- G - ( Ga - Gly ) -

Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

Major upgrades of the contents of this page were completed in 2020 and 2024, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.

Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.

GABB, John Gough (John GABB; J. GABB; John G. GABB; John Gough GABB; Mr. GABB)

Amateur and semi-professional musician, violinist, violin player, orchestral leader, painter and decorator

Born Gloucestershire, England, 1819; baptised Minchinhampton parish church, 6 June 1819, son of Daniel GABB and Hannah GOUGH
Married (1) Eleanor BUCKINGHAM (c. 1820-1876), St. Mary de Crypt, Gloucester, England, 20 February 1844
Arrived Melbourne, VIC, 28 December 1852 (per Mercurius, Dutch ship from Liverpool, with wife and 4 children)
Married (2) Phillippa DONALDSON, Geelong, VIC, 1877
Died Geelong, VIC, 12 April 1904, aged "85", "a colonist of 52 years"

https://trove.nla.gov.au/search?l-publictag=John+Gough+Gabb+1819-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GABB-John-Gough (shareable link to this entry)

Summary:

John Gabb was born at Minchinhampton, Gloucestershire, in 1819, a son of Daniel Gabb, a blacksmith, and Hannah Gough. He married Eleanor Buckingham in Gloucester in 1844. A painter and decorator by trade, he was active as an amateur musician during the 1840s. By his own account, he participated in the Gloucester and Worcester musical festivals, and performed in the premiere of Mendelssohn's oratorio Elijah, under the direction of the composer, at the Birmingham Festival, on 26 August 1846.

At least one independent account places Gabb in charge of a masonic concert in Gloucester on 24 October 1848. Gabb himself appeared as a singer in Weber's vocal quartet, Lutzow's wild hunt (op. 42 no. 2), and as first violinist in Beethoven's String quartet in B flat (op. 18 no. 6).

The notice of his insolvency in February 1850 lists his recent addresses, as a "Painter, Gilder, Japanner, Glazier, and Paperhanger", living at Bearland and in the Barbican Road, and working from a shop in Longsmith Street. His estate having probably been settled by mid 1851, in mid 1852 he and his wife and children sailed from Liverpool by the Dutch ship Mercurius, for Victoria.

They landed in Melbourne, VIC, on 28 December 1852, and settled immediately at Geelong, where, on 6 April 1853, Gabb became a foundation committee member of the Geelong Sacred Harmonic Society. Thereafter, for almost two decades, Gabb was leader of its band, and the bands of its successors, the Geelong Choral Society (in its two iterations), the Geelong Philharmonic Society (in its two iterations), and the Geelong Harmonic Society.

Notably, the first performance in Geelong of Mendelssohn's Elijah was for Gabb's benefit.

He was also, probably for much of the later 1850s and the 1860s, a leading member of the band of the Theatre Royal, Geelong

Gabb's musical performances continued to be reported in the Geelong press, over almost forty years, into the early 1890s. From as early as the 1860s, however, his own and his family's recurring problems also began to be reported. Gabb himself was detained for public drunkenness at least twice in 1863, his daughter had a child out of wedlock in 1866, his son Daniel was several times detained for exposing himself, and in 1869 his wife Eleanor had to be restrained from pawning the family's possessions to pay for her drinking habit. When finally, in 1870, Gabb was removed from the post of leader of the band of the Philharmonic Society, it was alleged that members had been "disgusted" by his (unspecified) behaviour.

For the remainder of the 1870s and 1880s, however, he continued to play and apparently also to teach locally on a more modest scale, frequently documented in his later years playing violin at social functions of the Newtown Wesleyan Sunday School.

Documentation:

Baptisms solemnized in the parish of Minchinhampton in the county of Gloucester in the year 1819; register, 1813-34, page 82; Gloucestershire Archives, P217 in 1/12

https://www.ancestry.com.au/interactive/5066/41511_626640_4079-00095 (PAYWALL)

No. 651 / June 6 / John Son of / Daniel & Hannah / Gabb / Barley / Blacksmith / . . .

England census, 6 June 1841, St. Mary de Lode, Gloucester; UK National Archives, HO107/356/10/1/5/4

https://www.ancestry.com.au/discoveryui-content/view/1979783:8978 (PAYWALL)

Barbican Cottage / Jail Alley / Daniel Gabb / 45 / Whitesmith // Hannah / 45 // John / 21 / Painter . . . [all born in county]

1844, marriages solemnized at the parish church in the parish of St. Mary de Crypt in the city of Gloucester; register 1844; Gloucestershire Archives, Gdr/V1/407

https://www.ancestry.com.au/interactive/5156/43138_633870_4624-00811 (PAYWALL)

No. 112 / Feb'y 20 / John Gabb / Full age / bachelor / Painter / [residence] St. Mary de Crypt / [father] Daniel Gabb / Blacksmith
Eleanor Buckingham / Full age / Spinster / St. Mary de Crypt / [father] John Buckingham / Clerk . . .

"MARRIED", Cheltenham Chronicle [England] (22 February 1844), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000311/18440222/023/0003 (PAYWALL)

Feb. 20, at St. Mary de Crypt Church, Gloucester, Mr. John Gabb, painter, Bolt lane, to Eleanor, second daughter of Mr. J. Buckingham, of the New Stroud road, near that city.

"DEATHS", Gloucestershire Chronicle (5 June 1847), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000393/18470605/030/0003 (PAYWALL)

May 31, of scarlet fever, William John, son of Mr. John Gabb, painter, of Bell-lane, in this city, aged 2 years.

[News], Gloucester Journal (28 October 1848), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000532/18481028/032/0003 (PAYWALL)

On Tuesday evening last [24 October], an excellent concert took place at the Lodge of Druids, No. 372, held at the Lower George, in this city. The programme (drawn up by Mr. John Gabb,) was of a most inviting nature, embracing choruses, overtures, quartets, glees, duets, valses, and recitations. The whole of the musical talent, for which this society is so much noted, was called into action. The song of "I seek her on every shore" was sung with great taste and considerable feeling by Mr. Raggett. "Lutzow's wild hunt" was sung by Messrs. O. Dewey, A. Whitehead, C. Luker, S. Morgan, E. T. Evans, J. Gabb, M. Grist, and E. Bailey, and elicited much applause. Mr. W. Becks' recitation was of a first-rate character, and received the merited approbation of the brothers. Mr. S. Morgan gave the celebrated Parry's song of "Matrimony;" this gentleman's talent is well known, and he received a unanimous encore. Beethoven's quartet, No. 6, "Op. 18," was admirably played by Messrs. Gabb, Evans, Morgan, and Grist. The overture of "Tancredi" brought forward the talent of these gentlemen, assisted by Mr. E. Bailey, of Newent, who came to Gloucester expressly for that purpose. Mr. J. Band did much service in playing the double bass. The recitation by Mr. J. Gough, of "Ye crags and peaks," was given with considerable judgment and much feeling, and was rapturously received by all present. Mr. Chas. Clutterbuck, surgeon, having been called upon for toast, highly commended the performances, and expressed his belief that such entertainments are calculated to promote good feeling, harmony, and brotherly love. He hoped there would be a recurrence of these meetings. Several toasts were drank in the course of the evening. The lodge was closed by the whole company, amounting to nearly one hundred, singing the National Anthem. Several leading men of the city and a sprinkling of the body corporate belonging to the order were present, as well as a good attendance of brothers belonging other lodges, especially from Lodge 96, who were much pleased with the entertainment. The whole of the performances was of first rate and gratifying nature, and reflect great credit upon all parties concerned. Mr. A. Whitehead presided at the pianoforte, and his exertions gave universal satisfaction.

[Notice], The London gazette (8 February 1850), 382

https://books.google.com.au/books?id=DRlKAQAAMAAJ&pg=PA382 (DIGITISED)

WHEREAS a Petition of JOHN GABB, at present and for three and a half years and upwards last past residing in Bell Lane, in the city of Gloucester, and being a Painter, Gilder, Japanner, Glazier, and Paper-hanger; previously for a short time staying Barbacan House, near the said city, but in the county of Gloucester, out of business and employment; previously of No. 4, Bear Land; previously of No. 16, Longsmith Street, both in the said city of Gloucester; and formerly of Barbacan Road, near the city, but in the said county of Gloucester, (having a Shop in Longsmith Street aforesaid,) Painter, Gilder, Japanner, and Glazier; and during a portion of his said residence at No. 4, Bear Land aforesaid, also a Paper-hanger; an Insolvent Debtor, having been filed in the County Court of Gloucestershire, Gloucester, and an interim order for protection from process having been given to the said John Gabb, under the provisions of the statutes in that case made and provided, the said John is hereby required to appear in such aforesaid Court, before James Francillon, Esquire, the Judge of the said Court, acting in the matter of the said Petition, on the eleventh day of March next, at ten o'clock in the forenoon precisely, for his first examination, touching his Debts, Estate, and to be further dealt with according to the provisions of the said statutes. And notice is hereby given, that the choice of the Creditors' Assignees to take place at the time appointed. All persons indebted to the said John Gabb, who have any his effects, are not to pay or deliver the same but to Robert Wilton, Clerk of the said Court, his Office, Gloucester, the Official Assignee of the said Insolvent. By order of the Court, J. N. BALME, High Bailiff. Gloucester, February 5, 1850.

England census, 30 March 1851, Gloucester St. Catherine; UK National Archives, HO 107/1961/452/15

https://www.ancestry.com.au/interactive/8860/GLSHO107_1961_1962-0332 (PAYWALL)

15 Oxford Terrace / John Gabb / Head / 31 / Painter / [born] Gloucestershire
Eleanor Gabb / Wife / 30 / - / Gloucester St. Nicholas
Elizabeth Gabb / Dau / 4 / - / Gloucester St. Mary de Crypt
William John Gabb / Son / 3 / - / Gloucester St. Mary de Crypt
Daniel Henry Gabb / Son / 1 / - / Gloucester St. Mary de Crypt
Emily Moore / Servant / 12 . . .

[Advertisement], Gloucester Journal (19 April 1851), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000532/18510419/027/0001 (PAYWALL)

NOTICE is hereby given, that James Francillon, Esquire, Judge of the County Court of Gloucestershire, at Gloucester, in which a Petition for Protection from Process bearing date the 1st day of February, 1850, hath been filed by JOHN GABB . . . will sit on the first day of May next, at ten o'clock in the forenoon to Audit the Accounts of the Official Assignee of the Estate and Effects of the said Insolvent . . . And Notice is hereby also given, that the said James Francillon, Esquire, the Judge of the said Court, will sit on the 29th day of May next, at ten o'clock in the forenoon, at the Shire Hall, in the said city of Gloucester, in order to make a Dividend of the Estate and Effects of the said Insolvent; when and where the Creditors whose Debts are not inserted in the Insolvent's Schedule, and who have not already proved their Debts, are to come prepared to prove the same, or they will be excluded the benefit of the said Dividend; and all claims not then proved will be disallowed. Gloucester, 14th April, 1851.

Geelong, VIC (from December 1852):

Names and descriptions of passengers per Mercurius, from Liverpool, 10 September 1852, for Port Phillip, 28 December 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FF8A68-F96C-11E9-AE98-392CC9D20830?image=174 (DIGITISED)

. . . John Gabb / 35 / Farmer // Eleanora / 30 // Elizab't / 6 // W'm John / 4 // Dan'l Henry / 2 // Leonora / 1

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (20 April 1853), 4 supplement

http://nla.gov.au/nla.news-article94361403 

THE GEELONG AMATEUR HARMONIC SOCIETY.
AT a Meeting held at the residence of Mr. B. Wilson, on the 6th of April, 1853, it was resolved, that a Society be immediately formed, under the denomination of the Geelong Amateur Harmonic Society, having for its object the cultivation of Vocal and Instrumental Music, and that the following Gentlemen be appointed as Officers of the Society for one year, viz.:
Mr. W. Weire - President.
Mr. B. Wilson - Vice President.
Mr. G. W. Bayley, Treasurer and Secretary.
Mr. T. Carr - Auditor.
Committee of Management, with power to add to their number - Messrs. Spark, Gabb, Jones, Wilson, and Hunt.
NOTICE is hereby given, that the Next Meeting of the said Society will be held at the School Room opposite the Court House, Yarra street on Wednesday Evening next, the 20th April at Seven o'clock precisely, for the furtherance of the above object, to which all persons favourably disposed to the progress thereof are respectfully invited to attend and become Members.
Donations of Music will be thankfully received and acknowledged.
G. W. BAYLEY, Secretary.

ASSOCIATIONS: Benjamin Wilson (member); Geelong Sacred Harmonic Society (association)

[Advertisement], Geelong Advertiser and Intelligencer (29 April 1854), 4

http://nla.gov.au/nla.news-article91933750

THEATRE ROYAL. NOVELTY! NOVELTY!!
SATRUDAY, April 29th. GRAND EVENING CONCERT. PHALANX OF MUSICAL TALENT.
Principal Vocalists: MADAME SARA FLOWER, The Australian Nightingale.
Mrs. MOORE, the Favourite soprano.
Re-appearance of MR. F. W. SAYERS, The Primo Tenore of the Colonies.
MR. LABERNE, the John Parry of Australia.
Instrumentalists: Messrs. F. Coppin, Harward, Cossa, Heunerbein [sic], Gabb, and A. Moore,
Leader - Mr. Coppin. Conductor - Mr. A. Moore
PROGRAMME:
PART I.
Overture - 'The Bohemian Girl,' - Full Band - Balfe
2. Song - 'The Maids of Merry England,' - Mr. F. W. Sayer - Perring
3. Scena - 'Casta Diva,' - Madame Sara Flower - Bellini.
4. Buffo Song, Mr. Laberne - Laberne.
5. Waltz - 'D'Amour,' with Cornopean obligato by Mr. Harward - Koenig.
6. Song - 'Light of my soul,' - Mrs. Moore - Aspul
7. Solo - Cornopean, by desire - Mr. Harward.
8. Duet - 'The Echo,' - Mrs. Moore and Mr. F. W. Sayer - Braham.
9, Quadrille - 'The Irish,' - Full Band - Jullien.
An Interval of 10 minutes.
PART II.
Overture - 'Norma,' - Full Band - Bellini.
2. Song - 'The Death of Nelson,' - Mr. F. W. Sayer - Braham.
3. Ballad - 'The Lost Heart,' - Madame Sara Flower.
4. Ballad - 'I'll not beguile Thee,' - Mrs. Moore - Lee
5. Galop - 'The Ne Plus Ultra,' - Full Band - Gungl
6. Duet - 'For the sake of these I pray thee' - Madame Sara Flower and Mrs. Moore.
7. Solo - 'Flageolet' - Mr. F. W. Sayer - Mayseder.
8. Finale - 'God save the Queen,' - Solos by Mesdames Sara Flower, Moore, and Mr. F. W. Sayer.

ASSOCIATIONS: Sara Flower (vocalist); Rachel and Andrew Moore (vocalist and violinist, conductor); William Francis Sayer (vocalist); George Laberne (vocalist); Frederick Coppin (musician); William Harward (musician); Mr. Cossa (musician); August Christian Huenerbein (musician); Theatre Royal (Geelong venue)

[Advertisement], Geelong Advertiser and Intelligencer (8 January 1855), 3

http://nla.gov.au/nla.news-article91863096 

Thursday, 11th January. To Painters and Glaziers.
E. SMITH has received instructions from Mr. Gabb to sell by auction, on the premises, Myers-street, opposite the Odd Fellows Hotel, on Thursday, January 11, at 12 o'clock,
The whole of his Stock-in-Trade, comprising Room Paper, Paints, Dry Colours, and a general assortment of Painter's Materials.
No reserve. Terms, cash

[Advertisement], Geelong Advertiser and Intelligencer (25 September 1855), 3

http://nla.gov.au/nla.news-article91871217

GRAND SACRED CONCERT. 70 Performers.
The members of the Geelong Sacred Harmonic Society respectfully announce they will give their
second Grand Concert (in aid of the funds of the Society) in the McKILLOP-STREET CHAPEL, on
THURSDAY, 27th instant, on which occasion they will perform (assisted by talented musicians from Melbourne),
Haydn's magnificent Oratorio THE CREATION.
The services of MRS. TESTAR Have again been secured,
Mr. Ewart (member of the Melbourne Philharmonic Society), Mr. Kawerau, and others have kindly volunteered their assistance on this occasion.
Conductor - Mr. J. Rogers. Leader - Mr. J. Gabb.
Great care has been taken to render the band and chorus thoroughly efficient, and it is confidently hoped that the public of Geelong will heartily support the Society's endeavours in providing concerts of this elevating character.
Admission, 5s. Reserved Seats, 7s 6d. Tickets and books containing the words of the Oratorio, to be had at Mr. Mercer, Market-square, Mr. Brown, Moorabool-street, Mr. Paterson, Malop-street, Mr. Vale, Moorabool-street,
Mr. Hobday, Yarra-street, Mr. C. Andrews, Market-square, Mr. C. Grey, Moorabool-Street,
Mr. W. Field, Singapore Terrace, Mr. W. Hitchcock, Market-square . . .
WALTER M. HITCHCOCK, Hon. Sec., Geelong, September 14th, 1855.

ASSOCIATIONS: Elizabeth Testar (vocalist); Thomas Ewart (vocalist); Theodore Kawerau (vocalist); John Rogers (conductor); George Mercer (member); Joseph Hobday (member); William Field (member); Walter Michelmore Hitchcock (secretary)

[Advertisement], Geelong Advertiser and Intelligencer (19 February 1856), 3

http://nla.gov.au/nla.news-article91866616 

GRAND SACRED CONCERT In aid of the funds of the Mechanics' Institution.
The Geelong Sacred Harmonic Society respectfully inform the public that they will give their third concert on
TUESDAY, the 19th instant, In the Independent Chapel, McKillop-street,
Subject - Handel's Sublime Oratorio, THE MESSIAH.
The Committee have much pleasure in again announcing the engagement of Mrs. TESTAR, to render the principal Soprano Solos.
Mr. EWART (principal tenor of the Melbourne Philharmonic Society.)
Mr. KAWERAU, and others, have kindly volunteered their assistance.
Several members of the Society will, also, take part in the Solos . . .
Every effort has been made to render the chorus and band effective.
Conductor, Mr. Jerson. Leader, Mr. Gabb . . .

ASSOCIATIONS: Thomas William I'Erson (conductor); Mechanics' Institute (Geelong association)

"GEELONG (FROM OUR OWN CORRESPONDENT) Thursday, 22nd May, 1856", The Argus [Melbourne, VIC] (23 May 1856), 4

http://nla.gov.au/nla.news-article4838578 

Notwithstanding the frequent showers of rain during the greater portion of yesterday the oratorio last evening was very well attended. The expenses attending the getting up of such an entertainment are necessarily very heavy, and it must have been highly gratifying to the Sacred Harmonic Society to find that their endeavors to provide so great a treat were appreciated by the public at large, who, spite of mud and rain, had congregated in large numbers. Nearly one hundred performers were on the platform, among whom I was pleased to find a much larger number of ladies than on any former occasion. Mr. Jerson conducted with his usual ability. The arrangements for the orchestra, under the able leadership of Mr. Gabb, were all that could be desired. Mr. Johnston and several of the band of the 40th Regiment were present, their assistance tending in no small degree to make the entertainment go off with considerable eclat. Especial mention should be made of the able manner in which the solos were rendered by Mrs. Testar, Mrs. Goodliffe, and Mr. Ewart; as also the bass solos by members of the society. Thanks are also due to the ladies for their courage in venturing out in such weather, thus securing the committee from an expected deficiency in the proceeds.

ASSOCIATIONS: Henry Johnson (master, 40th band); Anne Goodliffe (vocalist); Band of the 40th Regiment (military)

"GEELONG (FROM OUR OWN CORRESPONDENT) Friday, 22nd August, 1856", The Argus (23 August 1856), 7

http://nla.gov.au/nla.news-article7135351

The sacred concert given on Wednesday evening by the Geelong Sacred Harmonic Society was very well attended, considering the very inclement weather, bad roads, and also that the same night had been most injudiciously chosen for the theatrical benefit in aid of the hospital. Mrs. Testar and Mr. Kaye, who executed the different solos, as well as Mr. Gabb, the conductor of the band, deserve the highest praise for their exertions.

ASSOCIATIONS: Samuel Kaye (vocalist)

[Advertisement], The Argus (13 October 1857), 1

http://nla.gov.au/nla.news-article7140234 

TO Lady Vocalists - A Lady, with powerful soprano voice, and of undoubted ability,
may receive a Quarter's ENGAGEMENT in the Grand Subscription Concerts to be given weekly in the Mechanics' Hall.
Address, stating terms, Mr. Gabb, Geelong.

"PHILHARMONIC SOCIETY", Geelong Advertiser (5 January 1859), 2

http://nla.gov.au/nla.news-article150074918 

The annual meeting of the Geelong Philharmonic Society was held last evening, at the Mechanics' Institute, Mr. Hitchcock, the President, in the chair . . . During September and October it was the intention of the committee to give a sacred concert, consisting of Beethoven's Mass, but the irregular attendance on the part of the members compelled them reluctantly to abandon this project . . . The Messiah having been put in rehearsal, it was given at a concert on the 23rd ult., partly amateur and partly professional. It is to be regretted that the inattention of a portion of the members who merely came a few rehearsals before the concert, and were quite incapable of taking their parts, led to an unsatisfactory rendering of some portions of the oratorio, and brought blame on a useful officer of the society by a severe critique in the Advertiser, to which the committee felt called upon to reply. The last three months have been fraught with considerable anxiety to the committee, who have used every exertion and adopted every possible plan to arouse the members to a more regular attendance, and which they have much to regret has not resulted to their satisfaction. The present officers now retire, and it devolves upon this meeting to elect their successors. A new arrangement has been made with Mr. Gabb, viz., - that he be allowed one half the nett proceeds of all concerts, the committee reserving themselves the right to give one annually for any purpose they may elect.
The property of the Society consists of drums, cost £20; music, cost £102; violin, £1; organ shares 42, at £42; and which if forced into the market it is supposed would not realise more than £80.
The Treasurer reported a deficiency of £58.
Mr. Towle moved, and Mr. Wilson seconded the advisability of winding up the society.
Mr. Field moved as an amendment, "That the society should be continued on a more moderate scale, in a hall which could be had without charge, and under a gratis management" . . .
Mr. Gabb thought the winding up of the society might have a good effect in clearing off some cliquisms and other embarrassments; and then the members might, if they so chose, start a similar society afresh.
The motion and amendment were put, and the amendment had it by a large majority.
The meeting then proceeded to the election of officers for the ensuing year.

ASSOCIATIONS: Walter Michelmore Hitchcock (member); Benjamin Wilson (member); Thomas Towle (member); Geelong Philharmonic Society (association)

"CURRENT TOPICS", Geelong Advertiser (8 April 1859), 2

http://nla.gov.au/nla.news-article150077159 

A capital little soiree, got up in a quiet way by purely local co-operation, came off last evening at the Newtown Mechanics' Institute . . . Upwards of a hundred guests were present. The hall was gaily decorated with wreaths, evergreens and banners; and for the further enlivenment of the evening's festivities, Mr. Stoneham, Mr. Gabb, and other musical notorieties were in attendance, and took care to let the meeting be aware of them . . .

ASSOCIATIONS: William Stoneham (musician)

"CURRENT TOPICS", Geelong Advertiser (18 April 1859), 2

http://nla.gov.au/nla.news-article150077420 

The first of a series of Saturday Night Concerts for the People was given on Saturday evening last, in the new Temperance Hall. William Burrow, Esq., Mayor of Geelong, presided. The programme offered a very fair evening's entertainment in return for the small charge made for admission. Mr. Stoneham, Mr. Gabb, and other instrumentalists were engaged for the occasion. The vocal music was executed by a few members of the Temperance Society . . .

[Advertisement], Geelong Advertiser (10 June 1859), 4

http://nla.gov.au/nla.news-article150079190 

GEELONG RECREATIVE SOCIETY.
SATURDAY EVENING CONCERTS FOR THE PEOPLE.
THE First Concert in connection with the above Society will be held in the hall of the Mechanics' Institute, on Saturday, June 11th.
Vocalists: - Miss Juliana King, Mr. Ewart, (of the Melbourne Philharmonic) assisted by several Amateurs.
Stoneham's celebrated band has also been engaged. Principal Instrumentalists: Cornet, Mr. Stewart (of the 40th Regiment); 1st Violin, Mr. Gabb; Pianist, Mr. Plumstead; Director, Mr. Stoneham . . .
Admission - One Shilling; Children under 12, Half Price.
W. STITT JENKINS, Hon. sec.

ASSOCIATIONS: Juliana King (vocalist); Edward Stewart (cornet); Henry Plumstead (pianist); William Stitt Jenkins (secretary); Geelong Recreative Society (association)

"CURRENT TOPICS", Geelong Advertiser (23 December 1859), 2

http://nla.gov.au/nla.news-article146565811 

HANDEL'S "Messiah" was performed at the Harmonic Society's Concert last night, in a more perfect manner than it ever has been produced in Geelong. We do not remember any affair of the kind so deserving of unqualified praise in every particular. Madame Sarah Flower confirmed the opinion of all who are familiar with her fine contralto voice, and in the solo "He was despised" peculiarly distinguished herself. Mrs. Hancock must have noticed the warmth of welcome by the audience exhibited in a manner not the less gratifying perhaps, for being altogether ill accordant with the nature of the music. Mr. Farquharson with his glorious bass "like to the sound of a trumpet," and Mr. Sherwin with his powerful yet melodious tenor, all contributed to give a completeness to the Oratorio never before attainable here. The orchestra under the leadership of Mr. Gabb, and strengthened by Mr. Johnson and a few other musical veterans from Melbourne was to the solos and chorusses like a rich setting to the Diamond or Pearl, the glowing background to a sunny picture . . . We never heard the choir sing so well together, and we will probably not go far wrong in giving Mr. I'Erson and Mr. Gabb some portion of the credit for this. The second concert of the Society, consisting of operatic and other selections, takes place this evening, when all the celebrities of last night, and Madame Carandini in addition, will appear . . .

ASSOCIATIONS: Sara Flower (vocalist); Mary Ellen Hancock (vocalist); Robert Farquharson (vocalist); Walter Sherwin (vocalist); Thomas William I'Erson (conductor); Maria Carandini (vocalist); Geelong Harmonic Society (association)

"CURRENT TOPICS", Geelong Advertiser (15 June 1860), 2

http://nla.gov.au/nla.news-article150306088 

Not since the departure of Anna Bishop has such an audience assembled in Geelong as last night responded to the call of the Harmonic Society; and certainly the unusual attractions offered warranted the response. Mendelssohn's Elijah constituted the performance, a daring thing for the society to attempt, but the result showed that they did not miscalculate their powers and means, for a more complete performance was never given in Geelong . . . The array of vocal and instrumental talent on the platform last night exceeded anything ever witnessed here. Madame Stuttaford made her first appearance in Geelong, and won triumphs in the various solos and quartetts which fell to her share . . . Three members of Lyster's Opera Company assisted, namely, Madame Lucy Escott, Miss Georgina Hodson, and Mr. Squires . . . Mr. Farquharson was absent from illness, and his place was kindly filled by Mr. Lyster . . . The remaining principals were Mr. Ewart, Mr. Lissignol, and Master Cooke, while the band was strengthened by Mr. Johnson, of the 40th, Mr. Reed, Mr. King, and Mr. Gover, from Melbourne. Mr. Plumstead presided at the organ. Mr. Gabb (for whose benefit the concert was) led, and Mr. H. B. Moore conducted, a task for which he proved himself on this, as on former occasions, peculiarly fitted . . .

ASSOCIATIONS: Charlotte Stuttaford (vocalist); Lucy Escott (vocalist); Georgia Hodson (vocalist); Henry Squires (vocalist); Frederick Lyster (vocalist); Eugene Lissignol (vocalist); Charles Cook (vocalist); Thomas Reed (musician); Edward King (musician); Henry Barman Gover (musician); Henry Byron Moore (conductor); Lyster Opera Company (troupe)

"CURRENT TOPICS", Geelong Advertiser (7 November 1862), 2

http://nla.gov.au/nla.news-article148903843 

A numerous meeting was held in the Class room of the Mechanics' Institute last evening, for the purpose of making arrangements for the musical performance at the opening of the forthcoming Industrial Exhibition. Mr. T. W. I'Erson presided. Messrs. Gabb, Goodall, Levein, I'Erson, Stoneham, Sasse, J. H. Turner, Walker, Roxburgh, W. S. Howell, and Hobday were elected a committee to conduct the affair. Mr. Levien was appointed secretary to the committee, and it was resolved to write to the secretary of the Melbourne Philharmonic Society, for the loan of the music as performed at the opening of the London Exhibition, with a view to put the same in rehearsal . . .

ASSOCIATIONS: William Daniel Goodall (musician); Jonas Felix Levien (amateur); Edmund Sasse (amateur); James Hobson Turner (amateur); George William Walker (musician); Joseph Hobday (musician); Melbourne Philharmonic Society (association)

"CENTRAL POLICE COURT. Wednesday, May 20 . . . DRUNKARDS", Geelong Advertiser (21 May 1863), 3

http://nla.gov.au/nla.news-article150408843 

John Friend, John Gabb; William McCann. Phillip O'Neil, Alexander Webster, John Peters, Thomas Robinson, and Jerry, the aboriginal, were each ordered to be imprisoned till 12 o'clock that day for drunkenness.

"NEW AND NOTES", The Star [Ballarat, VIC] (23 October 1863), 2

http://nla.gov.au/nla.news-article72518148

. . . St. Paul's Church choir . . . have for many months been rehearsing, with the most praiseworthy energy, selections from the works of two of the greatest masters in sacred vocal composition, with a view to public performance in aid of the fund for purchasing an organ of some size for use in St. Paul's Church . . . Mr. Gabb, of the Gloucester and Worcester musical festivals, as leader . . .

"GRAND SACRED CONCERT", The Star (24 October 1863), 2

http://nla.gov.au/nla.news-article72518196

A performance of sacred music, in aid of the St. Paul's Church Organ Fond, took place in the hall of the Mechanics' Institute on Friday evening . . . Mr. J. Gabb, of the Gloucester and Worcester Musical Festivals, acted as leader . . .

"CENTRAL POLICE COURT. YARRA STREET. Monday, February 8. DRUNKARDS", Geelong Advertiser (9 February 1864), 3

http://nla.gov.au/nla.news-article148699136 

. . . John Gabb fined 20s. or 21 hours . . .

"NEWS AND NOTES", The Star (25 March 1864), 2

http://nla.gov.au/nla.news-article72514575

Handel's oratorio "The Messiah" will be performed by the Ballarat Harmonic Society, in the hall of the Mechanics' Institute, this evening . . . The leader of the band is to be Mr. Gabb, of the Geelong concerts . . .

ASSOCIATION: Ballarat Harmonic Society (association)

[Advertisement], Geelong Advertiser (28 July 1864), 3

http://nla.gov.au/nla.news-article150464056 

VIOLIN CLASS. GENTLEMEN desirous of learning to play the Violin are requested to meet at Mr. I'Erson's residence, on Friday evening, 28th July, at half-past Seven, when a Class will be formed under the management of Mr. Gabb.

"CENTRAL POLICE COURT. YARRA STREET. Monday, March 13 . . . DEBT", Geelong Advertiser (14 March 1865), 3

http://nla.gov.au/nla.news-article150403906 

Quiney v. Howard. A claim for board and lodging, plaintiff being the proprietor of the Royal Hotel, and defendant the late lessee of the theatre adjoining. There was no appearance of defendant, who was said to be on the point of leaving for New Zealand . . .

Gabb v. Howard - The same defendant as in the previous case, plaintiff being the violinist of the Theatre Royal band. Order for L3 10s and 7s 6d costs.

Werner v Howard - Plaintiff, the theatre bill sticker, sued for L1 14s, and obtained an order for that amount and costs.

ASSOCIATIONS: Sam Howard (actor, manager, Theatre Royal, Geelong)

[Advertisement], Geelong Advertiser (9 July 1867), 1

http://nla.gov.au/nla.news-article150647281 

MOLYNEUX AND GABB, PAINTERS, PAPERERS, AND GLAZIERS, OIL AND COLORMEN. Opposite the Post office, Gheringhap Street . . .

"CURRENT TOPICS", Geelong Advertiser (7 April 1868), 2

http://nla.gov.au/nla.news-article150466292 

The Geelong Choral Society are to give a concert this evening in the Mechanics' institute, consisting of selections from "The Messiah," "Creation," "Elijah," "Judas," and "St. Paul" . . . Mr. I'Erson will perform the duties of Conductor, a position which his lengthened experience eminently qualifies him to fulfil. Mr. Gabb, who, for years was leader for the Geelong Harmonic Society, will act in a similar capacity this evening . . .

ASSOCIATIONS: Geelong Choral Society (association)

"CURRENT TOPICS", Geelong Advertiser (2 December 1868), 2

http://nla.gov.au/nla.news-article150642943 

Miss Roche's Grand Classical Concert took place last evening, at the Mechanics' Institute . . . The entertainment commenced by a grand trio composed by Beethoven, and arranged for the pianoforte, violin, and violoncello. From the manner in which this was executed by Miss Roche, Mr. Gabb, and Mr. Thomas, the audience soon became aware that a rich treat was in store for them . . .

"CENTRAL POLICE COURT. Monday, Feb. 22 . . . ILLEGAL DETENTION", Geelong Advertiser (24 February 1869), 3

http://nla.gov.au/nla.news-article148879253 

John Gabb summoned Tobias Griggs for illegally detaining certain articles. The plaintiff said his wife, having unfortunately taken to drink, had been in the habit of pawning everything she could lay her hands upon. He had warned the pawnbrokers against her, and they, recently becoming more careful, his wife had found other sources. She had thus left a watch and fishing-reel with the defendant, who had advanced her money on them, although he was not licensed as a pawnbroker. The things had since been returned. The magistrates had no option but to dismiss the case, cautioning defendant against such illegal traffic.

John Gabb v. G. Turner - This was a similar case to the previous one, the defendant being charged with having advanced money to plaintiff's wife on half a dozen books, he not being a licensed pawnbroker . . . Case postponed till Wednesday.

"THE PHILHARMONIC SOCIETY", Geelong Advertiser (4 September 1869), 3

http://nla.gov.au/nla.news-article150433948 

A meeting of members of the above society was held last evening, in the class room of the Mechanics' Institute . . . Mr. Gabb here entered the room and . . . said he understood it was Mr. Thomas' intention to withdraw as leader. If Mr. Thomas would undertake the leadership he, Mr. Gabb, would support him. If he had been able to stop longer at the meeting when Mr. Thomas was elected, he had no doubt somebody would have proposed him, and he would tell them candidly that had he been elected he should not have acted. He considered Mr. Thomas quite as competent as himself and he would have much pleasure in playing second violin to him for the first quarter, conditionally that Mr. Thomas would play second to him the next quarter. He would not play second to any man unless that man would play second to him. If Mr. Thomas would accept this proposal it would suit him . . .

ASSOCIATIONS: Herbert Thomas (musician)

"CURRENT TOPICS", Geelong Advertiser (18 September 1869), 2

http://nla.gov.au/nla.news-article150434237 

The rehearsal of the oratorio Judas Maccabeus by the members of the Geelong Philharmonic Society, in the Hall of the Mechanics' Institute last evening, was most successful. There were sixty vocalists present, besides a number of the members of the band . . . At a meeting of the committee held afterwards Mr. Gabb was elected leader of the band.

"THE MESSIAH", Geelong Advertiser (24 December 1869), 3

http://nla.gov.au/nla.news-article150436229 

Many were astonished when they heard that our recently formed Philharmonic Society had chosen such a difficult oratorio as Handel's masterpiece - "The Messiah" in which to make their second appearance . . . last evening . . . The band was led by Mr. Gabb, but it was not sufficiently powerful to be effective. Mr. Walker's playing on the clarionet and flute was much admired. Mr. Best's talent as ar violincello-player is too well-known to need comment. Mr. Goodall's harmonium accompaniment was very accurate, and Mr. Mulder showed that he has considerably improved on the double-bass. There was at times a little too much scraping in the violin department, although Mr. Gabb's leading on the first was all that could be desired.

ASSOCIATIONS: John Parry Best (cello); John Frederick Mulder (double bass)

"THE PHILHARMONIC CONCERT", Geelong Advertiser (25 June 1870), 3

http://nla.gov.au/nla.news-article148796423 

The sublime Oratorio of Samson was performed last evening to an appreciative and, considering the state of the weather, numerous audience, by the above society, which has only been in existence about nine or ten months, during which time four concerts have been given, including three of the most difficult and popular oratorios, and on each occasion the society has acquitted itself admirably . . . We missed the old leader, Mr. Gabb, whose taste in this class of music was always to be admired, and we trust his absence will not be of long duration . . .

"PHILHARMONIC SOCIETY", Geelong Advertiser (15 September 1870), 3

http://nla.gov.au/nla.news-article150657469 

The first annual meeting of the members of the Philharmonic Society was held on Wednesday evening, in the class-room of the Mechanics' Institute . . . The secretary read the following report of the years' proceedings:-

". . . Other changes have also taken place in the society, Mr. Gabb having not only resigned his position as leader, but having also discontinued attendance at the rehearsals of the society, which non-attendance alone would have deprived him of his office. The committee without a dissentient voice, elected Mr. Andrews to the post, and we think that you are not prepared to blame the committee for a step which has resulted so much to your advantage . . .

ASSOCIATIONS: Robert James Andrews (leader)

"THE PHILHARMONIC SOCIETY. TO THE EDITOR OF THE . . .", Geelong Advertiser (17 September 1870), 3

http://nla.gov.au/nla.news-article150655657 

Sir, I beg the favour of replying to that portion of the above society's remarks, referring to an ex-leader of the society. "Other changes have also taken place in the society, Mr. Gabb having not only resigned his position as leader," &c. It is true such changes did take place - that I could no longer discharge its duties with satisfaction to myself or benefit to the public, and I deemed it desirable there should be a change in the leadership. Accordingly I tendered my resignation, but the chairman, fearing the society might be jeopardised by its acceptance, politely requested me to allow him to destroy it, which was done, I at the same time assuring him I would never leave the society without appointing a competent successor. I tried several gentlemen, among whom was their present leader, who then stoutly refused me, stating that "he did not like classical music." Another gentleman went one evening, which was sufficient for him. The committee then thought proper (although my resignation was destroyed, and, according to the rules, I was elected for twelve months ending the 30th inst.), to take the matter out of my hands, and they elected Mr. Andrews, and required of me to play second violin to him - a request I could not comply with. I felt a great injustice had been done me - hence the cause of my absence. - I think, Mr. Editor, when Mr. Andrews has served the society for 17 years it is probable he may wish to retire in favour of another. And in doing so I sincerely hope he may be at liberty to do so, and be more fortunate than I have been. And now, sir, if you will allow me to say a word for myself? -

When I arrived in Geelong in 1852 the town was destitute of such a society; but seeing there was material for forming one, I set to work and mustered 18 performing members; who each of us put down £1 for music. Mr. Lloyd, merchant, now in Geelong, I remember, gave us a lot of music, and we started in March 1853. Under various names and under various conductors, with slight intermissions, we have kept before the public ever since, I being their sole leader right through a period of over 17 years, discharging my duties satisfactorily, at all events to the best of my ability and to the entire satisfaction of the Press, and mostly gratuitously. Haying been the prime originator of this society, the first who introduced the oratorio to Geelong, the first to bring out the "Elijah" in the colonies - in which I had the honour of performing under the composer, himself in Birmingham - I think I have not received proper treatment at their hands, and beg they will leave me alone further. But what can I expect from such a society when a "gentleman who helped them but at their last concert," and who is always sought after where a correct rendering of classical music is needed, and who is on his instrument well known to be inferior to no other person this side of the line is thus spoken of - "His instrument is fine-toned but his execution is faulty.
JOHN GABB. September 15th.

"MR. GABB AND THE PHILHARMONIC SOCIETY. TO THE EDITOR OF THE . . .", Geelong Advertiser (19 September 1870), 3

http://nla.gov.au/nla.news-article150656673 

Sir, - As Mr. Gabb has chosen to drag my name before the public, will you allow me a short space to reply. Mr. Gabb did resign, but he had nothing to do with the appointment of a competent successor. Mr. Gabb certainly asked me to take the leadership, and I refused; but I distinctly deny ever having given as a reason that "I did not like classical music." I have nothing to do with the action taken by the committee, but I can of my own knowledge state, that Mr. Gabb so disgusted many of the members of the society during the latter period of his leadership, that they would have left had he not resigned. I have no desire to detract from Mr. Gabb's merits as a musician, further than to state, that, I think his trumpeter must have died some time since, and he is now obliged to use his own lungs on this lively instrument. My services to the society are gratuitous, and so are the insults Mr. Gabb heaps on me; but of any further remarks from him I shall not take notice.
Yours, respectfully, R. J. ANDREWS.

"CENTRAL POLICE COURT. Thursday, March 16 . . . ASSAULT", Geelong Advertiser (17 March 1871), 3

http://nla.gov.au/nla.news-article148762570 

John G. Gabb was charged with assaulting Isaac Crawcour. There was a second charge of insulting language. The prosecutor said that between 7 and 8 o'clock on Wednesday evening, Gabb came to his shop while he was busy with some customers, and insisted on being attended to at once. As his demands were not complied with, the prisoner became very violent, and prosecutor went outside and sent a man in quest of a constable. Gabb then got hold of his coat, and it was only by main force that he released himself from his grasp. The insulting language complained of was handed, to the bench on a slip of paper. Constable Duffy, who arrested Gabb, gave corroborative evidence. Mr. Gabb denied the language imputed to him, and stated that the fracas originated through Mr. Crawcour persisting in refusing to render an account of the various goods belonging to him that were pledged at his shop. The charge of assault was dismissed, but for the insulting language a fine of 20s in default three days' imprisonment, was imposed.

"GEELONG PHILHARMONIC SOCIETY", Geelong Advertiser (1 September 1871), 3

http://nla.gov.au/nla.news-article150417800 

. . . Mr. Gabb, an old and experienced leader of orchestras, had been chosen leader of the society; but retired before the close of the year, to the regret of those who knew his worth. Mr. R. J. Andrews took his place . . .

"TOWN TALK", Geelong Advertiser (6 September 1875), 2

http://nla.gov.au/nla.news-article150638716 

We regret to state that the wife of one of our oldest musicians, Mr. John Gabb, was stricken with paralysis on Saturday evening . . .

"DEATHS", Geelong Advertiser (16 June 1876), 2

http://nla.gov.au/nla.news-article148911556 

Gabb - On the 15th June, at her late residence, off James-street, Eleanor, the beloved wife of Mr. John Gabb, aged 56 years.

"TOWN TALK", Geelong Advertiser (12 July 1880), 2

http://nla.gov.au/nla.news-article150652204 

A man named Daniel Henry Gabb, a painter, was given into the custody of Constable Lee by his father, John Gabb, on a charge of having assaulted him, yesterday afternoon.

"TOWN TALK", Geelong Advertiser (20 October 1881), 2

http://nla.gov.au/nla.news-article150761056 

The Doll Show and Sale of Gifts in aid of the debt on the Newtown Wesleyan Church was continued in the school room last evening . . . Miss Johnson played several violin duets with her tutor, Mr. Gabb, and exhibited a proficiency which must have been encouraging to that musician . . .

"ST. PAUL'S CHURCH UNION", Geelong Advertiser (18 April 1891), 3

http://nla.gov.au/nla.news-article150741353 

A diversified entertainment, of a very attractive character, was given at St. Paul's school house last evening, by the members of the St. Paul's Church Union, assisted by the Geelong Orchestral Association . . . Conductor, Mr. T. Sibley; first violins, Messrs. B. Cotton and Careless; second violins, Messrs. Bennett and Coxon; viola Mr. J. Gabb; double bass, Mr. Charles Brearley . . .

"DEATHS", Geelong Advertiser (15 April 1904), 1

http://nla.gov.au/nla.news-article148896635 

GABB. - On the 12th inst., at his residence, James-street, off Ryrie-street, John Gough Gabb, the beloved husband of Phillipa Gabb, aged 85 years. A colonist of 52 years. No flowers, by request. The remains were interred in the Eastern Cemetery yesterday (Thursday), the 14th inst. . . .

Will and grant of probate, John Gabb, painter, 1904; Public Record Office Victoria

https://prov.vic.gov.au/archive/E3EDDC2D-F53C-11E9-AE98-771906A282D4?image=1 (DIGITISED - WILL)

https://prov.vic.gov.au/archive/C4ECE63C-F1CD-11E9-AE98-6FB2D42025A9?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/C6B4E05D-F1E8-11E9-AE98-79EB2D2295B0?image=1 (DIGITISED)

GAGGIN, John (John GAGGIN)

Amateur vocalist, storekeeper, magistrate

Born Cork, Ireland, c. 1795
Arrived Sydney, NSW, 1818 (free per Globe)
Married Mary Louisa BRABYN (1803-1884), St. Matthew's, Windsor, NSW, 8 October 1822
Died "at Victoria" (? VIC, or Mount Victoria, NSW), "Early in August last", 1859

https://trove.nla.gov.au/search?l-publictag=John+Gaggin+d1859 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGGIN-John (shareable link to this entry)

GAGGIN, Henry (Henry Walsh GAGGIN; Henry GAGGIN)

Amateur musician, violinist, violin player, fiddler

Born Windsor, NSW, 30 July 1829; baptised St. Matthew's, Windsor, 24 September 1829; son of John GAGGIN and Mary BRABYN
Married Sarah Jane HOWDEN, Clarence Town, NSW, 20 March 1851
Died Clarence Town, NSW, 11 April 1910, aged "80"

https://trove.nla.gov.au/search?l-publictag=Henry+Walsh+Gaggin+1829-1910 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGGIN-Henry (shareable link to this entry)

Documentation:

[News], The Sydney Gazette and New South Wales Advertiser [NSW] (18 October 1822), 2

http://nla.gov.au/nla.news-article2181389 

MARRIED, by Special License, by the Rev. JOHN CROSS, at the Church of St. Matthew, Windsor, on Tuesday the 8th instant, JOHN GAGGIN, Esq. to MARY LOUISA, Daughter of JOHN BRABYN, Captain commanding the Royal Veteran Company. Immediately after the ceremony, the happy Pair left Windsor for Shane's Park, the seat of JOHN HARRIS, Esq.

"SINGLETON. MR. DONALDSON'S VISIT", The Maitland Mercury and Hunter River General Advertiser [NSW] (26 February 1848), 2

http://nla.gov.au/nla.news-article713172

. . . After the meeting Mr. Donaldson, accompanied by a number of the most influential gentlemen in the district, proceeded to Mr. Munro's (the Fitzroy Hotel), where an excellent and substantial lunch was provided . . . The desert having been concluded, the Chairman . . . gave the "Queen and royal family" . . .
The Chairman having called upon Mr. Gaggin for a song, that gentleman sang "The bonny English Rose," which was much applauded . . .
Song - Mr. Goodall, "When you are out in the bush" (applause) . . .
DR. STOLWORTHY proposed, in a short and able speech, "Prosperity to the press" (cheers).
Mr. WILLIAMS rose and said, he was, he believed, the only person present in any way connected with the press. He wished the honor of replying to that toast had fallen into abler hands, as he knew that he was inadequate to the task. If he was to say that he was a bad speaker he would be making a great mistake, as the fact was - he was "no speaker at all" [laughter.] But having been for some time connected with the "Maitland Mercury," he would, on behalf of the editor of that paper, and for the colonial press generally, return thanks [applause.]
Song - Mr. Williams . . .

ASSOCIAITONS: Stuart Alexander Donaldson (member of parliament); Richard Wright Goodall (vocalist); Thomas Williams (vocalist)

MUSIC: The bonnie English rose (music by Sidney Nelson; words by C. Jeffreys))

"Maitland Circuit Court (Before his Honor Mr. Justice Therry). THURSDAY, MARCH 10, 1853 . . . STEALING FROM THE PERSON", The Maitland Mercury and Hunter River General Advertiser (12 March 1853), 4

http://nla.gov.au/nla.news-article664320 

Fitzarthur Hogue, William Smith, and Henry Gaggin, were indicted for stealing £31 17s. 6d. from the person of Richardson Campbell, at Clarence Town, on the 4th September, 1852. Mr. Purefoy appeared for Gaggin, attorney, Mr. Turner; and Mr. Murray for Hogue, attorney, Mr. C. Nicholl. The witnesses called were Richardson Campbell, Frederick Henry, Hannah Fox, and Eliza Ann Campbell.

Campbell, who lives five miles from Clarence Town, went to the Paterson on Tuesday, the 2nd September, and returned on the 4th; his daughter was with him; in passing through Clarence Town he called in at Mr. Hogue's inn; he had £32 with him, £31 in notes, one of them being a £2 note; witness counted his money in Hogue's, Mrs. Hogue coming into the room as he did so; he put it again into his right trousers pocket; had some drink there; went to another house to dinner, and then to a store, and the same evening returned to Hogue's; in Hogue's he found the prisoners Smith and Gaggin, and four other men, and some women; witness drank, and saw them dancing; stopped till after eight o'clock, and was then ordered out by Mr. Hogue, who had "bonnetted" him, and called him an old rascal; witness walked perhaps a quarter of a mile, and then went towards Mr. Walters' inn, where his horses were, when Smith, Gaggin, and Hogue came up suddenly, knocked him down by a blow on the face, and struck and kicked him so that he lay there for an hour; they rumaged witness's pockets till they found the notes, when Smith called out, "I have got the lamp," and then they all ran away; in the struggle Smith tried to master him, Gaggin threw himself across witness's feet, and Hogue kept his foot on witness's mouth; all the parties were in liquor; had no doubt the prisoners were the persons. Went then to Fox's house, where his daughter was, and shortly after informed the parties, not then knowing the names of the prisoners Smith and Gaggin. Next morning saw Smith, and told the constable.

Cross-examined by Mr. Purefoy: Could not say how much liquor he had drunk; was neither drunk nor sober; never knew Mr. Gaggin before; didn't know or care whether he was the son of a magistrate; was not mistaken in the men; Gaggin played the fiddle at the house; could not charge Gaggin by name with the robbery, not knowing his name at the time; recognised him, and had him apprehended when he came into court; could not say whether Gaggin came to court as a witness for Hogue; did not see Hogue's face; never said he was sorry he had made a mistake; the notes were secured by a pin fastening the pocket; Hogue did not turn him out for impertinent conduct to a Mrs. Usher or Emblen; Dumbril and Hayward, two of the men who were in Hogue's, and who gave evidence for Hogue at Dungog, witness had never seen since, nor did he know where they were.

By Mr. Murray: Knew Hogue perfectly well, but did not see his face at the time of the robbery; heard his voice, and knew his person; never said he only recognised him by his voice; never had any doubt; witness's purse, in which his silver had been, was found in constable Henry's house, but how it came there witness could not tell.

Henry was district constable at Clarence Town in September; after midnight Campbell gave information to witness; he was in liquor, and cut about the face; went to Hogue's, and roused him out of bed, telling him that Campbell charged him with robbing him; went to the spot where Campbell said be was robbed; could see no marks of a scuffle there; there might have been a scuffle there without leaving the marks; about nine o'clock witness had seen Campbell drunk, in Hogue's house; saw him there up to ten o'clock; separated him and Mrs. Usher, as they were quarrelling; Gaggin was there; the prisoner Smith went in with witness, and came out, but went in once more; at witness's request, Hogue closed his house, about a quarter or half-past ten. It was a fine moonlight night. Hogue was apprehended that night, Smith next morning, and Gaggin on the 13th, Campbell recognising Gaggin in Dungog court-house that day. Hogue said he knew nothing about it when apprehended, and he called Campbell many names for charging him.

Cross-examined: Saw Gaggin frequently between the 4th and 13th, and saw Campbell frequently pass and repass him; on the first court-house examination on the 8th, Mr. Gaggin was there, but Campbell made no charge against him that day, nor until the 13th; had always considered Mr. Gaggin a most respectable young man; believed Dumbrill and Hayward were now at the diggings.

By the court: Campbell described the third man to witness as a tall, oldish man; witness found a purse on his hearth the morning after.

Re-examined: On the Saturday following Campbell said something about the man who was playing the fiddle.

By a juror: There is a drain between the two public-houses, but not near the spot pointed out by Campbell.

Mrs. Fox remembered Campbell coming to her husband's house late that night; he was neither drunk nor sober, and was cut; the night was fine; be complained of being robbed; his daughter had gone home, at nightfall, alone; Campbell said Mr. Hogue was one of the robbers, putting his foot on his mouth, but he could not tell the rest until morning.

Henry recalled by his Honor: On the following morning witness found Campbell's purse, empty, on his hearth-stone; Campbell slept at witness's house, after they had been out to look after the robbers.

Eliza Ann Campbell, daughter of Richardson Campbell, described what passed at Hogue's inn, and at other places in Clarence Town, corroborating her father's evidence so far as regarded the time she was with him; next day he had a cut face, and no money.

In defence Smith said he was innocent, but charged two other men, not in custody, with committing the robbery.

Mr. Purefoy addressed the jury for Gaggin, regretting that he should have to defend a young man of such character and connexions from such a charge. The whole case depended solely on the evidence of Campbell. Evidence of identity was of all things the matter that a jury must most anxiously consider, for they could all recollect in their experience many lamentable cases of mistaken identity, wherein on most positive testimony men had been convicted of crimes of which their perfect innocence was afterwards established. It was proved that Campbell was drunk and most disorderly when he left or rather was turned out of Mr. Hogue's house, for his conduct to Mrs. Usher; and was his bold unhesitating assertion that such men as Mr. Gaggin and Mr. Hogue took part in the robbery just afterwards to be believed. The constable proved that Campbell's statements as to hours were very incorrect, and what reliance could they place on his further extraordinary statements. Why did he not give Mr. Gaggin in charge that night or next day if he then believed him to be one of the robbers; but no he never made the charge until Mr. Gaggin came forward as a witness for Mr. Hogue. He should prove to them that Campbell's statements must be false as regarded Mr. Gaggin, and the jury must conclude that they were false as regarded the others.

Mr. Murray, in addressing the jury in defence of Hogue, said he he thought little more required to be said. If it was found that Campbell was mistaken or had sworn falsely as regarded one prisoner, it was impossible to believe his evidence as against the other two. He thought the jury could not rely on the evidence of Campbell as to identity, from the excited and drunken state he was in, not that he imputed perjury to him, but simply a gross mistake. Hogue had insulted him, as he thought, and his first thought was, when he recovered, that Hogue committed the robbery. Then the second man charged was the first man he saw on the following morning; and the third was the fiddler.

Mr. Purefoy called as witnesses, Valentine Bridekirk, George Achurch, Thomas Abbott, the Rev. Frederick Wilkinson, William Lowe.

Bridekirk, a resident of Sydney, was on that day in Clarence Town; was in Hogue's house, and saw Mr. Gaggin there, and Campbell; saw Campbell leave; witness remained and so did Gaggin; Campbell was drunk; witness and Gaggin remained at Hogue's for three quarters of an hour or an hour after Campbell left, and then they left the house together, and on their way home called at Mr. Dumbrill's; remained there a quarter of an hour, and then they went homewards, witness leaving Gaggin by Mr. Lowe's fence; that was quite in an opposite direction from Walters's, and perhaps three quarters of a mile from Hogue's; Gaggin lived at Mr. Lowe's; from the time Campbell left the inn until then Gaggin never left witness's company. Mr. Hogue remained at his house until witness left; he could not have been out any length of time without witness knowing it.

This witness was cross-examined by the Attorney General at some length; Campbell was in such a state from drink that witness thought he did not know what he was about.

Re-examined: Witness attended at Dungog court-house as a a witness for Mr. Gaggin; Campbell rose and objected to witness's being examined on the ground that witness had no subpoena; the Dungog magistrates allowed the objection, and did not take witness's evidence.

By a juryman: Did not see Smith at all that evening. Achurch was then a miller at Clarence Town; saw Campbell at his mill in December last; heard a man named John O'Neill tell Campbell he was no friend of Mr. Hogue's, but be thought he had sworn to the wrong mark; Campbell said well I believe so, I believe so; witness said "you most undoubtedly did, Mr. Campbell"; Campbell said "Well, well, well, we must leave it now."

Mr. Abbott, chief constable of Dungog, had information respecting Campbell's robbery affecting other persons not now in the dock.

The Rev. Mr. Wilkinson knew Mr. Gaggin as a boy, but not since; he was a respectable good boy.

Mr. Lowe, shipbuilder of Clarence Town, had known Mr. Gaggin above six years as an apprentice; residing in his house, could not say too much in his favor, for sobriety, integrity, and every good quality; never knew him frequent bad company, or follow any bad courses. Knew Mr. Hogue for many years; always found him a honest and very sober man; never heard anything bad of him; keeps a very respectable house.

Campbell was recalled by the Attorney General, and deposed that not one word of the conversation deposed to by Achurch took place. He was then further cross-examined by the prisoner Smith.

The jury returned a verdict of not guilty as regarded all the prisoners, and they were discharged.

ASSOCIATIONS: Roger Therry (judge); see also John Gaggin's letter,
"Original Correspondence", The Maitland Mercury and Hunter River General Advertiser (23 March 1853), 2

http://nla.gov.au/nla.news-article664659 

"DEATHS", The Sydney Morning Herald (22 September 1859), 1

http://nla.gov.au/nla.news-article13031100 

Early in August last, at Victoria, Mr. John Gaggin, late of Hunter River, deeply regretted by his family and a large circle of friends.

"IN MEMORIAM", The Daily Telegraph (11 April 1911), 8

http://nla.gov.au/nla.news-article239083599 

GAGGIN. - In sad but loving remembrance of our dear father, Henry Walsh Gaggin, of Clarence Town, who passed away April 11, 1910, aged 80 years.

Bibliography and resources:

John Gaggin, per Globe, 1818; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/11040779701 

Henry Walsh Gaggin, Find a grave

https://www.findagrave.com/memorial/51132464/henry-walsh-gaggin 

"John GAGGIN" and "Henry Walsh GAGGIN", The Kings candlesticks - family trees

http://www.thekingscandlesticks.com/webs/pedigrees/9998.html 

http://www.thekingscandlesticks.com/webs/pedigrees/10615.html 

GAGLIARDI, Giacinto (Giacinto GAGLIARDI; Signor GAGLIARDI; Mr. GAGLIARDI; also GALIARDI)

Musician, professor of music, flautist, flute player, conductor, band leader, musical arranger

Born ? Sardinia, Italy, c. 1833/34
Arrived Melbourne, VIC, 26 May 1854 (per Claudine, from Port Louis, Mauritius, "Galliardi", aged "29")
Arrived Sydney, NSW, by June 1857
Married Harriett GOLDING (c. 1839-1933), St. Joseph's church, Hobart, TAS, 8 January 1859
Died Albert Park, Melbourne, VIC, 19 March 1891, aged "58"

https://trove.nla.gov.au/search?l-publictag=Giacinto+Gagliardi+d1891 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGLIARDI-Giacinto (shareable link to this entry)

Summary:

Gagliardi and travelling companions, including Alessando Bellomi and Angelo Lagomarsino, arrived in Melbourne on the Claudine from Mauritius on 26 May 1854. They were first advertised to appear as members of Antonio Rangoni's band at Rowe's Circus on 10 June.

After visiting the Victorian goldfields with Bellomi in 1855, and Sydney and Newcastle in 1857, by 1858 Gagliardi had settled in Hobart. There in January 1859 he married Harriet Golding, and the following year formed a professional partnership with local musician Alfred Dentith.

In the 1870s and 1880s, Gagliardi worked mainly as a theatre orchestra conductor, mostly in Tasmania and Victoria, but also touring to New Zealand.

Gagliardi died in Melbourne in 1891, aged 58, and his widow Harriet in Hobart in 1933, aged 93.

There is no record of their having had children. Americo Gagliadri (c. 1888-1960), later Melba's flautist, who first appeared in public in 1902 was probably not closely related to him, if at all.

Documentation:

List of passengers arrived at the Port of Melbourne, 26 May 1854, per Claudine, from Mauritius; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF43DDD-F96C-11E9-AE98-95F2BC913559?image=69 (DIGITISED)

L. Angelo / 24 // J. Devaux / 30 // G. A. Belloni [sic] / 34 // Galliardi / 29 // [all] Italians

ASSOCIATIONS: Angelo Lagomarsino (musician); Alessando Bellomi (musician)

[Advertisement], The Argus [Melbourne, VIC] (10 June 1854), 8

http://nla.gov.au/nla.news-article4809237 

ROWE'S CIRCUS. Concert Extraordinary.
A Band of Italian Musicians, whose talent was unsurpassed in their native country, having recently arrived in this colony, will have the honor of making their first appearance in Melbourne, and giving a grand Concert at Rowe's Circus, on Saturday evening, June 10th, 1854.
Having made arrangements with Caverly Volunteer Fire Company to appear with it on all public occasions, the Band has received permission to take its name and wear its uniform.
The Band will therefore be known as the Caverly Volunteer Band.
It consists of A. Rangoni, Manager, Cornet-a-pistons; Angelo Lagomarsino, Basso;
Francesco Volpi, Clarinetto; Giacinto Gagliardi, Flauto;
Giovanni Abba, Trombone; Allessandro Belloni, Basso; and Giovanni Grenno, Casa.
Herr Ellerner [sic, Elsasser] will preside at the piano.
The evening's entertainment will commence with a Grand Martial Overture, by members of the Caverly Volunteer Band, in the uniform of the Fire Brigade.
Mr. D. Golding will next sing his highly popular local song, called "Take my Word."
After which, Signor Maffei will perform a Solo on the Cornopean from Bellini's Opera of La Sonnambula.
Miss O. Hamilton will then sing the favorite ballad, "I'm leaving thee, Annie," by Barber.
Caverly Volunteer Band will then Appear in the National Costume if its members, and perform a grand Symphony from the Opera of Nebuchadnezzar, by Verdi.
A Solo on the Clarionet will be played by F. Volpi.
Mendelssohn's beautiful Ballad, called "The First Violet" will be sung by Miss O. Hamilton.
Ole Bull (a Nephew of the celebrated Violinist of that name, and equally talented) will perform a Solo on the Violin, "Home Sweet Home."
An intermission will here take place of fifteen minutes.
After which the Cavalry Volunteer Band will perform the laughable Pantomime, called the Frenchman Travelling in Italy.
In the course of the Pantomime, Signor Lagomarsino will sing the celebrated Cavatina of "Attila," by Verdi.
A grand Fantasia on the Flute from Mayerbeer's Opera of "Robert le Diablo" will then be performed by Signor G. Gagliardi.
The Song "The Spell is Broken," the music by Bellchambers, will be sung by Miss O. Hamilton.
Signor Maffei will then perform his popular Romanza, called "Il Lamento," composed by himself.
A Comic Medley by Mr. D. Golding.
A Solo by Ole Bull, Violinist.
The Grand Chorus from the Opera of Ernani will then be performed by the Caverly Volunteer Band.
The evening's entertainment will conclude with the ever to be admired Ballad of "Home, Sweet, Home," by Miss O. Hamilton.
Doors open at seven, commerce at half past seven o'clock.
Prices of Admission - Dress Circle, 8s.; box, 5s.; pit, 2s. 6d. No smoking allowed.

ASSOCIATIONS: Antonio Rangoni (musician); Francesco Volpi (musician); Giovanni Abba (musician); Giovanni Grenno (musician); Charles Elsasser (pianist); Daniel Golding (vocalist, not known to be related to Harriet Golding); Joseph Maffei (musician); Octavia Hamilton (vocalist); Rowe's Circus (Melbourne venue)

[Advertisement], Bendigo Advertiser [VIC] (4 December 1855), 3

http://nla.gov.au/nla.news-article88048163 

GRAND ITALIAN CONCERT AT BURALL'S ASSEMBLY ROOMS.
SIGNORI BELLANI and GAGLIARDI, from the Kingdom of Sardinia, having arrived in Sandhurst, beg respectfully to inform the Diggers and Inhabitants generally that they, will give a Concert in characteristic costume as above,
on Saturday Evening, Dec. 8th, when they hope to secure that patronage be liberally accorded them on the other Goldfields.
Messrs. B. and G. will be assisted by an efficient Pianist and some first-class vocalists.
Further particulars in a future advertisement.

[Advertisement], Bendigo Advertiser (9 February 1856), 3

http://nla.gov.au/nla.news-article88048807 

PRINCESS'S THEATRE. CRITERION HOTEL. (Under the management of Mr. Coleman.)
BENEFIT OF MRS. GILL. WEDNESDAY, 13th FEBRUARY . . . The following Ladies and Gentlemen will appear -
Madame Sara Flower, Mrs. R. Macgowan, Miss Hudson, Mrs. Ricards,
Mr. Sam Howard, Mr. Ryan, Mr. Richardson, Mr. B. Coleman,
Mr. Ricards, Mr. Styles, Sig. Gagliadi [sic] . . .
Ballad - Mrs. B. Ricards.
New Medley Dance - Mrs. R. Macgowan.
Song - Madame Sara Flower.
Solo, Flute - Sig. Gagliadi. With Pianoforte Accompaniment - Mrs. GILL.
Song - Madame Sara Flower . . .

ASSOCIATIONS: Henry Coleman (actor, manager); Mrs. Gill (pianist); Sara Flower (vocalist); Fanny McGowan (actor, dancer); Benjamin and Jessie Ricards (actor and vocalist); Barned Jullien Coleman (actor); Sam Howard (actor); Princess' Theatre (at the Criterion Hotel, Bendigo)

[Advertisement], The Sydney Morning Herald [NSW] (8 June 1857), 1

http://nla.gov.au/nla.news-article12996629 

FLUTE. - SIGNOR GAGLIARDI will be happy to attend gentlemen at their residence,
or to give instructions on the flute, at 36, Palmer-street, Woolloomooloo.

[Advertisement], Empire [Sydney, NSW] (15 August 1857), 6

http://nla.gov.au/nla.news-article64983445

HEADS OF EDUCATIONAL ESTABLISHMENTS, PARENTS, AND GUARDIANS,
are respectfully informed that Monsieur BELLOMI and Signor GAGLIARDI have lately arrived in Sydney,
from the Universities of France and Italy; have travelled through Europe, Africa, India, and South America,
where their short method of teaching the French, Italian, and Spanish languages, also handwriting, vocal and instrumental music, &c., gave satisfaction.
They intend giving instructions in this city, or in the country, in the same system, embracing
LANGUAGES. - La Veritable Education Française, La Sublime Conversazione Italiana, Y la Ricca Espanola.
HANDWRITING.- Gothic, Ronde, Coulée, Commercial.
Singing, Flute, Guitar, Flageolet, &c., &c.
Hoping this will meet your approbation, we beg to solicit your support, and remain, your humble servants,
A. BELLOMI.
G. GAGLIARDI.

"NEWCASTLE THEATRE", Northern Times [Newcastle, NSW] (24 October 1857), 1

http://nla.gov.au/nla.news-article128760642

Mr. Grant's benefit on Monday night, was but thinly attended - owing to the tremendous rain which kept pouring down during the whole of the evening. The players however performed with great spirit . . . Signor Gagliardi (son of general Gagliardi of the Sardinian service) performed a solo on the flute, which would have been extremely effective, had there been a proper pianoforte accompaniment. His style of playing is chaste, brilliant, and refined. The piece selected was the beautiful cavatina "Roberte toi que Jaime" from Meyerbeer's opera of "Robert the Devil". Signor Gagliardi upon being loudly and heartily encored, substituted the Fra Poco, from Lucia di Lammermoor, and played it very expressively and with much taste.

ASSOCIATIONS: Newcastle Theatre (venue)

"CENTRAL POLICE COURT. MONDY", The Sydney Morning Herald (1 December 1857), 3

http://nla.gov.au/nla.news-article28633631

William Smith was charged with having stolen a turkey. Giacinto Gagliardi deposed that on Saturday afternoon he landed here from a steamer which had conveyed him from Newcastle; he was accosted oh the wharf by the prisoner, who asked for employment as a porter; as he said he was very poor, and that a trifle would be of service, witness engaged him to deliver a turkey, giving him the address in writing, and paying him 2s. 6d., his charge for the job; some hours having elapsed, and the turkey not having been left, witness went in search of the prisoner, found him in the markets and gave him into custody; he said that he wanted money, and had sold the bird for 5s. Committed for trial.

[Advertisement], The Hobart Town Daily Mercury [TAS] (29 May 1858), 3

http://nla.gov.au/nla.news-article3248443

Signor Gagliardi, PROFESSOR of the Flute and Italian Language,
at Mons. Vagnoux, Surgeon Dentist, 84, Macquarie-street.
N.B. - Music carefully copied at moderate prices.

[Advertisement], The Hobart Town Daily Mercury (16 June 1858), 3

http://nla.gov.au/nla.news-article3248800 

SIGNOR GAGLIARDI, PROFESSOR of the FLUTE and MODERN LANGUAGES
will be happy to attend Ladles and Gentlemen at their residences,
or to give instructions at his residence over the "Mercury" Newspaper Printing Office, Macquarie-street.
N.B. - Music carefully copied at moderate prices.

[Advertisement], The Courier [Hobart, TAS] (30 June 1858), 3

http://nla.gov.au/nla.news-article2462810 

PROGRAMME OF MR. PECK'S GRAND CONCERT IN THE BALL ROOM,
GOVERNMENT HOUSE, MACQUARIE STREET, TO-MORROW EVENING, THURSDAY, 1ST JULY . . .
PART I . . . SOLO FLUTE - Favourite Air and Variations - SIGNOR GALLIARDI . . .
OPERATIC SELECTION from "Ernani," arranged in Quintette for two Violins, Flute, Cornopian, and Violoncello - VERDI . . .
PART II . . . GRAND OPERATIC MELANGE from "Il Barbiere de Seviglia" - Violin, Pianoforte, Flute, and Cornopian . . .

ASSOCIATIONS: George Peck (violinist)

1859, marriages in the district of Hobart; Tasmanian names index; NAME_INDEXES:859049; RGD37/1/18 no 278

https://stors.tas.gov.au/NI/859049 

https://stors.tas.gov.au/RGD37-1-18$init=RGD37-1-18p147 (DIGITISED)

No. 1456 / 278 / 8th January 1859 / Hobart Town / Giacinto Gagliardi / 24 / Professor of Music / Bachelor /
Harriett Golding / 20 / - / Spinster / Married in the Church of St. Joseph . . .

ASSOCIATIONS: St. Joseph's church (Hobart)

[Advertisement], The Mercury [Hobart, TAS] (24 November 1860), 4

http://nla.gov.au/nla.news-article8794578 

MUSIC. MR. DENTITH has the honor to inform the
Inhabitants of Hobart Town and its vicinity that he is now enabled to supply a first-rate
STRINGED BAND for quadrille parties, pic-nics, flower shows, &c.
Parties can have any number of instruments they may require.
Solo Pianoforte, Mr. Dentith: Duo, Flute and Piano, Mr. Gagliardi and Mr. Dentith.
P.S. - Country engagements punctually attended to.

ASSOCIATIONS: Alfred Jackson Dentith (pianist)

"THE FAKIR OF OOLU", The Press [Canterbury, NZ] (2 July 1875), 2

https://paperspast.natlib.govt.nz/newspapers/CHP18750702.2.8

The benefit last evening of Miss Daisy Sylvester was largely attended, and the performance went off excellently . . . During the performance the orchestra, under Signor Gagliardi, played some operatic selections very nicely . . .

[Advertisement], Launceston Examiner [TAS] (16 March 1891), 3

http://nla.gov.au/nla.news-article39565344 

ACADEMY OF MUSIC. MONDAY EVENING, MARCH 10,
And until further notice. MARIAN WILLIS'S FORMOSA COMBINATION . . .
in the great sensational sporting drama, in four acts, entitled FORMOSA!! Or the Railroad to Ruin.
Magnificent Scenery, painted by Harry Grist of the principal Melbourne theatres.
New music expressly arranged for this great production by Signor Gagliardi . . .

"Deaths", The Argus [Melbourne, VIC] (20 March 1891), 1

http://nla.gov.au/nla.news-article8485238

GAGLIARDI. - On the 19th inst., at his residence, 19 1/2 Service-crescent, Albert-park, Giacinto, the dearly-beloved husband of Harriett Gagliardi.

"DRAMATIC NOTES", The Lorgnette [Melbourne, VIC] (March 1891), 2

http://nla.gov.au/nla.news-article212729574 

We regret to learn of the death of Signor Giacinto Gagliardi, one the oldest musicians in the colony. The deceased was well-known as a conductor and instrumentalist for many years past. His demise took place at his residence, Albert Park, on the 19th inst. Sig. Gagliardi made his first appearance in Melbourne, as a flautist, at Rowe's Circus, June 10th, 1854.

Grant of administration, Giacinto Gagliardi, musician, died 19 March 1891; Public Record Office Victoria

https://prov.vic.gov.au/archive/9F0454A7-F1D5-11E9-AE98-0BD58112C4D2?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/8023831F-F1E0-11E9-AE98-23EE7C2AB3D6?image=1 (DIGITISED)

"DEATHS", The Mercury [Hobart, TAS] (26 June 1933), 1

http://nla.gov.au/nla.news-article24888505 

GAGLIARDI.- On June 25, 1933, at her residence, 7 Church Street, Harriett, widow of Edwardo Gagliardi [sic], in the 94th year of her age.

"OBITUARY . . . MRS. H. GAGLIARDI", The Mercury (27 June 1933), 11

http://nla.gov.au/nla.news-article24877975 

The recent death of Mrs. Harriett Gagliardi at Hobart, in the 94th year of her age, recalls memories of the early days of the city. The records ot St. Joseph's Church show that on January 8, 1859, Giacinto Gagliardi and Harriett Golding were married. He was a native of Northern Italy, a cultured musician, and an excellent flute-player. A programme of a concert given at Hobart Theatre Royal on June 17, 1867, tells of his performance of Clinton's fantasia, "Ethiopian Reminiscences." While in Hobart he gave lessons in music, Mr. George Smith, some years ago a prominent musician, being one of his pupils. He travelled as musical director of a concert party, appearing at Wellington, New Zealand, on July 16, 1875. He later settled in Melbourne, visiting Hobart from time to time, and died many years ago.

GALBRIATH, William (William GALBRAITH)

Music and general lithographer and printer, Penman and Galbraith

Born Glasgow, Scotland, 20 February 1822
Arrived Adelaide, SA, 5 December 1848 (emigrant per Hooghly, from London 31 July)
Married Janet DAVIE (d. 1889), Kensington, SA, 28 January 1852
Died Norwood, SA, 16 February 1911

https://trove.nla.gov.au/search?l-publictag=William+Galbraith+1822-1911 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-1484082 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALBRIATH-William (shareable link to this entry)

ASSOCIATIONS: John Penman (business partner); Penman and Galbraith (firm)

Documentation:

"SHIPPING INTELLIGENCE", South Australian Register [Adelaide, SA] (6 December 1848), 3

http://nla.gov.au/nla.news-article48726506 

Tuesday, December 5th - The barque Hooghly, 460 tons, Henry, master, from London and Plymouth. Passengers . . . John Penman, Wm. Galbraith, James Campbell . . .

ASSOCIATIONS: John Penman (business partner)

[News] South Australian Register (20 December 1848), 4

http://nla.gov.au/nla.news-article48728762 

We have been shewn some specimens of Lithography, executed by Messrs. Penman, Galbraith, and Campbell, who have lately arrived here from London; and certainly for design and execution we never before saw anything to surpass the skill displayed by these gentlemen. The accession of so much talent is decidedly an acquisition to the province, and will meet we doubt not with the patronage it deserves.

"NEW LITHOGRAPHED PLAN OF THE CITY", South Australian Gazette and Mining Journal (14 April 1849), 3

http://nla.gov.au/nla.news-article195937484 

We have just been favored with a beautifully executed plan of Adelaide, drawn by Messrs. Eggers and Goodhugh, and lithographed by Penman and Co. . . .

ASSOCIATIONS: Karl Eggers (printer, artist);

"LOCAL NEWS", South Australian (25 May 1849), 2

http://nla.gov.au/nla.news-article71623775 

We have been favoured by Mr. Gill with the first twelve of a series of heads of the people, drawn by him, and lithographed by Messrs. Penman and Co. Mr. Gill is already favourably known to the public by his numerous and tasteful water-colour sketches of scenery in this colony . . .

ASSOCIATIONS: Samuel Thomas Gill (artist); see Poor exile of Erin

[Advertisement], South Australian (8 February 1850), 3

http://nla.gov.au/nla.news-article71625624 

PENMAN & GALBRAITH, Lithographers and Copperplate Printers,
RESPECTFULLY announce that they have removed from Peacock's-buildings to Grenfell-street, corner of King William-street, where they will continue to carry on their business in all its branches.
Maps, plans, drawings of machinery, architectural and landscape drawings, circulars, bills of lading, bills of exchange, bill heads, scrip, labels, business and visiting cards, &c.,
lithographed in every variety of style with neatness and dispatch.

"MARRIED", South Australian Register (3 February 1852), 2

http://nla.gov.au/nla.news-article38458527 

On Wednesday, the 28th ultimo, by the Rev. John Gardiner, at his residence, at Kensington, William Galbraith, to Janet, eldest daughter of Mr. Andrew Davie, Brownhill Creek.

Dissolution of partnership and obituaries:

[Advertisement], South Australian Register (5 November 1885), 1

http://nla.gov.au/nla.news-article44537185 

NOTICE is hereby given that the PARTNERSHIP heretofore subsisting between
JOHN PENMAN and WILLIAM GALBRAITH the Elder, carrying on business as Lithographers at Gresham-street, Adelaide, under the Style or Firm of "Penman & Galbraith," was this day DISSOLVED by mutual consent;
The Business will in future be continued by the said William Galbraith alone, who will receive and pay all Debts owing to and by the late Firm.
Dated this 30th day of October, 1885.
JOHN PENMAN.
WILLIAM GALBRAITH.
Witness - ERNEST W. Oldham, Solicitor, Adelaide.

"DEATHS" South Australian Register (11 November 1889), 4

http://nla.gov.au/nla.news-article47292980 

GALBRAITH. - On the 10th November, at Charles-street, Norwood, Janet, the beloved wife of William Galbraith, aged 58 years. A colonist of fifty years.

"DEATHS", Evening Journal (17 February 1911), 1

http://nla.gov.au/nla.news-article204485949 

GALBRAITH. - On the 16th February, at Charles street, Norwood, William Galbraith, aged 89. A colonist of over 60 years.

"A FINE OLD COLONIST. DEATH OF MR. WILLIAM GALBRAITH", The Register (17 February 1911), 6

http://nla.gov.au/nla.news-article58606485 

During many years past there lived in serene retirement at Charles street, Norwood, a worthy colonist in the person of Mr. William Galbraith, who died last night after a short but painful illness. If the old gentleman had lived until Monday next he would have attained to the age of 89 years, but his existence indicates an exception to the picture of old age so graphically painted in Ecclesiastes, for apart from deafness which affected him nearly all his life, his vigour remained almost unabated in the end. Indeed, until he had passed his eighty-sixth year he had never required a doctor's attention. Mr. Galbraith was an omnivorous reader, and very fond of poetry, and sometimes he wrote topical rhymes. He was intensely interested in politics, and considered voting at every opportunity to be a point of duty with a citizen. He viewed with much apprehension what he characterized as the dangerous socialistic tendencies of the times, and feared that one result of the present trend in politics would be to sap and undermine the great qualities of self-reliance, initiative, and resource which, in his judgment, marked the pioneers in South Australia more than their descendants.

- Early Days in Scotland. -

In a recent letter to the Editor of The Register, in which he summarized some of his youthful experiences in the old country, he said: - "I was born in Glasgow on February 20, 1822. My first remembrance is the crossing of Glasgow Bridge in charge of a relative who was going to see a great fire that was raging in the city, and that fire was the burning of the Royal Theatre, one of the largest in Britain. It was completely destroyed. That catastrophe happened when I was seven years old. My chief remembrances about that time, however, are connected with the excitement caused by the introduction and the passing of Earl Grey's Reform Bill. One of the largest processions ever seen in Scotland was arranged in honour of the introduction of that measure into Parliament. Bands played, and banners were flying in all directions, and a look of satisfaction was seen on the face of every one. But a great change look place when it became known that Grey had resigned and that Wellington had been sent for. Then black flags and muffled drums were the order of the day. However, the changed conditions did not last long. Wellington resigned, and Grey was sent for and the Reform Bill was passed. Everybody looked happy again, and, of course, another procession took place - the largest of the three and the bands played more loudly, and cheers were more emphatic than they had ever been before. Some time after this I saw the great Radical, William Cobbett, in company with one of the Glasgow Town Councillors. He was among the first to be elected under the Reform Act. Cobbett must have been fairly old at that time, but he looked hale and hearty. He appeared to be about 6 ft. high and somewhat stout, full in the face, with fair hair and complexion. He wore a long-tailed blue coat, with brass buttons, a light-coloured vest, buff trousers, and a frilled shirt. At about this time I was taken by relatives to see Edmund Kean, the great actor, but unfortunately failed to do so, as the theatre was full."

- Emigration. -

Mr. Galbraith was a colonist of over 62 years standing. In referring to his advent to South Australia he said lately in conversation with a representative of The Register:- "About the middle of the year 1848 I felt very much run down, as I had worked nearly the whole of the year 1847 at the rate of nine days a week, owing to the railway mania which attacked so many people in the old country. So when a friend who was out of work at the time suggested emigration to Australia, I agreed at once. At first, we had doubt about the colony to which it would be best for us to go, but a lucky chance put us in possession of a pamphlet concerning South Australia, in which the writer showed the great advantages which that province offered to emigrants in its healthy climate, fertile soil, and cheap cost of living. One point I well remember was that the writer mentioned that butter was so plentiful and so cheap that people were in the habit of greasing their boots with it. Now, as butter at that time in London was looked upon as quite a luxury, we really thought that, other things being equal, South Australia must have a touch of Paradise about it. It may be interesting to note here that the author of that pamphlet was one of the earliest editors of The Register, the late Mr. John Stephens, a man of great ability and power. After having read some more favourable notices, we made up our minds to test the truth of them, and at the price of £15 each we took two steerage berths on the ship Hoogley (Capt. Henry), and on July 31, 1848, the vessel left St. Catherine's Dock and drifted with the tide down the River Thames. After 14 days fighting against head winds we arrived at Plymouth, where we picked up a few more passengers, and after waiting a couple of days started on our long voyage to the antipodes, about the middle of August, 1848."

- In South Australia.-

"The voyage lasted over 120 days, and at the end of that time the Hoogley sailed up the Port Adelaide Creek, and came alongside the wharf at Port Adelaide at 5 a.m., on December 5, 1848. I went ashore to see Capt. Hall, to whom I had a letter of introduction from my old employer in London. He received me very kindly, but at the same time gave me his blessing because I did not bring my working material with me. However, he handed me a letter of introduction to the editor of the newspaper The South Australian (Mr. Murray), in Adelaide. I saw, however, that Mr. Murray could do nothing for me, and I was passed on to several others, until ultimately I found myself conversing with Mr. George Hamilton, who subsequently was appointed Commissioner of Police. At that time, however, Mr. Hamilton was a clerk in the Treasury, under the late Mr. O. K. Richardson. Mr. Hamilton was a clever amateur draftsman, and painted several pictures. He did a good deal of black-and-white sketching, and had dabbled a little in lithography. He could, however, make nothing of it, and was quite ready to sell to the first purchaser what printing material he had, so I bought it, and I am sorry now that I did not preserve it, as a curiosity to show the present generation how little we required in the old days to make a living. Still, such as it was, I had it removed to the premises we had taken in Grenfell street - premises that are now known as Hardy's Wine Cellars. Our neighbour was the late Mr. Crimp, blacksmith, who at one time occupied the land on which the palatial buildings of The Register Offices now stand. As the one who did it, I may add that the first large job in lithography in South Australia was an octavo circular for Mr. Platts, a well-known stationer of the day, who occupied a shop in Hindley street, nearly opposite to the Royal Admiral Hotel."

- The Evening of Life. -

Mr. Galbraith may fairly be regarded as the father of pictorial printing in South Australia. For many years he was one of the principals in the then leading firm of Penman and Galbraith, and among the numerous productions with which Mr. Galbraith's name is associated was the original print of the "Song of Australia," which was written and composed in a competition promoted by the Gawler Institute, more than half a century ago. After the dissolution of the firm Mr. Galbraith worked for some years for Mr. Vardon, but his increasing deafness caused him to retire from business shortly after he had passed his seventieth year. Since then, although he has lived quietly with his daughters in the old house in Charles street, he has never lost the keen interest which he displayed ever since his arrival in the State in all public matters connected with it. In his prime he was always a welcome figure at social gatherings and in city circles. His name was a synonym for merriment and wit, with a strong undercurrent of practical commonsense and philosophy. He was particularly attached to the Caledonian Society, and occasionally sent to the St. Andrew's Day gathering verses of a reminiscent and patriotic character . . . Mrs. Galbraith predeceased her husband by many years, but he is survived by three daughters - Miss Galbraith, the well-known music teacher; Miss Jessie Galbraith, the popular vocalist; and Mrs. H. R. Wilke; and by three sons.

ASSOCIATIONS: John Stephens (journalist)

Musical publications by Penman and Galbraith to end of 1861 (extant in red bold; non-extant in black bold):

Ballad (? 1856/57)

Ballad, composed and respectfully dedicated to Lady Macdonnell, by Miska Hauser [Thou'rt like unto a flower] (Adelaide: Penman & Galbraith, Lith., [? 1856/57])

https://trove.nla.gov.au/work/214297264 

https://nla.gov.au/nla.obj-683497925/view?partId=nla.obj-683533455#page/n2/mode/1up (DIGITISED)

ASSOCIATIONS: Miska Hauser (composer); Blanche Macdonnell (dedicatee)

The song of Australia (Linger, December 1859)

The song of Australia to which the prize of twenty guineas was awarded by the Gawler Institute on the occasion of its second anniversary, 1859, words by Mrs. C. J. Carleton, music by Herr Carl Linger (Adelaide: Penman & Galbraith, Lith., 1859)

https://trove.nla.gov.au/work/5229425/version/16032989

https://nla.gov.au/nla.obj-164959059 (DIGITISED)

ASSOCIATIONS: Caroline Carleton (lyrics); Carl Linger (composer); Gawler Institute (association)

"MUSIC TO THE PRIZE POEM", Adelaide Observer (12 November 1859), 2

http://nla.gov.au/nla.news-article158130602 

The Committee of the Gawler Institute have forwarded the music and poems which prizes have been awarded to Messrs. Penman & Galbraith, of Rundle-street, to be lithographed. We have heard that 1,000 copies are to be struck off.

"THE SONG OF AUSTRALIA", South Australian Register (3 December 1859), 2

http://nla.gov.au/nla.news-article49824995 

We have seen a proof of the prize music to the Song of Australia, which has been lithographed by Messrs. Penman and Galbraith, of Rundle-street. It appears to be an excellent specimen of the art. The title-page is most elaborately executed in ornamental characters.

"THE SONG OF AUSTRALIA", The South Australian Advertiser (15 December 1859), 3

http://nla.gov.au/nla.news-article1200228 

. . . We must not, however, forget Messrs. Penman and Galbraith, who appear to have lavished extraordinary pains upon the "getting up" of the double composition, and certainly they deserve to be complimented for their success. Take the piece as a whole, - words, music, and engraving, - and South Australia need not be ashamed of the achievement.

The Kent Rifles polka (Price, August 1860)

The Kent Rifles polka, dedicated to Captain Herford by Mrs. Henry F. Price (Adelaide: Penman & Galbraith Lith., [1860])

https://trove.nla.gov.au/work/35607479

ASSOCIATIONS: Mary Frances Price (composer)

"MUSIC", South Australian Register (3 August 1860), 3

http://nla.gov.au/nla.news-article50026550 

We have received a copy of the Kent Rifles Polka, composed by Mrs. Henry Price, and lithographed by Penman & Galbraith. This publication is timely, and deserves to be encouraged, not only because it is a colonial effort, but also because the music is really spirited and striking . . . It is published at all booksellers.

"THE KENT RIFLE POLKA, The South Australian Advertiser (4 August 1860), 2

http://nla.gov.au/nla.news-article822339 

A copy of a new piece of music under the above title has been handed to us. The Polka is the production of Mrs. Henry F. Price, of Kensington, and is dedicated to the Commander of the Kent Rifle Company, Capt. Herford. It has been lithographed by Messrs. Penman & Galbraith, of Rundle-street, and, as a specimen of colonial lithography, it is perhaps superior to anything hitherto produced in the colony . . .

Hail fair Australia (Cutolo, October 1860)

Hail fair Australia, words by Ellie, music by Cutolo, dedicated to the public of South Australia (Adelaide: Penman & Galbraith, Lith., [1860])

https://trove.nla.gov.au/work/8953035 (DIGITISED)

ASSOCIATIONS: Ellie [Ellen Turner Debney] (lyrics); Cesare Cutolo (composer)

[Advertisement], The South Australian Advertiser (25 October 1860), 1

http://nla.gov.au/nla.news-article825583 

Just published, price 3s., "HAIL FAIR AUSTRALIA;" words by ELLIE, music by CUTOLO. Sold by Messrs. Mullet, Wigg, Platts, and Rigby, Adelaide; and Mr. Barnett, Gawler.

The volunteer waltz (Thirkell, November 1860)

NO COPY IDENTIFIED

ASSOCIATIONS: Christiana Thirkell (composer)

"THE VOLUNTEER WALTZ", The South Australian Advertiser (8 November 1860), 2

http://nla.gov.au/nla.news-article826261 

A very pretty waltz by Mrs. W. H. Thirkell, and dedicated by permission to His Excellency and Lady MacDonnell, has just been published, as will have been seen from the advertisements in the public papers. This new contribution to our musical portfolios has appeared very opportunely, and we doubt not it will have an extensive sale. The waltz is got up by Messrs. Penman and Galbraith in a really superior style; in fact, it reflects very high credit upon their skill and taste as colonial engravers.

"THE VOLUNTEER WALTZ", Adelaide Observer (10 November 1860), 7

http://nla.gov.au/nla.news-article158177927 

We have been favoured with a copy of a new piece of music by Mrs. Thirkell, entitled "The Volunteer Waltz," which has appeared very opportunely, just at the time of the grand review on the Prince of Wales's birthday, and when the officers are to receive their commissions . . . The style in which it has been got up by the lithographers, Messrs. Penman & Galbraith, reflects great credit on those gentlemen. It is published at a moderate price, and as a piece of colonial art we shall be glad to see it extensively patronised.

Volunteer song (Pounsett, November 1860)

NO COPY IDENTIFIED

ASSOCIATIONS: Henry Pounsett (junior) (composer)

"VOLUNTEER'S SONG", The South Australian Advertiser (9 November 1860), 3

http://nla.gov.au/nla.news-article826306 

We have received a copy of a new volunteer's song, written by Mr. Donald McLeod, and set to music by Mr. Henry Pounsett. The music is beautifully lithographed, and the piece is got up in Messrs. Penman anti Galbraith's best style, the front page being embellished by a picture of the regimental colors of the Adelaide Rifle Regiment. The song is published by Mr. W. H. Hillier, of Rundle-street.

"VOLUNTEER SONG", Adelaide Observer (10 November 1860), 7

http://nla.gov.au/nla.news-article158177927 

We have a "rush" of colonial music just now. The last piece published is a song, "Hail to thee, Riflemen," with a chorus for four voices, the music being by Mr. Henry Pounsett, and the words by Mr. Donald McLeod . . .

The Kapunda Rifle Volunteers' schottische (Oldham, January 1861)

NO COPY IDENTIFIED

ASSOCIATIONS: William Oldham (composer)

"NEW MUSIC", South Australian Register (12 January 1861), 3

http://nla.gov.au/nla.news-article50020159 

We have been favoured with a copy of a new schottische, composed by Mr. W. C. Oldham, and called the Kapunda Rifle Volunteers' Schottische . . . The schottische is capitally lithographed by Penman & Galbraith, of Adelaide.

The Adelaide schottische (Elliott, December 1861)

The Adelaide schottische, composed and respectfully dedicated to the ladies of South Australia by Joseph Elliott (Adelaide: Printed by Penman & Galbraith, 1861)

https://trove.nla.gov.au/work/35632411

ASSOCIATIONS: Joseph Elliott (composer)

"NEW MUSIC", The South Australian Advertiser (6 December 1861), 3

http://nla.gov.au/nla.news-article880619 

Mr. Joseph Elliott, already favorably known to the colonial public as the author of the melody entitled "By-gone Days," has added to his former productions a pretty piece of dance music entitled "The Adelaide Schottische." It is a lively and pleasing composition, and is very creditably got up by Messrs. Penman & Galbraith, whose skill in this department needs no eulogy.

"COLONIAL MUSIC", South Australian Register (12 December 1861), 3

http://nla.gov.au/nla.news-article50081069 

A collection of the musical pieces composed and published in the colony would form quite a volume . . . An addition to the list has recently been made by the publication of "The Adelaide Schottische," composed by Mr. Joseph Elliott, lithographed in Messrs. Penman & Galbraith's best style, respectfully dedicated to the ladies of South Australia, and sold at an unusually low price . . .

For all Penman and Galbraith prints, including those after 1861, see:

https://trove.nla.gov.au/search/category/music?l-usertag=Penman+and+Galbraith 

Bibliography and resources:

"William Galbraith", Design & art Australia online (DAAO)

https://www.daao.org.au/bio/william-galbraith 

GALE, Thomas Theodore (Thomas Theodore GALE; T. T. GALEl Mr. GALE)

Amateur and semi professional vocalist, clerk

Born ? England, ? c. 1830/32
Arrived Adelaide, SA, 17 January 1849 (emigrant per John Woodhall, from London, "T. Gale")
Married (? common law) Adelaide Frances COBBIN (1826-1909), SA, c. 1852
Died Melbourne, VIC, 1860, aged "28" [reg. 622/1860]

https://trove.nla.gov.au/search?l-publictag=Thomas+Theodore+Gale+d1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALE-Thomas-Theodore (shareable link to this entry)

Summary:

Gale is probably the "T. Gale" who arrived in Adelaide on the John Woodhall in January 1849. His future wife, Adelaide Frances Cobbin, arrived soon after with her father, the tailor and musician William Cobbin, on the Athenian from London, which landed on 5 March 1849. There is no record of their marriage; however, a son, Thomas, was born at Kooringa, SA, on 2 May 1853. Gale died in Melbourne in the earlier part of 1860. When their second son, Theodore Philip (born Adelaide, SA, 1 May 1855) was belatedly baptised at St. Peter's, Melbourne, VIC, on 1 June 1860, the register recorded "father deceased".

Documentation:

"SHIPPING INTELLIGENCE", South Australian Register [Adelaide, SA] (20 January 1849), 4

http://nla.gov.au/nla.news-article50245322 

Wednesday, January 17th . . . Same Day - The barque John Woodhall, 380 tons, Hill, master, from London. Passengers . . . T. Gale . . .

"NORFOLK LODGE OF ODD-FELLOWS. M. U.", South Australian (2 March 1849), 2

http://nla.gov.au/nla.news-article71623215

About seventy gentlemen - the members and their friends - assembled at Host Ottaway's, on Tuesday evening last, to celebrate the first anniversary of the Norfolk Lodge of Odd Fellows, of the Manchester Unity . . . On the cloth being removed, the Chairman gave the first toast of the evening . . . "Our most gracious sovereign the Queen" . . . The next toast given, as a matter of course, was "Prince Albert and the Royal Family," which was followed by a capital song very well sung, by a newly-arrived gentleman named Gale, who, when his vocal powers became known, was frequently solicited to favor the company in a similar way, to which he on every occasion most readily and handsomely acquiesced . . .

"NORFOLK LODGE OF ODD-FELLOWS", Adelaide Times (5 March 1849), 2

http://nla.gov.au/nla.news-article206980409 

. . . Several gentlemen sang during the evening with considerable taste and effect, especially Messrs. Gale, Yems, Hillier, and Penrucker. The former gentleman, Mr. Gale, is an excellent singer. His bass has not only extraordinary compass, but also most exquisitely modulated sweetness. His singing of "The Ship on Fire," "The Heather Bloom," "The Standard Bearer," and "I'll not beguile thee from thy home," were vociferously applauded. This young gentleman has only arrived lately from England, but from the agreeable talent that he so amply possesses, we may safely predict to him numerous applications for his presence at future convivialities in Adelaide . . .

ASSOCIATIONS: James Yems (amateur vocalist)

MUSIC: The ship on fire (Russell); The standard bearer [Die Fahnenwacht] (Lindpaintner); I'll not beguile thee from thy home (Alexander Lee); The heather bloom (? Balfe)

[Advertisement], South Australian (13 March 1849), 1

http://nla.gov.au/nla.news-article71623281

EVENING CONCERT. NEW QUEEN'S THEATRE.
MR. J. GRIFFITHS . . . On Wednesday Evening, Mach 14th, 1849.
PROGRAMME. - PART 1 . . . Song - Mr. Gale, "The Standard Bearer" - Schubert [recte Lindpainter] . . .
PART 2 . . . Song - Mr. Gale, "The Heather Bloom" - Balfe . . .

ASSOCIATIONS: Joseph Griffiths (musician); New Queen's Theatre (Adelaide venue)

"MR. GRIFFITH'S Concert . . .", South Australian (16 March 1849), 3

http://nla.gov.au/nla.news-article71623303 

. . . at the Queen's Theatre, on Wednesday evening, was well attended as regards the boxes, but there were very few in the pit . . . Mr. Gale has a remarkably fine voice, rich and flexible, between a barritone and base, but it wants cultivation. A little attention and exercise would in a short time enable this gentleman, who is but young, to produce greater equality in the upper and lower notes of his voice, the latter being at present rather reedy. He sings with great taste and ease, and both his songs were warmly applauded, his last, "The Heather Bloom" being unanimously encored . . .

"MR. GRIFFITH'S CONCERT", Adelaide Times (19 March 1849), 2

http://nla.gov.au/nla.news-article206980466 

. . . Mr. Gale sang Lindpainter's (not Schubert's) song of the "Standard-bearer" with great taste, and the "Heather bloom," which produced an unanimous encore. This gentleman has a fine voice - flexible and beautiful in quality of tone, but somewhat deficient in power. We have no doubt age and practice will do much to remedy this deficiency . . .

[Advertisement], South Australian Gazette and Mining Journal (29 March 1849), 2

http://nla.gov.au/nla.news-article195937376 

NEW QUEEN'S THEATRE, LIGHT-SQUARE. Last Night of the Season.
FOR THE BENEFIT OF MR. LAZAR. THIS EVENING (Thursday), March 29 . . .
MR. GALE (who was so favorably received on the night of Mr. Griffiths' Concert, has volunteered his services, and will sing the favorite Ballad of the "HEATHER BLOOM" . . .

ASSOCIATIONS: John Lazar (actor, manager)

[Advertisement], Adelaide Times (2 April 1849), 1

http://nla.gov.au/nla.news-article206980519 

NEW QUEEN'S THEATRE . . . EXTRA NIGHT . . .
MR. OPIE . . . for his BENEFIT, ON MONDAY (THIS) EVENING, APRIL 2 . . .
MR. GALE, Who was so favourably received on the night of Mr. Griffiths's Concert, has kindly given his services, and will make his first appearance in the character of Hawthorn in Bickerstaff's celebrated opera, in three acts, of LOVE IN A VILLAGE . . .

ASSOCIATIONS: Edward Andrew Opie (scenic artist)

MUSIC: Love in a village (Arne)

[Advertisement], South Australian Register (29 September 1849), 2

http://nla.gov.au/nla.news-article50245495 

MESSRS. WALLACE & ELLARD . . .
their LAST SUBSCRIPTION CONCERT . . .
in the Exchange, King William-street, on Tuesday evening, 2nd October, 1849.
On this occasion they will be assisted by Mrs. Murray . . . Mr. Gale and Mr. Lee.
PROGRAMME: PART I . . . Song - "My Boyhood's Home" - Rooke - Mr. Gale . . .
PART II . . . Song - "My Heart's on the Rhine" - Speyler - Mr. Gale . . .

ASSOCIATIONS: Spencer Wellington Wallace (musician); Frederick Ellard (musician); Exchange Rooms (Adelaide venue)

MUSIC: My boyhood's home (Rooke); My heart's on the Rhine (Speyler)

"MESSRS. WALLACE & ELLARD'S CONCERT", Adelaide Times (4 October 1849), 3

http://nla.gov.au/nla.news-article206981204 

. . . Mr. Gale is certainly much improved both in style and manner, and sang the music allotted to him very agreeably. Rooke's charming song from the Love Test, "My Boyhood's Home," produced an almost unanimous encore - it lost nothing in spirit or feeling by the repetition. In the second part of the concert, Mr. Gale sang "My Heart's on the Rhine" (Speyer) which also produced an encore. It certainly was highly flattering to the singer, that both his songs should be so well received. We think if he had taken the latter song half a tone higher, it would have been still more effective, and not at all beyond his range . . .

"MR. GALE'S CONCERT", South Australian (16 November 1849), 2

http://nla.gov.au/nla.news-article71625083

We have much pleasure in directing attention to this concert to be given by Mr. Gale on Tuesday evening. We mentioned on his first appearance our high appreciation of this gentleman's vocal ability, and our conviction that practice and instruction would make him an excellent singer. He has fully justified our expectation, and we trust the attendance at his concert will repay him for his many gratuitous performances. To those who have not heard Mrs. Jupp, we may confidently promise a very great treat. She is by far the best female vocalist we have had in Adelaide.

ASSOCIATIONS: Catherine Jupp (vocalist)

[Advertisement], South Australian (20 November 1849), 3

http://nla.gov.au/nla.news-article71625109

Under the immediate Patronage of the Governor and Lady Young.
MR. GALE has the honor to inform the residents of Adelaide and its vicinity, that his
CONCERT of Vocal and Instrumental Music will take place this evening (Tuesday), the 20th instant, in the Exchange, King William-street,
on which occasion he will be assisted by Mrs. E. Jupp (who made so successful a debut at the late Conversazione), Mr. S. W. Wallace, Mr. Lee, and several amateurs, who will give their services on that evening.
PROGRAMME. PART I.
1. Overture - "Fra Diavolo" - Auber - Mrs. Jupp, Mr. Lee, and Mr. Wallace
2. Song - "The Heart Bow'd Down" - From the opera of the Bohemian Girl - Balfe - Mr. Gale
3. Song - Amateur
4 The Spirit's Song - Mrs. Jupp
5. Song - "Farewell to the Mountain" - Barnet - Mr. Gale
6. Solo Violin - "Premier Concerto" - De Beriot - Mr. Wallace
PART II.
1. Overture - "Italiana in Algiero" - Rossini - Mrs. Jupp, Mr. Lee, and Mr. Wallace
2. Song - "My Mother bids me bind my Hair - Haydn - Mrs. Jupp
3. "Sun of Freedom," from the opera of Norma - Bellini - Amateur
4. Song - "My Heart's on the Rhine" - Speyler - Mr. Gale
Song - "Meet me to-night" - Horne - Mrs. Jupp
6. Solo Violin - De Beriot - introducing the favourite melody of "Home, Sweet Home" - Mr. Wallace
Tickets 5s. each, to be had at Platts's Library; Mr. P. Lee, Hindley-street; Mr. Dyke, Freemason's Tavern; and at the Exchange, King William-street. Concert to commence at eight o'clock precisely.

ASSOCIATIONS: Henry and Augusta Young (governor and wife); Philip Lee (vocalist, violinist)

"MR. GALE'S CONCERT", Adelaide Times (22 November 1849), 3

http://nla.gov.au/nla.news-article206981495 

The effect of the concert was somewhat injured by the absence of Mr. Lee, from illness, but Mrs. Jupp kindly introduced two extra songs, which in part supplied the deficiency. In "Auld Robin Gray" she was particularly successful. Mr. Gale sang "My Heart's on the Rhine" in good style, and the amateur pleased every one. He has a fine voice, and much taste. We need hardly say that Mr. Wallace performed in usual style of excellence. Sir Henry and Lady Young honoured the concert by their presence, and the room was moderately filled, including a large proportion of ladies. We regret that our limited space precludes a more detailed report.

"MR. GALE'S CONCERT", South Australian (23 November 1849), 2

http://nla.gov.au/nla.news-article71625130

His Excellency and Lady Young were present at Mr. Gale's concert on Thursday evening, and there was a tolerable company, including a fair proportion of ladies. The arrangements of the [programme] were unfortunately thrown into some confusion from the sudden announcement that Mr. Lee was taken ill. This occasioned the omission of the overtures and the substitution of some additional songs by Mrs. Jupp and Mr. Gale . . . Mr. Gale has perhaps not quite recovered from his late accident. His "Farewell to the Mountain," was not equal to his usual performances, but "My Heart's on the Rhine," was beautifully executed . . . We were sorry not to see Mr. Ellard there. His assistance to Mr. Gale would have been a compliment which his many gratuitous performances have deserved.

MUSIC: Farewell to the mountain (Barnett)

"LOCAL NEWS", South Australian (24 May 1850), 3

http://nla.gov.au/nla.news-article71626314 

On Wednesday evening, Mr. Wallace gave a grand vocal and instrumental concert at the Exchange. His Excellency and Lady Young were present, and the room was crowded to overflowing . . . We are almost tired of Mr. Gale's "My heart's on the Rhine," though his splendid voice is always acceptable. His second, "The Bandit's song," was omitted for no assigned reason . . .

"MR. WALLACE'S CONCERT", Adelaide Times (25 May 1850), 8

http://nla.gov.au/nla.news-article207116214 

. . . Mr. Gale sang, "My Heart's on the Rhine," correctly, but the effect of his vocalization being, in his opinion, deteriorated from by an accidental hitch in the accompaniment caused by Mr. Ellard playing from memory, Mr. Gale thought proper, as we are told, to decline singing the song allotted to him in the second part of the performance, an exhibition of petty feeling beneath our notice, but that we feel bound to set the public right as to the cause of the omission alluded to . . .

[Advertisement], Adelaide Times (8 July 1851), 2

http://nla.gov.au/nla.news-article207008305 

ROYAL VICTORIA THEATRE. PROPRIETORS - MESSRS. LAZAR AND COPPIN.
First appearance of MR. GALE, who will sing the celebrated Song of the "Standard Bearer."
THIS EVENING (Tuesday), July 8 . . .

ASSOCIATIONS: George Coppin (actor, proprietor); Royal Victoria Theatre (Adelaide venue)

[Advertisement], South Australian Register (14 August 1851), 2

http://nla.gov.au/nla.news-article38442566 

ROYAL VICTORIA THEATRE. THIS EVENING (Thursday),
August 14th, for the BENEFIT of MR. J. CHAMBERS . . .
Song - The Bay of Biscay - Mr. Gale . . .

ASSOCIATIONS: Joseph Chambers (dancer)

MUSIC: The bay of Biscay (Davy)

[Advertisement], South Australian (19 August 1851), 2

http://nla.gov.au/nla.news-article71687486

ROYAL VICTORIA THEATRE. MRS. MOORE . . .
her BENEFIT . . . THIS EVENING, TUESDAY, August 19 . . .
Song - "Death of Nelson" - Mr. Gale . . .

ASSOCIATIONS: Rachel Lazar Moore (actor, vocalist)

MUSIC: The death of Nelson (Braham)

"MR. GALE, THE VOCALIST", South Australian Register (30 November 1852), 3

http://nla.gov.au/nla.news-article38454488

On Saturday night a party in the public room of the York Hotel, Rundle-street, had amused themselves with songs and glees a little beyond the usual hour of closing, and received a hint from the waiter that it was time for them to retire. Upon this most of them left; but Mr. Gale, the well-known vocalist, who formed one of the company, was inclined to sit a little longer. Inspector Rose, of the Mounted Police, who was also there, jocosely, as we are informed, offered to turn him out - saying, that, as he was the only Policeman present, it was his duty to clear the room. Mr. Gale unfortunately resented his interference, and struck at him. Inspector Rose fell against the wall, but, immediately recovering himself, returned the blow by a stroke from a heavy hammer-handled whip which he had in his hand. The effect was instantaneous - the poor vocalist fell to the ground insensible, and with a bleeding wound above the temple. Dr. Moore was immediately called in, and found the skull fractured. The patient, up to last night, was doing far better than could have been expected, having perfect possession of his intellects, and being subject to very little pain. Inspector Rose has been relieved of duty by the Commissioner of Police, and is at present confined to his quarters, awaiting the result, of which we trust we may shortly be able to report favourably.

ASSOCIATIONS: Music on licensed premises (general)

"POLICE COURT. Friday, December 10th", Adelaide Morning Chronicle (13 December 1852), 3

http://nla.gov.au/nla.news-article66450297 

William Rose, Inspector of the Gold Escort, was charged on the information of Adelaide Frances Gale with feloniously assaulting her husband. Thomas Theodore Gale, at the York Hotel, on the 28th ultimo. Remanded till Monday (this day).

"THE ASSAULT ON MR. GALE", South Australian Register (13 December 1852), 3

http://nla.gov.au/nla.news-article38454019 

At the Police Court, on Friday, William Rose, Inspector of Police, appeared before H. R. Wigley, Esq., Special Magistrate, upon the information of Adelaide Frances Gale, wife of Thomas Theodore Gale, of Kooringa, vocalist, charging him upon suspicion with having on the 27th of November, feloniously assaulted the said Thomas Theodore Gale, with intent to do him some grievous bodily harm . . .

"BIRTH", Adelaide Times (5 May 1853), 3

http://nla.gov.au/nla.news-article207012083 

At Kooringa, Burra Burra, on the 2d May, the wife of Thomas T. Gale, of a son.

"SUPREME COURT. CRIMINAL SESSIONS. Friday, February 18th", Adelaide Morning Chronicle (22 February 1853), 3

http://nla.gov.au/nla.news-article66450733 

William Rose, Inspector of Police, was charged with a felonious assault upon Thomas Theodore Gale, with intent to do him some grievous bodily harm, on the 27th November. Other counts varied the intent. He pleaded not guilty, and was defended by Mr. Smith . . . His Honor summed up the evidence, and the Jury, after retiring for a few minutes, returned a verdict of not guilty.

[2 advertisements], South Australian Register (3 June 1854), 4

http://nla.gov.au/nla.news-article48551882

EVENING CONCERTS, EVENING CONCERTS. AT THE WELLINGTON INN, CURRIE AND LEIGH-STREETS.
MR. FAULKNER begs to call the attention of his friends and the public that he has commenced an Evening Concert in the Large Room of the above Inn.
Mr. Gale will be in the Chair.
Mr. Charles Adams will preside at the Pianoforte.
To commence every evening at 7 o'clock and close at 10.

MR. GALE begs to inform the public in general of Adelaide and its Environs that he does not (as advertised) act as Chairman at Mr. E. Martin's, Black Horse, Leigh-street, but at Mr. Faulkner's, Wellington Inn, in the same street.

ASSOCIATIONS: Charles Henry Adams (pianist)

[Advertisement], South Australian Register (11 August 1854), 1

http://nla.gov.au/nla.news-article49201116 

SOIREE MUSICALE - ADELAIDE HARMONIC CLUB,
Wellington-Inn, Currie-street, every evening.
Conductor - MR. GALE.
Pianist - MR. MONTEGANI.
All the popular Songs, Glees, Catches, and Chorusses of the day by first-rate artistes.
Harmony commences at 7 o'clock. N.B. - No charge for admission.

ASSOCIATIONS: Alfred Mantegani (pianist)

[Advertisement], Adelaide Times (30 October 1854), 1

http://nla.gov.au/nla.news-article207018993 

ROYAL VICTORIA THEATRE, Gillies Arcade.
THIS EVENING, MONDAY, OCTOBER 30, 1851. GRAND FAMILY NIGHT.
Totten's Unrivalled Company of ETHIOPIAN HARMONEONS . . .
First appearance of Mr. Gale at this Theatre, who has kindly volunteered his services.
In the course of evening he will sing Russell's celebrated song, The Slave Ship.
Mr. Montegani, the celebrated Pianist, has also volunteered his services . . .

ASSOCIATIONS: Totten's Harmoneons (minstrel serenader troupe)

MUSIC: The slave ship (Henry Russell)

"ANNIVERSARY OF THE ALBION LODGE", Adelaide Observer (5 May 1855), 8

http://nla.gov.au/nla.news-article158103431 

On Thursday evening, the Albion Lodge of Oddfellows in connection with the Manchester Unity celebrated its tenth anniversary with the usual dinner in the Lodge-room at the Albion Hotel. About eighty brothers sat down to a banquet which exceeded even the former much admired entertainments of that superior house . . . In addition to the ample purveying of the Host, the exquisite cuisine and the choicest treasures of the Albion's well-stocked cellar, Chapman's band contributed to the enjoyment of the evening . . .
Song, Mr. McCullagh, "The Wake of Teddy Roe" . . .
Song, Mr. Gale, "The Ship on Fire" . . .

ASSOCIATIONS: William Chapman (musician); Robert McCullagh (vocalist)

Melbourne, VIC (? from c. 1855):

"LAW REPORT . . . NEW INSOLVENTS", The Argus (16 November 1859), 6

http://nla.gov.au/nla.news-article5691824 

Thomas Theodore Gale, clerk, of Melbourne. Cause of insolvency - Sickness and imprisonment. Liabilities, £229 3s. 10d.; assets, £3; deficiency, £226 3s. 10d. Mr. Courtney, Official Assignee.

Baptisms solemnized in the parish of St. Peter Melbourne . . . in the year 1860; register, 1859-1870; St. Peter's Eastern Hill

https://www.ancestry.com.au/interactive/60584/43331_1831109387_0189-0037 (PAYWALL)

[No.] 4738 / [1860] June 1 / [born] 1 May 1855 / Philip Theodore / [son of] Thomas Theodore & Adelaide Frances / Gale / Stephen Street / Father deceased . . .

ASSOCIATIONS: Philip Theodore Gale died Adelaide, SA, 4 May 1890

"DEATHS", South Australian Register [Adelaide, SA] (5 May 1890), 4

http://nla.gov.au/nla.news-article47238028 

GALE. - On the 4th May, at his residence, No. 184, Gover-street west, N.A, Theodore Philip (Phill), the beloved husband of Annie Maria Gale, and youngest son of Mrs. A. F. Gale, and grandson of the late W. Cobbin.

"DEATHS", The Register [Adelaide, SA] (28 April 1909), 8

http://nla.gov.au/nla.news-article57524876 

GALE. - On the 21st April, at Adelaide, Adelaide Frances, relict of the late Thomas Theodore Gale, and beloved mother of Thomas and Philip Gale, in her 85th year. At rest.

"Obituaries of the Week. MRS. A. F. GALE", Observer [Adelaide, SA] (8 May 1909), 38

http://nla.gov.au/nla.news-article164680090 

The death is announced, at the age of 85 years, of Mrs. A. F. Gale, who for many years was in the employ of Messrs. James Marshall & Co. as head of the dressmaking department. Upon resigning that position she proceeded to Wellington, New Zealand, to live with her son (Mr. Thomas Gale), who figured prominently in public life in that city. Upon his death Mrs. Gale returned to Adelaide, where she resided until the time of her decease.

GALES, Richard (Richard GALES)

Musician

Active Nine Mile creek, via Beechworth, VIC, 1858

https://trove.nla.gov.au/search?l-publictag=Richard+Gales+musician (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALES-Richard (shareable link to this entry)

Documentation:

"NINE MILE", Ovens and Murray Advertiser [Beechworth, VIC] (28 September 1857), 2

http://nla.gov.au/nla.news-article113016999 

We are glad to see, notwithstanding the dullness of matters in this township, the speculative spirit of some of our neighbours. The proprietor of the "Globe Inn" is about completing an additional large room attached to the building lately put up by him, and which we suppose is to give a facility for tripping on the "light fantastic toe." We have just lately had the "Golden Age" re-opened under new management, in honor of which a free Supper and Ball was given . . .

"POLICE COURT. Saturday, April 3, 1858", Ovens and Murray Advertiser (5 April 1858), 2

http://nla.gov.au/nla.news-article113237486 

A Sew, Chong Ming, A You, A Ling, Quye Tsyem Sam Tuck, A Chin, A Chong, A Yow, A King, A Kim, A Kit, and Tin Moy, were charged with riot . . . Richard Gales, a musician, deposed that he remembered the 1st April; about three o'clock on that day there was a fight at the Chinese Camp, Snake Valley . . .

"CHINESE RIOTERS", The Age [Melbourne, VIC] (10 April 1858), 5

http://nla.gov.au/nla.news-article154856497 

The Ovens Constitution reports the following cases tried at Beechworth Police Court on Saturday last: - A-Sou, Chon-Ming, A-You, A-Sing, Quyl Tsye, Sam Tuck, A-Chew, A-Chong, A-Yow, A-Keung, A-Kem, A-Ket, and Tim Moy, appeared on a charge of riotously assembling together at Snake Valley, on Thursday, the 1st of April . . .
Richard Gales sworn: Is a musician at the Globe Inn, Nine Mile. Witness believes A Chong and A-Keung were two of the men he saw in the riot on Thursday last. There were two parties of Chinamen farmed in squares, who charged each other with bamboos, and subsequently closed, beating one another with sticks, while men on the outside of the crowd threw stones of three or four pounds weight . . .

[Advertisement], Ovens and Murray Advertiser (7 June 1858), 3

http://nla.gov.au/nla.news-article112896285 

Globe Inn, Nine Mile.
JOHN WARK BEGS to inform the Inhabitants of NINE MILE and its vicinities, that he has made arrangements to have
A FREE BALL AND SUPPER, On Friday, June 11th, On which occasion nothing shall be wanting on his part to make all his Friends comfortable.
FIRST-CLASS BAND ENGAGED FOR THE OCCASION. Dancing at Eight o'clock, - Supper at Twelve.

GALLAGHER, George (George GALLAGHER; G. GALLAGHER; Mr. G. GALLAGHER)

Drum-major, 58th Regiment, soldier, comic vocalist, baker, confectioner, publican

Born (in 58th Regiment) Kingston, Jamaica, February 1816; son of Timothy GALLAGHER (d. 1843) and Ann HILLARD
Enlisted (58th Regiment), 12 October 1830 (aged "14 years & 8 months")
Arrived (1) Sydney, NSW, 28 September 1844 (per Pestonjee Bomanjee, from Chatham, 14 May, via Hobart Town)
Departed (1) Sydney, NSW, ? April 1845 (for New Zealand, active there by 28 April)
Arrived (2) Sydney, NSW, 19 December 1846 (per Java, from Auckland, New Zealand, 5 December)
Departed (2) Sydney, NSW, 11 June 1847 (per Thomas Lowry, for New Zealand)
Married (1) Mary CULLEN (d. 1861), Auckland, NZ, 1849
Discharged (58th Regiment), Auckland, NZ, 15 December 1854 (aged "38 10/12 years")
Married (2) Catherine Frances HALL, NZ, 1862
Died Auckland, NZ, 4 June 1879, aged "63"

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALLAGHER-George (shareable link to this entry)

GALLAGHER, Timothy (Timothy GALLAGHER; T. GALLAGHER; Mr. GALLAGHER)

Musician, teacher of music and dancing, music copyist, violinist, teacher of flute, violin, and harmony, quadrille and volunteer force band leader, bandsman, Band of the 58th Regiment (in NZ), soldier (in NZ)

Born (? in 58th regiment), by c. 1832; son of Timothy GALLAGHER (d. 1843) and Ann HILLARD
Arrived (1) Sydney, NSW, by 1847
Departed Sydney, NSW, 12 June 1847 (per Thomas Lowry, for New Zealand)
Married Elizabeth GREGORY, St. Paul's church, Auckland, NZ, 7 September 1853 (? of full age)
Arrived Sydney, NSW, by November 1859
Active Portland, VIC, until July 1877

https://trove.nla.gov.au/search?l-publictag=Timothy+Gallagher+musician (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALLAGHER-Timothy (shareable link to this entry)

DISAMBIGUATION: Not to be confused with Timothy Robert Gallagher; as Timothy Gallagher (BDM VIC 2629/1877), commission agent, native of Ireland, died Prahran, VIC, 7 January 1877, aged 42 years, 23 years in Victoria, not married; that Gallagher was also a several times before the courts, including as co-respondent in a divorce case in Melbourne in September 1867)

Documentation:

Pay list of the 58th Regiment, 1 April to 30 June 1844; Australian Joint Copying Project, from UK National Archives, WO12/6744

https://nla.gov.au/nla.obj-1653404148 (DIGITISED)

Drum Major as Sergeant / 660 / Gallagher Geo. / . . . Embarked for N. S. Wales 14th May

Pay list of the 58th Regiment, 1 April to 30 June 1847; Australian Joint Copying Project, from UK National Archives, WO12/6748

https://nla.gov.au/nla.obj-1654460808 (DIGITISED)

Drum Major as Sergeant / 660 / Gallagher George / . . . To New Zealand 12 June
PRIVATES . . . 784 / Gallagher James / . . .
2254 / Gallagher Timothy / . . . To New Zealand 12 June

Discharge, 58th Regiment, No. 660, Sergeant George Gallagher, Auckland, NZ, 1855; UK National Archives, WO97/1565/134

https://search.findmypast.com.au/record/browse?id=GBM/WO97/1565/134/001 (DIGITISED)

. . . Auckland, New Zealand, Dec'r 15, 1854 . . .
Discharge of No. 660, Serjeant George Gallagher . . . by trade a labourer
was BORN in the Parish of St. Andrew's in or near the town of Kingstown in the Island of Jamaica
and was ATTESTED for the [58th] Regiment of Foot [no place entered] on the 12th October 1834 [sic, 1830] at the Age of 14 years & 8 months . . . [including] in the Australian Colonies 10 93/365 years . . .
DISCHARGE is proposed in consequence of his being unfit from further service . . . from shortness of breath . . .
. . . his character and conduct have been very good . . .
Detailed Statement of the Services . . .
58th Foot / Boy / 12 Oct 1830 / . . . Under age
Attained 15 years / Private / 12 Feb'y 1831 / . . . Under age
Private / 12 Feb'y 1834 / . . . / 6 years / 293 days
Promoted / Corporal / 1 Dec'r 1840 / . . . / 1 year / 62 days
Appointed Drum Major / 1 Feb'y 1842 / to Serjeant / 1 August 1847 [to] 31 Dec'r 1854 / 12 years / 334 days . . .
FINAL DESCRIPTION . . . this 15 December 1854 / Age 38 10/12 years / 5ft 6 1/2 ins . . .

"THEATRE ROYAL", Auckland Examiner [NZ] (27 August 1857), 3

https://paperspast.natlib.govt.nz/newspapers/AKEXAM18570827.2.9 

. . . The [Amateur Dramatic Performance] with which we were gratified on Wednesday the 19th inst., was "for the benefit of a distressed family" and though faulty (as such performances almost necessarily are) deserves great praise . . . How the "Air from Lucrezia Borgia"* was sung by Herr Strauch, or "Billy Barlow" (strictly local) by Harry Jackson, or the "Comic Song" by Mr. George Gallagher, we are unable to declare, having been obliged to leave the Theatre at close of the first piece . . .

ASSOCIATIONS: Gustavus Strauch (vocalist); Harry Jackson (vocalist)

"DIED", New Zealander [Auckland, NZ] (26 October 1861), 3

https://paperspast.natlib.govt.nz/newspapers/NZ18611026.2.8 

On the 25th instant, MARY, wife of MR. G. GALLAGHER, aged 29 years.

"DEATH", Auckland Star (4 June 1879), 2

https://paperspast.natlib.govt.nz/newspapers/AS18790604.2.5 

GALLAGHER. - On June 4, George Gallagher, aged 63 years. The funeral will leave his late residence, top of Wakefield-street, to-morrow (Thursday), at 3 o'clock. Friends are respectfully invited to attend.

"DEATH OF MR. GEORGE GALLAGHER", New Zealand Herald [Auckland, NZ] (6 June 1879), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18790606.2.24 

We have to record the fact that another of Auckland's old identities has gone over to the majority, and was laid in his last resting-place in the cemetery yesterday. The experiences of the deceased were of the most varied character, and his presence in Queen-street will be missed by a large number of old residents. Mr. Gallagher was a native of the town of Londonderry, Ireland. He was born in the 58th Regiment of the Line, in which his father was a sergeant. When he grew up he joined the ranks, and in process of time he was promoted to the rank of drum-major, a rank which he held for a long period. After the arrival of the regiment at Sydney, in 1843, under the command of Colonel Wynyard, they remained inactive for about a year, and then received orders to start for the seat of war in New Zealand. Hone Heke's war in the North was then commenced, and the regiment, the first full regiment of the Line which appeared in Now Zealand, landed at the Bay of Islands in the year 1814. During this war, Drum-major Gallagher behaved with that gallantry which entitled him to the honour of the New Zealand war medal, which he duly received, and on retiring from his regiment he received the Imperial medal for long service and good conduct. In his position as drum-major of the 58th Regiment, he was the first Imperial soldier to enter the Albert Barracks . . . Upon retiring from the regiment Mr. Gallagher started business at the top of West Queen-street, in the manufacture of bread and biscuits . . .

Timothy (c. 1853-77):

Auckland, NZ (from 1847 to 1859):

Marriage solemnized in St. Paul's church, Auckland, New Zealand, in the year 1853; BDM NZ

No. 37 / Timothy Gallagher of this parish bachelor and Elizabeth Gregory of this parish Spinster, a minor, no guardian
were married in this church by banns this [7 September 1853] . . . [witnesses] Jas. Gallagher, W. Healy . . .

ASSOCIATIONS: Private James Gallagher (brother), born Donaughuire, Castle Fin, Donegal, c. 1813, enlisted in the 58th Regiment of Foot on 9 February 1831 aged "18", and was discharged at Auckland, NZ, on 11 May 1852

"CONCERT", New Zealander [Auckland, NZ] (21 April 1855), 3

https://paperspast.natlib.govt.nz/newspapers/NZ18550421.2.12 

An entertainment of vocal and instrumental music, in aid of the St. Patrick's Temperance Society, took place in St. Patrick's Hall last evening. The Very Rev. Father McDonald presided, and prefaced the entertainment by an apposite address in advocacy of the Temperance principle. Messrs. Brown and Gallagher contributed materially to the vocal part of the performance, and the Band of the "58th Regiment" were, as they long have been, an unfailing source of support in all our musical matters. The Hall was well filled, and everything went off in the most satisfactory manner. By the way, we were highly gratified on Thursday, in the Domain, by the charming performance of French national melody - "Partant Pour la Syrie."

Discharge roll, 58th Regiment, New Zealand; UK National Archives, WO 100/18

https://www.ancestry.com.au/discoveryui-content/view/2014612:1686 (PAYWALL)

Corp. Alex'r McCoy / 1580 / Discharged 31 October 1858

https://www.ancestry.com.au/discoveryui-content/view/2015425:1686 (PAYWALL)

Timohty Gallagher / 2254 / Discharged 31 October 1858

ASSOCIATIONS: Alexander McCoy (musician, soldier), see also Bathurst, NSW, February 1860 below

[Advertisement], New Zealander [Auckland, NZ] (3 November 1858), 2

https://paperspast.natlib.govt.nz/newspapers/NZ18581103.2.11.1 

MR. T. GALLAGHER, TEACHER OF MUSIC.
Instruction given on the Violin and Flute.
FOR terms apply at his residence, top of Wakefield-street. Auckland, Nov. 2, 1858.

[Advertisement], New Zealander (8 December 1858), 2

https://paperspast.natlib.govt.nz/newspapers/NZ18581208.2.19.3 

THE RUTLANDSHIRE BAND.
THE Inhabitants of Auckland are respectfully informed that an efficient Band has been formed, under the above title by late members of the well-known Band of the 58th Regiment.
Instruments (for Out-door music) - Piccolo, Flute; 2 Cornets-a-pistons; 2 French Horns; 2 Bassoons; 2 Ophicleides; Drum. -
For Dance Music: 2 First Violins; 2 Second do.; Piccolo Flute; 2 French Horns; Cornets-a-Pistons; Bassoon; Ophicleide.
Leader - Mr. T. GALLAGHER, Teacher of Music, Wakefield-street, -
by whom applications for engagements will be immediately attended to.
Auckland, New Zealand, December 6th, 1858.

"COMMEMORATION OF THE ADMISSION OF JEWS INTO THE HOUSE OF COMMONS", New Zealander (11 December 1858), 3

https://paperspast.natlib.govt.nz/newspapers/NZ18581211.2.11 

On Thursday evening, the members of the Auckland Jewish Synagogue celebrated, by a public dinner at the Masonic Hotel (Mr. W. Nicol's), the successful issue of the struggle which has been carried on for so many years in Great Britain for the removal of the disabilities precluding their race from taking a seat in the British Legislature. The attendance was very numerous, and comprised members of almost every branch of the Christian as well as of the Jewish Church. The dinner was a sumptuous one, and the dessert (the fruits of the season) one of the most abundant and excellent we have seen in Auckland: it afforded ample proof of what could be exhibited if we had but a Horticultural Show to incite our market and private gardeners to honourable emulation. The wines were excellent and suited to the very warm weather we have enjoyed of late. Several members of the newly-formed "Rutlandshire Band" announced in our last paper, were in attendance in the music gallery, under the leadership of Mr. T. Gallagher, and performed a variety of popular and operatic airs and other music during the evening in a manner that gave good ground for hope that they will succeed in their meritorious enterprise . . .

[Advertisement], Daily Southern Cross [Auckland, NZ] (21 January 1859), 1

https://paperspast.natlib.govt.nz/newspapers/DSC18590121.2.1.6 

DANCING. MR. GALLAGHER had the honor to inform his patrons and the Public generally, that his Class for instruction in the above elegant accomplishment, will re-assemble on Friday next, the 21st instant, at the Odd Fellows' Hall.
Auckland, 18th January, 1859.

"THE ANNIVERSARY REGATTA . . . THE REGATTA BALL", New Zealander (2 February 1859), 2

https://paperspast.natlib.govt.nz/newspapers/NZ18590202.2.5 

The most sanguine anticipations respecting the success of this our grand Provincial Fete were fully realized on Monday last. A better or a more brilliant Regatta, we incline to think, was never celebrated since the Pakeha and the Maori brought their joint exertions to bear in imparting an interest to an Exhibition which, for intensity and energy of character is, we believe, peculiar to Northern New Zealand . . . In the evening . . . a Ball was given . . . A numerous party of ladies and gentlemen were present and a remarkably pleasant evening was spent . . . and the quadrille party of "the Rutland Band," under the leadership of Mr. T. Gallagher, gave great satisfaction . . .

"JURY LIST FOR 1859-60", New Zealander (12 February 1859), 1 supplement

https://paperspast.natlib.govt.nz/newspapers/NZ18590212.2.20.2 

Gallagher Timothy, Mount street, musician
Gallagher George, Queen street, baker
Gallagher James, Chancery lane, labourer

[Advertisement], Auckland Examiner [NZ] (2 April 1859), 1

https://paperspast.natlib.govt.nz/newspapers/AKEXAM18590402.2.2.3 

ODD FELLOWS' HALL. T. Gallagher TEACHER OF MUSIC & DANCING,
BEGS to intimate to his friends and the public generally that his next Ball will take place in the above splendid building, on WEDNESDAY the 6th APRIL.
Gentlemen honoring Mr. G. with their presence will please to make early application, as the number of Tickets is limited.
The celebrated Rutland Band will be in attendance.
Price of Admission - 6s., to admit a Lady and Gentleman.
Tickets to be had at Mr. Robottom's, Cresent, Mr. Lewis's, Queen-street,
and at Mr. Gallagher's residence, Mount-street, Auckland. March 25th, 1859.

"BALL AT THE ODD FELLOWS' HALL", Daily Southern Cross (5 April 1859), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18590405.2.17 

We see that Mr. Gallagher, late of the 58th Regiment, proposes giving a ball at the Odd Fellows' Hall, to-morrow evening. Mr. Gallagher is a well known member of the Rutlandshire Band, the elite of our old 58th Band; and we shall be glad to see him, as a civilian, as successfully leading a ball orchestra as his old leader, Mr. Davis, did during so many years. We have no doubt he will do his best, and be well supported.

ASSOCIATIONS: Daniel Davis (master, 58th band)

Sydney and Bathurst, NSW (by c. mid 1859 to mid 1863 or later):

? Passengers per Moa, from Auckland, NZ, for Sydney, NSW, arrived 9 June 1859; State Records Authority of NSW, Inward passenger lists, 13278

https://www.ancestry.com.au/discoveryui-content/view/1549917:1210 (PAYWALL)

. . . Mr. Gallagher / Steerage . . .

? "MUNICIPAL INSTITUTIONS", New South Wales Government Gazette [Sydney, NSW] (17 June 1859), 1366

http://nla.gov.au/nla.news-article228718014 

Redfern, Chippendale, Waterloo Estate, Surry Hills, and South Sydney, Second Petition . . . received on the 26th ultimo [26 May] . . . praying for the erection of their locality into a Municipality . . .
. . . Tim. Gallagher, George-street . . .

[Advertisement], The Sydney Morning Herald [NSW] (21 November 1859), 1

http://nla.gov.au/nla.news-article13033509 

AT A GENERAL MEETING of the THEATRICAL PROFESSION, held November 19th, it was resolved -
"That none of the following members of the profession shall receive any engagement from Mr. Charles Poole, or any deputed manager of his, until the present pecuniary claims of the whole professional body shall have been indemnified in full."
In guarantee whereof the following signatures were affixed: . . .
A. Usher . . . W. J. Rice . . . Frank Howson, Jnr. . . .
S. Gallagher [sic] . . . M. Josephson . . . A. H. Chute [Chate],
G. Wright . . . F. J. Sharp . . . R. W. Kohler . . .
Charles Eigenschenck . . . J. Davis, Robert Vaughan . . .
R. STEWART, Chairman. FRANK VARLEY, Secretary.
THEATRICAL FUND. - A MEETING of the Committee, TO-DAY, at the Shakespeare Hotel, Pitt-street, at 3 p.m. FRANK VARLEY, secretary.

ASSOCIATIONS: Charles Poole (actor, manager); Alfred Usher (musician); Walter John Rice (musician); Frank Howson junior (musician); Martin Josephson (musician); Alfred Henry Chate (musician); George Henry Wright (musician); Frederick Sharp (musician); Richard Wildblood Kohler (musician); Charles Eigenschenck (musician); Isaac Henry Davis (musician); Robert Vaughan (musician); Richard Stewart (actor); Frank Varley (secretary); Australian Dramatic and Musical Association (fund, theatrical union, recently formed to support theatrical workers in their dispute with the Sydney theatre managers);
see also second petition, [Advertisement], The Sydney Morning Herald (26 November 1859), 8

http://nla.gov.au/nla.news-article13033741 

[Advertisement], The Sydney Morning Herald (22 November 1859), 1

http://nla.gov.au/nla.news-article13033565 

GRAND ORCHESTRAL UNION AND VOCAL CONCERT. -
The first of a series of MONSTER CONCERTS, for the benefit of the Dramatic and Musical Artistes,
late of the Victoria and Prince of Wales Theatres, will take place on
WEDNESDAY, 23rd instant, at the SCHOOL OF ARTS, when the following combination of talent will appear.
Pianist - Mr. C. Packer.
Leaders - Messrs. Usher and Eigenschenck . . .
. . . Flauto - Messrs. Vaughan and Gallagher . . .
PART l. Overture - "Guillaume Tell" - Rossini - By Double Orchestra . . .
Quadrille - "L'Indienne," with brilliant variations, and new effects, first time in Sydney . . .
PART 2. Overture - "La Bayadere "- First time in Sydney (Auber) . . .
Finale - "Galope Champagne"- With original effects by Mr. R. W. Kohler . . .
R. STEWART, Treasurer. FRANK VARLEY, Secretary.

ASSOCIATIONS: Charles Sandys Packer (pianist); Sydney Mechanics' School of Arts (venue); Prince of Wales Theatre (Sydney venue); Royal Victoria Theatre (Sydney venue); see also second concert, [Advertisement], The Sydney Morning Herald (24 November 1859), 1

http://nla.gov.au/nla.news-article64093456 

and third concert, [Advertisement], The Sydney Morning Herald (25 November 1859), 1

http://nla.gov.au/nla.news-article13033666 

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (29 February 1860), 3

http://nla.gov.au/nla.news-article63597959 

MACGOWAN'S LYCEUM. A NEW AND EFFICIENT COMPANY AND ORCHESTRA HAVE ARRIVED,
AND WILL APPEAR ON MONDAY, 5th MARCH, 1860.
Engagement for a short period of the CELEBRATED LIGHT COMEDIAN, MR. C. MIRAN, Late of the Theatres Royal Melbourne, Hobart Town, Launceston and Sydney.
HERR SCHADER, THE CELEBRATED OPERATIC DANCER, AND PANTOMIMIST, Late of the Theatres Royal, Berlin, Vienna and Sydney.
MR. GALLAGHER THE CELEBRATED VIOLINIST, Is engaged as Leader of the Orchestra.
The well-known CORNET-A-P1STON PLAYER, MR. A. McCOY.
THAT VERY EXCELLENT PIANIST, MR. C. TIFFIN.
MADAME SARA FLOWER, THE ACCOMPLISHED VOCALISTE,
MR. S. HOWARD, Of the Melbourne and Sydney Theatres,
are engaged, and will shortly appear, due notice will be given of their arrival.

ASSOCIATIONS: Robert McGowan (actor, manager); Charles Miran (actor); Herr Schrader (dancer); Charles Tiffin (pianist); Sara Flower (vocalist); Sam Howard (actor); Lyceum Theatre (Bathurst venue)

[Advertisement], The Sydney Morning Herald [NSW] (11 May 1861), 1

http://nla.gov.au/nla.news-article13066985

MR. T. GALLAGHER, Teacher of Violin, Flute, and Harmony.
MR. T. GALLAGHER, Quadrille Violinist.
Brass or string bands provided. Terms, reasonable. 115 Bathurst Street

[Advertisement], The Sydney Morning Herald (15 July 1861), 1

http://nla.gov.au/nla.news-article13065934 

NOTICE. - Having heard that certain parties residing at No. 115, Bathurst-street, have of late been using language derogatory to my honesty, I hereby caution the said parties from doing so under penalty of law.
T. GALLAGHER.

[Advertisement], The Sydney Morning Herald (17 March 1862), 10

http://nla.gov.au/nla.news-article13225975 

WANTED, a good VIOLIN PLAYER. Enquire of Mr. GALLAGHER, 217, Castlereagh-street, between the hours of 9 and 11 o'clock this morning. Salary no object.

[Advertisement], The Sydney Morning Herald (7 June 1862), 7

http://nla.gov.au/nla.news-article13229814

T. GALLAGHER, Musical Copyist to the Orpheonist Society.
Music neatly copied, arranged, or transposed, to suit any voice or instrument.
Instruction given on flute, violin, and harmony. 217, Castlereagh-street.

ASSOCIATIONS: Orpheonist Society (association); but note that later that same month John Brady advertised as music copyist to the society

"CONCERT - SACRED HEART, DARLINGHURST", Empire [Sydney, NSW] (15 August 1862), 5

http://nla.gov.au/nla.news-article60479638 

The entertainment given by the members of the choir of this Church on Wednesday, in aid of the Organ Fund, was decidedly successful . . . Mr. W. J. Cordner presided at the pianoforte, and his artistic accompaniments conduced very materially to the general success of the concert. The performance of the Sydney Quadrille Band, under the able conductorship of Mr. Gallagher, was very creditable, and considering that the orchestra has only lately been formed, and is for the most part composed of very tyros in the musical art, they gave ample promise of future excellence . . .

ASSOCIATIONS: William John Cordner (pianist, conductor); Sacred Heart Choral Society (association)

"SACRED HEART CHORAL SOCIETY", Freeman's Journal [Sydney, NSW] (16 August 1862), 6

http://nla.gov.au/nla.news-article115764239 

The first concert of the Sacred Heart Choral Society was given in the school-room on Wednesday evening to a very crowded auditory . . . Mr. Cordner contributed in a very essential degree to the success of the entertainment by the skill with which he accompanied the various songs and pieces on the piano. The Sydney Quadrille Band also, conducted by Mr. Gallagher, performed various pieces throughout the evening in a very creditable manner . . .

[Advertisement], The Sydney Morning Herald (17 December 1862), 1

http://nla.gov.au/nla.news-article13071094 

GEORGE PECK'S GRAND CONCERT of VOCAL and INSTRUMENTAL MUSIC,
THIS EVENING, December 17th, in the Masonic Hall . . .
GRAND ORCHESTRA. Conductors - Messrs. Callen and Deane.
Director, G. Peck. Accompanying Pianist, W. Cordner.
PROGRAMME. PART I.- THE CLASSIC.
Grand Overture - Anacreon or L'Amour Fugitif, Full Orchestra - Cherubini . . .
PART II. - THE POPULAR.
Scotch Melody - Overture, Guy Mannering - H. R. Bishop. Full Orchestra, with Solos for various instruments . . .
Jullien's celebrated Nightingale Waltzes, with Picolo Obligato, by Mr. Gallagher . . .

ASSOCIATIONS: George Peck (musician); George Douglas Callen (musician); John Deane (musician); Masonic Hall (Sydney venue)

"CITY POLICE COURT. Monday, 9th March . . . STEALING FROM A DWELLING", The Herald [Melbourne, VIC, sic] (10 March 1863), 6

http://nla.gov.au/nla.news-article244295067 

William Hughes, was charged with stealing £12 from a dwelling. Timothy Gallagher, a musician, stated that the prisoner slept in the same room with him. On Saturday morning he went to his box and took out a note, leaving £12 in his purse, which he put back. On the previous day he again had occasion to go to his box, and missed the money the box was locked. As the money had not been found, and there was no evidence against the prisoner he was discharged.

Names and descriptions of passengers per City of Melbourne, from Melbourne, 14 March 1863, for Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/2398D1AA-F7F0-11E9-AE98-8567FBC23AE1?image=844 (DIGITISED)

. . . T. Gallagher / [single] 24 [sic] . . .

[Advertisement], The Sydney Morning Herald [NSW] (2 May 1863), 8

http://nla.gov.au/nla.news-article13077945

MR. T. GALLAGHER, Teacher of Music, is prepared to undertake the teaching of Volunteer Bands, Drums and Fifes, &c.
Music suitably harmonised for either of the above, may be had on application to Mr. G, at his residence 217, Castlereagh-street.

[Advertisement], The Sydney Morning Herald (25 July 1863), 12

http://nla.gov.au/nla.news-article13082135 

MR. T. GALLAGHER, Teacher of Violin and Flute; music neatly copied. 217, Castlereagh-street.

Melbourne and Portland, VIC (? from c. 1864 to 1877):

? Teacher record, Timothy Gallagher, 1866; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD4CF65-F7E4-11E9-AE98-6517940DFA17?image=232 (DIGITISED)

No. 681 / Gallager Timothy Teacher / 1 June 1866 resigned 31 Dec. 1866

[Advertisement], Portland Guardian [VIC] (2 January 1873), suppl. 1

http://nla.gov.au/nla.news-article65429011

T. Gallagher, TEACHER OF MUSIC, BENTINCK AND GAWLER STREETS, PORTLAND.

[Advertisement], Portland Guardian (28 November 1873), 3

http://nla.gov.au/nla.news-article64743081

Select Quadrille Party. Tuesday, 2nd December.
MAC'S HOTEL ASSEMBLY ROOM. MR. T. GALLAGHER'S Quadrille Band will be in attendance . . .

"Friendly Societies' Sports: ST. PATRICK'S DAY", Portland Guardian (20 March 1874), 2

http://nla.gov.au/nla.news-article64743990

The sports on Tuesday last, St. Patrick's Day, were a great success . . . The band, under the leadership of Mr. T. Gallagher, discoursed some excellent music during the day, and added greatly to the enjoyable character of the fete . . .

"VOLUNTEER BALL", Portland Guardian (27 November 1874), 2

http://nla.gov.au/nla.news-article64745834

Between fifty and sixty couples attended the Volunteer Ball in Mac's Assembly room, last night, and it would not be exaggeration to say that much of the youth and beauty of Portland, was represented . . . The music was contributed by the volunteer band, led by Mr. T. Gallagher, and it is but justice, to say that the quality was excellent . . .

[Advertisement], Portland Guardian (16 March 1875), 3

http://nla.gov.au/nla.news-article64746702

OPEN AIR CONCERT. PORTLAND Botanical Gardens. MARCH 18, FROM 8 TO 11 P.M. . . .
. . . Mr. T. Gallagher and the Band of the Portland Detachment of the Western Artillery Corps will supply the instrumental Music . . .

"GALLAGHER'S QUADRILLE ASSEMBLY", Portland Guardian (19 March 1875), 2

http://nla.gov.au/nla.news-article64746744

After the sports Mr. Gallagher's select ball at the Orderly Room was well patronised, fifty couples were present, and the whole passed of with the greatest eclat.

"BATTALION PARADE", Portland Guardian (11 April 1876), 2

http://nla.gov.au/nla.news-article64749336

. . . The band has improved very much of late, and we learn that some "gems" are in rehearsal for the ever to be remembered demonstration of the twenty-seventh. It it is not too late, I would suggest that our worthy band master, Mr. Gallagher, would compose a piece of music to be called, for instance, the Governor's March, the Railway Galop, or some other appropriate name, in remembrance of such an eventful day in the annals of Portland as the 27th of April is expected to be.

"INSPECTION", Portland Guardian (20 June 1876), 2

http://nla.gov.au/nla.news-article64749763

. . . One great feature in the proceedings of the evening was the music of the band under the improved conditions of a new drum, cymbals, and other instruments, all of which appears to be the very best of their kind . . . [Major Learmouth] must compliment Mr. Gallagher for the great improvement made by the band, and be hoped the members would go on improving. Mr. Gallagher, he held, was deserving of special thanks for the accuracy with which the different pieces are rendered, as this accuracy argues attention equally on the part of the Bandmaster, and the members . . .

"VOLUNTEER BAND", Portland Guardian (10 October 1876), 2

http://nla.gov.au/nla.news-article63336549 

Since the unpleasantness that occurred some months back amongst the members of our band, a number of young recruits have joined it, and the progress they have made during their brief apprenticeship, under the able directorship of Mr. Gallagher is both creditable and surprising. A few more recruits are yet wanted, at least there is room for them but a greater want than that exists in the insufficiency of instruments to balance the power of sound. The money that arose out of the demonstration vote was expended in several new instruments, but still the want exists for more. Can anyone suggest a plan for "raising the wind!"

"BOROUGH COUNCIL. TOWN HALL. 5TH MARCH, 1877 . . . CORRESPONDENCE", Portland Guardian (6 March 1877), 3

http://nla.gov.au/nla.news-article63337817 

. . . From T. Gallagher, asking permission of the Council to hold assembly balls in the drill-room, Cliff street. - Permission granted . . .

"ST. PATRICK'S DAY", Portland Guardian (13 March 1877), 2

http://nla.gov.au/nla.news-article63337872 

The gifts in connection with the Friendly Societies' Sports, which caused such amusement on last occasion, will be carried out this year on a more extensive scale . . . Through the kindness of Captain Trangmar, the Volunteer band will be on the ground to enliven the scene, and it is hardly necessary to add that Mr. Gallagher will do his best in carrying out a well-selected musical programme . . .

"BANQUET TO THOS. COPE. ESQ., M.L.A.", Portland Guardian (8 June 1877), 3

http://nla.gov.au/nla.news-article63338585 

Between 50 and 60 gentlemen sat down to an excellent lunch in Mac's Assembly Room on Wednesday evening last . . . After lunch the Chairman gave the Queen and all the Royal Family, which was received with all the honors, Mr. Gallagher playing the National Anthem solo on the cornet . . .

[Advertisement], Portland Guardian (20 July 1877), 2

http://nla.gov.au/nla.news-article63338931 

Challenge. HEARING that Mr. T. GALLAGHER and another person are talking a great deal about my cornet playing, I am quite prepared to play him for £20 at any time it will suit his convenience.
THOMAS V. SHORT. Address, Post-office, Hamilton.

"TABLE TALK . . . POLICE COURT", Portland Guardian (27 July 1877), 2

http://nla.gov.au/nla.news-article63338972 

On Saturday, the 21st inst. . . . T. Gallagher was brought up for assaulting his wife in some domestic broil. The case involved some charges and counter charges, in which it appeared there were faults on both sides. The defendant, Gallagher was bound over to keep the peace for six months, himself in £25, and one surety in a like sum.

ASSOCIATIONS: A Mr. Condon was reported in October to have taken over as the new bandmaster of the Portland Volunteers; see "BANDMASTER PORTLAND VOLUNTEERS", Portland Guardian (3 October 1877), 2

http://nla.gov.au/nla.news-article63339502 

GALVIN, Charles (Charles GALVIN; Mr. C. GALVIN)

Amateur musician, clarionet / clarinet player, clarinettist, foundation bandsman (1845) and bandmaster (c. 1870-80) of St. Joseph's Band (Launceston), builder, building contractor

Born Cork, Ireland, 1831; son of Bartholomew GALVIN (c. 1796-1881) and Catherine GALVIN [sic] (c. 1799-1869)
Arrived Launceston, VDL (TAS), 21 November 1842 (immigrant per Royal Saxon, from London, 24 July, and Cork, 7 August)
Married Mary Ann LEARY (c. 1830-1890), St. Joseph's church, Launceston, TAS, 29 August 1854
Died Launceston, TAS, 7 October 1893, aged "62"

https://trove.nla.gov.au/search?l-publictag=Charles+Galvin+1831-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALVIN-Charles (shareable link to this entry)

GALVIN, Joseph (Joseph GALVIN; Mr. J. GALVIN)

Amateur musician, bandsman, St. Joseph's Band (Launceston), grocer

Born Cork, Ireland, c. 1833; son of Bartholomew GALVIN (c. 1796-1881) and Catherine GALVIN [sic] (c. 1799-1869)
Arrived Launceston, VDL (TAS), 21 November 1842 (immigrant per Royal Saxon, from London, 24 July, and Cork, 7 August)
Married Jane GRAY (d. 1924), Church of the Apostles, Launceston, TAS, 1 June 1868 (aged "31")
Died South Yarra, VIC, 18 March 1915, aged "82"

https://trove.nla.gov.au/search?l-publictag=Joseph+Galvin+c1833-1915 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALVIN-Joseph (shareable link to this entry)

Charles Galvin

Documentation:

ASSOCIATIONS: No birth records for Charles and Joseph have been identified; however, we follow Charles's obituary in giving 1831 as the year he was born; their parents Bartholomew Galvin and Catherine Galvin [sic, ? a cousin] were married in the diocese of Cork and Ross in 1821

Arrivals, per Royal Saxon, arrived Launceston, 21/22 November 1842; Tasmanian names index; NAME_INDEXES:425158; CB7/8/1/1 P17

https://libraries.tas.gov.au/Record/NamesIndex/425158 

. . . Bart'w Galvin [wife] 2 [children] / [22 November 1842]

1854, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:853055; RGD37/1/13 no 1032

https://stors.tas.gov.au/NI/853055 

https://stors.tas.gov.au/RGD37-1-13$init=RGD37-1-13p404 

[No.] 349 / 10320 / Aug't 29, '54 / Charles Galvin . . . / M. A. Leary . . . / Married in St. Joseph's Church Launceston . . .

"INDEPENDENT VOLUNTEER FIRE BRIGADE, RED. DINNER AT THE STAR HOTEL", The Cornwall Chronicle [Launceston, TAS] (30 December 1863), 3

http://nla.gov.au/nla.news-article72193076

It has been usual for some years past for this Brigade to proceed to Longford with their engines, &c., on Boxing day, but this year the members preferred entertaining each other and some guests at dinner in their board room at the Star Hotel. At 8 o'clock on Saturday evening therefore, upwards of twenty members of the Brigade, and their guests sat down to a rich collation . . . The band of the L. V. Rifle Corps having performed some excellent pieces of music in Princess Square, marched through the principal streets, passed the Star Hotel, and after a detour returned to it and broke off there, Mr. Charles Galvin, the leader of it, and one or two other members joining the company as guests . . .

ASSOCIATIONS: Launceston Volunteer Rifle Band (association)

"LAUNCESTON HARMONIC SOCIETY'S FOURTH CONCERT", Launceston Examiner (19 November 1864), 5

http://nla.gov.au/nla.news-article38656443 

According to announcement, the Launceston Harmonic Society, under the conductorship of Mr. Thomas Sharp, gave a vocal and instrumental concert at the Mechanics' Institute on Tuesday evening, the object being the very laudable one of increasing the amount of the Hargraves Prospecting Fund. There was an excellent attendance, the large Hall being filled . . . In the first part the overture from Guy Mannering, Calcott's glee "In the lonely vale of streams," a violin and pianoforte duet from William Tell, and a soprano duet "Sister elves, it is the hour," were the most pleasing. The effect of the last-mentioned piece was, however, somewhat spoilt by an unfortunate collision with the martial strains of the band of the L. V. Rifles, which struck up as the corps was marching past the building after drill . . . Bishop's glee, "Merry Boys, away, away," the last on the programme, was then given, and the audience separated, a call by Mr. C. Galvin for three cheers for the Government for giving £1000 being responded to by some three or four persons . . .

ASSOCIATIONS: Thomas Sharp (musician); Edward Hammond Hargraves (gold prospector); Launceston Harmonic Society (association); Mechanics' Institute (Launceston venue)

1868, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:872619; RGD37/1/27 no 414

https://stors.tas.gov.au/NI/872619 

https://stors.tas.gov.au/RGD37-1-27$init=RGD37-1-27p211 

[No.] 706 / June 1st 1868, Launceston / Joseph Galvin / 31 [sic] / Grocer . . . / Jane Gray / 24 / Spinster . . .
Married in the Church of the Apostles . . .

"POPULAR ENTERTAINMIENT", Launceston Examiner (14 September 1869), 2

http://nla.gov.au/nla.news-article36705959 

A popular entertainment was given last night, in the large hall of the Mechanics' Institute, under the auspices of the "Young Men's Mutual Improvement Association," when some of our most popular amateurs took part, as well as Messrs. Linly Norman and J. H. Melvyn, whose services had been engaged for the occasion as instrumentalists. Mr. A. Barrett occupied the chair. There was a very good attendance of the public, the room being comfortably full. The programme was one of more than ordinary interest, embracing an equal proportion of vocal and instrumental music, with reading, recitations, &c., and each part opening with an overture, in which the performers were Messrs. Norman, Melvyn, Abbott, Roberts, Harris, C. Galvin, Chick, Davies, Joscelyne, and A. Hart. We understand the proceeds of the entertainment, beyond expenses, are to be devoted to a charitable object. The following was the programme: Part 1. - Overture, "L'Italiana In Algieri," orchestral . . . Part 2. - Overture - "Bohemian Girl," orchestra . . . Haydn's Symphony, No. 3, orchestral . . .

ASSOCIATIONS: Abraham Barrett (chair); Linly Norman (musician); James Hadock Melvyn (musician); W. Abbott (amateur); Henry Roberts (amateur); Robert Douglas Harris (amateur); John Chick (amateur); John Morris Davies (amateur); Samuel Joscelyne (amateur); Anthony Hart (amateur)

"POPULAR ENTERTAINMENT AT THE MECHANICS' INSTITUTE", The Cornwall Chronicle (18 September 1869), 13

http://nla.gov.au/nla.news-article65983950 

. . . The orchestra consisted of Mr. Abbott (first violin), Mr. J. M. Davies (flute), Mr. Linly Norman (piano), Mr. J. H. Melvyn and Mr. Roberts (violins), Mr. Charles Galvin (clarionet), and Mr. Harris (cornet). The overture Italiana in Algieri encited a burst of applause seldom accorded here to any mere instrumental music . . .

"ENTERTAINMENT AT THE MECHANICS' INSTITUTE", The Cornwall Chronicle (1 October 1869), 2

http://nla.gov.au/nla.news-article65984156 

On Wednesday evening [29 September], a complimentary entertainment was given in the large hall of the Mechanics' Institute, for the benefit of Mrs. Charles Phillips. Although some rain fell there was a large attendance, and the instrumental portion of the entertainment was excellent, the performers being Messrs. T. Sharp, J. H. Melvyn, Abbott, Roberts, and Chick (violins); Linly Norman (piano); Joscelyne (Violoncello); C. Galvin (Clarionet); and Harris (Cornet) . . .

"PROMENADE CONCERT", The Cornwall Chronicle (13 October 1869), 2

http://nla.gov.au/nla.news-article65987876 

The promenade concert at the Mechanics' Institute was not so well attended yesterday evening as might have been expected, considering the ability of the musical amateurs under the conductorship of Mr. T. Sharp, and the object for which the concert was given - the proceeds to go towards liquidating the long-standing debt on the Wharf Free School. The audience numbered about three hundred, amongst them a fair proportion of the youth and beauty of Launceston. The concert was opened with the overture to the opera "Bohemian Girl," and it was finely rendered by Mr. T. Sharp, Rev. W. A. Brooke, Messrs. W. Abbott, S. Joscelyne, A. Hart, C. Galvin, Roberts, Chick, and Harris . . .

ASSOCIATIONS: Warren Auber Brooke (amateur)

"MECHANICS' INSTITUTE", The Cornwall Chronicle (20 October 1869), 2

http://nla.gov.au/nla.news-article65983179 

The entertainment given in the large hall of the Mechanics' Institute yesterday evening, under the auspices of the Young Men's Mutual Improvement Association attracted an audience of about four hundred, and the merits of the amateurs entitled them to double that number. The instrumental pieces, the overtures to "Guy Mannering" and "Tancredi," were splendidly performed by Messrs. Abbott and Roberts (violins), Messrs. Samuel Joseclyne and Anthony Hart (violoncellos), Messrs. G. Mooreton and J. M. Davies (flutes), Mr. J. Biggs (Basoon), Mr. Charles Galvin (clarionet), Mr. C. Henry (pianoforte) . . .

ASSOCIATIONS: Jesse Biggs (bassoon)

"THE QUEEN'S BIRTHDAY AT LAUNCESTON . . . THE RECHABITES", The Tasmanian (27 May 1871), 3

http://nla.gov.au/nla.news-article201346880 

The members of the Olive Branch tent, the Star tent, and Juvenile Rechabite tent, assembled at the Temperance Hall at one o'clock, and at half-past one (headed by the St. Joseph's brass band under the leadership of Mr. Charles Galvin), marched in procession in full regalia to the Tamar-street Congregational Church, where the Rev. Charles Price preached the annual sermon on the benefits of temperance. After service the Rechabites again formed in procession and marched through all the leading streets of the town, round the wharves, and finally halted, and broke off at the Mechanics' Institute at half-past five o'clock, closing that portion of the demonstration by giving three hearty cheers for the Queen . . .

ASSOCIATIONS: St. Joseph's Band (association)

"YOUNG MEN'S CATHOLIC ASSOCIATION", Cornwall Advertiser (24 May 1872), 2

http://nla.gov.au/nla.news-article233001740 

According to announcement the members of the above association gave a musical and dramatic entertainment in St. Joseph's Hall, on Tuesday evening [21 May], when the room was crowded with a most respectable audience. The programme opened with an overture by the St. Joseph's Band, the execution of which spoke volumes for the perseverance of the members, as a marked improvement on former performances was perceptible. The first piece was the comic drama of "The Post of Honor" . . . After a short interval, a musical interlude of a varied and pleasing character was opened with a glee, "My native land," sung with great taste and precision by Messrs. Roper, T. J. Doolan, J. Galvin, and Misses Doolan, Monaghan, and Murray . . . Mr. C. Galvin played a solo on the clarionet, and displayed in a very clever manner the powers of the instrument named. The execution of a most difficult piece in a style worthy of a professional, secured for the performer a loud encore . . . A duet, piano and cornet, being selections from Norma, by Miss Connell and Mr. A. J Day, was warmly applauded . . .

ASSOCIATIONS: Alban Joseph Roper (musician); Thomas Joseph Doolan (amateur); Andrew John Day (amateur)

"GRAND CONCERT AT THE MECHANICS' INSTITUTE", The Cornwall Chronicle (4 September 1872), 2

http://nla.gov.au/nla.news-article66025540

On Monday evening a grand vocal and instrumental concert was given in the hall of the Mechanics' Institute in aid of the widow of the late Mr. Jesse Biggs . . . The concert commenced with Auber's overture to "Masaniello," by ten performers - Mr. Thos. Sharp, Mr. Abbott, and Mr. Chick (violins), Mr. Wm. Sharp (double bass), Mr. Joscelyne and Mr. A. Hart (violoncellos), Mr. C. Galvin (clarionet), Mr. J. M. Davies (flute), Mr. A. Day and Mr. R. D. Harris (cornets), and Mrs. H. B. Nicholls presided at the pianoforte. The overture was excellently performed, in perfect time, and with fine effect. It gave entire satisfaction, and elicited universal applause . . .

ASSOCIATIONS: Catherine Margaret Nicholls (pianist)

"ST. PATRICK'S DAY", Weekly Examiner (22 March 1873), 4

http://nla.gov.au/nla.news-article233102743 

On Monday St. Patrick was duly honored by the sons and daughters of Erin, the "wearing of the green" being a general thing throughout the day. Shortly after 12 o'clock on Sunday night, St. Joseph's band perambulated the principal streets of Launceston, and by the lively strains of "St. Patrick's Day in the morning," reminded the half-awakened population of all nationalities what day it was. The Catholic children, and their friends, had a gala at Glen Dhu . . . A procession was formed in the precincts of the Church of the Apostles, Margaret-street, between nine and ten o'clock in the morning, presenting an interesting appearance, the girls being principally dressed in white, and all having a clean and tidy appearance. A number of banners and flags were carried by the children, three of which were especially noticeable; one was a handsome new green silk banner, with a representation of the tutelar saint; this banner was carried by boys. The two others were also new, of white silk, one devoted to St. Joseph, and the other the banner of the Sacred Heart; these were borne by the girls of the Convent schools. The procession was headed by the St. Joseph's Band, which played several marching tunes, under the conductorship of Mr. Charles Galvin . . .

"MUSICAL UNION CONCERT", The Cornwall Chronicle (20 January 1875), 3

http://nla.gov.au/nla.news-article66072661

The second subscription concert by the members of the Launceston Musical Union, was given in the hall of the Mechanics' Institute last evening . . . The vocalists numbered about forty, half of each sex, and the orchestra consisted of Mr. George Collins, leader; Miss McAndrew, pianist; Mr. Charles Galvin, clarionet; Mr. R. D. Harris, cornet; Mr. Anthony Hart and Mr. Joscelyne, violoncellos . . .

1893, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1241400; RGD35/1/62 no 323

https://stors.tas.gov.au/NI/1241400 

https://stors.tas.gov.au/RGD35-1-62_30 (DIGITISED)

No. 941 / 323 / [1893] 7th October / Charles Galvin (Died Wellington Road) (born Ireland) / Male / 62 years / Builder / Cancer of stomach . . .

"Deaths", Launceston Examiner (9 October 1893), 1

http://nla.gov.au/nla.news-article39489829

GALVIN. - On 7th October, at his residence, Wellington road, Charles, the beloved husband of M. A. Galvin, aged 62 years. R.I.P.

"OBITUARY. MR. CHARLES GALVIN", Launceston Examiner (9 October 1893), 7

http://nla.gov.au/nla.news-article39489875

Deep regret was expressed in the community yesterday when it became known that Mr. Charles Galvin, a very widely-respected resident of Launceston, had passed away. The deceased had been ailing for some months, but his demise was not anticipated by his friends, for on Friday he left his room, though he was not able to attend to business matters. On Saturday, however, his illness assumed serious aspect, and he passed away quietly at his late residence, Wellington-street, at about half-past eight o'clock on Saturday evening.

The deceased was well known in the colony, and with old Launceston residents his name was as familiar as a house-hold word. He arrived here in the Royal Saxon on November 21, 1842, with his father, mother, aunt, and three brothers, and the family settled in Launceston. The deceased as a young man was possessed of those attributes which tend to make a good and useful citizen, and which strengthened as he grew older. He became a proficient builder, and with his brother, John Galvin, with whom he was associated in connection with that industry for many years, built the Town Hall, the Union and Commercial Banks, and in 1866 the Roman Catholic Church, besides many of the principal private and public structures of the city.

Deceased was born in Cork, Ireland, in the year 1831, and though only a lad when he left his native country he was an ardent lover of Ireland and her people, and throughout his long and useful career in the colony he took a keen interest in all matters connected with his birthplace, his kindly spirit and earnest devotion to the amelioration of the troubles which beset Irishmen in the early days gaining for him the respect of his friends and the admiration of all who were acquainted with him, and could appreciate his sterling character. Three years after the arrival of the family in the colony, Mr. Charles Galvin, with a number of others, founded the St. Joseph's Band, and was associated with that body of musicians up to the time of his death. He was leader of the band for many years, and continued an active member until very recently, taking a keen interest in the various contests in which they took part. He was an earnest politician, and any movement that had for its object the welfare of Launceston had his support. He was on one occasion a candidate for municipal honours, but although he polled well he was defeated. He had many friends, indeed there were few citizens who were not acquainted with him or appreciated his worth. Besides his brothers Mr. John Galvin, builder, and Mr. Joseph Galvin, grocer, and a large circle of friends and relations, deceased leaves a widow and family of seven to mourn their loss. The funeral of the deceased will take place on Tuesday, leaving his late residence, Wellington-street, at 3 p.m.

"OBITUARY. MR. CHARLES GALVIN", Daily Telegraph [Launceston, TAS] (9 October 1893), 3

http://nla.gov.au/nla.news-article153536313 

. . . Deceased was the second son of the late Mr. Bartholomew Galvin, and was a native of Cork, of which city a cousin of Mr. Charles Galvin was recently Mayor. In the early forties things were not particularly bright in Ireland; and as there were glowing accounts from Australia and Van Diemen's Land, as Tasmania was then called, Mr. Bartholomew Galvin made up his mind to emigrate, and accompanied by his wife, sister-in-law, and four sons, John, Charles, James, and Joseph, sailed in the ship Royal Saxon for this colony, and arrived during the first six months of 1848. Among the passengers by the same vessel were Major Walch (father of Messrs. Walch Brothers, of Hobart), Messrs. John Brickhill, G. Wilkins, and other well-known colonists. Mr. B. Galvin was a finished tradesman, and his elder sons, John and Charles, as they grew up to manhood so profited by his tuition that they became most valuable assistants, and rivalled the father in ability. Mr. Galvin and his two sons pursued their avocations as builders in Launceston, with the exception of a short visit to Victoria (from which they returned, as that colony was passing through a great crisis, and things were at a very low ebb), but with varying success, as matters did not brighten up in Tasmania until the end of the forties. The sturdy Corkonian and his sons, however, were undaunted, and managed to hold on where many succumbed. When the diggings broke out in Victoria in 1851, Messrs. John and Charles Galvin were seized with the gold fever, and, accompanied by a party of Launcestonians, worked with a fair amount of success on some of the famous goldfields of the sister colony. Keen-sighted Charles Galvin, however, saw there was a better Eldorado in the pursuit of their business as builders in Melbourne, which was then springing up with marvellous rapidity and attracting population from all quarters of the globe. As houses could not be found for all, and thousands had to live in tents, it may therefore be taken for granted men of the Galvin Brothers stamp were at a great premium. Straightforward in their dealings, and allowing nothing but the best of work to pass out of their hands, the Messrs. Galvin prospered greatly, notwithstanding they had to pay men 20s and 25s per day. The brothers amassed a nice little sum, and after two or three years returned to Tasmania, where they have since resided, with the exception of a sojourn of about three months in New Zealand in 1863 . . .

Deceased was a musical enthusiast, and was for many years the best amateur clarionet player in Northern Tasmania. He was connected with the Sacred Harmonic Society, Musical Union, and all the principal societies of the kind down to the last two or three years, and his services were always gratuitously and freely given. He was one of the founders of St. Joseph's Band in the forties, and was for many years one of the playing members, and at the time of his death was one of the trustees . . .

The concert which was announced to be given by St. Joseph's Band in the City Park last evening, was postponed on account of the death of Mr. Galvin, and the members have intimated that they will attend the funeral, which is to leave his late residence, Albert Place, Wellington-street, at 3 p.m. tomorrow (Tuesday).

"ST. JOSEPH'S BAND. FIFTY YEARS' HISTORY", Launceston Examiner (6 July 1895), 3

http://nla.gov.au/nla.news-article39611885

On Monday, 22nd inst., the members of St. Joseph's Band will celebrate the jubilee of the organisation with a fancy dress ball in the Albert Hall . . . St. Joseph's Band was formed in July, 1845, in connection with St. Joseph's Total Abstinence Society, and may therefore be said to be the oldest association of its character in the colonies. The original members met for the sake of a pleasure able diversion as well as for the purpose of becoming useful as a band of musicians. So thorough has been the spirit of earnest ness that the band is, after an existence of half a century, regarded - and justly regarded - as a musical organisation of which the city should be proud. The members have followed the study of music under proper direction, and by their efforts have been able to do good in an effectual and extensive manner, the work of alleviating distress having formed one of the chief features in the history of the band. The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were Messrs. Charles Galvin, John McKenzie, William Mainsbridge, Andrew Skate, Arthur McIver, Francis McIver, Morgan O'Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Murphy, and Bernard Lynch. Ten of these early players are dead, the only surviving members of the original band being Messrs. Morgan O'Meara, who is now in New Zealand; David O'Keefe, at present in Victoria; and Thomas Leary, who is carrying on business as a chemist in Victoria. Mr. Joseph Galvin, one of the early members, is still an officer in the band. When Mr. Agnew left with his regiment for India he was succeeded by Mr. Michael Dillan, solo clarionet player of the 96th Regiment band, and after him Mr. Drum-Major Allen, who had retired from the 96th Regiment and remained at Launceston. Mr. Allen was the father of Mr. C. W. Allen, a member of the present Westbury Council. He was succeeded by the late Mr. Charles Galvin, one of the founders of the institution, who always took a warm interest in its progress until the date of his death a short time ago. Mr. Galvin was band master until Mr. John McGuire was appointed, and the latter, who was a good clarionet player, continued for some time to lead the members to a higher state of musical excellence . . .

. . . The well known historical visit of the Irish exile John Mitchell to Launceston from Hobart for the purpose of meeting his wife on her arrival from Adelaide was referred to by Mr. Joseph Galvin during the reception proceedings in connection with Mr. Michael Davitt's trip here. When the exile arrived from Hobart he was placed in gaol for the first night, and St. Joseph's Band assembled outside the walls and played national airs. The band also played on the occasion when Smith O'Brien - another Irish exile - left Launceston . . .

. . . In consequence of depression in the sixties the ranks were thinned sadly, several of the best players having decided to leave for other climes in search of employment. Included in the list of active members was the late Mr. T. J. Doolan, one of its most energetic and faithful adherents. He had been connected with the band for a long time and wished to see it surmount the troubles and difficulties that appeared before it. Messrs. Charles Galvin, Joseph Galvin, John McKenzie, and W. Day, three of whom were members of the original band, and Mr. A. J. Day, another enthusiast, were in the same frame of mind, and the band was saved from falling out of existence. Mr. Charles Galvin was appointed conductor, and the enthusiasts kept steadily at work. Subsequently Mr. Alexander Wallace, whose ability as a conductor is too well known to need lengthy reference, succeeded Mr. Galvin . . .

. . . Of the old members Mr. Joseph Galvin alone remains. He still takes an active interest in the progress of the band with which he was so many years identified . . .

ASSOCIATIONS (early masters): John Agnew (musician, 96th Band); Band of the 96th Regiment (military); Michael Dillon (musician, 11th Band); Band of the 11th Regiment (military); James Allen (musician); John McGuire (musician)

ASSOCIATIONS (founding members): Charles Galvin (member); John McKenzie (member); William Mainsbridge (member); Andrew Scafe (member); Arthur and Francis McIver (members); Morgan and William O'Meara (members); David O'Keefe (member); Thomas Keogh (member); Thomas Leary (member); John Murphy (member); Bernard Lynch (member)

ASSOCIATIONS (others): William Smith O'Brien (Irish political prisoner); John Mitchel (Irish political prisoner); Mitchel spent the night of 30 May 1851 in Launceston Gaol, but was freed the next morning,
as reported "John Mitchell", The Cornwall Chronicle (31 May 1851), 341

http://nla.gov.au/nla.news-article65573961 

[News], Daily Telegraph (9 December 1903), 4

http://nla.gov.au/nla.news-article153907969 

On Monday night, at St. Joseph's Band room, Mr. Joseph Galvin, who has been the band's treasurer for the last 29 years, and who has been a member of the band for over fifty years, was made the recipient of a presentation from members on the eve of his departure from Launceston. Mr. E. Carney, president of the band, in making the presentation, spoke of the high esteem and regard in which Mr. Galvin was held by not only the band, but by all with whom he had come in contact. The unique record held by Mr. Galvin as a member of St. Joseph's Band, would he very hard to beat, and the fact of his having held the position of treasurer for 29 years, during which time he (Mr. Galvin) could give an account of every penny that had been handed to him, was one which the band would not fail to appreciate . . . Mr. A. F. Lithgow, the bandmaster, endorsed Mr. Carney's remarks, and said he felt that Mr. Galvin's loss to the band was one which would be hard to fill . . . Mr. Galvin, in responding, thanked members for the courtesy and consideration they had always shown him, and said he looked back on the many years of happy associations which he had had with them with sincere pleasure. Though leaving them, he would always feel as one of them, a privilege the life membership conferred on him. He thanked members of the band and the committee for their kind present, which would always bring many pleasant thoughts to mind.

ASSOCIATIONS: Alex Lithgow (bandmaster)

"DEATHS", The Argus (20 March 1915), 13

http://nla.gov.au/nla.news-article1504489 

GALVIN. - On the 18th March, at his residence, South Yarra, Joseph Galvin, late of Launceston, Tasmania, aged 82 years. A colonist of 73 years. Requiescat in pace.

"ST. JOSEPH'S BAND", Examiner [Launceston, TAS] (17 May 1915), 3

http://nla.gov.au/nla.news-article50815549 

. . . It is with sorrow that we have to record the death of the late Mr. Joseph Galvin, who was a notable link in the past history of the band, he having filled the office of treasurer for over 30 years; and also the late Mr. Alf. Ray, who was a playing member of merit . . .

"The World's Oldest Band Celebrates Its Centenary", Examiner (25 August 1945), 11

http://nla.gov.au/nla.news-article91940840

. . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were: Messrs. Charles Galvin, John McKenzie, William Mainsbridge, William Robins, Andrew Skafe, Arthur McIver, Francis McIver, Morgan O'Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Leary, John Murphy, and Bernard Lynch. The first president was the late Rev. Dean Thomas Butler. Subsequently Mr. Joseph Galvin, John Galvin, Thomas J. Doolan, John L. Doolan, James Doolan, and Michael Doolan became members of the band . . .

. . . When Mr. John Agnew left with his regiment for India he was succeeded by Mr. Michael Dillon, solo clarionet player of the 11th Regiment Band, and after him Drum-Major C. W. Allen, who had retired from the 96th Regiment . . . He was succeeded by Mr. Charles Galvin, one of the founders of the institution, who always took a warm interest in its progress until the date of his death. He was the father of Mr. Bart J. Galvin, who is still the band's patron. Mr. Charles Galvin was bandmaster until Mr. John McGuire was appointed . . .

Bibliography and resources:

Photograph of St. Joseph's Band, Launceston, c. 1880; Libraries Tasmania

https://libraries.tas.gov.au/Record/Archives/PH30-1-89

https://libraries.tas.gov.au/Digital/PH30-1-89/PH30-1-89 (DIGITSED)

Galvin Family NG2870 [Records]; Libraries Tasmania

https://trove.nla.gov.au/work/191631111 

https://libraries.tas.gov.au/Record/Archives/NG2870 

The Galvin family came from Cork, Ireland. Bartholomew Galvin (1796-1881) and his wife Catherine (1799-1869), four sons John, Charles, Joseph and James, and Mr. Galvin's sister Honora Galvin, arrived in Tasmania on the 'Royal Saxon' on 21 November 1842. John and Charles established a building business in Launceston. They developed the residential area known as Galvin Town, and were involved with the erection of the Public Buildings (1858), fitting windows in the Union Bank (1865), Church of Apostles (1866), the Commercial Bank and the Town Hall. John Galvin was foreman of the sewerage works for two years, and was clerk of works during the building of an extension to the Albert Hall (1891). The Galvins attended the Church of Apostles and were founding members of St Joseph's Band. John Galvin (1824-1900) married Anne Theresa McCormick in 1862. They had eight children; two died young. Charles Galvin (1831-1893) married Mary Ann Leary in 1854 and had seven children. Charles Galvin junior (fl. 1890s-1920s) became an actor and promotional agent, and was Tasmanian President of the Theatrical Employees Association 1917-1921.

GAMBLE, Walter Mitchell (Walter Mitchell GAMBLE; W. M. GAMBLE; Mr. GAMBLE)

Amateur musician, vocalist, singing class instructor, school teacher, school inspector

Born Londonderry, Ireland, 9 April 1843; son of Robert GAMBLE and Mary ?
Arrived Melbourne, NSW (VIC), 16 February 1848 (per Lady Peel, aged "5")
Married Marianne BARKER, VIC, 1865
Died Prahran, VIC, 13 May 1920, aged "77/78"

https://trove.nla.gov.au/search?l-publictag=Walter+Mitchell+Gamble+1843-1920 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAMBLE-Walter-Mitchell (shareable link to this entry)

GAMBLE, Marianne (Marianne BARKER; Miss BARKER; Mrs. Walter Mitchell GAMBLE; Mrs. GAMBLE)

Amateur musician, vocalist, pianist, school teacher

Born London, England, 28 April 1844; baptised St. John's, Waterloo, 26 May 1844; daughter of Frederick BARKER and Nancy Aicken GOSS
Married Walter Mitchell GAMBLE, VIC, 1865
Died Kinglake East, 20 July 1927, aged "81" [sic]

https://trove.nla.gov.au/search?l-publictag=Marianne+Barker+Gamble+c1846-1927 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAMBLE-Marianne-Barker (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of St. John's Waterloo in the county of Surrey in the year 1844; register 1839-46, page 33; London Metropolitan Archives, P85/Jna3/009

https://www.ancestry.com.au/discoveryui-content/view/4275477:1558 (PAYWALL)

No. 257 / 1844 May 26 / [born] 28 April '44 / Mary Ann d'r of / Frederick & Nancy / Barker / Oakley Street / Iron founder . . .

ASSOCIATIONS: Frederick Barker (d. VIC, 1876) and Nancy Aicken Goss (d. VIC, 1906) had married at St. John, Waterloo, on 25 December 1839

List of immigrants per ship Lady Peel arrived Melbourne, 16 February 1848; State Records Authority of NSW, series 5318, reel 2144, [4/4816]

https://www.ancestry.com.au/imageviewer/collections/1204/images/IMAUS1787_081415-0358?pId=272034 (PAYWALL)

. . . Gamble Robert / 40 / Labourer / Derry / Ch. of England // Mary / 35
Rachel / 13 // Mary / 10 // Sarah / 8 // Walter / 5

England census, 30 March 1851, St. Luke Old Street, St. Giles, Middlesex; UK National Archives, HO107/1521/362/46

https://www.ancestry.com.au/discoveryui-content/view/2835107:8860 (PAYWALL)

20 Normans Buildings / Frederick Barker / Head / Married / 39 / Iron Founder . . .
Nancy / Wife / 31 // Mary Ann / daur. / 6 / [born] Midd'x St Giles // Frederick / 5 // Eliza / 2 / [botn born Midd'x St Giles]

"CRICKET. ALBION CLUB V. UNION CLUB", The Age [Melbourne, VIC] (30 December 1858), 5

http://nla.gov.au/nla.news-article154876239 

The One-inning's Match was played, in the Richmond Paddock, on Saturday the 18th inst., between the above-named clubs, which resulted in the defeat of the latter, by 79 runs. The bowling of Plaisted and Johnson, and the batting of Gamble, Lawrenson, and Hunter were very excellent, on the part of the Albion . . .
ALBION CLUB. FIRST INNINGS . . . W. M. Gamble, run out - 41
P. C. Plaisted, b Egan - 7 . . .

ASSOCIATIONS: Philip Charles Plaisted (musician)

Teacher record, Walter Mitchell Gamble, from 1863; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD4CF65-F7E4-11E9-AE98-6517940DFA17?image=234 (DIGITISED)

No. 835 / Gamble, Walter Mitchell / Born 9th Apr. 1843 at Londonderry . . .
In training 7 Jan 1861 to 14 Jan 1863 // Singing - 2nd Class / . . . Approved - 15 Jan 1863 . . .

[Advertisement], The Argus [Melbourne, VIC] (22 September 1863), 8

http://nla.gov.au/nla.news-article5735777 

MR. ALLAN'S CONCERT, St. George's Hall, Thursday, 1st October.
Principal Vocalists - Miss Hamilton, Mrs. Perraton, Master Cook,
Messrs. Williams, Gamble, Downes, and Angus.
Oboe, Mr. Schott; Flute, Mr. F. Johnson; piano, Mr. H. King.

ASSOCIATIONS: George Leavis Allan (musician); Octavia Hamilton (vocalist); Mary Ann Perraton (vocalist); John James Cook (vocalist); William Henry Williams (vocalist); Joseph Cartledge Downes (vocalist); Silvanus Angus (vocalist); James Arthur Schott (oboe); Frederick Johnson (flute); Henry John King senior (pianos)

[Advertisement], The Argus (30 September 1863), 8

http://nla.gov.au/nla.news-article5736381 

ST. GEORGE'S HALL. Mr. GEORGE L ALLAN'S CONCERT. THURSDAY, OCTOBER 1, 1863 . . .
PROGRAMME. PART I . . . Romance, "Alice, where art Thou?" Ascher - Mr. W. M. Gamble . . .

MUSIC: Alice, where art thou? (Joseph Ascher)

"CONCERT AT ST. GEORGE'S HALL", The Herald (2 October 1863), 3

http://nla.gov.au/nla.news-article247587020 

Mr. G. L. Allan's concert was very numerously attended last night. Mr. Allan is so well known, both is an able musician and a most efficient teacher, that his popularity is very general, and the announcement of one of his concerts always presupposes an entertainment of the most pleasant kind. His numerous pupils supply him with the means of presenting in a very complete manner those part-compositions which depend so much for their effect upon careful training and diligent rehearsal. The selection last night was in excellent taste, and the precision with which the several parts were sustained was creditable alike to Mr. Allan and to the ladies and gentlemen who assisted him . . . The solos were sung by Miss Hamilton, Mrs. Perraton, Mr. Angus, Mr. Williams, Mr. Downes, and Mr. Gamble. The latter gentleman is a new aspirant for vocal fame. He has a pleasing tenor voice, and when he becomes more at home with an audience in front of him, he will use his very capable powers to a better effect . . .

"THE NEWS OF THE DAY", The Age (29 October 1863), 5

http://nla.gov.au/nla.news-article155022717 

A tea-meeting, in connexion with St. Mary's Church, North Melbourne, was held on Tuesday evening, in the neighboring school-house, with the view of liquidating a debt upon the organ . . . After tea, the church choir performed a selection of sacred and secular music, and were eminently successful in their efforts to entertain the audience . . . Mr. Gamble also delivered Brinley Richards' song, "God Bless the Prince of Wales," with much spirit and expression . . .

[News], The Herald (29 July 1864), 2

http://nla.gov.au/nla.news-article247585625 

There was a very numerous assemblage in the Town-hall, Prahran, last night, on the occasion of the first subscription concert given by the Prahran and South Yarra Musical Society. His Excellency the Governor, and Lady and Miss Darling, were present. The society under the conductorship of Mr. C. E. Horsley has made great progress, evidenced by the [? exemplary] manner in which the various selections were given. The principal vocalists were Mrs. Dudley. Mrs. Trowell, Miss Barker, Miss Cochrane, Miss Slatford, Mr. Jackman, Mr. Gamble, Mr. Trowell, and Mr. W. H. Wilkinson, with a band and chorus numbering one hundred performers. The first part of the programme comprised selections from Handel's Oratorio, "Judas Maccabaeus," which were given in a manner reflecting the highest credit on all the performers. The second part consisted exclusively of secular music and glees, including several songs and choruses of a high order of merit. The duet "I would that my love" was very well sung by Misses Cochrane and Barker; and Miss Barker gained considerable applause for her rendering of the well-known song "The Blind Girl to her Harp." Mr. W. H. Wilkinson was very successful in the bass solo from the Stabat Mater "Pro Peccatis," which was re-demanded; and a similar compliment was extended to Miss Cochrane for "Molly Asthore." This was sung with great expression. The concert was as a whole extremely successful.

ASSOCIATIONS: Charles Edward Horsley (conductor); W. H. Wilkinson (vocalist); Prahran and South Yarra Musical Society (association); Prahran Town Hall (venue);
see also [News], The Argus (29 July 1864), 4

http://nla.gov.au/nla.news-article5751090 

MUSIC: The blind girl to her harp (Glover)

"THE NEWS OF THE DAY", The Age (19 March 1866), 5

http://nla.gov.au/nla.news-article155047963 

The children attending the Church of England school (Mr. Gamble's) Chapel-street, Prahran, were, on Friday night, treated to an entertainment of a very pleasing nature . . . Mrs. Gamble presided at the piano-forte, and Mr. Gamble and the children sung some pieces of music in a very pleasing manner. The entertainment concluded with some magic lantern experiments, which seemed to be thoroughly enjoyed by the juvenile portion of the audience. The scholastic institution, presided over by Mr. Gamble, is one meriting success. He commenced his labors with only thirteen pupils, and now there are upwards of 200 names on the roll, which speaks well for the beneficial influence which his teaching is exercising in the district. The conduct on the occasion was very commendable.

[News], The Herald (24 September 1866), 2

http://nla.gov.au/nla.news-article244419325 

The eighth of the series of penny readings at Emerald Hill took place on Friday evening, in the Mechanics' Institute, the hall of which was crowded . . . and Mr. Gamble, of Prahran, sang "The Death of Nelson" with great success . . .

"DEATHS", The Herald (15 May 1920), 28

http://nla.gov.au/nla.news-article245594904 

GAMBLE. - On the 13th May, at his residence, 68 Charles street, Prahran, Walter Mitchell, late Inspector of Schools, Education Department; beloved husband of Marrianne; in his 7Sth year. Privately interred, 15th inst.

"DEATHS", The Argus (26 July 1927), 1

http://nla.gov.au/nla.news-article3868982 

GAMBLE. - On the 20th July, 1927, at the residence of her son, Brentwood, Kinglake East, Marianne, relict of the late Walter Mitchell Gamble, and loving mother of Maurice, Mrs. Buchanan, and Leo, aged 81 years (Privately Interred 21st July, 1927, at Brighton Cemetery.) At rest.

GARCIA, Madame (Madame GARCIA; ? pseudonym)

Theatrical dancer, ballet dancer, danseuse

Active Bendigo, VIC, 1857

https://trove.nla.gov.au/search?l-publictag=Madame+Garcia+dancer+1857 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARCIA-Madame (shareable link to this entry)

Documentation:

"REVIVAL OF THE DRAMA ON BENDIGO", Bendigo Advertiser [VIC] (29 July 1857), 3

http://nla.gov.au/nla.news-article88000716 

We are in receipt of a communication from Mr. J. M. Wolfe, in which he states that he has engaged Mr. Henry Neil Warner, the great Australian tragedian, whose success at the Royal and Princess's, Melbourne, has been great; also Mdme. Garcia, the star danseuse from the Italian Opera, Berlin, and sister to the great Prima Donna, Johanna Wagner, (her first appearance in the Australian colonies); likewise Miss Emma St. Clair, Mr. Charles Heywood, and a powerful company. Mr. Warner will play "Hamlet" on the opening night, on which occasion the piece will be produced with entirely new scenery, &c. We understand that Mr. Wolfe is going to considerable expense in his attempt to produce the Legitimate Drama on the Bendigo stage, and we trust that he will receive the support which his talents and perseverance well merit. The Theatre will open on Saturday night.

ASSOCIATIONS: Joseph Melville Wolfe (actor, manager); Henry Neil Warner (actor); Emma St. Clair (actor); Haymarket Theatre (Bendigo venue); Johanna Jachmann-Wagner (German vocalist), adopted daughter of Richard Wagner's brother Albert Wagner, who is known to have had two other daughters, neither of whom could possibly have been in Australia in 1857

[Advertisement], Bendigo Advertiser (31 July 1857), 3

http://nla.gov.au/nla.news-article88000759 

HAYMARKET (LATE CRITERION) THEATRE.
Will Open for the Season on Saturday Evening, August 1st,
under the management of Messrs. Wolfe and B. I. Coleman, with the Greatest Company in the Australian Colonies.
The performance will commence with Shakespeare's sublime Tragedy of HAMLET.
Hamlet, Prince of Denmark - Mr. H. N. Warner. (The Great Australian Tragedian.)
Ophelia - Miss Fanny Wernham. Osric - Miss Emma St. Clair. (Her first appearance on Bendigo.)
To conclude with Partelli's Grand Ballet D'Action, entitled -
THE SPIRIT OF NORMA. l'Ombre de Norma - By Madame Garcia,
Principal Star Danseuse, from the Italian Opera House, Berlin. Her first appearance in these Colonies . . .

ASSOCIATIONS: Barned Jullian Coleman (manager); Fanny Wernham (actor)

"HAYMARKET THEATRE", Bendigo Advertiser (4 August 1857), 3

http://nla.gov.au/nla.news-article88000846 

The performances last night at this popular place of amusement commenced with Shakspere's tragedy of "Hamlet," in which Mr. Warner fully sustained the impression made by his first impersonation of thee character. The piece was as well put on the stage as could be expected in a provincial theatre, and passed off with great eclat. At the conclusion, Madame Garcia came forward, and previous to her exhibition as a danseuse, addressed the audience, in deprecation of any judgment the public might have formed from her performances on Saturday night. During her address, she stated that Messrs. Wolfe and Coleman engaged her in Melbourne for the ballet, assuring her she would find two female and three male dancers in the company, and allowing the remains of what appeared to have once been dancing pumps, indignantly asked if the audience could expect she could display her talent in such things. After thanking the Press for not criticising her performances on Saturday, she informed the audience her engagement only commenced that evening, when they would have an opportunity of seeing and judging what Madame Garcia really was. The lady was repeatedly cheered through out her address, and at its conclusion she went through a dance, the execution of which certainly dispelled any feelings of romance or gallantry which her previous address might have aroused. At its conclusion, Mr. Wolfe came forward and read the agreement entered into between himself, Mr. Coleman, and Madame Garcia, in which he engaged her as the principal dancer of the company, at a salary of L.10 per week, but in which no mention was made of the production of the ballet. He stated her engagement began that night, and she had already received £8 in advance; and he left the public to judge, having seen the lady and her performance, as to who was the sufferer. Mr. Wolfe was repeatedly cheered, and during his address Madame Garcia again came before the footlights, but was received with disapprobation. Mr. Moore also came forward and attempted to address the audience, but the few words he said were inaudible; and amidst cries of "Speak up," Mr. Wolfe came forward and requested him to retire, which he forthwith did. The entertainment concluded with a laughable farce.

ASSOCIATIONS: Andrew Moore (violin, leader of the orchestra, also husband of Rachel Lazar Moore, vocalist, actor, dancer)

"THE HAYMARKET THEATRE", Bendigo Advertiser (6 August 1857), 3

http://nla.gov.au/nla.news-article88000896 

On Tuesday night the "Lady of Lyons" was performed at the Haymarket Theatre to a very respectable house . . . We need hardly say, although Madame Garcia was announced to give a dance between the pieces, she did not appear . . .

GARD, Joseph (Joseph GARD; Mr. GARD)

Musician, double bass and bassoon player, cabman, coachman, convict, emancipist

Born Marylebone, London, c. 1820
Convicted Old Bailey, London, England, 20 August 1838 (10 years transportation, aged "18")
Arrived Norfolk Island, NSW, 7 May 1840 (convict per Mangles, from Portsmouth, 28 November 1839, via Sydney, 28 April 1840, aged "20")
Arrived Hobart Town, VDL (TAS), 31 March 1844 (convict per Maitland, from Norfolk Island, aged "24")
Married Susan PRIEST (1844-1907), Hobart, TAS, 19 January 1861 (aged "38")
Died Hobart, TAS, 12 June 1865, aged "43" [sic]

https://trove.nla.gov.au/search?l-publictag=Joseph+Gard+c1820-1865 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARD-Joseph (shareable link to this entry)

Documentation:

Trial of Joseph Gard, burglary, 20 August 1838; Old Bailey online

https://www.oldbaileyonline.org/record/t18380820-1980 

1980. JOSEPH GARD and JOHN READ were indicted for stealing, on the 28th of July, at St. Giles-in-the-Fields, 2 coats, value 2l.; 1 pair of shoes, value 8s.; 1 table-cloth, value 6s.; 2 handkerchiefs, value 7s.; 1 shirt, value 1s. 6d.; 3 waistcoats, value 3s.; 9 pence, 30 halfpence, and 90 farthings; the goods and monies of James Methvin, in his dwelling-house; and afterwards, about the hour of three in the same night, burglariously breaking out of the said dwelling-house . . .
GARD - GUILTY. Aged 18. READ - GUILTY. Aged 21. Transported for Ten Years.

List of 290 male convicts per Mangles, arrived NSW, from England, 27 April 1840; State Records Authority of NSW

https://www.ancestry.com.au/discoveryui-content/view/5946:1251 (PAYWALL)

No. 40-880 / 12 / Gard Joseph / 20 / R & W / Protestant / Single / Native Place - London / Indoor Servant
Burglary / Central Criminal Court / 20 August 1838 / 10 years / Former convictions - None / 5 ft 2 3/4 in . . .

Convict records, Joseph Gard; Tasmanian names index; NAME_INDEXES:1394298; CON33-1-51 Image 137; CON14/1/26 Pages 46-47; CON18-1-42 image 39

https://libraries.tas.gov.au/Record/NamesIndex/1394298 

https://libraries.tas.gov.au/Digital/CON33-1-51/CON33-1-51P137 (DIGITISED)

11974 / Gard Joseph / Tried C. C. Court 20 Aug't '38 / 10 yrs. / Arriv'd Norfolk [Island] 18th May '40 / Arr'd [VDL (TAS)] 31 March 1844 . . .
Remarks - Light impediment in speech . . .
24th May 1845 Ticket of Leave . . .
Recomm'd to the Queen for a conditional pardon . . . 16/6.'46
. . . Conditional pardon approved 5th October 1847 . . .

https://libraries.tas.gov.au/Digital/CON14-1-26/CON14-1-26P50 (DIGITISED)

11974 / Gard Joseph / C. C. Court / 20th August 1838 / 5 [ft] 3 [in] / 24 [years of age] / 10 [years sentence] / . . .
Trade - Coachman & Groom / Can play the bassoon / . . .

https://libraries.tas.gov.au/Digital/CON18-1-42/CON18-1-42P39 (DIGITISED)

ASSOCIATIONS: Gard may well have been a member of fellow Mangles shipmate Charles Sandy's Packer's band on Norfolk Island (penal settlement)

Convicts and per Maitland, from Norfolk Island, arrived VDL (TAS), 1844, muster 1849; UK National Archives, HO10/40

https://www.ancestry.com.au/discoveryui-content/view/433961:1185 (PAYWALL)

. . . Gard Joseph / Maitland from Norfolk Island 1844 / C. C. Court 1838 / 10 [years] / [as at 1849] Free . . .

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania [VDL (TAS)] (7 July 1849), 2

http://nla.gov.au/nla.news-article163504439 

NOTICE. THOSE Persons who have signed the Pledge at the
HOBART TOWN 'UNION' Total Abstinence Society
Are hereby informed that a SELECT PARTY will take place at the
'UNION' HALL, BATHURST STREET, On Wednesday next, July 11, Commencing at Seven o'clock;
when it is hoped that the Members and all true Friends of the cause will attend.
The Band of the Society will be in attendance.
Several good Singers have promised to attend on this occasion.
Tickets to be had at the 'Union' Hall Coffee Rooms;
from Mr. Gard, Musician, Melville-street, and at the 'Guardian' Office.
R. REED, Proprietor.

ASSOCIATIONS: Teetotal bands (general)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (18 August 1849), 4

http://nla.gov.au/nla.news-article163504659 

ROYAL AMPHITHEATRE, MURRAY STREET.
OPEN FOR THE SEASON. Monday Evening, August 20.
THE COMPANY WILL CONSIST OF - Mr. AXTELLE . . .
The Orchestra will, consist of Mr. H. Howson, Mr. A. Howson, Mr. Gard and Mr. Maguire . . .
DANCE - MR. COHEN.
To be followed by an interesting and novel scene in the circle, in which MR. ASHTON will make his first appearance since arriving from Sydney.
CLOWN, to the circle MR. AXTELL . . .
Leader of the Orchestra, Messrs. Henry and Alfred Howson . . .
Acting and Equestrian Manager, Mr. C. Axtelle.

ASSOCIATIONS: Charles Axtelle (circus performer, manager); Henry Howson (musician); Alfred Howson (musician); Mr. Maguire (musician); James Ashton (circus performer); Royal Amphitheatre (Hobart venue)

[Advertisement], Launceston Examiner [VDL (TAS)] (6 October 1849), 2

http://nla.gov.au/nla.news-article36258594 

Royal Olympic Theatre. MONDAY EVENING, OCT. 8, 1849.
AUGMENTATION OF COMPANY. FIRST APPEARANCE OF MASTER WRIGHT, The Infant Prodigy!
MESSRS. A. HOWSON, DEAN, GARD, AND JONES, Of the Orchestral Department.
THE public of Launceston and its vicinity are most respectfully informed that the evening's entertainments will commence with the domestic drama, called
OLIVER TWIST; Or, The Parish Boy's Progress.
To be succeeded by the following interlude:
Sailor's Hornpipe, Master Wright.
COMIC SONG, The Unfortunate Man, MR. OSBORNE.
To conclude with the laughable Turkish Extravaganza, entitled, NOTHING SUPERFUOUS.
Nights of performance throughout the season - Monday, Wednesday and Friday.
Prices. - Dress circle, 3s.; lower circle, 2s.; pit, 1s. Half-price to the dress and lower circle only.
Under the entire direction of Mr. Osborne.

ASSOCIATIONS: Robert James Osborne (actor, vocalist, manager); Olympic Theatre (Launceston venue)

[Advertisement], Colonial Times (20 July 18 ), 3

http://nla.gov.au/nla.news-article8776625 

IMMIGRATION OFFICE. Hobart Town, July 19, 1854.
ADVICE has been received by the Government that relatives and friends sent for to the United Kingdom under the Immigration Regulations of 4th May, 1853, by the under-mentioned persons, embarked on board the ship Northumberland, which may be immediately expected at Hobart Town . . .
Joseph Gard, 13, Melville-street, Hobart Town . . .

"COURT OF REQUESTS. SATURDAY, JULY 4TH, 1857 . . . GARD v. REEVES", The Hobart Town Advertiser (6 July 1857), 2

http://nla.gov.au/nla.news-article264646926 

Mr. Graves for plaintiff, in the absence of Mr. Brewer. The case was postponed from Thursday, owing to the absence of the defendant through alleged illness. Mr. Graves said he was instructed by Mr. Moriarty that Mrs. Reeves was still ill, and unable to attend the Court.
The Commissioner said he had heard that the defendant was not ill, but was about town.
Mr. Gard, the plaintiff assured his honor he saw Mrs. Reeves out yesterday.
Mr. Graves, under these circumstances declined to appear for the defendant, but at the Commissioner's request he watched the case.
The Commissioner read the plaint by which Mr. Gard, the plaintiff, sought to recover £5 for the services of a band of six persons at a ball at the Amphitheatre on the 8th June, guaranteed by the defendant.
Mr. Graves suggested that the witnesses, six in number, the whole band, in fact, should be out of Court.
The Commissioner - The "band" had better be out of Court or they might destroy the harmony (a laugh).
It appeared, however, that only two witnesses were there.
George Hewlins deposed that Mrs. Reeves guaranteed the payment of £5 for music, to the six musicians. They commenced at half-past eight at night and finished at half-past five in the morning. The party who engaged Mr. Gard, the band would not put any faith in, they had been often taken in. The band played to the programme of the parties. Mrs. Reeves had been asked for the £5 by Mr. Gard in witnesses presence. Mrs. Reeves said she had received £4 for the band. Mr. Gard would have taken it, but Mrs. Reeves wished to have 9s for refreshments supplied to the band, which Mr. Gard refused. Mr. Levien, who engaged the band offered them £2 10s, but they would not trust him, and it was then that Mrs. Reeves became guarantee.
Cross-examined - I knew nothing of £4 having been tendered by Mr. Levien. It was Mr. Levien who got the ball up, no writing passed.
Mr. Graves submitted, that the plaintiff must be non-suited as there was no guarantee in writing.
Mr. Crisp, as amicus curiae, observed that the point was beyond doubt. By the statute of frauds, the guarantee must be writing.
Mr. Pitt and Mr. Fitzgerald also expressed similar opinions.
The Commissioner said the contract was afterwards with Mrs. Reeves.
Mr. Lees as amicus curia, concurred with the Commissioner.
The Commissioner directed the cause of the action in the plaint to be altered from one of guarantee to contract.
Andre Rees, another musician gave similar evidence to Mr. Hewlins.
For the defendant, Mr. Graves examined the plaintiff, Mr. Gard, whose evidence was similar to that of the two witnesses for the plaintiff.
Mr. Graves again remarked that the evidence showed a guarantee by Mrs. Reeves, but not a contract. There was no legal consideration.
The Commissioner read the section of the Court of Requests Act, which gave him power to do substantial justice; under that he said he was not bound to regard the statute of frauds.
Mr. Graves could not see that there was any legal consideration on Mrs. Reeves's part.
Mr. Gard - Mrs. Reeves was the only party who got any consideration, for they were drinking Champaigne and all sorts, all night (laughter).
The Commissioner summed up the evidence with minuteness, and said it was in his opinion a case which entitled Mr. Gard to the sum he went for £5.
Judgment for plaintiff.

ASSOCIATIONS: George Hewlins (musician); Andrew Reis (musician)

"COURT OF REQUESTS. TUESDAY, FEBRUUARY 4, 1858. £10 COURT . . . GARD v. POOLE", The Hobart Town Advertiser (5 February 1858), 3

http://nla.gov.au/nla.news-article264647196 

A claim by Mr. Gard, musician, against the lessee of the Theatre Royal. Defendant stated to be at Victoria by the summoning officer, Mr. Fleming, who said he served the summons at Devonshire House. Plaintiff swore that he was a musician; he played the double bass (a laugh). And Mr. Poole owed him £6 15s for three weeks salary, at £2 5s. The last time he asked the defendant for the money he said he could not afford to pay them. He had since gone to Victoria. Judgment for plaintiff.

ASSOCIATIONS: Charles Poole (actor, manager); Theatre Royal (Hobart venue)

"PLEASURE TRIP", The Tasmanian Daily News [Hobart, TAS] (1 March 1858), 2

http://nla.gov.au/nla.news-article199791856 

On Saturday last the Monarch steamer went on a pleasure trip to Birch's Bay. The opportunity of enjoying a pleasant day on the water was seized by about 70 holiday keepers of both sexes. The Monarch left Luttrell and Wise's wharf, at 2 p.m., and returned, at 7 1/2 p.m. The day was remarkably fine, the water smooth, and the sea breeze pleasant and invigorating. On reaching Birch's Bay the party proceeded in a body to inspect Mr. Less's steam saw-mills, in full operation, with which the visitors expressed themselves much gratified. On the return passage, dancing was the order of the day. Waltz, polka, schottische, and quadrille followed in rapid succession to the enlivening strains of Mr. Gard's band . . .

1861, marriages in the district of Hobart; Tasmanian names index; NAME_INDEXES:861099; RGD37/1/20 no 25

https://libraries.tas.gov.au/Record/NamesIndex/861099 

https://libraries.tas.gov.au/Digital/RGD37-1-20/RGD37-1-20P17 (DIGITISED)

No. 25 / 19th January 1861 / 52 Bathurst St. / Joseph Gard / 38 years / Musician / . . . bachelor . . .
Susan Priest / 23 years [sic] / Milliner &c. / . . . spinster . . . married in the Bridegroom's residence according to the rites and ceremonies of the Church of Scotland . . .

ASSOCIATIONS: Susan Priest (born Hobart, 27 June 1844; married Alfred Toogood, 1865; died Newcastle, NSW, September 1907)

1861, births in the district of Hobart; Tasmanian names index; NAME_INDEXES:966294; RGD33/1/8 no 4776

https://libraries.tas.gov.au/Record/NamesIndex/966294 

https://libraries.tas.gov.au/Digital/RGD33-1-8/RGD33-1-8-P192J2K (DIGITISED)

No. 4776 / Nov'r 14th / Angelina / female [daughter of] / Joseph Gard / Susan Gard formerly Priest / Cab owner / . . . Bathurst St. . . .

ASSOCIATIONS: Marcella Angelina Gard; married William Charles Williams, St. Michael's, Surry Hills, NSW, 25 October 1881; died NSW, 1938

1861, births in the district of Hobart Town; Tasmanian names index; NAME_INDEXES:967708; RGD33/1/8 no 6189

https://libraries.tas.gov.au/Record/NamesIndex/967708 

https://libraries.tas.gov.au/Digital/RGD33-1-8/RGD33-1-8-P356J2K (DIGITISED)

No. 6189 / 19th June / Malinda Mary Ann / female [daughter of] / Joseph Gard / Susan Gard (formerly Priest) / Cab proprietor / . . . Bathurst Street . . .

ASSOCIATIONS: Melinda Mary Ann Gard; married Felix Gruenemoald (Mrs. Greenwood), NSW, 1888; died ACT, 1940

1865, deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1146551; RGD35/1/7 no 5407

https://libraries.tas.gov.au/Record/NamesIndex/1146551 

https://libraries.tas.gov.au/Digital/RGD35-1-7/RGD35-1-7P103 (DIGITISED)

No. 5407 / 12th June / Joseph Gard (Died Liverpool Street) (Born England) / Male / 43 years / Cabman / Granular degeneration of kidneys . . .

"DEATHS", The Mercury (13 June 1865), 1

http://nla.gov.au/nla.news-article8833370 

GARD. - On the 12th inst., at his residence, corner of Liverpool and Campbell-streets, Joseph Gard, aged 43 years. The funeral will move from his late residence on Wednesday next, at a quarter past 2 o'clock. Friends please accept this, as no circulars will be issued.

Bibliography and resources:

Joseph Gard, Convict records

https://convictrecords.com.au/convicts/gard/joseph/43028 

GARDINER, Mrs. (Mrs. GARDINER) = Sara GARDNER (Miss Sara BANNISTER; later Mrs. COOPER)

Amateur vocalist

Active Castlemaine, VIC, c. 1850-60s

GARDINER, Elizabeth (Elizabeth SMITH; Mrs. John GARDINER; Mrs. J. GARDINER; Mrs. GARDINER)

Musician, vocalist, pianist, teacher of music and singing, school teacher

Born Manchester, Lancashire, England, 29 February 1820; baptised Christ Church, Manchester, 28 May 1820; daughter of Ferdinand SMITH and Martha YOUNG
Married John GARDINER (1816-1885), 1843
Arrived VIC, 1852
Died Hawthorn, VIC, 29 June 1898, aged "77" [sic]

https://trove.nla.gov.au/search?l-publictag=Elizabeth+Smith+Gardiner+1820-1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Elizabeth (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of Christ-Church Manchester in the county of Lancaster in the year 1820; register 1820, page Greater Manchester County Record Office

https://www.ancestry.com.au/discoveryui-content/view/590321:2965 (PAYWALL)

No. 1246 / [1820 May 28] / Elizabeth dau'r of / Ferdinand & Martha / Smith / Manch'r / Salsman [sic, "Salesman" in ep. transcript] . . .

ASSOCIATIONS: Ferdinando Smith and Martha Young had married at St. Mary, Bowdon, Cheshire, on 1 November 1818

England census, 30 March 1851, Atherton, Lancashire; UK National Archives, HO107/2205/305/5

https://www.ancestry.com.au/discoveryui-content/view/13271366:8860 (PAYWALL)

Youth Lane / John Gardener [sic] / Head / Mar. / 34 / Agent L. & N. W. Railway / [born] Scotland
Elizabeth / Wife / 31 / - / Lancashire Manchester // Isabel Harriet / 6 // Ann Amelia / 3 // John Henry / 1

Teacher record, Elizabeth Gardiner, from 1857; Public Record Office Victoria

https://prov.vic.gov.au/archive/37EAA768-F7E4-11E9-AE98-39CF07D30282?image=248 (DIGITISED)

Gardiner, Mrs. Elizabeth (wife of John Gardiner, N'r 2860) Born at Manchester 29 Feb. 1820
Carisbrook . . . 1-10-57 to 31-12-57 / Maryborough . . . 18-1-58, 1-6-59 to 30-11-60
Maryborough Nat. . . . 1 June 1862 . . . Died 29 June 1898

See also, Teacher record, John Gardiner, from 1857; Public Record Office Victoria

https://prov.vic.gov.au/archive/37EC06F9-F7E4-11E9-AE98-DBA7E56809FF?image=62 (DIGITISED)

"THE MARYBOROUGH CHURCH OF ENGLAND SCHOOLS. ANNUAL EXAMINATION", Maryborough and Dunolly Advertiser [VIC] (5 October 1858), 2

http://nla.gov.au/nla.news-article253589370 

An examination of the children, of both sexes, of the Maryborough School, under the superintendence of Mr. and Mrs. Gardiner, took place in the schoolhouse on Thursday last, at eleven o'clock a.m. . . . The proceedings commenced by the children singing a hymn. They sang with much sweetness. Mrs. Gardiner accompanied them on the harmonium . . .

"THE MARYBOROUGH SCHOOL. To the Editor of the . . .", Maryborough and Dunolly Advertiser (5 October 1859), 3

http://nla.gov.au/nla.news-article253601175 

SIR, - Your excellent report of the proceedings, both at the examination and distribution of prizes of the Maryborough School, held on Thursday, certainly conveys an accurate view of what was said and done upon these occasions . . . Mr. and Mrs. Gardiner have done much more for the school in this and in other respects, than has been known or acknowledged; at least at the tea meeting, Mrs. Gardiner had imparted a knowledge of music and singing, as shown by her own performance, that cannot fail to be of service, and give pleasure. Judging from what has been effected by the conductors of the school, it it a fair inference that the most acceptable reward to them would be an adequate school-room. Promises have been made that even this is not too much for the people of Maryborough to accomplish. Let it be done.
- OBSERVER. October 1, 1859.

"CORGREGATIONAL TEA MEETING", Maryborough and Dunolly Advertiser (11 November 1859), 2

http://nla.gov.au/nla.news-article253602332 

A Tea Meeting in connection with the Congregational Church at Maryborough, presided over by the Rev. Mr. Johnson, took place at the Golden Age Hall on Tuesday evening . . . Mrs. J. Gardiner lent her able assistance on the harmonium . . .

ASSOCIATIONS: Golden Age Concert Hall (Maryborough venue)

"LAYING THE FOUNDATION STONE OF CHRIST CHURCH, MARYBOROUGH", Maryborough and Dunolly Advertiser (22 June 1860), 2

http://nla.gov.au/nla.news-article253590934 

The ceremony of laying the foundation stone of the new church, now being erected for the Church of England denomination, took place on Wednesday last, at 3 p.m. . . . At three o'clock the children of the Church of England School were formed in procession, at the school door, and proceeded to the ground, accompanied by Mrs. Gardiner, Mr. Flemyng, and one or two ladies. The children carried banners, on the largest of which was displayed the Australian arms, with the motto "Advance Maryborough." Shortly after the arrival of the children, the ceremony was commenced . . . The 3rd, 4th, 7th, and 8th verses of the 132nd Psalm were then given out, and sung with pleasing effect by Mrs. Gardiner, Messrs. Russel and Harkness, and the children, accompanied by Mr. Payne on the harmonium . . .

[News], Maryborough and Dunolly Advertiser (30 November 1860), 3

http://nla.gov.au/nla.news-article253598487 

The Committee of the Maryborough Church of England School held a meeting on Wednesday evening, for the purpose of enquiring into the causes that had led the Rev. Mr. Linksea, in the exercise of the authority vested in him, to suspend Mr. John Gardiner from his duties as schoolmaster . . . We observe by an advertisement, in another column, that Mr. and Mrs. Gardiner, late Master and Mistress of the Church of England School, intend conducting their school, for the present, in the large concert hall attached to the Golden Age Hotel.

"LATEST INTELLIGENCE", Maryborough and Dunolly Advertiser (21 December 1863), 2

http://nla.gov.au/nla.news-article253528271 

The annual examination of the children attending the Maryborough National School was held on Thursday, in the presence of a number of ladies and gentlemen. The examination was conducted by the Revs. J. J. Halley and L. Dobinson, and James Houghton, Esq., who expressed themselves highly satisfied with the proficiency exhibited by the pupils, and the evident care and attention bestowed om their education by Mr. and Mrs. Gardiner, the conductors of the school. On Friday evening a large and highly respectable assemblage met in the building known as Henriques' store, to do honor to the good things provided by Mrs. Gardiner, and witness the distribution of the prizes to the most deserving of the scholars. The tables were laid out with excellent taste, and were plentifully supplied with all sorts of substantials and delicacies. At the conclusion of the feast, Mr. Pasco, P.M., who presided, introduced the more intellectual portion of the evening's entertainment by calling on the children for a song. The little ones, who, by the way, looked exceedingly neat and happy, and testified their enjoyment of the treat provided for them, then rose, and sang a school song, to the fine old air, "Drink to me only with thine eyes," with admirable taste, and precision of time, accompanied by Mrs. Gardiner on the pianoforte. Several pieces of music followed in the same good style . . .

ASSOCIATIONS: Crawford Pasco (police magistrate)

"DEATH OF CAPTAIN GARDINER", Geelong Advertiser [VIC] (19 January 1885), 3

http://nla.gov.au/nla.news-article148777631 

On Saturday evening, about five o'clock, Captain John Gardiner died at his residence, at the Free Library building, in Moorabool-street . . . Captain Gardiner, who died at the age of 69 years, always exhibited great energy and intelligence in all he undertook to perform. For many years he was a ship master engaged in the West Indies trade, but prior to that he was for seven years in the service of the London and North Western Railway Company. After coming to Victoria in 1852 he became a partner in the shipping firm of Messrs. J. Le Cren and Co. On relinquishing the shipping business he acted as a schoolmaster at Carisbrook and Maryborough under the old denominational and national systems, but upon the present Education Act being passed he retired on a pension and came to live in Geelong . . .

"DEATHS", The Argus [Melbourne, VIC] (30 June 1898), 1

http://nla.gov.au/nla.news-article9840267 

GARDINER. - On the 29th June, at the residence of her son-in-law, Mr. Fredk. Down, Neave-street, Upper Hawthorn, Elizabeth, relict of the late Captain John Gardiner, aged 77 years.

GARDINER, Frank (Francis CHRISTIE; alias Francis CLARK; alias Francis GARDINER; Frank GARDINER)

Bushranger, song subject

Born Scotland, c. 1829/30; son of Charles CHRISTIE and Jane WHITTLE
Arrived Sydney, NSW, 17 November 1834 (per James, from London, 29 June)
Sentenced Sydney, NSW, 8 July 1864 (commuted 1874)
Departed Newcastle, NSW, August 1874 (for Hong Kong)
Died ? California, USA, ? 1882; ? 1903

http://nla.gov.au/nla.party-1462061 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Frank_Gardiner (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Frank (shareable link to this entry)

Documentation:

Report of barque, James, arrived in Port Jackson, 17 November 1834 (Immigrant Ships Transcribers Guild)

https://immigrantships.net/1800/james341117.html 

. . . Christie, Charles / 36 / Scotland / Agriculturalist
Jane / 36 / Wife // Charles / 10 // Robina / 7 // Francis / 5 // Archina / 4 // Charlotte / 12mths . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Herald [NSW] (20 November 1834), 2

http://nla.gov.au/nla.news-article12850910 

From London and the Cape of Good Hope, on Monday last, having sailed from the former port the 29th of June, and the latter the 29th of September, the ship James, 358 tons, Captain Paul, with a cargo of merchandize. Passengers, Rev. Dr. Lang, D. D. . . . Mr. Charles Christie, Agriculturist; Mrs. Jane Christie, Charles, Robina, Francis, Archina, and Charlotte Christie . . .

"ESCAPED CONVICTS", Empire [Sydney, NSW] (21 April 1851), 4

http://nla.gov.au/nla.news-article60034258 

Francis Christie, James, free, brown hair, sallow comp., hazel eyes, 5 feet 8 1/4 inches, age, 21 years.

"HORSE STEALING", The Goulburn Herald and County of Argyle Advertiser [NSW] (4 March 1854), 2

http://nla.gov.au/nla.news-article101733235 

Last week the police at Yass apprehended two young men who gave their names as Francis Clarke and Edward Prior, on suspicion of stealing sixteen head of horses which they had driven into that town for the purpose of being sold by auction. Five of the horses have Mr. David Reid's brand on them. Clark made a statement to Mr. McJennett, the Chief Constable, of the manner in which they had come in possession of the horses, which they said they had purchased from one Joseph Williams at Tuena. There is reason to believe that this account of their possession is false, as no such person as Joseph Williams is known at Tuena. Edward Prior is the son of Mr. Henry Prior of this town, and has hitherto borne an irreproachable character. Francis Clark is also of Goulburn, his real name being Gardiner.

"GOULBURN CIRCUIT COURT", The Sydney Morning Herald (21 March 1854), 4

http://nla.gov.au/nla.news-article12952267 

Francis Clarke, and Edward Prior, late of the Fish River, in the colony of New South Wales, were indicted for stealing, at the Fish River aforesaid, on the 1st July last, five horses, five mares, and five geldings, of the goods and chattels of one John Reid. Prisoners pleaded not guilty . . .
His HONOR summed up, and the jury having retired for about half-an-hour, returned a verdict of guilty against Clarke, and Prior not guilty. Sentence on Clarke - to be worked on the roads, or other public works of the colony, for seven years.
Francis Clarke and Edward Prior, the two prisoners already tried for horse-stealing, were again placed at the bar, and indicted for stealing at the Fish River, on the 1st February last, one horse and one gelding, of the goods and chattels of Edward Barker.
The prisoners pleaded not guilty . . . the jury having retired for half-an-hour, returned to court, with a verdict of guilty, against both prisoners. Sentence, Clarke, to be worked on the roads, for seven years, to commence at the expiration of the first seven years, already passed; and the prisoner Prior, to be imprisoned in Parramatta Gaol, with hard labour, for three years.

"CAPTURE OF FRANK GARDINER THE HIGHWAYMAN", The Sydney Morning Herald (21 March 1864), 12

http://nla.gov.au/nla.news-article30938549 

After months of fruitless and unavailing search by the police, in the neighbourhood of the haunts of Gardiner and his ruffianly gang, and sundry arrests of persons whose outward man bore some resemblance to the daring outlaw, he has at length been secured, without drop of blood being shed, and almost without struggle. For months it was rumoured, and believed by not a few, that Gardiner had naturally succeeded in leaving the colony and making his way to California. It now turns out that he contented himself with a shorter and easier flight, having, as is alleged, set out for Queensland, accompanied by his paramour . . . Acting upon information received by the Sydney police authorities, detectives McGlone and Pye and mounted trooper Wells were dispatched to Rockhampton per Balclutha, in the early part of last month, arriving here on the 11th ultimo . . .

Entrance description, Darlinghurst Gaol, 1864; State Records Authority of NSW, 2523, 4/6308

https://www.ancestry.com.au/imageviewer/collections/1783/images/32246_223276-00541?pId=140599 (PAYWALL)

Francis Christie or Gardiner or Clarke / [arrived] P.S. Colony [sic] / [native place] Argyle / Protestant / Laborer / [age] 32 / 5 ft 8 1/2 ins

"THE SYDNEY MONTHLY OVERLAND MAIL", The Sydney Morning Herald (21 May 1864), 5

http://nla.gov.au/nla.news-article13087881 

The ministerial inquiry into the charges against Gardiner for shooting troopers Hosie and Middleton, at Fish River, on the 16th July, 1861, was yesterday brought to a termination. He was fully committed for trial . . .

"CENTRAL CRIMINAL COURT. FRIDAY [8 July] . . . ATTEMPT TO MURDER", The Sydney Morning Herald (9 July 1864), 4

http://nla.gov.au/nla.news-article13102464 

BEFORE Sir Alfred Stephen, Chief Justice . . . The trial of Francis Clarke, otherwise called Francis Gardiner, otherwise called Francis Christie, for the wounding of William Hosie, begun yesterday, was resumed . . . His Honor then passed sentence on the prisoner, which was that for the offence of which he had just been found guilty he be kept to hard labour on the roads or other public works of the colony for the term of fifteen years, the first two years in irons. For the armed robbery of Horsington, of which prisoner had pleaded guilty, he was sentenced to ten years' imprisonment with hard labour, and for the robbery of Hewett with firearms prisoner was sentenced to seven years' imprisonment with hard labour on the roads or other public works of the colony; the second sentence to take effect on the expiry of the first, and the third on the expiration of the second . . .

"THE GARDINER RELEASE CELEBRATION BANQUET (Abridged from the Yass Courier)", Empire (21 July 1874), 3

http://nla.gov.au/nla.news-article60990252 

ON Friday evening last a public banquet was held in the premises, in Rossi-street, Yass, lately occupied as a store by Mr. F. Leathart. The attendance was numerous and respectable. Mr. Shipway, of the Globe Hotel, provided the eatables and drinkables, and the result was equal to anything in the cold refection line ever previously turned out In Yass. The rooms were decorated for the occasion, a black banner bearing a death's head and bones occupying the space on the wall immediately above the chairman's head. The building was illuminated with Chinese lanterns, and the Yass Odd-fellows' band-discoursed sweet music at intervals throughout the evening. The chair was taken by Alderman Remmington, Alderman Sampson occupying the vice-chair. After ample justice had been done to the hospitable spread, the Chairman proposed "Her Most Gracious Majesty the Queen. May God bless her!" The toast was followed with three times three, the band playing "God Save the Queen."
The Chairman said that the next toast he had to propose was "The Governor, as the representative of the Queen." Before he formally proposed it, he would explain the reason of holding the banquet. There was no political reason nt the bottom of it; though, perhaps, the public might draw that inference from it. They were simply met in a spirit of fun and drollery to celebrate the release of their great captain, Frank Gardiner, alias Christie, alias a dozen names besides. It was on that amount that he (the Chairman) felt suoh great pleasure in proposing the health of his Excellency the Governor, who, as the representative of her Majesty in New South Wales, had gone out of his way to release unto them their noble captain and brother robber, Frank Gardiner. (Loud cheers.) By the band: "Out of the way, Old Dan Tucker" . . .
The Chairman then rose to propose the toast of the evening. He wished to submit this toast, "The health of Frank Gardiner, alias Christie, whose release we now celebrate." Their noble captain, the Illustrious chief or Australian banditti, though he held no brevet from the Horse Guards had earned for himself a more than military title by daring deeds of rapine and robbery. (Cheers.) He had set a never-to-be-forgotten example to the colonial youth - (hear; hear) - an example beyond all feeble praise of his (the speaker's) . . . (Loud cheers,) The band: "Johnny come marching home."
The Vice-Chairman next proposed "Gardiner's associates in crimes, and companions in exile." . . . By the band: "For he's a jolly good fellow."
After two or three appropriate songs had been sung, Mr. Shipway, proposed "The honourable majority who voted for the release of their brother robber." (Loud Cheers.) By the band: "The Rogue's March" . . .

[News], Empire (21 July 1874), 2

http://nla.gov.au/nla.news-article60990249 

We are informed that Frank Gardiner, alias Christie, obtained his release from Darlinghurst gaol yesterday, and proceeded to Newcastle last night, at 8 o'clock, in the steamer Dandenong. At Newcastle a passage had previously been engaged for him on board the Charlotte Andrews, which leaves for Hong Kong in a day or two.

Songs:

Frank Gardiner is caught at last (? 1864; tune: "Primrose of Ireland" [Irish Molly, O!])

"A MEDLEY OF 'POETRY'", The Albury Banner and Wodonga Express [NSW] (3 February 1866), 4

http://nla.gov.au/nla.news-article264156925 

. . . Bushrangers and bushranging have found their admirers among our poets, and to them it did not appear to matter one jot whether the subjects of their verses were what the world calls thieves and murderers. The "poet's eye in a fine frenzy rolling" looks on them in another light, and elevates them into heroes and victims and martyrs. Hear what one poet says of -

THE CHARGES AND SENTENCE OF FRANK GARDINER.
TUNE - "Primrose of Ireland."

Frank Gardiner is caught at last
And was in Sydney jail
For wounding Sergeant Middleton
And robbing Mudgee mail
For plundering of the Escort
The Carcoar mail also
T'was for gold he made so bold
And not so long ago.

His daring deeds surprised all
Throughout the Sydney Land
Upon his friends be gave a call
And quickly rais'd a band
And fortune always favor'd him
Until the time of late
When Bourke the brave O'Maley too
Met with a dreadful fate.

Young Vane has surrendered
Ben Hall's received death wound
And as for Johnny Gilbert
Near Binalong was found
Alone he was, had lost his horse
Three troopers hove in sight
He fought the three most manfully
Was slaughtered in the fight.

Day after day remanded
And guarded from the bar
Fresh charges came against him
By people from afar
They prosecute the buccaneer
The hero of the band
For bailing up and robbery
A terror in the land.

Farewell adieu to outlaw Frank
He was a poor man's friend
But the Government has secur'd him
The laws he did offend
He boldly stood his trial
And he told them in a breath
Do wha you will, you can but kill
I have no fear of death.

His trial is over
And sentence he's receiv'd
But from the cursed gallows
The highwayman is repriev'd
Two and thirty years he's doom'd
To slave for the Crown
He may damn the day, he well may say
He met with Mrs. Brown.

OTHER SOURCES (1): "KING OF THE ROAD. AN OLD SONG. Composed by Pearce Colletts of the Lachlan River (SENT IN BY JACK QUINN)", Truth [Sydney, NSW] (17 September 1911), 9

http://nla.gov.au/nla.news-article168750789 

OTHER SOURCES (2): "A DARING BUSHRANGER", Border Watch [Mount Gambier, SA] (10 December 1929), 5

http://nla.gov.au/nla.news-article80131981 

MUSIC CONCORDANCE: "THE NATIVE MUSIC OF IRELAND . . . No. IV", The Dublin magazine [Ireland] (February 1842), 16-18, page after 24 (music)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA20 (DIGITISED)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA29 (DIGITISED - TUNE)

ASSOCIATIONS: The 1866 article in which the earliest exemplar appears was probably written by the literary editor of The Albury Banner, Henry Alfred Brooks (d. 1867); according to Truth's 1911 informant, John Henry Quinn (1854-1930), a native of Hartley, NSW, the words of the song were "composed" by Pierce Collits (1840-1914), grandson of Pierce Collits senior (d. 1848) of Collits' Inn fame, and also born at Hartley, presumably written between mid July 1864 and late 1865; see also (words and tune) "Old Bush Songs . . . FRANK GARDINER", The bulletin (4 May 1955), 13

https://trove.nla.gov.au/work/233660747 

https://nla.gov.au/nla.obj-675153638/view?sectionId=nla.obj-692734787&partId=nla.obj-675178550#page/n12/mode/1up (DIGITISED)

. . . As sung by Mrs. I. Popplewell, Dean-lane, Darlington (N.S.W.). Tune recorded by John Meredith and Nancy Keesing in February, 1954. This tune is typical of those derived from the Irish street-ballad, and is also used by Mrs. Popplewell for "Rise Up Now, William Riley," a song which was very popular throughout the bush during the latter part of last century . . .

Well, what a mighty potherin' the folk is kickin' up (1874; tune: ? as above)

"THE END OF THE GARDINER SCRIMMAGE", The Sydney Mail and New South Wales Advertiser (4 July 1874), 27

http://nla.gov.au/nla.news-article162484370 

Well, what a mighty potherin' the folk is kickin' up,
About this Francis Gardiner, in gaol for stickin' up;
He's been locked up for nigh ten years, a'making oakum ropes,
And keepin' his high spirit down because o' pardon's hopes;
And now that pardon s granted been, and he's behaved so good,
They'd like the Queen's word to be broke, if but the Viceroy would,
And keep the man for thirty year in durance vile of pain,
For fear he'd take to robberin' and sich like ways again.
But "no, sire," says he, "sirs, ye needn't make a din,
For Parkes, I, and Government most surelie won't give in.
The man shall have a chance, sirs - prerogative I hold;
The Royal word is sacred, sirs, and mercy may be bold!" . . . [3 more 12-line verses] . . .
June 26, 1874.

GARDINER, Joseph (John GARDINER; John Joseph GARDINER; Joseph GARDINER; Joe GARDINER; J. GARDINER; J. J. GARDINER; Mr. GARDINER; Professor GARDINER; also GARDNER; GARDENER)

Actor, comedian, vocalist, comic vocalist, flute player, magician, songwriter, grocer, convict, emancipist

Born Bristol, Gloucestershire, England, c. 1822
Convicted Old Bailey, London, England, 3 July 1843 (transported for seven years)
Arrived Hobart Town, VDL (TAS), 27 February 1845 (per Sir George Seymour, from London, 22 October 1844, aged "22")
Married Ann LEGG, Launceston, TAS, 23 June 1857 (informally by 1850)
Died Adelaide, SA, 15 October 1905, aged "81" [sic]

https://trove.nla.gov.au/search?l-publictag=Joseph+Gardiner+d1905+actor (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-478016 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Joseph (shareable link to this entry)

GARDINER, Ann (Ann LEGG; LEGGE; Mrs. LEGG; from 1850, "Mrs. GARDINER"; Mrs. Joseph GARDINER; Ann GARDINER; briefly Madame SEDGWICK)

Actor, comedian, vocalist

Born c. 1824
Arrived ? Adelaide, SA, 23 January 1847 (per David Malcolm from London and Plymouth, 12 October 1846)
Married Joseph GARDINER, Launceston, TAS, 23 June 1857 (informally by 1850)
Died Adelaide, SA, 30 December 1897, aged "73"

https://trove.nla.gov.au/search?l-publictag=Ann+Gardiner+d1898+actor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Ann (shareable link to this entry)

Documentation:

Trial of John Gardiner, theft, 3 July 1843; Old Bailey online

https://www.oldbaileyonline.org/record/t18430703-2194 

2194. JOHN GARDINER was indicted for stealing, on the 15th of June, at Lambeth, 1 watch, value 1l. 1s., the goods of Thomas West; 3 shawls, 4l.; 1 scarf, 5s.; 1 parasol, 6s.; and 1 opera-glass, 3s.; the goods of Margaret Ann Usher, in the dwelling-house of Thomas West.
THOMAS WEST . I keep a coffee-house, in Bridge-road, St. Mary, Lambeth. On the 14th of June the prisoner came to lodge at my house - about six o'clock in the evening he went out to go to Astley's theatre - I went out next morning, and returned about one o'clock - I then missed my watch from the mantel-shelf, where I had left it at a quarter past eight o'clock in the morning, when I got up . . .
GUILTY of Larceny. - Transported for Seven Years.

Convict record, John Gardiner; Tasmanian names index; NAME_INDEXES:1394342; CON33/1/64 Page 15239

https://libraries.tas.gov.au/Record/NamesIndex/1394342 

https://libraries.tas.gov.au/Digital/CON33-1-64/CON33-1-64P54 (DIGITISED)

No. 15239 / Gardiner John / Tried C. C. Court 3rd July 1843 / 7 yrs
Embarked 22 October 1844 / Arrived 27 Feb 1845 / Protestant / Can read & write
Trade - grocer / 5 ft 5 1/4 in / Age - 22 . . . / Native place - Bristol . . .
7th March 1845 - Ticket of Leave
26 / 3 / 45 - Mr. Baker New Norfolk 6 months
11 Aug '46 / . . . Misconduct with being out after hours & performing at the theatre at 11 o'clock
Recom.d for a C. Pardon 1-12-46
Conditional pardon approved 30 November 1847
Again convicted vide Misc. 8. No. 2684 [30 May 1855]

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (30 May 1846), 413

http://nla.gov.au/nla.news-article65941715 

THEATRE ROYAL OLYMPIC . . . on MONDAY Evening, June 1, 1846,
will be performed, for the first time in these Colonies, the Romantic Drama, entitled
PASCAL BRUNO; Or the Brigand of Banso . . .
Parli Jommasi [sic, Paolo Tommasi], Mr. GARDINER (his first appearance) . . .
Captain Atterville, Mr. FALCHON (his first appearance) . . .
Pascal Bruno, the Brigand - Mr. OSBORNE . . .

ASSOCIATIONS: Arthur Falchon (actor, vocalist, manager); Robert James Osborne (actor, vocalist, manager); Olympic Theatre (Launceston venue)

PIECE: Pascal Bruno (A'Beckett)

[Advertisement], The Cornwall Chronicle (13 June 1846), 453

http://nla.gov.au/nla.news-article65942371 

[Olympic Theatre] . . . MONDAY EVENING, JUNE 15, 1846
Will be performed, with new Scenery; Dresses, and Decorations, the Romantic Drama of BLUE BEARD . . .
To be followed by a Scene from JACK SHEPPARD . . .
After which, by particular desire, the celebrated Negro Melody, for the last time, "A Possum on a Rail," MR. OSBORNE.
Song, "THE SMUGGLER KING," Mr. GARDINER . . .

ASSOCIATIONS: The smuggler king (written by Eliza Cook; composed by Stephen Glover)

"THE THEATRE", The Cornwall Chronicle (20 June 1846), 469

http://nla.gov.au/nla.news-article65944296 

. . . Extensive preparations are making for Monday night, when a piece that had a long run at the "Surrey" will be produced, called "Jack Robinson and his Monkey" . . . The songs by Messrs. Gardiner and Falchon are well-selected, and we hope, will be well executed . . .

[Advertisement], The Cornwall Chronicle (20 June 1846), 472

http://nla.gov.au/nla.news-article65944270 

OLYMPIC THEATRE . . . ON MONDAY EVENING, JUNE 22nd, 1846
Will be produced, for the first time at this Theatre, the Melo Drama of JACK ROBINSON
first produced at the Royal Surrey, and which attracted Crowded Houses One Hundred and Twenty successive Nights . . .
Jack Robinson - Mr. FALCHON. Muley - Mr. GARDINER . . .
To be followed by SONG, "THE BATTLE AND THE BREEZE," MR. GARDINER.
SONG, "OE'R BALTIC BILLOWS," MR. FALCHON . . .
PERFORMANCES UNDER THE DIRECTION OF MR. FALCHON . . .

MUSIC: The battle and the breeze [To Britain's glorious walls of oak] (T. Williams)

[Advertisement], The Cornwall Chronicle (18 July 1846), 545

http://nla.gov.au/nla.news-article65944303 

THEATRE ROYAL OLYMPIC. MONDAY, JULY 20th, 1846.
FOR THE BENEFIT OF MISS DOUGLASS AND MR. GARDINER.
Who earnestly solicit their Friends and the Public in general,
to bestow their kind patronage on this particular occasion.
By particular desire, will be substituted for the "EMIGRANT'S DAUGHTER," THE FOOL'S REVENGE,
After which, COMIC SONG, "Nonsense" - MR. FALCHON.
Song, "The Rose shall cease to Blow" - MR. FALCHON.
NEGRO MELODY, "Sich Getting up Stairs, with imitations," MB. OSBORNE.
Duet, "All's Well" - Mr. Gardiner & Mr. Carter.
DUET, MR. GARDINER & MR. CARTER.
Song, "Gaily the Troubadour" - Miss Clarke.
WATERMAN'S HORNPIPE, MISS WEST, MR. CORNEY, & MISS CLARKE, MISS DOUGLASS.
SONG, "Smuggler King" - MR. GARDINER.
"Billy Barlow's Description of his trip to the late Oatland's Races" - MR. OSBORNE.
SAILOR'S 'HORNPIPE, MR. COONEY.
The whole to conclude with a Drama of great interest, entitled, the PIRATE.
Dress Boxes, 3s. Lower Boxes, 2s. Pit, 1s. 6d.
Doors to open at half-past 7. Curtain to rise at 8 precisely.

"POLICE", The Cornwall Chronicle (15 August 1846), 621

http://nla.gov.au/nla.news-article65943391 

Mr. Gardiner, of the Olympic theatre, takes the benefit of the "batue system," at the "rotary" for ten days, for disrespect to the Superintendent of Convicts, and jostling him off the footpath into a heap of Town Surveyor's dirt, to the great damage of his nether garments.

? "SHIPPING INTELLIGENCE . . . ARRIVED", South Australian Register [Adelaide, SA] (27 January 1847), 3

http://nla.gov.au/nla.news-article48544071 

Saturday, Jan. 23 - The barque David Malcolm, 538 tons, J. W. Smith, master, from London and Plymouth. Passengers . . . Ann Leg . . .

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (18 June 1847), 2

http://nla.gov.au/nla.news-article8760812 

Royal Victoria Theatre. MONDAY, JUNE 21, 1847 . . .
MESSRS. CLARKE, ROGERS, & YOUNG, have great pleasure in announcing to the Ladies and Gentlemen of Hobart Town, that on the above Evening will be produced (for the first time here) a beautiful Romantic and, Historical Drama, entitled,
THE KING AND The Freebooter; Or, THE KEEP OF CASTLE HILL . . .
Andrew Tod (Miller of Kirkton) - MR. GARDINER . . .

ASSOCIATIONS: Michael Clarke (proprietor); George Herbert Rogers (actor, manager); Charles Young (actor, manager); Royal Victoria Theatre (Hobart venue)

[Advertisement], Colonial Times (17 August 1847), 2

http://nla.gov.au/nla.news-article8761146 

Victoria Theatre, CAMPBELL-STREET. THURSDAY, AUGUST 19 . . .
the whole of that exquisite Comedy, from the pen of R. B. SHERIDAN, entitled THE SCHOOL FOR SCANDAL . . .
Sir Benjamin Backbite - MR. GARDINER . . .

[Advertisement], Colonial Times (27 August 1847), 2

http://nla.gov.au/nla.news-article8761211 

THE ROYAL ALBERT THEATRE WILL OPEN ON MONDAY NEXT, AUGUST 30, 1847,
UNDER THE MANAGEMENT OF Mr. & MRS. MERETON
When the following Ladies and Gentlemen will appear: . . .
Messrs. Kenney, Mereton, Gardiner, Osborne . . .

ASSOCIATIONS: Thomas and Christiana Mereton (actors, managers); James Richard Kenney (actor, vocalist); Royal Albert Theatre (Hobart venue)

[Advertisement], Colonial Times (14 September 1847), 2

http://nla.gov.au/nla.news-article8761352 

Royal Albert Theatre. WEDNESDAY, SEPT. 15 . . .
AFTER WHICH, Billy Barlow's Tour through Hobart Town, MR. OSBORNE.
Song, "Smuggler King" - Mr. Gardiner.
COMIC SONG, "STATTY FAIR" - MR. KENNY . . .

[Advertisement], Colonial Times (17 September 1847), 1

http://nla.gov.au/nla.news-article8761374 

Albert Theatre . . . Tuesday Evening, Sept. 21.
FAREWELL BENEFIT OF MR. AND MRS. MERETON . . .
The Entertainments will commence with an entire New Drama, entitled
THE FATAL SNOW STORM. Governor Hertschink - MR. GARDINER . . .
After which, the following Interlude:
The Battle and the Breeze - Mr. Gardiner.
NEW COMIC SONG - MR. OSBORNE.
Highland Fling - Mr. Harris.
Address to Married and Single - Mrs. Mereton.
VENETIAN STATUES, MASTER DAVIS (Pupil of Mr. Osborne's).
THE LADIES' DARLING - MR. KENNY.
Glee - "Brandy, give us Brandy" - MESSRS. MERETON, GARDINER, AND OSBORNE . . .

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (27 November 1847), 1

http://nla.gov.au/nla.news-article65979159 

ROYAL OLYMPIC THEATRE . . . MONDAY, November 8th.
MR. and MRS. MERETON, beg most respectfully to inform their friends and the public in general,
that they intend giving a FEW EVENINGS' ENTERTAINMENT . . .
COMIC SONG - MR. GASKIN.
THE BOLD OUTLAW - MR. GARDINER.
A NEW VERSION OF BILLY BARLOW . . .

ASSOCIATIONS: Mr. Gaskin (vocalist)

"THE THEATRE", The Cornwall Chronicle (11 December 1847), 2

http://nla.gov.au/nla.news-article65980328 

Gardiner takes his benefit on Monday evening next, and those who have already witnessed his recent improved style of acting and singing, consider the young man deserving of patronage; the performances are well selected, and adapted to the strength of the company. The admired play of "Marguerite of Burgundy" will be given by the special desire of many who were present last Monday, and among the novelties will be a series of living pictures, in which Mr. Mereton's dog "DRAGON" will exhibit. Of the great sagacity of this wonderful animal, those who have witnessed his achievements need not be informed; it is astonishing to observe how these creatures can be trained to the perfection of first-rate stage performers . . .

See also bill of fare, [Advertisement], The Cornwall Chronicle (11 December 1847), 3

http://nla.gov.au/nla.news-article65980326 

[Advertisement], The Cornwall Chronicle (25 December 1847), 3

http://nla.gov.au/nla.news-article65980656 

ROYAL OLYMPIC THEATRE. BOXING NIGHT . . .
SONG, "THE MISFORTUNES OF BEING A LODGER," MR. GARDINER . . .

MUSIC: The misfortune of being of lodger (song)

[Advertisement], The Cornwall Chronicle (12 January 1848), 4

http://nla.gov.au/nla.news-article65981152 

RADFORD'S ROYAL CIRCUS . . .
THIS EVENING, the 12th, and SATURDAY, the 15th JANUARY . . .
SONG - MR. GARDINER . . .

ASSOCIATIONS: Radford's Circus (troupe)

Melbourne, NSW (VIC) (by mid January 1848):

[Advertisement], The Port Phillip Patriot and Morning Advertiser [Melbourne, NSW (VIC)] (25 January 1848), 3

http://nla.gov.au/nla.news-article226514378 

QUEEN'S THEATRE ROYAL . . .
WEDNESDAY EVENING, JANUARY 26 . . .
Dance - Mr. J. Chambers.
Song - Mr. Gardiner (his first appearance) . . .
J. T. SMITH, Proprietor.

ASSOCIATIONS: Joseph Chambers senior (dancer); John Thomas Smith (proprietor); Queen's Theatre (Melbourne venue)

[Advertisement], The Port Phillip Patriot and Morning Advertiser (25 August 1848), 3

http://nla.gov.au/nla.news-article226356819 

Queen's Theatre . . . THIS EVENING, AUG. 25 . . .
Song, Mrs. Leftwich.
Dance, by Master Chambers.
Comic Song, "Nonsense," Mr. Gardiner . . .

ASSOCIATIONS: Mrs. Leftwich (actor, vocalist);

[Advertisement], The Port Phillip Patriot and Morning Advertiser (7 September 1848), 3

http://nla.gov.au/nla.news-article226356422 

Queen's Theatre . . . FRIDAY EVENING. SEPT. 8, 1848 . . .
Comic Song, "Matrimony," Mrs. Leftwich and Mr. Gardiner . . .

[Advertisement], The Port Phillip Patriot and Morning Advertiser (27 September 1848), 3

http://nla.gov.au/nla.news-article226353954 

Queen's Theatre . . . THIS EVENING. SEPT. 27 . . .
Song - Mr. Gardiner . . .

Adelaide, SA (by March 1849):

[Advertisement], South Australian Gazette and Mining Journal (10 March 1849), 2

http://nla.gov.au/nla.news-article195937276 

NEW QUEEN'S THEATRE, LIGHT-SQUARE.
Saturday, March 10, 1849, will be presented, Weber's Opera,
with new Scenery, Machinery, Properties, and Original Music entitled
DER FREISCHUTZ; or, the Charmed Bullet.
Song - Mr. Gardiner.
Dance - Madame Veilburne.
To conclude with a laughable Farce, entitled LOVE AND CHARITY.
J. LAZAR.

ASSOCIATIONS: Madame Veilburn (dancer); John Lazar (actor, manager); New Queen's Theatre (Adelaide venue)

"LOCAL INTELLIGENCE", South Australian Register (9 May 1849), 2

http://nla.gov.au/nla.news-article50245007 

After a long absence from the stage, Mr. Coppin made his appearance on Monday night, at the Queen's Theatre, to, as may be imagined, a crowded house . . . After the piece came a Comic Song by Mr. Gardiner, descriptive of divers things which an old gentleman "does not like to see." Some of the hits were good, particularly one touching "mustachoed swells who can't post a mag," which caused the more ursine part of the audience to look queer . . .

ASSOCIATIONS: George Coppin (actor)

MUSIC: Things that I don't like to see [What a queer set of creatures we are, I declare] (comic song)

"THEATRE", Adelaide Times (14 May 1849), 3

http://nla.gov.au/nla.news-article206980669 

Mr. Coppin having announced his intention of re-appearing on the stage for seven nights, commenced on Monday evening last . . . Mr. Gardiner can give two or three comic songs tolerably well, but his acting, especially of dignified characters, is far below mediocrity . . .

[Advertisement], South Australian Gazette and Mining Journal (24 May 1849), 2

http://nla.gov.au/nla.news-article195937739 

NEW QUEEN'S THEATRE FOR THE BENEFIT OF MR. COPPIN. -
Most positively his last night. THIS EVENING, MAY 24, 1819,
The entertainments will commence with the favourite Vaudeville, entitled the LOAN OF A LOVER, the original music . . .
After which . . . Comic Song - Mr. Gardiner . . .

"ROYAL VICTORIA THEATRE", South Australian Gazette and Mining Journal (11 January 1850), 2

http://nla.gov.au/nla.news-article195941494 

THIS EVENING, Saturday, January 11, 1851, will be presented Buckstone's favourite drama of ISABELLE; or Woman's life.
Song, Mr. Gardiner. To conclude with the Musical Extravaganza of CUPID; or Life in the Clouds . . .

[Advertisement], South Australian Register (6 February 1850), 2

http://nla.gov.au/nla.news-article38448576 

Dramatic Hall, Leigh-street, Adjoining Mr. Hill's Hotel.
Doors open at half-past seven for eight o'clock. Reserved seats, 2s.; Pit seats, 1s. No half-price.
MESSRS. JACOBS, ELMER, & GARDENER (from the New Queen's Theatre),
respectfully announce to their friends, the ladies and gentlemen of Adelaide, that they have fitted up the above premises for the purpose of giving Dramatic Entertainments.
The new scenery and house have been designed and painted by Mr. Opie.
An efficient orchestra is engaged . . .

ASSOCIATIONS: John Lewis Jacobs (actor); John Adam Elmer (actor); Edward Andrew Opie (scenic artist, actor); Dramatic Hall (Adelaide venue)

"LOCAL INTELLIGENCE", Adelaide Observer (16 February 1850), 3

http://nla.gov.au/nla.news-article159532099 

The new Dramatic Hall or Vaudeville Theatre, in Leigh-street, was opened on Thursday week last. We attended the performances on Saturday, and have seldom been better pleased. The coup d'oeil of the house when lighted up is exceedingly pretty, the scenery well painted, and the management, so far, most creditable. The abominable system of half-hour intervals to induce visits to a grog-shop, is utterly eschewed. The orchestra, including a grand piano-forte, and a clever performer on the cornet a piston, is an attraction an itself. Mrs. Gardner played and sang well. Mr. Cooke (an amateur), has made a successful debut on our provincial stage; and the performers, without exception, did their best-succeeding in keeping a very respectable audience in high good humour. The pledge of Messrs. Jacobs, Elmer, and Gardner, has been faithfully kept - to exclude improper characters from the house, and obscene language from the stage. The public seem quite disposed to patronise this speculation, and it will doubtless prove a favourite place of recreation. At all events, our readers may take their wives and children to the Dramatic Hall without fear of insult or contamination.

"SUPREME COURT. CIVIL SIDE . . . Friday, March 1 . . . Lazar v. Stephens", South Australian Gazette and Mining Journal (2 March 1850), 3-4

http://nla.gov.au/nla.news-article195939489 

Libel Damages laid at £200 . . .
James Douglas, comedian [deposed] . . . [The night of the Agricultural Show] . . . The leading persons in the play that evening were Mr. Lazar, Mr. Jacobs, Mr. Gardener, and Mr. Elmer. The two latter are now engaged somewhere else . . .
Samuel Cohen . . . checktaker to the pit [deposed] . . . Three performers, Mr. and Mrs. Gardener, and Mr. Elmer, had left since the Christmas week . . . They were very great stars indeed - a laugh . . .
John Gardiner also gave evidence of indecent conduct in Mr. Lazar.
Cross-examined - Would not answer whether he was married to the woman he now lived with or not. Would not answer whether he had been transported or not.
His Honor - This is a question touching morality, and the witness is bound to answer the question.
Witness then acknowledged that he was not married. Would not answer whether or not he had been hissed off the stage at Port Phillip, in consequence of living with the woman he now resides with. Had never seen a song written by Mr. Stapley for the Leigh-street theatre, mentioning the name of Mr. and Mrs. Solomon. It was offered to witness to sing, but he refused it, as he did not know the air. Had been fined for being drunk . . .

ASSOCIATIONS: John Stephens (newspaper proprietor, Register); Martin Stapley (journalist); Emanuel and Celia Solomon (proprietors)

"LAW AND POLICE COURTS. Friday, 1 March. LAZAR v. STEPHENS", South Australian Register (4 March 1850), 3

http://nla.gov.au/nla.news-article38437578 

. . . Philip Emanuel Crabb [deposed] . . . On the 12th of January, Mr. and Mrs. Gardiner and Mr. Elmer were members of the Company. Had not seen Mrs. Elmer play. Had seen Mr. Opie play on one occasion. He (witness) believed Messrs. Elmer and Gardiner were acting somewhere else lately. [Questioned] By Mr. Mann - It was after the 12th of January that Messrs. Elmer and Gardiner ceased to be members of Lazar's company . . .

"DRAMATIC HALL", Adelaide Times (11 March 1850), 3

http://nla.gov.au/nla.news-article207115104 

A paltry imitation of a theatre, under the above pompous title, was opened about a month ago, in Leigh-street, under the auspices of Jacobs, Elmer, and Gardner - three fourth or fifth-rate actors, previously discarded by the manager of the "New Queen's Theatre." The place, as might be expected, soon became the rendezvous of all the loose characters about town - so much so, that the landlord of the inn, of which the "Hall" formed a part, very discreetly shut up the place, at the close of the play, on Thursday evening last. The exposé at the Court House, in the case of "Lazar v. Stephens," is said to have had something to do with the "canny" landlord's "shutting up shop." In that trial one of these persons was flatly contradicted by two witnesses on oath; another, on being pressed, prudently knew nothing at all of the matter; and the third acknowledged himself a convict, and not married to the female who passed here for his wife. The Register has been praising the "Dramatic Hall," as a "place where respectable citizens could bring their wives and daughters, without fear of their being put to the blush!" So much for his vaunted "Christian principle," and "guardianship of public morals."

[Advertisement], South Australian Gazette and Mining Journal (11 January 1851), 2

http://nla.gov.au/nla.news-article195941494 

ROYAL VICTORIA THEATRE. Open every MONDAY, THURSDAY, and SATURDAY. -
Proprietors, Messrs. LAZAR and COPPIN . . . .
THIS EVENING, Saturday, January 11, 1851, will be presented Buckstone's favourite drama of ISABELLE; or Woman's life.
Song, Mr. Gardiner. To conclude with the Musical Extravaganza of CUPID; or Life in the Clouds.

ASSOCIATIONS: Royal Victoria Theatre (Adelaide venue)

"CLEARED OUT", South Australian Gazette and Mining Journal (30 January 1851), 2

http://nla.gov.au/nla.news-article195941607 

January 25 - The ship Harpley, 547 tons, Buckland master, for Port Phillip. Passengers - . . . From Adelaide . . . Messrs. Wheeler . . . Mrs. Wheeler, and Mr. Gardner and wife.

ASSOCIATIONS: Stephen and Mary Wheeler (musicians, actors)

Geelong, VIC (by February 1851):

[Advertisement], Geelong Advertiser [VIC] (8 February 1851), 2

http://nla.gov.au/nla.news-article91920335 

THEATRE ROYAL . . .
FIRST APPEARANCE OF MR. AND MRS. GARDNER, From the Hobarton, Launceston, and Adelaide Theatres.
First Night of the celebrated burlesque Burletta OTHELLO TRAVESTIE,
ON MONDAY, FEBRUARY 10TH. . . .
Comic Song - Mr. & Mrs. Gardner . . .
Proprietor - Mr. H. Elmes . . . Leader of the Orchestra - Mr. Stainsby . . . STAGE MANAGER - Mr. Stubbs.

ASSOCIATIONS: Henry Elmes (proprietor); Robert Stainsby (musician, leader); Gibson Stubbs (actor, manager); Theatre Royal (Geelong venue)

[Advertisement], Geelong Advertiser (22 March 1851), 4

http://nla.gov.au/nla.news-article91915711 

Theatre Royal, GEELONG . . . MR. GARDINER
BEGS leave most respectfully to announce to his friends and the public in general, that his
BENEFIT is appointed to take place ON MONDAY EVENING, MARCH 24, 1851,
for which occasion, anxious to bring forward a selection of entertainments in every respect worthy of that patronage and support he ventures to solicit, and in compliance with the particular request of many influential inhabitants of Geelong,
he has entered into arrangements with MR. E. G. GORDON, author of the "Hibernian Father," "Currency Lass," "Royal Master," "Love versus Law," &c., &c., &c.,
for the production of his last triumphantly successful Drama, as pet formed with the most enthusiastic applause to crowded audiences in the Queen's Theatre Royal, Melbourne, entitled
THE BOTTLE: OR THE PROGRESS TO PERDITION. Illustrative of the Celebrated Cartoons of George Cruickshank.
The Drama will be followed by
A Favorite Medley Dance - Miss Howard.
Song "Molly Bawn," - Mrs. Gardiner.
Song - Mr. Gardiner.
Song - Mr. Hart.
The whole to conclude with the highly laughable Farce, entitled
The Unfinished GENTLEMAN.
Tickets to be had at all the principal Hotels, and of Mr. Gardiner at the Royal Hotel . . .

ASSOCIATIONS: E. G. Gordon = alias of Edward Geoghegan (playwright)

[Advertisement], Geelong Advertiser (11 July 1851), 2

http://nla.gov.au/nla.news-article91918129 

THEATRE ROYAL. Last Night of Der Freischutz!
THIS EVENING, July 11 . . . Duet, Mr. and Mrs. Gardiner; Dance, Miss Howard; Song, Mr. Holloway.
To conclude with DER FREISCHUTZ.

ASSOCIATIONS: Edmund Holloway (vocalist, actor)

"THE THEATRE", Geelong Advertiser (2 August 1851), 2

http://nla.gov.au/nla.news-article91914465 

The evening's entertainment began with the Bravo of Venice, or the Council of Ten, to the success of which the admirable acting of Mr. Deering, and Messrs. Shearcroft and Holloway mainly contributed. Mrs. Gardiner was highly applauded in her song of "Kate Kearney" which she gave with chaste effect. Mr. Billy Barlow, was encored . . .

ASSOCIATIONS: Henry Deering (actor); Edwin Shearcroft (actor); Billy Barlow (character)

MUSIC: Kate Kearney (Alexander Lee)

"THE THEATRE", Geelong Advertiser (10 September 1851), 2

http://nla.gov.au/nla.news-article91913390 

This popular place of amusement was tolerably well filled last Monday evening [8 September], although the house was by no means so full as the excellence of the performances would have led us to desire. The first piece passed off to the satisfaction of the audience; but the chief attractions of the evening were the singing, dancing, and the farce. A sea song by Mr. Holloway, and "Molly Bawn" by Mrs. Gardiner, were rapturously applauded; but nothing could extract so many grins from the audience as Deering's first rate "Billy Barlow" . . . The farce of the Spitfire though rather too much curtailed, was one of the best of the season; and Mr. Deering as "Short Cut" did ample justice to his part by keeping the audience in one continual roar of laughter. Mr. Gardiner as the waiter and the other performers were also good.

MUSIC: Molly Bawn (Samuel Lover)

"THE THEATRE ROYAL", Geelong Advertiser (12 September 1851), 2

http://nla.gov.au/nla.news-article91916355 

. . . The performances on Wednesday evening [10 September] consisted of four farces, six songs, and two duets, besides a variety of dancing by that encreasing favorite of the public, Madame Adelaide . . . Mrs. Gardiner sang beautifully, and was loudly encored . . .

ASSOCIATIONS: Adelaide Veilburn (dancer)

[Advertisement], The Melbourne Daily News [VIC] (17 December 1851), 3

http://nla.gov.au/nla.news-article226912808 

QUEEN'S THEATRE. THIS EVENING, DEC. 17TH.
MORE NOVELTY! First appearance of Mr. Gardiner's celebrated and sagacious Dog DRAGON.
First appearance of Mr. and Mrs. Gardiner.
THE Public are respectfully informed that the Evening's entertainments will commence with the beautiful melo drama entitled
THE DOG OF MONTARGIS; OR, THE FOUNDLING OF THE FOREST.
The interlude will consist of A Comic Duet - By Mr. and Mrs. Gardiner.
AFTER WHICH A Pas Seul - By Miss Daly.
Comic Song - Mr. EVANS.
A Favourite Dance - By Mrs. Young.
A Comic Song - By Mr. Gardiner.
The whole to conclude with the laughable farce of THE TAILOR OF TAMWORTH; OR, STATE SECRETS . . .

ASSOCIATIONS: William Evans (comic vocalist); Jane Eliza Young (dancer, actor)

[Advertisement], Geelong Advertiser and Intelligencer (7 September 1852), 2

http://nla.gov.au/nla.news-article91930931 

THEATRE ROYAL, GEELONG . . . ON TUESDAY EVENING, SEPT. 7 . . .
[REDACTED] Song - Mr. Meadows . . .
Comic Song - Mr. Gardiner . . .

ASSOCIATIONS: George Meadows (vocalist)

[Advertisement], Geelong Advertiser and Intelligencer (20 September 1852), 2

http://nla.gov.au/nla.news-article91929147 

THEATRE ROYAL, GEELONG . . . MONDAY EVENING, SEPT. 21 . . .
Song - Mrs. Gardiner . . .

"ACCIDENT AT THE QUEEN'S THEATRE", The Argus [Melbourne, VIC] (17 January 1853), 5

http://nla.gov.au/nla.news-article4788979 

On Thursday evening last, whilst the piece of the "Wreck Ashore" was being performed, an accident took place which might have been attended with fatal consequences. It appeared that Mrs. Young had in the course of the play to feign to shoot a supposed robber, which character was enacted by Mr. Gardiner, and that unfortunately instead of holding the gun in such a position as to fire over Mr. Gardiner, Mrs. Young unintentionally fired right at his head, the consequence of which was that the charge and wadding were fired in his face. An extensive hemorhage ensued, and Mr. Gardiner was removed to the St. John's Tavern adjoining the theatre. From inquiries we have made, we believe that the sufferer is likely to recover.

Hobart and Launceston, TAS (by May 1853):

[Advertisement], The Courier [Hobart, TAS] (7 May 1853), 3

http://nla.gov.au/nla.news-article2240832 

ROYAL VICTORIA THEATRE.
THE LESSEES have much pleasure in announcing . . .
the opening night is fixed for MONDAY EVENING, the 23rd inst.
The Corps Dramatique at present consists of the following Ladies and Gentlemen . . .
MRS. GARDINER, Ditto. [from the Queen's Theatre Melbourne] . . .
MR. GARDINER, Queen's Theatre, Melbourne . . .
F. B. WATSON, Acting Manager.
G. ARABIN, Stage Manager.

ASSOCIATIONS: Feltham Bold Watson (actor, manager); Gustavus Arabin (actor, manager)

"Public Amusements. ROYAL VICTORIA THEATRE", The Courier (26 May 1853), 3

http://nla.gov.au/nla.news-article2241857 

At the close of our daily avocations last evening we dropped into the Theatre, and found that the play of the "Jewess" was being performed in a manner which augurs considerable progress in the efficiency of the new corps dramatique . . . Mrs. Gardiner sang "Ben Bolt" in a pleasing style; but, as this is a song not adapted to petticoats, we hope that the management will hesitate before they court popularity to the sacrifice of good taste. It appeared out of place to hear the lady saying, "Of all the boys who were schoolmates then, there are only you and I" . . .

ASSOCIATIONS: Ben Bolt (song)

"VICTORIA THEATRE", The Hobart Town Advertiser (1 June 1853), 2

http://nla.gov.au/nla.news-article264627744 

We visited this place of amusement on Monday evening last and were much gratified by the evident improvement in the performances. The piece selected, a Maiden's Fame, is one of great interest, and went off exceedingly well. Mr. A'Beckett Evans, who made his debut on the occasion, is an actor of great talent; and judging from his powers of fun, we anticipate much amusement in store for the lovers of Comedy. We would not withhold commendation from Mr. Watson; but it struck us he was a little rusted from his long rest (nearly 7 years.) Our old friend, Mr. Arabin, as usual, came out first-rate. Amongst the ladies, whom it would be ungallant to pass by Miss F. Sinclair and Mrs. Gardiner played their parts with much feeling. The musical part of the entertainment was well executed, and the songs of Mr. Gardiner, Miss F. Sinclair, and Mrs. Gardiner, were rapturously encored. In our opinion Mrs. Gardiner is by far the best singer; the feeling and sweetness of manner in which she sung "Kate Kearney," was truly delightful . . .

ASSOCIATIONS: Richard A'Beckett Evans (actor); Fanny Sinclair (actor, vocalist)

"THE DRAMA. ROYAL VICTORIA THEATRE", The Hobart Town Advertiser (15 July 1853), 3

http://nla.gov.au/nla.news-article264628543 

Wednesday evening last [13 July] was a season unparalleled in the Annals of the Histrionic Art in Tasmania. The performances at the Royal Victoria Theatre were by the express command, and under the express patronage of His Excellency Sir W. Denison . . . The personation of the respective characters in the opening piece, Shakspeare's inimitable Comedy of "Taming the Shrew," was admirable . . . Mr. Gardiner as Baptista was very good . . . . Mrs. Gardiner sung "Katty Darlin" with great taste, and was loudly encored . . .

ASSOCIATIONS: William Denison (governor)

MUSIC: Katty Darling (after Bellini)

[Advertisement], The Courier (25 August 1853), 2

http://nla.gov.au/nla.news-article2242649

ROYAL VICTORIA THEATRE. First Night of THE MAY QUEEN . . .
GRAND MUSIGAL MELANGE . . . Song, Norah, the Pride of Kildare - MRS. GARDINER . . .
. . . Song, The tear fell gently - MRS. GARDINER . . .

MUSIC: Norah the pride of Kildare (John Parry; arr. Charles E. Horn) The tear fell gently (Braham)

[Advertisement], The Courier (1 September 1853), 2

http://nla.gov.au/nla.news-article2240583

ROYAL VICTORIA THEATRE . . . FRIDAY EVENING, 2nd September . . .
GRAND MUSICAL MELANGE . . . Song, I Love the Night - Mrs. GARDINER . . .
. . . Ballad, Kate Kearney - Mrs. GARDINER . . .

MUSIC: I love the night (Henry Russell)

"NEW THEATRE", The Cornwall Chronicle [Launceston, TAS] (5 November 1853), 4

http://nla.gov.au/nla.news-article65715023 

It will be seen by our advertising columns that a new theatre has been erected by Mr. Robert Blake in York-street, which will be opened for me first time on Monday night. The interior is fitted up with every regard to comfort combined with elegance, which could scarcely be looked for from its rather unpromising exterior. The company consists of several old favorites, with the addition of some performers from Hobart Town. Among others Mr. and Mrs. Gardiner are spoken highly of, - the latter, it is said, being possessed of musical talents of no mean order. There is no doubt that this little theatre will speedily become a favorite place of resort for amusement seeking folk and enable the spirited proprietor to reimburse himself for the large outlay he has incurred in its erection.

ASSOCIATIONS: Robert Blake (proprietor); Clarence Theatre (Launceston venue)

[Advertisement], The Cornwall Chronicle (16 November 1853), 3

http://nla.gov.au/nla.news-article65713320 

MEW CLARENCE THEATRE, YORK-STREET . . .
Proprietor, Mr. R. Blake. Manager, Mr. J. J. Gardiner . . .

"THE CLARENCE THEATRE", The Cornwall Chronicle (23 November 1853), 2

http://nla.gov.au/nla.news-article65715207 

Deservedly this unique little place of amusement is progressing. Every evening the enterprising proprietor brings forth some fresh novelty; which fact, coupled with the judicious management of Mr. Gardiner, the admired music, both instrumental and vocal, introduced by Mr. Hamilton, and the capital style of playing exhibited by the corps dramatique generally, entitle it to support. It must "go on and prosper."

ASSOCIATIONS: ? Mr. Hamilton (vocalist)

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (19 April 1854), 6

http://nla.gov.au/nla.news-article65715238 

Royal Clarence THEATRE . . . ON THURSDAY AND FRIDAY, THE Two Galley Slaves
Song - Mr. Gardiner. Song - Mrs. Gardiner. Comic Song - Mr. Black . . .

[Advertisement], The Cornwall Chronicle (4 October 1854), 2

http://nla.gov.au/nla.news-article65713214 

ROYAL CLARENCE THEATRE. Wednesday Evening, October 4.
SELECT NIGHT BY TICKETS ONLY. Under the distinguished patronage of W. A. GARDNER, ESQUIRE, J.P. . . .
The performances will commence with the celebrated play, entitled THE STRANGER.
After which . . . HERR VEIT RAHM, the celebrated Tyrolese Minstrel . . .
Song - "Ship on Fire" - Mr. Hamilton
Song - "Katty Darling," - Mrs. Gardiner
To conclude with the laughable farce, called THE LOAN OF A LOVER!
In the course of which the following songs: -
To-morrow will be market day, Mr. Gardiner
I don't think I'm ugly - Mrs. Gardiner.
Down in my own secluded dwelling - Mrs. Gardiner.
I rush to my fate. - Mr. Gardiner
Finale - By the Company . . .

ASSOCIATIONS: Veit Rahm (musician, vocalist); William Atkinson Gardner (unrelated, died 1855)

PIECE: The loan of a lover (Planche)

"ROYAL CLARENCE THEATRE", The Cornwall Chronicle (25 October 1854), 5

http://nla.gov.au/nla.news-article65714720 

Sheridan Knowles' beautiful play of the "Hunchback" was produced to a crowded and most respectable audience at this popular and well-conducted house of amusement, on Monday evening last [23 October] . . . Mr. and Mrs. Gardiner acquitted themselves creditably in the "Hunchback," and excited considerable laughter . . .

[Advertisement], Launceston Examiner (28 October 1854), 3

http://nla.gov.au/nla.news-article36290452 

CLARENCE THEATRE. MONDAY EVENING, OCTOBER 30 . . .
SINGING By Messrs. Hamilton and Gardiner . . .

"STOLEN RING", The Courier [Hobart, TAS] (9 May 1855), 3

http://nla.gov.au/nla.news-article2483581 

A few days since a concert was given at Mr. Cooley's, the Horse and Jockey, New Town which was got up, we are informed, for the purpose of aiding a Mr. and Mrs. Gardiner, on their leaving the colony. Mrs. Gardiner, whose real name is Mary Ann Legge, was permitted to enter Mrs. Cooley's bedroom, for the purpose of changing her dress before she appeared, and the next morning Mrs. Cooley missed a massive and very valuable gold ring, with amber setting. Information was sent to Hobart Town, and on Monday night Gardiner was apprehended by F. C. Vickers for having attempted to pawn the ring at Mr. Roberts, Collins-street. Legge was also taken into custody, and upon being brought up before Mr. Burgess to-day for examination, both parties were committed for trial.

"MEMBERS OF THE CORPS DRAMATIQUE IN TROUBLE", Colonial Times (10 May 1855), 3

http://nla.gov.au/nla.news-article8780313 

That active and wide awake agent of the detective police, Vickers, on Tuesday brought before the chief police magistrate, Mr. John Joseph Gardiner, well known as connected with the concerts lately given at Brown's River, New Norfolk, and other country districts, on a charge of feloniously stealing a finger ring, the property of Mr. Thos. Cooley of New Town. No evidence was taken, as prosecutor was not in attendance, but Vickers urged that as Mr. Cooley had a sale to attend, he should be remanded. His worship expressed his disapproval of these remands from day to day, and said as prosecutor was not present he must proceed against Gardiner by warrant if he had any charge. Vickers, however, perseveringly required a remand, stating that prisoner was only arrested at eight o'clock on the previous evening; upon which Mr. Burgess consented. Yesterday the prisoner, in company with his wife, was again brought up, and the evidence of Mr. and Mrs. Cooley taken; from which it appeared that oh the night in question the prisoners were engaged to sing at Mr. Cooley's, where they stopped all night, and it was after they had left that the ring was missed. On Monday evening the male prisoner was captured whilst offering to pledge the ring at Mr. Robert's, in Argyle-street, the female was waiting for him outside the door; she was not however taken until the following morning. They were both committed for trial. The defence offered was that Gardiner had picked up the ring in Mr. Cooley's bar.

"HOBART TOWN", The Cornwall Chronicle (16 May 1855), 3

http://nla.gov.au/nla.news-article65716297 

A soi-disant Mr. and Mrs. Gardiner are committed for trial on a charge, the female of stealing, and the male prisoner of receiving, a gold ring, the property of Mrs. Cooley, "Horse and Jockey," New Town, at whose house a concert was got up to enable the parties to leave the colony. Their career, it seems, has been for some time of a disreputable nature. The female prisoner, whose real name is Mary Ann Legge, has been cohabiting a long while with Gardiner, and they have both frequently passed under assumed names.

"QUARTER SESSIONS. Wednesday, May 30 . . . Robbery", The Tasmanian Colonist [Hobart Town, TAS] (31 May 1855), 2

http://nla.gov.au/nla.news-article226467302 

John Joseph Gardiner and Ann Clegg were charged with stealing a ring, the property of Mr. T. Cooley, of New Town, on the 2nd of May. They were defended by Mr. Brewer.
Detective Vickers proved the apprehension of Gardiner on the 7th, and of Clegg on the 8th instant.
J. G. Roberts, pawnbroker," deposed that Gardiner offered the ring as a pledge at his shop for 25s. Witness not being satisfied about the ring, sent for the police. The prisoner in answer to the police, said he picked up the ring in Cooiey's parlour.
Mrs. Cooley stated that a concert took place at her house, and that Gardiner and Clegg were among the performers. The ring was on her dressing-glass three or four hours before the female prisoner dressed in her room. The female prisoner was three or four times in witness's room.
Mr. Cooley stated the ring was his property; he purchased it in Melbourne.
Mr. Brewer remarked that the ring was not found in the possession of the female prisoner. The male prisoner said now what he said at first, that he found the ring at Cooley's. Under all the circumstances, he thought the jury should take a lenient view of the case.
The jury found Gardiner guilty, and acquitted Clegg.

See also, "ADJOURNED QUARTER SESSIONS", Colonial Times (31 May 1855), 2

http://nla.gov.au/nla.news-article8780625 

See also, "COURT OF QUARTER SESSIONS", The Tasmanian Daily News (31 May 1855), 2

http://nla.gov.au/nla.news-article203384587 

See also, "QUARTER SESSIONS", The Hobart Town Advertiser (31 May 1855),3

http://nla.gov.au/nla.news-article264619261 

See also, "COURT OF QUARTER SESSIONS. YESTERDAY", The Courier (31 May 1855), 3

http://nla.gov.au/nla.news-article2484586 

"COURT OF QUARTER SESSIONS", The Courier (2 June 1855), 2

http://nla.gov.au/nla.news-article2484697 

The following are the sentences of the prisoners . . . John Joseph Gardiner . . . 2 years gaol, with hard labour . . .

Convict record (2nd conviction), John Joseph Gardiner, 1855; Tasmanian names index; NAME_INDEXES:1394342; CON37/1/8 no 2684

https://libraries.tas.gov.au/Record/NamesIndex/1394342 

https://libraries.tas.gov.au/Digital/CON37-1-8/CON37-1-8P281 (DIGITISED)

No. 2684 / Gardiner John Joseph / Tried Hobart Town Q.S. 30th May 1855 / . . . 2 years
22.12.56. P.B. 23rd Freedom

"THEATRE ROYAL. FIRST APPEARANCE OF MRS. POOLE", The Cornwall Chronicle [Launceston, TAS] (17 June 1857), 4

http://nla.gov.au/nla.news-article65724070 

Love's Sacrifice was produced at this beautiful and most convenient Theatre, on Monday evening, in so chaste and elegant a style as to leave very little for the most ill-tempered critic to complain of . . . The part of the wily, calculating, cool, cruel old Paul Lafoat was ably pourtrayed by Mr. Gardiner . . .

ASSOCIATIONS: Amelia Poole (actor); Theatre Royal (Launceston venue)

1857, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:856457; RGD37/1/16 no 612

https://stors.tas.gov.au/NI/856457 

https://stors.tas.gov.au/RGD37-1-16$init=RGD37-1-16p281 (DIGITISED)

[No.] 189 / 612 / Twenty Third June 1857 Launceston / Joseph Gardiner / full age / Bachelor . . .
Ann Legg / Full Age / Widow . . .

"MARRIED", The Cornwall Chronicle (24 June 1857), 4

http://nla.gov.au/nla.news-article65726425 

On the 23rd of June, by the Rev. R. K. Ewing, Mr. Joseph Gardiner, Comedian, to Anne Legge.

"LOCAL INTELLIGENCE", The Cornwall Chronicle (22 July 1857), 5

http://nla.gov.au/nla.news-article65722584 

The "Willow Copse" was produced on Monday evening to a good house . . . Mrs. Poole as "Rose Fielding" . . . and Mr. Gardiner proved himself a very efficient detective officer . . .

Central VIC (by January 1858):

"CRESWICK (From our own Correspondent) . . . 30th December", The Star [Ballarat, VIC] (1 January 1858), 2

http://nla.gov.au/nla.news-article66045890 

. . . The amusements at the American are to be renewed New Year's Day, and in addition, prizes are offered for rifle shooting; also a novelty is added for the evening concert in the shape of a gold watch . . . besides this the programme is an excellent one, consisting of laughable farces, concert, and other varieties, the principal characters to be taken by Mr. and Mrs. Gardiner, Troy Knight, &c. . . .

ASSOCIATIONS: Troy Knight (vocalist, actor)

[Advertisement], Bendigo Advertiser [VIC] (1 December 1858), 1

http://nla.gov.au/nla.news-article87985281 

HAYMARKET THEATRE. THE New Management beg to inform the inhabitants of Sandhurst and its vicinity that having leased the above favorite place of amusement, it will
RE-OPEN FOR A SHORT SEASON OF TWELVE NIGHTS,
With the whole of the Great and Powerful OPERA COMPANY From the Princess's Theatre, Melbourne,
ON MONDAY, 6th DECEMBER, 1858, Thus affording complete Opera, with scenery, Chorusses, &c.
The Company will include: MISS JULIA HARLAND, MRS. HANCOCK,
MR. WALTER SHERWIN, MONS. E. COULON, MR. HANCOCK, MR. LINLEY NORMAN,
MRS. W. H. GARDINER, MR. W. H. GARDINER, MR. JOHN GREGG,
And a host of talent, who will be announced in future bills and advertisements.
List of Operas to be presented through the season:
LA SOMNAMBULA, LUCIA DI LAMMERMOOR, MARITANA,
LOVE SPELL, NORMA, DAUGHTER OF THE REGIMENT,
BOHEMIAN GIRL, BEGGARS' OPERA, FRA DIAVOLO . . .

ASSOCIATIONS: There is no record of a Mr. and Mrs. W. H. Gardiner performing elsewhere; almost certainly an alias of Ann and Joseph; Julia Harland (vocalist); Edward and Mary Ellen Hancock (vocalists); Walter Sherwin (vocalist); Emile Coulon (vocalist); Linly Norman (pianist, musical director); John Gregg (vocalist); English Opera Company (troupe); Haymarket Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (3 December 1858), 3

http://nla.gov.au/nla.news-article87985309 

HAYMARKET THEATRE . . .
The Company will include: . . . MRS. A. MOORE . . . MR. J. C. STRETTON . . .
MONDAY EVENING, 6th DECEMBER, Will be presented Bellini's celebrated Opera of
LA SONNAMBULA . . . Notary - Mr. Gardiner . . .
To conclnde with Dibdin's Musical Farce of
THE WATERMAN . . . Robin - Mr. Gardiner . . .

ASSOCIATIONS: Rachel Moore (vocalist, actor); Mr. Stretton (actor)

"GOLDEN SQUARE DRAMATIC CLUB", Bendigo Advertiser (9 March 1859), 3

http://nla.gov.au/nla.news-article87987544 

An amateur performance by the members of the above club took place on Monday evening at the Theatre at the United Kingdom Hotel, Golden Square. The pieces selected were the romantic drama of "the Minerali," and the farce of "the Turned Head." The club were assisted by Mrs. Gardner and Mrs. Williams, and the entertainments were carried out with great spirit. Mrs. Gardner played the character of Leila exceedingly well . . . There was also an interlude of very good singing by Mr. and Mrs. Gardner and others . . .

"THE PRINCE OF WALES HOTEL", Bendigo Advertiser (25 March 1859), 3

http://nla.gov.au/nla.news-article87987894 

This hotel, in High street, puts in strong claims to the patronage of the musically-inclined inhabitants of that neighbourhood, the proprietor providing a free concert every Saturday and Monday evening. The excellent singing of Mr. and Mrs. Gardner, combined with good instrumental music, a good glass of grog, and a civil host, are all that are necessary for spending a very pleasant evening.

"THE HAYMARKET THEATRE", Bendigo Advertiser (12 April 1859), 3

http://nla.gov.au/nla.news-article87988309 

. . . [as Macbeth] Mr. Brooke, truth compels us to say, disappointed us. But, then, we will not pretend to be better judges than the majority of his audience, and of them truth again requires of us that we should admit that he was loudly and continually applauded throughout his performance. Of Locke's beautiful music, what can we say but that it was murdered? The three Weird Sisters, represented by Mr. Vinson, Mrs. Moore, and Mrs. Gardiner, went through their parts respectably, and Miss Kate Warde made a pretty Hecate. The part generally falls to some bass singer, and when we remember to have seen John Gregg and Leeman in the part, poor Miss Warde, although her make up was very good, her singing excellent, and her "echo" admirable, seemed somewhat out of place . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor); James Hetters Vinson (actor, vocalist); Kate Warde (actor, vocalist); Frederick Leeman (vocalist)

"HAYMARKKT THEATRE", Bendigo Advertiser (13 June 1859), 3

http://nla.gov.au/nla.news-article87989752 

Taken on the whole, the performances on Saturday evening at this theatre were highly successful. Indeed, for a length of time, there has not been anything so pleasing and full of amusement placed on the stage. The performances opened with the pretty drama, in three acts, entitled "The Maid of Milan," which was performed in a superior manner, with good taste, and an excellent conception of their parts by the whole of the members of the company engaged in it. The Clari of Miss Kate Warde, was well and truthfully rendered, and the minor female characters by Miss Glyndon, Mrs. Moore, and Mrs. Gardiner, (who, by the way, sustained two parts,) were admirably performed . . . and Gardiner was capital as Jocoso . . . The burlesque burletta of "Fra Diavolo" followed, and was most enthusiastically received. It was full of local allusions of a most amusing and witty description, and we can really strongly recommend our readers to witness its performance this evening. The part of Fra Diavolo was taken by Miss Kate Warde, and could not have fallen into better hands . . . Fawcett's Beppo was most amusing, as was also the Giacomo of Mr. Gardiner . . . Mrs. Moore was sprightly, and full of vivacity as the beauty of the village, a young lady rejoicing in the euphonious appellation of Zerlina, and Mrs. Gardiner made a very excellent better half to my Lord Allcash, and did the bit of flirting with Fra Diavolo in true feminine style . . .

ASSOCIATIONS: Emily Glyndon (actor); Thomas Wright Fawcett (actor)

"INGLEWOOD (From our own Correspondent)", Maryborough and Dunolly Advertiser [VIC] (30 May 1860), 2

http://nla.gov.au/nla.news-article253589848 

On Friday last the Inglewood Garrick Club gave their first public representation at the Theatre Royal for the benefit of the various local cases of distress at present existing on this goldfield . . . The drama of the "Wreck Ashore" was the great feature of the evening . . . The services of professional ladies were engaged, namely, Mrs. Gardiner and Miss Albertine, who of course contributed a great deal to the success of the piece. Mdlle. Therese, M. Schmidt and Mr. J. Chambers also lent their valuable services . . .

ASSOCIATIONS: Miss Albertine (actor); Therese and Mons. Schmidt (dancers); Joseph Chambers junior (dancer)

[Advertisement], The Sydney Morning Herald [NSW] (14 June 1862), 1

http://nla.gov.au/nla.news-article13230085 

WARREN'S Concert Saloon. Music, Singing, and Liquors first-class quality. Liquors at bar prices.
WARREN'S Concert Saloon, Crown-street and South Head Road. Madame SEDGWICK, THIS EVENING.

[Advertisement], The Toowoomba Chronicle and Queensland Advertiser [QLD] (4 December 1862), 2

http://nla.gov.au/nla.news-article212785311 

MUSICAL BURLESQUE, AND MAGICAL ENTERTAINMENT.
JOE GARDINER'S TEMPLE OR FUN, AND BUDGET OF MAGIC, &c., &c.,
will shortly be Opened in IPSWICH AND SURROUNDING DISTRICTS.
MADAME SEDGWICK, of Melbourne and Adelaide notoriety, in her much admired simple Ballads,
consisting of "Nelly," "Gentle Annie," "Shells of Ocean,"
"Anchors Weighed," "Barney O'Hae," "Gone from my Gaze,"
"Katty Darling," "Passage Door," "Liberty for Me," &c., &c.,
Together with MR. JOE GARDINER, In their amusing and most laughable Dialogue Duetts, entitled -
"Mr. and Mrs. Clark," "Mr. and Mrs. Toodles," "Nan and Jan,"
"Thee know'st I'd tear eyes out of Tom Cat or She Cat either as look upon thee, and if thee wull - no, I can't, what ud mother say - why I only want thee to mend I'se trousers to go to church in to marry thee next Sunday, they be out behind lolke- &c., &c.,"
"Then Ladies all."
Also, the celebrated Digging Duett, written by Mr. JOE GARDINER, entitled
"LACHLAN versus NEW ZEALAND,"
"The Life and Death of Macbeth" (burlesque); also, "Alonzo the Brave," by Mr. Joe Gardiner,
and "My Johnny was a Shoemaker," as sung by Lady Don.
"The Lost Child." "Have you seen my Sister - a New Chum just arrived."
Local Hits. - "Advice to Shearers," "How do ye du - shure nuf sed."
Concluding with one of Mr. and Mrs. Paul Howard's Burluttas, by Mr. and Mrs. Gardiner (late Madame Sedgwick).
Observe! the entertainment will beiIn Three Parts, and an interval of ten minutes between each.
The First Part - Conjuring - consisting of Flying cards and shillings. Illustrations of the exclusion of atmospheric air. Clairvoyant. Talking Penny, by which any young lady may know her fortune, if she will only confess that she is in love. Ladies and gentlemen's articles found in every conceivable and inconceivable place, pieces of furniture, &c., &c.
The above entertainment has received the most approved recommendations from the greatest and wealthiest settlers of the surrounding districts.
Vide copies.
Wyndham, Oct. 12, 1862.
Your entertainment, Mr. Gardiner, is the most amusing I have witnessed for some time, and you can make use of my name to that effect.
ALEXR. WYNDHAM. To Mr. Joe Gardiner.
Fraser's Creek Station, Oct. 28th, 1862.
Dear Sir - I attended, in conjunction with my wife and family, an entertainment given by Mr. and Mrs. Gardiner (late Madame Sedgwick) last evening, with whom I was very much amused.
Yours truly, J. M. McDONALD. Armstrong, Esq.
Sovereign River. Sir - We had some capital fun here last night, provided by Mr. and Mrs. Gardiner. I hope you will receive them as their talent deserves.
Yours truly. W. ARMSTRONG. Mr. Davis, Glenlyon.
Mundabbermine, Nov. 10, 1862.
Dear Sir - The bearer, Mr. Gardiner, with Madame Sedgwick, his wife, have favoured us with an evening's entertainment, consisting of their Budget of Fun, viz - Conjuring, Singing, &c., and we, and all on the station who heard them, were delighted with their endeavours. -
I am, dear Sir, yours truly, WM. THOMSON. H. H. Nicol, Esq.
Admission, 2s. 6d.; Children, 1s. 6d.
Flute Obligato Accompaniment by Mr. JOE GARDINER.

"GAYNDAH (FROM OUR OWN CORRESPONDENT) GAYNDAH, Feb. 7", The Courier [Brisbane, QLD] (17 February 1863), 3

http://nla.gov.au/nla.news-article3161542 

. . . Mr. and Mrs. Joe Gardiner have arrived here, and performed three times during the past week. The townspeople do not seem to approve of their entertainment, for they have not succeeded in drawing large houses . . .

"MAGICAL AND FARCICAL AMUSEMENT", Ovens and Murray Advertiser [Beechworth, VIC] (29 March 1866), 2

http://nla.gov.au/nla.news-article112908278 

By reference to our advertising column it will be seen that an entertainment of the above kind is to be given at Rogers' Imperial Hotel Assembly Room during the Easter holidays. The caterers are old favorites. Mr. and Mrs. Gardiner were performing with poor G. V. Brooke here some six years since, and were then, and are still, favorably mentioned by the Press for their amusing delineations and unpretentious merit.

"MENINDIE [From our own Correspondent] Menindie, June 24", South Australian Register (4 July 1867), 3

http://nla.gov.au/nla.news-article39187996 

. . . The steamers have a fair prospect of a busy season, the time being close at hand for next wool clip, and the river is keeping bank high, though the last news reported it as falling at Bourke. We have had a theatrical party on the river, performing at the stations. They represented themselves as Melbourne celebrities, named Mr. and Mrs. Gardner . . .

"LECTURE ON THE THEATRE", Burra Record [SA] (17 October 1890), 3

http://nla.gov.au/nla.news-article36030905 

Thirty years ago, Joseph Gardiner was a popular stock actor with Melbourne play-goers. His songs such as "Things I don't like to see" and others full of local hits were always welcome. His wife was also on the stage doing minor parts in a creditable manner. An entire change of views led Mr. Gardiner to abandon the stage after 25 years' experience of its varied life and fortunes. For about 14 years Mr. Gardiner has resided at Hindmarsh, where he has carried on a small business as a maker of furniture polish, harness, dressing, etc. Depression in trade and family afflictions have made Mr. Gardiner's late years unprosperous, hence he endeavours to turn some of his former experiences to account. Mr. Gardiner has a higher purpose in his lecture on the theatre. Knowing the dangers of such a life he desires to warn others. This he does in an amusing and pathetic way. It is not so much by tricks of oratory or charm of manner as by the plain, evident sincerity of a man who knows and feels deeply. We hope Mr. Gardiner will have a good audience and satisfactory results. He is to lecture at Kooringa next week as per advertisement in another column.

SONG: Things I don't like to see

"THE DESTITUTE ASYLUM. THE CHAPLAIN'S TEA", Evening Journal (31 December 1897), 2

http://nla.gov.au/nla.news-article207910862 

In very unfavourable circumstances the Chaplain's annual tea passed off successfully at the Destitute Asylum on Thursday. The unfavourable circumstances explain themselves when it is mentioned that the thermometer registered just on 100^o in one of the wards where two old men were dying. No fewer than eight deaths have occurred during the past two days, seven of the deceased being women. Three of the inmates passed away on Wednesday and five on Thursday. The average age of the eight was seventy-five and a quarter years, and the age of the eldest ninety-six years; so that it will be seen that old age was in a measure the cause of the mortality, although in each case death was accelerated by the unprecedentedly hot weather . . . One of the women who died was Mrs. Anne Gardiner, wife of Mr. Joseph Gardiner, a well-known resident of Hindmarsh. The deceased was a colonist of 1848. Mr. Gardiner, who wrote an interesting book entitled "Twenty-five Years on the Stage, or the Life of an Australian Actor, his Experiences and Vicissitudes," and who played with the veteran George Coppin in 1848, opened a shop on the Port-road in 1876.

"DEATHS", The Express and Telegraph (1 January 1898), 4

http://nla.gov.au/nla.news-article209127650 

GARDINER. - On the 30th December, 1897, Mrs. Ann Gardiner, wife of Mr. Joseph Gardiner, in her 74th year. A colonist of 48 years.

"PERSONAL", The Advertiser [Adelaide, SA] (17 October 1905), 4

http://nla.gov.au/nla.news-article4971100 

Mr. Joseph Gardiner, who died at the Destitute Asylum on Sunday, at the age of 81 years, was a man of parts, and could easily adapt himself to circumstances. When in England he became a vocalist, and his singing brought him into prominence. Soon after his arrival in South Australia, early in 1848, he attracted the attention of Mr. George Coppin, who on one occasion asked Mr. Gardiner, "Do you act as well as sing?" The reply was, "No, I never acted a part in my life." He was, however, induced by Mr. Coppin to appear at the Old Victoria Theatre, Light-square, "for seven or eight weeks on account of a bespeak night from the Governor, Sir Henry Young." The play was "Love Laughs at Locksmiths." Subsequently Mr. Gardiner took the part of the old man in "The Statue, or Hercules, King of Clubs." Two years later he went to Victoria and appeared at the old Queen's Theatre, owned by Mr. J. T. Smith, and played Brabantio in "Othello." Actors were at a premium, owing to the discovery of gold, and with others of the theatrical profession he turned his attention for a while to delving for gold, and subsequently he went overland to Sydney, and formed a Vaudeville Expedition Company, and after a period of success he started overland to Brisbane. "But alas," he wrote afterwards, "I very soon found to my sorrow that to run four or five people, all fond of drink, was no sinecure. There was plenty of money in the venture, but the drink and through it the disappointing of the public, ruined us." He disbanded his company at Brisbane. He next appeared with the "Wizard of the North," and returned to Melbourne overland, playing as he went as "Professor Gardiner, wizard of the antipodes, comedian and illusionist." The gold fever turned his attention to the Inglewood and Lachlan diggings, and after a while he became landlord of the Cricketers Hotel at Inglewood. He returned to South Australia in 1870, and two years later went again to Victoria. In his old age Mr. Gardiner referred to the stage as "The down grade," and wrote against it. In 1875 he settled at Hindmarsh, where he was in business on the Port-road for some time. He wrote a book on "Twenty-five years on the stage, or the life of an Australian actor, his experiences and vicissitudes." A few years ago he was admitted to the Destitute Asylum, where he remained until his death.

Reminiscences:

Twenty-five years on the stage, or the career of an Australian actor, his experiences and vicissitudes . . . , by J. Gardiner, late polish manufacturer, Hindmarsh (Adelaide: The Christian Colonist Office, [1891])

https://trove.nla.gov.au/work/21795499

http://nla.gov.au/nla.obj-398659586 (DIGITISED)

[1] If anyone had told me that day when I left the old "Woozeer," brig (Captain Sutherland) to see my brother off back again that I was going to become an actor for 25 years, I should simply have said, You are jesting, or talking about what you know nothing of. The Adelaide Theatre in the year 1848 was not overburdened either with, much talent or novelty. It appears to have been the general thing for emissaries from the theatre to visit all emigrant ships to see if they could fish out something that would do, or somebody willing to be made a catspaw of. "The touter is there;" any one here who can sing, or take part in a play. Now is the time for any stage-struck hero to display his histrionic powers! . . .

ASSOCIATIONS: Gardiner's brother (as see his 25 years on the stage below) was not listed by that surname among the Wuzeer's passengers; however, since, according to Gardiner, he returned immediately to Britain, he may have served on the voyage as crew; the Wuzeer, captained by George Sutherland, arrived in Adelaide in February 1849, sailed on to Melbourne, and then back to Adelaide before sailing again in May for its return to England;
see "SHIPPING INTELLIGENCE", Adelaide Times (19 February 1849), 2

http://nla.gov.au/nla.news-article206980340 

[Review], "TWENTY-FIVE YEARS ON THE STAGE. BY JAMES [sic] GARDINER", Christian Colonist (23 October 1891), 8

http://nla.gov.au/nla.news-article214705477 

This is a book written by a man who was connected more or less with the stage in Australia for a quarter of a century. The story is very well told, and into it are woven a great many incidents and anecdotes illustrative of Australian life, and of men and women, formerly well known in the colonies, who have now passed away, which could be found nowhere else.

The author's career in Australia opened in Adelaide, curiously enough, in 1848, in the old Victoria Theatre, Currie Street, now serving the more useful purpose of a horse bazaar. He had no desire to pursue the histrionic profession, but was induced to make an appearance on the stage as a comic soloist. His songs made a hit and though he left the theatre and spent some time as a driver of a post-cart between Adelaide and the Port, yet he was enticed to return. After a short season here he proceeded to Melbourne, and was there when the discovery of gold at Bendigo produced such a sensation. He caught the gold fever and went to the diggings, where he had fair success. He was however discovered by a theatre manager and was prevailed on to go back to the stage. His experiences in Melbourne in the height of the gold digging excitement are full of interest. His adventures in Melbourne, Geelong, Ballarat, Sydney, Brisbane, Tasmania, and on the road between the colonies, are detailed at length, and contain tragic, exciting, and amusing incidents. He tells the story of John Hambleton of Bible wagon celebrity, had an adventure with Captain Moonlight, was stuck up by Johnston, the bushranger; was in gaol, and spent a night in the condemned cell with a murderer, who was executed next day; spent some time as assistant to Professor Anderson, the Wizard of the North, &c.

In the course of time the author, owing to a series of misfortunes, was reduced to want. Just at this juncture he providentially fell into the hands of a Christian minister, whose kindness was the means of his ultimate conversion. The book is written partly to assist the writer in his declining years, and partly to show the true nature of the theatre and the theatrical profession. Here we learn that the normal condition of the stage is jealousy and intrigue, that most actors drink, that few live to any age, most of them dying of softening of the brain. That the introduction of the French drama to the English stage has had the result of deteriorating the morals of actors and theatre-goers alike. That few young men who are drawn into the vortex of theatre-going, fail to find their way to moral and physical ruin.

The writer makes some suggestions and reflections which may prove useful to ministers and to parents and guardians of the young. We know the author, who is a worthy man, who in his old age is struggling with domestic trials and other difficulties, and we hope his book will have the success it deserves.

Bibliography and resources:

Kay Walsh and Joy Hooton (eds), Australian autobiographical narratives: an annotated bibliography (Canberra: Australian Scholarly Editions Centre ADFA and National Library of Australia, 1993-1997), 66 (no. 92)

https://nla.gov.au/nla.obj-5377803/view?partId=nla.obj-5385157#page/n73/mode/1up (DIGITISED)

GARDINER, Paddy (Paddy GARDINER) = William GARDINER

Actor, comedian

GARDINER, Thomas (Thomas GARDINER; GARDNER; alias "Black Tom")

Musician, bandsman, sailor

Active Adelaide, SA, 1846-50

https://trove.nla.gov.au/search?l-publictag=Thomas+Gardiner+c1846-50 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Thomas (shareable link to this entry)

Documentation:

"POLICE OFFICE. Monday, March 9", South Australian [Adelaide, SA] (10 March 1846), 2

http://nla.gov.au/nla.news-article71604180 

Thomas Gardiner, a man of color, was charged with loitering in Hindley-street, and not giving a satisfactory account of himself. The prisoner, who is what is termed "a sneak," was seen by P.C. Morrison, about eleven o'clock on Saturday night, in the yard of the "Royal Admiral," when the cook of that establishment, also a darkey, was discovered handing a bundle to the prisoner, which contained a quantity of meat and a new loaf. Mr. Calton, the proprietor of the "Royal Admiral," not being in attendance to prefer any charge. The Commissioner committed the prisoner for three days as a rogue and vagabond.

Prisoners register, Adelaide Gaol, 1846; State Records of South Australia, GRG54/24

https://www.ancestry.com.au/discoveryui-content/view/6175:62315 (PAYWALL)

Thomas Gardiner Alias Black Tom / Sailor / [aged] 27 / 28th May 1846 / In goal /
Unlawfully did obtain 3 loaves of Bread value 9d with intent to cheat and defraud Mary Ann Penfold 19th May 1846 at Adelaide

"SUPREME COURT. CRIMINAL SIDE . . . Wednesday, 10th June", Adelaide Observer (13 June 1846), 3

http://nla.gov.au/nla.news-article15892267 

Thomas Gardiner alias Black Tom was charged with obtaining under false pretences three loaves from Mrs. Penfold, a baker, in Hindley-street. Prisoner, on the strength of his black face, had passed himself off as the brother of a person named Lewis, also a man of colour, and a good customer of prosecutrix . . . His Honor said he had cheated the woman, and sentenced him to one month's imprisonment with hard labour.

"LAW AND POLICE COURTS, Thursday, 25th April", South Australian Register (26 April 1850), 2

http://nla.gov.au/nla.news-article38444073 

Thomas Gardiner, an American black, the late candle-snuffer at the Theatre, and Mary McEntee, prostitute, were charged with stealing £45, the property of Rhandan, a native ot Calcutta, on the 23rd instant. Mr. Nicolls appeared for the female prisoner. Some little delay took place in the investigation of this case, from the prosecutor not being able to speak English, and Mr. Bonney not knowing the form of oath to administer; but Abdullah Merow, a countryman of the prosecutor's, who acted as interpreter, said that the Hindoos had four ways of taking an oath. Some swore by the sun, others by the moon, some by fire, and others by water. Upon Abdullah asking prosecutor which his method was, he selected the water. A tumbler of water was accordingly procured and placed before the witness, and the form of oath being read, Rhandan simply dipped the fore finger of his right hand into the tumbler. The examination then commenced by -
Rhandhan, who stated that he lived in the Gawler Plains, near Mr. Butler's station; and, that he came into town between nine and ten o'clock in the evening of the 23rd instant. He went and bought some things at a draper's, and after he came out he met the male prisoner, who took him to a house in Light-square, which he said belonged to him. It was a house of ill-fame. He gave the prisoner three half-crowns at different times to get drink. There were three or four other women in the house. He went to bed, and about four o'clock in the morning the male prisoner came and turned him out of bed, and then out of the house into the street. When he went to bed the money was in a tobacco-pouch in his trousers pocket. He put his trousers under his head, but when he awoke he found them outside the blanket, which was thrown over his head. He did not miss his money till after he was turned out of the house. He examined his pockets and found them stuffed with old paper and rubbish, and the money which had been tied up in the pouch gone. The pouch was left uninjured but empty.
By Mr. Nichols - I did not know the notes when I first had them, but a woman explained to me the difference between a £10 and a £1 note. Witness received the money from Mr. Grant about a month ago. Witness had seen a note in court in the possession of a constable, but could not say it was the same that he had lost. He had only drunk two or three glasses of ale that evening.
Philip Lee, draper, Hindley-street, stated that yesterday morning, about seven o'clock, the male prisoner came and bought a quantity of clothing from him, which amounted in value to upwards of £5. He told him he wanted a good coat, as he was going to perform on Witton's band. He paid witness with a £10 note.
His Worship - Have you got the note with you?
Witness - I have it at home.
His Worship - It will be necessary for you to produce it.
Witness - If you give me £10 I will.
His Worship - You most produce it at all events.
Witness - When you give me £10 I will. I don't see that you have any more right to my money than I have to yours.
His Worship (to Mr. Beddome)- Get a search-warrant made out, and detain Mr. Lee.
Mr. Lee - To save you that trouble, I will go and fetch the note. I don't want my wife annoyed by sending the officers to the house.
His Worship - Well, that will do; you had better go and get it.
James Leith Barren, barman at the "Billy Barlow," stated that the male prisoner came into the bar on Tuesday morning last, about seven, and brought a bundle of new clothing and asked to have it taken care of, as he was going to Kensington to practise in Mr. Witton's band. While in the house he treated some men to drink, and paid witness with the one pound produced. He asked his wife to have a glass, when, as he had never done so before, witness said, "Why, there is a great change since last night," meaning that he had then more money about him. He also gave witness another note to keep for him, but which was since handed over to constable Davis.
Police-constable Davis stated that while on duty in Hindley-street, on Wednesday morning, he received instructions from Sergeant Soper to investigate a robbery that had been committed in Light-square. He met the prosecutor in Hindley-street, and from the description he gave, knew at once that the prisoner was the man. The prosecutor could not tell exactly where the home was, but, from his story, which it was difficult to understand, witness thought he knew it. He took him there, accompanied by constable McLean. When they entered, the female prisoner, in answer to witness's question, said the prosecutor had passed the night there, and had given her a £1 note, which the prosecutor confirmed. She said no other man had slept in the house. Witness afterwards met the male prisoner in Hindley-street. On their road to the house where the man was robbed, witness asked him (prisoner) where he slept last night? He said, "In my own room," and pointed it out as they went along. When witness returned to the house with the prisoner, he confronted him with the prosecutor, who instantly said, "That is the man who pulled me out of bed." Witness took him into custody, and in the way to the station house took from him two £1 notes, which he had, in a suspicious manner, folded up in his hand. At the station-house, 30s. in silver were found upon him. From additional information, witness apprehended the female that morning (Thursday).
Mr. Nicholls cross-examined the witness as to the manner and time he cautioned the prisoner; but it seemed he was strictly correct in not cautioning him till after he was in custody.
By Mr. Nicholls. - The prosecutor had told him an American black had dragged him out of bed. Never in his life before saw one like the prisoner.
Mr. Lee here produced a £10 note which he had brought from home, but said that he could not swear that that was the one given to him by the prisoner, although he thought it likely to be to. He had several others, and unless they gave him a number, he could not identify any.
His Worship told Mr. Lee be could keep the note, if he would undertake to produce it when required.
His Worship remanded the case till Monday next. Mr. Nicholls applied for bail for the female prisoner, but was refused.

ASSOCIATIONS: Philip Lee (draper, musician) Henry James Witton (bandmaster) New Queen's Theatre (Adelaide venue)

"POLICE COURT. Thursday, April 25", South Australian (26 April 1850), 3

http://nla.gov.au/nla.news-article71626131

. . . Philip Lee, draper, Hindley-street . . . the male prisoner called on Wednesday morning, just after the shop was open, and wanted a coat to perform in Mr. Witton's band, somewhere in the country . . .
James Leith Barron, barman, Light-square saw the male prisoner on Wednesday morning, about half past seven o'clock; he left a bundle behind the bar saying he would call for it again on his return from Norwood, where he was going to join Mr. Witton's band . . .

"SUPREME COURT. Monday, May 13th, 1850", Adelaide Times (15 May 1850), 3

http://nla.gov.au/nla.news-article207116058 

Thomas Gardiner and Mary McEntee were indicted for stealing bank notes of the value of 44l., the property of Rhandan . . . The case which was an alleged robbery in a brothel, in Light-square, has been fully reported by us a few days since. The Jury without hesitation found both prisoners guilty. His Honor said the identity of the house in which the robbery was committed had not been proved, he was about to sentence both to ten years transportation, but in consequence of the failure alluded to, he should pass a term of seven years only. The prisoners were about leaving the dock, when his Honor discovered that by the verdict of the jury he was compelled to pass the severer sentence, which he did, at the same time telling the prisoners that he should recommend to the Lieutenant-Governor that the last three years of their sentence should be remitted.

"SUPREME COURT. Tuesday, 14th May", South Australian Register (15 May 1850), 2

http://nla.gov.au/nla.news-article38446442 

Thomas Gardner, a man of colour, late bill-sticker to Lazar's Theatre, and Mary McEntee a girl of ill-fame, resident in Light-square, were charged with having stolen £44 in notes and gold, the property of Rhandan, an Indian native on 24th April . . .

ASSOCIATIONS: John Lazar (actor, proprietor)

GARDINER, Mr. and Mrs. W. H. (Mrs. and Mrs. W. H. GARDINER) = Joseph and Ann GARDINER

Vocalists, actors

Active Bendigo, VIC, 1858

GARDINER, William (William Irwin GARDINER; William GARDINER; W. GARDINER; also GARDNER; performed as Paddy GARDINER

Actor, comedian

Born Ireland, c. 1802 (aged "49" in 1851)
Married Sarah SHAW (? Mrs. ELSBEE) (d. VIC, 1866), by c. 1825
Arrived Melbourne, VIC, 29 September 1858 (per Swiftsure, from London and Plymouth, 8 July, aged "60")
Died Melbourne, VIC, 23 July 1870, aged "74" [sic]

https://trove.nla.gov.au/search?l-publictag=William+Gardiner+d1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-William (shareable link to this entry)

Documentation:

Baptisms solemnized in the parish of Malpas in the county of Chester in the year 1826; register 1826, page 265; Cheshire West and Chester Council, EDB 141 (Box 7) Vol 7

https://www.ancestry.com.au/discoveryui-content/view/5134758:62257 (PAYWALL)

No. 2119 / Aug't 30th [1826] / Charlotte Anne daughter of / William Erwin & Sarah / Gardiner / Malpas / Comedian . . .

ASSOCIATIONS: According to her 1866 VIC death record, Sarah Elsbee Gardiner, aged 70, was the daughter of James Shaw and Catherine Graham; a Sarah Shaw had married Francis Elsbee, butcher, at St. Pancras Old Church, London, on 24 April 1804 [sic]; a Mr. Elsbee Shaw, comedian, from the Theatre at Bath, was performing in Wales in 1838; Charlotte Anne Gardiner, married Charles Horatio Horsman, comedian, 1848, and died England, 1878

Baptisms solemnized in the parish of Saint John the Baptist in the city and diocese of Chester in the year 1829; register 1813-31, page 222; Cheshire West and Chester Council, P 51/2/1

https://www.ancestry.com.au/discoveryui-content/view/6003167:62257 (PAYWALL)

No. 1773 / 15 March [1829] Irwin Elsbee Son of / William & Sarah / Gardiner / Foregate Street / Player . . .

England census, 30 March 1851, Christ Church, Birmingham; UK National Archives, HO107/2056/56/17

https://www.ancestry.com.au/discoveryui-content/view/9168965:8860 (PAYWALL)

1 G't Charles St. / Wm. Gardiner / Head / Mar. / 49 / Comedian / [born] Ireland
Sarah / Wife / 55 [sic] / [Comedian] / [born] Middlesex London
Irwin / Son / Unmarried / 21 / [Comedian] / [born Middlesex London]
George Gardiner / Head / 25 / [Comedian] / [born Middlesex London]
Rosa / Wife / 26 / [Comedian] / [born Middlesex London]

Names and descriptions of passengers, per Swiftsure, from London, 5 July 1858, for Melbourne, 29 September 1858; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B0B6F6D-F96C-11E9-AE98-BF0D61654433?image=272 (DIGITISED)

Second Cabin . . . Gardiner Will'm / 60 / Trader // Sarah / 64 / Wife // William / 6 / Son's child . . .

[Advertisement], The Argus [Melbourne, VIC] (13 October 1858), 8

http://nla.gov.au/nla.news-article7302670 

ARRIVAL from DUBLIN of the Celebrated Irish Comedian, PADDY GARDNER, Who will shortly appear.

[Advertisement], The Age [Melbourne, VIC] (8 November 1858), 1

http://nla.gov.au/nla.news-article154874828 

Tuesday Evening, Nov. 9th, 1858. Complimentary Benefit to Mrs. ALFRED PHILLIPS.
PADDY GARDINER, The Eminent Irish Comedian,
Will make his first appearance in these Colonies in two of his celebrated Hibernian impersonations . . .

ASSOCIATIONS: Elizabeth Elsbee Phillips (actor, step-daughter); Princess Theatre (Melbourne venue)

"THE NEWS OF THE DAY", The Age (10 November 1858), 4

http://nla.gov.au/nla.news-article154876019 

. . . At the Princess's there was a full house to honor the benefit of Mrs. Alfred Phillips, who was assisted by Mr. Gardiner, of the Theatre Royal, Dublin, and several members of the Garrick Club. It is needless to say that Mr. Gardiner's impersonations of Irish character were accurate transcripts, or that his efforts to gratify the audience were in the highest degree successful . . .

"LATEST FROM VICTORIA", The Courier [Hobart, TAS] (12 November 1858), 3

http://nla.gov.au/nla.news-article2465088 

A Mr. Paddy Gardiner had appeared for the first time before an Australian audience. This gentleman's line is the Irishman of the old school, representing a class of characters whose peculiarity consists in taking unwarrantable liberties with everybody, and making jokes and blunders which are always sure to be understood because they are venerable and well-known. Mr. Gardiner is evidently a veteran in the practice of this branch of his art: his efforts to please were completely satisfactory, and his début was decidedly successful.

"THE THEATRES", The Argus [Melbourne, VIC] (15 March 1859), 5

http://nla.gov.au/nla.news-article5677906 

At the Princess's Miss Stanley appeared in the regular drama for the first time in Melbourne . . . Mr. Gardiner, who appeared at this theatre a few months ago, on the occasion of Mrs. Phillips's benefit, is engaged to perform Irish characters. Though not brilliant, he is unquestionably amusing, and will no doubt prove a valuable addition to the company . . .

ASSOCIATIONS: Emma Stanley (actor)

"THEATRE ROYAL", The Age (14 May 1860), 5

http://nla.gov.au/nla.news-article154840419 

A visit to the Theatre Royal on Saturday evening would have made glad the heart of the veriest misanthrope . . . and good reason had Mr. John Drew to be proud of the hearty ovation with which the crowded audience greeted his appearance . . . Of Mr. Drew's delineation of Handy Andy it is unnecessary to speak at length . . . Offing to the indisposition of Mr. Rogers, Mr. Gardiner played Squirt Egan . . .

ASSOCIATIONS: John Drew (actor); George Herbert Rogers (actor); Theatre Royal (Melbourne venue)

Inquest, William Irwin Gardiner, Melbourne, 25 July 1870; Public Record Office Victoria

https://prov.vic.gov.au/archive/5E674D4A-F1BA-11E9-AE98-51C3D43F4380?image=1 (DIGITISED)

. . . that William Irwin Gardiner died on the [23rd] of July instant of fatty degeneration of the heart . . .
William Gardiner [deposed] I am a Property assistant . . . the deceased was my grandfather / his name was William Irwin Gardiner / his age was 74 years / he was a widower and had lest one daughter in London /
he was an actor / the deceased was employed at the Princess' Theatre as check taker / he has always been in good health / he lived alone / I have not seen him for a week . . .

ASSOCIATIONS: William Gardiner (grandson, son of George and Rosa Gardiner, baptised Ludlow, Shropshire, 2 July 1852, arrived with his grandparents in 1858, aged 6, as see above; d. 1935)

"Funeral Notices", The Argus [Melbourne, VIC] (26 July 1870), 8

http://nla.gov.au/nla.news-article5826838 

THE Friends of the late Mr. WILLIAM IRWIN GARDINER are respectfully invited to follow his remains to the place of interment, Melbourne General Cemetery.
The funeral to move from 193 Spring-street, THIS DAY, at 2 o'clock p.m.

"SUDDEN DEATHS", Weekly Times [Melbourne, VIC] (30 July 1870), 10

http://nla.gov.au/nla.news-article219367058 

One of the pioneers of the stage in this colony passed away very suddenly on Saturday evening. Mr. William Gardner was one of the earliest actors who came to the colony, and in olden times he was a general favourite. He was the father also of Mrs. Alfred Phillips, the popular actress. Being advanced in years, he has not appeared for a length of time on the stage, but acted in the light capacity of check-taker at the Princess Theatre. On Saturday evening he went to the theatre as usual, but complained that he felt very unwell. Another check-taker, to whom he made the remark, seeing that he really looked ill, advised him to go home, but this he declined to do, and kept at the door until he suddenly fell down in a dying condition. He was immediately removed to the Hospital, but on the way he expired. Disease of the heart is supposed to be the cause of death.

"MUMMER MEMOIRS . . . MRS. ALFRED PHILLIPS - PADDY GARDINER . . . No. CIII (By 'HAYSEED')", Sydney Sportsman (21 June 1905), 3

http://nla.gov.au/nla.news-article167208931 

. . . Mrs. Alfred Phillips was the daughter of Mr. William Gardiner, a genial, genuine old gentleman, much liked by all who knew him. I have kindly memories of the old man. He was not a great actor; in fact, he had "seen his day" when he arrived in Melbourne, and I fancy that he and his dear little ladylike wife made Australia their home so as to be near the daughter of whom they were so proud. Mr. Gardiner was known in Melbourne as "Paddy Gardiner," from the fact that he chiefly played Irish characters. I have seen him in many of them, and enjoyed them. As an Irish comedian, he was the precursor of John Drew, William Hudson, William O'Neill, John Collins, etc., and was as distinct in his Irish characteristics from these as was Brooke's Hamlet from that of Walter Montgomery's. Give Mr. Gardiner an old Irish butler or serving man to depict, and you would get him to the life, such as Denis Bulgruddery in "John Bull," and you had a picture. I have seen "Paddy" Gardiner as The King in "Hamlet," and I was compelled to smile. A Danish King with a distinctly Irish brogue was certaintly a novelty [sic]. I have also seen "Paddy" Belfield, whose name was Peter [sic], also as the King, and - well the two would make a very pretty pair! However, in his day, Mr. Gardiner had been a favorite actor and a successful manager, and his recollections, if he had put them into book form, would have made a portly volume. His greatest treasure was a scrap-book of play bills dating back more than a century. I wonder what collector has now this treasure. Like his daughter, fortune had not been kind to him in his old age, but the Melbourne managers saw that he had enough to keep the wolf from the door. At his death in July, 1870, he was cheque taker at the stalls of the Princess,' and on occasion, as I handed the old gentleman my bit of pasteboard, there was always a cheery smile, a kindly word or wish, and a hope that "we" were getting on, but no word of complaint, no regrets at Fortune's want of recognition. For myself I always regarded it as a pleasure and a privilege to know him, as I had for nearly 15 years before his death. May the turf lie lightly on "poor Paddy's" grave . . .

ASSOCIATIONS: Joseph Michael Forde ("Hayseed"); Francis Belfield (actor, his son was Peter)

"MUMMER MEMOIRS. IRISH COMEDIES OF THE PAST . . . (No. 194. - By 'Hayseed')", Sydney Sportsman (31 January 1912), 3

http://nla.gov.au/nla.news-article168602961 

. . . Mr. Belfield belonged to the very old school of acting, as did another Irish comedian, whose name was Gardiner. I think his name was Edward [sic], but he was generally known as Paddy Gardiner, and was the step-father of a very capable actress and authoress, Mrs. Alfred Phillips. I saw Mr. Gardiner play once Dr. O'Toole in "The Irish Tutor." He was then very old, and shortly afterwards retired from the stage. Mr. G. V. Brooke was very friendly with the old gentleman and his dainty little wife . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor)

GARDNER, John (John GARDNER; Rev. John GARDNER; also GARDINER)

Musical amateur, lecturer on music and sacred music, Presbyterian (Free Church of Scotland) cleric

Born Glasgow, Scotland, 17 April 1809; son of William GARDNER and Mary CLELLAND
Married Catherine FORREST (D. 1892), England, 12 February 1844
Arrived Melbourne, VIC, 24 January 1850 (per Condor, from Liverpool, 17 October 1849)
Arrived Adelaide, SA, 5 March 1850 (per Condor, from Melbourne, 23 February)
Died Toorak, VIC, 10 May 1899, aged "90"

https://trove.nla.gov.au/search?l-publictag=John+Gardner+1809-1899 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1464936 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDNER-John (shareable link to this entry)

Documentation:

"FREE CHURCH", Port Phillip Gazette and Settler's Journal [Melbourne, VIC] (26 January 1850), 2

http://nla.gov.au/nla.news-article223154726 

The Rev. John Gardner, who has arrived here in the Condor, with the appointment of pastor to the Free Church Adelaide, will preach in John Knox's Church, Swanston-street, to-morrow at 11 o'clock a.m. and 3 p.m.

On his departure from Britain, see also "FAREWELL DINNER", South Australian [Adelaide, SA] (8 March 1850), 2

http://nla.gov.au/nla.news-article71625816 

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register [Adelaide, SA] (6 March 1850), 2

http://nla.gov.au/nla.news-article38443348 

Tuesday, March 5 . . . The ship Condor, 912 tons, Daly, master, from Liverpool 17th October, and Melbourne 23rd February. Passengers from Liverpool and Port Phillip - Rev. J. Gardner, wife, three children and servant . . .

"NORTH ADELAIDE CHORAL SOCIETY", Adelaide Observer [SA] (17 November 1855), 4 supplement

http://nla.gov.au/nla.news-article158100663 

The first annual meeting of this Society was held on Monday evening in Lefevre-terrace Chapel, North Adelaide, when the Rev. Canon Woodcock presided . . . The Rev. J. Gardner then delivered an address, choosing for his subject "The cultivation of Sacred Music." He dwelt in a most eloquent manner on the beauty and majesty of sacred music, its importance in public worship, and its refining and soothing influence upon the mind. He traced in Christian worship in the earliest times the employment of simple strains of melody, the subsequent use of higher class music, harmonized to the most thrilling effects, and the universal use of sacred music in religious services in the present day. He quoted appropriately several poetical extracts; and, at the close of a very interesting address, urged the desirability of supporting and assisting the Society, insisting that it was an obligation on all to cultivate sacred music, as possessing and imparting impulses of the right kind, as leading to the existence of devotional feeling, and as exercising a judicious and almost irresistible influence on the human mind, and asserting that the taste created by it was a refining, a humanizing, and a civilizing influence. A vote of thanks, on the motion of Mr. Wright, was given to the lecturer by acclamation . . .

ASSOCIATIONS: North Adelaide Choral Society (organisation)

"LECTURE AT THE LADIES' INSTITUTION", South Australian Register [Adelaide, SA] (30 November 1855), 3

http://nla.gov.au/nla.news-article49296667 

On Monday evening the Rev. Mr. Gardner delivered a lecture to Mrs. Bell's pupils and friends, on the cultivation of sacred music. The subject was treated in a very interesting manner, and the lecture was listened to with much attention.

"BAPTIST CHAPEL, LEFEVRE-TERRACE, NORTH ADELAIDE", Adelaide Observer (22 December 1855), 3

http://nla.gov.au/nla.news-article158101316 

On Monday evening a meeting was held in this chapel for the purpose of raising funds for the purchase of an organ for the use of the congregation in their religious services. The Rev. J. Stonehouse occupied the chair, and the Rev. T. Gardner delivered an eloquent lecture, appropriately bearing upon the object of the meeting, on "Sacred Music." The subject was treated in the rev. gentleman's usually happy manner - so sweetly, so comprehensively, and withal so pleasingly. The illustrations given were full of beautiful musical imagery, and made their way to the interest and feeling of the audience, calling forth many a plaudit, and obtaining the deepest and most attentive hearing. The cultivation of the sacred art of music was enforced as constituting one of the most pleasing parts of religious worship, and recommended not only as a pleasure, but also a duty. Its use in the ancient Jewish worship was alluded to, and from that period to the present time the history of sacred music was traced with all its sublime effects and humanizing influences. It is impossible to give a notice of this lecture in the space at our disposal: to give detached portions, or even a description, would be to spoil one of the most beautiful addresses it was ever our fortune to listen to. At the close of the lecture a vote of thanks was given to the rev. gentleman, which he briefly acknowledged. The members of the North Adelaide Choral Society (conducted by Mr. Lillywhite) gave their assistance in the performance of a few simple pieces of sacred music, this being the occasion of opening the organ, which has recently been repaired and improved. Mr. Franklin kindly presided on the occasion . . .

ASSOCIATIONS: William Lillywhite (conductor); Mr. Franklin (organist, otherwise unidentified)

"MOUNT BARKER MECHANICS' INSTITUTE", Adelaide Observer (15 March 1856), 5

http://nla.gov.au/nla.news-article161257585 

A lecture in connection with the above institution was delivered by the Rev. J. Gardner, on the evening of the 10th March. Mr. George Crutchell occupied the chair. The subject chosen was, "On the cultivation of sacred music." There were about 60 persons present, including several ladies, who all appeared much interested in the subject, and the masterly manner in which it was treated by the rev. lecturer . . .

"CONCERT OF SACRED MUSIC", South Australian Register (18 January 1856), 3

http://nla.gov.au/nla.news-article49745607 

The North Adelaide Choral Society's first quarterly concert for the year 1856 was performed on Thursday evening, at the Lefevre-terrace Chapel. There was a tolerably good attendance . . . Mr. Lillywhite acted as conductor, and Mr. Chapman as leader. Herr Kunze presided at the piano, and Mr. Light at the harmonium. The entire orchestra consisted of between thirty and forty vocal and instrumental performers. Previous to the commencement of the concert, the Chairman of the Committee addressed the audience in a neat speech, urging on hem the claims of the Society to vocal, instrumental, and pecuniary assistance. He also paid a graceful tribute to the Rev. Mr. Gardner for his admirable lecture upon the cultivation of sacred music, recently delivered in the same chapel on the occasion of the Society's anniversary . . .

ASSOCIATIONS: William Chapman (leader); Carl Julius Kunze (piano); George Thomas Light (harmonium)

"LECTURE AT QUEENSTOWN", Adelaide Observer (26 July 1856), 3

http://nla.gov.au/nla.news-article161260234 

The Rev. Mr. Gardner delivered his promised lecture on sacred music on Friday evening, in Leslie's Schoolroom, Queenstown, to a numerous and highly respectable audience. After briefly noticing the imperfect system of music in use among the ancients, he warmly descanted on the beauties of our national melodies, and their spirit-stirring effect on the minds of the people. But his object was chiefly to show the importance of sacred music as an auxiliary to devotional worship; and he expressed great regret that so little attention was directed towards the attainment of good congregational singing. He strongly recommended the cultivation of music as an art calculated to refine and ennoble the human mind; and as illustrative of the power of song the rev. gentleman recited several pieces of poetry with admirable effect. He was listened to throughout the lecture with marked attention, and, on his concluding, was rapturously applauded . . .

'NEWS OF THE DAY", Adelaide Times (10 February 1858), 2

http://nla.gov.au/nla.news-article207159221 

The first concert of the Sacred Harmonic Society was given in White's Rooms yesterday evening, and was numerously and fashionably attended. His Excellency Sir [R.] G. Macdonnell (Governor-in-Chief), and Lady Macdonnell, with their usual punctuality, entered the room precisely at 8 o'clock; shortly after which the Rev. John Gardner read a long and eloquent dissertation on the nature and utility of sacred music, which he passed under review. The various objections urged to the benefits of such societies as that just called into existence; after which, the concert commenced under the able superintendence of Messrs. Daniel and Chapman . . .

ASSOCIATIONS: Richard and Blanche Macdonnell (governor and wife); Josiah Wyke Daniel (vocalist, conductor); Adelaide Sacred Harmonic Society (organisation); White's Rooms (Adelaide venue)

"SACRED HARMONIC SOCIETY", South Australian Register (11 February 1858), 2

http://nla.gov.au/nla.news-article49777534 

The following is the inaugural address delivered by the Rev. J. Gardner, Vice-President of the above Society, at the opening concert, performed on Tuesday evening last, in White's Assembly Room: -
"I have, my friends, been requested to say a few words on the present occasion, partly by way of introducing the special business of the evening, and partly by way of recommending this and kindred Societies to your favourable notice and to that of the inhabitants of this province generally. The Society, through the instrumentality of which we have now been assembled, is one established for the express purpose of mutual improvement in the art and science of sacred music; and the concerts which from time to time shall be given are intended, not as a source of profit, but as a means of bringing under the notice of a discerning public the progress which is being made by the members of this Society, and of thereby influencing others to associate with them in the promotion of a cause so good, and in creating a taste for the beautiful, the sublime, the spirit-stirring compositions of the great master minds in the musical world. Music is one of the fine arts, and is one which, to a certain extent, all may and ought to cultivate on account of its elevating, soothing, refining, and enrapturing tendencies. Sacred music may well be represented as a handmaid to religion, and as having a decided tendency to lead such as delight in it to set a high value on all that is lofty, pure, and attractive.

Some there may be who are opposed to Societies such as this, on the supposition or belief that sacred music is of far too heavy or sombre a character to prove a source of attraction to the many; and, as they allege, they would prefer a Society in which the songs or lays of earth were permitted to have a prominent place - songs or lays relating to war, to peace, to love, or to the many endeared and endearing scenes of domestic life. In answer to such, and in vindication of the course pursued by this Society, I would say that no one familiar with the range of song, or with the fields of poesy, could or would value lightly the songs or lays of any land, appealing, as these almost invariably do, to the better feelings of our common nature, swelling the breasts of a people with deep gushing emotions, and now causing tears of joy or of grief to trickle down the checks of such as are far advanced on the journey of life, and of such as have reached only a few of the earlier stages on that journey. The cultivation, however, of sacred music does not, and cannot, destroy the taste for song - legitimate song - nor does it in the least interfere with the province of song. The provinces of sacred music and of song are quite distinct, and yet quite harmonious. They cannot fairly or justly be represented as being in opposition the one to the other. Let both, therefore, be admired and cultivated in their respective spheres, and by such as may wish to cultivate both. Let not, however, any represent sacred music as sombre or depressing, or as only fitted to weigh down the eyelids, and steep the senses in the deep forgetfulness of sleep. It is not so when sacred music can be appreciated in a scientific way, or where it can only be relished as a combination of soft, low, loud notes, or of harmonious melodious sounds. Such is not its tendency. Sacred music may subdue, overawe, arrest the soul, the mind, the heart; but it will not either necessarily or strongly urge to deep solemnity or to sleep. Sacred music does not necessarily, or even strongly, sadden or oppress the soul; nor is a grave or sober atmosphere necessarily an unpleasant or a heavy one. The parties, therefore, to whom I now refer take a wrong view or make a wrong estimate of the nature and influence of sacred music. Besides, I would have such parties to bear in remembrance that song - legitimate song - has not unfrequently the same sweetly-subduing sweetly saddening tendency. I am never merry, said the Bard of Avon, when I hear sweet music, but the sadness in either case has in it nothing of sourness, or of gloom, or of hatred.

The Society, therefore, on whose account we have this evening assembled, have chosen, and, as I think, wisely chosen, the province of sacred music exclusively, leaving the province of song, strictly so called, untouched, but by no means condemning that province or passing censure upon such as may enter that province, and who may love to linger there, soothed by its sweet and captivating lays, as by the rippling of the stream, by the hum of the bee, or by the clashing music of the wild waterfall.

Some there are who would object to a Society such as this, or to pursuits such as those in which it is your delight to engage, on other and on far different grounds. They have, or profess to have such a reverence or veneration for the very words of the Sacred Volume, that they deem it wrong to be employing those words in rehearsals, or at concerts, or otherwise. Now, with all due deference to the feelings or to the prejudices of such, I would humbly suggest to them a consideration of the matter. Without vindicating or attempting to vindicate all that may have come forth to the world in the guise of sacred music, and without vindicating or attempting to vindicate the way in which some of the noblest passages of Scripture may have been employed, I would yet contend that sacred music, from its own nature, and especially when associated with the words of Scripture, cannot be lightly or irreverently dealt with by such as engage in using it. On the part of the singers there will be in such circumstances - I had almost said naturally - a marked gravity or solemnity, otherwise the alliance between the sentiments expressed and the parties giving expression to them would be most discordant. It would be repulsive to the eye. The alliance would be as unseemly as the aspect of mirth in the sepulchres of the dead; it would be at forbidding as the sounds of revelry in the chambers of the dying or of the dead. No singer of correct taste, or imbued with proper feeling would ever sing the words of inspiration without becoming reverence; and if not at the moment under the influence of Divine truth, the words meeting the eye, uttered by the voice, and falling in sweetest tones upon the ear, may, by a higher agency, be made to touch the heart. This may be one of the many thousand ways or counteracting evil, and of giving line upon line, and precept upon precept, here a little and there a little. This it one of the numerous ways of singing the songs of Sion in a strange land, and of associating the Word of God with the warmest, the purest, the deepest emotions of the heart. I have, therefore, very great pleasure in commending the Society, with its objects and ends, to your favourable notice, and in inviting you to partake of the feast prepared for us on this interesting occasion.

"MOUNT GAMBIER [From our Correspondent] . . . April 28, 1859", South Australian Register (5 May 1858), 3

http://nla.gov.au/nla.news-article49778184 

On Friday last the Rev. John Gardner delivered a lecture on "The Cultivation of Sacred Music," in the Court-House. My pen entirely fails to describe the pleasure the audience felt in listening to the lecture . . .

"STRATHALBYN [From our Correspondent] February 27", The South Australian Advertiser (1 March 1861), 2

http://nla.gov.au/nla.news-article831030 

The annual meeting of the members of the Strathalbyn Institute was held on the 26th inst. . . . A public tea meeting in connection with the above was held in the Primitive Methodists' Chapel . . . At its conclusion the meeting adjourned to Mr. Gosling's Lodge-room . . . there being no other place in the town of sufficient size to hold a lecture in . . . The Rev. John Gardner then rose amidst great cheering, and addressed them upon "The cultivation of sacred music," at any time a glorious theme, and more so on an occasion like the present, when a clever and popular lecturer, whose heart is in the subject, endeavors, and with success, to explain what is and what should be the character and style of execution of sacred music, whether in family praise or congregational singing. Did your space permit the lecture is worthy of a place in your columns. My extracts from it would, however, be unworthy of such a composition. For two hours the lecturer rivetted the attention of an audience who thought the time too short and who regretted its conclusion . . .

"STRATHALBYN [From our Correspondent] . . . February 27", South Australian Register (1 March 1861), 3

http://nla.gov.au/nla.news-article50021823 

. . . The Chairman then introduced the Rev. John Gardner, of Adelaide, who, before commencing, stated that it had been his intention to deliver a lecture upon Herculaneum and Pompeii, but circumstances had prevented his preparing it at present; but having been requested to deliver a lecture at that meeting he had consented to do so, and, at the request of the Committee, would draw their attention to the subject of the cultivation of sacred music. The rev. lecturer also said, that though he had on two previous occasions lectured upon the same subject, the lecture of that evening had been entirely re-written. He then commenced his address, and for more than an hour completely enchained the attention of the audience, who repeatedly manifested their appreciation of his eloquence by their hearty applause . . .

[Advertisement], South Australian Register (21 May 1861), 1

http://nla.gov.au/nla.news-article50016547 

ARCHER-STREET CHAPEL, NORTH ADELAIDE. - A MUSICAL TREAT. -
On Thursday, May 23rd, a LECTURE on the Cultivation of Sacred Music will be given by the Rev. J. Gardner, when the Orchestra, consisting of about 60 persons selected from the various Choirs in Adelaide and its neighbourhood, will illustrate the subject by Singing several fine Choruses and Anthems . . .
Mr. C. H. Compton will preside at the harmonium.
Admission free. After the lecture, a Collection will be made to defray the expense incurred by the purchase of a new harmonium for the Chapel.

ASSOCIATIONS: Charles Henry Compton (organist)

"NORTH ADELAIDE WESLEYAN CHAPEL", South Australian Register (24 May 1861), 2

http://nla.gov.au/nla.news-article50016484 

On Thursday evening, the 23rd instant, a lecture was delivered in the Wesleyan Chapel, Archer-street, North Adelaide, by the Rev. John Gardner, upon "The Cultivation of Sacred Music." There was a numerous attendance, the building being nearly filled. The Hon. A. Forster occupied the chair, and stated that the object of the meeting was to defray the expenses incurred by the purchase of a harmonium, amounting to between 50l. and 60l., which sum, it was hoped, would be raised that night. He had no doubt that the audience would do their duty in that respect. He referred to the humanizing effect of music, and remarked that Mr. Gardner was engaged in a noble work in endeavouring to make people fond of it. He believed that the person who was devoid of all taste for melody was destitute of those finer feelings which constituted the charm of existence. He concluded by saying that they would doubtless be instructed by the lecture, and calling upon the orchestra to sing the anthem, "Lift up your heads." The piece was very well rendered by a powerful and efficient band of singers, selected from the various choirs in and around Adelaide.

After a psalm and prayer, Mr. Gardner proceeded to deliver his lecture. In his exordium he remarked that poetry, painting, and music occupied a high place among the fine arts. Music was the first of all, and possessed a wider range of influence than any of the others; it made its appeals at once to the senses. The sweet voice or the merry laugh of the child, the song of the milkmaid while attending to her duties, the whistling of the ploughboy, the warlike strains of a military band, the song of praise in the House of God, could not fail to arrest the minds of, and awaken most pleasurable emotions in, the hearts of all. Music, apart from all written forms, existed in the paradise of nature. What soul-enchanting sounds of melody there were in the sighing of the wind, the howling of the storm, the deep prolonged noise of the thunder, the ripple of the wave, the murmuring of the stream, the bleating of the sheep, the lowing of cattle, the hum of the bee, and the song of the bird - all of which were the common property of man as man.

From the earliest ages music had been associated with religious services, and it was well that it was so, because it lent a peculiar charm to them. It was never so elevating, so graceful, or overpowering as when acting as the handmaid of the servants of Jehovah. In the cultivation of sacred music he said there must be enthusiasm, for without it no great or marked effect would ever be produced. He condemned loud and boisterous singing in places of worship, contortions of the face, and other ludicrous habits practised by many.

He next turned to a narrower sphere in which music exercised its influence - the endearing sphere of home. How pleasant it was after the trials and anxieties of business, or after an intercourse with the cares of the world, to go home and be regaled with songs familiar from one's youth. He urged the propriety and enforced the cultivation of music, as all its impulses were in the right direction. While he admitted that it was liable to be perverted, like poetry and painting, and that a knowledge of sacred music did not constitute religion, yet it was a valuable accompaniment to the reality. In no case, however, should it be confounded for the reality, nor should it be worshipped to the exclusion of higher and nobler objects.

He went on to urge its adoption as the common property of all, from the king to the meanest subject, and he predicated that great blessings would accrue therefrom. The rev. gentleman's lecture, which was frequently applauded during its delivery, was eloquent, allegorical, and highly interesting throughout. The subject was illustrated by the singing of several anthems by the choir, including 'Unto us a Son is born," "Pope's Ode," "Worthy is the Lamb," and two Scotch domestic pieces. A collection having been made in aid of the fund mentioned, the Hallelujah Chorus was sung, and the Rev. W. Butters proposed conjointly a vote of thanks to the Hon. A. Forster for presiding, to the Rev. Mr. Gardner for his valuable lecture, and to the orchestra for their efficient services. The meeting then terminated.

[Advertisement], Adelaide Observer (6 July 1861), 8

http://nla.gov.au/nla.news-article158181778 

SMITHFIELD FREE PRESBYTERIAN CHURCH. The First of a Course of LECTURES will be delivered in the above Church on the 15th instant by the Rev. John Gardner, of Adelaide. Subject - "Sacred Music" . . .

"PORT ADELAIDE CHORAL SOCIETY", South Australian Register (22 November 1861), 3

http://nla.gov.au/nla.news-article50081875 

The members of the Port Adelaide Sacred Choral Society gave their third concert on Tuesday evening, November 19, at the Congregational Chapel, Port, when almost every seat in the building was fully occupied. The chair was taken by Mr. John Hart; and on the platform were also the Rev. Messrs. Marryat, Hodge, and Gardner. The latter gentleman gave a most interesting and instructive lecture on the "Cultivation of Sacred Music," which was read with evident satisfaction, both by the audience and the members of the Society. The programme consisted of some of the most, celebrated solos, duets, trios, anthems, and choruses by Handel, Kent, King, Dixon, Harwood, and Haydn . . . The anthem from Pope's Ode, which was introduced in the course of the lecture, and Handel's chorus, "For unto us a child is born," were also deserving of special mention . . .

ASSOCIATIONS: Port Adelaide Sacred Choral Society (association)

"SOUTH AUSTRALIAN INSTITUTE", The South Australian Advertiser (21 December 1861), 3

http://nla.gov.au/nla.news-article881176 

The quarterly soiree in connection with the South Australian Institute came off on Friday evening at White's Assembly Room. His Excellency the Governor presided, and there was a very large attendance of subscribers . . . He would now at once call upon their friends of the choir to commence the programme. The choir was a very powerful one, comprising the following array of amateur talent: - Mr. Dawes (Leader) and Messrs. Rowe (3), Carvosso, Brenton, (2), Cornish, Fox, Allen. Farmer, Broadbent, Wayman, Wheatley, Ball, Palmer, Taylor (2), Woods, Wright, Lecorn, Scrymgour, and Goode. Mesdames Fox and Taylor, and the Misses Pretty, Broadstraw, Herbert, Lambswood, and Taylor. They now executed in a very creditable manner, Handel's magnificent chorus, "The Earth is the Lord's." This effort was loudly applauded. At its conclusion, His Excellency introduced the lecturer of the evening.

The Rev. JOHN GARDNER, who delivered his lecture upon "The Cultivation of Sacred Music." The discourse was a very lengthy and eloquent one, and embraced many able arguments in favour of the study of this particular branch of music. It was divided into four parts, between each of which the choir performed the various pieces set down in the programme. The chief points dwelt upon by the lecturer were the necessity for the study of sacred music to enable praise to be properly conducted in the churches; the power which music generally exorcised over the minds of men; the pleasure which it never failed to afford under any circumstances; and the hallowing influence which attended it when practised in domestic circles. All these points were ably dwelt upon by the reverend lecturer. He referred, also, to occasions where the use of music was, he thought, perverted; and expressed regret that it should be so. He also referred to the study of secular music, and said that, while he should never find fault with any one for pursuing that study, yet, at the same time, in the cultivating of so enobling an art, he thought that the mind should be led to soar above earthly things, and to devote some portion of its talents and ability to the praise of heaven. Many other points wore touched upon, and several very beautiful similes were made use of by the lecturer throughout. At the conclusion of the lecture a hearty round of applause was accorded.

During the progress of the lecture the following beautiful pieces were executed by the choir: - "Worthy is the Lamb" (Messiah), Handel; "Vital spark," Harwood; " For auto us a child is born" (Messiah), Handel; "Hallelujah to the Father" (Mount of Olives), Beethoven. It would, of course, be unfair to enter into a minute criticism of the performance of an amateur choir, and therefore, in one word, we may say that the efforts of the ladies and gentlemen composing it last evening were creditable in the extreme, and the audience failed not, at the conclusion of each, to evince their appreciation by the most hearty and genuine plaudits.

. . . The choir now performed the beautiful " Hallelujah Chorus," from the Messiah, which concluded the proceedings.

ASSOCIATIONS: Robert Daws (choir leader); Rowe brothers (vocalists); Samuel Carvosso (vocalist); Ebenezer Cornish (vocalist); Charles Scrymgour (vocalist); South Australian Institute (association)

MUSIC: Vital spark of heavenly flame (words by Alexander Pope; music by Edward Harwood)

"TOPICS OF THE WEEK", South Australian Weekly Chronicle (3 May 1862), 5

http://nla.gov.au/nla.news-article90258198 

On Wednesday evening a meeting, chiefly of children and young persons, was held at the Pirie-street Chapel in connection with the object of the deputation from the London and the Presbyterian Missionary Societies . . . Mr. Buzacott made a short but interesting speech, and was followed by the Rev. J. G. Paton, who spoke at great length, giving a deeply interesting and affecting account of the people of the group of islands where he was stationed. He exhibited a large number of native dresses, blankets made from the bark of trees, ornaments of shells, and various implements of war, spears and clubs of the most formidable appearance, bows and arrows of the most deadly nature, the arrows like some of the spears being tipped with sharpened human bones, dipped in poison . . . The large trumpet shells of the priests were also exhibited, and the Rev. John Gardner produced some discordant sounds from one of these, much to the amusement of the children. Mr. Paton related many anecdotes of the manners and customs of these horrid savages, of his hair-breadth escapes from their fury, and of his final deliverance from the Island of Tanna . . .

"DEPARTURE OF THE REV. JOHN GARDNER", The South Australian Advertiser (24 September 1868), 3

http://nla.gov.au/nla.news-article31982603 

. . . The Choir having sung "Denmark," The Rev. John Gardner was called upon to deliver his lecture. He stated that the lecture was a long one, but as on all occasions, and especially on that occasion, it was desirable to be brief, he should curtail it considerably; giving it, however, such continuity and connection as would be necessary. He then spoke of the vast importance of the cultivation of sacred music in the sanctuary; alluded to the grating and disagreeable effect which unharmonious psalmody had upon the minds of the worshippers in the sanctuary; deprecated loud, impetuous, or dramatic singing in the house of God, which he said could not be termed sacred music; advocated the cultivation of sacred music, because all its impulses tended to elevate man; and although music might sometimes be perverted, it would, he said, be as illogical as unphilosophical to argue the abuse of music against its legitimate ennobling and elevating purposes; described sacred music to be not the reality of the religion of Jesus Christ, but a most valuable auxiliary or aid to the reality, and, therefore, whilst urging them to cultivate sacred music, he warned them against accepting it as the reality; he argued the propriety of the cultivation of sacred music, because it was accompanied with the least expense, whilst it yielded a more ample return than any other enjoyment; because the capacity for playing or singing was one of the most portable gifts which could be carried about with them. On all the grounds he urged the cultivation of sacred music in the school, in the house, and in the church, and from the highest to the lowest in the land. He advocated the propriety, also, of cultivating sacred music not only as one of the most powerful auxiliaries to worship, but also as one of the most direct preparatives for engaging in the occupations and sharing in the joys of the upper sanctuary. The rev. lecturer resumed his seat amidst rounds of hearty applause. The Choir next sang the anthem "Poland" . . .

"THE REV. J. GARDNER", South Australian Register (13 October 1868), 5-6

http://nla.gov.au/nla.news-article41388366 

We noticed in our last Summary that the Rev. J. Gardner, of Chalmers Church, Adelaide, had accepted an urgent call from St. Andrew's Church, Launceston. He has since left South Australia for his new scene of labour, but before his departure various farewell services were held in the city, of which we subjoin particulars: . . .

[6]. . . On Wednesday evening, September 23, a valedictory tea meeting was given to the Rev. J. Gardner by the members of the Church and congregation worshipping in Chalmers Church, over whom he has presided as pastor for a period of nearly 19 years . . . A public meeting was afterwards held for the purpose of hearing a lecture from Mr. Gardner on the "Cultivation of Sacred Music," and presenting him with a testimonial. The proceedings were opened with singing and prayer . . . The choir having sung the anthem "Denmark," The Rev. J. Gardner delivered his lecture on "Sacred Music." It is no doubt familiar to many, and we shall therefore but briefly notice it.

He presumed that they were all of one mind as to the propriety of singing the praises of God, and as to the desirability of singing them well and in the most effective manner. Sacred music, he observed, if properly joined in, elevated and expanded the soul, and rendered the most efficient aid in bringing the worshippers under the harmonizing, sanctifying in fluences of the Gospel of Peace. After speaking of the fault in many Churches of boisterous and consequently inharmonious singing, which could not but be condemned by those who had the slightest pretension to musical knowledge or taste, he argued the propriety of enforcing the cultivation of sacred music on the ground that all its influences were in the right direction. It was essentially connected with the service of God and of the sanctuary, and led its votaries in the way of pleasantness, conducting them by higher agencies into the paths of peace. But it was not to be regarded as being anything more than a powerful auxiliary to religion. It most not, he said, be regarded as the reality to be worshipped - to be permitted to engross the mind to the exclusion of higher, nobler, and more enduring purposes.

He next argued the propriety of cultivating sacred music on the ground of its being accompanied by the least expense, while it yielded a most ample return, and was within the reach of all. He enforced its cultivation on the ground of its being most portable, for wherever those who properly understood it went they carried with them that which lent an additional charm in the hour of prosperity, which soothed the soul in the time of adversity, quickened the pulses of social enjoyment, and lightened the labours and toils of earth; and lastly, he argued the propriety of cultivating sacred music, as being not only one of the most powerful auxiliaries in the cause of religion, but as one of the greatest preparatives for their engaging in the occupation and sharing in the joys of the upper sanctuary . . .

"LECTURE ON MUSIC", Launceston Examiner [TAS] (29 April 1869), 3

http://nla.gov.au/nla.news-article36703471 

An efficient choir, composed of members of various choirs in town, in conjunction with that of St. Andrews', sung four pieces of sacred music during the course of the lecture, in illustration of the subject in hand. Miss Webster presided at the organ. The Chairman introduced the rev. lecturer.

The rev. gentleman expressed his pleasure in meeting the audience on such an occasion. He said poetry, painting, and music deservedly held high places amongst the fine arts. Of these music was one of the most ancient, and possessed higher attributes than many other arts. Persons generally might have no keen appreciation of the beauty and skill manifested in paintings, sculpture, or architecture; but it was not so with music, which appealed to all hearts. All nature, animate and inanimate, was full of music - the most attractive, winning, and soothing of which was the human voice. From a very early period music had been associated with, and lent a great charm to, religious services - indeed it was never so attractive as when used as a handmaiden in the service of God. It was, he trusted, admitted by all in that assembly that the praises of God should be sung, and well sung.

He should not enter into the question as to whether instrumental music should be employed; and on the question of singing well there could he no room for difference of opinion. The praises of God should be sung with all the heart, and mind, and soul. He (the lecturer) would have all congregations trained, so as to make congregational singing more effective, and music would thus render efficient aid in the worship of God. All must have noticed the ill effects of indifferent congregational singing. Where this was the case, we must feel as if all the elements of the sacred place were discordant. While advocating the singing of the praises of God by the congregation he would, however, distinguish between trained singing and the loud, noisy singing, accompanied by contortions of the body, staring of the eyes, &c, heard in many churches. Such singing must ascend to heaven - if it reached to heaven at all - like music made sweet - not more sweet - by distance; such music could not be called sweet. - The difference between loud, noisy singing, and trained music, was as the difference between the song of one half maddened by excitement, and the plaintive song of one whose spirit had been saddened by the world's trials. Away, then, with such singing.

The lecturer, after dwelling further on the music of the sanctuary, passed on to a consideration of sacred music as suited to the endearing scenes of home, in connection with the morning and evening offering of praise, which was, he said, finely described in the poem, "The Cotter's Saturday Night," which he would read. After reading beautiful verses the rev. lecturer continued, saying that apart from both the services of the sanctuary and home scenes, the cultivation of sacred music was calculated to foster the best feelings of the heart. There was no doubt much connected with the association of ideas in music. We were soothed by singing the ballads, sacred or secular, of our youth. He had no faith in the fabled powers of music to perform miracles; but these fables proclaimed the marvellous power exercised by music on the mind of man. The lecturer gave a beautiful illustration of this from the works of Lord Byron.

How often, too, in listening to music - especially sacred music - were persons completely drawn by it from surrounding circumstances, and had the most powerful feelings aroused in their minds. Music which could exercise such an influence must be elevating. He would argue the propriety and enforce the obligation of the cultivation of sacred music, because all its impulses were in the right direction; though of course it might be perverted. If sacred music were introduced into scenes of revelry, it would have the effect of dissolving them. Music appealed to all classes - to the aged, whose spirits were caused to vibrate on hearing old and familiar melodies of bygone days; to the young; and to the sorrowful, whose cares it soothed. Then it was an invaluable accompaniment and a powerful auxiliary, to religion. A man without a love for music was one who ought to be watched.

He would further argue and enforce the obligation of the cultivation of sacred music, on the ground of the little expense entailed by the purchase of material, which remained valuable, and yielded no ample return of subdued and hallowed pleasure; and again on account of the power all had of using it at almost any time and in any place - to break the silence of the sanctuary, to make home joyous, or to interrupt the stillness of the solitary forest. He would say, let music become the common property of all, from the king to the peasant - in the palace and in the cottage let the morning and evening song of praise be heard. Last of all, the rev. gentleman enforced the obligation of the cultivation of sacred music as one of the most powerful auxiliaries in religion, and as a means of preparing for the services of the upper sanctuary. Like most things in the world music might be abused; but its object was to be used, and there were many things in the world to call forth songs of praise. The rev. gentleman concluded his lecture, of which the above is but an outline, amidst loud applause . . .

"DEATHS", The Argus [Melbourne, VIC] (11 May 1899), 1

http://nla.gov.au/nla.news-article9516645 

GARDNER. - On the 10th May, at Mayfield, Toorak, the Rev. John Gardner, aged 90 years.

See also Adelaide obituary, "THE LATE REV. JOHN GARDNER", South Australian Register (11 May 1899), 7

http://nla.gov.au/nla.news-article54385260 

GARDNER, Sara (Sarah BANNISTER; Sara BANNISTER; [1] Mrs. John GARDNER; Mrs. GARDNER; also GARDINER; [2] Mrs. John COOPER; Mrs. COOPER)

Amateur musician, soprano vocalist, pianist

Born Bedford, England, c. 1838; daughter of Thomas BANNISTER and Sarah HUMPHREYS
Arrived Melbourne, VIC, 16 November 1852 (per Delgany, from London, 24 July)
Arrived Castlemaine district, VIC, by 1853
Married (1) John GARDNER, VIC, 1854
Married (2) John COOPER (d. 1905), Castlemaine, VIC, 23 March 1871
Died Castlemaine, VIC, 14 May 1899, aged "61"

https://trove.nla.gov.au/search?l-publictag=Sara+Bannister+Gardner+Cooper+c1838-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Sara (shareable link to this entry)

ASSOCIATIONS: Matilda Bannister; later Mrs. Fox; later Mrs. Hodgson (elder sister)

Documentation:

England census, 6 June 1841, St. Paul, Bedford; UK National Archives, HO107/10/8/3/14/23

https://www.ancestry.com.au/discoveryui-content/view/3840165:8978 (PAYWALL)

Tho's Bannister / 35 / Baker / [not born in county] [sic] // Sarah [Bannister] / 32 / [born in county]
Matilda [Bannister] / 9 // Sarah [Bannister] / 7 [both born in county]
Tho's / 5 // Louisa / 3 // Jane / 6 Mo [all born in county]

Names and descriptions of passengers per Delgany, from London, 24 July 1852, for Melbourne, 16 November 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=396 (DIGITISED)

. . . Banister Thomas / 41 [sic] / Labourer // Sarah / 31
Matilda / 13 [sic] // Sarah / 12 [sic] // Thomas / 9 // Louisa / 8 // Jane / 5 // Jno. Gleeson / [4 months.]

"THE CONCERT", The Argus [Melbourne, VIC] (2 December 1852), 5

http://nla.gov.au/nla.news-article255612775 

The following is the programme of the Concert for this evening: -
PART I. Overture - Coriolanus.
Duet - Non Piu Mesta, Miss Matilda and Miss Sarah Bannister, Lady Amateurs . . .
Concertina Solo - Grand Scena from Norma, Mr. Richardson.
Duet - Come be gay, Mrs. Testar and Mrs. Fiddes . . .
Song - Happy the maid whose heart is free, Miss Sarah Bannister . . .
PART II. Overture - Italiani in Algieri . . .
Ballad - Bonnie Dundee, Miss M. Bannister . . .
Finale - Solo, Duet, Chorus, National Anthem.

ASSOCIATIONS: Elizabeth Testar (vocalist); Harriet Fiddes (vocalist); Henry Richardson (concertina); Thursday concerts (series); Mechanics' Institution (Melbourne venue)

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (7 January 1859), 5

http://nla.gov.au/nla.news-article199048969 

Theatre Royal. GRAND MUSICAL FESTIVAL.
ON FRIDAY, JANUARY 7th, The Opera Company will give
A GRAND SACRED CONCERT Consisting of selections from the Sublime ORATORIOS OF
THE MESSIAH, CREATION, ELIJAH, And Rossini's STABAT MATER.
To give greater effect to the Magnificent Choruses of Handel and Haydn:
MISS WILLIAMS, MRS. VINCENT, MRS. GARDNER, MRS. FOX, MISS MORGAN
And Messrs. THORBURN, LOUGHNAN, HASLER, BUTTERWORTH, BANNISTER, NAYLOR, MORGAN, HODGSON, DANKS, Etc., Etc.,
MEMBERS OF THE Castlemaine Philharmonic Society, With other Ladies and Gentlemen, have kindly offered their services . . .
Musical Director - Mr. Linly Norman . . .

ASSOCIATIONS: Mrs. Vincent (vocalist); Matilda Fox (amateur, sister); Henry Charles Thorburn (amateur); John Darby Hasler (amateur); Benjamin Butterworth (amateur); Arthur Thomas Hodgson (amateur); William Smithers Danks (amateur); Castlemaine Philharmonic Society (association); Linly Norman, musical director of the visiting English Opera Company (troupe)

"CASTLEMAINE PHILHARMONIC SOCIETY", Mount Alexander Mail (25 February 1859), 4

http://nla.gov.au/nla.news-article199050292 

Not only the musical public of Castlemaine, but all who wish to see cultivated here those arts of home, which soften and refine, have reason to be grateful to the members of this society for the occasional musical treats afforded by them . . . The concert of the Society on Wednesday Evening [23 February] was really admirable, and when we bear in mind that they had not the assistance of professionals - astonishing . . . The trio, "Breath soft ye winds," was sweetly rendered, and the duet, "The depths of the ocean," by Mrs. Gardiner and Mrs. Fox, received the honor of the first encore . . . In the second part, the duet, " I've wandered in dreams," by Mrs. Gardiner and Mr. Bannister, seemed to receive the palm of honor. The great feature of the evening was Locke's music from Macbeth, which was most creditably rendered, reflecting the greatest honor upon the conductor, Mr. F. Moss . . .

ASSOCIATIONS: Frederick Moss (conductor); Matilda Fox (contralto vocalist)

"PHILHARMONIC CONCERT", Mount Alexander Mail (24 December 1860), 3

http://nla.gov.au/nla.news-article199607332 

It is pleasing to be able to record a marked and steady improvement in the musical ability of the Philharmonic Society. A short time only has elapsed since we called the attention of the society to the fact that they provoked comparison when they attempted music requiring all talent, natural and acquired. Now, we cannot speak of their Oratorio, given on Thursday last [20 December], as an attempt, but as a performance. The desertion of some who first formed the Society, and the want of "fashionable" patronage does not seem to have affected the zeal of the members, and they have gone on under the guidance of a most efficient Conductor - Mr. Moss - each concert being an improvement on the preceding one, until we now admit they are capable of affording their fellow citizens a highly pleasing and intellectual entertainment. Mr. Linden and Mr. Howson (leader) proved themselves to be valuable acquisitions among the instrumentalists, but would recommend the gentlemen who undertook the bass and flute parts, to be more obedient to the magic wand of their conductor . . . It might be distasteful to the lady members of the society, to have their names put forward, yet we cannot pass over without comment, the pleasing manner in which Mrs. Gardner sang "Thou did'st not leave." Clearly and sweetly each note was given, and the applause which followed almost demanded an encore . . . and we hope very soon to hear that the Philharmonic Society will repeat their performance of the "Messiah" . . .

ASSOCIATIONS: Otto Linden (pianist); Henry Howson (violin, leader)

"THE PHILHARMONIC CONCERT", Mount Alexander Mail (6 May 1861), 3

http://nla.gov.au/nla.news-article199601617 

Notwithstanding the unfavorable weather, the Concert on Thursday night [2 May] was so well attended that the Theatre was comfortably filled . . . Mesdames Fox and Gardiner followed with the lively duet, "Let Music and Song," and well merited the applause they received . . . The solo "O Had I Jubal's lyre," was very neatly sung by Mrs. Gardiner, and the duet, "Come ever Smiling Liberty," by the same lady, and Mrs. Fox, was repeated at the desire of the audience . . . Kent's fine quartette, "Thine, O Lord," for soprano, alto, tenor, and bass, was warmly welcomed, and the unaccompanied trio from Elijah, by Mesdames Fatherly, Gardiner, and Fox, was so much appreciated that but for the lateness of the hour it would undoubted have gained an unanimous da capo . . .

ASSOCIATIONS: Charlotte Fatherley (vocalist)

"ITEMS OF NEWS", Mount Alexander Mail (1 June 1869), 2

http://nla.gov.au/nla.news-article197309478 

The new invention of paying a parting compliment by way of entertainment composed of music and readings was put upon its trial under extremely unpropitious circumstances last night, at the Mechanics' Institute . . . Rain . . . fell without intermission . . . The musical portion of the programme was supported by Mrs. Hodgson, Mrs. Gardner, Miss Beddoe, Miss Howson, Messrs. Huenerbien, Hasler, Hodgson, Nash, Coldrey, and Irwin . . .

ASSOCIATIONS: Matilda Hodgson (sister, formerly Mrs. Fox); Ida Howson (vocalist); August Christian Huenerbein (musician)

"ITEMS OF NEWS", Mount Alexander Mail (11 March 1870), 2

http://nla.gov.au/nla.news-article198851442 

The programme for the entertainment to take place at the Five Flags, Campbell's Creek, on Monday next, contains the names of Mesdames Hodgson and Gardner, Messrs. Hodgson, Hasler, Huenerbein, Bannister, Weippert . . .

ASSOCIATIONS: Albert Francis Weippert (musician)

"MARRIAGE", The Argus [Melbourne, VIC] (24 March 1871), 4

http://nla.gov.au/nla.news-article5844893 

COOPER - BANNISTER. - On the 23rd inst., by the Rev. A. Robertson, John, second son of the late Mr. James Cooper, Glasgow, Scotland, to Sara, second daughter of Mr. Thomas Bannister, late of Bedford.

ASSOCIATIONS: John Cooper (d. 1905) was the widower of Sara's younger sister, Louisa;
see "DEATH", Mount Alexander Mail (10 September 1869), 2

http://nla.gov.au/nla.news-article197315452 

"ITEMS OF NEWS", Mount Alexander Mail (8 September 1888), 2

http://nla.gov.au/nla.news-article198505273 

Two of the oldest publicans in Castlemaine are retiring from business in order that they may enjoy the repose they are so well entitled to. Mrs. Bannister, of the Bedford Hotel, had for more than a couple of years to depute the charge of the business to Mrs. Cooper, who leaves the house with her mother. The successor is Mr. Young, who leaves the Crown Hotel, that is to be occupied by Mr. Stephens, from Taradale. Mr. Norval Edwards, of the Mount Alexander Hotel, also retires to enjoy the fruits of his labour . . .

"DEATHS", The Argus [Melbourne, VIC] (16 May 1899), 1

http://nla.gov.au/nla.news-article9506521 

COOPER. - On Sunday, the 14th May, at 11 p.m., Sara, beloved wife of John Cooper, Castlemaine. Deeply regretted.

"Death of a Very Old Resident", Mount Alexander Mail (16 May 1899), 2

http://nla.gov.au/nla.news-article201364443 

In the death of Mrs. John Cooper, notified in our yesterday's issue, one of the few remaining links connecting the old Forest Creek days with the present time has been severed. Mr. and Mrs. Thomas Bannister (the parents of Mrs. Cooper), with a young family of two boys and three girls, first camped, in 1852, on Adelaide Hill, Forest Creek, subsequently removing to the then newly-formed township of Castlemaine, on what is now known as Circular Road. The trials and hardships then undergone by the early pioneers, whose English up-bringing was so different, can hardly be understood by the present generation. Mrs. Cooper's family were talented amateur musicians. In the palmy days of the old Philharmonic Society Mr. Bannister and his two gifted daughters (contralto and soprano) were indispensable adjuncts. Mrs. Cooper's full soprano voice in all the chief solo parts of the oratorios and masses of the old masters in composition was eagerly waited for, and listened to in the periodical concerts of the Society. Her social duties as a mother and the tender care with which three generations of young people were brought up and launched into the stream of life reflects the brightest lustre on her possible, as a loving woman, only understood by those more intimately associated with her. The funeral - strictly private - takes place this morning.

GARLAND, James Joseph (James Joseph GARLAND; James GARLAND)

Amateur musician, vocalist

Born Sydney, NSW, 7 May 1844; baptised St. Philip's, Sydney, 9 June 1844; son of William GARLAND (1817-1856) and Sarah WILLIAMS (1819-1857)
Married Martha HILL (1841-1920), St. John's, Parramatta, NSW, 1866
Died Parramatta, NSW, 26 July 1903, aged "59"

https://trove.nla.gov.au/search?l-publictag=James+Joseph+Garland+1844-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARLAND-James-Joseph (shareable link to this entry)

Documentation:

Baptisms, St. Philip's, Sydney, 1844; Australia, births and baptisms

https://www.ancestry.com.au/discoveryui-content/view/698077:9776 

9 June 1844 / born 7 May 1844 / James Joseph son of / William and Sarah / Garland

"DEATHS", The Australian Star [Sydney, NSW] (27 July 1903), 4

http://nla.gov.au/nla.news-article228625496 

GARLAND. - July 26, 1903, at his late residence, Pennant-street, Parramatta, James Joseph Garland, aged 59 years. His end was peace.

"Personal", The Cumberland Argus and Fruitgrowers Advocate [Parramatta, NSW] (8 August 1903), 12

http://nla.gov.au/nla.news-article85685022 

It may not be generally known that when the late Mr. James Garland was 22 years of age, two Parramatta men offered to defray the expenses of his trip to the old country and two years' tuition and voice cultivation under the best masters. The actual offer was £300, to be placed to Mr. Garland's credit to cover two years' study. A less independent man than the "old fellow" (as his close friends loved to call him) would have jumped at that offer. There was always a rugged independence about "Jim," and he always tried to instil the same grand spirit into his children. His advice to his son George was characteristic of the man.
"Stick to your forge, George, my boy, and earn the bit you eat. If you don't earn bread and meat, you must eat bread and butter; if you don't earn bread and butter, you must put up with bread and water. Whatever you do, George, keep your independence, so that you can look the whole world in the face" . . .
Mrs. E. J. Ward writes to us from Blackheath on August 1: -
"Possibly it may interest your readers to know a little of the early life of my dear and only brother (Mr. James Garland). He was born in George-street, Sydney, where his father kept a horse-shoeing and veterinary establishment. Both his father and mother (William and Sarah Garland) were natives of Parramatta, but lived in Sydney until the time of their death. Probably some of your oldest residents may remember his father's funeral, which took place in Parramatta, 47 years ago. The immense cortege, coming all the way from Sydney by road, was met at the toll-bar by large numbers of the townspeople. His mother also died within the year, and my brother is buried with them in the family burying place in St. John's church-yard. Mr. Garland was educated at Mr. Alfred Cane's Grammar School at the back of St. Andrew's Cathedral, Sydney, and his first elementary lessons in singing were received at the Sydney School of Arts. He was always fond of music, and I remember him rushing home breathless to tell us when he first learnt, "Hark, hark, the lark of heaven's gate sings." At his parents' death, the business in George-street (which was one of the best of its kind) was left in the hands of trustees for the benefit of the family until my brother was old enough to take the management. Unfortunately, this was not carried out, for the business was sold and my brother went to Parramatta, where he stayed for some time with his uncle (the late Mr. Jas. Folkes). Afterwards, he entered the employ of Mr. W. Byrnes. On leaving there he opened business for himself in Church-street, near the bridge, and afterwards removed to Pennant-street. He was ever fond of a joke, and even at the last, when leaving him on the Thursday, I said, "You see, Jim, I did stay all night." He replied, though with much difficulty, "Don't be surprised if you see me up at Blackheath again before long" - which were his last words to me. He had been staying here for a few weeks before Easter, and also stayed a month at Orange; but, alas, it was too late, for the mountain air to benefit him. He is now, we trust, enjoying the air of a far more beautiful country than any on this earth, for he died fully trusting in the Lord Jesus Christ as his own personal Saviour."

ASSOCIATIONS: Alfred Mason Cane (schoolmaster); Mechanics' School of Arts (Sydney institution)

GARMONE, Felix (Felix GARMONE; Felix GERMONE; Felix GERMAN; F. GARMONE; F. GERMONE)

Musician, vocalist, minstrel serenader

Active NSW, 1855-56; 1860; NZ, 1863-64

https://trove.nla.gov.au/search?l-publictag=Felix+Garmone+c1855-64 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARMONE-Felix (shareable link to this entry)

Documentation:

"HALL THE WIZARD, AND THE SERENADERS", The Maitland Mercury and Hunter River General Advertiser [NSW] (24 November 1855), 2

http://nla.gov.au/nla.news-article709064

On Tuesday and Wednesday evenings, Mr. Hall, at Mr. Hammond's, Fitzroy Hotel, West Maitland, went through a number of tricks to the satisfaction and amusement of numerous audiences. The second part of the performances consisted of songs and duetts by Messrs. Brenni and Felix Garmone, the Ethiopian serenaders. Miss Lucy Long and the Railway Galop were loudly applauded. We understand their last performance will be given at Mr. Hammond's this evening.

ASSOCIATIONS: J. P. Hall (magician); J. W. Brenni (serenader)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (24 November 1855), 3

http://nla.gov.au/nla.news-article709075 

MR. HALL, WIZARD, and Messrs. BRENNI and FELIX GARMONE,
the SABLE BROTHERS, the only true representatives of Negro Life and Character,
at Mr. Hammond's, SATURDAY; at Singleton, MONDAY and TUESDAY; at Muswell Brook, WEDNESDAY and THURSDAY. See small bills.

ASSOCIATIONS: Sable Brethren (troupe, 1855-56)

[Advertisement], The Sydney Morning Herald (4 February 1856), 1

http://nla.gov.au/nla.news-article12975064 

MALCOM'S ROYAL AMPHITHEATRE, York street -
Immense Attraction. - Engagement of the renowned SABLE BRETHREN.
Messrs. D. Brenni, F. Harrington, and Felix Garmone. MONDAY EVENING. February 4, 1856.
Programme I. Winchester Quick Step, Band; Glee - "The Wild Racoon track," Company; Burlesque - "Away she went," D. Brenni;
Refrain - "Oh, Boys, carry me along," F. Germone;
Ballad - "Nancy Till," F. Harrington; Song - "The Blue-dress'd Gal," D. Brenni;
Song, "I seed her at de Winder," F. Garmone;
Medley and chorus - "I wish I was in ole Virginny," F. Harrington.
Medley dance, by Miss Melville.
Programme II. Banjo solo - "Bells with new variations," D. Brenni; Chorus "Jump into my Canoe," Company; Song - "Camptown Races," D. Brenni;
Ballad - "Mary May," F. Garmone; Extravaganza - "Get up in de Morning," F. Harrington.
To wind up with the original burlesque of THE HAUNTED HOUSE; or, Half an Hour with the Invisible Spirits.
Dress circle, 3s; side boxes, 2s.; pit, 1s. To commence at 8 o'clock.

ASSOCIATIONS: Frederick Harrington (serenader); Louisa Melville (dancer, usually correctly "Mrs.", as see immediately below); Malcom's Amphitheatre (Sydney venue)

[Advertisement], Empire [Sydney, NSW] (5 February 1856), 1

http://nla.gov.au/nla.news-article60173331

MALCOM'S ROYAL AMPHITHEATRE. -
THIS EVENING, Tuesday, February 6th, the performances will commence with EQUESTRIAN FEATS;
after, which THE SABLE BRETHREN, who will appear in their original costume, and sing some of their melodies, choruses, duets, &c.
PROGRAMME. Winchester Quick Step - Band.
Glee - "The Wild Raccoon Track." (Original) - Company
Burlesque - "Away she went." - D. Brenni
Refrain - " Oh! Boys, carry me along." - F. Germone
Ballad - "Nancy Till." - F. Harrington
Song - "The Blue Dress'd Gal." - D. Brenni
Song - "I seed her at the Winder" (first time) - F. Germone
Medley and Chorus - "I wish I was in Ole Virginny." - F. Harrington.
MEDLEY DANCE, BY MRS. MELVILLE.
To wind-up with the original Burlesque THE HAUNTED HOUSE . . .

[Advertisement], Empire (14 February 1856), 1

http://nla.gov.au/nla.news-article60173740 

MALCOM'S AUSTRALIAN AMPHITHEATRE. - For the BENEFIT of the SABLE BRETHREN,
THIS (Thursday) EVENING the performance will commence with Feats of Equestrianism by Mr. Melville;
to be followed by the performances of the SABLE BRETHREN, who will introduce some of their favourite songs and choruses.
The whole to conclude with the Laughable extravaganza of JACK ROBINSON AND HIS MONKEY.
Characters by F. Harrington, F. Germone, and D. Brenni. J. MALCOM, Manager.

ASSOCIATIONS: James Melville (equestrian); John Malcom (proprietor)

[Advertisement], The Sydney Morning Herald (25 August 1856), 1

http://nla.gov.au/nla.news-article12986292

OUR LYCEUM THEATRE, under the management of Messrs. Craven and Stephens. -
UNCLE TOM'S CABIN TO-NIGHT. Miss A. M. QUINN, Mr. J. H. VINSON,
and the whole of the powerful company with numerous auxiliaries.
On MONDAY, August 25th, the performances will commence with (first time)
an entirely new dramatic story (founded on Mrs. H. B. Stowe's popular work),
and written expressly for Miss A. M. Quinn, with new plot, scenes, situations, and characters
by Frank Fowler, Esq., Member of the Literary Institute of the British Empire, &c, of
EVA, or LEAVES FROM UNCLE TOM'S CABIN.
The overture and entire music composed and arranged by M. Winterbottom;
the new and appropriate scenery painted by Mr. Guy; the panorama of New Orleans by Mr. Thomas; the [REDACTED] dances and serenades by the Ethiopian Minstrels engaged expressly to give effect to the delineation of slave life!

Leaf I - Kentucky. George Harris (a Creole slave), Mr. H. T. Craven; Drover John (a Kentuckian), Mr. Lambert; Uncle Tom, Mr. J. H. Vinson; Sam (a persistent [REDACTED]), Mr. W. H. Stephens; Squibby, Mr. Reading;
Sambo, Mr. German; Bingy, Mr. Brenny. Selby's house and plantation.
In the course of the piece - Chorus - "I'll throw myself away," Messrs. Brenny, Reading, German, &c.
Apartment in Mrs. Selby's house. Interior of Uncle Tom's cabin. Another part of Selby's plantation. Barroom of a Kentucky tavern. Rocky pass and wood. The escape.

Leaf II - The Mississippi river. Penetrate Partyside, Mr. W. H. Stephens; Eva, Miss A. M. Quinn. Saloon dock of Mississippi steamer. Deck of steamer, and grand panoramic view of Mississippi river. (Thomas.)
Chorus - "Mississippi am a berry fine boat," with banjo and tamborine accompaniment, Messrs. Brenny, Reading, and Felix German.
Deck of steamer, and panoramic view of New Orleans. (Thomas.) Chorus - "Boatman's Chaunt," Messrs. Brenny, Reading, and German.

Leaf III - New Orleans. Topsy, Mrs. H. T. Craven. Drawing-room in St. Clair's mansion - Aunt Vermont's bedchamber - Garden at St. Claire - St. Claire's death chamber.

Leaf IV - New Orleans and its vicinity. Simon Legree (a slave owner), Mr. Drummond (from Theatre Royal, Melbourne, his first appearance). Sale room of a slave warehouse - Chorus, "Old Folks at Home."
Scene 2. Apartment at St. Clair's - Court-yard and exterior of Simon Degree's house, with whippingpost - Apartment at St. Clair's - Fall of the last leaf - Chamber and death-bed of Eva! . . .

ASSOCIATIONS: Henry Thornton Craven (actor, manager); William Henry Stephens (actor, manager); Anna Maria Quinn (actor); James Hetters Vinson (actor); Frank Fowler (playwright); James Waln Guy (scenic artist); Edmund Thomas (scenic artist); James W. Reading (minstrel serenader); Lyceum Theatre (Sydney venue);
and see also [Advertisement], Empire (25 August 1856), 1

http://nla.gov.au/nla.news-article64975151 

"OUR LYCEUM", Freeman's Journal [Sydney, NSW] (30 August 1856), 2

http://nla.gov.au/nla.news-article115559507 

A new dramatic story entitled "Eva," founded on Uncle Tom's Cabin - from the brilliant pen of Mr. Frank Fowler - was produced at this house on Monday, and has continued every evening during the week with the most complete success . . . The overture and music by Mr. Winterbottom, the stage scenery by Mr. Guy, the panorama of New Orleans by Mr. Thomas, the wardrobe by Miss Franks, the [REDACTED] dances and serenades by the "Ethiopian Minstrels," Messrs. Brenny, Reading, German, &c., do the Management great credit, and added not a little to the effective production of a piece, which maybe pronounced as one of the most successful that has been brought out in these colonies. At the conclusion of the performance on Monday evening, the Author was loudly called for, and bowed his thanks before the curtain, amidst enthusiastic cheering . . .

ASSOCIATIONS: John Winterbottom (composer, arranger, musical director)

[Advertisement], Goulburn Herald [NSW] (7 July 1860), 3

http://nla.gov.au/nla.news-article103400179 

OUR OWN MINSTRELS,
Messrs. PORTER, SILVAIN, STEVENSON, and GERMONE,
WILL shortly visit Collector, Bungendore, Queanbeyan, Cooma, Bombala, Nimitybelle, & en route to the Snowy River, at which place they are about to erect a theatre,
and manage the professional department of the same for Mr. Sanders.

ASSOCIATIONS: Our Own Minstrels (new company); William Alonzo Porter (minstrel); Frederick George Silvain (minstrel)

"OUR OWN MINSTRELS", Twofold Bay and Maneroo Telegraph (7 September 1860), 3

http://nla.gov.au/nla.news-article106755201

This company have been giving a series of Ethiopean Entertainments during the week in the Court-house. On Monday evening the house was not so good as we expected, but on Wednesday night it was filled to excess, rendering the temperature of the room anything but pleasant. The performance commenced with "Dinah's Wedding" by the company, followed by "Massa's in the Cold Ground," by Mr. Porter. The plaintive little melody, never fails to enlist the sympathies of an audience, and on this occasion it had the usual effect. The two songs that most affected the audience in the first part, were "The Lost Child," by Porter, and "Kiss me quick and go," by Germone. The concerted part of the former is beautifully arranged, and with the accompaniment of the Piano Melodian, is decidedly affecting, and at its conclusion called forth a burst of well-merited applause. "Kiss me quick and go," was well sung by Germone, and is, in our opinion, decidedly the best comic song in their programme. In the second part the entertainment was kept up by numerous variations. The ballads "Ever of Thee," by Germone; "Do they miss me at Home," by Porter, and the duet of "Starboard Watch," by Porter and Germone, being amongst the best introduced. The Clog Hornpipe, by Silvain is undoubtedly an extraordinary performance, and the truthfulness with which he adheres to time is astonishing. It was loudly encored. The rustic piano is certainly a novel kind of instrument, being simply constructed out of a few pieces of pine stick. Mr. Porter performed several admirable tunes on this rude instrument with a perfection of execution that called forth an encore. An amusing comic duet took place between Messrs. Porter and Germone, and then, "Miss Lucy Long" (Silvain) was introduced. The make-up was excellent, the dressing good, in fact, Silvain's rendering of the negro coquette is perfection. Her flirtation with the stranger (Porter) to the evident annoyance of the accepted lover, (Germone) and the humiliation of the latter when she makes her exit with the other, was admirable. It was loudly encored, and Mr. Stint in on coming forward danced the Highland Fling. The great feature in the performance of Our Own Minstrels is, their untiring efforts to please; and as they play again on this and to-morrow night, we hope they will meet that patronage they merit. On Wednesday night some evil disposed, cowardly, and dastardly person, maliciously cut the flag belonging to these minstrels in several places. It is a pity the scoundrel was not caught in the act.

"OUR OWN MINSTRELS", Twofold Bay Telegraph [NSW] (30 October 1860), 2

http://nla.gov.au/nla.news-article106755431 

Messrs. Porter, Silvain, and Fisher, popularly known in this district as "Our own Minstrels" are about to leave this port for Launceston, on a tour through Tasmania, and probably will not be able to return before January next . . . A number of gentlemen residing in Eden gave them a complimentary entertainment last Evening.

[Advertisement], Launceston Examiner [TAS] (8 November 1860), 1

http://nla.gov.au/nla.news-article39002869 

OUR OWN MINSTRELS. MESSRS. W. A. PORTER, F. G. SILVAIN, AND F. GERMONE
Have arrived, and will give a SERIES OF CONCERTS AT THE CORNWALL ROOMS,
Commencing on MONDAY EVENING, NOV. 12TH, 1860,
Consisting of Songs, Duetts, Chorusses, Burlesques, Dances, Instrumental Solos, &c., &c. . . .

ASSOCIATIONS: Cornwall Assembly Rooms (Launceston venue)

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (14 November 1860), 5

http://nla.gov.au/nla.news-article65990716 

"Our Own Minstrels" met with a most enthusiastic reception on their first appearance in Launceston at the Cornwall Assembly Rooms on Monday evening last. There was a very numerous attendance on the occasion, and the Minstrels acquitted themselves to the entire satisfaction of their auditory. The commicalities of "Brodder Bones" produced roars of laughter, which were only checked by the grave and solemn airs assumed by Messieurs "Flutina" and "Banjo." "Miss Lucy Lond" did in reality, "dance to the music," and her (or his) terpsichorean feats elicited unbounded applause. The Shakesperian readings were a novelty in their way - and the rendering of "Woman's Rights" by the old dame, with the tin coal scuttle bonnet on, approximated to perfection. Altogether the performance was decidedly successful. The "Minstrels" hold a second entertainment this evening, with an entire change of programme, when, doubtless, they will receive the extensive patronage their ability entitles them to. The Company is really worthy of encouragement. The good folks of Deloraine will have an opportunity of hearing these really clever artistes on Saturday evening next, and we heartily commend them to their patronage.

[Advertisement], The Cornwall Chronicle (1 December 1860), 6

http://nla.gov.au/nla.news-article65990812 

PRINCESS THEATRE, LONGFORD. OUR OWN MINSTRELS.
MESSRS. W. A. PORTER, F. G. SILVAIN, V. F. GERMONE
. . . MONDAY EVENING, DEC. 3, 1860 . . .

New Zealand (1863-64):

[Advertisement], Lake Wakatip Mail [Queenstown, NZ] (9 May 1863), 1

https://paperspast.natlib.govt.nz/newspapers/LWM18630509.2.2.4 

Queenstown Advertisements, ROYAL HOTEL THEATRE. OUR OWN MINSTEELS.
MESSRS. W. A. PORTER, J. HUNTER, R. HERZ, and F. GERMONE WILL GIVE ONE OF THEIR Inimitable Entertainments,
COMMENCING ON Saturday Evening, May 9, Introducing a Variety of their most pleasing Songs, Duets, Trios, Choruses, Burlesques, &c. . . .

[News], Otago Daily Times [Dunedin, NZ] (21 September 1863), 4

https://paperspast.natlib.govt.nz/newspapers/ODT18630921.2.9 

The most marked success attended an evening entertainment held at the Commercial Hotel Laurence, got up by the school committee of management in aid of their fund, in which Mr. Harry Jackson lent his valuable services for the occasion. He gave selections from Lord Dundreary, and also sang several songs with his usual skill and ability. Messrs. Germone, Porter, Chalmers, and Wilson also assisted, and are entitled to the best thanks of the committee.

ASSOCIATIONS: Harry Jackson (comedian)

[Advertisement], Otago Daily Times [Dunedin, NZ] (30 September 1863), 6

https://paperspast.natlib.govt.nz/newspapers/ODT18630930.2.28.4 

ASSEMBLY ROOMS, PORT CHALMERS . . .
HARRY JACKSON, The Great Comedian and Burlesque Singer, from the principle Theatres in Australia . . .
supported by MR. W. PORTER, Late of the Backus Troupe, and formerly of the original Christy's Minstrels, New York.
MR. W. GERMON [sic], The Celebrated Tambourinst and Ethiopian Deliniator. Also, MR. E. SALAMON, The ne plus ultra of Pianists . . .

ASSOCIATIONS: Harry Jackson (comedian); Edward Salamon (pianist)

[Advertisement], Lake Wakatip Mail [Queenstown, NZ] (13 January 1864), 7

https://paperspast.natlib.govt.nz/newspapers/LWM18640113.2.13.2 

PORTER'S MINSTRELS - MESSRS. W. A. PORTER, F. GERMON, G. ROBINSON, AND A. WRIGHT,
Will Perform at ALBERT'S FRANKTON HOTEL, DURING THE NIGHTS of the RACES,
THURSDAY, FRIDAY and SATURDAY, January 14th, 15th and 16th . . .

DISAMBIGUATION: [Advertisement], The Sydney Morning Herald (6 August 1850), 1

http://nla.gov.au/nla.news-article12920048 

ETHIOPIAN SERENADERS.
MESSRS. PELL, HANWOOD, GERMAN, and WHITE, beg respectfully to acquaint the gentry and inhabitants of Sydney that they have arrived here via New Bedford, and purpose giving a series of these popular and fashionable entertainments, the first of which will take place at the Royal Hotel on Wednesday, August 7th . . .

The unidentified members of this troupe adopted as pseudonyms surnames of a famous American troupe that toured Britain in the latter 1840s, which included a Francis Germon; for more on this see Ethiopian Serenaders 1850

GARRETT, Thomas (Thomas GARRETT; T. GARRETT)

Newspaper proprietor, journalist, politician, book and musicseller

Born Liverpool, England, 14 July 1830 (not 15 as in ADB); baptised Brunswick chapel (Wesleyan), 22 August 1830; son of John GARRETT (1805-1885) and Sarah STAFFORD (1803-1881)
Arrived Sydney, NSW, 12 November 1840 (per Argyleshire, aged "10")
Married (1) Mary Ann CREAGAN, 30 September 1856
Died Newtown, NSW, 25 November 1891

https://trove.nla.gov.au/search?l-publictag=Thomas+Garrett+1830-1891 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1463495 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARRETT-Thomas (shareable link to this entry)

Documentation:

[Advertisement], Illawarra Mercury [Wollongong, NSW] (9 December 1858), 3

http://nla.gov.au/nla.news-article136440339 

Musical Preceptors.
THE UNDERSIGNED have on hand, just received, and for Sale at the annexed prices, the following Preceptors and Tutors: -
Jousse's Pianoforte Tutor, revised and modernized, price 3s 6d.
Czerney's [Czerny's] 101 Elementary Exercises for the Piano forte, 3s 6d.
Navidson's [Davidson's] Concertina Tutor, the airs figured by J. Symonds, 3s 6d.
Spohr's Violin Preceptor, containing above one hundred Modern and Popular airs, in addition to the Lessons and Duets contained in the Original, 3s.
Cornopean and Sax-horn Preceptor, translated chiefly from the Great Work of M. Forrestier and containing every instruction requisite to a complete mastery of those popular instruments, besides the general rules and principles of Music, 3s.
Nicholson's Flute Preceptor, containing every information - with examples - necessary for obtaining a full knowledge of this beautiful instrument, 3s.
J. and T. GARRETT.

ASSOCIATIONS: Thomas Garrett was in business partnership with his father John; Geogre Henry Davidson (English music publisher)

[Advertisement], Illawarra Mercury (2 March 1860), 3

http://nla.gov.au/nla.news-article132228296 

MUSIC FOR THE MILLION. DAVIDSON'S MUSICAL MIRACLES.
JUST RECEIVED, and on Sale at the MERCURY BOOK MART: -
250 IRISH MELODIES, adapted for Violin, Flute, Accordian, or and Treble Instrument.
250 WELSH AIRS, ditto, ditto, ditto.
200 PSALMS. HYMNS, & SACRED PIECES, ditto, ditto, ditto.
84 DUETS, ditto, ditto, ditto.
100 VOLUNTARIES, PRELUDES, INTERLUDES, AND FUGUES, by Rink, Mozart, Beethoven, &c., for the ORGAN or HARMONIUM.
150 PSALMS AND HYMNS, Music and Words, arranged in Short Score, for four Voices, and adapted for the HARMONIUM or ORGAN.
150 POPULAR SONGS, Music abd Words.
120 OF TOM MOORE'S IRISH SONGS, Music and Words.
120 COMIC SONGS, Music and Words.
100 SONGS BY HENRY RUSSELL, Music and Words.
120 NEGRO SONGS, Music and Words.
100 WAR SONGS and PEACEFUL DITTIES by CHARLES DIBDIN, Music and Words.
Any of the above 2s. Each; By Post, for 2s. 4d., in Stamps.
PIANOFORTE INSTRUCTORS, (Jouze's and Czerny's), 4s.
FLUTE DITTO, (Nicholson's and Mitchison's), 2s. and 3s. 6d.
WEST'S SINGING PRECEPTOR, 3s. 6d.
ACCORDIAN and FLUTINA INSTRUCTOR, with Tunes (Coule's) 3s.; sixpence added if sent by post.
J. & T. GARRETT, Mercury Book Mart, Wollongong.

MUSIC: 84 duets for treble instruments (Davidson);
on 100 voluntaries, preludes, interludes, and fugues, see "NEW MUSICAL PUBLICATIONS", The literary gazette [London, England] (20 November 1858), 668

https://books.google.com.au/books?id=PqlGAQAAIAAJ&pg=PA668 (DIGITISED)

GASKARTH, Alexander Adolphus (Alexander Adolphus GASKARTH; A. A. GASKARTH; A. GASKARTH; "Old GAS")

Musician, violinist, violin player, composer, music teacher, entertainer, delineator, amateur actor, decorator, caterer

Born Holborn, London, 13 July 1826; son of Joseph GASKARTH and Harriet WATCHORN
Arrived Hobart Town, VDL (TAS), 6 January 1843 (per Tasmania, from London, 9 September)
Active Sydney, NSW, by 1851 or earlier
Arrived Brisbane, NSW (QLD), 12 September 1858 (per Clarence, from Sydney, 1 September)
Died Bundaberg, QLD, 6 August 1886, aged "60"

https://trove.nla.gov.au/search?l-publictag=Alexander+Adolphus+Gaskarth+1826-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASKARTH-Alexander (shareable link to this entry)

Documentation:

Births at the Endell Street, Lying-in Hospital, Holborn; register, 1819-68; UK National Archives, RG8/61

https://www.ancestry.com.au/interactive/2972/40612_B0152062-00055 (PAYWALL)

[No.] 35733 / [admission] Harriet Gasgarth wife of Joseph / Green Grocer / 35 / St. Pancras / [due] Mid June / [came in] 13 July / [delivered] 13 July / Boy / [baptised] 20 July Adolphus / [recommenders] Adolphus, John [i.e. John Adolphus]

England census, 1841, Lambeth church, Lambeth; UN National Archives, HO 107 / 1057 /1

https://www.ancestry.com.au/interactive/8978/SRYHO107_1055_1057-0542 (PAYWALL)

Durham Place / Harriet Gaskarth / 49 / Licensed Victualler / [Born in Surry?] N[o]
Harriet [Gaskarth] / 27 // Julia Gaskarth / 20 / Adolphus [Gaskarth] 13 / John [Gaskarth] 10 . .

"SHIP NEWS", Colonial Times [Hobart Town, VDL (TAS)] (10 January 1843), 2

http://nla.gov.au/nla.news-article8753253 

JAN. 6. - Arrived the barque Tasmania, Jamison master, from London 9th Sept., with a general cargo. Passengers . . . Mr. Wainwright, Mr. Wainwright, jun., Mr. Jenkins, and Mr. Gaskarth.

[Advertisement], The Sydney Morning Herald [NSW] (19 November 1851), 1

http://nla.gov.au/nla.news-article12932172 

269, PITT-STREET. A. GASKARTH,
begs to inform the public of Sydney and its vicinity, that he has taken the Shop in Pitt street, adjoining Mr. Morgan's, the Chemist, and which, he intends opening on
SATURDAY, the 22nd inst., with a choice assortment of GENERAL DRAPERY GOODS,
which he has made up his mind to sell at the smallest possible profit.
Parties favouring him with a call may depend upon meeting with civility and attention; and, as he intends selling for cash only, the lowest price will be marked upon all the goods, and from which rule no deviation will be made.

Entrance register, Australia Lodge, Sydney, NSW, 1855; United Grand Lodge of England; Museum of Freemasonry

https://www.ancestry.com.au/interactive/60620/43970_ugl%5Ecf%5Ee%5E1837-00215 (PAYWALL)

[1855] Sept. 25 / Gaskarth Alexander A. / 26 / [Sydney] / Draper . . .

"SHIPPING NEWS. ARRIVAL [Brisbane]", The Darling Downs Gazette and General Advertiser [QLD] (16 September 1858), 2

http://nla.gov.au/nla.news-article75525026

September 12 - Clarence, steamer, 406 tons, Captain Bell, from Sydney, the 1st September, and Newcastle the 9th. Passengers - . . . Master Albert Wilson, Mr. Gaskarth, and 20 in the steerage.

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier [Brisbane, QLD] (4 June 1859), 2

http://nla.gov.au/nla.news-article3717129

The Choral Society gave a second concert on Thursday evening. The attendance was not large, but sufficient to assure the performers of the interest taken in their progress . . . Mr. Gaskarth on the violin, Mr. Younger on the melodia, and Mr. Willams with the flute, produced quite an effect. The melody of these three instruments gave great pleasure, and ensured a hearty encore. These three performers varied their music and accompaniments for the pleasure of the listeners. Mr. Gaskarth, displayed a perfect acquaintance with the powers of his violin, which is certainly very unique and beautiful, being, we understand, one made after his own taste. The violin, which emitted the sweet sounds, is the smallest in bulk we have ever seen, and is a great improvement on the old fashioned shaped violins. Mr. Younger and Mr. Gaskarth, being in the habit of practising together, displayed an efficiency we were scarcely prepared for, and which agreeably surprised us . . .

ASSOCIATIONS: Lawrence Dawkins Younger (amateur); Brisbane Choral Society (association)

"BRISBANE [FROM OUR CORRESPONDENT] Saturday evening, June 4th", The North Australian (7 June 1859), 4

http://nla.gov.au/nla.news-article77426589

The Choral Society gave their second concert on Thursday evening last, and charged everybody 2s. 6d. per head for admission. The performances were but a reproduction of those on the first occasion, save the excellent treat afforded by the violin of Mr. Gaskarth, the melodia of Mr. Younger, and the flute of Mr. Williams. The short notice given, the "great fact" of the charge for admission, and the confoundedly dark night, altogether caused the attendance of but a small audience. However, I don't think the chorals are a whit discouraged.

"CONCERT", The Moreton Bay Courier (3 December 1859), 2

http://nla.gov.au/nla.news-article3718816

The concert given by the Choral Society on Thursday evening last was very successful as far aa regarded the character of the performances, but the number of auditors assembled was not quite so large as we could wish to have seen. The glees were excellently rendered, more especially the "Indian Drum," and "Ye Gentlemen of England," both of which were favored with an encore. A like compliment was also deservedly given to the instrumental performances of Mr. Diggles and Mr. Gaskarth on the harmonium and violin, and the latter gentleman and Mr. L. Younger on the violin and melodía. We venture to suggest that more frequent concerts, and a lower charge for admission, would prove beneficial to the funds of the society, and tend to make it more popular oven than it already is.

"MUSIC. MARYANN TO BLANCHE", The Moreton Bay Courier (3 August 1859), 3

http://nla.gov.au/nla.news-article3721711

. . . Did you ever hear Piccolomini play his whistle, or Gaskarth that little duck of a violin, or Younger his melodia, or Williams the flute? . . .

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier (27 August 1859), 2

http://nla.gov.au/nla.news-article3726481

The Choral Society gave a concert of sacred music in the School of Arts on Thursday night. The selections were from eminent masters and vocal and instrumental powers were combined. The attendance was large. Mr. Diggles presided at the harmonium, and there was a large company of lady singers. We need not particularize, as the advertisement gave the names of the selections. Mr. Gavin, on the flute, met with an encore in "He was despised and rejected of men," and the same appreciation was awarded to Mr. Gaskarth for his rendering on the violin "I know that my Redeemer liveth." The Hallelujah chorus was given in proper time . . .

ASSOCIATIONS: Mr. Gavin (flute)

"ST. STEPHEN'S SABBATH SCHOOLS", Queensland Times, Ipswich Herald and General Advertiser (18 April 1862), 3

http://nla.gov.au/nla.news-article125596795 

The second half-yearly soiree was given by the teachers to the children attending this school on Tuesday evening, at the Hall of the School of Arts. Including the children, there must have been considerably more than six hundred persons present - it was undoubtedly the largest and most crowded assembly that ever took place in Queensland . . . Mr. Younger, of Brisbane, and Messrs. Gaskarth, Parkes, and Wood, gave several pleasing selections of vocal and instrumental music during the evening . . .

Entrance register, Pioneer Lodge, Gympie, QLD, 1869; United Grand Lodge of England; Museum of Freemasonry

https://www.ancestry.com.au/interactive/60620/43970_ugl%5Ec1236%5E1395-00043 (PAYWALL)

[1869, June] 22 / Gaskarth / Alexander Adolphus / 35 [sic] / Gympie / Secretary Enterprise Machine . . .

"LOCAL NEWS", Maryborough Chronicle, Wide Bay and Burnett Advertiser [QLD] (9 August 1886), 2

http://nla.gov.au/nla.news-article146762324 

The death of Mr. A. Gaskarth, which occurred at Bundaberg on 5th instant, is an event which possesses melancholy interest for very many of our colonists. "Old Gas" was, in the early days of Queensland, a recognised institution, and there are thousands of men and women in the colony who can look back to the good old days when he, whether at Brisbane, Ipswich, Dalby, or other of his numerous camping grounds, took the lead in those genial amusements which relieve the monotony of existence. Mr. Gaskarth recently returned from a southern trip to die in peace in Bundaberg at the age of sixty. Deceased was born in Middlesex, England. He was high in the mystic craft and received the last, rites due by his brother Masons.

"NEWS OF THE DAY", Toowoomba Chronicle and Darling Downs General Advertiser (26 August 1886), 3

http://nla.gov.au/nla.news-article217702254 

The Bundaberg Star of the 7th instant contains the following item in reference to the death of and old Toowoombaite: - Alexander Gaskarth, familiarly known through out the coast towns of the colony as "Old Gas," placidly yielded up his spirit to the unseen reaper (Death) yesterday, about 11 a.m., at our local hospital. Heart-disease was the assigned cause of death, but he has been failing in health for some time past. Ho was 60 years of age, but, being the possessor of a jolly temperament, with always a playful sense of humour, it acted as a lubricator to the frictions and worries of life, and he was always "merry as a sand-boy." He was well and favourably known in his comic delineations of "Mrs. Caudle's Lectures"' in which he used to delight to appear in character. In this character he has figured at many an amateur entertainment, and caused great amusement. He was a native of Middlesex, England. We understand that he has no relatives in the colony. He was a member of the Orange Institution, as well as one of the local Masonic lodges. He was interred yesterday, the cortege starting from the Masonic Hall at 3 p.m. His remains were accompanied to the cemetery by a number of the brethren of both orders, the Masons wearing their aprons, and the four chief mourners carrying draped bannerettes on either side of the hearse. There were also a number of the friends of deceased in buggies.

Musical works (extant in red bold; non-extant in black bold):

The Queensland polka (1859; also "Separation polka")

The Queensland polka, composed and respectfully dedicated by permission to Lady Bowen by A. A. Gaskarth, Brisbane, Queensland, December 8th 1859 (Sydney: J. Degotardi, Lith'r, [1859])

[Page 2, at head of music:] "QUEENSLAND POLKA. Composed by A. Gackarth [sic]; Arranged for piano by S. Diggbi [Diggles]"

https://trove.nla.gov.au/work/12726760

https://nla.gov.au/nla.obj-181841245 (DIGITISED)

ASSOCIATIONS: The proclamation of Separation as read by the governor George Bowen on 10 December 1859; Silvester Diggles (arranger); John Degotardi (lithographer, engraver, printer)

"TRADESMEN'S AND SEPARATION BALL", The Moreton Bay Courier [Brisbane, NSW (QLD)] (27 July 1859), 2

http://nla.gov.au/nla.news-article3726669 

This gathering was held list night at the immigrant's depot . . . About 150 single tickets were issued . . . The Terpsichorean programme included the best music obtainable; Mrs. Adams presided at the pianoforte. Mr. Gaskarth had prepared a new polka called "The Separation Polka," which he was to perform on his small but exquisite violin, the powers of which, in his hands, we have before had occasion to notice . . .

[Advertisement], The Sydney Morning Herald [NSW] (11 August 1860), 8

http://nla.gov.au/nla.news-article13044188

QUEENSLAND POLKA (The), just published, composed by Gaskarth, and illustrated in colours, 2s. 6d.
J. R. CLARKE, 356, George-street.

ASSOCIATIONS: Jacob Richard Clarke (musicseller)

GASKIN, Mr. (Mr. GASKIN)

Vocalist, actor

Active Launceston, VDL (TAS), by 1847

https://trove.nla.gov.au/search?l-publictag=Mr+Gaskin+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASKIN-Mr (shareable link to this entry)

POSSIBLE IDENTIFICATIONS: A Mr. Gaskin from England had arrived free with his wife in Hobart on board the Windermere on 25 January 1847; whether it was he, or one of several current or former convicts named Gaskin is so far unclear

Documentation:

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (13 February 1847), 128

http://nla.gov.au/nla.news-article65943066 

OLYMPIC THEATRE. LAST NIGHT OF THE SEASON . . .
ON MONDAY EVENING, FEB. 15th 1846 [sic, 1847] . . .
SONG - MR. OSBORNE. SONG - A GENTLEMAM.
RUSSIAN HORN DANCE - MONS- DEBRCE.
DRUNKEN COMBAT, From the "Maid of Genoa," Messrs. Gaskin & Osborne.
SONG - A GENTLEMAN.
National Medley Dance - La Petit Debrce . . .

ASSOCIATIONS: Robert James Osborne (actor, vocalist); Monsieur Debrce and child (gymnasts, dancers, otherwise unidentified); Olympic Theatre (Launceston venue)

[Advertisement], The Cornwall Chronicle (5 June 1847), 4

http://nla.gov.au/nla.news-article65943001 

OLYMPIC THEATRE. FOR THE BENEFIT OF MR. AUSTIN . . .
JUNE 7 . . . SONG, PADDY'S WEDDING, MR. GASKIN.
CLOWN DANCE - MASTER CHAMBERS.
Song; THE FLEA - MR. GASKIN.
To be followed with (by particular desire), the last act of THE STRANGER . . .
WAR DANCE, MR. J. CHAMBERS.
SONG, THE GUINEA [REDACTED], MR. GASKIN . . .
J. H. S. LEE, Stage Manager.

ASSOCIATIONS: Mr. Austin (actor); Joseph Chambers senior and junior (dancers); John Herman Selwyn Lee (actor, manager)

MUSIC: Paddy's wedding (song); ? The lively flea (song)

"THEATRE", The Cornwall Chronicle (23 June 1847), 3

http://nla.gov.au/nla.news-article65942918 

The newly produced Drama of the "Tempter or the Old Mill of St Dennis" was received on Monday [21 June] with enthusiasm, by the audience. Mrs. Mereton, Mr. Searle and Mr. Kenney cleverly sustained the respective characters . . . Mr. Gaskin sung two songs with good effect, and was encored. The dancing by Mr. and Master Chambers gave unusual gratification, both were cordially encored . . .

ASSOCIATIONS: Christiana Mereton (actor); Mr. Searle (actor); James Richard Kenney (actor)

[Advertisement], The Cornwall Chronicle (6 November 1847), 4

http://nla.gov.au/nla.news-article65978152 

ROYAL OLYMPIC THEATRE . . . MONDAY, NOVEMBER 8TH . . .
COMIC SONG - MR. GASKIN.
THE BOLD OUTLAW - MR. GARDINER.
A NEW VERSION OF BILLY BARLOW ON THE ADVENTURES OF THE FAIR CAPTAIN . . .

ASSOCIATIONS: Joseph Gardiner (actor, vocalist)

[Advertisement], The Cornwall Chronicle (13 November 1847), 4

http://nla.gov.au/nla.news-article65981208 

ROYAL OLYMPIC THEATRE . . . ON MONDAY, NOVEMBER 15th . . .
. . . an Amusing Interlude:
COMIC SONG, BEGGARS AND BALLAD SINGERS BY MR. GASKIN.
BOLD OUTLAW - MR. GARDINER.
OLD COMMODORE - MR. GASKIN . . .

MUSIC: Beggars and ballad singers (song); The old commodore (song)

[Advertisement], The Cornwall Chronicle (20 November 1837), 1

http://nla.gov.au/nla.news-article65980925 

ROYAL OLYMPIC THEATRE . . . ON MONDAY, NOVEMBER 22ND . . .
Don't be Addicted to Drinking - Mr. GASKIN.
White Squall - Mr. CHAPPELL . . .
Humphrey Duggins - Mr. GASKIN . . .

ASSOCIATIONS: Mr. Chappell (circus performer, vocalist)

MUSIC: Don't be addicted to drinking (song); Humphrey Duggins (song)

[Advertisement], The Cornwall Chronicle (27 November 1847), 1

http://nla.gov.au/nla.news-article65979159 

ROYAL OLYMPIC THEATRE . . . MONDAY, NOV. 29TH . . .
"THE HAPPY [REDACTED]" (1st time) - MR. GASKIN.
SONG - MR. GARDINER.
"Call again To-morrow" - Mr. Gaskin . . .

MUSIC: Call again to-morrow (song, Charles Dibdin)

[Advertisement], The Cornwall Chronicle (25 December 1847), 3

http://nla.gov.au/nla.news-article65980656 

ROYAL OLYMPIC THEATRE. BOXING NIGHT . . .
Song - "Larry o' Gaff" - Mr. Gaskin.
SONG, "THE MISFORTUNES OF BEING A LODGER," MR. GARDINER . . .

MUSIC: Larry O'Gaff (song)

[Advertisement], The Cornwall Chronicle (29 December 1847), 3

http://nla.gov.au/nla.news-article65979376 

RADFORD'S ROYAL CIRCUS . . .
THIS EVENING, THURSDAY [30] AND SATURDAY [1 January] . . .
Billow Barlow - Mr. GASKIN . . .

ASSOCIATIONS: Radford's Circus (troupe)

MUSIC: Billy Barlow (song in character)

[Advertisement], The Cornwall Chronicle (5 February 1848), 1

http://nla.gov.au/nla.news-article65979763 

RADFORD'S ROYAL CIRCUS . . .
ON MONDAY EVENING (The 7th of February, 1848) . . .
COMIC SONG - MR. GASKIN . . .

[Advertisement], The Cornwall Chronicle (25 March 1848), 4

http://nla.gov.au/nla.news-article65981647 

THEATRE ROYAL OLYMPIC . . .
ON MONDAY EVENING, MARCH 28TH . . . COMIC SONG - MR. GASKIN . . .

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania [Hobart, VDL (TAS)] (30 September 1848), 3

http://nla.gov.au/nla.news-article163503058 

CIRCUS ROYAL of Tasmania. FIRST NIGHT OF OPENING . . .
On Monday next [2 October] . . .
acts of horsemanship including THE VATTIGIER By Mr. Ashton . . .
Comic Song - Mr. Gaskine . . .
Ring Master, Mr. CHAPPELL.
Clown to the Circle, Mr. Bragg . . .

ASSOCIATIONS: James Ashton (equestrian); Philip George Bragg (clown)

[Advertisement], The Courier [Hobart, VDL (TAS)] (14 November 1848), 2

http://nla.gov.au/nla.news-article2967418 

RADFORD'S ROYAL AMPHITHEATRE . . .
THIS EVENING, TUESDAY, 14th November . . .
Favourite Song (by particular desire,) "Dido and I," - Mr. Meadows . . .
Comic Song (his first appearance) Mr. Gaskin . . .

ASSOCIATIONS: George Meadows (vocalist, actor)

GASSNER, Giovanni (Giovanni GASSNER; G. GASSNER; George GASSNER [sic]; Signor GASSNER; Sig. GASSNER)

Musician, master of the Band of the 50th Regiment ("Queen's Own"), bandmaster, conductor, composition teacher, composer, arranger

Born Naples, Italy, February 1828
Married Ellen ? (d. 1870), ? Ceylon (Sri Lanka), by c. 1860
Arrived (1) Melbourne, VIC, 2 November 1863 (with regiment per Himalaya, from Colombo, Ceylon [Sri Lanka], 10 October, en route with regiment to New Zealand)
Departed (1) Auckland, NZ, 2 March 1865 (with wife and family, per Walter Hood, for London)
Enlisted (50th Regiment), England, 19 May 1865
Arrived NZ, 5 March 1866 (per Silver Eagle, from London)
Arrived (2) Sydney, NSW, 9 October 1866 (with regiment per Auckland, from Auckland, NZ, 1 October)
Departed (2) Sydney, NSW, 24 March 1869 (with regiment per Himalaya, for England)
Discharged (50th Regiment), England, 22 July 1884
Died Paris, France, 12 March 1893

https://trove.nla.gov.au/search?l-publictag=Giovanni+Gassner+1828-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASSNER-Giovanni (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

ASSOCIATIONS: Band of the 50th Regiment (military)

Summary:

According to the biographical sketch republished by the 50th Regiment in 1880, Giovanni Gassner was born in Naples, in February 1828.

In some British records he adopted the English name George, apparently chosen in preference to John, allowing him to keep his forename initial G.

On the 50th Regiment's second Australasian tour, Gassner and his family arrived in New Zealand with the regiment from Colombo in November 1863, via Melbourne. Gassner remained in NZ with the regiment until March 1865 when he sailed again, via Sydney, for London, in order to take his wife and family back to England permanently. Having until then served the regiment as a civilian bandmaster, while in England, on 19 May 1865, he formally enlisted in the 50th Regiment. He then returned alone to the regiment in New Zealand in March 1866, henceforth continuing to serve as bandmaster and staff sergeant.

By October 1866 the headquarters of the regiment ("The Queen's Own") with Gassner and band had relocated to Sydney.

In seeking out and arranging repertoire for his popular outdoor band recitals, Gassner fostered the talents of local composers. In New Zealand his band had played The Waikato waltz, by fellow bandmaster, Edward Bergmann of the Band of the 18th Regiment. In Sydney, he notably performed the music of several younger Sydney composers, including the former Christy's Minstrel Charles William Rayner, the pianist Alfred Anderson, and John Cash Neild junior. Rayner's music was of particular interest of Gassner, who introduced band arrangements of many of his songs, as well as several times performing his own Grand potpourri on Rayner's melodies ("comprising the Ode, Australian Belles, Southern Cross, 'Twill brighter be to-morrow").

Thereafter, Gassner claimed to have been inundated with requests from other composers to arrange and perform their music, so much so that he was forced to write the editor of the Herald in November 1867. This provoked an anonymous jibe in the next issue.

With regimental commander Waddy's support, Gassner involved himself and his band in a welter of philanthropic causes, playing at events to raise funds for, among others, St. Vincent's Hospital and the Catherine Hayes Hospital, and coaching a band made up of boys from the Destitute Children's Asylum.

Gassner reportedly composed several new works especially for local consumption. Of these only The southern beauties waltzes, survives, published by Elvy & Co. at New Year 1868. A grand march Royal procession, "composed expressly for H.R.H. the Duke of Edinburgh" was performed, but not published (1867/68). Perhaps most interesting of all, "composed expressly" for a "moonlight promenade" concert in the Domain, was his "Grand characteristic Pot-pourri", entitled The night-mare and the council of war of Don Quixote and Sancho Panza, a programmatic work with 12 numbers.

Many pre-existing works by Gassner also appear on the band lists for his band's weekly outdoor performances in the Domain and Botanical Gardens, and for their other concert appearances. These included his march Rifle Volunteers, and his overture The exiled. As well as the overture, Gassner also introduced a "coro e cavatina" from The exiled in Auckland in 1864, and campaign quadrilles Lanka and Katoogastotto.

Documentation:

"ROYAL HORTICULTURAL SOCIETY OF IRELAND", Saunders's News-Letter [Dublin, Ireland] (22 April 1857), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001057/18570422/013/0001 (PAYWALL)

. . . We hope to-morrow to find room for the programme of the music to be played by the fine bands of Queen's Own, and the 4th Regiment, under the direction of Signor Gassner and Herr Koesel.

"ROYAL HORTICULTURAL SOCIETY", Dublin Daily Express (23 April 1857), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001384/18570423/072/0004 (PAYWALL)

The following is the programme of the music which will be performed by the fine bands of the 4th end 50th regiments . . . in the Rotundo Gardens . . .
50TH REGIMENT, "QUEEN'S OWN."
Passo Doppio - Linda di Chamounix - Gassner.
Ovelture, Nabuccodonosor, Verdi.
Coro, Aria, Alfio, dischiuso un giorno, Nabuccodonosor, Verdi.
St. Petersburg Quadrilles, D'Albert.
Coro et Miserere, D'Amor, sull'ali rosce, Il Trovatore, Verdi.
Il Capito Walser, Gassner.
Scena e Duetto, Qual voce! come! tu, donna, Il Trovatore, Verdi.
Troubadour Galop, Odenwald.
Circassian Polka, D'Albert.
God save the Queen. Signor Gassner, Director.

"THE SICK POOR OF RATHMINES", Freeman's Journal [Dublin, Ireland] (9 June 1857), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18570609/004/0002 (PAYWALL)

We have but space to remind our readers that the Bazaar, in behalf of the excellent Charitable Association of Ladies of Rathmines district, will open this day at one o'clock in the Round Room of the Rotundo.
By the kind permission of Lieutenant-Colonel Straton, C.B., the band of the 77th Regiment will perform the following attractive programme -

Charivari - Haunn.
St. Patrick's Waltz - Laurent.
Overture - Guilelmo Tell - Rossini.
Pezzi - Il Trovatori - Verdi.
Nymph of the Wave Waltz - D'Albert.
The King Pippin Polka - D'Albert.
Pezzi - Les Vipres Siciliennes - Verdi.
Conductor - Signor Cavallini.

Also by the kind permission of Lieutenant-Colonel Waddy, and the officers of the 50th Regiment (Queen's Own), their band will perform the following programme: -

Passo Doppio - I Vespri Silciliani - Gassner.
Overeure - Ines de Castro - Rossini.
Coro a Cavatina - I Lombardi - Verdi.
Ceylon Waltz - Gassner.
Coro e Miserere - Il Trovatori - Verdi.
I Vespri Sicilianaid Quadrille - Odenwald.
Circassian Polka- D'Albert.
Conductor - Mons. Gassner.

ASSOCIATIONS: Pompeo Cavallini (master, 77th band); Band of the 77th Regiment (military)

"SOCIETY OF ST. VINCENT DE PAUL", Freeman's Journal (17 June 1857), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000056/18570617/007/0002 (PAYWALL)

. . . A splendid military band (the 50th regiment) will attend and perform a selection of musical pieces, of which the programme is as follows -
1. Marcia - Op. "Belisario" - Donizetti.
2. Galop - "Kilkenny" - Gassner.
3. Coro and Aria - Op. "I Lombardi" - Verdi.
4. Quadrille - "St. Petersburgh" - D'Albert.
5. Valse - "Souvenir de Glasgow" - Gassner.
6. Coro e Cavatina - op. "I Lombardi" - Verdi.
7. Galop - "Cadogan" - Odenwald.
8. Quadrilles - "Como" - D'Albert.
9. Walzer - "Cupito" - Gassner.
10. Scena e Cavatina - Op. "Attila" - Verdi.
11. Galop - "The Arrow" - Odenwald.
12. "God save the Queen."
Conductor - Signor G. Gassner . . .

"SOCIETY OF ST. VINCENT DE PAUL", Dublin Evening Post [Ireland] (18 June 1857), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000435/18570618/057/0003 (PAYWALL)

. . . The fine band of the 50th Regiment, under the direction of Signor Gassner, was stationed in the orchestra and performed a selection of popular valses and opera music . . .

"Reviews", The musical world [London, England] (14 December 1861), 787

https://books.google.com.au/books?id=eY4PAAAAYAAJ&pg=PA787 (DIGITISED)

"The Lanka Quadrilles;" "The Kandy Rifle Volunteers' March" - for the pianoforte - by G. GASSNER (Boosey and Sons).

We have volunteers, too, in Ceylon. Tant mieux. The more the merrier. If our Kandy riflemen are to be inspired to deeds of arms by the strains of military music, they can hardly do better than make their bands play the vigorous "March" of Mr. Gassner as often as possible. Both its themes are good - an elegant trio in A flat contrasting gracefully contrasting gracefully with the spirited subject upon which the March commences. The Lanka Quadrilles are as lively, tuneful, and rhythmical as could be wished.

Auckland, NZ (November 1863 to September 1866):

[News], The Argus [Melbourne, VIC] (3 November 1863), 4

http://nla.gov.au/nla.news-article5738423

Her Majesty's splendid steam transport ship Himalaya (originally the property of the P. and O. Company) arrived in Hobson's Bay early yesterday afternoon, on her voyage from Colombo to Auckland, with Her Majesty's 50th Regiment on board. The Himalaya sailed from Colombo late on the night of the 10th of October, and made the run to this port (without touching at Albany) in twenty two days . . . The ladies on board are Mrs. Waddy, Mrs. Bunbury, Mrs. Creagh, Mrs. Nowlan, and Mrs. Gassner. Mr. Gassner has charge of the band . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (6 November 1863), 5

http://nla.gov.au/nla.news-article155021401 

The cricket match arranged between an eleven of the Melbourne Club and the officers of the 50th Regiment, will take place on the Melbourne ground this afternoon, weather permitting. The band of the 50th Regiment is expected to be in attendance.

"ARRIVAL OF THE HIMALAYA WITH TROOPS", Daily Southern Cross [Auckland, NZ] (30 November 1863), 5

https://paperspast.natlib.govt.nz/newspapers/DSC18631130.2.25

The "Himalaya," whose wide-spread fame as one of those mighty floating machines by which Britannia "rules the waves," has anchored in New Zealand waters, and brings 800 of her bravest sons to assert her supremacy at the Antipodes . . . The ladies on board are Mrs. Waddy, Mrs. Bunbury, Mrs. Creagh, Mrs. Nowlan. and Mrs. Gassner. Mr. Gassner has charge of the band . . . [as above]

"50th BAND", Daily Southern Cross (2 January 1864), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18640102.2.12.5

The band of the 50th Regiment will perform the following pieces in the Domain this afternoon. Programme -
1. March, "Bellisle," D'Annon.
2. Overture, "Der Freischutz," Weber.
3. Quadrilles, "Lanka," Gassner.
4. Selection, "Les Diamond de La Couroune," Auber.
5. Valse, "The Waikato," Bergmann.
6. Polka, "Bruder Lustig," Basquit.
7. "God Save the Queen."

MUSIC: The Waikato waltz (Edward Bergmann, master of the Band of the 18th regiment)

"MILITARY CONCERT", Daily Southern Cross (16 January 1864), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18640116.2.12

The Band will play the following selections of music this afternoon, in the Domain: -
March - "Chiara de Rosenberg" - Ricci.
Overture - "The Exiled" - Gassner.
Quadrilles - "Off to Charleston" - D'Albert.
Coro e Cavatina - "The Exiled" - Gassner.
Valse - "Waikato" - Bergmann.
Galop - "Orpheus" - Steigmann.

[News], Daily Southern Cross (24 November 1864), 4

https://paperspast.natlib.govt.nz/newspapers/DSC18641124.2.14 

The Theatre Royal was again crowded last evening, the pieces being "Used up," and "Aladdin, or the Wonderful Scamp." The performance was under the patronage of Colonel Weare and the officers of the 50th Regiment . . . The fine band of the 50th Regiment, numbering twenty instruments, under the direction of Mr. Gassner, was in attendance during the evening, and performed at intervals very creditably the overture, "Masaniello" (Auber); selection, "La Traviata" (Verdi); and a good pot pourri, from "William Tell," expressly arranged for this occasion. During the execution of this piece solos on the bass clarionette were introduced with great taste and skill, whilst the band chorus accompaniment from behind the scenes had a charming effect. The audience was delighted with the piece, and accorded it enthusiastic applause at the close . . .

[News], New Zealand Herald (8 February 1865), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18650208.2.18

The following is a copy of a letter presented to G. Gassner, Esq., Bandmaster of the A.R.V. Band, by the members of the above corps, prior to his departure for England: -

TO G. GASSNER, ESQ., BANDMASTER OF THE A.R.V.

We, the undersigned members of the Auckland Rifle Volunteer Band, are desirous of expressing our deep regret at your leaving and just at the time when we all felt that through your instructions we should become musicians, with a thorough knowledge of the rudiments and theory of music which you so kindly instructed us in. Accept then our warmest thanks for the very kind attention which you have invariably shown us, and we hope that on your return you will again be able to resume the duties. Wishing you then a pleasant voyage, and a safe return, in which we include Mrs. Gassner and family.
We remain, yours very truly,

Sergeant Thomas Gibbons, Corporal John Carter, William Lepine, Thomas Gee, Isaac Levy, John Rathbone, James Trays, Henry Carroll, Samuel Montgomery, Horace Baker, John Gaskin, William Lane, William Cherritt, E. Tremaine, W. H. Skinner, James G. Culpan, Alexander Tait, - Cooper.
Auckland. Feb. 6. 1865.

"CLEARANCES. MARCH 2", Empire [Sydney, NSW] (3 March 1865), 4

http://nla.gov.au/nla.news-article60566951

WALTER HOOD, ship. 918 tons, Pirro, for London. Passengers . . . Mr. and Mrs. Gassner, 3 children and servant . . .

"ARRIVAL OF THE SILVER EAGLE FROM LONDON", Daily Southern Cross [Auckland, NZ] (5 March 1866), 4

https://paperspast.natlib.govt.nz/newspapers/DSC18660305.2.6

The splendid clipper ship Silver Eagle, 1,000 tons, Captain John Ross, from London, arrived last night about 11 o'clock, after a splendid passage of 85 days; and brings a cargo of general merchandise and 73 passengers. She left Gravesend on the 3rd December, the Downs on the 4th . . . Passengers. Cabin: Ensigns Onslow and Ward, 12th Regiment; Mr. Gassner (bandmaster), 50th Regiment . . .

Baptisms solemnized in the parish of Heston in the county of Middlesex in the year 1866; register, 1866-73, page 7; London Metropolitan Archives, Dro/026/A/01/010

https://www.ancestry.com.au/discoveryui-content/view/4907657:1558 (PAYWALL)

No. 53 / 1866 July 15th / Blanche Ada / [daughter of] George [sic] & Ellen / Gassner / Castle Terrace, Bath Road / Band Master / Born 20th May 1865

Sydney, NSW (October 1866 to March 1869):

[Advertisement], The Sydney Morning Herald [NSW] (13 October 1866), 12

http://nla.gov.au/nla.news-article28610095 

GRAND CONCERT . . . Mr. W. STANLEY
has much pleasure in informing the ladies and gentlemen of Sydney and its vicinity, that by kind permission of Colonel WADDY, C.B., the fine band of the 50th Regiment will attend at his
CONCERT, on MONDAY EVENING next, 15th October, at the Masonic Hall,
and play two favourite overtures, under the direction of their master - Mr. GASSNER.
PROGRAMME. PART I. Overture (Der Freyschutz) - Weber - BAND 50TH REGIMENT . . .
PART II. Overture (Masaniello) - Auber - 50TH BAND . . .

ASSOCIATIONS: William Stanley (musician); Masonic Hall (Sydney venue)

[Advertisement], Empire [Sydney, NSW] (9 February 1867), 1

http://nla.gov.au/nla.news-article60836237

PRINCE OF WALES OPERA HOUSE. GRAND COMPLIMENTARY FAREWELL BENEFIT.
AND PRESENTATION of TESTIMONIAL TO MR. W. S. LYSTER, Previous to his Retirement from the Management of Opera in Australia . . .
PROGRAMME: TUESDAY EVENING, February 12th, 1867.
The performance will commence with pot pourri of airs from L'AFRICAINE,
arranged for the Band of the 50th Regiment, and conducted by Mr. G. GASSNER,
After which the celebrated 4th act of Meyerbeer's Grand Opera L'AFRICAINE . . .
After which the celebrated SOLDIER'S CHORUS, From Ch. Gounod's Grand Opera FAUST,
In which the Band of the 50th Regiment will perform . . .

ASSOCIATIONS: Lyster Opera Company (troupe); Prince of Wales Theatre (Sydney venue);
for a recollection of the band's appearance on stage in Lyster's Faust, see,
"The Critic. DRAMATIC AND MUSICAL (FROM THE TOWN AND COUNTRY JOURNAL)", Evening News (5 July 1879), 6

http://nla.gov.au/nla.news-article107164251 

. . . Many of us recollect the old "Soldiers' Chorus" (under Mr. Lyster) when we had Signor Gassner's splendid band of the 50th marching on to the scene and playing their martial music to the accompanying chorus, and the "vivats" of the crowd on the stage and in the auditorium . . .

[Advertisement], Empire (15 February 1867), 1

http://nla.gov.au/nla.news-article60836469 

PRINCE OF WALES OPERA HOUSE . . .
THIS (FRIDAY) EVENING, February 15th, 1867. BENEFIT OF Madame LUCY ESCOTT . . .
The performance will commence with Donizetti's Grand Opera, LUCREZIA BORGIA . . .
After which the Band of H.M. 50th Regiment (by the kind permission of Colonel Waddy, C.B.) will perform
selections from Rossini's Grand Opera WILLIAM TELL, With the celebrated Ranz de Vache echo, Horn quartette and Band in the distance.
Conductor - Mr. Gassner . . .

ASSOCIATIONS: Lucy Escott (vocalist)

"MUSIC", Empire (2 May 1867), 4

http://nla.gov.au/nla.news-article60839584 

The band of the 50th Queen's Own will play the following selection of music in the gardens, at 4 o'clock this afternoon, weather permitting: -
March, "Rifle Volunteer," Gassner; overture, "Der Freischutz," Weber;
selection, "Crespino-e-la-bomara," Ricci; valse, "Kathleen Mavourneen," D'Albert;
selection, "l'Africaine," Meyerbeer; galop, "Challenger," A. Anderson. God Save the Queen.

MUSIC: The Challenger galop (by Alfred Anderson)

"THE 50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (13 June 1867), 4

http://nla.gov.au/nla.news-article28611324 

The above band will perform in the Domain at 3 o'clock, this day, weather permitting. We append the programme -
1. March, "Volunteers," Gassner; 2. Overture - "La Semiramide," Rossini;
3. Selection - "La Gazza Ladra," Rossini; 4. Valse - "Night Breeze," Gassner;
6. Selection - "Faust," Gounod; 6. Galop - "Ki Ko," Gassner. God Save the Queen.

Paylist of the 50th Regiment, 1 April to 30 June 1867; Australian Joint Copying Project, from UK National Archives, WO12/6160

https://nla.gov.au/nla.obj-1643835055 (DIGITISED)

Staff Serjeants . . . Bandmaster / 1049 [sic, 1059] / Gassner George . . .

"THE PRINCE OF WALES THEATRE", The Sydney Morning Herald (10 August 1867), 6

http://nla.gov.au/nla.news-article13162275 

. . . Last evening the performance was for the benefit of the widows and orphans of those drowned at the Heads on the 29th ultimo, and, as might be expected, such a benevolent object attracted a large audience, including the Naval Brigades under the command of Captain Hixson, and the whole of Volunteer Fire Company No 2 . . . The Band of the 50th, by the kind permission of Colonel Waddy, attended, and under the able direction of Mr. Gassner, added largely to the evening's amusement by their performance of selections from the opera of Semiramide, the Paul-y-Tool-y technic Waltzes, and a new composition by Mr. C. W. Rayner, of this city, entitled, "Australia's Welcome to Prince Alfred." Apart from the occasion for which it has been composed, the author may be complimented on the success which attended its first public performance as testified by the plaudits of the audience. The Welcome is new and sparkling, and has all the elements of popularity . . .

ASSOCIATIONS: On the recent drownings at Sydney Heads, see "HEAVY GALE", The Sydney Morning Herald (30 July 1867), 5

http://nla.gov.au/nla.news-article28607193 

MUSIC: Paul-y-Toole-y-Technic waltzes (Gassner); probably following the new burlesque quadrille of the same name by Charles Coote (1809-1880), based on popular songs sung c. 1864-66, by the London entertainers John Lawrence Toole and Paul Bedford (a word play on their own names and "Polytechnic" Institution); see also Paul-y Toole-y Technic Institution (V and A)

MUSIC: Australia's welcome to Prince Alfred (music by Charles William Rayner)

"50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (22 August 1867), 4

http://nla.gov.au/nla.news-article13159792

The (Queen's Own) band will play the following selections of music in the Domain, this afternoon, at 4 o'clock (weather permitting).
1. March, "Rifle Volunteers," Gassner, 2. Overture, "The Exiled," Gassner;
3. Selection, "Linda di Chamounix," Donizetti; 4. Valse, "Margherita," Godfrey;
5. Selection, "Nabucodonosor," Verdi; 6. Ode, "Australia's Welcome to Prince Alfred," C. W. Rayner. God save the Queen.

"A ROYAL ACADEMY OF MUSIC FOR NEW SOUTH WALES. To the Editor of . . .", The Sydney Morning Herald (24 August 1867), 5

http://nla.gov.au/nla.news-article13154897 

SIR - I have often considered the desirability of drawing public attention to the advisability of establishing in Sydney an Academy of Music similar for all purposes to that in England, and as there are now in this city such talent as Horsley, Hill, Cordner, Schmidt, Callen, Gassner, Beaumont, Anderson, Rea, Madame Bushelle, Mrs. Cordner, and a host of others whose names do not at present occur to me, who could make a good start, perhaps by noticing the matter in your journal some steps will be taken for the immediate establishment of such a beneficial institution. I feel certain that the Academy will receive immense support such support, at all events, as would give it a permanent standing in the colony.
Yours very truly,
DEMISEMIQUAVER.

ASSOCIATIONS: Charles Edward Horsley (musician); John Hill (musician); William and Ellen Cordner (musicians); Carl Schmitt (musician); George Douglas Callen (musician); George Frederick Beaumont (musician); Alfred Anderson (musician); Alex Rea (musician); Eliza Bushelle (musician); Royal Academy of Music (London institution)

"THE 50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (12 September 1867), 4

http://nla.gov.au/nla.news-article28607514

The above band will give their usual performance in the Domain, at 4 o'clock this afternoon (weather permitting).
The following is the programme: - 1. March, "South Sydney Volunteer Rifles," W. Stanley; 2. Overture, "Il Barbiere," Rossini;
3. Selection, "Martha," Flotow; 4. Valse, "Night Breeze," Gassner; 5. Selection, "Robert le Diable" Meyerbeer;
6. Galop, "The Fighting Cock and the Cackling Hens," Gassner. God save the Queen.

MUSIC: The NSW Volunteer Rifles quick march (William Stanley)

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (31 October 1867), 4

http://nla.gov.au/nla.news-article13161846 

The above band will give their weekly performance in the Botanic Gardens this afternoon, commencing at 5 o'clock.
We append the programme: - 1. Grand Coronation March, "Le Prophete," Meyerbeer; 2. Overture, "La Gazza Ladra," Rossini;
3. Ode, "Australia's Welcome to Prince Alfred," Rayner; 4. Selection, "Don Carlos," Verdi;
5. Valse, "The White and Red Rose," Gassner; 6. Schottische, "The Duke of Edinburgh," Miss A. Jones; God save the Queen.

MUSIC: The Duke of Edinburgh schottische (By "A lady amateur" = Miss A. Jones)

"To the Editor of . . .", The Sydney Morning Herald (20 November 1867), 5

http://nla.gov.au/nla.news-article13161689

SIR - Will you have the goodness to allow me a small space for a reply to a host of professional musicians and amateurs who have and are daily favouring me with their compositions, some of which contain a certain amount of sense, while others contain nonsense, and some are concocted of the greatest pack of trash I have seen on paper.

My object in writing to you is not to give a criticism on the music received, but simply to inform my correspondents that the number of musical compositions and letters - requesting me to arrange the same for military band - is so great, that I am almost bewildered with them, and that I have no time to attend to them or answer the letters.

It will suffice I have no doubt - and, indeed, it will cause my correspondents to be more merciful in future - when I tell them that to score the whole of the music I have received for the Military Band, it would involve a penalty of close confinement to my room at hard labour for six months at least.

GASSNER.
Victoria Barracks. November 19.

"To the Editor of . . .", The Sydney Morning Herald (21 November 1867), 5

http://nla.gov.au/nla.news-article13152924

SIR - Gassner the First has issued a ukase to the effect that he will not score any more music for the present, and inhibits further composition. The ukase, published in your issue of yesterday, is very severe on some of the unfortunate composers of the city; this musical monarch is graciously pleased to ignore Horsley, Ellard, Loder, Marsh, Stanley, &c., for the sublime works of Rayner, Anderson, and Neild. Shade of "Uncle Ned" and all good [REDACTED]s hover around the music stand of the Imperial Gassner - that is if you have his permission. Joking apart, the letter to which I allude is most insulting to all the members of the musical profession here, with the exception of the coterie whose compositions M. Gassner is continually putting before the public, to the exclusion of good music.
I am, yours obediently,
- CAESAR.

ASSOCIATIONS: Frederick Ellard (composer); George Loder (composer); Henry Marsh (composer); John Cash Neild (composer)

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (21 November 1867), 4

http://nla.gov.au/nla.news-article13152937

The above band will give their weekly performance, in the Botanical Gardens, at 5 o'clock this afternoon. The following is the programme:
1. March, "The Mabel," Gassner; 2. Overture, "Zampa," [Herold];
3. Potpourri on Rayner's melodies, comprising the "Ode," "Australian Belles," "Southern Cross," "'Twill brighter be to-morrow," Gassner;
4. Serio-comic Valse, "Paul-y-Toole-y-technic," Gassner; 5. Selection, "Don Carlos," Verdi;
6. Quadrille, "The Royal Visit," A. Anderson; "God Save the Queen."

MUSIC: Potpourri on Rayner's melodies, including The southern cross, "Ode" = Australia's welcome to prince Alfred

MUSIC: The royal visit quadrilles (Alfred Anderson)

"NEW MUSIC", The Sydney Morning Herald (23 November 1867), 4

http://nla.gov.au/nla.news-article13157300 

The visit of His Royal Highness the Duke of Edinburgh has set the musicians of this and the neighbouring colonies at work composing to his honour, and the result has been the production of some good music, the most striking being the "Galatea Waltz," by Mr. Charles Edward Horsley. The first in the field was Mr. C. W. Rayner, with an "Ode" to the Prince, well harmonised and very pleasing . . . Mr. Henry Marsh and Mr. Gassner (bandmaster of the 50th Regiment) are also busily engaged in paying a musical tribute to his Royal Highness. To enter into a detailed criticism of each composition is scarcely necessary; all possess more or less merit, and show that we have in Australia a constructive as well as an auricular taste for music.

ASSOCIATIONS: Prince Alfred (royal visitor)

[Advertisement], The Sydney Morning Herald (21 December 1867), 2

http://nla.gov.au/nla.news-article28608305 

. . . IN THE PRESS. GASSNER'S SOUTHERN BEAUTIES WALTZES, 3s. ELVY and CO.

ASSOCIATIONS: Robert Hammond Elvy (musicseller, publisher)

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (2 January 1868), 4

http://nla.gov.au/nla.news-article13161483 

The above band will give their weekly performance in the Domain, this afternoon, at 5 o'clock. The following is the programme: -
March, "Farewell," Gardner; Overture, "Crown Diamonds," Auber;
Selection, "Belisario," Donizetti; Valse, "Southern Beauties," Gassner;
Selection, "Il Trovatore," Verdi; Galop, "Challenger," Anderson; God save the Queen.

"THE SOUTHERN BEAUTIES WALTZES", The Sydney Morning Herald (16 January 1868), 4

http://nla.gov.au/nla.news-article13159156

A charming set of waltzes, by M. Gassner, has just been published by Elvy and Co. M. Gassner is popular as a clever arranger of music for the band over which he presides - that of H. M. 50th Regiment - and to him are our local composers much indebted for bringing their works under public notice in the most advantageous manner to them. Although a composer himself of more than ordinary ability, he thus evinces that absence of professional jealousy which but too frequently affects many of his contemporaries. The "Southern Beauties Waltzes" are melodious, with sufficient brilliancy in various passages to satisfy any but the most inveterate seeker after meretricious effects, who is never satisfied unless the most extraordinary gymnastique qualities are introduced into the fingering. M. Gassner has avoided this questionable peculiarity, and has, therefore given the general run of pianists a chance of enjoying the pleasure of performing his composition. The prelude is in keeping with the character of the waltzes, and there is only one change of key, from F to C. The typography is highly creditable to the publishers. As the piece is dedicated to the ladies of New South Wales, we presume it will be largely patronised by them.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (13 February 1868), 4

http://nla.gov.au/nla.news-article13158647

The band of H. M. 50th Regiment will play a selection of music in the Botanical Gardens, at 5 o'clock this afternoon. The following is the programme: -
1. Overture - "La Mirette," Auber. 2. Valse - "Kate Kearney," Coote. 3. Selection - "La Gazza Ladra," Rossini."
4. Grand March - "Royal Procession," composed and dedicated to H. R. H. the Duke of Edinburgh, by G. Gassner.
5. Selection -"Faust," Gounod. 6. Galop - "Ocean Prince," Callen. God save the Queen.

MUSIC: The ocean prince galop (Callen)

[Advertisement], The Sydney Morning Herald (15 February 1868), 9

http://nla.gov.au/nla.news-article13160487 

COOK'S STATUE DEMONSTRATION. A grand Afternoon and Evening PROMENADE CONCERT,
will take place in the Pavilion, Hyde Park, on SATRUDAY NEXT 15th instant,
in aid of the funds for erecting a STATUE TO THE ILLUSTRIOUS NAVIGATOR CAPTAIN COOK, R.N. . . .
A MONSTER BAND OF NINETY PERFORMERS, composed of the
50TH (QUEEN'S OWN) BAND, the GALATEA BAND, and the VOLUNTEER BAND; the whole under the direction of
Mr. GASSNER will unite and perform on the occasion.
PROGRAMME.
1. March - Rifle Volunteers - Gassner
2. Overture - La Semiramide - Rossini
3. Lancers - Somebody's Luggage - Coote
4. Selection - Il Trovatore - Verdi
5. Grand March - Royal Procession composed and dedicated to H.R.H. the Duke of Edinburgh by - G. Gassner
6, Selection - Faust - Gounod
7. Valse - Margherita - Godfrey
8. Galop - The Ocean Prince - Callen
9. Selection - L'Africaine - Meyerbeer
10. Galop - Morning Bell - Clarke
God Save the Queen . . .

"PROMENADE CONCERT", The Sydney Morning Herald (30 March 1868), 4

http://nla.gov.au/nla.news-article13158531 

Another concert, the proceeds of which are to go the fund for the erection of a statue in honour of Captain Cook, was given in the Hyde Park Pavilion, on Saturday evening. There was a very numerous attendance, the price of admission being reduced to one shilling, and a considerable sum, though not so much as was obtained from the previous concert, went to the fund. The splendid band of H.M. 50th Regiment, by the kind permission of Colonel Waddy, performed on the occasion, and commenced the concert shortly before 8 o clock, with a grand march composed by Mr. Gassner, and dedicated to the Duke of Edinburgh. This was followed by selections from Semiramide, Faust, L'Africaine, and other popular compositions. The concert concluded with the National Anthem, and terminated shortly after 10 o'clock.

"NEW SONG", The Sydney Morning Herald (9 May 1868), 6

http://nla.gov.au/nla.news-article13165826 

The composer of the "Ode to Prince Alfred" and "The Southern Cross," has just issued another composition to the public. Mr. C. W. Rayner, who for some time has been studying the theory of music with Gassner, now produces a new song entitled "There's no such word as fail" . . .

MUSIC: There's no such word as fail (Rayner)

"THE (QUEEN'S OWN) BAND", The Sydney Morning Herald (23 July 1868), 4

http://nla.gov.au/nla.news-article13169870 

The above band will perform the following programme of music in the Domain, at 4 o'clock, this afternoon. The programme will comprise a new galop written expressly for the Military and Civil Races, to come off on Saturday next.
1. Overture - "Il Barbiere," Rossini; 2, Lancers - "Somebody's Luggage," Coote;
3, Selection - "Under the Holly," Fischer [sic]; 4. Valse - "Southern Beauties," Gassner;
5. Selection - "Un Ballo in Maschera," Verdi; 6. Galop - "Military and Civil Races," Gassner. God Save the Queen.

MUSIC: Under the holly (cantata, music by James Churchill Fisher)

"PROMENADE CONCERT IN THE DOMAIN", Sydney Mail (3 October 1868), 4

http://nla.gov.au/nla.news-article166801240 

The novelty of a promenade concert by moonlight, the expectation of a rich musical treat, and the fact that the shilling fees collected at the gates were to be devoted to assisting the funds of one of the most valuable of our many charitable institutions, combined to attract a very large number of persons - certainly not fewer than four or five thousand - into the Domain on Thursday. Those who expected a musical treat of no ordinary kind were not disappointed, for the band of the 50th Regiment, who performed by the permission of Colonel Waddy and the officers, never appeared to greater advantage nor performed with greater acceptance; and the institution in aid of whose funds the concert was arranged - the Asylum for Destitute Children at Randwick - must have benefited largely by an entertainment which proved so exceedingly popular. The programme was a well chosen one, embracing selections from "Le Prophete," "William Tell," "Faust," "Un Ballo in Maschera," and "Il Trovatore," the whole terminating with the National Anthem. Where everything was excellent it is somewhat difficult to discriminate, but the gem of the entertainment to our thinking was the selection from "Il Trovatore," and so thought the five thousand people who listened in rapt attention to this selection from the ever popular opera. Cheer after cheer arose as the last sounds of the music sank into silence, and all felt indebted for the agreeable treat afforded by Mr. Gassner and the excellent band under his direction. The programme was got through shortly after 10 o'clock, and the great mass of people began to wend their way homewards. We should add that the night was beautifully fine; the moon shone with great brilliancy, the sky was cloudless, and the breeze was so light as to be almost imperceptible.

"RANDWICK ASYLUM FOR DESTITUTE CHILDREN", Empire (12 October 1868), 2

http://nla.gov.au/nla.news-article60828153 

The exertions of the liberal minded in the musical world, have added a considerable sum to the funds of this excellent institution during the last few weeks. It appears that the "Moonlight Promenade Concert," given, with the kind permission of Colonel Waddy and officers, by the Band of the 50th Regiment, enabled Mr. G. Gassner to hand over no less a sum than £187 2s. to the treasurer; and the concert given by Madame Bushelle and her pupils further augmented the funds to the amount of £50 2s. 6d. Exertions crowned with such great success deserve especial mention.

"HORTICULTURAL SOCIETY'S EXHIBITION. SECOND DAY", The Sydney Morning Herald (23 October 1868), 2

http://nla.gov.au/nla.news-article13174661 

. . . The band of the Queen's Own Regiment was present both days, and yesterday played some very fine selections, including a march founded on the air of Mr. Rayner's song "The Australian Stockman," a valse "The Half Hundred," and a quadrille "La Muette," both by M. Gassner, the bandmaster. All the other selections were likewise of first-class character, and gave an additional zest to the festival . . .

MUSIC: The Australian stockman's song (C. W. Rayner)

"DESTITUTE CHILDREN'S SOCIETY", Empire (19 November 1868), 2

http://nla.gov.au/nla.news-article60829359 

The visiting directors and their friends, with the assistance of the Government, were enabled, yesterday, to give the inmates of the Destitute Children's Asylum a treat, in the way of a railway excursion to Emu Plains, and as far as Wascoe's, on the Zig Zag . . . One of the moat conspicuous features of the whole were the performances of the juvenile drum and fife band of the Asylum, which played some excellent pieces of music during the gathering; but the success of these performers was completely thrown into the shade by the newly organised brass band, under the superintendence of M. Gassner, the talented bandmaster of the 50th Regiment. The performances of this band, which has only been for a short period under the instruction of M. Gassner, were remarkable, and reflected the utmost credit upon the preceptor and the directors . . .

"DESTITUTE CHILDREN'S EXCURSION", The Sydney Morning Herald (19 November 1868), 5

http://nla.gov.au/nla.news-article13175827 

. . . The brass band was dressed in a uniform with scarlet trimmings, and the drum and fife band had blue trimmings. Both played remarkably well, but the brass band, to which during three or four months only M. Gassner has given tuition, rendered marches, waltzes, &c., in such good time and tune as to astonish all hearers . . .

"To the Editor of . . .", The Sydney Morning Herald (21 November 1868), 4

http://nla.gov.au/nla.news-article13175995

SIR, - Will you have the goodness to allow me to correct the statement - which by some mistake has found its way into the Herald of Thursday - to the effect that the next Moonlight Promenade Concert will be given for the benefit of the funds of Captain Cook's Statue. There is just now nothing further from our minds than to give a concert for that purpose. Not that we are unwilling to give a concert, or even two if required, if the committee of the Captain Cook's Statue will reimburse me the sum which I was out of pocket for giving the last two concerts in Hyde Park Pavilion. Until then the committee need not hope for more from us. I am certain every person in the city will agree with me that to give a concert (which generally involves ten or twelve days' hard labour in preparing for), and the proceeds of which are taken by a committee for the erection of a monument in commemoration of the Discoverer of Australia, and then, for me to pay out of my private purse the expenses incidental to giving such a concert, is simply unjust. I plead guilty of having sinned, but I will promise never to sin again. The next moonlight promenade concert will not, therefore, be given for the benefit of Captain Cook's statue, but for the benefit of the Industrial Schools.
- G. GASSNER, 50th (Queen's Own) Regiment.
Victoria Barracks, November 19.

[Advertisement], The Sydney Morning Herald (26 November 1868), 8

http://nla.gov.au/nla.news-article13176247 

GRAND MOONLIGHT PROMENADE CONCERT, in aid of the funds of the SCHOOL OF INDUSTRY.
By permission of Colonel WADDY, C.B., and Officers.
The 50th Queen's Own Band will give a CONCERT, as above, in the Domain, THIS EVENING, at 8'o'clock, weather permitting.
PROGRAMME.
1. Wedding March- "Midsummer Night's Dream" - Mendelssohn
2. Overture - "La Semiramide"- Rossini
3. Lancers - "The Cure" - Coote
4. Selection - "L'Africaine" - Meyerbeer
5. Valse - "The Half-Hundred" - Gassner
6. Selection - "II Trovatore" (by desire) - Verdi
7. Galop - "The Cackling Hens" - Gassner
8. Grand characteristic Pot-pourri, composed expressly for this Concert by Mr. GASSNER, entitled
THE NIGHT-MARE AND COUNCIL OF WAR; or, DON QUIXOTE AND SANCHO PANZA.
Characteristic Description:
1. The Election (drums, drums and bugles, and brass band, answering each other from opposite directions)
2. The Dream of Knighthood (reed band)
3. Let us be happy together (brass band at distance, reed band interrupts the brass band with night-mare)
4. The Unveiling of Captain Cook's Statue (brass band marching)
5. The Rogue's March (drums and fifes at distance)
6. The Dead March in "Saul," and "Robert le Diable," (with Mephistopheles in it)
7. The Rogue's March (drums and fifes at distance)
8. Rule Britannia (with the madman's interruption)
9. Hearts of Oak and Rule Britannia (break down)
10. The Red Cross Knight
11. Down among the Dead Men
12. The Council of War (great squabbling)
13. Here's a health to all good Lasses
14. Grand finale - "God save the Queen" and "Rule Britannia."
The public are requested to pay One Shilling at the Gates.

"AL FRESCO CONCERT", The Sydney Morning Herald (27 November 1868), 5

https://trove.nla.gov.au/newspaper/article/13176355

The grand moonlight promenade concert given last evening, in the Outer Domain, by the Band of the 50th (Queen's Own) Regiment, proved highly successful. The weather being favourable and the light sufficient for social intercourse, a large audience was attracted to the ground, those present numbering about 11,000 persons. A large platform, with music stands lit with lamps, was erected on an elevation, a little to the south-east of the fountain, and this was surrounded by a dense throng some time before the time appointed for the opening of the programme. The selections were well diversified and more than usually choice, including Mendelssohn's Wedding March in "Midsummer Night's Dream," the overture to "Semiramide," Coote's lancers " The Cure," an extract from "L'Africaine," Gassner's valse "The Half Hundred," and by special request, a portion of "Il Trovatore," with anvil accompaniment, and "Miserere" with song, and Gassner's galop "The Cackling Hens."
Mr. Gassner, the talented bandmaster, composed for the occasion a musical pot-pourri, entitled "The Night Mare and Council of War, or Don Quixote and Sancho Panza." This is supposed to have reference to certain civic proceedings and shortcomings, the music being adapted to characterise the events. Thence we had the election represented by drums, drums and bugles, and the brass band, answering each other from opposite directions; a dream of knighthood by the soft strains of the reed band, "Let us be happy together" by brass band in distance, interrupted by nightmare, the Unveiling of Captain Cook's Statue (brass band marching), and then following the "Rogues March," the "Dead March in Saul," with a touch of "Robert Le Diable" and "Mephistopheles," "Rule Britannia" with the madman's interruption, "Hearts of Oak" and "Rule Britannia" with a break-down, "The Red Cross Knight," "Down among the dead men," the Council of War with great squabbling therein, and "Here's a health to all good lasses." The composer has succeeded in producing some remarkably telling effects, especially of the ludicrous class, but perhaps the most noticeable part of the arrangement is the ingenious use of the Dead March in "Saul" in a F minor waltz time, which changes into F major as it merges into the Mephistopheles waltz.
The band was enthusiastically cheered as the programme was passed through. The proceeds of the concert (a fee having been requested at each entrance to the ground) are to be devoted h in aid of the funds of the School of Industry, and as few attended without giving a contribution, the friends of the institution must owe a debt of gratitude to Colonel Waddy and the officers the regiment for permitting the band to appear on this occasion, and also to Mr. Gassner, who, in regard to this as well as to other concerts in aid of charitable institutions, has not only cheerfully lent his assistance, but exerted himself zealously to obtain success. The receipts last night will no doubt be found to amount to a handsome sum.

"RETROSPECT", Illustrated Sydney News (28 November 1868), 1

http://nla.gov.au/nla.news-article63514273

WITH the permission of Colonel Waddy, the Band of the 50th (Queen's own) gave another Promenade Concert in the Domain, on Thursday evening, this time in aid of the Funds of the School of Industry. The "Semiramide" overture, and selections from "L'Africaine" and " Il Trovatore," were more than "worth all the money" the public were requested to pay for admittance. The new piece by Mr. Gassner, entitled, "The Nightmare," intended to illustrate our glorious City Council hubbubs, created a good deal of amusement, especially the "Great Squabbling" at the "Council of War."

"MUSIC. MADAME BISHOP AT THE DESTITUTE CHILDREN'S ASYLUM", Sydney Mail (12 December 1868), 5

http://nla.gov.au/nla.news-article166801653 

Yesterday, Madame Anna Bishop and Mr. Charles Lascelles visited the above institution, and gave the children a musical treat by singing some of their choice songs, remaining about two hours . . . It was truly delightful to see the joyful countenances of the children as they listened to this musical treat. Mr. Gassner, band master of the 50th Regiment, caused the youthful brass band - trained under his tuition during the last four months - to perform some choice pieces of music to prove their efficiency . . .

ASSOCIATIONS: Anna Bishop (vocalist); Charles Lascelles (pianist, vocalist)

"THE CATHERINE HAYES HOSPITAL. DESTITUTE CHILDREN'S ASYLUM AT RANDWICK", The Sydney Morning Herald (21 December 1868), 5

http://nla.gov.au/nla.news-article13177667

On Saturday afternoon, the foundation stone of the Catherine Hayes Hospital, at the Destitute Children's Asylum at Randwick, was laid, in the presence of a large number of persons . . . As the procession of ladies and gentlemen . . . went down the road to the appointed spot, they were preceded by the boys' new band, who, under the careful teaching of Mr. Gassner, were found to have actually become proficients, playing marches, polkas, and other pieces with a spirit and a precision which reflected very great credit on their kind instructor. Their smart new uniforms, and numerous brass wind instruments, imparted quite a festive air to the scene . . .

ASSOCIATIONS: Catherine Hayes (vocalist, benefactor)

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (24 December 1868), 5

http://nla.gov.au/nla.news-article13177810 

The Band of H.M. 50th Regiment will give their weekly performance in the Outer Domain, at 5 o'clock this afternoon. The next moonlight concert of this band will be given on Tuesday next, for the benefit of the City Night Refuge and Soup Kitchen. The following programme is for this afternoon: -
1. March, "The Australian Stockman," Rayner; 2. quadrille, "Como," D'Albert;
3. selection, "La Traviata," Verdi; 4. valse, "Southern Beauties," Gassner;
5. selection, "Martha," Flotow"; 6, galop, "The Creole," Gassner. God save the Queen.

"PROMENADE CONCERT", The Sydney Morning Herald (30 December 1868), 4

http://nla.gov.au/nla.news-article13178090 

One of these very pleasing and successful entertainments was given in the Domain last night by the splendid band of the 50th (Queen's Own) Regiment, the proceeds being set apart for the benefit of the City Night Refuge and Soup Kitchen. Despite the threatening state of the weather, there being a very clouded sky and other strong indications of rain, the concert was very numerously attended, and there is no doubt that the charitable institution above-named will receive very substantial aid from the entertainment. The performance of the band was as usual very good, and the programme selected by Mr. Gassner contained several exceedingly popular items. The first piece the grand Coronation March from "Le Prophète," was commenced shortly after 8 o'clock. An overture by Auber followed, then the St. Patrick's Quadrilles, a selection from "Un Ballo in Maschera," a valse by Mr. Gassner, the comic fantasia "A Night about Town," by Basquit, another excellent composition by Mr. Gassner, a selection from William Tell, and God save the Queen. The concert lasted for about an hour and a half, and was evidently much enjoyed by those who listened to it.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (14 January 1869), 5

http://nla.gov.au/nla.news-article13181738 

The band of H.M.'s 50th Regiment will give their weekly performance in the Domain, this afternoon, at 5 o'clock.
Programme: - 1. March, "Farewell," Gardner; 2. Overture, "Crown diamonds," Auber;
3. Quadrille, "La Sonnambula," Bellini; 4. Selection, "La Sonnambula," Bellini;
5. Valse, "Southern beauties," Gassner; 6. Galop, "The cackling hens," Gassner. God save the Queen!
We have been requested to add that the above band will give another moonlight concert in the Domain, on the evening of the 25th instant, in aid of the funds of St. Vincent's Hospital.

[Advertisement], The Sydney Morning Herald (25 January 1869), 8

http://nla.gov.au/nla.news-article13186724 

GRAND MOONLIGHT CONCERT, in aid of the funds of
ST. VINCENT'S HOSPITAL, by the 50TH (QUEEN'S OWN) BAND.
Another Moonlight Promenade Concert, by permission of Colonel Waddy, C.B., and the officers, will be given in
THE DOMAIN, THIS EVENING, at 8 o'clock, for the benefit of the above charitable institution.
By special desire the Grand Characteristic Pot-pourri, composed expressly for these Moonlight Concerts, with echoes and bands at distance, by Mr. GASSNER, entitled
THE NIGHTMARE, AND COUNCIL OF WAR, will be given for the second time on this occasion,
PROGRAMME:
1. March - "Grand Procession" - Gassner
2. Overture - "William Tell" - Rossini
3. Lancers - "Somebody's Luggage" - Coote
4. Selection - "Robert le Diable" - Meyerbeer
5. Valse - "Mousetrap Man" - Montgomery
6. Selection - "Il Trovatore" (by desire) - Verdi (with anvil accompaniment, and "Miserere," with gong, &c.)
7. Galop - "Orphee aux Enfers" - Offenbach
8. Grand Characteristic Pot-pourri, composed expressly for these Concerts by Mr. Gassner, entitled
THE NIGHTMARE and COUNCIL OF WAR; or, DON QUIXOTE AND SANCHO PANZA.
Characteristic Description . . . [as above]

"MUSIC AND DRAMA", The Sydney Morning Herald (29 January 1869), 3

http://nla.gov.au/nla.news-article13180639 

. . . The Moonlight Concerts given in the Outer Domain, by the band of the 50th Regiment, under the conductorship of M. Gassner, for charitable purposes, have been very successful, and a large sum - probably not much less than £1000 - has been contributed to the various local charities and kindred institutions in this city. The last of these open-air concerts took place on the 25th instant, and was well attended. We believe it is the intention of a number of gentlemen to organise a concert to be given to M. Gassner in recognition of this philanthropic endeavour . . .

"MUSIC", Sydney Mail (30 January 1869), 5

http://nla.gov.au/nla.news-article166809922 

By permission of Colonel Waddy, C.B., a Promenade Concert was given in the Domain, on Monday, by the band of the 50th Regiment, in aid of the funds of St. Vincent's Hospital. The attendance was good, and a large number of people entered the Domain long before the concert commenced. The band was as usual under the skilful leadership of Mr. Gassner. The programme consisted of marches, overtures, valses, opening with a composition by the leader, followed by the overture to William Tell, splendidly performed. The whole of the pieces were rendered very effectively by this fine band. The concert concluded with a characteristic pot-pourri, composed entirely by Mr. Gassner, entitled "The Nightmare," then performed for the second time. It is a composition abounding in passages evidencing masterly skill in instrumentation and a thoroughly cultivated acquaintance with harmonic combinations. The composer has skilfully combined several of the finest morceaux of some of the great composers, linked together by passages evincing great descriptive ability in a musical point of view, and strict attention to the instrumental force under his command. The amount realised in aid of the benevolent object sought to have been benefited must have been considerable, and the entertainment in itself was a treat to all who can enjoy fine music.

"DESTITUTE CHILDREN'S SOCIETY AT RANDWICK", The Sydney Morning Herald (1 February 1869), 2

http://nla.gov.au/nla.news-article13190800 

LAST Friday afternoon the annual general meeting of the Destitute Children's Society was held at the asylum at Randwick . . . The boys and girls, about 700 in number, were stationed at the western end of the room; and with them was the Asylum Band, the astonishing proficiency of which reflected much credit upon their talented instructor, Mr. Gassner . . . Through the kindness of Mr. Leigh a set of brass instruments has been received from England for the band, which, at the suggestion of their able and most successful instructor, Mr. Gassner, has been supplemented by the purchase of some others in the colony, and by the gift of a brass drum from Mr. Fitzpatrick, of Erskine-street, value ten guineas . . . A bat, with cricket bail and wickets (presented by Mrs. Dowling), was handed to the leader of the brass band as a reward for their good conduct and proficiency in music. It was intended to have given some prize to one of the band, but Mr. Gassner did not feel that he could make any distinction where all were deserving of praise . . .

"CONCERTS. THE 50TH BAND", Bell's Life in Sydney (20 February 1869), 3

http://nla.gov.au/nla.news-article65469254

The justly popular band of the Queen's Own (50th) intend to give a concert in the outer Domain, on Monday evening next. The proceeds from which will be handed over to the funds of the Sydney Infirmary. It is with much satisfaction that we perform the pleasing duty of drawing the attention of the public to the fact, that Mr. Gassner the able conductor of the band, is to have a complementary concert in the Outer Domain, on Friday next, the 26th instant. We trust that the citizens of Sydney will take this opportunity of testifying their appreciation of the valuable services rendered by this really good musician, by doing their utmost to secure him a "bumper."

The Sydney Morning Herald (23 February 1869), 5

http://nla.gov.au/nla.news-article13178336 

The last of the series of concerts given for charitable purposes, by the band of H.M. 50th Regiment, took place, last evening, for the benefit of the Sydney Infirmary. The attendance was not so large as might have been expected. The programme consisted of the "Royal Procession March," composed by Mr. Gassner; the overture to "Semiramide"; and selections from that opera; also selections from "Un Ballo" and "William Tell;" set of Lancers, by Godfrey; "Il Gorigolo waltz," by Mr. Gassner; the "Bonnie Dundee Quadrilles;" and "God save the Queen," as a finale. The several items were executed with great effect, and reflected infinite credit on Mr. Gassner and his excellent band. Some dissatisfaction was expressed at the interruptions occasioned by a company of Volunteers keeping up a fusilade in the Inner Domain, and at times rendering the music almost inaudible.

"TESTIMONIAL TO SIGNOR GASSNER", Empire (27 February 1869), 2

http://nla.gov.au/nla.news-article60832373

A very large number of persons assembled in the Domain last evening, on the occasion of the farewell entertainment to Signor Gassner, the Bandmaster of H.M. 50th Regiment, who took so large a share in originating the series of moonlight promenade concerts on that ground, which have been so extensively patronized. The Volunteer Brigade band, under the leadership of Mr. D. G. Callen, played a beautiful selection of music, including the most popular airs from the operas of "Masaniello," "Lucretia Borgia," "Ruy Blas" and "Martha." The proceeds of the concert will be devoted to the purchase of a testimonial to Signor Gassner; and no doubt the amount received will be amply sufficient for the purchase of one well worthy that gentleman's acceptance, and which will prove a substantial as well as agreeable souvenir of his sojourn in Sydney.

"QUEEN'S OWN BAND", The Sydney Morning Herald (27 February 1869), 7

http://nla.gov.au/nla.news-article13179681 

The last public performance of the above band will be given in the Botanic Gardens, this afternoon, at 5 o'clock.
Programme: 1. March, "Adieu," Gassner; 2. Overture, "Zampa," Herold;
3. Quadrille, "Masaniello," Auber; 4. Selection, "Semiramide," Rossini;
5. Valse, "Homeward-bound," Gassner; 6. March, "Adieu," God save the Queen.

"COMPLIMENTARY DINNER", The Sydney Morning Herald (13 March 1869), 7

http://nla.gov.au/nla.news-article13184060

On Thursday last, the professional and other friends of Mr. Gassner, the bandmaster of the 50th Regiment, entertained him at dinner at the Café de France in George-street, the regiment being on the eve of departure for Europe. A recherché repast was laid out and enjoyed by those present, and in the course of the evening the usual loyal toasts and the health of Mr. Gassner was proposed and heartily responded to. In returning thanks, Mr. Gassner observed that the gentleman who had proposed his health had been pleased to speak in eulogistic terms of the efforts made by him (Mr. Gassner) to promote the study of music in the colony, and also to his having been the means of assisting the funds of various institutions. He wished it, however, to be clearly understood that the thanks of the community were due to Major General Waddy and the officers of the 50th, for whatever of good in that direction might have been effected by the moonlight concerts, as without their permission, the band, of course, could not have performed - a permission that was always freely granted. Mr. Gassner thanked his hosts for the honour they had that evening conferred on him. Several songs were given, and pianoforte pieces performed during the evening, which was spent in an agreeable manner up to 11 o'clock.

"SYDNEY THEATRICALS &c. (FROM OUR OWN CORRESPONDENT)", The Era [London, England] (30 May 1869), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18690530/015/0007 (PAYWALL)

MARCH 26th, 1869. A complete change has taken place in the fortunes of the Theatrical Profession, and there is now a perfect plethora of dramatic performances . . . Added to these have been been open air concerts in the Domain on behalf of various charities, most generously given by the band of the 50th Regiment, under the very able leadership of M. Gassner, the bandmaster. I regret to say, enpassrant, that this popular regiment has just sailed in the Himalaya for England, and a greet loss it will prove to us, for the gallant colonel, General Waddy, has so thoroughly identified himself with the Sydney people in supporting all kinds of sport that his place will not easily be filled up . . .

England (from late 1869):

"NAVAL AND MILITARY", Western Morning News [Devon, UK] (4 November 1869), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000329/18691104/049/0003 (PAYWALL)

Weather permitting the band of her Majesty's 50th Regiment will play the following programme at Mount Wise at three o'clock this afternoon: -
March, "The President's," Reyloff;
overture, "Nabuccodonosor," Verdi;
selection, "Gemma di Vergy," Donizetti;
valse, "Gorigolo," Gassner;
selection, "Un Ballo," Verdi;
galop, "Catastrophe," Sterns;
"God save the Queen."

England census, 1871, Hampshire, Aldershot; UK National Archives, RG10/819

https://www.ancestry.com.au/interactive/7619/HAMRG10_819_821-0024 (PAYWALL)

Giovanni Gassner / Widower / 42 / Band master army / Born Naples Italy Naturalised British subject

[Advertisement], The Sydney Morning Herald [NSW] (26 August 1871), 12

http://nla.gov.au/nla.news-article13243772

METROPOLITAN INTERCOLONIAL EXHIBITION. SATURDAY, 26 AUGUST . . .
MUSICAL PROGRAMME. SATURDAY AFTERNOON . . . 9. Galop - The Fighting Cock and Cackling Hens. - Gassner . . .
SATURDAY EVENING . . . 7. Galop - Creoles. - Gassner . . .

"PRESENTATION OF AN ADDRESS MAJOR-GENERAL LYSONS, C.B.", Aldershot Military Gazette (18 May 1872), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000212/18720518/003/0003 (PAYWALL)

On Saturday the inst., thirteen bandmasters of the division, assembled at the 1st Brigade Office, South Camp, at 3 in the afternoon, for the purpose of presenting to Major-General Lysons, C.B., a handsome illuminated address, executed by Messrs. Culleton, of London. Mr. Gassner, as president of the committee of bandmasters, in presenting it to General Lysons, said: - I am requested by my brother bandmasters present to you an address in which we express our acknowledgements of the kindness which you manifested towards us all during the progress of the arrangements for the late monster concert, and during the concert itself, and which, hope, that you will be pleased to accept. The address was follows:- MONSTER MILITARY CONCERT HELD IN RIDING SCHOOL, EAST CAVALRY BARRACKS, ALDERSHOT, On April 4th, 5th and 6th, 1872. At a general meeting of the bandmasters of the division, held on the 8th April, 1872, it was unanimously carried that a letter should be forwarded to Major General D. Lysons, C.B., to express how fully they recognised his unquestionably good judgment in directing the management of this concert, undertaken on so large a scale, and his unusual knowledge of matters musical. The bandmasters further desire to thank him for the impartial kindness, consideration, and support, they at all times received from him while carrying out his wishes, and they would consider themselves fortunate, under similar circumstances, should they have energetic a gentleman at their head - Signed, Mr. Charles Cousins, 2nd Dragoon Guards; Mr. Vandenheuvel, 7th Hussars; Mr. A. Seume, 9th Lancers; Mr. Curry, 2nd batt. 4th; Mr. W. Allen, 2nd batt. 15th; Mr. J. Holt, 2nd batt. 17th; Mr. C. J. Hurst, 2nd batt. 22nd; Mr. L. Werner, 27th Regiment; Mr. J. Bayley, 46th Regiment; Mr. G. Gassner, 50th Regiment; Mr. Hecker, 82nd Regiment; Mr. W. T. Cole. 99th Regiment; Mr. Walsh, 100th Regiment; Mr. C. Luschwitz, 102nd Regiment . . .

"OUR BANDMASTER", The Queen's Own Gazette [50th Regiment, England] (1 March 1880), 117

THE FOLLWOING EXTRACT IS TAKEN FROM AN EDINBURGH JOURNAL.-

The subject of our sketch was born at Naples in February 1828, and at the early age of nine was placed in the Royal Conservatoire in that city, presided over by Mercadante.

Passing over his early days, which were uneventful, in 1847 he was appointed Second-Lieutenant in the First Regiment of the Swiss Guards. In 1848, when the great Rebellion took place in Italy, he fought on the side of the people, moved by King Bomba's cruel and despotic rule; but the popular cause having been worsted, he sought and obtained a passage to England on Her Majesty's Ship Queen.

After landing in England, having no introduction or letter to anyone, and unable to speak the language, Signor Gassner went to Malta, where his musical education proved of great service to him. Here he joined Her Majesty's 44th Regiment as Bandmaster, and on that Regiment leaving Malta, about 1851, he joined the Buffs. On the departure of the Buffs shortly afterwards for Greece, Signor Gassner was transferred to Her Majesty's Ship Bellerophon, commanded by Lord George Paulet, and accompanied that Officer to the Black Sea. He acted as his Lordship's honorary interpreter, in which capacity he proved eminently useful in frequent communications with Omar Pasha, whose head-quarters were near Eupatoria. On two occasions, when returning to the ship, he was attacked by Cossacks, but fortunately succeeded in reaching the boat unhurt. When the Bellerophon returned to Britain, in 1855, our musician joined the 1st Royal Lanark Militia, in Hamilton, as bandmaster; on the disbanding of which Regiment, in 1856, he joined the 5th Dragoon Guards, then stationed in Edinburgh, little Edinburgh as it then was, compared to the mighty city whose arms now seize the country right and left.

A foot Regiment, however, being more to the taste of Signor Gassner, he left the Dragoons and joined the 50th "Queen's Own" Regiment, with whom he has served ever since, at home and abroad. His musical ability is well known, and his compositions - chiefly for military bands - are varied and numerous. Many of his pieces have been published in several military band journals, and take a high place in general estimation, as our author's command of instrumentation - got from many years of hard study in that particular branch - is well known to all publishers of military band music; and we may add that during his stay in Edinburgh he has written two fantasias on Scotch melodies - "The Souvenir d'Edinbourg" and the "Jacobite." These pieces, together with many others of his compositions and arrangements, have been frequently performed amongst us, and have not only given satisfaction to the ordinary listener by their general effect, but on account of the musicianly ability and original thought displayed in their scoring, have won the admiration of those in a position to judge of their merits.

Signor Gassner, during his stay in Edinburgh, has made many friends, and to our credit be it said, his efforts to promote pure musical taste amongst us have been warmly appreciated. From our own experience of him, as a musician and a gentleman, we can only speak in terms of clear praise. It is almost supererogatory to say how much the Edinburgh public are indebted to him for the many musical treats afforded by his Band. Their correct and intelligent rendering of the music, and the ease and familiarity delayed in the general phrasing, betoken a thorough and careful training, and strict confidence on the part of the men in their leader, and on the part of that leader a sound judgement and artistic appreciation of the subject in hand. All this must have been apparent, to the outside public; but only to those who are acquainted with Signor Gassner in private life can be known his wide experience of music, both in its technique and in its literature. So many opportunities have we had of hearing them that, we have come to consider the Band of the 50th Regiment almost an institution in Edinburgh. Now that they are about, to leave us, we can only express our regret, and hope, as we believe - that wherever they and their talented conductor go, they will win the same warm esteem, appreciation, and respect they have won in "Auld Reekie."

[Advertisement], Bury Free Press [Suffolk, England] (15 May 1880), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000762/18800515/100/0005 (PAYWALL)

BOTANIC GARDENS, BURT ST. EDMUND'S. WHIT-MONDAY BANK HOLIDAY MAY 17th, 1880 . . .
By permission of Col. J. THOMPSON, the splendid BAND of the 50th QUEEN OWN Regiment will be in attendance,
under the direction of SIGNOR GIOVANNI GASSNER,
when a choice selection of Music, Vocal Choruses, &c., will be given . . .

England census, 1881, Essex, Colchester St. Giles; UK National Archives, RG11/1787

https://www.ancestry.com.au/interactive/7572/ESSRG11_1784_1788-0844 (PAYWALL)

Giovanni Gassner / Head / Wid'r / 52 / Bandmaster 50th Foot / [born] Italy, Naples, B. Subject
Edith [Gassner] / Dau'r. / Unm. / 20 / - / [born] Ceylon
Arthur [Gassner] / Son / [Unm.] / 17 / Midshipman / [born] [Ceylon]
Blanche [Gassner] / Dau'r / [Unm.] / 15 / - / [born] at sea

"THE 50TH (QUEEN'S OWN) REGIMENT", Essex Standard (19 July 1884), 10

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000165/18840719/069/0010 (PAYWALL)

Mr. G. Gassner, for 28 years the popular Bandmaster of this popular Regiment, and who is well known in Colchester, where he was for several years quartered with the Regiment, having just resigned his appointment, was entertained at a farewell mess dinner by Colonel Leach and the Officers at Camp Polymedia, Cyprus, on June 6. In proposing Mr. Gassner's health on the occasion, Colonel Leach said,-

Gentlemen, I rise to propose the health of our esteemed and respected guest, Mr. Gassner, who 1Iam deeply sorry to say is about to leave the old Regiment, in which he has so well and ably served, and in which he has so wielded the baton of the Band for a period of nearly twenty-eight years, in the most perfect manner, which we have all so thoroughly enjoyed and appreciated. (Applause.) It is curious that during my short command I have had to say farewell to no less than three members of the old Corps. Saying adieu is always trying; but I must admit that the present one is most painful to me, because Mr. Gassner is one of the few remaining ties which bind the old "Fighting Fiftieth" to the present Royal West Kent. I hope you will excuse my saying much, as I feel this occasion deeply. Perhaps some of you are not aware that Mr. Gassner served with distinction in the Crimea with Lord George Paulet, and he is in possession of the medals granted for that campaign, viz., Crimean and Turkish, together with the medal for New Zealand. I should like to enlarge further on Mr. Gassner's merits, but you must take the will for the deed. All that I will now say is, that whenever Mr. Gassner feels inclined to pay the Regiment a visit, he will always be heartily welcome; and I am sure all will join me in wishing him long life and every happiness in his retirement.

The toast was received in a most enthusiastic manner, and Mr. Gassner made an appropriate response. On a subsequent day (June 9), Mr. Gassner, who leaves behind him a piece of music entitled "Farewell," which he has specially composed and dedicated to Col. Leach and officers of "The Queen's Own," met the bandsmen in the practice room for the last time for the purpose of saying good-bye, but before doing so he was presented by them with a cheque and a letter, in which they expressed their esteem, and wished him, on his return to England, to procure an album, which they promised to fill with their photographs.

Nominal list of men discharged by the Commandant at Discharge Depot on Saturday 12 July 1884; UK National Archives, WO121/241

https://search.findmypast.com.au/record/browse?id=GBM/WO121/0241/001_024 (PAYWALL)

Gassner Giovanni / 1059 / Bandmaster / Royal West Kent [regiment] / [date of discharge] [22 July 1884] / Having reached the age of retirement for warrant officer / [date of attestation] [19 May 1865]

Admission as pensioner, Royal Hospital Chelsea, 12 August 1884, Giovanni Gassner, discharge from West Kent Regiment; UK National Archives, WO117/38

https://www.fold3.com/image/581842240/piece-38-1884-1884-7915b-13263b-page-186 (PAYWALL)

11361 / R'l Wet Kent / Bandmaster / Mr. Giovanni Gassner / 50th [regiment] / Service 18 7/12 years / N. Zealand - 10 months / Australia 2 years 8 months / Cyprus 1 year 7 months /
Having reached the age for retirement / [born] Naples Italy / [trade] Bandmaster / [age] 55 / . . . Address: 21 Clarendon Rd Croydon West . . .

England & Wales, National Probate Calendar, 1893, Gassner

https://www.ancestry.com.au/discoveryui-content/view/1115247:1904 (PAYWALL)

GASSNER Giovanni of 42 Palace-square Upper Norwood Surrey died 12 March 1893 at 2 rue Fourcroy Paris
Probate London 16 August to Edith Gassner and Blanche Gassner spinsters Effects £228 10s.

"AT HOME AT ADMIRALTY HOUSE. ANOTHER EASTER FESTIVAL", The Sydney Morning Herald [NSW] (11 April 1896), 10

http://nla.gov.au/nla.news-article14045311

His Excellency the Admiral followed the dinners which he has given recently in celebration of the Easter season by holding an "At Home" at Admiralty House yesterday, to which a very large number of guests were invited . . . the music . . . under the baton of E. Wright was being played by the band of the flagship . . . The music performed by the band consisted of march, "Advance Guard" (Ord Hume); overture, "The Exiles" (Gassner) [sic, The exiled]; valse, "The Colonel" (Bucalossi); selection, "Madame Favart" (Offenbach); gavotte, "Belle Vue" (Godfrey); galop, "The Planters" (Fricke) . . .

Musical works (extant):

Souvenire di Glasgow, walzer - G. Gassner (London, [1856])

Copy at the British Library

The Barncluth polka composed by G. Gassner ([London]: [Key, Rudall & Co.] [1856])

Copies at the Bodleian Library, Oxford, and British Library

https://search.worldcat.org/title/863516155 

The southern beauties waltzes, composed and dedicated to the ladies of New South Wales by G. Gassner, bandmaster H. M. 50th (Queen's Own) Regiment (Sydney: Elvy & Co., [1868])

https://trove.nla.gov.au/work/156931416

https://collection.sl.nsw.gov.au/record/74VKwzZKoaN3 (DIGITISED)

ASSOCIATIONS: Robert Hammond Elvy (Sydney musicseller, publisher)

2d. Brigade quick step - G. Gassner [brass band parts] (London, [1873]

Copy at the British Library

Grand fantasia on Scotch melodies ["The Jacobite"] - G. Gassner [military band parts] (London: Boosey & Co, [1880])

Copy at the British Library

March solennelle - G. Gassner [military band parts] ([? London: Boosey & Co.], 1881)

Copy at the British Library

Un souvenir d'Edimbourg, grande fantaisie (pour musique militaire), par G. Gassner (Paris: F. Goumas, [1881])

Copy at the Bibliothèque nationale de France

https://catalogue.bnf.fr/ark:/12148/cb43005961s 

https://catalogue.bnf.fr/ark:/12148/cb430059624 

Valse, Mon ami - G. Gassner [military band parts] ([? London: Boosey & Co.], 1882)

Copy at the British Library

Cavatina [B flat clarionet solo] - G. Gassner [military band parts] (London: Boosey & Co., 1884)

Copy at the British Library

A musical bouquet, fantasia - G. Gassner [military band parts] (London: Boosey & Co., 1886)

Copy at the British Library

Overture, The exiles [sic] - G. Gassner [military band parts] (London: Boosey & Co., 1887)

Copy at the British Library

https://search.worldcat.org/title/1061673746 

Bibliography and resources:

Kenneth Young, Music's great days in the spas and watering-places (London: Macmillan, 1968), 45-46

https://trove.nla.gov.au/work/21127103 

Clare Gleeson and Elizabeth Nichol (eds), "Giovanni Gassner", in Musical notables of New Zealand (documenting historical figures from New Zealand's musical heritage, 1840-1920)

https://nzmusicalnotables.com/notables/notables-e-h/#giovanni-gassner 

GATES, Mr. (Mr. GATES; ? Mr. GALE)

Bass or baritone vocalist, actor

Active Adelaide, SA, 1839-40

https://trove.nla.gov.au/search?l-publictag=Mr+Gates+actor+1839-40 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATES-Mr (shareable link to this entry)

Documentation:

[Advertisement], South Australian Register [Adelaide, SA] (16 November 1839), 3

http://nla.gov.au/nla.news-article27440983 

ROYAL VICTORIA THEATRE, North Terrace, Adelaide.
MR. CAMERON has the honor of announcing to the Ladies and Gentlemen, and the Public of Adelaide and its vicinity, that he has, at a considerable expence, fitted up an appropriate Theatre in North Terrace, and it is hoped the arrangements will secure that patronage and support which in catering for their amusement it will be his study to merit. The Theatre will consist of one tier of Private Boxes, and a commodious Pit, and will open on
Monday Evening, November 25, 1839, when will be presented Kotzebue's celebrated play of
THE STRANGER . . . Mrs. Haller - Mrs. Parnell.
During the piece Mrs. Coombes will sing the plaintive air - I have a silent sorrow here . . .
Song from Guy Mannering - Safely follow him - by Mr. Gates . . .

ASSOCIATIONS: Samson Cameron (actor, manager); Mrs. Coombes (actor, vocalist); Mrs. Parnell (actor, vocalist); Royal Victoria Theatre (Adelaide venue)

MUSIC: Safely follow him (Cooke, from Guy Mannering)

[Advertisement], Southern Australian (12 December 1839), 3

http://nla.gov.au/nla.news-article71685688 

Victoria Theatre, NORTH TERRACE, ADELAIDE.
THE Public are respectfully informed, that on THURSDAY EVENING, December 12th, 1839, will be presented the Comedy in 5. Acts of
THE WONDER!! A Woman Keeps a Secret!!!
Nicolante - Mrs. Parnell. For Characters see the Bill of the Day.
GLEE - "O Lady Fair," By Mrs. Parnell, Mrs. Coombes, and Mr. Gates.
AFTER WHICH, BACHELOR'S BUTTONS . . . the Proprietor, S. CAMERON. VIVAT REGINA.

MUSIC: O lady fair (Thomas Moore)

[Advertisement], Adelaide Chronicle and South Australian Advertiser (24 March 1840), 2

http://nla.gov.au/nla.news-article195859729 

VICTORIA THEATRE. For the Benefit of Mrs. Cameron . . .
TOMORROW EVENING (Wednesday) . . . Wednesday, 25th March, 1840,
Will be produced, with New Music, Scenery, Dresses, Decorations, Machinery, &c., the celebrated Musical Play taken from Sir Walter Scott's Novel of the same name, called
GUY MANNERING; Or, The Gipsy's Prophecy . . . Gabriel - Mr. Gates . . .
In the course of the piece the following Glees, Songs, Choruses, &c.:-
Glee - The winds whistle cold, Mrs. Mansfield, Mr. Gates, Mrs. Rainsford, and amateurs . . .
Gipsy Glee and Chorus - Chough and Crow to roost are gone, Mrs. Rainsford, Mrs. Mansfield, Mr. Gates, and amateurs.
Song - Safely follow him - Mr. Gates . . .

ASSOCIATIONS: Cordelia Cameron (actor, vocalist); Mrs. Mansfield (vocalist); Jane Rainsford (actor, vocalist)

MUSIC: The winds whistle cold and The chough and crow (Bishop, from Guy Mannering)

[Advertisement], South Australian Register (28 March 1840), 3

http://nla.gov.au/nla.news-article27441312 

VICTORIA THEATRE . . .
BUCKINGHAM'S NIGHT. (Stage Manager.) On Monday Evening, March 30 . .
ONE O'CLOCK; OR, THE WOOD DEMON . . . Zangrida (the Wood Demon) - Mr. Gale [sic ?] . . .
Comic Song - Young Larry, By an Amateur.
Song - Rory o'More - Mrs. Mansfield.
Glee - By Messrs. Buckingham, Gates, Fenton, and Mrs. Mansfield.
Song - The Wolf, Mr. Gates.
Comic Song - Mr. Buckingham.
To conclude with the Operatic Farce of NO SONG NO SUPPER . . .

ASSOCIATIONS: George Buckingham (actor, vocalist); Charles Fenton (actor, vocalist)

MUSIC: The wolf (Shield)

[Advertisement], Adelaide Chronicle and South Australian Advertiser (28 April 1840), 2

http://nla.gov.au/nla.news-article195859810 

VICTORIA THEATRE . . . April 29 . . .
Song - The Old Maid - Mrs. Cameron in character
Song - Mr. Gates . . .

[Advertisement], South Australian Register (21 November 1840), 3

http://nla.gov.au/nla.news-article27442018

VICTORIA THEATRE . . .
FOR the BENEFIT of Mr. LEE, Leader of the Orchestra,
assisted by all the available Musical Talent in the Colony . . .
on Monday Evening next, November 23, 1840 . . .
Song - Hurrah for the Road - Mr. Gates.
Song - The Maid of Judah - Mr. Ward.
Song - Mrs. Cameron.
The whole to conclude with, by particular desire, OTHELLO TRAVESTIE . . .

ASSOCIATIONS: Philip Lee (violinist, leader)

MUSIC: Hurrah for the road (from Paul Clifford)

GATES, James Mortimer (James Mortimer GATES; J. M. GATES)

Musician, bandmaster, cornet player, composer, arranger

Born c. 1839; son of John GATES and Harriett MORTIMER
Active Geelong, VIC, early 1860s
Active Maitland, NSW, by 1865
Married Isabella BLACKBURN, Newcastle, NSW, 1873
Active Gympie, QLD, by 1877
Died Gympie, QLD, 24 August 1898, aged "59"

https://trove.nla.gov.au/search?l-publictag=James+Mortimer+Gates+d1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATES-James-Mortimer (shareable link to this entry)

THANKS: To Helen English, of the University of Newcastle, July 2015, for identifying J. M. Gates as James Mortimer Gates, and for kindly allowing me to update this entry accordingly.

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Documentation:

[Advertisement], Geelong Advertiser [VIC] (16 October 1862), 3

http://nla.gov.au/nla.news-article148903295 

GRAND VOLUNTEER QUADRILLE ASSEMBLY.
WITH the kind permission of the Commanding Officer the Band of the Regiment will give a
SELECT EVENING at No 2 Company's Room, Ryrie-street, on Thursday, Oct. 16th.
Tickets of admission to be obtained of J. M. Gates, E. Ashmore, W. Beales, and G. W. Walker.

ASSOCIATIONS: George William Walker (musician); Geelong Volunteer Band (association)

[Advertisement], Geelong Advertiser (21 December 1863), 3

http://nla.gov.au/nla.news-article148702209 

SOBER CONCERTS FOR THE PEOPLE. (SIXTH YEAR.)
TEMPERANCE HALL, LITTLE MALOP-STREET, THIS (MONDAY) EVENING, 21ST DECEMBER,
Commencing promptly at eight o'clock, USUAL MUSICAL WEEKLY RE-UNION FOR FAMILY RECREATION,
and for which occasion THE GEELONG AMATEUR TROUBADOURS Have kindly volunteered their valuable services.
Pianist - Mr. W. D. Goodall.
Orchestra, Messrs. R. J. Andrews, 1st violin; J. Stainsby, 2nd do;
Jas. Gates, cornet; J. Best, violincello.
ADMISSION: Sixpence - Subscribing Members and Children Three-pence each. The inmates of the Orphanages free.
W. STITT JENKINS, President.

ASSOCIATIONS: William Daniel Goodall (pianist); Robert James Andrews (violin); James Stainsby (violin); John Parry Best (cello); William Stitt Jenkins (president)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW] (30 September 1865), 1

http://nla.gov.au/nla.news-article18711102 

MAITLAND PHILHARMONIC SOCIETY. Season - 1865, MECHANICS' INSTITUTE, EAST MAITLAND . . .
a GRAND VOCAL AND INSTRUMENTAL CONCERT will take place in the hall of the above Institute
ON TUESDAY EVENING, OCTOBER 3RD. 1865.
PROGRAMME . . . PART II - CLASSICAL AND POPULAR.
Cornet Solo - "Eclipse Polka" - Mr. J. M. GATES - KOENIG . . .

ASSOCIATIONS: Maitland Philharmonic Society (association)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (14 October 1865), 1

http://nla.gov.au/nla.news-article18706671 

WEST MAITLAND VOLUNTEER BAND.
THE Band Committee having secured the services of a new, efficient, and steady Bandmaster (Mr. Gates), are desirous of increasing the strength of the Band by the addition of two or three respectable young men. Early application is necessary. Nights of Practice: Monday, Wednesday, and Friday, at the Old Court-house. -
The Band Committee take this opportunity of thanking the public for the generous support they have always given to the Band Fund, and beg respectfully to inform them that the Evening Promenade Performances will be resumed in a week or two, on the Old Parade Ground, of which due notice will be given.
JOSEPH GREER, A. WILKINSON, BENJN. HART.

ASSOCIATIONS: West Maitland Volunteer Band (association)

"THE VOLUNTEER BAND", The Maitland Mercury and Hunter River General Advertiser (16 November 1865), 3

http://nla.gov.au/nla.news-article18713389 

We learn that the band will resume their Thursday evening practice, this evening, on the old parade ground, under the new bandmaster, Mr. Gates. The programme for this evening is: -
Part 1st: 1. Shades of Evening, by J. M. Gates; 2. The Empress Quadrilles, H. Farmer;
3. Selection Christy's Songs, S. Jones; 4. Louva's March -
Part 2nd.- 5. Mendelsohn's Wedding March; 6. The Woodland Whispers Waltzes, Stanley;
7. Lillian Polka, C. D'Albert; 8. March, "Steer me Back," J. M. Gates. God save the Queen.

"VOLUNTEER BAND", The Maitland Mercury and Hunter River General Advertiser [NSW] (7 December 1865), 2

http://nla.gov.au/nla.news-article18699988

VOLUNTEER BAND, Friday Evening, -
Programme: Part I: 1. Moonlight Parade March, by J. M. Gates;
2. Martha Valse, C. D'Albert; 3. Selection, Christy's (by desire), S. Jones;
4. March, "The harp that once" J. M. Gates. -
Part II: 5. Edinburgh Quadrilles, C. D'Albert; 6. Prince Imperial Galop, C. Coote; 7. Lillian Polka, C. D'Albert;
8. March, "Steer me back" J. M. Gates, God save the Queen.

"MASONIC BALL", The Maitland Mercury and Hunter River General Advertiser (13 July 1867), 8

http://nla.gov.au/nla.news-article18715519

A grand ball under the patronage of the members of the Masonic order was held on Thursday night [11 July] in the Court House . . . A large number were present and dancing was commenced about half-past nine o'clock. An excellent band, under the leadership of Mr. J. M. Gates, of West Maitland, was engaged for the occasion, and the manner in which it performed contributed in a great degree to the pleasures of the evening's entertainment . . . The ball was brought to a close shortly before four o'clock.

"POLICE INTELLIGENCE . . . WEDNESDAY, DECEMBER 2, 1868 . . . Charge of Embezzlement", The Newcastle Chronicle [NSW] (3 December 1868), 3

http://nla.gov.au/nla.news-article111330094 

John Mabyn, on remand, in custody, was charged with embezzling £4, the property of Andrew W. Walker, of Bolton-street, on the 28th instant . . .
James Mortimer Gates deposed: I am in Mr. Walker's employ. I know the prisoner, who has been an assistant of Mr. Walker's . . .

"THE ARTILLERY BAND", The Newcastle Chronicle (28 October 1869), 3

http://nla.gov.au/nla.news-article111160566

This band, which already numbers thirteen members, is making great progress towards proficiency, under the able tuition of Mr. J. M. Gates, and in about two months more we may expect to have a brass band in the town to enliven us, almost equal to that of our neighbours in West Maitland. Mr. Gates lately purchased from Mr. Paskins, of West Maitland, three brass instruments, viz., a bombardone, a baritone, and a tenor horn. He speaks highly in favor of them as being of a first class character, and were purchased at a low figure. We are glad to learn that such instruments can be obtained at Mr. Paskins', without the trouble and expense of sending to England for them.

"VOLUNTEER ARTILLERY BAND PERFORMANCES", The Newcastle Chronicle (7 June 1873), 2

http://nla.gov.au/nla.news-article111151035

By permission of Captain Holt, the Volunteer Artillery Band will perform the following programme on the grounds attached to the Asylum for Imbeciles this afternoon, commencing at three o'clock sharp - weather permitting: -
Part I. - 1. Sultan Mahomed's Grand March (Swaboda); 2. Edinburgh Quadrille (C. D'Albert); 3. Friedrick's Schottische (Kuhner);
4. North American Quickstep (J. M. Gates).
Part II. - 5. Woodland Whispers Waltz (Stanley);
6. Moonlight Polka (arranged by J. M. Gates); 7. Signal March (Kuhner);
8. Prince Imperial Galop (C. Coote, junr.). God Save the Queen.

ASSOCIATIONS: Newcastle Volunteer Artillery Band (association)

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette [Gympie, QLD] (10 March 1877), 3

http://nla.gov.au/nla.news-article168611954 

The Catholic Band favoured the public of Gympie with a treat on Saturday evening last, on Commissioner's Hill. Some excellent selections particularly well-played, were given, and there was but one opinion expressed, that Bandmaster Gates must spare no time in securing to his pupils such perfection as they have attained.

[News], The Brisbane Courier [QLD] (19 July 1879), 4

http://nla.gov.au/nla.news-article884240 

The following persons were adjudicated insolvent upon their own petitions: . . .
James Mortimer Gates, of Red Hill, Gympie, musician, in forma pauperis; first meeting, August 7.

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette [QLD] (16 August 1879), 3

http://nla.gov.au/nla.news-article170582604 

We are pleased to hear that some of the old supporters of the Hibernian Band have communicated with Mr. Gates, the bandmaster, and the Band has consented to play at Mr. Murray's, Commissioner's Hill, and at Mr. Cullinane's, Mary-street, alternately. The following is the programme for this evening: -
Part I. Grand March - Field Day - (Callan) [Callen]; Quick Step Medley - (Gates); Grand Selection from Attila - (Verdi); Cornet Solo by Mr. Gates - Koenig's Eclipse Polka; Quadrille - Christmas Echoes - (Godfrey); March - Love Not - (Glover);
Part II. Selection from Falstaff - (Balfe); Grand Waltz - Das Musikfest - (Jackson;) March - Her bright smile haunts me still - (Ford); Polka - Kingfisher - (Coote); Gallop - Excursion - (Montgomery); God Save the Queen.

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette (13 September 1879), 2

http://nla.gov.au/nla.news-article170583202 

The Oddfellows Band will perform the following choice selections from off the balcony of the Commercial Hotel, this evening . . . The members of the Hibernian Band have, with very commendable spirit, decided upon giving the residents of the Monkland a treat this evening, and will perform some selections opposite Mr. M. J. O'Brien's, Monkland Store. The performance is entitled "an evening with Tom Moore," and the music for the occasion has been selected and principally arranged by Mr. Gates, bandmaster.
The following is the programme: -
Quick Step - Steer my bark to Erin's Isle - Gates; Grand March - The Minstrel Boy - Riviere; The Knight of St Patrick Lancers - Godfrey;
Song - The Exile of Erin - Arranged by Gates; Parade Waltz - Molly Astore - Gates;
Quick March - Eily Mavourueen - Millor; Quadrille - Royal Irish - Jullien;
Waltzes - Gems of Erin - Gates; Polka - The Holiday - Hare; March - The Mulligan Guard - Jones;
Troop - Kate Kearney - Gates; Quick Step - Garryowen - Gates; God save the Queen.

"Notes and News", Gympie Times and Mary River Mining Gazette (25 August 1898), 3

http://nla.gov.au/nla.news-article171525669 

In consequence of information supplied by Dr. Ryan, Senior Sergeant Ferguson despatched three constables to the residence of Mr. James Mortimer Gates on Tuesday last where they found the owner seriously ill and in a partially neglected state. He was at once conveyed to the Hospital on a stretcher by the constables and a member of the Ambulance Brigade. He, however, only lingered a very few hours, dying quietly early yesterday morning, the cause of death being cancer of the abdomen. The deceased, who was 59 years of age, was for a long time known in connection with the Hibernian band, of which he was bandmaster for some years. The funeral takes place to-day.

GATLAND, Robert Edward (Robert Edward GATLAND; R. E. GATLAND; Mr. GATLAND)

Musician, vocalist, Irish comic singer, orchestral player, amateur actor, comedian, carpenter

Born London, England, 5 October 1832; baptised St. George in the East, 3 February 1833, son of Jarratt GATLAND (1804-1867) and Sarah WHITTAMORE (1804-1868)
Arrived Sydney, NSW, by 1855
Married Emma GREGORY (1837-1902), Sydney, NSW, 1855
Active Auckland, NZ, 1868-76
Died Bourke, NSW, 21 May 1897, aged "64" (BDM NSW 4086/1897)

https://trove.nla.gov.au/search?l-publictag=Robert+Edward+Gatland+1832-1897 (TROVE tagged by Australharmony)

http://peopleaustralia.anu.edu.au/biography/gatland-robert-edward-28092 (People Australia)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATLAND-Robert-Edward (shareable link to this entry)

Documentation:

Baptisms solemnized in the Parish of Saint George [in the East] in the County of Middlesex in the year 1833; register, 1826-35, page 227; London Metropolitan Archives, P93/Geo/014

https://www.ancestry.com.au/discoveryui-content/view/4805811:1558 (PAYWALL)

[Born] 5 of Oct. 1832 / No. 1810 / Feb'y 3 / Robert Edward son of / Jarratt & Sarah / Gatland / John Street / Servant . . .

ASSOCIATIONS: Jarratt Gatland and Sarah Whittamore had married at St. Botolph Aldgate in the City of London on 4 September 1826

[Advertisement], The Sydney Morning Herald [NSW] (20 March 1860), 1

http://nla.gov.au/nla.news-article13038017 

ROYAL ALBERT THEATRE. - THIS EVENING, the celebrated English and Irish Comedian,
E. GATLAND, takes his first BENEFIT at the above Theatre,
when he will appear as Joe the Orphan, in the beautiful drama of JACK and JACK'S BROTHER, assisted by several talented Artists, who have kindly volunteered their services for this occasion only.
The Interlude will consist of SONGS, sentimental and comic, together with DANCING, in which several of the seamen belonging to M. M. ships in harbour will take a prominent part.
The evening's entertainment will conclude with the Fifth Act of Sheridan's Play of PIZARRO.
For further particulars, see small bills. Prices as usual.

ASSOCIATIONS: Royal Albert Theatre (Sydney venue)

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (19 December 1860), 3

http://nla.gov.au/nla.news-article63594391 

Prince of Wales Theatre. WEDNESDAY, DEC. 26th, 1860.
LESSEES: Messrs, Sharp and Wilkinson.
THE public of Bathurst are respectfully informed, that the above favourite place of amusement will open on BOXING NIGHT, with the following talented company: -
MR. and MRS. J. B. RUSSELL; MR. and MRS. MURRAY; MR. BARRY; MR. TWIGHT
MR. GATLAND; MR. FLYNN; MR. W. RICE; MR. and MRS. WILKINSON . . .
F. J. SHARP, Acting Manager.

ASSOCIATIONS: Henry Twight (actor); Walter John Rice (musician); Theodore and Marian Wilkinson (actors); Frederick Sharp (actor, musician, manager); Prince of Wales Theatre (Bathurst venue)

[Advertisement], Bathurst Free Press and Mining Journal (16 January 1861), 3

http://nla.gov.au/nla.news-article62401828 

I.O.O.F.M.U.
Royal Victoria Theatre, DURHAM STREET,
BENEFIT NIGHT!! BROTHER R. E. GATLAND,
Of the Loyal Wandering Minstrel Lodge, No. 2079, Sydney District
WILL have the honor of taking a BENEFIT at the above THEATRE ON WEDNESDAY, JANUARY 16, 1861,
Under the Immediate Patronage of the Bathurst District Officers, and the Officers and Brothers of the Loyal Kincora Lodge, No. 4195.
The performance will commence with the beautiful two Act Drama, entitled, The
CHARMING POLLY; OR, LUCKY AND UNLUCKY DAYS.
To be followed by an interlude, comprising SINGING & DANCING.
The evening's entertainment will conclude with the laughable Farce of The
IRISH TUTOR; Or, THE NEW LIGHTS.
Admission: - Boxes, 3s.; Pit, 1s.
Doors open at half-past 7; performance will commence precisely at 8 o'clock.
J. B. RUSSELL, Stage Manager.

ASSOCIATIONS: Royal Victoria Theatre (Bathurst venue)

[Advertisement], The Sydney Morning Herald [NSW] (16 February 1861), 1

http://nla.gov.au/nla.news-article13052790 

MASON'S SALOON, TO-NIGHT. - Confusion to the Norman, from the Opera of Robin Hood.
MASON'S SALOON - Re-Engagement of Mr. Gatland, late of the Victoria Theatre. Liquors, bar prices.

MUSIC: Confusion to the Norman (music by G. A. Macfarren, from the recent opera of Robin Hood)

[Advertisement], The Sydney Morning Herald (2 March 1861), 1

http://nla.gov.au/nla.news-article13053522

MASON'S SALOON - "Confusion to the Normans," and "From Childhood's Dawn," from Robin Hood.
MASON'S SALOON - Glees, Trios, and Duets. Mr. Gatland, Irish Comic Singer. Liquors, bar prices.

[Advertisement], The Sydney Morning Herald (9 March 1861), 1

http://nla.gov.au/nla.news-article13053843 

MASON'S SALOON. - Selections from the latest operas,
Robin Hood, Rose of Castile [Balfe], &c.
MASON'S SALOON. - Glees, Trios, Duets, &c. Mr. Gatland, Irish comic singer. Liquors, bar prices.
MASON'S SALOON. - In addition to usual attractions Mr[s]. Eastwick, the favourite pianist, engaged.

ASSOCIATIONS: Wilhelmina Eastwick (pianist)

[Advertisement], The Sydney Morning Herald (23 March 1861), 1

http://nla.gov.au/nla.news-article13054605 

MASON'S SALOON - Selections from Robin Hood, Muleteer [Balfe], and other favourite operas. Liquors, bar prices.
MASON'S SALOON. - Overtures, glees, trios, duets, &c. Mr. Gatland, Irish comic singer.

[Advertisement], The Sydney Morning Herald (22 April 1861), 1

http://nla.gov.au/nla.news-article13060794 

MASON'S SALOON. - Continued success. - Mr. GATLAND, the Irish humorist, every evening. Liquors bar prices.

[Advertisement], Empire [Sydney, NSW] (6 July 1861), 1

http://nla.gov.au/nla.news-article60491662 

RE-OPENING OF ROYAL LYCEUM THEATRE.
GRAND COMPLIMENTARY BENEFIT TO Mr. J. WINTERBOTTOM,
On TUESDAY next, 9th July. The following Artists will appear on the occasion -
G. H. Rogers, F. Howson . . . Messrs. . . . Gatland, Mrs. Crosby, Mrs. C. Jones . . . and
a full and efficient Orchestra. Leader, Mr. G. PECK, who has kindly volunteered his services upon the occasion.
Conductor, Mr. J. WINTERBOTTOM.

ASSOCIATIONS: John Winterbottom (musician); George Herbert Rogers (actor); Frank Howson (actor, vocalist); Emelia Crosby (actor); Christina Mary Jones (actor); George Peck (violin, leader); Lyceum Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (29 August 1861), 1

http://nla.gov.au/nla.news-article13059649 

MASON'S SALOON. - Glees, Trios, Duets, Selections from the latest operas, &c.. GATLAND, Irish comic singer.

[Advertisement], The Sydney Morning Herald (25 March 1863), 1

http://nla.gov.au/nla.news-article13076165 

SYDNEY ORCHESTRAL UNION. - Notice of REMOVAL. -
The above Society have removed to Mr. Cane's Schoolroom, Stanley-street, Woolloomooloo.
Practice, this evening, at half-past 7 sharp.
A few additional members required.
W. KNIGHT, conductor.
R. E. GATLAND, secretary.

ASSOCIATIONS: Sydney Orchestral Union (association)

[Advertisement], Daily Southern Cross [Auckland, NZ] (23 June 1870), 1

https://paperspast.natlib.govt.nz/newspapers/DSC18700623.2.2.7 

A. R. V. PRINCE OF WALES THEATRE.
A MUSICAL AND DRAMATIC ENTERTAINMENT Will be given TO-NIGHT (THURSDAY), JUNE 23, 1870,
In Aid of the Band Fund, By Members of the AUCKLAND RIFLE VOLUNTEER CORPS, Assisted by Ladies of the Profession . . .
SERGT. R. E. GATLAND, Manager.

[Advertisement], New Zealand Herald [Auckland, NZ] (17 October 1870), 1

https://paperspast.natlib.govt.nz/newspapers/NZH18701017.2.2.6 

AUCKLAND ETHIOPIAN TROUPE. CITY HALL, QUEEN-STREET . . .
HIS (MONDAY) EVENING, OCTOBER 17 . . .
PROGRAMME . . . PART II . . . . Song - Mr. R. E. Gatland . . .

[Advertisement], Auckland Star (23 November 1870), 2

https://paperspast.natlib.govt.nz/newspapers/AS18701123.2.16.4 

SYMONDS-ST. MUSIC HALL. THIS (WEDNESDAY) EVENING, NOV. 23.
THE ORPHEUS MINSTRELS . . . BENEFIT OF THE PROVINCIAL HOSPITAL.
PROGRAMME. PART I.
Overture - "Crown Diamonds" (Auber) - Company
Opening Chorus - "Ernani" (Verdi) - Company . . .
The Little One that Died - Mr. R. E. Gatland
PART II . . . The Wanderer (Schubert) - Mr. R. E. Gatland . . .

[News], New Zealand Herald (26 August 1876), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18760826.2.21 

We understand that Mr. R. E. Gatland is about to leave per Hero for Sydney, and in view of his departure, the members and officers of the Amalgamated Society of Carpenters and Joiners will present him with a substantial token of their regard. The presentation takes place this evening at the Thames Hotel, at half-past 8.

See also "FAREWELL SUPPER TO MR. R. E. GATLAND", Daily Southern Cross (28 August 1876), 2

https://paperspast.natlib.govt.nz/newspapers/DSC18760828.2.13 

"WATER POLICE COURT . . . DISOBEYING AN ORDER", Evening News [Sydney, NSW] (11 August 1886), 6

http://nla.gov.au/nla.news-article107284898 

Robert Edward Gatland, for disobeying an order for the support of his child, was sent to gaol till the order is complied with.

"WATER POLICE COURT . . . MAINTENANCE", Evening News (12 August 1886), 6

http://nla.gov.au/nla.news-article107285779 

. . . Emma Gatland obtained an order against her husband, Thomas Gatland [sic], for 20s a week.

? [Advertisement], Evening News (30 July 1888), 1

http://nla.gov.au/nla.news-article107329200 

MR. A. E. GATLAND, teacher of MUSIC, theory, and piano. Chalford and Cascade Sts., Paddington.

ASSOCIATIONS: Perhaps Gatland himself or one of his older sons

"Deaths", The Sydney Morning Herald (29 July 1889), 1

http://nla.gov.au/nla.news-article13730899 

GATLAND. - July 27, at his mother's residence, 37, Cascade-street, Paddington, William David, beloved son of Robert and Emma Gatland, aged 19, of consumption.

"DEATHS", The Daily Telegraph (21 July 1902), 1

http://nla.gov.au/nla.news-article237598995 

GATLAND. - On the 20th inst., at her residence, 7 Brown-street, Newtown, Emma Gatland, aged 65. No flowers, by request.

"OLD SYDNEY . . . A Theatre in Sussex-street . . . (No. 246. - By 'OLD CHUM')", Truth (7 July 1912), 12

http://nla.gov.au/nla.news-article168748974 

. . . Dear Old Chum, - A little while back you published a nice entertaining letter from the father of the stage, Mr. W. H. Ford, in allusion to and in connection with the little theatre in Sussex-street. At the commencement of the sixties, the building which was used for dramatic purposes was adjacent to an hotel (Murray's, I think it was then) at the corner of King and Sussex-streets. Sometimes it was used as a dancing saloon, at others let for theatrical exhibitions. It was called the "Royal Albert" I remember, some time before Mr. Ford opened it, taking part (as an amateur) in various plays performed there, and acted with Miss Blanche Grey, whom I knew well, as an aspirant for histrionic ability . . . About that time I was connected with a company performing at the "Royal Albert." Jack Clifford was the star, Miss Grey and Emily Vincent were the leading ladies, Robert Gatland was in the company, and his brother-in-law, Ned Gregory, who at that time was a cricketer in embryo, and years after became the father of little Syd. The writer was generally cast for walking gentlemen . . . Ned Gregory, afterwards the lion-hearted Ned, and his brother-in-law, Bob Gatland, who was a good all-round actor, the possessor of a fine basso voice . . .
- H. M., Fitzroy.

ASSOCIATIONS: Joseph Michael Forde ("Old Chum"); William Henry Ford (actor, manager); Edward James (Ned) Gregory (1839-1899, wife's brother); see also Ned Gregory (Wikipedia)

Bibliography and resources:

Robert Edward Gatland, Find a grave

https://www.findagrave.com/memorial/184918172/robert-edward-gatland 

GATLAND, Thomas (Thomas GATLAND; T. GATLAND; Mr. GATLAND; GATTLAND; GATELIN)

Musician, clarionet / clarinet player, clarinettist, vocalist, convict, emancipist

Born England, c. 1821; son of Thomas GATLAND (d. 1840) and Mary SMITH
Convicted Kent Quarter Sessions, England, 12 April 1839 (10 years transportation, aged "17")
Arrived Sydney, NSW, 27 April 1840, en route to Norfolk Island (per Mangles (8), from England, 21 November 1839, aged "19")
Arrived Hobart Town, VDL (TAS), 3 March 1844 (per Maitland, from Norfolk Island, 15 February, aged "23")
Married Jane HILLAN (c. 1831-1889), Adelaide, SA, 25 March 1850
Active Hobart, TAS, by 1853
Active Melbourne, VIC, by 1857
Died Footscray, VIC, 26 April 1900, aged "78/79"

https://trove.nla.gov.au/search?l-publictag=Thomas+Gatland+d1900 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATLAND-Thomas (shareable link to this entry)

Summary:

Gatland's convict records variously identify his place of birth as Gravesend in Kent, and Croydon in Surrey. No matching baptism record has been found for the years around 1821, his most likely year of birth given his later reported ages. His 1899 VIC death record identifies his parents as Thomas Gatland and Mary Smith, probably the couple of the same names who married at Holy Trinity, Dartford, Kent, England, on 13 October 1818. The death of Thomas senior was registered at Dartford in 1840 (3rd quarter).

Gatland and fellow musician and later musical colleague Joseph Hewitt both arrived in NSW as a convicts on the Mangles on 27 April 1840, and spent the next four years on Norfolk Island. Given their musical skills, there were among the "new hands" well placed to prosper under commandant Alexander Maconochie's marks system, Gatland plausibly as a clarinettist in the island band, where he would almost certainly have come to the attention of another Mangles convict, Charles Sandys Packer, and also of assistant surgeon and musician James Aquinas Reid.

Gatland and Hewitt next arrived together in Hobart on the convict transport Maitland, on 3 March 1844, the same ship that delivered Maconochie and his family finally from Norfolk Island. He was granted a ticket-of-leave in November 1846, a conditional pardon in 1848, and, on completing his 10-year sentence in April 1849, a certificate of freedom.

Thus free to travel, he followed Hewitt to Adelaide, SA, where by February 1850, Gatland was billed to perform a clarinet solo for a theatrical performance organised by John Lewis Jacobs. Apparently attesting to his instrumental proficiency, he went on to perform in concerts for Spencer Wellington Wallace, playing a solo work by Heinrich Baermann (or his son Carl Baermann), and by early 1851 was himself leader of the band at Charles Axtelle's circus in Currie-street.

Gatland married Jane Hillan in Adelaide on 25 March 1850. The Gatlands apparently sailed for England from Melbourne early in 1852, Thomas perhaps having hired himself out as a ship's musician. After what must have been an immediate turn-around, they arrived back in Sydney on the Blackfriar, in September 1852, and in July 1853 sailed for Hobart, where, by August, Thomas was playing in the theatre band under the management of his former Adelaide colleague, John Lewis Jacobs and Gustavus Arabin.

ASSOCIATIONS: Arthur Henry Gatland (son, vocalist, entertainer, mimic; born Melbourne, VIC, 1871; died Northcote, VIC, 1952, aged 81; not to be confused with his elder brother Alfred Hillan Gatland)

Documentation:

"WEST KENT QUARTER SESSIONS", Maidstone Journal and Kentish Advertiser [Kent, England] (23 October 1838), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001428/18381023/035/0003 (PAYWALL)

Thomas Gatland, aged 18, was charged with stealing a silk handkerchief, value 2s., the property of Charles Williams, at Speldhurst. The prosecutor stated that he was at Tonbridge Wells races, on the 30th of August. He saw the prisoner there. While observing the course he thought he felt something at his pockets. He turned round and saw the prisoner endeavouring to conceal a handkerchief. He went up to him and found it was his own. Guilty, and sentenced to be imprisoned 2 months in the house of correction.

"EAST KENT QUARTER SESSION", Canterbury Journal, Kentish Times and Farmers' Gazette (13 April 1839), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001401/18390413/017/0004 (PAYWALL)

Thomas Gatland, 17, charged with stealing, on the 18th January, at Minster, in Sheppy, in this county, one counterpane, of the value of ten shillings, the property of Mary Dove. - Transported ten years.

"EAST KENT QUARTER SESSION", Kentish Mercury (20 April 1839), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000937/18390420/017/0002 (PAYWALl)

Thomas Gatland, 17, found guilty of stealing a counter-pane, of the value of ten shillings, the property of Mary Dover [sic]. The prisoner, though young, was an old offender, and cross-questioned the witnesses with great confidence and some ability. Sentence to ten years' transportation.

Norfolk Island (1840-44):

List of 290 male convicts by the ship Mangles (8), William Carr, master, New South Wales, arrived from England 27 April 1840; State Archives of NSW

https://www.ancestry.com.au/discoveryui-content/view/5947:1251 (PAYWALL)

40 / 970 / 102 / Gatland Thomas / Aged 19 / R & W / Protestant / Single / [born] Gravesend / Laborer /
Stealing a counterpane / Kent Quarter Sessions / 12 April, 1839 / 10 years / [former conviction] 2 months /
5 4 1/4 / fair ruddy and freckled / Sand brown / Light hazel / [marks, scars] None

VDL (TAS) (1844-49):

Convict record, Thomas Gatland, begun VDL (TAS), 3 March 1844; Tasmanian names index; NAME_INDEXES:1394596; CON27-1-10; CON33/1/51

https://stors.tas.gov.au/NI/1394596 

https://libraries.tas.gov.au/Digital/CON27-1-10/CON27-1-10P90 (DIGITISED)

11976 / Gatland Tho's / Laborer / . . . [born] Croydon [Surrey] / [age in 1844] 23 / Probation Pass 3rd Class . . .

https://stors.tas.gov.au/CON33-1-51$init=CON33-1-51p139 (DIGITISED)

11976 / Gatland, Thomas / Transported for Stealing a Counterpane / . . . Single
Tried Kent Q. S., 12 April 1839 [sentenced] 10 years / Emb'k'd 15 Nov'r '49 [for NSW] / Arriv'd Norfolk Island 18 May '40 /
Arr'd [VDL] 3 March 1844 / Protestant Can read & Write/
Trade Laborer, Musician, and Groom / 5 ft 6 1/2 in / age 23 / . . . Native place - Gravesend . . .
17th Nov'r 1846 Ticket of Leave . . .
Conditional Pardon approved 26 Sep'r 1848 . . .

[Government notice], The Cornwall Chronicle [Launceston, VDL (TAS)] (21 November 1846), 908

http://nla.gov.au/nla.news-article65943261 

His Excellency the Administrator of the Government has been pleased to grant tickets-of-leave to the under-mentioned convicts . . . Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (17 July 1847), 8

http://nla.gov.au/nla.news-article36252549 

It is the Lieutenant-Governor's intention to recommend to the gracious consideration of her Majesty the Queen for Conditional Pardons . . .
Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (30 September 1848), 3

http://nla.gov.au/nla.news-article36255716 

CONVICT DEPARTMENT. September 23, 1848.
It is hereby notified, that his Excellency has received a despatch from the right honourable the secretary of state, conveying her Majesty's approval of pardons being granted to the undermentioned persons, upon condition that they shall not return to or be found within the countries in which they were severally convicted, or the united kingdom of Great Britain and Ireland during the remaining term of their transportation: - . . .
Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (28 April 1849), 8

http://nla.gov.au/nla.news-article36257287 

The period for which the undermentioned persons were transported having expired, certificates to that effect have been granted them accordingly . . .
Thomas Gatland, Maitland . . .

Adelaide, SA (1850-51):

[Advertisement], South Australian Register [Adelaide, SA] (14 February 1850), 2

http://nla.gov.au/nla.news-article38451783

Dramatic Hall, Leigh-street. THIS Evening, Thursday February 14,
will be presented a new Romantic Drama, entitled THE VAMPIRE BRIDE, or WAKE NOT THE DEAD, in which a Lady Amateur will appear.
A variety of singing and dancing.
A Solo on the Clarionette by Mr. Gatland.
To conclude with a new Farce, called THE ORIGINAL.
The Hall can be let for any respectable meetings, lectures, concerts, &c., by application to Mr. Jacobs.

ASSOCIATIONS: John Lewis Jacobs (actor, manager); Dramatic Hall (Adelaide venue)

Marriages, Adelaide, SA, 1850; Australia, Marriage index

https://www.ancestry.com.au/discoveryui-content/view/5441040:1780 (PAYWALL)

25 March 1850 / Thomas Gatland / Jane Hillan

[Advertisement], South Australian (26 March 1850), 3

http://nla.gov.au/nla.news-article71625911 

SIX GRAND PROMENADE CONCERTS, A LA JULLIEN,
At the Exchange, King William-street. Under the Direction of Mr. W. Wallace.
THE Second Concert will take place this evening, the 26th instant . . .
PROGRAMME. PART I . . . Solo, clarionette - Baermann - Mr. Gattland . . .

ASSOCIATIONS: Spencer Wellington Wallace (musical director); Exchange Rooms (Adelaide venue)

MUSIC: A work probably by Heinrich Baermann or his son Carl Baermann

[Advertisement], South Australian Gazette and Mining Journal (20 April 1850), 2

http://nla.gov.au/nla.news-article195939819 

NEW QUEENS THEATRE. - TO the Public. -
MR. RICHARDS (Leader of the Orchestra,) having been for the last eight weeks confined to a bed of sickness,
and now lying in a very dangerous state, in consequence of which a Wife and Four Children are placed in a very helpless situation,
Mr. LAZAR has consented to open the Theatre for the BENEFIT OF MRS. RICHARDS, On Monday, April 22 . . .
and upon which occasion MR. GEORGE COPPIN And the following Ladies and Gentlemen have kindly consented to give their gratuitous services: . . .
Mr. Chapman, Mr. Hewitt, Mr. Swift, Mr. Harward, Mr. Gatland . . .
Mr. Witton's celebrated Brass Band Have very kindly offered their valuable assistance, and will play several Popular pieces . . .

ASSOCIATIONS: Henry and Dorothea Richards (musician and vocalist); John Lazar (actor, manager); George Coppin (actor, manager); William Chapman (musician); Joseph Hewitt (trombone); Thomas Swift (musician); William Harward (musician); Henry James Witton (musician); New Queen's Theatre (Adelaide venue)

[Advertisement], South Australian (9 July 1850), 3

http://nla.gov.au/nla.news-article71626661

EXCHANGE, KING WILLIAM-STREET . . . MONSTER CONCERT.
GRAND COMBINATION OF TALENT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL . . .
INSTRUMENTAL. Conductor - Mr. Wallace . . .
Clarionets - Messrs. Gatelin and Williamson . . . Trombone, Mr. Hewett . . .
On Friday Evening, 19th of July, 1850.
PROGRAMME. PART I. OVERTURE, "The Siege of Rochelle," Balfe - THE BAND . . .
PART SECOND. OVERTURE, "La Straniera," [Bellini] - THE BAND . . .

ASSOCIATIONS: Mr. Williamson (clarinet)

[Advertisement], Adelaide Times (29 August 1850), 2

http://nla.gov.au/nla.news-article207118499 

A FREE AND EASY WILL be held at the "Clarendon" on Monday, Thursday, and Saturday.
The chair will be taken by Mr. Newson, at seven o'clock.
Music by Messrs. Graham, Gatland, and Hewitt.
Singing to commence at half-past seven precisely.
F. DESENELOS.

[Advertisement], Adelaide Times (30 September 1850), 1

http://nla.gov.au/nla.news-article207119467 

A FREE AND EASY . . . at the "Clarendon" . . .
Music by Messrs. Graham, Gatland, and Hewitt . . .
MRS. GIUDICI.

ASSOCIATIONS: Henry Graham (musician); Francois Desenclos and Salvatore Guidici (landlords)

[Advertisement], Adelaide Times (5 November 1850), 2

http://nla.gov.au/nla.news-article206987473 

CIRCUS ROYAL, CURRIE-STREET. OPENING NIGHT,
TUESDAY, NOV. 5 AND DURING THE RACE WEEK.
MR. R. RADFORD begs most respectfully to inform the Public of Adelaide and its environs
that this New and Novel Race of Amusement will open this evening . . .
Clown to the Arena - MR. AXTELLE . . . Riding Master, Mr. Chappell.
Leader of the Orchestra, Mr. Gatland . . . Manager, Mr. Axtelle . . .

ASSOCIATIONS: Charles Axtelle (circus performer, manager); Mr. Chappell (circus performer); Radford's Circus (troupe)

[Advertisement], South Australian Register (11 February 1851), 2

http://nla.gov.au/nla.news-article38448120 

TAYLOR'S ROYAL AMPHITHEATRE. CURRIE-STREET.
Under the entire Management of Mr. C. AXTELLE . . .
Song - "Tubal Cain," Mr. Walsh. Favourite Dance - Mr. Dyer . . .
Leader of the Orchestra, Mr. Gatland . . .
Manager, Mr. Axtelle; Sole Proprietor, Mr. E. H. Taylor.

ASSOCIATIONS: Charles Walsh (vocalist); Joseph Dyer (dancer); Edward Hales Taylor (publican, proprietor)

"SHIPPING INTELLIGENCE . . . CLEARED OUT", South Australian Register (27 May 1851), 2

http://nla.gov.au/nla.news-article38443981 

Monday, May 26 - The brig Louisa, 18O tons, Heslop, master, for Sydney. Passengers - . . . Mr. J. Hewett, Mr. J. Golland, Mrs. Golland [sic] . . . J. Chappell, and Mrs. Hewitt.

ASSOCIATIONS: Hewitt (musician) and Chappell (circus performer, as above)

Sydney, NSW (from June 1851 to January 1852):

"SHIPPING . . . CLEARANCES", Empire [Sydney, NSW] (22 January 1852), 2

http://nla.gov.au/nla.news-article60127166 

January 21. - Scotia, ship, 778 tons, Captain Strickland, for Melbourne. Passengers - . . . 2 Gartlands, 2 Hewitts, Rodrigues Honorea, William Albray, Francisco, Olivans, Hermandez Schonne . . .

Melbourne, VIC (from February 1852):

Names and descriptions of passengers per Scotia, from Sydney, 23 January 1852, for Melbourne, 31 January 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/63F36E90-FA01-11E9-AE98-7719AB5CD4F8?image=115 (DIGITISED)

. . . Gatland / 32 / Musician // [Mrs.] Gatland / 24 / 1 [infant]
Hewitt / 35 / [Musician] // [Mrs.] Hewitt / 25
Rodriguez Honora / 24 / Equestrian
William Albray / 24 / [Equestrian]
Francis Hirons / 10 / [Equestrian]
Hermandez Schonne / 14 / [Equestrian]
Mathew McGragh / 10 / [Equestrian]

ASSOCIATIONS: Company destined for Noble's Circus (Melbourne venue and troupe), where Gatland probably played in the band;
see [Advertisement], The Argus [Melbourne, VIC] (23 April 1852), 3

http://nla.gov.au/nla.news-article4784567 

? [Advertisement], The Sydney Morning Herald (23 September 1852), 2

http://nla.gov.au/nla.news-article12940232 

On board the barque Blackfriar. To Captain Tissiman. September 8, 1852.
Dear Sir, - Feelings of gratitude and esteem induce us, the undersigned passengers by the barque Blackfriar, from London to Port Phillip and Sydney, to tender you our very hearty thanks . . .
[Signed] . . . Mr. Thomas Gatland . . .

ASSOCIATIONS: It is unclear whether or not this is the musician Gatland; this letter was dated on the ship's arrival in Melbourne, VIC (it later sailed on to Sydney without passenger Gatland); if it was the musician, he must have sailed from Melbourne for England in February, perhaps on a working trip as a ship's musician, and then returned to Melbourne immediately

Sydney, NSW, (until July 1853):

"CLEARANCES", The Sydney Morning Herald (4 July 1853), 2

http://nla.gov.au/nla.news-article12947010 

July 2. - Wild Irish Girl, brig, 125 tons, Captain Ogilvie, for Hobart Town. Passengers - Mr. and Mrs. Money, Mr. and Mrs. Gatland, Mr. R. Queely.

Hobart, TAS (July 1853 to July 1856):

[Advertisement], The Courier [Hobart, TAS] (25 August 1853), 2

http://nla.gov.au/nla.news-article2242649

ROYAL VICTORIA THEATRE. First Night of THE MAY QUEEN . . .
GRAND MUSIGAL MELANGE. Overture, Celestina, J. C. Thomson - BAND . . .
. . . Solo, Clarionet, All is lost, Opera Somnambula. MR. GATLAND . . .

ASSOCIATIONS: John Charles Thompson (musician); Royal Victoria Theatre (Hobart venue)

[Advertisement], The Courier (1 September 1853), 2

http://nla.gov.au/nla.news-article2240583

ROYAL VICTORIA THEATRE . . . FRIDAY EVENING, 2nd September . . .
GRAND MUSICAL MELANGE. Overture, La Gazza Ladra - (Rossini) - Band . . .
. . . Solo, Clarionet, All is lost, Opera Somnambula. MR. GATLAND . . .

[Advertisement], The Courier (22 September 1853), 2

http://nla.gov.au/nla.news-article2247555 

ROYAL VICTORIA THEATRE. FRIDAY EVENING, September 23, 1853 . . .
MUSICAL MELANGE . . . Solo Clarionette, "Casta Diva" (Opera Norma) - Mr. Gatland . . .

[Advertisement], The Courier (13 February 1854), 2

http://nla.gov.au/nla.news-article2240954 

ROYAL VICTORIA THEATRE . . . WEDNESDAY EVENING, 15TH FEBRUARY . . .
Favourite Dance, Mr. Cohen. Solo Clarionet, Mr. Gatland . . .

ASSOCIATIONS: Abraham Cohen (dancer)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (29 March 1854), 1

http://nla.gov.au/nla.news-article172861348 

ROYAL VICTORIA THEATRE . . . A'BECKETT EVANS'S BENEFIT . . .
On Friday Evening, March 31st, 1854 . . .
FAVOURITE SOLO, CLARIONETTE, MR. GATLAND, "All is Lost," Sonnambula . . .
Solo - Standard Watch, on the Cornet a Piston, Mr. Wheeler . . .
. . . F. B. WATSON, Sole Lessee.

ASSOCIATIONS: Richard A'Beckett Evans (actor); Stephen Thomas Wheeler (cornet); Feltham Bold Watson (actor, manager)

1854, births in the district of Hobart (6 July); Tasmanian names index; NAME_INDEXES:958504; RGD33/1/5/ no 1099

https://stors.tas.gov.au/NI/958504 

https://stors.tas.gov.au/RGD33-1-5-p072j2k (DIGITISED)

1099 / July 6th / [unnamed] male [son of] / Thomas Gatland, musician / Jane Gatland formerly Hillan / [signed] Thos. Gatland . . . Melville Street

[Advertisement], The Courier (1 August 1854), 3

http://nla.gov.au/nla.news-article2239794 

MECHANICS' INSTITUTE. PROGRAMME OF MR. LAVENU'S GRAND CONCERT.
THIS EVENING, 1ST AUGUST. PRINCIPAL PERFORMERS - MADAME CARANDINI, MRS. DAWSON, MR. WHEELER, MR. GATLAND, MR. MEGSON, MR. THOMPSON, AND MR. LAVENU.
PART I. Overture, "Daughter of the Regiment," (arranged by L. Lavenu) - Donizetti - Messrs. MEGSON, WHEELER, THOMPSON, GATLAND, and LAVENU . . .
PART II. Overture, "Stradella," (arranged by L. Lavenu) - Flotow - Messrs. MEGSON, WHEELER, THOMPSON, GATLAND, and LAVENU . . .

ASSOCIATIONS: Lewis Henry Lavenu (musician); Maria Carandini (vocalist); Sarah Dawson (vocalist) Joseph Megson (violin); Mechanics' Institute (Hobart venue)

[Advertisement], The Courier (12 August 1854), 3

http://nla.gov.au/nla.news-article2243765

MECHANICS' INSTITUTE . . . MADAME CARANDINI'S GRAND EVENING CONCERT,
TUESDAY EVENING, 15th August To commence at 8 o'clock precisely.
PROGRAMME. PART 1ST. Overture - "La Gazza ladra" - ROSSINI. - Messrs. Megson, Gatland, Thompson, Wheeler and Lavenu . . .
PART 2ND. Overture - Stradella - FLOTOW - Messrs. Megson, Gatland, Thompson, Wheeler and Lavenu . . .
Solo - Clarionet - BEARMANN [sic]- Mr. Gatland . . .

[Advertisement], The Hobart Town Advertiser (19 January 1855), 1

http://nla.gov.au/nla.news-article264616621 

NO GERMANS. - An English Picnic and Quadrille Band can be had, by application to T. GATLAND, 12 Melville-street.

[Advertisement], The Hobart Town Advertiser (1 June 1855), 1

http://nla.gov.au/nla.news-article264619280 

Pic-Nic and Quadrille Band.
PARTIES can be supplied with an efficient BAND, (Wind or Suing) by application to
T. GATLAND, 18, Melville-street.

[Advertisement], The Hobart Town Advertiser (19 March 1856), 1

http://nla.gov.au/nla.news-article264640171 

GRAND FESTIVE BALL, AMPHITHEATRE, MURRAY-STREET.
On MONDAY EVENING, the 24th of March instant.
For the BENEFIT of MR. GATLAND, (late of the Victoria Theatre) prior to his departure for Melbourne.
THE USE of the above SPACIOUS BALL ROOM, having been kindly granted by the proprietor, Mr. Reeves for the above purpose, it has been fitted up without regard to expense, so as to be suited to the occasion - the arena having been boarded over.
Mr. Gatland begs to announce to his friends that on
MONDAY EVENING NEXT, The 24th instant, a GRAND BALL will be given,
on which occasion he is enabled to premise the co-operation of the first musical talent in Hobart Town, and a judiciously selected Programme will please both the conoisseurs in music and the votaries of Terpsichore.
Dancing to commence at 9 o'clock, Admission by tickets only, to be had by application to
Mr. Reeves, Bath Arms, Murray-street; Mr. Hoggins, confectioner, Liverpool-street; Mr. Brooks, watchmaker, Elizabeth-street,
and at Mr. Gatland's residence, 18, Melville-street.
Single tickets, 7s. 6d.; double ditto, to admit lady and gentleman, 10s. 6d. March 15.

"PLEASURE TRIP OF THE MONARCH", The Courier (22 March 1856), 2

http://nla.gov.au/nla.news-article2500823 

This handsome steamer left the wharf yesterday, with a very large party, on a pleasure trip to New Norfolk. On leaving her moorings, shortly after ten o'clock, the weather was most auspicious. Dancing commenced soon after starting, and was kept up, without intermission, during the day, to the strains of Gatland's band. Refreshments of a delicate description and unlimited in quantity were supplied: the prompt and assiduous attention to the wishes of the party exhibited by the captain and the spirited owner was the subject of much comment and praise. The steamer returned about half-past six o'clock, and landed her passengers after spending a bright and joyous day.

"GRAND FESTIVE BALL (SELECT), AMPHITHEATRE, MURRAY-STREET", The Hobart Town Advertiser (24 April 1856), 2

http://nla.gov.au/nla.news-article264640837 

We are particularly requested to notify that Mr. Gatland's Second Monthly Ball takes place this Evening, which, we trust, will be well attended, as a reward to Mr. G. for his exertions in providing a respectable and most rational amusement.

Melbourne, VIC (from 14 July 1856):

Names and descriptions of passengers per City of Hobart, from Hobart 11 July 1856, for Melbourne, 14 July; Public Record Office Victoria

https://prov.vic.gov.au/archive/6D5E2BAA-FA01-11E9-AE98-63E817575970?image=35 (DIGITISED)

. . . Thos. Gatland / 35 / Musician // Mrs. Gatland / 26 / Wife
Gatland / Children / [males] 10, 7 / [female] 5 . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (15 March 1870), 2

http://nla.gov.au/nla.news-article189326837 

A musical service was held last night in the Prahran Independent Church. The performance commenced at eight o'clock, the church being crammed. Mr. Henry King acted as conductor, the organ being presided over by Master H. J. King. Amongst the principal singers were Mrs. Peryman, the Misses Gatland, and Messrs. Ford, Brown and Gatland. The concert was composed entirely of sacred music, being selections from the works of Haydn, Mozart, Handel, Mendelssohn, Boyce, Greene, Clarke, Novello, Righini and Himmel. The entertainment was throughout a great success.

ASSOCIATIONS: Henry John King (senior and junior); Caroline Peryman (vocalist); Alfred Ford (vocalist)

"MARRIAGE", The Argus [Melbourne, VIC] (12 August 1870), 3

http://nla.gov.au/nla.news-article5828568 

ROPER - GATLAND. - On the 11th inst., at St. James's Cathedral, Melbourne, by the Rev. M. H. Becher, B.A., Mr. Frederick Roper, of Emerald-hill, to Mary Anne, second daughter of Mr. Thos. Gatland, of this city.

[Advertisement], The Argus (25 March 1871), 8

http://nla.gov.au/nla.news-article5844959 

GRAND VOCAL ENTERTAINMENT, in Aid of Institute Funds -
Emerald hill Mechanics' Institute, March 28 -
Songs, Glees, Trios, Quartets &c. Artistes - Miss Bertha Watson, Miss Gatland,
Messrs. A Ford, T. Ford, T. Brown, T. Gatland, H. King, and H. King, jun.; also, Mr. Tom Eastmure, the great Buffo Singer . . .

ASSOCIATIONS: Bertha Watson (vocalist)

[Advertisement], The Argus (14 November 1871), 7

http://nla.gov.au/nla.news-article5856957 

. . . Thomas Gatland, of Little Collins street, Melbourne, sexton of the Church of St. James, Melbourne . . .

[Advertisement], The Argus (18 December 1874), 3

http://nla.gov.au/nla.news-article11509276 

CHURCH BELLS - TENDERS REQUIRED for slight ALTERATIONS to framework of the bells of St. James's Church.
Specification to be seen at Mr. Gatland's, sexton, on church grounds, of whom particular may be inquired.
The lowest or any tender not necessarily accepted.

"THE MELBOURNE GERMAN LIEDERTAFEL", The Argus (4 July 1878), 5

http://nla.gov.au/nla.news-article5893928 

A herren-abend was held last night at Hockin's Hotel, in connexion with this society, at which there was a large attendance on the part of members and their friends . . . A double quartett, consisting of Messrs. Madden, Staker, Stirling, Nell, Behrend, Turner, Gatland, and Homeyer, sang the "Liebessehnsucht," by Witt . . .

ASSOCIATIONS: Melbourne Liedertafel (association)

"Deaths", The Argus (20 June 1889), 1

http://nla.gov.au/nla.news-article6256230 

GATLAND. - On the 19th inst., Jane, the dearly beloved wife of Thomas Gatland, of St. James, aged 58 years. Her end was peace.

"AN OVERLOOKED CATHEDRAL", The Argus (10 January 1891), 4

http://nla.gov.au/nla.news-article8465392 

[St. James's Cathedral] . . . At that time the parsonage stood in "the parson's cabbage garden," on the other side of Little Collins street, facing the cathedral, and the humble embowered cottage which we now see perched in the extreme south-west corner of the ground, and threatening to tumble into the lane, stood where the parsonage now is. This modest weatherboard cottage has for the past 30 years been the official residence of the worthy verger, Mr. Thomas Gatland, whose stately presence and rich melodious voice still lend the good old impressive tone to all the various rituals of the church. When required to shift to make room for the parsonage, the cottage was bodily put upon rollers and moved all standing to its present site . . .

"DEATHS", The Argus (12 May 1900), 9

http://nla.gov.au/nla.news-article9540882 

GATLAND On the 26th April at the residence of his daughter, Mrs. A. A. Pratt, "Viewforth," Whitehall-street, Footscray, Thomas Gatland, late of St. James's Cathedral, West Melbourne, aged 79 years. For many years a member of Melbourne Deutsche Liedertafel, also Philharmonic Society, Melbourne.

ASSOCIATIONS: Melbourne Philharmonic Society (association)

"DEATHS", The Australasian (19 May 1900), 55

http://nla.gov.au/nla.news-article139779849 

GATLAND. - On the 26th April, at the residence of his son-in-law, Andrew A. Pratt, "View-forth," 88 Whitehall-street, Footscray,
Thomas Gatland, formerly of St. James's Cathedral, Melbourne for 36 years, aged 79 years,
beloved father of Thomas, George, Alfred, and Arthur Gatland, also Mrs. A. Pratt, Mrs. F. Roper, Mrs. J. Anderson, and Mrs, J. Shakleton.
Interred on the 28th April, at the Melbourne General Cemetery. A patient sufferer gone to rest.
Gravesend and home papers please copy. (Inserted by his daughter and son-in-law, Charlotte and A. R. Pratt.)

"OLD ST. JAMES. Recollections of Pupils Of The 60's. To the Editor", The Sun News-Pictorial (27 May 1932), 11

http://nla.gov.au/nla.news-article276886881 

Sir, - I was a pupil of St. James' School at corner of Bourke and William Streets in 1860 and 1861. The head mistress was Mrs. Pike, and the caretaker Mr. Gatland. I walked from Collingwood to St. James' every day, I was training for a pupil teacher. I am now in my 88th year. My name was then Jane Le Masurier. MRS. J. ANDERSON, Collingwood.

Bibliography and resources:

Thomas Gatland, Mangles, 21 November 1839; Convict records

https://convictrecords.com.au/convicts/gatland/thomas/60545 

Thomas Gatland, Find a grave

https://www.findagrave.com/memorial/193824636/thomas-gatland 

GAUTROT, Joseph see main page Joseph GAUTROT

Musician, professor of music, violinist, violin player, composer

Arrived 1839; died 1854

GAUTROT, Madame see main page Madame GAUTROT

Musician, soprano vocalist

Active Australia 1839 to 1855

GAVIN, Mr. (Mr. GAVIN)

Amateur musician, flautist, flute player

Active Brisbane, QLD, 1859

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAVIN-Mr (shareable link to this entry)

Documentation:

? "CENTENARY OF ROBERT BURNS AT SOUTH BRISBANE", The Moreton Bay Courier (29 January 1859), 2

http://nla.gov.au/nla.news-article3720026 

. . . Mr. GAVIN proposed "The Land o'Cakes" . . . I love the broad expressive dialect of the Lowlands. I love to hear our Scottish songs, so justly celebrated; and I love to listen to the beautiful national melodies of our native land. The bag-pipe too, so grating to English ear, has for me a peculiar interest, as being associated with the world-Wide warlike renown of brave old Caledonia, and her bare-legged clans . . .

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier (27 August 1859), 2

http://nla.gov.au/nla.news-article3726481

The Choral Society gave a concert of sacred music in the School of Arts on Thursday night. The selections were from eminent masters and vocal and instrumental powers were combined. The attendance was large. Mr. Diggles presided at the harmonium . . . Mr. Gavin, on the flute, met with an encore in "He was despised and rejected of men" . . .

ASSOCIATIONS: Silvester Diggles (musician); Brisbane Choral Society (association)

GEARING, Mr. (Mr. GEARING; GEARIN) = James GUERIN

Musician, violinist (theatrical band)

Active Sydney, NSW, 1845-46

DISAMBIGUATION: Timothy Gearing, plasterer, died Sydney, NSW, 2 September 1854, aged "42"

GEE, Francis (Francis GEE; Mr. GEE; Sergeant GEE; later Captain GEE)

Musician, clarinettist, clarinet / clarionet player, master of the Band of the 39th Regiment, soldier

Born Winchester, England, 1799; son of Joseph and ? Elizabeth GEE
Married Eliza ? (d. 1871), by c. 1825
Enlisted (39th Regiment) Buttevant, Cork, March 1825
Arrived Sydney, NSW, 17/18 September 1827 (with regiment, per Cambridge, from England, 26 April 1827, from Dublin, 2 June)
Departed Sydney, NSW, 21 July 1832 (with regiment, per John, for Madras, India)
Died Windsor, England, 11 April 1883, aged "84"

https://trove.nla.gov.au/search?l-publictag=Francis+Gee+1799-1883 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Francis (shareable link to this entry)

ASSOCIATIONS: Band of the 39th Regiment (military)

Documentation:

Pay-list of the 39th Regiment from 25 December 1826 and 24 February 1827; Australian Joint Copying Project, from UK National Archives, WO12/5264

https://nla.gov.au/nla.obj-1587755760 (DIGITISED)

. . . Drum-Major as Serjeant / Hall James . . .
Serjeants . . . Gee Francis / Band . . .

[News], The Sydney Gazette and New South Wales Advertiser [NSW] (19 September 1827), 2

http://nla.gov.au/nla.news-article2188999

By the Cambridge transport ship, we have the pleasure to announce the safe arrival of Colonel LINDSEY, C. B. with the headquarters of His Majesty's 39th Regiment. This vessel sailed from Ireland on the 2d of June, and made the passage in 115 days . . . The organ of St. James' church has arrived by the Cambridge. The Head quarters, with the very fine band of the 39th Regiment, under the command of Colonel LINDSEY, C. B., landed yesterday morning, from the Cambridge, and marched to their quarters at the barracks.

[Advertisement], The Sydney Monitor (3 October 1829), 3

http://nla.gov.au/nla.news-article32072525 

ROYAL ASSEMBLY ROOMS. FOR THE FIRST TIME, (By particular Desire of many respectable Families)
THIS EVENING'S AMUSEMENT, WILL BE CONDUCTED AS A POPULAR Vocal and Instrumental Divertissement,
On Wednesday, October 14th, 1829.
Part First.
Grand and Favourite Overture - Der Freitchutz [sic] - Webber.
GLEE. - GLORIOUS APOLLO. WEBB.
Duet - In gaudy Court with aching hearts.
SOLO ON THE CLARIONET WITH VARIATIONS.
Song. - By a Lady.
Overture to the Slave, - Bishop.
TIPPITYWITCHET.- BY MR. LEVEY.
Part Second
OVERTURE TO KING HENRY IV.
Glee - Poor Mary Anne.
Song. - By an Amateur.
QUARTETTE - HORN, BASSOON, AND CLARIONETS.
Song. - By a Lady.
Comic Song. - Nightingale Club (by request), by Mr. Levey.
Overture to the Miller and his Men. - Bishop.
FINALE. - GOD SAVE THE KING, With full chorus by the whole of the Performers.
CONDUCTOR - MR. GEE . . .

ASSOCIATIONS: Barnett Levey (proprietor, vocalist); Royal Hotel (Sydney venue)

MUSIC: Overture to Henry IV (opera by J. P. E. Martini)

[News], The Sydney Gazette and New South Wales Advertiser (15 October 1829), 2

http://nla.gov.au/nla.news-article2193617 

In consequence of the unfavourable state of the weather, the Concert which was to have been given at the Royal Hotel last night, was postponed to Monday night next [19 October].

"THE CONCERT", The Australian [Sydney, NSW] (21 October 1829), 3

http://nla.gov.au/nla.news-article36866471

Monday evening's Vocal and instrumental divertisements went off remarkably well, all things considered. The evening set in wet and stormy which was one drawback, and the house consequently did not muster as full benches as there would have been otherwise. However, on the whole the attendance was tolerably good, and the voices and instruments, as we have premised, were passing the moderato style. We must own the absence of the powerful leader at the preceding concert, whose professional education, proficiency, and natural refined taste, place him inferior to none in the second-rate ranks of musical excellence - did cause us to entertain some few misgivings as to the comparative success of both evenings. Mr. Gee, band master of the 39th, however, who conducted the instrumental part of the performance, led and managed matters, we understand, in a manner creditable to himself and gratifying to a major portion of the auditory. With the overture to Der Freischutz the performance began. This overture, to have effect, would need a much greater compass of instruments than were brought into play on this occasion. However, we must not be too critical. The overture went off very well, considering the paucity of instruments, owing to their being well assorted - a due proportion of sonorous, base, with more dulcet treple [sic, treble], and softer, fuller, counter-tenor . . . in place of a solo on the clarionet, though not "omitted by particular desire," the wind instruments and violins struck up an overture . . . and after another overture, one of Bishop's - Mr. Levey came forward, and with admirable drollery recited the Tippitywitchet . . . and so closed part the first . . . part secundus or second, opened with the overture to Shakspeare's Henry IV, the time allowed between the acts having put the performers in good breath . . . The wind and stringed instruments bellowed and scraped again to the burthen of the miller and his men, in an overture to that popular melo-drama, "God save the King," in chorus, announced the finale! A new drop curtain fell before the scene, - and the house became speedily deserted, the audience haying enjoyed a rational and most of them an agreeable evening.

"CRITIQUE OF THE CONCERT. To the Editor", The Australian (23 October 1829), 2

http://nla.gov.au/nla.news-article36866366

Sydney, Oct. 21, 1829.
SIR, - Having accidentally seen in your Paper of this morning, a very lame and defective critique upon Monday's Concert, I beg to observe on that subject, it is matter of regret that you cannot find amongst your numerous friends, some one willing to give you a correct account of the public Amusements at which you cannot, whilst immured in a gaol, I am sorry to say, be present. Your informant evidently does not known concerto, or air with variations, from an Overture, and the abilities of performers, and the merits of the music at a Concert, must of course in such cases be very ill criticised. The fact is, he overlooked the real beauties of the Evening's Amusement, and mentioned Pieces which were not performed in place of the real ones. Instead of an Overture, Mr. Gee, who being a very young man for the situation, which he fills so much to his credit, performed (his Solo or Air, varied on the clarionet) having the proper instruments accompanying with very considerable ability. He properly subdued the tone of his instrument in the first place, which is no mean acquirement, and in the next, all the difficult passages were performed with that precision of execution that marks the master, and is creditable to him in the next degree to his style and tone, and the whole excited the most decided approbation from all parts of the audience. Next should have been mentioned the Quartette for clarionets, horn, and bassoon, in which Mr. Gee equally displayed his stability on his instrument, and the second clarionet performed his part with degree of skill highly creditable. The horn had some very difficult passages, which were generally performed in a superior manner. It would have been better for him in the eye of the general Critic if the passages had been less difficult; but to his own credit he succeeded well in producing that beautiful tone, of which the instrument he played is susceptible. The bassoon cannot be mentioned with too much praise; he is really a very superior player, whose quality of tone, and beautiful execution cannot be too much appreciated. On the whole this Quartetto was a musical treat. Your criticism on Der Freischutz, &c. was correct, and the performance of the instrumental music reflects the greatest credit on the band master; to whose youth and ability this tribute is due, and youth and ability, when brought into public notice, ought never to be deprived of that portion of praise which would stimulate to future exertion. The vocal music deserves little notice, perhaps it would be better at present if Concerts were made purely instrumental.
I am, Sir, yours, &c.
A LOVER OF MUSIC.

"MUSICAL ENTERTAINMENT", The Sydney Monitor (24 October 1829), 4

http://nla.gov.au/nla.news-article32072629

This exhibition took place at Mr. Levey's Theatre on Monday, but the wetness of the weather prevented the audience from being so numerous as was expected; still there was a good house. Mr. Gee, leader (master of the Band of the 39th) conducted this musical entertainment with great credit to himself and employer. The performance of the vocalists was every thing that could be expected; and in several songs they were encored. The overture to Der Freischutz was performed in a superior manner. Tippitywitchet, a comic song, was delivered by Mr. Levey, and excited much mirth. Mr. Gee played a solo on the clarionet, in his usual masterly manner.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (19 November 1829), 3

http://nla.gov.au/nla.news-article2193882

ROYAL Assembly Rooms . . . ON MONDAY, Nov. 23, 1829.
A SPLENDID VOCAL & INSTRUMENTAL CONCERT WILL BE GIVEN AT THE ABOVE ROOMS;
On which Occasion, the Saloon will be brilliantly Illuminated, and Ornamented with Shrubberies, exhibiting, in the Centre, a Transparency of Science Instructing the Four Quarters of the Globe.
THE CONCERT WILL BE IN LIEU OF TWO.
PART I. GRAND OVERTURE.
SONG, "Tarry awhile with me, &c." by a Lady.
GLEE.
AIR, with Variations, by Mr. GEE.
SONG, " What's a woman like?" by Mr. LEVY.
OVERTURE.
PART II.
QUINTETTE, Clarionet, Flute, Horn, Bassoons.
DUET by a Lady and Gentleman.
SONG, "Death of Nelson."
GLEE.
SONG, "Old Father Murphy," by Mr. LEVY.
FAVORITE OVERTURE.
PART III.
OVERTURE.
GLEE, "Hark! the bonny Christ-church bells."
SONG, by a Lady, (At the Request of several Gentlemen.)
Mr. LEVY will Introduce Miss Manglewurzel's DUTCH AIR.
FINALE, a much admired OVERTURE.
Conductor - Mr. Gee . . .

"Riddle-me-riddle-me-riddle-me-right", The Sydney Gazette and New South Wales Advertiser (3 April 1830), 3

http://nla.gov.au/nla.news-article2194838 

Why is the Master of a certain Band like double F sharp? An answer will oblige a querist.

"Riddle-me-riddle-me-riddle-me-right", The Australian (9 April 1830), 3

http://nla.gov.au/nla.news-article36865901 

. . . Answer. - Because he's G (Gee) natural.

"To the Editor", The Australian (27 August 1830), 5

http://nla.gov.au/nla.news-article36865322

SIR, - The following lines were written, on hearing the 39th band, of which Mr. Gee is the master, play the popular air of "Sweet Home," in the barrack-yard, on Sunday evening, 15th. Aug.
If acceptable, please to give them a corner in your entertaining columns,
and oblige your's,
- Z.

What heavenly strains, are those I hear,
Stealing on the evening's breeze -
Such melting notes, ne'er struck mine ear
Before, to sooth the heart and give it ease.
Hark! 'Tis sweet home! list again - that strain
How true's the chord that lulls severest pain.

Sweet Home! Justice now is done thee,
Ne'er were you touched so sweetly before,
Oh, how that cadence steals upon me,
It remembrance brings of days of yore;
While solus plays the mellow bassoon,
And then all strike in, so well in tune.

"If music be the food of love,
Play on," of it I ne'er would tire; -
'Twas surely sent from realms above,
Poor mortals on earth, to inspire.
Then play on, what e'er the key - be B or C,
All must be pleasing from the key of G.

Z.

MUSIC: Home, sweet home (Bishop)

"Supreme Court. SATURDAY, AUGUST 28", The Sydney Gazette and New South Wales Advertiser (31 August 1830), 3

http://nla.gov.au/nla.news-article2195919

Mary Spencer was indicted for stealing, at Sydney, on the 12th of June last, several articles of wearing apparel, and sundry monies, above the value of £5 the property of Isabella Penson; and Ann Spencer and Stephen Turner for receiving the same, on the same day and place aforesaid, knowing them to be stolen . . . Edward Corcoran, constable . . . [Re-examined] By Mr. THERRY - I understand Ann Spencer was a sweetheart of Turner's . . .
For the prisoner, Turner, Mr. THERRY called Mr. Francis Gee, Master of 39th Band, who said, he had known the prisoner for several years, and considered him the best conducted man in the band; I remember the morning of the 12th of June, and I know the prisoner was with the band from 9 to 12 o'Clock in the morning; His Excellency dined with the mess on the previous evening, on which occasion Turner was present with the band . . .
Adjutant Innes, of the 39th, said, he knew the prisoner, Turner, for several years, and previous to this charge his character was unimpeachable; he was principal clarionet player in the band, and was also garrison glazier by which he earned a good deal of money; from what witness knows of his character he considers him incapable of committing the offence imputed to him . . .
The Jury found Turner and Ann Spencer - Not Guilty; Mary Spencer - Guilty. Remanded.

ASSOCIATIONS: Stephen Turner (musician, soldier, bandsman, 39th)

Baptisms, St. Philip, Sydney, 1831; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30001685602 (PAYWALL)

13 April 1831 / born 18 March 1831 / Francis Horatio son of / Francis and Eliza / Gee / Bandmaster, 39th Regiment

ASSOCIATIONS: Francis Horatio Gee (later soldier, 22nd and 17th Regiments; ? died 1907)

"THE RUSSIAN DISCOVERY SHIP", The Sydney Gazette and New South Wales Advertiser (19 June 1832), 3

http://nla.gov.au/nla.news-article2207151

On Saturday last the Commander and Officers of H. I. M. ship Amerika entertained a numerous and distinguished party of ladies and gentlemen on board that vessel . . . The entertainment was enlivened by the band of the 39th regiment, who played appropriate airs. Dancing was kept up until past 8 o'clock in the evening, after which hour the company began to depart . . .

"Internal Intelligence", The Sydney Gazette and New South Wales Advertiser (24 July 1832), 3

http://nla.gov.au/nla.news-article2207688

About four hundred of the 39th regiment embarked on Saturday morning. They left the Barracks about six o'clock, and marched along Cumberland-street, the band playing the old air usual on such occasions "the Girl I left behind me". On their way they were cheered by some of the towns people, in reply to which they struck up Burns' "Farewell" and proceeded round by the fort to the Dock Yard, from which the boats conveyed them to their respective ships. The grenadier and light companies, with the staff and band, occupy the John, under the command of Colonel Lindesay.

"FRIDAY'S GAZETTE. WAR OFFICE, Sept. 18", Dover Telegraph and Cinque Ports General Advertiser [England] (19 September 1840), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002044/18400919/032/0005 (PAYWALL)

39th [Regiment] . . . May 18. Serjeant Francis Gee, to be Ensign, vice Gray . . .

"MILITARY AND NAVY. WAR OFFICE, NOV. 24", Oxford University and City Herald (1 December 1843), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000992/18431201/026/0003 (PAYWALL)

39th Foot . . . Ensign Francis Gee, to be lieutenant, vice Strachan . . .

"THE ARMY. WAR OFFICE, SEPT. 13", Maidstone Journal and Kentish Advertiser (20 September 1853),

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001429/18530920/018/0002 (PAYWALL)

Unattached. Lieut. Francis Gee, from the 39th Foot, to be Capt., without purchase.

[News], Brighton Guardian (11 April 1860), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001641/18600411/075/0004 (PAYWALL)

Capt. Francis Gee has been appointed Military Knight of Windsor.

England census, 7 April 1861, Windsor, Berkshire; UK National Archives, RG9/760/4/1

https://www.ancestry.com.au/discoveryui-content/view/8362066:8767 (PAYWALL)

No. 5. [Military Knights Row] / Francis Gee / Head / Mar. / 62 / Capt. (Mil'y Kn't) / [born] Hants Winchester
Eliza [Gee] / Wife / Mar. / 57 / Wife of do. / [born] Warwickshire Birmingham
Mary Ann Money / Daur./ Wid. / 34 / Capt's Daur. / [born] Kent Chatham . . .

England census, 2 April 1871, Windsor, Berkshire; UK National Archives, RG10/1299/10/7

https://www.ancestry.com.au/interactive/7619/BRKRG10_1297_1300-0388 (PAYWALL)

No. 8. Military Knights Row / Francis Gee / Head / 71 / Co. Military Knight, late Capt. 39th Reg't / [born] Hants, Winchester
Eliza [Gee] / Wife / 67 / Wife of Captain Gee / [born] Warwickshire Birmingham . . .

"DEATHS", Berkshire Chronicle [Windsor and Reading, England] (27 May 1871), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000358/18710527/177/0008 (PAYWALL)

May 19, at Windsor, Eliza, the beloved wife of Captain Gee, M.K.W., and late H.M.'s 39th Regt., aged 67.

"WINDSOR AND ETON . . . MILITARY KNIGHTS", Reading Mercury (20 March 1875), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000369/18750320/049/0005 (PAYWALL)

The Army and Navy Gazette says that Captain Francis Gee succeeds Major Sir John Hopkins, K.H., as Governor of the Military Knights of Windsor . . .

"NECROLOGY", Hampshire Chronicle (14 April 1883), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000231/18830414/081/0007 (PAYWALL)

Major F. Gee, late of the 39th Dorsetshire Regt., died on Wednesday at the advanced age eighty four, at his residence in the Lower Ward, Windsor Castle. The deceased officer had seen great deal of active service during the Peninsular War in 1813-14, and was present at the battles of Vittoria, Pyrenees, Nivelle, Nive, Bayonne, Garres, Orthes, and Toulouse, for which he received a medal with six clasps. He also took part in the Gwalior campaign in 1843, and was engaged in the battle of Maharajpore, where he gained the bronze star.

England, probate calendar, 1883; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_222819-00258 (PAYWALL)

GEE Francis. 26 April. The Will of Francis Gee late of 8 Knight's Quarters Windsor Castle in the County of Berks Captain in Her Majesty's Army one of the Military Knights of Windsor who died 11 April 1883 at 8 Knight's Quarters was proved . . . by Elizabeth Bird . . . widow the Daughter the sole Executrix

Bibliography and resources:

Francis Gee, 39th Regiment, Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/15091007301 (PAYWALL)

Francis Gee, enlisted 39th Regiment, Buttevant, Cork, Ireland, March 1825; corporal from 25 April 1825; sergeant from 19 September 1826; arrived NSW April 1827; departed NSW 24 Jul 1832; arrived in India from NSW 10 October 1832

GEE, George James (James GEE; G. James GEE; ? George James GEE; G. J. GEE, "R.A.M.")

Musician, pianist, musical director, arranger, piano tuner (from Collard and Collard, London)

Born Macclesfield, Cheshire, England, 1844; baptised St. Michael, Macclesfield, 4 August 1844, son of George GEE and Mary GEE
Arrived Melbourne, VIC, 15 February 1865 (per Great Britain, from Liverpool, 16 December 1864)
Departed Melbourne, VIC, 28 July 1867 (per Avoca, for Ceylon)
Married (1) Ella R. BURKE (d. 1873), at sea (off California, USA), 16 September 1869
Active California, USA, c. 1869-81
Died Macclesfield, England, 17 January 1884

https://trove.nla.gov.au/search?l-publictag=George+James+Gee+1844-1884 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-George-James (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Summary:

Gee, a pupil of Robert Barnett of the Royal Academy of Music (London), arrived in Melbourne on the Great Britain in February 1865, as pianist-accompanist to the actor and vocalist Edith Palmerston. In early March, Gee advertised that he was open to engagement, and was apparently quickly booked by James Melvyn and Thomas Rainford as pianist for a country tour by their Christy's Minstrels troupe. Henceforth billed in as "G. J. Gee", he continued working with the minstrel troupe and later with the Kohler brothers during his two years and five months in Australasia, including a brief visit also to New Zealand in 1866.

Documentation:

Baptisms solemnized in the parochial chapelry of Macclesfield, in the county of Chester, in the year 1844; register 1841-92, page 249; Cheshire West and Chester Council, Bishop's Transcripts, EDB 137 (Box 7)

https://www.ancestry.com.au/discoveryui-content/view/1699108:62257 (PAYWALL)

No. 1986 / James [son of] / George [and] Mary / Gee / Macclesfield / Mechanic . . .

England census, 1861, Macclesfield, Cheshire; UK National Archives, RG9/2582

https://www.ancestry.com.au/discoveryui-content/view/22681764%3A8767 (PAYWALL)

George Gee / Head / Widower / 58 / Silk Machinist / [born] Cheshire Macclesfield
Maria [Gee] / Dau. / 31 / - / [born Cheshire Macclesfield]
Eliza [Gee] / [Dau.] / 27 / - / [born Cheshire Macclesfield]
Joseph [Gee] / Son / 18 / Silk Machinist / [born Cheshire Macclesfield]
James [Gee] / [Son] / 16 / Provision Dealer's Assistant / [born Cheshire Macclesfield] . . .

Names and descriptions of passengers per Great Britain, from Liverpool, 16 December 1864, for Melbourne, 15 February 1865; Public Record Office Victoria

https://prov.vic.gov.au/archive/3B2BA1B4-F96C-11E9-AE98-EF0B184FC7D3?image=172 (DIGITISED)

. . . Gee James / 22 . . .

[News], The Argus [Melbourne, VIC] (20 February 1865), 5

http://nla.gov.au/nla.news-article5739498 

The Polytechnic-hall will probably be well-attended on Wednesday evening next, when Edith Palmerston (Mrs. W. Alexander), gives her first entertainment in this colony. It is entitled "A Folio of Fun." Mrs. Alexander will be assisted by her husband, and Mr. James Gee presides at the pianoforte. The entertainment is highly spoken of.

ASSOCIATIONS: Polytechnic Hall (Melbourne venue)

[Advertisement], The Herald [Melbourne, VIC] (22 February 1865), 2

http://nla.gov.au/nla.news-article245506036 

ROYAL POLYTECHNIC HALL . . .
MUSICAL ENTERTAINMENT, Entitled A FOLIO OF FUN,
Written expressly for Edith Palmerston by the late Fred. Lawrence, Esq. . . .
Pianoforte, Mr. JAMES GEE (Pupil of Robt. Barnett, Esq., Professor Royal Academy Music, London) . . .

ASSOCIATIONS: Robert Barnett (1818-1875, British pianist); Royal Academy of Music (London institution)

[News], The Argus (23 February 1865), 5

http://nla.gov.au/nla.news-article5747392 

Another candidate for public favour in that modern protean production, the "musical entertainment," has come to enliven our dulness in the person of Miss Edith Palmerston, or Mrs. W. Alexander. The Polytechnic-hall was very well filled last night to witness the debut . . . Mrs. Alexander is assisted by her husband and by Mr. Gee, a facile pianist. The performance was under the patronage of the commander and passengers of the Great Britain, from whom the fair debutante seems to have won golden opinions. Altogether she was very well received by the audience, native as well as new chum.

[Advertisement], The Argus (8 March 1865), 1

http://nla.gov.au/nla.news-article5746993 

MR. JAMES GEE, pianist, is open to ENGAGEMENTS, Paddington Hotel.

"THE CHRISTY'S MINSTRELS", Portland Guardian [VIC] (13 April 1865), 2

http://nla.gov.au/nla.news-article64633721

The Christy's Minstrels gave the second of their deservedly popular entertainments, on Tuesday night, at Mac's Hotel. The programme, a very liberal one, was well carried out; and the applause which greeted the minstrels, both in the solos as well as in the concerted pieces, showed how well they were appreciated by the numerous audience. Gentle Jenny Gray by Mr. Melvyn; the Quartette, Come where my love lies dreaming, I long for my home in Kentuck, and The last man, sung by desire by Mr. Rainford elicited considerable applause, as did also the Anvil Chorus, from Il Trovatori. The Hen convention by Mr. Norton convulsed everybody with laughter. The second part of the entertainment was occupied by dances, a violin solo by Mr. A. Nish, whose instrumentation is so much admired; song by Mr. Rainford, and Mr. Raynor's stump speech, Or any oder Man. The third and concluding part was devoted to the Christy's burlesque on the Opera Maritana. Mr. G. J. Gee presided at the piano, and we were so well pleased with that gentleman's rendering, that we hope to hear more of his music.

ASSOCIATIONS: James Hadock Melvyn (minstrel); Thomas Rainford (minstrel); Anthony Nish (minstrel); Christy's Minstrels (troupe)

"NEWS AND NOTES", The Ballarat Star [VIC] (20 April 1865), 2

http://nla.gov.au/nla.news-article112886134 

The Christy Minstrels had another good house last night, and several variations were made from the previous night's programme. One of the best things last night was "The Old Sexton," a solo by Mr. Rainford, whose fine bass voice suited well for the air, and was skilfully managed. Mr. Rainor's get-up and his performance on the Chinese fiddle were delightfully ludicrous. His execution of the airs "Last Rose of Summer" and "Home, Sweet Home," was accompanied by such laughable grimaces and antics that the whole hall was made merry by the fun. Mr. Norton, in his dancing melange, proved that he is as accomplished as ever, and his reception was thoroughly hearty. Mr. Gee plays well on the piano, and Mr. Nish is a clever violinist, without ranking with the masters of that instrument whom we have had here. The entertainment closed with the burlesque of the "Bohemian Girl," and it was announced that the programme would be changed this evening - one of the varieties for this evening being the burlesque "Maritana." The company can only have the hall for three more nights, so those who wish to patronise the minstrels have but few opportunities to select from.

[Advertisement], Empire [Sydney, NSW] (17 July 1865), 1

http://nla.gov.au/nla.news-article64141143

PRINCE OF WALES OPERA HOUSE . . .
THE LAST WEEK BUT ONE OF THE CELEBRATED AND ORIGINAL CHRISTY'S MINSTRELS,
MONDAY, July 17th . . . To conclude with the Christy's celebrated Burlesque on the Opera of LUCREZIA BORGIA.
Introducing nearly all, and a great deal more, of the original music, stolen expressly for this (per) version by Mr. G. J. Gee,
assisted (on this occasion only) by that "rising young man from the country" Donizetti, Esq. . . .

ASSOCIATIONS: Prince of Wales Theatre (Sydney venue)

[Advertisement], Daily Southern Cross [Auckland, NZ] (11 April 1866), 1

https://paperspast.natlib.govt.nz/newspapers/DSC18660411.2.2.6

ODD FELLOWS' HALL. FRIDAY NEXT, APRIL 13, GRAND FASHIONABLE NIGHT,
Being for the Benefit of MESSRS. G. J. GEE and H. EASTWOOD, Of the CHRISTY'S MINSTRELS. Under Distinguished Patronage.

ASSOCIATIONS: Henry Line Eastwood (1844-1891, manager, agent)

"PUNCH'S PLAY-GOING EXPERIENCES", Sydney Punch [NSW] (11 August 1866), 8

http://nla.gov.au/nla.news-article253068068 

During the week the Christy's have been giving a series of farewell performances, previous to their departure for a tour through Goulburn, Yass, and the principal towns of the Southern District. On Monday and Tuesday the entertainments were for the benefits of Messrs. Nish and Kohler, and of Messrs. Bent and Peele, respectively. On the former night the efforts of several of the gentlemen of the Original Sydney Amateur Christy's, and on the latter those of the Amateur Backus Minstrels, materially enhanced the effective ness of the general programme, and the attendance was commensurate with the merits of the four talented performers whose interests were concerned. On Wednesday evening the Christy's paid a "flying visit" to Balmain, and were well and numerously received. Saturday night next is set apart for the joint benefit of Mr. Gee, the accomplished piano-forte accompanyist, and Mr. Eastwood, the agent to the troupe, when their merits, coupled with the fact that this is positively the last appearance of this admirable company, ought to ensure a crowded attendance.

ASSOCIATIONS: Richard Wildblood Kohler (musician); William Horace Bent (musician)

[Advertisement], The Ballarat Star [VIC] (15 July 1867), 3

http://nla.gov.au/nla.news-article112876893

MECHANICS' INSTITUTE. THIS EVENING, MONDAY, 15th JULY. Manager - Mr. John Bryan.
KOHLER'S GREAT EXHIBITION of ILLUMINATED PAINTINGS, (Copies of the Old Masters).
Part 1st. CONCERT, Vocalist - MISS GERALDINE WARDEN. INSTRUMENTAL SOLOIST - MR. R. W. KOHLER.
Part 2nd. SACRED PICTURES.
Part 3rd. PANORAMA - CRIMEAN WAR.
Incidental Music. MISS GERALDINE WARDEN, MR. J. W. KOHLER, MR. G. J. GEE, R.A.M., AND MR. R. W. KOHLER . . .

ASSOCIATIONS: John Bryan (manager); Geraldine Warden (vocalist); John Wildblood Kohler (musician)

"Theatrical Memoranda - English, Indian and American", Bell's Life in Victoria and Sporting Chronicle (19 October 1867), 2

http://nla.gov.au/nla.news-article199058325 

The Brothers Kohler and Mr. G. J. Gee, under the management of our big old acquaintance Mr. John Bryan, arrived in Colombo in August last, and gave their first entertainment on the evening of the 27th of the same month at the Garrison Library. The performances of the Brothers Kohler and Mr. Gee met with great success, several overtures being well rendered during the evening. The illuminated pictures, how ever, do not appear to have given much satisfaction. They visit Kandy early in September. That these clever instrumentalists do not intend wasting much time will be perceived by the following notice, which appears in the Colombo Examiner: -
"Special notice. - This company have a first-class tuner (Mr. G. J. Gee), from Collard and Collard's - ladies can have their pianos tuned on the shortest notice. Lessons given on the concertina and cornet-a-piston by Mr. R. W. Kohler. Mr. John Bryan, manager."

After Australia:

[Advertisement], Sacramento Daily Union [California, USA] (4 January 1871)

http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SDU18710104.2.22.3

G. J. GEE, Professor of Music, Piano and Singing.
Office at S. W. Burkes, No. 171 J street, between Sixth and Seventh.
Residence on the northeast corner D and Ninth streets.

"DIED", Sacramento Daily Union (24 February 1873), 2

https://cdnc.ucr.edu/?a=d&d=SDU18730224.2.15.2 

In Sacramento, Feb. 22, Ella R. Gee, wife of George J. Gee. 25 years and 5 months.
[San Francisco and Virginia City papers please copy.]
[Funeral this afternoon at 2 o'clock, from late residence, corner Ninth and D streets. Relatives and friends are invited to attend.]

"A SEASON OF MUSIC", Weekly Butte Record [California, USA] (23 April 1881), 1

https://cdnc.ucr.edu/?a=d&d=WBR18810423.2.10 

. . . Another treat in store for us is a testimonial concert given to Mr. G. J. Gee, who has been organist of Trinity Church in San Francisco for six years. All the prominent singers and musicians, both professional and amateurs, are to take part, assisted by "Orphan's Choral Society" of Oakland. Prof. Gee is a great favorite, and his friends are pleased with this opportunity of showing their regard for him. It will partake more of the character of a musical festival, or jubilee - because of the great number participating. It will take place at the Grand Opera House, San Francisco, in May . . .

"DEATH OF A WELL-KNOWN MUSICIAN", Morning Press [San Francisco, CA, USA] (5 February 1884), 1

https://cdnc.ucr.edu/?a=d&d=MP18840205.2.2 

George J. Gee, who was formerly organist at the Trinity Church in this city and a musician very well known in California, died of consumption in London [sic] on 17th, of last month.

"THE LATE MR. G. J. GEE", Sacramento Daily Union (12 February 1884)

http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SDU18840212.2.16

The Macclesfield (Eng.) Courier and Herald, speaking of the late G. J. Gee, a former resident of Sacramento, says: "Mr. Gee was born in Macclesfield, and his musical bent was developed at an early age. As a young man he was organist at Bosley Church, and subsequently at St. Paul's Church, Macclesfield. He afterwards resolved to go further afield, and in his traveling enterprises extended his experience in the Eastern and Western Hemispheres, visiting both China and Australia. He afterwards studied at the Academy of Music at Stuttgart, under Professor Pruckner, pianist to the King of Wurtemberg, and obtained his diploma. Settling down subsequently at San Francisco, he obtained a high reputation as a teacher and professor of music. He was organist at Trinity Church, and held other distinguished appointments. His health beginning to fail, his American friends sent him to England in June, 1881 for the benefit of his native air, and after a nine month sojourn with his friends he was so far improved as to be able to return and resume his duties. The fell disease from which he was suffering, however, had made its insidious inroads. He came home again in February of last year, and at first, during his sojourn in Prestbury, there was a slight improvement; a relapse followed, and he gradually declined until the end. Mr. Gee has a son by his first wife in San Francisco, and he leaves a widow and two children in Macclesfield.

"DIED", Daily Alta California [San Francisco, CA, USA] (13 February 1884), 8

https://cdnc.ucr.edu/?a=d&d=DAC18840213.2.83.1 

GEE - In Macclesfield, England, at his residence. 111 Great King street, Prof. G. J. Gee, formerly of this city, aged 39 years.

England probate calendar, 1890; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_221809-00320 (PAYWALL)

GEE James / Personal Estate £44 9s. 2d. / 6 May.
Administration of the Personal Estate of James Gee late of Great-King-street Macclesfield in the County of Chester Professor of Music who died 17 January 1884 at Great-King-street was granted . . . to Ann Elizabeth Gee . . . Widow the relict.

GEE, Godfrey Henry Egremont (Godfrey Henry Egremont GEE; G. H. EGREMONT-GEE; Godfrey EGREMONT)

Musicseller, music publisher, journalist, writer, embezzler

Born Dorset, England, 1844; baptised Wimborne St. Giles, 13 October 1844; son of Thomas Egremont GEE (c. 1818-1862) and Mary Ann BIRLEY (1821-1897)
Arrived Adelaide, SA, 15 October 1852 (per Prince Regent, from London and Plymouth, 12 July)
Active as musicseller, Adelaide, SA, 1866-68 only
Married Mary Ellen HAYNES, St. Bartholomew's, Norwood, SA, 3 February 1870
Active London, England, by c. 1910
Died Kensington, London, England, 3 March 1923 ("Godfrey EGREMONT")

https://trove.nla.gov.au/search?l-publictag=Godfrey+Henry+Egremont+Gee+1844-1923 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/list?id=14554 (TROVE list)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Godfrey-Henry-Egremont (shareable link to this entry)

THANKS: To Judy Fander, 2016, for kindly sharing results of her research into the Gee family.

GEE, Maurice Birley Egremont (Maurice Birley Egremont GEE)

Amateur musician, vocalist, choral singer

Born Ackworth Moor Top, Yorkshire, England, 1847; baptised Wath Upon Dearne, 5 May 1847; son of Thomas Egremont GEE (c. 1818-1862) and Mary Ann BIRLEY (1821-1897)
Arrived Adelaide, SA, 15 October 1852 (free per Prince Regent, from London and Plymouth, 12 July)
Died Adelaide, SA, 5 July 1922, aged "75"

https://trove.nla.gov.au/search?l-publictag=Maurice+Birley+Egremont+Gee+1847-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Maurice-Egremont (shareable link to this entry)

Egremont Gee's music shop ("late R. Clisby's"), Rundle Street, Adelaide, c. 1866; State Library of South Australia

https://trove.nla.gov.au/work/208462207 

https://collections.slsa.sa.gov.au/resource/B+9114 (DIGITSED)

ASSOCIATIONS: Redford Clisby (musicseller)

Documentation:

Baptisms solemnized in the parish of St. Giles in the county of Dorset in the year 1844; register 1813-68, page 52; Dorset History Centre, PE/WSG

https://www.ancestry.com.au/discoveryui-content/view/4272021:2162 (PAYWALL)

No. 414 / [1844] Oct'r 13 / Godfrey Henry Egremont Son of / Thomas Egremont & Mary Anne / Gee / St. Giles's / Yeoman . . .

Baptisms, Wath Upon Dearne, York; England, Select births and christenings

https://www.ancestry.com.au/discoveryui-content/view/26100428:9841 (PAYWALL)

5 May 1847 / Maurice Birley Egremont son of / Thomas Egremont and Mary Anne / Gee

England census, 30 March 1851, Old Stratford, Warwickshire; UK National Archives, HO 107 / 2074

https://www.ancestry.com.au/interactive/8860/WARHO107_2074_2074-0960 (PAYWALL)

Old Town / Thomas E. Gee / Head / 33 / Preparatory School for Young Gentlemen / [born] Yorkshire Little Houghton
Mary A [Gee] / Wife / 30 / - / [Yorkshire] Doncaster
Godfrey H. E. [Gee] / Son / 6 / Scholar / Dorsetsh. Cramburn . . .

England census, 30 March 1851, Snitterfield, Warwickshire; UK National Archives, HO 107 / 2074

https://www.ancestry.com.au/interactive/8860/WARHO107_2074_2074-0419 (PAYWALL)

Seymour House / Jane A. Marsh / Head / 35 / Governess of a School for young ladies . . .
Ellen Birley / Visitor / 18 / - / [born] Yorkshire
Maurice Gee / [Visitor] / 3 / Infant / [born Yorkshire]

"SHIPPING INTELLIGENCE. ARRIVED", Adelaide Observer [SA] (16 October 1852), 5

http://nla.gov.au/nla.news-article160110894 

Friday, October 15 - The barque Prince Regent, 629 tons, W. Jago, master, from London and Plymouth, 12th July.
Passengers . . . Gee 4 . . . in the intermediate and steerage.

[Advertisement], South Australian Register [Adelaide, SA] (25 April 1866), 1

http://nla.gov.au/nla.news-article41034425

NOTICE. - REDFORD CLISBY, in returning his sincere thanks
to the public of South Australia for the liberal patronage enjoyed by him for the last 17 years,
begs to state that he has DISPOSED of his BUSINESS to Mr. G. H. EGREMONT GEE,
whose stock will be expressly selected by R. C. from London and the Continent; and respectfully requests a continuance of that patronage to his successor.

MR. G. H. EGREMONT-GEE, in reference to the above, requests the support of his friends and the public, and a continuance of the favours accorded to his predecessor.

ASSOCIATIONS: Redford Clisby (musicseller)

"TOPICS OF THE DAY", The South Australian Advertiser (19 June 1866), 2

http://nla.gov.au/nla.news-article28788437 

A musical entertainment was given in the Norwood Town Hall, on Monday evening, in aid of the building fund of St. Bartholomew's Church . . . The cavatina, "Hear me, Gentle Maritana," by Mr. G. H. Egremont-Gee, was also encored . . .

"OPENING OF THE TOWN HALL, PORT ADELAIDE", South Australian Register (30 August 1866), 2

http://nla.gov.au/nla.news-article41019378 

The completion of the Town Hall, Port Adelaide, was inaugurated on Wednesday by a vocal and instrumental concert, under the direction of Mr. George Loder . . . The vocal performers were Mr. and Mrs. G. Loder, Mrs. Wishart, Messrs. J. W. Daniel, Egremont-Gee, and J. Lake . . .

ASSOCIATIONS: George and Emma Loder (musicians); Susannah Wishart (vocalist), Josiah Wyke Daniel (vocalist); J. Lake (vocalist)

"GENERAL NEWS", The Express and Telegraph (23 March 1867), 2

http://nla.gov.au/nla.news-article207592268 

A very successful entertainment took place at the Town Hall, Norwood, on Friday evening in aid of the funds of St. Bartholomew's Church . . . The programme included . . . a song - "German Band" - by Mr. Maurice Egremont Gee, which was certainly one of the best of the evening; it was sung in character and was loudly encored . . .

"TOPICS OF THE DAY", The South Australian Advertiser (20 July 1867), 2

http://nla.gov.au/nla.news-article28799349 

A musical and dramatic entertainment was given in the Temperance Hall, North Adelaide, on Friday evening, July 19, and was a great success . . . the audience were delighted by the exquisite production of the comic song and dance - "The Cures," by Messrs. Morris, Gee [sic], and A. Diamond . . .

ASSOCIATIONS: Arthur James Diamond (amateur musician)

"TOPICS OF THE DAY", The South Australian Advertiser (21 August 1867), 2

http://nla.gov.au/nla.news-article28800096 

A grand soiree was given in the Town Hall, Norwood, on Tuesday evening, August 20, in aid of the Clayton Chapel Sunday school . . . The programme was then commenced with the chorus "Peaceful shades," which was very well given by Messrs. Dyer, Jagoe, Maurice Gee, and Diamond. A number of other songs, duets, and solos were also very creditably given by Messrs. Dyer, Jagoe, and Gee, the most noticeable of which were the duet "Flow gentry, Deva," by Messrs. Dyer and Jagoe; solo, "Star of love," Mr. Dyer; "The Flying Dutchman," by Mr. Jagoe; the well known comic song, the "German Band," Mr. M. Gee . . .

[News], Southern Argus [Port Elliot, SA] (11 January 1868), 3

http://nla.gov.au/nla.news-article96867827 

We understand Mr. G. H. Egremont-Gee, of Rundle-street, has been appointed music-seller in South Australia to H.R.H. the Duke of Edinburgh. The appointment is to be forwarded from England on the earliest opportunity.

ASSOCIATIONS: Alfred (royal visitor)

[Advertisement], South Australian Register (1 July 1868), 4

http://nla.gov.au/nla.news-article41403885 

On FRIDAY, July 3, at 12 o'clock. RE G. H. EGREMONT-GEE.
VALUABLE LEASEHOLD PROPERTY IN RUNDLE-STREET.
CHARLES TIDEMANN will sell by auction, as above, at his Saleroom, on Friday, July 3, at 12 o'clock,
All that valuable LEASEHOLD PROPERTY, situated at No. 68. RUNDLE-STREET, being the Shop and Premises lately occupied by G. H. EGREMONT-GEE.
The Lease has about four years to run. For further particulars, apply to the Auctioneer.

"MARRIAGES", South Australian Register (5 February 1870), 4

http://nla.gov.au/nla.news-article39202439 

GEE - HAYNES.- On the 3rd February, at St. Bartholomew's Church, Norwood, by the Rev. D. J. H. Ibbetson, G. H. E. Gee, to Mary Ellen, daughter of F. W. Haynes, Esq., Kilbree Cottage, Stepney.

"THE DEFAULTER EGREMONT", The Inquirer and Commercial News [Perth, WA] (28 October 1885), 5

http://nla.gov.au/nla.news-article66035173 

The defalcations of Godfrey Egremont of the funds of the Adelaide and Kensington Building Society are found to amount to between £1000 and £2000. A telegram has been sent to have him arrested on the arrival of the Sorata at Suez. His wife and family left by the John Elder a fortnight later.

"THE CHARGE OF EMBEZZLEMENT AGAINST GODFREY EGREMONT", The South Australian Advertiser (28 April 1886), 5

http://nla.gov.au/nla.news-article36327296

The case against the defaulter Godfrey Egremont, late secretary to the Kensington and Norwood Building Society, came on for hearing at the Adelaide Police Court on Tuesday morning . . . The information . . . stated - "That Godfrey Egremont, being a servant to the trustees of the Adelaide, Kensington, and Norwood Building and Investment Society, did receive and take into his possession for and on account of his said matters the sum of pounds 519 11s. 11d., and the said moneys then fraudulently and feloniously did embezzle on the 12th of January 1885" . . .

"THE ARREST OF GODFREY EGREMONT", Evening Journal (27 April 1886), 3

http://nla.gov.au/nla.news-article197815009 

By the R.M.S. Carthage, which arrived from London early on Saturday morning Detective Heynen, who was dispatched to Germany to obtain the extradition of Godfrey Egremont, the late Secretary to the Kensington and Norwood Building and Investment Society, arrived in the colony with Egremont, who was arrested at Stuttgart on a charge of embezzlement . . .

"IN YATALA LABOR PRISON. (BY NOMAD) No. IV", Border Watch [Mount Gambier, SA] (13 July 1889), 4

http://nla.gov.au/nla.news-article77054638 

. . . The head guard kindly hunts up the librarian, and the room is opened. It contains about 700 volumes, a very miscellaneous lot, including a considerable number of bound magazines . . . A remark about Shakspeare and the drama elicited a queer sort of laugh from the Librarian; the Stage used to be a familiar theme with him; what beautiful "copy" he wrote, and what slashing dramatic notices he used to give. It was five years since I had last seen him, and life had been eventful with him in the interim. He was Godfrey Egremont, looking pale and worn, and notwithstanding his light work, feeble and sickly . . .

"Personal Gossip", Critic (10 November 1900), 7

http://nla.gov.au/nla.news-article212145997 

Mine Inspector Gee, who is in charge of the Tarcoola field on behalf of the Government, is filling in leisure time in writing short stories. His brother Godfrey Egremont, who dropped the Gee from his surname, was once well known in Adelaide literary circles as a writer of vigorous prose and good verse. He once edited Adelaide Punch.

"A PERSONAL SKETCH", The Register (31 January 1921), 5

http://nla.gov.au/nla.news-article55148772 

News of the death of Mr. George Darrell will be read with deep regret by a large number of old playgoers (writes a correspondent). It is more than 40 years since I first met George Darrell when he was playing at the old Theatre Royal, about which time Spencer Skipper and Godfrey Egremont did the dramatic work for The Register. At that period pressmen and actors, used to foregather far more than they do nowadays . . .

ASSOCIATIONS: Geoge Darrell (actor)

"DEATHS", The Journal [Adelaide, SA] (5 July 1922), 4

http://nla.gov.au/nla.news-article200920189 

GEE. - On the 6th July, Maurice B. E., second son of the late Thomas Egremont Gee, of Ackworth-Moor-Top, Yorkshire, aged 75 years.

"Obituary", Chronicle (15 July 1922), 15

http://nla.gov.au/nla.news-article87433499 

Mr. Maurice B. E. Gee, who died on July 5, at the age of 75, was born at Ackworth-Moor-Tap [sic, Top], Yorkshire, in 1847, and came to South Australia with his parents in 1852. He led a very quiet and retired life. He was well known in musical and dramatic circles a number of years ago in Adelaide, with the late Mr. Arthur Diamond and others. He was a prominent member of St. David's Church, Burnside, and for the past fifteen years had been a member of the choir, missing only five services in that time. Mr. Gee never married. Mr. L. C. E. Gee, of the Mines Department, is a brother.

England, probate calendar, 1923; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_222937-00174 (PAYWALL)

EGREMONT Godfrey of 205 Grays Inn-road Middlesex died 3 March 1923 Administration London 19 April to Maud Mary Egremont spinster. Effects £352 10s.

"KENSINGTON - OLD AND NEW . . . From A. G. WELLS", The Register (22 May 1923), 4

http://nla.gov.au/nla.news-article64110516 

. . . As far back as 1855 there was an excellent day school at the corner of Beulah road, conducted by Mr. W. Holdsworth, who had as many as 80 scholars . . . I attended St. Bartholomew's Sunday School, and was also a chorister for some years . . . The late Mr. Thomas Gee was also a much-loved teacher. I can well remember most of the organists - Miss Jupp, Mrs. Powell, Messrs. Johns, H. H. Thomas (Union Bank), Herberlet, and Alfred Hawker, who died at sea. Mr. Hawker was a very kind-hearted, young gentleman, and at that time held a position in the Government offices. He took great interest in the private lives of his choristers, and had three special favourites, viz., the late Arthur Munt, Maurice Gee, and myself . . .

Music and song publications (extant in red bold; non-extant in black bold):

Finnigan's wake polka (Heydecke, arr. Loder, 1866)

Finnigan's wake polka, composed by Th. Heydecke; arranged for the pianoforte by George Loder ([Adelaide: G. H. Egremont-Gee, 1866])

https://trove.nla.gov.au/work/7578988

https://nla.gov.au/nla.obj-169228029 (DIGITISED)

ASSOCIATIONS: Theodor Heydecke (composer); George Loder (arranger)

[Advertisement], The Adelaide Express (14 August 1866), 1

http://nla.gov.au/nla.news-article207679401 

FINNIGAN'S WAKE POLKA. -
Composed by T. Heydecke, arranged for the pianoforte by George Loder,
published by G. H. EGREMONT-GEE, 68, Rundle-street.

[Advertisement], South Australian Register (6 December 1866), 1

http://nla.gov.au/nla.news-article41020487 

FINNIGAN'S WAKE POLKA. A Fresh Supply of this very Popular Polka. G. H. EGKEMONT-GEE, 68, Rundle-street.

Thatcher's Adelaide songster (1866)

Thatcher's Adelaide songster, containing the principal local songs as written and sung by him at White's Assembly Rooms (Adelaide: G. H. Egremont-Gee, [1866])

https://trove.nla.gov.au/work/30750966 

ASSOCIATIONS: Charles Thatcher (songwriter, vocalist); White's Rooms (Adelaide venue)

"GENERAL NEWS", The Adelaide Express (29 December 1866), 2-3

http://nla.gov.au/nla.news-article207681767 

Mr. G. H. Egremont-Gee has issued an edition of Thatcher's new Adelaide Songster, containing the principal local songs written and sung by him at White's Rooms. There is certainly plenty of humor in them, and most readers will enjoy a hearty laugh although most likely some of those at whose expense [3] the jokes are cracked will wonder what on earth people see to laugh at.

"THATCHER'S ADELAIDE SONGSTER", South Australian Register (3 January 1867), 2

http://nla.gov.au/nla.news-article39180342 

Mr. Thatcher has left us a souvenir - a small collection of the local songs he had specially composed for his recent concerts in White's Rooms. Of course they do not read so well as they sounded in the mouth of the author; still they are clever, and many of the hits are worth remembering. The publisher is Mr. Egremont-Gee, of Rundle-street.

The song of Australia (Linger, ? new edition, 1867)

NO COPY OF PROPOSED NEW EDITION IDENTIFIED; perhaps never printed

"GAWLER INSTITUTE", Bunyip (10 August 1867), 3

http://nla.gov.au/nla.news-article130962480 

An adjourned meeting of the committee of the Institute was held on Friday, the 9th inst. . . . A letter from Mr. G. Egremont-Gee of Adelaide was read, asking permission to lithograph the Song of Australia, the copyright of which is the property of the Institute, as there was an occasional demand for it. The Committee resolved that the Secretary should reply by offering to sell a limited number of copies, now in their possession to Mr. Gee at 18s. per dozen.

ASSOCIATIONS: Carl Linger (composer); Caroline Carleton (lyrics); Gawler Institute (association)

Welcome, prince Alfred to Adelaide ["A welcome to prince Alfred"] (1867)

Welcome to H.R.H. prince Alfred in Adelaide ["Welcome to prince Alfred; written by E. H. N.; composed by M. B."] (Adelaide: Sims and Elliott, music and general steam printers, [1867]; "Penman & Galbraith, Litho"

https://trove.nla.gov.au/work/254701464 

ASSOCIATIONS: Sims and Elliott (printers); Penman and Galbraith (lithographers)

[Advertisement], The Express and Telegraph (17 September 1867), 1

http://nla.gov.au/nla.news-article207672402 

"A WELCOME TO PRINCE ALFRED."
- New and charming Song with Chorus. Music, composed by M. B.,
words written, specially for the occasion, by E. H. N. Price, 2s 6d.
To be had of G. H. Egremont-Gee and S. Marshall, Musicsellers, Rundle-street.

ASSOCIATIONS: Alfred (royal visitor); Samuel Marshall (musicseller)

"WELCOME TO H.R.H. PRINCE ALFRED IN ADELAIDE", South Australian Register (20 September 1867), 2

http://nla.gov.au/nla.news-article39186269 

This is the name of a new song just published by Sims & Elliott, with a lithographed title-page containing the portrait of His Royal Highness, executed by Penman & Galbraith. The words are by E. H. N., and the music by M. B., both of whom are, we believe, ladies. The poetry consists of eight verses, and a chorus to each verse. The music is arranged for a soprano, with a three part chorus somewhat in the style of the Christy Minstrelsy. It Is remarkable for its simplicty, the whole being in the open key without any modulation. The laws of composition are strictly observed both in the arrangement of the parts and in the adaptation of the pianoforte accompaniment. The first verse may be taken as a fair sample of the poetry: -
"We hail, Oh Prince, with gladness
The rising of thy star,
To chase all clouds of sadness
Thou comest from afar;
Thy Royal Mother's smile
Irradiates thy face;
Then tarry for a while
This distant land to grace. -
Chorus - Then let ten thousand voices
Burst forth with joyous strain,
To tell each heart rejoices
Victoria still doth reign."
The music is quite worthy of the poetry. We trust no attempt will be made either to sing the song in the presence of the Duke or to present him with a copy, as we are afraid he would have a very poor opinion of our native productions both in poetry and music. We like to speak favourably when we can of such productions, but we are bound in honesty to say that the verses are of a namby pamby character, and, as we have hinted above, the music corresponds therewith.

"TOPICS OF THE DAY", The South Australian Advertiser (21 September 1867), 2

http://nla.gov.au/nla.news-article28800994

We have received from Mr. Egremont-Gee a song just written and set to music - Welcome, Prince Alfred to Adelaide. The air is simple, but pleasing, and the versification above the average. The printing is well executed, and the piece altogether deserving of patronage.

See also [Advertisement], The South Australian Advertiser (19 October 1867), 1

http://nla.gov.au/nla.news-article73056748 

The prince Alfred waltz (Loder, 1867)

The prince Alfred waltz, composed by George Loder, Australia's greeting (Adelaide: G. H. Egremont Gee, 1867); "Penman & Galbraith, litho . . ."

https://trove.nla.gov.au/work/9854419 

https://libraries.tas.gov.au/Record/Library/SD_ILS-538606 (DIGITISED - original)

https://nla.gov.au/nla.obj-179640289 (DIGITISED - photocopy)

ASSOCIATIONS: George Loder (composer)

The Galatea polka brillante (Ellard, 1867)

The Galatea, polka brillante composed by Frederic Ellard (Adelaide: G. H. Egremont Gee, 1867); "Penman & Galbraith, litho . . ."

https://trove.nla.gov.au/work/14425160

https://nla.gov.au/nla.obj-168427856 (DIGITISED)

ASSOCIATIONS: Frederick Ellard (composer)

[Advertisement], The South Australian Advertiser (4 October 1867), 1

http://nla.gov.au/nla.news-article73055871 

G. H. EGREMONT-GEE has made arrangements to publish the PRINCE ALFRED WALTZ and GALATEA POLKA, composed specially for the occasion of H.R.H. Prince Alfred's visit to Australia by Messrs. George Loder and Frederic Ellard respectively.
These pieces of music are being beautifully lithographed by Messrs. Penman & Galbraith, with illuminated and illustrated title pages, in a style equal to first-class London publications.
No expense has been spared to render them worthy of the occasion and the colony, and the publisher hopes to receive the cordial support of all who are interested in the development of art in Australia and the public at large.
All who have heard these compositions express but one opinion as to the sterling quality of the music, the melodies being beautiful and flowing, and the harmonies of rich and exquisite variety.
The PRINCE ALFRED WALTZ and GALATEA POLKA not only possess the attraction of good dance music, but are elegant and brilliant fantasias for the pianoforte.
Early orders axe requested, as many are already to hand, and but a limited number of copies will at first be printed.
Forwarded by the publisher, post free, to any part of the colony.
The PRINCE ALFRED WALTZ, price 4s., and the GALATEA POLKA, price 3s. 6d., will be read) in a few days.

"GENERAL NEWS:, The Express and Telegraph (30 October 1867), 2

http://nla.gov.au/nla.news-article207673393 

We have received from Mr. G. H. Egremont-Gee, the publisher, a copy of "The Galatea Polka" composed by Mr. Frederic Ellard, and of "The Prince Alfred Waltz," composed by Mr. George Loder, both having been written in honor of the visit of H.R.H. the Duke of Edinburgh. On Tuesday we had an opportunity of hearing the polka and the waltz played by their respective authors, and we have formed a most favorable opinion of both works . . . Both pieces are exceedingly well got up, each with a handsome title page, that of the waltz being, printed in gold and colors, and that of the polka, bearing a clever lithographed sketch of the Galatea - drawn, we should state, by Colonel Biggs. They are lithographed by Messrs. Penman and Galbraith, of Rundle-street, and reflect great credit on them. Two or three faults will, how ever, be found towards the end of the polka, though any one will at once perceive these, and readily correct them . . . One thing we may fairly say, which is, that we can challenge the neighboring colonies, to produce anything to equal the "Galatea Polka" and "Prince Alfred Waltz."

[News], Kapunda Herald and Northern Intelligencer (22 November 1867), 2-3

http://nla.gov.au/nla.news-article108263689 

SOME time back we remarked that the visit of H.R.H. the Duke of Edinburgh appeared to have called into existence a considerable amount of musical and poetical activity, some of the products of which we then reviewed. We have received from the publisher, Mr. Egremont Gee, two other musical productions of a very superior order such as do credit not only to the composers, but also to the colony. We allude to "The Galatea Polka" by Mr. Ellard, and the "Prince Alfred Waltz" by Mr. G. Loder - both of which productions found favour - not only with the colonists, but with that distinguished personage in honour of whose visit they were composed, they being the only two round dances danced by His Royal Highness at the Subscrip-[3]-tion Ball. The Galatea Band also played them at the Governor's Ball. The polka is a somewhat elaborate piece of composition, and is extremely pretty: a somewhat unusual effect is introduced in the middle of the polka in the shape of a chorus of welcome, the accompaniment to which marks the polka time. The title page bears a lithographed sketch of the Galatea under steam and canvas, drawn by Colonel Biggs. The waltz is also a very sweet and pretty composition, and wherever it is introduced will became a favourite, being quite worthy of the pen of so admittedly able a musician as Mr. Loder. Both pieces are lithographed by Messrs. Penman and Galbraith, who have turned out very tasteful title pages; and the music, though not so clear or large as the typographical impressions, is still very distinct. We can cordially recommend our musical readers to purchase these pieces, as they will thereby make a valuable addition to their musical library as well as encourage "native industry."

Bibliography and resources:

R. Kent Rasmussen (ed.), Dear Mark Twain: letters from his readers (Berkeley: University of California Press, 2013), 158

https://books.google.com.au/books?id=1LcHTwKf14YC&pg=PA158 (PREVIEW)

GEHDE FAMILY OF MUSICIANS

GEHDE, August (Michael Augustus GEHDE; August Michael GEHDE; August GEHDE)

Musician, pianoforte maker and tuner, musicseller

Born Marienwerder, Prussia (Germany, now Kwidzyn, Poland), 30 September 1828; baptised Gross Krebs (Rakowiec), 12 October 1828; son of Michael GEHDE and Anna Maria HELLWICH
Arrived Adelaide, SA, 15 December 1850 (per Australia, from Hamburg, 7 September)
Married Anna Mary THOMAS (d. 1923), Sydney, NSW, 1854
Active Sydney, NSW, by 1858
Died Randwick, NSW, 30 March 1922, aged "94"

https://trove.nla.gov.au/search?l-publictag=August+Gehde+1828-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-August-sen (shareable link to this entry)

GEHDE, Augustus (Augustus Michael GEHDE; Augustus GEHDE; A. M. GEHDE)

Musician, pianist, organist, viola player, composer

Born Sydney, NSW, 1855; son of August GEHDE and Anna Mary THOMAS
Died Linden, NSW, 4 September 1941, aged 86 years

https://trove.nla.gov.au/search?l-publictag=Augustus+Michael+Gehde+1855-1941 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Augustus-jun (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST PROFESSIONALLY ACTIVE IN AUSTRALIA AFTER 1860

GEHDE, Edward Frederick (Edward Frederick GEHDE; E. GEHDE)

Musician, cellist, composer

Born Sydney, NSW, 24 July 1857; son of August GEHDE and Anna Mary THOMAS
Died Randwick, NSW, 30 April 1917

https://trove.nla.gov.au/search?l-publictag=Edward+Frederick+Gehde+1857-1917 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Edward-Frederick (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST PROFESSIONALLY ACTIVE IN AUSTRALIA AFTER 1860

GEHDE, Nicholas Julius (Nicholas Julius GEHDE; N. J. GEHDE)

Musician, composer

Born Sydney, NSW, 1 July 1865; son of August GEHDE and Anna Mary THOMAS
Died Sydney, NSW, 17 December 1923

https://trove.nla.gov.au/search?l-publictag=Nicholas+Julius+Gehde+1865-1923 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Nicholas-Julius (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

GEHDE, Henry Thomas (Henry Thomas GEHDE; H. T. GEHDE)

Musician, piano tuner, music retail assistant

Born Sydney, NSW, 1877; son of August GEHDE and Anna Mary THOMAS
Died Sydney, NSW, 26 April 1922, aged 44

https://trove.nla.gov.au/search?l-publictag=Henry+Thomas+Gehde+1877-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Henry-Thomas (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Summary:

Michael August Gehde was born on 30 September 1828 in the Prussian town Marienwerder (now Kwidzyn, Poland).

On arrival in Sydney in the early 1850, August senior was briefly employed as an assistant in the shop of the musicseller William Jonathan Johnson, and later a shop assistant for piano retailer Henry Hurford. Hired by William Henry Paling in 1858, he went on to become a much-respected and long-serving senior employee and shareholder of W. H. Paling and Co.

On Henry Marsh's departure from Sydney for San Francisco in 1874, Augustus Gehde junior took over his teaching practice. It was later reported that Augustus had been a pupil of Charles Sandys Packer, who "took [him] over [at the] age of 14", and having later spent some time training in Germany, he was appointed university organist in 1886, and city organist in 1901.

Documentation:

Baptisms, Marianwerder, 1828; Staatliche Archivverwaltung (former DDR), Lutherische Kirchenbücher, film nr. 208115, pp. 300-01

https://www.ancestry.com.au/discoveryui-content/view/1304502%3A61250 (PAYWALL)

No. 58 / Gross Krebs / Pater: Michael Gehde . . . / Mater: Anna Maria, geb. Hellwich /
Filius Michael August, geb. d. 30 [September] [baptised] 12 Oct. / . . .

"SHIPPING. ARRIVED", South Australian Gazette and Mining Journal [Adelaide, SA] (19 December 1850), 2

http://nla.gov.au/nla.news-article195941353 

December 15 - The ship Australia, 600 tons, Meyer master, from Hamburg 7th September. Passengers for Adelaide and Sydney . . . M. A. Gahde . . .

Certificate of naturalization, Augustus Gehde, 20 February 1865; State Records Authority of NSW

https://www.ancestry.com.au/discoveryui-content/view/9457%3A1549 (PAYWALL)

No. 65/20 . . . WHEREAS . . . Augustus Gehde is a native of Marienwerda [sic, Marienwerder] Prussia,
is thirty six years of age, and is a pianoforte maker . . .
and that having arrived by the ship Australia in the year 1850 he is now residing in Sydney and is intending to settle in the said colony . . .
GIVEN . . . this [20 February 1865] . . .

"BIRTHS", The Sydney Morning Herald [NSW] (4 July 1865), 1

http://nla.gov.au/nla.news-article13115419

On the 1st instant, at her residence, 149, Clarence-street, Mrs. August Gehde, of a son.

Baptisms solemnized in the parish of St. Andrew in the county of Cumberland in the year 1863; register 1842-64, page 158; Sydney Anglican Diocesan Archives

https://www.ancestry.com.au/discoveryui-content/view/186072:61177 (PAYWALL)

No. 1769 / [1863] 9th April / [born] 17th Feb'y 1863 / Catherina Anna [daughter of] Augustis & Anna Mary / Gehde / Clarence Street / Pianoforte Maker . . .

"Miscellaneous Items", Australian Town and Country Journal [Sydney, NSW] (20 September 1873), 7

http://nla.gov.au/nla.news-article70481053

. . . The brothers Gehde performed a selection or two on the pianoforte, and Mr. A. Gehde made an agreeable accompanist . . .

[Advertisement], The Sydney Morning Herald (14 July 1874), 1

http://nla.gov.au/nla.news-article13345809

MR. HENRY MARSH, in thanking his numerous Pupils and friends for the liberal support he has received during the last twenty-five years, begs to inform them that he is about leaving the colony for San Francisco, and would strongly recommend his successor, Mr. AUGUSTUS GEHDE, as a very careful and competent master.
Mr. Marsh has no doubt Mr. Gehde will give every satisfaction to those who may avail themselves of his services.

ASSOCIATIONS: Henry Marsh (musician, music teacher)

"BIRTHS", The Sydney Morning Herald (12 January 1877), 1

http://nla.gov.au/nla.news-article28397903 

GEHDE. - January 11, at her residence, 36, York-street, Mrs. A. Gehde, of a son.

"ORGAN RECITAL AT THE UNIVERSITY", The Sydney Morning Herald (8 February 1886), 8

http://nla.gov.au/nla.news-article28360509