- B - ( B - Baz ) -

Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

A major upgrade of the contents of this page was completed in September 2022, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.

Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.

B., A. E. (A. E. B.; Miss A. E. B.) = ? Amelia Elizabeth BAILEY

Musician, composer

Active Melbourne, VIC, by 1863

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#B-A-E-composer (shareable link to this entry)

Musical works:

The merry Zingara polka (November 1863)

[Advertisement], The Argus [Melbourne, VIC] (17 November 1863), 7

http://nla.gov.au/nla.news-article5739207 

THE MERRY ZINGARA POLKA, composed expressly for the ILLUSTRATED POST, will appear in the next number.

[News], Bendigo Advertiser [VIC] (21 November 1863), 2

http://nla.gov.au/nla.news-article87939952 

"THE ILLUSTRATED POST" for this month is in every respect superior to its predecessors, excellent as they have been . . . This month's number of the Post also contains "The Merry Zingara Polka," composed by a lady. We understand that printed music in a paper goes for a penny through the post-office, just as common type. We again com mend the Illustrated for transmission to England.

The Adelaide schottische (November 1864)

The "Adelaide" schottische, composed for "The illustrated post" by A. E. B.; in The illustrated Melbourne post (November 1864)

https://trove.nla.gov.au/work/18592382 

https://nla.gov.au/nla.obj-165210395 (DIGITISED)

BACHRACH, Martin (Martin BACHRACH; Signor BACHRACH; Mr. BACHRACH; Herr BACHRACH; Martin J. BACHRACH)

Musician, tenor vocalist, member of Lyster Opera Company

Born Hamburg (Germany), c. 1834
Active Bathurst, NSW, by December 1854
Active Melbourne, VIC, by April 1864
Departed (with the Lyster company) Sydney, NSW, 29 August 1868 (per Alexander Duthie, for San Francisco)
Died San Francisco, California, USA, by 31 January 1885

https://trove.nla.gov.au/search?l-publictag=Martin+Bachrach+c1834-c1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BACHRACH-Martin (shareable link to this entry)

Summary:

"Signor Bachrach, from the Hamburgh Concerts", appeared as a vocalist with Edward Raymond's theatrical company at Bathurst over the new year 1854-55, singing Lindpainter's The standard bearer.

Thereafter, he disappears from colonial record, though probably not from the colonies, until 1860, when a letter for "Martin Bachrack" [sic], posted to Grafton, NSW, was listed as unclaimed.

In April 1864, as "Herr Bachrach", he was first listed as a second tenor in the chorus of the Lyster Opera Company, and his name continued to appear frequently with the company in press advertisements and shipping lists. By 1866 he was occasionally appearing in minor principal roles, and he finally left Australia with Lyster and the core of the company in August 1868 for San Francisco.

Martin J. Bachrach, "vocalist", was listed in Langley's The San Francisco directory for 1873, Martin Bachrach, "opera singer" in Bishop's directory of the city and county of San Francisco for 1878, and Martin Bachrach, aged 46, "Teacher of Singing", born Hamburg, resident of San Francisco, in the 1880 US census. Given that there is no later reference to the singer, he was probably the Martin Bachrach of San Francisco, the value of whose deceased estate was first reported late in January 1885 at just under $520.

Documentation:

? A list of the crew and passengers per Golden Age of New York, from Melbourne to Sydney, 16 March 1854; State Records Authority of NSW

https://www.ancestry.com.au/discoveryui-content/view/54013:1210 (PAYWALL)

Seamen's names . . . Marthin Backers [sic] / Seaman / 25 . . .

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (23 December 1854), 3

http://nla.gov.au/nla.news-article62052075 

ROYAL PRINCE OF WALES THEATRE, BATHURST.
Sole Lessee - MR. HENRY LAY . . . the above Theatre will open on
Tuesday Evening, December 26, 1854, with a new and efficient Company from Sydney,
embracing all the favorites of the Bathurst Company, consisting of the following ladies and gentlemen: -
Mrs. J. W. Stanley, Mr. J. W. Stanley, From the London Concerts.
Miss Millan, the pathetic actress from the Theatre Royal, Marylebone, London.
Miss Chittenden, the juvenile actress of undoubted promise.
Mr. Edward Raymond, from the Dublin and Sydney Theatre.
Mr. Cull, of the provincial and Sydney Theatres.
Mr. Wilson, of the Sydney Theatres.
Mr. Pitt, of the Sydney Theatres.
Mr. Richardson, from the London and Sydney Theatres.
Signor Bachrach, from the Hamburgh Concerts.
Assisted by a numerous train of auxiliaries.
Leader of the Orchestra: Mr. E. G. CHITTENDEN, JUN.
EDWARD RAYMOND, MANAGER. VIVAT REGINA.

ASSOCIATIONS: Rose Millan (actor); William Cull (actor); Edward Raymond (manager, actor); George Chittenden junior (musician)

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (30 December 1854), 3

http://nla.gov.au/nla.news-article62051582 

Royal Prince of Wales Theatre.
THREE POPULAR PIECES IN ONE NIGHT . . .
ON SATURDAY EVENING, DECEMBER 30TH,
The entertainments will commence with the very laughable farce of
THE PHENOMENON IN A SMOCK FROCK
Mr. Sowerberry - Mr. Cull
Mr. Barker - Mr. Raymond
John Buttercup - Mr. Richardson
James - Mr. Pitt
Betsy Chirrup - Miss Millan
Mrs. Barker - Mrs. Stanley
Grand Duetto: Messrs. Wilkinson & Harrison.
Song: Mrs. Stanley.
To be followed by the laughable Burlesque of
BOMBASTES FURIOSO.
Bombastes - Mr. Raymond
King Artaxominus - Mr. Wilson
Fusbos - Mr. Richardson
DUSTAFINA (her first appearance at this theatre) Mrs. Richardson.
SONG - SIGNOR BACHRACH
SONG - MRS. STANLEY
The whole to conclude with the laughable farce of
THE TWO BONNYCASTLES . . .
ON MONDAY AND TRUSDAY EVENINGS, JANUARY 1ST AND 2ND, 1855,
The evening's entertainments will commence with the popular Domestic Drama of
LUKE THE LABOURER; OR, THE LOST SON . . .
Song - - "The Standard Bearer" - Signor Bachrach
Duetto - "Larboard Watch" - Messrs. Harrison and Wilkinson.
Song - "Gentle mother dear " - Mrs. Stanley.
The whole to conclude with the very laughable farce of
THE TWO BONNYCASTLES
Solo Lessee: MR. HENRY LAY.
Leader of the Orchestra: MR. G. CHITTENDEN.
EDWARD RAYMOND, Manager.

MUSIC: The standard bearer [Die Fahnenwacht] (Lindpainter)

"THEATRICALS", Bathurst Free Press and Mining Journal (13 January 1855), 2

http://nla.gov.au/nla.news-article62048598 

The overcrowded state of the Royal Prince of Wales' Theatre during Christmas week prevented our visiting it at an earlier period than Tuesday last when . . . we took our place aloft to scan the merits of the various performers . . . Signor Bachrach's melody is one chalk better than his English . . .

"LIST OF LETTERS RETURNED FROM THE COUNTRY, AND NOW LYING AT THIS OFFICE UNCLAIMED", New South Wales Government Gazette (5 October 1860), 1891

http://nla.gov.au/nla.news-article229948614 

. . . BACHRACK Martin, Grafton . . .

"LIST OF UNCLAIMED LETTERS FOR THE MONTH OF JUNE, 1862", New South Wales Government Gazette (18 July 1862), 1298

http://nla.gov.au/nla.news-article225234478 

. . . BACKRACK M. . . .

[Advertisement], The Age [Melbourne, VIC] (29 April 1864), 1

http://nla.gov.au/nla.news-article155014215 

LYSTER'S ROYAL ITALIAN and ENGLISH OPERA COMPANY. ROYAL HAYMARKET THEATRE . . .
a Farewell Season of Forty-eight Nights . . . Musical Director and Conductor, Mr. G. Loder.
THE CHORUS . . . Second Tenors - Herr Sprinckhorn, Mr. Ramsden, Herr Bachrach, Mr. E. McLean . . .

ASSOCIATIONS: George Loder (conductor); Johann Sprinckhorn (vocalist); Lyster Opera Company (troupe)

Names and descriptions of passengers per City of Melbourne, from Sydney, 15 August 1865, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/8FCDEEE4-FA01-11E9-AE98-E3F1C39EAFD2?image=27 (DIGITISED)

Steerage . . . L. Spinkhorn / 28 // S. Nathanson / 32 // A. Strebinger / 34 // J. Levison / 27 // H. Benham / 36 // J. Bachrach / 42 [sic] . . .

"SHIPPING NEWS. ARRIVED", The South Australian Advertiser (23 September 1865), 2

http://nla.gov.au/nla.news-article31853838 

Friday. September 22 - Aldinga steamer, 237 tons, J. Steuart, master, from Melbourne September 28 . . . Passengers - Mr. and Mrs. W. S. Lyster and servant . . . Nathanson, Levison, Bachrach . . . in the cabin . . .

ASSOCIATIONS: William and Georgia Lyster (manager, vocalist); Gottfried Nathanson (vocalist); John Leveson (vocalist)

[News], The Argus [Melbourne, VIC] (28 July 1866), 5

http://nla.gov.au/nla.news-article5769100 

In the County Court yesterday, in Bachrach v. Lyster, the plaintiff, a chorus singer in the Opera company, sued the director thereof for damages for assault and for wages. It appeared that at a rehearsal plaintiff was charged by another member of the chorus with "doing an imitation of him," and that a quarrel ensued, which led to blows in the middle of which defendant interfered, and struck the plaintiff, who was also told to quit the theatre. On a subsequent occasion he presented himself, and having written asking for an apology, was answered by having his note thrown at his head, and, so he alleged, by a further assault being committed on him. Defendant paid a small sum into court to cover the salary claimed, with costs, and also 40s. or 50s. for the assault, which, it was put on the part of defendant, was merely a constructive assault, called for by the necessity of preserving subordination in a theatrical company. The judge, after reviewing all the circumstances of the case, gave a verdict for the defendant.

"THE NEWS OF THE DAY", The Age (28 July 1866), 5

http://nla.gov.au/nla.news-article160219070 

A little fracas at one of the rehearsals of the opera company gave rise to an action in the county court, yesterday, the defendant in the case being Mr. W. S. Lyster, and the plaintiff a member of the chorus, named Bachrach, who charged Mr. Lyster with an assault, laying his damages at £50. Bachrach's statement was that, while the company were rehearsing an opera, on the 27th of Jane last, he happened to make some little observation to another member of the chorus, named Thomson, which Kiebel, a third of their number remarking, took to be some reflection upon himself and assaulted plaintiff, who, while defending himself, was set upon by Mr. Lyster, and severely chastised with a stick, which was broken about his head and back. He immediately left the theatre, and an apology being refused, he brought the present action.
He then called two members of the company, J. H. Sutcliffe and Benjamin Levison, who testified to having witnessed the assault. Mr. Lyster then stated that on the day in question, while Madame Simonsen and others were rehearsing with the chorus, he observed a scuffle among the latter, and saw Bachrach and Kiebel fighting. Conceiving the former to be the aggressor, he, as he admitted, hit him with a stick he had in his hand, and broke it over him. As a compensation for this, £5 had been paid into court. Bachrach then threw off his coat by the footlights, and seemed about to fight, but, after using some abusive language, he left the theatre.
Witness met him next day outside the dress circle entrance, in Bourke-street, and, as he appeared to be sorry for what he had done, he (witness) promised that Kiebel should be dismissed if he had been the offender. On the day after, he was surprised to find a letter sent to him from Bachrach requiring an apology, which he, of course, refuses to give.
Henry Thompson said that he was standing between Bachrach and Kiebel, at the rehearsal, and that Bachrach was the first to commence the fight, taking Kiebel by the throat. The latter then hit Bachrach with a stick, and Mr. Lyster interfered.
Charles Kiebel, who is a much older and smaller man than Bachrach, then stated that he saw Bachrach imitating him, and on his remonstrating was seized by the throat. He then struck Bachrach with a stick, but was too much excited to remember who parted them.
His Honor Judge Pohlman found a verdict far the defendant, with costs. Mr. F. L. Smyth appeared for the plaintiff, and Mr. Aspinall for the defendant.

ASSOCIATIONS: Charles Kaible [sic] (vocalist); Henry Osborn Thompson (vocalist); Benjamin Leveson (vocalist)

[Advertisement], The Sydney Morning Herald (7 June 1867), 8

http://nla.gov.au/nla.news-article13141564 

THIS EVENING, HERR CARL SCHMITT, THE CELEBRATED VIOLINIST, will give a
GRAND FAREWELL CONCERT, at the SCHOOL OF ARTS, Pitt-street, THIS EVENING, June 7,
for which occasion the following eminent Artistes have kindly volunteered their valuable services:
MISS JULIA MATHEWS, (the Queen of song,) Miss REBECCA JONES,
Mr. JOHN HILL. K.S., R.A.M., Mr. ALFRED ANDERSON, R.A.M.,
Mr. G. F. JACKSON, Mr. G. F. BEAUMONT, Mus. Bac. Cantab.,
Mr. MARTIN BACHRACH, Mr. E. DEANE.
The Concert to commence at 8 o'clock . . .

ASSOCIATIONS: Carl Schmitt (violinist); Julia Mathews (vocalist); John Hill (pianist); Alfred Anderson (pianist); George Frederick Beaumont (musician); Edward Smith Deane (musician)

"Shipping Gazette . . . DEPARTURES", Sydney Mail (5 September 1868), 2

http://nla.gov.au/nla.news-article166804156 

August 29 . . . Alexander Duthie, ship, 1159 torn, Captain Douglass, for San Francisco. Passengers . . . Mr. and Mrs. W. S. Lyster and servant, Mr. and Mrs. Lloyd and 2 children, Mr. and Mrs. De Antoni, Madame Escott, Miss Warden, Mrs. Andrews, Mrs. King, Messrs. Squires, Beaumont, Symons, Sutcliffe, Baker, Habbe, Kitts, Bachrach, Nathanson . . .

[Advertisement], Daily Alta California [San Francisco, CA, USA] (20 December 1868), 6

https://cdnc.ucr.edu/?a=d&d=DAC18681220.2.34.13.3 

LYSTER'S GRAND OPERA COMPANY. METROPOLITAN THEATRE. LESSEE - MR. CHAS. POOLE . . .
Artistes . . . Primi Tenori - Mr. HENRY SQUIRES, Mr. ARMES BEAUMONT . . .
Secundi Tenori - Mr. CHARLES, Mr. BACHRACH . . .
MONDAY AND TUESDAY EVENINGS, December 21st and 22d, 1868, Will be produced for the first time in San Francisco,
Meyerbeer's Grand Historical Opera, LES HUGUENOTS . . . Count de Savannes - Mr. Bachrach . . .

The San Francisco directory for the year commencing March 1873 (San Francisco: Henry G. Langley, 1873), 78

https://archive.org/details/sanfranciscodire1873lang/page/78/mode/2up (DIGITISED)

. . . Bachrach Martin, laborer with S. Marks, dwl E s Minna bet Fourteenth and Fifteenth
Bachrach Martin J., vocalist, dwl 216 Stevenson . . .

Bishop's directory of the city and county of San Francisco . . . 1878 (San Francisco: B. C. Vandall, [1878]), 134

https://archive.org/details/annualdirectoryo1878dmbi/page/134/mode/2up (DIGITISED)

. . . Bachrach Martin, opera singer, r. 922 Washington
Bachrach Simon, editor The Progress, 414 Market, r. 503 Mason . . .

United States of America federal census, 1880, San Francisco, California; US National Archives and Records Administration

https://www.ancestry.com.au/discoveryui-content/view/20544024:6742 (PAYWALL)

. . . Bachrach Martin / White / Male / 46 / Lodger / Teaches Singing / born Hamburg / father born Hamburg / mother born Hamburg

"THE CITY", Daily Alta California [San Francisco, CA] (31 January 1885), 4

https://cdnc.ucr.edu/?a=d&d=DAC18850131.2.17 

Public Administrator Roach has petitioned for letters of administration on the estate of Martin Bachrach, deceased, valued at $519 16 . . .

Bibliography and resources:

"At Poverty Point", The bulletin (1 February 1890), 7

https://nla.gov.au/nla.obj-488924545/view?sectionId=nla.obj-514411949 

The venerable Benham, now a checktaker at Melbourne Alexandra, was one of Lyster's old chorus. A grandly-drilled body it was. From it emanated Farley, Forde, Ida Osborne, Bessie Royal, Gordon, and other good soloists. Amid the time-honoured choristers were Johnson, Ingmire, Ewart, Levison, Bachrach, and a score of good men, well posted up in all the round of Italian and English Opera, able even to dive into such works as the "Prophete," "Africaine," "William Tell," and the other masterpieces. Benham and others got their grounding at the Royal Italian Opera, London. Bill Lyster used to say "My passion is grand opera."

ASSOCIATIONS: Henry Benham (vocalist); Thomas Ewart (vocalist)

BACKHAUS, Henry (George Henry BACKHAUS; Dr. BACKHOUSE; Dr. BACKHAUS)

Musician, vocalist, church singer, choral director, priest

Born Paderborn, Germany 15 February 1811
Arrived Adelaide, SA, 6 November 1846 (per Mazeppa from Batavia)
Arrived Sydney, NSW, 5 December 1846 (per Dorset, from Adelaide)
Died Bendigo, VIC, 7 September 1882

https://trove.nla.gov.au/search?l-publictag=Henry+Backhaus+1811-1882 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1469400 (NLA persistent identifier)

http://nla.gov.au/nla.party-639525 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BACKHAUS-Henry (shareable link to this entry)

Revs. Daniel Fitzgibbon, Patrick Smyth, P. J. Hughes, [unknown], Dr. Henry Backhaus, Adelaide, c. 1865; State Library of South Australia

https://collections.slsa.sa.gov.au/resource/B+33693 (DIGITISED)

Documentation:

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (7 November 1846), 3

http://nla.gov.au/nla.news-article27454190

Friday, Nov. 6th . . . The ship Mazeppa, 250 tons, Milne, master, from Batavia. Passengers, Angas Maclaine, Esq., and servant, J. Maclaine, Esq., and Mr. Bairnlang [sic].

"MISCELLANEOUS", South Australian Register (11 November 1846), 3

http://nla.gov.au/nla.news-article27454247

The name of one of the passengers by the Mazeppa was incorrectly printed in all the papers, including our own. It should have been the Rev. Dr. Backhaus, a talented German ecclesiastic of the Catholic persuasion. We believe it is his intention to proceed to Sydney in the Dorset.

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald (7 December 1846), 2

http://nla.gov.au/nla.news-article12890305

December 5. - Dorset, brig, 82 tons, Captain Walsh, from Adelaide the 15th November. Passengers . . . Rev. Mr. Backhaus . . .

"THE LATE POPE", Sydney Chronicle (19 December 1846), 2

http://nla.gov.au/nla.news-article31749501

ON Monday last, according to previous announcement, the solemn Office and the High Mass de Requiem were celebrated in St. Mary's Cathedral for the repose of the soul of His late Holiness Gregory XVI. A considerable number of the clergy from the surrounding districts were in attendance; the music was exquisite, being exclusively in the solemn and majestic Gregorian tone; the choir was conducted by the Rev. Dr. Backhouse, who excels in his knowledge, and practice of sacred music . . .

ASSOCIATIONS: St. Mary's Cathedral (Sydney)

"ST. PATRICK'S TOTAL ABSTINENCE SOCIETY", Sydney Chronicle (6 January 1847), 2

http://nla.gov.au/nla.news-article31750725 

On Monday evening last, one of the largest and most cheerful meetings of the above society was held in their splendid hall on Church Hill. This was the first tea party given since the completion of the improvements, and extension of the hall which have been in progress for some time. This splendid room, 100 feet long by 36 wide, well ventilated, and well lighted with gas, is very creditable to the persevering exertions of the members of St. Patrick's Total Abstinence Society. The Rev. President and the Rev. Dr. Backhouse addressed the meeting, in a happy and animated style, on the blessings of temperance, and the miseries both of mind and body that naturally result from the use of all intoxicating drinks. The meeting was also enlivened by some excellent songs, but those by Mr. Brannigan kept the whole audience in roars of laughter. The excellent band of the society, as usual, played several animating and patriotic tunes, among which the Railway Gallop excited universal approbation. The crowded meeting broke up at a seasonable hour, highly delighted with each other, and the entertainments of the evening . . .

ASSOCIATIONS: Mr. Branagan (comic vocalist); St. Patrick's Band (church teetotal band)

"MUSICAL FESTIVAL", Sydney Chronicle (30 June 1847), 3

http://nla.gov.au/nla.news-article31752412 

On Monday evening there was a general gathering of the Teetotallers at St. Patrick's Hall, where a musical festival was held by St. Patrick's Total Abstinence Society. The splendid band of the 99th Regiment were in attendance, and contributed greatly to the entertainment of the company by playing a number of well selected airs. Among these were included some of the most beautiful efforts of Irish minstrelsy, which were played with a degree of taste and execution seldom surpassed. Several good songs were also sung during the evening, among which a new one, called "The Rigs of Sydney," was introduced, and elicited well-deserved applause. The Chair was filled by the Reverend Dean McEncroe, President of the Society, who addressed the assembly several times in the course of the evening, and short speeches were also delivered by the Very Reverend Dr. Backhouse, the Reverend Mr. Sumner, and others . . .

ASSOCIATIONS: Joseph Charles Sumner (cleric); Band of the 99th Regiment (military band)

"THE LATE MR. O'CONNELL", Sydney Chronicle (30 September 1847), 2

http://nla.gov.au/nla.news-article31753617

On Tuesday last a Solemn Dirge and High Mass was celebrated at the Metropolitan Church of St. Mary, for the repose of the soul of this great and good man . . . The Rev. Dr. Backhouse presided in the Choir, where he was assisted by the Messrs. Howson, and the organ being wholly silent, as is usual on such occasions, the hearers had a full opportunity of Appreciating the power and melody of the choristers, as they poured forth the solemn and majestic notes of the Gregorian Chaunt . . .

ASSOCIATIONS: Frank Howson (vocalist); John Howson (vocalist); Daniel O'Connell (Irish statesman)

"THE CHURCH", Sydney Chronicle (16 October 1847), 2

http://nla.gov.au/nla.news-article31753858

Our Sydney friends will regret to learn that the Rev. Dr. Backhouse is about to proceed to South Australia. In the colony there are several German settlements, and it is his zeal to make himself useful to the cause of religion among his countrymen that has induced the rev. gentleman to determine upon this step. During his stay amongst us, Dr. Backhouse has won the esteem of all by his gentleness and urbanity of manner, and will carry with him the good wishes of all who know him. He will be a great acquisition to the diocese of Adelaide, for to the learning and piety which render him so well fitted for a priest, he unites musical talent of a first-rate order, as all those who have been in the habit of hearing the choir of the Metropolitan Church can testify.

"THE ROMAN CATHOLIC CHURCH", Bendigo Advertiser (7 December 1857), 3

http://nla.gov.au/nla.news-article87977304 

Yesterday morning this church was opened for the first time for Divine service, the Right Rev. the Bishop and the Very Rev. the Dean of Melbourne being present with other clergymen. The service commenced with the blessing of the walls, the consecration being withheld until the debt is fully liquidated. After the blessing, mass was celebrated by the Bishop, and the accompanying music and singing by the choir, under the superintendence of Mr. Pollard, assisted in giving the solemnity so characteristic of the service of this church. The church was named after St. Kilian, an Irish missionary, who succeeded in the conversion of the Germans in the seventh century . . . A good deal we understand, has yet to be done to complete the indoor arrangements. The present altar is merely a temporary one, and the splendid harmonium now in use will, it is expected, in a short time be replaced by an organ ordered from Germany, to cost L.600, the munificent gift of the Rev. Dr. Backhaus . . .

ASSOCIATIONS: Joseph Henry Pollard (musician)

"OPENING OF THE SYNOD OF CATHOLIC BISHOPS", Leader [Melbourne, VIC] (24 April 1869), 12

http://nla.gov.au/nla.news-article196478474 

One of the most imposing ceremonies in connection with the Catholic Church that has ever been witnessed in Melbourne, or probably in any of the Australian colonies, took place on Sunday, in St. Patrick's Cathedral. The opening of the Provincial Council of the Australian Catholic Hierarchy was celebrated with much solemnity and magnificence of religions ceremonial . . . In the evening, pontifical vespers were sung, all the bishops and clergy again assembling. The Very Rev. Dr. Backhaus, of Sandhurst, presided at the organ . . .

"CONSECRATION SERVICES", Bendigo Advertiser (22 September 1876), 2

http://nla.gov.au/nla.news-article88242181 

The second anniversary of the consecration of his Lordship the Most Rev. Dr. Crane, O.S.A., to the Bishopric of Sandhurst, was celebrated yesterday - the feast of St. Matthew - first, by Pontifical High Mass, in St. Kilian's, at eight in the morning, and in the afternoon by an entertainment in honour of the occasion in which the young ladies attending the Convent of Mercy school took part. St. Kilian's was crowded in the morning, on the occasion of the Pontifical High Mass . . . The "Oratore Domine," composed by Dr. Backhaus, and "In te Domine Speravi," were given by the choir, the Misses Rudd taking the soprano, Mr. Brown the tenor, and Dr. Backhaus the bass . . .

"DEATH OF DEAN BACKHAUS (FROM OUR OWN CORRESPONDENT) SANDHURST, THURSDAY" , The Argus (8 September 1882), 5

http://nla.gov.au/nla.news-article11552274

After about a week's illness, during which time he had severe relapses, rallying again as if about to recover, the Very Rev. Dean Backhaus expired this afternoon at 2 o'clock at his residence in Wills-street. The cause of death was an affection of the heart, from which he has suffered at frequent intervals during the last 10 years. The venerable clergyman was about 70 years of age, 30 of which he spent in the service of the Roman Catholic Church in the Bendigo district. In 1852 he arrived here, and was, indeed, the founder of St. Kilian's Church, and for many years had the whole Bendigo district under his control . . . He was born at Paderborn, in Westphalia, in 1812, studied for some years at the College of the Propaganda in Rome, and was ordained a priest in 1836. Shortly afterwards he entered on his priestly functions in Ireland, next going to India as a missionary. Returning to Ireland in about a couple of years, he remained there for a time, and then sailed for Sydney, but not staying there long, went to Adelaide, where for a period he officiated in the Pirie-street Roman Catholic Church. On the breaking out of the Bendigo rush he came here in 1852, and was contemporary with the then only Protestant minister on the goldfields, the Rev. Mr. Gregory, of the Church of England. In 1857, mainly by his energy and administrative talent, the present St. Killian's Church. Up to that time services had been carried on in a large tent surmounted by a cross, and the doctor lived in a smaller tent in the same neighbourhood. In 1863 he returned home travelling through the United States and South America, visiting London, Germany, and the Holy Land, again landing in Adelaide in 1866. During his absence the Sandhurst district was under the charge of Father Dwyer and Dean Hayes. After remaining some time in Adelaide, and Dean Hayes resigning the charge of the Sandhurst district, Archbishop Goold invited him to return to Sandhurst, which he did, and was senior clergyman until about eight years ago, when the deanery was formed into a bishopric, and Dr. Crane was sent out from Ireland as the first bishop. It is understood that Dr. Backhaus was much chagrined at not being chosen bishop, his claims to the honour being undeniable. However, he continued his functions with the same energy as before until his retirement 13 months ago, when he went to live at Brighton, where last week he was attacked with the illness which put an end to a long and successful career . . .

"FUNERAL OF THE LATE VERY REV. DR. BACKHAUS", Bendigo Advertiser (12 September 1882), 3

http://nla.gov.au/nla.news-article88575880 

The closing scene in the life of one who has been identified with Bendigo since its foundation, and, in fact, was one of its founders, took place yesterday . . . At the solemn Requiem Mass at eleven o'clock, long before the service commenced, the church was crowded . . . The choir then rendered Cherubini's Requiem Mass in C minor . . . The success of the production is to no little extent due to Mr. N. Hallas, who first saw the music on Sunday, and in a very short time mastered it. He conducted the choir with his usual ability, though both the leader and vocalists were placed at a disadvantage owing to the inconvenient manner in which the seats for the singers were arranged . . .

ASSOCIATIONS: Nathaniel Hallas (musician)

"THE LATE DR. BACKHAUS", Advocate (16 September 1882), 17

http://nla.gov.au/nla.news-article170027259 

. . . Henry Backhaus was born in February, 1811, at Paderbonn, a county town of Westphalla, where his father carried on business as a boot and shoe manufacturer. He was educated at the local college, and was then transferred to the Propaganda at Rome. There he studied for several years, and in 1836, at the age of twenty-five, was ordained priest of the order of St. Augustine - not a Jesuit, as supposed by many even of his friends. Almost immediately after his ordination, he was ordered to India, where he became military chaplain to the French troops, for at that period the French nation held large possessions in the East. In that capacity he served for a term of about nine years, with the exception of a short period about 1840-41, during which he returned to Europe for the purpose of taking out a party of nuns from the Loretta Convent, near Dublin, of which Mrs. Balls was then Lady Superioress. Both before and after his return to that country he practised "homoeopathy," a science which he had attained in Rome, and whilst in India he no doubt gained a great part of the medical experience for which he afterwards became famous - it may be said - in all the Australian colonies. About the year 1845, the reverend gentleman came to Australia, first arriving at Sydney, where he remained about three years, and in 1848 accompanied the newly-appointed Bishop of South Australia, Dr. Murphy, to Adelaide. Here he met his nephew, Mr. T. Mundeleine, who had arrived from Westphalia. The Doctor remained in Adelaide until 1851. When the 'gold fever' broke out in Victoria, he proceeded to that colony, and after a short stay on the Forest Creek diggings, arrived on Bendigo in April 1852 . . . In addition to his other attainments, the reverend gentleman was also a most passionate lover of music, having himself composed many pieces of considerable merit. As the deceased gentleman owned a considerable amount of property both in Victoria and South Australia, various surmises have been expressed as to how he has disposed of it . . .

"THE LATE VERY REVEREND DEAN BACKHAUS", Bendigo Advertiser (12 October 1882), 2

http://nla.gov.au/nla.news-article88576997

. . . He was wise and prudent and frugal, almost to a fault. He was simple in his habits, but refined in his tastes, deeply devoted to music, with a rich and well cultivated voice.

Musical works:

Ave Regina; Henry Backhaus; for 2 sopranos and organ; as below

https://trove.nla.gov.au/work/239226344 

In te Domine speravi; Dr. Backhaus; for 2 sopranos and organ; manuscript, H. Hughes, 1866; State Library of Victoria; photocopy at National Library of Australia, with transcription by Richard Divall

https://trove.nla.gov.au/work/239226345 

Henry BACKHAUS, Two sacred duets, for two sopranos and organ (Bendigo 1860s); ed. Richard Divall

https://www.monash.edu/__data/assets/pdf_file/0007/1529449/mda048-backhaus-two-motets.pdf (DIGITISED)

https://researchdata.edu.au/australian-digital-music-music-series/1303957 

Bibliography and resources:

A. E. Owens, "Backhaus, George Henry (1811-1882)", Australian dictionary of biography 3 (1969)

http://adb.anu.edu.au/biography/backhaus-george-henry-43

BACKUS, Charles (Charles BACKUS; Charley BACKUS; Mr. BACKUS)

Musician, minstrel, serenader, actor, vocalist, leader Backus Minstrels

Born Rochester, NY, USA, 20 October 1831 (date on gravestone); son of Theodore BACKUS and Harriet MOORE
Arrived (1) Sydney, NSW, October 1855 (per Aubudon, from San Francisco, 9 August, and Honolulu, 8 September)
Departed (1) Sydney, NSW, 7 April 1856 (per What Cheer, for San Francisco)
Married (? common law) Julia Lee HODSON, California, USA, c. 1859
Arrived (2) Melbourne, VIC, 10 August 1859 (per Mary Pleasants, from San Francisco, 1 June)
Departed (2) Melbourne, VIC, 18 June 1860 (per Malta, for Europe)
Died New York City, USA, 21 June 1883

https://trove.nla.gov.au/search?l-publictag=Charles+Backus+1831-1883 (TROVE tagged by Australharmony)

http://worldcat.org/identities/lccn-no2006136008 (WorldCat identities)

https://m.wikidata.org/wiki/Q55813556 (Wikidata)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BACKUS-Charles (shareable link to this entry)

ASSOCIATIONS: Backus Minstrels (troupe)

https://trove.nla.gov.au/search?l-publictag=Backus+Minstrels (TROVE tagged by Australharmony)

DISAMBIGUATION: No direct personal connection with a local company named after him, the Amateur Backus Minstrels, active in Sydney 1865-67

BACKUS, Julia (Julia Lee HODSON; Julia HUDSON; "Mrs. Charles BACKUS"; performed as Miss Julia H. BACKUS; later as Miss Leo HUDSON)

Soprano vocalist, circus performer, equestrian

Born London, England, 22 March 1839 (of American parents)
Married (? common law) Charles BACKUS, California, USA, c. 1859
Arrived Melbourne, VIC, 10 August 1859 (per Mary Pleasants, from San Francisco, 1 June)
Departed Melbourne, VIC, 18 June 1860 (per Malta, for Europe)
Died St. Louis, Missouri, USA, 2 June 1873

https://trove.nla.gov.au/search?l-publictag=Julia+Backus+Leo+Hudson+1839-1873 (TROVE tagged by Australharmony)

http://worldcat.org/identities/lccn-n2014077441 (WorldCat identities)

https://worldcat.org/identities/viaf-37151431625556302800 (WorldCat identities VIAF

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BACKUS-Julia (shareable link to this entry)

BACKUS, Charley (Charles M. HUDSON; Charles BACKUS, junior; Master Charley BACKUS)

Vocalist, performer

Born Virginia, USA, c. 1852; ? brother or adopted brother of Julia HODSON (no blood relation to BACKUS)
Arrived Melbourne, VIC, 10 August 1859 (per Mary Pleasants, from San Francisco, 1 June)
Departed Melbourne, VIC, 18 June 1860 (per Malta, for Europe)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BACKUS-Charley-junior (shareable link to this entry)

Charles Backus

https://commons.wikimedia.org/wiki/File:Charles_Backus_LCCN2014636969_(cropped).jpg (DIGITISED)

Documentation:

[Advertisement], Sacramento Daily Union [California, USA] (21 June 1855), 2

https://cdnc.ucr.edu/?a=d&d=SDU18550621.2.14.1 

SACRAMENTO THEATER. FOR TWO NIGHT ONLY. Friday and Saturday, June 22d and 23d. THE ORIGINAL BACKUS MINSTRELS, Consisting of C. BACKUS, C. D. ABBOTT, D. F. BOLEY, H. DONNELLY, O. N. BURBANK, J. H. COLLINS, W. A. PORTER, W. BERNARD, and MASTER HENRY . . .

ASSOCIATIONS: Charles D. Abbott (member); Dorrel Fair Boley (member); Otto N. Burbank (member); William Alonzo Porter (member)

[Advertisement], Daily Alta California [San Francisco, USA] (1 August 1855), 3

https://cdnc.ucr.edu/?a=d&d=DAC18550801.2.16.6 

UNION THEATRE, BETWEEM KEARNY AND DUPONT.
BACKUS' MINSTRELS. Acting Manager - W. A. Porter.
Musical Director - C. D. Abbott.
Stage Manager - O. N. Burbank.
This (Wednesday) Evening, Aug. 1. 1853. BENEFIT FOR THE FAMILY OF THE LATE T. F. BRIGGS.
LAST APPEARANCE OF THE MINSTRELS prior to their departure for Australia.
The company consists of the following well known and talented Performers:
CHARLES BACKUS, S. C. CAMPBELL, W. M. BARKER, W. A. PORTER, A. MORGAN,
JERRY BRYANT, C. D. ABBOTT, D. F. BOLEY, O. N. BURBANK. . .

ASSOCIATIONS: Sherwood Coan Campbell (member); W. M. Barker (member); Jerry Bryant (member); A. Morgan (member)

First Australian visit (23 October 1855 to 7 April 1856):

"SHIPPING INTELLIGENCE", Empire [Sydney, NSW] (24 October 1855), 4

http://nla.gov.au/nla.news-article60164875 

October 23. - Audubon, American ship, 531 tons, Captain Arthur, from San Francisco, August 9, and Honolulu September 8. Passengers . . . Messrs. C. Backus, Charles Abbott, W. Barker, D. F. Boley, S. C. Campbell, Bryant, Porter, Morgan, Bryant, Burbank, Ward, Blake, Crow, Cottam, Sandra, and 24 in the second cabin and steerage. Agents, Newell, Hooper, and Stevens.

[Advertisement], Empire (29 October 1855), 4

http://nla.gov.au/nla.news-article60164403 

ROYAL VICTORIA THEATRE.
THIS EVENING, Monday, October 29th, 1865, the entertainments will commence with the unrivalled performances of the BACKUS MINSTRELS,
Characters by Messrs. Charles Backus, S. C. Campbell, W. M. Parker [sic], Jerry Bryant, C. D. Abbott, A. Morgan, W. A. Porter, D. F. Boley, O. N. Burbank . . .
J. G. GRIFFITHS, Stage Manager.

ASSOCIATIONS: John Gordon Griffiths (manager); Royal Victoria Theatre (Sydney venue)

Names and descriptions of passengers per Black Swan from Melbourne, 27 December 1855, for Launceston; Public Record Office Victoria

https://prov.vic.gov.au/archive/23671325-F7F0-11E9-AE98-0BAC758C5792?image=447 

. . . Mr. Backus / 28 } Mr. Boley / 30 } Mr. J. Bryant / 24 }
Mr. N. Bryant / 28 } Mr. Campbell / 30 } Mr. Burbank / 32 }
Mr. Morgan / 34 } Mr. Barker / 31 } Minstrels / American . . . // Mrs. Boley / 22 . . .

[Advertisement], The Hobarton Mercury [TAS] (31 December 1855), 3

http://nla.gov.au/nla.news-article3337293 

THE WORLD RENOWNED. BACKUS MINSTRELS.
MESSRS. T. C. CAMPBELL [sic], JERRY BRYANT, D. F. BOLEY, O. N. BURBANK, CHARLES BACKUS, C. D. ABBOTT, W. M. BARKER, A. MORGAN. Will commence a Series of their Popular Entertainments at the Victoria Theatre on WEDNESDAY NEXT JAN. 2nd, 1850. W. A. PORTER, Agent.

ASSOCIATIONS: Royal Victoria Theatre (Hobart venue)

"ROYAL AMPHITHEATRE", The Age [Melbourne, VIC] (25 February 1856), 3

http://nla.gov.au/nla.news-article154866999 

THE performances of the Backus Minstrels concluded on Saturday night, and the sable brotherhood put forth all their efforts to secure the good-will of their patrons at parting; and were, as they deserved to be, eminently successful. It would be difficult to collect a similar number of individuals possessed of such great and versatile abilities as Mr. Backus and his associates possess. As vocalists, instrumentalists, drolls and mimics, they are equally clever, and their entertainment commends itself as well to the approbation of the lovers of music as to that of the lovers of mirth.

[Advertisement], The Sydney Morning Herald (5 April 1856), 1

http://nla.gov.au/nla.news-article28639799

ROYAL VICTORIA THEATRE.
Grand Complimentary Benefit and Last Appearance of the Backus Minstrels . . .
April 5th, Farewell Concert . . .

"DEPARTURES", The Shipping Gazette and Sydney General Trade List (14 April 1856), 66

http://nla.gov.au/nla.news-article161107371 

April 7, - What Cheer, barque, 384 tons, Captain Baker, for San Francisco. Passengers - Messrs. C. Backus, F. Moran, A. Morgan, W. M. Baker, O. N. Burbank, T. R. Morgan, S. A. Campbell, J. Bryant, Abbott, W. Bryant, Hyman . . .

United States (1856-59):

[Advertisement] Chico Record [California, USA] (26 May 1858), 2

https://cdnc.ucr.edu/?a=d&d=CR18580526.2.9.2 

The Meldeon Melodists . . . ELEGANT CONCERTS . . .
SONGS, DUETS, TRIOS, QUARTETTS, NEGRO DELINEATION, DANCING, &c.
The Troupe now consisting of the following artists:
MISS JULIA HUDSON, E. H. HARVEY, H. SILVER . . . WM. BURRAGE, MASTER HUDSON MARSHALL . . .

"AMUSEMENTS", Daily Alta California [San Francisco, USA] (17 June 1858), 2

https://cdnc.ucr.edu/?a=d&d=DAC18580617.2.17 

. . . Miss Julia Hudson, who has been starring it through the mines, has returned, and is attracting crowds at the Bella Union.

Second Australian visit (10 August 1859 to 18 June 1860):

Passenger list per Mary Pleasants, arrived Melbourne, 10 August 1859, from San Francisco; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B109F91-F96C-11E9-AE98-93E32FF6E163?image=8 (DIGITISED)

Cabin - Mr. & Mrs. Backus / 35 / 30 / & child / 8 // Miss Alverten [sic] . . .

"SHIPPING. ARRIVED (HOBSON'S BAY)", The Age [Melbourne, VIC] (11 August 1859), 4

http://nla.gov.au/nla.news-article154826817 

August 10 - Mary Pleasants, ship, 768 tons, Moore Gilchrist, from San Francisco, 1st June. Passengers - cabin: Mr. and Mrs. Backus and child, Miss Albertine, Mr. Hadden; and twenty-four in the steerage. Bright Brothers and Co., agents.

ASSOCIATIONS: Miss Albertine (Hannah Manchester) (actor, dancer)

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (20 August 1859), 2

http://nla.gov.au/nla.news-article201372213 

. . . Mlle. Albertine and Mrs. Backus, both American ladies, have been engaged at this theatre, and will appear shortly - the former in such characters as Mrs. Barney Williams has made famous on the London and American stages.

ASSOCIATIONS: Maria Pray (Mrs. Barney Williams, actor)

[Advertisement], Bell's Life in Victoria and Sporting Chronicle (20 August 1859), 4

http://nla.gov.au/nla.news-article201372233 

THEATRE ROYAL. Solo Proprietor, Mr. G. V. Brooke.
First Appearance of MISS ALBERTINE, JULIA H. BACKUS, Master BACKUS, And CHARLES BACKUS (The Ethiopian Comedian).
SATURDAY EVENING, 20TH AUGUST, Will be presented the
YOUNG AMERICAN ACTRESS, In which Miss Albertine Will sustain six characters.
The Farce of the GOOD FOR NOTHING. Nan - Miss Albertine.
Ballad - Julia H. Backus.
To conclude with THE MASQUERADE BALL.
Ephraim (a Negro doorkeeper) - Mr. Charles Backus.
Manager, Mr. Robert Heir.

ASSOCIATIONS: Gustavus Vaughan Brooke (actor, manager); Robert Heir (actor, manager); Theatre Royal (Melbourne venue)

"THEATRE ROYAL", The Argus (23 August 1859), 6

http://nla.gov.au/nla.news-article5686734 

The new importations from America appeared last night in "The Cricket on the Hearth" and "The Masquerade Ball," with but indifferent success . . . Miss Albertine was a very American carrier's wife, in a dress which was open to Talleyrand's objection of "beginning too late and ending too soon." Mr. Heir was an impossible English carrier; and Mr. Lambert only a little better as Caleb . . . A Mr. Backus sang a melancholy song, after the manner of his nation and of the concluding piece there is really nothing to remark . . .

ASSOCIATIONS: Joseph Charles Lambert (actor)

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (27 August 1859), 2

http://nla.gov.au/nla.news-article201371942 

There was a numerous and respectable attendance at this theatre on Saturday evening, attracted by the announcement that Miss Albertine and a family party, of which the head was Mr. C. Backus, who two or three years back acquired the favourable opinion of the Melbourne theatrical public as an excellent impersonator of "[REDACTED]" character, would make their appearance . . . Mrs. Julia Backus mad her debut on Saturday evening as a solo vocalist, but failed to convince her audience that she was more than a very middling singer. Mr. C. Backus, who is amusing when he is in the vein, has appeared several times in the course of the week. We confess that we are at a loss to comprehend the tactics of the management as recently developed. The mysteries of the managerial sanctum are never too comprehensible, but unless one could imagine a management with suicidal tendencies, the politics of the government of the Theatre Royal must be set down as inexplicable.

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (3 September 1859), 2

http://nla.gov.au/nla.news-article201372373 

Though we may justly object to the quality of the entertainments produced at this establishment during the past week, there is nothing in their variety that would entitle us to do so. But as this latter qualification in public amusement is not so essential, either for the satisfaction of the large section of the community that patronises and participates in them, or for the revenue prospects of the management, as to be a permissable excuse for a disregard of the first, we have no hesitation in speaking to one or two points more bluntly perhaps on this occasion than is our wont. Last Saturday night Miss Albertine, Mrs. Julia H. Backus and Mr. Charles Backus took their joint benefit and farewell of the Royal. They secured a very fair attendance, and obtained more than their usual share of applause. Mr. Backus himself is undoubtedly a first-class delineator of [REDACTED] peculiarities, and can at any time provoke an audience to unrestrained laughter by his comicalities. His wife has abilities above the average, but she cannot "star" it in the metropolis at the present date. Of the other lady we have before spoken, and no cause has since been shown to induce any change in our opinion with regard to her . . .

"SHAMROCK THEATRE", Bendigo Advertiser (5 September 1859), 3

http://nla.gov.au/nla.news-article87991892 

. . . On Saturday night, in addition to the ordinary (or rather extraordinary) attractions which have been there for some time, including the dramatic company - Miss Kate Warde, Mrs. Chapman, and Messrs. Vinson and Chapman; the ever-humorous Irish singer Wilson, and that compendium of humor Burbank, Mr. Backus, Miss Julia Backus and Master Backus, made their first appearance at the Shamrock. Mr. Backus (who was the originator of the far-famed Backus Minstrels) is a delineator of negro life who has few equals in the colony, and may lay a very fair claim to the title of minstrel, if one may judge of his powers by a clever imitation of the celebrated Miska Hauser's violin solos, which he executed in a style that elicited great applause. Miss Julia Backus's singing it would be unfair to criticise too narrowly, as on Saturday night she had just arrived off a journey up from Melbourne, and must have been in consequence fatigued; but she was nevertheless compelled to appear three or four times in answer to the demands of the audience. She has a pleasing voice, and a very prepossessing countenance, the latter having considerable effect when she archly illustrates her songs by a pointed allusion to some sensitive bachelor whom she singles out of the crowd. Master Charley Backus is a clever little imitator of negro oddities of the elder Backus, and will doubtless prove a real chip of the (ebony) block. The house was, as usual, crammed, as it would have been had it been double the size.

ASSOCIATIONS: Kate Warde (actor); James Hetters Vinson (actor); Shamrock Theatre (Bendigo venue)

"EAGLEHAWK POLICE COURT. Thursday, 19th September, 1859 . . . A BAD CAST", Bendigo Advertiser (30 September 1859), 2

http://nla.gov.au/nla.news-article87992512 

Charles Backus, the celebrated delineator of Negro and other characters, at the Shamrock, appeared in a totally new role before an Eaglehawk audience, charged by Sergeant Richards with furious riding through the township. The defendant admitted having been getting along pretty fast, but that he could not stop the thing, and he was, moreover, not aware of there being any such regulations. The Bench being satisfied that the animal had for the time become stage manager, and had cast the defendant for Billy Button when he was totally incompetent for the character, dismissed the charge, at the same time expressing a hope that Mr. Backus would stick to the "legitimate drama" on foot, and not attempt any equestrian feats for which neither nature nor previous practice had fitted him.

"AMUSEMENTS. THE SHAMROCK THEATRE", Bendigo Advertiser (3 October 1859), 3

http://nla.gov.au/nla.news-article87992564 

On Saturday night, to a crowded house, a very excellent entertainment was afforded by the management. The first portion of the entertainment was a concert by the Minstrels Backus, Chittenden, Boley and Burgess, the two latter of whom have been re-engaged. Their solos, glees, and choruses were loudly applauded by the audience, with whom this species of performance has always been a favorite one. Burgess's Clog Hornpipe was vociferously encored. Madame Strebinger's re-engagement is, also, another great additional feature in the attractiveness of the Shamrock performances. She danced a pas suel most splendidly, and was loudly encored . . . The entertainments concluded with a farce called "Hunting a Turtle," in which the various characters were well and ably sustained by Mrs. Chapman, Mrs. Backus, Messrs. Vinson, Chapman, Chambers and Fawcett. We hear that Burbank and Carson (of the capacious mouth) will make their re-appearance amongst the minstrels to-night, when we may expect a fund of amusement from this really clever corps of sable harmonists.

ASSOCIATIONS: George Chittenden junior (minstrel); Johnny Burgess (dancer, minstrel); Joseph Chambers junior (dancer, actor); George Fawcett (actor); Dave Carson (minstrel)

[Advertisement], Bendigo Advertiser (5 October 1859), 1

http://nla.gov.au/nla.news-article87992615 

HAYMARKET THEATRE. Under the Management of Messrs. Heffernan and Crowley.
Pit, 6d; Boxes, 1s; Stalls, 2s.
IMMENSE SUCCESS Of the Largest and most Talented Company in the Colonies.
THIS EVENING, WEDNESDAY, 5th OCT., The Laughable Farce of the MOUSTACHE MOVEMENT.
Pas Seul - Madame Strebinger.
Comic Irish Duets, Julia Backus and Mr. Wilson.
Grand Sword Dance, Professor Anderson.
Favorite Dances, the Miss Worrells.
ETHIOPIAN ENTERTAINMENT, By Boley, Dave Carson, Burgess, Backus, Burbank, Chittenden, and Company.

ASSOCIATIONS: Therese Strebinger (dancer); Thomas Wilson (vocalist); John Henry Anderson (magician, dancer); Worrell sisters (dancers); William Heffernan and John Crowley (managers); Haymarket Theatre (Bendigo venue)

"OUR MONTHLY SUMMARY", Launceston Examiner (6 December 1859), 2

http://nla.gov.au/nla.news-article38998322 

This company have their opening performance at the Theatre last night. The house was a pretty good one; the upper boxes and pit being filled. The programme opened with a ballad entitled "Be I Brandon" by Miss Julia Backus, who, without being gifted with much vocal power, sings in good taste and expression. A most amusing song, in which was rehearsed the matrimonial speculation of a Chinaman at the diggings, was cleverly given by Mr. Pierce. Professor Risley with his two boys and Monsieur Devani proceeded to give a display of aerobatic feats . . . Another Ballad by Miss Backus succeeded, and a song from her brother . . . The programme concluded with a most amusing scene in which Mr. Backus gave specimens of different styles of actors and acting, and created much amusement by his exact delineations of Brooke as Richard III., Stark as Richelieu, Miska Houser [sic] performing on the violin in the "Carnival de Venise," &c.

ASSOCIATIONS: John Otis Pierce (musician, minstrel); Richard Risley (acrobat, entertainer); Miska Hauser (violinist, toured Australia 1854-58); Theatre Royal (Launceston)

"THEATRE ROYAL", Hobart Town Advertiser Weekly Edt. (31 December 1859), 5

http://nla.gov.au/nla.news-article264716620 

We did not doubt or under-rate the amount of the enthusiasm with would be evoked among the playgoing circles of this city, after witnessing the diversified performances of the members of Professor Risley's troupe at the Theatre Royal. The attendance at these "Christmas Revels" have been such as reminded us strongly of the palmy days of the Tasmanian drama, and it is not too much to anticipate that an entertainment which from the vocal and terpsichorean abilities of Miss Julia Backus, the marvellous feats of Professor Risley and his sons, associated with the superhuman anatomical contortions of M. Devani, the extraordinary instrumental and vocal acquirements of Mr. Pierce, and the notable delineations of negro character exhibited by Mr. Backus, institutes on the whole a most effective and artistical combination everything which can delight the million, will continue to keep up an undiminished interest in the theatrical world. It consists of a scries of acts or scenes, too innumerable to particularise, so that without going fully into detail we only observe that Miss Backus has a voice of more than average power and compass, and renders her ballads, &c., with such taste and precision as invariably to command an encore . . . The instruments played upon by Mr. Pierce are the concertina, the Sardinian picco, a pine and also a rock-harmonium, and the banjo. His instrumentation upon all these is such as could only be attained by those who aspire towards excellence with untiring energy and perseverance. He, as well as Mr. Backus, it will be recollected, do not appear for the first time in Hobart Town. The latter has enriched his repertoire with some additional illustrations of the eccentricities of the coloured race; and in addition to the imitations he formerly gave, has added those of Miss Cushman, Mr. John Mungall, Mr. Lanees Anderson, and others. His style will be too well remembered to need any further comment at our hands. We are given to understand that there is a probability of a viceregal bespeak in the course of the week, when we hope readers will rally to the support of these most deserving candidates for public honors.

ASSOCIATIONS: John Mungall (actor, comedian); Charlotte Cushman (actor); Theatre Royal (Hobart venue)

[Advertisement], The Age (6 June 1860), 1

http://nla.gov.au/nla.news-article154840911 

PRINCE OF WALES THEATRE, Lonsdale Street East.
Worrell and Co.'s Mammoth Circus Troupe.
Great Hit of the Ethiopian Clown and Jester, MR. CHAS. BACKUS,
The sisters Sophia, Irene, and Jennie. Miss Bartley, and Mr. J. E. Johnson . . .

ASSOCIATIONS: Miss Bartley (vocalist); Jovial Johnson (dancer, entertainer); William Worrell (manager); Prince of Wales Theatre (Melbourne venue)

Names and descriptions of passengers, per Black Swan, from Melbourne, 29 November 1859, for Launceston; Public Record Office Victoria

https://prov.vic.gov.au/archive/2388F31D-F7F0-11E9-AE98-01A6B20B693E?image=49 (DIGITISED)

. . . Mr. Backus / 32 // Mrs. Backus / 26 . . .

Names and descriptions of passengers per Malta, from Melbourne, 18 June 1860, for Suez; Public Record Office Victoria

https://prov.vic.gov.au/archive/238C7590-F7F0-11E9-AE98-795291EEE602?image=188 (DIGITISED)

. . . Mr. Backus / 25 // Mrs. and Child / 22 / 4 . . .

"SHIPPING INTELLIGENCE . . . PASSENGERS BY THE MAIL STEAMSHIP MALTA", The Argus (20 June 1860), 4

http://nla.gov.au/nla.news-article5684652 

. . . for Southampton . . . Mr. and Mrs. Backus and child . . .

After Australia:

"ENGLISH THEATRICALS", Leader (6 November 1869), 18

http://nla.gov.au/nla.news-article196479092 

Charley Backus appeared at St. James's Hall on the 8th of July, and achieved a genuine and unmistakable success. With this description of him from a London paper my friends who had the pleasure of seeing him will agree: - Mr. Backus is a comedian pure and simple. His comedy is perfectly spontaneous and there is a whole world of fun in the expression of wonder he can throw into his features. His burlesque speech to the gentlemen of the jury is admirable. Mr. Backus gives specimens of his comic talent in various departments, and in the first part of the entertainment takes the place of honor with the tambourine. He gives, also, a series of imitations, including reminiscences of Edwin Forrest, the late Charles Kean aa Hamlet, Jefferson as Rip van Winkle, Miss Bateman as Leah, Charles Dickens (in a passage from "David Copperfield"), and Miss Cushman as Meg Merrilies. He concludes these imitations, which are extremely good, with a speech from "Richelieu" in the ranting style, and another, supposed to be delivered by a theatrical manager to his patrons.

United States federal census, 1870, San Francisco, Ward 3, California; National Archives and Records Administration

https://www.ancestry.com.au/imageviewer/collections/7163/images/4259317_00643?pId=204377 (PAYWALL)

. . . Hudson, Charles M. / 18 / [no occupation] / [born] Virginia
[Hudson], Leo / 26 [sic] / Actress / [born] Virginia . . .

[Playbill], Harrington Opera House. Miss Leo Hudson with her trained mare, "Black Bess", one week only, commencing Monday, November 11th, 1872; The Huntington Library

https://hdl.huntington.org/digital/collection/p16003coll4/id/1779 (DIGITISED)

"DEATH OF LEO HUDSON", The Australasian [Melbourne, VIC] (20 September 1873), 19

http://nla.gov.au/nla.news-article137582383 

This well-known and clever equestrienne, while performing the title role in "Mazeppa" at Wakefield's Grand Opera-house in St. Louis, Mo. at a matinee performance on the 10th May last, received such serious internal injuries by her steed Black Bess missing her footing and falling to the stage while Miss Hudson was bound to her back, that the lady, though at the time apparently only shaken by the fall, gradually succumbed, and ultimately died, from haemorrhage of the lungs, on the morning of Monday, June 2nd last. The tractable steed was killed by the fall, having broken her spinal marrow. Miss Hudson was born in London on the 22nd March, 1839, her parents having sailed from Charleston, S.C., for Europe in August 1838. Some few years afterwards she returned to America, and made her debut at Risley's Varieties, in Washington, D C. When the Hippodrome was opened in New York, Miss Hudson was engaged as one of the principal equestriennes, and achieved a pronounced success, being the first lady in that company who, while, mounted upon her horse, leaped over a canal which had been excavated for the purpose. Some years since she made a very successful tour through California, the Australian colonies, and Tasmania, and quite recently revisited the former state. In 1863 she went to Europe, with a view of playing a series of engagements, but after her arrival in that quarter of the globe decided not to do so, and returned at once to New York, where, in the early part of November, she commenced an engagement at the New Bowery Theatre, opening in "Mazeppa." Since then she has performed in all the principal theatres of the country. Some years ago she was married to Mr. Charles Backus, the well-known minstrel performers, from whom she afterwards separated, and the marriage was dissolved. In 1868 she again entered the bonds of wedlock, this second venture being with a non-professional gentleman in the Southern States. Miss Hudson, whose real name was Julia Lee Hodson, was universally liked in her profession. She had a fine form, a pleasing face, was much more than a fair actress, and evinced much courage and daring in her performances, often in showing the possession of these attributes meeting with many serious accidents, notably one when performing in January last in San Francisco, where, by the fall of Black Bess Miss Hudson received a broken arm and four broken ribs, which incapacitated her for some weeks from following the duties of her profession. She was buried in Baltimore a few days after her decease. - CALL BOY.

"CHARLES BACKUS [with portrait illustration]", New York Clipper (30 June 1883), 4

https://idnc.library.illinois.edu/?a=d&d=NYC18830630.2.15 

CHARLES BACKUS died of Bright's disease of the kidneys, complicated with other ailments, at his residence, No. 246 West Forty-fourth street, this city, June 21, aged 52 years. He had not enjoyed good health for over a year past. Last Winter he suffered from several attacks of pneumonia, and at intervals was confined to his residence by the gout. After the close of the San Francisco Minstrels' regular season in this city, they, according to annual custom, started on a brief tour. Mr. Backus accompanied them, and on arriving in Syracuse, N. Y., April 25, he was taken suddenly ill while on the stage, and it was with the greatest difficulty that he was enabled to finish his share of that night's work. Feeling sharp pains in his back, he consulted a physician, who pronounced his ailment to be Bright's disease. He at once left the company, and went to Rochester for rest and medical treatment. He rallied temporarily, and his condition seemed so encouraging that he announced he would rejoin the troupe in Philadelphia, where the tour ended; but when the time came a relapse occurred, and he was unable to carry out his intentions. Shortly after the close of the minstrel's season Mr. Backus returned to his residence in this city. Although it was believed that he was incurably ill, his death was not thought to be imminent, because only five days before his demise he drove out with his wife and little daughter to Central Park. When his illness confined him to his home he received frequent visits from his partner, Billy Birch, many members of their company, and numbers of well-known professionals, for the deceased was highly popular with showmen of every class. His sufferings for several hours preceding dissolution were so intense that he was kept under the influence of morphine. At 5.45 A.M. June 21 he expired. Funeral services were held at his residence at 6 P.M. 22, the Rev. Dr. Francis M. McAlister of a Protestant Episcopal church in Elizabeth, N.J., whom Mr. Backus had known many years in California, officiating. A delegation from Amity Lodge, No. 323, F. and A. M., of which deceased was a member, and numerous professionals were in attendance. The remains were taken by an evening-train to Rochester, where they were interred in the family plot in Mount Hope Cemetery 23.

HIS PROFESSIONAL CAREER. - Mr. Backus first saw the light in Rochester, N.Y., in 1831, and his boyhood days were passed in that city and Cleveland, O. In 1852 he emigrated to California; and in the Summer of 1854 he organized a minstrel company known as the Backus Minstrels, who performed in San Francisco Hall, on Washington street, between Montgomery and Kearney. C. D. Abbott was the musical-director and O. N. Burbank the stage-manager. Besides these, the principal artists were H. Donnelly, D. F. Boley, J. N. White, Mr. Morgan and Charles Backus. In 1855 Mr. Backus decided to visit Australia, and formed a company for that purpose. Prior to their departure the San Francisco Minstrels gave them a benefit in the Metropolitan Theatre Aug. 3. The following performers took part: Mitchell and Burbank, rival dancers; in the first-part, in addition to the instrumentalists, Sher. C. Campbell, Jerry Bryant, Mr. Stadtfeld, D. F. Boley, Eph Horn and W. M. Barker. In the second part, John Collins, George Coes, Charles Backus and Mrs. Julia Collins (Julia Gould). In Australia the Backus troupe met with so much success that they made an extended tour of all the colonies. In 1856 they returned to San Francisco, and reappeared in San Francisco Hall July 6. The company then, reinforced by some of the San Francisco Minstrels, included Billy Birch, Jerry Bryant, Edwin Deaves, Max Zorer, Charlea Henry, Napier Lothian, Sam Wells, M . Lewis, George Coes, Sher. Campbell, W. D. Corrister and Mr. Backus. In 1859, with Eph Horn, he organized a troupe called Horn & Backus Minstrels, and made a tour of the interior of California. Later in that year he joined a company styled the San Francisco Minstrels, formed for a tour of Australia. After arriving there he found he did not like the country as well as he had upon his first visit, the minstrel venture not proving successful; and for a time he abandoned the minstrel business, and acted as negro clown with Burton's Circus, with which he played some eight months in the interior of Australia. Finding the circus business uncongenial to his tastes, he organized a small minstrel company, and proceeded to England by the overland route, stopping in Ceylon, Asten in Nubia [sic], Bombay, India, thence up the Red Sea, through Egypt, performing at the principal places including Cairo. Sailing down the Mediterranean, he performed at Gibraltar and Malta. Arriving at London, he played in Canterbury Hall, and also as clown in Astley's Amphitheatre.

Returning to his native land, he played star engagements in Philadelphia, Baltimore and Washington. In 1861 he returned to San Francisco, and after playing there for some time under T. Maguire's management he organized a company and made a trip to China. Returning to Frisco June 14, 1863, that company reappeared in the Eureka Theatre 29 with the Birch & Cotton party. Feb. 28, 1864, he joined the Eureka Minstrels, and then played with Maguire's troupe in Sacramento. He became comanager of Birch, Wambold & Backus' Minstrels, who opened in Eureka Hall Sept. 15, 1864, and afterward removed to the Academy of Music, where they continued till March, 1865, when Mr. Backus, accompanied by Billy Birch, D. S. Wambold and W. H. Bernard, sailed for this city, where they arrived April 6. The San Francisco Minstrel, organized under the management of Birch, Backus, Bernard & Wambold, gave their first performance in this city, at 585 Broadway, May 8, 1865, and continued to play there until April 27, 1872, meeting with great success. W. H. Bernard retired from the profession at the termination of a brief travelling tour, which supplemented the last regular season there on Aug. 26, 1872. Birch, Wambold and Backus began a season in the St. James' Theatre, on the site of the present Fifth-avenue Theatre, which closed March 1, 1873. Their present opera-house was dedicated by them Thursday, Sept. 3, 1874. D. B. Wambold retired from the firm after the performance in Holyoke, Mass., May 1, 1880. Birch and Backus then conducted the business until the latter part of the season of 1881-2, when W. H. Hamilton was admitted as a partner. During the season of 1882-3 he withdrew, and Birch and Backus became again the sole proprietors and managers. During the Summer of 1882 Mr. Backus revisited Europe, and while in London performed with Moore & Burgess Minstrels for a single week, meeting with much favor from the press and public.

He had been thrice married . His first wife, Leo Hudson, from whom he had long been separated, died in St. Louis, Mo., June 2, 1873. Miss Kate Newton, a popular actress, who became Mrs. Backus in 1868, died in this city Oct. 12, 1873. In Philadelphia, Pa., Oct. 17, 1876, he led to the altar Miss Tizzie Mason of Niagara Falls, N.Y., and she and a five-year-old daughter, Ida, survive him. Mr. Backus was financially engaged for some years past in other than the minstrel business, having been a silent partner in a large grocery-store in Rochester, conducted by hie brother, and alao a silent partner in a well-known jewelry-store on Broadway, in this city.

ASSOCIATIONS: Henry Burton (circus proprietor, however, there is no documentary record of Backus appearing for Burton in 1859-60)

"The late Mr. Chas. Backus", The Lorgnette [Melbourne, VIC] (15 August 1883), 4

http://nla.gov.au/nla.news-article208858362 

The death of this well-known minstrel comedian and manager, from Bright's disease, has just been announced as having occurred in New York City. Col. Alston Brown, in his "History of the American Stage," thus briefly alludes to the deceased gentleman: -

"Charles Backus, was born in Rochester, N.Y., in 1831. Has visited almost every habitable spot on the globe as a minstrel performer. Is one of the funniest in the business. His imitations of celebrated actors are equal to any in the country. Was married to Kate Newton in New York in 1868."

Mr. Backus made his first visit to Australia at the latter end of 1855, and brought with him a minstrel company consisting of Messrs. Jerry Bryant, S. C. Campbell, C. D. Abbott, D. F. Boley, W. M. Barker [sic], Otto N. Burbank, W. A. Porter, A. Morgan and C. Backus; and as the Backus Minstrels, they opened at Coppin's Olympic in Lonsdale-street, Melbourne, on the 3rd of December, 1855. After a long and successful season and tour through this and other colonies, the company became disorganised, disbanded and scattered. Mr. Backus ultimately returned to America. His second visit to the Antipodes was in 1859, in company with Miss Julia Backus, Master Backus, and Miss Albertine . . .

"Charlie Backus", Evening News [Sydney, NSW] (22 August 1883), 6

http://nla.gov.au/nla.news-article111024869 

Melbourne playgoers whose recollections date back to the days of the "Iron-pot," in Lonsdale-street will regret to hear (says the "Argus,") of the death in New York, from Bright's disease, of Charles Backus, the founder of the company of negro minstrels which bore his name, and included S. Campbell, S. Abbott [sic] and Otto Burbank. He visited these colonies twice, the first firne in 1855-6, when he made a fortune by his tour. He was overflowing with humour, and as a mimic he had few superiors. Nobody who has seen his imitations of a Chinaman will ever forget the wonderful veri-similitude of face, movement, voice, and intonation which they exhibited. His capacious mouth was as expressive of humour as Liston's, and so flexible that, as he himself used to say, "it was expanded with a glove stretcher." The moment he opened it on the stage the audience would burst into a roar of laughter. No one could tell a story better than he did. Every point sparkled, and each was made without effort; while the climax would convulse his audience with boisterous merriment. The son of a surgeon and the grandson of the first president of Hamilton College, U.S., the late Charles Backus was educated with a view to a literary career; but his invincible predilection for the stage impelled him at the age of 20 to solicit and obtain an engagement at Cleveland, Ohio, where he made his first appearance as Jerry Clip, in the "Widow's Victim," and his imitations of popular actors in this character at once stamped his success. Shortly afterwards he joined Maguire's minstrel troupe at San Francisco, and achieved the popularity which he never lost. He died at the comparatively early age of 51.

Bibliography and resources:

"CHARLEY BACKUS' MINSTRELS IN HOBART TOWN, VAN DIEMAN'S LAND, in 1856", New York Clipper (15 September 1877), 4

https://idnc.library.illinois.edu/?a=d&d=NYC18770915.2.27 

"Early history of Negro minstrelsy, its rise and progress in the United States, by Col. T. Allston Brown", New York Clipper (25 May 1912), 10

https://idnc.library.illinois.edu/?a=d&d=NYC19120525.2.75 

Edward Le Roy Rice, Monarchs of minstrelsy, from "Daddy" Rice to date (New York: Kenny Publishing Company, 1911), 70

https://archive.org/stream/monarchsminstre00ricegoog#page/n95/mode/2up 

Charles Backus, of the famous San Francisco Minstrels "quartette," and one of the principal comedians of the organization, achieved wide fame for his impersonations of prominent actors, in which he was an adept. He went to California in 1852, and two years later organized Backus' Minstrels there; in 1855 he took the company to Australia, and a few years later organized Horn and Backus' Minstrels; in 1859 he again went to Australia, and appeared as a negro clown in Burton's Circus. He returned to San Francisco in 1861, and after playing several engagements there, on September 15, 1864, was one of the organizers of Birch, Wambold and Backus' Minstrels; his career from that time until his death was linked with that of Billy Birch. Mr. Backus was married to Leo Hudson, the famous equestrienne; he was divorced in March, 1866; subsequently he married Miss Kate Newton, the well-known actress. On October 17, 1876, in Philadelphia, he married Miss Tizzie Mason. Charles Backus was born in Rochester, N. Y., in 1831; he died in New York City, June 21, 1883.

Charles Backus, Find a grave

https://www.findagrave.com/memorial/24832657/charles-backus 

BADNALL, Charles Henry (Charles Henry Fiennes BADNALL; C. H. BADNALL; Mr. BADNALL)

Amateur vocalist, church singer, journalist, editor

Born Isle of Man, 9 January 1833; baptised St. Matthew's, Douglas, 13 January 1833; son of Richard BADNALL and Sarah Maria HAND
Arrived VIC, c. 1852
Married Hannah WHITWORTRH (McKEAND), Heywood, VIC, 21 April 1864
Died Portland, VIC, 20 November 1885

https://trove.nla.gov.au/search?l-publictag=Charles+Henry+Badnall+1833-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BADNALL-Charles-Henry (shareable link to this entry)

Documentation:

England census, 30 March 1851, Crossgate, Durham; UK National Archives, HO 107 / 2390

https://www.ancestry.com.au/imageviewer/collections/8860/images/DURHO107_2390_2390-0247 (PAYWALL)

Mary Greenwell / Head / Widow / 59 / Boarding House . . .
William Greenwell / Son / Unm. / 20 / Student in the Durham University . . .
Charles H. Badnall / [Boarder] / Unm. / 18 / [Scholar] / [born] Isle of Man . . .

[Advertisement], Geelong Advertiser (25 July 1859), 4

http://nla.gov.au/nla.news-article146565929 

WEEKLY GRAND CONCERT FOR THE PEOPLE AT THE MECHANICS' INSTITUTE.
MONDAY EVENING, 25th JULY, 1859.
PROGRAMME. PART I. Overture - "Tancredi" - Band - Rossini.
Song - "Spirit of Good" - Mrs. Hancock.
Glee - "The Winds Whistle Cold" - Messrs. Badnall, Moore, and I'erson - Bishop . . .
PART II . . . Four Part Song - "Tears for To-morrow, but Kisses Today" - Messrs. Badnall, Moore, Field, and I'erson - Lorenz . . .
** NO ENCORES ALLOWED. Admission - One Shilling. Children, and Schools - Half price . . . W. S. JENKINS, Hon. Secretary.

ASSOCIATIONS: Mary Ellen Hancock (vocalist); Henry Byron Moore (vocalist); Thomas I'Erson (vocalist); William Stitt Jenkins (secretary)

MUSIC: The winds whistle cold (Bishop, from Guy Mannering); Tears for to-morrow, but kisses today (colonel Ebenezer A. Andrews)

"Marriages", Staffordshire Advertiser (30 July 1864),

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000252/18640730/115/0005 (DIGITISED)

On the 21st April at Heywood, Victoria, Australia, Mr. CHARLES HENRY FIENNES BADNALL, third surviving son of the late Richard Badnall Esq., of Leek, to HANNAH, widow of the late E. L McKEAND, Esq., and daughter of the late Nicholas Whitworth, Esq., of Manchester.

"MR. C. H. BADNALL", Portland Guardian (24 November 1885), 2

http://nla.gov.au/nla.news-article63404947 

We have much regret in announcing the death of Mr. C. H. Badnall, and feel sure that most residents of the town will sympathise with us in this feeling. The deceased gentleman died at his residence, Percy street, on the morning of Friday last, at the age of fifty-five. It will tend to mitigate the grief which his demise will cause to reflect that his death put an end to long and painful suffering. The immediate cause of his death was heart disease. Mr. Badnall was a native of Leek, in Staffordshire [sic], and was educated at Durham. He was a Victorian colonist of about thirty years standing, and made his first appearance in this part of the country as a member of a Government survey party, and during his official career assisted in scientific work in the district and also on the Julia Percy Island. When the survey camp to which he was attached broke up, he married the widow of the late Mr. McKeand, and settled in Heywood. Some years after he and his family came to Portland, and since that date he was more or less connected with the newspaper press of this town. He could wield a facile and ready pen, and did much useful work during the several years in which he was connected with the Portland Guardian. He adopted the methods of the office, made as much of the town and its interests as circumstances permitted, and never said an ill-natured word of anybody that could possibly be avoided - in short he did as much good to his fellowmen and as little harm as possible. During several years Mr. Badnall contributed correspondent's letters to the Hamilton Spectator, which were always pleasant reading, even if not correct.

Mr. Badnall filled a prominent place in the choir of St. Stephen's Church, and was an energetic and useful member of the Anglican community. During Saturday and Sunday flags were shown on the masts of the town and ships in the bay at half-mast as a token of respect for the deceased. His remains were interred in the South Cemetery on Sunday afternoon, with masonic observances. The funeral procession was very numerous; the Rev. J. Bagley performed the rites of the church at the grave in an impressive and eloquent manner, and pointedly referred to the fact that the deceased had been energetic, constant, and indefatigable in his efforts on behalf of the Episcopalian Church of this town. In the evening, in St. Stephen's Church, Archdeacon Allnutt made feeling reference to the loss he and the congregation had sustained through Mr. Badnall's death. He said that they had met that evening under circumstances of peculiar gloom, owing to the fact that the grave had that day received the body of an old and esteemed member of the congregation. He referred to Charles Badnall, for whom he had had an unclouded affection for sixteen years. His efforts in the formation and conducting of the choir, and his valuable services in connection with the obtaining of the organ, had left remembrances which would not easily be forgotten . . . At the conclusion of the service the "Dead March" from Saul was played on the organ . . .

BAILES, William Brown (William BAILES; William Brown BAILES; Mr. BAILES; BALES)

Comic vocalist, carpenter

Born England, c. 1811
Arrived Kangaroo Island, SA, 20 November 1836, and Holdfast Bay (Port Adelaide), 5 December 1836 (per Tam O'Shanter, from London, 20 July)
Married (1) Georgina KNAPP (c. 1821-1848), Adelaide, SA, 29 January 1838
Married (2) Mary GARRETT, Adelaide, SA, 4 June 1849
Died near Anstey's Hill, SA, 18 October 1868

https://trove.nla.gov.au/search?l-publictag=William+Brown+Bailes+c1811-1868 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAILES-William-Brown (shareable link to this entry)

Documentation:

"INVESTIGATION. Adelaide, August 18, 1837", South Australian Gazette and Colonial Register (16 September 1837), 2

http://nla.gov.au/nla.news-article31749702 

. . . Wm. Brown Bailes, Carpenter, aged 27, being sworn . . .

ASSOCIATIONS: Two leading settlers, Robert Gouger and Osmond Gilles had quarrelled, and after a public brawl they were both arrested; Bailes was called a witness in the investigation that followed

"MARRIAGES", South Australian Gazette and Colonial Register (3 February 1838), 3

http://nla.gov.au/nla.news-article31749787 

January 29. - William B. Bailes to Georgina Knapp.

[Advertisement], South Australian Gazette (19 May 1838), 2

http://nla.gov.au/nla.news-article31749935

THEATRE ROYAL, ADELAIDE.
Stage and Acting Manager, Mr. BONNAR.
Leader of the Orchestra, Mr. LEE. Scenery by Mr. LANGCAKE.
Properties by Messrs. MARSHALL & RADFORD.
The Public is respectfully informed that a small, unique, and commodious Theatre has been fitted up above the Adelaide Tavern, Franklin-street, the audience part of which comprises nine dress boxes and a comfortable pit, and will open on Monday Evening, May 28th. The evening's entertainment will commence with the national anthem of God Save the Queen! by the whole company. An Opening Address, written by a gentleman expressly for the occasion, delivered by Mr. Bonnar in the character of a Strolling Manager.
After which will be presented the admired play called the
MOUNTAINEERS, or, Love and Madness.
Comic Song - Mr. Bailes. "The British Oak" - Mr. Bonnar. Song, "Logie o'Buchan" - Mr. Elphinstone.
The whole will conclude with the laughable farce of the LANCERS.
Doors open at half-past six - Curtain to rise exactly at seven. Boxes, 5s. Pit, 2s . . .

ASSOCIATIONS: Charles Fawcett Bonnar (actor, vocalist, manager); Philip Lee (leader, violin); John Mungo Langcake (1809-1858); Mr. Elphinstone (vocalist, actor); Theatre Royal (Adelaide venue)

[Advertisement], South Australian Gazette and Colonial Register (16 June 1838), 1

http://nla.gov.au/nla.news-article73811308 

THEATRE ROYAL, ADELAIDE.
Stage and Acting Manager, Mr. EASTHER.
Leader of the Orchestra, Mr. PORTBURY.
Scenery by Mr. LANGCAKE.
Properties by Messrs. MARSHALL & RADFORD.
On Monday next will be performed, for the first time in this Colony, an admired Domestic Drama entitled WORDOCK KENNILSON.
Justice Ramble, Mr. Bankhead. Farmer Lister, Mr. Rainsford.
Richard Lister, Mr. Easther. William, Mr. Emery.
Barlecorn, Mr. W. H. Deane. Thomas, Mr. Bailes.
Wordock Kennilson, Mr. Marshall. Alice, Mrs. Rainsford. Mause Barlecorn, Mrs. Goodall.
Comic Song - Mr. Bailes. Favorite Song - Mrs. Rainsford. Song - Mr. W. H. Deane.
The whole to conclude with TWENTY PER CENT. (Characters as before.)
On Thursday will be repeated WORDOCK KENNILSON.
SONGS.
To conclude with the laughable farce of FORTUNE'S FROLIC; OR, THE PLOUGHMAN TURNED LORD.
Doors open at half-past six - Curtain to rise exactly at seven.
Boxes, 5s. Pit, 2s. Money to be taken at the Door.

ASSOCIATIONS: Benjamin Portbury (leader, musician); Jane and Joseph Rainsford (actors, vocalist)

"DEATHS", South Australian (5 May 1848), 3

http://nla.gov.au/nla.news-article71611238 

On the 3rd May, at the Sturt, after seven months' severe illness, Mrs. Bales, wife of Mr. W. Bales, aged 27 years.

BAILEY, Amelia (Amelia Elizabeth BAILEY; Miss Amelia BAILEY; Mrs. R. S. SMYTHE)

Musician, soprano vocalist

Born London, England, 4 November 1843; baptised St. Peter's, Melbourne, VIC, 9 September 1853 [sic]; daughter of George Robert BAILEY (c. 1815-1885) and Amelia HOWELL (c. 1808-1889)
Arrived Melbourne, VIC, c. 1850
Married Robert Sparrow SMYTHE, 1863 (registered VIC, 1881)
Died Deepdene, VIC, 29 July 1932, aged "89"

https://trove.nla.gov.au/search?l-publictag=Amelia+Bailey+Smythe+1843-1932 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAILEY-Amelia-Smythe (shareable link to this entry)

ASSOCIATIONS: Robert Sparrow Smythe (agent, husband); Carlyle Smythe (son)

BAILEY, George Robert (George Robert BAILEY, junior; G. R. BAILEY)

Amateur musician, musical amateur, pianist, vocalist, flautist, secretary

Born London, England, 14 December 1845; baptised St. Peter's, Melbourne, VIC, 9 September 1853; son of George Robert BAILEY (c. 1815-1885) and Amelia HOWELL (c. 1808-1889)
Arrived Melbourne, VIC, c. 1850
Married Isabella Kate HUNT, Melbourne, VIC, 1871
Died Hawthorn, VIC, 1 February 1899, aged "53"

https://trove.nla.gov.au/search?l-publictag=George+Robert+Bailey+1845-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAILEY-George-Robert (shareable link to this entry)

Summary:

In 1856, aged 13, as a pupil of St. James's parish school, Bailey was enrolled by her then singing master, George Leavis Allan, as a chorus member of the Melbourne Philharmonic Society. She first appeared as a solo vocalist in Allan's concerts in March and October 1858, and again, as an amateur, for a Philharmonic Society soiree in December 1859.

Bailey made her professional debut as an oratorio soloist for the Philharmonic in 1860, by which time she was a pupil of Charles Elsasser. In 1862 she toured as an associate artist with Horace Poussard and Rene Douay, and later that year with the elocutionist Miss Atkins and pianist Marquis Chisholm.

Bailey and Chisholm sailed for China in May 1863 with their agent Robert Smythe, whom she married that year. By late 1864 she was in Ceylon and Bombay giving concerts with Poussard. She finally returning to Australia, arriving in Sydney from Mauritius in October 1869.

Despite being abroad at the time, she may perhaps be the composer A. E. B., whose two dance works were published in The illustrated Melbourne post in 1863 and 1864.

Documentation:

Baptisms solemnized in the parish of St. Peter's, Melbourne, in the County of Bourke, in the year 1853; register 1848-1859; St. Peter's Eastern Hill

https://www.ancestry.com.au/discoveryui-content/view/31622:60584 (PAYWALL)

No. 1872 / September 9 [1853] / [born] 16 Sept'r 1852 / Sarah Jane / [daughter of] George & Amelia / Bailey / Young St. / Labourer . . .
No. 1873 / September 9 [1853] / [born] 4 Nov'r 1843 / Amelia Elizabeth / [daughter of] George & Amelia / Bailey / Young St. / Labourer . . .
No. 1874 / September 9 [1853] / [born] 14 Dec'r 1845 / George Robert / [son of] George & Amelia / Bailey / Young St. / Labourer . . .

"GRAND CONCERT IN AID OF THE INDIA RELIEF FUND", The Age (26 March 1858), 4

http://nla.gov.au/nla.news-article154855291 

Yesterday evening, the Exhibition Building was crowded in parts by a brilliant audience, who had assembled for the purpose of honoring the efforts of Mr. G. L. Allan, and a numerous choir, on behalf of the India Belief Fund. The choir, one hundred and fifty in number, have been selected from Mr. Allan's music classes in Collingwood, North Melbourne, and Melbourne proper . . . The programme included a judicious selection from the choral works of Stevens, Horsley, Gluck, Mornington, Hullah, Grast, Arne, Cooke, Pearsall, Tieck, and Atterbury, besides several pieces for two, four, and eight voices, by Mendelssohn, Abt, and Blockley. We must not omit to mention in terms of high commendation the vocal efforts of two young ladies, (Misses Amelia Bailey and M. A. Griffiths), pupils of Mr. Allan, who on this occasion for the first time sang solos in public. Mr. Allan, in some prefatory observations contained in the book of words, on this account deprecates severe criticism. He might have spared himself the trouble, for the young ladies acquitted themselves most creditably, and induce us to think that after careful study they will form a very welcome addition to our list of concert singers, should they propose devoting themselves to professional life . . . We had almost forgotten to mention that the solos, duetts, &c., were tastefully accompanied on the piano forte by M. Elsasser, who kindly gare his services on the occasion.

ASSOCIATIONS: George Leavis Allan (singing master, conductor); Mary Ann Griffiths (vocalist, later Mrs. William Perraton); Charles Elsasser (pianist, later Bailey's teacher)

"BENEFIT CONCERT BY MR. G. L. ALLAN", The Age (22 October 1858), 5

http://nla.gov.au/nla.news-article154874801 

The ability of Mr. G. L. Allan as a teacher of music, and his success in the establishment of large and popular classes in various parts of the city and suburbs during the last five years, attracted a numerous and brilliant audience to the Exhibition Building last evening, on occasion of his first benefit concert. Mr. Geo. R. Pringle, organist to the Melbourne Philharmonic Society, presided at the pianoforte. The chorus, consisting of a hundred members from the North Melbourne Choral Society and Mr. Allan's Upper Singing Class in Melbourne, was in excellent voice and spirits, and rendered the various beauties of an exceedingly well selected programme with admirable precision and effect . . . . Danby's prize glee, "Awake, AEolian Lyre," tastefully and effectively rendered, made way for a song by Miss Baillie, which, being greeted with an encore, was succeeded by N. J. Sporle's "Row, row, homeward we go." This lady is gifted with a full, rich voice, and with further experience will be qualified to assume a high position among our colonial vocalists . . .

ASSOCIATIONS: George Robert Grant Pringle (organist); Melbourne Philharmonic Society (association); North Melbourne Choral Society (association); Exhibition Building (Melbourne venue)

"CONCERT", The Argus (22 October 1858), 5

http://nla.gov.au/nla.news-article7303191 

. . . Two young ladies - Miss Bailey and Miss Griffiths - succeeded in captivating the audience by their charming execution of the solo pieces assigned to them, and were rapturously encored . . .

"THE PHILHARMONIC SOIREE", The Age (30 December 1859), 5

http://nla.gov.au/nla.news-article154882108

The soiree in connection with the Melbourne Philharmonic Society was held in the Exhibition Building last evening, and was in every respect a most agreeable and successful affair. The idea of a tea party, blended with a musical entertainment, was fully sustained . . . The artistic entertainment which succeeded was equally satisfactory, and being for the most part of a non professional character, courtesy forbids us to make it the subject of criticism. The audience had not, however, any cause to regret the absence of their professional favorites, and while such amateurs are available among its own ranks, the members and their friends need never be at a loss for the means of spending an agreeable evening. We content ourselves with subjoining the programme without further remark: - "The Chough and Crow," chorus; "The Sailor's Grave," Mr. E. Beaumont; "When the Silver Moon," Miss Bailey; "Mrs. Watkins's Party," Mr. Farquharson, and on being encored, "The Tight Little Island;" "A Dream of joy," Mrs. Batten; "The Syren and Friar," Miss Mortley and Mr. C. Blanchard; "Truth in absence," Mrs. Fox; "Molly astore," Miss Hamilton; "Bridesmaids' Chorus." chorus; "The Blind Girl to her Harp," Miss S. Mortley; "Phoebe Morel," Miss B. Watson; "Lay of the Bell," Miss Bailey and Mr. Donaldson; "Erin is my home," Mrs. Hancock; "Huntsman's Chorus," chorus.

ASSOCIATIONS: Edward Armes Beaumont (vocalist); Robert Farquharson (vocalist); Mrs. Batten (vocalist); Sarah Mortley (vocalist); Charles Blanchard (vocalist); Sarah Hannah Fox (vocalist); Octavia Hamilton (vocalist); Bertha Watson (vocalist); Mary Ellen Hancock (vocalist)

"SUMMARY FOR EUROPE . . . AMUSEMENTS", The Argus (17 May 1860), 2 supplement

http://nla.gov.au/nla.news-article5682549 

. . . The Philharmonic Society performed Mendelssohn's "St. Paul" on the 1st inst. The principal vocalists were Miss Octavia Hamilton, Mrs. Batten, Miss Bailey, and Messrs. Farquharson and Ewart . . .

ASSOCIATIONS: Thomas Ewart (vocalist)

[News], The Argus (23 May 1860), 5

http://nla.gov.au/nla.news-article5682937

Mr. T. H. Brooks' concert at Hockin's Hotel last night, was much more thinly attended, owing to the inclemency of the weather, than it otherwise would have been. His Excellency was present, and the attendance generally was as numerous as could have been expected . . . Mrs. Hancock and Miss Bailey were the lady vocalists, and gave several airs, much to the satisfaction of the audience. Miss Bailey is a young lady, who, it will be remembered, lately made a promising debut at the Philharmonic Society's concert. She sang very well last evening, but it was unnecessary and injudicious on the part of a section of the audience to compel her to accept two encores . . .

ASSOCIATIONS: Thomas H. Brooks (harpist); Hockin's Rooms (Melbourne venue)

[News], The Argus (4 July 1860), 5

http://nla.gov.au/nla.news-article5685499

The Philharmonic Society's third subscription concert in the Exhibition Building, last night, was less numerously attended than those which have preceded it. Perhaps the influenza had something to do with the circumstance, and perhaps the absence of the names of Miss Octavia Hamilton and Mr. Farquharson from the programme had also something to do with it . . . The attraction of the evening was, of course, the first performance of a new sacred cantata by Herr Elsasser, which had been for some time expected by the musical world . . . It is entitled "Praise the Lord," and contains three quartetts in the compass of a not very long work, airs for tenor, bass, and contralto voices, and some well-written choruses . . . Mr. Ewart and Miss Bailey sang the music allotted to them very creditably. The second part of the concert consisted principally of selections from Handel, Mozart, Rossini, and Beethoven.

"THE PHILHARMONIC SOCIETY'S CONCERT", The Age (4 July 1860), 5

http://nla.gov.au/nla.news-article154843340 

. . . To Mr. Ewart were assigned the tenor solos, and to Miss Bailey and Master Johnson the soprano and alto passages, Mrs. Batten haying, by a sudden attack of sickness, been prevented attendance . . . In the quartette, "Bless the Lord," in which the parts were sustained by Miss Bailey, Master Johnson, Mr. Ewart, and Mr. Moxon, the execution was very smooth and equable, but in the recitative and air "Sing O Heavens" and "Trust in the Lord," Miss Bailey failed to make a favorable impression. To say the truth, the air is too much protracted and is not sufficiently diversified. The instrumentation was admirable throughout . . .

ASSOCIATIONS: Master Johnson (vocalist); Septimus Moxon (vocalist)

[News], The Argus (24 October 1860), 5

http://nla.gov.au/nla.news-article5692142 

The fifth subscription concert of the Philharmonic Society took place last evening in the Exhibition Building, before an audience which would probably have been much more numerous but for the very unpropitious state of the weather. The first part of the concert, the "Lauda Sion" of Mendelssohn, went off rather flatly, the recent excellent performance of the "Lobgesang" having apparently spoilt the audience for the reception of a decidedly less effective work. The principal vocalists were Miss Bailey, Miss S. Mortley, and Messrs. Ewart, Williams, Angus, and Blanchard. The opening choruses of the "Lauda Sion" were rather weak, and we are of opinion that Mr. Russell took nearly the whole of the music too slowly . . . The Imperial Mass, No. 3, of Haydn, which farmed the second portion of the concert, made considerable amends for the dulness of the preceding, and was very well rendered . . . Miss Bailey was quite successful in the soprano parts, her voice seems to be improving in power and quality, but there is a lack of flexibility about it, which her desire to be effective renders the most observable. She deserves much credit, however, for the position she has already attained . . .

ASSOCIATIONS: William Henry Williams (vocalist); Silvanus Angus (vocalist); John Russell (conductor)

"CURRENT TOPICS", Geelong Advertiser (7 November 1860), 2

http://nla.gov.au/nla.news-article148887554 

The concert given by the Geelong Harmonic Society last night in the Mechanics' Institute, in aid of the funds for the relief of the widows and orphans of the soldiers engaged in the New Zealand war, was a very successful affair . . . Sir Henry and Lady Barkly honored the concert with their presence, occupying seats opposite the platform, the audience ranged on either hand. Before the concert commenced, it was announced that Miss Hamilton had been prevented by illness from appearing, and that Miss Bailey would sing instead. The first part comprised Haydn's Imperial Mass, which was exceedingly well done. The second part consisted of Selections from Handel's Samson . . . The second solo "Ye men of Gaza" was taken by Miss Bailey, and, in defiance of the tyrant custom which commands that noisy demonstrations of satisfaction shall not be given in such music, was greeted with two distinct rounds of applause. Miss Bailey's voice is very powerful and has evidently been judiciously cultivated . . . Mr. Johnson, the veteran leader of the band of the 40th, played upon a similar instrument to that introduced here by Ali-ben-sou-Alle under the name of the Turkophone. Mr. Gabb ably led, and Mr. I'Erson conducted.

ASSOCIATIONS: Henry and Anne Maria Barkly (governor and wife); Henry Johnson (master); Band of the 40th Regiment (military); Ali-Ben Sou-Alle (saxophone player); John Gough Gabb (violin, leader); Thomas William I'Erson (conductor); Geelong Sacred Harmonic Society (organisation)

"THE SCHILLER FESTIVAL", The Age (1 December 1860), 6

http://nla.gov.au/nla.news-article154884905 

The Festival in commemoration of the birth of Schiller, the German poet, dramatist, and historian, was held last evening in the large hall of the Criterion Hotel . . . The festival evidently excited great interest, the hall being crowded principally with the German residents of the city, a very large proportion of those present being ladies . . . The musical portion of the entertainment was . . . as follows: - Air from "Linda," by Miss Bailey, pupil of Herrn Elsasser [sic] . . . and an air from Donizetti's "Anna Bolena," which was very sweetly sung by Miss Bailey . . .

"CASTLEMAINE PHILHARMONIC SOCIETY", Mount Alexander Mail (10 December 1860), 3

http://nla.gov.au/nla.news-article199606766 

We are glad to see that the above society are making active preparations for a concert on the 20th inst. The services of Miss Bailey and Messrs. Ewart and Blanchard of the Melbourne Society have been secured. The whole of Handel's Oratorio of the "Messiah" will be performed, and it is expected the band and chorus will consist of nearly fifty performers.

ASSOCIATIONS: Castlemaine Philharmonic Society (association)

[News], The Argus (26 December 1860), 5

http://nla.gov.au/nla.news-article5696086 

The annual Christmas performance of Handel's "Messiah" by the Melbourne Philharmonic Sopiety took place in the Exhibition Building on Monday evening last. The attendance was extremely good, every part of the hall and galleries being crowded . . . Miss Octavia Hamilton . . . in no degree detracted from her previous fame, and "Rejoice greatly" and "I know that my Redeemer liveth," were exquisitely rendered, the calls for the encore of the latter being very properly refused. Miss Bailey sang "His yoke is easy," and "How beautiful are the feet," with taste and power . . .

"CURRENT TOPICS", Geelong Advertiser (28 December 1860), 2

http://nla.gov.au/nla.news-article148695073 

The usual annual performance of the "Messiah" by the Geelong Harmonic Society, takes place to-night, and no doubt from the names mentioned in the programme the performance will be highly satisfactory. Miss Bailey, who surprised and delighted many of the audience on the occasion of her performing the Mass and Samson a few weeks since, will take the Soprano; tenor, Mr. Beaumont; contralto, Master Cooke, who sang the solos in the Messiah, in Melbourne, on Monday last, will also assist; and with our local basso, Mr. Hinchcliff . . .

ASSOCIATIONS: Charles Cook (vocalist); John Hinchcliff (vocalist)

"THE NEWS OF THE DAY", The Age (1 August 1861), 5

http://nla.gov.au/nla.news-article154900150 

Haydn's oratorio, "The Creation," was given last night at the Theatre Royal, by the combined forces of the Philharmonic Society and the leading members of Mr. Lyster's opera company. There was a large and highly appreciative audience . . . Miss Hodson was absent, her place being supplied by Miss Octavia Hamilton . . . The weight of the performance was borne by Miss Bailey and Mr. Farquharson. The young lady's vocalisation is worthy the highest praise. Her voice is pure and especially sweet in her upper notes. She is occasionally a little uncertain, but this time will amend . . . The organ accompaniments were excellently played by Mr. Lewis. To-night "Elijah" is to be repeated.

ASSOCIATIONS: Georgia Hodson (vocalist); Louis Lucas Lewis (organist); Lyster Opera Company (troupe)

[News], The South Australian Advertiser (21 May 1862), 2

http://nla.gov.au/nla.news-article31810724

. . . Poussard and Douay are accompanied by a very talented soprano vocalist, Miss Amelia Bailey, who has been performing for some time past with great success at the various concert-rooms in Victoria . . .

ASSOCIATIONS: Horace Poussard (violin); Rene Douay (cello)

[2 advertisements], Launceston Examiner (1 January 1863), 5

http://nla.gov.au/nla.news-article41458118

HORTICULTURAL GARDENS. GRAND MOONLIGHT CONCERT AND DISPLAY OF FIREWORKS!!
FRIDAY EVENING, JAN. 2ND. MISS AMELIA BAILEY, MR. MARQUIS CHISHOLM, AND THE BAND OF THE L. V. A.
PROMENADE CONCERT IN THE ILLUMINATED PAVILION.
At 9 o'clock, The Highland Bagpipe and Scotch Reel on the Green! . . .

LONGFORD AND EVANDALE. MISS AITKEN with Miss Amelia Bailey and Mr. Marquis Chsholm, will appear next week, and the following week at Westbury and Deloraine. December 31.

ASSOCIATIONS: Marquis Chisholm (piano); Launceston Volunteer Artillery Band (volunteer military)

"WEEKLY REGISTER", Empire [Sydney, NSW] (30 May 1863), 3

http://nla.gov.au/nla.news-article63132421

The American Frikell, Mr. Washington Simmons; Mr. R. S. Smythe, his agent; Miss Amelia Bailey, a soprano; and Marquis Chisholm, pianist, left Sydney in the Moneta, on Wednesday last, for China.

[News], The Argus (12 November 1864), 5

http://nla.gov.au/nla.news-article5741793

. . . The Colombo papers show that M. Poussard and Miss Amelia Bailey, who have been giving concerts in Ceylon, were about to leave for Bombay . . .

"MUSICAL", South Australian Register (25 May 1865), 2

http://nla.gov.au/nla.news-article39116507

We learn from Bell's Life in Victoria that Mr. and Mrs. R. Smythe (late Miss Amelia Bailey), Mons. Poussard, and Miss Florence Beverley, after a successful tour through India and China, will shortly return to Melbourne.

ASSOCIATIONS: Florence Beverley (vocalist)

"DRAMATIC AND MUSICAL", South Australian Register (3 April 1866), 2

http://nla.gov.au/nla.news-article41030441

. . . Mr. and Mrs. R. S. Smythe (Miss Amelia Bailey), with Monsieur Horace Poussard and Miss Florence Calzado (Florence Beverley), have been giving a series of very successful entertainments, consisting of concerts and burlesques, in Delhi, Lahore, and several other smaller towns in India. The Lahore Chronicle speaks very favourably of Miss Bailey's talents, and asserts that "no vocalist equal to that lady has visited India since poor Catherine Hayes sang in Calcutta some seven or eight years ago," although several artists of great ability have visited that empire. The company was at date of advices received by the mail at Calcutta en route to Melbourne . . .

ASSOCIATIONS: Catherine Hayes (vocalist, d. 1861)

"MUSICAL AND THEATRICAL", South Australian Register (9 July 1867), 2

http://nla.gov.au/nla.news-article39181221

We cull the following information from Bell's Life in Victoria of June 30: - "From private advices it appears that the Poussard-Bailey Troupe, who, in consequence of the fearful fever raging in the Mauritius, were compelled to beat a retreat before they intended, had arrived at the Cape of Good Hope. They were performing nightly to crowded audiences at Cape Town. Mrs. R. S. Smythe (Miss Amelia Bailey) had firmly gained her position as a superior vocalist. The varied programme presented by this clever company was enthusiastically received on every representation" . . .

[Advertisement], The Argus (3 March 1869), 8

http://nla.gov.au/nla.news-article5828445 

CARLTON ORDERLY-ROOM - Grand CONCERT,
on behalf of the widow and family of the late Felix Terlecki, will take place on Monday, 15th March.
Conductor, F. W. Towers Hon. Sec., G. R. Bailey.

ASSOCIATIONS: Feliz Terlecki (wood carver, pianoforte maker); Frederick Wilson Towers (pianist)

[Advertisement], The Argus (31 July 1869), 8

http://nla.gov.au/nla.news-article5811895 

CARLTON HARMONIC SOCIETY. - REHEARSAL, Monday evening, 8 o'clock, St. John's school-room. G. R. Bailey, Hon. Sec.

"ARTISTES AND THEIR WANDERINGS", The Mercury (13 September 1869), 3

http://nla.gov.au/nla.news-article8861225

Under the heading of "Musical Travellers," a London newspaper gives a very interesting account of the travels in Asia and Africa of the Poussard-Bailey Company, whose manager, Mr. Robert Smythe, returned to Australia yesterday by the Somersetshire. The speculation originated with a young vocalist well known in Victoria and South Australia seven years ago, Miss Amelia Bailey (Mrs. R. Smythe), who, in May, 1863, left Sydney for Shanghai with a small mixed company, which, however, after a trip to Japan, was broken up. Encouraged by the love for music evinced by the merchant settlers of the Far East, Miss Bailey invited Messrs. Poussard and Douay, who were still in Australia, to join her. During the negotiations, the adventurous cantatrice, unaccompanied by any other artiste, visited Hong Kong, Singapore, Penang, and Ceylon, and everywhere was received with the greatest enthusiasm. In most of the places visited by her, and especially in Singapore, the lady was assisted by German amateurs - a piece of good fortune which may perhaps be attributed to the fact of her repertoire entertaining a large number of German melodies, one of her masters having been Herr Elsasser, of Melbourne. After a successful tour through Ceylon, Miss Bailey was joined by M. Poussard and Miss Florence Calzado (M. Douay having in the meantime lost his reason), and these three artistes and their manager (Mr. Smythe) formed the Poussard Bailey company, respecting whose successful appearances in different parts of the world, eulogistic notices have so frequently appeared in the Melbourne journals during the last few years. The enterprising artistes appear to have planted their foot all over India, their peregrinations extending even as far as Peshawur, on the frontiers of Cabul, 1000 miles from Calcutta. Subsequently Mauritius was visited, and in our South African colonies, after a stay of no less than two years, the company was temporarily broken up. Hearing that M. Douay had recovered his reason, MM. Smythe and Poussard proceeded to Europe for the purpose of re-engaging that powerful performer, but only to see him as in inmate of a private lunatic asylum near Paris; and in a number of the Court Journal to hand by this mail, we find in the Paris correspondent's letter a painfully interesting account of a visit made to the unfortunate artiste by Her Majesty the Empress of the French, who is stated to have been moved to tears by the pathetic performance of M. Douay, and by the distressing circumstances in which he was situated. According to the Debate, the Opinione Nationale, the Charivari and other leading journals, M. Poussard created a considerable sensation on the occasion of his re-appearance in Paris, and letters received by the Malta state that he was to perform in Baden during the season, after which he will commence another foreign tour. Meantime the Misses Bailey and Calzado have been given a new series of entertainments in the Cape colony, and their friends do not expect them for another month.

[Advertisement], The Argus (22 September 1869), 1

http://nla.gov.au/nla.news-article5814533 

CARLTON HARMONIC SOCIETY. Bass, trombone, Violoncello, and violin.
AMATEURS, playing above Instruments are requested to communicate with F. W. Towers.
Geo. J. Bailey, Hon. Sec.

"SCHOOL OF ARTS", Empire [Sydney, NSW] (9 November 1869), 2

http://nla.gov.au/nla.news-article60897949

Miss Amelia Bailey's second concert came off last night in this institution. notwithstanding the additional attraction of Signor Ugo Devoti's services, and the inducement held forth in the reduction of the admission, the attendance was not so large as certainly was due to the intrinsic merit of the concert itself. It is somewhat to be regretted that the vocal abilities of the talented artistes, who have achieved so genuine a success in China, India and Africa, should have been so comparatively poorly recognised by our concert-loving community. It is possible, however, that the entertainment, as being upon the eve of a public holiday, was badly timed. Those who were present, however, evinced a keen appreciation of the melodious feast with which they were regaled. Besides taking part in several duets Miss Bailey sang "Her bright smile haunts me still," "Thou art so near and yet so far," and "Comin' thro' the rye." The latter fine old Scotch ballad appeared to be the hit of the evening. It is admirably adapted for displaying the beautifully clear and bell-like resonance of Miss Bailey's voice, and she rendered it with great vivacity and archness, infusing the daintiest Scotch accent imaginable into her pronunciation. She was enthusiastically encored, and saluted by several of the audience with bouquets. Miss Florence Calzoda's comic character songs caused great merriment . . . Signor Devoti sang several of his favourite operatic pieces, and was, as he always is here, loudly and deservedly applauded. Mr. E. H. Cobley acted as accompanist.

ASSOCIATIONS: Ugo Devoti (vocalist); Edwin Harry Cobley (accompanist); Mechanics' School of Arts (Sydney venue)

[News], The Argus (4 December 1869), 5

http://nla.gov.au/nla.news-article5808736 

Last night's concert at the Exhibition building, in aid of the Benevolent Asylum, was moderately well attended. The performers were the Carlton Harmonic Society, assisted by several amateurs, the conductor being Mr. F. W. Towers. The best part of the concert was the instrumental music. The pianoforte duet by the Misses Terlecki, "Le Jet d'Eau," was excellently played, considering the youth of the performers. A violin solo by Mr. Curtis, "Adagio Rondo," obtained considerable applause, and it certainly deserved commendation. The same is to be said of a solo on the flute - Faust - by Mr. Bailey. The only fault to be found with these two solos is that they were rather long - had they been shorter, they would have come in for much more applause, and most likely have been encored. There was a "Valse Brilliant" by Mr. Towers upon the piano . . .

ASSOCIATIONS: Paulina and Katherine Terlecki (pianists); Henry Curtis (violinist)

[2 advertisements], The Argus (4 December 1869), 8

http://nla.gov.au/nla.news-article5808739 

CONCERT for the MILLION; Admission, Sixpence.
EXHIBITION BUILDING. Exhibition of Minerals collected by R. Brough Smyth, Esq.
By special request, Friday's GRAND PROMENADE CONCERT In aid of the fund for erecting a NEW WING to the BENEVOLENT ASYLUM, Will be repeated THIS EVENING.
CARLTON HARMONIC SOCIETY, Assisted by Miss Rochford, Miss Livingstone, Mr. J. Furlong, Mr. G. Bailey, And the Misses Terlecki.
Conductor - Mr. F. W. TOWERS.
PROGRAMME.
PART I.
Overture, "Le Cheval de Bronze" (Band) - Auber.
Ballad, "Love's Request " (Mr. J. Furlong) - Reichardt.
Cavatina, "Tell Me, My Heart" (Miss Rochford) - Bishop.
Pianoforte Duet, "Le Jet d'Eau" (Misses Terlecki) - Smith.
Cavatina, "Hear Me, Gentle Maritana" (Mr. G. Bailey) - Wallace.
Song, "Alas, those Chimes" (Miss Livingstone) - Wallace.
Violin Solo, "Adagio Rondo" from 3d Concerto (Mr. H. Curtis) - De Beriot.
Duetto, "Sainted Mother" (Miss Rochford and Miss Livingstone).
March, "Aux Flambeau" (Band) - S. Clark. An interval of 10 minutes.
PART II.
Overture, "Masaniello" (Band) - Auber.
Song, " There is a Spell" (Miss Livingstone) - Verdi.
Song, "Yes! Let Me Like a Soldier Fall" (Mr. J. Furlong) - Wallace.
Pianoforte Solo, "Valse Brilliante" (Mr. F. W. Towers) - Schulhoff.
Ballad, "The Harp That Once " (Miss Rochford) - Moore.
Flute Solo, "Faust" (Mr. G. Bailey) - Pratten.
Duetto, "Ill Sustaining " (Miss Livingstone and Mr. J. Furlong)
March, "Coronation" (Band) - Meyerbeer.
"God Save the Queen."
Doors open at half-past 7, commence at 8. Admission, 6d.

CARLTON HARMONIC SOCIETY. - MEMBERS please ATTEND the Repetition Concert at the Exhibition Building to-morrow evening, at a quarter to 8 o'clock. G. R. Bailey, Hon. Sec.

"NOTES AND NEWS", South Bourke Standard [Melbourne, VIC] (22 December 1871), 2

http://nla.gov.au/nla.news-article70083683 

The new Manchester Unity Hall erected for the use of the Loyal Boroondara Lodge of Oddfellows was opened last Wednesday evening. The first of the opening celebrations consisted of a concert, presided over by Mr. D. McDougall . . . At the close of the address the musical part of the programme was taken up, Mr. G. R. Bailey presiding at the piano. All the performers were amateurs, and in most instances pleased the audience very well. Miss Clara Hunt deserves special mention, however, her songs being decidedly the best of the evening, and in the duet with Mr. Dalley both acquitted themselves admirably . . .

[Playbill] Ballarat Harmonic Society; Handel's oratorio, Judas Maccabaeus, on Good Friday, March 29, 1872; Sovereign Hill Museums, Ballarat

https://ehive.com/collections/4819/objects/236928/judas-maccabaeus-handels-oratorio (DIGITISED)

ASSOCIATIONS: Ballarat Harmonic Society (association)

"DEATHS", The Argus (23 September 1885), 1

http://nla.gov.au/nla.news-article6096323 

BAILEY. - On the 18th inst., at Highgate, Burke-road, Upper Hawthorn, dearly-beloved husband of Amelia Bailey, beloved father of Mr. G. R. Bailey, and Mrs. R. S. Smythe, after a long and painful illness. An old colonist of 35 years, aged 70.

"DEATHS", The Argus (2 February 1899), 1

http://nla.gov.au/nla.news-article9516051 

BAILEY. - On the 1st February, at 179 Glenferrie-road, Hawthorn, George Robert Bailey, the beloved husband of Isabella Kate Bailey, and father of Joshua George Robert, Oswald Cyril, and Harold Frank Gordon Bailey; also the only brother of Mrs. R. S. Smythe, of Balwyn, and 26 years in the Government Printing Office, aged 53 years. Deeply regretted by all who knew him.
BAILEY. - On the 1st February, as his late residence, Glenferrie-road, Hawthorn, George Robert Bailey, aged 53. For 25 years a member of the Civil Service of this colony.

"A Musical Pioneer! George Leavis Allan. By J. ALEX. ALLAN", The Argus (25 June 1932), 6

http://nla.gov.au/nla.news-article4459478 

. . . On October 21, 1858, "Mr. George Allan's first benefit concert" was held in the old Exhibition Building in William street. His Excellency Sir Henry Barkly and wife were present. The pianist was George R. Pringle, organist to the Melbourne Philharmonic Society, and the chorus of 100 voices was drawn from Allan's classes in Melbourne . . . The "St. Kilda Chronicle" in its issue of the ensuing Saturday said -
"Miss Bailey and Miss Griffiths executed ballads and duets in a most artistic manner . . ." . . . The Miss Bailey mentioned was Miss Amelia Bailey, who became Mrs. R. S. Smythe. She lives in Deepdene road, Deepdene . . .

"A Musical Pioneer. By S. H. J.", The Argus (2 July 1932), 6

http://nla.gov.au/nla.news-article4460742

Under the title of "A Musical Pioneer," a highly interesting article, which appears in in the Camera Supplement last Saturday, described the career of the late Mr. George Leavis Allan, the founder of the musical business of Allan and Co. Pty. Ltd., Collins-street. It was mentioned in the article that Mr. Allan's first benefit concert was held in the presence of Sir Henry and Lady Barkly, then Governor of Victoria and his wife, on October 21, 1858, and that two of the singers who assisted as soloists in the concert were Misses Bailey and Griffiths. Miss Amelia Bailey in still among us - the widow of Mr. R. S. Smythe. She will reach the age of 90 in November of this year. She is in full possession of all her faculties, and is in good health. Miss Griffiths was married to a Mr. Perraton, but Mrs. Smythe does not know of her subsequent history. Mrs. Smythe was a girl of sixteen when she sang at Mr. Allan's concert, and she was rapidly rising to the position she afterwards filled for a number of years of the leading soprano of Victoria. Mr. Allan assisted her in a great degree to attain this position. In the article last week he is given credit for his increasing work in the musical education of Melbourne youth of both sexes, but no mention is made of the fact that among his many teaching posts was that of singing master in the day school of St. James's Church of England in West Melbourne. Miss Bailey was a pupil in the school, and Mr. Allan soon discovered that she was of special musical ability. When she reached the age of 13 he procured her admittance to membership on the Philharmonic Society of Melbourne, and as a member she remained, quickly forging ahead to be leading soprano. It was also mentioned in this article that the St. Kilda "Chronicle" of the day published a flattering notice of Mr. Allen's benefit concert. That newspaper was founded, Mrs. Smythe believes, by her husband, Mr. R. S. Smythe, although she did not then know him. She married him in 1863, when he had assumed the business of entrepreneur, which he followed practically to his death. Upon their marriage Mr. Smythe set off upon a tour of the Far East, with Miss Arabella Goddard, the English pianist, as the principal attraction of his company, with Mrs. Smythe, M. Poussard (violinist), and others. They visited China, Japan, South Africa, and spent some years in India, singing Italian opera and giving concerts, before returning to Melbourne.

"OBITUARY", The Argus (1 August 1932), 6

http://nla.gov.au/nla.news-article4465979

The musical history of early Melbourne is recalled by the death on Friday evening at her residence in Deepdene-road, Deepdene, of Mrs. R. S. Smythe, formerly Miss Amelia Bailey. Mrs. Smythe would have reached the age of 90 on November 5 of this year. She was a native of London and arrived in Melbourne with her parents at a very early age. She was attending St. James's Sunday school when her singing attracted the notice of Mr. Allan, the founder of the music firm of Allan and Sons. He obtained her admittance to the Philharmonic Society at the age of 13 years and before she was 16 she had been appointed principal soprano. That was in 1858. She was the leading soprano of Victoria for a number of years until she lost her voice owing to a throat affection. One of her early performances was in "The Messiah" in Geelong. Mr. H. Byron Moore was conductor. He used to tell that if the ages of the five principals had been added the total would not have been 100 years. They included Miss Bailey, Mr. Armes Beaumont the noted Melbourne tenor, and himself. Miss Bailey was married in 1863 to Mr. R. S. Smythe, who conducted concert tours and presented celebrities for many years. Under his management, with the celebrated Miss Arabella Goddard, the English pianist, as "star" she toured the East and South Africa. Mr. Smythe died in 1917. Mrs. Smythe has three children, two of whom survive her, Mrs. Edgar Bell and Miss Adelaide Smythe. Her son Mr. Carlyle Smythe died while on a Continental tour with his wife six or seven years ago. He had earned a high reputation in Melbourne journalism, particularly in musical criticism and his early death was much regretted.

ASSOCIATIONS: Henry Byron Moore (conductor)

BAILEY, William (William BAILEY; W. BAILEY; BAILY)

Musician, professor of music and dancing, teacher of dancing, violin, flutina, concertina, cornopean, flute, clarionet, &c.

Born ? Ireland, c. 1824; son of Patrick BAILEY
Married Margaret ?
Active Sydney, NSW, by May 1857
Died Surry Hills, NSW, 19 February 1873, aged "48"

https://trove.nla.gov.au/search?l-publictag=William+Bailey+c1824-1873 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAILEY-William (shareable link to this entry)

Documentation:

[Advertisement], The Sydney Morning Herald (23 May 1857), 1

http://nla.gov.au/nla.news-article12996016 

MUSIC and DANCING - Mr. WILLIAM BAILY, Professor,
begs respectfully to inform the gentry and inhabitants of Sydney and its vicinity that he has opened a new Dancing Academy, at the Assembly Rooms, opposite St. James' Church, King-street, and begs to say that he will give general satisfaction in teaching the newest dances, viz.,
polka, waltz, schottische, valse a deux temps, galops, various sets of quadrilles, Irish jig, hornpipe, Highland fling, &c, &c.
Mr. W. B. begs also to say that he will pay every proper attention to forwarding his pupils on the following musical Instruments, viz.:-
The violin, flutina, concertina, cornopean, flute, clarionet, &c.
Days of attendance: Mondays, Wednesdays, and Fridays, for music and dancing lessons, from half-past 2 till half-past 4 p.m.; and for dancing lessons only, from 7 till 10 o'clock p.m.
N.B. Private families and schools punctually attended, on the most reasonable terms.

[Advertisement], The Sydney Morning Herald (25 July 1857), 1

http://nla.gov.au/nla.news-article12998455 

FASHIONABLE DANCING. - Mr. W. BAILEY, professor,
begs to inform the gentry and inhabitants of Sydney and its vicinity, that he continues to give instructions in the newest and most fashionable dancing, at the Old Assembly Rooms, King-street, opposite the Supreme Court.
Days of instruction«, Mondays and Fridays, from 7 till 10 o'clock p.m.
Also a general practice for pupils and visitors on Wednesdays and Saturdays.
Dancing to commence at half-past 7 p.m.

[Advertisement], The Sydney Morning Herald (10 October 1857), 2

http://nla.gov.au/nla.news-article13001392 

BEST AND MOST FASHIONABLE DANCING.
Mr. W. BAILEY, professor, begs to inform the gentry and public of Sydney that he continues to give instructions in the newest and most fashionable dancing, at his new rooms, Hunter-street, second house above the HERALD Office.
Days of attendance Tuesdays and Fridays.
General dancing for pupils and visitors on Mondays, Thursdays, and Saturdays, commencing each evening at half-past 7.
Afternoon class attended punctually on Mondays, Wednesdays, and Fridays, from 3 till 5 o'clock.
Terms, moderate.

[Advertisement], The Sydney Morning Herald (12 December 1857), 1

http://nla.gov.au/nla.news-article13003878 

MR. W. BAILEY will hold his benefit THIS EVENING, Saturday, next door to the Vine Tavern, George-street North. Respectable females only admitted.

[Advertisement], The Sydney Morning Herald (14 August 1858), 1

http://nla.gov.au/nla.news-article13020008 

FASHIONABLE DANCING, at Mr. W. BAILEY'S spacious rooms, Lower George-street.
Assembly nights, Mondays, Tuesdays, Thursdays, and Saturdays.
N. B. - Mr. W. B. begs to say that he will spare no pains in keeping his quadrille room strictly select.

[Advertisement], The Sydney Morning Herald (1 January 1859), 1

http://nla.gov.au/nla.news-article13014676 

MR. W. BAILY'S QUADRILLE ASSEMBLY, THIS EVENING, Lower George-street.

[Advertisement], The Sydney Morning Herald (15 February 1859), 1

http://nla.gov.au/nla.news-article13010837 

DANCING. - Mr. W. BAILEY, Professor, will attend in Rushcutters Bay, THIS EVENING, at 8 o'clock.

[Advertisement], The Sydney Morning Herald (14 January 1860), 8

http://nla.gov.au/nla.news-article13035484

MUSIC und DANCING - Mr. W. BAILEY, Professor,
begs to intimate to his friends and the public that he continues to give instructions in the newest and most fashionable dances,
and also on the following musical instruments- viz.,
violin, flutina, concertina, cornopean, flute, clarionet, &c.,
at all hours, daily, at his residence, No. 21, Charles-street, Woolloomooloo.

[Advertisement], The Sydney Morning Herald (20 October 1860), 1

http://nla.gov.au/nla.news-article13047457

MR. W. BAILEY, Professor of Music and Dancing,
begs to announce that he continues to give instructions in the newest and most fashionable dances,
at all hours daily, at his residence, 21, Charles-street, near Francis-street, Hyde Park.

[Advertisement], The Sydney Morning Herald (19 February 1862), 1

http://nla.gov.au/nla.news-article28624274

DANCING. - Mr. W. BAILEY, Professor,
will open the spacious Rooms at the Imperial Hotel, William-street, on (TO-MORROW) Thursday, at eight o'clock.
N.B. - The strictest order and regularity will be observed.

[Advertisement], The Sydney Morning Herald (12 October 1863), 1

http://nla.gov.au/nla.news-article13092957 

DANCING - Mr. W. BAILEY'S Quadrille Assembly, Mondays and Thursdays. One door from Mr. Santos', William-street.

[Advertisement], The Sydney Morning Herald (3 March 1864), 1

http://nla.gov.au/nla.news-article13090086 

MR. W. BAILEY'S Quadrille Assembly, This Evening, at Mr. Aylward's, Devonshire-st., Surry Hills.

[Advertisement], The Sydney Morning Herald (20 June 1866), 8

http://nla.gov.au/nla.news-article13133007 

MR. W. Bailey's Quadrille Assembly TO-NIGHT, Short-st. Assembly Rooms, off Bourke-st., Surry Hills.

"FUNERALS", The Sydney Morning Herald (25 July 1866), 8

http://nla.gov.au/nla.news-article13134372

FUNERAL. - The Friends of Mr. WILLIAM BAILEY, Professor of Music, are invited to attend the Funeral of his late departed Son,
MICHAEL PATRICK, THIS (Wednesday) AFTERNOON, 25th instant;
the procession to move from his residence, Edward-street, off South Head Road, at 2 precisely.
THOMAS DIXON, Undertaker.

"FUNERALS", The Sydney Morning Herald (23 March 1867), 16

http://nla.gov.au/nla.news-article13140716 

FUNERAL. - The Friends of Mr. WILLIAM BAILEY, Professor of Music, are invited to attend the Funeral of his late departed Son,
WILLIAM CHARLES, THIS (Saturday) AFTERNOON; the procession to move from his Residence, No. 21, Edward-street, off South Head Road, at 4 o'clock.
THOMAS DIXON, Undertaker, South Head Road.

[Advertisement], The Sydney Morning Herald (23 July 1868), 8

http://nla.gov.au/nla.news-article13169815 

MR. W. BAILEY'S Quarterly Quadrille Party on MONDAY next. Short-st., nr. South Head Road.

[Advertisement], The Sydney Morning Herald (19 June 1869), 4

http://nla.gov.au/nla.news-article13185943 

DANCING TAUGHT, by Mr. W. BAILEY, at his residence, 1, Short-st,, near Burton-st., S. H. Road.

[Advertisement], The Sydney Morning Herald (1 July 1871), 2

http://nla.gov.au/nla.news-article28415755 

DANCING. - Mr. W. BAILEY, Professor of Dancing, having been restored to hralth from his late illness, will be most happy to receive his pupils on the evenings of Tuesdays and Thursdays as usual. 1, Short-st., S. H. R.

"DEATHS", The Sydney Morning Herald (20 February 1873), 1

http://nla.gov.au/nla.news-article13310998

On the 19th instant, at his residence, No. 1, Short-street, Surry Hills, of chronic diarrhoea, WILLIAM BAILEY, professor of music and dancing, aged 48 years, leaving an affectionate wife and two children to mourn their loss. Requiescat in pace.

"FUNERALS", The Sydney Morning Herald (20 February 1873), 8

http://nla.gov.au/nla.news-article13310985 

A. H. C. GUILD. - BRETHREN are requested to attend the Funeral of their late Brother,
WILLIAM BAILEY, to move from Sacred Heart Church, THIS DAY, Thursday, at 2.30 p.m.
By order of the Warden. P. CALLACHOR, Secretary.

BAINBRIDGE, Robert (Robert BAINBRIDGE; BRUMBRIDGE; BEAMBRIDGE; Bob BAINBRIDGE; "Bob the bellman")

Bellman, bellringer, bill-stricker, cryer, licensed hawker

Born Westminster, London, England, c. 1807
Tried Old Bailey, London, 17 April 1822 (7 years, aged "14")
Arrived Hobart Town, VDL (TAS), 9 April 1825 (convict per Lady East, from England, 16 December 1824, aged "18")
Active Launceston, VDL (TAS), until 1843
Died Launceston, VDL (TAS), 9 January 1844, aged "40"

https://trove.nla.gov.au/search?l-publictag=Robert+Bainbridge+c1807-1844 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAINBRIDGE-Robert (shareable link to this entry)

ASSOCIATIONS: Bellmen (general)

Documentation:

Trial, Robert Bainbridge, 17 April 1822; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?div=t18220417-165 (DIGITISED)

697. OBEDIAH LAWLESS and ROBERT BAINBRIDGE were indicted for stealing, on the 12th of April, fourteen pounds of bacon, value 4 s., the goods of Benjamin Brennand . . .
BAINBRIDGE - GUILTY. Aged 14. Transported for Seven Years.
LAWLESS - NOT GUILTY.

Convict indent and record, April 1825; Robert Bainbridge; Tasmanian names index; NAME_INDEXES:1370703; CON14-1-1P20 (indent) CON31/1/1 (record)

https://stors.tas.gov.au/NI/1370703 

https://stors.tas.gov.au/CON14-1-1$init=CON14-1-1P20 (DIGITISED)

Rt. Bambridge / 5 ft 2 in / 18 / Shoemaker / Middlesex / 17 April 1822 / [born] Westminster / 7 [years] / Single / Prot.

https://stors.tas.gov.au/CON31-1-1$init=CON31-1-1P302 (DIGITISED)

"LAUNCESTON: POLICE INTELLIGENCE", The Cornwall Chronicle (2 January 1836), 2

http://nla.gov.au/nla.news-article65953544

Robert Beambridge, (the Bellman), for being drunk and disorderly; said he was very sorry for it - fined 5s.

[Advertisement], The Cornwall Chronicle (17 March 1838), 43

http://nla.gov.au/nla.news-article65952175

ADVERTISEMENT. TO William Franks, Esq., Assistant Superintendent or Convicts, Justice of the Peace, &c. &c. &c.
"Presumptuous man! the God's take care of Cato." - ADDISON.
GREAT SIR - Such, if I possets any skill in the art or divination, was the language of your thoughts on perusing the last letter which I did myself the honor to address to you, through the medium of the press, but contempt itself has no influence over a friendship so exalted, pure, and disinterested as mine. Totally regardless of every other object but your safety, morally and physically, I am determined to watch over it even at the risk of incurring your resentment.
Awake, great sir - consider how disreputable to your character, how derogatory to your dignity, it must be, to have your name thus weekly blazoned throughout the island, blended and mixed up with that of a common Bellman!
And for what? merely that you may show (pardon the expression) a fool-hardy courage in despising both public opinion and personal security! Why, sure, now, there it nothing unreasonable in what I inquire. You staled at the police-office, that your sole inducement to turn informer was the public good - prove the truth of your sworn assertion; the nuisance is up to this moment unabated - horses may still shy, and lives, nearly as precious as your own may be endangered.
If you think well of the proposition, appoint a day; make the amends honourable in a public manner; you shall handle the brush, and I will hold the paint-pot, surrounding spectators will applaud, and I shall be satisfied in the mean time, great prototype of Aristides, I bid thee adieu.
ROBT. BAINBRIDGE, the Bellman.
P. S. - I had nearly forgotten to urge on your consideration, that the loss of life occasioned to any person in consequence of the neglect with which my admonitions have hitherto been treated, will most deservedly be laid to your charge.

On the original matter in dispute, see [News], The Cornwall Chronicle (9 December 1837), 2

http://nla.gov.au/nla.news-article65954460 

[Advertisement], The Cornwall Chronicle (28 April 1838), 72

http://nla.gov.au/nla.news-article65949388 

ADVERTISEMENT. To W. F------, Esq., Justice of Peace, &c., &c., &c.
GREAT SIR, - Although I am not much addicted to the peculiar type of superstition which consists in a belief in dreams, and still less to that peculiar species of vanity implied in their rehearsal, - yet, as you appeared to be the principal actor in the one I am about to relate, it may not be altogether uninteresting to those who, like myself, are incessantly besieging heaven with prayers on your behalf . . . I dreamed, then, that I was standing nearly opposite a certain Post, which whose locality you, Sir, are, I believe, equally as well acquainted as myself . . .
- ROBT. BAINBRIDGE.

[Advertisement], The Cornwall Chronicle (3 August 1839), 3

http://nla.gov.au/nla.news-article65953832 

ADVERTISEMENT. (To the Public.)
THE undersigned through persecution being about to resign his present pursuits as Bellman and Bill-sticker, but feeling it a duty incumbent on him, he wishes to return his sincere and grateful thanks to the whole of the Auctioneers on this Northern side of the Island, for the very liberal support, and in fact the unbounded kindness, he has received from their hands during a period of nearly five years . . .

[News], The Cornwall Chronicle (17 August 1839), 2

http://nla.gov.au/nla.news-article65953394 

The address to Bob Bainbridge, late Bellman and Bill Sticker, on the occasion of his retiring from his official duties, with that gentleman's reply, came too late for insertion; it shall appear in our next.

NOTE: Having retired from his office, Bainbridge sailed for Port Phillip; however, perhaps not finding the mainland to his taste, he returned to Launceston in October.

"LAUNCESTON TEETOTAL SOCIETY", Launceston Advertiser (16 June 1842), 3

http://nla.gov.au/nla.news-article84768664 

The meetings of this Society are becoming more and more attractive. The Infant School Room on Tuesday night was crowded, and we are glad to record that the meeting went off peaceably without any boisterous opposition . . . The speakers were Messrs. Sherwin, Price, Stanley, Silcock, Tevelein and others . . . A person named Robert Bainbridge, perhaps better known as "Bob the Bellman" rose for the purpose of catechising Mr. Sherwin, and enquired whether it was not a fact that he received two or three hundred pounds a year for the rent of a Brewery? Mr. Sherwin entered into an explanation, and stated that the properly was let on lease, which would expire in 1850, and then if he were to renew it, the question might be asked him, to some purpose. Mr. Bainbridge said, that without waiting till 1850, for an answer to a question of that sort he wished to know whether what he had stated, was not the fact. Mr. Sherwin again explained, and fully exculpated himself from the implied charge of inconsistency. A Band composed of teetotallers was present and played "See the Conquering Hero Comes" at the opening of the Meeting, and God Save the Queen at its termination. About twelve persons signed the pledge.

[News], The Cornwall Chronicle (13 May 1843), 2

http://nla.gov.au/nla.news-article66016321 

ROBERT BAINBRIDGE, the bellman, has has handed us the following statement, which he thinks should be published. We are exactly of the same way of thinking. We do not hold with the opinion, which gentlemen in the employ of the people, too generally imbibe - that they are a sort of china ware, and are privileged to treat the common people - the delf - with contempt, insolence, and neglect. "May 1st - This morning a man named Geo. Thompson, who lodges with me, who is in the employ of Mr. Henty, while eating his breakfast, fell from his chair in a fit. He foamed at the mouth, und struggled violently. I was much alarmed, and having obtained the assistance of three of my neighbours, I ran over to Dr. Benson, to whom I staled the case, and requested his assistance. He said he would come over presently, but did not come for one hour afterwards, at the least . . .

"DARING ROBBERY", The Cornwall Chronicle (27 May 1843), 2

http://nla.gov.au/nla.news-article66020092 

A most daring robbery was committed at the stores of Messrs. Williams, Campbell and Co., at the upper end of Brisbane-street, on Friday morning, the 19th inst. About seven o'clock on the morning in question, two men were seen to proceed to the above stores with a truck, and shortly afterwards a large bale of goods was lowered down from the upper story and conveyed away in the truck in the direction of Tamar-street. A young man of the name of Hart, who resides opposite the stores, having observed the transaction, gave notice to some of Messrs. Williams' people, when it was ascertained that a bale of blankets containing sixty-two pair, had been stolen. Information was given to Mr. Davis, the district constable, who succeeded in apprehending two men named John Appleby and John Gibbs, who have been identified as the men who took away the bale in the truck on Friday morning. On Monday evening Mr. Davis observed a person named John Sturzaker wheeling a barrow load of blankets in Wellington-street, who, on being questioned by Mr. Davis, stated that he had purchased them from a man named Robert Bainbridge, commonly known as Bob the Bellman. On proceeding to the residence of Bainbridge, the latter immediately denied having sold the blankets, but said they had been left at his house by Sturzaker. Bainbridge on been further questioned by Mr. Davis, denied having any more blankets, but on search being made, not less than twenty pair were found in an inner room. The whole of the parties were this morning fully committed to take their trial, the property having been identified.

"SUPREME COURT - CRIMINAL SITTINGS. THURSDAY, July 6th", The Teetotal Advocate (10 July 1843), 2

http://nla.gov.au/nla.news-article228139075 

John Appleby, John Gibbs, John Sturzaker, and Robert Bainbridge, were indicted, the two former for stealing and the latter for receiving, knowing it to be stolen, one bale of blankets, the property of Messrs. Williams, Campbell and Co., on the 19th May last. This case occupied the court until nearly nine o'clock at night, but the particulars appeared fully before the public at the time of the robbery. It appeared in evidence that two bales of blankets were stolen at different periods, and there was no proof that the bale received by Sturzaker and Bainbridge was the one stolen by Appleby and Gibbs. The latter were convicted and the former acquitted.

1844, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1144617; RGD35/1/16 no 14

https://stors.tas.gov.au/NI/1144617 

https://stors.tas.gov.au/RGD35-1-16$init=RGD35-1-16P111 (DIGITISED)

9 January / Robert Bainbridge / Male / 40 years / Laborer / Natural decay . . .

BAKER, Benjamin F. (Benjamin BAKER; Mr. B. F. BAKER; Mr. BAKER; Ben BAKER)

Musician, minstrel, serenader, vocalist, dancer, banjo and tambourine player

Active Geelong and Melbourne, VIC, April to August 1854
Arrived Adelaide, SA, 19 August 1854 (per Bosphorus, from Melbourne, 14 August)
Departed Fremantle, WA, 4 January 1855 (per Eleanor, for Mauritius, from Adelaide, 25 November)
Arrived Adelaide, SA, by October 1857 (via Swan River, WA)
Active NSW, until 1859-60 or later

https://trove.nla.gov.au/search?l-publictag=B+F+Baker+serenader (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAKER-Benjamin-F (shareable link to this entry)

Documentation:

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (1 April 1854), 4

http://nla.gov.au/nla.news-article91935258 

THEATRE ROYAL. SATURDAY EVENING, APRIL 1ST, A MONSTER MUSICAL MELANGE.
Vocal Performers: Messrs. Thayer, Ewins, Dixon, John Clark Howard, David Penton,
Benjamin Baker, Benjamin Davis, George Laberne, Mrs. Moore, and Mdme. Sara Flower . . .
Sole Lessee & Manager, Mr. Deering.

ASSOCIATIONS: Mark Thayer (musician, minstrel); Frederick Dixon (vocalist); George Laberne (vocalist); Rachel Moore (vocalist); Sara Flower (vocalist); Henry Deering (actor, manager); Theatre Royal (Geelong venue)

[Advertisement], The Argus [Melbourne, VIC] (1 June 1854), 8

http://nla.gov.au/nla.news-article4808615 

CRITERION HALL, Great Collins-street.
Thursday Evening, June 1st, 1854.
Unrivalled Success of TOTTEN'S HARMONEONS.
Under the Patronage of the Mayor of Melbourne . . .
John Hodgson, Esq., M.L.C., Mayor of Melbourne, and other distinguished guests.
Grand Family Night. The Harmoneons in White Faces! Another Great Hit.
MR. BAKER, As Miss Lucy Long, has met with the approbation of the crowds who have witnessed his performances.
PROGRAMME.
PART I. With White Faces.
Opening Glee - The sun's gay beams, (from Weber's Eurianthe) - Kitts, Pierce, Thayer and Dixon.
Song and Chorus - She's seen when the vapors of morn arise, (Music from The Enchantress,) - Kitts and Company.
Quartette - Napoleon's Grave - Thayer, Dixon, Pierce, and Kitts.
Fantasia - Concertina, with pianoforte accompaniment by Thayer - Pierce.
Glee - To Greece we give our shining blades - Pierce, Kitts, Thayer, and Dixon.
Comic Song - Thayer.
An Interval of Ten Minutes.
PART II. Ethiopian.
Overture - Wrecker's Daughter - Full Band.
Ever be happy (Music from the Enchantress) - Company.
Fire down below - Pierce.
Farewell to Old Tennessee - Dixon.
How do, John? - Thayer.
Uncle Tom's Cabin Home - Kitts.
Lynchburg Town - Baker.
Duet - Come to the Old Gum Tree - Pierce & Kitts.
Poor Uncle Tom - Dixon.
Oh! Lemuel - Thayer.
Finale to Part Second, Trio - The Darkey Schoolmaster - Kitts, Pierce, and Thayer.
PART III.
Solo - Flutina - Pierce.
Solo - Banjo - Clark.
To conclude with the Laughable Negro Extravaganza, entitled
NO REHEARSAL, NO PERFORMANCE; Or [REDACTED] turned Philosophers!
Mr. Ned Swizzle, proprietor of a show shop - Thayer.
Jim, a sweeper of the floor, and a philosopher on dust, water, &c. - Pierce.
Mr. Johnson, a violin player who understands catching flies - Baker.
Bones, a would be philosopher - Lee.
Pete Snooks, a bill-sticker who understands what bill-sticking is - Pierce.
Mr. Smithers, conductor of the band, and a member of No. 2 - Lee.
Lamplighter - Clark.
Mademoiselle Lucy Long - Baker.
Audience, check-takers, apple dealers, &c., by a host of auxiliaries.
Musical Director - Mr. J. O. Pierce . . .
E. TOTTEN, Manager.

ASSOCIATIONS: Elbert Totten (manager); John Ottis Pierce (minstrel); J. C. Lee (member); John Clarke (minstrel); Totten's Harmoneons (troupe); Criterion Hall (Melbourne hotel venue)

[Advertisement], Geelong Advertiser and Intelligencer (17 June 1854), 5

http://nla.gov.au/nla.news-article91931561 

ROYAL AMPHITHEATRE, RYRIE-STREET, GEELONG. SATURDAY EVENING, JUNE 17.
Positively the last night. Grand Complimentary Benefit to Mr. E. TOTTEN . . .
Mr. BAKER will appear as the King of Australian Juba Dancers, in the Virginia Breakdown . . .

[Advertisement], The Argus (4 August 1855), 7

http://nla.gov.au/nla.news-article4795973 

TOTTEN'S ETHIOPIAN HARMONEONS -
To the Ladies and Gentlemen of the City of Melbourne and its vicinity.
The Concerts of the Harmoneons being about to close in this city, as the Company intend shortly to depart for Calcutta, Mr. E. Totten takes this early opportunity of returning his sincere thanks to the liberal public of Melbourne for the patronage bestowed on them since their first appearance, and begs to announce that their concluding series of concerts will commence on Thursday, August 10th, in the Criterion Hall.
On that occasion Mr. Baker will take his first and last benefit . . .

[Advertisement], Adelaide Times [SA] (7 September 1854), 1

http://nla.gov.au/nla.news-article49198142

ROYAL VICTORIA THEATRE, GILLES ARCADE.
THIS EVENING (Thursday), September 7th, 1853.
First Grand ETHIOPIAN MUSICAL SOIREE of TOTTEN'S HARMONEONS . . .
The Company consists of the following gentlemen of acknowledged talent
Messrs. Pierce - Concertina and Flutina.
Kitts - Guitar.
Thayer - Violin.
Clark - Banjo.
Baker - Tambourine.
Lee - Bone Castanets . . .
The Music consists chiefly of the gems of different Operas, which have been parodied and adapted to the Ethiopian character . . .
E. TOTTEN, Manager.

ASSOCIATIONS: James Edward Kitts (minstrel, musician, vocalist); Royal Victoria Theatre (Adelaide venue)

[Advertisement], Adelaide Times (13 September 1854), 1

http://nla.gov.au/nla.news-article207017813 

ROYAL VICTORIA THEATRE, GILLES ARCADE.
THURSDAY EVENING. SEPTEMBER 14, 1854. Grand Family Night.
Totten's unrivalled company of Ethiopian Harmoneons,
Messrs. Pierce, Kitts, Thayer, Clark, Baker, and Lee.
FOURTH GRAND PERFORMANCE . . .
First appearance in Adelaide of MISS LUCY LONG,
In the person of Mr. B. F. BAKER, attired in the world renowned
BLOOMER COSTUME, as originally danced at Christy's Opera House, New York . . .

[Advertisement], South Australian Register (20 October 1854), 1

http://nla.gov.au/nla.news-article49197920 

ROYAL VICTORIA THEATRE. - A CARD - Mr. B. F. BAKER'S BENEFIT. - MONDAY EVENING, OCTOBER 23rd, 1854.

[Advertisement], South Australian Register (21 October 1854), 1

http://nla.gov.au/nla.news-article49198757 

ROYAL VICTORIA THEATRE.
Under the PATRONAGE of the PEOPLE. MONDAY EVENING, October 23.
FAREWELL BEVEFIT OF MR. B. F. BAKER, alias MISS LUCY LONG, alias BLUE TAIL-FLY, alias SAMPSON.
Mr. BAKER, in making this (his first) appeal to the South Australian Public, begs to assure them that nothing shall be wanting on his part or the rest of the company to please all who may favour him with their patronage on the above-mentioned evening, when the following choice and well-selected Programme will be presented for their approval.
PROGRAMME.
PART I.
Introductory Overture - Full Band.
Opening Chorus, "Ever be Happy," - Company.
"I'm off for Charleston," (first time) - Baker.
"Sam Brown," - Kitts.
"Angelina Baker," - Pierce.
"Lilla Dale" - Thayer.
"Gall from the South," - Clark.
"Merry is the Minstrel's Life," (Duet) - Pierce and Kitts.
An intermission of ten minutes.
PART II.
Miscellaneous Olio.
Song - "Blue-Tail-Fly," with Imitations - Baker.
Banjo Solo - Clark.
Concertino Solo - Pierce.
Virginia Breakdown - Baker.
A short intermission.
PART III.
"Ole Bull and Old Dan Tucker," - Pierce.
"Brudder Gum," - Baker.
"All the Old Folks are Gone," - Kitts.
"Old Napper," Lee.
"Stop dat Knocking," - Pierce and Company.
Song and Paraphrase - "Old Uncle Ned," - Clark and Pierce.
The Evening's Entertainment to conclude with the "Lucy Long Dance," by Baker.
Mr. Chapman's Band have kindly volunteered their services . . .
E. TOTTEN, Manager.

ASSOCIATIONS: William Chapman (musician)

"Shipping Intelligence. ARRIVED", The Perth Gazette and Independent Journal of Politics and News [WA] (22 December 1854), 2

http://nla.gov.au/nla.news-article3175699 

On the 14th instant, the barque Eleanor, Cook, master, from Adelaide bound to Mauritius, put in leaky. Passengers - Captain and Mrs. Robinson, Messrs. Lee, Kitts, Thayer, Baker, Clark and M. Tomson.

[Advertisement], The Perth Gazette and Independent Journal of Politics and News (29 December 1854), 2

http://nla.gov.au/nla.news-article3175725 

THIS EVENING. NEW YORK SERENADERS.
AT MR. COLE'S "UNITED SERVICE TAVERN."
MOST POSITIVELY THE LAST NIGHT of this talented Company on PERTH, as they leave on Monday for the Mauritius.
Reduction in Prices. Front seats, 4s. Back ditto, 2s 6d.
By particular desire Mr. Baker will appear as MISS LUCY LONG.
An entirely new Programme of Songs, Choruses, Conundrums, &c, will be presented.
Cards of admission may be obtained of Mr. Cole, at the United Service Tavern, at the Freemason's Tavern, and at the door on the evening of performance.
J. E. KITTS, Manager.

ASSOCIATIONS: New York Serenaders (troupe, 1854 lineup)

"Shipping Intelligence . . . SAILED", The Perth Gazette and Independent Journal of Politics and News (12 January 1855), 2

http://nla.gov.au/nla.news-article3175753 

On the 4th instant, the barque Eleanor, Cook, master, for the Mauritius. Passengers - 6 New York Serenaders, and two others.

"PORT THEATRE", Adelaide Times [SA] (30 October 1857), 3

http://nla.gov.au/nla.news-article207125096 

This place of amusement has been closed for a long season, but it is now in contemplation to open it for a few evenings, with a varied entertainment by Messrs. Baker and Barlow. The former is the same gentleman who for so long excited the risibility of the good citizens of Adelaide when in Rainer's and Totten's troupes of Serenaders, and it is asserted that his late voyage from Swan River has only improved his voice, and he now surpasses himself in vocal harmony. Of Mr. Barlow we knew yet but little more than he is highly recommended by the Melbourne papers as a fit companion for Mr. Baker, whose performances will be greeted with pleasure by many who have before heard him in the celebrated "Blue-tailed Fly."

ASSOCIATIONS: Robert Barlow (musician, vocalist); Baker is not documented as having been a member of Rainer's Serenaders (troupe)

"WHITE'S ROOMS", Adelaide Times (4 November 1857), 3

http://nla.gov.au/nla.news-article207125224 

Mr. Barlow's final entertainment came off yesterday evening, before a very numerous and highly delighted audience. Mr. Barlow was as clever as ever in extracting harmony from his curious stock of musical instruments; and his comic songs were unusually successful. He was assisted on the occasion by Mr. Baker, who was in good voice, a rich vein of humour (Ethiopian), and in ragged costume to match.

ASSOCIATIONS: White's Rooms (Adelaide venue)

[Advertisement], Adelaide Times (5 November 1857), 3

http://nla.gov.au/nla.news-article207125249 

PORT THEATRE. BARLOW'S VOCAL AND INSTRUMENTAL ENTERTAINMENT.
FOR ONE NIGHT ONLY. FRIDAY, NOVEMBER 6.
ASSISTED by Mr. BAKER, the great American Juba Dancer, who will appear in his celebrated character of Lucy Long, and the Grape-Vine Twist.
Mr. Barlow will sing a variety of new Songs, Comic and Sentimental, and also perform on upwards of a dozen Musical Instruments,
viz., Banjo, Violin, Pianoforte, Guitar, Flute, Rock Harmonicon (or Musical Stones), Gridiron, Kitchen Bellows, and his New Organ Melophone; together with his inimitable "Blue Tailed Fly," Farmyard Imitations, beautiful Negro Ballads, eccentric Love Stories, Dancing, Drolleries, English and Irish Aneedotes, Conundrums, &c., &c.
Admission - Boxes, 5s.; Pit, 2s. 6d.; Gal. 1s. Doors open at half-past 7; commence at 8.

"Mr. BARLOW'S ENTERTAINMENT", Adelaide Observer (5 December 1857), 1 supplement

http://nla.gov.au/nla.news-article158114932 

Mr. Barlow, assisted by Mr. Baker, again delighted a crowded audience on Thursday evening, at the Port Theatre, by one of his inimitable entertainments. The songs and dances, comicalities, and conundrums, kept the house in roars of laughter; while the extraordinary performances on extraordinary instruments, and the excellent delivery of songs of wholesome sentiment, elicited shoats of applause. Messrs. Barlow and Baker leave for Melbourne to-day in the White Swan.

[Advertisement], The Argus [Melbourne, VIC] (19 July 1858), 8

http://nla.gov.au/nla.news-article7297776

GRAND MUSICAL TREAT at
HOCKIN'S ASSEMBLY ROOMS, Lonsdale and Elizabeth streets.
BARLOW, The world-renowned and original
BLUE TAILED FLY, Who created such a great sensation in Melbourne five years ago,
will make his re-appearance, at the above rooms, for three nights only, on
TUESDAY, WEDNESDAY, and SATURDAY next the 20th, 21st, and 24th of JULY,
Assisted by MADAME ARNATI WHITE, From the Royal Academy of Music,
Also, Mr. WHITE, The celebrated Pianist;
with Mr. BEN BAKER, The great American Juba Dances and Banjo Player . . .

ASSOCIATIONS: Emilia and Thomas White (vocalist, pianist); Hockin's Rooms (Melbourne venue)

[Advertisement], The Argus (20 September 1858), 8

http://nla.gov.au/nla.news-article7301324 

THEATRE ROYAL. MONDAY EVENING, SEPTEMBER 20.
COMPLIMENTARY BENEFIT To the SAN FRANCISCO MINSTRELS.
Under the patronage of James M. Tarleton, Esq., United States Consul,
And the American Merchants and Residents in Melbourne.
First Appearance of MR. JOHN DUNN, The original London Jim Crow, who has kindly volunteered his valuable services.
First Appearance of MR. BEN. BAKER, The celebrated Breakdown Dancer.
First Night of the celebrated ETHIOPIAN OPERA of OH, HUSH! As performed by T. D. Rice, by Royal Command, Before Her Majesty QUEEN VICTORIA . . .

ASSOCIATIONS: John Benjamin Dunn (comedian); San Francisco Minstrels (troupe); Theatre Royal (Melbourne venue)

THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (25 September 1858), 2

http://nla.gov.au/nla.news-article201374187 

On Monday evening the San Francisco minstrels took a farewell benefit, the performance being under the patronage of the American Consul and sundry merchants hailing from "The Union." An excellent house warmly applauded the meritorious efforts of the serenaders, and eleven o'clock was all too soon to leave such an amusing entertainment. The fun is at times almost too uproarious, but it is almost always genuine, and never offensive. These gentlemen should play again in Melbourne, where they will always be welcome. By way of supplement to the normal performances, Mr. John Dunn, "the original Jim Crow," and Mr. Baker, the [REDACTED] Break-down Dancer, lent their assistance; and not without success . . .

[Advertisement], The Sydney Morning Herald [NSW] (24 September 1859), 1

http://nla.gov.au/nla.news-article13031138 

CONCERT HALL, Bull and Month, TO-NIGHT.
RATTLESNAKE JIG, by Ben Baker.
COMIC SKETCH, by Campbell and Hayward.
BOB RIDLEY'S FESTIVAL, by the Minstrels.
REFRESHMENTS, bar prices. Admission, free.
COME EARLY, to secure seats.

ASSOCIATIONS: Bull and Mouth (saloon, corner Pitt and Market Streets); Joseph Wakely (proprietor); see Women of Pitt Street 1858 (Dictionary of Sydney)

[Advertisement], The Sydney Morning Herald (22 October 1859), 1

http://nla.gov.au/nla.news-article13032101 

CONCERT HALL, Bull and Mouth, TO-NIGHT. Triumphant success of the Minstrels.
RATTLESNAKE JIG, Blue Tail Fly, and Banjo Solos, by BEN BAKER.
THE MULETEER, by Campbell; Etty Waye, by Hayward; Bob Ridley, by Company.
CLOG DANCE, and Comic Songs, by Hammersley. Observe, refreshments at bar prices.

[Advertisement], The Sydney Morning Herald (29 October 1859), 1

http://nla.gov.au/nla.news-article13032421 

CONCERT HALL, BULL and MOUTH, TO-NIGHT. The only efficient company in Sydney.
Engagement of the celebrated Comic and Characteristic Vocalist, FRANK SHORT, who will appear every evening in conjunction with Messrs. Ben Baker, Campbell, Hayward, Hammersly, Barton, and Flintoff. Refreshments, bar prices.

ASSOCIATIONS: Frank Short (vocalist)

"VICTORIA THEATRE", Bathurst Free Press and Mining Journal [NSW] (14 March 1860), 2

http://nla.gov.au/nla.news-article63592658 

The business at this Theatre has been very bad for the Manager Mr. Coleman, for notwithstanding the Attractive Bills put out during the past week, the audiences have been very thin, indeed there can be but little doubt that the speculation has been, is, and must be a losing one; and there are more reasons than one for this; Mr. Macegown is a favourite, and deservedly so, with the Bathurst public; the Lyceum is in the heart of the town, whilst the Victoria is certainly at a most inconvenient distance from the majority of play-goers. We are sorry that Mr. Coleman's success has been so questionable and precarious, as that gentleman has undoubtedly struggled hard to present a respectablo performance to the public. Miss St. Clair is really a verv clever actress, she sings well, speaks well and acts well, but with such miserable audiences, we should not have been disappointed to have seen her performances failures, which they certainly have not been. The Sable Minstrels under Mr. Baker are exceedingly talented, there are but three of them, but for their number, we do not remember to have seen them excelled. Mr. Haywood's performances on the bones are truly astonishing, and we have no hesitation in saying that he is equal if not superior to any "bones" in the country. The Violin player is evidently a good musician, and Mr. Baker as a dancer and banjo player is very amusing. We hope to see them more successful.

ASSOCIATIONS: Barned Jullien Coleman (actor, manager); Robert McGowan (actor, manager); Emma St. Clair (actor, vocalist); Royal Victoria Theatre (Bathurst venue); Lyceum Theatre (Bathurst venue)

"CARCOAR [FROM OUR OWN CORRESPONDENT] . . . MUSICAL ENTERTAINMENT", Bathurst Free Press and Mining Journal [NSW] (29 August 1860), 2

http://nla.gov.au/nla.news-article63596272 

Messrs. Baker and Dickerson gave two nights amusement in our Court-house; their entertainment consisted of some of the most popular negro melodies in which they accompained themselves on the violin and banjo; their singing and playing were very good, and their performances gave general satisfaction to respectable audiences.

BAKER, William (William BAKER; Mr. BAKER)

Musician, saxhorn player, bandsman, Band of the 40th Regiment

Born Madras, India, 27 August 1831; baptised Secunderabad, Madras, 27 September 1831; son of James BAKER (1788-1840) and Elizabeth COSSWICK (d. 1832)
Enlisted (40th Regiment), Meerut, India, 3 January 1843 (aged "11")
Arrived Melbourne, VIC, 5 November 1852 (per Vulcan, from Cork)
Departed Melbourne, VIC, 18 July 1860 (per City of Hobart, for New Zealand)
Discharged (40th Regiment) Mullingar, Ireland, 20 September 1870
? Died after 1900

https://trove.nla.gov.au/search?l-publictag=William+Baker+b1831+40th+Regiment (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAKER-William-40th-Regiment (shareable link to this entry)

Summary (after a family history):

William Baker was born at Madras, India, on 27 August 1831, and baptised at Secunderabad church, Madras, on 27 September 1831, a son of James Baker, Drum Major of the 40th Regiment of Foot, and Elizabeth Cosswick, who had married at Secunderabad on 24 May 1830. His father John, prior to becoming drum major, had almost certainly been with the regiment previously in Australia, perhaps as a bandsman.

His mother having died in 1832, he was raised by an Indian ayah (nurse) until aged six. He was then placed in the care of the wife of a private, who ill-treated him, whereafter the colonel allowed him to live with the drummer boys from age seven. The regiment received special dispensation to enlist him as a private at age 11 years and 9 months on 3 June 1843. When, in 1843, the regiment was ambushed at Maharajpoor (about 50 miles from Agra) by the Mahratta Army, William was a duty drummer. In December 1843 he received the medal, the "Maharajpoor Star", inscribed "William Baker, boy, 11 Years".

He married Jane Grant, and they lived in the regiment. In Melbourne, they were stationed at the Princes Barracks where their eldest daughter Leila Beatrice was born in 1858. Posted to New Zealand in 1860, William took part in the first Teranaki War (Maori War) of 1860-61 and the second Maori War of 1863-64. A a daughter Elizabeth Mary Ellen in Auckland, c. 1864 and son William George in Te Amawutu, NZ, c. 1866. Soon after returning to Britain in 1866, the Regiment was posted to Mullingar, Ireland, where William was discharged finally on 11 October 1870. He then took a position as a timekeeper with the Boyne Engineering Works, Jack Lane, Hunslet, Leeds. At the time of the 1881 census, he was living with his family at 5 Black Bull Street, Leeds, and still employed as "time keeper". He attended Hunslet Parish Church, and played in one of the Leeds theatre orchestras.

Documentation:

Pay-list of the 40th Regiment, 1 April to 30 June 1853; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1592566821 (DIGITISED)

PRIVATES . . . 1764 / Baker William / . . . Band . . .

[Advertisement], The Argus (29 September 1854), 8

http://nla.gov.au/nla.news-article4798260 

GRAND NIGHT At Astley's.
Sole Lessee, Mr. George Lewis. Conductor and Leader, Mons. Fleury.
Friday, September 20th, 1854. Presentation Benefit to Mr. Barlow,
The celebrated and world-renowned vocalist, on which occasion . . . .
The following Artistes will appear: . . .
Messrs. . . . Johnson, Reed, Hartigan, King, Cooze, Baker, Herr Strebinger, Herr Collin . . .
1. Overture from the Opera of Zanette, by the Orchestra - Auber . . .
5. Algar Polka, by the Band - D'Albert . . .
7. Irish Quadrilles, by the Band . . .
12. Standard Fantasia, Herr Collin.
13. Solo, Herr Strebinger.
14. Scotch Selection, Mr. H. Johnson . . .
16. Favorite Piece, by the Band . . .

ASSOCIATIONS: Robert Barlow (vocalist, musician); Achille Fleury (conductor, violin, leader); Henry Johnson (master of the 40th band); Thomas Reed (musician); Joseph Hartigan (of the 40th band); Thomas King (musician) or Edward King (musician); William Joseph Cooze (musicians); Frederick Strebinger (violin); Leopold Frederick Collin (musician); Astley's Amphitheatre (Melbourne venue)

[Advertisement], The Argus (10 April 1855), 8

http://nla.gov.au/nla.news-article4806506 

CONCERT HALL. Theatre Royal . . .
To-Night. Tuesday, April 10th. To-Night, Recommencement of the
GRAND PROMENADE CONCERTS, In the Magnificent Entrance Hall of the New Theatre Royal, Now in course of Erection . . .
Band of Twenty Solo Performers. Director and Manager, Mr. Callen.
Solo Instrumentalists: Herr Strebinger, Mr. Johnson, Mr. Hartigan, Mr. Prince, Mr. Cullen,
Ryder, King, Radford, Thomas, Gover, Cooze,
Baker, Trintle, McCarthy, Macnamara, French,
Sullivan, Phair, Simpson, Rodgers.
For the First Time in the Colony,
THE SPLENDID INDIAN QUADRILLES, Founded on Indian Melodies,
which created great enthusiasm at the great Promenade Concert given by Julien at the Drury Lane Theatre . . .

ASSOCIATIONS: George Douglas Callen (conductor), master of the Band of the 12th Regiment (military); Henry Prince (of the 12th band); George Hopwood Ryder (musician); one of the Radford brothers (musician); Herbert Thomas (musician); Henry Barman Gover (musician); Theatre Royal (Melbourne venue, in course of construction)

[Advertisement], The Argus (21 April 1855), 8

http://nla.gov.au/nla.news-article4807048 

CONCERT HALL, THEATRE ROYAL.
PROMENADE CONCERT . . . Conductor, Mr. Callen . . .
Trio - Zetti, Zetti, cornet, althorn, and ophicleide; Messrs. Prince, Baker, and Hartigan - Rossini . . .

[Advertisement], The Argus (14 June 1855), 8

http://nla.gov.au/nla.news-article4809590 

THEATRE ROYAL. Bourke-street.
Grand Promenade Concert. To-Night (Thursday), Last but Two.
For the Benefit of HERR STREBINGER.
The Unrivalled Band of Solo Performers.
Conductor, Mr. Callen . . .
PROGRAMME: Part I. Overture, Zampa - Herold . . .
Solo, Sax Horn, Mr. Baker, his first appearance . . .

[Advertisement], The Argus (23 June 1855), 8

http://nla.gov.au/nla.news-article4809811 

SALLE DE VALENTINO.- Mons. Fleury will perform on Monday, 25th inst. . . .
Fleury's Band, comprising the leading talent of the colonies, will consist of the following artistes:
Mons. Fleury, Conductor and Leader. Messrs. Reid, Fihon, 2nd Violins. Handoff, Double Bass.
Kinzella, Clarionet. De Labestries, Cornopean. Baker, Saxe Horn. Hartigan, Ophecleide.
Brown, Flute. Kummons, Bassoon. Sterne, Drum.

ASSOCIATIONS: Auguste Filhon (violin); Alfred Labalestrier (cornopean); James Kinsella (clarinet); Salle de Valentino (Melbourne venue)

[Advertisement], The Argus (8 August 1855), 8

http://nla.gov.au/nla.news-article4814586 

SALLE DE VALENTINO. - Grand Duetta (Love and War) by Messrs. Hartigan and Baker, Ophicleide and Saxe-horn.

[Advertisement], The Argus (18 August 1855), 8

http://nla.gov.au/nla.news-article4815588 

SALLE DE VALENTINO . . . Instrumentalists:
Violinists, Messrr. Read and Fillon. Ophecleide - M. Hartigan (the first soloist in the colony.)
Cornopean - M. De la Balestriere. Saxe horn, Mr. Baker.
Clarionette - Mr. Kinsella. Double-bass - Herr Hendorff.
Trombone - Mr. McNamara. Drum - Mr. Jenkins.
And Herr Polin [sic], the celebrated solo performer on the flute.
M. FLEURY, Leader and Conductor . . .
Programme:
Gazza Ladra, - overture - Rossini.
Duette, "Lucrezia di Borgia," Baker and Hartigan.
La Sultana des fleurs (arranged for full band by M. Fleury).
Faust Valse (Diabolique) - Char. D'Albert.
Malta Quadrille - J. Kalozdy.
La Vie de Boheme - Chretien.
Napoleon Quadrille - Musard.
Gadogan Polka, composed by Kalozdy, Conductor of the Hungarian Band.
Solos by Mr. Hartigan and Polin every night next week.

ASSOCIATIONS: Lawrence Frederick Palin (flute)

[Advertisement], Geelong Advertiser (5 June 1860), 3

http://nla.gov.au/nla.news-article148791496 

GRAND MILITARY CONCERT. THIS EVENING.
PROGRAMME. Haydn's Seasons. PART I . . .
PART II. GRAND SELECTIONS.
THE MILITARY BAND IN UNIFORM. 33 PERFORMERS.
Band Master - MR. JOHNSON.
Overture - "Masaniello" - Auber
Potpourri - With solos for the following instruments - Hamm
Cornopean - Mr. STEWART
E Flat Clarionet - Mr. TINER
F Flat Clarionet - Messrs. MURRELL & MADDEN
Cornopeans - Messrs. STEWART & LLEWELLYN
Sashorn - Mr. BAKER
Wedding March - Mendelssohn
Saxhorn Solo - With Variations - Mr. Baker - Berg
Galop - "The Cuckoo" - Gung'l
GOD SAVE THE QUEEN!

"TE AWAMUTU HISTRIONIC CLUB [FROM OUR OWN CORRESPONDENT]", New Zealand Herald [Auckland, NZ] (12 November 1864), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18641112.2.19 

On Wednesday and Thursday evenings last, 2nd and 3rd instant, the members of this club made their debut on the stage of the Theatre Royal . . . On Thursday evening the performance commenced with a grand selection from Flotow's favourite opera, "Martha," performed in a most creditable manner by a portion of the band of the 40th, conducted by Sergeant Baker, after which the "Unfinished Gentleman" was proceeded with . . .

CAMP TE AWAMUTU (FROM OUR OWN CORRESPONDENT) . . . December 28", Daily Southern Cross [Auckland, NZ] (2 January 1865), 5

https://paperspast.natlib.govt.nz/newspapers/DSC18650102.2.26 

A ball took place on the evening of the 26th . . . The orchestra . . . was under the able management of Sergeant Baker, assisted by Messrs. Weaver, Wakefield, and Tiner, distinguished members of the dashing band of the 40th Regiment. The programme consisted of some twenty five of the most fashionable dances, commencing with the "Parisians," and ending with "Sir Roger de Coverley" . . .

"TE AWAMUTU [FROM OUR OWN CORRESPONDENT] March 17", New Zealander (27 March 1865), 3

https://paperspast.natlib.govt.nz/newspapers/NZ18650327.2.15 

The performance given by the Waikato Minstrels in aid of the Church Decoration Fund came off on Wednesday night . . . The refreshment department, under the able management of Band Sergeant Morrell, 40th and staff, was in the open air just at the entrance of the building, and the rush for coffee at the intervals during the entertainment was well worth seeing. The company sang in their usual splendid style, Skin and Bones maintaining their usual character as wits and humorists. Some very good songs were given by Messrs. Baker, Gill, Walsh, and Demeira, whose negro aliases are respectively Cato, Julien, Skin, and Bones, and Mrs. Johnson (Callen), contributed her share in her usual charming manner. The interlude consisted of a dance between Skin and Bones, "Buckley's Crying Song" by the latter, a solo on the alt-born by Sergeant Baker, 40th, and some wonderful exploits of Skin with the broadsword . . . Mr. Prior of the 40th, was rapturously encored in "The Jolly Old Cobbler," and responded with "'Tis a blessing to be poor." A portion of the band of the 40rh Regiment played several airs during the evening. I may just mention that the other members of the Waikato Minstrel Company are Cassio (Crimmins, 65th), Squash (Parker, 40th), and Pompey (Tristrim, 40th), who, as instrumentalists and chorus singers, displayed much talent. The appearance of Pompey with a pair of immense metal spectacles and a violincello, was worth the charge of admission of itself.

"ALEXANDRA (FROM OUR OWN CORRESPONDENT) June 29", Daily Southern Cross (7 July 1865), 5

https://paperspast.natlib.govt.nz/newspapers/DSC18650707.2.19 

On Tuesday, the 27th instant, the unmarried settlers at this post gave a grand ball to the married settlers and their families, in commemoration of the first anniversary of our location here . . . All the officers with their families, who could possibly attend, were there . . . The band of her Majesty's 40th Regiment provided for the orchestral portion of the entertainment, which it is needless to remark was unexceptional. Sergeant Baker, of that Regiment (a host in himself), conducted the ceremonies. The fact of its being a Settlers' Ball, and nor a military ball, was never overlooked for a moment . . .

Discharge, No. 1764, Drum Major William Baker, Mullingar, Ireland, 20 September 1870; UK National Archives, GBM/WO97/1879/104/006

https://search.findmypast.co.uk/record/browse?id=GBM/WO97/1879/105/001 (PAYWALL)

HER MAJESTY'S Fortieth REG. OF Foot . . . Mullingar 20th Sept'r 1870.
. . . Discharge of No. 1764, Drum major William Baker . . .
Service up to this day . . . 21 years 18 days . . . during which period he served abroad 16 2/12 years, viz.
at East Indies - 2 4/12 Years // in Australian Colonies - 7 8/12 years / in New Zealand - 6 2/12 years . . .
CHARACTER and CONDUCT . . . had been Very Good . . . in possession of the bronze star for Maharajpoor War, Medal for New Zealand . . .
Statement of Service . . . Private / 3 June 1843 / Under age
Appointed / Drummer / 1 March 1844 / Under age
Resigned / Private / 1 Sept'r 1846 / Under age
Private / 3 Sept'r 1849 / 7 years 301 days
Continued / Private / 1 July 1857 / 2 years 203 days
Promoted / Corporal / 20 Jan'y 1860 / 5 years 254 days
Promoted / Drum Major / 1 Oct'r 1865 / 20 Sep't '70 / 4 years 355 days
[SUMMARY] . . . by Trade a Laborer
was born in the Parish of Bangalore near the town of Bangalore in the East Indies
and was attested for the Fortieth Regt. at Meerut, in the East Indies, 3 June 1843, at the Age of 11 9/12 years
His final description . . . when discharged . . . at Mullingar this [11 October 1870] . . .
Age 39 years / 5 feet 8 1/2 inches / Complexion Fair/ Eyes Grey / Hair Light Brown / Trade Musician . . .
Intended Place of Residence - Leeds, Yorkshire.

England census, 1871, Hunslet, Leeds, Yorkshire; UK National Archives, RG10/4511/9/12

https://www.ancestry.com.au/imageviewer/collections/7619/images/WRYRG10_4510_4512-0095?pId=26142737 (PAYWALL)

26 Leathley St / William Baker / Head / Mar. / 39 / Time Keeper (Plough Works) / [born] East Indies
Jane Baker / Wife / Mar. / 35 / Dress Maker / [born] Scotland
Leila Beatrice / Daur. / 13 / Scholar / [born] Australia Victoria
Elizabeth M. E. / Daur / 8 / Scholar / [born] New Zealand
William Grant / Son / 5 / Scholar / [born] [New Zealand]
George F. / Son / 2 / - / [born] Hamps. Aldershot

BAKER, William Francis (William Francis BAKER; W. BAKER; W. F. BAKER; Mr. BAKER)

Musician, tenor vocalist, music teacher, teacher of singing, member of Lyster Opera Company

Born Ireland, c. 1839; son of Henry BAKER
Active Sydney, NSW, by 1859
Married (1 ? common law) Theresa Shirley ANDREW (1835-1879), ? San Francisco, California, USA, by 1870
Married (2) Sarah Ann THORPE, Sydney, NSW, 1881
Died North Sydney, NSW, 8 May 1899, aged "60"

https://trove.nla.gov.au/search?l-publictag=William+Francis+Baker+c1839-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAKER-William-Francis (shareable link to this entry)

Documentation:

"CENTRAL POLICE COURT. - Saturday", Empire [Sydney, NSW] (21 November 1859), 5

http://nla.gov.au/nla.news-article64093322 

William Templeton was brought before the Court for assaulting one William Baker, vocalist, King-street. The evidence gave out that the casus belli was a little ironical badinage on the part of complainant, which was responded to by a blow on his face. The defendant was fined 40s., or seven days' gaol.

Names and descriptions of passengers, per City of Sydney, from Sydney, 18 September 1861, for Melbourne;

https://prov.vic.gov.au/archive/7EDAA3FC-FA01-11E9-AE98-3B035CA54795?image=29 (DIGITISED)

. . . Mr. Kitts . . . Mr. Lyster / 40 // . . . Madame Escott / [-] // Mrs. Andrews / 26 . . .
[Mr.] Baker / 30 [sic] // [Mr.] Mitchell / 34 // [Mr.] Nathanson / 24 . . .

ASSOCIATIONS: James Edward Kitts (vocalist); Lucy Escott (vocalist); Theresa Shirley Andrew (vocalist, Baker's future wife); Mr. Mitchell (vocalist); Gottfried Nathanson (vocalist); Lyster Opera Company (troupe); Baker almost certainly first joined the Lyster troupe in Sydney in August-September 1861; he was not listed among the company on its first arrival in Sydney on 5 August; see "SHIPPING", Empire (6 August 1861), 4

http://nla.gov.au/nla.news-article60485277 

"SACRED HEART CHORAL SOCIETY", Empire [Sydney, NSW] (1 October 1862), 5

http://nla.gov.au/nla.news-article60517064 

The second concert of this society for the present season, took place on Monday evening, at the hall of the Sacred Heart, Darlinghurst, in aid of the organ fund, and, allowing for the powerful counter attractions of the Lyster concert, and the debut of Mr. Barry Sullivan, was both numerously and respectably attended. The programme presented a very judicious selection of popular music by the best modern composers, and the executants numbered amongst their ranks, Mrs. Bridson, Mr. J. E. Kitts, Mr. John Leveson, Messrs. T. Ewart, and Baker ([all 4 previous] of the Lyster opera company) . . . Mr. W. J. Macdougall and Mr. Bridson presided at the pianoforte, and accompanied the various compositions with all their accustomed taste and brilliancy . . .

ASSOCIATIONS: Sarah and Thomas Bridson (vocalist, accompanist); John Leveson (vocalist); Thomas Ewart (vocalist); William James Macdougall (accompanist); Sacred Heart Choral Society (association)

"THE OPERA", The Age [Melbourne, VIC] (17 November 1862), 5

http://nla.gov.au/nla.news-article154967512 

Meyerbeer's magnificent opera "Les Huguenots," was produced for the first time on the stage of the Theatre Royal, on Saturday evening . . . The cast was as follows: . . . Meru, Mr. J. E. Kitts; Tavannes, Mr. Ewart; De Cosse, Mr. Baker . . .

ASSOCIATIONS: Theatre Royal (Melbourne venue)

"AMATEUR DRAMATIC ENTERTAINMENT", The McIvor Times and Rodney Advertiser [Heathcote, VIC] (30 August 1867), 2

http://nla.gov.au/nla.news-article90362281 

On Wednesday, the 4th of September, Mrs. Andrews and Mr. Baker, (from Lyster's opera company), will assist several local amateurs in giving a dramatic entertainment in aid of the building fund of the Common School.

"CLEARANCES. AUGUST 28", The Sydney Morning Herald (29 August 1868), 4

http://nla.gov.au/nla.news-article13171865 

Alexander Duthie, ship, 1159 tons, Captain Douglass, for San Francisco. Passengers - . . . Mr. and Mrs. W. S. Lyster and servant . . . Madame Escott, Miss Warden, Mrs. Andrews, Mrs. King, Messrs. Squires, Beaumont . . . Baker . . . Kitts . . .

ASSOCIATIONS: Geraldine Warden (vocalist); Ada King (vocalist); Henry Squires (vocalist); Armes Beaumont (vocalist)

See also "THE LYSTER OPERA COMPANY", The Australasian (13 March 1869), 18

http://nla.gov.au/nla.news-article137563812 

This talented operatic troupe, after a sojourn of over seven years in Australia and New Zealand, left for California on the 29th of August last, in the clipper ship Alexander Duthie, which sailed from Sydney for San Francisco, and arrived (after a rather protracted passage) at the latter port, on the morning of the 13th November . . .

"MAGUIRE'S OPERA HOUSE", Daily Alta California [San Francisco, USA] (27 January 1869), 1

https://cdnc.ucr.edu/?a=d&d=DAC18690127.2.10 

"The Lily of Killarney," a sensational opera by Benedict, which has been very successful in London, was produced last night by the Lester [sic] Opera Troupe, in very acceptable style . . . Mr. Baker represented Myles Na-Coppaleen, and made a very favorable impression, winning an encore for his first song. Mr. Kitts, as Father Tom, found a character suited to his power. Miss Andrew as Shelah, struck the audience by her style of singing her verse of "The Cruiskeen Lawn," and was put forward by the others to sing in response to the demand for an encore . . .

USA federal census, 1870, Ward 10, San Francisco, California; United States Federal Census database

https://www.ancestry.com.au/imageviewer/collections/7163/images/4259321_00799?pId=12389145 (PAYWALL)

Baker William / 30 / Male / White / Music Teacher / [born] Ireland
[Baker] Theresa / 30 / Female / White / Keeping House / [born] England

[News], San Diego Union and Daily Bee (10 April 1874), 3

https://cdnc.ucr.edu/?a=d&d=SDDU18740410.2.24 

We have just receivved from Sherman & Hyde, publishers, the song, "Parted Forever." the words, which are painfully sentimental, are by Rev. Edward Hopper. The music in by W. F. Baker, Esq., and is quite acceptable.

"EASTER MUSIC IN OUR CHURCHES", Sherman & Hyde's Musical Review [San Francisco, CA, USA] (April 1874), [72]

https://archive.org/details/shermanhydesmusi11874sanf/page/72/mode/2up (DIGITISED)

. . . At St. John's Church, Oakland, the services were also impressive and the music made a prominent feature. The choir, which consists of Mrs. Hall McAllister, soprano, Mrs. Baker, alto, W. F. Baker, tenor, Pascal Loomis, base [sic], rendered the following . . .

See also, "MUSIC AT HOME . . . St. JOHN'S EPISCOPAL CHURCH CHOIR, OAKLAND", Sherman & Hyde's Musical Review (October 1874), [204]

https://archive.org/details/shermanhydesmusi11874sanf/page/204/mode/2up (DIGITISED)

. . . The alto, Mrs. W. F. Baker, we have never heard outside of this choir, and we can only say that she fills her place in the quartette to the satisfaction of the church. Mr. W. F. Baker, the tenor, has for some time held this position, and during his engagement has given evidence of sufficient capability to hold his own against the majority of those who profess greater things. To those who have been in the habit of hearing him professionally in this city, we can say but little more. With a voice of good quality, particularly in the upper register, and with a good method of singing, he compares favorably with those occupying like positions, and can be depended on for his portion of the musical service of the church . . .

[News], Marin Journal [CA, USA] (1 October 1874), 3

https://cdnc.ucr.edu/?a=d&d=MJ18741001.2.19

Baker's Panorama has exhibited here three evenings and one afternoon this week, each time to a full and enthusiastic audience. The paintings of scenes in Ireland are very fine, and the ballad singing by Mr. W. F. Baker and wife and Henry Baker is excellent. John and Jennie Moran are unexcelled in their delineations and melodies. We shall not soon have another so fine an entertainment. John Moran, in his great speciality, "The Rocky Road to Dublin," set the audience wild with excitement: he is ably supported by his little wife Jennie. Mr. Henry Baker's song, "The meeting of the waters," met with a splendid encore. Mrs. W. F. Baker's clear sympathetic ballad voice will not be forgotten for a long time in San Rafael, the song, "Mother, he's going away!" bringing the house down. And last but not least, Mr. W. F. Baker's ballad, "The beautiful girl of Kildare!" was perfectly inimitable. Mr. Baker's voice is full and strong, yet sweet and tender, and he alone would fill the house in any town in the State.

"PERSONALS . . . DEPARTURES", Sherman & Hyde's Musical Review (October 1874), [205]

https://archive.org/details/shermanhydesmusi11874sanf/page/204/mode/2up (DIGITISED)

Madame Anna Bishop with Signor Carmint Morley, left for Australia on the steamer of the 12th. Bon voyage. Mr. W. F. Baker, and wife, and Henry Baker, left on the same steamer.

ASSOCIATIONS: Anna Bishop (vocalist); the ship was the City of Melbourne, which, en route to Sydney, did not call at New Zealand, though it did so at Honolulu and Fiji; presumably they changed at one of these to the Cyphrenes (see below)

"PANORAMA OF IRELAND", Auckland Star [NZ] (11 December 1874), 2

https://paperspast.natlib.govt.nz/newspapers/AS18741211.2.16 

The Baker Troupe, which arrived yesterday by the Cyphrenes, have with them a splendid panorama of the most interesting scenes in Ireland, past and present. The views are 11 feet by 14 feet, and include the beautiful Lake of Killarney. Mr. H. Baker gives a descriptive lecture of the panorama. In addition to this great attraction, the company comprises several first-class vocalists and character delineators. Mr. W. F. Baker, formerly of Lyster's Opera Company, is a tenor of considerable reputation, and Mrs. Baker, a soprano possessing a powerful and flexible voice. Mr. Moran is a clever delineator of character, humourist, and comic vocalist, and is assisted in his various specialities by Mrs. Moran. The company thus offer an entertainment of a superior, varied, and novel character. They open at the City Hall on Saturday night, and remain here six nights only, during which many novelties will be introduced each evening.

"Amusements", The Queenslander [Brisbane, QLD] (4 September 1875), 26

http://nla.gov.au/nla.news-article18337788 

Baker's Hibernicon opened Wednesday night at the School of Arts, in presence of a fair house. The gallery was crowded with appreciative Celts. The panorama represents a number of scenes in the Emerald Isle very fairly pourtrayed, from an artistic point of view . . . The successive pictures were accompanied by a lucid epitome of their points of interest by Mr. Henry Baker, and the entertainment was agreeably diversified by native comicalities on the part of Mr. Charles Verner, the Irish comedian of the company, who speedily established himself a favorite by his songs and funniments. Mrs. W. F. Baker during the evening sang several Irish airs in a very pleasing manner; but the strongest point in the entertainment was the singing of Mr. W. F. Baker, who is the possessor of a tenor voice of most agreeable quality and considerable cultivation. Mr. Baker was appreciated from the first, his earliest solo, "The Shamrock of Ireland," eliciting a most decided encore, and he has maintained his advantage.

"THE THEATRE", Southland Times [Invercargill, NZ] (9 August 1876), 2

https://paperspast.natlib.govt.nz/newspapers/ST18760809.2.10 

The chief feature in the entertainment at the Theatre Royal last night was the first appearance of Mrs. W. F. Baker as a vocalist. This lady has a very fair, strong soprano voice, but is slightly defective in clearness of enunciation of the words sung. She was encored in the solo which she first gave, and received still greater applause for her singing in the duett, with her husband, "Flow on, thou shining river." The rest of the performance was of the same degree of excellence as on former occasion. Tonight the Company will perform for the last time in Invercargill, and every member will take part in the entertainment.

"A CHANGE OF PROPRIETARY", Wanganui Chronicle [NZ] (7 June 1878), 2

https://paperspast.natlib.govt.nz/newspapers/WC18780607.2.7 

We learn that the stock and goodwill of the premises known as the Occidental Hotel and lately under the proprietorship of Mr. W. F. Baker, has been purchased by Mr. T. W. Ferry, who will at once enter upon possession . . .

"ONCE MORE IN HARNESS", Manawatu Times [NZ] (18 June 1879), 2

https://paperspast.natlib.govt.nz/newspapers/MT18790618.2.4 

Mr. W. F. Baker, so wall known from • one end of the West Goast to the other, has purchased the good-will of Prosser's Club Hotel, Marton, and next month will recommence the role of Boniface, during what, we trust, will be a lengthened engagement . . .

Death certificate, Theresa Shirley Baker, 26 September 1879; BDM New Zealand, 1880001883

Theresa Shirley Baker / [died] Marton, 26 September 1879 / [cause of death] Cranium softening of the brain coma 6 hours
[Place of birth] Coventry / [years lived in NZ] 15 / [occupation] Music teacher / 3 daughters 1 son
[parents' names] Shirley / Ball / Nolan // [Spouse] William Francis Baker / [married] San Francisco [deceased then aged] 25 [sic, ? 35]

https://paperspast.natlib.govt.nz/newspapers/EP18790927.2.20.7 

"MARTON. THIS DAY", Evening Post [Wellington, NZ] (27 September 1879), 2

https://paperspast.natlib.govt.nz/newspapers/EP18790927.2.20.7 

The wife of W. F. Baker, well known in connection with the Hibernicon Company, but now proprietor of the Club Hotel, died yesterday.

"DEATHS", The Daily Telegraph [Sydney, NSW] (10 May 1899), 1

http://nla.gov.au/nla.news-article239527799 

BAKER. - On 8th May, 1899, at his late residence, corner of Winnie and Gerard Sts., North Sydney, William F. Baker, teacher of singing, and late member of the original Lister Opera Company, aged 60 years.

"MUSIC", The Daily Telegraph (13 May 1899), 5

http://nla.gov.au/nla.news-article239526009 

This week there passed away, at his residence, North Sydney, Mr. W. F. Baker, one of the oldest and most respected members of the musical profession. He was one of the principal tenors of Lyster's original opera company, and had established himself as a teacher of singing in Sydney. The deceased, who was 60 years of age, leaves a wife. The funeral took place last Wednesday afternoon, and was attended by a large number of the friends of the old singer.

Musical works:

Parted forever (1874)

Parted forever, to Miss T. Shirley, poetry by the Rev. Edw'd Hopper, music by W. F. Baker (San Francisco: Sherman & Hyde, [1874])

https://digicoll.lib.berkeley.edu/record/100329 (DIGITISED)

BAKER, William Kellett (William Kellett BAKER; William BAKER; W. BAKER)

Engraver, lithographer, printer, publisher, music publisher, ? music engraver

Born Dublin, Ireland, c. 1807; son of Joseph BAKER and Jane KELLETT
Arrived Sydney, NSW, early 1835 (assisted immigrant)
Married Jane BURK (BROWN), Sydney, NSW, 1835
Died Maitland, NSW, 16 January 1857, aged "49/50"

https://trove.nla.gov.au/search?l-publictag=William+Kellett+Baker+c1807-1857 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-588939 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAKER-William-Kellett (shareable link to this entry)

"The publisher", William Baker, in Heads of the people (25 March 1848), frontispiece

https://nla.gov.au/nla.obj-765425829 (DIGITISED)

Documentation:

"LITERARY THEFT", Parramatta Chronicle and Cumberland General Advertiser (23 November 1844), 3

http://nla.gov.au/nla.news-article228248560 

Mr. Barlow, the talented and highly respected lithographer, of Bridge-street, brought an action, on Saturday last, against a man named Baker, of King-street, in the Court of Requests, to recover the sum of £30, for damage suffered by him, in consequence of the defendant having made a spurious copy of the lithograph of the Mayor's Ball. The case was argued at great length by. Mr. Nichols, for the plaintiff, and Mr. Dillon for the defence; but his Honor the Commissioner, decided that it being a matter of unliquidated uncertain damages, the Court could not entertain it, but he reserved the point for judgment, as to whether the British laws of copywright [copyright] were applicable to this colony.

"THE PUBLISHER", Heads of the people: an illustrated journal of literature, whims, and oddities (25 March 1848), frontispiece (see image above), 175-76

https://nla.gov.au/nla.obj-765425829/view?partId=nla.obj-765446643#page/n2/mode/1up 

. . . We will now turn . . . to add a few words respecting the subject of this week's illustration, Mr. William Baker, the projector, proprietor, and publisher of the Heads of the People. He is a native of Dublin, and arrived in the colony in 1835, with the intention of carrying on the business of lithography and copper-plate engraving; but, finding that the time was not sufficiently ripe for the successful prosecution of these pursuits, he accepted the situation of Clerk to the Deputy Inspector General of Hospitals, which he retained till 1845, when he had the misfortune to break his leg. This accident laid him up for 12 months, and ultimately compelled him to resign the appointment; although he still holds that of Clerk to the Medical Board. He first turned his attention to publishing in 1842, when he commenced a reprint of Charles O'Malley in a cheap form, which met with a large and ready circulation. In three years afterwards he engaged in bringing out Mr. Callaghan's Acts of Council; the Australian Atlas, containing an account of every portion of the colony, and other charts and maps. In 1846 he published the Australian Medical Journal, which was edited by George Brookes, Esq., Senior Colonial Surgeon: this publication he disposed of to Mr. Aaron, who, however, was not fortunate enough to obtain the support of the medical profession, and the work was consequently discontinued. At the time of parting with the Medical Journal Mr. Baker commenced the Heads of the People, which he has carried out with enterprize and spirit through a period of gloom that would have deterred a less indefatigable and enterprising man.

"DIED", The Sydney Morning Herald (24 January 1849), 3

http://nla.gov.au/nla.news-article28646618 

On the 20th July, 1848, at the Glebe House of Agher, Summerhill, county of Meath, Ireland, the Rev. John Kellett, for half a century the beloved and respected Rector of that parish. The Rev. gentleman was the maternal uncle of William Kellett Baker, printer and stationer, of this city.

"HUNTER RIVER (From Saturday's Maitland Mercury) . . . SUDDEN DEATH OF A PERSON BELIEVED TO BE MR. WILLIAM BAKER OF SYDNEY", The Sydney Morning Herald (19 January 1857), 5

http://nla.gov.au/nla.news-article12991485

Last evening much concern was expressed in Maitland, particularly among his brother Freemasons, at tidings of the sudden death of a person at Mount Vincent, about sixteen miles from East Maitland, believed to be Mr. William Baker, of the Hibernian Printing Office, Sydney. Mr. Baker had been in Maitland the last few days, and on Thursday Mr. Garvin, the chief constable, met him near East Maitland, enquiring the road to the Sugarloaf (Mount Vincent), so that little doubt is entertained of its (seeing Mr. Baker who was found dead as described in Mr. Child's (J.P.) letter. We may add that the Masons in Maitland were last evening engaged in making arrangements to bury him with all due respect, to-morrow (Sunday) afternoon, and they will no doubt communicate with his family in Sydney on the melancholy occurrence. Mr. Child's letter, addressed to Mr. Garvin, is as follows: -
"Christ Church, Mount Vincent, Friday, January 16th. Mr. Henry Garvin, Chief Constable, Maitland.
Sir - This morning, about eleven o'clock, a man was found lying dead on the public road, near the church. He appears to have had a fit and fallen off his horse, as the horse was found by his side, saddled and bridled. There has been found on him a quantity of sheet almanacks, a white shirt, £1 19s. 9d. in money, a pair of saddle-bags, and a few other trifles. I have taken a magisterial inquiry on him, and sent for Dr. Wilton, to certify as to death. I do not know the name of the man, but the enclosed paper (the address of Mr. Jacobs stationer, of East Maitland), was in his pocket, and I send also an almanack. Will you provide a coffin, six feet, for him, and make enquiry about him, and forward the coffin here at the Government expense, so that he may be buried to-morrow afternoon. He has already turned quite black, and cannot longer be kept unburied. He appears to be known, and was seen in Maitland on Wednesday, selling almanacks. The picture of the publisher is like him. Perhaps his name is William Baker.
Your attention to this directly. I am, &.,
W. K. CHILD, Mount Vincent."

"DEATHS", The Sydney Morning Herald (21 January 1857), 1

http://nla.gov.au/nla.news-article12991536

On Friday morning, January 16th, near Mount Vincent, Mr. William Baker, of the Hibernian Printing Office, Sydney, aged 49 years, deeply regretted by his family and friends.

[Notice], New South Wales Government Gazette (24 March 1857), 652

http://nla.gov.au/nla.news-article229956193 

In the matter of the Administration of the goods, chattels, and effects of William Kellett Baker, late of Parramatta-street, in the City of Sydney, County of Cumberland, and Colony of New South Wales, printer and publisher, deceased.
NOTICE is hereby given, that Jane Baker, of Botany-street, Chippendale, in the County of Cumberland and Colony of New South Wales, the widow of the abovenamed William Kellett Baker, deceased, intends . . . to apply . . . for Letters of Administration . . .
Dated this 23rd day of March, 1857 . . .

Musical prints:

Walze favorite du Duc de Reichstadt . . . with variations (William Vincent Wallace) (undated)

Walze favorite du Duc de Reichstadt, arranged with variations for the piano forte, and dedicated to S. Maclean esq'r by Willm. Wallace (Sydney: Engraved, printed, & published by W. Baker, King St. east, [n.d.])

https://trove.nla.gov.au/work/10637135 

http://nla.gov.au/nla.obj-167644903 (DIGITISED)

ASSOCIATIONS: William Vincent Wallace (composer); almost certainly an unauthorised pirate edition copied directly from the original Sydney edition published (c. 1836) by William Henry Fernyhough

A selection of psalm tunes (February 1844)

A selection of psalm tunes, chiefly in use amongst Presbyterian congregations and families . . . number 1 ([Sydney: W. Baker, 1844])

NO COPY IDENTIFIED

"SACRED MUSIC", The Sydney Morning Herald (3 February 1844), 2

http://nla.gov.au/nla.news-article12426781 

Mr. Baker has just published in a very neat form the first number of a selection of Psalm tunes, chiefly in use amongst Presbyterian congregations and families. Anything tending to diffuse a taste for music among the community should be encouraged, and therefore we recommend this publication to the notice of the public. The price is only one penny a tune, including music and words.

"LITHOGRAPHY", The Weekly Register of Politics, Facts and General Literature (3 February 1844), 411

http://nla.gov.au/nla.news-article228134096 

Mr. Baker, zealous to gratify all tastes, has published two works of a very dissimilar character. The first is a book of Psalm Tunes for the Presbyterian church, which is neatly executed, and contains some of the finest of the old melodies, arranged for three voices. The harmony in some instances is also very fine, but in others (p. 2 for example) naked fifths and other absurdities occur in gross profusion. The second work is a portrait of the murderer Knatchbull, drawn by Rodius . . .

ASSOCIATIONS: Charles Rodius (artist); a likely editor of the psalm book was George Swinnerton Yarnton; see "THE AUSTRALIAN PSALMIST", Freeman's Journal (27 September 1856), 3

http://nla.gov.au/nla.news-article115562274 

A dream of the mayor's fancy ball (Maria Hinckesman) (July 1847)

"A dream of the mayor's fancy ball, composed by M. T. Hinckesmann [sic], W. Baker, lithographer", Heads of the people: an illustrated journal of literature, whims, and oddities (10 July 1847) (Sydney: William Baker), plate facing page 106

https://trove.nla.gov.au/work/20380558 

https://nla.gov.au/nla.obj-765595120/view?partId=nla.obj-765622621#page/n10/mode/1up (DIGITISED)

ASSOCIATIONS: Maria Hinckesman (composer)

For the remaining musical prints, all composed and typeset by Isaac Nathan, and published in 1845, see under checklist entry:

https://sydney.edu.au/paradisec/australharmony/checklist-sheet-music-1834-c1850.php#BAKER

Other works:

Lithographic drawing of the fancy dress ball at the Victoria Theatre, 1844; lithograph by William Kellet Baker after William Nicholas

https://trove.nla.gov.au/work/236185218 

https://collection.sl.nsw.gov.au/record/YRlBayln 

[Advertisement], The Sydney Morning Herald (18 November 1844), 3

http://nla.gov.au/nla.news-article12423019 

FANCY BALL. THIS DAY IS PUBLISHED, BAKER'S highly finished Lithographic Drawing of the FANCY BALL, price 5s.; outline, 2s. 6d.
To be had at the "Hibernian Printing Establishment," 101, King-street East.
N.B. - In hand, a CHRISTMAS-PIECE; heading, Fancy Ball; bottom, Corrobory; sides, the late Mayors, Hosking and Wilshire.

See also Edward David Barlow's "faithful representation of The fancy ball given by his worship to the gentry & citizens of Sydney at the Royal Victoria Theatre, Aug 21st 1844"

https://trove.nla.gov.au/work/235954014 

https://collection.sl.nsw.gov.au/record/YzOg7EO9 

"NATIVE DANCE. Printed & Published by W. Baker Litho. King St Sydney, N.S.W." [1844]

https://www.printsandprintmaking.gov.au/works/25807 (DIGITISED)

Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 135-36

http://ro.uow.edu.au/theses/2926 (DIGITISED)

Richard Neville (et al.), "William Kellett Baker", Design & Art Australia Online (DAAO) (orig. 1992)

http://www.daao.org.au/bio/william-kellett-baker

Baker, William, Australian prints + printmaking

https://www.printsandprintmaking.gov.au/artists/3921/works/?page=1& 

BALCOMBE, Betsy (Elizabeth BALCOMBE; Mrs. ABELL)

? Musical amateur

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALCOMBE-Betsy-Abell (shareable link to this entry)

BALCOMBE, Jane Elizabeth (Jane Elizabeth BALCOMBE)

? Musical amateur

Died Sydney, NSW, 26 December 1858

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALCOMBE-Jane-Elizabeth (shareable link to this entry)

Jane Balcombe was the daughter of Thomas Balcombe and niece of Betsy Balcombe, both of whom, famously, had been befriended as children on St. Helena by Napoleon

Documentation:

"DEATHS", The Sydney Morning Herald (27 December 1858), 1

http://nla.gov.au/nla.news-article13016112 

On Sunday morning, the 26th December, at Napoleon Cottage, Paddington, Jane Elizabeth, eldest daughter of Thomas T. Balcombe, Esq., in the 18th year of her age.

Related musical works:

In memory of Jane Elizabeth Balcombe who died in the eighteenth year of her age on the morning of the 26th day of December, A.D. 1858, lines written by William Cornelius Uhr esqre. and set to music by Frederic William Meymott esqre. ([Sydney]: Allan & Wigley, Lith., George St., [1858-59])

Titlepage ([1]), 2 pages music ([2-3]); another copy at the State Library of New South Wales

https://collection.sl.nsw.gov.au/record/74VKvPBO6moy#viewer (DIGITISED)

ASSOCIATIONS: Frederick William Meymott (composer); William Cornelius Uhr (words)

BALDWIN, Stephen Thomas (Stephen Thomas BALDWIN; S. T. BALDWIN; Mr. BALDWIN)

Musician, teacher of music, piano tuner, flutina and concertina player, musical instrument repairer

Born London, England, 24 May 1829; baptised St. John's, Smith Square, 2 August 1829; son of Benjamin BALDWIN and Phoebe Ann REEVES
Married (1) Emma WINDEY (1818-1896), Clifton, Bristol, England, 11 August 1849
Arrived Adelaide, SA, 19 December 1849 (per Minerva, from Plymouth, 14 August)
Married (2) Catherine MALONE, Mudgee, NSW, 1868
Last recorded NSW, 1876

https://trove.nla.gov.au/search?l-publictag=Stephen+Thomas+Baldwin+b1829 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALDWIN-Stephen-Thomas (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of St. John the Evang'st West'r in the county of Middlesex in the year 1829; register 1824-32, page 170; City of Westminster Archives Centre, SJSS/PR/1/5

https://www.ancestry.com.au/imageviewer/collections/61866/images/61865_314054001181_17716-00190?pId=105240 (PAYWALL)

No. 1354 / [1829] Aug 2 / born 24 May 1829 / Stephen Thomas Son of / Benjamin and Phoebe Ann / Baldwin / 41 Shutton Ground / Cheese Monger . . .

Marriages solemnized at the Register Office in the district of the Clifton Union in the counties of Gloucester and Bristol; UK Genereal Register Office

No. 159 / Eleventh of August 1849 / Stephen Thomas Baldwin / 20 years / Bachelor / Teacher of Music / No. 4 Ashley Road Bristol / [son of] Benjamin Baldwin / Cheesemonger
Emma Windey / 32 years / Spinster / - / No. 4 Ashley Road Bristol / [daughter of] Matthew Windet / Captain in the Army . . .

"MARRIAGES", Cheltenham Chronicle [England] (30 August 1849), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000311/18490830/029/0003 (PAYWALL)

Aug. 11, Bristol, Mr. S. T. Baldwin, of London, Emma, youngest daughter of the late Capt. Windey, of the North Gloucester Militia.

"SHIPPING INTELLIGENCE. ARRIVALS", Adelaide Times [SA] (20 December 1849), 2

http://nla.gov.au/nla.news-article206981682 

Wednesday, Dec. 19 - The ship Minerva, 829 tons, Geo. Coleman, master, from London and Plymouth, 14th August . . .
Passengers per Minerva . . . S. T. Baldwin and wife . . .

"MUSICAL INTELLIGENCE", Adelaide Times (6 April 1850), 5

http://nla.gov.au/nla.news-article207115341 

Mr. Wallace has postponed his fourth Promenade Concert for a week, fearing it might injure the attendance at that given by Mr. Crantz on Thursday. This is as it should be among brother-professors. We omitted to notice in our revue of the last Promenade Concert, the solo on the concertino [sic], by Mr. Baldwin, which gave great satisfaction to those present. The instrument, however, appears to us like the accordion, to be more fitted for the performance of sacred than dance or operatic music.

ASSOCIATIONS: Spencer Wellington Wallace (musician); August Cranz (musician)

"POLICE COURT. ADELAIDE. Friday, 26th July", South Australian Register (27 July 1850), 3

http://nla.gov.au/nla.news-article38437353 

E. M. Emmett, auctioneer, appeared on the information of John Taylor, stockholder, for that the defendant did knowingly, unlawfully, and designedly, by false pretences, at Adelaide, by stating and or pretending the informant that a certain bill of exchange, dated the 4th January, 1850, drawn by the said E. N. Emmett, under the style and firm of E. M. Emmett & Co., upon, and accepted by, one Stephen Thomas Baldwin, for £20 14s. 10d., payable six months after date, was a valuable instrument, and would be paid by the acceptor at maturity; and did obtain certain moneys from the informant, to wit, £18 with interest thereon, to cheat and defraud him of the same, contrary to the form of the Statute, &c. . . .
His Worship gave it as his opinion that false pretence had been proved, and said that he should send the case to a jury . . .

"POLICE COURT. Saturday, July 27", Adelaide Times (29 July 1850), 3-4

http://nla.gov.au/nla.news-article207117704 

Edward Nucella Emmett appeared on the remanded charge of obtaining money under false pretences on a Bill of Exchange . . .
Stephen Thomas Baldwin, Wright-street, of no occupation, stated that he knew Mr. Emmett. Bought a piece of land of him. The paper (put in) contained a proper statement of the transaction . . .

LAW AND POLICE COURTS. ADELAIDE. Saturday, 27th July", South Australian Register (29 July 1850), 3

http://nla.gov.au/nla.news-article38448965 

. . . Stephen Thomas Baldwin stated that he resided in Wright-street, was a teacher of music, and had been in business in Rundle-street as a baker and pastrycook. He had purchased a piece of land of Mr Emmett. The paper put in was the memorandum of the sale . . .

"POLICE COURT. Tuesday, July 30", Adelaide Times (31 July 1850), 3

http://nla.gov.au/nla.news-article207117750 

At ten minutes to two o'clock, upon the name of Stephen Thomas Baldwin being called, Mr. Emmett addressed the Bench to the effect, that he, Mr. Emmett, laid lately been summoned to Court, and had paid all due submission, and had never left until the case was disposed of by his Worship. He, Mr. Emmett, had, however, now to remark, that he had preferred a charge of wilful and corrupt perjury against Stephen Thomas Baldwin, one of the witnesses in the case, Taylor v. Emmett, and that, although Baldwin was in attendance in the morning, and had had an opportunity of seeing the witness, that he believed would be brought against him, he was now absent, and he, Mr. Emmett, respectfully applied to the Bench to grant a warrant for his immediate apprehension.
The Bench - Certainly.

"POLICE COURT. ADELAIDE. Wednesday, 31st July 1850", South Australian Register (1 August 1850), 3

http://nla.gov.au/nla.news-article38442658 

Stephen Thomas Baldwin was charged with committing wilful and corrupt perjury in his examination on Saturday, the 27th inst., in the case of Taylor v Emmett . . . His Worship, after carefully going through the law on the matter, and the evidence produced, committed the prisoner for trial, taking one surety in £50 for his appearance.

"POLICE COURT. Wednesday, July 31st", Adelaide Times (1 August 1850), 3

http://nla.gov.au/nla.news-article207117789 

Stephen Thomas Baldwin was charged with wilful and corrupt perjury, in his evidence on Saturday last in the case of Taylor v. Emmett. Mr. Parker appeared for the prisoner, and Mr. Gwynne for the prosecutor. Mr Gwynne called - Edward Nucella Emmett, who said he was an auctioneer, and had lately carried on business in Adelaide. Had had business transactions with prisoner. Witness first became acquainted with him about the 4th of January last. Prisoner purchased some land on the race course of him on that day. Had seen the prisoner a day or two before the 4th. He was desirous of purchasing land on the race course. Asked him whether he was of any trade. He replied, a piano-forte tuner. Asked him whether he was of age. He replied, I am, and a married man. Witness then asked him, whether he had money. His reply was, that he had five hundred pounds. This conversation occurred before the 4th. On that day, the prisoner came to his office, and completed the purchase, the terms being one-third cash, one-third at three months, and the remainder at six months. Could not sav whether he asked the prisoner if he was of age on the 4th of January, when the Bill, lately the subject of enquiry, was accepted. Prisoner said he was going to build a two-story house on the land. Had no subsequent conversation with the prisoner relative to his age . . .

"LAW AND POLICE COURTS. POLICE COURT, ADELAIDE. Monday, 4th August", South Australian Register (5 August 1851), 3

http://nla.gov.au/nla.news-article38445430 

Stephen T. Baldwin was charged with detaining and pledging a flutina entrusted to him to mend.
Alfred T. Ottaway, son of George Ottaway, stated that he was barman at Mr. Pohlmann's, in Rundle-street, and about a fortnight ago gave him a flutina or accordion to mend. He went to prisoner's house, but found he had removed, and the house was to be let. Saw him afterwards at the Sir John Barleycorn, and having asked him for the flutina, he promised to bring it next day, but had seen no more of him until Saturday last, when he espied him in the "Hero" coach at the top of Hindley-street. Prisoner said that a friend of his at North Adelaide had the instrument, and promised to go with him for it. He however shuffled out of it shortly after, and said he (witness) could not have it till 6 o'clock. The prisoner was given in charge by his (witness's) father, and on being taken to the Station-house, the prisoner said it was in pawn at Jones's, in Morphett-street, for £1.
On the police going there they found it, and also one belonging to Mr. P. Sherwin, pledged for 10s.
The witness identified the accordion produced as his, and favoured the Court with a tune to try if it was repaired.
He could not say exactly whether it was repaired or not.
Mr. W. Rains wished to make some remark, when The Magistrate very sharply rebuked him for interfering with a witness whilst giving his evidence.
By the prisoner - He did not suppose that if he had waited till 6 o'clock he would have had his flutina.
Thomas Jones, pawnbroker, deposed to the prisoner having brought it to his place on Monday fortnight, the 21st ult., and wanted an advance of £1. He was proceeding with his evidence, when it appeared that it was his brother who took the instrument in.
His brother was then sent for, and in the mean time the witness gave his evidence as to the accordion belonging to Mr. P. Sherwin that had been pledged by the prisoner for 10s. on Saturday the 19th.
The Magistrate wished to know the exact words which were used by the prisoner when pledging the instrument, as it was in his opinion very material.
The witness could not speak to the exact words. He then proceeded to state the manner in which the police had come to recover the instruments.
By the Magistrate - He could not say that he had asked the prisoner on the particular occasion in question whose property the instrument was, but he had had several transactions with him, and had cautioned him about pledging any thing not belonging to him.
The Magistrate said it was the duty of persons keeping establishments of the character kept by Mr. Jones, for the protection of the public, to be very careful in ascertaining before they advanced money whose property the goods were, as otherwise they became receivers of stolen goods, and defeated the ends of justice.
Mr. Peter Sherwin stated that the prisoner had came to him on the 21st June last and pressed him to buy an accordion from him, which he (witness) agreed to do, and gave him 10s. in cash, and, at the prisoner's request, a bottle of pale brandy, promising to pay him the balance in a fortnight. The prisoner voluntarily offered to give him six lessons on the accordion; after giving him one lesson he said the accordion must be repaired before he could continue the lessons. The prisoner then took the instrument with him to repair it; and he (witness) had repeatedly sent for it since, but could never get it.
By the Magistrate. - He had paid him in goods and cash £1 1s. 1d., and tendered the balance to his servant girl at the prisoner's house on one occasion when he went after the instrument. He had seen him with Mr. Ottaway and his son on the Saturday, and went with them to Jones's, and recovered the instrument, which he identified as his. Samuel Jones was partner to his brother, and advanced £1 on the instrument belonging to Mr. Ottaway. He had asked the prisoner if the instrument was his own, and had been told by him it was. He should not have received it unless he had been led to believe by the prisoner that it was his own.
The prisoner stated that it was the first time he had ever done such a thing, and had been pressed to it by actual necessity, having a sick wife and child, for whom he had not the means of procuring food or firing. He could produced many witnesses to speak to his previous honesty of character.
The prisoner was committed to take his trial at the ensuing Sessions, for obtaining money on false pretences.

"SUPREME COURT, CRIMINAL SITTINGS . . . Saturday, August 16", South Australian (19 August 1851), 3

http://nla.gov.au/nla.news-article71687474 

Stephen Thomas Baldwin pleaded guilty to a charge of obtaining money under false pretences, with intent, to defraud Thomas Jones and Andrew Jones, and was sentenced to one month's imprisonment.

SUPREME COURT - CRIMINAL SIDE . . . Saturday, August 16", South Australian Gazette and Mining Journal (21 August 1851), 3

http://nla.gov.au/nla.news-article195942971 

Stephen Thomas Baldwin pleaded guilty to the charge of obtaining money under false pretences, and said he was driven to the crime by poverty. Messrs. Randle and Sherwin pleaded to his Honor in the prisoner's behalf. His Honor took the circumstance into consideration, and merely sentenced tire prisoner to one mouth's imprisonment.

"ANCIENT ORDER OF FORESTERS", South Australian Register (30 October 1851), 2

http://nla.gov.au/nla.news-article38446662 

The opening dinner of Court "Prince of Wales" of the Ancient Order of Foresters took place last evening at the Prince of Wales Hotel, in Angas street, when about 25 newly-enrolled members sat down. A very handsome dinner was provided by Host Randle, in his usual excellent style, and his wines certainly merited the encomium bestowed by the greatest connoisseur present. The chair was taken by Mr. Mullett, and the vice-chair by Mr. Norris. After the removal of the cloth the usual loyal, patriotic, and local toasts were proposed, duly honoured, and responded to; and the festivities having been enlivened by several excellent songs, accompanied with the piano, also some capital pieces of music, most beautifully played by Mr. Baldwin on the accordion, and Mr. Croom's extraordinary performance on the Jew's-harp, which was the subject of general surprise and commendation, the company broke up highly pleased with their entertainment.

[Advertisement], South Australian Register (23 August 1853), 2

http://nla.gov.au/nla.news-article48549562 

MOONLIGHT. A GRAND CONCERT IN THE LARGE ROOM, BLENHEIM HOTEL, HINDLEY-STREET, THIS EVENING, AUGUST 23, 1853.
TROY KNIGHT respectfully announces to the ladies and gentlemen of Adelaide that a
GRAND CONCERT will be given in the Large Room, THIS EVENING (Tuesday), August 23 . . .
Mr. Robert McCallagh for this night only.
Mr. J. Baldwin, the celebrated Concertina Player,
and several gentlemen amateurs, arrivals in the Fop Smit, will also appear on this occasion only.
Messrs. Adams and Mantegani will preside at the Piano. PROGRAMME . . . PART III . . . 2. Solo (Concertina) - "Still so gently o'er me stealing," Mr. J. Baldwin [sic] . . .

ASSOCIATIONS: Troy Knight (vocalist); Robert McCullagh (vocalist, musician, see also June 1855 below); Alfred Mantegani (pianist)

"POLICE COURT - ADELAIDE. Tuesday, January 30 . . . THREATENING LANGUAGE", Adelaide Times (31 January 1855), 3

http://nla.gov.au/nla.news-article207021461 

Stephen Thomas Baldwin, musician, was charged by his wife, Emma Baldwin, with threatening to take her life, at Adelaide, on the 22nd of January.
The complainant, a respectable-looking woman, said, on the morning in question the defendant, who frequently made use of bad language towards her said that he would kick her all the way from North Adelaide to town. She then went to a friend's house in town, and he there threatened to ill-treat her and take her life. She went in bodily fear of his violence.
By his Worship - The quarrels between them arose from her having frequency refused him money which belonged to herself.
The defendant was bound over to keep the peace towards his wife for the next six months.

"LOCAL COURTS. ADELAIDE: TUESDAY, JANUARY 30. MARRIED MEN'S MISERIES", South Australian Register (1 February 1855), 2

http://nla.gov.au/nla.news-article49306255 

. . . Stephen Thomas Baldwin, musician, a benedict of youthful appearance, was charged on the information of Emma, his wife, a ladylike woman, with having beaten and otherwise ill-used her, and threatened to take her life, on the 22nd January. The complainant prayed that the defendant should be required to find security, for his good behaviour. He pleaded not guilty. From the statement of Mrs. Baldwin, it appears that she had been subjected to great insult and even violence by the defendant, who had squandered a considerable sum which she possessed at their marriage, and was now annoyed at her withholding the sums occasionally remitted to her by her friends. The defendant endeavoured to persuade the Court that he only misbehaved while under the influence of drink, and drew an admission from the complainant that he had sent a person to her to apologise, and solicit her forgiveness. His worship, to secure harmony, ordered the man of music to enter into his own recognizance in £5 to avoid all family discord for six months, thus restricting him from beating anything but his drum or tambourine for that period.

"WELLINGTON INN, NORTH ADELAIDE", Adelaide Times (8 June 1855), 3

http://nla.gov.au/nla.news-article207025363 

The opening dinner of this inn was partaken of yesterday evening by upwards of fifty gentlemen, who did ample justice to the excellent fare provided. The chair was filled by Mr. Dyke, Mr. Flemming acting as vice. After the removal of the cloth the usual loyal toasts were drunk, including the Queen, Prince Albert and the Royal Family, the Allied Armies, the Acting Governor and Lady, the New Governor, the Newly-discovered Gold-fields, the Host and Hostess, &c.; some of which were humourously responded to. Several tunes were admirably played by Messrs. Chapman and McCullock [sic, McCullagh], the latter gentleman also giving one of his Irish songs in a style that drew from the company unbounded applause. Mr. Baldwin added to the pleasures of the evening by giving in first-rate style a solo on the flutina.

ASSOCIATIONS: William Chapman (musician)

"Deserting Wives and Families, Service, &c.", New South Wales Police Gazette and Weekly Record of Crime (8 September 1875), 261

http://nla.gov.au/nla.news-article252090515 

A warrant has been issued by the Gulgong Bench, for the arrest of Stephen Thomas Baldwin, alias Moutree, charged with deserting his wife, leaving her without means of support. Baldwin is about 35 years of age, 5 feet 4 or 5 inches high, slight build, fair hair, fair complexion, no beard or whiskers; repairs clocks, watches, and concertinas. Was last heard of at Rylstone, about twelve months ago.

"Apprehensions", New South Wales Police Gazette and Weekly Record of Crime (12 January 1876), 15

http://nla.gov.au/nla.news-article252088606 

Stephen Thomas Baldwin, alias Moutree, charged on warrant with unlawfully deserting his wife, has been arrested by Constable Baker, Warren Police. Remanded.

BALL, Mr. (Mr. BALL)

Musician, bassoonist, member of the theatrical band

Active Sydney, NSW, 1835

https://trove.nla.gov.au/search?l-publictag=Mr+Ball+bassoon (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALL-Mr-NSW (shareable link to this entry)

Documentation:

[Advertisement], The Sydney Herald (4 May 1835), 3

http://nla.gov.au/nla.news-article12852073 

Theatre Royal, SYDNEY.
The Public are respectfully informed, that the Theatre will Open
THIS EVENING, MONDAY, MAY 4, 1835, and the Performance will commence with
MEHUL'S Celebrated Overture to "JOSEPH," BY THE FULL ORCHESTRA. . . .
The Lessees have succeeded in engaging all the first-rate Musical Talent in Sydney to form their Orchestra, which consists of the following gentlemen -
Leader of the Band, Mr. Clarke; Violins, Messrs. Spyers, Johnson, Dyer, and Scott;
principal Flute, Mr. Stubbs; Violincello and Grand Piano Forte, Mr. Cavendish;
Clarionets, Messrs. Turner and Sharp; Bassoons, Messrs. Hoare and Ball; Bugle, Mr. Pappin; Drums, Mr. Vaughan . . .
The Musical Department will be considerably improved, and under the direction of Mr. Cavendish . . .
The Acting and Stage Management under the sole direction of
JOSEPH SIMMONS.

ASSOCIATIONS: Joseph Simmons (actor, manager); Mr. Clarke (violin, leader); Lawrence Spyer (violin); Mr. Johnson (violin); Benjamin Bissell Dyer (violin); Mr. Scott (violin); Thomas Stubbs (flute); William Joseph Cavendish (cello and piano); Stephen Turner (clarinet); Mr. Sharp (clarinet); Mr. Hoare (bassoon); Stephen Pappin (keyed bugle); Michael Vaughan (drums); Theatre Royal (Sydney venue)

MUSIC: Overture to Joseph (Mehul)

BALL, Mr. (Mr. BALL)

Bass vocalist

Active Adelaide, SA, by 1859 or earlier
Active to c. 1866 or later

https://trove.nla.gov.au/search?l-publictag=Mr+Ball+bass+vocalist+c1859-66 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALL-Mr-SA (shareable link to this entry)

Summary:

On the basis of the documentation uncovered, it has not been possible positively to identify the vocalist Ball, just once listed as "G. Ball" (see advertisement 1 February 1866 below). As attractive as the possibility is, nothing yet found certainly identifies him as the artist, explorer, and Adelaide "Bohemian", Adam Gustavus Ball.

Documentation:

? "CLARE ANNUAL RACES . . . THE DINNER", Adelaide Observer (29 May 1858), 7

http://nla.gov.au/nla.news-article158125185 

. . . The remaining toasts . . . were interspersed with several good songs by Mr. Ball and others . . .

ASSOCIATIONS: Probably local Clare landholder, Henry Ball, not the Adelaide vocalist

"THE TEMPERANCE HALL, NORTH ADELAIDE", South Australian Register (27 July 1858), 3

http://nla.gov.au/nla.news-article49780465 

On Monday evening a soiree was held at the Temperance Hall, Tynte-street North Adelaide . . . The intellectual portion of the proceedings was commenced by the members of the North Adelaide Amateur Glee Society performing the temperance glee, which was loudly applauded. We may mention that the members consist of Mr. and Mrs. Ashwin, the Messrs. King, Mr. Ball, and Mr. Newman . . .

"THE HANDEL FESTIVAL", South Australian Register (14 April 1859), 3

http://nla.gov.au/nla.news-article49902126 

All who were at White's Room last evening . . . must have enjoyed no inconsiderable treat . . . Mr. Linger was the conductor and Mr. Chapman leader . . . some of the airs and choruses were very sweetly rendered - as for instance . . . "The people that walked in darkness," by Mr. Daniel, and "The trumpet shall sound" by Mr. Ball. The cornet-a-piston, substituted for the trumpet, lacked a true clarion strain and was somewhat too prominent, but the air, on the whole, was very effectively given . . .

ASSOCIATIONS: Carl Linger (conductor); William Chapman (violin, leader); Josiah Wyke Daniel (vocalist); Handel centenary (event); White's Rooms (Adelaide venue)

"THE HANDEL FESTIVAL", South Australian Register (15 April 1859), 3

http://nla.gov.au/nla.news-article49897546 

The second part of this entertainment took place on Thursday evening . . . "Alexander's Feast," as we have said, is in character strikingly unlike the "Messiah" . . . Mr. Ball, who has a fair bass voice, sang the recitative, and the air commencing with "The praise of Bacchus," with considerable success . . .

"THE HANDEL COMMEMORATION FESTIVAL", The South Australian Advertiser (15 April 1859), 3

http://nla.gov.au/nla.news-article791585 

. . . Mr. Ball sung the air, "Why do the nations" remarkably well, and his performance of this piece took a position amongst that of the very best solos . . . Mr. Ball sung the recitative "Behold I tell you a mystery." His performance in this piece was not inferior to that in a former one, and his delivery was marked with accuracy and good taste . . .

SECOND EVENING . . . The recitative, "The praise of Bacchus," introduced the principal basso, Mr. Ball, in the character of Bacchus. This gentleman sung the aria allotted to him in his usually good style . . .

[Advertisement], The South Australian Advertiser (6 February 1860), 1

http://nla.gov.au/nla.news-article1201905 

WHITE'S ROOMS. TUESDAY, February 7, 1860.
FIRST OF THE SHILLING CONCERTS!
Leader - Mr. Chapman. Pianist - Mr. Richelieu. Cornet-a-Piston - Mr. McCulloch.
Vocalists - Mrs. A. Wallis (first appearance since her arrival from Melbourne).
Miss Louisa Grant (from the City Hall, Glasgow), her first appearance in Adelaide.
Tenor - Mr. Nash. Basso - Mr. Ball.
Local Songs by the celebrated Nondescript, and Sam Cowell's burlesques in character.
[manicule] The strictest order will be observed, and the study of the Manager will be to provide a cheap, rational, and first class entertainment.

ASSOCIATIONS: Maria Wallace (vocalist); Benjamin Nash (vocalist); Mr. Richelieu (pianist); Robert McCullagh (cornet); The Nondescript (performer); White's Rooms (Adelaide venue)

"CHURCH OF ENGLAND ENDOWMENT SOCIETY", Adelaide Observer (16 June 1860), 2

http://nla.gov.au/nla.news-article158175517 

On Monday evening the inauguration meeting of this Society was held in White's Rooms, King William-street. His Excellency the Governor-in-Chief presided . . . The proceedings were opened by a short prayer, delivered by the Lord Bishop of Adelaide. The choir sang an anthem from the 83rd Psalm, the leading parts being taken by Miss Rowe, Mr. Ball, and Mr. Sanderson . . .

ASSOCIATIONS: Augustus Short (bishop); Louisa Jane Rowe (vocalist); Francis Sanderson (vocalist)

"ROMAN CATHOLIC CATHEDRAL", South Australian Register (2 April 1861), 3

http://nla.gov.au/nla.news-article50018360 

A grand High Mass was celebrated in this edifice on Easter Sunday, in the musical portion of which it was understood that the Signor and Signora Bianchi would assist. This, however, seems to have been an error, as they were not present in the choir, which was, nevertheless, most efficient, and rendered the beautiful music of Massinghi with great effect and precision. The mass was that in B flat, which may well be considered as that great composer's masterpiece, combining, as it does, the rich harmony of Mozart with the sweetness of the Italian school. The Hosanna, after the Credo, was truly a gem, Mrs. Delany's soprano solos especially being characterized by great correctness and spirit. The other parts were most ably sustained it Father Maurice Lencioni, Mr. Ball, Mr. McMullen, and Mr. Bastard; while Miss Harper, who has been only recently appointed, acquitted herself admirably at the harmonium. Altogether it cannot but be admitted that, putting aside the religious aspect of the ceremony, which must have made it most impressive to the regular worshippers, it presented to the lovers of sacred music present - of whom there were many not connected with the Roman Catholic Church - a treat such as it is not often their lot to enjoy.

ASSOCIATIONS: Maurice Lencioni (vocalist); Thomas Bastard (vocalist); Miss Harper (organist); St. Francis's cathedral (Adelaide)

"ST. LUKE'S ANNUAL FESTIVAL", South Australian Register (19 October 1861), 3

http://nla.gov.au/nla.news-article50079917 

The annual festival of St. Luke's was celebrated at White's Assembly Rooms on Friday, 18th inst . . . The choir, under the conductorship of Mr. Warhurst . . . Mr. BALL, accompanied by the harmonium, here sung the solo "The people that walked in darkness" . . .

ASSOCIATIONS: Edward Warhurst (accompanist)

[Advertisement], The South Australian Advertiser (13 November 1861), 1

http://nla.gov.au/nla.news-article879801 

AT WHITE'S ROOMS . . .
MR. CHARLES H. COMPTON has the honor to announce that his
GRAND MUSICAL SHAKSPERIAN ENTERTAINMENT will take place on
On THURSDAY EVENING, NOVEMBER 14. PROGRAMME . . . PART II . . .
LOCK'S CELEBRATED MUSIC TO MACBETH.
Solos by Mrs. Wishart, Messrs. Pounsett, Hill, and Baker. Hecate, Mr. Ball . . .
Mr. Charles H. Compton will perform on the large Harmonium (22 stops, 2 rows of keys), lately imported by Mr. Marshall, Currie-street . . .

ASSOCIATIONS: Charles Henry Compton (musician); Susannah Wishart (vocalist); Henry Pounsett (vocalist)

"TOPICS OF THE DAY", The South Australian Advertiser (28 April 1862), 2

http://nla.gov.au/nla.news-article31809941 

On Saturday night a concert was given at White's Rooms at "Million prices." This concert was originally intended for the Thursday previous, but owing to the small attendance was postponed until Saturday, when we regret to say there was very little improvement in this respect, about 60 persons only being present. The artistes engaged were Mesdames Wishart and Smart, Messrs. Compton, Ball, and Pounsett. The programme consisted of glees by the company, songs and duets by Mesdames Wishart, Smart, and Mr. Ball, and semi-comic songs by Mr. Compton. It must have been very dispiriting to the performers to have to sing to so email an audience and to contend with the echo of the nearly empty room . . . We are sorry to see Mr. Aldridge's endeavours to supply a rational evening's amusement, at popular prices, meet with such returns . . .

ASSOCIATIONS: Mary Ann Smart (vocalist); George Aldridge (proprietor)

[Advertisement], South Australian Register (11 October 1862), 1

http://nla.gov.au/nla.news-article50180134 

VICTORIA THEATRE. A. J. Solomon, Lessee.
THE THIRD GRAND PROMENADE CONCERT A LA JULLIEN will take place
THIS EVENING (SATURDAY), October 11, Under the direction of Herr HEYDECKE.
Leader of the Orchestra, Herr SCHRADER . . . A Full and Efficient Band of 20 Performers . . .
PROGRAMME . . . PART I . . . 5. Song, "John Brown" - Mr. Ball - Mackay.
Part II . . . 2. Song, from "Sonnambula" - Mr. Ball . . .

ASSOCIATIONS: Theodor Heydecke (musician); Heinrich Schrader (musician)

"PHILHARMONIC SOCIETY'S CONCERT", Adelaide Observer (23 May 1863), 8

http://nla.gov.au/nla.news-article159518042 

Handel's "Samson" was performed on Friday, 15th inst., by the Philharmonic Society, at the Adelaide Assembly Rooms . . . The principal vocalists were Mrs. Fox, Mrs. Smart, Mr. Oehlmann, and Mr. Ball. Mr. Linly Norman wielded the baton, and Mr. Chapman acted as leader . . . Mr. Ball is well known to the Adelaide musical public as a fine bass singer, and on Friday evening we think that none of his admirers could have been disappointed. Excellent, however, as were the solos, the principal feature of the evening consisted of the choruses . . .

ASSOCIATIONS: Sarah Hannah Fox (vocalist); Herman Oelmann (vocalist); Linly Norman (conductor); Adelaide Philharmonic Society (association)

"LINGER MEMORIAL CONCERT", South Australian Register (26 September 1863), 6

http://nla.gov.au/nla.news-article50170068 

The concert given with a view to the erection of a monument to the memory of the late Herr Linger was performed on Thursday week, in Whites Assembly Room, before one of the largest audiences that for a very long time has been attracted together by the charms of music within that spacious hall. Mr. Linly Norman acted as conductor, and Mr. Chapman as leader of the band. The principal vocalists were Mrs. Wishart, Mrs. Smart, a lady whose name has not been made public, and Messrs. Oehlmann, Edwards, and Ball . . .

ASSOCIATIONS: Solomon Nicholas Edwards (vocalist)

"TOPICS OF THE DAY", The South Australian Advertiser (26 March 1864), 2

http://nla.gov.au/nla.news-article31834783 

The Oratorio of the "Messiah" was performed at White's Rooms en Friday evening for the benefit of Mr. Linly Norman . . . the oratorio was tolerably well performed. Miss Chalker, Mrs. Wishart, Mrs. Walkley, Mr. Pounsett, and Mr. Ball sang the solos and were greatly applauded by the audience . . .

ASSOCIATIONS: Marie Chalker (vocalist)

"SHAKSPEARE TERCENTENARY COMMEMORATION", South Australian Register (23 April 1864), 2

http://nla.gov.au/nla.news-article39134512 

Friday evening, the 22nd instant, witnessed the celebration of the 300th anniversary of Shakspeare's birth . . . The second part of the entertainment was opened by the performance as a chorus of Stevens's Glee, "Ye Spotted Snakes." In this selection also the words are from "The Tempest," and the music is quite characteristic . . . Mr. Ball followed with one of Schubert a songs, "Who is Sylvia!" Though coming so soon after the scene from "Hamlet," referred to above, there was little or nothing of that sepulchral tone of voice we have sometimes heard ascribed to him. His enunciation was scarcely so distinct as could be desired, yet the music was rendered accurately both in time and tone; and, sustained by the brilliant accompaniment of Mr. Norman, the song was well received . . .

The bass solo, "Now I go and now I fly," was sung by Mr. Ball; and was followed by the chorus, "We fly by night." Mr. Ball was quite efficient in his part but an attempt to combine the full band with the voices in the chorus was unsuccessful. We may mention that the words of these two musical compositions are not from Shakspeare. It appears that Shakspeare, in writing his "Macbeth," founded the supernatural incidents upon a play called "The Witch," by Middleton, of whom very little is known. About the middle of the 17th century Sir William Davenant, in adapting the "Macbeth" of Shakspeare to the lyric stage, introduced into it several other passages from Middleton's "Witch," including those of the air and chorus performed on Friday evening. The music itself is by the celebrated Matthew Lock, who was the contemporary of Sir William Davenant, and who was employed as the composer of the music to "Macbeth" and other dramas arranged for performance at the Duke's Theatre, Lincoln's Inn Fields . . .

"TOPICS OF THE DAY", The South Australian Advertiser (2 February 1866), 2

http://nla.gov.au/nla.news-article28784604 

A complimentary benefit was given to Mr. T. Bastard, on Thursday evening, February 1, on the occasion of his taking possession of the City Baths for a term. The entertainment consisted of instrumental music by the band consisting of the Messrs. T. and F. Heydecke, Jarvis, Proctor, White, and others; singing, gymnastics and swimming. The attendance was very large indeed, the place being crowded. A few minutes after eight o'clock the proceedings were commenced by the band playing an overture. The grand chorus from "Guy Mannering" was then very well sung by Mr. Bastard, Mr. Ball, and another gentlemen, and applauded. Eight or nine members of the South Australian Gymnastic Club next appeared in a variety of exercises on the horizontal bar . . . A swimming match between Messrs. Doswell and Barnes came next . . .

ASSOCIATIONS: Thomas Jarvis (musician); Nicholas Proctor (musician); Richard Baxter White (musician)

"CONCERT AT THE HOTEL EUROPE", South Australian Register (20 March 1866), 2

http://nla.gov.au/nla.news-article41033948 

A miscellaneous concert was given at the Hotel Europe Music Hall on Monday evening, March 19, by the Union Minstrels, assisted by several well-known amateur vocalists. There was a fair attendance. The programme was a very attractive one, comprising numerous popular songs, glees, duets, solos, &c. The rendering by a member of the Union Minstrels of the beautiful song, "Her bright smile haunts me still," excited universal admiration, as did also the solo, "The Wolf," by Mr. Ball . . . Mr. H. Plumstead displayed his customary ability as a pianist . . .

ASSOCIATIONS: Henry Plumstead (pianist)

MUSIC: The wolf (Shield)

BALME, Thomas (Thomas BALME; T. BALME; Mr. BALME);

Amateur musician, vocalist, draper

Born Little Horton, Yorkshire, England, 29 January 1829; baptised Independent chapel, Little Horton, 11 September 1829; son of Abraham BALME and Ruth SMITH
Active Castlemaine, VIC, by 1862
Married Bertha BATES, Castlemaine, VIC, 1878
Died Castlemaine, VIC, 1879, aged "49/50"

https://trove.nla.gov.au/search?l-publictag=Thomas+Balme+1829-1879 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALME-Thomas (shareable link to this entry)

Documentation:

Baptisms, Independent Chapel, Little Horton, Yorkshire, 1829; UK National Archives, RG4/3139

https://www.ancestry.com.au/discoveryui-content/view/2641195:2972 (PAYWALL)

No. 1071 / Thomas [son of] / Abraham & Ruth Balme / Little Horton / [born] Jan'y 19th [1829] / [baptised] Sept'r 11th [1829]

England census, 6 June 1841, Horton, Bradford, Yorkshire; UK National Archives, HO107/1296/1/3/54/19

https://www.ancestry.com.au/discoveryui-content/view/12364482:8978 (PAYWALL)

Horton Green / Abraham Balme / 55 / Farmer // Ruth / 55
Mary / 25 / Dress Maker // Martha / 25 / Dress Maker // Hannah / 25 / Dress Maker
Edmund / 20 / Schoolmaster // Ruth / 15 / Abraham / 14 // Thomas / 12 / [all born in county]

ASSOCIATIONS: His elder brother "Abraham Balme, Farmer, 29", arrived in VIC in September 1857 per Miles Barton

https://prov.vic.gov.au/archive/3B05F129-F96C-11E9-AE98-27F6998F8082?image=324 (DIGITISED)

"THE PHILHARMONIC SOCIETY'S CONCERT", Mount Alexander Mail [Castlemaine, VIC] (18 August 1862), 2

http://nla.gov.au/nla.news-article197096047 

Notwithstanding the very unpropitious state of the weather, the theatre was well attended on Thursday evening, when the Philharmonic Society gave their first concert for the season . . . The first part of the programme consisted of secular music, including selections from Romberg's beautiful but little known "Lay of the Bell." The overture to Tancredi was followed by Locke's music for Macbeth, which was performed with precision and taste, but it was occasionally observable here, and in other portions of the concert, that the vocalists were overmatched in strength by their brethren of the instruments . . . A solo by Mr. Balme, "The last man," cleverly rendered, preceded what was certainly the gem of the first part, a duett by Mendelssohn, entitled "I would that my love," sung by Mesdames Gardner and Fox . . . It is needless to say that Mr. Moss conducted the concert with great ability, and that Mr. Howson maintained the reputation he had acquired as a violinst . . .

ASSOCIATIONS: Sara Gardner (vocalist); Matilda Fox (vocalist, later "Mrs. Hodgson", as 1863 see below); Frederick Moss (conductor); Henry Howson (leader, violin); Castlemaine Philharmonic Society (association); Theatre Royal (Castlemaine venue)

MUSIC: The last man (Callcott)

"CONCERT", Mount Alexander Mail (2 December 1862), 3

http://nla.gov.au/nla.news-article197095654 

The Concert, given by the members of the Philharmonic Society, for the benefit of their talented conductor, Mr. F. Moss, took place last night, at the Theatre, and it was well attended, but not so well as the merits of Mr. Moss, and his services in the development of local musical talent deserved. The first part of the programme consisted of secular music, including glees, songs, etc., and selections from the "Lay of the Bell." The second part consisted of Mr. Moss's Mass in C, which we have previously noticed as an exceedingly creditable composition. Mr. Balme, Mr. B. Butterworth, and Mrs. Fox wore entrusted with solo parts in the secular music . . .

ASSOCIATIONS: Benjamin Butterworth (amateur vocalist)

"THE CHEWTON CHORAL SOCIETY'S CONCERT . . .", Mount Alexander Mail (11 March 1863), 2

http://nla.gov.au/nla.news-article200382079

. . . under the direction of Mr. Moss, came off at the Red Hill Music Hall last evening, and was a decided success. Owing to the lateness of the hour we cannot give a detailed report. The attendance was good, and the audience testified their approval by continued applause. Mr. Balme and Mrs. Fox were encored, and deservedly, so. Great credit is due to Mr. Moss for the proficiency acquried by the members in so short a time, the society not having been in existence more than three months.

ASSOCIATIONS: Chewton Choral Society (association); Red Hill Music Hall (venue)

"PHILHARMONIC SOCIETY'S CONCERT", Mount Alexander Mail (1 June 1863), 2

http://nla.gov.au/nla.news-article200383735 

In our brief notice of the Society's Concert, in our last issue, it should have been staled that Messrs. Balme, Danks, and Thorburn performed the bass solos, and that Mrs. Hodgson sang several solos in her usual excellent style.

ASSOCIATIONS: William Smithers Danks (amateur vocalist); Henry Charles Thorburn (amateur vocalist)

"CHURCH OF ENGLAND BAZAAR, CHEWTON", Mount Alexander Mail (23 March 1864), 3

http://nla.gov.au/nla.news-article197443344 

This bazaar has, up to the present, proved an entire success. On Saturday evening the hall was full, on Tuesday evening it was most densely thronged, and last night the attendance was very large. On the second day, the musical performance by some members of the Philharmonic society proved a great attraction. Mrs. Hodgson, very ably, alternately with Mr. T. L. Brown, presided at the harmonium, and a number of glees and solos by Messrs. Balme, Hunter, Hodgson and Dancks, were listened to with much admiration, and a solo by Mrs. Hodgson elicited loud applause . . .

ASSOCIATIONS: Thomas Lawrence Brown (amateur musician); probably Pemberton Hunter (amateur vocalist)

"PENNY READINGS", Mount Alexander Mail (15 September 1866), 2

http://nla.gov.au/nla.news-article198206857 

The Penny Readings given at the Mechanics' Institute last night drew a crowded house . . . Mr. Balme, who has a fine bass voice, sung the "Sexton," and "The Ship on Fire" . . .

ASSOCIATIONS: Castlemaine Mechanics' Institute (venue)

MUSIC: The old sexton (Russell); The ship on fire (Russell)

"THE PENNY READINGS", Mount Alexander Mail (27 October 1866), 2

http://nla.gov.au/nla.news-article198207897 

The Chewton readers and musicians were welcomed to the Mechanics' Institute last evening by an overflowing house. The programme was commenced by Mrs. Hodgson, who played in brilliant style an introductory solo on the pianoforte . . . The glee of "Life's a Bumper" was spiritedly rendered by Messrs. Balme, Brown, and Jones . . . Mr. Balme sang "Excelsior" so well that he was called upon for an encore, and acceding to the request, he repeated a couple of verses . . . The duet of The Larboard Watch was excellently rendered by Messrs. Balme and Hunter, and a demand for an encore was made, but the President begged that the programme would be allowed to proceed, as it was a long one and he feared that repetitions would make the hour too late . . . Locke's music for Macbeth was given by the vocalists, Dr. Braithwaite presiding at the piano. Mr. Balme, Mrs. Hodgson, and Mrs. Gardiner [sic] rendered the solo parts. On the whole this celebrated composition was given with great care, and many of its beauties were truthfully exhibited . . .

"THE READINGS AT THE MECHANICS' INSTITUTE", Mount Alexander Mail (5 June 1867), 2

http://nla.gov.au/nla.news-article197543702 

Last evening the series of readings for the season commenced in the hall of the Mechanics' Institute . . . Locke's music for Macbeth was given by the vocalists, Dr. Braithwaite presiding at tbe piano. Mr. Balme, Mrs. Hodgson, and Mrs. Gardiner rendered the solo parts. On the whole this celebrated composition was given with great care, and many of its beauties were truthfully exhibited. During the evening Dr. Braithwaite acted as conductor, and very much helped the rendering of the several pieces of music. "God Save the Queen" brought the entertainment to a close.

ASSOCIATIONS: Edmumd Braithwaite (amateur, surgeon)

"CONCERT AT CHEWTON", Mount Alexander Mail (22 August 1871), 3

http://nla.gov.au/nla.news-article198992257 

Last evening, a musical and dramatic entertainment, in aid of the funds of the Ladies' Committee of the Benevolent Asylum, took place at the Oddfellows' Hall, Chewton. The attendance was not so large as expected, owing probably to the counter attraction at the Theatre Royal, Castlemaine. Those who were present, however, thoroughly enjoyed the treat set out for them in the programme, and loudly expressed their appreciation of the efforts put forth. The entertainment opened with a well sung glee by the company, which was followed by Mr. Hunter singing "The old Temeraire." Mrs. Hodgson sung the song "Beware," in a manner which called forth a speedy encore, when she gave "I cannot sing the old songs." This was followed by the duet of the "Larboard Watch" by Messrs. Hunter and Hodgson. Mr. Balme then gave Mr. Beaumont's celebrated song "The heart bowed down," and "When time hath bereft thee." Three songs followed - "The charge of the light brigade," by Mr. Hodgson; "The watch on the Rhine," by Mr. Hunter; and "Robin," by Mrs. Hodgson. The concert part of the programme concluded with the duet "Flow gently Deva," by Messrs. Balme and Hunter. The evening's entertainment concluded with the laughable farce of the "Spectre Bridegroom," in which all parties acquitted themselves creditably.

"CHRISTMAS", Mount Alexander Mail (25 December 1878), 2

http://nla.gov.au/nla.news-article198856008 

. . . At the Roman Catholic Church, high mass will be celebrated by Rev. H. Allen. The music will comprise the anthem, "Adele Fidelis," [Adeste fideles]; Kyrie and Gloria, Mozart's Twelfth; Credo, Haydn's 1st; Adeste Fideles, Novello's arrgt.; Sanctus, Hadyn's 1st; Benedictus, Rutter; Agnus Dei and Dona Nobis, Weber. Miss O'Hea, with Messrs. Balme and Hodgson, will sustain the principal parts, there being a fine opportunity for Mr. Balm's telling voice to be heard to advantage in the portion of Mozart's 12th to be performed . . .

"DEATH", Mount Alexander Mail (30 June 1879), 2

http://nla.gov.au/nla.news-article198856294 

BALME. - On the 28th June, at his residence, Hargreave-street, Castlemaine, Thomas Balme, aged 50 years. Late of Bradford, England, and Chewton, Victoria.

Grant of administration, Thomas Balme, died 1879; Public Record Office Victoria

https://prov.vic.gov.au/archive/46CA26F5-F1EC-11E9-AE98-BFC7100B9762?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/7865B14F-F1D1-11E9-AE98-1B7200097474?image=1 (DIGITISED)

---

BALY, Edward (Edward BAYLY; Edward BALY; Mr. BALY)

Musician, flute player and teacher, flautist, schoolmaster, poet, librettist

Born Warwick, Warwickshire, England, 16 February 1819; baptised St. Mary, Warwick, 22 February 1819 (c. 1779-1821); son of Charles BAYLY and Ann BOND
Married Mary Ann Hodson GRIFFITH (c. 1820-1886), Manchester parish church (cathedral), 31 May 1841
Arrived Sydney, NSW, by early 1842
Died Sydney, NSW, 28 April 1897, "in his 79th year"

https://trove.nla.gov.au/search?l-publictag=Edward+Baly+1819-1897 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BALY-Edward (shareable link to this entry)

Summary:

Baly was privately tutored by Robert Lowe at Oxford, and later advertised that he had been a pupil of the English flautists Joseph Richardson and Samuel Thomas Saynor, both of whom had in turn been pupils of Charles Nicholson.

In Manchester, in May 1841, he married Mary Ann Hodson Griffiths, and probably soon after they sailed for New South Wales.

At first engaged in private tutoring, by early 1844 he had been appointed classics master at St. James's grammar school.

After having also been second master at St. James's Grammar School, Baly opened his own academy for boys in 1845, which he continued to run until 1850, when he was declared insolvent. It was then he turned to public performing and teaching flute, which he kept up semi-professionally for several years, in addition to continuing to run his boys school.

He relocated his school and family in 1854 to Parramatta. In 1861-62 he was founding secretary of the Parramatta Harmonic Society.

He retired from teaching returned to Sydney in 1874 to take up a post of clerk in the Supreme Court.

Documentation:

Baptisms solemnized in the Parish of St. Mary, Warwick in the county of Warwick in the year 1819; register 1813-24, page 141; Warwickshire County Record Office

https://www.ancestry.com.au/imageviewer/collections/2446/images/4291048_00077?pId=4872154 (PAYWALL)

No. 1122 / [February] 22 / Edward Son of / Charles & Ann / Bayly / Market Place / Inn Keeper / Born Feb'y 16th 1819

1841, marriage solemnized in the Collegiate and Parish Church in the Parish of Manchester in the County of Lancaster; register 1841-44, page 222; Manchester Cathedral and Manchester City Council

https://www.ancestry.com.au/imageviewer/collections/2967/images/40366_293739-01000?pId=269087 (PAYWALL)

443 / May 31st 1841 / Edward Baly / full [age] / Bachelor / Gentleman / Sloane Street London / [son of] Charles Baly / Draper
Mary Ann Hodson Griffith / full / Spinster / - / Market Street / [daughter of] Robert Griffith / Cheese-factor . . .

Baptisms solemnized in the Parish of St. James, Sydney, 1842 and 1844; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30311018402 (PAYWALL)

31 July 1842 / Sydney Byron Jones / [son of] Edward & Mary Ann / Baly / Private Tutor / [born] 2 June 1842

31 March 1844 / Charles Edward / [son of] Edward & Mary Ann / Baly / Classical Teacher Grammar School / [born] 20 July 1843

[Advertisement], The Sydney Morning Herald (29 December 1842), 3

http://nla.gov.au/nla.news-article12420750 

MR. EDWARD BALY, late of Pembroke College, Oxford,
respectfully announces to the public his intention of opening a School for the reception of a limited number of pupils. He purposes to instruct in the usual branches of a classical and general education, on reasonable terms, particulars as to which, and place of residence, will be shortly made known.

Mr. Baly has great pleasure in publishing the annexed testimonial.

This is to certify that Mr. Edward Baly, Commoner of Pembroke College, Oxford, studied with me, during my residence there, as a candidate for honours, which he would in all probability have obtained had he remained there long enough to take a degree. I have no hesitation therefore in recommending him as a proper person to be entrusted with the education of children, a task for which I consider him fully competent.
ROBERT LOWE.
3, Wentworth place, Dec. 27.

ASSOCIATIONS: Robert Lowe (former tutor)

[Advertisement], The Sydney Morning Herald (9 November 1844), 3

http://nla.gov.au/nla.news-article12420642 

TUITION. MR. EDWARD BALY, late Second Master of St. James's Grammar School, intends, after Christmas, to open a School for the reception of a limited number of young gentlemen. Particulars as to terms and residence will be shortly published.

"MR. DEANE'S CONCLUDING LECTURE ON MUSIC . . .", The Australian (11 September 1845), 3

http://nla.gov.au/nla.news-article37159722 

. . . was delivered, last night, to a fair and crowded audience, at the City Theatre . . . Among the instrumental performers, Mr. Ellard's Concertante (?) on the pianoforte experienced a clamorous and merited encore. Mr. Bailey displayed his mastery and execution in two solos on the flute. This performance, however, is not exactly to our taste, being calculated rather to surprise than to delight . . .

ASSOCIATIONS: John Philip Deane (musician); Frederick Ellard (pianist)

"Music. AUSTRALIAN HARMONIC CLUB", The Spectator (27 June 1846), 273

http://nla.gov.au/nla.news-article250085262 

In our last number we alluded to the benevolent intention of this Society, to give a Concert for the benefit of the funds of the Sydney Infirmary and Dispensary . . . Mrs. Burdekin in the most handsome manner granted the use of the City Theatres for the occasion, and on Wednesday evening last this elegant theatridium was crowded to excess by a highly respectable auditory . . . The services of the brilliant band of the 11th Regiment were kindly permitted by Colonel Bloomfield, and we need scarcely observe, therefore, that the effort of Mr. John Deane and his clever coadjutors were ably assisted. Rossini's overture to "Othello," and Hector Bolioz's [sic, Berlioz] overture to "Waverly" were certainly the chefs-d'oeuvres of the evening: the latter (performed by the Military Band alone) is new to the Colonists, and is a masterly composition. We must compliment the leader of the eleventh on the admirable manner in which it was given by the band, whose steady obedience to the conductor's baton was the subject of warm commendations throughout the house. Mr. Ellard, jun., in the Fantasia on the Piano-forte (as played by him at Mrs. Bushelle's concert), Mr. John Deane in a Violin Solo of Vincent Wallace's, and Mr. Bayley in Drouet's famous Flute Solo (introducing variations on "God save the Queen") again received similar tributes of applause to those which it has so often been our pleasure to record in these and other columns . . .

ASSOCIATIONS: John Deane junior (violinist, leader); Eliza Bushelle (vocalist); Band of the 11th Regiment (military); Australian Harmonic Club (association); City Theatre (Sydney venue)

"NEW INSOLVENT", The Sydney Morning Herald (15 January 1850), 2

http://nla.gov.au/nla.news-article28646067

Edward Baly, of Burdekin-terrace, school-master, £272 6s. 1d.
Assets-personal property, £45; outstanding debts, £1 12s.; balance deficiency, £225 14s.
Mr. William Perry, Official Assignee.

[Advertisement], The Sydney Morning Herald (2 April 1850), 1

http://nla.gov.au/nla.news-article12916850 

THE public are respectfully informed, that
Mr. EDWARD BALY has removed from Burdekin's Terrace to CROWN STREET, South Head Road,
where he receives a limited number of young gentlemen.
The duties of his school will be resumed on Wednesday, the 3rd instant.
N.B. - Vacancies for six pupils. Terms Quarter to be paid in advance; but no notice required before removing a pupil.

INSOLVENCY PROCEEDINGS . . . THURSDAY", The People's Advocate and New South Wales Vindicator (4 May 1850), 2

http://nla.gov.au/nla.news-article251539002 

Estate of William Weild Armstrong, John William Roberts, and Edward Baly, certificate meetings were held, and the applications were granted without opposition, the objections in the latter estate having been withdrawn.

[Advertisement], The Sydney Morning Herald (11 May 1850), 1

http://nla.gov.au/nla.news-article12917824

MR. BALY begs to state that he has decided upon postponing his Concert till the first Friday after the benefits, when he will be assisted by all the available talent in Sydney.

"CONCERT", The Sydney Morning Herald (18 May 1850), 2

http://nla.gov.au/nla.news-article12918022

The second concert of the Messrs. Marsh took place last night, and beside being honoured with the attendance of his Excellency the Governor, we are happy to say one of the most numerous and fashionable audiences we ever saw assembled in Sydney, was present to render that homage to talent, which in this instance was decidedly due. The programme of the concert was limited but select, and there certainly was but little variety of performances, but the fair artiste, who was the attraction of the evening, managed most successfully to do away with the desire for a more entertainment . . . There was one other gem in the programme which we are bound to notice with the warmest expression of our admiration. We mean a solo on the flute by Mr. Baly; and a more expressive and chaste performance on that difficult but beautiful instrument it has been seldom our good fortune to hear . . .

ASSOCIATIONS: Stephen Hale Marsh and Henry Marsh (musicians)

[Advertisement], The Sydney Morning Herald (5 June 1850), 1

http://nla.gov.au/nla.news-article12918442

GRAND CONCERT.
MR. BALY begs to inform his friends and the public that he intends giving a
Concert of Vocal and Instrumental Music, in the Saloon of the Royal Hotel,
ON FRIDAY, JUNE 7, 1850, when he will be assisted by MISS SARA FLOWER,
Messrs. Deane, Worgan, Stanley, and a highly talented Amateur.
Mr. Stanley will preside at the Pianoforte.
PROGRAMME.
PART I.
Quintette, Overture "Della Gazza Ladra," Rossini Orchestra
Song - The Outlaw's Bride," Glover - Amateur
Recitative and air - "Or Son d' Elena," from Scaramuccia, Ricci - Miss Sara Flower
Solo Pianoforte, Hertz - Mr. Stanley
Ballad - "Gone is the Calmness," with Flute Obligato Accompaniment, W. V. Wallace - Mr. Worgan
Song - "Tell him I love him yet," Stanley - Miss Sara Flower
Solo (Flute) Fantasia, introducing the admired Air, "When Other Lips," and "A Bollero," Nicholson - Mr. Baly
PART II.
Overture - "Du Barbier de Seville," Rossini - Orchestra
Ballad - "Why do I weep for thee," W. V. Wallace - Miss Sara Flower
Solo - Violoncello, Muntz Berger - Mr. Deane
Song - "The Standard Bearer," Lindpaintner - Amateur
Ballad - "The Old Arm Chair," Russel - Miss Sara Flower
Solo (Flute) - Drouet's celebrated Variations upon Rule Britannia - Mr. Baly
Leader, Mr. Deane.
Doors to be opened at half-past 7 o'clock. Concert to commence at 8.
Single tickets, 3s. 6d. each. Tickets to admit six persons, £1.
To be had of Mr. Grocott, George-street; Mr. Sparke, Royal Hotel and at Mr. Baly's residence, Crown-street, South Head Road.

ASSOCIATIONS: Sara Flower (vocalist); Edward Smith Deane (cellist); George William Worgan (vocalist); William Stanley (pianist, accompanist)

MUSIC: Variations on Rule Britannia (Drouet)

[News], The Sydney Morning Herald (7 June 1850), 2

http://nla.gov.au/nla.news-article12918520

Mr. BALY'S CONCERT will take place this evening (Friday) when Miss Flower will appear again for the third time since her sojourn amongst us. Mr. Baly's sweet performances on the flute are too well known to require comment. He is a gentleman who has suffered severely from this world's frowns and is compelled through misfortune to have recourse, for his support, to a musical talent which he had originally cultivated as an accomplishment. It may be in the recollection of the good people of Sydney, that Mr. Baly once played gratuitously for the benefit of the Sydney Infirmary, once for the benefit of the Odd Fellows' Society, and it is hoped that their sense of the sympathy shown by Mr. Baly upon these occasions will be marked by their giving him a bumper house in this his first appeal to their patronage. - Correspondent.

ASSOCIATIONS: On the Odd Fellows' concert, see "CONCERT", The Australian (14 August 1847), 3

http://nla.gov.au/nla.news-article37132328

"MR. BALY AND MISS SARA FLOWER", The People's Advocate and New South Wales Vindicator (8 June 1850), 3

http://nla.gov.au/nla.news-article251539725 

We witnessed the performance of Mr. Baly's first concert, given at the Royal Hotel on Friday, 7th instant, which was fashionably and well attended. It has been remarked by an old author and composer, that the intention of music is not only to please the ear, but to express sentiments, strike the imagination, affect the mind, and command the passions; of this fact Mr. Baly, by his excellent performance on the flute, which instrument he handles in masterly style, has evidently not been unmindful: the tone he produces is perfect in clearness and sweetness, and he executes every passage with brilliancy, exactness, propriety, and delicacy of expression according to the true intent of music. Mr. Baly was correctly accompanied by Mr. Stanley, whose performance on the pianoforte is decidedly equal to any we have hitherto heard in this Colony, both as regards fingering and execution, and we may add, time and good taste. Miss Sara Flower sang with her usual success . . .

[Advertisement], The Sydney Morning Herald (28 June 1851), 1 Supplement

http://nla.gov.au/nla.news-article12928284 

CROWN-STREET, SOUTH HEAD ROAD.-
The public are respectfully informed, that Mr. BALY'S academy for young gentlemen will re-open on Tuesday, July the 1st.
The number of pupils being limited to twenty-five, parents wishing to avail themselves of what few vacancies exist, should apply as soon as convenient. Terms to be paid quarterly in advance, but no notice required before the removal of a pupil.
Mr. BALY devotes his evenings to teaching the flute; and having been a pupil of Richardson, Saynor, Marshall, and other eminent professors, is familiar with the best systems of articulation and fingering.
N.B. An excellent eight-keyed flute for sale.

[Advertisement], The Sydney Morning Herald (21 June 1850), 3

http://nla.gov.au/nla.news-article12918940 

ROYAL VICTORIA THEATRE. MISS SARA FLOWER'S GRAND EVENING CONCERT,
THIS EVENING. FRIDAY, JUNE 21, 1850 . . .
PART II . . . Solo - Flute, Nicholson - Mr. Baly . . .

[Advertisement], The Sydney Morning Herald (2 July 1850), 1

http://nla.gov.au/nla.news-article12919147 

MR. STANLEY'S CONCERT, in the Saloon of Nash's Hotel, Parramatta,
THIS EVENING, TUESDAY, JULY 2. PROGRAMME.
PART 1 . . . Solo, Flute, "Swiss Boy," Richardson - Mr. Baly . . .
PART 2 . . . Solo, Flute, "Rule Britannia," Drouet - Mr. Baly . . .

"PARRAMATTA. THE CONCERT", The Sydney Morning Herald (8 July 1850), 3

http://nla.gov.au/nla.news-article12919276 

Though the evening was wet, Mr. Stanley's concert was very fully attended . . . Mr. Baly concluded with Rule Britannia on the flute, in which he introduced most charmingly "Auld Robin Gray," which brought tears into the eyes of several Scotchmen who were present. Perhaps we have outlived our ears, but, as at present advised, we do not remember to have ever heard a better performer . . .

[Advertisement], The Sydney Morning Herald (8 July 1850), 1

http://nla.gov.au/nla.news-article12919278

CROWN-STREET, SOUTH HEAD ROAD.
MR. BALY (formerly of Pembroke College, Oxford), begs to inform the public that the duties of his School will be resumed on Monday, the 8th instant . . .
Mr. BALY, being a pupil of the celebrated RICHARDSON, devotes his evenings to giving instructions upon the Flute, and has vacancies for a few gentlemen wishing to acquire a practical knowledge of that beautiful instrument.

[Advertisement], The Sydney Morning Herald (5 August 1850), 1

http://nla.gov.au/nla.news-article12920019 

MR. STANLEY'S GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC,
IN THE SALOON OF THE ROYAL HOTEL, ON FRIDAY EVENING, AUGUST 9th, 1850,
MR. STANLEY is particularly anxious to draw public attention to the circumstance, that on this occasion he shall have the honour of introducing to his patrons a gentleman (Mons. Longchamp) whose performance on the patent Boehm Flute, an instrument hitherto unknown in this colony, he has no doubt will afford them the same gratification as has been hitherto experienced by all who have heard him.
Mr. Stanley has also great pleasure in referring to the subjoined Programme, whereby it will be seen that he will also be assisted by . . . Mr. Baly.
PROGRAMME. PART 1 . . .
Solo Flute, Swiss Boy, Boehm - M. Longchamp, on the patent Boehm Flute . . .
PART 2 . . . Solo Flute, "God Save the Queen," Drouet - Mr. Baly . . .
Solo, Flute - Monsieur Longchamp . . .

ASSOCIATIONS: Jean Francois Lonchamp (flautist); Boehm flute (instrument)

[Advertisement], The Sydney Morning Herald (27 August 1850), 1

http://nla.gov.au/nla.news-article12920567 

EDUCATION. MR. BALY has vacancies for a few daily pupils, at his residence, Crown street, South Head Road . . .
Mr. Baly employs his leisure hours in teaching the flute, and having been a pupil of Richardson, the first flutist in the world, is familiar with the best mode of fingering, and the proper method of eliciting that peculiar tone which renders this instrument so charming. He can at all times supply his pupils with good instruments.

[Advertisement], The Sydney Morning Herald (7 October 1850), 7

http://nla.gov.au/nla.news-article12921579 

MISS SARA FLOWER and Madame CARANDINI . . . have postponed their
FIRST CONCERT to WEDNESDAY, the 23rd instant . . . PROGRAMME . . .
PART 2 . . 6. Solo flute - Di tanti palpiti - Mr. Baly - Drouet.

ASSOCIATIONS: Maria Carandini (vocalist)

[Advertisement], The Sydney Morning Herald (6 November 1850), 3

http://nla.gov.au/nla.news-article12922351 

VICTORIA THEATRE. MISS SARA FLOWER and MADAME CARANDINI'S second Subscription Concert,
THIS EVENING, November 6th, 1850 . . . PROGRAMME . . .
PART 2ND . . . Flute Solo - "Rosseau's dream," variations and polacca, (Richardson) - Mr. Baly . . .

"MADAME CARANDINI AND MISS FLOWER. THE CONCERT", Bell's Life in Sydney and Sporting Reviewer (7 December 1850), 2

http://nla.gov.au/nla.news-article59771672 

We are very much pleased in noticing the encouragement of last Wednesday's [4 December] concert . . . We must not omit the sweet flute of Mr. Baly, whose performances are exquisite: but we think it would be well if he gave some new pieces. His being encored fortunately gave the house two treats for one . . .

"CONCERT", The Sydney Morning Herald (6 May 1851), 3

http://nla.gov.au/nla.news-article12926848 

Mr. Baly intends giving a Musical entertainment at the School of Arts, this evening, and has secured the valuable assistance of Miss Sara Flower, and Messrs. F. Howson, Deane, and Stanley. We have no doubt that the people of Sydney will not fail to show how justly they appreciate Mr. Baly's exertions by an overflowing house; and the readiness with which he has responded to the calls of the Institution at their Monthly Concerts will not be forgotten on this occasion.

ASSOCIATIONS: Frank Howson and John Howson (vocalists)

[2 advertisements], The Sydney Morning Herald (6 May 1851), 3

http://nla.gov.au/nla.news-article12926850 

GRAND CONCERT. MR. BALY begs to inform the public that he purposes giving a
CONCERT of Vocal and Instrumental Music, at the SCHOOL OF ARTS,
THIS EVENING, May 5, when he will be assisted by Miss SARA FLOWER, Mr. F. Howson, Mr. Stanley, Mr. Deane, and others.
PROGRAMME. PART I.
1. - Overture - Mr. Stanley.
2. - Scena - The Wandering Jew (Kaiser) - Mr. F. Howson.
3. - Ballad - Why do I weep for thee (Wallace) - Miss Sara Flower.
4. - Solo - Flute (Nicholson) - Mr. Baly.
5. - Duet - Senza Tanti Complimenti - Mr. Howson and Miss Sara Flower.
PART II.
1. - Fantasia - Mr. Stanley.
2. - Song - The last Man (Calcott) - Miss Sara Flower.
3. - Solo - Violoncello - Mr. Deane.
4. - Song - Revenge - Hatton - Mr. F Howson.
5. - Solo Flute - Alone I rove, with Variations (Saynor) - Mr. Baly.
6. - Comic Duet - Anticipations of Switzerland - Mr. F. Howson and Miss Sara Flower.
Single tickets, 2s. 6d.; Family tickets, to admit four, 8s. to be had of Mr. Grocott, Music Saloon, George-street at the School of Arts, Pitt-street and of Mr. Baly, Crown-street, Surry Hills.
Doors opened at half-past seven, Concert to commence at eight o'clock.

CONCERT. MECHANICS' SCHOOL OF ARTS . . .
THE Members are informed that the Music CLASS WE give the Monthly Concert on WEDNESDAY EVENING, the 7th instant.
PROGRAMME. Part I. 1 Overture Fra Diavolo - Auber . . .
Part II. 1. Overture Guy Mannering - Bishop . . .
4. Solo (Flute variations) Alone I rove - Saynor . . .

[Advertisement], The Sydney Morning Herald (27 June 1851), 1

http://nla.gov.au/nla.news-article12928240 

CROWN-STREET, SOUTH HEAD ROAD. - The public are respectfully informed, that Mr. BALY'S academy for young gentlemen will re-open on Tuesday, July the 1st . . . Mr. BALY devotes his evenings to teaching the flute; and having been a pupil of Richardson, Saynor, Marshall, and other eminent professors, is familiar with the best systems of articulation and fingering.
N.B. An excellent eight-keyed flute for sale.

ASSOCIATIONS: Samuel Thornton Saynor (English flautist, pupil of Nicholson)

"MR. MOORE'S MUSICAL ENTERTAINMENT", Empire (25 March 1852), 2

http://nla.gov.au/nla.news-article60128875

This successful soiree musicale took place in the Theatre of the School of Arts last night. The instrumental performers were Mr. Moore, Mr. H. Marsh, and Mr. Baly. The vocal music was principally confided to the fair debutante of the evening, Mrs. Sarah Dawson . . . A solo of Richardson's on the flute by Mr. Baly, characterised by his known peculiarities of style as a flautist, and Mr. Moore's composition "David's Lamentation for Absalom," succeeded - both warmly applauded . . . The accompaniment to Mrs. Dawson's song: "The Swiss Girl," and the fantasia from Koenig's "Bird of Paradise," were flute performances, in which Baly was particularly successful . . .

[Advertisement], The Sydney Morning Herald (8 May 1852), 1

http://nla.gov.au/nla.news-article12936591 

NOTICE. - MR. EDWARD BALY respectfully informs the public that it is his intention to give a CONCERT of vocal and instrumental music in the Theatre of the School of Arts, on Friday evening, May 2lst, on which occasion he will be enabled, through the kindness of a gentlemen lately arrived from England, to introduce one or two attractive novelties. Particulars will shortly be published.

"MR. BALY'S CONCERT", The Sydney Morning Herald (21 May 1852), 2

http://nla.gov.au/nla.news-article12936949 

The lovers of music will have noticed the attractive programme of the concert to be given by Mr. Baly, at the School of Arts, this evening. The principal feature of the evening appears to be the novelty of a flute quartette, which was received with great applause at some of the London concerts.

[Advertisement], The Sydney Morning Herald (21 May 1852), 1

http://nla.gov.au/nla.news-article12936944 

MR. BALY'S CONCERT. THEATRE OF THE SCHOOL OF ARTS.
THIS EVENING, FRIDAY, 21st instant.
Performers: Vocal - Mrs. Moore, Mrs. Dawson, and Mr. Waller.
Instrumental - Mr. Moore, Mr. Stanley, Mr. Baly, and three distinguished Amateurs.
Conductor - Mr. Stanley.
PROGRAMME: First Part.
1. Overture - Gustavus - Auber - Mr. Stanley
2. Song- The Captive Greek
Girl's Lament - Hobbs - Mrs. Dawson
3. Grand Scena - See There! what thou hast cast away, (Opera, Mountain Sylph) - Mr. Waller
4. Solo - Flute- Richardson's celebrated Vars. upon There is na'e Luck, as played by Composer before Her Majesty - Mr. Baly.
6. Scena - Softly Sighs, (Opera, Der Freyschutz) - Mrs. Moore
6. Solo - Violin - La Coquette, (A. Moore) - Mr. Moore 7. Song - Hear me gentle Maritana, (Wallace) - Mr. Waller
Second Part.
1. Fantasia - Pianoforte - Thalberg - Mr. Stanley
2. Duet - I know a Bank - Bishop - Mrs. Moore and Mrs. Dawson
3. Haydn's Quartette - Minuetto and trio, arranged four 4 flutes, by Furstenau - Four Flautists
4. Ballad - Scenes that are Brightest, (Opera, Maritana) - Mrs. Moore
5. Ballad - Auld Robin Gray - Mrs. Dawson
6. Irish Melody - Flute (by particular desire) - Mr. Baly.
7. Song - I'd be a Soldier still, (Opera, Joan of Arc) - Mr. Waller
8. Solo - Violin - Carnival de Venice - Mr. Moore
The Concert will commence precisely at 8 o'clock.
Sinqle Tickets, two shillings and sixpence; family tickets to admit four, eight shillings.
May be had of Messrs. Woolcott and Clarke, Music Warehouse, George-street; of Mr. Bellingham, at the School of Arts; Mr. Henry Marsh, Music Saloon, George-street; and of Mr. Baly, at his residence, Crown-street.

[Advertisement], Empire (20 May 1853), 1

http://nla.gov.au/nla.news-article61324384

ROYAL HOTEL. LAST NIGHT BUT ONE.
MR. H. MARSH has the honour to announce his intention of giving a
GRAND EVENING CONCERT . . . ON FRIDAY, MAY 20, 1853.
Mr. H. Marsh has much pleasure in announcing that he has succeeded in engaging the following Artistes: . . .
Instrumentalists:
Bassoon - Mr. Winterbottom.
Pianoforte (his first appearance) - Mr. Coleman Jacobs . . .
Flute - Mr. Baly.
In addition to Winterbottom's unrivalled Orchestra, the splendid Band of the XIth Regiment . . . will attend.

ASSOCIATIONS: John Winterbottom (bassoon, conductor); Coleman Jacobs (pianist)

[Advertisement], The Sydney Morning Herald (27 June 1854), 5

http://nla.gov.au/nla.news-article12961253 

EDUCATION - The public are respectfully informed that Mr. EDWARD BALY, lately of Crown street, Sydney, has removed to George-street, Parramatta, where he purposes to receive a limited number of young gentlemen for Board and Education.
In leaving Sydney, Mr. Baly hopes to thank his numerous friends for the confidence they have reposed in him as a teacher during the past eleven years, and to assure them that the expressions of regret elicited by the announcement of his intended departure, are to him the most pleasing evidences that his efforts have been appreciated. His motives for making choice of Parramatta as the scene of his future labours may be recognised in the purity of its atmosphere, and in the tranquillity pervading its localities - the one as essential to the physical health, as the other to the mental and moral development. Amid the ceaseless turmoil and excitement, inseparable from crowded cities, the youthful mind is too much distracted to be capable of that entire devotion to study which is the only certain path to success . . .

[Advertisement], Empire (3 December 1859), 1

http://nla.gov.au/nla.news-article64093889 

AMATEUR CONCERT in aid of the FUNDS of the PARRAMATTA HOSPITAL,
at the KING'S SCHOOL-ROOM, FRIDAY, 9TH December, 1859.
PART THE FIRST. Selections from HANDEL'S Oratorio of the Messiah . . .
SECOND PART. Madrigal - Down in a Flow'ry Vale (Festa)
Flute solo - Selection's from Norma, (Saynon [sic]) - Mr. Baly.
Song - Miss Brady.
Pianoforte solo - Cracovienne, (Wallace) - Mrs. Birch.
Quartett - Springs Delights (Mendelssohn)
Duett - Of Fairy's Wand Had I The Power, (from the opera of "Maritana") (Wallace) Miss Brady and Mr. Waller
Song, with flute accompaniment - The Bird and the Maiden (Spohr) Mrs. Birch and Mr. Baly
Song - Mr. Robinson.
Trio - The Chough and Crow, (Bishop)
God Save the Queen . . .

ASSOCIATIONS: Mary Ann Brady (vocalist); James Waller (vocalist); Rosina Birch (vocalist, pianist)

"PARRAMATTA [FROM OUR CORRESPONDENT] 21ST NOVEMBER. HARMONIC SOCIETY", The Sydney Morning Herald (22 November 1861), 6

http://nla.gov.au/nla.news-article13060293

The first concert of this society took place yesterday evening, in the hall of the King's School, which was crowded in every part. After several very successful performances of sacred and secular music, this society was founded in the latter end of August last; Mr. C. Chizlett's valuable services were permanently retained, and the members have since been diligently practising under his direction. The concert yesterday evening, comprehending as it did a more extensive programme of sacred music than any former one, was a complete success, the solo passages, as well as the choruses, being very ably sustained. The first part of the concert consisted of selections from Handel's Messiah, the recitatives and airs being performed by Mrs. Birch, two Misses Green, Miss Griffiths, and Mr. Crooks. The choruses, particularly "For unto us," and " Glory to God, were ably sustained and very effective. The secular portion commenced with the chorus "All among the Barley" by Stirling, and was followed by the duet "Syren and Friar," sung by Miss J. Green and Mr. Crook, which was enthusiastically encored. The piano solo, -"Massaniello" by Mrs. Birch, and the performance upon the flute by Mr. Baly of "The Swiss Boy," were brilliantly executed, showing the most perfect mastery of their respective instruments, and were loudly applauded. Mr. Baly was twice encored. The song "Where the bee sucks," by Miss J. Green, again called forth warm applause and was encored. The song, "No jewelled beauty," was given by Mr. Robinson, and was vociferously encored by the younger portion of the audience, who were evidently anxious for at comic song from Mr. Robinson, and Mr. R. gave them one accordingly. Their applause, however, was, on one or two occasions, carried to an extreme, and, at the termination of the first portion of the concert, when the choir had retired, a noisy manifestation of impatience was made, which was very properly checked. The concert terminated at about eleven o'clock, with the glee "Ye spotted snakes," and the audience separated, highly gratified with the success of the first concert of this excellent society.

ASSOCIATIONS: Charles Chizlett (conductor); Parramatta Harmonic Society (association)

[Advertisement], The Sydney Morning Herald (12 April 1862), 1

http://nla.gov.au/nla.news-article13226971 

PARRAMATTA HARMONIC SOCIETY. - Ladies and Gentlemen practising with this Society, are requested to attend at the
King's Schoolroom - junior classes at half-past 6, advanced class at 8 o'clock precisely - on MONDAY EVENING, April 14.
EDWARD BALY, hon, sec.

[Advertisement], The Sydney Morning Herald (14 April 1866), 1

http://nla.gov.au/nla.news-article13129525 

PARRAMATTA - The inhabitants of the town and district are informed that a meeting will be held in St. John's Schoolroom, MONDAY EVENING, April 16th, at 8 o'clock, for the purpose of forming a Musical Society, at which all persons who are favourable to that object, and especially those who have promised their support, are invited to attend.
EDWARD BALY, Secretary pro tem.

"TO THE EDITOR OF . . .", The Sydney Morning Herald (31 July 1871), 3

http://nla.gov.au/nla.news-article28415907 

SIR - It has occurred to me that a description of Carte's patent silver cylinder council and prize medal flute may be interesting to other amateur flautists, and may explain my reason for abandoning the old flute with which I had been familiar from boyhood and subjecting myself to the drudgery of acquiring an entirely different system of fingering. This charming instrument is constructed of sterling silver, and is no less remarkable for the splendour of its appearance than for the brilliancy of its tones. It obtained the first prizes in the Great Exhibition of '61 and '62, and completely distanced all competing instruments.

To understand the nature of its claims to superiority, it will be necessary to contrast the points in which it differs in its construction from the ordinary flute. All flute-makers are aware that a flute, to be perfectly in tune must be in the form of a cylinder; but on account of the distances between the holes thereby detailed, the conical bore has been substituted. The imperfections occasioned by this compromise have, however, proved so serious as to jeopardise the character of the instrument. The first result is to throw it out of tune, several of the notes requiring to be "coaxed," that is flattened or sharpened by changing the embouchure. Another disadvantage arises from the necessity of employing keys kept shut by powerful springs, in order to form the semi-tones, which so enhances the difficulty of execution in the flat modes as to place them beyond the reach of any but accomplished players. The reduction in size of two of the six holes, in order to bring them within the stretch of the third finger of each hand, weakens certain notes, and of course destroys the equality, of tone which is essential to a well-constructed flute. A fourth defect which may be traced to the system of shut keys is the veiled quality of those notes in proximity to a key, which impedes a free vent and partially destroys the tone. Perhaps, however, the most serious objection to the conical tube and closed keys is the labyrinth of cross fingerings in which the learner finds himself involved when attempting to play in the upper register, and rendering rapidity of execution impossible to any but a professor. It was not till Nicholson, Dreesler, and others, had exhausted their resources in trying to perfect the conical flute, that Boehm restored the instrument to its natural form, that of a cylinder, rightly conceiving that the difficulty from the distances between the holes might be obviated by mechanism. His system was, however so far defective, as it neutralised the benefit resulting from facilities in keys marked with several flats or sharps, by creating difficulties in the more simple ones.

The flute under his system may be said to have reached its transition state, and it was reserved for the genius of Carte to accomplish what Boehm had only begun. In consequence of his abilities as a mechanist, he was associated with the celebrated firm of Messrs. Rudall and Rose, who had purchased Boehm's patent cylinder and parabolic head, with a view to the construction of a flute combining these advantages with a less complicated system of fingering. The result was the present flute, which, after one or two slight improvements, attained the culminating point of excellence in 1867, when Carte's fingerings were supplemented by one or two of Boehm's system. The most elaborate passages in every key, though impossible upon the old flute, may be executed with facility on this. The holes being much too large for ordinary fingers, are covered by keys kept open by delicate springs, and upon the principle that open keys can be closed in much less time than shut keys can be opened; the manipulation is facile, smooth, and rapid. The notes in the middle and upper registers assimilate in volume and quality to those of a highly cultivated soprano voice, and the lower tones, though they combine the power and richness of a trumpet, still preserve that purity, silkiness, and penetrative character so much admired in the flute. The superiority of silver as a material in the construction of flutes is derived from its resonance. Carte's silver cylinder instantly responds to the slightest breath; hence its extreme delicacy in dimensions and passages. The only objection to this instrument is its costliness, the price out here being about thirty guineas for a silver one, and 160 guineas for a gold one. This consideration alone prevents its general adoption.

In short, the elegance of its form, the brilliance of its sheen, the facility of its manipulation, the contrast between its full power and its fairy-like pianissimo, and the bell-like quality of its silvery notes, combine to render Carte's flute the most showy and fascinating of wind instruments.

I am, Sir, yours, &c., &c.
EDWARD BALY.

"THE GOVERNMENT GAZETTE", The Sydney Mail and New South Wales Advertiser (7 November 1874), 583

http://nla.gov.au/nla.news-article162483299 

. . . Edward Baly to be fourth clerk in the Supreme Court Office, vice Bainsford, transferred, from the 1st instant . . .

"A Word of Pity for Aborigines. SUGGESTED BY A RELIC OF OLD AUSTRALIA", Evening News (11 March 1882), 7

http://nla.gov.au/nla.news-article107992390 

Proudly within the rails which mark
The margin of my ground,
A stump remains whose broadest base
Be seven fathoms round.
The care that from the soil suggest
It's summary removal, -
A sentiment I never could
Endorse with my approval. . .

"A Jubilee Cantata", The Kiama Independent, and Shoalhaven Advertiser (5 July 1887), 4

http://nla.gov.au/nla.news-article101714437

The following lines (says Wednesday's Echo) were written by Mr. E. Baly at the request of the well-known musician, Mr. William Stanley, who wished to set them to music.
This his Jubilee Cantata will be sung by the St. Barnabas's Musical Society on Monday evening with orchestral accompaniments:

What means that loud and hearty cheer
Which breaks upon the listening ear?
Why throng the busy streets to-day
The brave, the bold, the fair, the gay?
Each plays a part in this grand scene,
To render homage to their Queen . . .

"DIED", The Sydney Morning Herald (29 April 1897), 1

http://nla.gov.au/nla.news-article14092997

BALY. - April 28, Edward Baly, late of Charlecot, Dulwich Hill, in his 79th year.

"Flashlights", National Advocate [Bathurst] (5 May 1897), 1

http://nla.gov.au/nla.news-article156758334 

A colonist of some 50 years standing has passed away in the person of Mr. Edward Baly. The deceased gentleman, who had been confined to his room through illness for the past two years, graduated at Pembroke College, Oxford, his tutor being Mr. Robert Lowe, afterwards Lord Sherbrooke, through whose influence he obtained a position as master at the Sydney Grammar School. Among the pupils of Mr. Baly were the late Messrs. William Wentworth, John Kinloch, Consett Stephen, and Canon Stephen. Other prominent men in attendance at the school during Mr. Baly's mastership were Sir William Windeyer and Sir John Lackey. For years the deceased gentlemen had a private academy at Parramatta.

Published poetry on musical subjects:

"Camilla Urso", Evening News (28 January 1880), 3

http://nla.gov.au/nla.news-article108741704 

THOUGHTS suggested by the performance by Madame Camilla Urso on the violin at the School of Arts on Saturday evening, and dedicated to her: -

She glided into view, and silent stood
In calm repose and graceful attitude;
Then paused, as willing to intensity
The restless longings for her minstrelsy.
Now silence reigns supreme, as though one soul,
One thought alone, should animate the whole . . .
- EDWARD BALY, Supreme Court.

ASSOCIATIONS: Camilla Urso (violinist)

"In Memoriam", Evening News (8 May 1880), 5

http://nla.gov.au/nla.news-article108740530 

MR. Edward Smith Dean, known as an accomplished performer on the violoncello, died recently, much regretted by all who knew him. His amiable disposition and mild demeanour endeared him to his friends, and he was generally respected for his sterling qualities. He recently performed with much eclat at the Charbonnet concerts.

Oft in a tranquil hour doth mem'ry brood
Grave, statue-like, on thoughts whcih then intrude.
Those pictures photographed upon the brain
Of scenes so cherished, yet so fraught with pain;
Revealing, as they do, the contrast seen,
Alas! between "what is," and "what has been!"
Who does not mourn that once familiar face
That look resigned, which pain could ne'er displace?
Those plaintive tones, that in soft cadence fell
Responsive to the touch they knew so well;
From strings that now in mournful silence wait
The hand with which they once were intimate? . . .
- EDWARD BALY, Charlecot.

ASSOCIATIONS: Edward Smith Deane (cellist)

"Henry Ketten", Evening News (24 May 1880), 3

http://nla.gov.au/nla.news-article108733138 

What stranger star illumes the southern sky?
What brilliant meteor swiftly glideth by?
Like molten gold its rays effulgent glow.
And in bright streams of ardent splendour flow! . . .
- EDWARD BALY, "Charlecot," Marrickville.

ASSOCIATIONS: Henry Ketten (pianist)

Bibliography and resources:

Joseph Foster, Alumni Oxonienses: the members of the University of Oxford, 1715-1886 . . . vol. 1 (Oxford: Parker and Co., 1888)

https://en.wikisource.org/wiki/Page%3AAlumni_Oxoniensis_(1715-1886)_volume_1.djvu/71  (DIGITISED)

Baly, Edward, 3s. Henry [sic], of Warwick (town), arm. Pembroke Coll., matric. 9 May, 1837, aged 18.

Baly, Joseph, 3s. Henry [sic], of Warwick (town), gent. Worcester Coll., matric. 21 Oct., 1841, aged 17 B.A. 1846, M.A. 1857, chaplain Windsor Park, 1885.

Baly family, collection of studio portraits, c. 1860-1900; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/1l4dJq21

CONTENTS: . . . 12. Edward Baly / by C. T. Newcome, No. 47073
13. Edward Baly 23 March 1863 [stamped on reverse]; "Edward Baly, son of Charles Baly. Edward came out before ye[ar?] 1842 and opened a boy's school at Parramatta" [on reverse]; W. H. Burgin

BAMBRICK, Robert (Robert BAMBRICK; Mr. BAMBRICK)

Musician, flautist, flute player, musician, carpenter, miner

Born Cawnpore, Bengal, India, 8 October 1827; baptised Cawnpore church, 11 November 1827; son of John BAMBRICK and Harriet Ann VILLARS
Married (1) Harriet HOWARD (d. by 1863), St. Luke's, Chelsea, 24 July 1848
Arrived Adelaide, SA, 10 October 1849 (per Cheapside, from London and Plymouth, 6 July, aged "21")
Married (2) Jane PRATT, Walkerville, SA, 16 December 1863
Died Liverpool, NSW, buried 2 August 1907, aged "80"

https://trove.nla.gov.au/search?l-publictag=Robert+Bambrick+1827-1907 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BAMBRICK-Robert (shareable link to this entry)

Documentation:

1849, marriage solemnized at the parish church in the parish of St. Luke, Chelsea; register 1837-50, page 29; London Metropolitan Archive

https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_194889-00539?pId=6292032 (PAYWALL)

58 / July 24 / Robert Bambrick / full [age] Bachelor / Carpenter / North Street / [son of] John Bambrick / Sergeant Major 11th Dragoons
Harriet Howard / full [age] / Spinster / - / North Street / [daughter of] Thomas Howard / Farmer . . .

"ARRIVED", South Australian Register (13 October 1849), 3

http://nla.gov.au/nla.news-article50245193

Wednesday, October 10 - The barque Cheapside, 621 tons, Lewis, master, from London. Passengers - Mr. and Miss Clisby . . . in the cabin; and the following emigrants in the steerage: . . . Robert Bambrick and wife . . .

ASSOCIATIONS: Redford Clisby (musician)

"CONCERT AT THE BURRA HOTEL", South Australian Gazette and Mining Journal (19 April 1851), 3

http://nla.gov.au/nla.news-article195942162 

Mr. Bambrick, whose last concert, and particularly his own part in it, elicited so much eclat at Kooringa, has announced a grand concert, to take place on the evening of Easter Monday, the 21st inst., on which occasion will appear Madame S. Otto (guitar accompaniment), who will sing a solo ("Les Adieux," "the Adieu"), composed by Dressler. The reported high attainments of this tittle German nightingale will, no doubt, secure a crowded audience.

ASSOCIATIONS: Madame Otto (vocalist)

"KOORINGA CONCERTS", South Australian Register (30 April 1851), 3

http://nla.gov.au/nla.news-article38452078

Mr. George Bennett's concert on Friday the 25th instant, at the Burra Hotel, Kooringa, was well attended. The programme was judiciously selected, including the favourite "Old Colonists' Song," "Adelaide Polka," and Jetty Treff's celebrated song, "Trab, Trab, Trab," as well as many other charming songs, duets, and an overture, all of which gave the utmost satisfaction to the auditory. Madame Francesca Allen's vocal performances were rapturously received and encored . . . Honourable mention must be made of the taste and skill evinced by the leader of the concert, Mr. Bennett; his efforts were most successful. Mr. Bambrick's execution on the flute obtained immense applause, which he well merited . . . Mr. Bambrick's second concert took place on Saturday, the 26th instant, when Madame Allen again appeared. Her reception on this occasion was most triumphant; one universal feeling of inexpressible rapture prevailed; every song was loudly encored, and the lady resumed her seat amidst great applause. The third concert, which is announced for some day this week, is looked forward to with no small degree of interest. This little Jenny Lind of the Burra seems to have quite infatuated the elite of the North.

ASSOCIATIONS: George Bennett (musician); Francesca Allen (vocalist)

"KOORINGA", South Australian (2 May 1851), 3

http://nla.gov.au/nla.news-article71686693 

. . . The smelting works have only five furnaces at work, in consequence of the want of fuel. This has thrown many men out of employment, and made business very dull . . . Mr. Bennett's and Mr. Bambrick's concerts were very successful, and a further amusement has been supplied in the exhibition of a working model of the Burra mine, which will shortly be brought to Adelaide.

"MR. BAMBRICK'S CONCERT", Adelaide Observer (10 May 1851), 2

http://nla.gov.au/nla.news-article165043115 

We desire to correct an error in the notice of Mr. Bambrick's second concert at the Burra Hotel, which appeared in the Observer of Saturday last, and in which Madame Allen's name was inadvertently introduced instead of that of Madame Otto.

"MERELY PERSONAL", The Worker [Wagga, NSW] (8 August 1907), 8

http://nla.gov.au/nla.news-article145738340 

An old member of the A.M.A., Broken Hill, R. Bambrick, who was a prominent figure on the occasion of the big Barrier strike in 1892, died at Liverpool (N.S.W.) on August 2, aged 80 years.

BANCROFT, Richard (Richard BANCROFT; Mr. R. BANCROFT; Mr. BANCROFT)

Amateur musician, bass vocalist, basso, broker, draper

Born Wakefield, Yorkshire, England, 22 October 1819; baptised son of William BANCROFT and Ann
Arrived Adelaide, SA, 5 December 1848 (per Hooghly, from London, 13 August, and Portsmouth)
Married Elizabeth Ann JOHNSON (d. 1870), St. John's church, Adelaide, SA, 8 November 1849
Arrived Melbourne, VIC, December 1851 (per Tory, from Adelaide)
Died Fitzroy, Melbourne, VIC, 18 October 1856, aged "36"

https://trove.nla.gov.au/search?l-publictag=Richard+Bancroft+1819-1856 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANCROFT-Richard (shareable link to this entry)

Summary:

Bancroft was a soloist for Adelaide Choral Society concerts in 1849. He appeared in several other concerts in Adelaide in 1850, in September giving the likely first performance of Andrew Moore's song Falling leaves, then still in manuscript.

He gave a farewell benefit in Adelaide in October 1851, and in December he and his wife sailed for Melbourne. During 1852-53 he appeared regularly in Melbourne Thursday concerts, alongside several other recent arrivals from Adelaide, including vocalist Francesca Allen and violinist Ferdinand Osborne.

He was a soloist for the Melbourne Philharmonic Society in August 1854, and played Ascanio for Anna Bishop and Lewis Henry Lavenu in their Melbourne season of Lucrezia Borgia in July 1856.

He thereafter disappears from the musical record. Richard Bancroft, formerly of Wakefield, Yorkshire, died in Fitzroy on 18 October 1856.

The musical Bancroft is not to be confused with another Melbourne resident of the same name, a licensed victualler whose wife was also named Elizabeth.

Documentation:

Register of non-conformist births and baptisms, Wakefield, 1822; West Yorkshire Archive Service.

https://www.ancestry.com.au/imageviewer/collections/2268/images/32356_259808-00077?pId=181593 (PAYWALL)

Richard / Son of William & Ann / Bancroft / of Wakefield county of Yorks / [born] Oct'r 22, 1819 / [baptised] Dec'r 19, 1819

Adelaide, SA (5 December 1858 to 10 December 1851):

"SHIPPING INTELLIGENCE", South Australian Register (6 December 1848), 3

http://nla.gov.au/nla.news-article48726506

Tuesday, December 5th - The barque Hooghly, 460 tons, Henry, master, from London and Plymouth. Passengers . . . Richard Bancroft . . . in the steerage.

"CHORAL SOCIETY'S CONCERT", South Australian Gazette and Mining Journal (24 February 1849), 3

http://nla.gov.au/nla.news-article195937195 

The quarterly concert of this society took place last evening in the New Exchange Room; and a very brilliant affair it certainly was in all respects . . . Our old favourite "Bragela" went off uncommonly well, as also did most of the glees, except "Lo! the early beam of morning" which though one of the simplest, was perhaps the least successful of the evening. T. Cooke's song "The Holly" was given in first-rate style by Mr. Bancroft, who manages a mellow rich toned voice - not of exceeding power, in the most effective manner. A duett by Mr. Bennett, the leader, and Mrs. Murray on the piano, "Vien qua Dorina bella" was cleverly played . . .

ASSOCIATIONS: George Bennett (pianist, conductor); Georgiana Murray (pianist, vocalist); Adelaide Choral Society

"ADELAIDE CHORAL SOCIETY", Adelaide Times (26 February 1849), 2

http://nla.gov.au/nla.news-article206980379 

. . . Mrs. Bancroft [sic] sang, and was encored in, Cooke's song of "The Holly," with much feeling and spirit . . .

"CHORAL SOCIETY'S CONCERT", South Australian Gazette and Mining Journal (9 June 1849), 3

http://nla.gov.au/nla.news-article195937867 

The Choral Society must have been well satisfied on Wednesday night that they were neither forgotten nor deserted by their old friends . . . Dr. Green's noble anthem was very impressively sung, as was also that of Kent, though we much prefer the former. Mr. Bancroft's fine voice shone forth in both. He also sang the grand scena from the "Creation," Rolling in foaming billows; but we confess that we would rather hear him in simpler melody - there was too much of effort in it, the music being a little beyond the compass of his voice . . .

MUSIC: God is our hope (Maurice Greene); Sing, O heavens (James Kent)

"CHORAL SOCIETY'S CONCERT", South Australian (21 September 1849), 3

http://nla.gov.au/nla.news-article71624719

The quarterly performance on Wednesday, went off exceedingly well. The improvement of the amateurs under the skilful leadership and the care of Mr. Wallace, is evident, particularly in the concerted pieces. The overture to "Semiramide" would have done no discredit to a band of far higher pretension; and the splendid Witches' Chorus from "Macbeth," was executed in a style worthy of unqualified praise. The rich voice of Mr. Bancroft was heard to great advantage in Balfe's song, "The heart bowed down," which he gave with much feeling . . .

ASSOCIATIONS: Spencer Wellington Wallace (conductor, violinist)

"MESSRS. WALLACE & ELLARD'S CONCERT", Adelaide Times (4 October 1849), 3

http://nla.gov.au/nla.news-article206981204 

The fourth and last concert of this subscription took place on Tuesday evening, to a very numerous and highly respectable auditory . . . Mr. Bancroft, one of the amateurs announced - (the other did not make his appearance) sung Cooke's indifferent Song of the "Holly" passably well - we have heard him sing it better. It does not appear to us very well adapted for his voice . . .

"MARRIED", South Australian Gazette and Mining Journal (10 November 1849), 3

http://nla.gov.au/nla.news-article195938801 

On Tuesday the 8th instant, at St. John's Church, by the Rev. W. J. Woodcock, Mr. R. Bancroft, of Wakefield, Yorkshire, to Elizabeth Ann, eldest daughter of Mr. Wm. Spencer Johnson, of Walsingham, Norfolk, England.

"CONCERT OF THE CHORAL SOCIETY", South Australian (11 December 1849), 1s

http://nla.gov.au/nla.news-article71625232

The Concert, on Friday evening, was very numerously attended . . . All the choruses were given with good effect - we may mention as the best, the concluding part of "Welcome mighty king," but the Witches chorus lost nothing by repetition, and the two from Der Freischutz elicited great applause. The solo part of the Laughing chorus was sung with much spirit by a German gentleman, who is a valuable addition to the vocal corps. Mr. Bancroft, whose deep bass we have so often praised, was somewhat less happy than on former occasions, his voice had not its accustomed fullness, yet in Tubal Cain it would have been difficult to have found a substitute . . .

MUSIC: Old Tubal Cain (words by Charles Mackay, music by Henry Russell)

"CHORAL SOCIETY", South Australian Gazette and Mining Journal (15 December 1849), 3

http://nla.gov.au/nla.news-article195939033 

. . . The chorusses of the first act, which consisted wholly of sacred music, were also sung and played with great spirit. We have heard Mr. Bancroft to greater advantage, but his attempt was an ambitious one. The grand recitative, "And God said," has severely tried professional singers of experience, and we prefer hearing Mr. Bancroft in music of a less solemn caste. The sacred music of Handel and Haydn must not lose an iota of the grandeur which belongs to it, and the very fact, that it will hot bear to be made commonplace, proves that if the conceptions of the composer, be not fulfilled, they had better be left entirely alone. In the "Tubal Cain," Mr. Bancroft was himself again, and we listened to him with our usual pleasure . . .

"LOCAL INTELLIGENCE", South Australian Register (23 May 1850), 3

http://nla.gov.au/nla.news-article38442088

We were unwillingly compelled to omit the following notice of the conversazione at the Pulteney-street School in yesterday's paper . . . Dr. Wyatt led Mrs. Murray to the pianoforte, and that lady commenced the musical entertainment by executing in her most brilliant style the overture "Fra Diavolo." That was followed by a glee, principally sustained by Mr. Bancroft and Mrs. Murray, who presided at the piano. A song by Madame Cranz, accompanied by Herr Cranz on the pianoforte, was most deservedly applauded . . . Mr. Osborne, on the violin, and Mrs. Murray, on the piano, played a duet, introducing airs from Massaniello . . . and the entertainment closed with "The Christmas Log," by Mrs. Murray, Mr. Bancroft, and a gentleman whose "treble piping shrill and equally" voice added but little to the exquisite harmony of "the song and chorus" . . .

ASSOCIATIONS: William Wyatt (amateur); Matilde and August Cranz (vocalist, pianist); Ferdinand Osborne (violin)

"CONCERT", Adelaide Times (3 August 1850), 3

http://nla.gov.au/nla.news-article207117862 

The Concert of the Adelaide Choral Society took place, yesterday evening, in the New Exchange, but owing to the roughness of the weather the attendance was very limited, there being only one hundred and twenty persons present . . . In the Madrigal, "Down in a Flowery Vale," Bancroft's voice told well . . . The trio, "Vadasi via di qua" created great merriment, and was warmly encored. "Teach me to forget," sung by Bancroft, was a poor affair . . .

[News], South Australian Register (19 September 1850), 3

http://nla.gov.au/nla.news-article38443238

A numerous and brilliant company assembled last evening to enjoy the "one Concert" announced to be given by Mr. Andrew Moore, previous to his departure from the colony . . . We had heard Mr. Bancroft's "Tubal Cain" much spoken of, but feel compelled to declare that the least said about it the better for that gentleman's musical reputation. The great attractions of the evening were the exquisite performances on the violin by Mr. Moore. He well deserves all the eulogiums that have been heaped on him as a violinist . . . We regret we cannot be equally liberal of praise to his merits as a composer. "Falling Leaves," as sung by Mr. Bancroft, was a "flat and unprofitable" affair, but "Sentimentality and Reality;" (sung by Miss Lazar) was better received, as, perhaps, it deserved . . .

ASSOCIATIONS: Andrew Moore (violin, composer); Rachel Lazar (vocalist, from 13 November 1850, Mrs. Andrew Moore)

[Advertisement], South Australian Register (27 September 1851), 1

http://nla.gov.au/nla.news-article38444188 

PRELIMINARY MUSICAL NOTICE.
MR. R. BANCROFT respectfully announced to the Gentry and Public of Adelaide and its vicinity that his
GRAND FAREWELL CONCERT (under the patronage of His Excellency the Lieutonant-Governor SIR HENRY and LADY YOUNG)
will take place in the Exchange, on WEDNESDAY EVENING, October 15th, 1851.v Programmes will be ready in a few days.

"CONCERT", South Australian Gazette and Mining Journal (11 October 1851), 3

http://nla.gov.au/nla.news-article195943278 

Mr. Bancroft, so well known and so deservedly a favourite anger at our concerts, gives a farewell musical treat of a superior character on Wednesday evening. It is pleasant to notice the growing fondness of our colonists for music; and Mr. Bancroft collecting nearly all the first-rate talent of the city for the occasion, is, we hope, likely to reap full advantage from that circumstance.

[Advertisement], South Australian Register (15 October 1851), 1

http://nla.gov.au/nla.news-article38440391

THIS DAY. GRAND VOCAL AND INSTRUMENTAL CONCERT.
UNDER THE DISTINGUISHED PATRONAGE OF HIS EXCELLENCY THE LIEUTENANT-GOVERNOR SIR HENRY AND LADY YOUNG.
MR. R. BANCROFT respectfully announces to the Gentry and Inhabitants of Adelaide and its vicinity, that his
FAREWELL CONCERT will take place, in the EXCHANGE, THIS EVENING (Wednesday), October the 15th, 1851.
Principal Vocal Performers - Mrs. Murray, Madame Francesca Allen, Mrs. Bushell,
Mr. J. W. Daniel, Mr. Mitchell, and Mr. Bancroft; the Choral Society and the German Chorus.
Leader of the Band - Mr. W. F. Osborne. - Pianists - Mrs. Murray, Mr. G. Bennett, and Herr Linger.
Conductor - Herr Cranz.
PROGRAMME: PART FIRST.
OVERTURE - "Cosi fan Tutti," Mozart - Orchestra.
BALLAD - "In Happy Moments," V. W. Wallace - Mr. Bancroft.
SONG - "Untreue" - German Chorus.
DUET - "What are the Wild Waves Saying," S. Glover - Mad. Allen and Mr. Mitchell.
FANTASI PIANOFORTE - ("Brillante sur la Rose de Péronne") H. Rosellen - Mrs. Murray.
QUARTETTE - "Lo the Early Beam of Morning," Balfe - Mrs. Murray, Mr. Daniel, Mr. Mitchell, & Mr. Bancroft.
SONG - "The Love Knot," Moscheles - Mrs. Bushell.
DUET - "Haste my Nannette," J. Travers - Mr. Daniel and Mr. Bancroft.
SONG - "What Airy Sound," with Flute Obligato, H. Bishop - Mrs. Murray.
CATCH - "Look, Neighbours, Look," Dr. Harrington - Mr. Daniel, Mr. Mitchell, and Mr. Bancroft.
GRAND CHORUS - "Come Hither all Who Wish to Buy," Auber - With Full Orchestra.
An Interval of Ten Minutes.
PART SECOND.
OVERTURE - "Zampa," Herold - Orchestra.
BALLAD - "They Say There is Some Distant Land," Balfe - Madame Allen.
SONG - "Muss i denn Zum Städtle naus," German Chorus.
BALLAD - "There is a Flower that Bloometh," V. W. Wallace - Mr. Mitchell.
DUET - "Singing Lesson," Fioravante - Mrs. Murray & Mr. Daniel.
DUET - Violin and Pianoforte, "Souvenir de la Muetto de Portici," De Beriot and Le Barre - Mr. W. F. Osborne and Mr. G. Bennett.
BUFFO SCENA - "Ye Legende of King Alfred," (by desire) Klitz - Mr. Daniel.
QUARTETTE - "Song of Summer," Neithart - Mrs. Murray, Mr. Daniel, Mr. Mitchell, & Mr. Bancroft.
GRAND CHORUS - "The Pleasures of the Plains," Handel - With Full Orchestra.
FINALE . - The National Anthem.
Tickets, 5s. each, may be had at Platts's Library; of Mr. Griffin, watchmaker, Hindley-street; Mr. Dawes, music-seller, Rundle-street; Mr. Parrott, at the Exchange; Mr. Bancroft, Pirie-street; at the principal Hotels, and at Stott's printing-office, King William-street.
Programmes may be had gratis at the above places, and Books of Words, 6d. each, to be had at the doors.
Doors open at half past 7, and performance to commence precisely at 8 o'clock.

ASSOCIATIONS: Francesca Allen (vocalist); Rebecca Bushell (vocalist); Josiah Wyke Daniel (vocalist); Carl Linger (pianist); Deustche Liedertadel (Adelaide association); Jesse Dawes (musicseller)

"MR. BANCROFT'S FAREWELL CONCERT", South Australian Register (16 October 1851), 2

http://nla.gov.au/nla.news-article38439978 

Our anticipations of advantage for Mr. Bancroft have not been realized. The concert was not a failure, but to ourselves, at least, it was a great disappointment. Several performers and vocalists who had promised their assistance were not present, and the manifest deficiency of strength was particularly felt in the orchestral department. The promised chorus was necessarily omitted; and, although the commencement was not punctual, the concert was over before 11 o'clock. His Excellency and Lady Young honoured Mr. Bancroft with their presence, but the attendance was numerically small. We defer our critique and general observations until to-morrow.

"MR. BANCROFT'S CONCERT", Adelaide Times (17 October 1851), 2

http://nla.gov.au/nla.news-article207069942 

This affair, the expected excellence of which had been noised abroad for several weeks past, came off on Wednesday night, and was a dead failure. The performance of most of the morceaux in the programme, was below mediocrity, and in one or two instances execrable. Madame Allen's rendering of that pretty song from Balfe's Bondsman, "They say there is some distant land," was the only redeeming feature in the concert, the band, notwithstanding the exertions of Mr. Osborne, being atrocious. His Excellency and Lady Young were present, but the attendance was exceedingly thin. Altogether, we never passed a more miserable evening, and came away with our teeth whittled down to a fine point, as the Americans say.

"SHIPPING INTELLIGENCE . . . CLEARED OUT", South Australian Register (11 December 1851), 2

http://nla.gov.au/nla.news-article38444004

Wednesday, December 10 - The barque Tory, 483 tons, Row, master, for Melbourne. Passengers . . . Mr. and Mrs. Bancroft . . .

Melbourne, VIC (15 December 1851 to 18 October 1856):

"SHIPPING INTELLIGENCE. ARRIVED", The Argus (16 December 1851), 2

http://nla.gov.au/nla.news-article4782268 

December 15. - Tory, barque, 483 tons, Jas. Rowe, commander, from London via Adelaide. 10th instant. Passengers - (Cabin) . . . Mr. and Mrs. Bancroft, and one hundred and forty in the intermediate. Westgarth, Ross, & Co., Agents.

"THE CONCERT", The Argus (13 March 1852), 5

http://nla.gov.au/nla.news-article4783771

The following is the programme of the Concert this evening: -
PART I. Overture - Siege of Rochelle.
Song - Our parting is near, Madame F. Allan [sic].
Song - In happy moments, Mr. Bancroft . . .
PART II. Overture - Maritana . . .
Piano - Mr. Buddee.
Song - I'm afloat, Mr. Bancroft.
Polka - Mazurka.
Buffo Song - Skying a Copper, Mr. Cooze.
Finale - God save the Queen.

ASSOCIATIONS: Julius Buddee (pianist, accompanist); William Joseph Cooze (vocalist, flautist); Thursday Concerts (series); Mechanics' Institution (Melbourne venue and associated music class)

"THURSDAY'S CONCERT", The Argus (7 April 1852), 4

http://nla.gov.au/nla.news-article4784216

The following is the programme of tomorrow's performance:
PART I. Overture - Siege of Rochelle.
Song - There is a flower that bloometh, Mr. Mitchell
Cavatina - Sweetly o'er my senses stealing, Mrs. Testar
Duet - Flow gently, Deva, Messrs. Bancroft and Mitchell
Solo - Violin, Mr. Osborne (his first appearance) . . .
Glee - Hail Victoria, three voices . . .

ASSOCIATIONS: Elizabeth Testar (vocalist)

[Advertisement], The Argus (21 April 1852), 2

http://nla.gov.au/nla.news-article4784508

MR. H. MARSH'S GRAND EVENING CONCERT, AND MUSICAL ART UNION,
Will take place On Wednesday Evening next, 21st April, AT THE MECHANIC'S INSTITUTE . . .
PROGRAMME . . . Song - "She is seen where the vapours of morning," Mr. Bancroft . . .

ASSOCIATIONS: Henry Marsh (musician, musicseller, visiting from Sydney)

"THURSDAY'S CONCERT", The Argus (29 April 1852), 5

http://nla.gov.au/nla.news-article4784688

The following is the programme of this evening's concert. -
PART I. Overture - Don Pasquale.
Glee - Three voices . . .
Song - The Soldier Tired, Mrs. Testar.
Song - The Wolf, Mr. Bancroft.
Glee - Friar of Orders Gray, Mrs. Testar, &c. . . .

MUSIC: The wolf (Shield)

"THE SATURDAY CONCERT", The Argus (1 May 1852), 5

http://nla.gov.au/nla.news-article4784745

The following is the programme for this Evening's concert: -
PART I. Overture - Il Montecchi ed I Capuletti.
Glee - Glorious Apollo.
Song - The Emigrant Ship, Mr. Bancroft . . .

"THE CONCERT", The Argus (6 May 1852), 5

http://nla.gov.au/nla.news-article4784858

The following is the programme of the Concert for this evening: -
PART I. Overture - Il Montecchi ed i Capuletti.
Song - The breaking of the day - Mr. Bancroft . . .
PART II. Overture - Le Cheval de Bronze . . .
Song - Return of the Admiral, Mr. Bancroft . . .

[Advertisement], The Argus (15 March 1853), 12

http://nla.gov.au/nla.news-article4790707 

MECHANICS' INSTITUTE. - Next Thursday Concert.
Mrs. Testar, Mrs. Hancock and Mrs. Fiddes,
Mr. Hancock and Mr. Bancroft; violin, Mr. Moore; pianoforte, Mr. Salaman.
Further particulars will be duly announced.

ASSOCIATIONS: Mary Ellen and Edward Hancock (vocalists); Harriet Cawse Fiddes (vocalist); Edward Salamon (pianist)

"MELBOURNE PHILHARMONIC SOCIETY", The Age (29 August 1855), 5

http://nla.gov.au/nla.news-article154895282 

The fourth subscription concert of this society held, last night, received the patronage of Sir Charles and Lady Hotham, who attended, in company with the Colonial Secretary, the Judges, and the various little luminaries which revolve round the vice regal sun. The selection of music performed was exclusively sacred in its character, being chosen from the oratorios of Judas Maccabaeus, Elijah, St. Paul; and Israel in Egypt. We never heard the choral portions of this society's concerts given so carefully and effectively as they were last night; denoting frequent rehearsals on the part of the vocalists, and pains-taking drilling on the part of their patient and persevering conductor, Mr. Russell, who appears to perform his difficult task con amore . . . But the gem of the selection was Mendelssohn's exquisite "Jerusalem! thou that killest the prophets" . . . admirably given by Mrs. Testar . . . The duet, "The Lord is a man of war," by Messrs. Kaye and Bancroft, is likewise deserving of commendation, and these gentlemen are likely to prove an acquisition to the society, which is weak in male solo-singers . . .

ASSOCIATIONS: John Russell (conductor); Samuel Kaye (vocalist); Melbourne Philharmonic Society (association)

"BIRTHS", The Argus (1 March 1856), 4

http://nla.gov.au/nla.news-article4832073

On the 23rd ult., at her residence, Swiss-terrace, Collingwood, Mrs. R. Bancroft, of a son.

Baptisms solemnized in the parish of St. Peter's Melbourne in the county of Bourke in the year 1856; register 1848-59, page 206; St. Peter's Eastern Hill

https://www.ancestry.com.au/imageviewer/collections/60584/images/43331_1831109387_0188-0234?pId=3029976 (PAYWALL)

3020 / [baptised] March 28 / [born] 23 Feb'y 1856 / Arthur Richard / [son of] Richard & Elizabeth Ann / Bancroft / Fitzroy Street / Broker . . .

[Advertisement], The Argus (15 July 1856), 8

http://nla.gov.au/nla.news-article7133136

THEATRE ROYAL. This Evening, Tuesday.
First Night of the Grand Opera LUCREZIA BORGIA.
Lucrezia Borgia, Duchess of Ferrara, MADAME ANNA BISHOP.
Maffio Orsini - Mrs. Fiddes.
Don Alfonso - M. Emile Coulon.
Gennaro - M. Laglaise; Gubetta - Mr. Hancock;
Jose Siverotto, Mr. Lyall; Astolgo, Mr. Kitts;
Don Apostollo - Mr. Griffiths; Ascanio - Mr. Bancroft;
Conductor, M. Lavenu . . .

ASSOCIATIONS: Anna Bishop (vocalist); Emile Coulon (vocalist); Charles Lyall (vocalist); James Edward Kitts (vocalist); William Griffiths (vocalist); Lewis Henry Lavenu (conductor)

"DIED", The Argus (21 October 1856), 4

http://nla.gov.au/nla.news-article7138683

On the 18th inst., at his residence, No 4 Swiss Cottages, FitzRoy-street, Collingwood, Mr. Richard Bancroft, formerly of Wakefield, Yorkshire, aged thirty-six years.

Probate and administration, Richard Bancroft, 1856; Public Record Office Victoria

https://prov.vic.gov.au/archive/DB6B88CD-F1D0-11E9-AE98-5930395B1226?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/D01BDED1-F1DB-11E9-AE98-51FD1262660C?image=1 (DIGITISED)

BANFIELD, Betsy Benalla (Betsy Benalla BANFIELD; Elizabeth Benalla BANFIELD)

Amateur musician, indigenous woman

Born Taungurung (Daung Wurrung) country, NSW (VIC), c. 1849; daughter of Polly
Died Benalla, VIC, 1866, aged "17"

https://trove.nla.gov.au/search?l-publictag=Betsy+Benalla+Banfield+d1866 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANFIELD-Betsy-Benalla (shareable link to this entry)

ASSOCIATIONS: Taungurung (Indigenous people and language group)

Documentation:

"DEATH", Ovens and Murray Advertiser [Beechworth, VIC] (3 November 1866), 2

http://nla.gov.au/nla.news-article198658805 

BENALLA-BANFIELD - At the Golden Lion Hotel, Benalla Reefs, on Wednesday, 30th October, of consumption, Betsy Benalla Banfield, a half-caste girl, adopted by Mr. Banfield. Deceased possessed more than ordinary talent, was a first-rate musician, and exceedingly clever at all kinds of fancy work.

BANJEE

Merchant sailor boy, dancer

Active Sydney, NSW, December 1844

https://trove.nla.gov.au/search?l-publictag=Banjee+sailor+boy+dancer (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANJEE (shareable link to this entry)

Documentation:

[Advertisement], The Australian [Sydney, NSW] (6 December 1844), 2

http://nla.gov.au/nla.news-article37123014 

ROYAL VICTORIA THEATRE . . .
Last week but two of Mr. and Mrs. Coppin's Engagement.
Under the immediate Patronage of the Captains of the Merchant Vessels now in Harbour.
Black-eyed Susan - Mrs. Coppin.
And on which occasion BANJEE, a young Sailor Boy, will dance a TRUE BLUE HORNPIPE, for this night only.
SATURDAY EVENING, DECEMBER 7 . . .
Song, "Black-eyed Susan," by Mrs. Bushelle.
A Hornpipe, by Banjee.
A popular Song, by Mrs. Wallace.
A Dance, by Master Chambers.
To conclude with the Nautical Drama of BLACK-EYED SUSAN . . .
T. SIMES, Manager.

ASSOCIATIONS: George and Maria Coppin (actors); Eliza Wallace Bushelle (vocalist); Caroline Wallace (vocalist); Joseph Chambers junior (dancer); Thomas Simes (actor, manager); Royal Victoria Theatre (Sydney venue)

MUSIC: True blue hornpipe (Tune archive); see also in the Rook manuscript (photocopy at University of Cambridge)

[Advertisement], The Sydney Morning Herald (23 December 1844), 2

http://nla.gov.au/nla.news-article12425101 

ROYAL VICTORIA THEATRE . . . MR. COPPIN'S BENEFIT . . . On MONDAY EVENING, December 23rd 1844 . . .
A Pas de Deux, by Madame Louise and Signor Carandini.
Jonathan Jonah Goliah Bang will then open his American Budget, Tarnation Strange; or, more Jonathans.
A Nautical Hornpipe by Banjee, a sailor boy, on board a merchant ship in habour . . .

ASSOCIATIONS: Madame Louise James (dancer); Gerome Carandini (dancer)

BANKS, Thomas (Thomas BANKS; Mr. T. BANKS; Mr. BANKS; Mr. BANKS, senior)

Musician, professor of music, buffo singer, bass vocalist, pianist, composer, pianoforte tuner, repairer, regulator, importer, and retailer

Born Preston, Lancashire, England, c. 1820
Married (1) Mary ?, London, England, c. 1840
Married (2) Elizabeth PARSONS, London, England, c. 1847 (aged "27")
Arrived Sydney, NSW, by April 1855
Died Balmain, NSW, 19 March 1890, aged "69"

https://trove.nla.gov.au/search?l-publictag=Thomas+Banks+c1820-1890 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANKS-Thomas (shareable link to this entry)

BANKS, Eliza (Eliza PARSONS; Mrs. Thomas BANKS; Mrs. BANKS)

Amateur musician, contralto vocalist

Born Yalding, Kent, England, 1827; baptised Yalding, 12 July 1827; daughter of Richard PARSONS and Margaret ?
Married Thomas BANKS, London, England, c. 1847
Arrived Sydney, NSW, 6 October 1857 (per Thracian, from London, 1 June)
Died Surry Hills, NSW, 19 January 1914, "in her 87th year"

https://trove.nla.gov.au/search?l-publictag=Eliza+Parsons+Banks+1827-1914 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANKS-Eliza-Parsons (shareable link to this entry)

BANKS, Thomas Philip (Thomas Philip BANKS; Master BANKS; Mr. T. BANKS, junior; Mr. T. P. BANKS)

Musician, organist, civil servant, accountant

Born London, England, 28 May 1848 (date on grave); son of Thomas BANKS and Eliza PARSONS
Arrived Sydney, NSW, with family by April 1855
Died Sydney, NSW, 13 May 1888, aged 39

https://trove.nla.gov.au/search?l-publictag=Thomas+Philip+Banks+1848-1888 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/Thomas_P._Banks (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANKS-Thomas-Philip (shareable link to this entry)

Thomas Banks

Eliza Parsons Banks; photo by Swiss Studios, Sydney; see also here:

http://nla.gov.au/nla.news-article263744033 

Documentation:

? [Advertisement], The Era [London, England] (8 December 1850), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18501208/001/0001 (PAYWALL)

COAL-HOLE TAVERN, OPEN EVERY. A NIGHT.- THE CATTLE SHOW.
Visitors should drop into the Coal-hole and see the palmy days restored.
Fun, frolic, and good fellowship, from Half-past Eight till Two.
Under the direction of Mr. Bruton, of the Royal Gardens, Vauxhall, who will nightly take the chair, and sing a variety of new Songs, and one especially called "The Cattle Show;"
assisted by Mr. Edmonds, Mr. F. Maxtin, Mr. Cave (banjoist), Mr. Seymour, Mr. Banks, Mr. Harroway, R.A.M.
All Songs to be had of Mr. Bruton, if by letter, post paid.
Steaks, Chops, Suppers, on the strictest economy. From, Half-past Eight till Two.

ASSOCIATIONS: James Bruton (1815-1867; comic vocalist, comedian); Coal Hole (Fountains Court, Strand)

England census, 30 March 1851, St. George the martyr, Holborn, Middlesex; UK National Archives, HO107/1513/189/18

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1513_1513-0158 (PAYWALL)

76 Lamb's Conduit / Thomas Banks / Head / Mar. / 30 / Professor of Music & Singing / [born] Lancashire Preston
Eliza [Banks] / Wife / Mar. / 22 / - / [born] Kent Yalding
Mary / daur. / 9 / [born] London // Emily / 1 / [London]
Harriet Parsons / Sister in law / un. / 21 / - / [London]

ASSOCIATIONS: Lamb's Conduit (Holborn)

[Advertisement], The Scotsman [UK] (3 December 1853), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000540/18531203/091/0003 (PAYWALL)

NEw MUSIC OF MERIT. - SONGS. . . .
"In the Hedge in the Wood," composed by S. Nelson, and sung by Miss Nelson at the Surrey Theatre, London,
and also at Edinburgh for eighty successive nights and always encored . . .
"Echo answered where," by Banks . . .
Price of each of the preceding, 2s., and all are suitable for Teacher and Schools . . .
London: Published by B. WILLIAMS, 11 Paternoster Row; and to be had of all Music and Booksellers.

ASSOCIATIONS: Sidney Nelson (composer); Benjamin Williams (music printer and publisher)

? [Advertisement], Morning Advertiser (6 June 1854), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18540606/009/0001 (PAYWALL)

NEW MUSIC HALL, SWAN TAVERN, Hungerford-market, OPEN EVERY EVENING. -
Eminent Vocal Talent is permanently engaged for the Performance of Madrigals, Glees, Solos, Duetts, Choruses, Buffo Songs, &c.,
and no effort will spared to secure other available assistance, in order to present increased attraction. -
Grand Pianoforte (Broadwood's), Mr. C. Anderson, from Evans's Grand Hotel.
Director, Mr. Banks. Commence at Eight o'clock.

ASSOCIATIONS: Swan Tavern (Hungerford Market)

[Advertisement], Empire (13 April 1855), 1

http://nla.gov.au/nla.news-article60180932 

MISKA HAUSER'S GRAND CONCERT . . .
MONDAY EVENING, APRIL 16th, At the NEW CONCERT HALL, Royal Hotel, formerly the Bazaar . . .
MISKA HAUSER will, on this occasion, be assisted by
Miss FLORA HARRIS, Mrs. SPENCE, Mons. E. BOULANGER (the celebrated pianist),
Mr. FREDERIC ELLARD, Mr. BANKS (his first appearance in Australia), and Mr. WILLIAM STANLEY.
PROGRAMME. - PART I . . . Cavatina - "Hear me, gentle Maritana" (Wallace) - Mr. Banks . . .
PART II. Ballad - "The Heather Bell," - Mr. Banks . . .

ASSOCIATIONS: Miska Hauser (violin); Flora Harris (vocalist); Mrs. Spence (vocalist); Edward Boulanger (pianist); Frederick Ellard (vocalist, pianist); William Stanley (pianist, accompanist); Royal Hotel (Sydney venue)

MUSIC: The heather bell (Spittal)

"MISKA HAUSER", The People's Advocate and New South Wales Vindicator (14 April 1855), 3

http://nla.gov.au/nla.news-article251547574 

The arrangements made for opening the new Concert Hall, at the Royal Hotel are now completed, and on Monday evening Miska Hauser gives the first of his farewell concerts in this noble hall; now embellished and decorated under the direction of Mr. Askanus, and presenting in every respect the place of reunion for the lovers of the arts. The programme for Monday evening includes the names of M. Miska Hauser, M. E. Boulanger, Mr. F. Ellard, Mr. Banks, (a recent visitor of whom report speak highly), Mr. Stanley, Miss Flora Harris, and Mrs. Spence . . .

ASSOCIATIONS: Joseph Askunas (Hauser's agent)

"MISKA HAUSER'S CONCERTS", Empire (17 April 1855), 4

http://nla.gov.au/nla.news-article60177016 

Yesterday evening was performed, at the New Concert Hall, Royal Hotel, the first of a series of concerts which Miska Hauser purposes to give previous to his departure from New South Wales . . . The vocal part of the entertainment was well sustained by Mr. Banks, who, in particular, sang the ballad "The Heather Bell," with precision and taste . . .

[Advertisement], The Sydney Morning Herald (19 April 1855), 1

http://nla.gov.au/nla.news-article12968299 

MISKA HAUSER'S SECOND GRAND CONCERT in the FAREWELL SERIES . . .
on THURSDAY EVENING, April 19th at the New Concert Hall, Royal Hotel . . .
PART I. Aria (Spohr) - "By tales of War Enchanted," - Mr. Banks . . .
PART II. Duett - "The Syren and the Friar," - Miss Flora Harris and Mr. Banks . . .
Song - "The Sea is England's Glory" (S. Glover) - Mr. Banks . . .
Conductor - Mr. William Stanley . . .

MUSIC: By tales of war enchanted (Spohr, from Jessonda); The syren and the friar (Louis Emanuel); The sea is England's glory (Stephen Glover)

"MISKA HAUSER'S CONCERTS", Freeman's Journal (21 April 1855), 10

http://nla.gov.au/nla.news-article115555394 

The second performance given by this distinguished artist since his return to Sydney, took place at the New Concert room at the Royal Hotel . . . Of Miska Hauser's performances, it must be now needless to speak, as they have been so amply criticised and are so fully appreciated throughout New South Wales. He has, however, conferred a benefit on the lovers of music by introducing to their notice Mr. Banks, a highly cultivated singer, possessing a fine voice, and who will undoubtedly prove a valuable acquisition to our philharmonic circles here should he remain in the colony . . .

"MISKA HAUSER's FAREWELL CONCERT", The Sydney Morning Herald (24 April 1855), 5

http://nla.gov.au/nla.news-article12968519

This distinguished artiste announces his farewell concert this evening, at the New Concert Hall, at the Royal Hotel . . . Mr. Banks sings Blumenthal's romance, "Far way, where angel's dwell;" and "Echo! answered where?" a composition of his own . . .

MUSIC: Far way, where angel's dwell (Blumenthal)

"MISKA HAUSER'S FAREWELL CONCERT", Empire (25 April 1855), 5

http://nla.gov.au/nla.news-article60178754

Yesterday evening, Miska Hauser, the distinguished Hungarian violinist, gave his farewell concert in the New Concert Hall, at the Royal Hotel . . . The song of Dermot Astore, by Madame Lamont, was deservedly applauded; and Miss Flora Harris, and Mr. Banks, by the pleasing and able manner in which they executed the Duet "La ci darem," from Mozart's Don Juan, as well as in several distinct songs, added greatly to the delight which the audience experienced throughout the evening. We must not forgot to mention Mr. William Stanley, whose accompaniment on the piano to the various songs announced in the programme deserves high recommendation . . .

ASSOCIATIONS: Maria Augusta Lamont (vocalist)

"MR. EDWARD BOULANGER'S CONCERT", The Sydney Morning Herald (3 May 1855), 5

http://nla.gov.au/nla.news-article12968910

This evening this gentleman gives a grand concert, at the new concert-hall, at the Royal Hotel. He will be assisted by the Nelson Family, Mrs. St. John Adcock, Miss Flora Harris, Madame Gautrot, Mrs. Banks [sic, Mr. Banks], and Mr. Hamilton. Mr. William Stanley will preside at the pianoforte . . .

ASSOCIATIONS: Sidney Nelson and family (see also 1853 above); Marianne Adcock (vocalist); Madame Gautrot (vocalist); Frederick Dicker Hamilton (vocalist)

[Advertisement], The Sydney Morning Herald (3 May 1855), 1

http://nla.gov.au/nla.news-article12968874 

MR. EDWARD BOULANGER'S Grand Evening CONCERT . . .
THURSDAY EVENING, May 3 at the New Concert Hall, Royal Hotel . . .
Conductor, Mr. William Stanley . . .
PROGRAMME - PART I. 1. Song - "Echo answered, where!" - Mr. Banks - Banks . . .
PART II . . . 3. Song - "How oft in rosy childhood" - Mr. Banks . . .

ASSOCIATIONS: Edward Boulanger (pianist); Sidney Nelson and family; Marianne Adcock (vocalist); Frederick Hamilton (Dicker) (vocalist)

MUSIC: How oft in rosy childhood ["Mary May"] (words only)

"NEW CONCERT HALL, ROYAL HOTEL", Empire (5 May 1855), 5

http://nla.gov.au/nla.news-article60181651 

Mr. Boulanger's concert took place on Thursday evening. The attendance was far from numerous, owing probably to the unfortunate state of the weather . . . Mr. Banks is possessed of an agreeable quality of voice, and sings with good taste. As a whole, the vocal part of the concert was rather dull; the majority of the performers showed very little judgment and less taste in their selections.

"GRAND SOIREE MUSICAL", The Sydney Morning Herald (25 June 1855), 4

http://nla.gov.au/nla.news-article12970925 

This evening, under the patronage of his Excellency the Governor-General and Lady Denison, Mrs. Frank Andrews gives a soiree musicale at the new Concert Hall, Royal Hotel. She will be assisted by Madame Sara Flower, Mr. Frank Howson, Mr. Banks and Mr. Coleman Jacobs, and a full orchestra . . . Mr. Banks, who is advancing surely in public favour, will sing Horn's song of the Maid of Normandy, and J. Knight's Sailor-boy's Dream . . .

ASSOCIATIONS: Mrs. Frank Andrews (vocalist); Coleman Jacobs (piano)

MUSIC: The maiden of Normandy (C. E. Horn); The sailor boy's dream (J. P. Knight)

"MRS. FRANK ANDREWS' CONCERT", The People's Advocate and New South Wales Vindicator (30 June 1855), 3

http://nla.gov.au/nla.news-article251547465 

On Monday evening this lady gave a Grand Soiree Musicale, at the Royal Hotel . . . Mr. Banks is no mean vocalist, but his efforts are somewhat marred by a nervous timidity; the cure of which rests with time . . .

[Advertisement], The Sydney Morning Herald (23 July 1855), 1

http://nla.gov.au/nla.news-article28641490 

PARRAMAMATTA. PROGRAMME of Mrs. FRANK ANDREWS' CONCERT of VOCAL and INSTRUMENTAL MUSIC,
which . . . will be given in the Dining-hall of the King's School, on MONDAY EVENING, July 23rd, 1855.
PART I . . . Duet - "As it fell upon a day" - Bishop - Mrs. Frank Andrews and Mr. Banks . . .
Ballad - "Echo answered, Where?", - Banks - Mr. Banks . . .
Trio - "Lo, morn is breaking!" - Cherubini - Mrs. Frank Andrews, Mr. Banks, and Mr. Packer.
PART II . . . Scena - "The Sailor-boy's Dream" - Knight - Mr. Banks . . .
Trio - "O'er the Far Mountain" (Sadak and Kalasrade) - Packer - Mrs. Frank Andrews, Mr. Banks, and Mr. Packer . . .
Song - "The Emigrant Ship" - Phillip - Mr. Banks . . .
Mr. Packer will preside at the pianoforte . . .

ASSOCIATIONS: Charles Sandys Packer (pianist, composer)

MUSIC: O'er the far mountain (Packer, from Sadak and Kalasrade); The emigrant ship (Henry Phillips)

[Advertisement], Empire (15 October 1855), 1

http://nla.gov.au/nla.news-article60169577 

W. H. PALING, first solo violin of the Royal Academy of Holland, has the honour to announce that his
Second Grand CONCERT will take place next MONDAY, the 15th instant, in the New Concert Hall, Royal Hotel,
assisted by Madame Sara Flower, Miss Flora Harris, Mr. Banks, and Mr. William Stanley . . .
PROGRAMME. PART FIRST . . . 2. "The Maiden of Normandy" - C. Horn - Mr. Banks . . .
PART SECOND. 1. Trio, "Gipsies' tent"- Cooke - Madame Sara Flower, Miss Flora Harris, and Mr. Banks . . .
4. Buffo Song, - Mr. Banks . . .

ASSOCIATIONS: William Henry Paling (violin, piano); Sara Flower (vocalist)

"CONCERT", Empire (16 October 1855), 4

http://nla.gov.au/nla.news-article60168986 

Mr. Paley's [sic] second grand concert took place last night, but, owing to the inclemency of the weather, there was an unusually small attendance. Madame Sara Flower, who was to have formed one of the company, was, from indisposition, unable to attend, but her place was acceptably supplied by Miss St. John Adcock. The other artistes, besides Mr. Paling himself, were Miss Flora Harris, Mr. Banks, and Mr. W. Stanley, the latter of whom ably presided at the piano . . . The programme was one which embraced a number of favourite compositions, duets, trios, and solos, all of which were rendered with a high degree of ability. In particular may be mentioned a grand fantasia caprice (Vieuxtemps), grand fantasie on airs Auber's Masaniello (Thalberg), and a brilliant concerto (De Beriot) on the violin by Mr. Paling; also, "The Maiden of Normandy," by Mr. Banks; "Adelaide," by Miss Flora Harris . . .

"ROYAL POLYTECHNIC", The Sydney Morning Herald (8 November 1855), 8

http://nla.gov.au/nla.news-article28637843

This place of instructive amusement continues to attract respectable audiences. On Tuesday evening the home was literally crowded and the new vocalist, Mr. Banks, elicited great applause, especially in the buffo song of "the Man in the Moon." Mr. Norrie spares no expense in providing the public with intellectual, as well as amusing bills of fare.

ASSOCIATIONS: James Smith Norrie (proprietor); Royal Polytechnic (Sydney venue)

MUSIC: The man in the moon (words only, no tune indicated)

"Prince of Wales Theatre", Bell's Life in Sydney and Sporting Reviewer (15 December 1855), 2

http://nla.gov.au/nla.news-article59761229 

COMPLIMENTARY BENEFIT TO MR. F. HOWSON.
Under the Distinguished Patronage of the GOVERNOR-GENERAL and LADY DENISON.
This Evening, Saturday, the performances will commence withe Auber's Opera, in three acts, entitled,
FRA DIAVOLO. Fra Diavolo, Mr. Howson; Lord Allcash, Mr. J. P. Hydes.
Mr. Banks of the London Concerts, will sing the celebrated Buffo Song of "The Man in the Moon."
Solo - Cornet-a-Piston, Mr. Wheeler. The whole to conclude with the screaming Farce of SLASHER AND CRASHER: Slasher, Mr. F. Howson; Crasher, Mr. J. P. Hydes.
F. HOWSON, Manager.

ASSOCIATIONS: Frank Howson (vocalist, actor, manager); John Proctor Hydes (vocalist, actor); Stephen Thomas Wheeler (cornet); Prince of Wales Theatre (Sydney venue, also during 1856 called "English Opera House", as see below)

[Advertisement], The Sydney Morning Herald (7 June 1856), 1

http://nla.gov.au/nla.news-article28640319 

HERR V. RAHM, by request of several of the leading families,
will give his last Vocal and Instrumental CONCERT, at the School of Arts, on MONDAY, June the 9th.
He will be assisted by Madame Cramer, Mr. Packer, and Mr. Banks.

ASSOCIATIONS: Veit Rahm (vocalist, zither); Margeritta Kramer Haimberger (vocalist)

[Advertisement], The Sydney Morning Herald (2 September 1856), 1

http://nla.gov.au/nla.news-article12986577 

ENGLISH OPERA HOUSE. - Concert for the Million.
Dress Circle 2s. 6d.; Upper Circle and Pit 1s.
THIS EVENING (Tuesday), 2nd September.
The programme will consist of a variety of favourite Songs, Glees, Duetts, &c.,
by Miss Flora Harris, Mrs. Guerin, Mrs. Gibbs, Messrs. Banks, Stewart, Griffiths, Fisher, and Walcot.
Conductor, Mr. C. S. PACKER, who will preside at the organ.

ASSOCIATIONS: Theodosia Guerin (vocalist); Eliza Gibbs (vocalist); Richard Stewart (vocalist); William Griffiths (vocalist); James Churchill Fisher (vocalist); Robson Beilby Walcot (vocalist); members of Anna Bishop's Sydney opera company; Bishop was then touring to Melbourne

[2 advertisements], Empire (18 September 1856), 1

http://nla.gov.au/nla.news-article64976728 

ENGLISH OPERA HOUSE. - LAST NIGHT OF THE SEASON. -
THIS EVENING, Thursday, 18th September, 1856, a GRAND CONCERT OF SACRED MUSIC,
on which occasion Miss Flora Harris, Mrs. Guerin, Mrs. Gibbs, Miss Bassman,
John Howson, Stewart, Banks, Fisher, Walcot, and Griffiths, will appear.
Mr. PACKER will preside at the Organ.

ASSOCIATIONS: Wilhelmina Basmann (vocalist); John Howson (vocalist)

PIANOFORTES. - Mr. BANKS, Tuner, Repairer, and Regulator, 44, King-street East, near Pitt-street.

"THE JUBILEE AT ST. BENEDICT'S", Freeman's Journal (9 May 1857), 2

http://nla.gov.au/nla.news-article115561246 

. . . The first High Mass was celebrated on Tuesday . . . Mozart's No. 12 was sung by the Cathedral choir, conducted by the talented and Rev. Mr. Curtis. We very much admired the middle movement of the Gloria. We never hear that majestic Quoniam Tu solus Sanctus, but we fancy that we have a faint glimpse of the All Holy. The Benedictus is one of the most charming morceaux that ever was written. The Soprani were Miss Stewart, Mrs. Bridson, and Mr. Peter Curtis; the Alta, Madame Lamont; the Tenor, Mr. Howson; and the Bass, Mr. Banks. The Dona nobis pacem, introducing the grand chorus after the Agnus Dei, was charmingly rendered by Madame Lamont, who has an exceedingly sweet mezzo-soprano voice. In a word, the music was all that could be desired . . .

ASSOCIATIONS: John Henry Benedict Curtis (cleric, conductor); Peter Curtis (vocalist); Sarah Bridson (vocalist)

"ORATORIO", Freeman's Journal (22 August 1857), 3

http://nla.gov.au/nla.news-article115558634 

. . . The Cathedral on Tuesday evening wore a very joyous look . . . The whole apse of the Cathedral (containing the high altar) was screened off, and a platform for the singers and the orchestra erected in the lower portion of the sanctuary . . . We were almost omitting to award his proper share in the success of the whole to Mr. Cordner the Cathedral organist, who certainly did his part admirably. Mr. Banks, Mr. Thompson, Mr. Fisher and the other singers of the Cathedral choir also deserve great praise . . . The Catholic community are extremely thankful to Madame Anna Bishop for having so generously given her services on the occasion, and also, to the various artistes and amateurs who assisted.

ASSOCIATIONS: William John Cordner (organist); George Loder (conductor)

[Advertisement], Freeman's Journal (3 October 1857), 1

http://nla.gov.au/nla.news-article115564042 

PIANOFORTES. - Mr. BANKS, Tuner, Repairer, and Regulator, 44, King-street, near Pitt-street.

"SHIPPING. ARRIVALS", The Sydney Morning Herald (7 October 1857), 4

http://nla.gov.au/nla.news-article13001199 

OCTOBER 6. Thracian, ship, 537 tons, Captain Weekes, from London June 4. Passengers - Mrs. Banks and 6 children and servant . . .

[Advertisement], The Sydney Morning Herald (27 January 1859), 11

http://nla.gov.au/nla.news-article28630795 

PIANOFOKTES. - Mr. BANKS, Pianoforte Tuner, Repairer, Regulator, and Importer, William-street.

[Advertisement], The Sydney Morning Herald (26 February 1859), 4

http://nla.gov.au/nla.news-article13022329

PIANOFORTES. The Prize Medals. - Messrs. Hopkinson are the only pianoforte makers in Great Britain who obtained prizes medals (first class) at both the Universal Exhibitions of London and Paris. The first pianists of the age (Thalberg, Benedict, and others) have also pronounced their pianos "unsurpassed in tone and touch." Those facts will no doubt overcome the prejudice that the best pianos can only be had from the oldest makers. An inspection Invited. (Vide TIMES. December 8, 1858.) AT LONDON PRICES. Mr. BANKS, importer. Pianoforte Tuner, Regulator, and Repairer. Warehouse, Lower William-street, near Museum.

ASSOCIATIONS: John and James Hopkinson (London pianoforte makers)

[Advertisement], The Sydney Morning Herald (15 March 1859, 5

http://nla.gov.au/nla.news-article13020567 

PIANOFORTES - Mr. BANKS, Pianoforte Tuner, Repairer, and Regulator having had, practically, the experience of nearly twenty-years, with the most eminent firms in London. Warehouse, William-st., near Museum.

[Advertisement], The Sydney Morning Herald (24 September 1859), 1

http://nla.gov.au/nla.news-article13031138

THE PEOPLES' CONCERT. - The first of a Series will be given in the
HALL OF TEMPERANCE, in connection with the NEW SOUTH WALES ALLIANCE,
on MONDAY EVENING, 26TH instant, under the management of Mr. T. V. BRIDSON.
The following artists have already been engaged, viz.,
Madame Flora Harris, Mr. John Howson, Herr Sussmilch,
Mr. Banks, (Musical Director of St. Mary's Cathedral), and Mr. Richardson have, in the most handsome manner, signified their intention of rendering their services on this occasion.
THE PROGRAMME. PART 1ST.
Glee - The Wreath - Mazzinghi - Madame Flora Harris, Messrs. J. Howson and Banks . . .
Song - Mr. Banks . . .
Glee - Come o'er the brook - Bishop - Madame Flora Harris, Messrs. J. Howson, Sussmilch, and Banks . . .
PART SECOND.
Trio - The Magic wove Scarf - Barnett - Madame Flora Harris, Messrs. J. Howson and Banks . . .
Quartette - Lo, the Early Beam - Balfe - Madame Flora Harris, Messrs. J. Howson, Sussmilch, and Banks.
Song - Mr. Banks.
Glee - The Curfew - Attwood - Madame Flora Harris, Messrs. J. Howson and Banks.
Mr. Charles S. Packer will preside at the Grand Pianoforte.
The Committee of the N.S. Alliance beg to impress upon the public that their only object in giving these entertainments is for the moral and social improvement of the people, and to afford them an opportunity of an intellectual treat at such a charge for admission as will come within the reach of all. The Committee are sanguine that the attendance will be such as will induce professionals to co-operate in so laudable an undertaking.
R. RONALD, Secretary N.S.W. Alliance . . .

ASSOCIATIONS: Thomas Vicary Bridson (conductor); Christian Bernhard Sussmilch (vocalist); People's Concerts (Sydney series)

"CONCERTS FOR THE PEOPLE", The Sydney Morning Herald (8 November 1859), 5

http://nla.gov.au/nla.news-article13032873 

Yesterday evening the first of a series of "People's Concerts," under the management of Mr. T. V. Bridson, was given in the great hall of the Sydney Exchange. It will be remembered that a similar series, for the same object, was commenced a few weeks since in the Temperance Hall; but, in consequence (it is stated) of the want of harmony unhappily existing at present between the Alliance Committee and the trustees of the Hall, the concerts were discontinued. Such being the result with regard to the concerts, Mr. Bridson, with a most praiseworthy motive - his object being to furnish a counter-attraction to the ale-house and other resorts of a questionable character has determined on, and made arrangements for giving a series of twelve concerts in the Exchange. The two distinguishing characteristics of these concerts are to be, excellence in the performances, and cheapness . . . The programme for last night consisted of a judicious selection of popular pieces, comprising a great variety of good music. The artistes engaged for the occasion were Mrs. Bridson, Madame Flora Harris, Miss Ryan (amateur), Mr. Packer, Mr. Banks, Mr. Sussmilch, and Mr. Leveson - the list of names being a sufficient guarantee that the musical treat was of a superior character . . . Mr. Banks created infinite amusement by his rendering of the comic song "Beautiful Mrs. Crop," and, in response to an encore, sang "The Man in the Moon." The efforts of both vocalists and instrumentalists were received with frequent tokens of approval by the audience which was large, highly respectable, and discriminating.

ASSOCIATIONS: Philippina Ryan (vocalist); John Leveson (vocalist)

MUSIC: Beautiful young Mrs. Crop (N. J. Sporle)

[Advertisement], The Sydney Morning Herald (14 January 1860), 8

http://nla.gov.au/nla.news-article13035484 

PIANOFORTE TUNING, &c - Mr. BANKS begs to say he will visit
WINDSOR and RICHMOND for the above purpose next week. Address Marsden's Hotel, Windsor.
PIANOFORTE REPAIRING, Mr. BANKS begs to inform the public generally that he has received (ex Salsette)
a further supply of the most modern and latest improved material for the repair of pianofortes.
PIANOFORTES. - Mr. BANKS, Sole Agent and Importer of Hopkinson's celebrated instruments.
PIANOFORTES EXTRAORDINARY. - The prize medals for Hopkinson's first-class Instruments.
PIANOFORTES EXTRAORFINARY, at London prices. Hopkinson's first-class instruments.
PIANOFORTES. - Mr. BANKS, Pianoforte Importer, Repairer, Regulator, and Tuner, 201, Castlereagh-st.

"GUILD OF ST. MARY AND ST. JOSEPH", The Sydney Morning Herald (10 April 1860), 5

http://nla.gov.au/nla.news-article13039008 

An immense crowd of people congregated last night, in St. Patrick's Hall, attracted thither by a tea-party and musical soiree, in connection with the Australasian Holy Catholic Guild of St. Mary and Joseph. Unfortunately, the hall is very low, and the heat was rather overpowering . . . The sentiments and speeches from the platform were agreeably relieved by the excellent singing of Mrs. Bridson, Miss Ryan, Mr. John Howson, and Mr. Banks, who were ably accompanied by Mr. T. V. Bridson . . . Mr. Banks broke the spell by his rendering of a buffo song, "The beautiful Mrs. Crowe," [sic] which excited the people into the most genial ringing laughter . . .

"ST. MARY'S CATHOLIC LITERARY SOCIETY", Freeman's Journal (30 May 1860), 2

http://nla.gov.au/nla.news-article114839020 

On the evening of Whit Monday, a tea-party and musical festival, in connection with the Catholic Literary Society of St. Mary's, was held in the seminary hall, which was decorated for the occasion. The chair was occupied by the Archbishop shortly after eight' o'clock. On the platform beside his Grace sat the Rev. Fr. Power (from Melbourne) . . . the company, which could not have been far short of 300 persons, all appearing to enjoy themselves heartily, notwithstanding the obvious prevalence of the general epidemic. The tea equipage having been removed, Mr. Banks, who presided ai the piano, sang a very pleasing song, and afterwards played accompaniment to the singing class of the society, who executed a concerted piece of music in very creditable style. Subsequently, Mr. Banks sang with much feeling the "Emigrant Ship," which was received with applause . . . Mr. Banks further contributed to the harmony of the evening by singing "The Man in the Moon" and another amusing song - the singing class again favouring the company, with the exercise of their vocal powers. The Rev. Mr. Power then briefly expressed the pleasure he experienced in being amongst them that evening . . .

ASSOCIATIONS: John Bede Polding (archbishop); Bartholomew Power (priest)

"THE ALLIANCE BAND OF HOPE", Empire (22 June 1860), 2

http://nla.gov.au/nla.news-article60412162 

A soiree, having for its object the celebration of the reorganisation of the Alliance Band of Hope, was held on Tuesday evening, in the Temperance Hall . . . Mr. J. O. Pierce amused the company with his artistic performances on the concertina, pine-sticks, and rock harmonicon . . . Mr. Banks sung "The Ship on Fire," and, in response to an encore, "Beautiful Mrs. Crops" . . . Mr. Banks sung another popular air, which being encored, he favoured the company by singing "The Man in the Moon" . . . The meeting was brought to a close by singing the National Anthem, Mr. Banks accompanying on the piano.

ASSOCIATIONS: John Ottis Pierce (musician, entertainer)

MUSIC: The ship on fire (Henry Russell)

[Advertisement], The Sydney Morning Herald (20 October 1860), 16

http://nla.gov.au/nla.news-article13047491 

HOPKINSON'S new Patent Repetition and Tremolo Check Action GRAND PIANOFORTE, just landed, ex King Lear.
Mr. BANKS, sole agent and importer, tuner, repairer, &c., 201, Castlereagh street.

[Advertisement], The Sydney Morning Herald (6 April 1861), 12

http://nla.gov.au/nla.news-article13059380 

KALKBRENNER'S Hand Guides, Music Stools, Sconces, &c., &c. Mr. BANKS, importer.
JUST PUBLISHED, LES GRACES (The Graces), three polkas, composed by T. BANKS, price 3s.
To be had at the author's Pianoforte Warerooms, 201, Castlereagh-street, near St. James' Schoolroom.
PIANOFORTES. - Mr. BANKS begs to inform the public that he has completed his new Warerooms, and has on view a choice selection of J. and J. Hopkinson's splendid instruments, to which he invites inspection . . .

ASSOCIATIONS: Friedrich Kalkbrenner (pianist, composer); his hand guide was a development of John Bernard Logier's chiroplast; see Kalkbrenner's A complete course of instruction for the piano forte, with the assistance of hand guides (Edinburgh: Alex Robertson, [184-])

https://catalog.hathitrust.org/Record/101703218 (DIGITISED)

[Advertisement], The Sydney Morning Herald (4 April 1863), 1

http://nla.gov.au/nla.news-article28622028 

WRECK OF THE ORPHEUS. - In aid of the Widows and Orphans. -
On THURSDAY EVENING, April 9th, will be performed, for the first time, a new Oratorio, entitled
I. N. R. I. The Crown of Thorns, or Despair, Penitence, and Pardon.
The words and music by Charles S. Packer . . .
NEW ORATORIO. - A Rehearsal THIS EVENING, at a quarter-past 7 o'clock sharp, at Mr. BANKS'. Castlereagh-street.

ASSOCIATIONS: For an early Sydney report the wreck of the H.M.S. Orpheus, see "DREADFUL CALAMITY. LOSS OF H.M.S.S. ORPHEUS, AND 190 LIVES. (From the Southern Cross, February 9.)", The Sydney Morning Herald (18 February 1863), 5

[Advertisement], The Sydney Morning Herald (9 April 1863), 1

http://nla.gov.au/nla.news-article13076735 

H.M. S. ORPHEUS. - IN AID OF THE WIDOWS AND ORPHANS. -
On THURSDAY EVENING, April 9th, at the Masonic Hall.
First time of performance of the new oratorio
I. N. R. I. THE CROWN OF THORNS; Or, Despair, Penitence, and Pardon,
The words and music by CHARLES S. PACKER.
PROGRAMME . . . Duett. - "For as the truth." - Mrs. Bridson and Mr. Banks . . .
Conductor - Mr. W. J. CORDNER.
Organ - CHARLES S. PACKER . . .

MUSIC: For as the truth (Packer, from The crown of thorns)

[Advertisement], Empire (9 October 1863), 1

http://nla.gov.au/nla.news-article60549556 

CHARLES S. PACKER'S NEW ORATORIO. THE CROWN OF THORNS.
Solos by Madame FLORA HARRIS, LADY AMATEUR, Madame SARA FLOWER,
Mrs. CORDNER, Mr. E. A. BEAUMONT, Mr. FARQUHARSON,
Master BANKS, Herr SUSSMILSCH, Mr. BANKS.
Chorus of fifty voices.

ASSOCIATIONS: Ellen Cordner (vocalist); Edward Armes Beaumont (vocalist); Robert Farquharson (vocalist)

[Advertisement], The Sydney Morning Herald (15 October 1863), 1

http://nla.gov.au/nla.news-article13090308 

MASONIC HALL, THURSDAY EVENING, October 15th.
THE CROWN OF THORNS, An Oratorio, Words and Music by Charles S. Packer.
PROGRAMME . . . Quintett - "Upon the ear of that fierce crowd." (Madame Flora Harris, Lady Amateur, Master Banks, Mrs. Cordner, and Madame Sara Flower.) . . .

MUSIC: Upon the ear of that fierce crowd (Packer, from The crown of thorns)

"CONCERT", Sydney Mail (9 January 1869), 5

http://nla.gov.au/nla.news-article166807276 

The St. Mary's Literary Institute gave one of their pleasing entertainments on Tuesday evening in the Adolphus-street schoolroom, Balmain. The programme, comprising songs, glees, and recitations, was very creditably gone through, to the satisfaction of a large audience. Mr. Banks, sen., presided at the pianoforte; and the performance concluded at 10 p.m. by the company singing the National Anthem.

[News], Australian Town and Country Journal (3 April 1875), 13

http://nla.gov.au/nla.news-article70489942 

On Easter Sunday St. Mary's Cathedral was visited by an immense congregation . . . The principal portion of the music consisted of "Kyrie" by Cherubini, scored for the full orchestra by Mr. John A. Delany (who presided at the organ), and the remainder from Haydn's No. 2 Mass, with the composer's orchestral accompaniments. At St. Patrick's, Mozart's 12th was performed (organist, Mr. T. Banks, junior); and at St. Benedict's, Haydn's No. 2 (organist, Mrs. C. Garvan.) At each church there was an efficient orchestra . . .

ASSOCIATIONS: John Albert Delany (organist)

"ST. PATRICK'S CHURCH", Freeman's Journal (23 March 1878), 14

http://nla.gov.au/nla.news-article111096199 

. . . His Grace Archbishop Vaughan preached there on Sunday last . . . as the day was St. Patrick's Day . . . The choir (one of the best in Sydney) was strengthened by a small but efficient orchestra, and several of our leading singers also lent valuable assistance. The programme was very judiciously selected, being Weber's Mass in G, Zingarelli's Laudate, and the Priests' march from Athalie . . . The grandest part of the musical service was of course the Sanctus, and Benedictus, which bears the palm from all others, but the opening of the quartette was too loud. Mrs. Banks is perhaps one of our oldest choir singers, and we must also add one of our best; her singing of the Agnos Dei was something our young singers might study to advantage . . . and a better organist than Mr. Thos. Banks is rarely heard in Sydney . . .

MUSIC: Mass in G (Weber)

"The Week", The Sydney Mail and New South Wales Advertiser (24 May 1879), 826

http://nla.gov.au/nla.news-article162808824 

Mr. THOMAS BANKS has been appointed organist at St. Mary's Cathedral.

[News], The Sydney Morning Herald (15 May 1888), 7

http://nla.gov.au/nla.news-article13686441

Our obituary column contains notice of the death of one who has long been prominently associated with the Roman Catholic community in Sydney, namely, Mr. T. P. Banks, who died on Sunday night aftar a few days' illness. Mr. Banks was born in London, and so early gave promise of musical talent that at four years of age he received regular lessons from his mother. Before he was seven he became a pupil of Anthony Lejeune, the organist of Moorfields Chapel. Two years later he left England for Sydney with his parents, and upon his arrival became a pupil of Mr. Charles S. Packer. Thence he passed on to Mr. Cordner, and finally to the tuition of Mr. Charles Edward Horsley. The first appointment held as organist by Mr. Banks was at the Convent of the Sacred Heart; afterwards he was organist at St. Patrick's Cathedral [sic, Church Hill], and since 1877 he filled the same post at St. Mary's Cathedral, playing so recently as at the evening service there on Sunday, 6th instant, after attending the opening of the new Church at Randwick in the morning. He was then suffering from a cold, which assumed such a serious form that on Thursday last he was removed to St. Vincent's Hospital, where inflammation of the lungs set in and terminated in the death of the patient on Sunday evening. Mr. Banks was greatly respected and esteemed by a large circle of friends and musicians; he was very unassuming, and devoted in an unostentatious manner to his profession. He was 39 years of age.

ASSOCIATIONS: Charles Edward Horsley (teacher)

"Obituary . . . MR. T. P. BANKS", Australian Town and Country Journal (19 May 1888), 13

http://nla.gov.au/nla.news-article71097757 

Thomas Philip Banks, a well known Sydney musician, died on Sunday night, May 13, at the early age of 39 years. He was a native of London, and arrived in Sydney about 30 years ago. Having a passion for music, he studied the art first under Charles S. Packer. Wm. Cordner, and Charles E. Horsley. The organ was his especial instrument; and he was recognised as one of the ablest church organists in Sydney. His first appointment was to the Sacred Heart Church, in Darlinghurst, whence he went to St Patrick's, Church-hill; and, finally, to St. Mary's Cathedral, where he filled the position of organist for the last eleven years. For a long time music was his pastime, as he held a position in the Civil Service for over twenty years; but lately he had devoted himself entirely to his art. He had many friends to whom he was endeared by his kindly and generous disposition. The last time he played the instrument he loved so well was in St. Mary's on Sunday, May 6, when he complained of a severe cold. Inflammation of the lungs set in shortly afterward, and he died in St. Vincent's Hospital.

"DEATH OF THE CATHEDRAL ORGANIST", Freeman's Journal (19 May 1888), 18

http://nla.gov.au/nla.news-article115459225 

A capable and conscientious musician and a genial, good-hearted gentleman has passed away in the death of Mr. Thomas Philip Banks. The deceased gentleman, whose position as organist of St. Mary's Cathedral kept his name prominently before the public for the last ten or eleven years, died on Sunday evening in St. Vincent's Hospital. The cause of death was acute pneumonia, brought on by a cold contracted a little over a fortnight ago. It was not until the middle of last week that any serious apprehensions were entertained - Mr. Banks being at his accustomed post in St. Mary's on the evening of the farewell service in honour of Cardinal Moran's departure - and even when at the suggestion of his more immediate friends, he removed from his residence to the hospital under the care of the Sisters of Charity, no alarming symptoms had manifested themselves. At St. Vincent's, Mr. Banks had the full benefit of medical skill, and tenderly attentive nursing, but despite everything that could possibly be done to save or prolong his life, he succumbed about half-past 11 o'clock on Sunday night. It will be a satisfaction, we are sure, to the many friends of the lamented gentleman throughout the colonies to know that his last hours were sweetened by all the consolations of our holy religion.

Mr. Banks was not, as was generally supposed, a native of the colony. He was born in London in 1848, and we are informed that before he came out to Sydney with his parents, both of whom are still living; he had already at the tender age of seven, after receiving elementary instruction from his mother, begun his musical studies under Anthony Le Jeune, then the organist of Moorfields Catholic Chapel, London. He came to Sydney when a mere boy, and continuing his studies, had the advantage of instruction from such masters as Charles Packer, Charles Horsley, and William Cordner, Mr. J. A. Delany, the conductor of St. Mary's choir, being a fellow-pupil under the lastnamed celebrated teacher. His first appointment as organist was to the city church of the Sacred Heart, Darlinghurst. Making rapid progress as a player, he secured the organ in succession to Mr. Roper at St. Patrick's, which has always been noted for good music, and in 1877, after some five years' successful service in that church, he won by honest merit, and has ever since held, the coveted prize of all Roman' Catholic organists, the premier position at the Cathedral.

While at St. Mary's Mr. Banks was remarkable more perhaps for sustained energy and conscientious devotion to duty than for any particularly brilliant performances. That he had exceptionally good schooling was generally known, and that he was an earnest, laborious, and enthusiastic student, well versed in all the theories and the arts of the first of instruments - all who were able to appreciate good organ playing fully recognized and acknowledged. But Mr. Banks was not one of those who sought to obtain for the organ an undue prominence in the sacred services of the Church, and hence it was more the object of his studies and the aim of his ambition to give full effectiveness to the instrumental accompaniments of the singing of the Mass rather than to obtain personal distinction by elaborate or showy solo performances. In all the musical services that have been held in St. Mary's new Cathedral, including the brilliant opening festival six years ago, which extended over three days, Mr. Banks has had a leading part. The deceased gentleman was recognized and appreciated as a sound musician and a particularly able interpreter of sacred music, notably the masses of Mozart, Haydn, Weber, and Gounod; but apart from his work in the Catholic churches, which was characterised by an average excellence rather than by occasional flashes of brilliancy, he more than once took a prominent part as organist and pianist in the public performances or two old city musical societies - the Civil Service Musical Society and the Sydney Musical Union. On two occasions he played in the Garden Palace, shortly after the great International Exhibition was held.

His good nature was proverbial, and if we were to attempt to enumerate all the occasions upon which he freely gave his services in causes of charity and benevolence, a page would scarcely suffice. His last act of kindness was to preside at the organ at the opening of the new Randwick church. For twenty years Mr. Banks occupied a responsible position in the Crown Lands Department, but about 18 months before his death he left the Civil Service and devoted himself exclusively to the musical profession.

On Tuesday morning the remains were brought from St. Vincent's to the Cathedral, it having been decided by the Cathedral authorities, in order to pay a mark of merited respect, that the funeral should start from St. Mary's. The coffin rested upon a bier at the rear of the High Altar, and instead of the customary pall, it was covered with flowers worked in beautiful designs, which were for the greater part the graceful tributes of the ladies of the choir and other sorrowing friends. At half-past two several hundred sympathetic souls gathered around the bier while the Absolution was pronounced by the Rev. J. J. Byrne, the choir chaplain (assisted by the Rev. Peter Byrne, of Kogarah, and the Rev. E. O'Callaghan of Petersham), the solemn notes of Handel's March for the Dead floating softly from the organ chamber during the simple but touching ceremony. After the Absolution the coffin was raised from the bier and solemnly carried down the eastern aisle past the choir to the main entrance, the members of the choir meanwhile in muffled chorus singing the plaintive "Miserere," Mr. Delany at the organ supplying a subdued accompaniment. A crowd had assembled outside the cathedral, and heads were bent and hats reverently raised as the hearse and the line of carriages moved along College-street; the great bell in the tower signalling the departure of the funeral in the customary solemn manner. The interment in the Waverley cemetery was an affecting ceremony. Father Byrne performed the last offices of the Church, and the grief-stricken relatives with the members of the choir standing round the grave joined in a prayer to Heaven on behalf of the soul departed; a prayer for "the perfect peace and the rest eternal."

The chief mourners were Mr. Thomas Banks (father of the deceased), Mrs. Banks (mother of the deceased, who is the principal contralto of St. Patrick's choir), the Misses Banks, Messrs. F. B. and J. B. and W. B. Banks (brothers of the deceased), Mr. J. A. Delany, conductor of the Cathedral choir, Mr. F. Maxted, organist of St. Francis'; Mr. G. F. Jackson, conductor of St. Thomas', Petersham; Mr. E. J. Hollingdale, conductor of St. Mary's, Burwood; Mr. F. Gread, organist, Paddington Church; and Messrs. F. Bowler, W. P. O'Halloran, D. Mullins, John B. Bushelle, F. J. Riley, J. H. Rainford, J. Cashin, J. A. Gread, T. Fitzpatrick, A. Mooney, J. T. Dovovan, Thomas Punch, P. Callachor, W. J. Fox, Jas. Flynn, and H. Magney.

As the remains of the dead musician - poor simple natured, single-hearted "Tom" - were lowered to their resting place there was a feeling and a hope uppermost in everyone's thoughts, that though the once nimble fingers, ceasing to "Wander idly over the noisy keys," would never again roll off the pealing anthems of Handel, run through the flashing fugues of Mozart or Mendelssohn, strike with master force the massive chords of Haydn, or glide with tender touch through the moving melodies of Gounod or Weber - there was, we say, a hope, yes, and a tender and loving one, that he who had so often made the organ sing in tones majestic the Church's songs of praise and glory to the Most High, and whose last act in the post he had so long filled with honour in our Cathedral was to swell the organ's great voice in a mighty "Laudate," had in closing his eyes to this world, and his ears to all earthly sounds, been vouchsafed the blessing and the happiness supreme of bearing with the summons of Death's bright angel the message of peace and pardon in the chord divine of "the Great Amen."

"THE LATE MR. BANKS", Freeman's Journal (24 November 1888), 15

http://nla.gov.au/nla.news-article115460098 

The unveiling of the headstone erected to the memory of the late Mr. Thomas Philip Banks will take place on next Sunday, at 3 p.m., at the Waverley Cemetery. A special choir will sing the "Requiem AEternam" and the "Pie Jesu" from Cherubini's Requiem Mass, and also two quartettes and three choruses from Allegri's Miserere. Busses (for the special choir only) will leave St. Mary's Cathedral at 2 30 p.m.

ASSOCIATIONS: On the design of the gravestone, by Flanagan and Anderson, see "MEMORIAL TO THE LATE THOMAS PHILIP BANKS", Wagga Wagga Advertiser (18 October 1888), 3

http://nla.gov.au/nla.news-article101950646 

. . . On the plate immediately above the inscription notifying the age of the deceased, is a most finished model of the Cathedral organ - the instrument he had loved so well, and upon which be had played so often - with a copy of Mozart's No. 15 Mass, opened as it were ready for use . . .

MUSIC: Requiem (Mozart), no. 15 in the Novello numbering

Death certificate, Thomas Banks, 1890; NSW Registry BDM

19th March 1890, Wallace Street East Balmain / Thomas Banks / Pianoforte Tuner / Male 68 years / Primary - Paralysis, Secondary - congestion of Bronchia / buried 21st March 1890 / Roman Catholic Cemetery Waverley / [born] Lancashire England / 40 years [sic] in Sydney / [married twice in England, second time at 27 years of age; one daughter Mary, now aged 49, from first marriage] . . .

"Deaths", The Sydney Morning Herald (20 March 1890), 1

http://nla.gov.au/nla.news-article13763703

BANKS. - March 19. at his residence, Wallace-street, Balmain, after a long illness, Thomas Banks, aged 69 years. R.I.P.

"CHANGES IN ST. PATRICK'S CHOIR", Freeman's Journal (18 June 1892), 14

http://nla.gov.au/nla.news-article111324423 

. . . St. Patrick's has had several distinguished organists, including the gifted Charles Hor3ley, Mr. Roper, poor Tom Banks, and Paolo Giorza . . . Herr Alpen bad arranged to give up his keys of office as organist and choir master on Sunday last. As the repairs to the organ had been commenced the organ could not be used, and Herr Alpen took the conductor's stand and directed the performance of his own Mass. A capital orchestra was secured for the occasion, and Miss Keane, Mrs. Banks, Mr. J. Thompson Brown, and Mr. J. Kerr were the vocal principals . . .

ASSOCIATIONS: Edmund Alphonsus Roper (organist); Paolo Giorza (organist); Hugo Alpen (organist)

"MUSICAL MEMORIES. Mrs. Sheridan Moore - Miss Flora Harris - Sixty Years a Singer (BY JAS. T. DONOVAN . . .)", Sunday Times (31 January 1909), 7

http://nla.gov.au/nla.news-article126581216 

. . . Towards the end of 1854 [Flora Harris] was engaged as "professional leader" of St. Mary's Cathedral choir - a position which was held by her for five years. At the time there was a blind organist at St. Mary's - Mr. Walton. Mr. Banks, father of the late T. P. Banks, succeeded Mr. Walton, and then Mr. William John Cordner took charge of the choir . . .

ASSOCIATIONS: James Thomas Donovan (journalist); Humphrey Walton (organist)

"DEATHS", The Sydney Morning Herald (20 January 1914), 8

http://nla.gov.au/nla.news-article15478532 

BANKS. - January 19, 1914, at Nottingham, 35 Nobbs-street, Surry Hills, Eliza, relict of the late Thomas Banks (organist), in her 87th year. R.I.P.

"VOCALIST OF THE FIFTIES. DEATH OF MRS. ELIZA BANKS", The Sydney Morning Herald (20 January 1914), 10

http://nla.gov.au/nla.news-article15478579 

Mrs. Eliza Banks, who it is believed was the oldest professional contralto in the Commonwealth, died early yesterday morning at her residence, Nottingham Cottage, Nobbs street, Surry Hills, in her 87th year. For upwards of 40 years she was connected with the leading Roman Catholic choirs of the city, and succeeded Madam Sara Flower as principal contralto at the original St. Mary's Cathedral, which was subsequently destroyed by fire.

Mrs. Banks, who was a native of London, arrived in Sydney in the early fifties, to join her husband, who came here in advance to make a new home for the young family. She had intended to leave London by the ship Dunbar, but being unable to secure accommodation for herself and six children, sailed in the following vessel. It was not until her arrival here that she learned that the Dunbar had been wrecked at South Head, and that of the entire ship's company only one had been saved.

After singing for many years at St. Mary's Cathedral, Mrs. Banks became the leading contralto at St. Patrick's, Church-hill. Her husband, Mr. Thomas Banks who in the sixties was the conductor of the choir at St. Mary's Cathedral, and who was the first to introduce evening vespers in Australia, died 24 years ago.

Mrs. Banks has left five sons and six daughters - Messrs. Frank (Lands Department), William John, Richard (Melbourne) and Philip Banks (E. T. Department), Miss Mary Banks, Mrs. Emily Copenigh, Mrs. Kate Brandtmann, Mrs. Jennie Baker, Mrs. Martha McCann, and Mrs. Annie Hornidge, who succeeded her mother on her retirement from St. Patrick's Church. Her eldest son, who died some years ago, was formerly organist at St. Mary's Cathedral. The funeral will take place to-day at Waverley.

ASSOCIATIONS: Wreck of the Dunbar (Sydney heads, 1857)

"Death of Mrs. Eliza Banks", Australian Town and Country Journal (28 January 1914), 33

http://nla.gov.au/nla.news-article263744033 

Mrs. Eliza Banks died early on the morning of January 20, at her residence, "Nottingham Cottage," Nobbs-street, Surry Hills, Sydney, in her 87th year. She was one of the oldest contraltos in Australia, and was forty years connected with the leading Roman Catholic choirs of Sydney. She was born in London, and in the fifties came to Sydney to join her husband, who had preceded her. She, with her six children, had intended to sail by the ill-fated Dunbar; but was unable to secure berths. Her husband, Mr. Thomas Banks, who died twenty-four years ago, in the sixties, conducted the choir in St. Mary's Cathedral. Mrs. Banks, after singing for many years at St. Mary's Cathedral, became the leading contralto at St. Patrick's, Church Hill. She has left five sons and six daughters - Messrs. Frank (Lands Department), William, John, Richard (Melbourne), and Philip Banks (E. T. Department), Miss Mary Banks, Mrs. Emily Copenigh, Mrs. Kate Brandtmann, Mrs. Jennie Baker, Mrs. Martha McCann, and Mrs. Annie Hornidge, who succeeded her mother on her retirement from St. Patrick's Church. The funeral took place at Waverley on January 21. Late Mrs. Eliza Banks [PHOTOGRAPH]. Our photo, is by Swiss Studios, Sydney.

Published musical works:

Echo answered where (song, London, by 1853)

Echo answered where . . . by T. Banks (London: B. Williams, [by 1853])

NO COPY IDENTIFIED

Les graces polkas (Sydney, 1861)

Les graces (The graces) three polkas brilliantes, composed & dedicated to his esteemed friend, E. B. Gowland, esq., by T. Banks
(Sydney: Published at the author's Pianoforte Warerooms, 201, Castlereagh street, opposite St. James' Schoolroom, [1861])

https://trove.nla.gov.au/work/23734954 

https://collection.sl.nsw.gov.au/record/74VvBLamqm8b (DIGITISED)

CONTENTS: No. 1. Euphrosyne; No. 2. Aglaia; No. 3. Thalia

ASSOCIATIONS: Edward B. Gowland was a London based pianoforte maker; see also advertisement on back cover for Banks as "sole agent & importer" for J. & J. Hopkinson, pianoforte manufacturers, London

Bibliography and resources:

Graeme D. Rushworth, Historic organs of New South Wales: the instruments, their makers and players 1791-1940 (Sydney: Hale and Iremonger, 1988), 372, 374-75

Thomas Philip Banks, Find a grave

https://www.findagrave.com/memorial/218634573/thomas-philip-banks 

BANNISTER, Thomas (Thomas BANISTER; Thomas BANNISTER)

Amateur musician, musical amateur, baker, publican, brewer

Born Bedford, England, 1806; son of Thomas BANNISTER and Jane BITHREY
Married Sarah HUMPHREYS, St. Paul's, Bedford, England, 28 October 1828
Arrived Melbourne, VIC, 16 November 1852 (per Delgany, from London, 24 July)
Died Castlemaine, VIC, 4 September 1871, aged "65 years and seven months"

https://trove.nla.gov.au/search?l-publictag=Thomas+Bannister+1806-1871 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANNISTER-Thomas (shareable link to this entry)

BANNISTER, Matilda (Matilda Victoria BANNISTER) = Mrs. William Henry FOX; Mrs. FOX; later Mrs. Arthur Thomas HODGSON; Mrs. HODGSON

Amateur vocalist

Born Bedford, Bedfordshire, England, 4 January 1832; baptised Mill-street chapel, Bedford, 19 January 1832; daughter of Thomas BANNISTER and Sarah HUMPHREYS
Arrived Melbourne, VIC, 16 November 1852 (per Delgany, from London, 24 July)
Married (1) William Henry FOX (d. 1862), VIC, 1853
Married (2) Arthur Thomas HODGSON, Castlemaine, VIC, 12 April 1863
Died Castlemaine, VIC, 1 April 1875

https://trove.nla.gov.au/search?l-publictag=Matilda+Bannister+Fox+Hodgson+1832-1875 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANNISTER-Matilda (shareable link to this entry)

BANNISTER, Sara (Sarah BANNISTER; Sara; [1] Mrs. John GARDNER; Mrs. GARDNER; also Mrs. GARDINER; [2] Mrs. John COOPER; Mrs. COOPER)

Amateur vocalist, pianist

Born Bedford, England, c. 1838; daughter of Thomas BANNISTER and Sarah HUMPHREYS
Arrived Melbourne, VIC, 16 November 1852 (per Delgany, from London, 24 July)
Married (1) John GARDNER, VIC, 1854
Married (2) John COOPER (d. 1905), VIC, 23 March 1871
Died Castlemaine, VIC, 14 May 1899, aged "61"

https://trove.nla.gov.au/search?l-publictag=Sara+Bannister+Gardner+Cooper+c1838-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BANNISTER-Sara (shareable link to this entry)

Documentation:

Marriages, St. Paul, Bedford, 1828; England, select marriages

https://www.ancestry.com.au/discoveryui-content/view/1405104:9852 (PAYWALL)

28 October 1828 / Thomas Banister [sic] / Sarah Humphreys

"MARRIED" Huntingdon, Bedford, & Peterborough Gazette [England] (1 November 1828), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000417/18281101/016/0003 (PAYWALL)

Tuesday last, at St. Paul's church, in this town, Mr. Thomas Banister, baker, to Miss Sarah Humphries, both of that parish.

Births, Howard Chapel (Independent), Mill-street, Bedford, 1832; UK National Archives, RG4/271

https://www.ancestry.com.au/discoveryui-content/view/616737:2972 (PAYWALL)

Matilda Victoria Bannister daughter of Thomas Bannister and Sarah his Wife,
of the Parish of St. Paul, Bedford in the County of Bedford
was born on the 4th Day of January 1832 and baptized January 19th 1832 . . .

England census, 6 June 1841, St. Paul, Bedford; UK National Archives, HO107/10/8/3/14/23

https://www.ancestry.com.au/discoveryui-content/view/3840165:8978 (PAYWALL)

Tho's Bannister / 35 / Baker / [not born in county] [sic] // Sarah [Bannister] / 32 / [born in county]
Matilda [Bannister] / 9 // Sarah [Bannister] / 7 [both born in county]
Tho's / 5 // Louisa / 3 // Jane / 6 Mo [all born in county]

Names and descriptions of passengers per Delgany, from London, 24 July 1852, for Melbourne, 16 November 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=396 (DIGITISED)

. . . Banister Thomas / 41 [sic] / Labourer // Sarah / 31
Matilda / 13 [sic] // Sarah / 12 [sic] // Thomas / 9 // Louisa / 8 // Jane / 5 // Jno. Gleeson / [4 mnths.]

"THE CONCERT", The Argus [Melbourne, VIC] (2 December 1852), 5

http://nla.gov.au/nla.news-article255612775 

The following is the programme of the Concert for this evening: -
PART I. Overture - Coriolanus.
Duet - Non Piu Mesta, Miss Matilda and Miss Sarah Bannister, Lady Amateurs . . .
Concertina Solo - Grand Scena from Norma, Mr. Richardson.
Duet - Come be gay, Mrs. Testar and Mrs. Fiddes . . .
Song - Happy the maid whose heart is free, Miss Sarah Bannister . . .
PART II. Overture - Italiani in Algieri . . .
Ballad - Bonnie Dundee, Miss M. Bannister . . .
Finale - Solo, Duet, Chorus, National Anthem.

ASSOCIATIONS: Elizabeth Testar (vocalist); Harriet Fiddes (vocalist); Henry Richardson (concertina); Thursday concerts (series); Mechanics' Institution (Melbourne venue)

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (22 December 1854), 1

http://nla.gov.au/nla.news-article202632258 

PRINCE OF WALES HOTEL, CASTLEMAINE. THOMAS BANNISTER (late of Bedford, England),
begs most respectfully to inform his friends with the inhabitants of Castlemaine and district and the travelling community generally, that he has entered upon the above capacious hotel,
and trusts under personal superintendence and a strict attention to the comfort of his visitors, to merit a share of public support . . .

"THE PHILHARMONIC SOCIETY'S CONCERT", Mount Alexander Mail (26 May 1858), 2

http://nla.gov.au/nla.news-article197085924 

We heartily congratulate the members of the Castlemaine Philharmonic Society on the unequivocal success of their first subscription concert. Great expectations bad obviously been entertained, for the National School, which, when the partition is removed, is really an elegant concert room, was filled at the time fixed for the commencement of the concert, and before its close was uncomfortably crowded. The close attention and cordial applause accorded to the vocalists shewed that the expectation formed had not been disappointed, and that future appearances of the society will be heartily welcomed. That they should be is no more than the excellence of the performances demand. Ladies and gentlemen took part, Mr. Moss acting as conductor. It had been announced that Mr. Woodin would preside at the piano; but it was explained that that artist had refused to fulfil his promise, except under conditions with which the society could not comply. In these circumstances Mrs. Fox was called on, and we are sure no one regretted Mr. Woodin's contumacy. The first part consisted of secular music, and commenced, very appropriately to the occasion, with the quartette and chorus "God save the Queen." In this part of the performance, the glees, "See our oars with feathered spray," and "In the lonely vale of tears," were especially successful, and were irresistibly encored . . . The pastoral symphony which should have introduced in the second part was omitted, in consequence of Mr. Woodin's defection. Mr. Bannister sang the recitative, "Comfort ye my people," with great accuracy and true expression, but his voice has hardly volume sufficient for the size of the hall, and those in its remotest parts could not but regret they did not hear it more fully . . . There were not fewer than three or four hundred persons present, and the proceeds will enable the amateurs still further to increase their efficiency. We hope that ere long we shall hear of the second subscription concert.

ASSOCIATIONS: Frederick Moss (conductor); Frederick Woodin (pianist); Castlemaine Philharmonic Society (organisation)

[Advertisement], Mount Alexander Mail (7 January 1859), 5

http://nla.gov.au/nla.news-article199048969 

Theatre Royal. GRAND MUSICAL FESTIVAL.
ON FRIDAY, JANUARY 7th, The Opera Company will give
A GRAND SACRED CONCERT Consisting of selections from the Sublime
ORATORIOS OF THE MESSIAH, CREATION, ELIJAH, And Rossini's STABAT MATER.
To give greater effect to the Magnificent Choruses of Handel and Haydn,
MISS WILLIAMS, MRS. VINCENT, MRS. GARDNER, MRS. FOX, MISS MORGAN,
And Messrs. THORBURN, LOUGHNAN, HASLER, BUTTERWORTH,
BANNISTER, NAYLOR, MORGAN, HODGSON, DANKS, Etc., Etc.,
MEMBERS OF THE Castlemaine Philharmonic Society,
With other Ladies and Gentlemen, have kindly offered their services . . .
Musical Director - Mr. Linly Norman . . .

ASSOCIATIONS: Henry Charles Thorburn (amateur vocalist); John Darby Hasler (amateur vocalist); Arthur Thomas Hodgson (amateur vocalist); Linly Norman (musical director); English Opera Company (troupe)

"CASTLEMAINE PHILHARMONIC SOCIETY", Mount Alexander Mail (25 February 1859), 4

http://nla.gov.au/nla.news-article199050292 

Not only the musical public of Castlemaine, but all who wish to see cultivated here those arts of home, which soften and refine, have reason to be grateful to the members of this society for the occasional musical treats afforded by them . . . The concert of the Society on Wednesday Evening was really admirable, and when we bear in mind that they had not the assistance of professionals - astonishing. The performances opened with the overture from the "Caliph of Bagdad" played in the best possible style by Messrs. Hunter and Tranter, after which the ladies and gentlemen generally of the society entered when, the glees "Here in cool grot" and "Hail smiling morn" were sung with very good execution. The duet, "Albion, on thy fertile plains," by Messrs. Bannister and Tranter was very well received. The trio, "Breath soft ye winds," was sweetly rendered, and the duet, "The depths of the ocean," by Mrs. Gardiner and Mrs. Fox, received the honor of the first encore. The song, "In this old chair," by Mr. Tranter, was also encored. In the second part, the duet, "I've wandered in dreams," by Mrs. Gardiner and Mr. Bannister, seemed to receive the palm of honor. The great feature of the evening was Locke's music from Macbeth, which was most creditably rendered, reflecting the greatest honor upon the conductor, Mr. F. Moss . . .

ASSOCIATIONS: Edwin Kirk Tranter (amateur); James Hunter (amateur)

MUSIC: Albion, on thy fertile plains (Braham); I've wandered in dreams (Wade); Locke's music in Macbeth (correctly by Richard Leveridge)

"THE PHILHARMONIC SOCIETY", Mount Alexander Mail (1 October 1861), 2-3

http://nla.gov.au/nla.news-article199607028 

On Thursday evening the Philharmonic Society of Castlemaine, assisted by several members of the Sandhurst Society, gave another concert at the Theatre. The selections comprised the whole of Haydn's Third Mass, two choruses from Mendelsohns' "As the Hart pants," and the greater portion of Mozart's well-known Twelfth Mass . . . Mrs. Fox, we need hardly say, acquitted herself admirably in the contralto solos, and we regretted that they did not afford more scope for the display of a sweet and well cultivated voice. Mr. Bannister, the tenor soloist, gave the parts falling to his share with care and considerable effect. The orchestra, the largest ever collected in Castlemaine, and most efficiently led by Mr. Howson, materially contributed to the success of the concert, and evidently played con amore. Mr. Otto Linden presided at the harmonium, and showed a thorough mastery of the instrument . . . Last, but not least, we come to Mr. Frederick Moss, the originator and conductor of the Philharmonic . . .

ASSOCIATIONS: Henry Howson (violin, leader); Otto Linden (harmonium); Sandhurst Philharmonic Society (organisation)

"THE PHILHARMONIC SOCIETY", Mount Alexander Mail (10 May 1861), 5

http://nla.gov.au/nla.news-article199606173 

The annual meeting of this society was held on Wednesday evening, at the Church of England Sohoolroom, Mr. Christie in the chair. Mr. Hodgson, the Hon. Secretary, in reading the report apologised for its briefness, observing that it had been prepared in a hurry at the last moment, and did not enter so fully as he could have wished into the Society's affairs. The report stated that five concerts had been given during the past year, at which the following pieces had been performed, viz., The Creation, Imperial Mass, Selections from As the Hart Pants, The Messiah (repeated at Kyneton), and a Miscellaneous Selection, including the Bended Bow, a cantata, composed for the Society by Mrs. Fatherly, which was most favorably received. His Excellency, in reply to application, had authorized the society to use his name as patron. Since the last annual meeting, considerable additions had been made to the musical repertoire, and the Society now possessed complete score copies of the Messiah and Haydn's 1st mass, the latter not having yet been produced . . .
Tho next business was the election of officers for tho present year, and the following gentlemen were chosen, viz., President, Captain Bull; Vice-President, A. J. Landon, Esq.; Mr. Christie, Treasurer; Mr. A. T. Hodgson, Secretary; Mr. Hasler, Librarian.
Committee - Messrs. Green, Brown, Bannister, Perkins, and Heley.
Conductor, Mr. Moss. Leader, Mr. Howson.
On motion of Mr Bannister, Mrs. Fatherly, Mr. Danks, and Mr. Taylor were elected honorary members of the society . . .

ASSOCIATIONS: Charlotte Crofton Fatherley (composer); Henry Barkly (governor, patron); Samuel Taylor (master of the Castlemaine Volunteer Band)

"AMATEUR ENTERTAINMENT", Mount Alexander Mail (28 August 1866), 2

http://nla.gov.au/nla.news-article198207188 

A performance was given at the Theatre last evening by the Amateur Dramatic Society, in aid of the Brooke Memorial Fund . . . The play being concluded, the Philharmonic Society sung a piece from the pen of Mr. R. H. Horne, called "Threnodia," which is set to music, by Mr. Summers. This was followed by the "White Squall," by Mr. Huenerbein, which called forth an encore. The quintette of "The Valley," was sung by Mrs. Hodgson, Messrs. Thorburn, Hasler, Hodgson, Huenerbein, Bannister, and Green. The whole of the musical selections were loudly applauded . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor, deceased); Richard Hengist Horne (writer); Joseph Summers (composer); August Christian Huenerbein (vocalist)

"BANQUET AND PRESENTATION", Mount Alexander Mail (26 June 1867), 2

http://nla.gov.au/nla.news-article197543500 

The friends of Mr. H. C. Thorburn, who is taking his departure for Melbourne, met him last night at Beddard's hotel, and entertained him to a complimentary banquet . . . Messrs. Huenerbein, Bannister, and Hodgson aided very materially to the enjoyment of the evening by their musical efforts.

"ITEMS OF NEWS", Mount Alexander Mail (16 April 1868), 2

http://nla.gov.au/nla.news-article200525030 

We recently intimated that Rutter's Mass in D would be sung at the Church of St. Mary, Hargreave-street, at the Easter festival . . . The musical composition to which reference has been made is by a colonial author, and as such possesses much that is meritorious . . . Mrs. Hodgson undertook no light task in introducing the music here for the first time, but the confidence she naturally inspires was sufficient to bring her nearly all the local available talent. The solos were each well rendered, and the instrumental aids invaluable. In the "Kyrie" the solo was taken by Miss Ambler. The music is difficult, but it was got through in a very effective and distinct manner. Even a professional artiste would have found it no easy work, and the lady amateur gave it with compensating care. In the "Gloria" Mrs. Hodgson took the short alto solo, and Mr. Hasler the bass. The part was given in full harmony with the spirited character of the music and the joyfulness of the occasion, whioh finds utterance in such a hymn of praise. In the "Suscepi," Mrs. Gardiner, Miss Ambler, and Mr. Hasler took the solos. That by Mrs. Gardiner was especially creditably sung. Her voice told well. In this class of music she is an acqnisition which should be often availed of. In the "Credo" she went successfully through the long solo, "Et Incarnatus." It is a tenor part, but there was no alternative but to impose Mrs. Gardiner with the burden of it. In the "Agnus Dei" the full strength of the choir was harmoniously shown. In addition to those named, Mrs. Larkin, Miss Smith, Mr. Danks (who kindly came up from Melbourne to assist), Mr. Hodgson, and Mr. Bannister gave their aid. The instrumentalists were Messrs. Howson (leader), J. Hunter (second violin), Mr. T. L. Brown (violoncello), Mr. Huenerbein (viola), with Mrs. Hodgson (organist). Most of the performers were members of the old Philharmonic Society . . .

ASSOCIATIONS: George Oswald Rutter (composer); James Hunter (violin); Thomas Lawrence Brown (cello)

"THE CHORAL SOCIETY'S SECOND CONCERT", Mount Alexander Mail (19 August 1868), 2

http://nla.gov.au/nla.news-article200521571 

Last evening the Castlemaine Choral Society gave their second concert in the hall of the Mechanics' Institute. There was a good attendance of the public, considering the numerous attractions of the last week or two. The well-known excellence of Haydn's First Mass in B flat, which was selected for the occasion as the first part of the entertainment could not, however, do other than go far to secure a pleasing success to the Society's efforts . . . We were glad last evening to welcome back Mrs. Gardiner in her first appearance in connection with the Society. It brings her into a role which is well suited for her. Mr[s]. Hodgson presided at the harmonium, and her execution was so good that really we cannot see the necessity of importing talent when equality is to be got at home.
The orchestra last evening was led last evening by Mr. Howson in his usual brilliant manner, and he was well assisted by Mr. J. Hunter (second violin), Mr. T. L. Brown (violoncello), Mr. Goode (double-bass), Mr. Megson (flute), Mr. J. Murphy (cornet).
The vocal parts were sustained by - trebles, Mrs. Gardiner, Misses Froomes, Nall, Williams, Bourne, and Crowley, and several others whose names we could not obtain; altos, Miss Ambler, Miss Binns, and the Masters Huenerbein and Lindsay; - tenors, Messrs. Bannister, Hodgson, Healey, Green, and Lewis; bass, Messrs. Hasler, Cock, Ewing, Stead, Carter, Tonkis, and Newton. Mr. Huenerbein conducted . . .

ASSOCIATIONS: Castlemaine Choral Society (organisation)

"ITEMS OF NEWS", Mount Alexander Mail (18 September 1868), 2

http://nla.gov.au/nla.news-article200524207 

By a singular perversity, the weekly reunions at the Mechanics' Institute begin to revive, and to become more animated and vigorous as the period of dissolution approaches . . . There were the special attractions of Mesdames Hodgson and Gardiner, beside the current speculations as to the fate of "The Bells," attempted by an amateur. Of course the music was superior, and the cultivated instrumentation of Mrs. Hodgson, with her delicate touch, was exceedingly pleasing. Mesdames Hodgson and Gardiner were well supported in the glees by Messrs. Hodgson, Bannister, Hasler, and Cook . . .

"THE HOWSON CONCERT", Mount Alexander Mail (28 October 1868), 2

http://nla.gov.au/nla.news-article200523818 

Writing in anticipation of the arrival of the English news, and crowded with other reports, we fear justice cannot be done by us to the best amateur concert which has yet been given in Castlemaine as that of last evening, given for the benefit of Mr. and Miss Howson, certainly was, and the large audience warmly testified their appreciation of the excellence of the programme. Mrs. Hodgson and Mrs. Gardner were in capital voice; the former never pleased us more than in "Sweet Spirit hear my prayer," and the hearty encore was a just tribute to the singer. Mrs. Gardner sung with equal feeling "Should he upbraid" . . . Desiring to place on repord the names of those who contributed to so great a musical treat, we give them as follows: - Vocalists: Mesdames Hodgson and Gardiner, Misses Howson, Crowley, Bourne, Froomes, and Binns; Dr. Mackenzie, Messrs. Firman, Carty, P. Hunter, J. J. Cooke, Hasler, Ewing, Green, Bannister, Hodgson, Heley, and Lloyd . . . Pianists, Mrs. Hodgson and Miss Howson; leader, Mr. Howson.

ASSOCIATIONS: Ida Howson (musician, Henry Howson's daughter)

"ITEMS OF NEWS", Mount Alexander Mail (11 March 1870), 2

http://nla.gov.au/nla.news-article198851442 

The programme for the entertainment to take place at the Five Flags, Campbell's Creek, on Monday next, contains the names of Mesdames Hodgson and Gardner, Messrs. Hodgson, Hasler, Huenerbein, Bannister, Weippert . . .

ASSOCIATIONS: Albert Francis Weippert (musician)

"MUCKLEFORD [FROM OUR OWN CORRESPONDENT]", Mount Alexander Mail (16 December 1870), 2

http://nla.gov.au/nla.news-article198993491 

A tea meeting in aid of the Muckleford School took place in the School-room on Tuesday evening last . . . After the good things had been disposed of a concert was given, in which Mrs. Hodgson took a prominent part, presiding at the harmonium, and singing in excellent style several of her well selected songs, which elicited very warm applause . . . The singing of Messrs. Bannister and Williamson made a favourable impression on the audience . . .

"MARRIAGE", The Argus [Melbourne, VIC] (24 March 1871), 4

http://nla.gov.au/nla.news-article5844893 

COOPER - BANNISTER. - On the 23rd inst., by the Rev. A. Robertson, John, second son of the late Mr. James Cooper, Glasgow, Scotland, to Sara, second daughter of Mr. Thomas Bannister, late of Bedford.

ASSOCIATIONS: John Cooper (d. 1905) was the widower of Sara's younger sister, Louisa;
see "DEATH", Mount Alexander Mail (10 September 1869), 2

http://nla.gov.au/nla.news-article197315452 

COOPER. - At 5 o'clock on the morning of the 9th inst., Louisa, the beloved wife of John Cooper, and youngest daughter of Mr. Thomas Bannister. Aged 30 years.

"DEATHS", The Age [Melbourne, VIC] (5 September 1871), 2

http://nla.gov.au/nla.news-article203008836 

BANNISTER - On the 4th September, at his residence, Bedford Hotel, Castlemaine, Mr. Thomas Bannister, late of Bedford, England, aged sixty-five years and seven months.

"NEWS AND NOTES", The Ballarat Star [VIC] (6 September 1871), 2

http://nla.gov.au/nla.news-article197565671 

MR. THOMAS BANNISTER, senior, hotelkeeper at Castlemaine, formerly a member of the local borough council, and a promoter of the local agricultural society and of local musical societies, died on 4th September, in the 65th year of his age. He was formerly of Bedford, England.

Will and probate, Thomas Bannister, innkeeper, Castlemaine; Public Record Office Victoria

https://prov.vic.gov.au/archive/05412583-F538-11E9-AE98-D795E21DB55C?image=1 (DIGITISED - Will)

https://prov.vic.gov.au/archive/2AE51795-F1CC-11E9-AE98-CF66996B0653?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/86E1D2F5-F1E2-11E9-AE98-C9EC33BBC4BE?image=1 (DIGITISED)

ASSOCIATIONS: Beside his widow, the other legatees were his two grandaughters, Amy O'Hea (Mrs. Anthony Nodin) and Jane O'Hea, both of whom were also members of the choir at St. Mary's church, Castlemaine, under their aunt Hodgson

"ITEMS OF NEWS", Mount Alexander Mail (8 September 1888), 2

http://nla.gov.au/nla.news-article198505273 

Two of the oldest publicans in Castlemaine are retiring from business in order that they may enjoy the repose they are so well entitled to. Mrs. Bannister, of the Bedford Hotel, had for more than a couple of years to depute the charge of the business to Mrs. Cooper, who leaves the house with her mother. The successor is Mr. Young, who leaves the Crown Hotel, that is to be occupied by Mr. Stephens, from Taradale. Mr. Norval Edwards, of the Mount Alexander Hotel, also retires to enjoy the fruits of his labour . . .

"ITEMS OF NEWS", Mount Alexander Mail (23 July 1890), 2

http://nla.gov.au/nla.news-article199628143 

The funeral of Mrs Bannister, who died on Monday evening, at the advanced age of 83 years takes place to-day. She and her husband came to Castlemaine 38 years ago, and took up their abode near to where the Bedford Hotel was built by her husband. Very few are now alive in the town to recall those early days when her dwelling was a favourite resort of the privileged for spending an evening that brought back to them home recollections. Mr. Bannister was a musical enthusiast, and his accomplished daughters had charming voices, and were excellent performers on the piano, so it can be judged what a treat it was to pass an evening in their society. Only one of them, Mrs. Cooper, is alive, and it is many years ago since Mr. Bannister, the genial, friendly old gentleman, breathed his last. Mrs. Bannister, who was a great grandmother, and seen so many changes in her family relations and in the town, which had not one brick upon another when she arrived might even have seen longer days had she not accidentally fallen into the cellar, at the Bedford Hotel. She never recovered from the shock she then sustained, and has for the last two years been an invalid, confined to her bedroom. All the kindest attention and comfort that could be bestowed upon her throughout her long illness were administered by Mr. and Mrs. Cooper, and her family. The end, however, came, and the old lady departed painlessly away from the world in which her kindly nature took such an interest, as also it did in the large circle of friends, by whom in the days of her activity she was surrounded. Very few ladies were so conciliatory in address and manners, and, while she united many in friendship, she is not known to have made an enemy. Many will regret at hearing of this other link in the chain of the past being severed.

"DEATHS", The Argus [Melbourne, VIC] (16 May 1899), 1

http://nla.gov.au/nla.news-article9506521 

COOPER. - On Sunday, the 14th May, at 11 p.m., Sara, beloved wife of John Cooper, Castlemaine. Deeply regretted.

"Death of a Very Old Resident", Mount Alexander Mail (16 May 1899), 2

http://nla.gov.au/nla.news-article201364443 

In the death of Mrs. John Cooper, notified in our yesterday's issue, one of the few remaining links connecting the old Forest Creek days with the present time has been severed. Mr. and Mrs. Thomas Bannister (the parents of Mrs. Cooper), with a young family of two boys and three girls, first camped, in 1852, on Adelaide Hill, Forest Creek, subsequently removing to the then newly-formed township of Castlemaine, on what is now known as Circular Road. The trials and hardships then undergone by the early pioneers, whose English up-bringing was so different, can hardly be understood by the present generation. Mrs. Cooper's family were talented amateur musicians. In the palmy days of the old Philharmonic Society Mr. Bannister and his two gifted daughters (contralto and soprano) were indispensable adjuncts. Mrs. Cooper's full soprano voice in all the chief solo parts of the oratorios and masses of the old masters in composition was eagerly waited for, and listened to in the periodical concerts of the Society. Her social duties as a mother and the tender care with which three generations of young people were brought up and launched into the stream of life reflects the brightest lustre on her possible, as a loving woman, only understood by those more intimately associated with her. The funeral - strictly private - takes place this morning.

BARAK, William (BERUK; William BARAK)

Singer, songman, Wurundjeri elder, artist

Born Brushy Creek, NSW (VIC) March 1823 (? 1824)
Died 15 August 1903

http://nla.gov.au/nla.party-1308870 (NLA persistent identifier)

https://en.wikipedia.org/wiki/William_Barak (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARAK-William (shareable link to this entry)

Sources:

See main entry on music and text of 3 songs sung by Barak:

https://sydney.edu.au/paradisec/australharmony/checklist-indigenous-music-1.php#025 

A. W. Howitt, "Notes on songs and songmakers of some Australian tribes", Journal of the Anthropological Institute of Great Britain and Ireland 16 (1887), 332-33

https://archive.org/stream/journalofroyalan16royauoft#page/332/mode/2up (DIGITISED)

G. W. Torrance, "Music of the Australian Aboriginals", The Journal of the Anthropological Institute of Great Britain and Ireland 16 (1887), 337

https://archive.org/stream/journalofroyalan16royauoft#page/337/mode/2up (DIGITISED)

A. W. Howitt, The native tribes of south-east Australia (London: Macmillan and Co., 1904), 420-22

https://archive.org/stream/nativetribesofso00howiuoft#page/420/mode/2up (DIGITISED)

William Barak, Corroboree, c. 1885; National Gallery of Australia

http://artsearch.nga.gov.au/Detail.cfm?IRN=104077 (DIGITISED)

BARBER, Michael (Michael BARBER; M. BARBER)

Amateur actor, dancer, soldier, 4th Regiment

Arrived Sydney, NSW, 21 April 1832 (guard per Gilmore, from London via Hobart Town)
Departed Sydney, NSW, 9 August 1837 (per John, for India)

https://trove.nla.gov.au/search?l-publictag=Michael+Barber+4th+Regiment (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARBER-Michael (shareable link to this entry)

Documentation:

Pay-list of the 4th or King's Own Regiment of foot from 1 April to 30 September 1832; Australian Joint Copying Project, from UK National Archives, WO12/2214

https://nla.gov.au/nla.obj-1642542406 (DIGITISED)

Privates . . . 920 / Barber, Mich'l / [per] Convict ship Gilmore . . .

Pay-list of the 4th or King's Own Regiment of foot from 1 April to 30 June 1833; Australian Joint Copying Project, from UK National Archives, WO12/2214

https://nla.gov.au/nla.obj-1642470211 (DIGITISED)

Privates . . . 920 / Barber, Mich'l / Newcastle . . .

Pay-list of the 4th or King's Own Regiment of foot from 1 April to 30 June 1834; Australian Joint Copying Project, UK National Archives, WO12/2216

https://nla.gov.au/nla.obj-1642402222 (DIGITISED)

Privates . . . 920 / Barber, Mich'l / Norfolk Island . . .

NOTE: Barber was still at Norfolk Island in the first part of 1836, and only recently arrived in Sydney in July, as see below:

[Advertisement], The Sydney Herald (14 July 1836), 1

http://nla.gov.au/nla.news-article12854719 

THEATRE ROYAL. UNDER THE PATRONAGE OF HIS EXCELLENCY THE GOVERNOR.
FOR THE BENEFIT OF THE SCHOOL OF INDUSTRY, ON FRIDAY EVENING, the 15th July, 1836,
His Majesty's Servants of the Fourth, The King's Own Regiment, will perform, for the amusement of the Public, the romantic Melo-Drama of
BAMFYLDE MOORE CAREW; OR, THE GIPSY OF THE GLEN . . . Old Martin - Michael Barber . . .
Overture - GUY MANNERING, in character, by the full Band.
AFTER WHICH, A COMIC DANCE BY M. BARBER . . .
The Band of the King's Own will compose the Orchestra on this occasion, under the Management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

ASSOCIATIONS: Garrison theatricals (general); Band of the 4th Regiment (military); Barber was not a bandsman, but was clearly associated with the band and band master, George Coleman, in the latter's capactiy as organiser of the theatrical performances; Theatre Royal (Sydney venue)

"THE THEATRE", The Australian (19 July 1836), 2

http://nla.gov.au/nla.news-article36854192 

On Friday evening the band of the 4th Regiment performed at the Theatre Royal, for the benefit of the School of Industry. His Excellency, suite, and family, with a vast concourse of the most respectable inhabitants, were present. Bedsides the melodrama of Bamfylde More Carew and the farce of the Mock Doctor, there were several capital glees and other songs, and a most laughable dance. The latter was the most amusing thing ever witnessed in this Colony, and called forth thunders of applause. The dancer wore a doubles costume, one side being a male, and the other a female figure, and the absurd effect of the sudden transition from one form to the other, in the course of his dance, was ludicrous in the extreme. Bamfylde More Carew was got up excellently; and, considering the circumstances of the performers, was played surprisingly well . . .

Playbill, Theatre Royal, Sydney, 21 October 1836; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/93QVXBW1/vvr52yx36koZ0 (DIGITISED)

Under the distinguished Patronage OF His Excellency the Governor,
HIS MAJESTY'S SERVANTS OF THE KING'S OWN REGIMENT, WILL PERFORM, For the Benefit of the Sydney Dispensary,
AND FOR THE AMUSEMENT OF THE PUBLIC, ON FRIDAY EVENING, the 21st of October, 1836, Dibdin's celebrated Comedy of
THREE WEEKS AFTER MARRIAGE, When, by particular desire, the performance will open with Balff's [sic, Balfe's] Grand Chorus of "Vive le Roi," in Character . . .
Comic Dance, by M. Barber . . .
Overture, in character, by the full Band.
MARKET CHORUS, FROM MASSANIELLO, IN CHARACTER . . .
Finale - "HAIL, ALL HAIL, OUR PATRIOT KING," By the whole Company.
The Band of the King's Own Regiment will compose the Orchestra on this occasion, under the management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (9 May 1837), 1

http://nla.gov.au/nla.news-article2210810 

Theatre Royal Sydney. UNDER THE PATRONAGE OF HIS EXCELLENCY THE GOVERNOR.
ON TUESDAY EVENING, 9th May, 1837, His Majesty s Servants of the 4th (the King's Own) Regiment, will perform the Romantic Melo Drama of Bampfylde Moore Carew;
When, by particular desire, the Performances will open with Overture "CALIPH DE BAGDAD" . . .
A COMIC DANCE, BY M. BARBER . . .
The whole to to conclude with the very laughable Farce of THE MOCK DOCTOR . . .
The Band of the King's Own will compose the Orchestra on this occasion, under the management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

BARDINI, Signor (Signor BARDINI; M. BARDINI; Monsieur BARDINI; ? pseudonym)

Baritone vocalist

Active Melbourne, VIC, 1856

https://trove.nla.gov.au/search?l-publictag=Signor+Bardini+c1856 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARDINI-Signor (shareable link to this entry)

Documentation:

[Advertisement], The Argus [Melbourne, VIC] (1 January 1856), 8

http://nla.gov.au/nla.news-article4827073 

NEW YEAR'S DAY. - Great Attraction.
National Hotel, Bourke-street. Admission Free.
Grand Concert every evening, supported by the following talented and favorite artistes: -
Mrs. Davis Butler
Madame Florini
Mr. E. J. Piper
Mr. H. J. Lindsay
Signor Bardini, and
Mr. James Macdonald.
Conductor, Mr. Lindsay.
Musical director and pianist, Mr. Piper.

ASSOCIATIONS: Emily Fitzgerald Davis Butler (vocalist); Edward John Piper (pianist); Henry James Lindsay (vocalist); James McDonald (vocalist); National Hotel (Melbourne venue)

[Advertisement], The Argus (11 January 1856), 8

http://nla.gov.au/nla.news-article4827990 

NATIONAL HOTEL. - Mrs. Butler, the much-admired soprano, and Signor Bardini, the celebrated baritone, every night.

[Advertisement], The Argus (11 March 1856), 8

http://nla.gov.au/nla.news-article4832765 

NATIONAL MUSIC HALL, Bourke street.
Grand Concert Every Evening in the above well-known and splendid Saloon.
The following artistes will appear: - Miss Fitzgerald and Messrs. Bardini, Macdonald, Morgan, and Cassidy:
Pianist, Mr. Piper. Proprietor, Mr. Hutchinson.

ASSOCIATIONS: Janes W. Cassidy (vocalist); J. W. Morgan (vocalist); William Hutchinson (proprietor)

[Advertisement], The Argus (5 April 1856), 8

http://nla.gov.au/nla.news-article4834753 

NATIONAL HOTEL MUSIC HALL, Bourke-street.
Every Evening a choice selection of Sentimental and Comic Songs and Duets, also Glees Madrigals, &c.,
being for talent and variety the best entertainment in the colonies.
Mrs. Vincent, who appears nightly in the celebrated comic duets with
Mr. Youle, also comic and sentimental songs by the same
M. Bardini, the admired baritone
Mr. J. W. Cassidy the inimitable seriocomic and buffo vocalist
Mr. J. McDonnald, the renowned Scottish ballad singer
And Mr. J. K. VINCENT, Music Director and Pianist.
Admission Free.

ASSOCIATIONS: John Rimmer Vincent (musician) and wife; Joseph Youle (vocalist)

[Advertisement], The Argus (8 August 1856), 8

http://nla.gov.au/nla.news-article7134491 

NATIONAL MUSIC HALL, BOURKE-STREET, EAST. Immense Attraction!
The best Entertainment, and the most talented Company in Melbourne.
The following Artists will appear Nightly:
MADAME BUTLER. (The talented Soprano.)
MRS. G. WILLIAMSON. (The celebrated comic vocalist.)
MR. G. WILLIAMSON. (Who is acknowledged the most talented comic vocalist in the colony.)
M. BARDINI. (The admired baritone.)
HERR VEIT RAHM. (The celebrated Tyrolese minstrel.)
Pianoforte - Mr. E. J. PIPER.
Proprietor - W. HUTCHINSON.
Admission Free.

ASSOCIATIONS: George and Caroline Williamson (vocalists, comedians); Veit Rahm (vocalist, zither)

[Advertisement], The Age (13 June 1856), 1

http://nla.gov.au/nla.news-article154860088 

NATIONAL HOTEL CONCERT HALL. - Proprietor, William Hutchinson.
The best entertainment in the colony, supported by the following celebrated artistes: -
Mrs. Vincent, Mr. Bardini, Mr. McDonald, Mr. Youle, Mr. Taylor, and Mr. Rignald [sic].
Mr. J. R. Vincent, Pianist. Admission Free.

ASSOCIATIONS: John Taylor (vocalist); Charles Henry Rignold (vocalist)

? [Advertisement], Daily Alta California [San Francisco, CA, USA] (7 February 1857), 1

https://cdnc.ucr.edu/?a=d&d=DAC18570207.2.8.7 

METROPOLITAN THEATRE. French Company . . .
LA CRACOVEIENNE - by - LA PETITE CERITO.
PROF. RISLEY and SONS, in their Classical Poses.
LA POLKA CERRITO - Composed for her by Signor Bardini . . .

ASSOCIATIONS: Richard Risley Carlisle (performer)

BARING, Miss (Miss BARING)

Vocalist

Active Sydney, NSW, November 1854

https://trove.nla.gov.au/search?l-publictag=Miss+Baring+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARING-Miss (shareable link to this entry)

Documentation:

"HERR KRUSE'S BAND AT THE ROYAL HOTEL PROMENADE", The Sydney Morning Herald (8 November 1854), 8

http://nla.gov.au/nla.news-article12959267 

The promenade in the saloon of the Royal Hotel is well worth a visit from the lovers of good music and of song. The band is well organised, and very ably conducted. Last night Mr. Fairchild was deservedly encored in his song called "Madeline" [sic. Madoline] A similar favour was bestowed upon Mr. Hancock, for the refined and beautiful manner in which he sang "The Golden Calf," composed by Glover. Mr. Hancock and Miss Baring sang with great approbation the beautiful duet, "What are the wild waves saying?"

ASSOCIATIONS: Herman Kruse (musician); Joseph Fairchild senior (vocalist, manager); Edward Hancock (vocalist); Royal Hotel (Sydney venue)

MUSIC: What are the wild waves saying (Stephen Glover)

[Advertisement], Empire (8 November 1854), 1

http://nla.gov.au/nla.news-article60199744 

MUSIC, MUSIC, MUSIC. BAZAAR, ROYAL HOTEL.
PROMENADE CONCERTS (a la Jullien) EVERY EVENING. Admission, one shilling.
The best Band in the colony, from the Royal Gardens, Vauxhall, London. Conductor, Herr Kruse,
who will perform the most popular music, consisting of overtures, polkas waltzes, gallops, &c., &c.
Principal vocalists, Miss Flora Harris, Miss Baring, Mr. Hancock, and Mr. J. Fairchild.
Pianist, Mr. Emanuel; and for this evening (Wednesday,) Mr. Brennie,
the prince of Ethiopian serenaders, of whose drollery and song, no description can adequately be conveyed.
PROGRAMME FOR WEDNESDAY, NOVEMBER 8.
Song - Mr. Hancock, A National Song, "Hurrah for the Red and the Blue" - Cook.
Song - Miss Baring, "Lirline" - G. H. Rodwell.
Song - Mr. J. Fairchild, "When other Lips" - Balfe.
Duet - Miss Baring and Mr. Hancock, " What are the wild waves saying."
Ethiopian Song - Mr. Brennie, with Banjo accompaniment, "De Gal wid de blue dress on."
Part II.
Song - Mr. J. Fairchild, "Tom Dowling" - Dibdin.
Song - Miss Baring, "Merry Fairies" - Panoftha [Panofka]
Song - Mr. Hancock, "The Golden Calf" - Glover.
Ethiopian Song - Mr. Brennie, "Old Tar Riner."
To conclude with Solo on the Banjo, "Old Virginny Bells."
Doors open at half-past 7, commence at 8.
Admission to promenade, one shilling; Reserved Seats, 2s. 6d.

ASSOCIATIONS: Flora Harris (vocalist); Abraham Emanuel (piano); J. W. Brenni (vocalist, banjo); the program repeated, but without Brenni, on 13 November

[Advertisement], Empire (9 November 1854), 8

http://nla.gov.au/nla.news-article60199778 

BAZAAR, ROYAL HOTEL.
Programme for THURSDAY, November 9.
PART I.
Glee, "Hail, smiling Morn."
Song, Mr. J. Fairchild, "The Blood hound" - Neukomm.
Song, Miss Baring, "The Haunted Stream" - Barker.
Song, Mr. Hancock, "The Golden Calf" - Glover.
Song, Miss Flora Harris, "The Wishing Gate" - Sporl.
Duet, Miss Flora Harris and Mr. Hancock.
PART II.
Song, Miss Baring, "Be watchful and beware" - Glover.
New Australian Song, Mr. J. Fairchild, "By Murray's banks" - S. H. Marsh.
Song, Miss Flora Harris, "Hearts and Homes."
Song, Mr. Hancock, "Rage, thou angry Storm" - Benedict.
Wanted, Vocalists: apply to J. Fairchild.

MUSIC: The haunted stream (Barker); Be watchful and beware (Glover)

[Advertisement], The Sydney Morning Herald (10 November 1854), 1

http://nla.gov.au/nla.news-article12962081 

BAZAAR, Royal Hotel. - EVERY EVENING. - PROMENADE CONCERTS, (a la Jullien.) . . .
PROGRAMME. - FRIDAY, November 10 . . . [as for 9 November above] . . .

BARKER, Caroline (Carline WEEKS; Mrs. William BARKER; Mrs. BARKER)

Amateur musician, vocalist, choir singer, school teacher

Born Stanton Wick, Somerset, England, 1830; baptised Stanton Drew, 22 August 1830; daughter of William WEEKS (1799-1844) and Maria WOOLCOTT (c. 1800-1844)
Married William BARKER (1824-1877), St. Mary, Cheltenham, England, 10 May 1851
Arrived Melbourne, VIC, 14 July 1854 (per Red Jacket, from Liverpool, 4 May, aged "24")
Died Bendigo, VIC, 9 November 1903, aged "73"

https://trove.nla.gov.au/search?l-publictag=Caroline+Weeks+Barker+1830-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKER-Caroline-Weeks (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of Stanton Drew in the county of Somerset in the year 1830; register 1813-78, page 52; Somerset Heritage Service, D\P\sta.d/2/1/5

https://www.ancestry.com.au/imageviewer/collections/60857/images/englb030d_d-p-sta-d-2-1-5_m_00052?pId=703146 (PAYWALL)

No. 413 / [1830] August 22nd / Caroline daughter of / William and Maria / Weeks / Stanton Wick / Servant . . .

1851, marriage solemnized in the parish chruch in the parish of Cheltenham in the county of Gloucester; register 1848-51, page 203; Gloucestershire Archives, P78/1 in 1/36

https://www.ancestry.com.au/imageviewer/collections/5156/images/41511_636672_1469-00212?pId=2965437 (PAYWALL)

No. 405 / May 10th 1851 / William Barker / Full age / Bachelor / Carpenter / 16 Gloucester Place / [son of] William Barker / Innkeeper
Caroline Weeks / Full age / Spinster / - / 4 Selkirk Street / William Weeks / Innkeeper . . .

Names and descriptions of passengers per Red Jacket, from Liverpool, 4 May 1854, for Melbourne, 14 July 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF59D6E-F96C-11E9-AE98-F7100529A261?image=118 (DIGITISED)

. . . Wm. Barker / 30 / Joiner // Caroline [Barker] / 24 //
Ellen Barker / 5 [sic] // William / 2 // Charles / Inf. . . .

"ORIGINAL CORRESPONDENCE. TO THE CONGREGATION OF ALL SAINTS' CHURCH SANDHURST (Per favor of the Editor of the . . . )", Bendigo Advertiser (13 July 1859), 3

http://nla.gov.au/nla.news-article87990533 

Ladies and Gentlemen, - After the departure of the late incumbent, Mr. Brennan, an account was handed into the trustees of the church by William Barker, a carpenter, who had been employed by the first-named gentleman for various purposes upon the buildings of the Church, Parsonage and Schoolhouse. Mr. Brennan's charge of the parish ceased upon the 31st December, 1857.
At the meeting of trustees upon the 8th February, 1858, the account referred to for outbuildings at the parsonage was not passed; it was deferred. Upon the 24th February, 1858, another meeting took place, at which four out of five of your trustees were present. The Lord Bishop of the diocese was also present. The account was brought under consideration, and it was unanimously agreed that the account "could not be passed." Upon the 5th of April another meeting was held, at which the account was again under consideration, when it was agreed that the "account could not be passed," the trustees entering upon the minutes an expression of opinion, that when the funds permitted the account might be paid ex gratia, or words to that effect, and with that intention, were used. On the 10th of May, 1858, the church committee, composed of the trustees and five of your members, declined to deal with the account which had again been sent in for payment.
Since that time the account has been often before the committee, but it has never been passed, and dishonorable devices have been adopted by Barker and his friends to compel your trustees to pay this account, which I have no hesitation in characterising as a most unjust claim, and the attempted enforcement of its payment a piece of the most impudent colonial bounce which I have met with.
The last device by which it was attempted to extort the money from your trustees was by the stoppage of the music during the service on Sunday last. Your trustees in their simplicity had entrusted this portion of the service to volunteers, under the leadership of Mrs. Barker. Advantage was taken of this circumstance, and the influence thus acquired by the Barkers was employed to poison the minds of the choir (Mr. Trant excepted), so that last Sunday morning the organist (who is paid for his services) was the only individual who made his appearance.
The disgraceful and unpardonable part of this proceeding consists in the fact that, although the persons (I wish I could use the terms ladies and gentlemen) composing the choir concocted their scheme some days before Sunday, they kept the little paltry trick which they intended to play you secret, your trustees had therefore no opportunity afforded them of providing for the emergency. There was not one spark - not one - of honorable feeling, or reverence for the solemn services in which they had been wont to assist, among the whole set. They knew the annoyance that you would feel by the omission of that portion of the service devoted to praise, but not a note of warning was given. You are certainly much indebted to them, particularly to their leader and her husband for their courteous conduct. The service, as you know, was disarranged, everybody rendered uncomfortable and annoyed, and the Barkers and their friends gained their point and were pleased.
Mrs. Barker, you are aware, is the school mistress in Sandhurst, but, though deriving her living (and that of her husband and family) from her connection with the Church, she has not scrupled to interfere with its services in the manner related. Surely her sense of propriety, if not of gratitude, might have prompted her to give the clergyman, her nearest neighbor, a hint of what was intended, and have saved you the disagreeable feeling of going through a mutilated service. She did not, however; and a further little attempt to damage the Church is about to be made by the withdrawal of her services at the bazaar. Welcome, if she and her advisers choose: the Church will outlive the loss . . . Barker and his friends wish war, and their wish may be safely gratified. They desire further to introduce dissension into the Church, and they have chosen a very opportune time . . .
I remain, Ladies and Gentlemen, Yours obediently, WM. BANNERMAN. 12th July, 1850.

ASSOCIATIONS: Thomas Barwick (organist); Music in Anglican churches (general)

"THE SERVICES AT ALL SAINTS' CHURCH, SANDHURST", The Star [Ballarat, VIC] (21 July 1859), 3

http://nla.gov.au/nla.news-article66054226 

The Mercury of Monday [18 July] has the following: - The late unfortunate dispute about Mr. Barker's account, gave rise to some very disgraceful proceedings in this church yesterday, both at morning and evening service. It appears that being requested by the two trustees and a portion of the committee to resume their services, the choristers yesterday morning [17 July] proceeded to take their usual places round the Harmonium. One gentleman, Mr. Charles Bridges, took his seat, when Mr. Bannerman, one of the trustees, came up and ordered him to leave the choir, but he positively refused to do so. Thereupon Mr. Bannerman left him, and in conjunction with Mr. Maer, another of the trustees, lately elected, took up positions at the foot of the stairs leading to the choir, and each of them placing a foot on the stair, effectually barred the entrance of any more of the old choristers. Mrs. Barker, Miss Collier, Miss Lee, and Messrs. Watson, Newton, Clapham, Hopkins, and Fly, had in turn to submit to this gross insult. Mr. Birch, one of the church committee, stationing himself at the top of the steps. Mr. Watson attempted to pass up, when Mr. Bannerman called two police constables and gave him into custody. The constables laid their bands on his collar, when he remarked, rather than create a scene, he would withdraw from the church altogether, and put on his hat and left the building. They then admitted certain other parties into the choir, and the services of the church were allowed to go on without interruption. In the evening, and before the commencement of evening service, the old choristers had resumed their places in the choir, when the Rev. J. Stone sent a message to Mr. Barwick, the organist, informing him there would be no singing during the evening service, and therefore there was no need for his attendance. A message was also sent from the same gentleman to Mr. Devine, one of the trustees, giving him the same information. On Mr. Barwick's arrival, and the contents of Mr. Stone's letter being made known, he was requested by Messrs. Devine and Wollaston, trustees, and some of the Church Committee, to take his seat and go through the church services as usual. Accordingly the choral portion of the service was gone through as usual, but, at the conclusion of evening prayer, the Rev. Mr Stone omitted the singing, and at once proceeded from the reading desk to the pulpit and commenced his sermon. About twenty of the congregation here rose and left the church. At the conclusion of the service, when the offertory was taken, we observed a great number of the congregation abstain from giving. No hymn was sung, and the congregation had again to put up with a mutilated service.
[We understand a requisition is being rapidly signed, calling on the trustees and committee to call a public meeting of the congregation during the ensuing week.]

ASSOCIATIONS: Charles Bridges (vocalist); Mr. Hopkins (vocalist); Newton Clapham (vocalist); John Fly (vocalist)

"ABOUT PEOPLE", The Bendigo Independent (10 November 1903), 2

http://nla.gov.au/nla.news-article223408692 

Another of the pioneers of Bendigo passed away yesterday in the person of Mrs. Barker, relict of the late Mr. William Barker, who until his death in 1877 was one of the leading legal managers of Bendigo. The deceased lady was a native of Cheltenham, Gloucestershire, and was born in 1830, and was consequently at the time of her death 73 years of age. In company with her husband she arrived in Melbourne in 1854, and came to Bendigo in 1856. At the time of her arrival in Bendigo and until the year 1872 schools were conducted by the various denominations. Having received a good education Mrs. Barker was appointed head teacher of All Saints' Church of England girls' school, which position she occupied until the State took over the education of the children. During the time the deceased lady was in charge of All Saints' a large number of scholars were trained by her, many of whom are now well up in years, and are scattered far and wide. For some time past Mrs. Barker has not en joyed good health, and the cause of death was general breaking up of the system . . .

Will and probate, Caroline Barker, died 9 November 1903; Public Record Office Victoria

https://prov.vic.gov.au/archive/5529660C-F53C-11E9-AE98-735395F93DB3?image=1 (DIGITISED - including will)

https://prov.vic.gov.au/archive/6ED14983-F1CD-11E9-AE98-09D0771EA528?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/67BB85AB-F1E8-11E9-AE98-9D111EA56A35?image=1 (DIGITISED)

"BENDIGO CHURCH CHOIRS (To the Editor of the . . .)", Bendigo Advertiser (30 November 1908), 7

http://nla.gov.au/nla.news-article89423309 

Sir, - The reminiscences of All Saints' choir by "Musicus" sets a string of joyous memories vibrating. There are a few names I think should not go unmentioned when referring to the old choir of All Saints'. "Tom" Barwick, the organist in my time, takes first place in my memory. Then Miss Lee, Miss Haynes, Miss Robson, Miss Steane, Mrs. Beetham, and the dear, lovable Mrs. Barker, so long the head lady teacher of All Saints' day school; Messrs. Peel, Myall, "Charlie" Bridges, and Mr. Deague (whose grandson, by the way, has just finished building the new bank in View Point), and Mr. I. Dyason, who is still with us (and long may he be numbered with Bendigonians) . . .
Yours, etc., JOHN W. FAUL. 28th November, 1908.

ASSOCIATIONS: John William Faul (correspondent); Theophilus Miell (amateur vocalist); Charles Isaac Bridges (amateur vocalist); Henry Deague (amateur vocalist); Isaac Edward Dyason (amateur vocalist)

"BENDIGO CHURCH CHOIRS (To the Editor of the . . .)", Bendigo Advertiser (2 December 1908), 3

http://nla.gov.au/nla.news-article89423553 

Sir, After reading Mr. Faul's letter re All Saints' Choir in Monday's issue, I beg to state that I can go back further. Several of the persons I shall name later on sat under the Rev. Mr. Gregory, when he held the church services in the tent, and also under the Rev. James Brennan, the short time he preached in a tent during the time the new schoolroom was building. The latter-named gentleman, whilst holding service one Sunday, inquired if there were any young people in the congregation who had belonged to church choirs, and if so, would they like to form a choir and sing in the new building when finished. In the event of their doing so he would be glad to meet them on the following Wednesday evening. My two brothers, Charles and William, my self and a Mr. Hopkins, who, like ourselves, was gold-digging at the time, and who from boyhood sang in the choirs of our parish churches, and knew all the old chant and psalm tunes by heart, made up our minds to meet the rev. gentleman, and with several others attended and formed the choir. That was, I think, the first one constituted on Bendigo. We practised for several weeks until the schoolhouse was finished. The first members were Mrs. Barker . . . The other members were the two Misses Howson, whose father built Peckham Villa, in Forest-street, which stood where Mr. Magnus Cohn's house now stands; Mr. Pellett, a young brewer, whose place was in what is now Howard Place; Mr. Sam Trant; Charlie Bridges, a young lad with a sweet voice; Mr. Hopkins, and my two brothers, Charles and William, and myself, and I was almost forgetting Mr. Joseph Barwick, a saddler and barber in Pall Mall, and who sang alto and brother of Mr. Tom Barwick, spoken of by Mr. Faul, but who did not come out till several years after . . .
Yours, etc., JOHN FLY. Bendigo, 1st December.

BARKER, George William (George William BARKER; G. W. BARKER)

Amateur musician, vocalist, flute player

Born London, England, 5 July 1826; baptised St. Andrew's, Holborn, 30 July 1826; son of George BARKER (1803-1878) and Sarah Ann CRADDOCK (1804-1887)
Arrived Sydney, NSW, 1837
Married Eliza HUNT (1825-1890), Melbourne, VIC, 1849
Died Stanmore, NSW, 22 June 1897

https://trove.nla.gov.au/search?l-publictag=George+William+Barker+1826-1897 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKER-George-William (shareable link to this entry)

ASSOCIATIONS: Music in Wesleyan churches (subject)

George William Barker (photo: Newman, George-street, Sydney)

Documentation:

Baptisms solemnized in the parish of St. Andrew, Holborn, London . . . in the year 1826; register 1824-29, page 341; London Metropolitan Archives

https://www.ancestry.com.au/discoveryui-content/view/560056:1558 (PAYWALL)

No. 2723 / [July] 30 / George William / [son of] George [and] Sarah Ann / Barker / St. Luke's / Musical Inst. maker / Born 5 July 1826 . . .

[Advertisement], Geelong Advertiser and Intelligencer (28 February 1856), 3

http://nla.gov.au/nla.news-article91867934 

GEELONG SACRED HARMONIC SOCIETY. - Notice to the Public. -
An elementary singing class will be formed (under the auspices of the above society), on Friday evening next, the 20th instant, at 8 o'clock, in the Scotch School-room, Yarra-street, opposite the Court House.
Mr. I'erson (Conductor of the above Society), teacher.
Subscription, 5s per quarter, in advance. Ladies free.
Mr. I'erson will provide the books. All who purpose joining are requested to attend.
G. W. BARKER, Hon. Sec.

ASSOCIATIONS: Thomas William I'Erson (conductor); Geelong Sacred Harmonic Society (association)

Joseph Oram, "THE LATE MR. G. W. BARKER", The Methodist (3 July 1897), 8

http://nla.gov.au/nla.news-article155395665 

MR. BARKER was one of the oldest members of the Wesleyan Church in New South Wales. He was born in London, July 5th, 1826. At the age of 11 he came with his parents to Sydney in 1837, after a prolonged voyage of nine months. They were welcomed by his uncles, Messrs. Thomas and James Barker, who had arrived in the colony 15 years before. He was educated at Dr. Fullerton's school, Windsor; King's School, Parramatta; and the Grammar School, Sydney. At the end of his school period he entered into business at Parramatta. There he became acquainted with the lady who was to be his future wife - Miss Hunt. Hearing glowing accounts of the new settlement at Port Phillip, at the age of 20, with a few friends, he ventured that long overland journey. For 14 years he resided at Geelong, returning to Sydney in 1860, the providence of God having prospered him in worldly matters . . . On Tuesday night, June 22nd, his long and tedious illness terminated in death at his residence, Llanillo, Stanmore . . . As a member of the Wesleyan Church he took a lively interest in all its enterprises and institutions . . . When residing at Geelong, at the time of the gold discovery in Victoria, many people left their families and the Church for the diggings. Mr. Barker remained and took charge of the Wesleyan day and Sunday schools, and, with the assistance of his wife, was successful in keeping the cause of Methodism alive in that township. God blessed and honored his servant for his fidelity at that time. He had taste for music, and was a good singer, which gift he freely used in choirs, and in meetings and services of the church, for the glory of God and as a means of usefulness . . .

ASSOCIATIONS: Joseph Oram (Wesleyan minister)

Gilbert H. Smith, "MEMORIES OF OLD TIMES", The Methodist (17 July 1897), 1

http://nla.gov.au/nla.news-article155396022 

Mr. E. G. Barker has written me to ask if I would send you a short account of the early days of his late father, Mr. George Barker. Well, sir, when I begin to look back at our youthful days of over 50 years ago (for it is period since I first knew Mr. Barker) I find how little remains impressed on my memory of our everyday life at that distant, period. But during the long space of time we have been acquainted, we have always been connected with the Wesleyan church. When a young man, one of my friend George's hobbies was music. He had a fine voice, and could also play the flute. At that time we had no grand organ in Parramatta, but a few of the members used to meet two or three times a week and practice for the Sabbath services with a couple of clarionettes and a flute or two to help. We had far better congregational singing than we have had of late years . . . Some time after, Mr. Barker started in business on his own account in the grocery line . . . As the shop was situated opposite my house, we used to see each other frequently. I used to hear George's flute at work very often in the day, which gave me the idea that the business was not a very flourishing one . . .

ASSOCIATIONS: Gilbert Hunter Smith (memoirist)

BARKER, Ruth (Ruth BARKER)

? Amateur vocalist

Active Hobart Town, VDL (TAS), 1833

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKER-Ruth (shareable link to this entry)

Documentation:

"POLICE REPORT. . . Wednesday, November 20th", The Tasmanian (22 November 1833), 7

http://nla.gov.au/nla.news-article233614169 

John and Mary Anderson were charged with a series of ill-treatment to Ruth Barker, who stated that she lodged at the defendant's, on the New Town road, where she had a good deal of property; that on Wednesday night she had a "select party" to tea, and that at about 9 or 10 o'clock the landlord desirest her to turn her friends out, to which she objected. Upon this,Mr. Anderson burst her room-door open, disturbed the party, took prosecutor by the neck, and turned her put of doors, where she remained until 3 o'clock in the morning, when a lodger came home, and then she got admission; but then, notwithstanding the lodger's presence, Anderson shook her again. That on the following day her door was burst open, and all her things turned into the street. Both defendants attempted to justify their conduct, and expressed their utter contempt at the
"sausage maker's lady having singing parties at such late hours at their sober house, and particularly such sort of characters as your Jumboos and ladies, and kissing in the passages, and all that sort of indiscreet work."
Ruth became indignant at the aspersions thrown out upon her party, and declared they were all highly respectable persons, and began to mention names, in which Mr. Jacobs, (late hangman) now overseer of the hulk-gang, was conspicuous among the singing party. The assault was clearly proved, and as a warning to the defendants not to use such violent measures of ejectment, and such short notice of quitting for the future to their lodgers, they were fined 40s. and costs.

BARKER, William M. (William M. BARKER; W. M. BARKER; Mr. BARKER; ? William Maxwell BARKER)

Musician, minstrel, serenader, vocalist

Born ? USA, c. 1824 (if aged "31", 27 December 1855); (illegitimate) son of Hugh MAXWELL
Arrived Sydney, NSW, 23 October 1855 (per Audobon, from San Francisco, 9 August, and Honolulu, 8 September)
Departed Sydney, NSW, 7 April 1856 (per What Cheer, for San Francisco)
Died San Francisco, CA, USA, 11 December 1864

https://trove.nla.gov.au/search?l-publictag=W+M+Barker+d1864 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKER-W-M (shareable link to this entry)

ASSOCIATIONS: Backus Minstrels (member)

Documentation:

[Advertisement], Daily Alta California [San Francisco, CA, USA] (1 August 1855), 3

https://cdnc.ucr.edu/?a=d&d=DAC18550801.2.16.6 

UNION THEATRE, BETWEEM KEARNY AND DUPONT.
BACKUS' MINSTRELS. Acting Manager - W. A. Porter.
Musical Director - C. D. Abbott.
Stage Manager - O. N. Burbank.
This (Wednesday) Evening, Aug. 1. 1853. BENEFIT FOR THE FAMILY OF THE LATE T. F. BRIGGS.
LAST APPEARANCE OF THE MINSTRELS prior to their departure for Australia.
The company consists of the following well known and talented Performers:
CHARLES BACKUS, S. C. CAMPBELL, W. M. BARKER, W. A. PORTER, A. MORGAN,
JERRY BRYANT, C. D. ABBOTT, D. F. BOLEY, O. N. BURBANK. . .

PERSONNEL (1855-56): Charles Backus (member, leader); Sherwood Coan Campbell (member); William Alonzo Porter (member); A. Morgan (member); Jerry Bryant (members); Charles D. Abbott (member); Dorrel Fair Boley (member); Otto N. Burbank (member)

"SHIPPING INTELLIGENCE", Empire [Sydney, NSW] (24 October 1855), 4

http://nla.gov.au/nla.news-article60164875 

October 23. - Audubon, American ship, 531 tons, Captain Arthur, from San Francisco, August 9, and Honolulu September 8. Passengers . . . Messrs. C. Backus, Charles Abbott, W. Barker, D. F. Boley, S. C. Campbell, Bryant, Porter, Morgan, Bryant, Burbank, Ward, Blake, Crow, Cottam, Sandra, and 24 in the second cabin and steerage. Agents, Newell, Hooper, and Stevens.

[Advertisement], Empire (29 October 1855), 4

http://nla.gov.au/nla.news-article60164403 

ROYAL VICTORIA THEATRE. THIS EVENING, Monday, October 29th, 1865, the entertainments will commence with the unrivalled performances of the BACKUS MINSTRELS, Characters by Messrs. Charles Backus, S. C. Campbell, W. M. Parker [sic], Jerry Bryant, C. D. Abbott, A. Morgan, W. A. Porter, D. F. Boley, O. N. Burbank.

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue); Andrew Torning (lessee)

[Advertisement], The Sydney Morning Herald (2 November 1855), 1

http://nla.gov.au/nla.news-article12976130 

ROYAL VICTORIA THEATRE. - THE BACKUS MINSTRELS,
whose concerts have been received every evening during the week with the most unbounded applause, appear
TO-NIGHT in an entirely new programme, introducing new songs, dances, burlesques, operatic chorusses, duetts, &c.
TO-NIGHT, for the first time in these colonies, the new song of "Lilly Bell," by W. M. BARKER. Go early and secure your seat.

MUSIC: Lilly Bell (Charles Mueller)

"THE BACKUS MINSTRELS" Empire (2 November 1855), 5

http://nla.gov.au/nla.news-article60166088 

This inimitable band of performers continue to attract a crowded house nightly at the Victoria Theatre, and, judging from the applause bestowed, their entertainments appear to give infinite satisfaction to the public. The beautiful ballad singing of Barker and Campbell, the eccentricities of Backus in his burlesque Chinese, the violin solos of Abbott, the characteristic "[REDACTED]" dancing of Bryant and Burbank, and, above all, the ludicrous festival of "Old Bob Ridley," are each in themselves a positive treat, such as has rarely been provided. The programme, we understand, will be changed each week during the sojourn of the band in Sydney; previous to their departure it is to be hoped a night will be set apart exclusively for the juveniles, to whom the comic portion of the entertainment seems particularly pleasing, if we may judge by the peals of merry ringing laughter which has burst from the hundreds of little fellows who have been indulged with a visit to the theatre during the last four nights. The minstrels have announced their burlesque circus performance for this (Friday) evening.

Names and descriptions of passengers per Black Swan, from Melbourne, 27 December 1855, for Launceston; Public Record Office Victoria

https://prov.vic.gov.au/archive/23671325-F7F0-11E9-AE98-0BAC758C5792?image=447 (DIGITISED)

Minstrels American // Mr. Backus / 28 // Mr. Boley / 30 // Mr. J. Bryant / 24 // Mr. N. Bryant / 28
Mr. Campbell / 30 // Mr. Burbank / 32 // Mr. Morgan / 34 / Mr. Barker / 31

"ROYAL VICTORIA THEATRE. The Backus Minstrels", The Courier [Hobart, TAS] (5 January 1856), 3

http://nla.gov.au/nla.news-article2496607 

The third entertainment of this celebrated troupe came off with unmistakeable eclat last night, and we have to remind our readers that another concert takes place to-night . . . One song alone by Messrs. Campbell and Barker was worth double the admission money. It was "Love's Young Dream;" it was most effectively and pleasingly rendered.

ASSOCIATIONS: Royal Victoria Theatre (Hobart venue)

MUSIC: Love's young dream (Moore and Stevenson)

"THE BACKUS MINSTRELS", The Courier (8 January 1856), 2

http://nla.gov.au/nla.news-article2496716 

The theatre was crowded last evening . . . Several judicious changes were made in the programme, but the second part would have been much improved by the omission of the "Comic Trio," which goes off flatter every repetition. It might be discarded with advantage; one of the vocal duets, all so admirably and harmoniously executed by Messrs. Campbell and Barker, is worth a thousand such medleys . . .

"THEATRE", Geelong Advertiser and Intelligencer [VIC] (16 February 1856), 2

http://nla.gov.au/nla.news-article91865470 

The Backus Minstrels continue successful. Their style is certainly very superior to what is generally understood by "Ethiopian Serenading" - and the diversity introduced in their entertainments prevents anything like ennui during the performance. The Theatre Royal was nearly full last evening - and the applause of the house was unintermitted. "Ellen Bayne" and "Norah McShane," sung by Mr. S. C. Campbell, "Lilly Bell," by Mr. W. M. Barker, and "Tilda Horn," by Mr. C. Backus, were delightfully executed; and the "Phantom Chorus" and "Sweep Oh!" by the company were also very agreeably performed . . .

ASSOCIATIONS: Theatre Royal (Geelong venue)

"COPPIN'S OLYMPIC", The Argus [Melbourne, VIC] (24 March 1856), 6

http://nla.gov.au/nla.news-article4833830 

On Saturday evening the Backus Minstrels gava a final performance prior to leaving the colony for Sydney, en route to California. Although the weather was very unfavorable the attendance was more numerous than might have been expected under such untoward circumstances, proving the great popularity of these princes of [REDACTED] minstrelsy. The programme contained nothing but what we and probably most of the audience had heard before from the same troupe, but the laughter and applause with which the notable bits were received were as hearty as though they were then for the first time made known to the company. The drolleries of Backus, Jerry Bryant, and Porter, the fine vocalisation of Campbell, Barker, and Boley, the instrumental proficiency of Abbott and Neal Bryant, and the clever terpsichorean vagaries of Burbank, succeeded for three hours in enchaining the interest of the audience . . .

ASSOCIATIONS: Coppin's Olympic (Melbourne venue)

[Advertisement], The Sydney Morning Herald (5 April 1856), 1

http://nla.gov.au/nla.news-article28639799

ROYAL VICTORIA THEATRE.
Grand Complimentary Benefit and Last Appearance of the Backus Minstrels . . .
April 5th, Farewell Concert . . .

"DEPARTURES", The Shipping Gazette and Sydney General Trade List (14 April 1856), 66

http://nla.gov.au/nla.news-article161107371 

April 7, - What Cheer, barque, 384 tons, Captain Baker, for San Francisco. Passengers - Messrs. C. Backus, F. Moran, A. Morgan, W. M. Barker, O. N. Burbank, T. R. Morgan, S. A. Campbell, J. Bryant, Abbott, W. Bryant, Hyman . . .

"WELLS & HUSSEY'S 'MINSTRELS'", New York Clipper [NY, USA] (14 May 1859), 31

https://idnc.library.illinois.edu/?a=d&d=NYC18590514.2.34 

This company of discharged, fag-end, theatrical supernumeraries, now travelling under the name of Minstrels, performed in this place on Tuesday and Wednesday evenings last . . . The company was got up for the purpose of making money and they do not care whether they give satisfaction or not . . . [consist of]
FRANK HUSSEY, the California Favorite, (so-called - by the Company - of which he is one of the proprietors.) Frank may be a favorite in some parts of California, but his ability has not been over-estimated in this community, nor has he shown sufficient talent to warrant favoritism.
W. M. BARKER, Vocalist - This man has been a good singer, and we will do him the justice to say that we believe he is in worse company than if he were alone . . .

The San Francisco directory for the year commencing September 1862 (San Francisco: Valentine and Co., 1862), 60

https://archive.org/details/sanfranciscodire1862lang/page/60/mode/2up (DIGITISED)

Barker, William M. vocalist Maguire's Opera House, dwl 536 Jackson

[Advertisement], Daily Alta California [San Francisco, CA, USA] (30 May 1863), 4

https://cdnc.ucr.edu/?a=d&d=DAC18630530.2.31.2 

EUREKA THEATRE, Montgomery street, between California and Pine.
T. MAGUIRE - PROPRIETOR. SAM WELLS - Stage Manager. H. SCHRIENER - Leader of Orchestra . . .
THIS EVENING - MAY 30. THE FAR-FAMED AND POPULAR SAN FRANCISCO MINSTRELS . . .
NILLY BIRCH, BEN COTTON, SIG. RAFAELLE ABECCO, SAM WELLS, TOMMY PEEL, MONS. CHARLES, W. M. BARKER,
FRANK MEDINA, G. SMITH, H. SHREINER [sic], F. BOHME, J. WASBERG, H. STOEHR . . .

Bibliography and resources:

"CHARLEY BACKUS' MINSTRELS IN MELBOURNE, AUSTRALIA, IN 1855", New York Clipper [NY, USA] (19 May 1877), 61

https://idnc.library.illinois.edu/?a=d&d=NYC18770519.2.31 

An old professional contributes a bill of the above-named troupe, and we print a copy of it. Lola Montez died in this city [New York] Jan. 17, 1861; S. C. Campbell died in Chicago, Ill., Nov. 26, 1874; Jerry Bryant died in this city April 8, 1861; W. M. Barker died in San Francisco, Cal., Dec. 11, 1864; Charley Backus is comanager of Birch, Wambold & Backus' San Francisco Minstrels, now on a tour of the country; D . F . Boley was drowned off the Cape of Good Hope in 1862; Neil Bryant is living in this city in temporary retirement; Geo. Coppin is now one of the managers of the Theatre Royal, Melbourne. COPPIN'S OLYMPIC . . . MONDAY EVENING. DECEMBER 24, 1855 . . .

"COMIC OPERA AND MINSTRELSY . . . San Francisco's Palmy Days of Burnt Cork", Los Angeles Herald [California, USA] (26 March 1893), 4

https://cdnc.ucr.edu/?a=d&d=LAH18930326.2.91 

. . . But in my salad day in San Francisco, there was the golden age of minstrelry. The old troupe of Backus' minstrels, with Charley Backus, Jerry Bryant, Eph. Horn, Sam Wells and Alf Morgan, as funny men, and Charles Henry, William M. Barker (an illegitimate son of Hugh Maxwell), Sherwood Campbell (the greatest baritone that ever blacked his face), George Coes, Sam Wells and Charley Shattuck, as vocalists, held San Francisco from July, 1856, to January, 1859, while the Metropolitan theater played to empty benches . . .

It was not the secession of the Campbell into grand opera or the desertion of minstrelsy for Irish songs on the part of Dan Bryant, that gave minstrelsy the knockout blow. The men I knew in that business (for I went over to Sydney in 1855 as advance for the Backus party) are all dead, except it be Mr. Hooley and George Coes, who is living in Massachusetts somewhere, a tall, handsome old man, looking like the late emperor of Brazil, and teaching the young folks how to play the banjo. When the Backus party went to Sydney in 1855 they had two bassos, Bill Porter and Davis F. Boley, the latter of whom was drowned on the ill-fated steamer Eurolgi. You can imagine how old Bill Porter felt when I introduced myself to him on the dock in Auckland, five years ago next month. The white-bearded old man, with his music and his mind I almost gone together, grasped my hand and said: "You are the only man I have seen in 25 years who knew me in America." If he is still living Porter is the oldest living minstrel . . . - THE OLD 'UN.

Col. T. Allston Brown, "Early history of Negro minstrelsy," New York Clipper [USA] (25 May 1912), 10

https://idnc.library.illinois.edu/?a=d&d=NYC19120525.2.75 

Charley Backus's Original Minstrels. Organized in San Francisco, Cal., in the summer of 1854 and appeared at San Francisco Hall, Washington Street, between Montgomery and Kearney Streets with C. D. Abbott, musical director; O. N. Burbank, stage manager; H. Donnelly, D. F. Boley, Backus, J. N. White, Morgan. They took a trip to Australia in 1855. Prior to their departure, a benefit was given them by the San Francisco Minstrels, August 3, at the Metropolitan Theatre. Mitchell and Burbank, the rival dancers, appeared. There appeared in the first part S. C. Campbell, Jerry Bryant, Stadtfeld, D. F. Boley, Eph Horn, and W. M. Barker, besides the instrumentalists, in the second part J. Collins, George Coes, C. Backus and Mrs. Julia Collins (Julia Gould). In July, 1856, the party returned to San Francisco and opened at San Francisco Hall, Sunday evening, July 6, 1856, a portion of the San Francisco Minstrels being added to the party, which then consisted of Billy Birch, E. Deaves, Max Zorer, Charles Henry, Napier Lothian, Sam Wells, M. Lewis, George Coes, S. C. Campbell, Charles Backus, W. D. Corrister, and Jerry Bryant . . .

ASSOCIATIONS: Thomas Allston Brown (theatrical journalist)

BARKLY, Henry (Henry BARKLY)

Governor of Victoria (November 1856 to 9 September 1863), musical patron

Born Highbury, London, 24 February 1815; baptised St. Mary, Islington, 6 May 1815; son of Eneas BARKLY and Louisa Susanna FRITH
Married (1) Elizabeth Helen TIMINS, 1840
Arrived Melbourne, VIC, 24 December 1856
Married (2) Anna Maria PRATT, Christ Church, South Yarra, VIC, 21 July 1860
Departed Melbourne, VIC, 26 September 1863 (for Mauritius)
Died Kensington, London, England, 20 October 1898

http://nla.gov.au/nla.party-547536 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKLY-Henry (shareable link to this entry)

BARKLY, Elizabeth (Elizabeth Helen TIMINS; [1] wife of Henry BARKLY)

Musical patron

Born Aldenham, Hertfordshire, England, 6 February 1820; baptised Aldenham, 10 March 1820; daughter of John Fam TIMINS and Elizabeth ANDERSON
Married Henry BARKLY, 1840
Arrived Melbourne, VIC, 24 December 1856
Died Toorak, VIC, 17 April 1857

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKLY-Elizabeth (shareable link to this entry)

BARKLY, Anne Maria (Anne Maria PRATT; [2] wife of Henry BARKLY)

Musical patron, amateur musician, pianist, pupil of Julius Buddee

Born Edinburgh, Scotland, 7 January 1838; baptised St. Cuthbert's, Edinburgh, 9 March 1838; daughter of Thomas Simson PRATT and Frances Agnes COOPER
Married Henry BARKLY, Christ Church, South Yarra, VIC, 21 July 1860
Departed Melbourne, VIC, 26 September 1863 (for Mauritius)
Died Kensington, London, England, 12 September 1932

https://trove.nla.gov.au/search?l-publictag=Anne+Maria+Pratt+Barkly+1838-1932 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARKLY-Anne-Maria (shareable link to this entry)

Documentation:

"AMATEUR CONCERT", The Argus [Melbourne, VIC] (19 December 1862), 5

http://nla.gov.au/nla.news-article6481953 

An amateur concert was given at the Town Hall, Prahran, last night, in aid of the Melbourne Hospital. His Excellency an Lady Barkly were present and there was not a single empty seat in the room. The programme was very miscellaneous . . . The selection from "The Huguenots," arranged as a duet for two pianofortes, one of which was played by Mr. Buddee and the other by a lady whose musical talents appear to be of a very high order, was decidedly the piece de resistance . . .

ASSOCIATIONS: Julius Buddee (piano)

"Mr. Julius Buddee", Table Talk [Melbourne, VIC] (26 September 1890), 8

http://nla.gov.au/nla.news-article147283043 

THE news of the death of Mr. Julius Buddee, which took place at his residence, "Cremona," Glebe Point, Sydney, on Tuesday, September 9, was received with regret in Melbourne where many of his old musical friends still survive, amongst whom the sad announcement must have awakened a host of reminiscences . . . Returning [from Hobart] to Victoria in 1861 with health quite restored, Mr. Buddee speedily formed an excellent clientele amongst his first pupils being Lady Barkly (wife of Governor Barkly) . . .

Bibliography and resources:

B. A. Knox, "Barkly, Sir Henry (1815-1898)", Australian dictionary of biography 3 (1969)

https://adb.anu.edu.au/biography/barkly-sir-henry-2936 

BARLOW, Mr. (Mr. BARLOW; BARLOW the fiddler)

Musician, violinist, fiddler

Active Melbourne, VIC, 1850

https://trove.nla.gov.au/search?l-publictag=Barlow+the+fiddler+c1850 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-the-fiddler (shareable link to this entry)

Documentation:

"THE LATE MURDER", The Argus [Melbourne, VIC] (5 July 1850), 2

http://nla.gov.au/nla.news-article4771428

The adjourned inquest upon the remains of the late Samuel Jones assembled at eleven o'clock yesterday at the house formerly known as the "Angel Inn," Lonsdale Street. Daniel Egan, the former landlord of the Angel Inn, David Gilbert, the waiter, and Henry Molyneux, the cook of the establishment, were brought from the watch-house, and consigned to separate apartments in the house during the enquiry. A considerable number of persons had collected at the door, seemingly actuated with a keen interest in the proceedings, and anxiously waiting the result. The Jurors having severally answered to their names the following witnesses were called in and examined: -

John Bott (musician). I was at the Angel Inn playing the violin on the night of the 24th June last; the landlord employed me so to act; I entered the house about six, and left about five minutes to 10 o'clock; a great many persons were in the house that night; nearly all the rooms in the lower part of the house were full; another violin was playing in the bar, the person who officiated in the bar left the house before me. I had been in the habit of playing for the house about six weeks previously; I know but few persons in town, having only lately arrived from Sydney; I recollect seeing the deceased several times on the evening of the 24th June: he appeared to be very drunk, he was noisy but not quarrelsome; when he came into the room where I was playing on the violin . . .

Edward Enderby, labourer - On Tuesday, the 25th ultimo, I saw a man whom I have since ascertained was living at the Angel Inn, come in great haste to the house of Barlow the fiddler while the inquest was sitting, and having apparently made some communication, immediately departed. (This Barlow was the musician who played the fiddle in the bar on the night of the murder) . . .

ASSOCIATIONS: John Bott (musician)

"THE MURDER IN LONSDALE", The Melbourne Daily News (5 July 1850), 2

http://nla.gov.au/nla.news-article226325296 

. . . John Bott who described himself as a musician, residing off Little Bourke-street, Melbourne, deposed - I recollect the night of the 24th June I was at the Angel Inn playing the violin, by the invitation of Dennis Egan the landlord; I went to the house about 6 o'clock and left a little before 10 o'clock; about five minutes before; there were a good many people in the house, all the rooms in the lower part of the house were full in fact; there was another violin playing in the bar which kept it full also; they were not dancing there, the bar was too full, there was no room for any dancing. When I left there were a great number of people in the house; the other fiddler left before me . . .

A witness named Edward Enderby was here called . . . The day of the inquest he saw a man who was a lodger at the Angel Inn (not the cook) going in a great hurry to the house of one Barlow who was one of the fiddlers at the house on the night of the 24th; in a short time he returned again . . .

BARLOW, Billy ("Billy BARLOW")

Stage and song character

First Australian appearance, Launceston, VDL (TAS), 1838

https://trove.nla.gov.au/search?l-publictag=Billy+Barlow+song (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Billy+Barlow+in+Australia+song (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-Billy (shareable link to this entry)

George Coppin, as Billy Barlow, Maguire's Opera House, San Francisco, 27 January 1865

Documentation (Britain and America):

[Advertisement], Morning Herald [London, England] (26 January 1829), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002408/18290126/010/0002 (PAYWALL)

ROYAL OLYMPIC THEATRE, NEWCASTLE AND WYCH. STREET, STRAND.
THIS EVENING, and during the Week . . .
In the course of the Evening, the Comic song of "Billy Barlow," in Character, by Mr. Conquest . . .

ASSOCIATIONS: Benjamin Conquest (comic vocalist); see also Mr. Conquest as singing Billy Barlow (image, c. 1829)

[Advertisement], Freeman's Journal [Dublin, Ireland] (2 October 1841), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18411002/001/0001 (PAYWALL)

THEATRE ROYAL, ABBEY STREET . . .
THIS EVENING (Saturday), October 2d . . .
Mr. Coppin will sing an entire new original Song, entitled Billy Barlow in Dublin . . .

ASSOCIATIONS: George Coppin (comic vocalist)

[Advertisement], Aberdeen Press and Journal [Scotland] (4 February 1852), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000031/18520204/101/0004 (PAYWALL)

ADELPHI MUSIC HALL . . .
The HALL is opened every lawful Evening, for the purpose of Harmonic Re-unions, supported by the highly-gifted AMERICAN BARLOW, whose wonderful imitative powers are displayed in the depicture of the "Bee," the "Locomotive," &c., in addition to the development of his vocal abilities, sentimental and comic . . . MR. SAM COWELL . . . will make his first appearance on . . . February 9 . . . as LORD LOVEL and WILLIAM BARLOW . . .

ASSOCIATIONS: Sam Cowell (comic vocalist, in Billy Barlow character); American Barlow = Robert Barlow (vocalist, musician, delineator)

Documentation (Australia):

[Advertisement], Launceston Examiner (16 August 1838), 2

http://nla.gov.au/nla.news-article84754911

MUNYARD AND JACOBS. GREAT NOVELTY.
THESPIAN ROOMS, WELLINGTON ST. SATURDAY, Aug. 18th, 1838,
BOMBASTES FURIOSO - Comic song, Billy Barlow, Mr. Munyard.
An entirely new entertainment to be called THE HARMONIC CLUB,
in which will be introduced a variety of comic and sentimental Songs, Glees, Recitations, &c.
Terrific broad-sword Combat, Messrs. Munyard and Young.
Comic Duett, Messrs. Munyard and Jacob.
To conclude with an entirely new ballet of action called the MILLER'S DAUGHTER or the RIVAL LOVERS.
Admittance, 3s. 6d. Doors open at seven, to commence at half past seven precisely.

ASSOCIATIONS: Mark Munyard (vocalist); John Lewis Jacobs (vocalist)

"THEATRICALS . . ROYAL VICTORIA THEATRE", The Australian [Sydney, NSW] (17 March 1843), 2

http://nla.gov.au/nla.news-article37117784

. . . With reference to Mr. and Mrs. Coppin, we have much pleasure in saying that since writing our notice of their arrival, which appeared in Wednesday's AUSTRALIAN, we have seen several English and Irish papers of recent date, in which their efforts are reviewed in the most flattering terms. The CORK SOUTHERN REPORTER designates Mr. Coppin "the most humorous of the new school of actors," and adverts in extravagant terms to his manner of singing "Billy Barlow," a song which, we learn from THE TUAM HERALD, was sung by him 250 times in Dublin with extraordinary success . . .

ASSOCIATIONS: Royal Victoria Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (24 April 1843), 2

http://nla.gov.au/nla.news-article12410195 

ROYAL VICTORIA THEATRE . . . FAREWELL BENEFIT OF MR. KNIGHT . . .
On MONDAY EVENING, APRIL 24 . . . MR. COPPIN Will sing an entire new version of BILLY BARLOW . . .

ASSOCIATIONS: William Knight (acting proprietor)

"ROYAL CITY THEATRE", The Sydney Morning Herald (27 May 1843), 2

http://nla.gov.au/nla.news-article12412302 

OPEN EVERY NIGHT. Proprietors, Messrs. Simmons and Belmore.
First night of an extemporaneous Song, by Mr. J. Simmons, in the character of "Billy Barlow," after the manner of Mr. Conquest, the original.
THIS EVENING, Saturday, the 27th May . . .

ASSOCIATIONS: Joseph Simmons (actor, manager, vocalist); Royal City Theatre (Sydney venue)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (26 August 1843), 3

http://nla.gov.au/nla.news-article661688 

BY PERMISSION OF THE HON. THE COLONIAL SECRETARY . . .
OWING to the unfavourable state of the weather on Thursday Evening, the Performances at the
NORTHUMBERLAND HOTEL, West Maitland, have been POSTPONED until MONDAY NEXT, the 28th August, 1843,
when will be performed, by a select company of Amateurs, the following pieces;
being for the Benefit of the MAITLAND BENEVOLENT SOCIETY . . .
BOMBASTES FURIOSO . . .
AFTER WHICH A VARIETY OF SONGS, &c. "Billy Barlow in Australia" (an original song) . . .

"AMATEUR THEATRICALS", The Maitland Mercury and Hunter River General Advertiser [Maitland, NSW] (2 September 1843), 4

http://nla.gov.au/nla.news-article661765 

The first performance of the amateur company for the benefit of the Maitland Benevolent Society took place at the Northumberland Hotel on Monday evening last, and, notwithstanding the very unfavourable state of the weather, we were glad to see so large an audience, amongst whom we perceived some of the most respectable families in the neighbourhood . . . Between the two pieces several songs were sung, and the following, which was written expressly for the occasion by a gentleman in Maitland, was received with unbounded applause: - BILLY BARLOW IN AUSTRALIA . . . [see below]

ASSOCIATIONS: "a gentleman in Maitland" = Benjamin Pitt Griffin (songwriter)

[Advertisement], The Sydney Morning Herald (11 October 1843), 3

http://nla.gov.au/nla.news-article12414996 

. . . On THURSDAY EVENING, October 12th . . .
the new local Australian Extravaganza, called THE BARLOW FAMILY; Billy Barlow (an eccentric individual ) Mr. Coppin, with an entire new version of that never-to-be-forgotten and local song . . .

[Advertisement], The Australian (12 October 1843), 2

http://nla.gov.au/nla.news-article37117638 

ROYAL VICTORIA THEATRE. FOR THE BENEFIT OF MRS. COPPIN . . .
THIS EVENING, Oct. 12 . . . To be followed by the new local Australian Extravaganza, by Mr. Charles A. Dibdin,
(under the Authority of the Colonial Secretary), called THE BARLOW FAMILY.
Billy Barlow (an eccentric individual) Mr. Coppin . . .

ASSOCIATIONS: Charles Alexander Dibdin (playwright, actor; play includes version of song)

"THEATRICALS", The Australian [Sydney, NSW] (24 October 1843), 2

http://nla.gov.au/nla.news-article37117762 

. . . Mr. Coppin takes his farewell benefit on Thursday evening, on which occasion he personates our old esteemed friend Sam Weller, in the Strand version of Dickens' Pickwickeans. He also sings the Maitland version of Billy Barlow - which, by the way, is a fair sample of the quizzing propensities of our friends of the Hunter . . .

"HUNTER RIVER DISTRICT NEWS . . . SINGLETON", The Maitland Mercury and Hunter River General Advertiser (1 March 1845), 2

http://nla.gov.au/nla.news-article671980 

On Thursday evening, the 20th instant, the first theatrical performance in aid of the funds of the Benevolent Society took place in the spacious barn of John Browne, Esq., of Macquarie-place. The performance was attended by the elite of the district within a circle of twenty miles; about 200 persons were present, and many others returned, not being able to procure admission . . . The songs and a dance by an amateur were received with enthusiasm. "Barney O'Keefe," a song by a Maitland gentleman now in Sydney, was highly applauded . . . "Billy Barlow at Singleton," detailing the disasters of the real Hunter River Billy, was encored, but not again sung, owing to its length . . .

"COLONIAL ART", The Cornwall Chronicle [Launceston, TAS] (14 June 1845), 2

http://nla.gov.au/nla.news-article66268778 

There is a very beautiful full length picture or Mr. Coppin, in the character of Billy Barlow, executed by Mr. Opie for Mr. Cain to be seen at the stationary whare-house of Mr. Tegg, in Brisbane-street. The likeness is excellent and the whole is finished in first rate style. We have seen several of Mr. Opie's works, but we augur that this last, as it becomes known to the public, will go far not only to stamp as an artist, but to afford him, on his return from Port Phillip, substantial proof that the public appreciate and will reward his ability.

ASSOCIATIONS: Edward Opie (artist); Samuel Augustus Tegg (bookseller)

"NEVER AT A LOSS", Port Phillip Gazette and Settler's Journal [Melbourne, VIC] (8 April 1846), 2

http://nla.gov.au/nla.news-article225063930 

On the last night but one of the theatrical season, at the Queen's Theatre, it was announced in the usually attractive style of stage manager's announcements, that Mr. Lee would sing a new version of "Billy Barlow," the mere mention of which was sufficient for a "draw," and hundreds flocked to the theatre at half-price, to listen to the "dulcet notes" from Billy's throat. But alas! like true love, the course of theatrical management never did run smooth, and on this occasion it might be truly said Mr. Coppin was the "Manager in distress," for not a musician was in attendance, and the redoubtable Billy was about to give his "version" sans accompaniment, when the manager, after cudgeling his brains for several moments what he should do in this emergency, remembered that he could play on the violin, and with the quickness of thought jumped into the orchestra and struck up "The lilt so gaily oh!" assisting Mr. Lee with might and main, and being the original "Billy," he occasionally gave the mysterious oh! oh! oh! to remind his rival he was there, to the great delight of the audience who applauded in a whirlwind of ecstacy.

ASSOCIATIONS: John Herman Selwyn Lee (actor, vocalist); Queen's Theatre (Melbourne venue)

"SALLE DE VALENTINO", Ovens and Murray Advertiser [Beechworth, VIC] (5 May 1855), 4

http://nla.gov.au/nla.news-article113013399 

The concert, postponed from Saturday last, came off at the above establishment, as announced, on Tuesday evening, and was, we are happy to state, very fairly attended . . . The great song of the evening was "Billy Barlow's Account of the Beechworth Assize Ball," which was sung with great spirit by Mr. Small, in which there were some capital hits, the best at a certain M.L.C. and the Session Judge (both of whom had honoured the said ball with their presence), punning upon the name of the former. We hope that we may have more entertainments of this nature, and that they may meet with the encouragement they deserve. The veritable "Billy Barlow" has now arrived in Beechworth, and will perform this Evening (Saturday), at the Salle de Valentino, when we have no doubt he will have a crowded house.

ASSOCIATIONS: Joe Small (comic vocalist, "Billy Barlow" in character); Robert Barlow (the "veritable Barlow"); Salle de Valentino (Beechworth venue)

Sources of the words and music of the song (Australia):

Billy Barlow: the favourite comic song, as sung by Mr. Coppin, at the Royal Victoria Theatre, arranged for the piano forte, with the original encore verses; Billy Barlow's visit to Sydney (Sydney: Thomas Rolfe, 1843) [words and music]

https://trove.nla.gov.au/work/156931378

https://collection.sl.nsw.gov.au/record/74Vvl6Qq8kx3 (DIGITISED)

Oh ladies and gentlemen how do you do?
I'm a very queer figure to come before you,
I don't know how 'tis but somehow 'tis so,
Now isn't it hard on poor Billy Barlow?
O dear! Oh Raggidy O!
Now isn't it hard on poor Billy Barlow?

As I walked along George's-street this ere day
The people all look'd, and some on em did say -
Now that ere young chap he don't go so slow;
I guess not, says a lady, that's Billy Barlow.
Oh dear! &c. . . .

ASSOCIATIONS: Thomas Rolfe (musicseller, publisher)

"BILLY BARLOW IN AUSTRALIA", The Maitland Mercury and Hunter River General Advertiser (2 September 1843), 4 [words only]

http://nla.gov.au/nla.news-article661765 

When I was at home I was down on my luck,
And I yearnt a poor living by drawing a truck;
But old aunt died and left me a thousand - "Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh;
So off to Australia came Billy Barlow.

When to Sydney I got, there a merchant I met,
Who said he could teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammond the cash out of Billy Barlow . . .

ASSOCIATIONS: Benjamin Pitt Griffin (songwriter); see also the Maitland version [words only], in Richard Howitt, Impressions of Australia Felix, during four years' residence in that colony (London: Longman, Brown, Green, & Longmans, 1845), 249-51

https://books.google.com.au/books?id=o0NCAAAAcAAJ&pg=PA249 (DIGITISED

See also the Maitland version [words and music], in Billy Barlow, the newest and most popular verses as sung by Mr. Sam. Cowell, at Canterbury Hall; by Mr. Toole, &c., to which is now added, Billy Barlow's emigration to Australia, showing how he got there and how he got settled, fifth edition, with extra verses (London: Davidson, [n.d.]

https://trove.nla.gov.au/work/17033429 

https://nla.gov.au/nla.obj-181792536 (DIGITISED)

"BILLY BARLOW", Port Phillip Gazette (24 May 1845), 4

http://nla.gov.au/nla.news-article224810882 

The following Song was sung by MR. LEE, at the Queen's Theatre with great applause, last Monday evening.

Ladies and gentlemen how are ye all,
Here's Billy stepp'd in just by way of a call,
T'is the first time this season you very well know,
That a visit you've had from Billy Barlow.
Oh! Oh!! he pops in now and then does Billy Barlow . . .

Also, "ENCORE VERSES", Port Phillip Gazette (24 May 1845), 4

http://nla.gov.au/nla.news-article224810877 

ASSOCIATIONS: John Herman Selwyn Lee (actor, vocalist); Queen's Theatre (Melbourne venue)

"BILLY BARLOW'S APOLOGY", The Port Phillip Patriot and Morning Advertiser [Melbourne, VIC] (25 July 1846), 3

http://nla.gov.au/nla.news-article226350839 

If I made a mistake, Boys, don't kick up a row:
Sure my pen was a bad one - I can't help it now,
As apologies are, I find, all the go,
I'll have a dig at it, says Billy Barlow.
Oh, Oh, &c.

I hope you'll forget what I said t'other day;
For things sometimes go by contraries they say,
I thought I might get a subscriber or so -
They'll be 'ticular handy to Billy Barlow,
Oh, Oh, &c. . . .

"BILLY BARLOW CLERK OF THE MARKET", The Cornwall Chronicle [Launceston, TAS] (31 March 1849), 477

http://nla.gov.au/nla.news-article65978086 

Now listen ye Farmers and Graziers to me,
Attend while I read you the Council's decree;
And likewise ye Hawkers, ye Gardeners also,
I'm clerk of the Market, says Billy Barlow.
whiff, woff, puff when I blow,
I'll strut! and I'll bounce! says Billy Barlow . . .

See [Advertisement], Launceston Examiner (14 April 1849), 3

http://nla.gov.au/nla.news-article36257176 

Royal Olympic Theatre . . . MR. KENNEY will appear as that eccentric cosmnopolic BILLY BARLOW, in an entirely new character, as CLERK OF A MARKET . . .

ASSOCIATIONS: James Richard Kenney (vocalist, actor); William Webb (clerk of the market); Olympic Theatre (Launceston)

See also another new version, probably also by, or for, Kenney, "BILLY BARLOW TURNED BUTCHER", The Cornwall Chronicle (24 March 1849), 459

http://nla.gov.au/nla.news-article65981306 

And, likewise, "BILLY BARLOW'S ADVICE ABOUT CALIFORNIA!", The Cornwall Chronicle (16 June 1849), 653

http://nla.gov.au/nla.news-article65979880 

"GLORIOUS NEWS", Geelong Advertiser and Intelligencer [VIC] (11 June 1852), 2

http://nla.gov.au/nla.news-article91931168 

Mr. Coppin, the future lessee of our elegant little theatre (which he opens on Monday evening next), has been performing in Melbourne, two evening during the present week, on which occasion the house was crowded to suffocation. On Wednesday, he appeared as Billy Barlow; and as in that character he is famed for the "earliest intelligence," it is with unfeigned pleasure that we quote, for the information of our readers, the following stanzas, selected from a copy with which we have been favored:

"When the Governor found me in Melbourne, 'tis clear
He expected a rap on the knuckles through fear;
So determined a sop of 'Ten Thousand" to throw
To the Council, to sweeten Young Billy Barlow.
Oh ! Ohl! &c.,
'Twas a nice little nugget, says Billy Barlow.

"To give this to Melbourne, I told him warn't wrong,
But as I was a-going to reside at Geelong,
Why, what's sauce for the goose suits the gander, you know,
''You are right, they shall have it for your sake, Barlow.'
Oh! Oh! &c.,
I'll take it down with me, says Billy Barlow" . . .

ASSOCIATIONS: Charles La Trobe (governor); Theatre Royal (Geelong venue)

"GRAND DAY PERFORMANCE IN THE Supreme Court, Melbourne . . .", Bell's Life in Sydney and Sporting Reviewer (8 September 1855), 3

http://nla.gov.au/nla.news-article59760778 

. . . At the conclusion of the entertainment, Mr. COPPIN, who was loudly called for, came forward, and having blushed his acknowledgments, sang
"THE LOVE AND THE SORROWS OF BILLY BARLOW."

It was after ten years of a bachelor's life
That Billy Barlow thought he wanted a wife;
His shirts wanted buttons, his spirits were low -
"Who will have a good husband?" cried Billy Barlow.
Heigh ho, lackaday ho!
"I am open to MARRY," cried Billy Barlow.

He long roved about a disconsolate man,
Till he met a fair lady, her name it was FAN,
A lover she had, which was not just the go,
But the devil a bit cared brave Billy Barlow.
Heigh ho, lackaday ho!
"She'll suit me all to pieces," cried Billy Barlow . . .

ASSOCIATIONS: Fanny Cathcart (actor), who, it was publicly revealed, Coppin had hoped to marry; instead, she married fellow actor Robert Heir in Sydney

"SONG", Portland Guardian and Normanby General Advertiser [Portland, VIC] (26 June 1857), 2

http://nla.gov.au/nla.news-article64568766 

KNOW YE THE LANDS [As sung by Billy Barlow at the Casterton soiree.]
"Kennst du das Land wo die Citronen blühn,
Im dunkeln Laub die Goldorangen glühn?"

Know ye the land where the gum trees in hosts,
Are creaking to men to convert them to posts?
Where the tall stringy bark its position bewails,
And craves the rude bushman to split it in rails;
Where acres, in millions, both wooded and bare,
Big, big with fertility seek the ploughshare! . . .

"MR. COPPIN'S RETURN", Melbourne Punch (14 January 1858), 4, 6

http://nla.gov.au/nla.news-article171432633 

We regret to be obliged to state, that our daily contemporaries have been curiously inaccurate in their reports of Mr. Coppin's address at the Theatre Royal, on Monday. What Mr. Coppin really did say was as follows: -

Poor Billy Barlow has got back to his crib,
And he's precious glad of it, without any fib;
He's seen many fine sights across the salt seas,
But Cremorne and the Royal's his favourite cheese.
Oh dear, domesticity, oh!
There's no place like home, says poor Billy Barlow . . .

ASSOCIATIONS: Theatre Royal and Cremorne Gardens (Melbourne venues run by Coppin)

"BILLY BARLOW (THE LATEST NEW VERSION)", Melbourne Punch (9 September 1858), 3-4

http://nla.gov.au/nla.news-article174523906 

The South Western Province a member requires,
And Billy Barlow to that honor aspires,
Wherefore, if you please, I'm going to make bold,
And state the opinions I honestly hold.
Oh dear! I'm in for it you know,
So here goes for opinion - says Billy Barlow.

I hope that is'nt against my caraktur
That for fourteen long years I've been known as an actor.
Now I've stunningly weathered pecuniary rubs,
I've quitted the stage and I've sold off my pubs,
Oh dear! now ain't that a fine go.
To have made up my pile - says old Billy Barlow . . .

ASSOCIATIONS: George ("Billy Barlow") Coppin was running for, and was elected to, a seat in the Victorian Parliament

Sources of the words and music of the song (Britain and America):

Melodist, and mirthful olio, an elegant collection of the most popular songs, recitations, glees, duets, &c. &c. . . . (London: H. Arliss, 1828), 155-56 [words only]

http://books.google.com.au/books?id=kYkvAAAAYAAJ&pg=PA155 (DIGITISED)

It happen'd one day to old father's joy,
Mother was brought to bed with a very fine boy;
They quickly sent round to let the folks know
They meant to christen me Billy Barlow.
Oh! dear, lackaday O!
The parson he christened me Billy Barlow . . .

The United States songster, a choice selection of about one hundred and seventy of the most popular songs . . . (Cincinnati: U. P. James, 1836), 206-07 [words only]

http://books.google.com.au/books?id=TYQvAAAAYAAJ&pg=PA206 (DIGITIDED)

O! Ladies and Gemmen all, how do you do?
I've come out before you with one boot and one shoe.
I don't know how it is, but some how 'tis so,
O! isn't it hard for poor Billy Barlow?
Oh dear, Raggedy O!
And is'nt it hard for poor Billy Barlow? . . .

Billy Barlow, a favorite comic song, as sung with unbounded applause at the Western & Southern Theatres by himself, arranged for the piano forte by P. F. Fallon (Philadelphia: J. G. Osborun's; Lee & Walker, [1836]) [words and music]

https://levysheetmusic.mse.jhu.edu/collection/049/006 (DIGITISED)

https://archive.org/details/b10201932/mode/2up (DIGITISED)

Billy Barlow, a favourite comic song sung by Mr. Wills, at the New Orleans Theatres, 2d edition (New York: Endicott, [1836]) [words and music]

https://levysheetmusic.mse.jhu.edu/collection/049/008 (DIGITISED)

Billy Barlow, the popular comic song, sung at all public concerts [vignette: "Sam Cowell as Billy Barlow" (London: Musical Bouquet Office, [n.d.]) [words and music]

https://collections.vam.ac.uk/item/O1156354 (DIGITISED)

Bibliography and resources:

Hugh Anderson, Songs of Billy Barlow, with notes by . . . & decorations by Ronald G. Edwards (Ferntree Gully: Rams Skull Press, 1956)

https://trove.nla.gov.au/work/13402267 

http://handle.slv.vic.gov.au/10381/182190 (DIGITISED)

ASSOCIATIONS: Hugh Anderson (folklorist)

Joy Hildebrand, Hey ho rageddy-o: a study of the Billy Barlow phenomenon (Warren Fahey, Australian Folklore Unit)

http://www.warrenfahey.com.au/hey-ho-raggedy-o (DIGITISED)

https://www.warrenfahey.com.au/enter-the-collection/the-collection-a-c/billy-barlow 

BARLOW, Edward David (Edward David BARLOW; E. D. BARLOW)

Printer, lithographer, music lithographer, ? music copyist, printmaker, visual artist

Born London, England, c. 1808; son of Thomas BARLOW
Married (1) Maria Sarah Lyon CRAWFORD, Christ Church, St. Marylebone, London, England, 12 January 1833
Arrived (1) Sydney, NSW, 30 August 1836 (per Lord Goderich, from London, 4 April)
Departed (1) Sydney, NSW, 11 October 1840 (per Eliza Frances, for London)
Arrived (2) Sydney, NSW, 6 September 1843 (per Persian, from London, via Portsmouth, 10 May)
Departed (2) Sydney, NSW, 16 May 1846 (per Sultana, for London)
Married (2) Susanna Jane Cooper, St. Paul's, Lisson Grove, London, England, 7 April 1870
Died London, England, buried 9 May 1881, aged "73"

https://trove.nla.gov.au/search?l-publictag=Edward+David+Barlow+d1881 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-578842 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-Edward-David (shareable link to this entry)

BARLOW, Maria Sarah Lyon (Maria Sarah Lyon CRAWFORD; Mrs. Edward BARLOW; Maria Sarah Lyon BARLOW)

Musician, teacher of music and pianoforte

Born Dulwich, England, c. 1814; baptised (adult) St. Clement Danes, 7 January 1833 [sic]; "Parents unknown"
Married Edward David BARLOW, Christ Church, St. Marylebone, London, England, 12 January 1833
Arrived Sydney, NSW, 6 September 1843 (per Persian, from London, via Portsmouth, 10 May)
Died Newtown, NSW, 14 January 1870, aged "about 55"

https://trove.nla.gov.au/search?l-publictag=Maria+Sarah+Lyon+Barlow+d1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-Maria-Sarah-Lyon (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of Saint Clement Danes, in the county of Middlesex, in the year [1833]; register 1826-36, page 246; City of Westminster Archives

https://www.ancestry.com.au/imageviewer/collections/61866/images/61865_314054001181_17854-00253 (PAYWALL)

No. 1963 / January 7th / Maria Sarah Lyon (An Adult) / Parents Unknown / Crawford / Cunningham Place Edgware Road / Witnesses Mary Mainwaring & Mary Hamilton . . .

"MARRIED", True Sun [London, England] (17 January 1833), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002590/18330117/035/0004 (PAYWALL)

On the 12th inst. at Christ Church, St. Marylebone, Mr. E. D. Barlow, of Edgware-road, to Miss Maria Crawford, of Cunningham-place.

"Shipping Intelligence", Commercial Journal and Advertiser [Sydney, NSW] (31 August 1836), 2

http://nla.gov.au/nla.news-article226458109 

The "Lord Goderich" brings 4400 bushels of Wheat, 100 barrels Dantzic Flour, and a general cargo of merchandize. Passengers M. C. H. Le Souef, Esq., Mr. Edward Barlow.

[Advertisement], Commercial Journal and Advertiser (1 October 1836), 2

http://nla.gov.au/nla.news-article226459435 

E. D. BARLOW, FROM BRIGHTON, (England,)
RESPECTFULLY acquaints his Friends and the Public in General,
that having taken part of Mr. Gordonovitch's Premises No. 5 George-street,
opposite, the Treasury, that he intends carrying on House Painting, Writing, Graining, and Guilding in all its varieties . . .

ASSOCIATIONS: George Gordonovitch (tobacconist, musical amateur)

[Advertisement], Commercial Journal and Advertiser (9 May 1840), 3

http://nla.gov.au/nla.news-article226456511 

THEATRE OF ARTS, No. 3, Colonnade, Bridge-street . . .
ON MONDAY next, May the 14th, and every evening during the week, the following Pieces will be represented, by particular desire.
THE NEW SETTLEMENT OF VICTORIA, PORT ESSINGTON . . .
BUONAPARTE Crossing the Alps, with his Army of 30,000 MEN . . .
THE MONK OF ST. BERNARD AND HIS DOGS . . .
DR. SYNTAX IN SEARCH OF THE PICTURESQUE.
The whole to conclude with the FAIRY PALACE, OR THE Enchanted Waters . . .
During the Entertainments, several Airs, Overtures, &c., will be performed . . .
E. D. BARLOW, Proprietor . . .

"THEATRE OF ARTS", Commercial Journal and Advertiser (22 August 1840), 2

http://nla.gov.au/nla.news-article226457997 

For some time past, Mr. Barlow's Mechanical and Picturesque Exhibition has been shut up, in consequence of the original license having expired; and it was not the intention of the proprietor again to apply for a renewal, as he had made arrangements to leave the colony before the close of the present year; but at the repeated solicitations of several families, he has procured a license to exhibit for one month only. Having how ever, removed the back seats, the accommodation will be as limited as when Mr. B. first opened. Mr. Barlow, too, we understand, has been engaged as "Master of the Ceremonies" for the forthcoming "Tradesman's Fancy Dress Ball," which it is expected, for the elegance of the various costumes, and the manner of sustaining the numerous characters, will completely eclipse that of the "exclusives" held a few days back. It may not be out of place to remark, that it is no more astonishing than true, that the public no sooner begin to feel the beneficial effects of individual talent, than suddenly and unexpectedly it is, as it were, torn from us, and a blank is left that cannot easily be filled up; and such a blank will be made on Mr. B's departure.

"SHIPPING INTELLIGENCE . . . DEPARTURES", The Sydney Gazette and New South Wales Advertiser (13 October 1840), 2

http://nla.gov.au/nla.news-article2549009 

For London, same day [11 October], the ship Eliza Frances, Captain Stains, with a cargo of Colonial produce. Passengers, Mrs. Stevens and child, and Mr. E. D. Barlow.

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald (7 September 1843), 2

http://nla.gov.au/nla.news-article12420023 

From London, last night, having left Gravesend the 8th, and Portsmouth the 10th May, the ship Persian, 600 tons, Captain Oppenheim, with a cargo of merchandise. Passengers . . . Mr. and Mrs. Barlow and child . . .

"FINE ARTS", The Sydney Morning Herald (16 October 1843), 2

http://nla.gov.au/nla.news-article12423111 

Mr. Barlow has just returned to the colony with a most splendid assortment of drawings and engravings of different descriptions, and has re-opened his old shop in Bridge-street. He has also brought with him the necessary apparatus for carrying on lithography on an extensive scale, and as he has inspected all the recent improvements, and been in the workshops of the first lithographers in London, we are in hopes that our Sydney artists will not in future be compelled to circulate an apology with every drawing they publish, on account of the manner in which the printing is done.

See also [Advertisement], The Australian (17 October 1843), 1

http://nla.gov.au/nla.news-article37118318 

"THE 'PERSIAN'. To the Editors of . . .", The Sydney Morning Herald (25 November 1843), 2

http://nla.gov.au/nla.news-article12408304 

GENTLEMEN, - I beg to call your particular attention to a statement which has appeared in your journal of to-day, wherein you state that only four married ladies were cuddy passengers on board the Persian, namely, Mrs. Miles, Mrs. Desandt, Mrs. Oppenheim, and Mrs. Brownlow. Mrs. Barlow was a cuddy passenger, and also on board, therefore two ladies were under the protection of their husbands, and not, as stated, only Mrs. Oppenheim. I sincerely hope you will correct this error in the most public way possible, as I consider my respectability more or less affected.
I remain, Gentlemen,
Your most obedient servant,
E. D. BARLOW.
Colonnade, Bridge-street,
Nov. 25th, 1843.

"DEATHS", The Sydney Morning Herald (9 December 1843), 3

http://nla.gov.au/nla.news-article12418196 

Yesterday, 8th December, at the residence of his father, Mr. E. D. Barlow, Colonnade, Bridge-street, Master Edward Mainwaring Barlow, grandson to the late Thomas Barlow, Esq., of Follington Park, Hornsey, England, aged eight years, after an illness of eight days.

"LITHOGRAPHY", The Australian (7 November 1844), 3

http://nla.gov.au/nla.news-article37121545 

We have been favoured with a drawing of Madame Adele Veilburn, in "the original Irish Jig," being No. 1 of Theatrical Portraits from the lithographic establishment of that indefatigable caterer for public taste Mr. E. D. Barlow, of Bridge-street. The likeness is exact, and the tout ensemble good, with the exception of the ankles which are a libel on the fair danseuse, being somewhat of the Mullingar species, "beef to the heels."

ASSOCIATIONS: Jane Adele Veilburn [Williamson] (theatrical dancer)

"SYDNEY NEWS", The Maitland Mercury and Hunter River General Advertiser (8 February 1845), 3

http://nla.gov.au/nla.news-article671495 

A case of some interest was heard at the police office to-day. Mr. Barlow, the lithographic printer and publisher, of Bridge-street, appeared on summons, before Messrs. Stirling and Hollingsworth, to answer the complaint of Mrs. Barlow, from whom he had separated himself. It appeared that Barlow had persuaded his wife to occupy a cottage at Newtown, which he rented for her at 8s. a week, and allowed her 20s. a week for her own support. He went to the cottage, subsequently, and removed Mrs. Barlow's piano, and the principal part of her furniture, leaving her drawing room empty. Latterly, he had abused her very much, and threatened to turn her out of the cottage, and she, in consequence, now applied for an order of the bench for 40s., instead of 20s., a week, to enable her to support herself and pay rent in that style of respectability to which she was accustomed when residing under her husband's roof. Mrs. Barlow produced and read an extract from a letter she had received from her husband, in which he threatened to leave the colony, and thus compel her to earn her bread by her own accomplishments as a governess and music mistress. It also appeared that Mrs. Barlow had £60 or £80 a year, the proceeds of funded and household property in England, which her husband had been in the habit of receiving. Mr. Robert Johnson appeared on behalf of Mrs. Barlow, and Mr. G. R. Nichols conducted the defence. The hearing, of the case was adjourned, by mutual consent, until Monday, for the evidence of a material witness, who did not appear when called.

"CLAIM FOR MAINTENANCE BY A WIFE", The Sydney Morning Herald (12 February 1845), 3

http://nla.gov.au/nla.news-article12877362

On Thursday and Monday last, the Police Court was engaged for several hours each day, in hearing an application by Mrs. Maria Sarah Lyons Barlow, for a separate maintenance from her husband, Edward David Barlow, artist, Bridge-street. From the case brought before the Court, it appeared that the complainant was lawfully married to the defendant, in London, about the year 1831, that he afterwards left her for a period of six years without, any means of support, after which he again joined her and brought her with him to this colony; that she had a marriage settlement of from £60 to £80 per annum, of which he had hitherto received all the proceeds, and that papers had, since their arrival in this colony, been sent home, to secure to him whatever proceeds might be available from the said settlement; while Mrs. Barlow was confined to her room by indisposition in October last, her husband told her that he had made up his mind to live apart from her, as he had found a real lady with whom he could be more comfortable than with her, Mrs. Barlow, at the same time he wished to make such arrangements with her (Mrs. Barlow,) as would prevent any thing like a rupture between them, from getting before the public. Mrs. Barlow, in reply, told him that her affection for him was unchanged; but that if it would conduce to his happiness, she would take up her lodgings elsewhere, provided he found her the means of subsistence; he accordingly took a cottage for her at Newtown, for 12 months, at a weekly rent of 8s, per week, and agreed to pay her 20s. per week for maintenance. Soon after Mrs. Barlow had gone to reside at Newtown, a female, who gave her name as Madame Hartnell, late Mrs. Hartwell, alias Miss Myers, was received by Mr. Barlow into his residence, as housekeeper, and discharged the duties of that station without any remuneration. Mrs. Barlow, it appeared, called several times, and had words with the housekeeper, on which, Mr. Barlow availed himself of Mrs. Barlow's absence from the cottage at New Town, which he entered, and carried off Mrs. Barlow's piano-forte, with other articles of furniture, some of which was placed in his own house in Bridge-street, and the rest sent to an auction-room and sold off. In consequence of this abstraction of the furniture, Mrs. Barlow's means of gaining a respectable subsistence by teaching music, &c., were materially narrowed, and she now sought to have an allowance of £2 per week made to her, as being what her husband's circumstances entitled her to, and what he was able to pay. Hartnell, the housekeeper, was called and examined at considerable length as to her previous history, from which it appeared that she arrived as a prisoner in this colony, and had obtained her freedom on the 23rd of October last; that she had been before the Maitland Bench, and also before the Hyde Park Barracks Court; that previous to her obtaining her freedom, she had subsisted by keeping a seminary for young ladies; and that although she assumed the designation of mistress, she never had been married. The witness declined giving the Court any information as to the manner in which she lived in Mr. Barlow's house. The defendant's landlord was called for the defence, to prove that he (Barlow) could not pay more than he was doing at present, as he owed him £80 for rent, £40 of cash borrowed, and £5 of a book debt, but did not owe any other person £10. His stock was at present unsaleable at any price. The Bench considered that on all the facts brought before it, Mr. Barlow was not in a condition to pay £2 per week, but ordered him to pay 30s. per week, on condition that Mrs. B. gave up possession of the cottage, which she agreed to surrender. After the case was decided, Mr. Barlow and Miss Myers left the Police Yard, arm in arm, amidst the jeers of the spectators.

"CLAIM FOR MAINTENANCE BY A WIFE. To the Editors of . . .", The Sydney Morning Herald (13 February 1845), 3

http://nla.gov.au/nla.news-article12877385

GENTLEMEN, From your usual impartiality, I have no doubt you will insert the following, in refutation of a statement which appeared in this morning's Herald. It is needless for me to state the various miseries I have undergone by my unfortunate alliance with Mrs. Barlow. So far from deserting my wife for six years (I was only in the colony four) and leaving her without support, I have her own receipts for money paid to her, by my departed mother, up to the period of my quitting this colony, in 1840.

Regarding the marriage settlement, I did not become entitled to the benefit of any property until the death of my parents, I made all property in future over to my wife and children (should she have any) before marriage. It is not in my power to receive any emolument whatever from the settlement, excepting through the signature of her receipt one of which was witnessed by the Rev. Dr. Cowper, and W. A. Miles, Esq., Police Magistrate, for the sum of £18 18s., one half-year's income. This is the only payment which has been made on the said settlement, here or elsewhere.

Mrs. Barlow stated I sold the piano. This I did, and sundry surplus furniture (leaving her four rooms and a kitchen amply full), the money of which was paid to Mr. Moffitt by Mr. Lyons for debt overdue. She had not the honesty to inform the Bench that she possessed a harp, plate willed to me by my parents, and the whole of the remaining furniture taken from my residence in Bridge-street.

About twelve months since, from her intolerable domestic behaviour, I was compelled to wait upon the Police Magistrate, at his private residence, to enquire how I should act in regard to separating myself from her, when I was recommended by that gentleman to apply to two friends, and advise with them. The furniture in the cottage she removed, leaving it almost desolate (to suit her purpose), in order to swear when asked by her solicitor, "What furniture have you in your cottage?" she might reply, "Scarcely anything." I most solemnly declare it was most against my desire, and the state of my finances, for her to leave the house in which I now reside, unless she went to England, and which offer was made to her and refused.

In conclusion, gentlemen, I can prove, by written documents, that any necessity to which Mrs. Barlow might have reduced herself, during my absence from England, was solely owing to her own misconduct, and this I can conscientiously swear on oath.
Yours respectfully,
E. D. BARLOW.
February 12.

See also "A HOUSEKEEPER", Parramatta Chronicle and Cumberland General Advertiser (15 February 1845), 3

http://nla.gov.au/nla.news-article228249533 

And, "THE SORROWS OF BILLY BARLOW", Bell's Life in Sydney and Sporting Reviewer (25 January 1845), 3

http://nla.gov.au/nla.news-article59764720 

[Advertisement], The Maitland Mercury (6 December 1845), 3

http://nla.gov.au/nla.news-article676916

MR. E. D. BARLOW (late of No. 9, Bridge-street, Sydney,)
wishes to apprise the gentry and public of Maitland and its vicinity that he intends making a Short Stay in High street (next door to Mr. Stark's),
where he hopes to give every satisfaction to those who honor him with their patronage.
Profiles (warranted Likenesses) from 2s. 6d. up to 10s.
Lithography done accurately and with speed.
Music Copied, 6d. per page
. Every kind of Ornamental Painting executed.
Plans drawn on moderate terms.

[Advertisement], The Maitland Mercury (13 December 1845), 3

http://nla.gov.au/nla.news-article677133

MR. E. D. BARLOW would wish to impress upon the minds of all to whom his services may be available that his stay in Maitland is but protracted; therefore no time should be lost.
Profiles, 2s. 6d. each (Illuminated, and warranted Likenesses).
Music copied. Lithography executed at an hour's notice!!! &c., &c.
ON SALE, A Choice Collection of DRAWINGS, in Pencil and Water Colours.
High-street, West Maitland, next door to Mr. Stark's, baker.

"SHIPPING INTELLIGENCE . . . CLEARED AT THE CUSTOMS", The Australian (19 May 1846), 2

http://nla.gov.au/nla.news-article37158889 

May 16 - The barque Sultana, 374 tons, Langford master, for London. Passengers . . . Mr. Barlow . . .

England census, 1861, St. Pancras, London; UK National Archives, RG9/101/7/7

https://www.ancestry.com.au/discoveryui-content/view/8562993:8767 (PAYWALL)

17 Charlotte St. / Edward D. Barlow / Head / Mar. / 53 / Auctioneer Agent / [born] [Middlesex] Fleet St . . .
Susannah J. [Barlow] / Wife / Mar. / 30 . . .

"Coroner's Court, This Day", Evening News [Sydney, NSW] (17 January 1870), 2

http://nla.gov.au/nla.news-article107133245 

The City Coroner this morning held an inquest at the Kingston Hotel, Regent-street, Newtown, upon the body of a Mrs. Maria Sarah Lyon Barlow, who expired suddenly on Friday last. Mrs. Jane Crawley deposed that she resided in Wellington-street, Newtown, next door to the house in which deceased resided. Witness saw deceased on Tuesday last, when she was in her yard, and she inquired how she was. Mrs. Barlow replied, "I am very unhappy," and then went inside. On Thursday witness again saw deceased at her door, but did not speak to her. On Saturday evening, about 8 o'clock, healing that Mrs. Barlow, who lived alone, had not been seen since Friday morning early, witness went to her house and knocked at the door but received no reply. She then sent for constable Clarke who, when he came, desired her to lift the window up. This she did. The constable then lit a match, and witness on looking in through the window saw deceased lying on the floor. Clarke afterwards left, and sergeant Flaherty came. He got into the house by the window and opened the front door. Witness then entered and ascertained that Mrs. Barlow was dead. Deceased was lying, when found, upon her left side, and was only partially dressed. The bed was not made and appeared as if it had been but recently left by Mrs. Barlow before she expired. Ellen Began, the milkwoman, who was in the habit of supplying deceased, stated that she called as customary at about a quarter to 8 o'clock. She saw a cup left, as usual, for her upon the window sill, and she put the milk in it. While doing so witness heard some person in the bedroom and fancied she head deceased's voice. On Saturday morning Mrs. Regan called again, but found that the milk left by her on the previous day had not been removed from the cup, and that the window was partly open as it had been on Friday. By the testimony of a Mr. W. G. Hone, it appeared that deceased was a native of Dulwich, England, and had been separated from her husband, Edward David Barlow, who resides in London, about twenty years. She was about 55 years of age, and formerly resided with Mr. Barlow, in Bridge-street, Sydney. Dr. Sedgwick deposed that he had made a post mortem examination upon the body of deceased from the result of which he formed the opinion that she came by her death through an attack of sanguineous apoplexy. The jury returned a verdict in accordance.

1870, marriage solemnized at St. Paul's Lisson Grove in the parish of St. Marylebone in the county of Middlesex; register [1870], page 72; Lonbdon Metropolitan Archives

https://www.ancestry.com.au/discoveryui-content/view/2734701:1623 (PAYWALL)

No. 143 / April 7th / Edward David Barlow / 62 / Widower / Auctioneer & Agent / 9 Dorchester Place Blandford Sq're / [son of] Thomas Barker / Gentleman
Susanna Jane Cooper / full [age] / Spinster / - / 36 Charlotte Str. Fitzroy Sq're / [daughter of] William Cooper / Florist . . .

[Notice], New South Wales Government Gazette (2 August 1870), 1631

http://nla.gov.au/nla.news-article223530432 

In the Supreme Court of New South Wales. ECCLESIASTICAL JURISDICTION. In the estate and effects of Maria Sarah Lyon Barlow, late of Sydney, in the Colony of New South Wales, deceased. NOTICE is hereby given, that after the expiration of fourteen days from the publication hereof, application will be made to this Honorable Court, in its Ecclesiastical Jurisdiction, that letters of administration of the goods, chattels, credits, and effects of the abovenamed deceased be granted to William Gosling Moore, of Sydney aforesaid, Esquire, the duly constituted attorney of Edward David Barlow, of number thirty-six, Charlotte-street, Fitzroy-square, in the County of Middlesex, in England, auctioneer and estate agent, the husband of the said deceased. - Dated this 5th day of July, A.D. 1870. STENHOUSE & HARDY, Proctors for the said William Gosling Moore, 49 Hunter-street, Sydney. 6s. 6d.

Bibliography and resources:

"Edward David Barlow", Design & art Australia online (DAAO)

http://www.daao.org.au/bio/edward-david-barlow

Edward David Barlow, British map engravers - a supplement

https://britishmapengravers.net/entries/b-entries/edward-david-barlow 

BARLOW, John Bolton (Samuel John Bolton BARLOW; Mr. J. BARLOW; Mr. BARLOW; John BARLOW; BARLOW the fiddler)

Musician, fiddler, violinist, cornet player, miner, farmer, vigneron

Born Rochester, Kent, England, 5 January 1826; baptised St. Margaret, Rochester, 1 February 1826; son of Thomas BARLOW and Eliza Ann COOKE (1804-1889)
Arrived Melbourne, VIC, 23 December 1854 (per Stebonheath, from London, 31 August, aged "21" [sic])
Married Annie WILLIAMS (c. 1834-1912), Beechworth, VIC, 26 March 1857
Died Barnawartha, VIC, 5 June 1893, aged "67/68"

https://trove.nla.gov.au/search?l-publictag=John+Bolton+Barlow+1826-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-John (shareable link to this entry)

BARLOW, William (William James BARLOW; William BARLOW; W. BARLOW)

Circus performer, equestrian, clown

Born Hackney, London, England, 1828; baptised St. John, Hackney, 1 June 1828; son of Thomas BARLOW and Eliza Ann COOKE (1804-1889)
Arrived Melbourne, VIC, 23 December 1854 (per Stebonheath, from London, 31 August, aged "28")
Married Mary Rose GRIFFITHS, St. Peter's church, Melbourne, VIC, 2 September 1857, aged "26"
Died Samarang, Java (Indonesia), 12 August 1893

https://trove.nla.gov.au/search?l-publictag=William+Barlow+1828-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-William (shareable link to this entry)

DISAMBIGUATION: Robert Barlow (vocalist, instrumentalist, "the inimitable Barlow")

Summary:

John Barlow, musician, and William Barlow, equestian, were sons of Eliza Ann Cooke, and grandsons of Thomas Taplin Cooke (1786-1866) and nephews of William Cooke (1808-1886) of Cooke's Circus.

They arrived in Victoria in December 1854 as part of an English troupe recruited by George Lewis for Astley's Amphitheatre, Melbourne, where their maternal cousin, Emma Lee, and her family were already performing.

Documentation:

Baptisms, St. Margaret, Rochester, Kent, 1826; register 1825-1831, page 204; Medway Archives, P305/1/7

https://www.findmypast.com.au/transcript?id=PRS%2FMEDWAY%2FBAP%2F0392230 (PAYWALL)

1 February 1826 / born 5 January 1826 / Samuel John Bolton son of / Thomas and Ann / Barlow / Cabinet maker

Baptisms solemnized in the parish of Hackney in the county of Middlesex in the year 1828; register 1823-40, page 26; London Metropolitan Archives, P79/Jn1/033

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_195155-00172?pId=2084031 (PAYWALL)

No. 203 / [1828] June 1 / William James s. of / Thomas & Eliza Ann / Barlow / Common Place / Cabinet Maker . . .

ASSOCIATIONS: His (? twin) sister Mary Ann was baptised in the same ceremony; their mother Eliza Ann Cooke (1804-1889) was the daughter of Thomas Taplin Cooke (1786-1866) and older sister of William Cooke (1808-1886), of Cooke's Circus (family troupe)

Names and descriptions of passengers per Stebonheath from London, 31 August 1854, for Melbourne, December 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF6D5EF-F96C-11E9-AE98-9DD57D8DEA70?image=160 (DIGITISED)

. . . . . . Reau Jean / 21 / Equestrian / Foreign // Marie / 28 / Wife . . .
Berg Adolphi / 43 / Equestrian / Foreign
Marie / 24 / Wife // Antoinette / 13 / Child // Robert / 9 // Matilda / 6 // Baptiste / 4
Birch Henry / 36 / Child [sic, Merchant] / English
Labalestrier Alfred / 22 / Merchant [sic, musician] / English [sic, Foreign]
Kelly John / 28 / Musician [sic, probably equestrian] / Foreign [sic]
Walker Henry / 36 / [Equestrian] / [Foreign]
Dherang Alfred / 22 / Equestrian / [? Foreign]
Stebbing Francis / 19 / Equestrian / [? Foreign]
Barlow William / 28 / [Equestrian] / [? Foreign]
Bingham Arthur / 35 / Equestrian / [? Foreign]
Adams Henry / 35 / Ringmaster / [? Foreign]
Bannister Richard / 32 / Equestrian / [? Foreign] . . .

https://prov.vic.gov.au/archive/3AF6D5EF-F96C-11E9-AE98-9DD57D8DEA70?image=161 (DIGITISED)

. . . Barlow John / 21 / Musician / English . . .

ASSOCIATIONS: Berg family (equestrians and dancers); Alfred Labalestrier (musician); Alfred Dherang (equestrian); Francis John Stebbing (equestrian)

[Advertisement], The Argus [Melbourne, VIC] (26 December 1854), 8

http://nla.gov.au/nla.news-article4802434 

ASTLEY'S AMPHITHEATRE, Spring-street. Solo Lessee - Mr. G. Lewis . . .
First Appearance of the London Company, on Boxing Night, Tuesday, December 26th.
Just Arrived, The Grand Equestrian Company, Per Stebonheath,
And will make their first appearance on this (Tuesday) evening,
Comprising the following talented Artistes: . . .
Mr. Barlow, the principal Equestrian Performer, from Astley's, London . . .

ASSOCIATIONS: George Lewis (proprietor); Astley's Amphitheatre (Melbourne venue)

[Advertisement], The Argus (15 January 1855), 8

http://nla.gov.au/nla.news-article4803121 

ASTLEY'S. Sole Lessee, Mr. G. Lewis. Treasurer, Mr. H. Birch.
Crowded nightly with beauty and fashion to witness Lewis's incomparable London Company . . .
Leader of the brass band, Mr. Hore
Leader of the stringed instruments, Mr. Barlow . . .
Mr. Barlow the Protean Horseman, will enact his equestrian gem of Change upon Change . . .

ASSOCIATIONS: Joseph Hore and family (musicians)

[Advertisement], The Argus (22 January 1855), 8

http://nla.gov.au/nla.news-article4803387 

ASTLEY'S. Sole Lessee, Mr. G. Lewis.
Treasurer, Mr. H. Birch, Manager, Mr. T. Nunn.
Leader of the Brass Band, Mr. Hore
Leader of the Stringed Instruments, Mr. Barlow . . .

"ASTLEY'S", The Argus (31 January 1855), 5

http://nla.gov.au/nla.news-article4803797 

The Amphitheatre was most numerously attended on Monday evening, a new feature in the entertainments, namely the production of the equestrian spectacle of "Dick Turpin," having proved most attractive. The hero of the piece was sustained by Mr. Barlow, who exhibited on the occasion a considerable amount of dramatic power. The mare, "Black Bess" proved herself to have been well trained; the various situiations in the spectacle which Turpin's celebrated mare is a prominent figure, being wonderfully pourtrayed by the beautiful animal. Mademoiselle Berg is decidedly the most accomplished lady performer in her line that we have seen out of London.

[Advertisement], The Argus (8 February 1855), 8

http://nla.gov.au/nla.news-article4804130

ASTLEY'S . . .
Leader of the Brass Band, Mr. Hore
Leader of the Orchestra, Mr. J. Barlow
Lessons in the art of Riding, and Horses broke for the field or road by Mr. W. Barlow, of whom cards of terms may be obtained . . .

[Advertisement], The Argus (16 April 1855), 8

http://nla.gov.au/nla.news-article4806795

ASTLEY'S. Open every evening.
Sole Lessee, Mr. G. Lewis . . .
Leader of the Band. Mr. J. Barlow.
Reduced prices - Dress Circle, 6s.; Boxes, 5s.; Pit, 3s.; Gallery, 1s. 6d.

"SUPREME COURT. NEW COURT. SITTINGS AT NISI PRIUS, Friday, 11th May, 1855 . . . BERG v. LEWIS", The Argus (14 May 1855), 6

http://nla.gov.au/nla.news-article4808076 

. . . This was an action to recover damages for breach of an agreement entered into between the plaintiff, in behalf of himself, his wife, his sister, and a boy, on the one side, with the defendant, the lessee of Astley's Amphitheatre, on the other side. The agreement was entered into through the agency of Mr. Henry Birch, who was, at the time of its execution, on a visit to England for the express purpose of engaging a troupe of equestrians, &c., in behalf of defendant . . .
Mr. William Barlow examined: Was an equestrian of sixteen years' standing. Came to this colony in the same vessel as the Bergs . . .
Re-examined: Had seen Mdle. Berg act at Franconi's. She performed the "trick act" there . . .

[Advertisement], The Argus (22 June 1855), 5

http://nla.gov.au/nla.news-article4809787 

ASTLEY'S AMPHITHEATRE. Sole Lessee, Mr. Geo Lewis.
This Evening, for the Benefit of Mr. W. Barlow [sic], Leader of the Orchestra.
First and only night, at reduced prices, of the Dramatic Equestrian Spectacle of Mazeppa; and entire change of performances . . .

[Advertisement], The Argus (3 July 1855), 8

http://nla.gov.au/nla.news-article4810894 

ASTLEY'S . . . This Evening (Tuesday), 3rd July,
For the Benefit of MR. W. BARLOW, The Premier Equestrian of Australia.
A variety of Novel Classical Scenes, never before attempted.
The Glittering King of the Air, by Mr. W. Barlow, and members of the Lee Family.
Marvellous Juggling Act by Mr. W. Barlow.
The Highly Trained Horse Australia, by Mr. W. Barlow.
Splendid Scenes of Equitation, &c., by the whole Strength of the Company.
To conclude with the Grand Spectacle of St. George and the Dragon. St. George, Mr. W. Barlow . . .

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (16 March 1857), 3

http://nla.gov.au/nla.news-article113014470

ST. PATRICK'S DAY. GRAND BALL
IN aid of the Funds for Building a Presbytery and Catholic Church in Beechworth, to be held in
MACKAY, MILLER., AND MACKAY'S STORE, FORD STREET . . .
REV. J. H. KENNEDY, Chairman . . .
ORCHESTRA. Conductor - Mr. Hurley
Leader - Mr. Osborne
Violin Primo - Mr. Osborne
Violin Secundo - Herr Weichmann
Violin Secundo - Herr Carll
Harp - M. Zeplin
Pianoforte - M. Carne
Contra Basso - Herr Esther
Picolo Solo - Mr. Hurley
Clarionet - Mr. Fowriere
Cornet a piston - Mr. Barlow
Trombone - Sig. Rangoni.
JAMES WHITE, R. O. O'CONNER, Hon. Secs. . . .

ASSOCIATIONS: J. P. Hurley (conductor, piccolo); Ferdinand Osborne (violin); George Frederick Zeplin (harp); Heinrich Weichmann (violin); Carl Esther (double bass); Antonio Rangoni (trombone)

[Advertisement], Ovens and Murray Advertiser (3 August 1857), 1

http://nla.gov.au/nla.news-article113016230

THE GRAND BALL, EL DORADO HOTEL,
Will take place on TUESDAY, FOURTH OF AUGUST.
A First-Class BAND is Engaged under the Direction of Mr. Ferdinand Osborne.
Solo - Petite Flute, Mr. HURLEY.
Cornet a Piston, Mr. BARLOW.
TICKETS For a LADY and GENTLEMAN - One Guinea

1857, marriages solemnized in the district of St. Peter's Melbourne; register 1856-57; St. Peter's Eastern Hill, M2/4

https://www.ancestry.com.au/discoveryui-content/view/10597:9732 (PAYWALL)

No. 876 / This [2 September 1857] at St. Peter's Church / William Barlow / Bachelor / [born] Hackney / Equestrian / 26 / [residence present /usual] Melbourne / [son of] Thomas Barlow Architect [and] Mary Ann Cook [sic]
Mary Rose Griffiths / Spinster / [born] Launceston Lancashire / - / 27 / [residence present /usual] Melbourne / [daughter of] Thomas Griffiths Captain [and] Mary Wagstaff . . .

"WOOLSHED (From a Correspondent)", Ovens and Murray Advertiser (21 October 1857), 2

http://nla.gov.au/nla.news-article113234961

The opening ball of the Hibernia Hotel came off last evening (Monday) in regular Hibernian style. At an early hour the friends of the worthy host gathered from the surrounding neighbourhood to the scene of action, where a very select number of the fair sex were in waiting to illuminate the pleasures of the ball. The orchestral arrangements were conducted by Mr. Griffith, cornet by Mr. Barlow, and the harp by Mr. Lyons. Never did the fantastic toe so lightly fly through the graceful motions of the dance - nor ever was more justice done to the true character of "granuale." From 9 to 5 o'clock in the morning the sport continued in the midst of tranquility and union . . .

ASSOCIATIONS: George Griffith (musician); John Christian Lyons (harp)

"POLICE COURT. Tuesday, 5th January, 1858 . . . WAGES", Ovens and Murray Advertiser (6 January 1858), 3

http://nla.gov.au/nla.news-article113236055

John Barlow claimed £1 for services as a musician from John Brock landlord of the Hibernian hotel. The agreement was that complainant might absent himself on any night except Saturday or Monday, on condition that he found a substitute; he had absented himself one night without complying with the term of the agreement, defendant therefore refused to pay him.
Zeplin v. Brock. Griffith v. Brock. These two cases were exactly similar to the above, and were all dismissed.

[Advertisement], Ovens and Murray Advertiser (17 March 1858), 3

http://nla.gov.au/nla.news-article113237131

THIS DAY. ST. PATRICK'S DAY.
St. Joseph's Catholic Church, BEECHWORTH.
GRAND HIGH MASS, With Orchestral Accompaniments. AT ELEVEN O'CLOCK.
ORCHESTRE. Mr. G. Griffiths, First Violin; Weichman, Second Violin; J. P. Hurley, Flute; W. Radford, Viola;
Mr. Barlow, Cornet; Jenkins, Sax Tuba; Wright, Violincello; Herr Esther, Double Bass.

ASSOCIATIONS: William Radford (viola)

[Advertisement], Ovens and Murray Advertiser (23 June 1858), 3

http://nla.gov.au/nla.news-article112896546

Star Theatre. Lessee - Mr. JAMES ELLIS.
IMMENSE SUCCESS OF THE PROMENADE CONCERTS, A LA JULLIEN.
THIS EVENING Wednesday 23rd June.
PROGRAMME: PART FIRST.
OVERTURE - La Dame, Blanche, Boieldira [Boieldieu]
QUADRILLE - Hibernian, with Solos for Cornet and Flageolet, by Messrs. Barlow and Kholer [sic] - Jullien
SONG, "My Mother, dear," Mr. O'Connor - S. Lover.
DUO CONCERTANTE - Violin and Piano - Sur des themes, Lucia di Lammermoor - Radford and Saqui.
SONG, "One careless word," Madame Vitelli.
WALTZ, St. Marie - Bosisio
POLKA, The Young Couple. - Cornet obligato, M. Kholer - Coote.
PART SECOND.
OVERTURE, "William Tell" - Rossini.
DUETT - Lucia - "When rolling waves divided," Madame Vitelli and Mr. J. O'Connor - Donizetti.
QUADRILLE - Caledonians, with Solos for Cornet and Flageolet, Messrs. Barlow and Kholer - Jullien.
SONG, "The Cavalier," Madame Vitelli - Balfe.
DUETT CONCERTINAS - The Brothers Kholer - Cave.
SONG, "Mary of Argyle," Mr. O'Connor.
GALOP - Spirit of the Ball - Fitzgerald.
Doors open at Half-past Seven; commence at Eight o'clock.
ADMISSION: ONE SHILLING.

ASSOCIATIONS: James Ellis (proprietor); Annie Vitelli (vocalist); Richard and John Wildblood Kohler (musicians); Austin Saqui (piano); Star Theatre (Beechworth venue)

[Advertisement], Ovens and Murray Advertiser (25 June 1858), 3

http://nla.gov.au/nla.news-article112896565 

Star Theatre . . . THIS EVENING, Friday, 25th June . . . [program as above]

[Advertisement], Ovens and Murray Advertiser (29 August 1859), 2

http://nla.gov.au/nla.news-article112904588 

STAR THEATRE, NEW BALLARAT.
Second Week and glorious success of the Star Concert Company.
Shouts of Laughter and Thunders of Applause, Testify to the excellence of this entertainment.
MRS. ANDREW in new and beautiful Ballads, and Comic Duets.
Mr. J. E. JOHNSON in fresh Local Lyrics, and Comic Ditties.
Master CHARLEY JOHNSON in another batch of Songs, Dances, and Ethiopian eccentricities.
Messrs. WATTS, RUXTON, and BARLOW will perform a variety of Orchestral Music, in their peculiar style of unapproachable excellence.
Admission, only 1s - Revived Seats 2s.
Open a Seven, commence at quarter to 8.

ASSOCIATIONS: Theresa Shirley Andrew (vocalist); Jovial and Charley Johnson (vocalists); James Watts (musician); Henri W. Ruxton (musician)

[Advertisement], Ovens and Murray Advertiser (29 October 1859), 3

http://nla.gov.au/nla.news-article112905463 

Star Theatre. HOME AGAIN. The Star Concert Company Augmented and Improved . . .
Miss Bartley, Mrs. Andrew, Mr. J. E. Johnson, Master Charley, Master Burgess, Mr. Ruxton, Mr. Barlow, Mr. Watts.
All these admirable performers will appear NIGHTLY in a Musical Terpsichorean MELANGE . . .
J. E. JOHNSON, Stage Manager.

ASSOCIATIONS: Miss Bartley (vocalist)

"CHILTERN (FROM OUR OWN CORRESPONDENT) September 22", Ovens and Murray Advertiser (23 September 1865), 3

http://nla.gov.au/nla.news-article112913488 

The amateur concert in aid of the funds of the Ovens District Hospital and Benevolent Asylum, came off in Peel's Theatre, on Wednesday night last. The audience was the largest that has assembled in Chiltern since the palmy days of the lower Indigo. The vocalists acquitted themselves very well, and were loudly encored. The first appearance of the serenaders was hailed with loud and prolonged cheers. Their portion of the entertainment gave general satisfaction, especially the badinage carried on by "Bones" and "Tambo." The musical department consisted of Messrs. Bennett, Barlow, and Weinberg, whose musical capabilities need no comment, as the names of these gentlemen are a sufficient guarantee to the public that the music was first-class. The gross proceeds of the house must have been nearly £40. At the close of the performance, the seats were removed, and those lovers of the light fantastic enjoyed themselves until about five o'clock in the morning.

ASSOCIATIONS: John Bennett (musician); Henry Weinberg (musician)

[Advertisement], Ovens and Murray Advertiser (25 August 1866), 3

http://nla.gov.au/nla.news-article112909918 

STAR THEATRE. CHILTERN. MONDAY, 27TH AUGUST.
A GRAND AMATEUR MUSICAL ENTERTAINMENT
WILL be given on the above night, in aid of the
CHILTERN ATHENAEUM.
Instrumentalists: Messrs. Weinberg, Barlow and Bennett . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (9 April 1868), 5

http://nla.gov.au/nla.news-article176996548 

An Entertainment was given at the Polytechnic Hall last evening for the benefit of Mr. Wm. Barlow, who suffered shipwreck in the Indian seas, and lost all his property. Mr. Barlow was known in Melbourne some time since in connection with tho circus business, and as proprietor of a troupe of performing dogs and monkeys. An excellent bill was provided, a large number of the dramatic and musical professions joining in the praiseworthy endeavor to assist one who, though outside their own circle, was familarly known to them . . . . . . the entertainment was made up by a variety of songs and other music, contributed by Miss Annie Bramley, Messrs. Kitts, Bachrach, Cowan and others. There was a good attendance.

ASSOCIATIONS: James Edward Kitts (vocalist); Martin Bachrach (vocalist); John Cowan (vocalist)

"THE TWO BARLOWS. TO THE EDITOR OF . . .", The Argus [Melbourne, VIC] (11 April 1868), 7

http://nla.gov.au/nla.news-article5813279 

Sir, - I do not know if your theatrical readers are generally aware of it, but the Mr. Barlow, whose shipwreck in the Indian Archipelago has occasioned so much sympathy and regret, is not the Barlow of "blue-tailed fly" celebrity. He, I am happy to believe, is at this moment quite well, and on his way to a neighbouring colony, and has not been shipwrecked this half-dozen years or more.
Your obedient servant, DROMIO.

ASSOCIATIONS: Robert Barlow (musician, vocalist)

"DEATHS", The Herald [Melbourne, VIC] (8 June 1893), 2

http://nla.gov.au/nla.news-article241445320 

On the 5th inst., at his late residence, The Retreat Vineyard, Barnawartha, John B. Barlow, in his 68th year. A colonist of 40 years. May his soul rest in peace.

"DEATH OF AN OLD RESIDENT", Ovens and Murray Advertiser [Beechworth, VIC] (10 June 1893), 6

http://nla.gov.au/nla.news-article200480806 

Another of the early settlers in the district has gone to his rest. On Monday Mr. John Balton Barlow [sic], proprietor of The Retreat Vineyard, Barnawartha, died in the sixty-eighth year of his age, cancer being the immediate cause of death. The late Mr. Barlow came to Beechworth when the town was only in embryo; and worked for several years as a miner in the neighborhood. From Beechworth he went to the Indigo, and was afterwards mining at Chiltern. In 1860 he acquired a farm at Barnawartha, and subsequently took to vinegrowing and wine-making, in which he was very successful; his vineyard having long been recognised as one of the best managed in the district. Some years ago, cancer developed in the liver, and this ultimately resulted in death. Deceased leaves a widow and a large family; and their grief will be shared by a great many personal friends by whom the late Mr. Barlow was held in very high esteem. The funeral will take place at the Barnawartha Cemetery this (Thursday), after noon, the cortege leaving The Retreat Vineyard at two o'clock.

"DEATH AT BARNAWARTHA", The Yackandandah Times [VIC] (10 June 1893), 2

http://nla.gov.au/nla.news-article144946532 

It is our painful duty to have to record the death of another of the old residents who helped to make that district what it is now. We refer to the late Mr. John Bolton Barlow of Barnawartha. The deceased has been ailing for the past 18 months, and on Monday evening he expired. The immediate cause of death was cancer on the liver. Mr. Barlow came to the colonies 40 years ago, and was for many years on the diggings at Beechworth, from whence he went to Chiltern, at that time known as New Ballarat. He was fairly successful as a miner, and about 34 years ago went in for farming, and some 25 years ago he began planting vines and afterwards essayed wine-making. He leaves behind him one of the best vineyards in the Barnawartha district. The deceased leaves a widow and 10 children, all of the latter being grown up. - "Register."

Probate, Samuel B. J. Barlow, vigneron, 1893; Public Record Office Victoria

https://prov.vic.gov.au/archive/D85B0656-F1D6-11E9-AE98-CD307B3FB114?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/BDDFD85D-F1E1-11E9-AE98-0507D7442DE2?image=1 (DIGITISED)

"Wills and Bequests", Table Talk (7 July 1893), 12

http://nla.gov.au/nla.news-article145711231 

Samuel Bolton John Barlow, of the Retreat Vineyard, Barnawartha, vigneron, by his will dated March 19, 1893, and presented for probate by Mr. G. E. Whitehead, of Chiltern, solicitor, appointed his wife Annie, sole executrix, and bequeathed the whole of his estate to her . . .

"IN MEMORIAM", The Age [Melbourne, VIC] (18 December 1894), 1

http://nla.gov.au/nla.news-article190015866

BARLOW. - On the 12th August, 1893, at Samarang, Java, William Barlow, nephew of the late Wm. Cooke, late lessee of Ashley's [sic, Astley's] Amphitheatre, London, and brother of the late John B. Barlow, "The Retreat" Vineyard, Barnawartha.

"Mummer Memoirs. MR. THOMAS KING REMINISCES . . . WILLIAM BARLOW . . . (By 'Hayseed')", Truth [Perth, WA] (19 November 1910), 10

http://nla.gov.au/nla.news-article211800576 

The veteran Tom King writes pleasantly, reminiscent of circuses and circus people . . .: . . .
Another old-time circus, proprietor who died out East was William Barlow. He died at Java. He was the greatest trainer of dogs and monkeys we have ever had in Australia. I went one trip with him through Tasmania and New Zealand. He was also good as a horse trainer. He went out to India with Matthews Brothers' Circus . . .

ASSOCIATIONS: Joseph Michael Forde ("Hayseed"); Thomas Lemon King (circus performer and proprietor)

BARLOW, Robert (Robert BARLOW; Mr. BARLOW; "the inimitable BARLOW"; W. R. BARLOW; also "William BARLOW"; "Billy BARLOW")

Musician, vocalist, multi-instrumentalist, delineator, comedian, songwriter, composer

Born Micklehurst, near Stockport and Manchester, England, March 1820; son of William BARLOW
Married Jane MATTHEWS (1823-1910), Rotherham, Yorkshire, England, 11 September 1843
Arrived Melbourne, VIC, 2 September 1852 (per Hamilton Cambell Kidston, from Glasgow, 21 May)
Died Gympie, QLD, 17 February 1907, aged "87"

https://trove.nla.gov.au/search?l-publictag=Robert+Barlow+1820-1907 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-B-1.php#BARLOW-Robert (shareable link to this entry)

Barlow in black-face, with banjo, from cover of American Barlow's original & popular Ethiopian songs (London, c. 1851]); from Johnson 2012, 96

Summary:

According to his February 1907 death certificate, Robert Barlow was born at Stockport (or, as in the 1851 census, at nearby Micklehurst), near Manchester, perhaps most probably early in 1820. One Gympie obituary noted that he had reached the age of 86, and the other that he would have reached his "87th year" - probably correctly his 87th birthday - the following month, March 1907.

He and his wife, Jane, described in the obituaries as "four years his junior" (probably born 1824), observed their 60th anniversary of their wedding at Rotherham church, Yorkshire, on 7 June 1905. However, as Rotherham church records for June 1845 show no such marriage, they either misremembered the year and date of the actual ceremony, or chose to keep another date as their anniversary. Their registered marriage was at Rotherham church on 11 September 1843; Robert, a confectioner by trade and son of William Barlow, also a confectioner, married Jane Matthews, a minor, and daughter of Thomas Matthews, a schoolmaster. Did the parties perhaps see the 1843 ceremony as a betrothal, and the later date - 7 June 1845 - marked Jane's coming of age, or the couple's finally leaving Rotherham?

Barlow's second Gympie obituary noted that he made his debut as a solo performer in Dublin at the age of 18, presumably then during 1838 or early 1839.

Billed as "Unrivalled [REDACTED] Singer, Mr. Barlow", he was first recorded appearing at the Royal Amphitheatre, Sheffield, on 8 July 1844, and next, at Batty's circus in Bury St. Edmunds, in November 1845, as "W. R. Barlow, the celebrated Negro melodist and banjo player, from the Bowery Theatre, New York". It is possible that he visited America, and performed there in some capacity, between his 1838-39 Dublin debut and his 1843 marriage; Another possibility was that he visited New York later, in 1844-45, after the wedding, but before the 1845 date the couple later observed as the beginning of their marriage. Or it is equally possible that the claim was simply untrue, but good publicity for a new black-face performer courting success.

In December 1845, having reached London for the first time, he began performing at the Grapes Tavern, Southwark, billed as the "American Barlow".

Having played regularly in London, as well as touring to Scotland and Northern Ireland for six years, he and Jane sailed from Greenock, Scotland, in May 1852 for Victoria.

Having landed in Melbourne on 2 September 1852, Barlow was advertised two days later to appear at Rowe's American Circus.

The song that our Barlow became most famous for in Australia was the Blue tail fly, better known today by its chorus "Jim crack corn", first published in the USA, c. 1846. The song had been first introduced to Australia a couple of years earlier, in Sydney in April 1850, by the so-called Ohio Serenaders, a ad-hoc local band of vocal and instrumental performers headed by Frank Howson at the Royal Victoria Theatre.

With thanks to descendent and family historian John Black for kindly sharing results of his research, July 2020

Documentation:

1843, marriage solemnized at the parish church in the parish of Rotherham in the county of York; Yorkshire Archives, PR/87/3/16/00250

https://search.findmypast.co.uk/record/browse?id=S2/GBPRS/YORKSHIRE/ENGLYOR1D_PR-87-3-16/00244 (PAYWALL)

No. 491 / September 11th 1843 / Robert Barlow / Full age / Bachelor / Confectioner / Well-gate / [father] William Barlow / Confectioner
Jane Matthews / Minor / Spinster / - / Well-gate / [father] Thomas Matthews / Schoolmaster . . .

[Advertisement], Bury and Norwich Post [England] (12 November 1845), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000156/18451112/010/0002 (PAYWALL)

BATTY'S MODERN ROMAN CIRCUS . . .
IN THE MEADOW, SHORT BRACKLAND, BURY, on WEDNESDAY, November 12th, 1845, For Seven Days Only . . .
MR. W. R. BARLOW, THE CELEBRATED NEGRO MELODIST and BANJO PLAYER, From the Bowery Theatre, New York . . .

[Advertisement], Lloyd's Weekly Newspaper [London, England] (21 December 1845), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000078/18451221/013/0006 (PAYWALL)

GRAND HARMONIC HALL, Grapes Tavern, Great Suffolk-street, Borough . . .
GREAT Novelties during the Christmas Holidays - Grand Concert every evening, supported by the following ladies and gentlemen: -
The celebrated Mrs. Charles, Miss Phillips, Mrs. Hooker, Mrs. Laburn, &c., &c.;
Messrs. Naphtali, Carr, Brown, Hyams, Cook,
American Barlow, the unrivalled [REDACTED] Singer, Yankee Palmer, and W. Warde -
Edquilibrists - Poses Plastiques - Tableaux Vivans - and Songs Illustrated - Each evening brings a change in the Amusements . . .
Proprietor, Mr. Pruce [sic]. - Conductor, Mr. W. Warde.

ASSOCIATIONS: Richard Preece (proprietor); W. Warde (vocalist, manager); in November 1848, Preece renamed the venue the Surrey Music Hall, the first venue to be named "music hall" (later again renamed Winchester Music Hall)

[Advertisement], Bell's Life in London and Sporting Chronicle (4 January 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18460104/004/0001 (PAYWALL)

GRAND HARMONIC HALL, Grapes Tavern . . .
GRAND CONCERT, of Vocal and Instrumental Music, EVERY EVENING. -
Engagement of the celebrated American Barlow (the Prince of [REDACTED] Minstrels).
The unanimous and rapturous applause which hailed the first appearance of this extraordinary performer, has induced the proprietor to effect a permanent engagement with him, to appear every Tuesday, Thursday, and Friday . . .

[Advertisement], Morning Advertiser [London] (14 March 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18460314/004/0001 (PAYWALL)

GRAND HARMONIC HALL, Grapes Tavern . . . Proprietor, Mr. PREECE . . .
Re-engagement of the renowned American Barlow, whose novel style of singing and banjo-playing, together with his extraordinary performance on the Canoe Fiddle has been nightly hailed with acclamations of wonder and delight.
The Proprietor has, therefore, at great expense, secured the exclusive services of this astonishing performer, who will appear every night during the week for a limited period.
Also will appear every evening that irresistably comic vocalist, Mr. W. Warde . . .

[Advertisement], The Era [London] (24 May 1846), 14

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18460524/033/0014 (PAYWALL)

Now ready, price 6d.
"LUCY NEAL, IF I HAD YOU BY MY SIDE HOW HAPPY I SHOULD FEEL."
BARLOW'S [REDACTED] MELODIST, containing Fifty celebrated American Ballads, as sung in America, also at most of the public amusements in London, and by the Ethiopian Serenaders.
This book will be sent to sent to any part of town or country, postage free, by forwarding eight penny stamps to Edmund Appleyard, Publisher, 6, Farringdon-street, London.
Sold by all booksellers and newsagents in the kingdom.

[Advertisement], Theatrical Times (17 October 1846), 196

https://books.google.com.au/books?id=euEIAAAAQAAJ&pg=PA196 (DIGITISED)

THE ORIGINAL [REDACTED] MELODIES. Now ready, price Sixpence (Post-free, Eight Stamps),
THE FIRST AND SECOND SERIES OF BARLOW'S [REDACTED] MELODIST. Each containing First new and choice Darkey Ballads, most of which are so spicy, that the Virginny [REDACTED] can't sing 'em without sneezing.
AMERICAN BARLOW"S being the only Copyright Series of the genuine Darky Chaunts, published in England, they contain Originals of which all other professed [REDACTED] Song Books are but miserable imitations.
CAUTION - Those small fry of literary speculators who prey upon the successful exertions of the more respectable portion of the Trade, are hereby cautioned, that any infringement of the Copyright in "BARLOW'S [REDACTED] MELODIST" - which has been secured at considerable outlay - will be promptly followed by legal proceedings . . .
LONDON: EDMUND APPLEYARD, 86, FARRINGDON STREET.

[Review], Blackwood's lady's magazine (November 1846), 229

https://books.google.com.au/books?id=dD4FAAAAQAAJ&pg=RA1-PA229 (DIGITISED)

Barlow's [REDACTED] Melodist. Appleyard, 86, Farringdon-street.
A very rich collection of [REDACTED] songs; full of life and happy hits, sufficient to keep a whole family in good humour for at least twelve months. Nothing could be more apropos than the publication of this spirited collection at the present season, when all eyes are abroad for something to excite an agreeable smile. "Buffalo gals, will you come out to-night?" and "Dere's some one in de house vid Dinah!" are two of the best morceaux.

[Advertisement], Freeman's Journal [Dublin, Ireland] (3 December 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18461203/001/0001 (PAYWALL)

JUDE'S NEW ASSEMBLY ROOMS, 12 GRAFTON-STREET, OPPOSITE WICKLOW STREET . . .
AMERICAN BARLOW, The Celebrated Transatlantic Musician and Melodist, late of the Portobello Gardens, will appear between the Characters and perform on the Banjo, and his Newly invented Philadelphia Canoe Fiddle . . .

[Advertisement], Daily News [London, England] (31 December 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18461231/027/0001 (PAYWALL)

GRAND HARMONIC HALL, GRAPES TAVERN . . . Proprietor, R. PREECE . . .
First appearance of American Barlow, whose novel performance has been nightly hailed with shouts of applause. Real Life in America - introducing the Songs and Dances as given by the [REDACTED] on the plantation grounds, accompanied by the Banjo, Canoe Fiddle, Tambo, &c. &c. . . .

[Advertisement], Morning Advertiser (3 April 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18470403/003/0001 (PAYWALL)

CREMORNE - the PLEASURE-GARDEN for the MILLION. - For THIS NIGHT ONLY. -
WILL OPEN on EASTER MONDAY [4 April] with a GRAND FETE AL FRESCO, including among the hundred and one novelties, the Ascent of that Columbus of the Skies, the veteran Green, in the Monstre Balloon, accompanied a dozen aeronauts . . . at Five o'clock.
Grand Vocal and Instrumental Concert. The American Barlow, the popular Banjoist and Negro Melodist . . .
Admission 1s. Children, half price . . . Sole Lessee, Mr. James Ellis.

ASSOCIATIONS: James Ellis (proprietor); Cremorne Gardens (London venue); see also [Advertisement], The Economist (31 July 1847), [unpag.]

https://books.google.com.au/books?id=8EdUAAAAcAAJ&pg=PA804-IA2 (DIGITISED)

CREMORNE - EVERY EVENING . . . Laurent's Band . . . American Barlow's Entertainment . . .

[Advertisement], Daily News [London] (7 April 1847), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18470407/051/0002 (PAYWALL)

LAURENT'S CASINO, ROYAL ADELAIDE GALLERY, STRAND, open every Evening during the Week . . .
All the New Parisian Polkas and Quadrilles. Band of 50 performers, conducted by M. Emile Laurent . . . the American Barlow (his first appearance), the facetious delineator of Negro eccentricities and character . . .

LAURENT'S CASINO, AT THE ADELAIDE GALLERY . . .", Lloyd's Weekly Newspaper [London] (3 October 1847), 10

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000078/18471003/030/0010 (PAYWALL)

. . . is announced to be opened to-morrow, under the sole direction of Mr. James Ellis, the spirited lessee of Cremorne Gardens, on a scale of extended splendour . . . and among the vocalists engaged, are Miss Pearce, Mr. James Perring, Mr. R. Glindon, and the American Barlow. Mr. Ellis brings with him nearly the entire establishment of Cremorne . . .

"THEATRICALS", Lloyd's Weekly Newspaper [London] (19 March 1848), 10

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000078/18480319/021/0010 (PAYWALL)

Mr. Trenklee, the celebrated comic singer, and Mr. Charles Matthews, the violinist, put forth a strong bill for Wednesday next, at the National Hall, Holborn, being for their joint benefit. Amongst the vocalists to appear are Miss Moriatt O'Connor, the Misses Wells, and Miss Townsend, Mr. Farquharson Smith, F. N. Crouch, Mr. Moody, Mr. Sharpe, and the John Parry of [REDACTED] vocalists, American Barlow. Miss Dinah Farmer will preside at the piano.

[Advertisement], Weekly Vindicator [Belfast, Ireland] (14 July 1849), 3

THEATRE ROYAL, BELFAST. UNDER MOST DISTINGUISHED PATRONAGE.
UNPRECEDENTED Attraction and Immense success OF THE CELEBRATED AMERICAN BARLOW, (From the Royal Adelaide Gallery and principal London Theatres).
MR. BARLOW has much pleasure in announcing to the Nobility, Gentry, and Inhabitants of Belfast and neighbourhood, that, at the suggestion of many respected Patrons, he has procured the Theatre Royal, for four nights only, for his Performance, which, at the Assembly Room, Commercial Buildings, has been so favourably noticed by the local press, and will have the honour of again giving his Entertainment at the above place,
MONDAY next, July 16, 1849, and on the three successive evenings.
Mr. B. has great gratification in being able say that he can render his attractions much more effective in future, owing to increased accommodation, the house throughout being better suited to his amusements.
Vocal and Instrumental Music; Negro Melodies and Anecdotes; Performance of Banjo, Castinets, Violin, Piccolo, Accordion, &c. &c.; Dissolving Views; Gorgeous Chromatropes; Sable Apollo; Imitation of Locomotive Engine, &c.
Mr. Barlow will also, for the first time, introduce his admired Juba Dance.
Mr. Ross, the celebrated Pianiste, will preside at the Piano Forte.
Doors open at Half-past Seven o'clork. p.m.; performance commencing at Eight precisely.
Prices Boxes, 6d; Second do.; Pit, 1s; Gallery, 6d. Second Price at Half-past Nine o'clock - Boxes, 1s; Second do., 1s; Pit, 6d.
Children and Schools Half Price. Tickets had Mr. Mathews, the Box Office, each day, from Ten till Two o'clock.

"PROVINCIAL THEATRICALS . . . SHEFFIELD", The Era (16 June 1850), 12

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18500616/027/0012 (PAYWALL)

Royal Casino, West-bar. (Proprietor, Mr. T. Youdan.) - No abatement in the amount of business done or the attractions presented. The American Barlow is in high favour, and has been re-engaged for another week. He appears each evening in a pleasant [REDACTED] Entertainment, in conjunction with the celebrated "Boz's Juba" . . .

[Advertisement], Morning Advertiser [London] (21 September 1850), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18500921/006/0001 (PAYWALL)

SURREY MUSIC HALL, Southwark-bridge-road, Borough -
Commencement of the Winter Season - New Arrangements -
First Appearance these Three Years of the renowned American BARLOW,
whose peculiar style of performance has been pronounced by the Press to be inimitable, will each evening make choice selections from his laughable characteristic personations, introducing songs, dances, and his extraordinary performance on various musical instruments . . .
Proprietor - Mr. R. Preece.

[Advertisement], Morning Advertiser [London] (18 January 1851), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18510118/022/0001 (PAYWALL)

SURREY MUSIC HALL, Southwark-bridge road . . .
Another new Musical Entertainment, written expressly for American Barlow,
Mock Nobility, or the Black Refugee, in which will be exhibited the eccentricities of the Negro character . . .

England census, 30 March 1851, Duddeston, Aston, Warwickshire; UK National Archives, HO 107 / 2061

https://www.ancestry.com.au/imageviewer/collections/8860/images/WARHO107_2061_2061-0931 (PAYWALL)

6A 13 Row / Robert Barlow / Lodger / 32 / Musician / Micksirt [sic] Wor[chestershire]
Jane [Barlow] / Lodger / 27 / Wife / Malvern Wor[cestershire]

[Advertisement], Aberdeen Press and Journal [Scotland] (4 February 1852), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000031/18520204/101/0004 (PAYWALL)

ADELPHI MUSIC HALL . . .
The HALL is opened every lawful Evening, for the purpose of Harmonic Re-unions, supported by the highly-gifted AMERICAN BARLOW, whose wonderful imitative powers are displayed in the depicture of the "Bee," the "Locomotive," &c., in addition to the development of his vocal abilities, sentimental and comic . . . MR. SAM COWELL . . . will make his first appearance on . . . February 9 . . . as LORD LOVEL and WILLIAM BARLOW . . .

ASSOCIATIONS: Sam Cowell (comic vocalist, in Billy Barlow character)

[Advertisement], Northern Whig [Belfast, Ireland] (7 February 1852), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000434/18520207/029/0003

Royal Hibernian Concert-Hall, 14, Smithfield. PROPRIETOR - MR. ROBERT CALVERT.
THE RENOWNED AMERICAN BARLOW. Who will make his First Appearance on Monday Evg. next, February 9th,
In his unrivalled entertainment, introducing the Rock Harmonicon, in his unrivalled Song of "The Blue Tail Fly,"
and accompanying his Songs with the Banjo, Violin, &c.
Concert to commence at Six o'clock each Evening. Admission Free.

ASSOCIATIONS: Rock harmonicon - a type of primitive xylophone, with plates made of stones of graded size and sounding pitch when struck

Australia (from 2 September 1852):

Names and descriptions of passengers per H. C. Kidston, from Greenock, 12 May 1852, for Melbourne, 2 September 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FC5616-F96C-11E9-AE98-D185E5E909BF?image=272 (DIGITISED)

. . . Mr. Barlow / 27 / Scotch / Teacher // Mrs. Barlow / 25 / Scotch / - [sic] . . .

[Advertisement], The Argus (4 September 1852), 5

http://nla.gov.au/nla.news-article255611987 

ROWE'S AMERICAN CIRCUS. Corner of Lonsdale and Stephen-streets . . .
J. A. ROWE, sole proprietor and manager . . . has the honor to announce the engagement of two celebrated artists, who will make their first appearance On MONDAY EVENING, SEPT. 6th, 1852,
The first appearance in the Colonies of the renowned American Barlow, the celebrated transatlantic musician and melodist, from the Royal Adelaide Gallery, Surrey Theatre, Cremorne Gardens, and principal London concerts. In his delineations of Negro character, Mr. Barlow stands unrivalled, having but just arrived from London.
Also, the celebrated Mr. Clark from Sydney, who will make his first appearance in his grand dislocation act on horseback . . .

ASSOCIATIONS: Joseph Andrew Rowe (proprietor); Rowe's American Circus (Melbourne venue)

[Advertisement], The Argus (8 September 1852), 3

http://nla.gov.au/nla.news-article4787055

ROWE'S AMERICAN CIRCUS . . . Third appearance of the renowned American Barlow . . . the justly celebrated Mr. Barlow, whose surpassing delineation of negro character has obtained for him from the London audiences and the Press the appellation of Prince of Ethiopian Comedians, in the original Juba Dance, which develops the most extraordinary muscular powers . . .

ASSOCIATIONS: This dance had been popularised in London by the performer known as Master Juba, in London with the Ethiopian Serenaders, with whom Barlow had appeared in London

[Advertisement], The Argus (10 September 1852), 3

http://nla.gov.au/nla.news-article255612093 

ROWE'S AMERICAN CIRCUS . . . THIS EVENING, 10TH SEPTEMBER . . .
Mr. Barlow will also display his exuberant powers on the Rock Harmonicon and other instruments, to illustrate Negro character, and conclude with the astonishing and indescribable Railway Overture . . .

[Advertisement], The Argus (28 September 1852), 5

http://nla.gov.au/nla.news-article4787353 

ROWE'S AMERICAN CIRCUS . . . THIS EVENING, TUESDAY, 28TH SEPTEMBER . . .
Mr. Barlow will introduce a new melody never before attempted in the Colony, and perform upon one of the sixteen instruments of which he is perfect master . . .

[Advertisement], The Argus (27 October 1852), 3

http://nla.gov.au/nla.news-article255612431

ROWE'S AMERICAN CIRCUS . . . WEDNESDAY EVENING, OCTOBER 27TH, 1852. Mr. Barlow's Benefit.
The far-famed delineator of Negro character, and the original blue-tailed Fly.
MR. BARLOW, having been received with demonstrations of of satisfaction and pleasure, most respectfully informs the gentry and inhabitants of Melbourne, that his benefit is fixed for the above evening, on which occasion will be brought forward entertainments that shall reflect credit on the establishment, strike the beholder with amazement, and will be pronounced the greatest night of the season . . .
for the first time in the Colonies, a very laughable Duet, entitled,
RECRUITING FOR THE WARS," Or, the Pleasures of a Soldier's Life.
Serjeant Cut-and-Slash - Mr. Barlow. Recruit, a Country Clodhopper - Mr. Riley . . .
Messrs. Barlow and Riley, the unrivalled delineators of Negro Life, will appear and introduce new songs, new conundrums, and new instruments, amongst which Mr. Barlow will bring forward his truly wonderful and novel American Canoe Violin, an instrument never before performed upon in the Colonies . . .
The whole to conclude with, for the first time here, a highly amusing afterpiece, written by Mr. Barlow, expressly for this occasion, entitled - The Musical Barber.
Black Barber, Mr. Barlow; Captain Cornet, alias Colermonica, Mr. Yemans; Mr. Smibrewe, a musical enthusiast, Mr. Riley; Miss Semibreve, Mrs. Rowe . . .

ASSOCIATIONS: John Riley (actor, comedian, comic vocalist)

[Advertisement], The Argus (7 February 1853), 8

http://nla.gov.au/nla.news-article4789575

MECHANICS' INSTITUTION, Great Collins-street.
On MONDAY EVENING, Feb, 7th, For the Benefit of T. P. BROWER, And last night but two of the Company . . .
Mr. B. also has the pleasure of announcing that, in addition to all the other varied and novel attractions, Mr. Barlow, the celebrated Ethiopian singer, by kind permission of Mr. J. A. Rowe, will perform several popular Airs on the Rock Harmonicon, formed of common pieces of stone, and played upon with sticks.
The above curious invention created a complete furor in England upon its first discovery, and is now being played with great success throughout the world.
Mr. Barlow will also sing a popular Ballad, accompanied by the full band of the Ethiopian Serenaders . . .

ASSOCIATIONS: Thomas P. Brower (minstrel), of Rainer's Serenaders (troupe); John Cragin Rainer (leader)

[Advertisement], The Argus (9 June 1853), 8

http://nla.gov.au/nla.news-article4793387 

ROWE'S AMERICAN CIRCUS . . .
Mr. Barlow will then sing that amusing song, "Rowe's American Circus" . . .

[Advertisement], The Argus (17 June 1853), 8

http://nla.gov.au/nla.news-article4793598 

ROWE'S AMERICAN CIRCUS . . .
Mr. Barlow, by desire, will sing his beautiful composition, "Ben Bolt's Reply" . . .

[Advertisement], The Argus (4 July 1853), 4

http://nla.gov.au/nla.news-article4794070 

OPEN Every evening - Admission one shilling - Salle de Valentino, late Noble's Circus, top of Bourke-street, east. Grand Promenade Concerts. Conductor: Mons. Fleury.
Principal vocalists, Miss Graham, Mr. Jaunton, and Mr. Barlow, the celebrated [REDACTED] melodist . . .
Proprietor and General Manager - Mr. JAS. ELLIS.
. . . The celebrated Barlow every evening.

ASSOCIATIONS: Amelia Graham (vocalist); James Ellis (manager); Achille Fleury (conductor); Salle de Valentino (Melbourne venue)

[Advertisement], The Argus (18 July 1853), 10

http://nla.gov.au/nla.news-article255611748 

EVERY Evening, at Nine o'clock. Mr. Barlow will exhibit the Golden Key to "Unlock the Lands!" Received with unbounded applause, nightly, at the Salle de Valentino.

ASSOCIATIONS: On the recent movement to make land more freely available to colonists, see "UNLOCK THE LANDS. MEETING OF THE COLONIAL REFORM ASSOCIATION", The Argus (12 March 1853), 9

http://nla.gov.au/nla.news-article4790613 

MUSIC: Unlock the lands (song, words only in The Victorian songster, 1855, see below)

[Advertisement], The Argus (27 July 1853), 8

http://nla.gov.au/nla.news-article4794986 

OPEN every Evening, the Salle de Valentino.
Proprietor, Mr. James Ellis, of Cremorne Gardens.
Grand Promenade Concerts, a la Musard. Conductor - Mons. Fleury.
The following vocalists will appear this week - Miss Louisa Urie, Miss Theresa Shirley, Miss Bourne, and Mr. Barlow.
Instrumental Solo Performers - Violins, M. M. Fleury and Paltzer, clarionet, Mr. Johnson; ophecleide, Mr. Hartigan, cornet-a piston, signor Maffei; sax-horn, Mr. Baker; flute, Mr. Murcell, contra basso, Mr. Hardman.
Programme for Monday, July 25, and during the Week.
PART I. Overture - L'Italiana In Algeri - Rossini
Valse - A deux temps - Jullien . . . Quadrille - Les Echos Suisses, with the original echo effect - Musard
Song - Mr. Barlow . . . Between the first and second parts, Mr. Barlow will introduce his popular entertainment Unlock the Lands, the Rock Harmonicon, etc. . . .

ASSOCIATIONS: Lousia Urie (vocalist); Theresa Shirley (vocalist); Georgina Bourn (vocalist); Jacques Paltzer (alias Sivorini) (violin); Henry Johnson (clarinet, master of the 40th band); Joseph Hartigan (ophicleide, 40th band); Joseph Maffei (cornet); William Baker (saxhorn, 40th band); Daniel Hardman (double bass); Murcell probably = Charles or John Murrell (40th band); Band of the 40th Regiment (military)

"PROMENADE CONCERTS", The Argus (1 August 1853), 5

http://nla.gov.au/nla.news-article4795189

Mr. Winterbottom was surrounded on Saturday night by a crowded and admiring audience . . . Notwithstanding the crowds at this concert, the Salle Valentino was filled to overflowing, and Mr. Barlow, with his monster key, unlocked the lands and gave little farms to all with his usual liberality and humor.

ASSOCIATIONS: John Winterbottom (musician, conductor, entrepreneur)

"THE 'DIGGINGS'", Brighton Gazette [Brighton, England] (4 August 1853), 7

https://www.britishnewspaperarchive.co.uk/viewer/BL/0000938/18530804/087/0007 (PAYWALL)

The following are extracts from an encouraging letter, the most encouraging we have seen, received recently by Mrs. Wooldridge from her husband, who emigrated to Australia about twelve months ago.

"Melbourne, Victoria, 12th March, 1853.
"Dear Wife, I have no doubt but that you have been impatiently waiting to hear from me again; and I should have written some time since, but for circumstances of a very unpleasant nature, which will be explained as I proceed with my letter. My last acquainted you with my safe arrival in the colony, also the difficulties we encountered in procuring lodgings and a place to leave our superfluous luggage while we proceeded to the diggings; but ultimately we left our things with Mr. Barlow, who married to Mrs. Atkins's sister. He is attached to a Circus company here, as [REDACTED] singer . . .

ASSOCIATIONS: Arthur and Susan Wooldridge (entertainers)

[Advertisement], The Argus (9 September 1853), 5

http://nla.gov.au/nla.news-article255612024 

CONCERTS at Sandridge. - Barlow's Sable Minstrels, Saturday, Monday, and Tuesday, Sept. 10th, 12th, and 13th, 1853.
Mr. R. W. Barlow wishes respectfully to return thanks to his numerous patrons during his engagement at Rowe's Circus, and at the Salle de Valentino, and begs leave to announce that he intends bringing before the public a newly arrived troupe of Sable Minstrels (direct from the United States, with the newest and most popular songs, etc., etc.), eight in number, whose equal has not appeared before in the colony, and for which purpose he has engaged Messrs. Walter and Co.'s large New Store, Marine-square, Nott-street, Sandridge, immediately behind Liardet's Hotel.
Admission, 5s. and 2s. 6d. For particulars see Programmes.

ASSOCIATIONS: Arrivals per Theoxena, from New York, on 14 August; see Barlow's Sable Minstrels (troupe)

[Advertisement], The Argus (17 September 1853), 8

http://nla.gov.au/nla.news-article4797158 

QUEEN'S THEATRE, Saturday Evening, 17th September, 1853.
Barlow's Sable Minstrels!
Mr. Barlow begs respectfully to announce that he intends giving a Concert at the above Theatre on Saturday evening next when he will introduce to the inhabitants of Melbourne a Troupe of Sable Minstrels, whose equal has not been heard before in the colony.
Signor Sivorini, Violin Primo, has been engaged as Leader, and will in the course of the evening perform some of his brilliant Solos.
Mr. Barlow will play some of his beautiful Solos on the Rock Harmonicon, and will sing his inimitable Song of the Blue Tail Fly, and will also in the course of the evening Dance Lucy Long, in Character.
Mr. Brice will appear in his Laughing Solos so celebrated in the United States.
Mr. Dixon will Sing the new and very popular Song of Poor Uncle Tom, founded on incidents in Mrs. Stowe's work of Uncle Tom's Cabin.
PROGRAMME: Part I. As Dandy Negroes of the North.
Overture - Fra Diavolo - Band
Opening Chorus - Hand Down the Banjo - Written expressly for this Band by Mr. Barlow, and now produced for the first time in Melbourne - Company.
Song - I See her at De Window - Barlow.
Song - Sweet Lilla Brown (New) - Swinerton.
Song - I'll Throw myself Away (New) - Brice.
Song - Jenny Lane - Dixon.
Song - Gal wid de Josey on - Scott.
Popular Local Song - Unlock the Lands - Barlow.
Song - Poor Uncle Tom (New) - Dixon.
The First Part to conclude with the Comic Chorus of Bow, Wow, Wow - Company.
Intermission of Ten Minutes.
Part II.
Solo on the Rock Harmonicon - Barlow.
Song - The Blue Tail Fly - Barlow.
Laughing Solo with French Concertina Accompaniment - Brice.
Part III. As Plantation Negroes.
Chorus - Happy are we, Darkies so gay - Company.
Song - Fire down Below - Swinerton.
Song - Young Flora (New) - Barlow.
Song - Ring, Ring de Banjo - Brice.
Song - Old Folks at Home - Dixon.
Song - Nancy Till - Scott.
Song - Oh! Lemuel - Brice.
Laughing Chorus - Stop dat Knocking - Company.
Violin Solo - Sig. Sivorini.
The whole to conclude with the cele[brated] Dance of Lucy Long.
Lucy Long - Barlow. Pink - Brice.
Doors open at half-past Six o'clock. Concert to commence at half-past Seven.
Prices of Admission - Boxes, 8s.; Pit, 5s.; Gallery, 3s.

ASSOCIATIONS: Sivorini = Jacques Paltzer (violin), "little Sivori"; James Brice (minstrel); Frederick Dixon (minstrel); Charles Scott (minstrel); John Jesse Swinnerton (minstrel)

[Advertisement], The Argus (23 September 1853), 3

http://nla.gov.au/nla.news-article255612122 

BARLOW'S Sable Minstrels - Wednesday, Thursday, Friday and Saturday next, September 21st, 22nd, 23rd, and 24th.
Mr. Barlow, begs respectfully to announce that he, accompanied by his unrivalled Troupe of Sable Minstrels, who were received at the Queen's Theatre, on Saturday evening last, with tremendous applause, intends giving a series of Concert Entertainments at Mr. Crowther's Rooms, the Terpsichorean Hall, top of Collins-street, between Russell and Stephen-streets, where Messrs. Barlow, Sivorini and Brice will perform some of their brilliant Solos . . .

"THE TERPSICHOREAN HALL", The Argus (24 September 1853), 5

http://nla.gov.au/nla.news-article4797368 

Barlow's Sable Minstrels succeed in their endeavors to please the public. The Hall has recently undergone renovation, and the place looks neat and comfortable. The performance of these Ethiopian Serenaders is well deserving of public patronage, and the jokes cracked between the various songs are extremely good . . .

"THE OPENING OF THE LONSDALE-STREET ARCADE", The Argus (26 September 1853), 5

http://nla.gov.au/nla.news-article4797423

The ceremony of opening the Arcade is announced to take place to day at eleven o'clock . . . A Promenade Concert will be given at 3 o'clock, Miss Miabella Smith, Miss Martin, Miss Lewis, Mr. Walsh, Mr. Gregg, Mr. Salamon, Mr. Barlow, and Mr. Winterbottom, have very, generously offered their services gratuitously . . .

ASSOCIATIONS: Meabella Smith (vocalist); Charlotte Martin (vocalist); Annie and Edward Salamon (vocalist "Miss Lewis", and pianist); Charles Walsh (vocalist); John Gregg (vocalist); Queen's Arcade (Melbourne venue)

"OPENING OF THE LONSDALES-STREET ARCADE. . . THE CONCERT", The Argus (27 September 1853), 4

http://nla.gov.au/nla.news-article4797476 

. . . The Concert was under the direction of Mr. Winterbottom . . . Mr. Barlow gave a comic song with great humor, in which the peculiarities of Melbourne were set forth in a manner to call forth much mirth . . .

[Advertisement], The Argus (27 September 1853), 8

http://nla.gov.au/nla.news-article4797456 

CROWTHER'S Rooms, Terpsichorean Hall, Every night this week. Barlow's Sable Minstrels:
Messrs. Barlow, Brice, Sivorini, Scott, Dixon, and Swinerton.
Slgnor Sivirini, violin primo, has been engaged as leader, and will in the course of the evening perform some of his brilliant solos.
Mr. Barlow will play some of his beautiful solos on the Rock Harmonicon, and will sing his inimitable song of the Blue-tailed Fly, and will also in the course of the evening dance Lucy Long, in character.
Mr. Brice will appear in his Laughing Solos, so celebrated in the United States.
Mr. Dixon will sing the New and Popular song of Poor Uncle Tom, founded on incidents in Mrs. Stowe's work of Uncle Tom's Cabin.
PROGRAMME. PART I . . . Overture - National - Full Band
Opening Chorus - Hand Down the Banjo
(written expressly for this Band, by Mr. Barlow) - Company
Song - Dolly Day - Brice
Song - Susy Dear (new) - Scott
Trio - Coal Black Rose (New Version) - Barlow, Bones and Tambo
Song - Dandy Broadway Swell - Swinerton
Song - Where am my Pompey gone - Dixon
Popular Local Song - Unlock the Lands - Barlow
Song - Poor Uncle Tom (New) - By desire - Dixon
Song - Dunna go way, my Linda, love (New) - Brice
Song - Nancy Till (New) - Scott
The First Part to conclude with the Laughing chorus of Stop dat Knocking - Company
Intermission of ten minutes.
PART II.
Rock Harmonicon - Barlow
Bone Solo - Barlow
Duetto (Banjo and Violin) - Old Folks
at Home, with Variations - Barlow and Sivorini
Laughing Solo (with French Concertina accompaniment) - Brice
Violin Solo - Sivorini
Ballad - Dixon
The whole to conclude with the celebrated Dance of Lucy Long.
Lucy Long - Barlow. Pink - Brice
Doors open at a quarter past seven; Concert to commence at a quarter before eight o'clock.
Price of Admission: Reserved Seats, 4s.; Promenade, 2s.

[Advertisement], The Argus (1 October 1853), 8

http://nla.gov.au/nla.news-article4797659 

BLUE Tail Fly - Lost from the residence of Mr. Barlow, near Cremorne Gardens, Richmond, on Sunday last, a Newfoundland Dog, about four months old, black, with tip of tail, four feet, and stripe on face white. One Pound Reward for recovery. Answers to the name of Nero.

[Advertisement], The Argus (15 October 1853), 8

http://nla.gov.au/nla.news-article4798149 

QUEEN'S THEATRE - Barlow's Farewell Concert To-night.
A Grand Vocal Instrumental Concert, comprising characteristic illustrations of English and Irish Life, also genuine delineations of Negro Character, by Mr. Barlow, who begs respectfully to return thanks to his many patrons and friends, and to say that he has made every effort withing the reach of enterprise and energy, to procure a bill of entertainment which cannot fail to give general satisfaction to the enlightened public of Melbourne.
The following Talented Performers will appear: -
Mons. Paltzer Sivorini, late premier violinist in the orchestra of the King of the Belgians, and pupil of De Beriot.
Mis Louisa Urie.
Mr. Thomas Dixon [sic, Frederick], Tenor.
Mr. George Stanley, who will sing Russell's celebrated scena, The Ship of Fire.
Mr. J. Fairchild, Basso.
Mr. A. Oakey, late pianist to the Duchess of Kent, will preside at the Grand Pianoforte, and also play a Duet on the cornopean and pianoforte.
Mr. Barlow will, for the first time in the colonies, appear as Black Jullien, and perform on the following musical instruments:
- Banjo, Violin, Flute, Flutina, Pianoforte, Bones, Rock Harmonicon, Gridiron, and Concertina, and sing several Local Songs.
New song of The Arcade! The Blue Tailed Fly once more. Also, De Fire Flashing Wheel About, Tea Trip Squash'em Heel Go-a-head Plantation Dance! Likewise his never to-be-forgotten imitation of the "Slo'cum Slashom Squingine;" or Railway Overture; pronounced by the press to be a cleber piece ob Sheenery.
PROGRAMME - PART FIRST.
Overture - Violin and Pianoforte - Messrs. Paltzer and Oakey.
New Song - Opportunity - Mr. Barlow.
The Beauties of Ireland.
Irish Ballad - Katty Darling - Mr. Barlow.
The Rival Pipers; or, a Tear for Old Ireland.
Comic Song - The Lasses of Derry - Mr. Barlow.
Song - I'm Afloat - Mr. Geo. Stanley.
Ballad - Jessie, the Flower of Dumblane - Miss Urie.
Song - When I beheld the Archer - Mr. J. Fairchild.
Ballad - I would I were a Boy again - Mr. Dixon.
Comic Song - Local - Mr. Barlow.
Solo (Violin) - Ma Coline - Mons. Paltzer.
Duetto - Cornet and Pianoforte - Mr. A. Oakey.
End of Part first - An elapse of ten minutes.
PART SECOND.
Waltz - Violin and Pianoforte - Mons. Paltzer and Oakey.
Descriptive Song - The Ship on Fire - Mr. Geo. Stanley.
Ballad - Bonny Betty Lee - Miss Urie.
Negro Entertainment, a la Black Jullien.
Solo - Cornet.
Ballad - Thou art gone from my gaze - Mr. Dixon,
Solo-Violin (Passionato) - Mons. Paltzer.
Duet - Banjo and Violin (with variations) - Messrs. Barlow and Paltzer.
Song - Blue Tailed Fly, Railway Overture, and Plantation Dance - Mr. Barlow.
Doors open at half-past seven. Performances commence at eight o'clock.
Admission: - Boxes, 8s.; Pit, 5s.; Gallery, 2s.
God Save the Queen.

ASSOCIATIONS: Queen's Theatre (Melbourne venue)

"THE QUEENS THEATRE", The Argus (17 October 1853), 7

http://nla.gov.au/nla.news-article255612317 

Barlow's farewell concert came off with triumphant success at the Queen's Theatre on Saturday evening. As we mentioned la our last publication, the programme was a varied one and gave great delight to an overflowing audience. It is understood that this "negro minstrel," intends taking a tour round the diggings at the earnest solicitations of his many friends, and there can be little doubt as to the profit which he will derive from a trip to the gold-fields - and well does he deserve it.

"MOUNT ALEXANDER ((FROM OUR OWN CORRESPONDENT) Forest Creek, 19th November, 1853", The Argus (26 November 1853), 4

http://nla.gov.au/nla.news-article4800038 

The celebrant Negro-Melodist, Mr. Barlow, has been engaged at Mr. Burton's Circus, at Castlemaine, for the last week or two. On Tuesday evening last a benefit was announced for that gentleman, and owing to a very favorable moonlight night, and Mr. Barlow's great celebrity, a crowded house was ensured. The performance was in the highest degree satisfactory, and Mr. Barlow delighted the audience with some of his masterpieces. His novel performance on the magical pieces of wood, and the common kitchen bellows surprised his hearers not a little. Mr. Barlow wound up the evening by singing "Ben Bolt," "The Bluebottle Fly," one or two others of his favorite songs. The performance of Mr. Holmes, as Clown, and Mr. Nunn, the conductor, was far beyond expectation. Mr. Barlow's engagement concludes to-night . . .

ASSOCIATIONS: Henry Burton (circus proprietor)

[Advertisement], The Argus (22 March 1854), 3

http://nla.gov.au/nla.news-article4804718 

SALLE DE VALENTINO, top of Bourke-street east.
Re-engagement of Barlow, the celebrated Trans-atlantic Musician and Melodist, for a limited number of nights.
Mr. Ellis begs to acquaint his patrons and friends, that he has determined to give a short Season of superior Promenade Concerts, On a scale far superior to any hitherto attempted in the Colony, for which he has secured the services of the Best Band in the Colony.
Leader and Conductor - M. Fleury. Together with the following Vocalists: -
Miss Octavia Hamilton, (from the Philharmonic Concerts,) and Mr. Barlow . . .

[Advertisement], The Argus (12 June 1854), 8

http://nla.gov.au/nla.news-article4809306 

CRITERION HALL, Criterion Hotel.
Grand Concert, This Evening, Monday, 12th June.
Mr. A. G. Barsham's First Appearance.
The Orchestra, consisting of the Criterion Band, and other Artistes, will play all the new and favorite pieces, amongst others, by particular desire, the Exhibition Quadrille, For this night only.
Miss Octavia Hamilton will sing the favorite Scotch Ballad and other Popular Songs.
And the inimitable Barlow will sing his new song - Russian Invasion.
Prices of admission: - Reserved Seats, 5s.; Back Seats and Promenade, 2s. 6d.
Doors open at half-past seven; Concert to commence at eight.
Leader of the Orchester - Mr. Weston.
Conductor - Mr. George Chapman.

ASSOCIATION: Albert George Barsham (vocalist, musician); Octavia Hamilton (vocalist); John Weston (violin, leader); George Chapman (conductor); Criterion Hall (Melbourne venue)

"GRAND PROMENADE CONCERT", The Argus (18 July 1854), 5

http://nla.gov.au/nla.news-article4795299 

On Saturday evening Mr. Winterbottom gave the first of a series of musical entertainments, which he designates as the revival of his promenade concerts, a la Jullien in Rowe's American Arena. The circus holds about thirteen hundred when full, and on this occasion there could not have been less that that number present, as the circus itself was crowded close up to the stage. The orchestral arrangements were of a very superior order, and comprised some of the best musical talent in the colony. Among the most distinguished artistes were Miss Octavia Hamilton, Mons. Barre, Herr Elsasser, Herr Strebinger, Mr. Johnson, the inimitable Barlow, and Mr. Winterbottom the prime mover and conductor . . . Surpassing all the rest, however, in the popularity and attractiveness of his entertainment, was that universal favorite of the Victorian public - the Inimitable Barlow. His "Russian Invasion," with a variety of encores, all equally pleasing, were received with bursts of applause, and so also was his performance on the rock harmonicon, a primitive kind of musical instrument, consisting of a series of loose stones, arranged along a stool, on which he executes a variety of airs, melodies, polkas, and quadrilles, with most elaborate variations and brilliant execution . . .

ASSOCIATION: Frederick Strebinger (violin); Anthony Barre (vocalist); Charles Elsasser (pianist)

[Advertisement], The Argus (18 July 1854), 8

http://nla.gov.au/nla.news-article4795309 

ROWE'S CIRCUS, Triumphant Novelty and Attraction.
Under the patronage of Everybody. Tuesday, July 18th, 1854.
For the Benefit of Mr. Barlow, the celebrated Vocalist.
A Card. Kind Patrons, - In announcing this my Benefit, for to-night, I would take this opportunity to express the deep sense of obligation under which your numerous favors have laid me, as well for the extensive patronage in public, and by the universal kindness in private relations. Trusting that the Entertainments will meet your kind approval, and ensure a bumper,
Believe me, ever yours to command, - BARLOW.
Barlow as Clown. Bringing forth New Conundrums, Newly-Imported Jokes of all Nations, &c.
First Night of Barlow's Feats of Strength, with Six Half-hunder weights. See him, and wonder at the performance.
For the first time, Barlow will introduce his wonderful invention,
The Speaking Automaton - A figure which, by the aid of machinery, can be made to speak sing, laugh, and utter any sentence the proprietor may think proper to suggest.
First Night of Barlow as a Vaulter, Tumbler, &c.
Barlow's Feats of Leaping.
Backward and Forward Bounding.
Barlow at Home on the Gridiron,
Barlow at Home on the Violin,
Barlow at Home on the Flute,
Barlow at Home on the Banjo,
Barlow at Home on the Rock Harmoneon,
Barlow at Home on the Concertina, and
Barlow at Home on the Kitchen Bellows.
On which instruments he will play Solos sufficiently soft and melting as to render de chops done on the Gridiron Licious and Lodious Music to all True Lovers of Gravy.
Barlow will Sing Local, English, Irish, Scotch, Operatic, and Negro Melodies - a perfect Musical Alla Podrida.
NOVELTY! NOVELTY!
Working hard and living thin,
Will make a body frightful;
But now you've time to joke and grin,
And make yourselves delightful . . .

"MR. WINTERBOTTOM'S PROMENADE CONCERTS", The Argus (25 July 1854), 5

http://nla.gov.au/nla.news-article4795522

. . . On Saturday night there were not less than from twelve to fifteen hundred persons present . . . Special commendation is due to Herr Strebinger, who . . . is a perfect master of the violin . . . Mr. Barlow is also deserving of the popularity he has acquired. The audience never allow him to escape under three songs for one, but his unvarying success must be encouraging. He is one of the few who, possessing. a clear and well-toned voice, unites with it a perception of the humorous, without descending to caricature or vulgarity. He is, therefore, a comic singer, who makes everybody laugh without those needless grimaces and distortions of the body which destroy rather than assist the expression of humor . . .

"ASTLEY'S AMPHITHEATRE", The Argus (28 September 1854), 5

http://nla.gov.au/nla.news-article4798223

On Tuesday evening Mr. Barlow takes his benefit at this popular place of entertainment, and we shall be much surprised if so popular a performer does not receive a well-merited recognition of his abilities. There never has appeared on the colonial stage a more versatile and popular singer than Mr. Barlow, nor one who more readily responds to the calls of the audience, He rarely escapes under eight songs, and then the audience seem to have a wish for more. Without vulgarity he is highly comic, and can be sentimental when he likes. On Friday night his admirers, and they are numerous, intend to present him with his portrait, painted by a gentleman who stands high in the profession; and although we have not seen the painting, we cannot doubt that it is a creditable specimen of the artistic ability which has been introduced into this colony. The portrait will be presented to Mr. Barlow publicly during the evening, in the Amphitheatre . . .

ASSOCIATIONS: Astley's Amphitheatre (Melbourne venue)

[Advertisement], The Argus (29 September 1854), 8

http://nla.gov.au/nla.news-article4798260

GRAND NIGHT At Astley's. Sole Lessee, Mr. George Lewis.
Conductor and Leader, Mons. Fleury. Friday, September 20th, 1854.
Presentation Benefit to Mr. Barlow, The celebrated and world-renowned vocalist, on which occasion he will introduce several new characters, new local songs, new chime band of harmonicons, new musical instrument, the flutonion.
First appearance of Barlow a la Fanny Elssler, with castanet accompaniment, in Spanish costume.
First appearance of Barlow as Chiccoboo, in full Indian costume, in which character he will represent several negro statues.
First night of Barlow as Black Paul Pry
The following Artistes will appear: Mrs. Testar, Miss O. Hamilton, Miss Warde, Mrs. Onn,
Messrs. Lyons, Roberts, Barlow, Johnson, Reed, Hartigan, King, Cooze, Baker, Herr Strebinger, Herr Collin, And LEWIS AND LITTLE TOM . . .
Mr. Barlow begs to inform his patrons that it is his intention to present each and every visitor on his Benefit night with his last new song "Forty Shillings, and Take Him Away" . . .

ASSOCIATIONS: George Lewis (proprietor); Elizabeth Testar (vocalist); Kate Warde (vocalist); Constantia Onn (vocalist); Thomas Reed (musician); Thomas King (musician); William Joseph Cooze (musician); Leopold Frederick Collin (musician)

"ASTLEY'S AMPHITHEATRE", The Argus (19 October 1854), 5

http://nla.gov.au/nla.news-article4799156 

This deservedly popular place of amusement was well filled on Tuesday night, notwithstanding the repeated heavy showers, which to a considerable extent lessened the effect of the different songs, Miss O. Hamilton and Miss Warde were enthusiastically applauded. Mr. Barlow was in full force, and his performances were appreciated even more highly than usual. The perfect order usually maintained in the amphitheatre was interrupted for an instant. An enthusiastic admirer of the fly-tragedy, earnest for the denouement, gave expression to the impatience he felt, but the manifestation of feeling called the dormant energies of the police into activity, and the gentleman was paraded up the steep steps of the gallery by two policemen, while Mr. Barlow happily diverged into the song of "Sich a getting up Stairs." The event and the appropriation of it by Mr. Barlow called down a universal shout of laughter.

"CRESWICK (From our correspondent) 9th Feb., 1855.", Geelong Advertiser and Intelligencer (17 February 1855), 2

http://nla.gov.au/nla.news-article91861800 

. . . The inimitable Barlow, with a German Band, has been during the week riding about in the day time in an open van, announcing performances in the evening at the Seven Stars Hotel, where he has met with pretty good success.

"BALLAARAT (FROM OUR OWN CORRESPONDENT) February 12th, 1855", The Argus (16 February 1855), 6

http://nla.gov.au/nla.news-article4804477 

The inimitable Barlow has been starring it here with his usual success. He held his first soiree at Bath's Hotel, in the township, on Saturday evening last, when the audience was very numerous and comprised all the elite of the diggings. J. M., the author of many of Mr. Barlow's most witty songs containing local allusions of a clever and unmistakable nature, and who is well known here, was called for at the conclusion of the performance, when he returned thanks with all his national and natural modesty, and attributed the success of his productions solely to the unique and perfect way in which they were given rather than to the words them selves, for which he claimed no merit.

ASSOCIATIONS: James Mulholland (songwriter, lyricist)

[Advertisement], The Argus (3 March 1855), 8

http://nla.gov.au/nla.news-article4805140

ASTLEY'S AMPHITHEATRE. To Night. Novelty! Novelty!!
Mr. Barlow, the celebrated Negro Melodist and performer on nearly a dozen instruments, will give one of his Entertainments at the above place this evening,
Saturday, March 3rd, introducing his vocal imitations of birds, bees, flies, kits, cats pigs, and poultry.
A splendid brass band, lately arrived from England, has been engaged by Mr. Barlow, and will perform during the evening.
PROGRAMME: - PART I.
Song - Opportunity, or Make Hay while the Sun Shines
Song - Honest Pride, or a Poor Man's Reward
Comic Song (Local) - The New Chum
Comic Song - His Adventures on the Diggings
Ballad - Home again! or Farewell Australia
Comic Song - Melbourne Insolvents, or How to Get the Insurance
Irish Comic - Mr. Terry O'Rann
New Local Song - Forty Shillings, and Take Him Away
An interval of ten minutes.
Negro Entertainment. PART II.
Opening Chorus: Hand Doon de Banjo (company), written by Barlow.
Negro Love Story (with Song of Dinah Crow) Banjo accompaniment
Negro Serenade - Off for Baltimore
Airs on the Rock Harmonicon, with Variations
Solo on the Concertina - Old Folks at Home
Comic - The Blue-tail Fly
Comic - Gridiron Solo, wid Mutton Chop accompaniments
Comic - The Learned [REDACTED] Man with Guitar accompaniments
PART III.
Ballad - Nancy Bell
Descriptive - The Lost Child
Adventures of Paganini; or the Magic Fiddle
Dolly Day; or a Life in Clover
Stop dat Knock; or I'll Broke open the Door
Old Aunt Sally; with Farmyard Imitation
I see Her at de Window; with Tyrolese Imitations
Grand Finale: Railway Overture; or De Go-a-Head, Slo-cum, Slo-shum Gingine . . .

"BENDIGO (FROM OUR OWN CORRESPONDENT) April 10th", The Age (17 April 1855), 7

http://nla.gov.au/nla.news-article154896641 

. . . Barlow, the negro melodist, and an excellent band, are going the round of the diggings. They are working a rich claim during the Easter holidays . . .

"SALLE DE VALENTINO", Ovens and Murray Advertiser [Beechworth, VIC] (5 May 1855), 4

http://nla.gov.au/nla.news-article113013399 

. . . . The great song of the evening was "Billy Barlow's Account of the Beechworth Assize Ball," which was sung with great spirit by Mr. Small, in which there were some capital hits . . . The veritable "Billy Barlow " has now arrived in Beechworth, and will perform this Evening (Saturday), at the Salle de Valentino, when we have no doubt he will have a crowded house.

ASSOCIATIONS: Joe Small (comic vocalist); Salle de Valentino (Beechworth venue)

[Advertisement], The Argus (19 October 1855), 2

http://nla.gov.au/nla.news-article4821204

MONDAY, 22nd OCTOBER. Richmond, Near the Cremorne Gardens.
Sale by Auction, Not of Shakspeare's House, But the Residence of Robert Barlow, Esq.,
Of Blue-tail'd Fly Notoriety, Who is leaving for the interior.

[Advertisement], The Argus (8 November 1855), 8

http://nla.gov.au/nla.news-article4822792

SALLE DE VALENTINO.
This Evening, First appearance of the celebrated, popular, and inimitable
BARLOW, The well-known "Blue-tailed Fly,"
Who will have the honor of introducing for the first time a new and brilliant entertainment, entitled
THE SIEGE OF SEBASTOPOL, Written expressly by Mr. James Mulholland for Mr. Barlow,
Who will open his series of entertainments on this evening with some of the newest of his comicalities
and appear again the favorite performer of this city,
"As he used to was about two years ago" . . .

"Forest Creek", Mount Alexander Mail [Castlemaine, VIC] (28 January 1857), 2

http://nla.gov.au/nla.news-article202633742 

The Red Hill Music Hall entertainments instead of flagging are becoming more attractive. On Monday evening, the 20th inst., the room was crowded to the door. All the artistes gave the highest satisfaction. Mr. Dixon seemed to surpass himself. His songs were well selected, and sung in excellent style . . . Miss Swannell sung with great spirit, and was rapturously applauded . . . Messrs. Small and Barlow sustain their former reputation; each is inimitable in his peculiar style.

ASSOCIATIONS: Louisa Swannell (vocalist)

[Advertisement], South Australian Register [Adelaide, SA] (29 October 1857), 1

http://nla.gov.au/nla.news-article49210711 

MUSICAL ENTERTAINMENT. WHITE'S ROOMS.
BARLOW, The world-renowned Versatile Humorist, Transatlantic Musician and Melodist, and original Blue-Tailed Fly, will make his
First Appearance in Adelaide, on Friday next, October 30, and give his unrivalled
VOCAL and INSTRUMENTAL ENTERTAINMENT, which has been so well received in the mother-country and in the sister colony of Victoria . . .

ASSOCIATIONS: White's Rooms (Adelaide venue)

"MR. BARLOW'S ENTERTAINMENT", South Australian Register (5 December 1857), 3

http://nla.gov.au/nla.news-article49207906 

Mr. Barlow, assisted by Mr. Baker, again delighted a crowded audience on Thursday evening, at the Port Theatre . . . Messrs. Barlow and Baker leave for Melbourne to-day in the White Swan.

ASSOCIATIONS: Ben Baker (minstrel performer); Port Theatre (Port Adelaide venue)

[Advertisement], The Argus (19 July 1858), 8

http://nla.gov.au/nla.news-article7297776

GRAND MUSICAL TREAT at
HOCKIN'S ASSEMBLY ROOMS, Lonsdale and Elizabeth streets.
BARLOW, The world-renowned and original
BLUE TAILED FLY, Who created such a great sensation in Melbourne five years ago,
will make his re-appearance, at the above rooms, for three nights only, on
TUESDAY, WEDNESDAY, and SATURDAY next the 20th, 21st, and 24th of JULY,
Assisted by MADAME ARNATI WHITE, From the Royal Academy of Music,
Also, Mr. WHITE, The celebrated Pianist;
with Mr. BEN BAKER, The great American Juba Dances and Banjo Player.
On this occasion Mr. B. will introduce many new songs, written by himself, comic and sentimental, viz:
"Home News, or the Princess Royal's Marriage;" "Bobbys of Victoria;" "Lords of Creation;" "Unlock the Lands, or, Kings of the Soil;" "The Working Man," "Chinaman's Ball;" "The Talented Man;" "Chinese Invasion," "Our Soldiers Abroad," &c.
Anecdotes of English and Irish Life. New Negro Melodies.
Vocal Imitations of Bees, Birds, Hogs, Dogs, Pigs and Poultry, Kits, Cats, Cows, Calves, Cockatoos, and Chinamen.
Also Solos on the following "Musical" Instruments:
Banjo, Violin, Flute, Pianoforte, Rock Harmonicon, Gridiron, Organ, Melophone, Bone Castanets, Guitar, and Kitchen Bellows - all played on by Barlow.
Barlow and Baker In their Vocal Delineations of Negro Life. Refrains, Duets, Conundrums, Dances, &c. . . .

ASSOCIATIONS: Emilia and Thomas White (vocalist, pianist); Hockin's Rooms (Melbourne venue)

"BILLY BARLOW IN BEECHWORTH", Ovens and Murray Advertiser [Beechworth, VIC] (11 November 1858), 3

http://nla.gov.au/nla.news-article117924472 

An advertisement in another column informs us that the well known original Billy Barlow has arrived in Beechworth. The celebrity which this talented comic singer has acquired on the lower diggings, and the metropolis, will certainly ensure him good houses during his stay amongst us . . .

"INDIGO (From our own Correspondent). Tuesday night . . . AMUSEMENTS", Ovens and Murray Advertiser (1 December 1858), 3

http://nla.gov.au/nla.news-article117924755

Billow Barlow [sic], that clever performer on every musical Instrument from a kitchen-bellows to a rock hormonican [sic], and, inimitable imitator of every living thing is nightly performing to crowded houses at Rielly's 'Telegraph' hotel . . .

"BARLOW'S PERFORMANCE", The Kyneton Observer [VIC] (20 January 1859), 3

http://nla.gov.au/nla.news-article240895512 

Last night, Mr. Barlow gave his farewell performance to a well filled house, at Mr. Emden's "Junction" Assembly room. He was well received, and warmly encored, - his master-piece, the Blue-tail'd Fly, being introduced to perfection, in his own inimitable style. He was assisted on the occasion by Mr. Woodin.

ASSOCIATIONS: Frederick Woodin (pianist)

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (30 August 1860), 5

http://nla.gov.au/nla.news-article199605589 

RE APPEARANCE OF THE INIMITABLE BARLOW AT FRYER'S CREEK.
CUMBERLAND HOTEL, FRYER'S TOWN On FRIDAY & SATURDAY, AUG. 31 & SEP. 1.
MR. BARLOW will give his Grand Vocal and Instrumental Entertainment,
introducing for the first time his Philadelphia Canoe Fiddle.
Also, His Last Composition, Barlow's DREAM OF SNOWY RIVER.
Front Seat, 3s. Back 2s. Commence at 8 o'clock.
NEXT WBLK at KANGAROO, PENNYWEIGHT. Mr. MOON, Agent.

"THE HOSPITAL BENEFIT. TO THE EDITOR", Bendigo Advertiser (22 September 1860), 2

http://nla.gov.au/nla.news-article87946727 

Sir, - In justice to myself I am sure you will allow me space to reply to a letter in your issue of to-day, headed, "Sham Charity," and signed by a Mr. Allen Reeve. The letter in question refers to an entertainment given by myself last night at Abbott's Lyceum, in aid of the funds of the Bendigo Hospital . . . I trust, Sir, I am too well known to the general public, for them to believe I would act such a dishonorable part, for during a residence of eight years in this country I have never before had such charges brought against me. It is well known I have played numberless times for the benefit of various charitable institutions, and am always willing to do so. In some places I have given the whole of the receipts, some a donation, and others acted as I have done here . . . In conclusion, I beg to state that about £27 12s is the amount taken, viz., £22 12s in cash and tickets sold by myself, and £5 by tickets sold by the committee.
I am, Sir, your obedient servant, ROBERT BARLOW.
Sandhurst, 21st September, 1860.

"THE GLEE CLUB", The Kyneton Observer (15 December 1860), 3

http://nla.gov.au/nla.news-article240850757 

On Monday evening last this club, by desire, gave another of their entertainments in the hall of the Duke of Kent Hotel . . . The inimitable Barlow assisted by giving his valuable services, upon whose appearance a burst of applause was the signal. He opened with his "Jaunting Car," which was sung by him in that rich, rare, and funny mood peculiar to himself. The same may be said of all his performance, and what is so astonishing, he appears as fresh to his audiences now as he did upon his first appearance in the colony, eight years ago. The Members of the Glee Club sang with their usual ability, and deservedly received great applause. Madam Francis presided at the piano-forte . . .

ASSOCIATIONS: Sophie Francis (piano); Malmsbury Glee Club (association)

"NEWS AND NOTES", The Star [Ballarat, VIC] (2 April 1861), 2

http://nla.gov.au/nla.news-article66338311 

The appearance of the inimitable Barlow at the Charlie Napier Concert Hall last night had the effect of drawing another good house. The Irish ditties which this gentleman sings possess a raciness about them peculiar to the soil, and could not fail to elicit rounds of applause, and afford considerable amusement to the persons present. The "Irish Jaunting Car" was sung in quite an original style, while his delineations of Negro burlesque are equally good if not better than his Irish ditties. The "Blue Tail Fly" was received with bursts of applause. Mr. Barlow's singing possesses considerable originality, and is void of those vulgarisms that otherwise mar a pleasing song . . .

ASSOCIATIONS: Charlie Napier Theatre (Ballarat venue)

? [Advertisement], Otago Witness [NZ] (14 September 1861), 4

https://paperspast.natlib.govt.nz/newspapers/OW18610914.2.13.5 

JOHN BARLOW, who left Manchester, England, in 1840, for New Zealand, by trade a Carpenter, has a LEGACY left him. For particulars apply to Robert Barlow, P. 0., Woodend, Victoria, Australia.

"Local News", Hamilton Spectator and Grange District Advertiser [VIC] (23 November 1861), 2

http://nla.gov.au/nla.news-article194860954 

Messrs. Rainer and Barlow gave their concerts each evening of their stay here to well filled houses. Many of the songs brought forward by them were quite new, and all very pleasing. The trio of "Beautiful Star," is a piece of music well adapted to their voices, and was sung with exquisite taste and judgment, eliciting, as it deserved much applause. Mr. Rainer's rendering of the "Paupers' Dirge," sufficiently attested the fame it had acquired for him; and the inimitable Barlow as the Ethiopian in the song of the "Bluetail Fly" - his performance on the Bellows, and the Rock Harmonicon - evidenced the versatile genius of this well-known colonial vocalist.

ASSOCIATIONS: John Cragin Rainer (vocalist)

"TOWN TALK . . .", The Herald [Melbourne, VIC] (5 July 1862), 5

http://nla.gov.au/nla.news-article244229618 

Coppin's Apollo Music Hall is to be opened for the first time to-night with a grand concert, in which Madame Carandini, Miss Chalker, the Misses Royal, and Messrs. Sherwin, Small, Tolhurst, and Barlow will make their appearance. Mr. George Loder is the musical director . . .

ASSOCIATIONS: Maria Carandini (vocalist); Lizzie and Kate Royal (vocalists); Walter Sherwin (vocalist); George Tolhurst (vocalist); George Loder (conductor); Apollo Music Hall (Melbourne venue); George Coppin (proprietor)

[News], The Argus (7 July 1862), 5

http://nla.gov.au/nla.news-article5717851 

The opening of "Coppin's Apollo Music Hall" - a portion of the new Haymarket Theatre buildings - on Saturday last was quite a "sensation" occasion . . . The comic vocalists were Mr. J. Small, and that very old favourite, the Barlow, once the delight of the Vauxhall and Cremorne of London, and who for ten years past has varied bucolic pursuits by an exhibition of such multifarious accomplishments as have rarely been possessed by one person. He was, perhaps, the hero of the evening, and at one time it appeared as though the audience could never sufficiently express their delight with the song of what Melbourne was ten years ago, and the "Blue-tailed Fly" . . .

"THEATRICALS AND MUSIC . . . THE APOLLO MUSIC HALL", Bell's Life in Victoria and Sporting Chronicle (2 August 1862), 2

http://nla.gov.au/nla.news-article199056251 

The principal novelty of the week has been a selection from Benedict's opera "The Lily of Killarney" . . . The gems have been the hunting chorus, a very spirited composition given with great effect, "Eily Mavourneen," by Mr. Sherwin, and "I'm alone," by Madame Carandini. The Hall has been well attended throughout the week, particularly last night, when "the inimitable Barlow" took his benefit.

1863 - ? visit to China

[Advertisement], The Age [Melbourne, VIC] (9 December 1863), 1

http://nla.gov.au/nla.news-article155019758 

NOTICE EXTRAORDINARY. Re-appearance on THURSDAY, 10th DECEMBER,
Of the INIMITABLE BARLOW, The world renowned and original BLUE TAILED FLY,
Who will givo the Choicest Gems of NEGRO MINSTRELSY, Vocal and Instrumental,
including his recent adventures in all China, and will introduce the celebrated
SHANGHAI CHICKEN, And BLUE TAILED FLY, &c., &c., &c.

"From 'Philo-Dramaticus,' TO THE EDITOR", The Era [London] (21 February 1864), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18640221/019/0006 (DIGITISED)

MELBOURNE, Dec. 25TH, 1863 . . . HAYMARKET. Mr. Barlow, Negro minstrel, banjoist, and blue-tailed fly, has been the principal attraction here, and with some light pieces and amateur performances, have filled out the remainder of the season . . .

Britain (1864-65):

"Royal Alhambra Palace", The Era [London, England] (25 December 1864), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18641225/012/0006 (PAYWALL)

. . . Mr. Barlow, a Negro comedian of polish and refinement, and one well known in London some years ago, will make his first appearance in England after an absence of fourteen years.

"PHILHARMONIC HALL. BARLOW, THE ORIGINAL BLUE TAILED FLY", North London News (4 February 1865), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000439/18650204/019/0003 (PAYWALL)

Novelty upon novelty characterise the management of the above favourite music hall, thanks to the proprietors, Messrs. Turnham and Adams, whose unflagging exertions and enterprising spirit catering for the amusement of the public justly entitle them to the flattering acknowledgments they receive nightly from crowded and enthusiastic audiences. This maybe accounted for the proprietors' well exercised discretion in the engagement of those artists whose abilities are of rare excellence, and about whom there cannot be two opinions. The proprietors, not content with their stock company, and desirous of giving their patrons the utmost value for the small amount of money that secures admission, have engaged at a large expense Barlow, the great Australian favourite, who made his first appearance at this hall on Monday evening last, and so pleased were we with his performance that we deem it due that talented gentleman to particularly notice the peculiarities of his entertainment.

Mr. Barlow possesses a very fine voice, which of course adds much to the good effect of his singing, and as a musician and dancer we could not speak too highly of him. His performance throughout was marked with much wit and humour, and his graceful impersonations and negro delineations were, to our mind, masterpieces in their way. We are glad to find that Mr. Barlow's exertions and abilities were adequately estimated by the large audience present, which was well demonstrated by the oft repeated cheering which greeted this talented artist.

Mr. Barlow commence his entertainment by singing a negro song, accompanying himself on the banjo, and concluding each verse with a dance. The manner in which acquitted himself in these particulars convinced us that was of no mean order. He then sang and related an incident which occurred to himself and one whom he mentioned as his lover whilst going to the Crystal Palace, in which he mimiced [sic] the railway train so natural with his mouth, banjo, and feet, as to make us imagine were travelling by it. He next gave a representation of catching the blue bottle, in which he was equally happy in his efforts, swelling the hall with the most natural buzzing of the fly. He then executed several airs on a musical gridiron of novel construction, which were marked with finished execution. We were next favoured with a Chinese song, which was composed by his friend, Mr. Charles Sloman. He accompanied himself in this also, and the applause which greeted him showed unmistakably the interest evinced by the audience, although not understanding the language. Altogether, nothing could be more enjoyable than Mr. Barlow's entertainment, and we advise all who have not as yet witnessed it to lose no time in doing so.

ASSOCIATIONS: Charles Sloman (songrwiter, composer)

New Zealand (1866):

"OTAGO", Australian and New Zealand Gazette [London, England] (3 March 1866),

https://www.britishnewspaperarchive.co.uk/viewer/BL/0004276/18660303/023/0007 (PAYWALL)

. . . During the month the burlesque company . . . have been performing very successfully in Christchurch. They were succeeded in Dunedin by Mr. Foley's equestrian troupe, who have had a very profitable visit. Mr. Raphael's graceful and daring riding has been very much admired. Mr. Barlow, a well-known and clever singer of negro melodies and an admirable performer on many extraordinary musical instruments, joined the troupe last week, and his talented performances have drawn very full houses . . .

[Advertisement], Otago Daily Times [Dunedin, NZ] (26 November 1866), 1

https://paperspast.natlib.govt.nz/newspapers/ODT18661126.2.2.7

THEATRE ROYAL. Sole Lessee - Mr. Sam Howard.
THIS EVENING (MONDAY), Nov. 26, Grand Complimentary Benefit tendered to Mr. Joseph Harding, by
WILLIAM BARLOW, The inimitable negro delineator, musician, and vocalist . . .
The performances will commence with the farce of THE REGULAR FIX . . .
after which, BARLOW'S DRAWING-ROOM ENTERTAINMENT. . ..

ASSOCIATIONS: Sam Howard (actor, manager)

Australia (by 1867):

[News], The Argus (1 January 1867), 5

http://nla.gov.au/nla.news-article5782499

Mr. William Barlow [sic], a vocalist whose popularity in Melbourne and Victoria dates fully fifteen years back, has returned to this country, via New Zealand, after a protracted visit to the British Isles.

[News], Launceston Examiner (4 February 1867), 2

http://nla.gov.au/nla.news-article36641694

WE refer our readers to an advertisement appearing elsewhere, which announces that Mr. William Barlow, the well known comic vocalist, and Mr. A. F. Spiller, the "champion skater," will appear at the Theatre Royal to-morrow evening. The programme is a very attractive one. It is almost unnecessary to say anything about Mr. Barlow's powers to enliven and charm an audience - he is too well known. But it may be mentioned that he has lately been on a tour through the various ports of the Indian and China Seas and there he has collected, from observation, manners and customs he intends to delineate and ridicule. He also intends giving "a narrative in song and verse of his perilous adventures when shipwrecked and attacked by pirates in the Chinese Seas" . . .

ASSOCIATIONS: Adolphus Frederick Spiller (skater, musician)

"THE TASMANIAN SONGSTER", The Mercury (11 May 1867), 2

http://nla.gov.au/nla.news-article8845769 

A new edition of the "Tasmanian Songster" is to be published this morning, and a copy of it now lies before us. It contains about fifty new and popular songs, including many of Barlow's best . . .

[News], The Cornwall Chronicle (18 May 1867), 4

http://nla.gov.au/nla.news-article72185481 

Mr. Davies has now on sale at the Havana House, "The Tasmanian Songster," of the size of "The Australian Journal," containing a great variety of the popular songs of the day. Amongst these are the choicest gems of the inimitable Barlow - "Round goes the World," "Old Sarah Walker," "Work, boys, work," "The Weepin' Willer," "Ching Chong Chow Chow," "Sweet Jenny," &c. . . .

ASSOCIATIONS: John Marryat Hornsby (compiler, publisher); no copy of this edition is known to survive

"THE TWO BARLOWS. TO THE EDITOR OF . . .", The Argus (11 April 1868), 7

http://nla.gov.au/nla.news-article5813279

Sir, - I do not know if your theatrical readers are generally aware of it, but the Mr. Barlow, whose shipwreck in the Indian Archipelago has occasioned so much sympathy and regret, is not the Barlow of "blue-tailed fly" celebrity. He, I am happy to believe, is at this moment quite well, and on his way to a neighbouring colony, and has not been ship-wrecked this half-dozen years or more.
Your obedient servant, DROMIO.

ASSOCIATIONS: William Barlow (circus performer); see "THE NEWS OF THE DAY", The Age [Melbourne, VIC] (9 April 1868), 5

http://nla.gov.au/nla.news-article176996548 

An Entertainment was given at the Polytechnic Hall last evening for the benefit of Mr. Wm. Barlow, who suffered shipwreck in the Indian seas, and lost all his property. Mr. Barlow was known in Melbourne some time since in connection with the circus business, and as proprietor of a troupe of performing dogs and monkeys . . .

[Advertisement], The Sydney Morning Herald (30 May 1873), 8

http://nla.gov.au/nla.news-article13314769

ROYAL VICTORIA THEATRE. Stage Manager - Mr. B. N. Jones . . .
Engagement for Six Nights only of the inimitable BARLOW.
The original "BLUE TAIL FLY." BARLOW - TO-NIGHT . . .

ASSOCIATIONS: Benjamin Naptahli Jones (actor, manager)

[News], Empire [Sydney, NSW] (21 July 1874), 3

http://nla.gov.au/nla.news-article60990254

The inimitable Barlow, with his troupe, opened for a short season at the School of Arts last evening; and, notwithstanding the great counteractions of the Opera and very bad weather, there was an excellent house to play to. The proprietor of the troupe styles himself "the Inimitable;" and he certainly proved himself entitled to that name. He is a host in himself, and quite capable of entertaining an audience without any assistance, or apparent distress to himself, for over two hours, during which time he will personate English, Scotch, Irish, Chinese, and [REDACTED], as well as perform in a very excellent manner on all sorts of instruments, from the bones to the rock harmonicon. But, like all men who are hosts in themselves, yet anxious to please the public to the utmost, he has engaged the services of two first-rate artists in the persons of Miss Adelaide Stoneham and Mr. H. Stoneham, with a very efficient pianist - Professor Goulstone; and the whole combined, small as the company is, keep the audience in a state of enjoyment and good humour for over three hours. In fact, if there is any exception to be taken to the entertainment, it is that the programme is too liberal and the performance thereof too long for that class of people who patronise the entertainments at the School of Arts. Of course, this is a mistake, but it is a mistake on the right side, which such an old general as the original "Billy Barlow" can easily - and no doubt will speedily remedy. It would be too great a call upon our limited space to detail the very lengthy and estimable programme, and therefore we must restrain our desire to speak at length of the capital troupe with the "inimitable Barlow" at its head, and content ourselves with strongly recommending all pleasure-seekers to pay the School of Arts a visit during Mr. Barlow's short stay. In addition to that gentleman's songs, which were all so splendidly rendered, that he had to accede to a unanimous call for encores, his selections on the rock harmonicon; his great Chinese burlesque on Chang, the giant, and Little Hongkong, the dwarf (written, invented, and performed by the only man fit to do so, Mr. Barlow), and his great original act of the "Blue-tail Fly" were so well given that he was forced to oblige his audience with a repetition, so great and so unanimous was the applause. Miss and Mr. Stoneham fill up the remainder of the evening in a very agreeable manner, and the entertainment, notwithstanding its unusual length, was very enjoyable, and worthy of the patronage of all those who believe in real talent, versatility, and right down fun without a shade or shadow of vulgarity.

ASSOCIATIONS: Adelaide and Harry Stoneham (entertainers); Harry Goulstone (pianist)

[Advertisement], The Age [Melbourne, VIC] (18 May 1880), 4

http://nla.gov.au/nla.news-article202142513 

THE INIMITABLE BARLOW. The Original Blue-tailed Fly,
After a residence of 27 years in the colony, Will give THREE FAREWELL ENTERTAINMENTS
At the THEATRE ROYAL On WEDNESDAY, THURSDAY and FRIDAY next,
Previous to his FAREWELL to AUSTRALIA . . .

"PATRIOTIC SONG ON AUSTRALIA (BY THE INIMITABLE BARLOW)", Gympie Times and Mary River Mining Gazette (1 January 1885), 5

http://nla.gov.au/nla.news-article168848771 

Old England's awake from her slumbers at last,
And turns her glad eyes o'er the sea,
On the bright sunny shores of Australia they're cast,
Where men are brave, mighty, and free;
A peace 'biding people they wish to remain,
With industry and honor blot out every stain,
And the land that's now pure ne'er be sullied again,
By a foe from a neighboring shore.

CHORUS.
Then shout for Australia's bright sunny clime,
Teeming with wealth, gold, diamonds, and wine,
And long may her sons triumphantly shine,
In defending the land of the free . . . [2 more verses]

[The "Inimitable" has set the above words to a stirring melody which has greatly pleased those who have had the privilege of hearing him sing the song.]

"MELBOURNE GOSSIP (FROM OUR SPECIAL CORRESPONDENT)", The Bendigo Independent (10 January 1894), 4

http://nla.gov.au/nla.news-article178723475 

. . . Sitting in the Alhambra the other evening . . . there came suddenly upon the stage a round figure with a cheery jovial face which seemed to have a laugh tucked into every wrinkle of it. This was no other, than the original and inimitable Billy Barlow, who used at the beginning of the fifties to be the great attraction of the Salle de Valentino, near the site of which the Princess Theatre was afterwards erected. Billy was certainly then inimitable, and is so now, for no human being has ever been able to reproduce as he does that buzz of the blue tailed fly. To see the old gentleman on the stage again, ruined late in life and forced back to his old profession for a living, was a painful sight. Still he sung the old song that he has sung for so many thousands of times - I had almost written years - and repeats the buzz of the pertinacious insect with a life and vigor that many men of forty do not possess . . .

"MOUNT MORGAN [FROM OUR OWN CORRESPONDENT]", The Capricornian (24 November 1894), 29

http://nla.gov.au/nla.news-article67857353

The evergreen Billy Barlow, or as he is better known, the "inimitable blue-tailed fly Barlow," appeared last night at the School of Arts to a fair audience, and kept them by himself for two hours in continuous laughter. The first portion of the entertainment consisted of a drawing-room performance, which concluded with his "Brushing away that blue-tailed fly," which brought forth immense applause. The second part of the entertainment consisted of variety business, and fairly took the audience by storm. Considering that Barlow is close on seventy-five years of age the great wonder is how he has preserved his voice and activity, which are equal, if not better, than when I saw him last, over twenty years ago. Miss Hetty Hickman presided at the piano, and accompanied the various songs with skill and precision.
Mount Morgan, 16th November, 1894.

"THE GOLD DIGGINGS. REMINISCENCES OF OLDER DAYS (By W. Round) No. 2", The Advertiser [Adelaide, SA] (7 January 1903), 6

http://nla.gov.au/nla.news-article4913248 

A favorite walk of mine in 1852 on Sunday afternoon was through the bush from Melbourne southwards and along the lagoon to St. Kilda . . . On arriving in Melbourne I was greatly astonished at the way the Land Act was administered . . . and many greybeards will doubtless recollect the ditty of "Blue-tailed fly" Barlow at the Sal de Valentino:
Unlock the lands, unlock the lands;
Is now the universal cry.
Unlock the lands; unlock the lands;
Or you shall know the reason why."

"Diamond Wedding", Gympie Times and Mary River Mining Gazette (10 June 1905), 2

http://nla.gov.au/nla.news-article188054210 

BARLOW - MATHEWS. - On the 7th of June, 1845 [sic], at Rotheram Church, near Sheffield, England, Robert Barlow to Jane Mathews. Present address - Crown-road, Gympie, Queensland.

See also accompanying story, "Notes and News", Gympie Times and Mary River Mining Gazette (10 June 1905), 3

http://nla.gov.au/nla.news-article188054262 

"'BILLY' BARLOW. DEATH AT GYMPIE", The Brisbane Courier (18 February 1907), 5

http://nla.gov.au/nla.news-article19488833

Mr. Robert Barlow, who was better known by the stage name of "Billy" Barlow, died here this morning, aged 87 years. The deceased in his time sang before audiences in England, on the Continent, and in China, and his song, "The Blue Tail Fly", was of world-wide reputation. He opened the Apollonian Hotel in Gympie in 1868, and celebrated his diamond wedding last year, his widow being four years his junior. Mr. Barlow was in fair health until a couple of weeks ago. He had been suffering from rheumatism. and the heat of the last few days accelerated his end.

"THE BLUE TAIL FLY. DEATH OF 'BILLY' BARLOW", Maryborough Chronicle, Wide Bay and Burnett Advertiser (19 February 1907), 3

http://nla.gov.au/nla.news-article148472730 

The death occurred at about 3 o'clock on Sunday morning of Mr. Robert Barlow, more generally and popularly known by his stage name of "Billy" Barlow (says the Gympie "Miner.") The deceased gentleman, who would have reached his 87th year next month, had been a constant resident of Gympie for the past 9 or 10 years, though Gympie was practically his home since the sixties. Deceased was born in England, and took to the stage at an early age. His musical abilities were such, that he quickly gained world fame, and it was not many years before he developed into one of the most celebrated Music Hall entertainers of his day. He travelled all over England, at first in connection with companies, and then on his own account. After touring England he came out to Australia, and his entertainment was recognised as the greatest "one man show" that ever visited this Continent. He has toured Australia several times, as well as America, Canada, the Continent, China and New Zealand. He first set foot in Gympie in 1868, after a sojourn in Ballarat and other parts Victoria, and built a hotel and music hall in Apollonian Vale, where Cox's Hotel now stands. At that time the New Zealand reef was in its prime. Mr. Barlow occupied the hotel for seven or eight years, performing nightly, after which he sold out and started on his travel's again, first touring New Zealand. He again visited Gympie, again toured New Zealand, and returned to the field for the last time about ten years ago.

His wife, who still survives him, during the earlier part of his career, accompanied her husband on his tours and played his piano accompaniments. He sang nothing bur his own compositions set to his own music [sic]. Among the most notable were "Billy Barlow and the Blue Tail Fly," [sic] "O Granny Snow," "Soldier and Sailor," "Hurrah for the Heads of Noosa," and a great many others. He was also a most successful step dancer, and could make music out of almost anything. The "Blue Tail Fly" is probably more associated with his name than any other of his songs. He sang it before the then Prince of Wales (now King Edward VII) on one of his trips to England, and also before the Duke of Edinburgh in Melbourne. "Barlow's turnout" was the best carriage and pair in Melbourne in those days, and was placed at the disposal of the Duke of Edinburgh, who invariably used it in his drives through Melbourne. Last year Mr. and Mrs. Barlow celebrated their Diamond Wedding - his wife is only four years his junior - and deceased entertained his guests with great spirit. In fact, he played the banjo and sang right up till the last few weeks.

ASSOCIATIONS: Alfred (duke of Edinburgh)