THIS PAGE FIRST POSTED 1 FEBRUARY 2017
LAST MODIFIED Monday 5 January 2026 8:13
Johnson brothers of Sydney
Dr GRAEME SKINNER (University of Sydney)
THIS PAGE IS CURRENTLY UNDER CONSTRUCTION
To cite this:
Graeme Skinner (University of Sydney),
"Johnson brothers of Sydney",
Australharmony (an online resource toward the early history of music in colonial Australia):
https://sydney.edu.au/paradisec/australharmony/johnson-brothers.php; accessed 15 January 2026
JOHNSON FAMILY OF LONDON AND SYDNEY
JOHNSON, Richard (senior) (Richard JOHNSON; Mr. JOHNSON)
? Musical amateur, ? amateur musician, clock and watchmaker
Born London, England, 24 November 1775; baptised St. George in the East, 8 December 1775; son of James JOHNSON and Anna Maria COLE
Married Elizabeth PHILLIPS (d. 1861), St. Saviour, Southwark, England, 25 December 1800
Arrived Sydney, NSW, 17 December 1833 (free per Layton, from London, 15 August, aged "59")
Died West Maitland, NSW, 28 February 1844, "aged 69"
https://trove.nla.gov.au/search?l-publictag=Richard+Johnson+1775-1844 (TROVE tagged by Australharmony)
JOHNSON, James (James JOHNSON; J. JOHNSON; Mr. JOHNSON)
Musician, organist, conductor, teacher of music, vocal class instructor lecturer on music, composer
Born London, England, 1803; baptised St. Mary Woolnoth, London, 4 May 1803; son of Richard JOHNSON and Elizabeth PHILLIPS
Married [1] Ellen BYRNE (d. NSW, 1847), All Hallows Barking by the Tower, London, England, 25 June 1825
Arrived Sydney, NSW, 1 January 1836 (unassisted emigrant per Salacia, from London, 6 August 1835)
Married [2] Elizabeth KIRBY, Sydney, NSW, 1851
Died Sydney, NSW, 13 April 1860, aged 57
https://trove.nla.gov.au/search?l-publictag=James+Johnson+1803-1860 (TROVE tagged by Australharmony)
JOHNSON, William Jonathan (William Jonathan JOHNSON; Mr. W. J. JOHNSON)
Musician, organist, conductor, teacher of music, organ builder, music retailer and publisher, composer
Born London, England, 9 May 1811, baptised St. Mary Islington, 7 June 1811; son of Richard JOHNSON and Elizabeth PHILLIPS
Arrived Sydney, NSW, 1 January 1836 (unassisted emigrant per Salacia, from London, 6 August 1835)
Married Eliza Harris TOMPSON (1817-1879), St. Matthew's church (CoE), Windsor, NSW, 21 July 1838
Died Erskineville, NSW, 3 October 1866, aged 55
https://trove.nla.gov.au/search?l-publictag=W+J+Johnson+d1866 (TROVE tagged by Australharmony)
https://nla.gov.au/nla.party-983172 (NLA persistent identifier)
JOHNSON, Robert (Robert Ebenezer JOHNSON; R. E. JOHNSON; the honorable Robert JOHNSON, M.L.C.)
Musical amateur, amateur musician, solicitor, member of parliament
Born London, England, 27 December 1812; baptised St. Mary, Islington, 7 February 1813; son of Richard JOHNSON and Elizabeth PHILLIPS
Arrived Sydney, NSW, 12 June 1834 (per Bristol, from London, 6 February)
Married Elizabeth BYRNE (1810-1891), St. James, Sydney, NSW, 30 October 1834
Died Double Bay, NSW, 6 November 1866
https://nla.gov.au/nla.party-1466450 (NLA persistent identifier)
JOHNSON, Richard (junior) (Richard JOHNSON, junior; Mr. R. JOHNSON, junior)
Musical amateur, amateur musician, member of the Cecilian Society, solicitor
Born London, England, 17 April 1818; baptised St. Matthew, Bethnal Green, 10 May 1818; son of Richard JOHNSON and Elizabeth PHILLIPS
Arrived Sydney, NSW, 17 December 1833 (free per Layton, from London, 15 August, aged "16")
Married Jane Francis MORRIS (d. 1885), Sydney, NSW, 1847
Died St. Leonards, NSW, 31 January 1880
Summary:
Richard Johnson, a London watchmaker and jeweller, and his youngest son, also Richard, arrived in Sydney on the Layton in December 1833. Another son Robert, a solicitor's clerk, followed in 1834, and two more sons, the musicians James and William Jonathan, arrived in Sydney on the Salacia on New Year's Day 1836.
Though also described in an arrival report as a "silversmith", James appears to have worked mainly as a musician, as organist of St. James, member of the Cecilian Society, founder of the Sydney Choral Society, and was also later involved with the Sydney Vocal Harmonic Society. Barnett Levey mentioned a Johnson as being among his theatre musicians in March 1837.
"Just Arrived from London", on first advertising his services in Sydney in February 1836, Johnson stated that he had "been for a considerable length of time employed in the Manufacture and Tuning of Piano-fortes". By February 1838 (or perhaps considerably earlier), with his elder brother James, Johnson was joint organist of St. James's Church, Sydney, and in his own right organist of Christ Church from April 1843 or earlier (when he was " instructing the Parochial School Children in Sacred music"), until his death. In July 1843 he was advertising as a "pianoforte-maker" in Hunter Street, and by November 1844 he had completed building an organ for St. Andrew's Temporary Church. Johnson continued to work as a piano and organ builder and tuner for the rest of the decade. He was trading from his "Pianoforte Manufactory, 314 Pitt-Street", by December 1849, continuing at this address until August 1854, and from September 1854 at 57 Pitt-Street. In addition to his other services, by February 1853 he was also advertising as "Johnson and Co., Music Publishers", after he published his own The Chusan polka on 27 August 1852. Numerous copies of his prints of works by local and European composers survive. However, no copies are known to survive of the 11 advertised issues of his music periodical, The Sydney Harmonicon, which ran from December 1855 to March 1856, including new works by many local composers. His own Te Deum and Jubilate (the latter issued just two months before his death) were among his last publications. His widow and children carried on the business under the same style and at the same address until July 1867, when the whole stock was auctioned. A sixth edition of Johnson's piano arrangement of Nearer, my God, to Thee was advertised in November 1868.
According to the 1931 obituary of William's son, Frederick, the Johnson brothers were grand-nephews of the first colonial chaplain Richard Johnson (1753-1827).
Documentation:
London, England (to 1835):
Baptisms, St. George in the East, London, 1775; register 1729-1812, page 63; London Metropolitan Archives, P93/GEO/003
https://www.ancestry.com.au/search/collections/1624/records/3030827 (PAYWALL)
[1775 December] 8 / Richard, son of James Johnson, Watch M'r, by Anna Maria, Pen St., 15 [days old]
ASSOCIATIONS: James Johnson (d. 1817), of All Hallows, Lombard Street, London, and Anna Maria Cole (d. 1815) married at St. Paul, Shadwell, on 12 January 1768
Marriages, St. Saviour, Southwark, 1800; register 1793-1802, page 636; London Metropolitan Archives, P92/SAV/3045/01
https://www.ancestry.com.au/search/collections/1623/records/2494106 (PAYWALL)
No. 1276 / Richard Johnson of this parish batchelor and Elizabeth Phillips also of this parish spinster
were married in this church by banns this [25 December 1800] . . .
Baptisms, St. Mary Woolnoth and Woolchurch, London, 1803; England, select baptisms
https://www.ancestry.com.au/search/collections/9841/records/87777225 (PAYWALL)
4 May 1803 / James son of / Richard and Elizabeth / Johnson
Baptisms, St. Mary Islington, 1811; register 1752-1812, folio 42; London Metropolitan Archives, P83/MRY1/1170
https://www.ancestry.com.au/search/collections/1624/records/2990525 (PAYWALL)
Johnson / William Jonathan, son of Richard & Elizabeth, born May 9 - bapt. 7 [June 1811]
Baptisms solemnized in the parish of Islington in the county of Middlesex in the year 1813; register 1831-61, page 4; London Metropolitan Archives, P83/MRY1/1171
https://www.ancestry.com.au/search/collections/1558/records/5012255 (PAYWALL)
No. 31 / [1813] Feb'y 7th / [born] Dec'r 27th 1812 / Robert Ebenezer son of / Richard [and] Elizabeth / Johnson / Lower Terrace / Watchmaker . . .
Baptisms solemnized in the parish of St. Matthew Bethnal Green in the county of Middlesex in the year 1818; register 1813-19, page 168; London Metropolitan Archives, P72/MTW/016
https://www.ancestry.com.au/search/collections/1558/records/1730414 (PAYWALL)
No. 1340 / [1818] May 20 / Born 17 April 1818 / Richard [son of] / Richard & Elizabeth / Johnson / George St. / Weaver . . .
Marriages solemnized in the parish of All Hallows Barking in the City of London in the year 1825; register 1813-28, page 152; London Metropolitan Archives, P69/ALH1/A/03/004
https://www.ancestry.com.au/search/collections/1623/records/22032797 (PAYWALL)
No. 455 / James Johnson of this parish bachelor and Eleanor Byrne of this parish spinster
were married in this church by banns this [25 June 1835] . . .
Sydney, NSW (from 1833):
Report of ship Layton, from London, 15 August 1833, arrived in Sydney, 17 December 1833; State Records Authority of NSW
https://www.ancestry.com.au/search/collections/1210/records/2202414 (PAYWALL)
Male Emigrants . . . Richard Johnson / 59 / London / Watchmaker
Richard Johnson Jun. / 16 / [London] / - / . . .
Benjamin Pitt Griffin / 49 / England / Surveyor
ASSOCIATIONS: Benjamin Pitt Griffin (musical amateur)
See also: [Advertisement], The Colonist [Sydney, NSW] (12 March 1835), 8
http://nla.gov.au/nla.news-article31716287
IN CONSEQUENCE of several conflicting statements which have appeared in different papers respecting the conduct and usage of the passengers by the ship Layton,
it appears necessary that a correct account should be laid before the public.
The heads of several families, who were passengers by the said ship therefore propose publishing by subscription,
a correct journal from the time of her leaving London to her anrrival in Sydney.
It is conjectured the price of each copy will not exceed one Shilling.
Subscribers' names will be received at the Monitor Office, and at Mr. Johnson's, Watchmaker, George-street, opposite Bridge-street.
Signed, BENJAMIN PITT GRIFFIN. RICHARD JOHNSON.
A few copies of letters, and some remarks upon sundry documents on the subject of female emigration by the superintendent of the Layton emigrant ship (Sydney: Printed by William Jones, 1836)
https://trove.nla.gov.au/work/21687615/version/26049888
http://nla.gov.au/nla.obj-601917180 (DIGITISED)
[News], The Sydney Gazette and New South Wales Advertiser (29 March 1834), 2
http://nla.gov.au/nla.news-article2215745
The remaining two new houses opposite the site of the old Lumber Yard, are now occupied and about to be opened for public patronage, the one by a Mr. Johnson, a chronometer and watchmaker, and the other by Messrs. Dunsdon and Blythe, who intend opening all the advantages of general Restaurateur's.
[Advertisement], The Sydney Monitor (9 July 1834), 3
http://nla.gov.au/nla.news-article32146670
JOHNSON, Chronometer, Watch and Clock Maker,
GEORGE-STREET, OPPOSITE BRIDGE-STREET.
R. JOHNSON returns his thanks to his Friends and the Public generally, for the very liberal encouragement he has experienced since commencing the above business,
and solicits the continuance of the same . . .
"Cornhill, London, August 10th, 1833"
"I hereby certify that RICHARD JOHNSON is one of the best workmen in London, in the finishing, completing, making, and manufacturing of Chronometers and Watches.
He is also a practical Escapement-maker, which is the finest and most delicate department in the manufacture of Chronometers, &c.
Also, that there is no department in the above manufactures that he is not competent to undertake,
either in repairing the same, or making. I also certify that I have for years continued to employ him,
and that he served his Apprenticeship to learn the said business, to a Member of the Clockmakers' Company, of the City of London, incorporated by Charter."
"(Signed) R. WEBSTER.
"Witness.- JAMES COTTON."
"29 Duke-street, St. James's. Aug, 12, 1833.
"TO MR . R. JOHNSON.
"DEAR SIR - I hear that you are leaving this Town for Sydney, in New South Wales, with intention to follow your trade as a Watchmaker;
and from what I know of your abilities, (having been under your tuition myself,) I should say that you are thoroughly acquainted with the business,
and can undertake the repairs of Chrononmeters, and every other sort of Watch and Clock.
Wishing you and your fammily every success, I am, &c.
"(Signed) CALEB ELISHA,
"Watchmaker to His late Royal Highness the Duke of York and the Duchess of Cumberland."
"London, Aug. 13, 1833." . . .
Report of the ship Bristol, from London, 6 February 1834, arrived Sydney, 12 June 1834; State Records Authority of NSW
https://www.ancestry.com.au/search/collections/1210/records/2203149 (PAYWALL)
Steerage . . . Mr. Robert Johnson . . .
"MARRIED", The Sydney Gazette and New South Wales Advertiser (26 July 1834), 3
http://nla.gov.au/nla.news-article2216700
Yesterday by license at St. James's Church by Rev. R HILL, Mr. PARKER, druggist, of King-street, to ELIZABETH, daughter of Mr. R. JOHNSON, watchmaker, of George-street.
ASSOCIATIONS: Elizabeth Johnson (1809-1860, Mrs. Josiah Parker, daughter)
[Advertisement], The Sydney Gazette and New South Wales Advertiser (2 May 1835), 3
http://nla.gov.au/nla.news-article2198024
Theatre Royal, Sydney . . .
The Lessees . . . have succeeded in engaging all the first Musical Talent in Sydney to form their Orchestra, which consists of the following gentlemen, viz.
Leader of the Band - Mr. CLARKE;
Violins - Messrs. SPYER, JOHNSON, DYER, and SCOTT;
Principal Flute - Mr. STUBBS; Violincello and Grand Piano Forte - Mr. CAVENDISH . . .
NOTE: This violinist, Johnson, was perhaps Richard senior, or Richard junior
Arrival in Sydney of James and William Jonathan Johnson (1 January 1836):
Report of ship Salacia, from London, 6 August 1835, arrived Sydney, 1 January 1836; State Records Authority of NSW
https://www.ancestry.com.au/search/collections/1210/records/4267709 (PAYWALL)
Mr. James Johnson / England / Silversmith // Mrs. Johnson
Mr. William Johnson . . .
"ARRIVALS", The Sydney Monitor (2 January 1836), 2
http://nla.gov.au/nla.news-article32150435
Yesterday the brig Salacia, Captain Mann, from London, August 6, Cargo mercandise. Passengers Mr. James Johnson, jeweller, Mrs. Johnson, Mr. Wm. Johnson . . .
[Advertisement], The Sydney Herald (11 January 1836), 3
http://nla.gov.au/nla.news-article28654587
MR. W. JOHNSON, Professor of Music
And Tuner of Organs and Piano-Fortes, (JUST ARRIVED FROM LONDON,)
BEGS to offer his services to the Public, and having been for a considerable length of time employed in the Manufacture and Tuning of Piano-fortes,
he flatters himself he will be found an acquisition to those Ladies and Gentlemon who need a person thoroughly understanding the business in all its branches.
From the great experience he has had in tuning, and the flattering encomiums he has received from the leading men in the Musical Profession,
he ventures to hope that, at least, a part of the kind patronage of the residents of this Colony may be bestowed upon him,
and at the same time assures them, that no effort, of which he is capable, shall be wanting on his part to secure their favors.
Mr. J. having several engagements at Parramatta, begs to announce that he intends to visit that Town, on Monday, the 11th Instant,
and to proceed thence to Windsor, Richmond, Penrith, and Liverpool, and will be happy to attend to any with which he may there be favoured.
All Orders left at the Red Cow, Parramatta; King's Arms, Windsor; - - - Richmond; Jackson's Inn, Penrith; and Mr. Hoskings, Liverpool, will meet with due attention.
N. B - Piano-fortes and Organs Tuned and attended to by the year.
George-street, Sydney, Next door to the Commercial Bank,
9th January, 1836.
16 February 1836, Theatre Royal, Sydney, first appearance of the actor, Mr. Johnson, in The miller and his men
[Advertisement], The Sydney Gazette and New South Wales Advertiser (16 February 1836), 3
http://nla.gov.au/nla.news-article2202785
. . . THIS EVENING, TUESDAY, FEB. 16, 1836,
THE Performance will commence with the Petite Comedy in 3 Acts, called PAUL PRY.
Old Button - Mr. Grove
Sir Spangle Rainbow - Mr. Simes
Captain Haseldon - Mr. Peat
Pommade - Mr. Knowles
Tankard - Mr. Buckingham
Billy - Mr. Lee
PAUL PRY - Mr. Simmons, In which he will introduce the admired Comic Song "I never says nothing to nobody."
CRUMP - Mrs. CHESTER, In which she will sing "The Dashing While Sergeant," AND "Sing away, Sing Away."
Laura - Mrs. Downes.
After which, the Comic Duet, "One Day while Working at my Plough," By Mrs. Taylor and Mr. Simmons.
The whole to conclude with the celebrated Melo-Drama in two Acts, called the
Miller & his Men (With all the original Glees & Choruses.)
Grindoff (the Miller) - Mr. Grove
Count Friburg - Mr. Simes
Lothair - Mr. Knowles
Kelmar - Mr. Peat
Karl - Mr. Buckingham
Riber - Mr. Lee
Golotz - Mr. Lane
Zengra - Mr. Johnson
Ravena - Mrs. Downes
Claudine - Mrs. Jones
The Piece ends with the Conflagration of the Mill and Destruction of the Haunt of the Banditti.
[Advertisement], The Sydney Monitor (17 February 1836), 3
http://nla.gov.au/nla.news-article32150756
Theatre Royal, Sydney . . . on THURSDAY EVENING, February 18th
the performance will commence with, for the first time these two years, Shakspear's admired Tragedy of HAMLET . . .
Osrick - Mr. Johnson . . .
[News], The Sydney Gazette and New South Wales Advertiser (20 February 1836), 2
http://nla.gov.au/nla.news-article2202835
We are glad to see the countenance of Mr. Johnson wreathed in smiles on the boards of the Sydney Theatre, he being a considerable acquisition, and possessing a fund of comic humour. The name, itself, smacks of the drama.
[News], The Sydney Gazette and New South Wales Advertiser (15 March 1836), 3
http://nla.gov.au/nla.news-article2203246
We are given to understand that Mr. Johnson, son of Mr. Johnson, Watch and Clock Maker, George-street, has undertaken to preside at the Pianoforte, on the evening of the joint Concert of Mrs. Chester and Mrs. Taylor.
"CONCERT", The Sydney Monitor (19 March 1836), 2
http://nla.gov.au/nla.news-article32150969
On Wednesday evening, Mrs. Chester's and Mrs. Taylor's concert took place. Notwithstanding the stormy afternoon about 200 persons assembled. Mrs. Chester did not sing with that taste which usually characterises her; Mrs. Taylor, on the contrary, never appeared to more advantage, her song of Sunshine o'er the Brook was well sung and rapturously encored. Mr. Wallace did not appear to exert himself so much as he did for his own benefit; still his violin playing was of a very superior description. A Mr. Johnson made his first appearance in public as a pianoforte player; from the manner in which he accompanied the different songs, he appeared to be an expert performer. The band of the 4th regiment appear to have had a deal of practice during their absence from Sydney; the manner in which they performed the overtures was highly creditable.
[Advertisement], The Sydney Gazette and New South Wales Advertiser (23 June 1836), 3
http://nla.gov.au/nla.news-article2205034
At a Meeting of the Committee of St. James's Sunday Schools,
held June 20, 1836, IT WAS RESOLVED. THAT the Committee and Teachers cannot let the opportunity which this,
their first Meeting since the lamented death of their President, the Rev. Richard Hill, affords them,
pass without testifying the very deep feelings of sorrow, which that event has created in their minds,
and without paying the only tribute in their power to the worth of one who in an especial manner watched over,
and guided the Schooling with which they are connected . . .
By order of the committee, J. JOHNSON, Secretary.
[News], The Sydney Monitor (12 October 1836), 2
http://nla.gov.au/nla.news-article32152458
Mr. Johnson, who is assisting Mr. Deane in his concert, is by some supposed to be Mr. Johnson the organist of St. James's. We understand this is not the case.
"To the Editor of . . .", The Sydney Monitor (31 March 1837), 3
http://nla.gov.au/nla.news-article32155419
SIR - I respectfully beg that you will in your journal contradict - "That I have leased the Theatre to any one."
But that, from the great sums I have expended for its re opening, not only the scenery, dresses, and others;
and, though last, not least, aconsiderable number of musicians;
amongst the names of the gentlemen, are - Mr. Dean (leader), his Three Sons,
Messrs. Sippe, Wilson, Turner, Papping and Son (French horns), Johnson, White,
Westrop, White, Bowles, and others whose names I have not taken note of.
And I trust, when I take charge of the Theatre, to conduct it with respectability, and make it convenient to a liberal public.
I am, Sir, Your obedient servant,
BARNETT LEVEY.
Thursday, 20th March, 1836.
[Advertisement], The Australian (20 February 1838), 4
http://nla.gov.au/nla.news-article36856792
MESSRS J. AND W. J. JOHNSON, Organists of St. James's Church,
BEG to remind the Inhabitants of Sydnev that they give Lessons on the
Practice and Theory of Music, the Orgnn, Pianoforte, Flute, Singing, &c.;
and as from circumstances to which it is needless to do more than allude,
many families must be in want of a Master in their profession,
Messrs. Johnson take the opportunity of stating that they make a point of attending to their engagements with strict punctuality;
and having had much experience in Musical Tuition, both here and in England,
feel confident of being able to direct the studies of their Pupils with success.
All communications addressed to Messrs J., Castlereagh-street South, between Liverpool and Goulburn-streets;
or to George-street, next the Commercial bank, will be promptly attended to.
[Advertisement], The Sydney Gazette and New South Wales Advertiser (19 May 1838). 3
http://nla.gov.au/nla.news-article2542452
AUSTRALIAN AUXILIARY CHURCH MISSIONARY SOCIETY.
THE Members and Friends of this Institution, ure respectfully informed that
the Anniversary Meeting will be held in St. James' Public School Room, in Elizabeth-street, near the Church,
on Friday, tho 2.5th Instant, at Eleven, in the Forenoon.
JAMES JOHNSON, Secretary pro. tem. Sydney, 10th May, 1838.
[Advertisement], The Colonist (5 January 1839), 3
http://nla.gov.au/nla.news-article31722331
MR. J. JOHNSON, PROFESSOR OF MUSIC,
begs to inform his friends that he has removed from Castlereagh-street to Prince-street,
nearly opposite Colne House, where he continues to give lessons on the Piano Forte, Singing, &c.
January 5, 1839.
[Advertisement], Australasian Chronicle (3 November 1840), 3
http://nla.gov.au/nla.news-article31729695
BROADWOOD'S PIANOFORTES.
MR. J. JOHNSON, Organist of St. James's Church,
begs to acquaint the public that he has just received a few six and a half octave grand and square PIANOFORTES, direct from the above celebrated makers.
The reputation of Messrs. Broadwood renders it unnecessary for Mr. J. to do more than pledge himself that these instruments are their genuine manufacture,
and to solicit an early inspection of them by persons who may require a really good instrument at less than the usual price.
To be seen at Mr. Johnson's residence, Prince-street, two doors from Argyle-street.
ASSOCIATIONS: Broadwood pianos (general)
"THE CECILIAN SOCIETY", The Sydney Herald (25 March 1841), 2
http://nla.gov.au/nla.news-article12868426
Yesterday Mr. W. Ward appeared at the Police office before Mr. Windeyer, for having in his possession books belonging to the Cecilian Society, alleged to have been stolen from the Society's press. Mr. Deane appeared for the prosecution and identified about ten volumes of music as being his property which he had lent to the Cecilian Society, and which had been to his knowledge kept with the property of the society in a press in the old Court House, and had been abstracted from that place of safety about the 17th instant. In consequence of information a search warrant was issued for the house of Mr. Curtis, but the property was ultimately found in the house of Mr. Ward, who immediately gave up the property, and also gave every information ns to bow the property claimed came into his possession. Mr. Rogers the secretary of the society also identified some of the properly as belonging to the society and said that about twenty pounds worth of the same had been purchased from Mr. Curtis. Mr. James Johnson proved that on Tuesday evening the 16th instant the books in question were lodged in the society's press in the old Court House, Mr. Allen proved that he had locked the press in which the society's music was contained, and also that when he locked the press on last Tuesday night there was a wide space vacant from the lock having been forced. Mr. Josephson proved that on Friday morning Mr. Cosgrove called him in for the purpose of seeing the press in which the society's books were contained, as it had fallen down, and be was afraid some of the books were missing . . . The case occupied the Court for nearly three hours, and from the great number of musical gentlemen that were present it evidently excited great interest among the profession.
ASSOCIATIONS: John Philip Deane (musician); Richard Gill Curtis (member); Edward Allen (member); Joshua Frey Josephson (member); Cecilian Society (association)
"AN ADMIRER OF A HOT DINNER", The Sydney Herald (5 August 1841), 2
http://nla.gov.au/nla.news-article12870395
Thomas Este, the hired servant of Mr. James Johnson the organist, appeared at the Police Court on Tuesday, charged with having committed an aggravated assault on his master on Sunday last, because he had not provided him with a warm dinner that day. The assault being clearly proved, the Court sentenced him to pay a fine of £5 with 3s. 6d. costs, or to be confined for two calendar months in Sydney gaol. It appeared from the evidence that the defendant (a late arrival) told his employer that he did not come here to eat cold dinners.
[Advertisement], Australasian Chronicle (26 August 1841), 3
http://nla.gov.au/nla.news-article31732695
FIRST RATE HARP, BY ERAT. [sic, Erard]
- For Sale, a splendid double action Harp, with Bochsa's patent metallic strings, by the above celebrated maker.
This instrument, lately imported, will be sold at a very moderate price.
To be seen at Mr. Johnson's, organist of St. James's, Princes-street.
"THE CICILIAN SOCIETY", The Sydney Herald (15 September 1841), 2
http://nla.gov.au/nla.news-article12871141
The Monthly Concert of this highly popular society takes place tonight, when his Excellency the Governor and a number of the public officers are to be present. The Vocal department is under the direction of Mr. Johnson, the organist of St James' Church. We understand that Mrs. Prout has offered her professional services for the evening.
"CECILIAN SOCIETY", The Sydney Monitor and Commercial Advertiser (22 September 1841), 3
http://nla.gov.au/nla.news-article32190766
We were politely favored with an admission card to the Cecilian Concert held, on Wednesday evening last, at St. James' Primary School Room (the room was kindly lent to the Society by the Lord Bishop of Australia). We were highly entertained with the performances and pleased with the reception of the catering of the committee met, from the fashionable and very respectable assemblance of visitors . . . His Excellency entered the room at half past eight o'clock, when the orchestra, consisting of amateurs, conducted by Mr. James Johnstone, organist of St. James' Church, and aided by the military band of the [80th] regiment, played the national anthem until His Excellency gained his seat. The concert then commenced with the overture to Der Freischuby [Der Freischutz], which was admirably executed and met with deserved applause. Next came the glees, the whole of which were well got up and sang with spirit, and did much credit to the performers . . .
ASSOCIATIONS: William Grant Broughton (bishop)
[Advertisement], The Sydney Herald (14 January 1842), 3
http://nla.gov.au/nla.news-article12873277
REMOVAL. MR. JOHNSON, Organist of St. James' Church,
begs to inform his friends and pupils, that he has removed from Prince street,
to Sarah Dell Cottage, Parramatta Road, (nearly opposite Mr. Norton's,)
and that he continues to give Organ and Pianoforte lessons as usual.
10th January.
"HANDEL'S MESSIAH", Australasian Chronicle (20 August 1842), 3
http://nla.gov.au/nla.news-article31736930
Another rehearsal of the principal chorusses of this chef d'oeuvre took place last evening, under the direction of Messrs. Johnson, Leggatt, and Wallace. The greater part of the wind instrutments were absent, so that we are unable to say what progress Mr. Legatt has made in reducing them to suavity, tune, and time, but the stringed instruments were all that could be reasonably wished for, and the chorusses, considering the materials of which in a great measure they seem to be composed, certainly gave us equal surprise and delight. Mr. Johnson has in this instance accomplished a feat, and we willingly accord him our ineed of praise. We were much satisfied with Mr. Leggatt's conducting generally speaking, but we must say we were terribly annoyed with the timeing of the "Hallelujah chorus," which (at least the first time) was sung absurdly slow as it almost always is by amateurs, but by which the sublime idea of the composer is utterly destroyed. We hope Mr. Leggatt will attend to this, and upon the whole we promise our numerous musical friends a magnificent treat on the last day of this month, without any fear of disappointment.
ASSOCIATIONS: William Augustine Duncan (editor, Chronicle); Thomas Leggatt (musician); Spencer Wellington Wallace (musician)
"CHURCH BOOK SOCIETY. MR. JOHNSON'S SECOND LECTURE ON MUSIC", The Sydney Morning Herald (28 October 1842), 2
http://nla.gov.au/nla.news-article12408241
On Wednesday evening, Mr. Johnson delivered his second lecture on Music, at the St. James's Grammar School Phillip-street.
Counterpoint, or the art of writing in parts, was an advance which had done more towards giving to music the dignity of a science, than either the invention of instruments or notation: for, although without their aid no music of scientific character could exist, they, by themselves, were capable of producing only very meagre effects. It required the aid of harmonical combination to give to the art the magnificence and grandeur which was its most noble attribute. It was wonderful that, when it had become the practice to unite the performance on several instruments, and when immense congregations of singers and players joined in concert, that no accidental striking together of concords should have led to such research as would have resulted in a system of harmonic combination, long before such discovery took place. Some asserted, that the Greeks were acquainted with counterpoint; while others contended, that till the time of Guido, it was unknown. He did not, however, think, from all that could be gathered upon the subject, that the Greeks had any other idea upon the subject than, perhaps, doubling the parts an octave, or perhaps a fifteenth higher, according to the nature of the instrument used, or of the voice accompanying the instrument. Dr. Burney visited Italy, and consulted all that could afford information upon the subject, and stated, that in the manuscript missals, rituals, graduals, psalters, and antiphonaries, of any of the great libraries, not the slightest trace of counterpoint was to he found. Previous to the time of Guido, who flourished in the 11th century, descant, which consisted of an under-part, called organum, sung to the plain melody, was practised; but the barbarous dissonances which by it were tolerated, rendered such an addition anything but an improvement. For instance, this under-part proceeded in successive intervals of the fourth with the melody. As it was allowed to double this part an octave higher, it produced a succession of fifths, the most unbearable progression to a refined ear that could be imagined. For the next three or four centuries, but little progress was made in the art of counterpoint. Music, at this time, was cultivated almost exclusively by churchmen, who were much opposed to anything having the appearance of change or innovation. Counterpoint, nevertheless, continued to advance. Franco introduced new concords, and gave rules as to their use; but even with his improvements, the art was in an imperfect state. From his time, however, improvements continued to be made; the system was now established on fixed principles; and a science, more interesting than those who had only viewed it in a superficial manner were inclined to acknowledge had been the result.
Until the time of the ancient Greeks, music could not be said to have possessed a history. It was true, that there were records of its existence in the first ages of the world; that by Noah it was in all probability preserved to the world after the flood; that by the Phoenicians and Egyptians their knowledge and improvements were communicated to the Hebrews and Greeks, but what that knowledge was, could not be ascertained. The Greeks were an essentially musical people, and held the cultivation of the art as of great national importance. Their senators did not scorn to legislate upon the subject; and in their schemes of education music formed no inconsiderable part. The scales or genera used by the Greeks were three, the diatonic, the chromatic, and the enharmonic. In the first of these, the diatonic, the progression consisted of a semitone and two whole tones, - as from B flat to C flat, the semitone C flat to D, one whole tone, D to E another whole tone, forming what was termed the tetrachord. The union of two of these tetrachords disjunct, formed our diatonic octave. The chromatic differed from ours of that name, as we used a continued series of semitones, while theirs proceeded by two semitones and a minor third. The enharmonic was a scale of little practical use to «s, few of our instruments being so constructed asto express the diesis or quarter tone, - it consisted, however, of two quarter tones and a major third. These three scales united made a fourth or mixed genus, and out of it their modes, grave, middle, and acute, were formed, - the gravity or cheerfulness depending upon its locality in the compass of this genus, which comprised three octaves and a tone.
With the Romans, as with the Greeks, music, was held in high estimation. It was largely used in the celebration of religious rites, and also in connexion with the drama, and as a fashionable accomplishment. They were principally indebted to the Greeks, as the Greeks were to the Egyptians, for the improvement of their taste. They had, however, a music of their own; coarse and rude it might have been, but still entitling them to be considered as possessing a national music. Rome, from her rude beginning and mere military genius, after a time emulated the Greeks, and established public institutions for the advancement of poetry and music, and by the time of Augustus, their literature was as splendid as their military achievements. After this time a false taste was cultivated, and the effeminate luxury of the Asiatics was substituted for manly refinement. Music became puerile and voluptuous, and was made subservient to the gross passions and sensual appetite of the times. Music having ceased to receive the patronage of the mighty among the Romans, took refuge with the early Christians, by them it was used to solace their wearied spirits under the almost unceasing persecution of their heathen masters. To caves in the rocks, holes in the earth, and almost impenetrable parts did these early professors of our holy faith retire to exercise religious rites. Under these circumstances, music as a science could not be expected to make any progress. In the few intervals from active persecution which they enjoyed, it formed a conspicuous feature in their services. The melodies used in the Church appeared to have been very simple, the whole congregation joining in them without previous teaching. In the time of Constantine music began to be studied with reference to its applications to the Church, and at the Council of Laodicea, a canon was issued, directing that none but the canons who sang out of parchment books should be allowed to sing in the church. It was supposed by some writers, that organs were not introduced into churches till about the year 670, though Dr. Busby said that they must have been in use in the time of Julian the Apostate, who flourished in the 4th century.
The lecturer said, he had not intended to have discontinued his subject here; but having been too much pressed for time to proceed further, he must defer the resumption of it to some future time.
[Advertisement], The Sydney Morning Herald (6 March 1843), 3
http://nla.gov.au/nla.news-article12421964
MR. JOHNSON, Organist of St. James's Church,
has removed to College street, Hyde Park, (Mr. Lyons's Terrace),
and requests that all communication« to him, may be addressed at above. March 4.
[Advertisement], The Sydney Morning Herald (2 May 1843), 1
http://nla.gov.au/nla.news-article12410910
SINGING CLASS, On the system of Hullah and Mainzer, so successfully established in London and on the Continent.
THE public are informed, that a class in connexion with the School of Arts, will be opened on Tuesday, May the 9th, at seven, p.m.,
under the direction of Mr. Marsh, Member of the Royal Society of British Musicians; and Mr. Johnson, Organist of St. James's Church,
and will meet every Tuesday and Friday, at the same hour.
Terms per quarter to members of the School of Arts 10s., and to non-members of that Institution 15s, to be paid in advance.
Persons desirous of joining the class, are requested to leave their names with Mr. Duer, the Secretary, at the School of Arts,
between the hours of two and nine, p.m.
ASSOCIATIONS: Stephen Hale Marsh (musician); John Hullah (English singing master); Joseph Mainzer (German singing master); John Storck Duer (secretary); Mechanics' School of Arts (Sydney association and venue)
[Advertisement], The Sydney Morning Herald (14 July 1843), 3
http://nla.gov.au/nla.news-article12421625
PIANO WANTED. WANTED, immediately, a good square Pianoforte;
apply post-paid to W. J. Johnson, Pianoforte-maker,
3, Regent Terrace, Hunter-street, Sydney.
[Advertisement], The Sydney Morning Herald (29 August 1843), 3
http://nla.gov.au/nla.news-article12427342
SINGING CLASSES.
MR. JOHNSON, Organist of St. James's Church, begs to announce
that he intends opening classes for teaching the theory of Music and Singing,
at his residence, College-street, Hyde Park,
the first of which will be commenced on Tuesday, the 29th instant, at eight o'clock,
and will meet every Tuesday and Friday at the same hour.
A class for the convenience of young ladies attending school during the day, will meet at five o'clock on Mondays and Thursdays.
Terms and particulars may be obtained at Mr. Johnson's residence, College-street, Hyde Park.
"COLONIAL BUILT ORGAN", The Australian (19 October 1844), 3
http://nla.gov.au/nla.news-article37122885
Those who think the encouragement of Colonial manufactures, and works of art,
will tend to the advancement of science and the general prosperity of "the land we live in,"
will be highly gratified by an inspection of the new Organ, which has been recently built for the temporary Church of St. Andrew,
by Mr. W. J. Johnson, the Organist, and which is valued at 200 guineas.
Of the tones of the instrument, and its power and compass imparted by the two composite pedal pipes,
the variety of its stops, and, its Venetian front, we cannot speak but in terms of unqualified praise and admiration.
Its interal machinery, is far too complicated for any one but an organ-builder to describe, or a proficient player on the instrument to understand.
We subjoin the following description of its powers and capabilities for the information of the curious in the works of art.
The compass of the great organ is from G. G. to F. in alt, comprising 59 notes;
consisting of the open diapason, the stop diapason, the principal, the fifteenth, and the cremor[n]a.
The small [swell] organ comprisos 35 notes, with Venetian front, the power and effect of which, in connection with the pedals,
must be heard to be understood, open diapason, principal, and copula.
There are an octave of pedal pipes and an octave and a half of pedals, pedal copula, and two composite pedals.
The instrument, we are assured, will challenge competition with any similar instrument of equal compass and dimensions that can be produced in the Colonies.
"THE ORGAN OF ST. ANDREW'S TEMPORARY CHURCH", The Sydney Morning Herald (30 November 1844), 2
http://nla.gov.au/nla.news-article12409888
THIS organ has been built solely by Mr. W. J. Johnson,
organist to St Lawrence's and as it is the first instrument of the kind that has been constructed in the colony,
we have the greatest satisfaction in making mention of it, especially as it is as perfect for the size as could be obtained in any city in Europe.
It has been erected in the temporary church for the sum of £150, an amount much below what we should have expected to have given for it in London.
It is constructed of the same material as is generally used for such purposes,
the woodwork being of oak and pine, its present locale is of course unfavourable to sound, but even here its tones are powerful and rich.
The stops, without exception, are good, the open diapason especially, whether in the great organ or in the swell, is of delicious quality;
and the swell is as effective as any we have ever heard, being efficient even with the great organ.
The cremona also is very sweet - this is the only fancy stop afforded.
The mechanism is, throughout, excellent, being much more complete than is usual with instruments of this size,
as will be seen from the subjoined description: -
Great Organ - Compass from GG to F in Alt, with GG sharp,* (according to rotation), 59 notes.
Stops. - 1st, Open Diapason (metal), from bass G to F in Alt, 47 notes. This note is five inches in diameter.
2nd, Stop Diapason (wood), throughout the whole extent of the keys, 59 notes.
3rd, Principal (metal), ditto ditto
4th, Fifteenth (metal), ditto ditto
5th, Cremona (metal reed), from fiddle G to F in Alt, 35 notes.
6th, Copula, to connect the swell with the great organ.
Swell Organ (Venetian Front.) - Compass from Fiddle G to F in alt, 35 notes.
Stops. - 1st, Open Diapason (metal) throughout
2nd, Principal (metal) ditto
Pedals. - Compass from GG to Gamut C, 18 notes.
Stops. - 1st, Copula, to draw the Great Organ keys with the pedals.
2nd, Pedal Pipes, an Octave of large Open Diapason, from GG to G, 13 notes.
[Total] 10 Stops, 347 Pipes.
Shifting Movements. 1st, To take off the fifteenth and principal of Great Organ, so as to form a Choir Organ.
2nd To take off the Cremona with the foot.
* Seldom put to an organ unless expressly stipulated for, being a very expensive note.
"THE NEW ORGAN AT ST. ANDREWS. To the Editors of . . .", The Sydney Morning Herald (2 December 1844), 4
http://nla.gov.au/nla.news-article12424928
GENTLEMEN, - I have waited for an abler pen to notice our new acquisition,
in the very good organ of our colonial builder, Mr. W. J. Johnson, has lately put up in the weather-boarded church of St. Andrew, in George-street.
This instrument, far too excellent to be let pass sub silentio, eloquent as it is of sweet and noble sounds,
is another proof that we need not be dependent on foreign builders to furnish us with help for the choral parts of our devotional services in the Church's public worship.
And I now venture to assert, after a somewhat lengthened course of observation, that European builders cannot produce a better instrument for quality and workmanship,
and would not have constructed such an one for less that as much again as has been paid for this;
at the same time, that this organ for character, quality, and body of tone, is superior to any other instrument in the colony;
and this because its scale is larger, and more faithfully carried out, whilst its voicing is most judicious and perfect.
Those of us who recollect the organ at Westminster Abbey some twelve years ago, will be forcibly reminded of their old friends by this legitimate descendent of the New Road School.
That we may bye-and-bye have colonial built organs for our churches, with a more extended bill of fare for choice on their draw stops,
we may well enough wish - better times will enable us to pay for these.
But for character and quality of tone, we need wish for nothing better than that of this instrument;
- for that we are obliged to the builder, but we cannot pay him for it.
The instrument comprises, great organ GG to f''', with GG sharp open diapason, principal,
and fifteenth, all on a nine-inch scale, stopped diapason, and cremona.
Swell (Venetian) fiddle G to f''' open diapason and principal.
There is an octave and half of pedals, with coupler to great organ, the usual shifting movement to take off the great organ to the diapasons,
a composition pedal foe the cremona, and a coupler from the great organ to the swell.
The full, rich, mellow body of the open diapason of the great organ has seldom been equalled in any organ,
and the principal is the first the writer has met with which explained the reason of its designation;
- but if clear, majestic, firm intonation, still without harshness, are indicated, these are most completely given forth by this stop;
and it again is well met by a fifteenth, without shriek or skuawk;
credat Judeus, but the 15th in this organ blends only as the natural, obligato, harmonic of the diapason.
Forgive diffuseness on so limited an instrument; its character tells what our builder can do in better times;
and, I trust, by and by, we shall have to listen to an instrument of such magnitude as his skill ought to be employed about.
Meanwhile, let our fellow-colonists listen to this one, to know what a sound, honest, proper church organ ought to be;
not a thing of penny whistles, but one which will meet the Psalmist's idea when he invited everything melodious and vast to accompany him,
and opened with "O come let us worship, and fall down, and kneel before the Lord our Maker."
The frittering scale on which church organs are generally built is the reason of their unsatisfactory quality;
the diapasons dishonestly small, and even then again shrunk in the bass, are necessarily voiced to a scream to make a note to be heard,
and to make up for want of body in the foundation of the instrument, the principal, 12th, 15th, sesquialtra, and cornet,
are also over voiced, so as to produce the common remark, "What a nasty squeaking organ."
Sometimes (as at Surry Chapel) an unison trumpet is used to make up - of course with wretched success.
The organ never can be good if the scale of the diapasons is not large.
The instruments at York Cathedral, Birmingham Music Hall, and the hall of Christ Church, London, demonstrate this;
they have thrown the formerly wonderful Haarlem organ to the owls and the bats.
The German builder has done wonders, he doubtlets throughout, in producing the note CCCC with a pipe 32 feet long by 8 inches diameter;
but, for the York instrument, Mr. Hill made a double pipe for the same note, 28 feet long, 6 feet 6 inches wide, 3 feet 6 inches deep, and made the note articulate.
This will show the dishonesty of common organ building for this vast double pipe is, for the pitch, but the 10 1/2 inch scale fairly carried out.
The singers will find the comfort of the organ at Saint Andrew's:
- We are not all professionals, nor yet choristers, and few, who have not the pane-splitting power of the late Dicky Randall,
(Handel's last surviving pupil) can afford to sing to the hungry buz of a meagre choir organ;
but, with this generous instrument, any of us with cracked voice, or scale short of a note here or there,
may join in without fear of annoying, and find the organ's help give voice,
where the throat, through put in shape for the desired note, would not give this out,
without the sympathetic vibration of its volume of sound.
I remain, Gentlemen,
Yours respectfully,
ONE OF THE PUBLIC.
Sydney, November 29.
[This letter was evidently written before the notice of this organ appeared in the Herald.
As it is on an interesting subject, we give it insertion notwithstanding. - EDS.]
ASSOCIATIONS: William Hill (English organ builder); Richard Randall (English singer)
[Advertisement], The Sydney Morning Herald (13 December 1844), 3
http://nla.gov.au/nla.news-article12416512
MR. W. J. JOHNSON, Organist of St. Laurence Temporary Church, 53, Pitt-street South.
Pianofortes tuned for 5s. Instruments repaired.
30 May 1845, Maria Hinckesman's concert
[Advertisement], The Australian (29 May 1845), 2
http://nla.gov.au/nla.news-article37154716
ROYAL CITY THEATRE. (UNDER DISTINGUISHED PATRONAGE.)
MISS HINKESMANN respectfully informs her friends and the public, that she intends giving a
CONCERT of Vocal and Instrumental Music, at the above Theatre,
TO-MORROW EVENING, MAY 30, 1845. To commence at 8 o'clock precisely . . .
The Theatrical Band . . . will be assisted by the Members of St. Patrick's Band,
who have most kindly consented to give their valuable services upon his occasion.
Leader, Mr. Gibbs; Conductor, Mr. Johnson (Organist of St. James's) . . .
ASSOCIATIONS: Maria Hinckesman (musician); John Gibbs (violin, leader); City Theatre (Sydney venue)
10 September 1845, consecration of Christ Church, St. Lawrence, Sydney
"CONSECRATION OF CHRIST CHURCH", The Sydney Morning Herald (11 September 1845), 2
http://nla.gov.au/nla.news-article12882107
YESTERDAY morning the new church in the parish of St. Lawrence, was consecrated in the usual form by the Lord Bishop of Australia. His Lordship was received at the western door by the minister of the church, the Rev. W. H. Walsh, the churchwardens, and several of the principal inhabitants, when the petition for the consecration was presented and read . . .
The usual morning service was then proceeded with by the Rev. W. H. Walsh, the various collects introduced in the consecration service being read by the Bishop . . .
The singing and chanting was of a very superior description, the choir being assisted by nearly all the singing members of the Choral Society. The new organ was played by Mr. W. Johnson; it is a very fine toned instrument: we hope, on a future occasion, to be able to give a description of it. The chants (the Venite, the Psalms for the occasion, and the Jubilate,) were by Tallis, Nares, Tarrant, and Spofforth. The Te Deum was King's splendid composition in D. The anthem was Handel's chorus from the Messiah, "Lift up your heads O ye gates," and previous to the Sermon there was Gibbons' Sanctus. The greater part of the congregation could never have had an opportunity of hearing sacred music performed so effectively before. The Te Deum and the anthem were remarkably well sung . . .
ASSOCIATIONS: Sydney Choral Society (Anglican association)
"SCHOOL OF ARTS", The Australian (16 September 1845), 3
http://nla.gov.au/nla.news-article37158084
Mr. James Johnson delivered, last evening, at the Theatre of this Institution, the first of a course of Lectures on the History and Science of Music, to a crowded and fashionable audience, who appeared highly pleased with the evening's recreation, more especially with the illustrative part - amongst which the most prominent features were "Leichhardt's Grave," by Mr. Waller; "Hark! hark! the Lark!" and "Glorious Apollo." Some illustrations of ancient Greek music were also well received.
ASSOCIATIONS: James Waller (vocalist)
MUSIC: Leichhardt's grave (Nathan)
"THE ORATORIO", The Sydney Morning Herald (25 December 1845), 2
http://nla.gov.au/nla.news-article12884314
THE first and second parts, together with a portion of the third part, of Handel's Messiah, were given at the Victoria Theatre on Tuesday,
for the benefit of the Commercial Reading Rooms and Library.
The music had been got up under the direction of Messrs. Johnson, and the performers comprised nearly the whole of the available musical skill of the city.
On the arrival of His Excellency the Governor, who was well received, the National Anthem was sung by the choir, accompanied by the whole orchestra,
and the same was repeated at the conclusion.
The Overture was played with considerable taste and precision, which prepared us for our usual treat in the succeeding tenor solo,
"Comfort ye my People" when, eheu! out squeaked a shrill treble, pitched a full octave above the composer's score,
and we fancied we heard the ghost of old Handel exclaim, in his well known phrase, "The teyvil, the teyvil! dat is no ma moosic."
What in the name of common sense could tempt Mr. Johnson to suffer the beautiful harmony of this sublime air to be turned upside down in this manner,
especially as he had one or two good tenors competent to sing the part.
While thus condemning an inexcusable error, we hasten to express our admiration of the manner in which Mrs. Bushelle sang "I know that my Redeemer liveth,"
which is one of the finest airs within the whole range of musical composition.
Passing over the choruses "And the Glory of the Lord," and "He shall purify," as well as Mr. F. Howson's "But who may abide,"
in which there was little remarkable, we come to the solo, "Behold a Virgin shall conceive," which was given by Mrs. Gibbs with great accuracy,
always excepting her defective articulation of the words.
The chorus, " O thou that tallest," went passably well, but Mr. Waller's "For behold darkness,"
was a little darker, we apprehend, than the composer could have intended or wished.
It is but fair to say that this gentleman was very useful in the choruses for which alone his voice is fitted.
The master stroke of the evening was decidedly, the choral fugue, "For unto us a child is born."
This, had the number and power of voices been quadrupled, would have been perfect.
And truly there is nothing finer extant of its kind.
The Pastoral Symphony was beautifully played, and Mrs. Stirling did tolerable justice to the four succeeding recitatives.
The chorusses "Glory to God," and "His yoke is easy," were also free from serious objection,
and the same might be said of the air Rejoice greatly," had not Mrs. Bushelle outstripped the modesty of oratorio canons by acting the part.
The exquisite pastoral air "He shall feed his flock," was sung by Madame Carandini with good effect.
The other pieces worthy of special remark were "He was despised," beautifully intoned by Mr. J. Howson;
"But thou didst not leave," by Mrs. Wallace, (which as it was sung badly the first time, the audience kindly encored;)
"How beautiful are the feet," sung with feeling by Mrs. Stirling; and the HalleRajah Chorus, which last was, we believe, sung in tune on this occasion, for the first time in New South Wales.
At the last Oratorio, it was actually transformed into an adagio.
It may be remarked of the choruses, in general, that the uppermost and lowermost parts were sung with much precision,
but that the reverse was the case with respect to the intermediate parts, particularly the altos.
Besides His Excellency the Governor and Lady Gipps, we observed present His Excellency the Commander of the Forces and suite,
and the Right Worshipful the Mayor and family.
The boxes of the Theatre were crowded with persons of fashion, a proof out of many,
that however faulty in some respects the musical taste of the colony may be,
it is sufficiently prevalent to be worthy of cultivation and improvement.
ASSOCIATIONS: Eliza Wallace Bushelle (vocalist); Frank Howson (vocalist); Eliza Gibbs (vocalist); Theodosia Stirling (vocalist); Maria Carandini (vocalist); Johh Howson (vocalist); Royal Victoria Theatre (Sydney venue)
"STEALING WINE", Morning Chronicle (22 April 1846), 2
http://nla.gov.au/nla.news-article31747870
A miserable looking woman named Honora Bentley, appeared in the dock yesterday, at the instance of Mr. William Jonathan Johnson, organist of Christ Church, who charged her with having purloined four bottles of wine from him, and a rusty scissors belonging to his wife, value about three halfpence. It appeared from Mr. Johnson's statement, that he laid in four dozen of wine a few days since, and that on his return home last night, he was informed that the prisoner was drunk the entire day. Suspecting that she could not have come by the drink honestly, he went to her room, and got her box, which he shook as sagaciously as to be able to ascertain that there was a bottle inside it; and as she refused opening it, so that he might satisfy himself as to its contents, he at once gave her into custody, first having the box forced open, where he found a bottle with about half a glass of wine in it, and the before mentioned rusty old scissors. Mr. Johnson would not take upon himself to swear to the bottle, and though at first disposel to lean to the oplnion that his wife might have lent the prisoner the scissors, he at last swore positively that she stole it, and had her committed-to take her trial.
POLICE COURT. MONDAY . . . ROBBERY BY A SERVANT", The Sydney Weekly Transcript (25 April 1846), 3
http://nla.gov.au/nla.news-article251644107
A damsel named Dorah Berkely made her appearance at the Police Office, charged with abstracting from the cellar of her employer, Mr. William Johnson, of Pitt-street, four bottles of wine for her own private drinking. Mr. Johnson had recently remarked a growing consumption of his stock, and as the appearance of the prisoner confirmed the suspicion of her indulgence in unpermitted libations, he caused a search to be made, when the wine in question was discovered in her possession. She was fully committed to take her trial.
14 October 1846, James Johnson's concert of sacred music
[Advertisement], The Spectator (10 October 1846), 453
http://nla.gov.au/nla.news-article250084264
GRAND CONCERT OF SACRED MUSIC.
Under the distinguished Patronage of His Excellency the Governor, and Lady Mary Fitz Roy,
His Honor the Chief Justice, His Excellency the Commander of the Forces,
the Right Rev. the Lord Bishop of Australia, the Hon. the Colonial Treasurer,
Mr. Justice Dickinson, and Mr. Justice Therry.
MR. JOHNSON, Organist of St. James's Church, and Conductor of the Sydcey Choral Society,
has the honour to announce that hie intends giving, on
Wednesday, the 14th instant. A CONCERT OF SACRED MUSIC,
Selected from the works of Handel, Haydn, Mozart, Rossini, Neukomm, Novello, &c., &c., &c.;
upon which occasion he will be allowed the use of the organ recently erected by Mr. W. J. Johnson for the Choral Society,
and will be assisted by Mesdames Guerin, Carandini, and Gibbs; Messrs. F. Howson, Mr. J. Howson, and Waller:
and a large body of Amateurs, who have most handsomely volunteered their aid.
The Concert (by the kind permission of the incumbent of St. James's) will be held in the Infant School Room, Castlereagh-street.
The programme and further particulars will be published in a few days.
ASSOCIATIONS: Charles and Mary Fitzroy (governor and wife); Alfred Stephen (chief justice); Maurice O'Connell (soldier); Roger Therry (judge)
"CONCERT", The Sydney Morning Herald (16 October 1846), 3
http://nla.gov.au/nla.news-article28649165
Mr. James Johnson gave a selection of sacred music on Wednesday evening, at the School-room, Castlereagh-street. His Excellency the Governor, and Lady Mary Fitz Roy, the Bishop of Australia, the Chief Justice, and other distinguished persons, were present. There was likewise a very full audience. His Excellency was received with the National Anthem, and was much greeted on his entrance into the room. The programme was very rich and well arranged, containing some of the choicest solos, duets, trios, and choruses from the Messiah and the Creation; and in the second part some morceaux from Mozart, Rossini, and others. The choir was numerous, efficient, and well arranged, and the choruses admirably got up, reflecting the greatest credit on Mr. Johnson. The solos, duets, and trios, were likewise very good. Mr. J. Howson's sweet voice told with great effect in " Comfort ye" and "In Native Worth." The beautifully descriptive recitative and air from the Creation, "And God said," "Now Heaven in fullest glory," were admirably given by Mr. F. Howson. Mrs. Gibbs's "But thou did'st not leave" was most tasteful and feeling; and Mrs. Guerin sang " With verdure clad" with much sweetness and good taste. We cannot forget the nice style in which the trio "How beautiful" was sung by Mrs. Guerin and the Messrs. Howson. Madame Carandini evidently suffered from severe indisposition, but which did not prevent her making her best efforts to contribute her share to the evening's entertainment. The accompaniments were played on the organ by Mr. Johnson with great judgment; and on the whole the concert was highly creditable to his taste and industry. We hope it was as profitable as it deserved to be.
"MR. JOHNSON'S CONCERT", The Australian (17 October 1846), 3
http://nla.gov.au/nla.news-article37156552
This entertainment of Sacred Music was given under the patronage of His Excellency the Governor;
Lady Mary Fitz Roy; His Honor the Chief Justice; His Excellency the Commander of the Forces; the Right Rev. the Lord Bishop of Australia;
the Hon. the Colonial Treasurer; Mr. Justice Dickinson; and Mr. Justice Therry; in the Infant School Room, Castlereagh-street, on Wednesday evening last.
The weather was not very propitious for outgoers, nevertheless, the attendance was good within the room, with a fair, proportion of eaves-droppers without.
We now proceed to review these "things so charming" so highly calculated to raise the mind of man from the "things of this earth,"
and to enable us to dwell in the imagination - if but for a moment - in "the realms of bliss."
After the Overture to the "Messiah," Mr. J. Howson, sang Handel's sublime, soul-stirring composition of "Comfort ye my People," in a masterly style;
and executed with equal judgment and good taste the beautiful Air of "Every valley shall be exalted," which followed the Recitative.
If we felt disposed to find fault, we should say it was not accompanied in correct time;
this movement should have been played nearly half as fast again.
Mr. J. Howson also sang with exquisite feeling, "Lord remember David."
This elegant composition breathes throughout a soft melodious strain of humble piety, which, stealing on our senses, absorbs them in holy visions,
beyond the power of mortal eloquence to portray.
Mr. J. Howson appeared to enter fully into all the various expressions of devotion so ably delineated by the great master of sacred song,
and pathetically conveyed his feelings to the delighted audience.
Our observations on the masterly style of Mr. John Howson's singing, may with equal justice be applied to Mr. F. Howson.
This gentleman has a most beautiful barytone voice, of first-rate quality, as regards both clearness of intonation and distinctness of execution - his tones are mellow, sweet, and, flexible.
Tambourini and Phillips excepted, we pronounce him the best barytone singer in Europe;
and we are right glad to find the development of his vocal powers are beginning generally to be appreciated in this colony.
This talented artist sang the whole of the music allotted to him with true energy and expression worthy of his voice;
but the most finished singing we ever heard in Australia was his execution of Rossini's "Pro Peccatis" from his "Stabat Mater" - a sublime composition,
breathing throughout the strain, one linked sweetness of melody, originality of harmonious combinations, and religious fervour,
blended with pious humility, which could only emanate from an inspired mind, when the divine notes were committed to paper.
We have only to add, that Mr. Howson did justice to the composition; and would have excited admiration from Rossini himself, had he been present.
Mrs. Gibbs was in excellent voice, and sang, with extreme pathos, animation, great flexibility,
and correct intonation - particularly, we may mention the Aria, "But thou did'st not leave his soul in Hell;"
and Neukomm's "By the Waters of Babylon;" which was deservedly applauded.
It was "a palpable hit;" and but for the lateness of the hour, it would have been encored.
Mrs. Guerin (late Mrs. Stirling,) sang Novello's "Infant Prayer" very chastely. It was deservedly encored.
This lady sang, as far as the limit of her vocal capabilities empower her to do, with considerable expression and effect.
She, by nature, possesses that requisite for singing which no earthly master can give, namely - soul.
She sings and feels what she sings, without straining after difficulties beyond her reach.
If Mrs Guerin's physical powers had been equal to her good taste and delicacy of expression,
she would have thrown into the shade every soprano singer that has hitherto appeared in Australia;
and would certainly not be inferior to any Prima Donna in England.
Why was "I know that my Redeemer liveth," omitted - that glorious master-piece of Handel,
so admirably expressive of confidence in the clemency of a just and merciful God!
This sublime composition is assuredly "expressive of a mind inspired by the surest hope of a future state;
a mind that, bursting from the trammels of mortality, is already, in idea, partaking of beatitude."
This should have been given to Mrs. Guerin, who, even with her limited voice,
would, from her judicious mode of expression and excellent capability of entering into the composer's meaning, have done it justice.
Mr. Waller sang Handel's glorious, "For behold! Darkness shall cover the Earth;" and Pasiello's masterly "Fall of Zion," spiritedly.
Mr. Waller has a fine, mellow-toned bass voice, which, if it had been cultivated, would have qualified him to give effect,
and to do justice, to any composition. He is a good timist, and generally sings in tune; but his very defective articulation,
and (in particular instances,) more than imperfect intonation, resulting from his evident ignorance of the art of managing his voice, disqualify him for solo singing.
The vocal organs of the human voice are so beautifully and so wonderfully constructed, that in nine hundred and ninety-nine cases out of a thousand,
nature will point out to the singer the best method of producing, or rather, the proper channel through whose influence, the various qualities of tone are as it were created;
and any infringement on nature's direction for the creation of sound must occasion impurity of tone.
Here then is Mr. Waller's great stumbling block. He does not seem at all conscious that the tones of a bass voice should issue from the chest,
(what the Italians term the Voce di petto,) and that any attempt, with such quality of voice to produce sounds through the influence of the head -
distinguished as Voce di testa - would be almost as preposterous as expecting a horse to trot across the ocean on the surface of the water,
or setting a ship down on dry land to sail over the Blue Mountains!
Mr. Waller most frightfully disfigures nature, when he aims at artificial sounds - we mean those sounds which he produces,
so repugnant to the laws of melody, and so excruciatingly revolting to the ear of the unfortunate listner:
they are unearthly sounds - not such us we read of in Shakspeare, Pythagoras, and others, as being produced by the spheres above,
but more like sounds we might imagine from the Tartarean Palace below.
We have no desire to be severe on Mr. Waller. His voice is good, as we before observed, and, at this remote,
distance from England, invaluable to join in chorus; but we hope he will never again attempt to sing a solo, unless he sings so low that we may not hear him.
Madam Carandini, who has only just recovered from severe indisposition, sang with much sweetness and correctness of intonation - "Angels ever bright and fair."
Her execution of this air elicited from the enraptured audience a general encore -
not from any display of science, for she has no pretensions to the least knowledge of the art of singing,
on the contrary, she is quite untutored - but from the mere intrinsic beauty of her voice.
Tosi, an old Italian singing master, who wrote on the science more than 200 years ago, wisely remarks that it requires a hundred requisites to make a singer;
but he who has a good voice is already in possession of ninety nine of them.
Madam Carandini is indeed in full possession of the ninety-nine, for she has a most delicious voice, whose mellifluous tones must command delight.
In conclusion, we have to observe, that all the concerted pieces were admirably well sung;
the chorusses were also (with the exception of the "Hallelujah Chorus"), well and spiritedly performed, both by the organist and the singers.
The young gentlemen sang in good time and tune;
but however we may admire the tones of the organ, the building of which reflects great credit on Mr. Johnson (who is himself no mean musician),
we hope the next selection of Sacred Music, will have the advantage of a proper Orchestra.
An efficient band on such occasions is indispensable.
ASSOCIATIONS: Antonio Tamburini (Italian vocalist); Henry Phillips (English vocalist); Pier Francesco Tosi (Italian vocalist); the reviewer was probably Isaac Nathan
[Advertisement], The Sydney Morning Herald (2 April 1847), 1
http://nla.gov.au/nla.news-article28648816
FOR SALE, A GRAND PIANOFORTE, A DOUBLE ACTION HARP, AND A SERAPHINE.
THE Pianoforte is by the celebrated firm of Zeitler and Company, constructed on a new principal,
the soundboard being supported by elastic wooden arches, therefore warranted to possess superior sonorous properties,
and like the violin to improve by use; in addition to which, it has a repetition action,
and all the most modern improvements, and is in every respect perfectly in order.
The Harp is by Eratt [sic, Erard], of London, and a very sweet instrument.
These instruments can be seen by applying to Mr. W. J. JOHNSON, Organist of Christ Church, 53, Pitt-street South.
ALSO, A VERY FINE TONED SERAPHINE.
[Advertisement], The Sydney Morning Herald (4 May 1847), 1
http://nla.gov.au/nla.news-article12894480
WANTED, for the Choir of St. James's Church, Adult Singers.
Apply to the Organist, Mr. JOHNSON, 48, Horbury Terrace, Macquarie-street. May 3.
11 May 1847, death of Ellen Johnson ("aged 50")
"DIED", The Sydney Morning Herald (12 May 1847), 3
http://nla.gov.au/nla.news-article12897185
On the 11th May, Ellen, the wife of Mr. James Johnson, Organist of St. James's Church.
[Advertisement], The Sydney Morning Herald (6 January 1848), 1
http://nla.gov.au/nla.news-article12895190
PIANOFORTE TUNING AND REPAIRING -
Mr. W. J. JOHNSON, (Organist of Christ Church, St. Lawrence,)
begs to inform Lsdies and the public generally that he has made arrangements by which, from this date,
he will be able to give prompt and immediate attention to any orders that he may be honoured with in the above branches of his profession.
He therefore solicits a portion of their kind patronage.
Orders left at either of the following Stationer's will be at once attended to, viz.-
Mr. Moffitt, Pitt-street.
Messrs. W. and F. Ford, George-street.
Messrs. Kern and Mader, Hunter-street.
Sydney, January 1.
P.S. - Charges as usual.
ASSOCIATIONS: William Moffitt (book and musicseller); William and Frederick Ford (booksellers); Kern and Mader (booksellers)
"NEW INSOLVENTS", The Sydney Morning Herald (12 June 1848), 3
http://nla.gov.au/nla.news-article12914056
William Jonathan Johnson, of the city of Sydney, organ builder.
Debts, £463 3s. 9d. Assets - personal property, £258; landed property, £10;
good debts, £67 18s.; and a doubtful debt, £1 1s. 6d.
Balance deficiency, £116 4s. 3d. -
Official Assignee, Mr. George King.
[Advertisement], The Sydney Daily Advertiser (13 June 1848), 3
http://nla.gov.au/nla.news-article253058405
NOTICE OF REMOVAL.
MR. W. J. JOHNSON, Organist of Christ Church,
begs to notify that he has removed his Organ Manufactory to his former workshop,
Flood's Lane, Sussex-street South.
Orders for tunings, &c., left at Messrs. Kern and Maders, stationers, Hunter-street;
or Mr. Moffitt's, stationer, will be promptly attended to.
[Notice], New South Wales Government Gazette (16 June 1848), 757
http://nla.gov.au/nla.news-article230131534
In the Insolvent Estate of William Jonathan Johnson, of Sydney, organ builder.
WHEREAS the Estate of William Jonathan Johnson was, on the tenth day of June,
1848, placed under sequestration by order of His Honor Mr. Justice Manning,
I hereby appoint a first meeting of the Creditors of the said Insolvent, to be holden before me, at my Office,
Supreme Court House, Sydney, on Thursday, the twenty-second day of June instant, to commence at 11 a. m.,
and end at noon, for the proof of debts against the said Estate, and a second meeting to be holden before me,
at the same place, on Monday, the twenty-sixth day of June instant, to commence at 11 a. m. for the like purpose,
and for the election of a Creditor's Assignee) if required. - Sydney, 14th June, 1848.
WILLIAM A. PUREFOY,
Chief Commissioner of Insolvent Estates.
Official Assignee - George King.
[Advertisement], The Sydney Daily Advertiser (5 July 1848), 3
http://nla.gov.au/nla.news-article253059446
MR. W. J. JOHNSON, Organist of Christ Church,
begs to notify that all orders for tuning pianofortes, left at his residence, 86, Castlereagh-street,
or Mr. Moffitt, stationer, Pitt-street, or Messrs. Kerne and Madden's [sic] Hunter-street, will be promptly attended to.
"SYDNEY CHORAL SOCIETY", The Sydney Morning Herald (21 July 1848), 2
http://nla.gov.au/nla.news-article12903764
On Wednesday evening last, visitors were again admitted to the practice of this Society, being the second time within the last two months. The programme consisted chiefly of the compositions of the great masters, Handel, Haydn, Beethoven, and Mozart. There was also a judicious selection from the cathedral services of Smith, of Dublin, which, consisting of alternate verse, and chorus, formed a pleasing contrast with the more ponderous choruses of the Messiah. The whole was executed in a manner that would have done credit to musicians much more experienced than the members of the Sydney Choral Society. The organ accompaniments were by Mr. James Johnson, the indefatigable conductor. It may be new to some of our readers that this Society was formed with the twofold object of furnishing volunteer choirs for the parish churches of Sydney, and of cultivating a taste for really good music, and in both these objects we believe the Society has been eminently successful.
[Notice], New South Wales Government Gazette (18 August 1848), 1043
http://nla.gov.au/nla.news-article230149429
In the Supreme Court of New South Wales.
In the Insolvent Estate of William Jonathan Johnson, of the City of Sydney, in the Colony of New South Wales, organ builder.
NOTICE TO CREDITORS. NOTICE is hereby given, that I, the abovenamed William Jonathan Johnson,
intend to apply to the Chief Commiasioner of Insolvent Estates, at Sydney, on Thursday, the twenty-first day of September now next ensuing,
that a certificate be granted to me . . .
- WILLIAM JONATHAN JOHNSON.
SUPREME COURT. SOLVENCY JURISDICTION. WEDNESDAY", The Sydney Daily Advertiser (28 September 1848), 2
http://nla.gov.au/nla.news-article253059658
On the motion of the Chief Commissioner, the following insolvents' certificates were confirmed: . . . and William Jonathan Johnson.
Sydney in 1848, illustrated by copperplate engravings of its principal streets, public buildings, churches, chapels, &c. from drawings by Joseph Fowles (Sydney: J. Fowles, [1848-50]), 28-29
https://collection.sl.nsw.gov.au/record/74VKV8kZWp0d/jAjRK7xqVeqV3 (No. 6 page 28 - DIGITISED)
https://collection.sl.nsw.gov.au/record/74VKV8kZWp0d/qBwdJkJd64Ve0 (No. 7 page 29 - DIGITISED)
. . . St. James's Church is a building of considerable dimensions, the foundation of which was laid on the 7th October, 1819 . . . There is a well toned and powerful organ, and an excellent choir [29] under the direction of Mr. James Johnson, to whom the Colony is indebted for the first introduction of this branch of music. The Choral Society, mentioned above, owes its origin to the meetings originally held for practice for the service of this Church.
ASSOCIATIONS: Joseph Fowles (artist, author); the work was originally published as a periodical in 20 parts beginning in July 1848 and continuing into 1850
"MECHANICS' SCHOOL OF ARTS, SYDNEY", The Courier [Hobart Town, VDL (TAS)] (28 February 1849), 2
http://nla.gov.au/nla.news-article2966624
President of this Institution is Dr. Nicholson, M.L.C. There are four vice-presidents, a treasurer, four auditors, and eleven members of Committee. They are all elected by ballot. The use of the library, containing 1,212 works in 3,722 volumes, the use of the reading-room, the benefits of lectures, and other privileges of membership, are obtained upon the payment of an annual subscription of sixteen shillings, and half that sum to the sons, or any male relatives, of members. The formation of four instruction classes has been arranged, and the three first are in actual operation. A class for mutual instruction, fee 1s. per quarter; one for the study of drawing, under C. Rodius, Esq., fee 5s. per quarter; one for the study and practice of vocal music, under James Johnson, Esq., fee 6s 6d. per quarter; and another for mathematics, &c., under J. M. O'Brien, Esq., fee 2s. 6d. per quarter. There were 476 yearly members, and 51 life members. Total 527.
ASSOCIATIONS: Charles Nicholson (president); Charles Rodius (drawing master)
[Advertisement], The Sydney Morning Herald (26 May 1849), 3
http://nla.gov.au/nla.news-article12912789
MECHANICS' SCHOOL OF ARTS.
MEMBERS of this Institution are informed formed that a
MUSIC CLASS, in two sections, has been established, and is now in operation.
Section I. For the study and practice of Vocal Music, under the management of James Johnson, Esq.
Section 2. For the practice of Instrumental Music, under the management of J. P. Deane, see., Esq.
Members of the Institution are admitted to the Music Class on payment of 6s. 6d. per quarter in advance,
which fee will entitle them to the privileges of either or both sections.
The Music Class has been established with a view of giving Monthly Concerts,
to which other Members of the Institution will also be admitted on payment of 6s. 6d. per quarter in advance,
and have the privilege of introducing one Lady, being a member of his family.
The sons, or other male relatives of the Members of the Institution being of the age of ten to seventeen years,
are admitted to this class of students on payment of 8s. per annum, in addition to the class fee.
Members desiring to secure tickets for the Concerts are requested to append their names to the line in the hands of the Librarian,
of whom any further information can be obtained.
May 18.
[Advertisement], The Sydney Morning Herald (12 December 1849), 3
http://nla.gov.au/nla.news-article12909212
PIANOFORTE FOR SALE.
A FINE TONED, 6 octave Cabinet Pianoforte, in perfect order, warranted sound, and to be seen at
W. J. JOHNSON'S, Pianoforte Manufactory, 314, Pitt-street, near King-street.
PIANOFORTES TUNED, REPAIRED, AND REGULATED
on moderate terms, by first-rate workmen from Messrs. Broadwood's.
[Advertisement], The Sydney Morning Herald (6 July 1850), 1
http://nla.gov.au/nla.news-article12919263
NEW MUSIC. JUST RECEIVED, ex Bank of England,
by W. J. Johnson, Pianoforte Manufacturer and Importer of Music and Musical Instruments,
now on view at his Rooms, 314, Pitt-street, near King-street.
One large Gothic Harp, by Erard
One rosewood Semi-Cabinet Pianoforte, by d'Almain and Co.
One superior GUITAR, new system, with 9 strings
One Cornopean (cortean pattern)
One very superior VIOLIN
(From the celebrated Houses of Cramer and d'Almain.)
Consisting of all the newest and favourite Songs, Duets, Polkas, Quadrilles, Waltzes, &c.
Also, One second-hand 6 octave SEMI-GRAND
PIANOFORTE, by Broadwood
One ditto 6 1/2 Cottage Pianofotte, by Lyons
One ditto 6 octave Square Pianoforte, by Kirkman.
PIANOFORTES TUNED AND REPAIRED.
[Notice], New South Wales Government Gazette (26 July 1850), 1104
http://nla.gov.au/nla.news-article230043962
In the Insolvent Estate of William Jonathan John son, Tale of the Surry; Hills, Sydney, organ builder.
NOTICE is hereby given that a second plan of distribution in this Estate, shewing a dividend of 1s. 3 3/4d. in the pound,
upon all claims proved, now lies at my Office . . .
[Advertisement], The Sydney Morning Herald (25 October 1850), 3
http://nla.gov.au/nla.news-article12922001
FINGER ORGAN. FOR SALE, a Finger Organ, suitable for a small Church -
built by Davis, London, and contains six stops.
The organ may be seen at the rooms of the undersigned,
W. J. JOHNSON, 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (11 November 1850), 3
http://nla.gov.au/nla.news-article12922451
PARENTS AND GUARDIANS. - An apprentice wanted to learn the business of a Pianoforte maker.
Apply (pre-paid) to Mr. W. J. Johnson, Pianoforte manufacturer, 314, Pitt-street, Sydney.
[Advertisement], The Sydney Morning Herald (18 February 1851), 3
http://nla.gov.au/nla.news-article12924881
MR. W. J. JOHNSON, will be at Bathurst on Thursday, the 20th instant, for the purpose of tuning Pianos.
All communications left with Mr. Josiah Parker, Chemist, will be attended to;
and where, from a large stock of New Music, just arrived from Europe, may be selected
Songs, Duets, Polkas, Schottishes, Gallopes, Quadrilles, Instruction Books, &c., &c.
[Advertisement], The Sydney Morning Herald (31 July 1851), 1
http://nla.gov.au/nla.news-article12929079
PIANOFORTES, HARP, AND NEW MUSIC.
FOR SALE, by the undersigned 2 6 3/4 octave rosewood semi-cottage Pianofortes
1 Second-hand square ditto
1 Harp, double action, strings, &c.
Together with a stock of classical music, consisting of
Pianoforte pieces, Songs, Quadrilles, &c., among which will be found
QUADRILLES. The Queen of May, Birthday, Hungarian, Minstrel, La Prophete, Robin Goodfellow.
WALTZES. - Giulietta, Crusaders, La Pluie de Perles, La Sicillienne, &c., &c.
SONGS. Gentle Bertha, Say thou wilt roam, Jeanie and Donald, &c., &c., &c.
W. J. JOHNSON, 314, Pitt-street.
N.B. Instruments repaired and tuned in the best manner.
[Advertisement], The Sydney Morning Herald (27 May 1852), 1
http://nla.gov.au/nla.news-article12937092
ESTABLISHED 1836.
Pianoforte Manufactury, 314, Pitt-street, near King-street.
THE undersigned has just received a large and varied stock of the most brilliant toned Pianofortes.
Also, 1 of the celebrated TRANSPOSITION Pianofortes, which attracted the favourable notice of the musical public at the Great Exhibition.
W. J. JOHNSON, 314, Pitt-street.
NEW MUSIC. Consisting of Polkas, Waltzes, Quadrilles, Songs, Duetts, Pianoforte pieces, &c.
REPAIRING AND TUNING. W. J. J. having been practically acquainted with the manufacture of Pianofortes for the last 25 years,
can undertake to repair instruments in the most perfect manner.
Wanted, a Boy to attend the Music Room. Apply between the hours of 9 and 10 o'clock in the morning.
[Advertisement], The Sydney Morning Herald (25 August 1852), 4
http://nla.gov.au/nla.news-article12939492
. . . MR. MORT has received instructions to sell by public auction,
at his Rooms, Pitt-street, (per his agent, Mr. THOMAS PLATT), on THURSDAY, 26th August, at 11 o'clock . . .
MAHOGANY PICOLO PIANOFORTE, by W. J. Johnson . . .
[Advertisement], The Sydney Morning Herald (5 February 1853), 5
http://nla.gov.au/nla.news-article28643732
MUSICAL REPOSITORY, 314, PITT-STREET, Three Doors from King-street.
CHURCH ORGAN. FOR SALE, by the undersigned, a Church Organ,
consisting of two complete rows of keys, and an octave and half of pedals,
three (3) composition pedals, Venetian swell, patent percussion valve to steady the wind,
double feeder to bellows, with two actions (viz.), for the hand and foot, with the following stops.
Great Organ.
1 Open Diapaison [diapason]
2 Stopped ditto
3 Clarabella
4 Dulciana
6 Flute
6 Cremona
7 Principal
8 Fifteenth
9 Twelfth
Swell Organ.
1 Open Diapaison
2 Stopped ditto
3 Principal
4 Hautboy
CHOIR BASS
1 Stopped Diapaison
Size about 8 feet wide, 5 feet deep, 14 feet high.
PIANOFORTES.
W. J. Johnson and Company beg to call the attention of the Musical Public to their splendid assortment of Pianofortes, just landed,
consisting of one very beautiful VICTORIA BOUDOIR, GRAND SQUARE COTTAGE BICHORD and SEMI-GRAND, by Collard and Collard.
Also, One very superior second-hand 6 octaves Rosewood Cottage Piano, by " Metzler,"
These are good and serviceable instruments.
MUSIC STOOLS. 1 Case of Rosewood Music Stools, various fashions.
FLUTINAS. 1 Case of Flutinas, Egyptian finish, the best ever imported.
CONCERTINAS. 1 Case of Concertinas, the only instruments of full compass in the city.
NEW MUSIC.Consisting of Pianoforte Pieces, Dance Music, Songs, and Vocal Duets, &c.,
by Roselin, Blumenthal, Oeston, Gottschalk, Osbourne, Russell, F. Kücken, Glover, &c., &c.
Instruments tuned and repaired.
NEW POLKA AND SCHOTTISCHE, In the Press, and will be published on Tuesday, the 8th instant, at W. J. Johnson and Co.'s Music Repository, 314, Pitt-street.
The Biological Polka, composed by C. W. Harwood, and dedicated to Mr. Daly;
also, the Electro-Biological Schottische, by Mr. Edward Deane,
with critiques from Mesmeric Observer Daily [Daly) News, Electro-Biolological Journal, Virginian Gazetteer, and Electric Telegraph.
W. J. JOHNSON AND Co., Music Publishers, 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (6 April 1853), 3
http://nla.gov.au/nla.news-article28643944
JEPHTHA'S DAUGHTER and Lungi dal Caro Bene -
the two songs so unanimously received with enthusiastic marks of approbation on Monday last at St. Mary's Choral Society -
as sung by Mr. Palmer - are now published, 2s. each;
with Angels ever Bright and Fair, - The Lord's Prayer, - The Names of Christ, -
and all Mr. Nathan's works.
At W. J. JOHNSON's Music Warehouse, 314, Pitt-street.
ASSOCIATIONS: Isaac Nathan (composer); W. J. Palmer (vocalist); St. Mary's Choral Society (association)
[Advertisement], The Sydney Morning Herald (31 May 1853), 1
http://nla.gov.au/nla.news-article12946298
GRAND EUPHONICON PIANOFORTE.
THE undersigned, having been intrusted with the sale of the above instrument,
begs to call the attention of the public to its beautiful design,
and entire new principle, compass seven octaves, C to C.
This is the first that has been received in this colony, and also the only one that has the above compass.
W. J. JOHNSON, Musical Repository, 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (2 July 1853), 1
http://nla.gov.au/nla.news-article12946985
ST. JAMES' GRAMMAR SCHOOL.
Under the patronage and direction of the Lord Bishop of Sydney.
The Rev. THOMAS DRUITT - Head Master . . .
Singing, Mr. Johnson . . .
This school will re-open on Monday, the 11th instant . . .
ASSOCIATIONS: Thomas Druitt (cleric)
[Advertisement], The Sydney Morning Herald (14 October 1853), 1
http://nla.gov.au/nla.news-article12949554
BARREL PIANOFORTES. FOR SALE by the undersigned,
a few of the celebrated barrel pianos, playing quadrilles and waltzes.
W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], Empire (8 December 1853), 8
http://nla.gov.au/nla.news-article60147069
METROPOLITAN BUILDING SOCIETY . . .
DIRECTORS - Messrs. David Jones, George-street, Chairman . . .
Trustees - . . . William Jonathan Johnson, Pitt-street . . .
[Advertisement], The Sydney Morning Herald (18 July 1854), 1
http://nla.gov.au/nla.news-article12954968
TO ORGANISTS. - Required for the Sydney Choral Society, an Organist.
Applications to be addressed to Mr. JAMES JOHNSON, 3B2, Terry's Buildings, Pitt-atreet.
[Advertisement], The Sydney Morning Herald (31 August 1854), 1
http://nla.gov.au/nla.news-article12951762
LOST, a Printed Receipt Book, containing the description of pianos hired from W. J. Johnson.
Whoever will bring it to the Musical Repository will be rewarded for their trouble.
W. J. JOHNSON and CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (12 September 1854), 1
http://nla.gov.au/nla.news-article12952953
W. J. JOHNSON and CO., 57 (late 314), Pitt-street, Importers of Music and MusicaI Instruments,
beg to call the attention of the musical public to their-large stock of Pianofortes, Music, and Musical Instruments.
The present stock of pianofortes consists of Grands, Boudoirs, Squares, Cottages, Semi-Cottages, and Cabinets;
by COLLARD AND COLLARD, BROADWOOD, CADBY, STODART, LAMBERT, OETZMAN AND PLUMB, and HOLDERNESS.
HARMONIUMS, To arrive, per Maria Adriana, consisting of every variety of ALEXANDRE ET FIS' best instruments,
with every modern improvement, from 3 to 18 stops, with the percussion movement, and the expression upon every key, which renders the
tone more even, and removes the objection of the bass over-powering the treble.
ACCORDEONS and FLUTINAS, From 7s. each to three guineas.
Purchasers requiring good instruments will find it to their advantage to purchase them of Johnson and Co.,
as they can sell them at a much lower figure than any other house in Sydney.
GUITARS, From two to ten guineas each.
Cornopeans, Sax-Tubes, Bass and Double Bass, by Henry Distin, London.
Flutes, with one to eight keys, from 10s. to 90s. each.
MUSICAL BOXES, With drum and bell accompaniment, and others, from 4 to 8 airs,
playing all the most popular airs, including Ethiopian melodies and sacred tunes.
[manicule] Violin, Viola, Violincello, Bass, and Harp Strings, Bridges, Pegs, Tailpieces, Bows, &c., &c.
MUSIC STOOLS and WHATNOTS, Consisting of the most elegant designs, and of the greatest variety, and all the latest improvements.
MUSIC. Just received, a large assortment of the most fashionable and popular music.
Instruction Books for the Pianoforte, 2s. 6d. each; Jousses' Bound Book, 3s. 6d.; Czerney's, 5s.
Flutina Instructions, 2s, 6d. each.
Operatic Gems, from all the popular works of the great masters with a bcuutifully executed likeness of the authors of each.
DUETTS. Among which will be found Latour's "O Dolce Concento," The Rats' Quadrilles, Hallelujah Chorus, &c., &c.
RUSSELL'S SONGS. Cheer Boys Cheer, The Slave Sale, &c., &c., &c.
NEW PUBLICATIONS. The War Galop, 2s. 6d. each; Lindley's Song, The Last Meeting;
The Bazaar Waltz; Prima Donna Waltz; Fancy Ball Polka;
song, Old Folks at Home; May Day;
Talexy's Mazurka Brilliante, companion to Osborn's Pluie de Perles.
All D'Albert's Dance Music.
Instruments tuned, removed, repaired, and lent on hire.
W. J. JOHNSON and CO., 57, Pitt-street, near King-street.
N.B. - The trade liberally treated. [manicule] Country orders promptly attended to,
and all music sent to any part of the colony upon paying the postage.
"MR. JOHNSON'S SECOND FESTIVAL OF SACRED MUSIC", Freeman's Journal (3 May 1856), 3
http://nla.gov.au/nla.news-article115560674
The public owes much to the zeal, energy, and refined taste of Mr. W. J. JOHNSON.
We enjoyed a treat on Thursday evening last, which we shall never forget.
It is to us a source of much regret that we may not - on account of our limited space - indulge at much length in the expression of our delight -
revel in recalling and recording those witching or brilliant passages, which enchanted or entranced our soul on that memorable evening.
We must. however, make a few remarks.
In Part the 1st. from Haydn's "Creation" - which we regret was not Part III.* - Madame Anna Bishop in the solo "With Verdure Clad" (which was encored), electrified the house.
Nothing can be conceived more perfect than the wonderful precision with which she kept time.
In her "Angels Ever Bright and Fair" (also encored), she added to her magic influence over the audience.
Miss Flora Harris deserves more than a complimentary mention, did our space permit it.
She has a really sweet voice, and is every day correcting the little defect of "sliding" one note into another, which we formerly pointed out.
She is, moreover, a sweet enthusiast, and consequently throws telling expression into her pieces.
The choruses were very successful, although the bass was somewhat weak.
Of Mr. Johnson as a Conductor - and Mr. Packer as an Organist - it would be superfluous to offer a word of praise.
The "Hallelujah" chorus seemed to us a partial failure - perhaps because we had hoard it so splendidly executed by St. Mary's choir on Easter Sunday.
* Our objection to the order of the Programme is founded on the principle which guides us at table - to have the heavier dishes first and the lighter afterwards.
This rule, we maintain, applies equally to aesthetics as to banquets.
Handel is sublime and massive; Mendelssohn florid and quaint; Haydn light and etherial -
a brilliant gleam of the purest light of genius that ever irradiated the world.
We think the order on Thursday evening should have been the very opposite of what it was.
But after all this is only a trifling matter.
ASSOCIATIONS: Anna Bishop (vocalist); Flora Harris (vocalist); Charles Sandys Packer (accompanist)
"SYDNEY CHORAL SOCIETY", The Sydney Morning Herald (9 June 1857), 4
http://nla.gov.au/nla.news-article12996677
The annual general meeting of the members of this Society was held last evening, at St. James' Infant School-room, Castlereagh-street.
Mr. James Johnson occupied the chair.
He expressed his regret to see so small an attendance,
and stated that the great object for which they had assembled was to endeavour to induce members to take a more lively interest in the welfare of the Society,
and to attend more regularly than they had done of late.
This Society had been in existence for 12 years, and had always encouraged good music;
and this he hoped it would continue to do as long as it existed.
The Secretary then read the report, which was as follows: . . .
During the past year, in addition to the selections from the "Messiah," "Creation," anthems and church services,
and the secular concerts consisting of madrigals and glees, from the writings of the old Masters,
the whole of the Dettingen Te Deum, and the greater portion of "Judas Maccabeus," have been performed;
a proof that the Society has not failed in one of the objects for which it was established, the encouragement of good sacred and secular music,
and if any proof were wanting, it may be seen in the fact that two other societies, one of them the offspring of this,
have arisen in the city for the cultivation of the same object . . .
Mr. Hemming moved "That the following gentlemen do constitute the committee for the current year:
President, Rev. W. H. Walsh; honorary secretary, Mr. James Johnson;
honorary treasurer, Mr. S. S. Ussher; librarian, Mr. S. F. Ward;
Mr. Colley, Mr. Hemming, Mr. Hurford, Mr. W. J. Johnson, Mr. J. V. Lavers, Mr. Woolford." . . .
ASSOCIATIONS: William Horatio Walsh (member); Samuel James Ussher (member); Seth Frank Ward (member); Edwin Colley (member); William Hemming (member); Henry Robert Hurford (member)
"SYDNEY CHORAL SOCIETY", Empire (9 June 1857), 5
http://nla.gov.au/nla.news-article64982686
The annual general meeting of the members of the Choral Society was held last evening in St. James's Sobool-room, Castlereagh-street, over which Mr. J. Johnson presided. There was a fair attendance, and after a few remarks from the Chairman, Mr. Usher, the secretary, read the report for the year. It was not so encouraging a document as could have been desired, but we trust, nevertheless, that the society will take courage, and strive to attain excellence . . . Mr. Usher having resigned tho secretaryship, Mr. J. Johnson was appointed in his place. After the business of the meeting was over, the members commenced to practice, and when we left, there was quite a number of people standing outside listening to the fine harmony evoked from the well trained voices.
"SYDNEY VOCAL HARMONIC SOCIETY", The Sydney Morning Herald (15 January 1859), 4
http://nla.gov.au/nla.news-article13013562
The committee of this Society issued an invitation to the musical amateurs of Sydney to join in a preliminary practice, on Thursday evening, at the Castlereagh-street Schoolroom. We are happy to state that this invitation was most numerously accepted, and upwards of two hundred vocalists responded to the call. It was understood that the invitation was a general one, so that we cannot say that all that were present were members of the new Society, but so much enthusiasm was manifested that it was evident that the Society will not want for lack of trained voices. The result of the experiment fully bore out what has frequently been asserted, that there is an extraordinary amount of latent musical talent in this city. All that is wanted is for some society, founded on a broad basis, to combine the "fortuitous combination of atoms" which assembled on Thursday night. The musical people present seemed to be fairly astonished at the ease and comparative correctness with which some hundred and fifty singers, casually assembled, not knowing what choruses were to be performed, took up the difficult choruses of the Messiah, and sang them off at sight. Of course there were many defects, many timid voices that relied for support on some sturdy veteran that happened to stand near them, but the steady and practised singers were so numerous that they fairly carried the deficient ones along with them, and the total effect was decidedly grand and thrilling. The various parts wore well filled, the basses being particularly strong, numbering nearly forty, and, although this was a practice of only private individuals, we are sure we shall be allowed, for the sake of encouraging the cause of popular music, to mention the names of some of the gentlemen we noticed as taking part with all their hearts in the chorus. Among the basses were the Hon. F. L. Merewether, Charles Nathan, Esq., President of the Society, the Rev. Canon Walsh, Mr. James Waller, formerly well known here as an amateur bass singer, Mr. Wood, and Mr. Lavers, of the Christ Church choir, Mr. Mac Donnel, and many others with whose names we are unacquainted. The other parts were also well supported, the treble part being the weakest, apparently from want of confidence, although we were pleased to see about twenty ladies and several boys come forward to sustain the leading part. If two or three steady and practised soprano voices could be obtained to lead with courage and spirit, there is an ample body of treble voices available for choruses of great power. There were many more singers present than could be accommodated with standing room on the platform, or than could be provided with music, so that the real strength of the choral body was not developed till after the conclusion of the "Hallelujah" chorus, when, at the impromptu suggestion of the Secretary, the whole body sang with grand effect the notes of the 100th psalm. This terminated a very delightful evening, which must have recalled to many that were present the musical triumphs of Exeter Hall and the societies in England. Mr. Cordner officiated as conductor, and Mr. James Johnson very kindly accompanied on the organ. The programmes of future performances will always be arranged by the committee, and never deviated from.
ASSOCIATIONS: Francis Merewether (vocalist); Charles Nathan (vocalist); James Waller (vocalist); Sydney Vocal Harmonic Society (association)
"DEATH OF MR. JAMES JOHNSON", The Sydney Morning Herald (14 April 1860), 13
http://nla.gov.au/nla.news-article13039273
We are sure that our readers will learn with deep regret, that this universally esteemed gentleman died yesterday afternoon, at his residence in Pitt-street. On Wednesday, the 4th instant, he was riding a vicious buck jumping horse, which was let out for hire at Manly Beach, when he was thrown violently over the head of the animal, and fell upon his elbow. Being a stout, heavy man, he suffered a compound fracture of the arm, which, from the first, assumed a serious aspect. Inflammation rapidly set in, rendering it impossible to set the fractured limb; ultimately the wounds suppurated, and the virus becoming absorbed into his system, caused his deeply lamented death. It is superfluous to say that Mr. Johnson had the best medical aid that the colony could afford [Charles Nathan], and that the sympathy and condolence of an unusually large circle of attached friends alleviated his last illness. He had filled the situation of organist at St. James's Church for twenty-four years, and conducted the important part of public worship which fell to his charge, with most becoming reverence, great musical ability, and undeviating punctuality. By the congregation at St. James' he will, we are sure, be much regretted. He also held the office of assistant secretary at the Benevolent Asylum for many years, a position where his business habits, his long experience, and unflinching rectitude, were of great public service. The musical circles of Sydney have lost a warm supporter in Mr. Johnson, who was the founder of the Sydney Choral Society, and lost no opportunity of promoting the art of which he was an enthusiastic admirer, and a sound and skilful professor. Indeed, it may be said that he had the high honour of being the father of choral singing in Australia.
"DEATHS", The Sydney Morning Herald (21 April 1860), 4
http://nla.gov.au/nla.news-article13039583
JOHNSON - April 13th, at his residence, Pitt-street, Sydney, Mr. James Johnson, aged 57.
[Advertisement], The Sydney Morning Herald (26 April 1860), 1
ttp://nla.gov.au/nla.news-article13039792
THE LATE Mr. JAMES JOHNSON. -
Resolution unanimously carried by the General Committee of the Benevolent Society of New South Wales,
at a special meeting held on the 20th April, 1860.
"The Committee of the Benevolent Society has learnt with feelings of deep regret the melancholy intelligence of the sudden decease of their late much respected assistant secretary, Mr. James Johnson.
They cannot allow the sad occasion to pass without recording the sense entertained of the zealous and efficient services which he rendered to the institution during the long period of twenty years that he was connected with it."
- GEORGE ALLEN, honorary secretary.
[Advertisement], The Sydney Morning Herald (1 April 1862), 2
http://nla.gov.au/nla.news-article28623099
SAINT PAUL'S COLLEGE CHAPEL CHORAL UNION.
Sydney, Eve of the Presentation of Christ in the Temple, 1st February, 1862.
To WILLIAM J. JOHNSON, ESQ. - We, the undersigned, who either are, or have been members of the St. Paul's College Chapel Choral Union,
beg leave to express our regret that you have withdrawn from us your valuable services as Organist and Choir Master.
In parting, we all feel that we ought not to do so without tendering our best thanks for the very kind manner in which you have presided over us during our connection together for the purpose of celebrating the Choral Service of our Church,
according to the custom followed in the Cathedral Churches and Collegiate Chapels in our native country, and hitherto unpractised in this colony;
and for the willing information, assistance, and co-operation we have always received from you, even at the sacrifice of personal convenience and pecuniary cost.
The value of those services we cannot repay, but we can, and do trust, that the example you have set will stir up the spirit of many others to set forth the praises of our Creator and Redeemer,
to the best of their means and ability, and we cannot refrain from expressing our desire,
that we may have the pleasure of seeing you performing a like office in the Cathedral Church of Saint Andrew, in this city.
We earnestly hope, that health, happiness, and prosperity may be your future lot and that of your family,
and that your work of love may be accepted of Him whose approbation we all desire.
Henry J. Hose, M.A., Warden of St. Paul's College and President of the Choral Union
W. Tonson, E. Haviland, Librarian, and Secretary to the Choral Union.
James Morey,
Robert Johnson, Fellow of St. Paul's, and Vice-President of the Choral Union.
Richard Johnson, Fellow of St. Paul's, and Treasurer to the Choral Union.
W. A. Paul, George Arthur Vaughan, Seth F. Ward, Joseph Cook,
Montagu R. Younger, H. K. Smith, H. Stephen, James Phypers,
W. Hemming, G. Spanswick, A. J. Gastan, G. Best,
A. E. Gaston, Frank Smith, James William Johnson, M.A., Sydney,
J. William Brookes, John Morris, J. T. Read, George R. Hirst, R. Peel Raymond.
REPLY. To the Rev. Henry J. Hose, M.A., and the other members of St. Paul's College Chapel Choral Union.
Gentlemen, - In reply to your kind and generous expression of my services in connexion with St. Paul's College Choral Union,
I beg to assure you that it has given me sincere pleasure and gratification to find that my very humble ability has been so favourably esteemed by those whose approbation I so much value,
Church music has always been my primary object in musical matters, and if I have been in the smallest degree the means of enlivening the devotion of any,
I am heartily thankful to Him, from whom alone come all good gifts.
Sincerely thanking you for your kind wishes towards myself and family, and trusting that a devout love for the Choral Service of our Church may daily increase,
I remain, dear Sirs, yours faithfully,
W. J. JOHNSON.
ASSOCIATIONS: Henry Judge Hose (member); Montague Younger (member); James Phypers (member); St. Paul's College Chapel Choral Union (association)
"NOTICE OF DISSOLUTION OF PARTNERSHIP", New South Wales Government Gazette (28 October 1864), 2441
http://nla.gov.au/nla.news-article225360295
THE Partnership formerly existing between us, the undersigned,
William Jonathan Johnson and Abraham Emanuel, as pianoforte and music sellers,
carried on in Sydney under the style or firm of "W. J. Johnson & Co.,"
was dissolved on the 30th day of September last, by effluxion of time. - Sydney, 27th October, 1864.
W. J. JOHNSON.
A. EMANUEL.
ASSOCIATIONS: Abraham Emanuel (business partner)
"DEATHS", The Sydney Morning Herald (5 October 1866), 1
http://nla.gov.au/nla.news-article13139268
On the 3rd instant, at his residence, Erskineville, Newtown, WILLIAM J. JOHNSON, Esq., organist of Christ Church from the day of its consecration, aged 55 years.
"THE LATE MR. W. J. JOHNSON", The Sydney Morning Herald (5 October 1866), 4
http://nla.gov.au/nla.news-article13139302
Our readers, and especially those who take an interest in the cultivation of music will read with much regret of the death of Mr. William J. Johnson. This talented gentleman for thirty years pursued the duties of his profession in our midst, and in his department of life has rendered valuable service to the community. On Wednesday evening last after a lingering and painful illness, he died at his residence, Erskineville Road, Newtown. Mr. Johnson came to this colony in company with an elder brother (also an accomplished musician) in the early part of 1836. He brought I with him the result of careful training and diligent study, and above all, the devotion of a true artist. Those who remember his exertions in relation to choral music at St. James's will be not be slow to admit that his efforts have had a large influence in promoting that efficiency which now commonly characterises the "Service of Song". When Christ Church was consecrated he accepted the position of organist and choir master, and retained it to the day of his death. Mr. Johnson was also wall known as a composer. His "Te Deum" and "Jubilate" are familiar to most lovers of church music. An anthem composed by him for one of the collects, and published in England was very highly spoken of by Novello. Among the latest of his compositions was a phasing arrangement of the hymn, "Nearer, my God, to Thee". In these and other pieces, Mr. Johnson proved the thoroughness of his musical knowledge. In private life he was justly esteemed by all who had the privilege of his friendship and his memory will be long revered for his public services, his domestic virtues, the strict integrity of his life, and the quiet and unobtrusive charities of home. Mr. Johnson was in the fifty sixth year of his age and has left a widow and eight children.
"ECCLESIASTICAL JURISDICTION", New South Wales Government Gazette (9 October 1866), 2413
http://nla.gov.au/nla.news-article225853814
[Advertisement], The Sydney Morning Herald (7 November 1866), 8
http://nla.gov.au/nla.news-article13148234
After 1866:
[Advertisement], The Sydney Morning Herald (12 January 1867), 8
http://nla.gov.au/nla.news-article13141695
W. J. JOHNSON and CO., 233, PITT-STREET.
PIANOFORTES constantly on hand by the most celebrated maker . . . .
All the most popular MUSIC sold at half the LONDON MARKED PRICES.
PIANOS TUNED, REPAIRED, and LENT ON HIRE.
W. J. JOHNSON and CO.
[Advertisement], The Sydney Morning Herald (29 May 1867), 1
http://nla.gov.au/nla.news-article13147255
W. J. JOHNSON and CO., 233, Pitt-street.
PIANOFORTES or HARMONIUMS for SALE or HIRE.
PIANOFORTES or HARMONIUMS TUNED, REPAIRED, and PACKED for the COUNTRY.
MUSIC at HALF-PRICE.
W. J. JOHNSON and CO., 233, Pitt-street.
[Advertisement], The Sydney Morning Herald (10 July 1867), 9
http://nla.gov.au/nla.news-article28611579
THURSDAY, July 11th.
In the Estate of the late W. J. Johnson, of Pitt-street, deceased.
To Pianoforte Buyers, Music Sellers, and others.
Brilliant-toned Boudoir Grand PIANOFORTE, by Cadby, 7 octaves, with all the latest improvements, in Handsome Rosewood Case.
Splendid Harmonium, by Alexandre et Fils, 13 Stops, in Rosewood Case.
Fine-toned Cottage Pianofortes, by Collard, Eratd, Challon and Co., and other first-class makers.
Small Instruments, Music Stools, Music, consisting of Songs, Dances, Galops, Operatic Selections, Pieces, &c.
First-class Instruction Books, Fixtures, Fittings, &c.
MESSRS. CHANDLER and CO. have received instructions to sell by auction, at the Warehouse, 233, Pitt-street, three doors from King-street,
on THURSDAY, July 11th, at 11 o'clock, The whole of the stock-in- trade of the late Mr. W. J. Johnson,
comprising Pianofortes, harmoniums, music, Fixtures, fittings, &c.
The stock can be viewed on the morning of sale, and catalogues had.
[Advertisement], The Sydney Morning Herald (14 November 1868), 6
http://nla.gov.au/nla.news-article28423165
NEARER TO THEE. - Sixth edition, just published; transcribed for the pianoforte by Mr. W. J. Johnson. May be had at all the musicsellers; and at Messrs. F. and E. COLE'S, Stationers, George-street
[Advertisement], The Sydney Morning Herald (21 April 1869), 1
http://nla.gov.au/nla.news-article13179226
ESTATE OF THE LATE MR. W. J. JOHNSON, DECEASED.
A FIRST and FINAL DIVIDEND of 3s 4d in the £ is now payable in the above estate,
at Messrs. Elvy and Co.'s Music Warehouse, 321, George-street, where balance sheet can be seen, and deed of released signed.
ROBERT ELVY, JOHN LAMB, Trustees. April 19, 1869.
N.B. - All bills and promissory notes will be required to be given up.
"JOHNSON V. PARK", The Sydney Morning Herald (24 December 1869), 2
http://nla.gov.au/nla.news-article13197643
This was an action brought by Emily Harris Johnson (executrix and widow of William Jonathan Johnson) to recover £29 10, for hire of goods and detenue. This was an action about a pianoforte. The case of the plaintiff was that the instrument had only been let out to defendant at so much a month, and that the wife of defendant had actually paid to the son and agent of plaintiff part of the money for its hire. Defendant, to the contrary, declared that the piano had been bought, and that the payments made were part payment of the purchase money. Verdict for the plaintiff, £10. Mr. G. C Davis, instructed by Mr. H. R. Way, appeared for the plaintiff; Mr. Hellyer appeared for the defendant.
"OBITUARY. MR. F. H. JOHNSON", The Sydney Morning Herald (21 April 1931), 13
http://nla.gov.au/nla.news-article16771091
Mr. Frederick Henry Johnson, who died at Wahroonga on Sunday in his 87th year, belonged to a pioneer family. His father, Mr. William Jonathan Johnson, came to Australla in 1830, and was later organist at Christ Church St. Laurence for many years, but his grandfather, Charles Tompson, came out in 1798, and obtained a grant of land at Windsor in 1803, and erected thereon in 1804, with convict labour, a homestead which he called Clydesdale, and which is still standing. The Rev. Richard Johnson, who came out in 1788 with Governor Phillip and built the first church, was deceased's great grand-uncle. Mr. Johnson, whose remains were interred in the Church of England portion of the Northern Suburbs Cemetery yesterday, was born at Newtown. He was for many years in the service of the Bank of New South Wales, and later, with the Australian Mutual Fire Insurance Society. He is survived by four sons and two daughters - Messrs. W. S. Johnson (Hay), F. H. Johnson (Wellington, N.Z.), R. M. Johnson (Griffith), and M. F. Johnson (Sydney), Mrs. H. H. Wheeler and Miss Johnson (Wahroonga). The burial service was conducted by Revs. Leicester Johnson and S. Fielding.
Musical works
KEY:
Extant - bold work heading in red
Lost or no copy identified - bold work heading in black
James Johnson
High let us swell our tuneful notes (published 1862)
The first hymn for Christmas-day: High let us swell our tuneful notes (Sydney: W. J. Johnson, [1862])
"CHRISTMAS HYMN", The Sydney Morning Herald (18 December 1862), 7
http://nla.gov.au/nla.news-article13071177
The late Mr. James Johnson, for many years organist of St. James's church, composed a hymn for Christmas Day, "High let us swell our tuneful notes", which, however, he never published; and the approach of this "joyous time" has been taken advantage of by Messrs. W. J. Johnson and Co. to give it publicity. The hymn is arranged for four voices, with an organ or pianoforte accompaniment. The subject is set in A sharp with a symphony in C natural. The composition is in the style of the old church music, full, extremely harmonious, and well adapted for all places of worship where the congregations join in the singing. Mr. Johnson was devoted to that part of his profession pertaining to choral music, and the respect in which his memory is held will, no doubt, induce many to possess themselves of this unpretending but meritorious "Hymn for Christmas Day".
NOTE: For another mention of a setting of the hymn, perhaps Burney's, see "COUNTRY NEWS", The Sydney Morning Herald (2 January 1860), 3
http://nla.gov.au/nla.news-article28630016]
William Jonathan Johnson
The Chusan polka (1852)
The Chusan polka ("Performed by the band of Her Majesty's XIth Regiment, at the Ball given in honor of the arrival of the first Steam Ship [Chusan] from Great Britain ... and published at the request of his friends") (Sydney: W. J. Johnson. [1852])
[Advertisement], The Sydney Morning Herald (23 August 1852), 5
http://nla.gov.au/nla.news-article12939453
IN THE PRESS, And will be published on the 27th instant,
THE CHUSAN POLKA, to be performed by the Band of Her Majesty's 11th Regiment at the Ball given in honour of the arrival of the first Mail Steam Ship from Great Britain.
Composed by W. J. JOHNSON, 314, Pitt-street.
Fancy ball polka (1853)
Fancy Ball polka ("performed by the band of Her Majesty's XIth Regiment, at the Mayor's Fancy Dress Ball"; "Dedicated to Mrs. Egan") (Sydney: W. J. Johnson, [1853])
A collection of psalm tunes (1854)
A collection of psalm tunes (comprising the best compositions in general use, harmonized for four voices, with an arrangement for the organ or piano forte edited by W. J. Johnson) (Sydney: W. J. Johnson, [1854])
Ladies' ugly schottische (1856)
Ladies' ugly schottische ([Sydney: W. J. Johnson, 1856; in The Sydney Harmonicon]
NO COPY IDENTIFIED
Good night (1862)
Good night (terzetto; composed expressly for the society)
"OPRHEONIST SOCIETY", The Sydney Morning Herald (6 January 1862), 5
http://nla.gov.au/nla.news-article13068633
"MUSICAL AND DRAMA", The Sydney Morning Herald (21 January 1862), 4
http://nla.gov.au/nla.news-article13062251
An Easter anthem (1862)
An Easter anthem: Christ being raised from the dead ("Composed for the use of St. Paul's College Chapel") (Sydney: W. J. Johnson, [1862])
O lord God (1863)
O lord God (anthem) (Sydney: [W. J. Johnson], [1863]) Copy at British Library. Transcription, Forsyth, 546 (550)
http://ses.library.usyd.edu.au/handle/2123/2447
Nearer to thee (arr. Johnson, 1864)
Nearer to thee [F. A. Packer, senior] (transcribed for pianoforte by W. J. Johnson; Dedicated to Signor Cutolo) (Sydney: W. J. Johnson, [1864])
Te Deum and Jubilate in D (1866)
Te Deum and Jubilate in D ([Sydney: W. J. Johnson, [1866])
NO COPY IDENTIFIED
Hallelujah, amen (n.d.)
Hallelujah, amen (before the gospel) MS: Sydney, Christ Church; edition: Forsyth, 536 (540)
http://ses.library.usyd.edu.au/handle/2123/2447
Third hymn for Christmas day (n.d.)
Third hymn for Christmas day (While shepherds watched their flocks) ? or by William Stanley; MS: Sydney, Christ Church; edition: Forsyth, 537 (541)
http://ses.library.usyd.edu.au/handle/2123/2447
Psalm chants (n.d.)
Anglican chants; MS: Sydney, Christ Church; edition: Forsyth, 545 (549)
http://ses.library.usyd.edu.au/handle/2123/2447
Published music (W. J Johnson & Co.)
KEY:
Extant - bold work heading in red
Lost or no copy identified - bold work heading in black
The biological polka (Harwood, 1853)
The electro-biological schottische (Edward Smith Deane, 1853)
[Advertisement], The Sydney Morning Herald (5 February 1853), 5
http://nla.gov.au/nla.news-article28643732
NEW POLKA AND SCHOTTISCHE, In the Press, and will be published on Tuesday, the 8th instant, at W. J. Johnson and Co.'s Music Repository, 314, Pitt-street.
The Biological Polka, composed by C. W. Harwood, and dedicated to Mr. Daly;
also, the Electro-Biological Schottische, by Mr. Edward Deane,
with critiques from Mesmeric Observer Daily [Daly) News, Electro-Biolological Journal, Virginian Gazetteer, and Electric Telegraph.
W. J. JOHNSON AND Co., 4205 Music Publishers, 314, Pitt-street.
Old folks at home (1853)
[Advertisement], The Sydney Morning Herald (16 April 1853), 5
http://nla.gov.au/nla.news-article12945135
Just published, and will be ready for delivery on the 20th instant,
OLD FOLKS AT HOME: Ethiopian melody, as sung by Christy's Minstrels, written and composed by E. P. Christy . . .
W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (4 May 1853), 1
http://nla.gov.au/nla.news-article12945526
NEW MUSICAL PUBLICATIONS.
OLD FOLKS AT HOME. This beautiful Ethiopian Melody as sung by Christy's Minstrels, at New York, is now ready.
THE ELECTRO-BIOLOGICAL SCHOTTISCHE
THE BIOLOGICAL POLKA
THE CHUSAN POLKA.
Either of the above will be forwarded to any part of the colony on receipt of 2s. 6d. in postage stamps.
W. J. JOHNSON AND CO., Musical Repository, 314, Pitt-street.
[Advertisement], Empire (18 May 1853), 1
http://nla.gov.au/nla.news-article61324323
NEW PUBLICATIONS.
Old Folks at Home. This beautiful Ethiopian Melody is now ready.
Also, Second Edition of the Chusan Polka, the Biological Pulka, and Electro-Biological Schottische.
The whole of Mr. Nathan's Music . . .
W. J. JOHNSON AND CO., 314, Pitt-street.
See love's web around thee weaving (Miss Murphy, 1853)
[Advertisement], The Sydney Morning Herald (14 May 1853), 1
http://nla.gov.au/nla.news-article12945807
This Day is Published, "SEE LOVE'S WEB AROUND THEE WEAVING," A New Song.
The Words adapted from some unpublished verses, written by the Rev. J. D. Mereweather, B.A.
The Music composed by Miss Murphy.
To be had at the Music Repository of the Publisher,
W. J. JOHNSON AND CO., Pitt-street;
and at all the other Music Warehouses in the City.
"SEE LOVE'S WEB AROUND THEE WEAVING", Bell's Life in Sydney and Sporting Reviewer (21 May 1853), 2
http://nla.gov.au/nla.news-article59757157
"Literature. NEW MUSIC", Freeman's Journal (21 May 1853), 9
http://nla.gov.au/nla.news-article114835346
Fancy ball polka (1853)
The prima donna waltz (1853)
[Advertisement], The Sydney Morning Herald (25 July 1853), 1 supplement
http://nla.gov.au/nla.news-article12947554
NEW PUBLICATIONS.
Prima Donna Waltz, Fancy Ball Polka,
Old Folks at Home, See Love's Web . . .
W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (27 July 1853), 3
http://nla.gov.au/nla.news-article12947585
. . . W. J. JOHNSON AND CO., Musical Repository, 314, Pitt-street.
THE PRIMA DONNA WALTZ Is now ready for delivery, price 3s. 6d. per post 3s. 9d.
[Advertisement], The Sydney Morning Herald (3 August 1853), 1
http://nla.gov.au/nla.news-article28644750
. . . The Prima Donna Waltz is just published. W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (8 August 1853), 1
http://nla.gov.au/nla.news-article12947839
. . . W. J. JOHNSON AND CO., Musical Repository, 314, Pitt-street.
The Prima Donna Waltz, second edition, Post free, 2s. 6d.
You love me not (W. C. Uhr, 1853)
"NEW MUSIC", The People's Advocate and New South Wales Vindicator (6 August 1853), 2
http://nla.gov.au/nla.news-article251544059
"You Love me Not." - Song, the Air and Words composed by W. C. Uhr. - W. J. Johnson & Co , Sydney.
- It is a remarkable, and we believe a pretty generally admitted fact that good poetry is very rarely found united with good music,
and we regret we cannot congratulate the author and composer of "You Love me Not," on his having furnished an exception to the above-mentioned rule.
As regards the words we are fain to confess that we love them not, since they are words and little else.
The music, however, we are gratified in being enabled to state, is altogether of a different description, consisting as it does, of a graceful melody,
displaying much taste and feeling, which we have little doubt will prove a very agreeable and acceptable addition to the musical library of the ladies of Sydney,
to whom the composition is by the author appropriately and gallantly dedicated.
"YOU LOVE ME NOT", The Sydney Morning Herald (8 August 1853), 5
http://nla.gov.au/nla.news-article12947826
A very beautiful and very original ballad has been published by Mr. Johnson, bearing this title. The words and music are both by Mr. W. C. Uhr, an amateur, whose taste for sweet sounds, judged of by this little performance, must be exquisite. The melody is charminly simple, but the time is still more charmingly irregular, and there is a little ritournella full of abandon, which none but a musical soul could have conceived. We can cordially recommend this song to every lady's drawing-room.
The fancy ball polka (1853)
[Advertisement], The Sydney Morning Herald (17 August 1853), 1
http://nla.gov.au/nla.news-article12948132
. . . W. J. JOHNSON AND CO., Musical Repository, 314, Pitt-street. NEW MUSIC. Just published, the FANCY BALL POLKA, performed by the Band of Her Majesty's 11th Regiment at the Mayor's Fancy Dress Ball . . .
Oh! charming May (1853)
[Advertisement], The Sydney Morning Herald (2 September 1853), 5
http://nla.gov.au/nla.news-article12948579
NEW SONG, just published, OH! CHARMING MAY; cavatina,
sung with the most unbounded applause by Miss Rebecca Isaacs, Miss Cubit, Mrs. Sunderland, Miss Rose Braham, and all the leading vocalists.
The words written by P. Henry Hatch, Esq.; the music composed by G. Herbert Rodwell.
Published by W. J. JOHNSON and CO., 314. Pitt-street; and to be had at the Music Warehouses in the city.
Price, 2s. 6d.; post free, 2s. 8d.
Tho' for a while (Spagnoletti, 1853)
Mazurka brillante (Talexy, 1853)
[Advertisement], The Sydney Morning Herald (26 October 1853), 8
http://nla.gov.au/nla.news-article12949893
NEW MUSIC. - Talexy's Mazurka, brilliantly performed by Mr. Coleman Jacobs, at his farewell Concert,
revised and fingered by W. J. Johnson, price 2s. 6d.
Also, A new canzonet, for a soprano voice, "Tho' for awhile," by Erneste Spagnoletti, price 2s. 6d.
W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (4 November 1853), 5
http://nla.gov.au/nla.news-article12950091
. . . In the press, "Talexy's Mazurka." W. J. JOHNSON AND CO., 314, Pitt-street.
Prayer (1853/54)
[Advertisement], Illustrated Sydney News (31 December 1853), 6
http://nla.gov.au/nla.news-article63613825
PRAYER FOR THE CONVERSION OF THE JEWS TO THE CHRISTIAN FAITH, beautifully set to Music, and now on sale by W. J. JOHNSON & CO., 314, Pitt-street, Sydney.
[Advertisement], Empire (4 March 1853), 8
http://nla.gov.au/nla.news-article60149838
PRAYER for the Conversion of the Jews to the Christian Faith, set to music by an eminent composer,
and on sale by Mr. JOHNSON, Pitt-street. Price, 4s. Recommended to the notice of clergymen and families.
May Day (Packer, 1854)
[Advertisement], The Sydney Morning Herald (24 January 1854), 1
http://nla.gov.au/nla.news-article12951589
NEW MUSIC. - Charles S. Packer's beautiful Ballad "May Day."
Published this day, by W. J. JOHNSON and Co., Musical Repository, 314, Pitt-street.
New bazaar waltz (Spagnoletti, 1854)
[Advertisement], The Sydney Morning Herald (31 January 1854), 5
http://nla.gov.au/nla.news-article30939684
NEW BAZAAR WALTZ, by Spagnoletti. W. J. JOHNSON AND CO., 314, Pitt-street.
[Advertisement], The Sydney Morning Herald (13 May 1854), 1
http://nla.gov.au/nla.news-article12955184
PRIMA DONNA WALTZES, as performed by Winterbnttom's band. JOHNSON and CO., 314. Pitt-street.
NEW BAZAAR WALTZ, by Signor Spagnoletti, published by JOHNSON and CO., 314, Pitt-street.
The last meeting (Linley, 1854)
"MUSICAL PUBLICATIONS", Illustrated Sydney News (15 April 1854), 2
http://nla.gov.au/nla.news-article63614206
"The Last Meeting," a ballad composed by Mr. George Linley, and published by Mr. Johnson of Pitt-street, is decorated with a graceful lithograph, and is creditably brought out altogether. The words are pretty enough, being much the same as one may find in a hundred other ballads - but we suppose it is useless in these days to look for any originality of idea in a song.
The war galop (1854)
[Advertisement], The Sydney Morning Herald (16 September 1854), 8
http://nla.gov.au/nla.news-article60197214
JUST PUBLISHED, the WAR GALOP, by W. J. JOHNSON, Pitt-street.
The Sydney harmonicon
"THE SYDNEY HARMONICON", The Sydney Morning Herald (24 December 1855), 2
http://nla.gov.au/nla.news-article12973915
[Advertisement], The Sydney Morning Herald (2 February 1856), 9
http://nla.gov.au/nla.news-article12976856
With a complete listing of the contents of the Sydney harmonicon issues 1-7
"THE SYDNEY HARMONICON", The Sydney Morning Herald (26 February 1856), 5
http://nla.gov.au/nla.news-article12973904
[11th issue] [Advertisement], The Sydney Morning Herald (1 March 1856), 12
http://nla.gov.au/nla.news-article28639317
"NEW PUBLICATION", Freeman's Journal (1 March 1856), 2
http://nla.gov.au/nla.news-article115559171
The Harmonicon, or Musical Gazette and Journal of Literature and Art. Sydney. W. J. Johnson.
We beg to offer our best apology to the enterprising publisher of the Harmonicon, for our long neglect of his admirable periodical.
One of the sad misfortunes of turbulent times - days of political excitement -
is the frequent forgetfulness of those things which chiefly constitute the sunny side of life - namely, Literature, Music, and Art.
The forthcoming elections occupy so much of our attention and consideration, that we have almost forgotten what we owe to the Beautiful.
The object of the conductors of the Hamonicon is obviously, in the first instance,
to elevate the public taste by presenting us with real sound literary matter, and the most approved select music;
and, in the second place, to develop the musical and artistic talent amongst us - defend its claims and promote its influences.
Each number of the Harmonicon for the present, contains four pages of excellent music.
We say for the present emphatically, because we feel sure that, if the public only encourage the noble undertaking,
this department will be considerably enlarged.
The music in each number alone is worth considerably more than the entire price of a single copy.
We can not too strongly recommend our readers to examine at least one number of the Harmonicon;
we feel assured that one number will induce most of them to continue supporting it.
Bibliography and resources:
Graeme D. Rushworth, Historic organs of New South Wales: the instruments, their makers and players, 1791-1940 (Sydney: Hale & Iremonger, 1988), 365-67
https://trove.nla.gov.au/work/16876593
Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (Masters thesis, University of Wollongong, 1999), 183 (James), 184-85 (W. J.), and passim
http://ro.uow.edu.au/theses/2926 (DIGITISED)
James Forsyth, Music of the Anglican churches in Sydney and surrounding regions (PhD thesis, Unievrsity of Sydney, 2002), passim
http://ses.library.usyd.edu.au/handle/2123/2447
James Johnson, Geneanet
https://gw.geneanet.org/rerj37?n=johnson&oc=2&p=james
William Jonathan Johnson, Geneanet
https://gw.geneanet.org/rerj37?lang=en&n=johnson&p=william+jonathan
© Graeme Skinner 2014 - 2026