THIS PAGE FIRST POSTED 17 MARCH 2020
LAST MODIFIED Monday 22 April 2024 9:38
Camille Del Sarte and family
Dr GRAEME SKINNER (University of Sydney)
THIS PAGE IS ALWAYS UNDER CONSTRUCTION
To cite this:
Graeme Skinner (University of Sydney),
"Camille Del Sarte and family",
Australharmony (an online resource toward the early history of music in colonial Australia):
https://sydney.edu.au/paradisec/australharmony/del-sarte-camille-and-family.php; accessed 26 April 2024
DEL SARTE, Camille (Camille Auguste Achille DELSARTE; Camille DEL SARTE; Monsieur DEL SARTE; DEL-SARTE)
Musician, professor of music, vocalist, pianist, organist, bandmaster, composer, entrepreneur
Born Cambrai, France, 8 June 1818; son of Jean Nicolas Toussaint DELSARTE (1778-1846) and Aimee Albertine ROLAND (c. 1794-1837)
Arrived Adelaide, SA, 11 February 1851 (per Mazeppa, from Java)
Arrived Melbourne, VIC, 15 January 1852 (per Maid of Auckland, from Adelaide, 11 January)
Arrived Hobart Town, TAS, 14 December 1852 (per Union, from Melbourne)
Married Caroline Ann CONROY, Hobart, TAS, 7 February 1861
Arrived Sydney, NSW, by March 1865
Arrived Hobart, TAS, 30 October 1874 (per City of Hobart, from Sydney)
Died Hobart, TAS, 2 July 1877, aged "about 60"
https://trove.nla.gov.au/search?l-publictag=Camille+Del+Sarte+1818-1877 (TROVE tagged by Australharmony)
http://nla.gov.au/nla.party-1497874 (NLA persistent identifier)
Summary:
Camille Del Sarte (or Delsarte), was a younger son of the medical doctor and inventor, Jean Nicolas Toussaint Delsarte and his wife Aimee Albertine Roland.
There is a garbled report of his musical family connections in the Hobart press in 1858. However, he was, correctly, a younger brother of the internationally famous vocalist, singing teacher ("professeur de chant"), and movement theorist François Delsarte (1811-1871), and of Aimée Delsarte (1815-1861), an accomplished pianist and mother of the composer Georges Bizet (1838-1875).
By his own account, Camille himself had been associated with (or was "a member of") both the Paris Conservatoire ("Conservatoire Royale"), whether as a pupil or in some other capacity is unclear, and the Paris Opéra (the "Académie Impériale de Musique et Opéra Nationale"), perhaps as a chorus singer.
He came to Australia from Paris, via Java, in 1850-51, arriving and Adelaide on the Mazeppa, on 16 February 1851, in company with the equestrian showman Emile Caperre and his wife, a vocalist and dancer.
Del Sarte gave his first Australian concert in Adelaide in April 1851, during which he sang his own (lost) song Le chant beni des oiseaux. Evidently intending to settle, he applied and was granted for a liquor license for his Café Parisien in June, and made several more concert appearances, but by the end of the year seems to have determined to move on to Melbourne, and did so by early in 1852.
There, in March 1852 he advertised as a "Professor of Singing and Teacher of the Piano", and indicted "his intention to remain in Port Phillip". In the same advertisement he announced both his "first Australian composition" (lost), the Juvenile ball quadrilles, probably written for Eugene Paris's October ball in Adelaide; and his "first composition in Port Phillip", The faded rose (lost), written for the concert singer Elizabeth Testar.
But in January 1853, he moved on again to Hobart. There in June 1854 he introduced his ballad, Farewell (lost), sung by himself, and dedicated to Francis Hartwell Henslowe, a local amateur musician and composer, which according to the Courier, was "plaintive and pleasing . . . likely to become a favourite".
A copy of his composition Un rêve(romance musique) (lost) was among the Tasmanian exhibits sent tothe Paris Exhibition in 1855.
He was the proprietor of one of Hobart's main musical venues, Del Sarte's Rooms, on and off at various periods from 1854.
Del Sarte and family moved to Sydney in 1865. There, in 1867, he marked the visit of the French ship, the Marceau by publishing his Marceau galop.
His ballad, My tears for thee, which first appeared in 1868, was apparently popular enough to go into a fifth edition, issued by the publisher Robert Elvy.
Del Sarte returned to Hobart in 1874, and died there in 1877.
His daughter, Marie Albertine, was born in Hobart on 25 June 1863; she later appeared as an entertainer and vocalist under her married name as Mrs. Herbert Leslie Stoneham, and died in Melbourne, VIC, in 1936
Many thanks to Mark Jones for directing me to details of the Delsarte family in Waille 2009.
Documentation:
Acte de naissance, 1818. no. 344, Cambrai (Nord); Archives départementales du Nord
https://archivesdepartementales.lenord.fr/ark:/33518/n6wdhkr5tm24/345fcb6c-4235-4fe8-81c8-fcae8bdfae03 (DIGITISED)
[1818] le [8 juin 1818] . . . le sieru Jean Nicolas Toussaint Delsarte . . . marchand cafetier demeurant rue des Anglaises No. 118 à Cambrai . . . et d'aimée Emelia Albertine Roland . . . Camille Auguste Achille . . .
Adelaide, SA (16 February 1851 to 11 January 1852):
"SHIPPING INTELLIGENCE", South Australian [Adelaide, SA] (18 February 1851), 2
http://nla.gov.au/nla.news-article71686078
Feb. 16 . . . The barque Mazeppa, 180 tons, Marsh, master, from Java 1st January . . . Passengers per Mazeppa - Captain W. H. Lovitt, Mr G. Webster. Mons. and Madame Copiere [Caperre], Mons. Delsarte, in the cabin . . .
ASSOCIATIONS: Emile Caperre (equestrian) and wife
9 April 1851, Catherine Jupp's concert
"MRS. JUPP'S CONCERT, ON WEDNESDAY NEXT", South Australian Register [Adelaide, SA] (3 April 1851), 2
http://nla.gov.au/nla.news-article38436450
We understand that Mrs. Edward Jupp's endeavours to get up a good programme for her concert, on the 9th of this month, is likely to be most successful; for, in addition to its being Madame Allen's second appearance, Mons. Delsartes [sic] has kindly offered his valuable assistance, and the public may anticipate an unusual treat on the occasion.
ASSOCIATIONS:
"LOCAL NEWS", South Australian (8 April 1851), 3
http://nla.gov.au/nla.news-article71686492
Mrs. Edward Jupp has put forth a programme for to-morrow evening, which there is little doubt will attract a numerous company. A more brilliant vocal corps has seldom been engaged. Mrs Jupp is herself a very sweet singer, and many who were not present at Madame Allen's concert will be anxious to judge of that lady's talent. Report speaks highly of Mons. Del-Sarte. The names of Ellard, Wallace, Mater, Hunerbein, Daniel, Mccullagh, Walsh, &c are familiar, and always acceptable.
[Advertisement], South Australian Register (9 April 1851), 1
http://nla.gov.au/nla.news-article38443968
GRAND EVENING CONCERT . . .
MRS. EDWARD JUPP has the honour to inform her friends and the residents of Adelaide generally that her
CONCERT of Vocal and Instrumental Music, under the direction of Mr. S. W. WALLACE, will take place THIS EVENING (Wednesday), April 9th,
in the Commercial Exchange, King William street, when she will be assisted by
Madame Allen, Mons. Del-Sarte (who has kindly offered his valuable assistance on this occasion), Mr. S. Wallace, Mr. F. Ellard, Mr. J. W. Daniel, Mr. C. Walsh, Herr Linger . . .
PROGRAMME. PART 1 . . . 7. "Sans Amour," - Massini - Mons. Del-Sarte . . .
PART II . . . 6. Le Chant Beni des Oiseaux - Del Sarte - M. Del-Sarte . . .
MUSIC: Sans amour (Massini)
"MRS. JUPP'S CONCERT", South Australian Gazette and Mining Journal (10 April 1851), 2
http://nla.gov.au/nla.news-article195942093
A very numerously-attended concert was given at the Exchange last night by Mrs. Jupp, who was assisted by most of the principal vocal and instrumental musicians of Adelaide . . . A new singer - M. Del Sarte - made his appearance. His voice was of considerable compass and power, and his style of execution very highly ornamented. We understood that he suffered from a sore-throat last night, which may have prevented him from singing to his usual advantage, otherwise we should be disposed to regard the enconiums which heralded his appearance somewhat exaggerated . . .
"MRS. JUPP'S CONCERT", South Australian Register (11 April 1851), 2
http://nla.gov.au/nla.news-article38437748
. . . Another feature in this concert was the first appearance in public of Monsieur Dal Sarte, a French gentleman of great musical abilities. His voice is very expressive, but the style being new to an English audience, will no doubt require a better acquaintance before it is properly appreciated . . .
"MRS. JUPP'S CONCERT", South Australian (11 April 1851), 2
http://nla.gov.au/nla.news-article71686526
. . . M. Del Sarte has a very sweet voice, and possesses considerable ability as a vocalist, but he was hardly heard to advantage from the effect of a cold . . .
ASSOCIATIONS: Catherine Jupp (vocalist); Spencer Wellington Wallace (musician); Francesca Allen (vocalist); Frederick Ellard (vocalist, musician); Josiah Daniel (vocalist); Carl Linger (musician); Charles Walsh (vocalist); Charles Mater (musician); August Huenerbein (musician); Robert McCullagh (musician)
24 May to mid-July 1851, Café Parisien
[Advertisement], South Australian Gazette and Mining Journal (22 May 1851), 2
http://nla.gov.au/nla.news-article195942374
CAFE RESTAURANT PARISIEN - Corner of Grenfell and King William Streets. -
The above establishment will be opened to the public on Saturday next, the 24th instant.
No expense has been spared in the fitting up of this place of refreshment, which will be found on trial to be the cleanest,
most respectable, and comfortable in town; and under French management, with the valuable assistance of a first-rate French cook,
it will recall to the minds of colonists a reminiscence of their continental tour.
Breakfasts, Luncheons, Dinners, and Suppers every day at the appropriate hours - "Cafe a la Francaise."
The same will be provided and sent to any part of town at a reasonable price.
The bill of fare offers a choice of one hundred dishes.
C. DEL-SARTE. Grenfell-street, May 21, 1851.
"BENCH OF MAGISTRATES. QUARTERLY ISSUE OF LICENCES", South Australian Register (11 June 1851), 3
http://nla.gov.au/nla.news-article38442547
Camille Del Sarte, Cafe Parisien, Grenfell-street.
Mr. Fenn supported the application for a wine and beer licence for this establishment, which was intended to be a Restaurant;
and the only object in applying for a licence was for the accommodation of gentlemen who went there to dine and lunch.
If the Bench would prefer granting a general licence, Mr. Del Sarte was prepared to take one.
Mr. Dutton supported the application, as it was intended to furnish an accommodation much needed by the public.
Captain Bagot thought that it should be granted, as it was intended to accommodate a class of colonists who did not usually frequent the ordinary class of public houses,
and a class which he thought deserved some little consideration; but he would say that if Mr. Herbert, the proprietor, who was present, ever suffered a bar to be erected,
he would do all he could to get the licence withdrawn. The Bench preferred granting a general licence, which was taken.
ASSOCIATIONS: Francis Dutton (musical amateur)
[Advertisement], Adelaide Times (5 July 1851), 4
http://nla.gov.au/nla.news-article207008192
Cafe Restaurant Parisien.
Mons. Del Sarte finding that the pressure of his numerous engagements as a teacher of Singing and Music
render an assiduous attendance to his guests at this popular establishment inconvenient,
has determined to relinquish the management thereof in favor of one less occupied by professional pursuits,
he has therefore instructed Messrs. SAMSON, WICKSTEED, & CO.
to dispose of the whole of the VALUABLE and Recherche FURNITURE, Fittings, Glass, China, Plated goods, &c.,
as well as a first-rate Harmonium (Orgue Expressif,) by public auction, on Tuesday, July 15, at 12 o'clock,
unless arrangements be made previously by private contract, which S. & W. are authorised to entertain.
7 September 1851, high mass, Catholic chapel
[Advertisement], South Australian Register (30 August 1851), 1
http://nla.gov.au/nla.news-article38452206
HIGH MASS AND CHARITY SERMON. ON SUNDAY NEXT, September 7,
SOLEMN HIGH MASS will be celebrated at the Catholic Chapel, West-terrace,
and a CHARITY SERMON preached by the Bishop in aid of the Funds towards the ERECTION of the CATHOLIC CATHEDRAL near Victoria-square.
The Choir will be composed of upwards of 30 of the Principal Singers of the Province, who have kindly volunteered their services.
Monsieur Del Sarte will preside at the new organ, which will be used on the occasion . . .
"CATHOLIC CATHEDRAL ADELAIDE", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (11 October 1851), 6
http://nla.gov.au/nla.news-article251532298
On Sunday, 7th instant [September], Bishop Murphy celebrated a high mass, after which a charity sermon was preached by his Lordship, when a collection was made, amounting to a large sum, to aid in the erection of the new Cathedral. The papers speak very highly of the sermon, and a most splendid organ lately erected in the chapel, was played for the first time, presided over by Mons. Del Sarte, and upwards of thirty of the principal singers in South Australia gave their valuable aid upon the occasion. - Hobarton Guardian.
ASSOCIATIONS: Francis Murphy (bishop)
17 September 1851, charity concert
[Advertisement], South Australian Register (17 September 1851), 4
http://nla.gov.au/nla.news-article38448674
CONCERT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL.
THIS EVENING (Wednesday, September 17th) . . . at the EXCHANGE, King William-street . . .
PROGRAMME. PART I . . . 7. Romance, "Le Joli Petit Pied" - Mons. Del Sarte . . .
Pianists, Mrs. Murray, Messrs. Bennett, Ellard, Herr Linger . . .
"THE CONCERT LAST NIGHT", South Australian Register (18 September 1851), 2
http://nla.gov.au/nla.news-article38452523
This was a most triumphant affair, the room being so crowded that we have reason to fear many left it disappointed from the want even of standing room. We have left ourselves no opportunity, in this issue, for any critique on the evening's performances; but we cannot avoid saying that the two new stars, Madame Caperre and Monsieur Del Sarte, more than realized the expectations that had been formed in reference to their acknowledged talents. They certainly made manifest to all present that the musical public in this province have gained, in them, an immense acquisition.
"CONCERT IN AID OF THE GERMAN AND BRITISH HOSPITAL", South Australian Register (19 September 1851), 3
http://nla.gov.au/nla.news-article38452626
. . . Mons. Del Sarte proved himself an excellent master of the romance and ballad styles; his voice possesses much sweetness and compass, and he is withal an excellent performer. We shall be anxious to have an opportunity of forming an opinion as to his skill in dramatic music; and if he be equally successful in that line, we may pronounce him an acquisition which will help to compensate us for the loss we shall sustain by the intended departure of Messrs. Ellard and Moore from Adelaide . . .
ASSOCIATIONS: Andrew Moore (violin); Georgiana Murray (piano, vocalist); George Bennett (piano)
19 November 1851, Adelaide Choral Society concert
"ADELAIE CHORAL SOCIETY", Adelaide Times (17 November 1851), 3
http://nla.gov.au/nla.news-article207070615
We have been much gratified to observe in several of our recent visits to the private rehearsals of this Society, the great improvement which has taken place in their choral singing; the modulations are more distinctly marked, the precision greater, and the whole expression of a superior character to that which we have been accustomed to hear. This we attribute in a great measure to the zeal and energy with which Monsieur Delsarte has discharged his duties as conductor, and we congratulate this deserving society on having obtained the honorary services of a gentleman whose qualifications for the office are certainly not to be surpassed in the southern hemisphere.
"THE CHORAL SOCIETY", South Australian Register (20 November 1851), 3
http://nla.gov.au/nla.news-article38436483
The postponed concert of this Society took place last evening under discouraging circumstances. Mons. Del Sarte, who had sustained some injury by being thrown from his horse, was unable to attend; and Mr. Daniels was also absent through indisposition. An apology was made at the commencement by the Hon. Secretary for the absent gentlemen, and an intimation given that four pieces would necessarily be withdrawn. The apology was well received; but the programme was entirely performed, as members of the Society volunteered to take the parts assigned to Messrs. Del Sarte and Daniels. The affair lacked spirit; but the audience was indulgent, and faintly applauded the performance.
ASSOCIATIONS: Josiah Wyke Daniel (vocalist); Adelaide Choral Society (association)
4 December 1851, Adelaide Choral Society concert
"ADELAIDE CHORAL SOCIETY", South Australian Register (5 December 1851), 2
http://nla.gov.au/nla.news-article38435870
Last evening, a Concert was given by the members of this Society in the large room in the Exchange. The attendance was most respectable, but, we are sorry to say, far from numerous. The Concert commenced with Rossini's Overture to "Cenerentola," which was well performed. "Come let us all a-Maying go" was the first chorus sung, and gave great satisfaction. In this as in all other choruses the bass voices greatly predominated over those of the treble and tenor; this, however, might be prevented on a future occasion by greater practice. A "Flute Obligato," played by Mr. Anderson, and a glee, "Stay, Pry'thee Stay," in which Mrs. Murray took the principal part, were both well-received. The next piece was the celebrated "Barcarole," from Massaniello, in which M. Del Sarte took the solo parts. His merits both as a musician and a conductor can scarcely be spoken of too highly, giving considerable effect to the solo. A duet, executed by Mrs. Murray and Mr. Wigley, and a chorus by Balfe, concluded the first part. The overture "Il Barbierre" was given with precision; but, as in other orchestral music, a want was felt of a sufficient bass to fall back upon. The crescendo passages fully exemplified this, as some of the performers, were absent. This want of attention is much to be deplored; for if the members of the Choral Society really wish to merit the encouragement the public seem inclined to give there must be something like a regular attendance. We must not of course expect an overture requiring a full orchestra to be given as efficiently as it otherwise might have been. The choruses, especially that of "Sing, Pretty Maiden," seemed to be better appreciated; but we must mention with unqualified praise the song, "Sans Amour," sung by M. Del Sarte, which was most rapturously encored. The duet, "Les Diamans de la Couronne," sung by Mrs. Murray and M. Del Sarte, was also given with a lively effect, and, from the wish displayed for an encore, seemed to be the second favourite of the evening. The National Anthem in full chorus closed the harmony of the evening. Before we conclude this notice, we must again express our regret that efforts so praise-worthy should have met with no better encouragement. Select musical performances, delightful in themselves, are free from the objections to those of the Theatre, which many good citizens conscientiously entertain; and as the Victoria Theatre is to be closed for want of support, we hope Her Majesty's subjects in this city will collectively display their loyalty and love of harmony by a more frequent and more general attendance than heretofore at the Choral Society's Concerts.
"THE CHORAL SOCIETY'S CONCERT", Adelaide Times (6 December 1851), 5
http://nla.gov.au/nla.news-article207070903
This Society repeated their Concert on Thursday evening, at the Exchange. The audience, although not large, was highly respectable. The active members of the Society were few and far between, and the gentlemen of the orchestra cut a very meagre appearance, half-a-dozen fiddles and a bass or two constituting the band. Notwithstanding, however, the emptiness of the platform, the concert was, upon the whole, the best the Society has yet given, the promises of the programme being most satisfactorily carried out. The overtures were spiritedly given; and although we generally object to the introduction of the piano in orchestral pieces, yet Mrs. Murray did good service, the volume of the instrument contributing materially to filling up what, without it, would have been a mere outline. Atterbury's madrigal "Come let us all a Maying go" went well, as did also the Barcarole, from Massaniello. M. Delsarte's romance, "Sans Amour," was however a triumph, and the audience demanded its repetition. This gentleman is an accomplished vocalist and musician. The opening chorus in "Maritana" requires more Soprano voices to yield the effect it demands; it was, however, executed with precision, a no small acquirement, in chorusses of the sort. The beautiful Drawing room Duett, in the "Crown Diamonds," was brilliantly sung by Mrs. Murray and M. Del Sarte, the difficulties of the florid cadences being triumphantly surmounted. The Mountaineer's Chorus, from "La Dame Blanche," closed the concert. The Society must bestir themselves if they look for success, and by no means admit the apathy which appears to be at present an epidemic among the leaders and followers of art in this colony. Thursday's concert was, to use a sporting phrase, "more like winning" than any previous one; but the French adage, Aide toi et le ciel t'aidera, must not be forgotten.
Melbourne, VIC (15 January to December 1852):
"SHIPPING INTELLIGENCE. ARRIVED", The Argus [Melbourne, VIC] (16 January 1852), 2
http://nla.gov.au/nla.news-article4782702
January 15. - Maid of Auckland barque, 395 tons, S. Shepherd, commander, from Adelaide 11th instant. Passengers (cabin) - . . . Mrs. Paris [sic], Mr. Delsaide [sic] . . .
ASSOCIATIONS: Eugene and Ann Paris (musician, dancing master and wife)
27 February 1852, Del Sarte's first concert, Mechanics' Institution, Melbourne
[Advertisement], The Argus (26 February 1852), 3
http://nla.gov.au/nla.news-article4783425
CONCERT.
MONSIEUR CAMILLE DEL SARTE, Of the Conservatoire Royale de Musique, and of the Opera National, of Paris,
HAS the honor to announce that he will give his first Concert in Melbourne,
under the patronage of His Excellency the Lieutenant-Governor,
On FRIDAY NEXT, At the Mechanics' Institution, To commence at Eight o'clock, On which occasion the principal members of the profession will kindly assist.
PROGRAMME:
PART I.
Fantaisie - "Sur des airs Suisse," for the melodium expressif, Del Sarte - Schultz
Ballad - "I Love the Merry Sunshine," Mrs. Testar - Glover
Solo Piano - Buddee - Hertz
Air - "De Lucia di Lammermoor," Del Sarte - Donnizetti
Solo Violin - Megson - De Beriot
Sans Amour Romance - Del Sarte - Mazini
Duetto - "Barbier de Seville," Mrs. Testar and Del Sarte - Rossini
Quartter of an hour Interval.
Solo Violoncello - Thompson
Grand Duetto - "Lucia di Lammermoor," Mrs. Testar and Del Sarte - Donnizetti
Duetto - Piano and Violin, Buddee and Megson.
Air, with variations, from "Crown Diamonds," Del Sarte - Auber
Ballad - "When Lubin sings," Mrs Testar - Hobbs
MARSAILLAISE [sic] CHANT NATIONAL - Del Sarte.
Tickets, 5s each; reserved seats 6s; to be obtained of Mr. Gumbinner,
Collins-street, at the Mechanics' Institution, and of all the Music Sellers.
"MUSICAL", The Argus (27 February 1852), 3
http://nla.gov.au/nla.news-article4783444
Judging from the crowded audiences at the two concerts already given this week, we presume that M. Del Sarte will not fail of an audience this evening, a new face generally proving a great attraction. From the price of the tickets we perceive that it is to be quite an upper-crust affair. It augers well to the progress of a liking for music in Melbourne to find three concerts in one week, and the public will not be surprised to learn that the high success of the weekly concerts has almost induced the members of the committee to hold a concert on the Saturday night as well, as one particularly suitable for the gratification of the mechanic and others who look to Saturday as a sort of half holiday. While upon the subject of concerts, we must allude to an instance of misbehaviour to which our attention was drawn at the concert last evening, and which was not only of a very gross kind, but again perpetrated by parties who from their position in society ought to have known better. Indeed we must say that in every instance which we have either heard of or noticed, of improper conduct at these popular meetings, it has been the act of persons holding the position of gentlemen. It is the fashion to ran down the gold digger as something very coarse and vulgar, but we have again and again seen the room crowded with the checked jumper indicating the follower of that pursuit, and never once have we noticed an instance of improper behaviour amongst them. While the loud chatter during the performance, the coarse practical joke, the flippant sauciness, the vulgar misplaced laugh, expressly intended to exhibit disregard for the convenience of others, have invariably been found to proceed from the young fop of the old aristocracy, who comes to the Institution for a spree, and would not on any account be conceived capable of deriving pleasure or amusement for such an insignificant sum as a shilling. If the committee were to apply to the popularity hunting Mayor for the attendance of a constable during the performance and one of these unmannered young cubs were once walked out the "gentlemen" might in time be tutored to emulate the good manners of the digger, and the comfort and pleasure of those who do go to enjoy a concert, would be very materially enhanced.
ASSOCIATIONS: Elizabeth Testar (vocalist); Julius Buddee (piano); Joseph Megson (violin); John Charles Thompson (cello); Mechancics' Institution (Melbourne venue)
[Advertisement], The Argus (22 March 1852), 3
http://nla.gov.au/nla.news-article4783922
MONS. DEL SARTE, Professor of Singing and Teacher of the Piano, of the Conservatoire Royale, and Opera Nationale, at Paris,
returns his thanks to the gentry of Melbourne for their kind patronage at his late Concert,
and informs them that it is his intention to remain in Port Phillip,
he therefore solicits a continuance of their favours shown towards him. For address, apply to Mr. Wilkie's, Music Saloon, 15, Collins-street.
Mons. del Sarte's first Australian composition, the Juvenile Ball Quadrilles, can be obtained at Mr. Wilkie's.
Mons del Sarte also offers his first composition in Port Phillip (the Faded Rose),
written expressly for and dedicated to Mrs. Testar, and sung by her with great applause at the Mechanics' Institute Concerts,
which will be published as soon as one hundred subscribers are obtained.
ASSOCIATIONS: Joseph Wilkie (music seller, music publisher)
13 and 20 May, 3 June, and 1 July 1852, weekly Thursday concerts, Mechanics' Institution
"THE CONCERT", The Argus (13 May 1852), 5
http://nla.gov.au/nla.news-article4785027
The following is the Programme of the Concert for this evening -
PART I. Overture - Zampa
Song - Il Segreto , Mrs. Testar
Cornet a'Piston Solo - The Standard Bearer, Mr. Wheeler
Romance - Fille a Simonette - Mons. Del Sarte
Drum Polka
Vocal Duett - Lucia di Lammermoor, Mrs. Testar and Mons Del Sarte
PART II.
Overture - Guy Mannering
Scena - Softly sighs the voice of Evening - Mrs. Testar
Song - We never met again, Mons. Del Sarte
Piano Solo - Fantasia Straniera, M. Buddee
Irish Ballad - Terence's Farewell to Kathleen, Mrs. Testar
Finale - God save the Queen.
We congratulate the visitors to the weekly concerts upon the above list of fun.
M. Del Sarte is a vocalist of a class rarely heard in a small town like Melbourne,
and to those who have not already heard that gentleman, we can strongly recommend a visit.
The weather may possibly not be very inviting, and the streets not quite as clean as could be wished,
but to hear such music as the above programme promises, is worth risking a trip, even if a boat were necessary.
ASSOCIATIONS: Stephen Thomas Wheeler (cornet); Thursday Concerts (Melbourne series)
MUSIC: La fille à Simonette (by Paul Henrion)
"THE CONCERT", The Argus (19 May 1852), 5
http://nla.gov.au/nla.news-article4785113
The following is the programme for to-morrow -
Overture - Masaniello.
Chant - Le Joli petit pied, Mons Del Sarte . . .
Vocal Duet - Le Barbiere de Seville, Mrs. Testar and Mons. Del Sarte.
PART II. Overture - Pre aux Clercs (first time) . . .
Song - Pretty Spanish Maid, Mons. Del Sarte . . .
Finale - God save the Queen.
"THE CONCERT", The Argus (3 June 1852), 5
http://nla.gov.au/nla.news-article4785484
The following is the programme of the concert this evening -
PART I. Overture - La Bayadere (first time)
Duet - La Dame Blanche, Mrs. Testar and Monsieur Del Sarte . . .
Chanson Espagnole - Alzaa, Mons. Del Sarte . . .
Song - Blind Girl to her harp, Mrs. Testar . . .
PART II. Overture - Semiramide
Barcarole from Masaniello - Behold how brightly, Mons Del Sarte . . .
MUSIC: Alzaa (by Paul Henrion)
"THE CONCERT", The Argus (1 July 1852), 4
http://nla.gov.au/nla.news-article4786156
The following is a programme of the Concert for this evening:
PART I. Overture - Fra Diavolo
Song - Soft Light of Peace: Mons. Del-Sarte
Song - The Way to be Happy: Madame Allen . . .
Song - Romance Joliette: Mons. Del Sarte . . .
PART II. Overture - Italiani . . .
Serenade - Oh! Summer Night: Mons. Del-Sarte . . .
ASSOCIATIONS: Francesca Allen (vocalist)
3 July 1853, Thomas Reed's morning (afternoon matinee) concert, Mechanics' Institution, Melbourne
[Advertisement], The Argus (2 July 1852), 3
http://nla.gov.au/nla.news-article255611419
MR. REED Has the honor to announce to the Gentry and the Public of Melbourne and its environs, that a
GRAND MORNING DRESS CONCERT, wiil take place at the Mechanics' Institution,
on Saturday, 3rd July, 1852, at Two o'clock,
Principal Vocal and Instrumental Performers:
Mrs. Testar; Mons. Del Sarte; Mr. Cooze; Mr. Megson;
Mr. Buddee; Mr. Wheeler; Herr Mater; Mr. Thompson; Mr. Portbury, &c. &c.
The Orchestra will be numerous and efficient, led by Mr. Megson; conducted by Mr. Reed.
PROGRAMME. PART I . . . Romance - Sans Amour, Mons. Del Sarte - Masini . . .
Grand duetto - Lucie and Asthon, Mrs. Testar and Mons. Del Sarte - Donizetti . . .
PART II . . . Recitative and air - And God created man - In native worth, Mons Del Sarte - Haydn . . .
PART III . . . Buffo Song - Largo al Factotum, Mons. Del Sarte - Rossini . . .
ASSOCIATIONS: Thomas Reed (musician); William Joseph Cooze (vocalist, flute); Benjamin Portbury (double bass)
Hobart Town, TAS (14 December 1852 to 1864):
"Shipping Intelligence. PORT OF HOBART TOWN. ARRIVALS", Colonial Times [Hobart Town, TAS] (17 December 1852), 2
http://nla.gov.au/nla.news-article8772575
Dec. 14 - Union brig, 150 tons, Maybee, from Melbourne, in ballast. Passengers - Messrs. Del Sarte . . . and 21 steerage.
26 January 1853, Del Sarte's first concert, Royal Victoria Theatre, Hobart
[Advertisement], The Courier (22 January 1853), 3
http://nla.gov.au/nla.news-article2243332
CONCERT. Under the Patronage of His Excellency the Lieutenant-Governor and Lady Denison.
MONSIEUR CAMILLE DEL-SARTE, of the Conservatoire Royale of Music, and of the Opera Nationale of Paris,
has the honour to announce that his Concert will take place at the
ROYAL VICTORIA THEATRE, On WEDNESDAY, 26th January, 1853.
By the kind permission of Colonel Despard,
he will be assisted by the Full Band of H.M. 99m Regiment, under the directions of Mr. Martin.
PROGRAMME.
PART I.
1. Overture - La Sirene (band) - AUBER.
2. Largo al factotum (M. Del-Sarte) - ROSSINI.
3. Piano Solo Cenerentola (Mdlle. Marguerite) - HERTZ [HERZ]
4. Sweet Sleep, ballad (M. Del-Sarte) - AUBER.
5. Flute Solo (Messrs. Hill & Anderson) - TULOU.
6. Vierge Marie, duett (Mdlle. Margueritte and M. Del-Sarte) - THYS.
7. Waltz - Crystal Palace - D'ALBERT.
PART II.
1. Overture - Betly (band) - DONIZETTI.
2. Duett from La Fiancée (Mdlle. Margueritte and M. Del-Sarte) - AUBER.
3. Gallop, Railway, by desire (band) - JULLIEN.
4. La fille a Simonette, Romance (M. Del-Sarte) - HENRION.
5. Piano Solo, La Rose de Perronne, (Mdlle. Marguerite) - ADAM.
6. BARCAROLE (from Massaniello) "Behold how Brightly," with chorus and full band (M. Del-Sarte) - AUBER.
7. God Save the Queen (band).
Tickets, 4s each to all parts of the house; to be obtained at Messrs. Walch & Sons, Wellington Bridge;
Messrs. Huxtable & Co., Murray-street; and of M. Del-Sarte, at his residence,
Harrington-street, next to Bossward, builder.
"Musical. ROYAL VICTORIA THEATRE. - CONCERT", The Courier (27 January 1853), 2-3
http://nla.gov.au/nla.news-article2241378
A new arrival, M. Camille Del Sarte, gave a concert last night under the patronage of His Excellency Sir William Denison,
who with Lady Denison and suite attended upon the occasion, and were received with the accustomed vice-regal honours at the door of the theatre.
The Commander of the Forces, the officers of H.M. 99th Regiment, and the officers of the Ordnance and Commissariat Departments were also present,
with a considerable sprinkling of the best town and country society of Van Diemen's Land.
The Hon. Stuart Wortley, at present on a tour of the colonies, accompanied His Excellency.
The dress circle was crowded, and the pit moderately filled, - the system of equal prices to all parts of the house,
as adopted by the Hobart Town Amateur Dramatic Club being resorted to on this occasion.
The following was the programme: [as above].
By the kind permission of Colonel Despard, C.B., the full band of Her Majesty's 99th Regiment were in attendance, and we are bound to say, that but for the [3] exertions of the men and the ability with which Mr. Martin directed them, the concert would have proved a total failure. The opening overture was given in first rate style, and M. Del-Sarte made his bow with "Largo al factotum," which he did not give so well as Bushelle; but the audience were indulgent, and he met with a degree of applause. He displayed considerable tact in the management of his organ, but we are compelled to state that his voice is not remarkable for melody or tone, and consequently his first effort was somewhat uninteresting. Mademoiselle Marguerite, an interesting child, was introduced, and gave the "Piano Solo Cenerentola," of Hertz. She plays the instrument very prettily, giving considerable promise of future proficiency. One of Auber's ballads, "Sweet Sleep," from M. Del-Sarte, although tolerably sung, imparted to us a sort of premature chilblainy feeling; but from the manner in which it was executed it met with a faint echo of approbation by the audience, and "all went merry as a marriage bell."
Mr. Hill, the flautist of the 99th, executed a solo on the flute in splendid style, rendering some of the most difficult passages in a highly creditable manner. We very much regretted that the beauty and simplicity of Mr. Hill's effort, which was deservedly applauded was inexcusably marred by the unmeaning thumping of the pianist accompanying, who leathered away on the "a la Mocatta" system, with no regard to musical nicety.
Mademoiselle Margueritte's vocal powers were tested with M. Del-Sarte in the duett "Vierge Marie:" as in her playing, so in her singing, the young lady gives hope of future excellence. The Crystal Palace Waltz, concluding the first part, the overture to the second, with the Railway Gallop by the band, maintained the interest of the evening: the last was, as usual, encored. The duett from "La Fiancee" earned a similar tribute; but, as a whole, the concert was unsuccessful.
We should not omit to mention that the arrangements were perfect; there was a pleasing change in the locale of the band - instead of being crowded into the confined orchestra, they were stationed on the stage, and facing the audience. The congregation of sweet sounds completely filled the house, instead of being wafted by undercurrents into the Tartarean abodes below. His Excellency and family remained until the close.
ASSOCIATIONS: William and Caroline Denison (governor and wife); Band of the 99th Regiment, master Robert Martin (clarinet); Arthur Silvester Hill (flute); James Henri Anderson (piano); Mademoiselle Marguerite (juvenile pianist and vocalist, otherwise unidentified); John Bushelle (bass vocalist from Sydney who visited Hobart in 1843, and died while there); "a la Mocatta" = Jonathan Brandon Mocatta (piano teacher)
6 September 1853, Maria Carandini's concert
"Public Amusements. GRAND CONCERT", The Courier (31 August 1853), 3
http://nla.gov.au/nla.news-article2239354
MADAME CARANDINI, whose powers as a vocalist are pretty well known throughout the Australias, having paid a visit to Tasmania, announces her intention of giving a Grand Concert at the Mechanics' Institute next week, under the patronage of His Excellency Sir William Denison; and we have no doubt that the lovers of music will duly appreciate the opportunity. The general detail of the Concert will become matter of usual advertisement, and all that we are at present aware of is this, that Madame Carandini has endeavoured to secure all the available talent in Hobart Town; Mons. Del Sarte and Mr. Megson are to make their appearance. The conductor is M. Lavenu, recently arrived in the Australian colonies via California, after having visited America and San Francisco, as the conductor of the concerts of Miss Catherine Hayes . . .
[Advertisement], The Courier (6 September 1853), 4
http://nla.gov.au/nla.news-article2245567
Mechanics' Institute, Melville Street . . .
PROGRAMME OF MADAME CARANDINI'S GRAND CONCERT, THIS EVENING, 6TH SEPTEMBER . . .
PART FIRST . . . ROMANCE - "Alaza" [sic, Alzaa] - PAUL HENRION - MONSIEUR DEL SARTE . . .
ROMANCE - "Sans Amour" - MASSINI - MONSIEUR DEL SARTE . . .
RECITATIVE and GRAND DUET - "By the Love Tomb" (Lucia di Lammermoor) - DONIZETTI - MADAME CARANDINI and MONSIEUR DEL SARTE . . .
PART SECOND . . . ROMANCE - "La Fille Simonette" - PAUL HENRION - MONSIEUR DEL SARTE . . .
GRAND DUET - "Ah fuggi" (La Favorita) - DONIZETTI - MADAME CARANDINI and MONSIEUR DEL SARTE . . .
"Local Intelligence", Colonial Times (8 September 1853), 2
http://nla.gov.au/nla.news-article8774439
THE GRAND CONCERT at the Mechanics' Institute on Tuesday evening was most successful and the attendance very large. Mr. Lavenu proved himself an able conductor and an able pianist, and was warmly applauded in the popular favourites "Fanny Grey" and the "Fine Young Gentleman." Madame Carandini's voice is of great power, and very difficult pieces were given with great effect. The beautiful ballads "By the Sad Sea Waves," "Estelle," and "The Irish Emigrant" were received with well merited applause, the latter being encored. Monsieur Del Sarte successfully sang some of the most difficult pieces in Paul Henrion; "La Fille a Simonette" was deservedly encored . . .
ASSOCIATIONS: Maria Carandini (vocalist); Lewis Henry Lavenu (conductor); Catherine Hayes (vocalist)
20 September 1853, Carandini's second concert
"Public Amusements", The Courier (19 September 1853), 3
http://nla.gov.au/nla.news-article2243712
MADAME CARANDINI'S second Grand Concert will take place to-morrow evening, at the Mechanics' Institute, the performers being, in addition to the well known cantatrice Mrs. Dawson, Mr. Megson, Monsr. Del Sarte, and Mr. Lavenu. The programme holds forth a promise of more than ordinary gratification, comprising selections from the English, French, Italian, and German Schools . . . Monsieur Del Sarte is set down for a Romanza of Louisa Puget, ("Fleurette,") a romance of Auber's from Masaniello, and a French air . . .
[Advertisement], The Courier (19 September 1853), 2
http://nla.gov.au/nla.news-article2243726
MECHANICS' INSTITUTE. PROGRAMME OF MADAME CARANDINI'S SECOND GRAND CONCERT,
AT THE ABOVE INSTITUTION, ON TUESDAY EVENING, SEPT. 20 . . .
PART I . . . ROMANZA - "Fleurette" LOUISA PUGET - MONSIEUR DEL SARTE . . .
ROMANCE - "Du pauvre seul amis fidele" (Masaniello) - AUBER - MONSIEUR DEL SARTE . . .
PART II . . . AIR - "Les yeux noir de ma brunette" - MONSIEUR DEL SARTE . . .
ASSOCIATIONS: Sarah Dawson (vocalist)
January 1854, opening performances in Del Sarte's Rooms
[Advertisement], The Courier (7 January 1854), 3
http://nla.gov.au/nla.news-article2245620
THE NELSON FAMILY, Beg to announce they will give their FIRST MUSICAL ENTERTAINMENT (Since their return from Launceston, on) WEDNESDAY, January 11,
At M. DEL SARTE'S, LATE GILBERT'S, ASSEMBLY ROOMS, HARRINGTON-STREET.
Full particulars duly announced.
"THE NELSON FAMILY", The Courier (6 January 1854), 3
http://nla.gov.au/nla.news-article2242968
The musical world will be happy to hear that the Nelson Family, whose return we welcome, will give their first concert on Monday evening, at the rooms of M. Del Sarte, in Harrington-street.
ASSOCIATIONS: Monsieur Gilbert (dancing master, former occupant); Sidney Nelson and family (musicians, vocalists)
[Advertisement], Colonial Times (7 March 1854), 3
http://nla.gov.au/nla.news-article8775449
Assembly Rooms, Harrington-street.
MR. ELLISTON Has received instructions from Monsieur Gilbert, the proprietor, to dispose of by Public Auction,
at the City Mart, on Thursday, the 9th of March, at 2 o'clock p.m.
AN Allotment or piece of Ground situated in Harrington-street, having a frontage of forty-five feet with a depth of fifty feet,
together with the brick buildings thereon erected, known at present as
DEL SARTE'S ASSEMBLY ROOMS, -
subject to certain conditions under the lease from the landlord, which will be fully explained in the conditions of sale.
The premises consist (in addition to the ground) of the large Assembly Room, which is thirty-five feet by forty-five; entrance hall,
with three apartments, small kitchen, and closet on the ground floor, and staircase with three apartments on the floor above.
An opportunity is here presented not only for a safe investment, but the realization of a most remunerative profit in the management of these rooms for public entertainments.
Terms - One-third cash on the fall of the hammer; one-third by an acceptance at three months;
and the other third by an acceptance at six months, both bearing Bank interest, and secured, if required,
upon the property; or the purchaser may complete at once by payment of the whole in cash.
ASSOCIATIONS: William Gore Elliston (auctioneer)
4 May 1854, ball, Del Sarte's Rooms
[Advertisement], The Courier (3 May 1854), 1
http://nla.gov.au/nla.news-article2242464
GRAND NATIVE YOUTHS' BALL.
THE above BALL will take place on the evening of the
4th MAY, 1854, AT MONS. DEL SARTE'S ASSEMBLY ROOMS, HARRINGTON STREET . . .
N.B.-By kind permission of Colonel Despard, C.B., part of the splendid Band of the 99th Regiment will attend . . .
* June 1854 (postponed from 25 May and 8 June), Del Sarte's concert
"CONCERT", Hobarton Guardian, or, True Friend of Tasmania (20 May 1854), 3
http://nla.gov.au/nla.news-article172861630
That talented vocalist Mons. Del Sarte, purposes to give a Grand Concert, at his Assembly Rooms, Harrington-street, on Thursday, 25th instant.
"M. DEL SARTE'S CONCERT", The Courier (3 June 1854), 2
http://nla.gov.au/nla.news-article2249171
The Concert of M. Del Sarte, advertised as postponed recently, will take place next Thursday evening, at his Assembly Rooms, Harrington-street.
"CONCERT", The Courier (7 June 1854), 2
http://nla.gov.au/nla.news-article2240628
M. Del Sarte's concert takes place to-morrow evening at his rooms, Harrington-street, A most attractive programme has been issued, and all the available talent of Hobart Town has been secured for the occasion. A new ballad, entitled "Farewell," composed by M. Del Sarte, and dedicated to F. H. Henslowe, Esq., will be sung for the first time by the composer.
[Advertisement], The Courier (8 June 1854), 1
http://nla.gov.au/nla.news-article2238940
M. DEL SARTE'S ASSEMBLY ROOMS, HARRINGTON STREET.
GRAND CONCERT, THIS EVENING, 8th JUNE.
Principal Instrumental Performers.
Messrs. Buddee, Megson, Hill & Wheeler.
Principal Vocal Performers.
Mrs. Dawson, Mons. Del Sarte and Mr. Wheeler.
PROGRAMME.
PART I.
Duett, Violin and Piano, Messrs. Megson and Buddee - Mayseder.
Ballad, Farewell, (music composed and dedicated to F. H. Henslowe, Esq ) - Del Sarte.
Descriptive Song, Man the Life Boat, Mr. Wheeler - Russell.
Duett. Flute and Piano, Mr. Hill and Mr. Buddee - Nicholson.
Song, Come hither, pretty Fairy. Mrs. Dawson - Linley.
Romana, Les jolis yeux, Mons. Del-Sarte - Arnauld.
Duett, Mose in Egitto, M. Del-Sarte and Mr. Wheeler - Rossini.
Solo, Pianoforte, Mr. Buddee - Thalberg.
PART II.
Trio, This Magic-wove Scarf, Mrs. Dawson, M. Del-Sarte, and Mr. Wheeler - Barnett.
Solo, Cornet à-Piston, Mr. Wheeler - Koenig.
Ballad, I'll speak of thee, Mrs. Dawson - Hawse.
Romanza, Joseph vendu par ses Freres, Mons. Del-Sarte - Mehul.
Solo Violin, Mr. Megson - Maer.
Duett, Lucia di Lammermoor, Mrs. Dawson and Mons. Del Sarte - Donizetti.
Solo Flute, Mr. Hill - Tullou [Tulou].
Buffo Song, Largo al factotum, M. Del Sarte - Rossini.
Finale, National Anthem.
Tickets 5s. each. To be had of Messrs. Huxtable, Hurley, Walch, and at the Rooms.
Doors open at half-past Seven, the concert to commence precisely at Eight o'clock.
[Advertisement], The Courier (9 June 1854), 3
http://nla.gov.au/nla.news-article2248173
MONSIEUR DEL SARTE'S GRAND CONCERT
Is Postponed until THURSDAY EVENING NEXT, 15th instant,
In consequence of the inclemency of the weather. 8th June.
"Public Amusements . . . M. DEL SARTE'S CONCERT", The Courier (15 June 1854), 3
http://nla.gov.au/nla.news-article2248551
This gentleman's concert, which was postponed on Thursday last on account of the inclemency of the weather, takes place this evening, at his rooms, Harrington-street. A musical treat of no ordinary character may be anticipated, the programme containing a delightful selection of the choicest morceaux, and all the available talent in Hobart Town having been engaged for the occasion.
[Advertisement], The Courier (15 June 1854), 3
http://nla.gov.au/nla.news-article2248549
M. DEL SARTE'S ASSEMBLY ROOMS . . . GRAND CONCERT, THIS EVENING, 15TH JUNE.
. . . [with program as above]
"GRAND CONCERT", The Courier (16 June 1854), 2
http://nla.gov.au/nla.news-article2246021
Mr. Del Sarte's concert last evening was well attended, and passed off with considerable eclat. The new ballad "Farewell," composed and sung by M. Del-Sarte, was well received; the air is plaintive and pleasing and appropriate to the feeling intended to be conveyed. The song is likely to become a favourite. Mrs. Dawson was in particularly good voice - the somewhat disagreeable shrillness, which at times tends to mar her otherwise pleasing voice, being scarcely perceptible on this occasion. Mr. Buddee's solo on the pianoforte was the gem of the evening, and confirmed the opinion we had formed of his powers as a pianist of consummate taste, profound musical knowledge, and brilliant execution. Mr. Wheeler's solo on the cornet-a-piston was worthy of Koenig himself, and was deservedly received with unmeasured applause. The difficult duet from "Mose in Egitto" was tolerably well rendered, although we think that neither M. Del Sarte or Mr. Wheeler were quite at home in it. The duet from "Lucia di Lammermoor," however, afforded the former gentleman an opportunity of displaying his voice to good advantage. Mr. Hill's solo on the flute was a pleasing performance. The fine buffo song "Largo al factotum" was well sung and acted by the caterer, and narrowly escaped an encore. The National Anthem terminated the entertainments.
ASSOCIATIONS: Francis Hartwell Henslowe (amateur musician, public servant)
15 September 1854 (postponed from 13 September), Sarah Dawson's concert
[Advertisement], The Courier (13 September 1854), 3
http://nla.gov.au/nla.news-article2245687
MRS. DAWSON'S CONCERT, AT M. DEL SARTE'S ROOMS, Harrington-street,
ON WEDNESDAY EVENING, 13TH SEPT.
PROGRAMME. Part 1. Overture - Bohemian Girl - Balfe (Messrs. Buddee, Megson, Hill, and Thompson)
Ballad - Franklin's Fate (Mrs. Dawson) - Glover
Grand Aria - Di tanti palpiti Op. Il Tancredi - Rossini (Mons. Del Sarte.)
Solo Flute - On airs of Switzerland (Mr. Hill.) - Nicholson.
Grand Duo - Op. Le Barbiere de Seville - Rossini (Mrs. Dawson and Mons. Del Sarte) . . .
Part 2. Overture - Guy Mannering - Bishop. (Messrs. Buddee, Megson, Thompson and Hill.)
Duetto - La ci darem, Op. Don Giovanni - Mozart. (Mrs. Dawson and Mons. Del Sarte.) . . .
Romance - Le lutin de la prairie - P. Gueion. (Mons. Del Sarte.) . . .
Finale - God Save the Queen.
To commence at Eight o'clock . . .
[Advertisement], The Courier (14 September 1854), 3
http://nla.gov.au/nla.news-article2242115
MRS. DAWSON'S CONCERT. POSTPONEMENT TO FRIDAY, 15th SEPTEMBER.
MRS. DAWSON begs to acquaint the patrons of her CONCERT, that owing to the unfavourable state of the weather,
she has been compelled to POSTPONE the same. It will, however, take place
AT M. DEL SARTE'S ROOMS, Harrington-street, TO-MORROW (Friday), the 15th instant, when she hopes to have their patronage. Sept. 14.
6 November 1854, Ali-Ben Sou-Alle's concert
[Advertisement], The Courier (4 November 1854), 3
http://nla.gov.au/nla.news-article2246231
BY SPECIAL BEQUEST. POSITIVELY THE LAST NIGHT!
ALI-BEN-SOU-ALLE HAS the honor to announce that, at the request of many persons who were prevented from unending his former Concerts, he will give
A GRAND CONCERT, ON MONDAY EVENING, the 6th instant, At M. Del Sarte's Rooms, Harrington-street. Admission - Five Shillings.
[Advertisement], The Courier (6 November 1854), 3
http://nla.gov.au/nla.news-article2239753
BY SPECIAL REQUEST. POSITIVELY THE LAST GRAND CONCERT,
AT M. DEL SARTE'S ROOMS, MONDAY EVENING, NOVEMBER 6. ALI-BEN-SOU-ALLE . . .
Upon this occasion he will be assisted by M. Buddee and M. Del Sarte, who have kindly given their services for the occasion.
PROGRAMME. PART I . . . 8. Romance - Vous n'etre plus de meme - Mons. Del Sarte - Louisa Puget . . .
PART II . . . 11. Romance - Sur un air chinois, composée par M. Del Sarte - P. Harrison [?] . . .
"Local", The Tasmanian Colonist (9 November 1854), 2
http://nla.gov.au/nla.news-article226470258
The farewell concert of this talented musician, came off on Monday evening, at M. Del Sarte's rooms, Harrington-street. The attendance was not good, but the performances went off with considerable eclat . . . M. Del Sarte sang two very pleasing Romants which were loudly applauded.
ASSOCIATIONS: Ali-Ben Sou-Alle (musician)
7 December 1854, Julius Buddee's concert
"MR. BUDDEE'S CONCERT", The Tasmanian Colonist (4 December 1854), 2
http://nla.gov.au/nla.news-article226470607
On Thursday evening, Mr. Buddee's Concert will come off in M. Del Sarte's Assembly Rooms, Harrington-street. Mr. Buddee, as an artist, has gained a very high name in the musical world, and when supported by such talent as that of Mrs. Dawson, Monsieur Del Sarte, Mr. Megson, and Mr. Thompson we feel assured that his success will be as great as his abilities deserve.
[Advertisement], The Courier (7 December 1854), 4
http://nla.gov.au/nla.news-article2246716
MR. BUDDEE'S GRAND CONCERT AT AT M. DEL SARTE'S ASSEMBLY ROOMS, ON THURSDAY, DECEMBER 7,
ASSISTED BY MRS. DAWSON, MONSIEUR DEL SARTE, MESSRS. MEGSON AND THOMPSON.
PROGRAMME. PART I . . . Chant - Grand Air from Lucia "Edgard, à toi malheur" - Mons. Del Sarte - DONIZETTI . . .
Duet - "Le Barbier - je suis donc, celle qu'il aime" - Mrs. Dawson, Mons. Del Sarte - ROSSINI.
PART II . . . Chant (by desire) - "Les yeux noirs" - Mons. Del Sarte - E. ARNAUD . . .
"Local Intelligence", Colonial Times (8 December 1854), 2
http://nla.gov.au/nla.news-article8778334
Mr. Buddee gave a Grand Concert at M. Del Sarte's rooms last evening, assisted by Mrs Dawson, Messrs. Del Sarte, Megson, and Thompson. Want of space alone prevents our giving a lengthened notice of this entertainment. Mr. Buddee played several pieces in his very best style. The Grande Fantaisie on the piano by Willmers was beautifully given. Mrs. Dawson sang very well indeed. The duet from Rossini's le Barbin de Seville, which she sang with M. Del Sarte, was much better tban when we heard it before. M. Del Sarte sang the Grand Air, "Edgard a toi Malheur" with his accustomed spirit. The whole of the performances were exceedingly creditable, and apparently much enjoyed by the audience, which, though tolerably numerous, was nevertheless not sufficiently, so we thought.
5 March 1855, Hebrew ball for the patriotic fund
"Cenral Intelligence", The Courier (27 February 1855), 2
http://nla.gov.au/nla.news-article2480040
WE understand that the number of tickets to be issued for the forthcoming Ball and Assembly at Del Sarte's Room in Harrington-street, on Monday evening next, the 5th of March, will be limited. The quadrille band of the 99th regiment has been, by the kind permission of Colonel Last, accorded for the occasion; and that in consequence of there being none among the Hebrews, now resident-in the colony, requiring pecuniary assistance, the stewards appointed have agreed to hand over the surplus received in aid of the "Patriotic Fund" of the nation.
May 1855, sale of freehold of Del Sarte's Rooms
[Advertisement], The Courier (1 May 1855), 3
http://nla.gov.au/nla.news-article2483183
MONDAY, 14TH MAY. Eligible Investment, Del Sarte's Rooms.
MR. W. A. GUESDON Is favoured with instructions to Sell by Public Auction,
On MONDAY, the 14th May, at 12 o'clock, At the Ship Inn,
THAT VALUABLE CENTRAL PROPERTY known as Del Sarte's Rooms, comprising the spacious hall-room and capital two-story brick house,
situate in Harrington-street, between Macquarie and Collins-streets, and now occupied by Monsieur Del Sarte, whose lease expires on the 24th of September next.
The property is a substantial well-finished brick building, erected within the last few years,
is in good repair, and from its situation is peculiarly valuable for the purposes for which it was designed,
and has yielded a very large return to the present tenant in letting it for Balls, Concerts, Merchandise Sales, and other purposes . . .
Title deduced from a New Grant from the Crown . . .
"COMMERCIAL INTELLIGENCE", Launceston Examiner (19 May 1855), 2
http://nla.gov.au/nla.news-article36292757
. . . Mr. W. A. Guesdon sold yesterday, at the Ship Inn, the following properties: - A two story brick house, with the rooms known as Del Sarte's Assembly Rooms, and situated in Harringnton-street, to Mr. James Horman for £875 . . .
ASSOCIATIONS: William Andrew Guesdon (auctioneer), father of W. A. Guesdon (junior); James Horman (d. 1876)
1 August 1855, tea party, St. Joseph's school room
"LOCAL NEWS . . . TEA PARTY", The Hobarton Mercury (3 August 1855), 3
http://nla.gov.au/nla.news-article3336177
The Tea Party on Wednesday evening at St. Joseph's School Room, in behalf of St. Peter's Hall was extremely well attended, by about 100 visitors, a great number being of the fair sex. The Tea was excellent, and the company did ample justice to the potation, thus evincing a practical adherence to the principles of Teetotalism. The charm of the evening, however, consisted in the music, both vocal and instrumental, the former being sustained with considerable ability, under the direction of Monsieur Del Sarte, who presided at the Piano Forte, and the latter being performed by the Band in a style, that evinced a degree of musical talent, for which we hardly gave the performers credit; altogether, the evening was spent in the most pleasant and agreeable manner, and we hope to witness other re-unions of the same kind during the season.
"TASMANIAN CONTRIBUTIONS TO PARIS, 1855, NO. XIV", The Courier (27 September 1855), 2
http://nla.gov.au/nla.news-article2491196
. . . In the 1st Group - Class XXVI. - Drawing and Modelling, Letter-Press and Copper-Plate Printing, and Photography, the following contributions were sent . . .
Ditto [Tasmanian Music], "Un Reve, Romance musique," composed by Camille Del Sarte. Miss Julia Smith.
Dedicated by the author to Madlle. Julia Smith, of Macquarie street, Hobart Town . . .
ASSOCIATIONS: Paris Exhibition 1855 (event); Julia Anne Smith (born Hobart, 13 February 1838, daughter of captain Frederick Coape Smith and Margaret Maynard Yates; d. VIC, 1922)
12 October 1855 (postponed from 9 October), Miska Hauser's concert, Mechanics' Institute, Hobart
[Advertisement], The Tasmanian Daily News (9 October 1855), 3
http://nla.gov.au/nla.news-article203385612
MECHANICS' INSTITUTE. MISKA HAUSER, THE CELEBRATED HUNGARIAN VIOLINIST, HAS the honor to announce that his
LAST AND FAREWELL CONCERT will take place on FRIDAY EVENING, OCTOBER 12th, at the Mechanics' Institute.
On which occasion he will be assisted by MONSIEUR DEL SARTE and MR. BIAL . . .
"MISKA HAUSER'S CONCERT", The Courier (9 October 1855), 2
http://nla.gov.au/nla.news-article2491875
The final concert of Miska Hauser, which was to take place this evening at the Mechanics' Institute, is unavoidably postponed until Friday evening next, owing to the indisposition of Mons. Del Sarte, whose assistance will be accorded upon the occasion. Miska Hauser will give a concert at Campbell Town on Monday evening next.
"MISKA HAUSER'S LAST CONCERT", The Tasmanian Daily News (9 October 1855), 3
http://nla.gov.au/nla.news-article203385627
This now well-known artist gives his last concert in Hobart Town, at the Mechanics' Institution, this evening [sic] . . .
SINCE the above notice was in type, we learn that, on account of the illness of Mons. Del Sarte, Miska Hauser's concert is postponed till Friday next, the 12th inst . . .
"MISKA HAUSER", Colonial Times (13 October 1855), 3
http://nla.gov.au/nla.news-article8786915
MISKA HAUSER gave his final concert in Hobart Town at the Mechanics' Institute, last evening. The hall was filled to overflowing; for some little time before the hour fixed for the commencement of the performance, every available seat was filled, and all the Standing room was occupied. We never remember to have seen the hall so numerously or so respectably attended.
The concert itself was of first-rate character. M. Hauser was assisted by Messrs. Buddee, Bial, and Del Sarte. Mr. Buddee was deservedly encored. His solo exhibited all his usual finish and severity of execution. We cannot but think that this gentleman's talent has been somewhat underrated here, and that he is growing in the public estimation. M. Bial's accompaniments were finished and exact. M. Del Sarte did his best; better, indeed, than might have been expected, remembering that he has been indisposed throughout the week.
M. Hauser's execution appeared to us to be even more exact than before. We were surprised, that in so warm a room, the "harmonics" could be given with such extreme clearness and precision. The hand of a master was more than ever evident. A Fantasia from the Lucrezia Borgia was delightful. A duo with Mr. Buddee from Der Frieschutz was exquisite, both players exhibiting not only the richness of the music, but their own ability as timists and executants. On being encored, M. Hauser, with a characteristic delicacy, deferred the honor to his colleague, an act which was quite appreciated by the audience. M. Hauser's Siciliano is a gem. We noticed particularly an allegro moderato at the opening, which is very fine. Ole Bull's Mother's Prayer, &c, has been frequently noticed, it seemed, however, to come quite as freshly as ever. The finale too, the Bird on the Tree, was quite as good as on any previous occasion.
M. Hauser leaves this on Sunday, we believe, for Campbell Town, where he is advertised to be on Monday evening. We shall regret his departure. Our enjoyment last night was sadly marred by the remembrance that we were listening to him for the last time. He returns, we understand, to Sydney via Launceston, where he will give a few entertainments en faisant, and from Sydney he proceeds to London.
"MISKA HAUSER'S FAREWELL CONCERT", The Courier (13 October 1855), 3
http://nla.gov.au/nla.news-article2492123
. . . To return, however, to the concert, the following was the programme, with the names of the artists,
who combined their efforts upon this occasion, to make the concert attractive.
PROGRAMME. - PART I - 1. Introduction. Overture from Zampa . . .
3. Grand Air from the opera La Favorite by Donizetti, sung by Monsieur Del Sarte . . .
PART II. 1. Introduction. Galop Militaire . . .
3. Grand Air by Pacini, sung by Monsieur Del Sarte . . .
FINALE .- God save the Queen.
The fact that every piece was encored bears sufficient testimony, were any needed, of the abilities of the performers.
Miska Hauser is now leaving Hobart Town, and his absence will cause a hiatus in the musical world here,
which, it is most probable, it will take a long, time so well to fill up . . .
ASSOCIATIONS: Miska Hauser (violin); Charles Bial (piano)
"ABUSIVE AND THREATENING LANGUAGE", Colonial Times (16 November 1855), 2
http://nla.gov.au/nla.news-article8784533
John Shell was charged with using abusive and threatening language to Monsieur Del Sarte. Mr. Brewer appeared for the complainant. From the statement of the defendant it appeared that he and his wife had lived with Mon. Dal Sarte for a period of two years, and were entrusted with the management of household affairs, but as soon as they left his service he spoke very badly of them, and in this way interfered with their obtaining employment. The bench decided that he should be bound over to keep the peace, in the sum of £10, and two sureties in £5 each.
"APPLICANTS FOR SURETIES", The Hobarton Mercury (16 November 1855), 2
http://nla.gov.au/nla.news-article3336997
Yesterday at the Police Office John Shell, was charged by Monsieur Del Sarte with abusing him in the streets, and using language, calculated to excite him to commit a breach of the peace, by saying:- "You will swear black is white," and other words: he, therefore, prayed that he be bound over to be of good behaviour towards him. Mr. Brewer, who appeared for the complainant, stated, that he had been frequently insulted by the defendant, and as he was of rather a warm temperament, he feared that he might be excited to commit a breach of the peace. The defendant said he and his wife, had been in Mr. Del Sarte's service for two years, and had been entrusted with every description of property: from Mr. Del Sarte's representation, he had been deprived of a situation with Mr. Chester Wilmot, and was now Coach man to Captain Smith. He was bound over to be of good, behaviour towards Mr. Del Sarte, for 3 months, himself in £10, and two sureties in £5 each.
ASSOCIATIONS: ? the ex-convict John Shell (per Susan, 1842)
[Advertisement], The Tasmanian Daily News (29 November 1855), 1
http://nla.gov.au/nla.news-article203386893
ASSEMBLY BALL.
THE next Assembly Ball will take place at Monsieur Del Sarte's Rooms, Harrington-street, on Monday, the 3rd of December, 1855 . . .
[Advertisement], The Tasmanian Daily News (31 March 1856), 3
http://nla.gov.au/nla.news-article202387781
PRELIMINARY NOTICE. Household Furniture.
Superior Grand Double-action Cottage Pianoforte.
Chandeliers and other Household Effects, in consequence of relinquishing present premises and removing to private house.
Mr. W. A. Guesdon Is instructed by Mons. Del Sarte to sell by Public Auction on the premises known as Del Sarte's Rooms,
Harrington-street, on THURSDAY, 3rd April, at half-past 10 for 11 o'clock,
THE whole of the Household Effects, piano, organ, lamps, chandeliers, and other furniture.
Particulars in next advertisement.
[Advertisement], The Courier (1 April 1856), 3
http://nla.gov.au/nla.news-article2501279
. . . Grand Cottage Piano, Organ, Household Furniture, Chandeliers, Forms, and other effects . . . superior double action grand cottage piano, grand piano, chandeliers, organ, forms, and other musical and concert stock . . .
"MONS. DEL SARTE", The Courier (2 April 1856), 2
http://nla.gov.au/nla.news-article2501359
The sale of this gentleman's household and concert furniture, pianos, organs, &c., take place to-morrow, at the rooms, Harrington-street, at half-past ten for eleven o'clock, by Mr. W. A. Guesdon.
[2 advertisements], The Tasmanian Daily News (10 April 1856), 1
http://nla.gov.au/nla.news-article202387539
GRAND SELECT QUADRILL ASSEMBLY, DEL SARTE'S ROOMS, Harrington-street.
MR. CROWTHER, Professor of Dancing, begs to inform the ladies and gentry of Hobart Town,
that he intends giving a series of weekly assemblies on the most brilliant scale,
the first to take place on MONDAY, the 14th April. Dancing to commence at 8 o'clock.
Admission- Gentlemen, 3s., with the privilege of introducing ladies.
A splendid band will be in attendance.
MR. FREDK. CROWTHER, Sole Proprietor.
DEL. SARTE'S Rooms, Harrington-street to Let for Concerts, Balls, &c. Apply, to M. Crowther.
FASHIONABLE Dancing Taught by Mr. Crowther. Del Sarte's Rooms.
ASSOCIATIONS: Frederick Crowther (dancing master)
3 and 5 December 1856, Miska Hauser's concerts
"THE CONCERT AT THE ASSEMBLY ROOMS . . .", The Courier (5 December 1856), 3
http://nla.gov.au/nla.news-article2507026
The Concert at the Assembly Rooms was not so well attended as had been anticipated, a circumstance which perhaps was owing in a great degree to the anticipation which had been excited with respect to the morrow's recreation, the preparations for a full enjoyment of the aquatic sports, rather than to any evidence of want of appreciation of the artists who appeared, M.M. Miska Hauser and Buddee. The concert itself was, however, one of the best which has been given, the gifted Hungarian never playing in better style. We have also to notice with the greatest satisfaction the successful efforts of M. Del Sarte to add to the eclat of the performances. This gentleman, who came forward, as we understood, after a very short notice, and without preparation, sang delightfully. We well recollect that upon his first appearance at the theatre here we were of those who did not conceive him to possess any extraordinary powers of vocalisation. It may be that the theatre was too large to come within the scope of M. Del Sarte's powers, and that the Assembly Rooms are more fit for entertainments of this character, but we were exceedingly pleased to see him so well appreciated upon this occasion. Mr. Buddee was as unapproachable on the pianoforte as usual. We would direct particular attention to the final Concert of to-night. The band of the 12th Regiment will be in attendance, and M.M. Miska Hauser and Buddee will also be assisted again by M. Del Sarte.
[Advertisement], The Courier (5 December 1856), 3
http://nla.gov.au/nla.news-article2507015
MISKA HAUSER'S LAST CONCERT AND FINAL FAREWELL TO TASMANIA
at Mr. Elliston's New Assembly Rooms, Macquarie-street, THIS EVENING, 5th DECEMBER,
Upon which occasion the assistance of the Band of the 12th Regiment has been granted by the kind permission of Colonel Percival.
PROGRAMME. PART FIRST. OVERTURE - Military Band . . .
Song by Mons. Del Sarte, who has most kindly offered his services . . .
SECOND PART. OVERTURE, Military Band . . .
LAK.
Song by Mons. Del Sarte . . .
GOD SAVE THE QUEEN . . .
"MISKA HAUSER", Colonial Times (8 December 1856), 2
http://nla.gov.au/nla.news-article8785070
This distinguished violinist took his leave of Hobart Town in two concerts, given at the New Assembly Rooms in Macquarie street, on Wednesday and Friday last. The concert of the former evening was not so numerously attended as we could have wished. On Friday night the room was full. Of the concert itself it is scarcely possible to speak too highly. The band of the 12th lent its powerful assistance, under the able direction of Mr. Callen. M. Del Sarte sang some French songs in his best manner. Mr. Buddee rises in our estimation with every opportunity we have of observing his great skill and taste. M. Hauser was himself. Our space does not allow of our entering into particulars, nor is it necessary. The gem of the evening was the celebrated duo of Beethoven's, played by Messrs Hauser and Buddee on the previous Monday and repeated by desire. M. Hauser received a shower of bouquets at the conclusion of the performances. We regret his departure, for we owe to his skill many agreeable hours, gone, now, never to return.
ASSOCIATIONS: Douglas Callen (master, 12th band); Band of the 12th Regiment (military)
"CONCERT", Launceston Examiner (6 January 1857), 3
http://nla.gov.au/nla.news-article36300084
Monsieur Del Sarte, of Hobart Town, who has many pupils residing on this side of the island, is now in Launceston, en route for Melbourne, and is making arrangements to give a concert at the Assembly Rooms, the particulars of which will be duly announced.
"MONSIEUR DEL SARTE", The Cornwall Chronicle [Launceston, TAS] (7 January 1857), 3
http://nla.gov.au/nla.news-article65725012
This gentleman, a resident of Hobart Town, but generally well known in the colonies, purposes giving a concert at the Assembly Rooms, date and particulars will shortly be advertised. Mons. Sarte is en route to Melbourne.
"SHIPPING NEWS . . . LAUNCESTON. ENTERED INWARDS", The Courier (16 January 1857), 2
http://nla.gov.au/nla.news-article2457450
JANUARY 14. Queen, steamer, 225. Robertson, Melbourne. Cabin . . . Messrs. . . . Del Sarte . . .
"DEL SARTE'S CONCERT", Launceston Examiner (15 January 1857), 3
http://nla.gov.au/nla.news-article36300173
In consequence of the arrival of Madame Bishop, M. Del Sarte has declined to give his proposed concert.
5 February 1857, Anna Bishop's concert, Hobart
"MADAME ANNA BISHOP", Colonial Times (7 February 1857), 2
http://nla.gov.au/nla.news-article8786869
Madame Anna Bishop gave the last of her series of five concerts at the Victoria Theatre on Thursday evening, under the immediate patronage of Sir Henry and Lady Young. The concert was further announced as a " benefit" for the cantatrice herself . . . M. Del Sarte gave the Barcarolle from Masaniello "Amis! a matinee est belle," "Tes deux jolis jeux," and the Buffo aria from "Il Barbiere" as his contribution toward the evening's entertainment. Madame Bishop was as usual overwhelmed with bouquets and plaudits. Herr Siede received his share of the evening's oblations, and very generously shared them with Mr. Loder . . .
ASSOCIATIONS: Anna Bishop (vocalist); Julius Siede (flute); George Loder (piano, vocalist)
"GENERAL POST-OFFICE, FEBRUARY 11, 1857", The Courier (12 February 1857), 3
http://nla.gov.au/nla.news-article2457912
List of Letters posted this day, either insufficiently stamped or not stamped at all: . . . Monsieur Del Sarte, Music Master, New Town . . .
"THE OPERA IN MELBOURNE", The Tasmanian Daily News (19 March 1857), 2
http://nla.gov.au/nla.news-article202988998
We are glad to be in a position to announce the formation in Melbourne of an operatic corps, and further, that it has been determined to give an operatic season of six weeks' duration. The Amphitheatre is to be remodelled for the purpose, and the speculators are determined to spare no expense that may gain a fair share of the public support. Madame Anna Bishop will be the prima donna, and Messrs. Farquharson and Delsarte, the latter an admirable tenor singer and actor, will form part of the company. Engagements are also pending with Miss Julia Harland and M. M. Laglaise and Coulon, and the orchestra and chorus will be on a scale hitherto unsurpassed in these colonies. The enterprise, if carried out with half the vigour which is promised, can scarcely fail to be immensely successful. Operas entirely new to the Melbourne public are to be produced, and old favourites will, not be neglected. The season will commence, we believe, about the middle of next mouth, and the opening opera is fixed to be an English rendering of Donizetti's Linda de Chamouni. - Herald.
"MUSIC AND THE DRAMA", The Age [Melbourne, VIC] (30 March 1857), 5
http://nla.gov.au/nla.news-article154823722
The Royal Amphitheatre, Spring street, is under going a complete renovation, and though much remains yet to be done, is rapidly assuming shape and form. Among the alterations which are being introduced we may particularly mention two tiers of boxes with entrances from the side next Bourke street. The entrance to the pit will be by Spring street, and is to be illumined by an electric light. The dress circle will be supplied throughout with chairs. The whole theatre is computed to hold two thousand persons. The orchestra will be one of the best in the colony, and is intended to consist of twenty-six performers. The chorus will be full and effective, and number thirty - including the pick of those who have performed at the Royal for the last two or three seasons. The principals include Madame Bishop, Madame Sara Flower, and Mrs Fiddes; Mons. Laglaise and Del Sarte (tenors), and Messrs Coulon and Farquharson (basses). Mr. George Loder is to be conductor. Altogether the company promises to be the most efficient opera corps which has yet been formed in the colony. The rehearsals commence to-day or to-morrow, and the season will commence on Monday, 13th April with "Lucrezia Borgia." The other operas intended to be produced are the Crown Diamonds, Linda di Chamounix, Judith and Holofernes, Robert le Diablo, Fra Diavolo, L'Elisir d' Amore, Norma, and several others.
ASSOCIATIONS: Harriet Fiddes (soprano); Sara Flower (contralto); Robert Farquharson (bass); Julia Harland (soprano); Emile Coulon (baritone); Jean-Baptise Laglaise (tenor)
21 March 1857, concert, Royal Victoria Theatre, Hobart
[Advertisement], The Courier (21 March 1857), 3
http://nla.gov.au/nla.news-article2458475
THEATRE ROYAL. MUSIC FOR THE MILLION. THIRD SATURDAY NIGHT'S CONCERT . . . THIS EVENING, MARCH 21.
PROGRAMME - PART I . . . French Romance - Mons Del Sarte . . .
PART II . . . French Romance - Mons Del Sarte . . .
Pianist - Mr. Buddee. Conductor - Mr. Callen . . .
"LOCAL INTELLIGENCE", Colonial Times (24 March 1857), 3
http://nla.gov.au/nla.news-article8783546
The concert at the Victoria Theatre on Saturday evening was honored with the presence of His Excellency the Governor, Lady Young, and suite. The attendance was more numerous than on any former occasion. The band of the 12th, under Mr. Callen's efficient direction, performed an excellent selection of music in first rate style. A valse of Mr Callen's composition, which we then heard for the first time, struck us as being remarkably effective. Miss Stewart sang some ballads very prettily. Mr. Del Sarte contributed his quota to the evening's amusement, as also Mr. Buddee. The entertainment on the whole was an exceedingly good one. Mr. Dunn enlivened it by a couple of comic songs.
ASSOCIATIONS: Eliza Stewart (vocalist); John Dunn (vocalist, comedian)
"MUSIC AND THE DRAMA", The Age [Melbourne, VIC] (13 April 1857), 5
http://nla.gov.au/nla.news-article154823737
. . . The operatic corps includes Madame Anna Bishop, Madame Leon Naej, Madame Sara Flower, Mrs. Fiddes, Mons. Laglaise, Mr. Walter Sherwin, Mr. Norton, Mons. Del Sarte, Mr. Dickson, Mr. J. Pierce, Mons. Coulon, Mr. Farquharson, Mr. Gregg, Mr. Kitts, and Mr. Benham. The chorus will include no less than thirty well trained voices, and the band twenty-five performers, all carefully selected. Mr Geo. Loder is to be conductor and musical director, and Mr E. King, leader of the band. This will include the well known names of Mr. Chapman, (double bass); Mr. Johnson, (clarionet); and Mr. Usher, (violin). The whole has been under assiduous rehearsal for several days, and cannot fail in rendering the opera in a style surpassing any former attempt in Victoria . . .
[Advertisement], The Age (14 April 1857), 1
http://nla.gov.au/nla.news-article154823607
GRAND OPENING AND INAUGURATION OF THE PRINCESS'S THEATRE, SPRING STREET,
On Thursday, April 16th, Under the Management of Mr. John Black.
GRAND OPERA. Commencement of the Operatic Season.
MADAME ANNA BISHOP, Being positively her farewell engagement prior to her departure from the Colonies,
Madame Sara Flower, Madame Leon Naej, Mr. Farquharson, Mons. Emile Coulon, Mr. Sherwin,
Mons. Laglaise, Mr. John Gregg, Mons. Del Sarte, With a powerful Orchestra and Chorus of upwards of
SEVENTY PERFORMERS . . .
"PRINCESS'S THEATRE", Bell's Life in Victoria and Sporting Chronicle (9 May 1857), 2
http://nla.gov.au/nla.news-article201376285
The patrons of the new theatre were regaled on Wednesday evening with another of Donizetti's operas, "Linda di Chamouni," which was then produced for the first time in Melbourne in a form approaching completeness. The opera, with the exception of the chief tenor part, was very strongly cast, and, everything considered, went well. The part of Carlo was entrusted to a gentleman named Norton, who being a complete novice to the stage, was not able to do justice to the composer. The audience, however, were disposed to be indulgent, and the debutant had nothing to complain of in respect of encouragement from them. We think, however, that it is only due to the subscribers that the management should explain why the promises put forth in their original programme have not been fulfilled. Where are M. M. Laglaise, Del Sarte, and Coulon, and why are important parts, such as Gennaro and Carlo assigned to mere tyros? . . .
NOTE: Despite the above reports and advertisements, there is no evidence that Del Sarte ever arrived for a second time in Melbourne, let alone actually performed in the opera season in April and May
ASSOCIATIONS: John Melton Black (manager); Madame Leon Naej (soprano); Walter Sherwin (tenor); J. O. Pierce (bass); John Gregg (bass); James Edward Kitts (bass); Henry Benham (bass); Edward King (violin); Alfred Usher (violin); Samuel Chapman (double bass); Henry Johnson (clarinet)
24 July 1857, naturalisation of Del Sarte as a British subject
Naturalisation (denization), 24 July 1857, Camille Auguste Del Sarte; Tasmanian names index; NAME_INDEXES:447176; CSD1/1/59 no. 1258
https://stors.tas.gov.au/NI/447176
https://stors.tas.gov.au/CSD1-1-59-1258$init=CSD1-1-59-1258P01JPG (DIGITISED)
"ST. MARY'S SEMINARY, HOBARTON", The Tasmanian Daily News (25 December 1857), 3
http://nla.gov.au/nla.news-article201342736
The annual exhibition of studies at this establishment was held in St. Joseph's school room on Monday evening, the 21st inst. His Lordship, the right Rev. Dr. Wilson [sic], bishop of Hobart Town, awarded the premiums to the successful candidates . . . After refreshments the business of the evening concluded with a musical treat, in which Mons. Del Sarte, Messrs. H. Hunter and E. Fitzgerald (a former pupil of the seminary) delighted all by their rich comic humor and brilliant singing.
ASSOCIATIONS: Robert William Willson (bishop); Henry Hunter (vocalist); Edward Fitzgerald (vocalist)
2 March 1858, Indian Relief Fund concert, Royal Victoria Theatre, Hobart
[Advertisement], The Tasmanian Daily News (2 March 1858), 3
http://nla.gov.au/nla.news-article199790743
THEATRE ROYAL.
GRAND AMATEUR PERFORMANCE IN AID OF THE INDIAN RELIEF FUND,
TUESDAY EVENING, 2nd March, under the distinguished patronage OF HIS EXCELLENCY THE GOVERNOR.
By thi kind permission of Colonel Percival and the Officers of H.M. 12th Regiment their SPLENDID BAND WILL ATTEND.
The Performances will consist of Boursicault's celebrated Play of LONDON ASSURANCE:
To be followed by A GRAND SDENA FROM THE OPERA OF LE MOSQUESTAIRE DE LA REINE, BY MONS. DEL SARTE, IN CHARACTER.
To conclude with the Laughable Farce of THE TWO BONNYCASTLES . . .
MUSIC: Les Mousquetaires de la reine (opera, by Fromental Halévy)
"ANTONIO DELSARTE", The Hobart Town Daily Mercury (23 August 1858), 3
http://nla.gov.au/nla.news-article3250064
ANTONIO DELSARTE [sic], one of the greatest musicians (we speak of science, not performance),
and among the very first teachers of vocal music of the present day, has organised a concert for a charitable object,
at which some of the chief musical amateurs in Paris - among others the Princesses de Chimay and de Czartoryaka - are to perform.
[Antonio Del Sarte, is the son of an equally eminent musician, Francois Del Sarte, and brother of our gifted citizen C. Del Sarte,
whose musical talents are so well known and appreciated by the dancing Tasmanians.]
ASSOCIATIONS: I have found no other reference to this "son" of François Delsarte; rather, François remained the most famous member of the family
"RE-OPENING OF ST. JOHN'S CHURCH, RICHMOND", The Courier (14 February 1859), 2
http://nla.gov.au/nla.news-article2466814
THIS Church, which has been considerably enlarged and decorated, was re-opened last week. High Mass was performed at 11 o'clock. Present - the Bishop, and the Revs. Dunne, Hagon, Keohan, Marum, Bond, Fitzgerald, Ryan, Murphy, Woods, and Mr. Hogan sang High Mass, assisted by Mr. Bond and Mr. Fitzgerald. Mr. Del Sarte presided at the Choir, assisted by Messrs. Hunter and others. The Church was densely crowded in every part, and members of every denomination testified their affection and respect for the Catholic pastor of Richmond by assisting at this interesting ceremony. The appearance of the Church and altar was beautiful in the extreme . . .
"CATHOLIC CHURCH, RICHMOND", The Hobart Town Daily Mercury (15 February 1859), 2
http://nla.gov.au/nla.news-article3253166
. . . At 5 p, m, Vespers were sung, and a most eloquent sermon was preached by the Rev. Mr. Ryan, after which a collection was made, and the service concluded with the Episcopal Benediction. The singing at both morning and evening service, under the leadership of Mr. Del Sarte, was beautiful and effective . . .
ASSOCIATIONS: Robert William Willson (bishop); Henry Hunter (vocalist)
[Advertisement], The Hobart Town Daily Mercury (3 June 1859), 3
http://nla.gov.au/nla.news-article3255487
A GRAND BALL IN AID OF THE CATHOLIC YOUNG MEN'S SOCIETY.
A BALL will be given in thw Town Hall, (late Government Ball Room) on TUESDAY, 21st of June instant;
the proceeds of which will be devoted to charities in connection with the Catholic Young Men's Society.
Tickets to admit Lady and Gentleman 12s. 6d.
Ditto Two Ladies and a Gentleman 15s. 6d.
May be had of Mr. H. Hunter, Macquarie-street; Mr. B. Farrelly, Murray-street.
Mr. Sheehy, Collins-street; Mr. E. Maher, Argyle-street;
Monsieur Del Sarte, Elizabeth-street,
AND OF JOHN O'BOYLE, Hon. Secretary . . .
ASSOCIATIONS: Henry Hunter (amateur musician)
"BUILDING IMPROVEMENTS", The Hobart Town Daily Mercury (3 September 1859), 2
http://nla.gov.au/nla.news-article3257492
. . . Amongst the buildings now in progress we may particularly mention the music and dancing saloon of Mons. Del Sarte at the corner of Davey and Harrington streets, displacing a neat stone bachelor looking cottage, which had occupied the space for many years; the new building is progressing fast towards completion, and as far as can be judged at present the locality will be greatly ornamented by the erection . . .
"THE MONTH . . . BUILDING IMPROVEMENTS", The Hobart Town Daily Mercury (13 September 1859), 3
http://nla.gov.au/nla.news-article3257696
. . . There are structures also in progress which involve a considerable expenditure; as, for instance, Mons. Del Sarte's music and dancing saloon at the corner of Davey and Harrington-streets, which is progressing fast to completion, and which will greatly ornament that locality . . .
"NEW BUILDINGS; PUBLIC AND PRIVATE", The Hobart Town Daily Mercury (11 November 1859), 3
http://nla.gov.au/nla.news-article3259020
. . . Mons. Del Sarte's music and dancing saloon at the corner of Harrington and Davey Streets, is also nearly completed. It is a large brick building, lighted from the roof, and having two spacious entrances, one in Davey the other in Harrington Street. It will be appropriated to concerts, balls, and assemblies, and may, probably, be used for public meetings . . .
[Advertisement], The Hobart Town Daily Mercury (8 May 1860), 3
http://nla.gov.au/nla.news-article19469740
THEATRE ROYAL. WEDNESDAY EVENING. May 9th, 1860.
Under the Distinguished Patronage of SIR HENRY YOUNG & LADY YOUNG,
ALSO The Hobart Town Volunteer Artillery Company.
Complimentary Farewell Benefit to MADAME CARANDINI,
On which occasion she will be assisted by MISS ROSINA CARANDINI,
MONSIEUR DEL SARTE, MR. J. BUDDEE, And several AMATEURS
By the kind permission of the Captain commanding the Hobart Town Volunteer Artillery Corps, the Band have tendered their valuable services.
PROGRAMME. PART FIRST. 1. Military March Band
2. Scena - "Fly hence each idle fear" - Wallace - MADAME CARANDINI
3. Romance - Les yeux noirs" Arnaud - MONS DEL SARTE
4. Ballad - "I am alone" MacFarren - MISS ROSINA CARANDINI
5. Grand Duet - "By the lone Tomb." Lucia de Lammermoor - Donizetti - MADAME CARANDINI and MONS. DEL SARTE
SECOND PART
1. Set Waltzes Band
2 Grand Miserere Scena, "Il Trovatore" - Verdi - MADAME CARANDINI, MONS. DEL SARTE & CHORUS.
THIRD PART.
1. Selections - Band
2. Duet, - "Lasciami non t'ascolto" - MADAME and MISS ROSINA CARANDINI
3 Ballad-"The Minstrel Knight" - Glover - MONS DEL SARTE
4 Solo - Pianoforte - Hertz - MISS ROSINA CARANDINI.
5. Descriptive Song, "Queens Letter," Hobbs - MADAME CARANDINI
Conductor - Mr. Buddee . . .
ASSOCIATIONS: Maria Carandini (vocalist) and daughter; Hobart Volunteer Artillery Band
"THEATRE ROYAL", The Hobart Town Daily Mercury (16 May 1860), 3
http://nla.gov.au/nla.news-article19469227
THEATRE ROYAL. AMATEUR PERFORMANCE BY ODD FELLOWS,
IN AID OF A FUND TO BUILD AN ODD FELLOWS HALL . . . THIS EVENING, MAY 16TH, 1860 . . .
Buffo Song, - "Largo Al Factotum" by Brother MONS. DEL SARTE . . .
[Advertisement], The Hobart Town Daily Mercury (16 May 1860), 3
http://nla.gov.au/nla.news-article19469225
ODD-FELLOWSHIP. Odd-Fellows Society and Town Band.
MUSICIANS, in the Order, or who may intend to join it, are respectfully invited to meet the undersigned at Mons. Del Sarte's Concert Rooms,
Harrington and Davey-streets, on TUESDAY evening next, the 22nd inst, at 7 o'clock p.m. precisely to consider a project for establishing an O. F. Band
sufficient for the requirements of the Order, and available for the amusement of the public
on occasions where the aid of a numerously organized and well appointed Band is a desideratum.
Should the idea be approved of, and succeed ultimately, it is not too much to hope that,
as one result, the love and practice of music may hereafter be better appreciated and more cultivated than it is at present.
M. Del Sarte has kindly consented to attend on the occasion, and lend the effort the valuable aid of his talents and experience.
S. MORIARTY.
17 May 1860, opening of Del Sarte's new music hall
"M. DEL SARTE'S NEW MUSIC HALL", The Hobart Town Daily Mercury (21 May 1860), 2
http://nla.gov.au/nla.news-article19469620
The new Music Hall, erected by M. Del Sarte, at the corner of Davey and Harrington Street, was opened for the first time on Thursday evening, in the presence of a large number of gentry and principal inhabitants of Hobart Town, who had received cards of invitation. The object of the assembly was to test the acoustic properties of the Hall, and its fitness for the purpose to which it is devoted.
The Hall, access to which is gained by a broad flight of stairs, presents to the visitor on the folding doors being thrown open, a superb appearance from the chaste and appropriate manner in which the apartment is decorated. The room, which is 66 feet long by 38 feet wide and 23 feet high, is lighted by a lantern light upwards of 50 feet in length, divided into compartments by semi-circular arched ribs, springing from light and elegant columns on either side. The ceiling of each compartment, as well as the sides of the lantern, are panelled and finished in white and gold, and in each compartment of ceiling is a large centre formed with small mirrors, with splendid glass chandeliers pendant from the centres. The walls of the Hall are panelled, each alternate panel bearing a medallion embellished with fruit and flowers. The panels are formed of styles of figured gilt, with borders of the China aster, the panel part being very delicately colored, and enclosed in louis quatorze frames, which, with the medallions, produce an excellent effect. When the Hall is lighted the reflected light from the innumerable little mirrors in the centres and other points of reflection, together with the chaste and classical decorations of the whole apartment, presents a marvellously brilliant but subdued and elegant appearance.
The room, which is furnished with appropriate benches, is capable of being used, not only as a Concert Hall, but as a Ball Room, and possesses also a proscenium and conveniences for the erection of a temporary stage, which renders it well adapted for selections from the Opera, or the performance of any of the sparkling vaudevilles of the day; the aisles also affording every facility for promenade concerts. In connection with the Hall are rooms tastefully fitted up as cloak and dressing rooms for ladies, with Refreshment, and Card Rooms, from the lobby leading to the principal stair-case are entrance doors leading to the Ladies' Toilette Rooms, from which a separate stair-case leads to the landing immediately outside the principal entrance to the Concert Room.
The Hall possesses the advantage also of being readily converted into a picture gallery having rods for hanging the pictures concealed within the walls. On entering the ground floor of the house is a promenade which can be closed as may be required and which will add greatly to the enjoyment of those visiting the hall on occasions on which the room is too densely crowded.
The company having assembled M. Del Sarte sang Sans Amour, the Marseillaise being also performed by Mr. Bremmall. And here the careful attention, which had been bestowed in the construction of the roof and the strict regard paid to the best known principles of acoustics, were eminently apparent, the music and voices being heard with beautiful and softened distinctness, the louder notes being replied to by a fine and perfect harmonic echo. The test was acclaimed as perfectly satisfactory, and M. Del Sarte was warmly congratulated upon the happy success which has attended that gentleman's energetic and unceasing efforts to place at our disposal a Concert Room in itself, so far as decoration is regarded, an exquisite bijou, and so perfect in its means of conveyance of vocal and instrumental harmony.
The concert having closed the health of the talented and spirited proprietor was proposed and heartily drunk, M. Del Sarte being highly complimented on the spirit which has enabled him in these somewhat dull times to incur the expence attending upon the construction of the Hall. The press, coupled with the name of Mr. Davies of this journal, was also proposed and responded to, and the company separated wishing every success to M. Del Sarte in an undertaking so well deserving the warmest support of all lovers of the choicest selections from the works of the most gifted musicians of the past or present age, and as we understand that M. Del Sarte intends to institute a Philharmonic Society on the same basis as those upon which the kindred Societies in London are founded, we can have no doubt that at length the delightful means of enjoyment which such societies present will be open to those who have been so long lamenting the absence of such a society in our city.
We cannot conclude our notice of the New Concert Hall without noticing the great amount of skill and ability which Mr. F. Thomas, the architect has brought to bear upon the construction of the building, and the pains he has taken to make the Hall as it is second to no Concert Hall in finish or fitness to any in the colonies.
[Advertisement], The Hobart Town Daily Mercury (21 June 1860), 1
http://nla.gov.au/nla.news-article19467293
MONS. DEL SARTE'S MUSIC HALL,
Conner of Harrington and Davey Streets, HOBART TOWN,
BEING now COMPLETED and ACKNOWLEDGED to be the MOST ELEGANT SUITE of ROOMS in Tasmania,
is open for ENGAGEMENT for BALLS, CONCERTS, and MUSICAL ENTERTAINMENTS.
For full particulars apply to MONS. DEL SARTE, on the Premises.
ASSOCIATIONS: Frederick Hugh Thomas (architect)
"GENERAL INTELLIGENCE. ODD FELLOWS BAND", The Hobart Town Daily Mercury (4 June 1860), 2
http://nla.gov.au/nla.news-article19468790
At an adjourned meeting of members of the A.I.O.O.F. held at M. Del Sarte's Concert Room on Tuesday the number required to complete a full and effective band composed of members of this order was made up and the band established. Mr. Brown kindly undertook to assist the band master in the preliminary details, and a Committee having been appointed, after a vote of thanks to M. Del Sarte for the effective aid he had given in the establishment of this body, the meeting separated with a conviction that a most excellent selection of members had been made, and that the band would prove a source of very great gratification to the members of the Order and also to the general body of lovers of harmony within the city.
[Advertisement], The Mercury (25 August 1860), 3
http://nla.gov.au/nla.news-article8792613
Notice. MONS. DEL SARTE'S BALL will take place on WEDNESDAY, 29th August.
N. B. - The Gentlemen of the Rifle Corps will be admitted in their Military uniforms.
Tickets can be obtained from 1 to 2 and till 7 p.m. daily.
"ST. MARY'S CATHOLIC CATHEDRAL. THE LAYING THE FOUNDATION STONE", The Mercury (13 September 1860), 3
http://nla.gov.au/nla.news-article8793000
The Corner Stone of the new Cathedral in Harrington-street, was solemnly laid by the Right Rev. Dr. Willson, Bishop of Hobart Town, yesterday, in the presence of a very large number of the citizens and inhabitants of the surrounding districts, there being present during the proceeding nearly three thousand persons . . . The hymn " Jesus the only thought of Thee" was then sung by the choristers, the Bishop during the continuance of the hymn pronouncing the usual form of blessing over the stone . . . The various Litanies and Psalms used upon such occasions were then sung, and the Psalms, "Quam delecta," "Miserere mei," "Nisi Dominus," "Laetatus sum," "Fundamenta ejus," chanted . . . Several other Psalms having been chanted and prayers offered, the stone was sprinkled and blessed and a procession walked round the foundations chanting the usual hymns, the Bishop sprinkling the stone work as he proceeded. On returning, after the hymn "Veni Creator" had been sung, His Lordship expressed his gratification, and also his thanks for the edifying spectacle afforded him by the presence of so large a number of citizens and visitors . . .
His Excellency and Lady accompanied by the Bishop then left the ground the party being loudly cheered in its progress. The fine band of the Volunteer Artillery Corps conducted by our talented townsman Mons. del Sarte, then performed the "Belle Vue Schottische," "Charleston Quadrilles," with selections from various operas, with great taste and spirit, and to the delight of the numerous visitors to the ground; and the children of the Catholic Schools having been regaled with buns, &c, the proceedings of the day terminated.
[Advertisement], The Mercury (28 September 1860), 4
http://nla.gov.au/nla.news-article8793290
MONS. DEL. SARTE'S Weekly Subscription Assembly will commence on TUESDAY October 2nd. Terms may be known on application at the Rooms.
"ITALIAN OPERA", The Mercury (25 October 1860), 2
http://nla.gov.au/nla.news-article8793919
The performance last night was given under the patronage of the Hobart Town Volunteers, the fine band of the Artillery Corps being in attendance, and under the able direction of Mons. Del Sarte, playing some popular pieces in a very masterly style. The opera of Norma was performed with great effect, the favorite airs and cavatinas being rendered with that taste and execution for which the artistes are celebrated, and the whole performance affording the utmost satisfaction. The orchestral accompainiments were, also, given in the most effective manner by the very talented performers. This evening the Opera of Lucrezia Borgia is to be produced, and we are in a position positively to state that it will be the last performance but one of the Company in Hobart Town, the Signor and Signora making their final appearance to-morrow evening.
ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists); Italian opera company (1860-62)
[Advertisement], The Mercury (26 October 1860), 3
http://nla.gov.au/nla.news-article8793926
THEATRE ROYAL. THIS EVENING.
THE BAND OF THE VOLUNTEER ARTILLERY COMPANY WILL BE IN ATTENDANCE,
And perform several SELECTIONS, Under the Direction of MONS. DEL SARTE.
ASSOCIATIONS: Hobart Volunteer Artillery Band (volunteer military)
"INSOLVENT COURT. WEDNESDAY, 7th NOVEMBER, 1860", The Mercury (8 November 1860), 2
http://nla.gov.au/nla.news-article8794236
In re ELIZA PETTINGALL. First meeting of creditors.
Mr. Crisp for insolvent. Proofs - Camille Del Sarte, Hobart Town, Professor of music,
£174 14s. 6d. balance of promissory note for money lent and interest (referred to Assignee) . . .
"THE ARTILLERY BAND", The Mercury (4 December 1860), 2
http://nla.gov.au/nla.news-article8794782
We noticed a short time ago that the Artillery Band intended to perform on the afternoons of Wednesday in the Royal Society's Gardens;
we have now to announce that they will so perform for the first time to-morrow,
commencing at a quarter past 4 o'clock; the following is the programme of performance:-
1 Fantasie - "Norma."
2 March - "The Artillery."
3 March - "Le Voluntair."
4 Selection - "La Sonnambula."
5 March - "Santa Chiara."
6 Polka - "Scotch."
God Save the Queen.
C. DEL SARTE, Bandmaster.
"THE ARTILLERY BAND", The Mercury (7 December 1860), 3
http://nla.gov.au/nla.news-article8794847
Pursuant to announcement the fine and complete band of the Volunteer Artillery Company, under the conductorship of Mons. Del Sarte, performed a selection of music in the Gardens of the Royal Society yesterday afternoon, and we have pleasure in noticing that the excellence and taste with which the various pieces were performed, received the unconditional approbation of the very large number of our principal citizens who with their ladies and families indulged themselves in one of the most pleasing promenade exercises it has hitherto been our happiness to have been able to obtain for the public. The citizens will be glad to learn that the Band will perform on Wednesday at the Barracks, and that they will in future attend the Royal Society's Gardens and the Barracks on alternate Wednesdays, in order that the residents on either side of the town may have an equal opportunity of hearing them.
"THE MONTH", The Mercury (20 December 1860), 3
http://nla.gov.au/nla.news-article8795100
The Artillery Band has performed on Wednesday afternoons in the Royal Society's Gardens, and at the Military Barracks alternately, under the directorship of Mons. Del Sarte. The attendance of visitors has been numerous, and the performance has afforded considerable gratification.
"ARTILLERY BAND", The Mercury (2 January 1861), 2
http://nla.gov.au/nla.news-article8795396
The Band will perform this afternoon, at 4 o'clock in the Barrack Square,
under the directorship of Mons. Del Sarte; the following is the programme: -
1. Sonnambula March; 2. Zauberflote, Overture; 3. Norma, Pas redouble; 4. (By desire.) Chasne, Polka;
5. Rivulet Waltz; 6. Hibernian Quadrilles; 7. God Save the Queen.
"HOBART TOWN REGATTA", The Mercury (10 January 1861), 2
http://nla.gov.au/nla.news-article8795555
The twenty-first Anniversary of the Hobart Town Regatta was celebrated yesterday, at Macquarie Point, under the patronage of His Excellency the Governor, and supported by the principal commercial and nautical men of the capital . . . His Excellency . . . drove at once to the grand stand, on entering which the Artillery Band played the National Anthem which was followed by three cheers from the populace, acknowledged by His Excellency with repeated bows. We may add that the Band under the directorship of Mons. Del Sarte performed several favorite military and other pieces during the day with great ability and effect . . .
"SECOND RACE", The Cornwall Chronicle (12 January 1861), 3
http://nla.gov.au/nla.news-article65569240
. . . The band of the Volunteer Artillery Company, conducted by M. del Sarte, which had performed during the day a carefully selected programme of beautiful airs, with very great skill, and had added very materially to the pleasures of the day, then struck up "God Save the Queen," and the Domain was rapidly deserted by the large concourse present at the Grand Regatta of 1861.
[News], The Mercury (23 January 1861), 4
http://nla.gov.au/nla.news-article8795877
THE ARTILLERY BAND will perform this afternoon in the Barrack square;
the folloiwing is the programme: -
1. Fantasie - "Norma"
2. March - "The Artillery"
3. March - "Le Voluntair"
4. Selection - "La Sonnambula"
5. March - "Santa Chiara"
6. Polka - "Scotch"
7. God save the Queen.
C. DEL SARTE, Band Master.
1861, marriages in the district of Hobart, 7 February 1861; Tasmanian names index; NAME_INDEXES:861519; RGD37/1/20 no 114
https://stors.tas.gov.au/NI/861519
https://stors.tas.gov.au/RGD37-1-20$init=RGD37-1-20p62 (DIGITISED)
No. 1555 / 114 / 7th February 1861 / Hobart Town / Camille Auguste Del Sarte / 41 / Artiste . . . Bachelor
Ann Caroline Conroy / 22 / - . . . Spinster . . .
"ARTILLERY BAND", The Mercury (13 February 1861), 2
http://nla.gov.au/nla.news-article8796269
The Band will perform this afternoon, at 4 o'clock, in the Royal Society's Garden,
under the directorship of Mons. Del Sarte; the following is the programme: -
1 Sonnambula, March; 2. Zoeberflotte, Overture; 3. Norma. Pas redouble; 4. (By desire.) Chasne, Polka;
5. Rivulet waltz; 6. Hibernian Quadrilles; 7. God Save the Queen.
[Advertisement], The Mercury (7 May 1861), 1
http://nla.gov.au/nla.news-article8798130
Del Sarte's Rooms.
MONS. DEL SARTE has the honor to announce, that a SELECT JUVENILE BALL,
Under distinguished patronage, will take, place on FRIDAY, May 17th.
To commence, at 7 and terminate at 11 o'clock.
Single ticket, 3s.; family ticket, to admit five, 12s. 6d.
"AMUSEMENTS, FINE ARTS, &c.", The Mercury (22 August 1861), 3
http://nla.gov.au/nla.news-article8800609
HOBART TOWN possesses a Mechanics' Institute, in the hall of which lectures are periodically, and concerts occasionally given; a Royal Society's Museum, containing a fine collection of curiosities, illustrations of natural history, &c.; a Botanical Garden, beautiful in its own adornments, and surrounded by still more beautiful accessories; a pleasure domain, for which nature has done much and art little; a very charming concert and ball-room, erected by the enterprise of Mr. Del Sarte, a professor of music, and one of the prettiest theatres in the world. Our amusements consist of an occasional amateur concert, or dramatic performance, - we have two excellent companies of Ethiopian Minstrels, and many accomplished amateurs and actors . . .
"MESSRS. POUSSARD AND DOUAY'S CONCERT", The Mercury (30 November 1861), 2
http://nla.gov.au/nla.news-article8802638
These very accomplished artistes achieved last evening a genuine and most brilliant success, at an opening concert at Del Sarte's rooms . . .
ASSOCIATIONS: Horace Poussard (violin); Rene Douay (cello)
"GRAND AMATEUR CONCERT", The Mercury (1 November 1861), 4
http://nla.gov.au/nla.news-article8812158
Last evening at Del Sarte's Rooms, "a musical amateur performance" took place the proceeds of which, it is intended to hand over to the All Saints' Organ Fund. His Excellency and lady honored the Concert with their presence, and a tolerably numerous and select assemblage graced the occasion, the fairer part of creation forming the larger portion.
Mr. Frederick Packer conducted, and the programme comprised in the first part the Cantata "St. Cecilias Day" by Van Bree, its first performance in Hobart Town. The second part was composed of various vocal and instrumental morceaux. Owing to the absence in the early part of the evening, of some of the vocalists, the first part (to use an Irishism) was the second; but the entirety of the programme was not in any way detracted from thereby. Some of the various pieces were well worthy of approbation; the Aria "Via caro sposino" from Donizetti "Don Pasquale" being charmingly rendered, and a vocal duet "The Fairy Sisters" by F. A. Packer, a very pretty composition, being very pleasingly given. A "Duo Soprani e Contralto" by Gubusse was also worthy of comment. Mons. Del Sarte gave a "Romance Chinoise." We furnish the title, but to our mind, the said title alone had any connection with the Celestial Empire; the Romance itself being a lively French one, and taking enough to obtain an encore . . .
ASSOCIATIONS: Frederick Alexander Packer (composer, ? conductor); Frederick Augustus Packer (? conductor)
1863, births in the district of Hobart, Marie Albertine Delsarte; Tasmanian names index; NAME_INDEXES:967720; https://stors.tas.gov.au/NI/967720
https://stors.tas.gov.au/NI/967720
https://stors.tas.gov.au/RGD33-1-8$init=RGD33-1-8-Image-323-6198-6206 (DIGITISED)
No. 6201 / 25th June [1863] / Marie Albertine / female / [daughter of] Camille Auguste Delsarte / Ann Caroline Del Sarte formerly Conroy / Professor of Music / . . . Harrington Street . . .
"MADAME CARANDINI'S CONCERT", The Mercury (20 October 1863), 2
http://nla.gov.au/nla.news-article8821675
Madame Carandini's concert came off last evening in Del Sarte's Room, and was a very successful affair. His Excellency the Governor was present, accompanied by Mrs. Gore Browne, and Captain Steward (aide-de-camp), and the audience numbered over 400. The programme was gone through with great precision, and every effort was loudly applauded. Madame Carandini was in excellent voice and sang with great taste and judgment, being deservedly encored in several of her pieces. M. Del Sarte, Mr. Allen, and several other amateurs lent valuable assistance in the concerted pieces, and Mr. F. A. Packer presided at the piano, rendering the difficult accompaniments with admirable fluency. The concert was brought to a close at about half past 10 o'clock.
ASSOCIATIONS: Probably Edward Allen senior or junior (vocalist)
"HOBART TOWN AND THE SOUTH", Launceston Examiner (22 October 1863), 5
http://nla.gov.au/nla.news-article41463666
On Tuesday evening a tea party, to close the Irish Relief fund, was held in St. Peter's Hall, presided over by the Hon. J. M. Wilson, M.L.C.,
Madame Carandini, Mrs. Palmer, Mons. Del Sarte, Signor Gagliardi, and Messrs. F. A. Packer and Hunter, and others assisting at the entertainment.
From the report read by the Hon. Secretary it appeared that 1200l. had been subscribed in Tasmania.
"HOBART TOWN. IRISH RELIEF FUND. GRAND MUSICAL TEA PARTY.", The Cornwall Chronicle (31 October 1863), 3
http://nla.gov.au/nla.news-article72196196
On Tuesday evening, October 20th, a Musical Tea Party took place at St. Peter's Temperance Hall, Collins-street, Hobart Town, in conjunction with the Irish Relief Fund . . . St. Joseph's String Band and Brass Band were in attendance to take an important part in the entertainment . . . Madame Carandini then came forward to sing the favorite ballad "Home, Sweet home," which she did in excellent style. On being encored Madame gave "The last rose of Summer," one of her best and moat enchanting songs, which elicited rapturous applause. Mons. Del Sarte followed with his comical French Romance, which kept the company in a continuous roar of laughter, and elicited an enthusiastic encore. A selection from "La Sonnambula" by the brass band, followed . . .
"REPORT", The Cornwall Chronicle (31 October 1863), 3
http://nla.gov.au/nla.news-article72196198
. . . Madame Carandini next sung a ballad "The Irish Emigrant" and being rapturously encored, gave "Comin' through the Rye." After a flute solo by Signor Gagliardi, a performance by the String Band, and a duett "When a little farm we keep" by Madame Carandini and a gentleman amateur, a lady amateur sang "Beautiful Star," which was loudly encored. M. Del Sarte and Mr. F. A. Packer each entertained the audience with a song . . .
ASSOCIATIONS: James Milne Wilson (M.L.C.); Rosina Carandini Palmer (vocalist); Giacinto Gagliardi (flute); Henry Hunter (vocalist)
"BIRTH", The Mercury (22 November 1864), 1
http://nla.gov.au/nla.news-article8829629
DEL SARTE. - On the 21st instant, at her residence, Harrington-street, Mrs. Del Sarte, of a son.
ASSOCIATIONS: Gustavus Rowland Del Sarte (son)
[Advertisement], Sydney Mail [Sydney, NSW] (18 March 1865), 1
http://nla.gov.au/nla.news-article166667336
EDUCATION for the daughters of gentlemen, under the direction of Mrs. KNELLER PARKER. Attendant Professors: Herr Herrman, Signor Bellommi, Mr. Montagu, Signor Carandini. Mons. Del Sarte will commence giving Singing Lessons immediately he arrives in the colony. Terms and references on application, Wynyard-square North, Sydney.
ASSOCIATIONS: Alessandro Bellomi (teacher of languages, musician); Gerome Carandini (dancing master)
"CONCERT AT NEW TOWN", The Mercury (5 May 1865), 2
http://nla.gov.au/nla.news-article8832617
Last evening the New Town Philharmonic Society's last concert of the season attracted a numerous and respectable audience, who experienced an agreeable treat in the performance of a well-arranged programme of vocal and instrumental music. The first part commenced and ended with a chorus, the intervening portion of the entertainment comprising six songs, two duetts, a quartette and a cavatina, some of which were particularly applauded and encored. The duett of "From our Merry Swiss Home" was charmingly sung, as was the song "Molly Asthore" and some others. In the second part were twelve pieces, including a bridal chorus and scene, the first time of performance in Tasmania, which the audience much admired. "Good-bye Sweetheart" and "Fair as the Rose" were among the songs which afforded evident satisfaction. On the whole the concert was well sustained, and the entertainment closed with a chorus, composed by the Conductor, M. Del Sarte, "New Town Polka Mazourka." The concert closed at an advanced hour.
"NEW TOWN PHILHARMONIC SOCIETY. TO THE EDITOR OF . . .", The Mercury (6 May 1865), 2
http://nla.gov.au/nla.news-article8832644
The performances of the New Town Philharmonic Society are deserving of more than the passing notice which you have been good enough to give.
Criticism, as a matter of course, on an occasion of the sort is altogether unallowable,
but were it not so, the difficulty would at once present itself of determining where to draw a line of distinction,
when all the performers acquitted themselves so well.
Great credit is due to Mons. Del Sarte as the tutor, and equal merit is accorded to his several pupils in not simply profiting by his tuition,
but by their uniting to make a public acknowledgment for services rendered to the Society by that able musician,
whose expected absence from the colony will be most certainly felt.
"Music hath charms" saith the poet, but whether other fascinations had equal attractions is not to be recorded;
it is a fact, nevertheless, that more than one bright eye met the glance of another, and many "sweet nothings" were exchanged during the evening.
Altogether the reunion was of a most pleasing nature.
The tout ensemble was complete. Elegance and beauty combining with melodies well chosen and as well sung to form the tableau,
such as it has not been the good fortune of your humble writer to have seen before.
It is only right and proper, therefore, that prominence should be given to a concert held under such creditable circumstances,
with a hope that similar ones may be encouraged.
Your obedient Servant,
SPECTATOR, New Town, 5th May, 1865.
[Advertisement], The Sydney Morning Herald (16 May 1865), 1
http://nla.gov.au/nla.news-article13112976
DEL SARTE, of the Conservatoire Imperial of Music, and of the National Opera of Paris, will arrive in Sydney in June.
18 May 1865, farewell concert
"M. DEL SARTE'S FAREWELL CONCERT", The Mercury (17 May 1865), 2
http://nla.gov.au/nla.news-article8832858
We desire to call especial attention to an advertisement which appears in another column, announcing that M. Del Sorte is to take a farewell concert to-morrow evening at his rooms, Davey-street, prior to his departure for Sydney, where he is about to settle in his profession. M. Del Sarte has been so long and favorably known as a teacher of music in this city that we feel sure no word is necessary from us to secure for bim an overflowing house to-morrow evening. We only regret that one so much respected amongst us, and who has proved himself such an acquisition to our limited music circle, should be induced to leave Hobart Town, to seek his fortunes elsewhere. We feel sure that his loss will be greatly felt by his numerous pupils, and also by the musical public of the city; however, we sincerely wish M. Del Sarte success in his new sphere of labor, and should the weather prove propitious to-morrow night, we have no doubt that he will be honored with a bumper house.
"M. DEL SARTE'S FAREWELL CONCERT", The Mercury (19 May 1865), 2
http://nla.gov.au/nla.news-article8832902
There was a numerous and fashionable attendance at Del Sarte's Rooms last evening, on the occasion of a farewell concert given by the members of the New Town Philharmonic Society to M. Del Sarte, previous to his departure for Sydney. His Excellency the Governor was present, attended by a numerous suite, and the audience represented the elite of the city and our fashionable suburb. The programme comprised selections from numerous operas, including various concerted pieces and choruses, and was throughout executed in a very superior style. The Challenge Duett by Messrs. Weber and Del Sarte and the Largo Al Factotum of M. Del Sarte were loudly applauded and encored. The other items were all extremely well received and much applauded, but as our rule has been to avoid criticism where amateurs are engaged we shall abide by it on this occasion. The compliment paid by the New Town society to M. Del Sarte is a well-merited one, and we are proud to think that it has been so warmly responded to by our citizens. We sincerely wish M. Del Sarte every success in his new sphere of labor.
"AMUSEMENTS", The Mercury (23 June 1865), 3
http://nla.gov.au/nla.news-article8833558
Several concerts have taken place amongst our amateurs during the mouth, two being in the nature of "farewells" given to M. Del Sarte, a gentleman long and favorably known here as a Professor of music, and who has left this city to establish a practice in Sydney. The attendance at both concerts proved how highly M. Del Sarte's efforts have been appreciated by the community.
ASSOCIATIONS: Albert Weber (vocalist)
14 June 1865, departed for Sydney
"PORT OF HOBART TOWN . . . DEPARTURES", Launceston Examiner (17 June 1865), 4
http://nla.gov.au/nla.news-article38660550
June 14 - Passengers per s.s. City of Hobart, for Sydney . . . M. Del Sarte, and Mrs. Del Sarte . . .
Sydney, NSW (1865-74):
[Advertisement], The Sydney Morning Herald [NSW] (3 July 1865), 1
http://nla.gov.au/nla.news-article13115349
MR. DEL SARTE, of the Conservatoire Imperial of Music, and of the National Opera of Paris, begs to announce his arrival in Sydney, and that he is prepared to give instructions in Singing. Mr. Paling has kindly permitted all communications for Mr. Del Snrte, to be addressed to his Music Warehouse, No. 86, Wynyard-square.
ASSOCIATIONS: William Henry Paling (music seller)
"THE SYDNEY MONTHLY OVERLAND MAIL", The Sydney Morning Herald (22 June 1867), 5
http://nla.gov.au/nla.news-article13142228
Monsieur Del Sarte, the well known teacher of the vocal art, has composed a galop in honour of H.I.M. ship Marceau, and dedicated to Captain Galache, of that vessel.
"NEW MUSIC", The Sydney Morning Herald (11 July 1868), 4
http://nla.gov.au/nla.news-article13169282
. . . We have also to mention a sweet little ballad just published, entitled, "My tears for thee must ever flow," composed by M. Camille Del-Sarte, professor of singing and music, and dedicated to his pupils. The words are by George Linley, being an English version of a French romanza. Some of our readers, too, will be aware that this romanza has been set to music by Clapisson. M. Del-Sarte, however, takes a different key, that of F, with one flat and three-four time, changing into two-four, and returning. The sentiment is pleasantly treated, and the music correctly written, but it would, perhaps, have been improved if the double pedal had been continued throughout. It is a sweet little ballad, simple and easy, and, therefore, likely to become popular.
[Advertisement], The Sydney Morning Herald (12 September 1868), 8
http://nla.gov.au/nla.news-article13172734
NOTICE. - My tears for thee must over flow, ballad; also, the Marceau Galop, by CAMILLA DEL SARTE [sic], Professor of Singing and Music; at all music sellers. All communications left at Monsieur DEL SARTE'S, opposite St. Matthias, Paddington, or at ELVY and CO.'S, promptly attended to.
"TO THE EDITOR OF THE . . .", Empire (7 October 1868), 3
http://nla.gov.au/nla.news-article60827971
Sir, - The art of music, in all its branches, is making so much progress in Australia, that the time seems to have arrived for the foundation of an Academy of Music.
It is well known that all the great cities of Europe and America possess such institutions; and Sydney, Melbourne, and Adelaide must sooner or later possess similar advantages.
It is not, however, so well understood, that these institutions of the towns in Europe and America educate a certain number of pupils in singing gratuitously,
after a previous examination as to their talent.
All the pupils in those academies are instructed: -
1. In solfeggi, which in the colonies is always mistaken for singing lessons.
2. Formation of the voice.
3. Singing lessons, followed by instruction in vocal declamation, or in the art of acting;
for what can be more painful than to see a singer on the stage, who does not know how to appear on it, who runs from right to left with exaggerated gesticulations,
always the same, whether representing a prince or a peasant.
This art of acting has learned and difficult rules, without the knowledge of which no one can become an actor.
In all the abovenamed institutions this art has its professors, and classes attended by both sexes. The grace and ease of our recent Royal visitor have been much admired, and it is also well known who was his excellent instructor.
If I have been well informed, we have had here some artists who have received a salary of nearly £100 a week, when we have local voices as fresh, and as capable of uniting all desirable qualities for great singers. I therefore ask, why should we not have our opera? And why should we not encourage native talent? We should give honourable occupation, lucrative salaries, and we should do as well for the public, with our resources, nay better, and much cheaper than up to the present time we have done. The only question is, who will pay the professors? The European academies are supported by their respective governments. Here it would be necessary to have a subscription. After a time an academy would be formed, which would include an opera, composed of pupils of talent, who would receive a diploma, through which they could become professors, and, without doubt, this academy would shortly be self-supporting. In the commencement of such an undertaking it is advisable not to ask for money in advance, for John Bull likes to know beforehand what he will receive for his "notes." Then, I know, he loves to encourage talent.
I propose to give a quarter's lessons in singing and vocal declamation gratis, admission to be obtained from me by application at my residence, on Wednesdays and Saturdays, between 10 and 12 a.m., for the examination of pupils desirous of joining this class. After a time the parents and friends of the pupils will be invited to hear the progress made. I will also instruct six children on the some conditions.
This is the only letter I shall write on the subject.
I am, Sir, your obedient servant,
DEL SARTE.
Old South Head Road, opposite St. Matthew's Church, Paddington.
"NEW MUSIC", The Sydney Morning Herald (14 April 1874), 8
http://nla.gov.au/nla.news-article13334826
We have received a new ballad composed by Camille Del-Sarte. It is entitled "My tears for thee must ever flow." The words are by George Linley. The poetry and the music are alike pathetic, and the ballad will no doubt find favour among the lovers of this class of composition. The music fills two pages, and is prefaced by a title page printed in colours.
"The Month", Illustrated Sydney News and New South Wales Agriculturalist and Grazier (2 May 1874), 3
http://nla.gov.au/nla.news-article63106107
A very pleasing little melody, entitled "My tears for thee must ever flow," has been published by Mons. Camille del Sarte. It is simple but pretty, and cannot fail to become a favorite with drawing-room musicians.
Hobart Town, TAS (1874-77):
"SHIPPING INTELLIGENCE", The Tasmanian Tribune (31 October 1874), 2
http://nla.gov.au/nla.news-article201165921
ARRIVED. - 30th October. City of Hobart, T.S.N. Co.'s s.s., 363 tons, J. Clinch, from Sydney. Passengers - Cabin . . . Mr. and Mrs. Del Sarte and 3 children . . .
"MONS. DEL SARTE", The Tasmanian Tribune (7 November 1874), 2
http://nla.gov.au/nla.news-article201169101
It will be seen from an advertisement in another column that our old fellow-townsman, Mons. Del Sarte, has returned to Hobart Town after a long absence, to resume his duties as a professor of singing and music. While formerly amongst us, Mons. Del Sarte was highly esteemed by a large circle of his follow citizens, who will, we are sure, wish him, as we do, every success in the resumption of his profession.
[Advertisement], The Mercury (7 November 1874), 3
http://nla.gov.au/nla.news-article8933292
MONSIEUR DEL-SARTE, PROFESSOR OF MUSIC AND SINGING,
Member of the Conservatoire and Opera National, Paris, has, at the request of many of his old friends,
returned to Hobart Town, where he will resume his profession, and will be glad to receive his pupils on the 9th instant,
at 137, Macquarie street, where all particulars may be obtained.
"Citizen's Band", The Tasmanian Tribune (24 November 1875), 2
http://nla.gov.au/nla.news-article200369907
A meeting of gentlemen interested in the formation of a brass band was held in the Mayor's Court Room, Town Hall, last night. Among those present were the Hons. P. O. Fysh and J. A. Jackson, Dr. Agnew, L. R. Castray, B. Shaw, H. Hunter, W. Tarleton, Mons. Del Sarte, His Worship the Mayor, G. Crisp. Esq., and Aldermen Perkins, Walch, and Belbin. The requisition convening the meeting having been read, His Worship the Mayor was voted to the chair. His WORSHIP having spoken of the advisability of forming a brass band, called upon Mr. Castray to read the report of the provisional committee.
REPORT - The Provisional Committee consider it due to this meeting to explain their reasons for convening it. A local organised band has long been felt a public want, and it has frequently been a matter of surprise, especially to our visitors, that the capital of the colony should he deficient in such an attraction. The present time appears to be favourable for the establishment of such a band. As Monsieur Del Sarte, so well known as a first class musician, has agreed to undertake the leadership, and a number of other efficient musicians have already signed articles of agreement to serve under him.
The following is an approximate estimate of expenses likely to be incurred:
Band master, 18 hand parades, 21s each, £18 18s; 6 Practice meetings, 10s 6d each, £3 3s.
Bandsmen, 9 men, 16 hand parades, 6s each, £48 12s; 1 man, 7s. £6 6s; 2 boys, 2s 6d each, £4 10.
Uniform, 12 suits, 70s each, £42. Cost of music. £5.
Band instruments (Bombardone), £7; repair of drum, &c., £10. £l38 9s Say £150.
It may be observed that the cost of the uniform forms a large item of expenditure in this estimate, but it must he remembered this will not he an annual outlay, as the uniform will not require frequent renewal.
The Provisional Committee cannot too strongly urge upon this meeting the necessity for taking immediate action, as they shall soon have a great influx of visitors; and as many practice meetings must be held before such efficiency can be attained to enable the band to perform in public, it is recommended that this meeting should at once sanction such preliminary expenditure, as will enable the band to commence practice forthwith.
It will also be necessary for the meeting to appoint a committee for the year ending 30th September, 1876. The following is a list of names of the Provisional Committee, viz: - Messrs. Geo. Crisp, B. Travers Solly, J. H. B. Walch, P. O. Fysh, W. Tarleton. D. Lewis, H. Weld-Blundell. J. W. Graves, J. A. Jackson, H. Hunter, and L. R. Castrey, who now retire, but are eligible for re-election.
Mr. FYSH spoke at some length upon the necessity of the citizens having a band that would be an attraction to visitors from the neighbouring colonies. He moved that "Having heard the report now read, this meeting is of opinion that it should be adopted, and that steps be at once taken to raise subscriptions for the establishment of the band referred to in the report."
Mr. JACKSON seconded the resolution, as he believed that a hand was a necessity He did not think that the band would cost £150, but if it did, surely 300 gentlemen could be found in the community who would subscribe 10s, 6d. annually. Mr. GRAVES supported the resolution, which was put and carried.
Mr. HUNTER moved that the following gentlemen form the Band Committee for the year ending 30 September 1876. Messrs L. R. Castray, Hon. P. O. Fysh, B. Travers Solly, H. Weld-Blundell, J. W. Graves, J. H. B. Walch, J. A. Jackson, H. Hunter, Geo. Salier, W. A. Guesdon, J. Watchorn, W. G. Weaver, Charles Crosby, W. Ferguson, E. Whitesides, W. J. J. Reynolds, F. A. Packer, power to add to their number.
Dr. AGNEW seconded, and the resolution was put and passed. The meeting then separated after the usual vote of thanks to His Worship the Mayor for his conduct in the chair.
ASSOCIATIONS: James Walch (councillor, music seller); John Woodcock Graves (amateur musician); William Algernon Guesdon (amateur musician)
"THE CITY BAND", The Mercury (5 February 1876), 2
http://nla.gov.au/nla.news-article8942888
The City Band, under the conductorship of M. Del Sarte, will perform the following selected music at Mulgrave Battery, Battery Point,
from 4 till 6 o'clock this afternoon: -
Promenade March, Martin; Clocken Galop, Lerbeotz; Le Val D'amour, Gambier; Herbuld, Blancheteau;
Lurline Quadrille, Martin; The Huguenots, Puvier; Selection, Malfieux; Sirene Ouverture, Marie;
Martie Waltz, Flowtow; Sensation Galop, Hird; God Save the Queen.
"THE CITY BAND", The Mercury (11 March 1876), 2
http://nla.gov.au/nla.news-article8943647
The city band, under the conductorship of Monsieur Del Sarte, will perform in the Domain (close to the Prince of Wales's Battery),
this afternoon, from 4 to 6 o'clock.
Programme - Part First: Le tour de France (Marie); Pepilo (Revier); Fantasia on American Airs (Couturier); Blanche (Fauner).
Part Second: The lae of the Nymphs (Malezieux); Fleur de Bois (Couturier);
The Clocken Galop (Labitzy); The Zouave Troubadour (Couturier); God Save the Queen.
"THE CITY BAND", The Mercury (18 March 1876), 2
http://nla.gov.au/nla.news-article8943815
This band, under the conductorship of Monsieur Del Sarte, will perform in the Botanical Gardens this afternoon from 3 to 5 o'clock.
Programme - Part First: Norma Slow March (Bellini; La Belle Varsovienne Polonaise (Marie); Le Vere Doucet Quadrille (Blancheteau); Herault Galop (Gambier).
Part Second: The Minstrel Boy and Blind Mary (Couterier); La Belle Alsacienne Waltz (Bousquet); La Val D'Amour overture (Blancheteau); Marguerite Polka (Couterier); God save the Queen.
"THE CITY BAND", The Mercury (1 April 1876), 2
http://nla.gov.au/nla.news-article8944121
The band, under the conductorship of Monsieur Del Sarte, will perform in the Franklin Square, this afternoon, from 3 to 5 o'clock.
Programme - First part: The Victorious Galop Step (Chantzo); Fantasia la Somnambula (Mazetto); The Campaniale Polka Mazourka (Tournatoire); The Lurline Quadrille (Martin).
Second part: Monte Cristo March (Riviere); Rozella Waltz (Blanc); Cavatina from Torquato Tasso (Donizetti);
Piquer Quadrille (Couturier) ; God Save the Queen.
It will be seen by advertisement that the band are to give a promenade concert on Tuesday evening in the Town Hall,
which deserves to be well attended, since the object is to create a fund for the permanent establishment of the band,
and thus secure to the public an ever welcome amusement.
"LOCAL", The Tasmanian Tribune (8 April 1876), 2
http://nla.gov.au/nla.news-article200369568
The city band, under the conductorship of Monsieur Del Sarte, will perform at the monument in the Barracks this afternoon,
from 3 to 5 o'clock.
Programme: - Part First - 1, Vi Rasio. fantasia (Donizetti); 2, Minstrel Overture (Tiffard);
3, Blush Rose Waltz (Godfrey); 4, Vaillance March (J. Mohr).
Part Second - 1. Fantasia Duhamer); 2, Cologne Quadrille (Gung'l); 3, Fantasia on English airs (Couturier);
4, Bohemian Girl (Balfe); God Save the Queen.
For the convenience of ladies and others, seats will be provided on the green and about the monument.
"LOCAL", The Tasmanian Tribune (20 May 1876), 2
http://nla.gov.au/nla.news-article200366460
THE City Band, under Monsieur Del Sarte's conductorship,
will play this afternoon near the cricket ground from half-past two o'clock to half past four o'clock.
The following is the programme: - Part first: Vaillance, march, T. Moore; Marguerite, polka.
Couturier; Sirenes, overture, Marie; Le Pere Doucet, quadrille, Blancheteau.
Part two: Le Lac aux Nymphes, march, Malezieno; The Minstrel Boy and Blind Girl, Couturier;
Fantasia, Sonnambula; Bellini; Lurline, quadrille, Martin; God Save the Queen.
"CITY BAND", The Mercury (22 April 1876), 2
http://nla.gov.au/nla.news-article8944541
The City Band will not play this afternoon; in consequence, we regret to learn, of the indisposition of M. Del Sarte.
"CITY BAND", The Mercury (6 May 1876), 2
http://nla.gov.au/nla.news-article8944848
In consequence of the continued indisposition of Monsieur Del Sarte, the usual band performance will not take place this afternoon.
"CITY BAND", The Mercury (27 May 1876), 2
http://nla.gov.au/nla.news-article8945349
The City Band, under the conductorship of Mons. Del Sarte, will perform in the Barrack Square, this afternoon, from 2 to 4 o'clock.
Forms will be provided for the visitors. As this will be the last performance of the season, there will, no doubt, be a good attendance.
The following is the programme: - Part First: 1. La Belle Varsovienne, E. Marie; 2. Le Val D'amour Ouverture, Blancheteau;
3. Ould Robin Gray and Duncan Gray, Couturior; 4. Le Perle Fantasia, Duhamel.
Part Second: 1. Plear des Bois, Redowa, Pessiere; 2. William Tell Selection, Rossini; 3. Arts and Coutry Ouverture, Burgmann;
4. Le Piqneur Quadrilles, Couturier. God save the Queen.
"SOCIAL", The Mercury (5 August 1876), 2 supplement (summary for Europe)
http://nla.gov.au/nla.news-article8946961
The City Band, after a languishing existence of six or seven months, has finally collapsed owing to disagreements amongst the members. This is all the more to be regretted because from the following statement, it will be seen that so far ample funds have been obtained: - Cash received and paid into Commercial Bank, £182 10s. 2d.; cash in hand, £4 3s.; subscriptions still due, £8 6s.; total, £194 19s. 2d. The cash payments amounted to £105 15s, 11d., leaving a balance of £29 3s. 3d. after all claims have been met. A vote of thanks was passed by the band committee to Mons. Del Sarte for his services as bandmaster, and for the state of efficiency to which the band had been brought under his conductorship.
"PRESENTATION CONCERT", The Mercury (16 December 1876), 2
http://nla.gov.au/nla.news-article8949905
A concert was given last night by the young lady boarders of the Presentation Convent, under the direction of Mons. Del Sarte.
Admission was by invitation, and a large and select audience assembled. Amongst
others present were His Excellency the Governor, Mrs. Weld and family, Bishop Murphy, Mr. Weld-Blundell, the Colonial Secretary,
the Minister of Lands, the Rev. R. D. Poulett-Harris, Mr. G. Crisp, etc.
The programme was as follows:
Overture - Tancredi, pianoforte duet (Rossini), "The Harp of Tara " (Moore), "Hark! the great bells" (Smart),
"My tears for thee" (C. Del Sarte), "Blue skies," chorus (Donezitti), "I built a bridge of fancies" (Fricken),
"Mother can this true glory be" (S. Glover), "Laudate," solo and chorus (Zingarelli),
overture Masaniello - pianoforte duet (Auber), "Sainte Madone" (A. Thys), "Gastilhetza" (Mallion), "I think of thee" (C. Del Sarte),
"Hush! Silence!" chorus (Donizetti), "Amour va-t-en" (Auber)," Les amours de Michel et Christine" (L. Puget),
"Inno popolare a Pio Nono," sole and chorus (Rosati).
The singing of the young ladies was very fair, and reflected great credit on Mons. del Sarte, their teacher, who also officiated as accompanyist . . .
"MONSIEUR DEL SARTE", Weekly Examiner [Launceston, TAS] (6 January 1877), 9
http://nla.gov.au/nla.news-article233673731
We draw attention to an advertisement in another column, in which M. Del Sarte announces his intention of visiting the North for a few weeks for the purpose of giving lessons in singing. M. Del Sarte, who is well-known as a successful teacher, purposes being in Launceston on the 1st proximo, and all particulars as to terms may be obtained from Messrs. Walch Bros. and Birchall.
"LOCAL", Tribune (18 January 1877), 2
http://nla.gov.au/nla.news-article200632881
A meeting of gentlemen and the late members of the City Band was held last evening at the Town Hall. Mr. F. J. Pike occupied the chair. Resolutions tending to re-establish the band were passed, and Mons. Del Sarte appointed bandmaster. The band will immediately commence practice, and as they have several new members, the class of music produced by them will probably be more pleasing than formerly. It is proposed that the band should play one evening each week in some public place, so that all classes of the community may have an opportunity of enjoying its music.
[Advertisement], The Mercury (26 February 1877), 3
http://nla.gov.au/nla.news-article8951462
MONSIEUR DEL-SARTE. GRAND CONCERT.
MONSIEUR DEL-SARTE, Assisted by various of his best pupils, and other talented Amateurs, will give a
GRAND CONCERT AT THE ODD FELLOWS' HALL, ON WEDNESDAY, 28th FEBRUARY,
On which occasion MONS. DEL-SARTE Will sing (by request) LES AMOURS DE MICHEL ET CHRISTINE, and FIGARO, from the Barbier.
Tickets - Reserves (a few only), 3s.; front seats, 2s.; back seats, 1s.
Doors open at half-past 7, to commence at 8 sharp.
"MONSIEUR DEL SARTE'S CONCERT", The Mercury (1 March 1877), 2
http://nla.gov.au/nla.news-article8951552
In consequence of Monsieur Del Sarte having been suddenly taken ill, the concert at the Oddfellows' Hall last evening was shorn of some of its attractions. Mr. W. A. Guesdon apologised for Monsieur Del Sarte's absence, and expressed a hope that the audience would pardon any defects. The programme was then proceeded with, and the various songs and duets gave great satisfaction. The vocalists were Mr. and Mrs. Langley, Messrs. H. C. Pratt, A. Watchorn, C. Heathorn, R. Young, Jolly, and Benson; and some lady amateurs . . .
2 July 1877, death
1877, deaths in the district of Hobart, 2 July 1877; Tasmanian names index; NAME_INDEXES:1226560; RGD35/1/9 no 568
https://stors.tas.gov.au/NI/1226560
https://stors.tas.gov.au/RGD35-1-9$init=RGD35-1-9p64
568 / 2'd July 1877 / Camille August Del Sarte (Died Macquarie Street) (Born Paris) / 60 years / Professor of Music / 1. Alcoholism, 2. Congestion of the lungs . . .
"DEATH OF MONS. DEL SARTE", The Mercury (3 July 1877), 3
http://nla.gov.au/nla.news-article8954267
Among the music-loving public of Tasmania, and more especially that of the metropolis, no name was more familiar in, years gone by than that of Camille Del Sarte. But it has now to be recorded on the toll of the departed; for at one o'clock yesterday morning the distinguished music-master, after a very short illness, breathed his last at his residence in Macquarie-street, bronchitis being the immediate cause of death.
Camille Del Sarte was a native of Paris, but he arrived in this colony from the island of Java about 22 years ago. Soon after his arrival here he purchased what now forms the residence of the Venerable Archdeacon Davies, and for some years the deceased resided there. He had not been long in Hobart Town before his name as a practical and theoretical teacher of music became a household word in Tasmania; and so rapid was his early success in these branches of the divine art that in 1856 he had built for the purposes of his profession and at his own cost that substantial building in Harrington-street, now known as the Oddfellows' Hall, but which was originally known as Del Sarte's Rooms. The speculation was not, however, the success its enterprising proprietor had anticipated, and eventually he parted with the property. At the time of the volunteer movement, Mons. Del Sarte held the position of band-master in the Artillery corps, and within the last two years he was entrusted with the conductorship of the Hobart Town City Band.
About the year 1869 the deceased left Hobart Town and took up his abode in Sydney, and there for a time he had an excellent practise. Unfortunately, however, he was induced to enter into mining speculations, and these turning out unremunerative, Mons. Del Sarte lost a considerable sum of money. He remained in Sydney about seven years, and only returned to Hobart Town between two and three years ago. His long absence from the colony, however, had almost completely broken the connection which he had formerly made; and although his reputation as a master in his profession was as great as ever, he was not able to regain the high position which he had occupied before he left the colony. Deceased had long been subject to bronchitis; but the malady did not manifest itself in a serious form until Wednesday last, when Mons. Del Sarte was obliged to curtail his music lessons.
He continued to get worse daily, and, as we have already said, his life was brought to a close at one o'clock yesterday morning. Monsieur Del Sarte was a married man, and we regret to say that he has left behind him a sorrowing widow and five young children. The deceased was about 60 years of age.
"DEATHS", The Mercury (4 July 1877), 1
http://nla.gov.au/nla.news-article8954293
DEL SARTE. - On the 2nd of July, at his late residence, 56 Macquarie-street, Camille Auguste Del Sarte, in the 60th year of his age. The funeral will take place from St. Joseph's Church for Cornelian Bay Cemetery, at 2 p.m. THIS DAY, Wednesday, the 4th.
"THE LATE MONS. DELSARTE. TO THE EDITOR OF THE . . .", Tribune (9 July 1877), 2
http://nla.gov.au/nla.news-article200631839
SIR, - The citizens of Hobart Town have ever been proverbial for their sympathy with the poor.
Certainly, I have never known a case of distress that did not inspire them with sentiments of compassion and practical charity.
The death of the late Mons. Del Sarte has left a widow and five helpless children in such utter destitution that they have not,
even at present, the means to procure the necessaries of life.
Now, to relieve their present wants, and to establish the widow in some business which would secure future support,
I respectfully beg leave to appeal to the charity of my fellow citizens oh their behalf.
The late Mons. Del Sarte has left with us pleasing recollections of many excellent qualities;
and, perhaps no man has contributed to high accomplishments in singing and music, and to domestic pleasure and enjoyment amongst us more than he did.
I am sure, then, that his many pupils in particular will hasten to wipe away the bitter tear of his widow which flows from the sight of her children without bread,
and the desolation with which, wherever she looks into the future, she sees herself surrounded,
and from their abundance will afford her all the assistance in their power.
All subscriptions sent to me I shall gladly receive and acknowledge, or, if found more convenient,
they can be paid into any of the banks, where subscription lists will be placed;
and, in concert with other sympathising friends, I shall undertake so to invest the amount of subscriptions received,
as may best ensure the widow's and orphans' maintenance and comfort for the future.
Yours, etc., WILLIAM J. DUNNE. Barrack Square, July 6, 1877.
"THE DEL SARTE FUND", Tribune (25 July 1877), 3
http://nla.gov.au/nla.news-article200634209
In a letter from our correspondent "Carita," in our issue of yesterday, there is a very sensible and practical suggestion offered to those good citizens who have come forward so prominently to assist in the laudable cause of creating a fund for the relief of the widow and family of the late Mons. Del Sarte. From our experience of such matters we strongly support the recommendation that a committee of gentlemen - good business men - should be formed to carry out all the financial and other details, thus leaving the professional gentlemen who are working so assiduously to concentrate all their energies on their work, and make each effort a success. We are led into these remarks from the fact of our experiencing the advantages of such an arrangement in a case exactly parallel to the present one, which happened in this city some years ago, the result of which was most satisfactory and beneficial to the receipients. We feel assured that if this course is adopted the many ladies and gentlemen who will give their services to, and the public who will patronise the entertainments, will feel satisfied that their interests are properly conserved, and consequently a greater amount of "espirit" will attend the whole proceeding.
7 August 1877, Del Sarte benefit
"THE CREATION", The Mercury (8 August 1877), 2
http://nla.gov.au/nla.news-article8955139
Haydn's sublime oratorio of The Creation was performed at the Town Hall last evening, for the benefit of the widow and orphans of the late Mons. Del Sarte, and we are pleased to be able to state that the efforts of the promoters of this benevolent object were liberally rewarded by the attendance of a very large audience. Almost every seat was occupied when His Excellency entered the hall at 8 o'clock . . . A very good orchestra of 15 instrumentalists (including Mr. Russell, as principal violin), gave valuable assistance, and credit is also due to the organist, Mr. John E. Packer, and the conductor, Mr. F. A. Packer, the latter gentleman discharging the somewhat onerous duties of his position with credit to himself, and successfully aiding the performance throughout.
ASSOCIATIONS: John Edward Packer (organist)
"AMATEUR OPERATIC PERFORMANCE", The Mercury (13 September 1877), 2
http://nla.gov.au/nla.news-article8956031
We again remind our readers that Verdi's grand opera Il Trovatore is to be rendered this evening at the Theatre Royal by a number of well-known lady and gentleman amateurs. The arrangements for making the performance a rich musical triumph are, we understand, most complete; and coupling with this the fact that the proceeds ore to be given to the widow and orphans of the late Mons. Del Sarte, we sincerely trust that we shall see at the theatre to-night a "bumper" house . . .
"AN APPEAL", The Mercury (11 April 1883), 2
http://nla.gov.au/nla.news-article9012671
We have been requested to bring under the notice of the charitable, and all friends and pupils of the late Mons. Del Sarte, the case of Mrs. Del Sarte, who is sadly in need of pecuniary assistance. In a letter just received by a lady residing at Hobart, a mutual friend states that Mrs. Del Sarte is in a very weak and almost helpless state, slowly recovering from gastric fever. Mr. W. A. Guesdon has kindly consented to act as treasurer of a fund being raised on behalf of Mrs. Del Sarte, and donations will also be thankfully received and acknowledged by Herr Schott.
ASSOCIATIONS: James Arthur Schott (musician)
Musical works (extant in red bold; non-extant in black bold):
Le chant beni des oiseaux (before 1851)
NO COPY IDENTIFIED; ? unpublished
[Advertisement], South Australian Register (9 April 1851), 1
http://nla.gov.au/nla.news-article38443968
. . . Le Chant Beni des Oiseaux - Del Sarte - M. Del-Sarte . . .
The juvenile ball quadrilles (1852)
The Juvenile Ball quadrilles, Mons. del Sarte's first Australian composition . . . (can be obtained at Mr. Wilkie's . . .)
NO COPY IDENTIFIED
The faded rose (1852)
The Faded Rose, his first composition in Port Phillip, written expressly for and dedicated to Mrs. Testar, and sung by her with great applause at the Mechanics' Institute Concerts . . .
NO COPY IDENTIFIED; ? probably never published
[Advertisement], The Argus (22 March 1852), 3
http://nla.gov.au/nla.news-article4783922
Mons. del Sarte's first Australian composition, the Juvenile Ball Quadrilles, can be obtained at Mr. Wilkie's.
Mons del Sarte also offers his first composition in Port Phillip (the Faded Rose), written expressly for and dedicated to Mrs. Testar, and sung by her with great applause at the Mechanics' Institute Concerts, which will be published as soon as one hundred subscribers are obtained.
The quadrilles were probably composed for Eugene Paris's juvenile ball, Adelaide, SA, 8 October 1851; see "JUVENILE BALL", Adelaide Times (9 October 1851), 3
http://nla.gov.au/nla.news-article207069780
Farewell (1854)
Farewell (ballad; dedicated to F. H. Henslowe).
NO COPY IDENTIFIED
[Advertisement], The Courier (10 June 1854), 3
http://nla.gov.au/nla.news-article2246187
. . . GRAND CONCERT, THURSDAY EVENING, 15th JUNE . . .
Ballad, Farewell, (music composed and dedicated to F. H. Henslowe, Esq.) - Del Sarte . . .
"Concert", The Courier (7 June 1854), 2
http://nla.gov.au/nla.news-article2240628
. . . A new ballad, entitled "Farewell," composed by M. Delsarte, and dedicated to F. H. Henslowe, Esq., will be sung for the first time by the composer.
"Grand Concert", The Courier (16 June 1854), 2
http://nla.gov.au/nla.news-article2246021
Mr. Del Sarte's concert last evening was well attended, and passed off with considerable eclat. The new ballad "Farewell," composed and sung by M. Del-Sarte, was well received; the air is plaintive and pleasing and appropriate to the feeling intended to be conveyed. The song is likely to become a favourite . . .
ASSOCIATIONS: Francis Hartwell Henslowe (amateur musician, public servant)
Romance sur un air chinois (1854)
[Advertisement], The Courier (6 November 1854), 3
http://nla.gov.au/nla.news-article2239753
. . . GRAND CONCERT, AT M. DEL SARTE'S ROOMS, MONDAY EVENING, NOVEMBER 6. ALI-BEN-SOU-ALLE . . .
Upon this occasion he will be assisted by M. Buddee and M. Del Sarte, who have kindly given their services for the occasion.
PROGRAMME . . . PART II . . . 11. Romance - Sur un air chinois, composée par M. Del Sarte - P. Harrison [?] . . .
Un rêve (1855)
Un rêve (Romance musique) [? printed: Hobart: 1854-55?]
NO COPY IDENTIFIED
"Tasmanian Contributions to Paris, 1855, No. XIV", The Courier (27 September 1855), 2
http://nla.gov.au/nla.news-article2491196
. . . In the 1st Group - Class XXVI. - Drawing and Modelling, Letter-Press and Copper-Plate Printing, and Photography, the following contributions were sent . . .
. . . Tasmanian Music . . . "Un Reve, Romance musique," composed by Camille Del Sarte. Miss Julia Smith. Dedicated by the author to Madlle. Julia Smith, of Macquarie street, Hobart Town . . .
ASSOCIATIONS: Paris Exhibition 1855 (event); Julia Anne Smith (born Hobart, 13 February 1838, daughter of captain Frederick Coape Smith and Margaret Maynard Yates; d. VIC, 1922)
New Town polka mazourka (1865)
"CONCERT AT NEW TOWN", The Mercury (5 May 1865), 2
http://nla.gov.au/nla.news-article8832617
Last evening the New Town Philharmonic Society's last concert of the season attracted a numerous and respectable audience . . . the entertainment closed with a chorus, composed by the Conductor, M. Del Sarte, "New Town Polka Mazourka" . . . .
The New Zealand heroes' quadrilles (1867)
The New Zealand heroes' quadrilles, composed and respectfully dedicated to Colonel Waddy, C.B., and the officers of H. M. 50th Regiment, by Camille Del Sarte, member of the Imperial Musical Academy and Opera National, Paris ([Sydney]: [For the author], [1867])
NO COPY IDENTIFIED
[Advertisement], The Sydney Morning Herald (6 July 1867), 4
http://nla.gov.au/nla.news-article13145370
IN PREPARATION. - The NEW ZEALAND HEROES' QUADRILLES, composed and respectfully dedicated to Colonel Waddy, C.B., and the Officers of H. M. 50th Regiment, by CAMILLE DEL SARTE, Member of the Imperial Musical Academy and Opera National, Paris.
Marceau galop (1867)
Marceau galop, composed and respectfully dedicated à Monsieur le Capitaine Galache et à messieurs les officieurs du vaisseau de sa majesté impériale le Marceau par Camille Del-Sarte, de L'Académie impériale de musique et Opéra national de Paris [Le Marceau galop] ([Sydney]: [For the author], [1867])
https://trove.nla.gov.au/work/230033151
https://nla.gov.au/nla.obj-667467482 (DIGITISED)
"THE SYDNEY MONTHLY OVERLAND MAIL", The Sydney Morning Herald (22 June 1867), 5
http://nla.gov.au/nla.news-article13142228
Monsieur Del Sarte, the well known teacher of the vocal art, has composed a galop in honour of H.I.M. ship Marceau, and dedicated to Captain Galache, of that vessel.
My tears for thee must ever flow (1868; re-issued 1874)
My tears for thee must ever flow, poetry by George Linley, music by C. Del-Sarte, Imperial Academy of Music and Opéra National Paris (Sydney: J. A. Engel, Printer, [1868])
https://trove.nla.gov.au/work/33256811
https://nla.gov.au/nla.obj-172230619 (DIGITISED - "FIFTH EDITION")
"NEW MUSIC", The Sydney Morning Herald (11 July 1868), 4
http://nla.gov.au/nla.news-article13169282
. . . We have also to mention a sweet little ballad just published, entitled, "My tears for thee must ever flow," composed by M. Camille Del-Sarte, professor of singing and music, and dedicated to his pupils. The words are by George Linley, being an English version of a French romanza. Some of our readers, too, will be aware that this romanza has been set to music by Clapisson. M. Del-Sarte, however, takes a different key, that of F, with one flat and three-four time, changing into two-four, and returning. The sentiment is pleasantly treated, and the music correctly written, but it would, perhaps, have been improved if the double pedal had been continued throughout. It is a sweet little ballad, simple and easy, and, therefore, likely to become popular.
"NEW MUSIC", The Sydney Morning Herald (14 April 1874), 8
http://nla.gov.au/nla.news-article13334826
We have received a new ballad composed by Camille Del-Sarte. It is entitled "My tears for thee must ever flow." The words are by George Linley. The poetry and the music are alike pathetic, and the ballad will no doubt find favour among the lovers of this class of composition. The music fills two pages, and is prefaced by a title page printed in colours.
"The Month", Illustrated Sydney News and New South Wales Agriculturalist and Grazier (2 May 1874), 3
http://nla.gov.au/nla.news-article63106107
A very pleasing little melody, entitled "My tears for thee must ever flow," has been published by Mons. Camille del Sarte. It is simple but pretty, and cannot fail to become a favorite with drawing-room musicians.
ASSOCIATIONS: John Alexander Engel (printer, lithographer)
Bibliography and resources:
Henry Butler Stoney, A year in Tasmania; including some months' residence in the capital; with a descriptive tour through the island, from Macquarie Harbour to Circular Head; and a short notice of the colony in 1853 (Hobart Town: W. Fletcher, 1854), 162-63
https://books.google.com.au/books?id=wdsNAAAAQAAJ&pg=PA163 (DIGITSED)
Henry Butler Stoney, A residence in Tasmania (London: Smith, Elder, and Co., 1856), 132-33
http://books.google.com.au/books?id=OmFvfMAaGrMC&pg=PA132 (DIGITISED)
. . . Nor are the inhabitants of the good city [Hobart] without professors and masters in the elegant accomplishment of music; for there are several of no mean repute, and whose talents, judging from the multiplicity of their engagements, their frequent concerts and musical soirees, are not unappreciated by the Tasmanians. A glee club has been organized under the direction of Mr. Tapfield, organist of Trinity Church, which has met with considerable success, and is patronised by some of the principal families: the meetings of the club . . . are of a very recherché and pleasing character. M. Del Sarte has also contributed much to the improvement of musical taste, and his concerts are always crowded. The Mechanics' Institute, under the tuition of Messrs. Salier and Russell, have formed a class for music at a very reduced rate for its members . . . Besides these gentlemen, there are others of no less taste and talents; and in the person of Mr. Packer, a fine vocalist and skilful pianist, the city possesses an unrivalled artist . . .
ASSOCIATIONS: Henry Butler Stoney (army officer, amateur musician); Samuel Tapfield (organist); Frederick Alexander Packer (organist, pianist, vocalist); John Jabez Salier and William Wilkins Russell (music class instructors)
"MUSICAL DAY. HISTORY OF THE HOBART BANDS. SOME INTERESTING NOTES", The Mercury (30 August 1917), 2
http://nla.gov.au/nla.news-article1085868
. . . Early in 1860 a war scare happened in this State, consequently meetings were held in Hobart and other parts of the island, and volunteer corps were speedily created, namely, Hobart Town Artillery, 1st Rifles (principally Freemasons); 2nd Rifles (Oddfellows), 3rd Rifles (Manchester Unity Oddfellows), City Guards, Buckingham Rifles (New Town and Glenorchy). The Artillery was commanded by Captain Smith, 2nd Rifles by Mr. John Davies, M.H.A., City Guards by Captain J. M. Wilson (afterwards Major), 3rd Rifles by Captain Stewart, and the Buckingham Rifles by Captain the Hon. T. Y. Lowes, M.L.C. The artillery started with a good band, several members of which were retired military Bandsmen; they wore scarlet tunics, and Mons. C. Del Sarte was the bandmaster. On June 30, 1862, the artillery had its band formed into a battalion band, all the corps contributing towards its maintenance, with the exception of 3rd Rifles, which had a drum and fife band. About 1863 the 2nd Rifles started a band of their own, under Wm. Thomas as bandmaster. He came to this State for the purpose of laying out the Royal Society's Gardens. The City Guards followed suit, and they secured the services of Sergeant Brown, formerly belonging to 49th Royal Berkshire Regiment . . .
. . . There was a City Band in 1854 (Hewlins bandmaster). Very little is known about that gentleman, except that he had charge of a band subsequently at Huon regatta (Shipwrights' Point), held on December 26, 1857. Other bands started were the Workingmen's Club about 1874, 2nd City Band under Mons. Del Sarte (who had the building erected for concerts, known as Del Sarte's rooms, now occupied by the Royal Yacht Club) in 1875 . . .
ASSOCIATIONS: William Thomas (bandmaster, 2nd rifles)
Franck Waille, Corps, art et spiritualité chez François Delsarte (1811-1871) - des interactions dynamiques (doctoral thesis, Université Jean Moulin Lyon 3, 2009), 891
http://theses.univ-lyon3.fr/documents/lyon3/2009/waille_f/info
Acte de naissance de François Alexandre Nicolas Chéry, né le 11 novembre 1811, de Jean Nicolas Toussaint Delsarte, marchand, à Solesmes, et d'Aimée Albertine Roland"; "Acte de naissance de Camille Auguste Achille, né le 8 juin 1818, de Jean Nicolas Toussaint Delsarte, marchand cafetier, demeurant 118 rue des Anglaises à Cambrai, et d'Aimée Albertine Roland (État-civil de la mairie de Cambrai (Nord), Acte no. 344).
See also, on François Delsarte, Franck Waille, "François Delsarte, un catholique atypique du xixe siècle", Chrétiens at sociétés 22 (2015), 185-219
https://journals.openedition.org/chretienssocietes/3903 (DIGITISED)
"Jean Nicolas Toussaint DELSARTE", Geneanet
https://gw.geneanet.org/deloffredumont?lang=en&n=delsarte&oc=0&p=jean+nicolas+toussaint
© Graeme Skinner 2014 - 2024