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A biographical register of Australian colonial musical personnel–G (Ga-Gly)

Dr GRAEME SKINNER (University of Sydney)


THIS PAGE IS ALWAYS UNDER CONSTRUCTION


To cite this:

Graeme Skinner (University of Sydney), "A biographical register of Australian colonial musical personnel–G (Ga-Gly)", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/register-G-1.php; accessed 29 March 2024







- G - ( Ga - Gly ) -



Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

A major upgrade of the contents of this page was completed in June 2020, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.


Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.





GABB, John Gough (John GABB; J. GABB; John G. GABB; John Gough GABB)

Violinist (of the Gloucester and Worcester musical festivals), leader (Geelong Harmonic Society), painter and decorator

Born Gloucestershire, England, 1819; baptised Minchinhampton parish church, 6 June 1819, son of Daniel GABB and Hannah GOUGH
Married (1) Eleanor BUCKINGHAM (c. 1820-1876), St. Mary de Crypt, Gloucester, England, 20 February 1844
Arrived Melbourne, VIC, 28 December 1852 (per Mercurius, Dutch ship from Liverpool, with wife and 4 children)
Married (2) Phillippa DONALDSON, Geelong, VIC, 1877
Died Geelong, VIC, 14 April 1904, aged 85, a colonist of 52 years

https://trove.nla.gov.au/search?l-publictag=John+Gough+Gabb+1819-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GABB-John-Gough (shareable link to this entry)


Summary:

John Gabb was born at Minchinhampton, Gloucestershire, in 1819, a son of Daniel Gabb, a blacksmith, and Hannah Gough. He married Eleanor Buckingham in Gloucester in 1844. A painter and decorator by trade, he was also active as a musician during the 1840s. By his own account, he participated in the Gloucester and Worcester musical festivals, and performed in the premiere of Mendelssohn's oratorio Elijah, under the direction of the composer, at the Birmingham Festival, on 26 August 1846.

At least one independent account places Gabb in charge of a masonic concert in Gloucester on 24 October 1848. Gabb himself appeared as a singer in Weber's vocal quartet, Lutzow's wild hunt (op. 42 no. 2), and as first violinist in Beethoven's String quartet in B flat (op. 18 no. 6).

The notice of his insolvency in February 1850 lists his recent addresses, as a "Painter, Gilder, Japanner, Glazier, and Paperhanger", living at Bearland and in the Barbican Road, and working from a shop in Longsmith Street. His estate having probably been settled by mid 1851, in mid 1852 he and his wife and children sailed from Liverpool by the Dutch ship Mercurius, for Victoria.

They landed in Melbourne on 28 December 1852, and settled immediately at Geelong, where, on 6 April 1853, Gabb became a foundation committee member of the Geelong Harmonic Society. Thereafter, for almost two decades, Gabb was leader of its band, and the bands of its successors, the Geelong Choral Society and the Geelong Philharmonic Society.

Notably, the first performance in Geelong of Mendelssohn's Elijah was for his benefit.

He was also, probably for much of the later 1850s and 1860s, a leading member of the band of the Theatre Royal, Geelong

Gabb's musical performances continued to be reported in the Geelong press, over almost forty years, into the early 1890s. From as early as the 1860s, however, his own and his family's recurring problems also began to be reported. Gabb himself was detained for public drunkenness at least twice in 1863, his daughter had a child out of wedlock in 1866, his son Daniel was several times detained for exposing himself, and in 1869 his wife Eleanor had to be restrained from pawning the family's possessions to pay for her drinking habit. When finally, in 1870, Gabb was removed from the post of leader of the band of the Philharmonic Society, it was alleged that members had been "disgusted" by his (unspecified) behaviour.

For the remainder of the 1870s and 1880s, however, he continued to play and apparently also to teach locally on a more modest scale, frequently documented in his later years playing at social functions of the Newtown Wesleyan Sunday School.


Documentation:

Baptisms solemnized in the Parish of Minchinhampton in the County of Gloucester in the Year 1819; register, 1813-34, page 82; Gloucestershire Archives

https://www.ancestry.com.au/interactive/5066/41511_626640_4079-00095 (PAYWALL)

No. 651 / June 6 / John Son of / Daniel & Hannah / Gabb / Barley / Blacksmith / . . .

1844, Marriages solemnized at the Parish Church in the Parish of St. Mary de Crypt in the City of Gloucester; register 1844; Gloucestershire Archives

https://www.ancestry.com.au/interactive/5156/43138_633870_4624-00811 (PAYWALL)

No. 112 / Feb'y 20 / John Gabb / Full age / bachelor / Painter / [residence] St. Mary de Crypt / [father] Daniel Gabb / Blacksmith
Eleanor Buckingham / Full age / Spinster / St. Mary de Crypt / [father] John Buckingham / Clerk . . .

"MARRIED", Cheltenham Chronicle (22 February 1844), 3

Feb. 20, at St. Mary de Crypt Church, Gloucester, Mr. John Gabb. painter, Bolt lane, to Eleanor, second daughter of Mr. J. Buckingham, of the New Stroud road, near that city.

"DEATHS", Gloucestershire Chronicle (5 June 1847), 3

May 31, of scarlet fever, William John, son of Mr. John Gabb, painter, of Bell-lane, in this city, aged 2 years.

[News], Gloucester Journal (28 October 1848), 3

On Tuesday evening last [24 October], an excellent concert took place at the Lodge of Druids, No. 372, held at the Lower George, in this city. The programme (drawn up by Mr. John Gabb,) was of a most inviting nature, embracing choruses, overtures, quartets, glees, duets, valses, and recitations. The whole of the musical talent, for which this society is so much noted, was called into action. The song of "I seek her on every shore" was sung with great taste and considerable feeling by Mr. Raggett. "Lutzow's wild hunt" was sung by Messrs. O. Dewey, A. Whitehead, C. Luker, S. Morgan, E. T. Evans, J. Gabb, M. Grist, and E. Bailey, and elicited much applause. Mr. W. Becks' recitation was of a first-rate character, and received the merited approbation of the brothers. Mr. S. Morgan gave the celebrated Parry's song of "Matrimony;" this gentleman's talent is well known, and he received a unanimous encore. Beethoven's quartet, No. 6, "Op. 18," was admirably played by Messrs. Gabb, Evans, Morgan, and Grist. The overture of "Tancredi" brought forward the talent of these gentlemen, assisted by Mr. E. Bailey, of Newent, who came to Gloucester expressly for that purpose. Mr. J. Band did much service in playing the double bass. The recitation by Mr. J. Gough, of "Ye crags and peaks," was given with considerable judgment and much feeling, and was rapturously received by all present. Mr. Chas. Clutterbuck, surgeon, having been called upon for toast, highly commended the performances, and expressed his belief that such entertainments are calculated to promote good feeling, harmony, and brotherly love. He hoped there would be a recurrence of these meetings. Several toasts were drank in the course of the evening. The lodge was closed by the whole company, amounting to nearly one hundred, singing the National Anthem. Several leading men of the city and a sprinkling of the body corporate belonging to the order were present, as well as a good attendance of brothers belonging other lodges, especially from Lodge 96, who were much pleased with the entertainment. The whole of the performances was of first rate and gratifying nature, and reflect great credit upon all parties concerned. Mr. A. Whitehead presided at the pianoforte, and his exertions gave universal satisfaction.

[Notice], The London gazette (8 February 1850), 382

https://books.google.com.au/books?id=DRlKAQAAMAAJ&pg=PA382 (DIGITISED)

WHEREAS a Petition of JOHN GABB, at present and . . . [as below]

[Advertisement], Gloucester Journal (9 February 1850), 2

WHEREAS a Petition of JOHN GABB, at present and for three and a half years and upwards last past residing in Bell Lane, in the city of Gloucester, and being a Painter, Gilder, Japanner, Glazier, and Paper-hanger; previously for a short time staying Barbacan House, near the said city, but in the county of Gloucester, out of business and employment; previously of No. 4, Bear Land; previously of No. 16, Longsmith Street, both in the said city of Gloucester; and formerly of Barbacan Road, near the city, but in the said county of Gloucester, (having a Shop in Longsmith Street aforesaid,) Painter, Gilder, Japanner, and Glazier; and during a portion of his said residence at No. 4, Bear Land aforesaid, also a Paper-hanger; an Insolvent Debtor, having been filed in the County Court of Gloucestershire, Gloucester, and an interim order for protection from process having been given to the said John Gabb, under the provisions of the statutes in that case made and provided, the said John is hereby required to appear in such aforesaid Court, before James Francillon, Esquire, the Judge of the said Court, acting in the matter of the said Petition, on the eleventh day of March next, at ten o'clock in the forenoon precisely, for his first examination, touching his Debts, Estate, and to be further dealt with according to the provisions of the said statutes. And notice is hereby given, that the choice of the Creditors' Assignees to take place at the time appointed. All persons indebted to the said John Gabb, who have any his effects, are not to pay or deliver the same but to Robert Wilton, Clerk of the said Court, his Office, Gloucester, the Official Assignee of the said Insolvent. By order of the Court, J. N. BALME, High Bailiff. Gloucester, February 5, 1850.

England census, 30 March 1851, Gloucester St. Catherine; UK National Archives HO 107 / 1961

https://www.ancestry.com.au/interactive/8860/GLSHO107_1961_1962-0332 (PAYWALL)

15 Oxford Terrace / John Gabb / Head / 31 / Painter / [born] Gloucestershire
Eleanor Gabb / Wife / 30 / - / Gloucester St. Nicholas
Elizabeth Gabb . Dau / 4 / - / Gloucester St. Mary de Crypt
William John Gabb / Son / 3 / - / Gloucester St. Mary de Crypt
Daniel Henry Gabb / Son / 1 / - / Gloucester St. Mary de Crypt
Emily Moore / Servant / 12 . . .

[Advertisement], Gloucester Journal (19 April 1851), 1

NOTICE is hereby given, that James Francillon, Esquire, Judge of the County Court of Gloucestershire, at Gloucester, in which a Petition for Protection from Process bearing date the 1st day of February, 1850, hath been filed by JOHN GABB . . . will sit on the first day of May next, at ten o'clock in the forenoon to Audit the Accounts of the Official Assignee of the Estate and Effects of the said Insolvent . . . And Notice is hereby also given, that the said James Francillon, Esquire, the Judge of the said Court, will sit on the 29th day of May next, at ten o'clock in the forenoon, at the Shire Hall, in the said city of Gloucester, in order to make a Dividend of the Estate and Effects of the said Insolvent; when and where the Creditors whose Debts are not inserted in the Insolvent's Schedule, and who have not already proved their Debts, are to come prepared to prove the same, or they will be excluded the benefit of the said Dividend; and all claims not then proved will be disallowed. Gloucester, 14th April, 1851.

Australia (from December 1852):

[Advertisement], Geelong Advertiser and Intelligencer (20 April 1853), 4 supplement

http://nla.gov.au/nla.news-article94361403 

THE GEELONG AMATEUR HARMONIC SOCIETY.
AT a Meeting held at the residence of Mr. B. Wilson, on the 6th of April, 1853, it was resolved, that a Society be immediately formed, under the denomination of the Geelong Amateur Harmonic Society, having for its object the cultivation of Vocal and Instrumental Music, and that the following Gentlemen be appointed as Officers of the Society for one year, viz.:
Mr. W. Weire - President.
Mr. B. Wilson - Vice President.
Mr. G. W. Bayley, Treasurer and Secretary.
Mr. T. Carr - Auditor.
Committee of Management, with power to add to their number - Messrs. Spark, Gabb, Jones, Wilson, and Hunt.
NOTICE is hereby given, that the Next Meeting of the said Society will be held at the School Room opposite the Court House, Yarra street on Wednesday Evening next, the 20th April at Seven o'clock precisely, for the furtherance of the above object, to which all persons favourably disposed to the progress thereof are respectfully invited to attend and become Members.
Donations of Music will be thankfully received and acknowledged.
G. W. BAYLEY, Secretary.

[Advertisement], Geelong Advertiser (29 April 1854), 4

http://nla.gov.au/nla.news-article91933750

THEATRE ROYAL. NOVELTY! NOVELTY!!
SATRUDAY, April 29th. GRAND EVENING CONCERT. PHALANX OF MUSICAL TALENT.
Principal Vocalists:
MADAME SARA FLOWER, The Australian Nightingale.
Mrs. MOORE, the Favourite soprano.
Re-appearance of MR. F. W. SAYERS, The Primo Tenore of the Colonies.
MR. LABERNE, the John Parry of Australia.
Instrumentalists: Messrs. F. Coppin, Harward, Cossa, Heunerbein [sic], Gabb, and A. Moore,
Leader - Mr. Coppin. Conductor - Mr. A. Moore
PROGRAMME:
PART I.
Overture - 'The Bohemian Girl,' - Full Band - Balfe
2. Song - 'The Maids of Merry England,' - Mr. F. W. Sayer - Perring
3. Scena - 'Casta Diva,' - Madame Sara Flower - Bellini.
4. Buffo Song, Mr. Laberne - Laberne.
5. Waltz - 'D'Amour,' with Cornopean obligato by Mr. Harward - Koenig.
6. Song - ' [?] my soul,' - Mrs. Moore - Aspul
7. Solo - Cornopean, by desire - Mr. Harward.
8. Duet - 'The Echo,' - Mrs. Moore and Mr. F. W. Sayer - Braham.
9, Quadrille - 'The Irish,' - Full Band - Jullien.
An Interval of 10 minutes.
PART II.
Overture - 'Norma,' - Full Band - Bellini.
2. Song - 'The Death of Nelson,' - Mr. F. W. Sayer - Braham.
3. Ballad - 'The Lost Heart,' - Madame Sara Flower.
4. Ballad - 'I'll not beguile Thee,' - Mrs. Moore - Lee
5. Galop - 'The Ne Plus Ultra,' - Full Band - Gungl
6. Duet - 'For the sake of these I pray thee' - Madame Sara Flower and Mrs. Moore.
7. Solo - 'Flageolet' - Mr. F. W. Sayer - Mayseder.
8. Finale - 'God save the Queen,' - Solos by Mesdames Sara Flower, Moore, and Mr. F. W. Sayer.

[Advertisement], Geelong Advertiser and Intelligencer (8 January 1855), 3

http://nla.gov.au/nla.news-article91863096 

Thursday, 11th January. To Painters and Glaziers.
E. SMITH has received instructions from Mr. Gabb to sell by auction, on the premises, Myers-street, opposite the Odd Fellows Hotel, on Thursday, January 11, at 12 o'clock,
The whole of his Stock-in-Trade, comprising Room Paper, Paints, Dry Colours, and a general assortment of Painter's Materials.
No reserve. Terms, cash

[Advertisement], Geelong Advertiser (25 September 1855), 3

http://nla.gov.au/nla.news-article91871217

GRAND SACRED CONCERT. 70 Performers.
The members of the Geelong Sacred Harmonic Society respectfully announce they will give their
second Grand Concert (in aid of the funds of the Society) in the McKILLOP-STREET CHAPEL, on
THURSDAY, 27th instant, on which occasion they will perform (assisted by talented musicians from Melbourne),
Haydn's magnificent Oratorio THE CREATION.
The services of MRS. TESTAR Have again been secured,
Mr. Ewart (member of the Melbourne Philharmonic Society), Mr. Kawerau, and others have kindly volunteered their assistance on this occasion.
Conductor - Mr. J. Rogers. Leader - Mr. J. Gabb.
Great care has been taken to render the band and chorus thoroughly efficient, and it is confidently hoped that the public of Geelong will heartily support the Society's endeavours in providing concerts of this elevating character.
Admission, 5s. Reserved Seats, 7s 6d. Tickets and books containing the words of the Oratorio, to be had at . . .
WALTER M. HITCHCOCK, Hon. Sec., Geelong, September 14th, 1855.

[Advertisement], Geelong Advertiser and Intelligencer (19 February 1856), 3

http://nla.gov.au/nla.news-article91866616 

GRAND SACRED CONCERT In aid of the funds of the Mechanics' Institution.
The Geelong Sacred Harmonic Society respectfully inform the public that they will give their third concert on
TUESDAY, the 19th instant, In the Independent Chapel, McKillop-street,
Subject - Handel's Sublime Oratorio, THE MESSIAH.
The Committee have much pleasure in again announcing the engagement of Mrs. TESTAR, to render the principal Soprano Solos.
Mr. EWART (principal tenor of the Melbourne Philharmonic Society.)
Mr. KAWERAU, and others, have kindly volunteered their assistance.
Several members of the Society will, also, take part in the Solos . . .
Every effort has been made to render the chorus and band effective.
Conductor, Mr. Jerson. Leader, Mr. Gabb . . .

"GEELONG (FROM OUR OWN CORRESPONDENT) Thursday, 22nd May, 1856", The Argus (23 May 1856), 4

http://nla.gov.au/nla.news-article4838578 

Notwithstanding the frequent showers of rain during the greater portion of yesterday the oratorio last evening was very well attended. The expenses attending the getting up of such an entertainment are necessarily very heavy, and it must have been highly gratifying to the Sacred Harmonic Society to find that their endeavors to provide so great a treat were appreciated by the public at large, who, spite of mud and rain, had congregated in large numbers. Nearly one hundred performers were on the platform, among whom I was pleased to find a much larger number of ladies than on any former occasion. Mr. Jerson conducted with his usual ability. The arrangements for the orchestra, under the able leadership of Mr. Gabb, were all that could be desired. Mr. Johnston and several of the band of the 40th Regiment were present, their assistance tending in no small degree to make the entertainment go off with considerable eclat. Especial mention should be made of the able manner in which the solos were rendered by Mrs. Testar, Mrs. Goodliffe, and Mr. Ewart; as also the bass solos by members of the society. Thanks are also due to the ladies for their courage in venturing out in such weather, thus securing the committee from an expected deficiency in the proceeds.

"GEELONG (FROM OUR OWN CORRESPONDENT) Friday, 22nd August, 1856", The Argus (23 August 1856), 7

http://nla.gov.au/nla.news-article7135351

The sacred concert given on Wednesday evening by the Geelong Sacred Harmonic Society was very well attended, considering the very inclement weather, bad roads, and also that the same night had been most injudiciously chosen for the theatrical benefit in aid of the hospital. Mrs. Testar and Mr. Kaye, who executed the different solos, as well as Mr. Gabb, the conductor of the band, deserve the highest praise for their exertions.

[Advertisement], The Argus (13 October 1857), 1

http://nla.gov.au/nla.news-article7140234 

TO Lady Vocalists - A Lady, with powerful soprano voice, and of undoubted ability, may receive a Quarter's ENGAGEMENT in the Grand Subscription Concerts to be given weekly in the Mechanics' Hall.
Address, stating terms, Mr. Gabb, Geelong.

"PHILHARMONIC SOCIETY", Geelong Advertiser (5 January 1859), 2

http://nla.gov.au/nla.news-article150074918 

The annual meeting of the Geelong Philharmonic Society was held last evening, at the Mechanics' Institute, Mr. Hitchcock, the President, in the chair . . . During September and October it was the intention of the committee to give a sacred concert, consisting of Beethoven's Mass, but the irregular attendance on the part of the members compelled them reluctantly to abandon this project . . . The Messiah having been put in rehearsal, it was given at a concert on the 23rd ult., partly amateur and partly professional. It is to be regretted that the inattention of a portion of the members who merely came a few rehearsals before the concert, and were quite incapable of taking their parts, led to an unsatisfactory rendering of some portions of the oratorio, and brought blame on a useful officer of the society by a severe critique in the Advertiser, to which the committee felt called upon to reply. The last three months have been fraught with considerable anxiety to the committee, who have used every exertion and adopted every possible plan to arouse the members to a more regular attendance, and which they have much to regret has not resulted to their satisfaction. The present officers now retire, and it devolves upon this meeting to elect their successors. A new arrangement has been made with Mr. Gabb, viz., - that he be allowed one half the nett proceeds of all concerts, the committee reserving themselves the right to give one annually for any purpose they may elect.
The property of the Society consists of drums, cost £20; music, cost £102; violin, £1; organ shares 42, at £42; and which if forced into the market it is supposed would not realise more than £80.
The Treasurer reported a deficiency of £58.
Mr. Towle moved, and Mr. Wilson seconded the advisability of winding up the society.
Mr. Field moved as an amendment, "That the society should be continued on a more moderate scale, in a hall which could be had without charge, and under a gratis management" . . .
Mr. Gabb thought the winding up of the society might have a good effect in clearing off some cliquisms and other embarrassments; and then the members might, if they so chose, start a similar society afresh.
The motion and amendment were put, and the amendment had it by a large majority.
The meeting then proceeded to the election of officers for the ensuing year.

"CURRENT TOPICS", Geelong Advertiser (8 April 1859), 2

http://nla.gov.au/nla.news-article150077159 

A capital little soiree, got up in a quiet way by purely local co-operation, came off last evening at the Newtown Mechanics' Institute . . . Mr. Stoneham, Mr. Gabb, and other musical notorieties were in attendance, and took care to let the meeting be aware of them . . .

"CURRENT TOPICS", Geelong Advertiser (18 April 1859), 2

http://nla.gov.au/nla.news-article150077420 

The first of a series of Saturday Night Concerts for the People was given on Saturday evening last, in the new Temperance Hall. William Burrow, Esq., Mayor of Geelong, presided. The programme offered a very fair evening's entertainment in return for the small charge made for admission. Mr. Stoneham, Mr. Gabb, and other instrumentalists were engaged for the occasion. The vocal music was executed by a few members of the Temperance Society . . .

[Advertisement], Geelong Advertiser (10 June 1859), 4

http://nla.gov.au/nla.news-article150079190 

GEELONG RECREATIVE SOCIETY.
SATURDAY EVENING CONCERTS FOR THE PEOPLE.
THE First Concert in connection with the above Society will be held in the hall of the Mechanics' Institute, on Saturday, June 11th.
Vocalists:- Miss Juliana King, Mr. Ewart, (of the Melbourne Philharmonic) assisted by several Amateurs.
Stoneham's celebrated band has also been engaged. Principal Instrumentalists: Cornet, Mr. Stewart (of the 40th Regiment); 1st Violin, Mr. Gabb; Pianist, Mr. Plumstead; Director, Mr. Stoneham . . .
Admission - One Shilling; Children under 12, Half Price.
W. STITT JENKINS, Hon. sec.

"CURRENT TOPICS", Geelong Advertiser (23 December 1859), 2

http://nla.gov.au/nla.news-article146565811 

HANDEL'S "Messiah" was performed at the Harmonic Society's Concert last night, in a more perfect manner than it ever has been produced in Geelong. We do not remember any affair of the kind so deserving of unqualified praise in every particular. Madame Sarah Flower confirmed the opinion of all who are familiar with her fine contralto voice, and in the solo "He was despised" peculiarly distinguished herself. Mrs. Hancock must have noticed the warmth of welcome by the audience exhibited in a manner not the less gratifying perhaps, for being altogether ill accordant with the nature of the music. Mr. Farquharson with his glorious bass "like to the sound of a trumpet," and Mr. Sherwin with his powerful yet melodious tenor, all contributed to give a completeness to the Oratorio never before attainable here. The orchestra under the leadership of Mr. Gabb, and strengthened by Mr. Johnson and a few other musical veterans from Melbourne was to the solos and chorusses like a rich setting to the Diamond or Pearl, the glowing background to a sunny picture . . . We never heard the choir sing so well together, and we will probably not go far wrong in giving Mr. I'Erson and Mr. Gabb some portion of the credit for this. The second concert of the Society, consisting of operatic and other selections, takes place this evening, when all the celebrities of last night, and Madame Carandini in addition, will appear . . .

"CURRENT TOPICS", Geelong Advertiser (15 June 1860), 2

http://nla.gov.au/nla.news-article150306088 

Not since the departure of Anna Bishop has such an audience assembled in Geelong as last night responded to the call of the Harmonic Society; and certainly the unusual attractions offered warranted the response. Mendelssohn's Elijah constituted the performance, a daring thing for the society to attempt, but the result showed that they did not miscalculate their powers and means, for a more complete performance was never given in Geelong . . . The array of vocal and instrumental talent on the platform last night exceeded anything ever witnessed here. Madame Stuttaford made her first appearance in Geelong, and won triumphs in the various solos and quartetts which fell to her share . . . Three members of Lyster's Opera Company assisted, namely, Madame Lucy Escott, Miss Georgina Hudson, and Mr. Squires . . . Mr. Farquharson was absent from illness, and his place was kindly filled by Mr. Lyster . . . The remaining principals were Mr. Ewart, Mr. Lissignol, and Master Cooke, while the band was strengthened by Mr. Johnson, of the 40th, Mr. Reed, Mr. King, and Mr. Gover, from Melbourne. Mr. Plumstead presided at the organ. Mr. Gabb (for whose benefit the concert was) led, and Mr. H. B. Moore conducted, a task for which he proved himself on this, as on former occasions, peculiarly fitted . . .

"CURRENT TOPICS", Geelong Advertiser (7 November 1862), 2

http://nla.gov.au/nla.news-article148903843 

A numerous meeting was held in the Class room of the Mechanics' Institute last evening, for the purpose of making arrangements for the musical performance at the opening of the forthcoming Industrial Exhibition. Mr. T. W. I'Erson presided. Messrs. Gabb, Goodall, Levein, I'Erson, Stoneham, Sasse, J. H. Turner, Walker, Roxburgh, W. S. Howell, and Hobday were elected a committee to conduct the affair. Mr. Levien was appointed secretary to the committee, and it was resolved to write to the secretary of the Melbourne Philharmonic Society, for the loan of the music as performed at the opening of the London Exhibition, with a view to put the same in rehearsal . . .

"CENTRAL POLICE COURT. Wednesday, May 20 . . . DRUNKARDS", Geelong Advertiser (21 May 1863), 3

http://nla.gov.au/nla.news-article150408843 

John Friend, John Gabb; William McCann. Phillip O'Neil, Alexander Webster, John Peters, Thomas Robinson, and Jerry, the aboriginal, were each ordered to be imprisoned till 12 o'clock that day for drunkenness.

"NEW AND NOTES", The Star (23 October 1863), 2

http://nla.gov.au/nla.news-article72518148

. . . St. Paul's Church choir . . . have for many months been rehearsing, with the most praiseworthy energy, selections from the works of two of the greatest masters in sacred vocal composition, with a view to public performance in aid of the fund for purchasing an organ of some size for use in St. Paul's Church . . . Mr. Gabb, of the Gloucester and Worcester musical festivals, as leader . . .

"GRAND SACRED CONCERT", The Star [Ballarat, VIC] (24 October 1863), 2

http://nla.gov.au/nla.news-article72518196

A performance of sacred music, in aid of the St. Paul's Church Organ Fond, took place in the hall of the Mechanics' Institute on Friday evening . . . Mr. J. Gabb, of the Gloucester and Worcester Musical Festivals, acted as leader . . .

"CENTRAL POLICE COURT. YARRA STREET. Monday, February 8. DRUNKARDS", Geelong Advertiser (9 February 1864), 3

http://nla.gov.au/nla.news-article148699136 

. . . John Gabb fined 20s. or 21 hours . . .

"NEWS AND NOTES", The Star (25 March 1864), 2

http://nla.gov.au/nla.news-article72514575

Handel's oratorio "The Messiah" will be performed by the Ballarat Harmonic Society, in the hall of the Mechanics' Institute, this evening . . . The leader of the band is to be Mr. Gabb, of the Geelong concerts . . .

[Advertisement], Geelong Advertiser (28 July 1864), 3

http://nla.gov.au/nla.news-article150464056 

VIOLIN CLASS. GENTLEMEN desirous of learning to play the Violin are requested to meet at Mr. I'Erson's residence, on Friday evening, 28th July, at half-past Seven, when a Class will be formed under the management of Mr. Gabb.

"CENTRAL POLICE COURT. YARRA STREET. Monday, March 13 . . . DEBT", Geelong Advertiser (14 March 1865), 3

http://nla.gov.au/nla.news-article150403906 

Quiney v. Howard. A claim for board and lodging, plaintiff being the proprietor of the Royal Hotel, and defendant the late lessee of the theatre adjoining. There was no appearance of defendant, who was said to be on the point of leaving for New Zealand . . .

Gabb v. Howard - The same defendant as in the previous case, plaintiff being the violinist of the Theatre Royal band. Order for L3 10s and 7s 6d costs.

Werner v Howard - Plaintiff, the theatre bill sticker, sued for L1 14s, and obtained an order for that amount and costs.

[Advertisement], Geelong Advertiser (9 July 1867), 1

http://nla.gov.au/nla.news-article150647281 

MOLYNEUX AND GABB, PAINTERS, PAPERERS, AND GLAZIERS, OIL AND COLORMEN. Opposite the Post office, Gheringhap Street . . .

"CURRENT TOPICS", Geelong Advertiser (7 April 1868), 2

http://nla.gov.au/nla.news-article150466292 

The Geelong Choral Society are to give a concert this evening in the Mechanics' institute, consisting of selections from "The Messiah," "Creation," "Elijah," "Judas," and "St. Paul" . . . Mr. I'Erson will perform the duties of Conductor, a position which his lengthened experience eminently qualifies him to fulfil. Mr. Gabb, who, for years was leader for the Geelong Harmonic Society, will act in a similar capacity this evening . . .

"CURRENT TOPICS", Geelong Advertiser (2 December 1868), 2

http://nla.gov.au/nla.news-article150642943 

Miss Roche's Grand Classical Concert took place last evening, at the Mechanics' Institute . . . The entertainment commenced by a grand trio composed by Beethoven, and arranged for the pianoforte, violin, and violoncello. From the manner in which this was executed by Miss Roche, Mr. Gabb, and Mr. Thomas, the audience soon became aware that a rich treat was in store for them . . .

"CENTRAL POLICE COURT. Monday, Feb. 22 . . . ILLEGAL DETENTION", Geelong Advertiser (24 February 1869), 3

http://nla.gov.au/nla.news-article148879253 

John Gabb summoned Tobias Griggs for illegally detaining certain articles. The plaintiff said his wife, having unfortunately taken to drink, had been in the habit of pawning everything she could lay her hands upon. He had warned the pawnbrokers against her, and they, recently becoming more careful, his wife had found other sources. She had thus left a watch and fishing-reel with the defendant, who had advanced her money on them, although he was not licensed as a pawnbroker. The things had since been returned. The magistrates had no option but to dismiss the case, cautioning defendant against such illegal traffic.

John Gabb v. G. Turner - This was a similar case to the previous one, the defendant being charged with having advanced money to plaintiffs wife on half a dozen books, he not being a licensed pawnbroker . . . Case postponed till Wednesday.

"THE PHILHARMONIC SOCIETY", Geelong Advertiser (4 September 1869), 3

http://nla.gov.au/nla.news-article150433948 

A meeting of members of the above society was held last evening, in the class room of the Mechanics' Institute . . . Mr. Gabb here entered the room and . . . said he understood it was Mr. Thomas' intention to withdraw as leader. If Mr. Thomas would undertake the leadership he, Mr. Gabb, would support him. If he had been able to stop longer at the meeting when Mr. Thomas was elected, he had no doubt somebody would have proposed him, and he would tell them candidly that had he been elected he should not have acted. He considered Mr. Thomas quite as competent as himself and he would have much pleasure in playing second violin to him for the first quarter, conditionally that Mr. Thomas would play second to him the next quarter. He would not play second to any man unless that man would play second to him. If Mr. Thomas would accept this proposal it would suit him . . .

"CURRENT TOPICS", Geelong Advertiser (18 September 1869), 2

http://nla.gov.au/nla.news-article150434237 

The rehearsal of the oratorio Judas Maccabeus by the members of the Geelong Philharmonic Society, in the Hall of the Mechanics' Institute last evening, was most successful. There were sixty vocalists present, besides a number of the members of the band . . . At a meeting of the committee held afterwards Mr. Gabb was elected leader of the band.

"THE MESSIAH", Geelong Advertiser (24 December 1869), 3

http://nla.gov.au/nla.news-article150436229 

. . . The band was led by Mr. Gabb, but it was not sufficiently powerful to be effective . . . There was at times a little too much scraping in the violin department, although Mr. Gabb's leading on the first was all that could be desired.

"THE PHILHARMONIC CONCERT", Geelong Advertiser (25 June 1870), 3

http://nla.gov.au/nla.news-article148796423 

The sublime Oratorio of Samson was performed last evening to an appreciative and, considering the state of the weather, numerous audience, by the above society, which has only been in existence about nine or ten months, during which time four concerts have been given, including three of the most difficult and popular oratorios, and on each occasion the society has acquitted itself admirably . . . We missed the old leader, Mr. Gabb, whose taste in this class of music was always to be admired, and we trust his absence will not be of long duration . . .

"PHILHARMONIC SOCIETY", Geelong Advertiser (15 September 1870), 3

http://nla.gov.au/nla.news-article150657469 

The first annual meeting of the members of the Philharmonic Society was held on Wednesday evening, in the class-room of the Mechanics' Institute . . . The secretary read the following report of the years' proceedings:-

". . . Other changes have also taken place in the society, Mr. Gabb having not only resigned his position as leader, but having also discontinued attendance at the rehearsals of the society, which non-attendance alone would have deprived him of his office. The committee without a dissentient voice, elected Mr. Andrews to the post, and we think that you are not prepared to blame the committee for a step which has resulted so much to your advantage . . .

"THE PHILHARMONIC SOCIETY. TO THE EDITOR OF THE . . .", Geelong Advertiser (17 September 1870), 3

http://nla.gov.au/nla.news-article150655657 

Sir, I beg the favour of replying to that portion of the above society's remarks, referring to an ex-leader of the society. "Other changes have also taken place in the society, Mr. Gabb having not only resigned his position as leader," &c. It is true such changes did take place - that I could no longer discharge its duties with satisfaction to myself or benefit to the public, and I deemed it desirable there should be a change in the leadership. Accordingly I tendered my resignation, but the chairman, fearing the society might be jeopardised by its acceptance, politely requested me to allow him to destroy it, which was done, I at the same time assuring him I would never leave the society without appointing a competent successor. I tried several gentlemen, among whom was their present leader, who then stoutly refused me, stating that "he did not like classical music." Another gentleman went one evening, which was sufficient for him. The committee then thought proper (although my resignation was destroyed, and, according to the rules, I was elected for twelve months ending the 30th inst.), to take the matter out of my hands, and they elected Mr. Andrews, and required of me to play second violin to him - a request I could not comply with. I felt a great injustice had been done me - hence the cause of my absence. - I think, Mr, Editor, when Mr. Andrews has served the society for 17 years it is probable he may wish to retire in favour of another. And in doing so I sincerely hope he may be at liberty to do so, and be more fortunate than I have been. And now, sir, if you will allow me to say a word for myself? -

When I arrived in Geelong in 1852 the town was destitute of such a society; but seeing there was material for forming one, I set to work and mustered 18 performing members; who each of us put down £1 for music. Mr. Lloyd, merchant, now in Geelong, I remember, gave us a lot of music, and we started in March 1853. Under various names and under various conductors, with slight intermissions, we have kept before the public ever since, I being their sole leader right through a period of over 17 years, discharging my duties satisfactorily, at all events to the best of my ability and to the entire satisfaction of the Press, and mostly gratuitously. Haying been the prime originator of this society, the first who introduced the oratorio to Geelong, the first to bring out the "Elijah" in the colonies - in which I had the honour of performing under the composer, himself in Birmingham - I think I have not received proper treatment at their hands, and beg they will leave me alone further. But what can I expect from such a society when a "gentleman who helped them but at their last concert," and who is always sought after where a correct rendering of classical music is needed, and who is on his instrument well known to be inferior to no other person this side of the line is thus spoken of - "His instrument is fine-toned but his execution is faulty.
JOHN GABB. September 15th.

"MR. GABB AND THE PHILHARMONIC SOCIETY. TO THE EDITOR OF THE . . .", Geelong Advertiser (19 September 1870), 3

http://nla.gov.au/nla.news-article150656673 

Sir, - As Mr. Gabb has chosen to drag my name before the public, will you allow me a short space to reply. Mr. Gabb did resign, but he had nothing to do with the appointment of a competent successor. Mr. Gabb certainly asked me to take the leadership, and I refused; but I distinctly deny ever having given as a reason that "I did not like classical music." I have nothing to do with the action taken by the committee, but I can of my own knowledge state, that Mr. Gabb so disgusted many of the members of the society during the latter period of his leadership, that they would have left had he not resigned. I have no desire to detract from Mr. Gabb's merits as a musician, further than to state, that, I think his trumpeter must have died some time since, and he is now obliged to use his own lungs on this lively instrument. My services to the society are gratuitous, and so are the insults Mr. Gabb heaps on me; but of any further remarks from him I shall not take notice.
Yours, respectfully, R. J. ANDREWS.

"CENTRAL POLICE COURT. Thursday, March 16 . . . ASSAULT", Geelong Advertiser (17 March 1871), 3

http://nla.gov.au/nla.news-article148762570 

John G. Gabb was charged with assaulting Isaac Crawcour. There was a second charge of insulting language. The prosecutor said that between 7 and 8 o'clock on Wednesday evening, Gabb came to his shop while he was busy with some customers, and insisted on being attended to at once. As his demands were not complied with, the prisoner became very violent, and prosecutor went outside and sent a man in quest of a constable. Gabb then got hold of his coat, and it was only by main force that he released himself from his grasp. The insulting language complained of was handed, to the bench on a slip of paper. Constable Duffy, who arrested Gabb, gave corroborative evidence. Mr. Gabb denied the language imputed to him, and stated that the fracas originated through Mr. Crawcour persisting in refusing to render an account of the various goods belonging to him that were pledged at his shop. The charge of assault was dismissed, but for the insulting language a fine of 20s in default three days' imprisonment, was imposed.

"GEELONG PHILHARMONIC SOCIETY", Geelong Advertiser (1 September 1871), 3

http://nla.gov.au/nla.news-article150417800 

. . . Mr. Gabb, an old and experienced leader of orchestras, had been chosen leader of the society; but retired before the close of the year, to the regret of those who knew his worth. Mr. R. J. Andrews took his place . . .

"TOWN TALK", Geelong Advertiser (6 September 1875), 2

http://nla.gov.au/nla.news-article150638716 

We regret to state that the wife of one of our oldest musicians, Mr. John Gabb, was stricken with paralysis on Saturday evening . . .

"DEATHS", Geelong Advertiser (16 June 1876), 2

http://nla.gov.au/nla.news-article148911556 

Gabb - On the 15th June, at her late residence, off James-street, Eleanor, the beloved wife of Mr. John Gabb, aged 56 years.

"TOWN TALK", Geelong Advertiser (12 July 1880), 2

http://nla.gov.au/nla.news-article150652204 

A man named Daniel Henry Gabb, a painter, was given into the custody of Constable Lee by his father, John Gabb, on a charge of having assaulted him, yesterday afternoon.

"TOWN TALK", Geelong Advertiser (20 October 1881), 2

http://nla.gov.au/nla.news-article150761056 

The Doll Show and Sale of Gifts in aid of the debt on the Newtown Wesleyan Church was continued in the school room last evening . . . Miss Johnson played several violin duets with her tutor, Mr. Gabb, and exhibited a proficiency which must have been encouraging to that musician . . .

"ST. PAUL'S CHURCH UNION", Geelong Advertiser (18 April 1891), 3

http://nla.gov.au/nla.news-article150741353 

A diversified entertainment, of a very attractive character, was given at St. Paul's school house last evening, by the members of the St. Paul's Church Union, assisted by the Geelong Orchestral Association . . . Conductor, Mr. T. Sibley; first violins, Messrs. B. Cotton and Careless; second violins, Messrs. Bennett and Coxon: viola Mr. J. Gabb; double bass, Mr. Charles Brearley . . .

"DEATHS", Geelong Advertiser (15 April 1904), 1

http://nla.gov.au/nla.news-article148896635 

GABB. - On the 12th inst., at his residence, James-street, off Rvrie-street, John Gough Gabb, the beloved husband of Phillipa Gabb, aged 85 years. A colonist of 52 years. No flowers, by request. The remains were interred in the Eastern Cemetery yesterday (Thursday), the 14th inst. . . .




GAGGIN, John (John GAGGIN)

Amateur vocalist

Born Cork, Ireland, c. 1795
Arrived Sydney, NSW, 1818 (per Globe)
Married Mary Louisa BRABYN, St. Matthew's, Windsor, NSW, 8 October 1822
Died VIC, August 1859

https://trove.nla.gov.au/search?l-publictag=John+Gaggin+d1859 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGGIN-John (shareable link to this entry)

GAGGIN, Henry (Henry Walsh GAGGIN)

Musician, violinist, violin player, fiddler

Born Windsor, NSW, 30 July 1829; baptised St. Matthew's, Windsor, 24 September 1829; son of John GAGGIN and Mary Louisa BRABYN
Married Sarah Jane HOWDEN, Clarence Town, NSW, 20 March 1851
Died Clarence Town, NSW, 11 April 1910, aged 80

https://trove.nla.gov.au/search?l-publictag=Henry+Walsh+Gaggin+1829-1910 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGGIN-Henry (shareable link to this entry)


Documentation:

"SINGLETON. MR. DONALDSON'S VISIT", The Maitland Mercury and Hunter River General Advertiser (26 February 1848), 2

http://nla.gov.au/nla.news-article713172

. . . After the meeting Mr. Donaldson, accompanied by a number of the most influential gentlemen in the district, proceeded to Mr. Munro's (the Fitzoy Hotel), where an excellent and substantial lunch was provided . . . The desert having been concluded, the Chairman . . . gave the "Queen and royal family" . . .
The Chairman having called upon Mr. Gaggin for a song, that gentleman sang "The bonny English Rose," which was much applauded . . .
Song - Mr. Goodall, "When you are out in the bush" (applause) . . .
DR. STOLWORTHY proposed, in a short and able speech, "Prosperity to the press" (cheers).
Mr. WILLIAMS rose and said, he was, he believed, the only person present in any way connected with the press. He wished the honor of replying to that toast had fallen into abler hands, as he knew that he was inadequate to the task. If he was to say that he was a bad speaker he would be making a great mistake, as the fact was - he was "no speaker at all" [laughter.] But having been for some time connected with the "Maitland Mercury," he would, on behalf of the editor of that paper, and for the colonial press generally, return thanks [applause.]
Song - Mr. Williams . . .

ASSOCIAITONS: Stuart Alexander Donaldson (member of parliament); Richard Wright Goodall (vocalist); Thomas Williams (vocalist)

MUSIC: The bonnie English rose (music by Sidney Nelson; words by C. Jeffreys))

"Maitland Circuit Court (Before his Honor Mr. Justice Therry). THURSDAY, MARCH 10, 1853 . . . STEALING FROM THE PERSON", The Maitland Mercury and Hunter River General Advertiser (12 March 1853), 4

http://nla.gov.au/nla.news-article664320 

Fitzarthur Hogue, William Smith, and Henry Gaggin, were indicted for stealing £31 17s. 6d. from the person of Richardson Campbell, at Clarence Town, on the 4th September, 1852. Mr. Purefoy appeared for Gaggin, attorney, Mr. Turner; and Mr. Murray for Hogue, attorney, Mr. C. Nicholl. The witnesses called were Richardson Campbell, Frederick Henry, Hannah Fox, and Eliza Ann Campbell.

Campbell, who lives five miles from Clarence Town, went to the Paterson on Tuesday, the 2nd September, and returned on the 4th; his daughter was with him; in passing through Clarence Town he called in at Mr. Hogue's inn; he had £32 with him, £31 in notes, one of them being a £2 note; witness counted his money in Hogue's, Mrs. Hogue coming into the room as he did so; he put it again into his right trousers pocket; had some drink there; went to another house to dinner, and then to a store, and the same evening returned to Hogue's; in Hogue's he found the prisoners Smith and Gaggin, and four other men, and some women; witness drank, and saw them dancing; stopped till after eight o'clock, and was then ordered out by Mr. Hogue, who had "bonnetted" him, and called him an old rascal; witness walked perhaps a quarter of a mile, and then went towards Mr. Walters' inn, where his horses were, when Smith, Gaggin, and Hogue came up suddenly, knocked him down by a blow on the face, and struck and kicked him so that he lay there for an hour; they rumaged witness's pockets till they found the notes, when Smith called out, "I have got the lamp," and then they all ran away; in the struggle Smith tried to master him, Gaggin threw himself across witness's feet, and Hogue kept his foot on witness's mouth; all the parties were in liquor; had no doubt the prisoners were the persons. Went then to Fox's house, where his daughter was, and shortly after informed the parties, not then knowing the names of the prisoners Smith and Gaggin. Next morning saw Smith, and told the constable.

Cross-examined by Mr. Purefoy: Could not say how much liquor he had drunk; was neither drunk nor sober; never knew Mr. Gaggin before; didn't know or care whether he was the son of a magistrate; was not mistaken in the men; Gaggin played the fiddle at the house; could not charge Gaggin by name with the robbery, not knowing his name at the time; recognised him, and had him apprehended when he came into court; could not say whether Gaggin came to court as a witness for Hogue; did not see Hogue's face; never said he was sorry he had made a mistake; the notes were secured by a pin fastening the pocket; Hogue did not turn him out for impertinent conduct to a Mrs. Usher or Emblen; Dumbril and Hayward, two of the men who were in Hogue's, and who gave evidence for Hogue at Dungog, witness had never seen since, nor did he know where they were.

By Mr. Murray: Knew Hogue perfectly well, but did not see his face at the time of the robbery; heard his voice, and knew his person; never said he only recognised him by his voice; never had any doubt; witness's purse, in which his silver had been, was found in constable Henry's house, but how it came there witness could not tell.

Henry was district constable at Clarence Town in September; after midnight Campbell gave information to witness; he was in liquor, and cut about the face; went to Hogue's, and roused him out of bed, telling him that Campbell charged him with robbing him; went to the spot where Campbell said be was robbed; could see no marks of a scuffle there; there might have been a scuffle there without leaving the marks; about nine o'clock witness had seen Campbell drunk, in Hogue's house; saw him there up to ten o'clock; separated him and Mrs. Usher, as they were quarrelling; Gaggin was there; the prisoner Smith went in with witness, and came out, but went in once more; at witness's request, Hogue closed his house, about a quarter or half-past ten. It was a fine moonlight night. Hogue was apprehended that night, Smith next morning, and Gaggin on the 13th, Campbell recognising Gaggin in Dungog court-house that day. Hogue said he knew nothing about it when apprehended, and he called Campbell many names for charging him.

Cross-examined: Saw Gaggin frequently between the 4th and 13th, and saw Campbell frequently pass and repass him; on the first court-house examination on the 8th, Mr. Gaggin was there, but Campbell made no charge against him that day, nor until the 13th; had always considered Mr. Gaggin a most respectable young man; believed Dumbrill and Hayward were now at the diggings.

By the court: Campbell described the third man to witness as a tall, oldish man; witness found a purse on his hearth the morning after.

Re-examined : On the Saturday following Campbell said something about the man who was playing the fiddle.

By a juror: There is a drain between the two public-houses, but not near the spot pointed out by Campbell.

Mrs. Fox remembered Campbell coming to her husband's house late that night; he was neither drunk nor sober, and was cut; the night was fine; be complained of being robbed; his daughter had gone home, at nightfall, alone; Campbell said Mr. Hogue was one of the robbers, putting his foot on his mouth, but he could not tell the rest until morning.

Henry recalled by his Honor: On the following morning witness found Campbell's purse, empty, on his hearth-stone; Campbell slept at witness's house, after they had been out to look after the robbers.

Eliza Ann Campbell, daughter of Richardson Campbell, described what passed at Hogue's inn, and at other places in Clarence Town, corroborating her father's evidence so far as regarded the time she was with him; next day he had a cut face, and no money.

In defence Smith said he was innocent, but charged two other men, not in custody, with committing the robbery.

Mr. Purefoy addressed the jury for Gaggin, regretting that he should have to defend a young man of such character and connexions from such a charge. The whole case depended solely on the evidence of Campbell. Evidence of identity was of all things the matter that a jury must most anxiously consider, for they could all recollect in their experience many lamentable cases of mistaken identity, wherein on most positive testimony men had been convicted of crimes of which their perfect innocence was afterwards established. It was proved that Campbell was drunk and most disorderly when he left or rather was turned out of Mr. Hogue's house, for his conduct to Mrs. Usher; and was his bold unhesitating assertion that such men as Mr. Gaggin and Mr. Hogue took part in the robbery just afterwards to be believed. The constable proved that Campbell's statements as to hours were very incorrect, and what reliance could they place on his further extraordinary statements. Why did he not give Mr. Gaggin in charge that night or next day if he then believed him to be one of the robbers; but no he never made the charge until Mr. Gaggin came forward as a witness for Mr. Hogue. He should prove to them that Campbell's statements must be false as regarded Mr. Gaggin, and the jury must conclude that they were false as regarded the others.

Mr. Murray, in addressing the jury in defence of Hogue, said he he thought little more required to be said. If it was found that Campbell was mistaken or had sworn falsely as regarded one prisoner, it was impossible to believe his evidence as against the other two. He thought the jury could not rely on the evidence of Campbell as to identity, from the excited and drunken state he was in, not that he imputed perjury to him, but simply a gross mistake. Hogue had insulted him, as he thought, and his first thought was, when he recovered, that Hogue committed the robbery. Then the second man charged was the first man he saw on the following morning; and the third was the fiddler.

Mr. Purefoy called as witnesses, Valentine Bridekirk, George Achurch, Thomas Abbott, the Rev. Frederick Wilkinson, William Lowe.

Bridekirk, a resident of Sydney, was on that day in Clarence Town; was in Hogue's house, and saw Mr. Gaggin there, and Campbell; saw Campbell leave; witness remained and so did Gaggin; Campbell was drunk; witness and Gaggin remained at Hogue's for three quarters of an hour or an hour after Campbell left, and then they left the house together, and on their way home called at Mr. Dumbrill's; remained there a quarter of an hour, and then they went homewards, witness leaving Gaggin by Mr. Lowe's fence; that was quite in an opposite direction from Walters's, and perhaps three quarters of a mile from Hogue's; Gaggin lived at Mr. Lowe's; from the time Campbell left the inn until then Gaggin never left witness's company. Mr. Hogue remained at his house until witness left; he could not have been out any length of time without witness knowing it.

This witness was cross-examined by the Attorney General at some length; Campbell was in such a state from drink that witness thought he did not know what he was about.

Re-examined: Witness attended at Dungog court-house as a a witness for Mr. Gaggin; Campbell rose and objected to witness's being examined on the ground that witness had no subpoena; the Dungog magistrates allowed the objection, and did not take witness's evidence.

By a juryman: Did not see Smith at all that evening. Achurch was then a miller at Clarence Town; saw Campbell at his mill in December last; heard a man named John O'Neill tell Campbell he was no friend of Mr. Hogue's, but be thought he had sworn to the wrong mark; Campbell said well I believe so, I believe so; witness said "you most undoubtedly did, Mr. Campbell"; Campbell said "Well, well, well, we must leave it now."

Mr. Abbott, chief constable of Dungog, had information respecting Campbell's robbery affecting other persons not now in the dock.

The Rev. Mr. Wilkinson knew Mr. Gaggin as a boy, but not since; he was a respectable good boy.

Mr. Lowe, shipbuilder of Clarence Town, had known Mr. Gaggin above six years as an apprentice; residing in his house, could not say too much in his favor, for sobriety, integrity, and every good quality; never knew him frequent bad company, or follow any bad courses. Knew Mr. Hogue for many years; always found him a honest and very sober man; never heard anything bad of him; keeps a very respectable house.

Campbell was recalled by the Attorney General, and deposed that not one word of the conversation deposed to by Achurch took place. He was then further cross-examined by the prisoner Smith.

The jury returned a verdict of not guilty as regarded all the prisoners, and they were discharged.

ASSOCIATIONS: Roger Therry (judge)

"DEATHS", The Sydney Morning Herald (22 September 1859), 1

http://nla.gov.au/nla.news-article13031100 

Early in August last, at Victoria, Mr. John Gaggin, late of Hunter River, deeply regretted by his family and a large circle of friends.

"IN MEMORIAM", The Daily Telegraph (11 April 1911), 8

http://nla.gov.au/nla.news-article239083599 

GAGGIN. - In sad but loving remembrance of our dear father, Henry Walsh Gaggin, of Clarence Town, who passed away April 11, 1910, aged 80 years.


Bibliography and resources:

"John GAGGIN" and "Henry Walsh GAGGIN", The Kings candlesticks - family trees

http://www.thekingscandlesticks.com/webs/pedigrees/9998.html 

http://www.thekingscandlesticks.com/webs/pedigrees/10615.html 




GAGLIARDI, Giacinto (Giacinto GAGLIARDI; Signor GAGLIARDI; GALIARDI)

Musician, professor of music, flautist, flute player, conductor, band leader, musical arranger

Born ? Sardinia, Italy, c. 1833/34
Arrived Melbourne, VIC, 26 May 1854 (per Claudine, from Port Louis, Mauritius, "Galliardi", aged "29")
Arrived Sydney, NSW, by June 1857
Married Harriett GOLDING (c. 1839-1933), St. Joseph's church, Hobart, TAS, 8 January 1859
Died Albert Park, Melbourne, VIC, 19 March 1891, aged 58

https://trove.nla.gov.au/search?l-publictag=Giacinto+Gagliardi+d1891 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAGLIARDI-Giacinto (shareable link to this entry)


Summary:

Gagliardi and travelling companions, including Alessando Bellomi and (probably) also Angelo Lagomarsino, arrived in Melbourne on the Claudine from Mauritius on 26 May 1854. They were first advertised to appear as members of Antonio Rangoni's band at Rowe's Circus on 10 June.

After visiting the Victorian goldfields with Bellomi in 1855, and Sydney and Newcastle in 1857, by 1858 Gagliardi had settled in Hobart. There in January 1859 he married Harriet Golding, and the following year formed a professional partnership with local musician Alfred Dentith.

In the 1870s and 1880s, Gagliardi worked mainly as a theatre orchestra conductor, mostly in Tasmania and Victoria, but also touring to Hew Zealand.

Gagliardi died in Melbourne in 1891, aged 58, and his widow Harriet in Hobart in 1933, aged 93.

There is no record of their having had children. Americo Gagliadri (c. 1888-1960), later Melba's flautist, who first appeared in public in 1902 was probably not closely related to him, if at all.


Documentation:

List of passengers arrived at the Port of Melbourne, 26 May 1854, per Claudine, from Mauritius; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF43DDD-F96C-11E9-AE98-95F2BC913559?image=69 (DIGITISED)

L. Angelo / 24 // J. Devaux / 30 // G. A. Belloni [sic] / 34 // Galliardi / 29 // [all] Italians

[Advertisement], The Argus (10 June 1854), 8

http://nla.gov.au/nla.news-article4809237 

ROWE'S CIRCUS. Concert Extraordinary.
A Band of Italian Musicians, whose talent was unsurpassed in their native country, having recently arrived in this colony, will have the honor of making their first appearance in Melbourne, and giving a grand Concert at Rowe's Circus, on Saturday evening, June 10th, 1854.
Having made arrangements with Caverly Volunteer Fire Company to appear with it on all public occasions, the Band has received permission to take its name and wear its uniform.
The Band will therefore be known as the Caverly Volunteer Band.
It consists of A. Rangoni, Manager, Cornet-a-pistons; Angelo Lagomarsino, Basso; Francesco Volpi, Clarinetto; Giacinto Gagliardi, Flauto; Giovanni Abba, Trombone; Allessandro Belloni, Basso; and Giovanni Grenno, Casa. Herr Ellerner [? Elsasser] will preside at the piano . . .

[Advertisement], Bendigo Advertiser (4 December 1855), 3

http://nla.gov.au/nla.news-article88048163 

GRAND ITALIAN CONCERT AT BURALL'S ASSEMBLY ROOMS.
SIGNORI BELLANI and GAGLIARDI, from the Kingdom of Sardinia, having arrived in Sandhurst, beg respectfully to inform the Diggers and Inhabitants generally that they, will give a Concert in characteristic costume as above,
on Saturday Evening, Dec. 8th, when they hope to secure that patronage be liberally accorded them on the other Goldfields.
Messrs. B. and G. will be assisted by an efficient Pianist and some first-class vocalists.
Further particulars in a future advertisement.

[Advertisement], Bendigo Advertiser (9 February 1856), 3

http://nla.gov.au/nla.news-article88048807 

PRINCESS'S THEATRE. CRITERION HOTEL. (Under the management of Mr. Coleman.)
BENEFIT OF MRS. GILL. WEDNESDAY, 13th FEBRUARY . . . The following Ladies and Gentlemen will appear -
Madame Sara Flower, Mrs. R. Macgowan, Miss Hudson, Mrs. Ricards, Mr. Sam Howard, Mr. Ryan, Mr. Richardson, Mr. B. Coleman, Mr. Ricards, Mr. Styles, Sig. Gagliadi [sic] . . .
Ballad - Mrs. B. Ricards.
New Medley Dance - Mrs. H. Macgowan.
Song - Madame Sara Flower.
Solo, Flute - Sig. Gagliadi.
With Pianoforte Accompaniment - Mrs. GILL.
Song - Madame Sara Flower . . .

ASSOCIATIONS: B. J. Coleman (manager); Sara Flower (vocalist); Sam Howard (actor)

[Advertisement], The Sydney Morning Herald (8 June 1857), 1

http://nla.gov.au/nla.news-article12996629 

FLUTE. - SIGNOR GAGLIARDI will be happy to attend gentlemen at their residence, or to give instructions on the flute, at 36, Palmer-street, Woolloomooloo.

[Advertisement], Empire (15 August 1857), 6

http://nla.gov.au/nla.news-article64983445

HEADS OF EDUCATIONAL ESTABLISHMENTS, PARENTS, AND GUARDIANS, are respectfully informed that Monsieur BELLOMI and Signor GAGLIARDI have lately arrived in Sydney, from the Universities of France and Italy; have travelled through Europe, Africa, India, and South America, where their short method of teaching the French, Italian, and Spanish languages, also handwriting, vocal and instrumental music, &c., gave satisfaction. They intend giving instructions in this city, or in the country, in the same system, embracing
LANGUAGES. - La Veritable Education Française, La Sublime Conversazione Italiana, Y la Ricca Espanola.
HANDWRITING.- Gothic, Ronde, Coulée, Commercial.
Singing, Flute, Guitar, Flageolet, &c., &c.
Hoping this will meet your approbation, we beg to solicit your support, and remain, your humble servants,
A. BELLOMI.
G. GAGLIARDI.

"NEWCASTLE THEATRE", Northern Times (24 October 1857), 1

http://nla.gov.au/nla.news-article128760642

Mr. Grant's benefit on Monday night, was but thinly attended - owing to the tremendous rain which kept pouring down during the whole of the evening. The players however performed with great spirit . . . Signor Gagliardi (son of general Gagliardi of the Sardinian service) performed a solo on the flute, which would have been extremely effective, had there been a proper pianoforte accompaniment. His style of playing is chaste, brilliant, and refined. The piece selected was the beautiful cavatina "Roberte toi que Jaime" from Meyerbeer's opera of "Robert the Devil". Signor Gagliardi upon being loudly and heartily encored, substituted the Fra Poco, from Lucia di Lammermoor, and played it very expressively and with much taste.

"CENTRAL POLICE COURT. MONDY", The Sydney Morning Herald (1 December 1857), 3

http://nla.gov.au/nla.news-article28633631

William Smith was charged with having stolen a turkey. Giacinto Gagliardi deposed that on Saturday afternoon he landed here from a steamer which had conveyed him from Newcastle; he was accosted oh the wharf by the prisoner, who asked for employment as a porter; as he said he was very poor, and that a trifle would be of service, witness engaged him to deliver a turkey, giving him the address in writing, and paying him 2s. 6d., his charge for the job; some hours having elapsed, and the turkey not having been left, witness went in search of the prisoner, found him in the markets and gave him into custody; he said that he wanted money, and had sold the bird for 5s. Committed for trial.

[Advertisement], The Hobart Town Daily Mercury (29 May 1858), 3

http://nla.gov.au/nla.news-article3248443

Signor Gagliardi, PROFESSOR of the Flute and Italian Language, at Mons. Vagnoux, Surgeon Dentist, 84, Macquarie-street.
N. B.- Music carefully copied at moderate prices.

[Advertisement], The Courier (30 June 1858), 3

http://nla.gov.au/nla.news-article2462810 

PROGRAMME OF MR. PECK'S GRAND CONCERT IN THE BALL ROOM, GOVERNMENT HOUSE, MACQUARIE STREET, TO-MORROW EVENING, THURSDAY, 1ST JULY . . .
PART I . . . SOLO FLUTE - Favourite Air and Variations - SIGNOR GALLIARDI . . .
OPERATIC SELECTION from "Ernani," arranged in Quintette for two Violins, Flute, Cornopian, and Violoncello - VERDI . . .
PART II . . . GRAND OPERATIC MELANGE from "Il Barbiere de Seviglia" - Violin, Pianoforte, Flute, and Cornopian . . .

Marriages solemnized in the district of Hobart, 1859; Tasmanian names index; NAME_INDEXES:859049; RGD37/1/18 no 278

https://stors.tas.gov.au/NI/859049 

https://stors.tas.gov.au/RGD37-1-18$init=RGD37-1-18p147 

No. 1456 n/ 278 / 8th January 1859 / Hobart Town / Giacinto Gagliardi / 24 / Professor of Music / Bachelor /
Harriett Golding / 20 / - / Spinster / Married in the Church of St. Joseph . . .

[Advertisement], The Mercury (24 November 1860), 4

http://nla.gov.au/nla.news-article8794578 

MUSIC. MR. DENTITH has the honor to inform the Inhabitants of Hobart Town and its vicinity that he is now enabled to supply a first-rate
STRINGED BAND for quadrille parties, pic-nics, flower shows, &c.
Parties can have any number of instruments they may require.
Solo Pianoforte, Mr. Dentith: Duo, Flute and Piano, Mr. Gagliardi and Mr. Dentith.
P. S. -Country engagements punctually attended to.

"THE FAKIR OF OOLU", The Press (2 July 1875), 2

https://paperspast.natlib.govt.nz/newspapers/CHP18750702.2.8

The benefit last evening of Miss Daisy Sylvester was largely attended, and the performance went off excellently . . . During the performance the orchestra, under Signor Gagliardi, played some operatic selections very nicely . . .

[Advertisement], Launceston Examiner (16 March 1891), 3

http://nla.gov.au/nla.news-article39565344 

ACADEMY OF MUSIC. MONDAY EVENING, MARCH 10, And until further notice. MARIAN WILLIS'S FORMOSA COMBINATION . . . in the great sensational sporting drama, in four acts, entitled FORMOSA !! Or the Railroad to Ruin. Magnificent Scenery, painted by Harry Grist of the principal Melbourne theatres. New music expressly arranged for this great production by Signor Gagliardi . . .

"Deaths", The Argus (20 March 1891), 1

http://nla.gov.au/nla.news-article8485238

GAGLIARDI. - On the 19th inst., at his residence, 19 1/2 Service-crescent, Albert-park, Giacinto, the dearly-beloved husband of Harriett Gagliardi.

"DRAMATIC NOTES", The Lorgnette (March 1891), 2

http://nla.gov.au/nla.news-article212729574 

We regret to learn of the death of Signor Giacinto Gagliardi, one the oldest musicians in the colony. The deceased was well-known as a conductor and instrumentalist for many years past. His demise took place at his residence, Albert Park, on the 19th inst. Sig. Gagliardi made his first appearance in Melbourne, as a flautist, at Rowe's Circus, June 10th, 1854.


Bibliography and resources:

"GAGLIARDI, GIACINTO", Libraries Tasmania

http://portal.archives.tas.gov.au/menu.aspx?detail=1&type=P&id=153346




GALBRIATH, William (William GALBRAITH)

Lithographer and printer, music lithographer and printer (Penman and Galbraith)

Born Glasgow, Scotland, 20 February 1822
Arrived Adelaide, SA, 5 December 1848 (emigrant per Hooghly, from London 31 July)
Married Janet DAVIE (d. 1889), Kensington, SA, 28 January 1852
Died Norwood, SA, 16 February 1911

https://trove.nla.gov.au/search?l-publictag=William+Galbraith+1822-1911 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-1484082 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALBRIATH-William (shareable link to this entry)

ASSOCIATIONS: John Penman (business partner); as Penman and Galbraith

https://trove.nla.gov.au/search?l-publictag=Penman+and+Galbraith (TROVE tagged by Australharmony)


Documentation:

"SHIPPING INTELLIGENCE", South Australian Register (6 December 1848), 3

http://nla.gov.au/nla.news-article48726506 

Tuesday, December 5th - The barque Hooghly, 460 tons, Henry, master, from London and Plymouth. Passengers . . . John Penman, Wm. Galbraith, James Campbell . . .

[News] South Australian Register (20 December 1848), 4

http://nla.gov.au/nla.news-article48728762 

We have been shewn some specimens of Lithography, executed by Messrs. Penman, Galbraith, and Campbell, who have lately arrived here from London; and certainly for design and execution we never before saw anything to surpass the skill displayed by these gentlemen. The accession of so much talent is decidedly an acquisition to the province, and will meet we doubt not with the patronage it deserves.

"NEW LITHOGRAPHED PLAN OF THE CITY", South Australian Gazette and Mining Journal (14 April 1849), 3

http://nla.gov.au/nla.news-article195937484 

We have just been favored with a beautifully executed plan of Adelaide, drawn by Messrs. Eggers and Goodhugh, and lithographed by Penman and Co. . . .

ASSOCIATIONS: Karl Eggers (printer, artist);

"LOCAL NEWS", South Australian (25 May 1849), 2

http://nla.gov.au/nla.news-article71623775 

We have been favoured by Mr. Gill with the first twelve of a series of heads of the people, drawn by him, and lithographed by Messrs. Penman and Co. Mr. Gill is already favourably known to the public by his numerous and tasteful water-colour sketches of scenery in this colony . . .

ASSOCIATIONS: Samuel Thomas Gill (artist); see Poor exile of Erin

[Advertisement], South Australian (8 February 1850), 3

http://nla.gov.au/nla.news-article71625624 

PENMAN & GALBRAITH, Lithographers and Copperplate Printers,
RESPECTFULLY announce that they have removed from Peacock's-buildings to Grenfell-street, corner of King William-street, where they will continue to carry on their business in all its branches.
Maps, plans, drawings of machinery, architectural and landscape drawings, circulars, bills of lading, bills of exchange, bill heads, scrip, labels, business and visiting cards, &c.,
lithographed in every variety of style with neatness and dispatch.

"MARRIED", South Australian Register (3 February 1852), 2

http://nla.gov.au/nla.news-article38458527 

On Wednesday, the 28th ultimo, by the Rev. John Gardiner, at his residence, at Kensington, William Galbraith, to Janet, eldest daughter of Mr. Andrew Davie, Brownhill Creek.

On music prints to 1861:

"MUSIC TO THE PRIZE POEM", Adelaide Observer (12 November 1859), 2

http://nla.gov.au/nla.news-article158130602 

The Committee of the Gawler Institute have forwarded the music and poems which prizes have been awarded to Messrs. Penman & Galbraith, of Rundle-street, to be lithographed. We have heard that 1,000 copies are to be struck off.

"THE SONG OF AUSTRALIA", South Australian Register (3 December 1859), 2

http://nla.gov.au/nla.news-article49824995 

We have seen a proof of the prize music to the Song of Australia, which has been lithographed by Messrs. Penman and Galbraith, of Rundle-street. It appears to be an excellent specimen of the art. The title-page is most elaborately executed in ornamental characters.

"THE SONG OF AUSTRALIA", The South Australian Advertiser (15 December 1859), 3

http://nla.gov.au/nla.news-article1200228 

. . . We must not, however, forget Messrs. Penman and Galbraith, who appear to have lavished extraordinary pains upon the "getting up" of the double composition, and certainly they deserve to be complimented for their success. Take the piece as a whole, - words, music, and engraving, - and South Australia need not be ashamed of the achievement.

MUSIC: The song of Australia (poem by Caroline Carleton; music by Carl Linger)

"MUSIC", South Australian Register (3 August 1860), 3

http://nla.gov.au/nla.news-article50026550 

We have received a copy of the Kent Rifles Polka, composed by Mrs. Henry Price, and lithographed by Penman & Galbraith. This publication is timely, and deserves to be encouraged, not only because it is a colonial effort, but also because the music is really spirited and striking . . . It is published at all booksellers.

"THE KENT RIFLE POLKA, The South Australian Advertiser (4 August 1860), 2

http://nla.gov.au/nla.news-article822339 

A copy of a new piece of music under the above title has been handed to us. The Polka is the production of Mrs. Henry F. Price, of Kensington, and is dedicated to the Commander of the Kent Rifle Company, Capt. Herford. It has been lithographed by Messrs. Penman & Galbraith, of Rundle-street, and, as a specimen of colonial lithography, it is perhaps superior to anything hitherto produced in the colony . . .

MUSIC: The Kent Rifles polka (by Mary Frances Price)

[Advertisement], The South Australian Advertiser (25 October 1860), 1

http://nla.gov.au/nla.news-article825583 

Just published, price 3s., "HAIL FAIR AUSTRALIA;" words by ELLIE, music by CUTOLO. Sold by Messrs. Mullet, Wigg, Platts, and Rigby, Adelaide; and Mr. Barnett, Gawler.

MUSIC: Hail, fair Australia (words by Ellie [Ellen Turner Debney]; music by Cesare Cutolo)

"THE VOLUNTEER WALTZ", The South Australian Advertiser (8 November 1860), 2

http://nla.gov.au/nla.news-article826261 

A very pretty waltz by Mrs. W. H. Thirkell, and dedicated by permission to His Excellency and Lady MacDonnell, has just been published, as will have been seen from the advertisements in the public papers. This new contribution to our musical portfolios has appeared very opportunely, and we doubt not it will have an extensive sale. The waltz is got up by Messrs. Penman and Galbraith in a really superior style; in fact, it reflects very high credit upon their skill and taste as colonial engravers.

ASSOCIATIONS: Christiana Thirkell

"VOLUNTEER'S SONG", The South Australian Advertiser (9 November 1860), 3

http://nla.gov.au/nla.news-article826306 

We have received a copy of a new volunteer's song, written by Mr. Donald McLeod, and set to music by Mr. Henry Pounsett. The music is beautifully lithographed, and the piece is got up in Messrs. Penman anti Galbraith's best style, the front page being embellished by a picture of the regimental colors of the Adelaide Rifle Regiment. The song is published by Mr. W. H. Hillier, of Rundle-street.

"THE VOLUNTEER WALTZ" and "VOLUNTEER SONG", Adelaide Observer (10 November 1860), 7

http://nla.gov.au/nla.news-article158177927 

We have been favoured with a copy of a new piece of music by Mrs. Thirkell, entitled "The Volunteer Waltz," which has appeared very opportunely, just at the time of the grand review on the Prince of Wales's birthday, and when the officers are to receive their commissions . . . The style in which it has been got up by the lithographers, Messrs. Penman & Galbraith, reflects great credit on those gentlemen. It is published at a moderate price, and ss a piece of colonial art we shall be glad to see it extensively patronised.

We have a "rush" of colonial music just now. The last piece published is a song, "Hail to thee, Riflemen," with a chorus for four voices, the music being by Mr. Henry Pounsett, and the words by Mr. Donald McLeod . . .

ASSOCIATIONS: Henry Pounsett (junior) (composer)

"NEW MUSIC", South Australian Register (12 January 1861), 3

http://nla.gov.au/nla.news-article50020159 

We have been favoured with a copy of a new schottische, composed by Mr. W. C. Oldham, and called the Kapunda Rifle Volunteers' Schottische . . . The schottische is capitally lithographed by Penman & Galbraith, of Adelaide.

ASSOCIATIONS: William Oldham

"NEW MUSIC", The South Australian Advertiser (6 December 1861), 3

http://nla.gov.au/nla.news-article880619 

Mr. Joseph Elliott, already favorably known to the colonial public as the author of the melody entitled "By-gone Days," has added to his former productions a pretty piece of dance music entitled "The Adelaide Schottische." It is a lively and pleasing composition, and is very creditably got up by Messrs. Penman & Galbraith, whose skill in this department needs no eulogy.

"COLONIAL MUSIC", South Australian Register (12 December 1861), 3

http://nla.gov.au/nla.news-article50081069 

A collection of the musical pieces composed and published in the colony would form quite a volume. We remember to have seen the productions of Mrs. A. J. Murray, Signor Cutolo, Herr Linger, Miska Hauser, Mrs. H. F. Price, Messrs. Draeger, O. F. V. Reyher, E. K. Daniel, W. C. Oldham, H. Pounsett and J. Elliott. An addition to the list has recently been made by the publication of "The Adelaide Schottische," composed by Mr. Joseph Elliott, lithographed in Messrs. Penman & Galbraith's best style, respectfully dedicated to the ladies of South Australia, and sold at an unusually low price . . .

MUSIC: The Adelaide schottische (by Joseph Elliott)

Dissolution of partnership and obituaries:

[Advertisement], South Australian Register (5 November 1885), 1

http://nla.gov.au/nla.news-article44537185 

NOTICE is hereby given that the PARTNERSHIP heretofore subsisting between
JOHN PENMAN and WILLIAM GALBRAITH the Elder, carrying on business as Lithographers at Gresham-strest, Adelaide, under the Style or Firm of "Penman & Galbraith," was this day DISSOLVED by mutual consent;
The Business will in future be continued by the said William Galbraith alone, who will receive and pay all Debts owing to and by the late Firm.
Dated this 30th day of October, 1885.
JOHN PENMAN.
WILLIAM GALBRAITH.
Witness - ERNEST W. Oldham, Solicitor, Adelaide.

"DEATHS" South Australian Register (11 November 1889), 4

http://nla.gov.au/nla.news-article47292980 

GALBRAITH. - On the 10th November, at Charles-street, Norwood, Janet, the beloved wife of William Galbraith, aged 58 years. A colonist of fifty years.

"DEATHS", Evening Journal (17 February 1911), 1

http://nla.gov.au/nla.news-article204485949 

GALBRAITH. - On the 16th February, at Charles street, Norwood, William Galbraith, aged 89. A colonist of over 60 years.

"A FINE OLD COLONIST. DEATH OF MR. WILLIAM GALBRAITH", The Register (17 February 1911), 6

http://nla.gov.au/nla.news-article58606485 

During many years past there lived in serene retirement at Charles street, Norwood, a worthy colonist in the person of Mr. William Galbraith, who died last night after a short but painful illness. If the old gentleman had lived until Monday next he would have attained to the age of 89 years, but his existence indicates an exception to the picture of old age so graphically painted in Ecclesiastes, for apart from deafness which affected him nearly all his life, his vigour remained almost unabated in the end. Indeed, until he had passed his eighty-sixth year he had never required a doctor's attention. Mr. Galbraith was an omnivorous reader, and very fond of poetry, and sometimes he wrote topical rhymes. He was intensely interested in politics, and considered voting at every opportunity to be a point of duty with a citizen. He viewed with much apprehension what he characterized as the dangerous socialistic tendencies of the times, and feared that one result of the present trend in politics would be to sap and undermine the great qualities of self-reliance, initiative, and resource which, in his judgment, marked the pioneers in South Australia more than their descendants.

- Early Days in Scotland. -

In a recent letter to the Editor of The Register, in which he summarized some of his youthful experiences in the old country, he said: - "I was born in Glasgow on February 20, 1822. My first remembrance is the crossing of Glasgow Bridge in charge of a relative who was going to see a great fire that was raging in the city, and that fire was the burning of the Royal Theatre, one of the largest in Britain. It was completely destroyed. That catastrophe happened when I was seven years old. My chief remembrances about that time, however, are connected with the excitement caused by the introduction and the passing of Earl Grey's Reform Bill. One of the largest processions ever seen in Scotland was arranged in honour of the introduction of that measure into Parliament. Bands played, and banners were flying in all directions, and a look of satisfaction was seen on the face of every one. But a great change look place when it became known that Grey had resigned and that Wellington had been sent for. Then black flags and muffled drums were the order of the day. However, the changed conditions did not last long. Wellington resigned, and Grey was sent for and the Reform Bill was passed. Everybody looked happy again, and, of course, another procession took place - the largest of the three and the bands played more loudly, and cheers were more emphatic than they had ever been before. Some time after this I saw the great Radical, William Cobbett, in company with one of the Glasgow Town Councillors. He was among the first to be elected under the Reform Act. Cobbett must have been fairly old at that time, but he looked hale and hearty. He appeared to be about 6 ft. high and somewhat stout, full in the face, with fair hair and complexion. He wore a long-tailed blue coat, with brass buttons, a light-coloured vest, buff trousers, and a frilled shirt. At about this time I was taken by relatives to see Edmund Kean, the great actor, but unfortunately failed to do so, as the theatre was full."

- Emigration. -

Mr. Galbraith was a colonist of over 62 years standing. In referring to his advent to South Australia he said lately in conversation with a representative of The Register:- "About the middle of the year 1848 I felt very much run down, as I had worked nearly the whole of the year 1847 at the rate of nine days a week, owing to the railway mania which attacked so many people in the old country. So when a friend who was out of work at the time suggested emigration to Australia, I agreed at once. At first, we had doubt about the colony to which it would be best for us to go, but a lucky chance put us in possession of a pamphlet concerning South Australia, in which the writer showed the great advantages which that province offered to emigrants in its healthy climate, fertile soil, and cheap cost of living. One point I well remember was that the writer mentioned that butter was so plentiful and so cheap that people were in the habit of greasing their boots with it. Now, as butter at that time in London was looked upon as quite a luxury, we really thought that, other things being equal, South Australia must have a touch of Paradise about it. It may be interesting to note here that the author of that pamphlet was one of the earliest editors of The Register, the late Mr. John Stephens, a man of great ability and power. After having read some more favourable notices, we made up our minds to test the truth of them, and at the price of £15 each we took two steerage berths on the ship Hoogley (Capt. Henry), and on July 31, 1848, the vessel left St. Catherine's Dock and drifted with the tide down the River Thames. After 14 days fighting against head winds we arrived at Plymouth, where we picked up a few more passengers, and after waiting a couple of days started on our long voyage to the antipodes, about the middle of August, 1848."

- In South Australia.-

"The voyage lasted over 120 days, and at the end of that time the Hoogley sailed up the Port Adelaide Creek, and came alongside the wharf at Port Adelaide at 5 a.m., on December 5, 1848. I went ashore to see Capt. Hall, to whom I had a letter of introduction from my old employer in London. He received me very kindly, but at the same time gave me his blessing because I did not bring my working material with me. However, he handed me a letter of introduction to the editor of the newspaper The South Australian (Mr. Murray), in Adelaide. I saw, however, that Mr. Murray could do nothing for me, and I was passed on to several others, until ultimately I found myself conversing with Mr. George Hamilton, who subsequently was appointed Commissioner of Police. At that time, however, Mr. Hamilton was a clerk in the Treasury, under the late Mr. O. K. Richardson. Mr. Hamilton was a clever amateur draftsman, and painted several pictures. He did a good deal of black-and-white sketching, and had dabbled a little in lithography. He could, however, make nothing of it, and was quite ready to sell to the first purchaser what printing material he had, so I bought it, and I am sorry now that I did not preserve it, as a curiosity to show the present generation how little we required in the old days to make a living. Still, such as it was, I had it removed to the premises we had taken in Grenfell street - premises that are now known as Hardy's Wine Cellars. Our neighbour was the late Mr. Crimp, blacksmith, who at one time occupied the land on which the palatial buildings of The Register Offices now stand. As the one who did it, I may add that the first large job in lithography in South Australia was an octavo circular for Mr. Platts, a well-known stationer of the day, who occupied a shop in Hindley street, nearly opposite to the Royal Admiral Hotel."

- The Evening of Life. -

Mr. Galbraith may fairly be regarded as the father of pictorial printing in South Australia. For many years he was one of the principals in the then leading firm of Penman and Galbraith, and among the numerous productions with which Mr. Galbraith's name is associated was the original print of the "Song of Australia," which was written and composed in a competition promoted by the Gawler Institute, more than half a century ago. After the dissolution of the firm Mr. Galbraith worked for some years for Mr. Vardon, but his increasing deafness caused him to retire from business shortly after he had passed his seventieth year. Since then, although he has lived quietly with his daughters in the old house in Charles street, he has never lost the keen interest which he displayed ever since his arrival in the State in all public matters connected with it. In his prime he was always a welcome figure at social gatherings and in city circles. His name was a synonym for merriment and wit, with a strong undercurrent of practical commonsense and philosophy. He was particularly attached to the Caledonian Society, and occasionally sent to the St. Andrew's Day gathering verses of a reminiscent and patriotic character . . . Mrs. Galbraith predeceased her husband by many years, but he is survived by three daughters - Miss Galbraith, the well-known music teacher; Miss Jessie Galbraith, the popular vocalist; and Mrs. H. R. Wilke; and by three sons.

ASSOCIATIONS: John Stephens (journalist)


Exant musical editions (to end of 1861):

Ballad, composed and respectfully dedicated to Lady Macdonnell, by Miska Hauser (Adelaide: Penman & Galbraith, Lith., [? 1856/57])

https://trove.nla.gov.au/work/214297264 

https://nla.gov.au/nla.obj-683497925/view?partId=nla.obj-683533455#page/n2/mode/1up (DIGITISED)

The song of Australia to which the prize of twenty guineas was awarded by the Gawler Institute on the occasion of its second anniversary, 1859, words by Mrs. C. J. Carleton, music by Herr Carl Linger (Adelaide: Penman & Galbraith, Lith., 1859)

https://trove.nla.gov.au/work/5229425/version/16032989 (DIGITISED)

Hail fair Australia, words by Ellie, music by Cutolo, dedicated to the public of South Australia (Adelaide: Penman & Galbraith, Lith., [1860])

https://trove.nla.gov.au/work/8953035 (DIGITISED)

The Kent Rifles polka, dedicated to Captain Herford by Mrs. Henry F. Price (Adelaide: Penman & Galbraith Lith., [1860])

https://trove.nla.gov.au/work/35607479

The Adelaide schottische, composed and respectfully dedicated to the ladies of South Australia by Joseph Elliott (Adelaide: Printed by Penman & Galbraith, 1861)

https://trove.nla.gov.au/work/35632411

For all Penman and Galbraith prints, including those after 1861, see:

https://trove.nla.gov.au/music/result?q=&l-publictag=Penman+and+Galbraith 


Bibliography and resources:

"William Galbraith", Design & art Australia online (DAAO)

https://www.daao.org.au/bio/william-galbraith 




GALE, Thomas Theodore (Thomas Theodore GALE; T. T. GALE)

Bass baritone vocalist

Born ? England, ? c. 1830/32
Arrived Adelaide, SA, 17 January 1849 (emigrant per John Woodhall, from London, "T. Gale")
Married (? common law) Adelaide Francis COBBIN (1826-1909), SA, c. 1852
Died Melbourne, VIC, 1860, aged "28" [reg. 622/1860]

https://trove.nla.gov.au/search?l-publictag=Thomas+Theodore+Gale+d1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALE-Thomas-Theodore (shareable link to this entry)


Summary:

Gale is probably the "T. Gale" who arrived in Adelaide on the John Woodhall in January 1849. His future wife, Adelaide Frances Cobbin, arrived soon after with her father, the tailor and musician William Cobbin, on the Athenian from London, which landed on 5 March 1849. There is no record of their marriage; however, a son, Thomas, was born at Kooringa, SA, on 2 May 1853. Gale died in Melbourne in the earlier part of 1860. When their second son, Theodore Philip (born Adelaide, SA, 1 May 1855) was belatedly baptised at St. Peter's, Melbourne, VIC, on 1 June 1860, the register recorded "father deceased".


Documentation:

"SHIPPING INTELLIGENCE", South Australian Register (20 January 1849), 4

http://nla.gov.au/nla.news-article50245322 

Wednesday, January 17th . . . Same Day - The barque John Woodhall, 380 tons, Hill, master, from London. Passengers . . . T. Gale . . .

"NORFOLK LODGE OF ODD-FELLOWS. M. U.", South Australian (2 March 1849), 2

http://nla.gov.au/nla.news-article71623215

About seventy gentlemen - the members and their friends - assembled at Host Ottaway's, on Tuesday evening last, to celebrate the first anniversary of the Norfolk Lodge of Odd Fellows, of the Manchester Unity . . . On the cloth being removed, the Chairman gave the first toast of the evening . . . "Our most gracious sovereign the Queen" . . . The next toast given, as a matter of course, was "Prince Albert and the Royal Family," which was followed by a capital song very well sung, by a newly-arrived gentleman named Gale, who, when his vocal powers became known, was frequently solicited to favor the company in a similar way, to which he on every occasion most readily and handsomely acquiesced . . .

"NORFOLK LODGE OF ODD-FELLOWS", Adelaide Times (5 March 1849), 2

http://nla.gov.au/nla.news-article206980409 

. . . Several gentlemen sang during the evening with considerable taste and effect, especially Messrs. Gale, Yems, Hillier, and Penrucker. The former gentleman, Mr. Gale, is an excellent singer. His bass has not only extraordinary compass, but also most exquisitely modulated sweetness. His singing of "The Ship on Fire," "The Heather Bloom," "The Standard Bearer," and "I'll not beguile thee from thy home," were vociferously applauded. This young gentleman has only arrived lately from England, but from the agreeable talent that he so amply possesses, we may safely predict to him numerous applications for his presence at future convivialities in Adelaide . . .

MUSIC: The ship on fire (Russell); The standard bearer (Lindpainter); I'll not beguile thee from thy home (Alexander Lee); The heather bloom (? Balfe)

[Advertisement], South Australian (13 March 1849), 1

http://nla.gov.au/nla.news-article71623281

EVENING CONCERT. NEW QUEEN'S THEATRE. MR. J. GRIFFITHS . . . On Wednesday Evening, Mach 14th, 1849.
PROGRAMME. - PART 1 . . . Song - Mr. Gale, "The Standard Bearer" - Schubert [recte Lindpainter] . . . PART 2 . . . Song - Mr. Gale, "The Heather Bloom" - Balfe . . .

"MR. GRIFFITH'S CONCERT", Adelaide Times (19 March 1849), 2

http://nla.gov.au/nla.news-article206980466 

. . . Mr. Gale sang Lindpainter's (not Schubert's) song of the "Standard-bearer" with great taste, and the "Heather bloom," which produced an unanimous encore. This gentleman has a fine voice - flexible and beautiful in quality of tone, but somewhat deficient in power. We have no doubt age and practice will do much to remedy this deficiency . . .

[Advertisement], South Australian Gazette and Mining Journal (29 March 1849), 2

http://nla.gov.au/nla.news-article195937376 

NEW QUEEN'S THEATRE, LIGHT-SQUARE. Last Night of the Season.
FOR THE BENEFIT OF MR. LAZAR. THIS EVENING (Thursday), March 29 . . .
MR. GALE (who was so favorably received on the night of Mr. Griffiths' Concert, has volunteered his services, and will sing the favorite Ballad of the "HEATHER BLOOM" . . .

[Advertisement], Adelaide Times (2 April 1849), 1

http://nla.gov.au/nla.news-article206980519 

NEW QUEEN'S THEATRE . . . EXTRA NIGHT . . . MR. OPIE . . .
for his BENEFIT, ON MONDAY (THIS) EVENING, APRIL 2 . . .
MR. GALE, Who was so favourably received on the night of Mr. Griffiths's Concert, has kindly given his services, and will make his first appearance in the; character of Hawthorn in Bickerstaff's
celebrated opera, in three acts, of LOVE IN A VILLAGE . . .

MUSIC: Love in a village (Arne)

[Advertisement], South Australian Register (29 September 1849), 2

http://nla.gov.au/nla.news-article50245495 

MESSRS. WALLACE & ELLARD . . . their LAST SUBSCRIPTION CONCERT . . .
in the Exchange, King William-street, on Tuesday evening, 2nd October, 1849.
On this occasion they will be assisted by Mrs. Murray . . . Mr. Gale and Mr. Lee.
PROGRAMME: PART I . . . Song - "My Boyhood's Home" - Rooke - Mr. Gale . . .
PART II . . . Song - "My Heart's on the Rhine" - Speyler - Mr. Gale . . .

"MESSRS. WALLACE & ELLARD'S CONCERT", Adelaide Times (4 October 1849), 3

http://nla.gov.au/nla.news-article206981204 

. . . Mr. Gale ie certainly much improved both in style and manner, and sang the music allotted to him very agreeably. Rooke's charming song from the Love Test, "My Boyhood's Home," produced an almost unanimous encore - it lost nothing in spirit or feeling by the repetition. In the second part of the concert, Mr. Gale sang "My Heart's on the Rhine" (Speyer) which also produced an encore. It certainly was highly flattering to the singer, that both his songs should be so well received. We think if he had taken the latter song half a tone higher, it would have been still more effective, and not at all beyond his range . . .

MUSIC: My boyhood's home (Rooke); My heart's on the Rhine (Speyler)

"MR. GRIFFITH'S Concert . . .", South Australian (16 November 1849), 2

http://nla.gov.au/nla.news-article71625083

. . . at the Queen's Theatre, on Wednesday evening, was well attended as regards the boxes, but there were very few in the pit . . . Mr. Gale has a remarkably fine voice, rich and flexible, between a barritone and base, but it wants cultivation. A little attention and exercise would in a short time enable this gentleman, who is but young, to produce greater equality in the upper and lower notes of his voice, the latter being at present rather reedy. He sings with great taste and ease, and both his songs were warmly applauded, his last, "The Heather Bloom" being unanimously encored . . .

[Advertisement], South Australian (20 November 1849), 3

http://nla.gov.au/nla.news-article71625109

Under the immediate Patronage of the Governor and Lady Young.
MR. GALE has the honor to inform the residents of Adelaide and its vicinity, that his
CONCERT of Vocal and Instrumental Music will take place this evening (Tuesday), the 20th instant, in the Exchange, King William-street, on which occasion he will be assisted by Mrs. E. Jupp (who made so successful a debut at the late Conversazione), Mr. S. W. Wallace, Mr. Lee, and several amateurs, who will give their services on that evening.
PROGRAMME.
PART I.
1. Overture - "Fra Diavolo" - Auber - Mrs. Jupp, Mr. Lee, and Mr. Wallace
2. Song - "The Heart Bow'd Down" - From the opera of the Bohemian Girl - Balfe - Mr. Gale
3. Song - Amateur
4 The Spirit's Song - Mrs. Jupp
5. Song - "Farewell to the Mountain" - Barnet - Mr. Gale
6. Solo Violin - "Premier Concerto" - De Beriot - Mr. Wallace
PART II.
1. Overture - "Italiana in Algiero" - Rossini - Mrs. Jupp, Mr. Lee, and Mr. Wallace
2. Song - "My Mother bids me bind my Hair - Haydn - Mrs. Jupp
3. "Sun of Freedom," from the opera of Norma - Bellini - Amateur
4. Song - "My Heart's on the Rhine" - Speyler - Mr. Gale
Song - "Meet me to-night" - Horne - Mrs. Jupp
6. Solo Violin - De Beriot - introducing the favourite melody of "Home, Sweet Home" - Mr. Wallace
Tickets 5s. each, to be had at Platts's Library; Mr. P. Lee, Hindley-street; Mr. Dyke, Freemason's Tavern; and at the Exchange, King William-street. Concert to commence at eight o'clock precisely.

"MR. GALE'S CONCERT", Adelaide Times (22 November 1849), 3

http://nla.gov.au/nla.news-article206981495 

The effect of the concert was somewhat injured by the absence of Mr. Lee, from illness, but Mrs. Jupp kindly introduced two extra songs, which in part supplied the deficiency. In "Auld Robin Gray" she was particularly successful. Mr. Gale sang "My Heart's on the Rhine" in good style, and the amateur pleased every one. He has a fine voice, and much taste. We need hardly say that Mr. Wallace performed in usual style of excellence. Sir Henry and Lady Young honoured the concert by their presence, and the room was moderately filled, including a large proportion of ladies. We regret that our limited space precludes a more detailed report.

"MR. GALE'S CONCERT", South Australian (23 November 1849), 2

http://nla.gov.au/nla.news-article71625130

. . . The arrangements of the [programme] were unfortunately thrown into some confusion from the sudden announcement that Mr. Lee was taken ill. This occasioned the omission of the overtures and the substitution of some additional songs by Mrs. Jupp and Mr. Gale . . . Mr. Gale has perhaps not quite recovered from his late accident. His "Farewell to the Mountain," was not equal to his usual performances, but "My Heart's on the Rhine," was beautifully executed . . .

MUSIC: Farewell to the mountain (Barnett)

"LOCAL NEWS", South Australian (24 May 1850), 3

http://nla.gov.au/nla.news-article71626314 

On Wednesday evening, Mr. Wallace gave a grand vocal and instrumental concert at the Exchange. His Excellency and Lady Young were present, and the room was crowded to overflowing . . . We are almost tired of Mr. Gale's "My heart's on the Rhine," though his splendid voice is always acceptable. His second, "The Bandit's song," was omitted for no assigned reason . . .

"MR. WALLACE'S CONCERT", Adelaide Times (25 May 1850), 8

http://nla.gov.au/nla.news-article207116214 

. . . Mr. Gale sang, "My Heart's on the Rhine," correctly, but the effect of his vocalization being, in his opinion, deteriorated from by an accidental hitch in the accompaniment caused by Mr. Ellard playing from memory, Mr. Gale thought proper, as we are told, to decline singing the song allotted to him in the second part of the performance, an exhibition of petty feeling beneath our notice, but that we feel bound to set the public right as to the cause of the omission alluded to . . .

[Advertisement], Adelaide Times (8 July 1851), 2

http://nla.gov.au/nla.news-article207008305 

ROYAL VICTORIA THEATRE. PROPRIETORS- MESSRS. LAZAR AND COPPIN.
First appearance of MR. GALE, who will sing the celebrated Song of the "Standard Bearer."
THIS EVENING (Tuesday), July 8 . . .

[Advertisement], South Australian Register (14 August 1851), 2

http://nla.gov.au/nla.news-article38442566 

ROYAL VICTORIA THEATRE. THIS EVENING (Thursday), August 14th, for the BENEFIT of MR. J. CHAMBERS . . . Song - The Bay of Biscay - Mr. Gale . . .

MUSIC: The bay of Biscay (Davy); and continuation

[Advertisement], South Australian (19 August 1851), 2

http://nla.gov.au/nla.news-article71687486

ROYAL VICTORIA THEATRE. MRS. MOORE . . . her BENEFIT . . . THIS EVENING, TUESDAY, August 19 . . .
Song - "Death of Nelson" - Mr. Gale . . .

MUSIC: The death of Nelson (Braham)

"MR. GALE, THE VOCALIST", South Australian Register (30 November 1852), 3

http://nla.gov.au/nla.news-article38454488

On Saturday night a party in the public room of the York Hotel, Rundle-street, had amused themselves with songs and glees a little beyond the usual hour of closing, and received a hint from the waiter that it was time for them to retire. Upon this most of them left; but Mr. Gale, the well-known vocalist, who formed one of the company, was inclined to sit a little longer. Inspector Rose, of the Mounted Police, who was also there, jocosely, as we are informed, offered to turn him out - saying, that, as he was the only Policeman present, it was his duty to clear the room. Mr. Gale unfortunately resented his interference, and struck at him. Inspector Rose fell against the wall, but, immediately recovering himself, returned the blow by a stroke from a heavy hammer-handled whip which he had in his hand. The effect was instantaneous - the poor vocalist fell to the ground insensible, and with a bleeding wound above the temple. Dr. Moore was immediately called in, and found the skull fractured. The patient, up to last night, was doing far better than could have been expected, having perfect possession of his intellects, and being subject to very little pain. Inspector Rose has been relieved of duty by the Commissioner of Police, and is at present confined to his quarters, awaiting the result, of which we trust we may shortly be able to report favourably.

"POLICE COURT. Friday, December 10th", Adelaide Morning Chronicle (13 December 1852), 3

http://nla.gov.au/nla.news-article66450297 

William Rose, Inspector of the Gold Escort, was charged on the information of Adelaide Frances Gale with feloniously assaulting her husband. Thomas Theodore Gale, at the York Hotel, on the 28th ultimo. Remanded till Monday (this day).

"THE ASSAULT ON MR. GALE", South Australian Register (13 December 1852), 3

http://nla.gov.au/nla.news-article38454019 

At the Police Court, on Friday, William Rose, Inspector of Police, appeared before H. R. Wigley, Esq., Special Magistrate, upon the information of Adelaide Frances Gale, wife of Thomas Theodore Gale, of Kooringa, vocalist, charging him upon suspicion with having on the 27th of November, feloniously assaulted the said Thomas Theodore Gale, with intent to do him some grievous bodily harm . . .

"BIRTH", Adelaide Times (5 May 1853), 3

http://nla.gov.au/nla.news-article207012083 

At Kooringa, Burra Burra, on the 2d May, the wife of Thomas T. Gale, of a son.

"SUPREME COURT. CRIMINAL SESSIONS. Friday, February 18th", Adelaide Morning Chronicle (22 February 1853), 3

http://nla.gov.au/nla.news-article66450733 

William Rose, Inspector of Police, was charged with a felonious assault upon Thomas Theodore Gale, with intent to do him some grievous bodily harm, on the 27th November. Other counts varied the intent. He pleaded not guilty, and was defended by Mr. Smith . . . His Honor summed up the evidence, and the Jury, after retiring for a few minutes, returned a verdict of not guilty.

[2 advertisements], South Australian Register (3 June 1854), 4

http://nla.gov.au/nla.news-article48551882

EVENING CONCERTS, EVENING CONCERTS. AT THE WELLINGTON INN, CURRIE AND LEIGH-STREETS.
MR. FAULKNER begs to call the attention of his friends and the public that he has commenced an Evening Concert in the Large Room of the above Inn.
Mr. Gale will be in the Chair.
Mr. Charles Adams will preside at the Pianoforte.
To commence every evening at 7 o'clock and close at 10.

MR. GALE begs to inform the public in general of Adelaide and its Environs that he does not (as advertised) act as Chairman at Mr. E. Martin's, Black Horse, Leigh-street, but at Mr. Faulkner's, Wellington Inn, in the same street.

[Advertisement], South Australian Register (11 August 1854), 1

http://nla.gov.au/nla.news-article49201116 

SOIREE MUSICALE - ADELAIDE HARMONIC CLUB, Wellington-Inn, Currie-street, every evening.
Conductor - MR. GALE.
Pianist - MR. MONTEGANI.
All the popular Songs, Glees, Catches, and Chorusses of the day by first-rate artistes.
Harmony commences at 7 o'clock. N.B. - No charge for admission.

ASSOCIATIONS: Alfred Mantegani

[Advertisement], Adelaide Times (30 October 1854), 1

http://nla.gov.au/nla.news-article207018993 

ROYAL VICTORIA THEATRE, Gillies Arcade.
THIS EVENING, MONDAY, OCTOBER 30, 1851. GRAND FAMILY NIGHT.
Totten's Unrivalled Company of ETHIOPIAN HARMONEONS . . .
First appearance of Mr. Gale at this Theatre, who has kindly volunteered his services.
In the course of evening he will sing Russell's celebrated song, The Slave Ship.
Mr. Montegani, the celebrated Pianist, has also volunteered his services . . .

"ANNIVERSARY OF THE ALBION LODGE", Adelaide Observer (5 May 1855), 8

http://nla.gov.au/nla.news-article158103431 

On Thursday evening, the Albion Lodge of Oddfellows in connection with the Manchester Unity celebrated its tenth anniversary with the usual dinner in the Lodge-room at the Albion Hotel . . .
Song, Mr. McCullagh, "The Wake of Teddy Roe" . . .
Song, Mr. Gale, "The Ship on Fire" . . .

Melbourne, VIC (? from c. 1855):

"LAW REPORT . . . NEW INSOLVENTS", The Argus (16 November 1859), 6

http://nla.gov.au/nla.news-article5691824 

Thomas Theodore Gale, clerk, of Melbourne. Cause of insolvency - Sickness and imprisonment. Liabilities, £229 3s. 1Od.; assets, £3; deficiency, £226 3s. 10d. Mr. Courtney, Official Assignee.

Baptisms solemnized in the parish of St. Peter Melbourne . . . in the year 1860; register, 1859-1870; St. Peter's Eastern Hill

https://www.ancestry.com.au/interactive/60584/43331_1831109387_0189-0037 (PAYWALL)

[No.] 4738 / [1860] June 1 / [born] 1 May 1855 / Philip Theodore / [son of] Thomas Theodore & Adelaide Frances / Gale / Stephen Street / Father deceased . . .

"DEATHS", South Australian Register (5 May 1890), 4

http://nla.gov.au/nla.news-article47238028 

GALE. - On the 4th May, at his residence, No. 184, Gover-street west, N.A, Theodore Philip (Phill), the beloved husband of Annie Maria Gale, and youngest son of Mrs. A. F. Gale, and grandson of the late W. Cobbin.

"DEATHS", The Register (28 April 1909), 8

http://nla.gov.au/nla.news-article57524876 

GALE. - On the 21st April, at Adelaide, Adelaide Frances, relict of the late Thomas Theodore Gale, and beloved mother of Thomas and Philip Gale, in her 85th year. At rest.

"Obituaries of the Week. MRS. A. F. GALE", Observer (8 May 1909), 38

http://nla.gov.au/nla.news-article164680090 

The death is announced, at the age of 85 years, of Mrs. A. F. Gale, who for many years was in the employ of Messrs. James Marshall & Co. as head of the dressmaking department. Upon resigning that position she proceeded to Wellington, New Zealand, to live with her son (Mr. Thomas Gale), who figured prominently in public life in that city. Upon his death Mrs. Gale returned to Adelaide, where she resided until the time of her decease.




GALES, Richard (Richard GALES)

Musician

Active Nine Mile creek, via Beechworth, VIC, April 1858

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALES-Richard (shareable link to this entry)


Documentation:

"NINE MILE", Ovens and Murray Advertiser (28 September 1857), 2

http://nla.gov.au/nla.news-article113016999 

We are glad to see, notwithstanding the dullness of matters in this township, the speculative spirit of some of our neighbours. The proprietor of the "Globe Inn" is about completing an additional large room attached to the building lately put up by him, and which we suppose is to give a facility for tripping on the "light fantactic toe." We have just lately had the "Golden Age" re-opened under new management, in honor of which a free Supper and Ball was given . . .

"POLICE COURT. Saturday, April 3, 1858", Ovens and Murray Advertiser (5 April 1858), 2

http://nla.gov.au/nla.news-article113237486 

A Sew, Chong Ming, A You, A Ling, Quye Tsyem Sam Tuck, A Chin, A Chong, A Yow, A King, A Kim, A Kit, and Tin Moy, were charged with riot . . . Richard Gales, a musician, deposed that he remembered the 1st April; about three o'clock on that day there was a figit at the Chinese Camp, Snake Valley . . .

"CHINESE RIOTERS", The Age [Melbourne, VIC] (10 April 1858), 5

http://nla.gov.au/nla.news-article154856497 

The Ovens Constitution reports the following cases tried at Beechworth Police Court on Saturday last: - A-Sou, Chon-Ming, A-You, A-Sing, Quyl Tsye, Sam Tuck, A-Chew, A-Chong, A-Yow, A-Keung, A-Kem, A-Ket, and Tim Moy, appeared on a charge of riotously assembling together at Snake Valley, on Thursday, the 1st of April . . .
Richard Gales sworn: Is a musician at the Globe Inn, Nine Mile. Witness believes A Chong and A-Keung were two of the men he saw in the riot on Thursday last. There were two parties of Chinamen farmed in squares, who charged each other with bamboos, and subsequently closed, beating one another with sticks, while men on the outside of the crowd threw stones of three or four pounds weight . . .

[Advertisement], Ovens and Murray Advertiser (7 June 1858), 3

http://nla.gov.au/nla.news-article112896285 

Globe Inn, Nine Mile.
JOHN WARK BEGS to inform the Inhabitants of NINE MILE and its vicinities, that he has made arrangements to have A FREE BALL AMD SUPPER, On Friday, June 11th, On which occasion nothing shall be wanting on his part to make all his Friends comfortable.
FIRST-CLASS BAND ENGAGED FOR THE OCCASION. Dancing at Eight o'clock, - Supper at Twelve.




GALLAGHER, T. (T. GALLAGHER)

Music copyist, violinist, teacher of flute, violin, and harmony, quadrille and volunteer force band leader

Active Sydney, NSW, 1860s
Portland, VIC, 1870s

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALLAGHER-T (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald (11 May 1861), 1

http://nla.gov.au/nla.news-article13066985

MR. T. GALLAGHER, Teacher of Violin, Flute, and Harmony. MR. T. GALLAGHER, Quadrille Violinist. Brass or string bands provided. Terms, reasonable. 115 Bathurst Street

[Advertisement], The Sydney Morning Herald (7 June 1862), 7

http://nla.gov.au/nla.news-article13229814

T. GALLAGHER, Musical Copyist to the Orpheonist Society. Music neatly copied, arranged, or transposed, to suit any voice or instrument. Instruction given on flute, violin, and harmony. 217, Castlereagh-street.

ASSOCIATIONS: Orpheonist Society (association); later that same month, John Brady advertised as music copyist to the society

[Advertisement], The Sydney Morning Herald (2 May 1863), 8

http://nla.gov.au/nla.news-article13077945

MR. T. GALLAGHER, Teacher of Music, is prepared to undertake the teaching of Volunteer Bands, Drums and Fifes, &c. Music suitably harmonised for either of the above, may be had on application to Mr. G, at his residence 217, Castlereagh-street.

[Advertisement], Portland Guardian (2 January 1873), suppl. 1

http://nla.gov.au/nla.news-article65429011

T. Gallagher, TEACHER OF MUSIC, BENTINCK AND GAWLER STREETS, PORTLAND

[Advertisement], Portland Guardian (28 November 1873), 3

http://nla.gov.au/nla.news-article64743081

Select Quadrille Party. Tuesday, 2nd December.
MAC'S HOTEL ASSEMBLY ROOM. MR. T. GALLAGHER'S Quadrille Band will be in attendance . . .

"Friendly Societies' Sports: ST. PATRICK'S DAY", Portland Guardian (20 March 1874), 2

http://nla.gov.au/nla.news-article64743990

. . . The band, under the leadership of Mr. T. Gallagher, discoursed some excellent music during the day, and added greatly to the enjoyable character of the fete . . .

"VOLUNTEER BALL", Portland Guardian (27 November 1874), 2

http://nla.gov.au/nla.news-article64745834

. . . The music was contributed by the volunteer band, led by Mr. T. Gallagher,. and it is but justice, to say that the quality was excellent . . .

[Advertisement], Portland Guardian (16 March 1875), 3

http://nla.gov.au/nla.news-article64746702

. . . Mr. T, Gallagher and the Band of the Portland Detachment of the Western Artillery Corps will supply the instrumental Music . . .

"GALLAGHER'S QUADRILLE ASSEMBLY", Portland Guardian (19 March 1875), 2

http://nla.gov.au/nla.news-article64746744

After the sports Mr. Gallagher's select ball at the Orderly Room was well patronised, fifty couples were present, and the whole passed of with the greatest eclat.

"BATTALION PARADE", Portland Guardian (11 April 1876), 2

http://nla.gov.au/nla.news-article64749336

. . . The band has improved very much of late, and we learn that some "gems" are in rehearsal for the ever to be remembered demonstration of the twenty-seventh. It it is not too late, I would suggest that our worthy band master, Mr. Gallagher, would compose a piece of music to be called, for instance, the Governor's March, the Railway Galop, or some other appropriate name, in remembrance of such an eventful day in the annals of Portland as the 27th of April is expected to be.

"INSPECTION", Portland Guardian (20 June 1876), 2

http://nla.gov.au/nla.news-article64749763

. . . One great feature in the proceedings of the evening was the music of the band under the improved conditions of a new drum, cymbals, and other instruments, all of which appears to be the very best of their kind . . . [Major Learmouth] must compliment Mr. Gallagher for the great improvement made by the band, and be hoped the members would go on improving. Mr. Gallagher, he held, was deserving of special thanks for the accuracy with which the different pieces are rendered, as this accuracy argues attention equally on the part of the Bandmaster, and the members.

[Advertisement], Portland Guardian (20 July 1877), 2

http://nla.gov.au/nla.news-article63338931 

Challenge. HEARING that Mr. T. GALLAGHER and another person are talking a great deal about my cornet playing, I am quite prepared to play him for £20 at any time it will suit his convenience.
THOMAS V. SHORT. Address, Post-office, Hamilton.




GALVIN, Charles (Charles GALVIN; Mr. C. GALVIN)

Clarionet / clarinet player, clarinettist, foundation bandsman (1845) and bandmaster (c. 1870-80) of St. Joseph's Band (Launceston)

Born Cork, Ireland, 1831; son of Bartholomew GALVIN (c. 1796-1881) and Catherine GALVIN (1799-1869)
Arrived Launceston, VDL (TAS), 21 November 1842 (per Royal Saxon, from London, 24 July, and Cork, 7 August)
Married Mary Ann LEARY, St. Joseph's church, Launceston, TAS, 29 August 1854
Died Launceston, TAS, 7 October 1893, aged 62

https://trove.nla.gov.au/search?l-publictag=Charles+Galvin+1831-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALVIN-Charles (shareable link to this entry)

GALVIN, Joseph (Joseph GALVIN)

Bandsman (St. Joseph's Band)

Born Cork, Ireland, c. 1833; son of Bartholomew GALVIN (c. 1796-1881) and Catherine GALVIN (1799-1869)
Arrived Launceston, VDL (TAS), 21 November 1842 (per Royal Saxon, from London, 24 July, and Cork, 7 August)
Married Jane GRAY, Church of the Apostles, Launceston, TAS, 1 June 1868
Died South Yarra, VIC, 18 March 1915, aged 82

https://trove.nla.gov.au/search?l-publictag=Joseph+Galvin+c1833-1915 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GALVIN-Joseph (shareable link to this entry)


Charles Galvin 1831-1893

Documentation:

1854, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:853055; RGD37/1/13 no 1032

https://stors.tas.gov.au/NI/853055 

https://stors.tas.gov.au/RGD37-1-13$init=RGD37-1-13p404 

[No.] 349 / 10320 / Aug't 29, '54 / Charles Galvin . . . / M. A. Leary . . . / Married in St. Joseph's Church Launceston . . .

"INDEPENDENT VOLUNTEER FIRE BRIGADE, RED. DINNER AT THE STAR HOTEL", The Cornwall Chronicle (30 December 1863), 3

http://nla.gov.au/nla.news-article72193076

. . . The band of the L. V. Rifle Corps having performed some excellent pieces of music in Princess Square, marched through the principal streets, passed the Star Hotel, and after a detour returned to it and broke off there, Mr. Charles Galvin, the leader of it, and one or two other members joining the company as guests . . .

1868, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:872619; RGD37/1/27 no 414

https://stors.tas.gov.au/NI/872619 

https://stors.tas.gov.au/RGD37-1-27$init=RGD37-1-27p211 

[No.] 706 / June 1st 1868, Launceston / Joseph Galvin / 31 [sic] / Grocer . . . / Jane Gray / 24 / Spinster . . .
Married in the Church of the Apostles . . .

"GRAND CONCERT AT THE MECHANICS' INSTITUTE", The Cornwall Chronicle (4 September 1872), 2

http://nla.gov.au/nla.news-article66025540

On Monday evening a grand vocal and instrumental concert was given in the hall of the Mechanics' Institute in aid of the widow of the late Mr. Jesse Biggs . . . The concert commenced with Auber's overture to "Masaniello," by ten performers - Mr. Thos. Sharp, Mr. Abbott, and Mr. Chick (violins), Mr. Wm. Sharp (double bass), Mr. Joscelyne and Mr, A. Hart (violoncellos), Mr. C. Galvin (clarionet), Mr. J. M. Davies (flute), Mr. A. Day and Mr. R. D. Harris (cornets), and Mrs. H. B. Nicholls presided at the pianoforte. The overture was excellently performed, in perfect time, and with fine effect. It gave entire satisfaction, and elicited universal applause . . .

"MUSICAL UNION CONCERT", The Cornwall Chronicle (20 January 1875), 3

http://nla.gov.au/nla.news-article66072661

. . . the orchestra consisted of Mr. George Collins, leader; Miss McAndrew, pianist; Mr. Charles Galvin, clarionet; Mr. R. D. Harris, cornet; Mr. Anthony Hart and Mr. Joscelyne, violoncellos . . .

1893, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1241400; RGD35/1/62 no 323

https://stors.tas.gov.au/NI/1241400 

https://stors.tas.gov.au/RGD35-1-62_30 

"Deaths", Launceston Examiner (9 October 1893), 1

http://nla.gov.au/nla.news-article39489829

"OBITUARY. MR. CHARLES GALVIN", Launceston Examiner (9 October 1893), 7

http://nla.gov.au/nla.news-article39489875

Deep regret was expressed in the community yesterday when it became known that Mr. Charles Galvin, a very widely-respected resident of Launceston, had passed away. The deceased had been ailing for some months, but his demise was not anticipated by his friends, for on Friday he left his room, though he was not able to attend to business matters. On Saturday, however, his illness assumed serious aspect, and he passed away quietly at his late residence, Wellington-street, at about half-past eight o'clock on Saturday evening.

The deceased was well known in the colony, and with old Launceston residents his name was as familiar as a house-hold word. He arrived here in the Royal Saxon on November 21, 1842, with his father, mother, aunt, and three brothers, and the family settled in Launceston. The deceased as a young man was possessed of those attributes which tend to make a good and useful citizen, and which strengthened as he grew older. He became a proficient builder, and with his brother, John Galvin, with whom he was associated in connection with that industry for many years, built the Town Hall, the Union and Commercial Banks, and in 1866 the Roman Catholic Church, besides many of the principal private and public structures of the city.

Deceased was born in Cork, Ireland, in the year 1831, and though only a lad when he left his native country he was an ardent lover of Ireland and her people, and throughout his long and useful career in the colony he took a keen interest in all matters connected with his birthplace, his kindly spirit and earnest devotion to the amelioration of the troubles which beset Irishmen in the early days gaining for him the respect of his friends and the admiration of all who were acquainted with him, and could appreciate his sterling character. Three years after the arrival of the family in the colony, Mr. Charles Galvin, with a number of others, founded the St. Joseph's Band, and was associated with that body of musicians up to the time of his death. He was leader of the band for many years, and continued an active member until very recently, taking a keen interest in the various contests in which they took part. He was an earnest politician, and any movement that had for its object the welfare of Launceston had his support. He was on one occasion a candidate for municipal honours, but although he polled well he was defeated. He had many friends, indeed there were few citizens who were not acquainted with him or appreciated his worth. Besides his brothers Mr. John Galvin, builder, and Mr. Joseph Galvin, grocer, and a large circle of friends and relations, deceased leaves a widow and family of seven to mourn their loss. The funeral of the deceased will take place on Tuesday, leaving his late residence, Wellington-street, at 3 p.m.

'OBITUARY. MR. CHARLES GALVIN", Daily Telegraph (9 October 1893), 3

http://nla.gov.au/nla.news-article153536313 

. . . Deceased was the second son of the late Mr. Bartholomew Galvin, and was a native of Cork, of which city a cousin of Mr. Charles Galvin was recently Mayor. In the early forties things were not particularly bright in Ireland; and as there were glowing accounts from Australia and Van Diemen's Land, as Tasmania was then called, Mr. Bartholomew Galvin made up his mind to emigrate, and accompanied by his wife, sister-in-law, and four sons, John, Charles, James, and Joseph, sailed in the ship Royal Saxon for this colony, and arrived during the first six months of 1848. Among the passengers by the same vessel were Major Walch (father of Messrs. Walch Brothers, of Hobart), Messrs. John Brickhill, G. Wilkins, and other well-known colonists. Mr. B. Galvin was a finished tradesman, and his elder sons, John and Charles, as they grew up to manhood so profited by his tuition that they became most valuable assistants, and rivalled the father in ability. Mr. Galvin and his two sons pursued their avocations as builders in Launceston, with the exception of a short visit to Victoria (from which they returned, as that colony was passing through a great crisis, and things were at a very low ebb), but with varying success, as matters did not brighten up in Tasmania until the end of the forties. The sturdy Corkonian and his sons, however, were undaunted, and managed to hold on where many succumbed. When the diggings broke out in Victoria in 1851, Messrs. John and Charles Galvin were seized with the gold fever, and, accompanied by a party of Launcestonians, worked with a fair amount of success on some of the famous goldfields of the sister colony. Keen-sighted Charles Galvin, however, saw there was a better Eldorado in the pursuit of their business as builders in Melbourne, which was then springing up with marvellous rapidity and attracting population from all quarters of the globe. As houses could not be found for all, and thousands had to live in tents, it may therefore be taken for granted men of the Galvin Brothers stamp were at a great premium. Straightforward in their dealings, and allowing nothing but the best of work to pass out of their hands, the Messrs. Galvin prospered greatly, notwithstanding they had to pay men 20s and 25s per day. The brothers amassed a nice little sum, and after two or three years returned to Tasmania, where they have since resided, with the exception of a sojourn of about three months in New Zealand in 1863 . . .

Deceased was a musical enthusiast, and was for many years the best amateur clarionet player in Northern Tasmania. He was connected with the Sacred Harmonic Society, Musical Union, and all the principal societies of the kind down to the last two or three years, and his services were always gratuitously and freely given. He was one of the founders of St. Joseph's Band in the forties, and was for many years one of the playing members, and at the time of his death was one of the trustees . . .

The concert which was announced to be given by St. Joseph's Band in the City Park last evening, was postponed on account of the death of Mr. Galvin, and the members have intimated that they will attend the funeral, which is to leave his late residence, Albert Place, Wellington-street, at 3 p.m. tomorrow (Tuesday).

"ST. JOSEPH'S BAND. FIFTY YEARS' HISTORY", Launceston Examiner (6 July 1895), 3

http://nla.gov.au/nla.news-article39611885

. . . St. Joseph's Band was formed in July, 1845, in connection with St. Joseph's Total Abstinence Society, and may therefore be said to be the oldest association of its character in the colonies . . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were Messrs. Charles Galvin, John McKenzie, William Mainsbridge, Andrew Skate, Arthur McIver, Francis McIver, Morgan O'Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Murphy, and Bernard Lynch . . . Mr. Joseph Galvin, one of the early members, is still an officer in the band . . .

. . . When Mr. Agnew left with his regiment for India he was succeeded by Mr. Michael Dillan, solo clarionet player of the 11th Regiment band, and after him Mr. Drum-Major Allen, who had retired from the 96th Regiment and remained at Launceston . . . Mr. Galvin was band master until Mr. John McGuire was appointed . . .

. . . In consequence of depression in the sixties the ranks were thinned sadly, several of the best players having decided to leave for other climes in search of employment. Included in the list of active members was the late Mr. T. T. Doolan, one of its most energetic and faithful adherents. He had been connected with the band for a long time and wished to see it surmount the troubles and difficulties that appeared before it. Messrs. Charles Galvin, Joseph Galvin, John McKenzie, and W. Day, three of whom were members of the original band, and Mr. A. J. Day, another enthusiast, were in the same frame of mind, and the band was saved from falling out of existence. Mr. Charles Galvin was appointed conductor, and the enthusiasts kept steadily at work. Subsequently Mr. Alexander Wallace, whose ability as a conductor is too well known to need lengthy reference, succeeded Mr. Galvin . . .

. . . Of the old members Mr. Joseph Galvin alone remains. He still takes an active interest in the progress of the band with which he was so many years identified . . .

"DEATHS", The Argus (20 March 1915), 13

http://nla.gov.au/nla.news-article1504489 

GALVIN. - On the 18th March, at his residence, South Yarra, Joseph Galvin, late of Launceston, Tasmania, aged 82 years. A colonist of 73 years. Requiescat in pace.

"ST. JOSEPH'S BAND", Examiner [Launceston, TAS] (17 May 1915), 3

http://nla.gov.au/nla.news-article50815549 

. . . It is with sorrow that we have to record the death of the late Mr. Joseph Galvin, who was a notable link in the past history of the band, he having filled the office of treasurer for over 30 years; and also the late Mr. Alf. Ray, who was a playing member of merit . . .

"The World's Oldest Band Celebrates Its Centenary", Examiner (25 August 1945), 11

http://nla.gov.au/nla.news-article91940840

. . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were: Messrs. Charles Galvin, John McKenzie, William Mainsbridge, William Robins, Andrew Skafe, Arthur McIver, Francis McIver, Morgan O'Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Leary, John Murphy, and Bernard Lynch. The first president was the late Rev. Dean Thomas Butler. Subsequently Mr. Joseph Galvin, John Galvin, Thomas J. Doolan, John L. Doolan, James Doolan, and Michael Doolan became members of the band . . .

. . . When Mr. John Agnew left with his regiment for India he was succeeded by Mr. Michael Dillon, solo clarionet player of the 11th Regiment Band, and after him Drum-Major C. W. Allen, who had retired from the 96th Regiment . . . He was succeeded by Mr. Charles Galvin, one of the founders of the institution, who always took a warm interest in its progress until the date of his death. He was the father of Mr. Bart J. Galvin, who is still the band's patron. Mr. Charles Galvin was bandmaster until Mr. John McGuire was appointed . . .


Bibliography and resources:

Photograph of St. Joseph's Band, Launceston, c. 1880; Libraries Tasmania

https://stors.tas.gov.au/AI/PH30-1-89 (DIGITSED)

Galvin Family NG2870 [Records]; Libraries Tasmania

https://trove.nla.gov.au/version/209276235 

https://stors.tas.gov.au/AI/NG2870 

The Galvin family came from Cork, Ireland. Bartholomew Galvin (1796-1881) and his wife Catherine (1799-1869), four sons John, Charles, Joseph and James, and Mr. Galvin's sister Honora Galvin, arrived in Tasmania on the 'Royal Saxon' on 21 November 1842. John and Charles established a building business in Launceston. They developed the residential area known as Galvin Town, and were involved with the erection of the Public Buildings (1858), fitting windows in the Union Bank (1865), Church of Apostles (1866), the Commercial Bank and the Town Hall. John Galvin was foreman of the sewerage works for two years, and was clerk of works during the building of an extension to the Albert Hall (1891). The Galvins attended the Church of Apostles and were founding members of St Joseph's Band. John Galvin (1824-1900) married Anne Theresa McCormick in 1862. They had eight children; two died young. Charles Galvin (1831-1893) married Mary Ann Leary in 1854 and had seven children. Charles Galvin junior (fl. 1890s-1920s) became an actor and promotional agent, and was Tasmanian President of the Theatrical Employees Association 1917-1921.




GAMBLE, Walter Mitchell (Walter Mitchell GAMBLE; W. M. GAMBLE)

Amateur vocalist, singing class instructor, school teacher, school inspector

Born Londonderry, Ireland, 9 April 1843; son of Robert GAMBLE and Mary ?
Arrived Melbourne, NSW (VIC), 16 February 1848 (per Lady Peel, aged "5")
Married Marianne BARKER (c. 1846-1927), VIC, 1865
Died Prahran, VIC, 13 May 1920, aged "77/78"

https://trove.nla.gov.au/search?l-publictag=Walter+Mitchell+Gamble+1843-1920 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GAMBLE-Walter-Mitchell (shareable link to this entry)


Documentation:

List of immigrants per ship Lady Peel arrived Melbourne, 16 February 1848; State Records Authority of NSW, series 5318, reel 2144, [4/4816]

https://www.ancestry.com.au/imageviewer/collections/1204/images/IMAUS1787_081415-0358?pId=272034 (PAYWALL)

. . . Gamble Robert / 40 / Labourer / Derry / Ch. of England // Mary / 35
Rachel / 13 // Mary / 10 // Sarah / 8 // Walter / 5

Teacher record, Walter Mitchell Gamble, from 1863; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD4CF65-F7E4-11E9-AE98-6517940DFA17?image=234 (DIGITISED)

No. 835 / Gamble, Walter Mitchell / Born 9th Apr. 1843 at Londonderry . . .

"DEATHS", The Herald (15 May 1920), 28

http://nla.gov.au/nla.news-article245594904 

GAMBLE. - On the 13th May, at his residence, 68 Charles street, Prahran, Walter Mitchell, late Inspector of Schools, Education Department; beloved husband of Marrianne; in his 7Sth year. Privately interred, 15th inst.




GARCIA, Madame (Madame GARCIA; ? pseudonym)

Theatrical dancer, ballet dancer, danseuse

Active Bendigo, VIC, 1857

https://trove.nla.gov.au/search?l-publictag=Madame+Garcia+dancer+1857 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARCIA-Madame (shareable link to this entry)


Documentation:

"REVIVAL OF THE DRAMA ON BENDIGO", Bendigo Advertiser (29 July 1857), 3

http://nla.gov.au/nla.news-article88000716 

We are in receipt of a communication from Mr. J. M. Wolfe, in which he states that he has engaged Mr. Henry Neil Warner, the great Australian tragedian, whose success at the Royal and Princess's, Melbourne, has been great; also Mdme. Garcia, the star danseuse from the Italian Opera, Berlin, and sister to the great Prima Donna, Johanna Wagner, (her first appearance in the Australian colonies); likewise Miss Emma St. Clair, Mr. Charles Heywood, and a powerful company. Mr. Warner will play "Hamlet" on the opening night, on which occasion the piece will be produced with entirely new scenery, &c. We understand that Mr. Wolfe is going to considerable expense in his attempt to produce the Legitimate Drama on the Bendigo stage, and we trust that he will receive the support which his talents and perseverance well merit. The Theatre will open on Saturday night.

ASSOCIATIONS: Henry Neil Warner (actor); Emma St. Clair (actor); Haymarket Theatre (Bendigo venue); Johanna Jachmann-Wagner (German vocalist), adopted daughter of Richard Wagner's brother Albert Wagner, who is known to have two other daughters, neither of whom could possibly have been in Australia in 1857

[Advertisement], Bendigo Advertiser (31 July 1857), 3

http://nla.gov.au/nla.news-article88000759 

HAYMARKET (LATE CRITERION) THEATRE.
Will Open for the Season on Saturday Evening, August 1st, under the management of Messrs. Wolfe and B. I. Coleman, with the Greatest Company in the Australian Colonies.
The performance will commence with Shakespeare's sublime Tragedy of HAMLET.
Hamlet, Prince of Denmark - Mr. H. N. Warner. (The Great Australian Tragedian.)
Ophelia - Miss Fanny Wernham. Osric - Miss Emma St. Clair. (Her first appearance on Bendigo.)
To conclude with Partelli's Grand Ballet D'Action, entitled -
THE SPIRIT OF NORMA. l'Ombre de Norma - By Madame Garcia.
Principal Star Danseuse, from the Italian Opera House, Berlin. Her first appearance in these Colonies . . .
The New and Splendid Scenery, painted by Mr. Charles Heywood.

ASSOCIATIONS: Barned Jullian Coleman (manager);

"HAYMARKET THEATRE", Bendigo Advertiser (4 August 1857), 3

http://nla.gov.au/nla.news-article88000846 

The performances last night at this popular place of amusement commenced with Shakspere's tragedy of "Hamlet," in which Mr. Warner fully sustained the impression made by his first impersonation of thee character. The piece was as well put on the stage as could be expected in a provincial theatre, and passed off with great eclat. At the conclusion, Madame Garcia came forward, and previous to her exhibition as a danseuse, addressed the audience, in deprecation of any judgment the public might have formed from her performances on Saturday night. During her address, she stated that Messrs, Wolfe and Coleman engaged her in Melbourne for the ballet, assuring her she would find two female and three male dancers in the company, and allowing the remains of what appeared to have once been dancing pumps, indignantly asked if the audience could expect she could display her talent in such things. After thanking the Press for not criticising her performances on Saturday, she informed the audience her engagement only commenced that evening, when they would have an opportunity of seeing and judging what Madame Garcia really was. The lady was repeatedly cheered through out her address, and at its conclusion she went through a dance, the execution of which certainly dispelled any feelings of romance or gallantry which her previous address might have aroused. At its conclusion, Mr. Wolfe came forward and read the agreement entered into between himself, Mr. Coleman, and Madame Garcia, in which he engaged her as the principal dancer of the company, at a salary of L.10 per week, but in which no mention was made of the production of the ballet. He stated her engagement began that night, and she had already received £8 in advance; and he left the public to judge, having seen the lady and her performance, as to who was the sufferer. Mr. Wolfe was repeatedly cheered, and during his address Madame Garcia again came before the footlights, but was received with disapprobation. Mr. Moore also came forward and attempted to address the audience, but the few words he said were inaudible; and amidst cries of "Speak up," Mr. Wolfe came forward and requested him to retire, which he forthwith did. The entertainment concluded with a laughable farce.

ASSOCIATIONS: Andrew Moore (violin, leader of the orchestra, also husband of Rachel Lazar Moore, vocalist, actor, dancer)

"THE HAYMARKET THEATRE", Bendigo Advertiser (6 August 1857), 3

http://nla.gov.au/nla.news-article88000896 

On Tuesday night the "Lady of Lyons" was performed at the Haymarket Theatre to a very respectable house . . . We need hardly say, although Madame Garcia was announced to give a dance between the pieces, she did not appear . . .




GARD, Mr. (Mr. GARD)

Musician, double bass player

Active Hobart, VDL (TAS), by 1849

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARD-Mr (shareable link to this entry)


Documentation:

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (18 August 1849), 4

http://nla.gov.au/nla.news-article163504659 

ROYAL AMPHITHEATRE, MURRAY STREET. OPEN FOR THE SEASON. Monday Evening, August 20.
THE COMPANY WILL CONSIST OF - Mr. AXTELLE . . . The Orchestra will, consist of Mr H. Howson, Mr A. Howson, Mr. Gard and Mr. Maguire . . .
Leader of the Orchestra, Messrs. Henry and Alfred Howson . . .
Acting and Equestrian Manager, Mr. C. Axtelle.

"COURT OF REQUESTS. SATURDAY, JULY 4TH, 1857 . . . GARD v. REEVES", The Hobart Town Advertiser (6 July 1857), 2

http://nla.gov.au/nla.news-article264646926 

Mr. Graves for plaintiff, in the absence of Mr. Brewer. The case was postponed from Thursday, owing to the absence of the defendant through alleged illness. Mr. Graves said he was instructed by Mr. Moriarty that Mrs. Reeves was still ill, and unable to attend the Court.
The Coiamissianer said he had heard that the defendant was not ill, but was about town.
Mr. Gard, the plaintiff assured his honor he saw Mrs. Reeves out yesterday.
Mr. Graves, under these circumstances declined to appear for the defendant, but at the Commissioner's request he watched the case.
The Commissioner read the plaint by which Mr. Gard, the plaintiff, sought to recover £5 for the services of a band of six persons at a ball at the Amphitheatre on the 8th June, guaranteed by the defendant.
Mr. Graves suggested that the witnesses, six in number, the whole band, in fact, should be out of Court.
The Commissioner - The "band" had better be out of Court or they might destroy the harmony (a laugh).
It appeared, however, that only two witnesses were there.
George Hewlins deposed thst Mrs. Reeves guaranteed the payment of £5 for music, to the six musicians. They commenced at half-past eight at night and finished at half-past five in the morning. The party who engaged Mr. Gard, the band would net put any faith in, they had been often taken in. The band played to the programme of the parties. Mrs. Reeves had been asked for the £5 by Mr. Gard in witnesses presence. Mrs. Reeves said she had received £4 for the band. Mr. Gard would have taken it, but Mrs. Reeves wished to have 9s for refreshments supplied to the band, which Mr. Gard refused. Mr. Levien, who engaged the band offered them £2 10s, but they would not trust him, and it was then that Mrs. Reeves became guarantee.
Cross-examined - I knew nothing of £4 having been tendered by Mr. Levien. It was Mr. Levien who got the ball up, no writing passed.
Mr. Graves submitted, that the plaintiff must be non-suited as there was no guarantee in writing.
Mr. Crisp, as amicus curiae, observed that the point was beyond doubt. By the statute of frauds, the guarantee must be writing.
Mr. Pitt and Mr Fitzgerald also expressed similar opinions.
The Commissioner said the contract was afterwards with Mrs. Reeves.
Mr. Lees as amicus curia, concurred with the Commissioner.
The Commissioner directed the cause of the action in the plaint to be altered from one of guarantee to contract.
Andre Rees, another musican gave similar evidence to Mr. Hewlins.
For the defendant, Mr. Graves examined the plaintiff, Mr. Gard, whose evidence was similar to that of the two witnesses for the plaintiff.
Mr. Graves again remarked that the evidence showed a guarantee by Mrs. Reeves, but not a contract. There was no legal consideration.
The Commissioner read the section of the Court of Requests Act, which gave him power to do sustaatial justice; under that he said he was not bound to regard the statute of frauds.
Mr. Graves could not see that there was any legal consideration on Mrs. Reeves's part.
Mr. Gard - Mrs. Reeves was the only party who got any consideration, for they were drinking Champaigne and all sorts, all night (laughter).
The Commissioner summed up the evidence with minuteness, and said it was in his opinion a case which entitled Mr. Gard to the sum he went for £5. Judgment for plaintiff.

ASSOCIATIONS: George Hewlins (musician); Andrew Reis (musician)

"COURT OF REQUESTS. TUESDAY, FEBRUUARY 4, 1858. £10 COURT . . . GARD v. POOLE", The Hobart Town Advertiser (5 February 1858), 3

http://nla.gov.au/nla.news-article264647196 

A claim by Mr. Gard, musician, against the lessee of the Theatre Royal. Defendant stated to be at Victoria by the summoning officer, Mr. Fleming, who said he served the summons at Devonshire House. Plaintiff swore that he was a musician; he played the double bass (a laugh). And Mr. Poole owed him £6 15s for three weeks salary, at £2 5s. The last time he asked the defendant for the money he said he could not afford to pay them. He had since gone to Victoria. Judgment for plaintiff.

"PLEASURE TRIP", The Tasmanian Daily News (1 March 1858), 2

http://nla.gov.au/nla.news-article199791856 

On Saturday last the Monarch steamer went on a pleasure trip to Birch's Bay. The opportunity of enjoying a pleasant day on the water was seized by about 70 holiday keepers of both sexes. The Monarch left Luttrell and Wise's wharf, at 2 p.m., and returned, at 7 1/2 p.m. The day was remarkably fine, the water smooth, and the sea breeze pleasant and invigorating. On reaching Birch's Bay the party proceeded in a body to inspect Mr. Less's steam saw-mills, in full operation, with which the visitors expressed themselves much gratified. On the return passage, dancing was the order of the day. Waltz, polka, schottische, and quadrille followed in rapid succession to the enlivening strains of Mr. Gard's band . . .




GARDINER, Mrs. (Mrs. GARDINER; Mrs. GARDNER)

Soprano vocalist (Castlemaine Philharmonic Society; Castlemaine Choral Society)

Active Castlemaine, VIC, c. 1859-69

https://trove.nla.gov.au/search?l-publictag=Mrs+Gardiner+c1859-68+Castlemaine (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Mrs (shareable link to this entry)


Documentation:

[Advertisement], Mount Alexander Mail (7 January 1859), 5

http://nla.gov.au/nla.news-article199048969 

Theatre Royal. GRAND MUSICAL FESTIVAL.
ON FRIDAY, JANUARY 7th, The Opera Company will give
A GRAND SACRED CONCERT Consisting of selections from the Sublime ORATORIOS OF
THE MESSIAH, CREATION, ELIJAH, And Rossini's STABAT MATER.
To give greater effect to the Magnificent Choruses of Handel and Haydn:
MISS WILLIAMS, MRS. VINCENT, MRS. GARDNER, MRS. FOX, MISS MORGAN
And Messrs. THORBURN, LOUGHNAN, HASLER, BUTTERWORTH, BANNISTER, NAYLOR, MORGAN, HODGSON, DANKS, Etc., Etc.,
MEMBERS OF THE Castlemaine Philharmonic Society, With other Ladies and Gentlemen, have kindly offered their services . . .
Musical Director - Mr. Linly Norman . . .

ASSOCIATIONS: Linly Norman (musical director of the visiting English Opera Company)

"CASTLEMAINE PHILHARMONIC SOCIETY", Mount Alexander Mail (25 February 1859), 4

http://nla.gov.au/nla.news-article199050292 

. . . The concert of the Society on Wednesday Evening was really admirable, and when we bear in mind that they had not the assistance of professionals - astonishing . . . The trio, "Breath soft ye winds," was sweetly rendered, and the duet, "The depths of the ocean," by Mrs. Gardiner and Mrs. Fox, received the honor of the first encore . . . In the second part, the duet, " I've wandered in dreams," by Mrs. Gardiner and Mr. Bannister, seemed to receive the palm of honor. The great feature of the evening was Locke's music from Macbeth, which was most creditably rendered, reflecting the greatest honor upon the conductor, Mr. F. Moss . . .

ASSOCIATIONS: Frederick Moss (conductor); Mrs. Fox (contralto vocalist)

"PHILHARMONIC CONCERT", Mount Alexander Mail (24 December 1860), 3

http://nla.gov.au/nla.news-article199607332 

. . . we cannot pass over without comment, the pleasing manner in which Mrs. Gardner sang "Thou did'st not leave." Clearly and sweetly each note was given, and the applause which followed almost demanded an encore . . . and we hope very soon to hear that the Philharmonic Society will repeat their performance of the "Messiah" . . .

"THE PHILHARMONIC CONCERT", Mount Alexander Mail (6 May 1861), 3

http://nla.gov.au/nla.news-article199601617 

Notwithstanding the unfavorable weather, the Concert on Thursday night was so well attended that the Theatre was comfortably filled . . . Mesdames Fox and Gardiner followed with the lively duet, "Let Music and Song," and well merited the applause they received . . . The solo "O Had I Jubal's lyre," was very neatly sung by Mrs. Gardiner, and the duet, "Come ever Smiling Liberty," by the same lady, and Mrs. Fox, was repeated at the desire of the audience . . . Kent's fine quartette, "Thine, O Lord," for soprano, alto, tenor, and bass, was warmly welcomed, and the unaccompanied trio from Elijah, by Mesdames Fatherly, Gardiner, and Fox, was so much appreciated that but for the lateness of the hour it would undoubted have gained an unanimous da capo . . .

ASSOCIATIONS: Charlotte Fatherley

"ITEMS OF NEWS", Mount Alexander Mail (1 June 1869), 2

http://nla.gov.au/nla.news-article197309478 

The new invention of paying a parting compliment by way of entertainment composed of music and readings was put upon its trial under extremely unpropitious circumstances last night, at the Mechanics' Institute . . . Rain . . . fell without intermission . . . The musical portion of the programme was supported by Mrs. Hodgson, Mrs. Gardner, Miss Beddoe, Miss Howson, Messrs. Huenerbien, Hasler, Hodgson, Nash, Coldrey, and Irwin . . .




GARDINER, Frank (Francis CHRISTIE; alias Francis CLARK; alias Francis GARDINER; Frank GARDINER)

Bushranger, song subject

Born Scotland, c. 1829/30; son of Charles CHRISTIE and Jane WHITTLE
Arrived Sydney, NSW, 17 November 1834 (per James, from London, 29 June)
Sentenced Sydney, NSW, 8 July 1864 (commuted 1874)
Departed Newcastle, NSW, August 1874 (for Hong Kong)
Died ? California, USA, ? 1882; ? 1903

http://nla.gov.au/nla.party-1462061 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Frank_Gardiner (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Frank (shareable link to this entry)


Documentation:

Report of barque, James, arrived in Port Jackson, 17 November 1834 (Immigrant Ships Transcribers Guild)

https://immigrantships.net/1800/james341117.html 

. . . Christie, Charles / 36 / Scotland / Agriculturalist
Jane / 36 / Wife // Charles / 10 // Robina / 7 // Francis / 5 // Archina / 4 // Charlotte / 12mths . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Herald [NSW] (20 November 1834), 2

http://nla.gov.au/nla.news-article12850910 

From London and the Cape of Good Hope, on Monday last, having sailed from the former port the 29th of June, and the latter the 29th of September, the ship James, 358 tons, Captain Paul, with a cargo of merchandize. Passengers, Rev. Dr. Lang, D. D. . . . Mr. Charles Christie, Agriculturist; Mrs. Jane Christie, Charles, Robina, Francis, Archina, and Charlotte Christie . . .

"ESCAPED CONVICTS", Empire [Sydney, NSW] (21 April 1851), 4

http://nla.gov.au/nla.news-article60034258 

Francis Christie, James, free, brown hair, sallow comp., hazel eyes, 5 feet 8 1/4 inches, age, 21 years.

"HORSE STEALING", The Goulburn Herald and County of Argyle Advertiser [NSW] (4 March 1854), 2

http://nla.gov.au/nla.news-article101733235 

Last week the police at Yass apprehended two young men who gave their names as Francis Clarke and Edward Prior, on suspicion of stealing sixteen head of horses which they had driven into that town for the purpose of being sold by auction. Five of the horses have Mr. David Reid's brand on them. Clark made a statement to Mr. McJennett, the Chief Constable, of the manner in which they had come in possession of the horses, which they said they had purchased from one Joseph Williams at Tuena. There is reason to believe that this account of their possession is false, as no such person as Joseph Williams is known at Tuena. Edward Prior is the son of Mr. Henry Prior of this town, and has hitherto borne an irreproachable character. Francis Clark is also of Goulburn, his real name being Gardiner.

"GOULBURN CIRCUIT COURT", The Sydney Morning Herald (21 March 1854), 4

http://nla.gov.au/nla.news-article12952267 

Francis Clarke, and Edward Prior, late of the Fish River, in the colony of New South Wales, were indicted for stealing, at the Fish River aforesaid, on the 1st July last, five horses, five mares, and five geldings, of the goods and chattels of one John Reid. Prisoners pleaded not guilty . . . His HONOR summed up, and the jury having retired for about half-an-hour, returned a verdict of guilty against Clarke, and Prior not guilty. Sentence on Clarke - to be worked on the roads, or other public works of the colony, for seven years.
Francis Clarke and Edward Prior, the two prisoners already tried for horse-stealing, were again placed at the bar, and indicted for stealing at the Fish River, on the 1st February last, one horse and one gelding, of the goods and chattels of Edward Barker. The prisoners pleaded not guilty . . . the jury having retired for half-an-hour, returned to court, with a verdict of guilty, against both prisoners. Sentence, Clarke, to be worked on the roads, for seven years, to commence at the expiration of the first seven years, already passed; and the prisoner Prior, to be imprisoned in Parramatta Gaol, with hard labour, for three years.

"CAPTURE OF FRANK GARDINER THE HIGHWAYMAN", The Sydney Morning Herald (21 March 1864), 12

http://nla.gov.au/nla.news-article30938549 

After months of fruitless and unavailing search by the police, in the neighbourhood of the haunts of Gardiner and his ruffianly gang, and sundry arrests of persons whose outward man bore some resemblance to the daring outlaw, he has at length been secured, without drop of blood being shed, and almost without struggle. For months it was rumoured, and believed by not a few, that Gardiner had naturally succeeded in leaving the colony and making his way to California. It now turns out that he contented himself with a shorter and easier flight, having, as is alleged, set out for Queensland, accompanied by his paramour . . . Acting upon information received by the Sydney police authorities, detectives McGlone and Pye and mounted trooper Wells were dispatched to Rockhampton per Balclutha, in the early part of last month, arriving here on the 11th ultimo . . .

Entrance description, Darlinghurst Gaol, 1864; State Records Authority of NSW, 2523, 4/6308

https://www.ancestry.com.au/imageviewer/collections/1783/images/32246_223276-00541?pId=140599 (PAYWALL)

Francis Christie or Gardiner or Clarke / [arrived] P.S. Colony [sic] / [native place] Argyle / Protestant / Laborer / [age] 32 / 5 ft 8 1/2 ins

"THE SYDNEY MONTHLY OVERLAND MAIL", The Sydney Morning Herald (21 May 1864), 5

http://nla.gov.au/nla.news-article13087881 

The ministerial inquiry into the charges against Gardiner for shooting troopers Hosie and Middleton, at Fish River, on the 16th July, 1861, was yesterday brought to a termination. He was fully committed for trial . . .

"CENTRAL CRIMINAL COURT. FRIDAY [8 July] . . . ATTEMPT TO MURDER", The Sydney Morning Herald (9 July 1864), 4

http://nla.gov.au/nla.news-article13102464 

BEFORE Sir Alfred Stephen, Chief Justice . . . The trial of Francis Clarke, otherwise called Francis Gardiner, otherwise called Francis Chrislie, for the wounding of William Hosie, begun yesterday, was resumed . . . His Honor then passed sentence on the prisoner, which was that for the offence of which he had just been found guilty he be kept to hard labour on the roads or other public works of the colony for the term of fifteen years, the first two years in irons. For the armed robbery of Horsington, of which prisoner had pleaded guilty, he was sentenced to ten years' imprisonment with hard labour, and for the robbery of Hewett with firearms prisoner was sentenced to seven years' imprisonment with hard labour on the roads or other public works of the colony; the second sentence to take effeet on the expiry of the first, and the third on the expiration of the second . . .

"THE GARDINER RELEASE CELEBRATION BANQUET (Abridged from the Yass Courier)", Empire (21 July 1874), 3

http://nla.gov.au/nla.news-article60990252 

ON Friday evening last a public banquet was held in the premises, in Rossi-street, Yass, lately occupied as a store by Mr. F. Leathart. The attendance was numerous and respectable. Mr. Shipway, of the Globe Hotel, provided the eatables and drinkables, and the result was equal to anything in the cold refection line ever previously turned out In Yass. The rooms were decorated for the occasion, a black banner bearing a death's head and bones occupying the space on the wall immediately above the chairman's head. The building was illuminated with Chinese lanterns, and the Yass Odd-fellows' band-discoursed sweet music at intervals throughout the evening. The chair was taken by Alderman Remmington, Alderman Sampson occupying the vice-chair. After ample justice had been done to the hospitable spread, the Chairman proposed "Her Most Gracious Majesty the Queen. May God bless her!" The toast was followed with three times three, the band playing "God Save the Queen."
The Chairman said that the next toast he had to propose was "The Governor, as the representative of the Queen." Before he formally proposed it, he would explain the reason of holding the banquet. There was no political reason nt the bottom of it; though, perhaps, the public might draw that inference from it. They were simply met in a spirit of fun and drollery to celebrate the release of their great captain, Frank Gardiner, alias Christie, alias a dozen names besides. It was on that amount that he (the Chairman) felt suoh great pleasure in proposing the health of his Excellency the Governor, who, as the representative of her Majesty in New South Wales, had gone out of his way to release unto them their noble captain and brother robber, Frank Gardiner. (Loud cheers.) By the band: "Out of the way, Old Dan Tucker" . . .
The Chairman then rose to propose the toast of the evening. He wished to submit this toast, "The health of Frank Gardiner, alias Christie, whose release we now celebrate." Their noble captain, the Illustrious chief or Australian banditti, though he held no brevet from the Horse Guards had earned for himself a more than military title by daring deeds of rapine and robbery. (Cheers.) He had set a never-to-be-forgotten example to the colonial youth - (hear; hear) - an example beyond all feeble praise of his (the speaker's) . . . (Loud cheers,) The band: "Johnny come marching home."
The Vice-Chairman next proposed "Gardiner's associates in crimes, and companions in exile." . . . By the band: "For he's a jolly good fellow."
After two or three appropriate songs had been sung, Mr. Shipway, proposed "The honourable majority who voted for the release of their brother robber." (Loud Cheers.) By the band: "The Rogue's March" . . .

[News], Empire (21 July 1874), 2

http://nla.gov.au/nla.news-article60990249 

We are informed that Frank Gardiner, alias Christie, obtained his release from Darlinghurst gaol yesterday, and proceeded to Newcastle last night, at 8 o'clock, in the steamer Dandenong. At Newcastle a passage had previously been engaged for him on board the Charlotte Andrews, which leaves for Hong Kong in a day or two.


Songs:

Frank Gardiner is caught at last (? 1864; tune: "Primrose of Ireland" [Irish Molly, O!])

"A MEDLEY OF 'POETRY'", The Albury Banner and Wodonga Express [NSW] (3 February 1866), 4

http://nla.gov.au/nla.news-article264156925 

. . . Bushrangers and bushranging have found their admirers among our poets, and to them it did not appear to matter one jot whether the subjects of their verses were what the world calls thieves and murderers. The "poet's eye in a fine frenzy rolling" looks on them in another light, and elevates them into heroes and victims and martyrs. Hear what one poet says of -

THE CHARGES AND SENTENCE OF FRANK GARDINER.
TUNE - "Primrose of Ireland."

Frank Gardiner is caught at last
And was in Sydney jail
For wounding Sergeant Middleton
And robbing Mudgee mail
For plundering of the Escort
The Carcoar mail also
T'was for gold he made so bold
And not so long ago.

His daring deeds surprised all
Throughout the Sydney Land
Upon his friends be gave a call
And quickly rais'd a band
And fortune always favor'd him
Until the time of late
When Bourke the brave O'Maley too
Met with a dreadful fate.

Young Vane has surrendered
Ben Hall's received death wound
And as for Johnny Gilbert
Near Binalong was found
Alone he was, had lost his horse
Three troopers hove in sight
He fought the three most manfully
Was slaughtered in the fight.

Day after day remanded
And guarded from the bar
Fresh charges came against him
By people from afar
They prosecute the buccaneer
The hero of the band
For bailing up and robbery
A terror in the land.

Farewell adieu to outlaw Frank
He was a poor man's friend
But the Government has secur'd him
The laws he did offend
He boldly stood his trial
And he told them in a breath
Do wha you will, you can but kill
I have no fear of death.

His trial is over
And sentence he's receiv'd
But from the cursed gallows
The highwayman is repriev'd
Two and thirty years he's doom'd
To slave for the Crown
He may damn the day, he well may say
He met with Mrs. Brown.

Tune, Primrose of Ireland, Irish Molly, O

OTHER SOURCES (1): "KING OF THE ROAD. AN OLD SONG. Composed by Pearce Colletts of the Lachlan River (SENT IN BY JACK QUINN)", Truth [Sydney, NSW] (17 September 1911), 9

http://nla.gov.au/nla.news-article168750789 

OTHER SOURCES (2): "A DARING BUSHRANGER", Border Watch [Mount Gambier, SA] (10 December 1929), 5

http://nla.gov.au/nla.news-article80131981 

MUSIC CONCORDANCE: "THE NATIVE MUSIC OF IRELAND . . . No. IV", The Dublin magazine [Ireland] (February 1842), 16-18, page after 24 (music)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA20 (DIGITISED)

https://books.google.com.au/books?id=03cAAAAAYAAJ&pg=PA168-IA29 (DIGITISED - TUNE)

ASSOCIATIONS: The 1866 article in which the earliest exemplar appears was probably written by the literary editor of The Albury Banner, Henry Alfred Brooks (d. 1867); according to Truth's 1911 informant, John Henry Quinn (1854-1930), a native of Hartley, NSW, the words of the song were "composed" by Pierce Collits (1840-1914), grandson of Pierce Collits senior (d. 1848) of Collits' Inn fame, and also born at Hartley, presumably written between mid July 1864 and late 1865; see also (words and tune) "Old Bush Songs . . . FRANK GARDINER", The bulletin (4 May 1955), 13

https://trove.nla.gov.au/work/233660747 

https://nla.gov.au/nla.obj-675153638/view?sectionId=nla.obj-692734787&partId=nla.obj-675178550#page/n12/mode/1up (DIGITISED)

. . . As sung by Mrs. I. Popplewell, Dean-lane, Darlington (N.S.W.). Tune recorded by John Meredith and Nancy Keesing in February, 1954. This tune is typical of those derived from the Irish street-ballad, and is also used by Mrs. Popplewell for "Rise Up Now, William Riley," a song which was very popular throughout the bush during the latter part of last century . . .

Well, what a mighty potherin' the folk is kickin' up (1874; tune: ? as above)

"THE END OF THE GARDINER SCRIMMAGE", The Sydney Mail and New South Wales Advertiser (4 July 1874), 27

http://nla.gov.au/nla.news-article162484370 

Well, what a mighty potherin' the folk is kickin' up,
About this Francis Gardiner, in gaol for stickin' up;
He's been locked up for nigh ten years, a'making oakum ropes,
And keepin' his high spirit down because o' pardon's hopes;
And now that pardon s granted been, and he's behaved so good,
They'd like the Queen's word to be broke, if but the Viceroy would,
And keep the man for thirty year in durance vile of pain,
For fear he'd take to robberin' and sich like ways again.
But "no, sire," says he, "sirs, ye needn't make a din,
For Parkes, I, and Government most surelie won't give in.
The man shall have a chance, sirs - prerogative I hold;
The Royal word is sacred, sirs, and mercy may be bold!" . . . [3 more 12-line verses] . . .
June 26, 1874.




GARDINER, Joseph (Joseph GARDINER; J. GARDINER; Mr. GARDINER)

Actor, comedian, comic vocalist, songwriter

Born England, c. 1824
Arrived Adelaide, SA, by 1848
Married Ann LEGG, Launceston, TAS, 23 June 1857
Died Adelaide, SA, 15 October 1905, aged 81

https://trove.nla.gov.au/search?l-publictag=Joseph+Gardiner+d1905+actor (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-478016 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Joseph (shareable link to this entry)

GARDINER, Ann (Ann LEGG; Ann GARDINER; "Mrs. GARDINER", from 1850; Mrs. Joseph GARDINER)

Actor, comedian, vocalist

Born ? England, c. 1824
Arrived Adelaide, SA, by c. 1849 (? Ann LEG, arrived 23 January 1847, per David Malcolm from London and Plymouth)
Married Joseph GARDINER, Launceston, TAS, 23 June 1857
Died Adelaide, SA, 30 December 1897, aged 73

https://trove.nla.gov.au/search?l-publictag=Ann+Gardiner+d1898+actor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Ann (shareable link to this entry)


Documentation:

? "SHIPPING INTELLIGENCE . . . ARRIVED", South Australian Register (27 January 1847), 3

http://nla.gov.au/nla.news-article48544071 

Saturday, Jan. 23 - The barque David Malcolm, 538 tons, J. W. Smith, master, from London and Plymouth. Passengers . . . Ann Leg . . .

[Advertisement], South Australian Gazette and Mining Journal (10 March 1849), 2

http://nla.gov.au/nla.news-article195937276 

NEW QUEEN'S THEATRE, LIGHT-SQUARE. Saturday, March 10, 1849, will be presented, Weber's Opera, with new Scenery, Machinery, Properties, and Original Music entitled DER FREISCHUTZ: or, the Charmed Bullet. Song - Mr. Gardiner. Dance - Madame Veilburne. To conclude with a laughable Farce, entitled LOVE AND CHARITY. j. LAZAR.

"LOCAL INTELLIGENCE", South Australian Register (9 May 1849), 2

http://nla.gov.au/nla.news-article50245007 

. . . After the piece came a Comic Song by Mr. Gardiner, descriptive of divers things which an old gentleman "does not like to see." Some of the hits were good, particularly one touching "mustachoed swells who can't post a mag," which caused the more ursine part of the audience to look queer . . .

"THEATRE", Adelaide Times (14 May 1849), 3

http://nla.gov.au/nla.news-article206980669 

. . . Mr. Gardiner can give two or three comic songs tolerably well, but his acting, especially of dignified characters, is far below mediocrity . . .

[Advertisement], South Australian Gazette and Mining Journal (24 May 1849), 2

http://nla.gov.au/nla.news-article195937739 

NEW QUEEN'S THEATRE FOR THE BENEFIT OF MR. COPPIN. - Most positively his last night. THIS EVENING, MAY 24, 1819, The entertainments will commence with the favourite Vaudeville, entitled the LOAN OF A LOVER, the original music . . . After which . . . Comic Song - Mr. Gardiner . . .

"ROYAL VICTORIA THEATRE", South Australian Gazette and Mining Journal (11 January 1850), 2

http://nla.gov.au/nla.news-article195941494 

THIS EVENING, Saturday, January 11, 1851, will be presented Buckstone's favourite drama of ISABELLE; or Woman's life. Song, Mr. Gardiner. To conclude with the Musical Extravaganza of CUPID; or Life in the Clouds . . .

"LAW AND POLICE COURTS. Friday, 1 March. LAZAR v. STEPHENS", South Australian Register (4 March 1850), 3

http://nla.gov.au/nla.news-article38437578 

. . . Philip Emanuel Crabb [deposed] . . . On the 12th of January, Mr. and Mrs. Gardiner and Mr. Elmer were members of the Company. Had not seen Mrs. Elmer play. Had seen Mr. Opie play on one occasion. He (witness) believed Messrs. Elmer and Gardiner were acting somewhere else lately. [Questioned] By Mr. Mann - It was after the 12th of January that Messrs. Elmer and Gardiner ceased to be members of Lazar's company . . .

Geelong, VIC (by 1851):

[Advertisement], Geelong Advertiser (22 March 1851), 4

http://nla.gov.au/nla.news-article91915711 

Theatre Royal, GEELONG . . . MR. GARDINER
BEGS leave most respectfully to announce to his friends and the public in general, that his
BENEFIT is appointed to take place ON MONDAY EVENING, MARCH 24, 1851,
for which occasion, anxious to bring forward a selection of entertainments in every respect worthy of that patronage and support he ventures to solicit, and in compliance with the particular request of many influential inhabitants of Geelong,
he has entered into arrangements with MR. E. G. GORDON, author of the "Hibernian Father," "Currency Lass," "Royal Master," "Love versus Law," &c., &c., &c.,
for the production of his last triumphantly successful Drama, as pet formed with the most enthusiastic applause to crowded audiences in the Queen's Theatre Royal, Melbourne, entitled
THE BOTTLE: OR THE PROGRESS TO PERDITION. Illustrative of the Celebrated Cartoons of George Cruickshank.
The Drama will be followed by
A Favorite Medley Dance - Miss Howard.
Song "Molly Bawn," - Mrs. Gardiner.
Song - Mr. Gardiner.
Song - Mr. Hart.
The whole to conclude with the highly laughable Farce, entitled
The Unfinished GENTLEMAN.
Tickets to be had at all the principal Hotels, and of Mr. Gardiner at the Royal Hotel . . .

[Advertisement], Geelong Advertiser (11 July 1851), 2

http://nla.gov.au/nla.news-article91918129 

THEATRE ROYAL. Last Night of Der Freischutz!
THIS EVENING, July 11 . . . , Duet, Mr. and Mrs. Gardiner; Dance, Miss Howard; Song, Mr. Holloway.
To conclude with DER FREISCHUTZ.

Hobart and Launceston, TAS (by May 1853):

[Advertisement], The Courier (7 May 1853), 3

http://nla.gov.au/nla.news-article2240832 

ROYAL VICTORIA THEATRE.
THE LESSEES have much pleasure in announcing . . .
the opening night is fixed for MONDAY EVENING, the 23rd inst.
The Corps Dramatique at present consists of the following Ladies and Gentlemen . . .
MRS. GARDINER, Ditto. [from the Queen's Theatre Melbourne] . . .
MR. GARDINER, Queen's Theatre, Melbourne . . .
F. B. WATSON, Acting Manager.
G. ARABIN, Stage Manager.

[Advertisement], The Courier (25 August 1853), 2

http://nla.gov.au/nla.news-article2242649

ROYAL VICTORIA THEATRE. First Night of THE MAY QUEEN . . .
GRAND MUSIGAL MELANGE . . . Song, Norah, the Pride of Kildare - MRS. GARDINER . . .
. . . Song, The tear fell gently - MRS. GARDINER . . .

MUSIC: Norah the pride of Kildare (John Parry; arr. Charles E. Horn) The tear fell gently (Braham)

[Advertisement], The Courier (1 September 1853), 2

http://nla.gov.au/nla.news-article2240583

ROYAL VICTORIA THEATRE . . . FRIDAY EVENING, 2nd September . . .
GRAND MUSICAL MELANGE . . . Song, I Love the Night - Mrs. GARDINER . . .
. . . Ballad, Kate Kearney - Mrs. GARDINER . . .

MUSIC: I love the night (Henry Russell); Kate Kearney (Alexander Lee)

[Advertisement], The Cornwall Chronicle (19 April 1854), 6

http://nla.gov.au/nla.news-article65715238 

Royal Clarence THEATRE . . . ON THURSDAY AND FRIDAY, THE Two Galley Slaves
Song - Mr. Gardiner. Song - Mrs. Gardiner. Comic Song - Mr. Black . . .

1857, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:856457; RGD37/1/16 no 612

https://stors.tas.gov.au/NI/856457 

https://stors.tas.gov.au/RGD37-1-16$init=RGD37-1-16p281 

[No.] 189 / 612 / Twenty Third June 1857 Launceston / Joseph Gardiner / full age / Bachelor . . .
Ann Legg / Full Age / Widow . . .

"MARRIED", The Cornwall Chronicle (24 June 1857), 4

http://nla.gov.au/nla.news-article65726425 

On the 23rd of June, by the Rev. R. K. Ewing, Mr. Joseph Gardiner, Comedian, to Anne Legge.

"LECTURE ON THE THEATRE", Burra Record (17 October 1890), 3

http://nla.gov.au/nla.news-article36030905 

Thirty years ago, Joseph Gardiner was a popular stock actor with Melbourne play-goers. His songs such as "Things I don't like to see" and others full of local hits were always welcome. His wife was also on the stage doing minor parts in a creditable manner. An entire change of views led Mr. Gardiner to abandon the stage after 25 years' experience of its varied life and fortunes. For about 14 years Mr. Gardiner has resided at Hindmarsh, where he has carried on a small business as a maker of furniture polish, harness, dressing, etc. Depression in trade and family afflictions have made Mr. Gardiner's late years unprosperous, hence he endeavours to turn some of his former experiences to account. Mr. Gardiner has a higher purpose in his lecture on the theatre. Knowing the dangers of such a life he desires to warn others. This he does in an amusing and pathetic way. It is not so much by tricks of oratory or charm of manner as by the plain, evident sincerity of a man who knows and feels deeply. We hope Mr. Gardiner will have a good audience and satisfactory results. He is to lecture at Kooringa next week as per advertisement in another column.

SONG: Things I don't like to see

"THE DESTITUTE ASYLUM. THE CHAPLAIN'S TEA", Evening Journal (31 December 1897), 2

http://nla.gov.au/nla.news-article207910862 

In very unfavourable circumstances the Chaplain's annual tea passed off successfully at the Destitute Asylum on Thursday. The unfavourable circumstances explain themselves when it is mentioned that the thermometer registered just on 100o in one of the wards where two old men were dying. No fewer than eight deaths have occurred during the past two days, seven of the deceased being women. Three of the inmates passed away on Wednesday and five on Thursday. The average age of the eight was seventy-five and a quarter years, and the age of the eldest ninety-six years; so that it will be seen that old age was in a measure the cause of the mortality, although in each case death was accelerated by the unprecedentedly hot weather . . . One of the women who died was Mrs. Anne Gardiner, wife of Mr. Joseph Gardiner, a well-known resident of Hindmarsh. The deceased was a colonist of 1848. Mr. Gardiner, who wrote an interesting book entitled "Twenty-five Years on the Stage, or the Life of an Australian Actor, his Experiences and Vicissitudes," and who played with the veteran George Coppin in 1848, opened a shop on the Port-road in 1876.

"DEATHS", The Express and Telegraph (1 January 1898), 4

http://nla.gov.au/nla.news-article209127650 

GARDINER. - On the 30th December, 1897, Mrs. Ann Gardiner, wife of Mr. Joseph Gardiner, in her 74th year. A colonist of 48 years.

"PERSONAL", The Advertiser [Adelaide, SA] (17 October 1905), 4

http://nla.gov.au/nla.news-article4971100 

Mr. Joseph Gardiner, who died at the Destitute Asylum on Sunday, at the age of 81 years, was a man of parts, and could easily adapt himself to circumstances. When in England he became a vocalist, and his singing brought him into prominence. Soon after his arrival in South Australia, early in 1848, he attracted the attention of Mr. George Coppin, who on one occasion asked Mr. Gardiner, "Do you act as well as sing?" The reply was, "No, I never acted a part in my life." He was, however, induced by Mr. Coppin to appear at the Old Victoria Theatre, Light-square, "for seven or eight weeks on account of a bespeak night from the Governor, Sir Henry Young." The play was "Love Laughs at Locksmiths." Subsequently Mr. Gardiner took the part of the old man in "The Statue, or Hercules, King of Clubs." Two years later he went to Victoria and appeared at the old Queen's Theatre, owned by Mr. J. T. Smith, and played Brabantio in "Othello." Actors were at a premium, owing to the discovery of gold, and with others of the theatrical profession he turned his attention for a while to delving for gold, and subsequently he went overland to Sydney, and formed a Vaudeville Expedition Company, and after a period of success he started overland to Brisbane. "But alas," he wrote afterwards, "I very soon found to my sorrow that to run four or five people, all fond of drink, was no sinecure. There was plenty of money in the venture, but the drink and through it the disappointing of the public, ruined us." He disbanded his company at Brisbane. He next appeared with the "Wizard of the North," and returned to Melbourne overland, playing as he went as "Professor Gardiner, wizard of the antipodes, comedian and illusionist." The gold fever turned his attention to the Inglewood and Lachlan diggings, and after a while he became landlord of the Cricketers Hotel at Inglewood. He returned to South Australia in 1870, and two years later went again to Victoria. In his old age Mr. Gardiner referred to the stage as "The down grade," and wrote against it. In 1875 he settled at Hindmarsh, where he was in business on the Port-road for some time. He wrote a book on "Twenty-five years on the stage, or the life of an Australian actor, his experiences and vicissitudes." A few years ago he was admitted to the Destitute Asylum, where he remained until his death.

"MUMMER MEMOIRS. IRISH COMEDIES OF THE PAST . . . (No. 194. - By 'Hayseed')", Sydney Sportsman (31 January 1912), 3

http://nla.gov.au/nla.news-article168602961 

. . . Mr. Belfield belonged to the very old school of acting, as did another Irish comedian, whose name was Gardiner. I think his name was Edward, but he was generally known as Paddy Gardiner, and was the step-father of a very capable actress and authoress, Mrs. Alfred Phillips. I saw Mr. Gardiner play once Dr. O'Toole in "The Irish Tutor." He was then very old, and shortly afterwards retired from the stage. Mr. G. V. Brooke was very friendly with the old gentleman and his dainty little wife. Mr. Belfield as a businessman was held in much esteem. He was a master tailor in business in Sydney when he retired from the stage, and at one time kept the Victoria Hotel, which adjoined the old Victoria Theatre in Pitt street. Likewise he attempted to build a theatre in Oxford-street, but failed. He was before his time in that . . .

ASSOCIATIONS: "Hayseed" = Joseph Michael Forde (memoirist); Francis Belfield (actor); Elizabeth Elsbee Phillips (actor); Gustavus Vaughan Brooke (actor)


Works:

[Joseph Gardiner], Twenty-five years on the stage: the career of an Australian actor, his experiences and vicissitudes (Adelaide: Christian Colonist Office, 1891)

https://trove.nla.gov.au/version/26222541 (DIGITISED)

[Review], "TWENTY-FIVE YEARS ON THE STAGE. BY JAMES [sic] GARDINER", Christian Colonist (23 October 1891), 8

http://nla.gov.au/nla.news-article214705477 

This is a book written by a man who was connected more or less with the stage in Australia for a quarter of a century. The story is very well told, and into it are woven a great many incidents and anecdotes illustrative of Australian life, and of men and women, formerly well known in the colonies, who have now passed away, which could be found nowhere else.

The author's career in Australia opened in Adelaide, curiously enough, in 1848, in the old Victoria Theatre, Currie Street, now serving the more useful purpose of a horse bazaar. He had no desire to pursue the histrionic profession, but was induced to make an appearance on the stage as a comic soloist. His songs made a hit and though he left the theatre and spent some time as a driver of a post-cart between Adelaide and the Port, yet he was enticed to return. After a short season here he proceeded to Melbourne, and was there when the discovery of gold at Bendigo produced such a sensation. He caught the gold fever and went to the diggings, where he had fair success. He was however discovered by a theatre manager and was prevailed on to go back to the stage. His experiences in Melbourne in the height of the gold digging excitement are full of interest. His adventures in Melbourne, Geelong, Ballarat, Sydney, Brisbane, Tasmania, and on the road between the colonies, are detailed at length, and contain tragic, exciting, and amusing incidents. He tells the story of John Hambleton of Bible wagon celebrity, had an adventure with Captain Moonlight, was stuck up by Johnston, the bushranger; was in gaol, and spent a night in the condemned cell with a murderer, who was executed next day; spent some time as assistant to Professor Anderson, the Wizard of the North, &c.

In the course of time the author, owing to a series of misfortunes, was reduced to want. Just at this juncture he providentially fell into the hands of a Christian minister, whose kindness was the means of his ultimate conversion. The book is written partly to assist the writer in his declining years, and partly to show the true nature of the theatre and the theatrical profession. Here we learn that the normal condition of the stage is jealousy and intrigue, that most actors drink, that few live to any age, most of them dying of softening of the brain. That the introduction of the French drama to the English stage has had the result of deteriorating the morals of actors and theatre-goers alike. That few young men who are drawn into the vortex of theatre-going, fail to find their way to moral and physical ruin.

The writer makes some suggestions and reflections which may prove useful to ministers and to parents and guardians of the young. We know the author, who is a worthy man, who in his old age is struggling with domestic trials and other difficulties, and we hope his book will have the success it deserves.


Bibliography and resources:

Kay Walsh and Joy Hooton (eds), Australian autobiographical narratives: an annotated bibliography (Canberra: Australian Scholarly Editions Centre ADFA and National Library of Australia, 1993-1997), 66 (no. 92)

https://nla.gov.au/nla.obj-5377803/view?partId=nla.obj-5385157#page/n73/mode/1up (DIGITISED)




GARDINER, Thomas (Thomas GARDINER; GARDNER; alias "Black Tom")

? Musician, bandsman (Adelaide Town Band; Witton's Band)

Active Adelaide, SA, 1846-50

https://trove.nla.gov.au/search?l-publictag=Thomas+Gardiner+c1846-50 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDINER-Thomas (shareable link to this entry)


Documentation:

"POLICE OFFICE. Monday, March 9", South Australian (10 March 1846), 2

http://nla.gov.au/nla.news-article71604180 

Thomas Gardiner, a man of color, was charged with loitering in Hindley-street, and not giving a satisfactory account of himself. The prisoner, who is what is termed "a sneak," was seen by P.C. Morrison, about eleven o'clock on Saturday night, in the yard of the "Royal Admiral," when the cook of that establishment, also a darkey, was discovered handing a bundle to the prisoner, which contained a quantity of meat and a new loaf. Mr. Calton, the proprietor of the "Royal Admiral," not being in attendance to prefer any charge. The Commissioner committed the prisoner for three days as a rogue and vagabond.

"SUPREME COURT. CRIMINAL SIDE . . . Wednesday, 10th June", Adelaide Observer (13 June 1846), 3

http://nla.gov.au/nla.news-article15892267 

Thomas Gardiner alias Black Tom was charged with obtaining under false pretences three loaves from Mrs. Penfold, a baker, in Hindley-street. Prisoner, on the strength of his black face, had passed himself off as the brother of a person named Lewis, also a man of colour, and a good customer of prosecutrix . . . His Honor said he had cheated the woman, and sentenced him to one month's imprisonment with hard labour.

"LAW AND POLICE COURTS, Thursday, 25th April", South Australian Register (26 April 1850), 2

http://nla.gov.au/nla.news-article38444073 

Thomas Gardiner, an American black, the late candle snuffer at the Theatre, and Mary McEnitt, prostitute, were charged with stealing £45, the property of Rhandan, a native of Calcutta, on the 23rd instant . . .

"POLICE COURT. Thursday, April 25", South Australian (26 April 1850), 3

http://nla.gov.au/nla.news-article71626131

Thomas Gardiner and Mary McEnty were charged with stealing a quantity of notes and money from Bhandam, a native Indian . . . A person named Abdallah, a Portuguese half-caste, who appeared as interpreter, said in answer to his Worship, that the Hindoo form of oath, which alone would bind the prosecutor, consisted in kissing either fire or water, the emblems of the son and the moon . . .

Philip Lee, draper, Hindley-street, had no recollection of the prosecutor's calling at his shop; the male prisoner called on Wednesday morning, just after the shop was open, and wanted a coat to perform in Mr. Witton's band, somewhere in the country; sold him one and several other things; he paid with a £10 note which witness had not with him; believed he had it at home, but as to producing it, he would do so when he got £10 for it; it was among several others, and he should not be able to swear to it . . .

James Leith Barron, barman, Light-square - Saw the male prisoner on Wednesday morning, about half past seven o'clock; he left a bundle behind the bar saying he would call for it again on his return from Norwood, where he was going to join Mr. Witton's band; he treated some persons who were in the bar, and gave a £l note . . .

ASSOCIATIONS: Henry James Witton (bandmaster)

"SUPREME COURT. Monday, May 13th, 1850", Adelaide Times (15 May 1850), 3

http://nla.gov.au/nla.news-article207116058 

Thomas Gardiner and Mary McEntee were indicted for stealing bank notes of the value of 44l., the property of Rhandan . . . The case which was an alleged robbery in a brothel, in Light-square, has been fully reported by us a few days since. The Jury without hesitation found both prisoners guilty. His Honor said the identity of the house in which the robbery was committed had not been proved, he was about to sentence both to ten years transportation, but in consequence of the failure alluded to, he should pass a term of seven years only. The prisoners were about leaving the dock, when his Honor discovered that by the verdict of the jury he was compelled to pass the severer sentence, which he did, at the same time telling the prisoners that he should recommend to the Lieutenant-Governor that the last three years of their sentence should be remitted.

"SUPREME COURT. Tuesday, 14th May", South Australian Register (15 May 1850), 2

http://nla.gov.au/nla.news-article38446442 

Thomas Gardner, a man of colour, late bill-sticker to Lazar's Theatre, and Mary McEntee a girl of ill-fame, resident in Light-square, were charged with having stolen £44 in notes and gold, the property of Rhandan, an Indian native on 24th April . . .

ASSOCIATIONS: John Lazar (theatre proprietor)




GARDNER, John (John GARDNER; Rev. John GARDNER)

Musical amateur, lecturer on music, Presbyterian clergyman (Free Church of Scotland)

Born Glasgow, Scotland, 17 April 1809; son of William GARDNER and Mary CLELLAND
Married Catherine FORREST, England, 12 February 1844
Arrived Adelaide, SA, March 1850
Died Toorak, VIC, 10 May 1899

https://trove.nla.gov.au/search?l-publictag=John+Gardner+1809-1899 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1464936 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARDNER-John (shareable link to this entry)


Documentation:

"NORTH ADELAIDE CHORAL SOCIETY", Adelaide Observer (17 November 1855), 4 supplement

http://nla.gov.au/nla.news-article158100663 

The first annual meeting of this Society was held on Monday evening in Lefevre-terrace Chapel, North Adelaide, when the Rev. Canon Woodcock presided . . . The Rev. J. Gardner then delivered an address, choosing for his subject "The cultivation of Sacred Music." He dwelt in a most eloquent manner on the beauty and majesty of sacred music, its importance in public worship, and its refining and soothing influence upon the mind. He traced in Christian worship in the earliest times the employment of simple strains of melody, the subsequent use of higher class music, harmonized to the most thrilling effects, and the universal use of sacred music in religious services in the present day. He quoted appropriately several poetical extracts; and, at the close of a very interesting address, urged the desirability of supporting and assisting the Society, insisting that it was an obligation on all to cultivate sacred music, as possessing and imparting impulses of the right kind, as leading to the existence of devotional feeling, and as exercising a judicious and almost irresistible influence on the human mind, and asserting that the taste created by it was a refining, a humanizing, and a civilizing influence. A vote of thanks, on the motion of Mr. Wright, was given to the lecturer by acclamation . . .

ASSOCIATIONS: North Adelaide Choral Society (organisation)

"LECTURE AT THE LADIES' INSTITUTION", South Australian Register (30 November 1855), 3

http://nla.gov.au/nla.news-article49296667 

On Monday evening the Rev. Mr. Gardner delivered a lecture to Mrs. Bell's pupils and friends, on the cultivation of sacred music. The subject was treated in a very interesting manner, and the lecture was listened to with much attention.

"BAPTIST CHAPEL, LEFEVRE-TERRACE, NORTH ADELAIDE", Adelaide Observer (22 December 1855), 3

http://nla.gov.au/nla.news-article158101316 

On Monday evening a meeting was held in this chapel for the purpose of raising funds for the purchase of an organ for the use of the congregation in their religious services. The Rev. J. Stonehouse occupied the chair, and the Rev. T. Gardner delivered an eloquent lecture, appropriately bearing upon the object of the meeting, on "Sacred Music." The subject was treated in the rev. gentleman's usually happy manner - so sweetly, so comprehensively, and withal so pleasingly. The illustrations given were full of beautiful musical imagery, and made their way to the interest and feeling of the audience, calling forth many a plaudit, and obtaining the deepest and most attentive hearing. The cultivation of the sacred art of music was enforced as constituting one of the most pleasing parts of religious worship, and recommended not only as a pleasure, but also a duty. Its use in the ancient Jewish worship was alluded to, and from that period to the present time the history of sacred music was traced with all its sublime effects and humanizing influences. It is impossible to give a notice of this lecture in the space at our disposal: to give detached portions, or even a description, would be to spoil one of the most beautiful addresses it was ever our fortune to listen to. At the close of the lecture a vote of thanks was given to the rev. gentleman, which he briefly acknowledged. The members of the North Adelaide Choral Society (conducted by Mr. Lillywhite) gave their assistance in the performance of a few simple pieces of sacred music, this being the occasion of opening the organ, which has recently been repaired and improved. Mr. Franklin kindly presided on the occasion . . .

ASSOCIATIONS: William Lillywhite (conductor); Mr. Franklin (organist)

"MOUNT BARKER MECHANICS' INSTITUTE", Adelaide Observer (15 March 1856), 5

http://nla.gov.au/nla.news-article161257585 

A lecture in connection with the above institution was delivered by the Rev. J. Gardner, on the evening of the 10th March. Mr. George Crutchell occupied the chair. The subject chosen was, "On the cultivation of sacred music." There were about 60 persons present, including several ladies, who all appeared much interested in the subject, and the masterly manner in which it was treated by the rev. lecturer . . .

"CONCERT OF SACRED MUSIC", South Australian Register (18 January 1856), 3

http://nla.gov.au/nla.news-article49745607 

The North Adelaide Choral Society's first quarterly concert for the year 1856 was performed on Thursday evening, at the Lefevre-terrace Chapel. There was a tolerably good attendance . . . Mr. Lillywhite acted as conductor, and Mr. Chapman as leader. Herr Kunze presided at the piano, and Mr. Light at the harmonium. The entire orchestra consisted of between thirty and forty vocal and instrumental performers. Previous to the commencement of the concert, the Chairman of the Committee addressed the audience in a neat speech, urging on hem the claims of the Society to vocal, instrumental, and pecuniary assistance. He also paid a graceful tribute to the Rev. Mr. Gardner for his admirable lecture upon the cultivation of sacred music, recently delivered in the same chapel on the occasion of the Society's anniversary . . .

ASSOCIATIONS: William Chapman (leader); Carl Julius Kunze (piano); George Thomas Light (harmonium)

"LECTURE AT QUEENSTOWN", Adelaide Observer (26 July 1856), 3

http://nla.gov.au/nla.news-article161260234 

The Rev. Mr. Gardner delivered his promised lecture on sacred music on Friday evening, in Leslie's Schoolroom, Queenstown, to a numerous and highly respectable audience. After briefly noticing the imperfect system of music in use among the ancients, he warmly descanted on the beauties of our national melodies, and their spirit-stirring effect on the minds of the people. But his object was chiefly to show the importance of sacred music as an auxiliary to devotional worship; and he expressed great regret that so little attention was directed towards the attainment of good congregational singing. He strongly recommended the cultivation of music as an art calculated to refine and ennoble the human mind; and as illustrative of the power of song the rev. gentleman recited several pieces of poetry with admirable effect. He was listened to throughout the lecture with marked attention, and, on his concluding, was rapturously applauded . . .

'NEWS OF THE DAY", Adelaide Times (10 February 1858), 2

http://nla.gov.au/nla.news-article207159221 

The first concert of the Sacred Harmonic Society was given in White's Rooms yesterday evening, and was numerously and fashionably attended. His Excellency Sir [R.] G. Macdonnell (Governor-in-Chief), and Lady Macdonnell, with their usual punctuality, entered the room precisely at 8 o'clock; shortly after which the Rev. John Gardner read a long and eloquent dissertation on the nature and utility of sacred music, which he passed under review. The various objections urged to the benefits of such societies as that just called into existence; after which, the concert commenced under the able superintendence of Messrs. Daniel and Chapman . . .

ASSOCIATIONS: Josiah Wyke Daniel (vocalist, conductor); Adelaide Sacred Harmonic Society (organisation)

"SACRED HARMONIC SOCIETY", South Australian Register (11 February 1858), 2

http://nla.gov.au/nla.news-article49777534 

The following is the inaugural address delivered by the Rev. J. Gardner, Vice-President of the above Society, at the opening concert, performed on Tuesday evening last, in White's Assembly Room: -
"I have, my friends, been requested to say a few words on the present occasion, partly by way of introducing the special business of the evening, and partly by way of recommending this and kindred Societies to your favourable notice and to that of the inhabitants of this province generally. The Society, through the instrumentality of which we have now been assembled, is one established for the express purpose of mutual improvement in the art and science of sacred music; and the concerts which from time to time shall be given are intended, not as a source of profit, but as a means of bringing under the notice of a discerning public the progress which is being made by the members of this Society, and of thereby influencing others to associate with them in the promotion of a cause so good, and in creating a taste for the beautiful, the sublime, the spirit-stirring compositions of the great master minds in the musical world. Music is one of the fine arts, and is one which, to a certain extent, all may and ought to cultivate on account of its elevating, soothing, refining, and enrapturing tendencies. Sacred music may well be represented as a handmaid to religion, and as having a decided tendency to lead such as delight in it to set a high value on all that is lofty, pure, and attractive.

Some there may be who are opposed to Societies such as this, on the supposition or belief that sacred music is of far too heavy or sombre a character to prove a source of attraction to the many; and, as they allege, they would prefer a Society in which the songs or lays of earth were permitted to have a prominent place - songs or lays relating to war, to peace, to love, or to the many endeared and endearing scenes of domestic life. In answer to such, and in vindication of the course pursued by this Society, I would say that no one familiar with the range of song, or with the fields of poesy, could or would value lightly the songs or lays of any land, appealing, as these almost invariably do, to the better feelings of our common nature, swelling the breasts of a people with deep gushing emotions, and now causing tears of joy or of grief to trickle down the checks of such as are far advanced on the journey of life, and of such as have reached only a few of the earlier stages on that journey. The cultivation, however, of sacred music does not, and cannot, destroy the taste for song - legitimate song - nor does it in the least interfere with the province of song. The provinces of sacred music and of song are quite distinct, and yet quite harmonious. They cannot fairly or justly be represented as being in opposition the one to the other. Let both, therefore, be admired and cultivated in their respective spheres, and by such as may wish to cultivate both. Let not, however, any represent sacred music as sombre or depressing, or as only fitted to weigh down the eyelids, and steep the senses in the deep forgetfulness of sleep. It is not so when sacred music can be appreciated in a scientific way, or where it can only be relished as a combination of soft, low, loud notes, or of harmonious melodious sounds. Such is not its tendency. Sacred music may subdue, overawe, arrest the soul, the mind, the heart; but it will not either necessarily or strongly urge to deep solemnity or to sleep. Sacred music does not necessarily, or even strongly, sadden or oppress the soul; nor is a grave or sober atmosphere necessarily an unpleasant or a heavy one. The parties, therefore, to whom I now refer take a wrong view or make a wrong estimate of the nature and influence of sacred music. Besides, I would have such parties to bear in remembrance that song - legitimate song - has not unfrequently the same sweetly-subduing sweetly saddening tendency. I am never merry, said the Bard of Avon, when I hear sweet music, but the sadness in either case has in it nothing of sourness, or of gloom, or of hatred.

The Society, therefore, on whose account we have this evening assembled, have chosen, and, as I think, wisely chosen, the province of sacred music exclusively, leaving the province of song, strictly so called, untouched, but by no means condemning that province or passing censure upon such as may enter that province, and who may love to linger there, soothed by its sweet and captivating lays, as by the rippling of the stream, by the hum of the bee, or by the clashing music of the wild waterfall.

Some there are who would object to a Society such as this, or to pursuits such as those in which it is your delight to engage, on other and on far different grounds. They have, or profess to have such a reverence or veneration for the very words of the Sacred Volume, that they deem it wrong to be employing those words in rehearsals, or at concerts, or otherwise. Now, with all due deference to the feelings or to the prejudices of such, I would humbly suggest to them a consideration of the matter. Without vindicating or attempting to vindicate all that may have come forth to the world in the guise of sacred music, and without vindicating or attempting to vindicate the way in which some of the noblest passages of Scripture may have been employed, I would yet contend that sacred music, from its own nature, and especially when associated with the words of Scripture, cannot be lightly or irreverently dealt with by such as engage in using it. On the part of the singers there will be in such circumstances - I had almost said naturally - a marked gravity or solemnity, otherwise the alliance between the sentiments expressed and the parties giving expression to them would be most discordant. It would be repulsive to the eye. The alliance would be as unseemly as the aspect of mirth in the sepulchres of the dead; it would be at forbidding as the sounds of revelry in the chambers of the dying or of the dead. No singer of correct taste, or imbued with proper feeling would ever sing the words of inspiration without becoming reverence; and if not at the moment under the influence of Divine truth, the words meeting the eye, uttered by the voice, and falling in sweetest tones upon the ear, may, by a higher agency, be made to touch the heart. This may be one of the many thousand ways or counteracting evil, and of giving line upon line, and precept upon precept, here a little and there a little. This it one of the numerous ways of singing the songs of Sion in a strange land, and of associating the Word of God with the warmest, the purest, the deepest emotions of the heart. I have, therefore, very great pleasure in commending the Society, with its objects and ends, to your favourable notice, and in inviting you to partake of the feast prepared for us on this interesting occasion.

"MOUNT GAMBIER [From our Correspondent] . . . April 28, 1859", South Australian Register (5 May 1858), 3

http://nla.gov.au/nla.news-article49778184 

On Friday last the Rev. John Gardner delivered a lecture on "The Cultivation of Sacred Music," in the Court-House. My pen entirely fails to describe the pleasure the audience felt in listening to the lecture . . .

"STRATHALBYN [From our Correspondent] February 27", The South Australian Advertiser (1 March 1861), 2

http://nla.gov.au/nla.news-article831030 

The annual meeting of the members of the Strathalbyn Institute was held on the 26th inst. . . . A public tea meeting in connection with the above was held in the Primitive Methodists' Chapel . . . At its conclusion the meeting adjourned to Mr. Gosling's Lodge-room . . . there being no other place in the town of sufficient size to hold a lecture in . . . The Rev. John Gardner then rose amidst great cheering, and addressed them upon "The cultivation of sacred music," at any time a glorious theme, and more so on an occasion like the present, when a clever and popular lecturer, whose heart is in the subject, endeavors, and with success, to explain what is and what should be the character and style of execution of sacred music, whether in family praise or congregational singing. Did your space permit the lecture is worthy of a place in your columns. My extracts from it would, however, be unworthy of such a composition. For two hours the lecturer rivetted the attention of an audience who thought the time too short and who regretted its conclusion . . .

"STRATHALBYN [From our Correspondent] . . . February 27", South Australian Register (1 March 1861), 3

http://nla.gov.au/nla.news-article50021823 

. . . The Chairman then introduced the Rev. John Gardner, of Adelaide, who, before commencing, stated that it had been his intention to deliver a lecture upon Herculaneum and Pompeii, but circumstances had prevented his preparing it at present; but having been requested to deliver a lecture at that meeting he had consented to do so, and, at the request of the Committee, would draw their attention to the subject of the cultivation of sacred music. The rev. lecturer also said, that though he had on two previous occasions lectured upon the same subject, the lecture of that evening had been entirely re-written. He then commenced his address, and for more than an hour completely enchained the attention of the audience, who repeatedly manifested their appreciation of his eloquence by their hearty applause . . .

[Advertisement], South Australian Register (21 May 1861), 1

http://nla.gov.au/nla.news-article50016547 

ARCHER-STREET CHAPEL, NORTH ADELAIDE. - A MUSICAL TREAT. -
On Thursday, May 23rd, a LECTURE on the Cultivation of Sacred Music will be given by the Rev. J. Gardner, when the Orchestra, consisting of about 60 persons selected from the various Choirs in Adelaide and its neighbourhood, will illustrate the subject by Singing several fine Choruses and Anthems . . .
Mr. C. H. Compton will preside at the harmonium.
Admission free. After the lecture, a Collection will be made to defray the expense incurred by the purchase of a new harmonium for the Chapel.

ASSOCIATIONS: Charles Henry Compton (organist)

"NORTH ADELAIDE WESLEYAN CHAPEL", South Australian Register (24 May 1861), 2

http://nla.gov.au/nla.news-article50016484 

On Thursday evening, the 23rd instant, a lecture was delivered in the Wesleyan Chapel, Archer-street, North Adelaide, by the Rev. John Gardner, upon "The Cultivation of Sacred Music." There was a numerous attendance, the building being nearly filled. The Hon. A. Forster occupied the chair, and stated that the object of the meeting was to defray the expenses incurred by the purchase of a harmonium, amounting to between 50l. and 60l., which sum, it was hoped, would be raised that night. He had no doubt that the audience would do their duty in that respect. He referred to the humanizing effect of music, and remarked that Mr. Gardner was engaged in a noble work in endeavouring to make people fond of it. He believed that the person who was devoid of all taste for melody was destitute of those finer feelings which constituted the charm of existence. He concluded by saying that they would doubtless be instructed by the lecture, and calling upon the orchestra to sing the anthem, "Lift up your heads." The piece was very well rendered by a powerful and efficient band of singers, selected from the various choirs in and around Adelaide.

After a psalm and prayer, Mr. Gardner proceeded to deliver his lecture. In his exordium he remarked that poetry, painting, and music occupied a high place among the fine arts. Music was the first of all, and possessed a wider range of influence than any of the others; it made its appeals at once to the senses. The sweet voice or the merry laugh of the child, the song of the milkmaid while attending to her duties, the whistling of the ploughboy, the warlike strains of a military band, the song of praise in the House of God, could not fail to arrest the minds of, and awaken most pleasurable emotions in, the hearts of all. Music, apart from all written forms, existed in the paradise of nature. What soul-enchanting sounds of melody there were in the sighing of the wind, the howling of the storm, the deep prolonged noise of the thunder, the ripple of the wave, the murmuring of the stream, the bleating of the sheep, the lowing of cattle, the hum of the bee, and the song of the bird - all of which were the common property of man as man.

From the earliest ages music had been associated with religious services, and it was well that it was so, because it lent a peculiar charm to them. It was never so elevating, so graceful, or overpowering as when acting as the handmaid of the servants of Jehovah. In the cultivation of sacred music he said there must be enthusiasm, for without it no great or marked effect would ever be produced. He condemned loud and boisterous singing in places of worship, contortions of the face, and other ludicrous habits practised by many.

He next turned to a narrower sphere in which music exercised its influence - the endearing sphere of home. How pleasant it was after the trials and anxieties of business, or after an intercourse with the cares of the world, to go home and be regaled with songs familiar from one's youth. He urged the propriety and enforced the cultivation of music, as all its impulses were in the right direction. While he admitted that it was liable to be perverted, like poetry and painting, and that a knowledge of sacred music did not constitute religion, yet it was a valuable accompaniment to the reality. In no case, however, should it be confounded for the reality, nor should it be worshipped to the exclusion of higher and nobler objects.

He went on to urge its adoption as the common property of all, from the king to the meanest subject, and he predicated that great blessings would accrue therefrom. The rev. gentleman's lecture, which was frequently applauded during its delivery, was eloquent, allegorical, and highly interesting throughout. The subject was illustrated by the singing of several anthems by the choir, including 'Unto us a Son is born," "Pope's Ode," "Worthy is the Lamb," and two Scotch domestic pieces. A collection having been made in aid of the fund mentioned, the Hallelujah Chorus was sung, and the Rev. W. Butters proposed conjointly a vote of thanks to the Hon. A. Forster for presiding, to the Rev. Mr. Gardner for his valuable lecture, and to the orchestra for their efficient services. The meeting then terminated.

[Advertisement], Adelaide Observer (6 July 1861), 8

http://nla.gov.au/nla.news-article158181778 

SMITHFIELD FREE PRESBYTERIAN CHURCH. The First of a Course of LECTURES will be delivered in the above Church on the 15th instant by the Rev. John Gardner, of Adelaide. Subject - "Sacred Music" . . .

"PORT ADELAIDE CHORAL SOCIETY", South Australian Register (22 November 1861), 3

http://nla.gov.au/nla.news-article50081875 

The members of the Port Adelaide Sacred Choral Society gave their third concert on Tuesday evening, November 19, at the Congregational Chapel, Port, when almost every seat in the building was fully occupied. The chair was taken by Mr. John Hart; and on the platform were also the Rev. Messrs. Marryat, Hodge, and Gardner. The latter gentleman gave a most interesting and instructive lecture on the "Cultivation of Sacred Music," which was read with evident satisfaction, both by the audience and the members of the Society. The programme consisted of some of the most, celebrated solos, duets, trios, anthems, and choruses by Handel, Kent, King, Dixon, Harwood, and Haydn . . . The anthem from Pope's Ode, which was introduced in the course of the lecture, and Handel's chorus, "For unto us a child is born," were also deserving of special mention . . .

ASSOCIATIONS: Port Adelaide Sacred Choral Society (organisation)

"SOUTH AUSTRALIAN INSTITUTE", The South Australian Advertiser (21 December 1861), 3

http://nla.gov.au/nla.news-article881176 

The quarterly soiree in connection with the South Australian Institute came off on Friday evening at White's Assembly Room. His Excellency the Governor presided, and there was a very large attendance of subscribers . . . He would now at once call upon their friends of the choir to commence the programme. The choir was a very powerful one, comprising the following array of amateur talent: - Mr. Dawes (Leader) and Messrs. Rowe (3), Carvosso, Brenton, (2), Cornish, Fox, Allen. Farmer, Broadbent, Wayman, Wheatley, Ball, Palmer, Taylor (2), Woods, Wright, Lecorn, Scrymgour, and Goode. Mesdames Fox and Taylor, and the Misses Pretty, Broadstraw, Herbert, Lambswood, and Taylor. They now executed in a very creditable manner, Handel's magnificent chorus, "The Earth is the Lord's." This effort was loudly applauded. At its conclusion, His Excellency introduced the lecturer of the evening.

The Rev. JOHN GARDNER, who delivered his lecture upon "The Cultivation of Sacred Music." The discourse was a very lengthy and eloquent one, and embraced many able arguments in favour of the study of this particular branch of music. It was divided into four parts, between each of which the choir performed the various pieces set down in the programme. The chief points dwelt upon by the lecturer were the necessity for the study of sacred music to enable praise to be properly conducted in the churches; the power which music generally exorcised over the minds of men; the pleasure which it never failed to afford under any circumstances; and the hallowing influence which attended it when practised in domestic circles. All these points were ably dwelt upon by the reverend lecturer. He referred, also, to occasions where the use of music was, he thought, perverted; and expressed regret that it should be so. He also referred to the study of secular music, and said that, while he should never find fault with any one for pursuing that study, yet, at the same time, in the cultivating of so enobling an art, he thought that the mind should be led to soar above earthly things, and to devote some portion of its talents and ability to the praise of heaven. Many other points wore touched upon, and several very beautiful similes were made use of by the lecturer throughout. At the conclusion of the lecture a hearty round of applause was accorded.

During the progress of the lecture the following beautiful pieces were executed by the choir: - "Worthy is the Lamb" (Messiah), Handel; "Vital spark," Harwood; " For auto us a child is born" (Messiah), Handel; "Hallelujah to the Father" (Mount of Olives), Beethoven. It would, of course, be unfair to enter into a minute criticism of the performance of an amateur choir, and therefore, in one word, we may say that the efforts of the ladies and gentlemen composing it last evening were creditable in the extreme, and the audience failed not, at the conclusion of each, to evince their appreciation by the most hearty and genuine plaudits.

. . . The choir now performed the beautiful " Hallelujah Chorus," from the Messiah, which concluded the proceedings.

ASSOCIATIONS: Richard Macdonnell (governor); Robert Daws (choir leader); Rowe brothers (vocalists); Samuel Carvosso (vocalist); Ebenezer Cornish (vocalist); Charles Scrymgour (vocalist)

"TOPICS OF THE WEEK", South Australian Weekly Chronicle (3 May 1862), 5

http://nla.gov.au/nla.news-article90258198 

On Wednesday evening a meeting, chiefly of children and young persons, was held at the Pirie-street Chapel in connection with the object of the deputation from the London and the Presbyterian Missionary Societies . . . Mr. Buzacott made a short but interesting speech, and was followed by the Rev. J. G. Paton, who spoke at great length, giving a deeply interesting and affecting account of the people of the group of islands where he was stationed. He exhibited a large number of native dresses, blankets made from the bark of trees, ornaments of shells, and various implements of war, spears and clubs of the most formidable appearance, bows and arrows of the most deadly nature, the arrows like some of the spears being tipped with sharpened human bones, dipped in poison . . . The large trumpet shells of the priests were also exhibited, and the Rev. John Gardner produced some discordant sounds from one of these, much to the amusement of the children. Mr. Paton related many anecdotes of the manners and customs of these horrid savages, of his hair-breadth escapes from their fury, and of his final deliverance from the Island of Tanna . . .

"DEPARTURE OF THE REV. JOHN GARDNER", The South Australian Advertiser (24 September 1868), 3

http://nla.gov.au/nla.news-article31982603 

. . . The Choir having sung "Denmark," The Rev. John Gardner was called upon to deliver his lecture. He stated that the lecture was a long one, but as on all occasions, and especially on that occasion, it was desirable to be brief, he should curtail it considerably; giving it, however, such continuity and connection as would be necessary. He then spoke of the vast importance of the cultivation of sacred music in the sanctuary; alluded to the grating and disagreeable effect which unharmonious psalmody had upon the minds of the worshippers in the sanctuary; deprecated loud, impetuous, or dramatic singing in the house of God, which he said could not be termed sacred music; advocated the cultivation of sacred music, because all its impulses tended to elevate man; and although music might sometimes be perverted, it would, he said, be as illogical as unphilosophical to argue the abuse of music against its legitimate ennobling and elevating purposes; described sacred music to be not the reality of the religion of Jesus Christ, but a most valuable auxiliary or aid to the reality, and, therefore, whilst urging them to cultivate sacred music, he warned them against accepting it as the reality; he argued the propriety of the cultivation of sacred music, because it was accompanied with the least expense, whilst it yielded a more ample return than any other enjoyment; because the capacity for playing or singing was one of the most portable gifts which could be carried about with them. On all the grounds he urged the cultivation of sacred music in the school, in the house, and in the church, and from the highest to the lowest in the land. He advocated the propriety, also, of cultivating sacred music not only as one of the most powerful auxiliaries to worship, but also as one of the most direct preparatives for engaging in the occupations and sharing in the joys of the upper sanctuary. The rev. lecturer resumed his seat amidst rounds of hearty applause. The Choir next sang the anthem "Poland" . . .

"THE REV. J. GARDNER", South Australian Register (13 October 1868), 5-6

http://nla.gov.au/nla.news-article41388366 

We noticed in our last Summary that the Rev. J. Gardner, of Chalmers Church, Adelaide, had accepted an urgent call from St. Andrew's Church, Launceston. He has since left South Australia for his new scene of labour, but before his departure various farewell services were held in the city, of which we subjoin particulars: . . .

[6]. . . On Wednesday evening, September 23, a valedictory tea meeting was given to the Rev. J. Gardner by the members of the Church and congregation worshipping in Chalmers Church, over whom he has presided as pastor for a period of nearly 19 years . . . A public meeting was afterwards held for the purpose of hearing a lecture from Mr. Gardner on the "Cultivation of Sacred Music," and presenting him with a testimonial. The proceedings were opened with singing and prayer . . . The choir having sung the anthem "Denmark," The Rev. J. Gardner delivered his lecture on "Sacred Music." It is no doubt familiar to many, and we shall therefore but briefly notice it.

He presumed that they were all of one mind as to the propriety of singing the praises of God, and as to the desirability of singing them well and in the most effective manner. Sacred music, he observed, if properly joined in, elevated and expanded the soul, and rendered the most efficient aid in bringing the worshippers under the harmonizing, sanctifying in fluences of the Gospel of Peace. After speaking of the fault in many Churches of boisterous and consequently inharmonious singing, which could not but be condemned by those who had the slightest pretension to musical knowledge or taste, he argued the propriety of enforcing the cultivation of sacred music on the ground that all its influences were in the right direction. It was essentially connected with the service of God and of the sanctuary, and led its votaries in the way of pleasantness, conducting them by higher agencies into the paths of peace. But it was not to be regarded as being anything more than a powerful auxiliary to religion. It most not, he said, be regarded as the reality to be worshipped - to be permitted to engross the mind to the exclusion of higher, nobler, and more enduring purposes.

He next argued the propriety of cultivating sacred music on the ground of its being accompanied by the least expense, while it yielded a most ample return, and was within the reach of all. He enforced its cultivation on the ground of its being most portable, for wherever those who properly understood it went they carried with them that which lent an additional charm in the hour of prosperity, which soothed the soul in the time of adversity, quickened the pulses of social enjoyment, and lightened the labours and toils of earth; and lastly, he argued the propriety of cultivating sacred music, as being not only one of the most powerful auxiliaries in the cause of religion, but as one of the greatest preparatives for their engaging in the occupation and sharing in the joys of the upper sanctuary . . .

"LECTURE ON MUSIC", Launceston Examiner [TAS] (29 April 1869), 3

http://nla.gov.au/nla.news-article36703471 

An efficient choir, composed of members of various choirs in town, in conjunction with that of St. Andrews', sung four pieces of sacred music during the course of the lecture, in illustration of the subject in hand. Miss Webster presided at the organ. The Chairman introduced the rev. lecturer.

The rev. gentleman expressed his pleasure in meeting the audience on such an occasion. He said poetry, painting, and music deservedly held high places amongst the fine arts. Of these music was one of the most ancient, and possessed higher attributes than many other arts. Persons generally might have no keen apprecintion of the beauty and skill manifested in paintings, sculpture, or architecture; but it was not so with music, which appealed to all hearts. All nature, animate and inanimate, was full of music - the most attractive, winning, and soothing of which was the human voice. From a very early period music had been associated with, and lent a great charm to, religious services - indeed it was never so attractive as when used as a handmaiden in the service of God. It was, he trusted, admitted by all in that assembly that the praises of God should be sung, and well sung.

He should not enter into the question as to whether instrumental music should be employed; and on the question of singing well there could he no room for difference of opinion. The praises of God should be sung with all the heart, and mind, and soul. He (the lecturer) would have all congregations trained, so as to make congregational singing more effective, and music would thus render efficient aid in the worship of God. All must have noticed the ill effects of indifferent congregational singing. Where this was the case, we must feel as if all the elements of the sacred place were discordant. While advocating the singing of the praises of God by the congregation he would, however, distinguish between trained singing and the loud, noisy singing, accompanied by contortions of the body, staring of the eyes, &c, heard in many churches. Such singing must ascend to heaven - if it reached to heaven at all - like music made sweet - not more sweet - by distance; such music could not be called sweet. - The difference between loud, noisy singing, and trained music, was as the difference between the song of one half maddened by excitement, and the plaintive song of one whose spirit had been saddened by the world's trials. Away, then, with such singing.

The lecturer, after dwelling further on the music of the sanctuary, passed on to a consideration of sacred music as suited to the endearing scenes of home, in connection with the morning and evening offering of praise, which was, he said, finely described in the poem, "The Cotter's Saturday Night," which he would read. After reading beautiful verses the rev. lecturer continued, saying that apart from both the services of the sanctuary and home scenes, the cultivation of sacred music was calculated to foster the best feelings of the heart. There was no doubt much connected with the association of ideas in music. We were soothed by singing the ballads, sacred or secular, of our youth. He had no faith in the fabled powers of music to perform miracles; but these fables proclaimed the marvellous power exercised by music on the mind of man. The lecturer gave a beau- tiful illustration of this from the works of Lord Byron.

How often, too, in listening to music - especially sacred music - were persons completely drawn by it from surrounding circumstances, and had the most powerful feelings aroused in their minds. Music which could exercise such an influence must be elevating. He would argue the propriety and enforce the obligation of the cultivation of sacred music, because all its impulses were in the right direction; though of course it might be perverted. If sacred music were introduced into scenes of revelry, it would have the effect of dissolving them. Music appealed to all classes - to the aged, whose spirits were caused to vibrate on hearing old and familiar melodies of bygone days; to the young; and to the sorrowful, whose cares it soothed. Then it was an invaluable accompaniment and a powerful auxiliary, to religion. A man without a love for music was one who ought to be watched.

He would further argue and enforce the obligation of the cultivation of sacred music, on the ground of the little expense entailed by the purchase of material, which remained valuable, and yielded no ample return of subdued and hallowed pleasure; and again on account of the power all had of using it at almost any time and in any place - to break the silence of the sanctuary, to make home joyous, or to interrupt the stillness of the solitary forest. He would say, let music become the common property of all, from the king to the peasant - in the palace and in the cottage let the morning and evening song of praise be heard. Last of all, the rev. gentleman enforced the obligation of the cultivation of sacred music as one of the most powerful auxiliaries in religion, and as a means of preparing for the services of the upper sanctuary. Like most things in the world music might be abused; but its object was to be used, and there were many things in the world to call forth songs of praise. The rev. gentleman concluded his lecture, of which the above is but an outline, amidst loud applause . . .




GARLAND, James Joseph (James Joseph GARLAND; James GARLAND)

Amatuer musician, vocalist

Born Sydney, NSW, 7 May 1844; baptised St. Philip's, Sydney, 9 June 1844; son of William GARLAND (1817-1856) and Sarah WILLIAMS (1819-1857)
Married Martha HILL (1841-1920), St. John's, Parramatta, NSW, 1866
Died Parramatta, NSW, 26 July 1903, aged "59"

https://trove.nla.gov.au/search?l-publictag=James+Joseph+Garland+1844-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARLAND-James-Joseph (shareable link to this entry)


Documentation:

Baptisms, St. Philip's, Sydney, 1844; Australia, births and baptisms

https://www.ancestry.com.au/discoveryui-content/view/698077:9776 

9 June 1844 / born 7 May 1844 / James Joseph son of / William and Sarah / Garland

"DEATHS", The Australian Star [Sydney, NSW] (27 July 1903), 4

http://nla.gov.au/nla.news-article228625496 

GARLAND. - July 26, 1903, at his late residence, Pennant-street, Parramatta, James Joseph Garland, aged 59 years. His end was peace.

"Personal", The Cumberland Argus and Fruitgrowers Advocate [Parramatta, NSW] (8 August 1903), 12

http://nla.gov.au/nla.news-article85685022 

It may not be generally known that when the late Mr. James Garland was 22 years of age, two Parramatta men offered to defray the expenses of his trip to the old country and two years' tuition and voice cultivation under the best masters. The actual offer was *pound;300, to be placed to Mr. Garland's credit to cover two years' study. A less independent man than the "old fellow" (as his close friends loved to call him) would have jumped at that offer. There was always a rugged independence about "Jim," and he always tried to instil the same grand spirit into his children. His advice to his son George was characteristic of the man.
"Stick to your forge, George, my boy, and earn the bit you eat. If you don't earn bread and meat, you must eat bread and butter; if you don't earn bread and butter, you must put up with bread and water. Whatever you do, George, keep your independence, so that you can look the whole world in the face" . . .
Mrs. E. J. Ward writes to us from Blackheath on August 1: -
"Possibly it may interest your readers to know a little of the early life of my dear and only brother (Mr. James Garland). He was born in George-street, Sydney, where his father kept a horse-shoeing and veterinary establishment. Both his father and mother (William and Sarah Garland) were natives of Parramatta, but lived in Sydney until the time of their death. Probably some of your oldest residents may remember his father's funeral, which took place in Parramatta, 47 years ago. The immense cortege, coming all the way from Sydney by road, was met at the toll-bar by large numbers of the townspeople. His mother also died within the year, and my brother is buried with them in the family burying place in St. John's church-yard. Mr. Garland was educated at Mr. Alfred Cane's Grammar School at the back of St. Andrew's Cathedral, Sydney, and his first elementary lessons in singing were received at the Sydney School of Arts. He was always fond of music, and I remember him rushing home breathless to tell us when he first learnt, "Hark, hark, the lark of heaven's gate sings." At his parents' death, the business in George-street (which was one of the best of its kind) was left in the hands of trustees for the benefit of the family until my brother was old enough to take the management. Unfortunately, this was not carried out, for the business was sold and my brother went to Parramatta, where he stayed for some time with his uncle (the late Mr. Jas. Folkes). Afterwards, he entered the employ of Mr. W. Byrnes. On leaving there he opened business for himself in Church-street, near the bridge, and afterwards removed to Pennant-street. He was ever fond of a joke, and even at the last, when leaving him on the Thursday, I said, "You see, Jim, I did stay all night." He replied, though with much difficulty, "Don't be surprised if you see me up at Blackheath again before long" - which were his last words to me. He had been staying here for a few weeks before Easter, and also stayed a month at Orange; but, alas, it was too late, for the mountain air to benefit him. He is now, we trust, enjoying the air of a far more beautiful country than any on this earth, for he died fully trusting in the Lord Jesus Christ as his own personal Saviour."

ASSOCIATIONS: Alfred Mason Cane (schoolmaster); Mechanics' School of Arts (Sydney institution)




GARMONE, Felix (Felix GARMONE; Felix GERMONE; Felix GERMAN; F. GARMONE; F. GERMONE)

Vocalist, Ethiopian serenader, minstrel

Active NSW, 1855-56; 1860; NZ, 1863-64

https://trove.nla.gov.au/search?l-publictag=Felix+Garmone+c1855-64 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARMONE-Felix (shareable link to this entry)


Documentation:

? [Advertisement], The Sydney Morning Herald (6 August 1850), 1

http://nla.gov.au/nla.news-article12920048 

ETHIOPIAN SERENADERS.
MESSRS. PELL, HANWOOD, GERMAN, and WHITE, beg respectfully to acquaint the gentry and inhabitants of Sydney that they have arrived here via New Bedford, and purpose giving a series of these popular and fashionable entertainments, the first of which will take place at the Royal Hotel on Wednesday, August 7th, when the most favourite Vocal and Instrumental Songs and Solos will be introduced.
For further particulars see bills. Tickets to be obtained at Mr. Sparke's, Royal Hotel, and Mr. Ducro's, Music Saloon, 28, Hunter-street.

"HALL THE WIZARD, AND THE SERENADERS", The Maitland Mercury (24 November 1855), 2

http://nla.gov.au/nla.news-article709064

On Tuesday and Wednesday evenings, Mr. Hall, at Mr. Hammond's, Fitzroy Hotel, West Maitland, went through a number of tricks to the satisfaction and amusement of numerous audiences. The second part of the performances consisted of songs and duetts by Messrs. Brenni and Felix Garmone, the Ethiopian serenaders. Miss Lucy Long and the Railway Galop were loudly applauded. We understand their last performance will be given at Mr. Hammond's this evening.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (24 November 1855), 3

http://nla.gov.au/nla.news-article709075 

MR. HALL, WIZARD, and Messrs. BRENNI and FELIX GARMONE,
the SABLE BROTHERS, the only true representatives of Negro Life and Character, at Mr. Hammond's, SATURDAY; at Singleton, MONDAY and TUESDAY; at Muswell Brook, WEDNESDAY and THURSDAY. See small bills.

ASSOCIATIONS: J. W. Brenni (serenader)

[Advertisement], The Sydney Morning Herald (4 February 1856), 1

http://nla.gov.au/nla.news-article12975064 

MALCOM'S ROYAL AMPHITHEATRE, York street - Immense Attraction. - Engagement of the renowned SABLE BRETHREN.
Messrs. D. Brenni, F. Harrington, and Felix Garmone. MONDAY EVENING. February 4, 1856.
Programme I. Winchester Quick Step, Band; Glee - "The Wild Racoon track," Company; Burlesque - "Away she went," D. Brenni; Refrain- "Oh, Boys, carry me along." F. Germone; Ballad - "Nancy Till," F. Harrington; Song - "The Blue-dress'd Gal," D. Brenni; Song, "I seed her at de Winder," F. Garmone; Medley and chorus - "I wish I was in ole Virginny," F. Harrington. Medley dance, by Miss Melville.
Programme II. Banjo solo - "Bells with new variations," D. Brenni; Chorus "Jump into my Canoe," Company; Song - "Camptown Races," D. Brenni; Ballad - "Mary May," F. Garmone; Extravaganza "Get up in de Morning." F. Harrington. To wind up with the original burlesque of THE HAUNTED HOUSE . . .

[Advertisement], Empire (5 February 1856), 1

http://nla.gov.au/nla.news-article60173331

MALCOM'S ROYAL AMPHITHEATRE. -
THIS EVENING, Tuesday, February 6th, the performances will commence with EQUESTRIAN FEATS;
after, which THE SABLE BRETHREN, who will appear in their original costume, and sing some of their melodies, choruses, duets, &c.
PROGRAMME.
Winchester Quick Step - Band.
Glee - "The Wild Raccoon Track." (Original) - Company
Burlesque - "Away she went." - D. Brenni
Refrain - " Oh! Boys, carry me along." - F. Germone
Ballad - "Nancy Till." - F. Harrington
Song - "The Blue Dress'd Gal." - D. Brenni
Song - "I seed her at the Winder" (first time) - F. Germone
Medley and Chorus - "I wish I was in Ole Virginny." - F. Harrington.
MEDLEY DANCE, BY MRS. MELVILLE.
To wind-up with the original Burlesque THE HAUNTED HOUSE . . .

MALCOM'S AUSTRALIAN AMPHITHEATRE. - For the BENEFIT of the SABLE BRETHREN, THIS (Thursday) EVENING the performance will commence with Feats of Equestrianism by Mr. Melville ; to be followed by the performances of the SABLE BRETHREN, who will introduce some of their favourite songs and choruses. The whole to conclude with the Laughable extravaganza of JACK ROBINSON AND HIS MONKEY. Characters by F. Harrington, F. Germone, and D. Brenni. J. MALCOM, Manager.

[Advertisement], Empire (25 August 1856), 1

http://nla.gov.au/nla.news-article64975151 

[Advertisement], The Sydney Morning Herald (25 August 1856), 1

http://nla.gov.au/nla.news-article12986292

OUR LYCEUM THEATRE, under the management of Messrs. Craven and Stephens. -
UNCLE TOM'S CABIN TO-NIGHT. Miss A. M. QUINN, Mr. J. H. VINSON,
and the whole of the powerful company with numerous auxiliaries.
On MONDAY, August 25th, the performances will commence with (first time)
an entirely new dramatic story (founded on Mrs. H. B. Stowe's popular work),
and written expressly for Miss A. M. Quinn, with new plot, scenes, situations, and characters by Frank Fowler, Esq., Member of the Literary Institute of the British Empire, &c, of
EVA, or LEAVES FROM UNCLE TOM'S CABIN.
The overture and entire music composed and arranged by M. Winterbottom;
the new and appropriate scenery painted by Mr. Guy; the panorama of New Orleans by Mr. Thomas; the [REDACTED] dances and serenades by the Ethiopian Minstrels engaged expressly to give effect to the delineation of slave life!

Leaf I - Kentucky. George Harris (a Creole slave), Mr. H. T. Craven; Drover John (a Kentuckian), Mr. Lambert; Uncle Tom, Mr. J. H. Vinson; Sam (a persistent [REDACTED]), Mr. W. H. Stephens; Squibby, Mr. Reading;
Sambo, Mr. German; Bingy, Mr. Brenny. Selby's house and plantation.
In the course of the piece - Chorus - "I'll throw myself away," Messrs. Brenny, Reading, German, &c.
Apartment in Mrs. Selby's house. Interior of Uncle Tom's cabin. Another part of Selby's plantation. Barroom of a Kentucky tavern. Rocky pass and wood. The escape.

Leaf II - The Mississippi river. Penetrate Partyside, Mr. W. H. Stephens; Eva, Miss A. M. Quinn. Saloon dock of Mississippi steamer. Deck of steamer, and grand panoramic view of Mississippi river. (Thomas.)
Chorus - "Mississippi am a berry fine boat," with banjo and tamborine accompaniment, Messrs. Brenny, Reading, and Felix German.
Deck of steamer, and panoramic view of New Orleans. (Thomas.) Chorus - "Boatman's Chaunt," Messrs. Brenny, Reading, and German.

Leaf III - New Orleans. Topsy, Mrs. H. T. Craven. Drawing-room in St. Clair;s mansion - Aunt Vermont's bedchamber - Garden at St. Claire - St. Claire's death chamber.

Leaf IV - New Orleans and its vicinity. Simon Legree (a slave owner), Mr. Drummond (from Theatre Royal, Melbourne, his first appearance). Sale room of a slave warehouse - Chorus, "Old Folks at Home."
Scene 2. Apartment at St. Clair's - Court-yard and exterior of Simon Degree's house, with whippingpost - Apartment at St. Clair's - Fall of the last leaf - Chamber and death-bed of Eva! . . .

"OUR LYCEUM", Freeman's Journal (30 August 1856), 2

http://nla.gov.au/nla.news-article115559507 

. . . The overture and music by Mr. Winterbottom, the stage scenery by Mr. Guy, the panorama of New Orleans by Mr. Thomas, the wardrobe by Miss Franks, the [REDACTED] dances and serenades by the "Ethiopian Minstrels," Messrs. Brenny, Reading, German, &c., do the Management great credit, and added not a little to the effective production of a piece, which maybe pronounced as one of the most successful that has been brought out in these colonies. At the conclusion of the performance on Monday evening, the Author was loudly called for, and bowed his thanks before the curtain, amidst enthusiastic cheering . . .

ASSOCIATIONS: James W. Reading (serenader, vocalist); Frank Fowler (dramatist, author); John Winterbottom (composer, arranger, musical director)

[Advertisement], Goulburn Herald (7 July 1860), 3

http://nla.gov.au/nla.news-article103400179 

OUR OWN MINSTRELS, Messrs. PORTER, SILVAIN, STEVENSON, and GERMONE, WILL shortly visit Collector, Bungendore, Queanbeyan, Cooma, Bombala, Nimitybelle, & en route to the Snowy River, at which place they are about to erect a theatre, and manage the professional department of the same for Mr. Sanders.

ASSOCIATIONS: Our Own Minstrels (new company); William A. Porter (minstrel); Frederick George Silvain (minstrel)

"OUR OWN MINSTRELS", Twofold Bay and Maneroo Telegraph (7 September 1860), 3

http://nla.gov.au/nla.news-article106755201

This company have been giving a series of Ethiopean Entertainments during the week in the Court-house. On Monday evening the house was not so good as we expected, but on Wednesday night it was filled to excess, rendering the temperature of the room anything but pleasant. The performance commenced with "Dinah's Wedding" by the company, followed by "Massa's in the Cold Ground," by Mr. Porter. The plaintive little melody, never fails to enlist the sympathies of an audience, and on this occasion it had the usual effect. The two songs that most affected the audience in the first part, were "The Lost Child," by Porter, and "Kiss me quick and go," by Germone. The concerted part of the former is beautifully arranged, and with the accompaniment of the Piano Melodian, is decidely affecting, and at its conclusion called forth a burst of well-merited applause. "Kiss me quick and go," was well sung by Germone, and is, in our opinion, decidedly the best comic song in their programme. In the second part the entertainment was kept up by numerous variations. The ballads "Ever of Thee," by Germone; "Do they miss me at Home," by Porter, and the duet of "Starboard Watch," by Porter and Germone, being amongst the best introduced. The Clog Hornpipe, by Silvain is undoubtedly an extraordinary performance, and the truthfulness with which he adheres to time is astonishing. It was loudly encored. The rustic piano is certainly a novel kind of instrument, being simply constructed out of a few pieces of pine stick. Mr. Porter performed several admirable tunes on this rude instrument with a perfection of execution that called forth an encore. An amusing comic duet took place between Messrs. Porter and Germone, and then, "Miss Lucy Long" (Silvain) was introduced. The make-up was excellent, the dressing good, in fact, Silvain's rendering of the negro coquette is perfection. Her flirtation with the stranger (Porter) to the evident annoyance of the accepted lover, (Germone) and the humiliation of the latter when she makes her exit with the other, was admirable. It was loudly encored, and Mr. Stint in on coming forward danced the Highland Fling. The great feature in the performance of Our Own Minstrels is, their untiring efforts to please; and as they play again on this and to-morrow night, we hope they will meet that patronage they merit. On Wednesday night some evil disposed, cowardly, and dastardly person, maliciously cut the flag belonging to these minstrels in several places. It is a pity the scoundrel was not caught in the act.

"OUR OWN MINSTRELS", Twofold Bay Telegraph [NSW] (30 October 1860), 2

http://nla.gov.au/nla.news-article106755431 

Messrs. Porter, Silvain, and Fisher, popularly known in this district as "Our own Minstrels" are about to leave this port for Launceston, on a tour through Tasmania, and probably will not be able to return before January next . . . A number of gentlemen residing in Eden gave them a complimentary entertainment last Evening.

[Advertisement], Launceston Examiner [TAS] (8 November 1860), 1

http://nla.gov.au/nla.news-article39002869 

OUR OWN MINSTRELS. MESSRS. W. A. PORTER, F. G. SILVAIN, AND F. GERMONE
Have arrived, and will give a SERIES OF CONCERTS AT THE CORNWALL ROOMS,
Commencing on MONDAY EVENING, NOV. 12TH, 1860,
Consisting of Songs, Duetts, Chorusses, Burlesques, Dances, Instrumental Solos, &c., &c. . . .

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle [Launceston, TAS] (14 November 1860), 5

http://nla.gov.au/nla.news-article65990716 

"Our Own Minstrels" met with a most enthusiastic reception on their first appearance in Launceston at the Cornwall Assembly Rooms on Monday evening last. There was a very numerous attendance on the occasion, and the Minstrels acquitted themselves to the entire satisfaction of their auditory. The commicalities of "Brodder Bones" produced roars of laughter, which were only checked by the grave and solemn airs assumed by Messieurs "Flutina" and "Banjo." "Miss Lucy Lond" did in reality, "dance to the music," and her (or his) terpsichorean feats elicited unbounded applause. The Shakesperian readings were a novelty in their way - and the rendering of "Woman's Rights" by the old dame, with the tin coal scuttle bonnet on, approximated to perfection. Altogether the performance was decidedly successful. The "Minstrels" hold a second entertainment this evening, with an entire change of programme, when, doubtless, they will receive the extensive patronage their ability entitles them to. The Company is really worthy of encouragement. The good folks of Deloraine will have an opportunity of hearing these really clever artistes on Saturday evening next, and we heartily commend them to their patronage.

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (1 December 1860), 6

http://nla.gov.au/nla.news-article65990812 

PRINCESS THEATRE, LONGFORD. OUR OWN MINSTRELS. MESSRS. W. A. PORTER, F. G. SILVAIN, V. F. GERMONE
. . . MONDAY EVENING, DEC. 3, 1860 . . .

New Zealand (1863-64):

[Advertisement], Lake Wakatip Mail [Queenstown, NZ] (9 May 1863), 1

https://paperspast.natlib.govt.nz/newspapers/LWM18630509.2.2.4 

Queenstown Advertisements, ROYAL HOTEL THEATRE. OUR OWN MINSTEELS. MESSRS. W. A. PORTER, J. HUNTER, R. HERZ, and F. GERMONE WILL GIVE ONE OF THEIR Inimitable Entertainments, COMMENCING ON Saturday Evening, May 9, Introducing a Variety of their most pleasing Songs, Duets, Trios, Choruses, Burlesques, &c. . . .

[News], Otago Daily Times [Dunedin, NZ] (21 September 1863), 4

https://paperspast.natlib.govt.nz/newspapers/ODT18630921.2.9 

Tne most marked success attended an evening entertainment held at the Commercial Hotel Laurence, got up by the school committee of management in aid of their fund, in which Mr. Harry Jackson lent his valuable services for the occasion. He gave selections from Lord Dundreary, and also sang several songs with his usual skill and ability. Messrs. Germone, Porter, Chalmers, and Wilson also assisted, and are entitled to the best thanks of the committee.

[Advertisement], Otago Daily Times [Dunedin, NZ] (30 September 1863), 6

https://paperspast.natlib.govt.nz/newspapers/ODT18630930.2.28.4 

ASSEMBLY ROOMS, PORT CHALMERS . . .
HARRY JACKSON, The Great Comedian and Burlesque Singer, from the principle Theatres in Australia . . .
supported by MR. W. PORTER, Late of the Backus Troupe, and formerly of the original Christy's Minstrels, New York.
MR. W. GERMON [sic], The Celebrated Tambourinst and Ethiopian Deliniator. Also, MR. E. SALAMON, The ne plus ultra of Pianists . . .

ASSOCIATIONS: Harry Jackson (comedian); Edward Salamon (pianist)

[Advertisement], Lake Wakatip Mail [Queenstown, NZ] (13 January 1864), 7

https://paperspast.natlib.govt.nz/newspapers/LWM18640113.2.13.2 

PORTER'S MINSTRELS - MESSRS. W. A. PORTER, F. GERMON, G. ROBINSON, AND A. WRIGHT, Will Perform at ALBERT'S FRANKTON HOTEL, DURING THE NIGHTS of the RACES, THURSDAY, FRIDAY and SATURDAY, January 14th, 15th and 16th . . .


Disambiguation:

[Advertisement], The Sydney Morning Herald (6 August 1850), 1

http://nla.gov.au/nla.news-article12920048 

ETHIOPIAN SERENADERS.
MESSRS. PELL, HANWOOD, GERMAN, and WHITE, beg respectfully to acquaint the gentry and inhabitants of Sydney that they have arrived here via New Bedford, and purpose giving a series of these popular and fashionable entertainments, the first of which will take place at the Royal Hotel on Wednesday, August 7th . . .

The unidentified members of this troupe adopted as pseudonymns surnames of a famous American troupe that toured Britain in the latter 1840s, which included a Francis Germon; for more on this see Ethiopian Serenaders 1850




GARRETT, Thomas (Thomas GARRETT; T. GARRETT)

Newspaper proprietor, journalist, politician, book and musicseller

Born Liverpool, England, 14 July 1830 (not 15 as in ADB); baptised Brunswich chapel (Wesleyan), 22 August 1830; son of John GARRETT (1805-1885) and Sarah STAFFORD (1803-1881)
Arrived Sydney, NSW, 12 November 1840 (per Argyleshire, aged "10")
Married (1) Mary Ann CREAGAN, 30 September 1856
Died Newtown, NSW, 25 November 1891

https://trove.nla.gov.au/search?l-publictag=Thomas+Garrett+1830-1891 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1463495 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GARRETT-Thomas (shareable link to this entry)


Documentation:

[Advertisement], Illawarra Mercury [Wollongong, NSW] (2 March 1860), 3

http://nla.gov.au/nla.news-article132228296 

MUSIC FOR THE MILLION. DAVIDSON'S MUSICAL MIRACLES.
JUST RECEIVED, and on Sale at the MERCURY BOOK MART: -
250 IRISH MELODIES, adapted for Violin, Flute, Accordian, or and Treble Instrument.
250 WELSH AIRS, ditto, ditto, ditto.
200 PSALMS. HYMNS, & SACRED PIECES, ditto, ditto, ditto.
84, DUETS, ditto, ditto, ditto.
100 VOLUNTARIES, PRELUDES, INTERLUDES, AND FUGUES, by Rink, Mozart, Beethoven, &c., for the ORGAN or HARMONIUM.
150 PSALMS AND HYMNS, Music and Words, arranged in Short Score, for four Voices, and adapted for the HARMONIUM or ORGAN.
150 POPULAR SONGS, Music abd Words.
120 OF TOM MOORE'S IRISH SONGS, Music and Words.
120 COMIC SONGS, Music and Words.
100 SONGS BY HENRY RUSSELL, Music and Words.
120 NEGRO SONGS, Music and Words.
100 WAR SONGS and PEACEFUL DITTIES by CHARLES DIBDIN, Music and Words.
Any of the above 2s. Each; By Post, for 2s. 4d., in Stamps.
PIANOFORTE INSTRUCTORS, (Jouze's and Czerny's), 4s.
FLUTE DITTO, (Nicholson's and Mitchison's), 2s. and 3s. 6d.
WEST'S SINGING PRECEPTOR, 3s. 6d.
ACCORDIAN and FLUTINA INSTRUCTOR, with Tunes (Coule's) 3s.; sixpence added if sent by post.
J. & T. GARRETT, Mercury Book Mart, Wollongong.

ASSOCIATIONS: Thomas Garrett was in business partnership with his father John; Geogre Henry Davidson (English music publisher)

MUSIC: 84 duets for treble instruments (Davidson);
on 100 voluntaries, preludes, interludes, and fugues, see "NEW MUSICAL PUBLICATIONS", The literary gazette [London, England] (20 November 1858), 668

https://books.google.com.au/books?id=PqlGAQAAIAAJ&pg=PA668 (DIGITISED)




GASKARTH, Alexander Adolphus (Alexander Adolphus GASKARTH; A. A. GASKARTH; A. GASKARTH; "Old GAS")

Violinist, composer, music teacher, entertainer, delineator, amateur actor, decorator, caterer

Born Holborn, London, 13 July 1826; son of Joseph GASKARTH and Harriet WATCHORN
Arrived Hobart Town, VDL (TAS), 6 January 1843 (per Tasmania, from London, 9 September)
Active Sydney, NSW, by 1851 or earlier
Arrived Brisbane, NSW (QLD), 12 September 1858 (per Clarence, from Sydney, 1 September)
Died Bundaberg, QLD, 1886

https://trove.nla.gov.au/search?l-publictag=Alexander+Adolphus+Gaskarth+1826-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASKARTH-Alexander (shareable link to this entry)


Documentation:

Births at the Endell Street, Lying-in Hospital, Holborn; register, 1819-68; UK National Archives

https://www.ancestry.com.au/interactive/2972/40612_B0152062-00055 (PAYWALL)

[No.] 35733 / [admission] Harriet Gasgarth wife of Joseph / Green Grocer / 35 / St. Pancras / [due] Mid June / [came in] 13 July / [delivered] 13 July / Boy / [baptised] 20 July Adolphus / [recommenders] Adolphus, John [i.e. John Adolphus]

England census, 1841, Lambeth church, Lambeth; UN National Archives, HO 107 / 1057 /1

https://www.ancestry.com.au/interactive/8978/SRYHO107_1055_1057-0542 (PAYWALL)

Durham Place / Harriet Gaskarth / 49 / Licensed Victualler / [Born in Surry?] N[o]
Harriet [Gaskarth] / 27 // Julia Gaskarth / 20 / Adolphus [Gaskarth] 13 / John [Gaskarth] 10 . .

Entrance register, Australia Lodge, Sydney, NSW, 1855; United Grand Lodge of England; Museum of Freemasonry

https://www.ancestry.com.au/interactive/60620/43970_ugl%5Ecf%5Ee%5E1837-00215 (PAYWALL)

[1855] Sept. 25 / Gaskarth Alexander A / 26 / [Sydney] / Draper . . .

"SHIP NEWS", Colonial Times (10 January 1843), 2

http://nla.gov.au/nla.news-article8753253 

JAN. 6. - Arrived the barque Tasmania, Jamison master, from London 9th Sept., with a general cargo. Passengers . . . Mr. Wainwright, Mr. Wainwright, jun., Mr. Jenkins, and Mr. Gaskarth.

[Advertisement], The Sydney Morning Herald (19 November 1851), 1

http://nla.gov.au/nla.news-article12932172 

269, PITT-STREET. A. GASKARTH, begs to inform the public of Sydney and its vicinity, that he has taken the Shop in Pitt street, adjoining Mr. Morgan's, the Chemist, and which, he intends opening on SATURDAY, the 22nd inst., with a choice assortment of GENERAL DRAPERY GOODS, which he has made up his mind to sell at the smallest possible profit.
Parties favouring him with a call may depend upon meeting with civility and attention; and, as he intends selling for cash only, the lowest price will be marked upon all the goods, and from which rule no deviation will be made.

"SHIPPING NEWS. ARRIVAL [Brisbane]", The Darling Downs Gazette and General Advertiser (16 September 1858), 2

http://nla.gov.au/nla.news-article75525026

September 12 - Clarence, steamer, 406 tons, Captain Bell, from Sydney, the 1st September, and Newcastle the 9th. Passengers - . . . Master Albert Wilson, Mr. Gaskarth, and 20 in the steerage.

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier (4 June 1859), 2

http://nla.gov.au/nla.news-article3717129

The Choral Society gave a second concert on Thursday evening. The attendance was not large, but sufficient to assure the performers of the interest taken in their progress . . . Mr. Gaskarth on the violin, Mr. Younger on the melodia, and Mr. Willams with the flute, produced quite an effect. The melody of these three instruments gave great pleasure, and ensured a hearty encore. These three performers varied their music and accompaniments for the pleasure of the listeners. Mr. Gaskarth, displayed a perfect acquaintance with the powers of his violin, which is certainly very unique and beautiful, being, we understand, one made after his own taste. The violin, which emitted the sweet sounds, is the smallest in bulk we have ever seen, and is a great improvement on the old fashioned shaped violins. Mr. Younger and Mr. Gaskarth, being in the habit of practising together, displayed an efficiency we were scarcely prepared for, and which agreeably surprised us . . .

ASSOCIATIONS: Brisbane Choral Society

"BRISBANE [FROM OUR CORRESPONDENT] Saturday evening, June 4th", The North Australian (7 June 1859), 4

http://nla.gov.au/nla.news-article77426589

The Choral Society gave their second concert on Thursday evening last, and charged everybody 2s. 6d. per head for admission. The performances were but a reproduction of those on the first occasion, save the excellent treat afforded by the violin of Mr. Gaskarth, the melodia of Mr. Younger, and the flute of Mr. Williams. The short notice given, the "great fact" of the charge for admission, and the confoundedly dark night, altogether caused the attendance of but a small audience. However, I don't think the chorals are a whit discouraged.

"TRADESMEN'S AND SEPARATION BALL", The Moreton Bay Courier (27 July 1869), 2

http://nla.gov.au/nla.news-article3726669 

This gathering was held list night at the immigrant's depot . . . About 150 single tickets were issued . . . The Terpsichorean programme included the best music obtainable; Mrs. Adams presided at the pianoforte. Mr. Gaskarth had prepared a new polka called "The Separation Polka," which he was to perform on his small but exquisite violin, the powers of which, in his hands, we have before had occasion to notice . . .

"MUSIC. MARYANN TO BLANCHE", The Moreton Bay Courier (3 August 1859), 3

http://nla.gov.au/nla.news-article3721711

. . . Did you ever hear Piccolomini play his whistle, or Gaskarth that little duck of a violin, or Younger his melodia, or Williams the flute? . . .

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier (27 August 1859), 2

http://nla.gov.au/nla.news-article3726481

The Choral Society gave a concert of sacred music in the School of Arts on Thursday night. The selections were from eminent masters and vocal and instrumental powers were combined. The attendance was large. Mr. Diggles presided at the harmonium, and there was a large company of lady singers. We need not particularize, as the advertisement gave the names of the selections. Mr. Gavin, on the flute, met with an encore in "He was despised and rejected of men," and the same appreciation was awarded to Mr. Gaskarth for his rendering on the violin "I know that my Redeemer liveth." The Hallelujah chorus was given in proper time . . .

[Advertisement], The Sydney Morning Herald (11 August 1860), 8

http://nla.gov.au/nla.news-article13044188

QUEENSLAND POLKA (The), just published, composed by Gaskarth. and illustrated in colours, 2s. 6d, J. R. CLARKE, 356, George-street.

Entrance register, Pioneer Lodge, Gympie, QLD, 1869; United Grand Lodge of England; Museum of Freemasonry

https://www.ancestry.com.au/interactive/60620/43970_ugl%5Ec1236%5E1395-00043 (PAYWALL)

[1869, June] 22 / Gaskarth / Alexander Adolphus / 35 [sic] / Gympie / Secretary Enterprise Machine . . .

"LOCAL NEWS", Maryborough Chronicle, Wide Bay and Burnett Advertiser (9 August 1886), 2

http://nla.gov.au/nla.news-article146762324 

The death of Mr. A. Gaskarth, which occurred at Bundaberg on 5th instant, is an event which possesses melancholy interest for very many of our colonists. "Old Gas" was, in the early days of Queensland, a recognised institution, and there are thousands of men and women in the colony who can look back to the good old days when he, whether at Brisbane, Ipswich, Dalby, or other of his numerous camping grounds, took the lead in those genial amusements which relieve the monotony of existence. Mr. Gaskarth recently returned from a southern trip to die in peace in Bundaberg at the age of sixty. Deceased was born in Middlesex, England. He was high in the mystic craft and received the last, rites due by his brother Masons.


Musical works:

The Queensland polka, composed and respectfully dedicated by permission to Lady Bowen by A. A. Gaskarth, Brisbane, Queensland, December 8th 1859 (Sydney: J. Degotardi, Lith'r, [1860])

[Page 2, at head of music:] "QUEENSLAND POLKA. Composed by A. Gackarth [sic]; Arranged for piano by S. Diggbi [Diggles]"

https://trove.nla.gov.au/version/15044183 (DIGITISED)

ASSOCIATIONS: Silvester Diggles




GASKIN, Mr. (Mr. GASKIN)

Vocalist, actor

Active Launceston, VDL (TAS), by 1847

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASKIN-Mr (shareable link to this entry)




GASSNER, Giovanni (Giovanni GASSNER; Signor GASSNER)

Bandmaster (bandmaster, band of the 50th Regiment, "Queen's Own"), conductor, composition teacher, composer, arranger

Born Naples, Italy, February 1828
Married Ellen ? (d. 1870), ? Ceylon, by c. 1860
Arrived (1) Melbourne, VIC, 2 November 1863 (with regiment per Himalaya, from Colombo, Ceylon [Sri Lanka], 10 October, en route with regiment to New Zealand)
Departed (1) Auckland, NZ, 2 March 1865 (with wife and family, per Walter Hood, for London)
Arrived NZ, 5 March 1866 (per Silver Eagle, from London)
Arrived (2) Sydney, NSW, 9 October 1866 (with regiment per Auckland, from Auckland, NZ, 1 October)
Departed Sydney, NSW, 24 March 1869 (with regiment per Himalaya, for England)
Died Paris, France, 12 March 1893

https://trove.nla.gov.au/search?l-publictag=Giovanni+Gassner+1828-1893 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GASSNER-Giovanni (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

ASSOCIATIONS: Band of the 50th Regiment


Summary:

On the 50th Regiment's second Australasian tour, Gassner and his family arrived in New Zealand with the regiment from Colombo in November 1863, via Melbourne. Gassner remained in NZ until March 1865 when he sailed again, via Sydney, for London, in order to take his wife and family back to England permanently. He then returned alone to New Zealand in March 1866.

By October 1866 the headquarters of the regiment ("The Queen's Own") with Gassner and band had relocated to Sydney.

In seeking out and arranging repertoire for his popular outdoor band recitals, Gassner fostered the talents of local composers. In New Zealand his band had played The Waikato waltz, by fellow bandmaster, Edward Bergmann of the Band of the 18th Regiment. In Sydney, he notably performed the music of several younger Sydney composers, including the former Christy's Minstrel Charles William Rayner, the pianist Alfred Anderson, and John Cash Neild junior. Rayner's music was of particular interest of Gassner, who introduced band arrangements of many of his songs, as well as several times performing his own Grand potpourri on Rayner's melodies ("comprising the Ode, Australian Belles, Southern Cross, 'Twill brighter be to-morrow").

Thereafter, Gassner claimed to have been inundated with requests from other composers to arrange and perform their music, so much so that he was forced to write the editor of the Herald in November 1867. This provoked an anonymous jibe in the next issue.

With regimental commander Waddy's support, Gassner involved himself and his band in a welter of philanthropic causes, playing at events to raise funds for, among others, St. Vincent's Hospital and the Catherine Hayes Hospital, and coaching a band made up of boys from the Destitute Children's Asylum.

Gassner reportedly composed several new works especially for local consumption. Of these only The southern beauties waltzes, survives, published by Elvy & Co. at New Year 1868. A grand march Royal procession, "composed expressly for H.R.H. the Duke of Edinburgh" was performed, but not published (1867/68). Perhaps most interesting of all, "composed expressly" for a "moonlight promenade" concert in the Domain, was his "Grand characteristic Pot-pourri", entitled The night-mare and the council of war of Don Quixote and Sancho Panza, a programmatic work with 12 numbers.

Many pre-existing works by Gassner also appear on the band lists for his band's weekly outdoor performances in the Domain and Botanical Gardens, and for their other concert appearances. These included his march Rifle Volunteers, and his overture The exiled. As well as the overture, Gassner also introduced a coro e cavatina from The exiled in Auckland in 1864, and campaign quadrilles Lanka and Katoogastotto.


Documentation:

"ROYAL HORTICULTURAL SOCIETY OF IRELAND", Saunders's News-Letter [Dublin, Ireland] (22 April 1857), 1

. . . We hope to-morrow to find room for the programme of the music to be played by the fine bands of Queen's Own, and the 4th Regiment, under the direction of Signor Gassner and Herr Koesel.

"ROYAL HORTICULTURAL SOCIETY", Dublin Daily Express (23 April 1857), 4

The following is the programme of the music which will be performed by the fine bands of the 4th end 50th regiments . . . in the Rotundo Gardens . . .
50TH REGIMENT, "QUEEN'S OWN."
Passo Doppio - Linda di Chamounix - Gassner.
Ovelture, Nabuccodonosor, Verdi.
Coro, Aria, Alfio, dischiuso un giorno, Nabuccodonosor, Verdi.
St. Petersburg Quadrilles, D'Albert.
Coro et Miserere, D'Amor, sull'ali rosce, Il Trovatore, Verdi.
Il Capito Walser, Gassner.
Scena e Duetto, Qual voce! come! tu, donna, Il Trovatore, Verdi.
Troubadour Galop, Odenwald.
Circassian Polka, D'Albert.
God save the Queen. Signor Gassner, Director.

"THE SICK POOR OF RATHMINES", Freeman's Journal [Dublin, Ireland] (9 June 1857), 2

We have but space to remind our readers that the Bazaar in behalf of the excellent Charitable Association of Ladies of Rathmines district will open this day at one o'clock in the Round Room of the Rotundo. By the kind permission of Lieutenant-Colonel Straton, C.B., the band of the 77th Regiment will perform the following attractive programme -

Charivari - Haunn.
St. Patrick's Waltz - Laurent.
Overture - Guilelmo Tell - Rossini.
Pezzi - Il Trovatori - Verdi.
Nymph of the Wave Waltz - D'Albert.
The King Pippin Polka - D'Albert.
Pezzi - Les Vipres Siciliennes - Verdi.
Conductor - Signor Cavallini.

Also by the kind permission of Lieutenant-Colonel Waddy, and the officers of the 50th Regiment (Queen's Own), their band will perform the following programme:-

Passo Doppio - I Vespri Silciliani - Gassner.
Overeure - Ines de Castro - Rossini.
Coro a Cavatina - I Lombardi - Verdi.
Ceylon Waltz - Gassner.
Coro e Miserere - Il Trovatori - Verdi.
I Vespri Sicilianaid Quadrille - Odenwald.
Circasslan Polka- D'Albert.
Condnotor - Mons. Gassner.

"SOCIETY OF ST. VINCENT DE PAUL", Freeman's Journal (17 June 1857), 2

. . . A splendid military band (the 50th regiment) will attend and perform a selection of musical pieces, of which the programme is as follows -
1. Marcia - Op. "Belisario" - Donizetti.
2. Galop - "Kilkenny" - Gassner.
3. Coro and Aria - Op. "I Lombardi" - Verdi.
4. Quadrille - "St. Petersburgh" - D'Albert.
5. Valse - "Souvenir de Glasgow" - Gassner.
6. Coro e Cavatina - op. "I Lombardi" - Verdi.
7. Galop - "Cadogan" - Odenwald.
8. Quadrilles - "Como" - D'Albert.
9. Walzer - "Cupito" - Gassner.
10. Scena e Cavatina - Op. "Attila" - Verdi.
11. Galop - "The Arrow" - Odenwald.
12. "God save the Queen."
Conductor - Signor G. Gassner . . .

"SOCIETY OF ST. VINCENT DE PAUL", Dublin Evening Post [Ireland] (18 June 1857), 3

. . . The fine band of the 50th Regiment, under the direction of Signor Gassner, was stationed in the orchestra and performed a selection of popular valses and opera music . . .

"Reviews", The musical world (14 December 1861), 787

https://books.google.com.au/books?id=eY4PAAAAYAAJ&pg=PA787 

"The Lanka Quadrilles;" "The Kandy Rifle Volunteers' March" - for the pianoforte - by G. GASSNER (Boosey and Sons).

We have volunteers, too, in Ceylon. Tant mieux. The more the merrier. If our Kandy riflemen are to be inspired to deeds of arms by the strains of military music, they can hardly do better than make their bands play the vigorous "March" of Mr. Gassner as often as possible. Both its themes are good - an elegant trio in A flat contrasting gracefully contrasting gracefully with the spirited subject upon which the March commences. The Lanka Quadrilles are as lively, tuneful, and rhythmical as could be wished.

Auckland, New Zealand, from Colombo, via Melbourne (November 1863 to September 1866):

[News], The Argus (3 November 1863), 4

http://nla.gov.au/nla.news-article5738423

Her Majesty's splendld steam transport ship Himalaya (originally the property of the P. and O. Company) arrived in Hobson's Bay early yesterday afternoon, on her voyage from Colombo to Auckland, with Her Majesty's 50th Regiment on board. The Himalaya sailed from Colombo late on the night of the 10th of October, and made the run to this port (without touching at Albany) in twenty two days . . . The ladies on board are Mrs. Waddy, Mrs. Bunbury, Mrs. Creagh, Mrs. Nowlan, and Mrs. Gassner. Mr. Gassner has charge of the band . . .

"THE NEWS OF THE DAY", The Age (6 November 1863), 5

http://nla.gov.au/nla.news-article155021401 

The cricket match arranged between an eleven of the Melbourne Club and the officers of the 50th Regiment, will take place on the Melbourne ground this afternoon, weather permitting. The band of the 50th Regiment is expected to be in attendance.

"ARRIVAL OF THE HIMALAYA WITH TROOPS", Daily Southern Cross (30 November 1863), 5

https://paperspast.natlib.govt.nz/newspapers/DSC18631130.2.25

The "Himalaya," whose wide-spread fame as one of those mighty floating machines by which Britannia "rules the waves," has anchored in New Zealand waters, and brings 800 of her bravest sons to assert her supremacy at the Antipodes . . . The ladies on board are Mrs. Waddy, Mrs. Bunbury, Mrs. Creagh, Mrs. Nowlan. and Mrs. Gassner. Mr. Gassner has charge of the band . . . [as above]

"50th BAND", Daily Southern Cross (2 January 1864), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18640102.2.12.5

The band of the 50th Regiment will perform the following pieces in the Domain this afternoon. Programme -
1. March, "Bellisle," D'Annon.
2. Overture, "Der Freischutz," Weber.
3. Quadrilles, "Lanka," Gassner.
4. Selection, "Les Diamond de La Couroune," Auber.
5. Valse, "The Waikato," Bergmann.
6. Polka, "Bruder Lustig," Basquit.
7. "God Save the Queen."

MUSIC: The Waikato waltz (Eduard Bergmann, master of the Band of the 18th regiment)

"MILITARY CONCERT", Daily Southern Cross (16 January 1864), 3

https://paperspast.natlib.govt.nz/newspapers/DSC18640116.2.12

The Band will play the following selections of music this afternoon, in the Domain: -
March - "Chiara de Rosenberg" - Ricci.
Overture - "The Exiled" - Gassner.
Quadrilles - "Off to Charleston" - D'Albert.
Coro e Cavatina - "The Exiled" - Gassner.
Valse - "Waikato" - Bergmann.
Galop - "Orpheus" - Steigmann.

[News], New Zealand Herald (8 February 1865), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18650208.2.18

The following is a copy of a letter presented to G. Gassner, Esq., Bandmaster of the A.R.V. Band, by the members of the above corps, prior to his departure for England:-

TO G. GASSNER, ESQ., BANDMASTER OF THE A.R.V.

We, the undersigned members of the Auckland Rifle Volunteer Band, are desirous of expressing our deep regret at your leaving and just at the time when we all felt that through your instructions we should become musicians, with a thorough knowledge of the rudiments and theory of music which you so kindly instructed us in. Accept then our warmest thanks for the very kind attention which you have invariably shown us, and we hope that on your return you will again be able to resume the duties. Wishing you then a pleasant voyage, and a safe return, in which we include Mrs. Gassner and family.
We remain, yours very truly,

Sergeant Thomas Gibbons, Corporal John Carter, William Lepine, Thomas Gee, Isaac Levy, John Rathbone, James Trays, Henry Carroll, Samuel Montgomery, Horace Baker, John Gaskin, William Lane, William Cherritt, E. Tremaine, W. H. Skinner, James G. Culpan, Alexander Tait, - Cooper.
Auckland. Feb. 6. 1865.

"CLEARANCES. MARCH 2", Empire (3 March 1865), 4

http://nla.gov.au/nla.news-article60566951

WALTER HOOD, ship. 918 tons, Pirro, for London. Passengers . . . Mr. and Mrs. Gassner, 3 children and servant . . .

Baptisms solemnized in the parish of Heston in the county of Middlesex in the year 1866; register, 1866-73, page 7; London Metropolitan Archives

https://www.ancestry.com.au/interactive/1558/31280_198208-00170 (PAYWALL)

No. 53 / 1866 July 15th / Blanche Ada / [daughter of] George [sic] & Ellen / Gassner / Castle Terrace, Bath Road / Band Master / Born 20th May 1865

"ARRIVAL OF THE SILVER EAGLE FROM LONDON", Daily Southern Cross (5 March 1866), 4

https://paperspast.natlib.govt.nz/newspapers/DSC18660305.2.6

The splendid clipper ship Silver Eagle, 1,000 tons, Captain John Ross, from London, arrived last night about 11 o'clock, after a splendid passage of 85 days; and brings a cargo of general merchandise and 73 passengers. She left Gravesend on the 3rd December, the Downs on the 4th . . . Passengers. Cabin: Ensigns Onslow and Ward, 12th Regiment; Mr. Gassner (bandmaster), 50th Regiment . . .

Sydney, NSW (October 1866 to March 1869):

[Advertisement], The Sydney Morning Herald (13 October 1866), 12

http://nla.gov.au/nla.news-article28610095 

GRAND CONCERT . . . Mr. W. STANLEY bas much pleasure in informing the ladies and gentlemen of Sydney and its vicinity, that by kind permission of Colonel WADDY, C.B., the fine band of the 50th Regiment will attend at his CONCERT, on MONDAY EVENING next, 15th October, at the Masonic Hall, and play two favourite overtures, under the direction of their master - Mr. GASSNER.
PROGRAMME. PART I. Overture (Der Freyschutz) - Weber - BAND 50TH REGIMENT . . .
PART II. Overture (Masaniello) - Auber - 50TH BAND . . .

[Advertisement], Empire (9 February 1867), 1

http://nla.gov.au/nla.news-article60836237

PRINCE OF WALES OPERA HOUSE. GRAND COMPLIMENTARY FAREWELL BENEFIT.
AND PRESENTATION of TESTIMONIAL TO MR. W. S. LYSTER, Previous to his Retirement from the Management of Opera in Australia . . .
PROGRAMME: TUESDAY EVENING, February 12th, 1867.
The performance will commence with pot pourri of airs from L'AFRICAINE,
arranged for the Band of the 50th Regiment, and conducted by Mr. G. GASSNER,
After which the celebrated 4th act of Meyerbeer's Grand Opera L'AFRICAINE . . .
After which the celebrated SOLDIER'S CHORUS, From Ch. Gounod's Grand Opera FAUST,
In which the Band of the 50th Regiment will perform . . .

For a recollection of the band's appearance on stage in Lyster's Faust, see: "The Critic. DRAMATIC AND MUSICAL (FROM THE TOWN AND COUNTRY JOURNAL)", Evening News (5 July 1879), 6

http://nla.gov.au/nla.news-article107164251 

. . . Many of us recollect the old "Soldiers' Chorus" (under Mr. Lyster) when we had Signor Gassner's splendid band of the 50th marching on to the scene and playing their martial music to the accompanying chorus, and the "vivats" of the crowd on the stage and in the auditorium . . .

[Advertisement], Empire (15 February 1867), 1

http://nla.gov.au/nla.news-article60836469 

PRINCE OF WALES OPERA HOUSE . . . THIS (FRIDAY) EVENING, February l5th, 1867. BENEFIT OF Madame LUCY ESCOTT . . .
The performance will commence with Donizetti's Grand Opera, LUCREZIA BORGIA . . .
After which the Band of H.M. 50th Regiment (by the kind permission of Colonel Waddy, C.B.) will perform selections from Rossini's Grand Opera
WILLIAM TELL, With the celebrated Ranz de Vache echo, Horn quartette and Band in the distance.
Conductor - Mr. Gassner . . .

"MUSIC", Empire (2 May 1867), 4

http://nla.gov.au/nla.news-article60839584 

The band of the 50th Queen's Own will play the following selection of music in the gardens, at 4 o'clock this afternoon, weather permitting: - March, "Rifle Volunteer," Gassner; overture, "Der Freischutz," Weber; selection, "Crespino-e-la-bomara," Ricci; valse, "Kathleen Mavourneen," D'Albert; selection, "l'Africaine," Meyerbeer; galop, "Challenger," A. Anderson. God Save the Queen.

MUSIC: The Challenger galop (Alfred Anderson)

"THE 50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (13 June 1867), 4

http://nla.gov.au/nla.news-article28611324 

The above band will perform in the Domain at 3 o'clock, this day, weather permitting. We' append the programme - 1. March, "Volunteers," Gassner; 2. Overture - "La Semiramide," Rossini; 3. Selection - "La Gazza Ladra," Rossini; 4. Valse - "Night Breeze," Gassner; 6. Selection - "Faust," Gounod; 6. Galop - "Ki Ko," Gassner. God Save the Queen.

"THE PRINCE OF WALES THEATRE", The Sydney Morning Herald (10 August 1867), 6

http://nla.gov.au/nla.news-article13162275 

. . . Last evening the performance was for the benefit of the widows and orphans of those drowned at the Heads on the 29th ultimo, and, as might be expected, such a benevolent object attracted a large audience, including the Naval Brigades under the command of Captain Hixson, and the whole of Volunteer Fire Company No 2 . . . The Band of the 50th, by the kind permission of Colonel Waddy, attended, and under the able direction of Mr. Gassner, added largely to the evening's amusement by their performance of selections from the opera of Semiramide, the Paul-y-Tool-y technic Waltzes, and a new composition by Mr. C. W. Rayner, of this city, entitled, "Australia's Welcome to Prince Alfred." Apart from the occasion for which it has been composed, the author may be complimented on the success which attended its first public performance as testified by the plaudits of the audience. The Welcome is new and sparkling, and has all the elements of popularity . . .

MUSIC: Paul-y-Toole-y-Technic waltzes (Gassner); following the quadrille of the same name by Charles Coote (1809-1880), probably likewise based on popular songs sung c. 1864-66, by London entertainers, John Lawrence Toole and Paul Bedford (a word play on their own names and "Polytechnic" Institution)

MUSIC: Australia's welcome to Prince Alfred (C. W. Rayner)

"50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (22 August 1867), 4

http://nla.gov.au/nla.news-article13159792

The (Queen's Own) band will play the following selections of music in the Domain, this afternoon, at 4 o'clock (weather permitting). 1. March, "Rifle Volunteers," Gassner, 2. Overture, "The Exiled," Gassner; 3. Selection, "Linda di Chamounix," Donizetti; 4. Valse, "Margherita," Godfrey; 5. Selection, " Nabucodonosor," Verdi; 6. Ode, "Australia's Welcome to Prince Alfred," C. W. Rayner. God save the Queen.

"A ROYAL ACADEMY OF MUSIC FOR NEW SOUTH WALES. To the Editor of . . .", The Sydney Morning Herald (24 August 1867), 5

http://nla.gov.au/nla.news-article13154897 

SIR - I have often considered the desirability of drawing public attention to the advisability of establishing in Sydney an Academy of Music similar for all purposes to that in England, and as there are now in this city such talent as Horsley, Hill, Cordner, Schmidt, Callen, Gassner, Beaumont, Anderson, Rea, Madame Bushelle, Mrs. Cordner, and a host of others whose names do not at present occur to me, who could make a good start, perhaps by noticing the matter in your journal some steps will be taken for the immediate establishment of such a beneficial institution. I feel certain that the Academy will receive immense support such support, at all events, as would give it a permanent standing in the colony.
Yours very truly,
DEMISEMIQUAVER.

"THE 50TH (QUEEN'S OWN) BAND", The Sydney Morning Herald (12 September 1867), 4

http://nla.gov.au/nla.news-article28607514

The above band will give their usual performance in the Domain, at 4 o'clock this afternoon (weather permitting). The following is the programme: - 1. March, "South Sydney Volunteer Rifles," W. Stanley; 2. Overture, "Il Barbiere," Rossini; 3. Selection, "Martha," Flotow; 4. Valse, "Night Breeze," Gassner; 5. Selection, "Robert le Diable" Meyerbeer; 6. Galop, "The Fighting Cock and the Cackling Hens," Gassner. God save the Queen.

MUSIC: The NSW Volunteer Rifles quick march (William Stanley)

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (31 October 1867), 4

http://nla.gov.au/nla.news-article13161846 

The above band will give their weekly performance in the Botanic Gardens this afternoon, commencing at 5 o'clock. We append the programme: - 1. Grand Coronation March, "Le Prophete," Meyerbeer; 2. Overture, "La Gazza Ladra," Rossini; 3. Ode, "Australia's Welcome to Prince Alfred," Rayner; 4. Selection, "Don Carlos," Verdi; 5, Valse, "The White and Red Rose," Gassner; 6. Schottische, "The Duke of Edinburgh," Miss A. Jones; God save the Queen.

MUSIC: The Duke of Edinburgh schottische (By "A lady amateur" = Miss A. Jones)

"To the Editor of . . .", The Sydney Morning Herald (20 November 1867), 5

http://nla.gov.au/nla.news-article13161689

SIR - Will you have the goodness to allow me a small space for a reply to a host of professional musicians and amateurs who have and are daily favouring me with their compositions, some of which contain a certain amount of sense, while others contain nonsense, and some are concocted of the greatest pack of trash I have seen on paper.

My object in writing to you is not to give a criticism on the music received, but simply to inform my correspondents that the number of musical compositions and letters - requesting me to arrange the same for military band - is so great, that I am almost bewildered with them, and that I have no time to attend to them or answer the letters.

It will suffice I have no doubt - and, indeed, it will cause my correspondents to be more merciful in future - when I tell them that to score the whole of the music I have received for the Military Band, it would involve a penalty of close confinement to my room at hard labour for six months at least.

GASSNER.
Victoria Barracks. November 19.

"To the Editor of . . .", The Sydney Morning Herald (21 November 1867), 5

http://nla.gov.au/nla.news-article13152924

SIR - Gassner the First has issued a ukase to the effect that he will not score any more music for the present, and inhibits further composition. The ukase, published in your issue of yesterday, is very severe on some of the unfortunate composers of the city; this musical monarch is graciously pleased to ignore Horsley, Ellard, Loder, Marsh, Stanley, &c, for the sublime works of Rayner, Anderson, and Neild. Shade of "Uncle Ned" and all good [REDACTED]s hover around the music stand of the Imperial Gassner - that is if you have his permission. Joking apart, the letter to which I allude is most insulting to all the members of the musical profession here, with the exception of the coterie whose compositions M. Gassner is continually putting before the public, to the exclusion of good music.
I am, yours obediently,
CAESAR.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (21 November 1867), 4

http://nla.gov.au/nla.news-article13152937

The above band will give their weekly performance, in the Botanical Gardens, at 5 o'clock this afternoon. The following is the programme: 1. March, "The Mabel," Gassner; 2. Overture, "Zampa," [Herold]; 3. Potpourri on Rayner's melodies, comprising the "Ode," "Australian Belles," "Southern Cross," "'Twill brighter be to-morrow," Gassner; 4. Serio-comic Valse, "Paul-y-Toole-y-technic," Gassner; 5. Selection, "Don Carlos," Verdi; 6. Quadrille, "The Royal Visit," A. Anderson; "God Save the Queen."

MUSIC: Potpourri on Rayner's melodies, including The southern cross, "Ode" = Australia's welcome to prince Alfred

MUSIC: The royal visit quadrilles (Alfred Anderson)

"NEW MUSIC", The Sydney Morning Herald (23 November 1867), 4

http://nla.gov.au/nla.news-article13157300 

The visit of His Royal Highness the Duke of Edinburgh has set the musicians of this and the neighbouring colonies at work composing to his honour, and the result has been the production of some good music, the most striking being the "Galatea Waltz," by Mr. Charles Edward Horsley. The first in the field was Mr. C. W. Rayner, with an "Ode" to the Prince, well harmonised and very pleasing . . . Mr. Henry Marsh and Mr. Gassner (bandmaster of the 50th Regiment) are also busily engaged in paying a musical tribute to his Royal Highness. To enter into a detailed criticism of each composition is scarcely necessary; all possess more or less merit, and show that we have in Australia a constructive as well as an auricular taste for music.

[Advertisement], The Sydney Morning Herald (21 December 1867), 2

http://nla.gov.au/nla.news-article28608305 

. . . IN THE PRESS. GASSNER'S SOUTHERN BEAUTIES WALTZES, 3s. ELVY and CO.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (2 January 1868), 4

http://nla.gov.au/nla.news-article13161483 

The above band will give their weekly performance in the Domain, this afternoon, at 5 o'clock. The following is the programme: - March, "Farewell," Gardner; Overture, "Crown Diamonds," Auber; Selection, "Belisario," Donizetti; Valse, "Southern Beauties," Gassner; Selection, "II Trovatore," Verdi; Galop, "Challenger," Anderson; God save the Queen.

"THE SOUTHERN BEAUTIES WALTZES", The Sydney Morning Herald (16 January 1868), 4

http://nla.gov.au/nla.news-article13159156

A charming set of waltzes, by M. Gassner, has just been published by Elvy and Co. M. Gassner is popular as a clever arranger of music for the band over which he presides - that of H. M. 50th Regiment - and to him are our local composers much indebted for bringing their works under public notice in the most advantageous manner to them. Although a composer himself of more than ordinary ability, he thus evinces that absence of professional jealousy which but too frequently affects many of his contemporaries. The "Southern Beauties Waltzes" are melodious, with sufficient brilliancy in various passages to satisfy any but the most inveterate seeker after meretricious effects, who is never satisfied unless the most extraordinary gymnastique qualities are introduced into the fingering. M. Gassner has avoided this questionable peculiarity, and has, therefore given the general run of pianists a chance of enjoying the pleasure of performing his composition. The prelude is in keeping with the character of the waltzes, and there is only one change of key, from F to C. The typography is highly creditable to the publishers. As the piece is dedicated to the ladies of New South Wales, we presume it will be largely patronised by them.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (13 February 1868), 4

http://nla.gov.au/nla.news-article13158647

The band of H. M. 50th Regiment will play a selection of music in the Botanical Gardens, at 5 o'clock this afternoon. The following is the programme: - 1. Overture - "La Mirette," Auber. 2. Valse - "Kate Kearney," Coote. 3. Selection - "La Gazza Ladra," Rossini." 4. Grand March - "Royal Procession," composed and dedicated to H. R. H. the Duke of Edinburgh, by G. Gassner. 5. Selection -"Faust," Gounod. 6. Galop - "Ocean Prince," Callen. God save the Queen.

MUSIC: The ocean prince galop (George Douglas Callen)

[Advertisement], The Sydney Morning Herald (15 February 1868), 9

http://nla.gov.au/nla.news-article13160487 

COOK'S STATUE DEMONSTRATION. A grand Afternoon and Evening PROMENADE CONCERT,
will take place in the Pavilion, Hyde Park, on SATRUDAY NEXT 15th instant,
in aid of the funds for erecting a STATUE TO THE ILLUSTRIOUS NAVIGATOR CAPTAIN COOK, R.N. . . .
A MONSTER BAND OF NINETY PERFORMERS, composed of the
50TH (QUEEN'S OWN) BAND, the GALATEA BAND, and the VOLUNTEER BAND; the whole under the direction of
Mr. GASSNER will unite and perform on the occasion.
PROGRAMME.
1. March - Rifle Volunteers - Gassner
2. Overture - La Semiramide - Rossini
3. Lancers - Somebody's Luggage - Coote
4. Selection - II Trovatore - Verdi
5. Grand March - Royal Procession composed and dedicated to H.R.H. the Duke of Edinburgh by - G. Gassner
6, Selection - Faust - Gounod
7. Valse - Margherita - Godfrey
8. Galop - The Ocean Prince - Callen
9. Selection - L'Africaine - Meyerbeer
10. Galop - Morning Bell - Clarke
God Save the Queen . . .

"PROMENADE CONCERT", The Sydney Morning Herald (30 March 1868), 4

http://nla.gov.au/nla.news-article13158531 

Another concert, the proceeds of which are to go the fund for the erection of a statue in honour of Captain Cook, was given in the Hyde Park Pavilion, on Saturday evening. There was a very numerous attendance, the price of admission being reduced to one shilling, and a considerable sum, though not so much as was obtained from the previous concert, went to the fund. The splendid band of H.M. 50th Regiment, by the kind permission of Colonel Waddv, performed on the occasion, and commenced the concert shortly before 8 o clock, with a grand march composed by Mr. Gassner, and dedicated to the Duke of Edinburgh. This was followed by selections from Semiramide, Faust, L'Africaine, and other popular compositions. The concert concluded with the National Anthem, and terminated shortly after 10 o'clock.

"NEW SONG", The Sydney Morning Herald (9 May 1868), 6

http://nla.gov.au/nla.news-article13165826 

The composer of the "Ode to Prince Alfred" and "The Southern Cross," has just issued another composition to the public. Mr. C. W. Rayner, who for some time has been studying the theory of music with Gassner, now produces a new song entitled "There's no such word as fail" . . .

"THE (QUEEN'S OWN) BAND", The Sydney Morning Herald (23 July 1868), 4

http://nla.gov.au/nla.news-article13169870 

The above band will perform the following programme of music in the Domain, at 4 o'clock, this afternoon. The programme will comprise a new galop written expressly for the Military and Civil Races, to come off on Saturday next. 1. Overture - "Il Barbiere," Rossini; 2, Lancers - "Somebody's Luggage," Coote; 3, Selection - "Under the Holly," Fischer [sic]; 4. Valse - "Southern Beauties," Gassner; 5. Selection - "Un Ballo in Maschera," Verdi; 6. Galop - "Military and Civil Races," Gassner. God Save the Queen.

MUSIC: Under the holly (James Churchill Fisher, probably including The land of gold)

"PROMENADE CONCERT IN THE DOMAIN", Sydney Mail (3 October 1868), 4

http://nla.gov.au/nla.news-article166801240 

The novelty of a promenade concert by moonlight, the expectation of a rich musical treat, and the fact that the shilling fees collected at the gates were to be devoted to assisting the funds of one of the most valuable of our many charitable institutions, combined to attract a very large number of persons - certainly not fewer than four or five thousand - into the Domain on Thursday. Those who expected a musical treat of no ordinary kind were not disappointed, for the band of the 50th Regiment, who performed by the permission of Colonel Waddy and the officers, never appeared to greater advantage nor performed with greater acceptance; and the institution in aid of whose funds the concert was arranged - the Asylum for Destitute Children at Randwick - must have benefited largely by an entertainment which proved so exceedingly popular. The programme was a well chosen one, embracing selections from "Le Prophete," "William Tell," "Faust," "Un Ballo in Maschera," and "Il Trovatore," the whole terminating with the National Anthem. Where everything was excellent it is somewhat difficult to discriminate, but the gem of the entertainment to our thinking was the selection from "Il Trovatore," and so thought the five thousand people who listened in rapt attention to this selection from the ever popular opera. Cheer after cheer arose as the last sounds of the music sank into silence, and all felt indebted for the agreeable treat afforded by Mr. Gassner and the excellent band under his direction. The programme was got through shortly after 10 o'clock, and the great mass of people began to wend their way homewards. We should add that the night was beautifully fine; the moon shone with great brilliancy, the sky was cloudless, and the breeze was so light as to be almost imperceptible.

"RANDWICK ASYLUM FOR DESTITUTE CHILDREN", Empire (12 October 1868), 2

http://nla.gov.au/nla.news-article60828153 

The exertions of the liberal minded in the musical world, have added a considerable sum to the funds of this excellent institution during the last few weeks. It appears that the "Moonlight Promenade Concert," given, with the kind permission of Colonel Waddy and officers, by the Band of the 50th Regiment, enabled Mr. G. Gassner to hand over no less a sum than £187 2s. to the treasurer; and the concert given by Madame Bushelle and her pupils further augmented the funds to the amount of £50 2s. 6d. Exertions crowned with such great success deserve especial mention.

"HORTICULTURAL SOCIETY'S EXHIBITION. SECOND DAY", The Sydney Morning Herald (23 October 1868), 2

http://nla.gov.au/nla.news-article13174661 

. . . The band of the Queen's Own Regiment was present both days, and yesterday played some very fine selections, including a march founded on the air of Mr. Rayner's song "The Australian Stockman," a valse "The Half Hundred," and a quadrille "La Muette," both by M. Gassner, the bandmaster. All the other selections were likewise of first-class character, and gave an additional zest to the festival . . .

MUSIC: The Australian stockman's song (C. W. Rayner)

"DESTITUTE CHILDREN'S SOCIETY", Empire (19 November 1868), 2

http://nla.gov.au/nla.news-article60829359 

The visiting directors and their friends, with the assistance of the Government, were enabled, yesterday, to give the inmates of the Destitute Children's Asylum a treat, in the way of a railway excursion to Emu Plains, and as far as Wascoe's, on the Zig Zag . . . One of the moat conspicuous features of the whole were the performances of the juvenile drum and fife band of the Asylum, which played some excellent pieces of music during the gathering; but the success of these performers was completely thrown into the shade by the newly organised brass band, under the superintendence of M. Gassner, the talented bandmaster of the 50th Regiment. The performances of this band, which has only been for a short period under the instruction of M. Gassner, were remarkable, and reflected the utmost credit upon the preceptor and the directors . . .

"DESTITUTE CHILDREN'S EXCURSION", The Sydney Morning Herald (19 November 1868), 5

http://nla.gov.au/nla.news-article13175827 

. . . The brass band was dressed in a uniform with scarlet trimmings, and the drum and fife band had blue trimmings. Both played remarkably well, but the brass band, to which during three or four months only M. Gassner has given tuition, rendered marches, waltzes, &c., in such good time and tune as to astonish all hearers . . .

"To the Editor of . . .", The Sydney Morning Herald (21 November 1868), 4

http://nla.gov.au/nla.news-article13175995

SIR, - Will you have the goodness to allow me to correct the statement - which by some mistake has found its way into the Herald of Thursday - to the effect that the next Moonlight Promenade Concert will be given for the benefit of the funds of Captain Cook's Statue. There is just now nothing further from our minds than to give a concert for that purpose. Not that we are unwilling to give a concert, or even two if required, if the committee of the Captain Cook's Statue will reimburse me the sum which I was out of pocket for giving the last two concerts in Hyde Park Pavilion. Until then the committee need not hope for more from us. I am certain every person in the city will agree with me that to give a concert (which generally involves ten or twelve days' hard labour in preparing for), and the proceeds of which are taken by a committee for the erection of a monument in commemoration of the Discoverer of Australia, and then, for me to pay out of my private purse the expenses incidental to giving such a concert, is simply unjust. I plead guilty of having sinned, but I will promise never to sin again. The next moonlight promenade concert will not, therefore, be given for the benefit of Captain Cook's statue, but for the benefit of the Industrial Schools.
G. GASSNER, 50th (Queen's Own) Regiment.
Victoria Barracks, November 19.

[Advertisement], The Sydney Morning Herald (26 November 1868), 8

http://nla.gov.au/nla.news-article13176247 

GRAND MOONLIGHT PROMENADE CONCERT, in aid of the funds of the SCHOOL OF INDUSTRY.
By permission of Colonel WADDY, C.B., and Officers.
The 50th Queen's Own Band will give a CONCERT, as above, in the Domain, THIS EVENING, at 8'o'clock, weather permitting.
PROGRAMME.
1. Wedding March- "Midsummer Night's Dream" - Mendelssohn
2. Overture - "La Semiramide"- Rossini
3. Lancers - "The Cure" - Coote
4. Selection - "L'Africaine" - Meyerbeer
5. Valse - "The Half-Hundred" - Gassner
6. Selection - "II Trovatore" (by desire) - Verdi
7. Galop - "The Cackling Hens" - Gassner
8. Grand characteristic Pot-pourri, composed expressly for t this Concert by Mr. GASSNER, entitled
THE NIGHT-MARE AND COUNCIL OF WAR; or, DON QUIXOTE AND SANCHO PANZA.
Characteristic Description:
1. The Election (drums, drums and bugles, and brass band, answering each other from opposite directions)
2. The Dream of Knighthood (reed band)
3. Let us be happy together (brass band at distance, reed band interrupts the brass band with night-mare)
4. The Unveiling of Captain Cook's Statue (brass band marching)
5. The Rogue's March (drums and fifes at distance)
6. The Dead March in "Saul," and "Robert le Diable," (with Mephistopheles in it)
7. The Rogue's March (drums and fifes at distance)
8. Rule Britannia (with the madman's interruption)
9. Hearts of Oak and Rule Britannia (break down)
10. The Red Cross Knight
11. Down among the Dead Men
12. The Council of War (great squabbling)
13. Here's a health to all good Lasses
14. Grand finale - "God save the Queen" and "Rule Britannia."
The public are requested to pay One Shilling at the Gates.

"AL FRESCO CONCERT", The Sydney Morning Herald (27 November 1868), 5

https://trove.nla.gov.au/newspaper/article/13176355

The grand moonlight promenade concert given last evening, in the Outer Domain, by the Band of the 50th (Queen's Own) Regiment, proved highly successful. The weather being favourable and the light sufficient for social intercourse, a large audience was attracted to the ground, those present numbering about 11,000 persons. A large platform, with music stands lit with lamps, was erected on an elevation, a little to the south-east of the fountain, and this was surrounded by a dense throng some time before the time appointed for the opening of the programme. The selections were well diversified and more than usually choice, including Mendelssohn's Wedding March in "Midsummer Night's Dream," the overture to "Semiramide," Coote's lancers " The Cure," an extract from "L'Africaine," Gassner's valse "The Half Hundred," and by special request, a portion of "Il Trovatore," with anvil accompaniment, and "Miserere" with song, and Gassner's galop "The Cackling Hens." Mr. Gassner, the talented bandmaster, composed for the occasion a musical pot-pourri, entitled "The Night Mare and Council of War, or Don Quixote and Sancho Panza." This is supposed to have reference to certain civic proceedings and shortcomings, the music being adapted to characterise the events. Thence we had the election represented by drums, drums and bugles, and the brass band, answering each other from opposite directions; a dream of knighthood by the soft strains of the reed band, "Let us be happy together" by brass band in distance, interrupted by nightmare, the Unveiling of Captain Cook's Statue (brass band marching), and then following the "Rogues March," the "Dead March in Saul," with a touch of "Robert Le Diable" and "Mephistopheles," "Rule Britannia" with the madman's interruption, "Hearts of Oak" and "Rule Britannia" with a break-down, "The Red Cross Knight," "Down among the dead men," the Council of War with great squabbling therein, and "Here's a health to all good lasses." The composer has succeeded in producing some remarkably telling effects, especially of the ludicrous class, but perhaps the most noticeable part of the arrangement is the ingenious use of the Dead March in "Saul" in a F minor waltz time, which changes into F major as it merges into the Mephistopheles waltz. The band was enthusiastically cheered as the programme was passed through. The proceeds of the concert (a fee having been requested at each entrance to the ground) are to be devoted h in aid of the funds of the School of Industry, and as few attended without giving a contribution, the friends of the institution must owe a debt of gratitude to Colonel Waddy and the officers the regiment for permitting the band to appear on this occasion, and also to Mr. Gassner, who, in regard to this as well as to other concerts in aid of charitable institutions, has not only cheerfully lent his assistance, but exerted himself zealously to obtain success. The receipts last night will no doubt be found to amount to a handsome sum.

"RETROSPECT", Illustrated Sydney News (28 November 1868), 1

http://nla.gov.au/nla.news-article63514273

WITH the permission of Colonel Waddy, the Band of the 50th (Queen's own) gave another Promenade Concert in the Domain, on Thursday evening, this time in aid of the Funds of the School of Industry. The "Semiramide" overture, and selections from "L'Africaine" and " Il Trovatore," were more than "worth all the money" the public were requested to pay for admittance. The new piece by Mr. Gassner, entitled, "The Nightmare," intended to illustrate our glorious City Council hubbubs, created a good deal of amusement, especially the "Great Squabbling" at the "Council of War."

"MUSIC. MADAME BISHOP AT THE DESTITUTE CHILDREN'S ASYLUM", Sydney Mail (12 December 1868), 5

http://nla.gov.au/nla.news-article166801653 

Yesterday, Madame Anna Bishop and Mr. Charles Lascelles visited the above institution, and gave the children a musical treat by singing some of their choice songs, remaining about two hours . . . It was truly delightful to see the joyful countenances of the children as they listened to this musical treat. Mr. Gassner, band master of the 50th Regiment, caused the youthful brass band - trained under his tuition during the last four months - to perform some choice pieces of music to prove their efficiency . . .

"THE CATHERINE HAYES HOSPITAL. DESTITUTE CHILDREN'S ASYLUM AT RANDWICK", The Sydney Morning Herald (21 December 1868), 5

http://nla.gov.au/nla.news-article13177667

On Saturday afternoon, the foundation stone of the Catherine Hayes Hospital, at the Destitute Children's Asylum at Randwick, was laid, in the presence of a large number of persons . . . As the procession of ladies and gentlemen . . . went down the road to the appointed spot, they were preceded by the boys' new band, who, under the careful teaching of Mr. Gassner, were found to have actually become proficients, playing marches, polkas, and other pieces with a spirit and a precision which reflected very great credit on their kind instructor. Their smart new uniforms, and numerous brass wind instruments, imparted quite a festive air to the scene . . .

The Sydney Morning Herald (24 December 1868), 5

http://nla.gov.au/nla.news-article13177810 

The Queen's Own Band. - The Band of H.M. 50th Regiment will give their weekly performance in the Outer Domain, at 5 o'clock this afternoon. The next moonlight concert of this band will be given on Tuesday next, for the benefit of the City Night Refuge and Soup Kitchen. The following programme is for this afternoon: - 1. March, "The Australian Stockman," Rayner; 2. quadrille, "Como," D'Albert; 3. selection, "La Traviata," Verdi; 4. valse, "Southern Beauties," Gassner; 5. selection, "Martha," Flotow"; 6, galop, "The Creole," Gassner. God save the Queen.

"PROMENADE CONCERT", The Sydney Morning Herald (30 December 1868), 4

http://nla.gov.au/nla.news-article13178090 

One of these very pleasing and successful entertainments was given in the Domain last night by the splendid band of the 50th (Queen's Own) Regiment, the proceeds being set apart for the benefit of the City Night Refuge and Soup Kitchen. Despite the threatening state of the weather, there being a very clouded sky and other strong indications of rain, the concert was very numerously attended, and there is no doubt that the charitable institution above-named will receive very substantial aid from the entertainment. The performance of the band was as usual very good, and the programme selected by Mr. Gassner contained several exceedingly popular items. The first piece the grand Coronation March from "Le Prophète," was commenced shortly after 8 o'clock. An overture by Auber followed, then the St. Patrick's Quadrilles, a selection from "Un Ballo in Maschera," a valse by Mr. Gassner, the comic fantasia "A Night about Town," by Basquit, another excellent composition by Mr. Gassner, a selection from William Tell, and God save the Queen. The concert lasted for about an hour and a half, and was evidently much enjoyed by those who listened to it.

"THE QUEEN'S OWN BAND", The Sydney Morning Herald (14 January 1869), 5

http://nla.gov.au/nla.news-article13181738 

The band of H.M.'s 50th Regiment will give their weekly performance in the Domain, this afternoon, at 5 o'clock. Programme: - 1. March, "Farewell," Gardner; 2. Overture, "Crown diamonds," Auber; 3. Quadrille, "La Sonnambula," Bellini; 4. Selection, "La Sonnambula," Bellini; 5. Valse, "Southern beauties," Gassner; 6. Galop, "The cackling hens," Gassner. God save the Queen! We have been requested to add that the above band will give another moonlight concert in the Domain, on the evening of the 25th instant, in aid of the funds of St. Vincent's Hospital.

[Advertisement], The Sydney Morning Herald (25 January 1869), 8

http://nla.gov.au/nla.news-article13186724 

GRAND MOONLIGHT CONCERT, in aid of the funds of
ST. VINCENT'S HOSPITAL, by the 50TH (QUEEN'S OWN) BAND.
Another Moonlight Promenade Concert, by permission of Colonel Waddy, C.B., and the officers, will be given in
THE DOMAIN, THIS EVENING, at 8 o'clock, for the benefit of the above charitable institution.
By special desire the Grand Characteristic Pot-pourri, composed expressly for these Moonlight Concerts, with echoes and bands at distance, by Mr. GASSNER, entitled
THE NIGHTMARE, AND COUNCIL OF WAR, will be given for the second time on this occasion,
PROGRAMME:
1. March - "Grand Procession" - Gassner
2. Overture - "William Tell" - Rossini
3. Lancers - "Somebody's Luggage" - Coote
4. Selection - "Robert le Diable" - Meyerbeer
5. Valse - "Mousetrap Man" - Montgomery
6. Selection - "Il Trovatore" (by desire) - Verdi (with anvil accompaniment, and "Miserere," with gong, &c.)
7. Galop - "Orphee aux Enfers" - Offenbach
8. Grand Characteristic Pot-pourri, composed expressly for these Concerts by Mr. Gassner, entitled
THE NIGHTMARE and COUNCIL OF WAR; or, DON QUIXOTE AND SANCHO PANZA.
Characteristic Description . . . [as above]

"MUSIC AND DRAMA", The Sydney Morning Herald (29 January 1869), 3

http://nla.gov.au/nla.news-article13180639 

. . . The Moonlight Concerts given in the Outer Domain, by the band of the 50th Regiment, under the conductorship of M. Gassner, for charitable purposes, have been very successful, and a large sum - probably not much less than £1000 - has been contributed to the various local charities and kindred institutions in this city. The last of these open-air concerts took place on the 25th instant, and was well attended. We believe it is the intention of a number of gentlemen to organise a concert to be given to M. Gassner in recognition of this philanthropic endeavour . . .

"MUSIC", Sydney Mail (30 January 1869), 5

http://nla.gov.au/nla.news-article166809922 

By permission of Colonel Waddy, C.B., a Promenade Concert was given in the Domain, on Monday, by the band of the 50th Regiment, in aid of the funds of St. Vincent's Hospital. The attendance was good, and a large number of people entered the Domain long before the concert commenced. The band was as usual under the skilful leadership of Mr. Gassner. The programme consisted of marches, overtures, valses, opening with a composition by the leader, followed by the overture to William Tell, splendidly performed. The whole of the pieces were rendered very effectively by this fine band. The concert concluded with a characteristic pot-pourri, composed entirely by Mr. Gassner, entitled "The Nightmare," then performed for the second time. It is a composition abounding in passages evidencing masterly skill in instrumentation and a thoroughly cultivated acquaintance with harmonic combinations. The composer has skilfully combined several of the finest morceaux of some of the great composers, linked together by passages evincing great descriptive ability in a musical point of view, and strict attention to the instrumental force under his command. The amount realised in aid of the benevolent object sought to have been benefited must have been considerable, and the entertainment in itself was a treat to all who can enjoy fine music.

"DESTITUTE CHILDREN'S SOCIETY AT RANDWICK", The Sydney Morning Herald (1 February 1869), 2

http://nla.gov.au/nla.news-article13190800 

LAST Friday afternoon the annual general meeting of the Destitute Children's Society was held at the asylum at Randwick . . . The boys and girls, about 700 in number, were stationed at the western end of the room; and with them was the Asylum Band, the astonishing proficiency of which reflected much credit upon their talented instructor, Mr. Gassner . . . Through the kindness of Mr. Leigh a set of brass instruments has been received from England for the band, which, at the suggestion of their able and most successful instructor, Mr. Gassner, has been supplemented by the purchase of some others in the colony, and by the gift of a brass drum from Mr. Fitzpatrick, of Erskine-street, value ten guineas . . . A bat, with cricket bail and wickets (presented by Mrs. Dowling), was handed to the leader of the brass band as a reward for their good conduct and proficiency in music. It was intended to have given some prize to one of the band, but Mr. Gassner did not feel that he could make any distinction where all were deserving of praise . . .

"CONCERTS. THE 50TH BAND", Bell's Life in Sydney (20 February 1869), 3

http://nla.gov.au/nla.news-article65469254

The justly popular band of the Queen's Own (50th) intend to give a concert in the outer Domain, on Monday evening next. The proceeds from which will be handed over to the funds of the Sydney Infirmary. It is with much satisfaction that we perform the pleasing duty of drawing the attention of the public to the fact, that Mr. Gassner the able conductor of the band, is to have a complementary concert in the Outer Domain, on Friday next, the 26th instant. We trust that the citizens of Sydney will take this opportunity of testifying their appreciation of the valuable services rendered by this really good musician, by doing their utmost to secure him a "bumper."

The Sydney Morning Herald (23 February 1869), 5

http://nla.gov.au/nla.news-article13178336 

The last of the series of concerts given for charitable purposes, by the band of H.M. 50th Regiment, took place, last evening, for the benefit of the Sydney Infirmary. The attendance was not so large as might have been expected. The programme consisted of the "Royal Procession March," composed by Mr. Gassner; the overture to "Semiramide"; and selections from that opera; also selections from "Un Ballo" and "William Tell;" set of Lancers, by Godfrey; "II Gorigolo waltz," by Mr. Gassner; the "Bonnie Dundee Quadrilles;" and "God save the Queen," as a finale. The several items were executed with great effect, and reflected infinite credit on Mr. Gassner and his excellent band. Some dissatisfaction was expressed at the interruptions occasioned by a company of Volunteers keeping up a fusilade in the Inner Domain, and at times rendering the music almost inaudible.

"TESTIMONIAL TO SIGNOR GASSNER", Empire (27 February 1869), 2

http://nla.gov.au/nla.news-article60832373

A very large number of persons assembled in the Domain last evening, on the occasion of the farewell entertainment to Signor Gassner, the Bandmaster of H.M. 50th Regiment, who took so large a share in originating the series of moonlight promenade concerts on that ground, which have been so extensively patronized. The Volunteer Brigade band, under the leadership of Mr. D. G. Callen, played a beautiful selection of music, including the most popular airs from the operas of "Masaniello," "Lucretia Borgia," "Ruy Blas" and "Martha." The proceeds of the concert will be devoted to the purchase of a testimonial to Signor Gassner; and no doubt the amount received will be amply sufficient for the purchase of one well worthy that gentleman's acceptance, and which will prove a substantial as well as agreeable souvenir of his sojourn in Sydney.

"QUEEN'S OWN BAND", The Sydney Morning Herald (27 February 1869), 7

http://nla.gov.au/nla.news-article13179681 

The last public performance of the above band will be given in the Botanic Gardens, this afternoon, at 5 o'clock. Programme: 1. March, "Adieu," Gassner; 2. Overture, "Zampa," Herold; 3. Quadrille, "Masaniello," Auber; 4. Selection, "Semiramide," Rossini; 5. Valse, "Homeward-bound," Gassner; 6. March, "Adieu," God save the Queen.

"COMPLIMENTARY DINNER", The Sydney Morning Herald (13 March 1869), 7

http://nla.gov.au/nla.news-article13184060

On Thursday last, the professional and other friends of Mr. Gassner, the bandmaster of the 50th Regiment, entertained him at dinner at the Café de France in George-street, the regiment being on the eve of departure for Europe. A recherché repast was laid out and enjoyed by those present, and in the course of the evening the usual loyal toasts and the health of Mr. Gassner was proposed and heartily responded to. In returning thanks, Mr. Gassner observed that the gentleman who had proposed his health had been pleased to speak in eulogistic terms of the efforts made by him (Mr. Gassner) to promote the study of music in the colony, and also to his having been the means of assisting the funds of various institutions. He wished it, however, to be clearly understood that the thanks of the community were due to Major General Waddy and the officers of the 50th, for whatever of good in that direction might have been effected by the moonlight concerts, as without their permission, the band, of course, could not have performed - a permission that was always freely granted. Mr. Gassner thanked his hosts for the honour they had that evening conferred on him. Several songs were given, and pianoforte pieces performed during the evening, which was spent in an agreeable manner up to 11 o'clock.

England (from late 1869):

"NAVAL AND MILITARY", Western Morning News [Devon, UK] (4 November 1869), 3

Weather permitting the band of her Majesty's 50th Regiment will play the following programme at Mount Wise at three o'clock this afternoon: -
March, "The President's," Reyloff;
overture, "Nabuccodonosor," Verdi;
selection, "Gemma di Vergy," Donizetti;
valse, "Gorigolo," Gassner;
selection, "Un Ballo," Verdi;
galop, "Catastrophe," Sterns;
"God save the Queen."

England census, 1871, Hampshire, Aldershot; UK National Archives, RG 10 / 819

https://www.ancestry.com.au/interactive/7619/HAMRG10_819_821-0024 (PAYWALL)

Giovanni Gassner / Widower / 42 / Band master army / Born Naples Italy Naturalised British subject

[Advertisement], The Sydney Morning Herald (26 August 1871), 12

http://nla.gov.au/nla.news-article13243772

"PRESENTATION OF AN ADDRESS MAJOR-GENERAL LYSONS, C.B.", Aldershot Military Gazette (18 May 1872), 3

On Saturday the inst., thirteen bandmasters of the division, assembled at the 1st Brigade Office, South Camp, at 3 in the afternoon, for the purpose of presenting to Major-General Lysons, C.B., a handsome illuminated address, executed by Messrs. Culleton, of London. Mr. Gassner, as president of the committee of bandmasters, in presenting it to General Lysons, said: - I am requested by my brother bandmasters present to you an address in which we express our acknowledgements of the kindness which you manifested towards us all during the progress of the arrangements for the late monster concert, and during the concert itself, and which, hope, that you will be pleased to accept. The address was follows:- MONSTER MILITARY CONCERT HELD IN RIDING SCHOOL, EAST CAVALRY BARRACKS, ALDERSHOT, On April 4th, 5th and 6th, 1872. At a general meeting of the bandmasters of the division, held on the 8th April, 1872, it was unanimously carried that a letter should be forwarded to Major General D. Lysons, C.B., to express how fully they recognised his unquestionably good judgment in directing the management of this concert, undertaken on so large a scale, and his unusual knowledge of matters musical. The bandmasters further desire to thank him for the impartial kindness, consideration, and support, they at all times received from him while carrying out his wishes, and they would consider themselves fortunate, under similar circumstances, should they have energetic a gentleman at their head - Signed, Mr. Charles Cousins, 2nd Dragoon Guards; Mr. Vandenheuvel, 7th Hussars; Mr. A. Seume, 9th Lancers; Mr. Curry, 2nd batt. 4th; Mr. W. Allen, 2nd batt. 15th; Mr. J. Holt, 2nd batt. 17th; Mr. C. J. Hurst, 2nd batt. 22nd; Mr. L. Werner, 27th Regiment; Mr. J. Bayley, 46th Regiment; Mr. G. Gassner, 50th Regiment; Mr. Hecker, 82nd Regiment; Mr. W. T. Cole. 99th Regiment; Mr. Walsh, 100th Regiment; Mr. C. Luschwitz, 102nd Regiment . . .

"OUR BANDMASTER", The Queen's Own Gazette (1 March 1880), 117

THE FOLLWOING EXTRACT IS TAKEN FROM AN EDINBURGH JOURNAL.-

The subject of our sketch was born at Naples in February 1828, and at the early age of nine was placed in the Royal Conservatoire in that city, presided over by Mercadante.

Passing over his early days, which were uneventful, in 1847 he was appointed Second-Lieutenant in the First Regiment of the Swiss Guards. In 1848, when the great Rebellion took place in Italy, he fought on the side of the people, moved by King Bomba's cruel and despotic rule; but the popular cause having been worsted, he sought and obtained a passage to England on Her Majesty's Ship Queen.

After landing in England, having no introduction or letter to anyone, and unable to speak the language, Signor Gassner went to Malta, where his musical education proved of great service to him. Here he joined Her Majesty's 44th Regiment as Bandmaster, and on that Regiment leaving Malta, about 1851, he joined the Buffs. On the departure of the Buffs shortly afterwards for Greece, Signor Gassner was transferred to Her Majesty's Ship Bellerophon, commanded by Lord George Paulet, and accompanied that Officer to the Black Sea. He acted as his Lordship's honorary interpreter, in which capacity he proved eminently useful in frequent communications with Omar Pasha, whose head-quarters were near Eupatoria. On two occasions, when returning to the ship, he was attacked by Cossacks, but fortunately succeeded in reaching the boat unhurt. When the Bellerophon returned to Britain, in 1855, our musician joined the 1st Royal Lanark Militia, in Hamilton, as bandmaster; on the disbanding of which Regiment, in 1856, he joined the 5th Dragoon Guards, then stationed in Edinburgh, little Edinburgh as it then was, compared to the mighty city whose arms now seize the country right and left.

A foot Regiment, however, being more to the taste of Signor Gassner, he left the Dragoons and joined the 50th "Queen's Own" Regiment, with whom he has served ever since, at home and abroad. His musical ability is well known, and his compositions - chiefly for military bands - are varied and numerous. Many of his pieces have been published in several military band journals, and take a high place in general estimation, as our author's command of instrumentation - got from many years of hard study in that particular branch - is well known to all publishers of military band music; and we may add that during his stay in Edinburgh he has written two fantasias on Scotch melodies - "The Souvenir d'Edinbourg" and the "Jacobite." These pieces, together with many others of his compositions and arrangements, have been frequently performed amongst us, and have not only given satisfaction to the ordinary listener by their general effect, but on account of the musicianly ability and original thought displayed in their scoring, have won the admiration of those in a position to judge of their merits.

Signor Gassner, during his stay in Edinburgh, has made many friends, and to our credit be it said, his efforts to promote pure musical taste amongst us have been warmly appreciated. From our own experience of him, as a musician and a gentleman, we can only speak in terms of clear praise. It is almost supererogatory to say how much the Edinburgh public are indebted to him for the many musical treats afforded by his Band. Their correct and intelligent rendering of the music, and the ease and familiarity delayed in the general phrasing, betoken a thorough and careful training, and strict confidence on the part of the men in their leader, and on the part of that leader a sound judgement and artistic appreciation of the subject in hand. All this must have been apparent, to the outside public; but only to those who are acquainted with Signor Gassner in private life can be known his wide experience of music, both in its technique and in its literature. So many opportunities have we had of hearing them that, we have come to consider the Band of the 50th Regiment almost an institution in Edinburgh. Now that they are about, to leave us, we can only express our regret, and hope, as we believe - that wherever they and their talented conductor go, they will win the same warm esteem, appreciation, and respect they have won in "Auld Reekie."

[Advertisement], Bury Free Press (15 May 1880), 5

BOTANIC GARDENS, BURT ST. EDMUND'S. WHIT-MONDAY BANK HOLIDAY MAY 17th, 1880 . . . By permission of Col. J. THOMPSON, the splendid BAND of the 50th QUEEN OWN Regiment will be in attendance, under the direction of SIGNOR GIOVANNI GASSNER, when a choice selection of Music, Vocal Choruses, &c., will be given . . .

"THE 50TH (QUEEN'S OWN) REGIMENT", Essex Standard (19 July 1884), 10

Mr. G. Gassner, for 28 years the popular Bandmaster of this popular Regiment, and who is well known in Colchester, where he was for several years quartered with the Regiment, having just resigned his appointment, was entertained at a farewell mess dinner by Colonel Leach and the Officers at Camp Polymedia, Cyprus, on June 6. In proposing Mr. Gassner's health on the occasion, Colonel Leach said, - Gentlemen, I rise to propose the health of our esteemed and respected guest, Mr. Gassner, who I am deeply sorry to say is about to leave the old Regiment, in which he has so well and ably served, and in which he has so wielded the baton of the Band for a period of nearly twenty-eight years, in the most perfect manner, which we have all so thoroughly enjoyed and appreciated. (Applause.) . . . Perhaps some of you are not aware that Mr. Gassner served with distinction in the Crimea with Lord George Paulet, and he is in possession of the medals granted for that campaign, viz.. Crimean and Turkish, together with the medal for New Zealand. I should like to enlarge further on Mr. Gassner's merits, but you must take the will for the deed. All that I will now say is, that whenever Mr. Gassner feels inclined to pay the Regiment a visit, he will always be heartily welcome; and I am sure all will join me in wishing him long life and every happiness in his retirement. The toast was received in a most enthusiastic manner, and Mr. Gassner made an appropriate response. On a subsequent day (June 8), Mr. Gassner, who leaves behind him a piece of music entitled "Farewell," which he has specially composed and dedicated to Col. Leach and officers of "The Queen's Own," met the bandsmen in the practice room for the last time for the purpose of saying good-bye, but before doing so he was presented by them with a cheque and a letter, in which they expressed their esteem, and wished him, on his return to England, to procure an album, which they promised to fill with their photographs.

England census, 1881; Essex, Colchester St. Giles; UK National Archives, RG 11 / 1787

https://www.ancestry.com.au/interactive/7572/ESSRG11_1784_1788-0844 (PAYWALL)

Giovanni Gassner / HEad / Wid'r / 52 / Bandmaster 50th Foot / [born] Italy, Naples, B. Subject
Edith [Gassner] / Dau'r. / Unm. / 20 / - / [born] Ceylon
Arthur [Gassner] / Son / [Unm.] / 17 / Midshipman / [born] [Ceylon]
Blanche [Gassner] / Dau'r / [Unm.] / 15 / - / [born] at sea

"THE 50TH (QUEEN'S OWN) REGIMENT", Essex Standard (19 July 1884), 10

Mr. G. Gassner.,for 28 years the popular Bandmaster of this popular Regiment, and who is well known in Colchester, where he was for several years quartered with the Regiment, having just resigned his appointment, was entertained at a farewell mess dinner by Colonel Leach and the Officers at Camp Polymedia, Cyprus, on June 6. In proposing Mr. Gassner's health on the occasion, Colonel Leach said,-

Gentlemen, I rise to propose the health of our esteemed and respected guest, Mr. Gassner, who 1Iam deeply sorry to say is about to leave the old Regiment, in which he has so well and ably served, and in which he has so wielded the baton of the Band for a period of nearly twenty-eight years, in the most perfect manner, which we have all so thoroughly enjoyed and appreciated. (Applause.) It is curious that during my short command I have had to say farewell to no less than three members of the old Corps. Saying adieu is always trying; but I must admit that the present one is most painful to me, because Mr. Gassner is one of the few remaining ties which bind the old "Fighting Fiftieth" to the present Royal West Kent. I hope you will excuse my saying much, as I feel this occasion deeply. Perhaps some of you are not aware that Mr. Gassner served with distinction in the Crimea with Lord George Paulet, and he is in possession of the medals granted for that campaign, viz., Crimean and Turkish, together with the medal for New Zealand. I should like to enlarge further on Mr. Gassner's merits, but you must take the will for the deed. All that I will now say is, that whenever Mr. Gassner feels inclined to pay the Regiment a visit, he will always be heartily welcome; and I am sure all will join me in wishing him long life and every happiness in his retirement.

The toast was received in a most enthusiastic manner, and Mr. Gassner made an appropriate response. On a subsequent day (June 9), Mr. Gassner, who leaves behind him a piece of music entitled "Farewell," which he has specially composed and dedicated to Col. Leach and officers of "The Queen's Own," met the bandsmen in the practice room for the last time for the purpose of saying good-bye, but before doing so he was presented by them with a cheque and a letter, in which they expressed their esteem, and wished him, on his return to England, to procure an album, which they promised to fill with their photographs.

Royal Hospital Chelsea, Giovanni Gassner, age 55, discharge from West Kent Regiment, band, and admission as pensioner, 12 August 1884; UK National Archives

England & Wales, National Probate Calendar, 1893, Gassner

GASSNER Giovanni of 42 Palace-square Upper Norwood Surrey died 12 March 1893 at 2 rue Fourcroy Paris Probate London 16 August to Edith Gassner and Blanche Gassner spinsters Effects £228 10s.

"AT HOME AT ADMIRALTY HOUSE. ANOTHER EASTER FESTIVAL", The Sydney Morning Herald (11 April 1896), 10

http://nla.gov.au/nla.news-article14045311

His Excellency the Admiral followed the dinners which he has given recently in celebration of the Easter season by holding an "At Home" at Admiralty House yesterday, to which a very large number of guests were invited . . . the music . . . under the baton of E. Wright was being played by the band of the flagship . . . The music performed by the band consisted of march, "Advance Guard" (Ord Hume); overture, "The Exiles" (Gassner) [sic, The exiled]; valse, "The Colonel" (Bucalossi); selection, "Madame Favart" (Offenbach); gavotte, "Belle Vue" (Godfrey); galop, "The Planters" (Fricke) . . .


Musical works (extant):

Souvenire di Glasgow, walzer - G. Gassner (London, [1856])

Copy at the British Library

The Barncluth polka composed by G. Gassner ([London]: [Key, Rudall & Co.] [1856])

Copies at the Bodleian Library, Oxford, and British Library

The southern beauties waltzes, composed and dedicated to the ladies of New South Wales by G. Gassner, bandmaster H. M. 50th (Queen's Own) Regiment (Sydney: Elvy & Co., [1868])

http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?embedded=true&toolbar=false&dps_pid=IE3535933 (DIGITISED)

https://trove.nla.gov.au/version/171071637 (DIGITISED)

2d. Brigade quick step - G. Gassner [brass band parts] (London, [1873]

Copy at the British Library

Grand fantasia on Scotch melodies - G. Gassner [military band parts] (London: Boosey & Co, [1880])

Copy at the British Library

March solennelle - G. Gassner [military band parts] ([? London: Boosey & Co.], 1881)

Copy at the British Library

Valse, Mon ami - G. Gassner [military band parts] ([? London: Boosey & Co.], 1882)

Copy at the British Library

Cavatina [B flat clarionet solo] - G. Gassner [military band parts] (London: Boosey & Co., 1884)

Copy at the British Library

A musical bouquet, fantasia - G. Gassner [military band parts] (London: Boosey & Co., 1886)

Copy at the British Library

Overture, The exiles [sic] - G. Gassner [military band parts] (London: Boosey & Co, 1887)

Copy at the British Library


Bibliography and resources:

Kenneth Young, Music's great days in the spas and watering-places (London: Macmillan, 1968), 45-46




GATES, Mr. (Mr. GATES; ? Mr. GALE)

Bass or baritone vocalist, actor

Active Adelaide, SA, 1839-40

https://trove.nla.gov.au/search?l-publictag=Mr+Gates+actor+1839-40 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATES-Mr (shareable link to this entry)


Documentation:

[Advertisement], South Australian Register (16 November 1839), 3

http://nla.gov.au/nla.news-article27440983 

ROYAL VICTORIA THEATRE, North Terrace, Adelaide.
MR. CAMERON has the honor of announcing to the Ladies and Gentlemen, and the Public of Adelaide and its vicinity, that he has, at a considerable expence, fitted up an appropriate Theatre in North Terrace, and it is hoped the arrangements will secure that pationage and support which in catering for their amusement it will be his study to merit. The Theatre will consist of one tier of Private Boxes, and a commodious Pit, and will open on
Monday Evening, November 25, 1839, when will be presented Kotzebue's celebrated play of
THE STRANGER . . . Mrs. Haller - Mrs. Parnell.
During the piece Mrs. Coombes will sing the plaintive air - I have a silent sorrow here . . .
Song from Guy Mannering - Safely follow him - by Mr. Gates . . .

ASSOCIATIONS: Samson Cameron (actor, manager); Mrs. Coombes (actor, vocalist); Mrs. Parnell (actor, vocalist)

MUSIC: Safely follow him (Cooke, from Guy Mannering)

[Advertisement], Southern Australian (12 December 1839), 3

http://nla.gov.au/nla.news-article71685688 

Victoria Theatre, NORTH TERRACE, ADELAIDE.
THE Public are respectfully informed, that on THURSDAY EVENING, December 12th, 1839, will be presented the Comedy in 5. Acts of
THE WONDER!! A Woman Keeps a Secret!!!
Nicolante - Mrs. Parnell. For Characters see the Bill of the Day.
GLEE - "O Lady Fair," By Mrs. Parnell, Mrs. Coombes, and Mr. Gates.
AFTER WHICH, BACHELOR'S BUTTONS . . . the Proprietor, S. CAMERON. VIVAT REGINA.

MUSIC: O lady fair (Thomas Moore)

[Advertisement], Adelaide Chronicle and South Australian Advertiser (24 March 1840), 2

http://nla.gov.au/nla.news-article195859729 

VICTORIA THEATRE. For the Benefit of Mrs. Cameron . . .
TOMORROW EVENING (Wednesday) . . . Wednesday, 25th March, 1840,
Will be produced, with New Music, Scenery, Dresses, Decorations, Machinery, &c., the celebrated Musical Play taken from Sir Walter Scott's Novel of the same name, called
GUY MANNERING; Or, The Gipsy's Prophecy . . . Gabriel - Mr. Gates . . .
In the course of the piece the following Glees, Songs, Choruses, &c.:-
Glee - The winds whistle cold, Mrs. Mansfield, Mr. Gates, Mrs. Rainsford, and amateurs . . .
Gipsy Glee and Chorus - Chough and Crow to roost are gone, Mrs. Rainsford, Mrs. Mansfield, Mr. Gates, and amateurs.
Song - Safely follow him - Mr. Gates . . .

ASSOCIATIONS: Cordelia Cameron (actor, vocalist)

MUSIC: The winds whistle cold and The chough and crow (Bishop, from Guy Mannering)

[Advertisement], South Australian Register (28 March 1840), 3

http://nla.gov.au/nla.news-article27441312 

VICTORIA THEATRE . . . BUCKINGHAM'S NIGHT. (Stage Manager.) On Monday Evening, March 30 . .
ONE O'CLOCK; OR, THE WOOD DEMON . . . Zangrida (the Wood Demon) - Mr. Gale [sic ?] . . .
Comic Song - Young Larry, By an Amateur.
Song - Rory o'More - Mrs. Mansfield.
Glee - By Messrs. Buckingham, Gates, Fenton, and Mrs. Mansfield.
Song - The Wolf, Mr. Gates.
Comic Song - Mr. Buckingham.
To conclude with the Operatic Farce of NO SONG NO SUPPER . . .

ASSOCIATIONS: George Buckingham (actor, vocalist)

MUSIC: The wolf (Shield)

[Advertisement], Adelaide Chronicle and South Australian Advertiser (28 April 1840), 2

http://nla.gov.au/nla.news-article195859810 

VICTORIA THEATRE . . . April 29 . . .
Song - The Old Maid - Mrs. Cameron in character
Song - Mr. Gates . . .

[Advertisement], South Australian Register (21 November 1840), 3

http://nla.gov.au/nla.news-article27442018

VICTORIA THEATRE . . . FOR the BENEFIT of Mr. LEE, Leader of the Orchestra, assisted by all the available Musical Talent in the Colony . . . on Monday Evening next, November 23, 1840 . . .
Song - Hurrah for the Road - Mr. Gates.
Song - The Maid of Judah - Mr. Ward.
Song - Mrs. Cameron.
The whole to conclude with, by particular desire, OTHELLO TRAVESTIE . . .

ASSOCIATIONS: Philip Lee (violinist, leader)

MUSIC: Hurrah for the road (from Paul Clifford)




GATES, James Mortimer (James Mortimer GATES; J. M. GATES)

Musician, bandmaster, cornet player, composer, arranger

Born c. 1839; son of John GATES and Harriett MORTIMER
Active Geelong, VIC, early 1860s
Active Maitland, NSW, by 1865
Active Gympie, QLD, by 1877
Died Gympie, QLD, 24 August 1898, aged "59"

https://trove.nla.gov.au/search?l-publictag=James+Mortimer+Gates+d1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATES-James-Mortimer (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

[Advertisement], Geelong Advertiser [VIC] (16 October 1862), 3

http://nla.gov.au/nla.news-article148903295 

[Advertisement], Geelong Advertiser (21 December 1863), 3

http://nla.gov.au/nla.news-article148702209 

SOBER CONCERTS FOR THE PEOPLE. (SIXTH YEAR.)
TEMPERANCE HALL. LITTLE MALOP-STREET, THIS (MONDAY) EVENING, 21ST DECEMBER,
Commencing promptly at eight o'clock, USUAL MUSICAL WEEKLY RE-UNION FOR FAMILY RECREATION,
and for which occasion THE GEELONG AMATEUR TROUBADOURS Have kindly volunteered their valuable services.
Pianist - Mr. W. D. Goodall.
Orchestra, Messrs. R. J. Andrews, 1st violin; J. Stainsby, 2nd do;
Jas. Gates, cornet; J. Best, violincello.
ADMISSION: Sixpence - Subscribing Members and Children Three-pence each. The inmates of the Orphanages free.
W. STITT JENKINS, President.

"VOLUNTEER BAND", The Maitland Mercury (7 December 1865), 2

http://nla.gov.au/nla.news-article18699988

VOLUNTEER BAND, Friday Evening, -
Programme: Part I: 1. Moonlight Parade March, by J. M. Gates;
2. Martha Valse, C. D'Albert; 3. Selection, Christy's (by desire), S. Jones;
4. March, "The harp that once" J. M. Gates. -
Part II: 5. Edinburgh Quadrilles, C. D'Albert; 6. Prince Imperial Galop, C. Coote; 7. Lillian Polka, C. D'Albert;
8. March, "Steer me back" J. M. Gates, God save the Queen.

[Advertisement], The Maitland Mercury (23 April 1867), 1

http://nla.gov.au/nla.news-article18720800

"MASONIC BALL", The Maitland Mercury (13 July 1867), 8

http://nla.gov.au/nla.news-article18715519

[Advertisement], The Maitland Mercury (13 August 1867), 1

http://nla.gov.au/nla.news-article18720678

[Court reports], "WEDNESDAY, DECEMBER 2, 1868", The Newcastle Chronicle (3 December 1868), 3

http://nla.gov.au/nla.news-article111330094 

"THE ARTILLERY BAND", The Newcastle Chronicle (28 October 1869), 3

http://nla.gov.au/nla.news-article111160566

This band, which already numbers thirteen members, is making great progress towards proficiency, under the able tuition of Mr. J. M. Gates, and in about two months more we may expect to have a brass band in the town to enliven us, almost equal to that of our neighbours in West Maitland. Mr. Gates lately purchased from Mr. Paskins, of West Maitland, three brass instruments, viz., a bombardone, a baritone, and a tenor horn. He speaks highly in favor of them as being of a first class character, and were purchased at a low figure. We are glad to learn that such instruments can be obtained at Mr. Paskins', without the trouble and expense of sending to England for them.

"VOLUNTEER ARTILLERY BAND PERFORMANCES", The Newcastle Chronicle (7 June 1873), 2

http://nla.gov.au/nla.news-article111151035

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette [Gympie, QLD] (10 March 1877), 3

http://nla.gov.au/nla.news-article168611954 

The Catholic Band favoured the public of Gympie with a treat on Saturday evening last, on Commissioner's Hill. Some excellent selections particularly well-played, were given, and there was but one opinion expressed, that Bandmaster Gates must spare no time in securing to his pupils such perfection as they have attained.

[News], The Brisbane Courier (19 July 1879), 4

http://nla.gov.au/nla.news-article884240 

The following persons were adjudicated insolvent upon their own petitions: . . . James Mortimer Gates, of Red Hill, Gympie, musician, in forma pauperis; first meeting, August 7.

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette (16 August 1879), 3

http://nla.gov.au/nla.news-article170582604 

We are pleased to hear that some of the old supporters of the Hibernian Band have communicated with Mr. Gates, the bandmaster, and the Band has consented to play at Mr. Murray's, Commissioner's Hill, and at Mr. Cullinane's, Mary-street, alternately. The following is the programme for this evening: -
Part I. Grand March - Field Day - (Callan) [Callen]; Quick Step Medley - (Gates); Grand Selection from Attila - (Verdi); Cornet Solo by Mr. Gates - Koenig's Eclipse Polka; Quadrille - Christmas Echoes - (Godfrey); March - Love Not - (Glover);
Part II. Selection from Falstaff - (Balfe); Grand Waltz - Das Musikfest - (Jackson;) March - Her bright smile haunts me still - (Ford); Polka - Kingfisher - (Coote); Gallop - Excursion - (Montgomery); God Save the Queen.

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette (13 September 1879), 2

http://nla.gov.au/nla.news-article170583202 

The Oddfellows Band will perform the following choice selections from off the balcony of the Commercial Hotel, this evening . . .. The members of the Hibernian Band have, with very commendable spirit, decided upon giving the residents of the Monkland a treat this evening, and will perform some selections opposite Mr. M. J. O'Brien's, Monkland Store. The performance is entitled "an evening with Tom Moore," and the music for the occasion has been selected and principally arranged by Mr. Gates, bandmaster. The following is the programme: -
Quick Step - Steer my bark to Erin's Isle - Gates; Grand March - The Minstrel Boy - Riviere; The Knight of St Patrick Lancers - Godfrey; Song - The Exile of Erin - Arranged by Gates; Parade Waltz - Molly Astore - Gates; Quick March - Eily Mavourueen - Millor; Quadrille - Royal Irish - Jullien; Waltzes - Gems of Erin - Gates; Polka - The Holiday - Hare; March - The Mulligan Guard - Jones; Troop - Kate Kearney - Gates; Quick Step - Garryowen - Gates; God save the Queen.

"Notes and News", Gympie Times and Mary River Mining Gazette (25 August 1898), 3

http://nla.gov.au/nla.news-article171525669 

In consequence of information supplied by Dr. Ryan, Senior Sergeant Ferguson despatched three constables to the residence of Mr. James Mortimer Gates on Tuesday last where they found the owner seriously ill and in a partially neglected state. He was at once conveyed to the Hospital on a stretcher by the constables and a member of the Ambulance Brigade. He, however, only lingered a very few hours, dying quietly early yesterday morning, the cause of death being cancer of the abdomen. The deceased, who was 59 years of age, was for a long time known in connection with the Hibernian band, of which he was bandmaster for some years. The funeral takes place to-day.


My thanks: To Helen English, of the University of Newcastle, July 2015, for correctly identifying J. M. Gates as James Mortimer Gates, and for kindly allowing me to update this entry accordingly.




GATLAND, Robert Edward (Mr. R. E. GATLAND; ? Robert E. GATLAND, 1832-1897)

Musician, amateur actor, comedian, vocalist, Irish comic singer, orchestral player, carpenter

Born London, England, 5 October 1832; baptised St. George in the East, 3 February 1833, son of Jarratt (Garratt) GATLAND and Sarah WHITTAMORE
Married Emma GREGORY (1837-1902), Sydney, NSW, 1855
Active Auckland, NZ, 1868-76
Died Bourke, NSW, 21 May 1897

https://trove.nla.gov.au/search?l-publictag=Robert+Edward+Gatland+1832-1897 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATLAND-Robert-Edward (shareable link to this entry)

http://peopleaustralia.anu.edu.au/biography/gatland-robert-edward-28092 (People Australia)


Documentation:

Baptisms solemnized in the Parish of Saint George [in the East] in the County of Middlesex in the year 1833; register, 1826-35, page 227; London Metropolitan Archives

https://www.ancestry.com.au/interactive/1558/31280_199063-00456 (PAYWALL)

[Born] 5 of Oct. 1832 / No. 1810 / Feb'y 3 / Robert Edward son of / Jarratt & Sarah / Gatland / John Street / Servant . . .

[Advertisement], The Sydney Morning Herald (20 March 1860), 1

http://nla.gov.au/nla.news-article13038017 

ROYAL ALBERT THEATRE. - THIS EVENING, the celebrated English and Irish Comedian,
E. GATLAND, takes his first BENEFIT at the above Theatre, when he will appear as Joe the Orphan, in the beautiful drama of JACK and JACK'S BROTHER, assisted by several talented Artists, who have kindly volunteered their services for this occasion only. The Interlude will consist of SONGS, sentimental and comic, together with DANCING, in which several of the seamen belonging to M. M. ships in harbour will take a prominent part. The evening's entertainment will conclude with the Fifth Act of Sheridan's Play of PIZARRO. For further particulars, see small bills. Prices as usual.

[Advertisement], Bathurst Free Press and Mining Journal (19 December 1860), 3

http://nla.gov.au/nla.news-article63594391 

Prince of Wales Theatre. WEDNESDAY, DEC. 26th, 1860.
LESSEES: Messrs, Sharp and Wilkinson.
THE public of Bathurst are respectfully informed, that the above favourite place of amusement will open on BOXING NIGHT, with the following talented company: -
MR. and MRS. J. B. RUSSELL; MR. and MRS. MURRAY; MR. BARRY; MR. TWIGHT
MR. GATLAND; MR. FLYNN; MR. W. RICE; MR. and MRS. WILKINSON . . .
F. J. SHARP, Acting Manager.

[Advertisement], The Sydney Morning Herald (16 February 1861), 1

http://nla.gov.au/nla.news-article13052790 

MASON'S SALOON - Re-Engagement of Mr. Gatland, late of the Victoria Theatre. Liquors, bar prices.

[Advertisement], The Sydney Morning Herald (2 March 1861), 1

http://nla.gov.au/nla.news-article13053522

MASON'S SALOON - Glees, Trios, and Duets. Mr. Gatland, Irish Comic Singer. Liquors, bar prices.

[Advertisement], Empire (6 July 1861), 1

http://nla.gov.au/nla.news-article60491662 

RE-OPENING OF ROYAL LYCEUM THEATRE. GRAND COMPLIMENTARY BENEFIT TO Mr. J. WINTERBOTTOM,
On TUESDAY next, 9th July. The following Artists will appear on the occasion -
G. H. Rogers, F. Howson, J. Howson, J. Levesen, Messrs, Morton, Clifford, Walker,
Gatland, Mrs. Crosby, Mrs. C. Jones, Mrs. Morton, Mrs. Griffith, Miss Lincoln, Miss King, and
a full and efficient Orchestra. Leader, Mr. G. PECK, who has kindly volunteered his services upon the occasion.
Conductor, Mr. J. WINTERBOTTOM.

[Advertisement], The Sydney Morning Herald (29 August 1861), 1

http://nla.gov.au/nla.news-article13059649 

MASON'S SALOON. - Glees, Trios, Duets, Selections from the latest operas, &c.. GATLAND, Irish comic singer.

[Advertisement], The Sydney Morning Herald (25 March 1863), 1

http://nla.gov.au/nla.news-article13076165 

SYDNEY ORCHESTRAL UNION. - Notice of REMOVAL. -
The above Society have removed to Mr. Cane's Schoolroom, Stanley-street, Woolloomooloo.
Practice, this evening, at half-past 7 sharp.
A few additional members required.
W. KNIGHT, conductor.
R. E. GATLAND, secretary.

[Advertisement], Daily Southern Cross (23 June 1870), 1

https://paperspast.natlib.govt.nz/newspapers/DSC18700623.2.2.7 

A. R. V. PRINCE OP WALES THEATRE.
A MUSICAL AND DRAMATIC ENTERTAINMENT Will be given TO-NIGHT (THURSDAY), JUNE 23, 1870,
In Aid of the Band Fund, By Members of the AUCKLAND RIFLE VOLUNTEER CORPS, Assisted by Ladies of the Profession . . .
SERGT. R. E. GATLAND, Manager.

[Advertisement], New Zealand Herald (17 October 1870), 1

https://paperspast.natlib.govt.nz/newspapers/NZH18701017.2.2.6 

AUCKLAND ETHIOPIAN TROUPE. CITY HALL, QUEEN-STREET . . . THIS (MONDAY) EVENING, OCTOBER 17 . . .
PROGRAMME . . . PART II . . . . Song - Mr. R. E. Gatland . . .

[Advertisement], Auckland Star (23 November 1870), 2

https://paperspast.natlib.govt.nz/newspapers/AS18701123.2.16.4 

SYMONDS-ST. MUSIC HALL. THIS (WEDNESDAY) EVENING, NOV. 23.
THE ORPHEUS MINSTRELS . . . BENEFIT OF THE PROVINCIAL HOSPITAL.
PROGRAMME. PART I.
Overture - "Crown Diamonds" (Auber) - Company
Opening Chorus - "Ernani" (Verdi) - Company . . .
The Little One that Died - Mr. R. E. Gatland
PART II . . . The Wanderer (Schubert) - Mr. R. E. Gatland . . .

[News], New Zealand Herald (26 August 1876), 5

https://paperspast.natlib.govt.nz/newspapers/NZH18760826.2.21 

We understand that Mr. R. E. Gatland is about to leave per Hero for Sydney, and in view of his departure, the members and officers of the Amalgamated Society of Carpenters and Joiners will present him with a substantial token of their regard. The presentation takes place this evening at the Thames Hotel, at half-past 8.

[Joseph Michael Forde], "OLD SYDNEY", Truth (7 July 1912), 12

http://nla.gov.au/nla.news-article168748974 

. . . Dear Old Chum, - A little while back you published a nice entertaining letter from the father of the stage, Mr. W. H. Ford, in allusion to and in connection with the little theatre in Sussex-street. At the commencement of the sixties, the building which was used for dramatic purposes was adjacent to an hotel (Murray's, I think it was then) at the corner of King and Sussex-streets. Sometimes it was used as a dancing saloon, at others let for theatrical exhibitions. It was called the "Royal Albert" I remember, some time before Mr. Ford opened it, taking part (as an amateur) in various plays performed there, and acted with Miss Blanche Grey, whom I knew well, as an aspirant for histrionic ability . . . About that time I was connected with a company performing at the "Royal Albert." Jack Clifford was the star, Miss Grey and Emily Vincent were the leading ladies, Robert Gatland was in the company, and his brother-in-law, Ned Gregory, who at that time was a cricketer in embryo, and years after became the father of little Syd. The writer was generally cast for walking gentlemen . . .

ASSOCIATIONS: William Henry Ford (actor, manager); Edward James (Ned) Gregory (1839-1899, wife's brother)




GATLAND, Thomas (Thomas GATLAND; GATTLAND; GATELIN)

Musician, clarinettist, vocalist, convict

Born Gravesend, England, c. 1821/22; son of Thomas GATLAND and Mary SMITH
Tried Kent Quarter Sessions, England, 12 April 1839, sentenced to 10 years
Arrived Sydney, NSW, 27 April 1840, en route to Norfolk Island (per Mangles (8), from England, 21 November 1839)
Arrived Hobart Town, VDL (TAS), 3 March 1844 (per Maitland, from Norfolk Island, 15 February)
Married Jane HILLAN (c. 1831-1889), Adelaide, SA, 25 March 1850
Active Hobart, TAS, by 1853
Active Melbourne, VIC, by 1857
Died Footscray, VIC, 26 April 1900, aged 79

https://trove.nla.gov.au/search?l-publictag=Thomas+Gatland+d1900 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GATLAND-Thomas (shareable link to this entry)

GATLAND, Arthur Henry (Arthur Henry GATLAND; Arthur GATLAND)

Vocalist, entertainer, mimic

Born Melbourne, VIC, 1871; son of Thomas GATLAND and Jane HILLAN
Died Northcote, VIC, 1952, aged 81

DISAMBIGUATION: Not to be confused with his elder brother Alfred Hillan GATLAND


Summary:

Thomas Gatland arrived in NSW as a convict on the Mangles on 27 April 1840, and probably spent most of the next four years on Norfolk Island. Given his musical skills, he was one of the "new hands" well placed to prosper under commandant Alexander Maconochie's marks system, plausibly as a clarinettist in the island band, where he would almost certainly have come to the attention of fellow prisoner Charles Packer, and also of assistant surgeon and musician James Reid.

Gatland arrived in Hobart on a convict transport on 3 March 1844, on the same ship that brought Maconochie and his family finally from the island. He was granted a ticket-of-leave in November 1846, a conditional pardon in 1848, and, on completing his 10-year sentence in April 1849, a certificate of freedom.

Thus free to travel, he had arrived in Adelaide, SA, by February 1850, when he was billed to perform a clarinet solo for a theatrical performance organised by John Lewis Jacobs. Apparently attesting to his instrumental proficiency, he went on to perform in concerts for Spencer Wellington Wallace, playing a solo work by Heinrich Baermann (or his son Carl Baermann), and by early 1851 was himself leader of the band at Charles Axtelle's circus in Currie-street.

Gatland married Jane Hillan in Adelaide on 25 March 1850, and the couple sailed for England, probably in early to mid 1851. Whether a pre-planned return or not, they arrived back in Sydney on the Blackfriar, in September 1852, and in July 1853 sailed for Hobart, where, by August, Thomas was playing in the theatre band under the management of his former Adelaide colleague, John Lewis Jacobs and Gustavus Arabin.


Documentation:

"EAST KENT QUARTER SESSION", Canterbury Journal, Kentish Times and Farmers' Gazette (13 April 1839), 4

Thomas Gatland, 17, charged with stealing, on the 18th January, at Minster, in Sheppy, in this county, one counterpane, of the value of ten shillings, the property of Mary Dove. - Transported ten years.

Norfolk Island (1840-44):

List of 290 male convicts by the ship Mangles (8), William Carr, master . . . arrived from England, 27th April 1840; State Records Authority of NSW

https://www.ancestry.com.au/interactive/2024/32082_223783__0002-00044 (PAYWALL)

40 / 970 / 102 / Gatland Thomas / 19 / R & W / Protestant / Single / [born] Gravesend / Laborer / Stealing a counterpane / Kent Quarter Sessions / 12 April, 1839 / 10 years / [former conviction] 2 months / 5 4 1/4 / fair furry and freckled / Sand brown / Light hazel / [marks, scars] None

VDL (TAS) (1844-49):

Conduct record, Thomas Gatland, begun VDL (TAS), 3 March 1844; Tasmanian names index; NAME_INDEXES:1394596; CON33/1/51

https://stors.tas.gov.au/NI/1394596 

https://stors.tas.gov.au/CON33-1-51$init=CON33-1-51p139 

11976 / Gatland, Thomas / Transported for Stealing a Counterpane / . . . Tried Kent Q. S., 12 April 1839 [sentenced] 10 years / Trade Laborer, Musician, and Groom / . . . age 23 [sic]

[Government notice], The Cornwall Chronicle (21 November 1846), 908

http://nla.gov.au/nla.news-article65943261 

His Excellency the Administrator of the Government has been pleased to grant tickets-of-leave to the under-mentioned convicts . . . Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (17 July 1847), 8

http://nla.gov.au/nla.news-article36252549 

It is the Lieutenant-Governor's intention to recommend to the gracious consideration of her Majesty the Queen for Conditional Pardons . . .
Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (30 September 1848), 3

http://nla.gov.au/nla.news-article36255716 

CONVICT DEPARTMENT. September 23, 1848.
It is hereby notified, that his Excellency has received a despatch from the right honourable the secretary of state, conveying her Majesty's approval of pardons being granted to the undermentioned persons, upon condition that they shall not return to or be found within the countries in which they were severally convicted, or the united kingdom of Great Britain and Ireland during the remaining term of their transportation: - . . .
Thomas Gatland, Maitland . . .

[Government notice], Launceston Examiner (28 April 1849), 8

http://nla.gov.au/nla.news-article36257287 

The period for which the undermentioned persons were transported having expired, certificates to that effect have been granted them accordingly . . .
Thomas Gatland, Maitland . . .

Adelaide, SA (1850-51):

[Advertisement], South Australian Register (14 February 1850), 2

http://nla.gov.au/nla.news-article38451783

Dramatic Hall, Leigh-street. THIS Evening, Thursday February 14, will be presented a new Romantic Drama, entitled THE VAMPIRE BRIDE, or WAKE NOT THE DEAD, in which a Lady Amateur will appear. A variety of singing and dancing. A Solo on the Clarionette by Mr. Gatland. To conclude with a new Farce, called THE ORIGINAL. The Hall can be let for any respectable meetings, lectures, concerts, &c, by application to Mr. Jacobs.

ASSOCIATIONS: John Lewis Jacobs

[Advertisement], South Australian (26 March 1850), 3

http://nla.gov.au/nla.news-article71625911 

SIX GRAND PROMENADE CONCERTS, A LA JULIEN, At the Exchange, King William-street. Under the Direction of Mr. W. Wallace. THE Second Concert will take place this evening, the 26th instant . . . Solo, clarionette - Baermann - Mr. Gattland . . .

ASSOCIATIONS: Spencer Wellington Wallace

MUSIC: Probably a work by Heinrich Baermann or his son Carl Baermann

[Advertisement], South Australian (9 July 1850), 3

http://nla.gov.au/nla.news-article71626661

EXCHANGE, KING WILLIAM-STREET . . . MONSTER CONCERT.
GRAND COMBINATION OF TALENT IN AID OF THE FUNDS OF THE GERMAN AND BRITISH HOSPITAL . . .
INSTRUMENTAL. Conductor - Mr. Wallace . . .
Clarionets - Messrs. Gatelin and Williamson . . .

[Advertisement], South Australian Register (8 February 1851), 1

http://nla.gov.au/nla.news-article38452774

TAYLOR'S ROYAL AMPHITHEATRE. CURRIE-STREET. Under the entire Management of Mr. C. AXTELLE . . .
Leader of the Orchestra, Mr. Gatland.

Names and descriptions of passengers per Scotia, from Melbourne, February 1852, for Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/63F36E90-FA01-11E9-AE98-7719AB5CD4F8?image=115 (DIGITISED)

- Gatland / [male] 32 / Musician
- Gatland / [female] 24 / -
- Hewitt / [male] 35 / [Musician]
- Hewitt / [female] 25 / -
[with or followed by a party of 2 adult and 3 juvenile equestrians or circus performers, from Portugal, Brazil, America and Australia]

? [Advertisement], The Sydney Morning Herald (23 September 1852), 2

http://nla.gov.au/nla.news-article12940232 

On board the barque Blackfriar. To Captain Tissiman. September 8, 1852.
Dear Sir, - Feelings of gratitude and esteem induce us, the undersigned passengers by the barque Blackfriar, from London to Port Phillip and Sydney, to tender you our very hearty thanks . . .
[Signed] . . . Mr. Thomas Gatland . . .

"CLEARANCES", The Sydney Morning Herald (4 July 1853), 2

http://nla.gov.au/nla.news-article12947010 

July 2. - Wild Irish Girl, brig, 125 tons, Captain Ogilvie, for Hobart Town. Passengers - Mr. and Mrs. Money, Mr. and Mrs. Gatland, Mr. R. Queely.

[Advertisement], The Courier (25 August 1853), 2

http://nla.gov.au/nla.news-article2242649

ROYAL VICTORIA THEATRE. First Night of THE MAY QUEEN . . .
GRAND MUSIGAL MELANGE. Overture, Celestina, J. C. Thomson - BAND . . .
. . . Solo, Clarionet, All is lost, Opera Somnambula. MR. GATLAND . . .

ASSOCIATIONS: John Charles Thompson

[Advertisement], The Courier (1 September 1853), 2

http://nla.gov.au/nla.news-article2240583

ROYAL VICTORIA THEATRE . . . FRIDAY EVENING, 2nd September . . .
GRAND MUSICAL MELANGE. Overture, La Gazza Ladra - (Rossini) - Band . . .
. . . Solo, Clarionet, All is lost, Opera Somnambula. MR. GATLAND . . .

[Advertisement], The Courier (22 September 1853), 2

http://nla.gov.au/nla.news-article2247555 

ROYAL VICTORIA THEATRE. FRIDAY EVENING, September 23, 1853 . . .
MUSICAL MELANGE . . . Solo Clarionette, "Casta Diva" (Opera Norma) - Mr. Gatland . . .

[Advertisement], The Courier (13 February 1854), 2

http://nla.gov.au/nla.news-article2240954 

ROYAL VICTORIA THEATRE . . . WEDNESDAY EVENING, 15TH FEBRUARY . . .
Favourite Dance, Mr. Cohen. Solo Clarionet, Mr. Gatland . . .

Births in the district of Hobart, (6 July) 1854; Tasmanian names index; NAME_INDEXES:958504; RGD33/1/5/ no 1099

https://stors.tas.gov.au/NI/958504 

https://stors.tas.gov.au/RGD33-1-5-p072j2k 

1099. July 6th [unnamed] male, [son of] Thomas Gatland, musician, and Jane Hillan [signed] Thos. Gatland . . .

[Advertisement], The Courier (1 August 1854), 3

http://nla.gov.au/nla.news-article2239794 

MECHANICS' INSTITUTE. PROGRAMME OF MR. LAVENU'S GRAND CONCERT.
THIS EVENING, 1ST AUGUST. PRINCIPAL PERFORMERS; MADAME CARANDINI, MRS. DAWSON, MR. WHEELER, MR. GATLAND, MR. MEGSON, MR. THOMPSON, AND MR. LAVENU.
PART I. Overture, "Daughter of the Regiment," (arranged by L. Lavenu) - Donizetti - Messrs. MEGSON, WHEELER, THOMPSON, GATLAND, and LAVENU . . .
PART II. Overture, "Stradella," (arranged by L. Lavenu) - Flotow - Messrs. MEGSON, WHEELER, THOMPSON, GATLAND, and LAVENU . . .

[Advertisement], The Courier (12 August 1854), 3

http://nla.gov.au/nla.news-article2243765

. . . MADAME CARANDINI'S GRAND EVENING CONCERT,
TUESDAY EVENING, 15th August To commence at 8 o'clock precisely.
PROGRAMME. PART 1ST. Overture - "La Gazza ladra" - ROSSINI. - Messrs. Megson, Gatland, Thompson, Wheeler and Lavenu . . .
PART 2ND. Overture - Stradella - FLOTOW - Messrs. Megson, Gatland, Thompson, Wheeler and Lavenu . . .
Solo - Clarionet - BEARMANN [sic]- Mr. Gatland . . .

ASSOCIATIONS: Joseph Megson; John Charles Thompson; Stephen Wheeher; Lewis Henry Lavenu

"PLEASURE TRIP OF THE MONARCH", The Courier (22 March 1856), 2

http://nla.gov.au/nla.news-article2500823 

This handsome steamer left the wharf yesterday, with a very large party, on a pleasure trip to New Norfolk. On leaving her moorings, shortly after ten o'clock, the weather was most auspicious. Dancing commenced soon after starting, and was kept up, without intermission, during the day, to the strains of Gatland's band. Refreshments of a delicate description and unlimited in quantity were supplied: the prompt and assiduous attention to the wishes of the party exhibited by the captain and the spirited owner was the subject of much comment and praise. The steamer returned about half-past six o'clock, and landed her passengers after spending a bright and joyous day.

[Advertisement], The Hobarton Mercury (24 March 1856), 4

http://nla.gov.au/nla.news-article3337861

GRAND FESTIVE BALL; AMPHITHEATRE, MURRAY-STREET. ON MONDAY EVENING, the 24th of March Instant. For the Benefit of Mr. GATLAND, (Late of the Victoria Theatre) prior to his departure for Melbourne . . .

Melbourne, VIC (from 14 July 1856):

Names and descriptions of passengers per City of Hobart, from Hobart 11 July 1856, for Melbourne, 14 July; Public Record Office Victoria

https://prov.vic.gov.au/archive/6D5E2BAA-FA01-11E9-AE98-63E817575970?image=35 (DIGITISED)

Thos. Gatland / 35 / Musician // Mrs. Gatland / 26 / Wife
Gatland / Children / [males] 10, 7 / [female] 5

"THE NEWS OF THE DAY", The Age (15 March 1870), 2

http://nla.gov.au/nla.news-article189326837 

A musical service was held last night in the Prahran Independent Church. The performance commenced at eight o'clock, the church being crammed. Mr. Henry King acted as conductor, the organ being presided over by Master H. J. King. Amongst the principal singers were Mrs. Peryman, the Misses Gatland, and Messrs. Ford, Brown and Gatland. The concert was composed entirely of sacred music, being selections from the works of Haydn, Mozart, Handel, Mendelssohn, Boyce, Greene, Clarke, Novello, Righini and Himmel. The entertainment was throughout a great success.

ASSOCIATIONS: Henry John King (senior)

"MARRIAGE", The Argus (12 August 1870), 3

http://nla.gov.au/nla.news-article5828568 

ROPER - GATLAND. - On the 11th inst., at St. James's Cathedral, Melbourne, by the Rev. M. H. Becher, B.A., Mr. Frederick Roper, of Emerald-hill, to Mary Anne, second daughter of Mr. Thos. Gatland, of this city.

[Advertisement], The Argus (25 March 1871), 8

http://nla.gov.au/nla.news-article5844959 

GRAND VOCAL ENTERTAINMENT, in Aid of Institute Funds - Emerald hill Mechanics' Institute, March 28 - Songs, Glees, Trios, Quartets &c. Artistes - Miss Bertha Watson, Miss Gatland, Messrs. A Ford, T. Ford, T. Brown, T. Gatland, H. King, and H. King, jun.; also, Mr. Tom Eastmure, the great Buffo Singer . . .

[Advertisement], The Argus (14 November 1871), 7

http://nla.gov.au/nla.news-article5856957 

. . . Thomas Gatland, of Little Collins street, Melbourne, sexton of the Church of St. James, Melbourne . . .

[Advertisement], The Argus (18 December 1874), 3

http://nla.gov.au/nla.news-article11509276 

CHURCH BELLS - TENDERS REQUIRED for slight ALTERATIONS to framework of the bells of St. James's Church. Specification to be seen at Mr. Gatland's, sexton, on church grounds, of whom particular may be inquired. The lowest or any tender not necessarily accepted.

"THE MELBOURNE GERMAN LIEDERTAFEL", The Argus (4 July 1878), 5

http://nla.gov.au/nla.news-article5893928 

A herren-abend was held last night at Hockin's Hotel, in connexion with this society, at which there was a large attendance on the part of members and their friends . . . A double quartett, consisting of Messrs. Madden, Staker, Stirling, Nell, Behrend, Turner, Gatland, and Homeyer, sang the "Liebessehnsucht," by Witt . . .

"Deaths", The Argus (20 June 1889), 1

http://nla.gov.au/nla.news-article6256230 

GATLAND. - On the 19th inst., Jane, the dearly beloved wife of Thomas Gatland, of St. James, aged 58 years. Her end was peace.

"AN OVERLOOKED CATHEDRAL", The Argus (10 January 1891), 4

http://nla.gov.au/nla.news-article8465392 

[St. James's Cathedral] . . . At that time the parsonage stood in "the parson's cabbage garden," on the other side of Little Collins street, facing the cathedral, and the humble embowered cottage which we now see perched in the extreme south-west corner of the ground, and threatening to tumble into the lane, stood where the parsonage now is. This modest weatherboard cottage has for the past 30 years been the official residence of the worthy verger, Mr. Thomas Gatland, whose stately presence and rich melodious voice still lend the good old impressive tone to all the various rituals of the church. When required to shift to make room for the parsonage, the cottage was bodily put upon rollers and moved all standing to its present site . . .

"DEATHS", The Argus (12 May 1900), 9

http://nla.gov.au/nla.news-article9540882 

GATLAND On the 26th April at the residence of his daughter, Mrs. A. A. Pratt, "Viewforth," Whitehall-street, Footscray, Thomas Gatland, late of St. James's Cathedral, West Melbourne, aged 79 years. For many years a member of Melbourne Deutsche Liedertafel, also Philharmonic Society, Melbourne.


Bibliography and resources:

Thomas Gatland, Mangles, 21 November 1839; Convict records

https://convictrecords.com.au/convicts/gatland/thomas/60545 




GAUTROT, Joseph see main page Joseph GAUTROT

Violinist, composer, professor of music

Arrived 1839; died 1854

GAUTROT, Madame see main page Madame GAUTROT

Soprano vocalist

Active Australia 1839 to 1855




GAVIN, Mr. (? Andrew GAVIN, d. 1903)

Flute player

Active Brisbane, QLD, 1859


Documentation:

? "CENTENARY OF ROBERT BURNS AT SOUTH BRISBANE", The Moreton Bay Courier (29 January 1859), 2

http://nla.gov.au/nla.news-article3720026 

. . . Mr. GAVIN proposed "The Land o'Cakes" . . . I love the broad expressive dialect of the Lowlands. I love to hear our Scottish songs, so justly celebrated; and I love to listen to the beautiful national melodies of our native land. The bag-pipe too, so grating to English ear, has for me a peculiar interest, as being associated with the world-Wide warlike renown of brave old Caledonia, and her bare-legged clans . . .

"CONCERT AT THE SCHOOL OF ARTS", The Moreton Bay Courier (27 August 1859), 2

http://nla.gov.au/nla.news-article3726481

The Choral Society gave a concert of sacred music in the School of Arts on Thursday night. The selections were from eminent masters and vocal and instrumental powers were combined. The attendance was large. Mr. Diggles presided at the harmonium . . . Mr. Gavin, on the flute, met with an encore in "He was despised and rejected of men" . . .

ASSOCIATIONS: Silvester Diggles; Brisbane Choral Society

? "THE LATE MR. A. GAVIN", The Capricornian (11 April 1903), 18

http://nla.gov.au/nla.news-article71948573 




GEARING, Timothy (Timothy GEARING; Mr. GEARING; GEARRING)

Violinist (theatrical band), plasterer

Born London, England, c. 1811/12
Married Mary BRADY, Whitechapel, London, England, 19 June 1831
Arrived Sydney, NSW, 31 August 1838 (per William Metcalf, from Plymouth, England, 14 May)
Died Sydney, NSW, 2 September 1854, aged 42

https://trove.nla.gov.au/search?l-publictag=Timothy+Gearing+d1854 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEARING-Timothy (shareable link to this entry)


Documentation:

Marriages solemnized in the parish of St. Mary, Whitechapel, in the county of Middlesex, in the year 1831; register, 1828-41; London Metropolitan Archives

https://www.ancestry.com.au/interactive/1623/31280_194824-00110 (PAYWALL)

Timothy Guering [sic] of this Parish Bachelor
and Mary Brady of this Parish Spinster / were married in this Church by Banns . . . this [19 june 1831] . . .

List of assisted immigrants by the William Metcalf, arrived 31 August 1838; State Records Authority of NSW

https://www.ancestry.com.au/interactive/1204/IMAUS1787_081404-0016 (PAYWALL)

Gearing Timothy / 27 / [born] London / Plasterer / Read & Write / Catholic / . . .
Mary / 27 / London / H[ou]se maid / Read & Write / Catholic / . . .
William / Inft // Hannah / 6 // Mary / 3 // Susan / 1 . . .

"SHIP NEWS", Commercial Journal and Advertiser (8 September 1838), 2

http://nla.gov.au/nla.news-article226459383 

Passengers per "William Metcalf" . . . Timothy Gearing, plasterer, wife and four children . . .

INSOLVENCY DEPARTMENT. NEW INSOLVENTS", The Australian (5 December 1844), 3

http://nla.gov.au/nla.news-article37121677 

Timothy Gearing, of Castlereagh-street, Sydney, plasterer. Debts, £49 15s. 3d.; assets, £6. -. Balance deficiency, £43 15s. 3d. - Edward Knox; Official Assignee.

[Notice], New South Wales Government Gazette (10 December 1844), 1503

http://nla.gov.au/nla.news-article230678659 

In the Insolvent Estate of Timothy Gearing, of Castlereagh-street, Sydney, plasterer . . .

[Advertisement], Morning Chronicle (20 December 1845), 3

http://nla.gov.au/nla.news-article31747010

. . . AT THE ROYAL VICTORIA THEATRE, ON THE 23RD DECEMBER . . . HANDEL'S ORATORIO OF THE MESSIAH With Mozart's additional accompaniments . . . PRINCIPAL INSTRUMENTAL PERFORMERS. - Mr. S. W. Wallace, Mr. Gibbs, Mr. Deane, Mr. J. Deane, Mr. E. Deane, Mr. W. Deane, Mr. F. Deane [sic], Mr. O'Flaherty, Mr. Gearing, Mr. Friedlander, Mr. Waller, Mr. Wilson, Mr. Strong, Mr. Westropp, assisted by numerous amateurs; and by permission of Colonel Jackson, THE SPLENDID BAND OF THE 99TH REGIMENT . . .

[Advertisement], The Sydney Morning Herald (29 July 1846), 1

http://nla.gov.au/nla.news-article12888768 

. . . MONS. AND MDME. GAUTROT have the honour to inform their friends and the residents of Sydney, that their
FAREWELL CONCERT will take place THIS DAY, the 29th instant, in the Saloon of the Royal Hotel . . . Principal Violins - Mr. S. W. Wallace, Mr. Deane, and Mr. J. Deane. Tenors - Messrs. Deane and Friedlander. Violoncello - Mr. E. Deane. Double Bass - Mr. W. Deane.
Second Violin - Mr. Gearing. With numerous other performers, comprising a GRAND AND EFFICIENT ORCHESTRA!
Mr. A. Emanuel will preside at the Pianoforte. Leader - Mr. S. W. Wallace . . .

[Advertisement], Sydney Chronicle (16 September 1846), 2

http://nla.gov.au/nla.news-article31748853

LIST of Subscriptions towards the erection of St. Benedict's Church, Sydney.
Sunday evening, September 13, 1846 . . . Mr. Gearing, 5s. . . .

"DEATHS", The Sydney Morning Herald (3 February 1854), 6

http://nla.gov.au/nla.news-article12955690 

On the 2nd instant, at his residence, Castlereagh-street, Timothy Gearing, plasterer, aged 42 years, leaving a wife and large family to lament their loss, and deeply regretted by a vast number of friends.




GEE, Francis (Francis GEE; Mr. GEE)

Musician, clarinettist, clarinet / clarionet player, master of the band of the 39th Regiment

Born Winchester, England, 1799; son of Joseph and ? Elizabeth GEE
Married Eliza JORDAN (d. 1871), England, by 1825
Arrived Sydney, NSW, 17/18 September 1827 (with regiment, per Cambridge, from England, 26 April 1827, from Dublin, 2 June)
Departed Sydney, NSW, 21 July 1832 (with regiment, per John, for Madras, India)
Died Windsor, England, 11 April 1883, aged 84

https://trove.nla.gov.au/search?l-publictag=Francis+Gee+1799-1883 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Francis (shareable link to this entry)

ASSOCIATIONS: Band of the 39th Regiment

See also: https://trove.nla.gov.au/search?l-publictag=Band+of+the+39th+Regiment (TROVE tagged by Australharmony)


Documentation:

[News], The Sydney Gazette and New South Wales Advertiser (19 September 1827), 2

http://nla.gov.au/nla.news-article2188999

By the Cambridge transport ship, we have the pleasure to announce the safe arrival of Colonel LINDSEY, C. B. with the headquarters of His Majesty's 39th Regiment. This vessel sailed from Ireland on the 2d of June, and made the passage in 115 days . . . The organ of St. James' church has arrived by the Cambridge. The Head quarters, with the very fine band of the 39th Regiment, under the command of Colonel LINDSEY, C. B., landed yesterday morning, from the Cambridge, and marched to their quarters at the barracks.

[Advertisement], The Sydney Monitor (3 October 1829), 3

http://nla.gov.au/nla.news-article32072525 

ROYAL ASSEMBLY ROOMS. FOR THE FIRST TIME, (By particular Desire of many respectable Families)
THIS EVENING'S AMUSEMENT, WILL BE CONDUCTED AS A POPULAR Vocal and Instrumental Divertissement,
On Wednesday, October 14th, 1829.
Part First.
Grand and Favourite Overture - Der Freitchutz [sic] - Webber.
GLEE. - GLORIOUS APOLLO. WEBB.
Duet - In gaudy Court with aching hearts.
SOLO ON THE CLARIONET WITH VARIATIONS.
Song. - By a Lady.
Overture to the Slave, - Bishop.
TIPPITYWITCHET.- BY MR. LEVEY.
Part Second
OVERTURE TO KING HENRY IV.
Glee - Poor Mary Anne.
Song. - By an Amateur.
QUARTETTE - HORN, BASSOON, AND CLARIONETS.
Song.- By a Lady.
Comic Song. - Nightingale Club (by request), by Mr. Levey.
Overture to the Miller and his Men. - Bishop.
FINALE. - GOD SAVE THE KING, With full chorus by the whole of the Performers.
CONDUCTOR - MR. GEE . . .

[News], The Sydney Gazette and New South Wales Advertiser (15 October 1829), 2

http://nla.gov.au/nla.news-article2193617 

In consequence of the unfavourable state of the weather, the Concert which was to have been given at the Royal Hotel last night, was postponed to Monday night next.

"THE CONCERT", The Australian (21 October 1829), 3

http://nla.gov.au/nla.news-article36866471

Monday evening's Vocal and instrumental divertisements went off remarkably well, all things considered. The evening set in wet and stormy which was one drawback, and the house consequently did not muster as full benches as there would have been otherwise. However, on the whole the attendance was tolerably good, and the voices and instruments, as we have premised, were passing the moderato style. We must own the absence of the powerful leader at the preceding concert, whose professional education, proficiency, and natural refined taste, place him inferior to none in the second-rate ranks of musical excellence - did cause us to entertain some few misgivings as to the comparative success of both evenings. Mr. Gee, band master of the 39th, however, who conducted the instrumental part of the performance, led and managed matters, we understand, in a manner creditable to himself and gratifying to a major portion of the auditory. With the overture to Der Freischutz the performance began. This overture, to have effect, would need a much greater compass of instruments than were brought into play on this occasion. However, we must not be too critical. The overture went off very well, considering the paucity of instruments, owing to their being well assorted - a due proportion of sonorous, base, with more dulcet treple [sic], and softer, fuller, counter-tenor . . . in place of a solo on the clarionet, though not "omitted by particular desire," the wind instruments and violins struck up an overture . . . and after another overture, one of Bishop's - Mr. Levey came forward, and with admirable drollery recited the Tippitywitchet . . . and so closed part the first . . . part secundus or second, opened with the overture to Shakspeare's Henry IV, the time allowed between the acts having put the performers in good breath . . . The wind and stringed instruments bellowed and scraped again to the burthen of the miller and his men, in an overture to that popular melo-drama, "God save the King," in chorus, announced the finale! A new drop curtain fell before the scene, - and the house became speedily deserted, the audience haying enjoyed a rational and most of them an agreeable evening.

"CRITIQUE OF THE CONCERT. To the Editor", The Australian (23 October 1829), 2

http://nla.gov.au/nla.news-article36866366

Sydney, Oct. 21, 1829.
SIR, - Having accidentally seen in your Paper of this morning, a very lame and defective critique upon Monday's Concert, I beg to observe on that subject, it is matter of regret that you cannot find amongst your numerous friends, some one willing to give you a correct account of the public Amusements at which you cannot, whilst immured in a gaol, I am sorry to say, be present. Your informant evidently does not known concerto, or air with variations, from an Overture, and the abilities of performers, and the merits of the music at a Concert, must of course in such cases be very ill criticised. The fact is, he overlooked the real beauties of the Evening's Amusement, and mentioned Pieces which were not performed in place of the real ones. Instead of an Overture, Mr. Gee, who being a very young man for the situation, which he fills so much to his credit, performed (his Solo or Air Air, varied on the clarionet) having the proper instruments accompanying with very considerable ability. He properly subdued the tone of his instrument in the first place, which is no mean acquirement, and in the next, all the difficult passages were performed with that precision of execution that marks the master, and is creditable to him in the next degree to his style and tone, and the whole excited the most decided approbation from all parts of the audience. Next should have been mentioned the Quartette for clarionets, horn, and bassoon, in which Mr. Gee equally displayed his stability on his instrument, and the second clarionet performed his part with degree of skill highly creditable. The horn had some very difficult passages, which were generally performed in a superior manner. It would have been better for him in the eye of the general Critic if the passages had been less difficult; but to his own credit he succeeded well in producing that beautiful tone, of which the instrument he played is susceptible. The bassoon cannot be mentioned with too much praise; he is really a very superior player, whose quality of tone, and beautiful execution cannot be too much appreciated. On the whole this Quartetto was a musical treat. Your criticism on Der Freischutz, &c. was correct, and the performance of the instrumental music reflects the greatest credit on the band master; to whose youth and ability this tribute is due, and youth and ability, when brought into public notice, ought never to be deprived of that portion of praise which would stimulate to future exertion. The vocal music deserves little notice, perhaps it would be better at present if Concerts were made purely instrumental.
I am, Sir, yours, &c.
A LOVER OF MUSIC.

"MUSICAL ENTERTAINMENT", The Sydney Monitor (24 October 1829), 4

http://nla.gov.au/nla.news-article32072629

This exhibition took place at Mr. Levey's Theatre on Monday, but the wetness of the weather prevented the audience from being so numerous as was expected; still there was a good house. Mr. Gee, leader (master of the Band of the 39th) conducted this musical entertainment with great credit to himself and employer. The performance of the vocalists was every thing that could be expected; and in several songs they were encored. The overture to Der Freischutz was performed in a superior manner. Tippitywitchet, a comic song, was delivered by Mr. Levey, and excited much mirth. Mr. Gee played a solo on the clarionet, in his usual masterly manner.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (19 November 1829), 3

http://nla.gov.au/nla.news-article2193882

ROYAL Assembly Rooms . . . ON MONDAY, Nov. 23, 1829.
A SPLENDID VOCAL & INSTRUMENTAL CONCERT WILL BE GIVEN AT THE ABOVE ROOMS;
On which Occasion, the Saloon will be brilliantly Illuminated, and Ornamented with Shrubberies, exhibiting, in the Centre, a Transparency of Science Instructing the Four Quarters of the Globe.
THE CONCERT WILL BE IN LIEU OF TWO.
PART I. GRAND OVERTURE.
SONG, "Tarry awhile with me, &c." by a Lady.
GLEE.
AIR, with Variations, by Mr. GEE.
SONG, " What's a woman like?" by Mr. LEVY.
OVERTURE.
PART II.
QUINTETTE, Clarionet, Flute, Horn, Bassoons.
DUET by a Lady and Gentleman.
SONG, "Death of Nelson."
GLEE.
SONG, "Old Father Murphy," by Mr. LEVY.
FAVORITE OVERTURE.
PART III.
OVERTURE.
GLEE, "Hark! the bonny Christ-church bells."
SONG, by a Lady, (At the Request of several Gentlemen.)
Mr. LEVY will Introduce Miss Manglewurzel's DUTCH AIR.
FINALE, a much admired OVERTURE.
Conductor - Mr. Gee . . .

"Riddle-me-riddle-me-riddle-me-right", The Sydney Gazette and New South Wales Advertiser (3 April 1830), 3

http://nla.gov.au/nla.news-article2194838 

Why is the Master of a certain Band like double F sharp? An answer will oblige a querist.

"Riddle-me-riddle-me-riddle-me-right", The Australian (9 April 1830), 3

http://nla.gov.au/nla.news-article36865901 

. . . Answer. - Because he's G (Gee) natural.

"To the Editor", The Australian (27 August 1830), 5

http://nla.gov.au/nla.news-article36865322

SIR, - The following lines were written, on hearing the 39th band, of which Mr. Gee is the master, play the popular air of "Sweet Home," in the barrack-yard, on Sunday evening, 15th. Aug. If acceptable, please to give them a corner in your entertaining columns, and oblige your's, Z.

What heavenly strains, are those I hear,
Stealing on the evening's breeze -
Such melting notes, ne'er struck mine ear
Before, to sooth the heart and give it ease.
Hark! 'Tis sweet home! list again - that strain
How true's the chord that lulls severest pain.

Sweet Home! Justice now is done thee,
Ne'er were you touched so sweetly before,
Oh, how that cadence steals upon me,
It remembrance brings of days of yore;
While solus plays the mellow bassoon,
And then all strike in, so well in tune.

"If music be the food of love,
Play on," of it I ne'er would tire; -
'Twas surely sent from realms above,
Poor mortals on earth, to inspire.
Then play on, what e'er the key - be B or C,
All must be pleasing from the key of G.

Z.

"Supreme Court. SATURDAY, AUGUST 28 (Before Mr. Justice Stephen)", The Sydney Gazette and New South Wales Advertiser (31 August 1830), 3

http://nla.gov.au/nla.news-article2195919

Mary Spencer was indicted for stealing, at Sydney, on the 12th of June last, several articles of wearing apparel, and sundry monies, above the value of £5 the property of Isabella Penson; and Ann Spencer and Stephen Turner for receiving the same, on the same day and place aforesaid, knowing them to be stolen . . . By Mr. THERRY - I understand Ann Spencer was a sweetheart of Turner's . . . For the prisoner, Turner, Mr. THERRY called Mr. Francis Gee, Master of 39th Band, who said, he had known the prisoner for several years, and considered him the best conducted man in the band; I remember the morning of the 12th of June, and I know the prisoner was with the band from 9 to 12 o'Clock in the morning; His Excellency dined with the mess on the previous evening, on which occasion Turner was present with the band . . . Adjutant Innes, of the 39th, said, he knew the prisoner, Turner, for several years, and previous to this charge his character was unimpeachable; he was principal clarionet player in the band, and was also garrison glazier by which he earned a good deal of money; from what witness knows of his character he considers him incapable of committing the offence imputed to him . . . The Jury found Turner and Ann Spencer - Not Guilty; Mary Spencer - Guilty. Remanded.

"THE RUSSIAN DISCOVERY SHIP", The Sydney Gazette and New South Wales Advertiser (19 June 1832), 3

http://nla.gov.au/nla.news-article2207151

On Saturday last the Commander and Officers of H. I. M. ship Amerika entertained a numerous and distinguished party of ladies and gentlemen on board that vessel . . . The entertainment was enlivened by the band of the 39th regiment, who played appropriate airs. Dancing was kept up until past 8 o'clock in the evening, after which hour the company began to depart . . .

"Internal Intelligence", The Sydney Gazette and New South Wales Advertiser (24 July 1832), 3

http://nla.gov.au/nla.news-article2207688

About four hundred of the 39th regiment embarked on Saturday morning. They left the Barracks about six o'clock, and marched along Cumberland-street, the band playing the old air usual on such occasions "the Girl I left behind me". On their way they were cheered by some of the towns people, in reply to which they struck up Burns' "Farewell" and proceeded round by the fort to the Dock Yard, from which the boats conveyed them to their respective ships. The grenadier and light companies, with the staff and band, occupy the John, under the command of Colonel Lindesay.

"INDIA. IMPORTANT NEWS", The Courier (19 April 1844), 4

http://nla.gov.au/nla.news-article2951165

The intelligence received from India by the Tenasserim is of an interesting character, relating the events of two battles between our forces and the Mahrattas, which were fought on the 28th December, one at Maharajahpore, and the other at Punniar . . . The loss sustained at Maharajahpore on the side of the British amounted to nearly 1000 men killed and wounded . . . The band of the 39th regiment was dreadfully cut up . . .

England census, 1871; Windsor, Berkshire; UK National Archives, RG 10 / 1299

https://www.ancestry.com.au/interactive/7619/BRKRG10_1297_1300-0388 (PAYWALL)

No. 8. Military Knights Row / Francis Gee / Head / 71 / Co. Military Knight, late Capt. 39th Reg't / [born] Hants, Winchester
Eliza [Gee] / Wife / 67 / Wife of Captain Gee / [born] Warwickshire Birmingham . . .

England, probate calendar, 1883; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_222819-00258 (PAYWALL)

GEE Francis. 26 April. The Will of Francis Gee late of 8 Knight's Quarters Windsor Castle in the County of Berks Captain in Her Majesty's Army one of the Military Knights of Windsor who died 11 April 1883 at 8 Knight's Quarters was proved . . . by Elizabeth Bird . . . widow the Daughter the sole Executrix

"Military Memoranda", Naval & Military Gazette and Weekly Chronicle of the United Service (5 September 1883), 16

The vacancy among the Military Knights of Windsor, caused by the death of Major Francis Gee, has been filled by the appointment of Captain George Lewis Dive Amiel, late of the 10th Lincolnshire Regiment . . .


Bibliography and resources:

Jeremy Archer, The old West country regiments (11th, 39th and 54th) (Barnsley: Pen and Sword, 2012)

Janet and David Bromley, Wellington's men remembered: a register of memorials to soldiers who fought in the Peninsular War and at Waterloo, volume 1 (Barnsley: Praetorian Press, Pen and Sword, 2012)

https://books.google.com.au/books?id=dm9uBAAAQBAJ (PREVIEW)




GEE, Godfrey Henry Egremont (Godfrey Henry Egremont GEE; EGREMONT-GEE; Godfrey EGREMONT)

Music seller, music publisher, journalist, writer, embezzler

Born Dorset, England, 1844; baptised Wimborne-St. Giles, 13 October 1844, son of Thomas Egremont GEE (d. 1862) and Mary Ann BIRLEY (d. 1897)
Arrived Adelaide, SA, 15 October 1852 (free per Prince Regent, from London and Plymouth, 12 July)
Active Adelaide, SA, by 1866
Married Mary Ellen HAYNES, St. Bartholomew's, Norwood, SA, 3 February 1870
Active London, England, by c. 1910
Died Kensington, London, England, 3 March 1923 [England & Wales Death Index 1916-2007 Vol 1a, 238, Godfrey EGREMONT]

https://trove.nla.gov.au/search?l-publictag=Godfrey+Henry+Egremont+Gee (TROVE tagged by Australharmony)

https://trove.nla.gov.au/list?id=14554 (TROVE list)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Godfrey-Henry-Egremont (shareable link to this entry)

GEE, Maurice B. Egremont (Maurice B. Egremont GEE)

Amateur vocalist, choral singer

Born Yorkshire, England, c. 1847
Arrived Adelaide, SA, 15 October 1852 (free per Prince Regent, from London and Plymouth, 12 July)
Died Adelaide, SA, 5 July 1923

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-Maurice-Egremont (shareable link to this entry)


Egremont Gee's music shop (late Redford Clisby's), Rundle Street, Adelaide, c. 1866; State Library of South Australia

https://trove.nla.gov.au/version/228754566 

https://collections.slsa.sa.gov.au/resource/B+9114 


Documentation:

England census, 30 March 1851, Old Stratford, Warwickshire; UK National Archives, HO 107 / 2074

https://www.ancestry.com.au/interactive/8860/WARHO107_2074_2074-0960 (PAYWALL)

Old Town / Thomas E. Gee / Head / 33 / Preparatory School for Young Gentlemen / [born] Yorkshire Little Houghton
Mary A [Gee] / Wife / 30 / - / [Yorkshire] Doncaster
Godfrey H. E. [Gee] / Son / 6 / Scholar / Dorsetsh. Cramburn . . .

England census, 30 March 1851, Snitterfield, Warwickshire; UK National Archives, HO 107 / 2074

https://www.ancestry.com.au/interactive/8860/WARHO107_2074_2074-0419 (PAYWALL)

Seymour House / Jane A. Marsh / Head / 35 / Governess of a School for young ladies . . .
Ellen Birley / Visitor / 18 / - / [born] Yorkshire
Maurice Gee / [Visitor / 3 / Infant / [born Yorkshire]

"SHIPPING INTELLIGENCE. ARRIVED", Adelaide Observer (16 October 1852), 5

http://nla.gov.au/nla.news-article160110894 

Friday, October 15 - The barque Prince Regent, 629 tons, W. Jago, master, from London and Plymouth, 12th July. Passengers . . . Gee 4 . . . in the intermediate and steerage.

[Advertisement], South Australian Register (25 April 1866), 1

http://nla.gov.au/nla.news-article41034425

NOTICE. - REDFORD CLISBY, in returning his sincere thanks to the public of South Australia for the liberal patronage enjoyed by him for the last 17 years, begs to state that he has DISPOSED of his BUSINESS to Mr. G. H. EGREMONT GEE, whose stock will be expressly selected by R. C. from London and the Continent; and respectfully requests a continuance of that patronage to his successor.

MR. G. H. EGREMONT-GEE, in reference to the above, requests the support of his friends and the public, and a continuance of the favours accorded to his predecessor.

"TOPICS OF THE DAY", The South Australian Advertiser (19 June 1866), 2

http://nla.gov.au/nla.news-article28788437 

A musical entertainment was given in the Norwood Town Hall, on Monday evening, in aid of the building fund of St. Bartholomew's Church . . . The cavatina, "Hear me, Gentle Maritana," by Mr. G. H. Egremont-Gee, was also encored . . .

"OPENING OF THE TOWN HALL, PORT ADELAIDE", South Australian Register (30 August 1866), 2

http://nla.gov.au/nla.news-article41019378 

The completion of the Town Hall, Port Adelaide, was inaugurated on Wednesday by a vocal and instrumental concert, under the direction of Mr. George Loder . . . The vocal performers were Mr. and Mrs. G. Loder, Mrs. Wishart, Messrs. J. W. Daniel, Egremont-Gee, and J. Lake . . .

"THATCHER'S ADELAIDE SONGSTER", South Australian Register (3 January 1867), 2

http://nla.gov.au/nla.news-article39180342 

Mr. Thatcher has left us a souvenir - a small collection of the local songs he had specially composed for his recent concerts in White's Rooms. Of course they do not read so well as they sounded in the mouth of the author; still they are clever, and many of the hits are worth remembering. The publisher is Mr. Egremont-Gee, of Rundle-street.

ASSOCIATIONS: Charles Thatcher

"GENERAL NEWS", The Express and Telegraph (23 March 1867), 2

http://nla.gov.au/nla.news-article207592268 

A very successful entertainment took place at the Town Hall, Norwood, on Friday evening in aid of the funds of St. Bartholomew's Church . . . The programme included . . . a song - "German Band" - by Mr. Maurice Egremont Gee, which was certainly one of the best of the evening; it was sung in character and was loudly encored . . .

"TOPICS OF THE DAY", The South Australian Advertiser (20 July 1867), 2

http://nla.gov.au/nla.news-article28799349 

A musical and dramatic entertainment was given in the Temperance Hall, North Adelaide, on Friday evening, July 19, and was a great success . . . the audience were delighted by the exquisite production of the comic song and dance - "The Cures," by Messrs. Morris, Gee, and A. Diamond . . .

"GAWLER INSTITUTE", Bunyip (10 August 1867), 3

http://nla.gov.au/nla.news-article130962480 

An adjourned meeting of the committee of the Institute was held on Friday, the 9th inst. . . A letter from Mr. G. Egremont-Gee of Adelaide was read, asking permission to lithograph the Song of Australia, the copyright of which is the property of the Institute, as there was an occasional demand for it. The Committee resolved that the Secretary should reply by offering to sell a limited number of copies, now in their possession to Mr. Gee at 18s. per dozen.

"TOPICS OF THE DAY", The South Australian Advertiser (21 August 1867), 2

http://nla.gov.au/nla.news-article28800096 

A grand soiree was given in the Town Hall, Norwood, on Tuesday evening, August 20, in aid of the Clayton Chapel Sunday school . . . The programme was then commenced with the chorus "Peaceful shades," which was very well given by Messrs. Dyer, Jagoe, Maurice Gee, and Diamond. A number of other songs, duets, and solos were also very creditably given by Messrs. Dyer, Jagoe, and Gee, the most noticeable of which were the duet "Flow gentry, Deva," by Messrs. Dyer and Jagoe; solo, "Star of love," Mr. Dyer; "The Flying Dutchman," by Mr. Jagoe; the well known comic song, the "German Band," Mr. M. Gee . . .

"TOPICS OF THE DAY", The South Australian Advertiser (21 September 1867), 2

http://nla.gov.au/nla.news-article28800994

We have received from Mr. Egremont-Gee a song just written and set to music - Welcome, Prince Alfred to Adelaide. The air is simple, but pleasing, and the versification above the average. The printing is well executed, and the piece altogether deserving of patronage.

[News], Kapunda Herald and Northern Intelligencer (22 November 1867), 2-3

http://nla.gov.au/nla.news-article108263689 

SOME time back we remarked that the visit of H.R.H. the Duke of Edinburgh appeared to have called into existence a considerable amount of musical and poetical activity, some of the products of which we then reviewed. We have received from the publisher, Mr. Egremont Gee, two other musical productions of a very superior order such as do credit not only to the composers, but also to the colony. We allude to " The Galatea Polka" by Mr. Ellard, and the "Prince Alfred Waltz" by Mr. G. Loder - both of which productions found favour - not only with the colonists, but with that distinguished personage in honour of whose visit they were composed, they being the only two round dances danced by His Royal Highness at the Subscrip-[3]-tion Ball. The Galatea Band also played them at the Governor's Ball. The polka is a somewhat elaborate piece of composition, and is extremely pretty: a somewhat unusual effect is introduced in the middle of the polka in the shape of a chorus of welcome, the accompaniment to which marks the polka time. The title page bears a lithographed sketch of the Galatea under steam and canvas, drawn by Colonel Biggs. The waltz is also a very sweet and pretty composition, and wherever it is introduced will became a favourite, being quite worthy of the pen of so admittedly able a musician as Mr. Loder. Both pieces are lithographed by Messrs. Penman and Galbraith, who have turned out very tasteful title pages; and the music, though not so clear or large as the typographical impressions, is still very distinct. We can cordially recommend our musical readers to purchase these pieces, as they will thereby make a valuable addition to their musical library as well as encourage "native industry."

"MARRIAGES", South Australian Register (5 February 1870), 4

http://nla.gov.au/nla.news-article39202439 

GEE - HAYNES.- On the 3rd February, at St. Bartholomew's Church, Norwood, by the Rev. D. J. H. Ibbetson, G. H. E. Gee, to Mary Ellen, daughter of F. W. Haynes, Esq., Kilbree Cottage, Stepney.

"THE CHARGE OF EMBEZZLEMENT AGAINST GODFREY EGREMONT", The South Australian Advertiser (28 April 1886), 5

http://nla.gov.au/nla.news-article36327296

The case against the defaulter Godfrey Egremont, late secretary to the Kensington and Norwood Building Society, came on for hearing at the Adelaide Police Court on Tuesday morning . . . The information . . . stated - "That Godfrey Egremont, being a servant to the trustees of the Adelaide, Kensington, and Norwood Building and Investment Society, did receive and take into his possession for and on account of his said matters the sum of pounds 519 11s. 11d., and the said moneys then fraudulently and feloniously did embezzle on the 12th of January 1885" . . .

"THE ARREST OF GODFREY EGREMONT", Evening Journal (27 April 1886), 3

http://nla.gov.au/nla.news-article197815009 

By the R.M.S. Carthage, which arrived from London early on Saturday morning Detective Heynen, who was dispatched to Germany to obtain the extradition of Godfrey Egremont, the late Secretary to the Kensington and Norwood Building and Investment Society, arrived in the colony with Egremont, who was arrested at Stuttgart on a charge of embezzlement . . .

"Obituary", Chronicle (15 July 1923), 15

http://nla.gov.au/nla.news-article87433499 

Mr. Maurice B. E. Gee, who died on July 5, at the age of 75, was born at Ackworth-Moor-Tap, Yorkshire, in 1847, and came to South Australia with his parents in 1852. He led a very quiet and retired life. He was well known in musical and dramatic circles a number of years ago in Adelaide, with the late Mr. Arthur Diamond and others. He was a prominent member of St. David's Church, Burnside, and for the past fifteen years had been a member of the choir, missing only five services in that time. Mr. Gee never married. Mr. L. C. E. Gee, of the Mines Department, is a brother.

England, probate calendar, 1923; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_222937-00174 (PAYWALL)

EGREMONT Godfrey of 205 Grays Inn-road Middlesex died 3 March 1923 Administration London 19 April to Maud Mary Egremont spinster. Effects £352 10s.

"KENSINGTON - OLD AND NEW . . . From A. G. WELLS", The Register (22 May 1923), 4

http://nla.gov.au/nla.news-article64110516 

. . . As far back as 1855 there was an excellent day school at the corner of Beulah road, conducted by Mr. W. Holdsworth, who had as many as 80 scholars . . . I attended St. Bartholomew's Sunday School, and was also a chorister for some years . . . The late Mr. Thomas Gee was also a much-loved teacher. I can well remember most of the organists - Miss Jupp, Mrs. Powell, Messrs. Johns, H. H. Thomas (Union Bank), Herberlet, and Alfred Hawker, who died at sea. Mr. Hawker was a very kind-hearted, young gentleman, and at that time held a position in the Government offices. He took great interest in the private lives of his choristers, and had three special favourites, viz., the late Arthur Munt, Maurice Gee, and myself . . .


Music prints:

Finnigan's Wake Polka, composed by Th. Heydecke; arranged for the pianoforte by George Loder (Adelaide: G. H. Egremont-Gee, 1866)

https://trove.nla.gov.au/work/7578988 (DIGITISED)

Thatcher's Adelaide songster (containing the principal local songs as written and sung by him at White's Assembly Rooms) (Adelaide: G. H. Egremont-Gee, [1866])

https://trove.nla.gov.au/work/30750966 

The Galatea, polka brillante composed by Frederic Ellard (Adelaide: G. H. Egremont Gee, 1867)

https://trove.nla.gov.au/work/14425160 (DIGITISED)


Bibliography and resources:

R. Kent Rasmussen (ed.), Dear Mark Twain: letters from his readers (Berkeley: University of California Press, 2013), 158

https://books.google.com.au/books?id=1LcHTwKf14YC&pg=PA158 (PREVIEW)


Thanks:

To Judy Fander, 2016, for kindly sharing results of her research into the Gee family.




GEE, George James (James GEE; G. James GEE; G. J. GEE, "R.A.M.")

Pianist (Christy's Minstrels), musical director, arranger, piano tuner (from Collard and Collard)

Born Macclesfield, Cheshire, England, 1844; baptised St. Michael, Macclesfield, 4 August 1844, son of George GEE and Mary GEE
Arrived Melbourne, VIC, 15 February 1865 (per Great Britain, "James Gee", aged 22)
Departed Melbourne, VIC, 28 July 1867 (per Avoca, for Ceylon)
Active California, USA, c. 1870-81
Died Macclesfield, England, 17 January 1884

https://trove.nla.gov.au/search?l-publictag=George+James+Gee+1844-1884 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEE-George-James (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Summary:

James Gee, a piano pupil of Robert Barnett (of the Royal Academy of Music), arrived in Melbourne on the Great Britain in February 1865, as pianist to the actor and vocalist Edith Palmerston. In early March, Gee advertised that he was open to engagement, and was apparently quickly booked by James Melvyn and Thomas Rainford as pianist for a country tour by their Christy's Minstrels troupe. Henceforth billed in as "G. J. Gee" (probably George after his father), he continued working with the minstrel troupe and later with the Kohler brothers during his two years and five months in Australasia, including a brief visit also to New Zealand in 1866.


Documentatation:

England census, 1861, Macclesfield, Cheshire; UK National Archives, RG 9 / 2582

https://www.ancestry.com.au/interactive/8767/CHSRG9_2581_2587-0143 

George Gee / Head / Widower / 58 / Silk Machinist / [born] Cheshire Macclesfield
Maria [Gee] / Dau. / 31 / - / [born Cheshire Macclesfield]
Eliza [Gee] / [Dau.] / 27 / - / [born Cheshire Macclesfield]
Joseph [Gee] / Son / 18 / Silk Machinist / [born Cheshire Macclesfield]
James [Gee] / [Son] / 16 / Provision Dealer's Assistant / [born Cheshire Macclesfield] . . .

[News], The Argus (20 February 1865), 5

http://nla.gov.au/nla.news-article5739498 

The Polytechnic-hall will probably be well-attended on Wednesday evening next, when Edith Palmerston (Mrs. W. Alexander), gives her first entertainment in this colony. It is entitled "A Folio of Fun." Mrs. Alexander will be assisted by her husband, and Mr. James Gee presides at the pianoforte. The entertainment is highly spoken of.

[Advertisement], The Herald (22 February 1865), 2

http://nla.gov.au/nla.news-article245506036 

ROYAL POLYTECHNIC HALL . . .
MUSICAL ENTERTAINMENT, Entitled A FOLIO OF FUN, Written expressly for Edith Palmerston by the late Fred. Lawrence, Esq. . . .
Pianoforte, Mr. JAMES GEE (Pupil of Robt. Barnett, Esq., Professor Royal Academy Music, London) . . .

[News], The Argus (23 February 1865), 5

http://nla.gov.au/nla.news-article5747392 

Another candidate for public favour in that modern protean production, the "musical entertainment," has come to enliven our dulness in the person of Miss Edith Palmerston, or Mrs. W. Alexander. The Polytechnic-hall was very well filled last night to witness the debut . . . Mrs. Alexander is assisted by her husband and by Mr. Gee, a facile pianist. The performance was under the patronage of the commander and passengers of the Great Britain, from whom the fair debutante seems to have won golden opinions. Altogether she was very well received by the audience, native as well as new chum.

[Advertisement], The Argus (8 March 1865), 1

http://nla.gov.au/nla.news-article5746993 

MR. JAMES GEE, pianist, is open to ENGAGEMENTS, Paddington Hotel.

"THE CHRISTY'S MINSTRELS", Portland Guardian (13 April 1865), 2

http://nla.gov.au/nla.news-article64633721

The Christy's Minstrels gave the second of their deservedly popular entertainments, on Tuesday night, at Mac's Hotel. The programme, a very liberal one, was well carried out; and the applause which greeted the minstrels, both in the solos as well as in the concerted pieces, showed how well they were appreciated by the numerous audience. Gentle Jenny Gray by Mr. Melvyn; the Quartette, Come where my love lies dreaming, I long for my home in Kentuck, and The last man, sung by desire by Mr. Rainford elicited considerable applause, as did also the Anvil Chorus, from Il Trovatori. The Hen convention by Mr. Norton convulsed everybody with laughter. The second part of the entertainment was occupied by dances, a violin solo by Mr. A. Nish, whose instrumentation is so much admired; song by Mr. Rainford, and Mr. Rayner's stump speech, Or any oder Man. The third and concluding part was devoted to the Christy's burlesque on the Opera Maritana. Mr. G. J. Gee presided at the piano, and we were so well pleased with that gentleman's rendering, that we hope to hear more of his music.

"NEWS AND NOTES", The Ballarat Star (20 April 1865), 2

http://nla.gov.au/nla.news-article112886134 

The Christy Minstrels had another good house last night, and several variations were made from the previous night's programme. One of the best things last night was "The Old Sexton," a solo by Mr. Rainford, whose fine bass voice suited well for the air, and was skilfully managed. Mr. Rainor's get-up and his performance on the Chinese fiddle were delightfully ludicrous. His execution of the airs "Last Rose of Summer" and "Home, Sweet Home," was accompanied by such laughable grimaces and antics that the whole hall was made merry by the fun. Mr. Norton, in his dancing melange, proved that he is as accomplished as ever, and his reception was thoroughly hearty. Mr. Gee plays well on the piano, and Mr. Nish is a clever violinist, without ranking with the masters of that instrument whom we have had here. The entertainment closed with the burlesque of the "Bohemian Girl," and it was announced that the programme would be changed this evening - one of the varieties for this evening being the burlesque "Maritana." The company can only have the hall for three more nights, so those who wish to patronise the minstrels have but few opportunities to select from.

[Advertisement], Empire (17 July 1865), 1

http://nla.gov.au/nla.news-article64141143

PRINCE OF WALES OPERA HOUSE . . . THE LAST WEEK BUT ONE OF THE CELEBRATED AND ORIGINAL CHRISTY'S MINSTRELS, MONDAY, July 17th, THE LINCOLN GUN BOAT (by desire,) BURLESQUE HUTCHINSON FAMILY! BUSHRANGERS: OR, LIFE IN NEW SOUTH WALES To conclude with the Christy's celebrated Burlesque on the Opera of LUCREZIA BORGIA. Introducing nearly all, and a great deal more, of the original music, stolen expressly for this (per) version by Mr. G. J. Gee, assisted (on this occasion only) by that "rising young man from the country" Donizetti, Esq.

[Advertisement], Daily Southern Cross [Auckland, NZ] (11 April 1866), 1

https://paperspast.natlib.govt.nz/newspapers/DSC18660411.2.2.6

ODD FELLOWS' HALL. FRIDAY NEXT, APRIL 13, GRAND FASHIONABLE NIGHT, Being for the Benefit of MESSRS. G. J. GEE and H. EASTWOOD, Of the CHRISTY'S MINSTRELS. Under Distinguished Patronage.

"PUNCH'S PLAY-GOING EXPERIENCES", Sydney Punch (11 August 1866), 8

http://nla.gov.au/nla.news-article253068068 

During the week the Christy's have been giving a series of farewell performances, previous to their departure for a tour through Goulburn, Yass, and the principal towns of the Southern District. On Monday and Tuesday the entertainments were for the benefits of Messrs. Nish and Kohler, and of Messrs. Bent and Peele, respectively. On the former night the efforts of several of the gentlemen of the Original Sydney Amateur Christy's, and on the latter those of the Amateur Backus Minstrels, materially enhanced the effective ness of the general programme, and the attendance was commensurate with the merits of the four talented performers whose interests were concerned. On Wednesday evening the Christy's paid a "flying visit" to Balmain, and were well and numerously received. Saturday night next is set apart for the joint benefit of Mr. Gee, the accomplished piano-forte accompanyist, and Mr. Eastwood, the agent to the troupe, when their merits, coupled with the fact that this is positively the last appearance of this admirable company, ought to ensure a crowded attendance.

[Advertisement], The Ballarat Star (15 July 1867), 3

http://nla.gov.au/nla.news-article112876893

MECHANICS' INSTITUTE. THIS EVENING, MONDAY, 15th JULY. Manager - Mr. John Bryan.
KOHLER'S GREAT EXHIBITION of ILLUMINATED PAINTINGS, (Copies of the Old Masters).
Part 1st. CONCERT, Vocalist - MISS GERALDINE WARDEN. INSTRUMENTAL SOLOIST - MR. R. W. KOHLER.
Part 2nd. SACRED PICTURES.
Part 3rd. PANORAMA - CRIMEAN WAR.
Incidental Music. MISS GERALDINE WARDEN, MR. J. W. KOHLER, MR. G. J. GEE, R.A.M., AND MR. R. W. KOHLER . . .

"Theatrical Memoranda - English, Indian and American", Bell's Life in Victoria and Sporting Chronicle (19 October 1867), 2

http://nla.gov.au/nla.news-article199058325 

The Brothers Kohler and Mr. G. J. Gee, under the management of our big old acquaintance Mr. John Bryan, arrived in Colombo in August last, and gave thoir first entertainment on the evening of the 27th of the same month at the Garrison Library. The performances of the Brothers Kohler and Mr. Gee met with great success, several overtures being well rendered during the evening. The illuminated pictures, how ever, do not appear to have given much satisfaction. They visit Kandy early in September. That these clever instrumentalists do not intend wasting much time will be perceived by the following notice, which appears in the Colombo Examiner: - "Special notice. - This company have a first-class tuner (Mr. G. J. Gee), from Collard and Collard's - ladies can have their pianos tuned on the shortest notice. Lessons given on the concertina and cornet-a-piston by Mr. R. W. Kohler. Mr. John Bryan, manager."

[Advertisement], Sacramento Daily Union (4 January 1871)

http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SDU18710104.2.22.3

G. J. GEE, Professor of Music, Piano and Singing. Office at S. W. Burkes, No. 171 J street, between Sixth and Seventh. Residence on the northeast corner D and Ninth streets.

"A SEASON OF MUSIC", Weekly Butte Record (23 April 1881), 1

https://cdnc.ucr.edu/?a=d&d=WBR18810423.2.10 

. . . Another treat in store for us is a testimonial concert given to Mr. G. J. Gee, who has been organist of Trinity Church in San Francisco for six years. All the prominent singers and musicians, both professional and amateurs, are to take part, assisted by "Orphan's Choral Society" of Oakland. Prof. Gee is a great favorite, and his friends are pleased with this opportunity of showing their regard for him. It will partake more of the character of a musical festival, or jubilee - because of the great number participating. It will take place at the Grand Opera House, San Francisco, in May . . .

"THE LATE MR. G. J. GEE", Sacramento Daily Union (12 February 1884)

http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=SDU18840212.2.16

The Macclesfield (Eng.) Courier and Herald, speaking of the late G. J. Gee, a former resident of Sacramento, says: "Mr. Gee was born in Macclesfield, and his musical bent was developed at an early age. As a young man he was organist at Bosley Church, and subsequently at St. Paul's Church, Macclesfield. He afterwards resolved to go further afield, and in his traveling enterprises extended his experience in the Eastern and Western Hemispheres, visiting both China and Australia. He afterwards studied at the Academy of Music at Stuttgart, under Professor Pruckner, pianist to the King of Wurtemberg, and obtained his diploma. Settling down subsequently at San Francisco, he obtained a high reputation as a teacher and professor of music. He was organist at Trinity Church, and held other distinguished appointments. His health beginning to fail, his American friends sent him to England in June, 1881 for the benefit of his native air, and after a nine month sojourn with his friends he was so far improved as to be able to return and resume his duties. The fell disease from which he was suffering, however, had made its insidious inroads. He came home again in February of last year, and at first, during his sojourn in Prestbury, there was a slight improvement; a relapse followed, and he gradually declined until the end. Mr. Gee has a son by his first wife in San Francisco, and he leaves a widow and two children in Macclesfield.

"DIED", Daily Alta California (13 February 1884), 8

https://cdnc.ucr.edu/?a=d&d=DAC18840213.2.83.1 

GEE - In Macclesfield, England, at his residence. 111 Great King street, Prof. G. J. Gee, formerly of thia city, aged 39 years.

England probate calendar, 1890; UK National Archives

https://www.ancestry.com.au/interactive/1904/31874_221809-00320 (PAYWALL)

GEE James / Personal Estate £44 9s. 2d. / 6 may. Administration of the Personal Estate of James Gee late of Great-King-street Macclesfield in the County of Chester Professor of Music who died 17 January 1884 at Great-King-street was granted . . . to Ann Elizabeth Gee . . . Widow the relict.




GEHDE FAMILY OF MUSICIANS
GEHDE, August (Michael Augustus GEHDE; August Michael GEHDE; August GEHDE)

Musician, piano maker and tuner (formerly of W. H. Paling's Sydney)

Born Prussia, 29/30 September 1828
Arrived Adelaide, SA, 15 December 1850 (per Australia, from Hamburg, 7 September)
Married Anna Mary THOMAS, Sydney, NSW, 1854
Active Sydney, NSW, by 1858
Died Randwick, NSW, 30 March 1922, aged 94

https://trove.nla.gov.au/search?l-publictag=August+Gehde+1828-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-August-sen (shareable link to this entry)

GEHDE, Augustus (Augustus Michael GEHDE; Augustus GEHDE; A. M. GEHDE)

Pianist, organist, viola player, composer

Born Sydney, NSW, 1855
Died Linden, NSW, 4 September 1941, aged 86 years

https://trove.nla.gov.au/search?l-publictag=Augustus+Michael+Gehde+1855-1941 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Augustus-jun (shareable link to this entry)

GEHDE, Edward Frederick (Edward Frederick GEHDE; E. GEHDE)

Cellist, composer

Born Sydney, NSW, 24 July 1857
Died Randwick, NSW, 30 April 1917

https://trove.nla.gov.au/search?l-publictag=Edward+Frederick+Gehde+1857-1917 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Edward-Frederick (shareable link to this entry)

GEHDE, Nicholas Julius (Nicholas Julius GEHDE; N. J. GEHDE)

Musician, composer

Born Sydney, NSW, 1 July 1865
Died Sydney, NSW, 17 December 1923

https://trove.nla.gov.au/search?l-publictag=Nicholas+Julius+Gehde+1865-1923 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Nicholas-Julius (shareable link to this entry)

GEHDE, Henry Thomas (Henry Thomas GEHDE; H. T. GEHDE)

Musician, piano tuner, music retail assistant

Born Sydney, NSW, 1877
Died Sydney, NSW, 26 April 1922, aged 44

https://trove.nla.gov.au/search?l-publictag=Henry+Thomas+Gehde+1877-1922 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEHDE-Henry-Thomas (shareable link to this entry)


Summary:

On arrival in Sydney in the early 1850, August senior was briefly employed as an assistant in the music shop of W. J. Johnson, and later for piano retailer Henry Hurford. Hired by William Henry Paling in 1858, he went on to become a much-respected and long-serving senior employee and shareholder of W. H. Paling and Co.

On Henry Marsh's departure from Sydney for San Francisco in 1874, Augustus Gehde junior took over his teaching practice. It was later reported that Augustus had been a pupil of Charles Packer, who "took over" from him at the "age of 14", and having later spent some time training in Germany, he was appointed university organist in 1886, and city organist in 1901.


Documentation:

"SHIPPING. ARRIVED", South Australian Gazette and Mining Journal (19 December 1850), 2

http://nla.gov.au/nla.news-article195941353 

December 15 - The ship Australia, 600 tons, Meyer master, from Hamburg 7th September. Passengers for Adelaide and Sydney . . . M. A. Gahde . . .

Certificate of naturalization, Augustus Gehde, 20 February 1865; State Records Authority of NSW

https://www.ancestry.com.au/interactive/1549/41713_330464-00266 (PAYWALL)

No. 65/20 . . . WHEREAS . . . Augustus Gehde is a native of Marienwerda [sic, Marienwerder] Prussia, is thirty six years of age, and is a pianoforte maker . . . and that having arrived by the ship Australia in the year 1850 he is now residing in Sydney and is intending to settle in the said colony . . . GIVEN . . . this [20 February 1865] . . .

"BIRTHS", The Sydney Morning Herald (4 July 1865), 1

http://nla.gov.au/nla.news-article13115419

On the 1st instant, at her residence, 149, Clarence-street, Mrs. August Gehde, of a son.

"Miscellaneous Items", Australian Town and Country Journal (20 September 1873), 7

http://nla.gov.au/nla.news-article70481053

. . . The brothers Gehde performed a selection or two on the pianoforte, and Mr. A. Gehde made an agreeable accompanist . . .

[Advertisement], The Sydney Morning Herald (14 July 1874), 1

http://nla.gov.au/nla.news-article13345809

MR. HENRY MARSH, in thanking his numerous Pupils and friends for the liberal support he has received during the last twenty-five years, begs to inform them that he is about leaving the colony for San Francisco, and would strongly recommend his successor, Mr. AUGUSTUS GEHDE, as a very careful and competent master. Mr. Marsh has no doubt Mr. Gehde will give every satisfaction to those who may avail themselves of his services.

"BIRTHS", The Sydney Morning Herald (12 January 1877), 1

http://nla.gov.au/nla.news-article28397903 

GEHDE. - January 11, at her residence, 36, York-street, Mrs. A. Gehde, of a son.

"ORGAN RECITAL AT THE UNIVERSITY", The Sydney Morning Herald (8 February 1886), 8

http://nla.gov.au/nla.news-article28360509

"ST. JOHN'S NEW ORGANIST", The Cumberland Free Press (21 March 1896), 4

http://nla.gov.au/nla.news-article144436933 

The appointment of organist to St. John's Church has been conferred on one of the best known musicians of Australia - Mr. Augustus Gehde. Mr. Gehde is a gentleman of the highest musical ability and erudition. In early life he was a pupil of Mr. Chas. Packer, and afterwards held the position of organist at St. Phillip's Church, Sydney, and Christ Church (St. Leonards). He soon took rank as one of first artistes of the colony. To avail himself of the highest musical culture, Mr. Gehde some time ago left for the home-land of modern music - Germany - where for five years he studied under the first professors of Berlin. Returning to Sydney, he re-occupied his position of organist at Christ Church for a further term of five years. He has since frequently appeared in the place of chief organist at the more important Masonic and University celebrations and other quasi-public functions. It may be added that Mr. Gehde is not only an acknowledged authority and executant, but also a composer of high ability; some of his published works being of exceptional merit.

"Talk With an Octogenarian", Sunday Times (7 March 1909), Magazine 7 [with photo portrait]

http://nla.gov.au/nla.news-article126591596 

Sixty Seven Years a Worker - Reminiscences of Gold-fever Days and Early Sydney. THE GREAT MUSICAL ARTISTS. (FOR THE "SUNDAY TIMES")

Mr. August Gehde, whose score as the veteran of W. H. Paling and Co.'s establishment, is "fifty not out," is a genial old gentleman upon whom age has stolen with
"Softly-cadenced feet,
Falling in music."
Born on September 29, 1828, Mr. Gehde still combines practical activities with the pleasant habit of existence. In other words, the senior tuner answers the roll call daily at Paling's, and walks smartly to his home in Crown-street with the consciousness that, like "The Village Blacksmith," he has
- "Something done
To earn a night's repose."
When approached by a "Sunday Times" representative, Mr. Gehde said he had no story to tell. But he melted under the influence of a little soft persuasion, and opened the flood-gates of memory on being asked if he
REMEMBERED THE WRECK OF THE DUNBAR?
"Well, I should think I do remember that awful storm," he said. "It was in the year before I started with Paling and Co. But I was what was called an old colonist then - not a new chum. I came from Old Prussia, where I had served my apprenticeship to pianoforte making in 1850. I wasn't in Sydney while the storm was raging. I was farming in the Illawarra district at the time. I had all I wanted of the storm. The captain of the Dunbar thought he was entering the Heads when he put the ship into the Gap. Nothing else was talked of for weeks in the town and in the country. On October 25 in the same year the Catherine Adamson, from London, went down with twenty victims near the Inner North Head. But for the wreck of the Dunbar I might never have been associated with the late W. H. Paling in Sydney.

"You don't remember the old iron store in Wynyard Square? Well, I'll tell you something out of it. Old Anthony Hordern had put up an Iron store near the spot where the barracks used to stand. There were no other buildings there at that time, and the remains of THE OLD MILITARY BARRACKS were being removed. That's how Barrack-street got its name. The iron building, which stood near the corner now occupied by the Occidental Hotel, was used by Anthony Hordern as a sample store. It was NEARLY BLOWN TO PIECES during the night the Dunbar was wrecked, and lots of goods, including drapery, were destroyed. Mr. Hordern gave up the store, and it was taken over on a lease by Mr. Paling, who had to go to a good deal of expense to make the place suitable for storing pianos. The store had just been opened in 1858 when Mr. Paling engaged me as salesman and tuner. I recollect the number of that old iron store - it was 83 York-street. I joined Mr. Paling in 1858, and I am still serving under the same flag."

Taking the hint that he had jumped a few years from the date of his arrival in Australia, Mr. Gehde smiled as he put back the hands of the clock. "Ah, I see," he said, "you want me to tell you how I came to leave my native country. Well, it was while I was assisting my brother, a pianoforte maker, at Ratibor, near the Austrian boundary, that I got the notion into my head of trying my luck in Australia. I had heard of a
WHOLE VILLAGE CLEARING OUT TO AUSTRALIA.
It was a religious sect, and included the parson. These Germans went to South Australia, and formed the township of Hahndorf, which is still largely German. I became acquainted with a gentleman who showed me letters, that had come from the little German colony in South Australia. I left my brother in 1850, and camo out in the German ship Australia. We were 99 days covering the distance from Hamburg to Adelaide. I landed at Adelaide about Christmas time in 1850, and after a stay of six months in South Australia I decided to see if the streets of Sydney were paved with gold. Every one was talking about the gold discoveries in 1851. Soon after I got to Sydney I picked up a mate, a German, who had been a coalminer in Europe, and off we
WENT TO THE DIGGINGS.
Men, women, and children had the gold fever after Edward Hammond Hargraves found gold at Lewis Ponds Creek in February, 1851. Some nuggets and gold dust having been exhibited in Sydney, a rush was made for the creek. Coach fares were doubled, and flour cost £30 a ton. All the gold-seekers had to pay a license of 30s a month. In June, 1851, gold was discovered, on the Turon. I went to the Turon with my mate. Large nuggets had been found by an aboriginal at Meroo or Louisa Creek, Turon, on a station owned by a Mr. Kerr, five miles from Bathurst, and twenty-nine miles from Mudgee, in July, 1851. A little later the Brennan nugget, weighing 364oz., was found near the same spot. The number of gold licenses issued in New South Wales in 1851 reached a total of 13,000. At the Turon 8700 were issued; at the Ophir, 2100; at the Meroo and Louisa Creek, 1100; at Araluen, 500; at the Abercrombie about 100.
TWO TONS OF GOLD were exported to England from Sydney in one month early in 1852. It was one shipment. During the same year £24,000 worth of gold was stolen from the ship Nelson, then lying in Hobson's Bay. So you see there was plenty of gold about. I suppose you have hoard of the member of Parliament who had his horse shod with golden shoes. The weight of each shoe was about eight ounces. The prosperous gentleman's name was Cameron. He was a storekeeper at the Woolshed, New Eldorado. Beyers', Holtermann, and Krohmann were not among the gold-seekers at the time that I went to the Turon.

But I remember the crew of a German ship who made a fortune. The men - there were eight of them - had deserted, and they made enough in a few months on the Turon to go back to Germany as rich men. Those sailors were the first to mine underground on the bank of a creek. When I arrived on the field with my mate the diggers were camped about seven miles along the Turon. Golden Point, I remember, was very rich. I think the place we picked on was called Oakey Creek."

In reply to the question, "Did you strike it rich?" Mr. Gehde (as if with an effort of memory) - said:- "I have told you that there was plenty of gold. My luck must have been out. I got very little. You see, we worked under disadvantages. I could not speak a single word of English, and my mate - well, he was worse than me. Besides, my mate was always bossing me, and I made up my mind to clear out when he wanted me to crawl under a huge rock or boulder and scrape for gold. I didn't mind the scraping, but the rock looked as if it would fall or roll over at any moment. As I had paid for the tent, the provisions, and the tools, I did not care to risk my life while my mate looked on from a safe point of view and gave orders. We had pitched our tent in the bed of a creek. The police and others, as I afterwards found out, warned us of the danger, but as we could not tell a word that was said, we remained in the creek. I slipped away one day to buy some things at Sofala. Soon after I left there was a heavy thunderstorm. The creek rose suddenly in the night, and my mate just managed to save himself from drowning. The tent and the tools were washed away. That CURED ME OF GOLD-MINING, and I came to Sydney with what little money I had left. I made my mate a present of the tent and tools - if he could find them.

"In Sydney," Mr. Gehde went on, "I found a good friend in Mr. John Hagen, the father of Mr. Fred Hagen. My countryman was then a wood and ivory turner in King-street between York and Clarence streets. Mr. Hagen spoke a little English. He told me of the pianoforte shop of William Johnson in Pitt-street - afterwards Johnson and Emanuel. I applied for work, and got it. Mr. Johnson, a very nice man, managed to understand me, and I stayed at his place eighteen months. The shop was a few doors from King-street, near what is now Lawson's Auction Rooms. Emanuel, the dentist, and Fisher, the bootmaker, were in the adjoining Pitt-street shops. Fisher made a big fortune, and died a very wealthy man. Through slackness of business at Johnson's I had to leave. I obtained employment at Hurford Brothers, pianoforte importers, whose shop in Castlereagh-street was on the site now occupied by the Tivoli Theatre. Henry Hurford was a first-class tuner. There I worked four and a half years, and I married my dear wife, who is still strong and well. With the cares of married life gathering round me, I thought I would follow the advice of my wife's relations and try my hand at farming. The experiment on the Osborne Estate in the Illawarra district was not a success, and I returned to Sydney with some useless experience - and no money. All my savings were swallowed up. So that I had to MAKE A FRESH START in 1858. The large iron store in Wynyard Square, with W. H. Paling, Pianoforte and Music warehouse painted on it was my ark of salvation."

With the cheerful look of a man who had got on to a straight and smooth road after tramping through the bush, Mr. Gehde entered into a precise description of the old iron store and the proprietor. "Mr. Paling, the founder of the firm, was not a German. The dear old gentleman, who had a big heart to match his long beard, was a native of Rotterdam, Holland. When I met him first his beard was as black as a coal. I am speaking of 1858. As a teacher of the violin and piano he had a good connection, including Government House. Mr. Paling charged ten guineas a quarter for an hour's lesson, and six guineas for half an hour. I was placed in charge of the store. There were two short iron posts with rings for horses outside the shop. The proprietor used to tie his horse to one of the posts while he was teaching, or attending to business. No cheap pianos were kept in stock. Erard, Broadwood, and other makers were sold at prices running from 80 guineas to 190 guineas. From time to time MR. PALING PLAYED AT CONCERTS.
When the business grew too big for the iron store in Wynyard Square, premises were leased at the corner of Wynyard-street and George-street. The next move was to the George-street portion of Prince Ogg and Co.'s, a little below the General Post Office. When this property was sold Mr. Paling secured the present site, and afterwards purchased the land at the rear, on which a massive block of buildings now stands. What are known as Paling's Buildings, including, the Safe Deposit, represent an expenditure of £99,000.

"Visiting artists. Yes, I have heard them all, from Catherine Hayes, the singer, to Katharine Goodson, the pianist. Catherine Hayes, as I suppose you know, sang here in 1854 and 1855. She was a frail, delicate woman, with a voice full of sweetness and sympathy. You would not think she was a singer to look at her in the street. Yet such was the charm of her singing that
PEOPLE WENT MAD, while the concerts were being given at the Victorian Theatre in Pitt-street. The dress circle seats and boxes were £1, and you had to pay ten shillings to get into the crowded pit. No other singer was able to get the Catherine Hayes prices in Sydney and Melbourne until Madame Melba gave her concerts at the Town Hall in 1902. At one of the Melba Sydney concerts in 1902 the takings reached the record-breaking total of £2000. Miss Hayes never had a house like that. But there was ever so much more excitement over Catherine Hayes in 1854 than there was over Madame Melba in 1902. More than once I saw and heard all Pitt-street in an uproar while the Irish singer was the
GODDESS OF THE HOUR.
There were processions in her honor, and goodness only knows what else. As a matter of personal liking I must say that I preferred Madame Anna Bishop, who came in 1856, and who paid us two other visits. Madame Bishop had a richer voice, and there was more power and brilliance in the upper notes. I admired her very much in opera."

When the conversation turned to the pianoforte and pianists, Mr. Gehde stroked his chin as he delivered this judgment: "I liked Henri Ketten best of all. Even Paderewski did not move me as Ketten moved me in 1880. Of course, you remember his playing at the old Masonic Hall in York-street and at the Exhibition Building in Prince Alfred Park. Poor Ketten! How sad it was that he should have taken an overdose of morphia. His light went out soon after his triumphs in Australia. You never hear anything now-a-days of M. Boulanger, a brilliant pianist, who was a sort of glorified Henri Kowalski. Boulanger gave his concerts at the Victoria Theatre. And no one speaks now of Signor Cesare Cutolo, who played a good deal in the style of Signor de Beaupuis. Poor Cutolo, who had married a Sydney lady, Mrs. Heath, was killed by the fall of a spanker-boom on the Alexandra while going to Melbourne in 1867 under a professional engagement. The A.S.N. Company paid the widow £1500. Cutolo came to Sydney in 1860. What a lot of fine lady pianists we have heard - Arabella Goddard, Olga Duboin, Madeline Schiller, Adela Verne, Miss De Lara, Madame Carreno, and Katharine Goodson. Still, I think that Henri Ketten was the greatest pianist we have heard in this part of the world.

WANTS NO HOLIDAYS.
Not once since he came to Australia in 1850 has Mr. Gehde smoked a pipe, cigar, or cigarette, and he has not taken more than six months in holidays and sick leave at Paling's during the long period of fifty years. "I can have as many holidays as I like," he said, "but I don't want them, so long as God gives me health and strength. I like work, and I am sure I would not be a bit happy if I were to pass the days that are left to me in idleness. At 81 I am considered good enough to be sent out tuning. I have my dear wife - my lady, I call her - and my family of five sons and two daughters to keep me from thinking too much about myself and my years. I have been a worker over since I left school at the age of fourteen, and I should not like to linger when I have ceased to be of use. It is my desire to work in harness to the last.

"DEATHS", The Sydney Morning Herald (1 May 1917), 6

http://nla.gov.au/nla.news-article15707002 

GEHDE. - April 30, 1917, at his residence, Darley-road, Randwick, Edward Frederick, beloved son of August and Anna Mary Gehde, aged 59 years.

"DEATHS", The Sydney Morning Herald (31 March 1922), 8

http://nla.gov.au/nla.news-article15996144

"MR. H. T. GEHDE", The Sydney Morning Herald (29 April 1922), 15

http://nla.gov.au/nla.news-article16000158 

Mr. Henry Thomas Gehde, son of the late Mr. August Gehde, died at his residence, Dover-road, on Wednesday night. Mr. Gehde was 44 years of ago, and leaves a widow. He began work when a lad, 30 years ago at Paling and Co. Ltd, George Street and rose to the head of the band and military instrument department. The funeral took place at the South Head Cemetery yesterday afternoon, the service at the graveside being read by the Rev. F. H. Hordern. There was a large gathering of Masonic friends present, the Masonic service being conducted by the Rev. C. N. Mell. The mourners present were Messrs. Augustus M. Gehde, William Andrew Gehde, and Nicholas Gehde (brothers), Mr. and Mrs. Wilkins (brother-in-law and sister), Miss Lena Gehde (sister), Mr. W. Dibley (managing director) and Messrs. H. C. Cutler and F. Passmore (director at Paling and Co) and a number of members of the staff. Mr. Augustus Gehde, father of the late Mr. H. T. Gehde, who died in March of this year, at the age of 94, joined the firm of W. H. Paling and Co. in the year 1859, and only ceased his activities in that establishment a little over a year ago.

"LATE MR. M. A. GEHDE", The Sydney Morning Herald (16 August 1922), 7

http://nla.gov.au/nla.news-article16019225

The estate of the late Mr. Michael August Gehde, known as August Gehde, of Darley-road, Randwick, pianoforte tuner, has, for probate purposes, been valued at £25,260, of which £10,747 represented shares in public companies, chiefly in W. A. Paling and Co., Ltd. The testator, who died on March 30 inst., appointed George Frederick Williamson (now deceased), John Williamson, and Percy Leyden Williamson executors and trustees of his estate, the whole of which he devised and bequeathed to his widow, children, and grandchildren.

"FUNERALS", The Sydney Morning Herald (17 December 1923), 9

http://nla.gov.au/nla.news-article16112654

GEHDE. - The funeral of the late Mr. NICHOLAS JULIUS GEHDE will leave his late residence, 79 Darley road, Centennial Park, Randwick, THIS DAY, at 2.15, for C. of E Cemetery, South Head, arriving at 3.30.

"MR. NICHOLAS J. GEHDE", The Sydney Morning Herald (18 December 1923), 10

http://nla.gov.au/nla.news-article16127398 

Music-lovers will learn with regret of the death of Nicholas J. Gehde, who passed away at Lewisham Hospital on Sunday, from heart trouble, at the age of 59 years. This well-known teacher, organist, singer, and accompanist, was the son of Mr. August Gehde, who was for more than half a century in the employment of Messrs. W. H. Paling and Co., Ltd., and only died last year at the age of 92. Mrs. Gehde, the mother of this musical family, followed quickly, and a little before either of them Henry Gehde was called at the age of 40, a responsible employee in the Paling instrument department. The late Mr. Nicholas Gehde leaves two brothers in the musical profession, and a sister, Mrs. Wilkinson. Mr. Gehde was widely known as an organist, and at one time gave recitals at the Town Hall, where his "Storm Fantasia" was a popular number. As a teacher of singing his studio produced Miss Elsie Peerless and Miss Mabel Batchelor, both amongst the leading sopranos of the city. He also organised popular concerts at the Town Hall for a number of years, and in other directions justified the esteem in which he was held. He was, indeed, of genial disposition, and made many friends. The funeral took place at the South Head Cemetery yesterday afternoon

"OLDEST CAR IN N.S.W. IS 1902 FORD", Murray Pioneer and Australian River Record (13 June 1924), 20

http://nla.gov.au/nla.news-article109335634 

"DEATHS", The Sydney Morning Herald (5 September 1841), 14

http://nla.gov.au/nla.news-article27945576 

GEHDE - September 4, 1941, at Linden, Augustus Michael Gehde, beloved husband of the late Marian Gehde and loving brother of Edward (deceased), Nicholas (deceased), Lena, William, Mary (mrs. Wilkins) and Henry (deceased), aged 86 years.

"OBITUARY", Nepean Times (11 September 1941), 6

http://nla.gov.au/nla.news-article108729056 

Mr. Augustus Michael Gehde passed away at Linden on September 4, at the age of 86 years. Deceased, whose wife, Marian, predeceased him, leaves one brother, William, and two sisters, Lena and Mary (Mrs. Wilkins). Three brothers, Edward, Nicholas, and Henry, predeceased him. The remains were interred in the C. of E. portion of St. Mary's cemetery on Friday last.


Selected musical works:

Highland schottische by Augustus Gehde (Sydney : J. A. Engel, 1879)

https://trove.nla.gov.au/work/35353794

Ella composed by E. F. Gehde (MS song) SL-VIC

https://trove.nla.gov.au/work/25942668)

Sons of new Britannia, Australian patriotic song; words by W. T. Goodge; music by Nicholas J. Gehde (Sydney: Nicholson &​ Co., [1899])

https://trove.nla.gov.au/work/10636027

The shooting star galop, composed by Augustus Gehde (Sydney: [s.n.], [189-?])

https://trove.nla.gov.au/work/35353744 




GEOGHEGAN, Edward (Edward GEOGHEGAN; Dr. GEOGHEGAN; alias E. G. GORDON)

Songwriter, playwright, convict

Born Dublin, Ireland, 1813
Arrived Sydney, 25 January 1840 (convict per Middlesex)
Died Singleton, NSW, 11 January 1869, aged 56

https://trove.nla.gov.au/search?l-publictag=Edward+Geoghegan (TROVE tagged)

https://trove.nla.gov.au/search?l-publictag=Edward+Geoghegan+1813-1869 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-463360 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEOGHEGAN-Edward (shareable link to this entry)


Documentation:

Butt of certificate of freedom, Edward Geoghegan, 7 September 1846; State Records Authority of NSW

https://www.ancestry.com.au/interactive/1689/31801_216726-00868 (PAYWALL)

No. 46/857 / 7 September 1846 / Prisoner's no. 40/128 / Edward Geoghegan / Ship: Middlesex / Master: Munro / Year: 1840 / Native Place: Dublin / Trade or Calling: Dispenser of Medicine / Offence: - / Place or Trial: Dublin City / Date of Trial: 6 June 1839 / Sentence: Seven Years / Year of Birth: 1813 / Height: 5 feet 4 inches / . . .

[Advertisement], The Australian (27 May 1844), 3

http://nla.gov.au/nla.news-article37118944

ROYAL VICTORIA THEATRE. First Night of an original Musical Piece, called
THE CURRENCY LASS! By the author of the HIBERNIAN FATHER.
THIS EVENING, Monday, May 27, 1844 will be presented, for the first time in any Theatre,
a Musical Piece, in two Acts, entitled THE CURRENCY LASS . . . J. LAZAR, Manager.

"NEW COLONIAL PLAY", The Australian (30 May 1844), 3

http://nla.gov.au/nla.news-article37120018

On Monday night a new Colonial play by the author of the Hibernian Father, called the "Currency Lass", was produced with considerable success at the Victoria Theatre, and was repeated the following night. The incidents are commonplace enough, but when it is understood that the author originally intended the principal character for a real, bona fide Currency Lass, the versatility of whose dramatic talents would have done ample justice to the part - we need scarcely say we allude to Miss M. Jones - the general interest of the piece loses none of its contemplated attractions. The dialogue is truly Colonial - rather too much so for our taste - although the "Cabbage-tree hats" that crowded the pit and galleries on its first night of representation testified their approbation of its merits, in their estimation, by clamorous applause . . .

[Advertisement], The Australian (4 June 1844), 2

http://nla.gov.au/nla.news-article37125541 

ROYAL VICTORIA THEATRE. THIS EVENING, TUESDAY, June 4, 1844 . . .
To conclude with the successful Operetta, in two acts, entitled
THE CURRENCY LASS . . . J. LAZAR, Manager.

[Advertisement], Port Phillip Gazette (16 January 1851), 3

http://nla.gov.au/nla.news-article224813550 

QUEEN'S THEATRE. Under the patronage of the TOTAL ABSTINENCE SOCIETIES OF MELBOURNE.
FRIDAY, JANUARY 17, 1851, WILL be performed an entirely new and interesting Drama, entitled THE BOTTLE.
This piece has been written expressly for the occasion by Mr. Gordon, author of "The Hibernian Father," and several other popular pieces . . .

[Advertisement], The Melbourne Daily News (17 January 1851), 2

http://nla.gov.au/nla.news-article226520911 

QUEEN'S THEATRE . . . THIS EVENING, 17th Jan. 1851 . . . the deeply interesting Drama,
Founded on the celebrated Cartoons of G. Cruickshank,
by Mr. E. G. Gordon, author of "The Hibernian Father," "Currency Lass," "Royal Masquer," &c.
entitled THE BOTTLE! . . .

[Advertisement], Geelong Advertiser (24 March 1851), 4

http://nla.gov.au/nla.news-article91914110 

"AMATEUR DRAMATIC ENTERTAINMENT", The Maitland Mercury (31 December 1867), 3

http://nla.gov.au/nla.news-article18713938

An amateur dramatic entertainment and musical melange will take place on Wednesday evening, the 15th January next, in the large hall of the Mechanics' Institute, the proceeds to be in aid of that excellent institution, the Singleton and Patrick's Plains Benevolent Society. The entertainment is under the direction of Mr. J Simmons, senior, and Dr. Geoghegan, who kindly offered to the committee of the institution to get up this performance in aid of the funds of the society. Several lady and gentlemen amateurs of acknowledged talent having proffered their services for the occasion, it is fully expected that the entertainment will in every respect prove a decided success. At the monthly meeting of the committee of the society held on Friday evening, a sub-committee was appointed to cooperate with Messrs. Simmons and Geoghegan in the management of the affair. We learn that the entertainment will be of quite a novel description, hitherto unattempted in the colony, namely, after the style of Jullien's celebrated promenade concerts, which were attended with such unexampled success during several years in London . . .

"DEATH OF DR. GEOGHEGAN", The Maitland Mercury (14 January 1869), 2

http://nla.gov.au/nla.news-article18734294

Death has taken from our midst another valuable and much respected citizen, Mr. Edward Geoghegan, Town Clerk of Singleton, who expired at his residence, Bishopgate-street, on Monday afternoon. The deceased gentleman was an old colonist, and was possessed of talents of no mean order. He had, when a young man, pursued his studies in medicine at the Paris University, where he was successful in obtaining several degrees. Dr. Geoghegan was a forcible writer, and his long connection with the press contributed in no small degree to develop his talents in that respect. The deceased gentleman had a great penchant for the stage, and many of his old friends in Sydney will no doubt remember the subject of this notice appearing as a prominent amateur in many entertainments in that city in days of yore. With this predilection for the "Legitimate" and his power over the pen, Dr. Geoghegan, as may be naturally expected, was a dramatic author of no mean order, and his pen has contributed considerably to the scanty stock of genuine colonial dramatic literature. For several years Dr. Geoghegan resided in Singleton, and upon the establishment of the municipality he obtained the appointment of Town Clerk, which he has now held for a period of nearly three years. By the death of Dr. Geoghegan, the Municipal Council of Singleton will lose a valuable and trustworthy officer; and those that had the honour of enjoying his friendship will be deprived of a warm-hearted and noble companion. The deceased gentleman, who was upwards of fifty years old, had been suffering for a considerable time from disease of the heart, combined with an asthmatic affection; but although it was generally known that the doctor was ill, the sudden announcement of his death took many by surprise.

[J. M. Forde], "MUMMER MEMOIRS", Sydney Sportsman (3 November 1909), 3

http://nla.gov.au/nla.news-article166737642 

. . . There was produced at the old Victoria Theatre, Sydney, in the early forties, a tragedy entitled "The Hibernian Father," written in Sydney by Edward Geoghegan, a scholar of considerable literary ability, who held a position of some sort in the Sydney Hospital. The story of the origin of the tragedy is Interesting. Mr. Geoghegan was impressed with the great power and ability of Mr. F. Nesbitt McCron, then the leading actor in Australia, and being anxious to see him in an original part, conceived the idea of writing a tragedy founded on the old tradition of "The Warden of Galway," a work already existing in dramatic form, but not possessing the merit the subject demanded; at least Mr. Geoghegan thought so. The latter succeeded even beyond his own expectations, and the result of his labors was a five act tragedy, which won the approval of the actor for whom it was written, and high encomiums from the literary men of the day. The tragedy was produced on May 23, 1844. The leading character was Rupert D'Arcey, and the work was not only supported by the great array of talent then at the Victoria, but was mounted with realistic effect, the result being that for several weeks there was a regular furore of public admiration. There was but one copy of the work made, and from the time of Mr. Nesbitt McCron's departure for California no trace of it could he found. During the existence of the second Prince of Wales Opera House, Mr. Stuart O'Brien appeared in a tragedy called "The Hibernian Father," but which proved to be not the great work of Mr. Edward Geoghegan, but the old play of "The Warden of Galway," from the same story. At the time of the production of the piece at the Opera House, Mr. Geoghegan was editing a newspaper at Singleton, where he died unaware that the name of his play had been pirated. The play produced at the Opera House was "The Hibernian Father" only in name. An authenticated copy of Mr. Geoghegan's play was in the possession of Mr. Joseph Rayner, an actor of great repute in his day, but what became of it is impossible to say . . .


Works with songs:

The currency lass; or, My native girl (FP: Royal Victoria Theatre, Sydney, NSW, 27 May 1844; the first Australian comedy on a local theme, a ballad opera with 14 songs and spoken dialogue by Edward Geoghegan)

http://www.ausstage.edu.au/pages/event/65986

Original MS playscript, Colonial Secretary's papers, State Records Authority of NSW

Edward Geoghegan (Roger Covell, ed.), The currency lass, or, My native girl: a musical play in two acts (Sydney: Currency Press, 1976)

https://trove.nla.gov.au/work/9482209

For checklist entry, see:

https://sydney.edu.au/paradisec/australharmonychecklist1841-1845.php#1844-currency-lass


Bibliography and resources:

"Geoghegan, Edward (1813-1869)", Obituaries Australia

http://oa.anu.edu.au/obituary/geoghegan-edward-1571

Janette Pelosi, "Colonial drama revealed, or plays submitted for approval", Margin: life and letters of early Australia 60 (July/August 2003), 21-34

http://www.records.nsw.gov.au/state-archives/guides-and-finding-aids/colonial-secretarys-correspondence-guide/letters-received/plays-submitted-for-approval

Gay Lynch and Janette Pelosi, "Lost & found - reinstating playwright Edward Geoghegan (1813-1869) and his most controversial play, The Hibernian Father (1844)", in Anders Ahlqvist and Pamela O'Neill (eds), Language and power in the Celtic world: papers from the seventh Australian Conference of Celtic Studies, University of Sydney, September-October 2010 (Sydney: Celtic Studies Foundation, University of Sydney, 2011), 181-203

https://trove.nla.gov.au/work/156198233




GEORGI, Signor (Signor GEORGI)

Vocalist

Active Melbourne, VIC, December 1852

https://trove.nla.gov.au/search?l-publictag=Signor+Georgi+vocalist+1852 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEORGI-Signor (shareable link to this entry)


Documentation:

[Advertisement], The Argus (6 December 1852), 8

http://nla.gov.au/nla.news-article4788398

THIS EVENING. PROTESTANT HALL.
MESSRS. DE GREY, C. WILKIE, AND GREGG,
Beg to announce that their second CONCERT
WILL take pines THIS EVENING, at the above room, when the cast of the evening will consist of the following performers:
VOCALISTS - Miss Lewis, (From Her Majesty's Theatre, she has had the honor of singing before Her Most Gracious Majesty Queen Victoria, and Royal Family)
Signor Georgi, (From the Opera House, Paris,)
Mr. Moseley, (From the London Concerts) and
Mr. John Gregg.
INSTRUMENTALISTS: Mr. Salamon, Pianist, (from the London Concerts)
Mr. Thatcher. Flautist, do, do.
Mr. Charles Wilkie, Concertinist.
Mr. De Grey, Cornet-a-Piston.
The room will be splendidly decorated for the occasion . . .
PROGRAMME.
PART I.
Trio - "Hark! 'tis the Indian Drum," Miss Lewis, Signor Georgi, and Mr. Gregg - Bishop
Ballad - "Norah McShane," Mr. Mosely - Glover
Song - "By the sad sea waves," Miss Lewis - Benedict
Song - "The happy days of Yore," Mr. Gregg.
Serenade - Signor Georgi - Schubert.
Solo Concertina - "Come innocente Giovane," (from Anna Bolena) Mr. Charles Wilkie - Donizetti
Song - "Constance," Miss Lewis - Linley
Laughing Trio - "Why sure they never met"
PART II.
Duett - "La ci Darem," Miss Lewis and Mr. Gregg - Mozart
Ballad, "Thou art gone from my gaze," Signor Georgi, Mr. Moseley.
Solo, Flute -"Cavatina," Mr. Thatcher.
Song - "Simon the Cellarer," Mr. Gregg - Hatton
Solo - Pianoforte - "Reverie" - Mr. Salamon - Rossellini
Ballad - "The Grecian Daughter," Miss Lewis - Knight
Finale-" God save the Queen."
Private Ball on Tuesday Evening next.
For particulars apply to Mr. Charles Wilkie.

ASSOCIATIONS: Charles Thatcher; John Gregg; Edward Salamon; Charles Wilkie

MUSIC: Thou art gone from my gaze (Linley)

[Advertisement], The Argus (10 December 1852), 5

http://nla.gov.au/nla.news-article4788418

THIS EVENING. FRIDAY DECEMBER 10th, MECHANICS' INSTITUTE
The greatest combination of artists ever known in Melbourne.
Mr. CHARLES MIRAN . . .
VOCAL: MISS LEWIS . . . Signor Georgi, of the Opera Francais and the leading Concerts of Paris;
Mr. Gregg . . . Mr. Moseley . . .
Mr. George Lunt, of the Liverpool Concerts, his first appearance;
and Mr. Hamilton, of the leading Concerts.
INSTRUMENTAL - Cornet a Piston - Signor Maffei of Her Majesty's Royal Italian Opera
Violins - Mr. Boulimier of the Royal Italian Opera, Paris and Jullien's Concerts, his first appearance.
Concertina - Mr. H. Richardson, his last appearance previous to his departure for Sydney;
and Mr. Salomon, pianist of the nobility's concerts, London.
PROGRAMME. . . . PART II . . . Song - "We may be happy yet," Signor Georgi - Balfe . . .

MUSIC: We may be happy yet (Michael Balfe, from The daughter of St. Mark)




GERBER, Arnold (Arnold GERBER; Herr GERBER)

? Musician, wood turner and carver, convict

Born Prussia, c. 1822
Arrived WA, 18 July 1855 (per Adelaide, from England, 16 April)
Married Mary McCANN, WA, 1859
Died Melbourne, March 1885, aged "63/64"

https://trove.nla.gov.au/search?l-publictag=Arnold+Gerber+c1822-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GERBER-Arnold (shareable link to this entry)


Documentation:

"POLICE INTELLIGENCE . . . MARLBOROUGH-STREET", The Sun [London, England] (22 December 1851), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18511222/065/0004 (PAYWALL)

Arnold Gerber was charged before Mr. Hardwick with uttering a forged cheque, purporting to be drawn by Messrs. Selim, Dean, and Co., for 340l. on the London and Westminster Bank.

Trial, Arnold Gerber, et al., 23 February 1852; Old Bailey online

https://www.oldbaileyonline.org/browse.jsp?id=t18520223-322&div=t18520223-322 (DIGITISED)

322. ARNOLD GERBER, WILLIAM WAGNER, and PHILIP KESSLER, were indicted (with Solomon Krakauer, who was not given in charge to the Jury,) for feloniously forging and uttering a warrant and order for payment of 340l., with intent to defraud . . .
GERBER - GUILTY. Aged 29 . . .

"CENTRAL CRIMINAL COURT SENTENCES", The Sun (20 April 1852), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18520420/014/0001 (PAYWALL)

TRANSPORTATION . . . Ten Years . . . Arnold Gerber . . .

[Advertisement], The Perth Gazette and Independent Journal of Politics and News (8 November 1861), 2

http://nla.gov.au/nla.news-article2933518 

SOIREE MUSICALE! MR. SAMUEL BENJAMIN, Assisted by a Lady & Herr Gerber.
[His first appearance in the colony.]
At Mr. H. L. Cole's Room, Monday, Nov. 11, and following night.
At Mr. Summer's Room, FREMANTLE, Wednesday, Nov. 13, and following night.
THE Entertainment will consist of the following new Local Songs:
English Burlesques, Operatic Selections, Dramatic Personations, Descriptive Duets, Impromptu Rhyming, Dancing, &c.
Doors open at half-past 7, to commence at 8.
Admission Boxes, 4s.; Stalls, 3s.; Pit, 2s. Box tickets at this Office.
For programme, see small bills.

ASSOCIATIONS: Samuel Benjamin (musician, vocalist); but see, "General Intelligence", The Perth Gazette and Independent Journal of Politics and News (15 November 1861), 3

http://nla.gov.au/nla.news-article2933529 

On Monday and Tuesday evening last, Mr. S. Benjamin held his Soiree Musicale in Mr. H. L. Cole's large room. Mr. Benjamin fully maintained the reputation he has acquired in the sister colonies, but the attendance on either night, we are sorry to say, could hardly recompense Mr. Benjamin for the trouble and expense he incurred.

"NEWS OF THE DAY", The Age [Melbourne, VIC] (1 June 1883), 3

http://nla.gov.au/nla.news-article190600303 

The ordinary weekly meeting of the committee of management of the Benevolent Asylum was held at the institution yesterday . . . A second attempt on the part of an inmate, named Arnold Gerber, to commit suicide was reported . . .

"THE BENEVOLENT ASYLUM", The Argus [Melbourne, VIC] (20 March 1885), 9

http://nla.gov.au/nla.news-article6071914 

. . . The following deaths had taken place during the past week: . . .
Arnold Gerber native of Berlin Prussia (63) of congestis pulmonalis . . .


Bibliography and resources:

Arnold Gerber, Convict records

https://convictrecords.com.au/convicts/gerber/arnold/91985 




GERLACH, Gustav (Gustav GERLACH)

Musician, professor of music, organist (St. Ignatius, Richmond), pianist, committee-member (Musical Association of Victoria)

Born Bellershein, Hesse Darmstadt, c. 1843
Arrived Melbourne, VIC, 17 August 1867 (per Lincolnshire from Gravesend)
Married Bertha SCHAFER (d. 8 June 1879), VIC, 1875
Departed Melbourne, VIC, 13 April 1882 (per Clyde, for Europe, with 2 children)

https://trove.nla.gov.au/search?l-publictag=Gustav+Gerlach+active+VIC+1867-82 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GERLACH-Gustav (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"INQUEST", The Argus (18 September 1869), 5

http://nla.gov.au/nla.news-article5820462

The district coroner (Mr. Candler) held an inquest on Friday, at Richmond, on the body of Charles Dewey . . . Gustave Gerlach, a professor of music, living in the Punt-road, Richmond, stated that he went to the residence of the deceased a little before 8 o'clock on Wednesday evening; the deceased came in soon after. Witness was giving a music lesson to one of the children when the deceased came into the room and sat down . . .

"THE CHURCH OF ST. IGNATIUS", Bendigo Advertiser (15 March 1870), 3

http://nla.gov.au/nla.news-article87909939

"A VESPERAL FOR THE LAITY", Advocate (24 September 1870), 6

http://nla.gov.au/nla.news-article170151398 

Professor Gerlach, organist at St. Augustine's Church, Richmond, has supplied a very useful little work, the want of which has been much felt by the laity who desired to join in the Vesper or Evening Office of the Church. They experienced a difficulty in dividing the words in the canticles and anthems in accordance with the changes of tone in the chants, and the Professor has marked the divisions by placing each in a separate column. This will enable persons to join by air in the Vespers, and for those capable of profiting by it, the music of the chants is also given. The little book, though containing the Vespers complete, is sold at the low price of 6d., and may be had at the office of this paper. We have much pleasure in recommending it to our readers.

[News], The Argus (21 December 1872), 5

http://nla.gov.au/nla.news-article5844892

Index to naturalisation certificates; Public Record Office Victoria

https://www.ancestry.com.au/interactive/60711/44441_346528-01505 (PAYWALL)

Gustav Gerlach / Professor of Music / Collins St East Melbourne / Age (on date of naturalization) 33 / Native Place: Bellershein, Hesse Darmstadt / Date of Certificate: 8 - 1 - 76 . . .

"Marriages", The Argus (8 July 1875), 1

http://nla.gov.au/nla.news-article11519998 

GERLACH - SCHAFER. - On the 1st inst., at St. Paul's Church, by the Rev. S. L. Chase, Gustav Gerlach, professor of music, 161 Collins-street east, to Bertha, only daughter of Mr. Edward Schafer, of Melbourne.

[News], The Argus (13 November 1876), 5

http://nla.gov.au/nla.news-article5909334

"SHIPPING INTELLIGENCE", The Argus (15 April 1880), 4

http://nla.gov.au/nla.news-article5973826

The R.M.S.S Siam, Captain G. N. Hector, left . . . yesterday afternoon for Galle, via Adelaide . . . for Europe and the East, and also a number of passengers . . . Mr. G. Gerlach, for Venice . . .

"PRESENTATION BY GERMANY TO THE AUSTRALIAN COLONIES . . . MELBOURNE", The Sydney Morning Herald (27 October 1880), 10

http://nla.gov.au/nla.news-article13471213

[Advertisement], The Argus (4 April 1882), 3

http://nla.gov.au/nla.news-article11536854

[News], The Argus (13 April 1882), 7

http://nla.gov.au/nla.news-article11537697

The choir of St. Ignatius' Church, Richmond, and their friends, to the number of 60, assembled on Tuesday evening in the presbytery, at the invitation of the Jesuit Fathers, to bid farewell to their organist, Herr Gerlach, who retired after some fifteen years' service. The Rev. Father Mulhall, in making the presentation of a handsome chain and pendant, took occasion to compliment Herr Gerlach highly upon his services to the church, and trusted that happiness and comfort would attend him in his retirement to his native land, Germany.

"CLEARED OUT", The Australasian (15 April 1882), 15

http://nla.gov.au/nla.news-article138077793 

The R.M.S. Clyde, with the malls for England and the East, left the railway pier, Williamstown . . .on Thursday, April 13 . . . Passengers . . . For Venice . . . Mr. G. Gerlach, child, infant, and nurse . . .

"Personal", Table Talk (1 October 1897), 2

http://nla.gov.au/nla.news-article145932071 

HERR Gustav Gerlach, formerly of Melbourne, and now Professor of Music at Frankfurt, Germany, was hit very hard by the bursting of the land boom. The Land Mortgage Bank of Victoria has just issued a writ for £3,713 for calls - a large amount to collect from a musician.


Works:

Vespers; or, The evening office of the church, for use by the laity, especially for those who frequent St. Ignatius' Church, Richmond, arranged by Professor Gerlach (Melbourne: Clarson, Massina & Co., [1870])

https://collection.sl.nsw.gov.au/record/74Vv64Rql7bg 

https://trove.nla.gov.au/work/14561482/version/168202790




GERMAN, Felix (Felix GERMAN; GERMON; GERMONE) = Felix GARMONE

Minstrel, serenader, vocalist

Active NSW, 1855-56; 1860; NZ, 1863-64




GE SIN

Chinese musician

Active Ballarat, VIC, 1863

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GE-SIN (shareable link to this entry)


Documentation:

[Advertisement], The Star (3 October 1863), 3

http://nla.gov.au/nla.news-article72517677

MECHANICS' INSTITUTE.
LAST GRAND PROMENADE CONCERT, THIS EVENING, SATURDAY, 3rd of October.
QUADRILLE BAND, Under the Leadership of Mr. Schraeder.
MISS PILKINGTON, MRS. JAS. BUNCE, MISS LIDDLE, MR. AMERY,
And other Ladies and Gentlemen will assist.
MR. AH COON, Chinese Interpreter, has kindly consented to Sing a Comic Song in the Chinese Language, accompanied by full CHINESE BAND.
ADMISSION, ONE SHILLING.

"NEWS AND NOTES", The Star (5 October 1863), 2

http://nla.gov.au/nla.news-article72517721

The final promenade concert at the Mechanics' Institute, preliminary to the Auction Bazaar to commence on Monday, was attended by a large number of people who seemed resolutely bent upon extracting amusement even from the most unpromising sources. The various amateurs who had given their services, sang and played with desperate neatness, unaffected grace, solemn determination, or unbounded confidence, as the case might be; Chinese vocalists and instrumentalists made the night hideous with their well-intentioned efforts to charm the barbarian ear; Schrader's band exerted itself in the most praiseworthy fashion, and the heterogeneous assemblage of objects which, on Monday, are to realise fabulous prices under the magic hammer of numerous auctioneers - all these presented their attractions to the ladies and gentlemen assembled in the elegantly decorated and splendidly lighted hall of the Mechanics' Institute on Saturday evening, but nothing seemed to impart so much gratification to those present as the mere excuse which the affair afforded for a lounge, a friendly chat, a promenade, a recognition, and perchance a tender encounter.

At about nine o'clock Mr. Lang, the assiduous president of the institute, brought up to the orchestra a band of some tea or a dozen Chinese, whose services he had enlisted in the good cause. It had been announced that Mr. Ah Coon, the Government interpreter, would favor the company with songs in the Malay, Amoy, and Chin Choo dialects, but Mr. Ah Coon, it appears, did not feel himself in sufficiently robust health to trust his reputation as a vocalist to the hazard of an attempt that evening, confining himself to heralding to the audience the performances of his compatriots. With Chinese music and musical instruments our readers are somewhat familiar, but we dare say they will not be sorry to have the comments of an explanatory paper handed to us on Saturday evening by the president. From this we learn that Ge Sin played on the Kong-wai. The drums covered with buffalo skins were played by Ah Kow, and the gong by Le Tak. The Chinese guitar, or moot-kem, a flat circular instrument with four strings, played on by means of a small piece of bone, was manipulated by Lee-Sem. Wee-Pin played with bone the Sam-yen, a guitar like instrument of three strings, the sounding board being covered with snake-skin. The pan-ewoo, a flat disc of wood for the purpose of keeping time, was beaten by sticks. The shap-ar, a small oblong piece of hardwood six inches by three, was also used for marking time. Wee-Pin played the cymbals or cha, well known to dwellers in Ballarat East. Lee Tak also played the gong or laur, "very effective", as Mr. Lang says, "in producing loud music". Lee Yeng and Lee Chok played the tee-uh or tuk-tie, which produced sounds similar to the Scotch bagpipes, or Scotch organ, as Ah Coon calls the instrument. As we have before stated, Mr. Ah Coon did not sing, but Lee Tak and Kong Wai did. The first sang in his natural voice, and the second in falsetto; but, owing to the ponderousness of the accompaniment, neither could be heard. At the conclusion of the songs, the party retired amidst the applause which courtesy, if not appreciation demanded.

"CHINESE SINGING AND PLAYING", Bendigo Advertiser (7 October 1863), 3

http://nla.gov.au/nla.news-article87939138

A new feature in musical entertainments has been introduced at Ballarat. At a late amateur performance for a benevolent purpose, Chinese performers were brought upon the platform. The Star reports as follows; - "At about nine o'clock . . . [as above]





GETSON, Master (Master GETSON; ? William GETSON)

Leader of school orchestra, accordeon player

? Born Parramatta, NSW, 1840; son of John and Bridget GETSON
Active Parramatta, NSW, 1854


Documentation:

[Advertisement]: "ST. PATRICK'S SCHOOL, PARRAMATTA", The Sydney Morning Herald (31 July 1854), 1

http://nla.gov.au/nla.news-article12959314

On Thursday, the 27th instant, a public examination of this School was held by the Rev. Dean Coffey, assisted by the Rev. J. McClennan . . . It may not be amiss to observe that music forms a very important item in the studies of the scholars of St. Patrick's school, a proof of which, we had the rare pleasure of enjoying on the evening of the examination. It was announced that a concert would be given at 7 o'clock p.m., by a juvenile band of Negro performers . . . Master Getson - the leader of the orchestra, playing the accordeon; Master Malony, the violin; and his brother, accompanied by Master Griffin, playing the flutina; Master Corcoran, the tambourine, and Master Doyle, "the bones". They played several Negro melodies with such good taste, and in such "regular [REDACTED] style", considering their age, and, as yet rather limited experience in such matters of comic deliniations, that they perfectly surprised us by their jests and comicalities. The amusement was increased by some young vocalists, who charmed us by their sweet and unaffected singing. Mr. Dunphy beautifully varied the amusements of the evening by exhibiting the Magic Lantern - showing views picturesque, comical, and grotesque - at which the audience were much delighted. The entertainment wound up by the band playing "God save the Queen", the company standing. Before the children departed to their respective abodes, Dean Coffey announced his intention of giving them a tea party on the 15th August next, when they shall hold their next musical soiree. Such reunions and musical evenings are well calculated to give an impetus to the desire for study, and at the same time they possess a refining tendency on the youthful mind, which at certain intervals require a pleasant, instructive, and well directed relaxation. We have seldom passed a more pleasant evening, nor seen a school in the colony conducted with such care.





GEYER (? Herr GEYER; ? William GEYER)

Composer

Active Adelaide, SA, 1855

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GEYER (shareable link to this entry)

ASSOCIATIONS: Adelaide Choral Society; Carl Linger; Adelaide Liedertafel


Summary:

No further information has been found to identify Geyer positively. There are several possibilities; however, perhaps the most likely is William Geyer, chemist and druggist, who was reportedly an early member of the Adelaide Liedertafel or its predecessor.

https://trove.nla.gov.au/search?l-publictag=William+Geyer+d1863 (TROVE tagged by Australharmony)


Documentation:

[Advertisement], South Australian Register (3 July 1855), 1

http://nla.gov.au/nla.news-article49298217

ADELATDE CHORAL SOCIETY . . . Second Quarterly CONCERT of the Season will take place at the Exchange, King William-street, on Friday Evening next, the 6th July, when the following programme will be performed: -
PROGRAMME. PART I . . . 4. Chorus, "Flowers and Fragrance," - Geyer . . .
JOHN SNAITH, Hon. Sec.

[Advertisement], South Australian Register (2 October 1855), 1

http://nla.gov.au/nla.news-article49295276

ADELAIDE CHORAL SOCIETY . . . the THIRD QUARTERLY CONCERT of the Season will take place on Tuesday evening next, the 2nd of October, at the Exchange, King William-street.
PROGRAMME. PART I . . . 4. Chorus, "Joy of our childhood" - Geyer . . .
Leader, Mr. Chapman. Conductor, Mr. Linger . . .

"ADELAIDE CHORAL SOCIETY'S CONCERT", South Australian Register (3 October 1855), 2

http://nla.gov.au/nla.news-article49298004

Last evening a large and brilliant assemblage at Green's Exchange testified by its presence to the sterling and improving character of the concerted productions of this Society . . . "The Hunter's Farewell" was decidedly unsuccessful. The chorus following it, and "Joy of our childhood" (attributed to a local composer), though correctly sung, did not please; the higher notes seemed to be sung with too much of a strained expression, and therefore gave an idea of some slight difficulty and pain to the singers . . .

"DEATH", The South Australian Advertiser (7 October 1863), 2

http://nla.gov.au/nla.news-article31828799 

GEYER. - On the 5th October, at the residence of his brother, Dr. E Geyer, Kapunda, Mr. William Geyer, chemist, of Adelaide.

"DEATH OF MR. W. GEYER", South Australian Register (7 October 1863), 2

http://nla.gov.au/nla.news-article50169079 

Intelligence reached town on Tuesday of the somewhat sudden death of Mr. W. Geyer, chemist, of Adelaide. Mr. Geyer proceeded to Kapunda on Friday last on a visit to his brother. He was then in good health; but Mrs. Geyer received a message on Sunday evening intimating that her husband was ill. She went to Kapunda on Monday morning, and in the evening Mr. Geyer died. For many years he has been a chemist and druggist in Adelaide, and had recently entered into partnership with Mr. W. Main, with the intention of carrying on business in new premises in Hindley-street. The cause of death we hear was a sudden relapse of influenza. The remains of the deceased gentleman will be interred today in Adelaide, and we learn that it is probable the members of the Liedertafel and German Rifle Club, of both of which he was the founder or a very early member, will follow.




GIAMMONA, Antonio (Antonio GIAMMONA; Signor GIAMMONA; also incorrectly GIAMMONIA)

Flautist, formerly tenor vocalist, teacher of singing, professor of music, composer

Born ? Italy, c. 1842
Arrived Melbourne, VIC, July 1875
Died Cook's River, Sydney, NSW, 1890

https://trove.nla.gov.au/search?l-publictag=Antonio+Giammona+d1890 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIAMMONA-Antonio (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Antonio Giammona

Antonio Giammona; thanks to Allister Hardiman, 2015 (on the verso, handwritten in French: "Antonio Giammona, my grandfather")

https://www.flickr.com/photos/32409501@N07/16897923007  


Summary:

Giammona arrived in Melbourne with Ilma De Murska and her manager De Vivo in July 1875. According to the Argus in August:

Signor Giammona is a young man, an Italian, and a good flautist. He plays to an audience accustomed to hear the best effects to be produced upon that instrument, and he wins their hearty approval because he has sensibility in his mind as well as skill at his finger ends.

As well as the extant compositions listed below, a New Guinea waltz and All-England Eleven galop were published by Allan and Co. in December 1876.

In 1881, Giammona was charged with assaulting the composer and reviewer, Alfred Moul, the author of an unfavourable review of his recently published Mass. Moul had written:

The bald effect of [the] tenor, constantly doubling the soprano, and basses doing a like duty for the alto, is a serious fault that would almost justify a wholesale condemnation of the entire composition, inasmuch as the pitiable lack of harmony that nearly every where disfigures the choral episodes good effect is an impossibility . . .

After several performances of the mass in late 1881 (including one in Dunedin, New Zealand) and early 1882, Giammona sailed for Sydney in February 1882. He was still advertising as a teacher there in February 1885, but in July it was reported that he was "now an inmate of the Licensed House for the Insane, Cook's River". He died there in 1890. There were documented performances of his Mass during the following decade, but as late as 1899 the Hobart Mercury still remembered him as "poor Giammona".


Documentation:

[News], The Argus (28 July 1875), 4

http://nla.gov.au/nla.news-article11521038

"THE DE MURSKA CONCERTS", The Argus (10 August 1875), 6

http://nla.gov.au/nla.news-article11521763

"NEW MUSIC", The Argus (22 September 1876), 7

http://nla.gov.au/nla.news-article5903334

[Advertisement], The Argus (30 December 1876), 12

http://nla.gov.au/nla.news-article5913015

[News], The Argus (7 June 1879), 6

http://nla.gov.au/nla.news-article5946066

[News], The Argus (3 October 1881), 4

http://nla.gov.au/nla.news-article5985179

"ASSAULT UPON A MUSICAL CRITIC", The Argus (11 October 1881), 4

http://nla.gov.au/nla.news-article5976128

"AN ANGRY MUSICIAN", The Australasian Sketcher (22 October 1881), 347

http://nla.gov.au/nla.news-article60622880

"SS. PETER AND PAUL'S CHURCH, EMERALD HILL", The Argus (5 December 1881), 10

http://nla.gov.au/nla.news-article11525797

[News], New Zealand Tablet (30 December 1881), 15

https://paperspast.natlib.govt.nz/newspapers/NZT18811230.2.23

"SHIPPING. ARRIVALS", The Sydney Morning Herald (18 February 1882), 4

http://nla.gov.au/nla.news-article13505408

"SIGNOR GIAMMONA", The Bulletin (4 March 1882), 2

https://trove.nla.gov.au/version/245221950 

"CATHOLIC. CHRISTMAS DAY IN THE CHURCHES", Freeman's Journal (30 December 1882), 15

http://nla.gov.au/nla.news-article111318252

Giammona's Mass had been carefully rehearsed, and with a strong well-drilled chorus, an orchestra of skilled musicians, and accomplished singers as soloists, it was no wonder that the performance, directed, as it was, by the composer himself, was successful. Better music for a festival could hardly be selected outside the works of the immortal German and Italian Mass writers, for it is music that delights the ear and fills the heart with a spirit of gladness. Herr Alpen, the organist and choirmaster, was fortunate indeed in securing the services of such artists as Miss Marie St. Clair and Mr. John Bushelle, and it is satisfactory to be able to state that both singers were in good voice and were more than usually effective. The Mass solos were sung by Miss E. A. Moon, soprano; Miss St. Clair and Mrs. Banks, contralti; Mr. Frank Brewer, tenor; and Mr. Bushelle, bass. The solos and concerted numbers were nearly all exceedingly well sung, and some of the choruses were grandly impressive, notably the finale of the "Agnus Dei" and the orchestra played throughout as first rate musicians only could. Signor Giammona performed wonders with his baton, and kept singers and players together from first to last. Herr Alpen did good duty at the organ; the orchestra was made up of the following : - Mr. W. Rice, leader; Mr. Asoli, second violin; Mr. H. Rice, viola; Messrs. H. McMahon, and Taylor, cornets; Signor Pagnotti, flute; Mr. S. Hodge and Mr. Schovel, clarionettes; Mr. White, contra bass; Mr. Menton, violoncello; and Mr. Wolfe, tympani.

[Advertisement], The Sydney Morning Herald (21 February 1885), 3

http://nla.gov.au/nla.news-article13577992

[Advertisement], The Sydney Morning Herald (18 July 1885), 3

http://nla.gov.au/nla.news-article28363070

"Personal", Table Talk (19 September 1890), 4

http://nla.gov.au/nla.news-article147282992

Signor Antonio Giammona, who came to Australia with Ilma di Murska, has not very long survived "the Hungarian Nightingale." Signor Giammona was engaged as the tenor of the Di Murska Concert Company, but lost his voice crossing the Atlantic from Liverpool, to New York. The then took to the flute, which he played at the Australian concerts, and finally settled down in Melbourne as a fashionable singing master. However, he lost nearly all his pupils just when his fame as a teacher stood at the highest, owing to an assault case which was made public by Mr. Alfred Moule, then musical critic to the "Age," bringing the matter before the Police Court. Poor Giammona left Melbourne for Sydney, where he became demented, and, after years of suffering, died the other day in the Parramatta Lunatic Asylum.

"Needles. Short, Sharp, Shiny", South Australian Chronicle (4 October 1890), 12

http://nla.gov.au/nla.news-article91026441

Giammona, the flautist, died lately in a Sydney madhouse. Once he was the "curled darling" of Australia's capitals, but for years he has been a hopeless imbecile. The Italian consul at the court of Parkes saw to the unfortunate man's welfare.

"Funerals", The Sydney Morning Herald (11 November 1890), 8

http://nla.gov.au/nla.news-article13798035

THE FRIENDS of Mr. ANTONIO GIAMMONIA are kindly informed that his Funeral will take place THIS (Tuesday) AFTERNOON, leaving at 2.15 to R. C. Cemetery, Necropolis.

"CHURCH INTELLIGENCE", The Advertiser (28 March 1894), 6

http://nla.gov.au/nla.news-article25682274 

"MASTER HAROLD SHEEN'S CONCERT", The Mercury (16 December 1899), 2

http://nla.gov.au/nla.news-article12769759


Musical works:

Mazurka on the popular Neapolitan song Santa Lucia (Melbourne: Allan & Co. (Wilkie's), [1876])

https://trove.nla.gov.au/version/21139137 

Unforgotten (Song; the words by Geo. Gordon McCrae) (Melbourne: Allan & Co., [1876])

https://trove.nla.gov.au/version/8357243 

Still think of me (Rappelle-toi) (words translated from the French of Alfred de Musset by Maria X. Hayes) (Melbourne: W. H. Glen, [1879])

https://trove.nla.gov.au/version/43321339 

Mass ("Composed expressly for and first produced at S.S. Peter & Paul Catholic Church, Emerald Hill") (Melbourne: W. H. Glen & Co., [1881])

https://trove.nla.gov.au/version/12105484 

Tantum ergo (NLA, in Papers of Frederic Earp)

https://trove.nla.gov.au/work/30837721




GIBBONS, Jane see Mrs. HODGES

Theatrical dancer




GIBBS, James Gordon (James Gordon GIBBS; James Gawden GIBBS; Mr. J. G. GIBBS)

Vocalist, singing class instructor, composer, cabinetmaker, undertaker

Born England, 1809
Married Elizabeth ERAUT (1809-1885), St. Helier, Jersey, 14 November 1833
Arrived Adelaide, SA, 26 May 1851 (per Catherine, from Liverpool and Plymouth, 9 February)
Died Royal Park, Melbourne, VIC, 3/4 December 1899

https://trove.nla.gov.au/search?l-publictag=James+Gordon+Gibbs+1809-1899 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1305737 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-James-Gordon (shareable link to this entry)

GIBBS, Elizabeth Jane (Elizabeth Jane GIBBS; Mrs. George Reuben MILLAR)

Organist, seraphine player (Trinity Church)

Born St. Helier, Jersey, 1 December 1834; daughter of James Gordon GIBBS and Elizabeth ERAUT
Arrived Adelaide, SA, 26 May 1851 (per Catherine, from Liverpool and Plymouth, 9 February)
Married George Reuben MILLAR, Trinity church, Adelaide, 14 March 1855
Died Nailsworth, SA, 18 May 1915, aged 80

https://trove.nla.gov.au/search?l-publictag=Elizabeth+Jane+Gibbs+Millar+1834-1915 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-Elizabeth-Jane (shareable link to this entry)


Documentation:

Marriages solemnized in the Parish of St. Helier, Island of Jersey, 1833; register, 1830-41, page 209; Jersey Heritage

https://www.ancestry.com.au/interactive/61219/45219_1831109388_0459-00224 (PAYWALL)

No. 836 / James Gawden Gibbs, of Stonehouse in the county of Devon, and Elizabeth Eraut, of this Parish, were married on the fourteenth day of November [1833] . . .

"ARRIVED", South Australian Register (27 May 1851), 2

http://nla.gov.au/nla.news-article38443981

"PULTENEY-STREET SCHOOLS", South Australian Register (9 December 1852), 3

http://nla.gov.au/nla.news-article38464164 

. . . During the last six weeks Mr. Gibbs had gratuitously taught singing to classes of the children . . . Mr. Gibbs then conducted the children belonging to the classes under his tuition, in singing a piece of poetry written for the occasion, commencing with "See once more our patrons meet," which was performed with considerable accuracy, to the tune of "Scots wha hae wi' Wallace bled" . . .

"TRINITY CHURCH SUNDAY SCHOOL", South Australian Register (2 March 1853), 3

http://nla.gov.au/nla.news-article38457680

On Monday evening the children attending the Trinity Church Sunday School, with their teachers and friends, celebrated their anniversary in the school-room, which was tastefully decorated for the occasion with flags, banners, wreaths of evergreens, flowers, &c., and Miss Gibbs presided at the seraphine from the Church, which was placed on the platform . . . the children were addressed by the Very Rev. the Dean and by Mr. W. A. Cawthorne, master of the Pulteney-street School, after which they sung a "Festival Hymn," written by one of the teachers, commencing with the words -
"To thee, O Lord, our song we raise;
To thee present our humble lay;
For teachers, friends, and Sabbath days,
We now our grateful tribute pay."
During the evening several other pieces were sung by the children, including the well-known duet and chorus, "Miriam's Song." The musical performances of the youthful choristers, who have been for some time receiving lessons from Mr. Gibbs, drew frequent expressions of approbation from the visitors . . .

"PULTENEY-STREET SCHOOL", South Australian Register (21 June 1853), 3

http://nla.gov.au/nla.news-article38465216

At a meeting of the Trustees, held yesterday, Miss Elizabeth Jane Gibbs was appointed to the office of governess. We are able to speak highly of her ability and fitness for the position; and she is, no doubt, known to many of our friends as having for the last twelve months played the seraphin at Trinity Church.

"PULTENEY-STREET SCHOOLS", Adelaide Times (25 June 1853), 2

http://nla.gov.au/nla.news-article207012979 

. . . The address concluded by an expression of thankfulness to Mr. Gibbs, for his kind and gratuitous services in the singing department . . . The system of instruction in singing adopted by Mr. Gibbs, is that of initiating among all the children, with out exception, a fondness for music and a desire to acquire some knowledge of the delightful art. By this means the most extraordinary results are obtained, as was evinced by the singing of the well known canzonet, "How Good and how Pleasant," which, as Mr. Gibbs truly said, is of that character of composition which even professional performers sometimes find it difficult to execute . . .

"PULTENEY-STKEET SCHOOLS", South Australian Register (10 December 1853), 3

http://nla.gov.au/nla.news-article48547230 

. . . the specimens of plain and fancy needlework executed by the girls gave pleasing proofs that Miss Gibbs, the schoolmistress, has rightly estimated the importance of uniting the useful with the ornamental. Several pieces of musical composition were sung in parts by the youthful choir, who have been long and carefully trained by Mr. Gibbs, and to whom was paid a hearty and deserved compliment for his gratuitous labours . . .

"EXAMINATION AT PULTENEY-STREET CENTRAL SCHOOL", Adelaide Times (15 December 1854), 2

http://nla.gov.au/nla.news-article207020237 

. . .The scholars sang at intervals, with a considerable amount of taste, several pieces of music selected as suitable for the occasion, and reflected in their performance great credit on Mr. Gibbs, who, we understand, gratuitously instructs them in this department . . .

"MARRIED", South Australian Register (16 March 1855), 2

http://nla.gov.au/nla.news-article49306179 

By special licence, on the 14th instant, at Trinity Church, by the Rev. C. Marryatt, George Reuben Millar, farmer, of the Hermitage, to Elizabeth Jane Gibbs, eldest daughter of Mr. J. G. Gibbs, Rundle-street, Adelaide.

"TRINITY CHURCH - VESTRY MEETING", Adelaide Times (21 April 1857), 2

http://nla.gov.au/nla.news-article207174579 

. . . Mr. J. G. GIBBES here put in an earnest appeal to allow the Sunday-school children to resume their seats in the gallery, and undertook that their combined singing should far excel that which had proved a failure when a few show children had been selected, and, from being puffed up with vanity, had sung loudly and disagreeably. The CHAIRMAN and others having no pleasant recollection of the former performances and general conduct of the children opposed this suggestion, and complimented Mr. Gibbes on their improved behaviour in the body of the church . . .

"TRINITY CHURCH SUNDAY SCHOOL", Adelaide Observer (21 May 1859), 4

http://nla.gov.au/nla.news-article158127620 

. . . The Superintendent, Mr. Gibbs, conducted the singing, and composed the music and words of a hymn for the occasion, which was sung during the evening . . .

"FAREWELL HYMN", South Australian Register (20 November 1867), 2

http://nla.gov.au/nla.news-article39194423

A farewell hymn of praise will be sung before His Royal Highness this morning in front of Government House, previous to his leaving for Port Adelaide. The composition is by Mr. J. G. Gibbs. Mr. G. Loder will act as conductor, and Mr. J. Shakespeare will preside at the harmonium. The piece was well rehearsed last evening in White's Room, at which nearly 100 members of the Adelaide choirs were present, including a good proportion of ladies. Arrangements were made for another rehearsal this morning at half past 10 o'clock at the same place, when it is expected that the strength of this "United Choir" will be very much augmented by the presence of those who were unable to attend last evening. The music is simple as a Gregorian chant, and the effect of a full chorus is very fine. For the purpose of securing order marshals have been appointed, who will direct the vocalists as to the positions they are to occupy on the ground. We subjoin one of the four verses of the poem:-
"Arise, Great God! and gently lead
Our Queen! Oh, guard her sacred head
And all the Royal Children bless,
Abroad - at home - let peace prevail.
(May no dread foe her throne assail) And crown her reign with righteousness."

"SACRED MUSIC", South Australian Register (3 February 1869), 2

http://nla.gov.au/nla.news-article41401299

We have had frequent opportunities of bringing under the notice of the public the compositions of resident artists who have made the principles of music considered as a science their special study. On Tuesday evening we were favoured with an opportunity of witnessing a rehearsal in White's Masonic Hall of several pieces of sacred music, composed by Mr. J. G. Gibbs, of Rundle-street. Mr. Gibbs is an ardent lover of sacred music, and his enthusiasm has inspired his compositions with a considerable amount of the pathos, solemnity, and high, toned feeling of his own mind. It is not easy to form a very definite or absolute opinion of the merits of a composition upon a first hearing. A great deal, of course, depends upon the skill of the performers, and a good deal more upon the taste and judgment of the auditor, judging from first impressions, we are disposed to accord to Mr. Gibbs the credit of having produced a number of compositions which we think are superior to a good deal of music sometimes published under the sanction of high authorities; and we think that this was the general impression of the 40 or 50 professionals and amateurs who were present Mr. Gibbs states that his object was to to furnish proper and appropriate tunes to the hymns contained in most selections, which, though in themselves very beautiful, cannot generally be sung on account of the peculiarity of the metre. And he states, further, that he is under special obligations to Messrs. Shakespeare, Dawes, and Hansen for many hints in harmonizing his compositions. We understand it is his intention to publish them, and in that case the public will be able to form their own opinions of the merits of the work.

"NEW MUSIC", South Australian Register (24 March 1869), 2

http://nla.gov.au/nla.news-article41400551

Mr. S. Marshall, of Rundle street, has just published a new piece of music, entitled "The Holy Bible." The words are from the German of the Rev. J. Hall, M.A., translated into English verse by Joh. Chr. Hansen. Its character may be estimated by the first stanzas, which are as follows: -
"I hold the sacred book of God,
To hear, and keep, and use it free;
But holy martyrs shed their blood
To win this word of life for me."
The music has been composed by Mr. J. G. Gibbs, of this city. It is written for a single voice, and set in B flat, with a pianoforte or rather a harmonium accompaniment. Mr. Gibbs is an enthusiastic lover of sacred music, and in this composition he has expressed in the language of song the feelings of a mind impressed with solemn thoughts and deep-felt emotions. His harmonies are simple, without degenerating into commonplace, and the melody is peculiarly well adapted to the words. This "sacred song" will, no doubt, find its way into the folio of many of the lovers of sacred music, and be prized for its intrinsic worth.

[Advertisement], South Australian Register (22 September 1869), 4

http://nla.gov.au/nla.news-article41393357

In the Press, A NEW SACRED SONG, "MY FATHER'S HOUSE," dedicated by permission to Mrs. Colonel Gawler, by Jas. G. Gibbs, author of Sacred Soong, "The Holy Bible." Words by Dr. Watts.
S. MARSHALL, Publisher, Adelaide.

"THE BRITISH THRONE AND EMPIRE", South Australian Register (4 December 1875), 5

http://nla.gov.au/nla.news-article40083488

This cantata, composed by Mr. J. G. Gibbs, was performed for the first time in public on Friday evening in the Town Hall, before an audience numbering about 500. Mr. John Hall acted as leader, Mr. J. W. Daniel as conductor, and Mr. W. R. Pybus as pianist. Mr. G. Oughton presided at the harmonium. The band comprised about a dozen executists, and the chorus about 50 voices. The following were the principal singers: - Mesdames Proctor, Watson, Smart, and Cheesman, the Misses Vaughan, Playford, Nimmo, and McNicoll, Messrs. J. W. Daniel, G. Daniel, Trudgen, and Felstead.

We shall not venture to pass a critical opinion upon the merit of the composition upon a first hearing. Apart from the difficulty of discriminating between the merits of the work and those of the performers, we think it would be unfair to Mr. Gibbs himself to jump to a hasty conclusion respecting a composition of such magnitude. We believe we are correct in stating that the composer does not pretend to any very profound insight into the mysteries of thorough bass or of counterpoint; but as the orchestral parts have been scored by Mr. J. Hall, it may be taken for granted that any crudities or violations of the laws of composition have been toned down or rectified. Mr. Gibbs is evidently a musical enthusiast. He appears to have thrown his whole soul into the work, and as every musician knows full well, this enthusiasm, this absorption of the mind, this devotion of every faculty of the intellectual and emotional part of our nature to the work in hand, is indispensable to the success of a composer who would rise above mediocrity. The style of Mr. Gibbs's cantata is decidedly ecclesiastical. Half a dozen anthems might be constructed from its materials. Generally speaking, there is a skilful interfusion of the sentiments expressed by the words and the music. It is, we think, deficient in melodic beauty, the solos being rather of a declamatory character. The choruses are full, resonant, and inspiring, though the greater part of them appear to be in the minor mode. No doubt, however, but that they have been greatly invigorated by the orchestral accompaniment. They were performed with almost faultless precision, and in nearly every instance were very earnestly applauded.

The principal defect of the composition is, we think, the absence of dramatic or constructive skill. The several parts, however excellent in themselves, do not form a consecutive narrative; but could be performed in inverted order without detracting from the general effect. The choruses contain some fine unisonal passages, but the composer has carefully avoided either the single or double fugue; and even his modulations are of the most simple and inartistic character. The author has evidently relied upon his own resources, and seems to have studiously avoided every approach at imitation or plagiarism. The work is strictly original in its general design, as well as in all its details, and as the production of a non-professional it is a very creditable production indeed.

It should be mentioned that the second part opens with a short symphony composed by Mr. J. Hall, containing several crescendo passages of singular beauty and displaying much skilful orchestration. We hope before long to have another opportunity of hearing the work. It will undoubtedly bear repeating more than once, and a greater familiarity with its several parts will probably reveal fresh beauties not discernible on a first hearing. At the close of the performance Mr. Gibbs was called to the front. His remarks were scarcely audible, but we understood him to express hia gratification at the performance and his intention to publish the work as a tribute of his attachment to our gracious Queen, her "throne and empire."

"MUNICIPLE CORPORATIONS. KENSINGTON AND NORWOOD", South Australian Register (12 October 1880), 1s

http://nla.gov.au/nla.news-article43142014

. . . From J. G. Gibbs, asking the patronage of the Council to a cantata composed by him. Granted . . .

"JUVENILE VALEDICTORY EXHIBITION", South Australian Register (29 November 1882), 1s

http://nla.gov.au/nla.news-article43330766

. . . The programme consisted of sacred music and readings, and the major part were compositions of Mr. J. G. Gibbs, all of an appropriate character, the argument embracing references to the forming of the Torrens Lake, the drought, the distress of the Jews, the troubles of Shetland fishermen, in all of which matters South Australia lent charitable help during the Mayor's term of office.

"DEATHS", The Advertiser (13 December 1899), 6

http://nla.gov.au/nla.news-article29523627

GIBBS. - On the 4th December, at Royal Park, Melbourne, James Gordon Gibbs, a resident of Rundle-Street for many years, aged 91 years. Blessed are the dead that die in the Lord.

"DEATHS", The Register (19 May 1915), 6

http://nla.gov.au/nla.news-article59604819 

MILLAR. - On the 18th May, at the residence of her son-in-law (Mr. H. Kemp), Jones street, Nailsworth, Elizabeth Jane, relict of George Reuben Millar, late of the Hermitage, in her 81st year. Arrived in the ship Katharine.

"PERSONAL", The Advertiser (1 June 1915), 6

http://nla.gov.au/nla.news-article5469975 

Mrs. Elizabeth Jane Millar, who died recently at the residence of her son-in-law (Mr. H. Kemp), Nailsworth, was a colonist of 64 years. She was in her 81st year, and was the widow of Mr. George R. Millar of Hermitage. She was born at St. Heliers, Jersey, on December 1, 1834, and arrived in South Australia with her parents in the ship Catherine, in May, 1851. During the time she lived at Hermitage she took a very active part in all church work, and for 20 years acted as superintendent of the Sunday-school . . .

"MRS. ELIZABETH MILLAR", Australian Christian Commonwealth (25 June 1915), 13

http://nla.gov.au/nla.news-article214058138 

Death has lately removed another Christian worker in the person of Mrs. Elizabeth Millar. She was born in Jersey Island in 1834, and came to South Australia with her parents in 1851. For some years previous to her marriage she was a teacher in Pulteney Street day school, and was also a member and organist of Trinity Church. The first years of her married life were spent in Hermitage, and as no church had yet been built there she and her husband walked regularly to Houghton to attend the services there. Later, on they removed to Modbury, where they lived for some years. While there Mrs. Millar joined the Wesleyan Church, and became an active worker. In 1876 the family returned once more to Hermitage. During their absence a Wesleyan church had been erected, and Mrs. Millar's services were immediately sought as organist. She also started a Sunday-school, of which she was superintendent for twenty-seven years . . .


Published musical works:

The holy bible; sacred song; respectfully dedicated to Lady Daly by her Ladyship's very obedt. servt. James G. Gibbs, the words by the Rev. J. Hall, M.A., the German translation by Joh. Chr. Hansen, musical professor (Adelaide: S. Marshall, [1869])

https://trove.nla.gov.au/version/11034556 

My father's house (A new sacred Song, dedicated by permission to Mrs. Colonel Gawler; words by Dr. Watts) (Adelaide: S. Marshall, 1869)

NO COPY IDENTIFIED

The British throne and empire: an original cantata, composed . . . by . . . James Gordon Gibbs [words only survive] (Adelaide: W. K. Thomas, 1881)

https://trove.nla.gov.au/work/33198066




GIBBS, Eliza (Sarah Elizabeth ? HERBERT; Eliza; Mrs. John GIBBS, Mrs. GIBBS; Mrs. GIBBES)

Soprano, mezzo-soprano vocalist, actor, dancer, pianist, teacher of pianoforte and singing

Born ? London (? Surrey), c. 1804/05; daughter of ? HERBERT
Married John GIBBS, London, by c. 1840
Arrived Sydney, NSW, 21 October 1842 (passenger per Trial, from Plymouth, 18 May, via Rio De Janeiro)
Died Sydney, NSW, 29 March 1866; buried St. Stephen's, Newtown, 31 March 1866

https://trove.nla.gov.au/search?l-publictag=Eliza+Gibbs+d1866 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1643241 (NLA persistent identifier)

https://www.ausstage.edu.au/pages/contributor/438204 (AusStage)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-Eliza (shareable link to this entry)

GIBBS, John (John GIBBS; Mr. J. GIBBS; Mr. GIBBS; GIBBES)

Musician, violinist, viola player, leader of theatre and concert orchestras, dancing master, arranger, composer

Born ? London, c.1815; son of Richard GIBBS and Ann
Married Elize ? HERBERT, London, by c. 1840
Arrived Sydney, NSW, 21 October 1842 (passenger per Trial, from Plymouth, 18 May, via Rio De Janeiro)
Died Sydney, NSW, June 1875, aged 60

https://trove.nla.gov.au/search?l-publictag=John+Gibbs+d1875 (TROVE tagged by Australharmony)

https://www.ausstage.edu.au/pages/contributor/464504 (AusStage)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-John (shareable link to this entry)


Summary:

John Gibbs was the second surviving son of Richard Gibbs (d. before 1841), and his wife Ann (c.1778-1851). He and his elder brother Henry and younger brother Benjamin were all listed in the 1841 census as teachers of music. Henry (c. 1807-1880) and Benjamin (c. 1818-1894) were then living still with their widowed mother, Ann, in St. Pancras, while John, his wife Eliza, 35, and infant daughter Sophia Eliza were living in Little Pierpont Row, in the parish of St. Mary Islington East.

Eliza's parentage is uncertain, though her death record give's her father's name as Herbert; if that was his surname, perhaps she was a daughter of the sometime Dublin actor, Joseph Dowling Herbert, author of Irish varieties, who died on Jersey, Channel Islands, in 1837 (b. c. 1766).

John, Eliza and Sophia arrived in Sydney in October 1842 along with Andrew Torning and his wife Eliza, in a party of theatricals recruited in London by Joseph Wyatt for the Royal Victoria Theatre. They made their first appearances there in November, Eliza on stage, and John as the new leader of the orchestra and musical director in succession to Spencer Wellington Wallace.

For the reminder of the 40s and much of the 50s, the couple's musical activities centered around the Sydney theatres.

For a short period, in late 1850 and early 1851, John also appears to have taken over the musical retail and publishing business of George Hudson, a colleague in the theatre orchestra. He advertised in December 1850, from Hudson's address, as J. Gibbs & Co. However, he and Elizabeth Hudson advertised the end of their partnership in April 1851.

By July 1851, Gibbs was trading from 89 Phillip-street, from where he published Woman's heart, ("The celebrated romance, Sung by Miss Sara Flower, with the most enthusiastic applause, at the Royal Victoria Theatre, in the opera of The Enchantress composed by M. W. Balfe"), the last that is heard of this venture.


DISAMBIGUATION: Eliza Gibbs's name has sometimes been given as "Louisa" (Gyger 1999), evidently a confusion with "Madame Louise". Eliza is not to be confused with her more famous London theatrical near contemporary, Margaretta Graddon (b. c.1804) (Mrs. Alexander Gibbs), also a vocalist


Documentation:

? [Advertisement], Saunders's News-Letter [Dublin, Ireland] (15 June 1837), 3

THEATRE ROYAL, DUBLIN. FOR the *011 the BENEFIT of Miss HERBERT, daughter of the late Mr. J. D. Herbert, formerly of the Theatre Royal, Crowe-street, who begs to announce to her Friends and the Public that she will make her first appearance in this Theatre THIS EVENING (Thursday), June 15, on which occasion the Performances will commence with the Play of THE WIFE, A Tale of Mantua. Mariana, Miss Herbert. The Entertainments will conclude with the Melodrama of THE MILLER AND HIS MEN . . .

? "THEATRE ROYAL", Saunders's News-Letter [Dublin, Ireland] (16 June 1837), 3

Last evening Sheridan Knowles' The Wife was represented, the part Mariana being supported by Miss Herbert, daughter of the late Mr. J. D. Herbert, who was known to many in this city as an actor of merit. The appearance of the young lady is much in her favour, and her acting she displayed judgment, and a good conception of the author's meaning. Her voice, however, in the higher tones is harsh, and she was too declamatory in the delivery of many passages. We regretted to perceive that the house was upon this occasion but thinly attended.

England & Wales, Civil Registration Birth Index, 1837-1915; UK National Archives

April 1841, Sophia Eliza Gibbs, Islington . . .

England census, 6 June 1841, parish of St. Mary Islington East, Little Pierpoint Row; UK National Archives, HO 107 / 664 / 4

https://www.ancestry.com.au/interactive/8978/MDXHO107_664_664-0064 (PAYWALL)

John Gibbs / 25 / teacher of music / [born Middlesex]
Eliza Gibbs / 35 / [not born Middlesex]
Eliza Gibbs / 3 months / [born Middlesex]

England census, 6 June 1841, parish of St. Pancras; UK National Archives, HO 107 / 686 / 13

https://www.ancestry.com.au/interactive/8978/MDXHO107_686_687-0170 (PAYWALL)

Ann Gibbs / 62 / Stay maker / [not born Middlesex]
Henry [Gibbs] / 35 / Teacher of Music / [born Middlesex]
Benjamin [Gibbs] / 23 / [Teacher of Music] / [born Middlesex]
William [Gibbs] / 13 / Apprentice Engineer / [born Middlesex]

"THEATRICALS", The Australian (4 July 1842), 2

http://nla.gov.au/nla.news-article37115714

By the Ganges, the Acting Proprietor has received intelligence of the following engagements for the Victoria: Mr. and Mrs. Gibbs, Mr. and Mrs. Bonder, and Mr. and Mrs. Andrews; they may be expected in all August; report speaks favourably of their capabilities . . .

"ARRIVAL", The Sydney Morning Herald (22 October 1842), 2

http://nla.gov.au/nla.news-article12411999

From London, via Rio Janeiro, yesterday, having left Plymouth 18th May, and Rio Janeiro 18th August, the barque Trial, 340 tons, Captain Day, with a general cargo. Passengers - . . . intermediate, Mr. and Mrs. Andrews and two children, Mr. and Mrs. James, Mr. and Mrs. Gibbs and child, Mrs. Herbert and child, Mr. Owen, and Mr. Hemming.

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (27 October 1842), 2

http://nla.gov.au/nla.news-article12415130 

ROYAL VICTORIA THEATRE. The Public is respectfully informed that the following Ladies and Gentlemen, from the London Theatres, having arrived, they will shortly make their appearance at this Theatre in the course of the Entertainments now under preparation:
MADAME LOUISE, MADAME TORNING, MRS. GIBBES, MR. TORNING ANDREWS, MR. J. B. JAMES, AND MR. GIBBES, Leader of the Orchestra and Musical Director.

"THEATRE", The Australian (31 October 1842), 2

http://nla.gov.au/nla.news-article37114001 

The elections occupy so much of our time, that we have not much space to bestow on the now performers, ex TRIAL . . . The party who merits our especial notice is Mr. Gibbes, who appeared on the above evening as our theatrical conductor and leader. He more than answers our expectations. To those who are unacquainted with the arduous duties of a leader, it may not be improper to observe, that in an orchestra he takes the principal violin, and is so stationed that he may not only see every performer about him, but also be seen by the whole band; that he may communicate to them the time and style of the various movements they may have to perform. It is to him that the whole band must look for direction in the execution of the music, and it is on his watchful eye, his steadiness, skill and judgment, and the attention of the performers to his motion, manner, and expression, that the concinuity, truth, and effect do in a great measure depend. Mr. Gibbes seems to have a just sense of the importance of his situation in the orchestra, and of the high responsibility it involves. He seems free from the vain desire of drawing the attention of the house, by descending to the grave notes of the silver string, and then running divisions upon the shift of the E string, by way of clap-trap. On the contrary, he appeared quiet and humble, though firm and masterly in his manner of leading and conducting the orchestra. He was all eyes and ears. He took up all the leading points, marked the accented notes with true force, yet free from those horrible cork cutting scrapings which set ones teeth grinding; and he gave all the lights and shades of the crescendo and diminuendo with so much clearness and effect, that anyone in the orchestra disposed to retard the time, or inclined to gallop on a bar or two in advance of others, had not the slightest chance of indulging in such vagaries. Mr. Gibbes would not have it at any price; in fact he is a perfect leader. We know not what his pretensions may be as a solo performer, nor is it a matter for our present consideration. We looked for a leader in Mr. Gibbes, and in every sense of the word we have found one; and we heartily congratulate him on his success . . .

"THEATRE", Australasian Chronicle (5 November 1842), 2

http://nla.gov.au/nla.news-article31737781

On Thursday evening, the musical drama of Paul and Virginia was performed at the Victoria, for the first time. The music of this piece is by Reeve and Mazzinghi, and has more of prettiness than of grandeur or depth. Both the singing and the acting were, however, comparatively good, and the audience appeared to be much pleased with the performance Mrs. Gibbs made her first appearance, in the character of Paul, to which the principal airs are alloted. She is, undoubtedly, a great acquisition to the vocal strength of the colony, as well as to the Sydney stage. She has a voice of considerable power, and of fine quality, particularly in the lower notes; and what is of the greatest importance, she is full of feeling. This great quality thrown into the not otherwise very striking air "the wealth of the cottage is love" produced a hearty encore. The merits are somewhat diminished by a slight defect in her utterance; but, on the whole, we must pronounce her, by comparison, a star in our musical world. Mesdames Torning (in the character of Virginia) and Louise (in the character of the runaway slave) performed their characters exceedingly well. The instrumental performances on this occasion were defective, perhaps from certain vacancies in the orchestra, but as Mr. Gibbs does his work con amore, we expect to see a rapid improvement in this department.

"THEATRE", The Sydney Morning Herald (5 November 1842), 2

http://nla.gov.au/nla.news-article12425364

Mrs. Gibbes, the sixth of the performers by the Trial, made her first appearance on Thursday, in the character of Paul, in the opera of Paul and Virginia, in which she was completely successful: her singing was very much admired.

"THE THEATRE", Australasian Chronicle (22 November 1842), 2

http://nla.gov.au/nla.news-article31737963

. . . Of the new ballet, the most we can say of it is, that it is laughable, that the music is rather pretty, though not very original, and that the dancing by Mesdames Gibbs and Torning was tasteful. The orchestra did its part well.

[Advertisement], The Sydney Morning Herald (26 December 1842), 3

http://nla.gov.au/nla.news-article12420530

Mrs. J. GIBBS respectfully begs leave to announce to the inhabitants of Sydney and the surrounding neighbourhood, that she will be happy to give lessons on the Pianoforte and Singing, upon those principles which have recently given such entire satisfaction in London, Edinburgh, Dundee, &c. The Violin taught, and Quadrille Bands provided, by Mr. J. Gibbs, late member of the orchestra of the celebrated Musard. Address, No. 2, Park-Street East.

[Advertisement], The Australian (11 January 1843), 3

http://nla.gov.au/nla.news-article37117838

Mr. and Mrs. Gibbs' first appearance at at Concert in Sydney.
A GRAND EVENING CONCERT will be given at the Royal Hotel, on Wednesday, January 11th, to commence at eight o'clock,
for the benefit of Miss Forsythe, the Juvenile Pianist, who will appear as a Vocalist upon this occasion . . .
Mrs. Gibbs (who will sing a duet with Miss Forsythe, pupil of Miss Hinkesmann, and Madame Gautrot) . . .
and Mr. Gibbs, who will make his first appearance in this colony at a concert, and has kindly consented to play a solo . . .

[Advertisement], The Sydney Morning Herald (24 March 1843), 3

http://nla.gov.au/nla.news-article12421450

ROYAL VICTORIA THEATRE.
GRANDEST NIGHT OF THE SEASON.
Great Treat for the Votaries of Apollo and Terpsichore!
New Opera, New Songs, new Choruses, and new Dances.
FOR THE BENBEFIT OF MR. AND MRS. GIBBS. MONDAY, MARCH 27TH, 1843.
MR. and MRS. GIBBS, in announcing their first benefit in this colony, to take place on the above evening, beg respectfully to observe that, stimulated by the flattering marks of approbation which they have already received at the hands of the public of Sydney, they confidently hope that their exertions, combined with those of their professional friends in every department, will produce a succession of entertainments calculated to ensure not only a numerous but a highly gratified audience.
The performances to commence with (for the first time at this theatre) the Comic Opera, by General Burgoyne), entitled,
THE LORD OF THE MANOR.
The whole of the music arranged, partly composed, and produced under the immediate direction of Mr. Gibbs; the dances by Mr. Torning.
Sir John Contrast - Mr. Fenton
Young Contrast - Mr. Knowles
Truemore - Mr. James
Rental - Mr. Collins
Rashly - Mr. Griffiths
Sergeant Sash - Mr. Jones
La Nippe - Mr. Simes
Corporal Drill - Mr. Peat
Corporal Snap - Mr. Mereton
Huntsmen, Recruits, &. by Mr. William Griffiths and a numerous train of Auxiliaries, who have kindly volunteered their valuable services on this occasion.
Annette - Mrs. Gibbs
Sophia - Mrs. Knowles
Peggy - Mad. Louise
Moll Flaggon - Mr. Deering.
In the course of the piece,
Duet, "Hark hark! the merry Peal (composed by Mr. Gibbs) - Mrs. Gibbs & Mad. Louise
Song, "The Convent Belle," composed by S. Lover - Mrs. Gibbs
Song - Mrs. Knowles
Grand Hunting Song and Chorus, "When the southern breezes blow."
Song, "Our Sex is capricious," composed by Mr. Gibbs - Mad. Louise
Air - Mrs. Knowles
Song, "Don't be angry with Annette" - Mrs. Gibbs
REPRESENTATION OF A COUNTRY WAKE,
In which will be introduced the celebrated Song, Dance, and Chorus,
"Haste to the wild Woods, haste away," the music composed by G. Herbert Rodwell, and sung by Mrs. Keely upwards of one hundred nights, in "Jack Sheppard."
Glee and Chorus, "How merrily we live."
Song, "If I had a Beau" - Mrs. Gibbs
Interesting denouement, and grand finale. - "All our Cares are ended."
Previous to the Opera, the Band (which will be considerably augmented on this occasion)
will perform Rossini's celebrated overture to "La Gazza Ladra;"
and in the course of the evening, an entirely new set of Irish Quadrilles, composed by Mr. Gibbs for this occasion, introducing the celebrated airs of "Captain Casey," "St. Patrick was a Gentleman," "Morgiana in Ireland," &c. &c.
Scotch Pas Seul - Mr. Phillips
Song, in character, "Solomon Lob" - Miss Jones
For the first time in this colony, the celebrated Army and Navy Dance - Mr. Torning.
After which, a selection of the principal scenes from the Tragedy of
MACBETH, With (for the first time in this Colony) the whole of the
Original Music, as composed by Mathew Locke, and performed at the London Theatres.
Macbeth - Mr. Nesbitt
Lady Macbeth - Mrs. Thomson
Witches by the whole strength of the Company, assisted by the powerful additional Chorus.
Irish Lilt - Miss E. Jones
Pas Seul - Mr. Chambers.
The whole to conclude with the laughable Musical Farce, in one Act, entitled
LATIN, LOVE, AND WAR.
Leader of the Orchestra, Mr. Gibbs.
Tickets to be had of Mr. Trood, Printer, King-street; Mr. Ellard, Music Saloon, George-street; Mr. Aldis, Tobacconist, George-street; Mr. Rolfe, Musical Library, Pitt-street: Mr. Gibbs, at his residence, No. 2, Park street East; of Mr. Wright, Victoria Hotel (where places may be taken and a Box Plan seen); and also at the Theatre daily.

"THEATRICALS", The Satirist and Sporting Chronicle (1 April 1843), 2

http://nla.gov.au/nla.news-article228065420 

WITH the exception of Monday last, the VICTORIA has been crowded every night during the week. We regret that the state of the weather precluded Mr. and Mrs. Gibbs, from having benefitted by their benefit - we wish them better luck next time.

[Advertisement], The Australian (17 August 1844), 1

http://nla.gov.au/nla.news-article37120853 

CORPORATION BALL. MR. J, GIBBS, Professor and Teacher of Dancing, 229, Elizabeth-street, North, begs to inform parties wishing to form a SELECT CLASS, for private practice, previous to accepting the civic hospitality, on the above occasion, that he will be happy to attend them each day, from twelve to two, or from five to seven at their own residence, or at the Academy. Quadrilles taught in eight lessons.

"ROYAL VICTORIA THEATRE", The Australian (11 March 1845), 3

http://nla.gov.au/nla.news-article37155306 

Our readers will perceive, by advertisement, that Mr. and Mrs. Gibbs take a Benefit on Thursday next, on which occasion OBI, or THREE FINGERED JACK will be performed for the first time in this Colony, succeeded by a variety of entertaining novelties; concluding with the laughable burlesque of LIFE IN THE CLOUDS, in which Mrs. Gibbs will sustain the character of Ixion most admirably. The public are, in fact, greatly indebted to this lady for the production of several operatic pieces, which could not have been performed had she not obligingly undertaken a character in each, which properly belonged to a male performer. We feel assured, she will not be forgotten on the occasion above referred to.

"THEATRICALS", The Australian (1 November 1845), 3

http://nla.gov.au/nla.news-article37157019 

. . . On Monday, Mr. and Mrs. Gibbs take their benefit, and we know no two members of the company possessing better claims upon public patronage. As Leader of the Orchestra, Mr. Gibbs unites professional skill with practical efficiency, while in Mrs. Gibbs we find dramatic capabilities of a respectable order, with vocal qualifications indicative of good taste and good instruction. The pieces selected are THE LORD OF THE ISLES, THE ROSE OF CASHMERE, and THE CORPOAL'S WEDDING, with a choice miscellaneous assortment . . .

[Advertisement], The Australian (1 November 1845), 2

http://nla.gov.au/nla.news-article37157017 

ROYAL VICTORIA THEATRE . . . For the Benefit of MR. AND MRS. GIBBS.
MR. GIBBS most respectfully informs his Friends and the Public generally, that the Joint Benefit of himself and MRS. GIBBS, will take place at the above Theatre, on
MONDAY EVENING, NOVEMBER 3, On which occasion, he trusts the selection of Entertainments will give every satisfaction, and obtain the support and patronage of a generous Public.
THE Evening's Entertainments will commence with the popular grand National Opera, in 3 Acts, founded on Sir Walter Scott's Poem, entitled
THE LORD OF THE ISLES; Or, The Gathering of the Clans.
The Music arranged expressly for the Opera, by Mr. Gibbs . . .
Irish Comic Song, "The Wake of Teddy the Tiler," by Mr. Deering.
After which, for the first time at this Theatre, a Ballet Divertisement, written by Mrs. Gibbs, and the Music by Mr. Gibbs, entitled
THE ROSE OF CASHMERE; OR, EBE BACAR, THE DIAMOND MERCHANT.
Ebe Bacar, the Merchant - Mrs. Gibbs . . .
After which, the popular and highly admired Comic Duet, "We are two wandering Savoyards," Mrs. Stirling and Mr. F. Howson.
Composed expressly for them by Mr. Gibbs.
The whole of the Evening's Entertainments will conclude with the popular Farce, in one Act, called
THE CORPORAL'S WEDDING . . .
Tickets and Boxes may be obtained at Mr. Wyatt's, Victoria Hotel; Mr. and Mrs. Gibbs, at their residence, No. 11, Domain Terrace, and at the Theatre daily . . .

"MR. JOHNSON'S CONCERT", The Australian (17 October 1846), 3

http://nla.gov.au/nla.news-article37156552 

This entertainment of Sacred Music was given under the patronage of His Excellency the Governor . . . Mrs. Gibbs was in excellent voice, and sang, with extreme pathos, animation, great flexibility, and correct intonation - particularly, we may mention the Aria, "But thou did'st not leave his soul in Hell," and Neukomm's, "By the Waters of Babylon," which was deservedly applauded. It was a palpable hit; and but for the lateness of the hour, it would have been encored . . .

MUSIC: By the rivers of Babylon (Neukomm)

[Advertisement], The Australian (3 December 1846), 1

http://nla.gov.au/nla.news-article37128985 

ROYAL VICTORIA THEATRE . . . THE LAST NIGHT OF THE SEASON.
MR. & MRS. GIBBS . . . their BENEFIT will take place on THURSDAY, DECEMBER 3, 1846 . . .
The Performances will commence with, for the first time in this colony, an Opera, performed in London with the most unbounded success, entitled
THE DEVIL'S OPERA, The Music composed by Donizetti, Bellini, &c., and arranged expressly for this Orchestra by Mr. Gibbs . . .
GRAND FANTASIA, TENOR TROMBONE BY MR. J. HOWSON.
Song, (by desire), THE GRAND FANCY BALL - MRS. GIBBS . . .
Tickets and Boxes to be had of . . . Mr. Gibbs, at his residence, Domain Terrace, &c. . . .

MUSIC: The devil's opera (Macfarren)

"THE THEATRE", The Australian (9 March 1847), 3

http://nla.gov.au/nla.news-article37127928

On Thursday the boxes were unusually brilliant, whilst the house was well attended in every part to witness a repetition of DER FREISCHUTZ, which, so far from being on the wane, seems to acquire fresh attraction from each successful performance . . . on Thursday, [saw] an apology for Mrs. Carandini, and the assumption of Rose by Mrs. Gibbs, a part which she played with the skill of a proficient actress and the ability of an accomplished musician. We are not of those critics who seek to undervalue this lady's merits, because of the trifling lisp which some insist mars all her efforts. Our ears are as sensitive of discord as those of most folks and we do not detect any such jarring element in Mrs. Gibbs' vocality . . . It has been an unfair and cruel practice to underrate the good services of Mrs. Gibbs, but we could easily prove that not one performer, male or female, in the Southern Hemisphere, has ever had her opportunities, or filled the characters which she has repeatedly and successfully sustained in the great National Theatres of mighty London, and were she to secede from the boards of the Victoria her loss would be "Not loud but deep".

[Theatrical news], Bell's Life in Sydney and Sporting Reviewer (26 June 1847), 2

http://nla.gov.au/nla.news-article59766879 

. . . Mr. and Mrs. GIBBS appear next on the list [of benefits], and with a judicious and attractive bill of fare invite their patrons for Monday evening next. Mrs. GIBBS, whose connection with the Sydney Stage is of no recent date, still maintains her position as an especial favourite with the play-going community. Her talents, both as an actress and a finished musician, have in no inconsiderable degree contributed to the success of the DRAMA in this portion of the Colonies, and long may she wear the "wreath", to which she is so deservedly entitled. The claims of Mr. GIBBS to public favour rank perhaps higher than those of any connected with the Victoria. Under his able and efficient Leadership, the Orchestra is gradually yet surely progressing in such a manner, that we may reasonably, expect it, at no distant period, to rival those in the chief provincial cities of "merry England:" Mr. GIBBS has had many disadvantages to combat, which would most likely have damped the enterprise of one possessed of less energy and perseverance; and he may without presumption take to himself the credit of having been mainly instrumental to the unequivocal favour with which the introduction of those celebrated Operas forming so prominent an item in our evening amusements, have been received throughout the Season . . .

"The Drama", Bell's Life in Sydney and Sporting Reviewer (3 July 1847), 2

http://nla.gov.au/nla.news-article59763170 

THE Victoria was exceedingly well attended on Monday evening, the performances being for the benefit of. MR. and MRS. GIBBS, whose most sanguine expectations must have been fully realised . . .

"THE THEATRE", The Australian (10 July 1847), 3

http://nla.gov.au/nla.news-article37133143 

On Thursday night the Royal Victoria (with an audience packed to the ceiling) closed a lengthened campaign of unexampled prosperity . . . In commending the managerial exertions, we must not overlook those of Mr. Gibbs, who, with an orchestra of peculiar construction, has laboured earnestly and unremittingly to drill them into something like a combination of harmony, as, bear witness, the rapid succession of operatic entertainments . . .

"THE MAYOR'S FANCY BALL", The Australian (17 July 1847), 2

http://nla.gov.au/nla.news-article37132110 

. . . Of the Orchestral efficiency, we need only state, that the accomplished Band of the 99th Regiment occupied the right hand corner of the upper boxes, whilst Mr. Gibbs, with an augmented array of violinists, confronted those practised musicians in the corresponding sinister angle . . .

"THEATRICALS", The Australian (24 March 1848), 3

http://nla.gov.au/nla.news-article37128863 

. . . It has been our agreeable duty, for the last few weeks to announce coming entertainments rather than to describe past ones - a duty which, as journalists, we have always much pleasure in performing during the benefit season . . . Monday next is fixed for the benefit of Mr. and Mrs. Gibbs - the former the indefatigable chef d'orchestre - the latter a most deserving and pains-taking actress and vocalist. The selection of the entertainments includes the entire strength of the corps dramatique and vocale, and has been made with very good taste, comprising, the legendary Romance of THE DEVIL'S ELIXIR, a variety of vocal music, and the drawing-room Comedietta of MR. GREENFINCH. When we add that Mr. Gibbs is honored by the patronage of the Supreme Grand Lodge of the Independent Order of Odd Fellows, and recall to the remembrance of the visitors to the Victoria the many claims of the talented beneficiares, we feel assured that a crowded house will prove the full appreciation of those claims . . .

"MONTHLY PRIVATE CONCERT", The Australian Sportsman (4 November 1848), 2

http://nla.gov.au/nla.news-article252651082 

One of these agreeable affairs, the concert for November, came off last evening, and albeit a "private" one, we are sure our excellent friends, the Drapers, under, whose auspices it took place, will excuse, our lifting the curtain. The selection, though what is technically called popular, was in exceedingly good taste. It comprised some of the most favorite compositions of British authors, including the names of Bishop, Balfe, Tom Moore, Parry, Russell, &c., to whose works every justice was done by the talented amateurs. The great feature of the evening was a Violin Solo of De Beriot's by Mr. Gibbs, in the execution of which he displayed powers which, we suspect, greatly surprised the majority of the audience, to whom (by reason of the few opportunities for scientific display, in the classical school of Music, which are afforded in the Victoria's Orchestra) Mr. Gibb's mastery of his instrument are unfamiliar. We could wish that other of our musical connoisseurs would follow the spirited example of the Drapers, by which means many such treats as that which Mr. Gibbs afforded by his brilliant playing last evening, would he presented to "the lovers of sweet sounds."

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (25 November 1848), 3

http://nla.gov.au/nla.news-article59766525 

Royal Victoria Theatre. FOR THE BENEFIT OF MR. AND MRS. GIBBS,
Who respectfully solicit a continuance of that liberal patronage they have hitherto experienced.
First night of the celebrated Historical Opera, entitled,
The English Fleet in 1342; or the Heroine of Brittany;
Production of a new Ballet, called THE "LOVE TEST; OR, THE VINTAGER'S FETE."
ON MONDAY, NOVEMBER 27.
THE ENTERTAINMENTS will commence with the celebrated Historical Opera, in 3 Acts,
(The music arranged for the occasion by Mr. Gibbs,) entitled The
ENGLISH FLEET IN 1342; OR, The Heroine of Brittany . . .
Comic Song, (first time) Ladies in Parliament, Mrs. Gibbs.
t After which, the City Band, under the direction of Mr. Hudson, will perform the popular RAILROAD GALLOP,
ACCOMPANIED BY THE BAND OF THE THEATRE.
To be succeeded by an entirely new Ballett Divertisement, (arranged by Mrs. Gibbs,) entitled the
LOVE TEST; Or, the Vintager's Fete . . .
Comic Duett (first time), "Mr. & Mrs. Smith," Mrs. Gibbs & Mr. Rogers.
To conclude with the favorite Farce, entitled BOOTS AT THE SWAN . . . .
TICKETS to be had of Mr. Gibbs, No. 56, Phillip-street . . .

"Theatricals", The Australian Sportsman (2 December 1848), 3

http://nla.gov.au/nla.news-article252650937 

Two overflowing houses on the evenings of Monday and Thursday, rewarded Mr. and Mrs. Gibbs in the first place, and Mr. Hydes, in the second, for the excellent lyrical and dramatic treats selected by each party for the amusement of their numerous friends and patrons. The fine old opera of the English Fleet went off in brilliant style, all the old favorites being warmly welcomed. A modern introduction hy Madame Carandini, " Will you love me then as now," was sweetly sung . . . Whilst we are on the subject of music, we may express the regret felt by many others beside ourselves, that Mr. Gibbs, did not on the occasion in question, indulge his friends with a Violin Solo. We are quite aware that Monday night audiences are not precisely the tribunals to which the desciple [sic] of the great masters would choose to appeal to: but the taste for good music is growing up even in Sydney, and the progress of the excellent orchestra over which Mr. Gibbs so ably presides is proudly referred to by very many of the patrons of the Victoria. In the stringed instruments in particular, Mr. G. has brought about considerable improvement, and we question if many theatres in the provincial towns of England can boast so effective a band . . .

MUSIC: The English fleet in 1342

"THEATRE", The People's Advocate and New South Wales Vindicator (21 April 1849), 3

http://nla.gov.au/nla.news-article251537361

On Thursday night, the long-expected opera of "Maritana" was produced to a brilliant and crowded audience. Our present limits will only allow us to state, that no expense seems to have been spared by the proprietor, nor any effort neglected by the manager in his department. To Mr. Gibbs and Messrs. Howson great credit is due for their arrangement of the score, and that the vocal performers executed their several songs, &c., in a satisfactory manner, was fully proved by the plaudits they received throughout. The opera will be repeated this evening, and we will enueavour in our next issue to notice more particalurly this far-famed production.

"ODD FELLOWS' BALL", Bell's Life in Sydney and Sporting Reviewer (19 May 1849), 3

http://nla.gov.au/nla.news-article59768909 

The Annual Ball of the Australian Grand Lodge of the Independent Order of Odd Fellows, came off in the splendid Room of that Lodge with great eclat, on Wednesday evening last. There were about one hundred and fifty persons present . . . The music was first-rate, so good, that we doubt if it could be surpassed in Sydney. The musicians were selected by Mr. John Gibbs, who acted as master of ceremonies . . .

Burials in the parish of Camperdown, in the county of Cumberland, in the year 1849; St. Stephen's, Newtown, register, 1849-54, page 1; Anglican Diocese of Sydney

https://www.ancestry.com.au/interactive/61177/45578_new%5Ebu18491854-00002 (PAYWALL)

Sophia Eliza Gibbs / Philip St. / [died] June 1 / [buried] June 3 / 8 yrs . . .

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (16 June 1849), 3

http://nla.gov.au/nla.news-article59769049 

Royal Victoria Theatre.
UNDER THE PATRONAGE OF THE G. M. DIRECTORS, AND BRETHREN OF THE Independent Order of Odd Fellows, in Australasia.
FOR THE BENEFIT OF MR. & MRS. GIBBS
Revival of the celebrated Opera of CINDERELLA.
Mr. Gibbs has the honor of informing his friends and the public generally, that MR. CLARK, Professor of Dancing, has kindly offered his gratuitous services on this occasion, and will dance "The Highland Fling" and A Sailor's Hornpipe . . .
In addition to the above Novelties the MEMBERS OF THE CITY BAND
have kindly volunteered their valuable services, and will play several favorite Polkas and Waltzes during the evening.
ON MONDAY EVENING, JUNE 18, 1849, will be revived, Rossini's celebrated Opera,
entitled CINDERELLA; OR, THE LITTLE GLASS SLIPPER.
With the original Overture (played by the Double Band), and the whole of the Music, arranged for this Orchestra by Mr. Gibbs . . .
AFTER WHICH, Highland Fling, in character, Mr. Clark.
Comic Duet, Matrimonial Sweets, Mrs. Gibbs and [Mr.] Rogers.
Pas de Trois, Misses Griffiths and Signor Carandini.
Comic Song, The Charity Girl, Madame Torning
IRISH JIG, (IN CHARACTER) MISS HART.
Comic Duet, (from the "Pearl of Savoy,) composed by Mr. Gibbs, We are two wandering Savoyards, Mr. Guerin and Mr. F. Howson.
Sailor's Hornpipe, in character, Mr. Clark.
To conclude with the admired Drama, entitled
ANTOINE THE SAVAGE, OR, THE ROCK OF CHARBONNIERE . . .
Captain Rosenford, Mr. J. Howson, with Songs, and a Duet with Mrs. Rogers . . .
Mrs. Gibbs, with the song of "I'll be no submissive wife;"
Amy Cussonette, Mrs. Rogers, with a Song and Duet with Mr. J. Howson.
Tickets to be had of Mr. Gibbs, No. 56, Phillip-street . . .

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (4 October 1851), 3

http://nla.gov.au/nla.news-article59773280 

"ROYAL VICTORIA THEATRE", Empire (3 September 1852), 2

http://nla.gov.au/nla.news-article60133420 

MONDAY EVENING September 2, For the Benefit of MR. J. GIBBS.
The Evening's Entertainments will commence with the beautiful Opera of
CINDERELLA! OR, THE LITTLE GLASS SLIPPER, with the original Overture,
and the whole of the Music arranged for this Orchestra by Mr. Gibbs . . .
Milanese Hornpipe, Miss Collins, pupil to Madame Torning.
First time in the Colony of a series of MEXICAN AND SPANISH MELODIES! by Mesdames Guerin, Carandini, and Gibbs, and Messrs. Gibbs, Guerin, and F. Howson, in character, accompanied by instruments peculiar to the National Music of Spain, &c.
The Melodies arranged by Mr. Gibbs and Mr. F. Howson . . .

"DIED", The Sydney Morning Herald (18 January 1853), 2

http://nla.gov.au/nla.news-article12942966

DIED, Of paralysis, on the 15th December, 1851 [sic], aged 73, at the residence of her son, Mr. Benjamin Gibbs, Mary-street, Hampstead Road, Middlesex, Mrs. Anne Gibbs, relict of the late Mr. Richard Gibbs, of High Holborn, and mother of John Gibbs, Professor of Music of this city.

[Playbill] Benefit of John Gibbs, Royal Victoria Theatre, Sydney, 23 January 1854; State Library of New South Wales

https://collection.sl.nsw.gov.au/record/93QVXBW1/B5zEO6bzKWyrZ (DIGITISED)

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (23 January 1854), 4

http://nla.gov.au/nla.news-article12954265 

THIS EVENING, JANUARY 23. Greatest Novelty! this Season, and for this night only.
For the Benefit of Mr. JOHN GIBBS, Leader or the Orchestra.
First appearance of Miss Carter, late of the Opera Comique, Paris.
First appearance of Mr. W. J. Palmer.
Mr. John Gibbs, in announcing to his friends and patrons that his Benefit is fixed for Monday, the 23rd instant, begs to assure them that it has been his study to select what he feels convinced will be appreciated, and deserving a share of patronage which he is proud to acknowledge upon former occasions.
The performance will commence with a drama, entitled,
THE OCEAN OF LIFE; on, EVERY INCH A SAILOR . . .
In the course of the evening the band, which will be considerably augmented for this occasion,
will perform Bellini's celebrated Overture to Norma, The Catodon Polka, The Topsy Quadrille, &c., &c.;
Comic Song, The Maid of All Work, Mrs. GIBBS, composed by G. H. Rodwell, Esq.;
Song, The Maids of happy Sydney, Mr. Palmer (his first appearance);
Dance, The Cracovienne, Miss Hart;
The Dark-Ey'd Maid, Miss Carter, (her first appearance) accompanied by herself on the Pianoforte . . .
Tickets had, at the Box office at the Theatre, and at Mr. Gibbs' residence, Bourke-street, Woolloomooloo Bay.

"PRINCE OF WALES THEATRE", The People's Advocate and New South Wales Vindicator (16 August 1856), 2

http://nla.gov.au/nla.news-article251541134 

Notwithstanding the success which attended the first representation, by the English Opera Company (on the 2nd instant) of Wallace's Opera of Maritana . . . but a very thin audience attended, either on Monday, or Wednesday, on which evening the opera was performed for the third time . . . Mr. Stewart, in the character of Philip, King of Spain, sang with effect, the Recit. and Air, "Hear me gentle Maritana," the violin obligato by Mr. John Gibbs being given with the usual brilliancy of this talented violinist . . .

[Advertisement], The Sydney Morning Herald (3 March 1860), 1

http://nla.gov.au/nla.news-article28628757 

ROYAL ALBERT THEATRE, - TO-NIGHT the greatest talent in Sydney.
Open every evening. Pianist, Mrs. Gibbs; violinist, Mr. John Gibbs.
Admission-stalls, 1s.; parquette, 6d.; back seats, 3d.
Manager, Mr. W. H. FORD.

[Advertisement], The Sydney Morning Herald (2 March 1861), 1

http://nla.gov.au/nla.news-article13053522

TOOGOOD'S SALOON - Miss Charlotte Lacy, pianist; Mr. Gibbs, violinist, late leader of Victoria Theatre.

[Advertisement], The Sydney Morning Herald (9 March 1861), 1

http://nla.gov.au/nla.news-article13053843 

TOOGOOD' SALOON.- Come and hear Mr. Gibbs in his celebrated Cuckoo solo every evening. TOOGOOD'S SALOON.- Miss Lacey, the celebrated pianist and ballad singer, every evening. Admission free.

[Advertisement], The Sydney Morning Herald (5 May 1863), 1

http://nla.gov.au/nla.news-article13078075 

TEMPERANCE HALL. Pitt-street - Grand Entertainment. THIS EVENING. May 5th. Complimentary BENEFIT to Mrs. J. GIBBS, late of the Victoria and Prince of Wales Theatres, tendered by the Baltimore Amateur Minstrels in conjunction with Mrs. W. J. Cordner, Mr. G. H. Rogers, Mr. Hodge, &c, who have kindly volunteered their valuable services upon this occasion. Prices of admission Reserved seats, 2s.; back seats, 1s, Doors open at 7, commence at a quarter to 8.

[News], The Sydney Morning Herald (9 May 1863), 4

http://nla.gov.au/nla.news-article13078265

A benefit concert was given at the Temperance Hall, on the evening of the 5th instant, in the interest of Mrs. Gibbs, an old and favourite member of the dramatic profession, long been incapacitated by illness. It was very numerously attended and well supported by members of the musical and theatrical professions.

"BENEFIT CONCERT", Sydney Mail (9 May 1863), 3

http://nla.gov.au/nla.news-article166654424 

A benefit concert was held on Tuesday in the Temperance Hall in the interest of Mrs. J. Gibbs, an old and respected member of the dramatic profession, who has for some time past been incapacitated by illness from following her vocation. The Baltimore Minstrels, together with Mr. G. H. Rogers, Mr. Hodge, Mrs. W. J. Cordner, and other professionals, gave their services gratuitously on the occasion, and it is satisfactory to state that the appeal was generously responded to by the public. The hall, in fact, was crowded, and those who so kindly patronised the lady for "Auld lang syne," had no reason to complain, for the entertainment was well selected, and elicited the hearty approbation of all present.

Burials in the parish of Camperdown, in the county of Cumberland, in the year 1866; St. Stephen's, Newtown, register, 1854-67, page 488; Anglican Diocese of Sydney

https://www.ancestry.com.au/interactive/61177/45578_new%5Ebu18541867-00490 (PAYWALL)

13814 / Sarah Elizabeth Gibbs / Dowling St. / [died] March 29 / [buried] March 31 / Years 62 / Wife of Musician . . . .

[Advertisement], The Sydney Morning Herald (21 April 1866), 15

http://nla.gov.au/nla.news-article13129947 

To Parties Furnishing, Dealers, and others. MB. H. VAUGHAN has received instructions from Mr. John Gibbs to sell by auction, on TUESDAY, 24th instant, at 11 o'clock, on the premises, No. 99, Dowling-street, Household furniture, kitchen utensils, and effects.

[Advertisement], The Sydney Morning Herald (19 June 1869), 4

http://nla.gov.au/nla.news-article13185943

[Advertisement], The Sydney Morning Herald (23 July 1870), 9

http://nla.gov.au/nla.news-article13213460 

MR. JOHN GIBBS, Professor and Teacher of Music, 90, Palmer-street, near St. Kilda' House.

[Advertisement], The Sydney Morning Herald (8 January 1872), 1

http://nla.gov.au/nla.news-article28415441 

MR. JOHN GIBBS, Professor, Teacher of the Violin, Pianoforte, and Singing, 80, Crown-st., Wlmloo.

"FUNERALS", The Sydney Morning Herald (12 June 1875), 14

http://nla.gov.au/nla.news-article28405247

THE FRIENDS of the deceased Mr. JOHN GIBBS, Musician, late of the Victoria Theatre, are invited to attend his Funeral; to move from his late residence, Brougham-street, THIS (Saturday) AFTERNOON, at half-past 2 o'clock, to the Necropolis. JAMES CURTIS.

[News], Evening News (15 June 1875), 2

http://nla.gov.au/nla.news-article130493871 

We regret to mention the death of Mr. John Gibbs, who has been well known among musical circles in this colony since the year 1841 [recte 1842]. The older residents of Sydney will remember him as the leader of the orchestra in the Victoria and Prince of Wales theatres in days gone by. During the last few years he has not been prominently before the public, having devoted himself principally to teaching. His death will be regretted by a large circle of friends and pupils.

[Advertisement], The Sydney Morning Herald (14 July 1875), 8

http://nla.gov.au/nla.news-article13357065 

In the Intestate Estate of the late Mr. J. Gibbs, musician, deceased.
THIS DAY, July 14, at half-past 10 o'clock.
To Musicians, Members of Orchestras, Professionals, Teachers of Music, Private Parties, and others.
DUNN and LISTER have received instructions from the Curator of Intestate Estates to sell by auction, THIS DAY, July 14, at half past 10 o'clock,
The furniture, clothing, musical instruments, music, and affects of the late Mr. John Gibbs, deceased.
The collection of music is very extensive and varied, comprising all the principal operas, theatrical, sacred, comic, and dance.
The violins are by celebrated makers - one is particularly worthy of note, being the make of Andrew Guarnerius, and is considered by connoisseurs to be one of the finest violins in the colonies. Terms, cash. No reserve.

[Advertisement], The Sydney Morning Herald (3 February 1876), 7

http://nla.gov.au/nla.news-article13365794 

HUNTER-STREET. - VIOLIN, case and bow of late J. Gibbs, £5, cost £20.

"TO THE EDITOR", The Sydney Morning Herald (25 March 1887), 11

http://nla.gov.au/nla.news-article13630088

. . . considerably more than "25 years ago" English operas and English rendering of foreign operas wore performed by the "stock company" of the old Vic, under the leadership of that old enthusiast, the late Mr. John Gibbs, two evenings in each week, and I do not hesitate to say that such operas as "Norma", "Lucia", "Sonnambula", "Der Freischütz", "Bohemian Girl", "Enchantress", "Daughter of St. Mark", "Maid of Honor", "Maritana", "Siege of Rochelle", "Mountain Sylph", "Night Dancers", &c., and many musical plays, were much better and more completely represented in Sydney in those days than in any Provincial city in England. And, remember, this was before we were honoured by the comet-like presence of the many musical stars who have since visited us, and shown us poor benighted colonials "how to do it" . . .


Documented musical publications (J. Gibbs & Co., 1850-51; and J. Gibbs, 1851):

The Irish emigrant ([Sydney: J. Gibbs & Co., 1850])

They say there is some distant land ([Sydney: J. Gibbs & Co., 1850])

The old arm chair ([Sydney: J. Gibbs & Co., 1850])

NO COPIES IDENTIFIED

[Advertisement], Bell's Life in Sydney (21 December 1850), 3

http://nla.gov.au/nla.news-article59771730

JUST PUBLISHED. The following Songs, as sung at Madame Francesca Allen's Grand Evening Concert, with unbounded applause. The Irish Emigrant; They Say there is Some Distant Land, The Old Arm Chair, &c., 60 Sixty Polkas, 1s. each.; J. GIBBS &c CO., 377, Pitt-street.

[Advertisement], The Sydney Morning Herald (7 April 1851), 3

http://nla.gov.au/nla.news-article12926106

NOTICE is hereby given, that the Partnership heretofore subsisting between us the undersigned, in the business of Music Sellers, carried on by us under the firm of J. Gibbs and Co., at No. 377, Pitt-street, in the City of Sydney, was this day dissolved by mutual consent.- Dated this 5th of April, 1851,
JOHN GIBBS.
ELIZA HUDSON.
Witness - W. G. PENNINGTON, Solicitor, George street.

Woman's heart, the celebrated romance, sung by Miss Sara Flower, with the most enthusiastic applause, at the Royal Victoria Theatre, in the opera of The enchantress composed by M. W. Balfe (Sydney: J. Gibbs, 89 Phillip Street, [1851])

https://trove.nla.gov.au/work/23734017

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (5 July 1851), 3

http://nla.gov.au/nla.news-article59772802 

NEW MUSIC. NEW MUSIC. THIS DAY IS PUBLISHED, the celebrated Romance, entitled WOMAN'S HEART, as sung by Miss Sara Flower, at the VICTORIA THEATRE, in the Opera of "THE ENCHANTRESS," and nightly encored. Composed by M. W. Balfe.
To be had of J. Gibbs, 89. Phillip-street; of W. Moffitt, Pitt-street; and at the Music Shops. PRICE, 2s.

I love her, the favorite ballad, as sung by Mr. John Howson, in The enchantress, composed by M. Balfe ([Sydney: J. Gibbs, 89 Phillip Street, 1851])

NO COPY IDENTIFIED

[Advertisement], The Sydney Morning Herald (5 August 1851), 1

http://nla.gov.au/nla.news-article12929208 

JUST PUBLISHED, the favorite ballad "I LOVE HER," as sung by Mr. John Howson, in the above opera, composed by M. Balfe. Also, a second edition of "Woman's Heart." To be had of J. Gibbs, 89, Phillip-street, Sydney, and all Music sellers.


Documented musical compositions (by John Gibbs; none survive):

A new Set of Irish quadrilles (composed for this occasion, introducing the airs of Captain Casey, St. Patrick Was a Gentleman, and Morgiana in Ireland, &c. &c.)

[Advertisement], The Sydney Morning Herald (24 March 1843), 3

http://nla.gov.au/nla.news-article12421450

The lord of the manor (the comic opera . . . the whole of the music arranged and partly composed by Mr. Gibbs; including "Hark! Hark! the merry peal" (Duet) and "Our sex is capricious" (song), both "composed by Mr. Gibbs")

[Advertisement]: "ROYAL VICTORIA THEATRE", The Sydney Morning Herald (24 March 1843), 3

http://nla.gov.au/nla.news-article12421450

The rose of Cashmere; or, Ebe Bacar, the diamond merchant ("Ballet Divertisement")

[Advertisement], The Australian (1 November 1845), 2

http://nla.gov.au/nla.news-article37157017

In Christian lands ("an entirely new song arranged for the occasion by Mr. Gibbs")

[Advertisement]: "ROYAL VICTORIA THEATRE". The Australian (4 November 1845), 2

http://nla.gov.au/nla.news-article37158576

An entirely new set of polka quadrilles ("arranged for this orchestra by Mr. Gibbs")

[Advertisement]: "ROYAL VICTORIA THEATRE", The Sydney Morning Herald (25 January 1847), 2

http://nla.gov.au/nla.news-article12891941

Le pont neuf; or, Mad as a March hare (comic ballet of action)

[Advertisement], The Sydney Morning Herald (2 June 1847), 1

http://nla.gov.au/nla.news-article12897449

The wandering Savoyards (duet)

: [Advertisement], The Sydney Morning Herald (9 May 1850), 2

http://nla.gov.au/nla.news-article12917774

Grand new Mexican dance

[Advertisement], The Sydney Morning Herald (10 February 1851), 2

http://nla.gov.au/nla.news-article12924691

Air with variations (violin)

[Advertisement]: "ROYAL VICTORIA THEATRE", The Sydney Morning Herald (5 March 1851), 2

http://nla.gov.au/nla.news-article28646126

A cantata, appropriate to the first anniversary of the gold discovery in New South Wales (words: John Gordon Griffiths)

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (12 May 1852), 2

http://nla.gov.au/nla.news-article12936709

THIS EVENING, MAY 12 . . . A Cantata, appropriate to the first Anniversary of the Gold Discovery in New South Wales, arranged by Mr. Gibbs, will be sung by Mesdames Sara Flower, Carandini, Messrs. F. and J. Howson, and Full Chorus . . .

"MUSIC", The Sydney Morning Herald (12 May 1852), 2

http://nla.gov.au/nla.news-article12936703

Perhaps the only exception from the general failure which attended the awkward attempt at general holiday-making on Monday last, was the performance of a Cantata by the corps vocale of the Royal Victoria Theatre, the words and music in honour of the occasion, written by Mr. Griffiths, manager; and composed by Mr. Gibbs, director of the music at this establishment. This cantata is a composition in four parts, which were severally rendered by Mesdames Sara Flower and Carandini, and Messrs. F. and J. Howson. It is peculiarly a dramatic composition, written in a dashing allegro style, and does great credit to Mr. Gibbs, whose acknowledged tact in making available all the artistical resources at his command, was fully displayed on this occasion. The solo parts were effectively relieved and sustained by a chorus of twenty voices; and an enthusiastic encore from a house crowded to the ceiling made a warm response, not only to the musical arrangement, but to the main sentiment which the music illustrated; namely, the succession of "an age of gold," to "an age of iron." A theatre is not legitimately, the arena for the expression of political opinions; but the manner in which this allusion to the "transportation question" was received on Monday evening by a house crowded with persons of the most varied opinions on almost all other questions, must have satisfied Earl Grey, had his Lordship formed one of the audience who, con amore, joined in the chorus, "Advance Australia," that the repulsive question which he, it appears, desires still to re-open, is for ever settled, in so far as New South Wales is concerned. It was only out of consideration for the vocalists that a second encore was restrained.

The bachelors' polka ("composed expressly")

"BACHELORS' BALL", The Sydney Morning Herald (4 June 1853), 1

http://nla.gov.au/nla.news-article12946398


Bibliography and resources:

Francis Campbell Brewer, The drama and music in New South Wales, published by authority of the New South Wales Commissioners for the World's Columbian Exposition, Chicago, 1893 (Sydney: Charles Potter, Government Printer, 1892), 12

https://archive.org/stream/dramamusicinnews00brew#page/21 (DIGITISED)

In the latter part of 1841 or the beginning of 1842, Mr. Wyatt visited England, and while there engaged several professionals for Sydney. They were - Mr. J. G. Griffiths, Mr. Deering, Mr. and Mrs. Torning, Mr. James, Madame Louise, and Mrs. Gibbes, with Mr. John Gibbes as leader of the orchestra. Mr. James and Mrs. Torning made their debut in the drama of "The Somnambulist," Mr. Torning and Madame Louise in "The Wreck Ashore," Mr. Griffiths in "Hamlet," and Mrs. Gibbes as a vocalist. Mr. Gibbes took his place as conductor and leader of the orchestra, and to him is due the introduction of the Royal Irish Quadrilles, which were performed night after night, and always called forth rapturous applause . . .

[J. M. Forde], "MUMMER MEMOIRS", Sydney Sportsman (16 February 1910), 3

http://nla.gov.au/nla.news-article166749435 

. . . In the forties the number of musical professors was naturally limited. There was Madame Dudemaine in Park-street, and there was Abraham Emmanuel in Prince-street; Francis Ellard taught and sold music in George-street, and Samuel William Friedlander was to be found at 4 Portobello-place, Goulburn-street; Mr. John Gibbs was in Elizabeth-street. Sydneyites of 40 years ago will remember Mr. Gibbs conducting at the Victoria Theatre. In her younger days his wife was a capable and useful actress . . .

[J. M. Forde], "MUMMER MEMOIRS", Sydney Sportsman (18 December 1912), 3

http://nla.gov.au/nla.news-article168576308 

. . . Mr. Gibbs was with us up to the early seventies. He was conductor of the Victoria Theatre orchestra in 1871-2, when Mr. John Bennett was lessee. The old man was a clever musician, and very modest. He was beloved of the Sydney playgoers. I believe he came to Sydney in the early forties . . .

[Humphrey Hall and Alfred John Cripps], The romance of the Sydney stage by Osric (Sydney: Currency Press in association with National Library of Australia, 1996), 73-228 passim

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 47-82 passim

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 172

http://ro.uow.edu.au/theses/2926 (DIGITISED)




GIBBS, John (John GIBBS; Mr. J. GIBBS; GIBBES)

Musical and theatrical promoter, venue proprietor (Charlie Napier Hotel and Theatre, Ballarat)

Born England, c. 1822; son of John GIBBS and Alice SCOTT
Married Hentietta MERRY (d. 1906), London, England, 1845
Active Ballarat, VIC, by c. 1854/55
Died Ballarat, VIC, 14 April 1860, aged 37

https://trove.nla.gov.au/search?l-publictag=John+Gibbs+c1822-1860 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-John-d1860 (shareable link to this entry)


Charlie Napier Theatre, Ballarat, 1857; Ballarat Historical Society Photograph Collection

Charlie Napier Theatre 1857; "Charlie Napier Theatre, Main Road, Opened November 1854, Burnt Down 1861, Rebuilt In Brick December 1861, And Finally Pulled Down 1880"; Ballarat Historical Society Photograph Collection

https://ehive.com/collections/4819/objects/260074/charlie-napier-hotel (DIGITISED)


Summary:

Gibbs's wife, Henrietta, and their five year old Arthur, did not join him in the colony until 1858, arriving on the Royal Charter in March.

After Gibbs's death, Henrietta held a license in her own name. She married Alfred Cherry in 1865, and died in Preston, VIC, in December 1906.


Documentation:

1845, marriage solemnized at the parish church in the parish of St. George, Hanover Square in the county of Middlesex; register, 1845-46, page 186; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/61867/images/61865_314054001181_17963-00194 (PAYWALL)

No. 371 / December 4 / John Gibbs / full age / Bachelor / Messenger / Davies Street / [father] John Gibbs / Porter
Henrietta Merry / full age / Spinster / - / Davies Street / William Merry / Publican . . . [witnesses] Thos. Chapman, Emma Thorne . . .

"News and Notes", The Star (6 March 1860), 2

http://nla.gov.au/nla.news-article72465417 

The opera of "Lucrezia Borgia" was produced last night at the Napier to a crowded house both in pit and boxes. Every care had been taken in the production, and the success was commensurate . . . Before the rising of the curtain for the third act Mr. Winterbottom came before the footlights, and on the part of Signor and Signora Bianchi returned thanks for the support the company had received at the hands of the Ballarat public, also to Mr. John Gibbs for his liberality towards the company. That night, he said, closed the engagement, but a re-engagement had been made, and several new operas would be brought out, beginning with "La Traviata" on Thursday night next. We believe the Bianchis ana Mr. Farquharson proceed to Melbourne to-day to be present at a concert.

"News and Notes", The Star (13 March 1860), 3

http://nla.gov.au/nla.news-article72465566 

The abrupt termination of the engagement of the opera Company at the Charlie Napier Theatre, the closing of that building and the premises attached thereto, and the sudden disappearance of Mr. John Gibbs, afforded the people of Ballarat food for gossip yesterday (Monday). Certain "limbs of the law" are now in possession of the premises.

"CHARLIE NAPIER", The Star (16 April 1860), 3

http://nla.gov.au/nla.news-article72466221 

The pit was well filled, but the boxes were nearly empty on Saturday night at this house, when Verdi's opera "Attila" was reproduced . . . At the close of the first act Mr. Charles Walsh came before the curtain and alluded rery feelingly to the death of Mr. John Gibbs, the late proprietor of the house, a gentlemen to whom, he remarked, Ballarat owed mach for his enterprise and perseverance in catering for our amusement. All the stars, with the exception of Madame Bishop and Miss Hayes, that had ever visited the Australias had appeared at the Napier, and a constant succession of novelties had thus been supplied. Mr. Gibbs had also built that house, which was acknowledged at the time to be the finest theatre in the colony; but a reverse of fortune had come, and he had been compelled to succumb to circumstances; the consequence being that his widow and family were left at his death in a condition of penury. Signor and Signora Bianchi, and all the members of the company, down to the call boy, had not only consented to give a benefit for the widow and her little ones, but had promised to take tickets, and he had no doubt the house would be filled on the occasion. Mr. Hoskins, also, at the Royal, had promised a benefit on Wednesday, and this being the case, that at the Napier would necessarily take place on Tuesday. This announcement was received with loud cheers.

"FUNERAL OF THE LATE MR JOHN GIBBS", The Star (18 April 1860), 3

http://nla.gov.au/nla.news-article72466270 

The funeral of the late Mr. John Gibbs took place yesterday. At three o'clock precisely, the cortege moved from the Charlie Napier Theatre, which, until very recently, belonged to the deceased. The procession was preceded by feather pages and mutes; after which came the band of the theatre, with muffled drums, playing the "Dead March in Saul." The hearse (which was drawn by four horses) with the coffin came next; and the chief mourners - who were, principally, the brother, brother-in-law, and some of the relatives of the deceased - followed in a mourning coach drawn by two horses . . .

"THE BENEFIT FOR MRS. GIBBS", The Star (18 April 1860), 3

http://nla.gov.au/nla.news-article72466267 

The performance at the Charlie Napier Theatre last night was for the benefit of the wife and family of the late Mr. John Gibbs. The opera announced for performance was "Lucretia Borgia," but after the rise of the curtain, Mr. Chapman came in front of the spotlights and spoke a prologue . . . at the conclusion of ehich he said he regretted it was his disagreeable duty to announce that owing to Miss Minnie Clifford refusing to appear in character assigned to her in Lucretia Borgia the opera of Attila would be subtitituted in its stead . . .




GIBBS, Joseph Thomas Burton (Joseph Thomas Burton GIBBS; J. T. B. GIBBS; J. T. BURTON-GIBBS)

Printer and publisher, music publisher, ? composer

Born Derby, Derbyshire, England, 31 January 1832; baptised Tissington, 10 March 1832, son of Thomas GIBBS (c. 1794-1843) and Hannah ROBERTS (c. 1804-1837)
Arrived Melbourne, VIC, 8 August 1853 (per Indian Queen, from Liverpool, 18 May)
Arrived Sydney, NSW, 1862
Active Sydney, NSW, from 1863-92, as "Gibbs, Shallard and Co."
Married (1) Emily Constance WOOD (1844-1901), Sydney, NSW, 1878
Married (2) Alice Elizabeth MOXHAM (1863-1941), Annandale, NSW, 3 June 1905
Died Randwick, NSW, 28 January 1925, aged 93

https://trove.nla.gov.au/search?l-publictag=Joseph+Thomas+Burton+Gibbs+1832-1925 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBBS-Joseph (shareable link to this entry)

ASSOCIATIONS: Joseph Thomas Shallard; William Clarson; Alfred Massina

https://trove.nla.gov.au/search?l-publictag=Gibbs+Shallard+and+Co (TROVE tagged by Australharmony)


Documentation:

[Advertisement], The Age (15 December 1863), 8

http://nla.gov.au/nla.news-article155024596 

NOTICE. - The PARTNERSHIP previously existing between JOSEPH T. GIBBS, ALFRED MASSINA, JOSEPH T. SHALLARD and WILLIAM CLARSON, under the style and firm of Clarson, Shallard & Co., Printers, Melbourne and Sydney, was DISSOLVED on the 23rd day of NOVEMBER, 1863, so far as regards the said Joseph T. Shallard and William Clarson. (Signed) JOSEPH T. GIBBS, ALFRED MASSINA, JOSEPH T. SHALLARD, WILLIAM CLARSON. Witness - James McKean.
The business will be carried on as before, by consent, under the style and firm of Clarson, Shallard & Co., by the undersigned, by whom also all debts will be received and all accounts paid. ALFRED MASSINA. JOSEPH. T. GIBBS. 85 Bourke street, Melbourne; 207 Pitt street, Sydney.

"NOTICE OF DISSOLUTION", New South Wales Government Gazette (19 March 1869), 725

http://nla.gov.au/nla.news-article228678551

NOTICE OF DISSOLUTION. THE Partnership hitherto existing between the undersigned, carrying on business as Printers and Publishers, in Melbourne and Sydney, has this day been dissolved by mutual consent.
WILLIAM CLARSON. ALFRED MASSINA. (Clarson, Massina, & Co., Melbourne.)
JOSEPH T. B. GIBBS. JOSEPH T. SHALLARD. (Gibbs, Shallard, & Co., Sydney.)
The business in Melbourne will be conducted as heretofore, by the said William Clarson and Alfred Massina, under the old style of "Clarson, Massina, & Co.," who will pay accounts owing and receive moneys due. The business in Sydney will be conducted as heretofore by the said Joseph Gibbs and Joseph T. Shallard, under the old style of " Gibbs, Shallard, & Co.," who will pay accounts owing and receive moneys due.
February 24th, 1869.

"NOTICE", New South Wales Government Gazette (10 September 1878), 3658

http://nla.gov.au/nla.news-article223112157 

NOTICE is hereby given, that the partnership hitherto existing between the undersigned, Joseph Thomas Burton Gibbs and Joseph Thomas Shallard of Pitt-street, Sydney, carrying on business as printers and publishers under the style or firm of " Gibbs, Shallard, & Co.," has this day been dissolved, the said Joseph Thomas Shallard retiring from the said business, which will be carried on by the said Joseph Thomas Burton Gibbs on his own account, but under the same style of "Gibbs, Shallard, & Co." . . .

"MR. J. T. BURTON-GIBBS", The Sydney Morning Herald (29 January 1925), 10

http://nla.gov.au/nla.news-article16192507 

Mr. Joseph Thomas Burton-Gibbs, one of Sydney's oldest business identities, yesterday died at his residence, Hillcrest, Church-street, Randwick, at the advanced age of 93 years. Mr. Burton-Gibbs, trading as Gibbs, Shallard, and Company, was for many years one of the leading printers and publishers of the city, among his publications being the "Illustrated Sydney News." His premises were involved in the great conflagration which swept Pitt street in the 'nineties, and were totally destroyed. The deceased was a native of Derby. He left England for Melbourne in 1853 on the sailing ship Indian Queen, and he resided in the southern capital until 1862, when he came to Sydney . . .


Musical works (?):

Santa Claus schottische written for American Novelty Company [by] J. G. (Sydney: Printed by Gibbs, Shallard and Co., [1877])

https://trove.nla.gov.au/version/26553347 

https://trove.nla.gov.au/work/22021076 (DIGITISED)


Musical publications:

https://trove.nla.gov.au/search/category/music?l-publictag=Gibbs+Shallard+and+Co (TROVE tagged by Australharmony)


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 172-73

http://ro.uow.edu.au/theses/2926 (DIGITISED)




GIBSON, F. (F. GIBSON; Mr. GIBSON)

Theatre proprietor, manager

Active Sydney, NSW, 1845-46

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBSON-F (shareable link to this entry)


Documentation:

[Notice], New South Wales Government Gazette (18 December 1845), 1593

http://nla.gov.au/nla.news-article230145219 

[Advertisement], The Sydney Morning Herald (26 December 1845), 1

http://nla.gov.au/nla.news-article12884340 

"Theatricals", The Spectator (24 January 1846), 7

http://nla.gov.au/nla.news-article250085049 

Since we, in other columns, had the honor of drawing the attention of the Sydney public to "things theatrical," an important change has taken place in the arrangements at the Victoria Theatre. Mr. F. Gibson, a gentleman admirably qualified for the office, has purchased Mr. Knight's share in the establishment, and assumed the post of manager. The commencement of the season has been highly auspicious, and the lovers of the drama may justly congratulate themselves on a change which promises many agreeable results. The re-engagement of Mr. Nesbitt, and the revival of several standard tragedies, evince Mr. Gibson's desire to advance the higher departments of the art , whilst the production of La Sonnambula, and La Cenerentola, shows his anxious wish to meet the growing taste of the higher classes of Sydney for dramatic vocal performances of a superior class. In reviving these favorite operas, the music of which is so well known to most play-goers, we think the manager displays a just perception of what is popular and attractive with his patrons . . .




GIBSON, J. W. (J. W. GIBSON; Mr. GIBSON)

Comic vocalist, Irish singer, comedian

Active Bendigo, VIC, mid 1850s

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIBSON-J-W (shareable link to this entry)


Documentation:

"THE SHAMROCK HOTEL", Bendigo Advertiser (20 October 1855), 3

http://nla.gov.au/nla.news-article88047750 

We understand that Mr. Heffernan has in contemplation the erection of a splendid concert room, superior to any on the Bendigo . . . Beyond question, the Shamrock Hotel has one of the best musical companies in the district, and the large support it receives is well deserved. The engagement of Miss Urie still continues, and her excellent singing meets with the same popularity as ever. Under most disadvantageous circumstances this lady acquits herself remarkably well. Mr. Gibson, the favorite Irish singer, is also engaged at the Shamrock, and his humorous and pleasant style of singing is no small attraction. Mr. Dixon, the tenor, and Mr. Leman, bass singer, are well deserving of notice. The latter gentleman has a very fine powerful voice, which enables him to sing certain songs with striking effect. The place of Mr. White, who ably presided at the pianoforte, and whose accompaniments in no small degree contributed to the success of the evening concerts, is at present filled by Mr. Salaman, the former gentleman being on a visit to town . . .

[Advertisement], Bendigo Advertiser (26 May 1856), 3

http://nla.gov.au/nla.news-article88050244 

SHAMROCK CONCERT HALL . . . BENEFIT OF MISS LOUISA URIE. MONDAY, 26th MAY . . .
Madame SARA FLOWER; Miss ANNIE LEWIS, by the kind permission of Mr. H. Coleman; Mr. R. W. KOHLER, by permission of Mr. Coleman.
Mr. F. DIXON; Mr. J. O. PIERCE; Mr. J. W. GIBSON; Mons. E. COULON; Mr. F. A. LEEMAN.
Conductor and Pianist Mr. E. SALAMAN.
PROGRAMME - PART I. Quintette - Come, Thou Monarch of the Vine - Bishop - Messrs. Dixon, Pierce, Gibson, Coulon and Leeman . . .
Song (Irish Comic) - The Jaunting Car - S. Lover - Mr. Gibson . . .
PART II . . . Song - Irish Comic - When You go a Courtin', - Mr. Gibson . . .

"MUSIC AND THE DRAMA", The Age [Melbourne, VIC] (19 January 1857), 5

http://nla.gov.au/nla.news-article154820756 

. . . Our old favorites, Madame Carandini, Miss Urie, M.M. Laglaise and Lavenu, have for months being fulfilling a highly successful engagement at the Shamrock Concert Hall, Sandhurst. They are assisted by Thatcher and Gibson, the comic singers . . .

ASSOCIATIONS: Charles Thatcher; William Heffernan (proprietor, d. 1891)




GIFFORD, George (George GIFFORD)

Musician, violinist, concertina player, musical instrrument tuner and repairer

Active Sydney, NSW, 1857

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIFFORD-George (shareable link to this entry)


Documentation:

[Advertisement], The Sydney Morning Herald (8 October 1857), 6

http://nla.gov.au/nla.news-article13001276 

THE ENGLISH CONCERTINA tuned and repaired, by GEORGE GIFFORD, No. 7, Union-street, Erskine-street. The violin taught.




GIGNEY, John Wheeler (John Wheeler GIGNEY; J. W. GIGNEY; ? = GINGEY)

Musician, violinist, harpist, cornopean player, teacher of music, band leader

Born Newington, Surrey, England, 19 May 1826; baptised St. Mary, Newington, 21 June 1826; son of Samuel GIGNEY (1804-1852) and Mary OLLETT
Married (1) Hannah Maria Thornton LAMBERT, St. Botolph Bishopgate, London, 10 May 1846
Arrived (1) Melbourne, VIC, 12 October 1852 (per Mobile, from Liverpool, 13 July)
Departed Melbourne, VIC, 11 February 1853 (per Sarah Sands, for England)
Arrived (2) Melbourne, VIC, 7 November 1853 (per Blackwall, from London, 6 August, aged "26")
Married (2) Eliza MATHEWS, VIC, 1857
Died Surry Hills, NSW, 24 July 1886

https://trove.nla.gov.au/search?l-publictag=John+Wheeler+Gigney+1826-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIGNEY-John-Wheeler (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of Saint Mary Newington in the county of Surrey in the year 1826; register 1816-28, page 42; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_199179-00720 (PAYWALL)

No. 329 / 1826 June 21st / Born May 19th 1826 / John Wheeler son of / Samuel & Mary / Gigney / Penton St. / Baker . . .

Banns of marriage, St. Botolph Bishopgate, City of London, 1846; register 1838-47, page 171; London Metropolitan Archive

https://www.ancestry.com.au/imageviewer/collections/1623/images/47188_263021009500_3038-00182 (PAYWALL)

. . . between John Wheeler Gigney B[achelor] and Hannah Maria Thornton Lambert S[pinster] . . . Married May 10 '46

Names and descriptions of passengers per Mobile, from Liverpool, 13 July 1852, for Port Phillip, 12 October 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=114 (DIGITISED)

. . . John Wheeler Gigney / Prof'r of Music / [English adult] . . .

[Shipping], The Argus [Melbourne, VIC] (11 February 1853), 4

http://nla.gov.au/nla.news-article4789695 

We are enabled to give a list of the passengers by the Sarah Sands, and particulars of her cargo. She will clear at the Customs this day, and sail at noon. Passengers per Sarah Sands . . . Second class . . . J. W. Gigney . . .

ASSOCIATIONS: Gigney was probably returning to England unexpectedly having received news of the death of his father in London (3rd quarter 1852)

Names and descriptions of passengers per Blackwall, from London, 1-6 August 1853, for Port Phillip, 7 November 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=788 (DIGITISED)

. . . Gigney John W / 26 / Miner / [English] . . .

[Advertisement], The Argus (30 January 1855), 6

http://nla.gov.au/nla.news-article4803690 

MUSIC - Violin, Harp, and Cornopeon taught.
Musical instruments of every description on hand, cheap.
J. W. Gigney, 121 Little Bourke-street east.

SHIPPING INTELLIGENCE . . . ARRIVED. JUNE 14", The Argus (15 June 1859), 4

http://nla.gov.au/nla.news-article5682771 

City of Sydney, A.S.N.C.'s s.s., 730 tons, R. T. Moodie, from Sydney 11th inst. Passengers - saloon . . . J. W. Gigney . . . and 25 in the steerage.

[Advertisement], The Argus (15 April 1862), 1

http://nla.gov.au/nla.news-article5713367 

A PIANOFORTE PLAYER WANTED, for concert room. Inquire J. Gigney, 10 Little Napier-street, opposite Swan Hotel, Collingwood.

[Advertisement], The Star [Ballarat, VIC] (9 February 1863), 3

http://nla.gov.au/nla.news-article72554753 

MRS. ABBOTT'S BENEFIT TO-NIGHT. - The English Band. - Mr J. Gigney, Harpist: Mr J. Froggett, Cornet; Mr. W. Quinn, Flageolet; Mr W. Chapman, Leader and Violinist; have kindly tendered their services.

ASSOCIATIONS: John Albert Froggitt (cornet); ? William Chapman senior or junior of Adelaide

[Advertisement], The Argus (22 October 1866), 8

http://nla.gov.au/nla.news-article5776541 

TRADES'-HALL, Lygon-street. - EXHIBITION BALL, given by Messrs. Richardson and Gigney, Wednesday, October 24.
TRADES'-HALL. - Don't forget Wednesday, October 24. - MONSTER BAND. Dancing commence half-past nine. Tickets, 3s. 6d.

[Advertisement], The Age (13 April 1867), 1

http://nla.gov.au/nla.news-article155033320 

EASTER HOLIDAYS - QUEENSCLIFF.- The fast and favorite steamer
RESOLUTE Will RUN her usual EXCURSION TRIPS, to and from Queenseliff, on GOOD FRIDAY and EASTER MONDAY.
Fare, 7s 6d ; children, 3s, return. Gigney's band. Refreshments . . .

[News], The Argus (27 May 1869), 5

http://nla.gov.au/nla.news-article5822570

A military concert was given last evening in the Carlton Orderly-room, in aid of the band fund of the Carlton Rifles. The attendance was good, there being over 500 persons present. The singers included Miss Maria Chalker, Mrs. Perraton, Mr. Buchan, Mr. W. Bunting, and a glee party. Master Stoneham, who is only about fourteen years of age played a fantasia on the flute in a manner that delighted the audience. The duet, "The Elfin Call," by Mrs. Perraton and Miss Chalker, was loudly applauded, and an encore demanded. Mr. Stoneham, the teacher of the band, gave a fantasia on the trombone and Mr. Gigney was encored in his harp solo. The programme was a long one, and, as rule, encores were not responded to. The concert concluded with a performance by M. Pietro Canna on fifteen drums, representing the fall of Sebastopol. The fund likely to be considerably increased by the concert.

"THE NEWS OF THE DAY", The Age (27 May 1869), 3

http://nla.gov.au/nla.news-article188568481 

. . . The programme was both lengthy and well selected, but the performers being amateurs criticism is to a great extent disarmed. A flute fantasia on Scotch airs, by Master Stoneham, and a harp solo on Welsh airs, by Mr. Gigney, are, however deserving of special mention, the latter having been encored . . .

ASSOCIATIONS: William and Herbert Stoneham (band musicians); Mary Perraton (vocalist); Marie Chalker (vocalist); Pietro Canna (drums)

"Deaths", The Age (31 July 1886), 5

http://nla.gov.au/nla.news-article190844967 

GIGNEY. - On the 24th July, at his residence, 545 Bourke-st., Surrey Hills, Sydney, N.S.W., of heart disease, John Wheeler Gigney, aged 60 years.




GILBEE, Miss (Miss GILBEE; ? Harriet GILBEE)

Teacher of music and dancing

Active Melbourne, NSW (VIC), 1848; 1853
? Died Melbourne, VIC, 4 January 1886

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILBEE-Miss (shareable link to this entry)


Documentation:

[Advertisement], Port Phillip Gazette and Settler's Journal (11 November 1848), 3

http://nla.gov.au/nla.news-article223154551 

A CARD. MUSIC & DANCING ACADEMY.
MISS GILBEE, (Lately arrived in the Colony,)
AT the solicitation of a number of Ladies, has been induced to open an Academy for the tuition of Music and Dancing, where the Drawing Room Polka, Melange, Gallopade, and Mazourka Quadrilles, with all the fashionable Dances of the present day will be taught.
N.B. - Miss G. had no objection to attend pupils at their own residence.
For further particulars, apply to Miss G., at her residence, Eastern Hill, next door but one to the Protestant Hall.
November 11, 1848.

? "MARRIED", Port Phillip Gazette and Settler's Journal (15 November 1848), 3

http://nla.gov.au/nla.news-article223155018 

On the 11th inst. by special license, by the Rev. I. Hetherington, Esq., Mr. William Bennett of this city, to Louisa, second daughter of the late Capt. Gilbee, of Standon Hall, Berkshire.

? NOTE: Her sister

[Advertisement], The Argus (12 January 1853), 8

http://nla.gov.au/nla.news-article4788864 

A CARD. MISS GILBEE respectfully intimates that her Seminary for Young Ladies will re-open on Monday next, 17th instant. 68, Stephen-street, Eastern Hill, Near the Protestant Hall.

[News], The Ballarat Star (6 January 1886), 2

http://nla.gov.au/nla.news-article206305822 

The death is announced in Melbourne of Miss Gilbee, sister of the late Dr. Gilbee and of Mrs. Bennett, wife of the Bridge street jeweller and watchmaker. Miss Gilbee, who was well-known in Ballarat, had been ailing only a short time.

"CURIOUS CONINCIDENCE", Ovens and Murray Advertiser (16 January 1886), 12

http://nla.gov.au/nla.news-article200579569 

A strange coincidence occurred in the death of Miss Gilbee, sister of the late Dr. Gilbee. The latter died on the 4th January, 1885, and his sister died on the 4th January, 1886 - a year's difference to the day. Miss Gilbee was very much attached to her brother and greatly mourned his loss. Dr. Gilbee left her the bulk of his property.




GILBERT, Edward Thornton (Edward Thornton GILBERT) = see ? alias PHAX



GILBERT, M. (M. GILBERT; Mons. GILBERT)

Dancing master, professor of dancing

Arrived Hobart Town, VDL (TAS), 13 November 1849 (per Olinda from Mauritius)
Departed Hobart, TAS, 22 May 1854 (per Munford, for New Zealand)

https://trove.nla.gov.au/search?l-publictag=Mons+Gilbert+dancing+master (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILBERT-Monsieur (shareable link to this entry)


Documentation:

Shipping Intelligence . . . ARRIVALS", Colonial Times (13 November 1849), 2

http://nla.gov.au/nla.news-article8766018 

November 13.- Olinda, barque, 220 tons, Sinclair, from the Mauritius the 13th September, with sugar and spirits. Passengers - Mr. Gilbert and Divine.

[Advertisement], Colonial Times (23 November 1849), 3

http://nla.gov.au/nla.news-article8766088 

Mr. Gilbert, Professor of Modern Dancing, Member of the Royal Academy of Paris (Opera), First Dancer of the Theatre at the Mauritius, HAS the honor to inform the public of Hobart Town, that he teaches all the NEW QUADRILLES which are danced in the Saloons at Paris and London; such as the Five Quadrilles of Mazurka and Waltz Mazurka, the Russian and French Quadrilles, the Russian Waltz, the New Quadrille and Modern Polka, as they were danced at the King's Saloon in 1845.
Mr. Gilbert also teaches the Waltz, with double and treble time.
Having obtained the confidence of different Boarding Schools at Paris, and the elite of the Mauritius, he hopes, by assiduity and attention, to obtain the patronage of the public of Hobart Town.
Mr. G. will not only attend Schools, but will give Lessons privately.
Address, No. 30, Melville-street. November 23, 1849.

[Advertisement], The Courier (25 December 1850), 1

http://nla.gov.au/nla.news-article2961624 

MONSIEUR GILBERT, PROFESSOR OF DANCING, Pupil of the Royal Academy of Paris (Opera,) IN returning his sincere thanks to the Ladies and Gentlemen of Hobart Town for the kind patronage which has been bestowed upon him since his arrival in this colony, begs most respectfully to solicit a continuance of their favours. Mons. G.'s instruction includes all the New Quadrilles at present practised in the saloons of London and Paris - the Polka, Schottisch, Waltz, (in double and treble time), and the celebrated Cotillons of Cellarius; likewise the Styrian, Polka, and Schottisch Quadrilles, composed and arranged by Mons. G. In support of his professional character, Mons. G. would add that he received his instruction in Dancing from the celebrated Monsieur Albert, First Master of the Royal Academy of Paris, and Instructor of Carlotta Grisi, Theodore Petit Pas, Perrot, and other accomplished danseurs of the present day. During his residence in Hobart Town, Mons. G. has had the honour of giving instruction in the following scholastic establishments: - Mrs. Payne, Hampden-road; Miss Dixon, Davey-street; Mrs. Gerrard, Davey-street; Miss Lavers, Macquarie street; Miss Freeman, New Town Road; Mrs. Lascelles, Argyle-street; and the "High School of Hobart Town." Class Nights - Every Monday and Thursday, from 7 o'clock to 9 - and during the winter season from 6 to 8. N.B.- Mons. G. would also be happy to give instruction in the FRENCH LANGUAGE, with the true pronunciation - attending either schools or pupils at his class room. Collins-street, (opposite the "Courier"-office.) December 23.

[Advertisement], The Courier (4 June 1851), 1

http://nla.gov.au/nla.news-article2960828 

DANCING ACADEMIE D'APOLLON, Harrington-street, nearly opposite the office of Messrs. Butler, Nutt & Butler.
M. GILBERT has the honour to announce to the ladies and gentlemen of Hobart Town, that his NEW DANCING ACADEMY
will be OPENED on MONDAY Next, the 9th of the present month.
Having gone to considerable expense in the erection of a building for tuition in the above accomplishment, as well as for public recreation and amusement, M. G. earnestly hopes to receive a continuance of the kind support so liberally bestowed upon him since his arrival in this colony.
TERMS. Private class (in town, not less than eight in number) - 1 10 - Each.
Public class (in the Academy, Monday and Thursday, from 6 to 8 in the Evening) - 1 5 -
Juvenile class (in the Academy, Tuesday and Friday, from half past 5 to 7 in the Evening) - 1 1 -
Schools and Private Families attended.
M. G. begs to intimate that his Public Class Room being a very large and commodious one, he will be happy to let it for Balls or other public purposes.
Application to be made on the premises. June 2.

"PRIVATE SUBSCRIPTION BALL", The Courier (23 August 1851), 3

http://nla.gov.au/nla.news-article2960353 

The private subscription ball of Mons. Gilbert takes place on Monday evening next, at the Academie d'Appollon, Harrington-street. From the very fashionable manner in which the proprietor gets up these select reunions, a delightful night's amusement is anticipated.

[Advertisement], The Courier (3 March 1854), 3

http://nla.gov.au/nla.news-article2247525 

THURSDAY, 9TH MARCH. ASSEMBLY ROOMS, Harrington-street. MR. ELLISTON Has received instructions from Monsieur Gilbert, the proprietor, to dispose of by Public Auction, at the City Mart, Ou THURSDAY, 9th, March, 1854, At 2 o'clock p.m., AN ALLOTMENT or Piece of Ground situate in Harrington-street . . . together with the Brick Buildings thereon erected, known at present as DEL SARTE'S ASSEMBLY ROOMS . . .

"SHIPPING NEWS . . . CLEARED OUT", The Courier (23 May 1854), 2

http://nla.gov.au/nla.news-article2243814 

May 22nd - Munford, brig, Clark, New Zealand. Cabin - Messrs. Swainson, Lovering, Dr. Buck . . . Monsieur Gilbert . . .




GILCHER, Peter (Peter Jacob GILCHER; Peter GILCHER; P. GILCHER; Herr GILCHER; GILSCHER)

Musician, leader (The Bavarian Band, Astley's Circus), cornet player

Active Launceston, TAS, by 1855

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILCHER-Peter (shareable link to this entry)

ASSOCIATIONS: Henry Burton (circus proprietor)


Documentation:

Certificate of arrival, port of Dover, 3 April 1850; UK National Archives, HO2/188/560-66

https://www.ancestry.com.au/discoveryui-content/view/100831:1587 (PAYWALL)

1850 3 April / [ship] Ville d'Ostend / Peter Jacob Gilcher,
accompanied by Michael Gilcher, Peter Linn, Sen'r, Peter Linn, Jun'r, Johannes Juny, Peter Diemling / Musicians / [natives of] Germany /
have four passports from the Bavarian government

Certificate of arrival, port of Dover, 15 March 1851; UK National Archives, HO2/202/657-61

https://www.ancestry.com.au/discoveryui-content/view/108911:1587 (PAYWALL)

15th March 1851 / Dover / Peter Jacob Gilcher & Four Travelling Musicians, Bavaria / [from] Calais . . .

Certificate of arrival, port of Dover,8 March 1852; UK National Archives, HO2/229/192-97

https://www.ancestry.com.au/discoveryui-content/view/130418:1587 (PAYWALL)

8 Marche [sic] 1852 / Peter Jacob Gilcher, German + 5 travelling Musicians / [from] Calais . . .

[Unclaimed letters], The Argus (10 March 1855), 7

http://nla.gov.au/nla.news-article4805430

. . . Gilcher, Peter . . .

[Advertisement], Launceston Examiner (12 May 1855), 1

http://nla.gov.au/nla.news-article36292661

THE BAVARIAN BAND IN RETURNING THANKS for the very liberal support they have received since and during their short sojourn in Launceston, beg to inform the inhabitants, generally that they have returned from Hobarton, and will remain in Launceston during the winter. They will be happy to attend Quadrille and Evening Parties, and devote their best energies to the amusement of the town generally. This band may be known by their uniform, blue and silver. All commands to be left with Mr. G. Shipley, Wellington-street.
PETER GILCHER, Leader.

[Advertisement], The Argus [Melbourne, VIC] (6 August 1855), 8

http://nla.gov.au/nla.news-article4814341

STORMING OF SEBASTOPOL. - Criterion Hall, Collins-street, Melbourne, will open on Wednesday, August 8th, 1855, with a Grand Day Performance at Three o'clock. Mr. Bennett Clay's Optical Diorama, "The City of the Sultan; or, the Red, White, and Blue," detailing every object of interest connected with the Crimea and Seat of War, accompanied with new and appropriate music.
Leader of the Band, Herr Gilcher . . .

[Advertisement], The Argus (6 September 1856), 8

http://nla.gov.au/nla.news-article7136136 

VICTORIA INDUSTRIAL SOCIETY. The Exhibition of Live Stock, Agricultural Produce, Implements, &c.,
will take place at the back of the Board of Works, Lonsdale-street west,
(by permission of her Majesty's Government,) on the 9th and 10th of September.
Gilscher's German Band [sic] will perform on both days, and refreshments will be supplied on the ground.

[Advertisement], The Age [Melbourne, VIC] (16 January 1857), 1

http://nla.gov.au/nla.news-article154825292 

SIXTH ANNUAL ACCOUNT-CURRENT OF THE VICTORIA INDUSTRIAL SOCIETY . . .
By expenses of Exhibition Sepember 9th and 10th, 1856, namely . . .
Gilcher's German band, eight performers, two days' attendance - 16 0 0 . . .
By expenses of Exhibition November 26th, 27th, 28th, and 29th, namely . . .
By Appel's German band, 12 musicians, 4 days and 4 evenings ... 56 0 0 . . .

ASSOCIATIONS: Conrad Appel (musician)

[Advertisement], The Argus (10 July 1862), 8

http://nla.gov.au/nla.news-article5718019

THEATRE ROYAL. Sub-Lessee, Mr. J. H. Wilton.
Second Week of BURTON'S EQUESTRIAN TROUPE . . .
A splendid Brass Band, Including the two cornet soloists Messrs. Kohler and Gilcher . . .

"SHIPPING NEWS", The South Australian Advertiser (6 January 1863), 2

http://nla.gov.au/nla.news-article31818747

Same day - Dragon, barque, 242 tons, J. Leddra, master, from Newcastle. N.S.W., Dec. 18 . . . Passengers - Messrs. H. Burton, Holmes, Taylor, Derbyshire, Salastaro, Gilham, Griffiths, Romph, Splab, Gilcher, P. Gilcher, Dick, Richardson, Schneider, Melville, McGrath, Brown, Reyleigh, Jacob and two Masters Gilcher, Miss Josephine Christie, Miss Annette Aitkin, and Master Waterland, in the cabin.

[Advertisement], Rockhampton Bulletin (21 July 1864), 3

http://nla.gov.au/nla.news-article51563511

BARLOW & CO'S CANIDRONE AND GYMNASIUM COMPANY . . .
Gilcher's celebrated Band will be in attendance . . .

[Advertisement], The South Australian Advertiser (2 November 1864), 1

http://nla.gov.au/nla.news-article31843154

BARLOW & CO.'S CANIDROME AND GYMNASIUM COMPANY . . .
GILCHER'S CELEBRATED BAND will be in attendance . . .

[Advertisement], Portland Guardian (20 February 1865), 3

http://nla.gov.au/nla.news-article64633380

BARLOW & CO.'S CANIDROME AND GYMNASIUM COMPANY . . .
Gilcher's Celebrated Brass Band will be in attendance . . .




GILES, Charles (Charles GILES)

Shoemaker, convict, amateur musician, clarinet / clarionet player

Born Bilsington, Kent, England, 12 August 1798
Married Mary CHAPMAN (c. 1839), Bilsington, Kent, England, 1818
Sentenced Kent Special Sessions, Maidstone, England, 6 January 1827, transportation for life
Arrived Hobart Town, VDL (TAS), 31 July 1827 (convict per Governor Ready, from England, 26 March 1827)
Active Hobart Town, VDL (TAS), by 1840
Died Hobart, TAS, 2 September 1874, in his "76th year"

https://trove.nla.gov.au/search?l-publictag=Charles+Giles+1798-1874 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILES-Charles (shareable link to this entry)


Documentation:

[News], Maidstone Gazette and Kentish Courier [England] (6 February 1827), 4

On Thursday morning last, Mr. Agar, Governor of the County Gaol, Maidstone, received a Letter from the Secretary of State, signifying that the execution of the sentence of Death passed upon the fourteen smugglers, at the last Kent Assizes, should be respited until the further signification of his Majesty's pleasure. Agreeably to further orders, all the fourteen prisoners were, yesterday morning, removed from the Gaol, to be put on board ship for the purpose of transportation for life.
George Ransley, James Wilson, Charles Giles, Richard Wire, James Hogben, James Quested, William Wire, be put board the Leviathan at Portsmouth . . .
Notwithstanding the declaration of the Solicitor General in Court, that he would recommend the Prisoners to his Majesty's mercy, it was supposed by many persons that some of the fourteen would be executed on the 5th, in pursuance of the sentence passed upon them in the usual form by Mr. Justice Park. Accordingly, a considerable number persons from the country, came yesterday to Maidstone, for the purpose of witnessing the execution; but being disappointed of their expected amusement, they went back about as wise as they came.

Convict record, VDL (TAS); Tasmanian names index; NAME_INDEXES:1395112; CON31/1/15

https://stors.tas.gov.au/NI/1395112 

https://stors.tas.gov.au/CON31-1-15P126 (DIGITISED)

[No.] 495 / Giles Charles (6 Jan'y 1827 - Life) / Transp'd for "Aiding and Assisting Smugglers." Gaoler's report "very orderly & correct; in hulk "Good," in ship "Good". M. Confessed on arrival, "for aiding Á abetting Smugglers," his first offence, wife a& family in Bilsington Parish, F[ather] & M[other] at Native place, Bilsington - "Married" Protestant.
Conditional Pardon No. 1307 22nd April 1837
Free pardon No. 124, 15 Sep'r 1842.

[Advertisement], The Tasmanian (8 November 1827), 1

http://nla.gov.au/nla.news-article233095230 

Colonial Secretary's Office, Oct. 31, 1827.
HIS Excellency The LIEUTENANT GOVERNOR has been pleased to approve of the undermentioned appointments to the Field Police:-
Peter Duff, Woodman; John Dymond, Richmond; Charles Giles, Governor Ready; Thomas Terry, Lady East, stationed at Campbell Town.

"WESLEYAN CENTENARY CHAPEL", The Courier (20 October 1840), 3

http://nla.gov.au/nla.news-article2957895 

This new Wesleyan Chapel in Melville-street was opened to the public, pursuant to the announcement, on Sunday last. The morning service was conducted by the Reverend Mr. Waterhouse, the General Superintendent, who gave a very impressive discourse. A second service in the afternoon at three o' clock, was performed by the Reverend Mr. Hurst from Port Phillip; and the Reverend Mr. Cargill, M.A., who has recently arrived from the Fejee Islands, conducted the third service, at six o'clock in the evening, at which His Excellency Sir John Franklin and a large party of ladies and gentlemen were present. The exterior of the chapel is remarkable only for its extreme simplicity, and the interior is in the same style, a scrupulous avoidance of all meretricious ornament having evidently been consulted. The area is upwards of seventy feet by fifty, with a spacious gallery extending round three sides of the building, with a separate one behind the reading desk, appropriated solely for the singers. The chapel was very brilliantly lighted for the evening service with ten large and handsome ormolu chandeliers, of three argand burners each. The collection during the day amounted to upwards of £100. The edifice is substantially built, and the joiners and carpenters' work exceedingly well executed, the whole reflecting the highest credit upon Mr. Chapman, the builder, to whose care the erection was entrusted.

"GOVERNMENT NOTICE. No. 240", The Courier (23 September 1842), 4

http://nla.gov.au/nla.news-article2953740 

Colonial Secretary's Office, 15th September, 1842.
Memoranda of Free Pardon have been ordered for the following persons until Her Majesty's pleasure be known: . . .
George Allen, Countess of Harcourt; James Henry, Larkins; Thomas Smith, Commodore Hayes; John Blackwell, Woodford 2; James Cavanah, Maria;
Charles Giles, Governor Ready; Edward Durant, Dromedary; Thomas Raven, Commodore Hayes.
By His Excellency's command, G. T. W. BOYES.

"DEATHS", The Mercury (3 September 1874), 1

http://nla.gov.au/nla.news-article8932042 

GILES. - On 2nd Sept., at the residence of his son, Harrington-street, after a long and painful illness, Charles Giles, late of Bonnington, Kent, in the 76th year of his age. The funeral will take place on Sunday next, 6th inst., at 2.30 p.m. Friends are respectfully requested to attend.


Musical instrument:

Clarinet, made by Herman Wrede, c. 1830s; Wesley Museum, Hobart

Clarinet, made by Herman Wrede, c. 1830s; Wesley Museum, Hobart

https://trove.nla.gov.au/version/226617086 

https://ehive.com/collections/5237/objects/471595/clarinet 

Played by Charles Giles (Kent, England) at the opening of the Wesleyan Chapel, Melville Street, Hobart Town, October 1840; presented by the Rev. C. C. Dugan; "Sold in Australia by F. Ellard, Sydney"

ASSOCIATIONS: Francis Ellard; Herman Wrede's son, Robert William Wrede acted as his agent in Australia in 1837-38, and sold his initial shipment of instruments to Ellard


Bibliography and resources:

Henry Teignmouth and Charles G. Harper, The smugglers; picturesque chapters in the history of contraband (London: Cecil Palmer, [1925]), 89, 124-35, 164 opposite (illustration)

https://archive.org/details/smugglerspicture02teiguoft/page/124/mode/2up (DIGITISED)

https://archive.org/details/smugglerspicture02teiguoft/page/164/mode/2up (DIGITISED)

Charles Giles, . . . Governor Ready, 1827; Convict records

https://convictrecords.com.au/convicts/giles/charles/89296

Charles Giles, d. 1874; Find a grave

https://www.findagrave.com/memorial/207719496 

Charles Giles; Lynne's Tasmanian families

https://lynnesfamilies.wordpress.com/aldington-smugglers/charles-giles 

The Aldington Gang; Lynne's Tasmanian families

https://lynnesfamilies.wordpress.com/aldington-smugglers/smuggling-the-aldington-gang 




GILFILLAN, John Alexander (John Alexander GILFILLAN; J. A. GILFILLAN)

Painter, lecturer on painting, music and the fine arts

Born Jersey, 25 December 1793; son of John GILFILLAN and Elizabeth BRIDGES
Arrived Adelaide, SA, 1849 (from NZ and Sydney)
Died Melbourne, VIC, 11 February 1864, aged 70

https://trove.nla.gov.au/search?l-publictag=John+Alexander+Gilfillan+1793-1864 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1229115 (NLA persistent identifier)

https://natlib.govt.nz/records/22371072 (National Library NZ)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILFILLAN-John-Alexander (shareable link to this entry)


John Gilfillan, c. 1850 (Sarjeant Gallery Te Whare o Rehua Whanganu)

John Gilfillan, c. 1850 (Sarjeant Gallery Te Whare o Rehua Whanganu)

https://collection.sarjeant.org.nz/persons/9045 (DIGITISED)


Documentation:

"DEATHS", South Australian (9 July 1847), 4

http://nla.gov.au/nla.news-article71608765

Murdered, at Wanganui, New Zealand, by the natives, on the 18th April last, Mary Bridges, wife, and Eliza, Francis, and John Gilfillan, children of J. A. Gilfillan, Esq., formerly Professor of Painting in the Andersonian University, Glasgow.
[The above were near and dear relatives of the proprietor of this journal. An account of the massacre will be found in another column.]

ASSOCIATIONS: Andrew Murray (proprietor, The South Australian)

"SHIPPING INTELLIGENCE. ARRIVED", South Australian (26 January 1849), 2

http://nla.gov.au/nla.news-article71622988

January 24 - The barque Fanny Fisher, 257 tons, Charles Harrold, from Sydney 6th January. Passengers - Mr. A. J. Gilfillan, Miss Gilfillan, Master and two Miss Brownriggs . . .

[Advertisement], South Australian (20 February 1849), 3

http://nla.gov.au/nla.news-article71623134

AN Exhibition of Paintings will be held at the Rooms of the South Australian Library and Mechanics' Institute on the day of the Horticultural Show, and a Lecture on Painting, Music, and the Fine Arts, will be delivered in the evening by Mr. Gilfillan, late Professor of Painting to the Andersonian University of Glasgow.
Artists, amateurs, &c., are requested to aid the Committee with the loan of paintings and other works of art for the exhibition.
JAMES RAWLINGS, Secretary.

"PUBLIC LIBRARY AND MECHANICS' INSTITUTE", South Australian (23 February 1849), 2

http://nla.gov.au/nla.news-article71623154

Mr. Gilfillan last night gave his promised lecture to a crowded audience at the large room of the Institute. The subject, the fine arts, comprehending music, architecture, sculpture, and painting. We were unfortunately unable to attend, but a friend has kindly given us the requisite information. The lecturer treated his several subjects in a manner which shewed that he understood them thoroughly, and had the art of communicating his knowledge in a clear and popular manner. The audience were highly pleased: and the announcement of a second lecture on painting alone was received with applause. The second lecture will be given on Thursday week. Mr. Pitman called the attention of the assembly to a seraphine manufactured in the colony, which had been lent that night by the ingenious artisan whose name our friend could not catch . . .

[News], South Australian Register (24 February 1849), 3

http://nla.gov.au/nla.news-article50246967 

. . . On Thursday evening Mr. Gilfillan delivered the first of two lectures on the Fine Arts, in the enumeration of which Music
"Claimed kindred there and had that claim allowed."
But the lecturer vetoed the right of dancing and gastronomy to be admitted into such goodly company, notwithstanding the cited authorities of French philosophers. He traced briefly the progress of music amongst the ancients, from the origin of the lyre and Pandean pipes down to the divine compositions of modern masters. The original of "Apollo's lute" being strangely enough the dried shell of a turtle found on the sea shore; and the construction of the mouth-organ, suggested by the wild music of the breeze playing among the broken reeds in a swamp . . . After the lecture, which was warmly applauded at the proper time, i. e. t was concluded, Mr. Pitman introduced Mr. G. T. Light, an ingenious colonial mechanist, who performed a piece of music on a seraphine, built by himself, after which the company separated.

ASSOCIATIONS: George Thomas Light

"LECTURE ON THE FINE ARTS", South Australian (27 February 1849), 4

http://nla.gov.au/nla.news-article71623171

The following is the Lecture delivered by Mr. Gilfillan in the Hall of the Mechanics' Institute, on Thursday last. It is highly interesting, and will repay an attentive perusal: . . .

. . . I conclude this portion of my subject by a few remarks on the comparative merits of Modern music and painting, before entering on which I may premise, that whatever estimate may be formed of my opinions by the exclusive admirers of music, I can assure them that nothing can be farther from my desire than to disparage the study of an accomplishment so desirable, and which among all ranks tends to lighten the social enjoyments, and which, under the guidance of reason and discretion, helps to dispel that vacuity of mind and to prevent, especially among the opulent, the intrusion of those idle and dangerous thoughts which a too abundant leisure is so apt to produce, and which has proved the parent of very many mischiefs. In accordance with this declaration, we are bound to waive as illiberal, the not unfrequently urged objection to a study of music among youths of our own sex, who not possessed of the requisite amount of moral restraint to withstand the temptations it holds out to dissipation, under the alluring disguise of rational conviviality, become martyrs to their power of pleasing. These are the exceptions, and deserve little comment.

In painting and music their aim may be considered, for the most part, identical; the composers in each availing themselves of principles very similar in the production of their works, and the one as well as the other granting them genius, equally dependant on a knowledge of counterpoint, the proper proportion and distribution of parts, and their minor adjuncts and graces, without which the best natural taste would be sadly puzzled in any attempt at composition.

Music being addressed to the ear, and depending for a continuance of the delight, it first yields to frequent renewal of those manifestations which are essential towards the display of the author's powers, and are oftener marred than mended in the operation. Its effects, when compared with those of the sister arts, are extremely evanescent. Nor can it be deemed a language so universally understood, though perhaps in more general use than the others. Much the same, however, as physicians, of all other professions, are the most numerous, because nearly every old woman prides herself on a fancied knowledge of the healing art.

The language, the peculiar emphasis, the very tones peculiar to the different nations of the earth, precludes the possibility of composing a piece, or an opera, unassisted by the words, which is likely to strike exactly alike the inhabitants of two countries of dissimilar language and habits. A simple transposition of cadence in conversation, of vivacity or the reverse in the display of passions, with many minor distinctions, tend vastly to perplex the translator in his attempt to give the poetry of the text in its new garb, and the unaltered music, that unity and expression which in the original may have been perfect. Hence music should be, and generally is, so composed as to suit the genius of that people alone among whom it first appears, and so long as the present diversity of habits and idioms exist, music must remain as it were a local language.

For very much of the favorable impression often amounting to positive enthusiasm in music, we are indebted to mere association. So powerful has this sentiment proved in some instances, that to prevent desertion from a Swiss auxiliary corps in the French service, their band was forced to play the Rance de Vachez [Ranz de Vaches], which it was found fostered to a morbid degree the Mal du Paye. We all know the power of their-native bagpipes over a Scottish highlander - a species of music, by the way, not even tolerant to southern ears, | unless the sound be filtered through a double brick wall, or softened by the interposition of at least five miles of the densest atmosphere. I have known the rude Banger excite a knot of Africans to hours of extatic enjoyment. As a modern instance of the power of music, under very unpromising circumstances, I may quote an account given me by a gentleman formerly belonging to the Spanish Legion: -

"In the latter part of April, 1836," say he, "I was quartered at a convent of Corban about a league distant from Santandar, in the North of Spain. I found everything in the greatest confusion. A party of soldiers of the Legion, forming a depot, were quartered there, and I found them busily engaged in chopping up the figures of the twelve Apostles, elaborately carved in oak, for the purpose of cooking their rations. On the following day, I, in company with a few of my comrades, visited the convent chapel, in which was a beautiful organ. I found two or three of the panels taken out, and some of the men were engaged in pulling out some portion of the interior works of the organ. I remonstrated with them, and asked one of my friends to blow the bellows for me; I played for a short time some extempore passages, and such was the effect on the spoilers, that they immediately desisted, and swore that no one should touch their box of music."

The poet, the painter, and the musician, enjoy equally the pleasures of creation, and their works depend much on the degrees of power in the exercise of this faculty; but Very different degrees of labour are required by each in order to embody, as they should be, the original and spontaneous effusions of fancy. Musical ideas may heightened with the greatest rapidity. The poet requires longer time to correct the rhythm, and render the sense intelligible. The painter and sculptor require still farther time and labour to complete their works, which, however well conceived, may during the time that elapses between the first hasty outline and the completion of the piece, lose much of the spirit and beauty of which the original conception gave promise.

We have already alluded to one advantage, though perhaps a negative one, which music possesses over painting. The physical pleasure received through the sense of hearing has a more general power, and is more immediate and decided in its effect than enjoyments purely intellectual. A fine chord enchants the ear, and a false one tortures it more readily than parallel beauties and defects in the sister art. What constitutes beauty in music is, in fact, like in the tender passion, only what is thought so; the impression in either case is often immediate, rather than the result of deliberate judgment. To the enamoured swain and to the musical amateur, the lines of Metastatio equally apply

Ma speso injusto al vero [sic, "Ma spesso, ingiusto al vero. . ."]
Condanno ogni altro aspetto
Tutti mi far defitto [sic, "Tutto mi par difetto"]
Fuor che la tua belta.

indeed, there is in no art fewer precepts for the production of beauty than in music, in which so great a proportion of the pleasure derived being physical, the senses must decide. I allude here chiefly to melody, perhaps the most lasting and least mechanical part of its study.

The great aim of harmony, like melody, is to please; and if it fail in this essential, its end is worse than imperfect, and the most learnedly laborious composition becomes an unmeaning chaos of sounds.

Some persons possessed only of patience and perseverance, have become respectably learned in counterpoint; this branch possesses a regularity easily susceptible of demonstration; but what depend on genius, on soul we may say, is of a more etherial cast, is attainable by no sort of application. It soars beyond the grasp of the mere mechanist in crotchets and quavers, or the colourer of canvas.

The entirely artificial critic admires in a ponderous display of science, that Cretan labyrinth of notes, which constitute the essence of those productions of the mechanic school. Even composers of name have occasionally banished the graces and perpetrated pieces seemingly calculated with malice perpense, only to puzzle the understanding, and to confound the practical musician in his attempts at executing them. The speaking splendours of Haydn, Mozart, and Beethoven, and of other eminent composers, derive their value not alone from science, but owe their imperishable name to that subtle and indefinable essence, genius. It was not on mechanical principle alone, that Beethoven, after he became deaf, composed his pieces - they were employed as mere aids in embodying the creations of his fancy, like the music of the spheres, his imagination followed their harmonies, while not a sound from the instrument he played on reached his ear . . .

NOTE: The Ranz de Vache anecdote is typically repeated earlier British discussions of national music, as see for instance Griffith Jones (1757-1833) in the Encyclopaedia Londinensis, vol. 16 (1819), 315, and Isaac Nathan in his Musurgia vocalis (1836), 34

NOTE: For the passage from Metastasio, see, for instance, Stendhal's The life of Haydn (English translation, 1817), 268

"THE FINE ARTS", South Australian (26 October 1849), 2

http://nla.gov.au/nla.news-article71624937

We have been favored with the perusal of a letter from W. Tyrone Power, son of the celebrated tragedian, to Mr. Gilfillan, artist, of this city, regarding a painting of a scene in a New Zealand pah, announcing that it had arrived too late for this years' exhibition of the Royal Academy. It had been approved and accepted, but was shut out for want of room, the first comers of those accepted having the preference. Mr. Gilfillan was offered one hundred guineas for this picture by a gentleman in Sydney; and it is gratifying to find by a note from Mr. Foster, one of the editors of the Examiner, that Mr. Edwin Landseer had spoken of it with approbation. Mr. Power had forwarded the picture to the Free Art Exhibition at Hyde Park Corner.

NOTE: Power's sketch on page 160 of his Sketches in New Zealand, with pen and pencil (1849) was very loosely copied from Gilfillan's painting; for a direct lithograph copy by Edmund Walker (1852), see Interior of a native village or Pa in New Zealand (Auckland Art Gallery)

"DEATHS", The South Australian Advertiser (25 February 1864), 2

http://nla.gov.au/nla.news-article31833557

GILFILLAN. - On the 11th February, at Melbourne, J. A. Gilfillan, Esq., aged 70 years, favorably known some years since in Adelaide as a delineator of New Zealand scenery.


Bibliography and resources:

W. Tyrone Power, Sketches of New Zealand (London: Longman, Brown, Green, and Longmans, 1849), vii, 86-87

https://babel.hathitrust.org/cgi/pt?id=hvd.hnp2gq&view=1up&seq=147 (DIGITISED)

Thomas W. Downes, "Some historic Maori personages [Read before the Wellington Philosophical Society, 1st November, 1905]", Transactions and proceedings of the Royal Society of New Zealand 38 (1905), 120-28

http://rsnz.natlib.govt.nz/volume/rsnz_38/rsnz_38_00_000150.html (DIGITISED)

"John Gilfillan", Design & art Australia online (DAAO)

http://www.daao.org.au/bio/john-gilfillan

"John Alexander Gilfillan", New Zealand history

https://nzhistory.govt.nz/media/photo/john-alexander-gilfillan 

"John Alexander Gilfillan", Wikipedia

https://en.wikipedia.org/wiki/John_Alexander_Gilifillan 




GILFILLAN, J. R. (J. R. GILFILLAN)

Dancer, dancing master, Caledonian dancer

Active Melbourne, VIC, c. 1859-60

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILFILLAN-J-R (shareable link to this entry)


Documentation:

[Advertisement], The Argus (14 September 1860), 8

http://nla.gov.au/nla.news-article5689803 

CALEDONIAN GATHERING. HIGHLAND BALL TO-NIGHT, St. Patrick's Hall.
J. R. GILFILLAN has the pleasure of announcing Mr. Crawford's celebrated reel and quadrille band.
Country friends be early, March quarter-past 9.




GILL, Mr. (Mr. GILL)

Vocalist

GILL, Mrs. (Mrs. GILL)

Pianist, vocalist, actor

Active central VIC, 1850s

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILL-Mr-and-Mrs (shareable link to this entry)


Documentation:

"TARRRANGOWER [FROM OUR OWN CORRESPONDENT]", Mount Alexander Mail (22 July 1854), 5

http://nla.gov.au/nla.news-article202633669 

Mr. Gill, of Castlemaine, has lately opened an establishment here under the title of the Hanover Rooms; he has fitted them up in a very chaste style, and does not seem to have studied expense. He proposes to have concerts three times a week. He possesses, what very few can boast of, - a brilliant toned piano-forte, by which, with the aid of Mrs. Gill and Miss Davis, he hopes to give forth such sounds as will both charm and please his hearers.

"CONCERT AT THE VICTORIA HOTEL MUSIC-ROOM", Mount Alexander Mail [Castlemaine, VIC] (29 July 1854), 5

http://nla.gov.au/nla.news-article202632037 

On Monday evening last a most interesting concert was given in the Music-room of this establishment. The room was splendidly illuminated, and tastefully fitted up for the occasion, the passages being furnished with powerful reflectors, and the curtains skilfully arranged to produce effect. A large and respectable company assembled at an early hour, including a considerable proportion of ladies, government officers, and many of the principal inhabitants of the township. Miss Davis elicited great applause in the song, "I'm a merry Zingara;" the duet, "Mira a Norma," in which she was associated with Mrs. Gill reflected great credit on the musical taste and talent of both those ladies; Mr. Percy's songs received the approbation of the audience, and Mr. Gill, favored the company with "The Pilot," in which song he acquitted himself with his accustomed ability. Mr. Novello's comic songs met with an enthusiastic encore, but on future occasions we would recommend a little more refinement in his selection considering that ladies are present. We only however, allude to one of his songs. Mr. Thatcher taxed the risibility of his audience to its highest pitch of endurance in his "Green New Chum," in which he inadvertently pointed to the youngest commissioner present; the song "Where's your License?" illustrative of the various "dodges" practised on the "traps," and' his "Paris Exhibition," to which he purposes to send a "civil post-office clerk," a "trap" who has been sober on duty for two consecutive days, and a "Diggings Homily on Teetotalism," all of which elicited roars of laughter. Mrs. Gill and Mr. Pohl alternately presided at the piano-forte, which is one of Broadwood's best construction. The greatest satisfaction was expressed at the decorum and respectability which characterised the meeting, of which the name of the proprietor of the Victoria is a sufficient guarantee. The concert was a miniature fac simile of some of our best conducted English concerts. "God save the Queen" concluded the musical entertainments of the evening.

ASSOCIATIONS: Charles Thatcher (vocalist, flute); Emil Pohl (piano)

[Advertisement], Mount Alexander Mail (5 August 1854), 1

http://nla.gov.au/nla.news-article202635995 

[Advertisement], Bendigo Advertiser (9 February 1856), 3

http://nla.gov.au/nla.news-article88048807 

PRINCESS'S THEATRE. CRITERION HOTEL. (Under the management of Mr. Coleman.)
BENEFIT OF MRS. GILL. WEDNESDAY, 13th FEBRUARY . . . The following Ladies and Gentlemen will appear -
Madame Sara Flower, Mrs. R. Macgowan, Miss Hudson, Mrs. Ricards, Mr. Sam Howard, Mr. Ryan, Mr. Richardson, Mr. B. Coleman, Mr. Ricards, Mr. Styles, Sig. Gagliadi [sic] . . .
Ballad - Mrs. B. Ricards.
New Medley Dance - Mrs. H. Macgowan.
Song - Madame Sara Flower.
Solo, Flute - Sig. Gagliadi.
With Pianoforte Accompaniment - Mrs. GILL.
Song - Madame Sara Flower . . .

ASSOCIATIONS: B. J. Coleman (manager); Sara Flower (vocalist); Jessie Ricards (vocalist); Sam Howard (actor); Giacinto Gagliardi (flute)




GILL, Edwin (Edwin GILL)

General and music publisher, printer, stationer

Born Bristol, England, 1824; baptised SS. Philip and Jacob, Bristol, 22 February 1824; son of John GILL (1783-1866) and Jane WYATT (1786-1850)
Married (1) Julia LLOYD (1824-1851), Wem, Shropshire, 19 July 1849
Arrived Melbourne, VIC, 12 February 1850 (per Clifton, from London, 14 November 1849, and the Downs, 16 November)
Married (2) Sarah HASSELL (1829-1905), Richmond, VIC, 21 December 1852
Died St. Kilda, VIC, 4 January 1891

https://trove.nla.gov.au/search?l-publictag=Edwin+Gill+1824-1891 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILL-Edwin (shareable link to this entry)


Trading as Turner and Gill, May 1864 to May 1869:

https://trove.nla.gov.au/search?l-publictag=Turner+and+Gill (TROVE tagged by Australharmony)

For documentation of partnership and musical editions see Caleb Turner (business partner)


Documentation:

"THE SHORTLAND'S BLUFF LIGHT-HOUSE", The Argus (8 March 1850), 2

http://nla.gov.au/nla.news-article4772139 

Captain Champain, of the Clerk of Works Office, Melbourne, has been appointed Superintendent of the Light house, at Shortland's Bluff and is succeeded in the Immigration depôt by Mr. Edwin Gill, a passenger by the 'Clifton,' formerly principal clerk and manager on the London and Gloucester Railway.

[News], The Argus (6 January 1891), 5

http://nla.gov.au/nla.news-article8464368 

Our obituary column contains the announcement of the death of Mr. Edwin Gill, J.P., the superintendent of stores in the Lands' department, at the age of 66 years. Mr. Gill was an old colonist, having arrived in the colony in 1849. He was appointed the first Government storekeeper and superintendent of immigrants under the Latrobe regime, but after holding the position for about 10 years he resigned, on account of ill health, and for some years devoted himself to farming pursuits in the country. He subsequently returned to Melbourne and become a member of the firm of Messrs. Turner und Gill, wholesale stationers, in Flinders-lane. This firm was dissolved, and Mr. Gill established a fuse manufactory on the banks, of the Yarra. In 1870 he rejoined the public service, entering the Lands department. At the time of his death he was engaged in the reconstruction and amalgamation of the various store departments in the public service. Mr. Gill was a justice of the peace for over 30 years. His death, which occurred at his residence, Hassellburg, East St. Kilda, on Sunday, was very sudden, being caused by syncope. He was interred yesterday in the Melbourne General Cemetery, the funeral service being conducted by the Rev. Charles Strong, D.D. The deceased, who was beloved and respected by a large circle of friends, leaves a widow and 10 children, most of whom are grown up.




GILL, Samuel Thomas (Samuel Thomas GILL; S. T. GILL)

Artist, lithographer, sheet music covers illustrator

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILL-Samuel-Thomas (shareable link to this entry)




GILLAN, John (John GILLAN)

Amateur musician, singing class instructor, Beechworth Tonic Sol-Fa Association, tailor

Born Scotland, 17 August 1821; baptised Dyke, Moray, Scotland, 27 August 1821, son of James GILLAN and Jean NICOLSON
Married Jessie ROBERTSON (d. VIC, 1888), England, by c. 1850
Arrived Melbourne, VIC, 31 October 1860 (per Lightning, from Liverpool, with family)
Active Beechworth, VIC, by 1864
Died Traralgon, VIC, 8 October 1892, aged 71/72

https://trove.nla.gov.au/search?l-publictag=John+Gillan+1821-1892 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILLAN-John (shareable link to this entry)

See also https://trove.nla.gov.au/search?l-publictag=Beechworth+Tonic+Sol+Fa+Association (TROVE tagged by Australharmony)


Documentation:

England census, 30 March 1851, Berwick on Tweed, Northumberland; UK National Archives, HO 107 / 2421

https://www.ancestry.com.au/interactive/8860/NBLHO107_2421_2421-0454 (PAYWALL)

May Gate / John Gillan / Head / 29 / Taylor, Master & 3 Men / [born] Scotland
Jessie [Gillan] / Wife / 24 / - / [born] Scotland]
Jessie [Gillan] / Dau. / 1 / - / [born] Berwick
Cesarina Low / Visitor / 29 / House servant / [born] Scotland

"BAPTIST TEA MEETING", Ovens and Murray Advertiser (10 November 1864), 2

http://nla.gov.au/nla.news-article112910025

Yesterday the members of the Beechworth Baptist Congregation assembled in their temporary church, Upper Ford street, to celebrate its inauguration and to welcome the arrival of the Rev. Mr. Brightwell. The tables were most liberally provided, and after ample justice had been done to the good things the company adjourned to the Wesleyan Schoolroom, where suitable addresses were delivered. One very pleasing feature in the evening's proceedings was the singing by the Tonic Sol Fa Association which was really a rich musical treat; in fact those present were taken by surprise at hearing the great proficiency which the vocalists had arrived at, and it reflects much credit upon Mr. Gillan, by whom the Association was established . . .

"TONIC SOL-FA CONCERT", Ovens and Murray Advertiser (29 December 1864), 3

http://nla.gov.au/nla.news-article112910478 

The members of the Beechworth Tonic Sol Fa Association gave their first public concert at the Town Hall on Tuesday evening last, with a result that must have been equally as gratifying to themselves, as it was pleasing to the audience, who assembled in number sufficient to fill the greater portion of the building. In common with all present we were most agreeably surprised at finding the high state of efficiency to which the vocalists had attained. The entertainment was a genuine treat, and the performers were rewarded with a unanimous round of applause, as each successive piece rendered testified to the musical talent they evinced. His Honor Judge Cope presided on the occasion. As a mark of respect towards Mr. John Gillan who originated the Association, and has unweariedly and perseveringly laboured as its instructor, the members begged his acceptance of a purse of sovereigns which that gentleman, evidently much affected, received in the kindly spirit in which it was offered. We are glad to find that this really delightful means of amusement has taken such deep root in our midst, and hope the Association will go on and prosper as successfully as we wish them to do.

"THE OVENS AND MURRAY EXHIBITION", Ovens and Murray Advertiser (6 September 1866), 4

http://nla.gov.au/nla.news-article198657610 

. . . The Committee deem that the reports of the jurors form the most suitable report for themselves to present, and they therefore only desire to add to these that they consider that their own acknowledgements and those of the public are due to Mr. Cunningham and the ladies and gentlemen of the choir and band, for their services on the occasions of opening and closing the Exhibition, and to Mr. Gillan and the members of the Tonic Sol Fa Association for their kindness in giving an evening's entertainment, and to Mr. Lay and the gentlemen who have aided them in their endeavours to enliven the evenings of the Exhibition . . . During the evening the choir, under the leadership of Mr. Cunningham, gave several anthems with very good effect. Amongst them was the Hallelujah Chorus, in which there was a most decided improvement on the manner in which it was sung on the opening day. Mr. Schluter presided at the Harmonium, and also gave a song which elicited a well deserved demand for an encore. The well known glee of "Hail Smiling Morn" by the choir was also demanded a second time . . .

ASSOCIATIONS: Adoph Schluter; Cunningham

[Advertisement], Ovens and Murray Advertiser (5 July 1870), 3

http://nla.gov.au/nla.news-article196414273 

JOHN GILLAN, TAILOR, &c. FINCH STREET (Near St. George's Hall). BEECHWORTH.

"PRESENTATION", Ovens and Murray Advertiser (5 December 1871), 2

http://nla.gov.au/nla.news-article197569818 

Last evening a very pleasant meeting was held at the Ebenezer Chapel, Ford-street, Beechworth, by the friends of Mr. and Mrs. Gillan, who are about to leave Beechworth for Melbourne. About sixty persons were present . . . Messrs. J. Fletcher, J. H. Ferrier (of Chiltern);" and J. Ingram spoke in high terms of praise of Mr. Gillan's character, industry, and perseverance, Mr. Gillan returned thanks in a few grateful and appropriate words. During the evening a number of ladies and gentlemen who had belonged to Mr. Gillan's Tonic Sol Fa class sang some glees and songs very creditably, under the leadership of Mr. J. Fletcher. Fruit was served round during the evening.

"OBITUARY", Traralgon Record (11 October 1892), 2

http://nla.gov.au/nla.news-article59313239 

About two o'clock on Saturday afternoon Mr. John Gillan, father of Mrs. J. Home, who has been ailing for some time, died from an attack of influenza. The deceased, who had reached the age of 72 years, was well known throughout the district as a quiet unassuming gentleman, one who took a great delight in music, and has frequently wielded the baton at temperance meetings. At the time of his death he was lodge deputy of the I.O.G.T. The funeral took place yesterday afternoon, the remains being interred in the Bluff cemetery. The funeral arrangements were carried out by Mr. J. Thompson.




GILLOTT, Joseph (Joseph GILLOTT)

Pianist, composer, musical annotation (program note) writer

Born Sheffield, England, 1851 (4th quarter); son of Richard GILLOTT and Harriet CAWTHORN
Active Melbourne, VIC, by January 1884
Died Sheffield, England, 26 January 1939, aged 87

https://trove.nla.gov.au/search?l-publictag=Joseph+Gillott+1851-1939 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-537732 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILLOTT-Joseph (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Joseph Gillott, Leipzig (photo: E. Schleicher)

Joseph Gillott, Leipzig (photo: E. Schleicher)


Documentation:

[Advertisement], The Argus (26 January 1884), 16

http://nla.gov.au/nla.news-article11842942 

MR. JOSEPH GILLOTT, From the ROYAL CONSERVATORIUM of MUSIC, LEIPSIC,
Begs to announce That he RECEIVES PUPILS For the PIANOFORTE And the THEORY OF MUSIC . . .
[give detailed prospectus and includes several English reviews] . . .

"MR. GILLOTT'S CONCERT", The Argus (1 April 1887), 6

http://nla.gov.au/nla.news-article7923587

The Athenaeum hall was crowded last night at Mr. Joseph Gillott's first invitation concert. In a programme containing 21 numbers it is impossible to speak about individual performances of young ladies who are still in the state of pupilage, but it is due to them collectively to acknowledge a general aptitude and intelligence. Mr. Gillott's new composition naturally attracted the most attention. It is an octet, "Gran Tarantella di Concerto" for eight performers on four pianos - and it is a form of original composition which we have not met before . . .

[News], The Argus (10 December 1887), 11

http://nla.gov.au/nla.news-article7868292

We acknowledge receipt of the Annotated Programme of the three concerts to be given by Mr. Joseph Gillott in the Masonic hall . . . For the right enjoyment of a first-class concert of instrumental music a well annotated programme is becoming more and more a rigorous requirement. That which the morning journals do after the event is here achieved while the entertainment is in progress, or even before it commences, to the enlightenment and gratification of the reader, whether or no he be present at the performance. The book under notice contains 75 quarto pages of well printed matter, and may be purchased at a very small cost at the principal music vendors in this city. It is of more than passing interest in connection with the concerts about to be given, because it may be studied with profit to the average reader whenever the quality of the musical works of which it treats shall be called in question. It is written by a thoroughly appreciative artist, in lucid and agreeable style, and contains "Hints aesthetical and technical for the practice and performance of the various works for the use of pianoforte students". Mr. Gillott calls his annotations "analytical, critical, biographical, descriptive, narrative, and imaginative", and our own perusal of the brochure confirms the statement. The musicians treated in this comprehensive manner are Rubinstein, Bach, Chopin, Volkmann, Grieg, Weber, Liszt, Dvorak, Beethoven, Schumann, Moskowski, Rheinberger, Mozart, Gounod, and Xaver Scharwenka. The author's own name appears amongst the composers, but he does not criticise his own work. We can recommend these annotated programmes as being of permanent value.

"PERSONAL", The Argus (1 May 1900), 5

http://nla.gov.au/nla.news-article9539664

Mr. Joseph Gillott, who is leaving Melbourne on a trip for the benefit of his health, will sail by the steamer Nineveh on the 16th inst., for England, via the Cape.

"Mr. Joseph Gillott. MELBOURNE MUSICIAN IN LONDON", Table Talk (10 January 1901), 12-13 (with photo)

http://nla.gov.au/nla.news-article145856083 

"PERSONAL", The Argus (2 March 1901), 13

http://nla.gov.au/nla.news-article10538085

Sir Andrew Clarke's explanations to a meeting of working men, held at the Robert Browning Hall, Walworth, on Sunday, January 20, respecting the provisions of the Victorian Old age Pensions Act, were attentively heard, and (observes our London correspondent) surprise was expressed at the liberality of the provision made by the state. At the conclusion of the lecture 27 working men, constituting a choir trained at the hall, sang "Australia's Cherished Dream," Mr. Joseph Gillott playing the accompaniment, and subsequently singing the whole of his Australian patriotic songs.

"COMPOSER'S DEATH", The Sun (29 January 1939), 2

http://nla.gov.au/nla.news-article229476396 

Australian Associated Press. LONDON, Saturday. Joseph Gillott, 88, composer of "Sons of the Southern Seas," has died.


Literary musical works and other resources:

Mr. Joseph Gillott's three concerts: annotated programmes, with hints aesthetical and technical, for the practice and performance of the various works, for the use of pianoforte students (Melbourne: Stillwell and Co., [1887])

https://trove.nla.gov.au/work/16501736

Joseph Gillott archive; collection of printed and manuscript music scores, letters and scrapbook; National Library of Australia

https://trove.nla.gov.au/version/228401690 

For more (including digitised UK archive content from the Australian Joint Copying Project):

https://trove.nla.gov.au/search/category/correspondence?keyword=Gillott+Joseph 


Musical works (digitised):

https://trove.nla.gov.au/search/category/music?keyword=Gillott+Joseph 




GILMORE, Richard (Richard Barnsley GILMORE; frequently GILMOUR)

Musician, piper, bagpipe player, violinist, musical instrument maker

Born Ireland, c. 1839; son of William GILMORE (d. VIC, 1860) and Margaret JARDINE (d. VIC, 1893)
Arrived Melbourne, VIC, 28 January 1842 (per Robert Benn, from Greenock)
Married Catherine PHELAN (c. 1847-1907), Melbourne, VIC, 17 July 1869 [reg. 3109]
Arrived Melbourne, NSW (VIC), c. 1840
Died Carlton, VIC, 12 April 1884, aged 45

https://trove.nla.gov.au/search?l-publictag=Richard+Gilmour+d1884 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GILMORE-Richard (shareable link to this entry)

ASSOCIATIONS: John Devereux (violin maker)


Documentation:

[Advertisement], The Argus (26 September 1865), 8

http://nla.gov.au/nla.news-article5771727 

PUBLICAN'S LICENCE. - I, RICHARD GILMORE,
now residing at Brown's-hill, Footscray-road, in the county of Bourke, do hereby give notice that it is my intention to apply to the justices sitting at the Court of Petty Sessions to be holden at Footscray on the 4th day of October, 1865, for a CERTIFICATE authorising the issue of a PUBLICAN'S LICENCE for a house situated at Brown's-hill, Footscray-road, containing two sittingrooms and two bedrooms exclusive of those required for my family.
The house is not now licensed, and is to be known under the sign of Gllmore's Hotel, and is owned and occupied by me.
RICHARD GILMORE. September 20, 1865.

"FOOTSCRAY", The Herald (5 October 1865), 4

http://nla.gov.au/nla.news-article244471101 

Richard Gilmore, residing at the foot of Brown's Hill, on the Swamp road, made application for a publican's license. Granted.

[Advertisement], The Age (8 September 1871), 1

http://nla.gov.au/nla.news-article203017064 

NOTICE of APPLICATION for a PUBLICANS' LICENCE - To the Licensing Magistrates at Footscray. -
I, RICHARD GILMORE, Musician, of Brown['s Hill], Footscray-road, do hereby give notice that I desire to obtain and will at the next licensing meeting APPLY for a PUBLICAN'S LIOENCB for a house situate at Brown's-hill, Footscray-road, containing six rooms exclusive of those required for the use of the family, to be known as Gilmore's Point Hotel. The 23rd day of August, A.D. 1871.
RICHARD GILMORE, Applicant.

[Advertisement], The Age (28 June 1873), 3

http://nla.gov.au/nla.news-article198577248 

GILMORE'S POINT HOTEL.
Footscray-road, near North Melbourne Railway Station.
By RICHARD GILMORE, Musician.
Quadrille Bands furnished for Town or Country.
Musical Instruments repaired. Maker and Teacher of Highland and Union Bagpipes.

"MUSICAL AND SCIENTIFIC INSTRUMENTS", The Age (3 September 1875), 3

http://nla.gov.au/nla.news-article202171862 

. . . A handsome set of Highland bagpipes, carved in ebony, with silver and ivory mountings, is forwarded by the maker, Mr. Richard Gilmour, for exhibition . . .

"THE VICTORIAN EXHIBITION OF 1875", The Argus (3 September 1875), supplement

http://nla.gov.au/nla.news-article11523124 

. . . For those who admire bagpipes, Mr. Richard Gilmour, of the Swamp road, Footscray, tends a very handsome looking set of Scotch bagpipes . . .

"MELBOURNE INTERNATIONAL EXHIBITION . . . VICTORIA. MUSICAL INSTRUMENTS", The Argus (23 December 1880), supplement 58

http://nla.gov.au/nla.news-article5965445 

. . . Richard Gilmore, of 21 Cardigan street, Carlton, shows two violins and a Highland bagpipes, which latter is quite a pretty and even an innocent-looking instrument so long as it is locked up in a glass case . . .

[Advertisement], The Age (1 October 1881), 8

http://nla.gov.au/nla.news-article201985982 

RICHARD GILMORE, Musician, Violin and Bagpipe Maker, 21 Cardigan-street, Carlton. Bands provided.

"DEATHS", Leader (19 April 1884), 42

http://nla.gov.au/nla.news-article197968553 

GILMORE - On the 12th April, at his residence Cardigan-street, Carlton, Mr. Richard Gilmore , musician, aged 45 years.

"DEATH OF A MUSICIAN", Bendigo Advertiser (10 May 1884), 2

http://nla.gov.au/nla.news-article88999214 

The admirers of our popular Caledonian gatherings will hereafter at the annual fetes miss the wearer of the Gordon tartan, Mr. Richard Gilmour, who has now gone over "to the great majority." As an all round piper he had few equals. The great Highland and Irish pipes were his forte, while on the violin he was no mean proficient. He was the only pipe-maker in the colonies. His last production in the shape of a violin was lately purchased from him by Mr. Moorhead, of Sailor's Gully, for twenty guineas.

[News], Gippsland Times (20 October 1884), 3

http://nla.gov.au/nla.news-article61920293 

"JOHN DEVEREUX, VIOLIN MAKER. TO THE EDITOR OF THE AGE", The Age (6 July 1929), 4

http://nla.gov.au/nla.news-article204105807 

Sir, - Since writing on the above matter last year certain facts have come to light which some of your readers may confirm or otherwise. I have from Mr. Windebank, of Fitzroy, violin expert, who was a friend of the late John Brown, violin maker, of Swanston-street, that there was a workman pupil of Devereux, named Gilmour, who, of course, used Devereux's moulds and who left "more wood than usual" in Devereux's violins. Brown once showed Windebank on of these bearing the name "Gilmour" on the ribs inside, and at the time Brown pointed to the reason for the extra thickness of wood. The name Gilmour was in addition to Devereux's label. So these violins may be called Gilmour-Devereux violins, and will be the more highly prized ones.
Yours, &c. A. DE CHIMAY, 2nd July.

ASSOCIATIONS: Arthur Windebank (1875-1945), son of John Edward Windebank (c. 1841-1916), who was also a violin dealer and repairer, see "A VALUABLE VIOLIN", The Herald (19 August 1890), 2

http://nla.gov.au/nla.news-article242126221 

"JOHN DEVEREUX, VIOLIN MAKER. TO THE EDITOR OF . . .", The Age (27 July 1929), 4

http://nla.gov.au/nla.news-article204102233 

Sir, - Mr. A. Windebank, violin expert, of Fitzroy, is now making inquiries into the facts connected with Gilmour's association with Devereux, and will try to elicit the traditional thicknesses of wood observed by Gilmour whilst in the employ of Devereux. Mr. Windebank says the time is getting late, as those persons who know, or know, the facts have passed away, or are rapidly passing, or their memories are failing. - Yours, &c.
A. DE CHIMAY.

"AUSTRALIAN VIOLINS", The Herald (3 October 1931), 8

http://nla.gov.au/nla.news-article242778210 

. . . I have in my possession a Devereaux violin made by that maker in 1860, when he lived at 18 Marion Street, Collingwood. It was originally owned by my father, and was purchased nearly 40 years ago. It might be interesting to note, also, that Devereaux had an apt pupil in one Gilmour, who afterwards also made several good violins of blackwood . . .
OSCAR FLIGHT, JR. Bendigo, October 2.


Bibliography and resources:

Alan Coggins, Violin and bow makers of Australia ([Blackheath]: For the author, 2009), 88-89

https://trove.nla.gov.au/work/35293082 

https://webarchive.nla.gov.au/awa/20120317073016/http://www.abcviolins.com/ozmakers.html (DIGITISED short entry summaries archived at Pandora)




GILSCHER (of Gilscher's German Band) = Peter GILCHER



GINGEY, Mr. (Mr. GINGEY; ? = John Wheeler GIGNEY)

Violinist

Active Daylesford, VIC, 1857-58

https://trove.nla.gov.au/search?l-publictag=Mr+Gingey+violinist+1857-58 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GINGEY (shareable link to this entry)


Documentation:

"DAYLESFORD. Public Amusements", Mount Alexander Mail (4 December 1857), 4

http://nla.gov.au/nla.news-article197089228 

The Operatic Company, with Miss Julia Harland at its head, appeared on Monday evening last, at the Mount Franklyn Hotel, before a respectable and delighted audience. The party had been travelling all day, and were much fatigued; there was, however, no lack of energy. The musical and dramatic parts were well sustained, and drew down thunders of approbation. At the conclusion of the performances, Messrs. Schrerder [sic] and Gingey, two well known musicians, who are under an engagement at the hotel, kept the audience in mirthful excitement till the break of morn.

ASSOCIATIONS: Julia Harland (vocalist)

"DAYLESFORD. Musical", Mount Alexander Mail (22 January 1858), 4

http://nla.gov.au/nla.news-article197086310 

It is with some regret we have to announce that the talented Harpist, so long engaged at the Mount Franklyn Hotel, is about leaving us for Melbourne. The gentlemanly conduct of this musician has ensured the respect of all with whom he has associated. Mr. Schroeder has since he left England been accompanied by Mr. Gingey, (a most excellent violinist), who is equally a favorite with the people here, and a separation under any circumstances is a misfortune. It is hoped that a re-union will in a short time take place. Mr. Woodin, pianist, has seceded from the establishment of Mrs. Brougham. This gentleman will doubtless soon meet with another engagement.

ASSOCIATIONS: Frederick Woodin




GIORZA, Paolo (Paolo GIORZA)

Pianist, conductor, teacher, composer

Born Milan, Italy, 11 November 1832
Arrived Sydney, NSW, 15 December 1871 (per Nevada, from Honolulu, 20 November, via Auckland, 9 December, with Agatha States' company)
Departed Sydney, NSW, 21 July 1883 (per Caledonian, for Europe)
Died Seattle, Washington, USA, 4 May 1914

https://trove.nla.gov.au/search?l-publictag=Paolo+Giorza (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-34091 (NLA persistent identifier)

http://nla.gov.au/nla.party-501609 (NLA persistent identifier)

https://en.wikipedia.org/wiki/Paolo_Giorza (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIORZA-Paolo (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

[News], The Argus (14 September 1871), 5

http://nla.gov.au/nla.news-article5855263

. . . Madame States left New York on the 10th instant for San Francisco, in company with Grizziolla Ridgway, a soprano, who has lately achieved much success, and the celebrated tenor Cecchi, together with Susini, basso, Orlandini, baritone, who have already established reputations in that city, and Signor Giorza, the celebrated composer and director. After a short season in San Francisco, the States company was to leave for Australia, and was expected at Auckland by the next steamer of the Webb line.

"Shipping. ARRIVALS", Evening News (15 December 1871), 2

http://nla.gov.au/nla.news-article129962615 

December 15. Nevada (s), 2100 tons, Blethen, from Honolulu 20th November, via Auckland 9th inst. Passengers - Madame States, Miss E. Mandeville, Signor Biscoconte, Signor Orlandine, Signor Lutine, Signor Cecelia, Signor Georgia [sic] . . .

"ANOTHER OPERA COMPANY", The Sydney Morning Herald (16 December 1871), 6

http://nla.gov.au/nla.news-article13249315

"MADAME STATES' SECOND CONCERT", The Sydney Morning Herald (30 December 1871), 4

http://nla.gov.au/nla.news-article28417140

[News], The Argus (21 December 1872), 5

http://nla.gov.au/nla.news-article5844892

"INTERCOLONIAL MUSICAL FESTIVAL", The Argus (28 December 1872), 5

http://nla.gov.au/nla.news-article5845237

[complete text of Proi]

"MR. COPPIN'S BENEFIT CONCERT", The Argus (13 January 1873), 6

http://nla.gov.au/nla.news-article5846168

"THE INTERNATIONAL EXHIBITION", The Sydney Morning Herald (5 July 1879), 3

http://nla.gov.au/nla.news-article13437763

"SIGNOR GIORZA'S CANTATA", The Sydney Morning Herald (15 March 1880), 7

http://nla.gov.au/nla.news-article13455871

"Paolo Giorza", Australian Town and Country Journal (6 March 1880), 17

http://nla.gov.au/nla.news-article70941764

"SIGNOR GIORZA'S FAREWELL CONCERT", The Sydney Morning Herald (7 July 1883), 10

http://nla.gov.au/nla.news-article13538481

"THE LATE C. S. PACKER", The Sydney Morning Herald (16 July 1883), 3

http://nla.gov.au/nla.news-article13539280

"SHIPPING INTELLIGENCE", South Australian Register (30 July 1883), 4

http://nla.gov.au/nla.news-article43477969

CALEDONIEN, steamer, Messageries Maritimes line, 2,674 tons, J. B. Tillier, master, from Sydney July 21, Melbourne 26 . . . Passengers . . .
For Marseilles: . . . . Mr. and Mrs. Giorza . . .

"AUSTRALIAN PATRIOTIC SONGS", The Sydney Morning Herald (23 January 1888), 6

http://nla.gov.au/nla.news-article13673231

"A JOKE ON VERDI", Traralgon Record (16 October 1914), 5

http://nla.gov.au/nla.news-article67462734


Musical works (most digitised):

https://trove.nla.gov.au/search/category/music?keyword=Giorza+Paolo 


Bibliography and resources:

John Carmody, "Giorza, Paolo (1832-1914)", Australian dictionary of biography supp (2005)

http://adb.anu.edu.au/biography/giorza-paolo-12937

Nadia Carnevale, "Giorza, Paolo, Dizionario biografico degli Italiani 55 (2001)

http://www.treccani.it/enciclopedia/paolo-giorza_(Dizionario-Biografico)




GIPPS, George (George GIPPS)

Musical patron, dedicatee, governor of NSW

http://nla.gov.au/nla.party-475369 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIPPS-George (shareable link to this entry)

GIPPS, Elizabeth (Elizabeth RAMSEY; lady GIPPS; dame Elizabeth GIPPS)

Musical patron, dedicatee

Born UK, c. 1797
Married George Gipps, St Mary Bredin, Canterbury, 1830
Arrived Sydney, NSW, 24 February 1838 (per Upton Castle, from London, 16 October 1837)
Departed Sydney, NSW, 10 July 1846 (per Palestine, for England)
Died London, England, 11 July 1874, aged 77

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIPPS-Elizabeth (shareable link to this entry)


Documentation:

Journal, Robert William Wrede, extracts, per Upton Castle, Portsmouth, 16 October 1837, to Sydney, 23 February 1838; National Library of Australia, MS 9929

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n8/mode/1up (DIGITISED)

Monday 16th Octover 1837 . . . proceed to the Upton Castle, which we joined at about 1/2 past 2 o'clock . . . after having waited in vain for the Governor, we sat down to Dinner, which Marshall took care to inform us, was uneceptionable; we had Champagne, Port, & Sherry, and that of the best. While we were at Dinner, the Governor & his Lady & little boy entered the Ship; the Governore is a determined looking man of about 55 years old - tall & thin; - Lady Gipps is rather pretty

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n9/mode/1up (DIGITISED)

of about 36 years, the Son, a beautiful child, is 5 or 6 years old. We set sail immediately after dinner, about 6 o'clock . . .

Wednesday 18th . . . Had my Piano Forte & Seraphine removed outside into the large Cabin - made acquaintance with several Fellow Passengers - very few at Table today . . .

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n10/mode/1up (DIGITISED)

Thursday 19th October 1837 . . . In the Evening I did my best on the Piano Forte and Seraphine, and deeply regretted that it was no better as I had the whole of the Cabin Passengers & Officers, as an audience; afterwards procured a Lad out of the Steerage who played exceedingly well . . .

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n13/mode/1up (DIGITISED)

[Monday 23 October] . . . In the evening while I was having a hand at whist with the 1st Officer, the Governor's nephew, and Mr. Myer, in my own Cabin; we heard the music strike up to a dance - this was not to be withstood - the cards were thrown down and we ran; I did not attempt it myself, but derived satisfaction from watching the others foot it for 3 hours to a fiddle and fife; it was a very interesting sight to see such a strange medley; Cabin Intermediate & Steerage Passengers together with Sailors, Officers & Servants, all enjoying it with all their hearts; the Captain was the promoter of the fun; there is also some talk of getting up a play . . .

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n21/mode/1up (DIGITISED)

Wednesday Nov'r 1st 1837 [at sea] . . . In the evening, had some Singing, and Piano-Forte playing . . .

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n22/mode/1up (DIGITISED)

Monday Nov'r 6th 1837 . . . Had a Dance this evening, but in consequence of the ill behaviour of the Girls, when in Madeira, not one of the Cuddy [cabin] Passengers would dance with them, so that it was but a misreable turn out.

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n23/mode/1up (DIGITISED)

Wednesday 8th Nov'r 1837 . . . Had a Dance this Evening; the best turn out we have had yet, as only 2 female Steerage Passengers were admitted; the party being composed of Cabin and Intermediate.

Friday 10th . . . In the evening we had some fine Dancing, even Quadrilles were attempted.

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n29/mode/1up (DIGITISED)

Wednesday 22nd Nov'r 1837 . . . In the evening our Cabin Passengers favoured us with a dance; even Lady Gipps did not think it beneath her dignity of join us in a Quadrille.

https://nla.gov.au/nla.obj-547211304/view?partId=nla.obj-550098215#page/n53/mode/1up (DIGITISED)

Thursday 22nd Feb'y 1838 [approaching Sydney] . . . Every body is busy packing up; I am ready of land at one hour's notice; I have removed my Piano and Seraphine into my cabin . . .

Friday 23rd [outside Sydney Heads] . . . At 12 A.M. a Steamer was in sight . . . the boat was at Sir George's service. We therefor hastened to dress and dine . . . After dinner, the Cabin passengers and Sir Geo.'s family were rowed to the Steamer . . . We did just anchor within the heads of the Cove before dark.

ASSOCIATIONS: Robert William Wrede (diarist, musician, musical instrument importer)

List of passengers on board the Upton Castle, Thomas Williams, Commander, arrived Sydney, February 1838; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/1210/images/imaus1787_081198-0056 (PAYWALL)

Cabin - Sir Geo. Gipps, Lady Gipps . . .
Rev'd Jno. Brady, [Rev'd] Ja's Gould . . . John Walton [sic], Mr. Wrede . . .
Steerage . . . Mrs. Walton, Seamstress / 53
Sophia Walton / Governess / 18
Mr. Humphrey [Walton] / Teacher [of] Music / 19 . . .
George Boulton / [Tailor] / 21 . . .

ASSOCIATIONS: James Alipius Goold (clergyman); John Brady (clergyman); Robert William Wrede (musical instrument importer); Humphrey Walton (musician); Henry Walton [sic, unrelated] (commission agent); George Boulton (tailor, musical amateur)




GIRARD, Francis (François Napoleon GIRARD; Francis GIRARD; alias DE LISLE)

Dancing master, convict, baker, entrepreneur, merchant, pastoralist

Born Normandy, France, 1792/93
Arrived Sydney, NSW, 22 September 1820 (convict per Agamemnon, age 27, from London, 22 April)
Married Mary HAYES, Roman Catholic chapel, Sydney, NSW, 1824
Died Walcha, NSW, 16 November 1859

https://trove.nla.gov.au/search?l-publictag=Francis+Girard (TROVE TAGGED)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIRARD-Francis (shareable link to this entry)


Girard's and Barker's mills, Woolloomooloo Hill, detail of oil painting by George Edwards Peacock, 1845; State Library of New South Wales

Girard's and Barker's mills, Woolloomooloo Hill, detail of oil painting by George Edwards Peacock, 1845; State Library of New South Wales

http://archival.sl.nsw.gov.au/Details/archive/110318458 


Documentation:

"SWINDLING A LA FRANCOISE", Newcastle Courant (2 Oct 1819)

On Monday week Messrs. Fearn and Littler, jewellers, in the Strand, were swindled out of a lever escapement gold watch, and a double bottomed engine turned fold watch under the following ingenious, but daring contrivance: - On the Saturday preceding the execution of the plan, a young Frenchman, of dashing appearance and pleasing address, went to Messrs. Fearn and Littler's shop, and requested, through the medium of an interpreter, by whom he was accompanied, to be shewn some silver forks and spoons. Several patterns were immediately exhibited, some of which fixed his attention, and he went away, promising to call on the Monday following, and give an order for the number he wanted. On the Monday he was punctual to his appointment; he came, but was attended by a new interpreter. The spoons and forks were again called for, and again produced, when, after an apparent difficulty in making his choice, he selected a dozen of each, which he desired to be put aside. He then chose a plated tea-pot, ewer, and other articles, of which he desired a bill to be made out. He next asked to see a handsome gold chain and seal. An elegant assortment was presented to his view, and, in a short time, he fixed upon a chain and seal of the most expensive description. His enquiries were then directed to the price of some gold watches, hanging in the window. Two were instantly handed forth, but they, were both so desirable in their appearance, that he did not know which to choose. He appealed to Mr. Littler, and asked him which he would recommend. Mr. Littler answered that they were both equally good. He then requested to know if there was any objection to sending them up to his lodgings in Frith-street, Soho, in order that they might be shewn to a friend of his, upon whose judgment he could rely. There was not the slightest objection; upon which he directed that the silver and other articles, and the account, together with the watches, chain, and seal, might be sent by twelve o'clock, as his friend might be out; after which he took his departure. A shopman was soon afterward sent to the appointed place, and was shewn into an elegant drawing-room, where the Gallic customer and his interpreter were seated. It was now half past twelve and Mr. Francois Girard (the name by which he described himself) appeared very much vexed at the delay which had taken place beyond the time appointed; but desired that he might be allowed to take the watches into another room, to shew to his friend. The shopman, not having the slightest suspicion of deceit, consented to part with the watches, and took his seat in the same room with the interpreter. Mr. Girard had not long retired, when a messenger from the lady of the house, requested the shopman to join her in another room. He obeyed the summons, and on being introduced to the lady, was asked whether he knew anything of Mr. Girard. He answered in the negative, and expressed some surprise at the inquiry; when the lady said that she was equally ignorant of his character, as he had only come to her house on the Saturday preceding, and had introduced himself by presenting a card from Messrs. Howes, Hall, and Co silk merchants, in Fleet-street. She concluded by intimating a hope that he had not got any property belonging to the shopman's employers, as he had just gone out in a hurry. The shopman, in great alarm, answered that he had got two gold watches, and instantly returned to the drawing room, suspecting the interpreter had gone off with the remainder of the property. To his satisfaction, however, he found both the interpreter and the other articles safe. On interrogating the interpreter, that gentleman professed himself to be as ignorant of who Mr. Girard was as the landlady, having only seen him that morning for the first time. Every inquiry has since been made for the accomplished thief, but without success. His passport was found at the alien office, and he is there well known; but this is all the discovery that has been made, save from a communication with his first interpreter, who had accompanied him to a vast number of shops in a way similar to his visit at Messrs. Fearn and Littler's, no doubt preparatory to a more extended system of depredation. He obtained the address of his landlady in Frith-street, by accidentally mentioning that he was on want of lodgings in the shop of Messrs. Howes and Co., to whom she was personally known. He had previously lodged with a grocer in Piccadilly, and professed not to be able to speak a word of English. His description has been lodged at the house of the French ambassador, and there is every probability that he cannot long escape detection.

"331. FRANCOIS GERARD", 12 January 1820, Old Bailey Proceedings Online

http://www.oldbaileyonline.org/browse.jsp?div=t18200112-121

331. FRANCOIS GERARD was indicted for stealing, on the 13th of September, in the 60th year of our Lord the King, two watches, value 40l., the goods of John George Fearn and Joseph Littler.
COURT. The 60th year of the King has not arrived, therefore this indictment is not good.
NOT GUILTY. First Middlesex Jury (Half Foreigners), before Mr. Recorder.

"443. FRANCOIS GERARD", 17 February 1820, Old Bailey Proceedings Online

http://www.oldbaileyonline.org/browse.jsp?&div=t18200217-94 

FRANCOIS GERARD, Theft, grand larceny, 17th February 1820. 443. FRANCOIS GERARD was indicted for stealing, on the 13th of September, two watches, value 40l., the goods of John George Fearn and Joseph Litteler. For the Prosecution, MR. DOWLING.

JAMES CHANDLER. I am in the employ of Messrs. John George Fearn and Joseph Litteler, who are jewellers, and live in the Strand. On Saturday, the 11th of September, the prisoner came to the shop with an interpreter, and desired to see some spoons and forks, and two gold watches; he said he would not decide on them; I saw him again on Monday with a fresh interpreter, when he desired to see the spoons and forks he had seen on Saturday; he fixed on them, and desired to see some plated goods, saying he was going to housekeeping, and could not afford silver. He ordered a sugar-bason, milk-pot, and a gold watch, chain, seal, and key, in all they came to 54l. He then asked to see some gold watches, and I produced the two he had seen; he said he did not understand watches, but if I would send them to his lodgings, No. 6, Frith-street, he had a friend there, and he would determine which he would take. I took them myself in about an hour, and saw him with the interpreter; I put them on the table. He asked, through the interpreter, if I would allow him to take the watches to a friend in the next room? I said, "Certainly," and gave them to him. As soon as he left the room the interpreter asked me if I knew him? I said No - he never returned. I inquired, and found he had escaped out of the house; I did not see him again until the 2d of December, when I apprehended him at Bath. I found one watch in pledge at Bath, and saw the other at Bow-street; I should not have parted with them without the money. He had ordered the spoons and forks to be engraved.

THOMAS BROWN. On the 13th of September I was shopman to Mr. Chasseroe, who is a pawnbroker, and lives in Marylebone-street. The prisoner pledged a gold watch with me between two and three o'clock in the afternoon, in the name of Delisle. (Property produced and sworn to.)

WILLIAM LEE. I am a Bow-street officer. On the 2d of December I apprehended the prisoner at Bath, where he lodged in a garret by the name of Captain Delisle, and brought him to town. When we were at Reading he asked leave to get of the coach, and immediately ran away, but I secured him.

Prisoner's Defence. I agreed to buy the watches on credit. When I left the room I received a letter from a friend, who I expected some money from, and was obliged to set off for Bristol. I did not think proper to write to the prosecutor till I could pay him.

GUILTY. Aged 26.

Transported for Seven Years .

Second Middlesex Jury, before Mr. Common Sergeant.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (28 October 1820), 2

http://nla.gov.au/nla.news-article2179848 

FRENCH LANGUAGE AND DANCING. - M. GIRARD, of Paris, presenting Compliments to the Families of Sydney, most respectfully informs them that he gives Instruction in his native language, and also in quadrilles, waltzes, &c.
All kind of elegant dances, at Mr. Nott's Academy, 44, Castlereagh street; and those Families, who desire it, may be waited on at their own houses.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (2 December 1820), 4

http://nla.gov.au/nla.news-article2179917 

F. GIRARD, lately from Paris, No. 75, Pitt-street, begs most respectfully to offer his Services to the Ladies and Gentlemen of the Colony, as Teacher of the FRENCH LANGUAGE grammatically; also, Waltzes, Quadrilles, &c.
All kinds of elegant Dances, the same as now taught at Paris - F. G. will either receive Pupils at his Residence, or attend such as may wish it at theirs.
N. B. - Lewis Chambaud's French and English Dictionary, in 4 vols, for sale. This valuable work is too well known to require any comment.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (20 January 1821), 4

http://nla.gov.au/nla.news-article2180018

SYDNEY ACADEMY, Macquarie-street. -
From the Suggestions of some respectable Personages
MR. WOOD has been induced to engage a Person, perfectly qualified, to instruct Pupils in the graceful Accomplishment of
DANCING, which is considered so necessary to the acquirement of a becoming demeanour.-
Terms, per Week, 2s. 6d. each; and the Days of Attendance are appointed for Tuesdays and Thursdays, at five o'Clock in the Afternoon. -
No Pupil will be received for a less Term that three Months -
The Person engaged, is M. GIRARD, a native of Paris.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (3 March 1821), 2

http://nla.gov.au/nla.news-article2180119

A CARD. - FRANCIS GIRARD, with every Respect, begs Leave to inform the Gentlemen of the Colony, that it is his Intention to give Lessons in Fencing, and will be happy in being honored with their Commands.
F. G. as usual gives Lessons in the French Language and in Dancing. -
Application to be made at the Sydney Academy, Macquarie-street.
N. B.- For Sale, Chambaud's Dictionary, French and English, in 4 Volumes.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (25 August 1821), 2s

http://nla.gov.au/nla.news-article2180432

FRENCH DANCING AND FENCING. - F. GIRARD most respectfully submits his acknowledgment for the patronage already received, and begs to announce to Parents, Guardians, and the Public, that he has taken a suitable Room where he purposes teaching the above.
Letter, or verbal Messages, left at the residence of F. G. No. 19, George-street, will meet due attention.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (24 November 1821), 4

http://nla.gov.au/nla.news-article2180609 

A CARD.-At the Desire of some respectable Personages, M. GIRARD (a Native of Paris), has made an agreement to give LESSONS in the French Language, Dancing, &c. on certain Days in the Week, at Parramatta, Liverpool, and Windsor.
Such Ladies and Gentlemen as would wish to have their Children taught, may be assured, that by his care and assiduity, they will become proficients in a very short time.
N. B.- No Engagement entered into for a less term than three months.-
Particulars may be known on application at his Residence, No. 71, Market-street.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (14 April 1825), 1

http://nla.gov.au/nla.news-article2183927 

FRENCH LANGUAGE AND DANCING. QUADRILLES, COUNTRY DANCES, WALTZES, &c. TAUGHT AT No 4, MACQUARIE.STREET. MONSIEUR GIRARD, in presenting his sincere Thanks to the Public for the very liberal Encouragement which he has uniformly experienced, begs to suggest the Advantage which Ladies and Gentlemen would derive, by being finished a few Days previous to any Ball, with select Quadrilles, &c. in exercising which Mistakes would be effectually prevented. As M. G. has a thorough knowledge of the Manner in which French and English Balls are conducted, he respectfully offers his Services for this Purpose, and will undertake to conduct them in the finest Style. N.B.- As many Ladies and Gentlemen, who are somewhat advanced in life, may have, from a variety of causes, neglected to acquire a proper Knowledge of Dancing, M. G. would undertake to teach, in three months, so that they might appear in the Ball-room with perfect grace.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (21 April 1825), 4

http://nla.gov.au/nla.news-article2183940

FRENCH LANGUAGE AND DANCING, QUADRILLES, COUNTRY DANCES, WALTZES, &c. TAUGHT AT No. 4, MACQUARIE-STREET.
MONSIEUR GIRARD, in presenting his sincere Thanks to the Public for the very liberal Encouragement which he has uniformly experienced, begs to suggest the Advantage which Ladies and Gentlemen would derive, by being furnished, a few Days previous to any Ball, with select Quadrilles, &c. in exercising which Mistakes would be effectually prevented.
As M. G. has a thorough knowledge of the Manner in which French and English Balls are conducted, he respectfully offers his Services for this Purpose, and will undertake to conduct them in the finest Style.
N. B. - As many Ladies and Gentlemen, who are somewhat advanced in life, may have, from a variety of causes, neglected to acquire a proper Knowledge of Dancing, M. G. would undertake to teach such, in three months, so that they might appear in a Ball-room with perfect grace.

"Public Notice", The Sydney Gazette and New South Wales Advertiser (21 April 1825), 1

http://nla.gov.au/nla.news-article2183945

. . . CONDITIONAL PARDON - Agamemnon - Francis Girard, alias de Lisle . . .

[Advertisement], The Sydney Gazette and New South Wales Advertiser (13 September 1826), 1

http://nla.gov.au/nla.news-article2186528

A NEW PLAN. FOR the Convenience and Comfort of the Ladies and Gentlemen of Sydney.
M. GIRARD requests to announce to the Gentry that from and after Monday next, he intends to OPEN a COFFEE ROOM, à la Françoise, where Pastry and Refreshments of any kind will he obtained.
In order to secure the ready and entire Patronage of the ladies and Gentlemen of Sydney Mr. G will spare no Pains to render his Coffee Room a Place of fashionable Resort.
Sept. 12, 1826.

"CASE OF ASSAULT", The Australian (25 July 1827), 3

http://nla.gov.au/nla.news-article37072385 

Francis Gerard, a master baker, was brought up yesterday on a warrant issued against him for an assault on Mr. Peter Rapsey . . .

[News], The Monitor (13 September 1827), 7

http://nla.gov.au/nla.news-article31758882 

MR. GIRARD's fine mill, adjoining Barker's, is nearly completed. The two mills are very similar in appearance. What with Mr. McLeay's improvements, the mills, and two or three contemplated buildings by several gentlemen who have received allotments there, Woolloomoolloo Point will soon lose its primitive appearance.

"St. Patrick's Day", The Sydney Gazette and New South Wales Advertiser (19 March 1828), 3

http://nla.gov.au/nla.news-article21900981828 

A numerous party assembled on Monday evening last, at Mr. Girard's (the late Sydney Hotel) to celebrate the festival of St. Patrick, by indulging in the pleasures of a good dinner, and a social glass. Mr. Arthur Hill officiated as President on the occasion, and Mr. Samuel Clayton, as Vice . . . The utmost harmony prevailed to an advanced hour of the evening, when the party separated.

"Deaths", The Armidale Express and New England General Advertiser (19 November 1859), 2

http://nla.gov.au/nla.news-article189984290 

On the 16th instant, at his residence, Branga Park, Walcha, New England, Francis Girard, Esq., aged 67 years.

"Mrs. J. Horniman", The Courier-Mail (10 July 1934), 25

http://nla.gov.au/nla.news-article36720854

A link with the early history of Sydney and the Clarence and Richmond Rivers was severed at Bondi, Sydney, by the death of Mrs. Emma Horniman, widow of Mr. John Horniman, who opened the first bank (the Commercial of Sydney) at Lismore in 1873. Mrs. Horniman, who was 90 years of age, was born in Sydney. Her father, the late Mr. Francis Girard, selected Waterview (above Grafton), the first pastoral holding taken up on the Clarence. He took his cattle to the river by steamer. Later, Mrs. Girard bought Lismore station, now the site of the city of Lismore. The Girards also selected Dungarubba, a big cattle station on the Lower Richmond River, but at Dungarubba their herd was drowned in the big flood of 1866.


Bibliography and resources:

Girard family, photographs of Bandjalang [Bundjalung] people, Richmond River, N.S.W., ca. 1865; State Library of New South Wales

http://www.acmssearch.sl.nsw.gov.au/search/itemDetailPaged.cgi?itemID=439934 

J. Waldersee, "Emancipist in a hurry: Francis Girard", Journal of the Royal Australian Historical Society 54/3 (1968), 238-55

Kenneth R. Dutton, "A colonial entrepreneur: François Girard (?1792-1859)", Explorations 39 (December 2005), 3-36

https://trove.nla.gov.au/work/39357396

https://www.isfar.org.au/wp-content/uploads/2016/10/39_KENNETH-R.-DUTTON-A-Colonial-Entrepreneur-Francois-Girard-1792-1859.pdf 

Kirsty Harris, "Girard's wharf", Dictionary of Sydney (posted 2010)

http://dictionaryofsydney.org/entry/girards_wharf 

Heather Clarke, "The quadrille arrives", Australian Colonial Dance (posted 8 February 2013)

http://www.colonialdance.com.au/the-quadrille-arrives-1097.html 

"François Girard, dancing master, convict" (posted 28 October 2013)

http://www.colonialdance.com.au/francois-girard-dancing-master-convict-1608.html 




GIRLE, Thomas Rosewell (Thomas Rosewell GIRLE; Tom GIRLE junior)

Musician, bandsman (The Tasmanian Band), sax-contrabass player, sadler

Born England; baptised Wolsingham, Durham, 25 November 1827; son of Thomas Rosewell GIRLE and Mary Martha EDWARDS
Arrived Hobart Town, VDL (TAS), 3 February 1836 (per Boadicia, with mother, brother Samuel, and sister Mary Ann)
Married Mary GILLAN (1829-1906), VIC, 1849
Active Launceston, TAS, by 1851
Died Glen Innes, NSW, 15 April 1901

https://trove.nla.gov.au/search?l-publictag=Thomas+Rosewell+Girle+1827-1901 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GIRLE-Thomas-Rosewell (shareable link to this entry)


Documentation:

"PUBLIC MEETING AT THE TEMPERANCE HALL", The Cornwall Chronicle (25 March 1854), 5

http://nla.gov.au/nla.news-article65714510

The Rev. Charles Price delivered an interesting address at the Temperance Hall, on Tuesday evening last. The subject was the "Maine Liquor Law." The inclement state of the weather accounted for the thin attendance. The Tasmanian Band, under the supervision of Mr. Walker, played some select airs of his arrangement. Mr. T. R. Girle's performance on the Sax-Contra Bass, was not only creditable to himself, but to Mr. Walker, who has introduced the differently constructed sax-horns into the band.

ASSOCIATIONS: George William Walker; The Tasmanian Band

"POLICE OFFICE . . . Sueing for Maintenance - A Peculiar Case", The Cornwall Chronicle (11 February 1857), 4

http://nla.gov.au/nla.news-article65725378

Another strange case was brought before the Mayor, Captain Reid, J. Robertson, and J. C. Weedon, Esq., at the Police-office, on Friday. It was a demand on the part of Mrs. Mary Martha McLeod, of the Infant School, on her husband, Mr. James McLeod, builder, for maintenance. The Rev. J. Lindsay, Rev. Mr. Law, Mr. Thomas Button, Mr. James Smith, of Wellington-street, Mr. Tevelein, and other witnesses were examined, and from their evidence it was shown, that the plaintiff arrived in this colony many years back, as Mrs. Girle, and was subsequently married to defendant, with whom she lived until the appearance in town, last year of Mr. Thomas Girle, her former husband, who she had reason to believe was dead. In consequence of Mr. Girle having called upon her, she informed Mr. Button that she would have to leave the Infant School, and at her instance Mr. McLeod invited a conference at his house, consisting of the Rev. Messrs. Garrett, Law, and Lindsay, and Mr. Thomas Button, who drew up a minute recommending the separation of plaintiff and defendant, the latter to allow her a maintenance of £1 per week on condition that she should not go near him to annoy him . . . The plaintiff at one time admitted that her first husband (Girle) had called at her residence - told her who he was - said he came to have a look at her, and burst out laughing. Subsequently she doubted whether the person who had done so was her first husband. Mr. J. Smith said he knew Thomas Girle, a currier, in London, in 1837, who had called at his shop, some time last year, and he gave him employment at his Tannery, in Wellington-street, and saw that Thomas Girle, in company with young Tom Girle, who was then working at Mr. Tevelein's. Other portions of the evidence went to show, that Thomas Girle, junior, and another young man, in court, were acknowledged by the plaintiff as her children, she had also a daughter. The bench decided that as they had proof of the plaintiff's marriage with defendant, and none of the alleged previous marriage with Girle, they would grant an order for the same amount of maintenance formerly agreed to by Plaintiff himself - viz, £1 per week, and that it should be paid weekly through that court.

"Death", Glen Innes Examiner and General Advertiser (19 April 1901), 3

http://nla.gov.au/nla.news-article217862976 

On Tuesday last, an old man named Thomas Girle, died at his residence, in Torrington-street, after an illness, due to general dibility, extending over 10 days. The deceased, who was 76 years of age, up to the time of his illness had been in the employ of Mr. W. O. Atkins. The funeral took place on Wednesday, the arrangements in connection therewith being carried out by Mr. Lane.


Bibliography and resources:

Mary Ann GIRLE, Friends of the Orphan Schools, Tasmania

https://www.orphanschool.org.au/showorphan.php?orphan_ID=2067 

Thomas Rosewell Girle, Find a grave

https://www.findagrave.com/memorial/85308001 




GITTINS, Elizabeth (Elizabeth GITTINS; Miss GITTINS)

Governess, amateur pianist and vocalist

Born Berwick, Shropshire, England, c. 1834; daughter of Thomas Lloyd GITTINS and Priscilla GITTINS
Arrived Sydney, NSW, 11 December 1852 (per Caesar Godeffroy, from Hamburgh, 17 August)
Died Lindfield, NSW, 29 August 1932, aged 98

https://trove.nla.gov.au/search?l-publictag=Elizabeth+Gittins+d1932 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GITTINS-Elizabeth (shareable link to this entry)


Summary:

Elizabeth Gittins was governess in the family of Isabel Throsby Osborne (1841-1901), at Throsby Park, Moss Vale, from the mid 1880s and into the early 20th century.

An owner bound album of sheet music, bearing the name "Miss Gittins", its contents dating from c. 1852-60, remained in the possession of the Throsby-Osborne family at Throsby Park, and, along with the rest of the Throsby music albums, is now in the collection of Sydney Living Museums.

Of the contents, 17 of the 33 titles are Sydney editions by the publishers Woolcott and Clarke, Henry Marsh, and J. R. Clarke.

See also Isabel Throsby's album, the contents of which were collected around the same time and slightly later.


Documenatation:

"ARRIVALS", The Shipping Gazette and Sydney General Trade List (11 December 1852), 340

http://nla.gov.au/nla.news-article161034973 

December 11. - Caesar Godeffroy, Hamburgh barque, 626 tons, Captain Behn, from Hamburgh 17th August. Passengers - Mr. Thomas Lloyd Gittins and family . . .

[Advertisement], The Sydney Morning Herald (23 February 1882), 1

http://nla.gov.au/nla.news-article28379639 

MOSS VALE-A lady who has taken a comfortable cottage, a mile and a-half from Moss Vale, wishes to hear of four young ladies as RESIDENT PUPILS. She will also take charge of children who require change of air; the highest references given. Address Miss Gittins, care of P. H. Throsby. Esq.; The Briars, Moss Vale.

"98TH BIRTHDAY. Miss Elizabeth Gittins", The Sydney Morning Herald (3 February 1932), 17 (with photograph)

http://nla.gov.au/nla.news-article16838444 

Miss Elizabeth Gittins, who lives with her niece, Miss Homfray, at Halloween, Gordon-road, Lindfield, recently celebrated her 98th birthday. Miss Gittins was born at Berwick-upon-Tweed, England and came to Sydney with her parents in 1854. Many years ago she was governess to the daughter of Sir Frederick and Lady Darley. She has a good memory, and enjoys talking about her early experiences in Australia.

"DEATHS", The Sydney Morning Herald (30 August 1932), 8

http://nla.gov.au/nla.news-article16915906 

GITTINS. - August 29, 1932, at her residence, 464 Gordon-road, Lindfield, Elizabeth Glttins, dearly loved aunt of Lucy, Florence, and Canon Homfray, aged 98 vears.


Musical sources:

Miss Gittins' songbook: bound collection of early nineteenth century vocal music formerly belonging to Miss Elizabeth Gittins; Sydney Living Museums

https://trove.nla.gov.au/version/246266738 

https://archive.org/details/Gittins46256 (DIGITISED)

List of contents (33 items); short titles without publishing details all published London (16 items); fuller titles published Sydney (17 items):

Spring blossoms (Stephen Glover);
There is a flower that bloometh (William Vincent Wallace);
Beautiful spring (John Blockley);
Little Nell (George Linley);
Summer roses (Stephen Glover);
Katty Darling, as sung by Madame Bishop [Vincenzo Bellini] (Sydney: J. R. Clarke);
Sweet Home, new ballad . . . by W. T. Wrighton (Sydney: J. R. Clarke);
Cushla Machree; or, Oh! Erin my country, sung by Miss Catherine Hayes (Sydney: J. R. Clarke);
Why do summer roses fade (George Barker);
Ah! I have sighed to rest me, "Ah che la morte ognora", from Verdi's opera of Il trovatore, arranged by L. Lavenu (Sydney: J. R. Clarke);
Gentle Annie, as sung by the Christy Minstrels (Sydney: J. R. Clarke);
I think of thee, words by Mrs. Violet Linley, composed by George Barker (Sydney: H. Marsh & Co.);
Moonlight and Melody (La donna e mobile) (Verdi);
I'm a merry Zingara, cavatinetta brillante (M. W. Balfe);
Look up (W. T. Wrighton);
Gerty's song of the star, no. 1 of songs from the popular American story The lamplighter … by Stephen Glover (Sydney: H. Marsh and Co.);
I cannot sing tonight, ballad by L. Lavenu, sung with great applause by Madame Carandini (Sydney: J. R. Clarke);
Dermot Astore (the reply of Kathleen Mavourneen), no. 10 of the Echoes of the lakes, written by Mrs. Crawford, composed and dedicated to Miss Masson by F. N. Crouch (Sydney: Woolcott and Clarke);
List to the convent bells, by John Blockley . . . duet (Sydney: J. R. Clarke);
A lowly youth, favorite song from the opera of Matilda of Hungary [William Vincent Wallace] (Sydney: J. R. Clarke);
Oft in the stilly night, by Thomas More, as sung by Madame Anna Bishop [arr. By John Stevenson] (Sydney: J. R. Clarke);
Friends of my youth (George Barker);
By the sad sea waves, as sung by Madame Sara Flower [Jules Benedict, incorrectly inscribed "Balfe"] (Sydney: H. Marsh & Co.);
Shells of ocean . . . words by J. W. Lake, music by J. W. Cherry (Sydney: J. R. Clarke);
Molly Asthore, as sung by Miss Catherine Hayes . . . My Molly Asthore, by L. Lavenu (Sydney: J. R. Clarke);
The ivy green (W. Lovell Phillips);
Ben Bolt, as sung by M. W. White, of Rainer's Minstrels, as arranged by J. C. Rainer (Sydney: H. Marsh & Co.);
O would I were a boy again . . . H. Marsh & Co.'s Ethiopian melodies as sung by the New York & Rainer's Serenaders, no. 1 (Sydney: H. Marsh & Co.);
Adelaide (Beethoven);
The queen's waltz (Charles D'Albert);
Adelina valse (Charles D'Albert);
L'echo du Mont Blanc polka (Jullien);
The royal gems, a set of waltzes . . . bk. 1 (C. W. Glover)




GLEN, William Henderson (William Henderson GLEN; W. H. GLEN)

Music importer and retailer, music publisher, entrepreneur, ? composer

Born Edinburgh, Scotland, 19 February 1826; son of William GLEN and Elizabeth JACKSON
Arrived Melbourne, VIC, 1853
Married Eliza Jane CLIFTON (1843-1920), Melbourne, VIC, 9 August 1861
Died Toorak, Melbourne, VIC, 6 February 1892, aged 66 years

https://trove.nla.gov.au/search?l-publictag=William+Henderson+Glen+1826-1892 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLEN-William-Henderson (shareable link to this entry)


Trading September 1857 to January 1859 as Litolff and Glen:

https://trove.nla.gov.au/search?l-publictag=Litolff+and+Glen (TROVE tagged by Australharmony)

Trading from January 1859 as W. H. Glen and from c. 1870 as W. H. Glen and Co.:

https://trove.nla.gov.au/search?l-publictag=W+H+Glen+and+Co (TROVE tagged by Australharmony)


Summary:

According to his obituary, Glen arrived in Melbourne in 1853, having been recruited by music-seller Joseph Wilkie. By late 1856, he had apparently decided to set up in business by himself, for in March 1857 he took delivery of 2 impotred cases of musical instruments.

By September 1857, he was trading in partnership with the pianoforte maker, Francis Litolff, formerly of Broadwood's, as Lifolff and Glen, and in an advertisment in October he offered to repair flutes, being himself formerly of the London house of Rudall, Rose and Carte.


Documentation:

"SHIPPING . . . IMPORTS", The Age (13 March 1857), 4

http://nla.gov.au/nla.news-article154821324 

March 10 - Swiftsure, from London . . . 2 cases musical instruments, W. H. Glen . . .

[Advertisement], The Argus (12 September 1857), 3

http://nla.gov.au/nla.news-article7138599 

PIANOFORTES REPAIRED or Exchanged. Litolff and Glen, 172 Bourke-streot, above Russell-street.
PIANOFORTES properly TUNED, &c. at moderate charges, by F. Litolff, formerly eight years with Messrs. Broadwood.

[Advertisement], The Argus (5 October 1857), 3

http://nla.gov.au/nla.news-article7139711 

PIANOFORTES, Flutinas, Concertinas, &c., properly TUNED or Repaired. Litolff and Glen, 172 BourKe-street east.

RUDALL, Rose, and Carte's FLUTES REPAIRED by Glen, from those makers, 172 Bourke-street.

[Advertisement], The Argus (24 February 1858), 2 supplement

http://nla.gov.au/nla.news-article7147057 

PIANOFORTES, rich tones, first-class instruments, at moderate prices, Litolff and Glen, 170 Bourke-street east.

[Advertisement], The Argus (15 January 1859), 6

http://nla.gov.au/nla.news-article7308070 

THE business hitherto carried on under the style or firm of LITOLFF and GLEN, music sellers, &c., 170 Bourke-street east, has this day been DISSOLVED, by mutual consent.
FRANCIS LITOLFF
WILLIAM HENDERSON GLEN.
Witnesses - Henry Litolff, Archi. Mount.
Melbourne, January 5, 1859.

ASSOCIATIONS: Francis Litolff

[Advertisement], The Argus (15 January 1859), 7

http://nla.gov.au/nla.news-article7308068 

W. H. GLEN (late Litolff and Glen), MUSIC-SELLER, and importer of musical instruments, 170 Bourke-street east, in offering his sincere thanks to his friends and the public generally for the patronage accorded to the late firm, begs to inform them that he still carries on the business in all its branches.
W. H. G. has just receivoe a large and varied assortment of new music, pianofortes, brass instruments, flutes, organines, organ-accordions, &c., all by the best makers.
170 Bourke-street east, January 14, 1859.

[Advertisement], The Argus (15 February 1859), 7

http://nla.gov.au/nla.news-article7309888

RUDALL, ROSE, and CARTER'S FLUTES on SALE, and Repaired. W. H. Glen, 170 Bourke-street east.

[Advertisement], The Argus (23 December 1859), 8

http://nla.gov.au/nla.news-article5694141 

PIANOFORTES TUNED, Regulated,and Repaired, at W. H. Glen's, musical instrument maker, 170 Bourke-street east.
PIANOFORTES TUNED, by C. Graham, from Colland and Collard's. W. H. Glen's, 170 Bourke-street east.
PIANOFORTES TUNED, Regulated, and Repaired by John Blackburn, at W. H. Glen's, 170 Bourke-street east.

ASSOCIATIONS: John Blackburn

"OBTAINING A PIANO BY FALSE PRETENCES", The Age (29 December 1860), 6

http://nla.gov.au/nla.news-article154885751 

A shabbily dressed young woman named Mary Marks, alias Dell, alias Webb, was charged by Mr. William Henderson Glen with this offence. Mr. Glen deposed that he was a music seller at 170 Bourke street. The prisoner called at his shop about two months ago and wished to hire a piano. She said she had the use of a cottage in King William-street, and wanted to have the use of a piano for some pupils she expected to get. She also said she was teaching some respectable families in Melbourne. He let her have a piano, and she signed an agreement to pay 35s. per month for the use of it. The piano was delivered on the 20th of October, and he never saw it again till the previous Wednesday evening, when the prisoner took him to a pawnbroker's shop in Collingwood, where it was. She told him she had received £20 on account of it, and that she had pawned it the first week it came into her possession. Cross-examined by Mr. F. Stephen: Prisoner obtained it in the name of Mrs. Marks, and paid £5 when she signed the agreement. That was for rent in advance. She signed the agreement to hire the piano, and there was no option of purchasing. Mr. Stephen contended that the prosecutor had put himself out of court by his admission that he had received £5., inasmuch as he could not claim the piano till the period its hire was paid for had expired. Mr. Sturt said that Mr. Glen had been guilty of extreme imprudence in the transaction. As the time for which the piano had been hired had not expired, he certainly was not entitled to claim it, as the prisoner might redeem it before he could do so. If she did not, she would then come under the operation of the Pawnbrokers' Act, but the present case must be dismissed. The woman, it may be mentioned, is the same person who was charged some time back by Messrs. Follard and Wilkie with defrauding them of a piano under similar circumstances.

W. H. GLEN, [Advertisement], Leader (2 April 1864), 24

[Advertisement], Leader (2 April 1864), 24

http://nla.gov.au/nla.news-article197292849 

W. H. GLEN, MANUFACTURER AND IMPORTER OF ALL KINDS OF MUSICAL INSTRUMENTS.

Pianofortes, Harmoniums, Organine, Folding Harmoniums, Organ Accordeons,
English Concertinas, Flutinas, German Concertinas, Anglo-German Concertinas,
Flutes - all kinds, Clarionets - French, flute Flageolets, Violins,
Violoncellos, Double Basses, Guitars, Rifle Bugles,
Cavalry Trumpets, Valve Trumpets, Trombones with valves.

Violin Bows and Cases, Violin Strings, Harp Strings, Guitar Strings, Double Bass Strings,
Tambourines, Banjos, Cornet Mutes, Sax-horns - various, Courtois Cornets,
Champion Equitone Cornets, Scotch Bagpipes, Slide Trombones, Ophicleides,
Drums - Bass, Royal Arms, Side Brass Drums, Tuning Hammers &c.,
Cymbals and Triangles, Cornet Mouthpieces, Music Paper,
Music Books, Pianoforte Wire & Felt.

103 SWANSTON STREET, MELBOURNE.

"PUBLICATION RECEIVED", The Age (12 October 1867), 5

http://nla.gov.au/nla.news-article185506344 

The Duke of Edinburgh Waltz, composed and dedicated to H.R.H. Prince Alfred, K.G. by Harcourt Lee. Melbourne: W. H. Glen. The publication is very creditably got up, and the music is likely to become exceedingly popular during the ensuing festivities.

"LAW REPORT. SUPREME COURT . . . DEC. 5 . . . HOPWOOD AND ANOTHER V. GLEN", The Argus (7 December 1867), 6

http://nla.gov.au/nla.news-article5785356 

A suit instituted by the music publishing firm of Hopwood and Crew, of New Bond-street, London, to restrain the defendant, a music seller in Melbourne, from publishing or selling here a pirated edition of the song "Paddle your own canoe." Mr. J. W. Stephen for the plaintiffs.
Mr. CASEY, for the defendant, consented to perpetual injunction, and a decree for an account as prayed, with costs.
HOPWOOD AND ANOTHER V. McCULLOCH. A similar suit to the preceding one, but against another defendant, a seller of music in Melbourne. Mr. J. W. Stephen for the plaintiffs. Mr. Holroyd for the defendant. His HONOUR granted an injunction till the hearing or further order; costs to be costs in the cause.

[News], The Argus (6 February 1875), 7

http://nla.gov.au/nla.news-article11511744

Messrs. W H. Glen and Co. have sent us copies of a ballad, Don't go, Molly Darling," specially composed for Mr. Beaumont Read, and bearing a portrait of that gentleman on the cover, and a dance piece entitled "Glen's Highland Schottische" with a very ornamental cover in chromo lithography, by Mr. Troedel, of Collins street. The ballad is pretty and well arranged, and a new highland schottische is always welcome amongst those who dance.

"THREE NEW MUSIC WAREHOUSES", The Australasian Sketcher with Pen and Pencil (25 November 1876), 133, 135, 138

http://nla.gov.au/nla.news-article60606200 

http://nla.gov.au/nla.news-page5986088 (ILLUSTRATION 133)

We question if there is any circumstance visible to the outside gaze of a stranger in Melbourne better calculated to imprees him with a high estimate of the culture of the population than the size and importance of the handsome establishments in Collins-street devoted to the sale of music. To see the fine exteriors of some of these places, their spacious and well-arranged inside premises, and the great extent of their stock, it would seem that every Victorian must be a born musician, and must devote all his spare money and time, to this pursuit. These warehouses give some notion of the hold which music has over the community. Other evidence, in the same direction is afforded by the frequency of the sounds of pianos in almost every street in the suburbs of the city, in the evening time, when the blinds are drawn and the day's work is done. Then we may point to the liberal support given to musical artists of every class who have made professional visits to Melbourne. The taste is one on which a community may well be congratulated. Not only does it serve in place of amusement of a more exciting and dangerous character, but it can scarcely be cultivated to any great extent without carrying with it the associations of other branches of culture more intellectual in their character. We subjoin some particulars of the three establishments depicted in our engravings: -

The music business, now carried on by Messrs. Allan and Co., at 15 Collins-street east, Melbourne, has been established upwards of 26 year's, having been commenced by the late Mr. Joseph Wilkie alone in 1850, in the premises which have been occupied up to the present time, and were then very limited in size. His business prospered greatly, so that his name became a household word throughout the Australian colonies . . .

. . . Mesers. W. H..Glen and Co.'s new music warehouse, 21 and 23 Collins-street east, is in close proximity to that of Messrs. Allan and Co. The front to Collins-street is 36ft. wide and 62ft. high to the top of the gable. In the architectural design it has been sought to obtain a picturesque and varied front, suggestive of the purposes of a music warehouse, and challenging public attention by its novelty and gracefulness . . .

. . . The handsome establishment of Messrs. Nicholson and Ascherberg, 45 and 47 Collins-street east, is, like the two we [138] have before noticed, situated in the most fashiouable part of Collins-street, between Swanston and Elizabeth streets, better known as the "block" . . .

"Deaths", The Argus (8 February 1892), 1

http://nla.gov.au/nla.news-article8399211

GLEN. - On the 6th inst., at his late residence, Dalmeny, Heyington-road, Toorak, William Henderson Glen, the dearly beloved husband of Eliza Glen, aged 66 years. A patient sufferer gone to rest.

[News], The Argus (8 February 1892), 5

http://nla.gov.au/nla.news-article8399221

We regret to record the death of Mr. W. H. Glen, founder of and senior partner in the business of Messrs. W. H. Glen and Co., music publishers, of Collins-street, which occurred early on Saturday morning. For over 30 years Mr. Glen was a familiar figure in the city, and he was highly esteemed by all with whom he was brought into relation. The deceased gentleman was born in Edinburgh, and came to Melbourne in 1853 under engagement to the firm of Messrs. Joseph Wilkie and Co., the predecessors of Messrs. Allan and Co.

Five years later he began business for himself as a music-seller in Bourke-street, and in 1861 was obliged to move to larger premises in Swanston-street. A few years later another change was made, this time to a shop in Collins-street, now occupied by the Kalzoic Company. An opportunity of purchasing the valuable site upon which the firm's present premises are built occurred in 1870, and Mr. Glen resolved to erect an establishment which should he equal to anything of its kind in Australia. The result was the handsome Gothic structure in which the business has since been accommodated. The price paid for the land, which had a frontage of about 36ft., was the highest given up to that time for land in Collins-street, namely, £30,000.

From time to time Mr. Glen acquired other valuable city and suburban properties. He at one time owned an extensive area in the most picturesque part of Hawthorn, extending from Riverdale-road right down to Gardiner's Creek, the greater part of which has since been sold. The fine mansion in Glenferrie-road known as Hawthorn Glen, at present occupied by the Mayor of Melbourne, was built by Mr. Glen, and two or three years ago he purchased the estate at Toorak of the late Mr. Thomas Baillie.

Mr. Glen took a warm interest in matters affecting the musical profession, and during his many visits to England was instrumental in persuading some leading artists to visit Australia, notably Madame Arabella Goddard, who was here about 20 years ago. He was one of the promoters of the Victorian Orchestra, and was a trustee of the Society of Musicians of Australasia.

Mr. Glen, who was 66 years of age, had an attack of influenza some four months ago, and his lungs becoming affected he gradually became worse, and died as stated. He leaves a widow, but no children. The funeral will take place this afternoon, leaving Dalmeny, Heyington-road, Toorak, at 3 o'clock, for the Boroondara Cemetery.

ASSOCIATIONS: Thomas Baillie

"MUSIC IMPORTER'S WILL. HALF-INTEREST IN COLLINS STREET PROPERTIES. MR. W. H. GLEN'S INTENTION", The Argus (5 June 1935), 16

http://nla.gov.au/nla.news-article12245695

The Chief Justice (Sir William Irvine) had before him recently an originating summons upon which he was asked to decide who were the Inheritors of a half-interest in properties in Collins street and Little Collins street under the will of the late Mr. William Henderson Glen, importer of musical instruments, who died on February 6, 1892. At that time two of his nephews, William Glen and John Glen, were living. John Glen died in 1928 and William Glen in 1929. John Glen left three sons, John Malcolm Glen, David Watson Glen, and Alan McDougall Glen. William Glen left two sons, John Glen and William Henderson Glen. The originating summons concerned the distribution of the residuary estate, involved in which was the satisfaction of certain annuities. The immediate question for decision was whether John Glen and William Henderson Glen, grand nephews of the testator, were entitled to the half-Interest in the Collins street properties, which may be worth £200,000. It was stated on their behalf that they had claimed the interest under the will of their great-uncle, and had obtained substantial advances from this Australian Mutual Provident Society, the Union Bank of Australia, the Colonial Life Assurance Society, the People's Investment Co. Pty. Ltd., and Rolfe and Co. Ltd. One advance by the A.M.P. Society to William Henderson Glen, It was stated, amounted to about £13,500. Sir William Irvine has given judgment against John Glen and William Henderson Glen, sons of William Glen, but in favour of John Malcolm Glen, David Watson Glen, and Alan McDougall Glen, sons of John Glen. In his judgment he said that the testator, William Henderson Glen, had probably intended to leave the property in dispute to his two nephews, but he had not sufficiently expressed any such intention in his will. It is expected that an appeal against the decision will be made to the Full Court.


Musical works or dedications (?):

Glen's highland schottische (Melbourne: W. H. Glen & Co., [1875])

https://trove.nla.gov.au/version/22661222 (DIGITISED)

New highland schottische arranged by A. Plock ["Glen's highland schottische arranged by A. P."] (Melbourne: W. H. Glen & Co., [1881])

https://trove.nla.gov.au/work/12121602 (DIGITISED)

ASSOCIATIONS: Adam Plock


Some editions of works by colonial composers:

Intercolonial Exhibition march, 1866, by Charles Edward Horsley (Op. 62) dedicated by permission to His Excellency The Hon. Sir J. H. T. Manners Sutton K.C.B. (Melbourne: W. H. Glen, 1866)

https://trove.nla.gov.au/version/15200702 (DIGITISED)

And when that meek eyed maiden, from Euterpe, C. E. Horsley (Melbourne: Published for the composer by W. H. Glen, [1870])

https://trove.nla.gov.au/version/13355911 

http://handle.slv.vic.gov.au/10381/151249 (DIGITISED)

The lily waltz, as played at the Opera House, Melbourne, by Thomas Zeplin, chef d'orchestre to J. K. Emmet, esq. (Melbourne: W. H. Glen & Co., [1876])

https://trove.nla.gov.au/version/47731120 (DIGITISED)

Autumn leaves, suite de valses par Thomas Zeplin (Melbourne: W. H. Glen & Co., [1876])

https://trove.nla.gov.au/version/21878103 

Oh! boyhood's days, as sung by T. H. Rainford, words by Frank Younge, esq'r., music by George Loder [op. post.] (Melbourne: W. H. Glen & Co., [1877])

https://trove.nla.gov.au/version/26426338 (DIGITISED)

New tunes to favorite hymns, composed by Philip Plaisted . . . (Melbourne: W. H. Glen & Co., [1878])

https://trove.nla.gov.au/version/35018852 (DIGITISED)

Love me, sung with great success by Miss Gracie Plaisted in Luscombe Searell's opera Bobadil, words and music by Luscombe Searell (Melbourne: W. H. Glen & Co., [1885])

https://trove.nla.gov.au/version/20796841 (DIGITISED)

Isidora waltzes, on melodies from Luscombe Searelle's latest and most successful opera (Melbourne: W. H. Glen & Co., [1885])

https://trove.nla.gov.au/version/16039516 (DIGITISED)

See also Glen's series The colonial musical cabinet:

https://trove.nla.gov.au/search?l-publictag=Colonial+musical+cabinet (TROVE tagged by Australharmony)


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 173 (Sydney, 1897-99), 275-78 (Melbourne)

http://ro.uow.edu.au/theses/2926 (DIGITISED)




GLENNIE, Alfred (Alfred GLENNIE; Rev. Alfred GLENNIE)

Amateur musician, pianist, public servant, Anglican priest

Born Dulwich, Surrey, England, 14 January 1811; baptised Dulwich College, 8 February 1811, son of William GLENNIE and Mary GARDINER
Arrived Sydney, NSW, 30 January 1828 (free per Marquis of Huntley)
Married Anne FERRIS (c. 1815-1891), Sydney, NSW, 13 October 1836
Ordained (1), diocese of Newcastle, NSW, 24 February 1850; (2) ? 1851
Died Lochinvar, NSW, 25 October 1870

https://trove.nla.gov.au/search?l-publictag=Alfred+Glennie+1811-1870 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-510354 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLENNIE-Alfred (shareable link to this entry)

GLENNIE, Marianne (Mary Anne GLENNIE; Marianne; Mrs. Maxwell Philips HOLMES)

Amateur pianist, church organist, music copyist

Born East Gresford, NSW, 19 May 1844; daughter of Alfred GLENNIE and Ann FERRIS
Active Gosford, NSW, by 1859
Married Maxwell Philips HOLMES, Singleton, NSW, 17 April 1871
Died Gordon, NSW, 15 August 1921, aged 76

https://trove.nla.gov.au/search?l-publictag=Marianne+Glennie+Holmes+1844-1921 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLENNIE-Marianne (shareable link to this entry)


Summary:

The University of Newcastle Library has an album of hand-copied piano and vocal music inscribed "Marianne Glennie, Gosford, 1859". Born in 1845 and baptised Mary Ann, she was the daughter of Alfred Glennie (1811-1870), episcopalian (Anglican) priest at Gosford from 1850, and his wife Ann. She was a niece of Benjamin Glennie.

The family later lived at the property "Wollong" in the Hunter Valley, where Alfred recorded Marianne becoming his church organist (his journal, 30 July 1863). She also accompanied him to outlying churches to play the harmonium for services (e.g. at Branxton on 3, 10, 17 September 1865, and at Rothbury as late as 29 June 1869).

In 1871, the year after her father's death, she married, aged 35, and over the coming decade gave birth to at least 5 children.

Her 72-page manuscript album is a rare example of early colonial manuscript music, it is described and its contents listed at:

https://trove.nla.gov.au/work/35695684

There are also several additional folders and loose sheets at:

https://trove.nla.gov.au/work/35699544

https://trove.nla.gov.au/work/35697747

https://trove.nla.gov.au/work/35699324

https://trove.nla.gov.au/work/35697582

https://trove.nla.gov.au/work/233555059

As well as an arrangement of Mozart's Non piu andrai and a duet from Verdi's Il trovatore, Glennie's manuscript copies include one Australian composition, the song Your Willie has returned dear, by Ernesto Spagnoletti senior, which was first published in Sydney by Henry Marsh in September 1859, and must have been copied from the printed sheet music.

At least three older albums had probably belonged to her father, Alfred, mainly including printed sheet music probably collected by him in London in the 1820s and Sydney in the mid 1830s:

https://trove.nla.gov.au/work/156931406 

Printed contents notably including a copy, complete with cover, of William Ellard's The much admired Australian quadrilles (composed and printed in Dublin and published in Sydney by Francis Ellard in December 1835)

https://trove.nla.gov.au/version/23296073 

Printed contents include piano and violin sonatas by Mozart, Beethoven, Dussek, Clementi, Steibelt etc., probably mainly collected 1820s-30s

https://trove.nla.gov.au/version/41068235 

Printed contents include songs and piano pieces, probably mainly collected 1820s-30s


Documentation:

[Government notices], The Sydney Gazette and New South Wales Advertiser (18 June 1828), 1

http://nla.gov.au/nla.news-article2190585 

Colonial Secretary's Office, June 17, 1828.
HIS EXCELLENCY THE GOVERNOR has been pleased to approve of the Appointment of
Mr. ALFRED GLENNIE, to be Clerk to the Bench of Magistrates at St. Patrick's Plains,
Hunter's River, in the Room of Mr. John MACLEOD, resigned.
By His Excellency's Command, ALEXANDER McLEAY.

New South Wales census, 1828 [November]; UK National Archives HO 10/23; copy at State Records Authority of NSW

https://www.ancestry.com.au/interactive/1186/IMAUS1787_114226-00288 (PAYWALL)

[No.] 49 / [Glennie] James / 28 / C.F. / [?] / 1824 / Pro. / Farmer / Patrick's Plains
[No.] 550 / [Glennie] Alfred / 17 / [Came Free] / M. Huntly / 1828 / [Protestant] / - / Patrick's Plains

"MARRIED", The Sydney Gazette and New South Wales Advertiser (15 October 1836), 3

http://nla.gov.au/nla.news-article2207207 

On Thursday the 13th insant, at St. Phillip's Church, by the Reverend Mr. Cowper, Alfred Glennie, Esq., of Darlington, Hunter's River, to Ann, youngest daughter of Thomas Ferris, Esq., late of Sydney.

"DEATHS", The Maitland Mercury and Hunter River General Advertiser (29 October 1870), 1

http://nla.gov.au/nla.news-article18749247 

At Lochinvar, on the 25th instant, the Rev. Alfred Glennie, in the sixtieth year of his age.

"MARRIAGES", The Maitland Mercury (25 April 1871), 1

http://nla.gov.au/nla.news-article18753553

At All Saints' Church, Singleton, on the 17th inst., by the Lord Bishop of Newcastle, assisted by the Revd. James Blackwood, B.A., incumbent of All Saints', Maxwell Philips, eldest son of J. B. Holmes, Esq., of The Wilderness, Lochinvar, to Mary Anne, eldest daughter of the late Revd. Alfred Glennie, of Lochinvar.

"MRS. M. A. HOLMES", Moree Gwydir Examiner and General Advertiser (22 August 1921), 2

http://nla.gov.au/nla.news-article111858126 

Mrs. Mary Ann Holmes, of Bullerana, passed away in her 76th year, at Gordon, Sydney, on Monday last. The deceased lady, with her husband, who predeceased her in 1901, first settled in the Moree district in 1895. The late Mr. Holmes was then managing Yallaroi, which he managed for 30 years and took his bride there in 1871. Mrs. Holmes was only ill a few days and had an attack of pneumonia to which she succumbed. The deceased lady was highly respected by a large number of friends in this district . . .


Other sources:

Papers of the Wyndham and Glennie Families; University of Newcastle library

https://trove.nla.gov.au/work/32065471


Bibliography and resources:

Rev. Alfred Glennie, journals, volume 1 1855-60; 2, from 1860 (Gosford: Gosford District Local History Study Group, 1987- )

https://trove.nla.gov.au/work/18585550

https://issuu.com/gosford_council/docs/rev_alfred_glennie_journals_1855-60 (DIGITISED)

https://issuu.com/gosford_council/docs/rev_alfred_glennie_journals_1860_on (DIGITISED)




GLOGOSKI, Simon (Symon, Symons, Samuel, Solomon, GLOGOWSKI, GLOGOWSKY, GLOGOSKY)

Professor of music, violinist, dancing master, piano tuner

Born Poznan, Poland, c. 1830/34
Arrived Sydney, NSW, by 1854
Married (1) Ann Jane BUCKINGHAM, Armidale, NSW, 29 January 1858
Departed Newcastle, NSW, 9 September 1862 (for Otago, New Zealand)
Married Mary Jane OLIVER, Auckland, NZ, 27 April 1871
Died Auckland, NZ, 17 September 1909, aged 79

https://trove.nla.gov.au/search?l-publictag=Simon+Glogoski+d1909 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOGOSKI-Simon (shareable link to this entry)

GLOGOSKI, Ann Jane (Ann Jane BUCKINGHAM; Annie; Mrs. S. GLOGOSKI; Mrs. Frank TOWERS)

Vocalist, ballad singer, pianist, entertainer, dancing instructor, actor

Born Sydney, NSW, 7 October 1835, daughter of George BUCKINGHAM and Ann Jane JESSOP
Married (10 Samuel GLOGOWSKY [sic], Armidale, NSW, 29 January 1858
Departed Newcastle, 9 September 1862 (for Otago, New Zealand)
Married (2) Frank TOWERS (d. 1886), Sydney, NSW, 1882 ("Mrs. TOWERS" since much earlier)
Died Whoro, India, 19 November 1887

https://trove.nla.gov.au/search?l-publictag=Ann+Jane+Buckingham+Glogoski+Towers+1835-1887 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOGOSKI-Ann-Jane-BUCKINGHAM (shareable link to this entry)

GLOGOSKI, Rose (Rose GLOGOSKI; "Rosina GALOSKY" [1883]; Rosa TOWERS; Mrs. Herbert W. WOOD)

Juvenile actor, Actor, comedian, entertainer

Born Dunedin, NZ, 1863 (? 18 November 1864); daughter of Simon GLOGOSKI and Ann Jane BUCKINGHAM
Active Australia, by 1875
Married Herbert William WOOD, Newcastle, NSW, 24 July 1883

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOGOSKI-Rosa-TOWERS (shareable link to this entry)

TOWERS, Katie (Katie TOWERS; Mrs. George CHALMERS; Mrs. George WEEKS)

Juvenile actor, vocalist

Born Thames, NZ, c. 1871; daughter of Frank TOWERS and Ann Jane BUCKINGHAM
Active Australia, by 1875
Died Marrickville, NSW, 29 August 1946, aged 75

https://trove.nla.gov.au/search?l-publictag=Katie+Towers+d1946 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-G-2.php#TOWERS-Katie (shareable link to this entry)


Documentation:

"BIRTH", The Sydney Monitor (14 October 1835), 3

http://nla.gov.au/nla.news-article32149899 

On Wednesday, October 6th, the wife of Mr. George Buckingham, comedian, of a daughter.

"LICENSING BUSINESS", Empire (13 December 1854), 5

http://nla.gov.au/nla.news-article60201236 

Hawkers' and pedlers' licenses were granted to the following applicants, namely . . . Solomon Glogowskie, Castlereagh-street . . .

"MARRIAGES", The Maitland Mercury and Hunter River General Advertiser (6 February 1858), 3

http://nla.gov.au/nla.news-article18652048 

At Armidale, on the 29th instant [January], by special license, by the Rev. Thomas Johnstone, Miss Ann Jane Buckingham, of Sydney, to Samuel Glogowsky, Esq., of Posen, Prussia.

[Advertisement], Empire (13 March 1858), 1

http://nla.gov.au/nla.news-article60423623 

GREATEST ATTRACTION IN THE CITY, commencing on MONDAY NEXT,
at TOOGOOD'S SALOON, which will be opened under different management, and as puffing will not be resorted to, A. T. would merely mention the following names as a proof of the proprietor's sincerity in endeavouring to render his saloon one of the greatest attractions in the city.
- Behold!!! All this Talent at TOOGOOD'S SALOON, Every Night for One Week, with other Artistes.
The BUCKINGHAM FAMILY AND TROUPE. Largest Operatic Company out of England.
Having at great expense engaged the following artistes: -
Madame Josephine Picilomo, the eminent pianist and cantatrice;
Monsieur Picilomo, the talented basso;
Madame A. J. Glogoski, the charming ballad singer;
Signor Glogoski, the Prussian violinist;
Miss Buckingham, the talented singer;
Mr. G. H. Buckingham, the buffo singer;
Master G. R. Buckingham, the flute player;
Master W. Buckingham, the tenor singer (called the Old Musketeer);
Master C. Buckingham, Irish singer (Paddy Malone);
Master H. Buckingham, the autical singer (Red, White, and Blue, &c.).
N.B. Artistes requiring engagements, will please apply by letter to
G. H. BUCKINGHAM, Toogood's Saloon.
WANTED, a Cornet Player.

[Advertisement], The Sydney Morning Herald (5 April 1858), 1

http://nla.gov.au/nla.news-article13008353 

TOOGOOD'S GRAND CONCERT SALOON, witness the BUCKINGHAM FAMILY and troupe.
Tremendous applause eaoh night to hear Young Buckingham sing "Billy Crow's adventure with the Soldier."
Appearance of three young ladies MISS BLOOMER, LUCY LUFFE, MARY BOBBIN.
Songs in character.
Digger and Chinaman - Master Buckingham.
Paddy the Drummer - Master C. Buckingham.
Death of Nelson - Master W. Buckingham.
Blanche and Lisette - Miss Buckingham.
Life of Clown, by Picaune Buckingham.
Forty Thieves and Alonzo the Brave - Mr. Buckingham.
With a variety of songs, duetts, glees, cborusses, &c., by
Madame Glogoski, Madame Josephini, M. Glogoski,
Mr. Webster, Master G. Buckingham, and a host of other talented artists.
Admission free.

[Advertisement], Empire (10 April 1858), 1

http://nla.gov.au/nla.news-article60429319 

CONCERT. Bull and Mouth Hotel. Observe the names of the company engaged. Madame Glogoski, Miss Bassmann, Paddy Doyle, Mr. Campbell, and Herr Glogoski, thus defying competition. Admission Free.

[Advertisement], The Sydney Morning Herald (24 May 1859), 1

http://nla.gov.au/nla.news-article13025301 

THE MANLY BEACH FESTIVAL. The BUCKINGHAM FAMILY will appear in the Saloon at 3 p.m., with the Musketeer, Billy Crow, and Peter Peppercorn. Madame GLOGOSKI will preside at the pianoforte.

[Advertisement], Illawarra Mercury (14 July 1859), 3

http://nla.gov.au/nla.news-article132226718 

Pianoforte Tuning and Repairing.
MR. GLOGOSKI begs to announce to the inhabitants of Illawarra, that he is now on a visit to this district, and is prepared to Tune and Repair Pianofortes, in the most efficient manner, and on reasonable terms. Orders addressed to the above at ELLIOTT'S Hotel, Wollongong, will be promptly attended to.
Mr. G. intends visiting Kiama and Shoalhaven during next week.

[Advertisement], Illawarra Mercury (25 August 1859), 3

http://nla.gov.au/nla.news-article132226866 

A BALL AND REFRESHMENT will be given in the spacious saloon of the Wollongong Hotel, on
TUESDAY Night, the 30th instant. The Buckingham Family's most efficient and full band will be in attendance.
Dancing to commence at 8 o'clock, p.m. Double Tickets, 7s 6d; single ditto 5s.,
which can be obtained at the Hotel.

Grand Ball. HERR GLOGOSKI, begs to inform the inhabitants of Shoalhaven,
that a Grand Ball will take place at his Dancing Academy, on Monday, the 29th August.
Refreshment will be provided. Admission - Single tickets, 5s; Double ditto, 7s 6d. Dancing to commence at 8 o'clock precisely.

MADAM GLOGOSKI begs to inform the inhabitants of Shoalhaven, that she intends giving lessons on the Pianoforte, Singing, Dancing, and every description of Fancy Work.
Charges moderato. Shoalhaven, 20th August, 1859.

"BANQUET TO MR. JOHN GARRETT, M.P., FOR SHOALHAVEN", Illawarra Mercury (29 August 1859), 2

http://nla.gov.au/nla.news-article132223170 

. . . During the repast the Buckingham Family band played various popular tunes . . .

. . . The reading of the letters being concluded, the toasts of the evening were proceeded with. We would premise that an efficient band under Herr Glogoski, Madame Glogoski presiding at the piano, played appropriate airs to each toast . . .

. . . "God Save the Queen" . . . "Prince Albert's March" . . . "The Fine Old English Gentleman" . . . "The Grenadier's March" and "The flag That's Braved a Thousand Years" . . . "Stop dat Knocking" . . .

During the evening, Herr and Madam Glogoski sang several favorite duets in a most pleasing manner, and elicited hearty plaudits.

[Advertisement], Goulburn Herald (28 January 1860), 2

http://nla.gov.au/nla.news-article103400896 

Dancing Academy. MADAME and HERR GLOGOSKI beg to announce to the inhabitants of Goulburn that it is their intention of establishing a DANCING ACADEMY at the Chequers Inn. For further particulars see future advertisement.

"ODD FELLOWSHIP", Goulburn Herald (8 February 1860), 2

http://nla.gov.au/nla.news-article103400594 

The twelfth anniversary of the foundation of the Loyal Stranger and Friend Lodge, was celebrated yesterday in the usual manner. The officers and brethern met in the meeting at the lodge room, Commercial Hotel and walked in procession to St. Saviour's Church, where a sermon was preached by the Rev. R. Leigh, who had been initiated the night before. After the termination of the service, the brethern walked in procession through the town. In the evening a ball and supper were held at Host Cohen's. About forty couples were present. The music was piano and violin, by Mr. and Mrs. Glogoski, two new arrivals, of whose musical abilities report speaks highly. Dancing was kept up till daybreak, and all appeared well pleased with their amusement.

"HOW 'PROFESSIONALS' HAVE SERVED US", Examiner [Kiama] (11 February 1860), 2

http://nla.gov.au/nla.news-article102520905 

. . . Some months ago we were honored with a visit from no less a personage than M. Golgoski, who, after expressing his disapprobation of the facilities our town afforded for the display of vocal and instrumental harmony possessed by himself, fair spouse, and partner, signified his intention of proceeding immediately to Shoalhaven, at the same time placing in the hands of our printer a lengthy programme for immediate execution, embracing music of every description, from the "Sky Town Maid," up to the last scene in "Lucia di Lammermoor." The programme was printed and sent down to M. Glogoski between two and three o'clock in the morning, with the amount of damage enclosed - but alas, we have never seen M. Glogoski, programme, or bill, from that day to this . . .

[Advertisement], Queanbeyan Age and General Advertiser (3 November 1860), 4

http://nla.gov.au/nla.news-article30630731 

QUADRILLE ASSEMBLY.
Madame & Herr GLOGOSKI having arrived, will hold their QUADRILLE NIGHTS
on MONDAYS and FRIDAYS, the first to commence on the 5th instant, and it is their intention of establishing
A DANCING SCHOOL AT THE HARP INN.
Terms - £2 2 0 quarterly. Payments in advance.
'MADAME GLOGOSKI will also receive pupils for the
PIANOFORTE and SINGING.
For particulars apply to Herr GLOGOSKI, at the Harp Inn.
Piano-fortes tuned and all kinds of Instruments repaired.

"LAMBING FLAT (from The Yass Courier)", Goulburn Herald (9 February 1861), 2

http://nla.gov.au/nla.news-article105778348 

. . . A cricket club has been formed, and is strong so far as regards numbers. We are going to have a new dancing academy under the management of Mr. and Mrs. Glogoski, Burton's circus is to be here, and we have (so I am told) Jones's equine arena . . .

"NIGHT DANCING. TO THE EDITOR OF . . .", The Golden Age [Queanbeyan, NSW] (16 March 1861), 3

http://nla.gov.au/nla.news-article30631162 

Sir, - Being to some extent interested, I take the liberty of trespassing on your space in bringing under notice what I conceive to be a growing evil in Queanbeyan. For some time past a person named Glogoski has been teaching dancing in this town, and has lately left for Lambing Flat, since which a new school of heel-and-toe juveniles have been formed into classes, meeting twice a week at a certain Inn in town, for the alleged purpose of learning to dance, but being greatly in danger of learning more unprofitable things. Alas, that parents cannot see the danger of these night meetings! Young lads and maidens may frequently be seen patrolling the streets between the hours of ten and eleven o'clock at night, instead [of] surrounding the family altar, or taking their quiet repose. It is to be feared the result of those unseasonable excursions will prove a curse to those whose tender years require better training. Parents and guardians, beware! Recollect the great responsibility resting on your shoulders; do discharge your duty, and spare not the rod lest you spoil the child.
- AFFECTION.

[Advertisement], The Newcastle Chronicle and Hunter River District News (23 November 1861), 3

http://nla.gov.au/nla.news-article111167272 

GRAND FREE CONCERT. MAITLAND HOTEL.
MADAME GLOGOSKI, Pianist, and HERR GLOGOSKI, Violinist;
also FRANK SHORT the celebrated Comic Vocalist, every Evening, at 7 o'clock.
Admission - Free.

"PETITION UNDER THE MUNICIPALITIES ACT", New South Wales Government Gazette (2 August 1862), 1409 ff

http://nla.gov.au/nla.news-article225234905 

. . . Samuel Glogoski, household, West Maitland . . .

"SHIPPING", The Newcastle Chronicle and Hunter River District News (10 September 1862), 2

http://nla.gov.au/nla.news-article111163751 

Sep. 9.- Cincinatti, barque, 413, Hyde, for Otago, with 643 tons coal. Passengers - Mr. and Mrs. Glogoski and two children, Mrs. and Miss Buckingham and servant, Masters Buckingham (3), and Messrs. Dalton, Ridgeway, E. Conn, and G. Buckingham, and 5 in steerage. Ward and Co., agents.

"LYTTELTON MUNICIPAL COUNCIL", Lyttelton Times (5 April 1864), 5

https://paperspast.natlib.govt.nz/newspapers/LT18640405.2.19 

A letter was read from a gentleman named Glogoski, professor of music, applying to rent the Town Hall for the use of the dancing class on the evenings of Monday and Friday in each week . . .

[Advertisement], The Sydney Morning Herald (13 October 1874), 10

http://nla.gov.au/nla.news-article13340768 

ROYAL VICTORIA THEATRE.
The greatest Juvenile Actress in the World, Miss ROSA TOWERS,
will commence her engagement at the above Theatre on MONDAY, the 19th instant, in a new Drama, entitled
THE WAIF OF THE STREETS, in which Mr. and Mrs. FRANK TOWERS will also appear.

"Miss Rosa Towers", Australian Town and Country Journal (17 October 1874), 36 (with illustration)

http://nla.gov.au/nla.news-article70485605 

THE subject of the accompanying engraving, "Little Rosa Towers," is a young lady who has won golden opinions from the Press, and the general public of our neighbouring-colonies. If we may rely upon newspaper critics, who have been unanimous in their praise of this gifted young actress's performances, Miss Rosa Towers' success in Sydney will be even more marked than it appears to have been in every city where she has appeared. Miss Towers is of colonial birth having been born in Dunedin, New Zealand, on the 18th of November, 1864; and it says a great deal for native talent when we find a young lady of such tender years occupying the position of a star upon the boards of a Metropolitan theatre . . . Miss Towers will make her first appearance at the Victoria Theatre on Monday, Oct. 19th, in a new drama, written expressly for her by Mr. Frank Towers, entitled "A Waif of the Streets," in which she appears to have created a profound sensation . . . Miss Towers is supported by Mr. and Mrs. Frank Towers.

"THE TOWERS FAMILY AT HOME", The Inquirer and Commercial News [Perth, WA] (6 December 1876), 3

http://nla.gov.au/nla.news-article66301688 

We have had the opportunity, on three occasions, of witnessing the excellent performances of Mr. and Mrs. Towers, Miss Rosa Towers, and little Katie Towers, at the Protean entertainments given by them in the Town Hall, Perth, on Wednesday, Thursday, and Friday evenings last. Each night they gained upon their audience, and they have most umnistakeably succeeded in establishing their fame as first-class artists. "The Towers Family at Home" is the title given to their entertainment, which consists of a melange of the principal parts sustained by Miss Rosa Towers in her theatrical engagements in the other colonies, and displays the recognized abilities of Mr. Frank Towers as a comedian of high repute, while it introduces Mrs. Frank Towers, and her little daughter Katie, as clever, powerful, and welcome auxiliaries. To attempt a criticism of their attractive performances, we need only take up a programme, and against each number write "very good," "excellent," "wonderful." Miss Rosa Towers, considering her age, is a little wonder; her impersonations of character, her excellent voice, her power to move her audience in her varied impersonations, "from grave to gay, from lively to severe," must be seen to be appreciated. Chief among her many characters is that of "Miggs," a waif of the streets, and "Gratty," in the domestic scene, which displayed to advantage the combinations of talent possessed by this fast rising and promising young actress. As "Griff," she is equally clever, and as "Josephine," in the Daughter of the Regiment, she is particulariv pleasing. Miss Towers has gained for herself the character of a clever artiste, and, wherever she goes, she will be welcomed as a favorite. Mr. Frank Towers will make his mark, and be equally well received. As a comic singer he is first-rate; as "Tim Flaherty" he will be highly appreciated, and his delineations of character as the "Moral Man," or as Policeman X.Y.Z., will fully sustain his reputation. Mrs. Frank Towers also possesses rare talents; she is an excellent pianist, has a rich voice, sings well, and acts admirably. Of the many ballads sung by Mrs. Towers, "Never More," "Lullaby," and "Kathleen Mavourneen," were especially attractive and deservedly applauded. Little Katie Towers, in her songs "The five ages of Woman" and "Give me a Penny," enlisted the sympathy of the whole audience. She is a little prodigy, and all who hear her will like the little favorite. In Fremantle on Saturday and Monday eveniugs last they played to crowded houses, scores of people having to be refused admittance. On Wednesday (this) evening they play at Guildford; thence proceed to York, Northam, and Newcastle, where they will be greatly appreciated. On their return from the Eastern districts they will again play in Guildford, Perth, and Fremantle, when they will be certain to attract bumper houses.

"MARRIAGE", Newcastle Morning Herald and Miners' Advocate (31 July 1883), 2

http://nla.gov.au/nla.news-article135953247 

WOOD - TOWERS. - July 24, by the Registrar of Newcastle, N.S.W., Herbert William Wood (Dubois), son of the late Major H. W. Wood, Madras Royal Engineers, to Rosa Towers, of the Rosa Towers' Dramatic Company.

"In memoriam", The Sydney Morning Herald (16 January 1888), 1

http://nla.gov.au/nla.news-article13677169 

TOWERS, Annie (Mrs. Frank Towers) - In memory of our dear sister died 19 November 1887 at Whoro (India), inserted by Arthur, Harry, Emily and Harriet Buckingham.

"DEATHS", Wanganui Chronicle (6 August 1895), 2

https://paperspast.natlib.govt.nz/newspapers/WC18950806.2.5 

Glogoski - On the 4th August, at the Wanganui Hospital, Mary Jane, wife of Samuel Glogoski, of Durietown; aged 45.

[Advertisement], Wanganui Herald (23 October 1897), 4

https://paperspast.natlib.govt.nz/newspapers/WH18971023.2.35.2 

Mr. Symons Glogoski, VICTORIA AVENUE, WANGANUI,
IS the Sole Agent in Wanganui and District for the DRESDEN PIANO COY., Of Wellington. PIANOS AND ORGANS, By practically every leading maker in the world, on Time Payments from 20s Monthly. Instruments Tuned and Repaired in all its branches. THE DRESDEN PIANO COMPANY, Wellington.

"STORIES OF THE THEATRE", Arrow [Sydney, NSW] (21 December 1917), 3

http://nla.gov.au/nla.news-article103530824 

. . . Rosa Towers, I believe, was married thrice - the third time to a doctor who practises in Queensland . . .

"FAVOURITE STAGE COOK", The Sydney Morning Herald (27 August 1940), 12 women's supplement

http://nla.gov.au/nla.news-article17686152 

"KATIE TOWERS DEAD", Goulburn Evening Post (30 August 1846), 3

http://nla.gov.au/nla.news-article103302308 


Bibliography and resources:

"Buckingham, George and Buckingham, Rosetta", Te Ara (Encyclopedia of New Zealand)

http://www.teara.govt.nz/en/biographies/1b43/buckingham-george 

Research papers (Adrienne Simpson) on Rosa Towers and the Towers family; National Library of NZ, MS-Papers-10782-068

https://natlib.govt.nz/records/22770267 




GLOVER, Kate (Kate GLOVER)

Vocalist ("the Ballarat Nightingale")

Active Ballarat, VIC, 1855; Rutherglen, VIC, 1860

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOVER-Kate (shareable link to this entry)


Documentation:

"DIGGINGS NEWS. AMUSEMENTS", The Age (9 March 1855), 5

http://nla.gov.au/nla.news-article154852083 

. . . And, to crown all, the boards of the Dr. Johnson Saloon draw delighted audiences to hear the comic and original ebullitions of Thatcher, and the sweet charming strains of the Ballarat nightingale, Miss Kate Glover.

ASSOCIATIONS: Charles Thatcher

"WAHGUNYAH NEWS (from the Murray Advertiser) . . . ROYAL PAVILLION THEATRE", Ovens and Murray Advertiser (3 November 1860), 3

http://nla.gov.au/nla.news-article112915812 

Mr. Murray, the enterprising caterer for public amusement, has erected a large Theatre in Argyle Street, Rutherglen, and it will be observed by our advertising columns that performances of a most attractive character will take place on Saturday and Monday nights next. Mr. Murray has added to his company the talented Miss Kate Glover, who has earned many laurels even in Melbourne and Sydney.

"WAHGUNYAH NEWS (from the Murray Advertiser) . . . EXCITEMENT AT MURRAY'S ROYAL PAVILLION THEATRE", Ovens and Murray Advertiser (21 November 1860), 3

http://nla.gov.au/nla.news-article11291589 

A few days since the celebrated Miss Kate Glover called at this extraordinary place of amusement for some books she had lent Mr. Murray who, however, treated the lady with great coolness, but she on the contrary gave way to the natural warmth of her disposition and as they happened to be in the bar at the time, she avenged the insult by letting Mr. Murray feel the startling effect of a contact between his glasses and his head. The affair created quite an excitement, and of course the lady was applauded for her spirit and bravery.




GLOVER, Stephen (Stephen Ralph GLOVER; Stephen GLOVER; S. GLOVER)

English song composer [NEVER CAME TO AUSTRALIA]

Born London, England, 1812/13
Died England, 7 December 1870

http://nla.gov.au/nla.party-990333 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOVER-Stephen (shareable link to this entry)

GLOVER, Charles William (Charles William GLOVER; Charles GLOVER; C. W. GLOVER; C. GLOVER)

English song composer [NEVER CAME TO AUSTRALIA]

Born London, England, 1806
Died London, England, 23 March 1863

http://nla.gov.au/nla.party-1128105 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-G-1.php#GLOVER-Charles-William (shareable link to this entry)


Summary:

Neither of the brothers, Stephen Glover and Charles William Glover, both popular song composers, ever visited Australia, though many of their songs were popular here.

One imported ballad, elsewhere in the local press attributed simply to "Glover", The Australian emigrant appeared anonymously, in a pirate edition, as the first number of Henry Marsh's 1855 weekly serial The Australian musical cadeau.

It had been first introduced in Miska Hauser's concert in Sydney in April 1855 by the recently-arrived English actor-singer, Eliza Craven (daughter of Sidney Nelson).

Originally entitled The Song of the Australian settler, it was one of several Australian songs written by Stephen Glover and lyricist Charles Jefferys for Henry Smith's Australian Entertainment (London, 1852), along with The queen of the south and Farewell to England.

Charles Glover also slightly later (c. 1857) published the song cycle, Songs of the emigrants, to words by W. H. Bellamy.


Documentation:

[Advertisement], The Sydney Morning Herald (26 April 1855), 1

http://nla.gov.au/nla.news-article12968589

. . . A GRAND EVENING CONCERT of Vocal and Instrumental Music in Aid of the
PATRIOTIC FUND, for the Widows and Orphans of our brave defenders in the cause of Freedom and Right, in the Crimea, will take place on
SATURDAY, the 28th of April, 1855, at the ROYAL VICTORIA THEATRE . . . Mr. Henry Marsh will preside at the Piano.
PROGRAMME. PART I . . . 9. Ballad - "The Australian Emigrant," Mrs. Craven - Glover . . .

[Advertisement], The Sydney Morning Herald (2 June 1855), 8

http://nla.gov.au/nla.news-article12969954

AUSTRALIAN CADEAU, published THIS DAY, subscription six shillings per month, post free. MARSH and CO.
NO. 1 of the AUSTRALIAN CADEAU contains Glover's new tallad, The Australian Settler. MARSH and CO.

"THE AUSTRALIAN CADEAU", The Sydney Morning Herald (15 June 1855), 5

http://nla.gov.au/nla.news-article12970521

Under this appropriate title Messrs. H. Marsh and Company, have commenced the publication of a weekly musical serial, which promises to have an extensive and permanent circulation. The design is to produce, at a very trifling cost, a succession of favourite vocal and instrumental compositions; the selections being from the best masters, and the getting-up to be in a style of elegance suitable for the music-stands of the drawing-room and boudoir. The facilities now (by the liberality of the Legislature) given for the transmission of printed music through the Post-office, and the extremely low rates of postage, twopence, for example, for the Australian Cadeau, offer an acceptable boon to our fair friends in the distant rural districts, who are now enabled to supply themselves with every new publication at an exceedingly low cost. The selections for the first two numbers of the Cadeau are the Australian Emigrant, and a Valse Militaire, by Vincent Wallace, a very brilliant composition.

[Advertisement], The Sydney Morning Herald (20 June 1857), 8

http://nla.gov.au/nla.news-article12997354 

CHOICE VOCAL MUSIC . . . Songs of the Emigrants, by Glover, Illustrated: No. 1, The Resolve; No. 2, The Farewell; No. 3, The Voyage; No. 4, The Landing; No. 5, The Homeland; No. 6, The Home Prayer, each 2s 6d. . . .
J. R. CLARKE, Music seller, 205, George-street, Sydney.


Musical editions:

The Australian emigrant (Sydney: H. Marsh & Co., [1855]; The Australian cadeau, no. 1)

https://trove.nla.gov.au/work/6889071

http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?embedded=true&toolbar=false&dps_pid=IE3725649 (DIGITISED)


Other sources:

Henry Smith's emigrant's voyage and travels in Australia, as first produced at the St. James's Theatre, London, an entertaining description of the Australian emigrant's career from the docks to the diggings, comprising a variety of original songs, written expressly for this occasion, and illustrated by twenty-seven panoramic views, from the pencils of Messrs. Wilson, Desvignes, Mills, Thompson, &c., the whole under the direction of Mr. R. Randle (Birmingham: J. Turton, 1853)

https://trove.nla.gov.au/work/18656626/version/21902104 (DIGITISED)

J. E. Carpenter (ed.), The book of modern songs (London; Routledge, 1858), 219

http://books.google.com.au/books?id=IIIvAAAAYAAJ&pg=PA219 (DIGITISED)

"Mr. H. SMITH'S AUSTRALIAN ENTERTAINMENT", in John Diprose (ed.), The red, white & blue monster song book (London: J. A. Berger, 1860), 106

http://books.google.com.au/books?id=qHoVAAAAQAAJ&pg=PA106 (DIGITISED)




GLYNDON, Emily (Emily GLYNDON)

Actor

Active Sydney, NSW, by October 1855






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