left the Blessed Sacrament, in a pix, at the house of the late Mr. James Dempsey of Kent Street, near to Erskine Street, and next door to the then residence of Mr. Thomas Day, the boat-builder, which is not near St. Patrick's church. When Father O'Flynn came to this country he found, amongst other good and zealous Catholics, the late Mr. James Dempsey, a stonemason by trade, and who, having neither wife nor children in this country, was enabled to devote the better part of his time to works of charity and religious exercises . . . [when O'Flynn was forced to leave Sydney he] left the Blessed Sacrament in a pix with Mr. Dempsey, who consecrated the best room in his house for the safe-keeping . . . . . . This room was converted into a little chapel, and it was no unusual thing on a Sunday, when Catholics could assemble to join in the prayers at Mass which were being read in that room, to see many of them kneeling under the verandah, aye even in the street . . . Catholics still continued to meet at Mr. Dempsey's until the arrival of Father Conolly and Father Therry . . . Among the many who came from distant parts in those days, there was one who I particularly remember, on account of his not only being a very fine man but also a very fine singer: we used to sing all the vespers in those days as they did in St. Mary's lately; his name was Francis Kenny, and he was afterwards a very wealthy man in this district, and was the father of the present Kennys, of Kenny's Point. With him there used to come an old French gentleman we used to call Louis, but I forget his name now; but he was of great service to the Catholics . . .

ASSOCIATIONS: Columbus Fitzpatrick (memoirist); Jeremiah Francis O'Flynn (cleric); Music in Catholic congregations (general)

Bibliography and resources:

Francis Kenny, Find a grave

https://www.findagrave.com/memorial/174873154/francis-kenny

KENT, Benjamin Archer (Benjamin Archer KENT; B. A. KENT; Dr. KENT)

Musical amateur, amateur musician, flautist, flute player, vocalist, glee singer, foundation member and president Adelaide Choral Society, medical practitioner

Born Abingdon, Berkshire, England, c. (? 21 May) 1808; son of Benjamin KENT and Mary BROWN
Married [1] Margery Redman BONAR (d. 1859), St. Cuthbert's church, Edinburgh, Scotland, 11 May 1831
Arrived Adelaide, SA, 17 April 1840 (per Warrior from London, 17 November 1839, via Plymouth)
Departed Adelaide, SA, 23 December 1854 (per Antelope, for England)
Married Josephine Mary NEWMAN, St, Marylebone, London, England, 1 February 1860
Died Ryde, Hampshire, England, 25 November 1864, aged "56"

https://trove.nla.gov.au/search?l-publictag=Benjamin+Archer+Kent+d1864 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENT-Benjamin-Archer (shareable link to this entry)

Benjamin Archer Kent (State Library of South Australia)

https://trove.nla.gov.au/work/258721097

https://collections.slsa.sa.gov.au/resource/B+7556 (DIGITISED)

Documentation:

Marriages, St. Cuthbert's, Edinburgh, 1831; Scotland, select marriages

https://www.ancestry.com.au/search/collections/60144/records/3961713 (PAYWALL)

11 May 1831 / Benjamin Archer Kent /
Margery Redman Bonar / daughter of William Bonar

"PORT ADELAIDE SHIPPING. ARRIVED", South Australian Register [Adelaide, SA] (25 April 1840), 4

http://nla.gov.au/nla.news-article27441357

April 17 - The ship Warrior, 478 tons, Beckett, commander, from London and Plymouth, having left the former place on the 16th, and the latter on the 27th November, with a general cargo. Passengers - Dr. Kent, surgeon-superintendent, lady and two children; Mr. J. Bonnar . . .

"AMATEUR CONCERT", South Australian Register (25 June 1842), 2

http://nla.gov.au/nla.news-article27443437

The Amateur Concert, for the benefit of the Adelaide Infant School (not the Trinity Church Sunday School as erroneously stated in our last), took place on Tuesday evening. The room was crowded by a highly respectable assembly, and the whole concert "went off" most creditably for a first attempt. The overtures to Zampa and Fra Diavolo, in particular, were played with much spirit. Some disappointment, as well as considerable disadvantage to the vocal harmony, accrued from the desertion of the ladies who had promised their valuable assistance on the occasion. Notwithstanding their defection, however, the fine glees "Hark the Lark," "Bragela," and "Here in-coot grot," were sung with great sweetness. Dr. Kent and Dr. Knott were both most successful in their solos, and applauded to the "very echo." Among the amateurs, to whom the orchestral effect was principally owing, we may mention Mr. F. S. Dutton, who presided at the piano forte, Mr. Newland, Mr. McGill (96th Regt.), Mr. Wyatt, Dr. Kent, and Mr. Barnard. Messrs. Bennett, Poole, and Ewens also contributed their valuable assistance on the occasion; Mr. Charles Campbell good-naturedly complied with a request made to him in the room, and sung an Irish song in a style which reminded us of poor Jack Johnstone. The whole concert, in short, spoke highly of the musical talent of Adelaide, and is calculated, we hope, to lead to many similar agreeable entertainments. The proceeds to the benefit of the Infants' Schools amounted, we believe, to about twenty-five pounds.

ASSOCIATIONS: John Knott (amateur); Francis Stacker Dutton (amateur); Richard Francis Newland (amateur); John Napier Magill (amateur); William Wyatt (amateur); George Bennett (musician); Mr. Poole (musician); William Ewens (amateur)

[Advertisement], South Australian (7 November 1843), 3

http://nla.gov.au/nla.news-article71618376

THE AMATEUR CONCERT, FOR the liquidation of the debt incurred on Trinity Church School,
will take place in Messrs. Lambert and Son's new Auction Room,
THIS EVENING, at seven o'clock, P.M.
PROGRAMME. PART 1. Overture - "Masaniello" - Auber
Glee - "The Red Cross Knight" - Calcott
Song - "The Flag that Brav'd" - Nelson
Duet - "Borne in yon Blaze" - Dr. Clarke
Duet (flutes) - "Di tanti Palpiti" - Rossini
Glee - The Curfew" - Bishop
Duet - "Flow gently, Deva" - Bishop
Overture - "Tancredi" - Rossini
PART 2.
Overture - "La Cenerentola" - Rossini
Glee - "Hunting Glee" - Wade
Song - "Zephyr among the Flowers" - Bennett
Duet - "Now at Moonlight's fairy hour" - Thompson
Concerto - "Pianoforte" - Herz
Glee - "The Chough and Crow" - Bishop
Overture - "L'Italiana" - Rossini
Finale - "God save the Queen" . . .

"AMATEUR CONCERT", South Australian Register (11 November 1843), 3

http://nla.gov.au/nla.news-article27445887

On Tuesday a vocal and instrumental concert, of which we had a short notice in our last, was given by several amateurs in Messrs. Lambert's new auction-rooms. The doors were opened at half-past seven, and nearly the whole of the seats were occupied by eight o'clock, at which time his Excellency the Governor and Mrs. Grey arrived. They were received with every demonstration of respect, and the concert almost immediately commenced with Auber's Overture to Masanielo. Mr. Bennett took the pianoforte, Dr. Kent, Dr. Wyatt, and Lieut. Magill had their flutes, and Mr. Poole his bass-viol. The music of this piece is too well known to require comment, and, if we may judge from the applause of the audience, the performers did it full justice.

Dr. Calcott's beautiful glee, "The Red Cross Knight," followed, by Drs. Kent and Wyatt, and Messrs. Ewens and Howard [sic], accompanied on the pianoforte by Mr. Bennett. In our very humble opinion, the effect was rather injured by its being sung too fast: it had the appearance of being hurried over, and many of the best points were lost. Still, this is a matter of taste, and probably ours may be peculiar. Dr. Knott next sang "The flaunting Flag of Liberty" with his usual good taste and gentlemanly manner.

A Lady, who has sometimes before delighted us in public, and often in private, then sang, as a duet, with Dr Kent, "Borne on yon blaze of orient sky" - a very pretty piece - in which she also played the pianoforte accompaniment.

A duet on flutes by Drs. Wyatt and Kent followed, ("Di tanti palpiti") and, another glee and a duet, the first part closed with the Overture to Tancredi, in which Mr. Bennett's violin was added to the instruments before used, the lady playing the pianoforte.

Not to be tedious, we will only say that, in the second part, several very pretty pieces, mostly of a light kind, were introduced. In one Dr. Kent threw in a dash of variety by accompanying himself on the guitar.

A concerto on the pianoforte by the lady was received with much applause.

The beautiful glee, "The Chough and Crow," was given in excellent style, followed by a duet on the pianoforte, and the concert concluded with the National Anthem by the lady before alluded to, and Drs. Wyatt and Kent.

An entertainment of this kind is rather a novelty here, and we were much gratified to see that it could be so well done, and that it was so well supported. The most distinguished persons in the Colony were present, and the room presented a very pretty appearance from the taste and elegance of the ladies' dresses, not to mention their own beauty, which is proverbial. An air of cheerfulness seemed to pervade every one. He whom we are bound to deem the most august personage in our community, threw aside his dignity, and was only the courteous and gentlemanly young man. The gravest here (by virtue of his office) looked as if he had never tried a culprit in his life - all bows and smiles - gracefully handing one lady to a seat - politely yielding his own to another - and making the amiable to all. Even the most devout looked down with a smile on human weakness, and condescended not only to seem, but evidently to be pleased. A small detachment of the bravest, too, acknowledged the force of music and of beauty, and, throwing aside their swords, had but little of the Achilles about them. In short, such a collection of happy faces we seldom see. It was truly a gay scene, and we trust such amusements may be more common in future. They are harmless, exhilirating, and improving. The trifle expended by each is little felt - but the amount collected will be of great service to the charity. In this instance pleasure has been blended with a really useful object. We should suppose about two hundred persons were present. The room was well lighted, and all the arrangements were good. The concert was finished before eleven, but we understand that a large party remained to supper, which was furnished in another room under the superintendence of Mr. Henry.

ASSOCIATIONS: George and Eliza Grey (governor and wife); Thomas Harward (vocalist, "Howard"); Georgiana Murray ("a lady playing the pianoforte")

"IMPROMPTU", South Australian Register (15 November 1843), 2

http://nla.gov.au/nla.news-article27445921

On hearing it observed that there were so few singers at the Amateur Concert.

You cannot in fairness complain of the numbers -
I saw a good Knott, or my memory slumbers;
And to swell out the chorus that evening were lent
The science, the taste, and the voice of all Kent.

O. P. Q.

[Advertisement], Adelaide Times (4 December 1848), 3

http://nla.gov.au/nla.news-article206980053

NOTICE. ADELAIDE CHORAL SOCIETY.
THE First Annual Meeting of the above Society, will be held on
Monday evening the 4th December, at the Concert Room, Freemasons' Tavern,
when the Subscribers are requested to attend, as the Report and Accounts for the past year will be submitted,
The Chair to be taken at half-past 7 o'clock precisely.
B. A. Kent, Esq., M.D., President.
JOHN W. F. DALTON, Honorary Secretary.
Adelaide, November 30, 1848.

ASSOCIATIONS: John Walter Frederick Dalton (secretary); Adelaide Choral Society (association)

"THE CHORAL SOCIETY", Adelaide Times (22 August 1853), 2

http://nla.gov.au/nla.news-article207120285

On Friday evening the members of this Society met at the Freemasons' Tavern, when arrangements were made for the re-establishment of their periodical meetings for practice and other business. Dr. Kent was in the chair, and promised to use his best endeavours to forward the interests of the Society. Mr. George Stevenson presented a number of works of interest to the Society, and also furnished a valuable collection of music. In fact, the members present appeared to take such interest in the proceedings, that we shall, no doubt, ere long have the Choral Society established on a firmer footing than ever.

ASSOCIATIONS: George Stevenson (donor)

"MISS CATHERINE HAYES'S CONCERT", South Australian Register (30 November 1854), 3

http://nla.gov.au/nla.news-article49198887

Miss Hayes gave a last, a first, and only concert in Adelaide on Tuesday morning last. She was en route to India by the P. and O. Company's steamer Norna, so that we had scarcely time to gaze upon the bird of song, and to be enraptured by her thrilling notes, before the parting wing was wafted over us. For the treat afforded by the transient visit of Miss Hayes we are chiefly in indebted to the enterprise and energy of Dr. Kent, who had met that lady in the other colonies during his recent tour, and induced her to promise, if possible, to appear before a South Australian audience . . .

ASSOCIATIONS: Catherine Hayes (vocalist)

[Advertisement], South Australian Register (15 December 1854), 4

http://nla.gov.au/nla.news-article49197699

THIS DAY (Friday), December 15, At 3 o'clock in the Afternoon.
SAMSON, WICKSTEED, & CO. are instructed by Dr. Kent, to sell, in the Hall of the Exchange -
His MEDICAL LIBRARY and Works of General Literature and Philosophy.
Surgical and Philosophical Instruments and Apparatus.
ALSO, A large collection of Music for one, two, three, and four, Flutes, Guitar, Concertina, Pianoforte;
Songs, Glees, and Madrigals, and Sacred Music. Catalogues of which will be published . . .

"PRESIDENT OF THE CHORAL SOCIETY", Adelaide Observer (23 December 1854), 12

http://nla.gov.au/nla.news-article158100401

Dr. Kent has addressed a letter to the Committee, in which, after acknowledging the honour conferred upon him by the Society for so many successive years to the presidential chair, intimates his intention to visit Europe. In addition to his annual subscription of £5 5s., Dr. Kent transmitted a similar sum as a donation - The acknowledgments of the Committee have been communicated to Dr. Kent in very gratifying terms.

England census, 1861, Newchurch, Ryde, Hampshire; UK National Archives, RG9/658/11/17

https://www.ancestry.com.au/search/collections/8767/records/7947882 (PAYWALL)

Somerset House, Dover St. / Benjamin Archer Kent / Head / Mar. / 51 [sic] / M.R.C.P. London Not Practising / [born] Berkshire Abingdon
Josephine Kent / Wife / Mar. / 24 . . .

"DIED", The South Australian Advertiser [Adelaide, SA] (18 January 1865), 2

http://nla.gov.au/nla.news-article31845653

KENT. - On the 25th of November, 1864, at Dover-street, London [sic, Ryde], Benjamin Archer Kent, M.D., late of this city.

Bibliography and resources:

Gwen Wilson, "Benjamin Archer Kent: a South Australian pioneer", Anaesthesia and intensive care 15/4 (November 1987), 451-58

https://trove.nla.gov.au/work/39145221

https://journals.sagepub.com/doi/pdf/10.1177/0310057X8701500417

Peter H. Schurr, Benjamin's son: Benjamin Archer Kent M.D. (1808-1864) (London: Royal Society of Medicine Services, 1991)

https://trove.nla.gov.au/work/34445513

KENT, Ellen (Ellen KENT; Miss Ellen KENT; Miss KENT)

Musician, vocalist, music teacher

Arrived Hobart, TAS, 9 September 1859 (per Oriental, from London, 21 May, aged "31")
Active Hobart, TAS, until April 1860

https://trove.nla.gov.au/search?l-publictag=Ellen+Kent+c1859-60 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENT-Ellen (shareable link to this entry)

IDENTIFICATION: Ellen Kent cannot be identified with certainty, beyond her given age of 31 in 1859 and birthplace of London, and her advertised claim to have been a prize pupil of John Hullah. She was perhaps Ellen Kent, daughter of Samuel Kent of Suffolk, aged 37, who married John Turner, aged 53 (d. 1889) at St. George's, Battery Point, on 2 December 1862, and who died at Hobart on 3 September 1894, aged 69.

https://trove.nla.gov.au/search?l-publictag=Ellen+Kent+Turner+c1825-1894 (TROVE tagged by Australharmony)

Documentation:

Descriptive list of immigrants per Oriental, sailed from London 21 May 1859, arrived Hobart Town, 9 September 1859; Tasmanian names index; NAME_INDEXES:445171; CB7/12/1/9 p106

https://libraries.tas.gov.au/Record/NamesIndex/445171

https://stors.tas.gov.au/CB7-12-1-9$init=CB7-12-1-9P071 (DIGITISED)

. . . 23 / Kent Ellen / 31 / [native] London / Music Teacher . . .

[Advertisement], The Hobart Town Daily Mercury [TAS] (7 December 1859), 1

http://nla.gov.au/nla.news-article3259609

Classes for Vocal Music, upon Hullah's Method. -
MISS ELLEN KENT, 1st of Mr. Hullah's, Upper School, will open
CLASSES for instruction in VOCAL MUSIC on that Method, in the second week in January, or as soon as a sufficient number of names are enrolled.
The Mechanics' Institute has been kindly placed at Miss Kent's disposal for the above purpose.
TERMS AS FOLLOWS: For the Course of Sixty Lessons, Two Guineas, One half payable at entrance, the other at the end of thirty lessons.
For Members of the Mechanics' Institute and their Families, 12s. One half payable at entrance as above.
The first Class, for Ladies only, will assemble for Practice every Tuesday and Friday afternoon from 3 to 4 o'clock.
The first Class for Gentlemen on the same time from 8 to 9 o'clock.
A Class for Children will be held on Wednesday and Saturday afternoons from 3 to 4 o'clock.
Miss Kent's terms for private instruction are as follows:
Singing per Quarter, Four Guineas.
Piano, Three Guineas.
Further particulars may be obtained at Miss Kent's residence, 35 Collins-street, Hobart Town.

ASSOCIATIONS: John Hullah (London singing master)

[Advertisement], The Hobart Town Daily Mercury (11 February 1860), 3

http://nla.gov.au/nla.news-article19471434

LAST CONCERT GIVEN BY MR. T. H. BROOKS, THE CELEBRATED HARPIST,
AND HERR W. CARL SCHMITT, THE GREAT BAVARIAN VIOLINIST,
With the valuable assistance of MISS ELLEN KENT, MISS ROSINA CARANDINI, AND MR. BUDDEE.
MONDAY, 13TH INSTANT, AT THE ALLIANCE ROOMS.
PROGRAMME. - PART I . . . Song - The Violet, (Mendelssohn), Miss Kent . . .
PART II . . . Song - Come when the Moon is Breaking [sic], (Lindley [sic, ? Linley]), Miss Kent . . .

ASSOCIATIONS: Thomas Henry Brooks (harpist); Carl Schmitt (violinist); Julius Buddee (pianist); Rosina Carandini (vocalist)

MUSIC: The first violet (Das erste Veilchen) (Mendelssohn); ? Come with me, the moon is beaming (Italian melody)

"THE MONTH . . . PUBLIC AMUSEMENTS", The Hobart Town Daily Mercury (14 February 1860), 3

http://nla.gov.au/nla.news-article19470607

In addition to the Oratorio already alluded to our citizens have been treated to two concerts given at the Temperance Alliance Rooms by Mr. T. H. Brookes, "the celebrated harpist," and Herr W. Carl Schmitt, "the great Bavarian Violinist," assisted by Misses Ellen Kent and Rosina Carandini, as vocalists, and Mr. Buddee, as pianist. The music selected for performance was admirably calculated to exhibit the great musical abilities of the artistes, whose style of playing, especially that of Mr. Brooks, elicited deserved applause.

[Advertisement], The Hobart Town Daily Mercury (12 March 1860), 4

http://nla.gov.au/nla.news-article19468239

Hobart Town Mechanics' Institute . . .
PROPOSED COURSE OF LECTURES . . .
The Committee also propose to open the following Evening Casses, provided sufficient encouragement is given for their formation: -
8. Vocal Music, to be conducted by Miss Kent . . .

[Advertisement], The Hobart Town Daily Mercury (18 April 1860), 4

http://nla.gov.au/nla.news-article19469511

VOCAL MUSIC.
MISS ELLEN KENT will open an Elementary Class for instruction in singing on Hullah's method
at the Mechanics' Institute, on Wednesday afternoon the 25th inst. at 3 p.m. . . .
- 35 COLLINS-STREET.

KENT, Harry Chambers (Harry Chambers KENT; Harry C. KENT; H. C. KENT)

Musician, organist, architect

Born Barnstaple, Devon, England, 1853 (3rd quarter); son of Samuel Chambers KENT (1826-1911) and Emily DEACON (1825-1868)
Arrived Sydney, NSW, 26 February 1855 (per Pacific, with parents, from Plymouth, 24 November 1854)
Died Sydney, NSW, 9 August 1938, aged "85/86"

https://trove.nla.gov.au/search?l-publictag=Harry+Chambers+Kent+1853-1938 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENT-Harry-C (shareable link to this entry)

Documentation:

"Shipping Intelligence", The People's Advocate and New South Wales Vindicator (3 March 1855), 2

http://nla.gov.au/nla.news-article251547900

February 26. - Pacific (s.), 985 tons, Thompson, from Plymouth November 24, St. Vincent December 8, St. Helena December 21, Cape of Good Hope January 12, King George's Sound February 16, and Melbourne February 24. Passengers: From Plymouth - Mr. and Mrs. A. Fairfax and servant, Mr. and Mrs. Ray, five children and servant. Mr. and Mrs. Wright and servant, Rev. S. C. Kent, Mrs. Kent and two children . . . Messrs. . . . Houlding . . .

"MEMORIES OF SYDNEY. TO THE EDITOR OF . . .", The Sydney Morning Herald (20 July 1918), 9

http://nla.gov.au/nla.news-article15794425

SIR - As one of suppose very few surviving passengers who arrived in Sydney by the steamer Pacific at the beginning of 1855, may I be allowed to say a few words . . . As I only learnt to walk on board, I, of course, do not remember anything personally of that voyage, but I so often afterwards heard of it, not only from my parents, and from the late Mr. Alfred Fairfas - who was a fellow passenger, and part owner, and who, if I remember rightly, had gone home for the special purpose of overseeing her first voyage - but perhaps, most circumstantially from my father's very dear friend, the late Mr. J. R. Houlding ("Old Boomerang"), who was also a passenger, and who in one of his books (Christopher Cockle) reproduced a fairly full description of the voyage . . .
She had on that voyage about 70 first-class passengers, among whom were the celebrated actor, G. V. Brooke . . . Miss Fanny Cathcart, his leading lady professional, afterwards known as Mrs. Robert Heir and Mrs. George Darrell, also the well known actor, Wilton, and in addition to their troupe the great ventriloquist and conjuror, Jacobs, who, as told by Mr. Houlding a book, created by his ventriloquism, some amusing situations on board . . .
I am, etc., HARRY C. KENT. July 15.

ASSOCIATIONS: Alfred Fairfax (passenger); John Richard Houlding (passenger); Gustavus Vaughan Brooke (actor); Fanny Cathcart (actor); John Hall Wilton (actor, agent); Joseph Jacobs (magician); Brooke and his party had disembarked at Melbourne

"OLD TIMES. MEMORIES OF NEWTOWN. WONDERFUL CHANGES", The Sydney Morning Herald (20 July 1926), 14

http://nla.gov.au/nla.news-article16307086

. . . The recollections of Mr. Harry C. Kent, the well-known city architect, who has been in practice for more than 44 years and whose memories of Newtown go back to the middle 'Fifties, are interesting. Mr. Kent arrived in Sydney as a child with his parents in January, 1855, his father being the Rev. S. C. Kent, who in his day was a very honoured minister of the Congregational denomination. On their landing in Sydney the family were the guests of Mr. and Mrs. Ambrose Foss at Richmond-terrace, in the Domain . . .

. . . FIFTY YEARS AN ORGANIST.

Mr. Kent, though now 73 years of age, is a marvel of mental and physical activity. He has been a church organist for more than 50 years, and takes the keenest interest in church work and in various philanthropic movements. He is the sole survivor of the large party of passengers who arrived in Sydney by the Pacific in January, 1855. She was the first ocean-going steamer to have feathering floats to her paddles, and was considered a palatial liner. The other passengers included Mr. Alfred Fairfax, who was returning from a visit to England; Mr. and Mrs. Wright, who built Drummoyne House, Mr. and Mrs. Rae, Mr. G. V. Brooke, the distinguished Shakespearean actor; Mr. J. R. Houlding ("Old Boomerang" fame). Mr. George Wilkie, Professor Jacobs, a celebrated ventriloquist; and Miss Fanny Cathcart (afterwards Mrs. George Darrell and Mrs. Robert Heir).

"DEATH OF MR. H. C. KENT", The Sydney Morning Herald (11 August 1938), 13

http://nla.gov.au/nla.news-article17476822

Bibliography and resources:

Graeme Rushworth, Historic organs of New South Wales (Sydney: Hale & Iremonger, 1988), 96, 251, 273, 276, 284, 292, 294

https://trove.nla.gov.au/work/16876593

KENTISH, Nathaniel Lipscomb (Nathaniel Lipscomb KENTISH; N. L KENTISH; Mr. KENTISH)

Musical amateur, songwriter, vocalist, poet, author, surveyor, explorer, controversialist, litigant

Born Winchester, England, 1798; baptised St. Maurice, Winchester, Hampshire, England, 7 May 1798; son of Nathaniel KENTISH and Elizabeth LIPSCOMB
Married Anna Maria JUDD, St. Lawrence, Winchester, Hampshire, England, 7 February 1826
Arrived Sydney, NSW, 30 March 1830 (per Dunvegan Castle, from London, via Hobart Town)
Died Ashfield, NSW, 11 October 1867, aged "69/70"

https://trove.nla.gov.au/search?l-publictag=Nathaniel+Lipscomb+Kentish (TROVE tagged by Australharmony and others)

http://nla.gov.au/nla.party-627524 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENTISH-Nathaniel-Lipscomb (shareable link to this entry)

Documentation:

Baptisms, St. Maurice, Winchester, 1798; Hampshire baptisms

https://www.findmypast.com.au/transcript?id=GBPRS/B/800436069/1 (PAYWALL)

7 May 1798 / Nathaniel Lipscomb son of / Nathaniel Kentish

ASSOCIATIONS: Nathaniel Kentish (1746-1801), surgeon, and Elizabeth Lipscomb (? d. 1799) had married at St. Thomas, Winchester, on 20 February 1783

Marriages, St. Lawrence, Winchester, 1826; Hampshire marriages

https://www.findmypast.com.au/transcript?id=GBPRS/M/810146998/1 (PAYWALL)

7 February 1826 / Nathaniel Lipscomb Kentish / Anne Maria Judd

"SHIPPING . . . ARRIVED", The Australian [Sydney, NSW] (2 April 1830), 2

http://nla.gov.au/nla.news-article36866053

The Dunvegan Castle, which arrived on Tuesday, has brought up 175 male prisoners. Surgeon Superintendent, Dr. Dunn, R. N. . . .
Passengers: Mrs. Grey and child, Mr. N. L. Kentish, Mrs. Kentish . . . and Mr. Mortimer Lewis, of the Surveyor's Department.

"DEATHS", Empire [Sydney, NSW] (14 October 1867), 1

http://nla.gov.au/nla.news-article60845906

On the 11th instant, at Ashfield, in the 70th year of his age, Nathaniel Lipscomb Kentish, ESQ., an old and respected colonist.

Songs and lyrics:

The bush in South Australia (including Bush opera, "First Australian opera") (Yankalilla, SA, c. 1840)

The bush in South Australia: a poem in six cantos ["of which the 3rd Canto includes a Colonial Opera containing 13 Songs and a Glee"] ([? Adelaide: Author, 1841 or later])

https://trove.nla.gov.au/work/7280196

https://libraries.tas.gov.au/Record/Library/SD_ILS-572504

[Advertisement], Southern Australian [Adelaide, SA] (10 September 1841), 2

http://nla.gov.au/nla.news-article71615305

South Australia, in 1841. IN TWO VOLUMES:
THE First consisting of a Poem in five (or more) Cantos, entitled
"THE BUSH in South Australia by [manicule] in the Bush"
of which the 3rd Canto includes a Colonial Opera containing 13 Songs and a Glee.
The Second Vol. will consist of a description of the Province, touching chiefly on its Political Economy, but commenting freely on Public Measures and on Public PERSONS, as well as on "THINGS in general."
Price to Subscribers 10s., payable by one shilling on delivery of each part.
The first two Cantos will soon be ready for delivery by the Publisher, Southern Australian Office, Rundle Street, where and at Mr. Platt's library, the names of Subscribers will be received; a list of which will be prefixed to the work.
* * * The Author having been effectually, though most unwarrantably dragged from his incognito by the Register, is superior to the affectation of suppressing his name, which might be thought to savour of pusillanimity.
- NAT. LIPSCOMB KENTISH.

See also [Advertisement], The South Australian magazine (September 1841), 2

https://nla.gov.au/nla.obj-1971536060/view?partId=nla.obj-1971574093#page/n1/mode/1up (DIGITISED)

"BEGGING LETTER WRITER", The Cornwall Chronicle [Launceston, VDL (TAS)] (23 June 1847), 2

http://nla.gov.au/nla.news-article65942926

WE are bound in courtesy to acknowledge the receipt of a printed paper bearing the name of the notorious Nathaniel Lipscombe Kentish; it is characteristic of the person, and is the first thing of the sort we have known got up in this colony: it is not unlike the effusions of the notorious "Joseph Ady" - a promise to impart information to the advantage of the party addressed, on receiving "a letter of acknowledgment enclosing one pound;" but Nathaniel is rather more extravagant in his demand for remuneration, and does not pretend to benefit by money advantages; his advantage consisting in the promise of publishing at his convenience, "if enabled to do so without loss" - sundry of his brainless effusions. The remittance demanded is £1 10s., and the advantage promised, seven works in perspective. The following is a fair specimen of the whole:--

THE TASMANIAN BOY'S BOOK; a small 12 mo., containing a Colonial Opera, being the Third Canto of the "Bush" Poem, &c.
This Little Song Book, it is hoped, may be an acceptable Present to the youthful "Sons of the Soil,"
to whose Parents it is commended at 2s. each; but will be presented by the Author's little Son,
to every boy who may claim fellowship with him, at Mr. Bonwick's School, Hobart;
at the College, Bishopsbourne; or at the Church Grammar School, Launceston;
and of course to each fair Currency Lass, who may assert her claim on the contract with the Author's young friends -
the Colonial Youth - that they shall well perform the "toorie loorie."
[There will also be a condition prefixed, by which any Native-born Tasmanian or Australian may become entitled to a copy of the Boy's own Book,
on demanding the same of the Author, as a "REWARD OF MERIT and of memory."]

The close of the person's begging letter is worth reading - though not worth the space it occupies in our columns: . . .

ASSOCIATIONS: James Bonwick (schoolmaster)

"CONFLAGRATION. SUFFERERS' RELIEF. To the Editor of . . .", The Argus (22 February 1851), 2

http://nla.gov.au/nla.news-article4776325

Sir, - Whilst admiring the noble example set to their fellow colonists by Ed. Willis, Esq. and a few compatriots, who so promptly afforded practical active assistance to the sufferers by fire at the Barrabool Hills, and glad to find that there is not an utter want of sympathy towards the bereaved and "entirely ruined" settlers who have been burnt out of house and home . . . Sir, I propose that all stockholders in the colony, except the incurably selfish, and the miserably mean, should transmit to the relief Committee . . . a contribution of one penny for each horse - one half-penny for each head of cattle, and one half farthing for each sheep and lamb in his possession. This, will afford real relief to the unfortunate gentlemen and others, who have sustained heavy losses by the late calamity, and this mode will distribute the not heavy burthen, as it ought to be distributed somewhat equally . . .

Should I by the employment of my tongue or of my pen, be instrumental towards the attainment of the great object, which in common with the Argus I have ardently in view, I shall the less regret the absence of California metal from my purse: but having intimated my hope to contribute - though indirectly - as largely to the fund, in any one of my fellow citizens present at the meeting yesterday; I would be permitted to explain the mode in which I propose to do, and hope to be supported in doing so. For such a purpose, almost any amateur play would be sure to be well supported. I therefore venture to solicit the support of young men of parts, and especially of vocal talent, to assist me to bring out a Bush Opera, which I was guilty of perpetrating in "the bush, of South Australia," ten or eleven years ago; and which (owing to the entire publication - 1000 copies, having been burnt in the fire of the bookbinders house, Mr. Rolwigan's in Hobart Town,) has lain dormant ever since. However, humble its merits, it will at least be a novelty, and it comprises, with some humour it is hoped, 15 or 16 songs and a glee. Many of the songs are written to standard airs, and the others will be forthwith set to music by a talented professor of harmony.
I remain Sir,
Yours and my "Gentle Public's"
Faithful and obedient servant,
N. L. KENTISH.
102, King-st., February 19, 1851.

ASSOCIATIONS: George Rolwegan (printer); the fire in Rolwegan's Hobart premises was in August 1844; Black Thursday bushfires (event, VIC, 6 February 1851)

See also, "RATHER GOOD", South Australian Gazette and Mining Journal [Adelaide, SA] (12 April 1851), 3

http://nla.gov.au/nla.news-article195942109

Some old colonists may remember that Mr. N. L KENTISH, once published a pamphlet filled with doggrel verse on some subject, we forget what, the profits of which were benevolently to be applied towards the relief of the poverty-stricken inhabitants of South Australia. What the sum received amounted to we never heard. Mr. Kentish has a scheme of a similar sort on the tapis. Some considerable damage has been done, it seems, by bush fires in the Melbourne district, and Mr. Kentish having written a Bush OPERA! (the libretto we suppose) offers it in aid of the funds to be collected in alleviation of the distresses of the sufferers, thinking that for such a purpose any amateur play would be sure to be well supported. Mr. Kentish's proposition in his own words is: - "I venture, therefore, to solicit . . . [as above]

"CONFLAGRATION SUFFERERS RELIEF. To the Editors and Proprietors of the . . .", Port Phillip Gazette [Melbourne, VIC] (1 March 1851), 4

http://nla.gov.au/nla.news-article224813216

GENTLEMEN . . . I shall now, (that it as soon as I shall have had the pleasure to witness the signatures of not less than one thousand of my fellow-colonist, in the cause of humanity and of sound statesman-like policy) leave the document to the voluntary support of Victorians who approve its prayer; and for myself, intreating only to be supported in my "Bush Opera," as soon as prepared by Mr. Megson, in aid of the relief fund for the sufferers.
I remain, Gentlemen,
Your humble and obedient aervant,
N. L. KENTISH.
156, Burke-street, West,
February 25, 1851.

[Advertisement], The Argus (17 March 1851), 3

http://nla.gov.au/nla.news-article255610568

FIRST AUSTRALIAN OPERA.
MR. MEGSON HAVING in preparation, (with the kind and valuable assistance of Mr. and Mrs. Young, of the Victoria Theatre,) a highly interesting
BUSH OPERA, from the pen of N. L. Kentish, Esq, they on behalf of the Sufferers by the
BUSH FIRES, respectfully invite the co-operation of both ladies and gentlemen of vocal or histrionic talent to carry out the author's design of
An Amateur Opera.
Several excellent vocalists have already signified their readiness to aid in this object so worthy of the generous and humane fellow-colonists of the bereaved and ruined sufferers; but as the piece contains not less than 16 or 17 songs, volunteers will be thankfully enrolled at the Theatre; also by the author, 156, Bourke-street, West; or by the Composer, 148, Little Flinders-street, East.
Many of the songs are written to old and favorite standard tunes; others, which are being set to music by the undersigned, will be completed in a few more days. It is desirable, therefore, to arrange the characters as soon as possible that the amateurs may have time to study and become perfect in their parts by the 29th instant, on which evening it is hoped to amuse and gratify a large Melbourne audience with a
NEW AND POPULAR OPERA,
literally from
"THE BUSH OF AUSTRALIA,"
being the first Opera written, set to music, and performed in the Colonies.
JOSH. MEGSON,
Professor of Music.
148, Little Flinders, street, East.

ASSOCIATIONS: Joseph Megson (composer); Charles and Jane Young (actors, vocalists, managers); Queen's Theatre (Melbourne)

Emigration (ballad, composed and sung in South Australia) (c. 1840)

Work in the bush, thoughts in the bush, and life in the bush, of Van Diemen's Land, with their results by N. L. Kentish (Hobart Town: George Rolwegan, 1846), 32-35

https://collection.sl.nsw.gov.au/record/74VvgkygjkE3/rxbmZL8O804Ld (DIGITISED)

The following is the ballad alluded to in p. 33, composed and sung in South Australia, by a young West Country Immigrant; it is thought from Zomersetzhire: -

If now good Volks, you'd like to hear,
What I knows 'bout the Nation;
I've much to tell wot's wery queer
About the Population.
Zo Ma'ams and Zurs, if you will heark
- en unto my Oration,
I'll tell you all the ins and outs
Of HIM and HEM-MIGRATION.
Hi toorle loorle loorle loo, &c. . . .

Exploration ("Xpolration") (ballad) (Van Diemen's Land [TAS], c. 1844)

"THE NEW COUNTRY", Launceston Examiner [VDL (TAS)] (1 June 1844), 7

http://nla.gov.au/nla.news-article36236889

The following ballad was picked up by a [manicule] in the bush of the newly-explored western country, on the 20th instant, on the new road now in progress from Deloraine to Emu Bay, near the mouth of the Devil's Glen.

Air - "The Coronation."

You 've heard no doubt, the ins and outs
Of him and hemmigration;
Zo now I will remove your doubts
About my exploration;
And ov the wonders ov the bush,
I'll give a true relation,
'Zo be, you neither laugh nor push,
Whilst I zings EXPLORATION.
Hi toorle loorle loorle loo
Ri toorle loorle lido.
Ri toorle loorle loorle loo
Hi toorle loorle lido . . . [9 more verses]

MUSIC: Perhaps The coronation (county dance, see Tune archive)

"REPORT ON THE COUNTRY LYING BETWEEN THE RIVERS MEANDER AND EMU", The Cornwall Chronicle (28 January 1846), 73-74

http://nla.gov.au/nla.news-article66270854

In the N. W. quarter of Van Diemen's Land, explored in the years 1842-3-4-5, and on the route discovered through the same, and opened into a bridle road from Deloraine to Emu Bay, by N. L. KENTISH, Civil Engineer and Surveyor in the service of the Government and of the Van Diemen's Land Company . . .

With permission, we shall enliven this account by the introduction of a song, which graphically as humourously, adds to the description of the "life and adventures" of the Explorer of the Western Interior, which the author of the report has playfully introduced into his private copy of that document, with a sight of which we are favored; but which he says illustrates the proverb that "many a true word is spoken in jest," by giving far better than is possible in mere humble prose, a description as accurate as ludicrous, of "life in the bush" from the pen of some wag of his party, who is said to have picked it up in a place of less euphonious than suspicious, though appropriate nomenclature - The Devil's Glen . . .

XPLORATION. Air - "The Coronation."

You've heard no doubt, "the ins and outs
Of him and hem-migration,". . .

See also Work in the bush, thoughts in the bush, and life in the bush, of Van Diemen's Land, with their results by N. L. Kentish (Hobart Town: George Rolwegan, 1846), 32-35

https://collection.sl.nsw.gov.au/record/74VvgkygjkE3/XeKAG3JE0za6r (DIGITISED)

Commemoration (Victorian-Australian anthem) (1851)

Commemoration Victorian-Australian anthem, composed in celebration of the glorious occasion of separation, dedicated to the loyal sons of Victoria ([Melbourne: N. L. Kentish, 1851])

https://trove.nla.gov.au/work/19248865

https://handle.slv.vic.gov.au/10381/248219 (DIGITISED)

GOD save OLD ENGLAND'S Queen!
Long live AUSTRALIA'S Queen!
GOD save our Queen!
Send her Victorious -
Happy and glorious!
Long to reign over us!
GOD save the Queen! . . .

The "Separation" Act received Royal assent, August 5th, 1850. The glorious news arrived in Melbourne, and was thus hailed in Victoria, on the 11th November, 1850. Proclamation made and celebrated in Victoria, August 15th, 1851. Separation and free representation in Australia, date from July 1st, 1851.

Mount Alexander gold-diggers' song (Castlemaine, VIC, 1852; based on "Emigration" and "Exploration", above)

Mount Alexander gold-diggers' song, chorus by all the diggers in full costume ([VIC: Kentish, 1852])

https://trove.nla.gov.au/work/247156964

http://handle.slv.vic.gov.au/10381/244647 (DIGITISED)

AIR - The Coronation.

You 've heard no doubt, the ins and outs
Of He and She-migration;
And now I will remove your doubts
About Gold-exploration . . .

See also:

Four lyrics, in The question of questions . . . The land and water question in Victoria (Melbourne: J. J. Blundell, 1855), 50-52 ("Emigration" above), 53-55 ("Separation", above), 76-79 ("Mount Alexander diggers' song", as above), 80-84 ("Victorian-Australian 'Rule Britannia'"), and list of works in advertisement on inside cover

https://trove.nla.gov.au/work/237364206

https://nla.gov.au/nla.obj-411640373 (DIGITISED)

The Author having been repeatedly reminded by his friends and acquaintances of his intended Poetical Work, which was defeated by the sudden desertion of every Printing-office in Melbourne, on the Gold discovery at Ballaarat, in 1851; is induced to renew his former announcement, of
THE AUSTRALASIAN MUSE; In two Vols, Royal 8vo.
In the hope that Literary and Mental Productions, may not be wholly excluded from that support, which it is so universally admitted by the Australian Public, and advocated by the Press, to be true patriotism of Colonists to afford to the cultivation of Wheat and Wool, and of all other physical products of "the Land we live in" Mr. Kentish - in accordance with the suggestion of friends - is induced to submit to his Fellow-Colonists, the unpretending effusions of his Muse; trusting that - however humble her merits -amongst his literary acquaintances, and the educated and higher classes in general, of New South Wales (where, as an Editor he had the pleasure to cater for the greatest number of subscribers, including almost every Magistrate in that Colony some years ago), South Australia, Swan River, Van Diemen's Land, New Zealand, and especially Victoria, sufficient encouragement may not be wanting to support him in the publication of a perfectly Colonial Work, the whole having been "perpetrated" in, and no small portion being descriptive of, these several Colonies respectively.

The first Volume will probably contain upwards of 300 pages of Miscellaneous Poetry, by the "From grave to gay - from lively, to severe," - comprising:
AUSTRALIA - In three Cantos; written in New South Wales.
NEW ZEALAND - By a Shipwrecked Traveller; written in Cook's Straits.
TASMANIA - Written principally during a Three Years' Exploring Expedition in Van Diemen's Land.
VICTORIA - A Peep at the splendid Pastoral Province of Port Phillip; written on the Murray, in 1848.
THE BUSH IN SOUTH AUSTRALIA - A desultory Poem, in five Cantos; written at Yankalilla; in one of which, is included a "Colonial Opera," containing sixteen Songs and a Glee, (to be set to Music and sung by the privileged purchaser, "au plaisir.")
LINES (350) on the Explorers of Australia and Tasmania.
RELIGION, an Ode; PASTORAL HYMN and RELIGIOUS MISCELLANY.
CHRISTIAN FORTITUDE - In two Books.
THE REFORMATION -In several Books.
CAPITAL PUNISHMENT - An Essay to promote the Abolition of.
IMPRISONMENT FOR DEBT - In two Books; eleven Cantos.
ELEGY on the Death of his late Excellency Sir Eardley Wilmot, Bart.
ELEGY on the Death by drowning, of the late Alfred O. Montagu, Esq.
ELEGY on the lamented and terrible Death of E. B. Kennedy, Esq., and his ten Comrades, who perished in the Exploration of Northern Australia.
Numerous BIRTH-DAY ODES, SONNETS, and FUGITIVE PIECES, SONGS, FRIVOLITIES, and "Trifles light as Air."

The second Volume (of at least 500pages), will consist of a Compilation of the "Gems of Australian Poesy," extracted with great pains from the various Newspapers and Magazines of each of the Austral Colonies, from their first settlemen to the present date - enriched by hitherto unpublished compositions of merit, from the pens of Colonial Literati - (which, if composed in Australia, will be entitled to a preference over productions of the Muse, however excellent, warbled elsewhere): the object of the Editor being, to bring into one focus - to centralise as it were, and give a "local habitation and a name," to as large a number as practicable, of the really meritorious Odes, Sonnets, and Songs, Religious and pathetic pieces - humorous and satirical effusions - and even Poems of considerable length as well as force, of Australian Poets, and to rescue from oblivion the harmonious breathings of sundry Bards and Ladyes-faire, whose melodies have hitherto comparatively, been in Australia
"Like many a flower that blows to blush unseen,
And waste its fragrance on the desert air."

PRICE ONE GUINEA - or either Vol. separately, 15s.

*** Subscribers names are received at the Libraries in Melbourne, Sydney, Hobart Town, Launceston, Adelaide, Perth, Auckland, and Wellington; a list of which will be prefixed. N.B—The favour of support will be greatly enhanced, by early communication to either of the Libraries, or to the Author, (at the Publishers, James J. Blundell & Co.), 44 Collins street, Melbourne, who will put the Work, in the Press, as soon as a sufficient number of copies shall have been ordered, to indemnify from actual loss.
P. S. - Mr. Kentish takes the liberty of inviting the attention of the Military, in these Colonies; there being few Regiments, in which his name may not be familiar to some of the Officers, as a Professor in the R. M. College, Sandhurst, in 1827-8-9.

The captured lady (Spagnoletti, senior, 1861)

The captured lady, answer to Ever of thee I'm fondly dreaming, respectfully dedicated to Miss Reid, and the young ladies of the Australian College, Sydney; words by N. C. [sic] Kentish; composed by Spagnoletti, R. A. ([Sydney]: [Spagnoletti], [1861])

https://trove.nla.gov.au/work/18707032

https://nla.gov.au/nla.obj-165299132 (DIGITISED)

ASSOCIATIONS: Ernesto Spagnoletti (senior) (composer); Miss Reid was lady principal of the Australian Ladies' College, at Brougham Lodge, in Darlinghurst, where in 1861 Spagnoletti was engaged to teach solo singing

MUSIC: See also Ever of thee I'm fondly dreaming (words by George Linley; music by Foley Hall)

"METROPOLITAN DISTRICT COURT . . . KENTISH V. SPAGNOLETTI", The Sydney Morning Herald (17 August 1861), 5

http://nla.gov.au/nla.news-article13062738

This was an action to recover £25 for composing to defendant's order a song - "The Captured Lady's Answer to Ever of Thee I'm fondly Dreaming" - which defendant had set to music and published. Plaintiff not being in a position to prove his contract, was nonsuited.

[Advertisement], The Sydney Morning Herald (20 August 1861), 2

http://nla.gov.au/nla.news-article1306182

KENTISH v. SPAGNOLETTI - To his Fellow-colonists and the Public. - FRIENDS and GENTLEMEN, - Not presuming to address you through the editor on a subject purely personal, yet having a great objection to being misapprehended by society with respect to any affair of mine brought under public notice, I adopt this mode of explaining to the readers of the Sydney newspapers of Saturday last the real circumstances of a case which, unexplained, makes me to appear, prima facie, both avaricious and as a mere poetaster conceited; whilst those who know me most intimately are well able to vouch for my characteristics being in a very opposite direction.

When requested by Signor Spagnoletti, jun., to say what remuneration would be satisfactory to me, to induce compliance with his solicitation to try my hand at a sentimental ditty in response to, and to be written to the music of "Ever of Thee," which he had slightly varied, I smiled at his complimentary notion of "my possessing the ability" to do what he required to be done, and - being no mercenary - I did not desire, and I never dreamt of accepting other recompense, for any effort of my humble Muse, if sufficiently successful to satisfy the Professor, than, perhaps, a score of two of copies when published. As it happened, that a few months after this first and last meeting "my Poet's eye, in a fine fire of frenzy rolling," I suddenly became sufficiently "inspired" to throw off the lines which the talented musician of Balmain has, by his setting, enabled all captivated maidens to sing to their gallant captors at the Court of Venus, or in the temple of Apollo; I sent them to the Signor for approval or rejection and not being honoured with any reply for three months - viz., until after they had been set to music, printed, and published in my name, but as the property of his father, who had the nonchalance actually to solicit me "to exert myself for the sole of his song" (!) which I was, and still am under the impression of being "my own song," and no more Signor Spagnoletti's than is his music mine - I naturally felt very indignant, and addressed to the composer and naive publisher, the following letter, which I leave to speak for itself. After waiting [an]other four months in vain, for the courtesy of a reply, I at length applied to the District Court, making a claim, as the author, of a moiety of the bagatelle, of what is estimated to be a value of a fourth share of the net profits. Had Signor Spagnoletti treated me with common civility, my expectations would have been satisfied by merely a moderate number of the songs for presentation to my acquaintances, but when compelled to make a demand, I dare to believe, that no publisher will deem twenty-five per cent of the profits an unreasonable expectation on the part of an author, whose pen has created the same, and whose literary property has been published in his name, for the sole benefit of a rude and unscrupulous pirate.

(Copy) To Signor Spagnolotti (meaning the son), "Sir - I have the honour to acknowledge your note and three copies of 'your song,' and having long felt surprise at no acknowledgment having reached me of your receipt of the words, which I enclosed under cover to you about three months ago, not suspecting a gentleman of discourtesy, I was under the impression that I had been misinformed as to your address, and that the lines which I posted to 'Balmain,' as soon as my Muse enabled me to throw them off were lost, but having copied them into my MS book, I had it in contemplation to get them set to music by Mr. Packer, and myself publishing 'The Captivated Maiden's response to her enamoured swain,' 'Ever of thee,' at the same time with my 'Volunteers' War Song.'

"It is most annoying to me to be held up to the public as a fool by stupid errors of the Printer's Devil, as a fault in orthography will, of course, be attributed to the author. "Had you, Sir, but condescended to consult with, or even had the decency to cause a proof to be shown to the author, before putting his words in the Press, he would have prevented this disgrace to himself and blunders enough to damn the song with the public, notwithstanding its admirable arrangement, and to injure is sale, until republished with four corrections of the words. 'Any,' instead of 'my fond heart,' is a double error, as it destroys both the sense and the sound - the metre and the meaning. None but a foreigner could have permitted the word 'principle,' as of course written by me, to be printed 'Heavenly principal (see English Dictionary), nor the points or stops to abound in errors - all of which, and 'claim' instead of 'love's chain invincible,' &c. Even the title page itself - is most disgraceful, and my name is neither Charles nor Christopher, but Lipscomb. But that's of no consequence.

"I confess that I should like to see the whole of the 250 copies at present printed, put into the fire, which are falsely stated to be published 'by the author,' which I am, who never sanctioned the publication, nor was informed of it instead of 'By the composer,' which I suppose you claim to be, as having altered the arrangement of ----'s original music to 'Ever of Thee.' Having composed the words of this song expressly at your request, purely as a matter of business (for you are aware that I never had the pleasure of seeing you in my life, nor did I so much as know your name before that occasion, when accidentally meeting with me at Mr. Grocott's, and being shown my Volunteers' song, you were pleased to think that 'I was just the very person to effect for you, - a wish you had long entertained' - not being yourself poetical, as well as musical, viz., to get some suitable words written as a response to that most popular ballad, 'Ever of thee)' I beg leave politely, but distinctly, to give you notice, that your presuming to exercise the right of 'printing, publishing, and selling my composition,' and that, too, for your own exclusive benefit, is illegal, as well as in my opinion dishonourable, besides being ungentlemanly, and will not be tolerated 'by the author,' whose copyright is thus barefacedly appropriated without his consent, or even his knowledge.

"Unless a proper understanding and equitable agreement in writing, such as is usual, between the joint producers of a 'new piece' of vocal music, viz., the author of the words and the composer of the music be entered into forthwith, I shall place myself entirely in the hands of my attorney to institute such legal proceedings, under the extraordinary circumstances as he may deem proper.

"It is not for me, but for the public only, to judge of the composition of my humble Muse (as of yours also), but several literary and musical acquaintances assure me that my verses (little as I think of them), happen to harmonise so perfectly in sentiment with 'Ever of thee' - one of the most popular songs of the day - that they are - I mean that our song is - sure of a good sale; and a professional - I mean musical - gentleman having asked me, 'whether I would take £50 for my share of the profits on its sale in these colonies,' - this circumstance, and the disgust which I naturally feel at you treatment of me (the illegality of which is even exceeded by what I cannot but view as meanness so outrageous as to be perfectly insulting, but I am free to admit, practised on me without any intention on your part, that I should so consider it) in not only publishing my song without my knowledge, but in coolly appropriating the copyright, just as if you had purchased it; which words of mine, attached to the old popular air, will realise, at first say 1000 copies, profit £75 , and from time to time, for years, perhaps, more than a second thousand, also selling in the other colonies, and in England, for my share of which (far the greater part of the work, and perhaps of the merit, being mine - as my composition is now and original, whilst your composition consists of the slight variation from an old favourite air) you have been pleased most liberally to reward me with 'Signor Spagnoletti's thanks' and a couple of his (whose?) songs, of the value of about 1s. 6d. or 1s. 9d. sterling; that being about the cost price of the three sent (two of which are soiled), in return for which extreme generosity you tell me that 'you trust that I will use all my interest for the sale of your song,' of my own composition, for your exclusive benefit !!!

"Having consulted a solicitor, I find that it is open to me to file an information against you on affidavit, which will entitle me to an injunction, restraining you from making use of that which is exclusively MY literary property, or to bring an action against you for damages, for pirating, or illegally appropriating my copyright. But, Sir, I have no desire to do either, provided a proper understanding be come to immediately, by means of an agreement in writing to be prepared by my solicitor, at our joint expense.

"Requesting the favour of your immediate attention,
"I have the honour to be, Sir,
"Your very obedient servant,
"N. L. KENTISH
"425, Pitt-street South, March 28th, 1861."

"Metropolitan Correspondence. SYDNEY, Tuesday Afternoon", Bathurst Free Press and Mining Journal (24 August 1861), 2

http://nla.gov.au/nla.news-article62403505

Do ye ken a certain Mr. Nathaniel Lipscombe Kentish? I confess I don't, save by his name, which has a tripping sound on the tongue and remains there; but I think he was up your way somewhere as Clerk of Petty Sessions for a a short time. However, this gentleman lately wrote what he calls a "Volunteers' Song" - saving your presence, the veriest trash that was ever spawned out of Seven Dials. He has lately had a case before the District Court here, which is a lark in its way. A certain Mr. or Signor Spagnoletti (chaffing him, I suppose) asked him to write a song - a response to the ballad "Ever of thee I'm fondly Dreaming," with which request Mr. Kentish complied on the very next occasion when he had a visit from the Muses. He says that if Spagnoletti had sent him a few score copies of the song when set to music, he might have let him off, though an intimate friend had asked him if he would take £50 for the copyright - adding, no doubt, sotto voce, "don't you wish you may get it?" but when he found that the musician only sent him a couple of copies - value (as Kentish says) 1s. 9d., but which I presume would be dear at the odd ninepence, he waxed wroth, and summoned the luckless wag to the District Court for £25, which he didn't get, of course, being a kinder sorter non-suited. Good Lord how this world is given to bosh!

Bibliography and resources:

Tony Marshall, "Mr. K. in the colonies: romp through the life of Nathaniel Lipscomb Kentish", Papers and proceedings: Tasmanian Historical Research Association 53/2 (June 2006), 72-78

https://search.informit.org/doi/10.3316/informit.048703456693676 (PAYWALL)

KENWORTHY, Robert (Robert KENWORTHY; R. KENWORTHY; Mr. KENWORTHY)

Musical amateur, amateur musician, vocalist, choir leader, founding member Launceston Sacred Harmonic Society

Born Royton, Lancashire, England, c. 1824; baptised Oldham (Wesleyan), 19 July 1824; son of John KENWORTHY and Hannah KITCHEN
Arrived Hobart Town, VDL (TAS), ? by 1826 (with father), ? or by 1843
Married Ann Sarah PRESNELL (1827-1910), Hobart, VDL (TAS), 1 May 1847
Died Launceston, TAS, 29 July 1892, aged "68"

https://trove.nla.gov.au/search?l-publictag=Robert+Kenworthy+1824-1892 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENWORTHY-Robert (shareable link to this entry)

Documentation:

Baptisms, Oldham (Wesleyan), Lancashire, 1824; UK National Archives, RG4/1493

https://www.ancestry.com.au/search/collections/2972/records/752298 (PAYWALL)

No. 38 / Robert the son of John Kenworthy of Royton in the parish of Royton in the county of Lancaster, weaver, and of Hannah his wife, who was the daughter of William and Fanny Kitchen, was born on the [20 June 1824] and was solemnly baptized [19 July 1824] . . .

ASSOCIATIONS: John Kenworthy (d. Hobart, 31 March 1851, "soldier", aged "72"), was born in Oldham, Lancashire, c. 1780, by trade a weaver; he first enlisted in the 31st Regiment, at Sunderland, Durham, on 18 July 1899, aged "19", and after not quite 20 years service was discharged on a pension 17 March 1819; he enlisted for a second time in the New South Wales Veteran Company, at Chatham, Kent, on 3 January 1826, where he gave his trade as weaver, and age as "45", and had arrived in Hobart by November 1826; he was discharged on a pension at Hobart on 21 January 1829

Passengers per Flying Fish, arrived Hobart Town, 22 December 1843, from Port Phillip; Tasmanian names index; NAME_INDEXES:445197; CSO92/1/11 p165

https://libraries.tas.gov.au/Record/NamesIndex/445197

https://libraries.tas.gov.au/Digital/CSO92-1-11/CSO92-1-11P168 (DIGITISED)

Steerage Passengers . . . Robert Kenworthy . . .

Marriages in the district of Hobart, 1847; Tasmanian names index; NAME_INDEXES:835349; RGD37/1/6 no 1066

https://stors.tas.gov.au/NI/835349

https://stors.tas.gov.au/RGD37-1-6$init=RGD37-1-6P195 (DIGITISED)

No. 64 [1066] 1 May 1847 at the residence of Mrs. White, 57 Argyle street /
Robert Kenworthy / Full age / Carpenter / Bachelor / and Ann Sarah Presnell / Twenty one years / Dressmaker / Spinster . . .
married . . . according to the Rites and Ceremonies of the Wesleyan Church . . . In the presence of . . . John Kenworthy . . .

ASSOCIATIONS: Ann Sarah Presnell (born 3 March 1827; wife)

"LAUNCESTON SACRED HARMONIC SOCIETY", Launceston Examiner [TAS] (4 July 1857), 2

http://nla.gov.au/nla.news-article36301752

The half-yearly meeting of the above Society was held on Thursday evening, 2nd July, 1857 . . . It was unanimously resolved that the report read be adopted, and that a vote of thanks be given to the officers and committee for the efficient manner in which they have conducted the affairs of the society . . . Special thanks were also due to Mr. Thomas Sharp, who had rendered professional assistance, and also to Mr. Kenworthy, who had labored hard since the formation of the society. It was a fact well known to every member, that the officers and committee had been untiring in their exertions, and that between them and the society there existed a mutual obligation - inasmuch that the efforts of the committee would have been vain had they not received the co-operation and support of the members generally . . . The following officers were then chosen: Mr. Thomas Sharp, President.
Mr. George Pullen, Conductor. Mr. Wm. Gurr, Treasurer. Mr. R. Cowl, Secretary.
Committee - M. Kenworthy, Mr. Stokes,
Mr. Stephens, Mr. Caseley, Mr. A. Hart.
The meeting closed by practising compositions from Handel, Mozart, and others.

ASSOCIATIONS: Thomas Sharp (member); George Pullen (member); William Gurr (member); William Stokes (secretary); Anthony Hart (member); Launceston Sacred Harmonic Society (organisation)

"SACRED HARMONIC SOCIETY", Launceston Examiner (11 January 1859), 3

http://nla.gov.au/nla.news-article38994650

The half-yearly meeting of this Society was held in tile Wycliffe Chapel, on Thursday evening last. From the Report read it appears that the Society continues to progress in a steady and satisfactory manner. The number of members is 76, showing an increase of 11 during the past 6 months . . .
The following are the officers for the ensuing half year: -
President, Mr. Wm. Gurr. Conductor, Mr. T. Sharp.
Treasurer, Mr. R. Kenworthy. Secretary, Mr. W. Stokes . . .

"LAUNCESTON HARMONIC SOCIETY", Launceston Examiner (7 July 1860), 2

http://nla.gov.au/nla.news-article39001166

The half-yearly meeting of the members of the Launceston Harmonic Society was held on Thursday evening last, at the Cornwall Rooms. The report of the committee was of a very satisfactory character. The number of members is 77, and the finances are in a flourishing condition. The practice meetings will in future be held in the Cornwall Rooms, and it is the intention of the members to procure a piano for the use of the Society. The following gentlemen were elected office-bearers for the ensuing six months: -
President, Mr. R. Kenworthy; Conductor, Mr. T. Sharp; Secretary, Mr. W. Stokes; . . .

ASSOCIATIONS: Launceston Harmonic Society (association); Cornwall Assembly Rooms (Launceston venue)

"LAUNCESTON MUSICAL UNION", Launceston Examiner (29 November 1860), 3

http://nla.gov.au/nla.news-article39003172

A meeting to inaugurate the Launceston Musical Union was held yesterday evening in the Mechanics' Institute. About 80 persons were present. The proposed rules were revised and passed. Mr. Charles Thomson was elected President; Mr. A. J. Marriott Conductor; Mr. J. J. Hudson, Treasurer; Mr. W. Stokes, Secretary; and the following gentlemen were appointed a committee for the ensuing year -
Messrs. G. Pullen, R. Sharpe, H. Stephens, Kenworthy, and George Hudson . . .

ASSOCIATIONS: Arthur John Marriott (conductor); James and George Hudson (members, father and son); Robert Sharpe (member); Launceston Musical Union (association); Mechanics' Institute (Launceston venue)

[News], Launceston Examiner (21 June 1862), 2

http://nla.gov.au/nla.news-article41454020

The "Launceston Musical Union" and the "Cecilian Harmonic Society," have amalgamated under the name of "The Launceston Musical Society." Mr. A. J. Marriott has been chosen President, Mr. Thomas Sharp, Conductor, Mr. Robert Sharp, Organist, Mr. George Pullen, Secretary, Mr. G. Hubbard, Treasurer; and the following members a Committee of Management: -
Messrs. Harvey, Wm. Sharp, Kenworthy, G. Castley, S. Joscelyne, and Fitzgerald. We understand that the members are to meet for practice on one evening in every week.

ASSOCIATIONS: John Smithen Harvey (member); William Sharp (member); Samuel Josceleyne (member);
Launceston Musical Society (association); but see "LAUNCESTON MUSICAL SOCIETY", Launceston Examiner (1 July 1862), 5

http://nla.gov.au/nla.news-article41454208

The public will doubtless learn with regret that this society is broken up, in consequence of its being unable to come to terms with the Mechanics' Institute Committee, for the use of the hall and organ. Launceston is therefore, now without a musical society of any kind.

"LAUNCESTON MUSICAL UNION", Launceston Examiner (24 July 1883), 3

http://nla.gov.au/nla.news-article38287147

The annual meeting of this Society was held in St. Andrew's School-room last night, at 7.30.; Mr. R. Kenworthy occupying the chair. The following report of the Committee was read: . . . Too much praise cannot be given to Mr. Alex. Wallace, the Society's conductor . . .
JOHN G. WALLER, Hon. Secretary . . .
That the following gentlemen be the office-bearers for the ensuing year: - Patron, his Excellency Sir G. C. Strahan; President, his Worship the Mayor; Vice - Presidents, H. Button, Esq., and A. W. Birchall, Esq.; hon. Librarian, Mr. M. Green; hon. Treasurer, Mr. J. G. Waller; hon. Secretary, Mr. J. A. James; Committee, Messrs. G. P. Hudson, R. Kenworthy, G. Orpwood, J. Frost, F. Ferguson, A. Hart, M. E. Robinson, W. Tregilgas, W. Stokes, and A. Meston" . . .

ASSOCIATIONS: Alexander Wallace (conductor); John Gough Waller (member); George Orpwood (member); John Frost (member); Frederick Ferguson (member); Anthony Hart (member); William Stokes (member); Launceston Musical Union (re-formed organisation)

"Deaths", Launceston Examiner (30 July 1892), 1

http://nla.gov.au/nla.news-article39470010

KENWORTHY. - On 29th July, at his residence, Balfour-street, Mr. Robert Kenworthy, aged 68.

"SACRED HARMONIC SOCIETY (W.S.)", Launceston Examiner (19 November 1892), 7

http://nla.gov.au/nla.news-article39478205

Your correspondent H.B. in his interesting reminiscences last Saturday desired to know something more of the above society. As its secretary from start to finish I am only too glad to supply what information I possess from memory. The old society after practising in the Baptist Chapel, York-street, was dissolved. I believe in 1854 a meeting was convened at the residence of the late Mr. R. Kenworthy, Cameron-street, and there the new society was formed. It was decided to practice in the Wycliffe Chapel, York-street, and there the meetings were regularly held. The first invitation rehearsal was held in Tamar-street church, the late Rev. C. Price becoming an honorary member and an ardent supporter until its close. All the officers were honorary, and the concerts were given in aid of local charitable objects. These were held in the Cornwall Assembly Rooms. At the time of the Indian mutiny the society united with the Philharmonic and produced the "Creation" in aid of the fund for the wounded, which was a great success, the tickets being 10s 6d and 7s 6d, and the proceeds upwards of £600. The leading parts were Miss Lucy Chambers, soprano; Mrs. Hamilton, contralto; Mr. Henslow, Hobart, tenor; Mr. Farquharson, bass; Mr. J. Adams, conductor; Rev. W. A. Brook, pianist. This society then numbered 100 members, but, like everything in this city, interest and attendance declined, and eventually the society was dissolved, the property sold, and the books, etc., placed in care of the Mechanics' Institute, where, I suppose, they might be perused on application to the librarian, Mr. Johnstone, who was one of the old members.

ASSOCIATIONS: "W.S." = William Stokes (member); Lucy Chambers (soprano); Emma Elizabeth Hamilton (contralto); Francis Hartwell Henslowe (tenor); Robert Farquharson (bass); Warren Auber Brooke (piano); Alexander Johnston (member); Launceston Sacred Harmonic Society (organisation);
the earlier article referred to, "REMINISCENCES", Launceston Examiner (12 November 1892), 2

http://nla.gov.au/nla.news-article39477627

KENYON, John (John KENYON; J. KENYON; ? John Alexander KENYON; ? John Frederick KENYON)

Musical amateur, vocalist, tailor, ? publican, ? traveller

? Born (? Manchester, England) c. 1822; son of James KENYON and Mary ?
Arrived Melbourne, VIC, 28 October 1852 (per James Carson, from Liverpool, 9 July, aged "30"
? Married Sarah Anna GORE, VIC, 1858
? Died Melbourne, VIC, 1874, aged "52/53"

https://trove.nla.gov.au/search?l-publictag=John+Kenyon+tailor (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=John+Frederick+Kenyon+c1822-1874 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENYON-John (shareable link to this entry)

Documentation:

? 1841, marriage solemnized in the parish of Battle in the county of Sussex; register 1837-66, page 28; East Sussex Record Office, Brighton, PAR 236/1/3/2

https://www.ancestry.com.au/search/collections/62126/records/74346 (DIGITISED)

No. 56 / June 28th [1841] / John Alexander Kenyon / 22 / Bachelor / Tailor / Battle / [son of] James Kenyon / Mill-wright
Mary Weston / 20 / Spinster / Servant / Battle / [daughter of] Phillip Weston / Blacksmith . . .

? England census, 30 March 1851, St. Peter, Brighton, Sussex; UK National Archives, HO107/1645/617/17

https://www.ancestry.com.au/search/collections/8860/records/2024622 (PAYWALL)

[18 Gravesend Street] / John Kenyon / Head / Mar. / 30 / Beerhouse keeper and Tailor keeping 1 man & 1 apprentice / [born] Lancshire Manchester
Mary [Kenyon] / Wife / Mar. / 29 / - / [born] Sussex Burwash // James / Son / 9 / - / [born] Sussex Battle . . .

ASSOCIATIONS: James Harold Kenyon (baptised Battle, Sussex, 24 April 1842);
in the 1861 census, Mary (married, 39, tobacco dealer) and James Harold (19, auctioneer's clerk) were living at 30 East-street, Brighton

Names and descriptions of passengers per James Carson, from Liverpool, 9 July 1852, for Port Phillip; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=107 (DIGITISED)

. . . John Kenyon / 30 / Tailor / [English] . . .

ASSOCIATIONS: In his 1867 marriage record, his son, James Harold Kenyon, gave his father's occupation as "Traveller"

[Advertisement], The Argus [Melbourne, VIC] (27 July 1853), 1

http://nla.gov.au/nla.news-article4795017

BRIGHTON, Sussex. Brighton, Sussex. -
John Kenyon, from the above beautiful town, Tailor and Woollen Draper, Little Oxford-street,
opposite the Collingwood Hotel, Collingwood, Melbourne.

[Advertisement], The Banner [Melbourne, VIC] (16 September 1853), 10

http://nla.gov.au/nla.news-article179481219

VOCAL MUSIC. COMPETENT AMATEURS
are respectfully invited to assist in the formation of a GLEE AND MADRIGAL SOCIETY.
Apply to J. Kenyon, Smith Street, and Mr. Izard, Oxford Street, Collingwood.

ASSOCIATIONS: Henry John Izard (musician)

[Advertisement], The Argus (17 February 1855), 8

http://nla.gov.au/nla.news-article4804507

RESPECTABLE Board and Residence, near St. Mark's Church, Collingwood. Apply John Kenyon, Clerk of St. Mark's,

? "NEW INSOLVENTS", The Star [Ballarat, VIC] (25 November 1863), 3

http://nla.gov.au/nla.news-article72511710

John Frederic Kenyon, of Ballarat, tailor and hotelkeeper.
Causes of insolvency - Pressure of creditors and a restraint under a bill of sale.
Debts, £302 7s; assets, £167 15s 6d; deficit, £34 11s 6d.

? [News], The Argus [Melbourne, VIC] (3 July 1874), 5

http://nla.gov.au/nla.news-article5873337

The usual weekly meeting of the committee of the Benevolent Asylum was held yesterday afternoon . . . The medical officer reported the death of an inmate named John Frederick Kenyon on the 27th June. The deceased was 53 years of age, a native of Ireland [sic]. The cause of death was accidental suffocation . . .

? "NEWS AND NOTES", The Ballarat Star (4 July 1874), 2

http://nla.gov.au/nla.news-article199326762

Our obituary notices contain the announcement of the death of a person named John Frederick Kenyon. From a report in Friday's Argus it will be seen that he died from accidental suffocation, having been somewhat paralytic and helpless for some time past. Kenyon will be remembered as a person who some years ago resided in Ballarat, leaving here under discreditable circumstances, and being afterwards heard of as having taken an unfortunate woman with him to Honolulu. From there he returned to Sydney, and then found his way back to Melbourne - and now comes the end.

KENYON, Joseph (Joseph KENYON; J. KENYON; Mr. KENYON)

Musician, vocalist, "bass viol" (violoncello) player, principal singer and parish clerk St. John's Church (Parramatta), weaver, linen draper, convict, emancipist, nurseryman

Born Manchester, England, c. 1780
Married Mary Ann ATKIN (c. 1782-1842), Wakefield, York, England, 29 April 1803 (aged "22")
Convicted York Assizes, England, 11 March 1815 (14 years transportation)
Arrived NSW, 30 January 1816 (convict per Ocean, from England, August 1815, aged "37/38")
Died Prospect Creek, NSW, 25 August 1860, aged "86/87" [sic, "80/81"]

https://trove.nla.gov.au/search?l-publictag=Joseph+Kenyon+d1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KENYON-Joseph (shareable link to this entry)

Documentation:

Banns of marriages, St. John the Baptist, Wakefield, Yorkshire, 1803; register 1803, page 106; West Yorkshire Archive Service; Wakefield, WDP45/1/3/1

https://www.ancestry.com.au/search/collections/2256/records/6758136 (PAYWALL)

No. 423, Joseph Kenyon of the parish of Manchester and Mary Ann Atkins of the same
were married in this church by licence this [28 April 1803] . . .

ASSOCIATIONS: Mary Ann followed Joseph to NSW, arriving on the Elizabeth on 14 May 1829

"FROM THE LONDON GAZETTE. TUESDAY, OCT. 25 . . . BANKRUPTS", Oracle and the Daily Advertiser [London, England] (26 October 1803), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002429/18031026/013/0001 (PAYWALL)

Joseph Kenyon, of Wakefield, Yorkshire, linen-draper, to surrender Nov. 15 . . .

[News], Leeds Intelligencer [England] (2 January 1815), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000268/18150102/038/0003 (PAYWALL)

Committed to York Castle, Joseph Kenyon, late of Wakefield, weaver, charged upon oath with having feloniously entered, on the 21st ult. the Bleaching Grounds of Joseph Beckett, Esq; and stealing therefrom a quantity of linen yarn.

"YORKSHIRE ASSIZES", Tyne Mercury, Northumberland and Durham and Cumberland Gazette (4 April 1815), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001664/18150404/028/0004 (PAYWALL)

At these assizes . . . Joseph Kenyon, for stealing linen yarn, to be transported 14 years . . .

Convict indents, per Ocean, 1816; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/2024/records/19364 (PAYWALL)

Joseph Kenyon / [York Assizes] / 11th March 1815 / Fourteen Years / Linen dealer & manufacturer / 38 / [native place ] Manchester / 5 ft 9 1/2 in . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser [NSW] (1 March 1817), 1

http://nla.gov.au/nla.news-article2177096

A CARD. JOSEPH KENYON, late Tutor in the Reverend Mr. MARSDEN'S Family,
most respectfully informs the Inhabitants of Parramatta and its Vicinity, that he intends opening a
DAY SCHOOL for the Instruction of Youth, on Monday the 17th Day of March, 1817,
at the House belonging to Mr. William Laverton, situated in Parramatta.

ASSOCIATIONS: Samuel Marsden (cleric)

Inquiry into charges against James Ring, August 1825, Historical records of Australia [HRA], I, 11, 736, 738

https://archive.org/details/historicalrecord00v11aust/page/736 (DIGITISED)

[736] SUSAN PRISCILLA BISHOP . . . Cross-examined . . . Mr. Kenyon and one or two of the Singers at the Church have been in the habit of attending at Mr. Marsden's family worship. It is not, that I am aware, a common understood thing that any respectable person may attend at Mr. Marsden's Worship on a Sunday evening. I know a person named Pritchard. He is a Ticket of Leave Man, and he was one of the Singers. I know a man named Newsome. He was a Singer . . .

JAMES ELDER . . . Examined . . . [738] . . . Mr. Marsden said, "You know he [Ring] is one of my Singers and I allow him to lodge at the Clerk's [Kenyon's] because he is one also."

ASSOCIATIONS: James Ring (singer); William Pritchard (singer); John Newsome (singer)

"TO THE EDITOR OF . . .", The Monitor [Sydney, NSW] (26 July 1828), 2

http://nla.gov.au/nla.news-article31760420

Parramatta, 16th of July, 1828 . . .
SIR, Mr. Joseph Kenyon of the Woodlands, near Prospect entertained a large party of his friends on Monday last at his house. A Ball and Supper succeeded the dinner, which was tastefully got up, and the rosy morn was hailed before the party broke up. Some of the intimates stopt breakfast next day, and some few lingered until Mr. Kenyon regaled them with a tiffin, Yours,
A highly-entertained Guest.

NSW census, November 1828; State Records Authority of NSW

https://sydlivmus.flowpaper.com/1828CensusGortoLen3of6NRS1272SZ980/#page=461 (DIGITISED)

Kenyon Jos'h / 49 / [Conditional Pardon] / Ocean / 1816 / 14 [years] / [Protestant] / Landholder / Woodlands . . .

"Public Notice", The Sydney Gazette and New South Wales Advertiser (14 April 1829), 1

http://nla.gov.au/nla.news-article2192220

THE undermentioned Persons have obtained Certificates of Freedom during the last Week; viz. . . . Ocean (1) . . . Joseph Kenyon . . .

"DEATHS", The Sydney Morning Herald (27 August 1860), 1

http://nla.gov.au/nla.news-article13044949

On the 25th instant, at his residence, Woodlands, Prospect Creek, Joseph Kenyon, sen., Esq., in the 87th [sic] year of his age.

Bibliography and resources:

Graeme Rushworth, Historic organs of New South Wales: the instruments, their makers and players 1791-1940 (Sydney: Hale and Iremonger, 1988), 23, 440 note 19

https://trove.nla.gov.au/work/16876593

Before the advent of an organ at St. John's, hymns and psalms were sung to music provided by the military band, or to a bass viol played by the Parish Clerk, Joseph Kenyon. In 1829 Kenyon became the Leading Singer, for which he received £5 per quarter. He was supported by five Assistant Singers, each paid 10s per quarter.

Joseph Kenyon, Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/10013371401 (PAYWALL)

1816-25 / Joseph Kenyon / Parish Clerk / St. John's Church Parramatta

"Joseph Kenyon", Convict Records

https://convictrecords.com.au/convicts/kenyon/joseph/111736

KEOGH, John (John KEOGH; Mr. KEOGH)

Musician, clarionet / clarinet player, clarinettist, blacksmith, convict, emancipist

Born Clare, Ireland, c. 1810 (? c. 1812)
Convicted Clare, Ireland, 2 June 1831 (life transportation)
Arrived Sydney, NSW, 2 December 1831 (convict per Asia, aged "21")
Married Bridget D'ARCY (1818-1868), Catholic chapel, West Maitland, NSW, 5 February 1844
Died Vacy, via Dungog, NSW, 24 May 1885, aged "73"

https://trove.nla.gov.au/search?l-publictag=John+Keogh+d1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEOGH-John (shareable link to this entry)

Documentation:

Convict indents, arrivals per Asia, 2 December 1831; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/2024/records/99736 (PAYWALL)

No. 31-1969 / . . . / John Keogh / 21 / R & W / Rom. Cath. / Single / [Native place] Clare / Blacksmith, 4 years labourer /
Robbery of fire arms / [tried] Clare / 2nd June, 1831 / Life / . . . 5 ft 3 in . . .

"Government Gazette . . . CONDITIONAL PARDONS", The Maitland Mercury and Hunter River General Advertiser [NSW] (11 March 1849), 4

http://nla.gov.au/nla.news-article712975

. . . (Dated 31st December, 1847.)
Pardons available everywhere except in the United Kingdom of Great Britain and Ireland. - . . .
Keogh John, Asia 8 . . .

"A WEEK IN DUNGOG [FROM A CORRESPONDENT]", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (20 March 1852), 4

http://nla.gov.au/nla.news-article251533615

. . . It is strange, however, that the village should still be without a barber, a baker, or a druggist. There is, nevertheless, a dancing master, one of the best in the colony, a variety of titled soubriquets and female grooms who attend and serve the horses; Mr. Jacobs' musical instruments and Mr. Keogh's clarionets. Mr. Malcom's Circus Company lately performed three nights in a temporary pavilion, and on each night there were nearly three hundred spectators . . .

ASSOCIATIONS: William Bradley (tailor, professor of dancing); "Jacobs" was probably Archibald Hamilton Jacob, recently appointed clerk of the bench at Dungog, though not otherwise remembered for his musical interests; John Malcom (circus proprietor)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW] (24 May 1859), 1

http://nla.gov.au/nla.news-article18637762

PIANOS. MR. E. FANING will be at Dungog,
on WEDNESDAY and THURSDAY, 25th and 26th instant,
for the purpose of TUNING PIANOS.
Apply at Mr. JOHN KEOGH's, Blacksmith, Dungog.

ASSOCIATIONS: Edward Faning (musician)

"DEATHS", The Maitland Mercury and Hunter River General Advertiser (30 May 1885), 1

http://nla.gov.au/nla.news-article18878227

May 24th, at his residence, Tackbeare, Vacy, John Keogh, aged 73 years. Requiescat in pace.

"DUNGOG. June 22 . . . DEATH", Evening News [Sydney, NSW] (26 June 1885), 7

http://nla.gov.au/nla.news-article111013002

Since my last, occurred the death of Mr. John Keogh, an old and respected resident.

"The Late Mr. William Keogh", Maitland Mercury [NSW] (24 March 1948), 8

http://nla.gov.au/nla.news-article280859993

Mr. William Darcy, Keogh died recently at the home of his son-in-law," Mr. J. F. Gippel, Cree Bank, Vacey [sic], within a fortnight of his 86th birthday. Deceased, who was widely, known and respected throughout the district, was born at Dungog and was the third son of the late John and Bridget Keogh. When a youth, the family, left Dungog and took up residence at Vacy on a property now owned by Mr. A. C. Somerville. Here, he and his two brothers engaged in a blacksmithing business for many years and he later established his own business in the town of Vacy, where be lived till within two years of his death. He was en expert tradesman and before the advent of American machinery his ploughs won many prizes at the district shows. In earlier life he was a keen sportsman and will be remembered for his prowess as a cricketer and fisherman, also for his talent as a musician. He also raced horses successfully on the old Vacy and Mount Rivers courses . . .

ASSOCIATIONS: William D'Arcy Keogh (born Dungog, 1862)

Bibliography and resources:

John Keogh, Find a grave

https://www.findagrave.com/memorial/184883262/john-keogh

KEOGH, Thomas (Thomas KEOGH)

Musician, bandsman, founding member of St. Joseph's Band (Launceston)

Active Launceston, VDL (TAS), by c. 1845

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEOGH-Thomas (shareable link to this entry)

Documentation:

"ST. JOSEPH'S BAND", Launceston Examiner [TAS] (6 July 1895), 3

http://nla.gov.au/nla.news-article39611885

. . . St. Joseph's Band was formed in July, 1845, in connection with St. Joseph's Total Abstinence Society, and may therefore be said to be the oldest association of its character in the colonies. The original members met for the sake of a pleasure able diversion as well as for the purpose of becoming useful as a band of musicians . . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were Messrs. Charles Galvin, John McKenzie, William Mainsbridge, Andrew Skafe, Arthur McIver, Francis McIver, Morgan O'Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Murphy, and Bernard Lynch. Ten of these early players are dead . . .

ASSOCIATIONS: John Agnew (musician, 96th band); Band of the 96th Regiment (military); Charles Galvin (member); William Mainsbridge (member); Andrew Scafe [sic] (member); Arthur and Francis McIver (members); Morgan and William O'Meara (members); David O'Keefe (member); Thomas Leary (member); John Murphy (member); Bernard Lynch (member); St. Joseph's Band (Launceston association);
see also, "THE OLDEST BAND", Examiner [Launceston, TAS] (19 February 1929),

http://nla.gov.au/nla.news-article51529216

KEON, Georgina Isabella (Georgina Isabella KEON; Miss KEON; Mrs. Silvester O'SULLIVAN)

Musical amateur, amateur musician, composer, pianist

Born Newbrook, co. Leitrim, Ireland, c. 1841; daughter of Ferdinand KEON (c. 1794-1876) and Margaret PLUNKETT (1795-1862)
Arrived NSW, by 1864 or earlier
Married Silvester O'SULLIVAN (c. 1831-1877), St. Patrick's cathedral, Melbourne, VIC, 29 August 1866
Died North Sydney, NSW, 9 June 1927, aged "86"

https://trove.nla.gov.au/search?l-publictag=Georgina+Isabella+Keon+O'Sullivan+d1927 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEON-Georgina-Isabella (shareable link to this entry)

Summary:

Irish born, Keon was a niece (daughter of the sister) of the NSW attorney-general (and amateur musician) John Hubert Plunkett. Her parents Ferdinand Keon (c. 1794-1876) and Margaret Plunkett (1795-1862) remaining in Ireland, she had emigrated to NSW and evidently settled first with her brother, George Plunkett Keon (c. 1817-1899), and his wife (Rebecca) and family, at Eden, on Twofold Bay, NSW. In November 1864, J. H. Anderson published Keon's The Twofold Bay waltzes, dedicated to her uncle and his wife. In Melbourne in 1866 she married the Irish-born grazier Sylvester O'Sullivan.

Documentation:

"MARRIAGES", The Sydney Morning Herald [NSW] (8 September 1866), 1

http://nla.gov.au/nla.news-article13136458

O'SULLIVAN - KEON. - On the 29th inst., by special licence, at St. Patrick's Cathedral, by the Right Rev. Dr. Gould, R. C. bishop of Melbourne, assisted by the very rev. the vicar-general and the Rev. F. S. Corbett, Silvester O'Sullivan, Esq., of Cudgelligo, Lachlan, to Georgina Isabella, youngest daughter of Ferdinand Keon, Esq., of New Brook, County of Leitrim, Ireland, and niece of the Hon. J. H. Plunkett, late Attorney-General New South Wales.

"DEATHS", Freeman's Journal [Sydney, NSW] (16 June 1927), 26

http://nla.gov.au/nla.news-article122919035

O'SULLIVAN. - June 9th, 1927, at North Sydney, Georgina Isabella, widow of the late Silvester O'Sullivan, late of Burwood, and Lachlan, aged 86 years. R.I.P.

Musical works:

The Twofold Bay waltzes (1864)

The Twofold Bay waltzes, composed and dedicated to the honorable Mr. & Mrs. J. H. Plunkett by Miss Georgina Isabella Keon (Sydney: J. H. Anderson, [1864]); "J. Degotardi"

https://trove.nla.gov.au/work/23883838

https://nla.gov.au/nla.obj-168688952 (DIGITISED - cover missing)

https://collection.sl.nsw.gov.au/record/74VKpODgqVPX (DIGITISED)

ASSOCIATIONS: James Henri Anderson (musicseller, publisher); John Degotardi (engraver, printer); John Hubert and Maria Plunkett (dedicatees)

[Advertisement], The Sydney Morning Herald [NSW] (21 November 1864), 16

http://nla.gov.au/nla.news-article13110335

Just Published, THE TWOFOLD BAY WALTZES, elegantly illustrated with view of Twofold Bay.
Dedicated to the Hon. Mr. and Mrs. J. H. Plunkett by Miss McKeon [sic].
J. H. ANDERSON, Music Warehouse, 360, George-street, and 57, Collins-street, Melbourne.

"The Twofold Bay Waltzes", The Sydney Morning Herald (29 November 1864), 4

http://nla.gov.au/nla.news-article13105342

A set of waltzes, bearing the above title, have been published by Anderson, of George-street. They are the composition of Miss Georgina Keon, a young lady possessing considerable musical talent. The waltzes are not pretentious, though very pretty, and are rich in harmony, the result of a plentiful use of full chords in the bass, with octaves for the dacapo or repeat. The keys alternate between B flat, A flat, C natural, and F. This composition is dedicated to the Hon. J. H. Plunkett and Mrs. Plunkett, both of whom are known to take more than ordinary interest in the progress of music in this colony. The waltzes are beautifully printed, and the title-page contains a view of Twofold Bay taken from Boyd Town. A better view, however, might have been obtained from the Eden side of the Bay, and the beautiful peak of Mount Imley thus introduced.

KERN, Charles (? Johann Ludwig Carl Gustav KERN; John Louis Charles Gustavus KERN; Charles KERN; C. KERN; Mr. KERN)

Music printer, music publisher, musicseller, bookbinder, general stationer

Born Pappenheim, Bavaria (Germany), c. 1812
Arrived Sydney, NSW, 6 September 1843 (per Persian, from Gravesend, 8 May, and Portsmouth, 10 May)
Active Sydney, NSW, as Kern and Mader, 1845-53
Married Jane WILKINS (d. 1857), NSW, 1847
Departed Sydney, NSW, December 1877 (for Germany)

https://trove.nla.gov.au/search?l-publictag=Charles+Kern+active+1843-77 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KERN-Charles (shareable link to this entry)

ASSOCIATIONS: Kern and Mader (firm); Frederick Mader (business partner)

As Kern and Mader: https://trove.nla.gov.au/search?l-publictag=Kern+and+Mader (TROVE tagged by Australharmony)

Kern and Mader, Stationers, No. 4, Adelaide place, Hunter Street

Kern and Mader, Stationers, No. 4 [later no. 7] Hunter Street, north side, corner of George St. (originally Francis Ellard's first Sydney premises); from Sydney in 1848, illustrated by copper-plate engravings of its principal streets, public buildings, churches, chapels, &c., from drawings by Joseph Fowles (Sydney: J. Fowles, 1848)

http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?dps_pid=FL3325900 (DIGITISED)

Summary:

Apart from his place and approximate year of birth (given on his certificate of naturalisation in 1850), nothing is known for certain of Kern prior to his arrival in England by April 1843. He was perhaps related to the Charles Kern, late of the Couriers' Club, in St. James, London, who died in Munich, Bavaria, on 28 September 1873, and for whom probate was granted in London on 12 December that year. If this was perhaps Kern's father, his own subsequent departure from Sydney for Germany in 1877 may be connected.

From evidence presented in London in 1843, it seems likely that Kern had already formed some sort of business partnership with the bookbinder, Frederick Mader, in Germany. Mader had preceded Kern to Sydney, arriving in December 1841, via London.

Documentation:

[Statement by Mr. Ehrensperger, dated London, 26 April 1843]; in "Cases argued and determined in the Court of Exchequer of Pleas, Michaelmas term, 10 Victoriae . . . 1846, NOV. 16. ACKERMANN AND OTHERS v. EHRENSPERGER", The law journal reports for the Year 1847 . . . (London: Edward Bret Ince, 1847), 4

https://books.google.com.au/books?id=5VY1AQAAMAAJ&pg=RA2-PA4 (DIGITISED)

. . . At the trial, before Pollock, C.B., at the London Sittings, after Michaelmas term, 1844, the following facts appeared: - In April 1843, a Mr. Charles Kern, being about to sail to Sydney, in New South Wales, applied to the plaintiffs for a supply of stationery, with which the latter agreed to furnish him, on receiving a guarantie. The defendant accordingly gave the following guarantie, dated the 26th of April 1843: - "Gentlemen, - For the sum of 1l. sterling, which we hereby acknowledge to have received, we guarantie you the due acceptance and payment of the following two bills of exchange, drawn by Charles Kern, to your order, on Frederic Mader, Sydney, New South Wales, namely 165l. 5s. sterling, dated London, the 8th of April 1843 . . .

ASSOCIATIONS: Frederick Mader (business partner)

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald [NSW] (7 September 1843), 2

http://nla.gov.au/nla.news-article12420023

From London, last night, having left Gravesend the 8th, and Portsmouth the 10th May, the ship Persian, 600 tons, Captain Oppenheim, with a cargo of merchandise. Passengers . . . Kern . . .

[Advertisement], The Sydney Morning Herald (26 September 1843), 3

http://nla.gov.au/nla.news-article12418568

NOTICE. KERN AND CO., Stationers, Bookbinders, Jewel-case and Pocket-book Makers,
beg to inform the gentry and the inhabitants of Sydney generally, that they have opened a shop, No. 4, Hunter street, with a splendid assortment of stationery, comprising English, German, and French goods.
K. and Co. beg to state that, being practical men, having a thorough knowledge of the business in all its departments (having been engaged in most of the principal cities on the continent - Berlin, Vienna, Paris and London), and having purchased their stock under their own immediate inspection, they can warrant their goods to be of the very best description.
N.B.- Bookbinding in all its varieties, pocket book and jewel-case making executed according to order.

[Advertisement], The Weekly Register of Politics, Facts and General Literature (26 April 1845), 204

http://nla.gov.au/nla.news-article228135437

. . . CHAS. KERN AND T. MADER [sic],
Stationers and Bookbinders, 7, Hunter-street. Sydney, April 26.

[Advertisement], The Sydney Morning Herald (10 October 1846), 1

http://nla.gov.au/nla.news-article12899412

SACRED MUSIC.
THE UNION TUNE BOOK
Robertson's selection of Tunes
Steven's ditto
Birch's Psalmody
Melodía Sacra
Mozart's Masses
Haydn's Passione
Haydn's Creation
Handel's Joshua
Handel's Israel in Egypt
On sale at KERN'S AND CO.'S, Hunter-street.

[Advertisement], The Sydney Morning Herald (12 August 1847), 1

http://nla.gov.au/nla.news-article12895119

MUSIC. JUST RECEIVED, and on view at KERN and MADER'S, 7, Hunter-street,
an assortment of Vocal and Instrumental Music, consisting of Waltzes, Quadrilles, Polkas,
and Mozart's Operas, complete with text; also, an assortment of Quadrille small band books.

[Advertisement], The Sydney Morning Herald (25 November 1848), 1

http://nla.gov.au/nla.news-article12903238

NOTICE TO THE MUSICAL WORLD. NEW MUSIC.
MR. A. EMANUEL, Professor of the Pianoforte, respectfully informs his musical friends and the public in general, that he has received ex Volunteer, a case of new and fashionable Music, including an immense variety of charming morceaux,
but in consequence of his removal to No. 161, Elizabeth-street,
Mr. E has appointed Messrs. Kern and Mader, of Hunter street, agents for the sale of the same, where it will be on view on Monday next, the 27th instant.

ASSOCIATIONS: Abraham Emanuel (musicseller)

[Advertisement], The Sydney Morning Herald (4 July 1849), 1 supplement

http://nla.gov.au/nla.news-article12902975

JUST RECEIVED, and for sale, at KERN AND MADER'S, 7, Hunter-street . . .
Beethoven's Quartettes, perfectly new, beautifully half-bound . . .
Music and Musical Albums, plain music books
Violin, guitar, and harp strings, tuning forks, &c. . . .
N.B. - Bookbinding in all its branches manufactured on the premises . . .

Certificate to naturalize Charles Kern, 3 April 1850; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1549/records/7786 (PAYWALL)

. . . that John Louis Charles Gustavus Kern is a native of Pappenheim in Bavaria, thirty eight years of age, having arrived by the ship Persian in the year 1843, he is now residing in Sydney, carrying on business as a stationer and bookbinder, and wishing to obtain legal title to land in this Colony . . . GIVEN this [3 April 1850] . . .

[Advertisement], The Sydney Morning Herald (11 January 1851), 1

http://nla.gov.au/nla.news-article12924034

NEW AND FASHIONABLE MUSIC. Just arrived.
2000 PIANOFORTE PIECES, One Shilling each piece.
Mr. A. EMANUEL, Professor of Music, being the importer of the above, wishes to inform the musical world that Catalogues may be had
on application to his Agents, Messrs. Kern and Mader, Stationers, Hunter-street, where the Music is for sale.

[Advertisement], Empire (25 June 1853), 2

http://nla.gov.au/nla.news-article61325485

DISSOLUTION OF PARTNERSHIP.
THE Partnership hitherto existing between Charles Kern and Frederick Mader,
under the style and firm of Kern and Mader,
No. 7, Hunter-street, will expire on the 30th of June.
Persons having claims against the firm are requested to send them in without delay.
CH. KERN,
F. MADER.
Witness - E. MORIZE. Sydney, June 7.

[Advertisement], The Sydney Morning Herald (7 July 1853), 3

http://nla.gov.au/nla.news-article12947102

TO THE PUBLIC - In tendering his grateful acknowledgments for the patronage bestowed upon the late firm of Kern and Mader during the past ten years, the undersigned begs respectfully to intimate that the business will be resumed on the same premises on Tuesday, 6th July, and on his sole account.
CHARLES KERN, 7, Hunter-street, Sydney.

[Advertisement], The Sydney Morning Herald (25 November 1853), 1

http://nla.gov.au/nla.news-article12950636

NOTICE. - All Accounts due to the late firm of Messrs. Kern and Mader are requested to be paid forthwith to Mr. Hart, the collector; also to Mr. Kern, Hunter-street; or Mr. F. Mader, 503, George-street, opposite Hunter-street.
As the partnership accounts will be closed immediately, debtors are respectfully reminded that all accounts which remain unsettled on the first day [of] December next will be placed in the hands of a solicitor, without exception.
C. KERN,
F. MADER.
Sydney, 22nd November, 1853.

[Advertisement], Empire [Sydney, NSW] (7 November 1854), 2

http://nla.gov.au/nla.news-article60199704

NEW MUSIC - 60,000 pieces of the Musical Treasury, at sixpence per single number, at CHARLES KERN'S.

NOTE: "The musical treasury", a series published in London by George Henry Davidson; for a single volume words-and-melody only anthology, see Davidson's universal melodist (1853)

[Advertisement], The Sydney Morning Herald (4 December 1877), 8

http://nla.gov.au/nla.news-article28395835

CROYDON PARK ESTATE.
W. PRITCHARD has received instructions from CHARLES KERN, Esq.,
in consequence of his intended departure for Germany,
to sell by public auction, on the GROUND, WITHOUT RESERVE, on SATURDAY next, 8th December, at 3 o'clock,
About 10 1/2 acres of land, delightfully situated on the BURWOOD ROAD . . .

Musical editions (Kern and Mader):

The very last polka (Bernard, 1851)

The very last polka, by Francois Bernard (Sydney: Sold by Kern and Mader, [1851])

https://trove.nla.gov.au/work/179839782

https://collection.sl.nsw.gov.au/record/74VKZeoaPM2Z

[Advertisement], The Sydney Morning Herald (8 February 1851), 1

http://nla.gov.au/nla.news-article12924645

NEW POLKA. - The Very Last Polka composed by F. Bernard, price 2s.
This original and characteristic Polka, performed by J. Weippert's band at Her Majesty's last state ball, June 26, at Buckingham Palace, was one of the most effective and attractive compositions of the night.
It is supposed to be the last dance at the ball, and is descriptive of the clock striking, regret at parting, resolution of making the last not the least merry, &c.
The pianoforte copy is exceedingly well adapted to dance to.
May be had at Messrs. Kern and Mader's, Stationers, Hunter-street.

ASSOCIATIONS: John Charles Weippert (London musician)

My presence still, in calm, in storm (Balfe, August 1851)

My presence still, in calm, in storm, the celebrated romance, [from] The enchantress, sung by Miss Sara Flower (Sydney: Published by Messrs. Kern and Mader, [1851])

https://archive.org/details/Horne51213/page/n13/mode/2up (DIGITISED)

ASSOCIATIONS: Michael Balfe (Irish composer); Sara Flower (vocalist)

The casino polka (Emanuel, 1851)

The casino polka arrainged [sic] by A. Emanuel (Sydney: Published by Messrs. Kern and Mader, [1851])

https://trove.nla.gov.au/work/260901971

https://collection.sl.nsw.gov.au/record/74Vvexjm7pxZ (DIGITISED)

ASSOCIATIONS: Abraham Emanuel (composer, arranger)

[Advertisement], The Sydney Morning Herald (2 August 1851), 1

http://nla.gov.au/nla.news-article12929140

NEW MUSIC - Just published, "My Presence Still in Calm or Storm," the celebrated romance, sung by Miss Sara Flower, in the above Opera, at the Royal Victoria Theatre, price 2s.;
also, the Casino Polka, arranged by A. Emanuel, and dedicated to the patrons of his fashionable weekly entertainment, at the Royal Hotel, price 1s.
May be had of Messrs. KERN AND MADER, Stationers, Hunter-street, on Tuesday next.

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue); Royal Hotel (Sydney venue)

Works by Isaac Nathan (1850 to c. 1853):

The southern Euphrosyne (1848-49)

The southern Euphrosyne and Australian miscellany, containing oriental moral tales, original anecdote, poetry and music, an historical sketch with examples of the native aboriginal melodies put into modern rhythm and harmonized as solos, quartettes &c., together with several other original local pieces, arranged to a piano-forte accompaniment by the editor and sole proprietor I. Nathan (Sydney: [for the composer]; London: Whittaker & Co., [1848-49])

https://trove.nla.gov.au/work/6685469

https://nla.gov.au/nla.obj-166023361 (DIGITISED);

ASSOCIATIONS: Though largely printed by William and Frederick Ford, apparently published and sold by Kern and Mader

[Advertisement], The Sydney Morning Herald (13 August 1850), 1

http://nla.gov.au/nla.news-article12920222

KERN AND MADER, HUNTER-STREET.
COMPLETE IN ONE VOLUME, PRICE ONE POUND.
THE SOUTHERN EUPHROSYNE, containing original Moral Tales,
chiefly from the Hebrew, Persian, Chaldee, and Arabic,
with illustrations, anecdote, poetry, and music, an historical sketch, with examples, of the ABORIGINAL MELODIES, put into modern rhythm, and harmonised
(together with other original vocal pieces) as solos quartettos, &c., to a pianoforte accompaniment,
by the Editor and Sole Proprietor, I. NATHAN.

Loyalty (1850)

Loyalty, a national paean, respectfully inscribed to his excellency, Sir Charles Augustus Fitz Roy, K.C.H., Governor-in-chief of New South Wales and its dependencies by I. Nathan ([Sydney]: Kern & Mader, [1850])

https://trove.nla.gov.au/work/16495348

https://nla.gov.au/nla.obj-165978258 (DIGITISED)

[Advertisement], The Sydney Morning Herald (7 October 1850), 7

http://nla.gov.au/nla.news-article12921579

"LOYALTY." A NATIONAL POAEN [sic],
inscribed to His Excellency Sir Charles Augustus Fitz Roy. By I. NATHAN.
KERN AND MADER, Hunter-street.

Lungi dal caro bene (1852)

Lungi dal caro bene, sung by Mr. Palmer, as newly harmonised, corrected and revised with appropriate symphonies and accompaniments and with variations composed expressly for his extraordinary soprano voice by I. Nathan (Sydney: Kern & Mader, [1852])

https://trove.nla.gov.au/version/19363651 (DIGITISED)

ASSOCIATIONS: W. J. Palmer (vocalist)

"MUSIC", The Sydney Morning Herald (20 March 1852), 4

http://nla.gov.au/nla.news-article12935283

We have received a copy of Mr. Nathan's recent adaptation of the favourite air Lungi dal Caro bene, harmonized and revised, with variations expressly composed for Mr. Palmer, the young sofrano [sic, soprano] singer, who made his debut some months ago at the concert of St. Mary's Choral Society. Mr. Nathan's name is a sufficient guarantee for the correct treatment of the subject, and his acknowledged taste is fully displayed in the elegance and lightness of the fioriture.

"MUSICAL MEMS", Bell's Life in Sydney and Sporting Reviewer (20 March 1852), 3 supplement

http://nla.gov.au/nla.news-article59774293

The beautiful air "Lungi Dal Caro Bene," has been newly harmonized, corrected and revised, and variations composed expressly for the soprano voice of Mr. Palmer, by the celebrated composer, Nathan. It is published by Messrs. Kern and Mader, of Hunter-street, in a very neat and cheap form. Some elaborate instructions are also appended to it, for the benefit of tyros.

Angels ever bright and fair (by 1853)

Angels ever bright and fair, from Handel's Theodora, sung by Mr. Palmer at St. Mary's Choral Society, as arranged with variations &c., expressly for his extraordinary soprano voice by I. Nathan (Sydney: Kern & Mader, [? 1853])

https://trove.nla.gov.au/work/232580846

https://nla.gov.au/nla.obj-165981980 (DIGITISED)

ASSOCIATIONS: St. Mary's Choral Society (association)

Long live our gracious Queen (by 1853)

Long live our gracious Queen; inscribed to the loyal subjects of her majesty queen Victoria, by I. Nathan ([Sydney]: Kern and Mader, [by 1853])

https://trove.nla.gov.au/work/16494419

https://nla.gov.au/nla.obj-165974928 (DIGITISED)

Albums of sheet music (bound by Kern and Mader):

Album owned by Sara Flower; bound by Kern and Mader, Hunter Street, Sydney; State Library of New South Wales

https://trove.nla.gov.au/work/260987622

https://collection.sl.nsw.gov.au/record/74VKMRwbvAp3

Album owned by Miss Ann Weller, bound by Kern and Mader, Hunter Street, Sydney; State Library of New South Wales

https://trove.nla.gov.au/work/260999504

https://collection.sl.nsw.gov.au/record/74VvwKJKlWpb

Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 188-89

http://ro.uow.edu.au/theses/2926 (DIGITISED)

KERR, Andrew (Andrew KERR)

Musician, Scottish vocalist, flauto / flute player (? or flutina)

Active Bendigo, VIC, 1858

https://sydney.edu.au/paradisec/australharmony/register-K.php#KERR-Andrew (shareable link to this entry)

? IDENTIFICATION: Charles Andrew Kerr (born Falkirk, Scotland, 13 September 1830; died Bendigo, 24 April 1871)

Documentation:

[Advertisement], Bendigo Advertiser [VIC] (5 March 1858), 3

http://nla.gov.au/nla.news-article87979127

CAMP HOTEL, EAGLE HAWK.
FRIDAY EVENING, MARCH 5th, 1858.
BENEFIT and last appearance but one of MR. W. WHITE, (Formerly of Rainer's Serenaders.)
The following Gentlemen have kindly volunteered their valuable services:-
INSTRUMENTALISTS:
Mr. S. Radford - Violin (primo.)
Mr. James McEwan - Violin (secundo.)
Mr. R. McEwin - Cornet.
Mr. Andrew Kerr - Flauto.
Mr. John McEwan - Basso.
Mr. Hunter - Piano.
Mr. M. W. White - Banjo.
VOCALISTS:
Mr. J. Small, the celebrated characteristic and local Singer, who on this occasion will sing, for the first time, his new song on the "Mining Board Election."
Mr. R. McEwan, the admired Basso.
Mr. Hammond, the favorite Comic Singer. -
Mr. Kerr, the favorite Scotch Vocalist. -
Mr. White, Tenor and Banjoist.
Prices of Admission: backseats, 2s.6d. ; Front do. 4s.
To commence at Eight o'clock. DANCING AFTER THE CONCERT.

ASSOCIATIONS: M. W. (Bill) White (serenader); Sidney Radford (violin); McEwen family (musicians); William Hunter (piano); W. H. Hammond (vocalist); Joe Small (vocalist)

KERR, George (George KERR) = George CARR

Musician, master of the Band of the New South Wales Corps (d. 1804)

KERR, William (William KERR)

Stationer, musicseller, journalist, newspaper editor

Born Leswalt, Wigtownshire, Scotland, 16 February 1812; baptised Leswalt, 26 February 1812; son of David KERR and Anne Jannet McCAMMON
Arrived Sydney, NSW, 1832 (from Scotland)
Active Maitland, NSW, by December 1832
Active Melbourne, NSW (VIC), by 1839
Died Sunbury, VIC, 25 May 1859, aged "47"

https://trove.nla.gov.au/search?l-publictag=William+Kerr+1812-1859 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-829527 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KERR-William (shareable link to this entry)

DISAMBIGUATION: Not to be confused with William Kerr, builder, of Bathurst, who also died in 1859, and who was the subject of a funeral sermon published in Sydney

Documentation:

Baptisms, Leswalt, Wigtownshire, 1812; Scotland, select births and baptisms

https://www.ancestry.com.au/search/collections/60143/records/16521811 (PAYWALL)

26 February 1812 / born 16 February 1812 / William son of / David Kerr and Anne Jannet McCammon

ASSOCIATIONS: David Kerr (1777-1822) and Ann McCammon (c. 1785-1854) married at Kirkcolm, Wigtownshire, on 12 February 1809

[Advertisement], The Sydney Herald [NSW] (17 December 1832), 3

http://nla.gov.au/nla.news-article12845920

EDUCATION. TO THE INHABITANTS OF MAITLAND, AND THE SETTLERS ON THE HUNTER.
MR. , WILLIAM KERR respectfully begs leave to intimate to the Inhabitants of Maitland and its Vicinity,
that he intends opening an ACADEMY in the building known by the name of the Scots Church, Maitland.
Mr. Kerr has lately arrived in the Colony,
and he hopes from his experience in teaching in one of the most respectable Boarding Academies in Scotland, that he will give satisfaction to those parents who may entrust their children to his care . . .

"SUPREME COURT. WEDNESDAY JUNE 29 . . . Bull v. Wilson", The Colonist [Sydney, NSW] (7 July 1836), 1

http://nla.gov.au/nla.news-article31718241

This was an action brought to recover compensation for an assault . . .
William Kerr. - I am employed in the Colonist Office, and recollect a piece of poetry that was published in the paper. I was in Hunter-street, and saw Wilson with another gentleman going towards the office . . .

ASSOCIATIONS: Kerr, then a sub-editor of the Presbyterian newspaper, The colonist, was one of the prosecution witnesses in the case against John Thomas Wilson, recent subject of the squib, John Thomas was a Shropshire man.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (21 October 1837), 3

http://nla.gov.au/nla.news-article2213565

[ADVERTISEMENT.] To the Editor of the Sydney Gazette.
SIR, PERMIT me, through the medium of your columns, to direct public attention to an advertisement in yesterday's Australian from the pen of Mr. T. Simes, Manager, Theatre Royal. First, because it afford s a bright specimen of the innate delicacy of feeling, taste, and literary ability of Mr. T. Simes, as well as of the Manager of the Theatre Royal . . .
Mister Simes is right in supposing that I wish to oust him from his situation, and I wish to "bring himself, as manager, into contempt and obloquy" . . .
When, how, or where I conceived the ire, Master Simes imagines I entertain against Mrs. Taylor, is a matter of little consequence, suffice it, that I do consider her a female lost to every sense of decency or modesty, and that her production on the stage is a disgraceful insult to every respectable female in the audience or on the stage on which she appears . . .
I am, Sir, &c.
WILLIAM KERR.
Sydney, October 20, 1837.

ASSOCIATIONS: Thomas Simes (actor, manager); Maria Taylor (actor); Theatre Royal (Sydney venue);
for Simes's letter see [Advertisement], The Australian (20 October 1837), 3

http://nla.gov.au/nla.news-article36856746

[ADVERTISEMENT] THEATRE ROYAL, SYDNEY. TO THE PUBLIC . . .
I feel called upon to answer an article that appeared in the Gazette of Tuesday last, evidently written for the express purpose of injuring the family of the deceased Mr. B. Levy, by bringing the Theatre, and myself as manager, into contempt and obloquy. That the whole article is the production of base malignancy and ill feeling, it is hardly necessary for me to point out, since its appearance in the Sydney Gazette, will of itself establish the fact. I will, however, recal to the mind of the public the numberless, scandalous, spiteful and unfounded attacks that have at various times appeared in that paper during the latter part of the proprietorship of the late Barnet Levy - those attacks, it will be remembered, were written in defence of, or by a person of the name of Kerr, who for some cause was ejected from the Theatre by the late proprietor . . .

ASSOCIATIONS: Barnett and Sarah Levey (late proprietor and widow)

[Advertisement], Port Phillip Patriot and Melbourne Advertiser (5 November 1840), 1

http://nla.gov.au/nla.news-article228129247

Book and Stationery Warehouse, Collins Street.
THE Undersigned has just landed from the London, and has now open for inspection,
Two very superior Cottage Pianofortes, mahogany French polished, 6 1/2 oct, metalic plate columns, O. G. Fall;
One old Violin, by Duke, with octagon pearl handled bow, &c., one of the finest instruments ever imported to the Australian colonies;
One ditto ditto, (Italian) equally valuable;
Two very superior Violins, oil varnish, double purpled, with octagon pearl mounted bow;
One superb Guitar, machine head, pearl, mounted, silver fretts, &c.;
Two German silver mounted cocoa Flutes, 8 keys, patent, with handsome rosewood case;
A great variety of Horns, Half-moons, Trumpets, one and four keyed Concert Flutes, &c.;
An assortment of the newest and most fashionable Music;
Guitar, Pianoforte, Violin, and Flute Tutors.
The whole of the above will be found well worthy of inspection.
- WILLIAM KERR. Melbourne, November 2.

[Advertisement], Port Phillip Patriot and Melbourne Advertiser (28 December 1840), 4

http://nla.gov.au/nla.news-article228129157

NEW MUSIC. - The subscriber has purchased the whole of the
vocal, pianoforte, violin, and guitar Music,
imported by Mr. Ellard from Sydney, in the Clonmel,
and will have it ready for inspection, this morning, at the Book and Stationery Warehouse, Collins-street.
- WILLIAM KERR. A few very superior violins, guitars and flute for sale.

"DIED", Geelong Advertiser (26 May 1859), 2

http://nla.gov.au/nla.news-article150078680

On Wednesday, 25th inst, at the Sunbury Station of the Melbourne and Sandhurst Railway, Mr. William Kerr.

"THE LATE WILLIAM KERR", The Age (7 June 1859), 4-5

http://nla.gov.au/nla.news-article154826788

. . . About the foremost and certainly the most independent of the popular leaders of Port Phillip was the late William Kerr, some time town clerk of Melbourne. Mr. Kerr arrived in New South Wales in the year 1832; shortly after his arrival he engaged as tutor to the family of a Mr. Homes of Glenlie; afterwards he became a teacher in the Australian College, Sydney; subsequently, but at what date is not exactly known, he became sub-editor of the Sydney Gazette and the Colonist newspapers. He remained in connexion with the former journal till 1839, when he came to Melbourne as the sub-editor of the Herald. He continued on that paper about twelve months, and at the expiry of that time he became lessee and editor of the Port Phillip Patriot, in which position he remained till the beginning of 1845. He then established the Melbourne Courier, of which he was proprietor and editor; but the Courier's existence was brief. Mr. Kerr, however, did not remain long idle; in 1848 he started the Argus and carried it on with great spirit. He was now completely master of his own columns, and from this time may be dated the commencement of free discussion in the colony. The Argus at that time was the only Melbourne paper in which all matters of public interest were allowed to be freely commented on. Most other journals were guilty of the silliest toadyism, and their editors clung with ludicrous tenacity to the tail of the pinchbeck aristocracy. Kerr held on in his independent course, and the Argus took a leading position. Edward Wilson, who had been for a considerable time an amateur journalist, joined the Argus, and, as he said, infused fresh blood into it. Wilson believed himself to be what is called a liberal politician; but his opinions were founded more upon feeling than reason; he became a public teacher when he ought to have been a student; his notions were of the crudest, and it soon became apparent that his overweening egotism and dogmatism had disgusted his co-editor, and that the Argus was under a divided rule. A separation became necessary; an arbitration ensued, and Mr. Kerr was ousted late in 1850. He then joined Mr. McCombie, and became a co-proprietor and editor, with that gentleman, of the Port Phillip Gazette. His connection with this journal did not last for any length of time. The City Corporation found great difficulty in getting a competent successor to Mr. King, their late town clerk, who had gone to England as agent for the Anti-Transportation League. Mr. Kerr in 1851 reluctantly accepted the office, and at that date his connection with the press may be said to have ceased. As a journalist Mr. Kerr stood, at one time, second to none in the colonies. Composition was to him a matter of severe labor, but his articles were always concise, striking, and to the point. His denunciation of what he conceived to be wrong-doing, were often terribly severe, and it must be admitted his strong feelings sometimes made him appear more of a partisan than a patriot, more of a true blue presbyterian than a Christian . . .

ASSOCIATIONS: Edward Wilson (journalist); Thomas McCombie (journalist)

KESTERTON, Emmeline (Emmeline BARFOOT; Emeline, Emma; Mrs. Henry Coleman KESTERTON)

Musician, vocalist, harpist, harp player

Born London, England, 19 November 1809; baptised St. Botolph, Bishopsgate 10 December 1809; daughter of Joseph BARFOOT and Frances Mary BIRKETT
Married Henry Coleman KESTERTON (1809-1886), St. Mary, Newington, Southwark, England, 5 March 1833
Arrived Hobart Town, VDL (TAS), 16 August 1833 (per Curler, from London 20 March)
Died Anvil Creek, via Maitland, NSW, 12 November 1846, aged "32" [sic]

https://trove.nla.gov.au/search?l-publictag=Emmeline+Barfoot+Kesterton+1809-1846 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KESTERTON-Emmeline (shareable link to this entry)

Summary:

Emeline Barfoot, daughter of the London stationer Joseph Barfoot and his wife Frances Mary Birkett, married Henry Coleman Kesterton (born 6 November 1809), son of the London coachmaker, Joseph Kesterton and his wife Anna Maria Coleman, in London in March 1833 (see Kesterton coaches in Sydney in 1838 and 1839).

Immediately after their wedding, the couple sailed for Hobart. A daughter, Maria, was born and died in the space of days in April 1834, by which time the couple were living on New Town Road, Henry pursuing his family trade as a coachmaker.

Six months later, Emmeline made the first of her two documented public appearances, among several local performers who, at the behest of Sophia Davis, contributed gratuitously to an October benefit for the Polish refugee, George Gordonovitch. The second, in November, was a concert for another recent arrival in Hobart, the pianist Edmund Leffler.

On both occasions she sang songs from Thomas Moore and John Stevenson's collections, accompanying herself on the harp. Evidently she did not have an instrument of her own, so on the first occasion (and perhaps also the second) a harp was lent by the eldest daughter of governor George Arthur.

At the first concert she sang Flow on thou shining river, on a "Portuguese air" (Henry Bishop arranged another version of the same tune, as the "Sicilian air" of Home, sweet home; as see also Challoner's variations). That at the second concert was Moore's song Wilt thou say farewell love.

A second daughter, also Emmeline (Emma), was probably born the following year, 1835; she died in tragic circumstances, aged about 22, in Sydney on 3 February 1857, having been governess in the family of Edward Riley of Balmain.

Emmeline herself is not on record as having performed in public again. She died in Anvil Creek, near Maitland, on 12 November 1846.

Documentation:

Christenings, 1809; St. Botolph, Bishopgate, London, 1809; register 1803-12, page 133; London Metropolitan Archives, P69/BOT4/A/004/MS04518/002

https://www.ancestry.com.au/search/collections/1624/records/5784624 (PAYWALL)

[1809 December] 10 / Emmeline Barfoot / Dau. of Joseph & Frances Mary / [born] Nov'r 19

ASSOCIATIONS: Joseph Barfoot and Frances Mary Birkett married at St. Botolph Bishopgate on 10 June 1798

Marriages solemnized in the parish of St. Mary, Newington, in the county of Surrey in the year 1833; register 1827-34, page 34; London Metropolitan Archives, P92/MRY/071

https://www.ancestry.com.au/search/collections/1623/records/5972876 (PAYWALL)

No. 101 / Henry Coleman Kesterton, of this Parish, bachelor / Emeline Barfoot, of this Parish, spinster, were married in this church by license . . . this [5 March 1833] . . .
in the presence of Uppington Bracee Barfoot [brother] / Anna Maria Kesterton [mother]

Arrival at the port of Hobart Town, the ship Curler, 16 August 1833; Tasmanian Names Index; NAME_INDEXES:445379; MB2/39/1/1 p403

https://libraries.tas.gov.au/Record/NamesIndex/445379

https://libraries.tas.gov.au/Digital/MB2-39-1-1/MB2-39-1-1P204 (DIGITISED)

. . . Mr. H'y Kesterton / Mrs. E. Kesterton . . .

"TRADE AND SHIPPING", The Hobart Town Courier [VDL (TAS)] (23 August 1833), 3

http://nla.gov.au/nla.news-article4190512

Arrived on Friday the 16th instant, the ship Curler, 327 tons, Lieutenant Hunter, R.N. master, from London 20th March, with a general cargo of goods - Passengers . . . Mr. H. and Mrs. E. Kesterton . . .

Burials in the parish of Hobart Town . . . 1834; Tasmanian Names Index; NAME_INDEXES:1178990; RGD34/1/1 no 3391

https://libraries.tas.gov.au/Record/NamesIndex/1178990

https://libraries.tas.gov.au/Digital/RGD34-1-1/RGD34-1-1P149

No. 1395 - 3391 / Maria Kesterton / Newtown Road / 23rd April / [age] 1st days / Coach maker's child / Wm. Bedford

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (28 October 1834), 1

http://nla.gov.au/nla.news-article8647888

Concert. MR. GORDONOVITCH
respectfully begs leave to announce to the inhabitants of Hobart Town and its vicinity,
that he will (with the assistance of his kind friends and the professional talent of the town,)
give a Concert of Vocal and Instrumental Music at the Court House, This Evening, the 28th instant.
Colonel Leahy has kindly permitted the attendance of the splendid Band of his regiment.
Mrs. DAVIS will preside at the Piano-forte.
PART I . . . Song - "Flow on that shining river," Mrs. KESTERTON, accompanied by herself on the harp - Moore . . .

ASSOCIATIONS: George Gordonovitch (vocalist); Sophia Letitia Davis (piano); Band of the 21st Regiment (military); Court House (Hobart venue)

MUSIC: Flow on thou shining river (Moore and Stevenson), on a "Portuguese air", another version of the same tune, as the "Sicilian air" of Home, sweet home (as arranged by Henry Bishop)

See also, [Broadside concert bill], George Gordonivitch, Court House, Hobart, 28 October 1834; Libraries Tasmania

https://libraries.tas.gov.au/Record/Library/SD_ILS-1051059

Mr. Gordonovitch respectfully begs leave to announce . . . a concert of vocal and instrumental music, at the Court House on Tuesday the 28th instant . . .

"MR. GORDONOVITCH'S CONCERT", Trumpeter General (31 October 1834), 2

http://nla.gov.au/nla.news-article172896147

The Concert on Tuesday night, was numerously and respectably attended, amongst the company we observed . . . most of the leading fashionables of Hobart Town . . . Mrs. Kesterton's performance on the harp, was a great attraction, and gave much satisfaction . . .

"Mr. Gordonovitch's concert . . .", The Hobart Town Courier (31 October 1834), 3

http://nla.gov.au/nla.news-article4182737

. . . Mrs. Kesterton's performance on the harp (kindly lent, we understand, by Miss Arthur) afforded us considerable pleasure; but the timidity under which this lady laboured, detracted very considerably from the full effect which, we know, she could impart to her playing . . .

ASSOCIATIONS: Isabella Maria Arthur (c. 1818-1891, harp owner), eldest daughter of George and Eliza Arthur (governor and wife)

[Advertisement], Colonial Times (11 November 1834), 3

http://nla.gov.au/nla.news-article8647908

CONCERT. MR. LEFFLER respectfully informs his Friends and the Public in general,
that his Concert will take place on Thursday Evening next,
November 13, 1834, at the Argyle Rooms,
on which occasion Messrs. Reichenberg, Peck, Deane, and Family will assist . . .
PART I . . .
Song - Mrs. KESTERTON, "Wilt thou say farewell, Love?" by desire, accompanied by herself on the Harp - Moore . . .

ASSOCIATIONS: Edmund Leffler (musician); Joseph Reichenberg (musician); George Peck (musician); John Philip Deane and family (musicians); Argyle Rooms (Hobart venue)

MUSIC: Wilt thou say farewell love (Moore and Stevenson)

"DEATHS", The Maitland Mercury and Hunter River General Advertiser [NSW] (14 November 1846), 3

http://nla.gov.au/nla.news-article685577

On Thursday last, the 12th instant, after a painful and protracted illness, sincerely regretted by her numerous acquaintance, Emma, the beloved wife of Mr. H. Kesterton, of the Crown Inn, Anvil Creek, aged 32 years, leaving a family of five young children, with her disconsolate husband, to lament her irreparable loss.

Bibliography and resources:

Rosemary Hallo, Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents (Ph.D thesis, University of Adelaide, 2014), 89, 202

http://hdl.handle.net/2440/86482 (DIGITISED)

KETTEN, Henry (Henry KETTEN; Henri KETTEN; Mr. KETTEN)

Musician, pianist, composer

Born Baja, Hungary, 25 March 1848
Arrived Sydney, NSW, 10 May 1880 (per Australia, from San Francisco, via Auckland)
Departed Brisbane, QLD, 26 April 1881 (per Merkara, for Batavia, via Townsville)
Died Paris, France, 1 April 1883, aged "35"

https://trove.nla.gov.au/search?l-publictag=Henry+Ketten (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1194939 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Henri_Ketten (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KETTEN-Henry (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

KEYSER, Henry (Henry KEYSER)

Musician, bandsman, Band of the 3rd Regiment (Buffs)

Born Jersey, 20 March 1795
Enlisted (3rd Regiment), Jersey, 18 December 1803 (aged "8 yrs 273 days")
Arrived Sydney, NSW, 29/30 August 1823 (on the Commodore Hayes, via Hobart)
Departed Sydney, NSW, 23/25 January 1827 (per Speke and Woodford, for India)
Died Chinsurah, West Bengal, India, 4 May 1827, aged "32"

https://sydney.edu.au/paradisec/australharmony/register-K.php#KEYSER-Henry (shareable link to this entry)

ASSOCIATIONS: Band of the 3rd Regiment (military)

Documentation:

Pay-list of the 3rd Regiment of Foot, [Deptford], from 25 December 1822 to 24 March 1823; Australian Joint Copying Project, from UK National Archives, WO12/2118

https://nla.gov.au/nla.obj-1643063123 (DIGITISED)

PRIVATES . . . Keyser Henry . . . Band . . .

Pay-list of the 3rd Regiment of Foot, from 25 March to [Sydney] 24 September 1823; Australian Joint Copying Project, from UK National Archives, WO12/2118

https://nla.gov.au/nla.obj-1643055305 (DIGITISED)

PRIVATES . . . Keyser Henry . . . Band . . .

Pay-list of the 3rd Regiment of Foot, from 25 December 1825 to 24 March 1826; Australian Joint Copying Project, from UK National Archives, WO12/2119

https://nla.gov.au/nla.obj-1642876771 (DIGITISED)

PRIVATES . . . Keyser Henry . . . Band . . .

Description book, 3rd Regiment of Foot; UK National Archives, WO25/323

https://www.ancestry.com.au/imageviewer/collections/3253/images/40940_2000729072-00148 (PAYWALL)

Keyser Henry / [at enlistment] 4 ft 8 in / [at 24 yrs] 5 ft 6 in / [age at enlistment] 8 yrs 273 days / [complexion] fair / [eyes] blue / [hair] light / [visage] oval / [born] Jersey / Jersey / labourer / [enlisted] Jersey / 18th Dec'r 1803 / [deceased] 4 May 1827 / Chinsurah / East Indies

KIERATH, Charles (Karl KIERATH; Charles KIERATH; Mr. KIERATH; also KEIRATH)

Musician, bandmaster (German band), storekeeper

Born Gebhardshagen, nach Braunschweig (Brunswick, Germany), 5 January 1829; son of Wilhelm KIERATH and Christena WEDEKIN
Married [1] Henrietta BONDSTADT (d. VIC, 1855), (Germany), ?
Arrived Melbourne, VIC, 1855
Married [2] Louisa LOHLER (d. 1915), Woolshed, VIC, 1858
Died Chiltern, VIC, 21 February 1922, aged "93"

https://trove.nla.gov.au/search?l-publictag=Charles+Kierath+1829-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KIERATH-Charles-Henry (shareable link to this entry)

Summary:

Kierath's recollection (1914) was that his musical party arrived on the Arabia from Liverpool in 1855; however, that famous Liverpool ship ran the Atlantic route, and did not come to Australia. Carl Esther, with whom he was later associated in Beechworth, was probably in the same party of musicians, their recent arrival reported in the Argus in February 1855. These otherwise unidentified musicians were probably among a party of German immigrants who had sailed from Liverpool on the Goldfinder in November 1854, and landed in Melbourne on 1 February (see here for the incomplete list of German immigrants of whom "too many landed" to be individually named). The deaths of his Kierath's first wife, Henrietta, and son, Charles, were registered in Victoria in 1855. He was already a storekeeper at Woolshed, near Beechworth, by the beginning of 1857.

Documentation:

"ITINERANT MUSICIANS", The Argus [Melbourne, VIC] (6 February 1855), 5

http://nla.gov.au/nla.news-article4804033

Our streets have been enlivened of late by the performances of some very excellent German musicians who have arrived from the old country. Among the street bands which are at present to be heard in Melbourne is one composed of nine performers, whose execution of dance music, particularly of the valse, for which the Germans are so famous, excels that of any band of itinerant musicians we have ever heard. It consists of two violin, that much neglected but highly useful instrument the viola, contra bass, clarionet, cornet, sax horn, and two French horns. The arrangement and selection of its repertoire, as well as the taste and precision with which its music is rendered, proves that the leader is possessed of both talent and industry.

"BRUTAL ATTEMPT AT MURDER", The Portland Guardian and Normanby General Advertiser [VIC] (30 January 1857), 2

http://nla.gov.au/nla.news-article64567679

On Wednesday evening, towards dusk, a German, named Karl Keirath, was returning from the races towards Woolshed, at which place he keeps a store, he saw two men walking in front of him, and quickened his pace, thinking that he might keep their company if they were going to the same place . . . As soon as they saw him, one of the ruffians exclaimed, "Stand, you ---" and shouted to the other to lay hold of him. The unfortunate man, who had about £25 in his pocket, attempted to run from them, when the older of the two, who must have been within a few yards, levelled a pistol at him, and fired. The ball went in at the right side of his back and lodged in the lung. The blood spurted out of his mouth as soon as he was shot and the perpetrators of the crime took to their heels without lightening the the pockets of their victim. A countryman of the sufferer, who happened to come up a few minutes after the occurrence, assisted him as far as Dr. Crawford's house . . . A full description of the ruffians who perpetrated this cruel deed has been given to the police . . . Since the foregoing was in type, the police have arrested, on suspicion, a person whom the wounded man recognises, to the best of his knowledge, to the party who fired the shot.- Ovens Constitution.

"WOOLSHED POLICE COURT", Ovens and Murray Advertiser [Beechworth, VIC] (7 September 1858), 2

http://nla.gov.au/nla.news-article112898043

. . . Karl Keirath deposed that he was a storekeeper residing at the Woolshed . . .

Index to naturalisation certificates, 28 September 1865; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/10305 (PAYWALL)

Charles Kierath / Store-keeper / Cornish Town /
Age (on date of naturalization) 36 / Native Place - Gebharshagen [sic], Brunswick /
Date of Certificate [28 September 1865] . . .

"MANY HAPPY RETURNS OF THE DAY. 85 years on Monday Last. RUTHERGLEN'S PIONEER BUSINESS MAN, CHARLES KIERATH", Rutherglen Sun and Chiltern Valley Advertiser [VIC] (9 January 1914), 5

http://nla.gov.au/nla.news-article121003885

On Monday, 5th January, Mr. Charles Kierath, of Cornishtown, celebrated his 85th birthday. This year Mr. Kierath stayed at home with the members of his family. In former years he usually went to Chiltern and met a few friends. It had been Mr. Kierath's intention to visit Rutherglen this year, but the members of his family had first call for a home gathering. We now join, with his other friends in wishing Mr. Kierath many happy returns of the day, and in doing so also congratulate him upon having been given good health to enjoy his birthday. Few men of. Mr. Kierath's age are so active, and he frequently drives from Cornishtown to Rutherglen and Corowa and transacts business.
Mr. Kierath is also one of the pioneers of the North-Eastern District; he arrived in Victoria by the ship Arabia, from Liverpool, in the year 1855. He is a native of Brunswick, Germany. In the year '55 he formed a band of eight, musicians for the purpose of visiting England, and then Australia. After a short time in England, and having arranged for the passage of the members of his band to Australia, he was joined by his wife, and the party of young Germans set sail for the Southern Cross lands. On arrival at Melbourne the members of the band gave a series of open air concerts, and also accepted engagements; they also visited Ballarat and Bendigo.
On his return to Melbourne he learnt of the Ovens goldfields, and it then became a question whether it would be Beechworth or Sydney. A Mr. Johnston engaged four members of the band, who went to Sydney, our esteemed resident going to Beechworth where, with the late Carl Esther, he commenced a green-grocery business, but also accepting engagements as musicians. Mr. Kierath took charge of a branch store at the Woolshed, and on 21st January, 1857, visited the races at Beechworth. Returning in the evening with a companion they were bailed up by two armed men on the La Serana road. When called upon to stand, Mr. Kierath had no desire to hand over his hard earned cash, and made a bolt through the bush; one of the would-be robbers fired at him, and although hit in the side with the bullet, Mr. Kierath continued to run through the bush, and ultimately made his way to Beechworth and gave information to the police. Dr. Crawford was called in, and although he probed the wound, he could not locate the bullet, under the doctor's care the patient progressed, and he has carried the bullet, which can be felt just below the ribs, to the present day. The police made several arrests, but owing to the robbers wearing a mask, Mr. Kierath was unable to identify them, but believes that the culprit was shortly after arrested for a similar offence and received a good stiff sentence.
In the year 1859 he was one of the first to open a store on the Indigo, and in September, 1860, when word was received at Indigo that gold was discovered at Rutherglen, he packed up his waggon with goods, and was among the first who arrived on the new gold field, and at once started selling his goods to the diggers as they arrived at a good profit . . . On the decline of the rush, and the shifting of business from the lower to the upper part of the town, Mr. Kierath removed his shop to Cornishtown, where he has since resided. He has been an active man, taking his full share of public work. He was a member of the old road board, and afterwards a shire councilor. He took an active part in having the offices of the council removed from Wahgunyah to Rutherglen. He was a member of the Cornishtown school committee from its inception until the Rutherglen Shire Board of Advice was formed, and was elected a member of that board and retained his seat until the boards were abolished a little over two years ago. He not only took an interest in local matters, but was also elected a member of the Albury Agricultural Society Committee, and on his retiring from that committee was elected a life member of the society. When the schools excursions were first arranged Mr. Kierath put a lot of energy into the movement, and on one occasion filled the position of chairman. Our worthy resident, as a district pioneer, has taken his full share of work, and it is to be hoped that he will still have life and health for a few more years to enjoy the company of his worthy wife and family.

ASSOCIATIONS: Carl Esther (musician, storekeeper, business partner)

"MR. CHARLES KIERATH", The North Eastern Ensign [Benalla, VIC] (24 February 1922), 2

http://nla.gov.au/nla.news-article70770251

At the ripe old age of 93 years, death came to Mr. Charles Kiereth on Tuesday. Sixty-eight years of his long life were passed in the Rutherglen district, whither he came as a musician in the early days. He was at the Beechworth and Woolshed diggings, and at La Serena Hill was waylaid by would-be robbers, and in escaping from them young Kierath received a bullet in the side - which, by the way, was never extracted. He next settled at Indigo, and afterwards came to Rutherglen and set up as a storekeeper. This was at the time of the gold rush of 1860. Mr. Kierath was about the first business man on the Wahgunyah goldfields. His store was afterwards moved to Indigo, where it still stands. The deceased shone in public life as a member of the Shire Council, School Board, Road Board, Agricultural Society, etc., and was a man greatly respected throughout the district.

KILBURN, Douglas Thomas (Douglas Thomas KILBURN; D. T. KILBURN; Mr. KILBURN)

Musical amateur, amateur vocalist, photographer, customs agent

Born London, England, 23 August 1811; baptised Christ Church, Newgate-street, 25 September 1811; son of Thomas KILBURN and Catherine WARD
Arrived Adelaide, SA, 17 April 1840 (per Warrior from London, 17 November 1839, via Plymouth, with brother Charles)
Active Melbourne, NSW (VIC), by c. 1846 to 1849
Married Anna Maria PATTERSON (d. 1897), St. George's church, Douglas, Isle of Man, 19 November 1851
Died Hobart, TAS, 10 March 1871, aged "58" [sic]

https://trove.nla.gov.au/search?l-publictag=Douglas+Thomas+Kilburn+1811-1871 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-603537 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KILBURN-Douglas-Thomas (shareable link to this entry)

Documentation:

Baptisms, Christ Church, Newgate Street, City of London, 1811; London Metropolitan Archives, DL/A/E/057/MS10115/006

https://www.ancestry.com.au/search/collections/1624/records/4850910 (PAYWALL)

[1811 September] 25 / Douglas Thomas / son of Thomas and Catherine Kilburn / [born] Aug't 23 1811

ASSOCIATIONS: Thomas Kilburn and Catherine Ward married at Childwall, Lancashire, on 18 November 1810

"SHIPPING INTELLIGENCE. ARRIVED", Adelaide Chronicle and South Australian Advertiser [SA] (21 April 1840), 2

http://nla.gov.au/nla.news-article195859797

17 - The ship Warrior, 478 tons, Joseph Beckett, commander, from London and Plymouth, having left the former place on the 16th, and the latter on the 27th November, with a general cargo. Passengers Dr. Kent, surgeon-superintendent, lady and two children, Mr. J. Bonnar, Mr. Douglas Kilburn, Mr. Charles Kilburn . . .

ASSOCIATIONS: Charles Kilburn (1820-1889; brother, business partner)

"AMATEUR CONCERT - MECHANICS' MUSIC CLASS", The Melbourne Daily News [NSW (VIC)] (22 November 1848), 2

http://nla.gov.au/nla.news-article225706797

The first of a serious [sic, series] of concerts to be given by this Society, was given last night at the Mechanics' Institution to a very crowded audience. The instrumental portion of the Programme was admirably managed. The performers appear to have had frequent rehearsals, or in other words must be rather advanced for a "class." The overtures went off with sparkling precision. We were agreeably surprised by the singing of Mrs. Reynolds, who appeared to much more advantage than in her recent debut at the Queen's Theatre . . . "England" one of Mr. Russel's compositions, we believe, was warmly encored, and was well sung by an amateur possessing a powerful baritone voice, - he wants distinctness and energy. The flute solo was rapturously encored. The song from Balfe's Bondman, of "They say there is some distant land," introduced here by Mr. Ellard was well, but a little too tamely sung by an amateur possessing a fine voice and taste. The performances concluded about 10 o'clock, the audience expressing themselves highly pleased with the entertainments. Should the members of this Society continue to progress, as they have commenced, their Orchestra promises not only to be an efficient one, but a credit to the city. Mr. Kilburn has been foremost amongst the most active in its organization.

ASSOCIATIONS: Mrs. Reynolds (vocalist); Henry Russell (English composer); Frederick Ellard (vocalist); Mechanics' Institute Music Class (association)

"THE MUSIC CLASS", The Argus [Melbourne, NSW (VIC)] (15 May 1849), 2

http://nla.gov.au/nla.news-article4771847

A special meeting of the Music Class of the Mechanics' Institute was held on Saturday evening, when the following gentlemen were chosen to serve as the committee for the ensuing six months: - Mr. D. T. Kilburn, (Treasurer and Chairman,) Messrs. W. F. A. Rucker, Horsfall, Patterson, King, and Mr. Megson, (ex officio.) It was also determined that none but subscribers, and ladies introduced by them, should be allowed to be present at Saturday evening practice; and that measures should be taken to exclude all others. - It was announced that the committee only pledge themselves to give one concert in each quarter, but that if it is found that a second concert can be got up, it would occasionally be given. We are very glad to learn that the affairs of the class, finances included, are in a very flourishing state, leading to hopes of continued and increased activity, and that another of these admirable concerts is on the tapis.

ASSOCIATIONS: Joseph Megson (musician);
see also "MUSIC CLASS", The Melbourne Daily News (15 May 1849), 2

http://nla.gov.au/nla.news-article226472695

[Advertisement], The Argus (15 May 1849), 3

http://nla.gov.au/nla.news-article477183

Music Class.
AT a special meeting of the members of the School of Arts Music Class,
held at the Mechanics' Institute, on Saturday evening last,
it was determined that the rule of the class,
prohibiting all but subscribers from attending at the Saturday evenings practice should be enforced,
and that a door keeper should be appointed to prevent the admission of any other parties.
DOUGLAS T. KILBURN, Chairman of the Committee.

"MUSIC CLASS", The Argus (3 July 1849), 1 supplement

http://nla.gov.au/nla.news-article4774715

At a meeting of the members of the music class, held at the Mechanics' Institute, on Saturday evening, Mr. Kilburn, the treasurer and chairman of the committee, being about to leave this place for Sydney, resigned his office into the hands of the class. The class then proceeded to elect the following gentlemen to fill the various offices: - Mr. Patterson, treasurer, pro tem; Mr. Horsfall, chairman of the committee; and Mr. Sprint, one of the committee.

"SHIPPING INTELLIGENCE . . . CLEARANCES", The Sydney Morning Herald [NSW] (31 January 1850), 2

http://nla.gov.au/nla.news-article12915348

January 30. Waterloo, ship, 898 tons, Captain Neatby, for London. Passengers - . . . Mr. D. J. Kilburn [sic] . . .

Marriages, parish of Braddan, Isle of Man, 1851; Isle of Man Museum and Archives

https://imuseum.im/search/agent_record/view?id=mnh-agent-758850

19 November 1851 / Thomas Kilburn, bachelor, and Anna Maria Patterson, spinster, daughter of Andrew Todd Patterson

"MARRIED", The Argus [Melbourne, VIC] (7 April 1852), 4

http://nla.gov.au/nla.news-article4784229

On the 19th November, at St. George's, Douglas, Isle of Man, by the Rev. William St. George Patterson, A.M. brother of the bride, Douglas Thomas Kilburn, Esq. of Port Phillip, Australia, to Anna Maria, third daughter of A. T. Patterson, Esq., of Douglas, late of Liverpool.

"DEATHS", The Mercury [Hobart, TAS] (11 March 1871), 1

http://nla.gov.au/nla.news-article8870771

KILBURN. - On the 10th March, at his residence, No. 22, Davey-street, Douglas Thomas Kilburn, aged 58 years. The funeral will move from his late residence on Monday, 13th instant at half-past two o'clock, when friends are respectfully invited to attend.

"DEATH OF MR. KILBURN", The Mercury (11 March 1871), 2

http://nla.gov.au/nla.news-article8870760

Our obituary notifies the death of Mr. Douglas Kilburn, at his late residence, Davey-street. Some years ago the deceased gentleman took up his abode in this city, and became a large purchaser of property. At the general election in 1861 Mr. Kilburn was returned as one of the five members for Hobart Town in the House of Assembly, but after one session he resigned, to accept an appointment in connection with the Melbourne Argus. Within the last year deceased returned to this colony in search of health, but after an illness of many months he died yesterday, much regretted. The funeral will take place on Monday.

KILIAN, Hubertus (Hubertus KILIAN; Hubert KILIAN; Mr. H. KILIAN; Herr KILIAN)

Musician, bandmaster, band leader

Born Jettenbach, Pfalz, Bavaria (Germany), 9 March 1827; baptised Jettenbach, 11 March 1827; son of Daniel KILIAN and Margaretha WENZ
Married Philippina DIEHL (1838-1908), Bosenbach (Evangelisch), Pfalz, Bavaria (Germany), 24 January 1856
Arrived [1] Melbourne, VIC, 3 August 1858 (? per Donald McKay, from Liverpool, 9 May)
Active (1) Melbourne, VIC, until 1859 or later
Active (2) Melbourne, VIC, 1880-87
Died Bosenbach, Rheinland-Pfalz, Germany, 14 October 1899, aged "72"

https://trove.nla.gov.au/search?l-publictag=Hubertus+Kilian+1827-1899 (TROVE tagged by Australharmony)

https://de.wikipedia.org/wiki/Hubertus_Kilian (Wikipedia)

https://www.wikidata.org/wiki/Q1633566 (Wikidata)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KILIAN-Hubertus (shareable link to this entry)

ASSOCIATIONS: German bands (general)

Documentation:

Baptisms, Jettenbach, Pfalz, 1827; Germany, Select births and baptisms

https://www.ancestry.com.au/search/collections/9866/records/39854598 (PAYWALL)

11 March 1827 / born 9 March [sic] / Hubertus / son of Daniel Kilian and Margaretha Wenz

Marriages, Bosenbach, Pfalz, Bavaria, 1856; Zentralarchiv Der Evangelischen Kirche Der Pfalz, Speyer

https://www.ancestry.com.au/search/collections/61112/records/328490 (PAYWALL)

24 January 1856 / Hubertus Kilian / born 1 March 1827 [sic] / son of Daniel and Margaretha Kilian / and Philippina Diehl

ASSOCIATIONS: Philippina came with him to Melbourne; their son August (d. 1934) was born in Melbourne in 1859, and daughter Maria Elisa in 1861

[Advertisement], The Argus [Melbourne, VIC] (15 November 1858), 8

http://nla.gov.au/nla.news-article7304548

MUSIC - Mr. H. KILIAN begs leave to offer the
SERVICES of his BAND for all kinds of parties in town and country, on moderate charges.
Inquire No. 5 Nicholas-lane, off Bourke-street east, Melbourne.

[Advertisement], The Argus (24 January 1859), 8

http://nla.gov.au/nla.news-article7308537

MR. KILIAN'S REED BAND of eight performers open for ENGAGEMENTS.
No. 3 Nicholas-lane, off Bourke-street east, Melbourne.

ASSOCIATIONS: Jacob Young (musician, a year earlier at same address)

[Advertisement], The Age (15 April 1859), 7

http://nla.gov.au/nla.news-article154839021

SUBSCRIPTIONS received by the Treasurer of Melbourne Hospital during the Month ending March 31st, 1859 . . .
Killian, Hubert - £1 10 0 . . .

[Advertisement], The Argus (18 November 1859), 3

http://nla.gov.au/nla.news-article5691967

MR. KILIAN'S BAND, REMOVED from Nicholson-lane
to 147 Little Lonsdale-street east, Melbourne, near Cooper's Hotel. Parties attended.

[Advertisement], The Age (3 December 1859), 1

http://nla.gov.au/nla.news-article154880883

KILIAN'S BAND, nine Performers (or less), 147 Little Lonsdale street east, Melbourne.

[Advertisement], The Argus (13 April 1860), 3

http://nla.gov.au/nla.news-article5680522

MR. H. KILIAN'S BAND, 147 Little Lonsdale-street east, Melbourne, near Cooper's Hotel.

[Advertisement], The Argus (5 January 1861), 1

http://nla.gov.au/nla.news-article5696419

KILIAN'S BRASS BAND, 8 to 12 performers, open for ENGAGEMENT. 147 Little Lonsdale-street east.

[Advertisement], The Argus (24 July 1861), 1

http://nla.gov.au/nla.news-article5702303

HERMANN GEREKE, musician, supposed to be at Wahgunyah, write to H. Kilian, 147 Little Lonsdale-street east, Melbourne.

ASSOCIATIONS: Hermann Gerecke (musician)

[Advertisement], South Australian Register [Adelaide, SA] (2 May 1863), 1

http://nla.gov.au/nla.news-article50178998

MUSIC - Mr. J. KILIAN'S BRASS BAND
(from Cremorne Gardens, Melbourne), just arrived per Aldinga, will give their
FIRST MUSICAL ENTERTAINMENT at the EAST ADELAIDE ASSEMBLY ROOMS,
This (Saturday) Evening, from 8 to 11 o'clock, when they will perform some of their newest and best Music. Admission, 1s.

ASSOCIATIONS: Cremorne Gardens (Melbourne venue); according to several accounts, Hubertus had arrived in China by the latter part of 1863; if so, the Kilian in Adelaide was perhaps another Kilian bandsman, or another former bandsman masquerading as one of the family

[Advertisement], The Argus [Melbourne, VIC] (12 May 1863), 1

http://nla.gov.au/nla.news-article6485671

PRINCE of WALES' MARRIAGE CELEBRATION DAY. -
Kilian'a favourite BRASS BAND, from eight to 10 performers, open to be ENGAGED.
147 Little Lonsdale-street east.

[Advertisement], Süd Australische Zeitung [Tanunda and Adelaide, SA] (15 May 1863), 6

http://nla.gov.au/nla.news-article85088419

Anzeigen. East-Adelaide Assembly Rooms TIVOLI-HOTEL
Am Montag, den 25. Mai, als am 2. Pfingsteiertage
Grosses Concert & Ball
von der Kilian'schen Capelle, Cremorne Garden, Melbourne.
Programme. I. Abtheilung.
1. Grosser Marsch aus der Oper "Gemma di Vergi" - Donizetti.
2. Arie aus "Marino Faliero" - Donizetti.
3. Sonnambula (Quadrille).
4. Eine musikalische Noten-Ernte.
5. Lady Donn Walzer - Winterbottom.
II. Abtheilung.
1. Ouvertnre aus der Oper "Bohemian Girl" - Balfe.
2. Duett aus "Maritana" - Wallace.
3. Essex-Walzer - Labitzky.
4. Arie aus "Martha" - Flotow.
5. Novara-Gallop - C. Friedrichs . . .

Names and descriptions of passengers per City of Melbourne, from Melbourne, 6 July 1863, for Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/239B69BC-F7F0-11E9-AE98-6982510BE86A?image=135 (DIGITISED)

. . . H. Kilian / 25 // J. Kilian / 20 // P. Kilian / 22 // D. Kilian / 20 . . .

"THE BAND AT BARTINE'S ENTERTAINMENT", South Australian Register [Adelaide, SA] (7 October 1863), 2

http://nla.gov.au/nla.news-article50169079

We have received a long letter from Mr. Kilian, explaining that the defects of management at Mr. Bartine's entertainment on Monday evening was in no respect chargeable to him or his band. He states that he was not engaged to play per programme, and remarks that our notice, if this were not explained, is calculated to injure the reputation of his band, whose qualifications and competency as first-rate musicians have sufficiently been tested and acknowledged in the neighbouring colonies, the City of Adelaide, and its suburbs.

[Advertisement], Süd Australische Zeitung (30 December 1863), 7

http://nla.gov.au/nla.news-article85089400

EAST-ADELAIDE ASSEMBLY ROOMS. IVOLI HOTEL, Pirie-Street, ADELAIDE . . .
Am 31. December 1863 (als am Sylvester Abend), Grosse Italienische Nacht
und am Neujahrstage Grosser Festball . . .
Musik von den berühmten Hornisten der Kilian'ischen Kappelle von "Cremorne Garden:, Melbourne . . .

"REGIMENTAL BAND", South Australian Register [Adelaide, SA] (28 May 1864), 2

http://nla.gov.au/nla.news-article39119277

Our report of the German demonstration and rural fete held at Stepney on the Queen's Birthday stated that the procession started from the Hamburg Hotel, headed by a portion of Kilian's Brass Band. We understand that it was a portion of the Regimental Band that marched with the procession to the ground, although it was Kilian's Brass Band that played on the ground throughout the day and during the return to the Hamburg Hotel.

"WIMBLEDON RIFLE MATCHES", South Australian Register (19 September 1864), 3

http://nla.gov.au/nla.news-article39134477

. . . There were a considerable number of visitors on the ground, and the strains of Killian's Brass Band considerably enlivened the proceedings.

"NEW YEAR'S DAY . . . PICNIC AT THE STURT", The Adelaide Express [SA] (3 January 1865), 3

http://nla.gov.au/nla.news-article207598537

A large gathering assembled at the foot of the hills, near the Flagstaff Hotel, Sturt . . . Kiss in the ring formed a pastime with many, while others danced to the music of Killian's brass band . . .

Passengers per Potosi, from London, arrived Melbourne, VIC, 21 July 1880; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/1635/records/3043905 (PAYWALL)

[collectively listed as no.] 145 / Hubert Kilian / 50 / Labourer //
Edw'd [Kilian] / 11 // Rudolf [Kilian] / 9 //
Peter Deimling / 50 // Jacob Schuler / 26 // Jacob Fries / 24 //
Geo. Rumpf / 30 // Philipp Schuler / 18 // Peter Hahn / 19 // John Kraus / 18

ASSOCIATIONS: His sons Eduard (Edward) Kilian (b. Essweiler, Bavaria, 1866; naturalised Fitzroy, VIC, 1927, musician, aged 61); and Rudolf Kilian (1867-1940), listed as a musician, New York, in the 1900 USA census)

[Advertisement], The Age [Melbourne, VIC] (18 August 1882), 4

http://nla.gov.au/nla.news-article198567205

BAVARIAN BAND, known for good time and harmony. 4 Swiss-terrace, Fitzroy-street. Hubert Kilian, leader.

[News], Williamstown Chronicle [VIC] (29 September 1883), 2

http://nla.gov.au/nla.news-article70008418

The bachelors of Footscray held the sixth of their quarterly socials, on Friday evening, September 21st, in the Royal Hall . . . Seventy couples being present, dancing was commenced shortly after 8 o'clock, to the strains of the Bavarian String Band, under the able conductorship of Mr. Hubert Killian, and was continued with great spirit, until the closing of the programme which consisted of 22 dances, arranged with great taste . . .

"'A' BATTERY", Table Talk [Melbourne, VIC] (25 September 1885), 2

http://nla.gov.au/nla.news-article145711953

On Thursday evening, the 17th instant, a Military Ball was given in the Fitzroy Town Hall by the members of the "A" Battery Field Artillery Brigade, and was a great success . . . the excellent music provided by the brass band, under the direction of Mr. H. Kilian . . .

"Marriages", The Age (30 April 1889), 1

http://nla.gov.au/nla.news-article196992728

KILIAN - MUMFORD. - On the 11th March, at the bride's residence, 59 Bridport-st., Albert Park, by the Rev. H. Herlitz, Edward, second son of Hubert Kilian, musician, Ehsweiler, Germany, to Matilda Agnes (Tillie), youngest daughter of F. W. Mumford, medical electrician.

But see also, "The Kilian Kouple", Truth (7 March 1914), 5

http://nla.gov.au/nla.news-article207425248

Deaths and burials, Evangelisch-Reformierte Kirche Niederkirchen (BA. Kusel), 1899; Zentralarchiv Der Evangelischen Kirche Der Pfalz, Speyer

https://www.ancestry.com.au/search/collections/61112/records/482983 (PAYWALL)

Died 14 October 1899 / buried 16 October / Hubertus Kilian / 72 / spouse Philippina Diehl

KILNER, Joseph (Joseph KILNER; Mr. J. KILNER)

Pianoforte maker, piano manufacturer, musicseller, music and musical instrument retailer and music publisher

Born Preston, Lancashire, England, 1832; baptised Preston, 16 November 1832; son of John PRESTON and Mary Anne TAYLOR
Married Emma EARLE (1835-1912), St. John's church, Hampstead, London, England, 28 September 1856
Arrived Melbourne, VIC, 14 January 1857 (per Sussex, from London, 6 October 1856)
Died Richmond, VIC, 9 May 1891, aged 58

https://trove.nla.gov.au/search?l-publictag=Joseph+Kilner+1832-1891 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KILNER-Joseph (shareable link to this entry)

See also https://trove.nla.gov.au/search?l-publictag=Wilkie+Kilner+and+Co (TROVE tagged by Australharmony)

Piano exhibited by Messrs. Wilkie, Kilner and Co.; Melbourne Exhibition, 1866; Frederick Grosse, engraver

https://trove.nla.gov.au/work/167159519

http://handle.slv.vic.gov.au/10381/56128 (DIGITISED)

"PIANOS", The Australian News for Home Readers [Melbourne, VIC] (20 November 1866), 4

http://nla.gov.au/nla.news-page6163464

. . . The exhibits of Messrs. Wilkie, Kilner and Co., piano manufacturers, from the tasteful style in which they are constructed, attract the attention of all visitors to the great hall . . . The one we have selected for illustration sake, which they name the Cottage Grand, is a most highly finished article. The case is made of blackwood, and the carving, executed by Mr. Trealeki, is of the most exquisite design and workmanship . . .

ASSOCIATIONS: Wilkie, Kilner, and Co. (firm); Felix Terlecki (carver); Frederick Grosse (engraver); Melbourne Intercolonial Exhibition (1866-67 event)

Pianos exhibited by Messrs. Wilkie, Kilner and Co.; Melbourne Exhibition, 1866

https://trove.nla.gov.au/work/167165898

http://handle.slv.vic.gov.au/10381/55717 (DIGITISED)

Summary::

Though it may be true, I have found no independent evidence for the claim that Joseph Kilner, the piano maker, came to Victoria in the early 1850s ("making his fortune in gold . . . going back to England to collect his family", see Johns 2003 below; a Joseph Kilner who arrived in Victoria in 1853 was probably Joseph Henry Kilner, of Yorkshire, and later of New Zealand).

Kilner was with living his family in London, aged 18, in 1851, and working as a finisher in a piano-making establishment. In 1864, he claimed to have had "considerable experience in the London factory of John Broadwood and Sons. He married Emma Earle at Hampstead on 28 September 1856, and the couple sailed for Australia a week later, arriving in Melbourne on 14 January 1857.

At the time of the baptism of their daughter, Emma Blanche, in June 1860, they were living in Hoddle Street, and Joseph was pursuing his trade as a piano maker.

Kilner's first came to the notice of the Argus in February 1863, and sometime later that year he went into partnership with the musicseller Joseph Wilkie. In March 1864, the reported that Wilkie, Kilner and Co. had "for some months back been quietly engaged in establishing a piano factory on their premises in Queen-street, near Lonsdale-street."

After 1870, Kilner continued in business under his own name.

Kilner's name also appeared as publisher on at least one piece of printed music, the song L'adieu (music by William St. John Caws), co-published with R. J. Paling, perhaps in or around 1878.

Documentation:

Baptisms solemnized in the parish of Preston, in the county of Lancaster, in the year 1832; register 1830-39; Lancashire Archives

https://www.ancestry.com.au/search/collections/2575/records/15385743 (PAYWALL)

No. [blank] / 16 Nov'r [1832] / Joseph [son of] / John [&] Mary / Kilner / Church St. / Cabinet maker / . . .

ASSOCIATIONS: John Kilner and Mary Ann Taylor married at St. John's, Preston, on 17 February 1819

England census, 30 March 1851; St. Pancras, Camden Town; UK National Archives, HO107/1497/254/55

https://www.ancestry.com.au/search/collections/8860/records/121026 (PAYWALL)

College Place, 32 / John Kilner / Head / 61 / Retired Cabinet Maker / [born] Lancs. Preston
Mary A. [Kilner] / Wife / 54 / [born Lancs. Preston]
George / Son / 24/ Upholster // Sarah / Daur. / 23 // Josiah / 21 / Railway Clerk // [all born Lancs. Preston]
Joseph [Kilner] / [Son] / 18 / Finish'r Piano Forte Mfg. / [born Lancs. Preston] . . . [and 3 younger children and visitor]

1856, marriage solemnized in the parish of Hampstead in the county of Middlesex; register 1851-73, page 147; London Metropolitan Archives, P81/JN1/077

https://www.ancestry.com.au/search/collections/1623/records/3699699 (PAYWALL)

No. 293 / Sept'r 28 [1856] / Joseph Kilner / Full [age] / Bachelor / Piano Forte maker / Hampstead / [father] John Kilner / Timber Merchant
Emma Earle / Full / Spinster / - / Hampstead / George Seymour Earle / Carpenter [no date given]

Passenger list, Sussex, to Melbourne, 14 January 1857, from London 6th October 1856; Public Records Office Victoria

https://www.ancestry.com.au/interactive/1635/30796_125452__118-00041/2714958 (PAYWALL)

[Third class] . . . / Kilner Joseph / 24 / Merchant // Kilner Emma / 22 / wife . . .

Baptisms solemnized in the parish of St. Peter Melbourne in the county of Bourke, in the year 1860; register 1859-70, page 328; St. Peter's Eastern Hill

https://www.ancestry.com.au/search/collections/60584/records/1032758 (PAYWALL)

[No.] 4739 / June 10 [1860] / [born] 8th April / Emma Blanche [daughter of] / Joseph & Emma / Kilner / Hoddle Street / Piano Forte Maker

Baptisms solemnized in the parish of St. Peter Melbourne in the county of Bourke, in the year 1861; register 1859-70, page 361; St. Peter's Eastern Hill

https://www.ancestry.com.au/search/collections/60584/records/33227 (PAYWALL)

[No.] 5202 / Oct'r 12 / [born] 15th August 1861 / Frederick Joseph [son of] / Joseph & Emma / Kilner / Hoddle Street / Piano Forte Maker

ASSOCIATIONS: Frederick Joseph Kilner (died VIC, 1 June 1944)

[News], The Argus [Melbourne, VIC] (28 February 1863), 4

http://nla.gov.au/nla.news-article6483752

We have previously called attention to the fact that the manufacture of pianofortes has for some time been a branch of colonial industry; and we yesterday had brought under our notice a specimen of the skill of another maker of these instruments, whose name has not hitherto been publicly mentioned. We allude to a very fine semi-cottage piano made by Mr. Joseph Kilner, of Hoddle-street, Collingwood. The mechanism appears to be of the most perfect character, and the maker has succeeded in producing an instrument which combines in a rare degree strength and purity of tone. The piano has been examined by several musicians of repute, and they have all expressed a high opinion of its qualities. The case is constructed entirely of solid colonial blackwood, and is exceedingly handsome. One great advantage claimed for colonial made pianos is, that they are specially adapted to withstand the effects of the hot winds and other peculiarities of this climate, which frequently play sad havoc with instruments of English make.

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (10 March 1864), 4

http://nla.gov.au/nla.news-article155022675

Messrs. Wilkie, Kilner and Co., connected with the firm of Wilkie, Webster and Co., in Collins-street, have for some months back been quietly engaged in establishing a piano factory on their premises in Queen street, near Lonsdale street. Before an establishment of this character could be brought into full operation in this country, much preparatory work, in the selection and seasoning of woods suitable for manufacture, was requisite, as the value and durability of a good piano depends mainly upon the quality of the materials out of which its sounding-board and other parts of its framework are made. This difficulty appears to have been fairly overcome by the firm in question, who find certain descriptions of colonial wood, such as maple, musk, pine, blackwood and light woods, admirably adapted to this purpose, after undergoing the necessary process of thorough seasoning. Their arrangements for thus effecting the thorough drying of the timber are simple, but complete; and, when these colonial-made pianos come into the market, purchasers will not often, if ever, have to mourn over the utter destruction of a costly instrument during a hot wind, only a few days after it makes its debut in the drawing-room. Messrs. Wilkie and Co. have already a large number of pianos in progress, and two or three completed. Every part of the instrument appears to be constructed with the greatest care and precision, and of thoroughly acclimatised materials, so that the interior will stand the test of the narrowest scrutiny. The exterior, as a piece of cabinet work, is quite equal to that of any of the imported instruments, as our colonial woods are known to take as high a polish and to present as beautiful a surface as the mahogany, cedar and rosewood of the old world. And what will certainly commend the products of Messrs. Wilkie and Co.'s factory is the fact that they expect to furnish a superior and more reliable instrument, at a price not higher than that which is ordinarily obtainable for the showy, flimsily made instruments which have heretofore been so largely introduced from English, German and American workshops. In fact, taking the pianos which are already completed and open to inspection and trial as average specimens of the instruments hereafter to be produced as rapidly as they are demanded, it is clear that, in a few months, colonial pianos, not even second in quality to Erard's, Collard's, or Broadwood's, will be purchasable at rates that have been refused for instruments upon which far more obscure names are inscribed.

ASSOCIATIONS: Wilkie, Kilner, and Co. (firm)

"PIANO FORTE-MAKING IN VICTORIA", The Argus (1 April 1864), 6

http://nla.gov.au/nla.news-article5746697

. . . Mr. Kilner, the practical man of the firm, by substituting New Zealand pine, Tasmanian and Victorian blackwood, he-oak, she-oak, and myrtle, for the beech, oak, sycamore, and maple used in England, is enabled to manufacture a piano which for strength, touch, purity, stability, and fulness of tone, is asserted to surpass the best English pianos of the same description . . .

. . . Excepting the strings, hammers, and ivory keys, which, in the infancy of our ivory manufactures, can hardly be made here sufficiently economically, there is scarcely a portion of the instrument not of colonial production and whose value has been heightened by colonial, industry. For about twelve months past preparations have been making for this new manufacture. Wood has been seasoned, machinery fixed, and such portions as require to be for months subjected to the atmosphere before being fitted to the instrument, have been constructed and arranged. Two hundred pianos are now in the course of construction. Messrs. Wilkie, Kilner, and Co., have about ten persons engaged in this work, including two boys, one of whom is apprenticed. The majority of the men come from the best London houses - such as Collard and Collard's, Broadwood's, Erard's, Allison's, and the like. Their average wages are £3 per week, at eight hours, as against 36s. for ten hours in England. The establishment is very complete in its appliances which have already cost about £1,000, and are shortly to be greatly enlarged.

"WILKIE AND CO'S PIANO MANUFACTORY", The Herald (9 April 1864), 3

http://nla.gov.au/nla.news-article247590117

. . . Mr. Kilner, one of the firm, has had considerable experience in the factory of Messrs. Broadwood and Co. . . .

ASSOCIATIONS: John Broadwood and Sons (London pianoforte makers)

[Advertisement], The Argus (4 June 1864), 3

http://nla.gov.au/nla.news-article5749397

PIANOFORTES OF COLONIAL MANUFACTURE.
Messrs. WILKIE, WEBSTER, and Co. have now ON VIEW an assortment of their COLONIAL PIANOS, In handsome blackwood cases.
These instruments are made at the factory of Messrs. Wilkie, Kilner, and Co., Queen-street north,
upon the model of the best London makers, being specially adapted for hot climates,
and can be guaranteed to stand as well in tune as any instrument imported into the colony.
15 Collins-street east.

ASSOCIATIONS: Wilkie, Webster, and Co. (musicsellers)

Baptisms solemnized in the parish of St. Peter Melbourne in the county of Bourke, in the year 1864; register 1859-70, page 419; St. Peter's Eastern Hill

https://www.ancestry.com.au/search/collections/60584/records/35014 (PAYWALL)

No. 6010 / 9 Oct'r [1864] / [born] 27 July 1964 / George John [son of] / Joseph & Emma / Kilner / Queens Street Melbourne / Pianoforte Maker

ASSOCIATIONS: George John Kilner (died VIC, 21 September 1912)

"OPENING OF THE EXHIBITION", The Argus (25 October 1866), 5

http://nla.gov.au/nla.news-article5776783

. . . One of the most conspicuous objects in the centre of the hall is the magnificent collection of pianos shown by Wilkie, Kilner, and Co., Queen-street. The stand on which the instruments are exhibited is surmounted by a tasteful canopy, with curtains suspended. The collection of pianos embraces almost every variety, from the 100-guinea instrument to the twenty-guinea article "for the use of schools." They are made of blackwood, musk, pine, and walnut. The workmanship and decoration on some of the instruments are of the richest character. One of the best is made of blackwood highly polished, with a representation of the Australian arms in front, carved in wood. There are also instruments of somewhat plainer character, and one of small size intended for the use of travelling professionals, and constructed chiefly with a view to stand wear and tear. It has been the object of the exhibitors to have in the collection pianos embracing the different novelties of tone possessed by Instruments manufactured in England, France, and Germany; and we are informed that, in the opinion of competent judges, they have succeeded in achieving this result . . .

ASSOCIATIONS: Melbourne Intercolonial Exhibition (1866-67 event)

"THE EXHIBITION", The Argus (26 October 1866), 5

http://nla.gov.au/nla.news-article5776907

We alluded yesterday to the elaborate and finished carving on some of the pianos manufactured by Wilkie, Kilner, and Co., and ought to have mentioned that this part of the work was executed by Mr. Trelliski [sic]

ASSOCIATIONS: Felix Terlecki (carver)

"COLONIAL PIANOS", Bendigo Advertiser [VIC] (31 December 1868), 2

http://nla.gov.au/nla.news-article87900700

It is very gratifying to our ideas of colonial importance when in any particular manufacture we are able to compete with the home country. In the manufacture of pianos there is every reason to believe that as good articles can be made in the colony as in England or Paris. Those manufactured by Messrs. Wilkie, Kilner, and Co, of Melbourne, in the opinion of competent judges are quite equal in every respect to the best imported, and in some respects, such as the wood of which they are made, they are superior for standing the climate. Recently a very fine colonial made tri-chord piano, with all the latest improvements, was purchased for a private family in Sandhurst from Wilkie, Kilner, and Co., and it is really a credit to the maker - Mr. Kilner, we were informed. It is of blackwood, and has a full rich tone, quite capable of filling the largest hall in Sandhurst, and by a peculiar contrivance the notes can be reduced to the softest sound.

"THE SKETCHER. A MUSIC MANUFACTORY", The Australasian [Melbourne, VIC] (6 November 1869), 7

http://nla.gov.au/nla.news-article138061120

In new countries the useful is more honoured than the ornamental, and the mercantile mind is apt to turn its attention to what pays rather than to what delights. Happy is the manufacturer who manages to unite the two!
"Omne tulit punctum, qui miscuit utile dulci."
Messrs. Wilkie, Kilner, and Co., may fairly claim the credit of having accomplished this task. At their establishment, in Queen-street, that are turning out pianos at rate of some half-dozen a week, inundating the Australian colonies with sweet sound and gradually developing a business which bids fair, ere many years have elapsed, to become of colossal proportions. At the present moment they have about 300 pianos in various stages of progress, from the heavy, rough, wooden framework just braced together, to the superbly-polished instrument undergoing its its last delicate testings at the hands of the tuner. The products of their enterprise and skill are already to be found in unnumbered houses scattered throughout the length and breadth of Victoria, New South Wales, South Australia, Tasmania, and New Zealand, and many who delight in the instruments will doubtless be glad to learn something of the process of manufacture. Let us, then, to the unpretending-looking factory, and follow the lead of the obliging Mr. Kilner, who is the practical ruling mind of the establishment . . .
It is something to boast of the production of these elaborate and delicate instruments in such perfection in a new colony; and Messrs. Wilkie, Kilner, and Co. tnay reasonably feel proud of the success of their undertaking. They have broken down, the monopoly of importation, and supplied Victorian pianos at a moderate price, equal in style, tone, and durability, to the average of those sent us from Europe. Their factory already employs some 35 hands, and is yet, we are informed, with difficulty able to keep pace with the demands made upon it from all parts of the colonies. Theirs is, therefore, a local industry, which, after six years' trial, may be regarded as fairly floated. We have pleasure in noticing their enterprise, and trust they will never see cause to regret having established the first great music manufactory in Melbourne.

"OPENING OF THE INTERNATIONAL EXHIBITION . . . MUSICAL INSTRUMENTS", The Argus (6 November 1872), 4 supplement

http://nla.gov.au/nla.news-article5841900

[1] The fourth Melbourne exhibition of natural products and works of art will be formally opened by His Excellency the Governor at noon to-day . . .
[4] . . . Mr. Mathews, of Emerald-hill, Mr. Blazey, of Bridge-road, and Mr. Kilner, also of Richmond, exhibit pianos of the "Cottage" model. One of these - a cottage grand pianoforte, in a blackwood case appears to be a very meritorious production, strung on the trichord principle, with improved sounding-board and action, and with what is known amongst the trade as "patent bridges." Taking this as a representative instrument it is satisfactory to know that the whole of it was manufactured in Richmond, even to the "check action," and that in the case and body of it there are various sorts of seasoned woods from places as wide apart as Queensland is from New Zealand. The blackwood and mottled kauri, of which the cases of these instruments are composed, present, a very elegant appearance when polished . . .

ASSOCIATIONS: William Ranger Blazey (pianoforte maker); William Mathews (pianoforte maker)

[Melbourne Exhibition, 1872-73] Official Record, containing introduction, catalogues, reports . . . (Melbourne: Mason, Firth, & McCutcheon, 1873), 190, 209

https://books.google.com.au/books?id=BNhbAAAAcAAJ&pg=PA190 (DIGITISED)

DIVISION IV - Section IIIa, PIANOS. Experts: - R. J. PALING, ESQ., CHAIRMAN; H. KEILEY, ESQ.; J. E. ASCHERBERG, ESQ.
WE have examined the following exhibits of Pianos (1380, 1381) manufactured by Joseph Kilner, of Richmond; also another instrument in walnut case by the same maker. This last-named instrument has not been entered in the catalogue. Having called in the aid of Mr. H. Servais, we find the Piano in walnut case, manufactured by J. Kilner, to possess such general merit that we suggest a Bronze Medal should be given to the maker. In this case we should have felt it our duty to have awarded the Silver Medal, but for the fact that part of the "action" is imported work . . . We do not recommend that any of the exhibits examined by us should be sent to the London International Exhibition of 1873 . . .
- R. J. PALING, Chairman.

ASSOCIATIONS: Richard John Paling (judge); Henry Keiley (judge); Eugene Ascherberg (judge)

"DESTRUCTIVE FIRE IN MELBOURNE (FROM OUR OWN CORRESPONDENT) Melbourne, Saturday Evening", Bendigo Advertiser (10 June 1878), 2

http://nla.gov.au/nla.news-article88201691

I regret having to state that the well-known pianoforte factory of Mr. Kilner, in Bosisto-street, Richmond, was entirely destroyed by fire this morning [8 June] . . . Fortunately, after a stormy night, the wind had fallen, or the house occupied by Mr. Kilner and his large family, would have certainly shared the fate of the factory. As it is, the damage done is heavy, even on the lowest estimate of pecuniary loss, but it is also in many respects irreparable. Mr. Kilner, who arrived in Melbourne about 22 years ago, had been apprenticed to one of the most eminent piano makers in London, and had ever since his arrival devoted all his energy and skill to the establishment of his particular branch of industry amongst us; at one time in conjunction with others whose names are now well-known in the music-loving world, but latterly by himself. Following the example of the great piano manufacturers at home, he employed nothing but thoroughly seasoned wood, and at the time of the disaster had a large stock of wood of various kinds on hand, which had been from 15 to 20 years undergoing the process of "seasoning," and which cannot possibly be replaced in the colony. Twenty pianos in an all but complete state were destroyed, besides framing, etc., only recently prepared for upwards of 100 more, and the large stock of seasoned wood of which I have spoken . . .

"MELBOURNE JUVENILE EXHIBITION", The Argus (27 December 1879), 5

http://nla.gov.au/nla.news-article5968397

. . . Three pianos (which may come in for more detailed notice hereafter) are shown by the apprentices of Mr. Kilner; by Walter Arnold, 20; and R. J. Weatherill, 19. The one first mentioned is the joint work of the brothers Kilner, the brothers Bleach, and H. Cowan. At present all that need be said of these exhibits is that they are of very handsome appearance . . .

ASSOCIATIONS: Frederick Joseph Kilner and George John Kilner (as above; sons; brothers)

"Deaths", The Argus (11 May 1891), 1

http://nla.gov.au/nla.news-article8651073

KILNER. - On the 9th inst., at his late residence, Bosisto street, Richmond, Joseph Kilner, piano-forte manufacturer, aged 58 years.

Will and grant of probate, Joseph Kilner, pianoforte manufacturer, 1891; Public Record Office Victoria

https://prov.vic.gov.au/archive/7406AAF2-F530-11E9-AE98-558BDF54FEAD?image=5 (DIGITISED - WILL)

https://prov.vic.gov.au/archive/BFF4CBD2-F1D5-11E9-AE98-8B6371D31E9B?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/A217FCDB-F1E0-11E9-AE98-55F13C20BD93?image=1 (DIGITISED)

Bibliography and resources:

Keith Johns, "Australian piano industry", in Robert Palmieri (ed.) Piano: an encyclopaedia, second edition (New York, London: Routledge, 2003)

https://books.google.com.au/books?id=SQaUAgAAQBAJ&q=Kilner (PREVIEW)

Michael Atherton, A coveted possession: the rise and fall of the piano in Australia (Carlton: La Trobe University Press, 2018)

https://books.google.com.au/books?id=tERMDwAAQBAJ (PREVIEW)

KING, Old (KING; Old KING, "chief of the Goulburn tribe") = Beaning - TAUNGURUNG (Nira Balug)

KING FAMILY OF MUSICIANS

Go to family main page:

https://sydney.edu.au/paradisec/australharmony/king-family.php

First generation: children of Thomas KING (c.1792-1870) and Ann FRYER (c. 1788-1863)

[1] Charlotte Ann KING (1812-1894) = Charlotte Ann TURNER (Mrs. Austin Theodore TURNER)

[2] Edward KING (1814-1894)

[3] Sarah Ann KING (1818-1900) = Sarah Ann SOUTH (Mrs. James Anthony SOUTH senior)

[4] Thomas KING (1820-1881)

[5] William Fryer KING (1823-1887)

[6] Rosetta KING (1826-1900; Mrs. Richard Hall) (never came to Australia)

[7] Charles KING (born 1829; ? probably never came to Australia)

[8] Henry John KING (senior) (c. 1832-1888)

Children of [2]

[2.1] Juliana KING (1844-1866)

[2.2] Alfred Edward KING (1837-1902)

[2.3] Ernest Charles KING (1845-1927)

[2.4] George Oscar Julian KING (1869-1938)

Children and granddaughter of [3]

Eliza Anna SOUTH (Mrs. Frederick Augustus KING) (fl. 1855-1880)

James Anthony SOUTH (junior) (1844-1912)

Minnie (Sarah Ann) Cunningham KING (Mrs. Tom Aspinall THIODON) (fl. 1879-1930) = Madame THIODON

See also THIODON FAMILY

Natural children of [4]

Ada KING (1850-1923; daughter of Emma WHITMORE)

Children of [8]

[5.1] Henry John KING (junior) (1855-1934)

[5.2] George Frederick KING (1862-1924)

[5.3] Charles Horatio KING (1864-1950) alias Melnoth RAFALEWSKI

[5.4] Edward Mendelssohn Bach KING (1871-1918)

Also Mrs. Ada King (below; d. San Francisco, 1873) - "The deceased lady was nearly related to Messrs. Edward King (violinist) and Mr. H. J. King (organist) both of this city"

KING, Ada (? Ada MOGGRIDGE; Mrs. Ada KING; Madame Ada KING; Mrs. KING)

Musician, soprano (mezzo-soprano) vocalist, seconda donna, Lyster's Opera Company

Born ? England, c. 1833
Married Charles KING, St. Bartholomew, Edgbaston, Warwickshire, England, 6 January 1851
Arrived USA, by 1854
Arrived Melbourne, VIC, 1 March 1861 (per Achilles, from San Francisco, aged "28")
Departed Sydney, NSW, 29 August 1868 (per Alexander Duthie, for San Francisco)
Died San Francisco, USA, 14 June 1873

https://trove.nla.gov.au/search?l-publictag=Ada+King+d1873 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Ada-d1873 (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Documentation:

1851, marriages in the parish church in the parish of Edgbaston in the county of Warwick; register 1850-51, page 59; Library of Birmingham, DRO53/M145

https://www.ancestry.com.au/search/collections/4994/records/4272491 (PAYWALL)

No. 118 / January 6 [1851] / Charles King / full [age] / Bachelor / Musician / Birmingham
Ada Moggridge / full [age] / Spinster / - / Edgbaston . . .

ASSOCIATIONS: Charles King (born Bristol, 1 April 1829; son of Thomas King, sail maker, and Ann Fryer); brother of Edward King and Henry John King (senior); a Miss Emma Moggridge made her theatrical debut at the Olympic Theatre, London, in January 1845, and took a benefit at the Strand Theatre in December 1848

"PHILADELPHIA", The New York herald [NY, USA] (28 August 1854), 2

https://www.loc.gov/resource/sn83030313/1854-08-28/ed-1/?sp=2

The Walnut street theatre will be opened for the season to night, with Henry Farren and Miss Howard as stars. In the stock company we find the names of Lizzie Weston, Mrs. Duffield, Mrs. Ada King, Mrs. Muzzy, and Messrs. A. H. Davenport, Perry, a Beckett, and Chapman. John Sefton, stage manager.

ASSOCIATIONS: Henry Farren (English actor)

[Advertisement], New-York dispatch [NY, USA] (19 November 1854), 2

https://www.loc.gov/resource/sn83030364/1854-11-19/ed-1/?sp=2

The English Opera troupe at the Walnut have this week sung "Maritana," "Fra Diavolo," "The Crown Diamonds," and the “Beggars Opera," and the latter will be repeated to-morrow evening closing the engagement. On Monday next they re-appear with you at the Broadway with "Maritana" for the benefit of the composer, Wm. Vincent Wallace, and I do not doubt they will be even more attractive than they were three weeks since. Their too brief stay in our city has been signally successful. Fra Diavolo was beautifully sung. Miss Louisa Pyne has not much of a part in Zerlina, but she gives full effect to the little music she has. Harrison looks, acts, and sings the bold brigand admirably . . . The novelty of the week has been the Beggars' Opera. It was strongly cast; Macheath Mr. Harrison; Mat o' the Mint, Borrani; Peacham, Whiting; Filch, Chapman; Polly, Miss Louisa Pyne; Lucy, Mrs. Ada King, and Mrs. Peacham, Mrs. Muzzy . . . Mrs. King sang the mesic of Lucy very acceptably, and was warmly applauded . . .

ASSOCIATIONS: Louisa Pyne (English vocalist); William Harrison (English vocalist, manager); William Vincent Wallace (composer); Pyne and Harrison had arrived in New York from England on 4 September 1854

PHILADELPHIA, Nov. 17, 1854", Daily Alta California [San Francisco, CA, USA] (9 October 1857), 1

https://cdnc.ucr.edu/?a=d&d=DAC18571009.2.2

. . . The New Orleans English Opera Company, under the management of Mr. W. S. Lyster, opened in Detroit on the 7th of September. The company comprises Mesdames Rosalie Durand, Georgina Hodson, Ada King, Messrs. Fred. Lyster, Frank Trevor, Thomson, &c., with a full chorus. They have been singing in all the Southern and Western cities, with great success . . .

ASSOCIATIONS: William Saurin Lyster (manager); Rosalie Durand (vocalist); Georgina Hodson (vocalist); Frederick Lyster (vocalist); Frank Trevor (vocalist); Lyster Opera Company (troupe)

[Advertisement], Daily Alta California (19 December 1860), 2

https://cdnc.ucr.edu/?a=d&d=DAC18601219.2.18.4

AMERICAN THEATRE . . . Grand Complimentary Benefit
BY LYSTER'S ITALIAN AND ENGLISH Opera Company
TO THE First California Guard (FLYING ARTLLERY) . . .
THURSDAY EVENING - DEC. 20 . . .
Wallace's grand Opera of MARITANA
King of Spain - Mr. J. De Haga
Don Caesar - Mr. Henry Squires
Don Jose - Mr. Stephen Leach
Lazarillo - Miss Georgia Hodson
Marchioness - Miss Ada King
Maritana - Mme. Lucy Escott . . .

ASSOCIATIONS: John De Haga (vocalist); Henry Squires (vocalist); Lucy Escott (vocalist)

List of passengers arrived at Melbourne, 1 March 1861, from San Francisco on board the Achilles; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B19C758-F96C-11E9-AE98-83A363F01077?image=42 (DIGITISED)

Madame Lucy Escott / 28
Miss Rosalie Durand / 27
[Miss] Georgia Hodson / 27
[Miss] Ada King / 28
Mr. A. Reiff / 30
Mr. Henry Squires / 31
Mr. F. Trevor / 29
Mr. W. S. Lister / 31
Mr. F. Lister / 33
Mr. Lloyd / 29
Mr. De Fries / 24
Mr. Hagelsea [de Haga] / 45 . . .

ASSOCIATIONS: Anthony Reiff (conductor); William Lloyd (manager, agent)

[News], The Argus [Melbourne, VIC] (2 March 1861), 5

http://nla.gov.au/nla.news-article5698072

The ship Achilles, which arrived from San Francisco yesterday, has brought to those shores a "complete operatic troupe," comprising the names of Madame Lucy Escott, and Miss Rosalie Durand, sopranos; Miss Georgia Hodson, contralto; and Madame Ada King, as seconda donna. The tenor, Mr. Henry Squires, is supported by Mr. Frank Trevor, as second tenor. The baritono is Mr. F. Lester [sic]. Mr. A. Reiff is the conductor; and the whole are under the supervision of Mr. W. L. Lester [sic]. The agent of the troupe is Mr. W. Lloyd. Arrangements are being made for the appearance of the new company at the Theatre Royal, and we understand they will produce both tragic and comic opera.

ASSOCIATIONS: Theatre Royal (Melbourne venue)

"CLEARANCES. - AUGUST 28", The Sydney Morning Herald (29 August 1868), 4

http://nla.gov.au/nla.news-article13171865

Alexander Duthie, ship, 1159 tons, Captain Douglass, for San Francisco. Passengers - . . . Mr. and Mrs. W. S. Lyster and servant . . . Mrs. King . . .

[Advertisement], The Sydney Morning Herald (4 March 1869), 4

http://nla.gov.au/nla.news-article13192292

[ADVERTISEMENT] To Captain A. Douglas . . .
Dear Sir, - We, the undersigned passengers on board your good ship, now approaching the end of our voyage, beg to tender our sincere acknowledgments for the unvarying kindness and consideration you have ever shown for our comfort and happiness . . .
. . . Ada King.
Ship Alexander Duthie, off San Francisco, November 10th, 1868.

"DIED", Sacramento Daily Union [CA, USA] (18 June 1873), 2

https://cdnc.ucr.edu/?a=d&d=SDU18730618.2.19.2

San Francisco, June 14 - Ada King, late of the Lyster Opera Troupe.

"TOPICS OF THE DAY", The Herald [Melbourne, VIC] (27 September 1873), 3

http://nla.gov.au/nla.news-article245305652

The late mail brings the news of the death of Madame Ada King, which sad event took place in San Francisco, on the 14th of June last. Madame King will be remembered as a very useful member of Mr. William Lyster's Escott cum-Squires Italian and English Opera Company, and arrived in this colony with it from San Francisco in March, 1861, and when they returned to California some years after she accompanied them, and remained in San Francisco ever since. The deceased lady was nearly related to Messrs. Edward King (violinist) and Mr. H. J. King (organist) both of this city.

ASSOCIATIONS: Edward King (brother-in-law); Henry John King (senior; brother-in-law)

Bibliography and resources:

Harold Love, The golden age of Australian opera: W. S. Lyster and his companies 1861-1880 (Sydney: Currency Press, 1981), 12, 19, 35, 56, 78, 79, 80, 88, 120, 121, 178, 192

https://trove.nla.gov.au/work/25720103

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 119, 124, 125, 250

https://trove.nla.gov.au/work/32587155

KING, Charles (Charles KING; Mr. C. KING; Mr. KING; stage name of Allen John EKINS)

Actor, comedian

Born London, England, 4 January 1812; baptised St. Marylebone, 17 February 1812; son of Joseph EKINS and Elizabeth ?
Married [1] Catherine ORAM (d. 1875), St. Marylebone, London, England, 17 October 1833
Arrived Sydney, NSW, by December 1853
Married [2] Emma STAPLETON, St. James's church, Sydney, NSW, 10 February 1855
Active Sydney, NSW, until November 1858 or later

https://trove.nla.gov.au/search?l-publictag=Charles+King+actor+c1853-58 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Charles (shareable link to this entry)

Documentation:

Baptisms, St. Marylebone, London, 1812; register 1811-12; London Metropolitan Archives, P89/MRY1/013

https://www.ancestry.com.au/search/collections/1624/records/699905 (PAYWALL)

[1812, February] 17 / Allan John son of Joseph Ekins & Elizabeth his wife / [born] 4th January

Marriages solemnized in the parish of St. Mary-le-bone in the county of Middlesex in the year 1833; register 1828-33, page 141; London Metropolitan Archives, P89/MRY1/203

https://www.ancestry.com.au/search/collections/1623/records/1933846 (PAYWALL)

No. 422 / Allen John Ekins, of this parish, bachelor and Catherine Oram, of this parish, spinster
were married in this church by licence this [17 October 1833] . . .

ASSOCIATIONS: In the 1851 census, Catherine Ekins / Head / Married / 38 / School Mistress / born London; son, Allen John Ekins, 11, born Luton, Bedfordshire; and mother-in-law Elizabeth Ekins / Widow / 68, were living at Aynho, Northamptonshire; describing herself as a widow, Catherine married Christopher Pell, printer, at Bermondsey, on 3 April 1858; and died at Brighton, Sussex, on 4 June 1875

Baptisms solemnized in Trinity Church, in the parish of St. Mary-le-Bone, in the county of Middlesex, in the year 1836; register 1828-50, page 24; London Metropolitan Archives, P89/TRI/009

https://www.ancestry.com.au/search/collections/1558/records/1458238 (PAYWALL)

No. 186 / [1836] June 12th / Catherine Maria [daughter of] / Allen John and Catherine / Ekins / 102 Mary Street Hampstead Road / Grocer . . .

ASSOCIATIONS: Catherine Maria Ekins (Mrs. Henry Kent; d. 1910)

[Advertisement], The Sydney Morning Herald [NSW] (30 December 1853), 2

http://nla.gov.au/nla.news-article12959885

ROYAL VICTORIA THEATRE . . . Mr. GRIFFITHS, MANAGER . . .
MONDAY EVENING, JANUARY 2, 1854 . . . the celebrated Nautical Drama in three Acts, (by the late J. T. Haines, Esq ), as performed in London for upwards of receive nights with unparalleled success, entitled
MY POLL AND MY PARTNER JOE.
Black Brandon, cousin of a Slaver, Mr. Charles King, from the London Theatre, his first appearance here . . .

ASSOCIATIONS: John Gordon Griffiths (actor, manager); Royal Victoria Theatre (Sydney venue)

PIECES: My Poll and my partner Joe (John Thomas Haines)

"ROYAL AMPHITHEATRE", Empire [Sydney, NSW] (11 July 1854), 2

http://nla.gov.au/nla.news-article60197280

This popular place of amusement will open this evening with some new attractions for its numerous patrons. In addition to the usual advertisements of the Circus, the Proprietor has undertaken to produce many light and favourite dramas, and for that purpose has newly fitted up the stage, and engaged the services of Mr. Charles King, and Mrs. Howard, late of the Victoria Theatre . . .

ASSOCIATIONS: John Malcom (proprietor); Amy Howard (actor); Malcom's Amphitheatre (Sydney venue)

Marriages, St. James's, Sydney, NSW, 1855; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30381204101 (PAYWALL)

10 February 1855 / Allen John Ekins / Widower / St. James' Parish
Emma Stapleton / Single / St. James' Parish . . . Witness: Samuel Stapleton / Palmer Street

"MARRIAGES", The Sydney Morning Herald (19 February 1855), 8

http://nla.gov.au/nla.news-article12965841

On February 10th, by special license, at St. James's Church, by the Rev. C. F. D. Priddle, Mr. Charles King, of the Royal Victoria Theatre, to Emma, second daughter of Mr. Samuel Stapleton, of Woolloomooloo.

ASSOCIATIONS: Emma Stapleton (born Sydney, NSW, 7 April 1840); there was a son, Charles Allen Ekins (born Sydney, NSW, 1857; died QLD, 1905)

[Notice], New South Wales Government Gazette [Sydney, NSW] (3 July 1855), 1748

http://nla.gov.au/nla.news-article230679138

In the Insolvent Estate of Charles King, of York-street, in the City of Sydney, comedian.
WHEREAS the Estate of Charles King, was, on the twenty-eigth day of June, 1855, placed under sequestration . . .

"INSOLVENCY PROCEEDINGS", The Maitland Mercury and Hunter River General Advertiser [NSW] (4 July 1855), 2

http://nla.gov.au/nla.news-article703094

28 [June]. - Charles King, of York-street, Sydney, comedian. Liabilities, £79 12s. 6d. Assets, £7. Deficit, £72 12s. 6d. Mr. Perry, official assignee.

"POLICE . . . A MODERN OTHELLO", Bell's Life in Sydney and Sporting Reviewer [NSW] (20 November 1858), 3

http://nla.gov.au/nla.news-article59869614

Mr. Charles King, a sombre-looking tragic actor, was placed at the bar by Sergeant 3 D, charged with threatening to bring his own and his wife's life to a specially tragic finale. The officer said that he was engaged in a very agreeable chit-chat with the beautiful housemaid at No. 3, ------- street, South Head Road, when he was most disagreeably brought to mundane recollections by the sudden interuption of Mr. King. That distingue tragedian looked singularly wild and excited. His eyes rolled wildly like two meteoric orbs; cold drops of perspiration hung on his trembling limbs; his blood was evidently anything but chilly, and he shook with the horrors. Throwing himself into artistic attitude, he exclaimed: -
"Art thou an Indigo - or blue devil d----d?
----- Speak! I command you.
I'm bent on mischief? -----
My wife! she who was once the idol of my heart,
Is now the object of my soul's fell hate!
I'll stab her to the hear-ar-art!
I'll sever her jugular - I'll cut her throat.
I'm in a fit or jealousy. - Behold! Behold!
At this stage (continued the sergeant) Mr. King pulled out a razor wrapped in a piece of paper, and displayed it to the witness as "the instrument he was about to use." He asserted that if he was not restrained he would be unable to restrain his inclination to assassinate Mrs. K. So witness took him to the watch house.
Dr. Rutter said he had examined Mr. King, and found that his nervous system was very much excited by drinking; so much so that he was likely in his present condition to do mischief, and a little rest, restraint, and medical assistance would be very beneficial to him. The Bench, in default of his finding sureties, remanded Mr. King to the infirmary ward, Darlinghurst - not for punishment, but for protection.

? "CENTRAL POLICE COURT, TUESDAY [17 May]", The Sydney Morning Herald (18 May 1859), 5

http://nla.gov.au/nla.news-article13025144

Charles King was brought before the bench, having been taken into custody for protection. He last night rushed to the lock-up in a state of great excitement, with a knife in his hand, and stated that he had stabbed himself, and on examination two small fresh wounds were found on his side. Dr. Rutter, police surgeon, deposed that defendant was suffering under considerable excitement, and required restraint. To give sureties to be of good behaviour, and to keep the peace for one month, or to be imprisoned for that period.

KING, G. (G. KING; ? George KING)

Musician, bandsman, band leader, London Quadrille Band (group), European Band (group)

Active Sydney, NSW, 1859

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-G (shareable link to this entry)

Documentation:

[3 advertisements], The Sydney Morning Herald [NSW] (3 December 1859), 1

http://nla.gov.au/nla.news-article13033926

LONDON QUADRILLE BAND, consisting of part of the EUROPEAN BAND (Leader, G. ARNOLD).
are OPEN to ATTEND Balls, Picnics, Excursions, &c.
The above band, consisting of the following instruments -
1st violin, 1st cornet, piccolo, harp, bass, side drum, &c.
For the above band address G. SUTCH, musician, No. 16, Union-street.
N.B. - Small parties and clubs attended with violin, harp, and cornet.

VICTORIA ASSEMBLY ROOMS, opposite Moffitt's, bookseller.
Opening night, MONDAY next, December 5.
London Quadrille Band-leader, Mr. G. King; master of the ceremonies, Mr. Henry Mott.
Dancing at nine, terminates at half-past eleven.

VICTORIA ASSEMBLY ROOMS. - The Janet Pride Polka on MONDAY, for the first time.

ASSOCIATIONS: George Arnold (violinist); George Sutch senior (bandsman, per European); London Quadrille Band (group); European Band (group)

KING, Julia (Miss Julia KING) = Juliana KING

Musician, vocalist, harp player, harpist

Active Adelaide, SA, 1863

KING, Morton (Mark LAST; alias Morton KING; Mark Last KING; also Moreton KING)

Actor, theatrical manager, proprietor, merchant, silk mercer, broker, auctioneer, member of parliament

Born London, England, 5 February 1809; baptised St. Giles in the Fields, 16 April 1809; son of William Henry LAST and Sarah RIDGERS
Married Agnes SCOTT (d. 1858), St. Peter le Poor, London, 29 June 1830
Arrived Sydney, NSW, 15 January 1843 (per Glenswilly, from Portsmouth, 6 September 1842, via Melbourne, 13 December 1842)
Died East Melbourne, VIC, 14 February 1879, aged "70"

https://trove.nla.gov.au/search?l-publictag=Morton+King+1809-1879 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Mark+Last+1809-1879 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Mark+Last+King+1809-1879 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1883688 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Morton (shareable link to this entry)

Documentation:

Baptisms, St. Giles in the Fields, Camden, 1809; register 1809-12, fol. 3v; London Metropolitan Archives, DL/T/036/007

https://www.ancestry.com.au/search/collections/1624/records/10391219 (PAYWALL)

[1809 April] 16 / Mark Last, of William Henry, by Sarah / [born] Feb'y 5

Marriages solemnized in the parish of St. Peter le Poor, in the City of London, in the year 1830; register 1830-37, page 4; London Metropolitan Archives, P69/PET2/A/01/MS 4094/4

https://www.ancestry.com.au/search/collections/1623/records/1562107 (PAYWALL)

No. 11 / Mark Last of this parish, Bachelor, and Agnes Scott, of this parish, a spinster & minor, the said minor not having any father living or mother . . .
were married in this church by licence this [29 June 1830] . . .

City of London, freedom admissions, 1836; London Metropolitan Archives, COL/CHD/FR/02/1649-1654 (ELJL/1853/98)

https://www.ancestry.com.au/search/collections/2052/records/820699 (PAYWALL)

Kelly Mayor / A common council holden in the Chamber of the Guildhall of the City of London on Friday [25 November 1836]
This Court doth hereby assent to the - admission of Mark Last, of Great Winchester Street to be a Broker - to the freedom of this city . . .

Pigot & Co's London and Provincial directory (1840), Street directory 318

https://www.ancestry.com.au/search/collections/61265/records/7284067 (PAYWALL)

Union Court, 42 Old Broad street . . . 9 Last Mark, merchant . . .

"Ship News. ARRIVED", Melbourne Times [NSW (VCI)] (17 December 1842), 2

http://nla.gov.au/nla.news-article226925214

December 13. Glenswilly, ship, McNiel, master, from Plymouth 6th September. Passengers - Cabin . . . Mr. and Mrs. Last . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald [NSW] (16 January 1843), 2

http://nla.gov.au/nla.news-article12424759

From Port Phillip, yesterday, having left the 6th instant, the ship Glenswilly, 600 tons. Captain McNeil, with part of her original cargo. Passengers - . . . Mr. and Mrs. Last and two children [sic] . . .

"THEATRICALS", The Australian [Sydney, NSW] (30 September 1843), 2

http://nla.gov.au/nla.news-article37116593

The Victoria announce bills intimate that a Mr. Morton King will shortly make his debut, and we are enabled to add that Monday evening is fixed for his first appearance, which will be in the arduous character of Hamlet . . .

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue)

"DOMESTIC RECORD", The Sydney Record (14 October 1843), 12

http://nla.gov.au/nla.news-article228141497

. . . Since the Victoria opened for the present season, one or two of the performances merit more than ordinary notice. On the 2nd instant, a Mr. Moreton King made his debut in the character of Hamlet, a performance which we are sorry not to have been able to notice earlier, since, faulty as the actor was in many points, his engagement at the Victoria would afford a change in the personnel of the corps which is now sadly wanted - difficult indeed as we find it, to accord to Mr. Moreton King the meed of a tragic actor, still there is a spirit and an occasional felicity of manner about him that would greatly relieve the present monotonous style of performances on the Sydney boards . . .

"NEW INSOLVENTS", The Sydney Morning Herald (25 October 1843), 3

http://nla.gov.au/nla.news-article12410846

Mark Last, of the Albion Wharf, Sussex-street, Sydney, cedar merchant: Debts, £801 10s. 2d. Assets - personal property, £85; outstanding debts, £6 9s. 3d. Balance deficiency, £209 11s. 11d.

"THEATRE", The Weekly Register of Politics, Facts and General Literature [Sydney, NSW] (28 December 1844), 8

http://nla.gov.au/nla.news-article228135224

Our Theatre has been unusually attractive during the present week. Mr. Coppin took a benefit on Monday evening, and, we regret to add, a farewell at the same time. The performances were well selected, and of a novel and interesting kind, viz., the comedy of "Sweethearts and wives;" the leading characters in which were well sustained by Mr. Morton King and Mr. and Mrs. Coppin . . .

ASSOCIATIONS: George and Maria Coppin (actors)

"THEATRICALS", Port Phillip Gazette and Settler's Journal (22 August 1846), 2

http://nla.gov.au/nla.news-article225065667

The inclemency of the weather prevented a good attendance at the Queen's Theatre, on Thursday evening, to witness the first representation of Carl Maria Von Weber's Chief D'ouvre Der Freischutz. Therefore, all who witness the second representation will have the advantage of seeing this beautiful opera more glibly gone through, than is usual on the first production of any piece on the stage. The proprietor of the Queen's seems determined to make every effort within his reach, to render his theatre worthy of the patronage it receives, having entered into arrangements with Mr. Morton King, a tragedian of great celebrity, to appear for a limited number of nights at the "Queen's." Mr. Morton King is expected in Melbourne on the return of the Christina. In addition to the attraction of Mr. King, offers have been made to Mrs. Clarke, and her company, for a limited period . . .

ASSOCIATIONS: John Thomas Smith (proprietor); Anne Remens Clarke (actor); Queen's Theatre (Melbourne venue)

"MELBOURNE AUCTIONEERS. APPLICATIONS GRANTED", Geelong Advertiser and Intelligencer [VIC] (25 November 1853), 6

http://nla.gov.au/nla.news-article86413806

. . . Morton King . . .

"DIED", The Age [Melbourne, VIC] (1 March 1858), 4

http://nla.gov.au/nla.news-article154857951

On the 28th February, at Craigville, Essendon, Agnes Last, the beloved wife of Mark Last King, of 48 Flinders lane east.

"DEATH OF MR. M. L. KING, M.L.A", The Herald [Melbourne, VIC] (14 February 1879), 3

http://nla.gov.au/nla.news-article246227848

Shortly before three o'clock this morning, Mr. M. L. King, member for the Footscray district in the Assembly, expired after a most painful and protracted illness. Deceased has during the past two years been rapidly declining, and his death was hourly expected by his friends. On Monday last his daughter died suddenly, and he was not aware of her decease at the time of his death. One of the sons was suddenly taken with a fit this morning, and this adds another bereavement to the family. Mr. King will he buried on Saturday in the family grave at the Melbourne Cemetery.
The career of Mr. M. L. King in Melbourne has been of the usual varied nature among the founders of a new community. His real name was Mark Last, but the immense popularity which he obtained under the assumed name of Morton King, as tragedian, and the fact that everyone called him King, which patronymic he found it impossible to shake off, led him formally to adopt it, and thus his legal name, and that of his family, is King. After successful appearances in other colonies, he made his debut at the Queen's Theatre, Melbourne, more than thirty years ago. Mr. King went through little of the drudgery of the profession. He sprang at once to the topmost round of the ladder, so far as Australia is concerned. He played Hamlet, Shylock, Claude Mclnotte, Julian St. Pierre (The Wife), Master Walter, (Hunchback), William Tell, Rob Roy, and all the other leading personages of the acting drama . . .

"DEATH OF MR. MARK LAST KING, M.L.A.", The Argus (15 February 1879), 8

http://nla.gov.au/nla.news-article5932540

Mr. Mark Last King, M.L.A. for Footscray, who had been failing in health for some time past, died at about 3 o'clock yesterday morning at his residence, East Melbourne. His death was not unexpected, as his medical adviser, Dr. Gunst, had pronounced him to be in a sinking state several days ago. For many years before his death he had been in an almost insensible condition, and the sudden death of his daughter on Tuesday last could not be communicated to him. The eldest son of the deceased gentleman was so shocked at the news of the death of his father that he was seized with a fit from the effects of which he was suffering, at a late hour last night.

Mr. Mark Last King was an old colonist. He landed first in Sydney and a little while later - viz, in 1844 [recte 1846] came on to Melbourne. In London Mr. King was a silk mercer, but in this colony he took to the stage, and in the quiet years that preceded the gold discoveries was accounted a good representative of the tragic heroes of Shakspeare. For about two years he was lessee of the Queens of theatre, then open in Queen street, but now remembered by few as a place of public amusement. At the end of his theatricals career Mr. King settled down for a time at Port Adelaide but came back to Melbourne in 1853 [recte, 1852]. He was in business, with his partner, as an auctioneer in Bourke street for several years, but later on became a broker, and did a good deal of business for the Chinese merchants of this city. Mr. King obtained a seat in the second Parliament of Victoria elected in August, 1859 . . . In private life Mr. King was much respected . . .

"DEATH OF MR. M. L. KING, M.L.A.", The Age [Melbourne, VIC] (15 February 1879), 5

http://nla.gov.au/nla.news-article199358847

Mr. Mark Last King, member for Footscray, in the Legislative Assembly, died shortly before three o'clock yesterday morning, after a long and painful illness. Mr. King's real name was Mark Last, but on account of the great popularity he had achieved in the Australian colonies as a tragedian and general actor, under the assumed name of King, he subsequently legalised it. He was born in London on the 5th of February, 1809, and early in life he was apprenticed to the silk trade, which he afterwards carried on by himself in Winchester-street, London . . .

"Old Playbills", The Lorgnette [Melbourne, VIC] (14 April 1883), 4

http://nla.gov.au/nla.news-article208856199

. . . In 1851, Mr. Young came over to Victoria and again came to the front as "boss" of the Queen's Theatre in place of Mr. Morton Lock King, afterwards Mr. Mark Last King, for many years member of the Legislative Assembly for West Bourke . . .

"Reminiscences of Theatricals. THE LATE MARK LAST KING", The Lorgnette (26 December 1885), 2

http://nla.gov.au/nla.news-article208218376

"And one man in his time plays many parts." - SHAKESPEARE.
It may not be well-known, but it is no less a fact, that only two members of the dramatic profession ever aspired to, or obtained seats in the Legislature of the Colony of Victoria, namely the deceased gentleman whose name heads this article, and Mr. George Coppin, one of the present members for East Melbourne. Regarding Mr. King, he was a silk mercer in London, landed first in Sydney, and a short, time later - in 1844 [sic, 1846] - he came to Port Philip, took, to the stage, and in the quiet years preceding the gold discoveries, he was accounted an excellent representative of the tragic heroes of Shakespeare. It was in the latter part of February, 1848, that he first appeared at the Queen's Theatre Royal, Melbourne, then under the proprietorship of the late Hon. John Thomas Smith. Mr. King's opening play was "Hamlet," in which he appeared in the title role. In making the announcement of his engagement, "The proprietor deems it unnecessary to say anything as to Mr. King's abilities; but would refer to the various critiques of the Sydney, Adelaide, and Van Dieman's Land papers." Stars and companies had to work hard in those days. A long run for a play was then entirely unknown. It is noted, that on the 25th of February, 1848, Mr. King appeared as Shylock ("Merchant of Venice"). On the 28th as Richard the Third. On the 1st of March, a grand double bill was presented, - "The Lady of Lyons," and "The Merchant of Venice" - in both of which plays he sustained the principal characters. During the same month he appeared as Sir Giles Overreach ("New Way to pay old Debts"); and on the following night, as Rob Roy, and Claude Melnotte. His benefit came on shortly after, when he played Dumont ("Jane Shore"); and Benjamin Bowbell ("The Illustrious Stranger"). Another double bill - "The Stranger," and "William Tell." On the last night of the season he took his farewell benefit, appearing as Macbeth, and Gambia ("The Slave"). On the following day, March 1st 1848, he, with a company, sailed for Sydney in the schooner Phoebe. In the October of the same year, he returned to Melbourne, and opened on the 2nd as Julian St. Pierre ("The Wife"); and as Golightly in "Lend Me Five Shillings." In the following, month he became manager of the Queen's Theatre in Queen-street, Melbourne, and on the 11th of Dec., he displayed great versatility of talent by appearing as Richard III, in the 2nd act of that play; Romeo in the 5th act of " Romeo and Juliet"; Macbeth, in the 2nd act; Hamlet in the 3rd act; and as Shylock, in the 4th act of the "Merchant of Venice." There was work for the star of the evening. On the 21st of October, 1850, the theatre was re-opened under the management of Messrs. King and Charles Young, when they had most successful seasons. Mr. King's last appearance on the stage was at the old Theatre Royal, when with several other Members of Parliament, he appeared as Shylock in "The Merchant of Venice," in aid of a fund being raised for a Shakesperian Testimonial, in April, 1861; Mr. George Coppin appearing as Launcelot Gobbo. At the end of his theatrical career, Mr. King settled down for a time at Port Adelaide, but returned to Melbourne, in 1853. For several years he was a successful auctioneer in Melbourne. In 1859 he obtained a seat in the second Parliament of Victoria, as one of the members for West Bourke, and afterwards for Footscray, and while sitting for this constituency illness came upon him, from which he died on the 14th of February, 1879.

ASSOCIATIONS: Charles Young (actor, manager)

KING, Thomas (Thomas KING)

Musician, bandsman (Goulburn volunteer band)

Active Goulburn and Bathurst, NSW, 1872

https://trove.nla.gov.au/search?l-publictag=Thomas+King+bandsman+1872 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Thomas-NSW (shareable link to this entry)

Documentation:

"THE GOULBURN VOLUNTEERS", The Goulburn Herald and Chronicle [NSW] (9 October 1872), 2

http://nla.gov.au/nla.news-article101100170

By our report of the proceedings in the small debts court it will be seen that on Monday last Captain Rossi sued Mr. Thomas King for £10, the amount of a bond entered into by defendant, by which he bound himself to pay the sum mentioned in the event of his not complying with the condition that he should attend regularly at the practices, &c., of the band. It seems that Mr. King had been absent on some occasions, for each of which he had been fined; but believing that, as a journeyman, he could obtain better employment at Bathurst, he decided to leave Goulburn altogether, and accordingly he delivered up his uniform and the instrument he played to the band-sergeant. He then left Goulburn; and Captain Rossi took out a summons against him, which was served upon him at Bathurst. A witness called for the plaintiff proved that the defendant when signing the bond was told that the penalty would not be sought to be enforced if he left the district. Several other matters cropped up during the hearing of the case, such as the fact that the bandmaster had been complained against by the members of the band and his services discontinued by unanimous vote of the committee, though the captain had notwithstanding chosen to retain him in his position; that the defendant was one of those who had given evidence adverse to the bandmaster; and that other members of the band who had left had not been prosecuted. The following legal points were raised by the defendant's counsel: - First, that the defendant being a member of the volunteer force, no higher penalty than that provided in the 30th section of the Volunteer Act, namely £5, could be imposed; second, that it had not been proved in evidence that the captain had received the sanction of the officer commanding the force to form a band, and that without this sanction he had not then power to do so; third, that the defendant was induced to sign the bond by the representation that the penalty would not be enforced if he left the district; fourth, that the defendant was not supplied with competent musical instruction as member of a band, it being shown that this was the first brass band taught by the present bandmaster, and that the committee, whose representative the present plaintiff was, had themselves entertained complaints against the bandmaster and unanimously agreed to dispense with his services; fifth, that the defendant had been punished by his absence from practice by being fined, and that no one can be punished twice for the one offence; and sixth, that in a court of equity only the damage actually sustained could be awarded, and that in this case no such actual damage had been proved. The bench disregarded the technical objections; but gave a verdict for the defendant on the ground that when signing the bond he had been told that the penalty would not be enforced if he left the district. The decision of the bench was received with applause by a court more than usually crowded. During one part of the to hearing of the ease, the defendant's counsel having called for the production of certain documents which were refused by the other side, characterised the prosecution as a dishonest one, whereupon Captain Rossi, though represented by an attorney, insisted on strongly protesting against the use of such an expression, and a short scene occurred in which he had the principal part of the talk to himself. It may be mentioned that Mr. King is but a journeyman tradesman; and as going to Bathurst and returning have somewhat impoverished him, the penalty of £10 would have been a most serious loss to him, tantamount almost to ruin. - Two other cases against Private and Secretary Martyr, who has lately been discharged from the company by Captain Rossi and who has appealed to his Excellency the Governor, and who was charged by the captain with refusing to deliver up his arms and accoutrements and also with refusing to deliver up the minute-book, were postponed to the 25th instant.

ASSOCIATIONS: Francis Rossi (captain); Edward Smith Deane (bandmaster);
see also "THE GOULBURN VOLUNTEERS AND CAPTAIN ROSSI AGAIN", The Sydney Morning Herald (10 October 1872), 4

http://nla.gov.au/nla.news-article13264578

The following extraordinary case (reported in the Goulburn Herald) was heard before the Small Debts Court at Goulburn: - On Monday last Captain Rossi sued Mr. Thomas King for £10, the amount of a bond entered into by defendant . . .

KING, Thomas Lemon (Thomas Lemon Isaac KING; Thomas Isaac Lemon KING; Thomas Lemon KING; Thomas KING; Tom KING)

Theatrical and circus proprietor, memoirist

Born Paddington, London, England, 1837; baptised St. John's, Paddington, 5 March 1837; son of Isaac Thomas Lemon KING and Sarah SMITH
Married [1] Louisa ALDRIDGE (c. 1823-1904), St. Pancras's church, London, England, 4 March 1855
Arrived Melbourne, VIC, 26 August 1855 (per Donald Mackay, from Liverpool, aged "22" [sic])
Married [2] Henrietta Susannah Elizabeth DONNEY (d. 1914), St. David's cathedral, Hobart, TAS, 26 July 1877
Died Darlinghurst, NSW, 15 January 1917, aged "82" [sic]

https://trove.nla.gov.au/search?l-publictag=Thomas+Lemon+King+1837-1917 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Thomas-Lemon (shareable link to this entry)

Documentation:

Baptisms solemnized in St. John's in the parish of Paddington in the county of Middlesex in the year 1837; register 1832-44, page 81; London Metropolitan Archives, P87/JNE1/001

https://www.ancestry.com.au/search/collections/1558/records/3145722 (PAYWALL)

No. 648 / March 5 [1837] / Isaac Thomas [son of] Isaac Thomas and Sarach [sic] / Lemon King / 5 Pieschell Place [?] / Waiter . . .

ASSOCIATIONS: Isaac Thomas Lemon King (1815-1865) and Sarah Smith married at Christ Church Greyfriars, Newgate, on 3 April 1836

England census, 30 March 1851, St. Bride's, London; UK National Archives, HO107/1527/352/10

https://www.ancestry.com.au/search/collections/8860/records/2935290 (PAYWALL)

Noah's Ark / John Cridland / Head / Mar. / 34 / Licensed Victualler . . .
Thomas L. Isaac King / Serv[ant] / Unm. / 15 [sic] / Pot Boy / [born] [Middlesex] West[minster]

1855, marriage solemnized at St. Pancras' Church in the parish of St. Pancras in the county of Middlesex; register 1855-56, page 79; London Metropolitan Archives, P90/PAN1/111

https://www.ancestry.com.au/search/collections/1623/records/2322053 (PAYWALL)

No. 157 / March 4 [1855] / Thomas Lemon Isaac King / full [age] / Bachelor / Bookbinder / Sussex St. / [son of] Thomas King / Print Seller
Louisa Aldridge / full [age] / Spinster / - / [Sussex St.] / [daughter of] Thomas Aldridge / Dead . . .

Names and descriptions of passengers per Donald Mackay, from Liverpool, 4 June 1855, for Melbourne, 26 August 1855; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AFAF4A2-F96C-11E9-AE98-C1235E0566FF?image=302 (DIGITISED)

. . . Thi. [sic] King / 22 [sic] / Bookbinder // Louisa [King] / 23 [sic] / Wife . . .

"CITY POLICE COURT. Thursday, 5th March . . . MINOR OFFENCES", The Age [Melbourne, VIC] (6 March 1868), 6

http://nla.gov.au/nla.news-article176998650

Thomas King, charged with deserting his wife, was ordered to contribute 15s a week towards her maintenance.

"SUPREME COURT . . . THURSDAY, MAY 14 . . . KERNOHAN V. KERNOHAN, KING, AND MEACHAM", The Argus [Melbourne, VIC] (15 May 1868), 3

http://nla.gov.au/nla.news-article5816366

The petition in this case was filed by William John Kernohan, proving for a dissolution of his marriage with Catherine Bertha Kernohan. Damages were also asked from the co-respondents, Thomas L. King and Meacham . . .
Kernohan was married to his wife on the 27th October, 1866, at the registrar's office, Fitzroy . . . Kernohan and his wife lived together in East Melbourne till February, 1867, when petitioner, on his return from his office, discovered that the respondent had eloped; and he found a note in her room informing him of her intention to leave him. He endeavoured to trace her, but was unsuccessful in finding her till January of this year. In the interim she had been living with King, a cabman, at Emerald-hill; had accompanied him to New South Wales, and then to Queensland, where he worked unsuccessfully as a miner. Being attacked with illness, they returned to this colony; and in December, 1867, lodged for two nights at a boarding house in Flinders-street, as Mr. and Mrs. Slater. Here Mrs. Kernohan left King, and went to live in a boarding-house in Carlton, where she became acquainted with Meacham, and where she remained for eight days . . .

1877, marriages in the district of Hobart; Tasmanian names index; NAME_INDEXES:883557; RGD37/1/36 no 196

https://libraries.tas.gov.au/Record/NamesIndex/883557

https://libraries.tas.gov.au/Digital/RGD37-1-36/RGD37-1-36P100 (DIGITISED)

No. 109 / July 26, 1877 / St. David's Cathedral Hobart Town
Thomas Lemon King / 36 [sic] / Gentleman / . . . Widower /
Henreitta Susannah Elizabeth Donney / 21 / Daughter of Colonial Manufacturer / . . . Spinster . . .

"MARRIAGE", Tribune [Hobart, TAS] (31 July 1877), 1

http://nla.gov.au/nla.news-article200631410

KING - DONNEY. - On the 26th inst., by the Very Rev Dean Bromby at St. David's Cathedral, by special license, Mr. T. L. King, gentleman of NSW, to Henrietta Susannah, eldest daughter of David Henry Donney, M.D. of Lambeth, Surrey, England, formerly of the Hon. E.I.C. Service and Surgeon to His Highness, the Nizam of Singapore.

"DEATHS", The Argus (25 February 1904), 1

http://nla.gov.au/nla.news-article10599985

KING. - On the 24th February, at her residence, Hawkhurst, 671 Station-street, North Carlton, Louisa, beloved wife of the late Thomas T. L. King, mother of Mrs. Joseph Jefferries and Rosalie L. King, in her 82nd year. A colonist of 50 years. London and home papers please copy. A patient sufferer gone to rest.

"MUMMER MEMOIRS. MR. THOMAS KING REMINISCES . . . No. 139 (By 'Hayseed')", Sydney Sportsman (2 November 1910), 3

http://nla.gov.au/nla.news-article166742018

The veteran Tom King writes pleasantly, reminiscent of circuses and circus people, and from his long experience, like my friend, Mr. H. P. Lyons, he is well qualified to write on such subjects: -
"Dear Hayseed, - in your 'Mummer Memoirs' of October 12th I see 'Old Theatrical' would like to know if Zoyara was man or woman, so am sending you these few lines in answer to the question. When Cook, Zoyara, and Wilson came to Sydney with their World's Circus, Ella Zoyara was billed as the greatest equestrienne in the arena - and was a man. Very good-looking, with small hands and feet, and made up remarkably well to impersonate a lady; he was also a very clever horse-trainer, and good ringmaster; his name was Omar Kingsley, and his wife travelled with him. He went to India with Wilson's Circus, and died of smallpox in Calcutta Hospital. I was first introduced to Zoyara by Frank Weston, who came with the circus, first visit as a business man for Wilson, and after leaving them he became a traveller with his famous Wizard Oil. Frank Weston was a great showman (American) who could talk and sing and play the banjo and entertain an audience for a couple of hours, and sell Wizard Oil all the time. While writing you about Zoyara, who died in India, I wish to mention a great many circus people who have departed this life in that country. Mr. Cousins, who took a circus from Melbourne in the sixties, died in India; he was the father of Jack Cousins and Miss Ida Vernon Cousins, both good circus (Australian) equestrians and performers. Miss Ida Vernon Cousins married Alfred St. Leon, and, after touring this country, went to America. I believe poor Alfred St. Leon died in New York, and one of his daughters is playing in America now, and doing the greatest circus act of bare backed riding for a woman ever seen. I may mention that Alfred St. Leon was a brother of Gus St. Leon, now travelling a circus in Queensland, and who has a clever family, some of whom have been stars of the arena, and travelled all over the United States of America, and, mark you, they were all Australians. Another old-time circus proprietor who died out East was William Barlow. He died at Java. He was the greatest trainer of dogs and monkeys we have ever had in Australia. I went one trip with him through Tasmania and New Zealand. He was also good as a horse trainer. He went out to India with Mathews Brothers' Circus. I think one of the Mathews died in India. Their agent Robert Bennard, died on arrival in Melbourne, either the day he arrived or that week, from illness contracted in India. Poor Bennard was not a bad clown. I will send you Barry O'Neil's circuit experience in my next" . . .

ASSOCIATIONS: Joseph Michael Forde ("Hayseed"); Harry Percival Lyons (memoirist); Frank Weston (circus performer); William Barlow (circus performer);
and see also, "MUMMER MEMOIRS", Sydney Sportsman (23 November 1910), 3

http://nla.gov.au/nla.news-article166746969

"MUMMER MEMOIRS. SAWDUST AND SPANGLES - MR. TOM KING REMINISCES . . . No. 144 (By 'Hayseed')", Sydney Sportsman (7 December 1910), 3

http://nla.gov.au/nla.news-article166748823

Dear Hayseed, - As promised, I am sending you some more 'Sawdust and Spangles,' and my recollections connected therewith. In August, 1864, Messrs. Greenberg and W. H. Foley were touring New Zealand. They were in Auckland on August 20, 1864, when they appeared under the patronage of Col. O'Brien and the officers of the military train, for the benefit of the Auckland Industrial Ragged School. The programme commenced with a cavalcade of six trained horses. Second item, T. Bird, in his marvellous contortion act. This is the Mr. T. Bird who was a partner with Mr. R. Taylor and myself. We were a strong combination, and travelled all over Australia. Our stud numbered eighty horses and ponies, and a big company. I will tell you more about this show later on. Referring to T. Bird, his contortion performance was simply wonderful, because he did it on horseback, galloping round the arena. He was also a good black-rope and stilt performer. At the Roman Hippodrome, Sydney, 1870, on the Albert Cricket Ground, Bird and Taylor raced once round the ground on stilts, pretty long ones. It was a great success. Third item on the Californian Circus programme was principal act, by Madame Tournear, star lady equestrienne. She was a good tight-rope artist and dancer. She afterwards appeared in Sydney in 1870. Fourth item was La Perche, by Messrs. Palmer and Raphael. Speaking of Signor Raphael reminds me he was a pupil of Rowe, of circus fame, in Melbourne, in the early fifties . . . Mr. W. H. Foley in the Californian Circus was ringmaster. This Foley was the father of Kate and Johnny Foley, vaudeville performers. Mr. W. H. Foley died in Brisbane many years back; Mr. W. Airey was the clown in the Californian Circus; he was a good jester, etc. Airey was a native Deloraine, Tasmania, and when he retired from circus life he settled in historic Parramatta. He opened a grocery store first; he afterwards opened a hotel, and was one of the aldermen of the Borough Council. He died in Parramatta about seven years ago. Billy Jones, the aboriginal, was another member of the Californian Circus Company. He was a good rider at that time, but got very stout. He more often did tumbling in later life, causing great merriment, he being so big. Notwithstanding his fat, he was very agile. He died a few years back. Herr Greenberg, one of the proprietors of the Californian Circus, was for many years manager of the Red Bank Station, Mathoura, New South Wales, the property of the late Henry Burton, another of the circus giants of the past, of whom I will write later on" . . .

ASSOCIATIONS: William Henry Foley (circus proprietor); Joseph Andrew Rowe (circus proprietor); Henry Burton (circus proprietor)

"DEATHS", The Sydney Morning Herald [NSW] (17 January 1917), 10

http://nla.gov.au/nla.news-article15711396

KING - January 15, 1917, Thomas Lemon King, Theatrical and Circus Proprietor aged 82, late of Redfern. Home papers please copy.

Bibliography and resources:

Thomas Lemon Isaac King, Find a grave

https://www.ancestry.com.au/search/collections/60528/records/167009188

KING, William [1] (William KING; W. KING; Mr. KING)

Dancing master, professor of dancing, currier

Born (? Sydney, NSW), c. 1815
Married Margaret WHITE (d. 1884), St. Philip's church, Sydney, NSW, 28 January 1837
Died Sydney, NSW, 28 April 1886, aged "71"

https://trove.nla.gov.au/search?l-publictag=William+King+professor+of+dancing+d1886 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=William+King+c1815-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-William-dancing-master (shareable link to this entry)

KING, Emma (Emma KING; Miss Emma KING; [1] Mrs. Frederick James WARSKITT; [2] Mrs. William ALLAN)

Juvenile dancer, teacher of dancing

Born Sydney, NSW, c. 1856
Married [1] Frederick James WARSKITT, St. Andrew's cathedral, Sydney, NSW, 23 April 1881 (divorced 1894)
Married [2] William ALLAN, Sydney, St. Stephen's church, Sydney, NSW, 10 February 1895
Died Randwick, NSW, 21 June 1909

https://trove.nla.gov.au/search?l-publictag=Emma+King+Warskitt+Allan+d1909 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-Emma-Warskitt-Allan (shareable link to this entry)

Documentation:

Marriages solemnized in the parish of St. Philip's Sydney in the county of Cumberland, N.S. Wales in the year 1837 (original seen)

No. 157 / William King of this parish, Currier, a bachelor and Margaret White of this parish, a spinster
were married in this church by banns with consent of [her] father this [28 January 1837] . . .

[Advertisement], The Colonist (2 May 1840), 5

http://nla.gov.au/nla.news-article31724975

MR. WILLIAM KING, Professor of Dancing,
BEGS leave most respectfully to inform his Fiends, and the Public in general, that his Rooms, George-street South, are now open for the reception of those who may honour him with their Patronage.
Terms: - £ s. d.
For one Pupil - 2 0 0 per quarter
Ditto three of same Family 5 0 0 Ditto
Ditto four or more ditto - 6 10 0 Ditto
Sydney, May 2.

[Advertisement], The Sydney Monitor (11 August 1840), 3

http://nla.gov.au/nla.news-article32184440

REMOVAL. AUSTRALIAN DANCING ACADEMY.
WILLIAM KING, Professor of Dancing, George-street, South, Sydney.
In respectfully intimating to his friends and the public, that he has removed to a more central and commodious house in Castlereagh-street, four doors from Market-street; cannot let the opportunity pass without acknowledging the kind feeling and patronage he has experienced since the opening of his Academy, and trusts by paying the most scrupulous and unremitting attention to the comfort and advancement of his pupils, to merit a continuance and even extension of that support, heretofore so liberally bestowed upon him.
W. K. further wishes it to be known, that it is his intention to give a Quadrille party on the first Tuesday in each month, to which he respectfully invites his friends and patrons, and in order to maintain the respectability of the establishment notifies that no person will be admitted without a Ticket, which can be procured by applying at his rooms.
The annexed is a list of the principal dances which W. K. proposes to teach at his new establishment, in the most fashionable style, viz -
Caledonian Quadrilles, Lancers ditto, Mazurkas ditto,
Paine's ditto, Royal Devonshire ditto, Lowe's ditto,
Australian ditto, Red Coats ditto, Cuirassiers' ditto,
Cambrian's ditto, Chivereau's, &c &c. &c.,
Highland Laddie, Country Dance, L'ete ditto, La Poole Anglaise ditto,
Pieng's [? Paine's] Medley ditto, The Regeat ditto, St. Quintor ditto,
Circle Waltzing, Tyrolese Waltz, Swiss ditto, Ecossoises, Spanish Dances;
&c. &c. &c. Titans.
For, one pupil £2 0s. 0d. per quarter;
Three of the same family. £5 0s. 0d., ditto
Private instruction £3 3s. 0d. ditto Two Lessons each week.

MUSIC: "Australian quadrilles", probably Ellard's set of 1835

"News of the Day", The Sydney Monitor and Commercial Advertiser (17 August 1840), 2

http://nla.gov.au/nla.news-article32184555

We are requested to notify, that a party of young men are about giving a Fancy Dress Ball to take place at Mr. William King's Australian Dancing Academy, where early application for tickets is necessary. If the same is got up in a respectable manner - and from what we have heard of Mr. King's establishment it is more than probable that it will be so - much amusement will be the result.

"THE AUSTRALIAN DANCING ACADEMY", The Sydney Monitor and Commercial Advertiser (24 November 1840), 2

http://nla.gov.au/nla.news-article32186897

Mr. King, the indefatigable tutor, of the young aspirants in the graceful art of dancing "a la Taglioni," waltzing, quadrille, lancers, and last, not least, jigging, intends giving a ball at the Christmas vacation. The success and patronage Mr. King has received since his commencement as a teacher of this "light fantastic art," evinces how deservedly his exertions have been appreciated by the public. From what we have heard, it is understood that Mr. K. will not be a loser by his determined wish to please his pupils and their friends by giving a select ball at the approaching holidays. - Correspondent.

[Advertisement], Australasian Chronicle (1 May 1841), 3

http://nla.gov.au/nla.news-article31731604

MR. WILLIAM KING, Professor of Dancing, begs respectfully to intimate that his Anniversary Ball will take place on the Evening of the 6th May, at Mr. Clark's Assembly Rooms, King-street.

ASSOCIATIONS: His 1841 "anniversary ball" was advertised to take place at the premises of his business rival, John Clark

"NEW INSOLVENTS", The Sydney Herald (21 June 1842), 2

http://nla.gov.au/nla.news-article12875779

. . . William King, late of Pitt-street, Sydney, professor of dancing . . .

[Notice], New South Wales Government Gazette (24 June 1842), 912

http://nla.gov.au/nla.news-article230663339

In the Insolvent Estate of William King, late of Pitt-street, Sydney, Professor of Dancing. WHEREAS the Estate of William King was, on the 20th day of June, 1842, placed under Sequestration . . .

"POLICE COURT", The Sydney Morning Herald (26 July 1843), 3

http://nla.gov.au/nla.news-article12421436

. . . Margaret King v. William King, for deserting his wife . . .

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (14 March 1846), 4

http://nla.gov.au/nla.news-article59764927

St. Patrick's Ball. MR. WILLIAM KING will hold a
Ball in commemoration of the Patron Saint of Ireland,
at A. Gray's Hotel, Bathurst street, on Tuesday, the 17th instant.
Double Tickets 5s. each, to be had of Mr. King, and at Mr. Gray's.
[Dancing to commence at 9 o'clock.]

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (5 August 1848), 3

http://nla.gov.au/nla.news-article59764555

QUADRILLE PARTY. MR. WILLIAM KING respectfully announces, that a
Quadrille Party will take place at Mr. Shipman's Hotel, George and Goulburn-street;
on the evening of Thursday, the 10th August next.
Dancing to commence at 8 o'clock.

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (31 March 1849),

http://nla.gov.au/nla.news-article59768673

Ball and Supper. A SELECT BALL AND SUPPER will take place at
Mr. Hulle's Shipman's Hotel, corner of George and Goulburn Streets,
on Easter Monday, April 9, 1849.
Tickets to be had of Mr. George Jervis, and of Mr. King, dancing master.
Single Tickets, 2s. 6d.; Double Tickets, 4s.
Dancing to commence at 8 o'clock, precisely.

[Advertisement], The Sydney Morning Herald (25 April 1849), 1

http://nla.gov.au/nla.news-article12905045

MR. WILLIAM KING begs to apprise the public,
particularly those of Paddington, that he is now prepared to
instruct any number of pupils in the ACCOMPLISHMENT OF DANCING.
His Academy will open on Thursday Evening next, the 26th instant,
at his Rooms, Victoria Inn, Paddington.

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (1 May 1858), 3

http://nla.gov.au/nla.news-article59868611

DANCING ACADEMY, ROYAL POLYTECHNIC, Pitt street, near Bathurst Street.
Mr. Wm. KING, having taken the above rooms, trusts that his old patrons and the public generally
will again give him that support which his former success obtained for him.
The classes will be formed twice in each week, on Tuesday and Friday evenings, at 7 o'clock.

ASSOCIATIONS: Royal Polytechnic (Sydney venue)

[Advertisement], Empire (25 July 1859), 1

http://nla.gov.au/nla.news-article60398987

MR. WILLIAM KING'S QUADRILLE PARTY, at the Royal Polytechnic on TUESDAY, July 20th.

[Advertisement], The Sydney Morning Herald (12 December 1862), 1

http://nla.gov.au/nla.news-article13070827

VICTORIA THEATRE . . .
THIS (FRIDAY) EVENING, December 12 . . .
The Infant Prodigy, Miss Emma King, will appear and dance a Nautical Hornpipe . . .

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue)

"TERPSICHOREAN ENTERTAINMENT IN AID OF THE FLOODS RELIEF FUND", Empire (22 August 1864), 4

http://nla.gov.au/nla.news-article60557143

Amongst the many devices conceived by the citizens of Sydney, to assist the sufferers by the recent floods, was the happy thought of getting up a quadrille party, which, we are glad to say, was very successfully carried out by Mr. William King, professor of dancing, 86, Liverpool-street, at his assembly rooms, on Tuesday evening. There was a large attendance on the occasion of ladies, gentlemen, and juveniles, who all, no doubt, had an additional inducement for enjoying the scene from knowing the object to which the receipts would be devoted. All the fashionable dances of the day were gone through with admirable effect. A great feature in the evening's amusements was the introduction of the Prince Imperial Quadrilles, which were most creditably gone through by the company, including a set formed of Mr. King's pupils. Miss King also danced a hornpipe in a manner perfectly surprising for a juvenile so very young. An excellent supper was provided, and a select band of music played very effectively. Towards the close of the ball, Scotch reels, Irish jigs, and other invigorating dances were got up, and the evening's entertainment passed off merrily. We understand the Floods Relief Fund will be considerably benefited by the affair.

MUSIC: The new Prince Imperial quadrilles (Henry Marsh)

"HERR CUSHLA'S BENEFIT", The Sydney Morning Herald (30 August 1864), 4

http://nla.gov.au/nla.news-article13110135

Herr Cushla and troupe to whom the theatrical public are greatly indebted for their talented classical groupings take a farewell benefit this evening at the Victoria Theatre, on which occasion the effect of these "Living Statues" will be greatly heightened and beautified by the exhibition by Mr. Thomas Spencer of his new oxy-hydrogen light, the most powerful yet shown in the colonies. The programme which Will include the great sensational melo-drama Peep-o'-Day, the performance of the Troupe with extra effects, a "pas seul" by that charming juvenile danseuse Miss Emma King, and a laughable Farce - an extremely long one, and should ensure a full house, and a delighted audience.

[Advertisement], Empire (30 August 1864), 1

http://nla.gov.au/nla.news-article60558803

VICTORIA THEATRE. PIT ONE SHILLING . . .
BENEFIT OF HERR CUSHLA. THIS EVENING, Tuesday, August 30 . . .
PEEP O'DAY, OR, SAVOURNEEN DEELISH.
After whist) (by desire), Miss EMMA KING (only eight years old), will dance a Hornpipe in character . . .

[Advertisement], Empire (8 November 1865), 1

http://nla.gov.au/nla.news-article63239297

PRINCE OF WALES THEATRE. A BENEFIT
In aid of the Funds of the HEBREW PHILANTHROPIC SOCIETY . . .
THIS (WEDNESDAY) EVENING, Nov. 8th . . .
Highland Fling - Miss EMMA KING . . .

ASSOCIATIONS: Prince of Wales Theatre (Sydney venue)

[Advertisement], Empire (7 November 1867), 1

http://nla.gov.au/nla.news-article60846783

[Advertisement], The Sydney Morning Herald (1 November 1869), 8

http://nla.gov.au/nla.news-article13194352

QUADRILLE PARTY, tendered by the pupils and friends of Mr. W. KING,
to Miss EMMA KING, will take place at the
Odd Fellows' Hall, Sussex-street, on MONDAY EVENING, November 1st.
Dancing to commence at 8 o'clock.

"Anniversary Day . . . GERMAN ASSOCIATION", Evening News (26 January 1877), 2

http://nla.gov.au/nla.news-article108187986

The annual picnic connected with the German Association came off to-day, at Correy's pleasure gardens, Botany, with as much eclat as any of its predecessors. A great many omnibuses were laid on by the Sydney United Omnibus Company, and left Wynyard square for Botany every ten minutes. The first eight or nine omnibuses started were crowded, and the rest were soon filled up as they passed through the city. Many persons visited the trysting place in cabs and private vehicles. The full German band, was engaged, and Mr. William King fulfilled the duties of master of the ceremonies for the votaries of terpsichore in the pavilion . . .

"HIGHLAND GATHERING", The Sydney Morning Herald (31 December 1880), 6

http://nla.gov.au/nla.news-article28384365

Amongst the numerous amusements provided for New Year's Day, the thirteenth annual Highland Gathering, which is to be held on the Now South Wales Association Cricket Ground, should prove to be one of the most attractive, as the programme is about the best that has ever been issued by the committee . . . A feature in the programme is that seven young lady pupils of Miss E. King, of Liverpool-street, are to give un exhibition of their skill in dancing, not with the view of competing for prizes, but simply io assist in making the gathering a success . . .

"Marriages", The Sydney Morning Herald (14 May 1881), 1

http://nla.gov.au/nla.news-article13486919

WARSKITT - KING. - April 23, at St. Andrew's Cathedral, by the Rev. Joseph Best, Frederick James Warskitt, eldest son of Frederick Warskitt, Esq., of Brigden, Wanstead, Essex, England, to Emma, youngest Daughter of William King, of Liverpool-street, Sydney.

[2 advertisements], The Sydney Morning Herald (4 March 1882), 2

http://nla.gov.au/nla.news-article13506258

DANCING. - Mr. W. KING's Class,
Monday and Thursday evenings, Oddfellows' Hall, Elizabeth-street;
class for beginners Tuesday and Friday evenings.
Ladies and gentlemen may receive private lessons daily in all kinds of dancing;
private lessons in Courant, Boston Glide, New Spring, and other waltzes.
96, Liverpool-street.

DANCING. MRS. FRED. WARSKITT (daughter of Professor King),
269, Iona-terrace, Victoria-street, Darlinghurst . . .

"Funerals", The Sydney Morning Herald (30 April 1886), 14

http://nla.gov.au/nla.news-article13635637

THE FRIENDS and PUPILS of the deceased Mr. WILLIAM KING, aged 71 years, are respectfully invited to attend his Funeral; to move from his late residence, 96, Liverpool-street, on SUNDAY AFTERNOON, at half-past 1 o'clock, for the Necropolis.
ROBERT F. WOOD and CO., Undertakers . . .
THE FRIENDS of Messrs. GEORGE and WILLIAM KING are respectfully invited to attend the Funeral of their deceased beloved FATHER . . .
THE FRIENDS of Messrs. FREDERICK WARSKITT, H. G. STACEY, and T. EVANS, are respectfully invited to attend the Funeral of their deceased beloved FATHER-IN-LAW . . .

"DEATHS", The Sydney Morning Herald (1 May 1886), 1

http://nla.gov.au/nla.news-article28356899

KING. - April 28, at his residence, 96, Liverpool-street, William King, aged 71. His end was peace.

[Advertisement], The Sydney Morning Herald (15 May 1886), 2

http://nla.gov.au/nla.news-article13630940

DANCING. Mrs. FRED. WARSKITT
(daughter of the late Mr. W. King, Professor of Dancing),
Alldum House, 389, Pitt-street.
Adult classes Monday and Wednesday evenings, Tuesday and Thursday afternoons.

"LAW REPORT. SUPREME COURT. MONDAY, MAY 7 . . . WARSKITT V. WARSKITT", The Sydney Morning Herald (8 May 1994), 3

http://nla.gov.au/nla.news-article13950375

In this case Emma Warskitt sought to obtain a dissolution of her marriage with Frederick James Warskitt, on the grounds of habitual drunkenness and leaving the petitioner without means of support for three years and upwards. Mr. Whitfeld appeared for the petitioner. The respondent was not represented. The petitioner deposed that she had been married to the respondent, a contractor and builder, on the 23rd April, 1881, at St. Andrew's Cathedral Sydney. They had had no children. About a year after their marriage he began to neglect his work and started drinking. He got into debt, and she had to take to teaching dancing. She had continued at that work up to the present date. From that time he had not in any way contributed to her support. She had had to keep him and pay his debts for the last three years. About three years ago he had gone to Newcastle, and from something she heard she followed him. She found him in the hospital very ill indeed through drink and also through taking Rough on Rats. When he got better her brother brought him home again. Before he had gone to Newcastle he had been drinking terribly. Subsequently he had been in the habit of thieving her presentation jewellery, and also taking the house monev for drink. Recently he had been carrying a pistol about with him, as he had a drunken delusion that some creditor was after him. Decree nisi granted, to be made absolute in three months.

"Marriages", The Sydney Morning Herald (23 February 1895), 1

http://nla.gov.au/nla.news-article13975857

ALLAN - KING. - February 10, 1895, at St. Stephen's Church, Phillip-street, city, by the Rev. John Ferguson, William, youngest son of the late Rev. James Allan, of Glasgow, to Emma, youngest daughter of the late Mr. William King, teacher of dancing, Sydney.

"DEATHS", The Daily Telegraph [Sydney, NSW] (22 June 1909), 6

http://nla.gov.au/nla.news-article238277058

ALLAN. - June 21, 1909, at her, residence, "Elstow," Cowpastures, Randwick, Emma King, dearly beloved wife of William Allan (suddenly).

"DEATH OF MRS. WARSKITT ALLAN", Evening News (22 June 1909), 4

http://nla.gov.au/nla.news-article115501850

Mrs. Warskitt Allan, the wife of Mr. William Allan, died suddenly at her residence, "Elstow," Cowper-street, Randwick, on Monday. She was taken ill with a seizure of hemorrhage of the brain before rising, and died three hours later. Mrs. Allan, before her second marriage, was Mrs. Warskitt, a well-known teacher, of dancing in Sydney for the past 20 years, and had a large circle of friends and acquaintances, with whom she was extremely popular. The remains will be interred to-morrow afternoon at Rookwood, the funeral leaving Randwick at 1.15 p.m.

"MARRIAGES", Australian Town and Country Journal (22 September 1909), 18

http://nla.gov.au/nla.news-article263708680

ALLAN. - June 21, 1909, at her residence, "Elstow," Cowper-street, Randwick," Emma Watskltt Allan (nee King), youngest and beloved daughter of William and Margaret King, Liverpool-street, Sydney.

KING, William [2] (William KING; W. KING; Mr. KING)

Pianoforte maker, seller, repairer, and tuner, from John Broadwood and Sons (London)

Born Kilwinning, Ayrshire, Scotland, c. 1811; son of William KING and Anne ?
Married Janet BLAIR (1810-1889), Kilwinning, Ayrshire, Scotland, 5 August 1837
Arrived Sydney, NSW, 20 December 1848 (assisted immigrant per Waverley, from Plymouth, 3 September, aged "37")
Died Sydney, NSW, 17 March 1881, aged "70", "late of Kilwinning, Ayrshire, Scotland" (gravestone)

https://trove.nla.gov.au/search?l-publictag=William+King+pianoforte+maker+d1881 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=William+King+c1811-1881 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-William-piano-maker (shareable link to this entry)

Documentation:

Marriages, Kilwinning, Ayr, Scotland, 1837; West Dunbartonshire Parish Records, 599/4

https://www.ancestry.com.au/search/collections/62986/records/2030862 (PAYWALL)

5 August 1837 / William King / Janet Blair

Baptisms solemnized in the Scotch United Succession Church, Oxenden Street, in the parish of St. Martin-in-the-fields, in the county of Middlesex, in the year 1841; register, page 9;

https://www.ancestry.com.au/search/collections/1906/records/1017929 (PAYWALL)

No. 65 / [born] 1841 20 Sept'r / [baptised] 1841 24 Oct'r / James Blair [son of] William and Janet / King / Vauxhall Bridge Road / Piano forte maker

Assisted immigrants per Waverley, arrived Sydney, NSW, 20 December 1848; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1204/records/284518 (PAYWALL)

King William / 37 / Cabinet Maker / [native place] Kilwinning, Ayreshire / [parents] William & Anne, mother living in Kilwinning / Church of Scotland / . . .
[King] Janet / 37 / Housekeeper / [native place Kilwinning, Ayreshire] / [parents] James & Janet Blair, father living at Kilwinning / [Church of Scotland] / . . .
Jane / 10 / [born] London // James B. / 7 / [born London] . . .

[Advertisement], The Sydney Morning Herald [NSW} (31 January 1849), 1

http://nla.gov.au/nla.news-article28647298

MR. WILLIAM KING, PIANOFORTE-MAKER, (From Messrs. Broadwood and Son's, London,)
BEGS to inform his friends and the public that he has commenced business as a
PIANOFORTE-MAKER; at No. 575, George-street, near the Sydney Morning Herald Office.
Mr. K. having had much experience for many years in Messrs. Broadwood and Son's justly celebrated establishment,
feels confident he will give satisfaction to those who may favour him with their orders,
either to MAKE, REPAIR, or REGULATE Pianofortes.
In soliciting public patronage, he pledges himself to punctuality and moderate charges.
JUST OPENED, AND ON SALE, EX ALERT,
2 Very Superior-toned 6 1/4 Octave (from F to G) Cottage Pianofortes,
with cylinder front, and bass string plate, by Broadwood and Son.

ASSOCIATIONS: John Broadwood and Sons (London pianoforte makers)

[Advertisement], The Sydney Morning Herald (6 July 1850), 1

http://nla.gov.au/nla.news-article12919263

JUST RECEIVED, by William King,
Pianoforte Maker, from Broadwood and Son's,
Cottage and Square Pianofortes.
The attention of parties in want of a good instrument is called to these, from the above celebrated house.
N.B. - Pianofortes taken in exchange, and repaired in a superior style.
575, GEORGE-STREET, Near the Herald Office.

"GUTTA PERCHA", Empire [Sydney, NSW] (4 January 1851), 2

http://nla.gov.au/nla.news-article60031978

Mr. King of Lower George-street, has recently received some pianofortes from London, in packing cases, lined with gutta percha. Hitherto tin, zinc, and tarpauling have been exclusively used for the lining of similar packages, all of which impose a serious tax on the importer of dry and fancy goods. The gutta percha lining so far from being expensive, will, when removed from the cases, sell to the shoemaker at an advance on the English cost; and as a means of preservation to merchandise in its conveyance to this colony, it is far superior to any other material. The particular specimen of which we are now speaking, is about the substance of thin millboard, and the goods which were packed in it, have turned out as fresh and well-conditioned as when they left the hands of the manufacturer.

Diary of Alexander Brodie Spark, 19 May 1852; ed. in Graham Abbott and Geoffrey Little, The respectable Sydney merchant, A. B. Spark of Tempe (Sydney: Sydney University press, 1976), 213

http://archival.sl.nsw.gov.au/Details/archive/110360297

Engaged Mr. King, a piano forte maker, to come to Tempe on Saturday to repair and tune our Piano.

ASSOCIATIONS: Alexander Brodie Spark (merchant, musical amateur)

[Advertisement], The Sydney Morning Herald (1 September 1860), 7

http://nla.gov.au/nla.news-article13045243

PIANOFORTES. - Broadwood and Sons' first-class instruments;
grands and cottages, of every description, in walnut and rosewood.
Country orders faithfully executed
. N.B. - Pianofortes repaired, tuned, and taken in exchange.
WILLIAM KING, pianoforte maker, 71, Market-street.

[Advertisement], The Sydney Morning Herald (25 July 1863), 12

http://nla.gov.au/nla.news-article13082135

MR. WILLIAM KING, (from John Broadwood and Sons,)
PIANOFORTE MAKER and IMPORTER, Mort's-buildings, Pitt-street,
begs to intimate to his friends and the public generally,
that he has succeeded in engaging through the house of Messrs. John Broadwood and Sons, London,
the services of a thoroughly competent pianoforte tuner,
who has just arrived in Sydney, bringing the highest testimonials from the above celebrated firm, with whom he learned his business.
He has also acquired a thorough knowledge of tuning and repairing Organs, Harmoniums, and Concertinas in the celebrated houses of Messrs. Walker and Co.,
Organ Builders, and Messrs. Wheatstone, Harmonium and Concertina Manufacturers, London.
W. KING having had much practical experience in making and repairing pianofortes,
feels confident he will give satisfaction to those who may favour him
with orders in tuning and repairing pianofortes, organs, harmoniums, concertinas, and other musical instruments.
W. K., in again soliciting public patronage pledges himself to punctuality and moderate charges,
and respectfully solicits the favour of their continued custom and recommendation.
Orders by post, or otherwise, promptly attended to.
Mort's-buildings, Pitt-street, July, 1863.

[Advertisement], The Sydney Morning Herald (19 November 1864), 12

http://nla.gov.au/nla.news-article13101195

PIANOFORTES by Broadwood and other first-class makers.
A magnificent toned Grand, by Broadwood, at less than the London price
A superior Trichord Cottage, French style, by Broadwood
Cottages of every class, at lowest prices.
A second Cottage, in good order, by Lambert.
W. KING, pianoforte maker, Mort's-buildings, Pitt-st.

[Advertisement], The Sydney Morning Herald (7 August 1869), 4

http://nla.gov.au/nla.news-article13188468

PIANOFORTES repaired, tuned, and regulated.
The undersigned personally superintends this department,
to ensure satisfaction to those who may favour him with their orders.
W. KING, 70, Hunter-street, late Pitt-st.

[Advertisement], The Sydney Morning Herald (19 April 1879), 2

http://nla.gov.au/nla.news-article13433210

PIANOFORTES. - W. KING, Pianoforte Maker,
has for SALE, cheap, really good second-hand PIANOS, by Broadwood, in first-class order, the same as when new.
Piano-fortes tuned and repaired. 70, Hunter-street.

[Advertisement], The Sydney Morning Herald (15 January 1880), 7

http://nla.gov.au/nla.news-article13443564

PIANOFORTES TUNED and REPAIRED;
second-hand cottage PIANO for SALE cheap, in first-class order, polished and silked the same as when new.
W. King, pianoforte-maker, 76, Hunter-street, opposite Tramway.

"Deaths", The Sydney Morning Herald (22 March 1881), 1

http://nla.gov.au/nla.news-article13487957

KING. - March 17, suddenly at his residence, 76, Hunter-street, William King, aged 70 years.

"ECCLESIASTICAL JURISDICTION", New South Wales Government Gazette (25 March 1881), 1633

http://nla.gov.au/nla.news-article224292665

In the will of William King, late of Hunter-street, in the City of Sydney, in the Colony of New South Wales, pianoforte maker, deceased.
NOTICE is hereby given . . . that probate of the last will and testament of the abovenamed William King, deceased, may be granted to Janet King, the sole executrix in the said will named . . .

"DEATHS", The Sydney Morning Herald (2 November 1889), 1

http://nla.gov.au/nla.news-article13747911

KING. - November 1, at her daughter's residence, Rosythe, Carrabella-street, Milson's Point, Janet Blair, relict of the late William King, Sydney.

Bibliography and resources:

William King, Find a grave

https://www.findagrave.com/memorial/153028210/william-king

KING, William Francis (William Francis KING)

Street vendor, street crier, vocalist, the "Flying Pie-man", "Flying Pieman", pedestrian

Born London, England, c. 1807; son of Francis KING
Arrived Sydney, NSW, 1829
Died Liverpool Benevolent Asylum, NSW, 10 August 1873, aged "66"

http://nla.gov.au/nla.party-1465073 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KING-William-Francis (shareable link to this entry)

Documentation:

"TO THE SUPPORTERS OF PIES", The Star and Working Man's Guardian [Parramatta, NSW] (11 May 1844), 2

http://nla.gov.au/nla.news-article228132931

That well known individual the "Flying Pie-man" is now enlivening Parramatta by his musical cries. His talents for pie making are said to be "hereditary," and he recommends hot-apple pies for breakfast as his father used always to eat them! The Pie-man is one of the most active and industrious men we ever met with, and deserves encouragement.

KINGSMILL, J. K. [sic] (J. K. KINGSMILL [sic]; ? John Allen KINGSMILL, junior; J. A. KINGSMILL)

Musician, conductor, ? pianist (accompanist)

? Born Maitland, NSW, 17 May 1833; son of John KINGSMILL and Anne DRISCOLL
Active Maitland, NSW, 1854
? Died East Maitland, NSW, 7 July 1869, aged "75" (John Kingsmill, senior)
? Died Sydney, NSW, 17 January 1870 (John Allen Kingsmill, junior)

https://trove.nla.gov.au/search?l-publictag=John+Kingsmill+d1869 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KINGSMILL-J-K (shareable link to this entry)

Documentation:

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW] (2 September 1854), 2

http://nla.gov.au/nla.news-article693457

MR. F. E. LEES'S GRAND EVENING CONCERT,
to he held at the Court House, East Maitland, on WEDNESDAY EVENING,
the 6th of September, 1854.
PROGRAMME.- PART I.
1.- National War Anthem, recently composed by Sir H. Bishop - "Raise High the Flag."
2. - Grand Fantasia on Pianoforte - Liszt - MR. F. E. LEES.
3. - Song, "Hearts and Homes" - Miss FLORA HARRIS.
4. - Solo, "Violin" - Le Tremolo - L. E. Beethoven - MR. ELLIS.
5. - Song, "The low backed Car" - S. Lover - MR. SULLIVAN.
6. - "Grand Polka," with brilliant variations - MR. F. E. LEES.
7. - Song, "I Love the Merry Sunshine" - Stephen Glover - MISS F. HARRIS.
8. - Solo, "Flute," by an Amateur.
9. - Song, "Bachelor's Reveries" - S. Lover - MR. SULLIVAN.
10. - Air Varie, on "Violin" - De Beriot - MR. ELLIS.
PART II.
1. - "Rule Britannia," in full chorus.
2. - Solo, Violin - "The last Rose of Summer" - MR. ELLIS.
3. - Song, "Widow Malone" - Charles Lover - MR. SULLIVAN.
4. - Grand Solo on Pianoforte, "Gesang Ohne Worte" - Mendlesohn - MR. F. E. LEES.
5. - Song, "When the Swallows Homeward, Fly" - Frantz Abt. - Miss F. HARRIS
6. - Solo on "Flute," by an Amateur.
7. - Song, "Farewell, but whenever you Welcome the Hour" - Tom Moore - MR. SULLIVAN.
8. - "Old English Air," on Pianoforte, with brilliant variations, "O dear what can the matter be" - MR. F. E. LEES - accompanied by MR. ELLIS on the Violin.
9. - Song "Shells of Ocean" - J. W. Cherry - Miss F. HARRIS.
10. - "God Save the Queen."
Conductor - Mr. J. K. KINGSMILL.
Tickets to be obtained at Mr. Lipscomb's, West Maitland; Mr. J. C. Bishop's, East Maitland; and at Mr. Rae's, Morpeth.
Price of Admission, 2s. 6d. reserved seats 5s.
Doors open at 7 o'clock; to commence at seven o'clock precisely.

ASSOCIATIONS: Francis Edward Lees (piano); Flora Harris (vocalist); Mr. Ellis (violin); Henry Philip Sullivan (vocalist, cornet); William Lipscomb (musicseller); John Charles Bishop (musicseller)

KINGSMILL SHAW, Mrs. (Mrs. KINGSMILL SHAW; Mrs. Kingsmill SHAW) = Clara Helen COUSENS

Musician, vocalist, singing teacher

KINLOCH, John (John KINLOCH; J. KINLOCH; also KINLOCK)

Organ builder, organbuilder, pianoforte maker

Born Scotland, c. 1795
Married Helen HURLSTON (d. 1849), St. Mary, Astbury, Cheshire, England, 16 October 1825
Active Dublin, Ireland, by c. 1833 to 1838
Arrived Sydney, NSW, 15 February 1839 (per Jessie, from Liverpool, 22 October)
Died Sydney, NSW, 29 June 1870, aged "75"

https://trove.nla.gov.au/search?l-publictag=John+Kinloch+d1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KINLOCH-John (shareable link to this entry)

See also https://trove.nla.gov.au/search?l-publictag=Johnson+and+Kinloch (TROVE tagged by Australharmony)

Summary:

John Kinloch (often Kinlock in earlier sources) was briefly in partnership with the pianoforte maker Thomas Hearth in 1839, then with William Johnson, and much later with Thomas Vicary Bridson. Kinloch's son, also John Kinloch (d. 1897), a Sydney University M.A. and mathematician, married Bridson's widow, Sarah Ann Bridson, in 1870. One Kinloch organ, under his sole name, perhaps dating from the later 1840s, was once installed in his own church, St. Andrew's Scots church, Sydney (he was a deacon there in 1852), and is now at St. Mark's church, Hunter's Hill. For a detailed biography see Rushworth (1988 below).

Documentation:

Marriages solemnized in the parish of Astbury in the county of Chester in the year 1825; register 1821-25, page [unnumbered];

https://www.ancestry.com.au/search/collections/62258/records/1040511 (PAYWALL)

No. [Unnumbered] / John Kinlock [sic] of the town & parish of Manchester in the county of Lancaster Bachelor
and Helen Hurlstone of this parish Spinster were married in this Church by Licence this [16 October 1825] . . .

The Dublin almanac and general register of Ireland, 1835 (Dublin: Pettigrew And Oulton, 1835), 221

https://www.findmypast.com.au/transcript?id=IRE/IE0117/599/029 (PAYWALL)

COBURG-PLACE . . . 2 / John Kinloch, Organ Builder . . .

"Ship News. THE BARQUE JESSIE", The Australian [Sydney, NSW] (26 February 1839), 3

http://nla.gov.au/nla.news-article36863391

. . . the passengers per ship Jessie, lately from Liverpool, have presented Captain Keams with a Silver Snuff box, in token of the esteem in which they hold him . . .
[signed] JOEL J. COHEN, T. D. Broughton, J. H. Wraith,
J. Kinlock, Richard Lane, Eben Williamson, Thomas Coneran,
Charles Wilson, Alexander Wilson, John McMillan.
Port Jackson, Sydney, N.S.W. February 25, 1839.

[Advertisement], The Sydney Monitor [NSW] (17 June 1839), 3

http://nla.gov.au/nla.news-article32164496

To the Musical Inhabitants of Sydney.
KINLOCK & HEARTH, Organ-Builders, Seraphine, & Pianoforte Makers,
HAVING recently arrived in the Colony, beg to inform the Inhabitants of Sydney and the surrounding Country,
that they have commenced Business in the above line, and are ready to receive Orders for Church Organs of any power or dimension;
likewise that much admired Instrument, the Seraphine, made to any pattern for Places of Worship, or Gentlemen's Houses.
PIANOFORTES tuned and carefully repaired on the shortest notice and most reasonable terms.
CORNER OF PRINCE STREET, OPPOSITE THE SCOTCH CHURCH.

ASSOCIATIONS: Thomas Hearth (organ builder, pianoforte maker)

[Advertisement], The Sydney Herald (22 January 1840), 3

http://nla.gov.au/nla.news-article32166971

IF JOHN ARTHUR BOSTOCK, who eight years ago was in the employment of Renn and Boston, Organ Builders, Manchester,
will apply at the offices of this paper, or at Johnson and Kinlock,
Organ Builders, Prince-street, Sydney, he will hear of something to his advantage.

ASSOCIATIONS: John Arthur Bostock (organ builder); William Jonathan Johnson (organ builder, business partner)

[News], The Sydney Herald (27 March 1840), 2

http://nla.gov.au/nla.news-article12860808

The inhabitants of Windsor have literally subscribed the sum of nearly £500, for the building of an organ and the erection of an appropriate gallery, for St. Matthew's Church, in that town. Messrs. Johnson and Kinloch, organ builders, Prince-street, Sydney, have contracted to build the instrument for £320, and engage it shall be fully equal to any that could be purchased in England as to workmanship, power and tone, for the like sum. It is to be ready by September next.

"WINDSOR", The Australian (28 March 1840), 2

http://nla.gov.au/nla.news-article36861523

A subscription having been opened here for the purpose of defraying the expense of building an organ, and the erection of an appropriate gallery for St. Matthew's Church, the inhabitants immediately responded to the call upon their liberality, and a sum approaching very nearly to £500 was in a few days subscribed. The instrument has been contracted for by Messrs. Johnson and Kinlock, organ builders, of Prince-street, Sydney, for the sum of £320, who engage that it shall be found fully equal to any that could be brought from England at the same cost, whether as respects the workmanship, or the power and tone. It is to be ready to assist in the performance of divine worship in St. Matthew's Church by September next.

"ORGAN", Australasian Chronicle (11 August 1840), 2

http://nla.gov.au/nla.news-article31728924

We have inspected the organ now building for St. Mathew's Church, Windsor, by Messrs. Johnson and Kinloch, of Macquarie-street, and have much pleasure in stating, for the information of our readers, that this first attempt at organ building in the colony has every appearance of being eminently successful. The instrument will be ready for exhibition in the course of a month. From the facility that now offers for obtaining organs within the colony, we may soon hope to see all our churches adorned with this almost indispensable appendage.

ASSOCIATIONS: William Augustine Duncan (editor, Chronicle)

[Advertisement], The Sydney Monitor and Commercial Advertiser (16 October 1840), 3

http://nla.gov.au/nla.news-article32185891

MESSRS. JOHNSON and KINLOCK beg to state,
that the Organ built by them for Windsor Church is now finished and will be open for public inspection in the
St. James' School Room, Elizabeth-street, on Monday next,
and as this is the first specimen of organ building in the colony,
the Company of Amateurs and others interested in the progress of the fine arts, is respectfully requested.
The Room will be opened at seven o'clock.

[News], The Australian (24 October 1840), 2

http://nla.gov.au/nla.news-article36850793

On Wednesday last we had the pleasure of viewing in its finished state, the Organ built by Messrs. Johnson and Kinloch, for Windsor church, and the anticipations formed by us of its powers on our inspection of the instrument before it was put together, were more than realised. We were really astonished . . .

"To the Editor of . . .", The Sydney Herald (27 October 1840), 3

http://nla.gov.au/nla.news-article12866212

MR. EDITOR, - May I beg room for a few more words on our first Colonial built Church Organ. The Meeting of Monday evening last, was, indeed, a spirit-stirring occasion; for the instrument then opened, excellent as indeed it is in itself, speaks rather of the prospective capabilities of the builders, than as being a complete specimen of their art, when unshackled by contracts taken too low, or confined by buildings too scant for the developements of scale sufficiently large for the true character of the instrument. When the Church at Windsor was laid out, an organ was not contemplated, and, as a consequence, there is not proper height in the gallery, and the instrument has necessarily been squatted down to suit its place. It may not be amiss here to give our friends the architects a hint about good height in our Church galleries for the future; this should not be less than eighteen feet, if a really good organ is to be mounted, (the organ at St. Pauls, London, is thirty-six feet in height,) for the top of the sound-board cannot conveniently be brought lower than five feet, and the double G of the open diapason foot and pipe requires, in metal, at least twelve feet, making seventeen feet, and the cornices, &c., of course, will take up another foot at least.

But deficient height was not the only obstacle this instrument had to contend with; the contract had been taken too low to allow of the best remedies for confined space being exhibited, and (although, perhaps, more has been done for the money, in this instance, than would have been undertaken even in England) the bass of the instrument has suffered miserably in consequence. The larger pipes (and they are truly noble ones) which have necessarily been ranged at the sides below the wind chest, for want of height above it, being fed from this, in the old fashion, by conveyances, instead of being furnished with the modern improvements of a separate wind chest to themselves, (this, with the necessary additional mechanism, might have cost an extra £20). Although these pipes speak well, yet they actually do not give out nearly the quality of tone, nor above one-fourth of the power, which, from their fine proportions, and very liberal size, they are calculated and intended to produce.

This Instrument, which has a speaking front of beautiful Metal Pipes, may be described as follows:- Great Organ, compass GG, with GG, sharp to F in Alt. (five honest octaves) has five whole stops, viz.: - open Diapason, stopped Diapason, Principal, Twelfth, and Fifteenth, each stop throughout. Swell organ, compass F to F in Alt, three stops, viz. open Diapason, stopped Diapason, and Principal; and it is pierced for a fourth stop. - There is a " Coupler" from the Great Organ Keys to those of the swell, and a shifting movement to take off the Great Organ to the Diapasons, thus forming with the swell coupler, a very good Choir Organ. The swell is on the Venetian principle, giving opportunity for the finest crescendo, at the same time that it affords the power of imitating the Bow-ing of an Orchestra.

An octave, one-half of German pedals, complete the Mechanical apparatus: - but here again the contract is too low for the builder; the pedal has no coupler, and therefore merely take down the bass keys, only giving breadth to the chorus, whilst, if fitted with the extra sound-board and its mechanism, they would be most convenient as affording a violone accompaniment with the softest solo, or giving firm accent to the intonation of the most powerful recitative. The scale of the pipes generally, is half a note larger than that of the St. James's organ; and the body of tone is proportionally more powerful.

The quality of the stops individually is appropriate and excellent, and with the exception of a few pipes in the higher trebles of the twelfth and fifteenth (always a dangerous region for getting the ears cut), the voicing is perfect; in fact the Cathedral quality has been hit most happily, particularly with the diapasons and principal.

Much cannot be said for the opening, either in the performance, or (with exceptions) the pieces selected; but the utmost allowance must be made, for the performers had not previously practiced on the instrument, which was actually not ready when the company assembled. The first piece "To thee Cherubim" told vilely; from the screaming of the overpowerful twelfth and fifteenth, above alluded to; a middle one too "Let the bright Seraphin," was also very poor, for want of the trumpet, which, in this composition, is obligato: and a something in the shape of a voluntary, the most miserable olla podrida of namby pamby trash ever fixed for a school girl's lesson, showed off every other fragment of imperfection which could be had out of the instrument, with most friendly pertinacity. But in "With Verdure Clad," the Hallelujah Chorus, a movement of Zingarelli's, and in our National Anthem, which, with recent horrid news in recollection, at present comes home to every Briton's heart, this noble Instrument spoke out for itself, and left nothing to be wished, but that the good people of Windsor may live long to enjoy their acquisition; and that now Messrs. Johnson and Kinlock have shewn how good and cheap organs can be procured here, other churches may have the benefit of their help; and that our Cathedral too may boast a Colonial organ not a thing of a row and a half of keys, but after the pattern of that at the Minster at York, one suited to open to "We praise thee O God."

I trust to your excuse for trespassing on your space, and remain, Sir, your's respectfully,
ONE OF THE PUBLIC.

P. S. - It may give some idea of the relative cheapness of Colonial and imported organs to state, that the contract for the organ for Windsor was taken at £320, whilst the St. James's organ, which contains at the utmost but £70 worth more of work, cost, I have been told, £800 or guineas.

[Advertisement], The Australian (2 January 1841), 1

http://nla.gov.au/nla.news-article36849707

ORGANS & PIANOFORTES. - MESSRS. JOHNSON AND KINLOCH
in returning their sincere thanks to their Friends and the Public for the patronage they have received since they commenced business,
beg to inform them they can build Organs in the Colony of any dimensions, as cheap as they can be procured from England, and in one half the time.
Messrs. J. & K. particularly beg to notify that all the wood used by them for the interior of Organs is well seasoned,
and the same as used by English Builders, viz - Norway Oak, and American Pine.
Organs and Piano-fortes Tuned and Repaired on the shortest notice.
N. B. - As a specimen of J. & K.'s work they beg to refer all interested to the Instrument built by them, now in St. Matthew's Church, Windsor.
A large Barrel Organ for Sale, suitable for a small Church or gentleman's drawing room.
Macquarie-street, Sydney.

"To the Editors of . . .", The Sydney Morning Herald (2 December 1844), 3

http://nla.gov.au/nla.news-article12424907

Gentlemen - Observing in your journal of this day a paragraph headed the Organ of St. Andrew's Temporary Church, wherein you state that the organ just completed by Mr. W. J. Johnson is the first instrument of the kind that has been constructed in the colony; allow me to state that about four years ago Messrs. Johnson and Kinlock, of Prince-street commenced an organ, which when completed the proprietors invited an inspection of their work at the Old Court House, Castlereagh-street. The room was crowded to excess, and the instrument was allowed by all present to be a masterpiece of colonial workmanship. My object in troubling you on this occasion is merely to give credit where it is due, and to state that myself was employed in the work during its progress.
Hoping you will insert the above in your valuable journal as soon as possible,
I am, Gentlemen, Yours, &c.,
T. B., Lower George-street.

ASSOCIATIONS: Thomas Vicary Bridson (musician, organist); St. Andrew's cathedral (Sydney)

"DIED", The Sydney Morning Herald (9 August 1849), 4

http://nla.gov.au/nla.news-article12914068

Of influenza, on Sunday, the 5th instant, Helen, the beloved wife of John Kinloch, at her residence, 164, Liverpool-street, Sydney.

"MUSIC AND THEATRICALS", The People's Advocate and New South Wales Vindicator (16 August 1856), 5

http://nla.gov.au/nla.news-article251541145

Great preparations are making at the Prince of Wales Theatre for the production of a series of Oratorios and Sacred Concerts on a scale not hitherto attempted in Sydney. Mr. Taylor has purchased for these grand and attractive entertainments, a first class Organ, the manufacture of the celebrated house of Gray and Davison, New Road, London . . . The organ is being erected under the direction of Mr. Bridson, assisted by Mr. Kinloch. The mechanical department is under the direction of Mr. F. B. Cooper, the mechanist of the two Theatres, and who is displaying his well-known skill in the work. As the Organ, when used, must be placed under the proscenium, Mr. Cooper has constructed a tramway by means of which, the instrument whose weight is about three tons, can be removed to and fro with the-greatest ease; and thus, being placed at the back of the stage, on ordinary evenings, the dramatic performances will not be impeded . . .

ASSOCIATIONS: Thomas Taylor (theatre proprietor); Gray and Davison (London organ builders); Frederick Brown Cooper (mechanist); Prince of Wales Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (13 September 1856), 1

http://nla.gov.au/nla.news-article28635432

BRIDSON and KINLOCH, Organ Builders, 29, Palmer-street, opposite Jubilee-terrace.

[Advertisement], The Sydney Morning Herald (27 December 1859), 1

http://nla.gov.au/nla.news-article13034941

GRAND MISCELLANEOUS CONCERT. -
Mr. W. J. CORDNER (Conductor of S. V. H. Society) has the pleasure to announce a
Grand Vocal and Instrumental Concert, to take place on THURSDAY, 29th December,
in the Hall of the Sydney Exchange . . .
The new and powerful Organ, recently built by Mr. Kinlock, of this city, will be used on this occasion . . .
Organist . Mr. C. PACKER.
Conductor . Mr. W. J. CORDNER . . .

ASSOCIATIONS: William John Cordner (conductor); Charles Sandys Packer (organist); Exchange Hall (Sydney venye); Sydney Vocal Harmonic Society (association)

"TWO NEW ORGANS", The Sydney Morning Herald (28 October 1862), 4

http://nla.gov.au/nla.news-article13236246

A colonial-built organ, which has turned out a very fine instrument, and is really a creditable colonial production, has recently been completed by Mr. Kinloch, senior, or this city, and has been lent by the builder's son - Mr. John Kinloch, M.A. - to the Mechanics' School of Arts, in Pitt-street. It has been set up at the western end of the new and commodious hall of that institution, and is, we are informed, to remain in its present position for the next six months to come. This organ, which is enclosed in a handsome oak case, has been entirely constructed in the colony by Mr. Kinloch, with the exception of the metal pipes, which were made to order by Walker and Co., of London, and are of the best spotted metal. It appears that an instrument of this superior description (well adapted for the purposes of a church or of a concert room) can actually be built here for less money than a similar one would cost if made In London, the expense of freight and insurance, and subsequent charges for erection and tuning here, being such as to raise the price to a very considerable amount. We subjoin a description of this instrument, which will be perused with interest, not merely by our musical readers, but by the public at large. The great organ contains the following stops: 1, open diapason; 2, stopt diapason; 3, principal; 4, dulciana; 5, twelfth; 6, fifteenth; 7, sesquialtera; 8, coupler to swell. In the swell there are the following: 1, open diapason; 2, Clarabella; 3, principal; 4, flute. In the choir bass are: 1, stopt diapason; 2, principal; 3, fifteenth. There are an octave and a half of German pedals which act the great organ, and three composition pedals. The height is twelve feet six inches, and the breadth six feet eight inches. Two benches CC to F in all. This fine instrument, is we understand, to be formally opened at the Orpheonist's next concert, early in November. Another organ - one recently imported into this colony by Mr. W. H. Paling, of this city . . . demands a particular notice . . .

ASSOCIATIONS: John Kinloch (son, c. 1833-1897); J. W. Walker (London organ builder); William Henry Paling (musicseller, importer); Mechanics' School of Arts (Sydney association and venue); Orpheonist Society (association)

"ORPHEONIST SOCIETY", Freeman's Journal (15 November 1862), 3

http://nla.gov.au/nla.news-article115429078

An extra concert of the Orpheonist Society was given on Wednesday evening in the hall of the School of Arts and attracted a very large audience. The programme was a very excellent one throughout, but its great feature was a selection from Handel's Israel in Egypt, introducing the chief portions of that sublime composition. The very difficult and trying choruses with which the work abounds and which are among the finest of any of Handel's compositions, were exceedingly well given by the choral members of the Society, and although the loss of an orchestra is sensibly felt in works of this description, Mr. Bridson made up for the deficiency as far as could be done by the excellence of his performance on the organ, a new instrument built by Mr. Kinloch of this city and very kindly lent by him to the Orpheonist Society by whom it was used for the first time on Wednesday night. It is a fine instrument, well adapted in every respect for the room in which it is at present placed, we hope to hear of its being permanently fixed there. An organ is an indispensable part of the furniture of a concert room, and as the new hall at the School of Arts is one of the best in Sydney for musical purposes, it would be a pity to lose the opportunity of securing an instrument so suitable for it . . .

"MUSIC AND DRAMA. ORPHEONIST CONCERT", Sydney Mail (15 November 1862), 3

http://nla.gov.au/nla.news-article166693359

. . . The first part of the concert consisted of selections from Handel's oratorio "Israel in Egypt," performed for the first time in the colony. For the accompaniments to these selections the new organ belonging to Mr. Kinloch was for the first time brought into public use, and the richness and sweetness of its tones were much admired . . .

"DEATHS", The Sydney Morning Herald (1 July 1870), 1

http://nla.gov.au/nla.news-article28418869

On the 29th June, at the residence of his son, University Hall, Elizabeth-street, Mr. JOHN KINLOCH, aged 75.

Bibliography and resources:

Graeme Rushworth, Historic organs of New South Wales (1988), 63-68 (Johnson and Kinloch), 75-77 (John Kinloch)

https://trove.nla.gov.au/work/16876593

St. Mark's Anglican Church, Figtree Road, Figtree (Hunters Hill); Organ Music Society of Sydney (sydneyorgan.com)

http://www.sydneyorgan.com/SACKin.html

KINSELLA, James (James KINSELLA; KINZELLA)

Musician, clarionet / clarinet player, bandsman, Band of the 40th Regiment, soldier, veteran, market inspector

Born ? Ireland, c. 1836
Arrived (with regiment) Melbourne, VIC, 5 November 1852 (per Vulcan, from Cork)
Discharged ? Melbourne, VIC, c. late 1860
Died Melbourne, VIC, 6 December 1871, aged "35"

https://trove.nla.gov.au/search?l-publictag=James+Kinsella+1836-1871 (TROVE tagged by Australharmony and others)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KINSELLA-James (shareable link to this entry)

ASSOCIATIONS: Band of the 40th Regiment (second tour)

Documentation:

Pay-list of the 40th Regiment, 1 April to 30 June 1853; Australian Joint Copying Project, from UK National Archives, WO12/5364

https://nla.gov.au/nla.obj-1592570685 (DIGITISED)

PRIVATES . . . 1732 / Kinsella James / . . . Band . . .

[Advertisement], The Argus [Melbourne, VIC] (23 June 1855), 8

http://nla.gov.au/nla.news-article4809811

SALLE DE VALENTINO. -
Mons. Fleury will perform on Monday, 25th inst. . . .
Fleury's Band, comprising the leading talent of the colonies, will consist of the following artistes: -
Mons. Fleury, Conductor and Leader . . .
Kinzella, Clarionet
De Labestrier, Cornopean
Baker, Saxe Horn
Hartigan, Ophecleide . . .

ASSOCIATIONS: Achille Fleury (leader, violin); Alfred Labalestrier (cornopean, civilian); William Baker (saxhorn, 40th band); Joseph Hartigan (ophicleide, 40th band); Salle de Valentino (Melbourne venue)

[Advertisement], The Argus (18 August 1855), 8

http://nla.gov.au/nla.news-article4815588

SALLE DE VALENTINO. Promenade Concert and Ball. Open Every Evening.
Admission One Shilling. M. Fleury, in returning thanks to the citizens of Melbourne for their very kind patronage, begs to say that no expense or exertion shall be spared on his part in making the Salle de Valentino the first place of its kind in this city. M. Fleury promises also to make it his especial object to produce every novelty in Music, both vocal and instrumental and will not be satisfied with merely telling the public that he has an efficient band but will give their names, which, it is hoped, will be a sufficient guarantee of ability.
Instrumentalists: . . . Ophecleide - M. Hartigan (the first soloist in the colony.)
Cornopean - M. De la Balestriere.
Saxe horn, Mr. Baker.
Clarionette - Mr. Kinsella . . .
Trombone - Mr. McNamara . . .
M. FLEURY, Leader and Conductor . . .
Programme:
Gazza Ladra, - overture - Rossini.
Duette, "Lucrezia di Borgia," Baker and Hartigan.
La Sultana des fleurs (arranged for full band by M. Fleury).
Faust Valse (Diabolique) - Chas. D'Albert.
Malta Quadrille - J. Kalozdy.
La Vie de Boheme - Chretien.
Napoleon Quadrille - Musard.
Gadogan Polka, composed by Kalozdy, Conductor of the Hungarian Band . . .

ASSOCIATIONS: Daniel McNamara (trombone, 40th band)

[Advertisement], The Argus (11 February 1856), 8

http://nla.gov.au/nla.news-article4830415

TONIGHT. THE OPENING NIGHT OF ALMACK'S SOIREES DANSANTES.
EUROPEAN HOTEL, Fitz Roy-street, Collingwood . . .
BY MR. JAMER ELLIS,
Of Cremorne Gardens, London; Adelaide Gallery; and Cremorne Gardens, Richmond.
THE Splendid Band, under the direction of Mr. Andrew Moore,
Will comprise the names of MR. CREED ROYAL,
Mr. Kinsella, Mr. Foster, Mr. Ryder,
And others of the elite of the profession;
And will once more call to mind the soul-stirring strains of
Danner, Labitzky, Strauss, D'Albert, Jullien, Bosisto, and others of equal celebrity.
Principal Master of the Ceremonies, MR. GEORGE LEAVIS, Late of Astley's . . .

ASSOCIATIONS: James Ellis (proprietor); Andrew Moore (violin, leader); Creed Royal (flute, civilian); Joseph Foster (cornet, 40th); George Hopwood Ryder (musician); European Hotel (Collingwood venue)

[Advertisement], Geelong Advertiser [VIC] (2 June 1860), 3

http://nla.gov.au/nla.news-article148791438

GRAND MILITARY CONCERT, GEELONG HARMONIC SOCIETY . . .
AT THE MECHANICS' INSTITUTE. TUESDAY, 5TH JUNE, 1860 . . .
The Second Part will consist of GRAND SELECTIONS By the MILITARY BAND IN UNIFORM.
33 PERFORMERS! BAND MASTER - MR. JOHNSON . . .
B FLAT CLARIONETS - . . . Kinsella . . .

ASSOCIATIONS: Henry Johnson (master, 40th band); Geelong Harmonic Society (Association); Mechanics' Institute (Geelong venue)

Pay-list of the 40th Regiment, 1 October to 31 December 1860; Australian Joint Copying Project, from UK National Archives, WO12/5375

https://nla.gov.au/nla.obj-1588470537 (DIGITISED)

PRIVATES . . . 1732 / Kinsella James / . . . Melbourne [band not indicated] . . .

This is Kinsella's last appearance in a regimental pay-list

[Advertisement], The Argus (7 December 1867), 8

http://nla.gov.au/nla.news-article5785311

THEATRE ROYAL. Engagement for 12 Nights
LYSTER'S Royal Italian and English OPERA COMPANY . . .
Grand production, for the First Time in Australia, of Rossini's world-renowned Opera,
WILLIAM TELL; Or, The REVOLT of the CANTONS . . .
GRAND ORCHESTRA . . .
Clarionettes - Mr. Lundberg - Mr. Kinsella . . .
Conductor, Mr. JULIUS SIEDE . . .

ASSOCIATIONS: John William Lundborg (clarinet); Julius Siede (conductor); Lyster Opera Company (troupe); Theatre Royal (Melbourne venue)

[News], The Argus (25 June 1868), 5

http://nla.gov.au/nla.news-article5819958

A murderous outrage, the origin of which yet remains unexplained, was committed at the Eastern Market at an early hour yesterday morning. About six a.m. Mr. James Kinsella, market inspector, was sitting inside his inner office, and hearing footsteps approaching from the outside he turned round in his seat to recognise his visitor. A young man, decently attired, immediately walked up to within a yard of Kinsella's seat, and deliberately presented a cocked pistol in front of him. The self-possession evinced by the ruffian, coupled with the audacity of the proceeding, completely unnerved Kinsella, and before he could adopt any measure to insure his safety, the pistol was discharged in his face . . .

[News], The Kyneton Observer [VIC] (25 June 1868), 2

http://nla.gov.au/nla.news-article240663017

We learn from the Evening Star that an atrocious attempt at murder took place in the Eastern Market, Melbourne, yesterday morning, at about six o'clock. Mr. John Kinsella [sic] (who was formerly in the band of the 40th Regiment), market inspector, was sitting in his office in the Eastern Market, when hearing footsteps, he turned round, and saw a young man in the outer office. Before he could say a word, the intruder walked up to him, and, pulling a pistol out of his coat pocket, fired at him, the missile from the weapon cutting him in the face and on the bridge of the nose. The would-be assassin immediately turned and ran from out of the office, but at the door was met by Mr. Robinson, who, hearing the report of the pistol, and seeing the prisoner running away with a smoking pistol in his hand, immediately arrested him, and, with the assistance of some others, conveyed him to the watch house, where he gave the name of James Ritson, and stated that he was a dealer, but he refused to make any statement. He is about 20 years of age . . .

"BALLARAT HARMONIC SOCIETY. OPERATIC FESTIVAL", The Ballarat Star [VIC] (26 August 1870), 3

http://nla.gov.au/nla.news-article218797923

The Alfred Hall was crowded last night in all parts on the occasion of the performance of Bellini's "La Sonnambula," with some special attractions. These were the appearance of Madame Simonsen and Mr. Armes Beaumont in the parts of Amina and Elvino . . . Mr. A. T. Turner, as usual, was conductor . . . Mr. T. King was leader, and with him with on first violin was Mr. Simonsen . . . clarionets, Messrs. Kinsella and Williams . . .

ASSOCIATIONS: Fanny and Martin Simonsen (vocalist and violinist); Armes Beaumont (vocalist); Austin Theodore Turner (conductor); Thomas King (leader, violin; King was also a clarinet player); Ballarat Harmonic Society (association)

Inquest, James Kinsella, Yarra Bend Lunatic Asylum, 6 December 1871; Public Record Office Victoria

https://prov.vic.gov.au/archive/994D93DC-F1BA-11E9-AE98-79F602B32463?image=1 (DIGITISED)

. . . the said James Kinsella came by his death . . . on the 5th of December 1871 in the Yarra Bend Lunatic Asylum, where he was in legal custody as a lunatic, he died from disease of the brain and lungs. The jury was of opinion that the disease of the brain was brought on by a gun shot wound he received in the face . . .

"DEATHS", The Argus (7 December 1871), 4

http://nla.gov.au/nla.news-article5857668

KINSELLA. - On the 5th inst., at Melbourne, James Kinsella, formerly of the band of Her Majesty's 40th Regiment.

[News], The Argus (8 December 1871), 5

http://nla.gov.au/nla.news-article5857719

It may be remembered that some two or three years ago some sensation was caused by a case of shooting in the Eastern Market, in which a man named Ritson shot at and wounded, but did not kill, James Kinsella, market inspector. Ritson was tried for shooting with intent to kill, and was sentenced to death, but subsequently the sentence was commuted to one of imprisonment for life. While in Pentridge, Ritson murdered a clergyman - the Rev. Mr. Hill - who went to visit him, and for this offence Ritson was hanged. In June last Kinsella became insane, in consequence, it was supposed, of a wound in the head, though it was never discovered where the bullet had gone. While in the Yarra Bend Asylum Kinsella suffered great pain in the head and partial paralysis of the face, and disease of the lungs also supervening, he sank and died on the 5th inst. Dr. Cutts made a post-mortem examination, and found death had been caused by disease of the brain and lungs. The only indications of a gunshot wound wero powder marks on the nose, but the cartilaginous portion of the nose was drawn in. At an inquest held on Wednesday, the jury found a verdict in accordance with the medical evidence, and expressed an opinion that the disease of the brain was brought on by a gunshot wound in the face.

"INQUESTS", The Argus (8 December 1871), 7

http://nla.gov.au/nla.news-article5857688

On the 6th inst. Mr. Candler, the district coroner, held two inquests at the Yarra Bend Lunatic Asylum. One was on the body of William Bocking, aged 70 years . . . The other inquest was on the body of James Kinsella, aged 35 years, who was admitted on the 21st June last, suffering from disease of the brain, but able to walk about. Formerly he had been employed in the Melbourne Eastern Market, and was shot at by a man named Ritson. This occurrence was probably the chief cause of his insanity. He suffered great pain, had partial paralysis of the face, and ptosis, or falling of the eyelids. On the 20th ult, he became bedridden, and had signs of disease of the lungs in addition to an increase of symptoms of brain disease, till the 5th inst., when he died. Dr. Cutts made a post-mortem examination, and found death to have been caused by disease of the brain and lungs. There were no other results of a gunshot wound observable except marks of powder on the nose. The cartilaginous portion of the nose was astricted or drawn in. The jury found that deceased died of disease of the brain and lungs, and added their opinion that the disease of the brain was brought on by a gunshot wound he received in the face.

See also, "THE END OF A TRAGEDY", Weekly Times (9 December 1871), 7

http://nla.gov.au/nla.news-article220406284

KIRK, John (John KIRK)

Parish clerk, leader of psalmody, church singer, vocalist, convict, emancipist

Born near Downpatrick, Down, Ireland, c. 1790
Convicted County Down, Ireland, 25 March 1822 (7 years transportation)
Arrived Sydney, NSW, 15 July 1824 (convict per Prince Regent, aged "36")
Married Elizabeth QUINN, St. John's church, Parramatta, NSW, 4 November 1833 (aged "42")
Died Parramatta, NSW, 9 March 1855, aged "66"

https://sydney.edu.au/paradisec/australharmony/register-K.php#KIRK-John (shareable link to this entry)

Documentation:

"COUNTY OF DOWN ASSIZES . . . MARCH, 27, 1822 . . . SENTENCES", Belfast Commercial Chronicle (1 April 1822), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001287/18220401/026/0004 (PAYWALL)

To be transported for 7 years: - . . . John Kirk, for cow-stealing . . .

Convict indents, Prince Regent (3), arrived 15 July 1824; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/2024/records/44788 (PAYWALL)

Kirk J'n / Parish Clerk / [tried] Downpatrick / 25 Mar. 1822 / 7 [years] / [aged] 35 / [native place] Near Downpatrick / 5 ft 5 in . . .

NSW census, November 1828; State Record Authority of NSW

https://sydlivmus.flowpaper.com/1828CensusGortoLen3of6NRS1272SZ980/#page=486 (DIGITISED)

Kirk John / 38 / Ticket of Leave / Pr. Regent / 1824 / 7 years / Protestant / Parish Clerk / Prospect / 7 [horses]

"SWINDLING AND OUTRAGES", The Australian [Sydney, NSW] (19 June 1829), 3

http://nla.gov.au/nla.news-article36863981

As one Mr. Kirk, who formerly discharged the peaceful function of parish clerk at Prospect, and is a man not meanly skilled in the divine art of psalmody, but who has exchanged his vocation to be a sub-superintendent to Mr. Superintendent Plunkett at Liverpool, happened to be travelling thence into Sydney, one evening during this or the finishing part of last week, about 4 p.m., he just stepped in to have a refresh at Jackson's on the road, where he was bountifully received and he agreed to have a bed for the night . . .

Bibliography and resources:

"John Kirk (c. 1788-1855)", Australian royalty

https://australianroyalty.net.au/tree/purnellmccord.ged/individual/I42207/John-Kirk

KITTS, James Edward (James KITTS; J. KITTS; James Edward KITTS; J. E. KITTS; "Jim" KITTS; "Jem" KITTS; Mr. KITTS)

Musician, vocalist, guitar and banjo player, minstrel serenader, New York Serenaders (1850-55), Totten's Harmoneons (1854), San Francisco Minstrels (1859-60), company member, Lyster's Opera Company, theatrical manager, agent

Born Boston, MA, USA, 10 April 1828; baptised (RC), 13 April 1828; son of Edward KITTS and Mary Agnes HOGAN
Arrived George Town, TAS, 26 February 1851 (per Spartan, from San Francisco, California, December 1850)
Married Mary MOODY (Mrs. HUGHES), VIC, 1871
Died Carlton, VIC, 30 March 1894, aged "65" [sic]

https://trove.nla.gov.au/search?l-publictag=James+Edward+Kitts+d1894 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1811055 (NLA persistent identifier)

http://nla.gov.au/nla.party-1585516 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KITTS-James-Edward (shareable link to this entry)

James Kitts (left) and Armes Beaumont; caricature by Charles Lascelles

Kitts (left) and Armes Beaumont, as Mathias and Jonas, in Le prophète; caricature attributed to Charles Lascelles; National Library of Australia

https://trove.nla.gov.au/work/16914356

Documentation:

Baptisms (RC), Boston, MA, 1828; Boston Archdiocese, volume 48418, page 312

https://www.ancestry.com.au/search/collections/61585/records/68957 (PAYWALL)

13 April 1828 / James son of / Edward and Mary Agnes / Kitts

ASSOCIATIONS: Edward Kitts (d. Boston, 3 January 1832, of consumption) and Mary Agnes Hogan (d. Boston, 29 August 1829, of consumption) married at Holy Cross (RC), Boston, on 10 January 1826; Kitts took his second name after his father, and named his daughter, born VIC, 1872, Mary Agnes, after his mother

[Advertisement], Sacramento Transcript [CA, USA] (20 April 1850), 3

https://cdnc.ucr.edu/?a=d&d=ST18500420.2.18.2

DONNELLY'S Ethiopian Serenaders.
MESSRS. DONNELLY, (formerly of Christy's Minstrels,) WARD, STEPHENS,
KITTS, NESBET, Respectfully announce to the public that they will give
a series of Entertainments at the New Hall, (adjoining the new Theatre,) corner of M and Front streets, commencing
TUESDAY EVENING, the 23d inst. Admission, $2 . . .

"THE SERENADERS", Sacramento Transcript [CA, USA] (25 April 1850), 2

https://cdnc.ucr.edu/?a=d&d=ST18500425.2.11

We had the pleasure of attending, last night, the Concert given by Donnell[y]'s Ethiopian Serenaders. It seems to us that "the boys" cannot be aware that these amusing performers are in town, otherwise the house would at the low price of tickets, be jammed. Donnell[y] was formerly of Christy's Minstrels. His voice is good, but his execution on the Accordian is inimitable. His solo was much liked by the audience and encored. Mr. Stephens plays the violin. Mr. Ward bangs the tamborine with head, elbows, feet, knees, and every other part of the body which can be conveniently got at. Mr. Kitts performs on the banjo. Mr. Nesbit on the triangle, and altogether they have quite a lively time on the stage, and manage to create considerable amusement. Aside from the wit and humor with which they sparkle, their singing is really very good. "Wild Racoon Track" and "Picayune Butler" were rich. The Serenaders sing again on Friday and Saturday evenings.

"Serenaders", The Cornwall Chronicle [Launceston, TAS] (1 March 1851), 133

http://nla.gov.au/nla.news-article65574873

A company of six serenaders has just arrived from America by way of California, and islands of the Pacific, and will give their first concert at the Cornwall Assembly Rooms, on Tuesday evening next. The serenaders are spoken of as being first-rate.

See also, "Miscellaneous", Launceston Examiner [TAS] (1 March 1851), 3

http://nla.gov.au/nla.news-article36259739

The barque Spartan is at George Town, having arrived from California on 26th February.

[Advertisement], The Cornwall Chronicle (1 March 1851), 133

http://nla.gov.au/nla.news-article65574870

NEW YORK SERENADERS CONCERT.
THE NEW YORK SERENADERS take pleasure in announcing to the citizens of Launceston and its vicinity their arrival at this place, and will have the honour of appearing in Ethiopian character at the "Cornwall Hotel," on TUESDAY evening next.
This company is among the first which were organised in New York, and have given very successful Concerts throughout the United States, South America, California, and the islands of the Pacific, and are now visiting the Australian Colonies en route to the East Indies and the Continent of Europe. From long experience in the business they are enabled to give a legitimate American Negro performance.
All the music of the day having been sent them from New York, a new and varied programme will be offered.
The company is composed of the following gentlemen:
W. H. White, Violin - C. Cushing, 1st Banjo
J. P. Nash, Guitar - J. Kitts, 2nd ditto
J. O. Pierce, Tamborine - J. C. Lee, Bone castanets
PROGRAMME OF PERFORMANCE, On Tuesday evening, March 4, 1851.
PART I. - AS DANDY NEGROES.
Overture - Introducing selections from the Operas of I Puritani, and La Dame Blanche - Full band
Let's be gay, from Robert le Diable - Mr. Nash
Julius' Bride - Mr. Cushing
Mary Blane - Mr. Kitts
Trio - Colored Fancy Ball - Messrs. Nash, Kitts, and Pierce.
Juliana, Phebiana, Constantina Brown - Mr. Pierce
Virginia Rosebud, from the Bronze Horse - Mr. Nash
Phantom Chorus, from La Sonambula - Company
Stop dat knocking an Operatic Burlesque - Mr. Pierce
PART II.
Banjo Solo - Mr. Cushing
Trio - Violin, Guitar, and Bones - Messrs. White, Nash, and Lee
Burlesque on Mesmerism - Company
- - - PART III. - AS PLANTATION DARKIES.
Bulgine, Slambang, Humbug - Overture - Full band
Give is chaw tobacco - Mr. Cushing
History of the world - Mr. Pierce
Old Napper - Mr. Lee
Picayune Butler - Mr. Pierce
Bowling Green - Mr. Cushing
[REDACTED] from de Souf - Mr. Pierce
Old tar River - Mr. Lee
Tickets to be obtained at the "Cornwall Hotel," "Launceston Hotel," and at the door, on the evening of performance.
Price of admission, 2s. Doors open at Seven o'clock, commence at half-past Seven.
March 1, 1851.

ASSOCIATIONS: W. H. White (serenader); Charles Cushing (serenader); J. P. Nash (serenader); John Ottis Pierce (sereander); J. C. Lee (serenader); New York Serenaders (troupe); Cornwall Assembly Rooms (Launceston venue)

"ETHIOPIAN SERENADERS", Colonial Times (7 March 1851), 2

http://nla.gov.au/nla.news-article8768855

Six "coloured gemmen" have arrived from America in the Spartan, and gave their first serenade concert here on Tuesday evening, at the Cornwall, to a crowded audience. The singing and instrumental accompaniements were excellent, and the choice of pieces good . . .

"THE SERENADERS", Launceston Examiner (15 March 1851), 5

http://nla.gov.au/nla.news-article36259829

. . . The New York Serenaders, who have during last week been entertaining our citizens, are a culminating point beyond which we look not for transcendence . . . Mr. Pierce's treble is a voice of fine quality and great compass. Mr. Kitts' bass is, if possible, more admirable; the richness, depth, and power of his voice, formed the fundamental harmony of the company. In "De ole jaw bone," an occasion offered for some of his lowest tones, and the lowest was the most perfect. Mr. Nash's tenor was delightful . . .

"THE SERENADERS", Colonial Times [Hobart, TAS] (1 April 1851), 2

http://nla.gov.au/nla.news-article8768999

On Friday evening we again attended one of the entertainments at the Victoria Theatre, and enjoyed the vocal and instrumental performances of these professionals . . . Mr. Kitts, who possesses a most excellent bass voice, and understands the management of it well, sung "Linda," and "The Ole Jaw Bone," which were received with admiration by the whole audience . . . The trio of "The Coloured Fancy Ball," by Messrs. Nash, Pierce, and Kitts, was the best song of the evening, harmoniously sung, and irresistible in its laughter-moving [REDACTED] strains. The accompaniment of Bones was good throughout. The entertainments are well worthy of the patronage and encouragement of the public. The house was not so fully attended as could be wished. In justice to the Serenaders we are bound to say. that their songs are well selected, and accompanied with the utmost skill and precision; and we strongly urge all those who have not yet availed themselves of the opportunity of hearing them to do so without loss of time, as they purpose quitting this city at an early day. An evening spent with them will slip away quietly, pleasantly, and almost unperceived, while listening to their delightful strains, interspersed with their quaint drolleries and antics.

ASSOCIATIONS: Royal Victoria Theatre (Hobart venue)

"NEW YORK SERENADERS", The Irish Exile and Freedom's Advocate [Hobart Town, TAS] (5 April 1851), 7

http://nla.gov.au/nla.news-article233331297

On Wednesday evening last we had the good fortune to be present at the concert given by these talented gentlemen, at the Victoria Theatre, and we must candidly acknowledge that we were highly delighted with the entertainment . . . the introductory Overture "Love not," was executed by the full band with great suavity and precision, the time being most strictly kept; "Mary Blane" and "Old Jaw Bone" were more than usually well sung by Mr. Kitts, the Signor Lablache of the West. It is evident that Mr. Kitts is fast recovering the full use and extent of his truly beautiful voice. We should much like to hear Mr. Kitts in some of Rossini's splendid morceaux written for Tamburini or Lablache, we are certain he would do them full justice . . .

"THE NEW YORK COMPANY OF SERENADERS", Bell's Life in Sydney and Sporting Reviewer [NSW] (28 June 1851), 3

http://nla.gov.au/nla.news-article59772753

The up-hill work which, from the particular description of entertainment professed by these gentlemen, was entailed upon them by preceding companies, is being rapidly overcome. Their concerts on the evenings of Monday and Tuesday, at the Royal Hotel, were less numerously than respectably attended; but the magic of their melody met with an enthusiastic response from those who were fortunate enough to hear them . . . The most remarkable of the vocalists is Mr. Kitts (late of the Italian Opera House), whose sonorous bass distinctly resounds below the instrumental crash of the full band. The voices of the six blend most sweetly, and their cadence, perfected by several years' practice, is indescribably beautiful . . .

ASSOCIATIONS: Royal Hotel (Sydney venue)

"DEPARTURES", The Sydney Morning Herald (27 October 1851), 2

http://nla.gov.au/nla.news-article12931572

October 26. - Royal Saxon, barque, 510 tons, Captain Charlesworth, for Calcutta via Hobart Town. Passengers . . . Messrs. J. C. Kitts [sic], J. P. Nash, J. C. Lee, W. H. White, W. J. Reading [sic], J. C. Pierce [sic] . . .

ASSOCIATIONS: James W. Reading (serenader, replacing Charles Cushing, who had returned to California)

"MADRAS SHIPPING . . . DEPARTURES", Bombay Gazette [Mumbai, India] (20 May 1852), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002920/18520520/017/0002 (PAYWALL)

[May] 9, P. and O. S. N. Company's Steam Ship Pottinger, Captain J. S. Field . . .
From Madras to Point de Galle - Mr. J. P. Nash, J. C. Lee, J. E. Kitts, J. O. Pierce Esq, J. W. Reading Esq., J. C. Lee, and B. H. White Esq. . . .

[News], Bombay Gazette (21 July 1852), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002920/18520721/056/0003 (PAYWALL)

The New York Serenaders, as will be seen from our advertising columns, have arrived in Bombay, and propose entertaining the public, shortly, with a series of musical concerts. The company, organized in the United States in 1848, are now ona tour round the world. From the States they passed over to California, and made a trip to the Sandwich Islands, where they had the honor of a visit from King Kamehaneha. In February 1851, the made their debut at Launceston, at which place, and at Hobart Town and Sydney, their performances were most successful, and received most distinguished patronage. In November they left New South Wales for Calcutta, and from the presidency proceeded to Madras and Ceylon, - sustaining even before so criticising a public as that of which India boasts, the reputation earned them in more indulgent climes. With such brilliant antecedents, they have little to fear that their accomplishments and skill will be unappreciated by the people of this city . . . Mr. Reading has assumed Mr. Cushing's place as a banjoist. Mr. Kitts performs the second instrument of that character, and is a bass singer of no mean capacity . . .

[News], Bombay Gazette (4 November 1852), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002920/18521104/036/0003 (PAYWALL)

ACCORDING to some of our correspondents, whose information appears to be confirmed by a mysterious looking document to the address of one of the Masonic lodges here, of one of the Masonic lodges here, the Concert on Monday night is to be for the benefit of four of the Serenaders, Messrs. Nash, Kitts, Pierce and White, all of whom are Free-Masons . . .

[News], Bombay Gazette (16 November 1852), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002920/18521116/026/0002 (PAYWALL)

The following Passengers proceed by the P. and O. Company's Steamer Ganges . . . to-day: - To Calcutta: . . . Mr. Nash, Mr. Kitts, Mr. Reading, Mr. White, Mr. Lee, and Mr. Pierce . . .

"SHIPPING INTELLIGENCE", The Argus [Melbourne, VIC] (10 May 1853), 4

http://nla.gov.au/nla.news-article4792458

May 9. - Mary and Ellen, American schooner, 183 tons, M. Tucker; for Sydney, Passengers - cabin: Messrs. Kitts, Pearse [sic], Lee, Watson, Mr. and Mrs. Cassidy . . .

"COMING EVENTS CAST THEIR SHADOWS BEFORE", Bell's Life in Sydney and Sporting Reviewer [NSW] (26 November 1853), 2

http://nla.gov.au/nla.news-article59757976

The departure of the New York Serenaders from the colony will be, as is customary, preceded by a "farewell benefit" performance by each member of the company. The celebrated bass vocalist, Mr. Kitts, will commence the series of final entertainments on Monday next. For which occasion he has issued a programme which embraces the latest novelties of Negro melody received in the colony, direct from the States . . .

"PANORAMA OF UNCLE TOM'S CABIN", Illustrated Sydney News [NSW] (4 March 1854), 2

http://nla.gov.au/nla.news-article63614057

This attractive exhibition has been very well attended during the week . . . During the exhibition there is a performance on the piano, and altogether it forms a very attractive evening's entertainment, which we can recommend families and young people especially to attend. We understand that Mr. Kitts, the celebrated negro melodist, is engaged for the ensuing week to sing some appropriate ballads.

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (11 March 1854), 3

http://nla.gov.au/nla.news-article59758359

THE HORRORS OF SLAVERY - The dreadful revelations of this flesh and blood traffic,
as illustrated by the GRAND MOVING PANORAMA now on exhibition,
nightly, in the Saloon of the ROYAL HOTEL, is exciting the most thrilling interest, and commanding crowded houses,
which significantly prove that the sympathies of Australia flow into the same channel as those of the Antipodean agitato rs for the enfranchisement of the suffering black.
The panorama is on a gigantic scale, the figures being as large as life,
and each of the fifty scenes is graphically described by a gentleman familiar with the enormities it represents.
To relieve the audience from the sadder sentiment which must naturally prevail during the enactment of these life-like delineations,
the celebrated bass vocalist, MR. J. E. KITTS, late of the New York Serenaders,
will introduce some of the most approved Ethiopian melodies, during each evening's exhibition.
Cards of admission 2s., to all parts of the house.
Doors opon at half-past 7, curtain rises at 8 precisely.
GRAND MOVING PANORAMA of the African and American Slave Trade, in the
GREAT SALOON OF THE ROYAL HOTEL, Evory evening next week.
Ethiopian melodies, ballads, &c, by Mr. Kitts.
Solos on the flutina and concertina each evening by Mr. J. O. Pierce, late of the New York Serenaders . . .
- J. E. KITTS, Agent.

[Advertisement], The Sydney Morning Herald (22 March 1854), 1

http://nla.gov.au/nla.news-article12951302

ROYAL HOTEL - Positively the Last Night but Three of the
Grand Moving Panorama of the AFRICAN and AMERICAN SLAVE TRADE, with a variety of other entertainments.
- This (Wednesday) evening, March 22.
Admission, 2s. Children, under tender years of age, half price.
Doors open at half-past 7 - curtain rises at 8 precisely.
- J. E. KITTS, Agent

"TOTTEN'S HARMONEONS", South Australian Register [Adelaide, SA] (19 September 1854), 3

http://nla.gov.au/nla.news-article49203308

The performances last night attracted a numerous audience, and all were well repaid for visiting the Ethiopian melodists. Among the pieces best received, were "Ginger Blue" and "The old Jaw Bone," the latter giving full scope for the display of Kitt's rich bass voice. Some of the cons. were received with shouts of laughter, and the repetition of the extravaganza, "The Doctor and his Patient," of course sent every one away in good humour.

ASSOCIATIONS: Totten's Harmoneons (troupe)

"SHIPPING INTELLIGENCE", The Age [Melbourne, VIC] (30 January 1855), 4

http://nla.gov.au/nla.news-article154849454

The barque Eleanor, Cook, master, from Adelaide (stated to be bound for Port Louis), was compelled to put into Freemantle in a leaky condition. She arrived there on the 14th December, and was to undergo repairs at Garden Island. The passengers reported are Captain Robinson and lady, and a party of six New York Ethiopian Serenaders, among whom were Messrs. Kitts und Lee, so favourably known by their performances here. - S. A. Register.

And see also, "UP TO SNUFF, AND A PINCH OR TWO OVER", Adelaide Times [SA] (13 February 1855), 3

http://nla.gov.au/nla.news-article207021873

The Daphne, whose arrival from Swan River was announced in our shipping columns yesterday, has brought us some "fast" news respecting the Eleanor, which vessel, it will be remembered, left these shores a few months ago under "peculiar circumstances." On the arrival of this craft at the Swan, it appears that her commander (Captain Cooke) managed to obtain an interview with the Lieutenant-Governor, who, not being able "to read the mind's construction on the face," suffered himself to be cajoled into the belief that the Eleanor's register and clearance, and a large sum of money, had inadvertently been left behind at Port Adelaide. His Excellency, so the report goes, looked upon the captain as a most unfortunate being, and accordingly granted him an order to sail for Mauritius. It further appears that the cool captain of the Eleanor succeeded in introducing "Ada," "some moons wasted" the "Diana" of the "York," into the most fashionable circle of Western Australia as Mrs. Cooke. Totten's Ethiopian deserters, and Adelaide hotel keeper's friends, carried on Captain Cooke's bravado in a serenading style calculated to excite the admiration of every true friend of dishonesty.

[Advertisement], Java-bode: nieuws, handels- en advertentieblad voor Nederlandsch-Indie [Batavia, Indonesia] (22 September 1855), 3

https://resolver.kb.nl/resolve?urn=ddd:010483276:mpeg21:p003

MUSICAL NOICE. Arrival at Batavia of the NEW-YORK SERENADERS.
This talented Company of Ethiopian Delineators was organized in California in A.D. 1849,
since which time they have successfully canvassed the Islands of the Pacific, the Australian Colonies, Van Diemens Land, Mauritius,
and all the principal cities of English India, including Calcutta, Bombay, Madras, Point de Galle, Colombo, Kandy, and Poonah.
In all of these places their performances have been the theme of universal admiration,
and although new, have now become immensely popular.
The stay of this Company in Batavia will positively not exceed 3 or 4 entertaininents:
the first of which will be given as soon as the necessary arrangements can be made, due notice of which will be given.
- J. E. KITTS, Manager.

[Also, printed in the next column, the same notice in Dutch]

"SHIPPING INTELLIGENCE. ARRIVALS", Empire [Sydney, NSW] (3 December 1855), 4

http://nla.gov.au/nla.news-article60170584

December 1. - Shamrock, brig, 1B7 tons, Captain B. L. Keys, from Batavia 14th October. Passengers - Mr. Spelman, and Mr. Kitts . . .

"PRINCE OF WALES THEATRE", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (9 February 1856), 3

http://nla.gov.au/nla.news-article251546494

On Tuesday evening was produced, for the first time, the new local operatic extravaganza, called, Anna Bishop in Australia . . . Madame Bishop is next introduced as the Prima Donna of the Italian Opera, dressed in character and sings several rich operatic selections in Italian, which gives satisfaction to the Manager, and she is requested to unite with Mamzelle Sixfootoo, the giantess (Mr. Kitts), who has meanwhile been introduced in a duet. The Prima Donna performs her part, but is overcome with terror when the first tones of the young giantess fall upon her ears, and she rushes from the stage in disgust . . .

ASSOCIATIONS: Anna Bishop (vocalist); Prince of Wales Theatre (Sydney venue)

"THEATRE ROYAL", The Argus [Melbourne, VIC] (24 June 1856), 5

http://nla.gov.au/nla.news-article7131925

We are glad to learn that the announcement of the forthcoming production of Flotow's opera of "Martha" at this establishment, has created a considerable amount of interest in the musical circles of this city . . . The cast of "Martha" includes the names of Mesdames Bishop, Guerin, Hancock, and Fiddes; MM. Coulon and Laglaise and Messrs. Howson, Kitts, and Hancock, aided by a powerful chorus, and the excellent orchestra of the establishment . . .

ASSOCIATIONS: Theodosia Guerin (vocalist); Mary and Edward Hancock (vocalists); Harriet Fiddes (vocalist); Emile Coulon (vocalist); Jean-Baptiste Laglaise (vocalist); Frank Howson (vocalist); Theatre Royal (Melbourne venue)

"ROYAL VICTORIA THEATRE. LUCRETIA BORGIA [sic]", Empire [NSW] (1 July 1857), 4

http://nla.gov.au/nla.news-article64982923

The Victoria Theare was filled last night in honour of the re-appearance of Madame Anna Bishop in Opera, previous to her departure for South America . . . Madame Anna Bishop was in fine voice . . . Her impersonation of the terrible Duchess vas very good . . . Mr. Farquharson was the Duke . . . Mr. J. Gregg as Gubetta, and Mr. Kitts as Astolfo sang their parts commendably, whilst the choruses were delivered in better style than we remember to have heard them in Sydney . . .

ASSOCIATIONS: Robert Farquharson (vocalist); John Gregg (vocalist); Royal Victoria Theatre (Sydney venue)

"MR. KITTS' BENEFIT", Launceston Examiner [TAS] (24 August 1858), 3

http://nla.gov.au/nla.news-article38992894

The entertainment given by Mr. Farquharson last night was for the benefit of his agent Mr. J. E. Kitts, who is well known to the public here in his character first as belonging to the New York Serenaders who visited this colony in 1851, and had so successful a season. The next appearance of Mr. Kitts was as agent for Mr. and Mrs. Stark, the eminent American tragedians, during their professional visit to Tasmania. When the Starks left the colonies, Mr. Kitts engaged with Mr. Farquharson in the same capacity, and we can give our testimony to the ability, zeal, and tact, with which he discharges his duties. He is, as we have often said before, indefatigable. He contrives before he has been in a place 24 hours to put his professional principal's name in every mouth; and as he is too knowing in these matters as well as too careful of his own credit to connect himself with a professional "muff," he has always had the legitimate countenance and assistance of the press. Mr. Kitts informs us that he accompanies Mr. Farquharson to India, which he has already twice visited. The benefeciare was honoured last night with the best house of the short season.

ASSOCIATIONS: James and Sarah Stark (actors); Theatre Royal (Launceston venue)

"SHIPPING INTELLIGENCE . . . ARRIVED", The Argus [Melbourne, VIC] (14 June 1859), 4

http://nla.gov.au/nla.news-article5682727

JUNE 13. Fairlight, ship, 588 tons, R. Kemball, from Calcutta 22nd April. Passengers - cabin: Messrs. Farquharson and Kitts. Downie and Murphy, agents.

"MOUNT ALEXANDER HOTEL", Mount Alexander Mail [Castlemaine, VIC] (23 November 1859), 3

http://nla.gov.au/nla.news-article199051386

The spirited proprietor of this hotel, ever anxious to cater for the amusement of his friends, has engaged Mr. John Black, the well known comic vocalist, and those favorite artistes, Mesdames Vincent, and Louise, and Mr. Kitts, the celebrated basso. The concerts at the Mount Alexander are of a superior character, and the admission is free . . .

ASSOCIATIONS: John Black (comic vocalist); Mrs. Vincent (vocalist)

"THE SAN FRANCISCO MINSTRELS", The Tarrangower Times and Maldon District Advertiser [VIC] (30 November 1860), 3

http://nla.gov.au/nla.news-article265421600

This troupe of serenaders performed to a full house on Monday last, at the Kangaroo theatre. We were disappointed at missing the inimitable Dave Carson - who by accident had missed the Bendigo coach. The comic portions of the programme were as laughter provoking as ever, and the "sentimental" songs better than ever. Mr. Walsh sang "Good news from Home," very sweetly, and was deservedly encored - and the favorite duett of "If I had a Thousand a Year," by this gentleman and the basso - Mr. Kitts, "went well." Mr. Pierce, and his clever dog, are a great acquisition to the company, and in fact, the four new faces - Walsh, Kitts, Pierce, and dog, tend to make the San Francisco minstrels' performance, one of the most worthy of notice in the colony . . .

ASSOCIATIONS: Dave Carson (minstrel); Charles Walsh (vocalist); John Ottis Pierce (as above, minstrel); San Francisco Minstrels (troupe)

[Advertisement], The Argus [Melbourne, VIC] (3 December 1860), 1

http://nla.gov.au/nla.news-article154886060

PRINCE OF WALES THEATRE.
The Promised Return and Farewell Engagement Of the Far Famed
SAN FRANCISCO MINSTHELS AND MAMMOTH SABLE OPERATIC TROUPE.
A CARD. - The Minstrels in returning their sincere thanks to the public of Melbourne and vicinity for the extensive patronage accorded them during their last engagement - hope that the additions made to the Company, together with their new Repertoire of Songs, Burlesques, &c., will be rewarded by a continuation of the same - and would, respectfully state that their stay will be necessarily short, owing to other colonial engagements, prior to their final departure for India.
First appearance here of Mr. J. E. KITTS, the Eminent Basso,
Also, Mr. THOMAS LLEWELLYN, the Celebrated Harpist,
Together with the Established Favorites, Mr. O. N. Burbank, Mr. Dave Carson, J. O. Pierce, Charles Walsh, Geo. Chittenden, T. P. Brower, And Mr. G. W. DEMEREST.
MONDAY EVENING, 3rd DECEMBER, Immense Bill -
The Burlesque Tragedy of HAMLET, PRINCE OF DENMARK.
The Laughable Hippodromatic Display, Entitled, THE AFRICAN CIRCUS; or SCENES IN A CHALK CIRCLE;
New Songs, Burlesques, the renowned Rattle Snake Jig,
And last, though, not least, SIGNORA DON.
Doors open as usual. Prices of Admission: Dress Circle, 3s. Boxes, 1s. 6d. Pit, 1s.

ASSOCIATIONS: Llewellyn Thomas [sic] (harpist); Otto N. Burbank (minstrel); George Chittenden junior (musician); Thomas Palmer Brower (minstrel); George Washington Demerest (minstrel); Prince of Wales Theatre (Melbourne venue)

"MONTEZUMA", The Star [Ballarat, VIC] (31 December 1860), 3

http://nla.gov.au/nla.news-article66336573

Despite a very attractive bill of fare performed by the San Francisco Minstrels, there was but a poor house at this place of amusement on Saturday night; those present, however, enjoyed a rich musical treat, both vocal and instrumental, which seemed to give satisfaction to all. Mr. Dave Carson appeared as the inimitable actor of all work, and with song and repartee kept the audience in a continual grin of satisfaction. The calisthenic part of the entertainment found a suitable representative in Mr. Demerest; while Mr. Thomas, the Welsh harpist, favored the audience with sundry exquisite airs. Mr. Kitts, in a fine bass voice full of melody, sang "Madoline," and was rapturously applauded, The entertainment was one that deserved a better audience.

ASSOCIATIONS: Montezuma Theatre (Ballarat venue)

"THEATRE ROYAL", The Argus [Melbourne, VIC] (2 April 1861), 4

http://nla.gov.au/nla.news-article5698926

Vincent Wallace's latest opera, "Lurline," attracted a large company to the Theatre Royal last evening . . . The performance of last evening disclosed, however, a monotony in the composition which does not appear in other works by the same master . . . Recollections of "Maritana" and "The Bohemian Girl" float across the mind, and this, notwithstanding some good features, in the shape of the romanza "Her bark in moonlight beaming," by Rheineberg (Mr. Farquharson), which was encored; the avowal by Lurline (Madame Escott) of her love; and the animated finale when Count Rudolf seeks his charmer in the Rhine. The second act, however, produced a more favourable impression, though the absence of musical variety is also here apparent . . . The drinking song by Zelick, a gnome, (Mr. Kitts,) is sufficiently soul-inspiring, but, unfortunately, was indifferently sung . . .

ASSOCIATIONS: William Vincent Wallace (composer); Robert Farquharson (vocalist, as above); Lucy Escott (vocalist); Lyster Opera Company (troupe); Theatre Royal (Melbourne venue)

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (6 April 1861), 2

http://nla.gov.au/nla.news-article201373122

. . . The first grand novelty of the season was disclosed on Monday night, when Wallace's last opera, "Lurline," was presented for the first time in this hemisphere . . . The gnome's song, the best in the opera, was moderately well given by Mr. Kitts . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (12 July 1861), 5

http://nla.gov.au/nla.news-article154901666

Weber's romantic opera "Der Freischutz" was produced at the Theatre Royal, last evening, with almost unqualified success . . . The concluding act afforded an opportunity of some other of the principals to distinguish themselves; but, beyond the careful acting and singing of the part of Cuno [Kuno] by Mr. Kitts, there was little to demand notice . . . and it was well delivered by the orchestra, under the conductorship of Mr. A. Reiff . . . Mrs. Ada King as the Marchioness, and Mr. Kitts, as Captain of the Guard, acquitted themselves well, and though but minor parts, to render the whole complete they require ability and precision . . .

"THE OPERA", The Sydney Morning Herald [NSW] (7 August 1861), 5

http://nla.gov.au/nla.news-article13068856

The success of Mr. Lyster's corps operatique last night was incontestable, and it may be judged definitively by this one performance. The opera chosen for the opening of the season is one of the best throughout the range of the English lyric drama. "Maritana" is too well known to the musical public of this city to require any lengthened description.

ASSOCIATIONS: Anthony Reiff (conductor); Ada King (vocalist)

"THE OPERA", Empire [Sydney, NSW] (16 August 1861), 5

http://nla.gov.au/nla.news-article60484294

The attendance at the Victoria last night was not so numerous as the second representation of so favourite an opera as the Lucia might have led us to anticipate . . . We have already expressed our admiration of Madame Lucy Escott's impersonation of the ill-fated heroine of the opera; we need, hardly say that her second appearance in this role was not less successful . . . Mr. J. E. Kitts added essentially to the effective representation of the opera by his conscientious rendering of Raimondo. We nerd hardly add that the orchestra, under the very able conductorship of Mr. A. Reiff, did ample justice to the score, and the choruses were given with great spirit and precision.

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue)

"THE OPERA", Empire (7 September 1861), 5

http://nla.gov.au/nla.news-article60484108

La Favorita, the best of Donizetti's serious French Operas, although by no means the best opera of Donizetti, was given last night at the Victoria, for the first time in Sydney . . . At the conclusion of the tbs overture, Mr. Lyster tendered an apology, on the plea of temporary indisposition, for Mr. Farquharson, at the same time announcing that Mr. Kitts had undertaken, at a moment's notice, to fill the part of Baldassare in his stead. It is a somewhat singular coincidence that a similar excuse was tendered for Mr. Farquharson on the production of the same opera at Melbourne. Such contretemps usually militate very seriously against the effective performance of an opera; in the present instance, however, the public had no cause for complaint, for Mr. Kitts presented a very substantial embodiment of the chief monk, and gave the music carefully and well. In fact his appearance last night was a decided triumph; he was called before the curtain at the conclusion of the first and second acts, amidst the most tumultuous applause, and was received throughout the evening by the audience with the most marked favour . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (8 October 1861), 5

http://nla.gov.au/nla.news-article154901166

The "La Favorita" of Donizetti was presented at the Theatre Royal last evening, to an audience not over numerous. The opera was performed with the same cast as during the previous season, with one exception, Mr. Kitts taking the part of Mr. Gregg as Balthazar. It had been hoped that Mr. Farquharson would have assumed this role. The opera was smoothly performed, but did not evoke much enthusiasm from the audience . . .

ASSOCIATIONS: John Gregg (vocalist)

"TOWN TALK", The Herald [Melbourne, VIC] (4 November 1861), 5

http://nla.gov.au/nla.news-article244181264

Mr. Reiff's benefit at the Theatre Royal on Saturday night was very meagrely patronised. The "Bohemian Girl" was the opera performed, Mr. Kitts being substituted for Mr. Farquharson in the part of Devilshoof . . .

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (15 March 1862), 2

http://nla.gov.au/nla.news-article199059461

"Fra Diavolo" was produced on Monday night for the first time this season, but was only partially successful . . . The two brigands, Beppo and Giacomo, were excellently played by Mr. Farqaharson and Mr. Kitts . . .

"THE OPERA", Empire [Sydney, NSW] (2 August 1862), 5

http://nla.gov.au/nla.news-article60479057

Wallace's delightful opera Maritana was given last night at the Victoria, for the first time this season, and it is almost superfluous to add, with the most unequivocal success . . . Mr. Kitts achieved a decided success in the somewhat ungrateful part of the King of Spain, singing "Hear me, gentle Maritana," with the allegro movement following, with much taste and expression, and bearing his part in the subsequent duett most creditably. The public has evidently adopted this pains-taking artiste, and rightly: because he has adopted the public in the only true way - that of working steadily in his own proper metier. It requires no great powers of prophecy to foresee a career the most satisfactory to this gentleman, and we would offer him hearty congratulations on his success of last night. We must not omit to particularise, amidst the orchestral features of the evening, M. Strebinger's exquisite violin obligato to the song just mentioned; it was a very gem, and met with befitting appreciation from the audience. Maritana will be repeated this evening.

ASSOCIATIONS: Frederick Strebinger (violin, leader)

"PRINCE OF WALES", Bell's Life in Sydney and Sporting Chronicle [NSW] (2 April 1864), 2

http://nla.gov.au/nla.news-article65461351

. . . The great event of the week was, however, the revival of "The Huguenots", in which we are happy to record the great and unqualified success of Mr. J. E. Kitts, who succeeded Mr. Farquharson in the arduous part of Marcel. It is but an act of justice to this deserving and painstaking artiste that he sang and acted with a taste and impressiveness that left nothing to be desired. He looked the old soldier to the life, and his fine bass voice shewed to the utmost advantage; his "Piff Paff", being enthusiastically redemanded, and we gladly record this tribute to his well-deserved triumph . . .

"SHIPS' REPORTS", The Sydney Morning Herald (9 September 1868), 8

http://nla.gov.au/nla.news-article13172577

The fine clipper ship Alexander Duthie took her departure for San Francisco on the 29th ultimo. The Lyster Opera troupe and other passengers, accompanied by a number of friends, were conveyed on board by the steamer Pearl . . . The following are the names of her passengers . . . Mr. and Mrs. W. S. Lyster and servant . . . Messrs. . . . Kitts . . . and 17 in the 2nd cabin.

"THEATRICAL GOSSIP. BY THE LOUNGER", The Herald [Melbourne, VIC] (5 June 1869), 2

http://nla.gov.au/nla.news-article244915705

Mr. William S. Lyster, after an absence of over nine months, returned to Melbourne on Monday . . . Mr. Lyster, accompanied by Mrs. Lyster, left California on the 15th of March last, after a most disastrous season in San Francisco . . . With a very large company, consisting of many Melbourne favorites . . . the season was commenced by Mr. Lyster at the Metropolitan Theatre, San Francisco, early in December last, with Meyerbeer's magnificent opera of "The Huguenots," in which, unfortunately for the company, Mr. Kitts made one of the greatest failures ever known in California; and not even the splendid acting and signing of Madame Escott and Mr. Squires in the fourth act (which here used to rouse the audience to a pitch of enthusiasm) could give life or vitality to the performance . . .

ASSOCIATIONS: William and Georgia Lyster (manager and vocalist); Lucy Escott (vocalist, as above); Henry Squires (vocalist)

"THE OPERA COMPANY", Empire [Sydney, NSW] (1 March 1870), 2

http://nla.gov.au/nla.news-article60892218

Mr. Arthur [sic] Lyster and Mr. Armes Beaumont arrived in Sydney on Monday, by the Jean Pierre from San Francisco. We understand that Mr. Kitts is coming out to the colonies by way of Boston . . .

ASSOCIATIONS: Armes Beaumont (vocalist)

"THE NEWS BY THE MAIL", The Ballarat Star [VIC] (7 July 1870), 5

http://nla.gov.au/nla.news-article218796538

Mr. J. E. Kitts, who will be well remembered in the colonies, as the basso of the Lyster opera troupe, has just arrived in London, having made the passage home by way of San Francisco. He had a pleasant and a profitable journey through the States, and is now desirous of obtaining an engagement in England. As might be expected, Mr. Kitts' talent and thoroughly straightforward character have had the effect of bringing round him colonists at home, desirous of aiding him in his designs, and we hope to record his "first appearance" in England by the next mail.

"ANGLO-AUSTRALIAN ITEMS [From the English journals]", Geelong Advertiser [VIC] (27 September 1870), 3

http://nla.gov.au/nla.news-article150654577

Mr. J. E. Kitts, who has just returned from a tour upon the continent, intends leaving in the Southern Belle. Mr. Kitts has received offers of engagements in London, but prefers returning to the colonies, taking with him the new knowledge and experiences he picked up on his very pleasant tour round the world.

Names and descriptions of passengers per Southern Belle, from London, 18 August 1870, for Melbourne, 18 December 1870; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B3D2DF1-F96C-11E9-AE98-E9BFA8524AEB?image=206 (DIGITISED)

. . . James E. Kitts / 47 / [Gentleman] / [English male] [sic] . . .

"Mr. James E. Kitts", Table Talk [Melbourne, VIC] (29 May 1891), 3-4

http://nla.gov.au/nla.news-article147284903

A period of forty years in the Australian theatrical profession has made Mr. James Kitts, now acting as business manager for Messrs. Brough and Boucicault, at the Bijou Theatre, Melbourne, one of the best known men in the colonies. The number of events that have happened during his career, or "in his time," as the phrase goes, would if duly set forth form an interesting book, and if at any time Mr. Kitts should make up his mind to publish his reminiscences they will be gladly welcomed. Mr. James E. Kitts was born in Boston on April 10, 1828, and led an uneventful life until he arrived at the age of twenty-one, when the love of roving seized him and impelled him to seek his fortunes among thousands of others who attracted by the gold discoveries of 1849, were en route for California. Success however did not attend Mr. Kitts' efforts with the pick and shovel, and on the whole he had a very dismal experience during his fifteen months of Californian mining life, which ended by his being starved out. Returning to San Francisco he made such good use of his vocal abilities that he resolved to enter on a professional career, and wishing to indulge his inclination to ramble about the world at the same time, he accepted an engagement in a minstrel company setting out for Launceston in 1851.
With this troupe, the first regularly organised minstrel combination to visit Tasmania, Mr. Kitts travelled through Australia, the East Indies, the Calcutta, Madras and Bombay presidencies and Ceylon, finally returning to Australia in 1853. After two years in the colonies he again started for India and the East, first visiting Mauritius. While on this tour he had the disastrous experience of being shipwrecked through the vessel - the barque Eleanor, bound for Mauritius with a cargo of sugar - being caught in a hurricane and dismasted. It was an anxious time for everyone on board, as all hands had to engage in working the pumps and endure great discomfort. None worked harder than the minstrel troupe, and though the cheer that issued from their lips, as they at last got the barque into port, had a starved and weary sound about it, their fellow passengers never forgot their powers of endurance.
The close of 1855 saw Mr. Kitts again in Sydney, where he seceded from the minstrels, and joined the late Madame Anna Bishop's company. This was the commencement of his Australian operatic career. He remained in that company for nearly a year, and then became the business manager of the first recognised dramatic stars that came to the colonies - Mr. and Mrs. Stark. On their leaving for America, Mr. Kitts fulfilled a number of musical engagements in Melbourne and the gold fields. He did not, however, allow himself to be beguiled into any more gold-seeking, as his Californian experiences had made too vivid an impression to be easily effaced. Mr. Kitts next became associated with the late Mr. Farquhurson, the well-known basso, as business manager, and after another run through the colonies, he visited India for the third time, returning to Australia about 1858.
Three years afterwards the late Mr. W. S. Lyster arrived in Melbourne with Madame Escott, Rosalie Durand, Georgia Hodson, Ada King, and Henry Squires. To these celebrities were added Farquharson, Wharton, Armes Beaumont, and others, among them Mr. Kitts, who, in his capacity as second basso, filled many important parts . . .
In 1864 [sic, 1868] Mr. Kitts, with the Lyster company, set out for his native land after an absence of eighteen years. The term in San Francisco was, however, a fiasco, as the company arrived in the rainy season, and just after the townsfolk had been terrified by an earthquake, while, to add to the general gloom, small-pox was raging everywhere. Mr. Kitts remained in the United States until 1870, when he visited England for the first time, not from any desire to secure an engagement, but simply to see the country. While in London some friend was good enough to introduce him to a representative of a Melbourne newspaper, and this gentleman immediately commenced an interview after the approved style. "Hum," said the pressman, "You wish to get an engagement on the London stage?" Mr. Kitts up till then Mr. Kitts had never entertained a notion about appearing in London, for the sufficient reason that he did not consider he had any chance, but the journalist's query gave birth to a new hope. "Oh, yes," he replied, "I'd like to do something in London if I could." "Let me see, Mr. Kitts, I may be able to help you. Where have you - ha - studied?" It would have been anything but wise to have admitted to commencing an operatic career in a minstrel company and it would be worse to say he made his start in Madame Anna States' chorus; so, putting a bold face on the matter, Mr. Kitts gravely informed his interlocutor that he had studied in the "Geelong Conservatoire," The gentleman sharply eyed the Australian traveller, and, dimly aware that a hoax was being practised upon him, said that he would be very happy to assist Mr. Kitts in obtaining a London engagement, but that he could not say anything definite just then; and so the interview ended.
After six mouths in England, Mr. Kitts returned to Melbourne at the close of 1870, and again joined the Lyster company, appearing as Gessler in William Tell at the old Princess Theatre. After a long season theree with Madame Simonson, as prima donna, this being really the commencement of opera bouffe in Australia, Mr. Kitts became business manager and treasurer for Mr. Lyster . . . Mr. Kitts remained with Mr. Lyster until his [Lyster's] death, enjoying his friendship and esteem for nearly twenty years. On retiring from the Opera House, Mr. Kitts was unanimously accorded a benefit - the occasion being rememberable as Mr. Lyster's last appearance in public. The love of theatrical life however would [page 4] not allow Mr. Kitts to remain long in private, and in little more than a year he was in his old haunts as manager . . .
As a raconteur Mr. Kitts shines, and many of his anecdotes have found their way into print. During his long association with the stage he has been called on to play parts, and to undertake many duties; at one time having to rush from the "front of the house" to the stage to take some absentee's place; at another acceding to a request to read the burial service over an Italian vocalist, De Antoni, who died at sea; or, as when the Derwent struck on some rocks near the New Zealand coast - the Lyster Opera Company being on board - Mr. Kitts had to keep a cool head himself and act as guide, philosopher and friend amongst the excited throng. It is a curious coincidence in his career that he was in India at the time of the Mutiny, in the United States at the close of the Civil War, just as peace was declared, and in Paris during the Franco Prussian War. Mr. Kitts was married in 1871, and has two children - a son and a daughter - both possessing musical ability, which is receiving every attention. The son has, however, decided on qualifying himself for the legal profession.

"DEATHS", The Argus [Melbourne, VIC] (31 March 1894), 1

http://nla.gov.au/nla.news-article8733176

KITTS. - On the 30th inst., at his residence, 210 Station Street, Carlton, J. E. Kitts, for many years theatrical manager.

[News], The Lorgnette [Melbourne, VIC] (1 April 1894), 2

http://nla.gov.au/nla.news-article212767096

We regret to announce the somewhat sudden death of Mr. J. E. Kitts ("Jim,") which took place at his residence on Friday, 30th March. Mr. Kitts was a well-known basso vocalist and theatrical manager. He made his first appearance in Melbourne with Totten's Harmoneons at the Criterion Hall, April 1854, and was afterwards associated with the San Francisco Minstrels. During the late W. S. Lyster's operatic management in Australia, Mr. Kitts was engaged as basso and afterwards as treasurer. Since that time he had the management of Miss Myra Kemble and other companies on tour. At the time of his death he was associated with the Alexandra Theatre.

"DRAMATIC AND MUSICAL NOTES", Launceston Examiner [TAS] (4 April 1894), 3

http://nla.gov.au/nla.news-article39503144

The tidings of the death of Mr. J. E. Kitts, who was so well-known in theatrical circles, will be received with regret by the many Tasmanians who knew the genial old fellow. He landed originally from California at George Town in a brig somewhere in the fifties, and was a member of one of the very first Christy Minstrel companies that appeared in this city. Subsequently for a number of years he was connected with the Melbourne Opera House, when that place of amusement was under the management of the late William S. Lyster. Of late years Mr. Kitts frequently visited Launceston, the last time as a business manager for Miss Myra Kemble.

"MUSICAL NOTES", Evening Journal [Sydney, NSW] (28 April 1894), 5

http://nla.gov.au/nla.news-article200772921

Still another popular vocalist has joined the great majority - Mr. J. E. Kitts. He was a prominent member of Lyster's Opera Company, and in such parts as Leporello in "Don Giovanni," the Mayor in "Martha," and the old soldier in Meyerbeer's "Huguenots" he was unsurpassed by any of his contemporaries. His singing of Martin Luther's hymn -
Great God, what do I see and hear?
The end of things created -
in the last-named opera will never be forgotten by those who heard it. His first appearance in Australia was with Hotten's Harmoneans [Totten's Harmoneons] in the fifties. For many years he was Treasurer for Mr. Lyster, and at the close of his busy life he was connected with the Alexandra, Melbourne.

"OLD SYDNEY. ITEMS OF INTEREST . . . " Ben Bolt's" First Appearance in Sydney - Tenor White and Jim Kitts - The New York Serenaders . . . (BY 'OLD CHUM')", Truth (3 July 1910), 9

http://nla.gov.au/nla.news-article201754377

. . . One well acquainted with Old Sydney from the early forties writes -
"Dear Old Chum . . . Let me give you the history of 'Ben Bolt' in so far as New South Wales is concerned. In the early fifties - I think '53 - there came to Sydney a company of minstrels - they were called the New York Serenaders - and they gave a series of concerts at the Royal Hotel, George-street. One of the members, a Mr. White, sang 'Ben Bolt,' and it 'caught on,' and became very popular, so much so that I think the Australian Steam Navigation Company had a steamer called by the name. White was a compositor. How I know is that he came into Clayton's office, where I was serving my apprenticeship. The office was in Castlereagh-street. He asked me for the loan of my 'stick' - just to see if he had forgotten the 'boxes' - and 'set up' a couple of lines of the 'copy' I was on - some of Dr. Lang's, by the way. 'Jim' Kitts, afterwards a theatrical agent, and mixed up with William Saurin Lyster, was one of the 'original New York Serenaders,' and if I mistake not, so was J. M. Foans, who afterwards kept the Shakespeare Tavern in Pitt-street . . ."

ASSOCIATIONS: Joseph Michael Forde ("Old Chum"); M. W. (Bill) White (serenader) was correctly a member of Rainer's Serenaders (troupe), as also was James Milton Foans (minstrel)

Bibliography and resources:

Harold Love, The golden age of Australian opera: W. S. Lyster and his companies 1861-1880 (Sydney: Currency Press, 1981), passim

https://trove.nla.gov.au/work/25720103

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 121, 128, 131, 174

https://trove.nla.gov.au/work/32587155

KLAUER, Frederick William Augustus (Friedrich Wilhelm August KLAUER; Frederick William Augustus KLAUER; August KLAUER; also KLAUR)

Musician, cornet player, band leader, bandsman, composer, arranger, publican

Born Gloina, Saxony-Anhalt (Germany) (or Yorkshire, England, of German parents), 1829
Arrived Melbourne, VIC, by 1854
Active Adelaide, SA, by December 1864
Married Eliza Ann RUTTER (1839-1902; widow TAYLOR), St. Luke's church, Adelaide, SA, 27 October 1871 (common law by c. 1865)
Died North Adelaide, SA, 17 August 1906, aged "76"

https://trove.nla.gov.au/search?l-publictag=Frederick+William+Augustus+Klauer+1829-1906 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KLAUER-August (shareable link to this entry)

Frederick William Augustus Klauer, c. 1880; State Library of South Australia

https://trove.nla.gov.au/work/258818708 (DIGITISED)

See also [Illustration] "Mr. F. W. A. Klauer", Observer (25 August 1906), 27

http://nla.gov.au/nla.news-article163075671

[Illustration] "THE LATE MR. F. W. A. KLAUER", Chronicle (25 August 1906), 31

http://nla.gov.au/nla.news-article88118521

Documentation:

? "MRS. CHISHOLM AT THE DIGGINGS", The Age [Melbourne, VIC] (13 November 1854), 4

http://nla.gov.au/nla.news-article154851745

On Friday evening a public Soiree was held in the Hall of Castlemaine (kindly granted by Messrs. Hitchcock and Co.) for the purpose of entertaining Mrs. Chisholm, who is now on a visit to the diggings. About 350 persons were present, including about thirty ladies. An excellent tea was served by Mr. Barnes, and among other attractions of the evening, which passed off as pleasantly as could be desired, was a band of German musicians, who sang and played a selection of their national melodies so skilfully as frequently to elicit applause from the admiring company . . .

[Advertisement], The Border Watch [Mount Gambier, SA] (19 November 1864), 2

http://nla.gov.au/nla.news-article77009579

Look Out! They are coming!
ADAMS' GREAT AMERICAN CIRCUS Will exhibit at Mount Gambier on
MONDAY, TUESDAY and WEDNESDAY, November 21st, 22nd and 23rd . . .
Herr Klaur's Band will be in attendance.
- H. P. LYONS, Agent.

ASSOCIATIONS: Harry Percival Lyons (agent)

[Advertisement], South Australian Register [Adelaide, SA] (12 December 1864), 1

http://nla.gov.au/nla.news-article39127523

TOUR OF THE WORLD.
ADAMS'S GREAT AMERICAN CIRCUS, from India.
Sole Proprietor . . . MR. HENRY ADAMS . . .
Herr Klaur's Band will be in attendance . . .

"THE VOLUNTEER FORCE", South Australian Register (10 July 1866), 3

http://nla.gov.au/nla.news-article41024673

Four companies of volunteers - two of cavalry and two of infantry - have been formed under the new regulations . . .
No. 1. Infantry Company . . . Privates: -
. . . George John Freeman . . . Theodore Heydecke . . .
August Klauer . . . Thomas Green Pappin . . .
William Stratton, William Henry Stratton . . . William Sumsion . . . George Vincent . . .

ASSOCIATIONS: George John Freeman (bandsman); Theodor Heydecke (bandsman); Thomas Green Pappin (bandsman); William Stratton and son (bandsmen); William Sumsion (bandsman); George Vincent (bandsman); Adelaide Regimental Band (group)

"THE GALATEA BAND", South Australian Register (25 April 1868), 6

http://nla.gov.au/nla.news-article39179063

. . . Mr. August Klauer, a private in the Adelaide Regimental Band, arranged and forwarded to the Duke of Edinburgh one or two pieces of music for the Galatea Band, one of which - The Queen's Letter - His Royal Highness requested to be supplied with. The following answer has been received by Mr. Klauer from Lieutenant Haig, Equerry-in-Waiting: -
"Sydney, April 1, 1868.
Mr. Augustus Klauer, musician, Adelaide.
Sir - I am desired by H. R. H the Duke of Edinburgh to acknowledge the receipt of your letter of the 17th March, and to thank you for the music which you presented to His Royal Highness.
I am, Sir, your obedient servant,
A. E. Haig, Equerry-in-Waiting."

ASSOCIATIONS: Alfred (royal visitor, prince, duke, commander of the Galatea)

"FORESTER'S FUNERAL", South Australian Register (13 May 1868), 2

http://nla.gov.au/nla.news-article39185863

On Monday afternoon the remains of Brother Pfaendler, of Court Perseverance, No. 2221, A.O.F., were interred in the West-terrace Cemetery. The deceased was followed by a large number of the brothers of the Court, also a number of Druids. The procession was headed by the Foresters' Band, which appeared for the first time in public, and we can congratulate the Order of Foresters on having a Band that promises so well. It has progressed rapidly under the able tuition of Mr. A. Klaur [sic].

[Advertisement], The Express and Telegraph (21 May 1868), 3

http://nla.gov.au/nla.news-article207738471

Found, a plaid shawl. Apply to Mr. A.. Klauer, Musician, Topham-street, Adelaide.

"FUNERAL OF THE LATE MR. G. LODER", South Australian Register (17 July 1868), 2

http://nla.gov.au/nla.news-article41407162

The remains of the late Mr. Geo. Loder, the well-know composer and professor of music, were interred in the West-terrace Cemetery on Thursday afternoon, July 16. Through the very short notice of the funeral the number of mourners was much smaller than it would no doubt otherwise have been. At noon the cortege started for its destination from the late residence of the deceased, North-terrace, the hearse being followed by two mourning coaches and six private vehicles . . . The burial service was read by the Rev. James Pollitt. At the Cemetery, adjoining the grave, were stationed the following members of Schrader's Band: -
Messrs. F. Heydecke, C. Howson, A. Klauer, T. G. Pappin. and G. Vincent. As the procession neared the appointed spot the musicians performed a dirge composed by the late Theodor Heydecke. Subsequently they executed the sacred German composition "Nacht und Nacht."

ASSOCIATIONS: George Loder (musician, deceased); Heinrich Schrader (band leader); Fritz and Theodor Heydecke (bandsmen, the latter deceased, as above); Charles Edwin Howson (bandsman); Thomas Green Pappin (bandsman, as above); George Vincent (bandsman, as above)

[Advertisement], The Express and Telegraph (29 August 1868), 3

http://nla.gov.au/nla.news-article207676162

Grand evening QUADRILLE ASSEMBLY,
On Monday next, August 31, at 8 o'clock, at
HINES'S ASSEMBLY ROOMS. Tickets, single and double,
2s. 6d., to be had at the rooms.
Mr. R. J. White, Violinist, Mr. Pybus, Pianist,
and Mr. A. Klauer, Cornet, has been engaged expressly for the above assembly.

ASSOCIATIONS: Richard Baxter White [sic] (violin); William Richard Pybus (piano)

[Advertisement], The Express and Telegraph (6 November 1868), 1

http://nla.gov.au/nla.news-article207677711

P. HINES'S ASSEMBLY ROOMS.
PRINCE OF WALES'S BIRTHDAY. A BALL will take place at the above Rooms
on Monday, November 9, in commemoration of the above event.
HINES'S QUADRILLE BAND, Consisting of
Mr. R. J. WHITE, Violinist
Mr. PYBUS, Pianist
Mr. KLAUER, Cornet
Mr. N. PROCTOR, Flute
Mr. C. HOWSON, Contra-Bass
wil play the following programme, being a portion of the newest music of the day,
and bought expressly by Mr. Hines for his band: -
1. Quadrille - "Como."
2. Valse - "Mabel."
3. Lancers - "Duke of Edinburgh."
4. Galop - "MayFair."
5. Caledonians - "Musard."
6. Polka Mazourka - "Lover and the Bird."
7. Quadrille - "Gorilla."
8. Polka - "Frozen Fountain."
9. Lancers - "Rhine Wine."
10. Valse - "Lurline."
11. Quadrille - "A Lady's No."
12. Galop - "Glorioso and Harmony."
13. Lancers - "Coote's Cure."
14. Valse - "Corn Flower."
15. Quadrille - "Punch and Judy."
16. Schottische - "Adelaide."
17. Caledonians - "Old."
18. Galop - "Tramp."
19. Quadrille - "Blue Beard."
20. Valse - "Hilda."
21. Lancers - "Merry Tunes."
22. Polka - "Jolly Dogs."
23. Galop - "The Wind-Up."
Admittance only by ticket. Tickets, single 4s.; double, 5s.
- R. J. WHITE, Professional, Leader.

ASSOCIATIONS: Nicholas Proctor (flute); Charles Edwin Howson (double bass, as above)

"TOPICS OF THE DAY", The South Australian Advertiser (23 April 1870), 2

http://nla.gov.au/nla.news-article28591024

On Friday evening, April 22, a concert for the benefit of a German family in distress was given at the Hotel Europe. The programme was sustained by Messrs. Hall, Schrader, Heydecke, Klauer, Chapman, Howson, Jarvis, Weber, Proctor, Weidenhofer, Pappin, Vincent, Waite, and Stratton, as instrumentalists, and efficient service was rendered in the vocal portions by the Liedertafel, under the leadership of Mr. Chas. Puttmann. It consisted of selections of operatic and other high-class music, and in every respect the concert was an admirable one. The laudable object for which it was given met with a hearty response, the lately enlarged and suitable hall being nearly filled.

ASSOCIATIONS: John Thomson Hall (leader, violin); William Chapman (musician); Thomas Jarvis (musician); Peter Weber (musician); Dietrich Heinrich Weidenhofer (musician); Charles Puttmann (conductor); Adelaide Liedertafel (group)

[Notice], The South Australian Government Gazette (13 August 1874), 1584

https://www.ancestry.com.au/imageviewer/collections/1975/images/31212_178259-01615?pId=4970 (PAYWALL)

Chief Secretary's Office, Adelaide, August 5, 1874.
RETURN . . . of Aliens who have taken the oath of allegience . . .
and whose certificates of naturalization are ready for delivery . . .: -
. . . Klauer, Friedrich Wilhelm August / Adelaide / Licensed victualler . . .

"The Late George Loder", Evening News [Sydney, NSW] (2 May 1879), 2

http://nla.gov.au/nla.news-article107151897

A neat, plain gravestone has recently been erected in the West-terrace Cemetery over the remains of Mr. G. Loder and his wife, says the South Australian Register of April 23. A large number of the colonists of the present day will not know who Mr. Loder was, as it is nearly eleven years since he died. He was one of the most talented composers and professors of music we ever had in the colony, and a few of his old friends not liking to see his grave unmarked by any kind of monument, had it neatly railed in with ironwork-cast by Messrs. Forwood and Down, and ornamented with Masonic emblems, Mr. Loder having belonged to the craft. The headstone bears the following inscription: - "In memory of George Loder, professor and composer of music, died July 15, 1868, aged 54 years; also of Emma Jane, his beloved wife, died December 5, 1867, aged 26 years." Messrs. F. W. A. Klauer, of the White Hart Hotel, Hindley street; Mr. John Hall, leader ef the orchestra of the Theatre Royal; and Mr. Sebastian Hodge, of the Bass Hotel, Pitt-street, Sydney, collected subscriptions, and contributed to show this mark of respect to their old friend.

ASSOCIATIONS: John Thomson Hall (musician, Adelaide, as above); Sebastian Hodge (musician, Sydney)

"DEATH OF MR. F. W. A. KLAUER. A STIRRING CAREER", The Register (18 August 1906), 7

http://nla.gov.au/nla.news-article57014510

Mr. Frederick William Augustus Klauer, late landlord of the White Hart Hotel, Hindley street, died on Friday evening at the North Adelaide Private Hospital. The deceased, who was 76 years of age, was for over 20 years a member of the Adelaide City Council. Born at Gloina, Germany, in 1829, at the age of 19 he enlisted in the Kaiser's army, and saw considerable service in skirmishes against the revolutionary Socialists. At Baden he was present at the taking of Restadt. He there received a bayonet wound in the thigh. Mr. Klauer afterwards spent some months in England and the United States, but hearing glowing accounts of Australia, returned to Liverpool and took a passage for Melbourne as a member of a German band, his funds having become exhausted.

He walked from Geelong to Ballarat, and there joined a band which was formed in connection with the Eureka Stockade incident, to play the diggers up to the scene of what proved a tragic encounter with the Government troops. At the Ovens diggings subsequently his party struck a pocket of gold and took out 80 oz. A run of luck followed, and each of the four men made £500 in a month. Mr. Klauer next went to the Indigo diggings, and there had a narrow escape with his life, for through the falling of a prop he was buried four hours in the drive. A boulder fell over him, and just allowed room for him to breathe. Returning from the Crackenback diggings his party was snowed up for three days at the loot of Mount Kosciusko. The deceased was present at Lambing Flat, now the township of Young, when a riot occurred between Chinese and English diggers, and the former were burned out of their tents by the latter. Several diggers were wounded with sabre cuts inflicted by the police, and a bullet fired by a trooper struck a prop against which Mr. Klauer was leaning. The deceased used to tell many interesting stories of the old mining days . . . Mr. Klauer returned to the Ovens from Lambing Flat, and there lost every penny of his money on a claim, at Christmas Town, near Rutherglen. He moved from place to place on the various fields, and recovered his lost fortune to some extent.

Then he joined an American circus, with which he came to Adelaide. His musical instinct led him to join the Theatre Royal orchestra, and he also played in other bands. Mr. Klauer was landlord successfully of the Clarendon, the Lady Fergusson, and the White Hart Hotels for over 30 years, and was the oldest publican in Adelaide. He was a prominent Freemason, having been a Past Master of the Duke of Leinster Lodge, Provincial Sub-Prior of the Knights of St. John of Jerusalem, Palestine, Rhodes, and Malta, and a Grand Prelate of the Order of Knight Templars.

See also obituary in German, [News], Australische Zeitung [Adelaide, SA] (22 August 1906), 6

http://nla.gov.au/nla.news-article230773162

"BAND ASSOCIATION", The Advertiser (21 August 1906), 9

http://nla.gov.au/nla.news-article5094129

. . . The secretary was instructed to send a letter of condolence to Mr. E. Klauer on the death of his father . . .

"OBITUARY", Chronicle (25 August 1906), 47

http://nla.gov.au/nla.news-article88118692

Mr. Frederick William August Klauer of Hilton, died at the North Adelaide private hospital on August 17. Mr. Klauer, who was born of German parents in Yorkshire 76 years ago, was one of the best known men in Adelaide. For many years he kept the White Hart Hotel in Hindley-street and for two decades he represented Gawler ward in the Adelaide City Council. He was a great supporter of manly sports, especially rowing, and he identified himself also with the Locomotive Band, which he accompanied last year to the Ballarat competitions. He had for some years lived a retired life on his estate at Hilton, but be still retained interests in various commercial enterprises in the city. He will be greatly missed in many quarters, his genial disposition making him a general favorite.

KLEIN, John (Johannes KLEIN; John KLEIN, J. KLEIN; Mr. KLEIN; Herr KLEIN)

Musician, violinist, violin and viola player, watchmaker

Born Hoechst, Frankfurt am Main (Germany), c. 1832
Married Juliana ? HOELTER (1833-1880), Herdecke (RC), Westfalen (Germany), 12 May 1853
Arrived Sydney, NSW, 13 November 1856 (per Reihersteig, from Hamburg)
Died Sydney, NSW, 19 October 1873, aged "41/42"

https://trove.nla.gov.au/search?l-publictag=John+Klein+d1873 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KLEIN-John (shareable link to this entry)

Summary:

Watchmaker, jeweller and talented amateur violinist, John Klein, and his wife Julia, arrived in Sydney in November 1856, on the Reihersteig, in a party of 116 German immigrants from Hamburg.

Klein probably joined the Sydney Philharmonic Society during 1857, for it was with two of the society's leading members, violinist John Deane and his cellist brother Edward Smith Deane, that he appeared, for Miska Hauser, playing viola in a complete performance of Mayseder's First string quintet in December, with Charles Eigenschenck as the other viola player.

In March 1858, he played viola again in another chamber music performance, for violinist Julius Haimberger, in Mendelssohn's Second piano quartet, with pianist Charles Packer and Edward Deane again on cello.

Having been naturalised as a British subject in December 1858, Klein moved his business to Queensland. He settled first at Toowoomba in mid 1859, and gave several concerts there over his four year stay.

He moved into Brisbane in 1863, and in December, he appeared in two concerts given by Maria Kramer and Julius Kopp, performing Kalliwoda's Duo concertante for two violins with the latter. According to the Courier review, Klein had returned to Sydney to play in the orchestra for at least one recent season there of the Lyster Opera Company.

In April 1864, Klein's Brisbane business premises were among dozens destroyed in a huge fire. He returned to Sydney a few months later, and appeared in a concert with Julius Haimberger and his family in July. Later that year he appeared in a concert given by William John Cordner. He was declared insolvent in August 1867, and his tools of trade and household furniture were auctioned off in September.

Nevertheless, in December the following year, 1868, he led a large orchestra that played under the baton of Carl Schmitt for a charity concert, as well as appearing at a second concert performing a duo for violin and piano with Charles Edward Horsley.

He appeared in at least two concerts in 1870 for the Sydney Philharmonic Society (which he had may have rejoined on returning to Sydney), in the first, with a lady amateur pianist and cellist Edward Smith Deane, performing the two middle movements (Andante and Capriccio) from the Piano trio no. 1, op. 25, by Carl Reissiger.

His eldest daughter, Emma Louisetta Victoria (born 1858) died in Sydney on 27 May 1878, and his widow, Julia (also Juliana), died on 9 February 1880, aged 45/46.

Documentation:

? Marriages, Herdecke (RC), Westfalen, Prussia; Germany, select marriages

https://www.ancestry.com.au/search/collections/9870/records/785081 (PAYWALL)

12 May 1853 / Johann Wilhelm Klein / Juliana Hoelter

"SYDNEY LABOUR MARKET", The Sydney Morning Herald [NSW] (15 November 1856), 2 supplement

http://nla.gov.au/nla.news-article28636244

The only arrival of immigrant ships during the week is the Reihersteig, with 116 Germans, from Hamburg . . .

[Advertisement], The Sydney Morning Herald (17 December 1857), 1

http://nla.gov.au/nla.news-article13004073

MISKA HAUSER has the honour to announce that he will give a Grand Instrumental Concert
THIS EVENING, December 17th, at the Concert Hall, Royal Hotel.
PROGRAMME. - PART I.
Quintetto - Mayseder - for two violins, two altos, and violoncello -
Allegro, Adagio, Scherzo, Finale
- MISKA HAUSER, Messrs. Klein, J. Deane, E. Deane, and C. Eigenschenk . . .

ASSOCIATIONS: Miska Hauser (violin); John Deane (violin); Edward Smith Deane (cello); Charles Eigenschenck (viola); Royal Hotel (Sydney venue)

MUSIC: String quintet no. 2 in A minor (Mayseder, op. 51)

"MISKA HAUSER", Bell's Life in Sydney and Sporting Reviewer (19 December 1857), 3

http://nla.gov.au/nla.news-article59867878

This talented violinist gave his first concert since his return at the Royal Hotel, on Thursday last, to a large and delighted audience. The brothers Deane, M. Boulanger, M. Eigenschenck, M. Klein, and Signor Cavallini assisted on the occasion. The choice selections which formed the bill of fare for the evening's entertainment were rendered with a sweetness and accuracy which called forth unbounded applause.

ASSOCIATIONS: Edward Boulanger (piano); Pompeo Cavallini (clarinet)

[Advertisement], The Sydney Morning Herald (22 March 1858), 1

http://nla.gov.au/nla.news-article13007843

AT THE SCHOOL OF ARTS, THIS EVENING, March 22,
under the distinguished patronage of his Excellency the GOVERNOR-GENERAL and Lady DENISON.
A Grand CONCERT will be given by Madame HAIMBERGER, late Kramer, and Mademoiselle KRAMER, the celebrated Alpine and Tyrolese Minstrels;
and Mr. JULIUS HAIMBERGER, violin solo player, member of the Conservatories of Leipzig and Vienna . . .
PROGRAMME . . . PART II . . .
1. Introduction - Allegro from Mendelssohn's Grand Quartett, Op. II. -
Pianoforte, Mr. Charles S. Packer; violin, Mr. J. Haimberger;
viola, Mr. J. Klein; violoncello, Mr. E. Deane - Mendelssohn . . .
5. Adagio from Mendelsshon's Grand Quartett Op. II . . . viola, Mr. J. Klein . . .
8. Intermezzo and Finale of Mendelssohn's Grand Quartett Op. II . . . viola, Mr. J. Klein . . .

ASSOCIATIONS: Julius and Margaretha Haimberger (violinist and vocalist); Marie Kramer (vocalist); Charles Sandys Packer (piano); Mechanics' School of Arts (Sydney venue)

MUSIC: Piano quartet no. 2 (Mendelssohn, op. 2)

"THE ALPINE AND TYROLESE MINSTRELS", Bell's Life in Sydney and Sporting Reviewer (27 March 1858), 2

http://nla.gov.au/nla.news-article59868425

The first of a series of concerts, announced by the above artistes, took place at the School of Arts on Monday evening last, when a highly select, although not very numerous, audience were assembled . . . The quartettes executed by Messrs. Packer, Haimburger, Klein, and E. Deane, were excellent . . .

Certificate to naturalise, John Klein, 14 December 1858; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1549/records/8629 (PAYWALL)

. . . that John Klein is a native of Hoechst, near Frankfurt on M. is twenty eight years of age,
and having arrived by the ship Reihersteig in the year 1856 he is now residing in Sydney and intending to settle in the said colony . . .
GIVEN . . . this [14 December 1858] . . .

[Advertisement], The Sydney Morning Herald (17 January 1859), 8

http://nla.gov.au/nla.news-article13011490

J. KLEIN, Practical Watch and Clock Maker, 11, Barrack-street, next to the Savings' Bank.

[Advertisement], The Darling Downs Gazette and General Advertiser [QLD] (4 August 1859), 1

http://nla.gov.au/nla.news-article75525221

John Klein, PRACTICAL WATCH AND CLOCK MAKER AND JEWELLER,
BEGS respectfully to intimate to the inhabitants of Toowoomba and Drayton, that he has always on hand a select stock of
JEWELLERY OF EVERY DESCRIPTION to suit the taste of the public.
Toowoomba, 26th July, 1859.

[Advertisement], The Darling Downs Gazette (27 February 1862), 3

http://nla.gov.au/nla.news-article75467350

GRAND CONCERT, On SATURDAY AND MONDAY EVENINGS, 1st and 3rd of March.
MESSRS. KLEIN AND MASS Will give lyrical entertainments
on the above evenings, at the ARGYLE ROOMS, TOOWOOMBA.
PROGRAMME. PART 1. OVERTURE (Selections of Operas.)
SONG (The Standard Bearer) - Mr. MASS [sic, Maas]
SOLO (for Violin) (Beriot) - Mr. KLEIN
SONG (We Meet by Chance) (Boley) - Mr. MASS
Carnival of Venice (to be whistled) - Mr. MASS
Intermission of 15 minutes.
PART 2. SOLO (for the violin) (Potpourri) - Mr. KLEIN.
SONG (Tempest of the Heart) (Lavenu) - Mr. MASS.
SOLO (for the Guitar and Violin) (Rode) - KLEIN & MASS
SONG (When the Swallow.) - Mr. MASS.
OVERTURE, from Norma (to be whistled) - Mr. MASS . . .

ASSOCIATIONS: Bernhard Maas (vocalist, whistler)

"THE CONCERTS AT THE ARGYLE ROOMS", The Darling Downs Gazette (6 March 1862), 3

http://nla.gov.au/nla.news-article75467310

Concerts were given by Messrs. Klein and Mass, on Saturday and Monday nights last, at the Argyle Rooms, pursuant to advertisement. The attendance was not so good as at the last concerts. Mr. Klein as usual was great and attractive on the violin. Mr. Mass appears to play and sing with some taste. His whistling is clever and astonishing, but after all - whew! it's only whistling, though that we confess of a cultivated sort. We believe that Mr. Klein made a mistake in announcing a concert, and having so few performers. True, he is a host in himself, but were he Paganini, he could not sustain the music himself all the evening. And the audience felt ennuied during the intervals between the alternate pieces of Messrs. Klein and Mass. There should either be more performers than two, or some sort of music for the intervals.

[Advertisement], The Courier [Brisbane, QLD] (19 December 1863), 4

http://nla.gov.au/nla.news-article3167552

ASSOCIATIONS: Maria Kramer (vocalist, as above); Julius Kopp (violin); Paul Cole Atkinson (piano)

[News], The Courier (22 December 1863), 2

http://nla.gov.au/nla.news-article3167572

The concert given by Miss Kramer and Mr. Julius Kopp, last evening, !n the School of Arts was a very excellent one . . . [Kopp] was very ably assisted by Mr. J. Klein (of Brisbane) in a beautiful and familiar composition of Kallivoda, arranged as a violin duett, and which was encored. This was Mr. Klein's first appearance before the Brisbane public, and we hail it as the forerunner of many similar treats to that with which he favored us on the present occasion . . .

[News], The Courier (23 December 1863), 2

http://nla.gov.au/nla.news-article3167599

. . . Mr. Klein re-appeared and confirmed the good opinion we before expressed of him. We have been informed that this gentleman was well connected with the orchestra of the Prince of Wales Opera House, at Sydney, during the sojourn of the Lyster troupe in that city . . .

ASSOCIATIONS: Prince of Wales Theatre (Sydney venue); Lyster Opera Company (troupe)

[News], The Brisbane Courier (15 November 1864), 2

http://nla.gov.au/nla.news-article1264417

THE Campbell Minstrels gave their farewell performance in Brisbane last evening, to a very crowded house . . . A novelty in the entertainment was the performance of a violin solo, by Herr Klein, an amateur, who certainly possesses musical ability of a very high order . . .

ASSOCIATIONS: Campbell Minstrels (troupe)

"MR. CORDNER'S CONCERT", Empire [Sydney, NSW] (10 October 1866), 5

http://nla.gov.au/nla.news-article60600840

The hall of St. Mary's Seminary was filled last night on the occasion of the complimentary concert given to Mr. Cordner, the well-known musician and conductor of St. Mary's choir . . . Mrs. Cordner, whose singing needs no praise, was encored in her song of "Love's bequest," and Mr. J. Klein played a violin solo - "Il Pirata" - very well, so far as mere correctness was concerned, but during his performance one could not but feel that the soul of the king of instruments slumbered. He lacked the magician hand to waken it and make it penetrate the heart. But a great violinist, like a poet, cannot be made . . .

ASSOCIATIONS: William and Ellen Cordner (conductor and vocalist); St. Mary's cathedral (Sydney)

"INSOLVENCY COURT . . . SURRENDERS", The Sydney Morning Herald (17 August 1867), 5

http://nla.gov.au/nla.news-article13153852

John Klein, of Palmer-street, Sydney, watchmaker. Liabilities, £60 12s. 6d. Assets, £14 10s. Mr. Humphery, official assignee.

"IN INSOLVENCY", New South Wales Government Gazette (23 August 1867), 2081

http://nla.gov.au/nla.news-article225478522

In the Insolvent Estate of John Klein, of Palmer-street, Sydney, watchmaker . . . was, on the 16th day of August, 1867, placed under sequestration . . .

[Advertisement], The Sydney Morning Herald (19 September 1867), 7

http://nla.gov.au/nla.news-article28607615

In the Insolvent Estate of John Klein,
MR. H. VAUGHAN has received instructions from the Official Assignee to sell by auction, on FRIDAY, 20th instant, at 11 o'clock, on the premises, No. 312, Palmer-street South, Tools of trade, consisting of watchmakers' and jewellers' implements, Household furniture, counter, shelvings, Kitchen utensils and effects.

[Advertisement], The Sydney Morning Herald (31 October 1868), 3

http://nla.gov.au/nla.news-article13175077

FOR SALE an excellent Italian VIOLIN, in good condition. J. KLEIN, 14, Hunter-street.

[Advertisement], Empire (12 December 1868), 1

http://nla.gov.au/nla.news-article60830061

MASONIC HALL. TUESDAY, 15th December, 1868.
GRAND VOCAL AND INSTRUMENTAL CONCERT,
In Aid of the Funds of the CITY NIGHT REFUGE AND SOUP KITCHEN,
On which occasion the following ladies and gentlemen have kindly given their valuable services . . .
The Gentlemen forming the Orchestra.
Violins - Mr. Klein, Mr. Greenfield, Mr. Macracken, Mr. Neate, Mr. Delany, Mr. Delany, jun., Mr. Marshall, Mr. Bird.
Viola - Dr. Chas Horn, Mr. Schimmel, Mr. Salier.
Violoncello - Mr. Schimmel, Mr. Bain, Mr. Macracken.
Contra Basso - Mr. White.
Flute - Mr. Bailey.
Clarionette - Mr. Hodge, Mr. Hall.
Cornets - Mr. Gaffney, Mr. Richardson.
Horns - Mr. Tetterdale, Mr. Howley.
Trombone - Mr. Noroombe.
Fagotto - Mr. Wright; Tympani - Mr. Brady.
Conductor - Herr CARL SCHMITT.
Pianist - Mr. C. E. HORSLEY . . .

ASSOCIATIONS: Max William Greenfield [Greenfeld] (violin); John Delany senior and junior (violins); Charles Hermann Horn (viola); John Jabez Salier (viola); Sebastian Hodge (clarinet); Carl Schmitt (conductor); Charles Edward Horsley (piano); Masonic Hall (Sydney venue)

"MR. HOFFMANN'S CONCERT", The Sydney Morning Herald (1 January 1869), 5

http://nla.gov.au/nla.news-article13187279

A very excellent concert, for the benefit, of Mr. Hoffmann, whose talents as a vocalist are known and appreciated by many amateurs of the "gay science," was given at the Masonic Hall last night. The audience was not so large as Mr. Hoffmann's friends could have desired, but the paucity of the attendance was no doubt owing to the many counter attractions afoot on New Year's Eve, and not to want of taste on the part of the public. The performances were excellent. Mr. Horsley played several piano solos in splendid style, and a duet with Mr. Klein, who played the violin . . .

ASSOCIATIONS: Henry Hoffmann (vocalist)

[Advertisement], The Sydney Morning Herald (4 February 1869), 8

http://nla.gov.au/nla.news-article28420627

FOR SALE, a good old Italian VIOLIN, at a very low price. J. KLEIN, 14, Hunter-street.

"PHILHARMONIC CONCERT", Evening News [Sydney, NSW] (22 December 1869), 2

http://nla.gov.au/nla.news-article107126448

The fourth concert of the season took place last evening, and some choice selections of music were delightfully rendered by a Corps de Concert, although, perhaps, not so large as usual, still fully equal to any that have been given in talent . . . The trio "Andante and Capriccio" [Reissiger, op. 25] by the second lady amateur on the piano, with Messrs. Klein and E. Dean, violin and violincello, was a choice morceau, skilfully rendered . . .

ASSOCIATIONS: Edward Smith Deane (cello, as above); Sydney Philharmonic Society (association)

[Advertisement], The Sydney Morning Herald (30 May 1870), 8

http://nla.gov.au/nla.news-article13206062

PHILHARMONIC SOCIETY . . .
Conductor: Mr. John Deane. Accompanist, Mr. W. J. Cordner.
SECOND CONCERT OF THE SEASON, In the Hall of the Exchange, TUESDAY, 31at May, 1870.
PROGRAMME. 1. Grand Overture de Concert, "No. 12" - Carl Schmitt . . .
Part 2. 1. Overture - "Der Freyschutz" - Von Weber.
2. French Laughing Song (Adelina Patti's) - Auber - Madame FANNIE SIMONSEN.
3. Solo violin (second air) - De Beriot with quartette accompaniment by members - Mr. JOHN KLEIN . . .

ASSOCIATIONS: Fanny Simonsen (vocalist); Exchange Hall (Sydney venue)

"INSOLVENCY COURT . . . SURRENDERS", The Sydney Morning Herald (30 May 1873), 2

http://nla.gov.au/nla.news-article13314784

John Klein, of Hunter-street, Sydney, watchmaker. Liabilities, £91 18s , of which £17 is secured. Assets, £23. Mr. Sempill, official assignee.

"IN INSOLVENCY", New South Wales Government Gazette (3 June 1873), 1589

http://nla.gov.au/nla.news-article223100334

In the Insolvent Estate of John Klein, of Hunter-street, Sydney, watchmaker . . . WHEREAS the estate of the abovenamed insolvent was, on the 29fch day of May, a.d. 1873, placed under sequestration . . .

"INSOLVENCY COURT. FRIDAY [4 July]", The Sydney Morning Herald (5 July 1873), 5

http://nla.gov.au/nla.news-article13316234

IN THE ESTATE OF JOHN KLEIN. A first and only meeting. Insolvent was not present, no debts were proved, the official assignee's report was lodged, and the meeting terminated.

"Deaths", The Sydney Morning Herald (20 October 1873), 1

http://nla.gov.au/nla.news-article13324962

At his residence, 19, Hunter-street, on the 19th instant, JOHN KLEIN, watchmaker, in his 42nd year.

"Deaths", The Sydney Morning Herald (21 February 1880), 1

http://nla.gov.au/nla.news-article13441726

KLEIN. - February 19, at her residence, 181, Macquarie-street, Julia, the beloved widow of the late John Klein, watchmaker, in her 46th year.

KLEIN, Max (Maximilian KLEIN; Max KLEIN)

Musician, violinist (Centennial Orchestra)

Born Norwich, England, 1858 (2nd quarter); son of Hermann KLEIN and Adelaide SOMAN
Active Australia, 1888
Died Cairo, Egypt, 14 October 1894, aged "36"

https://trove.nla.gov.au/search?l-publictag=Max+Klein+1858-1894 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KLEIN-Max (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

ASSOCIATIONS: Herman Klein (brother); Music at the Centennial Exhibition 1888 (event)

Documentation:

England census, 1861, Norwich, St. Andrew; UK National Archives, RG9/1218/6/5

https://www.ancestry.com.au/search/collections/8767/records/17349672 (PAYWALL)

28 Castle Meadows / Hermann Klein / Head / 33 / Professor of German / [born] Prussia (Natural British subject)
Adelaide Klein / Wife / 25 / - / Norwich
Hermann Klein / Son / 4 / [Norwich]
Maximillian Klein / Son / 3 / [Norwich]
Adabertha Klein / Dau. / 1 / [Norwich] . . .

"MUSICAL NOTES", The Express and Telegraph [Adelaide, SA] (27 October 1894), 6

http://nla.gov.au/nla.news-article209042163

Musical people will be sorry to hear of the death of Mr. Max Klein, violinist in the original Cowen orchestra. He suffered from consumption in Melbourne, and feared he should never outlive his brother Phillip, who died before him of the same disease.

KNIGHT, Troy (Richard Troy KNIGHT; Troy KNIGHT; T. KNIGHT; Mr. KNIGHT)

Musician, vocalist, banjo player, minstrel serenader, songwriter, composer

Born Camden, England, 4 February 1830; baptised St. Pancras Old Church, 11 September 1831; son of Thomas KNIGHT and Elizabeth STENNING
Arrived Melbourne, VIC, 24 February 1850 (per Lord Stanley, from England, 15 October 1849, via Adelaide 11 February 1850)
Married Mary COOKSON (1831-1891), Adelaide, SA, 2 September 1852
Died Rockwood, NSW, 1 August 1912, aged "82"

https://trove.nla.gov.au/search?l-publictag=Troy+Knight+1830-1912 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1893581 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNIGHT-Troy (shareable link to this entry)

Summary:

Troy Knight appeared in concert with Sara Flower, Joseph Megson and Thomas Reed in Geelong in March 1850. Among his own material, in Launceston in November 1850, he sang his ballad The fire fly ("written and sung by Troy Knight"), and in Adelaide in August 1853, Uncle Tom ("written, composed, and sung on this occasion only, by Troy Knight").

His sister, Harriette (Harriet Elizabeth Knight, 1828-1893; Mrs. William Lovelock), had been a fellow student with Sara Flower at the Royal Academy of Music in London.

Knight's 1902 and 1904 reminiscences (below) still serve as a detailed, and (surprisingly) mostly reliable, autobiography.

Documentation:

Baptisms solemnized in the Parish of Saint Pancras in the county of Middlesex in the year [1831]; register 1828-32, page 309;

https://www.ancestry.com.au/search/collections/1558/records/1916808 (PAYWALL)

No. 1460 / September 11th / Richard Troy / [son of] Thomas & Elizabeth / Knight / Cromer Street / Hair dresser / [born] 4 Feb'y 1830

ASSOCIATIONS: Thomas Knight and Elizabeth Stenning married at St. Leonard's, Shoreditch, on 2 April 1820

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register [Adelaide, SA] (13 February 1850), 2

http://nla.gov.au/nla.news-article38443043

Monday, February 11. - The barque Lord Stanley, 336 tons, McKay, master, from Gravesend 15th October, touching, at St. Jago on the 13th and sailing thence on the 18th November; with 104 passengers . . .
for Sydney . . . Jas. Redding . . . George and Charles Mason . . . ;
for Port Phillip . . . Richard Knight . . .

ASSOCIATIONS: James W. Reading (serenader); George and Charles Mason (serenaders)

[Advertisement], The Argus [Melbourne, VIC] (9 March 1850), 2

http://nla.gov.au/nla.news-article4767694

THIS EVENING, SATURDAY, MARCH 9.
MR. REED'S Grand Concert, GEELONG, AT Mack's Rooms.
MISS SARA FLOWER, MR. TROY KNIGHT,
MR. YOUNG, MR. MEGSON, MR. LORD,
MR. & MISS REED.

ASSOCIATIONS: Sara Flower (vocalist); Joseph Megson (musician); Thomas and Emma Reed (musician, father and daughter); Mack's Rooms (Geelong venue)

"Theatre", and "Den carry me back to ole Virgini", The Cornwall Chronicle [Launceston, TAS] (28 September 1850), 635

http://nla.gov.au/nla.news-article65974838

Troy Knight's singing, accompanied by the Banjo, has proved highly successful; he nightly improves in public favour . . .

"Den carry me back to ole Virgini." - This beautiful plaintive negro melody has been so much admired - with its American banjou accompaniments - as to induce the celebrated vocalist, Troy Knight, to give instructions either in singing or on the above instrument. His stay here will be limited: doubtless many juveniles will avail themselves of the benefit of his tuition in the vocal or instrumental department.

[Advertisement], The Cornwall Chronicle (28 September 1850), 638

http://nla.gov.au/nla.news-article65974831

AMERICAN BANJOU! Taught in Twelve Lessons!
TROY KNIGHT begs to intimate to the Gentry and Inhabitants of Launceston and its vicinity,
his intention during his limited sojourn in this neighbourhood,
to give instruction on the popular instrument the American Banjou.
N.B. Terms known on personal application or by letters pre-paid,
addressed to Troy Knight, "Angel Inn," Charles-street, Launceston.
Sept. 11.

[Advertisement], Launceston Examiner (6 November 1850), 11

http://nla.gov.au/nla.news-article36267413

GRAND PROMENADE CONCERT!
TROY KNIGHT BEGS respectfully to announce a PROMENADE CONCERT, to take place on
THURSDAY, the 7th of November, at the Cornwall Assembly Rooms, on which occasion he will make his last appearance previous to his departure for Hobart Town.
He will present a beautiful copperplate likeness of himself, as an Ethiopian Serenader, dedicated by Mr. Jones to Troy Knight, to each lady and gentleman visiting the rooms that evening.
** T. Knight has great pleasure in signifying his intention of engaging all the available talent of Launceston, with the assistance of Mr. Leffler, and several gentlemen AMATEURS ON THE BANJO.
PART I.
Overture - Rossini.
Ballad - "My Mother dear" - Mr. Troy Knight.
Duet - "Albion, on thy fertile plains" - Braham.
Quadrille - Instrumental - Musard.
Ballad - "Will you love me then as now?" - Mr. Troy Knight
Solo - On the Pianoforte - Mr. Leffler
Comic Medley - "London Exhibitions" - Mr. Troy Knight.
Ballad - "Dearest, then, I'll love you more!" - Mr. Leffler.
Descriptive Song - "Tubal Cain," (by desire) - Mr. Troy Knight.
Set of Waltzes - Bosisio.
PART II.
Duet, Medley - violin and Banjo - Messrs. Leffler and Troy Knight.
Opening Chorus - "Come Darkies Sing" - Ethiopians.
Ballad - "The Fire Fly," written and sung by Troy Knight.
Chorus - "Come to the ole Gum Tree," Ethiopians.
Solo, on the Banjo - "The Bells," - Troy Knight.
Comic version - "De Boatman Dance - A Gentleman Amateur.
Quadrilles - "Jeanette and Jeanot" - Jeffries.
Song (by desire) - "The Cavalier" - Troy Knight.
Grand Finale - "God save the Queen" - Vocal.
LEADER, MR. LEFFLER.
* Tickets, 2s. each, to be obtained of Mr. Leffler, Mr. Dowling, Mr. Gould, Mr. Jones, Mr. Clyne,
and of Troy Knight, Charles-street, and at the usual places.
Doors open at half-past seven, to commence at eight o'clock precisely.

ASSOCIATIONS: Edmund Leffler (violin, piano); Cornwall Assembly Rooms (Launceston venue)

"THE OVERLAND ROUTE", South Australian Register [Adelaide, SA] (5 July 1852), 2

http://nla.gov.au/nla.news-article38454159

Mr. Troy Knight, late of the Victoria Theatre, arrived in Adelaide from the Bendigo diggings, by the overland route, on Friday evening last. He states that he and his party were two months at the Mount Alexander diggings, during which they only obtained eight ounces of gold each; that they then determined to try the Gold-fields of the Bendigo, where they succeeded in obtaining eight pounds weight (96 oz.) of Gold each in one week! . . .

"MARRIED", South Australian Register (3 September 1852), 2

http://nla.gov.au/nla.news-article38464829

On Thursday, September 2nd, by the Very Rev. the Dean of Adelaide, Mr. Richard Troy Knight, youngest son of Mr. Thomas Knight, late of Osnaburgh-square, London, to Mary, eldest daughter of Mr. John Cookson, of South-terrace.

[Advertisement], South Australian Register (23 August 1853), 2

http://nla.gov.au/nla.news-article48549562

MOONLIGHT. A GRAND CONCERT IN THE LARGE ROOM,
BLENHEIM HOTEL, HINDLEY-STREET, THIS EVENING, AUGUST 23, 1853.
TROY KNIGHT respectfully announces to the ladies and gentlemen of Adelaide that a
GRAND CONCERT will be given in the Large Room, THIS EVENING (Tuesday), August 23,
on which occasion Mr. Lillywhite has kindly consented to give a selection of DISSOLVING VIEWS.
Mr. Robert McCallagh for this night only.
Mr. J. Baldwin [sic], the celebrated Concertina Player, and several gentlemen amateurs, arrivals in the Fop Smit, will also appear on this occasion only.
Messrs. Adams and Mantegani will preside at the Piano.
PROGRAMME. 1. Duet (Piano) - "Sturm Marsch Galop" - Messrs. Mantegani and Adams
2. "The Flying Dutchman" - Troy Knight
3. "Hurrah for the Road" - Gentleman Amateur
4. "Calais Packet" (comic) - Gentleman Amateur
5. "There's room for all" - Troy Knight
6. '"The Helen Waltz" (Mantegani) - Mantegani
7. "The Ship on Fire" (by desire) - Troy Knight
8. "By the sad sea waves" - Gentleman Amateur
9. Buffo - "London Exhibitions" - Troy Knight
Part II. MR. LILLYWHITE'S DISSOLVING VIEWS.
1. Arrival of the P. and O. Co.'s steam-ahip Bentinck at Alexandria
2. Scene at the Diggings

3. Exterior of the Crystal Palace 4. Giants' Stairs, Venice
5. Artificial Fireworks (two views).
Part III.
1. "Uncle Tom," written, composed, and sung on this occasion only, by Troy Knight
2. Solo (Concertina) - "Still so gently o'er me stealing" - Mr. J. Baldwin
3. "In happy moments" - Gentleman Amateur
4. Buffo Song - Gentleman Amateur
5. "Ben Bolt" - Troy Knight
6. Solo (Piano) - "The Musical Snuff-box" - (by desire) - Mr. Mantegani
7. "The Wife's Dream" - Troy Knight
8. Irish Buffo Song - Mr. R. McCullagh
9. "Have you seen de Gal" - Troy Knight.
Doors open at half-past 7 o'clock, commence at 8 precisely.
Entrance - Gilbert-place.

ASSOCIATIONS: Robert McCullagh (vocalist); Stephen Thomas Baldwin (concertina); Alfred Mantegani (piano); Charles Henry Adams (piano)

"TROY KNIGHT", South Australian Register (23 September 1886), 5

http://nla.gov.au/nla.news-article44570720

Mr. Troy Knight announces that on October 7 he will open in Adelaide with his Mohawk Minstrel Combination Troupe.

"A Veteran Singer", The Sydney Mail and New South Wales Advertiser (19 April 1902), 992-93

http://nla.gov.au/nla.news-article163816457

A writer in the "Mail" upon Madame Sara Flower recently remarked regretfully that there was no portrait of her extant. The publication of that belief promptly brought to light an excellent portrait, which we published. Now the publication of the portrait has brought forth a still more remarkable fact - the existence in full health and vigour, with voice still in excellent preservation, of an artist who sung with Madame Flower, and has sung or played with most of those whom we are disposed now to look upon as beings of a far past generation. And not only has this veteran all his faculties, physical, vocal, and mental, but he actually spends a great part of his time from choice in the arduous work of prospecting in the remoter auriferous country of the State, giving us his reason that he was once a martyr to gout, but the open-air life, plain living, and hard work of the prospector's life cured him of the gout and always, when any recurrence is threatened, beats back the enemy. This remarkable colonist is Mr. Troy Knight, of Claremont, Australia-street, Woollahra, whose portrait, specially taken for the "Mail," we give as he appears to-day.

Mr. Knight is (born February 4, 1830) 72 years of age, and has a grandchild living for every year of his life, bar the first or last - 71. He had 16 children, 11 of whom survive. The oldest son is well known at Broken Hill and is 49 years of age, and the oldest grandchild is 27. Mr. Knight has lived through four reigns, yet shows little of time's ravages, and he describes himself as hale and hearty as when he was married in 1852. At our request Mr. Knight jotted down this skeleton record of his career, particularly interesting from the reminiscences it will call up in old Australians: -

Left England August, '49, in the Lord Stanley, arrived in Adelaide December, with the first company of serenaders, who appeared at the Royal Hotel, George-street, Sydney, under the name of Blythe Waterlands (Harry Burton). I remained behind in Melbourne, giving concerts with Miss Sara Flower, who had arrived three weeks before me. On leaving England my sister placed me in her charge, both of them belonging to the R.A.M.

ASSOCIATIONS: Henry Burton (serenader, "Blythe Waterland"); Blythe Waterland Serenaders (troupe); Sara Flower (vocalist)

During our stay in Geelong I introduced Sam Howard, who was in business as a tinsmith, and was also a very good low comedian, to Miss Flower, who afterwards became Mrs. Howard. At that time Miss Flower would be about 28 years of age, and in my opinion the finest contralto singer the world ever heard - only one Lablache - only one Sara Flower. The "Sad Sea Waves" was her masterpiece, and her low notes once heard were never to be forgotten. She went on to Sydney, and I followed my troupe to Hobart Town, played there, took and remained. Harry Deering (father of Olly Deering) persuaded me to join him. Mr. Edward Holloway, of Mr. Darcy's company, played lead in Deering's company. Mrs. Deering (mother to Olly, whom I have not seen since he was a boy of about 9) was leading lady and an excellent actress. I was playing William Dean, in "Susan Hopley" to Mrs. Deering's Susan. Deering, his boy Olly, and myself were fishing one afternoon in a whaleboat when a storm of rain and wind came on, and nearly finished life for us. We did not play that night. About a week later I left for India after my troupe. It was too hot for me, so I went on to California, after playing a month in Calcutta.

ASSOCIATIONS: Sam Howard (actor); Henry and Eliza Deering (actors, manager); Edmund Holloway (actor); Theatre Royal (Geelong venue)

There was too much revolver practice in 'Frisco then. I saw three men shot and one hung for killing a poor old man, a storekeeper in Montgomery-street, in the broad daylight. A little girl looking through the shop window saw the murderer bash the old man's head in with a tomahawk, and afterwards rob the till and the dead man's pockets. When the murderer came out he locked the door, but the girl recovered herself, followed him, and told a man who raised the alarm. The murderer was taken back to the shop, and the crowd cut a length of rope from a coil lying close to the murdered man. The vigilance committee held a short open air trial, and the ruffian was hung on the scene within 30 minutes of the murder. Very different to murder trials in the States now, where a man escapes for years.

I returned to Melbourne with a very fair company, landed in September '51 and took the Royal [Hotel] in Collins-street. For the first two weeks we did first rate. Governor Latrobe came twice. I had previously played before Governor Denison. Anderson's Creek diggings broke out then and the town was deserted. My boys went to the diggings and I went over to Adelaide, and made arrangements for one month with George Coppin, and Lazar for whom I made my first appearance as Tom Tug in "The Waterman". Coppin, Robin [sic], and Coppin, and Lazar transferred the lesseeship of the theatre over to me at the end of my term for £30 a week and a benefit. I ran the Adelaide theatre until February '52, and then went overland to Bendigo, where we did very well. Eight of us went back overland with 105lb. weight of gold. I arrived in Adelaide three days before Solmers first escort - there was no overland telegraph in those days - but I was interviewed and the town knew when to expect the escort, and when a wire came from Mount Barker everyone that could raise a horse turned out. I took the theatre again, but good business as it was, I felt what I sang in the song "Billy Barlow." "Digging's better than singing, says Billy Barlow." I had been bitten by digging fever, and having married, went back overland to the diggings. There I combined the profession and digging.

ASSOCIATIONS: Charles La Trobe (governor, VIC); William Denison (governor, TAS); George Coppin (actor, manager); John Lazar (actor, manager); Royal Victoria Theatre (Adelaide venue); Billy Barlow (song in character)

Large concert halls were built, but in the meantime I once more had the Adelaide theatre. I paid our passages myself and wife, and I had one little boy by then, in the Montezuma, £140, the night before she sailed, but transferred our passages to a Mr. and Mrs. Clark and daughter of 17, they paying £45 more. The Montezuma sailed and was never heard of. My people mourned me, thinking I had gone in her. I changed my mind, because Signor Mantegani, son-in-law to Mr. Kytlin Thomas, proprietor of the Adelaide "Register" came over from Ballarat to engage me at £30 a week and all expenses and a clear benefit on the expiration of two months. I made £260 over and above my private expenditure over that engagement.

ASSOCIATIONS: Alfred Mantegani (musician)

I then joined Clarence Holt, father of Bland Holt, in Geelong and afterwards played a season with him in Ballarat until his last appearance in these colonies, he playing Rob Roy, Mrs. May Holt. Helen McGregor, Johnny Mungal the Baillie, and F. Francis Osbaldiston. Mr. Bland Holt and his sister appeared with their mother on the stage. When Ellen cried, "I am on my native heath, and my name's McGregor," you should have heard the old walls of the Montezuma Theater ring with the applause. My word, the diggers could let out in those days. During the Holt engagement I played Uncle Tom to Julia Matthews's Topsy, Meddle in "London Assurance" to Anna Maria Quinn's Lady Gay Spanker, and James Simmons's Dolly, Tom Tug - poor Bob Dale [as] Robin; also the Duke of Buckingham to Clarence Holt's Richard. I also played his double in the "Corsican Brothers," and we were so much alike when we were made up that Mrs. Holt commenced talking business to me, and we had a rare laugh about it afterwards.

ASSOCIATIONS: Clarance and May Holt (actors); John Mungall (actor); Anna Maria Quinn (actor); James Simmonds (actor); Robert Baldwin Dale (actor); Montezuma Theatre (Ballarat venue)

I and Julia Matthews, with two others, went up to the Ovens under engagement to John Wallace at the Star Theatre, and did very well.

ASSOCIATIONS: Julia Mathews (actor); John Alston Wallace (proprietor); Star Theatre (Beechworth venue)

Then I came back and did more concert business with Julia Harland, Madame Carandini, Joe Small, Walter Sherwin, and Rosa and the sisters Carandini, Lola Montez and poor Folland. who committed suicide in Hobson's Bay. He and Lola were always quarrelling. I was with her when she horsewhipped Seacamp, editor of the "Ballarat Courier", who had slated her dancing of "The Spider Dance". Anyway, it drew immense houses. He sued the famous Lola for the assault, and she was fined £10, which was collected in five minutes in the court, and made her more popular. Seacamp had to leave Ballarat. Just a month after Mrs. Crosby, wife of a popular manager, horsewhipped Lola - jealousy was the cause. I joined Crosby's Company, whose bright star was Carry Nelson, in 1857.

ASSOCIATIONS: Julia Harland (actor, vocalist); Maria Carandini and daughters (vocalists); Joe Small (comic vocalist); Walter Sherwin (vocalist); Lola Montez (actor, dancer); Frank Folland (actor); James and Emelia Crosby (actors, manager); Carry Nelson (actor, vocalist)

I went to the Ararat big rush. During all this time I constantly took spells at digging at Ararat: I had a splendid claim, and while working it I had a letter from G. V. Brooke to come to Lamplough and give him a hand. I went, and consider it my greatest triumph to have played with such artists as poor G. V. and Miss Avonia Jones, his wife. I played Sir Thomas Clifford to his Master Walter in "The Hunchback," and Cassio to his Othello, and other characters. I took no money. I would not; but he made me a present of a beautiful diamond ring, which I lost when burnt out in Horsham some years afterwards.

ASSOCIATIONS: Gustavus Vaughan Brooke (actor); Avonia Jones (actor)

1858 found me in the profession again, singing with Farquarson, whom I knew before leaving England, where I sang with him at the National Hall in High Holborn. He was a brother of Henry Smith, the rival of Henry Russell, the famous song writer. On Mon- [993] -days, Wednesdays, and Fridays Henry Smith gave sixpenny concerts, and Farquharson on the other three nights would appear with Sharp, Ford and myself. I finished up that trip with a two months' engagement at Heathcote with poor Jim Kitts, and Otto Linden as pianist. The latter gentleman is the head of a musical institute in Melbourne.

ASSOCIATIONS: Robert Farquharson (vocalist); James Edward Kitts (vocalist); Otto Linden (pianist)

In returning through Bendigo, I met Mr. Robert Heir, who persuaded me to play Gaspar in "The Lady of Lyons" for just one night. The actor was ill, and they were in a fix. I played three nights, and met with a great reception, because I was well known. Thatcher at that time was giving concerts at Heffernan's and was the meanest man I ever knew in the profession. He actually shouted for me, and I wondered what was the matter, but in the morning I was leaving my bedroom door open and in walked Thatcher to get me to stop for his benefit and join him for a month, £20 a week and expenses. I told him I had done with the profession as I had promised my wife, so I went home next morning.

ASSOCIATIONS: Robert Heir (actor); Charles Thatcher (vocalist, songwriter)

Since that I have played repeatedly, but not for any payment. For instance, Joey Gougenheim and her sister came, I played in "Nan the Good for Nothing", with Joey as Nan. I have also played with many minstrel troupes. I forgot to mention that after my return to Melbourne from California I played a week at the old Queen's. I opened in Tom Tug: Mrs. Charles Young, Wilhemina; her husband, Charley Young, Robin; Sam Webster, Mrs. J. R. Greville's father, Bundle; and Mrs. Thompson, Mrs. Bundle. In that appearance I wore a genuine Doggetts coat and badge won and lent to me by Mr. Thomas Banner, father of Dick Banner, the famous slipper.

ASSOCIATIONS: Joey Gougenheim (actor); Charles and Jane Young (actors); Sampson Webster (actor); Martha Thomson (actor); Queen's Theatre (Melbourne venue)

Since then I have constantly devoted myself to mining and hotel-keeping. In the early fifties I received many letters from poor Sara Flower, and once Sam Howard came over to Adelaide to try to induce me to come to Sydney. Also J. P. Hyde tried, but always something kept me from coming to the mother colony. I only intended to give an outline of notes. But if I was to give you a narrative of what I have seen and done through in my digging and my professional life I think it would take a half-dozen 'Sydney Mails' to contain.

ASSOCIATIONS: John Proctor Hydes (actor, manager)

"BY THE WAY . . . Mr. Troy Knight writes", Australian Town and Country Journal (10 August 1904), 22

http://nla.gov.au/nla.news-article71512990

Mr. Troy Knight writes: - Re your article on Harry Burton's Circus. The first time I saw Burton was in Melbourne in 1851 [sic]. We (the Serenaders' Troupe) arrived in 1850, in the Lord Stanley. Two shipmates are alive at the present time - George Watson, the well-known starter of the Melbourne Cup, and father of Tom Watson, the Sydney starter; and Mr. Hughes, the handicapper of the Adelaide Turf Club. A whiter man than Harry Burton never lived. He made a big fortune, but lost it through an error of judgment. He was too trusting, and, though the courts might have given him redress, he preferred not to take that course. I sang with Miss Sara Flower (on the silk bill of the play I send you, you will see that my name is starred even larger than hers). We did splendid business - overflowing houses, and the prices were high. During my stay In Geelong I introduced Sam Howard, who was in business as a tinsmith, and was also a very good low comedian, to Miss Flower, and she afterwards became Mrs. Howard. At that time, I think, Miss Flower was about 28, and she was, in my opinion, the finest contralto singer the world has ever heard. That is a lot to say, but it's solid truth all the same. Only one Lablache - only one Sara Flower.

If I wrote down all I've done, heard, and seen, it would fill ten "Town and Country's." In 'Frisco I saw three men shot and one hung. In the latter case the man was tried and hanged within 30 minutes of the murder. Very different in these times in the States, when a man can cheat the gallows for years. In Hobart Town Harry Deering persuaded me to join him. Mr. Edward Holloway, of Dampier's Company, played lead in Deering's Company. I landed in Melbourne in September, 1851, and took the Royal [hotel] in Collins-street. During the first two weeks we did all right, but Anderson's Creek Diggings broke out, and, hey presto! the town was deserted. My boys went to the diggings, and I went over to Adelaide, and made arrangements with George Coppin and Lazar, for whom I made my first appearance as Tom Tug in "The Waterman," and Coppin was Robin.

I ran the Adelaide Theatre till February, 1852, and then went over to Bendigo, where we did very well. Eight of us went back overland with lots of gold. Got married, and harked back to the gold fields. I afterwards joined Clarence Holt (father of the famous Bland) in Geelong, and afterwards played a season with him in Ballarat, until his last appearance in Australia, he playing Rob Roy; Mr. Bland Holt and his sister appeared with their mother on the stage. I did more concert business with Julia Harland, Mme. Carandini, Joe Small, Walter Sherwin, the Sisters Carandini, Lola Montez, and poor Folland who committed suicide in Hobson's Bay. He and Lola were always quarrelling. I was with her when she horsewhipped Seacamp, editor of the Ballarat "Courier," who had slated her "Spider Dance." They fined her £10, but it was good biz - capital advt. Mine has been a crowded career, as you can judge from this small sample of it. Age - well, I'll never see 71 again. But I expect to see 100.

"DEATH OF AN OLD WIMMERAITE", The Horsham Times [VIC] (2 August 1912), 5

http://nla.gov.au/nla.news-article72914641

The death occurred in Sydney yesterday of a very old Wimmera identity in the person of Mr. Richard Troy Knight, at the age of 85. Deceased was living with his son-in-law and his health was known to have been indifferent for some time. On Tuesday his daughter, Mrs. H. Swindells, of Horsham, received a summons to the bedside and she left by the Adelaide express on Wednesday morning, but on her arrival in Sydney yesterday her father had passed away. The late Mr. Knight was a popular man, of a bright disposition. He will be remembered by all old residents of the town and district as a former licensee of the Bull and Mouth Hotel and of the railway refreshment rooms. He was of a musical turn of mind, and in his earlier days was a singer of no mean order.

"DEATHS", The Sydney Morning Herald [NSW] (2 August 1912), 8

http://nla.gov.au/nla.news-article15332021

KNIGHT - August 1, at the residence of his daughter, Mrs. E. Lassau, 5 Child-street, Rookwood, Richard Troy, aged 82.

"THE LATE TROY KNIGHT", The Horsham Times (5 November 1912), 6

http://nla.gov.au/nla.news-article73131151

A cutting from the Sydney Mail of April 19, 1902, gives on account of an interesting interview with the late Mr. Richard Troy Knight, one of the oldest identities of Horsham. At the time of the interview Mr. Knight was 72 years of age, and his vigorous health of that time was referred to as something of interest in view of the fact that he was one of the artists who sang with the late Madam Sara Flower in the days when Australia was young. The cutting of the interview, embellished by a portrait of the late Mr. Knight, is treasured very highly by his daughter, Mrs. H. G. Swindells, of Horsham. In the narrative given by the deceased of his career are some stirring incidents of the strenuous times spent on the stage with Sarah Flower, Mrs. Deering, Julia Harland, Madame Carandini, Joe Small, Walter Sherwin, Lola Montez, Mrs. Crosby, Carry Nelson and G. V. Brooke. Writing of the trip which he had to San Francisco, Mr. Knight said: "There was too much revolver practice in 'Frisco then. I saw three men shot and one hung for killing a poor old man, a storekeeper in Montgomery-street, in broad day light. A little girl looking through the shop window saw the murderer bash the old man's head in with a tomahawk, and afterwards rob the till and the dead man's pockets. The murderer was taken back to the shop, and the crowd cut a length of rope from the coil lying close to the murdered man. The vigilantee committee held a short open-air trial, and the ruffian was hung on the scene within 30 minutes of the murder."

KNIGHT, William (William KNIGHT; Mr. W. KNIGHT; Mr. KNIGHT)

Theatrical manager and proprietor, Theatre Royal (Sydney), Royal Victoria Theatre (Sydney), publican, storekeeper, convict, emancipist

Born London, England, c. 1802/03
Convicted Old Bailey, London, England, 21 April 1819 (7 years transportation)
Arrived Sydney, NSW, 7 August 1820 (convict per Mangles, from London, 29 March, aged "17")
Married ? [1] Mary LEVINGSTON (c. 1790-1833), Parramatta, NSW, 8 November 1824
Married [2] Sarah Maria BAXTER (1819-1872), St. Philip's church, Sydney, NSW, 4 June 1834
Died Surry Hills, NSW, 12 March 1852, aged "49/50"

https://trove.nla.gov.au/search?l-publictag=William+Knight+d1852 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNIGHT-William (shareable link to this entry)

Documentation:

"OLD BAILEY SESSIONS", British Neptune [London, England] (25 April 1819), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002787/18190425/018/0007 (PAYWALL)

. . . William Knight was convicted of stealing a quantity of wearing apparel, the property of John Edwards, at the Coach and Horses, Frith-street, Soho . . .

Convict indents, per Mangles, 1820; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/2024/records/73731 (PAYWALL)

William Knight / 21 April 1819 / 7 years / [born] London / Gilder / [aged] 17 / 5 ft 8 1/2 in . . .

Marriages, St. John's, Parramatta, 1824; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30013124202 (PAYWALL)

8 November 1824 / William Knight / Mary Levingston

NSW census, November 1828; State Record Authority of NSW

https://sydlivmus.flowpaper.com/1828CensusGortoLen3of6NRS1272SZ980/#page=490 (DIGITISED)

[Knight] William / 25 / G[overnment] S[ervice] / [per] Mangles / 1820 / 7 [years] / Pro[testant]
[Knight] Mary / 38 / C[ame] F[ree] / Grenada / 1824 / - / Shopkeeper / Parramatta

"MARRIED", The Sydney Monitor [NSW] (7 June 1834), 3

http://nla.gov.au/nla.news-article32146444

On Wednesday June 4th, at St. Philip's Church, by the Rev. W. Cowper, Mr. WILLIAM KNIGHT, of Prince Street, to Miss SARAH MARIA BAXTER, daughter of Mr. G. Baxter, late of the N. S. W. Royal Veterans.

[Advertisement], The Australian [Sydney, NSW] (23 October 1835), 1

http://nla.gov.au/nla.news-article42005325

THEATRE ROYAL SYDNEY.
UNDER THE PATRONAGE OF J. NICHOLSON. ESQ., R.N., HARBOUR MASTER.
MESSRS. DYBALL AND KNIGHT'S BENEFIT.
THE LAST BENEFIT OF THE SEASON. MONDAY, October 26, 1835 . . .
TICKETS and BOXES to be had of Mr. Dyball, Dalton's Buildings, Prince-street; Mr. Knight, Prince-street . . .

ASSOCIATIONS: Mr. Dyball (actor); Theatre Royal (Sydney venue)

[Advertisement], The Sydney Gazette and New South Wales Advertiser [NSW] (10 November 1835), 3

http://nla.gov.au/nla.news-article2201130

Theatre Royal SYDNEY. JOSEPH SIMMONS
respectfully informs his Friends and the Patrons of the Drama,
that he has engaged the Theatre from the Lessees for the next Season . . .
The whole of the arrangements in front of the House will be
under the direction of Mr. KNIGHT, who will attend to the comforts of the audience;
and the entire direction behind the curtain will devolve on Mr. SIMMONS . . .

ASSOCIATIONS: Joseph Simmons (actor, vocalist, manager)

[News], The Sydney Gazette and New South Wales Advertiser (5 January 1837), 2

http://nla.gov.au/nla.news-article2208695

The following licenses were transferred at the Police Office on Tuesday last:- . . .
"Crampton's Hotel," George-street, from R. Crampton to William Knight . . .

"TRANSFER OF PUBLICANS' LICENSES", The Sydney Gazette and New South Wales Advertiser (5 April 1838), 2

http://nla.gov.au/nla.news-article2542116

Tuesday being the day appointed for the transfer of public-house licenses at the Police Office, the following were approved, and carried into effect accordingly, viz.: - . . .
"Knight's Hotel," George-street, from William Knight to Samuel A. Wood . . .

[Advertisement], Australasian Chronicle (20 March 1841), 3

http://nla.gov.au/nla.news-article31731219

VICTORIA THEATRE. - Take notice that Mr. W. Knight, of Castlereagh street North,
is fully empowered to receive all monies and pay all salaries and other debts belonging to this establishment until my return from England.
JOSEPH WYATT. March 16, 1841.

ASSOCIATIONS: Joseph Wyatt (proprietor); Royal Victoria Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (23 December 1845), 3

http://nla.gov.au/nla.news-article12884243

ROYAL VICTORIA THEATRE. NOTICE is hereby given,
that the partnership between Mr. J. Wyatt and Mr. W. Knight, in the Victoria Theatre,
has this day been dissolved by mutual consent.
All outstanding accounts prior to that date to be presented to Mr. J. Wyatt, who will discharge the same.
J. WYATT, W. KNIGHT. Pitt-street, Sydney, December 12.

"THE SHAKESPERE TAVERN", The Australian (18 February 1847), 3

http://nla.gov.au/nla.news-article37132016

Under the appropriate style and title of the great dramatic bard, our townsman, Mr. W. Knight, (joint proprietor of the Victoria Theatre,) has opened this house, formerly the Clown. The fittings, furnishings, and decorations are as tasteful as they are substantial; and from further alterations and amendments in contemplation, we have no doubt the Shakespere will compete successfully with all other "Hotels," which, of late, have sprung up like Banquo's issue, in our wonderful City. - Communicated.

ASSOCIATIONS: Clown Hotel (Sydney venue)

"DIED", The Sydney Morning Herald (13 March 1852), 5

http://nla.gov.au/nla.news-article12935086

On the 12th instant, at his residence, Bourke-street, Surry Hills, in the 50th year of his age, after a long and painful illness, Mr. William Knight, for many years connected with the Victoria Theatre, leaving a wife and three children to deplore their loss.

"THE DRAMA", Bell's Life in Sydney and Sporting Reviewer (3 April 1852), 3

http://nla.gov.au/nla.news-article59774357

. . . The performances of the evening [31 March] were for the benefit of the widow and family of the late Mr. William Knight, formerly part proprietor of the Victoria, and whose demise took place about three weeks since . . .

Bibliography and resources:

William Knight, per Mangles, 1820; Convict records

https://convictrecords.com.au/convicts/knight/william/84512

William Knight, Find a grave

https://www.findagrave.com/memorial/187991224/william-knight

KNOPWOOD, Robert (Robert KNOPWOOD)

Musical amateur, amateur musician, church musician, episcopalian (Anglican) cleric

Born Norfolk, England, 2 June 1763; baptised Threxton, Norfolk, 11 June 1763; son of Robert KNOPWOOD and Elizabeth BARTON
Arrived Port Phillip, NSW (VIC), October 1803; (Hobart), VDL (TAS), February 1804
Died Rokeby, VDL (TAS), 18 September 1838, aged "76"

https://trove.nla.gov.au/search?l-publictag=Robert+Knopwood+1763-1838 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-478627 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOPWOOD-Robert (shareable link to this entry)

Summary (after Stephens and Boyce):

As incumbent of St. David's Church, Hobart, Knopwood introduced choral and instrumental music and the chanting of the psalms and canticles. He formed a small choir from the military and civil establishment. In May 1821 purchased a violoncello for the church for £5, and in 1825 acquired for it an 8-stop pipe organ, built by John Gray of London, the first to be installed in any Australian church. At the organ's inauguration in St. David's in May 1825, Knopwood, who had since moved from to Rokeby (where he was appointed rector in 1826), returned to preach on the place of music in worship, taking as his text Psalm 57, v.9: "Awake up, my glory; awake, my lute and harp", mentioning psalm settings then popular by Aldrich, Clarke and Blow, and recalling attending the Handel Commemoration at Westminster Abbey in 1784. The organ remained in St. David's until 1857, and since then has been the organ of St. Matthew's, Rokeby.

Documentation:

"GOVERNMENT AND GENERAL ORDERS", Hobart Town Gazette and Van Diemen's Land Advertiser (9 May 1821), 2 supplement

http://nla.gov.au/nla.news-article1089443

[1] . . . Statements of the Police Fund of Van Diemen's Land, for the Quarters ending, respectively, the 30th September and 31st December, 1820, and 31st March, 1821 . . .
[2] The Police Fund of Van Diemen's Land . . . for the Quarter ending Dec. 31st, 1820 . . .
Rev. Robt. Knopwood, for that sum paid by him for a violincello, for the use of the church - 5 0 0 . . .

"COLONIAL REVENUE OF VAN DIEMEN'S LAND", Hobart Town Gazette and Van Diemen's Land Advertiser (15 November 1823), 2 Supplement

http://nla.gov.au/nla.news-article1090008

CLERICAL [expenses] . . . Repairing Bass Viol. [£] 1 0 0

[News], Colonial Times [Hobart, VDL (TAS)] (18 September 1838), 7

http://nla.gov.au/nla.news-article8749010

Our contemporary of the True Colonist was rather premature last week, in announcing the decease of the Rev. Mr. Knopwood, which did not take place till last night, at a quarter before 10 o'clock. The venerable gentleman, at his own request, will be buried at Clarence Plains, on Friday next, so that those, who wish, will have an opportunity of following him to that "bourn, from whence no traveller returns." Mr. Knopwood had completed his 76th year in June last.

"The Reverend Mr. Knopwood", Colonial Times (25 September 1838), 7

http://nla.gov.au/nla.news-article8749020

On Friday last, as we announced last week, the remains of the Rev. Mr. Knopwood were deposited in their kindred earth at Clarence Plains. The funeral was attended by a great number of persons, not only from Hobart Town, but from other parts of the country; while the Rev. Mr. Bedford officiated, accompanied by the Rev. Mr. Garrard, of New Norfolk, and the Rev. Mr. Naylor, of New Town. At his own request, the coffin was quite plain, not even a plate upon it, and he was deposited in a common grave; but we understand it is the determination of his friends to erect a monument to his memory.

Sermon on the occasion of the opening of the new organ, St. David's church, Hobart Town, 15 May 1825:

Sermon, preached by Robert Knopwood, 15 May 1825, St. David's Church, Hobart Town; National Library of Australia; State Library of New South Wales

https://trove.nla.gov.au/work/10953706

https://collection.sl.nsw.gov.au/record/1DrmaZg9

[News], Hobart Town Gazette and Van Diemen's Land Advertiser (13 May 1825), 2

http://nla.gov.au/nla.news-article1090752

The Junior Colonial Chaplain having met with a serious accident (from which however he is now recovering), our respected old Minister, the Rev. W. KNOPWOOD, M. A. performed Divine Service at St. David's Church on Sunday last [8 May]. The Organ will be played on next Sabbath [15 May], by, as we understand, an excellent musician.

See also, "AN ODE. Address to the Organ of St. David's Church", Hobart Town Gazette (13 May 1825), 3

http://nla.gov.au/nla.news-article1090751

Bibliography and resources:

Mabel Hookey (ed.), Bobby Knopwood and his times: from the diaries of 1804-8, 1814-17 by the Rev. Robert Knopwood, M.A., Chaplain to Lieutenant-Governor Collins, the founder of Hobart (Hobart: W. E. Fuller, 1929)

https://trove.nla.gov.au/work/26540238

Geoffrey Stephens, Anglican Church in Tasmania: a diocesan history to mark the sesquicentenary, 1992 (Hobart: Trustees of the Diocese, [1991])

https://trove.nla.gov.au/work/14342452

Freda Gray, "Music of the early settlements of the 1800s", Papers and Proceedings Tasmanian Historical Research Association 43/2 (June 1996), 59-62

https://search.informit.org/doi/abs/10.3316/informit.420747993806156 (PAYWALL)

Peter Boyce, God and the city: a history of St. David's Cathedral (Hobart: St David's Cathedral Foundation, 2012), 18-19, 224 notes 30-33

https://trove.nla.gov.au/work/248028658

KNOTT, John (John KNOTT; Dr. KNOTT)

Musical amateur, amateur vocalist, surgeon, medical practitioner

Born England, 21 October 1806
Married Ellen Maria HACK, Chichester, England, 3 November 1831
Arrived Adelaide, SA, 12 October 1838 (per Pestonjee Bomanjee from London)
Died Adelaide, SA, 21 October 1850, aged "44"

https://trove.nla.gov.au/search?l-publictag=John+Knott+1806-1850 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOTT-John (shareable link to this entry)

Documentation:

Marriages solemnized in the parish of All Saints Chichester in the county of Sussex in the year 1831; register 1813-38, page 17; West Sussex Record Office, Brighton, Par 36/1/3/1

https://www.ancestry.com.au/search/collections/62131/records/35333 (PAYWALL)

No. 49 / John Knott of St. John's (extra parochial) and Ellen Maria Hack of St. John's (extra parochial)
were married in this church by licence this [3 November 1831] . . .

"DINNER TO HIS EXCELLENCY THE GOVERNOR", South Australian Register [Adelaide, SA] (25 July 1840), 5

http://nla.gov.au/nla.news-article27441676

ON Wednesday last, the OFFICERS of the Adelaide Brigade of South Australian Militia entertained His Excellency the Governor, to dinner, at the Club House . . . Some excellent songs were sung by the Chairman and Dr. Knott, and the party broke up highly satisfied with the proceedings of the evening.

ASSOCIATIONS: George Gawler (governor)

"AMATEUR CONCERT", South Australian Register (25 June 1842), 2

http://nla.gov.au/nla.news-article27443437

ASSOCIATIONS: Benjamin Archer Kent (amateur); Francis Stacker Dutton (amateur); Richard Francis Newland (amateur); John Napier Magill (amateur); William Wyatt (amateur); George Bennett (musician); Mr. Poole (amateur); William Ewens (amateur)

"DINNER TO J. B. MONTEFIORE, ESQ.", Southern Australian (2 June 1843), 3

http://nla.gov.au/nla.news-article71617067

YESTERDAY a dinner was given to this gentleman, at the Shakespeare Tavern, as a testimony of gratitude and respect for his eminent services to the Colony since its first institution . . .
The cloth having been removed Non nobis Domine was sung by the band . . .
SONG. - Mountain Maid, by Dr. Knott . . .

ASSOCIATIONS: Joseph Barrow Montefiore (citizen)

[Advertisement], South Australian (7 November 1843), 3

http://nla.gov.au/nla.news-article71618376

THE AMATEUR CONCERT, FOR the liquidation of the debt incurred on Trinity Church School,
will take place in Messrs. Lambert and Son's new Auction Room, THIS EVENING, at seven o'clock, P.M.
PROGRAMME.
FART 1.
Overture - "Masaniello" - Auber
Glee - "The Red Cross Knight" - Calcott
Song = "The Flag that Brav'd" - Nelson
Duet - "Borne in yon Blaze" - Dr. Clarke
Duet (flutes) - "Di tanti Palpiti" - Rossini
Glee - The Curfew" - Bishop
Duet - "Flow gently, Deva" - Bishop
Overture - "Tancredi" - Rossini
PART 2.
Overture - "La Cenerentola" - Rossini
Glee - "Hunting Glee" - Wade
Song - "Zephyr among the Flowers" - Bennett
Duet - "Now at Moonlight's fairy hour" - Thompson
Concerto - "Pianoforte" - Herz
Glee - "The Chough and Crow" - Bishop
Overture - "L'Italiana" - Rossini
Finale - "God save the Queen" . . .

"AMATEUR CONCERT", South Australian Register (11 November 1843), 3

http://nla.gov.au/nla.news-article27445887

Dr. Calcott's beautiful glee, "The Red Cross Knight," followed, by Drs. Kent and Wyatt, and Messrs. Ewens and Howard [sic, Harward], accompanied on the pianoforte by Mr. Bennett. In our very humble opinion, the effect was rather injured by its being sung too fast: it had the appearance of being hurried over, and many of the best points were lost. Still, this is a matter of taste, and probably ours may be peculiar. Dr. Knott next sang "The flaunting Flag of Liberty" with his usual good taste and gentlemanly manner.

A concerto on the pianoforte by the lady was received with much applause.

ASSOCIATIONS: Thomas Harward (amateur); Georgiana Murray ("a lady")

MUSIC: The flaunting flag of liberty (ballad; Tune: Ye mariners of England)

"IMPROMPTU", South Australian Register (15 November 1843), 2

http://nla.gov.au/nla.news-article27445921

On hearing it observed that there were so few singers at the Amateur Concert.

You cannot in fairness complain of the numbers -
I saw a good Knott, or my memory slumbers;
And to swell out the chorus that evening were lent
The science, the taste, and the voice of all Kent.

- O. P. Q.

"SAINT PATRICK'S SOCIETY. ANNUAL DINNER", South Australian Register (3 May 1850), 2

http://nla.gov.au/nla.news-article38434629

The first annual dinner of the Saint Patrick's Society took place on Wednesday evening, the 1st May, at the newly-erected Saint Patrick's Hall, Leigh-street . . . C. B. Newenham, Esq., (the Sheriff) humorously introduced the next toast . . . He proposed, "The Commercial Interests of the Colony." Mr. Marks being called on by the President, responded in a neat extempore speech. Dr. Knott sang "I've plucked the Fairest Flower" . . .

MUSIC: I've have plucked the fairest flower (ballad in The invincibles, by Alexander Lee)

"DIED", South Australian Register (22 October 1850), 2

http://nla.gov.au/nla.news-article38451377

Yesterday, at his residence, in Hindley-street West, in consequence of a fall from his horse on the previous evening, John Knott, Esq., M.D. Dr. Knott had completed his 44th year on the day of the fatal accident.

"THE PESTONJEE BOMANJEE", South Australian Register (19 November 1896), 5

http://nla.gov.au/nla.news-article54480511

. . . The Pestonjee Bomanjee was a teak frigate-built ship, intended for the India trade, 595 tons register . . . and negotiations with the South Australian Commissioners ended by her being secured for a voyage to South Australia, and on May 23, 1838, she left Blackwall for Plymouth . . . Mr. John Knott, ship's doctor . . . We left Plymouth on June 11, 1838 . . . and on October 12 anchored in Holdfast Bay . . .

Bibliography and resources:

John Knott, WikiTree

https://www.wikitree.com/wiki/Knott-531

KNOTT, Samuel (Samuel KNOTT; S. KNOTT; Mr. KNOTT; also NOTTE; NOTT)

Musician, violinist, violin and double bass player, vocalist, painter

Born c. 1827
Active Bendigo, VIC, by March 1856
Died Bendigo, VIC, 31 May 1877, aged "50/51"

https://trove.nla.gov.au/search?l-publictag=Samuel+Knott+d1877 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOTT-Samuel (shareable link to this entry)

Documentation:

[Advertisement], Bendigo Advertiser [VIC] (8 March 1856), 1

http://nla.gov.au/nla.news-article88049085

MR. SAMUEL KNOTT - A letter for you from England lies at our warehouse. Parker and Macord.

[Advertisement], Bendigo Advertiser (17 May 1856), 3

http://nla.gov.au/nla.news-article88050097

CLYDESDALE HOTEL, Kangaroo Flat.
GRAND CONCERT. TUESDAY EVENING, 20th MAY.
MRS. BOURNE'S BENEFIT, Under the patronage of the Independent Order of Odd Fellows, M. U.
Vocalists: - Miss Graham, Mrs. B. Ricards (by the kind permission of Mr. Coleman,)
Mr. John McEwen, Mr. R. McEwen, Mr. Kerr, Mr. W. Scott, and Mr. S. Knott.
Instrumentalists: - Mr. S. Radford, 1st violin;
Mr. James McEwen and Mr. S. Knott, 2nd violins;
Mr. John McEwen, bass tuba; Mr. R. McEwen, cornet; Pianist, Herr Hamberg.
N. B. A Conveyance will leave, the Black Swan Hotel at 7 o'clock, and return after the Concert.
Admission, 4s. Concert to commence at Eight o'clock.

ASSOCIATIONS: Georgina Bourn (vocalist); Amelia Graham (vocalist); Jessie Elizabeth Ricards (vocalist); Henry Coleman (Bendigo venue proprietor); McEwen family (musicians)

[Advertisement], Bendigo Advertiser (3 June 1856), 3

http://nla.gov.au/nla.news-article88050407

GRUBY'S CAMP HOTEL, Eaglehawk.
Grand vocal and instrumental CONCERT, Tuesday, 3rd June, 1856,
Supported by the following well-known artistes: -
MISS GRAHAM, Mrs. Bourne,
Mr. Jno. McEwan, Mr. Jas. McEwan, Mr. Richard McEwan,
Mr. Knott, Mr. Kerr, and Mr. S. Radford, with his celebrated band, will be in attendance.
Admission - Three Shillings.

ASSOCIATIONS: Sidney Radford (musician)

[Advertisement], Bendigo Advertiser (4 October 1856), 3

http://nla.gov.au/nla.news-article87994661

CAMP HOTEL, Eaglehawk.
MR. EDWARDS, proprietor of this popular resort of the lovers of song and music,
begs to inform the inhabitants that he has been at great expense in effecting engagements with the following eminent and popular artistes: -
Miss Louisa Swannell, Miss Graham, Mr. Dixon,
Mr. S. Notte, Also that inimitable Irish Comic Singer Mr. Pelter J. McEwen.
Radford's celebrated Band is engaged.
Pianist - Mr. Hunter.

ASSOCIATIONS: Louisa Swannell (vocalist); Frederick Dixon (vocalist); William Hunter (pianist)

[Advertisement], Bendigo Advertiser (14 August 1857), 3

http://nla.gov.au/nla.news-article88001068

FAREWELL CONCERT AT THE CAMP HOTEL, Eaglehawk.
TO-NIGHT, THE 14th OF AUGUST, 1857,
For the Benefit of MESSRS. R. McEWEN, A. KERR, AND S. KNOTT.
The following Artists will appear, assisted by the whole of Radford's Band: -
MR. W. WHITE, The celebrated Banjoist, and delineator of Negro Character.
MR. G. SMALL, The well known local Comic Singer.
MR. W. HAMMOND, The characteristic Comic Singer.
MR. W. HURST.
MR. JN. McEWEN.
Pianist - Mr. W. Hunter.
Leader of the Band - Mr. S. Radford.
Admission: front seats, 3s.; back do., 2s.
N.B. The usual Quadrille Assembly will be held after the Concert.

ASSOCIATIONS: Bill White (banjoist); Joe Small [sic] (vocalist); W. H. Hammond (vocalist); William Hurst (vocalist)

[Advertisement], Bendigo Advertiser (30 July 1860), 1

http://nla.gov.au/nla.news-article87945469

A GRAND CONCERT, in aid of the
BENEVOLENT ASYLUM Will be given at the ASSEMBLY ROOMS, CAMP HOTEL, EAGLEHAWK,
on THURSDAY EVENING next, 2nd AUGUST.
The first Part, will consist of a portion of
HANDEL'S MESSIAH, To be followed by a
VARIED, MISCELLANEOUS SELECTION.
The majority of the Members of the BENDIGO PHILHARMONIC SOCIETY, And other Amateurs,
Have kindly lent their assistance, in addition to the following Professional Gentlemen: -
Violins - Mr. Hid, Mr. Radford
Flute - Mr. Bower
Violoncello - Mr. Middleton
Contra Basso - Mr. Nott [sic]
Harmonium - Mr. Barwick
Pianist - Mr. Hunter
Conductor - Mr. J. H. POLLARD.
Tickets - Reserved Seats, 3s.; Unreserved, 2s. . . .
GEO. J. FOWLER, Hon. Sec.

ASSOCIATIONS: Mr. Hid (violin); Frederick Alexander Bower (flute); Halton Middleton (cello); Thomas Barwick (harmonium); Joseph Henry Pollard (conductor); George J. Fowler (secretary); Bendigo Philharmonic Society (association)

"EAGLEHAWK (FROM OUR OWN CORRESPONDENT) . . . CONCERT AT EAGLEHAWK", Bendigo Advertiser (8 October 1862), 2

http://nla.gov.au/nla.news-article87902912

On Monday evening a concert, the greatest success I have seen in this quarter, was given by amateurs in aid of the Lancashire and Irish Relief Funds. The house was literally crammed, and many could not obtain admission. The vocal performers were Madame Leon Naej, who was very well received and encored, the Sandhurst Glee Club, the California Gully Minstrels, and Messrs. Nott [sic] and Rea. The abilities of the Glee Club are too well known to require special mention. The singing of Mr. Nott was very much admired. The concert being under the patronage of the Eaglehawk Company of Volunteer Rifles, almost every man attended in uniform, which imparted by their presence a certain liveliness to the appearance of the audience. The Minstrels were considered a great card, and certainly gave vent to some very excellent local hits, but I would suggest to them in future to appear more frequently, rather than occupy the stage very long at one time, as even the best performance palls upon the appetite after a while. The orchestra, consisting of Messrs. Nott, Monaghan, Middleton, and Barwick, discoursed some excellent music, and I must not forget to mention particularly the solo performance of Mr. Middleton on the violincello, which received a wall deserved encore. There should have been between £18 and £20 in the house, and as the expenses will be very trifling, a good return ought to be made. The performers were all volunteers, except Mr. Barwick. There is a matter about some refreshments, which are, it is said, to be charged, to the fund, which I will look after. I really dont see why gentlemen who do the amateur to an admiring public should guzzle bottled beer at the expense of the starving peasantry of England and Ireland.

ASSOCIATIONS: Madame Leon Naej (vocalist); James Rea (musician); James Monaghan (musician)

[Advertisement], Bendigo Advertiser (7 October 1865), 3

http://nla.gov.au/nla.news-article87927038

WANTED a Painter. Apply S. Knott, Pegleg.

"CONCERT AT EAGLEHAWK", Bendigo Advertiser (24 November 1865), 2

http://nla.gov.au/nla.news-article87928334

A concert was held in the Town Hall, Eaglehawk, last night, in aid of the funds for clearing of the debt on the harmonium used in the Presbyterian Church. The audience - a large and appreciative one - appeared to derive much pleasure from the entertainment, which consisted of two parts, the first of sacred and the second of secular pieces . . . A couple of glees were sang by Messrs. Barnard, Knott, Fly and Barnard . . .

ASSOCIATIONS: William Fly (vocalist)

"EAGLEHAWK POPULAR READINGS", Bendigo Advertiser (5 November 1865), 2

http://nla.gov.au/nla.news-article87956007

The proceeds of the Popular Readings at Eaglehawk have always been devoted to some charitable purpose or other, and last night the entertainment was in aid of the Miners' Accident Society . . . The song and chorus of "Dear mother, I've come home to die" were loudly applauded, the solos being taken by Mr. Lester, and Miss Hodges and Mr. Knott singing the chorus . . . Mr. Hawkins gave his two standard recitations, and was followed by Miss McCaskie's singing "The Irish Emigrant" very well indeed. Then came a well sung song, "The Wolf," by Mr. Knott . . .

MUSIC: Dear mother I've come home to die (Tucker); The wolf (Shield)

Inquest, Samuel Knott, Eagle Hawk, 31 May 1877; Public Record Office Victoria

https://prov.vic.gov.au/archive/B537C548-F1BB-11E9-AE98-35D0B15989F3?image=1 (DIGITISED)

That, on the [31 May 1877] at the Macduff Hotel, Eagle Hawk, the deceased, Samuel Knott, died from coma, the result of serious effusion in the head, caused by the excessive use of intoxicating drinks . . .

Richard Travers [deposed]: I am a licensed Publican . . . at the MacDuff Hotel, Eagle Hawk.
I have known the deceased, Samuel Knott, more than twenty years. He was a Painter by trade, but well known as a musician. About three months ago, the deceased was an inmate of Bendigo Hospital, he was suffering from paralysis of the hand . . . He was accustomed to drink to excess occasionally . . .

"FATAL RESULT OF OVER-INDULGENCE IN DRINK", The Kyneton Observer [VIC] (7 June 1877), 2

http://nla.gov.au/nla.news-article240926027

On Tuesday (says the Bendigo Independent), Mr. Strickland held an inquest touching the death of an old resident of the district named Samuel Knott, a man about 50 years of age, who was found dead that morning in his bed at the Macduff Hotel, Eaglehawk. The facts disclosed in the evidence were that deceased was a painter by trade, and was also well known as a musician. He was in comfortable circumstances, besides money in the bank, and some freehold land and property at Eaglehawk. He about three months ago an inmate of Bendigo hospital, suffering from paralysis of the hand. He left the institution, however, without authority, and went upon the spree for about a week, after which he went to the Macduff hotel for the purpose of getting round again. The unfortunate fellow however, might as well have stopped where he was, to judge from the result. His insatiable thirst for drink got the better of him there, for after keeping sober for a short time, he relapsed into his drunken habits, and was found dead in his bed on Tuesday morning. For over a week prior to his death he was in a state of helpless drunkenness, and the landlord of the hotel said he remonstrated with him, though paradoxically he stated that deceased was supplied with eight or nine drinks a day. A verdict was given in accordance with the medical evidence "that death resulted from serious effusion on the biain, caused by the excessive use of intoxicating drinks."

Grant of administration, Samuel Knott, 1877; Public Record Office Victoria

https://prov.vic.gov.au/archive/BB3654BA-F1E7-11E9-AE98-CDE6E449A6B8?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/F9262951-F1D0-11E9-AE98-791F79078D4B?image=1 (DIGITISED)

"GAZETTE NOTICES", Bendigo Advertiser (13 August 1877), 3

http://nla.gov.au/nla.news-article88276788

Particulars of the estates of the following deceased persons have been placed under the charge of the Curator of the Estates of deceased persons for management during the past month: . . . Samuel Knott, late of Eaglehawk, near Sandhurst, £255, died 31st May, 1877 . . .

[Advertisement], Bendigo Advertiser (22 August 1877), 4

http://nla.gov.au/nla.news-article88205837

MONDAY, 27th AUGUST. By Order of the Curator of the Estates of Deceased Persons.
In the Estates of HENRY RODGERS and SAMUEL KNOTT, Deceased.
LAND and COTTAGES at EAGLEHAWK. L. MACPHERSON and CO., instructed by T. Weigall, Esq., Curator of Intestate Estates, will Sell by Auction, at Barrell's Eaglehawk Hotel, Eaglehawk, at twelve o'clock . . .
Lot 2. Part of allotment 39 of section A, borough of Eaglehawk, parish of Nerring,
having a frontage of 20 feet or thereabouts to Mount Korong road, by a depth of 130 feet or thereabouts,
with the painter's shop erected thereon.
Also, ONE BASS VIOL (very fine instrument), iron bedstead, mattress, table, chairs, washstand, and sundries . . .

KNOWLES, Conrad (Theodore Conrad George KNOWLES; Conrad Theodore KNOWLES; Conrad KNOWLES; Mr. KNOWLES; alias Mr. COOPER)

Musical amateur, amateur musician, vocalist, pianist, actor, theatrical manager, playwright

Born Penzance, Cornwall, England, 22 August 1810; baptised Redruth, Cornwall (Wesleyan), 23 September 1810; son of John KNOWLES and Eliza ?
Arrived [1] Hobart Town, VDL (TAS), 11 April 1830 (per Wanstead, from London, and Swan River colony, 19 March)
Arrived Sydney, NSW, 10 September 1832 (per Harlequin, from Launceston, 25 August)
Departed Sydney, NSW, May 1837 (per Fortune, for London)
Arrived [2] Sydney, NSW, 2 October 1838 (per Coromandel, from Plymouth, 14 June)
Died Melbourne, NSW (VIC), 9 May 1844, aged "33/34"

https://trove.nla.gov.au/search?l-publictag=Conrad+Knowles (TROVE tagged by Australharmony and others)

http://nla.gov.au/nla.party-1463742 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOWLES-Conrad (shareable link to this entry)

KNOWLES, Harriet ("Mrs. KNOWLES") = Harriet JONES

Musician, vocalist, actor

Summary:

Conrad Knowles and the future "Mrs. Knowles", Harriet Jones, were both in the company for the opening of Barnett Levey's "little theatre" in Sydney, on 26 December 1832, appearing as Susan and Captain Cross-tree in Jerrold's melo-drama Black eyed Susan.

On the first occasion, Knowles evidently used his own name. But already by the second performance, he (or the management) had opted instead to go by the pseudonym "Cooper", plausibly to avoid the question of whether or not he was related to the actor-playwright Sheridan Knowles. If so, suspicion of a similar connection with the London actor John Cooper (1793-1870) was less likely to be quite so troublesome. The inconvenience notwithstanding, however, some of the newspapers persevered in referring to him by his own name, and he and the company gradually returned to it, consistently so from the September 1833 announcement of the opening of Levey's new Theatre Royal onwards.

He was first specifically billed as a vocalist in April 1833, when he and Harriet Jones sang the comic duet Pretty Polly Hopkins between the plays.

Under the continuing influence of Jones, Knowles appeared more frequently as a stage singer in his later years.

Knowles's play Salathiel, written for and premiered at Harriet's August 1843 benefit, included music for two songs and incidental music composed by Spencer Wellington Wallace, all now lost. Knowles's lyrics are preserved in the printed play text, issued by Thomas Trood, in November 1842.

Documentation:

Births and baptisms, Waterloo-street chapel (Wesleyan), Hammersmith, 1816; UK National Archives, RG4/1943

https://www.ancestry.com.au/search/collections/2972/records/498698 (PAYWALL)

Theodore Conrad George son of John & Eliza Knowles
was born [22 August 1810] at Penzance Cornwall and Christened [28 September 1810] at Redruth; registered [26 August 1816] by me J. Knowles

ASSOCIATIONS: On his family, see "Deaths", Macclesfield, Stockport, & Congleton Chronicle (14 February 1846), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0005846/18460214/062/0003 (PAYWALL)

On the 30th ult, aged 100 years, at Tenement [Tenniment], near Pateley Bridge, Isabella, relict of M. G. Knowles, and mother of the Rev. J. Knowles, for fifty years an itinerant preacher in the Wesleyan Connexion.

[News], The Hobart Town Courier [VDL (TAS)] (17 April 1830), 2

http://nla.gov.au/nla.news-article4209024

Arrived on Sunday the 11th inst. the bark Wanstead, 363 tons, M. C. Friend, R. N. commander, from London, the Cape of Good Hope and Swan river, which last port she left on the 19th ult. with a large cargo of merchandize.
Passengers - . . . Conrad Knowles . . .

See also, "Original Communications. WRITTEN ON THE SEA SHORE", Colonial Times [Hobart, VDL (TAS)] (11 June 1830), 3

http://nla.gov.au/nla.news-article8645179

"Additional Ship News. LAUNCESTON, AUGUST 28, 1832", The Colonist and Van Diemen's Land Commercial and Agricultural Advertiser (31 August 1832), 4

http://nla.gov.au/nla.news-article201158019

Sailed . . . on the 25th . . . the schooner "Harlequin," Lancey, for Sydney. -
Passengers, Messrs. Dawe, Woodward, Knowles, and Eliza Mannington and child.

[News], Hill's Life in New South Wales [Sydney, NSW] (28 December 1832), 2

http://nla.gov.au/nla.news-article252650506

On Wednesday last Mr. Levey opened his little theatre, for the regular drama . . . The opening piece was the Melo Drama of Black-eyed Susan; and the piece went off moderately. The characters of William, by Mr. Meredith; Susan, by Mr[s]. Jones; Gnat-brain, by Mr. Vale; Captain Cross-tree by Mr. Knowles . . .

ASSOCIATIONS: Barnett Levey (proprietor); John Meredith (actor); Harriet Jones (actor; later "Mrs. Love"; later "Mrs. Knowles"); Theatre Royal (temporary) in the Royal Hotel (Sydney venue)

[News], The Sydney Monitor (23 March 1833), 2

http://nla.gov.au/nla.news-article32143351

We are happy to learn that Mr. Levy has at length concluded an engagement with Mr. Edwards, as leader of the Orchestra of the new Theatre. This engagement, with other new ones, of an equally eligible kind, promise to render the new Theatre deserving the support of the respectable classes of our society . . . Messrs. Knowles and Cavendish are the new managers.

ASSOCIATIONS: John Edwards (musician); William Joseph Cavendish (musician, manager)

"THEATRE", The Sydney Monitor (17 April 1833), 2

http://nla.gov.au/nla.news-article32143508

. . . On Thursday evening, Mr. Meredith played Job Thornbury in John Bull, and was well received by the audience. The other parties were sustained as usual, namely, passably. Mrs. Laverty in the character or Biddy Bellair, and Mr. Mackie as Fribble in Miss in her Teens, received applause. Between the pieces Mr. Knowles and Mrs. Jones sang the comic duett of "Pretty Polly Hopkins" in character, which was encored . . .

ASSOCIATIONS: Frances Laverty (actor; later "Mrs. Mackay"); Angus Mackay (actor)

MUSIC: Polly Hopkins and Tommy Tompkins (duet)

"THEATRE", The Sydney Herald (22 April 1833), 2

http://nla.gov.au/nla.news-article12846669

. . . On Thursday evening, was performed, Charles the Second, in which, Mrs. Love was particularly happy as the Page. Polly Hopkins, between Mrs. Love and Mr. Cooper, was encored . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (26 September 1833), 3

http://nla.gov.au/nla.news-article2214075

Theatre Royal, Sydney,
IT is with no small degree of pleasure that the undersigned (after much procrastination and many disappointments)
is at length enabled to announce to his Friends and the Public the opening of the Sydney Theatre . . .
The first performance will take place on the night of Saturday, the 5th October next . . .
Stage Manager, Mr. Cavendish; Acting Manager, Mr. Knowles.
- B. LEVEY.

"Theatricals", The Australian (24 January 1834), 3

http://nla.gov.au/nla.news-article42009870

On Wednesday evening there was sort of representation extraordinary. Several military officers about to proceed to Europe had particularly requested the Theatre be opened on this occasion, by way of paying, as it were, their valedictory visits . . . Excepting the pit, the house was as full as Mr. Levy himself could desire . . . Between the pieces . . . Mr. Knowles then appeared to sing in character, "The British Grenadiers," and by way of illustration, some seven or eight soldiers of the 4th Regt. appeared on the stage in full grenadier costume. This certainly gave effect to the song, which, considering the nothingness of the air, was very well sung . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (27 March 1834), 1

http://nla.gov.au/nla.news-article2215734

SYDNEY THEATRE. TO MESSRS. LEVEY AND SIMMONS.
GENTLEMEN, THE present Season now drawing towards a close, we have to urge upon your attention a few reasons why we the undersigned, should be allowed a Benefit, and beg your early consideration of the same.
We have been members of your Establishment and servants to the Public for a period of 14 or 15 months, and we think that on no occasion have we been guilty of any act which could give intentional offence.
It has been our unceasing anxiety to please, and we have never shrunk from a rigid performance of our duty to the Public and to you. We had Benefits during the last Season, and we anticipated a similar indulgence during the present . . .
We are, Gentlemen, your obedient Servants,
GEORGE BUCKINGHAM,
CONRAD KNOWLES,
HARRIETT JONES.
Sydney, 25th March, 1834.
P. S. - Having received no answer to a proposition made to you, and the substance of which is embodied in the above, we reluctantly resort to this present mode of publication.

ASSOCIATIONS: Joseph Simmons (actor, manager); George Buckingham (actor)

"THEATRICAL BENEFIT CONCERT", The Sydney Herald (21 April 1834), 2

http://nla.gov.au/nla.news-article12849167

On Friday evening last, the principal performers of the Sydney Theatre gave their first Concert at the Pulteney Hotel . . . "Why are you wandering," by Mrs. Jones, accompanied by Mr. Knowles on the pianoforte, was prettily performed . . . "Rest Thee Babe," arranged as a quartette followed, between Mrs. Taylor, Mrs. Jones, Mr. Buckingham and Mr. Grove, (Mr. Knowles presiding at the piano), and was sung with great sweetness and melody. This finished Part the First . . .
The "Minute Gun at Sea," by Messrs. Knowles and Grove followed, and was above mediocrity . . . "Love was once a little Boy," by Mrs. Jones (Mr. Knowles presiding at the piano-forte), was the best of her performances . . . "Auld Lang Syne," between Mrs. Taylor, Mrs. Jones, Braham, and Buckingham, (Mr. Knowles at the piano-forte) which was appreciated by the audience and encored. "God save the King," by the whole of the Company, wound up the Evening's Amusements . . .

ASSOCIATIONS: Maria Taylor (actor, vocalist); Daniel Parsons Grove (actor, vocalist); Mr. Braham (vocalist); Pulteney Hotel (Sydney venue)

"MR. GORDONOCITCH'S CONCERT", The Sydney Gazette and New South Wales Advertiser (22 January 1835), 2

http://nla.gov.au/nla.news-article2197118

On Tuesday evening one of the most brilliant and fashionable assemblages that New South Wales can produce, assembled at the Pulteney Hotel for the purpose of hearing (as it turned out to be) some of the finest specimens of vocal and instrumental music ever before heard in this colony. The arrangements made by Mr. Cavendish, under whose superintendence the concert was got up, reflect infinite credit, on that gentleman; as we are perfectly certain be must have been indefatigable in his exertions, which we are happy to say have been crowned with complete success. We observed there His Excellency the Governor, and the officers of his staff and many families of the highest standing in the colony. The room was crowded to excess, there being upwards of 500 persons present . . .
Mrs. Tayor's "Come where the Aspens quiver," elicited great applause; as did likewise a French song, (Lechalsier [? Le chasseur]) sung by Mr. Knowles with great effect . . . and a glee by Mrs. Taylor, Mr. Aldis and Mr. Knowles gave entire satisfaction . . . glee, "Dame Durdon," by Mr. Aldis, Mr. Knowles, and Master Horn, was middling . . . PART II. commenced with an overture, (Mozart) which was a fine performance; a glee by Messrs. Aldis and Knowles and Mrs. Taylor, went off very gaily . . . A trio, "Lady fair," by Mrs. Taylor, Mr. Aldis, and Mr. Knowles, was finely executed, Mr. Knowles's bass, fine in the extreme. Solo and grand double chorus (Purcell), Knowles, in his first part, was greatly at fault, not being able to reach the high notes . . .

ASSOCIATIONS: George Gordonovitch (vocalist); William Henry Aldis (vocalist); Master Horne (vocalist)

"CONCERT", The Australian (23 January 1835), 2

http://nla.gov.au/nla.news-article42009914

. . . The principal singers were Mrs. Taylor, a young lady, Master Horne, Mr. Aldis, Mr. Ellis, and Mr. Knowles. The choruses were by the choir of the Roman Catholic Chapel . . . Mr. Knowles sang "Cupid and the Butterfly." The air was pretty and gay . . . Messrs. Aldis and Knowles, and Mrs. Taylor sung the glee "Shepherds tell me have you seen", accurately, and with taste . . . A glee by Messrs. Aldis and Knowles, and a young gentleman, and the overture to Faustus, closed the first part of the concert . . . Glee, "Oh why to be happy," by Mrs. Taylor and Messrs. Knowles and Aldis . . . "Oh, lady fair," by Mrs. Taylor and Messrs. Knowles and Aldis, was weak, and somewhat out of tune in the chorus, occasioned by Mrs. T's maintaining too high a pitch for the contr'alto with which she had to unite . . .

ASSOCIATIONS: St. Mary's chapel (Sydney)

"The Concert", The Sydney Monitor (24 January 1835), 2

http://nla.gov.au/nla.news-article32148113

. . . We are not aware what caused Messrs. Knowles and Aldis to quit their ordinary professions and turn public singers. Their voices are not suitable for a concert room. However they appeared to hive heen diligent in practicing, and got through their parts creditably . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (21 March 1835), 3

http://nla.gov.au/nla.news-article2197644

CONCERT. MRS. TAYLOR RESPECTFULLY announces to her Friends and the Public generally,
that her CONCERT will take place at the PULTENEY HOTEL, on TUESDAY next, the 24th Instant,
assisted (with Permission of Colonel Despard) by the Band of the 17th Regiment.
PART I . . . 4. Duet - When a Little Farm we Keep, by Mrs. Taylor and Mr. Knowles - Mazzinghi . . .

ASSOCIATIONS: Band of the 17th Regiment (military)

MUSIC: When a little farm we keep (Mazzinghi)

"THE THEATRE", The Australian (3 March 1837), 2

http://nla.gov.au/nla.news-article36858684

. . . The duet of When a little farm we keep is beyond the vocal powers of Mrs. Jones and Mr. Knowles . . .

"PASSENGERS BY THE FOLLOWING VESSELS", The Sydney Gazette and New South Wales Advertiser (23 May 1837), 2

http://nla.gov.au/nla.news-article2211022

Fortune, for London - Cabin, . . . and Mrs. Boatright. Steerage . . . Mr. Conrad Knowles, Mrs. Jones and child . . .

ASSOCIATIONS: Mrs. Boatright (vocalist)

"ARRIVALS", The Sydney Gazette and New South Wales Advertiser (4 October 1838), 2

http://nla.gov.au/nla.news-article2543559

From Plymouth, on Tuesday last, whence she sailed the 14th of June, the barque Coromandel, 662 tons, Captain Neale, with 281 Emigrants.
Passengers - . . . Intermediate - Messrs. . . . Conrad Knowles, wife, and son . . .

[Advertisement], Port Phillip Gazette [Melbourne, NSW (VIC)] (6 January 1844), 3

http://nla.gov.au/nla.news-article224810410

VICTORIA THEATRE. ON SATURDAY, January 6, WILL be presented the popular Comedy in two acts, entitled OF AGE TO-MORROW . . .
Frederick (Baron Willenhurst) who will assume four different characters - Mr. Knowles . . .
Maria (with songs) - Mrs. Knowles.
"While I hang on your bosom distracted to to lose you," MRS. KNOWLES.
Duet - "Tell me you hussy tell me truly," MR. & MRS. KNOWLES . . .

ASSOCIATIONS: Royal Victoria Theatre (Melbourne venue)

"ORIGINAL CORRESPONDENCE. To the Editor of . . .", Port Phillip Gazette (7 February 1844), 2

http://nla.gov.au/nla.news-article224812127

SIR, - I beg you will be kind enough to insert the following remarks on two articles relative to the Theatre, the one having appeared in the Herald of 2nd instant, and the other in the Patriot of this morning. Mr. Miller is accused of singing a song between the drama and farce, not suited to ears polite.
The comedy of The Hypocrite is alluded to as being blasphemous, &c., &c, An Allusion is made also to an introduction of words in the comedy not written by the author.
It is stated that a Mr. Young was highly incensed on listening to Mr. Miller's song.
A further reflection is also made on Mr. Winter, for singing a comic song called "I'm too little for anything." To each of these remarks allow me to reply. - 1st, that the song sung by Mr. Miller on the evening alluded to, I have heard sung by John Reeve at the Adelphi Theatre, London, many times to fashionable audiences. The same remark will apply relative to Mr. Winter's song, which has been sung night after night at the Strand Theatre by W. S. Hammond, and the taste of the audience was never offended . . . my aim is to please the public, and I defy any one to say that during a long professional career I ever sanctioned any thing offensive to the public, either on the stage or any where else.
I am, Sir, Your obedient servant,
C. KNOWLES . . .

ASSOCIATIONS: William Miller (vocalist, actor); Richard Winter (actor, vocalist); John Reeve (English actor, vocalist); William John Hammond (actor, vocalist); Adelphi Theatre (London venue); Strand Theatre (London venue)

MUSIC: They say I'm too little for anything ["From a child I've been subject to strife] (song)

[Advertisement], Port Phillip Gazette (6 April 1844), 3

http://nla.gov.au/nla.news-article224812180

Royal Victoria Theatre.
THE HOLIDAY WEEK. - MORE NOVELTIES . . . next MONDAY being EASTER MONDAY,
The Manager has determined to produce such pieces, together with other entertainments consisting of SINGING AND DANCING that cannot fail to meet the approval of the public . . .
TO BE FOLLOWED BY A CONCERT, consisting of the following songs, duets, &c., &c.
The popular ballad, Oh give me but my Arab Steed, by MRS. RICHARDS.
Shakspeare's Seven Ages, Comic Song for the first time, BY MR. KNOWLES.
For the first lime the favorite Ballad, "The Mountain Maid" BY MRS. KNOWLES.
The famous Irish melody, (also for the first time) "Kathleen Mavourneen" BY MRS. RICHARDS.
The well knows favorite duet "The Minute Gun at Sea" BY MR. AND MRS. KNOWLES.
And by particular desire, Bishop's popular composition "Tell me my Heart" BY MRS. KNOWLES . . .
THE WHOLE UNDER THE MANAGEMENT OF MR. KNOWLES.

ASSOCIATIONS: Dorothea Richards (vocalist)

MUSIC: Shakspeare's seven ages (comic song); The minute gun at sea (M. P. King)

"THEATRE. MRS. MURRAY'S BENEFIT", Port Phillip Gazette (11 May 1844), 2

http://nla.gov.au/nla.news-article224813042

Mrs. Murray's Benefit came off on Monday night last, and was extremely well attended. The pieces selected for the evening were not judiciously chosen; however they were the best on hand. Of the first, Charles the Second, we can only say that Capper was wholly unequal to the difficult character of Captain Copp, playing all the coarseness of the character without its bluff honesty. Miller was also misplaced as the "Merry Monarch," but criticism must here be silent, as the character was thrust upon him at an hour's notice, the audience being informed that Mr. Knowles (the original cast) was suddenly indisposed, and consequently unable to appear . . .

ASSOCIATIONS: Dinah Murray (actor, vocalist); William Miller (actor, as above); Richard Capper (actor)

"DIED", Port Phillip Gazette (22 May 1844), 3

http://nla.gov.au/nla.news-article224809595

On Sunday evening last, after a short but severe illness, Conrad Knowles, Esq., son of the Rev. John Knowles, Wesleyan Minister.

We have to-day the melancholy duty to perform of announcing the death, on Sunday last, of Mr. Knowles, the Manager of the Victoria Theatre, after a short but very severe illness. As a performer, Mr. Knowles has been unrivalled on the Colonial boards during the last twelve years, indeed he was one of the very few gentlemen by birth, breeding, and education, who have adopted the theatrical profession in Australia. Had his lot been differently cast - had he commenced his professional career on the London instead of the Sydney stage, with a wider sphere of action and greater incentives to exertion, Knowles we feel assured would have taken his place among the Macready's and Kean's of the day. It is proposed to get up a performance at the Theatre for the benefit of the widow, we feel assured that in such an event the house would be a bumper.

"DEATH OF MR. KNOWLES", The Sydney Morning Herald [NSW] (31 May 1844), 3

http://nla.gov.au/nla.news-article12418529

The numerous friends of Mr. Knowles will learn with regret that he died in Melbourne, on the 20th instant after an illness of about a fortnight's duration. Mr. Knowles has been connected with theatricals from their first establishment in the colony, having been a member of the company which played in the Royal Hotel Saloon. As an actor he has never had an equal in these colonies, either in pathetic tragedy or genteel comedy. He was a man of attainments far superior to those of the general run of actors in the colonies, and had a very extensive circle of friends and acquaintances in this part of the colony, by whom he was held in high esteem. He has for the last few months been lessee of the Melbourne Theatre, but we believe it had not been a very successful speculation.

"THE LATE MR. CONRAD KNOWLES", The Australian [Sydney, NSW] (4 June 1844), 3

http://nla.gov.au/nla.news-article37125533

The subject of this notice, was the son of a respectable Dissenting Minister in England, in the enjoyment of a comfortable living; but possessing no superfluities of worldly riches, he was induced to let his son indulge his natural disposition for travel and adventure, by emigrating to these colonies, to push his fortune by his own enterprising spirit, and with abilities aided with a very liberal education. In the year 1831, or 32, when the colonization of that unfortunate locality, Swan River, was commenced, Mr. Conrad Knowles was one of the first emigrants; and to the utter failure of its success is the Sydney Stage indebted for the production of one of its highest ornaments for many years. Mr. Knowles, in common with his deluded fellow-countrymen, was despoiled of his little all in that untoward adventure, and was thrown pennyless upon the world in a strange land. However, the same elasticity of spirit which subsequently sustained his reputation as an actor, under every disadvantage against which he had to struggle in the infancy of the Colonial Drama, which he so perseveringly labored to establish and improve, supported him under all his misfortunes; and, gathering his effects, such as they were, together, he took his departure from the inhospitable shores of Swan River, and re-emigrated to the sister colony of Van Diemen's Land.

During his sojourn in that colony, he was employed in two of the most respectable private educational establishments in the colony, in teaching drawing, French, and the dead languages, accomplishments in which he was eminently qualified to give instructions. The cause of his abandoning the secluded pursuit of a tutor was as unforeseen and accidental as that which led him to embrace it. A romantic passion for one of the young ladies, who returned it with equal warmth, occasioned some scandal, which induced the friends of young Knowles' "first love," to withdraw her from the establishment, and his dismissal followed immediately afterwards, as a consequence.

Then it was that Mr. Knowles directed his course to Sydney, where he hoped his acquirements would procure for him, at least, a respectable livelihood. He had another inducement for visiting Sydney in preference to any of the neighbouring colonies, which was, that a highly respectable family, to which he was distantly related, resided here, which, he had every reason to anticipate, would give him a welcome reception, and a helping hand in the furtherance of his views. He was not disappointed. He was affectionately received into the bosom of that family, and experienced all the friendship, and kindness he was led to expect. At this period, the late Mr. Barnet Levey was beating-up for recruits to commence the first theatrical campaign in New South Wales, and Mr. Knowles having procured an introduction to him and his embryo company, first conceived the project of entering upon the dramatic profession. Still there was one almost insuperable objection to the step, which was, the certainty of forfeiting for ever the friendship and countenance of his relatives, who, being strict Wesleyans, entertained conscientious objections against theatrical exhibitions. Knowles continued for some time undecided; attending prayer-meetings by night, and rehearsals by day, until, at last, he determined to throw off the disguise he was constrained from prudential motives to wear, and boldly assume the sock and, buskin, to "trot his hour upon the stage, like a poor player." All preliminaries being arranged for that purpose he delivered a farewell address, at the last prayer-meeting he attended, to his Brother Methodists on one night, and made his "first appearance" on the Sydney boards on the night following. Since that period he has laboured, during a series of years, without intermission, to advance the interests of the profession, of which he was so distinguished an ornament, with credit to himself and gratification to the play-going public, who have now to regret the loss of a sterling actor, and an accomplished but unfortunate gentleman.

"AUSTRALIAN STAGE. FAMOUS PLAYERS OF THE PAST", The Sydney Morning Herald (16 November 1912), 7

http://nla.gov.au/nla.news-article15375893

In his paper on "The Australian Stage," read before the Shakespeare Society of New South Wales, in King's Hall, Phillip-street, on Tuesday night, Mr. W. Farmer Whyte (hon. secretary of the society) gave an interesting glimpse of the past history of our stage, more particularly in regard to Shakespearian productions . . . Some instances were given of the versatility that was required in an actor, in days gone by. It was mentioned how Knowles played Shylock at one of his many "benefits," sang in the duet "Pretty Polly Hopkins" with Mrs. Jones, gave a comic recitation in broken English, and wound up with the part of Mazzaroni in the drama of "The Italian Brigand" - all in the one night. . . .

Dramatic works:

Salathiel; or, The Jewish chieftain (1842)

Salathiel; or, The Jewish chieftain, a drama in three acts by C. Knowles, performed at the Royal Victoria Theatre, Sydney, (for the first time,) for the benefit of Mrs. Knowles, August 4th, 1842 (Sydney: Printed by T. Trood, 1842)

https://trove.nla.gov.au/work/8309455

http://handle.slv.vic.gov.au/10381/246980 (DIGITISED)

ASSOCIATIONS: Thomas Trood (printer); Royal Victoria Theatre (Sydney venue)

MUSIC: Included songs with music by Spencer Wellington Wallace (music lost): Softly while the fountains play, for Matilda Jones (actor, vocalist), as ZOE (act 1, page 11); My native land, sweet native land, for Harriet Jones as SALOME (act 2, page 30)

[Advertisement], Australasian Chronicle [Sydney, NSW] (4 August 1842), 1

http://nla.gov.au/nla.news-article31736751

ROYAL VICTORIA THEATRE.
GREAT NOVELTY! FOR THE BENEFIT OF MRS. KNOWLES . . .
THURSDAY EVENING, August 4th . . . NEW AND ORIGINAL TRAGIC PLAY,
Written by MR. KNOWLES expressly for this occasion . . .
The new and original Music, by Mr. S. W. Wallace . . .
founded on Sir E. L. Bulwer's Romance of "The Siege of Granada," and upon the history of the decline and fall of the Moorish power in Spain, entitled
SALATHIEL; OR, THE JEWISH CHIEFTAIN . . .
Salathiel . . . - MR. KNOWLES . . .
Salome, daughter of Salathiel - Mrs. KNOWLES . . .
Zoe, a Moorish slave - Miss Jones . . .

Bibliography and resources:

F. C. Brewer, The drama and music in New South Wales (Sydney: Charles Potter, Govt. Printer, Sydney, for the New South Wales Commission for the World's Columbian Exposition (1893: Chicago, Ill.), 1892), esp. 6 and 7

https://archive.org/details/dramamusicinnews00brew/page/6/mode/2up (DIGITISED)

. . . [6] . . . in no line taken up by Knowles was he so successful as in the delineation of old characters . . . [7] . . . Knowles had many qualities that are necessary to make a good actor - he was well educated (and indeed it was said that he was intended for the ministry of one of the non-conforming bodies), he usually gave a scholarly reading of the characters of Shakspeare and other great authors, and in lesser parts displayed dramatic power of no mean order. His acting in genteel comedy was characterised by refinement. His personal appearance, too, was in his favour. He had expressive features, and a good stage carriage. One defect however, he never, overcame, and this was his habit of finishing his scenes in the middle of the stage, and then walking off as if he uttered the words, "That's all at present" . . .

ASSOCIATIONS: Francis Campbell Brewer (memoirist)

KNOWLES, Frank (Frank KNOWLES; F. KNOWLES; Mr. KNOWLES)

Amateur vocalist, amateur actor, playwright, journalist

Born England, c. 1817
Arrived Circular Head, VDL (TAS), 6 March 1840 (per Thomas Lawrie, from London)
Departed Hobart Town, TAS, 1 March 1850 (per Pryde, for San Francisco)
Died San Francisco, CA, USA, 24 February 1861, aged "43/44"

https://trove.nla.gov.au/search?l-publictag=Frank+Knowles+c1817-1861 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOWLES-Frank (shareable link to this entry)

Documentation:

"Launceston Shipping List", Launceston Advertiser [VDL (TAS)] (12 March 1840), 4

http://nla.gov.au/nla.news-article84753635

March 6. - Schooner Thomas Lawrie, 249 tons, Price, master, from London to Circular Head. Passengers - Mr. Charles Tozer, W. C. Henley, John Latan, Simon Scrivener, Frank Knowles . . .

[News], Launceston Advertiser (11 June 1840), 2

http://nla.gov.au/nla.news-article84753401

We have been requested to correct an error into which we were led, in stating some weeks since, that Mr. Chas. Friend had received the appointment of Chief Clerk of the Bench in the Police Office, vacated by the removal of Mr. Brady to Hobart Town. Mr. Frank Knowles has been appointed to the situation, a gentleman recently arrived from London, and of highly respectable connexions.

"THEATRE", The Cornwall Chronicle [Launceston, VDL (TAS)] (22 March 1845), 2

http://nla.gov.au/nla.news-article66267640

On Thursday last, Mr. F. Knowles new piece, entitled "High and Low Life," was presented to a numerous, respectable, and, we may add, highly gratified audience. As a specimen of colonial talent, we consider Mr. Knowles' production as creditable in the extreme; - the author evinces throughout the whole piece an intimate knowledge of the scenes which he professes to portray; - altogether the performance was exceedingly well received, and, as we understand it to be the author's intention to favour the public with another of his dramatic efforts, we trust he may prove equally successful . . . We hope that the exertions of Mr. Coppin will be rewarded with bumper houses in return for his efforts to please.

ASSOCIATIONS: George Coppin (actor, manager); Olympic Theatre (Launceston venue)

"HOBART TOWN REGATTA, AND MR. CLEBURNE'S ENTERTAINMENT (From our H. T. Correspondent)", Launceston Examiner (5 December 1849), 5

http://nla.gov.au/nla.news-article36259068

The regatta on Friday last [30 November] was the best ever witnessed in Van Diemen's Land, according to the opinion of the oldest colonists . . . On Saturday last R. Cleburne, Esq., gave an entertainment of a most extraordinary description to the elite of Hobart Town in his soap manufactory, at the Old Wharf. The worthy host provided a most ample collation at twelve o'clock, composed of cold viands of the best description, and the best of wine, spirits and beer ad libitum . . . Afterwards, toast succeeded toast, and song was given after song, and it may only be said that the company met, determined to be happy and not disorderly . . . The best songs on this public occasion were sung by Mr. Knowles, of the Colonial Times office, who as a comic singer gave unbounded satisfaction. Other gentlemen also gratified the company in the like way, and in particular Mr. Wynne . . .

ASSOCIATIONS: Richard Cleburne (manufacturer); Robert Wynne (amateur vocalist)

"SHIPPING NEWS", The Courier [Hobart, TAS] (2 March 1850), 2

http://nla.gov.au/nla.news-article2963518

March 1 - Sailed the brig Pryde, 204 tons, Robinson, for California, with a general cargo. Passengers . . . Messrs. . . . F. Knowles . . .

"MULTUM IN PARVO", The Courier [Hobart, TAS] (30 November 1850), 3

http://nla.gov.au/nla.news-article2961735

. . . Mr. F. Knowles, formerly connected with the local journals, has left the Daily Public News Office, San Francisco, and is engaged as a law writer . . .

"GENERAL INTELLIGENCE", The Courier [Hobart, TAS] (31 December 1855), 2

http://nla.gov.au/nla.news-article2496431

TURNING over our intermediate files of newspapers from California, we find that in August last a question was raised as to whether the State Courts and the right to issue letters of naturalisation or not. In order to have the question tested, an application for letters of naturalisation was made, pro forma, by Mr. Frank Knowles, late of this city, and often reported to be dead, and the case was argued at considerable length, and it was decided that the State Court had not the power. The consequence was that many voters were disfranchised at the elections in September last.

"A MAN OF NOTE DIES IN THE STREET", Placer Herald [California, USA] (2 March 1861), 4

https://cdnc.ucr.edu/?a=d&d=PH18610302.2.19

The S. F. Mirror of the 25th of February says: -
The dead body of Mr. Frank Knowles, was found at 7 o'clock, yesterday morning, lying on the sidewalk in front of Jerry Sullivan's news depot. The deceased was a native of England, aged 44 years, and was a nephew of the celebrated Sheridan Knowles. He came from Australia to California in 1849, and was for a short time connected with the press of this city. He was also a playwright. Laterally he was engaged in the post office, as assorting clerk, and it was evidently while on his way to that institution that he fell. The cause of death was pulmonary apoplexy.

ASSOCIATIONS: James Sheridan Knowles (claimed relative)

Bibliography and resources:

Frank Knowles, Find a grave

https://www.findagrave.com/memorial/275892504/frank-knowles

KNOWLES, Margaret Ann (Margaret Ann KNOWLES; Mrs. Richard William COX)

Musical amateur, amateur musician, pianist, vocalist

Born Yorkshire, England, 1832; baptised Smarber Hall Chapel (Independent), Swaledale, Yorkshire, 14 July 1832; daughter of Edmond KNOWLES and Ann GRIME
Arrived NSW, by 1852 (mother died Mulgoa, NSW, November 1852)
Married Richard William COX (1832-1914), St. Thomas's church, Mulgoa, NSW, 13 August 1855
Died Mudgee, NSW, 12 November 1913

https://trove.nla.gov.au/search?l-publictag=Margaret+Ann+Knowles+Cox+1832-1913 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOWLES-Margaret-Ann (shareable link to this entry)

Documentation:

https://www.ancestry.com.au/search/collections/2972/records/1532656 (PAYWALL)

July 14th 1832 Baptized Margaret Ann, the daughter of Mr. Edmond & Mrs. Ann Knowles, of Low Row, she was born [?]

ASSOCIATIONS: Edmond Alderson Knowles (1805-1860) and Ann Grime (1806-1852) married at Muker, Yorkshire, on 23 September 1826

England census, 30 March 1851, Melbecks, Yorkshire; UK National Archives, HO 107/2380

https://www.ancestry.com.au/interactive/8860/YRKHO107_2380_2381-0037/14373693 (PAYWALL)

51 / Paridise [Low Row] / Edmund Knowles / Head / 45 / Manufacturer of Hosiery / [born] Yorkshire Melbeck
Nanny [Knowles] / Wife / 44 / - / Yorkshire Melbeck
George [Knowles] / Son / 22 / Clerk / Yorkshire Melbeck
John [Knowles] / Son / 20 / [Clerk] / Yorkshire Melbeck
Margaret Yorkshire /Dau. / 18 / - / Melbeck . . .

"MARRIAGES", The People's Advocate and New South Wales Vindicator (18 August 1855), 14

http://nla.gov.au/nla.news-article251545769

On the 9th instant, at St. Thomas' Church, Mulgoa, by the Rev. George Vidal, Richard William Cox, Esq, J.P., second son of Edwin Cox, Esq., of Fernhill, to Margaret Anne, only daughter of Edmond A. Knowles, Esq.

"DEATHS", The Sydney Morning Herald (24 November 1913), 8

http://nla.gov.au/nla.news-article15490623

COX. - November 12, at Mudgee, Margaret Ann, wife of Richard Wm. Cox, aged 81 years.

"MR. RICHARD W. COX", Mudgee Guardian and North-Western Representative (14 December 1914), 2

http://nla.gov.au/nla.news-article156824809

There died on Friday last a very old Mudgee resident, in the person of Mr. Richard William Cox, aged about 80 years. Deceased was the second son of the late Mr. Edward Cox, and brother of the late Dr. Cox of Sydney. About 45 years ago he was managing Rawden Station for his brother, the Hon. E. King Cox. After some years he left Rawden and managed Lue Station, now the property of Mr. G. Raffan. His next move was to his own property, "Bristowe," near Lue, where he remained for some years. He did so well that he retired and lived privately in Mudgee. Deceased was very highly respected and had a kindly, straightforward disposition, which gained him many friends . . .

Musical source:

Owner bound album of sheet music, belonging to Margaret Ann Knowles Cox, most contents c. 1850s; University of Sydney, library, rare books

https://trove.nla.gov.au/work/236415820

https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1tvk8cv/alma991031563297505106

Say yes / composed for and sung by Made. Anna Thillon at M. Jullien's concerts by W. S. Pratten; written by Ernest T. Fripp. (London: Jullien & Co.)
Light in darkness duet / the words by J.E. Carpenter ; the music by Stephen Glover. (London: Duff & Hodgson.)
The old folks at home: the admired negro song for the piano forte with chorus. (London: Musical Bouquet Office.)
The soldier's wife: song / words by Charles Jefferys ; music by Stephen Glover. (London: Charles Jefferys.])
Home, sweet home / as sung by Miss Catherine Hayes. (Sydney: Woolcott & Clarke.)
Oh! For some fairy wings: song / written by E.L. Blanchard ; the music composed by Mendelssohn ; adapted by W. Lovell Phillips. (London: Addison & Hollier.)
Bid me discourse / sung by Miss. M. Tree . . .; music composed by Sir Henry R. Bishop. (London: D'Almaine & Co.)
The Australian immigrant, or, "England! Tho' I call thee mother" / by Stephen Glover. (Sydney: H. Marsh & Co.)
Sweet love arise: serenade / translated from the French by W. H. Bellamy; composed by Paul Henrion)
Hear me gentle Maritana / cavatina sung by Mr. Borrani . . .; the words by E. Fitzball; composed by W. Vincent Wallace. (London: Cramer, Beale & Co.)
Valse a deux temps / par Charles D'Albert. The autumn flower. The Queen of gipsies
The sleigh / polka by Jullien. (Label: C. T. Stanton and Co., Music Publishers & Print-Sellers, 171 , George Street, next "Empire" Office.)
The royal visit quadrille / by Chas. D'Albert. (Label: C. T. Stanton and Co., Music Publishers & Print-Sellers, 171, George Street).

ASSOCIATIONS: Catherine Hayes (vocalist); Woolcott and Clarke (musicsellers, publishers); Henry Marsh (musicseller, publisher)

KNOX, William Robert (William Robert KNOX; W. R. KNOX)

Musician, pianist, organist, composer

Born Adelaide, SA, 21 July 1861
Died Tranmere, SA, 7 September 1933, aged 72

https://trove.nla.gov.au/search?l-publictag=William+Robert+Knox+1861-1933 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-460352 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNOX-William-Robert (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

ASSOCIATIONS: Paolo Giorza (teacher)

Documentation:

"BIRTH", South Australian Register [Adelaide, SA] (23 July 1861), 2

http://nla.gov.au/nla.news-article50085306

On the 21st July, at Tavistock-buildings, the wife of Mr. John Knox, jun., of a son.

"GENERAL NEWS", The Express and Telegraph (3 January 1878), 1

http://nla.gov.au/nla.news-article207642666

The Rechabites connected with the Alliance and Alexandra Tents, I.O.R., held their annual picnic at Gaskmore Park, on the Torrens, about five miles from Adelaide, on New Year's Day. There were some good sports . . . A brass band was in attendance during the day. In the evening a concert was given in the Temperance Hall, North Adelaide, Mr. J. Yardon, P.D.O.R., presiding. There was a large attendance. Some good singing was contributed by the Misses Cole, Lillywhite, a lady amateur, and Messrs. Jessop, Matters, Nethway, Roberts, Stewart, and Thompson, Mr. W. R. Knox presiding at the pianoforte. A very pleasing entertainment was given.

[Advertisement], Evening Journal (31 March 1879), 2

http://nla.gov.au/nla.news-article204438775

MR. W. R. KNOX (Pupil of Signor GIORZA) is prepared to give LESSONS on the PIANOFORTE. Address Morton Villa, Young-street west, Parkside. Terms on application.

"NEW MUSIC", The Advertiser (10 April 1894), 6

http://nla.gov.au/nla.news-article25721640

We have received from the publishers, Messrs. P. A. Howells & Co. of Rundle-street, three new musical compositions by local musicians. Of these a, "Menuet" for piano, written br A. Wyatt Mortimer, is dedicated to Mrs. W. Robertson, of Turretfield. This is not a very pretentious writing, a simple melody being set to the graceful movement of the minuet with fair effect. A "Tarentelle en E Mineur," by Mr. W. R. Knox, is a more ambitious composition affording a good arpeggio study within the capabilities of an average student, and is also both pleasing and striking in detail. A Morceau Brillant for the piano, "Elaine," is by the same composer, contains a pretty melody with brightly written variations. The three pieces, which are excellent ensamples of the printer's art, are from the establishment of C. G. Roder, Leipsig.

"DEATHS", The Advertiser (7 September 1933), 14

http://nla.gov.au/nla.news-article74021174

KNOX. - On the 7th September, at his residence, William Robert, beloved husband of Adelle M. Knox, of Magill road, Tranmere, aged 72 years.

"Order For Administration in Bankruptcy", The Advertiser (20 January 1934), 18

http://nla.gov.au/nla.news-article36472021

An order for the administration in bankruptcy of the estate of the late William Robert Knox, of Tranmere, music teacher and piano importer, who died on September 7, was made by Judge Paine in the Bankruptcy Court yesterday. The petition was made by the widow. Adelle Martha Knox, of Westbourne Park, on the grounds that the estate was insufficient to pay the debts, the assets being valued at £4,532 10/4, and the liabilities at £5,411 4/-.

Bibliography and resources:

"John Knox", Legacies of British Slave-ownership database

https://www.ucl.ac.uk/lbs/person/view/2146641997

On William's grandfather, John Knox (1898-1868) and father, also John Knox (d. 1908)

David Shield, "The elusive Miss Blown: organists of South Australia", OHTA Journal (April 1998), 16-18, 23-29

https://ohta.org.au/doc/articles/shield1.html

Includes a short but detailed biography of Knox.

KNYVETT, Edmund (Edmund William KNYVETT; Edmund KNYVETT; E. KNYVETT; Mr. KNYVETT)

Musician, professor of music, teacher of music

Born Reading, Berkshire, England, 22 November 1801; baptised St. Mary, St. Mary-le-bone, 8 October 1802, son of Charles KNYVETT (1773-1852) and Jane LANEY
Married (1) Emma RICHARDSON (1808-1853), London, England, 19 March 1829
Arrived Nelson, NZ, 30 January 1850 (per Berkshire, from London, 4 October 1849)
Arrived Sydney, NSW, 8 July 1853 (passenger per Gwalior, from NZ)
Departed Sydney, NSW, after October 1853
Died Nelson, NZ, 6 September 1875

https://trove.nla.gov.au/search?l-publictag=Edmund+Kynvett+1801-1875 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KNYVETT-Edmund (shareable link to this entry)

Edmund Knyvett, New Zealand, c. 1860s (thanks, September 2013, to family historian Linda Burge for information and the photograph reproduced here)

Summary:

Edmund Kynvett was a grandson of Charles Knyvett (1752-1822), alto singer at the Handel Commemoration of 1784, a gentleman of the Chapel Royal from 1786 and organist from 1822, and father of Charles, Henry, and William Knyvett (1779-1856). Edmund's father Charles (1773-1852) studied under Samuel Webbe and was organist of St. George's, Hanover Square, from 1802. Charles and William, together with and Thomas Greatorex and James Bartleman, were directors of the Hanover Square Concerts.

Edmund was insolvent in 1846, and shortly afterward (allowing for some possible confusion among the Knyvetts) was reportedly the first music teacher of the painter William Blake Richmond (1842-1921), a sickly child who was meanwhile receiving general tutoring at home from Ruskin:

The musical training bestowed on him was of the most thorough description. His first lesson was given to him by old Edmund Knyvett, who was one of Haydn's pupils. He used to go to York Street dressed in a blue coat, with brass buttons and shorts, and play Mozart's and Haydn's fugues and sonatas upon one of those charming tinkling little pianos made about 150 years ago.

Edmund, aged 49, and described as a "farmer", arrived in New Zealand in January 1850 with his wife Emma, 42, and 11 children.

He was in Sydney in mid-1853, and at St. Mark's Collegiate Institution in Alexandria in October 1853:

THE department of Music, Vocal and Instrumental, in the above institution has been undertaken by Edmund Knyvett, Esq., (so well known in musical circles in England,) formerly deputy organist at St. George's, Hanover Square, afterwards organist at St. Peter's, Pimlico, and now organist of St. Mark's Church, Alexandria.

(Music at St. Mark's school was later taken over by Charles W. Harwood.)

Knyevtt's wife, Emma died in NZ on 3 October 1853, and it was probably on receiving news of her death that he left Sydney. sooner than he might otherwise have anticipated, to return to Nelson.

Edmund Knyvett last advertised as a music teacher in Nelson in 1873, two years before his death at the age of 74.

A death notice for Edmund's uncle, William Knyvett (1779-1856) appeared in Sydney in September 1857.

See also:

https://trove.nla.gov.au/search?l-publictag=William+Knyvett+1779-1856 (TROVE tagged by Australharmony)

Documentation:

Baptisms, St. Marylebone, Westminster, Middlesex, 1802; register 1798-1812; London Metropolitan Archives, P89/MRY1/083

https://www.ancestry.com.au/search/collections/1624/records/808218 (PAYWALL)

[1802 October] 8th / Edmund Knyvett [son] of Cha's & Jane b[orn] 22 Nov'r [1801]

Old Bailey proceedings, 17 August 1840, Old Bailey online

https://www.oldbaileyonline.org/record/t18400817-2009

2009. PATRICK BOURKE was indicted for stealing, on the 11th of August, 1 tent, value 15s., the goods of Edmund Knyvett.
EDMUND KNYVETT. I am a teacher of music, and live at Old Abbey Cottage, Kilburn. I had a tent by my house - I saw it safe about half-past ten o'clock on the night of the 11th of August - the policeman called me up about two o'clock in the morning, and I missed it - this is it - (looking at it) - I have taken a great deal of pains to ascertain the prisoner's character, and find it has been irreproachable - it is my firm conviction that he did not take the tent off my place - it was blown down when I came home, and it might have got into the road . . .
NOT GUILTY.

"INSOLVENCY CERTIFICATES", The jurist [London, England] (7 February 1846), 45

http://books.google.com.au/books?id=bUYwAAAAIAAJ&pg=PA45 (DIGITISED)

CERTIFICATES. To be allotted, unless . . . Cause be shewn to the contrary on or before Feb. 24 . . . Edmund Knyvett, Great Stanmore, Middlesex, teacher of music . . .

"SHIPPING INTELLIGENCE", Nelson Examiner [NZ] (2 February 1850), 191

https://paperspast.natlib.govt.nz/newspapers/NENZC18500202.2.2

ARRIVED. January 30, barque Berkshire, 582, Whyte, from London. Passengers for Nelson, the Rev. Mr. Wheeler, Mrs. Wheeler, and six children, Mr. and Mrs. Knyvett, and eleven children . . .

"LIST OF PERSONS qualified to server as JURORS", Nelson Examiner (7 February 1852), 4

https://paperspast.natlib.govt.nz/newspapers/NENZC18520207.2.11

. . . Knyvett, Edmund / Motueka / gentleman . . .

[Advertisement], Nelson Examiner (22 May 1852), 49

https://paperspast.natlib.govt.nz/newspapers/NENZC18520522.2.4.3

Mr. KNYVETT is now in Nelson, and ready of treat with any one requiring MUSICAL INSTRUCTION. Selwyn Street, May 20.

"NELSON PHILHARMONIC SOCIETY", Nelson Examiner (2 October 1852), 126

https://paperspast.natlib.govt.nz/newspapers/NENZC18521002.2.5

Oh Tuesday evening last the members of this Society, which has now been formed six months, gave their first public rehearsal in the Church schoolroom . . . 150 persons at least must have been present . . . The following is the programme of the performance:-

PART I.
Glee in chorus, "Glorious Apollo" - S. Webbe
Duet, "The minute gun at sea" - King
Solo, "Can I e'er forget the allvey"
Glee, "Of all the brave birds" - Freeman
Glee, "Breathe soft ye winds" - Paxton
Duet, "All's well" - Braham
Song, "When the kye comes hame"
National song and chorus, "Rule Britannia" - Arne.
PART II.
Glee, "Lightly tread" - Berg
Solo, "The Englishman" - Eliza Cook
Glee in chorus, "To all you ladies now on land" - Callcott
Trio, "A little farm well till'd" - Hook
Ethiopian Melody, "Uncle Ned"
Catch, "Old chairs to mend" - Dr. Arne
Glee, "Dame Durden"
Finale, "God save the Queen"

. . . The Report, which was read by the secretary, shows the unpretending character of this effort of the members of the Society to please their friends. We may however say, that while imperfections were apparent, there was also promise of improvement, and under the able superintendence of Mr. Knyvet, who has undertaken to become their instructor, if the Society does not attain high excellence, it will be likely to rank above mediocrity . . .

"SHIPPING INTELLIGENCE. ARRIVALS", Empire [Sydney, NSW] (9 July 1853), 4

http://nla.gov.au/nla.news-article61325876

July 8.- Gwalior, barque, 450 tons, Captain W. Taylor, from Wellington 13th, and Nelson 16th ultimo. Passengers - Edmond Knyvett . . .

[Advertisement], The Sydney Morning Herald (14 July 1853), 3

http://nla.gov.au/nla.news-article12947288

MUSICAL INSTRUCTION. - Mr. EDMUND KNYVETT, Professor of Music in London for a period of 25 years,
begs to inform the public of Sydney that he is desirous of giving instruction in Pianoforte-playing, and Singing.
Mr. E. Knyvett is nephew to the celebrated William Knyvett, organist and composer to her Majesty,
conductor of the Concerts of Ancient Music, &c, of the York and Birmingham festivals.
Mr. E. Knyvett was for many years deputy organist of St. George's, Hanover-square, and afterwards organist of St. Peter's, Belgrave-square.
The following extract from a speech of Mr. Justice Chapman, is from the Wellington Spectator, -
"The name of one Nelson Settler, Knyvett, is a guarantee for good taste, especially in good old English and sacred music."
Double Bay, July, 1853.

[Advertisement], The Sydney Morning Herald (7 October 1853), 1

http://nla.gov.au/nla.news-article12949352

COLLEGIATE INSTITUTION, SYDNEY.
MUSIC. THE department of Music, Vocal and Instrumental, in the above institution
has been undertaken by Edmund Knyvett, Esq., (so well known in musical circles in England,)
formerly deputy organist at St. George's, Hanover Square, afterwards organist at St. Peter's, Pimlico,
and now organist of St. Mark's Church, Alexandria.
- REV. JOHN MILNER, Principal.

[Advertisement], The Sydney Morning Herald (12 October 1853), 1

http://nla.gov.au/nla.news-article28643674

COLLEGIATE INSTITUTION, SYDNEY. - Mr. EDMUND KNYVETT, Professor of Music, at the above Institution, and Organist of St. Mark's, Alexandria. Address, Double Bay.

"DEATH", The Sydney Morning Herald (7 September 1857), 1

http://nla.gov.au/nla.news-article13000327

On the 17th November, Mr. W. Knyvett, the eminent glee composer and singer, in his 78th year. He retired into private life about thirteen years ago, and has since resided at Ryde, in the Isle of Wight, generally respected and esteemed. He was gentleman of and composer to her Majesty's Chapels Royal, having composed three Coronation anthems, viz., George the Fourth's, William the Fourth's, and the present Queen Victoria's; and also a lay vicar of Westminster Abbey; all which appointments he enjoyed till his death. He was for thirty years the principal counter tenor at the ancient concerts and the principal provincial music meetings, and for a number of years preceding his retirement he held the office of conductor of the Birmingham Festivals. His compositions were chiefly glees, some of which are very beautiful, and have become popular among the lovers of English vocal harmony. - London News, December 20th, 1856.

ASSOCIATIONS: William Knyvett (uncle)

[Advertisement], Colonist [NZ] (10 January 1871), 4

https://paperspast.natlib.govt.nz/newspapers/TC18710110.2.20.1

MUSIC. MR. EDMUND KNYVETT, Professor of Music,
having had many years of experience in tuition in London,
begs to announce that he has commenced practice in Nelson, and is prepared to receive
PUPILS for instruction in SINGING, the PIANOFORTE, ORGAN, and HARMONIUM.
Lessons to be given at his rooms, No. 5, South-street, or at pupils' residences.
For terms, apply to Mr. Knyvett, or at Mr. Stanton's, Trafalgar-street.

September 1875, New Zealand, Cemetery Records; Marlborough, Nelson;

https://www.ancestry.com.au/interactive/60547/43391_344171-01748/1076865 (PAYWALL)

4008 / Anglican Block 6 - Plot 28 . . . Headstone: EDMUND KNYVETT born at Reading, Berkshie 22nd November 1818 died 6th September 1875.

[Removals from electoral roll], Colonist (8 May 1877), 2

https://paperspast.natlib.govt.nz/newspapers/TC18770508.2.3.4

Knyvett, Edmund / Waimea South / household / dead . . .

Bibliography and resources:

"Sir William Richmond and his work", The Review of Reviews (20 December 1902), 588

http://archive.org/stream/dec1902steads00melbuoft#page/588/mode/2up

. . . Sir William has won distinction as a portrait painter. He has always been a devoted student of architecture, and music is another of his artistic interests . . . His first lesson was given to him by old Edmund Knyvett, who was one of Haydn's pupils. He used to go to York Street dressed in a blue coat, with brass buttons and shorts, and play Mozart's and Haydn's fugues and sonatas upon one of those charming tinkling little pianos made about 150 years ago . . .

Robert Farquharson Sharp, "KNYVETT, CHARLES (1752–1822)", Dictionary of national biography (1885-1900), volume 31

https://en.wikisource.org/wiki/Knyvett,_Charles_(DNB00)

George Clement Boase, "KNYVETT, WILLIAM (1779–1856)", Dictionary of national biography (1885-1900), volume 31

http://en.wikisource.org/wiki/Knyvett,_William_(DNB00)

KOHLER, Franz Andreas (Franz Andreas KÖHLER; Franz Andreas KOHLER; Frank KOHLER)

Musician, professor of music, French horn player, orchestral musician, storekeeper, merchant

Born Bohemia (Czechia), c. 1819; son of Jacob KOHLER
Arrived Melbourne, VIC, 9 February 1854 (per Hong Kong, from London, 2 November 1853)
Naturalised Melbourne, VIC, 26 October 1857 (aged "37", born "Bohemia, Austria")
Married Margaret Mary MURPHY (d. 1891), VIC, 1879
Died Coburg, VIC, 29 October 1892, aged "72/73"

https://trove.nla.gov.au/search?l-publictag=Franz+Andreas+Kohler+d1892 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOHLER-Franz (shareable link to this entry)

DISAMBIGUATION: Richard Wildblood Kohler (cornet player, whose family name was Wildblood, "Kohler" an alias)

Summary:

Kohler was one of Melbourne's leading players on the French horn from the 1850s to the 1880s. He also played for and toured to other colonial capitals with the Lyster Opera Company. From the early 1860s, he played regularly in the band of most of the major concert organisations, including the Melbourne Philharmonic Society, and the Musical Union.

Documentation:

Passengers per Hong Kong, from London, arrived Melbourne, 9 February 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF2902C-F96C-11E9-AE98-6F3E4C825073?image=372 (DIGITISED)

. . . [Mr.] Kohler / 34 / German . . .

"SHIPPING INTELLIGENCE", The Argus [Melbourne, VIC] (10 February 1854), 4

http://nla.gov.au/nla.news-article4803004

February 9. - Hong Kong (Dutch), barque, 256 tons, R. Keuker, from London 2nd Nov. Passengers - cabin: . . . Messrs. . . . Kohler . . .

"THE PROMENDADE CONCERT", The Argus (3 April 1854), 5

http://nla.gov.au/nla.news-article4805273

The Promenade Concert, at the Criterion, on Saturday evening, came off with great eclat. The room was crowded, and we were happy to see a number of ladies present, who seemed to enjoy the treat; for it must be confessed that at the present time there is little amusement fit for the patronage of ladies. We hope that the manager means to continue his concerts, as they afford a rational and pleasing pastime for all. Madam Carandini added to her already great popularity, by the effective manner in which she sang the beautiful ballad of Wallace's, "Why do I weep for thee?" which was loudly encored. She won the hearts of our Scottish brethren, of whom there were a number present, by singing the old song of "Coming through the rye;" and she carried the whole of her audience with her when she sang "Home, sweet Home," which was rapturously received and loudly applauded. Those two beautiful but difficult musical compositions - "Il Pirata" and "Paganini's Carnival of Venice" - were played on the violin by Herr Strebinger in a most masterly manner. Both pieces were well received by the audience, who insisted upon an encore of each. The solo on the French Horn, by Herr Koehler was well executed, and he also came in for a share of applause. The orchestral pieces were much admired, not only on account of their novelty, but also for the manner in which they were played.

ASSOCIATIONS: Maria Carandini (vocalist); Frederick Strebinger (violinist); Criterion Hall (Melbourne venue)

[Advertisement], The Argus (11 April 1854), 8

http://nla.gov.au/nla.news-article4805683

CRITERION HALL, Criterion Hotel, Great Collins-street, Melbourne.
Grand Concert Promenade (a la Gungle), THIS EVENING Tuesday), 11th April, 1854,
and every evening during the week, with change of programme.
Madame Maria Carandini, accompanied by Mons. Lavenu, Ali-Ben-Sou-Alle, Herr Strebinger, Herr Harndorff, Mr. George Chapman,
Mons. Frank Koehler, Mr. Johnson, and a full Orchestra, carefully selected from the best talent of the colony.
Prices of admission to all parts of the Hall, 2s. 6d. Doors open at half-past seven. Concert to commence at eight.
These Concerts are respectfully dedicated to the Ladies and Families of Melbourne.
Gentlemen are politely instructed that smoking will on no consideration be tolerated.
Leader of the Orchestra - Herr Strebinger.
Conductor - Mr. George Chapman.

ASSOCIATIONS: Lewis Henry Lavenu (accompanist); Ali-Ben Sou-Alle (musician); Hermann Harndorff (musician); George Chapman (musician); Henry Johnson (musician)

[Advertisement], The Argus (17 April 1854), 8

http://nla.gov.au/nla.news-article4805901

CRITERION HALL, Criterion Hotel, Great Collins-street, Melbourne.
Grand Concert Promenade (a la Gungle) THIS EVENING (Monday) 17th April, 1854 and every evening during the week, with change of programme.
Madame Maria Carandini, accompanied by Mons. Lavenu,
Ali-Ben-Sou-Alle, Herr Strebinger, Herr Harendorf, Mr. George Chapman,
Mons. Frank Koehler, Mr. Johnson and a full Orchestra,
carefully selected from the best talent of the colony . . .

[Advertisement], The Argus (1 November 1854), 8

http://nla.gov.au/nla.news-article4799682

On Friday, November 3rd,
The Philharmonic Society will perform Handel's Oratorio of The Messiah . . .
Instrumentalists: . . . Ophicleide - Mr. Hartigan;
Horn - Messrs. Kohler and Naughton;
Leader - Mr. Jos. Griffiths; Conductor - Mr. Jno. Russell . . .

ASSOCIATIONS: Joseph Hartigan (musician); George Naughton (musician); Joseph Griffiths (leader); John Russell (conductor); Melbourne Philharmonic Society (association)

[Advertisement], The Argus (9 July 1855), 8

http://nla.gov.au/nla.news-article4811575

THEATRE ROYAL, Melbourne.
Grand Opening of THE THEATRE ROYAL, Bourke-street,
ON MONDAY NEXT, JULY 10th. Under the Sole Management of MR. JOHN BLACK . . .
Orchestra, Mr. B. Thom - Conductor. Herr Strebinger - Leader . . .
Herrs Kohler and Schultz - Horns . . .

ASSOCIATIONS: John Melton Black (manager); Bream Thom (conductor); Theatre Royal (Melbourne venue)

[Advertisement], The Argus (11 August 1856), 8

http://nla.gov.au/nla.news-article7134621

ACCORDIONS, Flutinas, Concertinas Repaired at moderate charges.
Plork and Kahler [sic], 45 Flinders-street west. [Plock and Kohler]

ASSOCIATIONS: Adam Plock (musician, business partner)

Index to naturalisation certificates, Franz Kohler, 26 October 1857; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/10578 (PAYWALL)

Franz Kohler / Storekeeper / Melbourne / [age] 37 / [born] Bohemia, Austria / [date of certificate] 26 Oct. 1857

"CITY COURT", The Argus (17 January 1859), 6

http://nla.gov.au/nla.news-article7308142

Franz Kohler was, on remand, placed before the Court, charged with having on the evening of Tuesday last, in the absence of her husband, assaulted one Catherine Hamlind, and also by force and violence, and against the consent of the said Catherine Hamlind, with having violated her person . . .

[Advertisement], The Argus (8 February 1859), 3

http://nla.gov.au/nla.news-article7309435

NOTICE. - The PARTNERSHIP hitherto subsisting between the undersigned,
under the style of Plock and Kohler, is this day, DISSOLVED, by mutual content.
ADAM PLOCK. FRANZ KOHLER.
Witness - Duncan Carter. February 7, 1860.

"MELBOURNE NEWS", Bendigo Advertiser (25 February 1859), 2

http://nla.gov.au/nla.news-article87987288

At the Central Criminal Court yesterday, Franz Kohler was indicted for rape. The case broke down before it was concluded, and Mr. Kohler was, on the direction of Mr. Justice Barry, acquitted and discharged.

ASSOCIATIONS: Redmond Barry (judge)

"CITY COURT. FALSE PRETENCES", The Argus (26 May 1860), 6

http://nla.gov.au/nla.news-article5683137

Adolf Beissel, a soi-disant shipping agent, was brought up for further examination, charged with obtaining goods under false pretences. Franz Kohler, a musician, said he knew the prisoner, who came to his store on the morning of the 7th instant . . .

"CHARGE OF STEALING BOOTS", The Argus (9 October 1860), 6

http://nla.gov.au/nla.news-article5691196

Charles Gurthroyd was charged with stealing a pair of boots from Frank Kohler, a storekeeper in Flinders-lane . . .

[News], The Age (6 March 1863), 5

http://nla.gov.au/nla.news-article154967334

One of the best vocal and instrumental concerts which have been heard in Melbourne for some time, was given by Mr. C. E. Horsley at Hockin's Assembly Rooms last evening. The room was tolerably well filled, though the attendance was not so good as the entertainment deserved. With two exceptions, those of Miss Hamilton and Mr. Angus, the vocalists were all pupils of Mr. Horsley, in the Philharmonic Society, and the success they achieved last night reflects great credit upon him as an instructor. The orchestra consisted of eight instrumentalists, led by Mr. Horsley on the pianoforte, as follows: -
Flute, Mr. Siede; clarionet, Mr. Johnson; violin, Mr. Strebinger; violoncello, Mr. Chapman; oboe, Mr. Schott; horn, Mr. Kohler; viola, Mr. Thomas; and contra-basso, Mr. Gover.
The proficiency of these gentlemen upon their respective instruments made the orchestral music eminently successful, and some of the operatic selections were given with unequalled brilliancy and finish . . .

ASSOCIATIONS: Charles Edward Horsley (pianist); Octavia Hamilton (vocalist); Silvanus Angus (vocalist); Julius Siede (flute); Samuel Chapman (cello); James Arthur Schott (oboe); Herbert Thomas (viola); Henry Barman Gover (double bass); Hockin's Rooms (Melbourne venue)

[Advertisement], The Argus (28 April 1864), 8

http://nla.gov.au/nla.news-article5748161

LYSTER'S ROYAL ITALIAN and ENGLISH OPERA COMPANY.
ROYAL HAYMARKET THEATRE . . . FAREWELL SEASON . . .
THE BAND . . . Horns - Herr Kohler, Mr. Versoe . . .
Musical Director and Conductor, Mr. G. LODER . . .

ASSOCIATIONS: Joseph Verso (horn); George Loder (conductor); Lyster Opera Company (troupe); Haymarket Theatre (Melbourne venue)

[Advertisement], The Argus (22 August 1865), 8

http://nla.gov.au/nla.news-article5772161

TO MARTIN SIMONSEN, ESQ., Melbourne.
Dear Sir, - We, the undersigned, professors of music in Melbourne, beg to offer you and Madame Simonsen our sincere thanks and congratulations for your visit to our city. Your marvellous talents have greatly delighted us, and we have no hesitation in saying that we have never yet heard in Australia your superiors. We wish you every success, and will do all in our power to promote it.
Trusting your stay may be long with us, we are, with all respect and admiration.
Faithfully yours, (Signed)
Chas. E. Horsley, Cesare Cutolo, Edwd. King, Ernest King, F. A. Howson, John Howson, James Schott,
F. A. Kohler, Julius Siede, Saml. Chapman, Herr Lundberg, W. Johnson.
Melbourne, August, 1865.

ASSOCIATIONS: Martin and Fanny Simonsen (violinist and vocalist); Cesare Cutolo (pianist); Edward King (violinist), and his son Ernest King (violinist); Frank Alfred Howson (musician); John Howson junior (musician); John William Lundborg (musician)

[News], The Herald (5 December 1866), 2

http://nla.gov.au/nla.news-article244422337

The Musical Union gave their first concert of the season last evening, at the Town-hall, Prahran . . . The concert was the occasion of the debut of Miss Freyberger, a German lady, and a pupil of Mr. Herz. She has a mezzo-soprano voice of very good quality, and gave Kalliwoda's "Heimweh" - with horn obligato by Mr. Kohler - very sweetly, receiving a considerable amount of applause . . .

ASSOCIATIONS: Julius Herz (musician, teacher); Anna Margaretha Freyberger (vocalist, married Julius Herz, 1867); Musical Union (organisation); Prahran Town Hall (venue)

[Advertisement], Bendigo Advertiser [VIC] (12 April 1875), 4

http://nla.gov.au/nla.news-article88258188

Registration Notices. I, the undersigned, hereby make application to Register "The Eureka Extended Company," as a No Liability Company, under the provisions of "The Mining Companies' Act, 1871" . . .
The names and addresses and occupations of the shareholders and the number of shares held by each at this date are as below: -
. . . F. A. Kohler, Melbourne, musician - 80 . . .

"IN MEMORIAM", Leader (24 September 1892), 45

http://nla.gov.au/nla.news-article196895186

KOHLER. - In loving memory of my dear wife, Margaret, who departed this life on the 21st September, 1891, at Bell-street, Coburg.

"Deaths", The Argus (31 October 1892), 1

http://nla.gov.au/nla.news-article8476227

KOHLER. - On the 29th inst., at his residence, Bell-street, Coburg, Franz Andreas Kohler, aged 74 years. R.I.P.

"AN ORPHAN HEIRESS. THE CASE OF MISS KOHLER", The Argus (2 September 1893), 15

http://nla.gov.au/nla.news-article8687086

In the Supreme Court yesterday Mr. Justice A'Beckett give his decision upon the points stated for his opinion under the will and codicil of Franz Andreas Kohler, late of Bell street, Coburg, respecting the education of his infant daughter, Mary Ann Rose Kohler. The girl, who is now in her 13th year, is the only child of the testator, who died in October last, at the age of 73 years, leaving property valued at about £19,000. By the will, which was made in October, 1891, he left the bulk of the estate to his daughter, and appointed The Trustees, Executors, and Agency Company as his executors and as guardian of the child. A fortnight before his death the deceased, executed a codicil, by which he appointed the Rev. Matthew Hayes, of St. Paul's Roman Catholic Church, Coburg to act as guardian of his daughter, and to see that she had the best possible education, and directed that Mary Soult should have the control and management of his house at Coburg in the capacity of housekeeper, at a salary not less than she was then receiving, namely, £1 per week. The Court was now asked to determine the precise effect of the codicil. It appeared that Mary Soult, whose real name was Hannah Morell, was engaged by the deceased as housekeeper at the end of September 1891, and that she nursed him in his last illness. She had living with her a son nine years of age, whose fathers name was said to be Soult. The deceased was a Roman Catholic, and for some time before his death his daughter had been a pupil at the convent school at Beechworth. The Rev. Father Hayes now desired to send her to that or some other convent school to complete her education, in which case it would be an unnecessary expense to maintain the house at Coburg. An income of about £600 a year is available for the child's maintenance. Mr. H. S. Cole and Mr. Williams appeared, for the child, the nominal plaintiff Mr. Neighbour and Mr. Maxwell for the Trustees, Executors, and Agency Company, Mr. Higgins and M.r Maguire for the Rev. Matthew Hayes, and Mr. Hayes and Mr. Wasley for Mary Soult.
Mr. Justice A'BECKETT, in giving judgment, said he saw no reason to differ in any respect from the views which the guardian had formed as to what was best for the child's future. As to Miss Morell's pecuniary position under the codicil, it might have been contended that no benefit to her was intended, except as incidental to the maintenance of the testator's daughter, but there did appear to be an element of personal benefit to Miss Morell, who would be entitled to some compensation if the arrangement contemplated by the testator with respect to her were not carried into effect. It would be absurd to maintain the house at Coburg merely as a residence for Miss Morell and her son, and he thought that under all the circumstances 25s a week would bearing payment to make to her in lieu of the advantages provided for her in the codicil. The answers to the questions put to the Court would therefore be -
(1) That Miss Morell was entitled to benefit under the codicil, and that if her employment contemplated by the codicil should become unnecessary the guardian should be at liberty to pay, and she should be entitled to receive from the moneys payable to him for the maintenance and education of the infant, payment at the rate of 25s a week so long as she and the infant should live, and until the infant attained the age of 21 years;
(2) that the guardian had power under the codicil to remove the infant from the testators residence, and to place her in a convent, if he was of opinion that by such removal she might obtain the best possible education;
(3) that it should be decided to place the infant in a convent, the trustees should be at liberty to dispose of the house and furniture at Coburg, the costs of all parts to be taxed, as between solicitor and client, and paid out of the estate.

Bibliography and resources:

Franz Andreas Kohler, Find a grave

https://www.findagrave.com/memorial/144509263/franz_andreas-andreas-kohler

Headstone transcription, Melbourne General Cemetery, R 386/387 RC:

Loving memories of my dearly beloved wife Margaret Mary KOHLER died 21 Sep 1891, 48 years also
Franz Andreas KOHLER died 29 Oct 1892 age 72 years.
Margareta Josephina dearly beloved youngest daughter of Franz Andreas and Margaret KOHLER died 8 Aug 1887, 4 yrs 23 days
also of Mary Rose KOHLER daughter of the above died 9 Oct 1946.

"THE BROTHERS KOHLER" (alias of the brothers WILDBLOOD)

KOHLER, Richard Wildblood (R. W. KOHLER; Dick KOHLER) see main page Richard Wildblood KOHLER

KOHLER, John Wildblood (John W. KOHLER; Jack KOHLER) see main page John Wildblood KOHLER

KOHLER, William (? Wilhlem KOHLER; William KOHLER; W. KOHLER; Professor KOHLER)

Magician, wizard, necromancer

Born c. 1843
Active Australia by 1857
Died Perth, WA, 23 October 1868, aged "45/46"

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOHLER-William (shareable link to this entry)

Documentation:

[Advertisement], The Yass Courier [NSW] (14 May 1859), 3

http://nla.gov.au/nla.news-article263873747

. . . PROFESSOR KOHLER, and MADAME STEVENSON.
GRAND FAREWELL NIGHT!!! To-Night, Saturday, May 14th.
PROFESSOR KOHLER, IN ENTIRE NEW FEATS OF MAGIC.
MADAME STEVENSON WILL SING A VARIETY OF NEW BALLADS.
Solo Concertina - Mr. Richardson.
Pianist - Mr. Stevenson . . .

ASSOCIATIONS: Henry Richardson (concertina); Madame Stevenson (vocalist)

"DIED", The Inquirer and Commercial News [Perth, WA] (11 November 1868), 2

http://nla.gov.au/nla.news-article69384582

KOHLER. - At the Freemasons Hotel, Perth, on the 23rd October, 1868, of ulcerated throat, Professor WILLIAM KOHLER; aged 46.

Bibliography and resources:

Professor William Kohler, Magic in Sydney

https://sydneymagic.net/kohler.html

KONG WAI (?)

Musician, Chinese musician (? instrument)

Active Ballarat, VIC, 1863

https://sydney.edu.au/paradisec/australharmony/register-K.php#KONG-WAI (shareable link to this entry)

ASSOCIATIONS: Chinese music and musicians in colonial Australia (general)

Documentation:

[Advertisement], The Star [Ballarat, VIC] (3 October 1863), 3

http://nla.gov.au/nla.news-article72517677

MECHANICS' INSTITUTE.
LAST GRAND PROMENADE CONCERT, THIS EVENING, SATURDAY, 3rd of October.
QUADRILLE BAND, Under the Leadership of Mr. Schroeder.
MISS PILKINGTON, MRS. JAS. BUNCE, MISS LIDDLE, MR. AMERY, And other Ladies and Gentlemen will assist.
MR. AH COON, Chinese Interpreter, has kindly consented to Sing a Comic Song in the Chinese Language, accompanied by full CHINESE BAND.
ADMISSION, ONE SHILLING.

ASSOCIATIONS: Samuel Frederick Schrader (musician); Anna Alicia Pilkington (vocalist); Charlotte Bunce (musician); Maggie Liddell (vocalist); Edwin Amery (vocalist); Ah Coon (vocalist); Mechanics' Institute (Ballarat venue)

"NEWS AND NOTES", The Star (5 October 1863), 2

http://nla.gov.au/nla.news-article72517721

At about nine o'clock Mr. Lang, the assiduous president of the institute, brought up to the orchestra a band of some tea or a dozen Chinese, whose services he had enlisted in the good cause. It had been announced that Mr. Ah Coon, the Government interpreter, would favor the company with songs in the Malay, Amoy, and Chin Choo dialects, but Mr. Ah Coon, it appears, did not feel himself in sufficiently robust health to trust his reputation as a vocalist to the hazard of an attempt that evening, confining himself to heralding to the audience the performances of his compatriots. With Chinese music and musical instruments our readers are somewhat familiar, but we dare say they will not be sorry to have the comments of an explanatory paper handed to us on Saturday evening by the president. From this we learn that Ge Sin played on the Kong-wai. The drums covered with buffalo skins were played by Ah Kow, and the gong by Le Tak. The Chinese guitar, or moot-kem, a flat circular instrument with four strings, played on by means of a small piece of bone, was manipulated by Lee-Sem. Wee-Pin played with bone the Sam-yen, a guitar like instrument of three strings, the sounding board being covered with snake-skin. The pan-ewoo, a flat disc of wood for the purpose of keeping time, was beaten by sticks. The shap-ar, a small oblong piece of hardwood six inches by three, was also used for marking time. Wee Pin played the cymbals or cha, well known to dwellers in Ballarat East. Lee Tak also played the gong or laur, "very effective", as Mr. Lang says, "in producing loud music". Lee Yeng and Lee Chok played the tee-uh or tuk-tie, which produced sounds similar to the Scotch bagpipes, or Scotch organ, as Ah Coon calls the instrument. As we have before stated, Mr. Ah Coon did not sing, but Lee Tak and Kong Wai did. The first sang in his natural voice, and the second in falsetto; but, owing to the ponderousness of the accompaniment, neither could be heard. At the conclusion of the songs, the party retired amidst the applause which courtesy, if not appreciation demanded.

See also [News], The Argus (6 October 1863), 4

http://nla.gov.au/nla.news-article5736823

See also [News], The Herald (6 October 1863), 2

http://nla.gov.au/nla.news-article247589045

"CHINESE SINGING AND PLAYING", Bendigo Advertiser (7 October 1863), 3

http://nla.gov.au/nla.news-article87939138

. . . From this we learn that Ge Sin played on the Kong-wai . . .
Mr. All Coon did not sing, but Lee Tak and Kong Wai did. The first sang in his natural voice, and the second in falsetto; but, owing to the ponderousness of the accompaniment, neither could be heard . . .

See also, "VICTORIA", The Mercury [Hobart, TAS] (16 October 1863), 3

http://nla.gov.au/nla.news-article8821584

KONWILLAN see Samuel CONWILLAN

Indigenous musician, amateur musician, flute player, SA indigenous man

KOPP, Julius (Julius KOPP; Herr KOPP)

Musician, professor of music and singing, violinist, organist, orchestral leader, composer

Born (Germany) c. 1835
Arrived Brisbane, QLD, 24 July 1863 (per Young Australia, from London, 27 April, aged "28")
Died (suicide) Brisbane, QLD, 6 January 1866

https://trove.nla.gov.au/search?l-publictag=Julius+Kopp+d1866 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOPP-Julius (shareable link to this entry)

Documentation:

Passengers per Young Australia, from London, 27 April 1863, for Brisbane, 24 July 1863; Queensland Family History Society, Immigration records

https://www.ancestry.com.au/search/collections/62520/records/67730 (PAYWALL)

. . . Jules Kopp / 28 . . .

ASSOCIATIONS: Young Australia, Black Ball clipper ship, captain James David Phillips

[Advertisement], The Courier [Brisbane, QLD] (8 October 1863), 4

http://nla.gov.au/nla.news-article3166133

JULIUS KOPP, Professor of Music and Singing (from the Conservatory of Munique [Munich]), Belle Vue House.

[Advertisement], The North Australian [Brisbane, QLD] (12 December 1863), 4

http://nla.gov.au/nla.news-article77437262

IPSWICH SCHOOL OF ARTS - On TUESDAY and WEDNESDAY,
December 15th and 16th, a CONCERT will be given by Miss KRAMER,
and Mr. J. KOPP, Violin Solo Player of the Conservatory of Munich . . .

ASSOCIATIONS: Maria Kramer (vocalist); School of Arts (Brisbane venue)

[Advertisement], The Courier (19 December 1863), 4

http://nla.gov.au/nla.news-article3167552

SCHOOL OF ARTS, NORTH BRISBANE.
MONDAY and TUESDAY, THE 21ST and 22ND DECEMBER, 1863 . . .
A GRAND CONCERT WILL BE GIVEN BY
MISS MARIA KRAMER, AND MR. JULIUS KOPP
Pianist: MR. ATKINSON.
MR. WYATT and MR. J. KLEIN have most kindly consented to give their assistance.
PROGRAMME:
PART FIRST . . . VIOLIN SOLO - "Young Australia" Polonaise, dedicated to Captain Philips (Mr. J. Kopp) - Julius Kopp . . .
VIOLIN SOLO - Il Trovatore, Fantasia Brilliante (Mr. Kopp) - D. Alard . . .
PART SECOND . . . VIOLIN DUETT - Duo Concertante (Mr. Kopp and Mr. Klein) - Kallivoda [Kalliwoda] . . .
VIOLIN SOLO - le Souvenir de Bellini (Mr. Kopp) - Artot . . .

ASSOCIATIONS: John Klein (violinist); Paul Atkinson (pianist)

[News], The Courier (22 December 1863), 2

http://nla.gov.au/nla.news-article3167572

The concert given by Miss Kramer and Mr. Julius Kopp, last evening, in the School of Arts was a very excellent one, and worthy of the distinguished patronage under which it had been announced. From some cause, his Excellency the Governor and Lady Bowen, though expected to be present, were not in attendance; and the audience, select and appreciative, was not so numerous as we could have desired. We cannot, however, allow this occasion to pass without congratulating the public upon the acquisition of musical talent which we recognise in the person of Mr. Kopp, who is a violinist of a high order. He is a composer also, his first performance being the "Young Australia" Polonnaise, dedicated by him to Captain Phillips who has just left us. It might be regarded as an indication of something like vanity on the part of the "artiste" that he gave precedence to his own work when the names of some of the great masters appeared on the programme; but let us look upon this act as a manifestation of gratitude for his safe conveyance from "Vaderland" to the wide territory of Queensland, or as a peace offering of the first fruits of his genius to the country of his adoption. Mr. Kopp had not before appeared in Brisbane, but the way in which he has been praised in Ipswich, where he made his "debut," led us to expect something superior at his hands. It is unnecessary that we should say anything as to the merits of his composition as such; but of his performances on the violin we can speak with pleasure. A fantasia ("Il Trovatore") by Alard, was rendered with a decision of touch and brilliancy of execution that have never been equalled in this colony as, also, was Artot's "Souvenir de Bellini". Mr. Kopp proved that he understands the power of his instrument, and that he is earnest in his desire to avail himself of it by all the resources of his art. He was very ably assisted by Mr. J. Klein (of Brisbane) in a beautiful and familiar composition of Kallivoda, arranged as a violin duett, and which was encored . . . We have not referred to all the pieces on the programme, but only to those with which we were most pleased. Our readers should bear in mind that a second concert will be given this evening.

[News], The Courier (23 December 1863), 2

http://nla.gov.au/nla.news-article3167599

Miss Kramer und Mr. Julius Kopp's second concert, last evening, was not less attractive than their previous entertainment. The lady was in excellent voice, and her amiable coadjutor, the tenor, strove manfully to obviate any objections on his account. As the programme was, almost without exception, the same as that produced at the first concert, on Monday, we have little to add to our remarks upon that occasion. The more we hear of Mr. Kopp's performances the higher is our opinion of his abilities: for so young a man he is a very accomplished violinist, and he promises to take a leading position in his profession. His rendition of Artot's "Souvenir de Bellini " was so excellent that he was recalled by the audience and in response to the compliment he played "The Bird on the Tree," which has been made familiar to Australians by Miska Hauser (who, spite of his ungrateful and untruthful criticism upon the manners and customs of the colonists, and the trenchant denunciations of him as a musician by the Vienna Gazette, was a first class fiddler.) There is something in the style of Mr. Kopp that leads us to entertain the idea that he and Miska Hauser belong to the same school. Whether or not we are correct, matters little; for we have a thorough admiration for the performances of the gentleman now amongst us. Though not quite equal to the other "Herr," his mastery over his instrument evokes unqualified approbation; he wakes "a thousand voices on the strings," whose articulate speech may be universally understood - bass as the "bull-roarer," mellifluous as the gentle voice of woman, and rising by melodious gradations to extremest tenuity, in
"Linked sweetness long drawn out" . . .

[Advertisement], The Brisbane Courier (12 July 1864), 1

http://nla.gov.au/nla.news-article1259648

SCHOOL OF ARTS, BRISBANE . . .
MR. FREDERIC ELLARD'S SOIREE MUSICALE, TO-MORROW, Wednesday, July 13, 1864.
PROGRAMME: PART I . . . 3. 7eme Concerto - Herr Kopp, accompanied by Mr. Ellard - de Beriot . . .
PART II. 1. Solo - Violin-Souvenir de Bellini - Herr Julius Kopp - Artot . . .
4. Duo Concertante - Violin and Piano (Oberon) - Herr Kopp and Mr. Ellard - Osborne & De Beriot . . .

ASSOCIATIONS: Frederick Ellard (pianist)

[News], The Brisbane Courier (1 December 1864), 2

http://nla.gov.au/nla.news-article1265129

We understand that the Germans are making great preparations for celebrating Boxing Day in a manner in accordance with their own fashion . . . The committee have decided that prize shooting [match] shall stand in the first place . . . Several other sports will be also introduced, even the pig with the greasy tail will not be missing. As a matter of course, the ladies and children will not be left at home; a steamer will be engaged to convey all parties some miles up the river to a spot selected by the committee, and Mr. Seal's band will do their best to increase the pleasures of the day. Germans are never content on an occasion like the one to take place on Boxing Day, unless some singing and dancing is done, and this time we believe they will not be disappointed. The newly formed "Brisbane Deutsche Liedertafel" (German Glee Club) of which the well known Herr Kopp is the leader, has been invited, and no doubt some excellent songs will form part of the programme. We are informed that the committee have reserved a limited number of tickets for the use of their English friends, who wish to share with them the pleasures of the day.

ASSOCIATIONS: Andrew Seal (bandmaster); Brisbane Liedertafel (association)

"GERMAN UNION IN BRISBANE", The Darling Downs Gazette and General Advertiser (1 February 1865), 4

http://nla.gov.au/nla.news-article75512716

. . . We are also informed that the lately formed Lidertael [sic, Liedertafel], or German Singing Club, which has been established under the management of Herr Kopp, has met with great success. Its members are now very numerous, and as they are most assiduous at practice, we look forward to public display ere long of German musical talent, both vocal and instrumental . . .

[Advertisement], The Brisbane Courier (4 July 1865), 1

http://nla.gov.au/nla.news-article1274733

MASON'S CONCERT HALL. IN AID OF THE LEICHHARDT FUND . . .
THIS (TUESDAY) EVENING, JULY 4. A GRAND VOCAL AND INSTRUMENTAL CONCERT
WILL be given in the above Hall by the Members of THE GERMAN LIEDERTAFEL,
Assisted by Several Well-known Amateurs and Professionals.
Leader and Conductor: HERR KOPP . . .
PROGRAMME. PART I.
1. Overture, "Figaro" (Mozart) - Orchestra.
2. Chorus from "Magic Flute," Oh! Schutz-geist (Mozart) - German Liedertafel.
3. Duo Concertante, for violin and piano, "La Favorita" (Donizetti) - Herr Kopp and Mr. Atkinson.
4. Solo Soprano Recitative, " Home of my Heart;" and ballad, "Chimes of Home," from "Lurline" (Wallace) - Lady Amateur.
5. Solo Quartette, "Evening" (L. de Call) - Gentlemen Amateurs.
6. Grand March Glee (Becker) - German Liedertafel.
7. Duet Soprano and Tenor, "Un tenoro core," from "Roberto Devereux" (Donizetti) - Lady and Gentlemen Amateurs.
8. Selection from "La Figlia du Regimento" (Donizetti) - Orchestra.
Intermission of Ten Minutes.
PART II.
1. Overture, "Tancredi" (Rossini) - Orchestra.
2. " Was ist des Deutschen Vaterland," Glee (Reichhardt) - German Liedertafel.
3. Trio for violin, tenor, and piano (Flummel) [sic, ? Hummel] Herr Kopp, Herr Klein, and Herr Rosenstengel.
4. Solo Soprano Grand Scena, "Ocean, thou Mighty Monster!" from "Oberon" (C. M. V. Weber) - Lady Amateur.
5. Solo Quartette, "Maying" (Mueller) - Gentlemen Amateurs.
6. Solo Violin (Kopp) - Herr Kopp.
7. "Sabbath Feier" - Sabbath call, glee (Kreutzer) - German Liedertafel.
8. Duet, two tenors, "Oh, could I teach yon warbling bird!" (Keller) - Gentlemen Amateurs.
9. Cavatina, from "Attila" (Verdi) - Orchestra.
Finale - "God Save the Queen!". . .

ASSOCIATIONS: George Birkbeck Mason (venue proprietor); Ferdinand Nicholas Rosenstengel (musician); Mason's Concert Hall (Brisbane venue)

[News], The Brisbane Courier (5 July 1865), 2

http://nla.gov.au/nla.news-article1274801

MASON's Theatre was, last night, attended by a brilliant assemblage of the elite of the city including Sir George and Lady Bowen, on the occasion of a concert given by the members of the German Liedertafel, in aid of the fund for a search in behalf of their brave and lamented countryman, Leichhardt . . . The programme opened with an overture from one of Mozart's favorite productions, "Figaro," which was finely executed by the orchestra. After which the German Liedertafel sang the chorus, "Oh Schutzgeist," from the same libretto, with great power, and effect, as well as Becker's Grand March Glee, which was deservedly encored. We can hardly pass by the performance of this glee, without a special commendation, the time being so finely kept, while the Liedertafel discoursed such "sweet sounds" under the touch of Herr Kopp's magic wand . . . Herr Kopp's execution of solos on the violin was a perfect treat, which any musical ear could not fail to appreciate; the plaintive tender notes from "La Favorite," as well as the subsequent parts for which his name was placed on the programme, being all loudly encored . . .

[News], The Brisbane Courier (8 January 1866), 3

http://nla.gov.au/nla.news-article1260332

A DISTRESSING case of suicide occurred on Friday, near to the Eagle Farm Racecourse, and about a milo from the Hamilton Hotel. Mr. Julius Kopp is the name of the unfortunate young man who terminated his existence. He was well known in Brisbane as a teacher of music, and leader of the orchestra at the Victoria Theatre. He had been suffering from depression of spirits and illness, and on Friday morning did not attend rehearsal, which was called for at the usual hour. He could not be found, although several messengers were sent in search of him. As he did not appear during the day or evening, serious apprehensions were felt regarding him. On the following morning, the worst apprehensions were confirmed, intelligence being received in town to the effect that Mr. Kopp's body had been found in a waterhole. It appears that a man named Silvester Schwank, a gardener in the employ of Mr. James Sutherland, at Hillside Farm, received information from a boy named Heinrich Teigman that a hat and stick were lying on the bank of a waterhole, in a gully, on the farm. Schwank, assisted by a fellow-laborer named Voight, fished with a crooked stick, the hole being sixteen feet deep, and after some trouble brought up the body of a man, which was subsequently identified as being that of Mr. Julius Kopp. On examination, it was found that the face was blown into pieces, the sides of the mouth torn down, and a ball mark on the back of the head. The right hand was raised up towards the face. The body was removed to the morgue, where it now lies, awaiting the inquest which will be held this morning.

ASSOCIATIONS: Victoria Theatre (Brisbane venue)

"INQUEST", The Brisbane Courier (9 January 1866), 2

http://nla.gov.au/nla.news-article1260367

AN enquiry into the cause of the death of Julius Kopp, whose body was found near Hill-side, Kedron Brook, on Saturday last, was held at the United Kingdom Hotel, yesterday morning, before the coroner and a jury of seven.

The first witness called was Henry Teichman, whose evidence was unimportant. The next witness was John Teichman, who deposed that he lives at Hill-side, near Kedron Brook; on Saturday last, about 12 o'clock, his son came to him, and told him that he had found a hat, coat, and walking-stick on a log in a water-hole in Mr. Blundell's paddock; he went to the waterhole with a man, named Schwank, stirred up the water with a stick, and the body of the deceased came to the surface; they went away, and about a quarter of an hour after they returned to the water-hole with Mr. Sutherland; the body had then disappeared from the surface, and they poked about with a stick, but it did not come up; witness then went home.

James Sutherland deposed that the waterhole in which deceased was found is about half-a-mile from his residence; on Saturday last his gardener (Schwank) told him that he and the previous witness had found a dead body in the hole; he went there, and after some trouble, succeeded in bringing the body of the deceased to the surface; he searched the pockets of the clothes of the deceased, and found fifteen £1 notes, a programme, and a medical prescription with the name of Julius Kopp upon it; he then went to Brisbane and gave information to the police, one of whom returned with him to the hole; the body was then upon the bank.

Detective Craven deposed that he received information that a body had been found in a water-hole in Mr. Blundell's paddock, on Saturday last, about 3 o'clock p.m.; he took Mr. Faulkner with him, and proceeded to the spot; on arriving at the waterhole, found the body of the deceased upon the bank; he was lying upon his back, with his knees slightly bent, and his right hand raised towards his head; the face was all blown away, as if by a discharge from fire-arms, and there was a small hole in the back of the head; the body had not the appearance of having been long in the water, and was not much decomposed; Mr. Faulkner identified the body as that of Julius Kopp, and searched the pockets of the deceased, and found in the waistcoat and trousers a gold watch and chain and various other articles; he then searched the coat pockets, and found six leaden balls, a quantity of swan shot, a flask of gunpowder, a box of caps, and a pocket-handkerchief marked F.; shortly afterwards, he had the body removed to the morgue; had searched for the pistol, but could not find it; the watch on the deceased had stopped at a quarter to 5 o'clock.

Charles Faulkner deposed that he knew the deceased, who had for some time been a lodger in his house; deceased had been poorly for the last few months, and his spirits had been very depressed; he had known the deceased to have delirium through the pain he had suffered; he saw him for the last time on Friday morning, when he looked very wild about the eyes; he went out of the house about 9 o'clock on Friday morning, saying that he was going to see a doctor; that was the last time witness saw him alive; during that day several came to the house to enquire for Kopp; when he had not come back at the close of the day, witness told the police that he was missing; he went to the water-hole on Saturday with detective Craven, and identified the body lying there as that of Julius Kopp; witness had never seen the deceased with firearms in his possession of any description; did not think that deceased had any firearms so long as he (witness) had known him.

Dr. Smith deposed that he had attended on the deceased for the last six weeks. The malady with which he had been afflicted was nervous debility, which was caused partly by mental excitement connected with his business, and partly by physical weakness; witness saw the deceased on Friday morning, when he looked very wild, and in his conversation mixed up two subjects together; witness gave him a prescription, and advised him to take a car and go to Breakfast Creek and back for exercise; on deceased leaving witness' house, he took him by both hands, and shook them, saying "God bless you, doctor!" Dr. Lansdown was also examined as to the nature of the injuries; he stated that they were such as to cause death.

After some consultation, the jury returned a verdict that the deceased committed suicide whilst laboring under a fit of temporary insanity.

[News], The Brisbane Courier (9 January 1866), 2

http://nla.gov.au/nla.news-article1260350

The remains of the late Julius Kopp, who perhaps held the highest position in this colony as a musician, were conveyed to the Church of England portion of the Brisbane Cemetery yesterday afternoon. As a proof of the respect in which the deceased was hold by all who knew him, we may mention that the Rev. Mr. Mosely, formerly the incumbent of the Fortitude Valley Church, where Mr. Kopp acted as organist, and also the Rev. Mr. Matthews, the present incumbent of the same church, were present at the funeral . . . The hearse containing the body of the deceased was followed not only by a large number of his countrymen (Germans), but also by all the male members of the corps dramatique of the Victoria Theatre, the leadership of the orchestra of which was most ably represented by the deceased. After the magnificent service of the Church of England had been read, the members of the German Liedertafel sang the "Hymne an der Neicht" [sic], which was composed by the late Mr. Kopp, and arranged by Mr. B. Simmons. . . .

"QUEENSLAND. BRISBANE, Jan. 8", Launceston Examiner [TAS] (16 January 1866)

http://nla.gov.au/nla.news-article36632210

Mr. Julius Kopp, the leader of the orchestra of the theatre, shot himself through the head yesterday.

[Advertisement], The Brisbane Courier (26 January 1866), 5

http://nla.gov.au/nla.news-article1261384

TUESDAY, JANUARY 30.
IN THE INTESTATE ESTATE OF JULIUS KOPP.
HARMONIUM, by Alexandre
2 Superior VIOLINS, JEWELLERY,
LOT MUSIC AND WEARING APPAREL.
By Order of the Administrators.
A. E. ALEXANDER has received instructions from the Administrators in the above Estate
to sell by public auction, at the Bank Auction Rooms, Edward-street,
on TUESDAY, January 30, at 11 o'clock,
1 Very fine rich-toned HARMONIUM, by Alexandre (9 stops)
2 Very superior Violins
Gold Watch and Albert, Signet Ring, Flute, and Books
Wearing Apparel, consisting of Black Dress Suit, Overcoat, Dressing Gown, Tweed Suit, Shirts, Collars, Socks, &c.
Lot Music, comprising German Music Books, 2 Musical Cabinet, Scottish Minstrel,
Quartettes, &c., for piano, Norma, Lucia di Lammermoor, &c., &c.
No Reserve. Terms - Cash.

KOSTEN, Louisa (Louisa KOSTEN; Miss KOSTEN; Miss L. KOSTEN; Mrs. Peter WELLS; Mrs. P. WELLS; Mrs. WELLS)

Musician, vocalist

Born Sydney, NSW, 23 September 1842; baptised St. James, Sydney, 20 November 1842; daughter of Jacob Frederick KOSTEN and Elizabeth WILLIAMS
Married Peter WELLS (1838-1916), St. James, Sydney, NSW, 28 January 1871
Died Sydney, NSW, 18 January 1884, aged "41" [sic]

https://trove.nla.gov.au/search?l-publictag=Louisa+Kosten+Wells+1842-1884 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOSTEN-Louisa-Wells (shareable link to this entry)

KOSTEN, Elizabeth (Elizabeth Jean KOSTEN; Miss E. KOSTEN; after January 1871, Miss KOSTEN; Lizzie KOSTEN; Mrs. John Harold TAYLOR)

Musician, vocalist, pianist, music teacher

Born Sydney, NSW, 9 September 1844; baptised St. James, Sydney, 9 October 1844; daughter of Jacob Frederick KOSTEN and Elizabeth WILLIAMS
Married John Harold TAYLOR, St. John's, Darlinghurst, NSW, 28 March 1894
Died ?

https://trove.nla.gov.au/search?l-publictag=Elizabeth+Kosten+Taylor+b1844 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOSTEN-Elizabeth-Taylor (shareable link to this entry)

Documentation:

Baptisms, St. James's, Sydney, 1842; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30311029901 (PAYWALL)

20 November 1842 / born 23 September 1842 / Louisa daughter of / Frederick and Elizabeth Kosten / Clarence-street / Butcher

ASSOCIATIONS: Frederick Kosten (c. 1814-1887; arrived 1837) and Elizabeth Williams (1818-1871; arrived 1838) married at St. James's, Sydney, on 2 September 1840

Baptisms, St. James's, Sydney, 1844; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30311092501 (PAYWALL)

9 October 1844 / born 9 September 1844 / Elizabeth daughter of / Frederick and Elizabeth Kosten / Pitt-street / Butcher

"ST. JAMES'S SUNDAY SCHOOL", The Sydney Morning Herald [NSW] (16 October 1868), 4

http://nla.gov.au/nla.news-article28422468

A tea meeting and musical entertainment was held last evening in the school room, Castlereagh-street, for the purpose of raising funds to provide books for the library in connection with the St. James's Sunday-school . . . The programme contained a varied selection of vocal and instrumental music, and the whole of the items were very creditably executed by amateurs. Miss Kosten sung two or three songs with much taste and skill, and was loudly applauded and encored on each occasion . . .

ASSOCIATIONS: St. James's church (Sydney); Castlereagh-street School-room (Sydney venue)

"AUSTRALIAN PATRIOTIC ASSOCIATION CONCERT", The Sydney Morning Herald [NSW] (18 June 1869), 5

http://nla.gov.au/nla.news-article28421038

The concert given last evening under the auspices of the Australian Patriotic Association must, so far as the attendance was concerned, have far exceeded the anticipations of its promoters. Seldom has the Victoria Theatre been graced by so large and fashionable an audience as was present last evening. Every part of the house was crowded . . . The audience was not only large but very enthusiastic. The orchestra consisting principally of stringed instruments, played remarkably well - their first performance being the overture to "Don Giovanni," and the second piece the difficult but very beautiful overture to Balfe's "Siege of Rochelle" . . . The finest vocal pieces were sung by Mrs. Cordner, Míss Kosten, Miss James, and Signor Ugo Devoti. Seldom have either of these artists appeared to better advantage. Mrs. Cordner sang with Miss Kosten a duet, "Lasciami," from "Tancredi, and took part with Miss Kosten, Signor Dovoti, and a gentleman amateur, in a very pretty quartetto, "Un di si ben rammentomi" . . . Miss Kosten and Miss James sang two or three solos with an expression and sweetness of voice quite delightful; the former gave "Kathleen Mavourneen" . . . Miss E. Kosten also distinguished herself somewhat by singing very nicely a favourite ballad of Madame Anna Bishop's, "The Beggar Girl." She had to respond to an encore . . . Mr. John Deane conducted the orchestra, and Mr. W. J. Cordner very efficiently accompanied the vocalists on the pianoforte . . .

ASSOCIATIONS: Ellen and William Cordner (vocalist and piano accompanist); Elizabeth James (vocalist); Ugo Devoti (vocalist); John Deane (conductor, leader); Royal Victoria Theatre (Sydney venue)

"PATRIOTIC ASSOCIATION'S CONCERT", Empire (18 June 1869), 2

http://nla.gov.au/nla.news-article60835674

. . . Among the other more highly appreciated performances were the duet "Lasciami," sung by Miss Kosten and Mrs. W. J. Cordner, both of whom were in excellent voice, and achieved their usual success . . . the ballad "Kathleen Mavourneen," very sweetly rendered by Miss Kosten . . . Signor Ugo Devoti's performance, of course, formed a special feature in the entertainment. He sang" Tutto e Sciolto" from La Sonnambula, and took part in the duet "Parigi O cara," with Miss E. Kosten . . .

[Advertisement], Empire (14 August 1869), 1

http://nla.gov.au/nla.news-article60892039

MR. ALFRED ANDERSON has the honor to announce his
FIRST CONCERT since his return from England . . . at the
SCHOOL OF ARTS, MONDAY, 23rd August, Assisted by the following talented Artistes: . . .
Miss KOSTEN, Miss E. KOSTEN - Pupils of Madame Bushelle . . .

ASSOCIATIONS: Alfred Anderson (pianist); Eliza Wallace Bushelle (vocalist, teacher); Mechanics' School of Arts (Sydney venue)

"TOWN HALL, NEWTOWN", Evening News (17 May 1870), 2

http://nla.gov.au/nla.news-article107134894

This edifice was yesterday evening re-opened with a literary and musical entertainment . . . and there was a very large attendance . . . The programme was sustained by a number of lady and gentlemen amateurs, assisted by the Misses Kosten. The most prominent feature of the entertainment was decidedly the duet "Sainted Mother" (Maritana), beautifully rendered by Misses L. and E. Kosten, and which was enthusiastically encored. Miss L. Kosten's very pure and expressive voice was also heard to advantage in the cavatina "Ernani Involami." The same lady sang besides the pretty little ballad "Bird of the Greenwood," and was again accorded an encore. Miss E. Kosten rendered "The Beggar Girl," very pleasingly . . .

"MARRIAGES", The Sydney Morning Herald (4 February 1871), 1

http://nla.gov.au/nla.news-article13217990

On the 28th January, at St. James's Church, by the Rev. Canon Allwood, PETER, second son of WILLIAM CHRISTOPHER WELLS, late of Kingston-upon-Hull, Yorkshire, to LOUISA, eldest daughter of JACOB FREDERICK KOSTEN, Esq., late of Wurthemburg, Germany.

[Advertisement], The Sydney Morning Herald (2 July 1877), 1

http://nla.gov.au/nla.news-article28398294

PIANOFORTE and SINGING. - Miss Kosten, pupil of the best masters. 75, Botany-st., Moore Park.

[Advertisement], The Sydney Morning Herald (5 January 1878), 15

http://nla.gov.au/nla.news-article28397387

MISS KOSTEN, will resume Music Tuition January 7. 75, Botany-street, Moore Park.

"Deaths", The Sydney Morning Herald (19 January 1884), 1

http://nla.gov.au/nla.news-article28371562

WELLS. - January 18, at her residence, Aliceville, 178, Forbes-street, Darlinghurst, Louisa, beloved wife of Peter Wells, and eldest daughter of Frederick Kosten.

1894, marriages solemnized in the district of Sydney; St. John's Darlinghurst, register 1893-98; Anglican Diocese of Sydney

https://www.ancestry.com.au/search/collections/61177/records/900501912 (PAYWALL)

No. 819 / 587 / March 28, 1894 / St. John's Church Darlinghurst / John Harold Taylor / Bachelor / [born] Launceston Tasmania / Photolithographer / Full [age] / 6 Cambridge St. Paddington / [son of] John Taylor [and] Louisa Reid
Elizabeth Jean Kosten / Spinster / [born] Sydney / Music Teacher / Full [age] / 106 Darlinghurst Rd Sydney / [daughter of] Jacob Frederick Kosten [and] Elizabeth Williams . . .

"Marriages", The Sydney Morning Herald (8 June 1894), 1

http://nla.gov.au/nla.news-article13954460

HAROLD-TAYLOR - KOSTEN. - March 28, at St. John's Church, Darlinghurst, by the Rev. Arthur W. Pain, B.A., J. Harold, son of late John Taylor, of Cockatoo, to Lizzie, eldest surviving daughter of the late Jacob Frederick Kosten, of Würtemberg, Germany.

Bibliography and resources:

Louisa Wells, Find a grave

https://www.findagrave.com/memorial/189886137/louisa-wells

KOWALSKI, Henri (Henri KOWALSKI; H. KOWLASKI)

Musician, pianist, composer

Born Paris, France, 1841
Arrived [1] Sydney, NSW, 1 September 1880 (per Australia, from San Francisco)
Departed [1] Melbourne, VIC, 20 October 1881 (per Potosi, via Adelaide, for London)
Arrived [2] Melbourne, SA, 5 July 1885 (per Carthage, from London, via Albany, and Adelaide, SA)
Departed [2] Melbourne, VIC, 7 November 1896 (per Armand Behic, for Europe)
Died Bordeaux, France, 8 July 1916

https://trove.nla.gov.au/search?l-publictag=Henri+Kowalski (TROVE public tag)

http://nla.gov.au/nla.party-1182623 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOWALSKI-Henri (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

KOWARZIK FAMILY

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOWARZIK-Family (shareable link to this entry)

KOWARZIK, Francis Frederick (Franz Friedrich KOWARZIK; Francis Frederick KOWARZIK; Mr. F. KOWARSIK; KOWARSIC; KOWARTSIC)

Musician, professor of Music, violinist ("The Van Diemen's Land Paganini"), vocalist, Spanish guitar player, composer

Born Vienna, Austria, 3 October 1813
Arrived Hobart Town, VDL (TAS), 25 September 1839 (per Wave, from London, 2 June)
Married Emma Catherine DE LA ROCHE (b. c.1828 - died 9 August 1849), Launceston, VDL (TAS), 25 March 1845
Died Launceston, TAS, 7 August 1883, aged "73" [sic]

https://trove.nla.gov.au/search?l-publictag=Francis+Frederick+Kowarzik+1813-1883 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOWARZIK-Francis (shareable link to this entry)

KOWARZIK, Edmund (Francis Edmund KOWARZIK; Edmund KOWARSIK)

Musician, pianist, organist, teacher of the piano, farmer

Born Launceston, VDL (TAS), 30 July 1846; son of the above; Edmund LEFFLER was probably his god-father
Married Janet WILSON, Lilydale, TAS, 29 May 1889
Died Blackburn, VIC, 9 September 1931, aged 85

https://trove.nla.gov.au/search?l-publictag=Edmund+Kowarzik+1846-1931 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOWARZIK-Edmund (shareable link to this entry)

KOWARZIK, Frederick Ferdinand (Frederick Ferdinand KOWARZIK)

Musical amateur, amateur musician, violinist, pianist

Born Launceston, VDL (TAS), c. 1847
Married Mary BINGHAM, Lilydale, TAS, 30 October 1888
Died Lilydale, TAS, 17 September 1911, aged 64 years

https://trove.nla.gov.au/search?l-publictag=Frederick+Ferdinand+Kowarzik+1847-1911 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KOWARZIK-Frederick (shareable link to this entry)

Documentation:

According to his naturalisation petition, Kowarsik was born in Vienna, on 3 October 1813. Nothing else is known of him for certain before his arrival in Hobart Town in the Wave from London on 25 September 1839, barely a week short of his 26th birthday. However, it is quite likely that he came to the colony having been offered a position by George Carr Clark and his wife Hannah Davice, as a teacher of music and languages at their school, Ellinthorpe Hall, at Ross, in the midlands. However, with the summer vacation imminent, in November 1839, he advertised that he would first make a tour of the island tuning pianos.

If he did in fact spend the ensuing year - 1840 - at Ellinthorpe Hall, it turned out of be a shorter engagement than, having come half way around the world, he might have hoped; the Clarks closed the school for good in December 1840 when Hannah returned to England. By then, however, Kowarsik had evidently ingratiated himself sufficiently in music social circles outside the school to ensure his survival. In November 1840 he and retired military bandmaster Angus McLeod took charge of the music for a concert at ball at nearby Campbell Town, which they followed up six months later with a second concert and ball, in April 1841. He was still living in Campbell Town at the time of the 1842 census.

Meanwhile, in January 1841, Kowarsik also advertised as a freelance teacher of music and languages in Launceston. He had apparently fixed on settling there in preference to Hobart where, curiously, he is never documented as having been publicly active, musically or otherwise.

In Launceston in March 1843, he was violin soloist and leader of the band for a concert put on by the visiting Sydney vocalists, John and Eliza Bushelle, in association with the pianist, James Henri Anderson, another relatively recently arrival. Again, in 1848, he appeared as a violinist with the pianist Julius Imberg, advertising that he would reproduce some of the favourite pieces from the repertoire of Imberg's former duo partner, Leopold Ravac (or Rawack), who had so impressed Launceston audiences (and, presumably, Kowarsik himself) at his own concerts there in mid-1846.

Thereafter, however, with a few minor and much later exceptions, Kowarzik appears to have avoided concert performing, and to have focussed instead on teaching, in which he was still engaged as late as 1878, and which must have been steadily lucrative enough to finance several land purchases. He ultimately left an estate of over £3,000.

Kowarzik had married Emma Catherina De la Roche at Launceston on 25 March 1845. Their first surviving son was born on 30 July 1846, named Francis in the birth record, but evidently known as Edmund, probably after the Launceston musician Edmund Leffler. A second surviving son, Frederick Ferdinand, was born in 1847. Catherine and their infant third son died in 1849, and, somewhat unusually for the era, Kowarzik never remarried.

The programs of Kowarzik's two early Campbell Town concerts survive in partial detail, including unidentified solo violin works by Kreutzer and De Beriot; overtures by Herold, Auber, and Boieldieu; and a "grand symphony" in manuscript by "Kutchera", probably the celebrated Viennese Imperial courtier, soldier, and musical amateur, baron Johann von Kutschera.

Documentation:

"Shipping Intelligence. HOBART TOWN ARRIVALS", The Hobart Town Courier and Van Diemen's Land Gazette [VDL (TAS)] (27 September 1839), 4

http://nla.gov.au/nla.news-article8747579

25 - the bark Wave, 345 tons, Goldsmith, from London, 2d June, with a general cargo. Bilton & Meaburn, agents - passengers, Mr. Barnard, Mr. Roope, Mr. Herring, Mr. Walker, Mr. Cook, Mr. Davis, Mr. and Mrs. Bennett, Mr. Kowarzing, Mr. Seftwick.

[Advertisement], Tasmanian Weekly Dispatch [Hobart Town, VDL (TAS)] (1 November 1839), 1

http://nla.gov.au/nla.news-article233618893

Notice. MONSIEUR F. KOWARZIK, Professor of Music,
intends, during the summer vacation at Ellinthorpe, to make a Tour of the Island,
when families may avail themselves of the opportunity of having their piano fortes tuned,
by addressing (post paid) as above, early in December. October 29, 1839

[Advertisement], Launceston Advertiser [VDL (TAS)] (7 November 1839), 2

http://nla.gov.au/nla.news-article84755951

MONSIEUR KOWARZIK, Professor of MUSIC,
intending during the Summer Vacation at Ellinthorpe, to make a Tour of the Island,
families who wish to have their Piano Fortes tuned,
can avail themselves of the opportunity by applying early in December, (if by letter post-paid)

[Advertisement], The Courier [Hobart Town, VDL (TAS)] (3 November 1840), 1

http://nla.gov.au/nla.news-article2957800

ASSEMBLY ROOMS, Campbell Town. -
The first CONCERT and BALL will take place here, on Wednesday, the 11th instant . . .
Leader of the Concert - Monsieur Kowarzik.
Do of the Quadrille Band - Mr. A. McLeod, late 21st regt . . .

ASSOCIATIONS: Angus McLeod (musician)

"THE CAMPBELL TOWN BALL AND CONCERT", Launceston Courier (23 November 1840), 2

http://nla.gov.au/nla.news-article84675458

. . . By seven o'clock, the greater part of the company had arrived, and many a heart throbbed with that peculiar tremulous delight which every notice feels till the spirit of the dance has been fairly commenced. The managers, however, had wisely decreed a concert for the first part of the evening, of which the following is nearly a programme.

PART I.
1. Fra Diavolo - Overture.
2. Concerto - Piano forte.
3. Polanaise [sic], with accompaniments
4. Duet
5. L'ltalian in Algieri - Rossini.

PART II.
opened with the overture to Zampa. This highly attractive piece of composition was executed in first-rate style. It would be easy to compliment the different performers, but it would also be invidious, especially as the plaudits of the audience bore full testimony to the merit of all. Then followed the violin solo by Monsieur Kowarzik. An air, with variations, composed for the occasion, with full orchestra accompaniments, from the air of "I give thee all;" then a cantata from Beethoven.

Before the conclusion of the concert, however, I observed that a secret longing for the dance was the feeling most prevalent amongst the majority of the audience . . .

[Advertisement], Launceston Advertiser (21 January 1841), 1

http://nla.gov.au/nla.news-article84754163

MUSIC AND SINGING.
MONSIEUR KOWARZIK, professor of music, begs to intimate to the Ladies and Gentlemen of Launceston and its vicinity,
that it is his intention (provided that he can obtain a sufficient number of pupils)
to give private lessons on the following instruments:
Piano Forte, Guitar, Violin, and Flute.
* Schools attended twice a week. Mr. K. will also teach Singing and the Italian, German, and French languages.
Early application will be necessary to enable M.K. to make suitable arrangements for the present year.
For Terms, &c, apply by letter, post-paid to M. K., at the office of this paper.

[Advertisement], Launceston Courier (26 April 1841), 1

http://nla.gov.au/nla.news-article84674389

Campbell Town Assembly Rooms.
ON WEDNESDAY, the 28th inst., a Concert of Vocal and Instrumental Music
will take place at the Assembly Rooms, Campbell Town,
when a grand concerto and air with variations by Monsieur Kowarzik, a flute concerto by Mr. A. McLeod,
and a selection from the works of Harold [Herold], De Beryot [De Beriot], Tulou, Auber, Bishop, Rossini, &c., &c., will be performed.
Leader, Monsieur Kowarzik.
Principal Professional Performers - Messrs. McLeod, Russel, J. Russel, Duly, Clark, &c., assisted by several amateurs,
and by the band of the 51 st regiment, through the kind permission of Colonel Elliott.
Doors open for the Concert at half-past twelve, performance to commence at one o'clock p. m. precisely . . .
On the evening of the same day, Wednesday, 28th inst., an Assembly will be held in the same room . . .
Leader of the Quadrille Band, Mr. A. McLeod.
Dancing to commence at nine o'clock p. m. . . .

ASSOCIATIONS: William Wilkins Russell (musician); Abraham Philip Duly (master, 51st band); Band of the 51st Regiment (military)

"Concert at the Assembly Rooms, Campbelton", Launceston Advertiser (6 May 1841), 3

http://nla.gov.au/nla.news-article84754069

On Wednesday week last these rooms were filled with company to enjoy a Morning Concert, of which the following is a programme: -
PART I.
Overture to Zampa - Herold
Flute Solo, with Piano Forte - Sola
Grand Concerto (Violin by Mr. Kowarzik) - Kreutzer
Horn Concerto - Pacini
Overture to the Caliph of Bagdad - Boiledieu
PART 2.
Overture to Massaniello - Auber
Solo, Violin, with Piano Forte accompaniment - De Beriot
Overture to Tancredi - Rossini
Horn Concerto (repeated by desire) - Pacini.
Flute Solo, with orchestra accompaniment - Otto
Grand Symphony - Kutchera
The opening piece, it will be remembered, was much admired at the last concert, and it was at the request of many of the subscribers that it was on this occasion introduced.
Mr. A. McLeod's solo on the flute was deservedly applauded, and played in a very masterly style.
Mr. Kowarzik's concerto on the violin, which followed, was played with much judgment, his execution was faultless, and he was listened to with that breathless silence, which must have assured him his exertions were fully appreciated.
Of the horn concerto, we need only say that it was rapturously encored, and, to meet the wishes of the company, was substituted in Part II. for a piano forte solo.
The very difficult overture to Massaniello, with which Part II opened, attracted very general admiration; it was played with much spirit, and every member of the numerous orchestra seemed "au-fait" at his part In the execution of the Grand Symphony (by Kutchera) - never performed out of Germany, being a M.S. copy from the composer. - it were invidious - nay impossible - to single out individual claims to admiration.
It was in truth a brilliant performance.
There was a good deal of amateur musical talent in the room, and it was admitted by all, that the different overtures and accompaniments to the concertos were, without exception, admirably performed.
Such was the universal satisfaction with which both Ball and Concert came off, that the lists for the two coming meetings for October and March were numerously signed, so that these elegant periodical amusements may now he fairly considered and established.
The Quadrille Band (at the Hall) gave entire satisfaction; their most attractive performance was, some entirely new sets of quadrilles, from the latest French operas, arranged by Musard for the piano forte, &c. These were gone through with the greatest precision and spirit (as under).
First Violin - Mr. Kowarzik
Second ditto - Mr. Clair
Tenor - John McLeod, Esq.
Double Bass - Mr. Russel
Piano Forte - Dr. Hanchette
Clarionet - Mr. Rabelin
Cornupia [cornopean]- Mc. Donald.

ASSOCIATIONS: John Justinian Hanchett (piano); John McLeod (viola); John Rablin (clarinet, 51st band); Alexander McDonald (cornopean)

MUSIC: Grand Symphony - Kutchera [? Kuchera; ? Kutschera]

"The Campbell Town Assembly Rooms", The Cornwall Chronicle (8 May 1841), 2

http://nla.gov.au/nla.news-article66018492

. . . In executing their last performance, the "Grand Symphony," the whole Orchestra appeared quite enthusiastic, and it was evident that the well earned plaudits with which their care had been greeted through the morning, had stimulated them to favor the audience with their very very best, in this, their "coup de grace." Mr. Kowarzik, as leader, was much complimented, and his abilities are evidently of a very high order. He is however rather unhappy now and then, in his striking of time and his very flourishing of the bow was anything but graceful. It is probably attributable to enthusiasm, but its effects are prejudicial to the performer; inasmuch as, by attracting the eye of the auditor, his sense of hearing is distracted, and his enjoyment proportionately diminished. It may be regarded as an axiom in acoustics, that when the eye is closed, the sense of hearing becomes more acute; and hence, perhaps, the great number of blind persons who are remarkable for a refined musical taste . . .

VDL census, 1842 (31 December 1841); Tasmanian names index; NAME_INDEXES:478792; CEN1/1/6

https://libraries.tas.gov.au/Record/NamesIndex/478792

https://libraries.tas.gov.au/Digital/CEN1-1-6/CEN1-1-6-157A (DIGITISED)

. . . Francis Kowarzik . . . High Street, Campbell Town . . . [number of residents] One . . .

[Advertisement], Launceston Advertiser (30 March 1843), 1

http://nla.gov.au/nla.news-article84769252

GRAND CONCERT. Under Distinguished Patronage.
MR. & MRS. BUSHELLE, with Mr. J. HENRI ANDERSON, student of the Royal Academy of Music, London, beg to announce that they purpose holding their first CONCERT of Vocal and instrumental Music,
at the New Concert Rooms, opposite the Court-house, Patterson-street,
THIS EVENING, the 30th inst.
VOCAL PERFORMERS: Mrs. Bushelle, Mrs. Richards, Mr. Turner, Mr. Bushelle, and several amateurs.
INSTRUMENTAL PERFORMERS: Mr. Kowarzik. Leader and Conductor of the Orchestra;
Grand Pianoforte, Mr. Anderson, Mr. Bishop, Mr. Megson, Mr. Richards, Mr. McDonald, Mr. Beckford,
and (by permission of Colonel Cumberland) the Orchestra will be strengthened
by a selection from the excellent Band of H. M. 96th Regiment.
Programme.
PART I. Overture, "Fra Diavolo," Full Band
1. Grand Air from Norma, "Gentle Goddess," with full orchestral accompaniments - Mrs. Bushelle.
2. Song from the Somnambula, "As I view these scenes so charming," with orchestral accompaniments, Mr. Bushelle.
3. Ballad, Mrs. Richards.
4. Song, "The Smuggler King," Mr. Turner.
5. Grand Concerto, Violin, De Beriot, Mr. Kowarzik.
0. Ballad, "Black-eyed Susan," Mrs. Bushelle.
7. The celebrated air, "Non piu Andrai," from Mozart's Figaro, with full orchestral accompaniments, Mr. Bushelle.
8. Concerto, Grand Pianoforte, Hummel, Mr. J. H. Anderson.
9. Grand Aria, "Sommo Cielo," from Pacini's "Schiava in Bagdad," violin obligato, Mr. Kowarzik, Mrs. Bushelle.
PART II. Overture to Zampa - Herold - Full Band.
1 . Buffo Duet, from the Barber of Seville, Rossini, Mr. and Mrs. Bushelle.
2. Ballad, Mrs. Richards.
3. The favorite Song, "When time hath bereft thee," Auber, Mr. Bushelle.
4. Song, "I'm afloat," Mr. Turner.
5. Song, "Let others rejoice," Mr. Bushelle.
6. Song, "Wanted a governess," Mrs. Bushelle.
7. Grand Buffo Song, from the Barber of Seville, "Lo the factotum," Rossini, with orchestral accompaniments, Mr. Bushelle.
8. Grand Finale, from Cinderella, "Now with grief no longer bending," Rossini, Mrs. Bushelle.
"GOD SAVE THE QUEEN" . . .

ASSOCIATIONS: John and Eliza Bushelle (vocalists); James Henri Anderson (pianist); Edward Bishop (master, 96th band); Dorothea and Henry Richards (vocalist and instrumentalist); Thomas Leaman Beckford (instrumentalist); Band of the 96th Regiment (military)

[News], Launceston Examiner (1 April 1843), 4

http://nla.gov.au/nla.news-article36233112

MR. BUSHELLE'S Concert came off on Thursday evening last with great eclat, and no doubt afforded the inhabitants of this town such a treat as they have not hitherto enjoyed . . . Mr. Kowarzik's talents, as a violinist, are already well known to the public, but we have no doubt that his performances of Thursday evening have gained him fresh laurels, as his extraordinary powers will now be more generally known, and consequently more highly appreciated. There was a delicacy and distinctness of expression in his execution which we have seldom if ever heard surpassed, and there is no doubt but that his performances at the concert fully entitle him to the distinction of the Van Diemen's Land Paganini. The band of the 96th was an important and effective accession.

1845, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:832961; RGD37/1/4 no 2076

https://libraries.tas.gov.au/Record/NamesIndex/832961

https://libraries.tas.gov.au/Digital/RGD37-1-4/RGD37-1-4P306 (DIGITISED)

2076 / 25 March 1845 / . . . independent Chapel / Francis Kowarzik / adult / Professor of Music
Emma Catherine de la Roche / Minor / . . .

"PORT OF LAUNCESTON", Colonial Times [Hobart Town, VDL (TAS)] (10 July 1846), 2

http://nla.gov.au/nla.news-article8758923

July 6. - Arrived the brig Swan, Carder master, from Port Phillip.
Passengers - Mr. Wm. Patterson, A. Weston, John Suet, - Ritchie, F. W. Kowarzik, Mrs. Smith, and two children.

[Advertisement], The Cornwall Chronicle (18 July 1846), 546

http://nla.gov.au/nla.news-article65944301

MR. KOWARZIK begs to inform the inhabitants of Launceston and its vicinity,
that he continues teaching MUSIC and LANGUAGES on moderate terms.
Mr. K. is also willing to provide his pupils with music if required, without any charge.
St. John-street, July 11.

1846, births in the district of Launceston; Tasmanian names index; NAME_INDEXES:1107154; RGD33/1/23/ no 1364

https://libraries.tas.gov.au/Record/NamesIndex/1107154

https://libraries.tas.gov.au/Digital/RGD33-1-23/RGD33-1-23-P842 (DIGITISED)

1364 / 30 July / Francis / [son of] Francis Kowarzik / Catherine Kowarzik, formerly De la Roch / professor of Music / F. Kowarzik, St. John Street, Father . . .

[Advertisement], Launceston Examiner (4 November 1848), 7

http://nla.gov.au/nla.news-article36255974

NOTICE. HERR IMBERG, PROFESSOR OF MUSIC, AT HOBART TOWN,
BEGS to inform the LADIES and GENTLEMEN of LAUNCESTON, and its Vicinity, that he intends giving a
MUSICAL SOIREE, On Tuesday, the 7th of November,
at the ASSEMBLY ROOMS, AT THE "CORNWALL HOTEL,"
When he solicits their kind patronage for that occasion.
He will be, by particular request, kindly assisted by Mr. Kowarsik, who will introduce some of Mr. Ravac's favorite airs;
also, by the kind permission of Colonel Cumberland, by the band of H. M. 96th Regt., and by several amateurs . . .

ASSOCIATIONS: Julius Imberg (musician); Leopold Rawack (violinist, formerly performed with Imberg); Cornwall Assembly Rooms (Launceston venue)

1849, births in the district of Launceston; Tasmanian names index; NAME_INDEXES:1108216; RGD33/1/23/ no 2426

https://libraries.tas.gov.au/Record/NamesIndex/1108216

https://libraries.tas.gov.au/Digital/RGD33-1-23/RGD33-1-23-P917 (DIGITISED)

2426 / 31 July / [ - ] / [son of] Francis Kowarzik / Catherine Kowarzik, formerly De la Roch / professor of Music / F. Kowarzik, St. John Street, Father / [child later named] Joseph Edward [sic]

1849, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1145788; RGD35/1/16 no 72

https://stors.tas.gov.au/NI/1145788

https://libraries.tas.gov.au/Digital/rgd35-1-16/rgd35-1-16p193 (DIGITISED)

No. 72 / 5 September / Joseph Edward Kowarzik / 4 weeks / Professor of Music's child / Convulsions . . .

"DIED", The Cornwall Chronicle (8 September 1849), 849

http://nla.gov.au/nla.news-article65977406

Emma Catherine, wife of F. F. Kowarzic, aged 22 years, and Joseph Edmund, son of the above, aged 14 days, on the 5th September, 1849.

[Advertisement], The Cornwall Chronicle (22 September 1849), 882

http://nla.gov.au/nla.news-article65976424

TEACHING MUSIC in all its branches -
Mr. Kowarzik, professor of music, begs to inform the gentry of Launceston, that he has a few hours to spare.
Pianos tuned, repaired, and lent out.
St. John-street, Sept. 21.

1851 TAS census; Tasmanian names index; NAME_INDEXES:478793; CEN1/1/110

https://libraries.tas.gov.au/Record/NamesIndex/478793

https://libraries.tas.gov.au/Digital/CEN1-1-110/CEN1-1-110-333A (DIGITISED)

. . . Francis Kowarzik . . . St. John Street . . . [number of residents] Three . . .

[News], The Cornwall Chronicle (1 December 1858), 4

http://nla.gov.au/nla.news-article65728439

Mr. Kowarsic, the professor of music, is busily engaged in getting up a vocal and instrumental concert, in which his pupils will take part . . .

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (2 April 1859), 4

http://nla.gov.au/nla.news-article65731065

Never within the recollection of that mythical and oft quoted individual, the oldest inhabitant, was there a greater treat offered to the music loving citizens of Launceston than was the soiree of the Philharmonic Society on Thursday evening last, at the Cornwall Assembly Rooms . . . The arrangemerits were most ably conducted by Mr. A. J. Marriott, whose musical proficiency is well known and highly appreciated. In speaking of the special performances we are at a loss to find words to describe the thorough excellence of the music tendered by Miss Chambers and Mrs. Fereday. The former lady, gifted with a power of song probably possessed by few in the world, of a rich mellow tone, yet extraordinary compass, carolled the delightful music of Mozart, Mendlssohn, and Rossini, completely enthralling her hearers. Nor was Mrs. Fereday less successful . . . A little band of gentlemen amateurs under the leadership of M. Kowarsic, consisting of five violins and a flute gave admirably one or two beautiful overtures, thereby rendering the change from the vocal to the instrumental a delightful relief . . .

ASSOCIATIONS: Arthur John Marriott (conductor); Lucy Chambers (vocalist); Susan Fereday (vocalist); Launceston Philharmonic Society (association)

"INSTRUMENTAL MUSIC", Launceston Examiner (30 April 1859), 2

http://nla.gov.au/nla.news-article38995908

We have heard with much pleasure that it is in contemplation by Mr. Kowartzic, to immediately open an instrumental class, which shall be accessible to all who have a taste and are desirous to practice instrumental music, and on terms which will be within reach of everyone . . .

Petition for naturalisation, 1861; Tasmanian Names Index; NAME_INDEXES:447430; CSD1/1/142/5267

https://libraries.tas.gov.au/Record/NamesIndex/1797223

https://libraries.tas.gov.au/Digital/CSD1-1-142/CSD1-1-142-5267P04 (DIGITISED)

. . . the Petition of Francis Frederick Kowarzik of Launceston in Tasmania, Professor of Music . . . that Your Petitioner is a native of Vienna in the Empire of Austria
having been born there on the third day of October in the year [1813] and is of the age of [48] years or thereabouts.
That your petitioner emigrated to this Colony in the year [1840, sic, recte 1839]
and arrived in Launceston in this isalnd in the month of October in the same year . . .

"CONCERT", Launceston Examiner (3 February 1870), 2

http://nla.gov.au/nla.news-article39673089

Mr. Kowarzik, assisted by several of, his pupils, gave a concert of vocal and instrumental music at the Mechanics' Institute, last evening. There was but a small attendance. The programme was carefully selected from the compositions of Rossini, De Beriot, Bellini, and other celebrated composers, and the able manner in which the pieces were executed met with the frequent approbation of the audience. Had the weather not been so oppressive, no doubt, the attendance would have been larger.

[Advertisement], Launceston Examiner (5 January 1871), 6

http://nla.gov.au/nla.news-article39679320

MR. EDMUND KOWARZIK, Quadrant, will be happy to receive a limited number of pupils for instruction on pianoforte. Terms moderate.

[Advertisement], Launceston Examiner (18 January 1878), 1

http://nla.gov.au/nla.news-article47782265

EDUCATION. LADIES' COLLEGE, De Little's Buildings, Upper York-street.
Lady Principal - MRS. SMITH, (Assisted by efficient teachers).
Music, French, and German - Professor KOWARZIK.
Vacancies for boarders. Matriculation class. Duties resumed, January 18.

1883, deaths in the district of Launceston; Tasmanian Names Index; NAME_INDEXES:1165438; RGD35/1/52 no 252

https://libraries.tas.gov.au/Record/NamesIndex/1165438

https://libraries.tas.gov.au/Digital/RGD35-1-52/RGD35-1-52P27 (DIGITISED)

No. 1215 / 7 August 1883 / Francis Frederick Kowarzik / 73 years / Musicians / Heart Disease . . .

"Deaths", Launceston Examiner (8 August 1883), 1

http://nla.gov.au/nla.news-article38287787

KOWARZIK. - On 7th August, at his residence, Quadrant, Francis Frederick Kowarzik, aged 73 years.
The funeral of the late Mr. FRANCIS F. KOWARZIK will take place on Thursday, August 9th, leaving his late residence, Quadrant, at a quarter to three o'clock.
RICHARDS AND SON, Undertakers, St. John-street.

Will and probate, Francis Frederick Kowarzik, 1883; Tasmanian Names Index; NAME_INDEXES:662790; AD961/1/6

https://libraries.tas.gov.au/Record/NamesIndex/1723934

"UPPER PIPER", Launceston Examiner (14 February 1884), 4

http://nla.gov.au/nla.news-article90548575

. . . Mr. J. W. Wolfe was voted to the chair, when addresses were given by the chairman and Mr. F. Wills; followed by pianoforte duet by E. and F. Kowarzik, cornet solo by Mr. F. Watchtershauser, of Longford, violin solo by Mr. F. Kowarzik, with piano accompaniment by Mr. E. Kowarzik. The music was composed by the late F. F. Kowarzik from selections of the opera "Sonnambula." Mr. Watchtershauser gave several pieces on the cornet, accompanied on the piano by Mr. E. Kowarzik, which were a treat. Dialogues by Kowarzik brothers, and reading, recitation, and songs were rendered by . . .

"UPPER PIPER RIVER", Launceston Examiner (8 November 1884), 1 supplement

http://nla.gov.au/nla.news-article90545185

. . . A well-arranged programme was gone through . . . "Vi Baviso," for the violin, with piano accompaniment, by the Messrs. Kowarzik. The rendering of this beautiful piece of music was excellent, and the easy style of playing, together with the precision with which these gentlemen render even the most difficult pieces, is proof that they received their musical education from one of the best teachers that in Tasmania could be found, viz., the late Mr. F. F. Kowarzik. We are very proud to have such talented and accomplished, as well as kind-hearted, gentlemen as the Messrs. Kowarzik in our midst . . .

"MARRIAGES", The North West Post (1 November 1888), 2

http://nla.gov.au/nla.news-article20028233

KOWARZIK - BINGHAM. - On October 30, at the residence of the bride's parents, by the Rev H. T. Hull, F. F. Kowarzik, of Lilydale, to Mary, third daughter of John Bingham, of Spalford, Castra.

"Marriages", Launceston Examiner (17 June 1889), 1

http://nla.gov.au/nla.news-article38349890

KOWARZIK - WILSON. - On 29th May, at Maxwellton, Lilydale, the residence of the bride's parents, by the Rev. W. Marlin, Edmund Kowarzik, oldest son of the late F. F. Kowarzik, of Launceston, to Janet, youngest daughter of William and Grace Wilson.

"DEATHS", Daily Telegraph (19 September 1911), 1

http://nla.gov.au/nla.news-article152355623

KOWARZIK. - On the 17th September, at his residence, Fairfield, Lilydale, Frederick Ferdinand, second son of the late Professor F. F. Kowarzik, of Launceston, aged 64 years. Deeply regretted.

"DEATHS", The Argus (9 September 1931), 1

http://nla.gov.au/nla.news-article4418157

KOWARZIK - On the 7th September at 12 Linum street, Blackburn, Edmund Kowarzik, husband of the late Janet Kowarzik, and loved father of Annie (Mrs. Dalley), Francis, Fred, and Kathleen (Mrs. Ward), aged 85 years.

"LILYDALE", Examiner (19 September 1931), 5

http://nla.gov.au/nla.news-article53937267

On Tuesday, September 9, the death of Mr. Edward [sic] Kowarzik occurred at his daughter's residence, Blackburn, near Melbourne. For many years Mr. Kowarzik was a resident of Lilydale where he owned the property known as Seafield, now owned by Mrs. J. R. Abel. He was a musician of more than ordinary ability, and was for many years organist of the Lilydale Presbyterian Church. Over 30 years ago he sold his property and went to Victoria. He was in his 85th year. He leaves a family of two sons and two daughters. His wife predeceased him by 12 months.

Bibliography and resources:

The cyclopedia of Tasmania: an historical and commercial review, volume 2 (Hobart: Maitland and Krone, 1900), 147, 342, 407 (photo)

G. F. Stilwell, "Mr. and Mrs. George Carr Clark of Ellinthorp Hall", Tasmanian Historical Research Association 11/3 (April 1963), 72-109 (83-84, 101 note 18)

https://search.informit.com.au/documentSummary;dn=81114276306;res=IELAPA (PAYWALL)

[101] . . . 18. Cyclopedia of Tasmania vol. 2; Francis Frederick Kowarzik (1813-1883) a native of Vienna, arrived late in 1839. After leaving "Ellinthorp" he became a teacher of languages and music in Campbell Town and Launceston and for a time in Adelaide. (CSO 1/142/5267; Tasmanian Advertiser 14 Jan. 1841; CSO 20/41/1115; Walch's Tasmanian Almanac 1884; Tas. Weekly Despatch, 1 Nov. 1839).

NOTE: As of 2020, I have not yet found evidence to confirm that Kowarzik was ever in Adelaide.

KRAEGEN, Charles (Carl Wilhelm Immanuel KRÄGEN; Charles William Emanuel KRAEGEN; Charles KRAEGEN; C. W. E. KRAEGEN; C. W. KRAEGEN; Mr. KRAEGEN)

Musical amateur, amateur vocalist, member of the Albury German Vocal Club, electrician, telegraph operator

Born Dresden, Saxony (Germany), 1833; baptised 21 May 1833; son of Carl Wilhelm Eduard KRÄGEN
Active Ballarat, VIC, by 1857; Albury, NSW, by 1860
Married Emma LASSEN (d. 1871), Melbourne, VIC, 20 November 1860
Died near Alice Springs, Central Australia (NT), 12 December 1871, aged "38"

https://trove.nla.gov.au/search?l-publictag= (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRAEGEN-Charles (shareable link to this entry)

ASSOCIATION: Edward Charles Kraegen (1864-1943, son)

Documentation:

Baptisms, Kirche zu Neustadt, Dresden, Saxony, 18-24 May 1833; Stadtarchiv der Landeshauptstadt Dresden, Kirchliche Wochenzettel

https://www.ancestry.com.au/search/collections/5406/records/157777 (PAYWALL)

21 [May 1833] / Carl Wilhelm Imanuel Krägen / [son of] Carl Wilhelm Eduard Krägen

"BLASTING BY THE VOLTAIC BATTERY", The Portland Guardian and Normanby General Advertiser [VIC] (23 October 1857), 2

http://nla.gov.au/nla.news-article64569631

We have received a document signed by Mr. G. W. Phelps and others, testifying to the success of an experiment made of the above battery at the Prince Albert Hotel, by Mr. Charles Kraegen, of the Telegraph Office. The apparatus is intended for the Nil Desperandum Company, and from the success which has already attended the trial made, it is hoped that this system will supersede the dangerous mode of blasting, at present in practice. The cost of the Voltaic Battery made use of in this instance was £8. From the moment of connection until the discharge took place, only one second elapsed, the length of wire being 150 yards. - Ibid. [Ballarat Times]

[Advertisement], The Star [Ballarat, VIC] (15 March 1858), 3

http://nla.gov.au/nla.news-article66047041

Deutscher Verein und Liederkranz,
WICHTIGE VERSAMMLUNG Dienstag, den 16 Marz, Abends 8 Uhm, im Prince Albert Hotel.
CHARLES KRAEGEN, Hon. Sec.

ASSOCIATIONS: Ballarat German Liederkranz (association)

"MARRIAGE", The Argus [Melbourne, VIC] (22 November 1860), 4

http://nla.gov.au/nla.news-article5693723

On the 20th inst., at Melbourne, by the Rev. Thomas Odell, Mr. Charles Kraegen, of Albury, to Miss Emma Lassen, eldest daughter of Mr. Theodore Lassen, of Woolloomooloo, Sydney.

"THE HOSPITAL CONCERT", The Albury Banner and Wodonga Express [NSW] (6 March 1861), 2

http://nla.gov.au/nla.news-article264147711

According to invitation a number of gentlemen assembled on Monday evening last, at Jones's Criterion Hotel, for the purpose of electing a committee to carry out the arrangements for the approaching grand concert in aid of the funds for the opening of this institution. Mr. Bennett took the chair, and explained the object of the meeting. Upon the motion of Mr. L. Solomon a committee of thirteen gentlemen was formed, consisting of Messrs. Edmondson, Boyer, Barnett, Bennett, Swete, Elliott, Murray, Murphy, Kraegen, Jones, Foster, Banfield, and the mover. Mr. Mott's name was also added to the list. The meeting was then dissolved, and the Committee began its labours by appointing the following gentlemen to superintend the musical arrangements - namely,
Messrs. Edmondson, Boyer, and Barnett, Glee and Chorus Masters;
Messrs. Jones and Bennett, Ballad Masters;
Mr. Boyer, Musical Director.
The subject as to where the concert should take place was then discussed, and a resolution was come to that Captain Brownrigg should be solicited for the loan of the Court House for the occasion, and, if this should be refused, then that it should take place in the Men's Ward of the Hospital. The gentlemen appointed to wait upon Captain Brownrigg were, Messrs. Boyer, Edmondson, Barnett, and Swete. Five gentlemen were also deputed to wait upon the lady musical celebrities of Albury, to solicit their assistance and co-operation; and Mr. Kraegen and the Musical Director were also requested to wait upon the German Vocal Club for the same purpose. Other preliminary matters having been arranged, the meeting was adjourned till Wednesday (this) evening, at eight o'clock. This is a good beginning, and we hope the affair will be carried to a happy and profitable consummation.

ASSOCIATIONS: William Edmondson (amateur); John Bennett (musician); James Boyer (amateur); Lewis Jones (amateur); Joseph Knight Barnett (amateur); Edward James Foster (amateur, publican)

[Advertisement], The Albury Banner and Wodonga Express (16 November 1861), 3

http://nla.gov.au/nla.news-article264149849

Albury Philharmonic Society.
OPENING CONCERT, at the Large Room, Commercial Hotel,
On THURSDAY EVENING, November 21st inst . . .
CONDUCTOR: Mr. W. N. M. EDMONDSON . . .
LIBRARIAN: Mr. CHARLES KRAEGEN . . .

ASSOCIATIONS: Albury Philharmonic Society (association)

"POPULAR READINGS", The Albury Banner and Wodonga Express (9 November 1867), 5

http://nla.gov.au/nla.news-article264160977

The sixth of the series of Popular Readings, established by the ladies of St. Matthew's in aid of the parsonage fund, was as well attended as the previous nights. Mr. Edmondson played an overture, after which . . . Messrs. Kraegen, Krone, Wagenbach, and Outtrim sang "Du, du liegst mir in Herzen," and upon receiving a pealing encore, finished with a "Juch hay Dee" [sic] . . .

"ALBURY POPULAR READINGS", The Albury Banner and Wodonga Express (25 July 1868), 2

http://nla.gov.au/nla.news-article264155179

The attendance at the Readings last Tuesday was not numerous, but was really larger than might have been expected in consideration of the miserable state of the weather . . . The musical part of the programme included . . . a quartette by Messrs. Alpen, Hester, Kraegen, and Elliott - The quartette was, we think, an English version of one of the glees (the Chapel) with which the Leidertafel [sic] serenaded Lady Belmore . . .

ASSOCIATIONS: Hugo Alpen (musician)

"NEWS BY TELEGRAPH . . . ADELAIDE, 5th January", Leader [Melbourne, VIC] (6 January 1872), 18

http://nla.gov.au/nla.news-article204982288

It is stated that Mr. Kraegen, the telegraph official on the northern line, and who was formerly of Deniliquin, whose death was reported the other day, perished from want of water.

"THE OVERLAND TELEGRAPH (From the S. A. Advertiser, January 4), The Sydney Morning Herald [NSW] (13 January 1872), 5

http://nla.gov.au/nla.news-article13250645

On Wednesday, Mr. Todd received from Mr. Clark, the superintendent of the operators on the overland line, a telegram dispatched from the Alice Springs, where one of the interim stations is established, the spot being distant from Port Augusta rather over 900 miles . . . It will be regretted that one of the first items of the despatch is the announcement of the death of Mr. Kraegen, one of the officials, whose strength proved unequal to the hardships end exertions he had necessarily gone through, the telegram was received on the morning of the 3rd January, on which day communication was opened between Alice Springs, in the Macdonnell Ranges, and Charlotte Waters, and thence on to Port Augusta and Adelaide. The operators arrived at the Springs 28th December, and waited there till communication was opened with Port Augusta. Messrs. Clark and Watson were to leave on the 4th instant, going northward. Mr. Kraegen was the operator who was to have taken charge of the Alice Springs station. During the erection of the line he had been acting as assistant-storekeeper at the Peake depot. He was formerly station-master at Deniliquin, and was an accomplished operator and electrician. He appeared to have died from exhaustion on the journey, consequent upon his constitution not being able to bear the strain put upon it . . .

See also, "Des Tod des Hrn. Kraegen . . .", Süd Australische Zeitung [SA] (9 January 1872), 8

http://nla.gov.au/nla.news-article83780725

Bibliography and resources:

Carl Wilhelm Emmanuel (Charles) Kraegen, Find a grave

https://www.findagrave.com/memorial/265919938

KRAMER, Herr (Herr KRAMER; alias of Lazarus GROSSE; Louis GROSSE; Lewis GROSSE; Lewis Lazarus GROSSE; GROSS)

Vocalist, dealer

Born Pest, Hungary, ? c. 1814; ? c. 1819
Arrived Melbourne, VIC, 10 December 1852 (per Madison, from New York, 7 August, aged "31"
Active Beechworth, VIC, 1857
Active Ballarat, VIC, 1860

https://trove.nla.gov.au/search?l-publictag=Herr+Kramer+alias+Lazarus+Grosse (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRAMER-Herr (shareable link to this entry)

Documentation:

Report of a barque, Madison, from New York, 7 August 1852, arrived at Melbourne, 10 December 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FF8A68-F96C-11E9-AE98-392CC9D20830?image=10 (DIGITISED)

2[nd] Cabin . . . Lewis Gross / 31 / American [sic] / Sawyer

ASSOCIATIONS: Grosse cannot, as he later claimed, have come on (probably) the Peston Bomanjee, the nearest voyage of which arrived in Adelaide, SA, in October 1854

[Advertisement], The Argus [Melbourne, VIC] (31 March 1854), 3

http://nla.gov.au/nla.news-article4805164

TO-NIGHT! To-Night! Kossuth Assembly Rooms, Great Brunswick-street, Collingwood.
Music and Dancing every Monday, Wednesday, and Friday. No more dull nights.
P. C. Burke and L. Gross, Proprietors.

ASSOCIATIONS: Peter Constantine Burke (musician)

[Advertisement], The Argus (12 May 1854), 8

http://nla.gov.au/nla.news-article4807471

KOSSUTH Assembly Rooms, 3 Great Brunswick-street, Collingwood,
to night, Friday, May 14th, a grand Bal Masque, the band will be augmented, and the rooms brilliantly illuminated.
To-NIGHT, To-night, To-night. - A grand Bal Masque at the Kossuth Assembly Rooms, Collingwood.
Gentlemen's Tickets, 7s. 6d, Ladies free. A magnificent Quadrille Band in attendance.

[Advertisement], The Argus (15 May 1854), 8

http://nla.gov.au/nla.news-article4807558

THE Kossuth Assembly Rooms, 2 Great Brunswick, street, Collingwood,
will be open every second week, for a grand Bal Masque. L. Gross and F. Horuick, Proprietors.

https://prov.vic.gov.au/archive/1C8595F1-F3A9-11E9-AE98-E954861BFFA7?image=490 (DIGITISED)

No. 1803 / Grosse Lazarus
Height - 5ft 6 in . . . Age in 1854 / 35 yrs [born] 1819
Native place - Pesth (Hungary) / Trade - Merchant (cook)
Religion - Jew / . . .
Ship to colony - Passa-Rowang [sic] - 1852 / Free / From Liverpool [sic]
Wife, Elizabeth Braham, in Melbourne, [16 April 1856] . . .
Sentence - 3 months impris't with H.L. / Three Years H.L. on the Roads
Date of convictions - 31st July 1854 / October 30th 1854
Offence - Sly Grog Selling / Felony
Marine Stockade / [28 September 1854] . . .
Pentridge Stockade / [23 November 1854] . . .
Collingwood / October 1855 [for] 2 y[ears] . . .
[18 April 1857] L[eave] Ticket
[18 November 1857] L[eave] Ticket
[30 January 1858] Free Certificate

"CITY POLICE COURT. Thursday 26th October . . . THEFT", The Age [Melbourne, VIC] (27 October 1854), 5

http://nla.gov.au/nla.news-article154850759

Lazarus Gross, a man of respectable appearance about fifty years of age, and apprehended by Detective Williams was charged with stealing money from the dwelling house of one Charles Mernet. Mr. Tufton Smith solicitor appeared for the prosecution and Mr. Hogan for the defence. It was alleged that the prisoner had lodged with the prosecutor, and robbed him, whilst under his roof. On the application of the prosecutor's attorney, the case was remanded tomorrow for the production of conclusive testimony.

"THE CASE OF LAZARUS GROSS. To the Editor of the Age", The Age (4 November 1854), 6

http://nla.gov.au/nla.news-article154853260

Sir - Having read in your issue of to day the report of the above case in which I appeared as the prosecutor, allow me to state that I am under great obligations to Mr. Martin Farkas for having acted in concert with me as well as the police securing the apprehension and conviction of the prisoner Lazarus Gross. It appears that the said prisoner was a well known character, both in England and the United States, and also here in Melbourne. It was his practice to pass himself off as a refugee Hungarian Officer who had served in the Hungarian Revolutionary war, whereas the truth of the matter is that Gross is a Jew, born in Hungary, and left his native land some ten years ago (as he himself stated in court;) long before the revolution, since which time the reports of his misdeeds have been such, as to raise the indignation of those few Hungarian gentlemen who, like Mr. Farkas himself, left their country from far different motives, and who naturally felt greatly annoyed at seeing such persons as Gross assume airs and rank to which they are not entitled.
I have the honour to be
Your most obedient servant
CHARLES MERCIERLY.
Melbourne, Oct. 31st, 1854.
139, Great Lonsdale street east.

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (27 July 1857), 3

http://nla.gov.au/nla.news-article113016152

FREE CONCERT EVERY Monday, Wednesday, and Saturday Evenings, EL DORADO HOTEL,
Mdle. ROLLAND, From Melbourne.
Mdle. SCHLUTER, Pianist and Vocalist.
Herr KRAMER, From the Royal Concert Rooms, Budah and Pesth, Hungary.
Mr. and Mrs. PENDLETON, In their Comic Scenes.
ALSO, MR. PENDLETON In his Unequalled Performance on the Bones and Three Tambourines.
ADMISSION FREE.

ASSOCIATIONS: Alwine Schluter (pianist, vocalist); John and Emma Pendleton (vocalists)

NOTE: Also performing in Beechworth at the same time was Marie Kramer (vocalist) and her mother Margaretha Haimberger (vocalist)

[Advertisement], Ovens and Murray Advertiser (8 August 1857), 3

http://nla.gov.au/nla.news-article113016295

EL DORADO HOTEL . . . The Evening's Performance will conclude with the Laughable Farce, entitled
THE ENGLISH BARBER, AND THE FRENCH DOCTOR. Messrs. Kramer and Pendleton. ADMISSION FREE.

[Advertisement], Ovens and Murray Advertiser (11 August 1857), 3

http://nla.gov.au/nla.news-article113016320

. . . El Dorado Concert Room . . .
MR. PENDLETON Will appear . . . in his unequalled performance on the BONES AND THREE TAMBOURINES.
Assisted by HERR KRAMER, MESSRS. GRIFFITH, ZEPLIN, And other professionals . . .

ASSOCIATIONS: George Griffith (violin); George Frederick Zeplin (harp)

[Advertisement], Ovens and Murray Advertiser (31 August 1857), 3

http://nla.gov.au/nla.news-article113016547

THIS EVENING . . . BENEFIT TO MR. ASHTON.
The following professional artistes have volunteered their services: -
Mr. Maynard, Mr. King, Miss Lorette, Mr. J. Cavenage, and Herr Kramer . . .

ASSOCIATIONS: Ashton's Circus (troupe)

[Advertisement], Ovens and Murray Advertiser (8 September 1857), 3

http://nla.gov.au/nla.news-article113016661

Alliance Hotel. FREE AND EASY.
Engagement of Herr Kramer, The Celebrated Vocalist (from Buda and Pesth, Hungary.)
AND MR. WEST, The Favorite Comic Singer, and Dancer,
For Three Nights Only - Monday, Wednesday, and Saturday,
The 7th, 9th, and 11th September. Admission Free!!!

"POLICE COURT. Monday, September 14 . . . ILLEGALLY AT LARGE", Ovens and Murray Advertiser (15 September 1857), 2

http://nla.gov.au/nla.news-article113016763

Herr Kramer, alias Lazarus Grosse, a vocalist lately performing in this district, was charged by Detective John Alexander with being a ticket of leave holder out of his district. Remanded to Melbourne.

Description book, Darlinghurst Gaol, 1859; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1783/records/183525 (PAYWALL)

No. 1869 / Lazarus Grosse / Came Free / Pestonjee Bom[anjee] / [year] [18]53 / Hungary / Jew / Dealer / [age] 40 . . .

Entrance book, Parramatta Gaol, September 1859; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1783/records/910074 (PAYWALL)

Lazarus Grosse / [arrived per] Passer Rolng [sic] / 1853 / [born] 1814 / . . . / Pesth in Hungary / Jew / Dealer . . .

"CIRCUIT COURT. Wednesday, 24th October. CIVIL JURISDICTION . . . GROSS v. ABRAHAM", The Star [Ballarat, VIC] (25 October 1860), 2

http://nla.gov.au/nla.news-article66059045

. . . Action for malicious prosecution. The damages were laid at £500. The declaration alleged malicious arrest for alleged forcible entrance on certain premises in the Main (Melbourne) road. Plaintiff's counsel, in opening the case, said, that plaintiff was a native of Hungary, and defendant was the proprietor of several brothels in Ballarat or elsewhere, and actually subsisting on the prostitution of his own sister, the wife of the plaintiff. Thus living in a state of moral incest he dared to pollute the sacred temple of justice by his presence in defending that action. When plaintiff's wife was seduced from her allegiance to her husband she took with her £1100 of plaintiff's property, and when he went quietly to the house she was in to assert his rights as a husband, he was ordered into arrest under warrant, and was maliciously prosecuted before the police bench . . .

KRAMER, Madame (Margaretha TEUSEN; Madame Ernest KRAMER) = Margaretha HAIMBERGER

Musician, contralto vocalist, Alpine and Tyrolese vocalist

KRAMER, Marie (Johanna Henrietta Marie KRAMER; Maria KRAMER, Mary KRAMER; ; Mrs. J. C. ELLIS; Marie ELLIS)

Musician, soprano vocalist, Alpine and Tyrolese vocalist (pupil of Georgio Stigelli)

Born Altona, Denmark (Germany), c. 1843; daughter Ernst KRAMER and Margaretha TEUSEN (above)
Arrived [1] Melbourne, VIC, 31 July 1855 (per Oliver Lang, from Liverpool, 5 May)
Departed Melbourne, VIC, 25 July 1860 (per Norfolk, for London)
Arrived [2] Brisbane, QLD, 26 June 1862 (per City of Brisbane, from Plymouth, 26 February)
Active South Australia and Queensland, 1862-63
Married James Cole ELLIS (1843-1930), South Melbourne, VIC, June 1864
Active Newcastle, NSW, from 1868 to 1890s
Died Penguin, Ulverstone, TAS, 25 August 1907, aged "62/63" [sic]

https://trove.nla.gov.au/search?l-publictag=Marie+Kramer+Ellis+d1907 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRAMER-Maria (shareable link to this entry)

ASSOCIATIONS: Julius Hamiberger (step-father)

Marie Ellis, Newcastle, c. late 1880s

ASSOCIATIONS: Oliver Godfrey (photographer)

Summary:

Marie Kramer arrived in Melbourne with her mother, Margaretha, and stepfather, Julius Haimberger, on 31 July 1855, on the Oliver Lang from Liverpool, and the three were first billed to perform for George Coppin, at Coppin's Olympic, in mid August.

With Marie and her mother performing as the "Tyrolese Minstels" ("Alpine and Tyrolean Minstrels"), they toured widely in mixed programs of folkloric and light classical music.

In July 1860, Marie sailed for Europe, where she stayed for eighteen months, and, as she advertised on her return, studied under the operatic tenor and teacher Georgio Stigelli (Georg Stiegele), probably in Vienna.

Having arrived back in Queensland in June 1862, Marie gave her first solo concerts in Ipswich and Brisbane in December 1863, with the violinist and pianist Julius Kopp, and early in 1864 was enlisted in the Lyster Opera Company during its Queensland visit. In March and April she was a minor principal with the company in Sydney and Melbourne, appearing as Lisa in Lucrezia Borgia (Lucy Escott in the title role), Teresa in La sonnambula (Escott) and Thisbe in Rossini's Cinderella (with Rosalie Durand).

She married the merchant and future parliamentarian James Cole Ellis in Melbourne in June 1864, and in 1865 resumed public singing, as Mrs. J. C. Ellis, as a chorister and oratorio soloist with the Emerald Hill Philharmonic Society. In 1866 she first appeared as an oratorio soloist with the Ballarat Harmonic Society, and into 1867 as principal soprano with the Melbourne Philharmonic Society.

The Ellises moved to Newcastle, NSW, in mid 1868, and she presented occasional concerts and sang in public there until the end of the decade. Through the 1870s, 1880s, and 1890s, Marie Ellis was a leading figure in Newcastle charities. They retired to Tasmania, where she died in 1907, predeceasing her husband by over 20 years.

Many thanks (2017) to Kurt Ganzl for sharing details of Marie Kramer's marriage and death.

Documentation:

[Advertisement], Morning Advertiser [London, England] (30 July 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002408/18470730/095/0001 (PAYWALL)

VAUXHALL . . . Sixth appearance of the celebrated Tyrolean Minstrels, Ernest and Trandel Kramer . . .

[Advertisement], Bolton Chronicle [Manchester, England] (27 November 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001292/18471127/001/0001 (PAYWALL)

STAR INN, BOLTON . . . Herr and Madame KRAMER,
the celebrated Tyrolean Singers, ARE ENGAGED to appear for SIX NIGHTS . . .
on Monday next, which will be their first appearance in any Concert Room in England . . .

[Advertisement], Hull Packet [Yorkshire, England] (5 November 1852), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18521105/001/0001 (PAYWALL)

MUSIC HALL, HULL, MONDAY, TUESDAY, and WEDNESDAY, Nov. 8th, 9th, and 10th;
and MECHANICS' INSTITUTE, Beverley, THURSDAY and FRIDAY, Nov. 11th and 12th . . .
THE TYROLESE MINSTRELS, HERR OELKERS and HERR KAISER, the celebrated Guitarists;
MADAME KRAMER, the celebrated Vocalist; and MADEMOISELLE MARIA, who have performed before the principle Courts of Europe . . .

"MECHANICS' INSTITUTE", Saunders's News-Letter [Dublin, Ireland] (7 May 1853), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001057/18530507/014/0002 (PAYWALL)

A series of six concerts is now being given in the Lecture-hall of this spacious edifice, by a group of Tyrolese minstrels, denominated the Tyrol Family, and consisting of Herr Oelkers, Madame Kramer, and their daughter, Mademoiselle Marie . . .

[Advertisement], South Eastern Gazette [Kent, England] (31 October 1854), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001098/18541031/097/0008 (PAYWALL)

THE TYROLESE MINSTRELS,
WHO have had the honour of appearing several times before her Most Gracious MAJESTY the QUEEN at Balmoral,
and nearly the whole of the Royalty of Europe, most respectfully announce to the Nobility, Gentry, and Inhabitants of Maidstone,
that they will give TWO GRAND CONCERTS at the Star Hotel, on Tuesday and Wednesday Evenings,
November 7th and 8th, 1854, under the patronage of the Worshipful the MAYOR.
The following testimonials are among the many received by the Tyrol Family:-

"The Tyrolese sang at Balmoral, in the presence of her Majesty the Queen, his Royal Highness Prince Albert, and her Royal Highness the Duchess of Kent, and gave very great satisfaction. -
(signed) C. B. PHIPPS, Balmoral, September 15th, 1853."

"I am directed to say that the Tyrol Family performed before his Excellency the Lord Lieutenant and Lady St. Germans, at the Vice Regal Lodge, and gave very great satisfaction -
(Signed) BAGOT, Comptroller. April 18th, 1854."

"I have great pleasure to recommend this Tyrol Family to all admirers of Guitar and Harmonious Voices.
(Signed) JENNY LIND. London, July 19th, 1847" . . .

PROGRAMME. PART 1.
"The Wandering Minstrels" - Madame Kramer and Mademoiselle Kramer - Oeklers
"My Rifle Gun," Madame Kramer - National Song
Grand Concerto for the Violin, Herr Haimberger, (Member of the Conservatory of Leipzig and Vienna) - Ch. de Beriot
"Come away to the Valley," Mademoiselle Marie Kramer - B. Vaughan
Solo on the Pianoforte, Miss Hart - H. Herz.
"The Merry Swiss Boy," Madame Kramer and Mademoiselle Kramer - National Song
PART 2. "The Evening Prayer on the Mountain," Madame Kramer and Mademoiselle Kramer - Kucken . . .
"The Ride, or Trab Trab," Mademoiselle Kramer . . .
Duet - "Travels in Steiermark," Madame Kramer and Mademoiselle Kramer - Oelcker.
PART 3. Duet - "The Spring," Madame Kramer and Mademoiselle Kramer - National Song . . .
"The Happy Merry Mountain Home," Mademoiselle Kramer - National Song . . .
"The Merry Singers," Madame Kramer and Mademoiselle Kramer - National Song . . .

"TUNBRIDGE WELLS. TYROLESE MINSTRELS", South Eastern Gazette (21 November 1854), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001098/18541121/070/0005 (PAYWALL)

The lovers of harmony were gratified on Monday and Tuesday evenings, in listening to the performances of Herr Haimberger, Madame Kramer, and Mademoiselle Kramer, a little girl aged only 9 years, whose sweet singing of the "Happy merry mountain home," and "Come away to the valley," called forth repeated applause.

"THE TYROLESE MINSTRELS", Sussex Advertiser and Tunbridge Wells Intelligencer (28 November 1854), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000257/18541128/027/0006 (PAYWALL)

. . . Mademoiselle Kramer, a little girl of about 12 years of age, sang very prettily her "Come to the Valley" was much applauded, and her occasional aid to Madame Kramer was effectually rendered . . .

[Advertisement], Kentish Independent [Woolwich, Kent] (24 March 1855), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001017/18550324/016/0001 (PAYWALL)

Lecture Hall, Nelson Street, Woolwich.
TWO GRAND CONCERTS, BY THE TYROLESE MINSTRELS,
From the Royal Polytechnic Institution, On Wednesday and Thursday Evenings, March 28th and 29th, 1855 . . .

Australia, by August 1855

[Advertisement], The Age [Melbourne, VIC] (10 August 1855), 8

http://nla.gov.au/nla.news-article154895441

COPPIN'S OLYMPIC.
First appearance of THE SERIOUS FAMILY, MR. G. V. BROOKE In a New Irish Character,
THIS EVENING, FRIDAY, AUGUST 10th, 1855 . . .
Mr. Coppin, determined to give a variety of Entertainments, has entered into an engagement, for a limited number of nights, with the celebrated
TYROLESE MINSTRELS, MADAME AND MADEMOISELLE KRAMER;
Who will be assisted by the Celebrated Violinist, HERR HAIMBERGER . . .

ASSOCIATIONS: George Coppin (proprietor); Gustavus Vaughan Brooke (actor); Coppin's Olympic (Melbourne venue)

"COPPIN'S OLYMPIC", The Age (13 August 1855), 5

http://nla.gov.au/nla.news-article154897349

. . . After the comedy on Saturday evening [11 August], the Tyrolese Minstrels made their first appearance and gave an agreeable variety to the evening's entertainment. Madame Kramer and her daughter (who looks just like her mamma viewed through the wrong end of a lorgnette) sang some very characteristic Alpine melodies full of those quaint phrases, echoes, and unusual "intervals" which are peculiar to the wild strains of the mountainous regions of Switzerland and the Tyrol. Both Madame and Mademoiselle possess pleasing voices and tunable ears; and the simple and unaffected style of their singing made a very favorable impression upon the audience . . .

"COPPIN'S OLYMPIC", The Age (31 August 1855), 4

http://nla.gov.au/nla.news-article154892482

After the "Corsican Brothers" last night, the Tyrolese Minstrels introduced some new melodies, one of which, with a refrain that was like the warble of a bird, was as charming a piece of vocalization as we could desire to hear, and was re-demanded with a burst of enthusiasm. In reply to the encore Madame Kramer and her daughter sang a duet, somewhat similar in character, and running off into the same joyous bird like trill, - an echo, as it were of the "wood notes wild," which fill the vallies of the Tyrol, and still haunt the memories of those who have visited that romantic region . . .

"SHIPPING. . . CLEARED OUT", The Age (26 July 1860), 4

http://nla.gov.au/nla.news-article154841547

July 15 - Norfolk, ship, 953 tons, J. S. Atwood, for London. Passengers - cabin . . . Miss Kramer . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Courier [Brisbane, QLD] (30 June 1862), 2

http://nla.gov.au/nla.news-article4606537

June 26, - City of Brisbane, ship, 970 tons, Captain Morris, from Plymouth on the 26th of February, passengers . . . (Second cabin) . . . Miss Kramer . . .

"WEEKLY EPITOME", The Courier (23 August 1862), 2

http://nla.gov.au/nla.news-article4607576

Very successful concerts were given in Ipswich on Monday and Tuesday evenings, by Mr. and Mrs. Haimberger, assisted by Miss Kramer - who has been, studying in Europe for the past eighteen months . . .

[Advertisement], The North Australian [QLD] (12 December 1863), 4

http://nla.gov.au/nla.news-article77437262

IPSWICH SCHOOL OF ARTS - On TUESDAY and WEDNESDAY,
December 15th and 16th, a CONCERT will be given by Miss KRAMER,
and Mr. J. KOPP, Violin Solo Player of the Conservatory of Munich . . .

ASSOCIATIONS: Julius Kopp (musician)

[Advertisement], The Courier (19 December 1863), 4

http://nla.gov.au/nla.news-article3167552

ASSOCIATIONS: Paul Cole Atkinson (piano); John Klein (musician)

[News], The Courier (22 December 1863), 2

http://nla.gov.au/nla.news-article3167572

The concert given by Miss Kramer and Mr. Julius Kopp, last evening, in the School of Arts was a very excellent one, and worthy of the distinguished patronage under which it had been announced. From some cause, his Excellency the Governor and Lady Bowen, though expected to be present, were not in attendance; and the audience, select and appreciative, was not so numerous as we could have desired . . . Whether it was that we missed the sustaining presence of Madame Haimberger with her fair daughter, it seemed to us that Miss Maria Kramer sang with unequal voice. In the opening trio, Glover's "Gipsy's Laughing Chorus," she was adequate to the requirements upon her, and the only fault was the lack of energy or confidence in the tenor, a Mr. Wyatt. This gentleman comes forward as an amateur; he possesses a respectable voice, but was very diffident about allowing it to be heard. The duett, "I know a bank," suffered from the same cause, as indeed, nearly everything did, in which Mr. Wyatt took part. The beautiful ballad of "Kathleen Mavourneen," was quite outside Miss Kramer's capabilities, for she failed to catch the spirit of either the words or the melody. But in an exquisite, gushing, lovely, and lovable cavatina, "O bright were my visions" (from the opera of Victorine), she achieved a triumph, and gained an encore. Her vocalisation of the beautiful melody of Mendelssohn, "I would that my Love," arranged as a duett, was equally charming; but the complete success of the performance was marred by the unappreciating tenor. We have not referred to all the pieces on the programme, but only to those with which we were most pleased. Our readers should bear in mind that a second concert will be given this evening.

[News], The Courier (23 December 1863), 2

http://nla.gov.au/nla.news-article3167599

"PUBLIC AMUSEMENTS. THE OPERA", Freeman's Journal [Sydney, NSW] (12 March 1864), 3

http://nla.gov.au/nla.news-article128801522

. . . In consequence of the withdrawal of "Faust' [on Monday 7 March] the "Somnambula" - that delightful work which is one flood of melody from the beginning to the final cavatina, was given in a manner which entitles all who concerned in its performance to unqualified praise. Every one in Sydney is acquainted with the effective manner in which Bellini's delicious melodies are sung by Madame Escott and Mr. Squires, and on this occasion they exerted themselves most successfully to compensate for the public disappointment. The part of the Count was very effectually rendered by Mr. F. Lyster, Mr. F. Trevor appeared in his old part of Alessio, and Miss Kramer, a young debutante with an excellent voice, made her first appearance as Lisa . . .

ASSOCIATIONS: Lucy Escott (vocalist); Henry Squires (vocalist); Frederick Lyster (vocalist); Frank Trevor (vocalist); Lyster Opera Company (troupe)

[News], The Argus [Melbourne, VIC] (30 April 1864), 4

http://nla.gov.au/nla.news-article5748320

. . . Lyster brings back his old company . . . and we notice the name of an artiste new to the Melbourne stage - Miss Marie Kramer - as well as that of Mr. E. A. Beaumont (a tenor singer), who wes well received in Sydney . . .

ASSOCIATIONS: William Saurin Lyster (manager); Armes Beaumont (vocalist)

"The Playhouse", Melbourne Punch (5 May 1864), 1

http://nla.gov.au/nla.news-article174530200

WOT I like in moosik is summat as tells a stori; and that's jest wot Mister GO-AND-NOD'S moosik in Foiost duz . . .
The korus-singers kem out strong; and I was kwite pleasd to sea Miss KRAMER,
witch I rekollec err singin at the hold Iron Pot in Lonsdale street, wen she wornt no ire than sixpennuth of aypens . . .
Yours to komand, A GALLERY BOY.

ASSOCIATIONS: "Iron Pot" = Coppin's Olympic (Melbourne venue, as above)

"MARRIAGES", The Argus (10 June 1864), 4

http://nla.gov.au/nla.news-article5749565

ELLIS - KRAMER. - At St. Luke's Church, Emerald-hill, by the Rev. R. B. Dickinson, James C. Ellis, to Marie, eldest daughter of the late Ernest Kramer, Esq., of Altona, Denmark.

"BALLAARAT", Bell's Life in Victoria and Sporting Chronicle (7 July 1866), 2

http://nla.gov.au/nla.news-article199054861

The Ballaarat Harmonic Society announced a grand secular concert to take place on the 27th inst, when "Acis and Galatea," from Handel's Serenata, and Romberg's "Lay of the Bell" will be presented. Mrs. J. C. Ellis is announced as principal soprano, Mr. J. Robson, as usual, to be conductor.

ASSOCIATIONS: John Robson (conductor); Ballarat Harmonic Society (association)

"The Metropolitan Stage", Bell's Life in Victoria and Sporting Chronicle (21 July 1866), 2

http://nla.gov.au/nla.news-article199056727

. . . On the same evening [17 July] I had the pleasure of attending the first concert this season of the Philharmonic Society, at the Exhibition building. The oratorio was Handel's "Judas Maccabaeus" . . . Mrs. J. C. Ellis was the soprano of the evening, and acquitted herself in a most satisfactory manner. She is possessed of a sweet expressive voice, and an earnest style of singing, which are admirably adapted to semi-sacred music. I believe this lady has sung at suburban amateur concerts with great success, but this is her first attempt in connection with the Philharmonic Society. Her singing of "Pious orgies" impressed me very favourably, and the subsequent airs, "From mighty kings," and "So shall the lute and harp," were sung in such an appropriate and feeling manner, as to gain her a place with the best of our oratorio singers. The society have shown sound judgment in entrusting to Mrs. Ellis the music of which she was so worthy an expositor on Tuesday evening . . .

ASSOCIATIONS: Melbourne Philharmonic Society (association)

"MELBOURNE PHILHARMONIC SOCIETY", The Argus (23 January 1867), 5

http://nla.gov.au/nla.news-article5784167

The adjourned annual meeting of members of this society was held last evening, at the Mechanics' Institute, after the termination of the evening's rehearsal . . . The report of the committee upon the proceedings of the past year was read by the secretary . . . The principal vocalists who appeared at the concerts during the year had been - Mrs. J. C. Ellis, Miss M. A. Liddell, Miss Ivey, Mrs. Perraton, Mr. C. A. Donaldson, Mr. W. H. Williams, Mr. E. Exon, Signor Castelli, Mr. G. E. Labertouche, Mr. C. Blanchard, Mr. E. Amery, and Mr. S. Angus . . .

ASSOCIATIONS: Maggie Liddell (vocalist); Mary Ann Perraton (vocalist); Charles Alexander Donaldson (vocalist); William Henry Williams (vocalist); Edwin Exon (vocalist); Chrales Castelli (vocalist); Charles Blanchard (vocalist); Edwin Amery (vocalist); Silvanus Angus (vocalist); Mechanics' Institution (Melbourne venue)

"CONCERT IN THE CITY HALL", The Newcastle Chronicle [NSW] (10 June 1868), 3

http://nla.gov.au/nla.news-article111330446

We see by our advertising columns that on Monday next, we are to be favoured with a great musical performance, in the City Hall, in which Mrs. Ellis (formerly known in the musical world as Miss Marie Kramer) will take the leading parts, assisted by two gentlemen from Sydney. Mrs. Ellis has, of late years, resided in Melbourne, where she held the position of leading soprano in the Melbourne Philharmonic and Ballarat Harmonic Societies. We understand that Mrs. Ellis intends to settle here, and we may congratulate the public of Newcastle on such a acquisition, as she may be the means of fostering a greater civility amongst our local amateurs . . .

[Advertisement], The Newcastle Chronicle (25 July 1868), 4

http://nla.gov.au/nla.news-article111330382

MRS. J. C. ELLIS, PUPIL OF STIGELLI, VIENNA,
is now prepared to receive Pupils to instruct on the PIANO, GUITAR, and SINGING.
King-street, June 23, 1868.

ASSOCIATIONS: Georgio Stigelli (Georg Stiegele) (vocalist, teacher)

"MRS. J. C. ELLIS. The President of the Benevolent Society", Newcastle Morning Herald and Miners' Advocate (7 May 1897), 5 (with portrait illustration)

http://nla.gov.au/nla.news-article134880937

MRS. ELLIS, who has been the president of the Society from its inception, 12 years ago, has never spared herself any trouble in furthering the prosperity of the splendid institution, or in personally alleviating the distress amongst the poor of the district; and ever since taking up her residence in Sydney she has come up to Newcastle regularly, at her own expense, to attend the monthly meetings of the society . . . In the work of the institution Mr. W. J. Ellis, son of Mr. and Mrs. Ellis, has also rendered very active assistance, his musical talents having been on innumerable occasions freely devoted to the work of raising funds. The photograph from which the portrait of Mrs. Ellis is taken is from Mr. Godfrey's studio, Hunter-street, Newcastle.

"DEATHS", Examiner [Launceston, TAS] (27 August 1907), 1

http://nla.gov.au/nla.news-article45827822

ELLIS. - On the 25th Inst., at "Lehara," Penguin, the wife of J. C. Ellis, aged 61.

"DEATH OF MRS. J. C. ELLIS", Newcastle Morning Herald and Miners' Advocate [NSW] (27 August 1907), 5

http://nla.gov.au/nla.news-article133871631

Alderman W. J. Ellis, of Newcastle, yesterday received a cable message announcing the death of his mother, Mrs. J. C. Ellis, wife of Mr. J, C. Ellis, ex M.P. for Newcastle, which took place on the previous day at Penguin, Tasmania, where she nd her husband had been living for some time. The deceased lady, who had been ailing for many months, had been a former resident of Newcastle for about 35 years, and was highly esteemed by a large number of friends and acquaintances, to whom she had endeared herself by her many excellent traits of character. During her long residence in Newcastle, Mrs. Ellis identified herself with nearly every charitable and philanthropic movement, and being the possessor of a good voice, her assistance at concerts and entertainments was constantly in request, and cheerfully given . . . Mrs. Ellis was a native of Altona, near Hamburg, Germany. At the time of her death she was in her 63rd year, and came to Australia when 18 years of age. She married Mr. J. C. Ellis in Melbourne, and soon afterwards came to Newcastle with her husband and established her home . . .

"THE LATE MRS. J. C. ELLIS", Newcastle Morning Herald and Miners' Advocate (28 August 1907), 5

http://nla.gov.au/nla.news-article133865984

Mr. J. A. Hogue, Minister for Public Instruction, in the course of a conversation . . . to-day, said: . . . She was at one time the leading soprano of New South Wales. Her deeply religious cast of mind drew her to oratorio chiefly and sacred music generally. There are many living today who remember the exquisite purity of her voice on the concert platform, in oratorio, and in the church, and the fine artistic instinct and culture with which she sang . . .

Other documentation:

Marie Kramer Ellis personal papers mainly relating to Tyrolese Minstrels, ca. 1853-1897; State Library of New South Wales

https://trove.nla.gov.au/work/236422501

https://collection.sl.nsw.gov.au/record/Y0KxMjD1

Bibliography and resources:

Jessie Ellis with Joan Clarke, Belated applause! a biography of Marie Kramer Ellis (Sydney: W. J. Ellis, 1986)

https://trove.nla.gov.au/work/19255786

Paul F. Cooper, "Ellis and Levvy: The relationship of Marie Ellis and Frances Levvy", Philanthropists and Philanthropy in Australian colonial history

https://colonialgivers.com/ellis-and-levvy

"Mr. James Cole ELLIS (1843-1930); Parliament of New South Wales

https://www.parliament.nsw.gov.au/members/Pages/member-details.aspx?pk=801

James Ellis (Australian politician), Wikipedia

https://en.wikipedia.org/wiki/James_Ellis_(Australian_politician)

KRAUSE, George (? Georg KRAUSE; George KRAUSE; KRAUSER)

Musician, bandsman, Headquarters Band (Melbourne)

Born c. 1823/1833
Died Melbourne, VIC, 19/20 October 1874, aged "41"/"51"

https://trove.nla.gov.au/search?l-publictag=George+Krause+d1874 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRAUSE-George (shareable link to this entry)

Documentation:

Inquest, George Krause, 20 October 1874, Melbourne Hospital; Public Record Office Victoria

https://prov.vic.gov.au/archive/2AB6C4C6-F1BB-11E9-AE98-07EE3CCB9A67?image=1 (DIGITISED)

. . . in the Melbourne Hospital on the [18 October] the deceased George Krause died of apoplexy . . . aged 41 [sic]
Johanna Ludner [?] . . . The deceased lodged for a fortnight in my house / his names was George Krause /
his aged was forty one years / he was a musician . . .

"SUDDEN DEATH", The Herald [Melbourne, VIC] (20 October 1874), 3

http://nla.gov.au/nla.news-article244334815

Dr. Youl, City Coroner, held an inquest today at the Melbourne Hospital on the body of George Krause, aged fifty-one years, a musician.
Johanna Leader [sic], lodginghouse keeper, of Lonsdale street, deposed: The deceased lodged for a fortnight in my house. He was unmarried. The deceased was always in good health. He went to bed on last Friday night, the 16th inst., at ten o'clock. He was then apparently in good health. He did not drink. He had a room to himself. I did not hear him up in the night. I went to call him on the next morning to breakfast at eight o'clock. I got not answer. I opened the door. I found him lying insensible in bed. I got a doctor to see him, who advised that I should send deceased to the Hospital, which I did.
Dr. Lewellin, surgeon at the Melbourne Hospital stated that the deceased never rallied after his admission to the Hospital.
The cause of death was apoplexy due probably to disease of the kidneys. Verdict accordingly.

"Funeral Notices", The Argus (20 October 1874), 8

http://nla.gov.au/nla.news-article5881035

The friends of the late Mr. GEORGE KRAUSE (member of the Headquarters Band)
are respectfully invited to follow his remains to the place of interment, Melbourne General Cemetery.
The funeral to move from the Melbourne Hospital, THIS DAY, 20th inst, at half past 2 o'clock p.m.
JOHN DALEY, undertaker, Latrobe and Spring-streets, Melbourne.

ASSOCIATIONS: Headquarters Band (volunteer military)

KRETSCHMANN, Josef (Josef KRETSCHMANN; Joseph KRETSCHMANN; Herr KRETSCHMANN)

Musician, violinist, composer

Born Kommatau, near Prague, 10 March 1837
Arrived Sydney, NSW, by January 1877
Died Sydney, NSW, 29 April 1918, aged "80" [sic, "81"]

https://trove.nla.gov.au/search?l-publictag=Josef+Kretschmann+d1918 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRETSCHMANN-Joseph (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Documentation:

"SYDNEY MUSICAL UNION SOCIETY", Evening News (26 January 1877), 2

http://nla.gov.au/nla.news-article108187983

Herr Joseph Kretschmann made his debut as a solo violinist, and played an andante of Mendelssohn's with marked effect, and in the finale proved himself to be an executant of such music to whom an audience can listen with pleasure and interest. He played without affectation, and bows firmly and gracefully, and succeeds in giving even presto passages, with great clearness. His tone, perhaps, maybe improved, but his efforts last night were loudly applauded.

"CROTCHETS AND QUAVERS", The Sun [Sydney, NSW] (14 March 1915), 7

http://nla.gov.au/nla.news-article229330875

Herr Joseph Kretschmann celebrated his 78th birthday on Wednesday. The veteran musician is in excellent health.

"Musical Notes", The Newsletter: an Australian Paper for Australian People [Sydney, NSW] (20 March 1915), 3

http://nla.gov.au/nla.news-article116947476

Herr Josef Kretschmann's birthday occurred on Wednesday last, the 10th of the present month, the veteran musician is now well into his seventies, and as vigorous as most men of half his age.

"DEATH OF JOSEF KRETSCHMANN", The Sydney Morning Herald (1 May 1918), 8

http://nla.gov.au/nla.news-article15767511

The death of the octogenarian musician, Josef Kretschmann, a native of Prague, Bohemia, which occurred at Lavender Bay on Monday, has removed a violinist whose 40 years' residence in Sydney gained him eminence, strangely enough also as a teacher of piano. In private life he was highly esteemed for his generosity and charitable deeds. The funeral will take place this morning at South Head.

"MUSIC AND DRAMA", The Sydney Morning Herald (4 May 1918) 8

http://nla.gov.au/nla.news-article15777499

The death of Josef Kretschmann at the age of 80 years last Monday removes from amongst us a touching embodiment of cheery old age, known by sight to thousands of people, and a musician with a genius for teaching, who was adored by his pupils, period after period, for 40 years past. All such will rejoice to learn that their kind-hearted old master kept in harness until within a fortnight of the end, and passed away quietly and happily at Lavender Bay, without any seriously apparent illness. According to a statement made by the violinist in 1910, he was born at Kommatau, near Prague, and was left an orphan at the age of seven. Eventually he entered the Leipsic Conservatorium on a scholarship, and later on, after experience as leader of the orchestra at the Court Theatre, he was appointed violinist for some years to the Grand Duke of Baden-Baden. The Grand Duchess furnished him with the means to realise his ambition of visiting the ruins of Babylon and Nineveh, but his money ran out when he was near Mount Ararat and he beat a hasty retreat back to civilisation via Constantinople. His only other adventure consisted of service as a Red Cross stretcher-bearer during the Franco-Prussian war. Kretschmann was gentle and kind-hearted by nature, and the horrors of war made such an impression on him that the subject was one he dreaded even to refer to. He quoted January, 1876, as the date of his arrival in Sydney, but January, 1878, is probably the correct date [recte January 1877], as a few weeks later he made his debut with the Sydney Musical Union. He conducted the first public performance of Bach's "Passion Music" in the Great Hall of the University, where so many concerts were held before the Town hall was opened in 1889, introduced the second act of "Tannhauser," and organised a series of Haydn Chamber Music Concerts at the Royal Society's rooms. Kretschmann in later life was by no means accurate as a violinist, so that for nearly 30 years his public appearances were confined to his crowded annual students' concerts at the Town Hall, and to his Saturday pupils' recitals at Paling's Hall. His pupils, two or three of whom attained celebrity after tuition in Europe, included for violin Bessie Doyle (Eileen Mitchell O'Moore), Cyril Monk, and Rebe Kussman; and of pianists in the same way Elsie Stanley Hall, Yvonne Leverrier (Mme. Charvin), Madeleine Royle, Esther Kahn, Ruby Rich, Phyllis Hopwood Foldi, and May Summerbelle.

KRIEGSMANN, Caspar Rudolph (Kaspar Rudolf KRIEGSMANN; Caspar Rudolph KRIEGSMANN; Casparino; Kasparino; Casper; Caspar KRIEGSMANN; Herr KRIEGSMANN)

Musician, professor of music, pianist, teacher of music, pianoforte and singing

Born Osnabrook, Hanover (Lower Saxony, Germany), c. 1830
Arrived Sydney, NSW, 22 October 1854 (per Jacqueline and Elise, from Amsterdam 22 May)
Married Anne ADDISON (Mrs. BROWNE) (d. 1893), NSW, March 1859
Died Sydney, NSW, 19 April 1903, aged "73"

https://trove.nla.gov.au/search?l-publictag=Caspar+Kriegsmann+d1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRIEGSMANN-Caspar (shareable link to this entry)

Documentation:

"SHIPPING INTELLIGENCE. ARRIVALS", Empire [Sydney, NSW] (23 October 1854), 4

http://nla.gov.au/nla.news-article60199097

October 22. - Jacqueline and Elise, Dutch brig, 204 tons, Captain B. Sikkens, from Amsterdam May 22, Melbourne October 14. Passengers-Messrs. T. T. Krulfhouft, B. C. Kriegoman [sic] Agents. J. Dhanis and Co.

[Advertisement], The Sydney Morning Herald [NSW] (14 November 1854), 1

http://nla.gov.au/nla.news-article12962250

MR. C. R. KRIEGSMANN, Professor of Music, 9, Forbes street, Woolloomooloo. (A card.)

"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (28 November 1854), 5

http://nla.gov.au/nla.news-article12962839

The second concert of the Sydney Philharmonic Society was given yesterday evening, in the hall of St. Mary's Seminary. The attendance was not so numerous as on the occasion of the first concert given by this society, but amongst those present we noticed, in addition to several of the leading families in Sydney, several professors of music of some eminence. The orchestra, conducted by Mr. F. C. W. Stier, performed, in a very creditable manner, Beethoven's Symphony No. 1, Haydn's Symphony No. 35, and the overtures La Caravane and Zampa. Meyerbeer's Andante Pastorale de la Prophète was encored, as was also the favourite glee, Sleep Gentle Lady, which was beautifully executed. Thalberg's Fantasia Brillante pour Piano was artistically rendered by Mr. C. Kriegsmann. One of the best executed pieces on the programme was a duet (flute and pianoforte), which was rapturously encored.

ASSOCIATIONS: Charles William Ferdinand Stier (conductor); Sydney Philharmonic Society (association)

"SYDNEY PHILHARMONIC SOCIETY'S CONCERT", Empire (30 November 1854), 6

http://nla.gov.au/nla.news-article60200670

. . . One of Thalberg's brilliant fantasias for the Pianoforte followed, and was chosen to introduce a new pianist, Mr. C. Kriegsmann, to the Sydney public. This gentleman is a sound and careful player, without any pretensions to extraordinary manual dexterity. He produced considerable effect, but the pianoforte has now become an instrument upon which a high degree of executive skill is so common that it requires the talent of a Thalberg or a Liszt to astonish an audience . . .

[Advertisement], The Sydney Morning Herald (5 December 1855), 1

http://nla.gov.au/nla.news-article12963085

MR. KASPARINO KRIEGSMANN, Professor of the Pianoforte, Singing. -
Classes for the above at his residence, No, 9, Forbes-street, Woolloomooloo

[Advertisement], The Sydney Morning Herald (3 March 1855), 8

http://nla.gov.au/nla.news-article28640967

MR. CASPARINO KRIEGSMANN, professor of music, removed from 9, Forbes-street,
to William-street (opposite Forbes-street) - at Mrs. MILES'.

[Advertisement], The Sydney Morning Herald (10 November 1855), 3

http://nla.gov.au/nla.news-article12978510

MR. CASPARINO KRIEGSMANN, grateful for the patronage of numerous private pupils,
begs to announce that he proposes, by permission of Mr. Johnson, to open at the Music Rooms of the latter, in Pitt-street,
classes for teaching the Piano; at which the students will have the use of four pianofortes,
and the opportunity of acquiring time and precision, best attained by practising in combination.
This method is much epitomised in the German school, and requires but to be introduced to be appreciated.
The Classes will meet on WEDNESDAYS and SATURDAYS, from 3 to 7 pm.
References as to terms may be had either at Mr. JOHNSON'S, 57, Pitt-street;
or, at Mr. KRIEGSMANN'S residence, No. 3, Devonshire-place, William street, Woolloomooloo.

ASSOCIATIONS: William Jonathan Johnson (musicseller)

Certificate to naturalize . . . Casparino Kriegsmann . . . 1 December 1855; State Records Authority of NSW, NRS 1039

https://www.ancestry.com.au/search/collections/1549/records/343 (PAYWALL)

. . . that the said Casparino Kriegsmann is a native of Osnabruch in Hanover, twenty five years of age,
and that having arrived by the ship Jacqueline & Elise in the year 1854
he is now residing in Sydney and intending to reside permanently in the said colony in the exercise of his profession . . .
GIVEN . . . this first day of December [1855] . . .

[Advertisement], The Sydney Morning Herald (12 April 1856), 1

http://nla.gov.au/nla.news-article12974446

MR. C. KRIEGSMANN, Professor of Music, removed from 3, Devonshire-place, into Sydney, 10, Wynyard-square.

[Advertisement], The Sydney Morning Herald (13 May 1856), 8

http://nla.gov.au/nla.news-article12983500

MR. C KRIEGSMAN, Professor of Music,
begs to inform the parents and guardians of his pupils,
that the half yearly examination will take place at his residence,
St. Kilda House, Woolloomooloo-street, on the 20th June instant.

[Advertisement], The Sydney Morning Herald (18 October 1856), 1

http://nla.gov.au/nla.news-article12987997

MUSICAL NOTICE. - Mr. C. KRIEGSMANN
begs to inform his friends that the next Examination will take place about Christmas, at 37, Bourke-street.
Mr. Kriegsmann further begs to inform his friends and the public in general,
that he has received a splendid collection of Music, written by the most eminent composers of Germany.
The studies for pianoforte are by I. Moscheles, Cramer, studies of perfection by Sig. Thalberg and other masters.

[Advertisement], The Sydney Morning Herald (11 July 1857), 1

http://nla.gov.au/nla.news-article12997975

MR. CASPAR KRIEGSMANN begs to inform his friends that the
EXAMINATION of his PUPILS, will take place at Mr. Clark's new Assembly Rooms, Elizabeth-street North,
on SATURDAY, July 18th, 1857, at two o'clock, p.m., precisely.
N.B. In order to keep this Concert select, Mr. C. K. reminds his friends to produce their invitation at the door.

ASSOCIATIONS: John Clark (dancing master)

[Advertisement], The Sydney Morning Herald (1 September 1858), 10

http://nla.gov.au/nla.news-article13022123

HERR CASPAR KRIEGSMANN begs to Inform the public that
he has just received a choice collection of Pianoforte Music from the most eminent composers of Germany and France.
The studies combine exercises from the very commencement, up to the utmost degree of execution; and also studies for the left-hand only.
A vacancy for two pupils, at his own residence, 59, Bourke-street, Woolloomooloo.

[Advertisement], The Sydney Morning Herald (13 November 1858), 9

http://nla.gov.au/nla.news-article13014560

NEW MUSIC - HERR CASPAR KRIEGSMANN
respectfully invites the attention of his friends and the public generally upon his superior collection of Classical Music, just received, and which will be now for SALE, at his Music Rooms, 95, Bourke-street, Woolloomooloo.
Chopin (Fr.) - Grand Concerto - Solo for the pianoforte with an accompaniment for orchestra or quintuor ad libitum, op. 11.
"Scherzo," op. 31
"Scherzo," op. 39
"Scherzo," op, 54
"Nocturne," op. 32, &c.
Thalberg (Sig.) - Moses, William Tell, Barbier di Seville, Les Huguenots, Robert le Diable, Der Freischutz, Eurianthe, Norma, &c.
Kalkbrenner - La ci darem la mano, op. 33
Sonate, op. 42
Pirate, op. 98
Pre aux Clercs, op. 119
I Puritani, op. 140
Kalkbrenner - Air, Hannovrien
Herz (Henri) - Dernier Valse de Weber
Puritani
Cenerentola
Eurianthe
Siege de Corinthe
Vampyr
Jessonda, &c.
H. Cramer - No. I-900
F. Beyer - Fleur de l'Opéra Italien - easy and progressive pieces for children, No. 1-900.
PIANOFORTE MUSIC, by
Dohler Th.
Czerny, Charles
Godefroid
Gorla
Moscheles (T.)
Meyer
Rossellen
Schulhoff
Felix Mendelasohn Bartholdy.
PIANOFORTE STUDIES or EXERCISES.
Bertini's (H.) Exercises for small hands.
Bertini's Exercises for more advanced pupils, expressly composed for the use of the Royal Academie of Music in Paris.
Cramer (T. B.) op. 70, and op. 81, Liv. 1, 2, 3, 4. These are studies for the use of those who are determined to study their instrument in perfection.
Moscheles' 24 Caractéristique Studies, for more advanced pupils in the different majeurs and mineurs keys.
Kalkbrenner Studies for style op. 20. principally composed for the left hand only, and dedicated to his friend, Frederic Chopin.
Frederic Chopin - School of Perfection, dedicated to Herr Kalkbrenner.
Beyer's (Ferd.) Studies for Children, whose parents would like to improve their children, without music masters.
HERR CASPAR KRIEGSMANN continues to receive pupils (half-hour lessons) at his Music Rooms, 95, Bourke-street, Woolloomooloo.

[Advertisement], The Sydney Morning Herald (15 January 1859), 9

http://nla.gov.au/nla.news-article13013580

FOR SALE, an elegant Rosewood Cottage PIANO FORTE, 6 7/8 octaves, the property of a gentleman.
Apply at Mr. CASPER KRIEGSMANN'S, Music Rooms, 95, Bourke-street, Woolloomooloo.

"MARRIAGES", The Sydney Morning Herald (12 March 1859), 1

http://nla.gov.au/nla.news-article13020215

By special license, by the Rev. John Dougal, Mr. Casper Rudolph Kriegsmann, to Mrs. Anne Browne, second daughter of William Addison, Esq., of Eccleshall, Staffordshire, England.

[Advertisement], The Sydney Morning Herald (30 December 1859), 1

http://nla.gov.au/nla.news-article13035105

MR. CASP. RUDOLPH KRIEGSMANN
has for SALE a choice collection of Pianoforte MUSIC by the best masters;
also, popular music, such as dance music.
Pianoforte Pupils instructed at his residence, Leicester-place, 59, Bourke-street, Woolloomooloo.

"INSOLVENCY COURT", Empire (22 August 1860), 8

http://nla.gov.au/nla.news-article60496710

Caspar Kreigsman [sic], of Paddington, professor of music.
Liabilities, £214 13s. 6d. Assets - value of personal properly, £25; outstanding debts, £47 16s. 10d.; total, £73 16s 10d. Deficit, £141 17s. 8d. Mr. Sempill, official assignee.

[Notice], New South Wales Government Gazette (11 December 1860), 2424

http://nla.gov.au/nla.news-article229950898

Thursday, 13 December.
Grand Pianoforte, by Erard.
In the Insolvent Estate of Caspar Kriegsman, professor of music.
By order of R. H. Sempill, Esq., Official Assignee in the above Estate.
PURKIS & LAMBERT will sell by auction, at their rooms, 255, George-street, on Thursday, 13th instant, at 11 o'clock precisely,
A rosewood full compass grand pianoforte, by Erard, with all the modern improvements.
Can be viewed at Messrs. H. R. Hurford & Co's Pianoforte Warehouse, Castlereagh-street, up to the day of sale.
Terms - Cash.

ASSOCIATIONS: Henry Robert Hurford (musicseller)

[Advertisement], The Sydney Morning Herald (19 July 1862), 10

http://nla.gov.au/nla.news-article13231578

A FRENCH LADY, Mademoiselle de LAPREZ,
intends opening classes for Young Ladies in French, German, drawing, and music;
also evening classes for gentlemen.
Musical instructions by Mr. C. Kriegsmann.
67, Riley-street, Surry Hills, opposite Reservoir.

[Advertisement], The Sydney Morning Herald (11 July 1863), 4

http://nla.gov.au/nla.news-article28621834

AVIS. - EDUCATIONAL ESTABLISHMENT for Young Ladies, Boarders, and Day Pupils. -
The Misses PURCELL (assisted by competent professors) will open their establishment, Elizabeth-street, corner of Liverpool-street, Hyde Park, on July 13th instant . . .
Masters - Mons. E. de Lolle, B. A., of the University of Paris, French, Latin, and Drawing;
Mr. Kriegsmann, from the Academy of Music in-Hanover, Pianoforte and Singing;
Miss Purcell, Italian, Spanish, and Portuguese . . .

ASSOCIATIONS: Emile de Lolle (teacher)

[Advertisement], The Sydney Morning Herald (16 June 1865), 1

http://nla.gov.au/nla.news-article13114544

MR. KRIEGSMANN is prepared to receive three PUPILS on July the 1st.
Arrangements can be made at his Pianoforte-class Room, 213, Crown-street, Surry Hills, near South Head Road.

"CENTRAL CRIMINAL COURT", The Sydney Morning Herald (17 June 1872), 2

http://nla.gov.au/nla.news-article13259243

Emile De Lolle was brought before the Court by detective Camphin, who deposed that last night he apprehended him in execution of a warrant, in which he is charged with having feloniously uttered to one John Smith a forged cheque. He said that he received the cheque from a Mr. Kriegsman . . . he said that he received the cheque from a person named Kreigsman for three months' tuition in music.
Carlo Kriegsman, professor of music, deposed that the cheque is not his, nor written by his authority . . .

ASSOCIATIONS: Emile de Lolle (as above)

"Deaths", The Sydney Morning Herald (29 July 1893), 1

http://nla.gov.au/nla.news-article13932147

KRIEGSMANN. - July 26, 1893 at her residence, Hanover House, 361 Dowling street near Oxford-street, Anne Kriegsmann good and faithful wife of Casper Rudolph Kriegsmann.

"DEATHS", The Sydney Morning Herald (20 April 1903), 6

http://nla.gov.au/nla.news-article14539732

KRIEGSMANN. - April 19, 1903, at his residence, 361 Dowling-street, Moore Park, Casper Rudolph Kriegsmann, born at Hanover, Germany, aged 73 years.

Works:

General rules for playing the piano-forte: a guide to parents, guardians, the general reader and others, translated from the works of the most eminent masters, by C. Rudolph Kriegsmann (Sydney: F. Cunninghame & Co., printers, [n.d.])

https://trove.nla.gov.au/work/158465508

https://collection.sl.nsw.gov.au/record/74Vv7MG24wpb

ASSOCIATIONS: Francis Cunninghame (printer)

KROM, John Herman (? Joannes Hermannus KROM; John Herman KROM; KRON)

Musician, professor of music, piano-forte, English concertina, singing, &c.

? Born Oudenbosch, Nederlands, 4 August 1821; son of Hermannus Joannes KROM and Huibertje van der MADE
Active Melbourne, VIC, by 1855
Married Christina CLARK, VIC, 1856
Departed Melbourne, VIC, 11 October 1861 (per Ary Schaeffer, for Batavia, aged "40")
Died Batavia, Java (Indonesia), 20 September 1865

https://trove.nla.gov.au/search?l-publictag=John+Herman+Krom+d1865 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KROM-John-Herman (shareable link to this entry)

Summary:

Evidently of German descent, but French-speaking, Krom was probably the "Monsieur Krome" billed to appear for the violinist Frederick Strebinger and his wife, at their concert at the Prince Albert Hotel, Prahran, on 6 July 1854, with Elizabeth Testar. He advertised as a piano tuner in Melbourne's southern-east suburbs in January 1855, and later that year as a teacher of piano, singing, and the English concertina. In February 1855, he was billed among the performers in the nightly promenade concerts at the Criterion Hotel.

In 1856, he married Christina Clark, who later, as Mrs. Krom, in 1860-61 ran a recruitment agency in the city of Melbourne.

Krom evidently became sufficiently well-known and well-liked among fellow professionals, that when he broke his leg in 1857, and was prevented from working, a benefit concert was specially organised to support him in December, featuring an impressive lineup of locals including Octavia Hamilton, Emilie Smith, Charles Bial, Julius Siede, George Tolhurst, and William Henry Williams.

Despite this timely assistance, his incapacity continued to plague him, and he was declared insolvent in August 1858. In 1859 he spent some time in Geelong, where he advertised as a teacher of French as well as music.

In September 1861, Krom was accorded a farewell benefit, at the Princess's Theatre, organised by a committee of locals under the patronage of the governor, Henry Barkly, at which Horace Poussard and Rene Douay performed. The following month, he and his wife and two daughters, sailed for Batavia.

Krom continued to advertise in Batavia as a teacher of piano and singing, and as an importer of pianos until mid-1865. He died in Batavia on 20 September 1865, leaving his wife with four young children to provide for. She is probably the Mrs. Krom who, with three children, sailed from Sydney to Melbourne in July 1867.

Documentation:

? Births, Oudenbosch, 1821; West-Brabants Archief, Bergen op Zoom; Archief van de gemeente Oudenbosch, register 2/42

https://www.wiewaswie.nl/nl/detail/74815865

Born 4 August 1821 / Joannes Hermannus Krom son of / Hermannus Joannes Krom and Huibertje van der Made / Oudenbosch

ASSOCIATIONS: Hermannus Joannes Krom and Huibertje van der Made married on 19 October 1820

"UNCLAIMED LETTERS", South Australian Register [Adelaide, SA] (10 November 1849), 4

http://nla.gov.au/nla.news-article50247497

. . . Krön, Mr., Melbourne . . .

"LIST OF LETTERS . . . Unclaimed", The Argus [Melbourne, VIC] (21 January 1850), 4

http://nla.gov.au/nla.news-article4771403

. . . Mr. Kron . . .

[Advertisement], The Argus (6 July 1854), 8

http://nla.gov.au/nla.news-article4794779

HERR STREBINGER'S Concert, Prince Albert Hotel Prahran,
assisted by Mrs. Testar, Miss Edwards, Madame Strebinger,
Monsieur Krome and Mr. Ferdinand Rosenstein.

ASSOCIATIONS: Frederick and Therese Strebinger (violinist and dancer); Elizabeth Testar (vocalist); Miss Edwards (vocalist); Ferdinand Rosenstein (pianist)

[Advertisement], The Argus (10 January 1855), 6

http://nla.gov.au/nla.news-article4802911

ST. KILDA, Prahran, Brighton. Pianofortes tuned by J. H. Krom. Apply Messrs. Davies, Junction, St. Kilda.

[Advertisement], The Argus (19 February 1855), 8

http://nla.gov.au/nla.news-article4804574

CRITERION HALL. - Immense Attraction -
To-night, and every evening during the week,
Grand Promenade Concerts a la Jullien, in the spacious and magnificent hall of the Criterion Hotel.
An entire change of performance. One shilling. Admission, one shilling.
Miss Graham, in her admired Scotch ballads; Miss Bourne, the well-known and favorite songstress;
Mr. Geo. Clifford, the unrivalled tenor of the colony; Herr Funk, the unsurpassed performer on the clarionet,
will execute one of his elaborate solos every evening during the week.
Together with Chapman's unrivalled band; comprising all the acknowledged available talent in the colony.
Miss Graham, Miss Bourne, Mr. Clifford,
Mr. Chapman, Herr Funk, Mr. Weston, Mr. Reed, Mr. Mather,
Mr. Weis, Mr. Thorn, Mr. Sims, Mr. Ellis,
Herr Keillor, Mons. J. H. Krom . . .

ASSOCIATIONS: Amelia Graham (vocalist); Georgina Bourn (vocalist); George Clifford (vocalist); George Champman (musician); William Funk (musician); John Weston (musician); Thomas Reed (musician); James Thorne (musician); Mr. Simes (musician); Thomas Ellis (musician); Criterion Hall (Melbourne venue)

[Advertisement], The Argus (7 September 1855), 7

http://nla.gov.au/nla.news-article4817471

MONSIEUR KROM, Professor of Piano-forte, English Concertina, Singing, &c. Apply Mr. Arnott, Junction Library, St. Kilda.

"CONCERT", The Argus (2 December 1857), 4

http://nla.gov.au/nla.news-article7142846

A benefit concert is is be given this evening at the Mechanics' Institution, and special attention deserves to be drawn to the entertainment because it has been got up by several leading members of the musical profession for the benefit of Mr. Krom, a well-known teacher of music, who has met with a severe accident which has incapacitated him from attending to his professional duties. So kindly and benevolent a project is creditable to the good feeling of those who have set it on foot, and we hope their efforts may be seconded by the public. We observe that a new contralto - Miss E. Turner, a sister of Mrs. Testar - will make her first appearance at this concert.

ASSOCIATIONS: Eleanor Turner (vocalist); Elizabeth Testar (vocalist, as above); Mechanics' Institution (Melbourne venue)

[Advertisement], The Age (2 December 1857), 1

http://nla.gov.au/nla.news-article154836187

MECHANICS' INSTITUTION.
MR. KROM'S BENEFIT CONCERT, On Wednesday, December, 2nd, 1857.
First Appearance in the Colony of MISS E. TURNER.
Re-appearance of MISS OCTAVIA HAMILTON.
The following distinguished Artistes have kindly volunteered their services: -
Vocalists: MRS. BATTEN, MR. GEO. TOLHURST, MR. BLANCHARD, MR. W. H. WILLIAMS, Amateur.
Instrumentalists: MISS EMILY SMITH, MR. JULIUS SIEDE, MR. CHARLES BIAL, MR. WILKINSON, MR. KROM.
Programme:
Part I.
Trio and Chorus - "The chough and crow." - Bishop.
Song - "The sorrows of the heart." - Mr. Blanchard - Balfe.
Fantasia, Pianoforte - "We're a' noddin." - Miss Smith - Thalberg.
Song - "The old arm-chair." - Miss Octavia Hamilton - Russell.
Song - "The minstrel's lament." - Mrs. Batten - Hum.
Fantasia, Flute - Composed and executed by Mr. Julius Siede.
Duett - "I would that my love." - Miss Octavia Hamilton and Miss E. Turner - Mendelssohn.
Song - "The pilot." - Mr. G. Tolhurst - Nelson.
Chansonette - "Ma brunette." - Miss E. Turner - Arnaud.
Part II.
Grand Duett - For two Pianofortes - Miss Smith and Mr. C. Bial - Thalberg.
Song - "Scenes of my youth." - Miss E. Turner - Benedict.
Ballad - "Nina." - Mr. Williams - J. W. Hobbs.
Ballad - "Little Nell" - First time, as arranged for Madame Bishop - Miss Octavia Hamilton - C. S. Packer.
Solo, Concertina. - Mr. Krom - Lake.
Song - "Swiss girl." - Mrs. Batten.
Duett - "Love and war." - Messrs. Williams and Blanchard - Cooke.
Doors open at half-past Seven; Concert to commence at Eight o'clock.
Tickets, Five Shillings; to be had at Wilkie's Music Saloon, 15 Collins street east;
R. Mackie's Music Warehouse, Swanston street; and Litolff and Glen's, Bourke-street east.

ASSOCIATIONS: Octavia Hamilton (vocalist); Mrs. Batten (vocalist); Emilie Smith (pianist); John or Charles Blanchard (vocalist); William Henry Williams (vocalist); Charles Bial (pianist); Julius Siede (flute); George Tolhurst (musician); Joseph Wilkie (musicseller); Robert Mackie (musicseller); Litolff and Glen (musicsellers)

[Advertisement], The Argus (19 January 1858), 8

http://nla.gov.au/nla.news-article7145272

ENGLISH CONCERTINA - Evening CLASS being formed by Mr. Krom. Apply Music Warehouse, 15 Collins-street east.

[Advertisement], The Argus (23 January 1858), 8

http://nla.gov.au/nla.news-article7145460

BRIGHTON. - Mr. KROM'S CONCERT will take place Wednesday, January 27th, at the Assembly Room, Brighton.

[Advertisement], The Argus (27 January 1858), 8

http://nla.gov.au/nla.news-article7145658

BRIGHTON. - PROGRAMMES for Mr. Krom's CONCERT may be had "Argus" office, Church-street; or Devonshire Hotel.

[Advertisement], The Argus (8 March 1858), 2

http://nla.gov.au/nla.news-article7147683

SECONDHAND BROADWOOD CABINET PIANOFORTE for SALE, guaranteed sound.
20 guineas. Apply Mr. Krom, Park-street, Brighton.

"NEW INSOLVENTS", The Age (10 July 1858), 6

http://nla.gov.au/nla.news-article154873428

John Herman Krom, Melbourne, music teacher.
Causes of insolvency: falling off in business in consequence of having broken his leg, subsequent ill health, and pressure of a judgment creditor under the new County Court Act.
Liabilities, £185 19s 11d; assets, £75 5s. Official assignee, Mr. Courtney.

[Advertisement], The Argus (4 August 1858), 8

http://nla.gov.au/nla.news-article7298687

MR. KROM, TEACHER of the PIANOFORTE, English Concertina, and Singing. 87, Stephen-street south.

"INSOLVENT COURT . . . IN RE JOHN H. KRON", The Argus (15 September 1858), 7

http://nla.gov.au/nla.news-article7301057

This was a first and only meeting. Mr. Courtney, Official Assignee.
Mr. McGregor appeared for the insolvent, who was present.
Some debts were proved. The insolvent was examined, and it appeared that he had been a teacher of music, and his insolvency, had occurred through his having broken his leg, thereby being prevented from following his profession.
The furniture was by the voice of the creditors allowed to the insolvent.
Mr. COURTNEY said he was out of pocket, and should expect to be indemnified if the furniture was allowed to the insolvent, as it was the only asset in the estate.
The insolvent was directed to pay £10 to the Official Assignee as soon as he possibly could.
Some inquiry was made into the assets of the estate, as there appeared to be money owed by Mr. Maurice Travers McDonough, and by Mr. Albert Read; after which the meeting closed.

"INSOLVENT COURT", The Argus (14 February 1859), 5

http://nla.gov.au/nla.news-article7309798

J. H. Kroms, adjourned certificate meeting at 11 o'clock . . .

"CURRENT TOPICS", Geelong Advertiser (3 May 1859), 2

http://nla.gov.au/nla.news-article150077877

Monsieur Krom advertises a concert to take place on Tuesday, the 17th instant, at the Geelong Mechanics' Institute, in which the Misses McCarthy will take a distinguished part.

ASSOCIATIONS: Georgina and Maria McCarthy (vocalists); Geelong Mechanics' Institute (venue)

Membership register, No. 349, Melbourne, VIC, 1859; Grand Lodge of Freemasons of Ireland

https://www.ancestry.com.au/interactive/60904/43991_3082375_0010-00830?pid=305476 (PAYWALL)

John Hermann Krom / [admitted] 6th Dec'r 1859 / 173 / 24th Sept'r 1861

[Advertisement], The Argus (2 April 1860), 3

http://nla.gov.au/nla.news-article5679894

TUESDAY, APRIL 3. 37 Stephen-street, a few doors out of Collins-street, on the right-hand side.
Household Furniture, Rosewood Pianoforte.
BEAUCHAMP BROTHERS have received instructions Mr. J. H. Krom to SELL by AUCTION,
at his residency 37 Stephen-street, on Tuesday, April 3, at twelve o'clock,
His superior household furniture . . .

"DEATHS", The Argus (15 June 1860), 4

http://nla.gov.au/nla.news-article5684349

On the 14th inst., at 79 Collins-street east, Elizabeth, second daughter of John and Christina Krom, aged nearly two years.

"BIRTHS", The Argus (3 July 1860), 4

http://nla.gov.au/nla.news-article5685441

On the 30th ult., at 79 Collins-street east, the wife of J. H. Krom of a daughter.

[Advertisement], The Age (16 September 1861), 1

http://nla.gov.au/nla.news-article154899532

ROYAL PRINCESS'S THEATRE.
Farewell benefit of Mr. Krom, under the Patronage and presence of SIR HENRY BARKLY.
PLAYING AT LOVE. Grand Concert by MM. POUSSAND AND DOUAY. And last time of ALADDIN.

ASSOCIATIONS: Henry Barkly (governor); Horace Poussard (musician); Rene Douay (musician); Princess's Theatre (Melbourne venue)

Names and descriptions of passengers per Ary Schaeffer, from Melbourne, 11 October 1861, for Batavia; Public Record Office Victoria

https://prov.vic.gov.au/archive/23913084-F7F0-11E9-AE98-937946DDB654?image=659 (DIGITISED)

Mr. Krom / 40 // Mrs. Krom / 33 // & 2 children / 4 / 1

[Advertisement], Java-bode: nieuws, handels- en advertentieblad voor Nederlandsch-Indie [Batavia, Java] (18 January 1862), 2

http://resolver.kb.nl/resolve?urn=ddd:010483519:mpeg21:p002

J. H. KROM,
recommandeert zich voor het geven van
Muzijk- en Zanglessen,
alsmede voor het Pianostemmer. HOTEL DES INDES 51.

[Advertisement], Java-bode: nieuws, handels- en advertentieblad voor Nederlandsch-Indie (20 May 1865), 2

http://resolver.kb.nl/resolve?urn=ddd:010483948:mpeg21:p002

J. H. Krom, Passer Baroe, heeft ontvangen per Pollux, Kapt. BLOK,
eene uitmuntende PIANINO uit de beroemde Fabriek van PLEYEL, WOLFF & Co. te Parijs,
alsmede eene partij Glazen Voetstukken (Socles de Piano), Pianosnaren, enz.

[Deaths], Java-bode: nieuws, handels- en advertentieblad voor Nederlandsch-Indie (23 September 1865), 1

http://resolver.kb.nl/resolve?urn=ddd:010483984:mpeg21:p001

Heden overleed tot mijne diepe droefheid mijn geliefde echtgenoot J. H. Krom,
mij nalatende vie kinderen, allen nog te jong om hun onherstelbaar verlies te befessen.
Weduwe C. KROM, geboren Clarke.
BATAVIA, 20 September 1865.
Eenige kennisgave.

"CLEARANCES - JULY 27", The Sydney Morning Herald [NSW] (29 July 1867), 4

http://nla.gov.au/nla.news-article13157599

City of Adelaide (s.) 815 tons, Captain Walker, for Melbourne. Passengers - Mrs. Bruyers and child, Miss Bruyers, Mrs. Krom and 3 children . . .

KRUSE, Herman (Hermann KRUSE; Herman KRUSE; Herr KRUSE)

Musician, bandmaster (Kruse's Band; German band; full band from the Royal Garden, Vauxhall)

Arrived Sydney, NSW, 6 October 1854 (per Oliver Lang, from Liverpool, 24 June, via Melbourne, 23-28 September)
? Departed Sydney, NSW, 29 December 1854 (per Oliver Lang, for Liverpool)

https://trove.nla.gov.au/search?l-publictag=Herman+Kruse+musician+1854 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRUSE-Herman (shareable link to this entry)

Documentation:

List of the crew . . . arrived on the Oliver Lang, from Liverpool to Sydney, 7 October 1854; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1210/images/imaus1787_081032-0303 (PAYWALL)

George Mohr / Musician / 22 / Germany
Herman Kruse / [Musician] / 29 / [Germany]
Valentin Korst / [Musician] / 27 / [Germany]
Martin Freudenstein / [Musician] / 19 / [Germany]
Henry Mohr / [Musician] / 34 / [Germany]
Henry Ratmond [? Raimond] / [Musician] / 20 / [Germany]
Rudy [?] Harsen / [Musician] / 43 / [Germany]

ASSOCIATIONS: Henry and George Mohr (musicians);
the names in the microfilm image are semi-legible, the electronic index (several spellings likely incorrect)

[Advertisement], Empire [Sydney, NSW] (10 October 1854), 1

http://nla.gov.au/nla.news-article60198572

MUSIC ! MUSIC !! MUSIC !!!
THIS DAY, from 2 to 5 p.m., the celebrated band of Herr Herman Kruse, just arrived,
has been engaged to give a Concert in the Bazaar, Royal Hotel.
Admission Free!

ASSOCIATIONS: Royal Hotel (Sydney venue)

[Advertisement], The Sydney Morning Herald [NSW] (14 October 1854), 2

http://nla.gov.au/nla.news-article30941281

HERR HERMAN KRUSE'S band will play every afternoon, at the Bazaar, Royal Hotel.

"ROYAL HOTEL BAZAAR", The Sydney Morning Herald (27 October 1854), 5

http://nla.gov.au/nla.news-article12961570

We have been much gratified on visiting this delightful resort, combining within its precincts amusement as well as business. The proprietor has engaged the services of an efficient band of German musicians, who greet the visitants, who pass in through the Hotel without charge, - with some really good music. This place is becoming quite a fashionable lounge and agreeable retreat from the heat and dust which are now become so annoying.

[Advertisement], Empire (28 October 1854), 1

http://nla.gov.au/nla.news-article60199330

ROYAL HOTEL.
GREAT ATTRACTION, FOR A LIMITED NUMBER OF NIGHTS!
GRAND PROMENADE CONCERTS (a la Jullien,) will take place in the Bazaar, every Evening, commencing
MONDAY, October 30.
Full Band from the Royal Gardens, Vauxhall, London. Conductor, Herr Kruse.
Principal Vocalists, Miss Flora Harris, Mr. Hancock, and Mr. J. Fairchild. Pianist, Mr. Emanuel . . .

ASSOCIATIONS: Flora Harris (vocalist); Joseph Fairchild (vocalist); Edward Hancock (vocalist); Abraham Emanuel (pianist); Vauxhall Gardens (London venue)

"SYNOPSIS OF MEETINGS, &c., FOR THE WEEK", The Sydney Morning Herald (30 October 1854), 5

http://nla.gov.au/nla.news-article12953419

. . . at the Royal Hotel this evening, and to be continued on following evenings, a grand promenade concert a la Jullien is announced. The advertisement represents the performance to be conducted by Herr Kruse, with a full band from the Royal Vauxhall Gardens . . .

[Advertisement], Empire (30 October 1854), 1

http://nla.gov.au/nla.news-article60199390

ROYAL HOTEL. Great Attraction every Evening.
GRAND PROMENADE CONCERTS will take place in the Bazaar.
Full Band from the Royal Gardens, Vauxhall, London. Conductor - HERR KRUSE.
Pianist. MR. EMANUEL.
PROGRAMME, MONDAY, OCTOBER 30.
Overture - Falschmuntzer. [Auber]
National Song, Mr. HANCOCK, - "Unfurl the Flag" - Blockley.
Pot Pouri, William Tell - Rossini.
Song, "Tell me my heart," by a LADY.
Polka, Blumenfest - Herr Kreutzer.
Ballad, Mr. J. FAIRCHILD, " Wapping Old Stairs" - Percy.
PART II.
Cavatina, Sonnambula - Bellini.
Song, "The Tribute of a Tear," - Loder.
Waltz, Amalien - Kalliweda [Kalliwoda]
Ballad, " Cherry Ripe," by a LADY - Horn.
Gallop.
Song, Mr. J. FAIRCHILD, "Tom Bowling" - Dibdin.
"God Save the Queen" - Horn . . .

[Advertisement], Empire (2 November 1854), 1

http://nla.gov.au/nla.news-article60199506

ROYAL HOTEL Great Attraction every Evening.
GRAND PROMENADE CONCERTS will take place in the Bazaar.
Full band from the Royal Gardens, Vauxhall, London. Conductor.- HERR KRUSE.
Pianist - MR. EMANUEL.
PROGRAMME, November 1st.
Overture - Band. Glee - Hail smiling morn. - Spofforth.
Polka - Band. Song - Miss Flora Harris - I love the dewy twilight. - Glover.
Pot Pouri - William Tell. Song - Mr. Hancock - Gipsy Prince. - Sporle.
Waltz - Band. Song - Madame Clementy. - Should he upbraid, - Bishop.
Galop - Band. Song - Mr. J. Fairchild - Madeline. - Nelson.
Cavatina - La Sonnambula. - Bellini. Song - Miss Flora Harris - The Swallows. - F. Abter [Abt].
Polka - Band. Song - Mr. Hancock - The Fugitive Slave.
Galop - Band. Song - Madame Clementy - Banks of Allan Water. - Walker.
Waltz - Band. Song - Mr. J. Fairchild - I'm Leaving thee, Annie. - Barker.
March - Band. GOD SAVE THE QUEEN.
Doors open at half-pant 7; commence at 8 precisely. Admission to Promenade, One shilling; Dress Circle, 2s.

ASSOCIATIONS: Flora Harris (vocalist); Sarah Clementi (vocalist)

[2 advertisements], The Sydney Morning Herald (15 November 1854), 1

http://nla.gov.au/nla.news-article12962292

PROMENADE CONCERTS. - Bazaar, Royal Hotel. -
HERR KRUSE'S Band being engaged by Mrs. Andrew's,
there will be no Concert THIS EVENING, Wednesday, at the above place,
but will resume TO-MORROW EVENING as usual.

MRS. ANDREWS' GRAND EVENING CONCERT,
Royal Hotel, WEDNESDAY, November the 15th, 1854.
PROGRAMME. PART I. Overture to William Tell - Band - Rossini . . .
PART II. Overture - Band . . . "God save the Queen" - Band . . .

ASSOCIATIONS: Mrs. Frank Andrews (vocalist)

"OUR EVENING AMUSEMENTS", The Sydney Morning Herald (20 November 1854), 5

http://nla.gov.au/nla.news-article12962496

. . . I do not remember the time that Sydney has offered so many attractions to money spenders as it does now. The Royal Victoria Theatre and the Lyceum are both open; Herr Kruse's German band is performing nightly in the promenade at the Royal Hotel, and a company of serenaders have made their debut in the saloon of the same establishment . . .

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue); Lyceum Theatre (Sydney venue)

KRUSE, Johannes Secundus (John Secundus KRUSE; John KRUSE junior)

Musician, violinist

Born Melbourne, VIC, 22 March 1859; son of John August KRUSE and Johanna SCHULTZ
Died London, England, 14 October 1927

http://nla.gov.au/nla.party-1462613 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRUSE-Johannes (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE PROFESSIONALLY IN AUSTRALIA AFTER 1860

KRUSE, Felix Wilhlem (Felix Wilhelm KRUSE; F. W. KRUSE)

Musician, violinist, member of Centennial Orchestra

Born Melbourne, VIC, 4 July 1868; son of John August KRUSE and Hannah Maria BAILEY
Died VIC, 1919

https://sydney.edu.au/paradisec/australharmony/register-K.php#KRUSE-F-W (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE PROFESSIONALLY IN AUSTRALIA AFTER 1860

Documentation:

[News], North Melbourne Advertiser [VIC] (2 April 1886), 2

http://nla.gov.au/nla.news-article66155698

. . . F. W. Kruse (brother to the renowned violinist) . . .

"FAMOUS VIOLINIST. Johann Kruse Dead. Born in Melbourne", The Argus (18 October 1927), 17

http://nla.gov.au/nla.news-article3885878

The death is announced of Mr. Johann Kruse, the famous violinist. Johann Kruse was born in Bourke street, Melbourne, where his father had a pharmacy, in 1859, and at in early age he showed signs of unusual musical talent. His first public appearance was with the Philharmonic Society in Melbourne, when he was aged only nine years, and, as he continued to show aptitude with the violin, his parents sent him to Berlin in 1875 to study under Joachim at the Hochschule, where he became a professor. Joachim considered him one of his foremost pupils, and under his guidance Kruse became, in 1882, at the age of 23 years, principal violinist and sub-conductor of the Berlin Philharmonic Society. At this time he founded a string quartet which became famous. He returned to Australia on a short visit in 1885 and played in a concert tour with Miss Nellie Mitchell (Dame Nellie Melba) in Melbourne, Sydney, and Brisbane. Joachim's health had begun to fail at this time, and he recalled Kruse to relieve him at the Hochschule. Some years later he joined the famous Joachim quartet as second violin, and in 1895 he revisited Australia for a second time for a short season, this time playing with the Marshall Hall quartet. Johann Kruse left Germany in 1897 to live in England, and in London he founded his second quartet party, which gave a series of concerts at St. James's Hall. The Saturday Popular Concerts, which were famous in London at the end of the last century, came under his direction, and were so successful that he revived, with equal success, the "Classical Monday Pops," referred to by W. S. Gilbert in "The Mikado." In the same year, 1902, Johann Kruse organised a series of orchestral concerts, with Felix Weingartner as conductor, and in 1903 his Beethoven festival, consisting of eight concerts, met with tremendous support, and was repeated in the following year with a series of seven concerts, in which the pianist, Wilhelm Backhaus, who was in Melbourne late last year, assisted. Mr. W. W. Cobbett, a foremost critic, said of Kruse at this time:-

"His experience is most extensive in chamber music. As a violinist, his staccato bowing and trill may be noted as of exceptional brilliancy."

Since then Mr. Kruse spent most of his time in teaching, and several Australian pupils, the most famous of whom is Miss Gertrude Algar, studied under him. Some years ago the Melbourne University had negotiations with him at the time when the Ormond chair of music at the University Conservatorium was vacant, but an agreement was not reached. In a recent letter to his brother he expressed his intention of coming to Australia again. He is survived by his wife, who is in London, and a brother, Mr. J. A. Kruse, who for many years has carried on his late father's chemist's business at Hawthorn.

Bibliography and resources:

Papers of Johann Kruse, National Library of Australia

https://trove.nla.gov.au/work/14952244

KUNZE, Carl Julius (Carl Julius KUNZE; Karl; Charles KUNZE; C. J. KUNZE; K. J. KUNZE; Herr KUNZE)

Musician, pianist, accompanist, musical director, conductor of Adelaide Liedertafel, composer

Born Altenburg, Thuringia (Germany), 25 October 1825; baptised 14 November 1825; son of Carl Friedrich KUNZE and Juliane Henriette ?
Arrived Adelaide, SA, 1 February 1850 (per Alfred, from Hamburg, 26 October 1849)
Died Adelaide, SA, 26 January 1868, aged "42"

https://trove.nla.gov.au/search?l-publictag=Carl+Julius+Kunze+1825-1868 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KUNZE-Carl-Julius (shareable link to this entry)

Documentation:

Baptisms, Evangelische Kirche Altenburg (Sachsen-Altenburg), 1825; Evangelisch-Lutherische Kirchengemeinde Weimar, Thüringen

https://www.ancestry.com.au/search/collections/61248/records/979360 (PAYWALL)

14 November 1825 / born 25 October 1825 / Carl Julius son of / Carl Friedrich and Juliane Henriette / Kunze

"ARRIVED", South Australian Register [Adelaide, SA] (2 February 1850), 3

http://nla.gov.au/nla.news-article38451547

Passengers per ship Alfred (arrival reported yesterday) - Captain Stanley Carr, Lieutenant Gronwald (the travelling name of the Prince Frederick of Holstein) . . . C. Kunze . . .

"CONCERT OF SACRED MUSIC", South Australian Register (3 May 1855), 3

http://nla.gov.au/nla.news-article49302950

The North Adelaide Choral Society's first concert was performed last evening at the Baptist Chapel, Lefevre-terrace. The attendance was very large, the chapel being quite full . . . Mendelssohn's "Oh, rest in the Lord," was sung with great precision by a young lady, who is, we understand, a member of the Society. In the performance of this gem of the "Elijah," she was most ably accompanied by Herr Kunze on the piano-forte. We have scarcely heard in the colony a finer contralto voice, particularly as regards the lower tones. We must congratulate the Society upon its having amongst its members so excellent a singer . . . Miss Chalker delighted the audience in a solo by Stephen Glover, the words of which are from Pope's "Messiah" . . . Of Mr. Daniel's singing we need only remark that he was, as usual, quite at home . . . The orchestral accompaniment of the several concerted pieces were arranged by Mr. Lillywhite expressly for this occasion . . . In closing this notice we may mention with commendation the performances of Herr Kunze on the pianoforte, and of Mr. Light on the harmonium . . .

ASSOCIATIONS: Marie Chalker (vocalist); Josiah Wyke Daniel (vocalist); William Lillywhite (conductor, arranger); George Thomas Light (harmonium); North Adelaide Choral Society (association)

"MADAME CARANDINI AND M. EMILE COULON", Adelaide Observer (7 July 1855), 5

http://nla.gov.au/nla.news-article158104347

. . . Herr Kunze presided at the piano, and added his share to an entertainment, which delighted all who had the gratification of being present . . .

ASSOCIATIONS: Maria Carandini (vocalist); Emile Coulon (vocalist)

"GRAND MORNING CONCERT", Adelaide Times (16 July 1855), 3

http://nla.gov.au/nla.news-article207071599

Madame Carandini and M. Coulon, assisted by Miss Chalker and Herr Kunze, gave a grand morning concert in the Victoria Theatre on Saturday last. The attendance was select rather than large. The programme was unusually diversified, the compositions of well-known standard English writers forming the principal feature in it. In this particular greater attention was shown to English taste and English prejudices; and it might be added, more effective rendering was obtained . . . It is a pity, for the sake of Herr Kunze's reputation, that a better piano is not available at these concerts; no effective performance can ever be produced upon the instrument now used. In conclusion, we can only hope that these agreeable entertainments will be continued for some time longer; and we are gratified at learning that a grand operatic entertainment will be given on Tuesday evening, under distinguished patronage.

ASSOCIATIONS: Royal Victoria Theatre (Adelaide venue)

[Advertisement], South Australian Register (23 August 1855), 1

http://nla.gov.au/nla.news-article49293882

CONCERT OF SACRED MUSIC . . .
NORTH ADELAIDE CHORAL SOCIETY . . .
on Monday evening next, at Neales's Exchange, King William-street . . .
Leader, Mr. Chapman; Conductor, Mr. Lillywhite;
Pianist, Herr Kunze . . .
W. HOLDEN, Hon. Secretary.

ASSOCIATIONS: William Chapman (leader, violin); William Holden (secretary); Exchange Rooms (Adelaide venue)

"CONCERT OF SACRED MUSIC", South Australian Register (18 January 1856), 3

http://nla.gov.au/nla.news-article49745607

The North Adelaide Choral Society's first quarterly concert for the year 1856 was performed on Thursday evening, at the Lefevre-terrace Chapel. There was a tolerably good attendance . . . Mr. Lillywhite acted as conductor, and Mr. Chapman as leader. Herr Kunze presided at the piano, and Mr. Light at the harmonium. The entire orchestra consisted of between thirty and forty vocal and instrumental performers . . .

"CONCERT", South Australian Register (3 May 1856), 3

http://nla.gov.au/nla.news-article49750597

The first concert of the Adelaide Glee and Madrigal Society, recently established and patronised by His Excellency, was performed last evening in the long room of the Gresham Hotel. There was a very full attendance. The members were assisted by Miss Chalker, Herr Kunze, Mr. Chapman, and a considerable number of the instrumentalists connected with the Choral Society . . .

ASSOCIATIONS: Adelaide Glee and Madrigal Society (association); Adelaide Choral Society (association)

"MADAME CAILLY'S CONCERT AT NEALE'S EXCHANGE, South Australian Register (10 May 1856), 4

http://nla.gov.au/nla.news-article49752208

Yesterday evening the prima donna of the French and Italian operas appeared for the first time before a South Australian audience . . . The programme contained four instrumental pieces, several ballads for Miss Chalker, and no fewer than five of the most difficult compositions attempted even by singers of the first rank for performance by the fair cantatrice . . . There was unhappily one circumstance which tended to mar some of the finest effects - the absence of proper arrangements for the accommodation of the pianist, Herr Kunze. The reputation of this gentleman as a master of this instrument is already established, and for his own sake we would recommend at least one rehearsal previous to future concerts . . .

ASSOCIATIONS: Clarisse Cailly (vocalist)

"MADAME CAILLY'S CONCERT", Adelaide Observer (12 July 1856), 3

http://nla.gov.au/nla.news-article161259945

There was a large and fashionable attendance at Madame Clarisse Cailly's concert, on Tuesday evening, at White's Concert and Assembly Rooms . . . Amongst the other performers deserving special notice . . . Herr Kunze, as a pianist, is rapidly rising in public estimation. His ability to execute elaborate passages in correct time, and with great evenness and delicacy of touch, was conspicuous during the whole of the evening . . .

ASSOCIATIONS: White's Rooms (Adelaide venue)

"MR. JULIUS SIEDE'S BENEFIT", Adelaide Times (4 December 1856), 2

http://nla.gov.au/nla.news-article207097587

The "complimentary" benefit to this talented musician came off on Wednesday evening with very fair success . . . The introductory performance consisted of a duett on the piano by Mr. Kunze and Mr. G. Loder. It was well received. Then came a brilliant selection from Lucrezia Borgia by Madame Anna Bishop . . .

ASSOCIATIONS: Julius Siede (flute); George Loder (pianist, Anna Bishop's musical director); Anna Bishop (vocalist)

"EAST TORRENS INSTITUTE", Adelaide Observer (31 October 1857), 3

http://nla.gov.au/nla.news-article158118703

The Committee of this Institute held a conversazione on Tuesday evening last, in their large room at Kensington. Great efforts had been made to secure a varied and attractive programme, nor did the result disappoint the expectations of the audience . . . The pianoforte was ably presided at by Herr Kunze. Mrs. Paine kindly gave gratuitously her valuable assistance, and several gentlemen amateurs rendered most effective aid . . .

ASSOCIATIONS: Fanny Paine (vocalist, pianist); East Torrens Institute (association)

"MONDAY EVENING'S CONCERT", South Australian Register (28 September 1858), 2

http://nla.gov.au/nla.news-article49782102

The concert of vocal and instrumental music, given on Monday evening to Mons. Laglaise, under the patronage of His Excellency and Lady MacDonnell, was attended by a large and very fashionable audience. The accomplished vocalist, for whose benefit the entertainment was given, was assisted by Miss Rowe, Mrs. Wallace, Herr H. Christen, and Herr Kunze; and the pieces selected for performance included a choice variety of operatic, ballad, and other music by some of the most celebrated composers.

ASSOCIATIONS: Jean-Baptiste Laglaise (vocalist); Richard and Blanche Macdonnell (governor and wife); Louisa Jane Rowe (vocalist, pianist); Maria Wallace (vocalist); Hugo John Christen (vocalist)

"WHITE'S ROOM", South Australian Register (20 April 1861), 3

http://nla.gov.au/nla.news-article50017625

A grand operatic concert was announced for Friday evening, at White's Room, and the performance included the names of Signor and Signora Bianchi and the other members of the Italian company, the order of the pieces being so arranged as to admit of the various singers sustaining their parts at the Theatre, where a performance was also announced. It may be presumed that Signor Bianchi's hope was to have attracted a sufficient number of lovers of music to fill both houses; but in this, so far at least as concerns the concert, he was disappointed; for at the hour fixed for commencing only ten, or a dozen persons were present. Herr Kunze, who was to have acted as conductor, waited for about a quarter of an hour, when, after consulting several gentlemen men in the room, he determined upon postponing the concert and returning the money which had been paid. It happened rather unfortunately that most of the few ladies and gentlemen who were thus disappointed had not enjoyed any previous opportunity of attending the operatic performances; and of these nearly half reside in distant parts of the country, and will probably be unable to attend on any future evening.

ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists, manager); Italian Opera Company (troupe)

"SOUTH AUSTRALIAN INSTITUTE", South Australian Register (15 March 1862), 3

http://nla.gov.au/nla.news-article40467709

The South Australian Institute's quarterly soiree was held in White's Boom, on Friday evening, March 14 . . . The first part of the entertainment was musical, and consisted of an overture ("Martha"), well performed by the band; the popular song entitled "There's a path by the river," swertly sung by Mrs. Wishart (encored); a solo on the clarionet, from "Il Barbiere," executed in beautiful style by Herr Heydecke; and a chorus from "The Camp of Grenada," by the Liedertafel, rendered in a very steady and correct manner . . . The energetic members of the Liedertafel sang Kreutzer's chorus, "Ich ging nock Abends spat vorbei," with marked effect. Herr Schraeder performed a concertino part, composed by Frieke, on the cornet-a-piston. His execution was very brilliant, and much applauded. The melody, entitled "The Merry Days of Youth," was rendered in a very pleasing style by Mrs. Wishart. She was encored and she substituted "Lovely Night" . . . The closing portion of the programme was then gone through. The band played an overture called "Fra Diavolo" with much spirit and correctness; the Liedertafel gave the chorus, by Schäffer, "Seid gegrüsset ihr stotzen Höhen," from "Fanetion;" the band performed an overture; and the Liedertafel sung "Der feine Wilhelm," by Schäffer, which was redemanded. Herr Kunze presided at the pianoforte, and conducted the musical arrangements with ability . . .

ASSOCIATIONS: Susannah Wishart (vocalist); Theodor Heydecke (clarinet); Heinrich Schrader (cornet); Adelaide Liedertafel (association); South Australian Institute (association)

"TOPICS OF THE DAY", The South Australian Advertiser (25 March 1862), 3

http://nla.gov.au/nla.news-article31808927

Herr Carl Schmitt gave his first grand concert at White's Rooms on Monday evening, when there was a numerous and select audience . . . The first item was a duo for violin and piano, in which Herr Schmitt was accompanied by Herr Kunze. The selection was from the opere of "Masaaniello," and was received with rapturous applause. Following this came Mrs. Wishart, who sung the well-known and now popular descriptive song "Jessie's Dream" . . . A fantasia brilliant pour le violin followed, Herr Schmitt being again accompanied by Herr Kunze. This was composed of selections from the opera of Lucia de Lammermoor, and was vociferously encored . . .

ASSOCIATIONS: Carl Schmitt (violinist)

"MONDAY EVENING'S CONCERT", South Australian Register (24 June 1862), 2

http://nla.gov.au/nla.news-article50162705

Messrs. Poussard and Douay gave their twelfth and final concert in the Adelaide Assembly Rooms on Monday evening. Most of the reserved seats were filled, and the body of the hall was densely crowded. Scores were unable to find a seat. The programme contained several selections of sterling character not previously performed by Messrs. Poussard and Douay during their professional stay here. The entertainment commenced with a composition consisting of selections from Rossini's "Semiramide," arranged for the violin and violoncello. The celebrated duet between Semiramis and Arsaces, Giorno d'orrore, better known perhaps as the "Day of horror, and yet of gladness," which constituted the principal feature in the composition, was played by the Messrs. Poussard and Douay, with Herr Kunze as an accompanyist on the piano, with very great taste; whilst in the fantasias their extraordinary instrumentation was displayed to the admiration of the whole assembly, who listened with rapt attention to the performance, and at its close gave expression to their delight in a full and prolonged round of applause . . .

ASSOCIATIONS: Horace Poussard (violin); Rene Douay (cello); "Adelaide Assembly Rooms" = White's Rooms (as above)

"Victoria", Süd Australische Zeitung (26 July 1862), 3

http://nla.gov.au/nla.news-article83805316

Bezüglich im fünstigen Frühjahr in Melbourne stattfindenden allgemeinen deutschen Turn- und Gesang- festes, haben wir von Hrn. Gelbrecht, dem Secretar des Turnvereins, eine fernere Mittheilung erhalten, der zu Folge das Programm der aufzusührenden Chöre bereits festgesetzt und in Nachstehendem zu ersehen ist: - . . .
8. "Weingalopp" von C. Kunze . . .

ASSOCIATIONS: Melbourne Turnverein (event)

"SOUTH AUSTRALIAN INSTITUTE", South Australian Register (25 June 1863), 3

http://nla.gov.au/nla.news-article50173786

The quarterly soiree in connection with the South Australian Institute, held at the Adelaide Assembly Rooms on Wednesday, was a complete success in every respect . . . The Deutsche Liedertafel, under the direction of Herr Kunze . . . sang J. Mücke's chorus, "Bergmannslied" (The Miner's Song) very finely; and Mr. L. Norman played a collection of Bohemian airs, arrangement by Schuloff, on the pianoforte, in a masterly manner. A song, "The White Squall," was next given by Mr. Oehlman, and encored. On his reappearance he substituted "Teach me, Mary, how to woo thee," and rendered it with much feeling. The chorus, "Kommt, Bruder, trinket" (Come, brothers, drink) by the Liedertafel, followed, and was warmly applauded . . .

ASSOCIATIONS: Linly Norman (pianist); Hermann Oelmann (vocalist)

"SOUTH AUSTRALIAN INSTITUTE SOIREE", South Australian Weekly Chronicle (27 June 1863), 3

http://nla.gov.au/nla.news-article90261780

. . . The Deutsche Liedertafel, conducted by Herr Kunze, then sang the chorus "Bergmannslied," after which Mr. Linly Norman performed Schuloff's fantasia on Bohemian airs on the pianoforte. Mr. Oehlmann sung the "White Squall," accompanied by Mr. Norman. It was encored, and Mr. Oehlmann substituted the song "Teach me, Mary, how to woo thee." After the chorus by the Liedertafel, "Kommt Bruder trinket" . . .

"TOPICS OF THE DAY", The South Australian Advertiser (11 September 1863), 2

http://nla.gov.au/nla.news-article31827851

The Linger Memorial Concert took place in the Assembly Rooms on Thursday evening. The room was very well filled, and the concert went off as well as could have been wished. Many of the pieces performed during the evening would have pleased Linger himself. Mr. Linly Norman presided at the pianoforte, and Mr. Compton at the harmonium. Mr. Chapman led the band, and Herr Kunze conducted the Liedertafel . . .

ASSOCIATIONS: Carl Linger (musician, deceased); Charles Henry Compton (harmonium)

"DEATHS", The South Australian Advertiser (27 January 1868), 3

http://nla.gov.au/nla.news-article31974643

KUNZE. - On the 26th January, suddenly, after a lingering illness, Mr. Karl Julius Kunze, aged 42 years.

"TOPICS OF THE DAY", The South Australian Advertiser (27 January 1868), 3

http://nla.gov.au/nla.news-article31974638

We have to record another painfully sudden death, which occurred on Sunday last. About half-past 5 o'clock in the evening Herr Carl Julius Kunze, a well-known musician, entered Dithmer's coffee shop, in Rundle-street, for the purpose of procuring a little refreshment, when he was taken suddenly unwell and staggered towards the door. He subsequently fell to the ground, and blood flowed from his month. Dr. Gosse was sent for, and on his arrival discovered that the unfortunate gentleman had broken a blood-vessel, and a very few minutes afterwards he expired. Herr Kunze had long been a resident in Adelaide, and had a huge circle of acquaintances in consequence of his profession.

"Plötzlicher Todesfall", Süd Australische Zeitung (29 January 1868), 9

http://nla.gov.au/nla.news-article85059623

Mit Leidwesen haben wir unseren Lesern die Anzeige zu machen, dass am Sonntag Nachmittag, gegen halb 6 Uhr, unser Landsmann Hr. Carl Julius Kunze plötzlich verstorben ist. Hr. Kunze fühlte sich in Rundle-street unwohl werden, erhielt einen Blutsturz und eilte rasch in das ihm zunächst befindliche Kaffeehaus des Hrn. Dithmer, von wo aus sofort ärztliche Hülfe requirirt wurde, die leider erfolglos blieb, indem der Bruch eines Blutgefässes in der Brust seinem Leben in wenigen Minuten ein Ende machte. Da der Verstorbene als bekannter und beliebter Musiker einen grossen Theil von Freunden und Bekannten hatte, so erregte die Nachricht seines so unerwarteten plötzlichen Todes allgemeines Bedauern und sprach sich dieses bei dem am Dienstag Nach mittag statthabenden Begräbnisse deutlich aus. Beim Eintritts des Grabgeleites auf dem West-Terrasse Gottesacker wurde dasselbe mit einem von Schrader's Kapelle gespielten Chorale empfangen und um Schlösse der von dem Rev. Mr. Read gehaltenen Grabrede sangen die Mitglieder der Liedertafel das Lieblingslied ihres verewigten früheren Directors: "Schlaf wohl Camerad." Der Verstorbene war ein Altenburger und hatte als Officier die Kämpfe in Schleswig-Holstein mitgemacht, worauf er im Jahre 1850 auswanderte und hierher kam. Mit grossem Musiktalente begabt, widmete er sich hier dem Lehrfache der Musik und gelang es ihm rasch, in dieser Stellung sich einen hervorragenden Rang zu gewinnen. Der Verstorbene ist etwas über 42 Jahr alt geworden und starb unverheirathet.

With regret we have to inform our readers that on Sunday afternoon, at half past six, our compatriot Hr. Carl Julius Kunze died suddenly. Mr. Kunze became unwell in Rundle-street, suffered a hemorrhage, and hurried quickly to the cafe of Mr. Dithmer, from where immediate medical assistance was requisitioned, but which unfortunately was unsuccessful, and as the result of the rupture of a blood vessel in his chest, his life came to an end a few minutes later. As the deceased was a well-known and popular musician with a large circle of friends and acquaintances, the news of his unexpected sudden death excited general regret, as clearly seen at his funeral on Tuesday afternoon. At the entrance of Gottesaker's funeral chapel of on West Terrace, he was received with a chorale played by Schrader's band, and after a funeral oration read by the Rev. Mr. Read the members of the Liedertafel sang the favorite song of their former life director: "Sleep well, Comrade." The deceased was an Altenburger, and had served as an officer in the battles in Schleswig-Holstein, whereupon he emigrated in 1850 and came here. Gifted with great musical talent, he devoted himself here to the teaching of music and succeeded quickly in gaining a high reputation for excellence. The deceased was just over 42 years old and died unmarried.

ASSOCIATIONS: Battle of Schleswig (event, 1848)

[Advertisement], Süd Australische Zeitung (12 February 1868), 7

http://nla.gov.au/nla.news-article85059683

Am Montag, den 17. Februar . . .
Im Auftrage der Executoren des verstorbenen K. J. Kunze, Esq. . . . in auction . . .
Ausgezeichnetes Spanisches Mahagoni Pianoforte, grosse und reichhaltige Auswahl classischer Musik . . .

KUPFERBERG, Florian (Florian KUPFERBERG; Dr. KUPFERBERG)

Musical amateur, amateur vocalist, surgeon

Born Pfeddersheim (Germany), 18 October 1828; son of Joseph KUPFERBERG and Helena von WEBER
Arrived Melbourne, VIC, 12 September 1855 (per Alster, from Hamburg, 2 June, age "27")
Departed Melbourne, VIC, September 1864
Died Mainz, Germany, 12 June 1885, aged "56"

https://trove.nla.gov.au/search?l-publictag=Florian+Kupferberg+1828-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KUPFERBERG-Florian (shareable link to this entry)

Documentation:

List of passengers, per Alster, from Hamburg, arrived at Melbourne, 13 September 1855; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AFAF4A2-F96C-11E9-AE98-C1235E0566FF?image=146 (DIGITISED)

Cabin . . . F. Kupferberg / 27 / German . . .

"SHIPPING INTELLIGENCE. ARRIVED (HOBSON'S BAY)", The Argus [Melbourne, VIC] (13 September 1855), 4

http://nla.gov.au/nla.news-article4818065

September 12.- Alster, Hamburgh barque, 326 tons, H. C. Piening, from Hamburgh 2nd June. Passengers - cabin: Messrs. L. Genicond, F. Riege, F. Kupperberg; and one hundred and forty-three in the steerage. Neuhauss, Woolley and Co., agents.

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (8 April 1856), 4

http://nla.gov.au/nla.news-article202634603

DR. FLORIAN KUPFERBERG, Surgeon, and Accoucheur,
begs to inform the inhabitants of Castlemaine and its vicinity,
that he has Removed from Barker's Creek to Barker's street, Castlemaine, opposite the Cumberland Inn,
and hopes that he may continue to enjoy a share of the public patronage . . .

"TARRANGOWER (FROM OUR OWN CORRESPONDENT) . . . German Concert", Mount Alexander Mail (23 October 1857), 4

http://nla.gov.au/nla.news-article197084195

The concert for the benefit of Professor Neuermeyer's magnetic observatory went off with great eclat on Wednesday evening. The stars of the evening were Heeren Siede and Iverson, the former on the flute and the latter on the violin . . . Several English songs were excellently sung by Herr Emil Pohl, who arrived here from Ballarat expressly for the purpose of assisting (as an amateur) in this entertainment. Several first-rate songs were sung by Dr. Kupferburg, among them the Marseillaise, which was sung in a most spirited style. The full choruses were excellent. The entertainment, by far the most perfect we have yet had, terminated with " Rule Britannia," in full chorus. The room was then cleared for dancing, which continued till past 5 next morning, when the company separated, well pleased with the bill of fare presented to them.

ASSOCIATIONS: Georg Neumayer (meteorologist); Julius Siede (flute); Louis Iverson (violin); Emil Pohl (vocalist)

"BALLAARAT PHILHARMONIC SOCIETY", The Age [Melbourne, VIC] (10 March 1858), 5

http://nla.gov.au/nla.news-article154859291

A meeting of gentlemen, desirous for the formation of a Philharmonic Society upon Ballaarat, was held on Friday evening, at the Miners' Exchange. Mr. D. Oliver was nominated in the chair . . . He congratulated the meeting upon having secured the services of a first rate conductor and leader, the former in the person of Mr. A. S. Turner, and the latter in M. Fleury, who was so justly celebrated by his powerful performance on the violin . . . The following gentlemen were then unanimously appointed to act on the committee, viz., Dr. Kupplerhery [sic], of the Leiderkrantz . . . - Ballaarat Times.

ASSOCIATIONS: Daniel Oliver (chair); Austin Theodore Turner (conductor); Achille Fleury (violin, leader); Ballarat Philharmonic Society (association); Ballarat German Liederkranz (association)

[Advertisement], The Star [Ballarat, VIC] (27 April 1858), 3

http://nla.gov.au/nla.news-article66047778

MUSICAL SOIREE. - Friday night, 30th April, at the Prince Albert Hotel.
Invitation cards to be had from the members of the German Liederkranz.
DR. FL. KUPFERBERG, Hon. Sec.

"FIRST PERFORMANCE OF THE BALLARAT PHILHARMONIC SOCIETY", The Star (24 June 1858), 3

http://nla.gov.au/nla.news-article66048825

. . . The performance of Wednesday evening [23 June] at the Montezuma was in every way a most remarkable one. The public crowded to it as they always do on Ballarat to anything good, and it was evident they came to listen and not to show themselves . . . It was pleasing to see so little foreign aid required. Beyond Mrs. Hancock, (treble), Mr. W. H. Williams (tenor - one of the oldest and best members of the Melbourne Philharmonic Society), Mr. Hancock (bass) and a few instrumentalists, none but Ballarat people took part. Of those, Mrs. Turner, (alto,) Mrs. Moss (treble,) and Dr. Kupferberg (bass,) took the solo parts . . . Dr. Kupferberg then sang "The people that walked in darkness," in so magnificent a style, that we fain would nominate him for more and harder work on the next public performance of the society . . . The quintette, "Lift, up your heads, was admirably sung by Mrs. Moss, Miss Kidd, and Messrs. D. Oliver, Williams, and Kupferberg . . .

ASSOCIATIONS: Mary and Edward Hancock (vocalists); William Henry Williams (vocalist); Charlotte Ann Turner (vocalist); Montezuma Theatre (Ballarat venue); Melbourne Philharmonic Society (association)

"Local and General News . . . THE BALLARAT PHILHARMONIC SOCIETY'S CONCERT", The Star (19 August 1858), 3

http://nla.gov.au/nla.news-article66049766

The performance of the "Messiah," for the third time by the above society, has been attended with very great success in all but a pecuniary point of view . . . Mr. D. Oliver sang "Comfort ye," "Every valley," and "Thou shalt break them," better than we have ever heard him sing before, nor was Dr. Kupferberg far behind in his bass solos, which were given with much effect, especially the air "The people that walked" . . .

"THE PHILHARMONIC SOCIETY", Mount Alexander Mail [Castlemaine, VIC] (3 August 1859), 3

http://nla.gov.au/nla.news-article199049386

On Monday evening, this society gave a grand concert at the theatre, which was attended by a most respectable and attentive audience. The concert was conducted by Mr. Moss; Mrs. Fox presided at the piano; and Mr. Vincent played the harmonium . . . The members of the Society were assisted by Mr. Vincent, Mr. W. H. Williams, of the Melbourne Philharmonic Society, and Dr. Kupferberg . . . The recitative and air of "For behold darkness," and "The people that walked in darkness," were executed in a masterly style by Dr. Kupferberg, who is a thorough musician . . .

ASSOCIATIONS: Frederick Moss (conductor); Matilda Fox (vocalist); John Rimmer Vincent (harmonium); Castlemaine Philharmonic Society (association); Theatre Royal (Castlemaine venue)

Index to naturalisation certificates, 1859; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/10951 (PAYWALL)

Florian Kupferberg / Medical practitioner / Maldon
Age (on date of naturalization) 30 / Native place Hesse Darmstadt / Date of certificate [14 October 1859]

"THEATRICALS AND MUSIC . . . PROVINCIAL . . . CASTLEMAINE", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (5 May 1860), 2

http://nla.gov.au/nla.news-article201380172

On Tuesday last at the Royal the "Creation" was performed by the Philharmonic Society, assisted by Mrs. Hancock, Mr. W. H. Williams, and Dr. Kafferburg [sic]. The house was crowded.

"MALDON. GERMAN CLUB ANNUAL FESTIVAL", Mount Alexander Mail (21 May 1860), 2

http://nla.gov.au/nla.news-article199603623

On Friday, the third anniversary of the formation of the club was held at the Club House when about forty gentlemen met to commemorate its foundation. The Chair was filled by the President, Dr. Kupferberg, who after the cloth was drawn gave the health of the Queen . . . Many excellent songs, duets, and quartets, enlivened the evening, and the company separated about two o'clock highly delighted with the evening's entertainment . . .

[News], The Argus [Melbourne, VIC] (18 September 1860), 5

http://nla.gov.au/nla.news-article5689986

The opening of the new German gymnasium, in Russell-street, was celebrated last night by a very handsome banquet, of which some 70 or 80 gentlemen partook . . . In the course of the evening some eloquent speeches were delivered by Messrs. . . . Kupferberg, and others. Mr. Stockmeyer gave some excellent pianoforte music, and the Liedertafel contributed their full share to the pleasures of the evening.

ASSOCIATIONS: Adolphus Stockmeyer (pianist); German Liedertafel (Melbourne)

"THE AMATEUR CONCERT", The Tarrangower Times and Maldon District Advertiser [VIC] (5 April 1861), 2

http://nla.gov.au/nla.news-article265423212

We are pleased at being enabled to say that the people of Maldon came nobly forward in seconding the efforts of the amateurs to assist the failing funds of the Maldon hospital. On Monday night the Masonic Hall was crowded to suffocation, and so many who held tickets were unable to obtain admission that the concert was repeated on Tuesday evening . . . the programme was commenced by the old and much admired glee of "Glorious Apollo," which was ably rendered by Mrs. Mitchell and Messrs. Kupferberg, Bentley, Deakin, and Ralph, and elicited well-merited applause . . . The choruses of the German Liedertafel are too well known and appreciated to need any comment, but they were certainly sung as well as ever . . .

ASSOCIATIONS: Edwin Bentley (vocalist)

"AMATEUR PERFORMANCE [COMMUNICATED]", The Tarrangower Times and Maldon District Advertiser (20 June 1862), 2

http://nla.gov.au/nla.news-article265388186

On Tuesday last, a complimentary benefit to Mr. J. W. Massey, in the shape of an amateur performance, took place at the Kangaroo Theatre, under the patronage of the Ancient Order of Foresters . . . The performance commenced with some very excellent singing, in which Mrs. Mitchell, Mrs. Cook and Dr. Kupferberg particularly distinguished themselves, and were much and deservedly applauded . . .

ASSOCIATIONS: John William Massey (beneficiare); Thomas Charles Cooper (vocalist)

"CHORAL SOCIETY CONCERT", The Tarrangower Times and Maldon and Newstead Advertiser (22 August 1862), 2

http://nla.gov.au/nla.news-article265362704

The ladies and gentlemen of the Maldon Choral Society gave their first public concert on Wednesday evening, - a complimentary benefit to their leader and pianist, Mr. W. Gollmick. The programme included a large portion of Schiller's "Lay of the Bell," a cantata, "The Four Seasons of Life," words by Mr. Cooper, music by Mr. Gollmick, - a part song by Mr. Gollmick's Elementary Class, vocal and instrumental duets, etc., etc. . . . Space will not permit an extended critical examination of the whole entertainment, therefore, a few remarks on the more salient features must suffice. Whether the "Sea of upturned faces" had the effect, on this occasion usually produced on the nervous systems of amateurs is difficult to determine, but is certain that the "Master's" three first solos (Dr. Kupferberg) and the intervening choruses in the "Lay of the Bell" were tame to a degree . . . "The Four Seasons of life" was performed throughout in a most satisfactory manner, and elicited repeated applause; calling for especial mention is . . . "Four Score Years" (Dr. Kupferberg), the latter, by the way, was a little too long, and although splendidly sung scarcely needed repetition . . . A word or two on the qualifications of some of the singers will not be misplaced . . . Dr. Kupferberg did not make the most of his really fine bass voice, and only at his very last solo did he come up neariy to the expectations formed prior to his performance . . .

ASSOCIATIONS: William Gollmick (conductor, composer); Maldon Choral Society (association)

[News], The Tarrangower Times and Maldon and Newstead Advertiser (18 September 1863), 2

http://nla.gov.au/nla.news-article265366129

The repetition of the Amateur Concert in aid of the funds of the Maldon Athenaeum, on Wednesday evening, at the Masonic Hall, was a great success . . . The plot of the opera [Victor Amadis burlesque] is of course rather slight, but still it developes a phase of colonial life unfortunately by no means uncommon. The fair Selina (Mr. Tate) is the "grass widow" of Victor Amadis (Mr. Johnson), and choosing to believe that her lord and master, who, "with other fools," had started for the Lachlan, had departed to "that bourne from whence no traveller returns," plays the coquette considerably, jilts an "old flame" Pithou (Mr. Cooper) and is betrothed to De Sorbon (Dr. Kupferberg) . . .

ASSOCIATIONS: John Tate (vocalist); Maldon Amateur Opera Company (association)

"THE AMATEUR PERFORMANCE", The Tarrangower Times and Maldon and Newstead Advertiser (26 February 1864), 3

http://nla.gov.au/nla.news-article265367064

The now popular opera of Victor Amadis, or The Triple Siege of a False Heart, was reproduced on the stage of the Masonic Hall, on Tuesday evening, with as complete if not with more considerable success than that which attended its production, now nearly six months ago . . . Dr. Kupferberg as Robert de Sorbon, sang with his usual success, and many of his songs narrowly escaped encores, which they so well deserved . . .

[News], The Tarrangower Times and Maldon and Newstead Advertiser (16 September 1864), 2

http://nla.gov.au/nla.news-article265368687

The invitation concert, mentioned in our last, given by the Maldon Orpheus Union on Wednesday evening at the Royal Hotel, as a sort of musical "bon voyage" to one of the most valuable members of the society, Dr. Kupferberg, was honored with quite a large attendance, in spite of the floods of rain descending just at the time appointed to commence. As most of our readers who take an interest in matters musical have had an opportunity of listening to the members of this society before, it is not necessary to go into any lengthened criticism of the pieces or performers. Mr. Cooper, who assisted, was heartily encored in "The Death of Nelson" and "Good Bye Sweet Heart, Good Bye," and, responded with some popular Scotch songs, which again elicited encores. Of the part music, "Come Where my Love lies Dreaming," and the "Tar's Song," were demanded again, the latter was given with good effect, as was also "Life's a Bumper." In a few of the pieces a lack of spirit was perceptible in the rendering, which may be accounted for from the fact that the voices were not so evenly balanced as on some former of the Union concerts. The audience generally appeared to be highly gratified with the evening's entertainment, and called loudly for Dr. Kupferberg at the conclusion, but that gentleman had left shortly before.

[News], The Tarrangower Times and Maldon and Newstead Advertiser (27 September 1864), 2

http://nla.gov.au/nla.news-article265368801

On Friday last [23 September], the members of the Maldon Hospital Committee met at the Criterion Hotel, at a luncheon, given in honor of Dr. Florian Kupferberg, who is on the eve of departure for his native land. This occasion was taken advantage of to present the doctor with an illuminated testimonial, expressive of thanks for past services, regret at the loss and wishes for the future, and also with a gold medal, on which was engraved a suitable inscription, and the arms of the Maldon Municipality crested with the Royal Arms of England . . . The doctor replied in a feeling manner, declaring that he should during his whole life look with fond recollection back to his long sojourn in Maldon, dotted as it was, with so many happy reminiscences, and so few of pain. In the evening the doctor was entertained at dinner hy the members of the German Club, and an elegant cup was presented to him, the same being an emu egg, set upon a fern tree, the cover formed of one-third of the egg is surmounted by an emu, and the base is composed of Australian plants, the whole being of solid silver, and forming one of the handsomest pieces of colonial workmanship we have yet seen . . .

Family records, Mainz, Rheinland-Pfalz, 1885; Stadtarchiv Mainz

https://www.ancestry.com.au/search/collections/8958/records/165330 (PAYWALL)

[Family no.] 9249 / [offspring of] Kupferberg Joseph / Von Weber Helena / . . .
[6th] Florian / [born] Pfeddersheim / 18 October 1828 / [died] Mainz / 11 June 1885

"Plötzlicher Tod", Australische Zeitung (19 August 1885), 3

http://nla.gov.au/nla.news-article229166904

Der "Mainzer Anzeiger" vom 12. Juni, der uns von einem Freunde in Sydney-zugefchickt wurde, enthält folgende Mittheilung: Herr Dr. Florian Kupferberg ist plötzlich gestorben. Man fand ihn heute Morgen todt in feinem Bette, nachdem er gestern noch im Rhein gebadet hatte. Herr Dr. Kupferberg, seiner Zeit in die freiheitliche Bewegung des Jahres 1848 verwickelt, wurde damals zu eiuer längeren Freiheitsstrafe verurtheilt, welche er zum Theil auch verbüßte. Später begnadigt, ging er nach Süd Amerika und Australien, von wo er nach mehrjähriger Abwesenheit hierher zurückkehrte, um sich in seiner Vaterstadt als Arzt niederzulassen. In der letzten Zeit stand er an der Spitze der nationalliberalen Parte.

Bibliography and resources:

Florian Kupferberg, Find a grave

https://www.findagrave.com/memorial/101962715/florian-kupferberg

KURBURU (koala songmaker)

Indigenous songman, songmaker

Born c. 1798
Died VIC, 1849

https://sydney.edu.au/paradisec/australharmony/register-K.php#KURBURU (shareable link to this entry)

For Kurburu's song, as sung by William Barak, see:

https://sydney.edu.au/paradisec/australharmony/checklist-indigenous-music-1.php#025

KURSTEINER, Alfred Frederick (Alfred Friedrich KÜRSTEINER; Alfred Fritz KURSTEINER; Alfred Frederick KURSTEINER; Alexander Frederick KURSTEINER; Mr. KURSTEINER)

Musical amateur, amateur vocalist, architect

Born Basel, Switzerland, c. 1829; son of Johannes KURSTEINER and Appolonia (Pauline) BERRI
Arrived Fremantle, WA, 7 March 1851 (per Mary Ann, from London, )
Married [1] Catherine MAHONEY (d. 1876), Melbourne, VIC, 10 September 1859
Married [2] Margaret MUNRO (Mrs. McCRAE) (c. 1886), Carlton, VIC, 2 January 1885
Died Perth, WA, 2 May 1897, aged "68/69" [Frederick Alexander Kursteiner]

https://trove.nla.gov.au/search?l-publictag=Alfred+Frederick+Kursteiner (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Alfred+Fritz+Kursteiner (TROVE tagged)

http://nla.gov.au/nla.party-1486987 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-K.php#KURSTEINER-Alfred-Frederick (shareable link to this entry)

ASSOCIATIONS: Johann Kursteiner (father); Pauline Berri (mother)

Documentation:

"Shipping Intelligence. ARRIVED", Inquirer [Perth, WA] (12 March 1851), 2

http://nla.gov.au/nla.news-article65739757

On the 7th instant, the ship Mary Ann, Darby, master, from London. Passengers . . . intermediate, Fritz Kerstind [sic] . . .

[Advertisement], The Perth Gazette and Independent Journal of Politics and News [WA] (21 March 1851), 1

http://nla.gov.au/nla.news-article3172340

A. KUSTEINER, Architect,
having just arrived from London, purposes establishing himself at Fremantle, and hopes the residents of that town and other parts of the Colony will honor him with their patronage and support.
Having a large and valuable collection of Designs and Plans for houses and cottages of various kinds,
he invites an inspection of them, or will wait upon parties desirous of having his services.
The most ample information will be given on application to him (p.p.) at Mr. Marmion's, Fremantle.
March 14, 1851.

Admission register, Lodge No. 349, Melbourne, Victoria, 1855; Museum of Freemasonry, London

https://www.ancestry.com.au/search/collections/60904/records/305330 (PAYWALL)

Alfred Fr. Kursteiner / [27 August 1855] / Resigned 1859

Index to naturalisation certificates, 1859; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/10959 (PAYWALL)

Alfred Friedrich Kursteiner / Architect / Melbourne
Age (on date of naturalization) 29 / Native place - Basel, Switzerland / date of certificate [23 February 1859]

"MARRIAGES", The Argus [Melbourne, VIC] (13 September 1859), 4

http://nla.gov.au/nla.news-article5687965

On the 10th inst., at the Unitarian Church, by the Rev. H. Higginson, Alfred Frederick Kursteiner, architect, to Kate Mahoney, eldest daughter of Thomas Mahoney, Esq., Palmer-street, Fitzroy.

"THE TURNVEREIN AT CREMORNE", The Herald [Melbourne, VIC] (25 November 1862), 5

http://nla.gov.au/nla.news-article244404946

ASSOCIATIONS: Theodore and Frederick Kawerau (vocalists); August Christian Huenerbein (vocalist); Johann Sprinckhorn (vocalist); Melbourne Turnverein (event); Cremorne Gardens (Melbourne venue)

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (24 April 1863), 5

http://nla.gov.au/nla.news-article154961137

Mr. W. A. Richardson, for some time singing master uuder the Board of Education, gave a concert and ball last evening, in Hockin's Assembly Rooms, prior to his departure for Italy, where he intends to prosecute his musical studies. There was a large attendance. The artistes were Miss Amelia Bailey, Miss Isoline Mercante, Miss Liddle, and Messrs. Donaldson, Woolf Isaacs, Sylvanus Angus, W. Power, Kursteiner, C. E. Horsley, Marquis Chisholm, and L. L. Lewis . . .

ASSOCIATIONS: Albert Richardson (vocalist); Amelia Bailey (vocalist); Isoline Mercante (vocalist); Maggie Liddell (vocalist); Charles Alexander Donaldson (vocalist); Silvanus Angus (vocalist); William Pierce Power (vocalist); Charles Edward Horsley (pianist); Marquis Chisholm (pianist); Hockin's Rooms (Melbourne venue)

"THE NEWS OF THE DAY", The Age (6 October 1863), 5

http://nla.gov.au/nla.news-article155022608

A grand concert and art union, given by a number of well-known musical professors and amateurs, on behalf of Mr. S. Greenwood, organist at St. John's, who has recently sustained a heavy loss, came off at St. George's Hall, last night. The hall was crammed, and the efforts of the artistes, who gave their services, received warm recognition. The programme included a pleasing selection of choruses, part songs, ballads, duets, &c., and the music was all excellently performed. The principal vocalists were Miss Octavia Hamilton, Miss Liddle, Miss Budden, Miss Young, Mr. W. H. Williams, Mr. E. Exon, Mr. C. A. Donaldson, Mr. Silvanus Angus, Mr. C. Amery, and Mr. Kursteiner . . .

ASSOCIATIONS: Samuel Greenwood (organist); Octavia Hamilton (vocalist); William Henry Williams (vocalist); Edwin Exon (vocalist); Edwin Amery (vocalist); St. George's Hall (Melbourne venue)

"Unsere Nachbar-Colonien. Das zweite deutsche Turn- und Musikfest in Melbourne", Süd Australische Zeitung [Tanunda and Adelaide, SA] (15 January 1864), 3-4

http://nla.gov.au/nla.news-article83777597

Am Sonnabend, den 26. Abends, fand in der Turnhalle der Empfang der aus dem Innern der Colonie gekommenen Gäste statt . . . [4] . . . besonders lobenswerth muss der Eifer genannt werden, mit welchem alle Sänger, und namentlich die Solo-Sänger, als: die Herren. Kürsteiner, Gebrüder Kawerau, E. Beer, Brinkmann, L. Lang, Püttmann, auch Hr. Hünerbein und viele Andere die unbekannten Componisten bei deren Preisbewerbung durch ihren Meisterhaften Gesang so bereitwillig unterstützten: Ein Künstler suchte dem andern Lorbeeren zu erringen! Die Harmonie der Töne stimmte mit der Harmonie der Gefühle überein . . .

ASSOCIATIONS: Heinrich Wilhelm Puttmann (vocalist)

"Marriages", Launceston Examiner [TAS] (10 January 1885), 1

http://nla.gov.au/nla.news-article38294428

KURSTEINER - MUNRO. - On 2nd January, at the Presbyterian Manse, Carlton, by the Rev. D. S. McEachern, Alfred Fritz Kursteiner, architect, of Melbourne, to Margaret, relict of the late Oliver McRae, and second daughter of Mr. Donald Munro, Scottsdale.

Bibliography and resources:

Michael Moore, "Alfred Frederick Kursteiner's life", East Perth Cemeteries

https://eastperthcemeteries.com.au/index.php/explore/stories-and-people/51-alfred-kursteiner

The University of Sydney - Australharmony

A biographical register of Australian colonial musical personnel–K

- K -

KADLITPINNA ("Captain Jack"; Minno Gadnaitya Kadlitpinna; also Kadlitpina)

KAEBET, Mr. (Mr. KAEBET) probably correctly KEIDEL (as see below)

KAIBER

KAIBEL or KAIBLE, Charles (? Charles G. KAIBEL [sic]; Charles KAIBLE; C. KAIBLE; Mr. KAIBLE; Herr KAIBLE; KEIBEL; KIEBEL)

KASTEN, August (August KASTEN; August KASTON)

KASTEN, Christian (Christian KASTEN)

KAVANAGH, Thomas (KAVENAGH, KAVANNAH, KAVANNAGH, CAVANAGH, CAVENAGH) see main page Thomas KAVANAGH

KAVANAGH, William see main page William KAVANAGH

KAWERAU BROTHERS

KAWERAU, Frederick (Friedrich Ferdinand KAWERAU; Frederick Ferdinand KAWERAU; Frederick KAWERAU; Fritz KAWERAU; KAVERAU)

KAWERAU, Theodore (Carl Theodor KAWERAU; Charles Theodore KAWERAU; Charles KAWERAU; Theodore KAWERAU; T. KAWERAU; KAWERAW; KAWERAU; KAVERAU)

KAYE, Samuel (Samuel KAYE; Mr. S. KAYE; Mr. KAYE)

KEANE, Michael (Michael KAIN; Michael KEANE)

KEARNEY, Patrick (Patrick KEARNEY)

KEARNS, Edward (Edward KEARNS; also Edward KEARNES; also Edwin KEARNS)

KECK, Henry (Henry KECK; Mr. KECK)

KEDDIE, Robert (Robert KEDDIE: also KIDDIE; KIDDY)

KEENE, Miss (Miss KEENE)

KEENE, Laura (Laura KEENE; Miss KEENE)

KEEP, Edward (Edward KEEP; E. KEEP)

KEIDEL, August (August KEIDEL; Augustus KEIDEL; August KEITEL; KIEDEL; KHIDLE; ? also KAEBET)

KEILEY, Henry (Patrick Henry KEILEY; Henry KEILEY; H. KEILEY; Mr. KEILEY)

KEITEL, August (August KEITEL; Herr KEITEL; Mr. KEITEL) = August KEIDEL

KELK, Miss (Miss KELK)

KELLERMAN FAMILY

KELLERMANN, William (Wilhelm Maximilian KELLERMANN; William KELLERMANN, W. KELLERMANN; also KELLERMAN)

KELLERMANN, Frederick (senior) (Jacob Friedrich Ludwig KELLERMANN; Frederick KELLERMANN, senior; F. KELLERMANN; also KELLERMAN)

KELLERMANN, Ann Willis (Ann Willis SIMPSON; Mrs. William KELLERMANN; Mrs. KELLERMANN)

KELLERMANN, Annie Willis (Annie Willis KELLERMANN; Miss KELLERMANN; Mrs. Charles ADEY)

KELLERMANN, Frederick William (junior) (Frederick William KELLERMANN; F. W. KELLERMAN)

KELLERMANN, Alice (Alice Ellen Laurentine CHARBONNET; Mrs. Frederick William KELLERMAN; Alice CHARBONNET-KELLERMANN; Madame CHARBONNET-KELLERMANN; Madame KELLERMANN)

KELLOW, Miss (Miss KELLOW)

KELLY FAMILY (WALLACE, MEURANT, MULLIGAN)

KELLY, Isabella (Mrs. William Vincent WALLACE), and her sisters and their descendents - see main entry KELLY FAMILY

KELLY, Mr. (Mr. KELLY)

KELLY, Edward (Edward KELLY)

KELLY, Charles (Charles KELLY; Charley KELLY)

KELLY, James (James DEVERAUX; James KELLY; Captain KELLY)

KELLY, John (John KELLY)

KELLY, Robert (Robert KELLY)

KELLY, Ned (Edward KELLY; Ned KELLY)

KEMPTON, Mr. and Mrs. Samuel (Mr. and Mrs. Samuel KEMPTON; Mr. and Mrs. KEMPTON)

KENDALL, Henry (Henry KENDALL)

KENNARD, Isaac Debock (Isaac Debock KENNARD; De Bock KENNARD; I. KENNARD; J. KENNARD)

KENNEDY, Arthur (Arthur KENNEDY)

KENNEDY, Georgina (Georgina MacCARTNEY, Mrs. Arthur KENNEDY)

KENNEDY FAMILY

KENNEDY, David (David KENNEDY, senior; Mr. KENNEDY) (and son, David KENNEDY, junior)

KENNEDY, Pat (Pat KENNEDY)

KENNEY, James Richard (James Richard KENNEY; J. R. KENNEY; Mr. KENNEY; also J. R. KENNY)

KENNEY, Caroline (Caroline MERCHANT; "Mrs. KENNEY")

KENNY, Mr. (Mr. KENNY) = James Richard KENNEY (above)

KENNY, Francis (Francis KENNY; KENNEY [sic])

KENT, Benjamin Archer (Benjamin Archer KENT; B. A. KENT; Dr. KENT)

KENT, Ellen (Ellen KENT; Miss Ellen KENT; Miss KENT)

KENT, Harry Chambers (Harry Chambers KENT; Harry C. KENT; H. C. KENT)

KENTISH, Nathaniel Lipscomb (Nathaniel Lipscomb KENTISH; N. L KENTISH; Mr. KENTISH)

KENWORTHY, Robert (Robert KENWORTHY; R. KENWORTHY; Mr. KENWORTHY)

KENYON, John (John KENYON; J. KENYON; ? John Alexander KENYON; ? John Frederick KENYON)

KENYON, Joseph (Joseph KENYON; J. KENYON; Mr. KENYON)

KEOGH, John (John KEOGH; Mr. KEOGH)

KEOGH, Thomas (Thomas KEOGH)

KEON, Georgina Isabella (Georgina Isabella KEON; Miss KEON; Mrs. Silvester O'SULLIVAN)

KERN, Charles (? Johann Ludwig Carl Gustav KERN; John Louis Charles Gustavus KERN; Charles KERN; C. KERN; Mr. KERN)

KERR, Andrew (Andrew KERR)

KERR, George (George KERR) = George CARR

KERR, William (William KERR)

KESTERTON, Emmeline (Emmeline BARFOOT; Emeline, Emma; Mrs. Henry Coleman KESTERTON)

KETTEN, Henry (Henry KETTEN; Henri KETTEN; Mr. KETTEN)

KEYSER, Henry (Henry KEYSER)

KIERATH, Charles (Karl KIERATH; Charles KIERATH; Mr. KIERATH; also KEIRATH)

KILBURN, Douglas Thomas (Douglas Thomas KILBURN; D. T. KILBURN; Mr. KILBURN)

KILIAN, Hubertus (Hubertus KILIAN; Hubert KILIAN; Mr. H. KILIAN; Herr KILIAN)

KILNER, Joseph (Joseph KILNER; Mr. J. KILNER)

KING, Old (KING; Old KING, "chief of the Goulburn tribe") = Beaning - TAUNGURUNG (Nira Balug)

KING FAMILY OF MUSICIANS

KING, Ada (? Ada MOGGRIDGE; Mrs. Ada KING; Madame Ada KING; Mrs. KING)