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A biographical register of Australian colonial musical personnel–C (Cle-Cooz)

Dr GRAEME SKINNER (University of Sydney)


THIS PAGE IS ALWAYS UNDER CONSTRUCTION


To cite this:

Graeme Skinner (University of Sydney), "A biographical register of Australian colonial musical personnel–C (Cle-Cooz)", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/register-C-3.php; accessed 29 March 2024






- C - ( Cle - Cooz ) -



Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

A major upgrade of the contents of this page was completed in July 2023, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.




CLEARY, Michael (Michael CLEARY; Sergeant CLEARY)

Musician, bandsman, band sergeant of Band of the 99th Regiment, bandmaster of St. Joseph's Band (Launceston), clarinet / clarionet player, bagpiper, union pipes player, public servant

Born Tallow, Waterford, Ireland, 1811; baptised Tallow, 14 September 1811; son of Michael CLEARY and Elizabeth STOKES
Enlisted (99th Regiment), Youghal, Cork, Ireland, 23 May 1828 (aged "18")
Married (1) Bridget CASEY (c. 1820-1865), Fermoy, Cork, Ireland, 27 February 1838
Arrived Sydney, NSW, 19 February 1843 (per Earl Grey, from Deptford, 16 September 1852, and Plymouth, 5 October, via Hobart Town, 14 January 1843)
Arrived Hobart Town, VDL (TAS), 11 July 1848 (per Sir Edward Paget, from Sydney)
Discharged Hobart Town, TAS, 28 February 1851
Married (2) Elizabeth Frances BARRY (1840-1926), Melbourne, VIC, 13 February 1866
Died Melbourne, VIC, 1 May 1889, aged "80"

https://trove.nla.gov.au/search?l-publictag=Michael+Cleary+1811-1889 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLEARY-Michael (shareable link to this entry)

CLEARY, William (William CLEARY; Corporal CLEARY; Sergeant CLEARY)

Musician, bandsman, band corporal, band sergeant of Band of the 99th Regiment, bandmaster (Carlton Rifles), oboist, flautist, composer, public servant

Born Youghal, Cork, Ireland, c. 1814; son of Michael CLEARY and Elizabeth STOKES
Enlisted (99th regiment), Kinsale, Cork, 18 September 1829 (aged "15")
Married (1) Matilda FLYNN (1818-1854), St. Peter, Athlone, 16 July 1839
Arrived Sydney, NSW, 19 February 1843 (per Earl Grey, from Deptford, 16 September 1852, and Plymouth, 5 October, via Hobart Town, 14 January 1843)
Arrived Hobart Town, VDL (TAS), 11 July 1848 (per Sir Edward Paget, from Sydney)
Discharged (99th regiment), Melbourne, VIC, 31 December 1854
Married (2) Susan CALLAGHAN (c. 1835-1904), Melbourne, VIC, 1857
Died Hawthorn, VIC, 10 January 1895, aged "76" [sic]

https://trove.nla.gov.au/search?l-publictag=William+Cleary+d1895 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLEARY-William (shareable link to this entry)


ASSOCIATIONS: Band of the 99th Regiment (military band)


William Cleary (c. 1814-1895), c. 1856

William Cleary, "Ex B[and] M[aster] 99th regiment / B[and] M[aster] Carlton Rifles 1856"; photo, from a family collection, courtesy Hazen Cleary, Ballarat, 2021

Summary:

Michael Cleary was born in Tallow, county Waterford, Ireland in 1811, and baptised at Tallow church in September that year, a son of Michael Cleary and his wife Elizabeth Stokes. Though probably not yet 17, Michael, a musician by trade, claimed to be already 18 years old on enlisting as a private in the 99th Regiment at Youghal, Cork, on 23 May 1828. Serving with the regiment on Mauritius for six years from 1831 to 1837, he was promoted to corporal on 13 December 1831, and serjeant on 25 May 1837. Back again in Ireland, on 27 February 1838, at Fermoy, Cork, he married Bridget Casey.

William Cleary, according to his army record, was born at Youghal, Cork, and he claimed to be 15 years of age on enlisting at Kinsale, Cork, on 18 September 1829. No baptism record for him has yet been found, but a year of birth of 1814 or thereabouts seems plausible. William was a drummer when he first enlisted, and became a full private on 20 March 1832. He served in Mauritius with the regiment for almost five years from 1832 to 1837, and back in Ireland, at St. Peter's, Athlone on 16 July 1839, he married Matilda Flynn.

The brothers left Ireland for the last time in September 1851, sailing from Kilkenny for Chatham, Kent, where the 99th was then based awaiting shipment to Australia. Michael as band sergeant, and William as a bandsman, with the rest of the Band of the 99th Regiment, finally embarked from Deptford, with the headquarters of the regiment, on 16 September 1842, on the Earl Grey, sailing via Hobart Town, before landing in Sydney on 19 February 1843.

On 1 March 1843, William was promoted to corporal, and thereafter also served as band corporal, alongside Michael as sergeant, and fellow corporal and bandsman Robert Martin. From as early as 1844, Martin was also regularly credited in the press as being "master of the band" or "bandmaster", despite being junior to Michael in rank.

Martin having been promoted to sergeant in October 1850, Michael took his discharge in Hobart in February 1851, and on 1 November 1851 William was also promoted to sergeant. William in turn took his discharge from the regiment in Melbourne in December 1854.

My thanks to family historian Hazen Cleary (September 2021) for kindly sharing information


DISAMBIGUATION: William Cleary (retired soldier, 88th Regiment, d. Hobart, TAS, 1850); see also "THE LATE MR. WILLIAM CLEARY", Colonial Times (27 September 1850), 2

http://nla.gov.au/nla.news-article8767962 


Documentation:

Register of baptisms, Tallow parish (RC), Waterford, September 1811; National Library of Ireland

https://registers.nli.ie/registers/vtls000632263#page/137/mode/1up (DIGITISED)

Bap. Michealem fil[iu]s Michaelis Cleary & Elizabeth Stokes

Register of marriages, Fermoy parish (RC), Cork, February 1838; National Library of Ireland

https://registers.nli.ie/registers/vtls000633723#page/18/mode/1up (DIGITISED)

27 / Michael Cleary 99th & Bridget Casey

Register of marriages, St. Peter, Athlone parish (RC), Elphin, Roscommon, July 1839; National Library of Ireland

https://registers.nli.ie/registers/vtls000633872#page/312/mode/1up (DIGITISED)

16 / Gulielmus Cleary (Corp. 99th) et Matilda Flynn

"The Army. CHATHAM. SEPT. 15", West Kent Guardian (17 September 1842), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000306/18420917/026/0008 (PAYWALL)

This morning the head-quarters of the 99th regiment marched from this garrison, under the command of Major Last, with Ensign Erden and Ensign Mends. The head-quarters proceeded to Deptford, where they embark on Friday, on board the convict ship Earl Grey, bound for Van Dieman's Land. The head-quarters consisted of 5 sergeants, with 27 rank and file, with band-master, band and drums, 10 women, and 20 children . . .

Australia (from 1843):

Paylist of the 99th Regiment, 1 April to 30 June 1843; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1687782047 (DIGITISED)

Serjeants / . . . 599 / Cleary Mich'l / . . . Band

https://nla.gov.au/nla.obj-1687783978 (DIGITISED)

Corporals / . . . 604 / Cleary Will'm / . . . Band
805 / Martin Robert / . . . Band

ASSOCIATIONS: Robert Martin (band corporal); Band of the 99th Regiment (military band)

[Advertisement], The Weekly Register of Politics, Facts and General Literature (17 August 1844), 88

http://nla.gov.au/nla.news-article228136252 

NEW MUSIC. Just published, price 3s., "MY LOVED MY HAPPY HOME,"
AN Original Ballad, composed and respectfully dedicated to Mrs. Colonel Despard, 99th Lanarkshire Regiment, by William Cleary, Corporal of the Band.
To be had at the office of this paper, and of the composer at the Barracks.

"LITERARY REGISTER: NEW MUSIC", The Weekly Register (17 August 1844), 85; [Advertisement], 88

http://nla.gov.au/nla.news-article228136264

"My loved my happy home." An Original ballad composed and dedicated to Mrs. Colonel Despard, by William Cleary, 99th Regiment. Sydney: 1844.
The author of this ballad comes before us in the double character of poet and musician. In the former he has treated a popular subject feelingly, if not always with strict accuracy of language, or much newness of thought. We would suggest, that the line at the bottom of page 1 should read
"Thou distant scene art dear to me."
in order to make sense of the corresponding "thee" which follows. Again at p. 3, the line
"And hap'ness now from me has flown."
is quite barbarous, but may readily be changed by the singer into
"And happiness from me has flown."
With respect to the music, the melody is pleasing, and we think original, and the harmony of the accompaniment, though not without faults, is such as a composer of greater pretensions need not be ashamed of. We trust our fair readers will patronise this new composer.

ASSOCIATIONS: William Augustine Duncan (reviewer)

"NEW MUSIC", The Sydney Morning Herald (21 August 1844), 4

http://nla.gov.au/nla.news-article12422515

My Loved my Happy Home. - An original Ballad, the words and music composed (and by permission most respectfully dedicated to Mrs. Colonel Despard, 99th Lanarkshire Regiment) by W. CLEARY, Corporal of the Band. Published by Hudson and Co., 377, Pitt-street North.
THIS is a very pretty ballad, and will be a welcome addition to the libraries of our young lady vocalists whose voices do not range above F. Mr. Cleary is decidedly more a musician than a poet. The air is plaintive and touching, but occasionally much like a variation on Nel cor piu. The accompaniment is easy and appropriate; and our most timid amateurs may be grateful to the composer for placing this very pretty ballad within their powers.

ASSOCIATIONS: George Hudson (publisher)

MUSIC: Nel cor più non mi sento (Paisiello)

[Advertisement], The Australian (31 October 1844), 2

http://nla.gov.au/nla.news-article37124042

CONCERT. MRS. BUSHELLE HAS the honor to announce, under Distinguished Patronage, a
CONCERT of Vocal and Instrumental Music, at the
ROYAL VICTORIA THEATRE, On Wednesday, November the 6th, 1844.
When he will be assisted by the principal Professional Talent in Sydney . . .
THE FOLLOWING IS THE PROGRAMME:- PART I . . . 5. Solo, "Orphocleide," Air with variations, Mr. J. Martyn . . . 7. Ballad, "My loved, My happy Home." Words and music by Mr. Cleary, of H. M. 99th Regiment, and respectfully dedicated to Mrs. Colonel Despard, accompaniments by Mr. S. W. Wallace - Mrs. Bushelle . . .

ASSOCIATIONS: J. Martyn [sic, or "T. Martyn" in another paper] (99th Regiment, ? bandsman); Eliza Wallace Bushelle (vocalist); Spencer Wellington Wallace (Eliza's brother, leader of the orchestra, arranger)

[Advertisement], The Australian (29 November 1845), 1

http://nla.gov.au/nla.news-article37154101 

UNDER VERY DISTINGUISHED PATRONAGE. GRAND CONCERT. Mr. MARSH begs to announce that his Concert, will take place on WEDNESDAY EVENING, DECEMBER 3RD, AT THE ROYAL VICTORIA THEATRE . . . [the] Orchestra, which will be full and complete, consisting of the following instruments in two New Overtures: - Flutes - . . . A. Hill.
Oboes - Messrs. R. Martin, W. Cleary.
Principal Clarinets - Messrs. W. Martin, A. Cleary [sic].
Clarinets - Messrs. Lillingston, Bromley, Hepperon, and Simpson . . .

ASSOCIATIONS: Stephen Hale Marsh (musician); Arthur Silvester Hill (flute, band of the 99th Regiment); other members of the 99th band

[Advertisement], The Weekly Register of Politics, Facts and General Literature (29 November 1845), 264

http://nla.gov.au/nla.news-article228135003 

VICTORIA THEATRE. MR. MARSH . . . . WEDNESDAY EVENING NEXT, Dec. 3rd. 1845.
PROGRAMME: PART I . . . Grand Military Overture, composed by Mr. Marsh, (first performance) - Military Band and full Orchestra . . .
PART II . . . Ballad , "My lov'd and happy home." Cleary - Mr. J. Howson . . .

ASSOCIATIONS: John Howson (vocalist)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (28 October 1848), 2

http://nla.gov.au/nla.news-article163503213 

A GRAND GALA To celebrate the Second Anniversary of the
HOBARTON CATHOLIC Total Abstinence Society
Will be held on the REGATTA GROUND, (By the kind permission of His Excellency,)
On Monday, 6th November, 1848.
The Band of the Society will be on the Ground.
Several useful and pleasing Amusements will be prepared, not forgetting the Violin, for a "trip on the Green" . . .
A GRAND TEA PARTY (IN THE EVENING,) IN THE HALL,
The Splendid Band of the 99th (by the kindness of Colonel Despard) will attend.
SERGEANT CLEARY, Of the Band, will favour the company with several airs on the much admired UNION PIPES,
Several good Songs will be sung . . .

ASSOCIATIONS: St. Joseph's Band (Hobart)

"TEMPERANCE FESTIVAL . . . THE TEA PARTY", Hobarton Guardian, or, True Friend of Tasmania (27 December 1848), 2

http://nla.gov.au/nla.news-article163503587 

IN the evening at the Hall, was crowded; the visitors began to assemble at 7 o'clock, and precisely at eight tea was on the table. The splendid band of the 99th Regt. being in attendance added much to the amusements of the evening, and Sergeant Cleary played several airs on the "Union Pipes." Short addresses were delivered by the Pastors of St. Joseph's, and several favorite songs and glees were sung. Old and young, equally enjoyed themselves. The company broke up a little after eleven o'clock, and the whole passed off in a manner which reflects great credit on the persons connected with the getting up of the festival.

"THE OLD YEAR . . . BOXING NIGHT", Colonial Times (29 December 1848), 3

http://nla.gov.au/nla.news-article8764139

. . . One society of Teetotallers enjoyed themselves at their Hall in Bathurst-street; and another [Catholic] in Harrington street, at which place several excellent songs were sung, and Serjeant Cleary, of the 99th Regt., gave some Scotch and Irish airs upon the union pipes . . . The Non-commissioned Officers of the 99th Regiment sat down to an excellent dinner provided by Mr. I. Hyams, of the Rose and Crown, New Town Road, on which occasion the greatest harmony prevailed; there were several civilians present; and what with the singing and speechifying, combined with the goodness of the fare, the evening concluded as all such meetings should . . .

"A VISIT TO A TEETOTAL MEETING BY A STRANGER", The Courier (30 December 1848), 2

http://nla.gov.au/nla.news-article2967155

The school-room attached to the Roman Catholic Chapel was devoted to the celebration of a tea party on the evening after Christmas-day . . . Colonel Despard, the distinguished commanding officer of the 99th Regiment, had kindly lent his band; and they enlivened the scene with some well played and beautiful selections. In one of the intervals Sergeant Cleary, who was announced to play some airs on the bagpipes, was greeted with friendly welcome by old and young, and gave "The Vale of Avoca" in very excellent style, followed by "Nora Creina," which latter set all their feet clattering, and as eager for a dance us ever racehorses were for a start. The Sergeant was vehemently applauded; after which there were several glees well sung by three of the band, and various other comic songs by parties present; and after the teapots had gone round more than once, and due libations been made to temperance, the whole meeting dispersed with feelings of unalloyed gratification . . . .

"MUSIC", The Courier (31 January 1849), 2

http://nla.gov.au/nla.news-article2966883

We have received a copy of an original ballad, "My loved, my happy home," the words and music composed (and by permission dedicated to Mrs. Despard, the lady of Colonel Despard, of the 99th Lanarkshire Regiment of Foot, at present in garrison) by Sergeant [sic] William Cleary, of the band of that regiment, originally published by Messrs. Hudson & Co., of Pitt-street, Sydney. The composer is the well-known player on the bagpipes; and it is gratifying to observe, that amidst his military avocations he is endeavouring to cultivate his natural talents to advantage. This is just the ballad that ought to sell well in this colony, reviving reminiscences of the distant scenes of childhood, and encouraging fond hopes of once again regaining the "home of happy youthful days." The score exhibits considerable talent, and a ready sale may be anticipated amongst the numerous friends of the sergeant. It can be purchased at the booksellers.

"ACTION FOR LIBEL. . . FRIDAY, 20TH MARCH.", Colonial Times (27 March 1849): 1-2s

http://nla.gov.au/nla.news-article8764672

. . . W. Blyth. Esq , sworn . . . I know William Cleary, the messman of the 99th regiment. The messman has not paid me his bill. I sent one in some time ago. It was delivered to him. I cannot say how long before that I saw the messman of the 99th. I do not recollect having named my suretyship for the Courier newspaper to the messman . . .

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (31 March 1849), 2

http://nla.gov.au/nla.news-article163504093 

Grand Tea Party. ON EASTER MONDAY,
April 9, 1849, at 7 o'clock, in ST. JOSEPH'S School room, Harrington street.
THE VICAR GENERAL WILL PRESIDE.
SERGEANT CLEARY, of the 99th Band, will favor the company with several airs on the Union Pipes.
The Society's Band will be in attendance. A selection of Songs and Glees . . .

[Advertisement], The Courier (14 April 1849), 1

http://nla.gov.au/nla.news-article2966237

NEW MUSIC. "My Loved, my Happy Home!" AN ORIGINAL BALLAD.
The words and music composed (and by permission most respectfully dedicated to the Lady of Colonel Despard, 99th Regiment,) by William Cleary, Corporal of the Band.
On Sale at I. W. H. Walch's, Stationer, Elizabeth street and at Messrs. Hawley & Co.'s, Booksellers, Murray-street.

ASSOCIATIONS: James Walch (stationer, musicseller)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (3 November 1849), 2

http://nla.gov.au/nla.news-article163505145 

THE HOBART TOWN CATHOLIC TOTAL ABSTINENCE SOCIETY.
THIRD ANNIVERSARY. Monday, November 5th, 1840.
THE MEMBERS are particularly requested to assemble in the SCHOOL-ROOM, HARRINGTON STREET, at 9 o'clock.
The Procession headed by the full band of the Society, dressed in uniform, will start at 10 o'clock; after passing through some of the principal streets the procession will proceed to the Regatta Ground, which was kindly granted for the occasion by the Lieutenant Governor.
The Band of the Society will play during the day . . . At Four o'clock the procession will return to the School Room . . .
SERGEANT CLEARY Will play some favourite airs on THE UNION PIPES!
Several good Glee Singers, as well as others, have kindly promised to sing during the evening . . .

"ST. JOSEPH'S TOTAL ABSTINENCE SOCIETY", Hobarton Guardian, or, True Friend of Tasmania (7 November 1849), 3

http://nla.gov.au/nla.news-article163505169 

On Monday last, being the third anniversary of the above Society, the members walked in procession through the town, headed by the fine band of the Society, to the Regatta Ground . . . In the evening a Tea Party took place in the Boy's School Room . . . Sergeant Cleary played, during the evening, several airs on the Union Pipes, which were highly applauded. There were also several good glees, songs, &c., sung in the course of the evening . . .

[Advertisement], Colonial Times (26 March 1850), 3

http://nla.gov.au/nla.news-article8766878 

A Grand Tea Party WILL be held in St. Joseph's School Room, on EASTER MONDAY, 1850, upon which occasion Sergeant Cleary will favour the company with several Airs on the "Union Pipes."
The Band of the St. Joseph's Society will be in attendance, dressed in their full uniform.
A variety of "Songs" and "glees" will also contribute to enliven the evening's amusement . . .

Michael Cleary, 99th Regiment, 1851

Proceedings of a regimental board, 99th Regiment, Serjeant Michael Cleary, Hobart Town, VDL (TAS), 10/28 February 1851; UK National Archives, WO97/1061/46

https://search.findmypast.com.au/record/browse?id=GBM/WO97/1061/046/001 (PAYWALL)

. . . Discharge of No. 599, Serjeant Michael Cleary . . .
by Trade a Musician was BORN in the Parish of Tallow in or near the Town of Tallow in the County of Waterford
and was ATTESTED for the 99th Regiment of Foot at Youghal, in the County of Cork on the 23 May 1828 at the Age of 18 years . . .
the SERVICE up to 28th Feb'y 1851 . . . amounts to [22] years, 283 days . . .
during which period he served abroad [14] years;
viz. at the Mauritius [6] years,
in the Australian Colonies [8] years . . .
his DISCHARGE is proposed in consequence of being found unfit for further service. He intends to reside and receive his pension at Hobart Town, V. D. Land . . . CHARACTER and CONDUCT . . . very good . . .

Private / 22 May 1828 // Corporal / 13 Dec'r 1831 // Serjeant / 25 May 1837

"BALL AT THE MILITARY BARRACKS", Colonial Times (21 January 1851), 3

http://nla.gov.au/nla.news-article8768595 

Lieut. Colonel Despard and the Officers of the 99th Regiment, gave a grand ball at the Military Barracks on the 14th instant. His Excellency the Lieutenant Governor, the Commander of the Forces, Lady Denison, Mrs. and Miss Wynyard and suite, the Officers of the Havannah, and a large company comprising nearly all the beauty, fashion, and intelligence of Hobart Town were present. The dancing was kept up until 4 o'clock in the morning. The refreshments were provided by Sergeant Cleary, on whom they reflected infinite credit.

"GOOD CONDUCT MEDAL", Hobarton Guardian, or, True Friend of Tasmania (15 November 1851), 3

http://nla.gov.au/nla.news-article173060599 

On Thursday morning last, Serjt. Michael Cleary, late of the 99th regiment, was presented with a silver medal, "for long service and good conduct," by Major Last on parade at the Barrack-square, when the gallant officer addressed Mr. Cleary as follows: -

"Sergt. Cleary, I am deputed by Colonel Despard to present you with this medal for long and meritorious conduct in the 99th regt. I do so with great pleasure as we have served many years together. A more excellent and deserving man has never been in this regt. You have served 23 years, 19 of which you have been a non-commissioned officer, without blemish on your character. I wish you happiness, and a long life to enjoy it."

Sergt. Cleary, who seemed much affected then said,

"I am grateful and I thank you Major, for the honorable distinction you have been pleased to confer on me this day. The band, among whom I served many years, I hope, individually, will merit a similar reward, before they are discharged, from H.M. service. I pray that honor and happiness may attend you and the officers of the 99th regt., wherever they go."

We have much pleasure, in recording this mark of respect to Sergt. Cleary, as his conduct in this city has been uniformly good, having repeatedly seen him at the St. Joseph's Total Abstinence Society's band, where he did good service to those young men who frequently are applauded when they appear in public, for the efficient manner they perform some splendid pieces of music, solely to be attributed to the exertions of Mr. Cleary, whom we know to be a temperate and moral man, and we only hope he may live long in this island to enjoy the mark of respect to which he was duly entitled, by his marked good conduct. In addition to the medal, Sergt. Cleary was presented with £15, being a gratuity allowed by government for long and good service. We have only to add, in conclusion, to the men of the 99th "Go ye and do likewise."

"PRESENTATION OF MEDAL", The Courier (19 November 1851), 2

http://nla.gov.au/nla.news-article2959879

. . . We have much pleasure in recording this mark of respect to Serjeant Cleary, as his conduct in this city has been uniformly good; and to him the St. Joseph's Total Abstinence Band are indebted for the knowledge of some of their choicest pieces of music. In addition to the medal, Serjeant Cleary was presented with a gratuity of 15l.

"GOOD CONDUCT MEDAL", Freeman's Journal [Sydney, NSW] (18 December 1851), 9

http://nla.gov.au/nla.news-article115766017 

We feel much pleasure in having to announce that Sergeant Cleary, late of the 99th Regiment, now stationed at Hobart Town, had a well merited compliment paid him as a reward for long services . . . If bearing our testimony could add any additional honor to that already conferred on Sergeant Cleary, who was for some time quartered here, we would willingly do so, as we know him to be in every way deserving of the mark of approbation with which he has been honoured, and a credit to the service which he has just left . . .

Names and descriptions of passengers per Melbourne, from Hobart Town, 3 February 1852, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/63EBCD6B-FA01-11E9-AE98-A7810D09E71B?image=97 (DIGITISED)

Bridget Cleary / 30 / Laundress / Irish
Eliza Cleary / 13 / Seamstress / Irish
Michael Cleary Jun. / 4 / - / Tasmanian
John Cleary / 2 / - / Tasmanian
Michael Cleary / 39 / Musician / Irish

"DIED", The Cornwall Chronicle (6 October 1852), 644

http://nla.gov.au/nla.news-article65578486

On the 29th ult., John Cleary, second son of Michael Cleary, late sergeant of the band, 99th regt..

Deaths in the district of Hobart, 1854; Tasmanian names index; NAME_INDEXES:1192193; RGD35/1/4 no 1128

https://stors.tas.gov.au/NI/1192193 

https://stors.tas.gov.au/RGD35-1-4$init=RGD35-1-4P114 (DIGITISED)

1128 / April 3rd / Matilda Cleary / Female / Thirty Four yrs / Sergeant's wife / Consumption . . .

"DEATH", The Courier (4 April 1854), 2

http://nla.gov.au/nla.news-article2248942

At the Military Barracks, on the 3rd instant, of consumption, MATILDA, wife of Serjeant William Cleary, 99th Regiment. The funeral will take place from St Joseph's Church at 2 o'clock to-morrow.

William Cleary, 99th Regiment, 1854

Proceedings of a regimental board, 99th Regiment, Serjeant William Cleary, Melbourne, VIC, 18/31 December 1854; UK National Archives, WO97/1674/72

https://search.findmypast.com.au/record/browse?id=GBM/WO97/1674/072/001 (PAYWALL)

. . . Discharge of No. 604, Serjeant William Cleary . . .
by trade a Laborer was BORN in the Parish of Youghal in or near the town of Youghal in the County of Cork
and was ATTESTED for the 99th Regiment of Foot at Kinsale in the County of Cork on the 18th Sept. 1829 at the Age of fifteen years . . .
the SERVICE up to 31st December 1854 . . . amounts to 24 years, 270 days . . .
during which period he served abroad 16 8/12 years;
viz. in the Mauritius 4 10/12 years,
in the Australian colonies 11 10/12 years . . .
his DISCHARGE is proposed in consequence of having been reported by a Medical Board as unfit for further service . . .
Character has been extremely good . . .

Drummer / 17th Sept 1829 //
Private / 20th March 1832 // Mauritius 13 Nov'r 1832 / [to] 5th Oct'r 1837 //
Promoted Corporal 1 March 1843 // Serjeant 1st Nov'r 1851 . . .

[Advertisement], The Argus [Melbourne, VIC] (22 November 1855), 8

http://nla.gov.au/nla.news-article4823936 

A BLACK and Tan Terrier followed a gentleman's dog-cart from the direction of St. Kilda to the Gardiner's Creek road three days ago. The owner can have him on giving a correct description, and paying for this advertisement, upon application to Sergeant CLEARY at the Government Offices, William-street. November 20th, 1865.

[Advertisement], Geelong Advertiser and Intelligencer (4 January 1856), 2

http://nla.gov.au/nla.news-article91867972 

GENERAL ORDER. No. 306. Head Quarters, Melbourne, 2nd January, 1856.
The Funeral of the late lamented Governor SIR CHARLES HOTHAM, K,C.B., will take place on Friday afternoon next, the 4th January, 1856, at Four o'clock precisely . . .
The Funeral Procession will be formed in the following Order: . . .
His late Excellency's Valet. His late Excellency's Orderly Sergeant. Sergeant Cleary, the keeper of the Government Offices . . .

ASSOCIATIONS: Charles Hotham (governor, deceased)

"TOWN TALK", Ovens and Murray Advertiser (12 May 1858), 3

http://nla.gov.au/nla.news-article112895770

Reagh, the ex-sergeant, and attempted suicide, who was discharged last week for obtaining money under false pretences, but committed for trial for illegally pawning a borrowed umbrella, has made several more efforts, and succeeded in more than one, in swindling persons out of small sums by pretending that he had a carte blanche to distribute government employments. In almost every case his dupes had the honor of receiving a communication marked "O.H.M.S" from the Government office, and subscribed "Michael Cleary." The only wonder is that he did not borrow the signature of "J. Moore," which would certainly have been more imposing. It is strange however, that in selecting "Michael Cleary," who is the office keeper, he pitched upon one of the best conducted and most upright of all the subordinate officers in the civil service. He served over 23 years in the 99th Regt. (19 as a non-commissioned officer), and was one of the military volunteers from Tasmania shortly after the discovery of the gold-fields, and during the La Trobe regime. Seven years ago he was promoted to his present position, which is now one of much responsibility. After Reagh's trial at the ensuing criminal sessions, some of the other charges of alleged fraud will be proceeded with.

[Advertisement], The Argus (29 June 1858), 8

http://nla.gov.au/nla.news-article7296750

SCOTCH COLLEGE, EASTERN-HILL, MELBOURNE. ESTABLISHED 1851. PRINCIPAL: ALEXANDER MORRIS0N, A.M. . . .
Music - Vocal: Mr. Walter Bonwick . . .
Music -Instrumental: Piano - Charles Bial, Esq.
Violin - Mr. L. Delplanque.
Flute - Mr. Cleary . . . .
Dancing: Mr. Delplanque.
Drill-Sergeant: Mr. Cleary . . .

ASSOCIATIONS: Alexander Morrison (principal); Walter Bonwick (musician); Charles Bial (musician); Louis Delplanque (violinist, dancing master)

"NEW MUSIC", Bell's Life in Victoria and Sporting Chronicle (5 November 1859), 2

http://nla.gov.au/nla.news-article201379601 

We have received a new "Grand Polka," composed for the Royal Victoria Volunteer Artillery Regiment, and dedicated to Lieutenant Colonel Pasley. It is by Mr. William Cleary, a musical amateur, who gained favour in the adjoining colony of New South Wales by two or three pretty trifles of a similar character. We recommend the last new polka to our sister belles, who will, no doubt, accept the recommendation of a beau Bell (who, however, is not of Cockneydom).

ASSOCIATIONS: Charles Pasley (soldier, musical amateur)

[News], The Argus (8 November 1859), 4

http://nla.gov.au/nla.news-article5691346 

A new and original polka, "The Royal Victorian Volunteer Artillery Regiment," composed by Mr. W. Cleary, a local musician, has been handed to us for review. The melody is extremely pretty, and far from commonplace. The composition is arranged with every regard to the convenience of amateur pianists, and Mr. Cleary has at the same time preserved the characteristics of brilliancy.

"THE NEWS OF THE DAY", The Age (17 December 1859), 5

http://nla.gov.au/nla.news-article154878685 

The band of the 40th regiment will play at the Botanic Gardens this afternoon from four till six o'clock. The following is the programme: . . . . Polka, "The Royal Victoria Artillery," Cleary.

ASSOCIATIONS: Band of the 40th Regiment (military band)

[News], The Argus (6 November 1860), 4

http://nla.gov.au/nla.news-article5692820

The drum and fife band of the Carlton Company of Volunteer Rifles came out on Saturday for the first time, under the mastership of Mr. William Cleary, and played some very pretty marches, among which one composed by him for the company, called the "Carlton Volunteer Rifle March." We doubt not many will be glad to see them out every parade day.

"POLICE COURT. WEDNESDAY, JUNE 19 . . . STEALING BOOKS FROM THE PUBLIC LIBRARY", The Argus (21 June 1861), 6

http://nla.gov.au/nla.news-article5701222

Duncan Harrington, an elderly man, was charged with stealing several volumes of different works from the Public Library . . . William Cleary, assistant at the library, identified the volumes produced, which he stated had been found at a bookseller's in Stephen-street . . .

[News], The Argus (27 November 1867), 5

http://nla.gov.au/nla.news-article5784464

Another contribution has been made the stock of music composed in honour the Prince. This is the "Alfred Galopade" which has been very handsomely printed, its frontispiece bearing an unusually fine lithograph of H.R.H.. The composer, who deserves credit for a spirited and well-written piece of dance music, is Mr. W. Cleary, one of the assistants at the Public Library, and some years sergeant of the band of 99th Regiment, whose performances in Melbourne in 1854-5 will yet be remembered by many admirers.

"CIVIL SITTINGS . . . TUESDAY, AUG. 24 . . . SMITH V. CLEARY", The Argus (25 August 1869), 7

http://nla.gov.au/nla.news-article5833517

An action on a bill of exchange for £30, endorsee against drawer. Plea, that defendant did not draw or endorse the bill. Mr. Duigan for plaintiff; Mr. Fellows for the defendant. The bill was dated 26th September, 1868, at three months for £30, and purported to be drawn by Timothy Cleary upon William Cleary, accepted by the latter, and endorsed to plaintiff. William Cleary is no relative of the defendant, though of the same name; and is employed at the Public Library . . .

"WE LEARN that . . .", Launceston Examiner (21 September 1875), 2

http://nla.gov.au/nla.news-article52901492

WE LEARN that Mr. Michael Cleary, of Invermay, has been appointed Paymaster of Imperial Pensioners in Northern Tasmania. Mr. Cleary has been connected with the service of Government, in civil and military capacity, for upwards of 45 years. He arrived at Hobart Town with the 99th regiment, and on his retirement in 1851 on a pension from the army, in which he had been sergeant and latterly band master [recte, band sergeant] for 23 years, he was appointed principal storekeeper to the Convict Department. On the breaking out of the goldfields in Victoria, he proceeded thither, and obtained the situation of Despatching Clerk under the Government of Governor Latrobe, which he held under successive governors until the time of Lord Canterbury, a period of over twenty years, when he retired on a good conduct pension.

"IMPERIAL PENSIONER'S PAYMASTER", The Tasmanian [Launceston, TAS] (25 September 1875), 12

http://nla.gov.au/nla.news-article198919115 

We learn that the appointment of paymaster of Imperial pensioners has been conferred upon Mr. Michael Cleary of Invermay. Mr. Cleary is the recipient of a military pension from the Imperial Government, having served 23 years as bandmaster [sic] of the 99th Regiment. He has also a pension from the Victorian Government for over 20 years meritorious service as despatch clerk in the Treasury department. Mr. Cleary is the possessor of numerous complimentary testimonials from high officials who have held authority in the neighboring colony of Victoria.

"CONCERT AT ST. JOSEPH'S HALL", The Tasmanian (28 October 1876), 5

http://nla.gov.au/nla.news-article198906612 

Two hours were passed very pleasantly at this hall on Thursday, at a vocal and instrumental concert in aid of the funds of the St. Joseph's Band . . . The St. Joseph's Band, under the leadership of Mr. M. Cleary, performed four selections of music, - Lucrecia Borgia, "Stars of the South," "Silver Trumpets," and the "Butterflies Ball," during the evening, in their usual spirited but careful manner . . .

ASSOCIATIONS: St. Joseph's Band (Launceston)

"PROMENADE CONCERT", Launceston Examiner (7 November 1876), 2

http://nla.gov.au/nla.news-article37144802

It is notified that the first promenade concert of a series of twelve will be given by the St. Joseph's Band, on the evening of the Prince of Wales's Birthday, in the Public Gardens, under the conductorship of Mr. M. Cleary, late Bandmaster H.M 99th Regiment.

"Deaths", The Argus (2 May 1889), 1

http://nla.gov.au/nla.news-article6243147

CLEARY. - On the 1st inst., at Rosebank, Moreland-grove, Michael, the beloved husband of Elizabeth Cleary, for many years despatch clerk Chief Secretary's office, Melbourne. (A colonist of 45 years' residence.) R.I.P.

[News], The Ballarat Star (3 May 1889), 2

http://nla.gov.au/nla.news-article204042921

A very old colonist and one of the oldest Government servants, Mr. M. Cleary, passed away on Wednesday (says the Telegraph), at the age of 80. Mr. Cleary had been 45 years in the Imperial and colonial service in Victoria. He was bandmaster of the 99th Regiment when stationed here [sic]. He was appointed despatch clerk by Governor Latrobe, and he continued to be attached to the staffs of the Governors down to the time of Sir George Bowen. He was transferred to the office of the Chief Secretary, and retired at the age of 61, after 45 years' service. He enjoyed two pensions - one from the Imperial Government and the other from the Victorian authorities.

"DEATHS", The Argus (14 January 1895), 1

http://nla.gov.au/nla.news-article9341426

CLEARY. - On the 10th inst., at his residence, Lennox-street, Hawthorn, William, the beloved husband of Susan Cleary; formerly secretary of the Melbourne Public Library, aged 76 years. Interred in the Boroondara Cemetery. May his soul rest in peace. Amen.

"ST. JOSEPH'S BAND. FIFTY YEARS' HISTORY", Launceston Examiner (6 July 1895), 3

http://nla.gov.au/nla.news-article39611885 

. . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment . . . he was succeeded by Mr. Michael Dillan, solo clarionet player of the 11th Regiment band, and after him Mr. Drum-Major Allen, who had retired from the 96th Regiment . . . He was succeeded by the late Mr. Charles Galvin, one of the founders . . . Subsequently Mr. Alexander Wallace . . . succeeded Mr. Galvin. In 1876 Herr Carl Schmitt took charge, and he was followed by Mr. M. Cleary . . .

ASSOCIATIONS: John Agnew (musician); Charles Galvin (musician); Carl Schmitt (musician)


Extant musical works (William Cleary):

My lov'd, my happy home (1844)

My lov'd, my happy home, an original ballad, the words & music composed and by permission most respectfully dedicated to Mrs. Colonel Despard 99th Lanarkshire Regiment by William Cleary, corporal of the band (Sydney: Hudson & Co., [1844])

https://trove.nla.gov.au/work/24560929

ONSITE PDF (free download)

ASSOCIATIONS: George Hudson (publisher); Anne Despard (dedicatee)

The Royal Victoria Volunteer Artillery Regiment grand polka (1859)

The Royal Victoria Volunteer Artillery Regiment grand polka composed and arranged for the piano forte and by permission most respectfully dedicated to the Hon'ble. C. Pasley, R.E. Lieut. Colonel commanding the regiment by William Cleary (Melbourne: Hamel & Co., 1859)

https://trove.nla.gov.au/work/16444740 

http://nla.gov.au/nla.obj-165942397 (DIGITISED)

ASSOCIATIONS: Charles Pasley (soldier, musical amateur); Julius Hamel (lithographer)

Prince Alfred galopade (1867)

Prince Alfred galopade, composed and arranged for the piano forte, most respectfully dedicated to H.R.H. the duke of Edinburgh K.G. (Earl of Ulster) by William Cleary, late sergeant of the band, Her Majesty's 99th Lanarkshire Regiment (Melbourne: C. Troedel, lith., [1867])

https://trove.nla.gov.au/work/12851203 

http://nla.gov.au/nla.obj-164753057 (DIGITISED)

ASSOCIATIONS: Prince Alfred (duke of Edinburgh); Charles Troedel (lithographer)


Bibliography and resources:

Report of the Trustees of the Public Library, Museums, and National Gallery of Victoria, with the reports of the sectional committees for the year 1871 (Melbourne: John Ferres, Government Printer, 1872)

http://www.parliament.vic.gov.au/vufind/Record/90043

Edmund La Touche Armstrong, The book of the Public Library, Museums, and National Gallery of Victoria, 1856-1906 (Melbourne: Trustees of the Public Library, Museums, and National Gallery of Victoria, 1906), 5, 34-35

http://handle.slv.vic.gov.au/10381/214115 (DIGITISED)

https://archive.org/details/bookpubliclibra01armsgoog/page/n20/mode/2up (DIGITISED)

[4] . . . The first man appointed in any permanent manner [to the Melbourne Public Library] was Edward Washfold. He had been employed at the Supreme Court as a sort of general factotum, and on the opening of the Library in February, 1856, Judge Barry appointed him as Porter, at a salary of 150 per annum, until provision could be made for supplying him with suitable quarters, when, it would appear, his salary was to be reduced to 120 per annum. For three months Washfold carried on the [5] work of the Library, with the assistance of a constable at the front door. Printed catalogues of the first books supplied had been sent out by Mr. Guillaume, the first bookseller to the Trustees, and doubtless the Judge himself superintended their arrangement on the shelves. The appointment of Washfold was questioned by the Chief Secretary of the time. He had nominated William Cleary for the position and instructed him to report himself for duty at the Library. Cleary did so, but, apparently by Judge Barry's instructions, was told that his services were not required. He returned to the Chief Secretary's office and asked for instructions. He was directed to report himself daily, and this he continued to do, with the invariable result that, according to his statement, he was informed that "there was nothing for him to do at the Library." So matters continued for some time, the Trustees, or, rather, the Judge, on their behalf, insisting that the right of appointment to the staff rested with them. On May 1st, Barry wrote to the Government asking that Washfold be paid from the 11th of February. He differed from Cleary in his view of the position, for he stated that Cleary had been drawing pay since the Library was opened, and although regularly instructed by the Trustees in the duties he was to perform, he had withdrawn himself without their leave, and since the 31st of March he had not done any duty whatever at the Library. Finally the matter was compromised by the appointment of Washfold as Porter and Cleary as Clerk, the Government apparently conceding the right of future nominations to the Trustees . . .

ASSOCIATIONS: Redmond Barry (judge)




CLEMENTI, Sarah (Sarah CLEMENTI; Signora CLEMENTI; Madame CLEMENTY; Madame CLEMENTE)

Vocalist, stage singer

Active Sydney, NSW, 1854; ? 1859

https://trove.nla.gov.au/search?l-publictag=Sarah+Clementi+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLEMENTI-Sarah (shareable link to this entry)


Documentation:

[News], The Sydney Morning Herald (4 September 1854), 4

http://nla.gov.au/nla.news-article12957420 

WE observe that M. and Madame Herwyn have announced their farewell concert . . . when they will be assisted by a phalanx of talent, including a debutante, the Signora Clementi, of whose powers report speaks highly . . .

ASSOCIATIONS: Henry and Celestine Herwyn (violinist and pianist)

[Advertisement], The Sydney Morning Herald (5 September 1854), 2

http://nla.gov.au/nla.news-article12954104 

MONSIEUR and MADAME HERWYN'S Last Concert at the ROYAL HOTEL, THIS EVENING, 5th September, under the immediate patronage of His Excellency the Governor General.
PROGRAMME. - PART I . . . 3. Song - "Ah! Cilo!" [Ah cielo] from "Norma" - sung by Mrs. Clementi - BELLINI . . .
PART II . . . 2. A Favorite Song - by Mrs. Clementi . . .

ASSOCIATIONS: Royal Hotel (Sydney venue)

"MONS. AND MADAME HERWYN'S LAST CONCERT", The Sydney Morning Herald (7 September 1854), 5

http://nla.gov.au/nla.news-article12960379 

. . . The concert of Tuesday evening was highly gratifying to all the lovers of good music, and the demonstrations in favour of most of the performances were most unequivocal . . . The opening duet by the beneficiaires was a masterpiece of execution . . . The song which followed, "Cheer, Boys, cheer," appeared to us a little out of place; it was followed by "Ah Cielo," from the opera of Norma. Nervousness prevented Signora Clementi from doing justice to this song, which is unlike the rest of Bellini's compositions, and certainly not equal to most of them . . . All who were present at this concert, amongst whom were his Excellency the Governor General, Mr. Justice Therry, the Attorney-General, and their families, seemed highly pleased with the entertainment.

ASSOCIATIONS: Charles Fitzroy (governor); Roger Therry (judge); John Hubert Plunkett (attorney general)

"THE HERWYNS' FAREWELL CONCERT", Bell's Life in Sydney and Sporting Reviewer (9 September 1854), 2

http://nla.gov.au/nla.news-article59759121 

. . . Madame Clementi was too timid to afford herself a fair chance . . .

[Advertisement], Empire (2 November 1854), 1

http://nla.gov.au/nla.news-article60199506 

Great Attraction every Evening. GRAND PROMENADE CONCERTS will take place in the Bazaar.
Full band from the Royal Gardens, Vauxhall, London.
Conductor. - HERR KRUSE. Pianist - MR. EMANUEL.
PROGRAMME, November 1st.
Overture - Band. Glee - Hail smiling morn. - Spofforth. Polka - Band.
Song - Miss Flora Harris - I love the dewy twilight. - Glover.
Pot Pouri - William Tell. Song - Mr. Hancock - Gipsy Prince. - Sporle. Waltz - Band.
Song - Madame Clementy. - Should he upbraid, - Bishop. Galop - Band.
Song - Mr. J. Fairchild - Madeline. - Nelson. Cavatina - La Sonnambula. - Bellini.
Song - Miss Flora Harris - The Swallows. - F. Abter [Abt]. Polka - Band.
Song - Mr. Hancock - The Fugitive Slave. Galop - Band.
Song - Madame Clementy - Banks of Allan Water. - Walker. Waltz - Band.
Song - Mr. J. Fairchild - I'm Leaving thee, Annie. - Barker. March - Band.
GOD SAVE THE QUEEN.
Doors open at half-past 7; commence at 8 precisely. Admission to Promenade, One shilling; Dress Circle, 2s.

ASSOCIATIONS: Herman Kruse (conductor); Abraham Emanuel (pianist); Flora Harris (vocalist); Edward Hancock (vocalist); Joseph Fairchild (vocalist)

[Advertisement], The Sydney Morning Herald (6 November 1854), 1

http://nla.gov.au/nla.news-article12957334 

ROYAL HOTEL.- Great attraction every evening.
Grand Promenade Concerts (a la Jullien), in the Bazaar.
Full band from the Royal Gardens, Vauxhall, London; conductor, Herr Kruse;
principal vocalists, Miss Flora Harris, Madam Clementy, Mr. Hancock, and Mr. Fairchild; pianist, Mr. Emanuel.
Doors open at half past seven, commence at eight o'clock. Admission to promenade, 1s. ; reserved seats, 2s. 6d.

"COURT OF REQUESTS, £30 JURISDICTION . . . CLEMENTI v. TORNING", Empire (8 February 1855), 5

http://nla.gov.au/nla.news-article60203911 

This was an action brought by the plaintiff Sarah Clementi who was described as a stage professional singer, to recover from the defendant Mr. Andrew Torning, the Lessee of the Victoria Theatre, a sum of £30, damages for an alleged breach of contract.
It appeared from the opening statement, that an agreement was entered into between the parties, by which the defendant bound himself to pay to the plaintiff a weekly salary of three pounds per week for six months, in consideration of the latter contributing her professional talents to the service of the defendant for a like period.
The evidence in support of the plaint was, that some months ago plaintiff, accompanied by Mr. Emanuel, a professor of music, whose assistance she had solicited to procure her an engagement, waited on Mr. Torning and represented to him that she (plaintiff) was an operatic singer of considerable talent, and qualified to appear before the public as a prima donna on the theatrical boards. The defendant, who was at the time about to become the lessee of the Victoria Theatre, referred the plaintiff to Mr. John Howson, who was attached to the theatre as a singer, before whom she was to give some proof of her ability; she did so, and the result was favourable; she was subsequently engaged for six months as stated in the plaint, but after the second week of that engagement defendant dismissed her, and refused to perform his share of the contract, by which she sustained damages to the amount sought to be recovered.
The defendant's pleas set forth, first, that he never was indebted; second that he never entered into such a contract; and lastly, that plaintiff was not competent to perform the services for which she was engaged.
To sustain the different pleas Mr. Torning and the Messrs. Howson were sworn, from whose evidence it appeared, first, that no specific agreement had ever been entered into, the defendant emphatically repudiating the idea that he would engage professional talent at such a low figure, under any circumstances; and second, that she was, as alleged, incompetent as a singer.
The evidence on both sides was analysed by his Honor in submitting the case to the assesors, who, after a short deliberation, returned a verdict for the plaintiff, damages £30. Attorney for the plaintiff; Mr. Michael; for the defendant, Mr. Long.

ASSOCIATIONS: Andrew Torning (lessee, manager); John Howson (vocalist); Royal Victoria Theatre (Sydney venue)

? [Advertisement], The Sydney Morning Herald (24 November 1859), 1

http://nla.gov.au/nla.news-article28627832

SCHOOL OF ARTS, BALMAIN. -
Madame CLEMENTE (from the Italian Opera House and Hanover Square Concert Rooms, London).
This celebrated vocalist, who has given so much gratification to those before whom she has had the honour to appear, begs to acquaint the inhabitants of Balmain and Sydney, that she will give a grand
CONCERT, on THURSDAY EVENING, 24th instant, and will be assisted by several eminent artistes.
PROGRAMME. PART I.
Trio - The Wreath (Mazzinghi)
Song - The Slave Ship (Russell) - Mr. Lameroux
Ballad - Kathleen Mavourneen (Crouch) - Mde. Clemente
Aria - The heart bowed down (Balfe) - Mr. Levison
Solo, Violin - Fantasia on favourite airs (Peck) - Mr. Peck
Song - Beautiful Venice (Knight) - Mr. West
Duett - Singing Lessons (Barnett) - Mrs. Ivemay and Mr. Levison
Glee - The Red Cross Knight (Calcott).
PART II.
Glee - The Chough and Crow (Bishop)
Song - Trim the Lamp (T. Cooke) - Mr. Lameroux
Irish ballad - The Harp that once - Mr. West.
Scena - Casta Diva, Norma (Bellini) - Mde. Clemente
Cavatina - Hear me, gentle Maritana (Wallace), with violin obligato, Mr. Peck - Mr. Levison
Ballad - The Last Rose of Summer - Mde. Clemente
Song - The Wolf is out (T. Cooke) - Mr. Lameroux
Finale - National Anthem.
Mrs. Ivemay will preside at the Piano.
Solo Violin, Mr. Peck.
Front seats, 3s.; back seats, 1s. Doors open at half past 7, concert to commence at 8.
Steamer will run till 11 p.m.

ASSOCIATIONS: Monsieur Lamoureux = Henry Osborn Thompson (vocalist); Mrs. Ivemay (pianist, vocalist); John Leveson (vocalist); George Peck (violinist)




CLEMENTS, E. H. (E. H. CLEMENTS)

Comic singer, songwriter

Active Daylesford and Bendigo, VIC, 1858

https://trove.nla.gov.au/search?l-publictag=E+H+Clements+comic+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLEMENTS-E-H (shareable link to this entry)


Documentation:

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (24 May 1858), 3

http://nla.gov.au/nla.news-article197085847 

INDIAN RELIEF FUND. Daylesford, 13th May, 1858.
SIR, - I have the honor to hand you, enclosed the sum of thirty pounds sterling, being nett proceeds of amateur performance given in this township in aid of the Indian Relief Fund, in which the following gentlemen took part, viz:
Messrs. W. A. Smyley, W. J. Montgomery, Adam Hope, K. Johnson, E. H. Clements, W. G. Hart, H. P. Tallant, John C. McCausland, D. Barclay Brown, W. D. McCausland, and Mr. Chas Brown.
Also, please find enclosed the sum of one pound sterling, being a private donation from Mr. E. H. Clements.
I have to request that you will acknowledge the receipt of these amounts in the Melbourne daily papers, and in the Mount Alexander Mail, on behalf of the before-named fund.
I have the honor to remain, Sir, Your obedient servant,
WM. GEO. HART, Treasurer.
[TO] The Hon Secretary of the Central Committee.

[Advertisement], Bendigo Advertiser (28 August 1858), 1

http://nla.gov.au/nla.news-article87982989 

VICTORIA HOTEL CONCERT ROOM.
THE Proprietor, Mr. EDWARD RYAN, has much pleasure in informing his friends and the public in general, that he has made arrangements with Mrs. STONE, the celebrated Comic Singer in character, in conjunction with Mrs. BYRNE, the noted Soprano;
also, Mr. E. H. CLEMENTS, alias "Thatcher, No. 2," who will introduce, nightly,
New Local Songs of his own composing, and other Novelties. Admission Free.

ASSOCIATIONS: Edmund Gubbins Ryan [sic] (proprietor) Mrs. Stone (vocalist); Mrs. Byrne (vocalist); "Thatcher, No. 2", a reference to Charles Thatcher (comic vocalist, songwriter); Victoria Concert Room (Bendigo venue)

[Advertisement], Bendigo Advertiser (20 September 1858), 1

http://nla.gov.au/nla.news-article87983849 

VICTORIA HOTEL CONCERT ROOM, TO-NIGHT.
OVERFLOWING AUDIENCES To Hear MRS. STONE AND MR. E. H. CLEMENTS, (alias Thatcher No. 2) in COMIC DUETS, In Character.
ALSO, MRS. BYRNE, The admired Soprano. AN ENTIRE CHANGE. TO-NIGHT.
Thatcher No. 2 will introduce several New Local Songs, &c. COME EARLY. ADMISSION FREE.

[Advertisement], Bendigo Advertiser (25 September 1858), 1

http://nla.gov.au/nla.news-article87983658 

VICTORIA HOTEL CONCERT ROOM. TO- NIGHT, SATURDAY.
AN ATTRACTIVE PROGRAMME. TO-NIGHT, MRS. STOKE and MK. E. H. CLEMENTS
In New Comic Duets, including "The Ballad Singers," "Advertising for a Wife, &c."
THATCHER No. 2 Will sing several New Local Songs, including "The Williamson-street Fire," "The Amateur's Performance"
And the OPPOSITION MEETING; Or, VIEW POINT v. MARKET-SQUARE.
Mrs. BYRNE in Favorite Ballads. Admission Free!!

[Advertisement], Bendigo Advertiser (2 October 1858), 1

http://nla.gov.au/nla.news-article87983942 

VICTORIA HOTEL CONCERT ROOM. TO-NIGHT, SATURDAY. UNPRECEDENTED ATTRACTION.
Mrs. STONE, the celebrated Comic Singer, with Mr. E. H. CLEMENTS, in New Comic Duets, in character.
THATCHER No. 2 will sing some new Local Songs, "THE PORT CURTIS RUSH," "Trotting Match, &c." . . .

"VICTORIA HOTEL", Bendigo Advertiser (4 October 1858), 3

http://nla.gov.au/nla.news-article87983959 

During the latter part of the evening on Saturday, the concert-room at the Victoria was extremely crowded. The songs in character, and those of a local nature by Mr. E. H. Clements, which contain some excellent hits, were, as might be expected, very well received. The whole of the audience seemed to enjoy themselves to the top of their bent.

[Advertisement], Bendigo Advertiser (16 October 1858), 1

http://nla.gov.au/nla.news-article87984268 

VICTORIA CONCERT ROOM . . . MR. E. H. CLEMENTS, Composer and Singer of Local Songs.
The great popularity attained by the Victoria Concerts will be heightened on this occasion by New Comic Duets, Ballads, and Local Songs, including (for the first time),
THE COMET, Or, ECCENTRIC STARS OF SANDHURST, By MR. E. H. CLEMENTS . . .

"VICTORIA CONCERT ROOM", Bendigo Advertiser (4 November 1858), 3

http://nla.gov.au/nla.news-article87984663 

There was a fair attendance last night at the Victoria. The songs on the "passing events," sung by Mr. Clements, and those of a more general character, met their usual meed of applause, and the audience, at all times able to be tickled by a decent joke, more especially if it be of a local nature, departed in the highest good temper.

[Advertisement], Bendigo Advertiser (22 November 1858), 1

http://nla.gov.au/nla.news-article87985062 

"ALONZO YE BRAVE, AND YE FAYRE IMOGENE,"
A new Operatic Burlesque by MESSRS. WILLIAMS AND CLEMENTS,
AT THE VICTORIA. Pianist - Mr. Bush. ADMISSION FREE.

ASSOCIATIONS: Charles Williams (vocalist); James Bush (pianist)

[Advertisement], Bendigo Advertiser (1 December 1858), 1

http://nla.gov.au/nla.news-article87985281 

VICTORIA THEATRE, PALL MALL. UNPARALLELED ATTRACTION!
THIS EVENING, WEDNESDAY . . .
MR. E. H. CLEMENTS, With New Local Songs . . .
Conductor and Pianist - Mr. Bush.
ADMISSION FREE. Mr. E. RYAN, Proprietor.

"ARGYLE CONCERT HALL, BULL AND MOUTH HOTEL", Bendigo Advertiser (14 December 1858), 3

http://nla.gov.au/nla.news-article87985549 

We were pleased to find a very numerous attendance at this new and popular place of amusement last evening. The performances of the celebrated Picco on the musical gridiron, violin, and banjo, met with unbounded applause. Thatcher No. 2 appears to be as great in his particular line of local songs as the old original. Mr. Fairchild is as good a favorite here as elsewhere. The piano is most ably presided over by Mr. Schede.

ASSOCIATIONS: J. A. Picco (musician); Joseph Fairchild (vocalist); Herman Schede (pianist)




CLEMONS, John (John Nicholas CLEMONS; Mr. J. CLEMONS; Mr. CLEMONS)

Musician, vocal music class teacher, singing class instructor, school teacher

Born Tiverton, Devon, 7 August 1835; son of John CLEMONS (b. 1802) and Mary Ann TONGUE (b. 1810)
Arrived Hobart, TAS, 2 December 1855 (per Vice Admiral Gobins)
Married Anne Alicia TUCKER (1834-1919), Launceston, TAS, 24 (? 25) May 1861
Died St. Leonards, TAS, 15 November 1905

https://trove.nla.gov.au/search?l-publictag=John+Nicholas+Clemons+1835-1905 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLEMONS-John (shareable link to this entry)


Documentation:

Register of births, Baptist chapel, Tiverton, Devon, 1835; UK National Archives, RG4/1221

https://www.ancestry.com.au/discoveryui-content/view/73246:2972 (PAYWALL)

John Nicholas Clemons Son of John and Mary Ann Clemons his wife who was Daughter of John Tongue was born at Tiverton August 7th 1835 . . .

England census, 30 March 1851, Tiverton, Devon; UK National Archives, HO107/1889/272/7

https://www.ancestry.com.au/imageviewer/collections/8860/images/DEVHO107_1889_1890-0113 (PAYWALL)

Rackfield / John Clemons / Head / Mar. / 48 / Smith / [born] Leicester Loughborough
Mary A. [Clemons] / Wife / Mar. / 40 / - / [born] Essex Chelmsford
John [Clemons] / Son / 15 / Pupil Teacher / [born] Tiverton Devon . . .

RETURN of the Arrival at the Port of Hobart Town of the barque "Vice Admiral Gobins", 2 December 1855; Tasmanian names index; NAME_INDEXES:413811; MB2-39-1-19 Image 219

https://stors.tas.gov.au/NI/413811 

https://stors.tas.gov.au/MB2-39-1-19$init=MB2-39-1-19P220 (DIGITISED)

Cabin . . . Edwin Pears, George Roberts, John Clemons . . . Henry Morris . . .

[Advertisement], The Courier [Hobart, TAS] (7 April 1856), 3

http://nla.gov.au/nla.news-article2501547 

VAN DIEMEN'S LAND MECHANICS' INSTITUTE, Melville-street, Hobart Town . . .
MUSIC CLASS. Conductor, MR. CLEMONS.
The Class for the study of Vocal Music will reassemble on FRIDAY EVENING NEXT, the 11th instant.
Terms: - Subscribers, 1s. 6d. per month; non-subscribers, 2s. 6d. ditto . . .
Mechanics, youths under 16 years of age, and apprentices, are admitted at half the above charges.
By order of the Committee, MURRAY BURGESS, Secretary. Committee Room, 7th April, 1858.

MECHANICS' INSTITUTE", The Hobart Town Advertiser (15 April 1856), 2-3

http://nla.gov.au/nla.news-article264640661 

On Thursday evening, the 17th inst., Mr. Edwin Pears commenced a series of Lectures on Chemical Science . . . [3] . . . The Singing Class has been re-established under the direction of Mr. Clemons, and the members will assemble for practice once a-week. We hope that the class may prove attractive . . .

"HOBART TOWN MECHANICS' INSTITUTE. ANNUAL MEETING", The Tasmanian Daily News (21 February 1857), 2

http://nla.gov.au/nla.news-article202988652 

Last evening the annual meeting of the members of the Hobart Town Mechanics' Institute was held in the Lecture Hall of the Institute. The President, the Lord Bishop of Tasmania, opened the business of the meeting . . . The Report, which was then read, set forth that - . . . At the opening of the session a class was formed for the study of chemistry . . . A class was opened at the same time for the practice of vocal music, but was brought to an abrupt termination in consequence of the departure of the gentleman who took the charge of it to another sphere of action. Mr. John Salier, the former teacher, has resumed the duties of his profession in Hobart Town, and has expressed his readiness to reform the class, so that the committee trust it may ere long be in fall and successful operation . . .

ASSOCIATIONS: John Jabez Salier (replacement instructor)

1861, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:862487; RGD37/1/20 no 293

https://stors.tas.gov.au/NI/862487 

https://stors.tas.gov.au/RGD37-1-20p155j2k (DIGITISED)

No. 264 / 293 / [25 May 1861] John N. Clemons / Full age / Bachelor /
A. A. Tucker / Full age / Spinster . . . [signed] Anne Alicia Tucker . . .

"INSOLVENT COURT", Launceston Examiner (5 June 1862), 5

http://nla.gov.au/nla.news-article41453670 

The following cases are set down for to-day: - First meetings John Clemons, of Patterson's Plains, farmer . . .

"CAMPBELL TOWN (From our own Correspondent) . . . PRESENTATION", Launceston Examiner (2 July 1864), 3

http://nla.gov.au/nla.news-article38653553 

The members of St. Luke's Singing Class met on Wednesday evening, and presented their conductor, Mr. J. N. Clemons, with an address, accompanied by a splendid set of ivory chess men. The address was read, and presentation made, by Miss R. Valentine, who was shortly afterwards surprised at receiving an address and handsome dressing-case from Mr. Clemons, in the name of the members of the original singing class, which has been conducted by him for some years past. Both addresses were suitably replied to, and the class separated, too highly pleased to go through their usual practice.

"CAMPBELL TOWN (From our own Correspondent) AMATEUR CONCERT AT ST. LUKE'S SCHOOL ROOM", The Cornwall Chronicle (21 December 1864), 11

http://nla.gov.au/nla.news-article66457730 

One of those pleasing events which tend so much to the preservation of sociability and friendly feeling in a small community like ours, came off at the above place on Wednesday evening last. For the last few months a singing class has been formed, and conducted by Mr. Clements [sic], the master of the public school, aided by the Misses Valentine, whose musical abilities have tended greatly to the improvement of the members. This being the time when the schoolmaster and his scholars part for a time each to enjoy their holidays, it was determined to give a concert - each member of the class to have the privilege of inviting one person; and about 1/2 past 7 o'clock about 100 persons in all had assembled. The concert consisted of glees, part-songs, solos, and instrumental music, and I venture to say that there have been concerts given of far higher pretensions than this, where far less talent has been displayed. I believe, at amateur concerts, it is not the custom to particularize any part of the performance, nor do I intend to depart from the custom in the present instance, for where all acquitted themselves so well it would be a most difficult task; but shall content myself by saying that the efforts of the performers gave great satisfaction to all present, and I believe it is the general wish that this may not be the last of such concerts we shall have the pleasure of being present at. Just before the singing of the "National Anthem" Dr. Valentine rose and said he had been deputed by the class to perform what was to him a most pleasing duty, and that was, to return their thanks to Mr. Clements for the kind and efficient manner in which he had performed his duty as conductor, and they now wished to shew their gratitude to him by presenting him with a small testimonial of their esteem. The Dr. also said that he felt sure every person present must see that great pains had been taken by Mr. Clements, to bring so many young voices to harmonize so well together. He then presented the testimonial which consisted of a very handsome bread plate, butter dish, and knives to match. Mr. Clements in a few appropriate remarks returned thanks and said it gave him great pleasure to think that he had been able to render himself useful, and he trusted he should be afforded the gratification of seeing some new members at their next meeting. The programme was as follows: -
Glee - "Hail Smiling Morn."
Piano Solo - "Invitation to the Dance."
Part Song - "Clad in Spring tide Beauty."
Quartette - "Ye Mariners of England."
Song - "Thy Bright Smile Haunts me Still."
Glee -" Come let us a Maying go."
Piano Duett - Selection from "Daughter of the Regiment."
Part Song - "When first I saw your face."
Quartette and Chorus - "Now Pray we for our Country."
Part Song - "There is a calm for those who weep."
Part Song - "Lightly Tread."
Duett - "I saw from the Beach."
Quartette - "Gipsy's Tent."
Glee- "Ripe Strawberry's."
Piano Duett - "The Continental Duett."
Song - "Home Sweet Home."
Part Song - "Now is the month of Maying."
Quartette - "The War Cry is Sounding."
Glee - "May Day."
"National Anthem."

ASSOCIATIONS: William Valentine (musical amateur)

"COUNTRY INTELLIGENCE. CAMPBELL TOWN (From our own Correspondent)", Launceston Examiner (20 December 1866), 3

http://nla.gov.au/nla.news-article36640597 

On Thursday evening last the Singing Class at Campbell Town, under the superintendence of Mr. John Clemons, gave an invitation entertainment at the Church of England school room. There was a goodly number present on the occasion. The performance was highly gratifying, and elicited a considerable amount of applause. At its close Dr. Valentine, on behalf of the class, presented Mr. Clemons with a handsome silver hunting lever watch and chain as a token of appreciation of that gentleman's services. Mr. Clemons acknowledged the present in appropriate terms.

"OBITUARY. MR. J. N. CLEMONS", Examiner (16 November 1905), 4

http://nla.gov.au/nla.news-article38807399

It will be learned with deep regret that Mr. John Nicholas Clemons, of St. Leonards, died at his residence yesterday morning. The deceased, who was 70 years of age, had been in ill-health for some considerable time past, suffering from consumption of the throat. He spent the winter in Adelaide, and only returned a few weeks ago, the change not having had the desired effect. The late Mr. Clemons was widely known in Tasmania as a leading state school teacher. He was born at Tiverton, Devonshire, in 1835, and was specially trained as a teacher at the establishment of the British and Foreign School Society, Borough-road, London. In the earlier fifties the Tasmanian Government sent to England for eight trained school instructors, and Mr. Clemons was one who determined to try his future in this new country. In 1855 he landed in Tasmania. The late Mr. W. H. Kidd was another of the teachers who arrived about the same period, the others being Mr. E. Pears - now a leading barrister in Constantinople - Mr. Park, who went to Bothwell, Mr. Rice, Mr. Morris, who died at Hadspen shortly after reaching the state - Mr. Reynolds, who subsequently relinquished school teaching - and Mr. George Roberts, who for many years has been master of Trinity School, Hobart. The subject of this notice, who brought letters of recommendation from Matthew Arnold, the celebrated master of Rugby, was first appointed to St. Paul's public school, Launceston. This building was originally used as St. Paul's Church, and did duty as a school in the week days. From there he removed to the Elizabeth-street school, near St. John's Church, remaining in charge until the five years' agreement under which he had accepted service from the education authorities had expired; then he resigned. In 1862 Mr. Clemons rejoined the service, taking charge of the state school at Campbell Town. He remained there for about ten years, and was next removed to Evandale, where he conducted the local state school for nine years. On the opening of the new school at Invermay in 1890, Mr. Clemons took charge, and continued there until the death of Mr. W. H. Kidd in 1892, when he followed the deceased teacher as head of the Charles-street establishment, from which he retired on October 1, 1896, after nearly 40 years' service under the Tasmanian Education Department. He was all excellent instructor, and many of his scholars attained high educational honours. The late Mr. Clemons leaves a widow, and family of five - two daughters and three sons. One daughter is unmarried, and the other is Mrs. A. T. Gibson, of Lowes Park. The sons are Dr. G. E. Clemons, of this city, Senator J. S. Clemons, and Mr. Percy Clemons, pastoralist, of King Island.




CLERKE, Adam (Adam CLERKE; A. CLERKE)

Musician, professor of music, bandmaster, clarinettist, flautist, organist, pianist, vocalist, singing master, teacher, composer

Born Bethnal Green, London England, 1839 (2nd quarter); son of Adam CLERKE (d. VIC, 1882) and Jane HUDSON (d. VIC, 1887)
Arrived Melbourne, VIC, by December 1861
Married (1) Naomi COOK (d. VIC, 1877), Prahran, VIC, 23 October 1865
Married (2) Emma MEDWORTH, Geelong, VIC, 10 August 1881
Died Battery Point, Hobart, TAS, 8 August 1886, aged "47"

https://trove.nla.gov.au/search?l-publictag=Adam+Clerke+1839-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLERKE-Adam (shareable link to this entry)


Summary:

Adam Clerke came to Victoria with his parents, and was in his early twenties when first billed playing clarinet in Henry Johnson's band in Melbourne in December 1861. He later appeared playing flute and clarinet in a concert with Charles Edward Horsley early in 1865. By July of the same year, he was by then in the process of moving to Circular Head, north-west Tasmania, to take up a bandmaster position, giving his first concert with the Stanley band in September, though returning to Melbourne, to marry, in October.

The Clerkes stayed only three or four years in Tasmania. In late 1869, Adam was back in Melbourne directing a youth band at St. Francis's church. By early 1871, he was bandmaster of the Emerald Hill Volunteer Artillery Corps, to which he added private teaching, and a singing class at All Saint's school, St. Kilda.

His wife Naomi died in 1877. He later moved to Geelong, where he directed the Geelong Artillery Band, and in 1881 remarried. In mid 1882, with his second wife, Emma, he had moved finally back to Tasmania, and settled in Hobart.


Documentation:

England census, 30 March 1851, St. Andrew, Holborn, Middlesex; UK National Archives, HO107/1513/302/12

https://www.ancestry.com.au/discoveryui-content/view/2721875:8860 (PAYWALL)

24 Lambs Conduit Street / Adam Clerke / Head / Mar. / 43 / Land Agent / [born] Ireland
Jane [Clerke] / Wife / Mar. / 40 / - / [Ireland]
Thomas F. [Clerke] / Son / Unm. / 18 / Messenger / [born] Spittalfields Mddl'x
Adam [Clerke] / Son / Unm. / 12 / Scholar / [born] Midd'x Bethnal Green
Jane [Clerke] / Daur. / Unm. / 8 / Scholar at home / [born] Surrey Rotherhithe

[News], The Argus (14 December 1861), 5

http://nla.gov.au/nla.news-article5706931 

A military concert takes place in the Botanic Gardens to-day, under the patronage of His Excellency the Governor and Lady Barkly, Major-General and Lady Pratt, and Colonel Carey. The performances will, no doubt, attract a numerous party. The following is the programme: -

Part I.
National Anthem (first time) - Wallace
Overture - Marco spada - Auber
Selection of Irish Melodies (with solos) - Johnson - Clarionet Mr. Johnson; Piccolo, Mr. F. Johnson; E flat Clarionet, Mr. Clerke; Cornopean, Mr. Richardson; Trombone, Mr. Berg
Quadrille - Christmas Waits - Farmer.
Part II.
Selection of Scotch Melodies - Johnson
Polka - Zerlina (Cornopean Obligato, Mr. Richardson, by desire) - Ettling
Waltz - Immortellan: Introduction (Trombone Obligato, Mr. Berg) - Gung'l.
Pot-pourri on English Airs, by Tutton, bandmaster to H. M. Royal Home Guards Blue, will be played for the first time . . .

ASSOCIATIONS: Henry Johnson (conductor, clarinet); Frederick Johnson (piccolo); James William Richardson (cornopean); Charles Berg (trombone); Victorian Volunteer Band (volunteer military); Botanic Gardens (Melbourne venue)

[Advertisement], The Telegraph, St Kilda, Prahran and South Yarra Guardian (19 November 1864), 2

http://nla.gov.au/nla.news-article255914394 

MR. ADAM CLERKE, Teacher of the Clarionette, Flute, and Cornet. Bandon Cottage, Princes-street, Prahran.

[Advertisement], The Telegraph, St Kilda, Prahran and South Yarra Guardian (26 November 1864), 2

http://nla.gov.au/nla.news-article255914419 

MR. ADAM CLERKE, of the Head-Quarters Band, Teaches the Clarionette, Flute, and Cornopean.
Bandon Cottage, Princes-street, Prahran. Bands supplied.

ASSOCIATIONS: Head-Quarters Band (volunteer military)

"THE CHURCH OF ENGLAND BAZAAR AT PRAHRAN", The Telegraph, St Kilda, Prahran and South Yarra Guardian (31 December 1864), 2

http://nla.gov.au/nla.news-article255914538 

This long-talked of, much-thought about, and eagerly-anticipated bazaar, was opened on Wednesday afternoon . . . An excellent band has been in attendance each evening under the direction of Mr. Adam Clerk. W. Clark, Esq, and Mr. George Tolhurst have given several organ performances. On Wednesday evening several members of the St. Kilda Glee and Madrigal Society kindly gave their aid . . .
The following programme will be performed this evening by the band under, the able direction of Mr. Clerke: -
Overture - Ruth. - Tolhurst.
Waltz - Violante - D'Albert.
Quadrille - Marino Faliero - D'Albert.
Polka - The War (first time) - Cornet Solo, Mr. Clerke - Davis.
Waltz - Dreams of Childhood - Montgomery.
Schottische - The Birthday (first time) - Clerke.
Quadrille - Geneva - D'Albert.
Polka - Tom Tit's Polka - Montgomery.
Waltz - Spirit of the Ball - L. Williams.
Galop - Chevy Chase - Montgomery.
Finale - God Save the Queen.

ASSOCIATIONS: George Tolhurst (composer, organist); William Clarke (organist)

[Advertisement], The Herald (27 January 1865), 2

http://nla.gov.au/nla.news-article245504796 

GRAND VOCAL and INSTRUMENTAL CONCERT For the BENEFIT of SIGMOR PIETRO CANNA, On WEDNESDAY, 1st FEBRUARY.
On which occasion MISS OCTAVIA HAMILTON, MADAME STUTTAFORD . . . AND ORCHESTRA.
Mr. J. Munyard - Leader. Herr Antonni, Mr. Tolhurst, Mr. J. Richardson, Mr. Stoneham,
Mr. A. Clerk, Mr. Foster, Mr. Thorn, Mr. F. Litolff, etc.
PROGRAMME. Operatic Selection, Ballads. Flute and Cornet Solos . . .

ASSOCIATIONS: Pietro Canna (drummer); Octavia Hamilton (vocalist); Charlotte Stuttaford (vocalist); John Munyard (violin, leader); William Stoneham (musician); James Thorne (musician); Francis Litolff (musician)

[Advertisement], The Argus (27 February 1865), 8

http://nla.gov.au/nla.news-article5745434

PRAHRAN and SOUTH YARRA MUSICAL SOCIETY. AN EXTRA CONCERT,
In aid of the funds of the society, will be given in the Town-hall, Prahran, THIS EVENING, February 27 . . .
Instrumentalists - Pianoforte soloist, Mr. C. E. Horsley; flautist, Mr. Adam Clerke; viola, Mr. W. H. Tolhurst . . .
PROGRAMME. PART I . . . Duett, Flute and Piano, No. 6 Fantasia, "We're a' Noddin'," "Charlie is my Darling," and the "Corn Riggs," with variations, Charles Nicholson - Mr. A. Clerke and Mr. C. E. Horsley . . .
PART II . . . Trio, Pianoforte, Clarinett, and Viola, Mozart - Mr. C. E. Horsley, Mr. A. Clerke, and Mr. W. H. Tolhurst . . .

ASSOCIATIONS: Charles Edward Horsley (piano); William Henry Tolhurst (viola)

MUSIC: Fantasia no. 6 with 3 Scottish airs (Charles Nicholson)

[News], The Argus (28 February 1865), 5

http://nla.gov.au/nla.news-article5738103 

The Prahran and South Yarra Musical Society gave an extra concert at the Town hall, last evening, for the purpose of adding to the funds of the association, which at the present time need replenishing . . . Mr. A. Clerke's performances on the flute formed a very pleasing feature of the entertainment; but some disappointment was caused by the omission from the programme of a trio for the pianoforte, clarinetto, and viola, which could not be performed inconsequence of the absence of the necessary music . . .

[News], The Herald (28 February 1865), 2

http://nla.gov.au/nla.news-article245505811 

. . . Mr. Horsley, who presided at the piano during the evening was much applauded for his execution of the piano forte solo "Les Deux Anges," and Mr. A. Clarke [sic] played a fantasia for the flute so pleasingly as to meet with a unanimous encore.

"Memoranda", The Telegraph, St Kilda, Prahran and South Yarra Guardian (4 March 1865), 2

http://nla.gov.au/nla.news-article255914705 

The Prahran and South Yarra Musical Society gave a miscellaneous concert in the Town Hall, Prahran, on Monday evening. The hall was not well filled, the intense heat of the day and its probable termination in wet no doubt deterring many persons from being present who would otherwise have attended . . . Mr. Horsley presided at the piano . . . and Mr. Adam Clerke the flute . . . Mr. Horsley's solo on the pianoforte again exhibited his great skill as a pianist, and the duetts between him on the piano and Mr. Adam Clerke on the flute, were admirable, and contributed not a little to a very pleasant evening's entertainment, which we trust has added something to the funds of the society.

"THE FIRST CONCERT AT STANLEY", Launceston Examiner [TAS] (16 September 1865), 3

http://nla.gov.au/nla.news-article38662362

The Stanley Band gave its first concert on Tuesday evening last, 5th Sept., in the large room, at the Freemason's Hotel, engaged expressly for the occasion. The concert was under the management of Mr. Adam Clerke, bandmaster, from the Head Quarters Band, Melbourne. The performance went off in the most satisfactory manner, when it is taken into account that the members of the band have been only three months' receiving instruction. It also speaks well, not only for the great progress made by the young gentlemen, but to the credit due to their talented bandmaster, Mr. Clerke, who has been most indefatigable in his exertions in bringing the band on to its present state of efficiency in so very short a time. Mr. Ferguson, sen., and Mr. J. B. Ferguson kindly lent their aid and sang in their usual pleasing style. Mr. Rooke was unfortunately absent; and his place had to be filled up by Mr. Clerke in the song "Juanita." The room was quite full, about 180 ladies and gentlemen being present, and who all expressed themselves highly gratified at the evening's treat. The following is the programme:-

PART I. - March - The Stanley (arranged expressly for the occasion), Band; Trio - The cypress wreath, Messrs. Ferguson and Clerke; Flute Solo - Selection of Scotch melodies, Mr. Clerke; Song - Juanita, Mr. Clerke; Duett - "What is life of life bereft," Messr. Ferguson; Song - Johnny Sands, Mr. Clerke; Song - "The Araby maid," Mr. J. B. Ferguson; Song - "The brave old oak," Mr. J. Ferguson; March - Ring the banjo, Band.

PART II. March - "Come where my love lies dreaming," Band; Song "Death of Nelson" (with trumpet accompaniment), Mr. J. Ferguson; Song - "Tight little island," Mr. Clerke; Saxhorn Solo - Selection of Irish melodies and the Queen's waltz, Mr. Clerke; Trio - Canadian boat song; Messrs. Ferguson and Mr. Clerke; March - The grenadiers, Band; Song - "Shells of ocean," Mr. Clerke; Clarionet Solo - "Andiamo" (from Masaniello), Mr. Clerke; Finale - God save the Queen, Band.

ASSOCIATIONS: James Ferguson senior (amateur musician)

"CIRCULAR HEAD (From our own Correspondent) CONCERT", The Cornwall Chronicle [Launceston, TAS] (16 September 1865), 5

http://nla.gov.au/nla.news-article72362736 

. . . The performance was opened by the Band playing the first part of the "National Anthem." The programme of the evening was then proceeded with in the following order: - The "Stanley March," (composed by Mr. Clerke expressly for the occasion), by the Band . . . The attendance on Friday evening was nearly equal to that of the previous Tuesday, and passed off with great eclat. The "Stanley Band" has not been more than three months under the tuition of Mr. Clerke, and the proficiency they have attained in so short a time is really astonishing. Mr. Clerke's qualifications as a teacher of instrumental and vocal music, as well as a composer, is too well known to need comment. Suffice it to say that the two concerts were a complete success, and the good folks of Stanley have teen favored with a treat during the past week, which they little anticipated.

"MARRIAGES", The Argus [Melbourne, VIC] (26 October 1865), 4

http://nla.gov.au/nla.news-article5773658

CLERKE - COOK. - On the 23rd inst., at Prahran, by the Rev. Wm. Moss, Adam Clerke, professor of music, to Naomi, eldest daughter of Mr. W. Cook, contractor.

"CIRCULAR HEAD (From our own Correspondent)", Launceston Examiner (6 January 1866), 3

http://nla.gov.au/nla.news-article36632044 

On Boxing Day the Stanley cricketers met their friends from the Forest, and played a game of cricket at Stanley, which resulted in favor of the Stanley Club . . . In the evening the Stanley Band gave their second performance in aid of the Band Fund, in the large stores belonging to F. W. Ford, Esq. The room was crowded to excess, which made it rather unpleasant, but otherwise the performance went off most satisfactorily, and was well appreciated. The concert was as usual under the leadership of the bandmaster, Mr. Adam Clerke, to whom every credit is due for the great improvement made by the gentlemen of the band during the very short time they have been under his instructions. The following was the programme on the occasion: -
PART I. - March - The Cuckoo (composed and arranged expressly for the occasion by Mr. A Clerke), by the Band . . .

See also "CONCERT", The Cornwall Chronicle (6 January 1866), 5

http://nla.gov.au/nla.news-article72361286 

"CIRCULAR HEAD (From a Correspondent)", Launceston Examiner (10 March 1866), 4

http://nla.gov.au/nla.news-article36633321 

. . . The Chambers' Family gave an entertainment at Circular Head on Monday and Wednesday last, 26th and 28th February, to an excellent attendance, considering the small population of this district. The whole performance passed off well, and received considerable applause. Miss Amy Chambers' dancing was very pretty and most engaging, and drew forth great applause and was encored each night. Mr. Adam Clerke, the bandmaster, with the fine Stanley Band, kindly attended and played some excellent music, which greatly added to the amusements of the evening . . .

ASSOCIATIONS: Chambers family (dancers)

"CIRCULAR HEAD (From a Correspondent)", Launceston Examiner (8 June 1866), 2

http://nla.gov.au/nla.news-article36635386 

The concert by the Stanley Band which was intended to have taken place on the Queen's Birthday, from various causes was adjourned until Friday, 1st June last, when it came off as per accompanying programme . . .
march, The huntsman (composed expressly for the occasion by Mr. A. Clarke) - band . . . Part 2 . . . schottische, "The birthday" (composed by Mr. A. Clarke) - band . . .

"CIRCULAR HEAD (From a Correspondent)", Launceston Examiner (7 September 1866), 3

http://nla.gov.au/nla.news-article36637865

The Stanley Band gave its fourth public performance in Breheney's large room, Stanley, on Friday, 31st August, as per programme assisted by gentlemen amateurs, and also by the juvenile drum and fife band (their second appearance) . . .
Programme: Part 1. - March - The Stanley, Band . . .
polka - The Boys' Own (composed expressly by Mr. A. Clerke for the drum and fife band), both bands . . .
Part II. - Polka - The "Circular Head," by Mr. A. Clerke (composed expressly for the occasion), Band . . .

"CIRCULAR HEAD (From our own Correspondent) Nov. 3", Launceston Examiner (9 November 1866), 3

http://nla.gov.au/nla.news-article36639601 

The Stanley Band have just completed a series of concerts, commencing on Monday, the 29th October, the 31st, and Friday, the 2nd instant, to full houses . . . So much for Stanley, and all honor to Mr. A. Clerke for his devotion to his studies, and to the gentlemen who have application for the cultivation of music . . .

[News], Launceston Examiner (27 December 1866), 2

http://nla.gov.au/nla.news-article36640785 

Referring to the death of Mr. James Ferguson, which appears in our obituary of to-day, our Circular Head correspondent writes:- . . . The funeral was attended by nearly all in the place . . . The Stanley band, under the leadership of Mr. Adam Clarke [sic], with which the late Mr. Ferguson was also connected, played the 100th psalm and the dead march of "Adeste Fidele" most effectively until the entrance of his remains at the church door, and again repeated the 100th psalm on leaving for the forest . . .

"CIRCULAR HEAD (From our own Correspondent)", Launceston Examiner (4 January 1867), 3

http://nla.gov.au/nla.news-article36640961 

On Boxing day a game of cricket was played at Stanley between the Stanley and Forest Clubs . . .
The Stanley Band gave another concert on the evening of the 26th . . .
schottische, The Highfield (composed by A. Clerke), band . . .
Second Part - Cricketers' March (composed expressly for the Stanley Cricket Club by Mr. A Clerke), band . . .

"CIRCULAR HEAD (From our own Correspondent)", Launceston Examiner (29 June 1867), 3

http://nla.gov.au/nla.news-article36644500 

. . . The Stanley Band, under the leadership of Mr. Adam Clerke, gave a grand vocal and instrumental concert, assisted by several amateurs, at Bretheny's long room, the Union Hotel, Stanley, on the 21st instant . . .
PART I - Stanley Trumpet March (Composed for the occasion by Mr. A. Clerke), Band . . .
PART II. - Helena Waltz (Composed by Mr. A. Clerke), Band . . .

"CIRCULAR HEAD (From our own Correspondent)", Launceston Examiner (26 November 1867), 3

http://nla.gov.au/nla.news-article36647445 

. . . A private concert was given at Circular Head on the 15th instant by the Stanley Glee Club, which was held at the new schoolroom, kindly lent for the occasion, and invitations to 250 persons duly circulated. The Stanley Band also gave their valuable assistance, and as it was the first concert of the kind ever attempted in this isolated place, too much praise cannot be bestowed upon the choristers, for the trouble they took upon themselves, in order to afford a real treat to so many people, not all of whom had hitherto been placed in it position to mix with the outer world of musical talent. The programme showed judicious selection and arrangement of the various pieces to suit the tastes of all . . . It would be very difficult to characterize each item of the programme, or to decide upon the best, with critical judgment, but the chorus - "I bring you good tidings," and the quartette and chorus - "Praise the Lord," the latter composed expressly for the occasion by Mr. Clerke, were performed in a manner that elicited marked attention and ultimate applause . . .

"CIRCULAR HEAD. To the Editor of the Launceston Examiner. November 30, 1868", Launceston Examiner (5 December 1868), 6

http://nla.gov.au/nla.news-article36701139 

Sir, - On the 27th instant a concert was given at Stanley by the members of the Harmonic Society, assisted by the band, at the new school buildings, the use of the large room being allowed for that purpose. The attendance was unusually large, every form being well filled. It was the third concert held by the same Society since its organisation, and was fixed for the end of November, in consequence of the approaching departure from the colony of Mr. Adam Clerke, the conductor. The vocal and instrumental performance elicited high commendation evinced by frequent applause and a spontaneous shower of bouquets, which were attracted by a peculiar and novel feature in gravitation always to the feet of the ladies . . . During the interval allowed at the end of the first part of the programme, Mr. George Anderson on behalf of the Society presented Mr. Clerke with the following address, and in doing so took occasion to allude in strong terms to the benefit he (Mr. Clerke) had conferred upon the community generally as a teacher of music for nearly four years, and the fruit of his labors afforded convincing proof that those labors had been appreciated throughout this section of the district . . . I subjoin the programme:
. . . anthem - Behold how good and joyful (Mr. Clerke), Chorus . . .
Yours truly, NORWOOD.

"COMPLIMENTS OF THE SEASON. To the Editor of the Launceston Examiner. Circular Head, 1st Jan., 1869", Launceston Examiner (9 January 1869), 5

http://nla.gov.au/nla.news-article36701716 

SIR, . . . on the 31st December a grand vocal and instrumental concert was held by permission at the new school building for the benefit of Mr. Adam Clerke, who is about to leave the colony. The entertainment lasted until after 12 p.m., so that the National Anthem with its thrilling sound dawned upon the year 1869 - fit emblem of our loyal feelings towards her Majesty the Queen - a connecting link from the past to the present. The whole concert was a complete success, the voices never sounded sweeter nor the instruments better, evinced by an unmistakable shower of bouquets, that reached its climax at the conclusion of the duet, so admirably sung, "List to the Convent Bells," the sixth on the programme, which I sub-join -
Part 1. - National Turkish Melody, Stanley Band; glee, All among the barley, Chorus; march, Love Not, Stanley Band; song, Slap, Bang, Mr. Clerke and Chorus; march, English, Irish, and Scotch, Stanley Band; duet, List to the Convent Belle, Mrs. and Mr. Clerke; trio, Glorious Apollo, Miss Ford, Messrs. Smith and H. House, and Chorus; duet, pianoforte, The Banjo Quadrilles, Masters D. and S. Anderson; song, The Tidy One, Mr. S. B. Emmett; selection of Irish melodies, Stanley Band.
Part 2. - The Prince Imperial Quadrilles, Stanley Band; glee, The Red Cross Knight, Chorus; song, The Comet of the West, Mr. Edwin Medwin; duet, pianoforte, Di Tanti Palpiti, Mrs. Emmett and Mrs. Anderson; glee, Lordly Gallants, Chorus; The New Year Quadrilles, Stanley Band; glee, See our oars with feathered spray, Miss F. Ford, Mrs. Spicer, Miss Ford, Miss Akins, Messrs. Smith, H. House, and A. Stutterd; medley, Coach and Horses, Chorus; quartette, To our next merry meeting, Miss Akins, Miss Ford, Messrs. Smith and Spicer; Auld Lang Syne, Stanley Band and Chorus; finale, National Anthem, Chorus . . .
Yours truly, NORWOOD.

[News], The Argus [Melbourne, VIC] (7 December 1869), 4

http://nla.gov.au/nla.news-article5808790 

When noticing the ceremony of laying the foundation-stone of St. Augustine's Church, on Sunday last, in our yesterday's issue, we omitted to mention the services rendered by the St. Francis's band on the occasion. Under the leadership of Mr. Adam Clerke, the bandmaster, it performed, in a very creditable manner, and to the general satisfaction, selections from the "Twelfth Mass" (Mozart's). The rendering of the "Gloria" and "Non Nobis" struck us as being exceedingly good for so young a band.

[Advertisement], The Argus (1 March 1871), 8

http://nla.gov.au/nla.news-article5843602 

EMERALD-HILL CORPS R.V.V. ARTILLERY.
A GRAND CONCERT, In aid of the Band Fund, will be held at the local Orderly-room, TO-MORROW (THURSDAY), MARCH 2 . . .
PRINCIPAL VOCALISTS: Miss AMELIA BAILEY (Mrs. Smythe), Mrs. Slack, Miss Sheppard, Masters Beaumont, W. Cook, W. Bennett. Mr. T. Ewart, Mr. F. Vines, and Mr. S. ANGUS.
Conductor - Mr. Adam Clerke. Pianiste - Madame Victorine Pett . . .

ASSOCIATIONS: Amelia Bailey (vocalist); Thomas Ewart (vocalist); Silvanus Angus (vocalist); Victorine Pett (pianist)

[News], Record (2 May 1872), 5

http://nla.gov.au/nla.news-article108481226 

At Mr. Coppin's benefit at the Town Hall, on Saturday night last, between the parts the band of the Emerald Hill Artillery played the "Adele Waltzes," composed by their bandmaster, Mr. Adam Clerke, which is a lively composition, and was enthusiastically received and unanimously encored. The composer has had it published in a very neat style, and arranged for the pianoforte; copies of which are on view and may be obtained from Mr. C. J. Durham, news agent, Clarendon street.

ASSOCIATIONS: George Coppin (beneficiare)

[News], The Argus (4 May 1872), 5

http://nla.gov.au/nla.news-article5862195 

Mr. Adam Clerke, the bandmaster of the Emerald-hill Volunteer Artillery, has sent us a copy of a set of waltzes, "The Adele," composed by him, and arranged for military band as well as for pianoforte. It is dedicated to "Mrs. Colonel Acland Anderson," by permission. There is so little music originated in this country, that less pretentious attempts than this have before now met with favour. Mr. Clerke's "Adele Waltzes" will not rank with those of Strauss, Larner, Jullien, Koenig, or Godfrey, but they are sufficiently good when well played to be quite rhythmical and pleasing to dance to. The pianoforte arrangement that we have before us is within the capacity of any player of average intelligence.

"SATURDAY EVENING'S AMUSEMENTS . . . THE TOWN HALL", The Herald (29 July 1872), 3

http://nla.gov.au/nla.news-article245694506 

To our extreme surprise the concert given by way of compliment to Mr. Adam Clerke, bandmaster of the Emerald-Hill Volunteer Artillery, did not attract that notice which the artists engaged, and the good programme, warranted us in expecting. Why this should have been the case it is difficult to determine. The vocalists included Mesdames Cutter and Howitz, Miss Christian, Mr. Rainford, and Mr. Donaldson, and the instrumentalists were the Misses P. and A. Terlecki, Mr. F. W. Towers, and Mr. E. Ascherberg. Mr. Clerke conducted and the chorus numbered somewhere about sixty trained voices. All the singers were in excellent form, Mrs. Cutter and Miss Christian particularly so, and the efforts which gave the greatest satisfaction were, a barcarole of Kucken's (Mesdames Cutter and Howitz), "Rocked in the Cradle of the deep," (Mrs. Cutter) encored, "Auld Robin Gray," encored, and "Kathleen Mavourneen," both by Miss Christian. Mr. Rainford gave "Hark the Clarion," from the "Rose of Castile," with great effect. Mr. Donaldson sustained his portion of the programme satisfactorily. The Misses Terlecki played, as a duet, a fantasia brilliante, Rose de Peronne, by Hy. Rossellen, with considerable skill. They evinced, a nice delicacy of touch, and were conscientious as to time. The Assembly Polka, composed and arranged by Mr. Clerke, and played by the band of the E. H. V. Artillery, is a good specimen of that class of music. The chorus displayed commendable steadiness. The entertainment was so exceptionally good that a real treat was afforded those present.

ASSOCIATIONS: Cassie Cutter (vocalist); Isabel Staff Howitz (vocalist); Thomas Henry Rainford (vocalist); Charles Alexander Donaldson (vocalist); Paulina and Ann Terlecki (pianists); Frederick Wilson Tower (pianist); Eugene Ascherberg (pianist)

[News], The Record and Emerald Hill and Sandridge Advertiser (30 January 1873), 3

http://nla.gov.au/nla.news-article108496575 

Some time since, we gave a favorable notice of the composition of a piece of music by Mr. Adam Clerke, bandmaster of the Emerald Hill Artillery Corps, and choir master at the Presbyterian Church, Clarendon-street. We have now before us another piece of music composed by this gentleman, but in this case it is a sacred anthem, entitled "Behold how good and Joyful," and we are pleased to notice that it is a very satisfactory composition, and will no doubt be introduced in most of the churches in the district and elsewhere.

[News], The Argus (8 February 1873), 5

http://nla.gov.au/nla.news-article5847898 

We have received from Mr; Adam Clerke, choirmaster at the Presbyterian Church in Clarendon-street, Emerald-hill, an anthem of his own composition, entitled "Behold how good and joyful" (133rd Psalm). It is written for solo quartette and full chorus with accompaniment, in the key of A major, and contains three movements - moderato, allegro, and andante sostenuto. It is a good composition, and likely to be popular wherever it may become known. It does credit to Mr. Clerke. It is well lithographed in octavo size by Messrs. Hamel and Ferguson.

"HOSPITAL SUNDAY", The Argus (10 October 1874), 8

http://nla.gov.au/nla.news-article5880350 

Captains Fullarton and Cowper have obtained the assistance of the South Melbourne Musical Union, which will number over one hundred voices, in the psalmody at the Church parade, at the St. Andrews grounds, Emerald-hill, to morrow afternoon. The band of the Artillery Company will likewise take part and the whole of the musical arrangements will be under the direction of the bandmaster Mr. Adam Clerke. The service will commence at 3 o'clock. The hymns for the occasion are selected from the Diocesan Hymn Book. The offertory is a composition by Scotson Clark arranged by Mr. Adam Clerke and the anthem is taken from the 133rd Psalm, "Behold how good and joyful" . . .

ASSOCIATIONS: Frederick Scotson Clark (English composer)

"VOLUNTEER INSPECTION", Leader (12 June 1875), 19

http://nla.gov.au/nla.news-article197933976 

The last quarterly official inspection of the Emerald-hill Artillery Corps for 1874-5 was made by Colonel Anderson on Wednesday evening . . . At the latter end, Colonel Anderson inspected the band, which has now arrived at a thorough state of proficiency, due to the exertions of Bandmaster Adam Clerke, and intimated that he was pleased with the result. There were present of the corps Captains Cowper and Twycross, 7 sergeants, and 83 rank and file; total, 113, including 21 of the band.

"Deaths", The Argus (12 October 1877), 1

http://nla.gov.au/nla.news-article5940809 

CLERKE. - On the 8th inst , at 74 Dorcas street east, Emerald hill, Naomi, wife of Adam Clerke, aged 32 years.

"THE TOWN-HALL. MONDAY POPULAR CONCERT", The Argus (28 May 1878), 7

http://nla.gov.au/nla.news-article5934075

. . . During the interval Mr. Adam Clerke's band played with commendable moderation the "Zerlina Polka" and the "Siege of Paris," but the performance was nevertheless a very loud one for the inside of a room. During this part of the entertainment the audience walked about.

"MARRIAGE", Geelong Advertiser (27 August 1881), 2

http://nla.gov.au/nla.news-article150760349 

Clerke - Medworth - On the 10th inst., by the Rev. Samuel Day, Adam Clerke, Professor of Music, to Emma, only daughter of the late Edward Medworth, Esq., both of Geelong.

[Advertisement], Geelong Advertiser (4 February 1882), 3

http://nla.gov.au/nla.news-article150630199 

MOONLIGHT CONCERT . . . The Geelong Artillery Band, under the leadership of Mr. Adam Clerke, will be in attendance . . .

[Advertisement], The Mercury [Hobart, TAS] (16 August 1882), 1

http://nla.gov.au/nla.news-article9017788 

TUITION. - MR. ADAM CLERKE, Band master Tasmanian Rifle Regiment, late Senior Bandmaster Victorian Volunteer Force (thirteen years Bandmaster Emerald Hill and Geelong Artillery).
First-class Certificated Singing Master under the Board of Education, Melbourne.
Schools attended. For further particulars, address Tavistock-cottage, Barrack street.

[Advertisement], The Mercury (15 December 1883), 1

http://nla.gov.au/nla.news-article9017385

TASMAN AND SHIPWRECK RELIEF FUND.
By the kind permission of Major Fysh and the Officers, the Band of the Tasmanian Volunteer Rifle Regiment will
PERFORM the following Selection of Music at the Exhibition Building on TUESDAY EVENING, December 18, in aid of the above Fund.
PROGRAMME.
Overture - "Naval" - Brinkworth
March - "Silver Bells" - Martin, 39th Regt.
Polka - "Drummer Boys" - Pearson
Waltz - "Waratah Blossom" (first time) - A. Clerke
Quadrille - "Duchess of Edinburgh" - Marriott
Waltz - "Haunt of the Fairies" - D'Albert
Troop - "Giralda" - Adam
Galop - "Foxhunters" - Marion
Quadrille - "Cinderella" - D'Albert
Waltz - "Narcissus" - Wade
Selection - "European National Anthems" - A. Clerke
Bandmaster, A. CLERKE . . .

[Advertisement], The Mercury (8 July 1885), 2

http://nla.gov.au/nla.news-article9107607

. . . NEW MUSIC. GARRISON PARADE POLKA,
Which has been made so popular by the Band of the Volunteer Regiment, and Composed by the Bandmaster,
MR. A. CLERKE. Price: 1s 6d. Post Free: 1s 9d.
PUBLISHED BY T. L. HOOD, LIVERPOOL AND ELIZABETH STREETS, HOBART.

ASSOCIATIONS: Thomas Lloyd Hood (musicseller, publisher)

[Advertisement], The Mercury (30 January 1886), 2

http://nla.gov.au/nla.news-article9116970

. . . NEW MUSIC . . . WARATAH BLOSSOM WALTZ.
BY ADAM CLERKE, Bandmaster Garrison Band, and composer of Popular Garrison Parade Polka.
Price, 2s; per post, 2s. 4d. EFFECTIVE. PLEASING. POPULAR.
Published by T. L. HOOD, MUSIC SELLER, ETC. LIVERPOOL AND ELIZABETH STREETS, HOBART.

"Deaths", The Mercury (9 August 1886), 1

http://nla.gov.au/nla.news-article9125350 

CLERKE. - On August 8, at Alpha Cottage, St. George's Hill, Adam Clerke, garrison bandmaster, aged 47. The funeral will leave his late residence at 3 o'clock on WEDNESDAY next for the Queenborough Cemetery.

See also, 1886, deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1232842; RGD35/1/11 no 69

https://stors.tas.gov.au/NI/1232842 

"THE LATE MR. ADAM CLERKE", The Mercury (9 August 1886), 2

http://nla.gov.au/nla.news-article9125363

The bandmaster of the Garrison Band, Mr. Adam Clerke, died very suddenly yesterday morning at his residence, St. George's Hill, Mr. Clerke was in his usual health on Saturday night, and ate a hearty supper before going to bed. Early next morning he complained to his wife of feeling very queer with a succession of painful spasms. As he continued to be in great pain Mrs. Clerke summoned assistance from her neighbours, and subsequently sent for Dr. Giblin. Some difficulty arising in finding Dr. Giblin, a second messenger was despatched for Dr. Hardy who arrived at 10 o'clock, but was just too late to see Mr. Clerke alive, as he had expired a few moments previous to the doctor's arrival.

The deceased, who was born in Kent, England, was 47 years of age, and came to Australia early in life. In 1864 he arrived in Tasmania, and resided for some years at Circular Head, where he organised a band. He returned to Victoria in 1868, and was for a number of years bandmaster of the Emerald Hill Artillery, and afterwards bandmaster to the Geelong Artillery. Mr. Clerke was also organist and choirmaster of the Clarendon-street Presbyterian Church, Emerald Hill, and teacher of singing at the Grammar School, All Saints, St. Kilda. Some time in 1879 Messrs. J. G. Davies and E. Butler, who happened to be in Victoria with a cricketing team, interviewed Mr. Clerke with a view to his taking charge of the Rifle Band. Arrangements were partly made at that time, but fell through in consequence of the military officials in Victoria refusing to permit Mr. Clerke to leave at once. In 1882 the deceased came to Tasmania and succeeded Mr. Nat. Hallas as bandmaster of the Rifle Band. He continued to act in that capacity up till the day of his death, the band in the mean-time having been merged into the Garrison Band. During the time he was in Tasmania Mr. Clerke gained the uniform respect of his officers, and the goodwill of a large number of instrumentalists who have been under his charge. It is said that he has taught no less than 50 or 60 men in his band since he has been in this colony. He was a very able musician, and has composed several pieces of secular and sacred music, which have been spoken of with esteem by leading musical critics. Among his sacred compositions are several anthems, one of which he was engaged in preparing to render at the time of his death for a concert the band were to give for the benefit of a Mrs. Clark, whose boy was accidentally killed a short time back. Mr. Clerke leaves a widow, but no children, his only other relatives in the colonies being a brother in the Customs department of Victoria. It may be mentioned as another of the frequent warnings we have of the uncertainty of life, and the wisdom of making provision for the support of dependent relations that only so recently as last month Mr. Clerke effected a policy of insurance on his life for £200 in the Australian Widows' Fund. Owing to the extremely sudden nature of the death, it is probable that an inquest will have to be held, but the question was not decided last night. On Wednesday afternoon the remains of the deceased will be buried with military honours, which he so frequently assisted in giving to comrades who passed away before him.

ASSOCIATIONS: Nathaniel Hallas (musician)

See also inquest on Adam Clerke, 10 August 1886; Tasmanian Names Index; NAME_INDEXES:1358795

https://stors.tas.gov.au/NI/1358795 

See also "INQUEST", The Mercury (11 August 1886), 4

http://nla.gov.au/nla.news-article9125442

"Deaths", The Argus [Melbourne, VIC] (21 August 1886), 1

http://nla.gov.au/nla.news-article11570009 

CLERKE. - On the 8th inst., suddenly, at his late residence, Battery-point, Hobart, Adam Clerke, Prof. Mus., garrison bandmaster, late of Emerald-hill and Geelong, youngest son of the late Adam Clerke, Esq., E.I.S., and beloved brother of Thomas F. Clerke, inspector dead letter office, G.P.O., Melbourne.


Published musical works (extant in red bold; non-extant in black bold):

The birthday schottische (1865)

The birthday schottische (as performed by the Headquarters Band; arranged for the pianoforte)", The illustrated Melbourne post (25 July 1865), 112

https://trove.nla.gov.au/work/18592509

https://nla.gov.au/nla.obj-179485426 (DIGITISED)

Adéle waltzes (1872)

Adéle waltzes, composed and arranged for the pianoforte by Adam Clerke, bandmaster Emerald Hill Artillery (Melbourne: Adam Clerke, professor of music, [1872])

NO COPY IDENTIFIED IN A PUBLIC COLLECTION

Behold how good and joyful (anthem) (1873)

Behold how good and joyful, anthem ([South Melbourne: C. J. Durham, 1873])

NO COPY IDENTIFIED IN A PUBLIC COLLECTION

The garrison parade polka (1885)

The garrison parade polka (Hobart: T. L. Hood, [1885])

https://trove.nla.gov.au/work/9854150

https://libraries.tas.gov.au/Record/Library/SD_ILS-303 (DIGITISED)

The waratah blossom waltz (1886)

The waratah blossom waltz ([Hobart]: T. L. Hood, [1886])

https://trove.nla.gov.au/work/10287892

https://libraries.tas.gov.au/Record/Library/SD_ILS-538778 (DIGITISED)




CLIFFORD, George (George CLIFFORD)

Musician, professor of music, teacher of Italian and English singing, vocalist, pianist, guitarist, violinist, concertina player

Born Bermondsey, Surrey, England, c. 1813
Arrived Melbourne, VIC, by November 1854
Departed Melbourne, VIC, 29 May 1861 (per Great Britain, for Liverpool, England)

https://trove.nla.gov.au/search?l-publictag=George+Clifford+vocalist+c1854-61 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLIFFORD-George (shareable link to this entry)

CLIFFORD, Minnie (Mary S. CLIFFORD; Miss Minnie CLIFFORD; also Miss Minie CLIFFORD [sic])

Musician, vocalist, pianist, actor

Born London, England, c. 1841; daughter of George CLIFFORD
Arrived Melbourne, VIC, by November 1854
Departed Melbourne, VIC, 29 May 1861 (per Great Britain, for Liverpool, England)

https://trove.nla.gov.au/search?l-publictag=Minnie+Clifford+c1854-61 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLIFFORD-Minnie (shareable link to this entry)

CLIFFORD, Florence (Florence CLIFFORD; Mrs. Robert BAKER)

Vocalist, actor

Born Florence, Italy, c. 1845; daughter of George CLIFFORD
Arrived Melbourne, VIC, by November 1854
Departed Melbourne, VIC, 29 May 1861 (per Great Britain, for Liverpool, England)

https://trove.nla.gov.au/search?l-publictag=Florence+Clifford+c1854-61 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLIFFORD-Florence (shareable link to this entry)


Documentation:

[Advertisement], Aris's Birmingham Gazette [England] (23 April 1832), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000196/18320423/025/0003 (PAYWALL)

MR. G. CLIFFORD, Professor Guitar and Singing, in announcing his removal to 37, TEMPLE-ROW (opposite the Royal Hotel), avails himself of this opportunity to express his sincere thanks to his Friends, the inhabitants of Birmingham and the neighbouring towns, for the very liberal patronage he has received since his stay here.
Having studied both the Guitar and Singing under the celebrated Italians Chicanchatini and Signor Pedrotti, Mr. C. feels himself competent to give every satisfaction to those friends who may honour him with their further patronage.
Schools attended at Lichfield and Wolverhampton.

ASSOCIATIONS: Pio Cianchettini (teacher); Carlo Pedrotti (teacher)

"SUFFOLK-STREET GALLERY", Sun [London, England] (18 April 1842), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18420418/013/0001 (PAYWALL)

The first conversazione of the season was held on Saturday evening, at these elegant rooms. The whole of the place has been carpeted, and is lit up in a beautiful style with gas. The coup d'oeil that presents itself to the eye on entering the grand room is exceedingly effective, and, in addition to the excellent paintings which adorn the room, and the company, which is of the most recherche order, there are other amusements offered to the public. Several young ladies obliged the company by singing and playing on the pianoforte. Mr. G. Clifford also sung the exquisite little Italian serenade, "Buona notte," and accompanied himself on the guitar, in a very masterly manner. His voice is a tine tenor, and he is, we believe, a pupil of Signor Crivelli. A little piece, also composed by himself, entitled, "When the Heart in the Bosom is beating," was exceedingly well performed . . .

ASSOCIATIONS: Domenico Crivelli (vocalist, teacher)

[Advertisement], Morning Herald [London, England] (17 April 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002408/18470417/103/0001 (PAYWALL)

HISTORICAL CONCERTS, Exeter Hall. CONCLUDING CONCERT (of a series of Four) illustrative of the History of English Vocal Music will be held at EXETER HALL, on MONDAY EVENING, April 19.
The programme will consist of specimens of the music of Attwood, Bishop, Callcott, Crotch, Dibdin, Horsley, Russell, Stevens, Shield, Smith, Storace, and Webbe.
Principal Vocal Performers. - Mrs. H. W. Weiss, Miss Dolby, Mr. Manvers,
Mr. G. Clifford, Mr. W. H. Seguin, and Mr. J. A. Novello.
The chorus will consist of upwards of 500 members of Mr. Hullah's Upper Singing School, and the orchestra of Mr. Willy's Concert Band . . .

ASSOCIATIONS: Charlotte Dolby (vocalist); Joseph Alfred Novello (musician); John Hullah (singing instructor)

"ROYAL POLYTECHNIC INSTITUTION", Sun [London, England] (9 January 1849), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18490109/021/0002 (PAYWALL)

The usual attraction of this admirable exhibition are enhanced during the present week, by the delivery of lectures on "The Cultivation and Management of the Voice in Singing." The committee have engaged Mr. G. Clifford, professor of music, for this purpose, and his first lecture was delivered, before a numerous and very attentive auditory, last evening. The lecturer's remarks were very agreeably diversified and forcibly illustrated by the performance of a variety of favourite vocal pieces, from the works of several eminent composers; and their very creditable execution elicited repeated and hearty plaudits from the company present.

"POLYTECHNIC", British Army Despatch [London, England] (12 January 1849), 14

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002811/18490112/093/0014 (PAYWALL)

A pleasing addition to the holiday attractions of this institution has been made in the delivery of a lecture by Mr. G. Clifford, "On the Cultivation of the Voice and on the Art of Singing," with musical illustrations. Mr. Clifford is a disciple of the Novello school, and some of the advantages of that system, with a hint or two to singers, amateur and professional, introduced by a description of the organs which constitute the human voice, were the leading topics. In fact, the spoken language was merely the links by which to connect the musical illustrations. These consisted of, "A te, o cara," "Ecco ridento il cielo," "Bide ye yet," "The anchor's weighed." The songs were beautifully executed, and elicited much applause.

England Census, 30 March 1851, Camden Town, St. Pancras, Middlesex; UK National Archives, HO107/1497/43/10

https://www.ancestry.com.au/discoveryui-content/view/1843352:8860 (PAYWALL)

23 Bayham Terrace / George Clifford / Head / 38 / Professor of Music / [born] Surrey, Bermond'y
Mary Clifford / Wife / 52 [sic] / - / [born] Devon, Torquay
Mary S. Clifford / Dau. / 10 / - / [born] Middls'x, St. Pancras
Florence Clifford / Dau. / 6 / - / [born] Italy (Florence) B.S.

Melbourne and regional VIC (by November 1854 to May 1861):

[Advertisement], The Argus [Melbourne, VIC] (6 November 1854), 8

http://nla.gov.au/nla.news-article4799877

QUEEN'S THEATRE. THREE NIGHTS MORE OF OPERA & BALLADS.
MISS CATHERINE HAYES . . . ON TUESDAY EVENING NOV. 7th.
MISS HAYES will sing two of her best ballads and also appear in her great character of Maria in Donizetti's favourite comic Opera of the DAUGHTER of THE REGIMENT.
Between the 1st and 2nd Acts, MISS CLIFFORD (aged only 13) will perform a Grand Fantasia on the Piano Forte, her first appearance in Melbourne . . .
Conductor, Mr. Lavenu. Leader, - Mr. Thom . . .

ASSOCIATIONS: Catherine Hayes (vocalist); Lewis Henry Lavenu (conductor); Bream Thom (violin, leader); Queen's Theatre (Melbourne venue)

"MISS CATHERINE HAYES' CONCERT", The Age (8 November 1854), 5

http://nla.gov.au/nla.news-article154851793 

Last evening the "Swan of Erin" gave her fourth Concert. The house was crowded with a select and delighted audience . . . Miss Clifford, a mere child, aged 13, played a fantasia, on the pianoforte, with tolerably good effect . . .

[Advertisement], The Argus (25 November 1854), 8

http://nla.gov.au/nla.news-article4800818 

CULTIVATION of the Voice, and the Art of singing. -
Mr. G. Clifford, from the Royal Academy or Music, begs to announce to the gentry and inhabitants of Melbourne and vicinity his arrival and intention of establishing himself as a teacher of Italian and English Singing, Pianoforte, and Guitar.
Has resided in Italy, and teaches the language also. Terms known on application to Mr. C., 157 Little Lonsdale-street east.

[Advertisement], The Argus (16 December 1854), 8

http://nla.gov.au/nla.news-article4801873

GRAND Musical Entertainment, Concert Room, Union Hotel, Bourke-street. Admission, Free.
- First appearance of Mr. Clifford, from the English Opera Company, Theatre Royal, Drury-lane, and Wednesday Evening Concerts, Exeter Hall, who will sing several popular ballads;
Miss Urie, the celebrated Scotch ballad singer; Miss Bourne, from the Salle de Valentino;
Mr. Golding, the celebrated Irish comic singer; and Mr. Collins, the eminent pianist.
Open at seven o'clock. Concert commences at eight o'clock.

ASSOCIATIONS: Louisa Urie (vocalist); Georgina Bourn (vocalist); Daniel Golding (vocalist); Leopold Frederick Collin (pianist); Union Hotel (Melbourne venue)

[Advertisement], The Argus (22 December 1854), 8

http://nla.gov.au/nla.news-article4802137 

MISS OCTAVIA HAMILTON. Mrs. Hancock, Miss Stewart (pupil or Miss Dolby),
and Mr. George Clifford, will sing at the Grand Concert, Entrance Hall of the New Theatre, Bourke-street.
Miss Minnie Clifford, the Infant Prodigy, will play Thalberg's fantasia on "Mose in Egitto," on the pianoforte.
Mr. George Peck will play his own favorite solo, "When the swallows homeward fly."
Mons. C. Bial will preside at the piano at the Grand Operatic and Classic Promenade Concert to-morrow evening in the magnificent Entrance Hall of the New Theatre Royal, Bourke-street.

ASSOCIATIONS: Octavia Hamilton (vocalist); Eliza Stewart (Kipling; Mrs. Ellis) (vocalist); George Peck (violin); Charles Bial (piano accompanist); foyer of Theatre Royal (new Melbourne venue main auditorium still under construction)

MUSIC: Fantasia on Mose in egitto (Thalberg)

[Advertisement], The Argus (26 December 1854), 8

http://nla.gov.au/nla.news-article4802229

Grand Opening of the Lower Saloons and Superb Entrance Hall,
To the NEW THEATRE ROYAL, Great Bourke-street east.
THE above premises will be opened to the public on Saturday December 23, with a series of grand Operatic and Classic Concerts, when the lower Saloon and entrance Hall will be opened as a promenade Concert Room.
The following Artists have been engaged for the occasion . . .
Miss Minie Clifford, the extraordinary infant performer on the piano-forte . . .
Mr. George Clifford, From the Royal Academy Italian and English Opera, Drury Lane . . .
Part I. Trio. - Grand concerted trio, from the opera of the Mountain Sylph, "This Magic Wove Scarf," by Miss O. Hamilton, Mr. G. Clifford, and Mr. Hackett - Barnett . . .
Scena. - The celebrated picture song, from the opera of The Devil's Bridge, by Mr. George Clifford, Royal Academy of Music, London, Italian Opera, &c. - Braham . . .
Fantasia, piano-forte. - Thalberg's grand fantasia on airs from the opera Mose in Egitto, Miss Minnie Clifford, the infant prodigy, only 12 years of age whose extraordinary performance created the utmost enthusiasm, astonishment, and delight, on her first appearance at Miss Catherine Hayes's concert - Thalberg . . .
Part II . . . Mazurka Brilliante, piano-forte. - Miss M. Clifford, the infant prodigy, - Talexy.
Grand Aria. - "She is not here," from the opera, "The Sleeper Awakened," Mr. G. Clifford, R. A. M., London. - Mac Farren.

ASSOCIATIONS: Mr. Hackett (vocalist)

MUSIC: A mazurka (by Adrien Talexy, composer); 'Tis but fancy's sketch ("the celebrated picture song) (Braham, in The devil's bridge); She is not here ["A vision most gorgeous . . ."] (G. A. Macfarren, from The sleeper awakened)

"NEW THEATRE ROYAL", The Age (26 December 1854), 5

http://nla.gov.au/nla.news-article154853827 

On Saturday evening, a Grand Concert was held in the Lower Saloon of this building. The room itself is not quite completed, but is even now the most superb building of the kind in Melbourne. The entertainment was one of no common order in this Colony . . . Miss Clifford, whom, it is said, is but twelve years of age, and looked very little more, executed Thalberg's "Mose in Egitto" in a very creditable manner, and will one day hold a very conspicuous position in the musical world . . . Mr. Clifford only sang one song, but was decidedly in bad voice, we think he must have been suffering from the effects of a cold. One of the audience proposed three cheers for the proprietor, to which the public responded most heartily . . .

"CONCERT AT THE THEATRE ROYAL", The Age (29 December 1854), 5

http://nla.gov.au/nla.news-article154850817 

On Wednesday evening last we paid our second visit to the concert room of the New Theatre Royal, Bourke-street, and were grieved to find the attendance so limited . . . Miss Clifford was brought forward as a substitute for her father, who it appears was labouring under a cold, and to our thinking not a bad exchange either, for that gentleman has not impressed us with a very high idea of his abilities as a singer, while it affords us much pleasure in testifying to the taste and execution displayed by the young lady, who if her voice be not forced before it arrives at maturity, will some day be a good soprano . . .

[Advertisement], The Argus (8 January 1855), 8

http://nla.gov.au/nla.news-article4802775 

WANTED, - To all to whom these presents shall come. - Whereas, at the St. Lawrence Hotel, Gertrude-street, a Free Concert will be held to-night under the auspices of Tom King, the well-known vocalist and pianist;
Mr. Clifford, of Her Majesty's Theatre and Italian Opera; Mr. Dixon, the favourite tenor;
and, though last not least, the Raal Ould Irish Gentleman; and a host of talent not to be enumerated within the limits of an advertisement.

ASSOCIAIONS: Thomas King (musician); Frederick Dixon (vocalist)

[Advertisement], The Argus (19 February 1855), 8

http://nla.gov.au/nla.news-article4804574 

CRITERION HALL. - Immense Attraction. To-night, and every evening during the week,
Grand Promenade Concerts a la Jullien, in the spacious and magnificent hall of the Criterion Hotel. An entire change of performance.
One shilling. Admission, one shilling.
Miss Graham, in her admired Scotch ballads; Miss Bourne, the well-known and favorite songstress;
Mr. Geo. Clifford, the unrivalled tenor of the colony . . . Together with Chapman's unrivalled band; comrising all the acknowledged available talent in the colony . . . P.S. Mr. Chapman, the conductor of these Concert's, attends daily, at twelve o'clock, at the Criterion Hall, to engage vocalists and solo performers, of first-rate talent; as he is determined no expense shall be spared to make this fashionable place of amusement the favorite of Melbourne.

ASSOCIAIONS: Amelia Graham (vocalist); George Chapman (musical director); Criterion Hall (Melbourne venue)

[Advertisement], The Argus (7 June 1855), 8

http://nla.gov.au/nla.news-article4809208 

CULTIVATION of the Voice and the Art of Singing. - Mr. G. CLIFFORD,
from the Royal Academy of Music, a pupil of Signor Crivelli, continues Teaching Italian and English Singing, and Pianoforte, as studied by him in the above institution, and three years' residence in Italy.
Terms, 8 Guineas per quarter. Address, 89 Young-street, Collingwood.

[Advertisement], The Argus (16 June 1855), 8

http://nla.gov.au/nla.news-article4809683

MUSIC HALL. Union Hotel. Re-decorated, and brilliantly lighted with gas,
will be reopened under entire new arrangements, on Saturday evening the 16th instant, with a series of Vocal and Instrumental concerts, for which the following artistes are engaged:
MISS URIE, The celebrated Soprano; MISS MINIE CLIFFORD [sic], The Juvenile Pianiste;
MR. G. CLIFFORD, From the Exeter Hall Concerts, Tenor; MR. T. KING, Bass and Instrumentalist.
Concert to commence at Eight o'clock. Programme: . . .
Duet - Flow gently, Deva, - Mr. Clifford and Mr. King - Parry . . .
Solo - violin - Mr. King - De Beriot
Song - My Highland Home, - Mr. Clifford - Bishop . . .
Part Second . . . Fantasia Brilliante - piano and violin - from Guillaume Tell, - Miss Clifford and Mr. King - De Berriot and Osbourne [sic] . . .
Duet - I've wandered in Dreams - Miss Urie and Mr. Clifford . . .
Solo - piano - Telexy's Mazourk - Miss Clifford . . .
Song - Death of Nelson, - Mr. Clifford - Braham; . . .
Sole - clarionet - Adieu a Berne, - Mr. King - Bressant . . .

MUSIC: Fantaisie brillante sur Guillaume Tell (De Beriot and Osborne)

"PUBLIC AMUSEMENTS AT MELBOURNE", The Courier (22 June 1855), 3

http://nla.gov.au/nla.news-article2485812

. . . Mr. G. Clifford, from the Exeter Hall Concert, Miss Minie Clifford, a juvenile pianiste, and Miss Urie, a celebrated soprano, were giving concerts at the Music Hall, Union Hotel . . .

[Advertisement], The Argus (30 June 1855), 8

http://nla.gov.au/nla.news-article4810050 

SALLE DE VALENTINO. Concert and Ball To-night. Admission - One Shilling.
Programme: . . . Song - "I Love Her, How I Love Her" (Auber), Mr. G. Clifford . . .
Song - "Death of Nelson" (Braham), Mr. G. Clifford . . .

ASSOCIATIONS: Salle de Valentino (Melbourne venue)

"GRAND CONCERT AT THE EXHIBITION", The Argus (7 July 1855), 5

http://nla.gov.au/nla.news-article4811405 

The Exhibition Building was crowded in every part last evening, on the occasion of the concert in aid of the destitute in Collingwood . . . The reappearance of Miss Catherine Hayes was acknowledged with great enthusiasm, her generous act having evidently full weight with the company . . . The orchestra, under the conductorship of Mr. Lavenu, was most efficient. Mrs. Testar, Miss Smith, and Mr. Clifford also gave effective aid.

ASSOCIATIONS: Elizabeth Testar (vocalist); Emilie Smith (pianist); Exhibition Building (Melbourne venue)

"DESTITUTION IN COLLINGWOOD. THE CONCERT AT THE EXHIBITION", The Argus (9 July 1855), 5

http://nla.gov.au/nla.news-article4811579 

. . . A song from Mr. Clifford, whom we heard on the occasion for the first time, succeeded, and was exceedingly well rendered by the vocalist, who possesses a tenor voice, of moderate quality, which he manages with considerable tact and ability. We must confess to our previous ignorance of the existence in this colony of a tenor with equal capacity in respect both to quality of voice and musical training; and as we have since learned that, in addition to the qualifications Mr. Clifford manifested on this occasion, he possesses a thorough acquaintance with the stage, we are yet in hopes of the colony being able to produce a competent male operatic artiste - an acquisition of a most desirable character . . .

"MR. CLIFFORD", The Argus (13 July 1855), 5

http://nla.gov.au/nla.news-article4812039 

In our notice of the late concert at the Exhibition, we referred to the favorable impression which on that occasion we formed of the musical abilities of Mr. Clifford. We have since been informed that that gentleman's musical education at least warranted the expectation of an exhibition of the qualities of a good vocalist, as he is an eleve of the Royal Academy of Music, and received lessons in his art from Signor Cruvelli [sic], who is known to be the most accomplished vocal teacher in England. Mr. Clifford has also graduated in the best musical schools of Europe, having spent three years for that purpose in Milan and Florence. He lectured for six consecutive weeks at the Polytechnic Institution, London, on "The Cultivation of the Voice;" and has appeared as principal tenor at Drury-lane, and the Edinburgh and Liverpool Theatres.

"CONCERT AT THE EXHIBITION", The Argus (16 July 1855), 5

http://nla.gov.au/nla.news-article4812305 

Although not so numerously attended as was the concert in aid of the Collingwood destitute, the entertainment of Saturday evening was very extensively patronised . . . we should say that Miss Hayes's philanthropy has been worthily recognised, and that the funds of the institutions in aid of which the concert was given had received a handsome contribution. The entertainment commenced with the sparkling overture to "Zampa" . . . This was followed by a song, "My Native Highland Home," given with considerable taste by Mr. Clifford, who, in spite of the unenviable position which he occupied in the programme in immediately preceding the great star of the evening, acquitted himself most satisfactorily, and really deserved greater applause than was accorded to him . . .

MUSIC: My native highland home (Bishop)

[Advertisement], The Age (10 August 1855), 8

http://nla.gov.au/nla.news-article154895441 

"SEBASTOPOL." "SEBASTOPOL." CRITERION HALL, COLLINS-STREET. EVERY EVENING.
Mr. Bennett Clay's Optical Diorama. THE CITY OF THE SULTAN; OR, THE RED, WHITE, and BLUE, Detailing every object of interest connected with CRIMEA.
Vocalist, Mr. Clifford. Pianoforte and Accompaniment, Miss Minie Clifford.
Leader of the Band - Herr Pilcher [sic, Gilcher]. MR. WALLACE, Agent. Reserved Seats, 2s. Promenade, 1s.

MUSIC: Peter Gilcher (musician)

"THE OPERA", The Argus (19 October 1855), 5

http://nla.gov.au/nla.news-article4821266 

The postponement of the opera of "La Sonnambula," which was to have been given on Monday last, has caused no little disappointment to the play-goers of Melbourne. We understand that upon its appearing on Saturday that Mr. John Howson either would not or could not sustain the role of Elvino, Mr. G. Clifford was applied to and requested to understudy the part. An alteration was at once made in the bill and Mr. Clifford's name substituted for Mr. Howson's, and it was fully expected that the difficulty had been satisfactorily got over. But the uncertainty of mundane arrangements was again made apparent, and although on Saturday evening the play-bill for Monday containing Mr. Clifford's name was printed, Monday morning's Argus displayed an advertisement announcing the postponement of the opera from "causes over which the management had no control" . . .

ASSOCIATIONS: For Lavenu and Catherine Hayes's company at the Theatre Royal; John Howson (vocalist)

[Advertisement], The Argus (10 December 1855), 8

http://nla.gov.au/nla.news-article4825345 

QUEEN'S THEATRE. Reopening of this Elegant Theatre,
on Monday Evening, December 10th, 1855, Under the Management of MR. H. N. WARNER.
Previous to the Entertainment, an OPENING ADDRESS Will be Spoken by Mrs. Brougham, from the able pen of Mr. F. Belfield, the Dramatic Author . . .
the Curtain will rise at Half-past Seven, when will be sung the NATIONAL ANTHEM.
Principal Vocalists: - Mr. George Clifford, Mr. Charles Walsh, and Miss Minnie Clifford, supported by the entire strength of the Company . . .
The comedy will be succeeded by a GRAND INTERLUDE . . . To be followed by
Selections from the Third Act of Bellini's Opera, "La Sonnambula."
Elvino - Mr. G. Clifford. Amina - Miss Minnie Clifford . . .
Acting Manager, Mr. Charles Walsh . . . Leader of the Orchestra, Mr. King.

ASSOCIATIONS: Henry Neil Warner (actor, manager); Emma Brougham (actor); Francis Belfield (actor, writer); Charles Walsh (vocalist, actor); Edward King (leader, violin)

"THE QUEEN'S THEATRE", The Argus (11 December 1855), 5

http://nla.gov.au/nla.news-article4825510 

This theatre was opened last night for a campaign under Mr. Henry Neil Warner's management, and the house was fairly attended . . . The dancing between the pieces by the Chambers family secured unanimous encores on each occasion. The only event to mar the success of the performance was a moat lamentable exhibition on the part of a Mr. and Miss Clifford, who perpetrated some of the music of the Sonnambula to a running accompaniment of shouts and whistlings from the gods.

ASSOCIATIONS: Chambers family (dancers)

[Advertisement], The Argus (27 March 1856), 8

http://nla.gov.au/nla.news-article4834025 

TILKE'S CITY HOTEL. Bourke-street.
A grand selection of Vocal and Instrumental Music (solo and concerted) will be given Every Evening in the New Splendid Music Hall of the above hotel, by an efficient company.
The following artistes will have the honor of appearing: . . .
Instrumental. Violin - Mr. Clifford.
Flute - Mr. Foote. Harp - Mr. J. Young.
Concertina - Mr. Geo. Clifford.
Pianoforte - Mr. E. J. Piper. Commence at Eight o'clock.

ASSOCIATIONS: Mr. Foote (flute); Jacob Young (harp); Edward John Piper (piano); Tilke's City Hotel (Melbourne venue)

[Advertisement], The Age (6 October 1856), 1

http://nla.gov.au/nla.news-article154870185 

ROYAL LYCEUM THEATRE. First appearance of the Eminent English Actress Mrs. C. N. SINCLAIR,
To-night, Monday, First appearance of the celebrated young Actor MR. HENRY SEDLEY. MUCH ADO ABOUT NOTHING.
National Anthem - Mr. John Gregg, Mr. Clifford, Mrs. H. Fiddes, Miss Clifford, and full chorus . . .

ASSOCIATIONS: John Gregg (vocalist); Harriet Cawse Fiddes (vocalist); Lyceum Theatre (Melbourne venue)

NOTE: There is no record at all of the Cliffords in 1857 and the first half of 1858

"HAYMARKET THEATRE", Bendigo Advertiser [VIC] (12 July 1858), 3

http://nla.gov.au/nla.news-article87981772 

Spite of the deluge of rain which continued almost without intermission during the evening, a bumper house assembled at the Theatre on Saturday evening. No effort had clearly been spared by the fair directress to ensure a successful debut to her new company. Mr. Mungall, Mr. J. Warden, and Miss Florence Clifford, made their first appearance this season before a Bendigo audience. The first piece of the evening was the Operatic Drama of Rob Roy . . . Miss Fanny Young acted the part of "Francis," and sang several popular songs, which were applauded . . . Mr. James Warden, as "Dougal," made a successful hit . . . The high-minded and courageous "Diana Vernon," was well personated by Miss Minnie Clifford, who, likewise, sang several well-known songs, which called forth the plaudits of the house. The rest of the characters were well personified, and the whole performance was decidedly a successful one . . .

ASSOCIATIONS: Fanny Young (actor, manager); John Mungall (actor); James Warden (actor, musician); Haymarket Theatre (Bendigo venue)

"HAYMARKET THEATRE", Bendigo Advertiser (14 July 1858), 3

http://nla.gov.au/nla.news-article87981828 

Last night the management produced the drama of "Cramond Brig" . . . The musical drama of "Charles the Second" followed, in which Miss Fanny Young and Miss Minnie Clifford sang sweetly some of the solos and duets incidental to the piece. The musical talents of the latter young lady are a great acquisition to the stage, and should the manager intend producing some of the musical extravaganzas which were brought out by Mr. Daniels during his former management, the singing of both ladies will materially contribute to their success.

ASSOCIATIONS: George Washington Daniels (actor, manager, fanny Young's husband)

"MUNICIPAL POLICE COURT. Saturday, 31st July, 1858 . . . WAGES", Bendigo Advertiser (2 August 1858), 3

http://nla.gov.au/nla.news-article87982280 

Clifford v. Daniels, £6 for wages as an actor at the Haymarket Theatre.
Charles Clifford [sic] stated that he had been engaged in Melbourne to come here and play with his two daughters as an actor and a vocalist, at the wages of £6 per week with their board and lodging; complainant had been paid for his services for two weeks, but that the agreement had been broken in consequence of the defendant casting Miss Clifford for a male character, to play in man's attire, a man servant's character, Cool, in "London Assurance;" on her declining to perform the part, Mr. Daniels had dismissed them, and refused to pay the balance.
Mr. Daniels explained, and the Bench considered that the case did not come within the jurisdiction of the Court, and the case was therefore dismissed.

"SHAMROCK HOTEL, EPSOM", Bendigo Advertiser (28 August 1858), 3

http://nla.gov.au/nla.news-article87982977 

As will be seen by reference to our advertising columns, that energetic caterer for the public amusement, Mr. Heffernan, is about to give his Epsom friends an opportunity of witnessing, a theatrical entertainment this evening. The service of the Clifford family have been engaged, and we have no doubt from the short experience we had of their talents, especially the musical talents of the elder Miss Clifford, a very, delightful evening's entertainment may be effected.

ASSOCIATIONS: William Heffernan (venue proprietor)

PLAYS: The waterman (Charles Dibdin); The two Gregories (Thomas Dibdin)

[Advertisement], Bendigo Advertiser (28 August 1858), 1

http://nla.gov.au/nla.news-article87982989 

SHAMROCK HOTEL, EPSOM. SATURDAY, 28th AUGUST. First appearance in Epsom of Miss Minie Clifford (from the Princess's Theatre, Melbourne,) Miss L. Clifford [sic], and Mr. G. Clifford,
assisted by other Professional Gentlemen, when will be played THE WATERMAN, And a Concert.
To be followed by the Farce of THE TWO GREGORIES, with the original music. Admission 2s,

"CAMP HOTEL, EAGLEHAWK", Bendigo Advertiser (23 November 1858), 3

http://nla.gov.au/nla.news-article87985088 

We observe by an advertisement that a great musical and dramatic treat will be offered this evening at the Camp Hotel, Eaglehawk, being the farewell benefit of Messrs. Small and Pierce, who will appear on the occasion. In addition to them, however, Miss Urie, the Misses Clifford, Mr. Thatcher and Mr. Clifford will appear. Dancing will take place after the performances.

ASSOCIATIONS: Joe Small (vocalist); John Ottis Pierce (vocalist); Charles Thatcher (vocalist)

"LYCEUM THEATRE", Bendigo Advertiser (6 December 1858), 3

http://nla.gov.au/nla.news-article87985352 

As we anticipated, the announcement of the last night of performance - for some time at least - of Miss Urie and Mr. Small, drew a full attendance at the Lyceum on Saturday night. In consequence, however, of indisposition, Miss Urie was unable to appear, her place being supplied by Miss Clifford, who introduced the best selection from Miss Urie's repertory of Scotch melodies, in a style - although comparisons are generally objectionable - that made the absence of Miss Urie less of a disappointment. Miss Clifford has, although not a very powerful voice, one that with careful cultivation will render her in time a pleasing singer. This, combined with a very pleasing expression of features, will, whenever she appears before a Bendigo audience, secure for her a cordial reception . . . The orchestral department, which has been strengthened by the addition of Mr. Moore, the violinist, and our old friend Jemmy Warden, from the Haymarket, was a most efficient accompaniment to the songs.

ASSOCIATIONS: Andrew Moore (leader, violin); Lyceum Theatre (Bendigo venue)

"OPENING OF THE THEATRE ROYAL", The Star [Ballarat, VIC] (28 December 1858), 2-3

http://nla.gov.au/nla.news-article66333024

The opening of the Theatre Royal in Sturt street is an event memorable in the dramatic history of Ballarat, and is one of our most notable proofs that "time works wonders" . . . [3] . . . Of the play - a good homely English five act piece - and of the galaxy of talent drawn together under the auspices of Mr. Hoskins' management, we have not space enough in our over-crowded columns to speak . . . The Bessy Tulip of Miss Minnie Clifford was a lively pleasant rendering, and with the capital acting of Mr. John Dunn, and Mr. Leslie, contributed amazingly to the fun and success of the whole performance . . .

ASSOCIATIONS: William Hoskins (actor, manager); John Benjamin Dunn (actor); Theatre Royal (Ballarat venue)

"THEATRE ROYAL", Mount Alexander Mail [Castlemaine, VIC] (2 February 1859), 3

http://nla.gov.au/nla.news-article199047724 

Great preparations are being made for the production of the extravaganza of "The Sleeping Beauty" to-night, with a degree of splendour and magnificence unprecedented in Castlemaine. The properties and decorations have been brought over from Ballarat in tons, and Mr. St. Quintin, and Mr. Dennis, scenic artists and machinists, have been working night and day to supplement the existing provision of mechanical and decorative accessories . . . A large addition was made yesterday to the company - Miss Minnie Clifford (the Beauty), Miss Flora Clifford, Mr. Clifford, Miss Kate Bellair, and a host of fairies, sylphs, gnomes, and other sprightly representatives of the nether world, to take their respective parts in the extravaganza . . .

"CONCERT AT THE GOLDEN AGE HALL", Maryborough and Dunolly Advertiser [VIC] (3 August 1859), 3

http://nla.gov.au/nla.news-article253599214 

Mr. Clifford's concert on Monday evening was very successful. The singing of the Misses Clifford and Signor Grossi was deservedly admired and applauded; Miss Minnie Clifford and Signer Grossi especially showed themselves accomplished vocalists. We regretted the attendance was not so numerous as might have been expected. At the conclusion the whole company were called before the curtain. We understand at the urgent solicitation of many gentlemen present, Mr. Clifford has consented to give another concert this evening, when we hope to see a full house.

ASSOCIATIONS: Enrico Grossi (vocalist)

"AMHERST COUNTY COURT. Oct. 21", Maryborough and Dunolly Advertiser (26 October 1859), 3

http://nla.gov.au/nla.news-article253601872 

Clifford v. Nicol. For £36 . . . An action for work and labor.
George Clifford said that he and his two daughters had been engaged by the defendant to play at the Theatre Royal, Ballarat-street, Back Creek, at the rate of £18 a week. They had done the work engaged for during two weeks. Judgment for plaintiff with costs, £7 9s.

"AMUSEMENTS. CHARLIE NAPIER THEATRE", The Star [Ballarat, VIC] (31 October 1859), 3

http://nla.gov.au/nla.news-article66056139 

On Saturday night, Henry J. Byron's popular travestie of the "Lady of Lyons" was produced at the Charlie Napier Theatre with wonderful effect, and to an excellent house . . . Miss M. Clifford, as Claude, sang several of these airs in a very pleasing and graceful manner. She is evidently a musician, and sings sweetly, and with considerable taste. Her rendering of "Imagine a palace with marble walls," was given with an exquisite touch of pathos, which was appreciated by the audience; and the duet in the air from "Esmeralda, between herself and Pauline (Mr. S. O'Brien), was rapturously encored . . .

ASSOCIATIONS: Frank Stuart O'Brien (actor, vocalist); Charlie Napier Theatre (Ballarat venue)

"CHARLIE NAPIER THEATRE", The Star (3 January 1860), 3

http://nla.gov.au/nla.news-article72464106 

Messrs. Chapman and Barrick, having now assumed the lesseeship of the above place of amusement, determined to signalise their opening night of the new dramatic season by a reduction of the prices to the old scale. The result was seen in an excellent house. The first piece selected for performance last night was "The Sea of Ice" . . . Mr. O'Brien as Carlos . . . The afterpiece, was a Scotch drama entitled, "Cramond Brig," in which Miss M. Clifford sang "Sound the pibroch." Both pieces will be reproduced this evening.

ASSOCIATIONS: Henry Chapman (actor, manager); Thomas Bowes Barrick (manager)

"THE OPERA", The Star (28 February 1860), 3

http://nla.gov.au/nla.news-article72465264 

Pursuant to announcement Signor and Signora Bianchi made their debut last night on the boards of the Napier, accompanied by Mr. Farquharson, Signor Grossi and some of the chorus from the Theatre Royal in Melbourne. The orchestra under the conductorship of Mr. Winterbottom, was composed of local artistes lead by Mr. Paltzer. Mr. Gibbs's courageous enterprise in obtaining one more display of high opera for the behoof of the Ballarat public, was rewarded last night by a good, if not a very crowded house, and the taste supplied last night to the lovers of music, of the rich treat secured for them in the present company, will no doubt lead to even better houses yet. The opera chosen for the first appearance of the singers who have so long delighted our metropolitan connoisseurs was "Il Trovatore" . . . Miss Hamilton was cast for Azucena, but was indisposed; and Miss Minnie Clifford, at a short notice supplied her place. Miss Clifford took everybody by surprise, as well by her very respectable rendering of the part as by her acquaintance with the original libretto. The opera was abridged somewhat, but Miss Clifford, with much purity and good taste acquitted herself of this part allotted to her . . . To-night, the opera of "Il Trovatore" will be repeated.

ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists); Robert Farquharson (vocalist); John Winterbottom (conductor); John Gibbs (proprietor); Italian Opera Company (troupe)

"THEATRICALS AND MUSIC . . . BALLAARAT", Bell's Life in Victoria and Sporting Chronicle (3 March 1860), 2

http://nla.gov.au/nla.news-article201378044 

. . . At the Charlie, the opera troupe opened in "II Trovatore" on Monday evening, and all the expectations which we had formed of the Bianchis were fully realised - they are certainly superior to any artistes who have visited us lately. Mr. Farquharson never sang better, and not the least interesting feature in the performance was the debut of Miss Minnie Clifford, in the difficult part of Azceuna, which had been taken up by her at two days' notice, on account of Miss Hamilton's illness, and in which the acquitted herself admirably. The operas have been put on the stage in a most creditable manner, but although Mr. Gibbs has surpassed himself in his endeavours to please the public, we regret to say the amount of patronage accorded him has not been commensurate with his deserts.

"News and Notes", The Star (6 March 1860), 2

http://nla.gov.au/nla.news-article72465417 

The opera of "Lucrezia Borgia" was produced last night at the Napier to a crowded house both in pit and boxes . . . We thought Signor Bianchi was scarcely in so good voice as on previous nights . . . Mr. Farquharson, too, was rapturously applauded, as he deserved to be. Miss Minnie Clifford sang her part very well, but she deals too much in staccato notes to satisfy the fastidious . . .

"AMUSEMENTS. THE CHARLIE NAPIER THEATRE", The Star (9 April 1860), 2

http://nla.gov.au/nla.news-article72466081 

On Saturday evening the above place of amusement was re-opened under the direction of Signor Bianchi, when Bellini's chef d'oeuvre "Norma" ushered in what we may confidently predict a successful operatic season . . . The Signora was admirably supported by Miss Minnie Clifford, a young lady of great promise, possessing a rich mezzo-soprano voice of remarkable flexibility, which enabled her to do ample justice to the part of Adelgisa. As contralto her rendering of the difficult solo, "Deh proteggi mi" [Deh proteggimi], was surprising for so young an artiste . . .

"THEATRICALS AND MUSIC . . . BALLAARAT", Bell's Life in Victoria and Sporting Chronicle (14 April 1860), 2

http://nla.gov.au/nla.news-article201380794 

. . . The Charlie Napier re-opened on Saturday evening with an efficient operatic and dramatic company, under the direction of Signor Bianchi. The operas of "Norma" and "Ernani" have been performed, and it is needless to say that with Signor and Signora Bianchi, Mons. Coulon, Signor Grossi, and Miss Minnie Clifford, the pieces were well rendered . . .

ASSOCIATIONS: Emile Coulon (vocalist)

"THE BENEFIT FOR MRS. GIBBS", The Star (18 April 1860), 3

http://nla.gov.au/nla.news-article72466267 

The performance at the Charlie Napier Theatre last night was for the benefit of the wife and family of the late Mr. John Gibbs. The opera announced for performance was "Lucretia Borgia," but after the rise of the curtain, Mr. Chapman came in front of the spotlights and spoke a prologue, for which we regret we cannot find room, at the conclusion of which he said he regretted it was his disagreeable duty to announce that, owing to Miss Minnie Clifford refusing to appear in character assigned to her in Lucretia Borgia. the opera of Attila would be substituted in its stead. The cause of the young lady not appearing he said was that she had given too many benefits to the deceased already, for which she had not been paid, and now refused to appear unless rewarded for her services. The father of the young lady subsequently sent a letter to this office stating that she was unwell, and denying the statement of Mr. Chapman . . .

ASSOCIATIONS: John Gibbs, the proprietor of the theatre, had died on 14 April

"THE PHILHARMONIC CONCERT", The Star (1 September 1860), 2

http://nla.gov.au/nla.news-article66058004 

A concert was given by the Ballarat Philharmonic Society last night at the Theatre Royal before a tolerably good house . . . The programme for the evening comprised both sacred and secular music, the first part being Handel's "Dettingen Te Deum," performed on this occasion for the first time in Ballarat. The second part consisted of a selection of madrigals and songs, and Locke's Macbeth music made up the third and concluding part of the programme. Mr. A. T. Turner wielded the baton as heretofore, as conductor, and M. A. Fleury officiated as leader, Mr. Linly Norman presiding at the piano. Miss Julia Harland, Miss Minnie Clifford, and Mr. Cazaly were the principal soloists . . . Miss Minnie Clifford was deservedly encored in the song from Weber's "Oberon" "Oh Araby, dear Araby," which was sung in good voice, and afforded a gratifying proof of this lady's cultivated powers as a vocalist . . .

ASSOCIATIONS: Austin Theodore Turner (conductor); Achille Fleury (leader, violin); Linly Norman (piano); Julia Harland (vocalist); Peter Cazaly (vocalist); Ballarat Philharmonic Society (association)

"News and Notes", The Star (5 October 1860), 2

http://nla.gov.au/nla.news-article66058666 

The opera of "Norma" (English version) was produced last night at the Royal, with Miss Harland as prima donna, supported by Miss Clifford, and Messrs. Gregg and Sherwin. This evening the performances will be for the benefit of Miss Harland, when "La Sonnambula" will be produced . . .

ASSOCIATIONS: Walter Sherwin (vocalist)

"News and Notes", The Star (6 October 1860), 2

http://nla.gov.au/nla.news-article66058697 

There was a good house at the Royal last night, when the English version of "La Sonnambula" was produced for the benefit of Miss Harland. Miss Harland took the part of Amina, Miss Clifford that of Lisa, and Messrs. Sherwin and Gregg took the parts of Elvino and Count Rodolfo. The music had evidently been rehearsed with care, and the general rendering was exceedingly creditable, the several bijoux of the opera being well given and warmly applauded. The production was not of the ambitious nature of recent operatic performances here, though the libretto being in the vernacular an element of popularity not present in Italian opera was added to the entertainments. The burlesque concluded the performances of the evening. Tonight the opera of "Maritana" will be brought out . . .

"NEWS AND NOTES", The Star (1 December 1860), 2

http://nla.gov.au/nla.news-article66336082 

Miss Clifford took her benefit last night at the Royal, when a capital bill of fare was provided for the entertainment of the house. The first piece was "Guy Mannering," which was brought out with the music incidental to the play. There was a little too much need of the prompter occasionally, but the general rendering of both music and dialogue was good. Our limited space forbids our dwelling on details, and to mention one or two characters only where so many were good, would be invidious. A musical melange followed the melodrama, and Miss Harland, Miss Clifford, and Mr. Cazaly, an amateur of local note, were in good voice, and, as in the first portion of the entertainment, were often encored. This evening the performances consist of "Guy Mannering," followed by "Valentine and Orson."

"THEATRE ROYAL", The Star (19 January 1861), 3

http://nla.gov.au/nla.news-article66336924 

The performance at the Theatre Royal yesterday evening was for the benefit of the sufferers by the late fire . . . The performance commenced with "His Last Legs" . . . This was followed by a musical melange, in which Miss Julia Harland, the Misses Royal, the Misses Clifford, and Mrs. Rosemann took part. We need hardly say that the songs were well sung and warmly received, but our space will not permit us to particularise . . . We understand that Mr. Holt is about to undertake the management of the theatre, and Signor and Signora Bianchi, with an opera company, are announced to appear on Monday evening.

ASSOCIATIONS: Kate and Lizzie Royal (vocalists); Anna Rosemann (vocalist); Clarance Holt (actor, manager)

"NEWS AND NOTES", The Star (26 January 1861), 2

http://nla.gov.au/nla.news-article66337061 

Signora Bianchi was greeted with a crowded house last night at the Royal on the occasion of her benefit. The opera chosen was "Il Trovatore," but owing to the illness of Miss Clifford, the opera of "Norma" was substituted. Miss Harland having consented to take the part of Adelgisa . . .

[2 advertisements], The Argus [Melbourne, VIC] (27 May 1861), 8

http://nla.gov.au/nla.news-article5700518 

THEATRE ROYAL. THIS EVENING, MAY 27, COMPLIMENTARY FAREWELL BENEFIT To MISS AVONIA JONES . . .
After which Miss Minnie Clifford will sing Kathleen Mavourneen, and a duet with her sister, Miss Florence Clifford.

ASSOCIATIONS: Avonia Jones (actor)

[Advertisement], The Argus (28 May 1861), 8

http://nla.gov.au/nla.news-article5700576

THEATRE ROYAL . . . BENEFIT of MR. HOSKINS . . .
Last appearance of Miss MINNIE and Mr. CLIFFORD, Prior to their departure by the Great Britain . . .
THIS EVENING (TUESDAY), MAY 28 . . .
Song - "Kathleen Mavourneen," Miss Minnie Clifford. Duet -"Oh, Listen, Dear," Misses M. and Florence Clifford . . .

Names and descriptions of passengers per Great Britain from Melbourne 29 May 1861, for Liverpool; Public Record Office Victoria

https://prov.vic.gov.au/archive/238FF803-F7F0-11E9-AE98-F3FD07F091BE?image=80 (DIGITISED)

. . . Geo. Clifford / 42 // Amelia [sic] / 19 // Florence / 13 . . .

"THEATRICAL DEPARTURES", Mount Alexander Mail (3 June 1861), 2

http://nla.gov.au/nla.news-article199603178 

The Great Britain and Suffolk bear away from these shores a large number of the members of the dramatic and musical professions. In addition to Mr. G. V. Brooke, Mr. R. Younge, and Miss Jones, to whose impending departure we have several times referred, we lose, Mr. H. J. Wallack. Mr. and Mrs. Hancock, and the Misses Clifford. - Herald.

"LYCEUM THEATRE", The Musical World [London, England] (5 October 1861), 636

http://books.google.com.au/books?id=eegsAAAAYAAJ&pg=PA636 (DIGITISED)

Mr. J. B. Chatterton, the acting manager, took his benefit on Monday last, when, in addition to the dramatic performances . . . a miscellaneous concert was given, supported by Mlle. Florence Lancia, Miss Minnie Clifford, the Misses Brougham, Messrs. Alberte Laurence and Aynsley Cook as vocalists, and Mr. Chatterton (Harp) and Mr. Levy (cornet-a-piston), instrumentalists . . .

ASSOCIATIONS: John Balsir Chatterton (harp); Jules Levy (cornet)

"QUEEN'S THEATRE", Edinburgh Evening Courant [Scotland] (3 December 1861), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001060/18611203/032/0002 (PAYWALL)

Last night, the Misses Clifford and Messrs. George Melville and Gardiner Coyne began short engagement here. The performances opened with Victor Hugo's drama of "Ruy Blas" . . . The operetta of The Swiss Cottage" followed, which Miss Minnie Clifford enacted the part of Lissette, and Miss F. Clifford that of Marion. Both are sprightly and pleasing actresses, and have considerable ability vocalists . . .

[Advertisement], Newcastle Daily Chronicle [England] (12 December 1865), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001633/18651212/002/0001 (PAYWALL)

THE CULTIVATION OF THE VOICE AND THE ART OF SINGING.
MR. G. CLIFFORD, from the Royal Academy Music, and Pupil of Signor Crivelli,
begs most respectfully acquaint the Musical Dilettanti of Newcastle that he is desirous of soliciting their patronage for Teaching Italian and English Singing.
He has resided three years in Florence and Milan, and is conversant with the Italian Language.
(Mr. C. is the instructor Miss Minnie Clifford, now singing at the Theatre Royal.)
Terms known on application. 14, Blandford Street.

"Miscellaneous", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (19 January 1867), 2

http://nla.gov.au/nla.news-article199057440 

MISS MINNIE CLIFFORD, a young and talented vocalist and soubrette actress, who with her father and younger sister played for some time on the boards of the old Princess Theatre, Melbourne, during the Henderson and Nelson regime, made her re-appearance as a classical vocalist at the Theatre Royal, Newcastle-on-Tyne, in November last. She had retired for some considerable period to finish her musical education. She is deservedly a favourite at Newcastle, and a crowded house welcomed her back to the stage.

England census, 1881, All Souls, Marylebone, Middlesex; UK National Archives, RG11/137/98/3

https://www.ancestry.com.au/discoveryui-content/view/13707563:7572 (PAYWALL)

47 Bolsover St. / Robert J. Baker / Head / Mar. / 46 / Draper's Assistant / [born] Middlesex St. George's
Florence [Baker] / Wife / Mar. / 36 / - / [born] Italy Florence
Minnie Clifford / Sister in Law / Unm. / 40 / Actress / [born] Middlesex Pancras

As Minnie Clifford, 60, appeared in the 1901 census boarding in Kensington; she was last reported appearing at the Theatre Royal, Worthing, in May 1904




CLIFFORD, Julia (Miss Julia CLIFFORD) = Julia BRUTONE (BRUTON)



CLIFTON, Stephen (Stephen CLIFTON)

Amateur vocalist, church singer, sexton (Port Macquarie church), convict

Born London, England, 1792
Convicted Old Bailey, London, England, 3 December 1817 (transportation 14 years)
Arrived Sydney, NSW, 14 September 1818 (convict per Isabella, from London, 3 April, aged "25")
Married Ann REILLEY, St. Thomas, Port Macquarie, NSW, 20 April 1829
Certificate of freedom, NSW, 20 January 1832

https://trove.nla.gov.au/search?l-publictag=Stephen+Clifton+b1792+per+Isabella (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLIFTON-Stephen (shareable link to this entry)


Documentation:

"HATTON GARDEN", Globe [London, England] (2 August 1811), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001651/18110802/011/0004 (PAYWALL)

A young man, named Stephen Clifton, not quite nineteen years of age, was charged with house-robbery, by Mr. Mitchell, of Judd-street, Somer's town, on the afternoon of Wednesday, between the hours of four and five o'clock. It appeared by the testimony of the Prosecutor, and of his wife and servant-maid, that the Prisoner had privily got into the house through the area or by the door, without being heard or perceived by any of the family, and had only been detected on his getting up the stairs, with a large bundle, containing sheets, table-cloths, gowns, and other articles, the property of the Prosecutor, which were found upon him, and produced in Court . . . The Prisoner offered no defence, and was fully committed for trial.

Trial of Stephen Clifton, grand larceny, 18 September 1811; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?div=t18110918-162 (DIGITISED)

783. STEPHEN CLIFTON was indicted for feloniously stealing, on the 28th of July, a pair of sheets, value 10s. two tablecloths, value 4s., the property of William Mitchell; a gown, value 5s., three caps, value 3s., a habit shirt, value 1s., a handkerchief, value 1s., a duster, value 1d., and a piece of cotton, value 6d. the property of Esther Sculthorp . . . GUILTY , aged 18. Transported for Seven Years.

Trial of Stephen Clifton, coining offences, 3 December 1817; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?div=t18171203-34 (DIGITISED)

33. STEPHEN CLIFTON was indicted for the like offence. The prisoner pleaded GUILTY. Aged 25. Transported for Fourteen Years.

Convict indent, per Isabella, 14 September 1818; State Records Authority of NSW, NRS 12188 [4/4006]

https://www.ancestry.com.au/discoveryui-content/view/55401:2024 (PAYWALL)

Stephen Clifton / Middlesex Gaol Delivery / 3 December 1817 / Fourteen Years /
Native place, London / Saw maker & sitter / age, 26 / 5ft 2 1/4 / 1/2 cast black . . .

"WINDSOR", The Sydney Gazette and New South Wales Advertiser (2 January 1827), 3

http://nla.gov.au/nla.news-article2187239

Ann Brennan was returned to Government for reason that she had taken such confidence in the esteem of her master and mistress, and placed such implicit faith in the clemency of the Government, that she had not questioned whether there would be any impediment to her being married unto Stephen Clifton, and therefore did not agitate the point, until it was necessary to purchase narrow lace, for little caps, and other matters hitherto unknown to the inexperience of Stephen. The Government would not allow their marriage to be solemnized; Ann had said, when she came into the Colony, that she had a loving husband in Channel row, in Dublin; and not dreaming how closely she would be allied to the unknown Stephen, she concealed her own misfortunes. It was thought now, as a desperate remedy, that "an affidavit" would be lawful, to oppose on oath what had been incautiously said without a solemn assurance; but the oath was laid upon the table, and the saying kept on record. Stephen said, "I am sure, Gentlemen, she is not a married woman, because, when she first came there (meaning her service) and before she knew any thing about me, and did not like me (Stephen is a man of colour) she used to tell me so." Ergo, when she became acquainted with him, his manners were engaging, the impediment alluded to notwithstanding. Stephen appears amazingly in love, that he would make a kind husband is beyond a question, nor would he allow her to lift a bucket of water for his life; and should a dish of blushing young potatoes be in view - "Ann will you have one?" and on the tip of a fork you see one sticking, whilst another would be chewing it himself. It is a pity to separate them, but the law must be obeyed. Ordered that the woman be forthwith placed under the care of Mrs. Raine, Superintendent of the Female Factory at Parramatta, where she will be properly attended to; nor will the cries of a little cross babe, annoy the ears of the disappointed Margaret Kelly.

"Police Reports", The Sydney Gazette and New South Wales Advertiser (13 August 1827), 3

http://nla.gov.au/nla.news-article2188748

Stephen Clifton was brought to account for a saw which had been entrusted to his care. The prisoner pleaded, that it was his master's pleasure that he should practice church music every Friday, and that while he was singing and preparing himself for the psalm for the following Sunday, some irreligious rogue had abstracted the cross cut saw. No proof, against Stephen, and he was discharged. This job was very near making Stephen chaunt a different tune.

NSW census, November 1828; State Records Authority of NSW

https://www.paperturn-view.com/?pid=NDM43338&p=255 (DIGITISED)

. . . Clifton Stephen / [per] Isabella / Employment - Nothing Stated / Pt. Macquarie . . .

Marriages, St. Thomas, Port Macquarie, 1829; Biographical database of Australia

https://www.bda-online.org.au/mybda/search/biographical-report/30063001001 (PAYWALL)

20 April 1829 / Stephen Clifton / Bachelor / Ann Reilley / Spinster

Both were convicts; according to the marriage permission, Stephen was the Port Macquarie church sexton

Certificate of freedom, January 1832; State Records Authority of NSW, NRS 12210

https://www.ancestry.com.au/discoveryui-content/view/5376:1689 (PAYWALL)

No. 32/241 / 20 January 1832 / Stephen Clifton / Isabella / . . . 1818 /
Native Place, London / Trade or Calling, Saw Sharpener / Offence, Uttering forged notes / Middlesex C.S. / 3 December 1817 / Fourteen Years / Year of Birth, 1792 / 5 ft 2 1/4 ins [sic] / Half cast / Black & Woolly . . .

[Notice], The Sydney Gazette and New South Wales Advertiser (9 February 1832), 1

http://nla.gov.au/nla.news-article2204929

THE undermentioned Persons have obtained Certificates of Freedom during the last Week, viz. . . . Isabella (1) - Stephen Clifton . . .


Bibliography and resources:

Stephen Clifton, per Isabella; Biographical database of Australia

https://www.bda-online.org.au/mybda/search/biographical-report/10013934601 (PAYWALL)

Stephen Clifton, Convict records

http://www.convictrecords.com.au/convicts/clifton/stephen/37101




CLIFTON, William John (William John CLIFTON; W. J. CLIFTON)

Amateur vocalist

Born Gloucester, England, 1815; baptised Gloucester cathedral, 7 August 1815; son of Robert CLIFTON (1783-1863) and Elizabeth BROWNING (m. 1807)
Arrived Perth, WA, 11 February 1849 (per Ameer, from England)
Married Caroline CLIFTON [sic] (d. 1883), Australind, WA, 19 January 1853
Died York, WA, 12 April 1885, aged "69"

https://trove.nla.gov.au/search?l-publictag=William+John+Clifton+1815-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLIFTON-William-John (shareable link to this entry)


Documentation:

Baptisms solemnized in the Cathedral Church of Gloucester in the county of Gloucester in the year 1815; register 1815, page 1-2; Gloucestershire Archives, Gdr/V1/289

https://www.ancestry.com.au/imageviewer/collections/5066/images/43138_636897_2111-00464?pId=12151082 (PAYWALL)

No. 11 / [1815] Aug. 7th / William John son of / Robert & Elizabeth / Clifton / College Precincts / Clerk / [officiant] Rob't Clifton Minor Canon

"Shipping Intelligence. Arrived", Inquirer [Perth, WA] (14 February 1849), 2

http://nla.gov.au/nla.news-article65740597 

On the 11th instant, the barque Ameer, 450 tons, W. P. Stevenson, master, from England. Passengers . . . steerage - Mr. W. J. Clifton . . .

"THE AMATEUR CONCERT", The Perth Gazette and Independent Journal of Politics and News (25 June 1852), 3

http://nla.gov.au/nla.news-article3173549 

THE concert in aid of funds for promoting a Musical Class for the Mechanics' Institute, took place at the Court House in Perth last Friday evening . . . The two Misses Ougden performed the Overture to La Dame Blanche very pleasingly on the piano; and Mr. E. Hamersley played an excellent accompaniment to the Rosita Waltz on the Cornet a Piston; Mr. A. H. Stone ably conducted the whole performance. The vocal parts were undertaken by Messrs. William Clifton, Bell and Parry, the former of whom was encored in a new song called Dreams of the Heart . . .

ASSOCIATIONS: Martha Ougden and sister (pianists); Edward Hamersley (cornet); Alfred Hawes Stone (conductor)

"Local", Inquirer (30 June 1852), 3

http://nla.gov.au/nla.news-article65485184 

The Concert on Friday, the 25th, passed off very well. The Court House was most tastefully ornamented on the occasion, the room was well lighted, and the performers, vocal and instrumental, spared no effort to please the audience. The overtures were well executed, and the songsters obtained much applause. Mr. W. J. Clifton was encored in the song "Dreams of the heart" . . .

"Domestic Sayings and Doings", The Perth Gazette and Independent Journal of Politics and News [WA] (30 July 1852), 3

http://nla.gov.au/nla.news-article3173660 

We are informed it is determined upon to take measures for reviving the Western Australian Turf Club, which was in existence some years ago, but which seems long since to have died a natural death . . . We understand that Mr. William J. Clifton has undertaken to act as Honorary Secretary . . .

"Married", Inquirer (2 February 1853), 2

http://nla.gov.au/nla.news-article65484500 

On the 19th instant, at Australind, by the Rev. H. W. Brown, Minister of Bunbury, William J. Clifton, Esq., Registrar of Deeds, and of the Colonial Secretary's Office, fourth son of the Reverend Robert Clifton, British Chaplain at Bruges, Belgium, to Caroline, youngest daughter of M. Waller Clifton, M.L.C., and grand-daughter of the late Reverend Francis Clifton, of Alverstoke, Hants, Rector of Eastwell, and Prebendary of Lincoln.

"Opening of the Hall of the Total Abstinence Society", The Perth Gazette and Independent Journal of Politics and News (9 June 1854), 3

http://nla.gov.au/nla.news-article3175263 

. . . On Wednesday evening Mr. Lowe gave a Lecture in the Hall on the nature of Alcohol and its effects . . . urging the benefits of Abstinence . . . The great attraction however of the evening, was the rendition by the orchestra of the concert given on [illegible], with the addition of some vocal music by Messrs. Clifton, Parry, and Curtis, who very kindly [offered] their assistance . . .

[News], The Inquirer and Commercial News (2 August 1865), 2

http://nla.gov.au/nla.news-article66012864 

We are informed that Mr. W. J. Clifton has promised to deliver a lecture, at the Swan River Mechanics' Institute, very shortly, on "English Song." From the well-known musical attainments of Mr. Clifton, a great treat may with confidence be anticipated by the large audience which his lecture is certain to insure.

"SWAN RIVER MECHANICS' INSTITUTE", The Perth Gazette and West Australian Times (11 August 1865), 2

http://nla.gov.au/nla.news-article3755839 

On Tuesday evening last [8 August] Mr. W. J. Clifton delivered his promised lecture on "English Song" in the Hall of the above Institute, to a numerous and highly respectable audience. The lecturer having been introduced by the Hon. G. F. Stone, proceeded to explain in a most interesting manner the difference between Poetry, Ballads, and Songs, illustrating his meaning as he proceeded, by selections from Campbell, Moore, and Dibdin, the whole of which, were well, and deservedly received. The thanks of the Institute having been voted to the Lecturer, the meeting separated, evidently well pleased with the evening's entertainment.

But see also "CORRESPONDENCE", The Inquirer and Commercial News (16 August 1865), 2

http://nla.gov.au/nla.news-article66014646 

[Advertisement], The Perth Gazette and West Australian Times (23 March 1866), 2

http://nla.gov.au/nla.news-article3755795 

Northam Mechanics' Institute . . . A LECTURE will be delivered in the room of the above society by
W. J. Clifton Esq., on THURSDAY, 29th inst. SUBJECT:- "ENGLISH SONG."
Doors open at 636 p.m., Lecture to commence at 7. Admittance - Members, free ; Non-Members, 6d.
By order, GEO. THROSSELL, Hon. Secretary.

"DEATH OF W. J. CLIFTON, ESQ., J.P.", Eastern Districts Chronicle [York, WA] (18 April 1885), 2

http://nla.gov.au/nla.news-article148586774 

On Sunday morning last, Mr. Clifton, who had been ailing for a length of time, died. To mark the close of his life it may be said to have been sudden. His son who had been sitting up with him a part of the night went to bed, at the request of his father, who said he felt a little better. When the sun awoke he went to his father's room and found him dead. His complaint was heart disease and had attained the age of 69. Mr. Clifton leaves a very large circle of relations and friends; and amongst the latter the York people outnumber any other part of the Colony. Of late years his health having become so impaired has unfitted him from mixing up with public affairs as formerly. In the early part of the Colony Mr. Clifton always took a very prominent part in furthering everything conducive to its interests. His remains were followed to the grave on Monday last, by a large number of respectable residents.

See also "NEWS IN BRIEF", The Inquirer and Commercial News [Perth, WA] (15 April 1885), 5

http://nla.gov.au/nla.news-article71998705 




CLINT, Scipio Milton (Scipio Milton CLINT; S. M. CLINT; Mr. CLINT)

Artist, ventriloquist, vocal illusionist, vocal impressionist, painter, scene-painter

Born London, England 12 September 1829; baptised St. Dunstan in the West, 25 October 1829; son of Scipio CLINT (1805-1839) and Ann Randall ANDERSON (c. 1805-1857)
Arrived Melbourne, VIC, 24 November 1852 (per Blorenge, from London, 15 August)
Active Sydney, NSW, until April 1855 or later

https://trove.nla.gov.au/search?l-publictag=Scipio+Milton+Clint+b1829 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1485522 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLINT-Scipio-Milton (shareable link to this entry)

ASSOCIATIONS: Raphael Clint (1798-1849; uncle); Scipio Milton after his father's master, John Milton, medallist; see, William Till, An essay . . . (London: 1837), 208-09

https://books.google.com.au/books?id=RL5VAAAAcAAJ&pg=PA209 (DIGITISED)

. . . I have seen some very good medals which were executed . . . by [209] Mr. Scipio Clint, a pupil of the late Mr. Milton . . .


Documentation:

Baptisms solemnized in the parish of St. Dunstan in the West in the City of London in the year 1829; register 1813-39, page 273; London Metropolitan Archives, P69/Dun2/A/01/Ms 10355/3

https://www.ancestry.com.au/discoveryui-content/view/884399:1558 (PAYWALL)

No. 2182 / Oct'r 25th [1829] / Born Sep'r 12th 1829 / Scipio Milton son of / Scipio & Ann Randall / Clint / No. 5 Rolles Buildings / Dye Sinker & Medallist . . .

Names and descriptions of passengers per Blorenge, from London, 5 August 1852, for Melbourne, November 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=374 (DIGITISED)

. . . Edmund Thomas / 28 / Artist
George Curtis Rowe / 21 / Artist
Scipio Clint / 22 / Artist . . .

ASSOCIATIONS: Edmund Thomas (artist); George Curtis Fawcett Rowe (artist, actor)

"MR. SCIPIO CLINT", Bell's Life in Sydney and Sporting Reviewer (16 September 1854), 3

http://nla.gov.au/nla.news-article59759145 

A gentleman under this classical appellation is exhibiting his ventriloquial powers at the Royal Hotel. We recollect meeting with a Mr. Artaxerxes Smith in the States, a green-curtain practitioner in the same line. We wonder whether Scipio was a pupil of Artaxerxes!

ASSOCIATIONS: Royal Hotel (Sydney venue); see also program, [Advertisement], Empire (14 September 1854), 1

http://nla.gov.au/nla.news-article60197364 

"VENTRILOQUISM", The Maitland Mercury and Hunter River General Advertiser [NSW] (4 November 1854), 2

http://nla.gov.au/nla.news-article695016 

Mr. S. Clint, the ventriloquist, gave two entertainments to the inhabitants of West Maitland on the evenings of Wednesday and Thursday last, in the large room of the Northumberland Hotel. The attendance on the first evening was very good, but was considerably smaller on the second. The first part of the entertainment entitled "The friends I have met," showed Mr. Clint's versatility by his personation of very opposite characters. His enraged Frenchman was very good. The second part was strictly ventriloquial, in which he gave admirable imitations of the blowing of a horn and the trotting of a horse at a distance, the buzzing of a fly, and voices proceeding from different parts of the room. Between the parts several comic songs were sung by Mr. Sams, and Mr. Faning presided with his usual skill at the piano.

ASSOCIATIONS: Frederic Sams (vocalist); Edward Faning (pianist); see also program, [Advertisement], The Maitland Mercury and Hunter River General Advertiser (1 November 1854), 3

http://nla.gov.au/nla.news-article694998 

[Advertisement], The Sydney Morning Herald (12 January 1855), 6

http://nla.gov.au/nla.news-article12964249 

DRAWING and PAINTING. - Messrs. THOMAS and CLINT receive pupils for the study of the above accomplishments, at their Studio, 6, Jamison-street. Lessons in Oil and Water-colour Painting, Chalk, or Pencil Drawing and Perspective. Schools and private families attended on moderate terms.

[Advertisement], Empire (9 April 1855), 1

http://nla.gov.au/nla.news-article60179577 

ROYAL VIOTORIA THEATRE, PITT-STREET. SOLE LESSEE- A. TORNING.
THE DRAMATIC SEASON will commence on THURSDAY EVENING, April 12th, 1855,
with an OPERA, in which M. COULON will appear . . .
The Scenery by Messrs. TORNING, CLINT, and FRY . . .

ASSOCIATIONS: Andrew Torning (proprietor, painter); Royal Victoria Theatre (Sydney venue)


Bibliography and resources:

Scipio M. Clint, Design & art Australia online

https://www.daao.org.au/bio/scipio-m-clint 




CLISBY, Redford (Redford CLISBY; R. CLISBY; Mr. CLISBY)

Musician, musical instrument maker, flautist, clarinettist, flute and clarinet player, musicseller, music and musical instrument seller, flute and clarinet maker, concertina and piano tuner and repairer

Born London, England, 11 April 1810; baptised St. Giles in the Fields, Camden, 6 May 1810; son of James CLISBY and Mary NEATE
Married Eliza QUANTRELL (1812-1898), St. Mary Newington, Surrey, England, 7 April 1833
Arrived Adelaide, SA, 10 October 1849 (per Cheapside, from London)
Died Adelaide, SA, 26 May 1884, "in his 73rd year"

https://trove.nla.gov.au/search?l-publictag=Redford+Clisby+1810-1884 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Clisby,+Redford+1810-1884 (TROVE tagged)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLISBY-Redford (shareable link to this entry)


Documentation:

Baptisms, St. Giles in the Fields, Camden, Middlesex, May 1810; register 1809-12, fol. 4v; London Metropolitan Archives, DL/T/036/009

https://www.ancestry.com.au/imageviewer/collections/1624/images/31547_213096-00093?pId=10394261 (PAYWALL)

[1810] May 6 / Redford Clisby, of James, by Mary / [born] April 11 1810

Marriages solemnized in the parish of Saint Mary Newington in the county of Surrey in the year 1833; register 1827-34, page 46; London Metropolitan Archives, P92/MRY/071

https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_199175-00760?pId=4462392 (PAYWALL)

No.138 / Redford Clisby of this Parish, Bachelor and Eliza Quantrell of this Parish, Spinster, were married in this Church by Banns this [7 April 1833] . . .

Baptisms solemnized in the Parish of St. Mary Lambeth in the county of Surrey in the year 1835; register 1834-41, page 168; London Metropolitan Archives, P85/MRY1/359

https://www.ancestry.com.au/discoveryui-content/view/1943091:1558 (PAYWALL)

No. 1339 / [1835] August 9 / Eliza Sarah Daughter of / Redford & Eliza / Clisby / Royal St. / Musical Instrument Maker . . .

England census, 6 June 1841, Lambeth, Surrey; UK National Archives, HO107/1061/1/2/23/11

https://www.ancestry.com.au/discoveryui-content/view/15843045:8978 (PAYWALL)

Belvedere Rd / Redford Clisby / 25 / Mus. Inst. Mak'r / [born in county, sic]
Eliza / 25 // Eliza S. / 6 // Matilda / 4 // Rosa / 1 month / [all born in county]

Baptisms solemnized in the Parish of St. Mary Lambeth in the county of Surrey in the year 1845; register 1841-51, page 253; London Metropolitan Archives, P85/MRY1/364

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_195075-00333?pId=1678178 (PAYWALL)

No. 2024 / [1845] Sept'r 21 / Redford Edwin Son of / Redford and Eliza / Clisby / Carlisle St. / Musical Instrument Maker . . .

Adelaide, SA (from 10 October 1849):

"SHIPPING INTELLIGENCE", South Australian Register (13 October 1849), 3

http://nla.gov.au/nla.news-article50245193

Wednesday, October 10 - The barque Cheapside, 621 tons, Lewis, master, from London. Passengers - Mr. and Miss Clisby . . . R. Clisby wife and six children, Elizabeth and Wm. Clisby . . .

[Advertisement], South Australian (28 November 1849), 2

http://nla.gov.au/nla.news-article50247015

Musical Instruments. REDFORD CLISBY respectfully begs to inform the inhabitants of Adelaide and the colony generally, that he has brought from London an excellent assortment of Wind Musical Instruments, of a quality and finish not to be equalled in the colonies, consisting of
Cocoa Flutes, of eight and six keys in sterling silver, and German silver keys and mountings;
and an assortment of Boxwood Flutes, with four and one keys,
D concerts, F, B, C, D octaves, and E and F picolos;
Clarionettes, A, B, C, and E flat, from eight to thirteen keys;
Clarionette Mouth-pieces; and Bassoons -
the whole selected from the celebrated manufactory of Mr. R. J. Bilton, of 93, Westminster Bridge Road, London,
together with Reeds, Strings, Bridges, Mutes, Pegs, &c., of the first quality;
Tutors' Music, for Piano, Flute and Piano; Scales for various instruments,
Blank Music Paper, Books, &c., &c., &c.
Musical instruments cleaned and repaired on the premises.
Piano-fortes tuned and repaired.
King William-street, Adelaide, Opposite the "Napoleon Bonaparte."

ASSOCIATIONS: On Clisby's former apprentice master and employer Richard John Bilton (c. 1793-1870) and his instruments, some of which Clisby himself may have worked on, see:

https://collections.vam.ac.uk/item/O372419/clarinet-bilton-richard-john 

Clarinet, by Richard Bilton; Met NY

And see also Clarinet in C by Richard Bilton (Met NY)

https://www.metmuseum.org/art/collection/search/503874 

And Clarinet in B flat by Richard Bilton (Royal College of Music, London)

https://museumcollections.rcm.ac.uk/collection/Details/collect/1502 

As of June 2023, there were 22 Bilton instruments listed at MIMO (Musical Instrument Museums Online)

https://mimo-international.com/MIMO/search.aspx?SC=DEFAULT&QUERY=Bilton

[Advertisement], South Australian Register (9 February 1850), 2

http://nla.gov.au/nla.news-article38445521

R. Clisby and Co.'s Grocery Store, (Late E. B. Edgecombe) . . . Hindley-street, Adelaide, February 7th, 1850.

[Advertisement], South Australian Register (28 March 1850), 1

http://nla.gov.au/nla.news-article38447251 

Adelaide Choral Society . . . their next Concert under the direction of Mr. S. W. Wallace,
will take place on Monday next, the 1st April, on which occasion the following Programme will be performed: -
PART I. Overture - Caliph of Bagdad (Boildieu) . . .
PART II. Overture - Il Barbiere de Seviglia (Rossini) . . .
Tickets to be had of Mr. White, King William street; at Platts's, D'Arcy's, and of Mr. Clisby, Hindley-street.
JOHN W. F. DALTON, E. PARIS, Honorary Secretaries. Adelaide, 25th March, 1850.

ASSOCIATIONS: Spencer Wellington Wallace (violin, leader); George White (member); Charles Platts (musicseller); John Walter Frederick Dalton and Eugene Adolphus Paris (secretaries); Adelaide Choral Society (association); Clisby had probably already joined the society as a member of its orchestra, as see 3 July below

[Advertisement], South Australian Register (25 March 1850), 2

http://nla.gov.au/nla.news-article38443589 

NOTICE is hereby given, that the partnership heretofore existing between the undersigned, and carried on under the name of R. Clisby and Co., wholesale and retail Grocers, Hindley-street, is this day dissolved by mutual consent . . .
REDFORD CLISBY. CHARLES BELTON . . .
REDFORD CLISBY, Grocer and Storekeeper, Hindley-street, begs respectfully to inform his friends and the public, that he still carries on the business as heretofore, on his own account . . .
N.B. - R. C. has still on hand a superb stock of Musical Instruments, consisting of flutes with sterling silver, and German keys, clarionets and bassoons, of first rate quality and workmanship, manufactured by Mr. R. J. Bilton, of Westminster-bridge road, London, expressly for the colonial markets; also violin, violincello, and guitar strings, bridges, tutor's pegs, &c. &c. March 23, 1850.

ASSOCIATIONS: Charles Bilton ( ? related to Clisby's former employer, Richard Bilton)

[Advertisement], Adelaide Times (3 July 1850), 2

http://nla.gov.au/nla.news-article207117063 

EXCHANGE, KING WILLIAM-STREET . . . MONSTER CONCERT.
GRAND COMBINATION OF TALENT, In aid of the Funds of the GERMAN AND BRITISH HOSPITAL . . .
UPON which occasion the following ladies and gentlemen have kindly offered their gratuitous services.
85 PERFORMERS!!! . . . THE ADELAIDE CHORAL SOCIETY . . .
INSTRUMENTAL. Conductor - Mr. Wallace . . .
Flutes. Messrs. Addison, Keidel, and Clisby . . .
On Friday Evening, July 19th, 1850 . . .
PROGRAMME. PART I. OVERTURE - The Siege of Rochelle - Balfe - THE BAND . . .
PART SECOND. OVERTURE - "La Straniera" [Bellini] - THE BAND . . .

ASSOCIATIONS: Thomas Plummer Addison (flute); Herr A. Keidel (flute); Exchange Rooms (Adelaide venue)

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald [NSW] (5 August 1850), 2

http://nla.gov.au/nla.news-article12920018 

August 4 - Phantom, brig, 158 tons, Captain Brown, from Adelaide, the 28th ult, passengers . . . R. Clisby . . .

[Advertisement], South Australian Register (21 May 1851), 2

http://nla.gov.au/nla.news-article38434977

ADELAIDE CHORAL SOCIETY. WE the undersigned Members . . . request that a
MEETING of the MEMBERS of the "ADELAIDE CHORAL SOCIETY" may be convened for the purpose of revising the following Resolution, passed on the 14th of April by the Committee of the above Society : -
"Resolved - That Mr. Thurlow's letter, not containing any satisfactory reason for his absence, this Committee consider him no longer a Member of this Society . . ."
W. F. Osborne; Aug. Fried. Cranz; Redford Clisby; Wm. Harris; John Snaith; Wm. Chapman;
Wm. Cobbin; C. Linger; Matthew Sharp; Robert Wiener; D. J. Hiskens; Amil R. Weber . . .

ASSOCIATIONS: Charles Alston Thurlow (member); Ferdinand Osborne (member); August Friedrich Cranz (member); John Snaith (member); William Chapman (member): William Cobbin (member); Carl Linger (member); Robert Wiener (member); Emil Rudolph Weber (member)

[Advertisement], South Australian Register (31 May 1852), 1

http://nla.gov.au/nla.news-article38459049 

TO CAPTAIN DALE, BRIG "HERO." May 12, 1852.
DEAR SIR - We, the undersigned passengers by the brig Hero, from Adelaide, beg to offer you our sincere thanks for the affability and attention you have shown us during the voyage . . . We remain, dear Sir, gratefully yours, . . . Redford Clisby . . .

ASSOCIATIONS: For Melbourne ?; on Clisby's likely time on the Victorian goldfields, c. 1852-53, see "TO CORRESPONDENTS", The Express and Telegraph (15 October 1868), 2

http://nla.gov.au/nla.news-article207677229 

[Advertisement], South Australian Register (2 January 1854), 1

http://nla.gov.au/nla.news-article48550888 

R. CLISBY, WIND MUSICAL INSTRUMENT MAKER, Pianoforte and Accordion Tuner, and Teacher of the Flute,
respectfully informs the gentry and public of Adelaide that he has returned to South Australia and has commenced business in Rundle-street east, nearly opposite the Exeter Hotel.
Flutes, Clarionets, Accordians, Tutors, superior Violin Strings, etc. on sale. Musical Instruments repaired.
R. Clisby (late of Rosina-street) respectfully informs the Ladies that he repairs Parasols, etc., as formerly. Rundle-street east.

[Advertisement], South Australian Register (4 October 1854), 1

http://nla.gov.au/nla.news-article49199552

GRAND EVENING CONCERT - MISS PETTMAN and MR. W. CHAPMAN
beg to inform their friends and the public generally, that they will give a
GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC,
On the EVENING OF WEDNESDAY, OCTOBER 11, 1854, At the PANTHEON, King William-street . . .
Instrumentalists: - 1st Violins - Mr. P. Lee and Mr. Chapman . . .
Flutes - Mr. R. Clisby and Mr. Phillips. Oboe - Mr. Sumsion.
Pianists - Mrs. Young and Mr. Linger . . .

ASSOCIATIONS: Mary Ann Pettman (vocalist); Philip Lee (violin); William James Sumsion (oboe); Rebecca Young (piano); Pantheon Assembly Rooms (Adelaide venue)

[Advertisement], South Australian Register (27 December 1854), 1

http://nla.gov.au/nla.news-article49202566

NOTICE OF REMOVAL - The undersigned respectfully informs his patrons that on and after the 1st of January, his business will be carried on in the premises lately occupied by Mr. Hochreuther, Watchmaker, Rundle-street, opposite Mr. Parkinson's, Chemist.
REDFORD CLISBY, Musical Instrument and Parasol Maker. December 27, 1854.

[Advertisement], Adelaide Times (8 August 1855), 1

http://nla.gov.au/nla.news-article207072431 

THE ADELAIDE MILITARY AND QUADRILLE BAND -
The public is respectfully informed that the ORIGINAL ADELAIDE BAND has been REORGANISED, and is under the directorship of MR. LILLYWHITE.
The Band is now open to engagements for QUADRILLE PARTIES, BALLS, PUBLIC DINNERS, &c.
Persons desirous of securing their services, are respectfully requested to apply to Mr. Edwin Hunt, at the Practise-Room, Black Swan Hotel, North-terrace; or to Mr. R. Clisby, at his Musical Repository, Rundle-street.
N.B. - Parties desirous of joining the Band, can do so on application to the Bandmaster, Mr. Lillywhite, at North Adelaide; or to Mr. Hunt, as above.
Practise Nights - Tuesdays and Thursdays, from 7 to 10 o'clock.

ASSOCIATIONS: William Lillywhite (director); Clisby was probably a member; Adelaide Town Band (association)

"ADELAIDE CHORAL SOCIETY", South Australian Register (28 March 1856), 3

http://nla.gov.au/nla.news-article49750219 

The annual general meeting of the subscribers and members of this Society was held yesterday evening in the Exchange . . . The report was received and adopted, and the appointment of officers for the ensuing year was proceeded with. Dr. Wyatt was re-elected President . . . and Messrs. Addison, Clisby, Lower, C. Mitchell, J. Mitchell, Rainsforth, Harris, Bettridge, Sholl, and Rodemann were appointed the Committee . . .

ASSOCIATIONS: William Wyatt (president); Henry Betteridge (member); Maximillian Louis Rodemann (member)

"POLICE COURTS. ADELAIDE, FRIDAY, JULY 4 . . . UNSUPPORTED CHARGE OF THEFT", South Australian Register (5 July 1856), 3

http://nla.gov.au/nla.news-article49759998 

Bridget Neal and Mary Edmunds appeared on remand to answer the charge of stealing from the person of Bridget Kearney, on the 4th of May, a bank-note value £30, a purse, and three sovereigns. Redford Clisby was charged with receiving the note with knowledge of its being stolen . . . [The note was produced and exhibited in Court.] . . . Mr. Ingleby said he thought, for the vindication of the character of his client, Mr. Redford Clisby, he should claim the opportunity of calling witnesses who would show that the note alluded to, paid into the Bank by Mr. Clisby to his own account, was the produce of a cheque he received from Messrs. Austin, DeMole, & Co., for a harmonium purchased from him for use at St. Matthew's Church, Kensington. His client had not the slightest knowledge of the matter charged against him. The Magistrate said it was unnecessary; the information must be dismissed, as there was no evidence to sustain the charge . . . Dismissed.

"CHORAL SOCIETY", South Australian Register (13 January 1857), 3

http://nla.gov.au/nla.news-article49769492 

The annual meeting of the Choral Society was held yesterday evening at Neales's Exchange. Dr. Wyatt, the President, was in the chair . . . The officers for the ensuing year were elected as follows: - President, Dr. Wyatt . . . Librarians, Messrs. Clisby and Edwards . . .

"NORTH ADELAIDE CHORAL SOCIETY", South Australian Register (10 April 1857), 2

http://nla.gov.au/nla.news-article49769018 

The concert of sacred music performed yesterday evening, at the Lefevre-terrace Chapel, was decidedly the most successful of any hitherto given by the North Adelaide Choral Society . . . The principal vocal performers were Miss Petman and several young ladies connected with the Society, Mr. Daniel (conductor), Messrs. Sanderson, Peryman, and others whose names we could not ascertain. Amongst the instrumentalists were Mr. Chapman (leader), Mr. Davenport (pianist), Messrs. Betteridge, Loader, Kearnes, McMinn, Clisby, and Lowe. The entire orchestra consisted of about forty vocal and instrumental performers . . .

ASSOCIATIONS: Josiah Wyke Daniel (conductor); Francis Sanderson (vocalist)

[Advertisement], Adelaide Times (21 April 1857), 1

http://nla.gov.au/nla.news-article207174581 

MUSICAL. - REDFORD CLISBY, Flute and Clarionette Maker. Accordion, Concertina, and Pianoforte Tuner.
Musical Repository, 68, Rundle-street. Musical Instruments of every description repaired.

"THE HANDEL FESTIVAL", South Australian Register (14 April 1859), 3

http://nla.gov.au/nla.news-article49902126 

All who were at White's Room last evening . . . must have enjoyed no inconsiderable treat . . . The total number of the choir was close upon 70. The following is a list of the instrumental performers with the instruments which they severally played upon:- . . . flutes - Proctor, Spiller; clarionets - Heydecke, Sumpse [sic, Sumsion], Clisby . . . Mr. Linger was the conductor and Mr. Chapman leader, while Mr. Daniel filled the important office of choral-master on the occasion. The oratorio selected was the "Messiah," the greatest of all Handel's compositions . . .

ASSOCIATIONS: Nicholas Proctor (flute); Emanuel Spiller (flute); Theodore Heydecke (clarinet); White's Rooms (Adelaide venue); Handel centenary (event)

"THE FACTORIES OF SOUTH AUSTRALIA. No. 7. MUSICAL INSTRUMENT MAKERS", South Australian Register (2 December 1859), 3

http://nla.gov.au/nla.news-article49825378 

Food, raiment, and habitation are the three great necessities of life. Without the first man could not exist; without the second he is a mere savage; and without the third he is but a rude barbarian. Hence, in the colonization of a new country such as this, the thoughts and energies of the settlers are necessarily directed in the first instance to the means by which these material wants - these prime necessaries of life - may be permanently supplied. But those who have been accustomed to the refinements of civilization carry with them, even to the antipodes, the tastes which those refinements engender. We have seen an exemplification of this in the recent exhibition of the Society of Arts; and all who are acquainted with the "manners and customs" of colonial society are aware that music is extensively studied here as a science and still more extensively practised as an art. It would be difficult, indeed, to point to the drawing-room, or even the parlour, in which its strains are never heard.
In referring, however, to our musical instrument makers we have but little to record. We have ascertained that there are artisans in the colony, from the first London houses, capable of turning out work in a style which would do no discredit to the firms of Broadwood or Stoddart. Also that the very best materials are obtainable for the manufacture of most of the musical instruments in ordinary use. But the enhanced price of labour necessarily prevents the manufacturers from competing with those of England; and, as a consequence, very few instruments are made in the colony in comparison with the number imported.
We believe that the only tradesmen in business in Adelaide who are exclusively employed in making and repairing musical instruments are Mr. R. Dawes, of Weymouth-street, and Mr. Redford Clisby, of Rundle-street. On a recent visit to Mr. Dawes's establishment we were much gratified in inspecting a powerful organ, nearly completed . . .
Besides the establishment of Mr. Dawes, we visited that of Mr. Marshall, of Currie-street . . . Amongst his stock are pianofortes, harmoniums, harps, violins, violas, violoncellos, bassoons, guitars, accordions, concertinas, flutinas, flutes, clarionets, flageolets, fifes, piccolos, drums, tamborines, &c., with every variety of brass instruments in modern use . . . We were also shown the rough materials of a G organ, commenced by Mr. Marshall nearly a year ago . . .
Mr. Clisby, to whom reference is made above, was formerly foreman at Bilton's flute manufactory, Westminster-road, where he served his time as an apprentice. We were shown in his workshop a large variety of curiously-shaped tools required in his art, the uses of many of which were explained. Mr. Clisby also showed us some beautifully-finished eight-keyed flutes, and a clarionet with 13 keys, of his own construction. In concluding this article, we may perhaps be permitted to express a hope that the colonists will give every encouragement to resident manufacturers and artificers, not only in the repair, but the making of such instruments as they are capable of turning out of hand at reasonable prices.

ASSOCIATIONS: Robert Daws (musical instrument maker, organ builder); Samuel Marshall (musicseller)

[Advertisement], South Australian Register (31 December 1860), 1

http://nla.gov.au/nla.news-article50029763

REDFORD CLISBY, in returning thanks for the extensive patronage enjoyed by him since he commenced business in 1849, begs to inform the Musical Public he has on Sale a Splendid Assortment of Flutes, 1 to 8 keys; Clarionets, 6 to 13 keys; Military Fifes, &c., &; all of his own finishing;
Flutinas, Accordions, Concertinas, Violins, Bows, Guitars, Organ Accordions, Tamborines, Cornopeans, Saxe Tubas, Bassoons, Reeds, Strings, Portable Harmoniums.
Bridges, Music-Paper, &c., &c.; and Tutors for all instruments.
N.B. - The Flute Taught, and Lessons given in the art of Tuning the Pianoforte, to enable persons residing in the country to tune their own pianos, thereby saving the high charges of travelling tuners.
Flutinas, Concertinas, &c., Tuned and Repaired as usual.
Musical Repository, 68 Rundle-street, December 31, 1860.

"MARRIAGE", South Australian Register (27 February 1862), 2

http://nla.gov.au/nla.news-article40466876 

TIDEMANN - CLISBY. - On the 25th February, by special licence, by the Rev. Spencer Williams, at the residence of the bride's father, Pulteney-street, Mr. C. E. Tidemann, to Rosa, third daughter of Mr. Redford Clisby, of Rundle-street.

"MARRIAGE", South Australian Register (5 March 1864), 2

http://nla.gov.au/nla.news-article39135258 

MUMME - CLISBY. - On the 27th February, at the residence of the bride's father, Grote-street, by the Rev. J. C. Woods, B.A., Mr. Gustavus Mumme, merchant, of Leigh-street, eldest son of F. W. Mumme, woollen manufacturer, late of Hamburg, to Emily, fourth daughter of Mr. Redford Clisby, of Rundle-street. No cards.

"MUSICAL BROTHERS. TO THE EDITOR", The Adelaide Express (15 March 1864), 2

http://nla.gov.au/nla.news-article207687922 

Sir - The Register of Saturday last has a notice on the performances of the Bellringers for the "Albert Bells Fund," in the course of which it says - "and Mr. C. H. Compton's brilliant execution caused a feeling of regret that his talents are about to be transferred to another sphere." Now, Sir, if it were put to the vote, I doubt not on whose side the black balls would be, and I think it a pity that many others do not "transfer their talents likewise to another sphere." I consider it would be decidedly beneficial to the interest and credit of the colony. The only "regret" that would be manifested by their departure is not in losing them, but what has been lost by them.
I am, Sir, &c.,
R. CLISBY, Rundle-street,

ASSOCIATIONS: Charles Henry Compton (pianist); Lancashire Bellringers (troupe)

[Advertisement], South Australian Register (21 May 1864), 1

http://nla.gov.au/nla.news-article39132037

REDFORD CLISBY respectfully informs the Public of South Australia that he has been
APPOINTED SOLE AGENT by Messrs. CRAMER, BEALE, & WOOD, of Regent-street, London, for the
SALE of their PIANETTES (named by R. C. BUSH PIANOS), the first instalment of which has arrived per Venilia.
MUSICAL REPOSITORY, No. 68, Rundle-street. [Established 1849.]

[Advertisement], South Australian Register (13 July 1864), 1

http://nla.gov.au/nla.news-article39129286 

MUSICAL NOTICE. - REDFORD CLISBY having received a Large Consignment of
BOOSEY'S PUBLICATIONS, consisting of Operas, Oratorios, Songs, Duett, Glees, Sacred Tutors,
Instrumental Music (Elementary and Progressive), Dances, Overtures, Royal Road to Music,
Popular Song Books, Cabinets, Christy's Minstrels (Vocal and Instrumental),
Albums, suitable for the Drawing-Boom, Presents, and School Prizes, National Melodies, Songs, &c., &c.
Handsomely Bound, and Plain - offers the same at London Prices. A liberal allowance to the Trade.
MUSICAL REPOSITORY, Rundle-street.

[Advertisement], South Australian Weekly Chronicle (9 December 1865), 1

http://nla.gov.au/nla.news-article94740637 

SELLING OFF. SELLING OFF. REDFORD CLISBY begs to inform the Musical Public of South Australia that, in consequence of the expiration of his lease on the 1st March, 1866, and with a view to a speedy sale, he has determined to offer his Valuable stock of Musical Instruments on hand and to arrive at a considerable reduction of prices.
Intending purchasers of Pianofortes, Harmoniums, &c., &c., &c., are requested to inspect the same, just arrived per City of Adelaide, Yatala, &c., &c.
MUSICAL REPOSITORY, 68, Rundle-street. November 20, 1865.

[Advertisement], The Adelaide Express (8 February 1866), 4

http://nla.gov.au/nla.news-article207606595 

SELLING OFF! SELLING OFF!! NOTICE. The undersigned contemplating a visit to London at the end of March, for the purpose of extending his business, begs to offer the whole of his valuable stock of Musical Instruments, at greatly reduced prices, for six weeks, at the end of which time the remainder will be submitted to public auction.
REDFORD CLISBY, Musical Repository, 68, Rundle-street. February 1, 1866.

[Advertisement], South Australian Register (23 April 1866), 1

http://nla.gov.au/nla.news-article41035354 

NOTICE. - REDFORD CLISBY, in returning his sincere thanks to the public of South Australia for the liberal patronage enjoyed by him for the last 17 years, begs to state that he has DISPOSED of his BUSINESS to Mr. G. H. EGREMONT GEE, whose stock will be expressly selected by R. C. from London and the Continent; and respectfully requests a continuance of that patronage to his successor.
G. H. EGREMONT GEE, in reference to the above, requests the support of his friends and the public, and a continuance of the favours accorded to his predecessor.

ASSOCIATIONS: Godfrey Henry Egremont Gee (musicseller)

Egremont Gee's music shop (late Redford Clisby's), Rundle Street, Adelaide, c. 1866; State Library of South Australia

https://trove.nla.gov.au/version/228754566 

https://collections.slsa.sa.gov.au/resource/B+9114 (DIGITISED)

[Advertisement], South Australian Register (12 February 1868), 1

http://nla.gov.au/nla.news-article39187050 

NOTICE. - JUST RECIEVED, ex Glen Osmond, and ON SALE by the Undersigned -
Eight Splendid SEMI-COTTAGE PIANO-FORTES, full Compass, with all the latest Improvements,
made expressly under the superintendence of Mr. Redford Clisby, of Rundle-street (now in London).
The only really cheap and good tuned Instruments in Adelaide.
An inspection is solicited, and a warranty given with each Instrument.
CHARLES TIDEMANN, Currie-street.
"I hereby certify that the above Pianos were made under my own inspection for the colony, of extra strength and finish of workmanship, and good quality of tone.
REDFORD CLISBY, Bloomsbury. London, W.C."

"NEWS OF THE WEEK", South Australian Chronicle and Weekly Mail (17 December 1870), 11

http://nla.gov.au/nla.news-article92287080 

Mr. Redford Clisby, formerly of Rundle-street, returned to Adelaide by the St. Vincent. We hear that his son, who returned with him, has been in the establishment of Messrs. Cramer, and Co., pianoforte manufacturers, and he intends shortly to commence business in Adelaide as pianoforte maker.

[Advertisement], South Australian Register (10 January 1871), 1

http://nla.gov.au/nla.news-article39244489 

BUSINESS NOTICES. REDFORD CLISBY (formerly of Rundle-street), Established 1849,
informs his former Friends and the Public of South Australia that (in connection with his Son, from the Establishment of Cramer & Co., London) he has RECOMMENCED BUSINESS (temporary) at the Office of G. Mumme & Co., GRENFELL-STREET, next the Hotel Europe, where he has ON SALE - PIANOFORTES by Debain of Paris, C. Cadby, Cramer & Co., &c.; HARMONIUMS by Debain; Violins, Guitars, Flutes, Clarionets, Cornopeans, &c., by Milereau of Paris; and other MUSICAL INSTRUMENTS. Violin and other Strings at Prices to suit the times. Music for Pianoforte Cheap.
REDFORD E. CLISBY, PIANO-FORTE TUNER and REGULATOR, from J. B. Cramer & Co.'s, Regent-street, London, No. 2, North-terrace, and 32, Grenfell street.

"DEATHS", South Australian Register (27 May 1884), 4

http://nla.gov.au/nla.news-article43657168

CLISBY.- On the 28th May, at Gilles-street east, after a short illness, Redford Clisby, formerly of Rundle-street, music warehouseman, in his 73rd year. Deeply regretted by his family and a large circle of friends.

"GENERAL NEWS", The Express and Telegraph (28 May 1884), 4

http://nla.gov.au/nla.news-article208276716 

Another old colonist has joined the great majority, Mr. Redford Clisby, whose decease was notified in yesterday's obituary, arrived here by the ship Cheapside in 1849, and entered into business as a music-seller in Rundle-street, where he conducted a large establishment with great success for a long period. Mr. Clisby never took any very prominent part in politics, but he was highly respected for his strict integrity, and liked for his open and pleasant manner. For years his figure was one of the most familiar to citizens of Adelaide, even when the infirmities of advancing years would only permit him to slowly walk down the principal streets and greet and chat with his old friends and acquaintances. He leaves a wife, one unmarried daughter, one married son and wife, four married daughters, three sons-in-law (one having died about four years ago), and eighteen grandchildren to mourn their loss. Mr. Clisby was 73 years of age at the time of his death.

"GENERAL NEWS", The Express and Telegraph (1 July 1884), 2

http://nla.gov.au/nla.news-article208278464 

The following probates and letters of administration were granted during the week ended June 28: - Probates - Redford Clisby, £5,600 . . .

"DEATHS", The Express and Telegraph (24 May 1898), 2

http://nla.gov.au/nla.news-article209147775 

CLISBY. - On the 24th May, at her daughter's (Mrs. G. Mumme) residence, Hurtle-square, Eliza Sarah, relict of the late Redford Edwin Clisby, aged 86 years. Borne with Christian fortitude.

"OBITUARY", Chronicle (28 May 1898), 21

http://nla.gov.au/nla.news-article87780669 

We have to record the death of another old colonist, Mrs. Eliza Clisby, relict of the late Mr. Redford Clisby, who arrived with her husband in the colony in the ship Cheapside, January, 1848 [sic], bringing with them one son and six daughters, one of whom died shortly after arrival. The son went to England a few years ago where he still resides. There are left one single daughter and four married daughters, three of whom are widows, 20 grandchildren and 10 great-grandchildren. The late Mr. R. Clisby opened the first musical instrument warehouse in Rundle-street, from which he retired some years since. The deceased, who had reached the age of 86, resided of late years with her daughter, Mrs. G. Mumme, Hurtle-square.

"CONCERNING PEOPLE", The Register (9 January 1918), 6

http://nla.gov.au/nla.news-article60334729 

Mrs. E. C. Tidemann, wife of the late Mr. Charles Edward Tidemann, auctioneer, and one time Councillor of the Adelaide City Council, passed away on Friday at the age of 76 years. The deceased was the daughter of the late Mr. Redford Clisby who opened the first musical instrument warehouse in Rundle street. She was born in London in 1841, and arrived in South Australia with her parents in the ship Cheapside in January, 1848 [sic] . . .

"OBITUARY", The Advertiser (7 January 1925), 12

http://nla.gov.au/nla.news-article43263099 

Mrs. G. R. Mumme, widow of Mr. Gustav Mumme, who, at one time, had a warehouse in Leigh-street, died at the age age of 82. She was a daughter of Mr. Redford Clisby, who opened the first musical instrument warehouse in Rundle-street. Born in London, she arrived in South Australia with her parents in the ship Cheapside, in January, 1848 [sic], at the age of six years. Mrs. Mumme never tired of relating incidents in her early life in the State. She could tell of the time when North-terrace was a mass of wurlies, and of how she used to spend her evenings watching the blacks dancing. Mrs. Mumme retained all her faculties until the last, and was active until three months prior to her death. She lived for many years with her son (Mr. A. R. Mumme), one of Adelaide's oldest musicians . . .




CLUTSAM, Frederick (Frederick CLUTSAM)

Musician, vocalist, pianoforte maker, inventor, composer

Born NZ, 1869
Active Melbourne, VIC, 1890s
Died Marylebone, England, 1934 (1st quarter), aged "64"

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLUTSAM-Frederick (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

CLUTSAM, George (George CLUTSAM)

Musician, pianist, composer, reviewer and writer on music

Born Sydney, NSW, 26 September 1866
Died London, England, 17 November 1951

http://nla.gov.au/nla.party-612366 (NLA persistent identifier)

http://en.wikipedia.org/wiki/George_H._Clutsam (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CLUTSAM-George (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


ASSOCIATIONS: The Clutsam brothers' maternal grandmother was Mary Labalestrier, and Alfred Labalestrier their uncle




COBBIN FAMILY OF ADELAIDE

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBBIN-FAMILY (shareable link to this entry)

COBBIN, William (William COBBIN; Mr. COBBIN, senior; Mr. W. COBBIN, sen.)

Musician, amateur and semi-professional musician, viola (tenor) and violin player, violinist, public servant

Born England, c. 1802
Married (1) Adelaide GUILLET (c. 1801-1853), St. George, Bloomsbury, London, England, 27 December 1825
Arrived Adelaide, SA, March 1849 (per Athenian, from London)
Married (2) Emma FABIAN (1812-1873; Mrs. REYNOLDS), Adelaide, SA, 25 December 1854 (aged "50")
Died Adelaide, SA, 30 June 1877, aged "75"

https://trove.nla.gov.au/search?l-publictag=William+Cobbin+c1802-1877 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBBIN-William (shareable link to this entry)

COBBIN, William Richard (William Richard COBBIN; Mr. W. COBBIN; Mr. William COBBIN, junior; Mr. W. R. COBBIN)

Musician, amateur and semi-professional musician, violinist, letter carrier, postal worker

Born London, England, 11 December 1834; baptised St. Pancras Old Church, 1 February 1835; son of William COBBIN and Adelaide GUILLET
Arrived Adelaide, SA, March 1849 (per Athenian, from London)
Married Hannah SWIFT, Adelaide, SA, 4 February 1854
Died Glebe, NSW, 7 February 1883

https://trove.nla.gov.au/search?l-publictag=William+Richard+Cobbin+1834-1883 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBBIN-William-junior (shareable link to this entry)

COBBIN, John Joseph (baptised John William COBBIN; Master COBBIN; John Joseph COBBIN; J. J. COBBIN)

Amateur musician, viola (tenor) player, draper

Born London, England, 27 August 1837; baptised St. Pancras Old Church, 4 October 1837; son of William COBBIN and Adelaide GUILLET
Arrived Adelaide, SA, March 1849 (per Athenian, from London)
Married Jessie Elizabeth Millman STACEY (1835-1902), Port Adelaide, SA, 8 July 1857 ("John Joseph", son of William)
? Died c. mid 1870s

https://trove.nla.gov.au/search?l-publictag=John+William+Cobbin+b1837 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBBIN-John (shareable link to this entry)


Summary:

William and Adelaide Cobbin and their seven children arrived in Adelaide as steerage passengers aboard the Athenian from London in March 1849. Cobbin and his two eldest sons played among the strings in the monster concert in July 1850, and "Mr. Cobbin and Sons" again for S. W. Wallace's concert in October. On 6 October 1851, William Cobbin senior received his first appointment in the public service.

It was thus certainly William junior in Melbourne, VIC, in June 1852, billed as performing at a concert at the Mechancis' Institution along with several other former Adelaide musicians, including Charles Mater, William Harward, August Huenerbein, and Ferdinand Osborne.

From March 1853, William junior was employed in the post office, along with fellow musicians William Chapman, senior and junior, and Robert McCullagh.

William senior was secretary of the reformed Adelaide Choral Society from August 1853.

The Adelaide vocalist, Thomas Theodore Gale, was, by c. 1852, the husband of William Cobbin senior's eldest daughter Adelaide Frances (1826-1909). Though no record of their marriage has been found, their first child, Thomas John William Gale, was born at the Murray on 2 May 1853.

Cobbin senior's second wife, Emma, was frequently reported in the news in the later 1850s as the Police women's searcher.

John William, as he was baptised, was known as John Joseph in South Australia. In business as a draper in Port Adelaide (for a time in partnership as Cobbin and Stacy), he was confined as a lunatic in 1864. He later worked at Border Town, before being convicted to a year in prison for larceny, at Beechworth, VIC, in 1873. No certain record of his death has so far been identified.


Documentation:

Marriages solemnized in the Parish of Saint George, Bloomsbury, in the County of Middlesex, in the Year 1825; register 1821-26, page 330; London Metropolitan Archives, P82/GEO1/023

https://www.ancestry.com.au/discoveryui-content/view/2523093:1623 (PAYWALL)

No. 4590 / William Cobbin of this Parish and Adelaide Guillet of this Parish were married in this Church by Banns this [27 December 1825] . . .

Baptisms solemnized in the Parish of Saint Pancras, in the County of Middlesex, in the Year 1835; register 1834-38, page 242; London Metropolitan Archives, P90/PAN1/019

https://www.ancestry.com.au/discoveryui-content/view/1555750:1558 (PAYWALL)

No. 171 / [1835 February] 1st / William Richard / [son of] William & Adelaide / Cobbin / Woburn Building / Tailor / [born] 11 Dec'r . . .

Baptisms solemnized in the Parish of Saint Pancras, in the County of Middlesex, in the Year 1837; register 1834-38, page 337; London Metropolitan Archives, P90/PAN1/020

https://www.ancestry.com.au/discoveryui-content/view/1620405:1558 (PAYWALL)

No. 2203 / [1837 October] 4 / John William / [son of] William & Adelaide / Cobbin / Woburn Building / Tailor / [born] 27th Aug't . . .

England census, 6/7 June 1841, Tottenham, St. Pancras, Middlesex; UK National Archives, HO107/686/14/13/20

https://www.ancestry.com.au/discoveryui-content/view/7481501:8978 (PAYWALL)

Woburn Buildings / William Cobbin / 39 / Tailor / [not born in county]
Adelaide / 40 / - / [born foreign parts]
Adelaide / 14 // Eliza / 7 // William / 5 // John / 3 // Julia / 1 / [all born in county]

Adelaide, SA (from 5 March 1859):

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (7 March 1849), 2

http://nla.gov.au/nla.news-article50245709 

Monday March 5th - The barque Athenian, 679tons, W. H. Taylor, master, from London and Plymouth. Passengers . . . Mr. and Mrs. Cobbin and family, Mr. and Mrs. Plumstead . . .

ASSOCIATIONS: Henry and Maria Plumstead (musician and wife)

[Advertisement], South Australian Register (21 March 1849), 1

http://nla.gov.au/nla.news-article50247249

Adelaide, March, 1849.
WE the undersigned, steerage passengers per barque Athenian, from London to Adelaide, at the close of a prosperous voyage, cannot leave the vessel without tendering our best thanks to Captain Taylor, for his uniform kindness and courtesy, and for the handsome manner in which he has at all times consulted our convenience and, where practicable, acceded to our wishes . . .
William Cobbin, Adelaide Cobbin (with seven children) . . . H. Plumstead . . .

[Advertisement], South Australian Register (4 August 1849), 2

http://nla.gov.au/nla.news-article50247638 

MR. COBBIN, many years resident of Wobourn Buildings, and latterly of Old Cavendish-street, London, wishes for an engagement for his daughter in a respectable family, as a governess. She has been well educated and accustomed to teaching both in English and French. Satisfactory reference can be given. Address by letter, Miss Cobbin, care of Mr. Selth, Rundle-street

"DECLARATION OF CONFIDENCE IN MR. JOHN STEPHENS", South Australian Register (7 March 1850), 1 supplement

http://nla.gov.au/nla.news-article38447147 

. . . William Cobbin, tailor, Hindley street city . . .
. . . William Cobbin, sen., tailor, Pulteney street, city . . .

ASSOCIATIONS: John Stephens (newspaper proprietor)

[Advertisement], South Australian Gazette and Mining Journal (16 March 1850), 2

http://nla.gov.au/nla.news-article195939595 

SIX GRAND PROMENADE CONCERTS A LA JULIEN [sic, JULLIEN] - At the Exchange, King William-street.
Under the Direction of MR. W. WALLACE.
The first Concert will take place on Tuesday evening, 19th March.
The Chorus and Orchestra will consist of upwards of thirty-five performers,
and the programme will be selected from the works of Julien, Mozart, Lebitzky, Rossini, Lanner, Weber, Strauss.
The evenings amusements will embrace Waltzes, Quadrilles, Gallopades, Polkas, and Overtures; also Solos both Vocal and Instrumental.
LIST OF SOME OF THE PRINCIPAL PERFORMERS.
Miss Lazar, Mr. Lee, Her Cranz, Mr. Cobbin, Her Fisher,
Mr. Cobbin, jun., Her Kidel, Master Cobbin, Her Zeigler,
Mr. Richards, Her Matter, Mr. Harwood, Her Huenerbiers [sic],
Mr. Bennett, Mr. Chapman, Mr. Hewett.
Also a Chorus of German Gentlemen Amateurs.
Refreshment rooms adjoining the Exchange will be thrown open for the convenience of the ladies and gentlemen visiting the Concerts.
Tickets, 2s 6d. each, to be had of Mr. Platts, Mr. Dehane, Mr. Geo. White, King William-street, Mr. Lee, Hindley-street, Mr. Coppin, Royal Exchange Hotel, Mr. Dyke, Freemasons' Tavern, and from Mr. Whiby, Exchange, King William-street.
Concert to commence at Eight o'clock.

ASSOCIATIONS: Spencer Wellington Wallace (conductor); Louis Jullien (conductor active in Britain); Rachel Lazar (vocalist); Philip Lee (violin); A. Keidel (musician); August Friedrich Cranz (pianist); George Fischer (vocalist); Charles Ziegler (musician); Henry Augustus Richards (musician); Charles Albert Frederic Mater (musician); William Harward (musician); August Christian Huenerbein (musician); George Bennett (musician); William Chapman (musician); Mr. Hewett (musician)

[Advertisement], South Australian (5 July 1850), 1

http://nla.gov.au/nla.news-article71626647

EXCHANGE, KING WILLIAM-STREET, Given by J. B. Neales, Esq.
MONSTER CONCERT. GRAND COMBINATION OF TALENT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL.
Under the Immediate Patronage of HIS EXCELLENCY THE LIEUTENANT GOVERNOR AND LADY YOUNG.
UPON which occasion the following ladies and gentlemen have kindly offered their gratuitous services.
85 PERFORMERS !!! . . .
THE ADELAIDE CHORAL SOCIETY. Leader - Mr. Osborn.
THE DEUTSCHE LIEDERTAFEL. Director - Herr Cranz.
INSTRUMENTAL. Conductor - Mr. Wallace.
Principal 1st Violins. - Messrs. Wallace, Osborn, Lee, and F. Coppin.
2nd Violins. - Messrs. Chapman, Berry, Cobin, jun., and Herr Matter.
Tenors. - Messrs. Bennett, Cobin, sen., Swift, and Master Cobin . . .
On Friday Evening, 19th of July, 1850.
PROGRAMME. PART I. OVERTURE, "The Siege of Rochelle," Balfe - THE BAND . . .
PART SECOND. OVERTURE, "La Straniera," - THE BAND . . .

ASSOCIATIONS: Ferdinand Osborne (leader); Frederick Coppin (violin); Thomas Swift (viola); Adelaide Choral Society (association); Deutsche Liedertafel (association)

[Advertisement], Adelaide Times (22 October 1850), 2

http://nla.gov.au/nla.news-article206987125 

GRAND CONCERT. MR. WALLACE HAS the honour to inform his Friends and the Public that his
Concert will take place THIS EVENING, the 22nd October, under the Patronage of the Most Worshipful the Provincial Grand Master, the Provincial Grand Lodge, Lodge of Friendship, Lodge of Harmony, St. John's Lodge, and the United Tradesmen's Lodge of Freemasons.
MASTER RICHARD B. WHITE Will make his debut as a Violinist and Pianist on that occasion.
Mr. Wallace will be assisted by Mrs. Murray, Madame Von Hile, Madame Cranz, Miss Lazar,
Mr. Ellard, Mr. Bennett, Mr. Lee, Mr. Osborne, Her Cranz, Herr Fisher, Mr. Gale, Herr Heunerbein, Herr Mater,
Mr. Chapman, Mr. McCullagh, Mr. Tilley, Mr. Harward, Mr. Cobbin and Sons, and several other performers.
PROGRAMME. PART I. Overture - "Iltaliana in Algieri," - Orchestra - Rossini . . .

ASSOCIATIONS: Richard Baxter White (violin, piano); Georgiana Murray (musician); Madame von Hile (vocalist); Mathilde Cranz (vocalist); Frederick Ellard (vocalist); Thomas Theodore Gale (vocalist); Robert McCullagh (musician); George Tilly (musician)

[Advertisement], South Australian Register (7 April 1851), 2

http://nla.gov.au/nla.news-article38450697

GRAND EVENING CONCERT. Under the Patronage of His Excellency the Governor and Lady Young.
MRS. EDWARD JUPP has the honour to inform her friends and the residents of Adelaide generally that her
CONCERT of Vocal and Instrumental Music, under the direction of Mr. S. W. WALLACE, will take place on
WEDNESDAY EVENING, April 9th, in the Commercial Exchange, King William street, when she will be assisted by
Madame Allen, Mons. Del-Sarte (who has kindly offered his valuable assistance on this occasion),
Mr. S. Wallace, Mr. F. Ellard, Mr. J. W. Daniel, Mr. C. Walsh, Herr Linger, Mr. Bennett,
Herr Mater, Herr Huenerbein, Herr Keidle, Herr Ziegler, Mons. Paris,
Mr. Osborne, Mr. Lee, Mr. Chapman, Mr. Harwood, Mr. McCullagh,
the Messrs. Cobbin, &c. &c. . . .
PROGRAMME. PART I. 1. Overture - "La Dame Blanche" Boildeau - Full Orchestra . . .
PART II. 1. Medley Overture - Guy Mannering - Bishop - Orchestra . . .

ASSOCIATIONS: Catherine Jupp (vocalist, pianist); Francesca Allen (vocalist); Camille del Sarte (vocalist); Josiah Wyke Daniel (vocalist); Charles Walsh (vocalist); Carl Linger (musician); Eugene Paris (musician)

[Advertisement], South Australian Register (21 May 1851), 2

http://nla.gov.au/nla.news-article38434977 

ADELAIDE CHORAL SOCIETY.
WE the undersigned Members, in accordance with Rule number "15" of the above Society, providing for "Special General Meetings," request that a
MEETING of the MEMBERS of the "ADELAIDE CHORAL SOCIETY" may be convened for the purpose of revising the following Resolution, passed on the 14th of April by the Committee of the above Society: -
"Resolved - That Mr. Thurlow's letter, not containing any satisfactory reason for his absence, this Committee consider him no longer a Member of this Society, and that the same be communicated to him by the Secretary."
And, for the further purpose of enquiring into the cause and justification of the above Resolution . . .
W. F. Osborne; Aug. Fried. Cranz; Redford Clisby; Wm. Harris;
John Snaith; Wm. Chapman; Wm. Cobbin; C. Linger; Matthew Sharp; Robert Wiener;
D. J. Hiskens; Amil R. Weber . . .

ASSOCIATIONS: Charles Alston Thurlow (member); Redford Clisby (member); John Snaith (member); Robert Wiener (member); Emil Rudolph Weber (member)

"SHIPPING . . . CLEARED OUT", South Australian Gazette and Mining Journal (15 January 1852), 2

http://nla.gov.au/nla.news-article195943885 

January 13 - The brig Punch, 145 tons, Allen master, for Melbourne. Passengers . . . Cobbin . . .

[Advertisement], The Argus [Melbourne, VIC] (5 June 1852), 2

http://nla.gov.au/nla.news-article4785541

HERR MATER'S FIRST GRAND CONCERT,
WILL take place on Saturday, June 5, 1852, at the Mechanics' Institute, Collins-street.
PRINCIPAL PERFORMERS: Mrs. TESTAR, Mr. St. George Hamilton, Mr. Charles Walsh;
Messrs. Buddee, Megson, Reed, Cooze, Harwood, and Thompson, Herr Huenerbein,
Messrs. Osborne and Wheeler, Herr Zeigler, Mons. Lavrance,
Messrs. Jenkins, Cossac, Cobbin, Beattie, and Barnard;
Assisted by the most powerful band ever concentrated in Victoria.
PROGRAMME: PART I. Overture - Il Don Giovanni - Mozart . . .
Waltz - Die Schoenbrunner, Band - Lamer [Lanner] . . .
Quadrille - English, Band - Jullien
PART II. Overture - La Dame Blanche, Band - Boildieu . . .
Polka- Elephant, (as performed at the Theatre Royal, Drury Lane) - Jullien - Band . . .
Final - Rule Britannia . . .

ASSOCIATIONS: Elizabeth Testar (vocalist); Mr. St. George Hamilton (vocalist); Charles Walsh (vocalist); Julius Buddee (musician); Joseph Megson (musician); Thomas Reed (musician); William Joseph Cooze (vocalist, musician); John Charles Thompson (musician); Stephen Thomas Wheeler (musician); Mons. Lavrance (musician); Mr. Beattie (musician); Mechanics' Institution (Melbourne venue)

Names and descriptions of passengers per Cleopatra, from Melbourne, 27 January 1853, for Adelaide; Public Record Office Victoria

https://prov.vic.gov.au/archive/2352A0B5-F7F0-11E9-AE98-37CE4C9AA9A3?image=283 (DIGITISED)

. . . W. Cobbin / 36 [sic, ? 26] . . .

"THE GOVERNMENT GAZETTE (. . . March 3) APPOINTMENTS", South Australian Register (4 March 1853), 3

http://nla.gov.au/nla.news-article38466314 

Post-Office Department: . . . Mr. Robert Lawrence, to be Clerk and Messenger, at Port Adelaide . . . William Cobbin, to be a Letter Carrier, vice Lawrence, promoted.

"SPORTING NEWS. PRESENTATION OF A GOLD WATCH AND MEDAL TO MR. ROBERT RADFORD", Adelaide Times (14 March 1853), 3

http://nla.gov.au/nla.news-article207011070 

On Friday evening, about forty tradesmen of this city sat down to an excellent dinner at the Temple Tavern, the gathering being for the purpose of presenting a gold watch, chain, and medal, to Mr. Robert Radford, as a tribute to that gentleman's merit as a daring, and successful jockey. Mr. Radford has had the good fortune to win four steeple-chase races in succession, and by the masterly manner in which he rode on those occasions, he has earned the approbation of the sporting public. The chair was taken by Mr. P. B. Coglin, with Mr. Sims, of Pine-street, as croupier . . . The intervals between the toasts were agreeably occupied with some pleasing airs, performed by a good band stationed in the gallery, under the directorship of Mr. Cobbin. The company broke up at a late hour, after passing a most pleasant evening.

ASSOCIATIONS: Robert Avis Radford (equestrian, circus performer)

"PAY OF THE LETTER-CARRIERS", Adelaide Times (18 May 1853), 2

http://nla.gov.au/nla.news-article207012284 

The letter-carriers of Adelaide had a meeting recently at the Caledonian Hotel, to draw up a petition to the Post-Master General, requesting an increase of pay. This is the second time they have applied to the same quarter on the same subject, but without effect. The men employed to carry out the newspapers that came by the steamer had eight shillings per day, and were procured with difficulty, while the regular letter-carriers, who had to deliver letters and newspapers, were receiving only five shillings per day. The Hindley street postman delivered two thousand one hundred and twenty letters in that street alone within six days, after the arrival of the Adelaide, besides newspapers; all the others had in amount proportionable to their districts. The general feeling among the merchants is in favour of their having an addition to their pay, and the question from several of the most influential amongst them has been, "Can these men live upon five shillings per day?"

To Captain Watts, Postmaster General. Per favour of the "Times."
Sir - We, the letter-carriers of the city of Adelaide, most respectfully but earnestly wish to place before your notice the extreme low rate of our pay, saving out of the question the great responsibility of our situation, we find it impossible to live upon five shillings per day and keep a family. Being excluded from any share in the gratuity, we have no other dependence, except when we leave the post-office, to turn our attention to other duties, in order to increase our means. But the present increase of correspondence prevents even that, as otherwise we could do. Hoping you will represent our case to his Excellency, we are,
Sir, Your obedient servant,
ROBERT McCULLAGH,
FREDERICK STRONG,
OTTO MICHOEL [sic],
WILLIAM R. COBBIN,
ROBERT MAY,
Letter-Carriers of the City of Adelaide.
10th May 1853.

See also "THE LETTER-CARRIERS", South Australian Register (18 May 1853), 3

http://nla.gov.au/nla.news-article38464062

[Advertisement], Adelaide Times (18 August 1853), 1

http://nla.gov.au/nla.news-article207120227 

ADELAIDE CHORAL SOCIETY.
A SPECIAL GENERAL MEETING of the Members of and Subscribers to the above Society will be held at the
FREEMASONS' TAVERN, on FRIDAY EVENING next, the 19th, instant, at 8 o'clock precisely,
for the purpose of taking into consideration the possibility of re-commencing the Musical Practice of this Society,
and other matters connected with its existence.
WM. COBBIN, Secretary pro tem.

[Advertisement], Adelaide Times (24 August 1853), 1

http://nla.gov.au/nla.news-article207120330 

CHORAL SOCIETY. IN accordance with a requisition signed by ten members of the Adelaide Choral Society, a Special MEETING of the members is hereby convened, to be held at the
Freemasons' Tavern, Pirie-street, Adelaide, on Monday evening next, the 29th August, at S o'clock,
for the purpose of taking into consideration and sanctioning the meeting and proceedings of the members called by the late Committee of the Society, held at the Freemasons' Tavern, on the 19th inst.; also for the purpose of taking into consideration and sanctioning the meeting and proceedings of the Special Committee appointed at the last-mentioned meeting; and, generally, for the purpose of receiving reports of the property and prospects of the Society, and the future safe custody of its property; and for re-establishing the periodical meeting for practice and concerts, and for increasing the number of members under such arrangements as may be approved of, at a general meeting to be called by advertisement for the first day of September next.
WILLIAM COBBIN, Hon. Secretary.

"DIED", South Australian Register (19 September 1853), 3

http://nla.gov.au/nla.news-article48550260

On Saturday morning last, the 17th instant, at her residence, adjoining the Local Court-house, Adelaide, the wife of William Cobbin, aged 51 years.

[Advertisement], South Australian Register (19 October 1853), 2

http://nla.gov.au/nla.news-article48550461

ROYAL VICTORIA THEATRE. THIS EVENING (Wednesday), Oct. 19.
Under the immediate patronage of Capt. Cadell, the navigator of the Murray, who has signified his intention of being present.
MISS BLACKHURST'S SOIREE MUSICALE. Miss Blackhurst, nine years a pupil in the Royal Academy of Music, London . . .
Instrumental Performers - Messrs. Thurloe [Thurlow], Lillywhite, John Cobbin [sic], Swift, John Cobbin, jun., McCullagh, Walker, Tuxford, Smith, Mantegeni . . .
Leader - Mr. Chapman.
Mr. Solomon's Grand Piano will be used for this occasion.
Part I. 1 Overture - Massaniello - Auber - Band . . .
Part II. 1 Overture - Guy Mannering - Band . . .

ASSOCIATIONS: Miss Blackhurst (musician); William Lillywhite (musician); John R. Smith (musician); Alfred Mantegani (musician); Royal Victoria Theatre (Adelaide venue)

[Advertisement], Adelaide Times (7 March 1854), 3

http://nla.gov.au/nla.news-article207014214 

ADELAIDE CHORAL SOCIETY.
Under the patronage of His Excellency the Governor and Lady Young.
THE Subscribers of the above society are respectfully informed that the
first CONCERT will take place on Friday evening next, the 1Oth inst., at the Hall of the Freemasons' Tavern, Pirie-street.
Subscribers are requested to bring with them their tickets as on no account will money be taken at the door.
Annual subscription tickets may be obtained on application to the secretary.
Gentlemen holding subscription lists will please to forward them to the secretary as soon as possible, in order that tickets may be issued to the subscribers.
To commence at eight o'clock precisely.
PART I.
1. Overture - Semiramide, Rossini.
2. Solo and Chorus - Come with the Gipsy Bride, Balfe.
3. Chorus - Ever be happy, Balfe.
4. Cavatina - L'Abbrachio, with flute obligato, from the Opera Il Ciro, Rossini.
5. Glee - Blow Gentle Gales, Bishop.
6. Barcarole - Massaniello, Auber.
An interval of ten minutes.
PART II.
7. Overture - Cenerentila, Rossini.
8. Song - Merry is the Greenwood, Glover.
9. Duett - The Sailor Sighs, Balfe.
10. Glee - The Merriest time in all the Year, Bloomgrave.
11. Solo and Chorus - The Gipsies Tent, Cooke.
God Save the Queen!
Conductor - Mr. GEORGE BENNETT.
WILLIAM COBBIN, Sen., Hon. Secy.

"CHORAL SOCIETY", Adelaide Times (11 March 1854), 4

http://nla.gov.au/nla.news-article207014291 

The first concert of this Society took place yesterday evening in the large room of the Freemason's Tavern, Pirie-street. Dr. Kent, previous to the performance, informed the audience that he had received a letter from his Excellency, who strongly expressed his interest in the objects of the society, and stated his regret that the indisposition of Lady Young prevented their attendance that evening. The concert, on the whole, passed off much better than might have been anticipated, considering that the performers were nearly all amateurs Amongst the instrumental pieces, Rossini's overture of Cenerentola, was executed in a very satisfactory manner indeed. The first violin, played by Mr. W. Cobbin, jun., was particularly conspicuous in the "good cause." Of the vocal performance - "The merriest time of all the year," a glee for three voices, and "The sailor sighs," a duet, were managed in very creditable style. A song by Miss Chalker, "Merry is the Greenwood," was sung very sweetly, and was loudly encored by the audience, who must have forgotten in doing so that there was more than sufficient work for this young lady in the part allotted to her for the evening, or they would not have insisted on her repeating a long and some what difficult song, a portion of which she only attempted the second time. The choruses, which appeared to give immense satisfaction to a very large audience, were got through without many faults, there being perhaps only a little too much noise some times. On the whole the performance did great credit to the members of this much improving Society.

ASSOCIATIONS: Benjamin Archer Kent (member); Marie Chalker (vocalist)

"PROMENADE MUSICALE", Adelaide Times (5 April 1854), 4

http://nla.gov.au/nla.news-article207014764 

To a bumper "house," Mr. Eldin, to whom great credit is due for his praiseworthy efforts to introduce a novel species of entertainment for the denizens of Adelaide, held, last evening, the first of a series of Promenades Musicales he contemplates at his newly established and elegant Pantheon. It was not strictly speaking, a "promenade," for so attractive was the character of the evening's programme, that there was barely room to stir, or for friends to come in contact when once separated. The band, consisting of 3 violins, a piano, violincello, cornet-a-piston, and trombone, played a variety of pieces and fearfully-exciting polkas, to the manifest delight of the audience. The instrumental portion of the entertainment was diversified by interludes of vocal music, in which new adjuncts to the musical corps of Adelaide "assisted" most creditably. The whole affair was admirably conducted, and will doubtless be a popular resort if the subsequent soires be as judiciously conducted as the premier pas. Mr. Chapman led the band; Mr. Cobbin was first violin, and Mr. McCullagh's cornet-a-piston harmonised sweetly throughout.

ASSOCIATIONS: Pantheon Assembly Rooms (Adelaide venue)

[Advertisement], Adelaide Times (14 July 1854), 1

http://nla.gov.au/nla.news-article207016653 

ADELAIDE CHORAL SOCIETY . . .
the Second Concert take place on Friday evening next, the 14th inst., at the Hall of the Freemasons' Tavern, Pirie-street.
PROGRAMME. PART I.
1. Overture - Tancredi.
2. Madrigal - Down in a flowery vale.
3. Echo Song, with Flute Obligato.
4. Glee - Awake, AEolian lyre.
5. Glee - Peace to the souls of the heroes.
6. Solo and Chorus - They shall not have the Danube.
An interval of 10 minutes.
PART II.
7. Overture - Fra Diavolo.
8. Fishermen's Glee -The Sun is Set.
9. Song - I love the merry sunshine.
10. Glee - Sleep, Gentle Lady.
11. Duet - Ah, se de mali miei. From the Opera of Tancredi.
12. Rule Britannia . . .
Leader, Mr. George Bennett.
W. COBBIN, SEN., Secretary.

[Advertisement], South Australian Register (11 October 1854), 1

http://nla.gov.au/nla.news-article49198481

GRAND EVENING CONCERT. - MISS PETTMAN and MR. W. CHAPMAN
beg to inform, their friends and the public generally, that they will give a
GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC, On the EVENING OF WEDNESDAY, OCTOBER 11, 1854,
at the PANTHEON, King William-street, for which occasion Mr. P. LEE has kindly offered his services, as also the following well-known talent: . . .
1st Violins - Mr. P. Lee and Mr. Chapman.
2nd Ditto - Mr. Wm. Cobbin, jun., Mr. Watts and Mr. Mark Thayer, who has also kindly offered his services
Viola - Mr. W. Cobbin, sen. . . .
PROGRAMME. PART I.
1. Overture, "Don Juan," Orchestra - Mozart . . .
3. Quartette, Slow Movement, Messrs. Chapman, Watts, W. Cobbin, sen., and J. R. Smith - Haydn . . .
7. "The Star of the Night Valses," Orchestra - Charles D'Albert . . .
PART II. 1. Overture, "Il Barbiere di Siviglia," Orchestra - Rossini . . .
8. The Etna Galop, Orchestra - Par Charles D'Albert . . .

ASSOCIATIONS: Mary Ann Pettman (vocalist); James Watts (violin); Mark Thayer (violin)

"GRAND EVENING CONCERT", Adelaide Times (12 October 1854), 3

http://nla.gov.au/nla.news-article207018531 

The Concert given last evening by Miss Pettman and Mr. Chapman, in the Pantheon, was most numerously attended . . . A finely and well executed quartette, by Messrs. Chapman, Watts, W. Cobbin, sen., and J. R. Smith, paved the way for the introduction of the gem of the evening, the pathetic and familiarly-known ballad "Annie Lawrie," sung by Miss Chalker . . .

"CONCERT OF SACRED MUSIC", South Australian Register (3 May 1855), 3

http://nla.gov.au/nla.news-article49302950 

The North Adelaide Choral Society's first concert was performed last evening at the Baptist Chapel, Lefevre-terrace . . . The orchestral accompaniment of the several concerted pieces were arranged by Mr. Lillywhite expressly for this occasion . . . we may mention with commendation the performances of Herr Kunze on the pianoforte, and of Mr. Light on the harmonium. Also those of Messrs. Chapman, Cobbin and sons, McCullagh, and, indeed, of the vocal and instrumental corps in general. It strikes us that, as there is no larger room to be obtained in North Adelaide, the concert might be very properly repeated on the other side of the river. It would certainly command a crowded hall, and the proceeds would no doubt be useful in meeting the necessary expenses attending the formation of the new Society.

ASSOCIATIONS: Carl Julius Kunze (piano); George Thomas Light (harmonium); North Adelaide Choral Society (association)

"CONCERT OF SACRED MUSIC", South Australian Register (28 August 1855), 2

http://nla.gov.au/nla.news-article49294979 

The North Adelaide Choral Society's second quarterly concert of sacred music was performed last evening, at Neales's Exchange, King William-street . . . We may mention among the other performers who acquitted themselves with much credit, and whose exertions added in no small degree to the success of the concert, Miss Pettman, Mrs. Poole, Messrs. Daniel, Chapman, Cobbin, Herr Kunze, and, in general, the instrumentalists connected with the South Adelaide Society. It is gratifying to perceive that the two societies are disposed to fraternize, and not to stand forward as rivals . . .

Return of . . . officers in the Government Service; Parliament of South Australia, papers (1855-56)

https://books.google.com.au/books?id=taFNAQAAIAAJ&pg=RA20-PA6 (DIGITISED)

STIPENDIARY MAGISTRATES . . . 105 / Office-keeper and messenger / W. Cobbin / Annual salary £75 / Annual gratuity £35 / First appointment October 6, 1851

https://books.google.com.au/books?id=taFNAQAAIAAJ&pg=RA23-PA2 (DIGITISED)

William R. Cobbin / Age 20 / First appointed 23rd Feb., 1853

[Advertisement], South Australian Register (23 June 1857), 1

http://nla.gov.au/nla.news-article49770551 

MUSICAL. - The VIOLIN TAUGHT by Mr. W. R. COBBIN, Angas-street.
For terms, &c., apply at the above address; or to Mr. Clisby, Musical Repository, Rundle-street.

"ADELAIDE CHORAL SOCIETY", The South Australian Advertiser (15 July 1858), 2

http://nla.gov.au/nla.news-article781182 

The second quarterly concert of the above Society was given last evening, at White's Assembly Rooms, King William-street; the entertainment provided was most carefully selected, and reflects the greatest credit upon the Committee. The execution of the various difficult pieces was of the highest order; the opening overture selected for the occasion was "La Dame Blanche," by Boildieu, followed by selections from Rossini, Glover, Osborn, and Louis Bellini [sic]; and the celebrated chorus from "Clemenza di Tito," by that inimitable composer Mozart, formed the first part; the fire - the melodiousness - the boldness of harmony - the inexhaustible invention which characterizes this great composer's works, was verified and made manifest in the fullest sense, and the audience seemed fully to appreciate both the beauty of the music, and the ability of the performers; but the great success of the evening was a duo on the violin and piano, from "Torquato Tasso," by Mr. W. Cobbin on the violin, and Herr Linger on the pianoforte, which was rendered in a style which reflects the greatest credit upon the violinist and the veteran of the province, whose execution upon the pianoforte, and profound musical talent, are too well known to require comment, and which elicited a unanimous encore from the audience . . .

ASSOCIATIONS: White's Rooms (Adelaide venue)

MUSIC: Duo by on a theme from Donizetti's Torquato Tasso from Les graces: trois duos de salon concertans (G. A. Osborne)

"THE CHORAL SOCIETY'S CONCERT", South Australian Register (15 July 1858), 3

http://nla.gov.au/nla.news-article49781322 

The Choral Society's second concert for the season was given on Wednesday evening, at White's Assembly Room, before a respectable though rather a thin audience . . . In the first part of the concert Mr. William Cobbin, a young violinist of great promise, took the audience somewhat by surprise with his very clever performance in a duet, arranged for the violin and piano. We believe it was "his first appearance on any stage" in so prominent a character. His style is smooth and clear, yet by no means wanting in vigour, in the most rapid passages every note was distinctly heard, whilst in the slower movements the performer gave unmistakable evidence that he not only read the music before him, but felt its meaning. The duet was deservedly encored . . .

"SIGNOR GROSSI'S BENEFIT CONCERT", South Australian Register (20 July 1858), 2

http://nla.gov.au/nla.news-article49779195

There was a good but not a crowded attendance on Monday evening at the concert given by Signor Grossi. As had been announced the orchestra was most complete, and the vocal department unusually strong . . . Mr. Cobbin again surprised and delighted his hearers by his masterly performance on the violin, with Herr Linger on the piano, of the duet "Torquato Tasso" . . .

ASSOCIATIONS: Enrico Grossi (vocalist)

"KADINA [Correspondent]", The South Australian Advertiser (6 July 1864), 3

http://nla.gov.au/nla.news-article31838641

Last week a young man named John Cobbin was taken by Constable Doyle to the Lunatic Asylum. Cobbin was well known in this district; he was by trade a draper.

"BEECHWORTH POLICE COURT", Ovens and Murray Advertiser [Beechworth, VIC] (8 May 1873), 4

http://nla.gov.au/nla.news-article197044513 

[Notice], Victoria Police Gazette (17 March 1874), folio after 60

PRISONERS REPORTED AS DISCHARGED FROM THE PENAL ESTABLISHMENTS DURING THE WEEK ENDING 16TH MARCH 1874 . . .
[Gaol] Beechworth / Cobbin, John Joseph, 9564 / [tried at] Beechworth / 7th May 1873 / larceny / 12 months / [born] England / Draper / [born] 1840 / 5 ft 2 1/2 in / Sallow . . . One previous conviction, Sandhurst 5th May 1872

"DEATHS", South Australian Register (30 June 1877), 4

http://nla.gov.au/nla.news-article40786488

COBBIN. - On the 30th June, at his residence, Local Court Offices, Mr. William Cobbin, sen., aged 75.

"MR. WILLIAM COBBIN", South Australian Register (30 June 1877), 4

http://nla.gov.au/nla.news-article40786458 

Amongst our obituary notices is the name of Mr. William Cobbin, a very old Government servant, he having been engaged for the last six-and-twenty years as Office-keeper in connection with the Law Courts. Mr. Cobbin has been suffering for some time past from rheumatic gout, and died early this morning at the advanced age of 75.

"GENERAL NEWS", The Express and Telegraph (30 June 1877), 2

http://nla.gov.au/nla.news-article208185941 

Another old colonist has passed away. Mr. W. Cobbin, who had been in the service of the Government for 26 years, died shortly after midnight on Friday. Mr. Cobbin, in consequence of declining health, obtained leave of absence from the duties of his office a short time since, but rest did not have the desired effect, and early on Saturday morning he died at the ripe age of 75.

"DEATHS", The Sydney Morning Herald (8 February 1883), 1

http://nla.gov.au/nla.news-article13518697 

COBBIN. - February 7, at Derwent-street, Glebe, William Richard Cobbin, District Registrar. Adelaide papers please copy.

[Advertisement], The Sydney Morning Herald (10 April 1883), 10

http://nla.gov.au/nla.news-article13532273 

THIS DAY. 10th INSTANT, at 11 o clock . . .
INTESTATE ESTATE of W. R. COBBIN, HARMONIUM, Books and Music, CLOTHING, and FURNITURE . . .
H. VAUGHAN has received instructions to sell by auction, at his rooms, 143, King-street. The above without reserve.

"LETTER CARRIERS OF OLD ADELAIDE", The Register (10 February 1925), 14

http://nla.gov.au/nla.news-article63732358 

From A. T. SAUNDERS: In last weeks Observer are photographs of Mr. William Chapman and his son, William, in the uniform of Adelaide letter carriers. The father joined the postal service on June 1, 1854, and retired in 1893, and the son joined on November 1, 1863, and retired in 1909: so, for 55 years father and son were well known to Adelaide's citizens. Mr. William Chapman, a tailor by trade, and an ardent musician, left Seven Oaks, England, arrived in the Asiatic (20/1/49) during a howling dust storm, and worked at his trade in the employ of Mr. White and Mr. Barclay (before he became a postman). The Weekly Dispatch of 21/5/53 has a petition from the five Adelaide postmen who then were Robert McCullagh, Frederick Strong, Otto Michoel, William R. Cobbin, and Robert May. In the Blue Book for 1868 are the names of the then 10 Adelaide letter carriers, and Robert McCullagh, who joined the service in 8/12/52, is the only survivor of the five of 1853. The other nine, in 1868, were William Chapman, joined 1/6/54: J. Eichoff, 11/7/60; William Maley, 10/7/61; William Chapman, jun., 1/11/63 (now of 13 Howard street, North Kensington); C. J. Gent, 14/9/64; S. Bosher, 5/3/66; E. L. Virso, 16/6/67; W. T. Marlow, 1/6/67; and F. W. Geisler. 15/4/1868. In May, 1855, a scarlet uniform, coat, dress coat patterns, and black belltopper with a 2 in. gold band, were issued to the letter carriers, and subsequently blue coats and waistcoats, and afterwards caps, as shown in the photographs, succeeded the belltoppers. Light unbleached drill coats were worn in the summer. The surviving Mr. Chapman has preserved an almost unused scarlet coat . . .

ASSOCIATIONS: Alfred Thomas Saunders (memoirist)


Bibliography and resources:

William [Richard] Cobbin, Geneanet

https://gw.geneanet.org/qenzore?n=cobbin&oc=&p=william+richard 

William Cobbin, Find a grave

https://www.findagrave.com/memorial/158487474/william-cobbin 




COBHAM, Mr. (Mr. COBHAM)

Musician, pianist, musical director

Active Sydney, NSW, 1857

https://trove.nla.gov.au/search?l-publictag=Cobham+pianist+1857 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBHAM-Mr (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald [NSW] (24 March 1857), 1

http://nla.gov.au/nla.news-article28637341 

GRAND CONCERT. CONCERT. CONCERT.
- The Australian Evans' Saloon, open every evening.
- Several new eminent singers will make their debuts THIS EVENING.
In the course of the evening Mr. J. Davis will perform several popular solos on the violin.
Pianist and musical conductor, Mr. Cobham. Doors open at 7.
Admission free. Managers, Messrs. Harrison and Davis.

ASSOCIATIONS: Isaac Henry Davis (violin); Evans' Saloon (concert venue in Liverpool, England); the Sydney venue was previously known as Toogood's Saloon

[Advertisement], The Sydney Morning Herald (26 March 1857), 1

http://nla.gov.au/nla.news-article12993403 

GRAND CONCERT. - The new Australian Evans' Saloon, at Myers', late Toogood's, open every evening.
In addition to the powerful talent already engaged, Madle. Laurent will make her debut, and sing several favourite morceaus from various operas.
Musical director and conductor, Mr. Cobham. Admission free.

ASSOCIATIONS: Mademoiselle Laurent (vocalist)

[Advertisement], The Sydney Morning Herald (28 March 1857), 1

http://nla.gov.au/nla.news-article12993498 

GRAND CONCERT for the MILLION. - The New Australian Evans' Saloon (late Toogood's) open EVERY EVENING, with a powerful combination of talent.
The programme THIS EVENING will consist of Scenas, Cavatinas, Trios, Glees, Madrigals, &c., &c., from all the popular operas,
executed by Madle. Bassmann, Madle. Laurent, Mr. Templeton, Mr. Lameroux, Mr. Cobham, Mr. Abbot, Mr. Turner, and several amateurs,
who have volunteered their kind services in the course of the evening. Mr. J. Davis will perform several solos on the violin.
Accompanist and Musical Conductor, Mr. Cobham. Doors open at 7; admission, free.

ASSOCIATIONS: Wilhelmina Basmann (vocalist, pianist); Charles Templeton (vocalist); Monsieur Lamoureux = Henry Osborn Thompson (vocalist); John Turner (vocalist)

[Advertisement], The Sydney Morning Herald (17 June 1857), 1

http://nla.gov.au/nla.news-article12997126 

EVANS' SALOON. - PADDY DOYLE, the people's pet, nightly increases in popularity.
EVANS'. - Mr. PIERCE, Miss Bassman, Messrs. Turner, Templeton, Cobham, and Campbell, appear EVERY EVENING.




COBLEY, Edwin Harry (Edwin Harry COBLEY; E. H. COBLEY; Mr. COBLEY)

Musician, professor of music, organist, harpist, pianist, composer, editor

Born Belfast, Ireland, c. 1830; son of John COBLEY (c. 1797-1865) and Mary Ann JAMES (1799-1861)
Married (1) Sarah CREED, St. Mary's, Cheltenham, Gloucestershire, England, 27 January 1852
Arrived Sydney, NSW, by 23 March 1857
Married (2) Emma Caroline BARRETT (c. 1841-1878), by 1864
Died Sydney, NSW, 24 June 1874, aged "44"

https://trove.nla.gov.au/search?l-publictag=Edwin+Harry+Cobley+c1830-1874 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COBLEY-Edwin-Harry (shareable link to this entry)


Summary:

He was the eldest surviving son of John Cobley (1797-1865), a soldier, and his wife Mary Ann James (1799-1861). In the 1851 census, Cobley was listed as a professor of music, aged 21, born Belfast, Ireland, then "visiting" (lodging) in Swansea, Wales, with his younger brother John Julian Cobley, "musical student", 17, born Youghal; the family home was then in Charlton Kings, outside Cheltenham, Gloucestershire, where his father John was a "Fencing & Drilling Master".

Edwin Harry Cobley, musician, and Sarah Creed (a "minor"), were married on 27 January 1852 at St. Mary's, Cheltenham, Gloucestershire. Their son Theodore Augustus Ferdinand was baptised there on 25 December 1853; he died at Charlton on 2 January 1859, having stayed behind with his mother when Edwin left for Australia. Sarah evidently considered their marriage void, and at Holy Trinity, Clapham, on 17 December 1859, re-married, to Samuel Cook Frankish.

Likewise, in Australia, Edwin either remarried, or entered into a common law relationship with Emma Caroline Barrett, who had also come from Gloucestershire. In the year following Edwin's death, Caroline remarried, to Charles Cuttriss, and died in Sydney in 1878, aged 37 (therefore, born 1841/2).

Edwin's younger brothers George (1831-1870) and John Julian Cobley (c. 1834-1919) were the first of four siblings to emigrate to Australia, arriving in Sydney on the General Hewett on 24 December 1852. George settled in Glen Innes where he died; two of his watercolour paintings, c. 1850s, are at the National Library of Australia. Reuben Cobley (c. 1843-1915) also later emigrated.

Edwin was probably newly arrived in Sydney when, in March 1857, he first advertised as a quadrille harpist, along with Abraham Emanuel (piano) and Isaac Davis (violin), and in June as a teacher of harmony and composition.

J. R. Clarke published his The Government House waltz in August, and he first appeared in public for the Philharmonic Society concert on 16 November playing his own Divertimento for the harp on Smile again my bonnie lassie, and in a quartet arrangement by the late Nicholas Charles Bochsa of "Tutto e sciolto" from Bellini's La sonnambula (https://archive.org/stream/favoriteairsduet02bell#page/n0/mode/2up)


Documentation:

"CONCERT", Royal Cornwall Gazette [England] (12 July 1850), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000180/18500712/026/0005 (PAYWALL)

On Monday last, Mr. E. H. Cobley gave an entertainment to the lovers of music in the Town Hall, St. Austell, which we are sorry to say was very badly attended. We believe this may be attributed in a great measure, to the high prices charged. The few who attended were highly gratified, especially with the performance of "Auld Lang Syne" on the harp, which was much applauded.

Wales census, 30 March 1851, Swansea, Glamorgan; UK National Archives, HO107/2466/135/37

https://www.ancestry.com.au/imageviewer/collections/8861/images/GLAHO107_2465_2466-0364?pId=15625153 (PAYWALL)

22 Dillwyn Street / James Burchell / Head / Mar. / 31 / Coach Painter // Elizabeth / Wife . . .
E. H. Cobley / Visitor / Unm. / 21 / Professor of Music / [born] Ireland Belfast
John J. Cobley / Visitor / Unm. / 17 / [born] Youghal Ireland

"NEW MUSIC", Bath Chronicle and Weekly Gazette [England] (2 October 1851), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000187/18511002/023/0004 (PAYWALL)

"Lassie when Ye said Ye Lo'ed Me"; The Word Farewell, by H. A. M. Waldo Sibthorp; The Wild Cherry Tree, Trio, by Frederick Smith; Winter, Ode, by W. E. Jarrett; Those Sunny Hills, by Louisa F. Smith; The Star Polka by J. I. Smith; Les Graces Polkas, by Edwin H. Cobley. Cheltenham C. Hall and Son.

Although it must be confessed there is nothing very striking in these compositions, yet they are sufficiently pleasing to deserve the public approbation. Any one of them will be a pretty addition to the collection of the amateur . . . The compositions are, in truth, local garland, but, at the same time, are worthy of wider fame.

"New Music", Cheltenham Journal and Gloucestershire Fashionable Weekly Gazette [Gloucestershire, England] (6 October 1851), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002214/18511006/013/0002 (PAYWALL)

. . . The Floral, the Willoughby, "les Lionnes," Peel, and the Matagorda Polkas, by W. E. Jarrett - the Star Polka, by J. T. Smith - and "les Graces" three polkas, by E. H. Cobley, have all previously received favourable notice at our hands.

1852, marriage solemnized in the Parish Church in the Parish of Cheltenham in the County of Gloucester; register 1852, page 9; Gloucestershire Archives, Gdr/V1/438

https://www.ancestry.com.au/discoveryui-content/view/12685852:5156 (PAYWALL)

No. 18 / January 27th 1852 / Edwin Harry Cobley / Full age / Bachelor / Musician / Swansea, Glamorgan / [son of] John Cobley / Drilling Master
Sarah Creed / Minor / Spinster / - / Cheltenham / [daughter of] James Creed / Plumber . . . [witnesses] James Creed, Fanny Creed . . .

"MARRIAGES", Cheltenham Journal and Gloucestershire Fashionable Weekly Gazette (2 February 1852), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002214/18520202/016/0002 (PAYWALL)

Jan. 27, at St. Mary's Church, Mr. Edwin Harry Cobley, of Swansea, to Miss Sarah Creed, of this town.

"SWANSEA POLICE COURT. SATURDAY . . . ROBBERY BY A SERVANT", Swansea and Glamorgan Herald [Wales] (25 August 1852), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002977/18520825/058/0003 (PAYWALL)

Margaret Wilcox was charged with having stolen several articles of child's wearing apparel and other articles from Mr. Cobley, professor of music, Cradock-street. The prisoner seemed to have pursued a course of systematic plunder during the whole time she had been in the prosecutor's employ, purloining anything which may have struck her fancy . . . Mr. E. H. Cobley . . .said: The prisoner came into my service about the 7th June last, and remained until she was taken into custody on Wednesday last. On that day, in consequence of suspicions I had entertained, I went into prisoner's sleeping apartment, and in looking into her box, found some articles which I knew to be my property . . .

[Advertisement], Swansea and Glamorgan Herald (13 April 1853), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002977/18530413/015/0002 (PAYWALL)

MUSIC. MR. EDWIN H. COBLEY, PROFESSOR OF MUSIC,
(Pupil J. Balsir Chatterton, and Pio Cianchettini),
Author of Divert'o Poor Harp, Les Graces Polkas, Mooltan Valse, the celebrated Swansea Polka, &c. &c.,
BEGS to inform his Pupils and the Gentry and Inhabitants of Swansea and its neighbourhood, that in consequence of his residing in the country, he has made arrangements to give instruction on the Piano, Harp, and in Singing, Theory of Music, &c., to Pupils who prefer not taking Lessons at their own residences,
at Miss BENNETT'S Establishment, 11, DYNLVOR PLACE, SWANSEA, where he will attend twice a week - WEDNESDAYS and SATURDAYS.
Terms: - 6 Guineas per annum; Pupils in the Establishment, 4 Guineas per annum.
Letters to be addressed, Mr. COBLEY, Sketty, near Swansea.

ASSOCIATIONS: John Balsir Chatterton (harpist, teacher); Pio Cianchettini (teacher)

"BIRTHS", Cheltenham Examiner (9 November 1853), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002212/18531109/103/0008 (PAYWALL)

Oct. 7, at 5, Sherborne-place, the wife of Mr. Edwin Harry Cobley, professor of music, of a son.

"CONCERT", Wilts and Gloucestershire Standard [Cirencester] (6 May 1854), 10

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001955/18540506/095/0010 (PAYWALL)

An advertisement in another column informs our readers that a concert, under the patronage of the Colonel and Officers of the Royal North Gloucester Militia, will be given by the talented Professor of Music, Mr. Edwin H. Cobley, assisted by several eminent artistes, on Thursday enening next.

[Advertisement], Wilts and Gloucestershire Standard (9 December 1854), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001955/18541209/012/0001 (PAYWALL)

Lessons on the Harp, Piano, Harmony, Singing, MR. EDWIN H. COBLEY, Pupil of Mr. J. Balsir Chatterton and Pio Cianchettini, Address, CECILY VILLA, CIRENCESTER.

"CIRENCESTER. BERNAIS SINGERS", Stroud Journal (28 April 1855), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002221/18550428/040/0004 (PAYWALL)

Mr. Edwin H. Cobley, whose talents as a pianist are well known in Cirencester, gave morning and evening concerts at the King's Head Assembly Room on Tuesday last. The Bernias singers and Madame Villaume were (with Mr. Cobley who presided at the piano) the attractions, and although the attendance was not overflowing, the audience testified their satisfaction by frequent bursts of applause and by loudly encoring the favourite melodies.

[Advertisement], Wilts and Gloucestershire Standard (15 September 1855), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001955/18550915/084/0007 (PAYWALL)

Just Published, THE CIRENCESTER VALSE, composed and dedicated by permission to Colonel Kingscote and the Officers of the Royal North Gloucester Militia, BY EDWIN H. COBLEY.
To be had of all Music Sellers, and at CIRENCESTER, Of E. BAILY and H. G. KEYWORTH. LONDON: 86, NEWGATE-STREET.

[Advertisement], Stroud Journal (29 November 1856), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002221/18561129/001/0001 (PAYWALL)

MR. EDWIN H. COBLEY, PIANIST AND PROFESSOR OF MUSIC, CHELTENHAM, INFORMS his Pupils and Friends that he now attends Stroud and neighbourhood Twice a Week. Address, Journal Office, Stroud.

Sydney, NSW (by March 1857):

[Advertisement], The Sydney Morning Herald [NSW] (23 March 1857), 1

http://nla.gov.au/nla.news-article12993282

HARP and PIANOFORTE EVENING QUADRILLE PLAYING. - Messrs. EMANUEL and COBLEY are open to receive engagements. JOHNSON and CO.

ASSOCIATIONS: Abraham Emanuel (pianist); William Jonathan Johnson (musicseller)

[Advertisement], The Sydney Morning Herald (20 May 1857), 1

http://nla.gov.au/nla.news-article12994970

NOTICE to the PUBLIC. - Quadrille Band - Violin, Harp, and Pianoforte.
Messrs. COBLEY, DAVIS, and EMAMUEL are open for engagements. Terms moderate. Apply to JOHNSON and CO., Pitt-street.

ASSOCIATIONS: Isaac Henry Davis (violin)

[Advertisement], The Sydney Morning Herald (20 June 1857), 5

http://nla.gov.au/nla.news-article12997360

HARMONY and COMPOSITION. - Lessons by the author of "Farewell Theresa," "Smile again," "My Thoughts are thine," &c.
Mr. EDWIN H. COBLEY, 14, Castlereagh-street North, opposite the Club House.
MR. EDWIN H. COBLEY (pupil of J. Balsir Chatterton, and Pio Cianchettini),
Composer, and Professor of the Harp and Pianoforte, attends schools and Private families.
Terms moderate. 14, Castlereagh-street North.

"A NEW WALTZ", The Sydney Morning Herald (1 August 1857), 5

http://nla.gov.au/nla.news-article12998794

Mr. E. H. Cobley, lately from England, has composed and published a piece of music for the pianoforte, which is dedicated to Lady Denison, entitled, "The Government House Waltz." The style and composition exhibit considerable ability.

ASSOCIATIONS: Caroline Denison (governor's wife, dedicatee)

[Advertisement], Empire (1 August 1857), 1

http://nla.gov.au/nla.news-article64984286 

JUST PUBLISHED. THE GOVERNMENT HOUSE WALTZ,
dedicated (by permission) to Lady Denison, by E. H. Cobley.
A charming drawing-room piece. To be had at all the principal music shops in the colony,
and of the Author, 14, Castlereagh-street. CLARKE, George-street.

ASSOCIATIONS: Jacob Richard Clarke (publisher, musicseller)

[Advertisement], Empire (16 November 1857), 1

http://nla.gov.au/nla.news-article60264673 

SYDNEY PHILHARMONIC SOCIETY . . .
The Fourth Concert of the Season will take place at the Concert Hall, Royal Hotel, THIS EVENING, November 16th, 1857.
PROGRAMME. PART I.
1. Overture - "Semiramis" - Auber
2. Cavatina - Madame Sara Flower
3. Quartette - "Tutto e Sciolto," for harp, piano, flute, and violoncello. - Bochsa . . .
4. Piano Solo - "Concert Stuck" in two parts - by a Lady - Weber
5. Symphony - No. 51, Op. 98, Adagio and Allegro - Haydn [i.e. Symphony in D, no. 104]
PART II.
1. Symphony - No. 51, Op. 98, Andante, Minuetto, Trio, and Finale Spiritoso - Haydn . . .
4. Solo Harp - "Smile Again" - E. H. Cobley . . .
Conductor, Mr. John Deane . . .

ASSOCIATIONS: Sara Flower (vocalist); John Deane (conductor, violin); Sydney Philharmonic Society (association)

[Advertisement], The Sydney Morning Herald (26 May 1858), 1

http://nla.gov.au/nla.news-article13020902 

MUSICAL. - Gentlemen desirous of joining an Amateur Club, will please communicate their address to the undersigned, naming the instrument they play. Mr. EDWIN H. COBLEY, Castlereagh-street North.

"MARRIAGES", The Maitland Mercury and Hunter River General Advertiser (22 June 1858), 3

http://nla.gov.au/nla.news-article18642812 

At Tamworth, June 5th, by the Rev. Alexander Black, of Murrurundi, John Julian Cobley, to Anne Agher Hooke, widow.

[Advertisement], The Sydney Morning Herald (8 January 1859), 12

http://nla.gov.au/nla.news-article13016231 

TO SCHOOLS and PRIVATE FAMILIES. - Mr. E. H. COBLEY, Professor of Harp and Piano, 121, Phillip-street North.

"DEATHS", Cheltenham Examiner [England] (5 January 1859), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002212/18590105/171/0008 (PAYWALL)

January 2, at Charlton Kings, aged 5 years and three months, Theodore A. F. Cobley, son of Mr. E. H. Cobley, professor of music.

[Advertisement], The Sydney Morning Herald (17 January 1859), 8

http://nla.gov.au/nla.news-article13011490 

MR. E. H. COBLEY, Professor of Harp, Piano, Singing, Cornet-a-piston, &c., 121, Philip-street.

[Advertisement], Empire (8 August 1859), 1

http://nla.gov.au/nla.news-article60399551 

LAVENU BENEFIT FUND. GENERAL COMMITTEE OF MANAGEMENT . . . E. H. Cobley, Esq., professor of music . . .
J. R. CLARKE, Honorary Treasurer. H. N. MONTAGU, Honorary Secretary.

ASSOCIATIONS: Lewis Henry Lavenu (musician, recently deceased); Henry Neville Montagu (secretary)

[Advertisement], The Sydney Morning Herald (3 December 1859), 1

http://nla.gov.au/nla.news-article13033926 

REMOVAL - Mr. E. H. COBLEY, Professor of Music, to 9, Gloucester-terrace, Macquarie-st., Hyde Park.

[News], Empire (31 January 1860), 4

http://nla.gov.au/nla.news-article64096661

"Le Pillet," is the name of a new Spanish dance just published by C. T. Sandon, and dedicated to Mr. Needs and his pupils by the composer, E. H. Cobley, known in Sydney as a teacher of music and harp-player. The dance itself is likely to become popular, as a slight departure from the now stereotyped saltatory figures of the day. The music (in the key of F) is very characteristic, the sudden use of the semitone giving that transition from joyousness to melancholy which the Spaniards exhibit so well in their national character as in the style of their music.

ASSOCIATIONS: Charles Thomas Sandon (publisher); Frank Hillier Needs (dancing master)

"LE PILLET", The Sydney Morning Herald (11 February 1860), 4

http://nla.gov.au/nla.news-article28628154 

Le Pillet is the name of a new dance, which it is said is now all the rage in the ballrooms of England and the Continent. Mr. Cobley, the talented harpist, has just composed and issued a very charming piece under the above title. As it will tend more fully to introduce Le Pillet to the fashionable circles of our city, it cannot fail to become very popular.

[Advertisement], The Sydney Morning Herald (14 February 1861), 6

http://nla.gov.au/nla.news-article13052680 

JUST PUBLISHED, THE AUSTRALIAN MUSICAL BOUQUET, edited by E. H. Cobley,
containing the Volunteers Polka, Mazurka, Lost Marguirite, and the Nativity Christmas Hymn.
Price 2s.; yearly subscribers, 1s. 6d. J. C. FUSSELL, Crescent House, near Prince-street.

ASSOCIATIONS: James Fussell (publisher); Australian musical bouquet (series)

"THE AUSTRALIAN MUSICAL BOUQUET", The Sydney Morning Herald (25 February 1861), 5

http://nla.gov.au/nla.news-article13053279

The January number of the Australian Musical Bouquet - a collection of popular songs, operatic airs, &c, for the voice and the pianoforte, edited by Mr. Edwin H. Cobley, professor of music, Glebe Point Road - has been published by the proprietor, Mr. James C. Fussell, of Prince-street. The contents are: - A Volunteer Polka Mazurka, composed by the editor, Mr. Cobley; and a new Song, "Lost Marguerite," words by Mr. Henry Halloran, and music by Mr. Glentworth Addison. The third and last piece of music in this number (very neatly engraved by Mr. Engel) is a Christmas Hymn, as sung at Christ Church, in this city. The music and poetry of this elegant little serial are colonial; the whole thing is very prettily got up, and the price reasonable.

ASSOCIATIONS: Glentworth Addison (composer); Henry Halloran (lyricist); John Alexander Engel (engraver); Christ Church St. Lawrence (Sydney)

"DARLINGHURST GAOL. ESCAPE OF SEVENTEEN COCKATOO ISLAND CONVICTS (From the S. M. Herald)", Illawarra Mercury [Wollongong, NSW] (1 March 1861), 4

http://nla.gov.au/nla.news-article132222250 

. . . We have heard any number of strange stories about adventures yesterday . . . fifthly, that another stole a mare belonging to Mr. Cobley, professor of music, Glebe Road. It appears that this gentleman was giving a lesson at Surry Hills, and saw the man mounting her, but before the fellow could be stopped he was over the Sand Hills towards Botany. He is of middle height, but stout, and a desperate looking character, with shirt and trousers on only.

"THE AUSTRALIAN MUSICAL BOUQUET", Empire (5 March 1861), 4

http://nla.gov.au/nla.news-article60494003 

We have received the primary number of this periodical, edited by Mr. Edwin H. Cobley, and are much pleased with its appearance. It contains the Volunteer Polka Mazurka, by Mr. Cobley; Lost Marguerite, the poetry by Mr. Halloran and the music by Mr. Glentworth Addison; the Nativity Christmas Hymn, by Miss Burney, daughter of the celebrated Dr. Burney. This composition is as sung at St. James's and Trinity churches, and has been handed to the publishers by the late organist of Trinity church.

ASSOCIATIONS: St. James's church (Sydney); Trinity (Garrison) church (Sydney)

"METROPOLITAN DISTRICT COURT. Tuesday . . . COBLEY. V. BAINBRIDGE", Empire (27 March 1861), 8

http://nla.gov.au/nla.news-article60494395 

In this matter, plaintiff sought to recover a fee for a quarter's instruction on the pianoforte to defendant's daughter. Verdict for the plaintiff.

[Advertisements], The Sydney Morning Herald (13 April 1861), 9

http://nla.gov.au/nla.news-article13069528 

JUST PUBLISHED, FUSSELL'S AUSTRALIAN MUSICAL BOUQUET, containing a selection from the opera of Lucretia Borgia,
My Johnny was a Shoemaker (as sung by Lady Don), and original chaunts by E. H. Cobley, Esq.
It can be had of all booksellers. Price, 2s. Yearly subscribers, 1s. 6d. per copy.
J. C. FUSSELL, Crescent House, near Prince-street.

[Review], Empire (29 April 1861), 4

http://nla.gov.au/nla.news-article60490931

THE AUSTRALIAN MUSICAL BOUQUET. A Collection of choice Popular Songs, Operatic Airs, &c., for the Voice and Pianoforte.
Edited by EDWIN H. COBLEY. Published by JAMES C. FUSSELL, &c., &c.

PART 5 of this monthly publication is now before us, and for various reasons, which we shall presently unfold, calls for somewhat more than cursory notice at our hands. Its contents are thus described on the title page: - "A collection (why not selection?) from the beautiful opera of Lucretia Borgia; My Johnnie was a Shoemaker, as sung by Lady Don; and Original Chants by Edwin H. Cobley, Organist of St. John's, Bishopthorpe."
With reference to the selection from the Lucrezia, which, by-the-bye, is really a misnomer, since it only includes one air, the chorus "Senti, la danza," we have nothing to say, save to remark that it is taken, without acknowledgment, from an arrangement of the opera by Osten or Diabelli. But let this pass. We have far heavier charges in store for the editor of this musical brochure.
The second item in the list of contents, manifestly intended to be the bonne bouche of the publication, is the song which Lady Don has lately rendered so popular, "My Johnnie was a Shoemaker." It may be in the recollection of our readers that we noticed, a short time since, the publication of this song, by Messrs. Johnson and Co., of Pitt-street; and adverted, in deservedly laudatory terms, to its exquisite arrangement by that very talented musician, Mr. C. Packer. They will, therefore, participate in our astonishment when we inform them that this song has been pirated and inserted, note for note, without the slightest acknowledgment, in this publication. We are well aware that such malpractices are by no means uncommon at home; but there, in order to elude the provisions of the Copyright Act, some error is intentionally inserted in the pirated edition. Even this subterfuge has not been resorted to in the case before us, and we can hardly find language sufficiently strong in which to reprobate conduct which is obviously so disingenuous, and so injurious to the interests both of the composer and the publisher. It is true that publishers in this colony are not protected by any Copyright Act, but the practice to which we have drawn attention seems so utterly opposed to that honourable and liberal feeling which should characterise the guilds of literature and art, that we have not hesitated to express, perhaps somewhat severely, our opinion upon the subject. It is plainly one upon which immediate legislation is required; and in the interim, let us hope that the editor of the Musical Bouquet will not provoke, by a similar course of action, any reiteration of our complaints.
The Psalm Tune and Chants which figure on the last sheet of this publication almost defy criticism, since they betray such a poverty of harmonic resources, to say nothing of the cool violation of the commonest rules of counterpoint which is manifest throughout them. We need only instance in the Psalm Tune, the open octaves between the alto and bass between the first and second bars of the second part of the tune; and again, the octaves between the treble and bass, and the consecutive fifths between the tenor and bass part of the first part of the tune. We pass over the first of the three Double Chants, as not containing any very egregious errors in composition, except the general poverty of construction, especially perceptible between the second and third bars of the second part. The second Chant appears to be a rifacciamento of Robinson's well-known Chant. But we are at a loss to appreciate the composer's sang froid in furnishing us with two consecutive fifths between the treble and alto parts in the two last bars of the second section of the Chant, the consecutive fifths occurring between the tenor and bass in the two following bars, and the open octaves between the alto and bass in the second bar of the third part of the same Chant, as well as the chord of the sixth and fourth passing into the chord of the seventh, fifth, and third, which forms the rather unusual cadence at the end of the third section of the Chant. The two first sections of the last Chant do not call for any especial comment, either in the way of stricture or commendation, but in the third and fourth sections we are again presented with a somewhat alarming chaos of queer progressions, discords without preparation - very unecclesiastical, by-the-bye, in their character - and resolutions which, we think, would make the Regius Professor of Music at Oxford elevate his eyebrows and whistle for very wonderment. Let us counsel Mr. Cobley, before he again "rushes into print," and offers to the public any of his musical lucubrations, either to "undergo a course" of counterpoint, judiciously administered, or to submit his compositions for revision to any duly qualified musician, who, will at least enable him to correct such glaring errors as those which figure in his last contribution to the Musical Bouquet, a periodical which claims for itself the title of being "the clearest, best, and cheapest musical publication ever produced in the Australian colonies."

ASSOCIATIONS: Emily Sanders Don (vocalist); Charles Sandys Packer (composer, arranger); Musical copyright (general)

MUSIC: My Johnny was a shoemaker (Packer, original edition by W. J. Johnson)

"TO THE EDITOR OF THE . . . ", Empire (1 May 1861), 3

http://nla.gov.au/nla.news-article60493248

SIR, - As my name has been rather freely used and abused in the Empire of to day (Monday) in a critique on The Australian Musical Bouquet, perhaps you will afford me a space in your columns to reply, to some few of the censures so liberally awarded me. The first objection is on the title page. As I did not see the wrapper until the number is published, it is either the publisher's or the printer's fault.
2nd. Selection from the Lucrezia being a misnomer. I have yet to learn that selection necessarily means something in the plural number. I shall be glad to be informed how many articles, or tunes or choruses or, what other terms you please to use are required to make selection not a misnomer.
3rd. As to the arrangement of Lucretzia, I have not pretended in the slightest degree to claim it, my name is not attached to it, and certainly neither Oaten nor Diabelli had anything to do with it.
Now for the heavier charges: - 1st. The pirating of "My Johnny was a Shoemaker." It is easily perceived that Johnny had more to do with the critique in this day's Empire. Before I say more on this charge I may mention that although my name is on the publication as editor, my time is so occupied in teaching, that I have paid little attention to the work, consequently the publisher, to bring out the number as soon as possible, has not waited for me, but introduced what he thought proper. In this way the song in question was copied, I having nothing to do with it. However, I find, on referring to the number, that Mr. Packer is acknowledged as the arranger; and, for my part, he is welcome to it: I am not ambitions enough to wish the credit of arranging or composing so GREAT a work.
As to my Psalm Tune and Chants, the publisher again took a liberty by not sending me proofs. I have two numbers before me differing materially. Against these irregularities I have protested, and declined having my name used as editor of the Australian Musical Bouquet.
Again, had there been no revenge lurking in the bosom of the writer of the critique, doubtless he would have seen, and even now must know, that they were printed and published without the proofs being sent to me; and the publisher is aware that immediately I saw a copy, I called upon him respecting the number of errors, remarking the word "Base for "Bass" was very appropriate.
The remainder of the critique I shall treat with contempt, my works having been purchased and published by some of the best houses in London, such as Chappell, Cocks and Co., Grane and Co., &c.
I send you a copy of a work purchased by Chappell - what about the D sharp and E flat, 7th page? "Queer progression - very unecclesiastical - would make the Regius Professor of Music at Oxford elevate his eyebrows and whistle for very wonderment!"
Lastly, from what I have said, I hope the publishers of "My Johnny was a Shoemaker" will understand that I have not acted dishonestly towards them, and I much regret the insertion of it in the Bouquet. I certainly should not have copied it myself.
Hoping, Mr. Editor, you will favour me by inserting this letter in your next impression, and wishing the writer of the critique and his mischief-making shoemaker, peace, assuring them I neither intend to deal with the one nor cultivate the friendship of either.
I remain, Sir, yours obediently,
EDWARD H. COBLEY [sic]
Glebe Point Road, April 29.

"THE AUSTRALIAN MUSICAL BOUQUET", Empire (10 June 1861), 5

http://nla.gov.au/nla.news-article60491898 

We have received the usual monthly number of this periodical. If contains "The Ladies' Favourite Polka," by Mr. Cobley; "The Rataplan Chorus," and the song of "Katey's Letter," as sung by Lady Don.

"MUSIC", The Sydney Morning Herald (17 July 1861), 5

http://nla.gov.au/nla.news-article13060344 

Three selections - one from Beethoven's op. 14, "We'll smile and be happy," from Traviata, and Parish Alvar's "L'Adieu," - arranged by Mr. Cobley, have been published in a compact form by Mr. Fussell, of Crescent House, Prince-street

"FUSSELL'S AUSTRALIAN MUSICAL BOUQUET", Empire (23 July 1861), 4

http://nla.gov.au/nla.news-article60482952 

A new number of this publication has just been issued, the contents of which are in every way superior to its predecessors. Good music like this at so low a price (three pieces for one shilling and sixpence), cannot fail to command the attention of a large portion of the community whose means do not permit them to purchase the more expensive music published daily, but whose wishes nevertheless tend towards procuring a collection of good musical works. The first piece in this number will be welcome to the lovers of the classical school - a short andante movement from Beethoven's Sonata No. 2 (Op. 14); the second is "L'Adieu," by Parish Alvars, the celebrated harpist, arranged for the pianoforte by the editor, Mr. Cobley; and, thirdly, the joyous brindissi or drinking-song from Verdi's Traviata, "Libiamo nei lieti calici," with English text "We'll smile and be happy." The music is fairly engraved, but the printer should be careful to prevent the blurred appearance of the notes and it would be well as not to have music on the same leaf as the printed directions of the cover.

[Advertisement], The Sydney Morning Herald (16 October 1861), 1

http://nla.gov.au/nla.news-article13062282

MR. EDWIN H. COBLEY, Organist and Choir Master of St. Philip's, Professor of Music, Glebe Road, Glebe.

ASSOCIATIONS: St. Philip's church (Sydney)

"CONCERT AT REDFERN", The Sydney Morning Herald (26 November 1861), 4

http://nla.gov.au/nla.news-article13061928 

A miscellaneous concert was given last evening in St. Paul's Schoolroom, Redfern, by the Redfern and Newtown branches of Mr. Chizlett's vocal music school; the immediate object of the entertainment being to improve the funds of the Redfern Mutual Improvement Association. The attendance was tolerably numerous on the occasion, and, under the able guidance of their tutor, the pupils acquitted themselves to the entire satisfaction of the audience, nearly every selection in the programme being warmly applauded. The choruses, in particular, were very effectively rendered . . . Mr. E. H. Cobley lent his services as accompanyist, and assisted largely to the success of the entertainment . . .

ASSOCIATIONS: Charles Chizlett (singing class instructor)

"CONCERT", Empire (2 January 1862), 3

http://nla.gov.au/nla.news-article60507568 

Last evening, the members of St. Phillip's choir, took tea together in St. Philip's School-house, Harrington-street. After which the choir, under the direction of their instructor, Mr. Cobley, assisted by Mr. and Mrs. Chizlett, performed in the school-room, several pieces, with such accuracy and ability, as to lead a stranger to imagine the concert was given by professionals. Among the pieces sung were "Hear my prayer," "What are the wild waves saying," "Harvest Song," "Hail smiling morn," and "Lightly tread," which were much applauded. The pianoforte solo, by a young lady, pupil of Mr. Cobley, was encored, as was also Mr. Cobley, who performed the solo on the harp. Mr. and Mrs. Chizlett went through one or two very difficult pieces, accompanied by the piano-forte, with great ease, and were much applauded. The only drawback was the insufficient accommodation the room afforded to the parishioners and their friends, who had assembled to witness the performance. Among those present we observed the incumbent, the Very Rev. the Dean of Sydney. The concert closed with God save the Queen, the assemblage joining in the chorus, at a quarter past ten o'clock. We understand the choir, consisting of thirty-six persons, has been only three months formed. Their proficiency is evidently highly creditable to Mr. Cobley.

ASSOCIATIONS: Louisa Adelaide Chizlett (vocalist)

"ST. PHILLIP'S CHOIR", The Sydney Morning Herald (3 January 1862), 10

http://nla.gov.au/nla.news-article13055091 

The opening of the New Year was celebrated by the members of St. Philip's Choir, by a tea meeting, which took place at the parochial school-room, in Harrington-street. Besides the choir, which numbers thirty-six persons, a large number of the congregation of St. Philip's were present by invitation, also the Dean of Sydney and the Rev. Mr. Riley. After tea a concert was given by the choir, assisted by Mr. and Mrs. Chizlett. The programme, which consisted of a good selection of both sacred and secular music, was gone through in a manner highly satisfactory to the ladies and gentlemen engaged, and satisfactory to those who had the privilege of being present. Two items on the programme demand a special notice - The "Captive Greek Girl," beautifully rendered by a young lady amateur, and deservedly applauded; and a solo on the Harp by Mr. E. H. Cobley, also enthusiastically received. At the close of the concert, hope was very generally expressed that the musical entertainment would be repeated at an early date.

[Advertisement], The Sydney Morning Herald (8 January 1862), 8

http://nla.gov.au/nla.news-article13065129 

HARP, PIANO, SINGING. - Mr. EDWIN H. COBLEY, Organist and Choir Master of St. Philip's, resumes tuition WEDNESDAY, 8th January, 1862. Glebe Point.

"DEATHS", The Sydney Morning Herald (29 March 1862), 1

http://nla.gov.au/nla.news-article28623783 

December 8th, 1861, at Cheltenham, Gloucestershire, England, aged 62, after a long and painful illness, borne with Christian fortitude, Mary Ann, the beloved wife of Mr. John Cobley, and mother of Mr. Edwin H. Cobley, organist of St. Philip's and professor of music in this city.

[Advertisement], The Sydney Morning Herald (8 July 1862), 1

http://nla.gov.au/nla.news-article13231060

REMOVAL - Mr. COBLEY, Professor of Music, to Lyndhurst House, Pyrmont Bridge-road.

"VOCAL MUSIC ASSOCIATION", Empire (17 July 1862), 5

http://nla.gov.au/nla.news-article60478348 

The union concert of the Vocal Music Association, took place last evening, at the Masonic Hall, York-street. The hall was, although not crowded, filled with an appreciative and respectable audience, who listened attentively to the really excellent music which was offered to their notice. The concert consisted of two parts, the first of which was sacred, and the second secular music. The first part commenced with a chorale sung at the funeral of his late Royal Highness Prince Albert, followed by an anthem and a trio from a "Miserere" by Sarti, sung by Madame Sara Flower, Mr. Cobley, and a lady amateur. The quartette, "Jesu watch our slender boat," was excellently sang by Madame Sara Flower, Mr. Fisher, Mr. Cobley, and a gentleman amateur; and the thrilling pathos of the song, "Return, O God of Hosts," as sung by Madame Sara Flower, went home to every heart. The first part concluded with the magnificent "Hallelujah" from Handel's "Messiah." The secular part of the concert commenced with the fine old English glee, "Hail, smiling morn;" and, much opposed as we are, on principle, to encores, we certainly think that, if ever anything called for an encore, that did. Of the next piece, a madrigal, "Come sprightly mirth," we cannot say so much, and can only account for its receiving an encore from the fact of its being sung so nicely by such juvenile vocalists. "The soldier's love," a vocal rataplan song, if we may be allowed the expression, was, we imagined, slightly out of tune, although much applauded. The trio, "Sleep, gentle lady," reflected great credit on Mr. Fisher, who arranged it, and also on the vocalists who sang it. Mr. Cobley acted as accompanyist, and Mr. Chizlett as conductor, to both of whom, in connection with the Association generally, the thanks of the community are due for having given such an excellent and at the same time so cheap a concert.

ASSOCIATIONS: James Churchill Fisher (vocalist); People's Vocal Music Association (association); Masonic Hall (Sydney venue)

"MR. CHIZLETT'S CONCERT AT THE MASONIC HALL. TO THE EDITOR OF THE . . .", Empire (18 July 1862), 4

http://nla.gov.au/nla.news-article60478381 

SIR, - Will you oblige me by correcting an error in your report of the above concert. You have, by mistaking a letter in a name, placed me in the list of vocalists. The name should have been Colley, not Cobley. I did not sing. I only presided at the piano as accompanyist.
Yours truly, EDWIN H. COBLEY.
Lyndhurst House, Glebe Road, 17th July, 1862.

ASSOCIATIONS: Edwin Colley (vocalist)

[Advertisement], The Sydney Morning Herald (30 September 1862), 1

http://nla.gov.au/nla.news-article13234884 

ST. PHILIP'S CHURCH CHOIR - Mr. EDWIN H. COBLEY will be prepared to meet the Elementary CLASS at the Harrington-street Schoolhouse, THIS (Tuesday) EVENING, at half-past 7 o'clock.

[Advertisement], The Sydney Morning Herald (24 November 1862), 8

http://nla.gov.au/nla.news-article13237645 

NEW MUSIC - Four Waltzes, by E. H. Cobley, Esq. (organist at St. Philip's Church), price 3s.
Subscribers' to the Musical Bouquet will receive it in the next number. J. C. FUSSELL, Crescent-street, Church hill.

"MUSIC", The Sydney Morning Herald (12 December 1862), 8

http://nla.gov.au/nla.news-article13070806 

Mr. Cobley, who is very well known in the musical world of Sydney as a composer of light pieces, has added four very graceful waltzes to his repertoire. Though not strikingly original, they are extremely pleasing, particularly No. 2, and they possess the very popular quality of being easy of execution. These waltzes have been published by Mr. Fussell, and are very clearly and correctly printed.

"NEW MUSIC", Empire (17 December 1862), 5

http://nla.gov.au/nla.news-article60520392 

. . . Mr. Fussell has just issued a double Christmas number of his "Australian Musical Bouquet," a very useful and fairly printed publication, containing original and reprinted vocal and instrumental music. But we think the price - five shillings - will be a bar to a very extensive sale, - particularly as the appearance and contents of the work scarcely bear favourable comparison with many musical works of the day. Cheapness should be the aim of proprietors of musical publications, or competition will be useless. The present number contains three pieces; the first is a set of four waltzes, by Mr. E. H. Cobley, of this city; they might have been by Mr. Jones, or Mr. Smith: that is to say, for their extreme simplicity and want of originality, any amateur, without knowing much of the principles of composition, or the grammar of music, might easily fall into such strains, whilst sitting down extemporising in the dusky twilight. Excepting the change of key they are all so much alike (we all know the story of the likeness between Cuffy and Sambo, 'specially Sambo), that on hearing one, we are reminded of having heard something precisely similar, and find that it is the number preceding. The melody, however, is pleasing. The second piece in the bouquet is an exceedingly pretty song by the talented composer of opera and song, Mr. Howard Glover, entitled, "She may smile on many;" it is within the compass of all voices ranging between D and F, and will certainly be heard with pleasure. No. 3 is the ballad of "The Banks of Allan Water," but the quaint old melody has been slightly altered.

"MADAME ESCOTT'S CONCERT", The Sydney Morning Herald (17 October 1863), 4

http://nla.gov.au/nla.news-article13089398 

On Monday evening next, Madame Lucy Escott will give a concert, at the Masonic Hall. The prima donna of the Lyster company was always so great a favourite with the patrons of the opera as to lead to the presumption that she will have a full house and a warm reception . . . Madame Escott will, for the first time, sing Venzano's Waltz, a very brilliant composition, and Glover's pretty ballad, "The blind girl to her harp," with a harp accompaniment by Mr. Cobley . . .

ASSOCIATIONS: Lucy Escott (vocalist); Lyster Opera Company (troupe)

MUSIC: The blind girl to her harp (Stephen Glover)

"ENTERTAINMENT AT ST. PHILIP'S SCHOOLROOM", Empire (11 November 1863), 4

http://nla.gov.au/nla.news-article60551341 

The Dean of Sydney, being desirous of evincing his due appreciation of the valuable services rendered by the choir of St. Philip's Church, invited, last evening, the several members comprising the same to tea in the schoolroom on Church Hill. A considerable number of the parishioners being desirous to be present on so interesting an occasion, tickets were issued for the admission of so many as the schoolroom could conveniently hold. As these were gladly availed of, the room presented a full and fashionable appearance shortly after eight o'clock, the hour when the tea was announced. To add to the harmony of the meeting, it was arranged that a vocal and instrumental performance of sacred and secular music should take place. The only matter to mar the festivities of the evening was the unavoidable absence of the Dean from illness . . . the musical portion of the entertainment commenced with a duet on the harmonium by Mr. Edwin H. Cobley, the talented organist and choir-master of St. Philip's, and an amateur, which was gone through with very considerable skill. The beautiful tones of the instrument rang through the specious school-house with the most pleasing effect. Then followed "Angels ever bright and fair," by Miss Spagnoletti; afterwards a performance by the whole of the choir. This was succeeded by "Rolling in foaming billows," by a gentleman, which was well received. The first part concluded with the anthem, "Praised be the Lord," by the full choir, when the pure and melodious tones of the various voices were displayed to the finest effect. The second part commenced with a fantasia by Mr. Cobley (his own composition) on the piano, which created a perfect furore of applause, the performance being a masterly one. He was encored, for which he substituted Boulanger's "European March." "Be kind to the loved ones at home," from the Christy Minstrels, was one of the happiest features of the evening. Then followed "The Blind Girl to her Harp," by Miss Spagnoletti, which was encored. The harp solo by Mr. Cobley was most rapturously applauded, which being encored, Mr. Cobley gave Boschor's [Bochsa's] Grand March, introducing towards the end "Cheer, boys, cheer," which received, as it merited, full acknowledgment. Afterwards a trio by three members of the choir, which as a concerted piece was well gone through. But one of the greatest treats of the evening was "Our Australian Christmas," composed by Ernesto Spagnoletti, sung by Miss Spagnoletti, and which satisfied the most critical while the delivery of the melodious passages must have convinced all of the delicacy and natural rendering of the performance. We understand this song has just been published. Next came "Set our Oars," by the choir, which gave further evidence of the proficiency of the members. The entertainment coincided with the National Anthem, the solos being sung by Miss Spagnoletti.

ASSOCIATIONS: Nina Spagnoletti (vocalist); Ernesto Spagnoletti junior (composer); Edward Boulanger (composer)

MUSIC: The European march (Boulanger); Our Australian Christmas song (Ernesto Spagnoletti junior)

"TESTIMONIAL", The Sydney Morning Herald (21 November 1863), 13

http://nla.gov.au/nla.news-article13086544 

The success which has attended the free concert (originated and organised by Mr. Edwin Cobley) which followed the social gathering at St. Philip's Church Schoolhouse on Tuesday evening last, suggested to a few of the parishioners that an appropriate time had arrived for acknowledging that gentleman's indefatigable and successful exertions as organist and choir master of the church. Having in view that object, a subscription was set on foot, which resulted in a sum bring raised, with which a valuable and handsome gold watch, from Mr. Felton's establishment in George-street was purchased and presented to Mr. Cobley on Thursday evening last by his friends, the gift bearing the following inscription: -
"Presented to Mr. Edwin Cobley, by a few of the seat holders of St. Philip's Church, 19th November, 1863." - Communicated.

"PLEASING REUNION", Empire (4 January 1864), 4

http://nla.gov.au/nla.news-article60584561 

Immediately after the conclusion of service at St. Philip's Church, on New Year's Eve, the members of the choir repaired to the school room, in Harrington-street, at the invitation of the choir master and organist, Mr. Edwin H. Cobley, when a number of choice selections of sacred music were gone through, besides other performances in the chanting of portions of scripture appropriate to the ushering in of the New Year. The singing lasted for nearly two hours, and exhibited very great proficiency on the part of the gentlemen who compose the St. Philip's choir. It was listened to with much delight by a considerable number of the parishioners whom Mr. Cobley had kindly invited to be present on the occasion. This suitable way of entering upon the New Year deserves to be recorded.

"CONFIRMATION", Empire (31 May 1864), 4

http://nla.gov.au/nla.news-article60582402 

The Lord Bishop of Sydney held a confirmation service at St. Philip's Church, on Monday morning, when a large number of candidates with their friends were present, the church being crowded in every part . . . Mr. E. H. Cobley, the organist of the church, presided at the organ, appropriately introducing in his opening voluntary, "Nearer to Thee, my God," and "I know that my Redeemer liveth," the conducing voluntary being Gloria in Excelsis, by Mozart.

"CONCERT", The Sydney Morning Herald (4 February 1865), 4

http://nla.gov.au/nla.news-article30935895 

Last evening, a complimentary concert was given to Mr. E. H. Cobley, organist and choir-master of St. Philip's, and the schoolroom in which it was given was crowded to overflowing by a respectable auditory. The selections embraced in the programme, both instrumental and vocal, were judiciously chosen and well varied, including some of the most popular glees, choruses, and solos of the best composers. Mr. Cobley officiated as conductor, and executed several compositions upon the harp, of which instrument he appeared to have great mastery. He was assisted by Madame Haimberger, who sung several Swiss and Styrian national airs; by M. Haimberger, who gave a violin concerto and variations; by Mr. M. Younger, as accompanyist; and by Mr. Howson, jun., who took part in an instrumental trio, and performed a solo on the violoncello - the services of each tending much to the undoubted success of the entertainment.

ASSOCIATIONS: Margeritta and Julius Haimberger (vocalist and violinist); Montague Younger (pianist, accompanist); Frank Alfred Howson (cello)

[Advertisement], The Sydney Morning Herald (14 August 1865), 1

http://nla.gov.au/nla.news-article13117427 

MR. COBLEY (Organist of St. Philip's) is prepared to receive Pupils for the harp, piano, organ, harmonium, violin, flute, cornet, guitar, concertina, &c., &c., and singing (choral and solo), at his Academy, Avondale House, Church-hill.
REMOVAL - Mr. COBLEY, Professor of Music, from Glebe to Avondale House, Church-hill.

"GRAND EVENING CONCERT AT THE SCHOOL OF ARTS", The Sydney Morning Herald (15 March 1866), 4

http://nla.gov.au/nla.news-article13127988 

Notwithstanding the inclemency of the weather last evening, Mr. E. H. Cobley's concert attracted a fair audience. It is to be regretted that it was not as numerous ass the quality of the entertainment merited. The concert, though strictly confined to amateurs, was on the whole a good one, some portions of it especially so, and amongst the best efforts may be mentioned, "As burns the charger," a fine basso song given with great spirit and artistic execution, "The market chorus," from Massaniello, "The Ocean King," and a harp solo by Mr. Cobley, all of which elicited lusty applause.

ASSOCIATIONS: School of Arts (Sydney venue)

[Advertisement], The Sydney Morning Herald (28 April 1866), 1

http://nla.gov.au/nla.news-article13130298 

REMOVAL. - Mr. EDWIN H. COBLEY, Organist of St. Philips, Professor of Harp, Piano, Harmonium, Cornopean, and Singing. Classes for Piano and Singing. Address 45, Hunter-street.

"ST. BARNABAS' SCHOOLROOM", Empire (2 May 1866), 4

http://nla.gov.au/nla.news-article60593808 

A grand concert was given in the above schoolroom last night, in aid of the School Building Fund . . .

[Advertisement], The Sydney Morning Herald (21 May 1866), 8

http://nla.gov.au/nla.news-article28611734 

The several items in the programme were performed very creditably. Some of the choruses were rendered very smoothly by the choir of St. Barnabas', assisted greatly by Madame Flora Harris. This lady also sung the aria "Hear ye Israel," from "Elijah," very sweetly. Mr. Stanley's performance of Boulanger's serenade from "Don Pasquale," was exceedingly good, and was loudly applauded. The favourite baritone, Mr. Bannister, was as successful as usual. Mr. Cobley's performances on the harp were charming, and the fine effects produced carried the audience away, till the harpist was compelled to accede to a most determined encore. Without doubt the harp is Mr. Cobley's own instrument, and we expect shortly, a concert will not be complete without it, and that it will become a fashionable drawing-room instrument.

ASSOCIATIONS: Flora Harris (vocalist); William Stanley (pianist)

[Advertisement], The Sydney Morning Herald (24 October 1866), 1

http://nla.gov.au/nla.news-article13148987 

REMOVAL. - Mr. EDWIN H. COBLEY, Professor of Music, to 187, Bourke-st., opposite new church.

"ST. ANDREW'S ORGAN", Empire (13 August 1867), 4

http://nla.gov.au/nla.news-article60843607

Another of these performances took place on Saturday afternoon, when Messrs. John Hill, James Furley, and Edwin Cobley exhibited their own abilities, and the powers of the organ, to a tolerably large number of persons. It is almost needless to say that Mr. Hill took the palm on this occasion, although the other gentlemen did their best to satisfy those present. The programme embraced a choice selection of music, and appeared to give those assembled no little satisfaction.

ASSOCIATIONS: John Hill (organist); James Furley (organist); St. Andrew's cathedral (Sydney)

"CONCERT", The Sydney Morning Herald (5 September 1867), 5

http://nla.gov.au/nla.news-article13154530 

A concert of a superior character was given at the Masonic Hall last night, before a fashionable audience. Among the artistes were Miss Rebecca Jones, Mrs. W. J. Cordner, Mr. C. E. Horsley, Mr. Alfred Anderson, and Mr. E. Cobley . . .

ASSOCIATIONS: Rebecca Jones (vocalist); Ellen Cordner (vocalist); Charles Edward Horsley (pianist); Alfred Anderson (pianist)

"CATHEDRAL ORGAN PERFORMANCE", The Sydney Morning Herald (2 December 1867), 4

http://nla.gov.au/nla.news-article13158763 

On Saturday afternoon, Mr. Edwin H. Cobley played on the organ of St. Andrew's Cathedral. The ladies and gentlemen present listened with much gratification to Mr. Cobley's performances. The programme consisted of the following selections -
chorus, "How excellent Thy name" (Saul), Handel;
solo, "La Fede," Rossini;
"Nuptial music and wedding march," composed for the marriage of their Royal Highnesses the Princess Alexandra and the Prince of Wales, Salomon;
solo, Soft stops, extempore;
chorus, "See the conquering hero comes" (Judas Maccabeus), Handel;
solo, "La Speranza," Rossini;
chorus, "Sound the loud timbrel," Avison;
and Gloria in excelsis (12th Mass), Mozart.

MUSIC: La fede [La foi] (Rossini); Sound the loud timbrel (Avison)

[Advertisement], The Sydney Morning Herald (4 May 1868), 1

http://nla.gov.au/nla.news-article13165528 

MR. EDWIN H. COBLEY begs to inform his friends and pupils that his health has so far improved as to enable him to resume his Professional DUTIES on and after MONDAY, 4th May.

[Advertisement], The Sydney Morning Herald (3 January 1870), 1

http://nla.gov.au/nla.news-article13198062 

PIANO, HARP, ORGAN, CORNOPEAN, SINGING. - Mr. EDWIN H. COBLEY, pupil of Signor Pio Cianchettini, and Mr. J. Balsir Chatterton, PROFESSOR of MUSIC, will RESUME Tuition, WEDNESDAY, 5th January. Pine Cottage, 151, William-street.

"DEATHS", Evening News (15 February 1870), 2

http://nla.gov.au/nla.news-article107126378 

On the 9th February, by a fall from his horse, George, son of the late John Cobley, of Cheltenham, England, and brother of Edwin H. and Reuben Cobley, of this city, and John Julian Cobley, of New England, N. S. W. Cheltenham Examiner please copy.

"CONCERT", Evening News (24 May 1870), 2

http://nla.gov.au/nla.news-article107127076 

The recently-formed Parramatta Glee Club gave a successful concert on Tuesday last. The hall of the school of arts was well filled, and several ladies and gentlemen took part. Mr. E. H. Cobley, formerly organist of St. Philip's, Sydney, kindly gave his services on the pianoforte and harp during the evening. The proceeds wore devoted towards liquidating the debt on St. John's school building.

"PARRAMATTA . . . KING'S SCHOOL", The Sydney Morning Herald (19 December 1870), 3

http://nla.gov.au/nla.news-article13210254 

The annual distribution of prizes at this institution took place on Wednesday afternoon, last . . . The company then adjourned to an adjoining hall, where several choice morceaux of vocal and instrumental music were ably rendered by Mr. Cobley (organist to the school), Miss Heming, and Mr. Skinner. Mr. Cobley's performance on te newly erected organ belonging to the school was highly enjoyable . . .

"NEW SONG", The Sydney Morning Herald (26 January 1872), 4

http://nla.gov.au/nla.news-article13251386 

A song, entitled "Spring Blossoms," the words by Mr. Moser, and the music by Mr. Cobley, will be rendered at the concert in the Exhibition Building, this evening, by Mr. Alfred Wilkie. The words are of merit, and the air very pretty and melodious. We are informed that 200 copies of this composition have been given for disposal to-day, at the gala in Alfred Park, the proceeds to go to the Fire Relief Fund.

[Advertisement], The Sydney Morning Herald (1 April 1874), 6

http://nla.gov.au/nla.news-article28411826 

NOTICE. - Mr. EDWIN H. COBLEY regrets that indisposition has prevented him from seeing his pupils the last few days, but hopes to have sufficiently recovered to be able to resume full duties on THURSDAY next, 2nd April. Lansdowne House, Palmer-street.

[Advertisement], The Sydney Morning Herald (7 May 1874), 1

http://nla.gov.au/nla.news-article13342653 

MR. COBLEY regrets he is prevented from seeing his pupils for a day or two, through illness.

"DEATHS", Evening News (15 June 1874), 2

http://nla.gov.au/nla.news-article107142747 

At the residence of her parents, 156, Palmer-street, Amy Clara Cobley, the beloved daughter and only child of Edwin H. and Emma Cobley, of convulsions.

ASSOCIATIONS: Amy Clara Cobley, born Sydney, NSW, 1864

[News], Evening News (24 June 1874), 2

http://nla.gov.au/nla.news-article107148225

Mr. E. H. Cobley, the well-known professor of music, died this morning at his residence, Palmer-street, from typhoid fever, after an illness of eight days. The funeral will take place to-morrow, will no doubt be largely attended by the professional and other friends of the deceased gentleman. Mr. Cobley's daughter, aged eight years, was buried only at the latter end of last week.

"DEATHS", The Sydney Morning Herald (24 June 1874), 2

http://nla.gov.au/nla.news-article107148226

COBLEY. - June 24, at his residence, Lansdowne House, Palmer-street, Woolloomooloo, Mr. E. H. Cobley, professor of music, after an illness of eight days, aged 44.

"DEATH OF MR. E. H. COBLEY", The Sydney Morning Herald (25 June 1874), 5

http://nla.gov.au/nla.news-article13346094 

This well known professor of music, who was considered one of the finest harpists in Australia, died yesterday, of typhoid fever, after a short illness.

"Musical Notes", The Sydney Mail and New South Wales Advertiser (27 June 1874), 823

http://nla.gov.au/nla.news-article162480044 

Our readers will learn with regret that Mr. E. H. Cobley, a gentleman well known in musical circles, died at his residence after a short illness, on Wednesday last. Mr. Cobley was a master of the harp, a good pianist, and for some years was organist at St. Philip's Church. He was considered an excellent instructor, and enjoyed considerable practice. It was only a few days before his death that Mr. Cobley lost his only daughter, at which he was much cast down.

[Advertisement], The Sydney Morning Herald (13 March 1875), 4

http://nla.gov.au/nla.news-article13353354 

HARP for SALE (double action), the property of the late Mr. E. H. Cobley. Apply to W. H. PALING and Co., George-street.

ASSOCIATIONS: William Henry Paling (musicseller)


Extant musical works:

Les graces polkas (1849)

Les graces, three polkas for the pianoforte by Edwin H. Cobley (London, [1849])

British Library, Music Collections h.944.(15.); BLL01004273931

The Mooltan valse (1849)

The Mooltan valse for the pianoforte by Edwin H. Cobley (London: Addison, [1849])

British Library, Music Collections h.944.(16.); BLL01004273932

Fantasia on "Farewell Theresa" (1853)

Fantasia on "Farewell Theresa," from Moore's selection of national airs composed for the pianoforte by E. H. Cobley ([ ? ], [1853]

British Library, Music Collections h.723.c.(17.); BLL01004273930

See also, Catalogue of the Universal Circulating Musical Library . . . 1855-56 (London: Gustav Scheurmann & Co., [1856], 887

https://books.google.com.au/books?id=ciFcAAAAcAAJ&pg=PA887 (DIGITISED)

Divertimento on "Smile again" (c. 1850-55)

Divertimento for the harp introducing the favorite melody Smile again my bonnie lassie composed and dedicated to his pupils, the Misses Bolton, by E. H. Cobley (London: Chappell, [c. 1850-55])

British Library, Music Collections h.2605.oo.(15.); BLL01016631898; Music Collections h.2605.nn.(10.); BLL01016818373

The Government House waltz (1857)

The Government House waltz, valse brillante for the piano forte, composed & respectfully dedicated, by permission, to Lady Denison by E. H. Cobley (Sydney: Clarke, [1857]); "scrip. Edward Myers"; "litho. Allan & Wigley"

https://trove.nla.gov.au/work/35103011

https://nla.gov.au/nla.obj-167219866 (DIGITISED)

ASSOCIATIONS: Jacob Richard Clarke (publisher, musicseller); Edward Myers (music copyist); Allan and Wigley (lithographers)

Le pillet, Spanish dance (1860)

Le pillet, a new fashionable Spanish dance (as performed at the London and Parisian Court Balls) by E. H. Cobley, to F. H. Needs, esq., and his pupils (Sydney: Charles T. Sandon, [1860])

https://trove.nla.gov.au/work/17973461

https://collection.sl.nsw.gov.au/record/74VKDGLap6NZ (DIGITISED)

ASSOCIATIONS: Frank Hillier Needs (dancing master); Charles Thomas Sandon (publisher)

Volunteers' polka mazurka (1861)

Volunteers' polka mazurka, dedicated to the volunteers of N.S.W., by Edwin H. Cobley (Sydney: James C. Fussell, [1861]; in The Australian musical bouquet (January 1861)

https://trove.nla.gov.au/work/35628510 (DIGITISED)

https://nla.gov.au/nla.obj-165203065 (DIGITISED - copy without cover)

https://nla.gov.au/nla.obj-169277761 (DIGITISED - copy with cover)

Psalm tune and 3 double chants (1861)

St. John's Bishopthorpe L.M. by Edwin H. Cobley; Three double chants by Edwin H. Cobley (Sydney: James C. Fussell, [1861]; in The Australian musical bouquet (April 1861)

https://trove.nla.gov.au/work/188316997

https://collection.sl.nsw.gov.au/record/74VKMRwqWQ6d (NOT DIGITISED)

L'adieu (Alvars, arr. Cobley) (1861)

L'adieu, composed by Parish Alvars, arranged by Edwin H. Cobley (Sydney: James C. Fussell, [1861])

https://trove.nla.gov.au/work/18635708

https://nla.gov.au/nla.obj-172849280/view?partId=nla.obj-172849406#page/n1/mode/1up (DIGITISED)

The Australian bouquet polka (1861)

The Australian bouquet polka by Edwin H. Cobley ([Sydney]: [James C. Fussell], [1861]; in The Australian musical bouquet

https://trove.nla.gov.au/work/16894393

https://nla.gov.au/nla.obj-166191036/view?partId=nla.obj-166191267#page/n2/mode/1up (DIGITISED)

The favourite schottische (1861)

The favourite schottische by Edwin H. Cobley (Sydney: James C. Fussell, [1861]; in The Australian musical bouquet (November 1861)

https://trove.nla.gov.au/version/38577505 (NOT DIGITISED - NLA)

Four waltzes (1862)

Four waltzes for the piano-forte by Edwin H. Cobley (Sydney: James C. Fussell, [1862]; in The Australian musical bouquet)

https://trove.nla.gov.au/work/9626117

https://collection.sl.nsw.gov.au/record/74VvlMJLGKxZ (DIGITISED)

Spring blossoms (1872)

Spring blossoms, written by Thomas Moser, composed by Edwin H. Cobley (Sydney: J. R. Clarke, [1872])

https://trove.nla.gov.au/work/11355670

https://nla.gov.au/nla.obj-167935795 (DIGITISED)


Bibliography and resources:

Rosemary Margaret Hallo, Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents (Ph.D thesis, University of Adelaide, 2014), 134, 160-63

http://hdl.handle.net/2440/86482 (DIGITISED)

Other resources (George Cobley 1832-1870):

http://nla.gov.au/nla.party-1482025 (NLA persistent identifier)

"George Cobley", Design & art Australia online (DAAO)

https://www.daao.org.au/bio/george-cobley

See also two of Cobley's watercolours, National Library of Australia:

https://trove.nla.gov.au/work/13747912 (DIGITISED)

https://trove.nla.gov.au/work/19486428 (DIGITISED)




COCHLEN, Miss (Miss COCHLEN; ? COGHLEN; ? COUGHLAN)

Vocalist

Active Sydney, NSW, 1842

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COCHLEN-Miss (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Gazette and New South Wales Advertiser [NSW] (24 May 1842), 3

http://nla.gov.au/nla.news-article2556557

THE SPACIOUS HALL, SYDNEY COLLEGE, Having been kindly granted for this occasion to MR. NATHAN,
A GRAND SELECTION OF VOCAL AND INSTRUMENTAL MUSIC WILL BE PERFORMED On FRIDAY Evening, 27th May, 1842 . . .
SOPRANOS AND TREBLES . . . Miss Tuohy, Miss Cochlen . . .

ASSOCIATIONS: Isaac Nathan (conductor); Mary Tuohy (vocalist)




COCHRANE, Peter Phillips (Peter Phillips COCHRANE; P. COCHRANE; Mr. Phillips COCHRANE)

Musician, professor of music, pianist, piano teacher, pianoforte tuner and repairer

Born St. Peter Port, Guernsey, c. 1830; son of James COCHRANE (d. 1855) and Esther PHILLIPS (d. 1844)
Arrived Melbourne, VIC, 30 December 1854 (per Evening Star, from Jersey, 26 August, via Adelaide, aged "24")
Married Mary Ann MYERS, VIC, 1861
Died Melbourne, VIC, 1879

https://trove.nla.gov.au/search?l-publictag=Peter+Phillips+Cochrane+c1830-1879 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COCHRANE-Peter-Phillips (shareable link to this entry)


Documentation:

Channel islands census, 30 March 1851, St. Peter Port, Guernsey; UK National Archives, HO107/2530/1

https://www.ancestry.com.au/imageviewer/collections/8862/images/GUEHO107_2530_2531-0249?pId=16501751 (PAYWALL)

4 Market Street / James Cochrane / Head / Widower / 66 / Tobacco & Snuff Manufacturer / [born] Scotland
John Cochrane / Son / Unm. / 37 / [Tobacco & Snuff Manufacturer] / [born] Guernsey St. Peter Port
Peter P. Cochrane / Son / Unm. / 20 / Organist / [born] Guernsey St. Peter Port . . .

Names and descriptions of passengers per Evening Star from Jersey, for Melbourne, 30 December 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF80E70-F96C-11E9-AE98-C724C30A4245?image=148 (DIGITISED)

. . . Peter Phillips Cochrane / 24 / Professor of Music / [English] . . .

Also among the passengers, listed on the first page, were his brother William Cochrane (d. 1881) and family

[Advertisement], The Argus [Melbourne, VIC] (12 May 1855), 7

http://nla.gov.au/nla.news-article4808012 

HARMONIUM (Percussion) for Sale, a Bargain, containing the following stops, -
Flute, clarionet, fife, oboe, cornet, bourdon, clarion, bassoon, expression, grand jeu, and two fortes,
in rosewood case, by Alexandre and Fils, of Paris.
Apply to Mr. P. PHILLIPS COCHRANE, Professor of Music, Australian Store, Cambridge-street, Collingwood.

[Advertisement], The Age [Melbourne, VIC] (3 May 1856), 1

http://nla.gov.au/nla.news-article154864435 

NORTH COLLINGWOOD NATIONAL SCHOOLS. -
A full staff of Competent Teachers for the various branches of a first-class education. Terms very moderate.
Music on Pianoforte by P. Cochrane, 8s.; French by H. Lafargue, 4s. per month.
Singing by W. Bonwick, and Drawing by Vauden Houten [sic], both gratis.

ASSOCIATIONS: Walter Bonwick (singing master); Henry Van den Houten (drawing master)

[Advertisement], The Argus (19 December 1866), 8

http://nla.gov.au/nla.news-article5781507 

P. PHILLIPS COCHRANE, Pianoforte Tuner and Repairer, 148 Swan-street, Richmond. Orders from the country attended.

[Advertisement], The Argus (26 November 1866), 8

http://nla.gov.au/nla.news-article5779549 

PIANOFORTES. - Cottages, handsome walnut, truss legs, £30 ; trichord, £28 ; rosewood, £20. P. Cochrane, 148 Swan-street, Richmond.

[Advertisement], South Bourke and Mornington Journal [Richmond, VIC] (31 December 1878), 4

http://nla.gov.au/nla.news-article70011641 

ESTABLISHED 1855. MR. PHILLIPS COCHRANE, Professional and Practical PIANOFORTE TUNER & REPAIRER;
BRIDGE ROAD, RICHMOND. Evening parties attended. Old Pianofortes bought in any condition. All parts of the colony visited.




COCKS, C. (Mr. C. COCKS)

Musician, violinist

Active Geelong, VIC, 1855

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COCKS-C (shareable link to this entry)


Documentation:

[Advertisement], Geelong Advertiser and Intelligencer (21 July 1855), 1

http://nla.gov.au/nla.news-article91870596 

HARMONIC SALOON, SIR CHARLES HOTHAM HOTEL, BELLERINE STREET.
NOVELTY! NOVELTY!! NOVELTY!!! OPEN every Tuesday, Thursday, and Saturday Evening.
The proprietor begs to call particular attention to the very superior class of Entertainments offered to the public at this favorite Saloon, and to assure them that no trouble or expense will be spared to render the evening's entertainment worthy of their future patronage.
The Saloon has been re-decorated, and is now admitted to be the BEST CONCERT-ROOM IN GEELONG.
Comic, Sentimental Character, and Duett Singing.
Local Songs written expressly for this room.
Pianist - Mr. Finster.
Conductor and Violinist - Mr. C. Cocks.
ADMISSION FREE. Open at Seven o'clock. Close at Eleven.

ASSOCIATIONS: Arthur Guido Finster (pianist)




COCKBURN, James (James COCKBURN)

Musician, "indifferent musician", convict, ? member of Captain Piper's Band

Born Yorkshire, England, c. 1813
Convicted Cork Barracks, Ireland, 31 May 1834 (transportation, 14 years)
Arrived Sydney, NSW, 4 March 1835 (convict per Lady Kennaway)
Active Bathurst, NSW, 1840

https://trove.nla.gov.au/search?l-publictag=James+Cockburn+musician+convict (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COCKBURN-James (shareable link to this entry)


Documentation:

Convict indent, Lady Kennaway, 1835; State Records Authority of NSW, NRS 12188/4/4018

https://www.ancestry.com.au/discoveryui-content/view/97721:2024 (PAYWALL)

No. 943/28 / Cockburn James / 21 / R. & W. / Prot. / S[ingle] / native place Yorkshire / Soldier, tailor, & indifferent Musician /
offence Mutiny / tried Cork / 31 March 1834 / 12 years / . . .

[Convict notices], New South Wales Government Gazette (4 March 1840), 210

http://nla.gov.au/nla.news-article230136890

Cockburn James, Lady Kennaway, 26, Yorkshire, soldier, tailor, and musician, 5 feet 7 1/4 inches, ruddy and freckled comp., brown hair, grey to blue eyes, lost canine tooth left side upper jaw, D under left arm, from J. Piper, Bathurst, since 8th February, 1840.




CODE, Edward Thomas (Edward Thomas CODE; Mr. E. T. CODE)

Musician, bandmaster, competition adjudicator

Born Bendigo, VIC, 1864; son of Edward CODE (d. 1869) and Susan CLANCY
Died Carlton, VIC, 3 April 1918

https://trove.nla.gov.au/search?l-publictag=Edward+Thomas+Code+1864-1918 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CODE-Edward-Thomas (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

CODE, Percy (Edward Percival CODE; Mr. Percy CODE)

Musician, cornet player, bandmaster, orchestral conductor, composer

Born South Melbourne, VIC, 3 July 1888; son of Edward Thomas CODE and Annie PAYNE
Died Melbourne, VIC, 16 October 1953

http://nla.gov.au/nla.party-627992 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CODE-Percy (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"A CASE FOR THE CONSIDERATION OF THE CHARITABLE (To the Editor of the Bendigo Advertiser)", Bendigo Advertiser (1 October 1869), 2

http://nla.gov.au/nla.news-article87922347 

Sir, - I wish to call your attention to a very distressing case in Williamson-street - that of a widow of the name of Mrs. Code. Her husband was formerly in the employment of Messrs. Heffernan and Crowley, as a waiter at the Shamrock Hotel. During the time he was there, he had an epileptic fit, and subsequently disease of the heart, liver complaint, and dropsy supervened, which caused him to be an inmate and an outdoor patient of the hospital at different times between three and four years. Finding, however, that the doctors could do him no good, he went to Melbourne, and on the 22nd July got into the hospital there, where he died on the 12th August, 1869, leaving a widow and four children in Sandhurst without any assistance whatever, as he belonged to no benefit society. The children are four boys, the youngest only twelve months old. I think, sir, this is a case of pure sympathy, for Mr. Edward Code, when alive, was well known and respected at the Shamrock Hotel. He was a steady, sober man. Seeing that the amateur theatricals have been very good in so many cases, I think this is one well deserving. The poor widow receives a little support from the Benevolent Asylum, but it is barely enough.
I remain, sir, your most humble servant,
CHARITY, 30th September, 1869.

ASSOCIATIONS: William Heffernan and John Crowley (proprietors); Shamrock Hotel (Bendigo)

"DEATH OF MR. E. T. CODE", The Age [Melbourne, VIC] (4 April 1918), 5

http://nla.gov.au/nla.news-article155096953 

Bandsmen and musicians generally will regret to hear of the death of Mr. E. T. Code, the gifted cornetist and conductor, which occurred at his residence, Lygon street, Carlton, last night . . .

"DEATHS", The Argus (5 April 1918), 1

http://nla.gov.au/nla.news-article1650530 

CODE. - On the 3rd April, at 225 Lygon street, Carlton, Edward Thomas, the dearly beloved husband of Annie Code; loving father of Percy, Mabel (Mrs. G. A. Charles), Stanley, and Bessie; late bandmaster of the Victorian Police, Prahran City, Code's Melbourne, and 63rd Infantry Bands, aged 54 years. No flowers by request.

"MR. E. T. CODE", The Ararat Advertiser (6 April 1918), 2

http://nla.gov.au/nla.news-article74280563 

Mr. E. T. Code, the well known bandmaster, died on Wednesday night at his residence, Carlton. Born in Bendigo in 1864, he resided in Melbourne for 30 years, and during that time he was bandmaster of several bands, including Code's Melbourne, Prahran City, and the Victorian Police. He was also an adjudicator at many band contests throughout Australia and New Zealand. He leaves a widow, two daughters, and two sons. One son, Mr. Perry Code [sic], is at present a bandmaster at Ballarat, and was formerly solo cornetist with the Besse o'the Barn Band. The deceased, who will be greatly missed by the Police Band, renewed his acquaintance with a number of Ararat friends about three weeks ago, when proceeding to Horsham with the Police Band.


Bibliography and resources:

H. J. Gibbney, "Code, Edward Percival (1888-1953)", Australian dictionary of biography 8 (1981)

http://adb.anu.edu.au/biography/code-edward-percival-5707 

Edward Percival Code, musician, was born on 3 July 1888 at South Melbourne, son of Edward Thomas Code, picture-frame maker and bandmaster, and his wife Mary Ann, née Payne, both from Bendigo. His father, a trumpeter, conducted Code's Melbourne Brass Band from 1892; it was a frequent winner of competitions and won the championship of Australia in 1898-1900. The family included other bandsmen. Taught to play violin and cornet by his father, Percy won numerous cornet competitions while attending school at Faraday Street, Carlton . . .




COFFIN, James (James COFFIN)

Musicseller's apprentice, "orphan"

Born c. 1823/24
Active Sydney, NSW, 1836

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COFFIN-James (shareable link to this entry)


Documentation:

Male Orphan School roll book, 1 January 1819 to 18 September 1848; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/nQR2e6A1/MQDOEMVkvR5yN (DIGTISED)

http://acms.sl.nsw.gov.au/_transcript/2012/D14546/a4656.htm (TRANSCRIPT)

261. Name: James Coffin; Age: 5 1/2 when admitted: 13 June 1829; Time of quitting the school: 8th Feb 1836;
Parents' names: James & Marg't Coffin; Occupation: received back from Mr. McFarlane & absconded / McFarlane, Argyle

[News], The Sydney Monitor (25 November 1836), 3

http://nla.gov.au/nla.news-article32154021 

James Coffin, a boy from the Orphan School, apprenticed to Mr. Ellard, of George street, was charged with absconding. Mr. Gisborne said, he thought if Mr. Ellard took the boy home, and gave him a sound flogging, it would have a good effect, and prevent anything of the sort occurring again Mr. E. stated, that he had already tried that method, and it had been of no benefit. - Remanded.

ASSOCIATIONS: Francis Ellard (master, musicseller)




COGDON, Mr. (Mr. COGDON)

Vocalist

Active Melbourne, VIC, 1852

https://trove.nla.gov.au/search?l-publictag=Mr+Cogdon+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COGDON-Mr (shareable link to this entry)


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (19 May 1852), 5

http://nla.gov.au/nla.news-article4785112 

SUBSCRIPTION CONCERTS.
MESSRS. MEGSON AND BUDDEE have the honour to announce that their
Second Concert will take place in the Mechanics' Institution, This Evening, May 19th,
on which occasion they beg to solicit a share of public patronage.
PROGRAMME. PART I.
Overture - "Tancredi" - Rossini
Song - "Should he upbraid," Mrs. Testar -Bishop
Solo - Pianoforte, Mr. Buddee
Song - "In this old chair my father sat," Mr. Cogdon - Balfe
Song - "The Blind Girl to her harp," Mrs. Testar - Glover
Quintette - Instrumental - Haydn
PART II.
Overture - "Zauberflote" - Mozart
Song - "Come my love, be mine," Mr. Cogdon - Balfe
Solo - Violin, Mr. Megson - Binjer [sic]
Song - "The ray of hope" (flute obligato, Mr. Cooze), Mrs. Testar - Bishop
Buffo Song - "Skying a Copper," Mr. Cooze - Ford
Finale - "God save the Queen" - National.
Concert to commence at Eight o'clock.
Subscribers' seats, 3s; non-subscribers, 2s. 6d.

ASSOCIATIONS: Joseph Megson (violin); Julius Buddee (piano); Elizabeth Testar (vocalist); William Joseph Cooze (flute, vocalist); Mechanics' Institution (Melbourne venue)

MUSIC: In this old chair my father sat (Balfe);

"THE CONCERT", The Argus (27 May 1852), 4

http://nla.gov.au/nla.news-article4785309 

The following is the programme of the Concert for this evening: -
PART I.
Overture - King Stephen (first time).
Song - The Angels' Whisper, Mr. St. George Hamilton.
Piano Solo - Mr. Buddee.
Song - I had a Dream, Mr. Cogdon.
Bolero - Le retour des Promis, Mrs. Testar.
Waltz - Pesther.
PART II.
Overture - Sadak and Kalasrade.
Song - Through the Wood, Mrs. Testar.
Ballad - The Irish Emigrant, Mr. Cogdon.
Violoncello Solo - Mr. Thompson.
Ballad - Gentle Mother, Mrs. Testar.
Song - Sally, Sally, Mr. St. George Hamilton.
Finale - God Save the Queen.
Again we have to congratulate the public upon a very good programme. The re-appearance of an old friend, Mr. Hamilton, after a serious illness, is something gratifying, and the addition of Mr. Cogdon to the staff is a very great gain indeed. The fine manly voice of this gentleman, combined with his pleasant manner, prepossessing appearance, and the taste which characterises both the selection and execution of his songs, constitutes him one of the most agreeable singers we ever heard in Melbourne, and is, we think, calculated to render him a very great favourite with our concert goers.

ASSOCIATIONS: Mr. St. George Hamilton (vocalist); John Charles Thompson (cello); Thursday Concerts (series)

MUSIC: The Irish emigrant (Barker)

"A TREAT, INDEED", The Argus (1 June 1852), 3

http://nla.gov.au/nla.news-article4785433 

The following programme has been issued for Mr. Clay's lecture upon Music to-morrow evening, at the Mechanics' Institution: . . . Luther's Hymn, Cornopean obligato - Luther . . .
Benedictus, four voices, Violin Obligato (Mass No. 12) - Mozart . . .
Ave Maria - Cherubini . . .
"Hear my Prayer" - Kent . . .
Mr. Clay will be assisted in the illustrations by Mrs. Testar, Messrs. Buddee, Cogdon, Wheeler, and Nicholson . . .

ASSOCIATIONS: Frederick Lord Clay (lecturer); Stephen Thomas Wheeler (cornet)

"THE WEEKLY CONCERTS", The Argus (17 June 1852), 5

http://nla.gov.au/nla.news-article4785816 

The following is the programme for the concert of this evening: -
PART I. Overture - Tancredi.
Song - Sweet Mary a -cush-la-macree, Mr. Walton.
Violin Solo - Airs, with variations, Mr. Snelling.
Song - In happy moments, Mr. Cogdon.
Song - Italy, Madame Enzer.
Waltz - Coronation.
PART II.
Overture - Men of Prometheus.
Song - Old England, I live but for thee, Mr. Witton.
Cornet a'Piston - The Standard Watch, Mr. Wheeler.
Song - When the merry dance prevails, Madame Enzer.
Song - I see thine eyes still beaming, Mr. Cogdon.
Finale - God save the Queen.
It will be perceived that a considerable change has been made in the corps musicale, to whom the public has latterly looked as forming the principal staff in connexion with these popular entertainments. Recent circumstances affecting these concerts require the most marked attention of that part of the public which takes any interest in the subject of intelligent and harmless recreation. We shall have more to say upon the matter shortly. Meantime we beg to bespeak for that portion of the Committee which has worked so hard and done so much to carry them on with vigour und spirit, the most grateful and indulgent consideration from the audience to whom they have so often afforded enjoyment in a very rational mode and at a very reasonable charge.

ASSOCIATIONS: Thomas Henry Walton (vocalist); James Morris Snelling (violin); Madame Enzer (vocalist); Henry James Witton (vocalist)

MUSIC: In happy moments (Wallace, from Maritana)

[Advertisement], The Argus (19 June 1852), 7

http://nla.gov.au/nla.news-article4785863 

MONSTER CONCERT.
MR. REED respectfully announces, that a
GRAND CONCERT (Upon a scale of magnitude never before attempted), will take place
SATURDAY NEXT, JUNE 19, At the Mechanics' Institute, Collins-street.
VOCALISTS: Mrs. Testar; Mr. Wheeler; Mr. Cooze; Mr. Cogdon . . .
. . . Conductor - Mr. Reed.
PROGRAMME:
PART I . . . Song, "Yes! let me like a soldier fall," (Maritana) Mr. Cogden - P. Wallace [sic] . . .
Military Movement, from twelfth Grand Symphony, Band - Haydn.
Song, "Wanted a Wife," Mr. Cooze - J. Parry.
PART III . . . Air, "Home of my Fathers," Mr. Cogdon (Lucretia Borgia) - Donizetti . . .

ASSOCIATIONS: Thomas Reed (conductor)

MUSIC: Yes! let me like a soldier fall (Wallace, from Maritana)

"THE CONCERT", The Argus (8 July 1852), 5

http://nla.gov.au/nla.news-article4786230 

The following is the programme for this evening:

PART I . . . Song. - "In this old chair my father sat," Mr. Cogdon . . .
PART II . . . Song. - "You'll find no change in me," Mr. Cogdon . . .

"CONCERT", The Argus (17 September 1852), 3

http://nla.gov.au/nla.news-article255612168 

One of the advantages accruing from the discovery of gold was shewn last night at the Concert, which was certainly the best we ever heard here . . . We were glad again to see our old favorite, Mr. Cogdon; and we must not omit honorable mention of our principal songstress, Mrs. Testar . . .

[Advertisement], The Argus (21 September 1852), 5

http://nla.gov.au/nla.news-article4787235 

GRAND CONCERT. PROTESTANT HALL, Stephen-street.
THIS EVENING, 21ST SEPTEMBER (weather permitting.)
Mr. J. H. ANDERSON . . .
Programme. PART I . . .
Ballad - Go, forget me, Mr. Cogdon - Mortimer . . .
PART II . . . Duet - I've wandered, Mrs. Testar and Mr. Cogdon - Wade . . .
Ballad - Irish emigrant, Mr. Cogdon - Barker . . .

ASSOCIATIONS: James Henri Anderson (pianist, vocalist); Protestant Hall (Melbourne venue)

"THE CONCERT", The Argus (23 September 1852), 5

http://nla.gov.au/nla.news-article4787263 

The following is the Programme of the Concert for this evening: -
PART I.
Overture - Freebooters.
Song - The Slave, (by desire) Mrs. Testar.
Barcarole - How lovely is the night, Mr. Cogdon.
Grand Violin Solo - Melancholy - Herr Mater.
Song - The Captive Greek Girl, Mrs. Norman.
Cornet a Piston Solo - Lucia di Lammermoor, Mr. West [sic, ? Wheeler]
Scena - Oh, love for me thy power, Mrs. Testar.
PART II.
Overture - Il nozze del Figaro.
Song- When first he wooed, Mrs. Norman.
Waltz - Die Elfin.
Ballad - Roam with me, Mrs. Testar.
Romaunt - Home of my fathers, Mr. Cogdon.
Song - Hours there were, to memory dearer, (Harp accompaniment,) Mrs. Norman.
Finale - Rule Britannia.

ASSOCIATIONS: Charles Albert Frederic Mater (violin, leader); Mrs. Norman (vocalist, harpist)

"THE CONCERT", Geelong Advertiser and Intelligencer [VIC] (27 September 1852), 2

http://nla.gov.au/nla.news-article91930135 

Those who attended the Concert on Saturday night were doubtless impressed with the truth of the old aphorism, that "Time and Tide wait for no man." On account of the late arrival of the steamer on Saturday night, nine o'clock, even the energy of Herr Mater was damped, and consequently a dull feeling was thrown over the whole proceedings. Mrs. Testar was, as usual, in splendid voice, but Messrs. Cogden and Buddee were evidently somewhat out of order from their voyage. However, the spirited leading of the talented conductor, and the general good humour of the audience, contributed to render the evening a pleasant one. We wish Herr Mater every success in his efforts to place really good music before the people of Geelong.




COGLIN, Helena (Helena COGLIN; Miss COGLIN; sister Mary Xavier COGLIN; also Miss COGHLIN)

Musician, vocalist, mezzo-soprano, singing and music teacher, school teacher, art teacher

Born Sligo, Ireland, c. 1830; daughter of Bartholomew COGLIN (c. 1793-1875) and Rebecca BOYCE (c. 1795-1877)
Arrived Hobart Town, VDL, 22 June 1832 (per Lindsay, from Sligo, 26 November 1831, and Greenock, 24 January 1832)
Arrived Adelaide, SA, 14 December 1848 (per Augustus, from Hobart Town)
Died Adelaide, SA, 15 June 1913, aged "83/84"

https://trove.nla.gov.au/search?l-publictag=Helena+Mary+Xavier+Coglin+c1830-1913 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COGLIN-Helena (shareable link to this entry)


Documentation:

"MARRRIED", Launceston Examiner [VDL (TAS)] (26 June 1844), 4

http://nla.gov.au/nla.news-article36237118 

On Saturday, the 22nd instant, at St. Joseph's Church, Hobart Town, by the Rev. Mr. Hall, Mr. Edmund Leffler, to Elizabeth, eldest daughter of Mr. Bartholomew Coglin, of Sligo, Ireland.

ASSOCIATIONS: Edmund Leffler (musician)

"SHIPPING INTELLIGENCE", South Australian Register [Adelaide, SA] (16 December 1848), 4

http://nla.gov.au/nla.news-article48729014 

Thursday, December 14 . . . Same Day - The barque Augustus, 370 tons, T. Robertson master, from Hobart Town. Passengers . . . Mr. and Mrs. Coglin and two children, Miss Coglin, Mr. B. Coglin . . .

"CHORAL SOCIETY'S CONCERT", South Australian Gazette and Mining Journal (9 June 1849), 3

http://nla.gov.au/nla.news-article195937867 

The Choral Society must have been well satisfied on Wednesday night that they were neither forgotten nor deserted by their old friends . . . Mr. Bennett, the leader, showed what he could achieve, if he liked, and he seemed determined to do himself and the society justice . . . The magnificent "Hallelujah Chorus" of Beethoven, and the chorusses in general, were very well sung, but their effect would have been much enhanced had the instrumental accompaniment been more subdued . . . Mrs. Murray's execution appeared to advantage in Guglielmi's "Gratias agimus." Miss La Vence sang "Happy Iphis" very prettily . . . The gem of the evening was certainly "The Infant's Prayer," simply and beautifully given by Miss Coglin. This young lady, with the cultivation which her rich voice deserves, would become a most important acquisition to our vocal force . . .

ASSOCIATIONS: George Bennett (leader, violin); Georgiana Murray (vocalist, pianist); Emma La Vence (vcalist); Adelaide Choral Society

MUSIC: The infant's prayer (Vincent Novello)

"THE CHORAL SOCIETY", South Australian Gazette and Mining Journal (22 September 1849), 3

http://nla.gov.au/nla.news-article195938528 

The first concert of this society under the conductorship of Mr. Wallace, took place on Wednesday evening in the Exchange . . . Mrs. Murray and Miss Coglin, as Norma and Adalgisa, gave us the celebrated duet from Norma. Miss Coglin is improving rapidly; but we would venture to suggest that the constant practice of suddenly raising her voice at the close of her phrases may sometimes be entirely at variance with the real character either of the words or the music. We are, however, glad to see that she is ambitious, because she is fully qualified to become not only a singer but a good one. Nature has done her part - cultivation and study must do the rest . . .

ASSOCIATIONS: Spencer Wellington Wallace (conductor, violinist, leader); Exchange Rooms (Adelaide venue)

"CHORAL SOCIETY", South Australian Gazette and Mining Journal (15 December 1849), 3

http://nla.gov.au/nla.news-article195939033 

The last Concert of this Society for the season took place on Friday last week . . . We can but echo the praises of Miss Coglin's "Dermot astore," which was really a treat . . .

MUSIC: Dermot Astore (Crouch)

"LOCAL INTELLIGENCE", South Australian Register (12 February 1850), 3

http://nla.gov.au/nla.news-article38452315 

The members of the Roman Catholic communion had a subscription Tea-meeting and Ball last evening in the capacious school-room in connection with their church, the proceeds to be appropriated to the fund which is in course of collection for the erection of the contemplated Cathedral. The Rev. Br Backhaus presided . . . The intervals were filled up by the necessary festal arrangements, lively conversation, and charming airs, played in their best style by the members of Professor Witton's brass band. Miss Coghlin sang, unaccompanied, "Dermot asthore," with her usual sweetness, and, if possible, with more than her usual taste and feeling. This lady is a most accomplished singer, and we trust the Committee of the Mechanics' Institute will endeavour to win her consent to add the witchery of her voice, which possesses sweetness, power, and pathos, to the brilliant scientific execution of Mrs. Murray, at the next conversazione . . .

"ROMAN CATHOLIC TEA MEETING", Adelaide Times (18 February 1850), 3

http://nla.gov.au/nla.news-article207114976 

The members of the Roman Catholic Church had a subscription tea meeting and ball in the school-room, West Terrace, on Monday evening last. The Rev. Dr. Backhaus presided, and varied the proceedings by a series of short addresses on temperance and other appropriate subjects. Some others followed in a similar strain. The other enjoyments of the evening were enlivened by excellent pieces of music performed by the brass band, led by Mr. Witton, and a song or two by Miss Coglin.

ASSOCIATIONS: Henry Backhaus (cleric); Henry James Witton (musician)

"LOCAL INTELLIGENCE", South Australian Register (21 February 1850), 2

http://nla.gov.au/nla.news-article38443281 

The Adelaide Choral Society's first Concert of the season took place last evening in the Exchange room, before a select, but, we regret to record, by no means a numerous audience . . . Mrs. Murray's "Angels ever bright and fair" was quite equal to her most successful performances; and Miss Coghlin's "Tyrolese Hymn" well deserved the enthusiastic encore it elicited. This lady possesses in an eminent degree that most enviable qualification in a vocalist, a perfectly distinct enunciation . . .

"THE CHORAL SOCIETY'S CONCERT", South Australian Gazette and Mining Journal (4 April 1850), 3

http://nla.gov.au/nla.news-article195939692 

This Society gave its first quarterly concert of miscellaneous music on Monday evening at the Exchange Rooms. The attendance was very thin, which may be attributed to the present frequency of musical entertainments, some or which at lower terms of admission must prove dangerous rivals in public favour. The selection of music was not, in our opinion, the most fortunate, the choral pieces more particularly, requiring effects beyond the power of the Society to furnish. The two overtures were neatly executed, and Wallace's trio from Maritana very cleverly sung; Miss Coglin's fine mezzo soprano voice telling well in the harmonised parts . . .

[News], Adelaide Observer (6 April 1850), 3

http://nla.gov.au/nla.news-article159532464 

We regret to state that the Choral Society's Concert at the Exchange Room on the 1st inst., was very thinly attended. The absence of Sir Henry and Lady Young, who were expected to honour it with their presence, threw a damper over the spirit of the performers, and several leading members were, if we mistake not, also absent. The concert was, in a financial point of view, a failure, a circumstance which we much regret, as the continued existence of the Society depended, we believe, upon its success . . . The overture to the "Caliph of Bagdad" was well and spiritedly played by the band, and Miss Coghlin's brilliant execution of "The Mermaid" placed her beyond all competition the Prima Donna of the Society, A Mr. Tilly sang "The White Squall" admirably, and was warmly applauded by the very select audience, who seemed indeed delighted with the whole performance.

ASSOCIATIONS: Henry and Augusta Young (governor and wife); George Tilly (vocalist)

"THE GERMAN AND BRITISH HOSPITAL CONCERT", South Australian Gazette and Mining Journal (20 July 1850)

http://nla.gov.au/nla.news-article195940414 

The united forces of the Deutche Liedertafel and the Choral Society, joined with those of Madame Cranz, Mr. Ellard, and several other well known musicians, were in requisition last night, in a concert given on behalf of the German and British Hospital about to be erected. A large crowd were assembled round the Exchange before seven o'clock, when the doors were opened, and in a few minutes every available seat was occupied . . . The performance commenced with an overture from the "Seige of Rochelle." A chorus "Der Rhein," from the Leidertafel, a Rondo of Herz's on the piano from Mr. Ellard, a song from "Der Freischutz," from Madame Cranz, one from Mrs. Jupp, and another from Miss Lazar, one from Miss Coglin, the Witches Chorus in Macbeth from the Choral Society, and one or two pieces of equal merit, together with a second chorus out of Spohr's "Jessander," from the Liedertafel, formed the first part . . .

ASSOCIATIONS: Mathilde Cranz (vocalist); Frederick Ellard (piano); Catherine Jupp (vocalist); Rachel Lazar (vocalist); Deutsche Liedertafel (association)

"CONVERSAZIONE", Adelaide Times (24 May 1851), 5

http://nla.gov.au/nla.news-article207007029 

The Quarterly Conversazione of the Mechanics' Institute took place on Tuesday evening at the Exchange. The room was crowded to excess, and the company were respectable and orderly. Mr. Pitman, of the S.A. Bar, delivered a lecture upon Music . . . The usual concert followed, the singers being Mesdames Murray, Crantz, and Coglin, and Messrs. Crantz, and J. W. Daniels; and the instrumental performers, Mr. Wallace and Mr. White. A buffo quartette in the style of Vadasi via di qua was capitally sung by Mrs. Murray, Miss Coglin, and Messrs. Crantz and Daniels, and received an encore . . . Miss Coglin's re-appearance in an Adelaide concert room we hail with satisfaction, for in the present dearth of vocal talent we can ill afford to lose a voice so sweet, and a taste so correct. The proceedings of the evening gave great satisfaction.

ASSOCIATIONS: George Joseph Pitman (lecturer); August Cranz (musician); Josiah Wyke Daniel (vocalist); Richard Baxter White (pianist, violinist)

"THE MECHANICS' INSTITUTE", Adelaide Observer (24 May 1851), 5

http://nla.gov.au/nla.news-article165043902 

The Quarterly Conversatione took place on Tuesday evening last, in the Exchange, when that capacious apartment was thronged with the respectability, beauty, and fashion of the city . . . The musical entertainment which usually follows the lecture was on the present occasion more than usually brilliant. Mrs. Murray, the never-failing friend of the Institute; Mr. Wallace, that accomplished violinist; Miss Coghlin, a delightful singer, who has been for some time lost to the public, and whose reappearance Was greeted With a hearty round of applause; Madame Cranz; Mr. Daniels; and several gentlemen of the Choral Society formed an array of talent that could not fail to furnish forth a delicious musical treat; but there was an additional attraction in the performance of Master White . . . the vocalists were all in good voice, and the trio "Rural Elves," in which Miss Coghlin took part, was applauded to the echo, and obstreporously encored. We do not remember a conversazione to have gone off with greater eclat since the memorable one which followed the resuscitation of the Mechanics' Institute.

[Advertisement], South Australian Register (16 September 1851), 1

http://nla.gov.au/nla.news-article38434422 

CONCERT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL.
ON WEDNESDAY, the 17th of September . . . at the EXCHANGE, King William-street . . .
PROGRAMME. PART I . . . 5. Trio, "The Rural Elves," by Glover - Mrs. Murray, Miss Coglin, Mr. Daniels . . .

"SHIPPING NEWS", The Courier [Hobart, TAS] (6 November 1852), 2

http://nla.gov.au/nla.news-article2958252 

4 - Arrived the barque Thalia, 331 tons, Volum, from Victoria 20th ult. Cabin - Mrs., Miss Helena, and Miss Harriet Coglin . . .

[Advertisement], South Australian Register (7 July 1859), 1

http://nla.gov.au/nla.news-article49824720 

XAVIER SEMINARY, Stephens-place.
Miss COGLIN begs to intimate that the DUTIES of her SCHOOL will be RESUMED on Monday, July 11.
Hours of attendance for Daily Pupils, from 10 till 3 o'clock. A VACANCY for a few BOARDERS.

[Advertisement], Evening Journal (9 December 1882), 1

http://nla.gov.au/nla.news-article197779040 

EDUCATION, SEMINARY OF THE SACRED HEARTS [sic],
AND SCHOOL OF ART FOR YOUNG LADIES, LORETTO HOUSE, NORTH-TERRACE, ADELAIDE.
Conducted by SISTER MARY XAVIER COGLIN. Will Commence January 22, 1883.
English Education, including Fancy Work of every description, £1 1s. per quarter.
Intermediate Pupils, 13s. per quarter. Music, £1 1s. per quarter.
Singing and French (in class), £1 1s. per quarter.
School of Arts for Senior Pupils from 3 to 5 p.m. . . .

"MR. P. B. COGLIN DEAD", The Advertiser (25 July 1892), 6

http://nla.gov.au/nla.news-article25333303 

. . . Mr. Coglin was born at Ballynote, in the county of Sligo, on January 15, 1815. His parents belonged to an old and honorable family and ranked with the most influential in the county. Mr. Coglin was named after Dr. Boyce, of Tullamore, county of Roscommon, his uncle, who had a wide reputation as the owner and breeder of some of the finest horses the old country has produced. In the year 1831 Mr. Coglin left his native land and with his parents and brothers sailed for Tasmania, arriving in Hobart on June 24 [1832]. After completing his education in Hobart he was articled to Mr. Biggins, an architect and builder, who erected a considerable portion of the present town of Hobart. At the expiration of his term in 1837 he came to South Australia, where he was married . . .

"DEATHS", The Advertiser (19 June 1913), 14

http://nla.gov.au/nla.news-article5415385 

COGLIN. - On the 15th June, at her residence, North-terrace west, Helena (Sister Mary Xavier) Coglin, in her 81th year, sister of the late P. B. Coglin. R.I.P.

"FUNERAL NOTICES", The Register (5 May 1920), 2

http://nla.gov.au/nla.news-article62710875 

COGLIN - The Friends of the late Miss HARRIET COGLIN are respectfully informed that her Remains will be Removed from the Residence of her Niece (Miss A. Leffler), 52 Chief street, Brompton. on THURSDAY, at 3 pm., for Interment in the family vault, Catholic Cemetery, West terrace.




COHEN, Jacob (Jacob COHEN; Mr. COHEN) ( ? alias Abraham MYERS)

Musician, vocalist, theatrical dancer, teacher of music and dancing, violinist, actor

Born London, England, c. 1834; son of Benjamin COHEN (d. 1841, convict) and Sarah TORRES (d. 1857)
Arrived Hobart Town, VDL (TAS), 10 May 1840 (free per Sir George Arthur)
Married (1) Harriet WINDOVER (d. 1873), Hobart, TAS, 20 August 1873
Married (2) Alice Elizabeth SURMAN, Hobart, TAS, 7 January 1874
Died Jerusalem, TAS, 22 October 1886, aged "53"

https://trove.nla.gov.au/search?l-publictag=Jacob+Cohen+c1834-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COHEN-Jacob (shareable link to this entry)

ASSOCIATON: It is possible that Cohen earlier performed under the stage name of Abraham Myers alias Cohen, a theatrical dancer, originally from VDL, active in Adelaide, SA, during the first half of 1847, and again briefly in Hobart around the new year of 1848

DISAMBIGUATION: Lewis Cohen (dancing master, active TAS, 1854-63)


Documentation:

Arrivals per Sir George Arthur, Hobart, 10 May 1840; Tasmanian names index; NAME_INDEXES:412985; CSO92/1/4 P65

https://libraries.tas.gov.au/Record/NamesIndex/412985 

Mrs. Choen [sic] and 4 children

"CORONER'S INQUEST", Launceston Advertiser [VDL (TAS)] (13 May 1841), 3

http://nla.gov.au/nla.news-article84756009 

An Inquest was held on Monday, before P. A. Mulgrave, Esq., at the Britannia Hotel, on view of the body of Benjamin Cohen, a member of the Jewish persuasion, who was found dead in a well in the Prisoner's Barracks on Saturday morning . . . The deceased arrived from Circular Head on the previous day, for the purpose of being removed near to his wife and family, who had recently arrived from England . . .

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (4 March 1848), 1

http://nla.gov.au/nla.news-article65978900 

THEATRE ROYAL OLYMPIC . . . Continued Success of THE NEW PANTOMIME . . .
MRS. THOMSON begs to acquaint her friends, and the public generally, that ON MONDAY EVENING NEXT and DURING THE WEEK . . .
COMIC SONG - MR. COHEN . . . Leader of the Orchestra - Mr. Leffler . . .

ASSOCIATIONS: Martha Thomson (actor, manager); Edmund Leffler (musician); Olympic Theatre (Launceston venue)

"OLYMPIC THEATRE", The Cornwall Chronicle (29 March 1848), 2

http://nla.gov.au/nla.news-article65980776 

The house on Monday night was respectably attended. The Drama of the Dutch Trooper was well sustained; the dancing of Miss Eliza Thompson the "Taglioni" of Tasmania, was elegant, and Cohen did credit to Mr. Campbell whose pupil we understand he is. Mr. Cohen has in a abort time obtained much proficiency in the Terpsichorean department which will at once prove what intuitive genius will accomplish under proper instruction; but (and we really do not like the word "but") let the good sense of the management prevent such songs as "Hurrah for the Roads" forming a portion of the evening's amusement; this and a leetle more attention to the author from a "rising" young man, and we will predict success to the Theatre.

ASSOCIATIONS: Eliza Thomson (dancer); William Campbell (dancer, dancing master)

"THE THEATRE", The Cornwall Chronicle (5 April 1848), 2

http://nla.gov.au/nla.news-article65977885 

A crowded house patronised Mrs. Thomson and her daughter Mrs. Jones, on Monday night. The performances seemed to give satisfaction, and mirth and good humor were the order of the night. Mr. Cohen, (whose merits as a dancer are well known) takes his benefit tomorrow night, when "Jonathan Bradford" and other attractive entertainments are to be produced.

ASSOCIATIONS: Christina Mary Thomson Jones (actor)

[Advertisement], The Cornwall Chronicle (24 May 1848), 3

http://nla.gov.au/nla.news-article65981189 

RADFORD'S ROYAL CIRCUS . . . QUEEN'S BIRTN NIGHT, AND SATURDAY 27th MAY . . .
CLOWN TO THE CIRCUS, MR. AXTELLE . . . NAVAL HORNPIPE, BY MR. COHEN . . .
Leader of the Orchestra, Mr. Howson . . .

ASSOCIATIONS: Robert Avis Radford (circus proprietor); Charles Axtelle (clown); Francis Howson (leader, musician)

[Advertisement], The Cornwall Chronicle (26 July 1848), 1

http://nla.gov.au/nla.news-article65978031 

RADFORD'S ROYAL CIRCUS!! . . . For the BENEFIT of MSSRS. FRANCIS & COHEN On WEDNESDAY, July 26,
J. Francis and A. Cohen [sic] beg to inform their friends and the public that their Benefit is fixed for this evening,
and the entertainments selected fur this occasion are of a nature to give general satisfaction,
and they hope and trust to meet with that patronage it has ever been their study to merit . . .
Jockey Hornpipe - Mr. Cohen . . .

ASSOCIATIONS: J. Francis (vocalist, actor)

[Advertisement], The Hobart Town Advertiser (1 September 1848), 1

http://nla.gov.au/nla.news-article264523272 

RADFORD'S ROYAL AMPHITHEATRE, ON MONDAY, SEPTEMBER 11TH, 1848 . . . Naval Hornpipe - Mr. Cohen . . .
Leader of the Orchestra, Mr. H. Howson . . .

ASSOCIATIONS: Henry Howson (violin, leader)

[Advertisement], Colonial Times (24 November 1848), 2

http://nla.gov.au/nla.news-article8763910 

ROYAL VICTORIA THEATRE. MONDAY, NOVEMBER 27 . . .
The Interlude will consist of - The Highland Fling, by Mr. Cohen . . .

ASSOCIATIONS: Royal Victoria Theatre (Hobart venue)

"ALBERT THEATRE", Hobarton Guardian, or, True Friend of Tasmania (26 October 1850), 3

http://nla.gov.au/nla.news-article173058289 

This place of amusement was opened on Wednesday evening last. The performances commenced with the Drama of the Note Forgers, which was splayed exceedingly well throughout . . . Messrs. Cohen and Abbott did justice to their respective parts; the former was deservedly encored in the Highland Fling . . .

ASSOCIATIONS: Royal Albert Theatre (Hobart venue)

"VICTORIA THEATRE", Hobarton Guardian, or, True Friend of Tasmania (30 June 1852), 3

http://nla.gov.au/nla.news-article173062159 

On Monday Evening last, a full house rewarded the exertions of our new lessees . . . The Drama of "the Dumb Man of Manchester" elicited the most decided approbation. Osborne, as the Dumb Man, was excellent . . . Cohen made the most of a small part . . . The Music by Messrs. Russell and Packer, we wish not to hear better . . .

ASSOCIATIONS: Robert James Osborne (actor, vocalist); Charles Sandys Packer (piano); William Wilkins Russell (violin)

"AMUSEMENTS", Hobarton Guardian, or, True Friend of Tasmania (14 July 1852), 3

http://nla.gov.au/nla.news-article173062247 

We were happy to see the Victoria Theatre so well filled on Monday evening last . . . The interlude was excellent, Mr. Osborne's "visit to the diggings," Cohen's dance . . .

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (24 September 1853), 3

http://nla.gov.au/nla.news-article172860414 

ROYAL VICTORIA THEATRE . . . MONDAY EVENING, 28th Sept. . . . [dance] I and My Double - Mr. Cohen . . .

[Advertisement], The Courier (13 February 1854), 2

http://nla.gov.au/nla.news-article2240954 

ROYAL VICTORIA THEATRE . . . WEDNESDAY EVENING, 15TH FEBRUARY . . . Favourite Dance, Mr. Cohen . . .

[Advertisement], The Hobarton Mercury (19 November 1854), 3

http://nla.gov.au/nla.news-article3337011 

ROYAL VICTORIA THEATRE. GRAND BALL Will take place on Thursday, 22nd instant . . .
The Dancing will be under the direction of of Mr. Louis Cohen, late of Her Majesty's Theatre London, lately arrived from England.
N.B. Who has no connection with any person of that name in the colony.

ASSOCIATIONS: Lewis Cohen (dancing master), and see also 1859 below

[Advertisement], The Hobart Town Advertiser (30 May 1859), 4

http://nla.gov.au/nla.news-article264658422 

IMPORTANT TO THE PUBLIC. Mr. Jacob Cohen, PROFESSOR OF MUSIC.
RESPECTFULLY informs the PUBLIC that he has NO CONNECTION with any PERSON of the name of COHEN, FROM FIELD-LANE, SAFFRON-HILL, LONDON.
48, Melville-street, Hobart Town.

"LONGFORD (From our own Correspondent)", Launceston Examiner (12 September 1867), 3

http://nla.gov.au/nla.news-article36645984 

On Monday evening Mr. Marryatt Hornsby, assisted by Master Hornsby and Mr. Cohen, gave an entertainment at the Prince of Wales Assembly Room. The following was the programme: - Overture, piano; comic dialogue, Shakespeare and Lord Byron; song, Work Boys Work; song, Finnagan's Wake; chant, My Mary Jane; serenade, Leave us a lock of your Hair; song, Tearing of the Green; song, Creep afore ye Gang; song, the Weepin' Willer; pianoforte solo, Lays of Many Lands; songs, Sarah Walker, the Bonny Wee Wife, Round goes the World, Ching Chong, and Pretty little Sarah; dance, Highland Fling; song, Have you seen the Ghost; pianoforte solo; songs, The ragged Coat, Main Line Railway, Roll drums merrily, Hame came our gude man at eve, Maggie Mooral, and Put your shoulder to the Wheel.
The majority of the songs were sung in appropriate dresses, and the audience testified their approval by frequent encores. At the request of those present Mr. Hornsby will appear at Longford on the evening of the ploughing match.

ASSOCIATIONS: John Marryat Hornsby (vocalist, delineator)

"MR. HORNSBY AT THE NILE", Launceston Examiner (24 September 1867), 6

http://nla.gov.au/nla.news-article36646214 

A correspondent writes:- "The threatening aspect of the weather deterred many from witnessing two excellent entertainments, given by Mr. M. Hornsby, his little son, and Mr. Cohen, pianist and violinist . . .

1873, marriages in the district of Hobart Town; Tasmanian names index; NAME_INDEXES:877551; RGD37/1/32 no 181

https://libraries.tas.gov.au/Record/NamesIndex/877552 

https://stors.tas.gov.au/RGD37-1-32p105j2k (DIGITISED)

No. 275 / August 20th 1873 / Dwelling House of Mr. Cohen Argyle-street / Jacob Cohen / of full age / Musician / . . .
Harriet Windover / of full age / Daughter of Carpenter . . .

1874, marriages in the district of Hobart Town; Tasmanian names index; NAME_INDEXES:880581; RGD37/1/33 no 245

https://libraries.tas.gov.au/Record/NamesIndex/880581 

https://stors.tas.gov.au/RGD37-1-33p136j2k (DIGITISED)

No. 477 / 7th January 1874 Hobart Town / Jacob Cohen / Thirty-Nine / Musician / . . . Widower . . .
Alice Elizabeth Surman / twenty / Spinster . . .

"MARRIAGE", The Tasmanian Tribune (13 March 1874), 2

http://nla.gov.au/nla.news-article201166092 

Cohen - Surman. - On the 7th of January, 1874, by the Rev. J. Simmons, at the residence of the minister, Jacob Cohen to Alice Elizabeth, eldest daughter of Mr. Henry Surman, stonemason, both of this city.

1886, deaths in the district of Richmond; Tasmanian names index; NAME_INDEXES:1170191; RGD35/1/55 no 1091

https://libraries.tas.gov.au/Record/NamesIndex/1170191 

https://stors.tas.gov.au/RGD35-1-55p166j2k (DIGITISED)

No. 63 / 22nd Oct'r '86 / Jacob Cohen / Male / 53 years / Laborer / Disease of the Heart and Liver Verdict Coroner's Jury . . .

Inquest, Jacob Cohen, 25 October 1886; Tasmanian names index; NAME_INDEXES:1358813

https://libraries.tas.gov.au/Record/NamesIndex/1358813 

https://stors.tas.gov.au/SC195-1-65-9163 (DIGITISED)

"DEATHS", The Mercury (30 October 1886), 1 supplement

http://nla.gov.au/nla.news-article9127952 

COHEN. - On October 22, 1886, at his late residence, Jerusalem, Jacob, the youngest son of the late Benjamin and Sarah Cohen, in the 52nd year of his age.

"JERUSALEM", Launceston Examiner (6 November 1886), 1 supplement

http://nla.gov.au/nla.news-article39523100 

On 25 ult. an inquest was held on the body of Jacob Cohen, who died suddenly. After hearing the medical testimony the jury returned a verdict that death resulted from heart disease. Mr. Cohen as a musician could scarcely be surpassed; he was also a teacher of dancing.


Bibliography and resources:

John S. Levi, These are the names: Jewish lives in Australia, 1788-1850 [2nd edition] (Melbourne: Miegunyah Press, 2013), 146

Benjamin Cohen, Convict records

https://convictrecords.com.au/convicts/cohen/benjamin/38454 




COHEN, John Godfrey (John Godfrey COHEN; John G. COHEN)

Occasional importer of musical instruments, general merchant, auctioneer

Born London, England, c. 1815
Arrived Sydney, NSW, 2 November 1835 (per Happy Loftus, from Gravesend, 9 June)
Married Mary BRADFORD (d. 1855), St. James's, Sydney, NSW, 4 April 1839
Died Sydney, NSW, 3 November 1877, aged "62"

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COHEN-John-Godfrey (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald [NSW] (5 August 1854), 7

http://nla.gov.au/nla.news-article12961130 

POSTPONED until WEDNESDAY next, in order that the Public may view this
A very superb assortment of Musical Instruments, adapted for the use of Bands, Theatres, our Volunteer and Yeomanry Corps. JOHN G. COHEN will sell, at the Bank Auction Rooms, on WEDNESDAY next, August 9th, at 11 o'clock precisely, A superior assortment of musical Instruments
Pianos; Key bugles; Double basses, with boxes; Posthorns; Violoncello, [with boxes];
Flutes, in ebony, cocoa, and box; Violins; Tenors;
Clarionets for each scale; Guitars; Oboes; Concertinas;
Piccolos; Accordeons; Fifes; Ophicleides;
Brass drums; Bassoons; Concert [drums]; Serpent bassoons;
Tenor [drums]; Trombones;
Strings for double basses, violoncellos, violins, tenors;
Trumpets; Cornopeans.
Catalogues will be ready for delivery at the Rooms on Monday next.
Goods on view two days prior to the day of sale. Terms at sale.

"GREAT AUCTION SALE OF MUSICAL INSTRUMENTS", Empire (7 June 1860), 5

http://nla.gov.au/nla.news-article60411374 

John G. Cohen has desired us to invite the attention of Musicians, Pianoforte Buyers, Violinists, and others to his highly important sale.
This Day. Thursday, June 7, 1860, at 11 o'clock, at the Bank Auction Rooms,
comprising Rosewood Pianofortes and Harmoniums, fine old Violins, Drums, Clarionets, Flutes, Flutinas, Concertinas, &c., &c.

"Death of Mr. J. G. Cohen", Evening News (3 November 1877), 5

http://nla.gov.au/nla.news-article108193196 

The death of one of the most respected citizens and one of the oldest auctioneers in the colony took place about 11.30 this morning. We allude to Mr. John Godfrey Cohen. He had only at the time come across to the city, when he suddenly expired on the Balmain wharf. He was a gentleman possessing many merits, and his death by many will be deeply regretted.




COHEN, Lewis (Lewis COHEN; Louis COHEN)

Dancing master, professor of dancing

Born England, c. 1818
Arrived Adelaide, SA, 21 January 1854 (per Lady Nugent, from England)
Married Lydia SOLOMON (widow BENJAMIN), Argyle-street Synagogue, Hobart, TAS, 11 November 1855 (aged "37")
Active Hobart, TAS, until March 1863 or later

https://trove.nla.gov.au/search?l-publictag=Lewis+Cohen+dancing+master (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COHEN-Lewis (shareable link to this entry)

DISAMBIGUATION: Jacob Cohen (theatrical dancer, concurrently active in TAS); Lewis Cohen (merchant, concurrently active in Launceston, TAS)


Documentation:

Adelaide, SA (21 January 1854 to late 1854 or early 1855):

"SHIPPING INTELLIGENCE . . . ARRIVED", South Australian Register [Adelaide, SA] (22 January 1854), 2

http://nla.gov.au/nla.news-article48550820 

Saturday, January 21 . . . Same day - The ship Lady Nugent, 668 tons, Bannerman, master, from Falmouth October 13. Passengers . . . Cohen, Emanuel . . .

[Advertisement], South Australian Register [Adelaide, SA] (22 January 1854), 2

http://nla.gov.au/nla.news-article48550817 

TESTIMONIAL TO CAPTAIN BANNERMAN, OF THE "LADY NUGENT."
Ship Lady Nugent, 21st January, 1854.
DEAR SIR - We, the undersigned passengers by the Lady Nugent, beg, on our arrival in this colony, to offer you our sincere thanks for the skill and unwearied care evinced by you as Commander . . .
We remain, dear Sir, yours truly . . .
Lewis Cohen, Lewis Emanuel . . .

[Advertisement], South Australian Register (4 February 1854), 4

http://nla.gov.au/nla.news-article48550710 

INSTRUCTION IN DANCING. MR. LOUIS COHEN (late of Her Majesty's Theatre, London)
begs to acquaint the inhabitants of Adelaide and its vicinity, that he intends giving lessons in every department of fashionable Dancing.
Families and schools attended. Terms may be known by applying to Mr. L. C, at Hart's Family Hotel, Currie-street, Adelaide.

"PRIVATE BALL", Adelaide Times (28 April 1854), 3

http://nla.gov.au/nla.news-article207015138 

A private ball was given at Mr. Hart's Family Hotel, Currie-street, on Monday evening last. The music was very good, and the dancing, under the direction of Mr. Lewis Cohen, late of her Majesty's Theatre, London. The wines and refreshments were of first-rate quality, and the greatest harmony and conviviality prevailed during the evening. The party did not break up till a late hour. We understand that the parties present requested Mr. Hart to give monthly meetings during the season, which he promised to do.

[Advertisement], South Australian Register (9 May 1854), 4

http://nla.gov.au/nla.news-article48551826 

INSTRUCTION IN DANCING. MR. LEWIS COHEN (late of Her Majesty's Theatre, London) . . . [rest as above]

[Advertisement], South Australian Register (11 May 1854), 2

http://nla.gov.au/nla.news-article48554474 

"CITIZENS' BALL", South Australian Register (3 August 1854), 2

http://nla.gov.au/nla.news-article49205471 

An advertisement in another column informs the citizens that Mr. L. Cohen, late of Her Majesty's Theatre, will give, on Wednesday the 16th instant, the first of a series of grand full-dress balls, at the Pantheon, King William-street. The advertiser is confident in his anticipations of success; and those who have local experience, as well as the pleasure of Mr. Cohen's acquaintance, feel the like confidence as to the favourable results of his arrangements.

ASSOCIATIONS: Pantheon Assembly Rooms (Adelaide venue)

[Advertisement], Adelaide Times (15 August 1854), 1

http://nla.gov.au/nla.news-article207017250 

PANTHEON. KING WILLIAM-STREET - Postponement of Ball - Mr. Cohen regrets to inform the public that his Ball, advertised to take place at the above room on Wednesday the 16th inst., is unavoidably postponed. August 14, 1854.

[Advertisement], South Australian Register (21 August 1854), 1

http://nla.gov.au/nla.news-article49202228 

QUADRILLE PARTY. - HART'S CAMILY HOTEL, CURRIE-STREET. -
A SELECT QUADRILLE PARTY will be held at the above Hotel on Wednesday, August 23, 1854.
Tickets, to admit a lady and gentleman, 10s., to be obtained at the Hotel.
Dancing to commence at 9 o'clock; under the direction of Mr. Lewis Cohen.

Hobart, TAS (by early 1855):

[Advertisement], The Hobart Town Advertiser (3 March 1855), 3

http://nla.gov.au/nla.news-article264617582 

MR. LOUIS COHEN (late of Her Majesty's Theatre, London) has the honor to acquaint the inhabitants of Hobart Town and its vicinity that he intends giving instructions in every department of Fashionable Dancing.
Schools and families attended; private lessons at pupils' residence. Address to Mr. G. Gabriel, Murray-street. March 2, 1855.

[Advertisement], The Hobart Town Advertiser (23 March 1855), 4

http://nla.gov.au/nla.news-article264618009 

MR. LOUIS COHEN, Late of Her Majesty's Theatre, London, HAVING lately arrived in Hobart Town,
begs respectfully to inform its inhabitants that he is now giving instructions in every department of Fashionable Dancing, as taught by the first Masters in Europe, and trusts, from his long experience in the profession, to meet with as liberal a share of patronage as has been accorded to his predecessors.
Schools and private families attended. N.B - All the latest Dances, including the much-admired Gorlitza and Polka Mazurka, taught.
Enquiries may be addressed to Mr. Gustavus Gabriel, Murray-street. 19th March, 1855.

1855, marriages in district of Hobart Town; Tasmanian names index; NAME_INDEXES:852033; RGD37/1/14 no 769

https://libraries.tas.gov.au/Record/NamesIndex/852033 

https://stors.tas.gov.au/RGD37-1-14p321j2k (DIGITISED)

34 / 769 / 11 Nov'r 1855 / In the Synagogue Argyle Street / Lewis Cohen / 37 years / Professor of Dancing /
Lydia Benjamin / 42 years / Widow . . . [officiant] Herman Hoelzel . . . [witness] Hy. Jones . . .

ASSOCIATIONS: Herman Hoelzel (cleric); Henry Jones (synagogue officer)

[Advertisement], The Hobarton Mercury (19 November 1855), 3

http://nla.gov.au/nla.news-article3337011 

ROYAL VICTORIA THEATRE. GRAND BALL Will take place on Thursday, 22nd instant . . .
The Dancing will be under the direction of of Mr. Louis Cohen, late of Her Majesty's Theatre London, lately arrived from England.
N.B. Who has no connection with any person of that name in the colony.

ASSOCIATIONS: Jacob Cohen (theatrical dancer, musician); Royal Victoria Theatre (Hobart venue)

[News], Colonial Times (27 February 1856), 3

http://nla.gov.au/nla.news-article8781432 

THE Probate of the Will of the late Mr. Judah Solomon has been granted to his son, Mr. Joseph Solomon, the sole executor . . . The house, 39, Macquarie-street, is likewise devised to testator's daughter, Lydia now the wife of Mr. Lewis Cohen, of Hobart Town, dancing master . . .

[Advertisement], The Tasmanian Daily News (24 March 1857), 3

http://nla.gov.au/nla.news-article202988954 

THE NEW DANCE "VAISOVIANA." [sic, Varsoviana], MR. LOUIS COHEN, Professor of Dancing,
continues to give instruction in every style of fashionable dancing, including the much-admired dance "Vaisoviana."
Schools and families attended. 103 Collins-street, March 23, 1857

"SCHOLASTIC EXAMINATION", The Hobart Town Advertiser (22 December 1857), 2

http://nla.gov.au/nla.news-article264645670 

The pupils of Mrs. Pettingall's establishment were examined on Thursday last . . . The vacation ball, took place last evening - when four new dances which had been composed for the occasion by Mr. Lewis Cohen, professor of dancing - namely, a Cellarius Quadrille, a Waltz Quadrille, the Gitana, (composed for four dancers) and a Polka Quadrille - were danced with great spirit and elegance . . .

[Advertisement], The Hobart Town Advertiser (26 May 1859), 3

http://nla.gov.au/nla.news-article264658348 

TSMANIAN ASSEMBLY ROOMS. MR. AND MRS. THORPE,
HAVE much pleasure to announce, that they have made an arrangement with
MR. LOUIS COHEN, (late of Her Majesty's Theatre, London), who will, at the above Rooms, give instruction in every style of
FASHIONABLE DANCING, as taught by the first Masters in Europe.
The Juvenile class will meet every Wednesday afternoon, at 3 o'clock.
The Adult Class, every TUESDAY EVENING, at 7 o'clock.
Terms -e Guinea per Quarter, payable in advance.
N.B. - Persons desirous of joining the classes will be kind enough to apply at 134, Liverpool street.
NOTICE. MR. COHEN wishes it to be distinctly understood that he is not in any way connected with any other person of the same name in this, or the adjacent colonies.
May 26.

[2 adjacent advertisements], The Hobart Town Advertiser (30 May 1859), 4

http://nla.gov.au/nla.news-article264658422 

TASMANIAN ASSEMBLY ROOMS . . . [as above]

IMPORTANT TO THE PUBLIC. Mr. Jacob Cohen, PROFESSOR OF MUSIC.
RESPECTFULLY informs the PUBLIC that he has NO CONNECTION with any PERSON of the name of COHEN, FROM FIELD-LANE, SAFFRON-HILL, LONDON.
48, Melville-street, Hobart Town.

ASSOCIATIONS: Jacob Cohen (musician, dancer); Lewis's brother Daniel Cohen, "from Saffron-Hill, Holborn, London", had arrived in Melbourne in July 1857

[Advertisement], The Hobart Town Daily Mercury (27 September 1859), 3

http://nla.gov.au/nla.news-article3257977 

FASHIONABLE DANCING. MR. LEWIS COHEN, PROFESSOR OF DANCING, 35 CATHERINE TERRACE, BRISBANE-STREET.

"DEL SARTE'S ROOM", The Hobart Town Advertiser (1 September 1860), 2

http://nla.gov.au/nla.news-article264661406 

A ball took place on Wednesday evening at Del Sarte's Assembly Rooms, the first of a series. The ball was respectively attended by a considerable number, and dancing was kept up with great spirit until two o'clock, when the company dispersed. The refreshments, which were good, were on temperance principles. The band of the R. V. A. Corps played during the evening, and contributed greatly to the pleasantness of the evening. The arrangements of the ball were under the superintendence of Mr. Cohen, and, we need hardly add, were efficiently carried out. Altogether it was a very pleasant evening, and when the company separated, a wish was expressed that another ball would soon take place.

ASSOCIATIONS: Hobart Volunteer Artillery Band (volunteer military); Del Sarte's Rooms (Hobart venue)

"GENERAL INTELLIGENCE", The Advertiser (1 April 1862), 3

http://nla.gov.au/nla.news-article264622224 

The new Dancing Class at M. Del Sarte's will be formed this evening, by Mr. Lewis Cohen. The greatest vigilance we are sure will be observed in the formation of the Class to keep it select and prevent the intrusion of improper parties.

"GENERAL 1NTFXLIGENCE. DANCING CLASS AT NEW NORFOLK", The Advertiser [Hobart, TAS] (30 August 1862), 3

http://nla.gov.au/nla.news-article264669374 

Mr. Louis Cohen requests us to draw the attention of the residents of New Norfolk, to his advertisement, announcing the intended formation of a class for dancing.

[Advertisement], The Mercury [Hobart, TAS] (28 March 1863), 1

http://nla.gov.au/nla.news-article8816479 

FASHIONABLE DANCING TAUGHT BY MR. LOUIS COHEN, (Late of Her Majesty's Theatre, London.)
Schools attended. Private lessons at Del Sarte's Rooms.
35 BRISBANE-STREET.




COKER, Thomas (Thomas COKER; Tom COKER; Tommie COKER; T. COKER; Mr. COKER)

Music hall proprietor, mony broker, bookmaker, gambler, race horse owner

Born ? England, c. 1814 / c. 1825
Arrived Melbourne, VIC, January 1853 (per John Melhuish, from London, 29 September 1862, aged "28")
Died Melbourne, VIC, 30 September 1889, aged "75"

https://trove.nla.gov.au/search?l-publictag=Thomas+Coker+d1889 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COKER-Thomas (shareable link to this entry)


Documentation:

Names and descriptions of passengers per John Melhuish from London, 29 September 1862, for Melbourne and Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/3400C2E9-F96C-11E9-AE98-0507CB69E27D?image=111 (DIGITISED)

. . . Coker Thomas / 28 // Coker Jane / 25 . . .

[Advertisement], The Argus [Melbourne, VIC] (8 October 1853), 8

http://nla.gov.au/nla.news-article255612206 

FIRST-Rate Dinners every day from one till four. Chops, Steakes and Soups always ready.
T. Coker, London Dining Rooms, 30 La Trobe-street, between Swanston and Elizabeth-streets.

"DEPARTURES FOR EUROPE", Bell's Life in Victoria and Sporting Chronicle (9 April 1859), 3

http://nla.gov.au/nla.news-article201372332 

Among the list of passengers by the fine Blackwall liner Result, which sailed from Hobson's Bay for London on Thursday morning, will be found the names of H. Wills, Esq., Andrew Chirnside, Esq., Mr. Coker, and Mr. J. Hogg. The owner of Alice Hawthorn goes home on a visit to Europe, and intends, we believe, sending out one or two first class mares to compete for turf honours, and eventually improve our breed of horses. He takes with him Mr. Hogg, the old rider and trainer of his favourite mare. Mr. Coker was the first to reduce betting round to anything like a system in Victoria, and has reaped a golden harvest from his exertions.

"THE VARIETIES", The Herald (26 December 1866), 3

http://nla.gov.au/nla.news-article244418996 

Under this name Mr. Thomas Coker and Mr. A. Nish have opened what at one time was known as the Australian-hall in Bourke street, for a description of entertainment after the style and fashion of the well-known Canterbury-hall in London, but the model has not been followed quite through. The interior of the hall was never famous for either architectural or decorative beauty, but the present proprietors have, within, a very short space of time, worked a wondrous transformation, and by the aid of paint and paper, have made this quite a smart room. At the south end a commodious stage with a neat proscenium has been erected, and an orchestra, capable of accommodating several musicians, has been placed in front. The space has been divided into two compartments, with different prices of admission, and the place is so arranged that while the visitor is listening to the song or observing the dance, he may likewise enjoy his coffee or stronger liquid that he may choose to order. A really good working company has been got together, so that the proprietors are enabled to offer a superior description of entertainment to their patrons. The lady vocalists include Madame Carandini, Miss Rosina Carandini, Miss Geraldine Warden, and Miss Liddle. Mr. W. Sherwin and Mr. Linley Norman are also amongst the engaged. The Christy Minstrels of course form a principal feature in the list of attractions, so that the programme is diversified with dances and negro extravagancies. Mr. Kohler, who has been absent from the colony for many years, is to be found amongst the company, and his performances on the cornet and clarionet were listened to with great delight on Monday evening by all lovers of good music. It will thus be seen that the "Varieties" is not a bad sort of name to give to an entertainment which offers such multifarious attractions. The hall was opened for the first time on Monday evening [24 December], and was filled in every part. The whole business appeared to give general satisfaction, and If we may augur success from the appearance of the hall on the opening night, the "Varieties" will become & favourite place of resort.

ASSOCIATIONS: Anthony Nish (proprietor, performer); Maria Carandini (vocalist) and daughter; Geraldine Warden (vocalist); Maggie Liddle (vocalist); Walter Sherwin (vocalist); Linly Norman (pianist); Richard Wildblood Kohler (musician); Christy's Minstrels (Nish's troupe); The varieties (Melbourne venue)

"Deaths", The Argus (2 October 1889), 1

http://nla.gov.au/nla.news-article8555604 

COKER. - On the 30th ult., at his residence, 390 Latrobe-street, Thomas Coker, well known in sporting circles, aged 75 years.




COLEMAN, Mr. (Mr. COLEMAN, ? pseudonym ("Coalman")) ( ? stage name of William CHESTER)

Musician, vocalist, bones player, blackface performer, "the American serenader"

Active Sydney and Maitland, NSW, July-September 1849

https://trove.nla.gov.au/search?l-publictag=Coleman+the+American+serenader (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-serenader (shareable link to this entry)

ASSOCIATIONS: The "Serenader" or "American Serenader" was only identified as twice by the name of "Mr. Coleman" near the end of his company's Maitland run; his sustained connection with Marian Maria Chester raises the possibility that he was her husband, William Chester (1812-1859); in the following year their son, Sydney Yates Chester (1837-1861) also began appearing with her as a blackface vocalist


Documentation:

[Advertisement], The Sydney Morning Herald (17 July 1849), 1

http://nla.gov.au/nla.news-article12910317 

CITY THEATRE. THIS EVENING'S ENTERTAINMENTS . . .
[REDACTED] SONG by the Serenader.
THE BATH ROAD. Tom - Mr. Hambleton. Ellen - Mrs. Chester.
Song, Mrs. Chester . . . Open every night until further notice.

ASSOCIATIONS: Marian Maria Chester (actor, vocalist); John Hambleton (actor, vocalist)); City Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (20 July 1849), 1

http://nla.gov.au/nla.news-article12910119 

CITY THEATRE. - SATURDAY EVENING, July 21 . . . a [REDACTED] Duet, Coal Black Rose, by the Serenader and Mrs. Chester . . .

MUSIC: Coal black Rose (song)

[Advertisement], The Sydney Morning Herald (30 July 1849), 3

http://nla.gov.au/nla.news-article12910146 

CITY THEATRE. OPEN THIS EVENING . . . [REDACTED] Glee, Coal Black Rose, by the Serenader, Mr. Hambleton, and Mrs. Chester . . .

Advertising', Bell's Life in Sydney and Sporting Reviewer (4 August 1849), 3

http://nla.gov.au/nla.news-article59769276 

City Theatre. SATURDAY EVENING, AUGUST 4. Great Novelty!!! MR. HAMBLETON'S BENEFIT . . .
[REDACTED] SONG, BY THE SERENADER, Who will show the real old Virginnie Grapevinetwistsandunconquerablebreakdown.
Favourite Song - Mrs. Chester . . .

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser [NSW] (15 August 1849), 2

http://nla.gov.au/nla.news-article701045 

Any of our readers who are lovers of the drama will see with pleasure by an advertisement in another column that Mr. and Mrs. Hamilton, Mrs. Chester, Mr. Willis, and the American Serenader, have paid a visit to Maitland, and purpose re-opening the Amateur Theatre on Thursday (to-morrow) evening.

ASSOCIATIONS: Thomas Charles Willis (actor)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (18 August 1849), 3

http://nla.gov.au/nla.news-article700984 

MAITLAND THEATRE. Saturday Evening, August 18, 1849.
The Evening's Entertainments will commence with THE INTRIGUE; OR, THE BATH ROAD.
After which, [REDACTED] Song - "OLE DAN TUCKER" (with bone accompaniment), by the Serenader.
Song - "THE DASHING WHITE SERGEANT," by Mrs. Chester . . .
Irish Comic Song - "THE GOLDEN KALIFORNY," Mr. Hambleton.
[REDACTED] Song - "KNOCK A [REDACTED] DOWN" by the Serenader . . .

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser (18 August 1849), 2

http://nla.gov.au/nla.news-article700999 

On Thursday evening Mr. Hambleton and his company, assisted by two of the amateurs, re-opened the Maitland Theatre . . . Mrs. Chester makes a fair actress, and is a very good singer, her song of "The Dashing White Sergeant," being deservedly encored. The American Serenader (whose name is not given) makes a capital [REDACTED], giving the grotesque melodies, and playing tunes on his bones castanets, with the usual popular enthusiasm, ensuring continual encores . . . The pieces announced for Saturday (this) evening are "The Intrigue," "The Dead Shot," and "The Irish Tutor," varied by a good selection of [REFACTED] and other singing.

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser (22 August 1849), 2

http://nla.gov.au/nla.news-article700850 

On Saturday evening last Mr. Hambleton's company performed "The Intrigue," "The Dead Shot," and "The Irish Tutor," with applause, although the house was a very poor one; the singing of Mrs. Chester and the American Serenader was much applauded. On Monday evening the house was better filled; the performances were "A Day in Paris," and "The Widow's Victim," varied by a musical interlude between the pieces; the music and singing in this was remarkably good, and the second part, consisting of Ethiopian Serenades, was received with great applause and repeated encores.

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser (12 September 1849), 2

http://nla.gov.au/nla.news-article700360 

On Saturday evening Mr. Coleman, "The Serenader," took his benefit, and had a good house. The pieces selected were "The Inchcape Bell," and "The Two Gregories," with a variety of [REDACTED] Melodies, and a scene from "Life in New York," between. The whole of the performances went off well . . .




COLEMAN, Edward (Edward COLEMAN; E. COLEMAN)

Musical instrument importer and seller, general merchant

Active Sydney, NSW, by 1852; until 1854 or later

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-Edward (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald [NSW] (15 September 1852), 3

http://nla.gov.au/nla.news-article12939996 

MUSIC FOR THE MILLION.
1 Pianoforte, suitable for a school, £5
1 Ditto, 6 octaves, cabinet, £12 10s.
1 Superior rosewood cottage, 6 3/4 octaves, brilliant tone, all recent improvements, £37 10s.
1 Barrel organ, playing 45 tunes, price £12 10s.
EDWARD COLEMAN, South side Park-street, two doors from George-street.

[Advertisement], The Sydney Morning Herald (29 January 1853), 1

http://nla.gov.au/nla.news-article12943273 

PIANOFORTE. - For Sale, a splendid highly finished Grand Pianoforte, of remarkably mellow and rich tone, and great power.
Its massive yet elegant appearance renders it suitable for a drawing-room of the highest order, while its richness and powerful volume of tone qualifies it to lead either in an orchestra or concert.
E. COLEMAN. South side Park-street, two-doors from George-street.

[Advertisement], Empire (7 April 1853), 1

http://nla.gov.au/nla.news-article61323155 

PIANOFORTE FOR SALE, a three-unison GRAND PIANOFORTE,
of the highest finish, combined with a rich mellow and (when required) powerful tone,
sound perfect, mid in every respect an instrument rarely to be met with. Makers, Zeitter and Co.
Price, £100. E. COLEMAN, South side of Park-street; Two doors from George-street.

[Advertisement], The Sydney Morning Herald (7 September 1853), 3

http://nla.gov.au/nla.news-article12948643 

ROSEWOOD Cottage Pianofortes, of superior tone and elegant appearance, just imported, per Princess Sophia, direct from the manufactory of the celebrated makers, John Broadwood and Sons, of London.
Also a choice selection of the newest and most popular Music, now on sale by
E. COLEMAN, Bourke-street, Surry Hills, nearly opposite the Cockatoo Inn.

[Advertisement], Empire (21 January 1854), 6

http://nla.gov.au/nla.news-article60148499 

PIANOFORTE - For Sale, new patent double check action Rosewood Cottage Pianoforte, 6 7/8 octaves, Broadwood and Sons, Makers.
E. COLEMAN, Bluck's Cottage, Bourke-street, Surry Hills, Nearly opposite the Cockatoo Inn.




COLEMAN, George (George COLEMAN; Mr. COLEMAN)

Musician, master of the Band of the 4th Regiment, soldier

Born Gillingham / Chatham, Kent, England, 1799; baptised Chatham, St. Mary, 24 March 1799; son of John COLEMAN and Mary ?
Enlisted (29th Regiment), 26 November 1807 (as a Drummer)
Married Maria MONTGOMERY (d. South Africa, 1854), Ireland, c. 1820
Enlisted (Royal Artillery) Woolwich, Kent, England, 19 June 1824 (aged "26")
Transferred (4th Regiment), 1 July 1831
Arrived (with 4th regiment) Sydney, NSW, 27 August 1832 (per Clyde, from Deptford, 14 April, Portsmouth, 9 May)
Departed (with 4th regiment) Sydney, NSW, 9 August 1837 (per John, for India)
Discharged (4th regiment), England, 23 September 1840
Died East Cape, South Africa, 24 October 1868, aged "69"

https://trove.nla.gov.au/search?l-publictag=George+Coleman+1799-1868 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-George (shareable link to this entry)

ASSOCIATIONS: Band of the 4th Regiment (military)


Summary:

Coleman probably came from a military family, being born in Chatham, Kent, England in 1799. In 1807, aged just 8, he became a drummer boy in the 29th Regiment, which was posted to the Peninsula in 1808. From there he must have travelled with the regiment to North America (1814), and back to Europe in 1816. From 1824 to 1831 he was a principal keyed bugler in the Royal Artillery Band, based in London (Farmer 1954, 437). In 1831 he was appointed bandmaster of the 4th Regiment for its Australian tour (1831-1837) and later briefly in India. He was discharged in 1839, aged 40, "worn out in the service". There is no record of Coleman or any of his children in the 1851 English census, probably indicating that by then they were, as a family, already resettled in South Africa, where in 1854 Maria died, and where George died in 1868, aged "69".


Documentation:

Baptisms, Chatham St. Mary, 1799; Kent Archives Office, Parish registers

https://www.ancestry.com.au/discoveryui-content/view/319047:61746 (PAYWALL)

24 March 1799 / George / son of John and Mary / Coleman

Baptisms solemnized in the Parish of Woolwich in the County of Kent in the Year 1828; register 1827-46, page 39; London Metropolitan Archives, P97/MRY/015

https://www.ancestry.com.au/discoveryui-content/view/154727183:1558 (PAYWALL)

No. 312 / 22 January [1838] / Born 26 Dec'r 1827 / Mary Ann Elizabeth / [daughter of] George & Maria / Coleman / New Road / Musician Royal Artillery

[News], The Sydney Monitor (6 February 1833), 3

http://nla.gov.au/nla.news-article32143043

The Parramatta folks complain, that the fine Band of His Majesty's 4th Regiment is permitted to "blush unseen," not in the "desert air," but in the barrack enclosure. On occasion of its playing, the people collect far and near, to hear its dulcet strains. When it is considered how great a public gratification could be bestowed with so little trouble, it is to be hoped the Colonel will take measures to gratify the worthy townspeople among whom he resides.

"TUESDAY, APRIL 9", The Currency Lad [Sydney, NSW] (13 April 1833), 2

http://nla.gov.au/nla.news-article252636957 

This evening, a grand Military Ball was given at Mr. Nash's, by the Officers of the 4th or King's Own . . . After numerous quadrilles, waltzes, &c. the company broke up about two o'clock in the morning. The Quadrille Band of the King's Own was in attendance, and performed with their accustomed splendour. Band Master Coleman on the flageolet and Corporal Westward on the violin, merit the highest praise both for the execution and judicious selection of the music. Upon the whole it went off with the highest eclat, and it is to be hoped each meeting will be attended with an increase of visitors, and cordiality particularly, as the object is the support of a charitable institution.

ASSOCIATIONS: Zachariah Westrop (bandsman)

Pay-list of the 4th or King's Own Regiment of foot, from 1 April to 30 June 1833; Australian Joint Copying Project, from UK National Archives, WO12/2215

https://nla.gov.au/nla.obj-1642471806 (DIGITISED)

Drum Major as Serjeant / 15 / Walker Wm. / . . .

https://nla.gov.au/nla.obj-1642471488 (DIGITISED)

Serjeants . . . 20 / Walker Chris. / Band

https://nla.gov.au/nla.obj-1642469570 (DIGITISED)

Privates . . . 969 / Coleman Geo / Band Master . . .

NOTE: Christopher and William Walker (? brothers, soldiers); it was an anomaly that Coleman was already acting as bandmaster while still a private; this was rectified after band sergeant Christopher Walker was nominally reduced to private on 29 November 1833 (in fact he remained a sergeant, and bandsman, until, after long service, he took his discharge on 31 December 1835), and Coleman promoted to sergeant on 30 November; see below

[Advertisement], The Sydney Gazette and New South Wales Advertiser (1 August 1833), 4

http://nla.gov.au/nla.news-article2213213

LOST. A LIGHT BROWN FUR BOA, on the Evening of Sunday last, between the Barrack Gate, George-street, and St. James's Church.
Whoever will bring the same to Mr. COLEMAN, Master of the 4th Band, will be handsomely rewarded; those holding it after this notice will be prosecuted.

[Advertisement], The Sydney Monitor (2 October 1833), 3

http://nla.gov.au/nla.news-article32144621

CONCERT. UNDER the Patronage of Lieutenant Colonel DESPARD, and the Officers of the 17th Regiment and friends.
Mr. LEWIS, Master of the Band of the 17th Regiment, begs respectfully to announce, that a
CONCERT of Vocal and Instrumental Music will take place at NASH's long room, Parramatta,
on Friday Evening the 4th Instant. Single Tickets - 5s. 0d. . . .
[manicule] Mr. Coleman, Master of the Band of the 4th or King's Own, has kindly consented to give his assistance.

ASSOCIATIONS: Henry Despard (commander, 17th Regiment); Thomas Lewis (band master); Band of the 17th Regiment (military); Nash's Woolpack Inn (Parramatta venue)

Pay-list of the 4th or King's Own Regiment of foot, from 1 January to 31 March 1834; Australian Joint Copying Project, from UK National Archives, WO12/2215

https://nla.gov.au/nla.obj-1642424211 (DIGITISED)

Serjeants . . . 969 / Coleman Geo / Band Master / from Private 30th Nov'r 1833 . . .
20 / Walker Christ'r / Band / To private 29th November 1833 . . .

"Masonic Festival", The Australian (27 June 1834), 2

http://nla.gov.au/nla.news-article42009852 

On Tuesday last, being St. Johns day, the Fraternity of Free Masons assembled together at their Lodges and proceeded to St. James's Church where a Sermon was preached by the Rev. Richard Hill, conjointly in aid of the Masonic Fund of Benevolence and the Sydney Dispensary. The procession was numerously attended, and was accompanied by the Bands of the 4th and 17th Regts. . . . At about 6 o'clock in the Evening the Brethren sat down to Dinner, which was prepared in the Saloon of the Royal Hotel . . . John Stephen, Esq., P.M., and P.G.S. was unanimously called to the Chair. After the cloth was removed Non Nobis Domine was performed by the Band in their usual style of excellence . . .
[Airs after toasts] . . . The Entered Apprentice . . . Garry Owen . . . Masonic Glee . . . Rule Britannia . . . Should auld acquaintance be forgot . . . Military March.
On dismissing the band of the 4th Regiment, the Chairman addressed himself to Mr. Coleman the master of the Band, and in the name of the Masters and Wardens of the Lodges expressed satisfaction at the conduct of the men under his command, who on all occasions when their services were required, came forward most readily under the sanction of their officers to promote the harmony of the Masonic Body . . .

ASSOCIATIONS: Richard Hill (cleric); John Stephen (chair); St. James's church (Sydney); Royal Hotel (Sydney venue)

Pay-list of the 4th or King's Own Regiment of foot, from 1 April to 30 June 1834; Australian Joint Copying Project, from UK National Archives, WO12/2215

https://nla.gov.au/nla.obj-1642403862 (DIGITISED)

Serjeants . . . 969 / Coleman Geo / Band Master / . . .

Baptisms solemnized in the Parish of Saint John, Parramatta, in the County of Cumberland in the Year 1835; register 1834-38, page 1; St. John's Anglican Church, Parramatta, REG/COMP/3

https://www.ancestry.com.au/discoveryui-content/view/1016127:60622 (PAYWALL)

No. 1 / Jan'y 4th [1835] / [born] Dec'r 8th 1834 / Thomas Benjamin / [son of] George & Maria / Coleman / Parramatta / Band Master 4th Regiment . . .

"THE CONCERT", The Sydney Herald (23 April 1835), 2

http://nla.gov.au/nla.news-article12852003 

Mr. Stubbs' Concert, at the Royal Hotel, on Tuesday evening last, went off with the most perfect eclat, to a crowded and respectable audience . . . and the performances, in every particular, surpassed any previous entertainment of the kind in the Colony . . . We were glad to witness such a strong muster of instrumental performers, - Messrs. Wilson, Cavendish, Sippe, Stubbs, Lewis, Coleman, Josephson, and the band of the 17th Regiment. The Overtures were executed in masterly style, and we believe gave universal satisfaction . . . His Excellency the Governor was present at the performance, which closed at a late hour in the morning. Mr. Stubbs may take to himself the gratification of having got up the best musical entertainment ever exhibited in Australia, and we believe no one left dissatisfied with the performances of the evening. There were upwards of three hundred persons present.

ASSOCIATIONS: Thomas Stubbs (musician); Mr. Wilson (musician); William Joseph Cavendish (musician); George Sippe (musician); Joshua Frey Josephson (musician); Richard Bourke (governor)

"Fourth or King's Own Theatre, Parramatta", The Sydney Herald (9 July 1835), 3

http://nla.gov.au/nla.news-article12852608

By especial desire of Lieutenant-Colonel Breton, his Majesty's Servants introduced to an overflowing house Lover's Vows, and What Next, with considerable improvements and taste . . . The overture of "Guilleaume Tell," played by the full band, under the able direction of Mr. Coleman, (master) excited great attention from all parts of the house, and was a great treat to all lovers of music. A Glee was well sung, and as well received, when the song of "Darby Kelly" was called for from all parts of the house, which was sung and loudly encored . . . As Lover's Vows, with What Next, was performed by desire, the performance as announced for Monday, will take place on the evening of Friday the 10th instant, when his Majesty's Servants will perform Lover's Vows, after which, a variety of Music and Singing, to conclude with the laughable farce of The Lying Valet. - (Correspondent)

ASSOCIATIONS: Garrison theatricals (general)

"MATTER FURNISHED BY OUR Reporters and Correspondents . . . CONCERT", The Sydney Monitor (16 March 1836), 2

http://nla.gov.au/nla.news-article32150943 

Mrs. Chester and Mrs. Taylor give a Concert at the Royal Hotel this evening. Mr. Wallace has been engaged at the (for this Colony) enormous sum of £25 for his night's performance; he will give his celebrated Fantasia di Bravura, which has been twice received with so much applause. Major England, the commanding officer of the 4th Regiment, has given permission to Mr. Colman and the band of that regiment to attend.

On the same page:

Through the urbanity of Major England, the large gates leading into the Barrack Yard, from George-street, are open to the public until 8 o'Clock in the Evening, for the purpose of affording them an opportunity of hearing the Bugle Band of the 4th. Regiment.

ASSOCIATIONS: Marian Maria Chester (vocalist); Maria Taylor (vocalist); William Vincent Wallace (violinist, pianist)

"To the Editor of . . .", The Australian (25 March 1836), 2

http://nla.gov.au/nla.news-article36858284

SIR, I hasten to contradict a mistake in yesterday's Sydney Herald, to the effect, that the Band of H. M. IVth (or King's Own) Regiment did not play the customary portion of national airs on St. Patrick's Day; and imputing their omission to the order of the Commanding Officer of the Corps. With what motive such a gross misstatement could have been put forth, I know not; except it be for the purpose of gratifying the conductors of the Sydney Herald in their periodical sneers at every thing Hibernian: but I beg leave to acquaint you, for the information of that portion of the public of Australia, who might be misled by this statement, that the following Airs were played by the King's Own Regiment, on the Anniversary of Erin's Patron Saint; viz. -
On Trooping the Guard - "Savourneen Deelish" (slow time)
Returning back - "St. Patrick's Day" (quick time)
Marching the Guard through the Town - "Planzty Connor" [Planxty Conner]
Returning from ditto - "Garry Owen"
With a statement of these facts, I beg to subscribe myself, Sir, Your most obedient Servant,
G. Coleman, Bandmaster, H.M. IVth (or King's Own) Regiment,
Sydney Barracks, March 24th, 1836.

MUSIC: Savourna Deelish ("The exile of Erin"); St. Patrick's Day (tune); Planxty John O'Connor (Carolan); Garryowen (tune)

[Advertisement], The Sydney Herald (11 April 1836), 1

http://nla.gov.au/nla.news-article28654783 

Theatre Royal, SYDNEY. Mr. KNOWLES . . . his BENEFIT . . . ON THURSDAY, APRIL 14, 1836 . . .
Previous to the Play, the Band of His Majesty's 4th, or King's own Regiment, whose attendance is kindly permitted by Major England, will perform the grand OVERTURE TO "LES PUPILLES."
In the course of the Evening . . . Grand Overture to "Lestoc," By the Military Band - Leader, Mr. Coleman . . .

ASSOCIATIONS: Conrad Knowles (actor, manager); Theatre Royal (Sydney venue)

MUSIC: Perhaps the Marche des pupilles de la garde (Cherubini; arr. David Buhl); Lestocq (Auber)

"St. George's Dinner", The Australian (26 April 1836), 3

http://nla.gov.au/nla.news-article36854176 

One of the most sumptuous and well-arranged public dinners that it has been our lot to see in New South Wales, was that of Friday last, at the Pulteney, on the occasion of the annual commemoration of the patron saint of England and Englishmen, St. George. There were upwards of a hundred gentlemen present, consisting of the very elite of colonial society, to enumerate whose names would be only occupying space without and beneficial result. The President on this occasion was E. D. Manning, Esq. . . . at half-past nine the cloth was removed, after which Non nobis was sung by members of the band [3] of the 4th regiment, which was in attendance, and played the airs to the several toasts in a manner which reflected the highest credit on the skill of the musicians, and bore evidence of the pains which must have been devoted to attain it, on the part of Mr. Coleman, the master . . .
[music performed after the toasts] . . . air, God save the King; glee, Long live the King . . .
air, Britons, strike home; glee, The Red cross Knight . . .
Air, Garry Owen . . . air, Hail, Australia . . . air, The British Grenadiers . . .
air - Rule Britannia; glee - The Sea Sprites . . . air - Here's a health to all good lasses . . .
air - Grand March . . . air - a March . . . air - Chorus from the Creation . . .
air - Highland Laddie . . . Glee - The wind whistles cold . . .
air - March of the --- Regiment; glee - Give me the Soldier . . .
air - Roast Beef of Old England . . . Glee - Mynheer van Dunck . . .
Glee, When Arthur first in Court began . . . Glee, Dame Durdon . . .
air, Grand March . . . air, Fly not yet . . .
We must not omit to state that the glee singers (Messrs. Paton, Counley, Lomax, and Enwood, members of the band of the 4th regiment) performed their tasks in admirable style, and their efforts received much applause, particularly the "Red Cross Knight," "Give me the Soldier," and "Dame Durdon," the execution of which would have been no discredit to much more celebrated performers.

ASSOCIATIONS: Edye Manning (chair); David Paton (bandsman); John Cownley (musician); William Lomas (musician); Francis Henwood (musician); Pulteney Hotel (Sydney venue)

"ST. GEORGE'S DAYS", The Sydney Monitor (27 April 1836), 3

http://nla.gov.au/nla.news-article32151220 

. . . The band of the 4th regiment was in attendance, and played the usual popular airs, in a manner that reflected credit on Mr. Coleman, under whose superintendence this hand promises to be equal to any military band that has visited the Colony.

The Herald, in the report of the public dinner hold at the Pulteney on St. George's Day called Non Nobis Domine a Glee. Not wishing to be hard with our contemporary we waited to see if they would correct their error, - but they have not done so. We cannot suppose that this mistake could have arisen from ignorance on the part of the reporter who must have known better: we therefore must attribute it to the printer's devil or to the stupidity of the corrector of the press. We should have passed by it as unworthy of remark, but that it implies much gross ignorance on the part of Mr. Coleman (the leader of the Band) of the common usages of society on such occasions, and also of his profession.

See "ST. GEORGE'S DINNER", The Sydney Herald (25 April 1836), 2-3

http://nla.gov.au/nla.news-article12854222 

[News], The Australian (17 May 1836), 2

http://nla.gov.au/nla.news-article36853822 

The band of the 4th Regt. are enjoying for the present, the benefit of Mr. Wallace's tuition; the improvement made by this band during their sojourn at Parramatta is very perceptible, as well as creditable to Mr. Coleman, the Master, and this "finishing stroke" from the hands of Mr. Wallace will enable them with success to rival their predecessors of the 17th. The bands of the 4th and of the 28th Regiments will be in attendance at the Government House Ball on the 30th instant.

ASSOCIATIONS: Band of the 28th Regiment (military)

"CONCERT", The Sydney Herald (19 May 1836), 3

http://nla.gov.au/nla.news-article12854363 

Mr. Deane's Concert took place last night at the Royal Hotel. There were about four hundred persons present, and at eight o'clock the Concert commenced with the Overture to Tancredi, performed in fine style by Messrs. Deanes, Cavendish, Wilson, Sippe, Stubbs, and the Bass of the excellent Band of the 4th Regiment, under the superintendence of Mr.---, who gratuitously exerted himself, as did all the performers for Mr. Deane's benefit . . .

ASSOCIATIONS: John Philip Deane and sons (musicians)

"FREE MASONS", The Sydney Gazette and New South Wales Advertiser (28 June 1836), 2

http://nla.gov.au/nla.news-article2205110 

The lodges Nos. 260 and 266, of the "Antient and Honorable Fraternity of Masons," assembled at the St. John's Tavern, George-street, on Friday evening last, to hold the usual high feast of St. John the Baptist, where they spent "the gaily festive night" . . . The utmost cordiality prevailed during the whole evening . . . Part of the band of the 4th or King's Own Regiment attended, under the superintendence of Mr. Coleman, their teacher. The customary toasts rang round merrily, followed with appropriate tunes, which added not a little to the general hilarity . . .

"MR. DEANE'S CONCERT", The Sydney Herald (11 July 1836), 3

http://nla.gov.au/nla.news-article12854705 

The very unfavourable state of the weather on Wednesday last, was the means of preventing many families from attending the Concert - not more than 100 persons composed the audience. Notwithstanding these discouraging circumstances, the performances generally went off with spirit and approbation. We never heard any overtures played better (in the Colony) than the Caliph of Bagdad, and Italiano in Algeri . . . Messrs. Coleman, Wilson, Sippe, and the Band of the 4th Regiment, lent their assistance during the evening . . .

[Advertisement], The Australian (12 July 1836), 3

http://nla.gov.au/nla.news-article36853636 

THEATRE ROYAL, SYDNEY. TUESDAY, July 12, 1836.
It is with much pleasure the gentry of Sydney and the Australian Public in general are informed, that
HIS EXCELLENCY THE GOVERNOR has been pleased to command a Performance this Evening, on which occasion he will honor the Theatre with his presence. -
By the permission of MAJOR ENGLAND, the Band of His Majesty's 4th, (the King's own) regiment, will attend in the Orchestra, and perform several Overtures, by first rate composers, and appropriate Airs - Leader, Mr. Coleman.
The pieces selected by HIS EXCELLENCY, are the following: - The Two Drovers; after which, the Popular Interlude of Mischief Making; To conclude with the Extravaganza of Bombastes Furioso.
C. KNOWLES, Manager.

[Advertisement], The Sydney Herald (14 July 1836), 1

http://nla.gov.au/nla.news-article12854719 

THEATRE ROYAL. UNDER THE PATRONAGE OF HIS EXCELLENCY THE GOVERNOR.
FOR THE BENEFIT OF THE SCHOOL OF INDUSTRY, ON FRIDAY EVENING, the 15th July, 1836,
His Majesty's Servants of the Fourth, The King's Own Regiment, will perform, for the amusement of the Public, the romantic Melo-Drama of
BAMFYLDE MOORE CAREW; OR, THE GIPSY OF THE GLEN . . .
Overture - GUY MANNERING, in character, by the full Band.
AFTER WHICH, A COMIC DANCE BY M. BARBER,
AND THE FOLLOWING GLEES AND SONGS: -
GLEE - "Give me the Soldier," by Messrs. Paton, Cownley, and Lomax.
SONG - "Darby Kelly," by A. Greig.
GLEE - "Dame Durdon," by Messrs. Paton, Cownley, and Lomax.
GLEE - "When Arthur First," by Messrs. Paton, Cownley, and Lomax.
The whole to conclude with the very laughable Farce of THE MOCK DOCTOR . . .
The Band of the King's Own will compose the Orchestra on this occasion, under the Management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

ASSOCIATIONS: Michael Barber (actor, dancer); Andrew Grieg (vocalist)

"THE THEATRE", The Australian (19 July 1836), 2

http://nla.gov.au/nla.news-article36854192 

On Friday evening the band of the 4th Regiment performed at the Theatre Royal, for the benefit of the School of Industry. His Excellency, suite, and family, with a vast concourse of the most respectable inhabitants, were present. Bedsides the melodrama of Bamfylde More Carew and the farce of the Mock Doctor, there were several capital glees and other songs, and a most laughable dance. The latter was the most amusing thing ever witnessed in this Colony, and called forth thunders of applause. The dancer wore a doubles costume, one side being a male, and the other a female figure, and the absurd effect of the sudden transition from one form to the other, in the course of his dance, was ludicrous in the extreme. Bamfylde More Carew was got up excellently; and, considering the circumstances of the performers, was played surprisingly well. The piece lost nothing in amusement in consequence of the female character being supported by a fine strapping young man, with a voice like that of a stentor. The overture of Guy Mannering," in character, was quite a novel sight, and formed a very picturesque scene. The long, splay woman in spectacles, playing the trombone, was highly grotesque, and the introduction by Mr. Coleman of the Oboe, was at once both novel and interesting, the effect of which in the air of Roy's Wife, imitative as it was so closely of the bagpipes, was particularly good. One or two of the songs, particularly Darby Kelly, in character, met with loud encores. The Mock Doctor was as good a farce as we have witnessed in the Sydney Theatre. The Mock Doctor himself kept the audience in roars of laughter. He has a decided genius for comedy, and with practice would make no mean figure in any company of players. The orchestra, composed of the remaining members of the 4th Band, played several airs in excellent style during the evening. We have heard that their exertions in the cause of charity were eminently successful; the receipts having, as we learn, exceeded one hundred pounds. Every thing went off well, and the conduct of the sergeants who had the office of shewing the visitors to their respective boxes, and superintending other essentials to good order was deserving of the highest praise. Major England is entitled to the thanks of the Colonists, for his readiness at all times to accommodate them with the aid of his valuable band, but allowing them to come forward in such a manner, and for such a purpose, as that to which we are now alluding, is particularly creditable. Too much praise cannot be awarded to Mr. Coleman, the master of the band, and Mr. Saxton, the Sergeant Major of the Regiment, for their great exertions in getting up the performances, which we understand have been of some weeks' duration, and to whom every minor arrangement was confided.

[News], The Australian (22 July 1836), 2

http://nla.gov.au/nla.news-article36855118 

We understand that Mr. Coleman, the master of the excellent Band of the fourth Regiment, intends to get up a Concert in the course of the ensuing month. Mrs. Williamson's fancy dress ball took place on Wednesday evening, notwithstanding the exceedingly inclement state of the weather, and we were happy to see that every thing passed off very agreeably. The Band of the Fourth was in attendance; it is needless to say that their part of the entertainment was well done.

ASSOCIATIONS: Jane Williamson ("Madame Veilburn") (dancer, dancing master)

[News], The Australian (12 August 1836), 2

http://nla.gov.au/nla.news-article36853733 

We are happy to notice, as it indicates the progress of the Colonists in the attainment of a taste for something more elevated than the plodding considerations of pounds, shillings, and pence, the liberal encouragement that the Professors of Music have received at their numerous Concerts, following, as they recently have, in such rapid succession one after another; which is, in a great measure, to be attributed to the munificent patronage awarded on various occasions by His Excellency Sir Richard Bourke, whose example is decisive, from his prominent situation and deserved popularity, to make either the support or the neglect of such entertainments (not withstanding their admitted rationality) fashionable. His regard for the promotion of whatever may be productive of benefit to the Colony has induced Mr. Coleman, the talented master of the excellent band of the Fourth Regiment, to propose a concert to take place on the 17th instant, at the Royal, and which His Excellency has been pleased to patronise. The claims of Mr. Coleman to the encouragement of the community are not exceeded by those of any of the musical professors who have hitherto presented themselves. The band of which he is master (and also, with one or two individual exceptions, the teacher - the performers in which having been brought, by his exertions, to their present proficiency, during their residence in New South Wales) has been always, by the permission of the Commanding Officer, and latterly by Major England in particular, at the service of the Public - whether at concerts, balls, dinners, or even at the Theatre - a period of upwards of four years, the music having been invariably prepared and arranged by Mr. Coleman. For these services we understand Mr. C. has not received the slightest remuneration, pecuniary or other; and he now rightly judges that his turn has arrived to reap some advantage from the taste the Colonists have latterly evinced for musical entertainments, in the formation of which taste he had taken so prominent a part. We can promise the Public that they will have something new, at the forthcoming Concert. Of its quality, our readers will be able to form an opinion for themselves, both from the general performances of the band, and from the fact that the name of every professor in the Colony is to be found in the list of performers, as advertised in another column. Mr. Coleman may rest satisfied that the Public are not unmindful of his claim upon them, and will support him accordingly.

[Advertisement], Commercial Journal and Advertiser (17 August 1836), 1

http://nla.gov.au/nla.news-article226458813 

Under the distinguished Patronage of His Excellency the Governor,
WHO HAS SIGNIFIED HIS INTENTION OF Being Present,
MR. COLEMAN, Master of the Band of the 4th, or King's Own Regiment,
BEGS to announce that his Concert of Vocal and Instrumental Music will take place on
WEDNESDAY EVENING, AUG. 17TH, 1836, in the Saloon at the Royal Hotel, on which occasion he will be assisted by
Mrs. Chester, Mr. Wallace, Mr. Deane and Family, Mr. Cavendish, Mr. Sippe, Mr. Wilson, Mr. Stubbs, and Mr. Josephson.
PART I.
1. Overture - Der Freitchutz [sic], Weber
2. Chorus - Vive le Roi, Balf [Balfe]
3. Song - My Own Blue Bell, Mrs. Chester
4. Solo - Flute, in which will be introduced Auld Robin Gray, &c., Nicholson, Mr. Stubbs
5. Glee - See our Oars, Sir John Stephenson
6. Market Chorus, from the celebrated Opera of Massaniello, Auber
7. Solo - Violin, Mr. Wallace.
PART II.
1. Overture - Maniac or Swiss Banditti, Bishop
2. Glee - See our Bark, Sir John Stephenson
3. Solo - Pianoforte, Miss Deane
4. Fantasia - Flute, introducing the Coolun, Drouet, Mr. Josephson.
5. Song - Bid me Discourse, Bishop, Mrs. Chester
6. Solo - Kent Bugle, Mr. Stubbs
7. Chorus - Hail, all hail our Patriot King.
Tickets 7s. 6d. each, which may be had at Mr. Ellard's Musical Saloon, Hunter-street; Mr. Tyrer's Repository; Mr. Sparks, Royal Hotel; or, at Mr. Chester's, No. 8, King-street.

ASSOCIATIONS: Rosalie Deane (pianist); Francis Ellard (musicseller); William Henry Tyrer (musicseller); John Sparke (hotel proprietor); William Chester (ticket seller)

"CONCERT", The Australian (19 August 1836), 2

http://nla.gov.au/nla.news-article36853854 

Mr. Coleman's Concert took place, on Wednesday evening, according to announcement. His Excellency the Governor and Suite entered the Saloon at Eight o'Clock, and immediately afterwards, the Concert commenced. Owing to the rain which had been falling in heavy showers, during the afternoon and former part of the evening, the attendance we were sorry to see was very thin - so thin as we should think would almost make it a losing concern to Mr. Coleman. Every thing, however, went off remarkably well, and this Concert left as little room to cavil as any at which we have hitherto attended in the Colony. The Overtures were both of them played in a masterly style, that especially from Von Weber's celebrated Opera of Der Freschutz, which we hear had not prior to this occasion been performed here as written by its celebrated author, but for what reason we are at a loss to know. The Chorusses (of which there were three,) were more complete than we had any reason to expect, comparing them with many that have preceded them; the Market Chorus from Auber's Massaniello, was rapturously encored by the auditory; in the Chorusses Mrs. Chester shone with peculiar brilliancy - in the second more especially, in which occur several passages exceedingly difficult; and of the songs which were allotted to her she acquitted herself in a style which elicited the admiration of the company, and were both of them encored. They were chosen with a regard to Mrs. C's style and voice which we have on some former occasions noticed as having been entirely overlooked. The two Solos by Mr. Stubbs were played as that gentleman ever does play, exceedingly well; that on the Kent Bugle both astonished and pleased the auditory, who requested its repetition. Of Mr. Wallace's Solo on the Violin, it is unnecessary to make any further remark, than that it was a superior performance to any we have heard at his hands. We have frequently heard Mr. Josephson on the Flute, and have been delighted, but never so captivated as with his Fantasia on this occasion, in which was introduced the Coolun by Drouet. Mr. Josephson has not the strength of lungs possessed by some performers on the Flute, but we question if the strongest would have received more merited applause than he did for his Coolun. Miss Deane proved by her execution of the Solo on the Piano-forte, that she was master of the instrument, and fully sustained the character we have previously expressed of her as a pianist. A Quartette was introduced in the course of the second part (which was not announced in the intended programme) by two Violins, a tenor and a bass, at the desire it is said of His Excellency. It was feared that at so short notice, (one day only,) it would be found impossible to comply with the request, but Mr. Deane volunteered to perform it with his two sons, assisted by one of the bandsmen, and they got through this self-imposed task in a way that made an impression very much in their favour on the minds of the auditory. On the whole we were highly pleased with the Concert throughout, and so also appeared to be the whole of the company. The saloon was well lighted, and the seats judiciously arranged to accommodate the greatest number without inconvenience, and had the weather been auspicious, we do not think a single seat would have been unoccupied.

ASSOCIATIONS: John Deane (violin); Edward Smith Deane (cello)

[Advertisement], Commercial Journal and Advertiser (5 October 1836), 1

http://nla.gov.au/nla.news-article226460163 

ORATORIO. THE Committee for conducting the Oratorio at the Cathedral Church of St. Mary, on the 21st instant, take the earliest opportunity of returning their warmest and sincerest thanks to those Ladies and Gentlemen who so handsomely contributed the gratuitous aid of their talents to the success of this Musical Festival . . . To the Band of the King's Own Regiment, under the leadership of Mr. Coleman, who with the kind permission of Major England, contributed their valuable co-operation and assistance on this occasion, the Committee gratefully acknowledge they are much indebted for the effectiveness and general success of the Oratorio. Sydney, 30th September, 1836.

ASSOCIATIONS: St. Mary's cathedral (Sydney); the oratorio was under the musical direction of William Vincent Wallace, above

Playbill, Theatre Royal, Sydney, 21 October 1836; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/93QVXBW1/vvr52yx36koZ0 (DIGITISED)

Under the distinguished Patronage Of His Excellency the Governor,
HIS MAJESTY'S SERVANTS OF THE KING'S OWN REGIMENT, WILL PERFORM, For the Benefit of the Sydney Dispensary,
AND FOR THE AMUSEMENT OF THE PUBLIC, ON FRIDAY EVENING, the 21st of October, 1836, Dibdin's celebrated Comedy of
THREE WEEKS AFTER MARRIAGE, When, by particular desire, the performance will open with Balff's [sic, Balfe's] Grand Chorus of "Vive le Roi," in Character . . .
Glee - "How merrily we live that Soldiers be."
Song - "Darby Kelly" in Character, by A. Greig.
Duet - "Thou hast left me ever, Jamie".
AFTER WHICH, THE LAUGHABLE FARCE OF THE LYING VALET . . .
comic Dance, by M. Barber.
A Comic Song (Giles Scroggins), by J. Cownley.
Overture, in character, by the full Band.
MARKET CHORUS, FROM MASSANIELLO, IN CHARACTER . . .
Finale - "HAIL, ALL HAIL, OUR PATRIOT KING," By the whole Company.
The Band of the King's Own Regiment will compose the Orchestra on this occasion, under the management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

[News], The Sydney Gazette and New South Wales Advertiser (3 December 1836), 2

http://nla.gov.au/nla.news-article2208106 

At the late St. Andrew's ball, Mr. Coleman, the master of the band of the 4th or King's Own Regiment, deserves much credit for the able manner in which he adapted Scotch airs to quadrilles, and surtauses [sic, schottisches] which of late have taken the place of the gallopade. They had a brilliant effect, and were much admired. The Scotch reels danced on the occasion were also novelties in this colony, and the fair dancers gave full effect to the enlivening figures.

[Advertisement], The Sydney Herald (5 December 1836), 3

http://nla.gov.au/nla.news-article12858793 

Theatre Royal, SYDNEY. MR. KNOWLES STAGE MANAGER . . . his BENEFIT . . . This Evening, December 5, 1836 . . .
The Grand overture to Der Freichutz [sic, Der Freischutz], By the Military Band, Leader, Mr. Coleman, most kindly permitted on this occasion by MAJOR ENGLAND . . .

"Birth", The Australian (20 December 1836), 2

http://nla.gov.au/nla.news-article36854327 

At the Military Barracks, Sydney, on the 12th instant, the wife of Mr. Coleman, Bandmaster of the Fourth, (or King's own Regiment) of a Son.

ASSOCIATIONS: Edmund Francis Coleman (died South Africa, 1898)

"The Jubilee dinner", The Sydney Monitor (27 January 1837), 2

http://nla.gov.au/nla.news-article32154702 

About two hundred gentlemen, all natives of the Colony sat down to dinner at the Royal Hotel yesterday, Mr. Charles Thompson [sic] (our Australian poet) in the Chair, Mr. Nelson Lawson Vice-President. Nothing could go off better. The dinner, wines, and dessert were all good, and the greatest harmony prevailed till 12 o'clock, when the President bid good evening, and the company separated . . .
The following toasts were drank at the Dinner - all with due applause and cheering:
The King - Royal Anthem
The Queen - Adelaide Waltz
The British Navy - Rule Britannia
The British Army - British Grenadiers
His Excellency the Governor - Garry Owen (9 times 9)
The Memory of General Macquarie - Drank in solemn silence
Our Fair Country women. - Currency Lasses
The Fair Visitants of our Native Land - Minstrel Waltz, arranged occasion by Mr. Coleman
The Agricultural and Commercial Interests of the Colony - Speed the Plough
The Sister Colonies - Hail Australasia
The Mother Country - Hearts of Oak
Major England and the Officers of the Garrison - Regimental March
The Civil Officers of the Colony - Money in both Pockets
The President - Australian Minstrel March, arranged expressly for the occasion by Mr. Coleman
The Vice-President - Captain Piper's Fancy
The Stewards - Fly not yet
Civil and Religious Liberty all over the World - The King, God Bless him.

ASSOCIATIONS: Charles Tompson (poet)

MUSIC: A band piece entitled "Hail Australia" was regularly reported in the 1820-30s, though no musical work of that title has survived; Currency lasses (Australian quadrille) (composed by Tempest Margaret Paul, Sydney 1825-26); The minstrel waltz, of which the music is lost, was elsewhere reported to be a composition by Thomas Stubbs, above, and the Australian minstrel march may also have been by him

[Advertisement], The Sydney Gazette and New South Wales Advertiser (9 May 1837), 1

http://nla.gov.au/nla.news-article2210810 

Theatre Royal Sydney. UNDER THE PATRONAGE OF HIS EXCELLENCY THE GOVERNOR.
ON TUESDAY EVENING, 9th May, 1837, His Majesty s Servants of the 4th (the King's Own) Regiment, will perform the Romantic Melo Drama of Bampfylde Moore Carew;
When, by particular desire, the Performances will open with Overture "CALIPH DE BAGDAD" . . .
AFTER WHICH, MR. W. WALLACE, Who has kindly offered his services, will perform
A Grand Fantasia on the Violin, In which will be introduced the favourite Scotch Airs "THE SOLDIER'S RETURN," AND "AULD ROBIN GRAY."
Chorus of Peasants and Soldiers,
Song - Kate Kearney, by Mrs. Taylor, who has offered her valuable services on this occasion.
A COMIC DANCE, BY M. BARBER.
Chorus - Viva Enrico.
Song - Darby Kelly, in character, by A. GREIG
A Comic Song, by Mr. BUCKINGHAM.
BUY A BROOM - BY MRS. TAYLOR
AFTER WHICH, A Grand Overture by the full BAND.
The whole to to conclude with the very laughable Farce of THE MOCK DOCTOR . . .
[male parts by bandsmen and soldiers as the previous year] . . .
Charlotte - Miss Winstanley
Dorcas - Mrs. Larra
Maid - Mrs. Downes
The Band of the King's Own will compose the Orchestra on this occasion, under the management of Mr. Coleman, the Master, when several favourite Airs will be performed . . .

ASSOCIATIONS: Notably, on this last theatrical performance by the 4th Regiment, it was assisted by several professional actors from the theatre, notably filling female roles; George Buckingham (vocalist, actor); Eliza Winstanley (actor); Mary Ann Larra (actor); Mrs. Downes (actor)

[News], The Australian (12 May 1837), 2

http://nla.gov.au/nla.news-article36856718 

Mr. B. Levy has presented Mr. Coleman, the Band-master of the Fourth Regiment, with a Silver Snuff-box for his exertions in the Orchestra at all times when Major England allowed Mr. L. the use of the band. The Theatre was well attended on Tuesday Evening last, to witness the performance of the Soldiers of the 4th Regiment. The Governor and suite were present, and the performance gave general satisfaction.

ASSOCIATIONS: Barnett Levey (theatre proprietor)

[News], The Sydney Gazette and New South Wales Advertiser (13 May 1837), 3

http://nla.gov.au/nla.news-article2210894

We have seen a snuffbox presented to Mr. Coleman, the band master of H. M. 4th or King's Own Regiment, by Mr. B. Levey, the Proprietor of the Theatre, for his leading the Orchestra, whenever the use of the band has been permitted. An inscription in the centre states the presentor and presentee.

[News], The Australian (21 July 1837), 2

http://nla.gov.au/nla.news-article36857261 

The Band of the 4th Regiment, which has delighted the Colonists generally with their excellent and scientific music, are shortly about departing. We hope the talented master, Mr. Coleman, will, previous to leaving, give a "Farewell Concert." He has done more to improve our taste in music, and introduce novelties, than any other artiste in Sydney. He was the first that introduced glees and chorusses from many of the modern Operas, which were excellently well sung by some of the young men in the Band who are under his tuition, and have frequently been applauded both at the Concerts and Theatre. Mr. Coleman has also on every benevolent and charitable occasion come forward, and given his aid and talent; and at the present moment we do think that a Concert got up by that gentleman would answer his purpose, and the lovers of music would be glad to avail themselves of showing their gratitude to a gentleman who has assisted so much in forming a taste for that science, by a full attendance. - Correspondent.

"THE CONCERT", The Australian (4 August 1837), 2

http://nla.gov.au/nla.news-article36855553 

On Tuesday evening last, we once again had the pleasure, though after much too long an interval, of being present at one of Mr. William Wallace's Concerts. The Theatre was engaged for the occasion, and the attendance was as flattering as rank and numbers could make it . . . The Concert, we are sure, must have amply gratified the most sanguine expectations. We feel the impossibility of confining within the limits of our scanty space, anything like a satisfactory analysis of its manifold excellencies. The Band of the 4th Regiment which has so often entertained us on similar occasions, entertained us on the present one for the last time previous to their departure for India. The public will not soon forgot the uniform kindness of the commanding Officer of the 4th, in allowing the services of his Band, nor the cheerful and efficient manner in which those services have been rendered. On this, their last appearance, they played the overtures to "Masaniello," and "La Dame Blanche" - their execution of these two pieces, particularly the latter, will long be a memento of the excellence of the Band in the ensemble, and of the matured talent, as a musician, and skill as a leader of Mr. Coleman. Certain of the band also sang three chorusses, "Viva Enrico," "Hail our Patriot King," and "Vive le Roi." The latter was encored and was much better sung the second time than the first - manifestly the result of increased confidence . . .

"LOCAL NEWS", The Sydney Herald (7 August 1837), 9

http://nla.gov.au/nla.news-article28653194

The head quarters of the 4th Regiment will depart for India, in the John, tomorrow, and consists of Major England (commanding officer), Captain Chetwode, Captain Burn (paymaster), Dr. Lewis, Adjutant Espinasse, Lieutenant Moneypenny, Ensigns Short, Hext, Wilby, and 232 privates & non-commissioned officers, including the band, and Mr. Coleman, the band-master.

"Madras . . . SHIPPING ARRIVALS", Parbury's oriental herald and colonial intelligencer (1838), 118

https://books.google.com.au/books?id=SkMFAAAAQAAJ&pg=PA118 (DIGITISED)

[Oct. 6 1837] - John, from New South Wales . . . Passengers by the John . . . Major England, commanding officer, Capt. Chetwoode, Capt. Burn, Adjutant Espinasse, Lieutenant Moneypenny, Ensigns Short, Hext, Wilby, Dr. Lewis, and 232 non-commissioned officers and privates of H. M.'s 4th regiment, Mr. Coleman (band-master), the band, and soldiers' wives and children.

Discharge of sergeant George Coleman, 4th Regiment, December 1839

Discharge of sergeant George Coleman, 4th Regiment, December 1839; UK National Archives, WO97/260/52

https://search.findmypast.com.au/record/browse?id=GBM/WO97/0260/052/001 (PAYWALL)

4th The King's Own Reg't of Infantry . . .
No. 969 (Royal Artillery 327) George Coleman / BORN in the Parish of Gillingham . . . in the County of Kent / by Trade a Labourer /
ATTESTED for the Royal Artillery at Woolwhich in the County of Kent on the 19th June 1824, at the age of Twenty Six . . .
29th Reg't / Drummer / 26th Nov'r 1807 / [to] 25th Nov'r 1816 / Under Age
Promoted Private / 26th Nov'r 1816 / [of age 18]
Royal Artillery / Mus'n [musician] / 1st Apr'l 1824 /
4th Foot / Transferred / Private / 1st July 1831
Promoted Serjeant / 30th Nov'r 1839 / [to] 31st Dec't 1839 . . .
INDIES East / 7th October 1837 / to 31st Dec'r 1839 . . .
Total Service up to the 31st December 1839 / 23 years 323 days
Further service from 1st January 1840 to the 23rd Sept'r 1840 when finally discharged - 266 days
Total 24 years 224 days . . .
SERVED 4 years and 11 months in New South Wales and in India since 7th October 1837.
DISABILITY or cause of Discharge - Worn out in the service . . .
CHARACTER . . . very well conducted and efficient soldier.
[dated] Bangalore, East India, 7th December 1839
Death certificate, George Coleman, 1868; Cape colony, South Africa

Death certificate, George Coleman, 1868; Cape colony, South Africa

George Colman / born Chatham England / son of John Coleman and Mary / 69 years of age / Pensioner / Widower / died 24th October 1868 / residence - farm - Andrews Bay / Children - . . . [including] Marian Elizabeth . . . Thomas Benjamin . . . Edmund Francis . . .


Bibliography and resources:

Henry G. Farmer, Memoirs of the Royal artillery band: its origin, history and progress: and account of rise of military music in England (London and New York: Boosey & Co., 1904), 79 note 5

https://archive.org/stream/memoirsofroyalar00farm#page/79/mode/2up 

. . . The bandmaster of the 4th King's Own from 1831-9 was George Coleman, also from the R.A. Band.

Henry G. Farmer, History of the Royal Artillery Band, 1762-1953 (London: Royal Artillery Institution, 1954), 437, 446

[437] [Royal Artillery] PRINCIPAL KEYED BUGLERS . . . 157. 1826 Msn. George Coleman (1824-1831)

[446] MEMBERS OF THE ROYAL ARTILLERY BAND WHO BECAME BANDMASTERS . . . 4. GEORGE COLEMAN (1824-31) - 4th King's Own Regt. (1831-39)




COLEMAN, Henry (Henry COLEMAN; Mr. H. COLEMAN; Mr. COLEMAN; alias of ? WALLACK)

Vocalist, actor, polyphonist, theatre proprietor, agent, manager, dramatic author

Born c. 1815 (aged "40" in 1855)
Arrived Melbourne, VIC, 20 March 1855 (per Lightning, from Liverpool, 6 January)
Departed Melbourne, VIC, ? by May 1857 (for England)
Active London, England, until December 1867 or later

https://trove.nla.gov.au/search?l-publictag=Henry+Coleman+polyphonist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-Henry (shareable link to this entry)

COLEMAN, Barned Jullien (alias Barned Jullien COLEMAN; B. J. COLEMAN; B. I. COLEMAN; Barney COLEMAN; alias Henry Julian HALL; H. J. HALL; alias Walter Hope WALLACK; W. H. WALLACK; Watty WALLACK)

Vocalist, actor, dramatic reader, polyphonist

Born Liverpool, England, c. 1830; or c. 1822 (aged "48" in 1870); claimed to be a brother of the above
Arrived Sydney, NSW, by May 1853
Arrived Melbourne, VIC, by July 1853
Active SA, 1861-65 (as H. J. HALL)
Active West Indies, by 1867 (as Walter "Watty" WALLACK)
Died St. Louis, Missouri, USA, 26 July 1901, aged "71" (as Watty WALLACK; Walter Hope WALLACK)

https://trove.nla.gov.au/search?l-publictag=Barned+Jullien+Coleman+alias+H+J+Hall (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-Barned-Jullien (shareable link to this entry)

DISAMBIGUATION: If these two were indeed, as they claimed, brothers, there is no certainty that Coleman was their original family name; Watty Wallack claimed to have been born in Liverpool, England, perhaps around 1830; notably, they were both in Liverpool, England, c. 1846-47; a connection with the theatrical Wallack family is impossible to verify, and there is no evidence of any professional or private contact in Australia with the actor and vocalist Julia Harland (Julia Wallack), who arrived in 1856 while Henry was in Melbourne, or with, on his brief visit to Victoria in 1861, her father the actor Henry John Wallack.


Documentation:

Barned Jullien Coleman (alias Henry Julian Hall; alias Walter Hope "Watty" Wallack):

[Advertisement], The Sydney Morning Herald [NSW] (26 May 1853), 2

http://nla.gov.au/nla.news-article12946140 

SCHOOL OF ARTS, PITT-STREET. THE first Dramatic Readings ever given in the colony.
This style of intellectual and amusing entertainment is now all the rage in London, and patronized by the Nobility.
Mr. B. J. COLEMAN will appear on Saturday evening next, May 28, when will be read Sir E. L. Bulwer's beautiful play THE LADY OF LYONS; or, Love and Pride.
Tickets may be obtained at all the principal shops and hotels, at two shillings each. To commence at 8 o'clock, doors open at half-past 7.
Carriages to be in waiting at half-past 10 o'clock. A few reserved seats on the platform, 3s. 6d. each, which must be secured beforehand.

ASSOCIATIONS: School of Arts (Sydney venue)

"DRAMATIC READINGS", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (28 May 1853), 3

http://nla.gov.au/nla.news-article251541706 

Mr. B. Jullien Coleman, lately arrived from England, intends giving a series of Dramatic Readings a la Macready and Kemble, from our best dramatic writers in the School of Arts. The first entertainment of the kind will take place this evening, when Bulwer's celebrated play of "The Lady of Lyons" will be read.

[Advertisement], The Argus [Melbourne, VIC] (16 July 1853), 12

http://nla.gov.au/nla.news-article4794608 

BRAID'S Melbourne Assembly Rooms, Russell-street, corner of Little Collins-street.
Synopsis for the week . . . Saturday morning, Juvenile Dancing class, at two.
Do. evening, Mr. B Jullien Coleman, (third reading,) will read Shakespear's admired play, "The Merchant of Venice."
Singing Classes on the Hullah System now forming Private lessens in Dancing, Singing, and Piano-Forte.
CHARLES & JOHN BRAID, Proprietors. Monday, July 18th, 1853.

ASSOCIATIONS: Charles and John Braid (musician and dancing master)

[Advertisement], The Banner [Melbourne, VIC] (7 October 1853), 2

http://nla.gov.au/nla.news-article179481446 

MECHANICS' INSTITUTION, COLLINS STREET.
MR. B. J. COLEMAN'S LAST DRAMATIC READING IN AUSTRALIA.
Under the distinguished patronage of the elite of Victoria.
MR. Barned Jullien Coleman (Brother to HENRY COLEMAN, Esq., the American Dramatic Author),
in returning his sincere thanks to his friends, and the Melbourne public, for their kind patronage and support bestowed upon him on former occasions, begs to announce that at the request of several ladies and influential persons residing in this city, who, from the inclemency of the weather, had not an opportunity of attending the Readings, he purposes giving one more (and positively the last) Reading on
TUESDAY EVENING, October 18th, 1853. And by particular desire, the subject of the entertainment will be Bulwer's favorite play,
THE LADY OF LYONS; OR LOVE AND PRIDE.
Mr. C. will endeavor to personate distinctly every character of the piece, in imitation of the most popular London actors, in the original cast as represented at Covent Garden Theatre . . .
Admission, Four Shillings; Reserved Seats . . . Five Shillings.
Tickets may be obtained . . . at Mr. Colman's residence, 180, La Trobe Street east . . .

ASSOCIATIONS: Mechanics' Institution (Melbourne venue)

"BENDIGO (FROM OUR OWN CORRESPONDENT) Sandhurst, September 21st, 1854 . . . COUNTY COURT, Friday", The Argus (2 October 1854), 6

http://nla.gov.au/nla.news-article4798385

. . . Coleman v. Landells. This was a suit for the value of a tent and other articles which the former had made over to the latter when under apprehension of its being siezed [sic] by the police, and which the latter had pulled down and removed. Verdict for defendant . . .

"MR. COLEMAN" Bendigo Advertiser (5 September 1855), 2

http://nla.gov.au/nla.news-article88047403 

On Saturday evening last we spent another pleasant evening at the Princess's Theatre, witnessing the inimitable personations of this gentlemen [i. e. Henry]. Not less attractive were the dramatic performances by the Misses Wernham and Hudson, and Mr. B. J. Coleman. A very amusing and interesting farce was "put on the boards" and played in a creditable manner. This evening, it will be perceived by an advertisement in another column is the last on which Mr. Coleman will call on the Bendigo people for their patronage - he being about to leave for Sydney to fulfil an engagement there.

ASSOCIATIONS: Fanny Wernham (actor); Princess Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (5 February 1856), 3

http://nla.gov.au/nla.news-article88048770 

PRINCESS THEATRE. THE GREATEST COMBINATION OF TALENT IN THE COLONIES.
MR. B. J. COLEMAN And MR. H. RICHARDSON'S BENEFIT TO-NIGHT! TO-NIGHT!
THE following Ladies and Gentlemen will appear: -
Madame SARA FLOWER, Miss Fanny Wernham, Mrs. Fanny McGowan, The lady amateur vocalist
Mrs. B. Ricards, Mrs. Gill, Miss A. Hudson,
Mr. Sam Howard, Herr Kohler, Mr. Radford and Band,
Mr. Ricards, Mr. Richardson, Mr. Styles, Mr. Alexander
Signor Gagliadi, and Mr. B. J. Coleman. . .

ASSOCIATIONS: Henry Richardson (musician, concertina player); Sara Flower (vocalist, actor, Mrs. Sam Howard); Fanny Griffiths McGowan (actor, dancer, Mrs. Robert McGowan); Sam Howard (actor); Richard Wildblood Kohler (musician); Sidney Radford (musician); Giacinto Gagliardi (musician, flute player)

"PUBLIC AMUSEMENTS", Bendigo Advertiser (9 February 1856), 3

http://nla.gov.au/nla.news-article88048808 

The attendance at the Princess's Theatre on Thursday evening last, being the occasion of a joint benefit for Messrs. B. J. Coleman and H. Richardson, was tolerably good. The great rains on Tuesday, Wednesday, and Thursday, had made the roads so impassible that it was unexpectedly we found so many present. The performance was very good, and deserved to be seen for a better audience. The few plaintive ballads sung by Madame Sara Flower were received with delight, nearly amounting to enthusiasm . . . The beneficiaries have every reason to compliment themselves on the talent they commanded, and if rumour is to believed, and the cash yielded, upwards of 250 tickets have been sold. Miss Wernham made her first appearance on Bendigo since her return from Melbourne on that evening . . . Of the recent debutantes from Melbourne, Mr. Sam. Howard and Mr. and Mrs. McGowan, we will only say, that they do credit to Mr. Coleman, the energetic manager, for his taste in selecting them. As we would do justice to them, when we offer any remarks, and as they are to remain to play in the new theatre, we will reserve a notice of their very pleasing performances, until a future occasion. The theatrical talent now offered to the good people of Bendigo is indeed worthy of support, and it is to be hoped a proper sustenance will be accorded to the enterprise of Mr. [Henry] Coleman, who is at an enormous expense catering for the hitherto neglected public.

ASSOCIATIONS: Robert and Fanny McGowan (actors, dancer); The "new theatre" = Criterion Theatre (Bendigo venue, under construction)

"DAGUERREOTYPES", Bendigo Advertiser (9 April 1856), 3

http://nla.gov.au/nla.news-article88049392 

We have seen some daguerreotype likenesses, taken by Mr. Fox, of Bridge-street, which for accuracy, beauty, and finish in the details, are certainly equal, if not superior, to anything of the sort we have seen in the colony. A likeness of Mr. Henry Coleman and one of his brother, struck us as being exceedingly good, especially the former . . .

ASSOCIATIONS: Alexander Fox (photographer)

"HALL OF CASTLEMAINE", Mount Alexander Mail [Castlemaine, VIC] (11 April 1856), 5

http://nla.gov.au/nla.news-article202635689 

This large building was occupied last night by about 400 persons, who were attracted to witness the debut in Castlemaine, of the world renowned Lola Montes . . . The pieces selected for representation were The Morning Call, in which Madame Lola Montes appeared as Mrs. Chillingtone . . . followed by the farce of The Eton Boy, Mr. B. J. Coleman (brother of Mr. H. Coleman), enacting the part of Mr. Dabster; and Lola Montes and Mr. Folland severally as Fanny Curry and Captain Popham . . .

ASSOCIATIONS: Lola Montez (actor, dancer); Frank Folland (actor)

"COLEMAN'S CRITERION THEATRE", Bendigo Advertiser (18 August 1856), 2

http://nla.gov.au/nla.news-article88052200 

On Saturday night Mr. Coleman gave another representation of his "Masks and Faces" - a species of entertainment which he has made completely his own, and in which, since the days of the elder Matthews, no one has at all approached him . . . Mr. B. I. Coleman during the entertainment made his first appearance in an entirely new monologue, sketched and written expressly for him by Mr. H. Coleman, and entitled "The Modern Victorine," in which with great ability he sustained four different characters . . .

"COLEMAN'S CRITERION THEATRE", Bendigo Advertiser (1 September 1856), 2

http://nla.gov.au/nla.news-article88052515 

On Saturday evening this Theatre was opened at reduced prices, and it being considered "The Diggers' Night," it was confidently expected the house would have been crowded . . . we are sorry to say however such was not the case - the attendance was very thin especially in the boxes and stalls . . . Mr. B. I. Coleman appeared for a second time on Bendigo, in the Musical Monologue entitled, "The Modern Victorine," in which he sustains four characters . . .

"CRITERION THEATRE", Bendigo Advertiser (16 July 1857), 3

http://nla.gov.au/nla.news-article88000444 

This place of amusement will be opened this evening, for the benefit of Mr. B. J. Coleman, and we trust he will be honored with a bumper house . . . Mr. Coleman is a very clever actor in certain walks of the drama, and he spares no pains to please . . .

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (9 October 1858), 2

http://nla.gov.au/nla.news-article112898552 

STAR THEATRE. GRAND OPENING NIGHT, Saturday Evening, Oct. 16th.
FIRST APPEARANCE Of the celebrated Juvenile Actress, MISS ANNA MARIA QUINN . . .
Supported by the following celebrated Artistes will have the honor of appearing: -
Mr. HARRY JACKSON, The celebrated Eccentric Comedian . . .
Mr. B. J. Coleman, The AUSTRALIAN BUCKSTONE . . .
Leader of the ORCHESTRA, Mr. C. LEGREW.
STAGE MANAGER, Mr. L. McGOWAN.
LESSEE and MANAGER, Mr. J. H. QUINN . . .

ASSOCIATIONS: Anna Maria Quinn (actor); Harry Jackson (comedian); Charles Legrew (musician); Lachlan McGowan (actor, manager); James Henry Quinn (manager); Star Theatre (Beechworth venue)

"LOCAL INTELLIGENCE . . . THE BUCKINGHAM FAMILY", Wagga Wagga Express and Murrumbidgee District Advertiser [NSW] (5 March 1859), 2

http://nla.gov.au/nla.news-article105997504 

This family returned to this town on Tuesday last, after a very successful tour in Australia. We are told they were under the banners of the enterprising Mr. Wallace, who has the Star Theatre, Beechworth, a large Concert Room at the Indigo, and another at a town called the Nine Mile, where their services were required . . . Since their departure from this town they have added to their company, two artists of talent, Mr. A. J. King [sic], Pianist, and Mr. J. B Coleman, brother of the celebrated author of "Masks and Faces." This latter gentleman appears to be a very talented young man. The family gave their first performance on Thursday evening, at the Squatters Hotel, which was well attended . . . The evening's entertainment was concluded by a musical vaudeville, entitled "Day after the Fair; or the mishaps of Clods," in which Mr. Buckingham appeared as Clod, which was a rich treat, as also his eldest son George, in Fidget. Mr. J. B. Coleman, as Jerry, was excellent and he was very sharp in his changes; in fact we may safely say it may be considered the greatest musical treat we have heard in this district . . .

ASSOCIATIONS: George Buckingham and family (musicians, performers); John Alston Wallace (Beechworth concert room proprietor); Alfred Edward King (pianist)

[Advertisement], Wagga Wagga Express and Murrumbidgee District Advertiser (21 May 1859), 3

http://nla.gov.au/nla.news-article105998470 

Wagga Wagga May 16th, 1859. To Mr. Coleman.
Dear Sir, - Hearing you are about leaving our township, we cannot permit you to depart without tendering some acknowledgement of our appreciation of your talent as an actor; and worth as a gentleman; especially for the able services gratuitously given to our very successful Amateur Dramatic performance in aid of the Hospital.
We therefore wish you to name some evening on which to take a benefit, and we shall feel happy in playing on the occasion.
Trusting you may have a crowded house, which you deserve, we subscribe ourselves -
Jas. Murdoch, J. Bentley, W. Whitehand. J. D. Campbell, J. H. Honor, Charles Berry, A. E. King.
(Answer.) Wagga Wagga, May 17, 1895. To THE GENTLEMEN AMATEURS.
GENTLEMEN - Accept my sincere thanks for your kind proposal to play for my benefit, which, if agreeable, I have pleasure in suggesting to take place on Wednesday evening, the 8th June.
With best wishes for the future success of the society, I have the honour to remain, Yours, gratefully obliged,
BARNED JULLIEN COLEMAN.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser [NSW] (11 June 1859), 3

http://nla.gov.au/nla.news-article118245440 

MR. B. J. COLEMAN, THE POPULAR ARTISTE FROM VICTORIA,
WILL shortly have the pleasure of visiting Goulburn, en route to Sydney, and deliver ONE ONLY of his popular Dramatic Reading Entertainments, on which occasion he will be aided by MR. ALFRED KING, Pianist and Vocalist, from the Philharmonic Concerts, Melbourne.
The Entertainment will consist of BULWER'S sublime play of THE LADYE OF LYONS,
pronounced by the Victorian and New South Wales Press to be Mr. Coleman's chef d'oeuvre, and witnessed by the elite of the Colonies.
[manicule] As Mr. Coleman has to fulfil an immediate engagement in Sydney, it will preclude any possibility of a second night's entertainment.
(Full particulars in bills of the day.)

[Advertisement], The Sydney Morning Herald (4 August 1859), 1

http://nla.gov.au/nla.news-article13028745 

PRINCE OF WALES THEATRE. - Lessee and Manager, Mr. CHARLES POOLE . . . Mr. BARNEY COLEMAN, the comedian, will appear in a few days.

ASSOCIATIONS: Charles Poole (actor, manager); Prince of Wales Theatre (Sydney venue)

"PRINCE OF WALES THEATRE", Empire [Sydney, NSW] (8 August 1859), 8

http://nla.gov.au/nla.news-article60399588 

. . . On Friday, "Victorine," a play of the French school, of which the less we see, the better, and "Swiss Swains," in which Mr. Barney Coleman appeared for the first time; the preceding remark will apply to his performance.

[Advertisement], Goulburn Herald (1 September 1860), 3

http://nla.gov.au/nla.news-article103399682 

The Great Vocaliste and Actress, MADAME SARA FLOWER,
WILL shortly arrive, accompanied by the following distinguished artistes:
Mr. SAM. HOWARD, The celebrated Comedian from Sydney;
Mr. B. J. COLEMAN, The favourite Victorian Comedian;
And, Mr. T. S. WILKINSON, Pianist from the Dublin Philharmonic Concerts.
Due notice will be given of their first appearance in their popular "Drawing-room Entertainments."

ASSOCIATIONS: Theodore Scott Wilkinson (pianist)

[Advertisement], Empire [Sydney, NSW] (19 September 1860), 1

http://nla.gov.au/nla.news-article60498460 

SHAKSPEARE CONCERT HALL. Mr. B. J. COLEMAN, the celebrated Duologist, will appear TO-MORROW EVENING.
SHAKESPEARE CONCERT HALL - JOHN HOWSON, LEVESSON, WEISS, LAMOUREUX, and Mr. and Mrs. EASTWICK, every EVENING.

ASSOCIATIONS: John Howson (vocalist); John Leveson (vocalist); Alfred Weiss (vocalist); Monsieur Lamoureux = Henry Osborn Thompson (vocalist); Henry and Wilhelmina Eastwick (vocalist and pianist)

"A POLYPHONIST", The Maitland Mercury and Hunter River General Advertiser [NSW] (29 November 1860), 2

http://nla.gov.au/nla.news-article18679130 

We hope our readers comprehend what is meant by the formidable word. If not, Mr. Byers, of the Olympic Theatre, will be happy to enlighten them this evening, having engaged, for three nights, Mr. B. J. Coleman, "the wonderful Polyphonist."

ASSOCIATIONS: James Lucas Byers (actor, manager); Olympic Theatre (Maitland venue)

[Advertisement], The Sydney Morning Herald (7 February 1861), 1

http://nla.gov.au/nla.news-article13052288 

MR. B. J. COLEMAN, low comedian, is requested to return the wearing apparel borrowed from J. WOOD.

"THE BENEFIT TO THE HOSPITAL", The Newcastle Chronicle and Hunter River District News [NSW] (10 April 1861), 3

http://nla.gov.au/nla.news-article111170227 

[Advertisement], The Argus [Melbourne, VIC] (26 April 1861), 8

http://nla.gov.au/nla.news-article5699644 

MR. COLEMAN, the DRAMATIC POLYPHONIST, will arrive in a few days with his new entertainment, in the C. F Lessing, accompanied by Mr. Marmaduke Wilson, the composer and pianist. Open to an ENGAGEMENT.

ASSOCIATIONS: Marmaduke Henry Wilson (pianist)

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (14 May 1861), 5

http://nla.gov.au/nla.news-article154886534 

Mr. Coleman - a gentleman who announces himself as a Polyphonist - repeated an entertainment which he calls "Masks and Faces," at the Mechanics' Institute last evening. It chiefly consists of the presentation of an almost endless variety of half-length life portraits, chiefly remarkable for the rapidity with which they are in turn assumed and discarded by Mr. Coleman. Some appropriate songs were rendered with unfailing spirit, and the audience - although scanty in the extreme - manifested their satisfaction with their entertainer's efforts by almost unceasing applause.

[Advertisement], The Argus [Melbourne, VIC] (16 May 1861), 8

http://nla.gov.au/nla.news-article5700232

ST. KILDA TOWN-HALL . . . TONIGHT (THURSDAY) MAY 10,
Mr. COLEMAN, by unanimous desire, will give his second and positively last ENTERTAINMENT, and to afford all classes an opportunity to see the great polyphonist, Million prices.
Body of the hall 1s., front seats, 2s. To commence at 8.
E. TOTTEN, Agent.

ASSOCIATIONS: Elbert Totten (agent)

[Advertisement], Bell's Life in Victoria and Sporting Chronicle (15 June 1861), 1

http://nla.gov.au/nla.news-article201374951 

COLEMAN'S POLYPHONIC HALL, Late the Anatomical Museum, Kyle's Buildings, BOURKE STREET EAST.
MR. COLEMAN, the Dramatic Polyphonist, has much pleasure in announcing to his numerous friends and the public in general that he purposes opening
THIS EVENING, 16th JUNE, the above extensive premises . . . E. TOTTEN, agent.

"VICTORIA THEATRE", The South Australian Advertiser [Adelaide, SA] (3 December 1861), 2

http://nla.gov.au/nla.news-article880441 

On Monday evening, December 2, Mr. H. J. Hall made his debut at the Victoria Theatre. The audience, considering the counter attraction at White's Rooms, and the inclement state of the weather, was larger than was expected. The performance commenced with an introductory address from Mr. Hall, after which he appeared in various characters; the changing of the dress and the voice was really clever. The character which seemed to please the audience most was that of Miss Clementina Languish, in which he introduced the beautiful Scotch song of "Annie Laurie." During the whole of the evening Mr. Hall kept his audience in a constant roar of laughter, whilst his magic picture-frame of living portraits was truly wonderful. The entertainment closed by introducing a portrait of Her Most Gracious Majesty Queen Victoria, together with the National Anthem. We would recommend our readers to pay Mr. Hall's visit and judge for themselves his perfection in the art he professes to imitate.

ASSOCIATIONS: Royal Victoria Theatre (Adelaide venue)

"ECHUNGA [From our own Correspondent] . . . March 5", Adelaide Observer (8 March 1862), 4

http://nla.gov.au/nla.news-article158185682 

Mr. H. J. Hall, the polyphonist, gave an entertainment at the Hagen Arms, on the 3rd March, descriptive of the seven ages of man, which were executed with great taste. The rapidity with which he personified the various characters and changed his dress excited much applause. His songs, from their originality, were unexceptionable. The room was crowded.

MR. HALL'S ENTERTAINMENT", Taranaki Herald [NZ] (10 May 1862), 3

https://paperspast.natlib.govt.nz/newspapers/TH18620510.2.11 

On Monday last, the arrival of Mr. Henry Julian Hall in our little town caused quite a sensation. The clipper brig Gazelle came to anchor in the morning, and on the same evening the talented gentleman gave his wonderful Entertainment; Colonel and Mrs. Warre, also many ladies and officers, honoring the performance with their presence. The Band of the 57th was permitted to attend, and the Masonic Hall was well filled. Mr. Hall's Monologue is most unique, and an amusement, calculated to please everybody. It is after the style of Mr. Woodin's "Carpet Bag" in the Mother Country, which some of our readers may remember. The characters were assumed with an astonishing rapidity. Mr. Hall sang many songs, most of of which met with enthusiastic encores. He apologised, quite unnecessarily, for his voice, having just come off a long voyage. At the conclusion of the performance, there was apparently little or no fatigue perceptible on the part of the Polyphonist, who had a most arduous task in representing so many personages and altering his intonation into such a variety of voices. The whole affair was a decided success. Mr. Galea, the Bandmaster of the 57th Regiment, accompanied Mr. Hall throughout all has dances, songs, &c., on the pianoforte, in masterly style. Last evening Mr. Hall repeated his Entertainment to a densely-crowded room, and kept his audience thoroughly well amused for over two hours and a-half. On Wednesday next is announced a third treat; on which occasion, we are informed, the great novelty will be a new American anecdote in verse, called "Yankee Bluster," quite original, a skit on the anticipated war with Brother Jonathan when the Trent steamer was stopped, with the British mail. The prices of admission are judiciously low, and we can heartily recommend all our friends to spend a pleasant evening with Mr. Hall.

"MR. HALL'S ENTERTAINMENT", The Mercury [Hobart, TAS] (20 January 1863), 2

http://nla.gov.au/nla.news-article8814585

Although the heavy rain which set in yesterday afternoon, and continued nearly to the hour for opening the Theatre, to some extent affected the attendance in the dress circle, a very good House was attracted last night by the programme put forward by Mr. Hall. And the company was certainly very unanimous and enthusiastic in its approval of the performance. Mr. Hall fully justified all the encomiums that have been passed upon him by the colonial press. His voice is very pleasing, his impersonations remarkably clever and his changes of character astonishingly rapid. An entertainment more varied or better sustained throughout, has never been offered by any artist in Hobart Town, and there is something really wonderful in the energy and spirit with which so trying a role was kept up to the last. Signor Grimani was a most efficient accompanyist on the pianoforte, and contributed greatly to the success of the entertainment, which was brought to a close amid the loud and repeated plaudits of the audience. We trust that Mr. Hall will receive a patronage during his brief stay in Hobart Town, commensurate with his indisputable and rare abilities.

ASSOCIATIONS: Antonio Grimani (pianist)

[Advertisement], The Mercury (29 January 1863), 1

http://nla.gov.au/nla.news-article8814851 

THEATRE ROYAL. GRAND MORNING BESPEAK, AND FASHIONABLE DAY ENTERTAINMENT . . . (THIS) THURSDAY AFTERNOON, JANUARY 29, At 3 o'clock p.m. MR. H. J. HALL, in thanking his numerous admirers for the unusually liberal patronage bestowed on his Drawing-Room Monologue, trusts to make this morning performance the most fashionable and pleasant reunion that has taken place for some time here . . . During the 1st and 2nd part of the entertainment, Signor GAGLIARDi will perform a Solo on the flute - O'Cara Memoria, by Caraffa. Signor Antonio GRIMANI will preside at the Pianoforte, and accompany Mr. Hall throughout the Seven Ages of Man . . .

ASSOCIATIONS: Giacinto Gagliadi (flautist)

"TOPICS OF THE DAY", The South Australian Advertiser [Adelaide, SA] (13 April 1864), 2

http://nla.gov.au/nla.news-article31835424 

Mr. H. J. Hall's entertainment at the Theatre last night was tolerably well attended, and passed off very satisfactorily. No one who has seen him can help being astonished at the marvellously rapid manner in which Mr. Hall changes his dress, appearing in two totally different characters in the course of a minute. Last night's performances were similar to those of Monday evening, and we may mention the simple and pleasing song of "Little Katey's Letter" as being particularly well worth hearing. Mr. Hall's engagement at the Theatre is now very limited, and as he is really worth a visit, he will probably be well supported during the remaining nights of his performance.

[News], South Australian Weekly Chronicle (5 November 1864), 4

http://nla.gov.au/nla.news-article92261345 

Mr. H. J. Hall, the polyphonist, took his benefit at White's Rooms on Monday evening, October 31, assisted by Mrs. Wallace, who sang some favourite songs, and Mr. Schrader, who played a brilliant solo on the cornet. Mr. Hall's performances were for the most part the same as those we have on former occasions noticed as given by him at the Victoria Theatre. Probably on account of the sultry evening and the thinness of the audience, the evening's entertainments did not go off very spiritedly. However, many parts of it were applauded, and Mrs. Wallace's song, "O steer my bark to Erin's isle," was encored.

ASSOCIATIONS: Maria Wallace (vocalist); Heinrich Schraeder (musician); White's Rooms (Adelaide venue)

"ELECTRIC TELEGRAPH (From our own Correspondent) Adelaide, April 28, 1865", Border Watch [Mount Gambier, SA] (29 April 1865), 2

http://nla.gov.au/nla.news-article77010191

Hall, the Polyphonist, committed sodomy at Port Augusta.

"Criminal-Sitzungen des Supreme-Court", Süd Australische Zeitung (19 May 1865), 6

http://nla.gov.au/nla.news-article85061688 

H. J. Hall, der bekannte Schauspieler, von seinem, von ihm wegen Trunksucht entlassenen Clavierspieler W. Pascoe eines unanständigen Angriffs beschul digt, wurde, da die Beweise höchst unvollständig waren, freigesprochen.

ASSOCIATIONS: William Pascoe (pianist)

"SUPREME COURT", South Australian Register (19 May 1865), 2

http://nla.gov.au/nla.news-article39133516 

On Thursday, the third charge against H. J. Hall was heard, but not substantiated by the evidence, and the Jury returned a verdict of not guilty. The Crown Solicitor then declared it was not his intention to proceed upon the fourth information, and the prisoner was discharged.

"SUPREME COURT . . . WEDNESDAY, MAY 17 . . . INDECENT ASSAULT", South Australian Weekly Chronicle (20 May 1865), 7

http://nla.gov.au/nla.news-article94739077

Henry Julien Colman, otherwise Hall, was indicted for indecently assaulting Wm. Pascoe, a young man lately in his employ as a musician, at Port Augusta. Mr. Downer defended the prisoner, and, from the fact which came out in evidence, that Pascoe was locked up one night at the instance of the prisoner for drunkenness, put the case as one of malice on the part of the prosecutor out of revenge for being locked up. The only evidence produced was that of the prosecutor . . . The prisoner was then indicted for similarly assaulting John Birch at the same place. The only witness in this case also was the prosecutor, but when he was put into the box he made a different statement, so totally different from that contained in the deposition sent down that the Crown Solicitor withdrew the indictment . . .

"SUPREME COURT . . . Wednesday, May 17 . . . FELONIOUS ASSAULT", Adelaide Observer (20 May 1865), 4

http://nla.gov.au/nla.news-article159495497 

H. J. Hall, otherwise Coleman, charged as having committed an indecent assault, with felonious intent, pleaded not guilty, and was defended by Mr. Downer. According to the evidence of William Pascoe the alleged offence took place at Port Augusta on the 10th April; but the attendant circumstances being such as to invalidate the testimony of the witness, the Jury returned a verdict of not guilty. The prisoner pleaded not guilty as to another offence alleged against him in the same vicinity as that above-mentioned. The witness (John Birch) laboured under an impediment of speech, and his testimony was not of a nature to confirm the charge. A verdict of not guilty was again returned. Two other charges remained to be disposed of.

[Advertisement], Trinidad Chronicle (11 September 1866), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0004297/18660911/036/0002 (PAYWALL)

TOWN HALL, PORT-OF-SPAIN. MR. WATTY WALLACK, (The Celebrated and Gifted Monologist), HAVING just arrived from Demerara and Barbados, has great pleasure in announcing his WONDERFUL POLYPHONIC ENTERTAINMENT To take place at the above Central Assembly Hall, on the Evening of THURSDAY, the 13th, AND SATURDAY, the 15th, SEPTEMBER, 1866 . . . Already represented over 2000 Nights, and visited by upwards of 350,000 persons in South America, Cape of Good Hope, Australia, New Zealand, &c., &c. . . .

[Advertisement], St. Croix Avis [Christiansted, US Virgin Islands] (22 March 1867), 2

https://chroniclingamerica.loc.gov/lccn/sn84037526/1867-03-22/ed-1/seq-2 

BY KIND PERMISSION OF HIS EXCELLENCY THE GOVERNOR. DRAMATIC POLYPHONIST! GREAT ATTRACTION!
Mr. Watty Wallack begs to inform the Inhabitants of this place that his first and only Entertainment will take place on Monday Evening the 25th inst. . . .

"AMUSEMENTS IN KINGSTON, JAMAICA, W. I.", New York Clipper [NY, USA] (22 June 1867), 86

https://idnc.library.illinois.edu/cgi-bin/illinois?a=d&d=NYC18670622.2.44 

. . . Mr. Watty Wallack, the monologist . . . came from St. Thomas . . . Watty Wallack has given two entertainments at the theatre to five hundred dollar houses, besides a performance on Her Majesty's steamer Abouker. He is very talented, has a wonderful power of changing his voice, and is exceedingly expert in assuming his various characters. His entertainment is in the style of Woodin's and Mr. and Mrs. German Reed's of English celebrity. He is related to the Wallacks who so deservedly gained a high reputation in your city . . .

Baptisms, St, Paul's Episcopal Church, 1870; Virgin Islands History Associates (VISHA), Slave and Free People Records, 1733-1930,Box 27

https://www.ancestry.com.au/discoveryui-content/view/150056432:61567 (PAYWALL)

No. 204 / Born Octob. 18 [1870] / Baptised October 18 / Walter Hope / [son of] Walter Wallack / 48 / Actor Traveller / [born] England / Fanny his wife / 18 / Travelling / born Eng. / privately - being ill

Playbill, Watty and Fannie Wallack, the Arsenal, Beaufort, South Carolina, 21 September 1874

Playbill, Watty and Fannie Wallack, the Arsenal, Beaufort, South Carolina, 21 September 1874

ARSENAL! BEAUFORT. THE INIMITABLE Watty Wallack's Benefit!!! MONDAY NIGHT, SEPTEMBER 21, 1874 . . .
WALLACK will sing his own song as old age, entitled "Past Times" . . .
Rustic medley, serio-comic duet "Love and Pride," by Fannie & Watty . . .

"REMINISCENCES OF SOTHERN'S EARLY LIFE", New York Clipper (12 February 1881), 374

https://idnc.library.illinois.edu/cgi-bin/illinois?a=d&d=NYC18810212.2.54 

Watty Wallack, now traveling with the Pathfinders Combination, writes to THE CLIPPER as follows:
Mr. Sothern and myself were boys together in our native town of Liverpool, Eng. Sothern, between his eighteenth and twentieth years, was serving his apprenticeship, as we call it, in a ship-broker's office in Liverpool . . . During the time Sothern was at Poole's office we both belonged to the same amateur dramatic club, called the Sheridan Society. We gave our performances in a theatre called the Portico, situated at the top of the arcade on Newington Bridge. I think the little theatre has since been pulled down. Sothern played under the name of Edward Sothern, and I believe he had no other. I played under the name of B. J. Coleman. Sothern's favorite part was Don Felix in "The Wonder," which comedy we played many times. I Joined a dramatic company and went out to Australia. From that time I lost all trace of Sothern until I heard of his great success as Lord Dundreary at the Haymarket, London.

ASSOCIATIONS: Edward Askew Sothern (actor); probably c. 1846-48

"BALLARAT CHRONICLES AND PICTURES. BY W. B. WITHERS . . . THE FINE ARTS", The Ballarat Star [VIC] (26 October 1889), 1

http://nla.gov.au/nla.news-article209459995 

. . . Early in 1854, and on or near the same site, the first dramatic exhibition opened. It was a canvas theatre known as Coleman's or Coleman and Landells'. His brother afterwards made his mark in the monopolylogue "Masks and Faces." The canvas theatre was promoted by George Codlin, a blacksmith, who in the seventies jumped the life to come with a razor and a plunge into lake Wendouree. His wife, now dead, had a confectioner's shop in the present City Hall site. She and her sister (Mrs. Landells) had a refreshment stall in Coleman's theatre, and Messrs. Pole and Cos., clothiers, made £60 or £70 a week as costumiers to the company. Coleman's orchestra consisted of Jacques Paltzer, leader and violin; Longbottom, second violin; Ed. West, double bass; August Miell, cornet. West, familiarly known as Daddy West, resided here till 1888, and played all the time off and on in theatres, concert rooms, and in both sacred and secular music . . .

ASSOCIATIONS: William Bramwell Withers (memoirist, journalist); Jacques Paltzer (violin); Mr. Longbottom (violin); Edward West (double bass); Augustus Miell (cornet)

"Armidale - 51 years Ago", The Armidale Express and New England General Advertiser [NSW] (9 February 1912), 2

http://nla.gov.au/nla.news-article191950471 

["Express" Clippings. - Feb. 2, 1861, to Feb. 9, 1861] . . . Mr. Coleman, the well-known dramatic polyphonist, assisted by Mr. Marmaduke Wilson, is giving public performances in Armidale at Scholes's Assembly Rooms, New England Hotel. We believe that these entertainments are well deserving of public support . . .

ASSOCIATIONS: Marmaduke Henry Wilson (pianist)

St Louis, Missouri, death record, Watty Wallack, 1901; Missouri digital heritage

https://s1.sos.mo.gov/records/archives/archivesdb/birthdeath/Detail.aspx?id=153434&type=Death 

https://www.ancestry.com.au/discoveryui-content/view/7000815:1172 (PAYWALL)

St. Louis / C 10406/118/6418 / Wallack, Watty / 71 y / Manager / Died 26 July 1901 / Widower / born England / 135 Washington Ave.

"WATTY WALLACK", Saint Christopher Advertiser and Weekly Intelligencer [St. Kitts] (20 August 1901), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003316/19010820/022/0003 (PAYWALL)

A copy of "The Missouri Freemason" of August 3 has been placed at our disposal, in which we find recorded the death of Walter Hope Wallack, known to his friends in the theatrical world as Watty Wallack. We had been under the impression that our old friend had joined the great majority long ago, in view of the fact that for several years we received no intimation from him of his whereabouts, coupled with the other fact that letters posted to him from here have been returned. Years ago Watty Wallack every now and again kept us posted with regard to his movements either by dropping us a line or by sending us a newspaper - but soon after leaving St. Kitts on his last visit his intimations of being in the land of the living ceased, and as he was an old man we believed that he had crossed the bar long ago. The paper referred to gives the following account of his death and burial: BRO. WALTER HOPE WALLACK. The funeral of Bro. Walter Hope Wallack (known to his friends and the theatrical world as Watty Wallack) of Mt. Olive Lodge, No. 336, Basseterre, St. Kitts, British West Indies, who died at St. Luke's Hospital Saturday, July 27, 1901, was conducted by Anchor Lodge, No. 443, on Monday, July 29 . . . Interment in the Grand Lodge lot in Bellefontaine Cemetery. Full Masonic honors were accorded our late brother.

Henry Coleman:

? [News], Crown [London, England] (29 July 1838), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002987/18380729/039/0007 (PAYWALL)

MR. HENRY COLEMAN, the author of the drama of Crichton, and writer of several successful pieces, which have been performed in the United States, has lately arrived in this country; and we anticipate pleasure in shortly seeing some of his productions performed at our metropolitan theatres.

See also, "I saw thee but an hour, a ballad, written by Henry Coleman, esq., author of the Drama of Critchton, Originals, Scourge of the ocean, &c. . . .", in Sartain's Union Magazine (January 1849), 72-74

https://books.google.com.au/books?id=wbdSNMDKxnsC&pg=PA72 (DIGITISED)

"THEATRE ROYAL", Liverpool Albion [Lancashire, England] (10 May 1847), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003114/18470510/016/0002 (PAYWALL)

The Theatre-Royal opened last week, under the management of Mr. Henry Coleman, of this town, who has, we believe, taken the house from Mr. Simpson for a period of three months. The representations of the week were of a varied character, consisting of tragedy, vaudeville, farce, and the performances of the Bedouin Arabs. The principal part in each of the serious pieces was played by Mr. Barry Sullivan . . . From what we have seen of Mr. Sullivan we have formed a very high opinion of his abilities . . .

ASSOCIATIONS: Barry Sullivan (actor, active in Australia, 1862-66)

[Advertisement], Liverpool Albion (21 June 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003114/18470621/081/0001 (PAYWALL)

THEATRE-ROYAL. Under the Management of Mr. Henry Coleman. OPERA SEASON.
THE Manager has much pleasure in announcing the commencement of the OPERA SEASON, on
MONDAY next, the 28th instant, when will be presented, for the first time in Liverpool,
Donizetti'e Grand Opera, entitled, ANNE BOLEYN, In which the following eminent Artistes will appear:
Miss BASSANO, Miss GEORGIANA SMITHSON, Miss SARA FLOWER, Mr. BODDA. and Mr. ALLEN.
Assisted by Mr. P. CORRI, Miss K. LOWE, and a full and powerful Chorus, composed of Members of the
MANCHESTER CHORAL SOCIETY. CONDUCTOR, Mr. H. F. ALDRIDGE . . .
The New Opera of THE NIGHT DANCERS will be immediately produced.

ASSOCIATIONS: Sara Flower (vocalist, actor, in Australia from 1850)

"LOCAL INTELLIGENCE", Liverpool Albion (15 May 1848), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003114/18480515/007/0003 (PAYWALL)

Mr. Henry Coleman, stock and sharebroker, and lately manager of the Theatre-Royal, appeared at the Bankruptcy Court, last week, on his last examination. After being questioned by his honour, in reference to some railway transactions with Miss Cushman, which appeared in his balance-sheet, the bankrupt passed his examination.

"A DRAMATIC AUTHOR", The Era [London, England] (8 August 1852), 11

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18520808/027/0011 (PAYWALL)

Henry Coleman, who described himself as a dramatic author and lodging-house keeper, was opposed on Thursday in the Insolvent Debtor's Court by Mr. Dowse and Mr. Macrae, for various creditors. Mr. Cooke supported. The insolvent was bankrupt in 1838, and again in 1848, soon after which latter period he went to Boulogne-sur-Mer, and commenced business in partnership with a Mr. Harris, as ale and wine merchants, moneychangers, and bankers. This business went on until August, 1851, when he left Boulogne on account of not beirg able to meet a draft for £370 which he had given to a creditor . . . In the course of the examination the insolvent was asked his means of livelihood since his return to this country, to which he replied that he had written dramatic pieces, including two melodramas for the Marylebone Theatre - Seila, the Betrothed, and Poll of Paddington, for each of which he received the sum of £5, the mention of which sum produced a roar of laughter throughout the court . . . As to the creditors who had opposed, their opposition was of a general character, and not of a nature to induce him [the commissioner] to delay the insolvent's discharge, which he now gave him.

"ESCAPE OF TEN YEARS FROM THE French Galleys - Extraordinary Career of a Theatrical Dramatic Author, French Money Changer, and Boulogne Banker", The Era (15 August 1852), 11

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18520815/037/0011 (PAYWALL)

At the Insolvent Debtors' Court, last week, Henry Coleman applied to Mr. Commissioner Law for his discharge. The remarkable features which presented themselves were the vicissitudes of a theatrical manager's life, the miserable pittance which dramatic authors receive, but, above all, the extraordinary system adopted by bankers and money changers at Boulogne towards English visitors and residents. The insolvent's own evidence will furnish a correct narrative of his career and final sentence of ten years to the French galleys. The total amount of his present debts were returned at £3,227, and assets £2,035. He described himself as formerly of 27, Castle-street, Liverpool, and then in lodgings in Renshaw-street, Liverpool; while of those places manager first of the Theatre Royal, Williamson-square, and afterwards of the Royal Liver Theatre; then of 8, Carpenter's-buildings, London, out of business and employ; then of 8, Bury-court, St. Mary Axe, and 31, Great St. Helen's, Bishopsgate, general commission agent; then of Castle-street, Houndsditch, general commission agent, and at the same time conducting the correspondence of one Morris Myers, of that place, rag merchant, and contractor to her Majesty's Board of Ordnance; then of 24, Quai de la Douane, Boulogne-sur-Mer, France, in partnership with Benjamin Harris, as ale, wine, and brandy merchants and Exchange brokers, and having stores, first, at 1, Petite-rue de l'Ecue, and part of the time also at 16, Rue de la Coupe, and other part of the time at 24, Rue de l'Ecue, in Boulogne-sur-Mer; also for the period of about twelve months carrying on the business of ale, wine, and brandy merchants, at 17, Boulevard de la Madelaine, Cite Viudde, Paris, in the Republic of France, under the firm of Coleman and Harris, from January, 1851, to the 9th of August inclusive, the said co-partnership also carrying on the business of bankers and money changers under the description of Coleman and Company's British Bank, at 24, Quai de la Douane, during part of the period, being proprietors of the Ranelagh Gardens at Capecure, Boulogne-sur-Mer; during the whole period, from August, 1849, having a private residence at 1, Rue de l'Entrepot, Boulogne-sur-Mer, carrying on business there on his own account as a lodging-house-keeper; then travelling to, and staying at various places in France, Belgium, Germany, Prussia, and other places on the Continent of Europe, out of business and employ; then of 6, Jeffrey's-square, St. Mary Axe, London, and late of 7, Albert-road, Queen's road, Dalston, lodging house-keeper and dramatic author, and now a prisoner in the Queen's Prison.

Mr. Cooke supported the insolvent, and Mr. Dowse and Mr. Macrae opposed on behalf of Mr. S. Lawrence, horse dealer; Mr. Faulkner, a Custom House agent, Folkestone; Messrs. Truman and Hanbury, the brewers; Messrs. Bass and Co., ale merchants, and three other creditors.

The insolvent, whose upper lip was adorned with a huge moustache, said, in answer to Mr. Macrae, that on the 27th of April last he was arrested on a capias at the suit of Mr. Lawrence. Mr. Justice Coleridge made the order, and a summons was taken out, supported by affidavits that he did not intend to leave the country, to procure his liberation, but the judge sustained his original order. He did not describe himself as a stock and sharebroker, of Liverpool. Five or six years ago he was a stock and sharebroker there, and in Sept., 1847, he was insolvent in the District Court. He was also bankrupt on the 9th of May, 1848. Since his insolvency in 1847 he had had no connexion with a Casino in Holborn. He had had no difficulty in obtaining a final order in Liverpool. His debts were then about £2,000, and no dividend had been paid. In 1838 he was a bankrupt in London as a general commission agent, and his debts were then very nearly £2,000, and no dividend was declared. The bankruptcy of 1848 followed to rectify an error in the insolvency of 1847.

He was last in America seven or eight years ago. He was not a bankrupt there, nor was he ever outlawed. His object in visiting America was to try his fortune (a laugh); he was manager of theatres in America, but did not make a fortune. That was his only occupation. In 1848 he carried on a commission agency in London, which he almost immediately abandoned. In 1849 he proceeded to Boulogne to transact some business for Mr. Myers, but did not succeed, and returned to this country. Mrs. Crawford, a lady who resided with us in Boulogne and London, and still does so, has supplied us with money for our maintenance. While at Boulogne I met a gentleman with capital, who was desirous of going into business - his name is Harris. I returned to Boulogne, and we commenced as ale and wine merchants, to serve hotel keepers and families. We also carried on the business of Exchange brokers from November, 1849, to August, 1851, and about six months prior to our close we added he banking business, and as a medium of extending the sale of our ales we built the Ranelagh Gardens for the amusement of the English residents. (A laugh.) Mr. Harris's capital was about £800. I had none, and finding that we were doing too much business for our capital, and from acts of kindness by lending money to my friends, and not being able to meet a draft upon Preuel and Co, bankers at Boulogne, and from fear of arrest, I quitted France on the 9th of August, 1851, at half-past seven o'clock at night. We lost £500 by the Ranelagh Gardens. The immediate amount, which we were unable to meet was £400. I had then only a small balance in the London and Westminster Bank. We received deposits and paid cheques as bankers. I cannot tell what capital we had then. It was a floating one (Laughter.) We had a very large connexion as ale and wine merchants. We supplied 500 or 600 persons and hotel-keepers. I cannot refer to my books, because they are in the hands of the official assignee in France. I have been bankrupt in France, and sentenced to ten years at the galleys. It is not an unfrequent thing to sentence a man to be executed in France during his absence. I left considerable assets in France. My sentence was for par contumace. The whole of my schedule has been drawn up as far as memory only will allow me to go.
Mr. Macrae: Why don't you return to France? (Laughter.)
Insolvent: I can answer that in various ways. I do not like to go to the galleys, and I prefer being tried by an English tribunal . . .
He then went on to state that he had written two dramatic pieces called Liela, the Betrothed, and Poll of Paddington, for each of which he received £5. (Much laughter.) His house at Dalston was furnished with goods he had not given up . . .
The Commissioner said he was of opinion that the creditors in France might have some ground of complaint, but neither those nor the English creditors attended to support the opposition. The grounds alleged against the insolvent were of a general nature, and not sufficient to induce the Court to delay his discharge, he must, however, give up the furniture to the auctioneer of the court, and upon that condition he would be discharged. Mr. Cooke said that should be done, and the case, which excited much interest in a crowded court, then terminated.

[Advertisement], Nottingham Journal (11 November 1853), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002131/18531111/042/0004 (PAYWALL)

MECHANICS' HALL, NOTTINGHAM - FOR THREE NIGHTS ONLY. MASKS AND FACES.
Mr. COLEMAN (the celebrated American Polyphonist), has the honour to announce that he will give his new and eminently successful
Comic, Vocal, and Pictorial Entertainment, entitled MASKS AND FACES! IN THREE FITS OF LAUGHTER, Illustrative of the Men and Manners of the age,
pronounced by the universal voice of the Press to be the most elegant and amusing Entertainment ever offered to the public since the days of the Elder Matthews,
on TUESDAY, WEDNESDAY, and THURSDAY, Nov. 15, 16th, and 17, commencing at Eight.
Vocal Artiste. - Mdlle. CORA STELLI, of the Nobility's Concerts. Pupil of Signor Schirra . . .

"ROYAL PORTOBELLO GARDENS", Saunders's News-Letter [Dublin, Ireland] (17 May 1854), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001057/18540517/030/0002 (PAYWALL)

Mr. Henry Coleman, the celebrated polyphonist, who has been compared to the elder Mathews in point of the skill and ability which characterize his entertainment, makes his first appearance at the Portobello Gardens this evening. This gentleman has already acquired a high reputation for his successful impersonations of living celebrities, and the peculiarities of imaginary individuals; and judging from the favourable manner in which he has been spoken of in different parts of England, a couple of hours may be most agreeably spent in witnessing his performance. The following testimony has been borne to its merits by a gentleman very competent to give a correct opinion:

Liverpool, May 6, 1854.
Dear Sir - The reports I had heard of your entertainment induced me see it last Wednesday, and I am most happy in adding my own to the general opinion of its excellence. Without entering upon more minute analysis, I consider your marvellous changes, whether as respects rapidity, effect, and fidelity, unequalled by any Protean professor at present before the public.
I thank you for a most pleasant evening, and am yours, truly, A. BUNN.
H. Colman, Esq.

ASSOCIATIONS: Charles Mathews (English comedian)

"SHIPPING INTELLIGENCE. ARRIVED", The Argus [Melbourne, VIC] (22 March 1855), 4

http://nla.gov.au/nla.news-article4805739 

March 20. - Lightning, ship, 2093 tons, A. Enright, from Liverpool 6th January. Passengers - . . . Coleman . . .
Mr. Coleman, the polyphonist, of whose talents we have so often read in the English papers, has arrived in our colonies by the Lightning, and we anticipate a hearty laugh upon witnessing his "Masks and Faces." There can be no doubt but that this gentleman will receive a good share of public patronage.

"THEATRE ROYAL", The Argus (26 March 1855), 5

http://nla.gov.au/nla.news-article4805879 

The Bourke-street concerts have, during the past week, attracted good attendances, and the fine hall was on Saturday evening crammed . . . This week is, we understand, the last of the promenade concerts and of Madame Carandini's appearance. Mr. Coleman, the celebrated polyphonist, whose arrival by the Lightning has already been reported by us, is engaged, and makes his debut in Melbourne on Monday week, in a monologue entitled "Masks and Faces." This style of entertainment has acquired great popularity in England of late years; and Mr. Coleman himself was, for five consecutive months, a great favorite in Liverpool, where his impersonations of character were held in high estimation.

ASSOCIATIONS: Maria Carandini (vocalist); Theatre Royal (Melbourne venue, concert room in the vestibule, main auditorium still under construction)

[Advertisement], The Argus (2 April 1855), 8

http://nla.gov.au/nla.news-article4806160 

CONCERT HALL, Theatre Royal - Great Attraction and Novelty -
The Proprietor begs to announce that he has, at a very heavy expense effected an engagement with the celebrated Dramatic Polyphonist
MR. COLEMAN, For positively six nights only. Monday, April 2, and every evening during the week.
Mr. Coleman will deliver his celebrated Comic, Mimic, Vocal, and Scenic Entertainment, In Three Fits of Laughter, entitled
Masks and Faces, Which has been pronounced, by the Irish and English press, to be unequalled since the days of Mathews and Alexandre.
In addition to the above attraction, engagements have been entered into with Herr Strebinger, Mr. Hartigan, Mr. Johnson, and Mr. Callen who will execute several admired Quartets and Solos between each part, forming a Grand Combination of Talent.
The Concert Hall has been converted into an elegant Drawing-room Theatre, similar in style and dimensions to that used by Her Most Gracious Majesty, in the Reubens Room of Windsor Castle, with an Elegant Drop Curtain, representing St. Paul's Cathedral, with the Lord Mayor's Procession on the River Thames. The room has also additional seats erected on the promenade.
Programme:
Fit the First.
Introduction. Mr. Coleman will recommend himself to all audiences generally, and that of Melbourne in particular, and in order to act as his own illustration, he will assume the character of One Dead-Alas Redivivus, or Coleman revivified.
Mask 1. Mr. Zodiac Buck, a Yankee Trader, on the banks of the Sacramento, Song, "Women and Gold." Illustration: Gold fields of California.
Mask 2. Mrs. Drum, Proprietress of a Lodging house at Pentonville, wife of Mr. John Drum Drum Major in the Buffs.
Mask 3. Captain Ben Bather, the Lion of the Watering place. Illustrated by a View of Regent-street.
Face. Histrionic American Anecdote, illustrated by Mr. Augustus Caesar Hamlet Othello Romeo Brown, President of the Negro Shaksperian Association. A new reading of an old address.
Mask 4. Mat Marline, a Veteran Pensioner. Song: "Twas in the good Year 1801." Illustrated by a sketch of Greenwich Hospital.
Mask 5. Giles Hawthorne - A Lad fra Yorkshire. Illustration: Rustic scene. Song. "When that I went a Waggoning."
Face. Jumbo Jum, a Disciple of the celebrated Dr. Johnson. Song: "My skiff is on the shore." Illustration: An American Village.
End of Fit the First.
Messrs, Strebinger, Hartigan, Johnson, and Callen, will execute selections from the first composers.
Fit the Second.
Mask 1. Mr. Tristam Sowerby, the Modern Diogenes, a character highly illustrative of the Old and New Schools of Philosophy.
Mask 2. Grandfather Whitehead, a Voice from the Past, Song, "Prognostication and Realisation."
Faces. Mr. Coleman will introduce his celebrated original song, entitled Vocalisation, wherein he will give Imitations of the following Vocalists: Henry Russell, Grisi, Lablache, Ballad Singer Ethiopian serenader, Young Lady at a Party.
Mask 4. Larry Doolan, an Irish Car Driver, with the Song of the "Irish Jaunting Car."
End of Fit the Second.
Admired Quartets and Solos, by Messrs. Strebinger, Hartigan, Johnson, and Callen.
Fit the Third.
Masks 1. General Napoleon Tonnere, an Attache of the Grand Emporeur, and a relique of the Grand Armee.
Mask 2. Jack Jargon, an Itinerant Showman, Illustrated by Waxwork Exhibition.
Mask 3. Featherwaite Vacil, Esq, the Dandylion of his Circle. Illustration: Regent street by night.
Mask 4. Mons. Robin, from the Soirees Parisiennes, will be conjured up by the Wand of Imitation, and will cause the Instantaneous Disappearance of One of the Audience.
Faces - A Train of Thought will be brought to Terminus in the following Sketches by Rail. Faces Represented. - A Political Farmer, a Maltreated Exquisite, an Aggrieved Olive-branch, a Deaf Old Gentleman, an Anxious Maternal, a Censorious Frenchman, a Patriotic Irishman, and End of the three Fits.
Pianist, Mr. Callen.
Scenic Artists, Messrs. Nicholls and Cooper, of the Theatre-Royal, Drury-lane, London.
Machinist, M. De Groot, of the Theatre Francais. Costumes and Decorative Appointments, by eminent London Artists.
Prices of Admission - Upper Saloon, 5s.; Private Upper Saloon (room for eight persons), Three Guineas; Promenade, 2s. 6d . . .

ASSOCIATIONS: John Melton Black (proprietor); Frederick Strebinger (musician); Joseph Hartigan (musician); Henry Johnson (musician); Douglas Callen (musician)

Diary of John Buckley Castieau, Melbourne, VIC, 2 and 3 April 1855; original MS, National Library of Australia; transcribed and edited by Mark Finnane, online at Centre for 21st Century Humanities, University of Newcastle

https://trove.nla.gov.au/work/21875533 

https://c21ch.newcastle.edu.au/textmaptext/castieaudiaries (TRANSCRIPT)

[Monday 2 April 1855] . . . went to Black's where Mr. Coleman the Polyphonist was entertaining the Public for the first time. The building is very inconvenient for sight seeing, and as it was crowded I could not tell much that was going on, one or two characters however I judged to be well sustained.

[Tuesday 3 April 1855] . . . Looked in at Black's . . . Went into the Concert Room and listened to Mr. Coleman's Entertainment; some parts of it are very amusing, though after a time it grows tedious from its sameness . . .

ASSOCIATIONS: John Buckley Castieau (diarist, theatrical amateur)

[Advertisement], The Age (13 April 1855), 1

http://nla.gov.au/nla.news-article154892826 

COLEMAN'S MASKS AND FACES At the Junction Hotel, St. Kilda. For One Night only. Wednesday, April 18th, 1855. Commencing at Eight o'Clock. Tickets, Five Shillings.
COLEMAN TO NIGHT, At the Mechanics' Institute, In his highly popular and amusing Monologue of MASKS AND FACES;
In which he will give his Extraordinary Imitations of Henry Russell, and sing "The Maniac" and "Cheer, Boys, Cheer" . . .
With Twenty Changes of Character, Illustrative of the men and manners of the age. Commencing at Eight o'Clock.
Pianist - Herr Collin. Tickets, Five Shillings.

ASSOCIATIONS: Leopold Frederick Collin (pianist); Mechanics' Institution (Melbourne venue); see also review, "MASKS AND FACES", The Age (16 April 1855), 6

http://nla.gov.au/nla.news-article154897750 

Register of members, no. 924, Golden Lodge of Bendigo (28 August 1855); register of admissions, 1837-62, fol. 306; Museum of Freemasonry

https://www.ancestry.com.au/imageviewer/collections/60620/images/43970_ugl%5Ecf%5Eh%5E1837-00312 (PAYWALL)

[Initiation] 1855 Aug. 28 . . . / Coleman / Henry / [age] 40 / Artist / . . . [certificate] 5 / 2 / '58 . . .

"COLEMAN'S NEW THEATRE", Bendigo Advertiser [VIC] (1 January 1856), 3

http://nla.gov.au/nla.news-article88048436

We observe that the workmen on Coleman's new theatre have begun in earnest, twenty being set to work yesterday. The builders, Messrs. Wallace and Crawford, are most energetic, and there is every probability that the theatre will be completed within five weeks from the present time. Mr. Horn, the decorator of the Theatre Royal, Melbourne, is actively engaged in preparing the decorations and ornamental furnishing, which will be ready as soon as the building is covered in. From what we have seen of the plan of the theatre, we believe it will be a remarkably elegant building, and capable of accommodating a large number of persons. A good theatre will undoubtedly succeed on Bendigo, and we heartily wish Mr. Coleman the greatest success in this undertaking.

ASSOCIATIONS: Criterion Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (1 January 1856), 3

http://nla.gov.au/nla.news-article88048433 

PRINCESS'S THEATRE [Criterion Hotel]. MR. COLEMAN has much pleasure in announcing that the Eminent Prima Donna,
MISS CATHERINE HAYES, Will give her Second, and Last Grand Concert on WEDNESDAY EVENING, 2nd January, 1856,
Assisted by Mr. GREGG, Mr. LYALL, and Mr. LAVENU . . .

ASSOCIATIONS: Catherine Hayes (vocalist); John Gregg (vocalist); Charles Lyall (vocalist); Lewis Henry Lavenu (musical director, pianist); Princess's Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (16 February 1856), 3

http://nla.gov.au/nla.news-article88048871 

OPENING OF COLEMAN'S NEW THEATRE, MONDAY, 25th FEBRUARY.
MR. COLEMAN'S BENEFIT . . . in Buckstone's admired drama of the WRECK ASHORE;
And the burlesque of BOMBASTES FURIOSO, Assisted by Madame Sara Flower, and the Ladies of the Corps Dramatique . . .

"COLEMAN'S CRITERION THEATRE", Bendigo Advertiser (26 February 1856), 2

http://nla.gov.au/nla.news-article88048966 

On the 14th of this month we stated that in a week or two we should have a Theatre in Sandhurst, not in name, but in reality. The thing has now become "an accomplished fact." The theatre has been completed, in all its details, in a style which fully justifies the laudatory anticipations we expressed in its favor. We are fastidious in these matters, and do not feel disposed to degrade the drama by an endeavor, through a figure of rhetoric, to convert a barn, or any other "makeshift," into a Temple of the Muses. It is, however, no hyperbole to say that the Criterion is a theatre worthy the representation of the legitimate drama . . . It is scarcely necessary to inform our readers that a committee was formed some time since to present an amateur performance, on the opening of the new theatre, the proceeds of which were to be appropriated to Mr. Coleman's benefit. In consequence, last evening, when the theatre was first opened to the public, The Wreck Ashore, and Bombastes Furioso were presented by an amateur company . . . Mr. Coleman, in the course of the entertainments, came forward and addressed the audience, and promising to bring the best theatrical talent to entertain the residents on the Bendigo. We are sure he will redeem his pledge.

"COLEMAN'S CRITERION THEATRE", Bendigo Advertiser (4 March 1856), 3

http://nla.gov.au/nla.news-article88049032 

On Saturday evening last, Bulwer's play of the Lady of Lyons was presented at this theatre, with the afterpiece of Black-Eyed Susan, which latter, we understand, will be repeated this evening. We entertained an opinion that Mr. Coleman's company acted under great disadvantages in the little theatre attached to the Criterion Hotel, and that the public could form but a very inadequate judgment of their merits or capabilities, performing within such narrow limits. The result of their removal to the spacious and handsome theatre, in which they now perform, proves that an enlarged sphere of action is as important for the exhibition of ability upon the mimic stage of the theatre, as it is upon the great stage of life. In fact, if the comedians of the Criterion, ladies and gentlemen, were not familiar faces, we should not recognise them to be our old friends of "the house next door," with which, now that they have risen in the world, they disclaim "all connection." The cast was very effective. Mr. Fawcett sustains the part of "Beauseant," Mr. S. Howard that of "Damas," Mr. J. L. Byers, "Claude Melnotte," Mrs. Brougham, "Pauline," and Mrs. Chester that of "Madame Deschapples." The piece was well put upon the stage, and the performance highly creditable. The character of "Pauline" is not one in which the peculiar qualities of Mrs. Brougham's acting are displayed. Mrs. Chester went through the part of "Madame Deschapples" with spirit, and gave a very appropriate impersonation of the character.
In Black-Eyed Susan, Madame Sara Flower sung the beautiful ballad, "All in the Downs the fleet lay moor'd" with her accustomed excellence. The qualities of this lady's voice are so well known and so fully appreciated that it is altogether superfluous to say anything in commendation of it. Mr. Henry Coleman's representation of the part of "William" was a finished piece of acting. It is a perfect imitation of T. P. Cooke, which, without being aware that it was intended to be an imitation of that celebrated representative of a genuine blue jacket, we immediately recognised. It was from old associations a great treat. We hope that Mr. Coleman will take his own part in the speculation, and we shall willingly be taken for a false prophet if he does not prove the best Star that will shine in the Criterion. Mrs. MacGowan danced the Sailor's Hornpipe most gracefully, and was rapturously applauded.

ASSOCIATIONS: George Curtis Fawcett (actor); Sam Howard (actor); James Lucas Byers (actor); Emma Brougham (actor); Marian Maria Chester (actor); Sara Flower (actor, vocalist); Thomas Potter Cooke (English actor)

[Advertisement], Bendigo Advertiser (16 April 1856), 3

http://nla.gov.au/nla.news-article88049533 

NOTICE. - It having come to the knowledge of Madame LOLA MONTEZ that parties are falsely representing themselves as Agents on her behalf, she begs to inform the public and her friends that no such parties are empowered by her, and that Mr. Henry Coleman is the only gentleman accredited by her to negotiate for her public performances.
(Signed) MADAME LOLA MONTES.

ASSOCIATIONS: Lola Montez (actor, dancer)

"THE THEATRE", Mount Alexander Mail [Castlemaine, VIC] (29 April 1856), 3

http://nla.gov.au/nla.news-article202630912 

The four nights' performances, with which Mr. Henry Coleman has inaugurated his theatrical season in Castlemaine, came to a close on Saturday. The result has not, we believe, been profitable to him in a pecuniary point of view; but, as we have before remarked, we attribute this in a great measure to the high rates of admission, and to the fact that the cream of the Bendigo company has not been brought to Castlemaine. At the conclusion of the performance on Saturday, Mr. B. Coleman was called before the curtain, and received the plaudits of a good house. The compliment was well deserved. In acknowledging it, Mr. Coleman thanked the public of Castlemaine for the support given to his brother, and announced that in a short time the theatre would be reopened, and that Mrs. Clarence Holt, Mr. G. V. Brooke, and other well known actors, would make their appearance on the Castlemaine boards. We hope they will not be "lang a' coming."

ASSOCIATIONS: Marie Holt (actor); Gustavus Vaughan Brooke (actor); Hall of Castlemaine (later Theatre Royal)

[Advertisement], The Argus [Melbourne, VIC] (28 May 1856), 10

http://nla.gov.au/nla.news-article4838932 

COLEMAN'S LYCEUM (Late Queen's Theatre.)
Mr. Henry Coleman, proprietor of "Coleman's Criterion Theatre, Bendigo," begs respectfully to inform the pubic, that he had become Lessee of the Queen's Theatre, Melbourne, which will in future be known as
"COLEMAN'S LYCEUM," for the purpose of introducing a series of attractive performances to be supported by the most talented artistes.
The Theatre will undergo an entire renovation, be handsomely decorated, and Brilliantly Lighted with Gas.
The Stage Direction will be under the care of MRS. BROUGHAM, whose taste and experience will ensure to the public a series of Entertainments which cannot fail to be acceptable . . .
Mr. Coleman has much pleasure in announcing an Engagement for a limited period with those favorite Artistes, MR. and MRS. CHARLES YOUNG.
Other Engagements are pending, of which due notice will be given, as also the date of opening, prices of admission, &c., &c.

ASSOCIATIONS: Charles and Jane Young (actors); Lyceum Theatre (Melbourne venue); Queen's Theatre (Melbourne venue)

"COLEMAN'S CASTLEMAINE THEATRE", Mount Alexander Mail (30 May 1856), 5

http://nla.gov.au/nla.news-article202633221 

Such is the name by which the whilome Hall of Castlemaine is henceforth to be known - to us in particular, and to the world in general. It now forms one of a triad of buildings devoted to Thespis owned or managed by a gentleman who has no rival in the art of management, - Mr. Henry Coleman. We perceive that he has become the lessee of the Queen's Theatre, Melbourne; has christened it "the Lyceum;" and, in imitation of the practice in London, has placed a lady - Mrs. Brougham, as directress of the stage department. Coleman's Lyceum, Melbourne, Coleman's Castlemaine Theatre, and Coleman's Criterion Theatre, at Bendigo, are three establishments under one head, and we may expect that the union will be advantageous to the public and to the performers who play before them; - to the former, as ensuring the best talent for their instruction and amusement, and to the latter, as securing an introduction under favorable auspices, to audiences who know how to appreciate and reward. That the public of Castlemaine are not insensible to the charms of real dramatic talent, has been pretty well evidenced this week by the reception given to Mr. G. V. Brooke, Mr. and Mrs. Heir, Miss Wernham, Mrs. Chester, Mr. Howard, and Mr. Fawcett, who were detached from the Bendigo company for the purpose of assisting the great tragedian in his performances here, the first of which took place on Monday evening . . . Mr. Henry Coleman was also called, and received a round of applause. Having but just returned from Melbourne (he said) he was quite unprepared for such a kind expression of their satisfaction. The great success which Mr. Brooke had met with would be heralded by that gentleman on his return to Melbourne with infinite pleasure. For his (Mr. C.'s) own part he could only promise that so long as he had the honor to cater for the amusement of the public of Castlemaine, it should be his endeavor to deserve a continuance of the patronage which they had already bestowed on the efforts he had made (cheers) . . .

ASSOCIATIONS: Robert and Fanny Heir (actors); Fanny Wernham (actor)

"THE THEATRES", The Age [Melbourne, VIC] (9 June 1856), 3

http://nla.gov.au/nla.news-article154864452 

This evening Melbourne is once more to have her three theatres open, all with able companies and bills of fare attractive enough to fill them if anything will . . . Mr. Henry Coleman, the energetic and spirited builder and proprietor of more than one theatre on the goldfields, this evening re-opens the original theatre of Melbourne under the name of the Lyceum. If any man deserves success by the means he takes to acquire it, that man is Mr. Coleman. He has entirely renovated and re-decorated the house, brilliantly lighted it with gas, and engaged a dramatic corps of tried excellence. It includes Mrs. Brougham, as stage directress, Mr. and Mrs. Charles Young, Miss Chambers, Madame Strebinger, and the Messrs. Chambers. The orchestra, which seems to us to be well selected, is placed under the able leadership of Mr. Megson. The performances are to consist of Buckstone's comedy of "A Lesson for Ladies," a Ballet Divertissement, and "The Young Widow." The entertainments are under the patronage of his Excellency the Acting Governor, who has specially indicated his intention to be present. We fairly calculate upon the old house under such auspices and management resuming its ancient popularity.

ASSOCIATIONS: Therese Ferdinand Strebinger (dancer); Joseph Chambers and son Joseph and daughter Mina (dancers); Joseph Megson (violinist, leader); Edward Macarthur (acting governor)

"SUMMARY OF NEWS (For transmission by the Sardinian) . . . THE FINE ARTS", The Age (24 June 1856), 3

http://nla.gov.au/nla.news-article154867837 

. . . The Lyceum, under the lesseeship of Mr. Henry Coleman, and the direction of Mrs. Brougham, continues to attract good audiences from the part of the city in which it is situate. A good company, a judicious selection of pieces, and a moderate tariff, in all probability tend to some extent to bring about this success. Mr. Coleman who is also the proprietor of the theatres at Castlemaine and Bendigo, is engaged in getting up a fourth theatre at St. Kilda, a seaside suburb of the metropolis - the resort of the elite of the place, and the residence of all who can manage to live away from their places of business. He has adapted the large room of one of the principal hotels there, and has arranged to fit it up exactly in the style of the Reuben's Room at Windsor, whose exact counterpart it is to be in size and appearance. The entertainments are to be conducted on a very select principle, and there can be no doubt his speculation will answer . . .

[Advertisement], Bendigo Advertiser (12 August 1856), 4

http://nla.gov.au/nla.news-article88052044 

TUESDAY, 12th AUGUST. Positive Sale. COLEMAN'S CRITERION THEATRE.
E. M. EMMETT has received instructions to sell by public auction, at the Sandhurst Hotel, on Tuesday, the 12th day of August next, at the hour of twelve o'clock precisely, by order of the Mortgagee, under a power of sale, Coleman's Criterion Theatre.
All the right, title, and interest of Mr. Henry Coleman, in the Criterion Theatre, under a lease dated 26th day of December, 1855.
The property is held for the remainder of a term of five years, from the 26th day of December, 1855, at a yearly rent of £10 (ten pounds) per annum, subject to the conditions, &c., in the said lease.
Terms - Cash. The Theatre will continue to be open as usual for the amusement of the public.

"COLEMAN'S MASKS AND FACES", Bendigo Advertiser (16 August 1856), 3

http://nla.gov.au/nla.news-article88052164 

One of Coleman's clever and extraordinary entertainments is to be given this evening at the Criterion Theatre. Mr. Coleman's talents in this performance entitle him to rank near the celebrated Charles Matthews himself. Nothing is so delightful and attractive as the true imitation of nature in all her peculiarities, and the public of this colony have evinced a full appreciation of the talent displayed by Mr. Coleman, and of the interesting character of his performances. The merits of his various impersonations have been noticed by us previously, and therefore it is unnecessary now to go over the same ground. We may remind our readers that Mr. Coleman now resumes these entertainments for the first time since he had the misfortune to break his arm eight or nine months since. And it must be no slight inducement to the public to accord their general patronage in this ease, seeing that Mr. Coleman is now engaged in the honorable endeavor to raise funds to pay off the various liabilities he may have incurred. This gentleman's talents, his enterprise, and, above all, his creditable exertions to retrieve his fortune, establish a fair claim upon the public of the district.

[Advertisement], The Star [Ballarat, VIC] (14 April 1857), 3

http://nla.gov.au/nla.news-article66041737 

STAR CONCERT HALL. BALLARAT HOSPITAL BAZAAR.
THE Ladies forming the Committee of The Ballarat Hospital Bazaar Fund,
for the erection of a New Wing to the Building, beg respectfully to inform the public that
A GRAND BAZAAR will be held at the above Hall, on Wednesday, the 15th instant, and during the week . . .
MR. HENRY COLEMAN, the celebrated Dramatic Polyphonist, has kindly placed his services at the disposal of the Committee, and will give selections from his popular entertainment of MASKS AND FACES.
Mr. PALIN will preside at the Pianoforte, and introduce selections from the most favorite composers.
Admission, One Shilling . . .

ASSOCIATIONS: Lawrence Frederick Palin (pianist); Star Concert Hall (Ballarat venue)

"MANCHESTER . . . COLEMAN'S 'MASKS AND FACES'", The Era [London, England] (30 May 1858), 12

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18580530/033/0012 (PAYWALL)

Mr. Henry Coleman made his first appearance in England since his return from India and Australia in the Assembly Room of the Free Trade Hall on Monday last. His entertainment, "Masks and Faces," is well written, and the various characters introduced are hit off with a large degree of talent. One of the best impersonations was General Napeleon Tonnerre, a relic of La Grande Armee. The whole of the stage appointments are remarkable, and doubtless in his travels through this country he will meet with success.

"MASKS AND FACES", Blackburn Standard [England] (23 June 1858), 3

https://www.britishnewspaperarchive.co.uk/viewer/BL/0000151/18580623/002/0003 (PAYWALL)

Mr. Henry Coleman, who has returned from Australia and India, is announced to give his entertainment entitled "Masks and Faces" in the Town Hall of Blackburn, on Tuesday and Wednesday next. The London and provincial press speak in high terms of the entertainment as being well written and very cleverly performed . . .

[Advertisement], Liverpool Mercury [England] (2 November 1858), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000081/18581102/001/0001 (PAYWALL)

SATURDAY EVENING CONCERTS. CONCERT-HALL LORD NELSON-STREET. FOR ONE WEEK ONLY . . .
MR. HENRY COLEMAN, The celebrated Dramatic Polyphonist, Imitator, and Mimic,
will give his original and highly popular Comic, Anecdotal, Vocal, Mimic, and Scenic Entertainment of
MASKS AND FACES; OR, LIVING PHOTOGRAPHS, ILLSUTRATIVE OF THE MEN AND MANNERS OF THE AGE . . .

"MR. H. COLEMAN'S ENTERTAINMENT", London City Press (5 February 1859), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000436/18590205/078/0006 (PAYWALL)

A gentleman rejoicing in the above name, was induced to give, on Saturday evening last, at Sussex-hall, "at the earnest solicitation of his numerous friends," his entertainment of "Masks and Faces." The area of the building was filled with well-dressed people, and the stage was hung with the gilded trappings of an elegant theatre. Mr. Coleman's efforts to please, in the various characters he assumed, were prodigious. He is not deficient in ability, but he lacks that genuine humour, that provokes to laughter all who come within its influence. His entertainment, too, though accompanied by music, pretty scenery, and all the appliances and means to boot, that usually pleases the imagination, is not, in our opinion, sufficiently refined for a polished London audience. It may have been, at his bills say, given him for upwards of eleven hundred nights in Australia, India, and the English Provinces, but we believe that Mr. Coleman will not find it a profitable experiment if he attempts to compete with the Albert Smiths, the Woodins, and the other celebrities who stand so high in the estimation of the public.

"PROFESSOR ANDERSON IN AUSTRALIA. TO THE EDITOR OF . . .", The Era [London, England] (23 October 1859), 9

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18591023/024/0009 (PAYWALL)

Melbourne, August 17, 1859. SIR, . . . Bendigo, where I performed two months since, has four places of amusement, the Haymarket Theatre, the Shamrock, Abbott's Lyceum, and the Victoria. The Haymarket was built by Mr. Coleman, a gentleman who once had an entertainment in England which he entitled "Masks and Faces." It is a wooden structure, and holds about 1,000 people. Like most of the theatres out here it is attached to an hotel . . .

ASSOCIATIONS: John Henry Anderson (magician)

George Linnaeus Banks, Blondin: his life and performances (London: Routledge, Warne, and Routledge, 1862), xi, 52-53, and passim

https://books.google.com.au/books?id=PuPePBkIY3gC&pg=PA52 (DIGITISED)

. . . The narrative has been gathered partly from the joint lips of Monsieur Blondin himself, and his agent, Mr. Henry Coleman, and partly from such published accounts as chance threw in the editor's way . . .

. . . Walking one day in Niblo's Garden, in company with the celebrated Gabriel Ravel, to whom he had unfolded his ideas, and expressed the difficulty he was likely to experience in carrying them out, from the want of a trustworthy cicerone, it was M. Blondin's good fortune to meet with one in every way eminently qualified to realize his most sanguine expectations. Mr. Henry Coleman, a dramatic author, of Transatlantic and Antipodean repute, a scholar, and a gentleman - a man of extensive travel, and world-wide experience as a theatrical manager - a far-seeing observer of men and things, and endowed with a rare spirit of enterprize, had [53] newly arrived in the States, and now, for the first time, crossed the path of the Hero of Niagara . . . M. Blondin invited Mr. Coleman to dine with him that evening, an agreement mutually binding and beneficial was entered into, and a plan of operations for the future at once decided upon. Active and resolute in all his undertakings, Mr. Coleman did not allow the grass to grow under his feet before proceeding to inaugurate a European campaign. He sailed for England in the month of April, 1861, in the North German Lloyd's Steam Company's steamer "New York," commanded by Captain Van Santon . . . Arriving in England on the 1st of May, Mr. Coleman immediately sought an interview with Mr. George Grove, the active secretary, and Mr. R. K. Bowley, the indefatigable manager of the Crystal Palace Company, and was by those gentlemen introduced to the Board of Directors, who received him with every possible courtesy. His proposal for a series of performances was listened to with an attentive ear . . .

ASSOCIATIONS: Charles Blondin (Jean François Gravelet) (acrobatic artist); Blondin's son, born in London in 1862, was baptised at Holy Trinity, Vauxhall, on 6 June 1862, Henry Coleman Gravelet

MISCELLANEOUS NEWS (From the Home News) . . . BLONDIN IN COURT. - IN RE HENRY COLEMAN", The Sydney Morning Herald [NSW] (18 March 1865), 10

http://nla.gov.au/nla.news-article30936211 

This case came before Mr. Registrar Hazlitt, in the Bankruptcy Court, for the proof of debts and for the choice of assignees. The bankrupt was of 28, Regent-street, and elsewhere, wine merchant. The debts may be roughly estimated at £36,000, with assets between £6000 and £7000. Mr. Coleman gives the cause of failure as want of capital. One of the largest unsecured creditors is M. Gravelet, otherwise Blondin, the celebrated rope-walker, whose claim represents a total of no less than £12,600, moneys advanced to the bankrupt, and in respect of which a judgment had been recovered at common law. M. Blondin gave evidence that the bankrupt met him in America, and after a tour on the Continent said he was tired of travelling about and wanted to set up in business. M. Blondin added, "When he went into business I lent him the money. At first he gave me a receipt for £5000, and afterwards a receipt for the full amount of my claim. You must know that the bankrupt was my agent, my manager, and my treasurer; he received all my money; I never touched a penny of it myself. The authorities at the Crystal Palace can prove that. When I purchased anything it was the bankrupt's duty to pay. I left everything I had in the world with the bankrupt. I gave him a salary of £6 per week, together with a commission of 10 per cent, on the net receipts." The proof of M. Blondin's debt was opposed on the ground that he was a partner of the bankrupt, but after the evidence the objection was withdrawn, and M. Blondin was appointed to act as creditors' assignee of the estate.

See also "LAW AND POLICE", The Examiner [London, England] (7 January 1865), 13

https://books.google.com.au/books?id=hcY_AQAAMAAJ&pg=PA13 (DIGITISED)

[Advertisement], Liverpool Daily Post [England] (30 October 1867), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000197/18671030/106/0004 (PAYWALL)

SATURDAY EVENING CONCERTS. CONCERT-HALL LORD NELSON-STREET.
On Saturday and Monday Evening next, November 2nd and 4th, MR. HENRY COLEMAN, The celebrated English Dramatic Polyphonist,
will give his popular Anecdotal and Mimetic Entertainment of MASKS AND FACES: OR, LIVING PHOTOGRAPHS,
Illustrative of the Men and Manners the Age, in three fits of laughter,
in which he will display his marvellous power of changing the voice, figure, and face, with rapid picturesque transitions of costume.
New and original Songs, Music, Dresses, and Appointments . . .

"SOUTHPORT. ROYAL MUSIC HALL", The Era (1 December 1867), 14

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18671201/035/0014 (PAYWALL

Mr. Henry Coleman, the dramatic polypholsist, imitator, and mimic, gave his original and popular entertainment, Masks and Faces, on Wednesday, and succeeding evenings during the week.

"BANKRUPTCY COURT, Dec. 11 . . . IN RE HENRY COLEMAN", Morning Herald [London] (12 December 1867), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002408/18671212/070/0007 (PAYWALL)

The bankrupt was described as of 353, City-road, late of Air-street, Regent-street, wine agent and dealer in cigars. He applied to be discharged from debts of 2766l., and there are no assets . . . Mr. Sykes, for the official assignee, said the bankrupt had obtained his order of discharge under a former bankruptcy which occurred a few years since. His Honour might remember that the bankrupt was formerly in partnership with M. Blondin, the celebrated rope walker . . . The order of discharge would be granted.




COLEMAN, John (John COLEMAN, Mr. J. COLEMAN; Mr. COLMAN; Mr. F. COLMAN [sic])

Musician, clarinettist, clarionet player, bandsman, Band of the 40th Regiment, soldier

Born c. 1831
Arrived Melbourne, VIC, 5 November 1852 (per Vulcan, from Cork)
Died (suicide), Melbourne, VIC, 19 February 1857, aged "26"

https://trove.nla.gov.au/search?l-publictag=John+Coleman+c1831-1857 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLEMAN-John-40th-regiment (shareable link to this entry)

ASSOCIATIONS: Band of the 40th Regiment (military)


Documentation:

Pay-list of the 40th Regiment, 1 April to 30 June 1853; Australian Joint Copying Project, from UK National Archives, WO12/5364

https://nla.gov.au/nla.obj-1592567470 (DIGITISED)

PRIVATES . . . 2001 / Coleman John / . . . Band . . .

[Advertisement], The Argus [Melbourne, VIC] (17 December 1853), 5

http://nla.gov.au/nla.news-article255612483 

ROWE'S AMERICAN CIRCUS, Corner of Stephen and Lonsdale streets. The sixth of a Series of Grand PROMENADE CONCERTS will take place at the above place of amusement on Saturday Evening, December 17th, 1853. Mr. Alfred Oakey's Monster Orchestra, aided by several members of the band of the 40th Regiment, including Mr. Hartigan, the celebrated performer on the Ophicleide (by permission of Lieut. Colonel Valiant). First night of a new descriptive Polka, entitled "The Morris Dancer," by Alfred Oakey. Dawn of the Morning, The Lark, The Cuckoo Solo, Mr. Murrill; Home sweet home, duet - clarionets, Mr. Murrill and Mr. Colman; the Church Bell, the Ploughboy, the Shepherd's Pipe and Tabor, the Morris Dance, Sticks and Bells, Evening, the Church Bell . . . First night of the Matilda Polka, by J. W. C. Hartigan. Introduction, Clarionet solo, Mr. F. Colman [sic] . . .

ASSOCIATIONS: Alfred Oakey (musician, conductor); Joseph Hartigan (musician, 40th band); John Murrell (clarinet, 40th band); Rowe's American Circus (Melbourne venue)

[Advertisement], The Argus (24 December 1853), 8

http://nla.gov.au/nla.news-article4801063 

ROWE'S AMERICAN CIRCUS, The seventh of a series of Grand Promenade Concerts Will take place on
Saturday Evening, December 24th, 1853, (Christmas Eve) . . .
Clarionetti - Mr. Colman and Mr. J. Murrill . . .

[Advertisement], The Argus (28 January 1854), 8

http://nla.gov.au/nla.news-article4802560

ROWE'S CIRCUS. Enlargement of the Orchestra.
The Twelfth of a series of PROMENADE CONCERTS will take place on Saturday evening, January 28th, 1854.
Mr. Alfred Oakey's celebrated Monster Orchestra.
On this occasion the band will embrace all the available talent of Melbourne, including the services of a considerable number of the band of the 40th Regiment . . .
Mr. Hartigan, the renowned Ophecledie, will perform a new solo.
Solo on the clarionet, Mr. J. Coleman . . .

Pay-list of the 40th Regiment, 1 April to 30 June 1855; Australian Joint Copying Project, from UK National Archives, WO12/5367

https://nla.gov.au/nla.obj-1593397709 (DIGITISED)

PRIVATES . . . 2001 / Coleman John / . . . Band . . .

Pay-list of the 40th Regiment, 1 January to 30 March 1857; Australian Joint Copying Project, from UK National Archives, WO12/5369

https://nla.gov.au/nla.obj-1593923442 (DIGITISED)

PRIVATES . . . 2001 / Coleman John / Pay to 18 Feb'y . . . Died 19 [February] . . .

NOTE: Coleman was no longer listed as a member of the band in April-June 1856 paylist or later

Inquest, John Coleman, died 19 February 1857; Public Record Office Victoria

https://prov.vic.gov.au/archive/190B09A3-F1BC-11E9-AE98-35298008CC03?image=1 (DIGITISED)

An Inquest held in Melbourne on the body of John Coleman Aet. 26 . . .
William Hemmington, Serjeant in the 40th Regiment . . . Deceased had been in the service since boyhood. He was much addicted to drinking and had frequently been in hospital for delirium tremens . . .
The night had been a quiet one and there was no one about but the band on its return from the ball at the Exhibition Building . . .

"CORONER'S INQUEST", Bendigo Advertiser (21 February 1857), 3

http://nla.gov.au/nla.news-article87997478 

Dr. Wilmot, the city coroner, held an inquest on the body of John Coleman, a private of the 40th Regiment. The jury returned the following verdict - Deceased has met his death from a gun-shot wound in the head, discharged from his own firelock, by his own hand, whilst in a state of temporary insanity, induced by the excessive use of ardent spirits. - Age.




COLLEY, Edwin (Edwin COLLEY; Mr. E. COLLEY)

Amateur vocalist, singing class instructor, stone mason

Born Birmingham, England, 15 August 1830; baptised St. Philip, Birmingham, 6 January 1831; son of Christopher COLLEY (c. 1805-1844) and Priscilla Hands KNIGHT (1805-1844)
Arrived Sydney, NSW, c. 1852 (13 years in the colony in 1865)
Married Margaret Lothian POUSTIE (c. 1835-1891), Sydney, NSW, 28 April 1858
Died Hamilton, Newcastle, NSW, 26 March 1919, aged "88/89"

https://trove.nla.gov.au/search?l-publictag=Edwin+Colley+1830-1919 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLEY-Edwin (shareable link to this entry)

COLLEY, Henry (Henry COLLEY; Mr. H. COLLEY)

Amateur vocalist, singing class instructor, choirmaster

Born Birmingham, England, 1 January 1832; baptised St. Philip, Birmingham, 26 January 1832; son of George COLLEY (1806-1881) and Thirza Hands KNIGHT (1798-1870)
Arrived Sydney, NSW, 4 May 1857 (per John Taylor, from Gravesend, 29 January)
Married Mary Anne Cecilia PHILLIPS, St. Augustine's, Balmain, NSW, 10 August 1867
Died Harris Park, Parramatta, NSW, 8 March 1892

https://trove.nla.gov.au/search?l-publictag=Henry+Colley+1832-1892 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLEY-Henry (shareable link to this entry)

COLLEY, Mary Anne Cecilia (PHILLIPS; Mrs. Henry COLLEY)

Musician, organist, vocalist

Born New Wharf, Hobart Town, VDL (TAS), 20 October 1844; daughter of William PHILLIPS and Mary Edwyna BURTON
Married Henry COLLEY, St. Augustine's, Balmain, NSW, 10 August 1867
Died Lambeth, London, England, 1918

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLEY-Mary (shareable link to this entry)


Summary:

Edwin Colley and Henry Colley, natives of Birmingham, England, were double first cousins; their fathers, both stonemasons and carvers, were brothers; and their mothers, daughters of a brass founder, were sisters. In the 1851 English census, Henry, aged 19, also a "carver", was living with his parents in London in the parish of St. John's, Smith Square, while, Edwin, aged 20, a "carver in stone" was lodging nearby in the same parish, along with another carver, Broadley Wilson Hinton (1829-1904), both probably then also working with his uncle and cousin.

A little a year later, in April 1852, Edwin Colley and Broadley Hinton sailed from London for Australia, landing in Sydney in August. Hinton having returned to England, he arrived back in Sydney in May 1857 accompanied by Henry Colley.

Henry and Mary Colley's daughter, Ada Mary Colley, born Parramatta, NSW, 18 May 1872, was later a popular vocalist.


Documentation:

Edward Colley:

Baptisms solemnized in the parish of St. Philip, Birmingham, in the county of Warwick, in the year 1831; register 1830-33, page 41; Library of Birmingham, DRO 25/M41

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316898-00024?pId=3615821 (PAYWALL)

No. 330 / 1831 6 [January] / born 15 Aug't 1830 / Edwin Son of / Christopher [and] Priscilla Hands / Colley / Stone Mason / Blucher Street . . .

England census, 30 March 1851, St. John's Smith Square, Westminster, Middlesex; UK National Archives, HO107/1479/243/19

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1479_1479-0458?pId=25621 (PAYWALL)

30 Marsham St. / Elizabeth Absolon / Head / Widow / 47 / Stationer and Tobacconist . . .
Benj'm W. Hinton [sic] / Lodger / Umn. / 21 / Carver in Stone / [born] Berks. Reading
Edwin Colley / Lodger / Unm. / 20 / Carver in Stone / [born] Warwick. Birmingham . . .

"SHIPPING INTELLIGENCE", Empire [Sydney, NSW] (7 August 1852), 2

http://nla.gov.au/nla.news-article60130842 

August 6,- Saladin, ship, 900 tons, Captain Day, from London the 26th, and Plymouth the 29th of April. Passengers . . . E. Colley, B. W. Hinton . . .

[Advertisement], Empire (30 October 1854), 1

http://nla.gov.au/nla.news-article60199390 

CONCERT, For the benefit of Miss Flora Harris, at the Royal Polytechnic Institution . . .
on this MONDAY evening, October 30th, when she will be assisted by Mr. Wilkinson, Mr. Fisher, Mr. Fifers, Mr. Colley, Mr. Perry, and Mr. Bolton.
PROGRAMME.
Glee - Hail Smiling Morn - Miss Flora Harris. - Spofforth . . .
Glee - Banish oh maiden . . .
Glee - The swallows. - Pohlenz.
Accompanist, Mr. Bolton.
After which will be exhibited some favourite views, with appropriate music, to conclude with some Magnificent Chromatropes . . .

ASSOCIATIONS: Flora Harris (vocalist); George Wilkinson (vocalist); James Churchill Fisher (vocalist); James Phypers (vocalist); James Boulton (pianist, vocalist); Royal Polytechnic (Sydney venue)

[Advertisement], Empire (9 December 1854), 1

http://nla.gov.au/nla.news-article60201067 

SYDNEY MECHANICS' SCHOOL OF ARTS. VOCAL ENTERTAINMENT . . .
under the direction of Mr. James Boulton, in the Hall of the Institution, on
TUESDAY EVENING next, the 12th December instant, on which occasion he will be assisted by
Mr. George Wilkinson, Mr. Phypers, Mr. Wallcott, and Mr. Colley.
PROGRAMME. FIRST PART.
Glee - "The Two Roses" - Werner.
Glee - "Hark! above us on the Mountain - Kreutzer . . .
Glee - "The Cloud-capp'd Towers" - Stevens.
Quartet - "The Miller's Daughter" - Hartel . . .
Quartet - "The Hunter's Farewell" - Mendelssohn.
SECOND PART.
Glee - "Spring's Delights" - Muller.
Glee - "Lovely Night" - Chavatel [Chwatal] . . .
Quartet - "The Sabbath Call" - Kreutzer.
Glee - "Evening" - L. de Call.
Quartet - "Vesper Hymn" - Beethoven.
Chorale - "Holiest Breathe an Evening Blessing."
Each member of the Institution has the privilege of introducing two ladies.
The doors will be open at half-past 7 o'clock, and the concert will commence at 8 o'clock precisely.

ASSOCIATIONS: Robson Beilby Walcot (vocalist); Mechanic's School of Arts (Sydney venue)

[Advertisement], Empire (18 December 1854), 1

http://nla.gov.au/nla.news-article60201463 

MECHANICS' SCHOOL OF ARTS WEEKLY CONCERTS.
MR. JAMES BOULTON . . . purposes giving a series of Weekly Concerts at the above place,
the first to take place TO-MORROW (Tuesday) EVENING, the 19th instant.
PRINCIPAL VOCALISTS. - MR. G. WILKINSON. - MR. COLLEY. - MR. WALCOTT. - MR. FISHER. - MR. PHYPERS.
PROGRAMME. PART I.
Glee - "Bright Sword of Liberty." - Weber.
Quartette - "Come, Boys; Drink and Merry be" - Marschner . . .
Glee - "Hunting Chorus" - Weber.
Glee - "Oft when night". - L. de Call . . .
Glee - "Come, thou Monarch of the Vise" - Bishop . . .
PART II.
Glee - "Bacchanalian" - Pohlenz . . .
Glee - "Ye Gentlemen of England" - Callcott.
Quartette - "Convivial Song" - Molique . . .
Quartette - "The 31st of May" - Molique.
Quartette - "Let us be joyful together" - Schneider . . .

[Advertisement], Empire (16 January 1855), 1

http://nla.gov.au/nla.news-article60202736 

MECHANICS' SCHOOL OF ARTS.
MR. BOULTON has the honour to announce that the next of his series of concerts will be given THIS EVENING, the 16th instant.
The prioe of admission will be reduced to ONE SHILLING.
PROGRAMME. PART 1st.
Glee - "Spring's Delights" (Muller) . . .
Glee - "Lutzow's Wild Hunt" (Weber) . . .
Trio - "Winds gently whisper" (Whittaker) . . .
Glee - "Soldier's Love" (Rucken) [? Kucken] . . .
Quartette - "The Miller's Daughter" (Hartel.) . . .
PART 2nd.
Glee - "The Three Huntsmen" (Kreutzer) . . .
Canon - "The Ladies" (Eisenhofer) . . .
Glee - "Come Boys Drink, and Merry be" (Marschner.)
Song - "Simon the Cellarer" - Mr. E. Colley . . .
Glee - "Soldier's Chorus" (Werner.)
Doors open at half-past seven. Concert to commence at eight. Tickets may be obtained at the Institution.

MUSIC: Simon the cellarer (J. L. Hatton)

[Advertisement], The Sydney Morning Herald (23 January 1855), 1

http://nla.gov.au/nla.news-article12964686 

SYDNEY MECHANICS SCHOOL OF ARTS. Mr. JAMES BOULTON . . . the next of his series of Weekly Concerts . . .
THIS EVENING, the 23rd January, when he will be assisted by: Mr. G WILKINSON - Mr. COLLEY - Mr. FISHER - Mr. WALCOT . . .
PROGRAMME. FIRST PART.
1. Quartette - The Banners wave - Kucken . . .
3. Glee - Lovely Night. - Chwatal . . .
6. Song - Cheer Boys, Cheer (Mr. Colley) - Russell . . .
9. Glee - Bright Sword of Liberty - Webber . . .
SECOND PART.
1. Glee - Huntsmen's Song - Polenz . . .
3. Trio - The Wreath . . .
5. Glee - The Twelve - G. W. Fink . . .
7. Duett - Could a Man be Secure (Mr. Walcot and Mr. Colley)
8. Song - The Sailor's Tear (Mr. E. Colley) . . .

MUSIC: Cheer boys, cheer (Henry Russell); Could man be secure (duet); The sailor's tear (Sidney Waller)

"CONCERT AT THE SCHOOL OF ARTS", The Sydney Morning Herald (24 January 1855), 5

http://nla.gov.au/nla.news-article12964767 

Mr. Boulton's weekly concert took place last evening at the School of Arts, before a fashionable audience, composed principally of ladies. The various glees, duets, and songs met with a reception which must have been gratifying to the vocalists. Mr. Wilkinson sang "Erin, my country," with considerable skill and feeling. The "Farewell to Lochaber" was received with applause. Mr. Colley was applauded in "Cheer boys, cheer." The song which elicited the greatest meed of approval was Eliza Cook's beautiful national ballad, "The Englishman."

[Advertisement], Empire (8 August 1855), 1

http://nla.gov.au/nla.news-article60164713 

MR. FISHER'S GRAND CONCERT. NEW CONCERT HALL, ROYAL HOTEL.
THIS EVENING, WEDNESDAY, AUGUST 8.
Principal Performers: Miss Flora Harris; Miss G. Harris (her second appearance);
Mrs. St. John Adcock (who will make her first appearance as a Pianist these two years);
and Messrs. Fisher, R. Walcot, T. Holme, and E. Colley; assisted by an efficient and powerful chorus.
Conductor, Mr. Fisher. Pianoforte, Mr. Harwood.
PROGRAMME: PART I.
1. Madrigal. - "My Bonnie Lass, she smileth." Morley.
2. German Glee. - "The Huntsman's Joy." (Pohlenz.)
3. Song. - "Children of Earth, Farewell." (Rolphino Lacy.) - Mrs. St. John Adcock.
4. Trio. - "This Magic-wovo Scarf." Mountain Sylph. (John Barnett) - Miss Flora Harris, Mr. Fisher, and Mr. E. Colley . . .

ASSOCIATIONS: Gertrude Harris (vocalist); Marianne Adcock (vocalist, pianist); Thomas Davies Holme (vocalist); Charles William Harwood (pianist, accompanist); Royal Hotel (Sydney venue)

"SYDNEY CHORAL SOCIETY", The Sydney Morning Herald (9 June 1857), 4

http://nla.gov.au/nla.news-article12996677 

The annual general meeting of the members of this Society was held last evening, at St. James' Infant School-room, Castlereagh-street. Mr. James Johnson occupied the chair. He expressed his regret to see so small an attendance . . . During the past year, in addition to the selections from the "Messiah," "Creation," anthems and church services, and the secular concerts consisting of madrigals and glees, from the writings of the old Masters, the whole of the Dettingen Te Deum, and the greater portion of "Judas Maccabeus," have been performed; a proof that the Society has not failed in one of the objects for which it was established, the encouragement of good sacred and secular music . . . Mr. Hemming moved "That the following gentlemen do constitute the committee for the current year: President, Rev. W. H. Walsh ; honorary secretary, Mr. James Johnson; honorary treasurer, Mr. S. S. Ussher; librarian, Mr. S. F. Ward; Mr. Colley, Mr. Hemming, Mr. Hurford, Mr. W. J. Johnson, Mr. J. V. Lavers, Mr. Woolford." Mr. Harrison seconded the resolution, which was put and carried . . .

ASSOCIATIONS: James Johnson (member); Mr. Hemming (member); Seth Frank Ward (member); Henry Robert Hurford (member); William Jonathan Johnson (member); Sydney Choral Society (association)

[Advertisement], The Sydney Morning Herald (14 September 1858), 1

http://nla.gov.au/nla.news-article13018559 

PITT-STREET CONGREGATIONAL SINGING CLASS. -
New members and all others interested are informed that the First Lessons will be
REPEATED THIS EVENING, at a quarter to 7. Full class meeting at half-past 7 o'clock. EDWIN COLLEY.

"ADVANTAGES OF MUSIC", The Sydney Morning Herald (11 October 1858), 5

http://nla.gov.au/nla.news-article28631545 

The following are the preliminary observations made by J. H. Plunkett, Esq., M.P., on Tuesday evening last, in his lecture delivered at the Lyceum Theatre: - . . . The system alluded to, and known as Hullah's system of singing, has been generally adopted (as we perceive) in England . . . Mr. Chizlett, Mr. Colley, and others teach the same system here, and it would be very desirable to see it practised more generally at our public and private schools . . .

ASSOCIATIONS: John Hubert Plunkett (lecturer); John Hullah (English singing instructor); Charles Chizlett (singing instructor); Lyceum Theatre (Sydney venue)

"BUILDING AND PUBLIC WORKS IN SYDNEY", The Maitland Mercury and Hunter River General Advertiser [NSW] (16 October 1858), 6 supplement

http://nla.gov.au/nla.news-article18651114 

The Herald's monthly summary contains, as usual, reports of the progress of buildings and public works in Sydney. Amongst the buildings, one of the most important is the one, nearly completed, for the English, Scottish, and Australian Chartered Bank, with frontages of 65 feet to George-street, and 60 to King-street, and a height of 58 feet. The lower story is of stone, the upper ones of briok, with stone quoins, window dressings, cornices, and string courses . . . The decorations of the entrance hall are designed from the leaves of the Australian water-lily . . . The design of the building is Mr. Blacket's, the stone carving is by Mr. E. Colley, the modelling of the cornices, &c., is by Mr. Parish, and the iron columns are from Messrs. P. N. Russell and Co.'s foundry . . .

ASSOCIATIONS: Edmund Blacket (architect)

[Advertisement], The Sydney Morning Herald (22 November 1858), 10

http://nla.gov.au/nla.news-article13019740 

PITT-STREET CONGREGATIONAL SINGING CLASS.
- Ladies and Gentlemen possessing a partial knowledge of music, and wishing to pursue the study, are invited to join the Class.
The present quarter will terminate next Tuesday evening, when tickets will be issued for the ensuing quarter.
The class meets for practice every TUESDAY EVENING, at half-past 7.
EDWIN COLLEY, Conductor.

"VOCAL MUSIC ASSOCIATION", Empire (17 July 1862), 5

http://nla.gov.au/nla.news-article60478348 

The union concert of the Vocal Music Association, took place last evening, at the Masonic Hall, York-street. The hall was, although not crowded, filled with an appreciative and respectable audience, who listened attentively to the really excellent music which was offered to their notice. The concert consisted of two parts, the first of which was sacred, and the second secular music. The first part commenced with a chorale sung at the funeral of his late Royal Highness Prince Albert, followed by an anthem and a trio from a "Miserere" by Sarti, sung by Madame Sara Flower, Mr. Cobley, and a lady amateur. The quartette, "Jesu watch our slender boat," was excellently sang by Madame Sara Flower, Mr. Fisher, Mr. Cobley, and a gentleman amateur . . .

ASSOCIATIONS: Sara Flower (vocalist); People's Vocal Music Association (association)

"MR. CHIZLETT'S CONCERT AT THE MASONIC HALL. TO THE EDITOR OF THE . . .", Empire (18 July 1862), 4

http://nla.gov.au/nla.news-article60478381 

SIR, - Will you oblige me by correcting an error in your report of the above concert.
You have, by mistaking a letter in a name, placed me in the list of vocalists. The name should have been Colley, not Cobley.
I did not sing. I only presided at the piano as accompanyist.
Yours truly, EDWIN H. COBLEY. Lyndhurst House, Glebe Road, 17th July, 1862.

ASSOCIATIONS: Edwin Harry Cobley (pianist, accompanist); in the absence of any other evidence, this Colley might have been either Edwin or Henry

Application for situation as teacher in National Schools, 23 August 1865; State Records Authority of NSW, 1/375, NRS 623

https://www.ancestry.com.au/imageviewer/collections/8815/images/41729_330384-00321?pId=4385 (PAYWALL)

Edwin Colley / Married / 35 / [born] Birmingham England / [religious denomination] Independent / [been in colony] 13 years . . .
Testimonials from . . . Charles Chizlett, George E. Crane . . . [dated] August 23d 1865 / . . .
Where educated? - At a private school in Birmingham English . . . a fair knowledge of Hullah's method of teaching singing and mechanical drawing . . .

NOTE: The file notes that Cobley performed well in interview and examinations, and includes a strong recommendation of his likely success as a teacher, though he appears not to have proceeded in the profession

"Presentation to Mr. Colley", Illawarra Mercury [Wollongong, NSW] (16 April 1867), 2

http://nla.gov.au/nla.news-article135815029 

Last, evening, just before the commencement of the Philharmonic Concert, a handsome silver Baton was presented to Mr. Colley by the members of the Society. The stem of the Baton is of ebony, and handsomely mounted with polished and frosted silver. The upper end is ornamented with a device consisting of a Lyre and scroll of music, surrounded by a wreath of oak leaves, and the opposite end is covered with fern leaves neatly worked in silver, and bears the following inscription -
"Presented by the Members of the Illawarra Philharmonic Society to their Teacher, Mr. E. Colley, 1867"
At the time of the presentation, the following address was read by Mr. R. C. Wills: -
Wollongong, 15th April, 1867.
Mr. E. Colley.
DEAR SIR - At this our first Concert, we take the opportunity to express our warm appreciation of your painstaking assiduity, earnest attention, and self sacrificing labors for the improvement and welfare of this, our infant Society.
Your liberality in giving us your almost gratuitous and very valuable services as teacher, in forming, your patience in instructing, and the ability you have displayed in bringing us to that state of proficiency in music which we now posses, have earned our warmest and most sincere thanks; while your urbanity and kindness to all in the performance of your duty, have caused us to look upon you as a friend as well as preceptor.
As a slight token of the warm feelings of respect and esteem felt for you by the Society, we beg your acceptance of the accompanying Baton, trusting that you will long live to wield it in larger and more important fields.
Signed in the name and on behalf of tho\e Society.
R. CHAS. WILLS, President.
CHAS. H. SPIER, Secretary.
Mr. Colley acknowledged the compliment paid him in suitable terms.

Philharmonic Concert. - The first Concert given by the above Society came off last evening, and was most numerously and respectably attended. The proficiency attained by the members was highly creditable to themselves, as also to their teacher, whose services, we regret to say, will soon be lost, as Mr. Colley is on the point of leaving the district. We are glad to find that a love of music is gradually growing in the district. On previous occasions there have been amateur concerts held in Wollongong, but the performers, whether vocal or instrumental, never before acquitted themselves so artistically as they did last night. The selections were both varied and judicious.

"Deaths", The Australian Star (13 May 1891), 1

http://nla.gov.au/nla.news-article228183704 

COLLEY. - May 12, at Hales Owen, Livingstone-road, Petersham, Margaret Lothian, wife of Edwin Colley.

"DEATHS", The Sydney Morning Herald (28 March 1919), 6

http://nla.gov.au/nla.news-article15831752 

COLLEY. - March 26, at the residence of his son, Erskine, Tudor-street, Hamilton, Newcastle, Edwin Colley, in his 89th year.

Henry and Mary Colley:

Baptisms solemnized in the parish of St. Philip, Birmingham, in the county of Warwick, in the year 1832; register 1830-33, page 326; Library of Birmingham, DRO 25/M41

https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316898-00170?pId=3616989 (PAYWALL)

No. 2216 / 1832 [January] 26th / Born 1 Jan'y 1832 / Henry Son of / George [and] Thirza / Colley / Blucher Street / Stone Mason . . .

1844, births in the district of Hobart; Tasmanian names index; NAME_INDEXES:1068885; RGD33/1/2/ no 616

https://libraries.tas.gov.au/Record/NamesIndex/1068885

https://stors.tas.gov.au/RGD33-1-2-p523j2k (DIGITISED)

No. 616 / 20 October [1844] / Mary Anne / [daughter of] William Phillips / Mary Edwyna Phillips formerly Burton / Clerk . . . New Wharf

England census, 30 March 1851, St. John's Smith Square, Westminster, Middlesex; UK National Archives, HO107/1479/931/32

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1479_1480-0292?pId=1816214 (PAYWALL)

Upp'r Dorset St. Vauxhall R'd / George Colley / Head / Mar. / 46 / Carver & Mason / [born] Merlbrook Hereford
Eliza [sic] Colley / Wife / Mar/ / 52 / - / [born] Birmingham
Henry [Colley] / Son / Unm. / 19 / Carver / [born] Birmingham . . .

[Advertisement], The Sydney Morning Herald [NSW] (5 May 1857), 4

http://nla.gov.au/nla.news-article12995068 

TO CAPTAIN R. W. CHARLESON, OF THE SHIP JOHN TAYLOR. Sydney Harbour, 4th May, 1857.
WE, the undersigned passengers, wish to record our sense or your kindly demeanour and regard for our safety and comfort throughout the voyage from London to this port, now brought to a successful termination . . .
[signed] . . . Henry Colley, B. W. Hinton . . .

[Advertisement], Examiner [Kiama, NSW] (27 October 1860), 3

http://nla.gov.au/nla.news-article102523490 

Kiama Singing Class. LADIES and GENTLEMEN who intend to join
MR. H. COLLEY'S VOCAL MUSIC CLASS, are hereby informed that a list is now lying at Mr. HARVISON'S, Manning-street.
A good opportunity now offers to those who desire to learn to sing, the system adopted (Hullah's) being at once simple and efficacious, and it is desirable that the names of those who wish to become pupils be given in at once, as no one can be admitted after the course of lessons has commenced.

"SHELLHARBOUR (From our Correspondent) SOIREE MUSICALE AT MARSHALL MOUNT NATIONAL SCHOOL", Illawarra Mercury [Wollongong, NSW] (1 January 1861), 2

http://nla.gov.au/nla.news-article132223753 

On Monday evening last a numerous company of friends and relatives of the pupils of the singing class taught by Mr. Fisher, assembled at the school-house, Marshall Mount, to hear the performances of the class. Considerable interest was manifested in the proceedings, the room was completely filled with company, and the members of the class certainly acquitted themselves in most admirable style. Mr. Fisher accompanied the vocalists upon the pianoforte, and Mr. Colley, of Kiama, rendered excellent service with his fine-toned bass, which harmonised delightfully the soprano of the fair vocalists. A little nervousness was observable in the performance of some of the first pieces, but all diffidence vanished as the evening wore on, and considerable applause was rendered by the delighted audience. The programme was divided into two parts, the first consisting of sacred, and the second of secular music.
Part I was opened by a psalm. "Let in with a glandsome mind" [sic] - Tune, Amesbury. A hymn, "Midst Sorrow and Care." A sacred song was then sang by Mr. Colley, commencing with the words, "Hear my Prayer." The class next sang an Evening Song, "The Lovely Moon." Next followed the German Chorale, "God is my Strong Salvation." And the first part of the programme was concluded with the Anthem "Pray for Peace."
During the interval elapsing between the 1st and 2nd part of the programme, the company were refreshed with an abundance of cake, wine, &c., and several gentlemen were called upon by Mr. Fisher to address the assembly, among whom were Messrs. Fraser, Moles, Poulton, Colley, and McGill. The speakers - one and all - bore testimony to the delight they had experienced in listening to the harmonious strains of the performers, and not a little flattering were the compliments paid to both teacher and taught. One of the speakers, in alluding to the rapid manner in which the class had acquired their present proficiencies in musical science, said that it was only to be accounted for by the excellence of the system adopted by Mr. Fisher, viz., the "Tonic Sol Fa." The same speaker further stated that he had seen other systems adopted, which had taken years to produce the same results as had been obtained in a few months by Mr. Fisher's class. Mr. Colley being called upon, said, that he disagreed with the speaker who attributed to the system the rapid progress which had been made by Mr. Fisher's class. In his (Mr. Colley's) opinion it was the talent and ability of the teacher which accounted for the satisfactory progress made by the class. He objected to the system, and thought it only useful in an elementary point of view. He was about to establish a singing class at Kiama, and should certainly adopt Hullah's method of teaching.
Mr. Fisher said he felt himself called upon to make a few observations upon the subject of the system which he taught; he had taught for many years by other systems in England, and was now of opinion that no system was equal to the "Tonic sol fa," for imparting in a short period, the knowledge of singing at sight. This system had been modified by Mr. Kirwin [Curwen], and was now much used in England, with most satisfactory results. Nevertheless he would not reject the claims of other systems, and would, as his class advanced in musical knowledge, practice them in the old notation. The second part of the programme, was commenced by a chorus, "Morning Song," "Hail all Hail!" this chorus was sang with much spirit, and was loudly inchored [sic]. The ballad, "Annie Laurie," was next sang by Mr. Fisher, with his usual good taste. Next came a glee by the class, "Five times by the tapers light." Mr. Colley sang "The tempest of the heart," from "Il Trovatore," and all hearts must truly have been moved by the touching and musical style of the rendering of this plaintive melody. Mr. Colley's song was followed by the class, singing the chorus, "never forget the dear ones." Mr. Fisher sand "The Englishman," with his characteristic patriotic style. Mr. Colley followed with the ballad, "I'm leaving thee Annie." Mr. Fisher, by request sang "The tight little Island." This highly humorous serios comic, patriotic effusion of Dibden's much pleased the company, and the admirable manner in which Mr. Fisher rendered this song, was highly creditable. The national Anthem having been sang in right loyal style, the company separated, evidently highly delighted with the proceedings of the evening . . .

ASSOCIATIONS: James Churchill Fisher (singing instructor); John Curwen (English singing instructor); Tonic sol fa (method)

MUSIC: The tempest of the heart (Verdi, from Il trovatore, arr. C. W. Glover); I'm leaving thee in sorrow Annie (Barker)

"CONCERT", Examiner (12 March 1861), 2

http://nla.gov.au/nla.news-article102520670 

On Saturday evening, Mr. Colley, assisted by Miss Farr and Mr. Fisher, gave another concert in the Court-house, at Kiama. The audience was not very numerous, but those who were present seemed to be gratified with the entertainment afforded by Mr. Colley, and we imagine that he would have secured a larger amount of patronage had the night been favorable. Those who live any distance from the town do not like to venture on our hilly and rough roads on dark nights, and a change to the "full of the moon" on the occasion of the next concert, would on that account, we think, be of advantage. The singing on Saturday was, to our ear, better than on the previous night. Mr. Fisher was in better voice, and Miss Farr and Mr. Colley were more fortunate in their selectings. "Willie we have missed you," and "My heart is sair," were both prettily given by Miss Farr, and Mr. Colley's "Why are you wandering here, I pray?" was far before the "Widow Malone," and secured an encore, when he substituted "Simon the Cellarer," which was warmly received. Mr. Fisher, who has a fine rich voice, gave the "Englishman" - evidently a favorite, - "When others lips," and "The death of Nelson," and, as a change to an encore of "When other lips," "The tight little Island." The fine old glee of "Hail! smiling morn," was admirably sung by the company, and also that of "Sleep, gentle lady." Altogether, the affair passed off very pleasantly, and we were glad to observe that there was no unseemly noise or behavior in the room, although a few youths at the door were a little disorderly, but a repetition of that may easily be prevented. We hope to see Mr. Colley's next entertainment more extensively patronised by the respectable part of the community, as he is deserving of encouragement in his efforts to cultivate a taste for music amongst us.

MUSIC: Why are you wandering here, I pray (by Isaac Nathan)

[Advertisement], Illawarra Mercury (29 March 1861), 3

http://nla.gov.au/nla.news-article132221641 

Easter Holiday's. MR. H. COLLEY begs to announce that he will give a
Series of MUSICAL EVENINGS in WOLLONGONG, during Easter Week.
The first of the above Entertainments, intitled GEMS OF SONG,
will take place at the QUEEN'S HOTEL, on TUESDAY EVENING, APRIL 2nd.
Illustrated by varied and extensive selection of Songs, Ballads, Duets, Glees, &c.,
including "Simon the Cellarer," "Home, Sweet Home," "The Death of Nelson," "Comin' through the rye," "Farewell to the Mountain;"
the celebrated Glees, "Hail, smiling Morn" and "Sleep, gentle Lady;"
and (for the first time in Australia) the Vocal Polka "Springtime," &c., &c.
Reserved Seats (numbered), 4s ; Unreserved, 2s . . .

"MR. H. COLLEY'S CONCERTS", Illawarra Mercury (12 April 1861), 3

http://nla.gov.au/nla.news-article132225776 

These entertainments which were advertised to take place during the present week have been indefinitely postponed. We need scarcely say that the immediate cause was the paucity of the attendance, caused by the heavy rains and consequent muddiness of the streets. On Tuesday and Wednesday evenings not more than eight or ten persons were present. On Tuesday evening Mr. Colley announced that the tickets would be available for the following, or any other, evening; but the weather on the following evening being equally unpropitious, the money was returned to those who had purchased tickets. On both occasions, however, Mr. Colley was determined that the few assembled should not depart without a song, and rarely in this district have we had an opportunity of spending a more pleasant hour or of listening to songs sung with greater feeling and good taste. On Wednesday evening several admirable glees were sung by Messrs. Colley and Fisher and Miss Barr, as also several duets and solo. Miss Barr shews a marked improvement not only in her singing, but also in her piano accompaniments and we can only trust that at some future day, and under more favorable circumstances, Mr. Colley and his friends may be again induced to visit us, and meet with the success which should always attend proficiency in music. We are confident that the singing in parts requires only to be heard in order to secure a numerous attendance.

[Advertisement], The Sydney Morning Herald (14 January 1863), 1

http://nla.gov.au/nla.news-article13072495 

MUNICIPALITY of the GLEBE . . . HENRY COLLEY, Council Clerk.

"MARRIAGE", The Sydney Morning Herald (27 August 1867), 1

http://nla.gov.au/nla.news-article13152969 

On Saturday, the 10th instant, at St. Augustine's Church, Balmain, by the Rev. G. F. Dillon, HENRY, only son of GEORGE COLLEY, of Pimlico, London, to MARY, fourth daughter of WILLIAM PHILLIPS, of Balmain.

"PARRAMATTA. FAREWELL ADDRESS", The Sydney Morning Herald (20 October 1876), 11

http://nla.gov.au/nla.news-article13381938 

On the evening of the 18th instant a number of the friends of Mrs. Henry Colley, for some years organist of St. Patrick's Church, met in the school-room adjoining that church, for the purpose of presenting her with an address and purse of sovereigns on the occasion of her departure to reside nearer Sydney . . .

See also [Advertisement], The Cumberland Mercury (13 September 1879), 5

http://nla.gov.au/nla.news-article248617640 

"Current News", The Cumberland Argus and Fruitgrowers Advocate (8 December 1888), 2

http://nla.gov.au/nla.news-article86268452 

The newly reorganised choir of St. Patrick's Church, Parramatta, entered upon their duties for the first time at 11 o'clock Mass on Sunday last, and rendered Hayden's 10th Mass in a most effective manner. The Rev. Father O'Reilly chanted the Missa Cantata. Mr. Colley conducted and Mrs. Colley presided at the organ. The solos wore taken by Mrs. O'Reilly (soprano), Miss Miles (contralto), Mr. Thompson-Brown (tenor), and Mr. Garland (bass). The choir was augmented by the assistance of Miss Ada Colley and Miss Barrett (soprano), Miss Salloway (contralto), Mr. W. J. Ferris (tenor), and Mr. Colley (bass). The latter gentleman also sang in "Invitatory" at the opening of the Mass. At the offertory Mrs. O'Reilly sang Millard's beautiful "Ave Verum" in a truly devotional manner. Mr. Thompson-Brown did full justice to the same composer's "Ave Maria."

"Death of Mr. Henry Colley", The Cumberland Argus and Fruitgrowers Advocate (12 March 1892), 7

http://nla.gov.au/nla.news-article86268960 

The announcement we regret to have to make of the unexpected death of Mr. Henry Colley, Chief Clerk in the Hospital for Insane, Parramatta, after a few days illness, will come as a shock to those who know the regular habits of his life, his splendid physique, and who only last week met him in the full enjoyment of health and strength, and will be the cause of heartfelt sorrow to everyone who had been acquainted with him either in his official capacity or as a private citizen, while the deepest sympathy will be extended to the heart-broken widow and orphans left to mourn their irreparable loss.

On Thursday evening Mr. Colley partook of some stewed plums at dinner which he heartily enjoyed, and, as usual, spent a few hours in the bosom of his family. He retired to rest but was shortly after seized with violent pains and Dr. J. Kearney was at once in attendance. That gentleman administered remedies but realising the danger his patient was in met Dr. Bowman in consultation and subsequently Dr. Williamson and Dr. Godson, but though several operations were performed the patient gradually sank, and on Monday evening it was apparent that the grim reaper death had claimed another victim. The Rev. Father O'Reilly was sent for and administered the last solemn rites of his church, and hope again rose in the hearts of the anxious watchers as the patient seemed to rally and stated that he [? free] was of all pain. To the experienced eyes of the medical attendants however, this was only a forerunner of the end and at 2 o'clock on Tuesday morning Mr. Colley passed peacefully away. The immediate cause of death being peritonitis.

In his early days Mr. Colley resided in Sydney where his talent as a tenor singer of more than than ordinary sweetness and his cleverness as a musician made him much sought after. Here too he became acquainted with the accomplished Miss Phillips, of Balmain, sister of Mr. Gerard Phillips, the present Mayor of North Sydney, and eventually they entered the bonds of wedlock. Shortly after, Mr. Colley left the Glebe where he had filled the position of Council Clerk and some 25 years ago came to Parramatta to carry on the on the duties of Council Clerk for this borough. This office he vacated after a little while and attached himself to the Sherrif's Department from which he resigned to take the office of clerk in the Lunatic Asylum here. He gained promotion by degrees and for the last 20 years has occupied the post of chief clerk and superintendent of stores in the same institution. As a government officer Mr. Colley was scrupulously conscientious, ever prompt and strict in the discharge of his onerous duties, and firm in seeing that those under him were equally faithful.

As a private gentleman he was most genial in manner though rather retiring in disposition and made for himself hosts of friends. His one great hobby was music. Talented himself and united to a lady endowed with a genius for harmony, it was only natural that music in all its branches had the greatest of charms for the musical pair. Mr. Colley was a man however imbued with deeply religious feelings and the solemn grandeur of the music of the Roman Catholic Church had therefore peculiar attractions for him, so he was not long settled in Parramatta when he took charge of the choir of St. Patrick's Church, Mrs. Colley at the same time presiding at the organ and leading the singing. He was also connected with all the musical societies that have been started in the town since his advent to it, and his able services were ever at the disposal of anyone who called on them. In home life, Mr. Colley was the model of what a husband and father should be, the harmony which he loved being as dear to him in his daily life as in the realms of music. He has gone to his reward, and left behind him a widow and seven orphans, and to these lorn ones deprived of a loving husband and a tender parent the hearts of all must go out in commiseration, and if the condolence of sympathising friends can pierce the gloom of their sorrow, Mrs. Colley and her children will be strengthened to bear their bereavement with resignation.

The funeral procession moved from deceased's residence, Station-street, at 8.45 on Wednesday morning, thence by train to Rookwood, where the Rev. Father O'Reilly officiated at the grave. The officers and attendants from the asylum, and a large gathering of friends took part in the mournful ceremony, the Rev. Father O'Reilly being deeply affected as he read the solemn words consigning to earth the remains of a man whose like can ill be spared.

"Current News", The Cumberland Argus and Fruitgrowers Advocate (2 April 1892), 4

http://nla.gov.au/nla.news-article8626907 

The leading musical ladies of Parramatta in order to join in their tribute of respect to the memory of the late Mr. Henry Colley, assistant superintendent of the Hospital for Insane, who, with his accomplished wife, had ever been foremost in placing his exceptional musical talents at the service of every good and charitable movement, have decided to tender a complimentary concert to Mrs. Colley, which will take place in the Town Hall, Parramatta, at an early date. When the matter was mooted by Mrs. Sommerville Low, Mrs. Dr. Bowman, and Mrs. Burnett, they had quite a host of the leading musical professionals and amateurs in the town and the metropolis offering their services, and expressing a desire to be identified with an object that was so in accord with their own feelings. Mr. Arthur Massey has taken the position of musical director, and his present difficulty is to choose among the many clever artistes who have sent in their names. It may be mentioned that as the concert is nominally a complimentary one to Mrs. Henry Colley, but in reality more of a desire among the deceased gentleman's musical friends to pay honor to his memory, the proceeds will be devoted towards preparing the way for the professional debut of Miss Ada Colley, the eldest daughter of the house, who is possessed of a really phenomenal soprano voice of extraordinary sweetness and range, and who has already given evidence of having inherited from her parents talents, which will place her in the first rank of musical artistes of the day.

"ADA COLLEY", The Cumberland Argus and Fruitgrowers Advocate (18 April 1906), 2

http://nla.gov.au/nla.news-article85939847 

Ada Colley, the Sydney soprano with the phenomenal top note and the golden hair, was married quietly to Leo Dryden, at Lavender Hill, London, on February 14th. Dryden's first wife died while he was in Australia, but we had not heard that either death or divorce had parted the North Sydney skylark and the wealthy Jewish diamond merchant whom she married in New York about seven years ago. Ada's sister, Birdie Colley, dances at the British halls under the name of Madge Mayfield. - Exchange.




COLLIER, Florence (Florence COLLIER)

Musician, pianist

Active Carlton, VIC, 1863

https://trove.nla.gov.au/search?l-publictag=Florence+Collier+pianist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLIER-Florence (shareable link to this entry)


Documentation:

"NEW INSOLVENTS (Schedules filed in Melbourne)", The Star [Ballarat, VIC] (20 March 1863), 3

http://nla.gov.au/nla.news-article72555681 

Florence Collier, Carlton, pianist. Causes of insolvency - Pressure of creditors and want of employment; liabilities, £27 19s; assets, £5; deficiency, £22 19s. Mr. Jacomb, official assignee.




COLLIN, Leopold Frederick (Leopold Frederick COLLIN; L. F. COLLIN; Herr COLLIN)

Musician, pianist (pupil of Mendelssohn, pupil of Thalberg, late pianist to His Majesty to the King of Saxony), musicseller, music publisher

Born Frankfurt (Germany), 1832
Arrived Melbourne, VIC, 20 August 1853 (per Daniel Ross, from Hamburg, aged "20")
Married Charlotte Theresa FULLAM (d. 1905), Presbyterian church, Collins-street, Melbourne, VIC, 19 August 1854
Died Windsor, VIC, Melbourne, 23 June 1912, aged "80"

https://trove.nla.gov.au/search?l-publictag=Leopold+Frederick+Collin+1832-1912 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLIN-Leopold-Frederick (shareable link to this entry)


Documentation:

? Births in Frankfurt Am Main, 1832; Evangelisches Kirchenbuchamt Hannover; 341756, 55

https://www.ancestry.com.au/discoveryui-content/view/841939:61131 (PAYWALL)

Born 4 February 1832 / Leopold / son of Moritz Alexander Collin and Regina ? . . .

ASSOCIATIONS: According to his death record, his parents were Henry Albert Collin and Mary Ann Bearn

Passengers per Daniel Ross from Hamburg, for Melbourne, August 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=57 (DIGITISED)

. . . Leopold Collin / [born] Frankfurt / 20 . . .

[Advertisement], The Argus [Melbourne, VIC] (27 October 1853), 8

http://nla.gov.au/nla.news-article4798697 

MECHANICS' INSTITUTION - Last Sacred Concert, Thursday, October 27th, 1853,
under the patronage of Princess Tuinna, daughter of the King of Mouki, of the Friendly Islands, who will honor the Concert with her presence.
Vocalists: Mrs. Testar, Madame Arnati White, Miss Lewis, Mr. John Gregg, and Chorus.
Pianist and Conductor, Mr. Salamon. Selections from St. Paul, Creation, Messiah, &c., &c.
PROGRAMME. Part I . . . First appearance of M. Collin, late Pianist to the King of Saxony, and Pupil of Mendelssohn,
who will perform a Grand Fantasia from Les Huguenots, (Liszt) . . .

ASSOCIATIONS: Elizabeth Testar (vocalist); Emilia Arnati White (vocalist); Annie and Edward Salamon (vocalist "Miss Lewis" and pianist); John Gregg (vocalist); Thursday Concerts (series); Mechanics' Institution (Melbourne venue); on the 12-year-old Tiunna of Mouki, see "Baron of Bramber", The Courier [Hobart, TAS] (21 October 1853), 2

http://nla.gov.au/nla.news-article2245495 

ASSOCIATIONS: Frederick Augustus II (king of Saxony, patron)

MUSIC: Fantaisie dramatique sur Les huguenots de Meyerbeer (Franz Liszt, 3rd version)

[Advertisement], The Argus (3 November 1853), 8

http://nla.gov.au/nla.news-article4798978 

MECHANICS' INSTITUTION. Thursday Concert - This Evening, November 3rd. Mrs. Testar, Miss Miabella Smith, Miss Martin.
M. Collin, who was received with so much applause last Thursday, will make his second appearance, and play Thalberg's Fantasia on Massaniello . . .

ASSOCIATIONS: Meabella Smith (vocalist); Charlotte Martin (vocalist)

MUSIC: Fantasie sur Masaniello (Thalberg)

[Advertisement], The Argus (5 November 1853), 8

http://nla.gov.au/nla.news-article4799079

MECHANICS' INSTITUTION. - Under the Patronage of His Excellency the Lieutenant-Governor.
Madame Arnati White's Grand Vocal and Instrumental Concert. MONDAY, 7TH NOVEMBER.
Vocal Performers - Mrs. Testar. Madame Arnati White.
Instrumentalists. - Solo Piano, Herr Collin (pupil of Mendelsohn). Solo Ophiclielde, Mr. T. Martin.
Mr. White will preside at the Pianoforte.
By the kind permission of Colonel Despard, the splendid Band of the 96th Regiment under the direction of Mr. Martin,
will attend, and during the evening perform (by desire) the celebrated Railway Galop.
PROGRAMME . . . PART SECOND . . . Solo - Piano, Grande Fantasio Dramatique sur le Don Juan; Herr Collin - F. Litz . . .

ASSOCIATIONS: Emilia and Thomas White (vocalist and pianist); Elizabeth Testar (vocalist); Robert and Thomas Martin (master and bandsman, 99th band); Band of the 99th Regiment (military); Mechanics' Institution (Melbourne venue)

MUSIC: Grande fantaisie de Don Juan (Franz Liszt)

[Advertisement], The Argus (3 March 1854), 8

http://nla.gov.au/nla.news-article4803856 

EUREKA. Opening of the Royal Victoria Concert Hall, Monday, 6th March.
Performers - Miss Miabella Smith, Herr Rahm, Mons. Paltzer, Herr Collins, and the celebrated Ethiopian Serenaders.
Managers - Rahm and Paltzer.

ASSOCIATIONS: Veit Rahm (musician); Jacques Paltzer (musician)

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (19 May 1854), 7

http://nla.gov.au/nla.news-article91933696 

MUSICAL. - HERR COLLINS, who has been so successfully received as a Pianist at Ballarat, begs to apprise the Inhabitants of Geelong, that he shortly intends paying them a visit on his way to Melbourne.

"GRAND CONCERT", Geelong Advertiser and Intelligencer (20 July 1854), 4

http://nla.gov.au/nla.news-article91934174 

GRAND CONCERT. On THURSDAY, the 20th JULY, Under the distinguished patronage of his Worship the Mayor.
Will be given on Thursday and Friday nights at the MUSIC HALL, Geelong Hotel, by the CELEBRATED TYROLESE NATIONAL SINGERS.
Mr. COLLINS will appear and execute a few solos on the Piano-forte. Mr. CREED ROYAL has kindly consented to appear again, only for one night, and execute a few solos on his Flute. HERR RAHM will execute a solo on the Zither. Doors open at half-past seven - Concert to commence at Eight o'clock.

ASSOCIATIONS: Creed Royal (flute)

[Advertisement], Geelong Advertiser and Intelligencer (24 July 1854), 5

http://nla.gov.au/nla.news-article91933624 

GEELONG CONCERT HALL, GEELONG HOTEL. TO-NIGHT, MONDAY, JULY 24TH.
MR. GEORGE SEFTON has the honour to announce that, being determined to present to his musical patrons of Geelong a constant succession of talent, he has, at an immense expense, secured the services of the universal favourite,
THE INIMITABLE BARLOW, whose extraordinary performances must be seem to be appreciated;
also THE CELEBRATED TOTTEN'S HARMONEONS, who will introduce several novelties never produced before a Geelong audience;
- also, the Thalberg of the South, the celebrated Mr. COLLIN'S, who will perform on the Piano-forte selections from the most popular operas;
The FAKIR OF AVA, whose performances in his grand Temple of Enchantment will astonish and delight the audience with his truly wonderful and astonishing tricks.
Prices of Admission: - Dress Circle, 6s. Lower Circle, 3s. Doors open at 7, to commence at 8 o'clock.

ASSOCIATIONS: Robert Barlow (comedian, vocalist); Totten's Harmoneons (blackface minstrel troupe); "The fakir of Ava" (probably the magician Horace Sidney

[Advertisement], The Argus (4 September 1854), 8

http://nla.gov.au/nla.news-article4797227

TO-NIGHT. Mechanics' Institution. Miss Octavia Hamilton has the honor to announce that her
Vocal and Instrumental Concert will take place This Evening, Monday, at the above Institution, upon which occasion that eminent performer,
Herr Collin, Late Pianist to His Majesty the King of Saxony, will make his first appearance since his return to the colony.
Also, Mrs. Testar, Miss Edwards, Miss O. Hamilton, Mr. Hackett, Signor Vitelli, M. Winterbottom, Herr Strebinger, Herr Bial. Prices of Admission - Reserved Seats, 7s. Unreserved, 5s. . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Mr. Hackett (vocalist); John Vitelli (vocalist); John Winterbottom (musician); Frederick Strebinger (violinist); Charles Bial (pianist, accompanist)

"MISS O. HAMILTON'S CONCERT", The Banner (5 September 1854), 9

http://nla.gov.au/nla.news-article179814854 

This concert came off last night, and was well attended. Mrs. Testar, as usual, was very successful . . . Herr Collins was rapturously encored; Herr Strebinger was, as usual, received with enthusiasm . . .

[Advertisement], The Argus (21 September 1854), 8

http://nla.gov.au/nla.news-article4797930 

PROTESTANT HALL. - Great Musical Treat. - To-night a Grand Concert will be given by Herr Collin, the unrivalled Pianist, assisted by the most favorite and eminent Artistes -
Mrs. Testar, who will sing the grand Cavatina from La Favorita; Miss O. Hamilton, who will sing her favorite songs; Mons. Barre, in William Tell, Barcarole, and autre popular songs. Mr. Dixon has kindly consented give his services for that great musical attraction. Herr Strebinger, the eminent Violinist, will play a new Solo; Winterbottom in that beautiful Solo from the Somnambula;
and Herr Collin will execute for this night, his own compositions, brilliant Fantasias upon Ben Bolt, Katty Darling, etc., etc.
We hope that Amateurs who appreciate good music will patronise this great musical treat.

ASSOCIATIONS: Anthony Barre (vocalist); Frederick Dixon (vocalist); Protestant Hall (Melbourne venue)

[Advertisement], The Banner [Melbourne, VIC] (22 September 1854), 1

http://nla.gov.au/nla.news-article179815081 

ASTLEY'S AMPHITHEATRE, SPRING STREET, Open Every Evening. Solo Lessee - Mr. George Lewis.
FRIDAY EVENING, September 22nd. GRAND MUSICAL and COMIC ENTERTAINMENT.
Re-appearance of MRS. TESTAR. Re-engagement of MISS O. HAMILTON.
First and only appearance of HERR COLLIN, The Celebrated Pianist.
MRS. ONN, in Irish Ballads. Complete Organisation of the Orchestra.
BARLOW again To-night! GEORGE LEWIS and LILLIPUTIAN TOM TO-NIGHT!
MONS. FLEURY - Leader of the Orchestra . . .
5. Cavatina, 'Robert Toi que J'aime' (By desire). Mrs. Testar, accompanied on the Piano by Herr Collin.
6. Fantasia on National Airs, upon the Pianoforte, by Herr Collin, the Celebrated Pianist. First Appearance, and for this Night only . . .

ASSOCIATIONS: George Lewis (performer, proprietor); Constantia Onn (vocalist); Achille Fleury (violinist, leader); Astley's Amphitheatre (Melbourne venue)

"CONCERT", The Argus (28 September 1854), 5

http://nla.gov.au/nla.news-article4798223 

Herr Collin, an excellent pianist, has announced a concert to take place this evening at the Mechanics' Institute. This gentleman was to have given an entertainment last week at the same place, but it was subsequently ascertained that the room had been previously engaged for some other purpose. In order not to disappoint his patrons, Herr Collin next engaged the Protestant Hall, but again he was unfortunate, for some of the lady vocalists whom he had retained refused, from some cause best known to themselves, to make their appearance there. After experiencing considerable loss, the disappointed pianist was obliged to postpone his concert, and he accordingly, as has been already stated, is to make his bow this evening. The programme is generally of an attractive nature, and several favorites of the public are to appear.

[Advertisement], The Argus (28 September 1854), 8

http://nla.gov.au/nla.news-article4798229 

MECHANICS'S INSTITUTION, To-night, at Herr Collin's Concert, Mrs. Testar, Miss O. Hamilton, Messrs. Barre, Dixon, Strebinger, Winterbottom.
MECHANICS' INSTITUTION, To-night. - Herr Collin's Grand Concert will take place, assisted by the most admired artistes.
MECHANICS' INSTITUTION. - Herr Collin, the Celebrated Pianist, will give his Concert Ro-night. See the Programme.

[Advertisement], The Argus (1 December 1854), 8

http://nla.gov.au/nla.news-article4801122 

MUSICAL Entertainment, in the Concert Room, Union Hotel, brilliantly lighted with gas.
Admission free. Open every evening. Concert to commence at eight o'clock.
The proprietor has much pleasure in announcing to the public that he has secured for the above entertainment the following talented and popular artistes: -
Miss Urie, the celebrated Scotch ballad singer; Miss Bourn, late of the Salle de Valentino;
Mr. D. Golding, the celebrated Irish comic singer; and Mr. Collins, the eminent pianist.

ASSOCIATIONS: Louisa Urie (vocalist); Georgina Bourn (vocalist); Daniel Golding (Vocalist); Union Hotel (Melbourne venue)

[Advertisement], The Age [Melbourne, VIC] (16 April 1855), 1

http://nla.gov.au/nla.news-article154897728 

ONE NIGHT MORE. COLEMAN At the Mechanics' Institute,
This Evening (Monday) In his highly amusing and successful Monologue of MASKS AND FACES . . .
Mr. Coleman will give his extraordinary imitations of HENRY RUSSELL and MONS. ROBIN,
and appear in Twenty different Characters, Illustrative of the men and manners of the age.
Pianist - Herr Collin . . .

ASSOCIATIONS: Henry Coleman (polyphonist)

"COUNTY COURT OF BOURKE. £10 JURISDICTION. Saturday, 6th October, 1855", The Age (8 October 1855), 6

http://nla.gov.au/nla.news-article154892632 

MURPHY v. MACLELLAN. In this case the plaintiff, Thomas Murphy, sued the defendant Macklellan, the proprietor of the Belvidere Hotel, Collingwood, for damages sustained by a breach of contract. The plaintiff had been engaged for one month at the rate of £4 10s. per week, as a vocalist, and manager of that addition to the defendant's establishment, and after the first few days the speculation appearing likely to be an unprofitable one, the defendant wished to dismiss the plaintiff summarily, under the plea that the engagement had been made conditionally upon the success of the undertaking. The agreement having been put in it was found to be an unconditional agreement for one month . . . A verdict was then returned for £8 5s. and costs, this being the amount claimed.
HAMMOND. v. THE SAME. This was a similar claim to the last. The plaintiff had been engaged as comic vocalist at the same rate of remuneration, and for the same period. Verdict for £8 5s., with costs.
COLLINS V. THE SAME. A third claim for professional services by the plaintiff, Leopold Collins, a pianist, but in this instance the remuneration was to be at the rate of £5 10s. per week. Verdict for the amount claimed, £10, with costs.

ASSOCIATIONS: Thomas Murphy (vocalist, manager); W. H. Hammond (comic vocalist)

"VISIT OF HIS EXCELLENCY THE GOVERNOR OF SOUTH AUSTRALIA TO BEECHWORTH . . . PUBLIC DINNER TO SIR RICHARD MACDONNELL", The Argus (4 October 1856), 5

http://nla.gov.au/nla.news-article7137757 

In consequence of his Excellency having intimated that it was the intention of himself and Lady Macdonnell (sic) to remain in Beechworth a day or two longer than he had originally proposed, a large number of the merchants and inhabitants of Beechworth invited him to a public dinner, which they prepared for his entertainment at the Star Hotel. Covers were laid for about seventy or eighty guests . . . In proposing the toast of the evening, "The Health of the Governor of South Australia," Captain Price observed that Sir Richard and Lady Macdonnell had travelled 1,000 miles, and had been exposed to much discomfort and hardship for the benefit of the colony of South Australia . . . Various other toasts were proposed, and responded to, and the company separated at half-past nine o'clock, after which a concert under the management of Herr Collin and Mr. Sams, was given. The room was very well filled, and the company were greatly delighted with the entertainment.

ASSOCIATIONS: Richard and Blanche Macdonnell (governor of South Australia and wife); Frederic Sams (vocalist)

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (3 January 1857), 4

http://nla.gov.au/nla.news-article113013513 

PROMENADE Concert and Ball every evening, at the Star.
Musical Director, Herr Collin. Leader, Mr. Osborne. Admission, One Shilling.
MADEMOISELLE SCHLUTER will appear this evening in the Grand Scene from the "Daughter of the Regiment."
MADEMOISELLE SCHLUTER, Mr. Burchell, Mr. Hammond, and Mr. S. Benner, at the Star, are the great attractions in Beechworth.

ASSOCIATIONS: Ferdinand Osborne (violin, leader); Alwine Schluter (vocalist); Samuel Benner (vocalist); James Ellis (proprietor); Star Theatre (Beechworth venue)

"THE CONCERT AT THE EL DORADO", Ovens and Murray Advertiser (19 January 1857), 2

http://nla.gov.au/nla.news-article113013725 

M. Coulon's musical entertainment on Saturday evening, at Winter's El Dorado hotel, was a decided success. The masonic hall, in which it took place was completely filled by a highly respectable audience, including a very fair sprinkling of the fair sex, all of whom seemed thoroughly to enjoy the musical treat provided by Miss Hamilton and Messrs. Coulon and Pierce. The programme comprised a selection of operatic, ballad and comic songs, and was ushered in by an introductory performance on the piano, by Herr Collin, who also accompanied the vocalists . . .

ASSOCIATIONS: Emile Coulon (vocalist); John Ottis Pierce (vocalist)

"FIRE AT BEECHWORTH", The Argus [Melbourne, VIC] (12 February 1857), 6

http://nla.gov.au/nla.news-article7144536 

A fire broke out in Beechworth at an early hour on Thursday morning on the premises of Herr Collin, the pianist, who has lost his all - furniture, clothing, and valuables of all kinds having perished in the flame. Amongst the first named articles was a very valuable piano, and amongst the last, two or three valuable watches. The whole of the dwelling, out-houses, with the framework of a new hotel or public-house which Herr Collin was erecting, were burnt to the ground; the proprietor himself being severely burnt about the hand while endeavouring to save a portion of his property. The neighbouring store of Mr. Chesnall, known as the Californian store, was not burnt, but the whole of the stock was more or less injured from the violence used in throwing it out of the reach of the flames. One hundred and fifty pounds will not cover his loss. We have not heard how the fire originated, - Ovens and Murray Advertiser.

"MUSIC AND THE DRAMA . . . THE PROVINCES", The Age (16 February 1857), 5

http://nla.gov.au/nla.news-article154822343 

At Beechworth, lately, a concert was given by Miss Octavia Hamilton, M. Coulon, and Mr. Pierce, assisted by an amateur, in aid of the funds of the Hospital. Herr Collin was not present, owing to indisposition . . .

[Advertisement], Ovens and Murray Advertiser (7 March 1857), 1

http://nla.gov.au/nla.news-article113014362 

HERR COLLIN, the well-known Pianist, is open to an Engagement. Communications addressed to Herr Collin, office of this paper, will be attended to immediately.

[Advertisement], Ovens and Murray Advertiser (13 March 1857), 3

http://nla.gov.au/nla.news-article113014430 

STAR THEATRE . . . THURSDAY EVENING, FEBRUARY 12, and following Evenings This Week . . .
The Entertainment will be supported by the following Artists: MISS OCTAVIA HAMILTON, MR. EMILE COULON, MR. J. O. PIERCE . . . HERR COLLIN . . .

"EVENING CLASSES", Portland Guardian [VIC] (30 April 1863), 2

http://nla.gov.au/nla.news-article64628674

We would direct the attention of our readers to an advertisement, in another column, intimating that Herr Collin purposes opening evening singing classes, provided a sufficient number of pupils offer. The course will consist of twenty two lessons of an hour each, two lessons weekly. From the celebrity which Mr. Collin has attained as a music master, we have every reason to believe that his pupils will make rapid progress, and as an elevating and refining art vocal music and its professors deserve patronage. From the names of the gentlemen who have inaugurated the movement complete success may be anticipated.

[Advertisement], Portland Guardian (14 May 1863), 1

http://nla.gov.au/nla.news-article64628777 

HERR LEOPOLD COLLIN, Teacher of the Piano-Forte and Singing. Pupil of the Conservatoire Francais & Sigmond Thalberg, at Mr. Gover's former residence, Julia-street.

"HERR COLLIN'S SINGING CLASS", Portland Guardian and Normanby General Advertiser (11 June 1863), 2

http://nla.gov.au/nla.news-article64628965 

Over sixty pupils attended the opening of Herr Collin's singing class on Tuesday evening last at 8 p.m. in the Church of England School Room, Percy-street. Tuesday and Friday at the above hour will be the evenings for practice. We understand that over 40 have joined the ladies' class and they will meet for practice on the same evenings but an hour earlier or 7 p.m.

"THE AMATEUR CONCERT", Portland Guardian and Normanby General Advertiser (24 May 1866), 6

http://nla.gov.au/nla.news-article64636568 

The concert, given in aid of the funds of the Benevolent Asylum, on Thursday evening last, was a great success. The room was crowded, over two hundred present. Herr Collin acquitted himself with his usual skill, and the audience seemed thoroughly to appreciate all that was presented to them. The sum of £35 was realised, a very seasonable addition to the present funds of the Asylum.

MUSIC: Fantaisie sur Lucia di Lammermoor (Prudent); see full programme, [Advertisement], Portland Guardian and Normanby General Advertiser (3 May 1866), 3

http://nla.gov.au/nla.news-article64636411 

[Advertisement], The Argus [Melbourne, VIC] (26 January 1867), 8

http://nla.gov.au/nla.news-article5784507 

HERR L. COLLIN, Royal Academie, Paris (Pupil of S. Thalberg), Professor of the Pianoforte,
Has taken up his residence in Melbourne to practice his profession. For terms, &c., care of Wilkie, Webster, and Co.

ASSOCIATIONS: Wilkie, Webster and Co. (musicsellers)

[Advertisement], The Argus (26 April 1867), 8

http://nla.gov.au/nla.news-article5765271

HERR L. COLLIN, Academie Royale, Francais, pupil of Thalberg, PROFESSOR of PIANOFORTE and SINGING. Terms, &c., apply at his residence, 161 Collins-street east.

[News], The Argus (21 June 1867), 5

http://nla.gov.au/nla.news-article5770282 

The concert given by the St. Kilda Glee and Madrigal Society on Wednesday evening, in the Prahran Town-hall, in aid of the building fund of the New Melbourne Hospital, was one of those musical entertainments which bear the character of drawingroom concerts, and which, when carefully got up, are always productive of much pleasure both to auditors and executants. The programme of Wednesday contained part-songs, glees, and other compositions of what is commonly called the standard class, some of them being, as usual, more effective with a general audience than others . . . The soloists were . . . Herr Collin, a pianist newly settled in Melbourne, who played admirably, and who was loudly encored after his first solo, by Willmers; and Mr. M. Harvie, the most distinguished amateur flautist in the colony . . . The excellence in part-singing of the St. Kilda Glee and Madrigal Society is due to Mr. S. Kaye, its director.

ASSOCIATIONS: Montague Harvie (flute); Samuel Kaye (conductor)

[Advertisement], The Argus (10 August 1867), 8

http://nla.gov.au/nla.news-article5774812 

HERR L. COLLIN, 161 Collins street east, teaches the Italian School of SINGING, for development and cultivation of voice.

[News], The Herald (4 July 1868), 2

http://nla.gov.au/nla.news-article244958896 

The usual meeting of the Victorian Musical Association (of professional musicians) took place on Thursday, 3rd July. The following names were proposed, ballotted for, and elected: - Mrs. Le Cren, Messrs. Rutter, Amery, Donaldson, G. Fincham, T. Dudley, Peters, Herr Elsasser, Herr Collin . . .

ASSOCIATIONS: Louisa Maria Le Cren (member); George Oswald Rutter (member); Edwin Amery (member); Charles Alexander Donaldson (member); George Fincham (member); Charles Elsasser (member); Victorian Musical Association (association)

"MR. PRINGLE'S CONCERT", Weekly Times (2 October 1869), 10

http://nla.gov.au/nla.news-article220404740 

The last of the series of subscription concerts, got up by Mr. G. R. G. Pringle and Herr Collin, took place on Monday evening in the hall of the Mechanics' Institute, Collins street, which was crowded to excess by a brilliant and fashionable audience . . . . Herr Collins gave Liszt's fantasia di concert, consisting of selections from the "Huguenots," with much credit to himself . . .

ASSOCIATIONS: George Robert Grant Pringle (pianist)

"CONCERT AT ST. GEORGE'S HALL", The Argus (4 November 1870), 5

http://nla.gov.au/nla.news-article5837332

A concert was given at this place last night, for the benefit of the funds of the Magdalen Asylum . . . Herr Collin, under whose direction the concert was given, played a duet, for two pianos, with Miss P. Terlechi. The subject was an arrangement by Döhler, of airs from "Lucrezia Borgia," introducing the great trio in the second act, the duet "Infelice," and "Il Segreto." These were fairly played, and were creditable to the skill of the young lady who took the second part . . . The most remarkable feature of the concert was the overture to "Semiramide," played by Herr Collin and 15 young ladies on eight pianos. This was not a signally brilliant performance, because they might have kept more together than they did, but we are not going to find fault when these young ladies did their best, and were, besides, at the serious disadvantage of having no conductor. Where the various movements of this brilliant work went well together the effect was very good; but the prettiest part about it was to see so many young and intelligent amateur performers working vigorously away with that conscientious and self-satisfied air which may always be noticed on occasions like this. As a compliment to those young ladies, the audience very good naturedly encored the whole performance, and listened to the repetition with signs of satisfaction. The second part of the concert, which did not commence until past 10 o'clock, consisted of the music of Offenbach's "Orphée aux Enfers" . . .

ASSOCIATIONS: Paulina Terlecki (pianist)

"NEW INSOLVENTS . . . (Schedule filed in Sandhurst)", The Argus (13 August 1872), 5

http://nla.gov.au/nla.news-article5836916

Leopold Frederick Collin, of Sandhurst, teacher of music.
Causes of insolvency - Depression in business, and inability to collect moneys that have been carried.
Liabilities, £83 10s. 11d.; assets, £40; deficiency, £43 10s. 11d. Mr. Hasker, assignee.

And see also "THE OBSERVER", Portland Guardian and Normanby General Advertiser (26 August 1872), 2

http://nla.gov.au/nla.news-article65427921 

I was sorry to see in the list of insolvents which appeared in a recent issue of the Argus, the name of Leopold Frederick Collin, teacher of music, Sandhurst, who was a few years ago, resident here, and took a very active part in musical affairs, realising a considerable sum of money, but not content with competent provincial mediocrity, sought fame in the metropolis, and has found it - in the Insolvent Court.

[News], Bendigo Advertiser (20 August 1872), 2

http://nla.gov.au/nla.news-article87975324 

AN ELEMENTARY SINGING CLASS is to be established in Sandhurst by Herrs Collin and Gollmick, on Monday, 2nd September - two gentlemen very well qualified for the task, Hullah's system is to be adopted. There is also to be an advanced class on Manuel Garcia's system. In view of the establishment of a Philharmonic Society in this city there appears to be a necessity for singing classes of the kind stated, and we have little doubt but that they will prove successful. Particulars appear in our advertising columns.

ASSOCIATIONS: William Gollmick (musician); John Hullah (English singing instructor); Manuel Garcia (European vocalist and instructor)

"HERR COLLIN'S PUPILS' CONCERT", Bendigo Advertiser (23 July 1874), 2

http://nla.gov.au/nla.news-article88232444

There was an excellent attendance last evening at St. James's Hall, on the occasion of the annual concert given by the pupils of Herr Collin. The proceeds of previous concerts given by Herr Collin's pupils have been hitherto divided between the hospital and benevolent asylum, but at the request of the pupils the profits of the present entertainment will be handed over to the Burns' Boys Relief Fund; and judging from the large attendance last evening, a handsome sum will be obtained . . . Herr Collin played the accompaniments to the singers in his usual excellent style.

"MARRIAGE", The Argus (3 January 1878), 1

http://nla.gov.au/nla.news-article5915959 

COLLIN - FULLAM. - On the 10th August, 1854, at the Presbyterian Church, Collins-street, Melbourne, by the late Rev. Irving Hetherington, also by the Rev. Dean Slattery, of Warrnambool, Herr Leopold Collin, professor of music, to Charlotte Theresa Fullam, daughter of the late Robert Fullam, Sydney.

[Advertisement], The Argus (6 April 1878), 12

http://nla.gov.au/nla.news-article5927910

HERR L. COLLIN receives PUPILS for finishing lessons in PIANOFORTE and Singing, at 12 Royal Arcade.

"BALLARAT CHRONICLES AND PICTURES. THE FINE ARTS. BY W. B. WITHERS", The Ballarat Star (2 November 1889), 1

http://nla.gov.au/nla.news-article209460290 

. . . Shortly before Bentley's hotel was burnt, in October, 1854, Alexander Dimant and James Mulholland - both afterwards attached to local municipal bodies - who were storekeepers on the Eureka, opened the Victorian Concert Hall on the Eureka Lead, the company consisting of the still extant Billy Barlow, with his clever farrago of comic and other songs and the buzzing bluetail fly; Herr Von Rhamn, with zither and guitar; Daddy West, double bass; Miell, cornet; Herr Collins, pianoforte; J. Paltzer, violin, and leader. The venture soon failed . . .

ASSOCIATIONS: William Bramwell Withers (journalist); James Mulholland (proprietor, comic vocalist, songwriter); Robert Barlow (vocalist); Veit Rahm (musician); Augustus Miell (cornet); Jacques Paltzer (violin, leader)

"DEATHS", The Herald (12 July 1905), 2

http://nla.gov.au/nla.news-article242194757 

COLLIN - On the 12th July, at "Fetterrairn," The Avenue, Windsor, Charlotte, the beloved wife of Leopold F. Collin. R.I.P.

"DEATHS", The Argus (24 June 1912), 1

http://nla.gov.au/nla.news-article11686119

COLLIN. - On the 23rd June, at his residence, "Fettercairn," The Avenue, Windsor, Leopold Frederick Collin, of the well-known music warehouse, 187 and 189 Swanston-street, Melbourne, the beloved father of Julia, Bertha, Robert, Albert, Mrs. T. J. Burke, and Mrs. J. Black, aged 80 years. Requiescat in pace.

"ABOUT PEOPLE", The Age (24 June 1912), 8

http://nla.gov.au/nla.news-article197376282 

Mr. L. F. Collin, the well known music warehouseman, of Swanston-street, died early yesterday morning, at his residence, "Fettercairn," The Avenue, Windsor, at the age of 80. He had been associated with the music trade for the last 58 years in Victoria, having arrived here in 1854 [sic]. Deceased leaves two sons and four daughters.

Will, probate and administration, Leopold Frederick Collin, music warehouseman; Public Record Office Victoria

https://prov.vic.gov.au/archive/CA9A65AE-F547-11E9-AE98-6310092DB9F9?image=1 (DIGITISED - WILL)

https://prov.vic.gov.au/archive/8C0F48EE-F209-11E9-AE98-695ECBEAA8E1?image=1 (DIGITISED)

"An Australian Music Pioneer", Musical Opinion and Music Trade Review (October 1912), 64

https://books.google.com.au/books?id=8gVKAQAAMAAJ&pg=PA64 (DIGITISED)

THE death in July last at Windsor, Australia, of an interesting and familiar figure in the Australian music trade, Mr. Leopold Frederick Collin, recalls the musical history of bygone days. Born in Germany in 1832, he early displayed a great aptitude for music and in his teens gained a reputation as a pianist. Attracted by the gold mining boom, he resolved to try his fortune in Australia. He arrived at Melbourne in 1854 [sic, 1853], when the gold fever was at its height, and settled at Beechworth, then a large mining town. While there, the late Mr. Collin was the soul of the music loving section of the town and in all the music festivities he took a leading part. He established himself at Collins Street and later he purchased the piano warehouse of Messrs. Cross, afterwards acquiring the music business of Dixon & Co. and also the piano and military band instrument business of F. A. Rowden. Here he was joined by his two sons, Robert (who took charge of the musical portion) and Albert (who controlled the band and instrument side of the house). Mr. Collin himself conducted the piano and organ section and with the aid of his two sons carried it successfully on until his death, a period of twenty-eight years. The business is being carried on by his sons Robert and Albert, both well known and popular members of the profession, who are maintaining the trade connection on the same principles which characterised the firm in previous years.


Sample "editions" (c. 1880-1900; printed in England, local overprint on titlepages and covers only: L. F. Collin, Melbourne):

J. W. Turner, The fairies' wedding waltz

https://trove.nla.gov.au/work/9499116/version/11019721 

Jules Schulhoff, Seconde grande valse brillante, Op. 20

https://trove.nla.gov.au/work/33721925 

D. Steibelt, The storm rondo, op. 33

https://trove.nla.gov.au/work/32076141 


Other sources:

Orpheus by J. Offenbach; Opera di Camera, as performed at Mr. G. R. G. Pringle & Herr L. Collin's subscription concerts, on June 27th, 1870 (Melbourne: Clarson, Massina and Co., 1870)

https://trove.nla.gov.au/work/27266995 

https://find.slv.vic.gov.au/permalink/61SLV_INST/1sev8ar/alma994000843607636 

ASSOCIATIONS: George Robert Grant Pringle (musician); Clarson, Massina and Co. (printeres, publishers)


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 266

http://ro.uow.edu.au/theses/2926 (DIGITISED)




COLLINS, Mrs. (Mrs. COLLINS)

Musician, pianist, accompanist

Active Geelong, VIC, 1854

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-Mrs-1854 (shareable link to this entry)


Documentation:

"THE CONCERT", Geelong Advertiser and Intelligencer [VIC] (30 October 1854), 4

http://nla.gov.au/nla.news-article91862435 

The very full and respectable attendance at the Theatre on Saturday evening was quite refreshing, and seems indicative of a revival in matters musical. Mrs. Testar was suffering from indisposition, but in the latter part of the programme she evidently rallied and rung out those clear strains with all her old enchantment. Mrs. Hancock was badly encored; she, as well as Mrs. Quain (late Miss Martin), have very much improved. Mrs. Collins on the piano, accompanied all the songs, duetts, and flute solos, and was scarcely ever off the stage. We understand that although it was her first appearance, she is a permanent resident in Geelong, and we trust that for the future no concert will be given without securing her talents . . .

ASSOCIATIONS: Elizabeth Testar (vocalist); Mary Ellen Hancock (vocalist); Charlotte Quain (vocalist)




COLLINS, David (David COLLINS)

Governor, judge-advocate, author, historian of the early colony, Indigenous culture and song reporter

Born London, England, 3 March 1756; son of Arthur Tooker COLLINS and Henrietta Caroline FRASER
Married Mary (Maria Stuart) PROCTOR (d. 1830), St. Paul's, Halifax, Nova Scotia (Canada), 13 June 1777
Arrived (1) Botany Bay, NSW, 20 January 1788 (per Sirius)
Departed (1) Sydney, NSW, August 1796 (per Britannia, for England)
Arrived (2) Port Phillip Bay, NSW (VIC), 9 October 1803 (per Calcutta, from England, April)
Died Hobart Town, VDL (TAS), 24 March 1810

http://nla.gov.au/nla.party-459200 (NLA persistent identifier)

https://en.wikipedia.org/wiki/David_Collins_(lieutenant_governor) (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-David (shareable link to this entry)


Documentation:

"Deaths Abroad", The Monthly Magazine (1 February 1811), 98

https://books.google.com.au/books?id=AyoAAAAAYAAJ&pg=PA98 (DIGITISED)

Col. David Collins. He was the eldest son of Gen. Arthur Tooker Collins, and Harriet Fraser, of Pack, in the King's county, Ireland, and grandson of Arthur Collins, esq. the author of the Peerage of England, &c. He was born the 3d of March, 1756, and received a liberal education, under the Rev. Mr. Marshall, Master of the Grammar School at Exeter, where his father resided. In 1770 he was appointed lieutenant in the Marines; and, in 1772, was with the late Admiral McBride, in the Southampton frigate, when the unfortunate Matilda, Queen of Denmark, was rescued from the dangers that awaited her by the energy of the British government, and conveyed to a place of safety in the king On her brother's Hanoverian dominions. On that occasion he commanded the guard that received her Majesty, and had the honour of kissing her hand. In 1775, he was at the battle of Bunker's Hill; in which the first battalion of Marines, to which he belonged, so signally distinguished itself, having its commanding officer, the gallant Major Pitcairne, and a great many officers and men, killed in storming the redoubt, besides a very large proportion of wounded. In 1777, he was Adjutant of the Chatham Division; and, in 1782, Captain of Marines on board the Courageux, of 74 guns, commanded by the late Lord Mulgrave, and participated in the partial action that took place with the enemy's fleet, when Lord Howe relieved Gibraltar. Reduced to half-pay at the peace of 1782, he resided at Rochester, in Kent, (having previously married an American lady, who survives him, but without issue); and, on its being determined to found a colony by sending convicts to Botany Bay, he was appointed Judge Advocate to the intended settlement, and in that capacity sailed with Governor Philip in May 1787 (who moreover appointed him his secretary), which [? position] he filled with the greatest credit to himself and advantage to the Colony, until his return to England in 1797. The History of the Settlement, which he soon after published, followed by a second volume, a work abounding with information, highly interesting, and written with the utmost simplicity, will be read and referred to as a book of authority, as long as the Colony exists whose name it bears. The appointment of Judge Advocate, however, proved eventually injurious to his real interests. While absent, he had been passed over when it came to his turn to be put on full pay; nor was he permitted to return to England to reclaim his rank in the corps; nor could he ever obtain any effectual redress, but, was afterwards compelled to come in as junior captain of the corps, though with his proper rank in the army. The difference this made in regard to his promotion was, that he died a captain instead of a colonel-commandant, his rank in the army being merely brevet. He had then the mortification of finding that, after 10 years' distinguished service in the infancy of a colony, and to the sacrifice of every real comfort, his only reward had been the loss of many years' rank, a vital injury to an officer. A remark which his wounded feelings wrung from him at the close of the second volume of his History of the Settlement, appears to have awakened the sympathy of those in power; and he was, almost immediately after its publication, offered the government of the projected Settlement on Van Diemen's Land, which he accepted, and sailed once more for that quarter of the globe, where he founded his new colony; struggled with great difficulties, which he overcame; and, after remaining there eight years, was enjoying the flourishing state his exertions had produced, when he died suddenly, after a few days' confinement from a slight cold, on the 24th March, 1810. His person was remarkably handsome, and his manners extremely prepossessing; while, to a cultivated understanding, and an early fondness for the Belles Lettres, he joined the most cheerful and social disposition. How he was esteemed by the inhabitants of the Colony over which he presided, will appear from the following extract of a letter announcing his decease: By the death of Col. Collins "this Colony has sustained a loss it will take a number of years to get over. I have known and served with him from the first establishment of the Colony; and, when I speak the feelings of my heart on this melancholy occasion, I am sure that it is not my single voice, but that of every department whatsoever in the Settlement, who, with the most heartfelt regret, universally acknowledge him to have been the father and friend of all."


Bibliography and resources:

"Collins, David (1756-1810)", Australian dictionary of biography 1 (1966)

http://adb.anu.edu.au/biography/collins-david-1912 




COLLINS, George Thomas (George Thomas COLLINS; George COLLINS; G. T. COLLINS)

Amateur musician, violinist, violin player, orchestral leader, lawyer, politician

Born Launceston, VDL (TAS), 10 May 1839; baptised St. John's church, Launceston, 7 August 1839; son of William COLLINS (d. 1843) and Martha Matilda ROLLS
Married Ursula Flora McEACHERN, St. Andrew's church, Launceston, TAS, 29 April 1863
Died Launceston, TAS, 25 August 1926

https://trove.nla.gov.au/search?l-publictag=George+Thomas+Collins+1839-1926 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-George-Thomas (shareable link to this entry)


Documentation:

Baptisms in the parish of St. John, Launceston, in the county of Cornwall in the year 1839; Tasmanian names index; NAME_INDEXES:1087229; RGD32/1/3/ no 402

https://libraries.tas.gov.au/Record/NamesIndex/1087229 

https://stors.tas.gov.au/RGD32-1-3-p478j2k (DIGITISED)

No. 458 / 7th August 1839 / [born] 10th May 1839 / George Thomas / [son of] William and Martha / Collins / Launceston / Licensed Victualler . . .

1863, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:866391; RGD37/1/22 no 443

https://libraries.tas.gov.au/Record/NamesIndex/866391 

https://stors.tas.gov.au/RGD37-1-22p219j2k (DIGITISED)

No. 231 / 443 / [29 June 1863] Launceston / George Thomas Collins / full age / bachelor /
Ursula Flora McEachern / full age / Spinster / married in St. Andrews' church . . .

"THE CONCERT AT THE MECHANICS INSTITUTE", The Tasmanian [Launceston, TAS] (4 July 1874), 10

http://nla.gov.au/nla.news-article198925170 

The complimentary concert to Mr. Frederick Ferguson, honorary organist of the Mechanics' Institute, was given by the committee on Thursday evening . . . Mr. Ferguson opened the concert by performing selections from "The Grand Duchess." This was followed by the trio "The Magic Wove Scarf," by Mrs. Barclay, Mr. Ferguson, and Miss Sherwin . . . Mr. Alexander's pianoforte solo - Gottschalk's "The last hope, or the story of the broken heart" was highly applauded. Miss Sherwin sang the ballad "Within a mile o' Edinbro' toon" so sweetly and quaintly, that it was rapturously encored, and she then sang "Comin' thro' the rye." The violin and pianoforte duet by Mr. George Collins and Mr. Alexander, on airs from Lucia di Lammermoor was an exquisitely finished piece of instrumentation . . .

ASSOCIATIONS: Frederick Ferguson (musician); Amy Sherwin (vocalist); Sarah Sherwin Barclay (vocalist); Albert Alexander (pianist)

"OBITUARY. Hon. G. T. Collins. Prominent Public Man", The Mercury (27 August 1926), 6-7

http://nla.gov.au/nla.news-article29456587 

A notable figure in Tasmanian public life has been removed by the death, of the Hon. G. T. Collins. C.M.G., V.D., which occurred at his home in Launceston about midnight on Wednesday. Mr. Collins led a most active life, having always the welfare of the State at heart, and his record of public service is one of which anyone might be proud. He was the son of Mr. William Collins, and was born at Launceston on May 10, 1839, and educated at the Launceston Grammar School and the Church of England Grammar School, Campbell Town. Following the law as a profession, he was articled to the late Sir Adye Douglas in Launceston, being admitted as a solicitor of the Supreme Court in Tasmania in March, 1861 . . . He was a lover of art and music, in his earlier days being an enthusiastic amateur violinist, and later leader of the Launceston Musical Union's orchestra . . .




COLLINS, Thomas (Thomas COLLINS; Mr. COLLINS)

Actor, comedian, vocalist

Born c. 1810
? Arrived Hobart Town, VDL (TAS), 6 January 1832 (per Norval, with wife and 2 children)
Active Hobart Town, VDL (TAS), by c. 1833
Arrived Sydney, NSW, 7 February 1836 (per William, from Launceston, 3 February)
Died Sydney, NSW, 2 July 1851, aged "40/41"

https://trove.nla.gov.au/search?l-publictag=Thomas+Collins+c1810-1851 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-Thomas (shareable link to this entry)

COLLINS, Louisa (Louisa COLLINS; Miss COLLINS)

Theatrical dancer

Born Hobart, VDL (TAS), c. 1833; daughter of Thomas COLLINS and Elizabeth ?
Married Henry Peter LUBECK (d. 1862), Scot's church, Sydney, NSW, 5 August 1854
Died New York, NY, USA, 13 May 1901

https://trove.nla.gov.au/search?l-publictag=Louisa+Collins+Lubeck+c1833-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-Louisa (shareable link to this entry)


Documentation:

? Arrivals per Norval, Hobart Town, VDL (TAS), 6 January 1832; Tasmanian names index; NAME_INDEXES:414598; GO3/1/ 16-20

https://libraries.tas.gov.au/Record/NamesIndex/414598 

. . . Thomas Collins, wife and 2 children . . .

[Advertisement], Trumpeter General [Hobart, VDL (TAS)] (4 April 1834), 3

http://nla.gov.au/nla.news-article172895295 

THEATRE, HOBART TOWN . . . TOMORROW EVENING, April 5th, 1834.
Will be performed, the Comedy of Speed the Plough -
Sir Philip Blandford, Mr. Fenton . . . Sir Abel Handy, Mr. Jacobs -
Bob Handy, Mr. Spencer - Mr. Mackay - Farmer Ashfield, Mr. Jordan -
Evergreen, Mr. Collins . . . Miss Blandford, Mrs. Cameron . . .

ASSOCIATIONS: Charles Fenton (actor); John Lewis Jacobs (actor); Albert Spencer (actor); Angus Mackay (actor); Richard Jordan (actor); Cordelia Cameron (actor); Theatre Freemason's Tavern (Hobart venue)

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (22 April 1834), 3

http://nla.gov.au/nla.news-article8647546 

Theatre, Hobart Town. (For the Benefit of MR. COLLINS.) TO-MORROW EVENING, April 23rd, will be performed, NO SONG NO SUPPER . . .

"THE THEATRE", The Independent [Launceston, VDL (TAS)] (12 July 1834), 3

http://nla.gov.au/nla.news-article233687597 

We were present at the Theatre last evening, to witness the performance of Shakspeare's "Merchant of Venice," and we are sorry we cannot report favourably of it . . . Mr. Cameron was respectable in [Shylock] and had well studied the part, but he lacks the "Hebrew tongue." Mr. Granville as "Antonio," Mr. Fenton as "Gratiano," Mr. Jacobs as "Gobbo and as "Salerio," and Mr. Spencer as "Bassanio," were very fairly sustained; Mr. Collins as "Tubal" and "Duke of Venice," was equal at least to the rest, but we repeat that the whole of the persons require too much of the Prompter's assistance. Mr. Spcncer appears to us generally to be the most perfect . . .

ASSOCIATIONS: Samson Cameron (actor); Theatre British Hotel (Launceston venue)

"THE THEATRE", The Independent (26 July 1834), 3

http://nla.gov.au/nla.news-article233687647 

. . . A very respectable audience assembled last evening, to witness the performance of Goldsmith's Comedy of "She Stoops to Conquer," in which the exertions of the corps did them much credit . . . Mr. Collins very much improves - his "Diggory" was good; he will not deceive his supporters in superior characters shortly . . .

"THE THEATRE", The Independent (9 August 1834), 2

http://nla.gov.au/nla.news-article233687695 

. . . The "Spectre Bridegroom" is really a humorous little farce. Mr. Spencer's "Nicodemus" was very good indeed - and Mr. Collins performed the first part of the character of "Paul" with excellent effect. His interview with Mr. Nicodemus was very rich . . . Mr. Peck as Leader of the Orchestra is entitled to credit. The music which is provided is very good, and is varied between the acts as much perhaps as is possible here . . .

ASSOCIATIONS: George Peck (musician, violinist)

[Advertisement], Launceston Advertiser (15 September 1834), 1

http://nla.gov.au/nla.news-article84777705 

THEATRE, LAUNCESTON. For the Benefit of Mr. Collins and Miss Morris.
TO-MORROW EVENING, September 16th, will be presented the Melodrama, called Ella Rosenberg.
A Favorite Song by MISS MORRIS. Street Ballad - Messrs. Collins and Jacobs.
Comic Song - Mr. Jordan.
Recitation by MR. GRANVILLE.
To conclude with the Farce of The Mayor of Garrett.
No TICKETS can be admitted unless countersigned by Mrs. Cameron.
Vivant Rex et Regina.

ASSOCIATIONS: Harriet Morris (vocalist)

Departures per William, from Launceston, 27 January 1836, for Sydney;

https://libraries.tas.gov.au/Record/NamesIndex/536020 

https://stors.tas.gov.au/POL458-1-2P011 (DIGITISED)

. . . Tho. Collins, Wife & 3 children . . .

"Shipping Intelligence", The Colonist [Sydney, NSW] (11 February 1836), 7

http://nla.gov.au/nla.news-article31717621 

7. - William (brig), Griffiths, from Launceston 3rd instant, merchandize. Passengers . . . Mr. T. Collins wife and three children . . .

[Advertisement], Commercial Journal and Advertiser [Sydney, NSW] (13 April 1836), 1

http://nla.gov.au/nla.news-article226460272 

Theatre Royal. MACKAY'S Night. ON SATURDAY APRIL 16, 1836 . . .
The Evening's Entertainment will conclude with the highly laughable and amusing Farce, (not performed here for upwards of Two Years,) called the HONEST THIEVES.
Colonel Careless. Mr. Knowles . . . Lieutenant Story - Mr. Spencer . . .
Abel Day will be sustained by MR. COLLINS, A Gentleman lately arrived, who has kindly consented to appear upon this occasion . . .

ASSOCIATIONS: Conrad Knowles (actor); Theatre Royal (Sydney venue)

"SYDNEY THEATRICALS", The Sydney Gazette and New South Wales Advertiser (19 April 1836), 3

http://nla.gov.au/nla.news-article2203852 

Mackay's benefit took place on Saturday day night, when we're produced the "Vampire;" or, "The Bride of the Isles", and "Honest Thieves" . . . in which Mr. Collins (from the Hobart Town boards) made his first bow before a Sydney audience in the part of Abel Day. This aspirant for theatrical fame it would be unfair to criticize, he having gratuitously contributed to the benefit of a brother chip, did he not acquit himself with credit. The character was not a shining one, but such as it was, he made the best of it, and was cordially greeted . . .

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (22 March 1848), 2

http://nla.gov.au/nla.news-article12893231 

ROYAL VICTORIA THEATRE.
UNDER the patronage of the D.C.R., S.C.R., D.S., and Brethren of the Ancient Order of Foresters.
MR. COLLINS'S BENEFIT, who respectfully solicits the patronage of the inhabitants of Sydney and its vicinity, and trusts that his humble claims may be recognised and obtain for him a share of that support he has ever studied to deserve.
On THURSDAY EVENING, MARCH 23rd, 1848, will be presented the popular Opera, in three Acts, entitled DER FREISCHUTZ; OR, THE SEVEN CHARMED BULLETS,
with the Original Overture, New Scenery, Extensive Machinery, Dresses, Properties, &c., , &c., , &c.
After the Opera, The Mazurka, by Madame Torning and Signor Carandini. The Tarantella, by the Misses Griffiths. The Performance will conclude with for the first time a Romantic Drama, in two Acts, by G. Alman, Esq., entitled THE CEDAR CHEST; OR, THE LORD MAYOR'S DAUGHTER. Tickets and places for the Boxes may be had of Mr. Wyatt, Victoria Hotel; Mr. Collins, Theatre; Mr. Holman, White Horse, George-street; Mr. Robinson, Boundary-stone, Surry Hills.

ASSOCIATIONS: Eliza Torning (dancer); Gerome Carandini (dancer); Fanny and Emily Griffiths (dancers); Royal Victoria Theatre (Sydney venue)

"THE DRAMA. THE BENEFIT SEASON", Bell's Life in Sydney and Sporting Reviewer (18 November 1848), 2

http://nla.gov.au/nla.news-article59767577 

. . . On Thursday Mr. COLLINS made a successful appeal to his admirers, and the novel announcement of the first appearance of "CANKETT'S DANCING POODLE!" in the Polka and Waltz was of itself sufficient to excite the curiosity of the votaries of Terpsichore . . .

"DIED", The Sydney Morning Herald (3 July 1851), 4

http://nla.gov.au/nla.news-article12928320 

At his residence, Pitt-street, on the 2nd instant, Mr. Thomas Collins, in his 41st year, many years connected with the Victoria Theatre, and much respected.

Burials in the parish of Camperdown in the county of Cumberland in the year 1851; register 1849-54, page 60; Sydney Diocesan Archives

https://www.ancestry.com.au/discoveryui-content/view/259685:61177 (PAYWALL)

No. 1185 / Thomas Collins / Pitt St. / [died] July 2 / [buried] July 4 / 41 / Comedian

[Advertisement], The Sydney Morning Herald (7 July 1851), 2

http://nla.gov.au/nla.news-article12928446 

ROYAL VICTORIA THEATRE . . . NOTICE. -
In consequence of the death of Mr. Collins, Mr. Wyatt has kindly given the use of the Theatre.
The company and every one connected with the Establishment have volunteered their gratuitous services to promote a benefit for his bereaved Widow and Family, on Wednesday Evening next, on which occasion the patronage and support of the public is respectfully solicited, on behalf of the Widow and Children of one of its oldest servants.

ASSOCIATIONS: Joseph Wyatt (proprietor)

"THE DRAMA", Bell's Life in Sydney and Sporting Reviewer (12 July 1851), 2

http://nla.gov.au/nla.news-article59772804 

. . . On Wednesday evening a tempting and choice selection of entertainments was announced for the benefit of the widow and family of Mr. Collins, late of the Victoria Theatre. The proprietor gave the house, and the company their services, gratuitously on the occasion, and their appeal to the sympathy of the community was most generously responded to . . .

[Advertisement], Empire (19 July 1852), 2

http://nla.gov.au/nla.news-article60136220 

ROYAL VICTORIA THEATRE. THIS EVENING, (MONDAY,) JULY 19. FOR THE BENEFIT OF MR. F. HOWSON . . .
First appearance of MISS LOUISA COLLINS, daughter of the late Mr. T. Collins, formerly of this Theatre, and pupil of Madame Torning . . .
a favourite Medley Pas Seul, by Miss Louisa Collins . . . Spanish Dance, by Miss F. Griffiths and Signor Carandini . . .

ASSOCIATIONS: Frank Howson (actor, vocalist)

[Advertisement], The Sydney Morning Herald (10 May 1853), 2

http://nla.gov.au/nla.news-article12945658 

ROYAL VICTORIA THEATRE. THIS EVENING, MAY 10.
Will be produced the Opera of LA SONNAMBULA . . . Pas Seul, Miss Collins . . .
ROYAL VICTORIA THEATRE. THURSDAY, MAY 12. For the benefit of Miss LOUISA COLLINS.
Miss Louisa Collins, in announcing to her friends and the public the fact of her first benefit taking place on the above evening, respectfully solicits a share of their kind patronage and support.
Production of the celebrated Nautical Drama, in Three Acts, entitled, The MINUTE GUN AT SEA.
First appearance of Miss Louisa Collins in the character of Mary Maybud.
The Swiss Girl - Madame S. Flower. New Garland Dance, first time, Miss Collins.
Favourite Song, Mr. J. Howson. Pas de Deux, Mrs. McGowan and Sig. Carandini.
The Newfoundland Dog, Mr. F. Howson. Merry Laughing Girl, Madame Carandini. Medley Pas Seul, Miss Collins.
To conclude with the very laughable Farce of JACK IN THE GREEN; or, The Heir of Eaglesdown.
Tickets and Boxes may be obtained at Mr. Torning's Box Office, Victoria Hotel and of Miss Collins, at her residence, Royal Victoria Theatre.

ASSOCIATIONS: John Howson (vocalist, actor); Sara Flower (vocalist, actor); Mrs. McGowan = Fanny Griffiths above; Maria Carandini (vocalist, actor)

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (12 May 1853), 5

http://nla.gov.au/nla.news-article12945740 

This evening, Miss Louisa Collins takes her first benefit at this theatre. The youngest member of the company, she appears to be, nevertheless, one of the most assiduous and pains-taking, and the management has arranged for her an attractive programme.

"DIED", Empire (22 December 1853), 2

http://nla.gov.au/nla.news-article601475 

On the 6th instant, at her residence, Geelong, Mrs. Elizabeth Collins, relict of Mr. Thomas Collins, late of the Sydney Theatre.

[Advertisement], Empire (1 July 1854), 1

http://nla.gov.au/nla.news-article60194703 

CITIZENS' BALL. - The Members of Committee for the above Ball are requested to attend on MONDAY Evening, 3rd July, at 8 p.m. at Togood's Hotel. HENRY LUBECK, Secretary.

[Advertisement], The Sydney Morning Herald (15 July 1854), 1

http://nla.gov.au/nla.news-article30940570 

CITIZENS' BALL. - In consequence of the Committee appointed not being successful in obtaining the Victoria Theatre for the purposed Citizens' Ball, it is with regret they are compelled to abandon the same. HENRY LUBECK, Hon. Sec.

New York City Department of Records & Information Services, index of death certificates, Bronx, 1901

https://www.ancestry.com.au/discoveryui-content/view/84528:61778 (PAYWALL)

Louisa Lubeck / died 13 May 1901 / aged 68 / widow / born Hobart Tasmania / death address Riverdale Ave Kings Bridge, Bronx /
daughter of Thomas and Elizabeth Collins / time in US, 11 months




COLLINS, Robert (Robert COLLINS)

Musician, painter and glazier

Arrived Sydney, NSW, 30 May 1833 (immigrant per Eliza, from Liverpool via Hobart Town)
Died Sydney, NSW, 8 November 1833

https://trove.nla.gov.au/search?l-publictag=Robert+Collins+d1833 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-Robert (shareable link to this entry)


Documentation:

Passengers per Eliza, from Liverpool via Hobart Town, for Sydney, 30 May 1833; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1210/images/imaus1787_081196-0387?pId=2201050 (PAYWALL)

. . . Robert Collins / Ireland / Painter and Glazier // Elizabeth Collins / his wife
Robert Collins / 14 years of age // William / 12 // Edward / 7 // Julia / 4 . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Herald (3 June 1833), 2

http://nla.gov.au/nla.news-article12846939 

From Liverpool via Hobart Town, also same day [30 May], having sailed from the former place the 28th of December, and the latter on the 23rd instant, the barque Eliza, 263 tons, Captain Richard Bouch, with a general cargo. Passengers, from England . . . Robert Collins, painter and glazier; Eliza, Robert, William, Edward, and Julia Collins . . .

[News], The Sydney Monitor (9 November 1833), 3

http://nla.gov.au/nla.news-article32144970

Yesterday, an Inquest was held at the Star Inn, Kent-street, on the body of Robert Collins, an Emigrant, residing with his wife and four children in that street, and who had been in the colony six months. It appeared in evidence, that he had procured 2oz. of laudanum, went home to his bed, and swallowed the draught during the absence of his wife. His son, a boy of 14 years old, slept in the same room; and yesterday morning between 7 and 8 o'clock, perceived that his parent was on the point of death; he soon afterwards expired. The unfortunate man had long been struggling with poverty and disappointment; and on Monday last, at Parramatta, had been robbed of a case containing musical instruments, worth fifteen pounds (he occasionally acted as a musician). This loss, with other disappointments, rendered him frantic; and on his return home last Wednesday, he betrayed symptoms of insanity. The Jury, after due deliberation, returned a verdict of - "destroyed himself by poison, in a temporary fit of insanity."




COLLINS, W. P. (W. P. COLLINS; William P. COLLINS; alias of William C. PEARSON)

Musician, bones player, vocalist, Smith, Brown, and Collins's Christy's Minstrels

Arrived Sydney, NSW, February 1865
Departed Melbourne, VIC, February 1866
Died 2 November 1881

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLINS-W-P (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

[Advertisement], Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (17 September 1864), 2

http://nla.gov.au/nla.news-article199055765 

THE ONLY ORIGINAL AND WELL-KNOWN CHRISTY'S MINSTRELS,
With W. P. COLLINS, RAYNER, the Celebrated Basso, And the great, invincible JOE BROWN, The Champion Dancer of the World,
Will visit Manilla, Phillippine Islands - Sept. and Oct., 1864.
Hong Kong - Nov. and Dec. [1864] Shanghai - Jan. and Feb., 1865.
All letters and business communications please address Hong Kong. J. W. SMITH, Director.

[Advertisement], The Australasian [Melbourne, VIC] (28 January 1865), 1

http://nla.gov.au/nla.news-article138037597 

THE VERITABLE and ORIGINAL CHRISTY MINSTRELS, With W. P. COLLINS, JOE BROWN, And the London company from ST. JAMES'S HALL, Will arrive by the next mail steamer. J. W. SMITH, Secretary.

See also "THE ORIGINAL CHRISTY'S MINSTRELS", Bell's Life in Sydney and Sporting Chronicle (4 February 1865), 2

http://nla.gov.au/nla.news-article65463045 

[News], The Era [London, England] (19 November 1881), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18811119/015/0005 (PAYWALL)

WILLIAM C. PEARSON, the minstrel, known to the profession as William P. Collins, died on the 2d inst., of paralysis of the heart. He was a brother of General A. L. Pearson, and had resided for several years in England. He went to America 1857, with Raynor's first company of Christy Minstrels.

"Theatrical, Musical, and Equestrian Obituary, from December, 1880, to the end of November, 1881", The Era Almanack (1882), 97

https://books.google.com.au/books?id=2iUOAAAAQAAJ&pg=RA4-PA97 (DIGITISED)

PEARSON, William C. (known as William P. Collins), Negro Minstrel, November 2.




COLLITS, Pierce (Pierce COLLITS; COLLETS)

Farmer, grazier, songwriter (attributed)

Born Hartley, NSW, 13 March 1840; baptised St. Barnabas, Hartley, 23 May 1841; son of John COLLITS and Hannah LEES
Married Elizabeth Ellen JONES, Hartley, NSW, 27 April 1870
Died Forbes, NSW, 7 August 1914

https://trove.nla.gov.au/search?l-publictag=Pierce+Collits+1840-1914 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLLITS-Pierce (shareable link to this entry)

DISAMBIGUATION: Pierce Collits (1842-1928, his first cousin, son of his father's brother, James Collits


Documentation:

Baptisms, St. Barnabas, Hartley, NSW, 1841; Australia, Births and baptisms

https://www.ancestry.com.au/discoveryui-content/view/1340602:9776 (PAYWALL)

23 May 1841 / Born 13 March 1840 / Pierce son of / John and Hannah / Collets [sic]

"OBITUARY", The Forbes Advocate [NSW] (11 August 1914), 3

http://nla.gov.au/nla.news-article100289783 

At his residence, Sand Hills, on Friday night last, the death occurred of Mr. Pierce Collits, one of the real old residents of Forbes district. Deceased, who had reached the great old age of 74 years, had been suffering for a considerable time from a severe internal complaint. Born at Hartley, in New South Wales, the late Mr. Collits came to Forbes at a very early age, and married and settled down in the district. He was very fond of Forbes and has resided here practically ever since. In the early mining days here Mr. Collits did general work about the district, and later on he took up farming pursuits at Sand Hills, where he resided up till the time of his death. Deceased was very highly respected, and leaves a widow, four sons, and five daughters, all well-known residents. The funeral on Sunday afternoon was very largely attended, the remains being interred in the private cemetery at Sand Hill, and the service at the graveside was conducted by the Rev. A. J. Gardner. The funeral arrangements were in the hands of Mr. W. E. Luthje.

"The Late Pierce Collits. A MEMORY OF THE BUSH RANGING DAYS", Forbes Times (11 August 1914), 2

http://nla.gov.au/nla.news-article100266150 

There passed away at his home at the Sand Hills on Friday evening last a very old resident of the Lachlan district in the person of Mr. Pierce Collits, who had been suffering for some time past from an internal growth, the immediate cause of his death. The late Mr. Collits was born at Hartley in 1840, and was therefore in his 74th year. When he was but a few years old his parents removed to Bangaroo, near Cowra, but the blacks became so troublesome that a return to Hartley was deemed necessary. The deceased himself led a somewhat venturesome and varied career in those days. After merging into manhood his first essay in life was in the direction of pastoral pursuits, and this was in the immediate vicinity of Forbes, where he came to manage Bogabigal for his father, Mr. Joe Collits, who purchased that property from the late Mr. Rankin. Later on mining claimed his attention in this district, but he was one of the many who time after time bottomed "duffers." Deceased also lived about Bandon and Eugowra, but some years ago he settled down at the Sand Hills, near Forbes, where he ended his days. He leaves to mourn their loss a widow and ten grown-up children - five sons and five daughters - as well as a number of grandchildren and other relatives. His remains were laid to rest in a private burial ground at the Sand Hills on Sunday afternoon last, when the Rev. A. G. Gardner, Church of England Rector, officiated at the graveside. As might have been expected, the late Mr. Pierce Collits had many exciting experiences with the bushrangers, and he came near to losing his life on a couple of occasions, but he used to declare that the closest shave he ever had was one encounter with Dunn, whose blood-thirsty instincts were somewhat renowned. The deceased was riding out of Forbes in the direction of the river, near the point where Fitzgerald's bridge now stands, when he met a man who accosted him with the dreaded command, Hands Up." The man turned out to be Dunn, who asked him his name and the deceased replied "Pierce Collits," which happened to be identical with that of another man in the district who had given information to the police about some horses stolen off Bundaburra station by the bushrangers. Dunn then ordered the deceased off his horse and gave him five minutes in which to say his prayers before despatching him to another world, but Mr. Collits afterwards said that the sight of the deadly bullets in the revolver which the bush ranger levelled at his head was quite sufficient to drive all thoughts of prayer out of his mind. Luckily for our friend, Ben Hall and other members of the gang then happened along, and when the leader asked the meaning of the little drama and was told by Dunn what he intended doing Hall explained the mistake and told Collits, who was well known to him, to get up off his knees. Dunn and Gilbert wanted to take deceased's horse, which belonged to his sister, the late Mrs. Esther Young, who kept an hotel for 17 1/2 years at Bandon, where Hall worked for her as stable boy. But Hall knew the horse too, and he insisted on there being no interference whatever with deceased, who continued his journey thankful alike to God and to the man in whose seamy life it was well known there was a bright and kindly side. On another occasion Mr. Collits was invited by one of the members of Hall's gang to have a dip into his saddle bag, which was full of bank notes, but as the deceased said, he "wasn't having any."

See also "BUSHRANGING DAYS. BEN HALL AND GANG. Some Incidents at Forbes.", The Forbes Advocate (21 August 1914), 1

http://nla.gov.au/nla.news-article100290029 


Song:

Frank Gardiner is caught at last (? 1864; tune: "Primrose of Ireland" [Irish Molly, O!])

"A MEDLEY OF 'POETRY'", The Albury Banner and Wodonga Express [NSW] (3 February 1866), 4

http://nla.gov.au/nla.news-article264156925 

. . . Bushrangers and bushranging have found their admirers among our poets, and to them it did not appear to matter one jot whether the subjects of their verses were what the world calls thieves and murderers. The "poet's eye in a fine frenzy rolling" looks on them in another light, and elevates them into heroes and victims and martyrs. Hear what one poet says of -

THE CHARGES AND SENTENCE OF FRANK GARDINER.
TUNE - "Primrose of Ireland."

Frank Gardiner is caught at last
And was in Sydney jail
For wounding Sergeant Middleton
And robbing Mudgee mail
For plundering of the Escort
The Carcoar mail also
T'was for gold he made so bold
And not so long ago.

His daring deeds surprised all
Throughout the Sydney Land
Upon his friends be gave a call
And quickly rais'd a band
And fortune always favor'd him
Until the time of late
When Bourke the brave O'Maley too
Met with a dreadful fate.

Young Vane has surrendered
Ben Hall's received death wound
And as for Johnny Gilbert
Near Binalong was found
Alone he was, had lost his horse
Three troopers hove in sight
He fought the three most manfully
Was slaughtered in the fight.

Day after day remanded
And guarded from the bar
Fresh charges came against him
By people from afar
They prosecute the buccaneer
The hero of the band
For bailing up and robbery
A terror in the land.

Farewell adieu to outlaw Frank
He was a poor man's friend
But the Government has secur'd him
The laws he did offend
He boldly stood his trial
And he told them in a breath
Do wha you will, you can but kill
I have no fear of death.

His trial is over
And sentence he's receiv'd
But from the cursed gallows
The highwayman is repriev'd
Two and thirty years he's doom'd
To slave for the Crown
He may damn the day, he well may say
He met with Mrs. Brown.

Tune: Primrose of Ireland [Irish Molly, O!]

OTHER SOURCES (1): "KING OF THE ROAD. AN OLD SONG. Composed by Pearce Colletts of the Lachlan River (SENT IN BY JACK QUINN)", Truth [Sydney, NSW] (17 September 1911), 9

http://nla.gov.au/nla.news-article168750789 

OTHER SOURCES (2): "A DARING BUSHRANGER", Border Watch [Mount Gambier, SA] (10 December 1929), 5

http://nla.gov.au/nla.news-article80131981 

MUSIC CONCORDANCE: "THE NATIVE MUSIC OF IRELAND . . . No. IV", The Dublin magazine [Ireland] (February 1842), 16-18, page after 24 (music)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA20 (DIGITISED)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA29 (DIGITISED - TUNE)

ASSOCIATIONS: Frank Gardiner (bushranger); the 1866 article in which the earliest exemplar appears was probably written by the literary editor of The Albury Banner, Henry Alfred Brooks (d. 1867); according to the Truth's 1911 informant, John Henry Quinn (1854-1930), also a native of Hartley, NSW, the words of the song were "composed" by Collits, presumably between mid July 1864 and late 1865; see also (words and tune) "Old Bush Songs . . . FRANK GARDINER", The bulletin (4 May 1955), 13

https://trove.nla.gov.au/work/233660747 

https://nla.gov.au/nla.obj-675153638/view?sectionId=nla.obj-692734787&partId=nla.obj-675178550#page/n12/mode/1up (DIGITISED)

. . . As sung by Mrs. I. Popplewell, Dean-lane, Darlington (N.S.W.). Tune recorded by John Meredith and Nancy Keesing in February, 1954. This tune is typical of those derived from the Irish street-ballad, and is also used by Mrs. Popplewell for "Rise Up Now, William Riley," a song which was very popular throughout the bush during the latter part of last century . . .


Bibliography and resources:

Pierce Collits, Geneanet

https://gw.geneanet.org/bmuckleston?lang=en&p=pierce&n=collits&oc=1 




COLMAN, F. (F. COLMAN) = correctly John COLEMAN

Musician, clarinettist, clarinet / clarionet player

Active Melbourne, VIC, 1853




COLQUHOUN, George (George COLQUHOUN)

Amateur flute player, flautist, ? cello player, ? cellist, solicitor, Solicitor-general

Born Woolwich, Kent, England, 23 April 1830; baptised St. Mary Magdalene, Woolwich, 18 May 1830; son of James COLQUHOUN (1802-1877) and Elizabeth BRADBURY (1802-1865)
Married Mary POULTON (c. 1827-1908), St. John of Jerusalem, South Hackney, London, England, 28 December 1852
Arrived Sydney, NSW, 4 July 1853 (per Waterhen, from the Downs, 10 February)
Died Kogarah, NSW, 21 September 1901

https://trove.nla.gov.au/search?l-publictag=George+Colquhoun+1830-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLQUHOUN-George (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of Woolwich in the county of Kent in the year 1830; register 1827-46, page 218; London Metropolitan Archives, P97/MRY/015

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_199081-00121?pId=5205686 (PAYWALL)

No. 1741 / [1830] 18 May / Born 23 April / George Son of / James & Elizabeth / Colquhoun / Parson's Hill / Solicitor . . .

1852, marriage solemnized in the parish church in the parish of South Hackney in the county of Middlesex; register 1831-61, page 103; London Metropolitan Archives, P79/JNJ/024

https://www.ancestry.com.au/discoveryui-content/view/6799990:1623 (PAYWALL)

No. 206 / December 28th 1852 / George Colquhoun / of full age / Bachelor / Solicitor / Woolwich Kent / [son of] James Colquhoun / Solicitor
Mary Poulton / of full age / Spinster / - / South Hackney / [daughter of] Joseph Poulton / Grocer . . .

"SHIPPING INTELLIGENCE. ARRIVALS", Empire [Sydney, NSW] (5 July 1853), 2

http://nla.gov.au/nla.news-article61325763 

July 4. - Waterhen, barque, 343 tons, Captain W. L. Dodds, from the Downs, 10th February. Passengers - Mr. and Mrs. Colquhoun, Mr. S. H. Colquhoun . . .

ASSOCIATIONS: Sydney Humphrey Colquhoun (1838-1923, brother)

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (11 November 1857), 3

http://nla.gov.au/nla.news-article62046530 

ROYAL VICTORIA THEATRE, DURHAM STREET.
UNDER the auspices of the President, Officers, and Committee of the Bathurst School of Arts and Mechanics' Institute.
A GRAND AMATEUR CONCERT, In aid of the Fund now being raised to meet the Government Grant for a building, for the purposes of the School of Arts, will be given at the above Theatre, on
THURSDAY EVENING, THE 12TH NOVEMBER, 1857.
PROGRAMME. PART FIRST. Solo - Mr. Beach, and Chorus - "The Red, White, and Blue" - HARROWAY
Cavatina - "Oh! whisper what thou feelest" (Crown Jewels) Master Catton - AUBER
Song - The Wanderer, Dr. Wilkinson - SCHUBERT
Ballad - "The heart bow'd down (Bohemian Girl) Mr. Charles Turner - BALFE
Solo - Flute, Mr. Colquhoun, Pianoforte accompaniment - KUHLAU . . .
PART SECOND . . . Solo - Flute, Mr. Colquhoun, Pianoforte accompaniment - BERBIGUIER . . .

ASSOCIATIONS: Charles Catton (vocalist); Henry Wilkinson (vocalist); Charles Byass Turner (vocalist); Royal Victoria Theatre (Bathurst venue); due to "extreme inclemency of the weather" the concert was postponed until 26 November; see [Advertisement], Bathurst Free Press and Mining Journal (25 November 1857), 3

http://nla.gov.au/nla.news-article62047198 

"AMATEUR CONCERT", Bathurst Free Press and Mining Journal (28 November 1857), 2

http://nla.gov.au/nla.news-article62049788 

We regret to say that the amateur concert in behalf of the Bathurst School of Arts, in everything but its object, proved a failure . . . as it appeared to us, for the want of some recognised leadership . . . Mr. James Browne upon the violin, aided by a French gentleman as second, performed several pieces in good taste, and Mr. Colquhoun's flute trilled forth its dulcet notes in several solos to the great delight of the audience, and was deservedly encored . . .

ASSOCIATIONS: James Brown (violin)

"THE LATE MR. GEORGE COLQUHOUN", Evening News (23 September 1901), 5

http://nla.gov.au/nla.news-article114033431 

Mr. George Colquhoun, the Crown Solicitor, whose death was announced in the "Evening News" on Saturday, was born on April 23, 1830, at Woolwich (England), and was the eldest son of the late James Colquhoun, solicitor, of that town. Mr. Colqdhoun was educated at Dr. Smithers'e College, at Greenwich, and at the age of 16 was articled to his father, and passed his final examination at the age of 21, being the youngest solicitor on the English roll when he was admitted. He left England for Australia in 1853, and on arrival in Sydney entered the service of the Bank of Australasia. Two years later he was admitted as a solicitor of New South Wales, and practised in Bathurst, Forbes, and Maitland. In 1876 be returned to Sydney, and was managing clerk to Messrs. Went, Johnson, and Want, and afterwards manager for Messrs. Allen and Allen, subsequently becoming a partner in the latter firm. In 1894 he was appointed Crown Solicitor. Mr. Colquhoun was a musician of much talent, and once performed on the flute before the late Queen at Exeter Hall, London . . .

"MR. GEORGE COLQUHOUN", The Sydney Mail and New South Wales Advertiser (28 September 1901), 774

http://nla.gov.au/nla.news-article165233070 

. . . On one occasion Mr. Colquhoun successfully defended Ben Hall from a charge of cattle-stealing . . . Mr. Colquhoun was a gentleman of musical tastes, his favourite instruments being the 'cello and flute, on which latter instrument he once performed before the late Queen at Exeter Hall . . .




COLVILLE, Samuel (Samuel COLVILLE; S. COLVILLE; Mr. COLVILLE)

Theatrical and musical manager, proprietor, actor

Born Castle Avery, County Down, Ireland, c. 1825; 25/26 December 1824/25
Married (? common law) Mary PROVOST, by c. 1857
Arrived Melbourne, VIC, 28 September 1857 (per Vaquero, from San Francisco, 5 August)
Departed Sydney, NSW, 2 March 1861 (per Star of Peace, for Europe)
Died Manhattan, New York, USA, 22 August 1886

https://trove.nla.gov.au/search?l-publictag=Samuel+Colville+c1825-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLVILLE-Samuel (shareable link to this entry)

COLVILLE, Mary (Mrs. Samuel COLVILLE; Mrs. COLVILLE) = Mary PROVOST

Actor, vocalist

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COLVILLE-Mary-Provost (shareable link to this entry)


Documentation:

List of passengers arrived at Melbourne, 28 September 1857, from San Francisco, aboard the San Francisco [sic, Vaquero]; Public record Office Victoria

https://prov.vic.gov.au/archive/3B05F129-F96C-11E9-AE98-27F6998F8082?image=49 (DIGITISED)

. . . Mr. & Mrs. Colville / 31 / 24 . . . Foreign . . .

"SHIPPING INTELLIGENCE. HOBSON'S BAY . . . ARRIVED", The Argus [Melbourne, VIC] (29 September 1857), 4

http://nla.gov.au/nla.news-article7139445 

September 28. - Vaquero, American schooner, 370 tons, F. A. Newell, from San Francisco 5th ult. Passengers - cabin: Miss Mary Provost; Messrs. . . . Colville . . . and eighteen in the steerage. Newell, Hooper, and Stevens, agents.

[News], The Age [Melbourne, VIC] (14 November 1857), 6

http://nla.gov.au/nla.news-article154831864 

Miss Mary Provost having entirely recovered from her illness, will positively appear at the Princess's Theatre on Wednesday next. Mr. Samuel Colville will assume the management to-night.

ASSOCIATIONS: Princess Theatre (Melbourne venue)

[Advertisement], The Age (14 November 1857), 6

http://nla.gov.au/nla.news-article154831846 

PRINCESS'S THEATRE. RE-OPENED.
Directress - Miss Mary Provost
Lessee and Manager - Mr. Samuel Colville
Stage Manager - Mr. J. T. Downey . . .
Musical Director - H. Megson [sic] . . .
Saturday Evening, November 14 . . .

ASSOCIATIONS: Joseph Tracy Downey (actor); Joseph Megson (violin)

"MISS PROVOST IN AUSTRALIA", Sacramento Daily Union [CA, USA] (9 March 1858), 2

https://cdnc.ucr.edu/?a=d&d=SDU18580309.2.5 

We have received a communication from Samuel Colville, agent of Miss Provost, dated at Ballarat, colony of Victoria, December 28th, 1857, in which he states that they arrived at Melbourne from San Francisco September 26th; but owing to the fact that certain parties had monopolized all the theaters in Melbourne, it was found very difficult to procure an engagement on favorable terms. It chanced, however, that they were able to make terms with R. A. Eddy, formerly of this State, who had taken a lease of the theater that the Misses Gougenheim had occupied. Having concluded to perform in this theater for two mouths, Miss Provost, on the very day that she was announced to appear, was attacked with a local disease, known as the colonial fever, and was confined to her room for eight weeks. Leaving Melbourne, she went to Ballarat, where she played some eight weeks, with decided success, and renewed an engagement for two months longer, to commence about January 1st. We notice that the newspapers of Ballarat speak with much commendation of Miss Provost's acting . . .

ASSOCIATIONS: Adelaide and Joey Gougenheim (actors)

"TO SAMUEL COLVILLE, Esq.", Empire [Sydney, NSW] (23 May 1860), 3

http://nla.gov.au/nla.news-article60410648 

DEAR SIR, - When you, in company with Mr. Fitzgerald, called on me last week for the purpose of kindly offering me the conductorship of your proposed opera, you put questions to me which led me to infer that you imagined some misunderstanding to exist between myself and some artists engaged by you. I informed you that this was not the case as far as I was concerned, but if anything unpleasant was likely to ensue from my engagement, I would not accept your kind offer.
You replied that you were manager in your own theatre, and would not permit anything to take place likely to disturb your arrangements. When I went into the orchestra on the occasion of the first rehearsal, some opposition was made to my mode of beating the time, which is the same as that in use at the Royal College of Music in Naples.
Knowing, however, that it is in many cases difficult for a body of artists to conform to a new method, I yielded the point, and altered the beat to that known by the company. On continued opposition however, being offered to me in various ways, I have thought it necessary to resign the post you entrusted to my care, as I cannot consent to be the willing tool of those I am appointed to conduct.
Of my capabilities for the task I am perfectly willing to leave the public and the Press to judge, after opportunity has been afforded them; but I certainty do not feel disposed to submit to the judgment of a clique, desirous of causing my overthrow for their own purposes.
Wishing you every success in your spirited undertaking.
(Signed) C. CUTOLO. 140, Castlereagh-street, May, 22nd, 1860.

ASSOCIATIONS: Alexander Fitzgerald (actor, manager); Cesare Cutolo (pianist)

"OPERATIC", Empire (16 January 1861), 4

http://nla.gov.au/nla.news-article60505175 

Mr. Samuel Colville, our late successful dramatic manager, who has returned to Sydney, informs us that he has direct information of the acceptation of an engagement for Australia, with a full operatic company . . . Mr. W. S. Lyster, director . . . The troupe has been most successful throughout the United States of America, and were to leave for his place on the 25th of December last. The repertoire of the company embraces twenty-eight operas, many of which have never been produced in Australia. This is another evidence of Mr. Colville's enterprise. Miss Mary Provost is announced to appear at the Victoria on Monday.

ASSOCIATIONS: Lyster Opera Company (troupe)

"DEPARTURE OF MISS MARY PROVOST", The Sydney Morning Herald (2 March 1861), 4

http://nla.gov.au/nla.news-article13053532 

Last night Mr. Samuel Colville, late manager of the Prince of Wales and Victoria Theatres, took a farewell benefit at the Royal Victoria Theatre, now under the direction of Mr. Joseph Rayner . . . Miss Mary Provost, after a highly successful career in these colonies as a first-class actress, leaves this day for London. Mr. Colville also proceeds to Europe in the Star of Peace.

ASSOCIATIONS: Joseph Rayner (actor, manager); Prince of Wales Theatre (Sydney venue); Royal Victoria Theatre (Sydney venue)

"DEATHS IN THE PROFESSION", New York Clipper (28 August 1886), 11

https://idnc.library.illinois.edu/?a=d&d=NYC18860828.2.94 

SAMUEL COLVILLE died suddenly of heart-disease Sunday evening, Aug. 22, at his residence, 24 Seventh avenue. He had been riding in Central Park that afternoon, and the fatal illness seized him while he was in his carriage. He was immediately driven home, and died before he reached his chamber. Samuel Colville was born Dec. 25, 1825, at Castle Avery, County Down, Ireland, and came to America in 1840, with a few dollars sewed in his pockets, to seek his fortune in the old Irish fashion. He was trained to commerce, but his tastes early led him to the stage. He went to California during the gold fever, and the earliest of his ventures were made in San Francisco about 1853 . . . In 1856 he . . . became manager for Mary Provost (Mrs. J. P. Adamms), who subsequently became known as Mrs. Colville, and is the mother of Violetta Colville, who about ten years ago made her debut on the operatic stage, but soon withdrew from it. With Miss Provost he toured California, and then visited Australia. Between 1858 and 1861, he managed the three theatres in Sydney, Aus. In 1861 he took Miss Provost to England . . .

"OUR CALIFORNIA LETTER", The South Australian Advertiser (16 November 1886), 5

http://nla.gov.au/nla.news-article37162497 

A theatrical manager named Samuel Colville, who is known all over the world, died in the east the other day very suddenly and unexpectedly. I mention the fact here, because Colville's early fortunes were identified with California. He published the first directory in this state, both for San Francisco and Sacramento, and afterwards sold out the business to Mr. Henry G. Langley, who continued it for some 25 years, or until the day of his death. Colville's first prominent feat in theatrical management was made on this coast, but the enterprise that colored his life was the attempt to engineer the well-known Mary Provost-Addams to fame and fortune, taking her to Australia in the course of her career. Colville, it is understood, married his star, and had a world of trouble thereupon, later in life he formed a matrimonial connection with Eme Rousseau, who was the leading lady of his burlesque company when he made his last visit to this city. "Sam," as he was generally called, was born is Ireland in 1825. He, was a genial, good-hearted fellow, as well as a shrewd business man. He always had money, and was always willing to help a fellow manager out of a financial hole . . .

"DEATH OF Mr. SAMUEL COLVILLE", The Lorgnette (20 November 1886), 4

http://nla.gov.au/nla.news-article208417497

Late American papers advise of the death, a few weeks back in New York, of the above well known and energetic Musical and Dramatic Manager. In company with Miss Mary Provost, for whom he acted as agent and business manager, he came to Australia in the early part of 1858, and made arrangements for the appearance of that lady (who held a very high position in the United States) in Melbourne. She opened at the old Princess Theatre on the 24th of May, 1858 [sic], as the heroine in "Camille." Her performance created a most profound sensation, and led to several long engagements, which were in every instance financially successful - mainly owing to the ability shown by the late Mr. Colville in carrying out the preliminaries. After visiting the other colonies they returned to America, shortly after which the lady retired from the stage and Mr. Colville went into management, first in San Francisco, and ultimately in New York, where he was from time to time connected with many first-class speculations. He had the reputation in America of being an acute and thorough man of business. As he was increasing in years, and suffered much bodily ailment, his decease did not take people by surprise.
W.H.W.

ASSOCIATIONS: William Henry Williams (journalist, memoirist)

"MUMMER MEMOIRS. A THEATRICAL STRIKE. And What Came of It . . . No. 109 (By 'Hayseed')", Sydney Sportsman (30 March 1910), 3

http://nla.gov.au/nla.news-article166737989 

In a recent issue Mr. Conlon drew attention to the difficulties theatrical managers in Sydney had to encounter in order to attract audiences to the two theatres which then (the fifties) existed in the City of the Beautiful Harbor. In the latter end of that decade Sydney witnessed what may be designated a theatrical revolution, in which whole companies were sent asunder and dispensed, and for the time being much ill will and jealousy was engendered . . .

ASSOCIATIONS: Australian Dramatic and Musical Association (union, 1859-60); Joseph Michael Forde ("Hayseed"); Michael Joseph Conlon (correspondent)


Bibliography and resources:

Samuel Colville, Find a grave

https://www.findagrave.com/memorial/91054918/samuel-colville 




COMPTON FAMILY OF MUSICIANS

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COMPTON-FAMILY (shareable link to this entry)

COMPTON, Henry (Henry COMPTON)

Musician, professor of music, organist, music teacher, piano tuner

Born Paignton, Devon, England, 15 March 1800; baptised Paignton St. John, 16 April 1800; son of Samuel COMPTON and Christian EASTLEY (m. Paignton, 1783)
Married Jane TOZER (1804-1874), Marldon, Devon, England, 21 June 1825
Arrived Melbourne, VIC, 28 March 1859 (per Prince of Wales, from London, 4 January)
Departed Melbourne, VIC, mid 1875 (for New Zealand)
Died Ashburton, Canterbury, NZ, 17 February 1876, aged "76" (NZ death certificate, apoplexy, coma, 9 months in NZ)

https://trove.nla.gov.au/search?l-publictag=Henry+Compton+1800-1876 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COMPTON-Henry (shareable link to this entry)

COMPTON, Charles Henry (C. H. COMPTON; Mr. COMPTON) see main entry Charles Henry COMPTON

Musician, pianist, organist, composer (eldest son of Henry above)

COMPTON, George Spencer see main entry George Spencer COMPTON

Musician, amateur musician (second son of Henry above)

COMPTON, Frederick see main entry Frederick COMPTON

Musician (youngest son of Henry above)


Summary:

Henry Compton, professor of music, of Totnes, Devon, was for many years organist of Totnes St. Mary's, before he and his family emigrated to Victoria in 1858.

His eldest daughter, Christian Compton (Mrs. William Edward Paige; c. 1826-1915) was a pupil at the Royal Academy of Music, London, where she studied with Sterndale Bennett. Alone of the family, she remained in England.

His second son, George Spencer Compton, was the first of the family to settle in Australia, arriving in Melbourne in 1857 (see entry on him below).

Henry's eldest son, Charles Henry Compton, also a former pupil of the pupil at the Royal Academy of Music, next arrived in Melbourne in January 1859 (see entry on him below).

Henry and his wife Jane followed, arriving in Melbourne March 1859, with their two younger daughters, Mary Jane Compton (Mrs. Daniel Shea Lawlor, c. 1827-1908) and Anna Maria Hoyles Compton (Mrs. Edward Dundas Holroyd, c. 1832-1917), and youngest son, Frederick Compton (see entry on him below).

Another brother George Spencer Compton, later a shipping and mining engineer, also arrived in Melbourne in the late 1850s (perhaps as early as 1857), and was a keen amateur musician.


Documentation:

Baptisms, Paignton, St. John Devon, 1800; South West Heritage Trust, 3134A/PR/1/3

https://search.findmypast.com.au/record/browse?id=GBPRS/DEV/007270974/00035 (PAYWALL)

Henry son of Sam'l & Christian Compton was born March 15th and Christened April 16th

Marriages solemnized in the parish of Marldon in the county of Devon in the year 1825; register, page 8; South West Heritage Trust

https://search.findmypast.com.au/record/browse?id=GBPRS/DEV/007270089/00010 (PAYWALL)

No. 23 / Henry Compton of the Parish of Paignton Bachelor and Jane Tozer of the Parish of Marldon Spinster weer married in this church by License this [25 June 1825] . . .

[Advertisement], Western Times [Totnes, Devon] (10 May 1834), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18340510/021/0001 (PAYWALL)

PIANO FORTES. MR. COMPTON, (Organist of Totnes,) RESPECTFULLY announces that he has several PIANO FORTES,
of different descriptions for sale, consisting of CABINETS, GRAND SQUARES, PICCOLO CABINETS, PICCOLO GRANDS, PLAIN SQUARES, &c. &c, by the first London makers,
the whole of which are scarcely (if at all) inferior to new ones, as neither of them has been above three years from the makers' hands;
he is enabled to offer them full 25 per cent. below the original price, and feels confidence in recommending them to the notice of the Public.
Mr. C. also keeps Piano Fortes of different descriptions, at Mrs. Coles's Library, Torquay, for Sale or Hire. Totnes, May 6th, 1834.

[Advertisement], Western Times (14 May 1836), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18360514/026/0002 (PAYWALL)

PIANO FORTES AND FINGER ORGAN FOR SALE. MR. COMPTON, (Organist of Totnes,)
respectfully announces that, he has recently considerably augmented his previously well-selected Stock of PIANO FORTES,
particularly some of Messrs. Broadwood's latest improved Grand Squares, also Messrs. Collard's, Stodart's, Wornum's, &c. &c. . . .
he has also a great many SECOND HAND PIANO FORTES, each of which have not been above four years from the above makers . . .
He has very superior brilliant toned horizontal Grand Piano Forte, by Stodart, possessing his justly celebrated Patent, with Metallic Tubes, long Brass hinge, cylinder front, &c., new about 12 months since, it's price then 125 Guineas, now offered for 85 - a complete Bargain.
He has also FOR SALE a very superior quite new FINGER ORGAN, possessing the following stops: -
Stop'd Diapason, Open ditto, Dulciana, Principal, Fifteenth, and Cremona, compass from GG, the Bass, to F Alt, it has also a Swell,
built about a year and half since, by Messrs. Robson and Son, of London, equally adapted for a Chapel, Concert, or Private Room - warranted perfect. -
To be seen at his Piano Forte Warehouse, Totnes. Dated May 1836.

"BISHOP PHILLPOTTS' VISITATION", Western Times (10 August 1839), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18390810/007/0003 (PAYWALL)

The Bishop [of Exeter] commenced his visitation tour at Totnes, on Monday last . . . The service commenced in the spacious parish church at Totnes, at 11 o'clock, where besides the clergy, a large among whom were number ladies, were present. The service was read by the Rev. Jas. Waldron Burrough, Vicar of Totnes. Mr. Compton presided at the organ, and the choir sang, and sang well, Clarke's Anthem from the 76th Psalm, lst verse., "In Jewry is God known" . . .

England census, 6 June 1841; Totnes, Devon; UK National Archives, HO107/213/1/1/7/10

https://www.ancestry.com.au/discoveryui-content/view/1104507:8978 (PAYWALL)

Fore Street / Henry Compton / 40 / Professor of Music
Jane / 35 // Mary Jane / 13 // Charles Henry / 10 // Anna Maria Hayles / 9 // George Spencer / 8 // Frederick / 5 [all born in county]

"TOTNES", Exeter and Plymouth Gazette (6 July 1844), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18440706/009/0003 (PAYWALL)

The Last Concert for the season given by the pupils of the Royal Academy of Music, took place Saturday, at Hanover Square Rooms, London, at which Miss Compton, daughter of Mr. Compton, organist, of Totnes, together with Miss E. Bendixen, a fellow student, performed a magnificent duet on two grand piano-fortes, which proved eminently successful and highly creditable to both. Among the distinguished company present, were his Royal Highness the Duke of Cambridge, with a great number of the nobility, &c. Miss Compton has been a student at the Royal Academy for the last four years, most of which time she has been studying under that celebrated pianist, Mr. Sterndale Bennett, and appears to have acquired in an eminent degree his style of playing. We are informed it is her intention after the present vacation, to settle at Totnes: we therefore congratulate the inhabitants of the locality, on the prospect of having talented and scientific an instructress music residing among them.

ASSOCIATIONS: Christian Compton (c. 1826-1915, Henry's eldest daughter; Mrs. William Edward Paige); William Sterndale Bennett (teacher)

"TOTNES", Exeter and Plymouth Gazette (12 October 1844), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18441012/012/0003 (PAYWALL)

We are happy to announce that the daughter of Mr. Compton, organist of this town, whose successful performance on the Piano Forte at the Hanover Square Rooms, London, we noticed some time since, was on Friday unanimously elected an Associate of the Royal Academy of Music.

[Advertisement], Western Times (18 January 1845), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18450118/042/0002 (PAYWALL)

MUSIC. MR. COMPTON, (Organist of Totnes), assisted by his daughter, Miss Compton (Associate of the Royal Academy of Music, London,)
respectfully acquaints his Pupils and Friends at Totnes, Brixham, Paignton, Torquay, and their vicinage,
that his attendance will recommence on Monday next, the 20th instant, and following days as usual. Dated Totnes, Jan., 15th, 1845.

[Advertisement], Torquay Directory and South Devon Journal (30 January 1846), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001245/18460130/002/0001 (PAYWALL)

MISS COMPTON, OF TOTNES, (Associate of the Royal Academy of Music, London,)
ATTENDS at TORQUAY, TUESDAYS and FRIDAYS for the purpose of giving LESSONS, on the PIANO-FORTE, also in HARMONY and SINGING.
Apply at the Public Libraries, or at Hearder's Hotel.

England census, 30 March 1851, Totnes, Devon; UK National Archives, HO107/1874/36/12

https://www.ancestry.com.au/discoveryui-content/view/6614327:8860 (PAYWALL)

47 / Fore Street / Henry Compton / Head / Mar. / 51 / Professor of Music / [born] Paignton [Devon]
Jane [Compton] / Wife / [Mar.] / 47 / [Professor of music] / [born] Marldon [Devon]
Christian [Compton] / Dau. / [Unmarried] / 24 / [Professor of music] / Totnes [Devon]
Charles H. [Compton] / Son / [Unmarried] / 20 / [Professor of music] / [Totnes Devon]
Anna [Compton] / Dau. / [Unmarried] / 19 / Governess / [Totnes Devon]
George S. [Compton] / Son / [Unmarried] / 17 / Office Clerk / [Totnes Devon]
Frederick [Compton] / Son / [Unmarried] / 15 / Scholar / [Totnes Devon]

"TOTNES. THE CHOIR", Western Courier, West of England Conservative, Plymouth and Devonport Advertiser (31 December 1851), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001306/18511231/025/0003 (PAYWALL)

On Christmas-day selections appropriate to the occasion, from Handel's Messiah, including the "Hallelujah Chorus," were sung in the Church, and the service was concluded with the old Hundredth Psalm. The choir was led by Mr. Compton, the organist, and the performers, both instrumental and vocal, filled their parts well.

[Advertisement] Western Times (8 January 1853), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18530108/095/0004 (PAYWALL)

HILL HOUSE, TOTNES. ESTABLISHMENT FOR YOUNG LADIES, CONDUCTED BY Mrs. and Miss A. Compton.
IN this SCHOOL the Pupils receive a Solid English Education, and are are afforded the comforts of Home.
The accomplishments are well taught -French and German by resident French lady. FOR TERMS, &c., APPLY AS ABOVE.
The DUTIES of this Establishment will RE-COMMENCE on the 21st inst.
Mr. and Miss Compton (the latter "Associate" of the Royal Academy of Music) will resume their attendance on the 24th,
and following days, at Totnes, Paignton, Torquay, and the neighbourhood. Dated Totnes, Jan. 3rd, 1853.

ASSOCIATIONS: Miss Compton = eldest daughter Christian as above; Miss A. Compton - daughter Anna

"TOTNES", Western times (13 November 1858), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18581113/041/0007 (PAYWALL)

. . . Mr. Fogwill gave notice that at the next meeting of the council he should move that Mr. Henry Compton (who has been organist at Totnes Church and resided in the town above 25 years) was about to emigrate to Australia, the Mayor and Town Council should get up subscription to convey to him the respect of his fellow townsmen.

Melbourne, VIC (from 28 March 1859 to c. 1875):

Names and descriptions of passengers per Prince of Wales, from London, December 1858, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B0DE06F-F96C-11E9-AE98-4BA0F0071BF0?image=312 (DIGITISED)

. . . Mr. Henry Compton / 50 // Mrs. Jane [Compton] / 50
Miss Mary [Compton] / 24 // Miss Anne [Compton] / 25 // Mr. Frederick [Compton] / 21 . . .

"SHIPPING INTELLIGENCE. HOBSON'S BAY . . . ARRIVED. MARCH 28", The Argus [Melbourne, VIC] (30 March 1859), 4

http://nla.gov.au/nla.news-article5678688 

Prince of Wales, Blackwall ship, 1,300 tons, Edward Jones, from London, via Plymouth 6th January. Passengers - cabin . . . Messrs. Compton (2) . . .

"SHIPPING. ARRIVED (HOBSON'S BAY)", The Age [Melbourne, VIC] (30 March 1859), 4

http://nla.gov.au/nla.news-article154839925 

March 29 - Prince of Wales, ship (Blackwell Line), 1500 tons, Edward Jones, from London, 4th January. Passengers - cabin: Mr. and Mrs. Henry Compton, Misses (2) and Mr. Frederick Compton . . .

[Advertisement], The Argus [Melbourne, VIC] (31 October 1859), 3

http://nla.gov.au/nla.news-article5690884 

MR. COMPTON, PROFESSOR of MUSIC, Teacher of the Pianoforte, Harmony, and Singing, attends pupils at their residences twice a week.
Pianofortes tuned, regulated, and repaired. For terms apply at his address, Minerva Cottage, Argyle-street east, St. Kilda.

"TOTNES. MR. H. COMPTON", Western Times [Devon, England] (19 November 1859), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18591119/022/0006 (PAYWALL)

A letter has been received from Mr. H. Compton, (late organist at Totnes church), who it will be remembered left Totnes at Christmas last for Melbourne, the following extracts will no doubt be read with pleasure by many of his friends. After alluding in very grateful terms to the kindness shewn him at his departure, he says:

"We arrived here after a prosperous voyage of weeks on the 28th March, both the voyage and our prospects have been most auspicious. I took out 4 piano fortes and have disposed of them most advantageously. I have already 17 pupils with promise of 12 more, my terms ranging from eight to twelve guineas, per annum each. I have also as much tuning as I can attend to, always receiving half a guinea for each instrument. My daughters have both obtained situations as private governesses at a salary of £100 per annum each. Charles is also organist of a new church here, at a salary of £75 per annum, and has several pupils. My son Frederic is in the Argus Office at £4 per week, they both reside Melbourne. Mrs. Compton and myself are now quite alone residing at St. Kilda which is one of the many townships connected with Melbourne, and is about 3 1/2 miles distant. Railway trains run every half hour, the fare for 1st class return tickets, is 1s 6d, 2nd ditto, 1s 3d. St. Kilda reminds me much of Torquay as it consists for the most part of tasteful villas which let very high, and servants' wages also, high, varying from £20 to £50 per year, provisions are reasonable, beef and mutton, 5d per lb.; potatoes, 7s per bag; bread, 6d the 4lb loaf; sugar, very good at 6d ; tea 2s 6d per lb.; poultry, eggs and butter are very dear. It is now July, and is the winter season here, but is just such weather as usually prevails in England in September and October, the sun and moon appear to us in the northern sky, instead of in the southern as at HOME, and we feel this difficult to reconcile ourselves to. Melbourne is a most wonderful place, and to view the streets which are all laid out north, south, east, and west, and the various magnificent public buildings, and to think that 12 years ago it was hardly in existence, it is really surprising. The public hotels are very handsome structures, the rents vary from £2,000 to £3,000 per annum, and many of the shops are rented £1,000 per year each. The population of Melbourne is 100,000, and about 12 townships connected with populations from six to twelve thousand each. Schools are numerous but every house seems to possess parents with young families, and respectable efficient teachers are sure to get employment. We live very quiet and retired, and hope and trust that after a few years, with the Almighty's blessing, our united efforts will be rewarded with a competency to retire on. We are looking forward to the time when our dear eldest daughter now at Plymouth will join us here."

Mr. Compton then enumerates several friends in Totnes from whom he experiences great kindness, and concludes his long and interesting letter with the hope of frequently hearing from Totnes.

"SHIPPING INTELLIGENCE . . . IMPORTS", The Argus (29 November 1859), 4

http://nla.gov.au/nla.news-article5692643 

Monarch, from London . . . 9 cases pianos, J. Wilkie; 3 cases pianos, H. Compton; 1 case music, Wake and Sons . . .

[Advertisement], The Argus [Melbourne, VIC] (16 March 1860), 7

http://nla.gov.au/nla.news-article5678943 

MR. COMPTON, Professor of Music, teacher of the pianoforte, harmony, and singing, piano-forte-tuner, &c.,
begs to announce his REMOVAL from Argyle-street, St. Kilda, to Albert-street, Windsor, near the railway station. Westerland, March 12, 1860.

ASSOCIATIONS: Joseph Wilkie (musicseller)

"MARRIAGES", The Argus (25 April 1862), 4

http://nla.gov.au/nla.news-article5713856 

HOLROYD - COMPTON. - On the 19th inst., at All Saints' Church, St. Kilda, by the Rev. J. H. Gregory, Edward Dundas Holroyd, of Melbourne, barrister, second son of Edward Holroyd, Esq., of Wimbledon, Surrey, England, to Anna Maria Hoyles Compton, youngest daughter of Henry Compton, Esq., late of Totnes, Devonshire.

"MARRIAGES", The Argus (24 September 1864), 4

http://nla.gov.au/nla.news-article5734413 

LAWLOR - COMPTON. - On the 27th ult., at Invercargill, Southland, N.Z., by the Rev. W. Tanner, M.A., Daniel Shea Lawlor, Esq., eldest surviving son of John Shea Lawlor, Esq., of Gurteenroe-house, Co. Cork, to Mary Jane, second daughter of Henry Compton, Esq., of St. Kilda, late of Totnes, Devonshire, England.

[Advertisement], The Argus (10 May 1873), 2

http://nla.gov.au/nla.news-article5853361 

THURSDAY, MAY 15. Chapel-street, East St. Kilda. No. 4 Alma-terrace, near Alma-road.
HOUSEHOLD FURNITURE. A Fine-toned Cottage Piano in Walnut, 6 3/4 Octaves.
Proprietor Removing from the Locality. Without Reserve . . .

"Deaths", The Argus (15 June 1875), 1

http://nla.gov.au/nla.news-article5872103 

COMPTON. - On the 19th ult., at Westeria, Westbury-street, East St. Kilda, Jane, the wife of Henry Compton, late of Totness, Devonshire, England, aged 70 years.

[Advertisement], The Argus (15 January 1875), 3

http://nla.gov.au/nla.news-article11510617 

IN the SUPREME COURT of the COLONY of VICTORIA: In its Probate Jurisdiction -
In the Will of HENRY CHARLES WILLS, of the Brighton road, Saint Kilda, Near the City of Melbourne, in the Colony of Victoria, Gentleman, Deceased . . .
that PROBATE . . . be granted to Duncan McNaughton, of High street, Saint Kilda aforesaid, ironmonger . . .
the other executor, Henry Compton, of Chapel street, Saint Kilda aforesaid, musician, having renounced probate . . .

"CHURCH HISTORY. A FEW WORDS ON ORGANS (PAST AND PRESENT) IN TOTNES CHURCH", Totnes Weekly Times [Devon, England] (23 June 1894), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001350/18940623/062/0005 (PAYWALL)

. . . it may not be out of place for Old Parishioner to give a few particulars as to the three organs of the present century that have contributed to the musical services to the praise and glory of God in Totnes Church.
Organ No 1. was a small instrument in mahogany case, which stood in the gallery at the tower end of the church, and its dimensions were so insignificant that on either side was a box such we may see in theatres - one side devoted to the boys the of the charity school dressed in blue coats and breeches, the other side to the girls of the same school in green dresses and white pinafores. This old organ of course was inadequate for the proper rendering of the services, but was good enough for chief accompaniment to a grand oratorio performed in Totnes Church some four score years ago assisted by brass and string instruments. This was in the time of Rev. Joseph Cuming Vicar, and it is believed the first of the Compton as family organist. Some of the portions of this old instrument, if we are not misinformed, were converted into the instrument that superseded the violins, violin cellos, &c., at the Independent Chapel, and portions are still in existence in a chapel in a neighbouring town.
Organ No. 2 must have been placed the large Circular Gallery somewhere about the year 1828, and being of much larger dimensions than No 1, the side boxes for the Charity Children had to be removed. It was a good instrument, and under the highly respected organist, Mr. Henry Compton, with a mixed choir, there were some splendid services rendered in Totnes Church in those days. One the solo singers (the celebrated Tom Sanders) succeeding to a high appointment in one the Metropolitan Cathedrals. To the shame of the congregation a thoroughly good man like Henry Compton was fairly starved out the town, and it is to be feared that the salaries paid our organists of the present generation are totally insufficient for the time and talents given to the duties - not equal to those received by some of our village organists. With view to increase the fees a silver collection should be introduced once or twice year, when good anthems could be got up specially for the occasion.
Organ No. 3 was erected by the celebrated builders, Willis and Sons, of London, in 1861 . . .

"PAIGNTON", Western Times [Devon, England] (7 December 1915), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/19151207/007/0002 (PAYWALL)

A very old resident of Paignton, Mrs. Christian Paige, died at her residence, The Laurels, on Tuesday, in her 90th year. The deceased lady was the widow of the Rev. E. Paige, Great Inglebourne, Harberton. The funeral took place at the Paignton Parish Churchyard this afternoon.

"Deaths", The Argus (8 May 1917), 1

http://nla.gov.au/nla.news-article1616131 

HOLROYD. - On the 7th May, passed peacefully away, Annie M. H. Holroyd, widow of the late Sir Edward Holroyd, senior puisne judge of the Supreme Court of Victoria, at the residence of her son-in-law, Mr. O'Hara Wood, Lansdowne-road, East St. Kilda. Ave atque Vale.
HOLROYD. - On the 7th May, at "Hill Crest," Alma road, East St. Kilda, Lady A. M. H., relict of the late Sir Edward Dundas Holroyd. "For ever with the Lord."


Extant musical works:

Marie Louise; ou, Le favori de Buonaparte (? before 1850)

Marie Louise; ou, Le favori de Buonaparte, a favorite French air with variations for the piano forte by Henry Compton (London: Clementi, [before 1850])

Copy at the University of Birmingham Libraries


Bibliography and resources:

Henry Compton, WikiTree

https://www.wikitree.com/wiki/Compton-4048 

David Shield, "Charles Henry Compton: championing the Hill", Organ Historical Trust of Australia (and archived at NLA Pandora)

http://www.ohta.org.au/doc/articles/Shieldessay.htm 

http://pandora.nla.gov.au/pan/22444/20070528-0000/www.ohta.org.au/doc/articles/Shieldessay.html




COMPTON, Charles Henry (Charles Henry COMPTON; C. H. COMPTON; Mr. COMPTON)

Musician, pianist, organist, vocalist, composer, teacher, journalist, inventor, importer, merchant trader

Born Totnes, Devon, England, 1830; baptised Totnes, 23 September 1830; son of Henry COMPTON (1800-1876) and Jane TOZER (1804-1874)
Arrived Melbourne, VIC, 19 January 1859 (per Planet, from London, via Plymouth, 16 September 1858)
Died Adelaide, SA, 21 September 1883

https://trove.nla.gov.au/search?l-publictag=Charles+Henry+Compton+1830-1883 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/list?id=68238 (TROVE list)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COMPTON-Charles-Henry (shareable link to this entry)

ASSOCIATIONS: Henry Compton (father); George Spencer Compton (younger brother); Frederick Compton (youngest brother)


Documentation:

Baptisms solemnized in the parish of Totnes in the county of Devon in the year 1830; South West Heritage Trust, Devon baptisms

https://search.findmypast.com.au/record/browse?id=GBPRS/DEV/007341743/00189 (PAYWALL)

No. 1477 / Sept'r 23 [1830] / Charles Henry son of / Henry & Jane / Compton / Totnes / Professor of Music . . .

England census, 30 March 1851, Totnes, Devon; UK National Archives, HO107/1874/36/12

https://www.ancestry.com.au/discoveryui-content/view/6614327:8860 (PAYWALL)

47 / Fore Street / Henry Compton / Head / Mar. / 51 / Professor of Music / [born] Paignton [Devon]
Jane [Compton] / Wife / [Mar.] / 47 / [Professor of music] / [born] Marldon [Devon]
Christian [Compton] / Dau. / [Unmarried] / 24 / [Professor of music] / Totnes [Devon]
Charles H. [Compton] / Son / [Unmarried] / 20 / [Professor of music] / [Totnes Devon]
Anna [Compton] /Dau. / [Unmarried] / 19 / Governess / [Totnes Devon]
George S. [Compton] / Son / [Unmarried] / 17 / Office Clerk / [Totnes Devon]
Frederick [Compton] / Son / [Unmarried] / 15 / Scholar / [Totnes Devon]

[Review], The Exeter and Plymouth gazette [Devon, England] (17 May 1851), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18510517/033/0006 (PAYWALL)

The Stella Polka. London: Leader and Cocks.
This is an elaborate and elegant composition for the piano-forte, by Mr. C. H. Compton, of Totnes, and is dedicated to Mrs. Northcote, of Ashprington House.

"TOTNES", The western times [Devon, England] (13 December 1851), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000265/18511213/049/0007 (PAYWALL)

Mr. C. H. Compton, of this town, has just produced a new piece of music, entitled "The South Devon Polka." The melody is said to be "sparkling," and the time well marked - qualities which will, no doubt, be appreciated by the public. This polka is Mr. Compton's second production this class of music.

"NEW MUSIC", Nottinghamshire Guardian (23 December 1852), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000176/18521223/013/0004 (PAYWALL)

THE STELLA WALTZ AND DANSE RUSTIQUE. (London, Jullien and Co., Royal Conservatory of Music, 214 Regent Street; Nottingham, T. Forman.) -
These are productions from M. Jullien's establishment - a proof at once that they are of merit. The first, by Charles H. Compton is one of that class, which creates an irresistible desire to at once rush into the giddy whirl of the fascinating excitement of waltzing, till the head swims again in a delirium of pleasure. The introduction is very prettily managed and leads to valse No. 1 by a very sweet transition. No. 2 is brilliant; No. 3, to our taste, is the most pleasing ; though No. 4 has, perhaps, higher merits in composition: the finale is most excellent and effective. It has a charm in it that will render it long popular. The second, by Icnace Gibsone . . .

[Advertisement], Liverpool Standard and General Commercial Advertiser (5 July 1853), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18530705/015/0002 (PAYWALL)

HANDEL SOCIETY. CRAMER, BEALE, and CO. deg to inform the Subscribers and the Public, that they have undertaken the pecuniary responsibility of publishing the Works, and eventually carrying out the original scheme of the above Society. In undertaking engagements which involve so large an expenditure, they solicit the assistance of the original Subscribers, who, they trust, will afford the necessary encouragement to an undertaking so important and so closely connected with the art of Music. The first Eleven Volumes have been printed for Eight Years' Subscriptions, and Subscribers may still have the Works from the commencement, by payment of the arrears, viz., One Guinea annually. The Oratorio of "Samson" is now in the press, and will be printed for the present year's subscription.
Catalogues and full particulars may be obtained by application to the Secretary,
Mr. C. H. COMPTON, No. 201, Regent-street, London.

"NEW MUSIC", The Exeter and Plymouth gazette (29 October 1853), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18531029/016/0006 (PAYWALL)

The Violante Waltz, for the Pianoforte, by Charles H. Compton. London: Cramer, Beale, and Co.
We have already had frequent occasions to notice Mr. C. H. Compton's pleasing musical pieces, - and we are happy to perceive that they are appreciated in other quarters as well as in Devonshire - his native county. The waltz before us, which is dedicated to Miss Peel, is a charming composition and will become a decided favourite.

[New music], Bell's new weekly messenger [London, England] (18 December 1853), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001319/18531218/064/0006 (PAYWALL)

Violante Waltz. C. H. Compton. - This is one of the beet of Mr. Compton's compositions; the melody is highly attractive and pleasing, the treatment musician-like, and is well calculated for a divertimento, being brilliant in character, and not difficult of execution.

"NEW MUSIC", Sun [London, England] (20 January 1854), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18540120/123/0007 (PAYWALL)

The Violante Waltz. By C. H. Compton. Dedicated to Miss Peel. Cramer, Beale and Co., Regent-street.
This is a very graceful and charming composition. It is soft and melodious, without any of those elaborate passages and extended transitions which are generally found in dance music. This waltz, however, is equally well suited for a musical performance, as the hearers cannot fail to be gratified by the elegance and simplicity which characterise it. It will doubtless soon be a favourite with the musical public.

[New music], Liverpool Standard and General Commercial Advertiser (28 March 1854), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18540328/051/0006 (PAYWALL)

The Will-o'-the-Wisp Quadrille - The Mail Coach Polka. London: Jullien.
Notwithstanding the abundance of dance-music which is being almost daily submitted to popular favour, that which is really good is always welcome, and the pieces before us will, no doubt, receive their full share. We ventured to predict from some of the earlier productions of the composer, Mr. Charles H. Compton, that he would be a valuable accession to the musical world, and he has fully justified our opinion of his talent. In both pieces will be found the combination not always met with of pleasing melody and the time distinctly marked, and we feel confident that many a votary of Terpsichore will dance to the music of the quadrille with more than ordinary zest.

"TOTNES", Dorset county chronicle (10 August 1854), 6

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000408/18540810/031/0006 (PAYWALL)

Mr. Charles H. Compton, son Mr. Henry Compton, of this town, has just patented an invention which, if successful, will prove of great importance in railway locomotion, and which has been highly approved of by many of the engineers connected with the different railway companies in the kingdom. It consists of self adjusting railway break, which is brought into operation in a train of carriages by the buffer rods being pushed in, consequent on the engine driver of the train diminishing the speed, and applying the ordinary break to his engine, from which it will be perceived that the greater the speed, and the heavier the train, the greater is the power by which the break is applied.

"CRAMER AND BEALE'S MUSIC", Yorkshire Gazette (2 December 1854), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000266/18541202/006/0003 (PAYWALL)

We have a packet of music, instrumental and vocal, published by Messrs. Cramer and Beale, upon our table, to which we would wish to call the attention of our readers, but our room will only allow us to do so very briefly . . . "The Mermaid's Song" is extremely characteristic; and "Stars of the Summer Night," very pleasing; both are by Charles H. Compton, a young composer, who is rapidly rising in the musical world . . .

[Advertisement], Leeds Intelligencer (30 December 1854), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18541230/078/0005 (PAYWALL)

NEW AND POPULAR SONGS. OVER THE CALM AND SLUMBERING SEA; STARS OF THE SUMMER NIGHT.
Composed by CHARLES H. COMPTON. Two of the prettiest Drawing Room Songs we have seen for some time.
2s - London : Cramer, Beale, and Co., 201, Regent Street.

"REVIEWS", The Musical World [London, England] (20 January 1855), 39

https://books.google.com.au/books?id=-5kPAAAAYAAJ&pg=PA39 (DIGITISED)

No. 5.- "OVER THE CALM AND SLUMBERING SEA." Song. Words and Music by Charles H. Compton. Cramer, Beale, and Co. . . .
No. 5 - "Over the calm and slumbering sea" - is another "Mermaid" song, of which the words and music (both by Mr. C. H. Compton) are in some degree a parody on that of Weber in Oberon. Originality apart, to which it has no pretence, this essay of Mr. Compton may be pronounced graceful. The accompaniment shows the hand of a careful musician.

No. 9. - "STARS OF THE SUMMER NIGHT." Music by C. H. Compton. Cramer, Beale, and Co. . . .
No. 9 - "Stars of the Summer Night" - is worthy of the poetry to which it is allied - one of Longfellow's chastest lyrics. This is really a beautiful serenade-melodious, flowing, and charmingly accompanied. The point at the reprise - where, after an interrupted cadence, the voice sustains the same note for several bars, while the subject is given in the accompaniment - declares an amount of musical taste for which Mr. Compton had not prepared us in his "Mermaid" song, reviewed above, but for which we now are most happy in being enabled to give him full credit.

"TOTNES. LIBERAL GIFT", Exeter and Plymouth Gazette (30 May 1857), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18570530/036/0007 (PAYWALL)

A lady residing in this neighbourhood has made the parish of Haberton a gift of a new organ for the church, as well as a sum of money to be invested in the funds, the interest to be appropriated as a salary for the organist. Our readers will be pleased to learn that Mr. Charles H. Compton, organist of Her Majesty's Savoy-street chapel (Duchy of Lancaster,) and a native of this town, is appointed organist.

ASSOCIATIONS: Savoy Chapel (Strand, London); Haberton St. Andrew (Totnes church)

Melbourne, VIC (from 19 January 1859):

Names and descriptions of passengers per Planet from London, 29 September 1858, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B0DE06F-F96C-11E9-AE98-4BA0F0071BF0?image=219 (DIGITISED)

. . . Compton Charles Henry / [single male] 28 / English . . .

"SHIPPING", The Age (20 January 1859), 4

http://nla.gov.au/nla.news-article154840308 

January 19 - Planet, ship, 667 tons, R. H. Talloch, from London, via Plymouth, 16th Sept. Passengars - cabin . . . C. H. Compton . . .

[Advertisement], The Argus (5 February 1859), 6

http://nla.gov.au/nla.news-article7309333 

MR. CHAS. H. COMPTON, late organist of Her Majesty's Chapel Royal, PROFESSOR of SINGING, Pianoforte, and Harmonium.
For terms and testimonials apply at Wilkie's pianoforte warehouse, Collins-street.

ASSOCIATIONS: Joseph Wilkie (musicseller)

"MELBOURNE GLEE AND MADRIGAL SOCIETY", The Argus (26 February 1859), 5

http://nla.gov.au/nla.news-article5677026 

A society, under the above title, is in course of formation, having for its object the cultivation of vocal music generally, and especially as rendered in the works of the old English composers. Mr. Charles H. Compton is to be conductor of the society.

ASSOCIATIONS: Melbourne Glee and Madrigal Society (association)

"THE NEWS OF THE DAY", The Age (5 March 1859), 5

http://nla.gov.au/nla.news-article154837604 

A concert was held at Emerald Hill, on Thursday evening, in aid of the sufferers by the late fire in that locality. It was attended by upwards of 500 persons. The performers, whose services were gratuitously given, were Miss Juliana King, Mrs. Briscoe, Miss Blann, Mr. Edwd. King, Mr. H. J. King, Mr. Ernest King, Mr. Chapman, Mr. C. A. Compton [sic], Mr. Williams, and Mr. J. Houston.

ASSOCIATIONS: Juliana King (vocalist); Edward King (musician); Henry John King (musician); Ernest King (musician); George Chapman (musician, musicseller) or Samuel Chapman (musician)

[Advertisement], The Argus (8 March 1859), 6

http://nla.gov.au/nla.news-article5677509

MR. CHAS. H. COMPTON . . . apply at Wilkie's pianoforte warehouse, Collins-street, where all Mr. Compton's new and popular songs maybe obtained.

[Advertisement], The Argus (19 March 1859), 8

http://nla.gov.au/nla.news-article5678153 

SINGING CLASSES. - Ladies and Gentlemen desirous of joining the above CLASSES, now forming, are requested to COMMUNICATE with Mr. Charles H. Compton, at Mr. Wilkie's music warehouse, Collins-street.

[Advertisement], The Argus (8 April 1859), 8

http://nla.gov.au/nla.news-article5679178 

GRAND MUSICAL ENTERTAINMENT. THEATRE ROYAL.
Under the Patronage of His Excellency Sir Henry Barkly, K.C.B.
Mr. CHARLES H. COMPTON has the honor to inform the Inhabitants of Melbourne and its neighborhood that his first
GRAND CONCERT Will take place on TUESDAY EVENING. APRIL 19.
For which, in addition to the attractions of the company attached to the theatre, he has secured the highest procurable vocal and instrumental talent in the colony.
Full particulars will be duly announced. Tickets to be had of all the principal music and book sellers.
THEATRE ROYAL - Miss OCTAVIA HAMILTON will SING "When I was young," composed expressly for her, at Mr. Compton's GRAND CONCERT on Tuesday, April 19th.

ASSOCIATIONS: Henry Barkly (governor, patron); Octavia Hamilton (vocalist); Theatre Royal (Melbourne venue)

"THE NEWS OF THE DAY", The Age (12 April 1859), 5

http://nla.gov.au/nla.news-article154839850 

The band of the 40th regiment will play at the Botanic Gardens on Wednesday, 13th instant, from three to five o'clock p.m. The programme of the music is as follows: . . . selection, "Irish Melodies," by desire, Johnson; waltz, "Violante," Compton; selection, "Bohemian Girl," Balfe . . .

ASSOCIATIONS: Henry Johnson (master, 40th band, composer); Band of the 40th Regiment (military); Botanic Gardens (Melbourne venue)

[Advertisement], The Argus (Melbourne, Vic. : 1848 - 1957), 16 April, p. 8. , viewed 13 Jul 2023, http://nla.gov.au/nla.news-article5679666

THEATRE ROYAL . . . GRAND MUSICAL ENTERTAINMENT . . . Mr. C. H. COMPTON . . .
On TUESDAY, APRIL 19, For which . . . He has secured the services of the following high and talented artistes,
Miss O. HAMILTON, MISS JULIA KING, Mons. BOULANGER. Mr. LESLIE, Mr. LISSIGNOL,
And for this occasion only the efficiency of the Orchestra will be considerably augmented by the services of Mr. JOHNSON, And the principal Performers of his Band.
Leader, Mr. E. KING. Conductors; Mr. PRINGLE and Mr. CHAS. H. COMPTON. For Particulars see small Bills.

ASSOCIATIONS: Alexander Leslie (violin); Edward Boulanger (piano); Eugene Lissgnol (piano); George Robert Grant Pringle (conductor, piano, accompanist)

[Advertisement], The Argus (19 April 1859), 8

http://nla.gov.au/nla.news-article5679805

THEATRE ROYAL, Melbourne.
GRAND MUSICAL ENTERTAINMENT And THEATRICAL PERFORMANCE.
Under the distinguished patronage of His Excellency Sir Henry Barkly, K.C.B., And the principal Merchants and Citizens.
Mr. CHARLES H. COMPTON Has the honor to announce to the inhabitants of Melbourne and its vicinity that his
GRAND CONCERT Will take place under the above distinguished patronage at the
Theatre Royal, THIS EVENING (TUESDAY), APRIL 19.
Previous to which will be performed, by the COMPANY of the THEATRE, Sheridan's admirable Comedy THE SCHOOL FOR SCANDAL . . .
Preceded by Rossini's Grand Overture to Semiramide . . .
The Band will Play Between First and Second Acts:
Waltz - "Violante" - Compton. (Composed expressly for this occasion.)
Between Second and Third Acts: Quadrille - "English" - Jullien.
Between Third and Fourth Acts: Galop - "Le Reveil des Fees" - Gungl.
Between Fourth and Fifth Acts: Waltz - "Toorak" - Lissingnol. (First time of performance.)
PROGRAMME of CONCERT.
Overture - Der Freyschutz - Weber.
Song - "When I was Young" (composed expressly for, and sung by, Miss O. Hamilton) - Compton.
A copy of which will be presented to each lady visiting the dress circle.
Solo - March Funebre - Pianoforte, Boulanger - Thalberg.
Song - "Under the Greenwood Tree" Miss Juliana King - Dr. Arne.
Duett - Guillaume Tell - Pianoforte and Violin - M. Lissignol and Mr. Leslie - Osborne and De Beriot.
March - Le Prophete - Meyerbeer
Song - Who shall be Fairest - Miss Octavia Hamilton - F. Mori.
Solo - Don Pasquale - Pianoforte - M. Boulanger - Boulanger.
Duett - The Cousins - Miss Hamilton and Miss Juliana King - Glover.
Selection - La Traviata - Verdi.
Song "Ever of Thee" - Miss Juliana King - Foley Hall.
Overture - Masaniello - Auber.
Conductors: Mr. G. R. G. PRINGLE and Mr. C. H. COMPTON.
Admission Dress Circle. 6s.; Upper Boxes and Stalls, 5s; Pit, 2s. 6d.; Gallery, 1s . . .
ADVANCE AUSTRALIA will be SUNG THIS EVENING at Mr. Compton's Concert, by the especial request of His Excellency Sir Henry Barkly, K.C.B.

MUSIC: Advance Australia (music by Sidney Nelson)

"THE THEATRES", The Argus (20 April 1859), 5

http://nla.gov.au/nla.news-article5679862 

However unquestionable may be the excellence of Sheridan's unsurpassed comedy, the performance of it last night before a miscellaneous concert was, to say the least of it, ill-judged. It was past 11 o'clock before the curtain fell upon the last act, and the audience were, if not weary, certainly not in the best possible humor to sit out the remainder of the programme, occupying fully another hour and a half. The selection of musical pieces was, however, in good taste, and the execution was in the main so far deserving as to compensate the listeners somewhat for the demand made upon their good nature. Weber's magnificent and scene-suggesting overture was played by the band with well-sustained precision, after which Miss Hamilton sang a pleasing ballad, entitled, "When I was young," composed by Mr. Compton expressly for the occasion. The air is simple and not inexpressive, but there is nothing very strikingly original in the conception of it. Mr. Boulanger next executed Thalberg's "Marche Funebre" on the pianoforte, but whether from inferiority in the instrument, or the restlessness of the upper portion of the audience, it did not come with the same characteristic intensity as was observable on a previous occasion. The duet from William Tell," by Mr. Lissignol and Mr. Leslie, was given with extreme delicacy and finish, and the solo from "Don Pasquale," was played by Mr. Boulanger with an airy playfulness proper to the theme. Among the remaining vocal portions of the performance may be particularised Miss King's "Under the greenwood tree," another ballad, entitled, "Who shall be fairest," by Miss Hamilton and the new Australian national song, by a gentleman whose name did not appear in the bills. The concert was arranged by Mr. H. Compton, a gentleman of some celebrity in the musical world at home and Messrs. Pringle and C. Compton acted as conductors of the orchestra. The house was extremely well filled, and, but for the mistake in the selection of the first piece (admirably performed, nevertheless), the audience would have had no cause for complaint as to the entertainment provided.

"THE NEWS OF THE DAY", The Age (20 April 1859), 5

http://nla.gov.au/nla.news-article154836622 

. . . Owing to the length of the comedy, the concert given by Mr. C. H. Compton did not commence until after eleven o'clock, and was listened to with much impatience by the audience, notwithstanding the piano playing of M. Boulanger, and the singing ol Miss Hamilton and Mr. Ewart, was worthy of much better treatment. His Excellency the Governor, usually a pattern of patience, had his power of endurance so strongly tried as to compel him to leave the house long before the pieces set down in the programme had been two-thirds performed. This was the signal for a wholesale defection on the part of the audience, and the omission of several instrumental and vocal passages. The concert concluded considerably after midnight by a brilliant performance of the overture to "Masaniello" by the orchestra. We presume that the blunder of giving a concert at an hour when the evening was already well spent will not be repeated by Mr. Compton or any one else.

ASSOCIATIONS: Thomas Ewart (vocalist); see also extended review, "THEATRICALS AND MUSIC . . . A 'GRAND' CONCERT", Bell's Life in Victoria and Sporting Chronicle (23 April 1859), 2

http://nla.gov.au/nla.news-article201379787 

. . . the comedy "went" to perfection, and this circumstance, in some sort, compensated for the dulness of the musical part of the entertainment. It was, nevertheless, a very ill-judged proceeding on the part of the "gentlemen who had the honour," etc., to select a piece which would occupy a lengthened period in the representation. We pass, however, from this point. The concert proper opened at a late hour with another overture, followed by a song composed "expressly for the occasion," and sung by Miss Hamilton. The ballad was one of those diluted, "inspiration and water" productions, which are more suggestive of other kindred ditties than remarkable for originality of conception . . . A new national (?) song entitled "Advance Australia," was disposed of; M. Boulanger played another solos, and the band executed the overture to "Massaniello," when the entertainment was brought to an abrupt termination, not before all present were heartily tired of it. The arrangement of the concert was indeed bad from beginning to end, and unworthy of the support which was accorded to its originator.

"THE BOTANIC GARDEN", The Argus (4 May 1859), 5

http://nla.gov.au/nla.news-article5680592 

The band of the 40th Regiment will play at the Botanic Garden from 3 till 5 o'clock p.m.
PROGRAMME - Overture - Oberon - Weber; Air and chorus - Der Freischutz - Weber; Selection - Norma - Bellini;
Waltz - "Violante" - Compton; Selection - Zampa - Herold; Polka- "The Mail Coach" - Compton; Galop - "Champagne" - Gung'l.

[Advertisement], The Argus (10 May 1859), 6

http://nla.gov.au/nla.news-article5680853 

MR. CHAS. H. COMPTON (pupil of Signor F. Lablache and Frank Mori)
ATTENDS PUPILS for SINGING, the Pianoforte, or Harmonium, either at their private residences,
or at his class-rooms, 23 Collins-street west, Melbourne. For terms, &c., apply as above.

ASSOCIATIONS: Frederick Lablache (English vocalist); Frank Mori (English musician, 1820-1873)

[Advertisement], The Argus (8 June 1859), 8

http://nla.gov.au/nla.news-article5682442 

HOCKIN'S ASSEMBLY ROOM, Elizabeth-street.
A Series of THREE LECTURES Will be Delivered by Mr. C. H. COMPTON At the above Assembly Room, On the
POPULAR MUSIC of ENGLAND in the OLDEN TIMES, To be illustrated by various old Ballads and Dance Tunes, On MONDAY EVENING, JUNE 18.
The National and Patriotic Songs of England On Monday Evening, June 27.
Home Lyrics; or, The Ballads of the Present Day. On Monday Evening, July 4.
Mr. Compton will be assisted in the illustrations by Miss Juliana King.
Reserved seats, 2s 6d.; back seats, 1s . . . For particulars, see programme.

ASSOCIATIONS: Hockin's Rooms (Melbourne venue)

[News], The Argus (14 June 1859), 5

http://nla.gov.au/nla.news-article5682743 

In consequence of the very unfavorable state of the weather yesterday evening, Mr. C. H. Compton's lecture on the popular music of England in the olden times, with musical illustrations, and which was to have been delivered at Hockin's Assembly-rooms, was postponed until Wednesday evening next, when a larger attendance than that last night may be expected.

[News], The Argus (21 June 1859), 5

http://nla.gov.au/nla.news-article5683116 

The first concert of the Melbourne Glee and Madrigal Society was held last evening at Hockin's Assembly Room, and taking into consideration the unfavorable character of the weather and the theatrical attractions offered in other portions of the city, it maybe said to have passed off with great success. The gentlemen sang with a precision not frequently attained by societies of so brief an existence. "Spring's Delights," the beautiful part song with which the entertainment commenced, was a fair sample of the rest, and was given with a most delicate appreciation and evident indication of careful attention to this interesting class of music. Mr. Jacob was announced in the programme to sing Calcott's magnificent scene, "The last Man." He, however, in the course of the evening, sent an apology for his absence and a member of the society consented to undertake the task. Notwithstanding the manifest disadvantage under which this gentleman labored, no regret was expressed at the substitution. Mr. Lewis played on the pianoforte a brilliant piece by Favarger, "L'Etoile du Nord ;" and in acknowledgment of an encore gave the well-known Fanfare Militaire of Ascher. Mr. Lewis, although he has not entirely overcome the obvious nervousness which characterised his first appearance as an amateur at a recent Philharmonic Concert, played with far more confidence, and has confirmed the opinion which we then expressed of his musical ability. The concert was ably conducted by Mr. C. H. Compton.

ASSOCIATIONS: Louis Lucas Lewis (pianist)

"THE NEWS OF THE DAY", The Age (21 June 1859), 5

http://nla.gov.au/nla.news-article154829647 

The Melbourne Amateur Glee and Madrigal Society gave their first concert of the season yesterday evening, at Hockin's Hotel. Owing to the unfavorable state of the weather, the audience was rather scanty, but few persons being in the back seats, though the reserved seats were well filled. The performances were, on the whole, extremely creditable to the society. The song "Beware" merits especial commendation. It was, perhaps, the best performance of the evening. "The Village Blacksmith," and "The Sailor's Song" were far above mediocrity. Mr. Jacob was prevented by a professional engagement from singing "The Last Man," as announced in the programme, but his place was very admirably filled by Mr. Burgoyne. The duett "Sul Campo della Gloria" was also given with great precision and effect by Messrs. C. H. and G. S. Compton.

ASSOCIATIONS: George Spencer Compton (vocalist, Charles's brother)

"CURRENT TOPICS", Geelong Advertiser [VIC] (29 June 1859), 2

http://nla.gov.au/nla.news-article150079785 

The Mechanics' Institute's Winter Course of Lectures will commence on Tuesday evening the 12th proximo . . . The programme looks attractive. It includes two lectures by . . . Mr. Charles H. Compton, on the National and Patriotic Songs of England . . .

"CHRISTCHURCH SOUTH YARRA. To the Editor" [2 letters], The Argus (5 July 1859), 6

http://nla.gov.au/nla.news-article5683921

. . . Sir, - As the organist of Christchurch, South Yarra, I solicit a small space in your paper to reply to the remarks of your, correspondent "M." He says that on the Sunday that he visited the above church "there was scarcely a voice raised by the congregation - and little wonder, for the tunes were so new and difficult that only practised singers could take part in the service."
Now, Sir, in the first place, the selection of psalm and hymn tunes which I use at Christ Church are precisely the same as have been used in the services, of the Church of England "at home" from time immemorial; at least, such has been my experience of 20 years, not only in the Cathedral of St. Paul and Westminster Abbey, the Chapels Royal, and the various churches in London, but also at the Cathedrals of Exeter, Worcester, and Gloucester, and at numerous country churches, where l have officiated occasionally as organist. In all of these I have found precisely, the same tunes used as are adopted by me in the choir of Christ Church, South Yarra, and I therefore protest most emphatically against "M's" assertion of their being "new or difficult."
The three services which I have practised and taught the choir, to be sung alternate months, are Jackson's Te Deum and Jubilate in F; that of Dr. Boyce in A; and a similar service by Dr. Nares in D, which, if "M." be a professional man, he will allow are the easiest services composed for use in the Church of England.
As I have only recently become a resident in the colony, I cannot, of course, be acquainted with the "simple music such as our people are already accustomed to;" but, in consequence of Christ Church being shut on Sunday week last, for the purpose of repairs, I attended at St. Peter's, where I heard precisely the same music as that which I have introduced at South Yarra, with the exception of chanting the Psalms.
I trust that the ladies and gentlemen of my choir will take the hint which "M." offers, as to "a correct and distinct pronunciation," should such advice be necessary, but of this I can scarcely offer an opinion, seeing that what might appear to me "correct and distinct," sitting as I do so close to them, might seem quite the reverse to those of the congregation at a distance.
Apologising for the length of my remarks.
I am, Sir, your obedient servant,
CHARLES H. COMPTON, Organist of Christ Church, South Yarra. July 4.

For the letter in question, see "CHURCH MUSIC", The Argus (4 July 1859), 6

http://nla.gov.au/nla.news-article5683843 

[Advertisement], The Argus (6 July 1859), 8

http://nla.gov.au/nla.news-article5683974 

SINGING, Pianoforte and Harmonium - Mr. CHAS. H COMPTON, Organist of Christ Church, South Yarra,
begs to announce his REMOVAL to Grey street, next door to Barkly terrace.
Mr. Compton continues to give lessons in singing also on the pianoforte and harmonium.

"CURRENT TOPICS", Geelong Advertiser (10 August 1859), 2

http://nla.gov.au/nla.news-article146567561 

Mr. Compton's lecture on the "Music of England in the olden times," delivered last night, at the Mechanics' Institute, constituted an interesting evening's entertainment. Mr. J. G. Carr, occupied the chair. Miss Juliana King acquitted herself in manner worthy of much commendation, in giving the "vocal illustrations" to the various portions of the lecture that most admitted of them. The lecturer opened his address by advancing the fact that "a cloud of witnesses" could be brought to prove that the people of England have from remote times rejoiced in secular or social music. The scalds or minstrels were held in high repute, and it was but fair to assume that the reverence shown to them arose from the love and esteem in which their art was held. "The minstrels," says Bishop Percy "were the successors of the ancient bards, and were held in the highest estimation: their skill was considered as something divine: their persons were deemed sacred: their attendance was solicited by kings, and they were everywhere loaded with honors and rewards." The lecturer then alluded to the story of Alfred entering the Danish Camp in the character of a harper, and thence inferred that music was at that time a regal accomplishment. The lecturer quoted many authorities in proof that under the patronage of Henry I., Henry II., and Richard I., minstrelsy flourished with peculiar splendour, and he cited amongst other historical anecdotes, that of the minstrel Blondell and Coeur de Lion, at the Castle on the Danube.
The first "illustration" of the lecture was the song "Summer is coming in," the earliest musical composition known to exist, and the chief merit of which exists in the airy and pastoral correspondence between the words and the music. In passing on to the rare old song "the Hunt's up," the lecturer gave an interesting anecdote as related in the diary of Sir Thomas More's daughter, who chronicleth thus:
"Sept. 4, 1523. Supped with my Lord Sandys, wound up the evening with music: Lord Sandys sang us a new ballad 'The King's Hunts up,' which father affected hugely: I lacked spirit to sue my lord for the words, he being so free spoken as always to dash me [vide Wolsey's banquet scene in Henry VIII.] howbeit they run somewhat thus 'The Hunt is up' &c., &c." Breaking off at the end of ten lines the fair diarist concludes with - "the rest hath escaped me, albeit I know there was some burthen of Hey Trantarra, where my lord did stamp and snap his fingers; he is a merry head (vide Shakespere again.)"
The lecturer then dwelt upon the music of the Elizabethan age - when the "Knitters and the wearers in the sun" plied their work to airs that had "dying falls" and "expressed the fortunes," of the singers. Next came a complete history of the madrigal, and afterwards, a succinct account of the changes wrought in Music during the Puritanical days, and the consequent reactionary excess in the Music of Charles the Second's reign. From that period until the days of Sir Roger De Coverley, the lecturer traced the various changes which had taken place in English song, and concluded his entertainment amid the approbation of all present.

[News], The Argus (3 September 1859), 4

http://nla.gov.au/nla.news-article5687417 

A special concert was given by the Glee and Madrigal Society yesterday evening, in Hockin's Assembly Rooms. The entertainment was given in aid of the Admella Relief Fund. His Excellency the Governor was present, and the room was nearly filled with a fashionable audience. The concert, which was under the direction of Mr. H. C. Compton, was in every respect successful.

On the wreck of steamer Admella, see "TELEGRAPHIC DESPATCHES", The Argus (9 August 1859), 5

http://nla.gov.au/nla.news-article5685933 

[Advertisement], The Age (13 October 1859), 1

http://nla.gov.au/nla.news-article154828825 

HOCKIN'S ASSEMBLY ROOMS, Elizabeth street.
Under the Patronage of his Excellency SIR H. BARKLY, K.C.B.
Mr. CHARLES H. COMPTON Has the honor to announce his
EVENING CONCERT, At the above rooms, On THURSDAY, OCTOBER 13, 1859,
Assisted by Miss OCTAVIA HAMILTON, Herr Bial, Mr. S. Compton, Mr. E. King,
And the Members of the Amateur Glee and Madrigal Society, who have kindly volunteered their services.
PROGRAMME. PART I.
Part song - "Banish, oh! Maiden" - Lorenz. Do - "Come, Silent evening" - L. de Call. - The members of the Glee and Madrigal Society.
Song - "Far away, where angels dwell" - Blumenthal - Mr. Chas. H. Compton.
Solo - Pianoforte (Lucia di Lammermoor) - Prudent. Herr Bial.
Song - "Over the calm and slumbering sea" - Compton. Miss Octavia Hamilton.
Solo - Orgue Pianoforte (Don Pasquale) - Donizetti; Duet - "Colei Sofronia" (Torquato Tasso) - Donizetti. Miss Octavia Hamilton and Mr. Charles H. Compton.
Song - "The maids of Merry England" - Perrin. Mr. S. Compton.
Duet - Violin (La Sonnambula) - De Beriot. Mr. E. King and Master King.
Part Song - "The Sailor's Song," "Beware" - Hatton. The Members of the Glee and Madrigal Society.
PART II.
Part Song - "A huntsman was heard to sound his horn." The Glee and Madrigal Society.
Song - "I cannot sing to night." Miss Octavia Hamilton
Nocturne - Violin - W. V. Wallace. Master E. King.
Song - "Stars of the summer night" - Compton. Mr. Chas. H. Compton.
Solo - Pianoforte (Tarantula) - Doehler. Herr Bial.
Song - "Di Piscatore Ignobile" - Donizetti. Mr. S. Compton.
Solo - Orgue Pianoforte - "Lieder ohne Worte" (The Wedding March) - Mendelssohn.
Part Songs - "Lutzow's Wild Hunt" - Weber . . .
Tickets 5s each, to be had of the principal music sellers, and at the rooms.

ASSOCIATIONS: Charles Bial (pianist); George Spencer Compton (vocalist, Charles's brother)

[News], The Argus (14 October 1859), 4-5

http://nla.gov.au/nla.news-article5689956 

Mr. Compton's concert, which was to have taken place last evening at Hockin's Assembly Rooms, was frustrated by the unpropitious state of the weather. It is rather a singular circumstance, that the present is the third concert intended to be given by the same gentleman which has been in the same predicament. We can only hope that Mr. Compton's next effort may be [5] more fortunate, especially as he generally offers so good a programme.

[Advertisement], The Argus (15 November 1859), 8

http://nla.gov.au/nla.news-article5691790 

THEATRE ROYAL. Solo Proprietor, Mr. G. V. Brooke.
THIS (TUESDAY) EVENING, NOVEMBER 15 . . . BENEFIT Of MRS. ROBERT HEIR.
To commence with the celebrated Drama . . . TWO LOVES AND A LIFE . . .
To be followed by a GRAND CONCERT:
Song, Jessie's Dream (Lockley) - Mrs. Hancock.
Descriptive Scena, The Maniac (Russell) - Mr. Farquharson.
Song, Molly Asthore (Lavenu) - Mad. Carandini.
Aria, Let Me Like a Soldier Fall (V. Wallace) - Mr. W. Sherwin.
Song, The Wild Cuilow (Cherry) - Mr. John Gregg.
Song, Kathleen Mavourneen - Mad. Sara Flower.
National Song, The Tight Little Island (Dibdin) - Mr. Farquharson.
Pianoforte - Mr. H. C. Compton.
The above ladies and gentlemen having kindly given their valuable services on this occasion . . .

ASSOCIATIONS: Fanny Cathcart (Mrs. Robert Heir, actor); Mary Ellen Hancock (vocalist); Robert Farquharson (vocalist); Maria Carandini (vocalist); Walter Sherwin (vocalist); John Gregg (vocalist); English Opera Company (troupe)

[Advertisement], The Argus (14 January 1860), 1 supplement

http://nla.gov.au/nla.news-article5695494 

MR. CHAS. H. COMPTON begs to inform his pupils and friend that he has returned to town, and will RE-COMMENCE his PROFESSIONAL DUTIES on Monday, January 10.
For terms apply at his residence, Grey street, East Melbourne, next door to Barkly terrace.

[Advertisement], The Argus (24 March 1860), 8

http://nla.gov.au/nla.news-article5679465 

MR. CHAS H. COMPTON (pupil of Signor F. Lablache and F. Mori)
gives LESSONS in SINGING, or on the Pianoforte, either at the pupils' residences or at his own, Grey-street east, next door to Barkly terrace, East Melbourne.
Mr. Chas. H. Compton holds testimonials from Messrs. Balfe, Vincent Wallace, F. Lablache, Dr. Rimbault, Goss, Favarger, and numerous other eminent London professors.

ASSOCIATIONS: Michael William Balfe (composer); William Vincent Wallace (composer); Edward Francis Rimbault (musician); John Goss (organist); Rene Farvager (musician)

[News], The Argus (30 March 1860), 4

http://nla.gov.au/nla.news-article5679785 

Considering that yesterday was the third day on which the bazaar in aid of the Lying-in Hospital has been open to the public, the committee of management have had no cause to complain of the attendance, the amount received yesterday being over £600 . . . The band of the 40th performed as usual, and Mr. Compton during the afternoon played several operatic selections on the organ.

ASSOCIATIONS: Exhibition Building (Melbourne venue)

[Advertisement], The Argus (7 June 1860), 8

http://nla.gov.au/nla.news-article5683895 

MR. CHAS. H. COMPTON begs to announce that he will DELIVER his ENTERTAINMENT, entitled MUSICAL REMINISCENCES of HOME
At the Athenaeum, Kew, June 12.
The Mechanics Institute, Melbourne, June 13.
The Town-hall, St. Kilda, June 14.
The entertainment will be illustrated by a selection of favourite and popular English, Irish, and Scotch songs.
To commence at 8 o'clock precisely. Reserved seats, 2s. 6d. Unreserved, 1s.
Tickets to be had of Mr. Paling, music-seller, Collins-street.

"Local News . . . CONCERT", Hamilton Spectator and Grange District Advertiser [VIC] (30 June 1860), 2

http://nla.gov.au/nla.news-article194861193 

Mr. C. H. Compton, from Melbourne, has paid Hamilton a visit, and intends giving a musical entertainment, at the Commercial Hotel large room, on Monday evening.

"THEATRICALS AND MUSIC . . . PORTLAND", Bell's Life in Victoria and Sporting Chronicle (7 July 1860), 2

http://nla.gov.au/nla.news-article201379128 

Mr. Compton lately gave a concert at Mac's hotel, which drew together a crowded and highly respectable audience.

"CURRENT TOPICS", Geelong Advertiser (1 August 1860), 2

http://nla.gov.au/nla.news-article148884844 

The Mechanics' Hall was nearly filled last night on the occasion of Mr. Charles Compton giving his musical entertainment. Many of his songs, which he selected for purposes of illustration, comparison, or contrast, were well received, even to the close of the evening. A portion of his audience however appeared to think the entertainment too long, and from a quarter past nine until the close, there was a continual interruption caused by persons, one after the other, or in twos and threes, leaving the Hall. Those who stayed appeared to be pleased with the politer course they adopted.

[2 advertisements], The Argus (6 October 1860), 8

http://nla.gov.au/nla.news-article5691066 

MELBOURNE CATHOLIC YOUNG MEN'S SOCIETY. - LECTURE, by EDMUND FINN, Esq.
Subject, "The Poetry of Thomas Moore, the Bard of Erin," Illustrated by Irish historical reminiscences,
with selections from his melodies by C. H. Compton, Esq.,
in St. Francis's Hall, on Monday, October 8, at 8 p.m. Admission, 1s.

MECHANICS' INSTITUTE. Emerald Hill. - Mr. CHARLES H. COMPTON
begs to announce that he will deliver his entertainment, entitled "MUSICAL REMINISCENCES of HOME,"
at the above, on Saturday next, October 6. To commence at 8 o'clock.
Admission, 1s.; reserved seats, 2s. 6d.; to be had at the rooms.

ASSOCIATIONS: Edmund Finn (lecturer)

"TABLE TALK. MUSICAL ENTERTAINMENT", Portland Guardian and Normanby General Advertiser (5 November 1860), 2

http://nla.gov.au/nla.news-article65445058 

Mr. C. H. Compton who performed so successfully some short time ago at Mac's, will give a Comic Musical Entertainment at the Tasmanian Assembly Hall, this evening. It is expected there will a large attendance as it is something new. Mr. Compton also performs tomorrow and Wednesday evenings.

"CURRENT TOPICS", Geelong Advertiser (20 November 1860), 2

http://nla.gov.au/nla.news-article148887896 

The Opera Company made their first appearance for the season last night in Verdi's Trovatore; Signora Bianchi as Leonora, Signor Bianchi as Manrico, Mrs. Hancock as the gipsy mother, Mr. Gregg as the Count . . . Mr. Compton's judgment was seriously at fault when he placed a musical programme before the public for the same evening that the Operatic Company were to make their introduction. The result may be anticipated: in a hall capable of holding about 1000 persons scarcely two dozen assembled. Nothing daunted, Mr. Compton commenced and went through with his entertainment, every word uttered and note sung being repeated by the vast unoccupied space before him. Under such circumstances criticism is scarcely fair, but as Mr. Compton undertook the task of amusing these twenty persons for a period of two hours, and as the twenty dwindled down to six before its close, we feel bound to say that even under more favorable auspices for drawing an audience, the entertainment is scarcely of a character, we think, to satisfy the musical taste of this fastidious age. Our remarks apply chiefly to the descriptive portion of the entertainment, for Mr. Compton's vocal and instrumental execution is undoubtedly good.

"MR. COMPTON'S ENTERTAINMENT", South Australian Register [Adelaide, SA] (30 November 1860), 3

http://nla.gov.au/nla.news-article50028955 

Mr. C. H. Compton gave his first musical entertainment on Thursday evening at White's Assembly Room. There was a very thin attendance - certainly not fifty persons were present. Under such discouraging circumstances more than ordinary nerve must be necessary to enable the performer to keep alive the interest of his auditory by his own unaided efforts. Mr. Compton, however, succeeded to some extent in performing this arduous task. The entertainment consisted of various songs, comic, serious, and sentimental, interspersed with numerous anecdotes and illustrations of "society at home and abroad." The sayings and doings of a host of imaginary ladies and gentlemen, the flirtations of the former and the gallantries of the latter, together with appropriate illustrations of their frailties, follies, or fancies, were hit off in rapid succession, and with considerable effect. Mr. Compton has a fine barytone voice, and is a proficient on the piano. Yet, with all his efforts to amuse, there were some of even the few who attended this his "first appearance" who were evidently dissatisfied, having probably expected greater, or it may be lesser things. The entertainment is not such as will satisfy those who are in search of the sublime, and on the other hand it cannot be justly characterized as ridiculous. It is neither deep tragedy nor broad farce. The reader must see and hear for himself to be able to appreciate its merits or defects; of the later there are but very few. The entertainment was not over till after 10 o'clock.

ASSOCIATIONS: White's Rooms (Adelaide venue)

"GAWLER [From our own Correspondent] Gawler, December 8", South Australian Register (10 December 1860), 3

http://nla.gov.au/nla.news-article50027265 

Yesterday evening Mr. C. H. Compton gave a musical entertainment in the Oddfellows' Hall. The attendance was small, owing to the people of the surrounding neighbourhood being busily engaged with the harvest; but all who were present seemed pleased. It consisted of several songs - comprising English, Irish, and Scotch - ably and agreeable sung by Mr. Compton, who sketched, during the intervals between them, the history of music and poetry from an early date to the present time.

[Advertisement], The South Australian Advertiser (21 December 1860), 1

http://nla.gov.au/nla.news-article828138 

WHITE'S ASSEMBLY ROOMS. Mr. CHARLES H. COMPTON'S GRAND CONCERT,
THIS EVENING (FRIDAY), DECEMBER 21, Upon which occasion he will be assisted by MISS BRYAN AND MR. R. B. WHITE.
PROGRAMME. PART I.
Pianoforte Solo, "Blue Bells of Scotland," Wallace - Mr. C. H. Compton.
Song, "The Fairy Tempter," Lover - Miss Bryan.
Concerto, Violin, De Beriot - Mr. R. B. White.
Buffo Song, "Mamma is so very Particular," Parry - Mr. C. H. Compton.
Duet, "Brief are Life's Pleasures" (Se m'ami Ancor, "Trovatore," Verdi) - Miss Bryan, Mr. C. H. Compton.
An interval often minutes.
PART II.
Pianoforte Solo, "La Harpe Eolienne," Kruger - Mr. R. B. White.
Ballad, "Molly Asthore," Lavenue - Mr. C. H. Compton.
Song, "Barney O'Hea," Lover - Miss Bryan.
Fantasia, Violin ("Der Freischutz"), Moser - Mr. R. B. White.
Duet, "What are the Wild Waves saying," Glover - Miss Bryan, Mr. C. H. Compton.
Buffo Song, "Fayre Rosamond," Ye Legende of Englishe Historie (A.D. 1161) Parry - Mr. C. H. Compton.
To Commence at 8 precisely. Admission, 2s. 6d.; reserved scats, 4s.
Tickets to be had at Mr. Marshall's Music Warehouse, Currie-street; or of Mr. White, at the Rooms.

ASSOCIATIONS: Jane Elizabeth Bryan (vocalist); Richard Baxter White (piano, violin); George White (venue proprietor)

"WHITE'S ROOMS", South Australian Register (22 December 1860), 3

http://nla.gov.au/nla.news-article50026855 

Mr. Compton assisted by Miss Bryan and Mr. R. B. White, gave a concert last night at White's Rooms. The attendance, however, was unfortunately small, though this did not prevent the entertainment going off with spirit, especially the second part of it, every piece of which the audience for some reason were determined to encore and re encore. However, there have been worse singers here than Mr. Compton, and perhaps at some future time he may succeed in drawing larger houses than he has had the luck to do on this occasion. Mr. White acquitted himself excellently on the violin, and Miss Bryan was loudly applauded in all her songs.

"MR. KOHLER'S CONCERT AT NORWOOD", South Australian Weekly Chronicle (12 January 1861), 1 supplement

http://nla.gov.au/nla.news-article90033692 

One of the most successful musical entertainments which we have ever witnessed in any of our suburban districts was given by Mr. R. W. Kohler, assisted by Mr. C. H. Compton, on Wednesday evening, at the Norwood Town Hall. The attendance was very select, but not so numerous as it would have been had the affair been more prominently announced. The entertainment was opened by operatic selections from the "Daughter of the Regiment," by Messrs. Kohler and Compton, which was loudly applauded. After this Mr. Compton gave that beautiful ballad, composed especially for Miss Catherine Hayes, entitled "Molly Asthore." This was well rendered, and received with much enthusiasm. The Caledonian Quadrilles, with variations for the pianoforte, cornet, and French flageolet, followed, and was vigorously encored, after which a comic song, "Alonzo the Brave," was given by Mr. Compton . . . After a short interval the second portion of the concert was proceeded with, comprising several quadrilles and ballads, all of which were well received, the solos on the concertina and penny whistle being encored. At the close of the entertainment, Mr. Compton thanked the audience for their patronage, stating that the concert would be shortly repeated. This announcement was received with loud applause, and the audience departed, evidently well pleased with their evening's amusement.

ASSOCIATIONS: Richard Wildblood Kohler (musician)

"TOPICS OF THE DAY", The South Australian Advertiser (20 February 1862), 2

http://nla.gov.au/nla.news-article31807785 

The South Australian Institute are gradually introducing their system of evening classes to popular notice, and by a judicious admixture of the various branches of education are endeavouring to enlist the sympathies and assistance of those for whom these classes are intended especially. Classes now meet regularly for the study of various subjects, particularly languages and the fine arts, and an additional class is now being established is the latter branch for the study of vocal music. This class is under the superintendence of Mr. C. H. Compton, who has attained considerable eminence in his profession as a vocal teacher, having been for some years leader of the choir and organist at Her Majesty's Chapel Royal. Mr. Compton is anxious in the conduct of this class to obtain as many pupils as possible, and he purposes selecting a few from the class to train as a choir, which would be competent to take engagements on public or festive occasions. The opportunity is a good one for those who are anxious to study music with professional objects.

ASSOCIATIONS: South Australian Institute (association)

"WEEK'S INSOLVENCIES", South Australian Register (20 November 1863), 2

http://nla.gov.au/nla.news-article50168647 

Charles Henry Compton, formerly of Hay's buildings, North-terrace, then of Synagogue-place, Rundle-street, then of King William-street, and now of North-terrace, in Adelaide, professor of music.

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (28 October 1864), 5

http://nla.gov.au/nla.news-article155015356 

A case of considerable importance to musical associations was decided by his Honor Judge Pohlman, in the county court, yesterday. Mr. C. H. Compton, the well-known musician, and lately conductor of the Melbourne Orpheus Union, sued Mr. T. H. Davis, the secretary of that association, for the sum of £150, damages for wrongful dismissal from its service. The plaintiff's case was that, in February last, he was engaged by the committee of the Orpheus Union, as its conductor, at a salary of £25 per annum. He shortly afterwards entered on the duties of his office, attended the various rehearsals, and conducted two of the society's concerts so as to give satisfaction, not only to the subscribers, but also to the committee. At a rehearsal held on the 14th September, the defendant, who had succeeded Mr. Ford in the secretaryship, handed plaintiff a programme to be gone through, which contained some pieces of which he did not approve, and concerning which he had, on a previous occasion, expressed himself as dissatisfied. He also considered the defendant's manner on the occasion as impertinent. Feeling very much annoyed, and considering that he had been treated in anything but a dignified manner in not being consulted in reference to the programme, he refused to finish it, and, after intimating his intention of bringing the matter before the committee, left the room. On the following day he wrote a letter to the committee, in which he complained of the manner in which he had been treated, and claimed the right, as conductor, to arrange the programme, or at least have a voice in the matter. Two days afterwards he received a reply to his communication from defendant, informing him that, as he had resigned his office as conductor of the society, a successor had been appointed. He was further told by the defendant, whom he met in the street, on his way thither, it would be useless for him to attend the next rehearsal, as Mr. Pringle had been appointed in his place. The statement of the plaintiff was confirmed by Mr. Fox, a subscriber, who had accompanied him to the rehearsal that evening. The gentleman also gave it as his opinion that it was invariably the rule in musical as sociations to consult the conductor in the selection of the pieces and the arrangement of the programme, and that for a society of amateurs like the Orpheus Union to set itself up against a skilled conductor was in the highest degree absurd. Mr. Kaye, the original conductor of the Orpheus Union, and who now holds a similar position in the St. Kilda Glee and Madrigal Society, stated that when connected with the former association he had almost the entire control of the programme. The defence was that the plaintiff was not discharged, but, on the contrary, left of his own free will, and that the engagement was not an annual, but a quarterly one, the committee agreeing to pay him six guineas per quarter. Mr. Thomas Ford stated that he was the hon. secretary of the Orpheus Union at the date of the appointment of the plaintiff as conductor. The agreement between the plaintiff and committee was that he should be paid six guineas per quarter. At the rehearsal, on the evening of the 14th September, the plaintiff introduced some new music, which was sung over several times, and then the defendant suggested the propriety of going on with the programme selected by the committee, as there was only time for five more rehearsals prior to the concert coming off. The plaintiff then commenced the first piece which he completed, although not very satisfactorily, but broke off in the middle of the second, and throw down his baton saying he would not stand such conduct any longer. On being asked by Mr. Davis if he would attend the next rehearsal, he answered that he certainly would not; and, gathering up his music, left the room. The defendant and other witnesses having been called in corroboration, and counsel heard, his Honor decided that the engagement was only a quarterly one, and that the plaintiff was only entitled to £12 12s, which was accordingly awarded him, with costs according to the first scale.

ASSOCIATIONS: Thomas Holme Davis (secretary); Thomas Ford (past secretary); Samuel Kaye (past conductor); Orpheus Union (association); St. Kilda Glee and Madrigal Society (association)

[News], The Herald [Melbourne, VIC] (28 October 1864), 2

http://nla.gov.au/nla.news-article245507199 

. . . For the defence a mass of evidence was tendered. It was alleged that on the 15th of August, the day on which the Lyster Opera Company left for New Zealand, Mr. Compton was the worse for drink, and was rather "funny" at rehearsal. He waved his baton wildly about, and beat the wrong time. This charge Mr. Compton most indignantly and unhesitatingly repudiated. It was also asserted that he was only engaged by the quarter, and that during the time he was the paid officer of the society he was in treaty with certain professionals to proceed to Adelaide. The most important of the witnesses called was Mr. J. Russell, who stated from his many years experience that the conductor should have some voice in the selection of the music to be performed, and that the managing committees usually extended this courtesy. A verdict was given for the plaintiff for L12 12s, being the remainder of the yearly salary agreed upon.

ASSOCIATIONS: John Russell (musician); Lyster Opera Company (troupe)

[News], The Argus [Melbourne, VIC] (29 October 1864), 5

http://nla.gov.au/nla.news-article5748170 

Mr. C. H. Compton has bean appointed organist of St. Francis's Cathedral, in the place of the late Mr. Wilkinson.

ASSOCIATIONS: William Augustus Wilkinson (organist); St. Francis's cathedral (Melbourne)

"AMUSEMENTS", The Mercury [Hobart, TAS] (25 June 1866), 3

http://nla.gov.au/nla.news-article8840072 

There has been very little in the shape of amusement presented to our citizens during the past month. Mr. C. H. Compton, the organist of St. Francis Cathedral, Melbourne, paid us a visit a week or two ago, and gave lectures on the ballads of England, illustrated by numerous songs, but he obtained very small audiences.

"NEW INSOLVENTS", Leader [Melbourne, VIC] (1 June 1867), 12

http://nla.gov.au/nla.news-article196634197 

Charles Henry Compton, of Chapel-street, St. Kilda, professor of music.
Causes of insolvency: Loss sustained in consequence of not being able to attend to business during late serious illness, losses sustained as publisher and proprietor of "Musical and Dramatic Review," and also of delivering lectures on music.
Liabilities, £232 2s; assets, £9 9s; deficiency, £222 13s.

"THEATRICAL NEWS FROM CALCUTTA", The Australasian (1 March 1873), 19

http://nla.gov.au/nla.news-article137578000 

. . . Amongst the gentlemen who appeared I noticed Mr. Charles H. Compton, well known in Melbourne as a vocalist and pianist . . .

"LOCAL AND GENERAL", The Western Australian Times [Perth, WA] (30 April 1878), 2

http://nla.gov.au/nla.news-article2979148 

"DEATHS", South Australian Register (22 September 1883), 4

http://nla.gov.au/nla.news-article43465593

COMPTON. - On the 21st September, at Archer-street east, C. H. Compton, R.A.M., aged 52 years, brother-in-law of Mr. Justice Holroyd, Melbourne.

"THE LATE MR. C. H. COMPTON", South Australian Register (22 September 1883), 4

http://nla.gov.au/nla.news-article43465585

Mr. C. H. Compton, whose death took place on Friday morning at North Adelaide, was a thoroughly trained musician. He was born in Devonshire, England, in 1831, and at an early age commenced the study of music, being eventually a pupil in the Royal Academy of Music. The deceased gentleman was for many years organist to Her Majesty, and officiated at the Chapel Royal, Savoy, London. In 1831 [recte 1861] he first came to South Australia, following the occupation of a teacher of music for about three years. He then left for Melbourne, where he was for some time engaged on the Press of that city, and acted as organist of St. Patrick's Cathedral [sic, St. Francis's]. In 1868 Mr. G. B. W. Lewis, of Melbourne, proceeded to India with a dramatic company, Mr. Compton accompanying him as the leader of the orchestra. He accepted the position of organist of St. Paul's Church, which he kept for some time, surrendering it to carry out a large contract for supplying the Indian Government with Western Australian timber for railway sleepers, and in pursuance of this business travelled for some time between Calcutta and Perth. Mr. Compton does not seem to have been particularly fortunate, however, in the speculation, for in the following year we find him settled in Perth, engaged in teaching music and officiating as organist of St. George's Cathedral. In 1875 he returned to Calcutta, where he accepted soon after his arrival the post of leader of the orchestra at the Corinthian Theatre. The members of the orchestra were all Italians, left there by Signor Cagli, and they objected to be conducted by an English man. His engagement was cancelled by the management, and Mr. Compton commenced a suit for salary for the balance of the season, which terminated in his favour. He then left Calcutta, and returned to Western Australia, where he remained until some three years ago, when he again visited Adelaide, embarking in commercial pursuits, in which he was only moderately successful. He also resumed the position of organist of Christ Church, North Adelaide, which he had filled nearly twenty years before. He, however, continued to make an occasional appearance before the public as a pianist, his last engagement in that capacity being with Dr. Sylvester at Garner's Assembly room. Some two months ago symptoms of the disease - cancer in the stomach - to which he finally succumbed manifested themselves, and he sank quickly. Mr. Compton's last days were soothed by the kind offices of Mr. and Mrs. Woodman and Mr. Joseph Bennett, who have been untiring in their attention to the sufferer. Mr. Compton leaves a brother in Western Australia and one in Melbourne. Mr. Justice Holroyd, of Victoria, married a sister of the deceased. Mr. Compton's remains will be removed for interment from the residence of Mr. Wallace, Bohm-terrace, North Adelaide, to day, at 2 p.m.

ASSOCIATIONS: George Benjamin William Lewis (entrepreneur); Joseph and Elizabeth Woodman (carers); St. George's cathedral (Perth); Compton probably did have connections with the Royal Academy of Music through his teachers, however, he only very belatedly in Adelaide in the 1880s appended "R.A.M." to his name, and there is no evidence that he was formally an associate as was his eldest sister Christian Compton Paige (c. 1826-1915)

"DEATHS", The Inquirer and Commercial News [Perth, WA] (26 September 1883), 2

http://nla.gov.au/nla.news-article65936766 

COMPTON. - CHARLES HENRY COMPTON, aged 54, at Adelaide, S.A., on the 21st inst., for some time organist of S. George's Cathedral, Perth; and formerly of Calcutta.


Extant musical works:

Composed in England (to 1858):

[Advertisement], Exeter and Plymouth Gazette [Devon, England] (10 January 1857), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000267/18570110/046/0001 (PAYWALL)

NEW AND POPULAR SONGS and DANCE MUSIC, Composed by Charles H. Compton. -
"Stars of the Summer Night," (serenade) CRAMER & Co.
"Over the Calm and Slumbering Sea," - Ditto.
"And canst thou tell me, Mariner?" - Ditto.
"To Horse, to Horse," Ditto. A Patriotic Song, sung by Mr. SIMS REEVES and HERR FORMES.
"Golden Dreams," LEADER & COCK."
"Faces in the Fire," (Just Published) - Ditto. "One of the most charming Ballads we have heard for some time."
"The Miller's Daughter," DUFF & HODGSON.
"The Summer is over," Ditto.
The Violante Waltzes, - CRAMER & CO.
The Stella ditto, - JULLIEN & Co.
Ditto Polka - Ditto.
The South Devon Polka - Ditto.
The Mail Coach ditto - Ditto.
The Will-o'-the-Wisp Quadrille - Ditto.
To be had of the London Publishers, or of Mr. CHAS. COMPTON, Hill House, Totnes.

See also Catalogue . . . of engraved music plates and copyrights, of Messrs. Cramer & Co. . . . part 1, to be sold by auction on Monday, March 27th and three following days (London: Puttick & Simpson, 1871), 37-38

https://books.google.com.au/books?id=9GxTAAAAcAAJ&pg=PA37 

[Lot] 336 - Compton (Charles H.)
A Patriotic Song (To horse, to horse) Sir Walter Scott - 6 [plates]
And canst thou tell me, mariner - 6 [plates]
Heaven will guard those far away - 7 [plates] - 19 [plates total] [38]
[Lot] 337 - I'll woo my lady love with song - 6 [plates]
My spirit pines for home - 7 [plates] - 13 [plates total]
[Lot] 338 - Sea nymph's invitation - 8 [plates]
Stars of the summer night - 6 [plates - 14 [plates total]

The Stella waltz (1852)

The Stella waltz, for the piano forte, composed & dedicated to Thomas Blake by Charles E. Compton (London: Jullien & Co., [1852])

Copy at the British Library, i.310.ff.(5.)

The Stella polka (1852)

The Stella Polka, for the piano forte, composed and dedicated to Mrs. Northcote of Ashprington House by Charles Henry Compton (London: Jullien and Co., [1852])

Copy at the British Library, i.310.ff.(8.)

Over the calm and slumbering sea (The mermaid's song, words by the composer) (London: Cramer, Beale and Co., [1855])

Copy at the British Library, H.2815.k.(13.)

https://www.worldcat.org/title/497546191 

Golden dreams ("How sweet in slumber . . ." words by J. H. Carpenter) (London: Leader and Cocks, 1855]

Copy at the British Library, H.1750.(6.)

To horse, to horse, the standard flies (A patriotic song) (London: Cramer, Beale and Co., [1855])

Copy at the British Library, H.1750.(7.)

To horse, to horse, the standard flies: a patriotic song, composed and dedicated to the Volunteers, in Adelaide Musical Herald (5 June 1863), 92-93

https://trove.nla.gov.au/work/156931375 

https://nla.gov.au/nla.obj-179487923 (DIGITISED)

The miller's daughter (London: Duff & Hodgson, [? 1855])

The miller's daughter; song; words by W. Brailsford, in The Illustrated Melbourne Post (22 November 1866)

See [Advertisement], The Herald [Melbourne, VIC] (24 November 1866), 2

http://nla.gov.au/nla.news-article244422756 

. . . THE ILLUSTRATED MELBOURNE POST For NOVEMBER. Containing the following . . . An Original Song, THE MILLER'S DAUGHTER: Muslo by C. H. Compton, Esq. . . .

Stars of the summer night (London: Cramer, Beale and Co., [1855])

Stars of the summer night, written by Longfellow, music by C. H. Compton (Boston: Oliver Ditson, [1857])

https://levysheetmusic.mse.jhu.edu/collection/065/114 (DIGITISED)

And canst thou tell me mariner? (words by Major W. Guernsey) (London: Cramer, Beale and Co., [1856])

Copy at the British Library, H.1750.(8.)

The faces in the fire ("When the shades of eve surround us . . ."; words by the composer) (London: Leader & Cock, [1856])

Copy at the British Library, H.1771.c.(58.)

https://www.worldcat.org/title/497546138 

Faces in the fire, in The Illustrated Melbourne Post, date unknown

https://trove.nla.gov.au/work/156931376 (DIGITISED)

Heaven will guard those far away ("A mother stood on the pebbly shore. . .", words by the composer) (London: Cramer, Beale and Co., [1858])

Copy at British Library, H.1771.c.(55.)

https://www.worldcat.org/title/497546167 

The sea nymph's invitation ("Come haste thee . . .) (London: 1858)

Copy at the British Library, H.1771.c.(56.)

My spirit pines for home (London: 1858)

Copy at the British Library, H.1771.c.(57.)

Works composed or first reported in Australia:

When I was young (Melbourne, VIC, 1859)

When I was young, song, sung by Miss Octavia Hamilton, written by Henry F. Chorley, the music composed by Charles H. Compton (Melbourne: Printed for the composer by Clarson, Shallard & Co., 1859)

https://trove.nla.gov.au/work/28502915

https://collection.sl.nsw.gov.au/record/74Vvxjwk3xVA (DIGITISED)

ASSOCIATIONS: Octavia Hamilton (vocalist); Clarson, Shallard and Co. (printers and publishers)

The debutante (operetta, libretto only survives; Adelaide, SA, 1882)

The debutante, an entirely original serio-comic operetta in one act, the dialogue written by F. Harvie-Linklater; he songs written and the music composed by Charles Henry Compton (Adelaide: Advertiser General Printing Office, 1882)

https://trove.nla.gov.au/work/33198265 


Bibliography and resources:

George E. Loyau, Notable South Australians; or, Colonists, past and present (Carey, Page & Co., Printers, 1885), 56-57

https://archive.org/stream/notablesouthaus00loyagoog#page/n77/mode/2up (DIGITISED)

C. H. Compton. BORN in Devonshire, England, in 1831 [sic], and at an early age was a pupil in the Royal Academy of Music. He was for many years organist to Her Majesty, and officiated at the Chapel Royal, Savoy, London . . . [as 1883 Register obituary above]

ASSOCIATIONS: George Loyau (editor)

David Shield, "Charles Henry Compton: championing the Hill", Organ Historical Trust of Australia

http://www.ohta.org.au/doc/articles/Shieldessay.htm 

http://pandora.nla.gov.au/pan/22444/20070528-0000/www.ohta.org.au/doc/articles/Shieldessay.html (archived at NLA Pandora)




COMPTON, Frederick (Frederic COMPTON; Mr. F. COMPTON)

Musician, pianist, teacher of music, music and instrument seller, piano tuner, "pioneer journalist"

Born Totnes, Devon, England, late 1835; baptised Totnes St. Mary, 8 January 1836; son of Henry COMPTON (1800-1876) and Jane TOZER (1804-1874)
Arrived Melbourne, VIC, 29 March 1859 (per Prince of Wales, from London, 4 January)
Active Brisbane, NSW (QLD), by June 1860
Married Eliza Jane MEYERS, Christ Church, Brisbane, QLD, 2 February 1869
Died Orange, NSW, 10 April 1904, aged "66/67" [sic] ("a colonist of over 40 years")

https://trove.nla.gov.au/search?l-publictag=Frederick+Compton+1835-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COMPTON-Frederick (shareable link to this entry)

ASSOCIATIONS: Henry Compton (father); Charles Henry Compton (eldest brother); George Spencer Compton (elder brother); Cecil Compton (1869-1932, organist, son)

https://trove.nla.gov.au/search?l-publictag=Cecil+Compton+1869-1932 (TROVE tagged by Australharmony)


Documentation:

Baptisms solemnized in the parish of Totnes in the county of Devon in the year 1836; South West Heritage Trust, Devon baptisms

https://search.findmypast.com.au/record/browse?id=GBPRS/DEV/007341743/00240 (PAYWALL)

No. 1885 / [1836] Jan'y 8th / Frederic Son of / Henry & Jane / Compton / Totnes / Professor of Music . . .

England census, 6 June 1841; Totnes, Devon; UK National Archives, HO107/213/1/1/7/10

https://www.ancestry.com.au/discoveryui-content/view/1104507:8978 (PAYWALL)

Fore Street / Henry Compton / 40 / Professor of Music
Jane / 35 // Mary Jane / 13 // Charles Henry / 10 // Anna Maria Hayles / 9 // George Spencer / 8 // Frederick / 5 [all born in county]

England census, 30 March 1851, Totnes, Devon; UK National Archives, HO107/1874/36/12

https://www.ancestry.com.au/discoveryui-content/view/6614327:8860 (PAYWALL)

47 / Fore Street / Henry Compton / Head / Mar. / 51 / Professor of Music / [born] Paignton [Devon]
Jane [Compton] / Wife / [Mar.] / 47 / [Professor of music] / [born] Marldon [Devon]
Christian [Compton] / Dau. / [Unmarried] / 24 / [Professor of music] / Totnes [Devon]
Charles H. [Compton] / Son / [Unmarried] / 20 / [Professor of music] / [Totnes Devon]
Anna [Compton] /Dau. / [Unmarried] / 19 / Governess / [Totnes Devon]
George S. [Compton] / Son / [Unmarried] / 17 / Office Clerk / [Totnes Devon]
Frederick [Compton] / Son / [Unmarried] / 15 / Scholar / [Totnes Devon]

Names and descriptions of passengers per Prince of Wales, from London, December 1858, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B0DE06F-F96C-11E9-AE98-4BA0F0071BF0?image=312 (DIGITISED)

. . . Mr. Henry Compton / 50 // Mrs. Jane [Compton] / 50
Miss Mary [Compton] / 24 // Miss Anne [Compton] / 25 // Mr. Frederick [Compton] / 21 . . .

"SHIPPING INTELLIGENCE. HOBSON'S BAY . . . ARRIVED. MARCH 28", The Argus [Melbourne, VIC] (30 March 1859), 4

http://nla.gov.au/nla.news-article5678688 

Prince of Wales, Blackwall ship, 1,300 tons, Edward Jones, from London, via Plymouth 6th January. Passengers - cabin . . . Messrs. Compton (2) . . .

"SHIPPING. ARRIVED (HOBSON'S BAY)", The Age [Melbourne, VIC] (30 March 1859), 4

http://nla.gov.au/nla.news-article154839925 

March 29 - Prince of Wales, ship (Blackwell Line), 1500 tons, Edward Jones, from London, 4th January. Passengers - cabin: Mr. and Mrs. Henry Compton, Misses (2) and Mr. Frederick Compton . . .

"THE ARGUS AND HERALD ROW. A SCENE IN THE POLICE COURT", The Age (12 May 1859), 3

http://nla.gov.au/nla.news-article154839201 

At the District Police Court yesterday, before Mr. Septimus Martin, an assault case was heard originating out of a row between one Compton, reporter on the Argus (plaintiff), and one Allan, reporter on the Herald (defendant) . . . Frederick Compton, reporter on the Argus newspaper, being sworn, stated: That he is plaintiff in the business . . .

See also "Ye BATTLE OF Ye REPORTERS", Melbourne Punch (12 May 1859), 1

http://nla.gov.au/nla.news-article174524546 

And "THE FITZROY POLICE COURT", The Age (12 July 1859), 5

http://nla.gov.au/nla.news-article154827951 

"QUEENSLAND (FROM OUR OWN CORRESPONDENT) BRISBANE, JULY 4", The Argus [Melbourne, VIC] (14 July 1860), 6

http://nla.gov.au/nla.news-article5686126 

A new charivari, to be entitled Queensland Punch, is advertized to make its appearance in the literary world of Brisbane in the course of next month, under the auspices of Mr. Frederick Compton . . .

"THE BISHOP OF BRISBANE", The North Australian, Ipswich and General Advertiser [QLD] (28 September 1860), 3

http://nla.gov.au/nla.news-article77430767 

His lordship is expected to arrive in Ipswich to-day . . . and he will preach in St. Paul's Church, on Sunday morning, when the new organ will be opened, and which has already been pronounced by musical judges to be a most beautifully toned instrument . . . It is generally affirmed that Mr. Compton, of Brisbane, will be appointed organist and schoolmaster of the parish.

"THE CHURCH CHOIR", The North Australian, Ipswich and General Advertiser (9 October 1860), 3

http://nla.gov.au/nla.news-article77432917 

The newly appointed organist, Mr. Compton, has entered on his duties at the Church, and in our advertising columns of to-day invites parties willing to join the choir to furnish him with their names. The impetus given by the erection of the organ has already materially improved the services of the Church, by the enlistment of some able volunteers for the choir; and we trust that, with the aid of Mr. Compton's exertions, there will soon be nothing left to wish for in this direction.

"IPSWICH (FROM OUR OWN CORRESPONDENT) . . . MONDAY (YESTERDAY)", The Moreton Bay Courier [Brisbane, QLD] (9 October 1860), 3

http://nla.gov.au/nla.news-article3726067 

Mr. Compton, the organist of St. Paul's, commenced his task yesterday, assisted by Mr. Phillips. Mr. Compton has already made an effort towards the formation of a choir. He will doubtless be assisted cordially by the congregation, every individual of which will be disposed to give his mite, when asked, towards the raising of a respectable salary.

"IPSWICH (FROM OUR OWN CORRESPONDENT) WEDNESDAY (YESTERDAY)", The Moreton Bay Courier (11 October 1860), 2

http://nla.gov.au/nla.news-article3724690 

A deputation from the committee of the Ipswich Choral Society waited on Mr. Compton on Monday, to see if he was disposed to undertake the conductorship of the society, but he declined for reasons which were quite satisfactory to the deputation.

ASSOCIATIONS: Ipswich Choral Society (association)

"IPSWICH (FROM OUR CORRESPONDENT) MONDAY (YESTERDAY)", The Moreton Bay Courier (13 November 1860), 2

http://nla.gov.au/nla.news-article3716475 

LATTERLY the musical services of St. Paul's Church have given fair promise of becoming beautiful and attractive. But yesterday morning the congregation were, for the most part, taken aback by the total absence of music from the service. It appears that the clergyman and the organist have each a key to the organ; and the organist, Mr. Compton, having been absent from town for a day or two last week, was informed that certain ladies had been seen to enter the church, and immediately afterwards the organ was heard. It so happened that the clergyman had asked two ladies to come and hear him play the organ on the Friday afternoon; and had also asked the parents of the youth who usually blows the bellows, to allow him or his brother to come and blow the bellows on this occasion, at the same time saying that, as the boy would be in school, Mr. Compton must be asked if he could be spared. Taking for granted that this had been done, when the time and the ladies arrived, the clergyman sent his servant across to ask for the boy. Mr. Compton declined to allow him to leave the school, and the same evening wrote a note to Mr. Rumsey, assigning his reason for the refusal, and censuring Mr. Rumsey's conduct in allowing other persons besides himself to play upon the organ. Mr. Rumsey called a meeting of the churchwardens and laid the matter before them. At this meeting the clergyman asserted his right to allow or refuse permission to any person to play on the organ. The organist, on the other hand, claimed the exclusive control of the instrument, and resigned his situation forthwith. The same evening, he called together the choir, and gave them his account of the affair, after hearing which, they came to a resolution that they would not again sing in the church until Mr. Compton was reinstated in his position, upon a different footing.

"IPSWICH (FROM OUR OWN CORRESPONDENT) FRIDAY (YESTERDAY)", The Moreton Bay Courier (23 March 1861), 3

http://nla.gov.au/nla.news-article3720097 

Mr. Compton, intending to apply for the office of organist at St. Paul's has addressed to the members of the Church of England a circular, asking for their attendance at the Easter meeting, and their votes, accompanied by testimonials from the Rev. W. B. Cosens, Vicar Choral of Exeter Cathedral, J. W. Burrough, Vicar of Totness, John Goss, Organist of St. Paul's Cathedral, and the Rev. John Forster, Incumbent of the Savoy. I understand that one organist, who has been in communication with the committee of the Ipswich branch of the Diocesan Church Society, has agreed to come up on receiving a guarantee of all his and his family's travelling expenses, and £200 a year salary.

ASSOCIATIONS: John Goss (London organist)

"IPSWICH (FROM OUR OWN CORRESPONDENT) WEDNESDAY (YESTERDAY)", The Moreton Bay Courier (11 April 1861), 2

http://nla.gov.au/nla.news-article3725412 

At the adjourned Easter meeting of St. Paul's parishioners yesterday . . . Chubb then proposed Mr. Compton as organist, with a salary of £60 a year. Mr. Abbott seconded. A discussion arose as to the right of the parish to elect one. The Mayor proposed Mr. Wilson, a gentleman with whom he had been in correspondence, and who had intimated his willingness to come from Sydney to be organist and conductor of the Choral Society. Seconded by Mr. Gill. Mr. Chubb pressed his resolution. Mr. Faircloth said he would move an amendment, "that Mr. Compton be not organist of St. Paul's, Ipswich." Dr. Rowlands moved, and Mr. Wilson seconded, "that the appointment be left in the hands of the churchwardens." Amendment carried. Mr. Chubb moved, the Mayor seconded, "that the salary of the organist do not exceed £60 a year for the present year." Carried. It was then resolved that the stipend of the organist should be a separate fund, the chairman announcing his intention to subscribe £5 a year, whoever might be appointed.

ASSOCIATIONS: Marmaduke Henry Wilson (organist)

"IPSWICH (FROM OUR OWN CORRESPONDENT) SATURDAY", The Courier [Brisbane, QLD] (19 August 1861), 2

http://nla.gov.au/nla.news-article4600558 

ONE of the most amusing things I ever heard of came to light on Thursday evening last. Your readers will remember that the congregation of the Scots' Church have for some time back had a singing class, conducted by Mr. Compton. On Thursday week something was discovered to be the matter with the harmonium, which had been hired for the use of the church. On examining the wind chest some bits of paper were found which had every appearance of being put there by design: they were removed and the music got on pretty well that night, but on last Thursday the instrument was dumb, or very nearly so. The proprietor of the instrument wanted to take it away. This however he was not permitted to do. By immense exertion in blowing the bellows a little sound was got out. The conductor and the clergyman again examined the wind chest. This time it was nearly filled with several handsful of bits of paper, which, on after examination, proved to be the constituent parts of a whole North Australian newspaper. It seemed certain that some one had done it on purpose, and for mischief. But the clergyman, on removing some handsful of the paper, discovered four young mice newly-born. The only avenue of entrance the ingenious mamma could have found was one of the small holes defended by a tongue at the bottom of the bellows, and then she would have to climb up a narrow staircase, something like the ascent of St. Paul's Cathedral, without the steps and after severely taxing his memory, the youth who had charge of the church, recollected that there had been a North Australian left lying in the vestry.

"IPSWICH (FROM OUR OWN CORRESPONDENT) FRIDAY, SEPTEMBER 27", The Courier (30 September 1861), 2

http://nla.gov.au/nla.news-article4601302 

The Presbyterians have received the harmonium ordered for their church. It is a magnificent instrument, and one can hardly realize that it was obtained at the small cost of eighty guineas. It possesses fifteen stops, and all the latest improvements in mechanism. It was made by Busey and Ching [Boosey and Ching], of Hollis street, London, and far surpasses any harmonium I have yet seen in the colonies. Mr. Compton kindly afforded me an opportunity of judging of its power and compass, and showed me the splendid mechanism of its interior; and in all these respects it is, in my humble judgment, perfect. The harmonium which has been used hitherto for the singing practice, has been purchased from Mr. Holt, for the Wesleyan chapel. When the Catholics get their grand organ, the music of our churches will be on a level with that of the most advanced towns.

"SABBATH SCHOOL CHILDREN'S SOIREE, AT THE SCHOOL OF ARTS", Queensland Times, Ipswich Herald and General Advertiser (11 October 1861), 3

http://nla.gov.au/nla.news-article125597710 

The half-yearly Soiree given by the teachers to the children attending St. Stephen's Sabbath School, took place last evening . . . At intervals during the evening several selections were sung in chorus (from Scotch airs principally) with accompaniments on the harmonium by Mr. Compton, and on the violin by Mr. Haimberger . . .

ASSOCIATIONS: Julius Haimberger (violinist)

"IPSWICH (FROM OUR OWN CORRESPONDENT) TUESDAY (YESTERDAY)", The Courier (23 October 1861), 3

http://nla.gov.au/nla.news-article4601787 

I am not aware that I have, as yet, sent you any particulars of a musical society, which has been some time in existence here, but as they are about to give a concert on the 18th of November, I think it is time I did so. The members of this society have, I believe, agreed upon calling it a "Harmonic Union." In the first instance their attention was devoted to vocal music. Commencing about the first week in June, they met at a private-residence, for the practice of singing, for two hours on two evenings a week. There was also an elementary class, numbering some fifteen members, who attended for an additional hour on those evenings. The singers now number nearly thirty. Then, about the beginning of August, a class for instrumental music was formed, and its members commencing with simple music, have latterly been practising overtures. I do not suppose I shall be anticipating the programme of the concert, if I mention the names of the instrumental performers, so far as I have been able to learn them. First violin, Professor Haimberger, assisted by Mr. Nash; second violin, Mr. Lewis; tenor violin, Mr. Cameron; piano-forte, Mr. Compton; flutes, Messrs. Craies, Wyatt, Barber, Blount, Taylor; piccolo, Mr. J. Cameron. In addition to Mr. Compton, I understand the services of Mr. Otto Linden have been engaged specially for the concert. It has sometimes proved injudicious for ever so humble a critic to express ever so mildly a favorable opinion of individual talent, but I think I may safely leave the event to justify the opinion I am about to express. A pianist, such as I believe Mr. Linden to be, and a violinist, such as I know Mr. Haimberger to be, must be very unfortunate if they meet on one platform, without producing a very startling effect in the musical world of Ipswich.

ASSOCIATIONS: Otto Linden (pianist)

"THE HARMONIC UNION'S CONCERT", Queensland Times, Ipswich Herald and General Advertiser (19 November 1861), 3

http://nla.gov.au/nla.news-article125598485 

Ipswich is becoming noted for its successful public entertainments; and the concert given by Mr. Haimberger last-night will be another laurel gained for the town in this respect . . . We estimate nhe number present at about 400. The concert opened with the Overture "Massaniello," which was beautifully played, Mr. Haimberger leading, Mr. Compton accompanying on the piano . . .

ASSOCIATIONS: Ipswich Harmonic Union (association)

IPSWICH (FROM OUR OWN CORRESPONDENT) WEDNESDAY, FEBRUARY 19", The Courier (21 February 1862), 2

http://nla.gov.au/nla.news-article4604005 

The concert announced to be given by the Harmonic Union on behalf of the Ipswich Hospital came off last evening, in the hall of the School of Arts . . . Several members of the Union, who appeared on the platform at the last concert, were absent on this occasion, one or two having removed from the town, or being away from it. Also Mr. Compton, who was until lately an active member of the Union, and who was expected to accompany most of the pieces on the pianoforte, has, since the first announcement and subsequent postponement of the concert, resigned his membership, in consequence of some disagreement, and through this the piano was silent during a great part of the performance. This was chiefly to he regretted because, both in the vocal and the instrumental parts, the bass was weak to begin with . . .

"RELEASE OF MR. COMPTON FROM GAOL", The Courier (2 October 1862), 2

http://nla.gov.au/nla.news-article4608336 

We understand that his Honor the Judge yesterday issued an order for the release of Mr. F. Compton, who was confined for debt, from Brisbane gaol. Some legal technicality has, we believe, brought about this fortunate result for Mr. Compton, who had been incarcerated for about two months.

[Advertisement], Rockhampton Bulletin and Central Queensland Advertiser [QLD] (24 January 1863), 6

http://nla.gov.au/nla.news-article51557077 

MR. F. COMPTON, (late Organist of H. M. Chapel, Savoy-street, London,
and of St. Paul's and St. Stephen's Churches, Ipswich),
teacher of the Pianoforte and Harmonium, and Pianoforte tuner.
No. 2, Wood's Buildings, (first floor), Denham-street.

[Advertisement], Rockhampton Bulletin and Central Queensland Advertiser (4 April 1863), 3

http://nla.gov.au/nla.news-article51557687 

NEW MUSIC! Just Arrived, ex "Flying Cloud," from England.
MR. COMPTON has ON SALE an Assortment of New Music - the most popular Dance-Music and Songs, &c., just received from England by his agents at Brisbane.
Also, some Pianoforte Instruction Books.
Pianofortes, Harmoniums, Harmonicons, Flutinas, Concertinas, Violins, and other musical instruments for sale at Sydney prices!
A Quadrille Band provided for Balls and Parties.
F. COMPTON, Teacher of Music and Pianoforte Tuner, 2, Denham Chambers

"POLICE COURT. ROCKHAMPTON. Thursday, September 24", Rockhampton Bulletin (26 September 1868), 2

http://nla.gov.au/nla.news-article51573720

Alexander Archibald, appeared on summons, charged with assaulting Frederick Compton on Monday the 21st instant. Defendant pleaded cause to show. Complainant, a teacher of music, deposed that on the date named he was in a committee room at O'Neil's Alliance Hotel. Mr. Nurcombe was in the chair. Complainant was leaving the room shortly after eleven o'clock when defendant caught him by the arm and said he wanted £1 from him; complainant asked what for; he said for the bet complainant had made with him; complainant replied, he had made no bet, and desired him to let him go; defendant then drew his hand back and struck him on the eye, knocking him against the sofa; as he recovered himself defendant struck him another blow; he put up his arm to protect his head, and defendant struck him a third blow on the arm; defendant cried you b----- throw up your arms and shape, and then struck a fourth blow which landed on complainant's chin and throat; at the same time he seized hold of him by the shirt collar and hit him another blow on the head; other persons interfered and complainant ran away to Mr. Wiseman and lodged an information.
Cross-examined: Was engaged last week in canvassing for votes for Mr. McDevitt; he had not spoken to defendant during the election; defendant had once called out to him in the street that he would give him ten to five his man would not go in; made no bet at all with defendant.
Charles Tonkin and Robert Nurcombe corroborated the evidence of complainant.
For the defence Charles Webster deposed that when defendant said he had made a bet with complainant the latter said it was a lie.
Mr. Milford for defendant and Mr. Dick for complainant addressed the Bench.
His Worship found defendant guilty, and ordered him to pay a fine of 20s., with professional costs, and cost of court, in default of immediate payment fourteen days' imprisonment.

"MARRIAGES", The Brisbane Courier (23 February 1869), 4

http://nla.gov.au/nla.news-article1300928

COMPTON - MEYERS. - On the 2nd February, at Christ Church, Brisbane, by the Rev. Cooper Searle, Frederick Compton, teacher of music, of Melbourne, Victoria, to Eliza Jane, second daughter of Mr. Christopher Cantrell Meyers, of Brisbane.

"PETTY DEBTS COURT. THURSDAY, MAY 6 . . . COMPTON v. C. SEARLE", The Brisbane Courier (7 May 1869), 2

http://nla.gov.au/nla.news-article1299340

This was an action to recover £17 7s., for services rendered as an organist at the School of Arts and at Christchurch. - The plaintiff stated the nature of the claim, and produced a letter of agreement, written by the defendant to the plaintiff, also a letter complimenting him on the manner the duties were performed; and a third letter, dated April 23, in which the defendant requested the plaintiff to discontinue his services, and complaining that the choir did not attend, and was inefficient. The principal item of the account disputed was a charge of £5, for services rendered from November to the end of December, which the defendant alleged were to be given gratuitously. The defendant also stated that since Easter the services had not been performed in a satisfactory manner to himself or the congregation, though he had never distinctly said so to the plaintiff, until he wrote the letter of April 23. - The Bench, after examining the account, returned a verdict for £16 4s. for plaintiff. - Mr. McPherson appeared for plaintiff, and Mr. Handy instructed by Mr. W. H. Wilson, for the defendant . . .

"BRISBANE PETTY DEBTS COURT. MONDAY, SEPTEMBER 6 . . . COMPTON V. FELTON", The Queenslander (11 September 1869), 6

http://nla.gov.au/nla.news-article20325687

Plaintiff sued for 16s., for thirty-two copies of Christy Minstrel music supplied to defendant. He deposed that the charge was one-half that ordinarily made which was 1s. per copy. The music paper was included in the charge, which was usually charged extra for. The defendant paid 5s. into Court, and repudiated the remainder of the claim as being excessive. He, however, ultimately contented to a verdict for the amount sued for.

"DEATHS", The Sydney Morning Herald (16 April 1904), 10

http://nla.gov.au/nla.news-article14613803

COMPTON. - April 10, at Orange, N S.W., Frederick Compton, of Totnes, Devonshire, and a colonist of over 40 years, in his 67th year [sic].

"PERSONAL", The Brisbane Courier (18 April 1904), 4

http://nla.gov.au/nla.news-article19276008

Our Sydney correspondent wired last night: - Frederick Compton who was one of Queensland's early journalists has died at Orange.

"Obituary", Bowral Free Press (20 April 1904), 2

http://nla.gov.au/nla.news-article112419620 

The death occurred recently at Orange of Mr. Frederick Compton, a well-known journalist, and father of Mr. Cecil Compton, late organist of St. Jude's Church, Bowral. The late Mr. Compton was for upwards of 30 years engaged as pressman in Sydney, Melbourne, and Brisbane. The deceased gentleman, who was of genial disposition, was 67 [sic] at the time of his death, and was many years ago a well known organist. He retired from active journalism some years ago.

"Organ Recital To-Night", The Grafton Argus and Clarence River General Advertiser [NSW] (10 September 1909), 4

http://nla.gov.au/nla.news-article235163789 

A Considerable curiosity has been aroused among local lovers of good music by the advent of Mr. Cecil Compton, the newly-appointed organist at Christ Church Cathedral . . . Mr. Compton is a son of Mr. Frederick Compton, an English journalist of some note, who came out to Melbourne a good many years ago under engagement to Messrs. Wilson and McKinnon, the then living proprietors of the Melbourne "Argus." This gentleman afterwards became attached in turn to the journalistic staff of leading Sydney, Brisbane, and other newspapers, finally dying at Orange, when acting as editor of a newspaper there. His son, our organist, was born at Brisbane. Miss Compton (his father's sister) came out to Victoria with her brother and married a barrister who afterwards became the most distinguished equity lawyer . . . namely Mr. Justice Edward Holroyd, now retired, knighted . . .

ASSOCIATIONS: Edward Dundas Holroyd (aunt's husband)




COMPTON, George Spencer (George Spencer COMPTON; George COMPTON; G. S. COMPTON)

Musician, professor of music, vocalist, amateur musician, choral conductor, storekeeper, clerk

Born Totnes, Devon, England, 1833; baptised Totnes St. Mary, 10 May 1833; son of Henry COMPTON (1800-1876) and Jane TOZER (1804-1874)
Married Elizabeth LEY (1833-1915), St. James, Piccadilly, London, England, 2 November 1856
Arrived Melbourne, VIC, 27 January 1857 (per Queen of the Seas, from London, 15 November 1856)
Arrived Fremantle, WA, 3 March 1869 (per Jeannie Oswald from Melbourne, 8 February)
Died Fremantle, WA, 14 September 1888

https://trove.nla.gov.au/search?l-publictag=George+Spencer+Compton+1833-1888 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COMPTON-George-Spencer (shareable link to this entry)

ASSOCIATIONS: Henry Compton (father); Charles Henry Compton (elder brother); Frederick Compton (younger brother); George Spencer Compton (historian, metallurgist, grandson)


Documentation:

Baptisms solemnized in the parish of Totnes in the county of Devon in the year 1833; South West Heritage Trust, Devon baptisms

https://search.findmypast.com.au/record/browse?id=GBPRS/DEV/007341743/00214 (PAYWALL)

No. 1676 / [1833] May 10 / George Spencer Son of / Henry & Jane / Compton / Totnes / Professor of Music . . .

England census, 6 June 1841; Totnes, Devon; UK National Archives, HO107/213/1/1/7/10

https://www.ancestry.com.au/discoveryui-content/view/1104507:8978 (PAYWALL)

Fore Street / Henry Compton / 40 / Professor of Music
Jane / 35 // Mary Jane / 13 // Charles Henry / 10 // Anna Maria Hayles / 9 // George Spencer / 8 // Frederick / 5 [all born in county]

England census, 30 March 1851, Totnes, Devon; UK National Archives, HO107/1874/36/12

https://www.ancestry.com.au/discoveryui-content/view/6614327:8860 (PAYWALL)

47 / Fore Street / Henry Compton / Head / Mar. / 51 / Professor of Music / [born] Paignton [Devon]
Jane [Compton] / Wife / [Mar.] / 47 / [Professor of music] / [born] Marldon [Devon]
Christian [Compton] / Dau. / [Unmarried] / 24 / [Professor of music] / Totnes [Devon]
Charles H. [Compton] / Son / [Unmarried] / 20 / [Professor of music] / [Totnes Devon]
Anna [Compton] /Dau. / [Unmarried] / 19 / Governess / [Totnes Devon]
George S. [Compton] / Son / [Unmarried] / 17 / Office Clerk / [Totnes Devon]
Frederick [Compton] / Son / [Unmarried] / 15 / Scholar / [Totnes Devon]

1856, marriage solemnized at the church in the parish of St. James Westminster in the county of Middlesex; register 1858, page 3; City of Westminster Archives Centre, STJ/PR/6/30

https://www.ancestry.com.au/discoveryui-content/view/106461765:61867 (PAYWALL)

No. 4 / [1856] November 2nd / George Spencer Compton / full [age] / Bachelor / Professor of Music / St. James West'r / [son of] Henry Compton / Professor of Music
Elizabeth Ley / full [age] / Spinster / - / St. James West'r / [daughter of] Edward Ley / Printer . . .

"SHIPPING. ARRIVED", The Age [Melbourne, VIC] (29 January 1857), 4

http://nla.gov.au/nla.news-article154824234 

January 27 - Queen of the Seas, ship, 1337 tons, C. Gardner, from London 15th November. Passengers: cabin . . . Mr. and Mrs. Compton . . .

See also passenger list, cabin passengers covered by slip in second page of the digitised images:

https://prov.vic.gov.au/archive/3B02E3E7-F96C-11E9-AE98-05FF09024AFF?image=107 (DIGITISED)

[Advertisement], The Argus [Melbourne, VIC] (29 January 1857), 1

http://nla.gov.au/nla.news-article7143786 

COPY of a TESTIMONIAL presented to Captain CHARLES GARDNER, of the ship QUEEN OF THE SEAS.
Hobson's Bay, 27th January, 1857 . . . [signed] . . . George Spencer Compton, Elizabeth Compton . . .

[Advertisement], The Argus (27 May 1857), 1

http://nla.gov.au/nla.news-article7132501 

MR. G. COMPTON (Vocalist Tenor). Communications respecting ENGAGEMENTS, to be addressed care of Mr. Chapman, 117 Swanston-street.

ASSOCIATIONS: George Chapman (musicseller)

"CONCERT AT MOONEE", The Age (30 October 1857), 4

http://nla.gov.au/nla.news-article154834516 

Mrs. McDougall, late Miss Rose Josephs, of the Liverpool Concerts, and who has taken contralto soli at the performances of the Melbourne Philharmonic Society, proposes to give a concert of vocal music at Mr. Hinkins's schoolroom, near the Moonee Ponds Hotel, on Friday, the 6th proximo, when she will have the assistance of Mrs. Goodliffe, and Messrs. Kaye, Compton, and H. J. King. The programme is well arranged, and promises to be a great treat to the residents of this locality, who we feel assured will not be behindhand in assisting this able and deserving artiste.

ASSOCIATIONS: Rose Josephs McDougal (vocalist); Samuel Kaye (vocalist); Henry John King (pianist, vocalist); Melbourne Philharmonic Society (association)

[Advertisement], The Argus (3 November 1857), 8

http://nla.gov.au/nla.news-article7141413 

MR. PECK has the honor to announce that he will give a
GRAND EVENING CONCERT, on the occasion of the DRAWING for the PRIZES of THE SOUVENIR ART-UNION,
at the Mechanics' Institute, on THURSDAY EVENING, when he will be assisted by the following talented artistes, vocal and Instrumental:
Miss Maria Chalker, Mr. Cassidy, Mr. H. J. King, Mr. Compton, Mr. Fiddes [sic, Friend].
Director and Solo Violin, Mr. Geo. Peck. Pianist, Mr. H. J. King.
For full particulars see programmes.

ASSOCIATIONS: George Peck (violinist); Marie Chalker (vocalist); Henry John King (vocalist, pianist); James W. Cassidy (comic vocalist); Mechanics' Institution (Melbourne venu)

[Advertisement], The Argus (5 November 1857), 8

http://nla.gov.au/nla.news-article7141568 

PROGRAMME OF MR. PECK'S CONCERT at the MECHANICS' INSTITUTION THIS EVENING.
Song, Mr. Compton - "Madoline" . . .

MUSIC: Madoline (by Sidney Nelson)

"PECK'S ART UNION", The Age (6 November 1857), 4

http://nla.gov.au/nla.news-article154831994 

The drawing for prizes in Peck's Art-Union came off last evening, at the Mechanics' Institution. The drawing was preceded by a concert of vocal and instrumental music, in which Miss Chalker, Mr. Compton, Mr. Cassidy, Mr. Friend, Mr. George Peck, and Mr. H. J. King engaged. The performance was, on the whole, very creditable, and the encores were numerous . . .

"THE NEWS OF THE DAY", The Age (21 June 1859), 5

http://nla.gov.au/nla.news-article154829647 

The Melbourne Amateur Glee and Madrigal Society gave their first concert of the season yesterday evening, at Hockin's Hotel. Owing to the unfavorable state of the weather, the audience was rather scanty, but few persons being in the back seats, though the reserved seats were well filled. The performances were, on the whole, extremely creditable to the society. The song "Beware" merits especial commendation. It was, perhaps, the best performance of the evening. "The Village Blacksmith," and "The Sailor's Song" were far above mediocrity. Mr. Jacob was prevented by a professional engagement from singing "The Last Man," as announced in the programme, but his place was very admirably filled by Mr. Burgoyne. The duett "Sul Campo della Gloria" was also given with great precision and effect by Messrs. C. H. and G. S. Compton.

ASSOCIATIONS: Charles Henry Compton (George's brother); Melbourne Glee and Madrigal Society (association); Hockin's Assembly Rooms (Melbourne venue)

[Advertisement], The Age (13 October 1859), 1

http://nla.gov.au/nla.news-article154828825 

HOCKIN'S ASSEMBLY ROOMS, Elizabeth street . . .
Mr. CHARLES H. COMPTON Has the honor to announce his
EVENING CONCERT, At the above rooms, On THURSDAY, OCTOBER 13, 1859,
Assisted by Miss OCTAVIA HAMILTON, Herr Bial, Mr. S. Compton, Mr. E. King,
And the Members of the Amateur Glee and Madrigal Society, who have kindly volunteered their services.
PROGRAMME. PART I . . . Song - "The maids of Merry England" - Perrin. Mr. S. Compton . . .
PART II . . . Song - "Di Piscatore Ignobile" - Donizetti. Mr. S. Compton . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Charles Bial (painsit); Edward King (violinist)

"NEW INSOLVENTS", The Argus (9 August 1861), 5

http://nla.gov.au/nla.news-article5702899 

George Spencer Compton, of Sandridge, merchant's clerk. Causes of insolvency - Losses in business as a storekeeper, and pressure of a creditor. Assets, £215; liabilities, £492 11s. 4d.; deficiency, £277 11s. 4d. Mr. Goodman, official assignee.

[Advertisement], The Herald [Melbourne, VIC] (15 June 1865), 2

http://nla.gov.au/nla.news-article244468269 

ST. GEORGE'S HALL. GRAND CONCERT In AID OF THE MELBOURNE HOSPITAL, On THURSDAY, 22nd JUNE, 1865 . . .
The following Artists have kindly volunteered their services: - . . .
Signor Cutolo, Mr. C. E. Horsley, Herr Schott, Messrs. F. A. and J. Howson, G. S. Compton, George Chapman . . .

ASSOCIATIONS: Cesare Cutolo (pianist); Charles Edward Horsley (pianist); James Arthur Schott (oboe); Frank Alfred Howson (musician); John Howson junior (musician); St. George's Hall (Melbourne venue)

[News], The Herald (30 April 1868), 2

http://nla.gov.au/nla.news-article244957472 

We understand that the defalcations of Mr. G. S. Compton, the absconding marine clerk at the Australasian Insurance Company's office, do not exceed between L200 end L300, and that the embezzlements extend over a number of years. A warrant has been issued for the arrest of the prisoner, and there is very little doubt but that he will be brought back from New Zealand, to which colony he took his departure.

"MELBOURNE (FROM OUR OWN CORRESPONDENT) Friday, 19th June", Bendigo Advertiser (20 June 1868), 2

http://nla.gov.au/nla.news-article87896698 

George Spencer Compton, the absconding clerk of the Australasian Insurance Company, who was lately brought back from New Zealand in charge of Detective Barnfield, was committed for trial this morning on three distinct charges of embezzlement. The three sums were respectively L38 17s 3d, L45, and L36 0s 6d. The prisoner was in the habit of collecting sums on account of the marine policies of the company, and then paying them in to his own private account instead of to the company. The prisoner (who, I am told, is closely connected with a titled family in England) appeared very dejected, but said nothing.

[News], The Herald (4 July 1868), 2

http://nla.gov.au/nla.news-article244958896 

The criminal cases before the General Sessions were brought to a close yesterday afternoon . . . In the case of George Spencer Compton, charged with embezzling certain sums, the property of the Australasian Fire and Life Insurance Company, his Honour, in consideration of the excellent character given to the prisoner by several respectable witnesses, and the painful nature of the case, passed the comparatively lenient sentence of nine months' imprisonment.

Names and descriptions of passengers per Jeannie Oswald from Melbourne, 8 February 1869, for Fremantle; Public Record Office Victoria

https://prov.vic.gov.au/archive/23ACF5FA-F7F0-11E9-AE98-4372643D8400?image=133 (DIGITISED)

. . . G. Compton / 30 [sic] / [Gent.] / Elizabeth / 28 / Lady // Kate / 6 // Maude / 3 // (? Emma) / 1 month

[Advertisement], The Western Australian Times [Perth, WA] (7 May 1878), 3

http://nla.gov.au/nla.news-article2979173 

. . . GEORGE SPENCER COMPTON, Cliff Street, Fremantle,
Sole Agent for Western Australia for the eminent firm of Allan & Co., (Wilkie's) Melbourne,
has for sale, Piano Fortes by Broadwood, Cramer, Chappel, Challen, Prize (Medal), &c.
Also, Harmonium and the celebrated Smith American Organs . . .

ASSOCIATIONS: Allan and Co. (Melbourne musicsellers)

"DEATH", The Daily News [Perth, WA] (17 September 1888), 2

http://nla.gov.au/nla.news-article76211529 

COMPTON. - At Fremantle, on the 14th September, 1888, GEORGE SPENCER COMPTON, third son of the late Henry Compton, of Totnes, Devon, England; aged 55 years.

"Our Fremantle letter [From our Correspondent]", The Daily News (15 September 1888), 3

http://nla.gov.au/nla.news-article76210875 

Mr. George Spencer Compton, after a very short illness, died at his residence surrounded by his family, last evening, at eight o'clock. The funeral will take place to-day, at 4 p.m. The deceased was brother in-law to Mr. Justice Holroyd, of Victoria, and arrived in the colony in 1870. He entered the service of Mr. B. Mason, timber merchant, at the Canning and afterwards became an importer and commission agent. He subsequently came to Fremantle, where he was appointed Magistrate's clerk, in which capacity be distinguished himself as a very intelligent and courteous official, and may be said to have died in harness. Mr. G. S. Compton was also a very excellent musician, and at one time was leader of the Musical Union. He has also organised many concerts and was conductor of the Church choir for several years. He aided to a great extent the improvement and development of the public taste for higher class music. The deceased gentleman will be greatly missed, as one who took a great interest in public matters; and besides being a staunch advocate of liberal principles, politically and otherwise, although a Government official he frequently expressed himself as such without fear of consequences. He was a very genial townsman, and in many ways his familiar face will be missed in this small, though united community - Saturday morning.

ASSOCIATIONS: Edward Dundas Holroyd (brother-in-law)

"FUNERAL OF THE LATE MR. G. S. COMPTON", The West Australian (17 September 1888), 3

http://nla.gov.au/nla.news-article3120800 

. . . The deceased was an old resident of the colony, and was a native of Totnes, England. He left home for Melbourne, and subsequently arrived in this colony where for many years he filled the position of Magistrates' clerk at Fremantle. The deceased gentleman was most energetic in all movements he became connected with, more particularly as regards musical matters. He was for a time conductor of the Perth Musical Union, and acted in the same capacity for the society known as the "Minstrels of the West." Lately he was appointed librarian to the Western Liedertafel. He was a prominent member of the choir of St. John's Church, in which his familiar presence will be much missed.

"DEATHS", Totnes Weekly Times [Devon, England] (27 October 1888), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001350/18881027/094/0005 (PAYWALL)

COMPTON. - At Fremantle, Australia, on September 14th, 1888, George Spencer Compton, magistrate's clerk, and third son the late Henry Compton (for many years organist Totnes Church), aged 55 years.

"NEWS AND NOTES . . . The Late Mrs. Elizabeth Compton", Western Mail [Perth, WA] (4 June 1915), 25

http://nla.gov.au/nla.news-article37426733 

One more of the gradually diminishing number of pioneer colonists passed away on the 23rd ult., and was buried in the old cemetery, Fremantle, the following day, in the presence of a number of her sons and daughters and other members of the family and a few old friends. The late Mrs. Compton arrived in Victoria in the early fifties of last century with her husband's family, and for a number of years resided in the suburbs of Melbourne. In 1856 [sic, 1869], with her husband, the late Mr. George Spencer Compton, and their three daughters and one son, they came to Western Australia, and resided in Perth till about 1874, when Mr. Compton, having been appointed Clerk to the Bench of Magistrates at Fremantle, they removed thither. Both the late Mr. and Mrs. Compton took great personal interest and an active part in various public and social affairs, and their activity in musical circles increased the esteem in which they were held . . .




CONLEY, Mr. (Mr. CONLEY)

Dancing master, probably also a musician, violinist, fiddler

Active Sydney, NSW, 1830

https://trove.nla.gov.au/search?l-publictag=Mr+Conley+dancing+master (TROVE tagged)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONLEY-Mr (shareable link to this entry)


Documentation:

[News], The Sydney Gazette and New South Wales Advertiser (4 May 1830), 3

http://nla.gov.au/nla.news-article2195041 

Since the death of Mr. Brunton, the dancing master, who managed to monopolize pretty nearly the entire attention of those who were desirous of becoming initiated into the "polite art," such of the pupils as had not become perfect in their steps, have been on the look out for a successor. It would now appear that a Mr. Conley, of Clarence-street, formerly of the Theatre Royal, Manchester, has taken the students under his direction. When Mr. Brunton died, it is said, he had as many as threescore pupils.

ASSOCIATIONS: Thomas Brunton (dancing master)




CONLON, Michael Joseph (Michael Joseph CONLON; M. J. CONLON)

Amateur musician, vocalist, amateur minstrel, actor and comic vocalist, bandsman (volunteer band, St. Benedict's band), bell ringer, changer ringer, potter

Born Fairy Meadow, Wollongong, NSW, 27 September 1841; son of Patrick CONLON (c. 1793-1870) and Catherine LOWRY (c. 1807-1877)
Married Ellen Teresa ALLEYN (c. 1845-1902), St. Mary's cathedral, Sydney, NSW, 29 June 1865
Died Glebe, NSW, 26 November 1913

https://trove.nla.gov.au/search?l-publictag=Michael+Joseph+Conlon+1841-1913 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONLON-Michael-Joseph (shareable link to this entry)


Michael Joseph Conlon 1841-1913

Michael Joseph Conlon


Documentation:

"ETHIOPIAN ENTERTAINMENT", Freeman's Journal (14 July 1866), 434

http://nla.gov.au/nla.news-article115453824

On Tuesday evening last, a grand Ethiopian Entertainment was given by the Virginia Minstrels, in St. Benedict's Schoolroom, in aid of the funds of St. Benedict's Young Men's Society. The room was crowded . . . The sable performers were very well up in their several parts, and some have very pleasing voices. Bones and tambourine occupied their accustomed places and interchanged between the songs several very witty sayings. Part the second introduced the laughable and now popular Nervous Cures performed by two aspirants for negro minstrelsy aged 12 and 15 years. Their performance of this kept the audience in laughter. Mr. M. J. Conlon was encored after singing "Black Turf," and he wisely substituted the "Wearing of the Green" which he had to sing twice. The third part brought the whole of the company together when the burletta of Slim Jim was gone through . . .

ASSOCIATIONS: St. Benedict's church (Sydney)

[Advertisement], Freeman's Journal (21 July 1866), 463

http://nla.gov.au/nla.news-article115452492 

VIRGINIA MINSTRELS. A GRAND COMPLIMENTARY BENEFIT,
tendered by the above Minstrels to Mr. M. J. CONLON, will take place on THURSDAY, July 26th,
when a variety of Negro Entertainments will be produced, concluding with the admired Irish Drama (part of) HANDY ANDY.
Handy Andy - Mr. M. J. CONLON. Other characters by talented amateurs, who have kindly consented for this occasion.
Reserved seats - 2s. Back seats - 1s.

[Advertisement], Evening News (8 August 1870), 3

http://nla.gov.au/nla.news-article107125987 

ST. BENEDICT'S BELLRINGER'S CONCERT. Will take place in St. Benedict's Hall. On TUESDAY EVENING, 9th August . . .
Mr. M. J. CONLON Will sing some of his Finest Irish Comic Songs, and also appear as HANDY ANDY . . .

"OLD SYDNEY. MR. M. J. CONLON'S RECOLLECTIONS. THE BEGINNINGS OF ST. BENEDICT'S", Freeman's Journal (11 July 1907), 13

http://nla.gov.au/nla.news-article108040378 

. . . THE CHOIR. The members of the choir were very much hampered for space. They were placed just at the back of the present pulpit, and had about ten feet square accommodation formed by curtains on iron rings attached to a few bars of iron. The principal musical instrument was a seraphim [seraphine], something similar to a harmonium. The principal performers in the choir were Mrs. Martin and her two daughters - mother and sisters of the late Sir James Martin, Chief Justice of New South Wales. Mrs. Martin and her family were indefatigable in their endeavour to foster and encourage church music. A few years later the choir was removed to its present position. The opening of the new choir gallery was the occasion of much rejoicing, and a special oratorio was given. Miss Flora Harris, who married the late John Sheridan Moore, was the principal artist at the performance of the oratorio. Miss Harris was at that time the leader of St. Mary's choir, and was a woman of exceptional musical talent; in fact, it was generally recognised that no concert programme was complete without her name. Other members of the choir just occurring to me are the late Mr. Cordner and his wife, and Mr. and Mrs. Bridson (the latter organist, afterwards succeeded by Mr. Walton).

THE BELLS AND THE STEEPLE. Turning to the building of the steeple at St. Benedict's it seemed to me a matter of regret that better judgment was not displayed in its erection, and the hanging of the bells therein, the steeple itself vibrates to a great extent when the bells are rung, and further, no provision was made for the easy replacement of the bells in case of breakage or repair, as they are blocked in. In connection with the introduction of bell ringing, perhaps a few facts would be interesting. Bell-ringing was introduced in St. Benedict's Church about the year 1858 by John Henry Playford [sic], an Englishman, who had been a great bell-ringer in the old country. He arranged to teach seven of the youths from St. Benedict's the art of bell-ringing. The names of the seven aspirants to bell-ringing fame were: Thomas Hyndes, M. McNamara, Joe Woods, and James Cull, who have since died, whilst the living are Jim Murtough, the well-known Botany resident, at present enjoying the sea breeze at Manly; John George Cotter, still employed at Fowler's Pottery, and myself. We reached a high pitch of excellence in this art, and our training was carried on for some fourteen or fifteen years. It seems a pity that at present the bells cannot be rung for want of repair, and it would be a graceful act on the part of the parishioners to endeavour to replace the broken bells, and once more have the sweet music of the bells ringing over the parish of St. Benedict's.

MOUNT CARMEL CHURCH . . . The young men of St. Benedict's parish determined to come to the aid of Father Corish and help him to furnish the interior of Mount Carmel Church. Well, to make a long story short, we met in the old school-hall and decided to form a minstrel troupe, similar to the present one connected with St. Benedict's. We had some splendid talent in the parish, and the matter was taken up enthusiastically. Some of the players come to by mind in the names of Jim Murtough, the late Thomas Hyndes, then living in Parramatta-street, and David Hennessy, David Magner, and myself. Father Corish was elected treasurer. From the initial concert everything was a success, and the financial results represented over £20 weekly. Well, we continued these concerts till sufficient money was received to place the Mount Carmel Church upon a very satisfactory footing as far as its furnishing was concerned. This was late in the fifties [sic] . . . After Mount Carmel was completed Father Corish rested a year or two, and then sought fresh fields and a new sphere of operations at Botany, where he started to erect the present Mount St. Bernard's Church, which will celebrate its jubilee in a year or two. The boys of St. Benedict's minstrel troupe came loyally to his aid again, and the financial help which the energetic priest received in this direction brought many a grateful prayer to his lips.

ASSOCIATIONS: Michael Andrew Corish (1818-1864, cleric); Mary Martin and daughters (vocalist); Flora Harris (vocalist); Joseph Sheridan Moore (musical amateur); William and Ellen Cordner (musicians); Thomas and Sarah Bridson (musicians); ? Humphrey Walton (organist); John Joseph Playford (bell ringer)

"OLD SYDNEY DAYS. MR. M. J. CONLON'S RECOLLECTIONS", Freeman's Journal (25 July 1907), 15

http://nla.gov.au/nla.news-article108040137 

. . . In 1858 Father Corish started at St. Benedict's a Young Men's Society, under Dr. O'Brien's rules, formulated in 1857 in Ireland, a copy or which Father Corish obtained. This was very successfully inaugurated. Large meetings were held every Sunday in the old school-hall after Vespers. The lines adopted were very similar to the present Young Men's clubs. The number of members was at the least 600, four-fifths of whom approached the altar rails the third Sunday of the month. The society was divided into guilds, and it presented an imposing and edifying sight on this particular Sunday. Father Corish then started a band in connection with the society, and very soon twenty instrumentalists were enrolled under the tuition of Mr. Steer, who was connected with the Royal Artillery stationed at Dawes Point. The band, however, was afterwards taken in hand by the late Sergeant Prince, of the 12th Regiment, stationed at the Victoria Barracks. He was assisted by Edwin Kearns, a clarionet player. The musical ability of the band was quickly recognised on all sides, and their services were requisitioned for all movements connected with parish affairs. This was not the first band started by Father Corish, as there was one previously which had not a successful career. The second St. Benedict's, had the honour of participating in the ceremony of the laying of the foundation stone of St. John's College in 1858 by Archbishop Polding. They formed a guard of honour on the arrival of Dr. Polding, and struck up, "See the Conquering Hero Comes." Of that band I believe I am the only one living . . .

ASSOCIATIONS: Charles William Ferdinand Stier (musician); Henry Prince (musician); Edward Kearns (musician, 12th band); Band of the 12th Regiment (military)

"OLD SYDNEY DAYS. MR. M. J. CONLON'S RECOLLECTIONS", Freeman's Journal (8 August 1909), 40

http://nla.gov.au/nla.news-article108036991 

. . . No report of the growth of St. Benedict's parish would be complete without the name of the late Mr. Valentine Ellery. He was an energetic worker in every movement for the advancement of the Church. In addition to being a clever musician, he was the possessor of an excellent tenor voice, and was leader of St. Benedict's choir for years. He was the organiser of St. Benedict's minstrel troupe. Father Corish held a very high opinion of Mr. Ellery's abilities, and used his influence with the Denominational Board to have Mr. Ellery appointed at the school-church of Mount Carmel. Here Mr. Ellery's talents were displayed to the best advantage. In later years Mr. Ellery's family, inheriting his musical abilities, became well known in all church work, and particularly so where ecclesiastical music was performed. The family were capable of representing the choir vocally and instrumentally. However, Mount Carmel had not sole control of the talents of Mr. Ellery, for he divided his time between St. Benedict's, Mount Carmel, and St. Bernard's. One special feature about Mr. Ellery was his unselfish devotion to the Church, inasmuch as he refused to accept any monetary recompense for all his labours. There was another family named Schimel resident in Waterloo, deserving of special mention. They formed a host in themselves as far as Church music was concerned. They were able to take entire control of the music, instrumental or otherwise, at Mass, and on many occasions they performed at great revivals in St. Benedict's, Mount Carmel, and St. Bernard's . . .

ASSOCIATIONS: Valentine Ellery (choir leader); James Schimel and family (amateur musicians)

"OLD SYDNEY . . . no. 118 (BY 'OLD CHUM')", Truth [Perth, WA] (22 January 1910), 12

http://nla.gov.au/nla.news-article207404866 

Mr. M. J. Conlon writes, under the date of December 28: . . . Some time in 1859 the Roman Catholics of St. Benedict's hired the ground from the City Council and erected a large marquee on it, and held a bazaar there. I was a member of a brass band then, and out band performed during the whole time at night. They struck very bad weather . . .

ASSOCIATIONS: Joseph Michael Forde ("Old Chum")

"OLD SYDNEY", Truth [Brisbane, QLD] (13 February 1910), 11

http://nla.gov.au/nla.news-article201759651

I am favored with two interesting letters from Mr. Conlon, one under date January 24, 1910, as follows:
- One of your correspondents, in yesterday's issue of 'Truth,' on 'Old Sydney,' says that I was 'right to a dot' about the old watchhouse, but I was a year or two out about the bazaar held on the old Kite at George and Pitt streets. He could not have read correctly what I then stated. I said that it was held in 1859: he says February 1860. Now, as 1859 is so contiguous to 1860, where is the year or two's difference? I was a member of that band, and I worked right opposite the place, and did not knock off work until 6 o'clock in the evening, and then had to go home, wash, dress, and dine, to be there to play when the doors were opened at 7 o'clock. It was smart work, and I arrived in open daylight; and that led me to believe that it was the latter part (summer-time) of 1859; therefore I would be about two months out. According to your correspondent, the first band he speaks of was started in 1854. I was then at school, and I was the principal messenger, selected to take the band instruments to be repaired. I had to take them to a musical instrument maker named William James, who lived in Domain Terrace, off Macquarie-street, city, and to the Victoria Barracks, Paddington (where the 11th Regiment, under Colonel Bloomfield, was then quartered) twice a week. I was selected for this duty, as I knew the town well. The second band started in 1859. I joined it, of course. Your correspondent states that the name of the bandmaster was Van de Stadt. Now, we always called him Mr. Stehr [Stier]. He certainly was a Dutchman, and was teaching the Royal Artillery Band at the time, the Artillery being then in barracks at Dawes Point. After three months' tuition under him, we found that we could not play one tune perfect. He was discharged, and the services of Sergeant Prince, of the 12th Regiment, enlisted. We progressed amazingly under Sergeant Prince's teaching.

And this brings me down to another of your correspondents of Sunday last. He speaks of the Brothers Taylor, musicians who played in the old Victoria Theatre, especially the cornet player. I think it was Sergeant Prince who took his place in the old Victoria Theatre orchestra, as he used to meet us on Tuesday and Friday evenings at 6.30, and leave us for the theatre at 7 o'clock; but he always left a clarionet player from the barracks band with us until 8 o'clock. His name was Edward Kearns, and he was afterwards and for years bandmaster, to the Balmain Brass Band, where I often met him in years afterwards. Sergeant Prince was a lovely cornet Player, the equal of Kohler or Van de Meyden, of Fitzgerald's Circus fame, who were considered the greatest cornet players that ever visited these shores. Sergeant Prince was killed by being thrown from his horse at West Maitland some years after.

ASSOCIATIONS: Richard Wildblood Kohler (cornet player); J. Taylor and brother (musicians)

"OLD SYDNEY. . . (By 'OLD CHUM') . . . CLARIONET PLAYER", Truth (17 July 1910), 11

http://nla.gov.au/nla.news-article201755567

Under date June 23, 1910, Mr. M. J. Conlon, for whose ready and valued assistance in compiling these these chapters I am deeply grateful, writes: -
"Dear Old Chum, - One of your correspondents asks in your 'Old Sydney' column in last Sunday's issue if I know the name of the clarinet player who was a farrier in George-street, Sydney, and who played in Sergeant-Major Baynes's band many years ago. His name was Michael McMahon, and his shop was next door to Mr. Michael Farrell's Farriers' Arms Inn, George-street, nearly opposite the Royal Hotel. The spot is now occupied by Lassetter and Co., Limited. Michael McMahon learned his music this way. In 1850 [sic] the late Very Reverend Archdeacon McEncroe, who was parish priest of St. Patrick's, Church-hill, started a crusade against intemperance. He had a meeting one night a week in the school-room that is under the church; he always took the chair and invited the public, of whatever denomination, to assist at the meetings. He usually had several gentlemen, fluent speakers, with him, who gave short lecture on temperance. The meetings were so successful that the Archdeacon thought that he would establish a musical band. He invited the young men of the parish to come and join - they did so. The Archdeacon provided all the instruments, and the band, when ready, played at all the temperance gatherings. Michael McMahon took a clarinet, and his brother, Thomas, a cornet. The latter turned out one of the best colonial players up to that time. The band, I think, did not play for money as a band, but individual players in years after did. Thomas McMahon had a son who was a splendid cornet player, and the press of Sydney was loud in his praise about 25 years ago. I do not know what became of him, but Michael and Thomas have long since joined the great majority. There were others, members of that band, well known as citizens. Mr. Peter Horan played, I think, the trombone. He became an employee of Messrs. Richardson and Wrench, the real property auctioneers, of Pitt-street, and was with them for over forty years. At his death the firm paid a very great tribute of respect to his family. There was a great character who was the drummer in that band. His name was Daniel Dore. Where is the old Sydneyite who did not know or who has not heard of Danny Dore? He was a gifted man, but rather eccentric in some things. He was an excellent step-dancer and a good singer of Irish songs; he gave his service at all times free for any charity or for helping any good cause. Danny was by trade a blacksmith, and was a good workman. He had a small steel stamp, about half an inch thick and two inches long, with his initials, in raised letters, on the end, and all his principal work in iron for vehicles was stamped with his initials, "D.D.," and if any of that work came back to the shop with any portion broken, there was at once a cry for Danny; he generally convinced his mates that the work was not his, as his initial, "D.D.," were not on it. I dare say many of your readers know a good deal about him. He died about 28 years ago. I think he was a native of Kent-street, and was a most remarkable man. I often engaged him for my concerts, but he would never charge for his services. The last time he danced for me he was 58 years of age; he did the golden shoe dance, a clog dance, and finished up with a sailor's hornpipe, each in costume. He was great as an Irish step-dancer. His songs were a treat - the songs that were sung by our grandfathers and great grandfathers. His "Norah McShane" was always a sure draw; "Irish Blunders" was also a great treat, likewise his "Irish Schoolmaster," "The Wedding of Ballyporeen," "Billy O'Rourke," and many others. It was a revelation to hear him. This is the first verse of "Irish Blunders": -
"As Paddy was walking on horseback to Dublin,
A whimsical notion came into his head;
He thought he discovered a hen laying duck-eggs
And a dead parrot, whistling, flying over his head.
'Ob, father, dear father,' he cried to his mother,
'I dreamt brother Judy was in a sad way;
I thought she was frozen in boiling hot water,
In the middle of winter, a hot summer's day.'"

ASSOCIATIONS: Michael McMahon and brother (amateur bandsmen); Peter Horan (amateur bandsman); Daniel Dore (amateur bandsman)

"OBITUARY. Mr. M. J. Conlon", Freeman's Journal (4 December 1913), 19

http://nla.gov.au/nla.news-article108168477

Mr. Michael Joseph Conlon, one of the oldest and most highly respected residents of the Glebe, died at his residence, "Carrara," Alexander-road, on Wednesday, the 26th int., aged 72 years, after a long illness. The late Mr. Conlon was born at Fairy Meadow, Illawarra, and during his early life lived in Paramatta-street, now George-street West, Sydney. While still a young man, he established large pottery works at Redfern, and carried on a large business for over thirty years . . . Socially the deceased was well known in sporting circles. In his early years he was an enthusiastic amateur actor and singer. At one time, in 1862, he was a member of an amateur company at the old Redfern Theatre, where also Mr. W. J. Holloway and Miss Maggie Oliver, who subsequently joined the ranks of the professionals, were members. As a cricketer the late Mr. Conlon won renown, belonging to a club called the Cornstalk Stars, who, as he used to say, "played on Hyde Park for half-a-crown a bat, and were never beaten" . . .


Bibliography and resources:

Aldine centennial history of NSW (1888)

MICHAEL JOSEPH CONLON, (Glebe), was born in 1841, in Wollongong, N.S.W., and received his education at St. Benedict's School, Sydney. He entered in 1855 the pottery trade, and after having worked at the different leading establishments in that line for a period extending over twenty years, gaining considerable experience, he, in 1875, opened a pottery of his own in Broughton-street, Glebe. Mr. Conlon does one of the largest businesses in Sydney, and by the aid of the newest class of machinery, manufactures drain pipes, etc.

The cyclopedia of N.S.W. (Illustrated) (Sydney: McCarron, Stewart & Co., 1907), 477-78 (with photo on 478)

https://nla.gov.au/nla.obj-34846518/view?partId=nla.obj-34897128#page/n505/mode/1up (DIGITISED)

Mr. MICHAEL JOSEPH CONLON was born at Wollongong, New South Wales, on the 27th September, 1841. His father, the late Mr. Patrick Conlon, was a native of Kinvara, county of Galway, Ireland, and arrived in Sydney in the year 1834 as a private of the 50th Regiment, which embarked in the ship "Fairlee." The subject of this sketch was educated at St. Benedict's School, of George Street West, Sydney. Upon the termination of his schooling, he selected the business of a potter as his profession, and has had experience in and at the various potteries in and around the metropolis . . . As a young man, Mr. Conlon was of a theatrical turn of mind, and was a comic singer of no mean order, and on many occasions rendered gratuitous service . . .




CONNA, F. W. (F. W. CONNA; Mr. CONNA)

Vocalist, actor, minstrel, serenader

Active Bendigo, VIC, October 1858 to August 1859

https://trove.nla.gov.au/search?l-publictag=F+W+Conna+vocalist+actor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONNA-F-W (shareable link to this entry)


Documentation:

[Advertisement], Bendigo Advertiser [VIC] (2 October 1858), 1

http://nla.gov.au/nla.news-article87983942 

SHAMROCK CONCERT HALL. IMMENSE COMBINATION OF TALENT. FOR ONE WEEK ONLY!
Previous to their Departure for India, MESSRS. HEFFERNAN AND CROWLEY Have the pleasure of informing their numerous friends and patrons that they have, at great expense, succeeded in securing the services of
The World-renowned SAN FRANCISCO MINSTRELS,
And the old Bendigo favorites, the celebrated BROTHERS KOHLER,
Who will have the honor of appearing at THE SHAMROCK HALL THIS EVENING.
For further particulars, see bills of the day.
R. W. KOHLER, Agent.
BURBANK, the great Dancer and Delineator of Negro Character.
DAVE CARSON, the celebrated Bone Performer and inimitable in his Blue Tailed Fly imitations.
BOLEY, the great Solo Banjoits and Basso profundo.
CONNA, the favorite Tenor, from the Melbourne Concerts, &c.
BROWER, the Old Favorite, formerly of Rayner's Celebrated Serenaders.
CHITENDEN, Solo Violinist and English Hornpipe Dancer.
THE KOHLERS on all their Favorite Instruments.
FRESH NOVELTIES every Evening - Admission 3s. and 2s.

ASSOCIATIONS: William Heffernan and John Crowley (venue proprietors); Otto Burbank (minstrel); Dave Carson (minstrel); Dorrel Fair Boley (minstrel); Thomas Palmer Brower (minstrel); George Chittenden junior (minstrel); Richard and John Wildblood Kohler (musicians); San Francisco Minstrels (troupe); Shamrock Concert Hall (Bendigo venue)

"SHAMROCK THEATRE", Bendigo Advertiser (21 October 1858), 3

http://nla.gov.au/nla.news-article87984355

The attendance at the concert at the Shamrock Theatre last night was not half so great as we should have expected from the excellent programme provided. It really says very little for the cultivation of the musical tastes of the community in Sandhurst when such talented vocalisation was patronised by about a tithe of the number of persons we have seen thronging the place to hear (at a like price) an entertainment very far inferior. Mr. Farquharson, who last night made his second appearance here, is a singer of great talent . . . Mrs. Hancock has also reappeared at the Shamrock. Her vocal abilities are too well known to most on Bendigo to require comment . . . Mr. Leeman and Mr. Conna (of the San Francisco Minstrels) were also encored in their songs. With Mrs. Hancock they sung several trios with the most perfect execution, the bass of Mr. Leeman and the tenor voice of Mr. Conna, and the soprano of Mrs. Hancock producing a "concord of sweet sounds." The entertainment was increased by the instrumentation of the Brothers Kohler on concertina, cornet-a piston, and flageolet . . .

ASSOCIATIONS: Robert Farquharson (vocalist); Mary Ellen Hancock (vocalist); Frederick Leeman (vocalist)

"SHAMROCK THEATRE", Bendigo Advertiser (3 November 1858), 3

http://nla.gov.au/nla.news-article87984639 

The clever troupe of Sun Francisco Minstrels at the Shamrock Theatre still retain their popularity, and, despite the other amusements in Sandhurst, are extensively patronised. The real cause appears to be that they nightly change the programme of songs and dances. A person may visit them every night without being wearied by a repetition. Their performances are ever varying and amusing . . . The more harmonious portion of the entertainment is sustained by Messrs. Boley and Conna, who sang last night the duets of "If I had a thousand a year," and the encore of "What are the wild waves saying," in a very talented manner. The former on the banjo is in imitable . . .

MUSIC: If I had a thousand a year (song); What are the wild waves saying (Glover)

"SHAMROCK CONCERT HALL", Bendigo Advertiser (9 October 1858), 3

http://nla.gov.au/nla.news-article87984104 

Last night there was a capital house assembled to witness the performance of the San Francisco Minstrels. Both the reserved and shilling seats were as full as they could hold, and in the former were alarge proportion of the gentler sex. The programme for the first part of the entertainment consisted of ail overture, several vocal solos, and a chorus by the whole company. The "Shells of ocean" of Mr. Conna, "Lilly Bell" of Mr. Brower, and a comic song by Mr. Carson, were loudly applauded . . .

MUSIC: Shells of ocean (Cherry)

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (7 January 1859), 1

http://nla.gov.au/nla.news-article199048978 

THEATRE ROYAL, CASTLEMAINE. THE SAN FRANCISCO MINSTRELS . . .
FIRST APPEARANCE On Monday Evening, Jan. 10th, 1859.
And will continue their performances during the week.
OBSERVE THE PROGRAMME . . . PART I. Grand Medley Overture - S. F. M.
Operatic Chorus - Company
Good News from Home - F. W. Conna . . .
PART II . . . Ballad - F. W. Conna . . .

ASSOCIATIONS: Theatre Royal (Castlemaine venue)

[Advertisement], Bendigo Advertiser (23 April 1859), 1

http://nla.gov.au/nla.news-article87988586 

ADMIRAL HOTEL, LONG GULLY. Proprietor - THOMAS HARRIS.
GRAND OPENING NIGHT, SATURDAY, 23RD APRIL.
First Appearance of MR. F. W. CONNA, (Late of the SAN FRANCISCO MINSTRELS,)
MR. GILBERT, The Celebrated Comic Vocalist, the only rival to THATCHER,
MR. DONNITHORNE, The favorite Basso,
And SIDNEY CHAMBERS, The Unrivalled Juvenile Dancer.
Pianist - Mr. Livingstone. Piccolo - Mr. Evans.
Musical Director - Mr. F. W. Conna.
Manager - Mr. John Bryan.

ASSOCIATIONS: Michael Donnithorne (vocalist); Sydney Chambers (dancer); Alexander Livingstone (pianist)

"HAYMARKKT THEATRE", Bendigo Advertiser (13 June 1859), 3

http://nla.gov.au/nla.news-article87989752 

Taken on the whole, the performances on Saturday evening at this theatre were highly successful. Indeed, for a length of time, there has not been anything so pleasing and full of amusement placed on the stage. The performances opened with the pretty drama, in three acts, entitled "The Maid of Milan" . . . The burlesque burletta of "Fra Diavolo" followed, and was most enthusiastically received. It was full of local allusions of a most amusing and witty description, and we can really strongly recommend our readers to witness its performance this evening. The part of Fra Diavolo was taken by Miss Kate Warde, and could not have fallen into better hands . . . Lord Allcash, a not very youthful English nobleman, was the character assigned to Mr. Vinson who is always excellent at the old man business . . . and Antonio was well played by Mr. Conna . . .

ASSOCIATIONS: Kate Warde (actor, vocalist); James Hetters Vinson (actor); Haymarket Theatre (Bendigo venue)

PIECE: Fra Diavolo; or, Beauty and the brigands (H. J. Byron)

"AMERICAN 'CELEBRATION' DAY ON SANDHURST", Bendigo Advertiser (5 July 1859), 2

http://nla.gov.au/nla.news-article87990347 

. . . About seven o'clock a number of gentlemen sat down to celebrate the anniversary at the Criterion Hotel . . . The cloth having been cleared . . . Air, - "Hail, Columbia! Happy Land." Song, - Messrs. Brower, Boley, and Conna . . . The remainder of the evening was spent in a happy and harmonious manner, Messrs. Boley, Brower, Conna, and Carson amusing the company with some solos, duets, and trios, till it was considered time to separate, and all parties left fully contented with having celebrated this national anniversary with becoming patriotism.

"THE HAYMARKET THEATRE", Bendigo Advertiser (4 August 1859), 2

http://nla.gov.au/nla.news-article87991114

The performances at this house yesterday evening were not as well attended as the character of the entertainment provided would have led us to expect. The operatic drama of "Guy Mannering" was performed. Miss Kate Warde played Julia Mannering with her accustomed vivacity. Mrs. Chapman's rendering of Meg Merrilies showed a good conception of the character. Mrs. Moore was well worthy of notice in Lucy Bertram, and sang remarkably well in the concerted pieces of music. Mr. Chapman as Dandie Dinmont, was the hard-drinking and fighting Liddesdale Borderer to the life, both in make up and dialect. Mr. Conna as Henry Bertram, sang most effectively, especially in the Echo duet with Julia. Mr. Vinson as Dominic Sampson, was "prodigious!" The other characters were fairly filled, and the piece was as well put on and carried through as could be expected from the appliances of the establishment . . . The pieces selected for this evening's entertainment are "Guy Mannering" and "Jack in the East."

ASSOCIATIONS: Henry Chapman and wife (actors); Rachel Lazar Moore (actor, vocalist)




CONNOR, James (James CONNOR; Sergeant CONNOR; "Paddy O'CONNOR")

Musician, bandsman, band sergeant, Band of the 77th Regiment

Born Galway, Ireland, January 1821 (? "1819")
Enlisted (77th Regiment), Dublin, Ireland, 13 October 1836 (aged "14")
Arrived Sydney, NSW, 28 September 1857 (per Orwell, from Dublin, 18 June)
Departed Sydney, NSW, 20 April 1858 (per Megaera, for India)
Discharge recommended, Hazaribagh, India, 7 November 1861
Discharged finally, England, 20 May 1862
Died 1913, aged "94/95"

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONNOR-James (shareable link to this entry)


Pompeo Cavallini and James Connor with officers of the 77th, Dublin, 1856

James Connor (far right, in white band uniform) and Pompeo Cavallini, band master (in black suit and hat, second right), with the officers of the 77th Regiment, at Dublin, 1856; in Charles Lethbridge Kingsford, The story of the Duke of Cambridge's own (Middlesex regiment) (London: County Life, [1916)), plate after 138

https://archive.org/details/storyofdukeofcam00king/page/138/mode/2up (DIGITISED)

ASSOCIATIONS: Pompeo Cavallini (band master)


Documentation:

Paylist of the 77th Regiment, 1 April to 30 June 1857; Australian Joint Copying Project, from UK National Archives, WO12/8293

https://nla.gov.au/nla.obj-1660084373 (DIGITISED)

SERGEANTS . . . 886 / Connor James / . . . Band

Discharge, 77th Regiment, No. 886, Colour Sergeant James Connor; UK National Archives, WO97/1616/106

https://search.findmypast.com.au/record/browse?id=GBM/WO97/1616/106/001 (PAYWALL)

[77th Regiment of Foot] . . . Hazaribagh, 7th November 1861 . . .
Discharge of No. 886 Color Sergeant James Connor . . . by trade a Laborer was BORN in the Parish of Galway . . .
and was ATTESTED for the 77th Regiment of Infantry at Dublin . . . on the 13th October 1836 at the aged of 14 9/12 years . . . service amounts to 21 years 322 days . . . unfit for further service . . . CHARACTER and CONDUCT . . . have been "Most Excellent" . . .
Boy / 12 October 1836 / Under age
Private / 13 January 1837 / Under age
Private / 13 January 1840 / Of age
Corporal / 4 July 1846 /
Sergeant / 1 May 1849 . . .
Further service from 1st Dec 1861 to 20th May 1862 when finally discharged . . .


Musical concordances:

No. 74 Paddy's resource, in 300 national melodies of the British Isles, vol. 3, 100 Irish Airs arranged for the piano forte by William Forde (London: R. Cocks & Co. 1855)

https://books.google.com.au/books?id=r8b4wdE14pkC&pg=RA2-PA22 (DIGITISED)

See also: Paddy's resource (1), Tune archive

https://tunearch.org/wiki/Annotation:Paddy's_Resource_(1)


Bibliography and resources:

R. W. J. S., "MEN OF THE REGIMENT: Band-Sergeant Paddy O'Connor, 77th Regiment", The Die-hards: the journal of the Middlesex Regiment (Duke of Cambridge's Own) 13/8 (June 1959), 291-92

https://queensregimentalassociation.org/pdfs/volume-13/vol-13-8.pdf (DIGITISED)

Some talk of the Scots and the Grenadier Guards
But they can't come up to the Jolly "Die-Hards,"
We beat 'em all at Physical Drill
And they couldn't climb up the Majuba Hill.

Marching and fighting all the day,
That's how the "Die-Hards" earn their pay.
We beat Old Tippoo and the Frenchies in Spain
And chased off the Rooshians in Inkerman's rain.

- ONE VERSION OF "PADDY'S RESOURCE."

Young James O'Connor, who was born in Galway 1819, joined the 77th Regiment of Foot in 1836 when the unit was stationed in Dublin. The regiment at this time had a strong element of Irishmen and continued to do so for many years . . . In 1837, as a bandsman, he embarked with his regiment for Malta and arrived there after a favourable passage of 19 days . . . To Corfu in 1842, he served for eleven months and from there on to Jamaica . . . After serving in Halifax and Nova Scotia, O'Connor returned to England and was stationed in Clarence Barracks, Portsmouth. Here it was that the Band earned itself great praise. It was constantly on duty with the guard of honour to Her Majesty, Queen Victoria, who embarked from Portsmouth to spend her holidays at Osborne, Isle of Wight . . .

September 1854 saw the British land in the Crimea and on the 20th the battle of the Alma was fought. Only a few casualties were incurred by the 77th, but the Band of the Regiment helped with the wounded of other corps. Casualties were low in the 77th, due to the effective action of Col. Egerton. Two Russian drums were captured by the Grenadier Company which helped to swell the volume of the Band's music. (These drums are now in the Depot Officer's Mess.) Sgt. O'Connor and his Bandsmen stretcher bearers were busily engaged at the Battle of Inkerman, November 5, 1854, conveying wounded to the rear, the distinguished conduct of Paddy O'Connor being mentioned on his regimental papers. After the death in action of Col. Egerton, the command of the 77th devolved on Lt.-Col. Straton, and it was he who sent for the Band-Sergeant and informed him he wanted a march in quick step for the Regiment that would be played by no other unit in the British Army. This tune should, as a compliment to the Irish majority, have an Irish flavour . . . at its first performance it received the immediate approbation of the officer who instigated it. He said to Paddy O'Connor, "I knew you could do it very well if you tried, and you have done splendidly." That also was the opinion of the remainder of the Regiment. What better name could be given to the quick-step than "Paddy's Resource" he had certainly shown resourcefulness. Here the Regiment had a battle march. Com-[292]-posed to the roar of cannon, first played with a background of siege mortars and musketry fire, it was an apt and lively tune to prepare the troops for the assault on Redan.

Sgt. O'Connor returned home with the Regiment in July 1856 and was present when the Queen inspected the 77th. She spoke to several non-commissioned officers and men. Later in the year the Regiment moved to Dublin, where so many of the men had relatives. A photograph taken at this time shows Sgt. O'Connor with the Bandmaster, Mr. Cavallini, who was the last of the civilian bandmasters. June 1857 saw Sgt. O'Connor in Sydney, New South Wales. However, this was a brief stay as the Regiment, after being there only seven months, was ordered to India on account of the Sepoy mutiny. As it turned out, the 77th were the last British regiment to serve in Australia [sic, not true].

Service in India meant garrison duty for the Regiment, although the rebels were on one occasion pursued from Jelianabad to the banks of the Ganges. Sickness now began to take toll of the unit. In 1860, the 37th and 77th lost 201 souls from cholera and the unit was moved to Hazaribagh ("a thousand gardens"), where health improved . . .

1862 found the Regiment at Allahabad, where again the dread scourge of the East in those days, Asiatic cholera, struck. Many men were lost and many more made invalids, one of whom was C[olour] Sgt. O'Connor. He was invalided home and took his discharge in May of that year. He had served 26 years, distinguished himself as shown on his regimental papers at the battles of Alma, Inkerman and the Siege of Sebastopol, and given the Regiment a march with a rollicking refrain. In addition to holding the Meritorious Service Medal, only granted to Sergeants and above who hold the Long Service and Good Conduct Medal, he held the Crimean Medal with three clasps and the Turkish Medal. He died in 1913 in his 95th year. If ever an old saw was veritable, surely in the case of Paddy O'Connor it is "Gone, but not forgotten."




CONSTANTINE, William (William Jonathan CONSTANTINE; William CONSTANTINE)

Musician, fiddler, violoncello player, convict

Born London, England, 9 September 1798; baptised St. Marylebone, 17 March 1799; son of Jonathan CONSTANTINE and Jane (? DUCKWORTH)
Convicted Old Bailey, London, England, 5 July 1820 (transportation for life)
Arrived Sydney, NSW, 28 December 1820 (convict per Asia (1), from London, 3 September)
Ticket of leave (1), NSW, 30 July 1831
Ticket of leave (2), NSW, 6 February 1835
Conditional pardon, NSW, 20 November 1837

https://trove.nla.gov.au/search?l-publictag=William+Constantine+b1798+convict (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONSTANTINE-William (shareable link to this entry)

ASSOCIATIONS: He was perhaps the William Constantine who died at Beechworth, VIC, on 20 July 1853, reportedly aged "62/63"

https://www.findagrave.com/memorial/127715191/william-constantine 


Documentation:

Baptisms in March 1799, St. Marylebone, Westminster, Middlesex; register 1798-1812; London Metropolitan Archives, P89/MRY1/083

https://www.ancestry.com.au/imageviewer/collections/1624/images/31280_194665-00032?pId=352701 (PAYWALL)

[1799 March] 17th . . . Will'm Jonathan Constantine of John & Jane b. 9 Sept'r 1798

Trial of William Constantine, 28 June 1820; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?id=t18200628-178 

SEVENTH DAY, WEDNESDAY, JULY 5.

805. WILLIAM CONSTANTINE was indicted for feloniously assaulting Edmund Dove on the King's highway, on the 30th of June, putting him fear, and taking from his person, and against his will, one watch, value 2l.; one seal, value 30s.; one key, value 5s., and one ring, value 5s. his property.

EDMUND DOVE . I am servant to Mr. Grove, of Weymouth-street, Portman-place. On Saturday morning, about half-past one o'clock, I had been out with a friend, and was rather in liquor. We were at the corner of Well-street, Oxford-street. I was attacked by four men, who were in company - they separated my friend from me. One man took my watch, and at the same time I received a violent blow on my ear. I cannot say whether it was before or after the watch was taken - they separated and ran away - it was a dark night. The prisoner resembles the man, from his size and appearance - I have every reason to believe he is one of them. I pursued the man who I thought had the watch - he crossed the way and turned towards Poland-street - I pursued and stopped him. I do not think I lost sight of him, if I did, it was only for a moment. The prisoner was the man - nobody was near me but the four men. I stopped him about thirty or forty yards down Poland-street, called "Watch," and he came up in three or four minutes and took him. He was running when I stopped him; and I am almost positive that I saw the watch in his possession - I have not seen seen it since.

HUGH BYRNE . I am a watchman of Poland-street. I heard a cry of "Stop thief!" came up, and found the prisoner in custody of Dove. He said the prisoner had the watch - the prisoner said he was mistaken and he had no watch. The prosecutor spoke sensibly. I searched the prisoner but did not find the watch.

JOHN PHILLIPS . I am a watchman of Oxford-street, opposite Well-street. I heard the cry of "Stop thief!" from the top Poland-street. I observed the parties before that and had my eye on them. I saw the prosecutor with a young man on the Well-street side of the road; and just as they got to the corner of Well-street, I saw four men meet them; he was hustled by them, and immediately afterwards they all ran down Poland-street, and he after them crying "Stop thief!" I sprung my rattle and pursued as fast as I could, and did not see him lay hold of the prisoner. I saw the watch on the ground, about thirty yards down Poland-street; and as I stooped to pick it up, one of the party hit me a blow - he picked it up and put it in his right-hand pocket. I pursued, he got from me by a coach passing. There was no others near, but the four who surrounded the prosecutor. His friend did not push me. About half an hour after, two of his companions came to look for the watch, I said I would take them, and they ran off.

Prisoner's Defence. I was playing the violoncello at a gentleman's house and was out very late. I was coming down Oxford-road, a little in liquor, saw a disturbance on the opposite side and crossed over. The prosecutor was running after a man - he came and took me.

HUGH BYRNE . When I took him, I found no musical instrument on him - he did not appear intoxicated.

CHARLES LOWE (a blind man). I am the prisoner's brother-in-law. On this night I left him, near ten o'clock, in Oxford-street, near Swallow-street. He plays the violoncello - he was in liquor, and said he should go and get more. I took his instrument from him, for fear he should break it.

GUILTY. Aged 20. Of stealing from the Person only. Transported for Life.

ASSOCIATIONS: Charles Lowe (born Birmingham, c. 1793) had married William's sister Margaret at Christ Church, Newgate, in the City of London, on 29 May 1814; he last appeared in the 1861 census, in the parish St. Giles in the Fields, blind musician, aged 68

Ticket of leave, William Constantine, 30 July 1831; State Records Authority of NSW, NRS 12202 [4/4080]

https://www.ancestry.com.au/discoveryui-content/view/4985:1781 (PAYWALL)

. . . Native place, London / Trade or calling, Fiddler / . . . Year of Birth, 1799 / Height, 5 feet six & 1/2 inches / Complexion, Dark sallow & p. pitted / Hair, Black / Eyes, Chestnut / General remarks, Top joint of middle and small fingers of right hand contracted / Allowed to remain in the district of Sydney

[Advertisement], The Sydney Gazette and New South Wales Advertiser [NSW] (28 July 1831), 1

http://nla.gov.au/nla.news-article2201752 

COLONIAL SECRETARY'S OFFICE, SYDNEY, JULY 25, 1831.
THE following Prisoners of the Crown have obtained Tickets of Leave since the last day of Publication . . .
SYDNEY . . . Constantine William Asia (1) . . .

"PARDONS", New South Wales Government Gazette (2 January 1839), 7

http://nla.gov.au/nla.news-article230382426 

CONDITIONAL PARDONS, Dated 20th November, 1837 . . . Constantine William, Asia 1 . . .


Bibliography and resources:

"CONSTANTINE v. CONSTANTINE [ROLLS - 1801, MAY 20]", Reports of cases argued and determined in the High Court of Chancery . . . vol. 6 (Boston: C. C. Little and J. Brown, 1844), 100-03

https://books.google.com.au/books?id=iGswAAAAIAAJ&pg=PA99 (DIGITISED)

William Constantine, Convict records

https://convictrecords.com.au/convicts/constantine/william/108252 




CONWILLAN, Samuel (Conwillan; Samuel CONWILLAN; Samuel KANDWILLAN; Samuel KONWILLAN)

Amateur musician, flute player, SA Indigenous man, Aboriginal musician, Indigenous musician

Active Poonindie, SA, ? by c. 1854
Died Poonindie, SA, May 1860

https://trove.nla.gov.au/search?l-publictag=Samuel+Conwillan+d1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONWILLAN-Samuel (shareable link to this entry)


Aboriginal man with flute, Poonindie, SA. c. 1858, photograph

Aboriginal man with flute, Poonindie, SA. c. 1858; daguerreotype, photograph copy; papers of Mathew Blagden Hale, Library, University of Bristol, DM130/241 (reproduced in Lydon and Braithwaite 2013)

https://archives.bristol.ac.uk/Record.aspx?src=CalmView.Catalog&id=DM130%2f231-244 

See also "Portrait of Samuel Kandwillan, a pupil of the natives' training institution, Poonindie, South Australia" (by J. M. Crossland)

https://nla.gov.au/nla.obj-134102700 (DIGITISED)

ASSOCIATIONS: John Michael Crossland (painter); Mathew Blagden Hale (Anglican cleric)


Documentation:

"POONINDIE MISSION", South Australian Register [Adelaide, SA] (28 September 1858), 3

http://nla.gov.au/nla.news-article49782139 

September 18, 1858.
Having just returned from Port Lincoln and the Mission Station at Poonindie, where I have been spending a week, I thought you might like to hear what impression has been made on my mind, arising out of personal observation of the natives at the station. Mr. Hammond having met Mrs. H. and myself at Port Lincoln, escorted us to Poonindie . . .
I was particularly struck with the earnest, simple, and reverent manner of the natives during worship. My old friends Konwillan and Tolbonco (of St. John's Sunday-school) knew me at once, and appeared glad to see me. They always lead the hymns with their flutes; both of these young men read and conduct the services of our church by turns on Sunday morning, when Mr. Hammond is absent celebrating divine service at St. Thomas's, Port Lincoln. Most of the natives have a good ear for music, their time is correct, and they join most heartily in the responses as well as in the singing. It is most edifying to join in worship of the Almighty with these dark children of the soil . . .
I remain, with respect, My dear Lord Bishop,
Your faithful servant, G. W. HAWKES.

ASSOCIATIONS: Augustus Short (Anglican bishop of Adelaide); George Wright Hawkes (correspondent); Octavius Hammond (cleric); David Tolbonco (Tolbonko); see also "THE NATIVE MISSION AT PORT LINCOLN", Adelaide Observer (19 March 1853), 3

http://nla.gov.au/nla.news-article158093212 

Port Lincoln, February 14, 1853.
My dear Hawkins - Having long been desirous of visiting the Native Mission at Poonendie, under Archdeacon Hale, to ascertain its progress, and report to the Society upon the degree of success with which his disinterested efforts have been blessed, I gladly availed myself of a favourable opportunity, and . . . reached the settlement on Thursday, February 3rd . . . We held regular evening service at sundown; and after the second lesson I baptized Thomas Nytchie, James Naroring, Samuel Conwillan, Joseph Mudloug, David Tolbonko, John Wangaru, Daniel Toodko, Matthew Kowrie, Timothy Tartan, Isaac Petpowie, and Martha Tanda, wife of Conwillan . . .
I remain, yours truly, AUGUSTUS ADELAIDE.

"PARLIAMENTARY PAPER. PORT LINCOLN MISSION", The South Australian Advertiser (20 December 1858), 2

http://nla.gov.au/nla.news-article786758 

Extracts from letters by Rev. E. K. Miller, and G. W. Hawkes, Esq., in reference to the Native Training Institution at Port Lincoln . . .
Mr. Miller then relates the system adopted for the religions culture of the natives. Prayers are read every morning at 7 o'clock; there is no compulsion to attend, although from 20 to 25 persons voluntarily attend on an average . . . The young acquire the knowledge of reading and writing more readily than their seniors, but the latter excel in music. Morning and evening prayers are generally opened with a hymn, the blacks leading the singing by two or the flutes. They can play accurately, and read music at sight . . . [also extracts from Hawkes's letter as above]

"THE NATIVES AT POONINDIE", South Australian Register (4 August 1860), 3

http://nla.gov.au/nla.news-article50024295 

We have been favoured with the following extract from a letter dated Poonindie, July 26th, addressed by the Rev. Mr. O. Hammond to the Lord Bishop of Adelaide: -
"With, reference to the deaths which have taken place during the last quarter, and which no one can more deeply regret than myself, you will be very sorry to hear that poor Konwillan is included in the number. He had for a considerable time been failing in health, and his last visit to Adelaide was made in the hope that it would have some effect in restoring his spirits, if it might not in reality benefit his health. In this, however, we are disappointed. In regard to his condition as a Christian, I think, if consistency of life and modesty of demeanour can be adduced, not to much as proofs, perhaps, but as illustrations of his spiritual state, combined with the profession of firm belief on the need and power of redemption, that the case must be looked upon as satisfactory. In him, however, there did not exist, and we must scarcely expect it in others, that fervour of expression in religious matters which is, I fear, but too frequently held to be a proof of abiding faith. Yet in his illness as in his previous health he expressed himself and acted as one who was deeply impressed with the truth of those things which he at all times avowed his belief of. It may be mentioned that Konwillan (in Mr. Hammond's absence at Port Lincoln) was accustomed to conduct the service on Sunday for the natives, reading the prayers and a sermon."


Bibliography and resources:

Mathew Blagden Hale papers; at Australian Joint Copying Project

https://nla.gov.au/nla.obj-1126156312 (DIGITISED)

Mathew Blagden Hale, The Aborigines of Australia, being an account of the institution for their education at Poonindie, in South Australia, founded in 1850 by the ven. Archdeacon Hale, a missionary of the S.P.G. (London: S.P.C.K., 1889), 85-87, 91 (see also 92 on later music)

https://archive.org/details/aboriginesofaust00hale/page/86/mode/2up (DIGITISED)

[85] Appendix A. A VISIT TO POONINDIE.
The following is an extract from a letter written to Archdeacon Hale by a gentleman, long resident in the Colony of New South Wales, who, early in the year 1856, visited the Natives' Training Institution at Poonindie, Port Lincoln:
". . . I think you had sixty inmates when I visited your institution . . . [86] My feelings are not readily to be described when, as your guest, I heard the matins bell summoning the village to early worship; and, obeying its call, I found your chapel benches filled by civilized and baptized natives, who were repeating in my own tongue the responses of my own Church, and listening reverentially to the portion of the Scripture she dispenses to them daily, and observing a demeanour which would put many of those white men to shame, who, when they enter a church, are there ashamed to kneel. Not only by outward posture, but with heartfelt earnestness, did these men reverence the sanctuary. I heard the tone of their repetition, of the Confession. I heard the voice of their psalmody and thanksgivings in the accents of our own Church music, accompanied by their flutes, and I acknowledged that they were there my teachers. Here, then, was the further proof that these difficult and blind tribes can be brought to the light of faith, and can evidence it by their lives . . .

Appendix B. CHURCH OF ENGLAND MISSION TO THE ABORIGINES.
The following narrative of Mr. Goodwin's was read at the annual meeting of the members and friends of this Mission on the 19th Jan., 1860:
"I arrived at Port Lincoln (by the steamer Marion) on Sunday afternoon, November 27 [1859] . . . [87] . . . We arrived at Poonindie at 6 o'clock p.m. ; at 7 the bell was rung for evening service, when all the adult native population and other residents assembled in the schoolroom, forming a congregation of about 35 to 40 persons. The Rev. O. Hammond read service, the whole congregation joining in the responses, in a devout and intelligent manner, confessing that they had ' done those things which they ought not to have done, and left undone those things which they ought to have done : reading in an audible yet subdued voice the alternate verses of the Psalms, the "Magnificat" and "Deus Misereatur;" professing their belief in God the Father, the Son, and the Holy Ghost; and uniting in singing the praises of our Lord and Saviour - the singing being led by two men (aborigines) playing on flutes from written music before them, in a manner highly creditable to themselves, and most pleasing to hear. The hymn sung was "Lo! He comes in clouds descending." Mr. Hammond, in a simple and impressive manner, addressed them on the subject of Our Lord's second coming, and the service concluded by singing the hymn, "Lord, dismiss us with Thy blessing." I never saw a more quiet, orderly and attentive congregation . . .

https://archive.org/details/aboriginesofaust00hale/page/91/mode/2up (DIGITISED)

[91] Appendix C.
The following account of the Poonindie Native Settlement, South Australia, is from The Melbourne Missionary:
". . . There is an educational establishment, where some of the pupils can show creditable specimens of penmanship, &c. Singing classes for practising sacred music are held in the church. Everybody looked fat, happy and clean . . .

ASSOCIATIONS: Mathew Blagden Hale (Anglican cleric)

Jane Lyndon and Sari Braithwaite, "'Cheque shirts and plaid trowsers': photographing Poonindie Mission, South Australia", Journal of the Anthropological Society of South Australia (special edition Aboriginal missions) 37 (December 2013), 1-30




CONYBER, James (James CONYBER; James Webber CONYBER; J. CONYBER)

Bookbinder, binder of music albums

Born c. 1799
Married Elizabeth MELLISH, St. Mary Newington, Surrey, England, 25 December 1821
Active Sydney, NSW, by 1854
Died Sydney, NSW, 9 November 1874, aged "76"

https://trove.nla.gov.au/search?l-publictag=James+Conyber+c1799-1874 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#CONYBER-James (shareable link to this entry)


Summary:

The University of Sydney Library, Rare Books, Sydney Conservatorium of Music collection (RB CON) now holds three albums of sheet music bound by James Conyber, Sydney, c. 1857-60.

The pair of albums, RB CON 860 9080 and 860 9282, were bound in originally matching format for Teresa Curtis. RB CON 860 9080 is now lacking its front cover, but the surviving back cover is crafted identically with that of the other volume, which is half-bound in dark red leather, with gold trim, over cloth covered boards. The endpapers are yellow and Conyber's label is pasted at the top left of the inside cover of 860 9282, while the front cover has the owner label "Miss Curtis".

The other album, RB CON 890 3029, similar though not identifical in design, also with Conyber's label and yellow endpapers, was probably bound for Margaret Anne Knowles.

On both surviving labels, Conyber's street number is "304", as it appears in his advertisements from February 1856 until February 1860; in March 1860, the street address of his premises was altered to "395".


LABEL: "[J.] CONYBER, Bookbinder, 304, GEORGE ST., Sydney, Opposite the Royal Hotel."


Documentation:

Marriages solemnized in the parish of Saint Mary Newington in the county of Surreyin the year 1821; register 1820-25, page 224; London Metropolitan Archives, P92/MRY/059

https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_199176-00265?pId=4464786 (PAYWALL)

No. 671 / James Webber Conyber of this Parish Bachelor and Elizabeth Mellish of this Parish Spinster were married in this Church by Banns this [25 December 1821] . . .

Baptisms solemnized in the City of London Lying in Hospital in the parish of Saint Luke [Finsbury] in the county of Middlesex in the year 1822; register 1807-30, page 14; London Metropolitan Archives, Dl/T/013/010

https://www.ancestry.com.au/imageviewer/collections/1558/images/31547_212650-00051?pId=6503667 (PAYWALL)

No. 106 / [1822] 12 June / Elizabeth Mary Ann [daughter of] / James Webber and Elizabeth / Conyber / of No. 65 Castle St. Oxford St. / Book Binder . . .

[Advertisement], The Sydney Morning Herald (17 July 1854), 6

http://nla.gov.au/nla.news-article12957537 

TO BOOKBINDERS, PRINTERS, and others. For sale, a new iron screw, for standing press, 23 inches long by 21 diameter, with box and lever complete, of superior quality and manufacture. Apply to JAMES CONYBER, Bookbinder, EX, George-street, opposite the Royal Hotel.

[Advertisement], Empire [Sydney, NSW] (2 February 1857), 1

http://nla.gov.au/nla.news-article60276103 

BOOKBINDING, - APPRENTICE WANTED. Apply to J. CONYBER, Bookbinder, 304, George-street, opposite Royal Hotel.
Music and Illustrated London News carefully bound. Books bound to any pattern. Country orders-carefully attended to.

"DEATHS", The Sydney Morning Herald (10 November 1874), 1

http://nla.gov.au/nla.news-article13349032 

CONYBER. - November 9, at the School of Arts, Pitt-street, James Conyber, late bookbinder, Park-street, of heart disease, without a struggle, aged 76 years.

No. 1077, last will and testament of James Conyber, 1874; State Records Authority of NSW

https://search.findmypast.com.au/record?id=anz%2fbmd%2fnswwills%2f4055%2f00471&parentid=anz%2fnswwills%2f504551 (PAYWALL)

. . . my said personal property to my neice Mary Jane Dash daughter of the late William Dash Shipwright formerly of Falmouth in England . . . said rents and profits to pay to my daughter Elizabeth Mary Ann Edwards wife of John Inwards Shoemaker now or late residing in London . . . [residue on decease of Mary Jane Dash] to my nephew George Webber late of Davenport in England but now of Her Majesty's Pembroke Dock Yard son of my brother George Webber (who many years ago altered his surname from Conyber to Webber) . . .

ASSOCIATIONS: Mary Jane Dash (born Falmouth, England, 1829; daughter of William Dash and James's sister Mary Conyber)

[Notice], New South Wales Government Gazette (13 November 1874), 3418

http://nla.gov.au/nla.news-article223582293 

In the will of James Conyber, late of Park-street, Sydney, in the Colony of Now South Wales, bookbinder, deceased . . . that probate of the last will and testament of the abovenamed James Gonyber, deceased, may be granted to Mary Jane Rogers, the wife of John Rogers, of Pitt-street, Sydney, formerly Mary Jane Dash, and niece of the abovenamed deceased, and to Alfred Flack, of Botany Rond, near Sydney, diesinker, and to Thomas Corbett, of Sydney aforesaid, bookbinder, the executrix and executors named in and appointed by the said will . . .


Bound albums:

Bound album of sheet music, for Teresa Curtis, (1); University of Sydney, Library, Rare Books, Sydney Conservatorium of Music collection (private bequest 1986), RB CON 86 9080

https://trove.nla.gov.au/work/235120271 

https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1c0ug48/alma991000610249705106 

Bound album of sheet music, for Teresa Curtis, (2); University of Sydney, Library, Rare Books, Sydney Conservatorium of Music collection (private bequest 1986), RB CON 860 9282

https://trove.nla.gov.au/work/235120269 

https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1c0ug48/alma991000608239705106 

ASSOCIATIONS: Teresa Curtis (description and inventory of bound albums)

Bound album of sheet music, for Margaret Anne Knowles Cox; University of Sydney, Library, Rare Books, Sydney Conservatorium of Music collection (private bequest 1989), RB CON 890 3029

https://trove.nla.gov.au/work/236415820 

https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1c0ug48/alma991031563297505106 

ASSOCIATIONS: Margaret Anne Knowles (Mrs. Cox)




COOK, Charles Henry Herbert (Charles Henry Herbert COOK; Master Charles COOK; Master COOK; COOKE)

Amateur musician, vocalist, pupil teacher, professor of mathematics

Born London, England, 30 September 1843; baptised St. George the Martyr, Southwark, 30 September 1843; son of Charles COOK (c. 1816-1882) and Mary ROOTS (c. 1814-1892)
Arrived Melbourne, NSW (VIC), 28 June 1849 (per Whitby, from Plymouth, 15 February)
Active (as Master Cook) c. 1857-61
Married Emily Denman PEACOCK (1853-1925), St. Peter's, Melbourne, VIC 2 December 1876
Died Marton, NZ, 21 May 1910

https://trove.nla.gov.au/search?l-publictag=Charles+Henry+Herbert+Cook+1843-191 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-Charles (shareable link to this entry)

COOK, John James (John James COOK; Master John COOK; Master J. COOK; Master COOK)

Amateur musician, vocalist, pupil teacher, clerk

Born Paddington, London, England, 9 July 1847; baptised St. John's, Paddington, 12 September 1847; Charles COOK (c. 1816-1882) and Mary ROOTS (c. 1814-1892)
Arrived Melbourne, NSW (VIC), 28 June 1849 (per Whitby, from Plymouth, 15 February)
Active (as Master Cook) c. 1860-64
Married Charlotte CLAYTON (1860-1945), St. Peter's, Melbourne, 3 February 1883
Died Melbourne, VIC, 22 December 1907, aged "60"

https://trove.nla.gov.au/search?l-publictag=John+James+Cook+1847-1907 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-John (shareable link to this entry)


Documentation:

Baptisms in the parish of Saint George the Martyr Southwark in the county of Surrey in the year 1843; register 1843-44, page 249; London Metropolitan Archives, P92/GEO/156

https://www.ancestry.com.au/discoveryui-content/view/3769437:1558 (PAYWALL)

No. 1991 / [1843 December] 24th / [Born] Sept'r 30th 1843 / Charles Henry Herbert Son of / Charles & Mary / Cook / St. George's Terrace / Tailor . . .

Baptisms in St. John's Church in the parish of Paddington in the county of Middlesex in the year 1847; register 1844-95, page 144; London Metropolitan Archives, P87/JNE1/003

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_197446-00082?pId=3173105 (PAYWALL)

No. 1151 / 1847 12th September / John James / [son of] Charles & Mary / Cook / 6 Westbourne Place / Tailor / Born 9th July 1847 . . .

Disposal list of the immigrants per the ship Whitby which arrived at Port Phillip, 28 June 1849, sailed from Plymouth, 15 February 1849; Public Record Office Victoria

https://prov.vic.gov.au/archive/E2A106BC-F1B1-11E9-AE98-7353571BB1F2?image=80 (DIGITISED)

Cook Charles / Tailor / 33 // Mary / House Keeper / 35 // Mary Ann / 7 // Chas. H. H. / 5 // John / 2

[Advertisement], The Argus [Melbourne, VIC] (14 February 1857), 8

http://nla.gov.au/nla.news-article7144647

COLLINGWOOD MECHANICS' INSTITUTE.
GRAND SOIREE MUSICALE SOIREE Will be given
On Monday Evening, 10th February, At the Collingwood Assembly Hall, Gertrude-street.
Programme - Part I.
Glee and Chorus - "Village Choristers," Master C. Cooke, assisted by the Company.
Reading from Serjeant Talfourd's Tragedy of Ion - Mr. Hayward.
Duet, flute and piano - Messrs. Hornidge and Montague.
Song - "Farewell my Country," Mr. Izard.
Song - "Little Nell," Mrs. Andrews.
Song - "The Pilot," Mr. Blanchard.
Song - "Excelsior," Mrs. Goodliffe.
Glee - "Life's a Bumper," Messrs. Allen, Izard, and Blanchard.
Rule Britannia - By the Company.
Interval of Ten Minutes.
Part II.
Glee - "Awake AEolian Harp," Mrs. Goodliffe, Messrs. Tate, Allen, and Blanchard.
Collins's Ode to the Passions, "Daniels v. Dishclout," recitations - Mr. Hayward.
Song and flute obligato - Mrs. Goodliffe, flute, Mr. Hornidge.
Song - "Women or England," Mr. Izard.
Glee - "Poculum," Messrs. Tate, Hornidge, Izard, and Elliot.
Song - "Sweet Dream of Life," Mrs. Andrews.
The Witches' Glee - Messrs. Tate, Hornidge, and Blanchard.
Full Company - "Now Pray we for our Country."
God Save the Queen - By the Company.
Accompanist - Mr. Montague . . .

ASSOCIATIONS: Mrs. Goodliffe (vocalist); Charles or John Blanchard (vocalist); John Pryce Hornidge (flute); Alfred Montague (pianist); Henry John Izard (vocalist); Theresa Shirley Andrew (vocalist)

"INAUGURATION OF THE TEMPERANCE LEAGUE OF VICTORIA", The Age [Melbourne, VIC] (2 July 1857), 5

http://nla.gov.au/nla.news-article154831669 

Yesterday evening the Exhibition Building presented a most brilliant appearance. Separation Day having been made the occasion for a great gathering of the advocates of temperance, with a view of inaugurating the Temperance League, and raising a fund of one thousand pounds in order to carry out its object . . . During the evening, the proceedings were relieved by some excellent glee singing by Messrs. Goodliffe, Williams, Fletcher, Angus, Ewart, Tolhurst, senior, Charles Cook, and Mrs. Goodliffe, who gave their services on the occasion. There were several encores. Mr. G. Tolhurst presided at the piano, and played judicious accompaniments to several airs sang by Mrs. Goodliffe, and Messrs. Williams and Angus.

ASSOCIATIONS: William Henry Williams (vocalist); James Fletcher (vocalist); Silvanus Angus (vocalist); Thomas Ewart (vocalist); William Henry Tolhurst (musician); George Tolhurst (pianist); Exhibition Building (Melbourne venue)

"THE PHILHARMONIC SOCIETY'S FOURTH CONCERT", The Argus (2 September 1857), 5

http://nla.gov.au/nla.news-article7138064 

The fourth subscription concert of the Philharmonic Society, which took place last night before a very large audience, in the Exhibition Building, was chiefly remarkable for the absence of all of the great vocal "stars" who have usually assisted at these reunions. This circumstance was owing to no fault of the society, but simply to the fact that every professional vocalist of note was absent from Melbourne. The society has, therefore, the credit of having presented the public with a sufficiently ambitious programme, for the due execution of which it had to depend entirely upon its own resources. The success which attended the experiment is fully equal to our expectations, and in some respects we feel justified in congratulating the society on the results. Haydn's "Imperial Mass" occupied the whole of the first part of the evening, and, generally speaking, was satisfactorily rendered. The instrumentation and choruses were good, though too frequently amenable to the charge of want of steadiness and strict attention to time. In the "Gloria" the phrases "Qui tollis peccata" were taken by a Mr. Angus, a new basso of much promise . . . Another new singer appeared, in the person of a young gentleman (Master Charles Cook) of whom we can also speak in very favorable terms. His voice told admirably in the "Agnus Dei," and, indeed, in most of the compositions in which he took the contralto part . . .

ASSOCIATIONS: John Russell (conductor); Melbourne Philharmonic Society (association)

"INDIAN RELIEF FUND. PERFORMANCE OF 'JUDAS MACABAEUS,' AT THE EXHIBITION BUILDING", The Age (3 February 1858), 5

http://nla.gov.au/nla.news-article154857608 

The attendance at the Exhibition Building last evening, was in inverse ratio to the importance of the object, and to the excellence of the performance. One would have thought that more than three hundred persons could have been found to honor the praiseworthy efforts of the Philharmonic Society, to supplement the Indian Relief Fund . . . and we cannot help expressing our surprise and regret that the highly meritorious intents of the society should have met with such a feeble response on the part of the community . . . Handel's magnificent oratorio may have been rendered by a larger number of executants, but never With greater enthusiasm or success. Soloists, band, and chorus, vied with each other in their efforts to give the fullest expression to the sublime phrases with which the oratorio abounds . . . It is also worthy of remark that the services of all concerned were purely gratuitous. For this purpose we may mention that the extraneous executants were Miss Octavia Hamilton, Mrs. Hancock, Mrs. Fox, Madame Vitelli, Master Cooke, Mr. Ewart, and Mr. Farquharson; Mr. King as leader, and Mr. Johnson and the members of the band of the 40th Regiment who took part in the performance . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Mary Ellen Hancock (vocalist); Sarah Hannah Fox (vocalist); Annie Vitelli (vocalist); Robert Farquharson (vocalist); Edward King (violin, leader); Henry Johnson (master, 40th band); Band of the 40th Regiment (military)

[Advertisement], The Argus (4 March 1858), 8

http://nla.gov.au/nla.news-article7147480 

UNDER the PATRONAGE of HIS EXCELLENCY SIR HENRY BARKLY,
Handel's Grand Oratorio THE MESSIAH
Will be performed by the Members of the Prahran and St. Kilda Choral Society
(assisted as undermentioned) at the Church of England School-Room, Chapel-street, Prahran,
On the EVENING of THURSDAY, 4th INST. In Aid of the INDIAN RELIEF FUND.
The Band and Chorus will consist of 100 performers including many of the leading members of the Melbourne Philharmonic Society.
Principals: Miss Octavia Hamilton, Mrs. Batten, Mrs. Fox, Mr. Ewart,
Master C. Cooke, Mr. Hopkins, Mr. Blanchard, Mr. Kay.
Conductor - Mr. Russell. Organist - Mr. W. B. Wray (late organist at the Blind Asylum, Liverpool). Leader - Mr. Leslie.
All of whom have given their gratuitous services.
Doors open at half-past 7. Concert to commence at 8.
Tickets - Reserved Seats, 5s.; Unreserved Seats, 2s. 6d. May be obtained from Mr. White, chemist, Post office, Prahran;
Mr. Joseph Wilkie, Collins-street, Melbourne; or any Member of the Committee.
H. WILKINSON, Hon. Sec.

ASSOCIATIONS: Henry Barkly (governor); Mrs. Batten (vocalist); Samuel Kaye (vocalist); William Beresford Wray (organist); Alexander John Leslie (violin, leader); Henry Wilkinson (secretary); Prahran and St. Kilda Choral Society (association)

"THE PHILHARMONIC SOCIETY", The Age (31 March 1858), 4

http://nla.gov.au/nla.news-article154856636 

The first subscription concert of the year was given by the Philharmonic Society, yesterday evening, in the Exhibition Building, before a large and brilliant audience, including Major-General Macarthur, several members of the late and present Ministries, the Judges, and other of our magnates. The works selected for the performance consisted of Mozart's "Twelfth Mass," and Beethoven's Oratorio "Engedi, or David in the Wilderness," - both new to the Society and to the Melbourne public. The members of the choir were in full force, and their performance was of the most satisfactory description in both of the magnificent works to which they addressed themselves. Owing to the retirement of Mr. Russell from the office of conductor to the Society . . . the baton fell to the charge of Mr. Gould, who has hitherto presided at the organ . . . . The solos were entrusted to Miss Octavia Hamilton, Master Charles Cooke, Mr. Ewart, and Mr. Silvanus Angus, to all of whom we must accord great praise . . .

ASSOCIATIONS: Edward Macarthur (musical amateur and patron); Thomas Green Goold (conductor)

"MELBOURNE PHILHARMONIC SOCIETY", The Argus (31 March 1858), 5

http://nla.gov.au/nla.news-article7292067 

. . . Master Cooke assisted throughout the concert with effect . . .

"ANNUAL MUSICAL FESTIVAL AND EXHIBITION OF DRAWINGS OF THE CHILDREN OF THE DENOMINATIONAL SCHOOLS", The Age (21 December 1860), 5-6

http://nla.gov.au/nla.news-article154884821 

We have seen the Exhibition building filled with the gay and festive throngs who, in response to the invitations of his Excellency, have met there to testify their loyalty by celebrating the natal day of our Sovereign Queen, - we have seen it crowded with almost equally brilliant assemblages upon other occasions, when national pride and patriotism have induced the youth and beauty of this young country, in accordance with the customs of their fatherland, to meet together and to indulge in the fascinations of waltz and polka, or scottische, - we have heard its walls resounding to the strains of thn magnificent music of Handel, Mendelssohn, and Donizetti, at the periodical performances of the Philharmonic Society, - but never have we seen that building present a more animated or pleasing appearance than yesterday; and never have we listened to sweeter strains of music within its walls than that exhibited, or than the melody made, by the young voices of some eleven hundred of the children attending the various denominational schools in the city of Melbourne and its suburbs, who had assembled there on the occasion of their annual musical festival. The building was so densely crowded in every part that shortly after twelve o'clock numbers of persons were obliged to depart being unable to gain admission . . . The musical performances commenced shortly after noon. The following is the programme: -
1. School song, "Buttercups and Daisies" - Hullah; sung by the schools.
2. Round, "Though from our Cheerful Home" - Bishop; sung by the Schools.
3. Song, "The Friends of Other Days" - Thomas; sung by John Cook, of St. Mark's School . . . This concluded the first part of the proceedings, and the children were now examined as to their proficiency singing music by sight . . . [6] . . .
The second part of the musical portion of the programme was then proceeded with, as follows: . . .
4. Trio, "Oh, hear ye not, maidens" - Smart; sung by Masters Cook, Felstab and Oliver . . .
The whole of the singing was very good, and where all acquitted themselves so well, it might, perhaps, be considered invidious to particularise any individual. Still it is due to some of those who performed in the solos and duetts to pass them by without a word of commendation. The song, "The friends of other days," may be specially mentioned as having been extremely well given by John Cook, of St. Mark's school . . . The singing masters are Mr. Geo. L. Allan, Mr. B. Hadfield, Mr. John H. Allen, and Mr. S. Kaye . . .

ASSOCIATIONS: George Leavis Allan (singing master); Benjamin Hadfield (singing master); John Harward Allen (singing master)

"ANNUAL MUSICAL FESTIVAL OF THE DENOMINATIONAL SCHOOL CHILDREN", The Argus (21 December 1860), 5

http://nla.gov.au/nla.news-article5695381 

The annual musical festival of the children attending the various Denominational schools about Melbourne was held yesterday, in the Exhibition Building, and, in addition to some 900 children, there must have been considerably over that number of spectators, the greater portion being ladies. His Honour Mr. Justice Pohlman presided . . . On a stage alongside Mr. Justice Pohlman stood Mr. George L. Allan, under whose superintendence, assisted by Messrs. B. Hadfield, John Allen and S. Kaye, the children have been taught. The whole of the proceedings were conducted by Mr. Allen [sic, Allan], who, baton in hand, gave the signal to commence, and kept the time throughout. Mr. Pringle presided at the piano, and Mr. G. O. Rutter and Mr. John Russell also gave valuable assistance. The performance commenced at noon, and lasted for about three hours, an interval of 15 minutes between the two parts being devoted to affording the public an opportunity of judging of the skill of the children in singing from music at first sight, a feat which, considering that they did not average more than about 11 years of age, they accomplished with the greatest success. Amongst the songs which appeared particularly to please the audience were, "The Friends of Other Days," sung by Master Cook, of St. Mark's School;" "Let Me Kiss Him for His Mother," by Miss Harriett Lee, of Emerald Hill; "Nymphs of the Ocean," "Evangeline," by Miss Mortimer, "A Baby Song," composed expressly for the occasion by Mr. G. O. Rutter; "Oh Hear Ye Not Maidens, the Lark's Merry Lay," "Ladybird," &c. Many of the songs were loudly applauded, and a universal feeling prevailed amongst those present that Mr. Allan's endeavours had been crowned with the most complete success. In addition to the boys and girls whose names we have particularized, we may mention Miss Little [Liddle], who in several pieces in which she took part received a considerable share of applause . . .

ASSOCIATIONS: George Robert Grant Pringle (pianist); George Oswald Rutter (composer, vocalist); Maggie Liddle (vocalist)

[News], The Argus (26 December 1860), 4

http://nla.gov.au/nla.news-article5696086 

The annual Christmas performance of Handel's "Messiah" by the Melbourne Philharmonic Society took place in the Exhibition Building on Monday evening last. The attendance was extremely good, every part of the hall and galleries being crowded . . . "Oh, thou that tellest" was sweetly sung by Master C. Cook . . .

"THE NEWS OF THE DAY", The Age (26 December 1860), 5

http://nla.gov.au/nla.news-article154884137 

. . . The rendering of "Behold a virgin shall conceive," was given by Master Cooke in a manner which was both surprising and delightful, and it was a matter of regret that the full effect of the pure beautiful melody was lost through the defective acoustics of the building . . .

"CURRENT TOPICS", Geelong Advertiser (28 December 1860), 2

http://nla.gov.au/nla.news-article148695073 

The usual annual performance of the "Messiah" by the Geelong Harmonic Society, takes place to-night . . . Miss Bailey, who surprised and delighted many of the audience on the occasion of her performing the Mass and Samson a few weeks since, will take the Soprano; tenor, Mr. Beaumont; contralto, Master Cooke, who sang the solos in the Messiah, in Melbourne, on Monday last, will also assist; and with our local basso, Mr. Hinchcliff . . . we are certain the concert will be as successful a one as the society have ever given. The band and chorus will be supplemented by several Melbourne professionals and amateurs . . .

ASSOCIATIONS: Amelia Bailey (vocalist); Armes Beaumont (vocalist); John Hinchcliff (vocalist); Geelong Harmonic Society (association)

[Advertisement], Geelong Advertiser (4 March 1861), 4

http://nla.gov.au/nla.news-article148696710 

MECHANICS' INSTITUTE. - WEDNESDAY EVENING, MARCH 6TH, 1861.
FAREWELL BENEFIT OF MRS. HANCOCK, Previous to her leaving for England.
GRAND CONCERT, Supported by MISS O. HAMILTON, THE MEMBERS OF THE HARMONIC SOCIETY . . .
MASTER COOK AND MRS. HANCOCK . . .

[Advertisement], The Argus (21 March 1861), 8

http://nla.gov.au/nla.news-article5698657 

MECHANICS' INSTITUTE . . . MASTER COOK, Mr. EWART, Mr. TOLHURST, at Mrs. HANCOCK'S COMPLIMENTARY BENEFIT TO-NIGHT . . .

ASSOCIATIONS: Mechanics' Institution (Melbourne venue)

[Advertisement], The Argus (13 April 1861), 8

http://nla.gov.au/nla.news-article5699297 

GRAND VOLUNTEER MILITARY PROMENADE And VOCAL CONCERT,
In aid of the funds of The Melbourne Orphan Asylum,
In the BOTANICAL GARDENS, THIS DAY, APRIL 13, At 8 p.m. precisely (weather permitting).
Under the Immediate patronage of His Excellency the GOVERNOR and Lady BARKLY, who have signified their intention to be present.
All the performers have kindly given their services.
Principal Vocalists: - MISS A. BAILEY, Miss S. Mortley, Master J. Cook, Mr. Fletcher, Mr. Williams, Mr. Donaldson, Mr. Angus, Mr. Amery.
Conductor and Pianist, Herr ELSASSER.
SONGS and CHORUSES, AS sung by The FAMED CHRISTY MINSTRELS . . .

ASSOCIATIONS: Charles Alexander Donaldson (vocalist); Edwin Amery (vocalist); Charles Elsasser (conductor); Botanic Gardens (Melbourne venue)

"TOWN TALK", The Herald (15 April 1861), 5

http://nla.gov.au/nla.news-article244311654 

The promenade concert in the Botanical Gardens on Saturday afternoon was a very pleasing entertainment, but, considering, its object, it was hardly, so well patronised as it deserved to be . . . In addition to the performances of the Volunteer General Band, the vocalists whose names appear below gave their services gratuitously on this occasion; Herr Elsasser officiating as conductor and pianist. Of course Mr. Johnson wielded the baton for the "blues." Subjoined is the programme, the performance of which gave much satisfaction: - . . .
part song, "Go, speed thy flight," Master J. Cook and chorus, Otto . . .

ASSOCIATIONS: Victorian Volunteer Band (volunteer force)

MUSIC: Go speed thy flight (Franz Otto)

[Advertisement], The Age (21 May 1861), 1

http://nla.gov.au/nla.news-article154888509 

PERFORMANCE OF SACRED MUSIC. The Choir of St. Peter's Church will give, this evening, in the School Room adjacent to the Church,
for the Benefit of MRS. EDWARD HANCOCK (Who leaves for England per Suffolk) A FAREWELL CONCERT.
The members of the Choir are Miss Octavia Hamilton, Mrs. Hancock, Miss S. Mortley, Masters Cook and Bower,
and Messrs. Williams, Beaumont, Moxon, and Davis. Organist: Mr. G. R. G. Pringle.

ASSOCIATIONS: Thomas Holme Davis (vocalist); Septimus Moxon (vocalist); George Robert Grant Pringle (organist, choirmaster); St. Peter's church (Melbourne)

[News], The Argus (13 June 1861), 5

http://nla.gov.au/nla.news-article5701026 

The Orpheus Union, who have hitherto been content with taking part in occasional concerts in which they have, however, been most warmly appreciated, gave, last evening, the first of a series of musical entertainments, in the Mechanics' Institute . . . Misses Griffiths, Mortley, and Beaumont, were quite successful in Henry Smart's pretty trio, "Rest thee on this mossy pillow" and Mrs. Fox, Master Cooke, and Messrs. A. Ford and Angus won equally so in Pohlenz's part song "The swallows" . . .

ASSOCIATIONS: Mary Ann Griffiths (vocalist); Alfred Ford (vocalist); Orpheus Union (association)

"CURRENT TOPICS", Geelong Advertiser (15 June 1861), 2

http://nla.gov.au/nla.news-article150306088 

Not since the departure of Anna Bishop has such an audience assembled in Geelong as last night responded to the call of the Harmonic Society; and certainly the unusual attractions offered warranted the response. Mendelssohn's Elijah constituted the performance, a daring thing for the society to attempt, but the result showed that they did not miscalculate their powers and means, for a more complete performance was never given in Geelong . . . Three members of Lyster's Opera Company assisted, namely, Madame Lucy Escott, Miss Georgina Hudson [sic], and Mr. Squires; and in the sacred music of Elijah they fully sustained the high reputation gained at the late operatic performances . . . The remaining principals were Mr. Ewart, Mr. Lissignol, and Master Cooke, while the band was strengthened by Mr. Johnson, of the 40th, Mr. Reed, Mr. King, and Mr. Gover, from Melbourne. Mr. Plumstead presided at the organ. Mr. Gabb (for whose benefit the concert was) led, and Mr. H. B. Moore conducted, a task for which he proved himself on this, as on former occasions, peculiarly fitted . . .

ASSOCIATIONS: Anna Bishop (vocalist); Lyster Opera Company (troupe); Lucy Escott (vocalist); Georgia Hodson (vocalist); Henry Squires (vocalist); Eugene Lissignol (vocalist); Thomas Reed (musician); Henry Barman Gover (musician); Henry Plumstead (organist); John Gough Gabb (violin, leader, beneficiare); Henry Byron Moore (conductor)

"THE NEWS OF THE DAY", The Age (31 July 1861), 5

http://nla.gov.au/nla.news-article154899221 

Mendelssohn's magnificent Oratorio, the "Elijah," was produced last evening at the Theatre Royal, in a manner hitherto unequalled in Victoria. The performers included the principal artistes of Mr. Lyster's company, and the members of the Philharmonic Society, and the orchestra was also supplemented by numerous well-known and justly celebrated instrumentalists . . . Madame Escott, in the beautiful air "Hear ye, Israel," received a rapturous encore, and a similar compliment was bestowed upon the trio by that lady, Miss Hodson, and Master Cook, "Lift thine eyes to the mountains." This was really a beautiful morceau, the young gentleman proving himself very capable of filling the prominent position assigned him . . . Mr. Elsasser conducted ably, and Mr. Louis L. Lewis presided at the organ . . .

ASSOCIATIONS: Louis Lucas Lewis (organ); Theatre Royal (Melbourne venue)

[Advertisement], The Herald (21 August 1861), 8

http://nla.gov.au/nla.news-article244247849 

MR. GEORGE L. ALLAN'S MISCELLANEOUS CONCERT,
MELBOURNE MECHANICS' INSTITUTION, THURSDAY, 22nd AUGUST, 1861.
Principal Vocalists: Miss GRIFFITHS. Miss LIDDLE.
Master COOK. Mr. W. H. WILLIAMS. Mr. S. ANGUS. Pianist - Mr. H. KING.
The members of Mr. Allan's Upper-Class, in connection with the above Institution, will form a Chorus of about 60 Voices.
PROGRAMME: PART I. Chorus - "How glad, with smiles the vernal morn." - Gluck . . .
Quartett - Departure. Miss Griffiths, Master Cook, Messrs. Williams and Angus - Mendelssohn . . .
Trio and Chorus - "The chough and crow." - Bishop. Solos by Miss Griffiths, Master Cook and Mr. Angus . . .

ASSOCIATIONS: Henry John King (piano)

[News], The Argus (23 August 1861), 5

http://nla.gov.au/nla.news-article5703395 

Last night a concert was given, in the Mechanics' Institute, under the management of Mr. George L. Allan. The weather was unpropitious, and the attendance, therefore, was not numerous, but otherwise the concert was a success. The principal vocalists were Miss Griffiths, Miss Liddle, Master Cook, Mr. W. H. Williams, and Mr. S. Angus, Mr. H. King presided at the piano.

[Advertisement], Geelong Advertiser (21 December 1861), 4

http://nla.gov.au/nla.news-article149718838 

GEELONG HARMONIC SOCIETY. GRAND CHRISTMAS FESTIVAL.
"THE MESSIAH." ON MONDAY, 23RD DECEMBER, IN THE MECHANICS' HALL.
PRINCIPALS. - MISS BAILEY; MASTER COOK; MR. BEAUMONT; MR. HINCHCLIFF . . .

"CORRECT TOPICS", Geelong Advertiser (24 December 1861), 2

http://nla.gov.au/nla.news-article149720439 

There was but a moderate audience in the Mechanics' Institute, last evening, to hear "the Messiah," as produced by the Geelong Harmonic Society. It was a pity, for the oratorio was well sustained throughout . . . The air, "He was despised," was beautifully rendered by Master Cook . . .

"DENOMINATIONAL SCHOOLS FESTIVAL", The Argus (12 April 1862), 6

http://nla.gov.au/nla.news-article5713231 

Yesterday, the annual musical festival and exhibition of drawings in connexion with the Denominational schools in and around Melbourne, was held in the Exhibition Building. This event has usually occurred at Christmas time; but . . . it was postponed. The delay, however, did not diminish the success of the festival. The musical portion of the programme was sustained by about 700 children of both sexes . . . Immediately on the entrance of the Governor, Mr. George L. Allan, one of the singing masters under the board, and who officiated as the conductor of the musical entertainment, mounted his rostrum . . . At the conclusion of the National Anthem . . . A number of sterling English songs were then sung by the 700 scholars. The solos, duets, &c., were rendered by Misses Buller, Gursanscky, Liddle, E. Biggs, and Masters J. Cooke, Chas. Conner, and Chas. Louth . . .

"THE NEWS OF THE DAY", The Age (17 May 1862), 5

http://nla.gov.au/nla.news-article155008162 

Lyster's Opera Company, assisted by the members of the Musical Union, gave a grand performance of Mendelssohn's Oratorio of "Elijah" yesterday evening at the Theatre Royal. On this occasion Mr. Farquharson appeared for the last time in this oratorio (prior to his departure for England) . . . Madame Escott, Miss Georgia Hodson, Miss S. Mortley, Mr. Squires, Mr. Beaumont, and Master Cook were the other principal performers . . .

ASSOCIATIONS: Musical Union (association)

"TOWN TALK", The Herald (17 May 1862), 4

http://nla.gov.au/nla.news-article244229245 

. . . The principals were the same as those who lent their aid to the performance of the work on Good Friday, but there was a marked improvement visible in the rendering of the chorusses and orchestral accompaniments. Although the encores during the evening were limited to two - "Oh rest in the Lord," by Miss Hodson, and the unaccompanied trio in the second part, which was beautifully given by Mdme. Escott, Miss Hodson, and Master Cook - the applause of those present was liberally bestowed from first to last . . .

[News], The Argus (17 July 1862), 5

http://nla.gov.au/nla.news-article5718442 

The opening of the new Mechanics' Institute Building at Brighton is to be celebrated this evening by a "Grand musical soiree." The creature comforts are to be contributed by the ladies of the district; and a concert will be given, among the performers in which may be mentioned the Wray Family, Captain Von Rochlitz, Master John Cook, and several amateurs.

ASSOCIATIONS: Wray Family (vocalists, musicians); Julius Albert Rochlitz (musician)

[News], The Argus (18 September 1862), 5

http://nla.gov.au/nla.news-article5722260 

The members of the Orpheus Union gave the first concert of their second season at the Mechanics' Institution, Melbourne, last night, and it passed off with great eclat. The society was established for the purpose of cultivating a taste for part-singing, and the programme comprised a selection of part songs and madrigals by Mendelssohn, Hiller, Kücken, Hartel, and other composers. Though the strength of the performers was not numerically large, there being only about twenty, the voices were evenly balanced, and were quite sufficient for the dimensions of the room. The able manner in which the whole of the pieces were executed testified to the care and pains with which the vocalists had been trained. They sang both with a just appreciation of harmony and of the spirit of the songs with which they were entrusted; and the audience complimented them with repeated expressions of approbation. Some of the selections were encored, including "The Wreath," a madrigal by Jules Benedict, and "Tears of Anguish," a canzonetta by Reichardt, which was one of the gems of the evening. The solo part in the canzonetta was taken by Mr. S. Angus, and in some of the other pieces solos were sustained by Miss Mortley, Mr. E. A. Beaumont, Mr. Ford, Mr. Amery, Mr. Adams, Mr. Davis, and Master Cook. The madrigals and part songs were agreeably interspersed with the singing of "Sweet Spirit, Hear my Prayer," from the opera of "Lurline," and the touching ballad of "Little Nell." Both of these were rendered by Miss Octavia Hamilton with her accustomed power, and received encores. Mr. G. R. G. Pringle played a solo on the pianoforte, "L'Invitation a la Valse," in which he displayed much taste as well as skilful manipulation, and it was rapturously redemanded. There was a very respectable audience, though not so large a one as at some of the previous concerts of the Orpheus Union. The entertainment, in a musical point of view, deserved to have been honoured with a full room. The society has evidently done some service in the good cause which it is intended to foster, and its efforts deserve every encouragement from the lovers of music. We must not omit to mention that Mr. S. Kaye, to whom a large portion of the credit for the successful manner in which the vocalists acquitted themselves belongs, officiated as the conductor of the concert, and performed his onerous duties very satisfactorily.

ASSOCIATIONS: Thomas Ford (vocalist); Orpheus Union (association)

[News], The Argus (12 September 1862), 4

http://nla.gov.au/nla.news-article5721984 

A grand concert is to take place this (Friday) evening, in St. Peter's school-room, Eastern-hill, at eight o'clock, when a selection of sacred music will be performed by the choir of the church; and, considering that the same is entirely new in Victoria, a great treat may be expected. The principal performers will be Miss Octavia Hamilton, Miss Mortly, Miss Young, Mr. A. E. Beaumont, Mr. T. Ford, Mr. A. Ford, Master John Cook, Mr. S. Moxon, Mr. T. H. Davis, assisted by Mr. G. R. Pringle, the organist.

"TOWN TALK", The Herald (13 September 1862), 5

http://nla.gov.au/nla.news-article244406299 

A concert of sacred music by the members of the choir of St. Peter's Church, took place yesterday evening . . . The programme concluded with a cantata, "God, Thou art Great," [Spohr] which was performed last night for the first time in Melbourne. Miss Young, and Messrs. T. Ford, T. H. Davis, A. Ford, and Master Cook, rendered able assistance in the choruses, which were executed with an evenness and correctness far above the average . . .

[News], The Argus (18 September 1862), 4

http://nla.gov.au/nla.news-article5722260 

The members of the Orpheus Union gave the first concert of their second season at the Mechanics' Institution, Melbourne, last night, and it passed off with great eclat. The society was established for the purpose of cultivating a taste for part-singing, and the programme comprised a selection of part songs and madrigals by Mendelssohn, Hiller, Kücken, Hartel, and other composers . . .

"THE ORATORIO", The Herald (4 April 1863), 3

http://nla.gov.au/nla.news-article244290312

The evening of Good Friday, 1863, was spent by some two thousand people in listening to the splendid music of Mendelssohn's Oratorio "Elijah," which, a few drawbacks being allowed for, was performed at the Theatre Royal in a highly creditable manner . . . The quartette and chorus, "Cast thy burthen," and the beautiful unaccompanied trio, "Lift thine eyes," were very finely given; the latter, exquisitely sung by Misses O. Hamilton and Beaumont and Master Cook, was rapturously encored . . .

ASSOCIATIONS: Mary Sophia Beaumont (vocalist)

[News], The Argus (1 October 1863), 5

http://nla.gov.au/nla.news-article5736506 

Mr. George L. Allan gives a concert this evening, in St. George's Hall, at the usual hour. The artistes are Miss Hamilton, Mrs. Perraton, Master J. Cook, Mr. W. H. Williams, Mr. W. M. Gamble, Mr. Silvanus Angus, and Mr. Downes. Mr. Allan will also be assisted by a choir of about seventy voices, the members of which form Mr. Allan's upper singing class.

See also programme, [Advertisement], The Herald (1 October 1863), 2

http://nla.gov.au/nla.news-article247585381 

"THE NEWS OF THE DAY", The Age (27 November 1863), 5

http://nla.gov.au/nla.news-article155024433 

A concert of sacred and secular music was given last evening in the Town Hall, Prahran, for the purpose of raising funds to defray the expenses of recent repairs to the Prahran Church of England school house . . . The selections from Mendelssohn's compositions were the most pleasing. In the whole range of sacred music, there is hardly such another air as "Oh, rest in the Lord," for smooth and graceful melody; and the elegant and expressive trio, "Lift thine eyes," if possible, surpasses it. The air was sung by Miss Liddle with congenial simplicity and feeling; and the trio (unaccompanied) was rendered by Mrs. Fox, Miss Beaumont, and Master Cook, with the most happy harmonic effect . . .

Pupil teacher records to end of 1863, Charles Henry Hubert Cook, and John James Cook; Public Record Office Victoria

https://prov.vic.gov.au/archive/37EC06F9-F7E4-11E9-AE98-DBA7E56809FF?image=293 (DIGITISED)

Cook, Charles Henry Hubert Born 1843
Roll No. 563 . . . St Mark's Fitzroy Pupil Teacher 1 Oct. 1854 to 24 July 1859 . . .
Brighton . . . Asst. 1 July 1862 to 22 Feb. 1863

https://prov.vic.gov.au/archive/37EC06F9-F7E4-11E9-AE98-DBA7E56809FF?image=294 (DIGITISED)

Cook, John J. Born [blank]
Roll No. 563 . . . St. Mark's, Fitzroy, P. T 11 March 1859 to 31 Dec. 1860
557 . . . St. James, Melbourne, P. T. 1 Jan. '61 to 30 Sep. 61
564 . . . St. Paul's, Melbourne, P. T. 1 Oct. 1861 to 31 Dec. 1863

[Advertisement], The Star [Ballarat, VIC] (23 March 1864), 3

http://nla.gov.au/nla.news-article72514528 

BALLARAT HARMONIC SOCIETY . . . GOOD FRIDAY NIGHT, 25th MARCH.
When will be performed HANDEL'S ORATORIO THE MESSIAH.
PRINCIPAL VOCALISTS . . . MASTER COOK, Leading Alto of the Melbourne Philharmonic Society . . .

"BALLARAT HARMONIC SOCIETY", The Star (28 March 1864), 3

http://nla.gov.au/nla.news-article72514611 

It is probable that the old Ballarat Philharmonic Society never achieved a greater triumph than did the Ballarat Harmonic Society on the evening of Good Friday . . . To Miss Octavia Hamilton were entrusted the chief soprano solos, and the fine alto voice of Master Cook, of the metropolitan society, was heard to much advantage in the air "O Thou That Tellest Good Tidings to Zion," as also in the concerted music . . .

"NEWS AND NOTES", The Star (23 April 1864), 2

http://nla.gov.au/nla.news-article66344411 

On Friday evening, at the Mechanics' Institute, the Ballarat Harmonic Society repeated the performance of Handel's oratorio "The Messiah," in aid of the fund for rebuilding the church of St. Paul . . . The band was a little weak and uncertain, and did not work up so well as we could have wished. Miss Hamilton's efforts were, as usual, of a highly meritorious character . . . Master Cook, Mrs. Bunce, Misses Hoffmeister and Robinson, and Messrs. Oliver and Cazaly, gave their important aid, and the result was a most enjoyable entertainment.

ASSOCIATIONS: Charlotte Bunce (vocalist); Henrietta Hoffmeister (vocalist); Daniel Oliver (vocalist); Peter Cazaly (vocalist); John Robson (conductor); Ballarat Harmonic Society (association)

"THE NEWS OF THE DAY", The Age (18 August 1864), 5

http://nla.gov.au/nla.news-article155019602 

A concert of sacred music was given at the Exhibition Building last night, by the Melbourne Philharmonic Society, assisted by a few friends, in aid of the funds of the Melbourne Orphan Asylum . . . The programme comprised selections from two works with which the musical amateurs of this city are tolerably familiar, namely, Haydn's "Creation," and Mr. C. E. Horsley's "David." The principal vocalists were Miss Hamilton, Miss Mortley, Miss B. Watson, Miss Liddle, Master J. Cook, and Messrs. Farquharson, C. A. Donaldson, E. Exon, Silvanus Angus, S. Moxon, and J. Blanchard. Mr. Horsley was the conductor . . .

ASSOCIATIONS: Bertha Watson (vocalist); Edwin Exon (vocalist); Charles Edward Horsley (conductor, composer)

"THE MELBOURNE PHILHARMONIC SOCIETY. I", The Argus (25 December 1878), 6

http://nla.gov.au/nla.news-article5926050 

. . . The musical triumph of the year [1857] was the first production in the southern hemisphere of Mendelssohn's grand oratorio "Elijah" . . . The alto chorus then included Armes or more familiarly "Ted" Beaumont, Perraton, Johnson, Cook, Marsden, and a host of "boys" who are now bearded Benedicks . . . June 23 was the night appointed . . .

ASSOCIATIONS: William Perraton (vocalist); John Hudson Marsden (vocalist)

1876, marriages solemnized in the district of Bourke; register, 1873-77; St. Peter's Eastern Hill, Melbourne

https://www.ancestry.com.au/imageviewer/collections/9732/images/43331_1831109387_0175-00080?pId=13095 (PAYWALL)

No. 2138 / [2 December 1876] at S. Peter's Church / Charles Henry Herbert Cook / Bachelor / [born] Kentish Town, Middlesex, England / Professor of Mathematics / 33 / Richmond / Christ Church NZ / [son of] Charles Cook, Tailor [and] Mary Roots
Emily Denman Peacock / Spinster / [born] Walford Herts England / - / 23 / Richmond / Walford Herts Englsn / [daughter of] Samuel Alexander Peacock, Printer & Newspaper proprietor [and] Maria Denman . . .
[witnesses] Charles Cook [senior] John Cook . . .

"Marriage", The Argus (5 December 1876), 1

http://nla.gov.au/nla.news-article5912115 

COOK - PEACOCK. - On the 2nd inst., at St. Peter's Church, Melbourne, by the Rev. Canon Handfield, Charles Henry Herbert Cook, M.A., Fellow of St. John's College, Cambridge, and professor of mathematics, Canterbury College, Christchurch, New Zealand, to Emily Denman Peacock, of Watford, Herts, England.

1883, marriages solemnized in the district of Bourke; register, 1878-83; St. Peter's Eastern Hill, Melbourne

https://www.ancestry.com.au/imageviewer/collections/9732/images/43331_1831109387_0175-00080?pId=13095 (PAYWALL)

3173 / [3 February 1883] at S. Peter's Church / James John Cook / Bachelor / [born] London England / Clerk / 35 / Richmond / Richmond / [son of] Charles Cook, Selector [and] Mary Roots
Charlotte Clayton / Spinster / [born] Eltham Victoria / 23 / Richmond / Richmond / [daughter of] George Abel Clayton, Tailor [and] Mary Mitchell . . .

"Marriages", The Age (6 February 1883), 1

http://nla.gov.au/nla.news-article190594311 

COOK - CLAYTON. - On the 3rd February, at St. Peter's Church, Eastern-hill, by the Rev. J. Carlisle, assisted by the Rev. Canon MacCullagh, of Sandhurst, John J. Cook to Charlotte Clayton.

"LILYDALE POLICE COURT. FRIDAY, 6TH MARCH . . . WIFE DESERTION", The Lilydale Express (11 March 1891), 3

http://nla.gov.au/nla.news-article252178980 

John James Cook, who was arrested on warrant for wife desertion, pleaded not guilty. Charlotte Cook deposed that she was the wife of the accused, and had only received £2 from him since December last, although he had been earning good wages . . .

"FATAL QUARREL", The Age (25 December 1907), 6

http://nla.gov.au/nla.news-article205005914 

The circumstances attending the death of John James Cook, aged 60, an inmate of the Victorian Homes, Royal Park, which occurred on Sunday last at the institution from fracture of the skull and laceration of the brain, the result of a fall sustained in a struggle with George Williams, another inmate, were yesterday investigated by the City Coroner (Mr. Candler), who found that the scuffle, which had a fatal termination was brought about by deceased himself. A verdict of death by misadventure was recorded.

"A FATAL SCUFFLE. OLD MAN'S SKULL FRACTURED", Weekly Times (28 December 1907), 21

http://nla.gov.au/nla.news-article222776551 

. . . Charlotte Cook, widow, residing at Ross street, Richmond, identified the body as that of her husband . . . The Coroner said: "I find that on the 22nd day of December, at the Victorian Homes, Royal Park, John James Cook died from fracture of the skull and laceration of the brain . . .


Bibliography and resources:

W. A. Carne, A century of harmony: the official centenary history of the Royal Melbourne Philharmonic Society (Melbourne: Royal Melbourne Philharmonic Society, 1954), scanned transcript, 12, 13, 16 (Charles Cook); 23 (J. Cook)

https://trove.nla.gov.au/work/18579139 

https://webarchive.nla.gov.au/awa/20140215050353/http://www.rmp.org.au/downloads/files/Carne.pdf (DOWNLOAD PDF TRANSCRIPT FROM PANDORA)

W. J. Gardner, "Cook, Charles Henry Herbert", Dictionary of New Zealand biography (1993) Te Ara - the Encyclopedia of New Zealand

https://teara.govt.nz/en/biographies/2c30/cook-charles-henry-herbert 

Charles Henry Herbert Cook was born in Kentish Town, Middlesex, England, on 30 September 1843, the son of Mary Roots and her husband, Charles Cook, a tailor. His parents emigrated to Melbourne, Australia, where Cook received his schooling. He entered the University of Melbourne in 1863 . . . A lover of music and prominent in the cultural life of Christchurch, Cook did much to promote both the Christchurch Musical Union and the Canterbury Society of Arts. He gave long service to the Anglican church as a member of the cathedral chapter and choir, and as a fellow of Christ's College, Canterbury, from 1891 to 1908 . . .




COOK, John (John COOK)

Convicted felon, ? psalm singer (? figurative)

Active Sydney, NSW, 1829

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-John-1829 (shareable link to this entry)


Documentation:

"SUPREME COURT WEDNESDAY, AUGUST 23d", The Sydney Monitor [NSW] (3 October 1829), 2

http://nla.gov.au/nla.news-article32072519 

John Cook and John Walsh were Indicted for making assault and putting in bodily fear John Pike, on the 10th of August, and stealing from his person seven dollars, one rupee, one dump, and six pence . . .

"THE QUARTERLY REVIEW ON THE COLONIES", The Australian [Sydney, NSW] (30 October 1829), 3

http://nla.gov.au/nla.news-article36866260 

Three out of the five condemned wretches, who have been lying for several weeks past together in a condemned cell, and on the chain, under sentence of death, were liberated on Wednesday from the capital part of their sentence, accommodated each with lighter irons, and packed into the felon's yard, whence they will probably be dispatched to the hulk for transmission to Moreton Bay, or Norfolk Island. One of the three shewed evident signs of satisfaction at his reprieve. The other two seemed as though they felt uncertain whether to be glad or sorry . . . Culprits are hanged by the dozen here every year, yet what salutary impression have these repeated executions been ever known to make on the surviving witnesses? Better augment the weight of iron, and the quantity of labour with every fresh offence. Let it never be forgotten that many who have graced the gallows, might, if kept alive, have been made useful members of society, by being placed under proper hands. The three liberated culprits on Wednesday looked rather the paler and weaker for their prolonged abstinence. In singing of psalms in concert they had indulged most liberally. Two out of the three are Cook and Walsh . . .




COOK, Harry (? Henry COOK; Harry COOK; Harry COOKE)

Vocalist, dancer, entertainer

Active central VIC, by 1857
Active Melbourne, VIC, until 1880 or later

https://trove.nla.gov.au/search?l-publictag=Harry+Cook+dancer (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-Harry (shareable link to this entry)


Documentation:

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (6 May 1857), 3

http://nla.gov.au/nla.news-article197085416 

ALBERT THEATRE, ALBERT HOTEL. Wednesday, 6th May.
FIRST APPEARANCE in Castlemaine of those Popular and Tnlonted Artistes
MRS. VINCENT, the much admired Soprano;
MR. YOULE, the celebrated Comic, Serio-Comic, and Buffo vocalist, who appears with Mrs. Vincent in their inimitable Duetts in Character, and
MR. J. R. VINCENT, the favorite Sentimental Vocalist and Delineator of the compositions of Henry Russell.
- who, as a Trio are as yet unequalled in the colony.
They will be assisted by MR. HARRY COOK,
who will appear in a selection from his Popular Dances,
viz., the Highland Fling, I and my Double, the Sailor's Hornpipe, end the original Biddy Maloney.
Pianist, and Musical Director - Mr. J. R. Vincent.
Admission 2s., Front Seats 3s. Open at 7, to commence at half past punctually.

ASSOCIATIONS: John Rimmer Vincent and wife (vocalists, pianist); Joseph Youle (vocalist)

"Albert Theatre", Mount Alexander Mail (6 May 1857), 3

http://nla.gov.au/nla.news-article197085408 

This evening a concert of a very attractive character will be given at this theatre. The artistes are Mrs. Vincent, Mr. Youle, Mr. Vincent, and Mr. Harry Cook. The programme comprises scenas, songs, duets, and characteristic dances. The artists have gained a good reputation on other gold fields. It is their first appearance in Castlemaine.

[Advertisement], Bendigo Advertiser [VIC] (1 January 1859), 1

http://nla.gov.au/nla.news-article87985983 

VICTORIA CONCERT ROOM. SINGING AND DANCING.
THIS EVENING (SATURDAY), JAN. 1st,
The celebrated J. W. CASSIDY, Comic Vocalist,
Assisted by MASTER BURGESS, (the Infant Wonder.)
And MR. HARRY COOKE, The noted Characteristic Hornpipe Dancer,
Will Appear. ADMISSION FREE! - N.B. - Drinks the same price in the Concert Room as at the Bar.

ASSOCIATIONS: James W. Cassidy (vocalist); William Burgess (vocalist); Victoria Concert Room (Bendigo venue)

[Advertisement], Bendigo Advertiser (17 January 1859), 1

http://nla.gov.au/nla.news-article87986353 

VICTORIA CONCERT ROOM. Great Attraction. THIS EVENING, MONDAY,
Re-appearance of MRS. STONE, The celebrated female comic singer in character, supported by
MR. HARRY COOKE, Characteristic dancer, and
MASTER BURGESS, The infant wonder.
Pianist - Mr. Bush . . .

ASSOCIATIONS: Mrs. Stone (vocalist); James Bush (pianist)

"VICTORIA CONCERT ROOM", Bendigo Advertiser (15 February 1859), 2

http://nla.gov.au/nla.news-article87987049 

The neat little stage which the proprietor of this place of amusement has erected - decorated as it is with a tastefully painted proscenium and scenery, would entitle it to the name of a theatre were it not for the rather limited space appropriated for the audience; rather inconveniently limited for the concourse of persons who flock there to listen to some of the best singing on Bendigo. Last night it was, as usual, crowded, "a standing seat" being unattainable. An engagement has been entered into with the far-famed Picco, whose clever performances on the tin whistle are inimitable. Master Burgess appears to be a wonderfully talented juvenile in his delineation of Irish character, and in singing Irish songs. Mr. Harry Cooke is nightly encored in his dancing; and altogether the entertainments provided are such as we seldom see surpassed on the regular stage, and we would recommend our readers who wish to spend an evening agreeably and rationally to drop in at the Victoria.

ASSOCIATIONS: J. A. Picco (musician)

[Advertisement], Bendigo Advertiser (10 July 1862), 1

http://nla.gov.au/nla.news-article87900976 

COMMERCIAL CONCERT HALL. Engagement of the celebrated ETHIOPIAN MINSTRELS,
Messrs. Johnson, Wills, Sharpe, and Harry Cook, the Unrivalled Clog Dancer.
Eight o'Clock Every Evening. Admission 6d. Refreshment Tickets.

"THE RING . . . [ADVERTISEMENT]", Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (18 April 1863), 2

http://nla.gov.au/nla.news-article199060457 

Tom Curran, Champion of Victoria, returns his sincere thanks to his Metropolitan and up-country friends for the liberal patronage he has received since the opening of the Concert Hall, and is happy to inform them he is able to afford a good evening's amusement. For the lovers of first-class singing and dancing the following talent in engaged, Mr. W. C. Sharp the celebrated comic and Dibdin vocalist; Chairman, Mr. Harry Cook, the renowned English, Irish, and Scotch dancer and vocalist; Mr. St. George, the favourite tenor Singer; Mr. G. Gordon, Scotch vocalist; Mr. W. F. Whittely, the accomplished pianist, assisted by some first-class amateurs; open every evening, admission free . . .

ASSOCIATIONS: Tom Curran (boxer, venue proprietor)

[Advertisement], The Star [Ballarat, VIC] (9 October 1863), 3

http://nla.gov.au/nla.news-article72517811 

EARL OF ZETLAND HOTEL. MAIN ROAD. GRAND RE-OPENING NIGHT.
MB W. BROWN begs respectfully to inform his friends and patrons of Ballarat the grand Re-Opening of his mammoth Music Hall, the finest out of Melbourne, in conjunction with te above hotel, takes place this night, 6th October, 1863, with the following host of talent from the principal concert halls in the colony, who will appear nightly in
quartettes, glees, duetts, comic and sentimental burlesques, operas, comic and sentimental, dances, &c., &c.
The following artistes will appear nightly: -
MISS McDONALD, Scotch and English characteristic Vocalist.
MRS. CHAS. RICE, The admired Vocalist and Danseuse.
MISS ISABELLA, The juvenile Soprano.
MR. CHARLES RICE, The Eccentric and only "Cure."
MR. J. McGEE, Irish Comic Singer.
MR. HARRY COOK, Clog, Boot, and Pump Dancer,
And MR. HARRY GOULSTONE, The renowned Instrumentalist, will perform on the pianoforte, cornet-a-piston, drums and bells at the same time.
Solos on the violin, H. Goulstone.
Overture, half-past seven; concert to commence at Eight sharp, terminating Eleven.
The strictest order enforced. Admission, by refreshment ticket, Sixpence.
Proprietor, W. BROWN. Stage Manager, CHAS. RICE.
Pianist and Musical Conductor, HY. GOULSTONE.

ASSOCIATIONS: Isabella Sutherland (Miss McDonald) and Bella Sutherland (Miss Isabella) (mother and daughter, vocalists); Harry Goulstone (musician)

[Advertisement], The Argus [Melbourne, VIC] (10 November 1863), 8

http://nla.gov.au/nla.news-article5738854 

SURREY MUSIC-HALL - TASMANIAN BIDDY, Harry Cook, the great negro performer and jig dancer. Admission free. SURREY MUSIC-HALL - TOM WILSON, Annie Celia, in the great sensation duets. Martin, Cook, Hayes.

ASSOCIATIONS: Anna Celia (vocalist); Tom Wilson (vocalist)

[Advertisement], The Argus (6 December 1864), 1

http://nla.gov.au/nla.news-article5733951 

PROPRIETORS of CONCERT-HALLS. - HARRY COOK, characteristic vocalist and dancer, open for ENGAGEMENT. 107 Leicester-street, Fitzroy.

[Advertisement], The McIvor Times and Rodney Advertiser [Heathcote, VIC] (21 April 1865), 3

http://nla.gov.au/nla.news-article90358183 

Heathcote Concert Hall. MR. & MRS. CHARLES RICE, AND MR. HARRY COOK.
PIANIST, MR. J. R. VINCENT. Every Saturday and Monday. ADMISSION FREE!

"HEACTECOTE CONCERT HALL", The McIvor Times and Rodney Advertiser (5 May 1865), 2

http://nla.gov.au/nla.news-article90360012 

The company at this place of amusement gave a select entertainment on Wednesday evening. The first part consisted of a well-selected programme of various kinds of vocal music, principally characteristic and comic. The repeated re-calls and applause sufficiently testified the fact that the audience were well pleased with the efforts of Mr. and Mrs. Charles Rice, Harry Cook, and Dixon, to amuse them. The afterpiece was a burlesque of enormous extravaganza, entitled "Villikind and hys Dinah." In this the get-up of the company was capital. The manner in which Harry Cook put himself on the stage as "Grumbleton Gruffin," was highly ludicrous - he was a whole comedy in himself, and his appearance was hailed with roars of laughter and applause, to our mind he rather overdid the drunken man, he appears so excessively nimble on his legs that they "always think he's dancing, although he did not care about it" at the time. This company are evidently favorites with the audiences of the Heathcote Concert Hall, and wa must give them credit for the manner in which they made arrangements for effect in a grand tableau, which was produced by little mechanical and chemical contrivances, a sort of pantomimic tree opens and exposed a fairy in its branches, waiving her wand, while the company appeared enchanted, and in a blaze of red and blue fire, sang "Rule Britannia." The attendance was very good, amongst the audience in the front seats were a great number of ladies and juveniles.

ASSOCIATIONS: John Frederick Dixon (vocalist, comedian)

[Advertisement], The Argus (4 January 1866), 1

http://nla.gov.au/nla.news-article5783858 

HARRY COOK, vocalist and dancer, and Albert Weippart, pianist, open for ENGAGEMENT. 52 Thompson-street, Williamstown.

ASSOCIATIONS: Albert Weippert [sic] (pianist)

[Advertisement], The Ballarat Star (21 February 1866), 3

http://nla.gov.au/nla.news-article112867488 

KATE HAYES, Miss Ashley, Harry Cooke, Dan Golding, and Percival to-night. Great Britain Concert Hall.

ASSOCIATIONS: Daniel Golding (vocalist); Charles F. Percival (vocalist)

"NEWS AND NOTES", The Ballarat Star (12 July 1869), 2

http://nla.gov.au/nla.news-article112890605 

The Bijou Theatre, which has been but poorly attended during the last week, was decidedly well patronised on Saturday night, when the programme provided was really good. Since the previous Saturday there have been several additions to the company, and the opening chorus, "Come where my love lies dreaming," was well rendered by Miss A. Beaumont, Madame Coli, Mr. Letville, Mr. Cook, and other members of the company . . . Miss Annie Beaumont gave some very pretty characteristic songs, and was followed by Mr. Harry Cook, an old Ballarat celebrity, and Madame Coli, who sang "Mabel" very sweetly . . .

[Advertisement], The Herald [Melbourne, VIC] (22 May 1875), 2

http://nla.gov.au/nla.news-article244176316 

ROYAL COLOSSEUM. - To-night, Miss Collins, great favorite, Irish and serio-comic vscalist. Harry Cook, Highland fling in costume.

[Advertisement], The Age [Melbourne, VIC] (18 October 1880), 3

http://nla.gov.au/nla.news-article202155320 

TEMPERANCE HALL. - International Song and Dance, Harry Cook; C. Campbell, Song and Dance; Irish Jig, Nixon.




COOK, Margaret (Mrs. Margaret COOK; Mrs. GOULD)

Vocalist

Active Melbourne, NSW (VIC), early 1840s

https://trove.nla.gov.au/search?l-publictag=Margaret+Cook+Gould+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-Margaret (shareable link to this entry)


Documentation:

"REAL ACTIING. ASSAULTING A PRIMA DONNA", The Port Phillip Patriot and Morning Advertiser [Melbourne, NSW (VIC)] (31 December 1846), 2

http://nla.gov.au/nla.news-article226352576 

Mrs. Margaret Gould, formerly Mrs. Cook, whose melodious strains were wont to delight the visitors at the old theatre, when she indulged not in "quivers" resulting from entering too fully into the "spirit" of her part, complained of one Thomas Collins, residing at Gardner's Creek, who without the slightest provocation had knocked her down and afterwards kicked her. Mrs. Gould's face certainly exhibited the marks of severe punishment, and from her statement it appeared that on Christmas-day, with a due regard for the festivities of the season, a bottle of that liquor in which there's neither luck nor grace, called rum, together with some bottled porter, were provided, and she wishing to share the good things of this life, proceeded to the house after neighbour Collins, armed with a highly recommendatory letter of introduction in the shape of a bottle of rum, just to give her old friend Mrs. Collins the least taste in life. By way of enlivening the entertainment though at the somewhat early hour of seven in the morning, Mrs. Gould commenced pouring forth a strain of melody, glancing at Mr. Collins, and singing with a taste and feeling anything but agreeable to her female friend, - "I love but thee." The enraged husband clearly seeing that this proceeding would be productive of a slight domestic breeze, endeavoured to convince his better half that at least the feeling was not reciprocated by catching Mrs. Gould in his arms and flinging her outside the door. To rebut his statement, a witness was called who told rather a different tale, the fact was, Mrs. Gould was in her dishabile at the time, having on neither shoe nor stocking, but had evidently been "looking in the glass," and as she positively refused to quit her neighbour's house, she was gently removed, but not being in it position to preserve her equilibrium fell and blackened her eye. Under these circumstances the case was dismissed.

ASSOCIATIONS: Pavilion Theatre (Melbourne venue)




COOK, Mrs. R. F. (Mrs. R. F. COOK; Mrs. COOK)

Dancing instructor, teacher of dancing and calisthenics

Active Sydney, NSW, 1856-57

https://trove.nla.gov.au/search?l-publictag=Mrs+Cook+dancing+instructor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOK-Mrs-R-F (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald (26 March 1856), 1

http://nla.gov.au/nla.news-article12981074 

A LADY, pupil of Mdme. Michaud's, will be happy to attend two or three families, to give lessons in dancing, with the exercise necessary to that accomplishment; such as the entrée and sortie to a drawing-room &c., &c.
Communications from the suburbs attended to. Address R. F. C., Herald Office.
MRS. COOK will open a class for Dancing at the Royal Hotel during the ensuing month. For particulars address 19, O'Connell-street.

[Advertisement], The Sydney Morning Herald (9 April 1856), 1

http://nla.gov.au/nla.news-article12974485 

A LADY, pupil of Madame Michaud's, will be happy to attend families and seminaries, to give lessons in Dancing, with exercises necessary to that accomplishment, such as the entrée and sortie, from a drawing-room, &c., &c.
Communications from the suburbs attended to. Address, R. F. C., Herald Office.

[Advertisement], The Sydney Morning Herald (16 May 1856), 1

http://nla.gov.au/nla.news-article12977050 

DANCING - The Lady who advertised as a pupil of Madame Michaud will oblige by calling immediately at No, 7, Victoria-terrace, Miller's Point.

[Advertisement], The Sydney Morning Herald (20 December 1856), 1

http://nla.gov.au/nla.news-article12990280 

DANCING. - Spanish Calasthenics, &c., by a Lady (pupil of Madame Michaud), who will be happy to form classes, either privately of at seminaries.
The entrée and sortie of a drawing room - the reception of visitors the debutante's presentation,
with the latest quadrilles - the Queen's, L'Imperatrice's, &c. Address O., HERALD Office.

[Advertisement], The Sydney Morning Herald (7 January 1857), 1

http://nla.gov.au/nla.news-article12990951 

DANCING. - Spanish Calisthenics, &c., by a Lady (pupil of Madame Michaud) . . . Address Mrs. COOK, Darling House, Lower Fort-street.

[Advertisement], The Sydney Morning Herald (23 March 1857), 1

http://nla.gov.au/nla.news-article12993282 

DANCING. - A lady pupil of Madame Michaude gives instruction with Calisthenics, &c., &c. Address Darling House, Lower Fort-Street.

[Advertisement], The Sydney Morning Herald (3 June 1857), 1

http://nla.gov.au/nla.news-article12996384 

DANCING, STYLE, &c., &c., by a pupil of Madame Michaud -
Mrs. COOK begs to say to those ladies who have so generously patronised her, that, in addition to the Varsoviana, Queen's Quadrille, L'Imperatrice Valse, she has just received the Balaklava Galop. 13, Lower Fort-street.


ASSOCIATIONS: Madame Michaud, or, correctly Michau, was Sophie Degville (b. London, England, c. 1784; d. Brighton, 14 December 1859, aged "76"); she first appeared as a child dancer at Drury Lane in the early to mid 1790s; her father, Peter Degville, sister Fanny and brothers Lewis and James were all dancers; she married Louis Francois Bonaventure Michau at St. Nicholas, Brighton, on 3 May 1817; her widowed brother, Lewis Hervey Degville (b. c. 1783), better known in adulthood a violinist, was living with her in Brighton at the time of his death in May 1857; the actor Roma Guillon La Thière was her grand-daughter and sole executor; see Frances Power Cobbe's recollections of her school days in Brighton in the early 1830s, in The life of Frances Power Cobbe as told by herself (London: Swan Sonnenschein, 1904), 65

https://books.google.com.au/books?id=Pus0AAAAMAAJ&pg=PA65 (DIGITISED)

Next to music in importance in our curriculum came dancing. The famous old Madame Michaud and her husband both attended us constantly, and we danced to their direction in our large play-room (lucus a non lucendo), till we had earned not only all the dances in use in England in that ante-polka epoch, but almost every national dance in Europe, the Minuet, the Gavotte, the Cachucha, the Bolero, the Mazurka, and the Tarantella. To see the stout old lady in her heavy green velvet dress, with furbelow a foot deep of sable, going through the latter cheerful performance for our ensample, was a sight not to be forgotten. Beside the dancing we had "calisthenic" lessons every week from a "Capitaine" Somebody, who put us through manifold exercises with poles and dumbbells . . .

See also "FRANCE", South Australian Register [Adelaide, SA] (15 May 1847), 4

http://nla.gov.au/nla.news-article48544506 

A new dance, called "La Napolitaine," is creating a perfect furore in the salons of Paris, and seems likely to usurp that dominion which the Polka held during the former two seasons. It is the composition of Madame Michau, of Brighton, sister of Mr. D'Egville, late of Worcester.




COOKE, Mr. (Mr. COOKE)

Vocalist

Active Melbourne, NSW (VIC), October 1849

https://trove.nla.gov.au/search?l-publictag=Mr+Cooke+vocalist+1849 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOKE-Mr-1849 (shareable link to this entry)


Documentation:

[Advertisement], The Melbourne Daily News [NSW (VIC)] (6 October 1849), 3

http://nla.gov.au/nla.news-article226323616 

QUEEN'S THEATRE ROYAL. MONDAY EVENING, OCTOBER 8, 1849 . . .
the entertainments will commence with . . . THE BATTLE OF AUSTERLITZ, or, The Soldiers Bride.
The interlude will consist of
A Favorite Ballad by Mr. Cooke, from the London Theatres, (his first appearance.)
The whole to conclude with the laughable Farce, of THE MARRIED RAKE.
Leader of Orchestra - Mr. MEGSON.

ASSOCIATIONS: Joseph Megson (violin, leader); Queen's Theatre (Melbourne venue)

[Advertisement], The Argus (15 October 1849), 3

http://nla.gov.au/nla.news-article4768540 

Queen's Theatre Royal. MONDAY EVENING, OCTOBER 15 . . .
The interlude will commence with (by particular desire) some favourite [REDACTED] Melodies, by the ETHIOPIAN SERENADERS.
To be followed by a Wreath Dance, by Mrs. Young.
A Favourite Ballad, by Mr. Cooke, (his second appearance here) . . .

ASSOCIATIONS: Jane Eliza Young (dancer)

[Advertisement], The Melbourne Daily News (19 October 1849), 2

http://nla.gov.au/nla.news-article226323830 

QUEEN'S THEATRE ROYAL. THIS EVENING, OCT. 19, 1849 . . .
A favourite Ballad Mr. COOKE . . .

"THE CHRONICLES OF EARLY MELBOURNE . . . BY GARRYOWEN", The Herald [Melbourne, VIC] (12 May 1883), 3

http://nla.gov.au/nla.news-article241149161 

. . . the new season began on the 24th September [1849], Mr. Charles Young returned from Adelaide, was appointed acting manager, and Megson continued in the orchestra leadership and promised improvements of every kind in his department . . . Young used to sing [REDACTED] melodies "with bone castanet accompaniments," and a strong-lunged chorister named Cooke was wont to shout forth boisterous deliverances, most lugubrious, but on occasions rather comical . . .

ASSOCIATIONS: Charles Young (actor, vocalist, manager); "Garryowen" = Edmund Finn (journalist, memoirist)




COOKE, W. H. (Mr. W. H. COOKE; Mr. COOKE)

Musician, pianist

Active Geelong, VIC, 1853-56

https://trove.nla.gov.au/search?l-publictag=W+H+Cooke+pianist+1853-56 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOKE-W-H (shareable link to this entry)


Documentation:

[Advertisement], Geelong Advertiser and Intelligencer (3 September 1853), 1 supplement

http://nla.gov.au/nla.news-article86414837 

MASONIC HALL. GEELONG GRAND CONCERTS.
MR. E. HANCOCK begs to announce that he will give a SERIES of CONCERTS, for THREE MONTHS, the first of which will be given on
Monday, September 5th, in the large room of the above Hall, which has been beautifully and tastefully decorated for these Concerts.
VOCALISTS: Mrs. HANCOCK, Mr. MEAKIN, (His first appearance), and Mr. HANCOCK.
PIANIST. - Mr. W. H. COOKE.
PROGRAMME. PART I.
Overture, Pianoforte, - Mr. W. H. Cooke.
Gipsies Glee, "Far over Hill and Plain," Mr[s]. Hancocks, Mr. Meakin, and M.r Hancock - Cooke.
Ballad, "Love's lay is lightest," Mrs. Hancock - A Lee. (FIRST TIME.)
Song, "England," Mr. Meakin - Glover.
Ballad, "Little Nell," (from Dicken's work of Master Humphrey's Clock), Mrs. Hancock - Glover.
Solo, Pianoforte, - Mr. W. H. Cooke.
Song, "The Tribute of a Tear," Mr. Hancock - Loder.
END OF PART FIRST. An Interval of Ten Minutes.
PART II. Glee, "Glorious Apollo," Mrs. Hancock, Mr. Meakin, and Mr. Hancock - Webbe.
Song, "Phillip the Falconer," Mrs. Hancock. Loder.
Descriptive Song, "The Flying Dutchman," Mr. Meakin - Parly [Parry]
Duet, "O, wert thou in the cauld blast," Mrs. and Mr. Hancock - Mendelssohn.
Irish Song, "Kate Kearney," Mrs. Hancock.
Ballad, "The Three ages of Love," Mr. Hancock - Loder.
Finale, God Save the Queen.
Concert to Commence at Eight O'clock. Admission 5s.
Subscription Tickets will be issued for the SERIES. 25s., to be had of the Secretary at the Hall.

ASSOCIATIONS: Edward and Mary Ellen Hancock (vocalists); Henry Meakin (vocalist)

[Advertisement], Geelong Advertiser and Intelligencer (24 September 1853), 1 supplement

http://nla.gov.au/nla.news-article86413425 

MASONIC HALL. GEELONG GRAND CONCERTS.
MR. E. HANCOCK begs to inform the inhabitants of Geelong and its vicinity that his next
GRAND CONCERT takes place NEXT MONDAY, September 26th, at the above Hall.
VOCALISTS: MRS. HANCOCK, MRS. C. ROYAL, MR. MEAKIN, and Mr. E. HANCOCK.
Solo Flute - Mr. C. Royal.
Pianist - Mr. W. H. COOKE.
PROGRAMME: PART FIRST.
Glee - "Hail Smiling Morn" (Spofforth)
Song - "By the sad Sea Waves" (Benedict) - Mrs. Royal.
Song - "The Battle and the Breeze" (Nelson) - Mr. Meakin.
Duet - "As it fell upon a Day" (Bishop) - Mrs. Hancock and Mrs. Royal.
Solo, Flute - Mr. Creed Royal.
Song - "To the Vine Feasr" (Rooke) - Mrs. Hancock.
Glee - "See the Chariot at hand" (Horsley)
Song - "Robin Hood and the Abbot" (Hatton) - Mr. Hancock.
Trio - "Up in the morning early" - Mrs. Hancock, Mrs. Royal, and Mr. Hancock.
An Interval of Ten Minutes. PART SECOND.
Grand Chorus - Opera Enchantress (Balfe)
Irish Song - "Molly Bawn" - Mrs. Royal.
Solo, Flute - Mr. C. Royal.
Scotch Song - "John Anderson my Joe" - Mrs. Hancock.
Song - "The White Squall" (Barker) - Mr. Meakin.
Duet - "List to the Convent Bell" - Mr. and Mrs. Hancock.
Irish Ballad - "Terrance's Farewell" - Mrs. Hancock.
Finale - "Rule Britannia" (Dr. Arne)
Single Tickets, 5s. Subscription Tickets for the series, 25s., to be had at Mr. Gray, Pastry-cook, Moorabool-street; or Mr. Hancock, Myers-street.
Concert to commence at eight o'clock precisely.

ASSOCIATIONS: Mary and Creed Royal (vocalist and flautist);

[Advertisement], Geelong Advertiser and Intelligencer (15 October 1853), 1 supplement

http://nla.gov.au/nla.news-article86412737 

MASONIC HALL, GEELONG GRAND CONCERTS.
GREAT ATTRACTION. MONDAY, OCTOBER 17TH, 1853.
MISS MARTIN, From the Melbourne concert, her first appearance.
Mr. DE COURCY, his first appearance.
Mr. MEAKIN & Mr. HANCOCK. Solo. - Flute - Mr. CREED ROYAL.
Pianoforte. - Mr. W. H. COOKE.
Admission, 5s. Tickets to be had at Mr. Hancock's residence, Myers-street.

ASSOCIATIONS: Charlotte Martin (vocalist); David De Courcy (vocalist); note, however, that when the full programme appeared on the day, the advertised pianist was "Mr. Royal", as also for subsequent concerts; see [Advertisement], Geelong Advertiser and Intelligencer (17 October 1853), 5

http://nla.gov.au/nla.news-article86415866 

However, on the concert series, see also "THE GEELONG MONDAY CONCERTS. To the Editor", Geelong Advertiser and Intelligencer (20 October 1853), 2

http://nla.gov.au/nla.news-article86412410 

SIR,- Surely the good people of Geelong cannot be aware that for the last six weeks there has been held, at the Masonic-hall, in Union-street, one of the best and most ably conducted concerts ever vet held in this town . . .

[Advertisement], Geelong Advertiser and Intelligencer (11 August 1854), 4

http://nla.gov.au/nla.news-article91935349 

THEATRE ROYAL. MRS. WALLER, the celebrated Actress and Vocalist,
has the honour to announce that she will give a Grand Concert on FRIDAY EVENING, August 11,
on which she will be assisted by the celebrated Irish Comedian and Vocalist, Mr. Hamilton, who will sing amongst other admired Melodies, the thrilling song of the Ship on Fire;
also, Mr. A. Moore, the celebrated Australian Paganini, who will perform several Solos on the Violin ; and Mr. Tuthill.
PROGRAMME: PART I.
Grand overture, Pianoforte, Mr. Cooke.
Irish ballad, Widow Machree, Mr. Hamilton, - Lover.
Cavatina, Merry, is the Greenwood, Mrs. Waller, - Glover.
Solo Violin, Australian air varie, Mr. A. Moore.
German ballad, Rosalia [?], Mrs. Waller - Kucker [? Kucken]
Descriptive song, The Ship on Fire, Mr. Hamilton.
Prize ballad, When Crowned with Summer Roses, Mrs. Waller - Blewitt.
An Interval of ten minutes. PART II.
Overture, Pianoforte, Mr. Cooke.
Sea Song, The White Squall, Mrs. Waller, - Barker.
Burletta, Violin, Carnival de Venice, Mr. A. Moore, - Paganini.
Ballad, Erin is my Home, Mr. Hamilton, - Anon.
The Lonely Harp, Mrs. Waller, - Cowill.
Irish Song, "[?] Moloney," Mr. Tuthill.
Ballad, Home, Sweet Home, Mrs. Waller, - Donizetti.
Pianist, - Mr. Cook.
Doors open at a quarter past seven, commence at eight precisely.
Tickets to be had at all the principal Hotels, &c.

ASSOCIATIONS: Emma Waller (vocalist); Mr. Hamilton (vocalist); Andrew Moore (vocalist); Henry Tuthill (vocalist, actor); Theatre Royal (Geelong venue)

[Advertisement], Geelong Advertiser and Intelligencer (12 August 1854), 4

http://nla.gov.au/nla.news-article91934805 

THEATRE ROYAL! MRS. WALLER
begs to announce that in consequence of the immense success of last evening's entertainment, and the numerous applications for a repetition, she will give
a second GRAND CONCERT this, SATURDAY EVENING, August 12,
in which she will be assisted by the celebrated Irish Comedian and Vocalist, Mr. Hamilton, who will sing, by particular desire, amongst other admired Melodies, the thrilling sons of the Ship on Fire;
also, Mr. A. Moore, the celebrated Australian Paganini, who will perform several Solos on the Violin; and Mr. Tuthill.
PROGRAMME: PART I.
Grand overture, Pianoforte, Mr. Cooke.
Irish ballad, Donnybrook Fair, Mr. Hamilton.
Cavatina, I'm a Merry Zingara. Mrs. Waller - Balfe.
Solo, Violin, 6th Air de Beriot, Mr. A. Moore, - De Beriot.
Ballad, Poor Bessy was a Sailor's Wife, Mrs. Waller, - Hodson.
Descriptive song, The Ship on Fire, Mr. Hamilton . . .
Scotch Ballad, "Coming thro' the Rye," Mrs. Waller, - Jansen.
An Interval of ten minutes. PART II.
Overture, Pianoforte, Mr. Cooke.
Aria, "Soft Light of Peace," from the Opera of La Favorite, Mrs. Waller, - Donizetti.
Burletta, Violin, Carnival de Venice, Mr. Moore, - Paganini.
Ballad, "Kathleen Mavourneen," Mr. Hamilton.
Ballad, "Ben Bolt," Mrs. Waller, - Kneass.
Irish song, (from the "Poor Soldier,") Ballinamono-oro, in character, Mr. Tuthill.
Song, "Naples is the place for me," Mrs. Waller, - Linley.
Doors open at a quarter past seven, commence at eight precisely.
Tickets to be had at all the principal Hotels, &c.

? [Advertisement], Geelong Advertiser and Intelligencer (27 March 1855), 3

http://nla.gov.au/nla.news-article91860389 

VICTORIA HOTEL, LETHBIRIDGE. W. H. COOKE begs to announce to his Friends and the public in general, that the above establishment is now opened, affording accommodation unsurpassed by any on the road to the Diggings, and trusts, by attention, to merit their support.

[Advertisement], Geelong Advertiser and Intelligencer (19 July 1856), 1

http://nla.gov.au/nla.news-article93144837 

THE PIANOFORTE. - Instruction given on this favorite instrument.
A correct method, the chief requisite, with application, in the attainment of brilliancy of execution, guaranteed.
Terms - bi-weekly lessons, £3 3s per quarter, payable in advance.
Address - W. H. COOKE, Mr. Anderson's, Piano-forte Maker, Great Myers-street west.

ASSOCIATIONS: Andrew Anderson (pianoforte maker)


DISAMBIGUATION: William Henry Cooke (1820-1912; English musician, pianist, organist, of Bath, Somerset)




COOLING, John (John COOLING)

Musical amateur, musicseller, concert promoter, perfumer, publican

Born London, England, 25 November 1811; baptised St. George Hanover Square, 31 December 1811; son of John Blagrove COOLING and Sarah Ann CRUSE (d. 1841) (m. St George, 29 January 1811)
Married Emily Jemima IZARD, St. George Bloomsbury, London, England, 24 May 1849
Arrived Sydney, NSW, 16 September 1853 (per Caphurnia, from London, 5 May, via Melbourne)
Arrived Brisbane, NSW (QLD), 8 October 1853 (per Fawn, from Sydney, 27 September)
Died Brisbane, QLD, 24 March 1869, aged "55" [sic]

https://trove.nla.gov.au/search?l-publictag=John+Cooling+1811-1869 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOLING-John (shareable link to this entry)

COOLING, Emily Jemima (Emily Jemina IZARD; Mrs. John COOLING)

Musician, teacher of music, drawing, and French language

Born London, England, 5 December 1825; baptised St. George, Bloomsbury, 1 February 1826; daughter of Isaac IZARD and Clarissa SIMMONS
Married John COOLING, St. George, Bloomsbury, London, England, 24 May 1849
Arrived Sydney, NSW, 16 September 1853 (per Caphurnia, from London, 5 May, via Melbourne)
Arrived Brisbane, NSW (QLD), 8 October 1853 (per Fawn, from Sydney, 27 September)
Died Brisbane, QLD, 23 July 1909

https://trove.nla.gov.au/search?l-publictag=Emily+Jemima+Izard+Cooling+1825-1909 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOLING-Emily-Jemima (shareable link to this entry)


Documentation:

Baptisms, St. George Hanover Square, Middlesex, December 1811; register 1802-12, page 136; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1624/images/31547_212684-00530?pId=10533330 (PAYWALL)

[1811] [December] 31 / John S[on] of John & Sarah Ann Cooling / [born] Nov. 25

Baptisms solemnized in the parish of Saint George, Bloomsbury, in the county of Middlesex; register 1819-39, page 315; London Metropolitan Archives, P82/GEO1/005

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_199043-00167?pId=4937616 (PAYWALL)

No. 2545 / [1826] Feb. 1 / Born Dec'r 5, 1825 / Emily Jemima Daug'r of / Isaac and Clarissa / Izard / Devonshire Street St. George the Martyr / Tailor . . .

England census, 6 June 1841, Chelsea, Middlesex; UK National Archives, HO107/688/1/1/14/23

https://www.ancestry.com.au/imageviewer/collections/8978/images/MDXHO107_687_688-0276?pId=7504140 (PAYWALL)

Devonshire Place / John Cooling / 25 / Clerk // Arthur [Cooling] / 20 / Perfumer // Sarah [Cooling] / 13 / - / [all born in county]

1849, marriage solemnized at the parish church in the parish of St. George Bloomsbury in the county of Middlesex; register 1849-51, page 1; London Metropolitan Archives, P82/GEO1/033

https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_195176-00391?pId=5122979 (PAYWALL)

No. 2 / [1849] May [24] / John Cooling / Of full age / Bachelor / Perfumer / London Wall / [son of] John Cooling / Gentleman
Emily Jemima Izard / Of full age / Spinster / - / 141 High Holborn / [daughter of] Isaac Izard / Tailor . . .

England census, 30 March 1851, Islington, Middlesex; UK National Archives, HO107/1502/225/41

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1502_1502-0343?pId=2548782 (PAYWALL)

10 [Bankers Walk] / John Cooling / Head / Mar. / 37 // Perfumer / [born] Midd'x Hanover Sq.
Emily [Cooling] / Wife / Mar. / 25 / - / [born] Middlesex Bloomsbury
Alfred J. [Cooling] / Son / 10 months / - / [born] [Middlesex] Islington

Names and descriptions of passengers per Calphurnia, from London, 5 May 1853, for Port Phillip and Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=506 (DIGITISED)

Cooling John / 40 / Perfumer // Emily / 27 / Wife // Alfred / 3 // Infant

"SHIPPING INTELLIGENCE. ARRIVALS", The Moreton Bay Courier [Brisbane, NSW (QLD)] (11 October 1853), 2 supplement

http://nla.gov.au/nla.news-article3712073 

Oct. 8 - . . . Fawn, brigantine, 130 tons, Bond, from Sydney 28th ult. Passengers - Mr. and Mrs. Hermuil, Miss Ferris, Mr. and Mrs. Cooling . . .

"SHIPPING INTELLIGENCE . . . CLEARANCES", The Sydney Morning Herald (4 February 1854), 4

http://nla.gov.au/nla.news-article12960497 

3 - City of Melbourne, steamer, 138 tons. Captain H O'Reilly, for Moreton Bay, with sundries. Passengers . . . J. Cooling . . .

[Advertisement], The Moreton Bay Courier (11 February 1854), 3

http://nla.gov.au/nla.news-article3712370

PRELIMINARY NOTICE, JOHN COOLING,
FROM THE FIRM OR ARTHUR COOLING & CO., EXPORT PERFUMERS, LONDON HALL,
RESPECTFULLY begs to apprise the inhabitants of Brisbane and northern districts generally, that he has returned from Sydney, with a most recherche and varied stock of Perfumery, Stationery, Music, Berlin Wools, and fancy articles, which he will be enabled to submit at the smallest margin of profits.
As J. C. has secured very central premises opposite the Court House, and purposes to devote his entire attention to the Fancy Trade, he trusts the Moreton Bay Public will manifest their practical belief in the benefits which are allowed to attach to division of labour, and support him in this new line of business.
Queen-street, North Brisbane, Feb. 11, 1854.

[2 advertisements], The Moreton Bay Courier (18 February 1854), 3

http://nla.gov.au/nla.news-article3713851 

PRELIMINARY NOTICE. Will OPEN on WEDNESDAY, the 22nd inst. JOHN COOLING . . . [ad above] . . .
N.B - J. C solicits the favour of an early inspection of a very superior Piano-forte, by Owen, Stodart, and Co.,
also, of his French Flutinas, Accordeons, &c., &c.
Queen-street, North Brisbane, Feb 18, 1854.

FRENCH AND DRAWING CLASSES. MRS. JOHN COOLING
BEGS to acquaint the Inhabitants of Brisbane and its Vicinity, that she purposes imparting instruction in
Music, the French Language, and Drawing, in Pencil and Water Colours.
N.B - Prviate lessons given if preferred QUEEN-STREET, NORTH BRISBANE.

[Advertisement], Illustrated Sydney News [NSW] (15 April 1854), 8

http://nla.gov.au/nla.news-article63614188 

MESSRS. H. MARSH & CO. trust that the extensive arrangements they have made with all the principal London Music Warehouses, for the receipt of their latest publications and most approved instruments, will ensure a continuance of the favours which they have, for the last four years, so liberally received from the Musical Public of the Australian Colonies . . .
AGENTS, ETC. . . . South Brisbane, Moreton Bay, Messrs. A. W. and H. Hocking.
North Brisbane, Moreton Bay. Mr. T. C. Humby, and Mr. J. Cooling . . .

ASSOCIATIONS: Henry Marsh (Sydney musicseller); John Cross Humby (Brisbane musician and musicseller)

[Advertisement], The Moreton Bay Courier (10 June 1854), 1

http://nla.gov.au/nla.news-article3714158 

BRISBANE MUSICAL & FANCY REPOSITORY. JOHN COOLING, STATIONER, PERFUMER, JEWELLER, &c. . . .
Handsome Pianos, Do. Concertinas, Do. French Flutinas, Do. do Accordeons,
Flutes, Clarionettes, Flageoletts, Musical Boxes, Instruction Books, Violin Strings,
MUSIC Home and Sydney, Music Folios . . .

"MUSIC", The Moreton Bay Courier (15 July 1854), 3

http://nla.gov.au/nla.news-article3709961 

Lovers and practitioners of music have now good opportunities of supplying themselves in Brisbane with the latest compositions. Mr. Cooling's establishment in Queen-street, appears well supplied, and Mr. Humby has at his new quarters, in Albert street, a stock which will well repay the trouble of inspection. We advise those interested to pay a visit.

"CONCERT", The Moreton Bay Courier (26 August 1854), 2

http://nla.gov.au/nla.news-article3713054

We observe that Mr. Cooling, of this town, proposes ere long to give a series of Concerts at the Brisbane School of Arts, on a scale never before attempted in this district. The undertaking deserves and we trust will obtain, every encouragement. Many of our fellow townsmen have no opportunity of visiting Sydney, where alone in this colony entertainments of the class contemplated are regular, and we have no doubt but that Mr. Cooling's enterprise will be crowned by a large attendance of all who love the "melody of sweet sounds."

[Advertisement], The Moreton Bay Courier (16 September 1854), 1

http://nla.gov.au/nla.news-article3711893 

GRAND CONCERT DURING THE ENSUING ASSIZES,
AT THE SCHOOL OF ARTS, NORTH BRISBANE. (PRELIMINARY NOTICE.)
THE Undersigned his much pleasure in announcing his intention of giving a series of THREE Vocal Concerts as above, and respectfully solicits the patronage of the inhabitants of Brisbane, Ipswich, and the surrounding districts.
He purposes shortly visiting Sydney to complete the required professional aid, and pledges himself to spare no exertion in obtaining first-class talent.
In order that the arrangements may be rendered conducive to comfort, as well as entertainment of the audience, only a limited number of tickets will be issued, to secure which, an early application should be made, several being already secured.
Prices of Single Tickets will not exceed, for the Area, 7s. Reserved Seats 10s. 6d., and for the series a proportionate reduction will be allowed.
Further particulars, with programmes, may be obtained on the return from Sydney of
JOHN COOLING, Music Seller, &c., &c. North Brisbane.

[Advertisement], The Moreton Bay Courier (11 November 1854), 3

http://nla.gov.au/nla.news-article3709216

GRAND CONCERTS. JOHN COOLING
HAS much pleasure in announcing the undermentioned Artistes to his series of Concerts, on
Monday - November 20; Wednesday - " 22; Friday - " 24.
MISS FLORA HARRIS, The celebrated cantatrice, from Sydney.
MR. F. H. DICKER, From the English Opera House, London.
MR. E. HANCOCK, From the Royal Victoria Theatre.
MR. A. EMANUEL, Pianist and Conductor . . .
Reserved Seats. - 10s. 6d. each. Area - 7s. . . .
Programmes are now ready. November 9, 1854.

ASSOCIATIONS: Flora Harris (vocalist); Frederick Hamilton Dicker (vocalist); Edward Hancock (vocalist); Abraham Emanuel (pianist)

"MORETON BAY. BRISBANE, NOVEMBER 8", The Sydney Morning Herald (14 November 1854), 4

http://nla.gov.au/nla.news-article12962265

Mr. Cooling of this place has made arrangements for getting up a series of three concerts, on a very superior scale, which will take place during the assizes. He has engaged the services of Miss Flora Harris, and Messrs. F. H. Dicker, E. Hancock, and Mr. E. Emanuel, of Sydney. The last named gentleman is to act as pianist and conductor. The programme is not yet published, but I understand the selections will be of a very attractive kind. Mr. Cooling deserves the thanks of this community for his endeavours to procure for them a description of amusement which promises to be of a kind of excellence to which they have been little accustomed. Refined amusements of this character, which are at once harmless and attractive, have ever been reckoned among the most civilising of instruments, and here, where as yet they have never been introduced, their effect must be proportionably powerful, and will, we have little doubt, meet with the most extensive patronage. This is requisite indeed to indemnify Mr. Cooling, for the bare expenses and trouble he has been at, in concocting and perfecting all the arrangements, which, as may be well believed, have required the outlay of a considerable sum of money. There can be little doubt however, that the undertaking will meet with the success which it merits, and more than reimburse his out-lay.

"MORETON BAY. Brisbane, November 23", The Sydney Morning Herald (29 November 1854), 5

http://nla.gov.au/nla.news-article12962882 

The concerts in the hall of the School or Arts, given during the assizes, drew crowded and respectable audiences. Two have come off, and the third will be held to-morrow evening. The lady and gentlemen who have officiated on the occasion, - namely, Miss Flora Harris and Messrs. Hancock and Dickers, intend, as I hear, to give one or more concerts at Ipswich, and one at least in Brisbane, on their own account, previous to their departure for Sydney. Those they are now giving are in performance of an engagement with Mr. J Cooling, of this place. They must, I should think, be highly satisfied with their reception here, for it has been flattering in the extreme. I hope It will induce a repetition of similar performances, for we are now surely far enough advanced to enjoy occasionally some of the rational amusements of life. Hitherto it has been all work and no play with us Moreton Bay people, but as it has now been discovered that we can appreciate, and, what is better, reward, those who will do their best to amuse us, it is likely we may enjoy more frequent visits from artistes of note in future.

"MR. COOLING'S CONCERTS", The Moreton Bay Courier (25 November 1854), 2

http://nla.gov.au/nla.news-article3710720

The musical entertainments provided by Mr. Cooling, of this town, have been very successful. Owing to the unfavourable state of the weather the attendance on Monday was not so large as it would otherwise have been, but on Wednesday evening and last night the audience was greater, and on each occasion the performers were greeted with much applause. We abstain from criticism in detail, the more especially as we are happy to learn that we shall be likely to have further opportunities, as Miss Harris and the gentlemen who accompany her propose to give another series of concerts. There can be no doubt whatever that these entertainments far surpass anything of the kind before attempted in Brisbane, and much credit is due to Mr. Cooling for the public spirit which he has manifested in projecting and carrying them out. Miss Flora Harris has won golden opinions (we hope that it may prove so in more senses than one) by the effective manner in which she delivered some of the songs committed to her charge. "By sad sea waves," and "I should like to marry," were most pleasing specimens of this lady's versatile talent, one being rendered with touching pathos, and the other with exquisite and graceful humour. Mr. Hancock's is eminently adapted for such songs as "The white squall" and "Hurrah for the red and the blue" in which he acquitted himself so as to draw down loud and prolonged applause. Mr. Dicker's performances on the Cornet and Post horn were much applauded, as were also the duett "We come to thee Savoy," by this gentleman and Mr. Hancock, and the Laughing trio "Vadasi via di qua," by Miss Harris, Mr. Dicker and Mr. Hancock.

"IPSWICH (From our Correspondent)", The Moreton Bay Courier (9 December 1854), 2

http://nla.gov.au/nla.news-article3710357 

On Thursday and Friday evenings, Nov. 30th and Dec. 1st, Miss Harris and Messrs. Dicker and Hancock gave the remainder of their series of Concerts in the Billiard Room. The interest of the public was shown in the great demand for tickets, the price of which was raised uniformly to that of the reserved seats; and on Thursday, there were 145 persons present; as many as the room would well accommodate. The singing passed off with great eclat. "What are the wild waves saying?" was repeated, by particular desire. The song which Miss Harris sang on both evenings, "I should like to marry," was encored, and loudly applauded by all the married men in the room, and also responded to by the not altogether secret sympathy of a more interesting portion of the audience. But alas! these tall and handsome fellows, with the curly whiskers, and the stamp of fashion, are scarce in Ipswich, even supposing, as I believe possible, that the ten thousand a year could be dispensed with. At the conclusion of one of the most brilliant public displays it has been my pleasure to see in this district, Mr. Dicker made a speech, expressive of gratitude for the reception Miss Harris and her friends had met with from the people of Ipswich. With a frankness which did him credit, he gave the audience to understand how substantial were the grounds upon which his expression of gratitude proceeded, stating that there was scarcely an article in the room which had not been lent gratuitously for the occasion. He stated that before they came up to Ipswich, they were given to understand that music would not be appreciated here; and that they must expect a failure. I should scarcely fulfil my duty to the inhabitants of Ipswich, if I neglected to express their sincere thankfulness to their friends in the metropolis of Moreton Bay for this opinion, so characteristic of their friendly disposition towards us, so lenient to our youth, so complimentary to our civilization, so timely; at once candid and kind, and coming with perfect grace from those who have so munificently supported their own townsman in his musical enterprise. Very lately, a young lady, who has been for some time resident in Brisbane, assured me with an air of deep conviction, that talent was not in the least appreciated there, that she had heard that it was more appreciated in Ipswich, but did not know. It is a curious question to try, but here we have a fair and intelligible test; for if any sort of talent was likely to meet with success, certainly musical talent was. Mr. Cooling deserved to be well supported in his venture. Was he? Why, not very well, if he lost a hundred pounds. And to what is this owing? To the fastidious taste of the Brisbaners. The less classical songs and pieces were those most applauded and most frequently encored there, or my informants are in error. Is it because Mr. Cooling chose a wrong time of the year? He chose the best. Now these singers came unexpectedly to Ipswich, with no introduction but their own spirit of adventure, at a time when our idle population, with the spare cash, were out of town. They found no suitable public room - yet they were so heartily received, that they triumphed ed over a variety of drawbacks, and managed to appear in pretty good voice and spirits, with a ceiling two feet from their heads. Not that any person in Ipswich held Miss Harris to be a Jenny Lind, Mr. Hancock a Lablache, or Mr. Dicker a Koding [Koenig]. Not even Mr. Diggles was considered to eclipse a Thalberg. But all imperfections, whether originating with the vocalists, or with the accommodations we were able to afford them, were overlooked in the delight at getting such a treat for once in a way. And should they visit us, under more favourable circumstances, they will not regret it.

ASSOCIATIONS: Silvester Diggles (pianist)

"THE LATE CONCERTS. To the Editor of . . .", The Moreton Bay Courier (16 December 1854), 2

http://nla.gov.au/nla.news-article3715499 

SIR - I would wish to correct an impression likely to be made by a paragraph appearing in your paper of Saturday last, from your Ipswich correspondent; but while I am happy to state that the actual loss I have sustained by the late series of concerts given by me in this town is not nearly so considerable as there intimated, being somewhere under one-third of the amount named, I would sincerely thank the inhabitants of Brisbane for their liberal support in my undertaking. To many of the residents of Ipswich and surrounding parts, who handsomely contributed their assistance, I would likewise tender the same testimony of appreciation. My loss was not occasioned by want of patronage on the part of my fellow-townsmen, who were from the first, forward in supporting my undertaking, before commencing which, I in person canvassed both the towns of Brisbane and Ipswich; and on the faith of parties subscribing their names, felt justified in investing a certain sum in the speculation. Unfortunately for me, a verbal announcement reaching Ipswich, to the effect that the singers would visit that town prior to their return to Sydney, prevented my having the support I had reckoned on; and further, proved an inducement to many parties to return some or all of the tickets they had previously taken, considering (perhaps justly) that they ought to support their own town in preference to me. Now, Sir, be it remembered, the singers were brought from Sydney and taken back at my expense and their hotel expenses here, during their engagement, paid by me, in addition to a handsome bonus; thus it is very easily perceived that, with the cost of advertisements, printing, and other incidental items, that I may have had great patronage from the residents here, (and indeed must have had, to so nearly cover my expenses) and yet be a loser. Now, with regard to the spirit of adventure which led the gentlemen and lady alluded to to visit Ipswich, I think it required little of that; I may say no risk could be incurred, as surely a very moderate audience would shares to defray the trifling expense of so short a trip, and of giving concerts for which, according to report, almost every article was furnished gratuitously. And while it was a great risk on my part, and attended with a small pecuniary loss to me, it could not fail to prove advantageous to the other party they not having to travel 1000 miles at their own charge to do so. In conclusion, I would again announce my intention of giving a series of concerts in May next. I shall feel happy in once more applying in person to the inhabitants of both town, who, I trust, will more fully second my father endeavours to promote public amusements.
I am, Sir, Yours respectfully,
JOHN COLLING. Brisbane, Dec 14, 1854.

"MORETON BAY [FROM OUR OWN CORRESPONDENT]", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (31 March 1855), 5

http://nla.gov.au/nla.news-article251546691 

. . . Of entertainments or amusements we have none, except some concerts, to which we are first indebted to our townsman, Mr. Cooling, for introducing, and now to M. Miska Hauser, and his company, for a continuance: but these are too expensive for the labouring classes, and there is really no general amusement for the young, about these towns . . .

ASSOCIATIONS: Miska Hauser (violinist)

"THE CONCERTS", The Moreton Bay Courier (31 March 1855), 2

http://nla.gov.au/nla.news-article3712413 

M. Miska Hauser and his small but talented company of vocalists, having completed their series of concerts in Brisbane and Ipswich, proceeded to Sydney yesterday, in the Waratah . . . We are glad to learn that Mr. Cooling, to whose enterprise we were indebted for a previous series of concerts, intends to make arrangements for another series during the month of May next.

[Advertisement], The Moreton Bay Courier (28 April 1855), 1

http://nla.gov.au/nla.news-article3713722 

COOLING'S PERIODICAL CONCERTS.
MR. COOLING HAS the honour to announce he has engaged the talented company of HOWARD'S SERENADERS,
for a series of Concerts at Brisbane and Ipswich, to commence at Brisbane, on Monday 21st May next,
when will he introduced some of the choicest Ethiopian Melodies, comprising glees, duets, choruses, &c.
On these occasions the beautiful music of the American Banjo, Flutina, &c., may be heard to advantage, as solos will be played on each.
Further particulars will be duly announced.

ASSOCIATIONS: George Birkbeck Mason alias Howard (leader); Howard's Serenaders (troupe)

"COOLING'S CONCERTS", The Moreton Bay Courier (9 June 1855), 2

http://nla.gov.au/nla.news-article3712945 

We regret that Mr. Cooling's Concerts at the School of Arts, have not met with that degree of patronage which his enterprise and the merits of the company deserved. No doubt the attractions of the circus, being so novel in Brisbane, materially contributed to thin the attendance at the concerts, but it is a great pity to think that loss should be sustained by the projector of these amusements. On Tuesday evening there were scarcely twenty persons present, and it evidently required painful efforts on the part of the performers to be at all facetious before such a beggarly account of empty benches. The singing was very good, and without particularising other songs, we may mention that of Mr. Faulkner in "My Skiff am by de Shore," and Mr. Howard in "My Canoe," were particularly happy. But as a personification of the "[REDACTED]," Mr. Reading decidedly bore away the palm, and kept the audience constantly on the broad grin with his extraordinary contortions of body and feature. At the close of the performances on Tuesday evening, Mr. Howard came forward and returned thanks, announcing that they were about to proceed to Ipswich, and would again appear at the School of Arts on Thursday next, not as Ethiopian Serenaders, but in their own proper colour, when they would be assisted by Mr. Diggles in a variety of songs, duetts, &c. We think this a wise resolution, and hope that it will be patronised. Mr. Reading, the "Bones" of the party, then came forward, and, without speaking, made a very significant pantomimic address to the slender audience, intimating plainly enough that they were much disappointed at the poor patronage they had received. This little bit of ballet action was taken in good part. Indeed it would have been impossible to have denied it justice.

ASSOCIATIONS: James W. Reading (serenader); "Faulkner" = Joseph Fairchild (serenader)

"MEMS. OF BRISBANE [BY OUR OWN CORRESPONDENT]", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (16 June 1855), 7

http://nla.gov.au/nla.news-article251546975 

. . . We have had a series of concerts this week from the Ethiopian Serenaders, introduced by our townsman, Mr. John Cooling; the prices were made for Brisbane's aristocracy - being 7s. 6d. a ticket. We have also a Circus in which some newly arrived equestrians perform to the astonishment of the natives. And for the first time also in the history of Brisbane we have this week a street musician and his organ; he seems to reap a pretty good harvest as yet . . .

"IPSWICH", The Moreton Bay Courier (16 June 1855), 2

http://nla.gov.au/nla.news-article3710411

MR. COOLING'S Concerts of the Ethiopian Serenaders were undertaken chiefly on the strength of promises of support made by the Brisbane people. There, however, they proved a failure, bringing the enterprising speculator nothing but loss. Though I have his authority for the extent of the deficit, I forbear to state it, being warned by my experience on the last occasion. But I believe Mr. Cooling to have lost considerably, entirely through the bad faith of many who promised him support in Brisbane. The reason of this drawing back is not apparent. It is difficult to see how any person could have expectations of a company of Ethiopian Serenaders, which have not been realised. And if any person had, he was bound, after holding out encouragement to the speculator, to bear him harmless. In Ipswich, Mr. Cooling has in a measure, redeemed the losses incurred in Brisbane, and we have his word pledged, that, should he undertake to bring up another company to Moreton Bay, he will give the first concert here. Of the Company I have formed the opinion that they are much above the average in talent, though unequal to the most celebrated companies in the great merit of faithful imitation. They are first rate melodists, and very clever actors, but do not seem to have studied from nature. They may be, as Mr. Howard says, like captains of slave ships, getting their living by taking off the [REDACTED]s, but it is in some other slave trade than that on the coast of Africa. Mr. Harrington is possessed of genuine humour, Mr. Reading has great natural capacity for broad farce, Mr. Howard is a very clever performer upon the flutina, and a very clever singer also, and Mr. Faulkner has a voice which is both very rich and possessed of great compass. I respect the prejudices of those who keep away from all public amusements from what they deem religious motives. Not that I respect prejudices as such. I despise them or pity them as the case may be. But in this particular matter, I have known Christians who were very narrow minded, but whose love of music, for example, opened their hearts to make an exception of all musical entertainments; and I have known Christians who were very liberal-minded, and had very cheerful views of life, who shuddered at the idea of going to a concert. But I hold that it is of very great importance to the welfare of the district, that music should be extensively cultivated. I am not an admirer of these Negro Concerts. I consider them a satire, a bitter one, on the English genius of song. I prefer a Miska Hauser. But I think it a burning shame that a man who has done what Mr. Cooling has to supply the district with musical entertainments, should receive a sham support and not a real one.

ASSOCIATIONS: Frederick Harrington (serenader)

[Advertisement], The Moreton Bay Courier (5 July 1860), 3

http://nla.gov.au/nla.news-article3722615 

Education. MRS. JOHN COOLING begs to acquaint Parents and Guardians that she has removed to a large stone house on the New Farm Road, (a short distance from Or. Fullerton's), and will be happy to receive a few more young ladies as boarders or day scholars to instruct in the usual branches of a sound English Education, together with Music, French, and Drawing. Scholastic duties will be resumed on Monday next, the 9th inst.

"A CASE FOR THE BENEVOLENT", The Moreton Bay Courier (14 August 1860), 2

http://nla.gov.au/nla.news-article3719413

The public of Brisbane are never behind-hand when appealed to on behalf of charitable or benevolent objects, and although we are aware that such cases are somewhat numerous, and we are generally disinclined, on that account, to bring every case of which we become cognizant before their notice, we deem that the instance we are about to mention is entitled to consideration at their hands. Owing to long-continued ill-health, and the dangerous character of the disease by which he is affected, Mr. John Cooling - a well-known citizen - has been for some time incapacitated from providing for the wants of his family, and the whole burden of supporting her husband and several young children has devolved on Mrs. Cooling, who is herself much afflicted. She has struggled hard under her unfortunate position, but latterly her means have become so limited, as to reduce herself and family to a state of indigence, and a knowledge of the facts of the case having come to the ears of a kind and amiable lady, a subscription has been set on foot with a view to the relief of the sufferers. Several individuals are privately soliciting donations among their friends, and we shall be happy to receive subscriptions at our office, and to hand them over to the lady by whom the list was originated.

"DEATH", The Brisbane Courier (27 March 1869), 4

http://nla.gov.au/nla.news-article1315460 

COOLING. - On the 24th March, at his late residence, Caxton-street, Petrie-terrace, after protracted illness, Mr. John Cooling, clerk of H. M. Gaol, Brisbane, and eldest son of John Blagrove Cooling, Esq., R.N., of Curzon-street, May Fair, London, aged 55 years. [English papers please copy.]

"Death of an Old Resident", The Brisbane Courier (24 July 1909), 4

http://nla.gov.au/nla.news-article19598840

The death occurred about 11 o'clock last night of Mrs. E. J. Cooling, an old and highly-respected resident of Brisbane, and relict of the late Mr. John Cooling (formerly clerk of his Majesty's Gaol, Brisbane). The late Mrs. Cooling, who was in her eighty-fourth year, arrived in Queensland in 1853, in the ship Calfernia, and resided at Ashburnham, Given-terrace, for over forty years. Her husband died in 1869, but she leaves three sons and three daughters . . .


Bibliography and resources:

"EARLY HISTORY OF QUEENSLAND. The Sad, Bad, Mad, but Sometimes Glad Old Days (By A SURVIVOR) CHAPTER XVI", Truth [Brisbane, QLD] (9 May 1915), 12

http://nla.gov.au/nla.news-article203049180 

. . . John Cooling was the first man to open a musical instrument mart in a large way in Brisbane. He came to Australia to effect a cure of his pulmonary complaint, and used to make a speciality of a special brand of perfumery, of which the Cooling family held the manufacturing secret. He was at first much teased by jovial squatters, who assured him that Moreton Bay folk would willingly and gladly purchase his perfumery by the gallon, in the hope of mitigating the odors wafted from "Tinker" Smith's and other boiling-down factories and Slaughter's soap factory at Kangaroo Point. Apparently Cooling thrived on the odors of Brisbane, for he remained to engage in business, as already stated. He also organised concerts in Brisbane and Ipswich. Miss Flora Harris, vocalist, was usually the bright, particular star of such concerts. Other performers were Mr. Decker [sic, Dicker], who was always sure of double encores for his singing of "Ben Bolt" and Mr. Diggles, pianist. The great gala time in Brisbane prior to Separation and the sixties, and after the institution of a Circuit Court, was the period of the assizes as the periodical court was then, after the English fashion, called. Cooling decided to make his assizes season concerts more attractive by the importation of talent from Sydney. The first artists imported by him were Herr Packer, pianist and Miska Hansa [sic, Miska Hauser], Hungarian violinist. Herr Packer eventually died in Sydney of the peculiar disease known to science as elephantiasis, in which the skin and the limbs overgrow to such disproportions that the persons afflicted finally, in their appearance and gait, partake of some of the characteristics of the elephant. Packer was a brilliant, rather than a classical, musician, but no doubt he suited himself, to his audience. The class of instrumental music most called for then, even by the ostentatiously "genteel" was dance music - polkas, schottisches, quadrilles. The waltz was a new institution, but Packer generally included it in his programmes. Cooling afterwards went the way of nearly all flesh in Brisbane - i.e., he kept a public-house in the Valley - but Mrs. Cooling disliked the hotel-keeping business, and Cooling gave it up. After this retirement Mrs. Cooling again opened a school, and there are at the present time in Brisbane "grandes dames" who learnt to say polite nothings in French under her tuition. Eventually John Cooling became Clerk of Prisons, and died at 53 years of age [sic]. His widow lived to be over 80. One of their daughters married the head of the firm now known as Overell and Sons. The first wife of John Markwell, draper, was a sister of Mrs. Cooling. John Markwell, a much married man, did not die till after he had made three distinct experiments in family bliss. Several sons of John Cooling still survive, one of whom retired some years ago from the position of Chief Bailiff . . .

ASSOCIATIONS: Charles Sandys Packer (musician)

"IN THE 50's. MUSIC IN BRISBANE. FIRST PROFESSIONAL CONCERT", The Brisbane Courier (17 September 1929), 1

http://nla.gov.au/nla.news-article21489706

John Cooling, Find a grave

https://www.findagrave.com/memorial/203444973/john-cooling 




COOMBES, Mrs. (Mrs. COOMBES; COOMBS)

Vocalist, actor

Active Adelaide, SA, October 1839 to May 1841

https://trove.nla.gov.au/search?l-publictag=Mrs+Coombes+actor+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOMBES-Mrs (shareable link to this entry)


Documentation:

[Advertisement], South Australian Register (16 November 1839), 3

http://nla.gov.au/nla.news-article27440983 

ROYAL VICTORIA THEATRE, North Terrace, Adelaide.
MR. CAMERON has the honor of announcing to the Ladies and Gentlemen, and the Public of Adelaide and its vicinity, that he has, at a considerable expence, fitted up an appropriate Theatre in North Terrace, and it is hoped the arrangements will secure that patronage and support which in catering for their amusement it will be his study to merit. The Theatre will consist of one tier of Private Boxes, and a commodious Pit, and will open on
Monday Evening, November 25, 1839, when will be presented Kotzebue's celebrated play of
THE STRANGER . . . Mrs. Haller - Mrs. Parnell.
During the piece Mrs. Coombes will sing the plaintive air - I have a silent sorrow here . . .
Song from Guy Mannering - Safely follow him - by Mr. Gates.
After which, the Third Act of Shakspeare's OTHELLO . . . Desdemona - Mrs. Parnell . . .
S. CAMERON, Proprietor.

ASSOCIATIONS: Samson Cameron (actor, manager); Mrs. Parnell (actor, vocalist); Royal Victoria Theatre (Adelaide venue)

MUSIC: I have a silent sorrow here (song, in The stranger, music composed by Georgiana Cavendish)

[Advertisement], South Australian Register (30 November 1839), 3

http://nla.gov.au/nla.news-article27441018

ROVAL VICTORIA THEATRE . . . THIS EVENING, November 30, 1839,
will be repeated Kotzebue's celebrated play of THE STRANGER . . .
A Favorite Duett, by Mrs. Parnell and Mrs. Coombes. A Song by Mr. Oaten . . .

ASSOCIATIONS: Mr. Oaten (vocalist, actor)

[Advertisement], Southern Australian (12 December 1839), 3

http://nla.gov.au/nla.news-article71685688 

Victoria Theatre, NORTH TERRACE, ADELAIDE.
THE Public are respectfully informed, that on THURSDAY EVENING, December 12th, 1839, will be presented the Comedy in 5. Acts of
THE WONDER!! A Woman Keeps a Secret!!!
Nicolante - Mrs. Parnell. For Characters see the Bill of the Day.
GLEE - "O Lady Fair," By Mrs. Parnell, Mrs. Coombes, and Mr. Gates.
AFTER WHICH, BACHELOR'S BUTTONS . . . the Proprietor, S. CAMERON. VIVAT REGINA.

ASSOCIATIONS: Mr. Gates (vocalist, actor)

MUSIC: Oh lady fair (Thomas Moore)

[Advertisement], Adelaide Chronicle and South Australian Literary Record (12 May 1841), 2

http://nla.gov.au/nla.news-article195860797 

QUEEN'S THEATRE. MRS. ARABIN'S BENEFIT. Thursday, 13th May, 1841 . . .
The Performance will commence with a Drama (from the work of Charles Dickens, Esq.) entitled
NICHOLAS NICKLEBY; Or, The Fortunes of Smike . . . Miss Squeers - Mrs. Coombes . . .
J. LAZAR, Manager.

ASSOCIATIONS: Frances Arabin (actor, vocalist, beneficiare); John Lazar (actor, manager); Queen's Theatre (Adelaide venue)




COONEY, Miss (Miss COONEY; ? Catherine COONEY)

Vocalist

? Born Cork, Ireland, c. 1808; daughter of Bartholomew COONEY (d. 1815) and Johanna MURRAY (d. 1830)
Arrived Sydney, NSW, 27 February 1810 (per Ann, )
Active Sydney, NSW, 1829

https://trove.nla.gov.au/search?l-publictag=Miss+Cooney+vocalist+c1829 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COONEY-Miss (shareable link to this entry)


Documentation:

Minutes of meeting, management committee of the Female Orphan School, 5 July 1820; State Records Authority of NSW; Colonial Secretary's papers, special bundles, 1794-1825, NRS 898

https://www.ancestry.com.au/discoveryui-content/view/25951:1905 (PAYWALL)

. . . Resolved that agreeably to recommendation . . . the following six girls to be indented to the Institution, as servants until they are of the age of eighteen years: . . . Catherine Cooney

NSW census, November 1828; State Records Authority of NSW

https://www.paperturn-view.com/?pid=NDM43339&p=25 (DIGITISED)

Cooney, Catherine / 20 / Came Free / [per] Ann / [no year indicated] / Dressmaker, [to] James Wilde, Macquarie St. Sydney . . .
[Cooney], Elizabeth / 20 / Came Free / [per] Ann / [year] 1801 [sic] / Protestant / Laundress, Andrew Tracy's, Kent St. Sydney . . .

"MR. LEVEY'S CONCERT", The Sydney Monitor (22 August 1829), 3

http://nla.gov.au/nla.news-article32072292

Mr. Levey's Theatre was well filled on Thursday night. The sound of the Theatre is better than that of the School room in Castlereagh street, where the former Concerts were held. The Theatre was very neatly decorated and sufficiently lighted with wax candles. The Grand Overture in Lodoiska was not so well executed as could be wished; but the deficiency of stringed instruments being irremediable in this Colony, it is in vain to regret the loss of them. The first song, by Miss Cooney, "O, No! We never mention him!" displayed the clear and powerful voice of this young lady, and was loudly called for a second time, but the rules of the Concert forbade her complying with the wish of the audience so early in the evening . . . Miss Cooney than sang "Ye Banks and Braes, &c." and gave universal satisfaction. We heard a thorough judge of vocal talent say, that this young lady only required lessons from the first masters, to become a first-rate singer, fit for the London stage . . . Master Josephson accompanied Mr. Sippe on the piano in performing a Fantasia, with considerable taste and skill. Mr. Levey sang a comic song in lieu of the "The Boatswain's Shrill Whistle," and he concluded the night's entertainment, by singing "The King! - God Bless Him!!" The audience were in excellent spirits, and seemed delighted with Mr. Levey's exertions to please them. Mr. Sippe conducted the Band with his usual talent, and made the most of it . . .

ASSOCIATIONS: Barnett Levey (vocalist, promoter, proprietor); George Sippe (leader, conductor); Joshua Frey Josephson (musician); Royal Hotel (Sydney venue)

MUSIC: Oh no, we never mention him (Haynes Bayly; arr. Bishop); Ye banks and braes of bonny Doon (song)

"THE CONCERT", The Australian (26 August 1829), 2

http://nla.gov.au/nla.news-article36866709 

Thursday evening's musical divertisement drew together a tolerably crowded house. The front central door of the Royal Hotel gaped on its hinges at seven, displaying the entrance to Mr. Levey's saloon, which was lighted up, in some respects, brilliantly . . . On the whole, as the evening advanced, there was what might be called a full house . . . It did not want many minutes to eight o'clock, when up rose the curtain, displaying the whole host of vocal and instrumental talent. A grand overture to Lodoiska opened the battel. Next followed the song, "Oh no, we never mention him." Glee - "Oh Lady Fair, where art thou going. A Quartetto of flutes and horns, and another overture, which closed the First Part. After a tolerable interval . . . gave place to the second part, beginning with an Overture to the Lady of the manor, Song, "Ye banks and braes of Bonny Doon." Glee, "Faintly as tells the evening chime," song, comical, "The Beautiful Boy," and the whole wound up with a finale "The King, God bless him," one of the finest chorus songs extant. Mr. Sippe, band master of the 57th, led, and conducted in his usual good style. The female vocalist, who thrilled her notes with most natural sweetness, was Miss Cooney. Her voice, which does not want depth and compass, might be made a great deal of by proper management and instruction. Young Mr. Josephson's admirable execution on the concert and the octave flute, was in a great measure drowned amid the drawing of corks, tingling of glasses, nut cracking and chattering in pit and boxes. The saloon is the fit place for these passtimes. Porter swilling in a theatre may rank with smoking of cigars in a drawing or ball room. "Pray you avoid it" . . . We hope this well intended hint will be taken in good part. Among others Mr. Levey himself added much to the hilarity of the evening by his droll personification of the "beautiful boy," - not less than the finale. A little after ten the company parted - a majority like the faithful shears - to meet again. A good many, we have no doubt, staid away, expecting the first night there would be an overflowing house, but who will with pleasure visit the next concert this time two or three weeks. But for the sake of comfort, and for good company's sake, let all confections and liquids from brown stout to l'eau de vie be discussed in the saloon and not the theatre. We are glad to hear a sufficient posse of the constabulary kept good order without doors, as the voice and instruments kept harmonious chime within. But when will the Saints confess there may be morality in dramatic exhibitions?


Bibliography and resources:

Catherine Cooney, Australian royalty

https://australianroyalty.net.au/tree/purnellmccord.ged/individual/I84407/Catherine-Cooney 

Elizabeth Cooney, Australian royalty

https://australianroyalty.net.au/tree/purnellmccord.ged/individual/I84406/Elizabeth-Cooney 




COOPER, Mr. (Mr. COOPER) = alias of Conrad KNOWLES

Actor, comic vocalist, Theatre Royal (Sydney)

Active Sydney, NSW, 1832-33




COOPER, Frederick Brown (Frederick Brown COOPER; F. B. COOPER; Mr. COOPER)

Theatrical machinist, carpenter

Born London, England, 12 July 1805; baptised St. George, Hanover Square, 11 August 1805; son of John COOPER and Elizabeth ?
Married (? 2) Mary Ann ?, by c. 1850
Arrived Melbourne, VIC, 13 February 1853 (per Barrackpore, from London, 9 November 1852)
Married (? 3) Eleanor LANGLEY, Sydney, NSW, 1859
Died North Sydney, NSW, 5 May 1870, aged "64"

https://trove.nla.gov.au/search?l-publictag=Frederick+Brown+Cooper+1805-1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOPER-Frederick-Brown (shareable link to this entry)


Documentation:

Baptisms, St. George, Hanover Square, August 1805; register 1788-1805; City of Westminster Archives, STG/PR/2/5

https://www.ancestry.com.au/imageviewer/collections/61865/images/61865_314054001181_17927-00574?pId=797608 (PAYWALL)

Baptized [1805 August] 11 / Frederick Brown S. of John & Elizabeth Cooper / [born] [1805 July] 12

England census, 30 March 1851, Charing Cross, Middlesex; UK National Archives, HO107/1481/338/11

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1481_1481-0674?pId=78781 (PAYWALL)

411 Strand / Adelphi Theatre / Frederick Cooper / Head / Mar. / 45 / Carpenter to Theatre / [born] Middlesex St. Geo. Han. Sq.
Mary A. Cooper / Wife / Mar. / 33 / - / [born Middlesex] St. Geo. East

Names and descriptions of passengers per Barrackpore, from London, 9 November 1852, for Melbourne, VIC; Public Record Office Victoria

https://prov.vic.gov.au/archive/3400C2E9-F96C-11E9-AE98-0507CB69E27D?image=217 (DIGITISED)

. . . [From] Lond. / Cooper Frederick / 47 / Carpenter . . .

"MUSIC AND THEATRICALS", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (16 August 1856), 5

http://nla.gov.au/nla.news-article251541145 

Great preparations are making at the Prince of Wales Theatre for the production of a series of Oratorios and Sacred Concerts on a scale not hitherto attempted in Sydney. Mr. Taylor has purchased for these grand and attractive entertainments, a first class Organ, the manufacture of the celebrated house of Gray and Davison, New Road, London . . . The organ is being erected under the direction of Mr. Bridson, assisted by Mr. Kinloch. The mechanical department is under the direction of Mr. F. B. Cooper, the mechanist of the two Theatres, and who is displaying his well-known skill in the work. As the Organ, when used, must be placed under the proscenium, Mr. Cooper has constructed a tramway by means of which, the instrument whose weight is about three tons, can be removed to and fro with the greatest ease; and thus, being placed at the back of the stage, on ordinary evenings, the dramatic performances will not be impeded. We may here observe, that the fine stage of the theatre was constructed by Mr. Cooper, who was for upwards of thirty years engaged in the mechanical departments of the chief London Theatres. It is a most admirable specimen of stage mechanism; in fact, there are but few Theatres in London itself, that can boast so fine a stage, including as it does all the latest improvements in this peculiar branch of mechanical service . . .

ASSOCIATIONS: Thomas Taylor (theatre proprietor); Thomas Vicary Bridson and John Kinloch (Sydney organ builders); Gray and Davison (London organ builders); Prince of Wales Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (26 November 1859), 8

http://nla.gov.au/nla.news-article13033741 

ROYAL VICTORIA THEATRE . . . NEW SEASON.
First Night of the Theatrical Union. - Immense Cast.
BEN. THE BOATSWAIN. To be followed by the grand burlesque of CINDERELLA . . .
THEATRICAL UNION. - To the Public - We, the undersigned members of the theatrical Profession, who have fixed our names to a resolution purporting that we should not perform for Mr. Poole, or any sub manager of his, hereby beg to express our regret, and disapprobation at the line of conduct pursued by Messrs. Burford, Rayner, Hasker, and Newton, in taking engagements at the Prince of Wales under Mr. Colville's management, and in direct violation of their words and signatures . . .
F. B. Cooper . . . R. STEWART, Treasurer. FRANK VARLEY, Secretary.

ASSOCIATIONS: Charles Poole (actor, manager); Samuel Colville (actor, manager); Richard Stewart (treasurer); Frank Varley (secretary); Australian Dramatic and Musical Association (association, 1859-60); Royal Victoria Theatre (Sydney venue)

"THE NEW PRINCE OF WALES THEATRE", The Sydney Morning Herald (21 November 1861), 6

http://nla.gov.au/nla.news-article13057218 

IT will be remembered that twelve months since the Prince of Wales Theatre was totally destroyed by fire . . . The new Prince of Wales of Theatre will be built upon the exact site of that destroyed by fire . . . The management of the mechanical department "behind the scenes" will be entrusted to Mr. F. Cooper, who was for many years engaged in several theatres in London and Edinburgh, and was for nine years principal mechanist at the Adelphi. Mr. Cooper was employed in the same capacity in the old Prince of Wales Theatre for the late Mr. Wyatt . . .

ASSOCIATIONS: Joseph Wyatt (theatre proprietor)

"PUNCH AT THE THEATRE", Sydney Punch (9 December 1865), 4

http://nla.gov.au/nla.news-article253067962 

The Victoria re-opened its well-known doors on Saturday night last, and Mr. Punch is happy to record his complete approbation of the improvements and embellishments which have during the recess converted the dingy interior into an elegant place of amusement, replete with taste and comfort. It is now unexceptionably one of the prettiest theatres in the colonies, and reflects great credit on all concerned in the work of rejuvenation. The stage which is entirely new, embraces all the latest improvements in scenic and mechanical effects, and the Deus ex machina, Mr. Cooper, deserves considerable praise for the manner in which he has put theory into practice. A marked improvement is also discernible in the arrangement of the proscenium and foot lights.

"DEATHS", Empire (16 May 1870), 1

http://nla.gov.au/nla.news-article63107127 

On the 5th May, at his residence, Milson's Point, North Shore, Frederick Brown Cooper, aged 64 years, late machinist, of the Prince of Wales Theatre, and of the Adelphi, London, father of George Cooper, of Theatre Royal, Hokitika; brother of Mr. John Cooper, of Greenhithe, Kent; and uncle of W. H. Smith, M.P. for Westminster, London.

ASSOCIATIONS: John Cooper (brother, 1794-1879); George Frederick Cooper (son, b. Edinburgh, c. 1823; d. Greymouth, NZ. 12 December 1886); see "DEATH", Grey River Argus (13 September 1886), 2

https://paperspast.natlib.govt.nz/newspapers/GRA18860913.2.7 

[Notice], New South Wales Government Gazette (20 May 1870), 1160

http://nla.gov.au/nla.news-article223528394 

In the Supreme Court of New South Wales. ECCLESIASTICAL JURISDICTION.
In the matter of the will of Frederick Brown Cooper, of Sydney, in the Colony of New South Wales, machinist, deceased.
NOTICE is hereby given, that Eleanor Cooper, of Sydney, in the Colony of New South Wales, widow, the sole Executrix named in the will of the abovenamed Frederick Brown Cooper, deceased, intends after the expiration of fourteen days from the publication of this notice, to apply to this Honorable Court, in its Ecclesiastical Jurisdiction, that probate of the said will may be granted to her as such Executrix as aforesaid.
- Dated this 19th day of May, a.d. 1870. RANDOLPH CHARLES WANT, Proctor for the said Eleanor Cooper.




COOPER, George John (George John COOPER), performed as George NEWMAN

Comic vocalist, actor

Active VIC, 1854-61

COOPER, Margaret (Margaret JONES; "Miss Mortimer") = Mrs. George NEWMAN

Comic vocalist, actor

Active VIC, 1854-61

COOPER, C. (Mr. C. COOPER; Mr. COOPER) ? unrelated to the above

Comic vocalist, actor

Active Bendigo, VIC, 1856

https://trove.nla.gov.au/search?l-publictag=Mr+C+Cooper+vocalist+1856 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOPER-C (shareable link to this entry)


Documentation:

"SYDENHAM GARDENS", Bendigo Advertiser [VIC] (1 May 1856), 3

http://nla.gov.au/nla.news-article88049793 

On Monday evening last Messrs. Coxon and Cooper gave one of their popular entertainments at these Gardens, before a very respectable audience. Mr. Cooper's songs in the Yorkshire, Somerset, and Devonshire dialect kept the company in a constant roar. Mr. Coxon, who sang several of Russell's songs, executed them in good style, and altogether the entertainment went off first rate. Messrs. Coxon and Cooper intend repeating their evening's amusement on next Monday night, when we would advise those who have not yet heard them to avail themselves of the opportunity.

ASSOCIATIONS: John Coxon (vocalist)

"COXON AND COOPER'S SOIREES", Bendigo Advertiser (13 May 1856), 3

http://nla.gov.au/nla.news-article88049989 

Having heard a good deal of these gentlemen, we took an opportunity of visiting them at the Clydesdale Hotel, prior to their departure for Castlemaine to fullil an engagement entered upon by them at that place. We were delighted and somewhat surprised with the bill of fare produced, which reminded us strongly of a first-class London free-and easy. The songs were excellent, and Mr. Coxon's "Ship on Fire" and "Man the Life Boat" were sung in a style not often heard on this gold-field. Mr. Cooper amused the audience with the comic adventures of "Tony Bumpkin," and kept the room in a constant roar of laughter, and finished by giving a real touch of his vocal abilities in the song of "One Bottle More." We understand that they purpose visiting Bendigo once more after their engagement at Castlemaine has terminated.

[Advertisement], Mount Alexander Mail (16 May 1856), 1

http://nla.gov.au/nla.news-article202633607 

ALBERT HOTEL. MR. JONES ever anxious to cater for the amusement of his friends and the public, having engaged those Talented Vocalists
MESSRS. COXON AND COOPER, Begs to announce that they will give their serio comic entertainment, Entitled,
"GRAVE AND GAY," Or Two Hours with Henry Russell, John Parry, and Tony Bumpkin,
On MONDAY NEXT, MAY 19.
In the first and third parts Mr. Coxon will introduce (for the first time in Castlemaine) the Musical Romances of Cinderella and the Glass Slipper, Bluebeard the Cruel, Whittington and his Cat, and the Corsican Brothers;
together with the celebrated descriptive songs of "The Ship on Fire," "Newfoundland Dog," "Dream of the Reveller," and "Main Truck."
The second and fourth parts will contain Mr. Bumpkin's Description of his First Love,
"MARY PORTER," And how she treated him; his Journey to London in consequence. Unkind Behaviour of his Uncle. Return to the Country, and Second Sweetheart,
"DOROTHY LEE." Unfortunate Termination of that Engagement. Visit to Derry Down Dale. Courtship and Marriage. Domestic Bliss and Household Expenses. Results of Going to Market. Reasons for coning to Australia. And lastly, his Analyzation of the Various Classes of Society.
Pianist - Mr. Wm. Hunter.

ASSOCIATIONS: William Hunter (pianist)

[Advertisement], Bendigo Advertiser (11 July 1856), 3

http://nla.gov.au/nla.news-article88051292 

COLEMAN'S CRITERION THEATRE. JOINT BENEFIT OF MR. AND MRS. B. RICARDS.
First and only appearance of MESSRS. COOPER AND COXON. ON MONDAY EVENING, July 14th, 1856,
THE HEIR-AT-LAW. Zekiel Homespun Mr. C. Cooper.
Pas de Deux - Mrs. R. Macgowan and Signor Bellati.
To conclude with a selection from Messrs. Coxon and Cooper's new Serio-Comic Musical Entertainment of THE GRAVE AND GAY,
In which will be introduced the Musical Burlesques of Cinderella and the Glass Slipper - Blue Beard the Cruel - The Bad Macbeth - and the Corsican Brothers;
together with the favorite Somersetshire songs of - Mary Porter, Journey to London, Derry down Dale, and Analization.
In the course of the entertainment Mr. Cooper and Mrs. B. Ricards will appear as the KENTISH GIPSIES.

ASSOCIATIONS: Jessie and Benjamin Ricards (vocalist, actor); Fanny McGowan (dancer); Signor Bellati (dancer); Criterion Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (23 July 1856), 3

http://nla.gov.au/nla.news-article88051589 

JUNCTION HOTEL. Mr. McGauran, Proprietor, GRAND DRAMATIC ENTERTAINMENT.
THURSDAY NIGHT, JULY 24th. MR. McGAURAN has much pleasure in announcing that he has made arrangements with the following Artistes, from Coleman's Criterion Theatre, to give an entertainment on the above night -
Mr. H. Richardson, Mr. B. Ricards, Mr. C. Cooper, Mr. H. Hunter, Mrs. Gill, and Mrs. B. Ricards.
The Performances will commence with the petite Comedy of THE RIVAL PAGES - King Louis XIII - Mr. H. Richardson . . .
Solo Concertina, Mr. H. Richardson.
Comic Recitation, Mr. B. Ricards.
Ballad, Mrs. B. Ricards.
Comic Song, Mr. C. Cooper . . .
PIANIST - MR. H. HUNTER . . . Admission, Four Shillings.

ASSOCIATIONS: Henry Richardson (concertina); Jessie and Benjamin Ricards (vocalist, actor); H. Hunter (piano); Criterion Theatre (Bendigo venue)




COOPER, Jane (Jane JARMAN; Mrs. John COOPER; Mrs. COOPER)

Musician, teacher of the pianoforte, singing, and French

Active Melbourne, VIC, 1858-59

https://trove.nla.gov.au/search?l-publictag=Jane+Jarman+Cooper+c1850s (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOPER-Jane-Jarman (shareable link to this entry)


Documentation:

Advertisement], The Argus [Melbourne, VIC] (27 August 1858), 8

http://nla.gov.au/nla.news-article7299993 

MRS. COOPER begs to inform her pupils she has REMOVED to No. 6 Kyte's-buildings, and will resume her musical classes, Monday, August 30.

[Advertisement], The Argus (29 September 1858), 8

http://nla.gov.au/nla.news-article7301928 

MRS. COOPER receives PUPILS for the PIANO-FORTE and the FRENCH LANGUAGE, at her residence, 6 Kyte's-buildings, Collingwood.

[Advertisement], The Argus (5 November 1858), 8

http://nla.gov.au/nla.news-article7304039 

MRS. COOPER receives PUPILS for MUSIC and SINGING, at her residence, 6 Kyte's-buildings, off Nicholson-street, Collingwood.

"BIRTHS", The Argus (8 February 1859), 4

http://nla.gov.au/nla.news-article7309427 

On the 26th ult., at her residence, 6 Kyte's-buildings, Carlton-gardens, Mrs. John Cooper, of a daughter.

[Advertisement], The Argus (8 March 1859), 6

http://nla.gov.au/nla.news-article5677509 

MRS. COOPER receives pupils for SINGING and PIANOFORTE. 6 Kyte's-buildings, Carlton-gardens.

But see also, "MARRIAGES", The Sydney Morning Herald (19 October 1871), 1

http://nla.gov.au/nla.news-article13246755 

On the 7th March, at St. Mark's Church, Collingwood, Melbourne, by the Rev. John Barlow, JOHN GEORGE BARNES, of Surrey, England, to EMILY MILNE JARMAN, daughter of the Rev. John Jarman, of London, also step-daughter to John Cooper, late coal merchant, Melbourne.




COOZE, William Joseph (William Joseph COOZE; W. J. COOZE; Mr. COOZE)

Musician, bass vocalist, buffo vocalist, flautist, flute and piccolo player, painter and decorator, publican

Born Chelsea, London, England, 16 July 1814; baptised Chelsea parish church, 2 October 1814; son of William Witley COOZE (c. 1794-1866) and Sarah Elizabeth ODDY (m. St. Martin in the Fields, 5 April 1812)
Married Frances PUGH (1814-1875), St. Pancras chapel, London, England, 8 December 1833
Arrived (1) Port Adelaide, SA, 13 June 1850 (per Jenny Lind, from London, 5 February, and Plymouth, 27 February)
Arrived Melbourne, VIC, by January 1851
Arrived Dunedin, NZ, by 1864 (from Melbourne)
Arrived (2) Melbourne, VIC, ? by c. 1872 (from NZ)
Died North Fitzroy, VIC, 7 June 1885, aged "67" [sic, 70]

https://trove.nla.gov.au/search?l-publictag=William+Joseph+Cooze+1814-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-C-3.php#COOZE-William-Joseph (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of Chelsea in the county of Middlesex in the year 1814; register 1813-29, page 78; London Metropolitan Archives, P74/LUK/166

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_194874-00048?pId=1751122 (PAYWALL)

No. 622 / [1814 October] 2 / B. July 16 / William Joseph Son of / William & Sarah Elizabeth / Cooze / Smith Street / Painter

ASSOCIATIONS: His elder sister Sarah Elizabeth, born 10 January 1812, was baptised in the same ceremony (no. 621)

Marriages solemnized in the parish of Saint Pancreas in the county of Middlesex in the year [1833]; register 1833-36, page 123; London Metropolitan Archives, P90/PAN1/067

https://www.ancestry.com.au/discoveryui-content/view/2297809:1623 (PAYWALL)

No. 861 / William Joseph Cooze of this Parish Bachelor and Frances Pugh of this Parish Spinster were married in this Church by Banns this [8 December 1833] . . .

Baptisms solemnized in the parish of Saint Pancreas in the county of Middlesex in the year [1846]; register 1843-47, page 281-82; London Metropolitan Archives, Reference Number: P90/PAN1/025

https://www.ancestry.com.au/discoveryui-content/view/2002845:1558 (PAYWALL)

No. 1424 / [1846 July] 15 / Charles Joseph [son of] / William Joseph & Frances / Cooze / Gloucester Street / Painter / [born] 26 June 1846 . . .
No. 1425 / [1846 July] 15 / Frederick [son of] / William Joseph & Frances / Cooze / Gloucester Street / Painter / [born] 6 July 1841 . . .
No. 1426 / 1846 July 15 / Fanny [daughter of] / William Joseph & Frances / Cooze / Gloucester Street / Painter / [born] 6 Dec'r 1842 . . .

Baptisms solemnized in the parish of Greenwich in the county of Kent in the year 1848; register 1842-53, page 189; London Metropolitan Archives, P78/ALF/015

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_198163-00298?pId=4916172 (PAYWALL)

No. 1512 / [1848] July 28th / Richard Whitley Son of / William Joseph & Frances / Cooze / Woodland Grove / Painter & Grainer / Born 9th July inst.

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register [Adelaide, SA] (14 June 1850), 2

http://nla.gov.au/nla.news-article38441012 

Thursday, June 13 - The barque Jenny Lind, 481 tons, Taylor, master, from London 5th February, and Plymouth 27th February. Passengers . . . Mr. and Mrs. Cooze and five children . . .

[Advertisement], Adelaide Times [SA] (26 June 1850), 4

http://nla.gov.au/nla.news-article207116839 

To Captain Joseph Taylor, Barque, "Jenny Lind", Plymouth. Port Adelaide, Australia, June, 1850.
SIR, - We, the undersigned, passengers on board this vessel, having, by God's blessing, safely reached the termination of a voyage, during which our lives and property have been entrusted to your care, are anxious to express to you our thanks for the manner in which you have, under Providence, redeemed that trust, and our gratitude for the kindness, courtesy, and gentlemanly treatment we have experienced at your hands through a necessarily long and tedious voyage . . .
We are, Sir, Yours very truly and gratefully . . . W. S. Cooze [sic], for self, wife, and five children . . .

[Advertisement], The Melbourne Daily News [VIC] (7 January 1850), 3

http://nla.gov.au/nla.news-article226519362 

CONCERT. MECHANICS' INSTITUTION MUSIC CLASS . . .
their fourth Public Concert will take place in the Hall of the Institution on
Thursday evening the 9th instant, for which occasion they have obtained the valuable assistance of the following Principal Professional Performers: -
Mrs. Testar, Mr. Reed, Mr. Cooze, Mr. Greenwood, Mr. Lord, Messrs. Hore's and Mr. HENRY F. HEMY (Newly arrived from England) i (Vocal Tenor and Solo Pianist.)
Programme will appear prior to Concert.

ASSOCIATIONS: Elizabeth Testar (vocalist); Thomas Reed (leader, conductor); Mr. Greenwood (musician); Ebenezer Lord (musician); Joseph Hore and sons (musicians); Henry Frederick Hemy (vocalist, pianist); Thursday Concerts (Melbourne series); Mechanics' Institution Music Class (Melbourne)

[Advertisement], The Argus [Melbourne, VIC] (9 January 1850), 3

http://nla.gov.au/nla.news-article4775518 

CONCERT. MECHANICS' INSTITUTE MUSIC CLASS . . .
Thursday Evening, 9th Instant . . . Leader - Mr. REED . . .
PART II . . . Solo - Flute, introducing the Last Rose of Summer - Mr. Cooze - Berbigner [Berbiguier] . . .

MUSIC: Tranquille Berbiguier (composer)

"LAST NIGHT'S CONCERT", The Melbourne Daily News (10 January 1851), 2

http://nla.gov.au/nla.news-article226517556 

We were gratified to see a remunerative attendance of visitors at last night's concert. It must be admitted however that the attraction was considerable, and the programme fuller than usual. The novelty of the evening was the debut as a pianist and vocalist of Mr. F. Hemy from London. He was very flatteringly received. His abilities as a pianist are very respectable . . . The solo flute (and piano) was much applauded; but the ornaments were not in the best taste. Mr. Cooze will be a valuable addition to our musical talent . . .

[Advertisement], The Argus (28 January 1851), 3

http://nla.gov.au/nla.news-article4775866

MECHANICS' INSTITUTE. PROGRAMME OF CHARLES S. PACKER'S CONCERT,
OF VOCAL AND INSTRUMENTAL MUSIC, This Evening, Jan. 28th, 1851.
Overture - Semiramide - Rossini
Canone a tre voci - Perfida Clori - Cherubini (Mrs. Testar, Mr. Packer, Mr. Cooze) . . .
Solo, Violin - Mr. Megson - De Beriot . . .
Trio - "O'er the far mountain," (Sadak and Kalasrade) - Packer - Mrs. Testar, Mr. Packer, and Mr. Cooze.
SECOND PART.
Overture - (Sadak and Kalasrade) - Packer . . .
Solo, Flute - Mr. Cooze - Dipple . . .
Finale - Laughing Trio - Vadasi via di qua - Martini - Mrs. Testar, Mr. Packer, and Mr. Cooze.
SINGLE TICKETS, 5s. TICKETS FOR RESERVED SEATS, 7s. EACH . . .

ASSOCIATIONS: Charles Sandys Packer (vocalist, pianist, composer); Joseph Megson (violinist)

MUSIC: Sadak and Kalasrade (Packer); Thomas John Dipple (composer; b. Shropshire, c. 1801; d. Sandgate, Kent, 24 April 1859)

"MR. PACKER'S CONCERT", The Melbourne Daily News (29 January 1851), 2

http://nla.gov.au/nla.news-article226519510 

. . . The trio from Mr. Packer's Opera of "Sadak and Kalasrade" was not only very well executed but a really sound and classic composition - some of the combinations being very beautiful. If we may judge of the Opera by this extract we should pronounce it to be a first-rate work . . . The Solo by Mr. Cooze on the flute, was very creditable . . . There was about £40 in the room. Mr. Packer's next concert will be be better attended.

"MR. PACKER'S CONCERT", Geelong Advertiser [VIC] (1 February 1851), 2

http://nla.gov.au/nla.news-article91915468 

As we mentioned our in yesterday's issue, the concert given by Mr. Packer at Mack's Hotel on Thursday evening [30 January], was very indifferently attended . . . Mrs. Testar is a very sweet singer, her song, "I'm a merry Zingara" was beautifully sung, and met with a rapturous encore, but the gem of the evening was the song "so here the gentle lark," in which the lady was accompanied by Mr. Cooze on the flute, any thing more exquisite could not be; the singer's voice emulated the tones of the instrument so much so as to induce the idea, that a duet was being played on the flute by two accomplished performers; the song was rapturously encored. Mr. Megson on the violin, played in a very superior style, as did also Mr. Cooze on the flute, and both gave great satisfaction to the audience. The concert passed off in a very agreeable manner - there was only one drawback to the satisfaction which pervaded the audience, and that was a feeling of regret that Mr. Packer had not received a more liberal patronage. We understand that gentleman has been a loser by the concert of upwards of £35.

MUSIC: Lo here the gentle lark (Bishop)

"THE CONCERT", The Argus (22 February 1851), 2

http://nla.gov.au/nla.news-article4776331 

The crowded state of our columns yesterday prevented our noticing the very capital concert of the evening before [Thursday]. We think that it may be pronounced the very best, ever given by the music class, and Mr. Reed deserves all praise fur his industry and perseverance in overcoming the thousand obstacles, which have beset his path . . . Dear Mrs. Testar . . . Her last effort was the Echo Song, with the flute obligato of Mr. Cooze, and late as was the hour, and severe the evening's exertions of the little lady, human nature could not stand the temptation, and a rapturous encore indicated admiration run mad, almost into want of feeling . . .

MUSIC: The echo song ["What airy sound . . ."] (Bishop)

"THE CONCERT", The Argus (25 June 1851), 3

http://nla.gov.au/nla.news-article255610608 

To-morrow night's programme at the Mechanics Institution is as follows -
PART I . . . Buffo Song, "Skying a Copper," Mr. Cooze . . .

MUSIC: Skying a copper (comic song by Thomas Hood)

"THE CONCERT", The Argus (27 June 1851), 3

http://nla.gov.au/nla.news-article4778756 

The advocates of cheap and rational amusements will be glad to learn that the popularity of the weekly concerts is rapidly extending. The weather was last evening uninviting, and the streets barely passable, and yet the room was crowded to excess, every square inch of ground being occupied, and parties stowed away wherever a "human" could be crammed . . . Mrs. Testar sang the celebrated scene from Der Freyschutz's, most beautifully and a little Irish air was almost unanimously encored; which was also the case with Olio of the comic songs of which Mr. Cooze seems to have an unlimited stock. It was sung with great comic humour and afforded a hearty laugh to a large majority of the hearers . . .

"THE CONCERT", The Argus (10 July 1851), 3

http://nla.gov.au/nla.news-article4779011 

The following is the programme for this evening -
PART I . . . Buffo Song, "All to astonish the Browns" - Mr. Cooze . . .
PART II . . . Song, "The Mocking Bird" (Flute Obligato) - Mrs. Testar . . .
Buffo Glee, "Crows in the Corn Field" - three voices . . .

MUSIC: It's all to astonish the Browns (song); Mocking bird song (Bishop)

"THE CONCERT", The Argus (16 July 1851), 3

http://nla.gov.au/nla.news-article4779139 

The following is the programme for to-morrow evening - PART I . . . Buffo Song, "Wanted a Governess," Mr. Cooze . . .

MUSIC: Wanted a governess (Parry)

"CONCERT", The Argus (31 January 1852), 2

http://nla.gov.au/nla.news-article4782952 

We hear that Mr. Cooze, the buffo singer and flute player of the weekly concerts, intends to try his luck in giving a concert on Tuesday evening. As no slight portion of the success of those popular entertainments is attributable to the vivacity and variety imparted to them by the humorous songs of this gentlemen, we trust that in this his first attempt of the kind, he may meet with the success he deserves.

[Advertisement], The Argus (17 February 1852), 3

http://nla.gov.au/nla.news-article4783270 

MR. COOZE'S CONCERT, At the Mechanics' Institution, on Tuesday, 17th Feb., 1852.
Principal Performers - Mrs. Testar, Soprano;
Mr. Megson, Leader; Mons. Huie; Mr. Woodward;
Mr. Buddee, Pianist; Mr. Reed, Contra Basso;
Mr. Wheeler, Basso and Cornet-a-Piston; Mr. Cooze, Flautist.
Programme: - Part 1.
Overture - Preciosa, Weber
Song - King Death, Mr. Wheeler, Neukomm
Solo - Violoncello, Mr. Thompson, Mayseder
Aria - Il soave bel contento, Mrs. Testar, Pacini
Quintette - Instrumental, Haydn
Buffo Song - Robinson Crusoe, Mr. Cooze, Parry
Part 2.
Overture - Sadak and Kalasrade, Packer
Song - Tyrol, Qui Ma's Vu Naitre, Mrs. Testar
Flute Obligato, Mr. Cooze, Panseron.
Solo - Piano, Mr. Buddee
Song - Where the Bee Sucks, Mrs. Testar, Dr. Arne
Polka - Kathinka, Schacht
Song - The Four Leav'd Shamrock, Mr. Wheeler, Lover
Buffo Song - The Lost Child (by desire) Mr. Cooze, Ford
Finale - God Save the Queen, National.
To commence at Eight o'clock. Admission, 2s 6d.

ASSOCIATIONS: Theodore Felix Hue (musician); Mr. Woodward (musician); Julius Buddee (pianist); Stephen Thomas Wheeler (cornet, vocalist)

"THE CONCERT", The Argus (18 February 1852), 2

http://nla.gov.au/nla.news-article4783310 

The heart of Mr. Cooze was rejoiced last evening, as it ought to be, with a bumper audience, and the concert passed off with considerable spirit and success.

"THE SATURDAY CONCERT", The Argus (1 May 1852), 5

http://nla.gov.au/nla.news-article4784745

The following is the programme for this Evening's concert: . . . PART II . . . Buffo song, £ s d, Mr. Cooze . . .

ASSOCIATIONS: Saturday Concerts (series)

MUSIC: £. S. D. (comic song)

"THE CONCERT", The Argus (7 June 1852), 5

http://nla.gov.au/nla.news-article4785555 

Herr Mater's first attempt in the concert way was very well attended indeed, the large room of the Mechanics' being quite full on Saturday evening . . . At the conclusion, Mr. Walsh, on behalf if Herr Mater, who appears to play upon every instrument except the English tongue, returned thanks for the very liberal patronage accorded. Mr. Walsh stated that he had to apologize for some deficiencies in the performance, in consequence of Mr. Megson and Mr. Cooze having failed to make their appearance, according to engagement and express promise; an absence for which, being altogether unexplained by those gentlemen, Herr Mater was quite unable to account. This statement led to loud cries of "shame" from the audience and we must say, that if such means were adopted designedly to throw a damp upon the first efforts of a gentleman newly come amongst us, no terms are too severe to characterise such unhandsome and ungenerous rivalry. Herr Mater did all he could to get up a first-rate concert . . .

ASSOCIATIONS: Charles Albert Frederic Mater (musician); Charles Walsh (vocalist)

"HERR MATER'S CONCERT", The Argus (8 June 1852), 3

http://nla.gov.au/nla.news-article4785594

We have received the annexed letters in reference to the late disappointments at Herr Mater's concert -

196, Russell-street Melbourne, 7th June, 1852. Wilson, Esq.
Sir,- You have very kindly invited an explanation with regard to my absence from Herr Mater's concert. Allow me to state that it was caused not from any ungenerous or unhandsome rivalry (for he is no rival of mine), but by accident and unavoidable circumstances to which every person is liable. I value the patronage of the Melbourne public too much to play with it; and I conceive the only way to merit their favour is to do all in my power to assist any musician who may arrive in this colony. Hitherto I have done so; and suffered in a pecuniary way, in consequence. I did not arrive at home in time or I would have forwarded an apology. This, I trust, will be received as an excuse: and I refer you to my past career, whether I would be guilty of misleading the public, except under peculiar circumstances.
I remain Sir, Your obedient humble servant.
W. V. COOZE [sic] . . .
[Also letter from Megson and editorial response]

ASSOCIATIONS: Edward Wilson (editor, Argus)

"THE CONCERT", The Argus (27 August 1852), 3

http://nla.gov.au/nla.news-article4786941 

The large room at the Mechanics' Institute was, last night, crowded to excess, as we predicted, and the concert went off with great spirit. A new star tumbled unexpectedly into the midst of the performance, in the shape of a fresh buffo singer; the success of whose debut leads to the expectation that he shall be the means of stopping up some of the tears shed over the defection of the unfaithful Cooze.

[Advertisement], The Argus (4 September 1852), 5

http://nla.gov.au/nla.news-article255611987 

QUEEN'S THEATRE. Saturday Evening Concerts.
MR. MEGSON has the honor to announce to the Public of Melbourne and its Vicinity, that he has succeeded in obtaining the Theatre for the above Weekly Entertainments.
The Sixth Concert will take place this Evening, September, 4.
Principal Vocal Performers: Madame Fransceca Allan, Mrs. J. P. Hydes, Mr. Young, Mr. Charles Walsh, Mr. Cooze, Mr. Wheeler.
Principal Instrumental Performers Violins: . . . Flautist: - Mr. Cooze . . . Leader and Conductor: - Mr. Megson . . .
Programme. Part I. 1. Overture - Bohemian Girl, Band - Balfe . . .
8. Buffo Song - The Little Gay Deceiver, Mr. Cooze - Russell . . .

ASSOCIATIONS: Francesca Allen (vocalist); Augusta Hydes (vocalist, actor); Charles Young (vocalist, actor); Queen's Theatre (Melbourne venue)

MUSIC: The little gay deceiver (comic ballad)

"FUNERAL", The Argus (30 December 1852), 5

http://nla.gov.au/nla.news-article255613022 

The friends of Mr. Cooze are respectfully solicited to attend the funeral of his son to the place of interment, this day, to leave his residence, 196, Russell-street, at half-past three o'clock. H. G. CARPENTER, Undertaker.

ASSOCIATIONS: Richard Whitley Cooze (born Greenwich, 1848, as see above)

[Advertisement], The Argus (14 March 1853), 12

http://nla.gov.au/nla.news-article4790654 

SELECT QUADRILLE ASSEMBLY. Protestant Hall.
Open This Evening, 14th Instant, Mr. Denning Proprietor . . .
Engagement of Signor Maffei, Messrs. Reed, Sayer, Cooze, and other talented musicians . . .

ASSOCIATIONS: Cornelius Peter Denning (dancing master); William Francis Sayer (musician); Protestant Hall (Melbourne venue)

[Advertisement], The Argus (23 March 1853), 8

http://nla.gov.au/nla.news-article4790936 

MECHANICS' INSTITUTION. Thursday Weekly Concert.
Mr. MEGSON, Leader. Principal Vocal Performers: - Soprano, Mrs. Testar; Tenori, Mons. Barre and Mr. Huxly; Basso, Mr. Bancroft. Principal Instrumental Performers - Messrs. Megeon, Reed, Cooze, Johnson, Chapman, Hardman, Portbury, &c, with several of the Band of the 40th Regiment. Mr. Buddee, Pianist. Prices of admission - To the public, 2s. reserved seats, 3s; members of the Institution, 1s. 6d.

ASSOCIATIONS: Anthony Barre (vocalist); Mr. Huxley (vocalist); Richard Bancroft (vocalist); Henry Johnson (musician, master, 40th band); George Chapman (musician); Daniel Hardman (musician); Benjamin Portbury (musician); Band of the 40th Regiment (military)

"THE CONCERT", The Argus (19 May 1853), 9

http://nla.gov.au/nla.news-article4792771 

Our musical readers will regret to learn that this is the last of those concerts, which will be presided over by Mr. Megson, it being that gentleman's intention to proceed to Van Diemen's Land. His band at present is so first rate that it is a pity it should be disarranged, and those who wish to hear it should not lose the present opportunity.
PART I. Overture - Men of Prometheus, (full band.) . . .
Buffo song - Wanted, a wife, Mr. Cooze . . .

[Advertisement], The Argus (13 June 1853), 12

http://nla.gov.au/nla.news-article4793478 

MR. DENNING'S Select Full Dress Subscription Ball, will be held on Tuesday evening, 21st June, weather permitting, at the Protestant Hall. Herr Strebinger, the eminent Violinist, Mr. Johnson, Bandmaster 40th Regiment, Mr. Reed, Mr. Cooze, Mr. Chapman, and other distinguished musicians, are engaged for the occasion . . .

ASSOCIATIONS: Frederick Strebinger (violinist)

"CONCERT", The Argus (7 July 1853), 3

http://nla.gov.au/nla.news-article4794213 

We congratulate our readers on the resurrection of the Thursday Evening Concert, which we understand to be now established on a permanent footing, under the direction of the talented Strebinger. A promising programme for this evening will be found in our advertising columns. Mr. Cooze has happily abandoned the comic and buffo song, and will entertain the audience to night with a "song comique" - no more lost children or Cinderellas . . .

"CONCERT", The Argus (8 July 1853), 5

http://nla.gov.au/nla.news-article4794255

The "Thursdays" were re-inaugurated last night, in a manner which promises a return of their former popularity. The hall was respectably crowded, and there were several encores in the course of the evening . . . Of Mr. Cooze and his comical songs and comical self, we hardly know what to say. He is so good-natured, so desirous to please, and his singing really does please so many, that we do not feel justified in wishing him off the stage. And, besides, his song always comes last, so that any person objecting to his style, may hear the rest of the concert without being obliged to listen to the "comique" . . .

[Advertisement], The Argus (17 August 1853), 8

http://nla.gov.au/nla.news-article4795830

MELBOURNE THURSDAY CONVERTS, under the direction of M. Winterbottom. Mechanics' Institute, Thursday next, August 18th.
Grand Beethoven Festival - Vocalists: Mrs. Testar, and Mr. J. Gregg. Instrumentalists: M. Henri Durant, M. Tucker, M. Cooze, and M. Winterbottom . . .

ASSOCIATIONS: John Winterbottom (bassoon, conductor); John Gregg (vocalist); Henri Durant (cornet); Edward Tucker (violin)

[Advertisement], The Argus (30 January 1854), 8

http://nla.gov.au/nla.news-article4802591 

CREMORNE GARDENS and the SALLE DE VALENTINO. - Mr. JAS. ELLIS . . .
J. E. begs to acquaint the patrons and friends that . . . he has determined to give a short season of superior Promenade Concerts, every Evening the Salle de Valentino, for which he has secured the services of the Best Band in the Colony - the names of the Artistes forming the Orchestra will speak for themselves.
Conductor and Leader, Monsier Fleury; Clarionet, Mr. Johnson; Flute, Mr. Cooze; Tenor, Mr. Reed; Cornet a-Piston, Signor Maffei; Contra Bass, Mr. Hardman; supported by other performers of celebrity.
Madame Carandini, the prima donna of the southern hemisphere, and Mr. Lavenu, the eminent buffo singer from London, will appear every evening and sing their most popular selections. An entire change of programme every evening . . .

ASSOCIATIONS: James Ellis (proprietor); Achille Fleury (violin, leader); Joseph Maffei (cornet); Maria Carandini (vocalist); Lewis Henry Lavenu (vocalist, pianist); Salle de Valentino (Melbourne venue); Cremorne Gardens (Melbourne venue)

[Advertisement], The Argus (22 March 1854), 3

http://nla.gov.au/nla.news-article4804718 

SALLE DE VALENTINO, top of Bourke-street east.
Re-engagement of Barlow, the celebrated Transatlantic Musician and Melodist, for a limited number of nights.
Mr. Ellis begs to acquaint his patrons and friends, that he has determined to give a short Season of superior Promenade Concerts, On a scale far superior to any hitherto attempted in the Colony, for which he has secured the services of the Best Band in the Colony.
Leader and Conductor - M. Fleury . . .
A new selection will be produced each week, comprising the following favorite Scotch Melodies, arranged expressly for this orchestra by Mr. Reed . . .
"Charlie is my Darling," Full Band . . . Highland Quick Step, (Oboe Solo) Mr. Johnson. "Argyle is my Name," (Flute Solo) Mr. Cooze . . .

ASSOCIATIONS: Robert Barlow (vocalist, instrumentalist)

[Advertisement], The Argus (29 July 1854), 8

http://nla.gov.au/nla.news-article4795724 

SALLE DE VALENTINO. Great Attraction for this Evening, Saturday, July 29th.
Grand Vocal and instrumental Concert. Conductor - Mr. Johnson.
Re-engagement of Miss Octavia Hamilton . . . Herr Strebinger, Mons. Fleury, Herr Kohler, Messrs. Johnson, Reed, Cooze, and Hartigan;
Assisted by the elite of the Band of the 40th Regiment . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Franz Andreas Kohler (musician); Joseph Hartigan (musician, 40th band)

[Advertisement], The Argus (28 September 1854), 8

http://nla.gov.au/nla.news-article4798229 

ASTLEY'S AMPHITHEATRE, Spring-street, Sole Lessee, Mr. George Lewis.
Conductor and Leader, Mons. Fleury. Greatest Combination of Talent ever offered to a Melbourne Audience.
Thursday, September 28th, 1854. The following Artistes will appear . . .
Messrs. Johnson, Hartigan. Reed, King, Cooze, Baker, &c., Herr Strebinger . . .

ASSOCIATIONS: George Benjamin William Lewis (proprietor); one of the three King brothers (musicians); William Baker (musician, 40th band); Astley's Amphitheatre (Melbourne venue)

"THE EXHIBITION", The Argus (23 October 1854), 5

http://nla.gov.au/nla.news-article4799314 

There were 598 visitors to the Exhibition on Saturday . . . In the evening a grand military concert took place under the efficient conduct of Mr. Johnson . . . A vocal and instrumental concert will take place this evening; - Mrs. Testar, Miss Edwards, Mr. Ewart, and Mr. Hackett are the vocalists. Herr Strebinger, Messrs. King, Cooze, and Reed are among the instrumentalists. Mr. H. Smith is conductor . . .

ASSOCIATIONS: Miss Edwards (vocalist); Thomas Ewart (vocalist); Mr. Hackett (vocalist); probably Edward King (violin); Henry Smith (conductor); Exhibition Building (Melbourne venue)

[Advertisement], The Age (3 November 1854), 3

http://nla.gov.au/nla.news-article154853969 

VICTORIAN EXHIBITION, Melbourne, 1854.
On Friday, November 3rd, The PHILHARMONIC SOCIETY Will perform Handel's Grand Oratorio THE MESSIAH . . .
INSTRUMENTALISTS . . . FLUTE. - Cooze . . . LEADER, Mr. J. Griffiths. CONDUCTOR. Mr. J. Russell . . .

ASSOCIATIONS: Joseph Griffiths (violin, leader); John Russell (conductor); Melbourne Philharmonic Society (association)

"EXHIBITION CONCERTS", The Age (21 November 1854), 5

http://nla.gov.au/nla.news-article154851602

The Philharmonic Society gave their fourth grand Concert on Friday evening last, to the most crowded and delighted audience ever assembled within the walls of the Exhibition building. The music chosen for the occasion was Handel's "Acis and Galatea," and a miscellaneous selection . . . The charming songs of Galatea were sung by Mrs. Testar, in her usual correct and chaste style; but her most successful effort during the evening was Bishop's song, with Flute Obligato, "Lo, here the gentle lark!" which was most vociferously encored. Mr. Cooze played the Obligato in a highly creditable and artistic manner . . .

"EXHIBITION CONCERTS", The Age (9 December 1854), 5

http://nla.gov.au/nla.news-article154850645 

The seventh, and we presume the last of this series of concerts, was given by the Philharmonic Society, on Thursday evening. The building was not quite so crowded as at some former performances. The music on this occasion was, in a great measure, repetitious from some of the former concerts, with some very injudiciously chosen part songs, and a few of Mons. Coulon's most popular songs. The concert opened with the overture to Anacreon, a composition of great and marvellous beauty, full of enchanting melody and sublime combinations of harmony. Although we observed a great falling off in the number of the band, yet the excellent style and precision with which the overture was given, convinced us that the grist of the orchestra was still there . . . Mrs. Testar's song, "Sweet May," is too tame a composition for the building. "The gentle lark," procured her a most unanimous encore, although this must have been the third time it has been introduced at the Exhibition Concerts, M. Cooze was quite up with the Flute Obligato . . .

ASSOCIATIONS: Emile Coulon (vocalist)

"MRS. HANCOCK'S CONCERT", The Argus (12 December 1854), 5

http://nla.gov.au/nla.news-article4801640 

The concert room of the Mechanics' Institution was well filled last evening, notwithstanding the excessive heat of the weather . . . Mrs. Hancock was in fine voice, and sang a rather elaborate but pretty song, entitled "The Village Girl," with great effect. Mrs. Testar's echo-song was also a great hit, and the flute obligato by Mr. Cooze was steady and musician-like . . .

ASSOCIATIONS: Mary Ellen Hancock (vocalist)

[Advertisement], The Argus (17 February 1855), 8

http://nla.gov.au/nla.news-article4804507

CONCERT HALL. Theatre Royal. Immense Attraction! To-night. To-night. To-night.
Concentration of Talent and Novelty! On this and every evening, Grand Promenade Concerts
In the magnificent Concert Hall of the New Theatre Royal, now rapidly in course of erection . . .
Tho following celebrated Artistes are under engagement: . . . .
Mr. Callen, Mr. Johnson, Mr. Hartigan, M. Lippi, Mr. Prince, Mr. Cooze, Mons. Bial . . .
The following will form the programme for the evening:- . . .
Part I . . . Celebrated echo song, - Mrs. Hancock (with flute obligato by Mr. Cooze) . . .

ASSOCIATIONS: George Douglas Callen (conductor); Henry Prince (musician); Charles Bial (pianist); Theatre Royal (Melbourne venue)

[Advertisement], The Argus (10 April 1855), 8

http://nla.gov.au/nla.news-article4806506 

CONCERT HALL. Theatre Royal. Great Attraction.
Concentration of Talent and Novelty. To-Night. Tuesday, April 10th. To-Night,
Recommencement of the GRAND PROMENADE CONCERTS, In the Magnificent Entrance Hall of the New Theatre Royal, Now in course of Erection . . .
Band of Twenty Solo Performers. Director and Manager, Mr. Callen.
Solo Instrumentalists: Herr Strebinger, Mr. Johnson, Mr. Hartigan, Mr. Prince, . . . Cooze, Baker . . .

"SATURDAY NIGHT'S CONCERT", The Age (16 July 1855), 5

http://nla.gov.au/nla.news-article154893626 

Sitting quietly down a full hour after the last bar of "God save the Queen" has been played, and the last carriage has rolled away from the Exhibition Building, and the last lamp has been extinguished, and silence and darkness have settled down upon an edifice that was so radiant with light, so populous with eager listeners, so resonant with tumultuous applause, - one is tempted to indulge in a fruitless regret that the delight experienced in listening to a vocalist of such consummate ability as Miss Hayes should be so transitory and evanescent . . . Let us offer at word or two of honest eulogy to Mrs. Testar for her valuable contributions to the evening's entertainment; to Herr Strebinger for his masterly solo on the violin; to Mr. Cooze for his charming obligato accompaniment to "Lo! here the gentle lark," and to the gentlemen of the orchestra generally for their accurate and effective performance of the overtures and accompaniments entrusted to them . . .

ASSOCIATIONS: Catherine Hayes (vocalist); Lo here the gentle lark was sung by Elizabeth Testar

"DISTRICT LICENSING DAY . . . TRANSFERS", The Age (5 September 1855), 5

http://nla.gov.au/nla.news-article154891519 

. . . W. J. Cooze, Studley Arms, Collingwood, from J. Balfour. Granted . . .

Admissions, Lodge of Australasia, Melbourne, no. 773; Library and Museum of Freemasonry, London, Register of Admissions, Country and Foreign 'H', #736-939

https://www.ancestry.com.au/discoveryui-content/view/1103481:60620 (PAYWALL)

[1856] Dec. 11 / Cooze / William Joseph / 40 / Collingwood / Publican . . .

"EAST COLLINGWOOD MUNICIPALITY. ELECTION OF COUNCILLORS", The Age (9 October 1857), 4

http://nla.gov.au/nla.news-article154832314 

. . . After the conclusion of the proceedings, the newly elected councillors gave a sumptuous entertainment to about seventy of their friends at Mr. Cooze's, the Studley Arms, where every one enjoyed himself to his heart's content . . .

[Advertisement], The Argus (23 January 1860), 8

http://nla.gov.au/nla.news-article5695708 

NEW ASSEMBLY ROOMS, Wellington-street, East Collingwood,
Mr. COOZE'S FORTNIGHTLY QUADRILLE PARTY on Tuesday evening.
Tickets of Mr. Cooze, and Mr. Wivell, conductor.

ASSOCIATIONS: Edward James Wivell (dancing master)

"CITY OF MELBOURNE ANNUAL LICENSING SESSION. TUESDAY, APRIL 17", The Argus (18 April 1860), 1 supplement

http://nla.gov.au/nla.news-article5680787 

. . . The following applications were then granted . . . William Joseph Cooze, Prince's Bridge Hotel, Swanston-street. (New applicant.) . . .

"NEW INSOLVENTS", The Argus (8 August 1860), 7

http://nla.gov.au/nla.news-article5687489 

William Joseph Cooze, late of the Studley Arms, Collingwood, licensed victualler. Causes of insolvency - Outlay in commencing business as a publican, rent and expenses, and falling off in business. Liabilities, £1,585 15s. 6d.; assets £36; deficiency, £1,549 15s. 6d. Mr. Shaw, official assignee.

[Advertisement], Otago Daily Times [Dunedin, NZ] (16 September 1864), 1

https://paperspast.natlib.govt.nz/newspapers/ODT18640916.2.2.7

THE CORINTHIAN HALL . . . This New and Magnificent CONCERT HALL
Will be opened on SATURDAY EVENING, 17th SEPTEMBER . . .
Pianist - Mr. MOSS. Cornopean - Mr. HORSFIELD. Flautist - Mr. COOZE . . .

"MARRIAGES", The Argus [Melbourne, VIC] (29 January 1866), 4

http://nla.gov.au/nla.news-article5766159

COOZE - DONALDSON. - On the 17th inst., at 136 Gore-street, Fitzroy, by the Rev. J. C. McMichael, Frederick, second son of W. J. Cooze, of Dunedin, to Annie, second daughter of George Donaldson, Fitzroy.

[Advertisement], West Coast Times [Hokitika, NZ] (9 September 1868), 3

https://paperspast.natlib.govt.nz/newspapers/WCT18680909.2.16.2

PRINCE OF WALES OPERA HOUSE . . . Farewell BENEFIT of Mr. W. J. WILSON (Scenic Artist) . . .
Several Members of the PHILHARMONIC SOCIETY have kindly given their services . . .
also, Mr. Cooze and other gentlemen to strengthen the orchestra . . .

[Notice] West Coast Times (9 May 1872), 3

https://paperspast.natlib.govt.nz/newspapers/WCT18720509.2.13.2 

THE following are the Persons objected to as not being entitled to have their names retained on the List of Voters for the Electoral District of Hokitika: - . . .
Cooze, William Joseph / Hokitika / household / left the district . . .

"DEATHS", The Age (20 March 1875), 4

http://nla.gov.au/nla.news-article202131781 

COOZE. - On the 19th March, at her residence, Kew, after a protracted illness, Frances, the beloved wife of William Joseph Cooze, aged sixty-one years, deeply regretted.

"Deaths", The Age (12 June 1885), 1

http://nla.gov.au/nla.news-article191201069 

Cooze. - On the 7th June, at the residence of his son, F. Cooze, Esq., city surveyor, Fitzroy suddenly, W. J. Cooze, of London, aged 67. - An old and respected colonist.

"TO THE EDITOR OF THE . . .", Fitzroy City Press (20 June 1885), 3

http://nla.gov.au/nla.news-article65647445 

Sir,- It has now become a open secret that a breach has occurred between the surveyor and our Council. How unfortunate the time chosen! alas for Cooze he has just completed the burial of his father; his wife in a dying state, in a home no longer her own almost bereft of furniture. Humanity and a sense of justice tempered with mercy pleads for the Council to pause ere a step so far reaching in its effects be taken.
Yours, etc., SYMPATHY IN DISTRESS..

ASSOCIATIONS: Frederick Cooze (1841-1914) was forced to resign his position as Fitzroy city surveyor, his wife Annie died on 13 October 1855, and on 4 December 1885 he was confined at the Yarra Bend Asylum, where almost 30 years later he died from dementia


Bibliography and resources:

William Joseph Cooze, Find a grave

https://www.findagrave.com/memorial/195113100/william-j-cooze 








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